Powwow Summer

Part Ojibwe and part French, eighteen-year-old River lives on a farm with her mother and stepfather. After graduating high school, she looks forward to spending her last summer before university with her friends, but she struggles with her identity after years of racist bullying. On top of this, she must deal with doubts about her relationship with her boyfriend, as well as her stepfather’s violent tantrums.  

When River’s mother reveals that she’s been seeing someone else, River supports her. But when River’s mother tells her that she wants them to leave in the dead of night and move in with her new boyfriend, River feels conflicted and angry. After a conversation with her mother turns heated, River buys a bus ticket to Calgary to stay with a friend. On the way, she is intercepted by a call from her dad, who invites her to stay with him instead. River agrees, and so begins a summer in the city with her father and grandmother, both of whom are Ojibwe. While staying with them, River learns about the lives of people in her community and grows especially close to her grandmother (or nokomis), Grace. 

Over the summer, River encounters new situations. She joins a healing circle. She goes to her first bar with her dad and, later that night, her first North Side party. She learns about the intergenerational effects of residential schools and other issues facing the Ojibwe community. Eventually, River attends a powwow. At the afterparty, River gets drunk and witnesses a knife fight between two gang members. Not thinking straight, River takes pictures of the fight, including a selfie in front of it that prominently displays her red bandana. When she posts the pictures online, they go viral and the comments are filled with threats from people who interpreted her bandana as gang affiliation. River panics, takes down the photos, and asks her family for advice.  

But the damage has already been done. While coming out of a convenience store, she is attacked by two girls who want to be initiated into a gang. Although she is terrified by this incident, River chooses not to press charges after hearing their experiences during another healing circle. Later on, she shares an especially profound moment with her grandmother while they gather birch bark. At the end of the summer, River returns home with a new sense of self and a plan to major in Indigenous Studies.  

Powwow Summer is ultimately an uplifting story that centers around River’s experience of learning about and growing close to her culture. But the novel doesn’t shy away from the struggles that can come with being indigenous. A prologue at the beginning of the book details the racist bullying that River endured in grade school. While the story doesn’t linger on this, River alludes to the bullying in a conversation with her mother, where River recalls being singled out by a racist elementary school teacher.  

Another issue that frequently pops up in the background of the story is the issue of missing and murdered indigenous women. River feels her heart sink when she observes a team of volunteers dragging the Red River in search of a missing woman. This comes up again when River attends a healing circle and hears one of the members talk about his cousin’s recent suspicious death. The family believes it may have been an overdose, but the police do not seem to care. It is even revealed that the two girls who jumped River only did so because they believe a gang will offer them protection from “perverts and Indian killers.” 

Also looming over the narrative is the memory of residential schools, where River’s grandmother and others endured years of abuse. River grows especially close to her grandmother and wonders how she is able to remain so strong despite such hardships. These three issues are far from the only issues that Powwow Summer tries to tackle. The novel includes a wide range of issues in less than 200 pages, and at times the scope may be a little too broad. Readers may find the plot complicated, but the various threads are woven together skillfully.  

Powwow Summer is told through both conventional chapters and River’s journal entries, which are usually one to two pages long. River is a likable character with believable struggles, but she also witnesses many other peoples’ struggles, and some readers may be disturbed by these intense scenes. Ultimately, Powwow Summer is a powerful story about identity headed up by a likable and well-developed main character. Powwow Summer is best suited for readers interested in historical fiction or who want to learn more about Ojibwe culture.  

Sexual Content 

  • When River tries to alert the teachers about the harsh bullying she receives from boys at school, the teachers say that boys teasing her means that they “like” her. 
  • While at the beach, River notices some younger teen boys gawking at her as she applies sunscreen to her friend’s back and observes that the towels in their laps seem “a little too strategic.” 
  • When River jokes about riding a horse in the Canada Day parade, her boyfriend tells her that it would add “sex appeal.” 
  • One of River’s friends denounces a potential love interest as not a “real lesbian.” Her friend says, “If you don’t like tacos, then go back to the hot dog cart already. I can’t be someone’s experiment.” 
  • River kisses her boyfriend several times. 
  • River brings a blanket to a day trip with her boyfriend. She intends to use it for a picnic, but adds “and then if you’re good, we’ll see what else we can do with, or under, it.” Nothing ends up happening at the day trip because River is a virgin and reluctant to have sex until she is sure that she is ready. 

Violence 

  • When River leaves some of her equipment on the front porch, her stepfather Randy reacts violently by “smash[ing]” fine china “against the brick chimney beside the dinner table.” Blood “splatter[s]” on River and “drip[s] from his hand.” 
  • A grade school teacher singled out River. When River would talk in class, the teacher began “pok[ing]” her and “slapp[ing]” her.  
  • River witnesses a gang fight between two men. One “[holds] a knife to” the other’s throat. He does not actually cut the other man. 
  • After her post goes viral, two girls approach River in a store parking lot and attack her. One girl “[swings] her fist” and punches River. When River falls to the ground, the girls “[stomp] on River’s foot and calf.” 
  • River receives several online threats including one that warns her, “You are gonna wish you killed yourself, after you find out what they are going to do to you.” 

Drugs and Alcohol 

  • In a flashback, River overhears two bullies say, “Indians are mostly drunk people on welfare.” The bullies speculate that River is “drunk at school” and that she “drinks Listerine and sniffs gasoline from a paper bag.”  
  • River’s friend relays that a party is going to have “lotsa babes and booze.” 
  • River’s stepfather drinks heavily. 
  • River’s father orders her a rum and coke from a bar.  
  • At a party, two girls do cocaine near where River is trying to sleep. They offer her some, but she declines. 
  • River gets drunk at a powwow afterparty. 

Language  

  • Bullies at school refer to River’s eyes as “dogshit brown.” 
  • In a flashback, River gets called a racial slur by her peers. 
  • The word “shit” is used frequently throughout the narrative. 
  • “Bitch,” “slut,” “damn,” and “hell” are also used at times. 

Supernatural 

  • None 

Spiritual Content 

  • At a youth night, River smudges herself with sage and wafts tobacco smoke from a bowl. The youth leader explains that the smoke carries prayers up to the Creator.  
  • River “ask[s] the Creator for a sign” or “something that would show her the path she was supposed to be on.” 

Handbook for Boys: A Novel

After a fight with another student, sixteen-year-old Jimmy is charged with assault, a crime that would normally get him six months in juvenile detention. But the judge offers him an alternative: a six-month community mentoring program run by a man named Duke Wilson. On the judge’s request, Jimmy begins working at Duke’s barbershop. There, he and another student named Kevin meet Duke’s “old guy” friends, who have a lot to say about life.   

At first, Jimmy finds his time at the barbershop unbearable. Duke and his friends frequently tease Jimmy, and each new customer prompts them to launch into a philosophical conversation relating to Duke’s “rules of life.” Gradually, Jimmy begins to warm up to Duke and his friends. Despite his skepticism about their rules, Jimmy continually sees Duke’s wisdom about making choices reflected in other parts of his life. Eventually, Jimmy must grapple with his friend Kevin’s choices that lead to Kevin’s arrest for drug possession.  

 A major theme in Handbook for Boys is intergenerational differences. Jimmy and Kevin are teenagers, while the men at the barbershop are repeatedly described as “old guys.” The novel is told from Jimmy’s perspective and, as a result, readers may be sympathetic to Jimmy’s concern that Duke can’t “understand what it is to be young now.” The rift that this creates is frequently commented on. Jimmy initially finds Duke’s advice to be judgmental, but he comes to accept much of it in the latter half of the book. 

Another prominent theme is the role of agency in everyday life. Duke and his friends firmly believe that people decide their own fate and are therefore always responsible for what happens to them. In fact, this belief is central to Duke’s philosophy. Jimmy initially disagrees. When Duke first posits his “pull yourself up by the bootstraps” mentality to him, Jimmy says, “Anybody can make a mistake, but you figure everybody should be perfect. You’re not even perfect.” Jimmy pushes back in similar ways at various points in the story, but he also seems to internalize Duke’s worldview.  

Jimmy’s empathy makes him a likable character, and readers who often butt heads with respected elders may find him relatable. But even though the story is written through Jimmy’s eyes, he mostly serves as a vehicle for the lessons taught by Duke and his friends. Told as a series of conversations about life, Handbook for Boys frequently prioritizes life lessons over plot. Young readers looking for a clear storyline may find the novel’s philosophical tone preachy or see the issues explored in the story to be dated. 

Ultimately, Handbook for Boys is an insightful look into mentorship and second chances that presents some potentially helpful advice for young people, including the importance of making choices that better their lives. However, it occasionally leans too heavily into its advice-giving side at the expense of staying engaging. Readers who want an entertaining story about overcoming obstacles may want to skip Handbook for Boys and instead read the Hazelwood High Trilogy by Sharon M. Drape or the Alabama Moon Series by Watt Key. 

Sexual Content 

  • Duke and the guys discuss the dangers of pregnancy and venereal diseases like AIDS. Duke says that he’s not willing “to risk [his] health for a few minutes of pleasure,” but tells Jimmy and Kevin “[w]hat you want to do with your life is your business.” 

Violence 

  • Jimmy is on probation for assaulting another student. He describes the incident by saying, “We got into it and I wasted him. But then I was so mad that when it should have been over, I kept punching him. I knew it was wrong because he was hurt bad. His nose was broken and his lip was cut.” 
  • When Kevin makes a crack at him, Jimmy threatens to punch him in the face. The barbershop guys chastise Jimmy for the comment. 
  • One of Duke’s friends speculates about the life of a man in prison, saying that the man must be worried “somebody is going to stick a shank in” him. 
  • After another argument with Kevin, Jimmy thinks about “smashing his face.” 

Drugs and Alcohol 

  • Kevin’s mom catches him smoking weed and turns him into the police. 
  • A customer at the barbershop tells a story about getting arrested for accidentally purchasing a stolen watch. The previous owner sold it to the customer in order to buy drugs.  
  • Duke refers to a woman outside the barbershop as a “junkie,” which leads to a conversation about why people do drugs and the importance of avoiding them. 
  • One of Duke’s friends brings up the dangers of contracting AIDS from a drug needle. 
  • Kevin fails a drug test and is later arrested for possession. 

Language  

  • Jimmy calls a philosopher lame. 
  • The word crap is used several times. 
  • Words like stupid and dumb are occasionally used. For example, Jimmy refers to his uncle’s dog as stupid. 

Supernatural 

  • None 

Spiritual Content 

  • Duke asks Jimmy if he went to church Sunday morning. 
  • A woman comes to the barbershop and asks one of Duke’s friends to pray for her. 
  • Jimmy’s great-aunt Sister Smith visits and asks whether Duke is talking to Jimmy about “choosing the ways of the Lord over the ways of the world,” among other spiritual concerns. Jimmy is uncomfortable with the conversation. 
  • A customer says he needs a “good Christian man” to cosign a loan for him. 

500 Words or Less

Nic Chen doesn’t want to spend her senior year known as the girl who cheated on her lovable boyfriend with his best friend and made him transfer schools. She doesn’t want to continue to be ostracized. She doesn’t want to be stared at as she walks down the hallway or have people write “whore” on her locker in lipstick. So, when an opportunity arises to write a classmate’s college admissions essay, Nic tries to use it as an opportunity to rebrand herself and change her reputation. 

As Nic is asked to write more and more essays, she begins to walk in her classmate’s shoes. But the more essays Nic writes, the more unsure of herself she becomes. Weighed down by the guilt of cheating on her ex-boyfriend and writing other people’s essays, Nic questions the person she is becoming and if she is still the perfect straight A, Ivy League-bound teenager society wants her to be. 

Written in poetic verse, 500 Words or Less is very approachable and is a great introduction to poetry and novels written in verse. Interestingly, Rosario includes the essays that Nic writes for her classmates throughout the book. Told mainly from Nic’s perspective, the reader will see Nic’s journey as she learns to move on from her failed relationship, deals with the heartache of breaking up with her first love, and rebuilds herself knowing she acted terribly wrong. Nic is a complex character. She is a determined, passionate girl, who has admittedly made mistakes. Readers will relate to Nic’s struggles with self-confidence, knowing who she is, and wondering if her actions define her. She explains, “I’m still the girl / who cheated on her boyfriend, / the girl who cheated / on those essays, / the girl who cheated / because maybe / that’s who I am.” Throughout this book, Nic learns to forgive and accept herself as well as forgive the people who have hurt her. 

Through Nic and her classmate’s experiences in their senior year of high school, 500 Words or Less takes a look at the pressures of high school and of getting into the right college. Nic explains that she and her classmates “waited for our lives to change / with a single e-mail / from a university / that wanted us.” Furthermore, Nic explores the pressure she and her classmates receive from their parents to be successful and get into the right school. When Jordan, an old friend, tells Nic he is no longer going to Princeton, he explains, “I was always supposed to go / to Princeton. / Because I was supposed to become / my father, / and my father is an asshole.” In the end, Nic and Jordan end up not going to Princeton. Rather than following their parents’ dreams for them, Nic and Jordan decide to do what’s best for themselves, showing that getting into the perfect college will not make or break someone’s life and that any path after high school is valid. 

500 Words or Less also touches on the topic of sexism. Nic points out that while people began to alienate her and write “whore” on her locker, everybody still likes Jordan, the guy she cheated with. She thinks to herself “was there even a male equivalent / to the word ‘whore?’/ There were words/ but none that carried / the same weight.” While Nic is outcasted, Jordan remains the popular kid, showing the blatant misogyny in the treatment of men and women even when they both make the same mistake. 

The book also touches on racism. When Jordan asks Nic for help on homework in Japanese, Nic says, “You know I’m part Chinese, Jordan.” Jordan responds, “It’s like the same thing- / Chinese, Japanese, Korean.” In another instance, a friend tells Nic that she’s “lucky because / half-Asians were always prettier than/ white girls like her.” Nic feels uncomfortable when her friend tells her this. However, Nic isn’t the only person who feels stereotyped. In a college application essay, an African American classmate writes, “I want to attend [this college] because I want to be more than a football player. In America, this is not what young black men are supposed to do . . . I want to be more than an athlete, more than a black man who has a great arm.” Although people would like to “forget that race exists,” Nic points out the subtle ways racism leaks into society, negatively affecting people of color.  

Furthermore, 500 Words or Less examines classism, as Nic’s school is predominantly full of upper-class students whose parents can afford to “[donate] handsomely to the school” they are applying to. Nic herself comes from a wealthy family. She admits that even though she charges $300 per essay, she doesn’t need the money. However, there are a few students who are lower class and do not have the same opportunities as the richer students. Unlike the rich students who know they can go to college no matter what, to some of these students going to college “means everything” as it is a path to upward social mobility.  

Overall, 500 Words or Less is an engaging book, written uniquely with a diverse cast of characters. However, it’s best for mature readers because of the profanity, alcoholism, and normalized teenage drinking. Readers who are applying to college and figuring out what they want to do after high school will relate to Nic’s story and learn that getting into the perfect school is not everything. Furthermore, 500 Words or Less explains that the choices you make in high school do not define you. If you’re ready to jump into another engaging book with a protagonist who is trying to figure out who she is, grab a copy of I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez. 

Sexual Content 

  • At a party Nic throws, she and her boyfriend went into her father’s office to find a drink. Nic remembers she was “drunk / on love / and alcohol. / I ran my fingers along the side of his body. / He squirmed / and smirked / and grabbed my hand in his. / He pulled me closer. / Our lips met.” He begins to tug at “the zipper on my dress, / fumbled with the clasps on my bra. / I unlocked my lips and stepped away.” Nic is worried someone will find them and leads Ben up to her room. She describes, “I untangled my hand from his / and fell on top of my bed . . . / [He] fell on top of me . . .  / [and] this time I didn’t stop him.” 
  • On a date, Nic and her boyfriend stop for a bite to eat. As the two eat, Nic thinks, “I wanted to kiss him.” 
  • At Jordan’s party, Nic and Jordan “ended up / upstairs” and have sex. It is suggested that they have sex once or twice more.  

Violence 

  • Nic’s boyfriend dies in a tragic snowboarding accident. Nic explains “teenagers didn’t die in avalanches/ they died in / car crashes, / drunk-driving accidents, / drug overdoses, / gunshot wounds, / or suicide.” After the accident, Nic heavily researches avalanches to understand how he died. She finds out “the force alone / of snow / sliding down a mountain / can kill you,” or “one suffocates after being trapped / in the snow / for thirty minutes.” 

Drugs and Alcohol 

  • During a family dinner, Nic’s father drinks wine. 
  • Nic’s mother was a heavy drinker. Nic remembers how her mother “couldn’t / French braid / my hair / because she was / drunk.” Her father would often find her mom “slumped in a chair” with “an empty bottle of wine” when he came home from work.  
  • Nic remembers how “Mom poured herself another / from a bottle of chardonnay / on one of the last nights / before she disappeared.”  
  • When Nic and her friend Kitty arrive at a party, they are greeted by the host, who smells like “a pitcher of margaritas.” At this party they find “handles / of cheap vodka, rum, and whiskey / wafting toxic smells on the kitchen counter,” along with a variety of mixers.  
  • At the party, Kitty pours “everything- / and I mean everything, / including the dredges of empty bottles- / into a plastic cup” and takes “a large gulp.” Nic leaves the party without checking on Kitty, leaving her “shit-faced” and extremely “drunk.” 
  • Nic reminisces on the party she threw two years ago where she first reconnected with her boyfriend. “Strangers filled empty spaces, / squeezing by, / finding friends / and a beer.” Nic found him in the kitchen drinking “a Keystone Light/ slowly.” The pair go into Nic’s father’s study and she offers him “whiskey, bourbon, or scotch” and pours the two of them “a glass of Glenrothes 1970 / single-malt whiskey,” which Nic explains is a “five-thousand-dollar bottle / of whiskey.” 
  • In a draft of an essay Nic is writing for someone else, she writes about this person’s mother who “is an alcoholic, which leads me to my biggest fear in college—drinking. . . I go to parties all the time. . . But I don’t drink. I haven’t drank.” 
  • At a barbecue, someone asks Nic to “grab a beer for me.” 
  • Nic reminisces about how it all went wrong with her ex-boyfriend. She thinks, “it was polishing off a bottle of Jameson / with Jordan / last summer, / at his party.” As Nic leaves this party she encounters “stragglers smok[ing] / cigarettes and weed.” 
  • Nic remembers previous Christmases where here mom “drank a bottle of Riesling / and passed out under the tree.” 

Language   

  • Profanity is used often. Profanity includes whore, shit, bitch, goddamn, fuck, slut, ass, and asshole.  
  • After the school finds out that Nic cheated on her boyfriend, her peers begin to bully her, calling her names like “slut” and repeatedly writing “whore” on her locker.  

Supernatural 

  • None 

Spiritual Content 

  • None 

The Way You Make Me Feel

Sixteen-year-old Clara Shin doesn’t take life too seriously, but when she pushes one joke too far, her dad sentences her to a summer working on his food truck the KoBra. Clara was supposed to go on vacation to Tulum to visit her social media influencer mom; she was supposed to spend lazy days at the pool with her buddies. Instead, she is stuck in a sweaty Korean-Brazilian food truck all day, every day? Worse still, she is working alongside her nemesis, Rose Carver. It’s definitely not the carefree summer Clara had imagined.  

But as time goes on, it turns out that maybe Rose isn’t so bad. And maybe the boy named Hamlet (yes, Hamlet) who’s crushing on Clara is pretty cute. And perhaps Clara actually feels invested in her dad’s business. What if taking this summer seriously means Clara has to leave her old self behind?  

Clara doesn’t mind being the center of attention if she’s carrying out a prank or causing mischief. Because of her bad attitude, Clara is a surprisingly unlikable protagonist who always focuses on herself. Even though Clara befriends Rose and Hamlet, the reader is left wondering why two nice, over-achieving teens would spend time with Clara. When forced to work at her father’s food truck, Clara matures slightly. Unfortunately, Clara’s personal growth doesn’t make up for her poor attitude and her transformation at the end of the book is not believable. 

While there is a host of other characters in the book, none of them are well-developed. Clara’s nemesis, Rose, seems like a well-adjusted teenager, yet she has no friends. Rose’s lack of friends is not believable because it is never explained why she has no friends. Plus, after years of hating each other, the girls quickly become besties, which is a little unrealistic. In addition, Clara’s father ignores his daughter’s outrageous behavior and temper tantrums. Even when Clara travels out of the country to visit her mother without telling him, her father’s reaction is mild. Because Clara is the only character who is well-developed, readers are left confused—why do Rose and Clara’s father act as they do? 

The Way You Make Me Feel has a unique premise that revolves around a food truck; however, most of the conflict comes from Clara and Rose bickering, which becomes tedious. Several times throughout the story, Rose’s old friends appear—however, they are equally unlikable and add little to the story. The lack of character development and the absence of genuine conflict make The Way You Make Me Feel a book that will be quickly forgotten. While The Way You Make Me Feel is a disappointing read, Maureen Goo’s other books—Somewhere Only We Know and I Believe in A Thing Called Love—are excellent books that will make your heart swoon. However, If you’re hungry for a food-related romance, both A Pho Love Story by Loan Le and Love & Gelato by Jenna Evans Welch are sure to please. 

Sexual Content 

  • While at a school dance, Clara and her friends “passed the time by taking Snapchats of people making out or groping one another on the dance floor.” 
  • One of Clara’s neighbors saw Clara “making out with my boyfriend” and doused them with a hose. 
  • Clara tells a friend that she and her boyfriend “made out so many times.” 
  • After Hamlet and Clara go on a date, Clara kisses him. Clara “took a step forward, and tugged him by his shirt until our hips bumped. . . I got up on my tippy-toes to reach his lips, and brushed them over his. . . He drew me in closer until our bodies were pressed against each other, one of my hands still clutching his shirt, the other wrapped around his neck, curling into his hair.” 
  • Hamlet’s mom “bought an American customer-service telemarking company in Beijing but didn’t realize until weeks into it that it was for sex toys.” 
  • After coming back from a trip, Hamlet picks Clara up from the airport. “Then he leaned over and kissed me. Kissing Hamlet felt like coming home, for real. I stood up on my toes to deepen the kiss. . .” They kiss several other times, but it is not described. 

Violence 

  • While at prom, Clara and her friends pull a prank. After being voted the prom queen, one of Clara’s friends dumps a bucket of fake blood on her. Rose, who helped plan the prom, got angry and grabbed onto Clara’s wrist. “Rose growled as she let go of one of my wrists to take another swipe at my crown. . . There were a few people onstage now, dragging us apart.” The two girls slip on the fake blood and knock over a lantern that causes a fire. 

 Drugs and Alcohol 

  • In ninth grade, Clara smoked a cigarette in the school bathroom. It was her first time trying a cigarette, but she got caught and was suspended. 
  • Clara and her friends go to a party and drink beer. 
  • Clara and her mom go to a party. While at the party, Clara “continued to drink—people kept offering me shots and various frosty cupped drinks with fruit in them.” Clara gets drunk and has a hangover the next morning. 
  • The morning after the party, one of Clara’s mom’s friends was drinking a Bloody Mary. 

Language   

  • Clara calls people names including jerk, nutjob, dick, butt-kisser, incompetent clown, and total fascist. 
  • Clara’s dad tells her that she is acting like a “little butthole.” 
  • Oh my God, God, and Jesus are all occasionally used as exclamations.  
  • Profanity is used sometimes. Profanity includes ass, damn, crap, freaking, piss, and WTF.  

Supernatural 

  • None 

Spiritual Content 

  • When Clara’s friend Patrick gets injured, he texts her saying his parents “think Jesus was punishing them for letting me date you.” 

The Nebula Secret

Adventure, danger, and a thrilling global mission await 12-year-old Cruz Coronado as he joins an elite school for explorers.

Cruz leaves his tranquil home in Hawaii to join 23 talented kids from around the globe to train at the Explorer Academy with the world’s leading scientists. Their goal is to become the next generation of great explorers.  

But for Cruz, there’s more at stake. The moment he arrives at the Academy, he discovers his family has a mysterious past with the organization that could jeopardize his future. In the midst of codebreaking and cool classes, new friends and augmented-reality expeditions, Cruz must tackle the biggest question of all: who is out to get him … and why? 

The Nebula Secret focuses on Cruz, but the third-person narration allows readers to get a glimpse into other characters as well. Due to the large cast of characters, Cruz is the only character that has any depth. As far as the other academy students, most of them are only introduced briefly and readers will have to pay close attention to remember all their names.  

Cruz’s conflict is multifaceted. Someone is trying to kill him, but Cruz doesn’t know who or why. This makes it difficult for Cruz to know which students and teachers to trust. In addition, Cruz’s mother left him clues to decode. The questions behind Cruz’s mother’s death add to the mystery. Plus, the story is interspersed with suspense and high action that keeps readers entertained until the very end. 

The Explorer Academy has high expectations for the students. Despite this, making mistakes is seen as a learning opportunity. While students’ grades are important, getting an A isn’t the priority. Instead, the school encourages integrity, honesty, and compassion. Furthermore, teachers reinforce the importance of teamwork and often require students to work with their classmates. No one is expected to be a perfectionist. In the end, this theme is reinforced when one student’s desire to be perfect leads to him being expelled. 

The Nebula Secret combines a well-written story with maps and illustrations that appear every two to twelve pages. Many of the illustrations are a mix of photographs and drawings, which give the pictures a touch of realism. Another positive aspect of the book is that famous people and places are mentioned, including the Monarch Butterfly Biosphere Reserve and Nellie Bly, who said, “Energy rightly applied and directed will accomplish anything.” These references may spark readers’ interest to learn more about these people and places. Plus, the book includes a section titled The Truth Behind the Fiction; these pages combine pictures and short blurbs on people mentioned in the book who have interesting jobs.  

Unfortunately, the conclusion of this story isn’t believable. Instead of wrapping up the story thread, Cruz learns that his mother has left more clues that will lead him to a formula that she invented. Even though Cruz’s mother knew it would endanger her son’s life, she left him these clues that only he can follow. To make matters worse, Cruz will have to find eight different locations to piece the formula together. Not only does this make the scenario difficult to believe, but it also sets up a series that must be read in order. Before you pick up the Explorer Academy Series, make sure you’re willing to invest the time to read all seven books in the series. Readers who aren’t ready to jump into a long series may want to check out the Secrets of the Seven Series by Sarah L. Thomson or the City Spies Series by James Ponti instead. 

Sexual Content 

  • None 

Violence 

  • While surfing, a scuba diver grabs Cruz and pulls him under water. Cruz “lashed out and his fist hit something smooth and hard. . . His thrashing had knocked the air hose loose from the diver’s tank. Cruz felt a sharp pain in his ankle and then, suddenly, he was free!” Cruz makes it to safety with only a cut ankle. 
  • Cruz was alone in a hallway when “he saw an arm shoot out. Fingers locked on to the front of his shirt and spun him around so fast he nearly went airborne. Cruz’s spine hit cold stone. The person warns Cruz, ‘They killed your mother. They will not hesitate to kill you, too.’” 
  • A man chases Cruz and his friends, who run and hide in a janitor’s closet. “Tendrils of smoke were curling up from under the door. . . His vision blurring, Cruz couldn’t tell if his friends were still conscious.” The students realize that the gas is deadly. With the help of Cruz’s drone, they escape. A teacher finds them and gives them an antidote to the gas.  
  • During a simulated mission, Cruz and his classmate Sailor see men illegally chopping down trees. When the men see the students, they begin shooting. “Cruz had lost the trail, but spotted an opening in the trees ahead of them. The clearing! If they could reach the group, maybe the men would give up chase . . .” The kids become trapped between the men and a waterfall. Cruz says, “We might survive the fall. We won’t survive the gunshots.” They jump over the cliff. “In the simulator, however, the pair had dropped only about 15 feet before landing on a huge inflatable cushion.” 
  • While on a simulated mission, a man corners Cruz. The man tells Cruz that he is going to kill him, but before he can attack “his attacker collapsed at his feet. . . Next to him was a lanky man in a lab coat clutching a giant dinosaur bone.” The attacker is arrested. 
  • The academy’s librarian, Rook, threatens Cruz and his father with a laser. “A red laser beam shot from the device. In seconds, the burst had burned a hole clean through the ceiling. And the roof, too!” 
  • In order to get free from Rook, Cruz “flung the book at Rook, who ducked, but not fast enough. The novel smacked him in the face. . .” Then Cruz’s honeybee drone “zeroed in on Rook, and began poking the librarian. She zipped up and down, left and right, stinging him on the shoulder, the face, the head, the chest, then back to the face.” Rook is arrested. 
  • While struggling with Rook, Cruz is hit with the laser. The doctor tells him, “A few millimeters to the right and it would have burned a hole right through you.” As it was, Cruz’s injury was “starting to blister and ooze.” 

Drugs and Alcohol 

  • None 

Language   

  • Occasionally, a student calls another boy a dingleberry. 
  • Heck and darn are both used once. 

Supernatural 

  • None 

Spiritual Content 

  • None 

Halloween Is Coming!

Halloween Is Coming! follows three unnamed friends delighting in the early signs of Halloween. Together, the friends enjoy the fall weather, hayrides at their town fair, picking pumpkins to carve into Jack-o’-lanterns, dressing up for their school parade, and several other activities. Finally, they make their own costumes to wear for trick-or-treating. Then, the long-anticipated night arrives. 

This sweet and short book is a celebration of autumn and Halloween, clearly written and illustrated by lifelong Halloween enthusiasts. Halloween Is Coming! is a great pick for younger readers who are looking for a story that captures Halloween’s fun side, while staying away from its scarier side. 

Most illustrations are spread across two pages, with monsters, ravens, and other symbols of the holiday hidden in the background. Typically using shades of orange and yellow, the illustrations feature multicolored trees, candy store windows brimming with detail, and unique costumes for every character. Younger readers will enjoy the characters’ diverse and elaborate variety of costumes, ranging from checkerboarded jesters to scaly dinosaurs. The narration is a passionate love letter to Halloween, told in rhyme and limiting itself to one to three sentences per page. 

Although the book does not follow a traditional story, readers will still detect themes of friendship, enthusiasm, and creativity. The relationship shared by the three main friends will teach kids that Halloween should be less of a day dedicated to scaring, and more of an opportunity for you to express your creative, unique self alongside the people closest to you. 

Sexual Content 

  • None 

Violence 

  • None 

Drugs and Alcohol 

  • None 

Language 

  • None 

Supernatural 

  • Friendly ghosts and monsters appear in the background of several pages, but none are threatening.

Spiritual Content 

  • None 

Cemetery Boys

Sixteen-year-old Yadriel’s family doesn’t accept his true gender. Despite this, he’s determined to prove to his family that he is a real brujo. Yardriel embarks on a mission to help a spirit cross over to the land of the dead. However, instead of summoning his cousin, Yadriel summons the ghost of his school’s bad boy, Julian Diaz.

Julian agrees to let Yadriel release his spirit, but only after Julian does a few things first. During their time together, the pair grow closer and begin to develop feelings for each other. However, Yadriel, Julian, and his friend, Maritza, slowly begin to realize that Julian’s death might be linked with a series of disappearances across East LA. What could be causing them? Will Yadriel’s family ever fully accept him? And will Yadriel be able to set Julian’s spirit free to the afterlife?

Cemetery Boys is an excellent introduction to the genre of magical realism mixed with a sweet and genuine, if somewhat saccharine, YA love story. The fantastical elements of brujo magic remain consistent throughout the story and helps the reader clearly understand what can be accomplished by magic, but the realistic elements are where Thomas’s writing truly shines. They convey a down-to-earth story of a young man seeking acceptance from his traditional family. In addition, the author interweaves several problems that Latinx teenagers face in East LA.

Julian discusses how his friend, Luca, was sucked into a gang. Julian and his friends “didn’t see [Luca] for weeks and his parents didn’t care . . . By the time we tracked him down, he was living in a drug den and had gotten branded with tattoos.” Julian also talks about how his friend’s parents were deported. His friend was “the only one who’s got parents that actually like him . . . But they got deported . . . They sacrificed everything to get to the US and make sure Omar had a better life than them.” In addition, Julian is incredibly open about his rough relationship with his brother, Rio.

Thomas excellently disperses the more upsetting material among scenes of Yadriel and Julian growing closer. The pair go on an Odyssey of cute moments and teenage shenanigans, which makes them and their relationship both believable and sweet. Because of their relationships, Yadriel gains confidence and learns the importance of accepting himself.

Yadriel and his friends—Julian, and Maritza—are strong role models for teenagers because they do what they believe is right, even if it is not easy or socially acceptable. For example, Yadriel goes against his family’s wishes by investigating the death of his cousin. Maritza sticks to her values as a vegan even though she cannot use her magic abilities effectively, since her healing abilities depend on her using animal blood. Plus, Julian chooses to stay in the land of the living in order to help Yadriel prove himself as a brujo.

Cemetery Boys is deeply rooted within Latin American culture, especially through its supernatural elements. Latin American folktales are also sprinkled throughout the story. Additionally, a lot of Spanish is spoken within the book, especially when Yadriel performs magic. While this novel can be easily enjoyed without being bilingual, having some knowledge of both Latin American culture and the Spanish language enhances the reading experience.

Thomas successfully creates a story within the genre of magical realism that is both heart-wrenching and heartwarming. If your child is interested in urban fantasy or wants to read a book featuring diverse LGBTQ+ characters, Cemetery Boys is an excellent choice.

Sexual Content

  • Yadriel kisses Julian. “Yadriel threw himself against Julian and wrapped his arms around his neck kissing him fervently. He felt Julian’s smile under his lips . . . Someone let out a low whistle.”

Violence

  • Animal blood is used in several of the brujo rituals. For example, when Yadriel performs a ritual to summon Lady Death, “The black Hydro Flask full of chicken blood thumped against Yadriel’s hip . . . the rest of his supplies for the ceremony were tucked away inside his backpack.”
  • Yadriel cuts himself to offer his blood to Lady Death in order to summon her. “Yadriel opened his mouth and pressed the tip of the blade to his tongue until it bit into him.” He then puts this blood into a bowl.
  • When Yadriel attempts to heal an injured cat, the ritual backfires and hurts the cat, causing it to bleed. Yadriel “could still picture the drops of scarlet on his mother’s white skirt. The terrible yowl. The sudden, sharp pain of the poor cat piercing into his head.” The cat is later healed by Yadriel’s mother and survives the encounter.
  • When Julian dies, there is “thrashing and pain on Julian’s face. The blood seeping through his shirt. His gasps for breath.” When Julian’s body is found “right above his heart, was a dagger.” Later, Julian finds out his Uncle Catriz killed Julian to be used in a sacrifice to gain powers offered by Xibalba, a jaguar spirit who seeks human sacrifices in exchange for preserving the world and granting power. Yadriel later resurrects Julian and he makes a full recovery.
  • Catriz kills three other people. When they die, the stone under them is “streaked with dark, dried up blood.” Yadriel resurrects them when he resurrects Julian.
  • Yadriel’s evil uncle is dragged to a hellish realm by Xibalba. The spirit “sank its teeth into Catriz’s shoulder, molten eyes blazing. A scream ripped through Catriz, the whites of his eyes surrounding his dark pupils. With a lurch, the jaguar dragged him down. Catriz’s howls turn to wet gurgles as he was pulled below the surface. Dark blood and water spilled across the floor in a wave.”

Drugs and Alcohol

  • In a ritual to call upon Lady Death, Yadriel uses tequila. “Yadriel had nicked a mini bottle of Cabrito tequila from one of the boxes that had been gathered for the Día de Muertos ofrendas.”
  • Yadriel carries alcohol that he uses in rituals. At one point he says, “Last thing I need is to get caught by campus security with alcohol and a knife in my backpack.”
  • Yadriel goes to a bonfire where there are “illegal substances” and alcohol.
  • People spread rumors that Julian’s older brother, Rio, is a drug dealer. These rumors are false.
  • While in the hospital, Julian is put on a sedative which causes, “a thick fog in his head, dulling his senses.”

Language

  • Profanity is used occasionally. Profanity includes asshole, badass, fuck, hell, and shitty.
  • When Julian sees Yadriel’s cat for the first time, he jokingly says, “Holy shit . . . That’s one messed-up looking cat!”
  • Julian tells his friend, “You got shitty taste in music, by the way.”
  • Someone calls Julian “a real asshole.”
  • After Yadriel questions why Julian doesn’t have a girlfriend, Julian says, “Because I’m gay, asshole.”
  • Julian, a gay man, says “Queer folks are like wolves . . . We travel in packs.”
  • After Julian has an outburst, Yadriel says, “What kind of machismo bullshit was that?”

Supernatural

  • The premise of the novel is centered around summoning ghosts, magical powers, and the idea of an afterlife.  Some rituals include summoning Lady Death, releasing spirits into the afterlife, and healing other people. Many of these rituals involve food and alcohol, and some involve blood.
  • Portajes, either daggers or rosaries, are used to release spirits into the land of the dead or heal people.
  • Quinces, fifteenth birthday celebrations, are when most brujos receive their powers from Lady Death.
  • Yadriel’s aunt tells him a story about Xibalba , a jaguar spirit who seeks human sacrifices in exchange for preserving the world and granting power. “Without human sacrifices to satiate his hunger, he threatened to unmake the land of the living.” Xibalba later enters the mortal plane to receive Catriz’s human sacrifices and, when Catriz fails to provide them, drags Catriz into his domain.

by Mia Stryker

Escape from the Roller Ghoster

The Kersville Amusement Park is always a good time, but it also gives a new meaning to the term “thrill rides.” That’s because, in addition to being a popular destination for heart-pounding fun, the park is also just a little bit haunted. Join Desmond and Andres as they try to enjoy their day at the amusement park while being chased by ghosts! Warning: You must be this tall to read this book. 

Throughout most of the story, Desmond and Andres are running from one activity to the next. When they challenge the ghosts to a contest, the boys beat the ghosts, which is unrealistic. However, it does lead to some silly moments. Desmond tells Andres, “You know how we’re feeling right now? Well, that’s probably how the ghosts feel.” Once the boys realize how the ghosts feel, Desmond and Andres are able to come up with a creative solution that makes both the people and the ghosts happy.  

Escape from the Roller Ghoster’s plot is lacking, but readers will still enjoy Desmond’s and Andres’s silly antics. Each book in the Desmond Cole series is a separate story and the books can be read in any order. The story is told in ten short chapters with easy-to-read vocabulary that is perfect for emerging readers. A black-and-white illustration appears on almost every page. The illustrations are often humorous and use exaggerated facial expressions so readers can tell what the characters are feeling. 

Even though Desmond and Andres are completely different, the two boys are best of friends who work together to rid the amusement park of ghosts. Full of silly moments, this non-scary ghost story will appeal to a wide range of readers. Readers who love ghost stories should also grab a flashlight, a blanket, and a copy of Ghost Attack by David Lubar. Similar to Escape from the Roller Ghoster, Ghost Attack uses humor to make young readers smile. 

Sexual Content 

  • In order to escape the ghosts, Desmond and Andres go on the “scariest ride at the park: the Tunnel of Love.” The illustration shows couples hugging and one couple kissing.  

Violence 

  • While playing a game, “instead of using the baseball, the sneaky ghost shot a fireball that hit the stack of bottles and turned them all to ash!” 

Drugs and Alcohol 

  • None 

Language   

  • While on one of the rides, the ghosts were “fraidy-cats.” 

Supernatural 

  • When Desmond and Andres go on a ride, a ghost winks at them. Then, “A ghost just asked us if we were having fun.” The ghosts continue to follow the two friends throughout the park. Later they find out that the ghosts were not real. Instead, the ghosts where “a leftover hologram from our Halloween show last year.”  
  • Desmond hands Andres a pair of glasses. “Suddenly, all [Andres] could see were ghosts! They were playing games, eating food, and riding rides.” 

Spiritual Content 

  • None 

First Grade Jitters

Here is the story of a young boy who is about to enter first grade and doesn’t know quite what to expect. Will his friends be there? Will he have to know how to read and spell? What if he can’t understand anything his teacher says? Looks like a case of the first grade jitters! 

An unnamed boy worries about school and all the what-ifs that could happen. While most of the boy’s worries are relatable, some are silly. For example, the boy asks, “What if I can’t understand what the teacher says? She might say, ‘Oogly, boogly.’” With the help of his parents and his friends, the boy realizes that he has nothing to be scared about. 

Bright, realistic illustrations use small details to highlight the boy’s worry. For example, in one picture his shoulders are slumped as he kicks a rock. By the end of the story, the boy is jumping with joy and has a big smile on his face. Even though First Grade Jitters is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page has zero to seven simple sentences that make the story easy to understand. 

Any child who is worried about going to school will relate to the boy in First Grade Jitters. The story will reassure readers that there is nothing to be afraid of. If your child is worried about attending school, First Grade Jitters will help calm his or her fears. Readers may also want to read Danbi Leads the School Parade by Anna Kim, which is a school-themed story about friendship. 

 Sexual Content 

  • None 

Violence 

  • None 

Drugs and Alcohol 

  • None 

Language   

  • None 

Supernatural 

  • None 

Spiritual Content 

  • None 

Remember Me

The day before her seventeenth birthday, Blue Owens wakes up feeling like something is wrong. Her memories are hazy, and everything seems vaguely familiar, yet so foreign. Her friends and family are acting weird and suspicious, tiptoeing around her, as if she will fall and break at any minute. Blue explains, “You ever get the feeling something’s going on and you don’t know what it is?”  

In the back of her closet, she finds a strange note that reads: meet me on the little blue bus at 7:45. Blue has no idea who wrote the note or any idea why someone would want to meet her. But she only has one day to decide what she’s going to do. 

Following her gut, Blue gets on the little blue bus at 7:45 and meets Adam, who seems like a stranger. But as they talk and connect, she is flooded with familiarity; it is as if they have always known each other. Because they have. Adam hesitantly explains that they have dated since the tenth grade. “In fact,” he says, they’ve “done everything together for two years.” Blue discovers that she “canceled” Adam, and chose to erase him from her memory. 

Realizing what she has done, Blue sets out to recover her memories and figure out why she “canceled” them. As she explores deeper into her past, she is faced with painful memories. Should Blue leave her forgotten memories in the past? Should she bring her memories back and experience her grief all over again?  

Set ten years in the future, Remember Me mixes sci-fi and mystery elements with a story about grief and finding yourself. While Blue is a determined, independent, and brave young woman, she is also broken and imperfect, as she is dealing with great tragedies. After Blue’s sister’s tragic death, Blue spirals into a deep depression, waking up “most days [wishing she was] dead.” Blue’s friends and family begin to worry, as she becomes detached, irritable, and overly spontaneous. Blue must decide if she wants to erase all memories of her sister, finding a supposed cure to her pain, or spiral further, hoping one day she will wake up “and be [the] kind of person who glows and has goals and a self that doesn’t torture them.”  

In the end, rather than truly canceling her past, Blue learns to live with her grief. Although “it still hurt[s] whenever” she thinks of her sister, as these memories can “break [her] apart,” Blue is able to “come back together” and be whole. She comes to terms with her past and realizes that memories of her sister, for better or for worse, are still a part of her and make her who she is. 

Remember Me is best for mature readers, as it deals with topics like depression, suicide, death, and grief. It also delves into the effects of divorce on children. Furthermore, it has an explicit sex scene and substantial use of profanity. Overall, Remember Me, is a must-read, with a diverse cast of characters, a strong female lead, and an interesting plot. The story discusses the difficulties of grieving and losing someone you love. Plus, it highlights the importance of learning to live with the painful events of your past and accepting them as a part of who you are. 

Sexual Content 

  • Blue’s friends, Turtle and Jack, are dating and “in love.” They often act intimate with each other in front of others. 
  • Turtle is practicing for a play and has to make out with Kevin, a boy who is gay and uncomfortable kissing a girl. While practicing for the show the two struggle to connect. The teacher who is directing their practice has Turtle and her partner Jack (who is also in show choir) kiss to show them how it’s done. “Kevin is watching, uncomfortably, from the side. Jack leans forward slowly, pulling Turtle flush against their own body, and they melt into a deep kiss.” 
  • In eighth grade, Blue kissed Jacobo Mancini. Blue “let him put his hands in my bikini bottoms. I remember playing a game where I was supposed to be in the closet with Calvin Locus and we were supposed to spend six minutes in there and we didn’t come out for a much longer time.”  
  • While riding the bus with Adam, Blue thinks that she does not “remember kissing [him]. . .  my body does. My body positively writhes with knowing.” 
  • After reuniting, Blue and Adam kiss. “Our lips touch and he presses the middle of my back toward him. I feel like an elevator falling up.” Later, their families pull them apart, Blue thinks “out of nowhere I’m back in that kiss, in the breathlessness that took me over.” 
  • Blue thinks about sex. She thinks, “I’m not so much thinking about sex per se, like me having it but I am thinking about the idea of sex, or why people want to have it.” She then imagines her and Adam together. “And it’s not like I want to have sex with him right away or something. . . But I would like to kiss him. Very much I would like that. I wouldn’t mind running my hands over the skin under his shirt, feeling his breath on my neck, his fingertips on my belly.” 
  • Blue notes that her friend lives in the older part of town, in a crumbling building where you “can hear their neighbors having sex when they’re trying to go to sleep.” 
  • When Blue and Adam first began to date, they spent “hours and hours on end” kissing. Then “the shirts came off. We spent about a month like that . . . then pants got inched down and finally off.” The two become sexually intimate with each other. Blue recounts a moment when Adam had “his head between my legs” for the first time.  
  • Before she cancels him, Blue visits Adam for what is supposed to be the last time. The two kiss. Adam “opens his mouth and it’s hot when he nips at my lips. It’s not a sexy kiss so much as a communication . . . an apology.” 

Violence 

  • Ten years into the future, there is an “international epidemic” of suicide, especially among young people.  
  • There is a bridge in Blue’s town that “people throw themselves off… all the time, and it’s been getting worse.” One instance causes the whole community to come together, when “Taylor Strong chucked himself off the edge”of the bridge. 
  • When Blue arrives at the beach, she sees Adam and explains “my throat drops into my toes… He has V draped across his arm and is swimming ferociously toward the shore. She is limp, head hanging backward, neck tilted back and exposed like she’s offering herself up to the sky.” She imagines V swam “straight to the spot where Dad told us not to go, swims out there vowing to prove that we all underestimate her. She swims straight into a riptide, gets pulled under, flails and kicks but the riptide is too strong for her. She’s carried away screaming when she reaches the surface, until she can’t fight anymore…. By the time the ambulance comes, I am as gone as V…  My sister is dead.” 
  • After her sister dies, Blue explains “most days when I wake up I wish I were dead.” 

Drugs and Alcohol 

  • On her fifteenth birthday, Blue gets drunk. She explains that she “didn’t mean to get drunk but [she’s] such a lightweight that even though [she] only took a couple of sips” she was drunk. 
  • Blue attends a party with her friends and drinks.  
  • Blue observes the “worst my parents do is smoke joints out back after they think I’m asleep.” 
  • After her parents’ divorce Blue wonders if her father is hooking up with “one of those rafting girls he works with, sturdy, beer-drinking, tan, young.” 
  • Blue’s father explains to Blue before she was born, he “drank too much beer and cursed.” 

Language   

  • Profanity is used often. Profanity includes shit, fuck, bitch, ass, and pussy. 

 Supernatural 

  • None 

 Spiritual Content 

  • Blue and her grandmother attend a funeral. As they walk into the church, Gran “makes the sign of the cross twice, once as we pass the Lady of Guadalupe statue in the courtyard and again when we stumble over the threshold into the actual church.” 
  • Blue describes the funeral service. “A priest says some things about Jesus. . .  I just listen[ed] to the prayers, the talk of God having a place in heaven for Arturo, the God will look over his wife and his children, that Arturo is free now.” 

Maya and the Return of the Godlings

Training to be a guardian of the veil isn’t easy, but 12-year-old Maya is determined to follow in her father’s footsteps, especially since he hasn’t been the same since their last run-in with the Lord of Shadows, the evil being who controls the Dark. On the brink of an upcoming war between Earth and the Dark, the Lord of Shadows snatches Papa’s soul.  Maya rounds up her friends, fellow “godlings,” Frankie and Eli, for another journey into the Dark to retrieve Papa’s soul and stop the veil from collapsing.

Once back in the Lord of Shadows’ domain, Maya is faced with difficult moral choices. She finds an imprisoned Darkbringer, named Zeran, who doesn’t want a war with the human realm. For the first time, she considers that not all Darkbringers are evil, which makes it harder to fight them since most have been recruited into the Lord of Shadows’ ranks by force. Allied together, Maya, Frankie, Eli, and Zeran continue to the Crystal Palace, the Lord of Shadows’ lair.

In the confrontation between the Lord of Shadows and Maya, she learns her half-sister Eleni is still alive. Not only is Eleni being used by the Lord of Shadows for her power, but she was the one who let the Lord of Shadows into the human realm which allowed him to start a terrible war years ago. Maya wonders if it’s her fate to also open the gateway, which would allow the Lord of Shadows to wage war on the human realm for the second time. Determined to prevent that from happening, Maya steals back Papa’s soul and rescues Eleni. Back on Earth, Maya may have won this battle, but she knows the war is far from over.

Maya’s character is both funny and thoughtful, as she has a penchant for disobeying orders but for the right reasons—she will always save her friends and family even if the world is against her. Her determination to keep people safe is admirable. However, the friends have repeated setbacks because random creatures attack them. These scenes get tiring since they do not add to the plot.

Despite this, Maya and the Return of the Godlings is an interesting read that takes time to develop the characters such as Zeran, a darkbringer rebel. Zeran’s character is interesting because he forces Maya to change her perspective. At first, Maya perceived him to be the enemy, but now she feels a duty to protect him. This is what makes the plot most worth reading: Maya’s unwavering determination to make the world safe for all who wish to do good.

The story has a sense of unpredictability because the plot does not stray away from mentioning the death of past characters, such as Papa’s first family. Plus, the situation in Maya’s world continues to grow in gravity, making it increasingly likely that her friends and family won’t escape unscathed. With a war brewing, Maya and the Return of the Godlings explores dark topics.

Readers who enjoy books with magical worlds and rich cultural ties should also read Amari and the Night Brothers by B.B. Alston and Aru Shah and the End of Time by Roshani Chokshi.

Sexual Content

  • None

Violence

  • Maya and Papa get attacked by shadows while repairing the veil. Maya explains, “Something whipped out of the tear and snatched my legs from underneath me. . . writhing shadows. I hit the ground hard on my butt, and the staff spun out of my hand. . . Papa lunged for me, but his legs buckled, and he stumbled instead. He reached for the place between his chest and stomach, his face twisted in pain. . . The shadows still had my ankles and were dragging me into the tear. . . Papa stepped into the mouth of the tear. His dark skin glowed silvery-white and pushed back the darkness. The shadows hissed as if they couldn’t stand the light and let go of my legs. I whacked one with my staff before they fled back into the Dark.”
  • Frankie was adopted after her mother, an orisha, was killed. Frankie learns that her mother, Zala, hunted down rogue magical creatures. Maya thinks, “If Frankie’s mom’s death hadn’t been an accident, it meant someone – or something – had killed her.”
  • Zeran, a young darkbringer, deserted the army and is subjected to all sorts of punishment. The guards who have him in custody threaten to send him to the stocks and lock him in a cage with bars that kill on contact.
  • While stealing a map, Maya, Frankie, and Eli are attacked by a darkbringer. “An electric shock hit me in the back. My whole body seized up, and the staff slipped from my hand. I hit the ground hard. The impact knocked the wind out of me, and my teeth tore into my cheek. I couldn’t move as the metallic taste of blood filled my mouth. . . Frankie hit him with a ball of raging energy, but instead of falling back, the darkbringer seemed to absorb her magic. . . the darkbringer advanced on Frankie, and she stumbled back. I screamed inside my head and fought against the electricity winding through my body. My insides were on fire, and sweat stung my eyes. . .” The fight lasts for five pages, ending with Eli knocking the darkbringer out.
  • Maya and Frankie are caught by Nulan, the former commander of the darkbringer army. Nulan fights with the new commander, Rovey, over who gets to kill Maya, Frankie, and Eli. Their fight lasts eight pages. “Rovey locked Nulan in a bear hug, and electricity shot through her. Her whole body shook… Nulan head-butted Rovey. He dropped her and she crashed to the ground. Rovey stumbled back, looking dazed and confused while Nulan gave him a vicious smile. Knives appeared in her hands…” After this point, we don’t see the resolution of the fight because Maya runs away, but Rovey and Nulan live since they come back in the end of the story.
  • Maya, Zeran, Frankie, and Eli get lost in a forest where they are attacked by shadow monsters.  Maya “slammed my staff into the shadows hard. The impact vibrated up my arms into my teeth. My vision was a blur as I twisted and turned to keep out of their grasp. The shadows screamed as white veins of light started to form around the places my staff stuck. After enough hits, they fled into the forest.” The fight lasts four pages, and no one is injured.
  • Zeran quickly disarms Nulan with an anti-magic collar. “Zeran flew straight into Nulan. They crashed and rolled on the floor. One of her magical blades materialized out of thin air, and she aimed it for Zeran’s heart. But he was quicker. He pulled the collar from his neck and snapped it around Nulan’s throat. Her blade instantly disappeared. Nulan clawed at the collar right before Zeran head-butted her and knocked her out cold.”
  • The Lord of Shadows tries to stop Maya from getting her father’s soul. “His ribbons snapped around my ankle. . . searing cold snaked up my leg. The lower half of my body fell still, and I couldn’t move. . . Why was I suddenly so sleepy? I saw a reflection of myself in the glass. My skin had turned ash gray. The Lord of Shadows was draining the life from me!”
  • Maya, Frankie, Eli, and Zeran fight with the school bullies, Winston, Tay, and Candace, who also have orisha powers. “Winston stepped in our path with his friends at his side. Sparks of fire lit up on his arms. Candace grew to pro-wrestler size. Tay cracked his knuckles, and the floor shook beneath our feet. . . Winston jabbed his finger into my chest. Zeran grabbed his hand and twisted. Winston fell to his knees, and Tay sprang into action. Frankie flung out an energy lasso that smacked Tay on the nose. He winced as he grabbed his face, looking annoyed. Candace tripped over Eli’s invisible foot. With the bullies disarmed, Zeran let go of Winston and shoved him back.” The fight ends when they get caught by a teacher.

Drugs and Alcohol

  • None

Language

  • Papa says, “Mama’s going to skin both our hides if I don’t get you back in time for school.”
  • Maya drops her staff and it hits a passerby. Maya censors the word. “‘What the bleep?’ the man says. Okay, he didn’t say ‘bleep,’ but Mama said that I better not even think of cursing.”
  • A secretary named Clara is annoyed at someone commenting on her instagram posts. She calls that person “a little twit.”
  • Winston, a godling who bullies Maya at school, calls her “guardian of giant turds” after learning of her role as guardian of the veil.
  • Maya says, “Oh crap!”
  • Winston calls Zeran a “freak.”

Supernatural

  • Orishas are celestial spirit beings who are featured prominently in the story. Maya’s father and other community members are orishas. They each have different orisha powers. Some are specialized – like Eli who can turn invisible. Others, like Oshun, the orisha of beauty, have a certain domain.
  • Orishas speak Sekirian, the first language of the universe.
  • Maya and Papa are orishas whose duty is to protect the veil, a magical forcefield made by Papa to separate the human world from the Dark, a parallel universe of magic and evil creatures. Throughout the story, Maya and her father repair “tears” in the veil.
  • Papa and Maya can teleport by bending space. They can also open gateways which create a door between Earth and the Dark.
  • Maya uses a magical staff that acts as a conduit for her power. It magically changes shape into everyday objects like a hair pin or ring.
  • Because of the incoming war, the power of other orishas in Maya’s community manifests. For example, Winston, a school bully, gains the ability to control fire.
  • Papa conjures magical horses to take the godling children to the celestial city Azur. “His magic started to take shape. First a cluster of sparks here and another there. Then lines of light connected the sparks like a constellation of stars. Eli gasped as the magic settled into four winged horses.”
  • Glamour, a special magic, prevents humans from perceiving orishas and other magic. For example, the horses that Papa conjures appear as bikes to humans across the street. Maya explains, “The horses would look like something completely normal to human eyes.”
  • The children and Papa go to Azur, the city of the celestials. “The city sat on a cloud that spanned for miles among the stars. . . Sunlight dances off the buildings made of silver and gold and glass. The whole city glowed.”
  • The city is populated with Azurians, other celestials. Maya describes them. “The Azurians were tall and lanky, short and plump, and every shape and size. Some had skin as smooth as marble or scales and gills. . . Tails swept along the ground. Wings tucked against backs. Long tentacles wiggled among feet. . .” Humans also live there, but a rare type of human that have the natural ability to see magic. Elokos, creatures that eat humans, also live there when they no longer have a taste for human flesh.
  • Frankie meets a kishi while in Azur. “They had two faces – one human and one hyena. In his stories, they were always tricksters who literally had two faces.”
  • The Dark is populated by winged, blue-skinned monsters called darkbringers.
  • The darkbringers use dog-like creatures to hunt down Maya, Eli, and Frankie. “The dogs turned out to be not dogs. Instead of fur, green scales covered their bodies and they had a row of sharp spikes across their backs. What was it with the Dark and its deadly animals? Last time we were here, we had to fight off large birds with needle-like spines on their underbellies.”
  • In the Dark, the kids go to a city where darkbringers live, reminiscent of Chicago but with magical technology. The darkbringers have magical creatures for pets.

Spiritual Content

  • Orishas are celestial spirit beings that are gods in this story. They have certain domains and powers, such as Shangó, the god of lightning. Their children, which have orisha blood, are known as godlings, and they often manifest supernatural powers.
  • Papa’s soul being stolen is one of the major plot points. Obatala, an orisha, and Maya discuss the soul. Obatala explains that orishas’ souls are not replaceable. “For those of us born of the universe, the essence of what we are is complicated. Our soul is our bond to the universe – it is our immortality. We cannot forge a new one.”
  • Eli controls an army of spirits trapped in a bog in the fight against the Lord of Shadows. At one point, he allows a ghost to possess him, sharing its power.

by Madison Shooter

Scarlet

Scarlet Benoit’s grandmother has been missing for nearly three weeks. After her pleas to the police are largely ignored, Scarlet resigns herself to focus on the responsibilities at her family’s farm—tending to chickens and selling vegetables at gossip-leaden bars in her small town of Rieux, France. When selling the vegetables, Scarlet suffers under endless taunts from the Rieux townsfolk, all who claim her grandmother to be as crazy as Cinder Linh— the cyborg girl known to have challenged the Lunar Queen Levana. Scarlet finds herself surprisingly defended by a strange man new to the town: an underground fighter is known simply as Wolf. As the two continue to cross paths, Wolf reveals an estranged connection to the gang which kidnapped Scarlet’s grandmother. Desperate to find her grandmother, Scarlet must choose to trust a man connected to the kidnapping, or else never see her grandmother again.

On another part of the globe—in the prison of the Eastern Commonwealth—Cinder is now a disgrace across her nation. Cinder becomes partners with felon Captain Thorne, and the two manage to flee with a spaceship. In hiding the fact Cinder is the lost Lunar Princess Selene—the only royalty savvy enough to overthrow the bloodthirsty Queen Levana—Cinder must decide whether to understand and accept her past or run away from it. As Queen Levana sends wolf-mutants to wreak havoc upon the world, her hold on the Eastern Commonwealth grows ever stronger. Cinder’s outlook on her past may decide the world’s future.

Scarlet continues the sci-fi rendition of the Cinderella story. The story maintains the intricate and clever character development among the characters Cinder Linh, Emperor Kai, and Queen Levana. Meyer also works through the perspectives of new characters Scarlet and Wolf, thereby managing to interweave another Brother’s Grimm fairytale: Little Red Riding Hood. Myer bases the characters on classic stories that a wide spectrum of readers already know. However, Meyer eloquently twists these original tales into a unique narrative of space operatic scale. What results is a set of classic tales so twisted and surprising readers will be kept on the edge of their seats.

Scarlet continually shifts between the perspectives of a multitude of characters. Cinder and Scarlet, as the main characters of the Lunar Series books one and two, are focused upon the most in Scarlet. However, even minor characters like Captain Thorne, Emperor Kai, Wolf, and even the Queen Levana have chapters from their point of view. By giving switching the character’s point of view, Meyer’s is able to transport the reader across the globe according to where, and when, each source of the action takes place. In doing so, Mayer effortlessly sutures the worlds of Cinder and Scarlet together, while also creating an intensely detailed and complex narrative world. Additionally, the shifting perspective of the narration gives readers room to consider the motivations of each character individually, allowing a clearer picture of the compelling politics at play.

While Scarlet may not be suitable for younger middle-grade readers due to its, occasionally intense, descriptions of violence and torture, the narrative is sure to be a captivating start for any mature YA readers interested in stepping into the realm of sci-fi and fantasy fiction. Enough of the narrative from Cinder is explained so readers can pick up Scarlet and be able to easily navigate the world that Meyer describes. (Though of course, starting the Lunar Chronicles from the beginning is still recommended!)

It is also refreshing to find a narrative so heavily lead by two strong female characters. Both Cinder and Scarlet are self-assured and formidable forces who have the ability to handle the intensity of split-second, world-determining decisions. By so confidently and intently working to learn from their past turmoil and losses, Cinder and Scarlet show readers how one can still hold their own agency even during the times when the pressure of the world seems heavy. In Scarlet, Meyer encourages readers to look towards their past, not as something dreadfully out of their control, but as something they have the freedom to sculpt how they wish— even from where they stand in the present. Readers who enjoy the Luna Chronicle should also read the Chemical Garden Series by Lauren DeStefano and the Tin Star Duology by Cecil Castellucci.

Sexual Content

  • When discussing Cinder, a customer at the Rieux Tavern says, “I think she’s kind of cute, pretending to be all helpless and innocent like that. Maybe instead of sending her back to the moon, they should let her come stay with me?” After this comment, another customer replies by saying, “No doubt that metal leg of hers would make for a real cozy bedmate!”
  • When speaking to the fighter about potentially offering him a farmhand job in exchange for food, Scarlet jokes, “After seeing the evidence of your appetite in there, I think I’d lose my shirt with a deal like that.” She then flushes, thinking, “no doubt he was now imagining her with her shirt off.”
  • Carswell Thorne, a current prisoner of New Beijing, recalls convincing a guard to lend him a portscreen (a touchpad of sorts), but concedes that, “this would not have succeeded if the guard wasn’t convinced he was an idiot, incapable of doing anything other than counting the days and searching for naughty pictures of ladies he’d known and imagined.” Thorne then thinks, “he sure did appreciate the suggestively naughty, if heavily filtered, pictures.”
  • Noticing Scarlet holding Wolf’s arm, the announcer in the center of the illegal fighting ring smirks and says, “Looks like the wolf has found himself a tender morsel tonight.” The fighter next to him—the one preparing to fight Wolf, claims, “Think I’ll be taking that one home after I’ve destroyed dog-boy’s pretty face!”
  • Upon reaching Captain Thorne’s stolen ship, Cinder notices that the “seal of the American Republic had been hastily painted over with the silhouette of a lounging naked lady.”
  • After hopping on board a train, Scarlet kisses Wolf. After she pulled away, “Wolf buried one hand into her mess of curls and kissed her back.”
  • When Ran catches Scarlet trying to escape from the Queen’s Special Forces, he says, “If it wasn’t such a repulsive thought, I might take advantage of you here, now that we’re all alone . . . just to see the look on my brother’s face when I told him about it.”

Violence

  • When discussing her grandmother’s disappearance, Scarlet describes how she found her grandmother’s ID (a person’s identification embedded typically inside the arm), “wrapped in cheesecloth spotted red from her blood and left like a tiny package on the kitchen counter.” While detectives attribute this to Scarlet’s grandmother cutting the ID from her arm herself, Scarlet accuses a kidnapper of doing so.
  • Speaking on the news of Cinder at the royal ball in the Eastern Commonwealth, a tavern regular named Roland says, “They [the royal guards] should have put her out of her misery when she fell on those stairs… I’d have put a bullet right through her head. And good riddance.”
  • Many of the customers at The Rieux Tavern argue with Scarlet about the fact that Cinder, “should be executed,” for trying to kill a Union leader.
  • The tavern crowd’s jeers towards TV footage of Cinder at the royal palace, Roland says, “We all know crazy runs in [Scarlet’s] family. First, that old goose [Scarlet’s grandmother] runs off, and now Scar’s defending Lunar rights!” In response, Scarlet “was suddenly halfway over the bar, bottles and glasses scattering, her fist connecting with Roland’s ear.” Scarlet then grabs the front of Roland’s shirt. Scarlet “shoved Roland hard with both hands,” causing him to stumble. When Roland threatens Scarlet, a fighter from the back of the tavern grabs him by the neck, “lifting him clear off the floor.” The fighter chokes Roland until other tavern guests convince him to let go. This scene is described four pages.
  • It is noted that Scarlet keeps a small pistol strapped to her lower back, just in case, “a stranger will want to take you somewhere you don’t mean to go.”
  • Scarlet’s father breaks into her grandmother’s house, in order to rifle through her grandmother’s things. Trying to stop him, Scarlet grabs her father’s arm, and then notices, “The skin was covered in burn marks. Each one a perfect circle and placed in a neat, perfect row. Row upon row upon row, circling his forearm from wrist to elbow, some shining with wrinkled scar tissue, others blackened and blistering. And on his wrist, a scab where his ID chip had once been implanted.” When he is questioned about the marks, Scarlet’s father says, “They made me.” Scarlet’s father said that Scarlet’s grandmother watched him. “They gave me the poker . . . and they brought me to her. And I realized, she was the one with the answers. She was the one with the information. They wanted something from her. But she just watched . . . she just watched me do it, and she cried . . . She let them do this to me.”
  • Scarlet visits a nearby farm, where there is an illegal fighting ring taking place. Scarlet attends in order to find the fighter she met at The Rieux Tavern. The initial scene of this fighting ring is described as follows: “A writhing crowd shouted up at a hastily constructed stage, where one man was beating his opponent in the face, fist flying over and over with sickening steadfastness. Blood started to leak from his opponent’s nose.”
  • Finding the fighter, known as Wolf, at the illegal fighting ring, Scarlet “closed the distance between them and thumped her locked fist into his sternum, ignoring how he towered a full head above her. Her hatred made her feel like she could crush his skull with her bare hands.” While questioning Wolf, Scarlet slams her fist harder and harder into his chest, and when he tries to avoid her, “Scarlet simultaneously grabbed his left wrist and yanked out her gun. She pressed the barrel against his tattoo.” This interaction lasts for a total of three pages.
  • At the illegal fight ring, Wolf fights a man called The Hunter. “Hunter threw the first punch . . .  Wolf ducked easily and skirted out from Hunter’s shadow . . . A series of blows were deflected, until Hunter’s fist finally connected with a sickening crunch . . . Wolf aimed a solid kick to Hunter’s chest . . . Hunter attacked with renewed vigor. Wolf took a punch in the stomach and was crumpled over with a grunt. It was followed by a blow that sent him careening to the edge of the stage.” This exchange continues until, “Hunter fell to his knees and Wolf was behind him in a breath, his face violently contorted, his hands on each side of Hunter’s head.” Wolf makes to snap Hunter’s neck, but, seeing Scarlet in the crowd, he leaps back, letting Hunter slump to the stage. This description lasts for six pages.
  • Captain Thorne is forced to dodge the bullets of the Eastern Commonwealth military as they escape from the Commonwealth in Thorne’s stolen spaceship.
  • After Scarlet sees Wolf in the illegal fighting ring, Wolf shows up on Scarlet’s property. Scarlet and pulls a shotgun on Wolf, but eventually Wolf convinces Scarlet to trust him, and she lowers her weapon.
  • When one of Emperor Kai’s android tutors, Nainsi, tries to introduce Queen Levana to speak with him, the Queen slaps the android across her single blue sensor.
  • When speaking to Emperor Kai, Queen Levana threatens, “One more patronizing comment and I will have you slice off and nail your own tongue to the palace gate.”
  • Ran, Wolf’s brother, catches sight of Scarlet and Wolf on a train to Paris. Ran criticizes Wolf for choosing to leave the gang they are a part of, a group known as the Order of the Pack. In response, Wolf accuses Ran of needing the protection of the gangs leader Jael. With this Ran leaps forward to attack Wolf. A tussle between the two brothers begins, until “Ran’s head landed in the water and Scarlet heard a sickening crunch.” Wolf continues to attack his brother, throwing punches, until Scarlet shoots Wolf in the arm to stop him. The conflict lasts about four pages.
  • Angered by Wolf for not telling her the full truth behind his motivations to lead her to Paris, Scarlet thinks, “If she ever saw him again she would scratch his eyes out. She would throttle him until his lips turned blue.”
  • Scarlet thinks she is finally visiting her grandmother, but quickly realizes it is the Lunar’s thaumaturge who disguised himself as her grandmother to get information from her. When speaking of her true grandmother, the thaumaturge states, “I wonder how lubricated the old lady’s tongue would become if she were to watch as you hammered needles into your own flesh.” Scarlet tries to attack the thaumaturge, lunging to scratch at his face, but she is quickly stopped by the thaumaturge through his Lunar mind control abilities.
  • While searching Scarlet and her grandmother’s house, Cinder realizes that Scarlet’s grandmother housed her in secret. When viewing the room she was healed in, Cinder sees herself as a child, which may be disturbing to some readers. The description is as follows: “It was a photo of a child. what was left of a child. She was wrapped in bandages from her neck to the stump of her left thigh. Her right arm and shoulder were uncovered, showing the skin that was gouged bloody red in spots, bright pink and glossy in others. She had no hair and the burn marks continued up her neck and across her cheek. The left side of her face was swollen and disfigured, only the slit of her eye could be seen, and a line of stitches ran along her earlobe before cutting across to her lips.”
  • When Wolf approaches Scarlet in her cell, she screams and strikes him with her fists five times before he restrains her by holding her arms to her stomach.
  • When Cinder and Captain Thorne are found in a bar in Rieux by Eastern Commonwealth authorities, Thorne punches one of the officers, and gets punched in the gut in return. As Cinder tries to escape the authorities in turn, a man from the corner of the tavern crouches down on all fours, more canine than human, and proceeds to immediately snap the neck of one of the officers. He then bites down on the neck of another officer while the remaining officer shoots in his direction. The man reaches out to fight the remaining officer by clawing at this officer’s face. When the man goes for Cinder, Thorne heaves a chair over his back, and the man then turns to bite into his arm. Cinder is eventually able to tranquilize the man. This fight lasts around twelve pages. There is another description that lasts a page detailing another member of Queen Levana’s forces taking a bite out of the neck of an officer inspecting Cinder’s spaceship before Cinder is able to quiet the canine-like human with another tranquilizer dart.
  • When Scarlet manages to escape her imprisonment, she tries to save her grandmother—who she finds in one of the other cells of the building, bloodied through endless torture. Scarlet is found by Wolf’s brother Ran. Scarlet’s grandmother goads Ran until he rushes at her, grabbing her throat. In an effort to fight back, Scarlet jumps onto Ran’s back, clawing at his eye sockets. Ran drops Scarlet’s grandmother, and her form collapses. Ran then proceeds to clamp his jaws over the grandmother’s neck, killing her, while Scarlet escapes.
  • Trying to escape, Scarlet hides in the shadows. When Ran passes, she swings a wrought-iron candelabra at Ran’s head. When he tries to grab her hood, Scarlet then aims her knee towards Ran’s groin, thus managing to escape him. When Ran next catches up to Scarlet, he “gripped her shirt and lifted her from the ground.” Ran then throws her at a statue in the room. But before he can attack her a second time, Wolf attacks him from a corner of the room, stopping Ran from continuing to hurt Scarlet. With this begins a fight between Ran and Wolf as one tries to tackle and kill the other. Eventually, Wolf kills his brother with a bite to the neck. Controlled by his orders to kill her, Wolf nearly attacks Scarlet as well, before she convinces him to stop. Scarlet’s escape and battle with Ran and Wolf lasts about thirty pages and a total of two chapters.
  • As Cinder, Scarlet, Thorne, and Wolf try to escape, they are caught by Queen Levana’s thaumaturge and the special forces. Scarlet scrambles to Cinder’s Spaceship and manages to mow down a few members of the forces with the ship, including the thaumaturge, granting enough time for Cinder to shoot the thaumaturge in the thigh with her pistol. Scarlet then shoots the thaumaturge with her shotgun.
  • The global attack of the Lunar Queen Levana and her special forces is described by Kai as this: “Bodies littered the square, their spilled blood black beneath the flickering billboards. Most of the corpses were concentrated near the opening of a late-night restaurant, one of the few businesses that had been open and crowded at midnight, when the attack had started.”

Drugs and Alcohol

  • A location Scarlet delivers goods to, The Rieux Tavern, was popular in her town because “drinking and gossiping were the favorite pastimes.”
  • Scarlet catches her father going through her grandmother’s things. As she talks to him, she notes, “The smell of cognac swirled through the air.”
  • Roland, The Rieux Tavern regular, is known to be a heavy drinker with whiskey heavy on his breath.
  • Scarlet gets a message from a hospital, reporting that her father died from alcohol poisoning. A few pages later, it is revealed that an operative killed Scarlet’s father in a way that would not seem suspicious.

Language

  • While fighting with Wolf, Scarlet calls him a “traitor and a bastard.”

Supernatural

  • Cinder is known to be a Lunar, which means that she holds the power “to control and manipulate the bioelectricity of other living creatures. [Lunars] could trick people into seeing things that weren’t real or experiencing made-up emotions. They could brainwash people into doing things they wouldn’t otherwise do.” Cinder uses these powers throughout the book, mainly to escape Queen Levana and the Eastern Commonwealth authorities trying to imprison, and execute, her.
  • In an effort to control Earth, the Lunar Queen Levana created an army known as the Lunar Special forces. These forces are later more clearly described as this: “They appear to be Lunar males whose physical makeup has been combined with the neural circuitry of some sort of wolf hybrid.” The effect is that closest to a werewolf of sorts. Wolf, a member of this army, later describes the phenomenon as this: “Each pack is ruled by a thaumaturge who controls when our animal instincts take over, when all we can think about is killing. They’ve manipulated our Lunar gift and used it to turn us into these monsters instead—with some physical modifications.

Spiritual Content

  • None

by Hannah Olsson

The Oracle Code

After an accident renders her disabled, teenager Barbara Gordon is sent to the Arkham Center for Independence (A.C.I). She learns to cope with her newfound disability, makes new friends, and processes her trauma. However, there seems to be something more sinister occurring within the rehabilitation center; kids are disappearing, and the doctors are hiding something. Can Barbara solve the mystery behind the facility before she too falls victim to it?  

The graphic novel, The Oracle Code is told from Barbara’s point of view, which helps the reader see her character growth and understand the overarching themes of resilience, the importance of friendship, and embracing who you are. The story shows the difficulties of living with a disability, while still emphasizing that having a disability does not make your life less valuable. Barbara’s friend Issy reinforces this theme when she says, “The truth is, no matter what anyone led you to believe, life on wheels isn’t any worse or better than life on both feet, or one foot, or crutches. It’s what you make of it.”  

Barbara also learns the importance of letting others help during hard times. While she tries to be as independent as possible, eventually Barbara accepts that it is okay to rely on others and ask for assistance when needed. As she tries to solve the mysteries behind the A.C.I, Barbara calls upon her friends and family, and it is through their teamwork that the puzzle is eventually cracked.  

The secret behind the facility is incredibly dark and may be difficult and upsetting to read. The head physical therapist and head psychiatric therapist experiment on the A.C.I patients in order to find more effective treatments and cures. This is done by kidnapping the children whose parents have seemingly abandoned them and erasing any trace of their existence. The therapists then perform torturous experiments in order to “fix” them. The physical therapist even refers to the children he experiments on as “collateral damage.” In the end, Barbara and the rest of the patients within the A.C.I. prove that they don’t need to be “fixed.”  

Preitano’s illustrations highlight the emotionally powerful moments with dynamic page compositions and incredible character expressions. The color schemes also help differentiate between flashbacks and the present day. Flashback sequences are illustrated in stark reds, oranges, and yellows. This contrasts the muted colors used in the rest of the graphic novel. Preitano’s use of intense shading also helps intensify the looming dreadful atmosphere of the A.C.I. Despite the excellent illustrations, the dialogue between the characters and Barbara’s internal monologue is still central to the story and ensures each idea is conveyed clearly. In addition, the text is easy to read because it uses simple vocabulary. 

The Oracle Code is highly recommended for anyone struggling to come to terms with a disability. Barbara and her friends are excellent role models because they persevere through difficult circumstances and display selflessness by helping each other despite the dangers. In addition, their incredible vulnerability will encourage teens to be more open with their emotions. Plus, the well-written mystery and relatable characters make for an incredibly engaging read.   Overall, The Oracle Code is an excellent graphic novel and a must-read for anyone who loves DC comics or a good mystery.  Fans of DC comics should also read Wonder Woman: Tempest Tossed by Laurie Halse Anderson.  

Sexual Content  

  • None

Violence  

  • Barbara gets shot “trying to help someone.” During flashback scenes, guns and bullets are consistently present in the illustrations.  
  • The hospitalized kids retaliate against the doctor who experimented on them. The doctor is hit several times with mobility aids and then tied up with a jump rope. Onomatopoeias like “crunch” and “smack” are used during this segment. 
  • The A.C.I. experiment on a patient, who later said they were “test subjects.” 
  • One of the doctors conducting genetic experiments also threatens Barbara and her friends with a gun.  

Drugs and Alcohol  

  • None 

 Language   

  • None 

Supernatural  

  • None 

Spiritual Content  

  • None

From The Desk of Zoe Washington

Zoe Washington is a normal 12-year-old who is refusing to speak with her long-time best friend, Trevor. Her spiraling friendship with Trevor seems to be the most of her worries . . . until she checks the mail and sees a strange letter from the county prison. Could this be what she thinks it is? Is her long-lost father finally reaching out after all these years? 

All Zoe knows about her birth father, Marcus, is that he is in prison after being convicted of murder. Zoe’s mother refuses to speak about Marcus and brushes off all of Zoe’s questions. After all, Zoe has a wonderful stepfather that has taken care of her since she was born, so what need is there for Marcus? But there is a need. Zoe wonders about Marcus. Does he like Hawaiian pizza too? Why did he refer to her as “Little Tomato?” Why is he telling her he is innocent? Innocent people didn’t go to prison . . . or did they? 

For Zoe, Marcus’s letter brings up so many unanswered questions. Questions about who he is and what he did to end up in prison. But more than anything she can’t stop thinking, what if he is innocent? With each new letter and phone call, Zoe begins to piece together the clues of the crime that Marcus supposedly committed. The only problem is that nothing is adding up. Suddenly the answer seems so clear to Zoe; she needs to track down a mysterious witness to help prove Marcus’s alibi.   

But tracking down the witness is harder than Zoe anticipated . . . especially when she must keep it a secret. So, Zoe enlists the help of none other than her ex-best friend, Trevor, to travel to Harvard University to find the witness. However, the day trip turns out worse than anticipated and Zoe ends up in big trouble. Worst of all, now that she is grounded, Marcus has no one searching for the woman who may be the answer to his freedom. 

From the Desk of Zoe Washington is an inspiring story that showcases Zoe’s bravery. The plot emphasizes that even when life seems uncomplicated, it usually is anything but. The overlap between Zoe’s summer activities and her mission to prove her father’s innocence provides a delicious complexity to the storyline. The story takes a deep dive into Marcus’s conviction and the racial inequality of the justice system. The plot successfully educates the reader on wrongful convictions and racism, while maintaining a lighthearted nature that cuts the heavy feelings that can arise from such deeply serious topics. Even though the book delves into mature topics, it is not overwhelming. Instead, readers will find the story easy to understand.   

Zoe is a likable and well-written character who matures throughout the novel. Her character development reinforces that it is not the amount of time you spend with someone that matters, but instead how you spend it with them. Zoe reminisces on this towards the end of the novel when she visits Marcus in prison. “I had no idea what would happen next, but I hoped with all of my heart that The Innocence Project would set Marcus free. In the meantime, I was so thankful I found his letter on my twelfth birthday, and that he was in my life now, where he belonged.”  

Readers will sympathize with Zoe and understand her confusion when it comes to topics such as The Innocence Project and wrongful convictions – concepts that are hard to understand in the mind of a 12-year-old. Serious topics such as racism and wrongful convictions are discussed throughout the novel, but nothing of a graphic nature is present.  

While the story is intended for a younger audience, it still evokes a sense of realness within the plot and the characters. The roller coaster of emotions that Zoe goes through during her journey is easy for the reader to understand and admire. There are so many moments where the reader’s heart will reach out for Zoe. From The Desk of Zoe Washington focuses on themes such as having an unconventional family, social justice, and prison reform. The seamless, yet informative inclusion of social justice issues complements the kid-friendly nature of the novel, making it a must-read for those wanting to be gradually introduced to these topics. Middle-grade readers who want to explore other books about racial injustice should read A Good Kind of Trouble by Lisa Moore Ramé and I Am Alfonso Jones by Tony Medina. 

Sexual Content 

  • None 

Violence 

  • Zoe discusses the Black Lives Matter movement. “I knew about the Black Lives Matter movement, how Black people all over the country were getting shot by police for no good reason. If those police officers weren’t going to jail, then it made sense that the whole prison system was messed up. I never thought about whether prisons had the wrong people before. I assumed that if you committed a crime, you got the punishment you deserved, and innocent people would always be proven innocent. Apparently not.”  

Drugs and Alcohol 

  • None 

Language   

  • Zoe’s grandmother recalls a fight that Marcus got into when he was younger with another basketball player. “Marcus said that the other player, who was white, called him the N-word while they were playing. Under his breath, when nobody else could hear him.”  

Supernatural 

  • None 

Spiritual Content 

  • None 

We All Looked Up

Ardor, a newfound asteroid, is barreling towards the earth—coming closer and closer each day. The threat of Ardor becomes clear as it is determined to have the capability to wipe out the entirety of civilization. Suddenly the simple lives of four teens doesn’t seem so cut and dry anymore. Given a few weeks left to live, the four find themselves contemplating life and what they want out of it.

Andy, Anita, Eliza, and Peter—four unsuspecting students at the same high school – find themselves intertwined in the lives of each other when an asteroid threatens to demolish the earth. Peter finds himself questioning if all there is to life is sports and the prospect of growing old. Andy has never cared about anyone or anything other than his best friend Bobo, but suddenly that changes when Anita comes into his life. Since the day she was born, Anita has only ever known the pressure to go to Princeton and fulfill the investment that her family has made in her. And Eliza finds art to be more reliable and kinder than any friend has proven to be. In the past, the four have passed each other in the hallway and only made off-handed comments to one another when no one is around. They have carried on with their lives and kept to their social crowds . . . until an asteroid threatens their planet.

Anita runs away from the restrictions of her family and becomes roommates with Andy as they pursue a music career and hope to perform at the end of the world concert. Peter has found the courage to declare his love for Eliza, even though they have an exceptionally bad history. Andy has no idea what he wants, but he knows that his best friend Bobo is acting crueler than usual. And Eliza begins photographing the pre-apocalyptic version of Seattle and posting it on Tumblr which quickly earns her more fame than she would like.

As the asteroid gets closer, the four go from strangers to friends. They confide in each other, plan an end of the world party, and defend Peter’s sister from her boyfriend and a drug dealer. They even break a bunch of teenagers out of a juvenile detention center. Four distinctly different characters come together and showcase that sometimes there is a comfort that comes from being seen by those you never thought were looking in the first place.

We All Looked Up gives the reader a unique glimpse into the thoughts of teenagers who grapple with the threat of the end of the world. Overall, the development of the characters is strong. But the societal labels put on the four main characters can come off a bit cliché, especially with the novel being set in high school. Each chapter alternates between Peter’s, Anita’s, Andy’s, and Eliza’s point of view, which allows the reader to get a glimpse into the inner thoughts of each character. While the actions of some of the characters are not exactly likable, they are entirely relatable. Coming from a teenager’s vantage point, it is easy to understand their reactions and missteps add a sense of realness to the story that elevates it for the reader.

The plot examines adult topics such as toxic relationships, drug and alcohol use, mental illness, self-harm, and gang-related violence. In addition, the scenes pertaining to violence are graphic and may disturb sensitive readers. If you’re looking for a story with a happy ending, potentially forego reading We All Looked Up due to the serious topics and melancholy conclusion. However, We All Looked Up is a good read for those who like to contemplate life’s what-ifs. For each trial the characters face, readers are reminded of the fact that everyone is just trying their best at life. People work constantly to exceed and yet can still fall short, but there is beauty in the fact that you can get up and try again. We All Looked Up reminds us that there is no better time than the present to start making the most of every day we have because no one knows exactly how many more precious days they have left to live.

Sexual Content

  • Eliza’s dad refers to her best friend Madeline as “a stripper dressed up as a prostitute for Halloween.”
  • Bobo (Andy’s best friend and Misery’s boyfriend) makes a bet with Andy. Andy must lose his virginity to Eliza before Ardor hits, or he has to pay Bobo $1,000. Andy says, “Come on, it’s inevitable. You’re the biggest virgin at Hamilton, and she’s the biggest slut. You’re just working the odds.”
  • Eliza recounts making out with Peter in the art room and being caught. “He sat her down on the table, still kissing her, his tongue rough in her mouth, and his hands were making their way up her shirt when the lights flickered on. A skinny blond girl stood between the black curtains in the doorway, her mouth agape, like some cartoon character expressing shock.”
  • Eliza brings a guy home with her from the bar, and it is alluded to that they have sex. “It took her fifteen minutes in front of the bathroom mirror to scrape away the telltale signs of an alcohol fueled one-night stand.”
  • After being caught making out with Peter, Eliza goes to school and sees that the word “S-L-U-T” painted on her locker. “By the time Eliza got to school the next morning, someone had already spray-painted her locker, one huge black word with four capital letters: S-L-U-T.”
  • Eliza mentions losing her virginity. “In reality, she’d never had a serious boyfriend, and she’d lost her virginity practically by accident at a summer camp for blossoming artists, to a pale Goth boy who only painted wilted flowers.”
  • Anita and Andy have sex before they perform at the concert. “‘I don’t want to die a virgin,’ Anita said. She immediately covered her face with her hands. ‘I know it’s crazy to say that right now, with everything that’s happened, but it’s the truth.’ She straightened up, took a deep breath, and looked him straight in the eye. ‘I like you. If you’re into it, then I’m into it.’”
  • Peter and Eliza have sex at the release party at the detention center. “Misery was one. Hopefully, she’d gotten a ride home. He had no idea what he’d say to his parents if he had to show up without her. Sorry, but I got distracted having sex with this girl I cheated on Stacey with last year. You’re going to love her.”
  • Eliza and Andy drunkenly kiss and begin to remove each other’s clothing. They proceed to almost have sex before Anita walks in and Eliza runs out of the room. “But as Eliza felt his hand drop down between her legs, as she unconsciously ground against him with her hips, she felt the wrongness of what she was doing crash like an asteroid against the plant-size need to connect with someone, with anyone, and she pushed him off her with a fury that she knew he wouldn’t understand.”
  • Another inmate asks Eliza if she would sleep with him. “You don’t know me, but I’m a really nice person. And I think you’re absolutely beautiful. If you tell me to go, I’ll go. But, I’d love to hook up with you, and because it’s the end of the world and we’re stuck here, I figured I might as well ask.”

Violence

  • Andy talks about the cop that is standing at the end of the football field of the high school and mentions his gun. He states, “Andy half expected him to whip out his sidearm and mow them all down.”
  • Peter gets brutally beaten by Golden and Bobo. At one point, Golden instructs Peter to put his hands behind his back to allow Bobo to attack him even further. “‘Hands behind your back,’ Golden said. He had the gun trained on Peter’s forehead. ‘Bobo, tie him up. He’ll probably kick your ass by accident otherwise.’”
  • Andy tases Peter with the encouragement of Bobo. “At first, Andy thought Peter was playacting-quaking and quivering like a fish just pulled out of the water, little grunts coming out of his slack mouth. Then his knees buckled and his forehead collided with the pavement. His body went still.”
  • Peter punches Bobo in the face after he makes a foul remark about Eliza. “A black blur of movement, a meaty thunk. Bobo was suddenly bent over, holding his hands to his stomach. And there was Peter, appearing out of nowhere, like some kind of superhero.”
  • Police intervene at a rally being held and begin to use tear gas to disperse the crowds.
  • Eliza tries to talk to a cop and he detains her instead. “The cop wretched Eliza’s arm behind her back, and then he was carrying her away, back beyond the wall of shields.”
  • Eliza, Misery, Bobo, and Kevin get detained and put into a juvenile detention center for being at the rally.
  • Andy references the suicide pact that he had with Bobo and how he was unable to go through with it. “He called Bobo’s cell as soon as he realized he couldn’t go through with it, but there was no answer, so he called the police. Later on, a paramedic told him it had come down to just a few minutes.”
  • Andy and Bobo steal a guitar from the mall and witness others looting.
  • Bobo kidnaps Misery and keeps her held hostage at the hotel he is staying at.
  • Anita shoots Golden. “‘What happened to Golden?’ Peter asked. ‘I shot him,’ Anita said. There was no remorse in her voice.”
  • Eliza stabs Bobo. “He slid off her, onto the floor, and she jumped on top of him, preparing for the next assault. But he didn’t move. She’d aimed for the heart and she’d found it.”

Drugs and Alcohol

  • Andy says he wants to “smoke a bowl.”
  • Andy mentions that Bobo’s dad was in an alcohol treatment facility.
  • Peter and Andy successfully get the detention center to release the juvenile occupants, the protestors have a large party in the detention center. There is a lot of alcohol provided and everyone is heavily intoxicated.
  • The characters frequently drink out of a bottle of alcohol or finish a bottle of alcohol.

Language

  • Profanity is used regularly and includes words such as shit, fuck, and ass.
  • Bobo is said to be able to “chat up the crackheads and gangbangers.”
  • Eliza is talking about her encounter with Peter with her father and says, “He can fuck off and die for all I care.”
  • When Eliza goes to see her father, he says “Gaga’s a fucking hag next to you.”
  • The term slut is used frequently.

Supernatural

  • None

Spiritual Content

  • Peter admits that he is a “Christian”, while Eliza confesses that she doesn’t believe in God.
  • As Ardor makes contact with the earth, Eliza finds herself “praying for forgiveness. Praying for grace. Praying for mercy.”

by Cassady McIntyre

The Secret Explorers and the Moon Mission

Meet the Secret Explorers—a band of brainiac kids from all over the world. Everyone in this diverse group of young experts has a specialty, from outer space to dinosaurs, and each story follows a character who gets chosen for a “secret exploration.”

In The Secret Explorers and the Moon Mission, space expert Roshni and geology expert Cheng blast off into outer space on a mission to the moon. There, they must navigate the dangerous terrain to clear up space debris before it can interfere with a lunar mission! Along the way, the Secret Explorers pilot a space buggy and collect important rock samples.  

The Secret Explorers and the Moon Mission has large black-and-white illustrations that break up the text and help readers understand the plot. Characters’ thoughts are easy to distinguish because they are in bold text. While younger readers may struggle with some of the difficult vocabulary and the length of the book, the book’s educational value makes it worth parents’ time to read italoud to their children. The book ends with ten pages of “Roshni’s Mission Notes,” which are a summary of all the scientific facts and discoveries made throughout the story. Plus, the book has fun illustrations, quizzes, and a vocabulary list. 

Readers interested in adventure and space travel will enjoy The Secret Explorers and the Moon Mission and learning about historical people like Buzz Aldren, Michael Collins, Katherine Johnson, and others who helped make going to the moon possible. Plus, the characters are knowledgeable and encouraging. Roshni and Cheng teach about astronomy, space, and different types of rocks. Readers who want to learn more about space travel through non-fiction reading should grab a copy of The Race to Space Countdown to Liftoff by Erik Slader & Ben Thompson and Mae Jemison: Awesome Astronaut by Jill C Wheeler 

 Sexual Content 

  • None 

 Violence 

  • None 

 Drugs and Alcohol 

  • None 

 Language   

  • None 

 Supernatural 

  • When Roshni is needed for a mission, a compass begins to glow and as “she stepped forward, the wall seemed to ripple and a shiny steel door appeared around the compass symbol. . . As the light faded, she found herself in the Secret Explorers’ headquarters.” 
  • The Exploration Station picks two Secret Explorers for each mission. When the kids’ badges “lit up,” they knew they were chosen to go on the mission. 
  • The Beagle can change into different types of transportation, and magically takes its occupants to where they need to go. 

 Spiritual Content 

  • None 

Forbidden City

Street-smart and agile, Paris is a huge fan of Liverpool F.C., Doctor Who, and chess. He’s also a survival specialist and the oldest member of the City Spies—a secret team of young agents working for M16, the British Secret Intelligence Service.

When M16 sets out to thwart Umbra’s attempts to recruit a prominent North Korean nuclear physicist for their nefarious purposes, the operation calls for Paris to make a covert connection with the scientist’s chess-prodigy son at a pair of tournaments in Moscow and Beijing. Meanwhile, Sydney is embedded as a junior reporter for a teen lifestyle site as she follows the daughter of a British billionaire on tour with the biggest act of her father’s music label.

The band and the billionaire are somehow connected to the scientist and the recent thefts of nuclear material from an old Soviet missile base, and it’s up to the City Spies to figure out how. The stakes couldn’t be higher, and the team will have to work together in perfect harmony in order to succeed on their most dangerous mission yet.

The third installment of the City Spies Series takes its focus off Brooklyn, and instead, Paris takes center stage. On the current mission, Paris and Mother go undercover. As part of their cover, Paris participates in the Around the World Chess Tournament, which allows Paris’s personality to shine. This also allows Mother to show that he truly wants to be a good father to his adopted children. The new dynamic adds interest and allows the story to focus on the common question: “Who am I?” This question gives Mother the perfect opening to share some of his background which gives the story a more sentimental vibe.

While Paris wrestles with the question, who am I, he also makes a decision that he thinks was a huge mistake. These two story threads dovetail perfectly and highlight the fact that everyone makes mistakes, and while some mistakes have devastating consequences, mistakes should be forgiven. In addition, when it comes to mistakes and consequences, we should not “celebrate people’s misfortunes.”

The mission requires part of the City Spies team to travel to both Russia and China which adds adventure and action. However, the team splits up into three groups and the constant back and forth between groups is at times a little overwhelming. Plus, readers who fell in love with Brooklyn will be disappointed by her absence because she sits out most of the mission.

The City Spies Series doesn’t rely on one plot formula, but instead, each book has a new focus that keeps the story interesting. Despite this, for maximum enjoyment, the series should be read in order. While the team must work together to complete the mission, their relationships—like any family’s—are complicated and have conflicts. These conflicts make the characters more relatable and add an interesting dynamic to the spy story. While the City Spies Series will appeal to readers of all ages, the series is perfect for middle-grade readers who love spy mysteries but want to avoid the violence. The Friday Barnes Mysteries Series has a more humorous tone, but will also appeal to middle-grade readers who love mysteries.

Sexual Content

  • None

Violence

  • While walking down a street, a man says something to two bodyguards, the Sorokins. “In a flash, Sasha grabbed him by the wrist and spun him around, twisting his arm up behind his back as he writhed in pain. . . on the verge of tears, he said something that Sydney assumed was an apology.”
  • When Jin-Sun is kidnapped, the City Spies find where he is being held captive. Sydney puts several smoke bombs down the chimney in the house where Jin-Sun is being held. The man guarding Jin-Sun, Sorokin, comes out of the house and “Sydney jumped on him from above. It was a direct hit, and as he staggered farther into the courtyard, Monty attacks him with a flurry of Jeet Kune Do moves to knock him out cold.”

 Drugs and Alcohol

  • While misleading the China Ministry of State, a spy leads them to an airport where they find her alone on a plane. When they enter the plane, she “took a sip of champagne.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Much Ado About Baseball

Twelve-year-old Trish can solve tough math problems and throw a mean fastball. But because of her mom’s new job, she’s now facing a summer trying to make friends all over again in a new town. That isn’t an easy thing to do, and her mom is too busy to notice how miserable she is.

But at her first baseball practice, Trish realizes one of her teammates is Ben, the sixth-grade math prodigy she beat in the spring Math Puzzler Championships. Everyone around them seems to think that with their math talent and love of baseball, it’s only logical that Trish and Ben become friends, but Ben makes it clear he still hasn’t gotten over that loss and can’t stand her.

Ben hasn’t played baseball in two years, and he doesn’t want to play now—but he has to, thanks to losing a bet with his best friend. Once Ben realizes Trish is on the team, he knows he can’t quit and be embarrassed by her again. To make matters worse, their team can’t win a single game. But then they meet Rob, an older kid who smacks home runs without breaking a sweat. Rob tells them about his family’s store, which sells unusual snacks that will make them better ballplayers. Trish is dubious, but she’s willing to try almost anything to help the team.

When a mysterious booklet of math puzzles claiming to reveal the “ultimate answer” arrives in her mailbox, Trish and Ben start to get closer and solve the puzzles together. Ben starts getting hits, and their team becomes unstoppable. Trish is happy to keep riding the wave of good luck . . . until they get to a puzzle they can’t solve, with tragic consequences. Can they find the answer to this ultimate puzzle, or will they strike out when it counts the most?

Much Ado About Baseball is a fast-paced story that teaches about friendship and fitting in using baseball as a backdrop. The story is told from both Ben’s and Trish’s point of view. The alternating points of view allow readers to see how Ben and Trish struggle with conflicting emotions. Middle grade readers will relate to Ben and Trish, who both are trying to fit in with their new baseball team. While the two are often at odds, they learn to work together. As a result, Ben realizes that friendship is about “arranging things so they’re best for the group, and not just for one person.”

While the story has plenty of baseball action, math puzzles also take center stage. Readers will enjoy trying to solve the puzzle before the answer is revealed. In addition, Much Ado About Baseball has a Shakespeare quoting character and magical fairies that need a lesson in cooperation. By combining baseball, puzzles, and Shakespeare, LaRocca creates an imaginative and engaging story that is full of suspense. While the story focuses on friendship, it also shines a light on the importance of honesty and forgiveness. The story’s conclusion is a little too perfect and cheerful. Everything is wrapped up in a positive manner which causes the ending to sound a little preachy. Despite this, Much Ado About Baseball will appeal to sports fans and non-sports fans alike. If you’re looking for another book full of baseball excitement, grab a copy of Soar by Joan Bauer.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Several times someone is referred to as a jerk. For example, Trish thinks a boy is a jerk.
  • Heck is used occasionally.

Supernatural

  • Both Ben and Trish get a magical math puzzle book. When the right answer is written down, “the entire grid turned bright green. . . Then, under the puzzle, a sentence appeared.” The sentence gives help with a problem.
  • After using the magical math book, Ben tells the baseball where to go. The ball, “seemed to slow down. . . it was surrounded by sparkling green light.” Because of this, Ben is able to hit a home run.
  • Ben thinks eating the Salt Shaker snacks makes him better at baseball. His team eats the snacks before every game. “But the kids kept having weird reactions. . .breaking out in purple blotches that disappeared after a few minutes; hiccupping intermittently for an afternoon; even growing fuzzy hair on our forearms that resembled a donkey’s fur.”
  • In Ben and Trish’s world, fairies exist “as much as magic math books and lucky coins.”
  • Ben and Trish go to a part of the forest where fairies are. After a brief conversation, “The mouths surrounded us like a green cloud. When they finally flew away, we were back in my yard.”

 

Spiritual Content

  • None

Page by Paige

New city. New friends. New Paige?

When Paige’s parents move her family from Virginia to New York City, Paige doesn’t know where she fits in anymore. At first, the only thing keeping her company is her notebook, where she pours her worries and observations, and experiments with her secret identity: ARTIST. With the confidence the book brings her, she starts to make friends and shake up her family’s expectations. But is she ready to become the person she draws in her notebook?

Paige tells her own story, which allows readers to understand her insecurities and struggles. Paige is an extremely likable and relatable main character who worries about many typical teenage problems such as making friends, having a boyfriend, and becoming more independent. As Paige matures, she learns to be comfortable in her own skin and she becomes more confident in sharing her artwork.

Throughout the story, Paige’s doubts and insecurities are shown in thought bubbles. When it comes to her art, she questions herself and thinks, “You’re going to fail, so why even try? What if I have nothing to say? No good at all?” Paige’s self-doubts continue when she begins to make friends. Paige thinks, “I’ve always been scared of revealing too much, saying the wrong thing, screwing up. . .” Paige is tired of always feeling “awkward, behind, sheltered,” so she begins a journey of self-growth and starts to stretch herself and be more open.

One of the best parts of Page by Paige is the black and white illustrations which are beautiful and interesting. Instead of just relying on facial expressions, Paige’s emotions come through her own artwork. For instance, when Paige is afraid of expressing herself, the illustration shows Paige’s mouth sewn shut. The imaginative artwork gives Paige’s emotions a life of their own and the pictures will help the reader understand Paige’s inner conflicts.

Readers can learn a lot about self-acceptance from Paige. At the beginning of each chapter, Paige writes a rule she wants to live by. For example, “Figure out what scares you and DO IT and let yourself FAIL. Don’t take it all so personally.” When Paige allows these rules to guide her behavior, she learns more about herself and begins to overcome her fears. As Paige matures, she realizes, “Bad experiences are like bad drawings. They stay in our sketchbooks. They stay a part of us. You can’t erase your past or who you are. You have to deal with it, I suppose.”

Page by Paige’s format will appeal to even the most reluctant readers. The story includes list and thought bubbles that use simple but expressive vocabulary. Some pages have no words, but allow the illustrations to express Paige’s complex emotions instead. While a few pages are text heavy, most pages have one to eight short sentences. Even though Paige’s struggles are typical, her illustrations elevate the graphic novel’s ability to express emotions.

Page by Paige will appeal to a wide variety of readers because it focuses on issues that most teens face. While the story gives readers a lot of good advice, the story never feels like a lecture. Instead, the graphic novel focuses on Paige’s personal growth. If you’re looking for an engaging graphic novel with interesting artwork, then Page by Paige is the perfect book for you.

Sexual Content

  • When meeting kids at her new school, someone asks Paige, “Are you Irish?” Then the kids tell Paige what their diverse heritage is. Paige says, “Me, I’m just like if all the pale countries got together and had a big orgy.”
  • A boy teasingly tells Paige, “I’ll try not to pop your cherry.”
  • The illustrations show Paige kissing her boyfriend twice. This is her first kiss.

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Crap is used four times.
  • Damn is used twice.

Supernatural

  • None

Spiritual Content

  • None

 

Just Ask: Be Different, Be Brave, Be You

Sonia and her friends are planting a garden, and each one contributes in his or her own way. Rafael has asthma and sometimes must stay calm so he can breathe, which gives him time to paint beautiful rocks for the garden. Anthony uses a wheelchair to get around and can move super-fast, directing the group. Anh has a stutter and prefers to listen, so she knows just how to plant each flower. All the friends are different, but they all have one thing in common: they like to ask questions and learn about one another!

This inclusive story is told by US Supreme Court Justice Sonia Sotomayor and inspired by her own diagnosis of diabetes. Readers will see differently-abled kids use their strengths to work together and learn about each other. The book shows that differences are wonderful and that all you have to do when you don’t understand something is ask.

Each page of the picture book focuses on nature and the children who are working in the garden. The illustrations are brightly colored and show some imaginative elements as well. For example, Jordan loves dinosaurs, and in his illustration, he is walking over a rainbow and is surrounded by dinosaur-shaped plants. Readers will enjoy finding all the animals that appear throughout the book such as a squirrel, a grasshopper, and birds.

The book uses a similar format on all the pages. Each two-page spread has a paragraph about a different person who has a disability. Each page also has a question for readers to consider. For example, “I also love reading and writing. What about you?” Even though each page only has 2 to 5 sentences, parents will need to read the book to their child rather than having the child read it independently. The complex sentence structure and advanced vocabulary will be difficult for beginning readers.

Just Ask uses an extended metaphor that compares people to a garden. For example, Sonia must take insulin because “my body doesn’t make insulin naturally like other people’s.” The full-page illustration that accompanies the words shows Sonia sitting in a flower, giving herself a shot of insulin. Just Ask introduces readers to a wide range of differences such as autism, stuttering, and needing to use a wheelchair. Plus, the children who appear in the story are diverse and have many different skin tones.

Parents and educators who want to educate readers about people with different abilities should put Just Ask on their must-read list. Unlike most picture books, Just Ask isn’t necessarily entertaining, but it teaches important lessons about being inclusive and shows how everyone can contribute in different ways. While young readers may not understand the connection between people and different types of plants, Just Ask is the perfect book to use as a discussion starter. While the story encourages readers to ask about people’s differences, it does not explain how to ask in a polite and kind manner.

The beautiful and creative illustrations, the diverse characters, and the positive message make Just Ask an excellent book to read to young children. The picture book gives information about different disabilities as well as food allergies and encourages readers to be inclusive.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Brown Boy Nowhere

Sixteen-year-old Angelo Rivera is from the bustling city of San Diego where his parents owned a Filipino restaurant. Now, Angelo has moved across the country to Ocean Pointe where Angelo and his family are the only Asian people in the entire town. He’s left behind all of his friends, and his girlfriend Amanda, so his mom and dad can run a new restaurant called Sloppy’s Pit Stop. To make everything worse, Angelo wants to participate in a skateboarding competition in California, but the only way he can go is if he pays for his own plane ticket by working at Sloppy’s. But Angelo has a plan: Convince his aunt to let him stay in California so he can be with his friends and Amanda. He’s determined to leave Ocean Pointe behind for good.

Angelo’s plans go awry when he meets fellow outsiders Kirsten and Larry. All three of them are seen as outcasts by the students at Ocean Pointe High School where football players and cheerleaders are at the top of the social hierarchy. Kirsten abandoned cheerleading for art and Larry is the grandson of a known drug dealer. Both ask Angelo to teach them how to skate, boosting their self-confidence and creating a small group of friends for Angelo. After Amanda breaks up with Angelo over the phone, he begins to grow closer to Kirsten. As a result of bonding with Kirsten, a fight breaks out at OPHS that results in Angelo being more seen than ever.

Brown Boy Nowhere is a prose-style novel that is told from Angelo’s first-person perspective. As a result of being told in Angelo’s perspective, the reader will experience the same prejudice and violence Angelo does. This allows readers who aren’t Asian to understand the unique situations Asian people face in a racialized society. The story hits close to home for many Asian readers who understand what it’s like to be the only Asian person in a majority white town, school, or area.

Readers who aren’t Asian will also learn that some “jokes,” such as Asian people eating dogs and cats, are microaggressions that create lasting scars for their Asian peers. Even simple questions can be microaggressions depending on the person to whom they’re directed. For example, when Angelo first meets Larry, Larry asks Angelo where he’s from. When Angelo says he’s from California, Larry responds with, “No. I mean, where are you really from?” Such a question insinuates that Asian people do not, and will never belong in America and isolates Asian peers from their white peers.

Angelo also does his best to educate his new friends Kirsten and Larry on anti-Asian racism and microaggressions, calling them out on their blanket statements about Asian people. Angelo even tells Kirsten that saying, “I do not see race” is a microaggression and explains to her why. Angelo says, “I get that some people who say it mean well. But saying you don’t see race disregards my identity. I’m Asian. I’m proud of it. If you don’t see race, then you’re ignoring that part of me.”

Brown Boy Nowhere is a fascinating novel that tells a story about an Asian teenager finding himself in a town where he feels like he does not belong. The book has many early 2000s references, such as Angelo comparing Kirsten to actress Kirsten Dunst, and even has the feel of a 2000s teen movie. The book is not set in the early 2000s, but it provides Angelo with another interest and supplements his thoughts. It also tackles the incredibly complex issue of anti-Asian racism and the unique experience of a member of the Asian diaspora. Some events in the novel, such as the star football player named Grayson, vandalizing Sloppy’s, feel unrealistic and have unrealistic consequences. However, the novel is a perfect read for people who like coming-of-age dramas and want to learn more about the challenges Asian teenagers face in a world that expects them to be invisible.

Sexual Content

  • Angelo recalls that on his last night in San Diego, he had sex with his girlfriend Amanda. “Heat creeps into my cheeks. I don’t know what I expected losing my virginity would be like, but my fantasies certainly didn’t include me blubbering like an idiot, telling her how much I’d miss her.”
  • After Angelo saves Kirsten from being hit by a car, she gives him a kiss on his cheek. “I frown curiously as she takes a giant step toward me, letting out a soft gasp when she presses her soft lips against my cheek.”
  • While in the warehouse together, Angelo expresses a desire to kiss Kirsten. “My gaze flits down to her bottom lip. I want to kiss her. I want to kiss her more than anything in the world. More than skate competitions, burger patties, and even plane tickets to California.”
  • When Kirsten takes him to the beach, Angelo finally kisses her. “Pushing all second-guessing aside, I finally lean forward. I press my lips against hers. She takes a sharp breath against my mouth, stiffening for a second. Quickly, she relaxes and kisses me back, raking her fingers through my wet hair, tugging at the ends lightly.” They continue to make out for a page.
  • Angelo’s ex-girlfriend, Amanda, accidentally sends him a sext which includes “a photo of her chest with nothing but a tiny bikini top covering her, um, assets.”
  • After clearing up the misunderstanding because of the sext, Angelo and Kirsten kiss again. “Kirsten opens her mouth to speak, but before she can say anything I reach over and cup my hand over the back of her neck, pulling her into me. I press a kiss into her lips, quieting any lingering doubt she might have about me. My feelings for her. Us.”

Violence

  • Angelo decides to skate away from a group of boys who are harassing him. One of the boys throws a rock at Angelo which results in him falling off his skateboard. “The next thing I know, something jams against my front wheels. Before I can react, I’m flying off my board. On instinct, I stick my hands out to stop my fall, but I’m at a weird angle and land cheek first into the parking lot.”
  • When Grayson learns that Angelo and Grayson’s ex-girlfriend are friends, Grayson punches Angelo in the school hallway. Angelo tells Grayson he’s being racist. The scene lasts for 8 pages. Angelo doesn’t “even get to finish my thought. A blinding pain hits me square in the jaw. Sharp and intense. I stagger back, gasping for anything to hold on to, only to smack my open palms against the cold locker . . . Grayson keeps his fist up to my nose. His knuckles are bright red.”
  • To prevent Kirsten from being seen by the Sheriff, Angelo tackles her onto the grass. “Without thinking twice, I push off my board and tackle Kirsten onto the grass lining the street. We crash and find ourselves rolling into a ditch.”

Drugs and Alcohol

  • When exploring Ocean Pointe, Angelo ends up at the high school where he sees a group of guys holding cigarettes. “Cigarettes glow from between their fingers as they stare me down, scanning me from head to toe.”

 Language

  • The word “shit” and other variations of the word are used frequently.
  • The words “ass” and “asshole,” along with their variations, are used often.
  • “Bitch” and “bitchy” are used often in the novel, typically in relation to female characters.
  • “Fuck” is thrown around a lot by the characters in the story.
  • Angelo faces multiple microaggressions from his white peers, many of them relying on the racist stereotype of Asian people eating cats and dogs. A football player even says, “Guess that makes this here brown boy the dog, huh? You are what you eat.”
  • The football players who bully Angelo often call him “brown boy” as an insult due to Angelo being Filipino and having brown skin.
  • Angelo calls his friend from San Diego, Mackabi, a “dipshit” affectionately.
  • Angelo says he “feel[s] a bit dickish” for objecting to teaching other students how to skate.
  • When Kirsten implies that Angelo’s bullies confront change by being aggressive, Angelo says, “That’s bullshit. Being scared isn’t an excuse to be racist. That’s just damn ignorant. You don’t call someone ‘brown boy’ or say he eats dogs just because he’s new to town.”
  • When Grayson says he isn’t racist, Angelo calls Grayson a “delusional dick”

Supernatural

  • None

Spiritual

  • None

by Emma Hua

Blackout

The sun beats down on the city of New York where there are places to go and people to see. As a heatwave takes over New York City, electricity goes out. This creates the infamous blackouts causing the lights to go off and the trains to stop running. No electricity also means no air conditioners, and that everyone outside is sweating through their clothes from the summer heat and humidity. Amid the blackout, six couples spark a different kind of electricity in the City that Never Sleeps as old loves, and new ones, meet and head to a massive block party in Brooklyn.

Blackout features six short stories following six couples. “The Long Walk” follows two exes named Tammi and Kareem. Kareem needs to get to a block party and Tammi needs to go back home to Brooklyn – coincidentally where the block party is being held. Together, Tammi and Kareem begin a long walk to Brooklyn during the heatwave. “The Long Walk” is also split into 6 parts and scattered throughout the novel instead of being compacted like the rest of the short stories.

“Mask Off” is a queer, MLM (Man Loving Man) love story that follows Tremaine and basketball star JJ. The two of them are riding on the subway before it is shut down by the blackout. “Made to Fit” is another queer, WLW (Woman Loving Woman) love story that follows Nella and Joss at a senior living facility. Nella’s grandfather accidentally loses a picture of his wife, Nella’s grandmother, and Joss offers to help Nella look for it in the dark.

“All the Great Love Stories…and Dust” features two characters named Lana and Tristan, who are trapped in the New York Public Library during the blackout and play a game to see who can find the best book. “No Sleep Till Brooklyn” follows a love triangle on a double decker bus between Kayla, Micah, and Kayla’s boyfriend Tre’Shawn. The final story, “Seymour and Grace,” is a first meeting between Grace and her Ryde driver Seymour. Grace needs to get to the block party in Brooklyn, but the trip gets interrupted by Seymour’s car running out of gas.

All six short stories follow a prose narrative style in the first-person perspective of their respective narrators. Each writer has a different writing style and format. For example, “All the Great Love Stories…and Dust” features footnotes at the bottom of the page to convey Lana’s truth and demonstrate her character. “The truth: I [Lana] just wanted us to have our adventures together away from anyone we might run into. The people we are in Brooklyn aren’t the same people we are in Manhattan or the Bronx or Queens. Do you think you can be a totally different person in a different place? Your insides and outsides transforming into another you?”

There is a sense of consistency between all six authors, allowing the reader to easily grasp the flow of the stories and connect them to the other five. The stories feature romance, and the novel is meant to celebrate young black love. All the characters are teenagers, and most of them are in their late teens. This makes them relatable to a young adult audience as the characters deal with friendships, their identity, and college. For black young adult readers, Blackout provides them the representation they need, and the novel perfectly portrays each character in their own, individual light with their own individual stories and identity.

Blackout is a beautiful novel written by six black authors who bring to life the idea of young love. Each story celebrates young black love and the diversity that occurs in the black community. Queer black teenagers get their own love stories separate from their straight counterparts. Each story provides a small twist on the romance genre due to the authors’ distinct writing style and the story’s format. This book is for readers who are a fan of romance and for Blackout’s targeted audience of black readers. The book is extremely entertaining and will have fans wanting more.

Sexual Content

  • JJ brings up rumors about Tremaine, saying, “there are rumors he “deflowered” both the starting quarterback and his girl.”
  • JJ recounts a sexual encounter he had with a girl on his eighteenth birthday. She “danced me into a corner and started kissing my neck. And I did kiss her back—she was a great kisser, objectively speaking—and when she pushed things a bit further, I rolled with it.”
  • At the queer party, JJ kisses Tremaine without Tremaine knowing it was JJ. “When he turned back to me, I lifted the bottom of my mask, closed the space between us . . . and I kissed him right on the mouth.”
  • Nella was in love with her ex-best friend Bree, who Nella “used to dream about kissing.”
  • In a brief flashback scene, Nella relives the experience of Bree telling Nella that she only kisses other girls when she’s drunk. Nella says, “Twig saw you kissing girls at all those house parties?”
  • Joss puts on some purple lipstick and Nella thinks, “. . . her mouth is suddenly very, very distracting.”
  • In the laundry room, Nella and Joss kiss three times. The scene lasts for two pages. “When we kiss, it’s slow and warm. It’s thickly sweet, like the butterscotch candy we took from Queenie’s bedside table, but there’s something underneath the syrupy flavor that I know must be essentially Joss too.”
  • After Lana confesses her love to Tristan, the two of them make out. “Before I [Lana] could finish, his hands are on my back and his bottom lip brushes against my neck, my ear, then my cheek, before he kisses me.”
  • Tre’Shawn tries to kiss Kayla, but Kayla doesn’t let him. This happens twice.
  • Tre’Shawn tries to kiss Kayla a third time and this time Kayla lets him. “I let him kiss me this time. It’s comforting and familiar.”
  • After having a panic attack on the Brooklyn Bridge, Tammi brings Kareem close to her and kisses him. Tammi grabs “his shirt, pull[s] him close, and kiss[es] him. I kiss my messy, forgetful, silly-ass ex-boyfriend. And as we hover over the water, I forget the world as he kisses me back.”

Violence

  • While at the masquerade party for queer men, JJ gets hit on by an older man against his consent. The man says, “Oh, don’t play coy, now,” as he breathes down JJ’s ear and grabs his arm.

 Drugs and Alcohol

  • None

Language

  • The words “shit” and “ass” are used a variety of times and in a variety of ways. For example, when Tristan is talking to Lana about them going to separate colleges, he says, “I’m supposed to help you and your dads move you into your fancy-ass Columbia dorms before I bounce to Binghamton.”
  • When talking about her ex, Taylor, Joss says, “That bitch missed out too.”
  • During an argument with Kareem over Tammi not trusting him, he says “Fuck it.”
  • Tammi reminisces over a middle school memory where Kareem was bullied. She calls those bullies “assholes.”
  • Kareem says that Tammi called him “a fucking liar” because Tammi thought he lied and cheated on her.
  • Kayla confides in her best friend, Jazmyn, about her issues with her relationship with Tre’Shawn. Jazmyn says, “Is he on some fuck boy shit?”
  • Kayla calls her classmate Micah a “jackass” lightheartedly.

Supernatural

  • None

Spiritual

  • None

by Emma Hua

Gargantis

Herbie Lemon and Violet Parma team up once again to solve another Lost-and-Foundery mystery. This time, the outcome of the case has implications on the entire island. Eerie-on-Sea is under attack as a violent storm, nicknamed Gargantis, tears through town, destroying buildings and causing stormquakes (earthquakes caused by the storm).

Amid the chaos, another case presents itself to Herbie. Mrs. Fossil has found a mysterious bottle on the beach. It seems to move on its own and has indecipherable ancient writing on its side. Everyone claims to be the bottle’s rightful owner. Dr. Thalassi and Mrs. Fossil want it for their respective collections. The town’s fishermen say it is theirs due to the presence of their own ancient language on the side. However, a frightening man in a hood makes it clear that he wants the bottle more than anyone and he is willing to sacrifice everyone in Eerie-on-Sea to get it.

Some want to discover what the writing on the bottle means, what fairy-like creature is living inside, and why the man in the hood wants it so badly. They seek the help of Blaze Westerley, a young, outcasted fisherman. Blaze’s uncle was recently lost at sea while investigating the ancient legends of the Eerie fishermen. Soon, Herbie and Violet realize the legends may be more relevant to the case than they initially believed. In fact, if they can crack the case of the fish-shaped bottle, they may be able to save Eerie rock from the terrible Gargantis.

Gargantis shows off the charming relationship between Herbie and Violet as they take on the town’s adults. Blaze Westerley is a welcome addition as he diversifies the group. Blaze is a little unsure of himself, but confident in his uncle’s mission. He, too, is a bit of a “lost thing” like Violet and Herbie were before him. The trio works well together, and each person has skills and knowledge that contribute to solving the mystery.

The book dives a bit deeper into Herbie’s backstory. He must reconcile his fear of the sea with his love of finding homes for lost things. Since the bottle came from the ocean and most of the people who want it are fishermen, Herbie spends a lot of time doing things that scare him, such as being on boats far away from shore. Herbie’s experiences develop the theme that sometimes we must do what scares us in order to help ourselves and others.

The story also highlights how a new perspective can bring the truth to light. Without Blaze’s input or Violet’s seemingly “bonkers” ideas, the mystery would not have been solved. Taylor also applies this idea to Herbie’s book from the mermonkey. Herbie believes that the cover of the book is a message that he will meet his end at the bottom of the sea. However, he never reads the contents, which say something different. In the end, the townspeople gather and give their own interpretation of the cover, none of which end with Herbie drowning. The book, therefore, reinforces the importance of perspective and the value of individuality.

The fast-paced book introduces new characters and interweaving plotlines. For this reason, it is recommended that readers not read Gargantis as a standalone. In addition, the resolution may fall flat for those who did not read the first book, Malamander. Black and white illustrations bring some added visualization to some of the scenes. Plus, the characters are just as charming and quirky as before. If readers enjoyed Malamander, they are likely to enjoy Herbie and Violet’s deep dive into the ancient fishermen’s legends.

Sexual Content

  • None

Violence

  • A mechanical shell attacks Violet and Herbie. Herbie fends it off by throwing “the bucket at [it], knocking it to the ground.” Violet “wrestles with it” trying to get it to stop.
  • Violet tells Herbie that the fishermen cannot fish in the storm. She explains, “The one motorboat that tried got its engine exploded by lightning.” She then says, “One fisherman has drowned already.”
  • Amid the argument, Herbie fears “some sort of riot is about to break out in the hotel.”
  • Herbie narrates that when Lady Kraken, the owner of the hotel, slaps him “on the back. It feels like being hit with a sock full of dry twigs.”
  • Violet shows Herbie an image in a book that depicts a large creature who “uses its giant flippers to smash the town to pieces, while lots of little medieval people run away screaming.”
  • The book Herbie receives from the mermonkey, a prophetic machination who gives customers a book, has a picture that shows “tiny figures of men and women and children writhe and twist as they sink down, down, down to the depths.” Herbie thinks this describes his fate as well as his unknown family’s. The cover also shows these bodies being received by “the white tentacles, feelers, and claws of the abyssal horrors that lurk at the cold, dark bottom of the sea.”
  • The clockwork crab makes “steel blades slide out from each of [its] four raised arms.” It aims for Herbie. Herbie wonders if there is a rule for his profession about smashing “a lost object to smithereens if it tries to pinch your stuff and then attacks you with swords.” When the clockwork crab attacks, “Herbie experiences a sudden flash of pain” and then a thin line of blood runs down the back of his hand.” Herbie gives “the blasted thing an almighty kick up the trumpet” and knows “with certainty that something has broken” after hearing it land with a “PANG!
  • Herbie keeps a sprightning, a fairy-like creature that can produce lightning, under his cap. He feels “a small explosion” at one point, followed by “smoke and the unmistakable stench of singed hair.”
  • Without a word, the man in the deep hood, nicknamed Deep Hood, threatens Mr. Mollusc, Herbie’s boss. He merely shows him what is under the hood, which is enough to make Mr. Mollusc go “so white he’s almost see-through” and agree to the Deep Hood’s terms.
  • When faced with two difficult possibilities, Herbie outlines his choices. He says he can either “get on the boat — despite the mermonkey’s warning — and run the risk of a watery end on the cold, dark bottom of the sea, or don’t get on the boat, and face the certainty of being nabbed by a bunch of angry fishermen with ropes and knives.” He chooses the boat.
  • Blaze explains that his uncle was once “swept overboard and swallowed into the swirling mouth of the Vortiss,” a whirlpool in the ocean, but he survived. His uncle told his fellow fishermen that he saw “the wrecks of all the ships the Vortiss has gobbled up over hundreds of years. And the skeletons of all the men who were gobbled with them, too.”
  • Blaze explains that his uncle wanted to return to Vortiss to investigate, so he took Deep Hood with him. However, they began to argue. Blaze remembers that his “Uncle had his ax out.” Then, Deep Hood threw something like a bomb. Blaze was “thrown to the deck.” That was the last he saw of his uncle, as the rope connecting the two men to the ship was “cut clean through.”
  • Blaze sees Deep Hood and blames him for his uncle’s fate. Blaze then “leaps forward, the wrench raised like a club.” Deep Hood uses his tentacle to ward the boy off, “smashing Blaze in the face.”
  • Herbie’s sprightning makes his cap explode, shocking Deep Hood’s hand, and causing Deep Hood to be “hurled backward.”
  • When a fisherman, named Lanky Beard, questions Deep Hood’s intentions, Deep Hood’s tentacle “shoots out and strikes Lanky Beard in the face.” It then “[grabs] his beard and [yanks] his head down onto a tabletop.” Finally, the tentacle punches the man’s feet out from under him, causing him to go “down with a sickening crunch, and [stay] down.”
  • Deep Hood is the clockwork crab’s master. He becomes disappointed in it and “kicks the shell… a strong, cruel kick, designed to punish.” Soon other fishermen join in, kicking the shell around in what Herbie describes as a “spiteful game.”
  • The sprightning defends Herbie and Violet by shooting lightning at a fisherman. “The man is thrown off his feet as electricity scorches the moldy wallpaper right down the corridor.”
  • When trying to leave the pub, Deep Hood’s tentacle yanks Violet back. Herbie frees her when he “takes the door in both hands and slams it shut with all [his] force on the tentacle,” which is followed by a “sickening, rubbery crunch—and a roar of pain from Deep Hood.”
  • The sprightning uses its lightning on Mr. Mollusc, sending it “crackling up Mr. Mollusc’s arm and down into his trousers.” This causes him to “go stiff as a board and fall over backward in a puff of smoke.”
  • Deep Hood discovers Herbie and Violet eavesdropping. Herbie sees “Violet’s terrified face as the tentacle shoves her into the open sarcophagus and slams the lid shut.” Herbie also says, “I remember the smashing of glass in the tower as I was pulled out a window and carried away into the night.” He does not remember anything other than that, as he assumes he has been “knocked out.”
  • The fishermen use a rope to restrain Herbie. Herbie narrates, “It’s pulled tight, trapping my arms, and I’m jerked off my feet and out through the metal door.”
  • The fishermen and Deep Hood launch their first attack on Gargantis, using Herbie as bait. Herbie sees the weapons the fishermen and Deep Hood plan to use on Gargantis. It is a gun, “the type once used to hunt whales” with spears as projectiles that have bombs attached. The fishermen fire multiple times at Gargantis. The fishermen continue to attack the creature and use Herbie and the sprightning as bait. Herbie describes that the boat is “struck violently,” but everyone aboard is unharmed. Herbie sees that the fishermen are now armed with “axes and spears.” Herbie observes as “Gargantis attacks” the fishermen’s boat. Herbie thinks that by now all the fishermen are “down to the ocean floor.” It is later discovered that they all survived. This first attack takes place over 22 pages.
  • Herbie, Violet, and Blaze come across a swarm of sprightnings that singe Violet’s hair.
  • Later, Deep Hood attacks Gargantis again. Herbie sees the spear land “in the neck, embedding itself deep,” followed by “a sickening ball of fire that bursts out of the storm fish’s mouth” when the bomb explodes. Gargantis “writhes and twists, shrieking with pain and spouting flame.” This wound is nearly fatal to the monster, and the characters believe she is dead.
  • In response to Gargantis’s injury, the sprightnings “swarm around the iron fishing boat, darting and zapping at the fishermen and running in hot angry arcs across its surface.” The sprightnings’ electricity causes an explosion that results in the loss of the power engines, leaving the fishermen victim to the whirlpool, Vortiss. This second attack takes place over two pages.
  • When both the sprightning and Gargantis are close to death, Deep Hood launches another attack. Deep Hood explains that he wants Gargantis’s “carcass” for his potion. The Westerleys and Deep Hood grow increasingly angry with each other. Deep Hood calls Blaze to fight. Deep Hood “punches Squint in the face” and throws an ax at Herbie and Violet, but misses. In the final moments of this encounter, Gargantis returns, and Deep Hood is swallowed by her. This final attack takes place over six pages.
  • Squint tells the story of what happened on the day he was pulled into Vortiss. He remembers that Eels “threw the bomb . . . at his boat.” That act made Squint realize that Eels “wanted to kill us, so that no one else would know he was here, or how to find the Vortiss”. Later Eels “threw another bomb, right at Gancy’s head” and “seemed desperate to kill her before she could wake.”
  • Herbie identifies the remains of Saint Dismal by the features of the skeleton. He sees that, “On the chin of the skull, attached to scraps of mummified skin, is a long dangling beard that reaches all the way to his bony toes.”

Drugs and Alcohol

  • The fishermen frequent a pub in which they drink “pints of Clammy Dodger.”
  • Blaze says his uncle was “brought . . . back to life with brandy and a slap.”
  • Herbie describes that in winter, it is normal to see the fishermen at the pub drinking beer and smoking pipes.
  • Violet refers to some “drunken sailors.”
  • Lady Kraken has a “long-stemmed glass with a little golden wine inside.”
  • Dr. Thalassi “prescribed [Lady Kraken] an ointment” for her tentacle growth.
  • Herbie explains how the fishermen’s behavior at the pub changes when the tourists leave for the colder season. He says, “Pipes are smoked once more as sea songs are sung and beer is spilled and fights erupt, and Boadicea Bates presides over it all.”

Language

  • Some of the characters are called ridiculous, crazy, annoying, a fool, and other similar terms.
  • Fishermen often say phrases like, “Bless his Beard,” and, “By Dismal’s beard.”
  • Herbie wants to know why Deep Hood “[had] to be so creepy about” turning in a lost object.
  • Herbie references Deep Hood to Mollusc, calling him one of “the strangest ones.”
  • Herbie thinks only “weirdos and crackpots” would visit Eerie-on-Sea in the winter.
  • Herbie mentally refers to the clockwork crab as a “stupid shell.”
  • Mollusc tells Dr. Thalassi to “take this frightful object away,” which turns out to be Mrs. Fossil caught in a net. He later calls her a “scruffy person.”
  • Lady Kraken calls Herbie a “dunderbrain.”
  • Herbie mishears Lady Kraken when she is brushing her teeth. She says she has yet to “[brush her] backside…the backside of [her] toosh.” She means to say tooth, but due to the foam in her mouth, the joke refers to her bottom.
  • The phrases “how on earth” and “bladderwracks” are used as exclamations.
  • Herbie occasionally uses the word “blasted” as a descriptor for frustrating objects.
  • Herbie’s narration calls Deep Hood the “awful man.”
  • Mrs. Fossil refers to Sebastian Eels as, “That rotter.”
  • Herbie sees a fisherman outside of the bathroom “doing up his fly.”
  • Deep Hood calls Blaze “dim-witted.”

Supernatural

  • Herbie encounters a clockwork crab, a machine that looks like a hermit crab. The crab seems to act autonomously. Herbie says, “I don’t see how a clockwork hermit crab, no matter how complex, can want things for itself.”
  • The book’s plot centers around the legend of Gargantis, a sea storm monster that travels through both the sky and water. The saying goes, “Gargantis sleeps, Eerie keeps . . . Gargantis wakes, Eerie quakes and falls into the sea.” Herbie describes the storm as “a vast creature—with the head of an anglerfish and dozens of fins along its sinewy body.” It also “is wreathed in storm clouds and lightning that seems to pour off its fins.”
  • The book revisits the mermonkey contraption from the first installment. The machine picks a book that it feels the customer needs to read. Herbie explains that “some people have only to touch the hat in the creature’s hand to set off the mechanism and be dispensed a book.”
  • The characters encounter a “fish-shaped bottle.” Within the bottle is a creature called a sprightning. The sprightnings are fairy-like creatures who can produce lightning, glow, and fly. Herbie sees that “two electrical arcs flicker out from the figure’s back, forming shapes that look for all the world like wings.”
  • When someone mentions the word “dismal,” “the storm spews lightning and thunder once more.” Herbie thinks the weather is “conjured by these words.”
  • Erwin, the cat, speaks again.
  • Deep Hood has a pink tentacle that he uses to attack his enemies. Deep Hood seems to have a supernatural sense of smell.
  • Lady Kraken is given a gold tincture made from the flesh of Gargantis that heals her incurable legs. Herbie watches as the “golden liquid . . . turns purple and strange.” She drinks it and temporarily can walk.
  • After the language Eerie script is decoded, Violet discovers the remainder of the saying regarding Gargantis and Eerie Rock. It continues, “Gargantis dies, Eerie dies, and all falls into the sea.” It turns out that Gargantis has “been holding [Eerie Rock] up all these years” and that Eerie’s stormquakes have been the result of Gargantis leaving her cavern to try to find her lost sprightning.
  • The sprightnings have the ability to “signal” to Gargantis to help their queen get back to them.
  • Squint explains the relationship between Gargantis and the queen sprightning. “The sprightning gives light to the storm fish, and Gargantis gives the sprightning electrical power in return, so she can breed her swarm. They bind forever and should never be separated for long.” They must reunite the two creatures to save their lives.
  • Once Deep Hood is revealed as Sebastian Eels, he shares that the tincture he offered to Lady Kraken allowed him to regrow the hand he lost in the previous book.
  • Eels has “dozens of little pink feelers” that “clutch at his lips and gums.” He also has gills.
  • Herbie narrates, “There’s a rushing sound as air is drawn into [Gargantis’s] mouth, and I sense her long body inflating and filling the cave beneath Eerie Rock completely.” She returns to her post holding Eerie Rock up.

Spiritual Content

  • The story refers to the legend of Saint Dismal, an Eerie-specific tale of the island’s “first Fisherman.” He is the “patron saint of calamitous weather and first fisherman of Eerie-on-Sea.” He is portrayed as having a “strange and holy light over his head,” which eventually is revealed to be a sprightning. They call this his “Gargantic Light.”
  • Violet reads that the people believed the sprightning to be a “miracle” because it was accompanied by an abundant catch of fish. In addition, the fishermen often use the phrase, “Bless his beard” in reference to their saint.
  • When Erwin, the cat, turns counterclockwise three times, the fishermen believe that a “bad omen” is upon them. The saying goes, “When Eerie cat turns widdershins thrice, ’tis dreary luck for men and mice.”
  • The fishermen are “extremely superstitious. When Herbie asks why the fishermen did not try to stop Erwin from turning, Violet says, “He who touches Bad Luck Cat will nary catch a cod nor sprat!”
  • Blaze explains that the whirlpool Vortiss is said to be “the place where storms are born” and has “strange lights and treacherous winds.” He also says that Saint Dismal talked of an “underwater world beneath Eerie Rock, where lie the wrecks of all the ships the Vortiss has gobbled up over hundreds of years.”
  • Gargantis is “a storm fish from the lost tales of creation” and “a creature from the beginning of the world, who should endure till its end.”

by Jennaly Nolan

Not Quite Snow White

Once upon a time, there was a girl who wanted nothing more than to play Snow White in her school’s musical.

Excited, Tameika dances and sings her way through the halls. But on the day of auditions, she overhears some kids suggesting that she is not princess material. Tameika suddenly doesn’t feel quite right enough to play a perfectly poised princess.

Will Tameika let this be her final curtain call?

Readers will instantly connect with Tameika, who loves all types of dance including “a hip-rolling happy dance. . . A stomping mad dance. And a hair-flicking just-because-she-felt-fabulous dance.” At first, Tameika feels confident, until she overhears her peers talking about her. The other kids make comments like, “She can’t be Snow White. She’s too tall! She’s much too chubby. And she’s too brown.” Hearing these words makes Tameika feel self-conscious and doubt her ability.

Not Quite Snow White shows how Tameika’s peers’ whispered words affect her. Tameika’s mother encourages her by saying, “You are tall enough, chubby enough, and brown enough to be a perfect princess.” Parents may want to use Not Quite Snow White as a discussion starter. They could talk about Tameika’s facial expressions and how it feels to be the subject of mean words.

Tameika’s love of dance and music comes to life in adorably cute illustrations that use bright colors.  Some of the illustrations focus on Tameika and her family, who are African American. At school, the children and teachers have a variety of skin tones. Each page has 1 to 4 sentences. Even though the vocabulary isn’t difficult, young readers will need an adult to read Not Quite Snow White to them.

Not Quite Snow White will engage young readers while it teaches the importance of loving yourself. Any child who loves Disney will relate to Tameika, who does not look like the stereotypical Disney princess. Despite what others say, Tamika realizes she can still be a “perfectly poised princess.” Not Quite Snow White reinforces the idea that “you’re just enough of all the right stuff.” Not Quite Snow White may become one of your child’s favorite books not only because of the fun illustrations but also because of the feel-good message.

Parents and teachers who would like to read more books that build a child’s self-confidence should add I Am Enough by Grace Byers and Angus All Aglow by Heather Smith to their must-read list.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

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