Icon: Strong Female Character

Piecing Me Together

Jade Butler, a black teenager in Portland, loves making art and collages. She constantly finds beauty in the mundane, everyday things that surround her. 

Jade is an ambitious, intelligent, and determined young woman striving for success. But, too often, Jade feels that in order to find success and “make something of this life, [she has] to leave home, [her] neighborhood, [her] friends.” Jade simply wants to be able to create, expressing her joys and pains, without feeling like she needs to completely change who she is. But it seems like her school, the programs she’s in, and even the world is trying to “fix” her. They want to tear her apart and make a “better” version of her. 

At school, Jade often feels like an outsider. It’s not only “because I’m black and almost everyone else is white,” Jade explains, “But because their mothers are the kind of people who hire housekeepers, and my mother is the kind of person who works as one.” Since Jade has grown up in a poor, single-parent household, her perspective on life is wildly different from her peers, which makes it difficult for her to connect with them. Moreover, Jade feels like she has been labeled the poor black girl, making her everyone’s charity case. While she is happy to accept the opportunities that come her way, Jade wishes she could be treated like the rest of the smart, successful students. She doesn’t want to be part of the mentorship program, where she was chosen because the school wants “to be as proactive as possible, and you know, well, statistics tell us that young people with your set of circumstances, are well, at risk for certain things.”  

When Jade meets her mentor, Maxine, she is again disappointed and discouraged. While Maxine is also black, she grew up in a middle-class neighborhood, with successful parents. At times Jade feels that Maxine understands her, and their friendship seems easy. But then Jade thinks, “how quick it is that Maxine reminds me that I am a girl who needs saving. She knows I want out and she has come with a lifeboat. Except I just don’t know if I can trust her hand.” Again, Jade feels like she is not being recognized fully for her successes and talents. 

In the end, Jade realizes that her situation will never change if she does not express her thoughts and feelings. “I need to speak up for myself,” Jade explains. “For what I need, for what I want.” If she wants to go on the study abroad trip to Costa Rica, she needs to advocate for her wants. If the mentorship program is upsetting her, she needs to say something about it. Jade confronts Maxine, and they talk about how they both can do better. Jade realizes even “imperfect people have things to teach you.” Furthermore, Jade realizes that she needs to take her future into her own hands and that the power of advocacy goes beyond just helping herself. 

Piecing Me Together explores racism, microaggressions, and social issues like police brutality. Throughout the novel, Jade encounters various instances of racially charged microaggressions. For example, when shopping in a store, Jade is singled out and asked to leave because she is “stand[ing] idle.” Afterward, Jade’s friend, who is white, does not understand why Jade is upset. Jade thinks “I don’t know what’s worse. Being mistreated because of the color of your skin, your size, or having to prove that it really happened.” In another instance, when Jade is taken to the opera, the volunteer leading their tour group says, “you know, some folks don’t think they can relate to this kind of music. But let me tell you, all kinds of people have been lovers of the symphony.” After Jade hears this, her “emotions are all mixed up and jumbled inside.” Jade thinks, the tour guide simply “thought we were the kind of kids who wouldn’t appreciate classical music . . . mak[ing] me feel like no matter how dressed up we are, no matter how respectful we are, some people will only see what they want to see.” 

Jade is also hyperaware of how other black people are treated. When Natasha Ramsey, a fifteen-year-old black girl, is beaten by the police, Jade cannot stop thinking about what has happened. Jade cannot help but think that Natasha “looks familiar. Like a girl [she] would be friends with.” While Jade hears about “this stuff all the time,” this time it feels personal like it could have been her. Piecing Me Together does not shy away from the realities of racism and police brutality, but it also shows the power of advocacy and community activism. Jade and her friends help organize an art event that creates an outlet for people of color to express their feelings. 

Piecing Me Together is a great book and a must-read. Jade is a strong, confident teenager, who is learning to live in the world as a black woman. She also is “discovering what [she is] really capable of.” Though this book contains serious discussions about what it means to be a person of color in America, it is also an exploration of learning how to stand up for yourself. Moreover, it is a story about the power of friends and family, who are the scaffolding that help support Jade through her journey in a world that too often is trying to tear her apart.  

Sexual Content  

  • As Jade is waiting for the bus, a drunk man approaches her. At one point “he leans in as if he’s going to kiss me.” Jade steps back, “tell[s] him to stop” and “walk[s] a few blocks to the next [bus] stop.” 
  • On the bus, a woman walks on with her “shirt [hanging] so low and is so thin, you can see her braless breasts.” 
  • Maxine and her friends tell Jade about a play entitled The Vagina Monologues. They explain “it’s a play that features stories about women . . . and rape, sex, getting your period.” 

Violence  

  • Jade’s uncle, E.J., “and his friends had been shot. E.J. was okay, barely grazed on his arm. Nate was wounded badly, and Alan died at the scene.” 
  • Jade thinks about what it means to grow up and go “out into the world.” She cannot help but “watch the news and see unarmed black men and women shot dead over and over.” She then explains “it’s kind of hard to believe this world is mine.” 
  • An incident in a town near Portland catches Jade’s attention, upsetting her. Police “were called to a house party because neighbors complained about loud music.” A fifteen-year-old girl, Natasha Ramsey, was “manhandle[d]” by the police. While the police claimed she was “being insubordinate,” they “beat her bad, she’s in critical condition . . . [with] fractured ribs and a broken jaw.” 
  • In a poem, Jade’s best friend, Lee Lee, wrote, she says “this black girl tapestry, this black body / that gets dragged out of school desks slammed onto linoleum floor, / tossed about at pool side, pulled over and pushed onto grass, / arrested never to return home, / shot on doorsteps, on sofas while sleeping / and dreaming of our next day.” 

Drugs and Alcohol  

  • Maxine’s ex-boyfriend “got fired because he kept showing up high and late.” 
  • During dinner at Maxine’s parent’s house, a few of the adults are drinking wine. 
  • Jade attends the annual fundraiser for the Woman to Woman organization. Maxine says it will be a cocktail party, but explains to Jade “of course, you won’t be drinking.” 

Language    

  • There is very limited profanity in this book. The word “ass” is used once. However, profanity at points is implied. For instance, at a restaurant, a teenage boy called Jade “every derogatory name a girl could ever be called.”  

Supernatural  

  • None 

Spiritual Content  

  • At a Woman to Woman meeting, the group talks about relationships and dating. Jade notes one of the girls in the group seems like she is an “‘I’m Saving Myself for Marriage’ girl. Right now, Jesus is her boyfriend.” 
  • Jade’s mom explains, “Thanksgiving has always been a day for getting together with family, a day to thank God for my personal blessings.” 
  • Jade encounters a woman on the bus who continuously says, “Jesus loves you. Jesus loves you.” 
  • Jade suggests she and her family pray for Natasha Ramsey, the black teenager beaten by the police. E.J., her uncle, responds by saying “what is prayer going to do… prayer ain’t nothing but the poor man’s drug.” E.J. continues saying “poor people are the ones who pray. People who don’t have what they need, who can’t pay their rent, who can’t buy healthy food, who can’t save any of their paycheck because every dollar is already accounted for. Those are the people who pray. They pray for miracles, they pray for signs, they pray for good health. Rich people don’t do that . . . plus, God isn’t the one we need to be talking to. We need to talk to the chief of police, the mayor, and the governor. They’re the ones with the power to make change.” 

Don’t Judge a Girl by Her Cover

With Macey’s parents running for president, life at the Gallagher Academy is turned upside-down. First, Cammie and Macey barely escape a kidnapping attempt. Then, the Secret Service follows Macey back to school, threatening their school’s secret heritage. And finally, there is Zach, who has a tendency of showing up at the most suspicious moments.  

Cammie fully intended to follow the rules at school this year. However, the Gallagher Academy is a spy school, so following the rules is not always an option—especially when Macey’s safety is at risk. Cammie, Bex, and Liz will take no chances with their friend’s life, even if that means they have to break out of school and follow Macey to personally ensure her safety. However, when Cammie’s Aunt Abbey shows up as part of Macey’s Secret Service detail, breaking the rules becomes much more difficult.  

Don’t Judge a Girl by Her Cover increases the suspense and action from the previous books, ramping up the stakes while bringing back all our favorite characters. The presidential campaign of Macey’s parents adds interest, new settings, and a new boy. Don’t Judge a Girl by Her Cover both begins and ends with action, keeping readers engaged until the very end.  

Despite being a spy, Cammie is a strong protagonist who is relatable to readers. Like most teens, Cammie worries about her friends, has boy trouble, and doesn’t always make wise choices. Cammie is confused by Zach, which adds a fun element to the story. Readers will fall in love with Cammie, who is a well-developed character who is easy to sympathize with. However, what makes the Gallagher Girls Series unforgettable is the friendship factor. 

In Don’t Judge a Girl by Her Cover, Cammie spends her time trying to protect her friends. Cammie knows that her friends will always have her back as well. While the story focuses on Cammie, all the characters are well-developed. Each character is unique and given their own chance to show their spy skills. The Gallagher Girls Series brings to life a group of awesome girls who are smart, brave, loyal, and yet, completely baffled by boys.   

Through first-person narration, Carter creates a fun story full of relatable characters and explores teen romance in a wholesome way that is perfect for middle-grade readers. While the story has romance, Cammie spends most of her time trying to outsmart secret agents, unravel mysteries, and keep her friends safe. The suspenseful story ends with a cliff hanger that is sure to leave readers hungry for more.  You will definitely want to have the next book, Only the Good Spy Young, handy.  

Sexual Content  

  • Aunt Abbey kisses Joe Solomon. Cammie thinks, “None of the spy training in the world prepared me for the sight of my aunt grabbing Joe Solomon by the shirt. And kissing him. On the mouth. For eighty-seven seconds.”  

Violence  

  • Macey and Cammie are attacked in a kidnapping attempt. Cammie “parried the attacker’s first blow [and] took a half-step to my right and landed a kick at one of the masked men’s knees.”  
  • During the kidnapping attempt, a boy “pulled back his free hand and punched the man in the throat. It was a perfect lucky shot.”  
  • Macey’s arm is broken during the kidnapping attempt. “The men lunged for Macey. I heard a sickening snap. I turned and saw my roommate clutch her arm and fall to the ground, howling out in pain.” The fight happens over six pages.  
  • Cammie and Macey escape the kidnappers by diving into a laundry shaft. Cammie jumps in and is “free-falling. I felt my head bang against the metal shaft. Something hot and wet oozed into my eyes.”   
  • When Zach startles Cammie by grabbing her shoulder, Cammie flips him over her shoulder in self-defense. “I forgot all about Mr. Solomon’s assignment as I reached back and grabbed the offending hand, stepped into the move, and swung the guy smoothly through the air, watching him crash onto a red balloon with a pop.”  
  • Cammie is injured during a second kidnapping attempt. Someone attacks her and her “head was on fire. My body was crushed beneath my attacker’s weight. Someone or something must have knocked us both to the ground. . . my roommates [were] battling two men twice their size. Liz clung to the big man’s back while Bex parried away his blows. Macey fought against the second man.” The struggle takes place over six pages.  
  • When one of the kidnappers tries to shoot Macey, Aunt Abbey jumps in the way. Cammie “saw the flash—heard the blast . . . Someone else was lunging through the air in front of Macey and then falling too hard to the dark ground . . . Zach’s jacket had fallen from my shoulders, and Macey held it to the wound in Abby’s chest, trying to stop the blood that spilled onto the dark asphalt.” Aunt Abbey is rushed to surgery and recovers.  

Drugs and Alcohol  

  • Cammie’s mom tells Aunt Abbey that “perhaps the United States Secret Service should consider that it might be unwise to tell Madame Dabney’s eighth graders how to make their own chloroform out of Kleenex and lemon wedges?” To which Abby replies, “Yeah, I couldn’t believe they hadn’t figured out how to do that yet.”  
  • During the second kidnapping attempt, the kidnappers try to drug Cammie. “There was a rag over my mouth—a sick smell. I tried not to breathe as my arms flailed and the world began to spin.”  

Language    

  • None 

Supernatural  

  • None 

Spiritual Content  

  • None 

Code Breaker, Spy Hunter:  How Elizebeth Friedman Changed the Course of Two World Wars

In 1943, the CIA intercepted messages from Mexico and South America that were believed to be disguised war information. A team of ciphers was able to decode these messages and they discovered that a secret Nazi spy ring was sending the messages. These decoded messages were the evidence needed to arrest thirty-three German spies in what is now known as “the greatest spy roundup in history.” This team of ciphers was led by Elizebeth Smith Friedman, a renowned cryptanalyst. Elizebeth’s work as a spy and her incredible accomplishments were kept secret, until recently. 

Adapted from Friedman’s personal memoirs, Code Breaker, Spy Hunter utilizes watercolor illustrations and simple vocabulary to recount the amazing story of a previously unacknowledged figure. The story is told in a linear narrative detailing the most significant moments of Friedman’s career as well as some lesser-known fun facts from her personal life. For example, during dinner parties she hosted with her husband, a fellow cipher, they challenged their guests with the coded address of the restaurant.  

The book retells Friedman’s story in a way that is easy for younger readers to navigate while not compromising or minimizing important details to Friedman’s story. Although the book features small font and some particularly text-heavy pages, its colorful, minimalist illustrations help readers maintain a consistent understanding of the story. It is important to note that the book assumes that readers already have a basic understanding of both World Wars. If there are young readers who are not yet familiar with these historical periods, parental guidance will be needed. 

In Code Breaker, Spy Hunter, readers will receive an insightful and important education on an overlooked historical figure. Elizebeth’s story of small beginnings teaches that hard work and positive relationships are the keys to success.   

Sexual Content 

  • None 

Violence 

  • None 

Drugs and Alcohol 

  • None 

Language 

  • None 

Supernatural 

  • None 

Spiritual Content 

  • None 

Anna Strong and the Revolutionary War Culper Spy Ring

Travel back in time to the American Revolution in this thrilling third book of the Spy on History series. Discover the secret Culper Ring, a network of American spies fighting against the British redcoats. Meet historical figures like George Washington and the soon-to-be-infamous Benedict Arnold. Also meet Anna Strong, an unsung heroine who found ingenious ways to communicate top-secret messages to her fellow spies—helping to free the American colonies from British rule.
 
Your mission: Decode Anna Strong’s hidden message and discover the secret assignment she undertook for the Culper Ring. There are clues embedded in the book’s text and illustrations, plus spy craft materials, including a cipher wheel in an envelope at the beginning of the book. 

Anna Strong and the Revolutionary War Culper Spy Ring allows readers to step back into history and play the part of a Culper spy. The story focuses on Anna and her role as a spy during the Revolutionary War. Even though Anna was often fearful, her bravery allowed George Washington to receive important wartime intelligence that was critical in winning the war. Focusing on Anna allows the reader to see how the war affected men, women, and children.  

Anna’s story is fast-paced, full of suspense, and jam-packed with historical information. In addition, the book’s format is visually appealing. Every page has a graphic element, including pictures that are drawn in black, white, and red. Plus, most of the pages have a quote set apart from the other text. These quotes are printed in large fonts and help break up the text. The graphic elements are essential because hidden in the pictures and text are clues and codes. Readers will use a cipher wheel, a pigpen code, and other methods to decipher Anna’s letter to Caleb Brewster, another spy. 

Readers will enjoy using the spy tools and finding clues throughout the story. However, the lack of direction makes this task difficult. The first page of the book has a map of the Culper Spy Ring. The top of the map has a coded question that is easy to miss. Without the essential question, the clues are just a collection of random words. Parents may want to read the answer key that appears at the end of the book so they can assist young readers in finding and understanding the clues.   

Anna Strong and the Revolutionary War Culper Spy Ring will appeal to readers who love ciphers, history, spies, and mystery. Plus, it gives recognition to many of the spies who helped win the American Revolution. The well-written story will keep readers’ attention and the hidden clues will make them feel like they are a part of history. Readers who want to learn more about women’s role in the Revolutionary War should also read Susanna’s Midnight Ride by Libby Carty McNamee. If you’re looking for more historical facts about the Culper Spies, George Washington’s Spies by Claudia Friddell will give you the inside scoop.  

Sexual Content  

  • None 

Violence  

  • British soldiers knock on Anna’s door in the middle of the night. Anna and her children watched as “one of the soldiers stepped behind her husband and roughly bound his hands.” Anna’s husband was arrested and taken prisoner on a prison ship. 
  • Anna goes to see her husband on the prison ship. When she gets there, the ship smelled “of death. The eyes of the prisoners were sunken, and their faces were taut with hunger.” When Anna sees her husband, “his hands and feet [were] in iron shackles, she saw the same look of starvation and mistreatment beginning to hollow his features.” 
  • Nathan Hale was spying for George Washington. When he got caught, “Nathan was identified as a spy within days and executed almost immediately after he was captured.”  
  • Benedict Arnold was sent into a battle where he “received a terrible leg wound.” 
  • One night, a British soldier is caught sneaking around outside of Anna’s house. Caleb, Anna’s friend, sees him and, “Just as [the soldier] began to dismount from his horse, Caleb burst from the hedge. . . Anna heard a series of thumps as Caleb struck the man, blow after blow.” Anna was afraid Caleb “was going to kill him” but the soldier runs off.  
  • John André, a British soldier, was captured. “André was charged and hanged as a spy.”  

Drugs and Alcohol  

  • One of the spies would go into the city and, when passing the British checkpoints, he bribes the solders with liquor. 
  • When a group of patriots took over a fort, the men helped “themselves to the fort’s liquor stores.” 

Language    

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

Rebel Spy

Rebellious Frannie Tasker knows little about the war between England and its thirteen colonies until a shipwreck off her home in Grand Bahama Island presents an unthinkable opportunity. The body of a young woman floating in the sea gives Frannie the chance to escape her brutal stepfather—and she takes it.

Assuming the identity of the drowned Emmeline Coates, Frannie is rescued by a British merchant ship and sails with the crew to New York. For the next three years, Frannie lives a lie as Miss Coates, swept up in a courtship by a dashing British lieutenant. But after witnessing the darker side of the war, she realizes that her position gives her power. Soon she’s eavesdropping on British officers, risking everything to pass information on to George Washington’s Culper spy ring as agent 355. Frannie believes in the fight for American liberty—but what will it cost her? Inspired by the true “355,” Rebel Spy is rich in historical detail and intrigue. 

Rebel Spy was inspired by the true “355,” who was part of the Culper spy ring. However, 355’s identity has never been discovered, and Frannie is completely fictional. Frannie is a complex character whose stepfather, Sewel, is a tyrant. In order to escape Sewel’s abuse, Frannie makes a desperate move and assumes a dead woman’s identity. While on a ship sailing to New York, Frannie witnesses the British soldiers’ savage nature. These events lead Frannie to believe that “tyranny was wrong. Abuse was wrong. And power ought never be misused.” Frannie struggles between her desire to live a comfortable life as a lady and her belief that no one should be forced to live under a tyrant’s rule. 

As the events of the war unfold, readers will learn how the war affected the entire world, not just the colonies. Because Frannie is living the life of a Loyalist, she becomes friends with many people who believe the Rebels deserve their fate. While the cruelties of war are not glossed over, many of the Loyalists and British soldiers were good people fighting for what they believed was right. However, Frannie helps the Rebel cause because she is convinced that, “Access to life, liberty, and happiness should be equal to all. We should all have a say in deciding our own fates.” Even so, Frannie points out that women will not have this ability even if the Rebels win the war. Instead, they are controlled by their fathers or husbands. 

While Frannie’s story is interesting, she is slightly self-absorbed and doesn’t think about how her actions will impact others. For example, Frannie allows Duncan, a British officer, to court her and she has every intention of marrying him. Frannie claims to care for Duncan, but she often spies on Duncan and relays important information to the Rebels. Frannie never considers how her actions will affect Duncan. Since Frannie’s life is full of lies and deceit, she does not always come across as a sympathetic character.  

Full of danger, suspense, and interesting facts about the Revolutionary War, Rebel Spy will please readers who enjoy historical fiction. While Frannie is not necessarily a relatable character, readers will empathize with her struggle as a young woman living in colonial America. From Frannie’s experiences, readers will learn that “reading will strengthen your expression. Words have power. Learn them and that power becomes yours.” To learn more about how women played a pivotal role in the Revolutionary War, check out Susanna’s Midnight Ride by Libby Carty McNamee. 

Sexual Content  

  • When Frannie was a child, her mother was falsely accused of “having relations with men—some of them enslaved men—and she became a woman of ill fame. . . People crossed the road when they saw her. They hissed ‘filthy strumpet’ and ‘bloody doxy.’ They threw eggs and rubbish at our shop.” In order to survive, Frannie’s mother ended up “doing just what she’d been accused of.”  
  • The captain of the ship “brought the shore’s enjoyment to the Ambrosia—the ‘shore’s enjoyments’ being libations and women.” 
  • While sailing toward the colonies, Frannie meets a man. After dancing, Frannie “threw my arms around his neck, and kissed him. Asa pulled me in tight, his lips parting, his tongue sweeping against mine, and suddenly time disappeared. There was nothing beyond our mouths, gently searching.”  
  • On a different night, Frannie and Asa again kiss. Frannie often gets distracted by “Asa’s lips, which turned me liquid, and his chest, which was a perfect place for me to rest my head.” 
  • Frannie goes out on a midnight errand and sees “brothels and molly houses—brothels catering to men who favored men. Places where the orphaned and destitute often ended up. Where I might’ve ended up, if not for Miss Coates.” 
  • After a servant, Malcom, and Frannie are out most of the night, Malcom’s mother sees them. Malcom’s mother assumes they “snuck away to—” Malcom and Frannie do not correct his mother’s assumption because “the truth is. . . well, it’s worse.” 
  • Frannie’s guardian has arranged for her to court Lieutenant Duncan. After a brief conversation with him, Frannie felt “a velvety heat spreading through me. One thing I couldn’t deny: my body knew exactly how it felt about Lieutenant Duncan.” 
  • The British officers would board with the colonists. However, the officers were less than kind. One woman said, “A girl of barely twenty was got with child by a redcoat who breaks bread with her and her husband every night. Another has been told she will never bear children—she was savaged by five men, redcoats all.”  
  • Frannie is attracted to Duncan, who is courting her. When he leaned close to her, “his lips brushed my cheek, sending waves of heat down my center. He had yet to kiss me. I was so desperate for it to happen. . .” 
  • When Duncan kisses Frannie for the first time, she describes, “He was perfect. His kisses gentle, soft, warm. Desire struck me, and I stepped closer and clutched his arm.” 
  • Frannie gets upset that Asa isn’t “fighting” for her. After a brief argument Asa “wrapped me in his arms and kissed me. Deeply. Passionately. For blissful moments, we clung to each other like we’d only breathe again if we became one.” 
  • Frannie goes to talk to another spy. When the spy goes inside, a man on the street calls, “What’s wrong with us, trollop? We got the same parts he’s got!” 
  • When Duncan gets sent away, he goes to say goodbye to Frannie. “Alone in the dim entryway, we had kissed. It felt like our mouths were discussing something complicated and trying to reach an understanding.” 

Violence  

  • After Frannie backtalks to her stepfather, Sewel, he orders Frannie to go into the ocean even though a shark is nearby. Frannie “was praying for God’s protection as I lowered myself into the water, inch by terrible inch. And crying, too, though crying only ever turned him wickeder.” 
  • Sewel is a convicted murderer. He was “fighting in a tavern over a spilt drink and kill[ed] somebody. . . By reciting a Bible verse and getting the brand, he was saved from swinging by a rope round his neck.”  
  • While out to sea, a ship gets stuck on a reef. Frannie grabs the boat’s paddles in order to go help. Sewel orders her to stop rowing. When she doesn’t, Frannie attests, “something slammed into my back. The breath drove out of me. I flew forward, cracking my head on the keel. The world flashed white and went black.” 
  • After hitting Frannie, Sewel grabs her. “He leaned down, bringing his face close to mine. I kicked and thrashed, but he held me by the neck. . . His hand shot under my shirt and squeezed, hard.” Sewel tells Frannie, “You’ll learn and you will obey me.” 
  • In order to get away from Sewel, Frannie “reached back and swung the oar with every bit of strength in me. The paddle struck Sewel between the shoulder blades with a deep thud. . . Sewel flew forward and plunged into the foamy water. He disappeared without a splash, the sea swallowing him whole.” Another boater rescues Sewel. 
  • Before Frannie’s mother died, Sewel would hit her. After Frannie’s mother dies, Sewel announces that he is going to take Frannie as his new wife.  
  • While traveling to the colonies, two sailors disagree with who is right – the British or the Rebels. The two men get into a fight. “Hackett lunged at him – so fast, a blur – but suddenly everything seemed slow, like it was happening under water. He slammed into Lane and drove him back. . . Lane and Hackett grappled and swung, the sounds of their blows horrible.” The men are bruised, but not seriously injured. 
  • A sailor threatens Frannie, demanding that she give him jewels. The Sailor says, “Fail me and see if ‘old buzzard’ don’t slice you open gullet to gizzard, then dance a gig on your entrails.” 
  • The British come aboard the Ambrosia and force men to join the army. When Asa refuses to volunteer, two soldiers “tacked Asa to the deck, the sound of bone and muscle against wood thunderous. Asa kept struggling even as men piled on him. Then two men slipped cudgels from their belts and swung them.” Asa is beaten until he is bloody. Then, he is “dragged off the Ambrosia.” Asa’s beating is described over a page.  
  • While out on a midnight errand, Malcolm accompanies Frannie. A man “rammed into Malcom. He flew back and crashed into the dirt.” When the man holds a knife to Malcolm’s neck, Frannie “pulled my pocket watch over my head and threw myself on the man’s back. I slammed the hard silver into his ear as I came down. He yelled and rolled away, the knife falling from his hand.” Frannie and Malcom escape. The scene is described over three pages. 
  • While in a tavern, Lieutenant Duncan takes a soldier outside and “there was a grunt. The sound of a body thudding against brick.” Lieutenant Duncan warns the soldier to watch his mouth. 
  • When Frannie’s stepfather, Sewel, finds her, he kills one of the servants, Malcom. Frannie finds his body “lying in the dirt.” Malcom’s mother “pressed her hands to his neck, trying to stop the blood that poured out of him. So much blood. It was everywhere.” Malcom dies. 
  • Frannie has a plan to meet Sewel and frame him for spying. However, when she meets him, he kidnaps her and takes her out on a skiff. In order to get away, Frannie “dove at him, aiming the knife at his neck. . . The blade sank into his shoulder. He roared with pain and swung, his fist crashing into my temple.” In retaliation, Sewel tries to strangle her. A patrol of redcoats approaches the skiff. 
  • When Sewel sees the redcoats, he shoots. “The marines fired back, raising a thunderous noise. Wood popped and shattered all around [Frannie]. The skiff shuddered and shook.” When Sewel refuses to stand down and instead grabs his rifle. The redcoats fire. “Cracks exploded into the night. His body jerked back. His shoulder tore off. His hand disappeared in a bloody spray. Other pieces of him burst and broke.” Sewel is killed and Frannie is taken prisoner. The scene with the soldiers is described over three pages. 
  • When Frannie is imprisoned on a boat, she learns that a starving prisoner was “bayoneted through the gut for trying to filch a piece of bread.” 
  • When the Rebels found a major spying for the British, the traitor is “sentenced to death by hanging.” 
  • On a rainy night, Frannie jumps off the prison ship and into the ocean. As she swam away, Frannie “sensed the bullets slicing around me, but I kept going, even when one found my calf and bit.” 

Drugs and Alcohol  

  • Frannie’s stepfather is a drunk who often drinks rum.  
  • After being found on the beach half drowned, Frannie is offered laudanum, which she refuses. However, when she is offered a drink, Frannie “drank it half down before my throat lit with burning coals. It was watered rum—and not much watered.” 
  • During meals, Frannie and other adults are served wine. Alcohol is also served at parties. 
  • When Frannie takes on Emmie’s identity, her friends celebrate Emmie’s birthday by sharing a bottle of “spirits.” The girls get drunk.  
  • When Frannie gets upset, Duncan wants her to take laudanum. She refuses it. 
  • When Duncan’s uncle gets upset, he is given laudanum to calm him down. 
  • When Duncan and Frannie get engaged, they have a celebration and drink champagne. 

Language    

  • Lord is used as an exclamation infrequently. 
  • Frannie calls a sailor an “old hellhound.” 
  • Damn is used three times. Hell is used once. 
  • A sailor says that he is his father’s “bastard.” 
  • Frannie injures a man who attacked a servant. Afterward, the man calls Frannie a bitch.  
  • Bloody is used as profanity several times. For example, a soldier says, “bloody hell.” 

Supernatural 

  • None 

Spiritual Content  

  • Frannie occasionally prays. For example, when a storm is near, Frannie “saw thick clouds bunching on the horizon and whispered a quick prayer they’d stay there.” 
  • In the past, Frannie’s stepfather, Sewel, was almost killed. He said, “God looked out for drunks, fools, and sailors.” Frannie thinks, “God must’ve loved Sewel fierce ‘cause he was all three.” 
  • Sewel tells Frannie, “Lying’s a terrible sin. An abomination unto the Lord.” 
  • When Frannie sees a dead girl laying on the beach, she takes the girl’s clothes and the girl’s identity. When a sailor finds her, he says, “Unnatural, a lass surviving such a trial. God’s had a hand in this.” Someone replies, “or the devil.” 
  • After taking Emmeline Coates’ identity, Frannie “prayed for God’s forgiveness.” 
  • Frannie reads a pamphlet written by Thomas Paine, who wrote, “all men were born of equal power and no one could be born to preference. The Bible supported this notion, he wrote, which made kings and monarchies ungodly and wrong.” 
  • When Duncan reprimanded Frannie, she thinks, “it was a wife’s duty to obey. He for God and she for him. . . that was the proper order of things.” 
  • One of the servants tells Frannie, “I pray for you . . . Every night, I pray you find your place.” 

Escape from Falaise

After their plan to rescue the Prince of Gallica has gone horribly wrong, Will Treaty and his apprentice, Maddie, are being held captive at the Chateau des Falaises in Gallica. The dangerous baron, Lassigny, is intent on keeping them—and the prince—no matter what. But Will and Maddie are determined to escape.

If they ever want to return to their home, they’ll have to find ways to outwit the baron and get outside the locked tower. When friends from home endeavor to find their own way to help, it seems escape is closer than ever. But the dirty tricks of the baron are no laughing matter.

Facing dangerous threats, battles with knights, and a new and risky plot to save the prince, the odds are stacked against them. But the Rangers will use all the tools of their trade to save themselves and save the day.

Escape from Falaise concludes the story arc that began in The Missing Prince. In this installment, Horace and Halt join in the effort to free Maddie and Will. Even though the two Rangers successfully escape the castle, they go back in to finish their mission—free the Gallican prince, Giles. The story highlights the qualities of an honorable leader by using Lassigny and the Gallican king to demonstrate examples of abuse of power. The political intrigue is interesting and introduces a new twist to the Royal Ranger Series.

 One positive aspect of the story is that the Rangers go out of their way to avoid killing someone. For example, Lassigny’s guards use deadly force to try to stop Maddie and Giles from escaping the castle. Despite this, Will and Halt try to incapacitate the guards instead of killing them. Another positive aspect of the story is the camaraderie and respect among the rangers. Even though Maddie is significantly younger than Will and Halt, both men listen to her and take her opinion into consideration. Plus, they trust her to save Giles even though she must do it alone.

Readers who fell in love with the characters in the Ranger’s Apprentice Series will enjoy seeing them in a new light. While the story focuses on Maddie’s role as a ranger, Halt, Horace, and Will play a major role in the story’s plot. Because the Royal Ranger Series is an extension of the Ranger’s Apprentice Series readers will want to read it before they jump into Flanagan’s companion series, the Brotherband Chronicles. If you’re looking for a book series with honorable characters who demonstrate loyalty, courage, and perseverance, all of Flanagan’s series will hit the mark.

 Sexual Content

  • None

Violence

  • Armand, one of the king’s senior officers, is “unpopular among the servants” because he “wasn’t above physical punishment for those who attracted his anger. He was free with his fist when it came to the male servants and had been known to lash out at some of the female staff with the short riding whip he always carried.”
  • Armand and Maddie have a duel. Maddie “let fly with two rapid shots, smashing the lead-weighted hardwood arrowhead into the heavy iron helmet. . .” During the fight, Maddie uses her arrows repeatedly. “Three massive blows slammed against Armand’s helmet, deafening him, blurring his sight and hurling him sideways to the right. . .” Maddies’ horse Bumper charges Armand’s roan “shoving him upward and sideways.” Armand falls of the horse, ending the battle.
  • To escape from captivity, Halt, Will and Maddie hide in a stable. When the stablemaster is about to see them, “an iron-hard arm clamped around his throat from behind. The stablemaster gave a short, startled gasp. . .He struggled wildly for a minute or so, but Halt’s grip was relentless, tightening further and further, cutting off the air to the man’s lungs.” When the stablemaster is unconscious, Halt ties him up.
  • While trying to leave the castle, a solider attempts to stop Halt, but his horse Tug “set his shoulder and thudded into the man, knocking the halberd from his grasp, and sending him crashing against the stone wall . . .Fortunately for the guard, he was wearing chain mail and a helmet, as his head slammed into the stonework. His eyes glazed and he slid down the wall, semiconscious.”
  • When Will and Maddie escape, Lassigny gets angry and orders someone to flog several of the soldiers.
  • Maddie sneaks into Lassigny’s castle to free Giles, who is being held captive. While they are sneaking out of the castle, Maddie uses her sling to incapacitate two guards. “The smooth, round stone slammed into the guard’s forehead . . . He gave a startled grunt, threw out his arms and crashed over. . .” Then Maddie throws a stone at the other guard. “The impact of the stone on the man’s head. . . was sickening. Like his comrade, the guard threw out his arms and collapsed backward onto the floor.” Maddie checks the men, who are unconscious but breathing.
  • When Giles is moaning in fear, Maddie “drew back a hand and slapped him hard across the cheek. Instantly, he sat up, his eyes wide-open. . . The moaning stopped.” Later, to escape, Maddie hit Giles again, knocking him unconscious.
  • As Maddie and Giles are escaping the castle, soldiers spot them. Halt shoots at the men. “Maddie saw another guard on the battlement go down.”
  • When Lassigny and his soldiers start leaving the castle, Will and Halt shoot arrows. “The results were devastation. The three riders in the front rank behind Lassigny were plucked from their saddles. Two of them lay where they fell.”
  • Lassigny challenges Horace to a “fair combat.” Lassigny charges Horace. “Lassigny, prepared to resist an upward flick, was caught unprepared for the powerful downward force of Horace’s stroke. The point of his lance was hammered violently down, so that it slammed into the ground. . .Then the lance shaft could bend no further and it shivered into splinters, and he fell, crashing down on his back.”
  • Lassigny recovers and attacks Horace with his sword. When Horace “delivered stroke after stroke,” Lassigny’s arm “was numbed by the impact and his knees buckled beneath him, forcing him to give ground.” After Lassigny gives up, Horace turns his back. Lassigny’s “face was a mask of hatred as he stepped towards Horace’s unprotected back, raising the dagger for a treacherous killing stroke. The three Rangers shot within the same heartbeat. Three arrows thudded into Lassigny, the force of the triple impact hurling him sideways.” The scene is described over five pages.
  • The king orders his brother to be executed for treason.

 Drugs and Alcohol

  • During a meal, alcohol is served, but “Maddie didn’t drink alcohol, and Will only imbibed sparingly.”
  • At another meal, alcohol is served. “Will signaled that he would have a glass. Maddie opted for water.”
  • When Will and Maddie are being held prisoner in the castle, they are served wine.
  • When Maddie sneaks the prince out of the castle, she waits for two men to move off the stairs. The men “were sitting and passing a flask of wine back and forth.”
  • While eating with the king, wine is served.

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Missing Prince

Will Treaty and his apprentice, Maddie, have been urgently summoned to Castle Araluen. When they arrive, they learn a shocking truth: the Prince of Gallica is missing—and the King of Gallica has asked for help. All reports suggest that the young prince has been taken prisoner by the dangerous and powerful Baron Joubert de Lassigny. King Duncan knows that sending troops to Gallica to rescue the prince could start a war, as could openly helping Gallica resolve internal conflict. But there’s another way to save the prince: the Ranger Corps.

Soon, Will and Maddie are on the road to rescue the missing prince, disguised as father and daughter jongleurs. Maddie will have to use her knife throwing skills to keep up her disguise, and her ranger’s apprentice training to complete the mission. But going undercover is dangerous—and the road presents its own hazards. Can she and Will use all of their talents to save the prince, or will the arrogant Baron uncover their plans and put their lives– and their kingdom– at risk?

Unlike the other books in the Ranger’s Apprentice Series, The Missing Prince is missing action. For most of the story, Will and Maddie are traveling to the castle where the Prince of Gallica is being held captive. Along the way, Will and Maddie face bandits which adds excitement to the story. However, their trip drags and when the two finally reach their destination, the book suddenly ends leaving the reader wondering what will happen in the next book, Escape from Falaise.

Will and Maddie are admirable characters who willingly face danger in an attempt to free the missing prince. However, the book’s slow start focuses more on the political reasons to help the Gallican prince. In addition, Maddie’s mother is reluctant to let Maddie go on a ranger mission. Readers may quickly become bored with the political and parental aspects of the story. Despite this, fans of the Ranger’s Apprentice Series will be happy that Will Treaty plays a major role in The Missing Prince.

Some of the story’s plot feels redundant because Will again disguises himself as a jongleur. Despite this, fans of the Ranger’s Apprentice Series will enjoy Will and Maddie’s relationship and the two working together. Plus, the conclusion has several surprises and leaves readers with several unanswered questions. Even though The Missing Prince lacks the action of other books, the cliffhanger will have readers reaching for Escape from Falaise.

Sexual Content

  • None

Violence

  • To stop a band of thieves, Will dresses like an old farmer. When the thieves see Will, they try to stop him. Will shoots an arrow and “Jem was down, rolling in agony on the ground and clutching an arrow that had transfixed his left calf.”
  • One of the bandits, Barton, tries to hit Will, who lifts the man and throws him. “Barton landed with a heavy thud, flat on his back. . . When he recovered, he found himself looking along the blade of a very sharp saxe knife, which pricked the soft skin of his throat.” Will and Maddie take the men to the local law.
  • While Will and Maddie are entertaining, thieves appear and demand everyone’s money. A young man tries to intervene, but “the bandit leader stepped in close to him and swung the butt of the crossbow so that it slammed into Simon’s forehead.” The man is injured.
  • As the thieves are celebrating their newfound wealth, the leader “held his bottle up prior to drinking from it. Will’s arrow smashed through it, showering the drunken bandit chief with wine and shattered fragments of glass, before thudding, quivering into a log lying ready by the fire.” To take down the bandit leader, Maddie “whipped the sling up and over and the lead shot hissed through the air across the clearing, striking Vincent’s skull behind the ear with an ugly thud. The bandit’s eyes glazed, and he let out a sickly little moan. . . he crashed to the forest floor, stunned.” The scene is described over four pages.
  • While Will and Maddie are restraining the bandits, “a man rose onto one knee and leveled the crossbow.” Will sees the movement and “he drew his throwing knife and sent it spinning across the clearing. . .the knife hit him in the center of his chest.”
  • While searching the castle tower for the missing prince, “a burly figure” sees Maddie. When the man grabs her, “she suddenly stepped toward him. . .she grabbed a handful of tunic, bent her legs and shoved her backside into his body.” She then knees him in the groin and runs.

 Drugs and Alcohol

  • Will and Maddie pose as jongleurs and perform in local taverns. The customers often drink wine and ale. When they eat at the castle, ale and wine are also served.
  • A man who has been following Will and Maddie, goes into a tavern and is “nursing a tankard of ale.”
  • After the thieves rob the townspeople, they hide in the forest. The eight men were “sprawled around the camp. They stole some wine from the tavern last night and they’re all drinking.” The men turn into a “nosy, drunken group.”
  • Will and Maddie see a peddler who had “casks of ale and wine.”

Language

  • A man thinks that the Gallic king is a “pompous prat.”
  • Damn is used once.

Supernatural

  • None

Spiritual Content

  • None

 

Saving Montgomery Sole

Montgomery Sole is used to being the odd one out, the “mystery” kid, at school and in her small town. Montgomery is used to being judged and misunderstood by those around her, mainly because she has two moms. But Montgomery finds solace in her friends, Thomas and Naoki, who, like her, enjoy a good mystery. Together the group forms a school club dedicated to all things mysterious, strange, and unexplained. 

One day, after falling down a deep rabbit hole on the internet, Montgomery finds the “Eye of Know,” a possibly all-powerful and all-seeing crystal amulet, that is only $5.99. Intrigued by the mystery and ambiguity surrounding this necklace, Montgomery buys it. But once she begins to wear the Eye of Know, strange things begin to happen. People Montgomery despises, like her school bully, have unexplained terrible things happen to them. 

Montgomery, not knowing what is happening, begins to confront the bullies and ignorance in her life, fueled by her anger toward them. Montgomery is forced to learn how to deal with these mean people, without losing herself and the people she loves most in the process. Montgomery is a caring, headstrong, passionate sixteen-year-old. As she is dealing with the bullies and ignorance in her life, she is also trying to grow up and explore her interests. While Montgomery becomes slightly obsessed with figuring out all the mysteries of the world, she is reminded that when “exploring… [in] the end of it, what you know is you.” Montgomery reminds readers that you don’t need to try to fit in with society’s standards and that it is okay to simply be a mystery. 

Saving Montgomery Sole discusses religion and its weaponization. Growing up, Montgomery has felt at odds with religion since it has often been forced upon her. Plus, it is the religious people in her life who have told her that she and her family need to change. For example, when Montgomery was younger, her religious, Evangelical grandparents often told her that she needed a real father and she needed to be a “good Christian” girl. Then, when a religious preacher moves into town and begins plastering posters around the community that say the American family needs to be “saved,” Montgomery again feels targeted. Montgomery feels as if her family and their way of life are being attacked by this preacher, who is claiming to know what is right and wrong, and his religion. In the end, Montgomery realizes that while there will always be some people who use religion negatively to force their beliefs on others, it does not mean she needs to feel attacked. Montgomery realizes she can rise above the hate. 

Saving Montgomery Sole also highlights the importance of friendship and family. Throughout the novel, Montgomery keeps her worries and fears to herself. While Montgomery is feeling attacked by the new preacher and the school bullies, she keeps this to herself, insisting to those around her that she is fine. This only increases Montgomery’s feelings of isolation. It is only when she talks to her moms and her friends about what is bothering her that she begins to feel better. Montgomery reminds readers that they are not alone, and of the importance of relying on one’s support system in times of need. 

Overall Saving Montgomery Sole is a great book, with a diverse and hilarious cast of characters. Its magical undertones and fun storyline balance out its serious messages about hate and bigotry. While Montgomery Sole is coming to terms with the difficult world around her, she reminds the audience that it is okay to be unique. Montgomery’s actions show that people do not need to fit into society’s mold.  

Sexual Content  

  • When Montgomery and her friends are discussing lucid dreams, Thomas “says most of his dreams are sexy dreams.” 
  • When Matt transfers schools, Montgomery befriends him and they go on a lunch date. After flirting, Montgomery “leaned forward and . . . kissed him.” She explains “I wanted to because at the time I thought he was cute. . . I was enchanted. We had three soft kisses. They were these amazing little melty kisses. Then his hand grabbed my thigh. Clamped down. And all of the sudden it was just like tongue. And I pulled back . . . We kissed again. I learned to manage the overwhelmingness of tongue. And the meltiness came back. But that feeling was quickly replaced by something else, specifically his hand pushing under the front of my sweater. I could feel him searching from my boobs, like clawing past my T-shirt in this weird, frustrating way.” Montgomery pulls away from Matt not wanting to continue further. Matt responds negatively, saying “Oh my God, I knew it . . . you’re a dyke, right?” 

Violence  

  • Montgomery reads a blog about a woman who thinks she is in the “process of becoming a human cyborg.” An article Montgomery reads later explains the woman “had to give it up because she was hallucinating, possibly due to lead poisoning from all the bolts and screws she was inserting under her skin. 
  • There are many instances of bullying throughout the book, specifically towards Montgomery and her friend Thomas, who is gay. For example, the school bully, Matt, purposely bumps into Thomas. Matt spins around and says, “I thought you gays, I mean, guys were supposed to be light on your feet.” 
  • One day Montgomery finds a white cross on her locker, as well as “kick me stickers, MONTYZ MOMZ HAVE AIDS signs, [and] MONTY IS A LESBIAN Post-it notes.” 
  • When she is walking down the hall, Montgomery is “nearly slammed into a wall” by Matt, who says, “Watch your face, Sole!”  
  • At Montgomery’s younger sister’s soccer game, a group of girls make incredibly bigoted comments at the other team. These comments include: “I think a couple of these kids are, like, Mexican. They’re probably not even legal,” “That girl needs an eating disorder,” and, “Does this girl with the pink bow in her hair look retarded to you?” When the girls see Montgomery’s mothers hugging, one of the girls exclaims “let’s get out of here before they, like, rape us.”  
  • While she is standing by her locker, Montgomery “was hit with a heavy thud against [her] back.” It was Matt who hit her. 
  • One day after class, Montgomery and Thomas find that his locker was vandalized. The writing says, “Thomas blow jobs for $5.” 

Drugs and Alcohol  

  • None 

Language    

  • Profanity is used occasionally. Profanity includes idiot, dickhead, dick, bitch, assholes, jerkoff, and shitty.  
  • Derogatory language is also used a few times. This includes retard, dyke, and fag. 
  • Some of the profanity in the book is only implied. For instance, at a soccer game, a woman yells obscenity “like the C word” at the ref.  

Supernatural  

  • Montgomery and her friends have a school club where they talk about the mysteries of the world, often these topics are of the supernatural nature. The topics include remote viewing, ESP, mind control, and more.  
  • The Eye of Know is described as a rock “excavated from an asteroid landing in the magical mountain ranges of Peru. When wielded by a skilled visionary, the eye is a portal to vision untold. Journey forward into insight. Explore the power of know.” 
  • When Montgomery was younger, she and her mothers went to a haunted antique store. Montgomery asks the shop owner about the ghost. The shop owner explains it is a “feminine spirit.” 

Spiritual Content  

  • Montgomery ponders on spiritual messages. She wonders if “maybe there was some connection between bread and Christianity that merited further investigation.” 
  • Montgomery explains that the new reverend in town thinks her and her friends are “going to hell.” 
  • Montgomery’s younger sister, Tesla, is interested in praying with some of her friends before their soccer game. Momma Jo explains “look. It’s not bad, Tesla. I just, I think what I’m saying is . . . I’m saying praying doesn’t win games. Praying is something people do as part of something much bigger, like a religion.” Mama Kate puts her hand on Tesla’s hand. “What we’re trying to say is, sweetie, praying is not something you do just so you can win a game.” When Tesla asks, “Why don’t we have a religious practice?” Montgomery snaps at her saying, “we don’t need one.” 
  • Montgomery explains, “Mama Kate’s parents are really religious. Evangelicals. Believers in the Second Coming. When we were little, they would give Tesla and me religious-type stuff all the time. Like for our birthdays they would send us books like Good Christian Girls tucked into the covers of regular books. They slipped little golf crosses into birthday cards signed, Jesus loves you.”  
  • Furthermore, Montgomery explains that when she was younger, she thought “Jesus was, like, this person my grandparents knew. Like a great-uncle. Great-uncle Jesus from Kansas.” 
  • Montgomery ponders about mystics. “A couple of mystics talk about Jesus a lot. About how Jesus was at work in the world of the living and the dead, shepherding people into heaven. Like Jesus was some kind of maître d’ for heaven. If he’s so important, I wondered, why is he working the door?” Montgomery says, “These people have no logic.” 
  • When Montgomery confronts the new priest, whose posters say he is trying to “Save the American Family,” he tells Montgomery she has a “depraved soul” and “will burn in hell with the rest of those who cannot and will not accept the love of Jesus Christ.” 
  • Montgomery confronts Kenneth, the son of the new radical preacher. The two begin to talk about religion. Kenneth explains “a person can believe in God and Jesus Christ, can be a Christian, and not be like my father.” They talk about what it means to be a “good Christian.” 
  • Kenneth comments on what his father preaches, saying “how about I don’t like calling stuff sin and saying people will go to hell? I don’t think it’s right. And I’ve studied my Bible my whole life just like he has. I don’t see that the Bible says you have to do all this and break in on other peoples’ lives and . . . don’t think that’s what we’re supposed to do. I don’t think that’s being a good Christian, to answer your question.” 

Last Night at the Telegraph Club

Seventeen-year-old Lily Hu can’t remember exactly when the feeling took root—that desire to look, to move closer, to touch. Whenever it started growing, it definitely bloomed the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. Suddenly everything seemed possible. 

But America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father—despite his hard-won citizenship—Lily and Kath risk everything to let their love see the light of day. 

When Lily is first introduced, she is shy and reserved which is evident in her interactions with her best friend, Shirley. Shirley is more outgoing and assertive and outshines Lily most of the time. Whenever Lily brings up her ambitions to study space, Shirley quickly dismisses them as boring and insignificant. In part due to her Chinese heritage, Shirley has more realistic goals—getting married and becoming a mother.  

Then, Lily meets Kath. Kath encourages Lily’s ambitions and over time they become extremely close friends. Lily has been curious about the Telegraph Club (a lesbian club) after seeing an advertisement for it depicting a male impersonator. When Kath tells Lily that she has been to the Telegraph Club, Lily only becomes more curious about what is inside.  One night, they decide to visit the club. At the club, Lily discovers a whole new world that makes her question her identity.  Lily begins to explore her sexuality, which brings about an array of conflicts. 

Readers will have no trouble relating to Lily. She is dedicated to her family and culture but simultaneously struggles to find her place in the world. She also wonders whether there is a place for her outside of Chinatown. Some of the chapters are dedicated to discussing Lily’s family members, which allows readers to get to know Lily’s backstory better. This includes her mother, father, and aunt. While these backstories are interesting and provide extra detail to the story, it would’ve been more interesting to hear parts of the story told by Kath or Shirley because they are much more involved in the plot line. 

Another enjoyable part of the story is visual timelines that are provided every couple of chapters. Communism, McCarthyism, and xenophobia are big aspects of conflict within the Chinese community at this time frame. Therefore, these timelines give readers a wider view of what was happening during the 1950s. 

Overall, Last Night at the Telegraph Club is a great depiction of young romance, especially LGBTQ romance. Kath and Lily’s love story is not straightforward, but has many twists and turns along the way which makes the plot more realistic. The book won the National Book Award for Young People’s Literature in 2021. This was the first time a book with a female LGBTQ lead won the award. 

Sexual Content  

  • Lily has a sexual awakening after seeing a book featuring “two women on the cover, a blonde and a brunette. The blonde wore a pink negligee and knelt on the ground, eyes cast down demurely while the shapely brunette lurked behind her.” 
  • The girls go bowling. When their movements expose parts of their legs, some men “eye the girls and grin at each other.” 
  • Lily and Kath have a brief sexual interaction in an empty classroom where “Kath put her hand between Lily’s legs, and Lily helped her, fumbling with her underwear.” 
  • When Shirley is changing into a dress, Lily begins to feel awkward and “couldn’t help but notice the soft rise of Shirley’s breasts over the cups of the bodice; the way they shifted when she twisted back and forth.” 

Violence  

  • Police raid the Telegraph Club. During the raid, Lily and Kath are separated. Lily reads the newspapers account of the raid, using the terms “sexual deviates” and “lewd conduct” to describe the club’s attendees and activities. 
  • Lily tells her mother about her sexuality. To this, her mother reacts extremely negatively, slapping Lily and saying, “there are no homosexuals in this family.” 

Drugs and Alcohol  

  • While at the Telegraph Club, Lily has her first beer which she describes as tasting “frothy and a little like soapy water, but it was cold and went down more easily than she anticipated.” 
  • After she finishes the beer, Lily says she feels “a little warm, but not unpleasantly so.” 
  • While at a friend’s house, Lily impulsively smokes a cigarette hoping it “might burn away the haze of wine and the horrible day she’d had.” 
  • After the Telegraph Club is raided, a newspaper article discusses how “marijuana cigarettes were offered, and Benzedrine, known as ‘bennies,’ were for sale” at the club.   

Language                                                                                                                                               

  • None 

Supernatural  

  • None 

Spiritual Content  

  • None

The Missing Prince

Will Treaty and his apprentice, Maddie, have been urgently summoned to Castle Araluen. When they arrive, they learn a shocking truth: the Prince of Gallica is missing—and the King of Gallica has asked for help. All reports suggest that the young prince has been taken prisoner by the dangerous and powerful Baron Joubert de Lassigny. King Duncan knows that sending troops to Gallica to rescue the prince could start a war, as could openly helping Gallica resolve internal conflict. But there’s another way to save the prince: the Ranger Corps.

Soon, Will and Maddie are on the road to rescue the missing prince, disguised as father and daughter jongleurs. Maddie will have to use her knife throwing skills to keep up her disguise, and her ranger’s apprentice training to complete the mission. But going undercover is dangerous—and the road presents its own hazards. Can she and Will use all of their talents to save the prince, or will the arrogant Baron uncover their plans and put their lives– and their kingdom– at risk?

Unlike the other books in the Ranger’s Apprentice Series, The Missing Prince is missing action. For most of the story, Will and Maddie are traveling to the castle where the Prince of Gallica is being held captive. Along the way, Will and Maddie face bandits which adds excitement to the story. However, their trip drags and when the two finally reach their destination, the book suddenly ends leaving the reader wondering what will happen in the next book, Escape from Falaise.

Will and Maddie are admirable characters who willingly face danger in an attempt to free the missing prince. However, the book’s slow start focuses more on the political reasons to help the Gallican prince. In addition, Maddie’s mother is reluctant to let Maddie go on a ranger mission. Readers may quickly become bored with the political and parental aspects of the story. Despite this, fans of the Ranger’s Apprentice Series will be happy that Will Treaty plays a major role in The Missing Prince.

Some of the story’s plot feels redundant because Will again disguises himself as a jongleur. Despite this, fans of the Ranger’s Apprentice Series will enjoy Will and Maddie’s relationship and the two working together. Plus, the conclusion has several surprises and leaves readers with several unanswered questions. Even though The Missing Prince lacks the action of other books, the cliffhanger will have readers reaching for Escape from Falaise.

Sexual Content

  • None

Violence

  • To stop a band of thieves, Will dresses like an old farmer. When the thieves see Will, they try to stop him. Will shoots an arrow and “Jem was down, rolling in agony on the ground and clutching an arrow that had transfixed his left calf.”
  • One of the bandits, Barton, tries to hit Will, who lifts the man and throws him. “Barton landed with a heavy thud, flat on his back. . . When he recovered, he found himself looking along the blade of a very sharp saxe knife, which pricked the soft skin of his throat.” Will and Maddie take the men to the local law.
  • While Will and Maddie are entertaining, thieves appear and demand everyone’s money. A young man tries to intervene, but “the bandit leader stepped in close to him and swung the butt of the crossbow so that it slammed into Simon’s forehead.” The man is injured.
  • As the thieves are celebrating their newfound wealth, the leader “held his bottle up prior to drinking from it. Will’s arrow smashed through it, showering the drunken bandit chief with wine and shattered fragments of glass, before thudding, quivering into a log lying ready by the fire.” To take down the bandit leader, Maddie “whipped the sling up and over and the lead shot hissed through the air across the clearing, striking Vincent’s skull behind the ear with an ugly thud. The bandit’s eyes glazed, and he let out a sickly little moan. . . he crashed to the forest floor, stunned.” The scene is described over four pages.
  • While Will and Maddie are restraining the bandits, “a man rose onto one knee and leveled the crossbow.” Will sees the movement and “he drew his throwing knife and sent it spinning across the clearing. . .the knife hit him in the center of his chest.”
  • While searching the castle tower for the missing prince, “a burly figure” sees Maddie. When the man grabs her, “she suddenly stepped toward him. . .she grabbed a handful of tunic, bent her legs and shoved her backside into his body.” She then knees him in the groin and runs.

 Drugs and Alcohol

  • Will and Maddie pose as jongleurs and perform in local taverns. The customers often drink wine and ale. When they eat at the castle, ale and wine are also served.
  • A man who has been following Will and Maddie goes into a tavern and is “nursing a tankard of ale.”
  • After the thieves rob the townspeople, they hide in the forest. The eight men were “sprawled around the camp. They stole some wine from the tavern last night and they’re all drinking.” The men turn into a “nosy, drunken group.”
  • Will and Maddie see a peddler who had “casks of ale and wine.”

Language

  • A man thinks that the Gallic king is a “pompous prat.”
  • Damn is used once.

Supernatural

  • None

Spiritual Content

  • None

 

 

The Enchantress Returns

Alex and Conner Bailey have spent a long time waiting to return to the Land of Stories, a magical world they thought only existed in their favorite fairytales. However, after the events of the first story, The Wishing Spell, the twins know that all their favorite stories are true. After they defeated the Evil Queen in the last book, they returned home dreaming of their next adventure. But, their Grandmother, the legendary Fairy Godmother, has been missing for months, cutting off the twin’s contact to the magic realm. Then, their mother is suddenly kidnapped by the evil Enchantress. In order to bring their mother home, the children are forced to return the Land of Stories without their Grandmother’s help. 

Once in the Land of Stories, the twins quickly realize why their Grandmother has been so busy. The Enchantress Ezmia, a wicked sorceress responsible for the former curse on Sleeping Beauty, has returned to take over the fairytale world and the human world. Their only hope to stop her is the Wand of Wonderment, a staff powerful enough to best Ezmia’s magic. The twins must travel through the fairytale kingdoms with their allies in search of magical items to make the Wand, all while avoiding Ezmia and the wrath of other evil beings. Once the staff is assembled, the twins confront the greatest threat of all: Ezmia’s unwavering cruelty. Is magic powerful enough to convince the Enchantress to put an end to her evil plans?  

The thrilling second installment in the Land of Stories Series has just as much action, adventure, and fairytale magic as the first book. The Enchantress Returns will hold the reader’s attention at every turn, and readers will be fascinated by the conclusion. Unlike fairytales and their shallow villains, the evil characters in this series have more depth than the average book, making this story an interesting read. In the final battle against the Enchantress, Alex says, “Ezmia, I’ll never be like you. I would rather have nothing and a big heart, than everything and no heart at all. . . I’ll always have the most powerful magic of all inside me–compassion. And I have enough inside of me even for you.” When Alex forgives the Enchantress, Ezmia loses her power, proving that love can overpower hate, even when it’s difficult to extend sympathy to others. Alex’s willingness to forgive shows that she’s not only kind but powerful, even without the use of magic.  

The Enchantress Returns also emphasizes the need for belonging. The Enchantress never felt like she belonged, so she made others feel powerless. Alex also never felt like she belonged in the human world since other kids didn’t understood her love for fairytales and magic. Even though it’s a hard decision, Alex chooses to stay in the Land of Stories where she doesn’t feel like an outcast. This parallel ending shows that the heroes and villains of the stories aren’t so different, but how they handle their situations shows their true character.  

Readers searching for a funny yet intricate fantasy about the characters from their favorite bedtime stories will find what they’re looking for in The Land of Stories Series. However, there are some scenes that may disturb sensitive readers. Despite this, The Enchantress Returns is an engaging book that teaches important lessons about forgiveness and compassion. Readers who want more fairytale action can jump into an intriguing world where famous villains such as Cinderella’s stepmother and the Big Bad Wolf have changed their ways and become good in the Fairy Tale Reform School Series by Jen Calonita. 

Sexual Content  

  • A kiss wakes Sleeping Beauty. 
  • Sleeping Beauty’s husband kisses her hand.  
  • Alex is in the library secretly looking at books. When Conner finds Alex, he says, that he is also reading, but “I didn’t try to get to first base with any of [the books].”  
  • Mother Goose says she had a “fling” with Leonardo da Vinci. 
  • While drinking, Mother Goose admits, “I haven’t had this much fun since I was so very young – and used to rub-a-dub-dub with the three men in the tub!” 
  • Jack and Goldilocks kiss once. 
  • Red kisses Froggy. “She pulled [Froggy] closer and kissed his slimy green lips.” She also kisses him later “repeatedly all over his big frog head.” 
  • The twins’ mom kisses her boyfriend. 

Violence  

  • Originally, the Enchantress cursed Sleeping Beauty and her entire kingdom to die after pricking her finger on the spinning wheel, but the curse was reformed by the fairies so that everyone fell asleep instead. 
  • The Enchantress causes a thornbush to grow over Sleeping Beauty’s kingdom. “Scattered all across the castle grounds, [Sleeping Beauty] saw soldiers and servants fighting off the rogue thornbushes and vines growing around them. The plants grew straight out of the ground and attacked them, like serpents wrapping around their prey. The vines crept up the sides of the castle, breaking through the windows and pulling people out, dangling them hundreds of feet in the air… [Sleeping Beauty] saw villagers fall victim to the leafy monsters.” 
  • The Enchantress attacks Sleeping Beauty’s carriage and her soldiers. “Sleeping Beauty looked out the window just in time to see a soldier and his horse thrown high into the forest beside the path. A whooshing sound swooped toward them, and another soldier and his horse were thrown into the trees on the other side of the path. Every other second was filled with the terrified cries of the soldiers and horses as they were flung into the forest. . . One final swoop took the remaining horses and soldiers with it; their cries echoed in the night.”  
  • In the same attack, Sleeping Beauty is hurt when her carriage is overturned. “The carriage crashed to the ground, falling on its side and skidding across the ground until coming to a stop. . . Sleeping Beauty crawled through the carriage door. . . she was limping and clutched her left wrist.” 
  • Soldiers attack Bob, the twin’s mother’s boyfriend. “A dozen soldiers dressed in silver armor barged through the door. One slammed Bob hard against the wall. Alex screamed.” No one is injured. 
  • The Enchantress, Ezmia, says that The Evil Queen, Evly, tried to kill her. “Evly laced a small dagger with poison and stabbed me with it. The poison almost killed me; I shriveled down to the state of a dying human.” Ezmia is later nursed back to health. 
  • The Enchantress kidnaps Cinderella’s daughter. Cinderella threatens the Enchantress by saying, “I’ll pull you apart limb from limb if you hurt my daughter.” 
  • Ezmia describes the abusive nature of one of her past affairs with a man she calls The Locksmith. “The Locksmith was a troubled man. A testament to his profession, he liked keeping his properties locked down, and I was no exception. . . He never looked me in the eye and when he touched me, it was rarely out of affection. He definitely left his mark on me – several, actually.” 
  • A polar bear hurts Goldilocks. The polar bear “charged toward Goldilocks. With one swipe of his paw, he knocked Goldilocks to the ground.” Goldilocks is not injured. 
  • Jack is hurt during a battle with the Snow Queen. “The Snow Queen heard [Jack] and pointed her scepter directly at him. A bright icy blast erupted from its tip and hit Jack. He crashed into a pillar. He scrambled to his feet but was hit again by another icy blast from the Snow Queen – this time, a sheet of thick ice pinned his hands and chest to the pillar behind him.” 
  • The Sea Witch’s cave is filled with her past victims. “Dozens of mermaids were hung upside down from their tails across the dome-shaped cave ceiling. They were all weak and frail; some breathed heavily while others didn’t breathe at all; some were just skeletons, while others were close to becoming one.” 
  • The Sea Witch attacks Froggy and the twins. “The Sea Witch threw her cuttlefish and it hit Froggy, wrapping its legs around his face. [The twins and Froggy] frantically fought off the sea creatures attacking them, but it was no use. The crabs pinched and poked the twins, scratching them and drawing blood. Jack ran to the twins’ side and, with two quick blows of his ax, chopped both the crabs in half.” 
  • Jack, Froggy, Goldilocks, Red, and the twins escape the Sea Witch’s lair, but she sends an army of sharks and fish after them. “Jack was quick to punch [a shark] in the nose. . . Froggy kicked another one and it crashed into yet another. . .” Then mermaids come to their rescue and “the twins saw hundreds of mermaids shooting through the ocean and tackling the harmful fish around them.”  
  • While visiting Sleeping Beauty’s Kingdom, the twins see the destruction left by Ezmia. “The twins saw soldiers and servants and villagers spread across the land with vines coiled around them like serpents covering their prey. Some were pinned to the ground, while others were suspended hundreds of feet in the air over the castle.” It’s unclear if they are living or dead. 
  • Ezmia dangles Queen Cinderella’s daughter, Princess Hope, over a fire. “Ezmia snapped her fingers and her vines pulled Princess Hope through the cage. The child was screaming; tears and snot ran down her terrified face. The vines dangled the princess over the flames of the fire.” Hope is not injured and is returned to Cinderella afterwards. 
  • Rumpelstiltskin, who formerly worked for Ezmia, saves Alex’s life. Rumpelstiltskin “came out of nowhere and jumped in front of Alex. The blast [from Ezmia] hit him in the chest and he fell to the ground. . . [Rumpelstiltskin] smiled up at the twins, closed his eyes for the last time, and died in Alex’s arms.” 

Drugs and Alcohol  

  • The twins get a dog named Buster who misbehaves often. Conner says, “that dog needs to be on medication.” 
  • Mother Goose seems to be constantly intoxicated, indicated by the thermos she always carries with her. She calls the liquid inside “bubbly.” Conner says, “[Mother Goose] really lets loose after a few sips of whatever she was drinking.” 
  • Mother Goose was friends with Humpty Dumpty before he fell off the wall due to being intoxicated. Mother Goose says, “Humpty had a fall, right there and right then, because poor Humpty couldn’t hold his gin.” 
  • Alex gives Mother Goose a bottle of champagne, which Mother Goose drinks. 

Language    

  • Mother Goose reprimands her flying goose by saying, “Good lord. . . You call that a landing?!” She also calls the goose a “stupid gander,” and a “stupid bird.” 
  • Mother Goose says, “Jack is nimble, Jack is quick, but Jack can be such a —” the rhyme isn’t written, but implied. “[Mother Goose] stopped herself from finishing the thought, perhaps remembering she was talking to thirteen-year-olds.” 
  • Conner says, “what the heck.” 
  • Queen Red Riding Hood calls the twins “brats.” Alex calls Ezmia a brat later on as well.  
  • Queen Red and Goldilocks dislike each other. When Goldilocks visits, Queen Red says, “You bet your porridge-loving indecisive behind you won’t be harming me.” 
  • Conner says, “God, I hate this flipping cat.” 
  • Darn, damn, and crap are all used once. 
  • Conner calls Ezmia a “wench.” 
  • “Good lord” is said once. 
  • Sleeping Beauty says, “Dear God. . . Does the Enchantress have no soul?” 

Supernatural  

  • The Land of Stories is a fairytale world where classic fairytales are real, such as Sleeping Beauty and Little Red Riding Hood. Talking animals and mythical creatures like unicorns, mermaids, and trolls are also featured in the story. 
  • Contact exists between the fairytale world and the human world (known as the “Otherworld”) due to portals. One portal exists in the Land of Stories storybook that belongs to Alex and Conner’s grandmother. 
  • The twins’ grandmother is the Fairy Godmother. Fairies can teleport and do magic. One fairy has hair that is constantly on fire. 
  • Buster, the twins’ dog, turns out to be a soldier in disguise. He is transformed from a human into a dog by the Fairy Godmother. 
  • Prince Charlie Charming is known as “Froggy” to the kids because he’s been transformed into a walking, talking frog. 
  • Conner sees a ghost, who eventually guides the twins on their journey. 

Spiritual Content  

  • The twins’ father is dead. When they learn their mother is dating someone new (Bob), Conner says, “It’s something I’ve always wondered about people who lose their husbands or wives. But one day, if we’re all in, well, heaven, I guess, isn’t it going to be a little awkward with Bob and Dad there?” 
  • Ezmia collects the souls of people she dislikes and keeps them in jars. 

500 Words or Less

Nic Chen doesn’t want to spend her senior year known as the girl who cheated on her lovable boyfriend with his best friend and made him transfer schools. She doesn’t want to continue to be ostracized. She doesn’t want to be stared at as she walks down the hallway or have people write “whore” on her locker in lipstick. So, when an opportunity arises to write a classmate’s college admissions essay, Nic tries to use it as an opportunity to rebrand herself and change her reputation. 

As Nic is asked to write more and more essays, she begins to walk in her classmate’s shoes. But the more essays Nic writes, the more unsure of herself she becomes. Weighed down by the guilt of cheating on her ex-boyfriend and writing other people’s essays, Nic questions the person she is becoming and if she is still the perfect straight A, Ivy League-bound teenager society wants her to be. 

Written in poetic verse, 500 Words or Less is very approachable and is a great introduction to poetry and novels written in verse. Interestingly, Rosario includes the essays that Nic writes for her classmates throughout the book. Told mainly from Nic’s perspective, the reader will see Nic’s journey as she learns to move on from her failed relationship, deals with the heartache of breaking up with her first love, and rebuilds herself knowing she acted terribly wrong. Nic is a complex character. She is a determined, passionate girl, who has admittedly made mistakes. Readers will relate to Nic’s struggles with self-confidence, knowing who she is, and wondering if her actions define her. She explains, “I’m still the girl / who cheated on her boyfriend, / the girl who cheated / on those essays, / the girl who cheated / because maybe / that’s who I am.” Throughout this book, Nic learns to forgive and accept herself as well as forgive the people who have hurt her. 

Through Nic and her classmate’s experiences in their senior year of high school, 500 Words or Less takes a look at the pressures of high school and of getting into the right college. Nic explains that she and her classmates “waited for our lives to change / with a single e-mail / from a university / that wanted us.” Furthermore, Nic explores the pressure she and her classmates receive from their parents to be successful and get into the right school. When Jordan, an old friend, tells Nic he is no longer going to Princeton, he explains, “I was always supposed to go / to Princeton. / Because I was supposed to become / my father, / and my father is an asshole.” In the end, Nic and Jordan end up not going to Princeton. Rather than following their parents’ dreams for them, Nic and Jordan decide to do what’s best for themselves, showing that getting into the perfect college will not make or break someone’s life and that any path after high school is valid. 

500 Words or Less also touches on the topic of sexism. Nic points out that while people began to alienate her and write “whore” on her locker, everybody still likes Jordan, the guy she cheated with. She thinks to herself “was there even a male equivalent / to the word ‘whore?’/ There were words/ but none that carried / the same weight.” While Nic is outcasted, Jordan remains the popular kid, showing the blatant misogyny in the treatment of men and women even when they both make the same mistake. 

The book also touches on racism. When Jordan asks Nic for help on homework in Japanese, Nic says, “You know I’m part Chinese, Jordan.” Jordan responds, “It’s like the same thing- / Chinese, Japanese, Korean.” In another instance, a friend tells Nic that she’s “lucky because / half-Asians were always prettier than/ white girls like her.” Nic feels uncomfortable when her friend tells her this. However, Nic isn’t the only person who feels stereotyped. In a college application essay, an African American classmate writes, “I want to attend [this college] because I want to be more than a football player. In America, this is not what young black men are supposed to do . . . I want to be more than an athlete, more than a black man who has a great arm.” Although people would like to “forget that race exists,” Nic points out the subtle ways racism leaks into society, negatively affecting people of color.  

Furthermore, 500 Words or Less examines classism, as Nic’s school is predominantly full of upper-class students whose parents can afford to “[donate] handsomely to the school” they are applying to. Nic herself comes from a wealthy family. She admits that even though she charges $300 per essay, she doesn’t need the money. However, there are a few students who are lower class and do not have the same opportunities as the richer students. Unlike the rich students who know they can go to college no matter what, to some of these students going to college “means everything” as it is a path to upward social mobility.  

Overall, 500 Words or Less is an engaging book, written uniquely with a diverse cast of characters. However, it’s best for mature readers because of the profanity, alcoholism, and normalized teenage drinking. Readers who are applying to college and figuring out what they want to do after high school will relate to Nic’s story and learn that getting into the perfect school is not everything. Furthermore, 500 Words or Less explains that the choices you make in high school do not define you. If you’re ready to jump into another engaging book with a protagonist who is trying to figure out who she is, grab a copy of I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez. 

Sexual Content  

  • At a party Nic throws, she and her boyfriend went into her father’s office to find a drink. Nic remembers she was “drunk / on love / and alcohol. / I ran my fingers along the side of his body. / He squirmed / and smirked / and grabbed my hand in his. / He pulled me closer. / Our lips met.” He begins to tug at “the zipper on my dress, / fumbled with the clasps on my bra. / I unlocked my lips and stepped away.” Nic is worried someone will find them and leads Ben up to her room. She describes, “I untangled my hand from his / and fell on top of my bed . . . / [He] fell on top of me . . .  / [and] this time I didn’t stop him.” 
  • On a date, Nic and her boyfriend stop for a bite to eat. As the two eat, Nic thinks, “I wanted to kiss him.” 
  • At Jordan’s party, Nic and Jordan “ended up / upstairs” and have sex. It is suggested that they have sex once or twice more.  

Violence  

  • Nic’s boyfriend dies in a tragic snowboarding accident. Nic explains “teenagers didn’t die in avalanches/ they died in / car crashes, / drunk-driving accidents, / drug overdoses, / gunshot wounds, / or suicide.” After the accident, Nic heavily researches avalanches to understand how he died. She finds out “the force alone / of snow / sliding down a mountain / can kill you,” or “one suffocates after being trapped / in the snow / for thirty minutes.” 

Drugs and Alcohol  

  • During a family dinner, Nic’s father drinks wine. 
  • Nic’s mother was a heavy drinker. Nic remembers how her mother “couldn’t / French braid / my hair / because she was / drunk.” Her father would often find her mom “slumped in a chair” with “an empty bottle of wine” when he came home from work.  
  • Nic remembers how “Mom poured herself another / from a bottle of chardonnay / on one of the last nights / before she disappeared.”  
  • When Nic and her friend Kitty arrive at a party, they are greeted by the host, who smells like “a pitcher of margaritas.” At this party they find “handles / of cheap vodka, rum, and whiskey / wafting toxic smells on the kitchen counter,” along with a variety of mixers.  
  • At the party, Kitty pours “everything- / and I mean everything, / including the dredges of empty bottles- / into a plastic cup” and takes “a large gulp.” Nic leaves the party without checking on Kitty, leaving her “shit-faced” and extremely “drunk.” 
  • Nic reminisces on the party she threw two years ago where she first reconnected with her boyfriend. “Strangers filled empty spaces, / squeezing by, / finding friends / and a beer.” Nic found him in the kitchen drinking “a Keystone Light/ slowly.” The pair go into Nic’s father’s study and she offers him “whiskey, bourbon, or scotch” and pours the two of them “a glass of Glenrothes 1970 / single-malt whiskey,” which Nic explains is a “five-thousand-dollar bottle / of whiskey.” 
  • In a draft of an essay Nic is writing for someone else, she writes about this person’s mother who “is an alcoholic, which leads me to my biggest fear in college—drinking. . . I go to parties all the time. . . But I don’t drink. I haven’t drank.” 
  • At a barbecue, someone asks Nic to “grab a beer for me.” 
  • Nic reminisces about how it all went wrong with her ex-boyfriend. She thinks, “it was polishing off a bottle of Jameson / with Jordan / last summer, / at his party.” As Nic leaves this party she encounters “stragglers smok[ing] / cigarettes and weed.” 
  • Nic remembers previous Christmases where here mom “drank a bottle of Riesling / and passed out under the tree.” 

Language    

  • Profanity is used often. Profanity includes whore, shit, bitch, goddamn, fuck, slut, ass, and asshole.  
  • After the school finds out that Nic cheated on her boyfriend, her peers begin to bully her, calling her names like “slut” and repeatedly writing “whore” on her locker.  

Supernatural  

  • None 

Spiritual Content  

  • None 

 Little Red Rodent Hood

Princess Harriet Hamsterbone is a fearsome warrior. To her parents’ disappointment, Harriet takes any reason to leave her home… but this time a quest finds her. Red, a young hamster from the nearby forest, asks Harriet and Wilbur for help. The weasel-wolves have been getting rowdy, and she needs help to put an end to their antics. Harriet is more than willing to take up Red’s request, though Red is pushy.

Red tells Harriet and Wilbur not to talk to any of the weasel-wolves during their trek. Hoping to get another perspective, the two hamsters go behind Red’s back and speak to Grey, a were-hamster and the leader of the forest weasel-wolves. While Grey asks for help, Harriet and Wilbur realize that Red was not as sweet as she let them—well, Wilbur—believe.

Little Red Rodent Hood uses the story elements of Little Red Riding Hood and The Three Little Pigs, to create a humorous and fun adventure that will have readers turning the pages. Harriet goes on the quest, eager to get out of the castle but wary of Red because of the little girl’s indifference to the dangerous weasel-wolves. As Harriet and Wilbur go through the forest, they discover Red has been kidnapping the weasel-wolves for her Grandmother, who sells them to other rodents who want weasel-wolves as pets. Out of all the antagonists that Harriet has faced, Grandmother is one of the scariest, as she is rough and intimidating. However, readers will enjoy seeing how Harriet defeats Grandmother and frees the weasel-wolves.

Throughout Harriet and Wilbur’s time in the forest, there are multiple instances where recurring jokes overstay their welcome. Harriet asks Grey to bite her so she can become a were-weasel. Her request is innocent at first, but her demands get exhausting. This joke plays off Wilbur’s excessive caution and Harriet’s bravery. Still, Harriet goes to the extreme, to the point where she sticks her hand out in front of Grey’s mouth when he tries to get powdered silver out of his eyes. Harriet’s brashness adds a new dynamic to the conversations between her and her friends but distracts from the story because the humor does not add to Harriet’s character or the overall plot.

Blue and white illustrations add to the wackiness of the book. Drawings with dialogue balloons help break up the text and keep the action moving. Despite the lackluster humor, Little Red Rodent Hood shows the value of teamwork and will engage even the most reluctant readers. Little Red Rodent Hood is the sixth book in the Hamster Princess Series but can be enjoyed as a standalone book. Younger readers who enjoy Little Red Rodent Hood may also want to try Ursula Vernon’s other humorous series, Dragonbreath.

Sexual Content

  • None

Violence

  • When Grey tries to catch Red, she throws powdered silver in Grey’s face. “Grey let out a high-pitched yelp and folded up as if he’d struck a wall.” Grey gets drowsy, but the powdered silver burns and stings because were-hamsters and were-weasels are weak against silver.
  • Harriet fights Grandmother so she can take Grandmother back to the castle. “Harriet dealt Grandmother a fearsome blow that would have stopped any lesser monster. . . Harriet blocked claws and teeth with her sword, but now it was Grandmother’s turn to drive her backward, inch by inch.” Grandmother slaps Harriet’s sword out of her hands and whacks Harriet alongside the head. “Harriet crashed down next to Grey. . .” She is dazed because of the blow to the head. Grandmother lifts her clawed hands, but then Red hypnotizes Grandmother, ending the fight. Grandmother is a weasel-wolf and has invincibility, so she does not get hurt from Harriet’s attack. The fight has sections where Wilbur talks to Red or tries to wake up Grey, but the fight itself occurs over eight pages.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Red was born with “hypnotic eyes” which she uses to hypnotize anyone who makes eye contact with her. Red can make people fall asleep; the victim has temporary double vision if she cannot make them fall asleep.
  • Red uses her hypnotic eyes on Harriet. “Harriet tried to look away, but there was something strange going on. Red’s hypnotic eyes seemed to fill the entire world. Harriet tried to grab her sword, but it felt as if she were moving through molasses.”

Spiritual Content

  • The weasel-wolf packs gather on the first day of the new moon to perform the Howl. “The moon vanishes once a month, you know, during the dark of the moon, and when it comes back, we all howl to greet it.”

by Jemima Cooke

The Angel Experiment

Meet the flock. Max, Fang, Iggy, Nudge, the Gasman, and Angel are six kids who grew up in cages as the School’s most successful test tube experiments. The School is a science lab located in Death Valley, California where the scientists—or whitecoats—experiment on children’s genes. Four years prior, Jeb Batchelder, one of the scientists and the group’s father figure, escaped with the kids and took them to a cabin in Colorado. Two years afterwards, he disappeared, leaving the kids without an adult to care for them.  

These six kids aren’t your average American children. The whitecoats had the flock’s genes spliced with avian DNA, giving them the ability to fly via physical wings attached to their backs, along with some special abilities. Max, self-named Maximum Ride, is the oldest and leader of the flock at 14 years old. She serves as a mother figure even though she is still a kid herself. Fang is four months younger than Max, a sort of second-in-command, and is usually very quiet, “like a dark shadow come to life.” Iggy is younger than Max and blind due to the scientist’s unsuccessful attempt to surgically enhance his night vision. Nudge is an 11-year-old and, according to Max, “is a great kid, but that motormouth of hers could have turned Mother Teresa into an ax murderer.” The Gasman, or Gazzy, is eight years old, named after his ability to produce very rancid farts. He can also mimic any voice or sound. Lastly, Angel is Gazzy’s intelligent six-year-old sister who has the ability to read minds. 

Suddenly, the School’s Erasers capture Angel and plan to return the rest of the flock to the School. Erasers are half-human, half-wolf mutants who are usually armed and bloodthirsty. At first, they look like male models, but they can transform into hairy beings with claws and fangs. Leading the Erasers’ hunt is Ari. The last time Max saw Ari, he was a three-year-old boy. Now he’s a grown Eraser. Terrified about going back, the flock must rescue Angel from the School without getting. However, along the way they discover new things about themselves, their pasts, and the big plans the School has in store for them. 

James Patterson tells a fascinating story filled with science, action, and kids with wings and superhuman abilities. While most of the story is told from Max’s point of view, when the flock is separated, readers get a third-person perspective from a member of each group. The changing points of view allow readers to keep up to date with everyone. Occasionally, Max also addresses the reader using the second person, adding a memoir-like tone to the novel. Max’s voice is very distinct because of her sarcastic and sassy tone. Readers can easily fall in love with everyone in the flock and look forward to joining them in discovering who really they are. 

Some of the more prevalent themes are freedom, family, and fate. The flock hasn’t talked about their experiences and, as Max explains, they prefer to “forget when we were at the mercy of sadistic jerks in a place that’s a total nightmare and ought to be firebombed.” Because of their experiences, the flock values their freedom. In addition, the flock’s relationships show that family is not always formed through blood and that having a strong base of friends can be all the support one needs. Fate also becomes a part of this story as Jeb says, “Max, everything you’ve done, everything you are, everything you can be, is tied into your destiny.” According to Jeb, Max’s fate is predetermined, which makes her question her own autonomy and freedom.  

Maximum Ride: The Angel Experiment is a strong start to this sci-fi series. The chapters are short, the pacing is fast, and the language is clear and concise. These aspects of the novel match well with a large amount of action and the plot, which can be confusing. Max gives readers a warning in the beginning, saying, “If you dare to read this story, you become part of the Experiment. I know that sounds a little mysterious—but it’s all I can say right now.” So, if you decide to read this book, be prepared to become part of the flock. 

Sexual Content  

  • After a fight, Max went over to Fang to look at his injuries and, “With no warning, I leaned down and kissed his mouth, just like that.” 

Violence  

  • During one of Max’s dreams, she’s running from the Erasers. Her “arms [are] being scratched to ribbons by a briar” and her “bare feet hitting every sharp rock, rough root, [and] pointed stick.” When she comes across a drop-off on the mountain, she “let [herself] fall over the edge of the cliff.” However, one of the Erasers raises his gun and “a red dot of light appeared on my torn nightgown.”  
  • While the flock are picking strawberries, Erasers attack them. Max “landed another blow, then an Eraser punched me so hard that my head snapped around and I felt a burst of blood in my mouth.” While they fight, Max watches as “three other Erasers [were] stuffing Angel, my baby, into a rough sack. She was crying and screaming, and one of them hit her.” The fight ends when Max saw a “huge, black boot come at my head, felt my head jerk to one side, and everything went black.”  
  • After Max wakes up, she immediately thinks of Angel as “horror-filled images flashed through my mind—Angel being chased, being hurt, being killed.” 
  • In order to save Angel, the flock fly to the Humvee carrying Angel. Fang smashes a tree branch into the windshield. “The vehicle swerved, a window rolled down. A gun barrel poked out. Around [Max], trees started popping with bullets.” As a helicopter carries Angel away, Max tries to hang on to the landing skid and someone “picked up a rifle and aimed it at [Max].” 
  • The flock watches as the chopper carries Angel away. Max’s anger gets the best of her and she “made fists and punched the chunky bark of the fir tree hard, over and over, until finally, actual pain seeped into my seared consciousness. I stared at my knuckles, saw the blood, the missing skin, the splinters.” 
  • When the flock returns to the house, “Iggy howled and swept his hand across the kitchen counter, catapulting a mug through the air. It hit Fang in the side of the head.” 
  • At the School, the scientists force Angel to be experimented on. During the experiment, Angel ran on a treadmill for three and a half hours and was zapped by a “stick thing” any time she slowed down or stopped. The stick thing “jolted electricity into her, making her yelp and jump. She had four burn marks already from it.” By the end of the experiment, Angel collapses, and her feet get tangled in the treadmill belt. The scientists do a final scan of her body. As the scientists pull electrodes off of Angel’s skin, “ripping sounds and a new, searing pain on her skin pulled Angel back” from a dream.  
  • While traveling to California, Max sees a girl getting cornered by three guys. She decides to help. One of the men, “was holding a shotgun loosely in the crook of his arm.” Max confronts them and a fight breaks out. Max kicks the first guy and “a blow that would have only knocked Fang’s breath away actually seemed to snap a rib on this guy.” Max grabs the shotgun’s barrel and cracks it against his head. Max then punches the last guy, “feeling his nose break, and there was a slow-motion pause of about a second before it started gushing blood.”  
  • After Max beats up three bullies, one of the guys cocks the gun and runs at her but she flies away. The men start shooting at her and she felt “a sudden, searing pain in my left shoulder. I gasped and glanced over to see blood blossoming on my sleeve.” The bullet grazed her shoulder and nicked the bone of her wing. She also has a scratch on her cheek as well as a black eye.  
  • While Nudge and Fang wait for Max to return, they find nests of ferruginous hawks, the largest raptor in the U.S. They sit down at the mouth of the cave and watch as “one of the hawks had a partially dismembered gopher in its mouth” and gave it to its fledglings. 
  • In between experiments at the School, Angel is kept in a dog crate. The scientists had “taken blood from her arm, but she’d fought them and bit that one guy.” Angel bit a scientist, so he hit her. Then, Angel read the mind of another scientist who was thinking about the incident and the scientist thinks, “If he wrecks this specimen, I’ll kill him.” 
  • Iggy and Gazzy decide to build bombs for protection. They find an Eraser camp nearby and set an oil trap for the Humvees. The Humvees “hit the trees at an angle and went airborne, sailing upside down about fifteen feet before landing with a heavy crunching sound.” 
  • The Erasers ambush Iggy and Gazzy, but Iggy and Gazzy fly away and set off a bomb. In the air, “a fireball ten yards in diameter rose from where the cabin had been.” In the aftermath, Gazzy watches as “one dark body had flown upward in the blast,” and “the other Eraser had crawled a few feet away from the cabin, a burning silhouette that had collapsed, its outlines blurred by flame.” 
  • At the School, Angel runs in a maze that changes each time she finds the exit. “If she slowed down, she got an electric shock so strong it scrambled her brain, or red-hot wires under her feet burned her.” 
  • Angel reads the minds of the scientists around her and there are several mentions of them wanting to dissect her brain. 
  • In Arizona, Nudge and Fang are confronted by Erasers. Ari, an Eraser, and Fang fight each other. “Ari was sitting on Fang’s chest, punching him. Nudge gasped and put her hand over her mouth as she saw blood erupt from Fang’s nose.” Then “Ari roared and brought both hands down onto Fang’s chest with enough force to snap his ribs.” Ari pulled out a gun and a bullet soared by Nudge’s ear as Fang and Nudge flew away. 
  • Erasers ambush Max, Fang, Nudge, Iggy, and Gazzy. When the flock uses a van to escape, Max crashes into a sedan head-on. The airbags give Max a bloody nose. Max tells everyone to run, “then hissed in a breath as my nose took another jarring blow” from an Eraser. The Erasers capture Max, Fang, and Nudge but Gazzy and Iggy escape.   
  • At the School, Max, Fang, Nudge, and Angel are stuck in cages with other mutants. “Sometime in the next half hour, [Max] realized the ‘experiment’ was no longer breathing. It had died, right next to me.” 
  • Ari teases Max through the bars of her cage. Max “leaned over and chomped hard on Ari’s fingers.” Ari yells in pain, and “was shaking my cage, slamming it with his other hand, and my head was getting snapped around like a paddleball.” 
  • Iggy and Gazzy arrive at the School and free the others. Max, “backhanded [a scientist] against the jaw, feeling teeth knock loose.” Fang and Ari fought, and “Fang smashed him sideways with a kick, then punched the side of Ari’s head.” 
  • Several times, Max collapses due to “a blinding, stunning pain [that] exploded behind my eyes.” Nobody knows what causes this pain but after the pain passes, she hears a “Voice” in her head that gives her advice. 
  • While the flock navigates the underground rails of Manhattan, Gazzy asks what a sign saying to stay off the third rail meant. Fang says, “It means the third rail has seven hundred volts of direct current running through it. Touch it and you’re human popcorn.” 
  • In New York, the flock is running from Erasers, and “a heavy clawed hand grabbed [Max’s] hair, yanking me backward, right off my feet.” The Eraser starts to drag Max away when, suddenly, the Eraser “hit the ground with a sickening thud, and [Max] cracked [her] head against the sidewalk so hard [she] saw fireworks.” The Eraser had suddenly died. 
  • The flock was surrounded and grabbed by Erasers. Fang was “locked in battle with Ari, who raked his claws across Fang’s face, leaving parallel lines of red.” Max begged Ari to stop attacking Fang, but “Ari seized Fang’s head and brought it down hard on a rock.” Ari then “cracked Fang with an elbow. Blood sprayed from Fang’s mouth, and again he went down.” The fight ends when someone appears and tells Ari to back off.  
  • Max and Ari fight. While they exchange blows, “Ari punched [Max] again, and I thought I heard a rib crack.” Max then grabbed Ari’s neck and it “slammed against the hard side of the tunnel,” breaking his neck and killing him. 

Drugs and Alcohol  

  • The flock talks to a kid who was kicked out of MIT because he wouldn’t take his Thorazine. He said he didn’t like the Thorazine, “or Haldol, or Melleril, or Zyprexa.” 

Language    

  • God is used several times as an exclamation. 
  • The word hell is spelled out once as “h-e-double toothpicks” and used one other time. 

Supernatural  

  • None 

Spiritual Content  

  • The flock seeks refuge in Saint Patrick’s Cathedral. “As we passed through the door, the air was instantly cooler and scented with something that smelled ancient and churchy and just. . .  religious somehow.” Everyone in the flock starts to pray. 

The Race Around the World

When Nellie Bly read Around the World in Eighty Days by Jules Verne, she had an amazing idea. What if she traveled around the world in real life, and did it in less than 80 days? In 1889, people doubted it could be done—especially by a woman. But with one small bag and a sturdy coat, Nellie set out anyway. Soon the whole world was rooting for her. Could she make it back home in time?

Nellie Bly began her life with the name Elizabeth J. Cochran. When her father died, Nellie needed to work to help her family make money. She wanted to be a newspaper reporter, but most people believed that a “woman should stay out of the workplace. . .women should turn their attention to cooking, cleaning, and making a nice home.” Nellie believed that she could do anything a man could do, including being a reporter. However, at the time “women did not sign their names to articles. It was considered improper.” So, Elizabeth wrote articles with the byline under a man’s name: Nellie Bly. Nellie wrote about how hard factory work was for women and how some low jobs were dangerous. But what made Nellie Bly so famous, was her record-breaking trip around the world.

During Nellie Bly’s time, her adventures were exciting and newsworthy. However, today’s readers will find Nellie Bly’s travels mundane. Nellie Bly visits many countries, but nothing exciting happens and the reader will not learn much about each place in which she stops. The Race Around the World is informative and has many interesting facts, but the pacing is slow.

The Race Around the World uses short chapters and easy vocabulary, which makes the book accessible to young, fluent readers. Large black and white illustrations appear every 3 to 7 pages and show some of Nellie Bly’s adventures. At the end of the book, there is more information about Nellie and the time period in which she lived.

The Race Around the World would be interesting for readers who want to learn more about news reporters and travel during the 1800s. While the book would be helpful if you are looking to learn, it reads much like a history book. Readers who want a modern, imaginative adventure that revolves around Jules Verne’s story, Around the World in 80 Days, should add the Max Tilt Series by Peter Lerangis to their reading list.

Sexual Content

  • None

Violence

  • Men used canes to keep the beggars away.

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

The Queen Will Betray You

In the second installment of The Kingdoms of Sand & Sky series, Princess Amarande deals with the aftermath of her fateful wedding. Having killed Prince Renard of Pyrenee, Amarande brought war to the Kingdom of Ardenia. She must return to her home to restore order while her true love, Luca, will return to the Torrent to reclaim his title of Otsakumea, the rightful leader of the Otxazulo, the fallen kingdom that was taken over by the Warlord.

Returning to Ardenia, Amarande is shocked to find her mother, Geneva, also known as the Runaway Queen and Warlord of the Torrent, has returned to Ardenia with Ferdinand, the son of the late King Sendoa. Despite having raised him on her own, Ferdinand is not Geneva’s son, but the son of General Koldo, making him Amarande’s half-brother. Far from a cordial family reunion, Amarande is imprisoned by her mother and declared dead. With Amarande’s absence, Ferdinand takes over as King. To make matters worse, Queen Inés of Pyrenee has vowed to marry King Domingu of Myrcell to fortify their kingdoms and attack Ardenia.

Imprisoned and betrayed by her family with her true love, Luca, miles away, Amarande finds help from an unlikely ally, Prince Taillefer of Pyrenee. The same Prince who tortured Luca to near death in the first novel. Knowing this is her only option for escape, Amarande accepts his help and the two of them escape to the Torrent to be reunited with Luca.

Meanwhile, in the Torrent, Luca finds the Otxazulo resistance and convinces them he is the lost leader of the fallen kingdom. The proof rests in the black wolf tattoo upon his skin. While Luca leads the resistance, Amarande and Taillefer are captured by the regent Warlord, who was appointed by Geneva. Now, Luca must save Amarande and prove, once again, that their love will survive any conflict.

At the brink of war, Luca leads the Otxazulo resistance to Amarande where she is rescued, and the regent Warlord is killed. Taillefer also escapes to kill his mother and reclaim Pyrenee as his own. Only Geneva is left for Amarande to defeat. However, facing her mother in an intense duel, Amarande is wounded and Geneva flees, leaving Amarande and Luca with a broken kingdom they must rebuild in the next chapter of their story.

The second book in this series has another fast-paced, action-packed plot, making it very engaging and easy to read. There is, however, a significant amount of graphic violence making it more suitable for older readers. Like the first book, the novel deals with the themes of true love, but there is also an emphasis on the importance of loyalty and trust as Amarande must decide who to put her trust in and who is worthy of forgiveness.

Amarande and Luca are kind, dedicated, and inspiring protagonists, but their characters are still undeveloped. Their love story is clear but lacks depth. This is addressed when Taillefer asks Amarande, “is Luca really your true love or just all you’ve known?” While it is unclear why Amarande and Luca are together, the uncomplicated history of their relationship makes for a sweet and pure romance. Overall, this is a fitting read for fans of The Princess Bride who enjoy wholesome romance with lots of action and adventure.

Sexual Content

  • Safe and far away from Pyrenee, Amarande kisses Luca “softly, mindful of his wounds. But her love was stronger than he seemed and put gentle fingers in her auburn hair, pulling her closer, deeper.” Soon, Amarande pulls away. After discussing their next adventure, Amarande “dropped another kiss on his lips, then up the line of his jaw.”
  • Before saying goodbye, “Amarande kissed Luca one last time—hard. As hard as she wished she had before he was kidnapped. As hard as she did when it was clear they’d escaped Pyrenee alive. As hard as she could—this kiss would have to hold her for days, if not weeks, or months.”
  • Queen Geneva refers to General Koldo as a “whore general.”
  • Amarande recalls the time on the pirate ship “she’d slept next to the bed in the captain’s quarters, holding [Luca’s] hand from her spot on the floorboards. He would’ve lain there, too, if the pain weren’t so great. Her stubbornness won out yet again.”
  • Happy to be reunited with Luca, “Amarande kissed him then. Eyes closed, mouth hungry, her whole mess of a body folded into Luca’s warmth. His arms tightened around her, a hand snaking through her hair and to her neck.”
  • Before returning to the fight, “Luca pressed another fevered kiss to Amarande’s lips, the princess shutting her eyes and drinking it in until, with one last gentle sweep of a thumb against her cheek, he drew away.”
  • Before facing her evil mother, Amarande showers Luca with kisses “to his spine. His shoulder blade—one, and then the other. Up his neck. Again, behind the ear—one, two. She settled the curve of her throat over his shoulder, her chin coming to rest on his collarbone, parched lips at his ear.”
  • After the battle with Geneva, Luca visits Amarande who is recovering in bed. He kisses Amarande and when she decides she is “strong enough to kiss him back, she did so, moving her hands to his hair, keeping Luca where she wanted him until she realized they weren’t alone.”

Violence

  • When Queen Geneva reveals her plans to imprison her daughter, Amarande draws her sword to attack but is thwarted by a hand clenching her neck, “squeezing precisely on the artery that supplies oxygen to the brain. An arm gripped around her middle—an arm clad in garnet-and-gold regalia.” Amarande faints and is brought to her cell.
  • Ula offers to clean Luca’s torture wounds. Luca confesses, “the sting of the process was one of a thousand bees under the skin, but the pain was minor in comparison with what he’d felt in the past week. And the wound looked only a little better, the skin bruised and raw with inflammation that ran down the whole hand-length gash in the middle of his chest, just beside his wolf tattoo. The flat black sutures were tight, straining to keep the swollen edges of flesh together.” His wounds are slowly healing.
  • Trying to look out the window of her prison, Amarande hoists herself up the wall using a bit of cloth. However, the “cloth tore and before she could lunge for another grip or pull her feet from the wall, Amarande fell with a resounding thud, the back of her head bashing into the stone floor.” Amarande feels a bit disoriented from the fall, but she is more frustrated than hurt.
  • Amarande’s brother, Ferdinand visits her in her prison cell to make peace, but Amarande refuses his offer; “the moment he was in range Amarande’s boot struck out and made jarring contact with his kneecap.” Amarande tries to attack again but, “Ferdinand was ready, grabbing her boot and yanking at it, trying to wrest it off with both hands. She pulled back, but he held fast, even managing to keep the dagger in his grip. Amarande’s other foot shot out and clocked his left hand. His grip faltered, he dropped his dagger, and she drove her heel hard into his knee yet again.” Soon, Ferdinand gains the upper hand. As Amarande hesitates, he removes a dagger from his boot, throwing it through the air. “The knife pinning her right between the tendons that sewed her knuckles in place. Impaled, Amarande’s hand flew open, dropping the dagger.” Ferdinand then removes the blade from her hand. “He braced her wrist against the wall with the other hand and, in one smooth motion, removed the blade,” but, “Amarande didn’t cry out, even as stars swirled in her vision and blood began to pour from her hand.”
  • While traveling through the Torrent, some of the Warlord’s men try to capture Luca by attacking his crew with fire. Ula, however, wouldn’t let them and “a fist-sized fireball shot over Luca’s shoulder, plowing straight into the leader’s gut.” The man “fell back, tunic and skin suddenly aflame. His bandana slid down as he hit the dry ground behind him, his face distorted with panic as he screamed horrifically.”
  • Before the other servants of the Warlord could retaliate, Ula’s “blade cut the stout one down with a blow to his wide upper back, and his grip upon Luca immediately died as he fell away.” Urtzi and Osana, friends of Luca’s, come to the rescue as Urtzi hits the other two men “with his own bucket and the glass jug. The instant the caustic antiseptic made contact, the torches shuddered and exploded,” and “all three men suddenly were ablaze.” The Warlord’s men are burnt to death, but Luca and his friends escape.
  • Luca and his group come across the dead body of their friend, Erfu. Urtzi examines the body and describes a “dart in his neck and an assassin’s smile. Slowed him down and then sliced him open. His tunic is torn, too—they checked his tattoo. Carved an X through it.”
  • Escaping from her prison cell, Amarande takes out her guard who “only seemed to register Amarande in the split second before the hilt of her sword crashed down upon the guardswoman’s temple.”
  • While fleeing Ardenia with Amarande, Taillefer kills a guard. “In the twitch of a moment, Taillefer’s free hand seized the guard’s dagger from the sheath at his belt, and sank it into the soft meat of the boy’s side.”
  • Amarande and Taillefer come across several dead bodies that “lined the creek bank—two, three . . . no, five—and two more floated in the shallow waters. No blood stained their sun-bleached clothes, no stab wounds obvious, no wounds at all.” Amarande discovers the water had been poisoned.
  • In the Torrent, Amarande and Taillefer encounter members of the resistance. Not trusting Amarande, “a knife shot out of the man’s hand, and the princess dove to the side. She rolled to her feet, dagger out and ready. His companion immediately rushed at her, sword tip aimed straight at Amarande’s belly. The princess pivoted and flattened, and the woman crashed forward under the weight of her driving weapon. As she fell to the dirt, Amarande immediately smashed the blunt hilt of her dagger down upon the back of her skull, rendering her unconscious.”
  • While Amarande fought with the resistance group, Taillefer battles a wild wolf. The wolf’s “paws connected with Taillefer’s chest and shoved him to the ground. He struggled to push away the animal’s jaws as the whole of the wolf’s weight was on him now, the snarling beast holding all the leverage.”
  • Taillefer and Amarande escape their battle only when the man pushes Amarande into a sand hole. The man’s “boot connected with her twisting back. The blow knocked the princess off-balance and she stumbled forward, her exhausted body lunging for solid ground. Where there wasn’t any.” Amarande tumbles into a hidden cave and Taillefer follows. They are bruised and sore, but alive.
  • After poisoning King Domingu, Queen Inés “did not release Domingu’s chin as he thrashed, words burbling up through the white foam on his lips.” He dies moments later.
  • At one of the Warlord’s camps, Taillefer was lifted into the air by a giant man. Amarande tries to save him, “but the movement she’d anticipated didn’t come—the prince’s body was tossed vertically, not horizontally. And, as he plummeted back toward the cracked earth, the man’s leg shot out and his boot connected with Taillefer’s gut. The crunch of a shattered rib reverberated in the air, a cry escaping into the new dawn with it. Taillefer landed in a heap, blood rolling out of his mouth.” Taillefer’s ribs are broken.
  • Amarande and Taillefer fight with followers of the Warlord until “something thunked hard against Amarande’s temple, tossing her off-balance. Her opponent used that split second to roll onto the princess, driving Amarande’s face into the sandy earth as she sat atop the princess’s back, pinning her in a way that left all of Amarande’s fight useless.” Amarande and Taillefer are captured to be brought to the Warlord.
  • To prove her ruthlessness, the Regent Warlord orders those who do not comply with her to be burned in a fire pit. She will spare only one of them if they “fight to the death—disfigurement, loss of consciousness, and general injury do not count. You have to be the last living, breathing person standing.” From her confinement, Amarande watched the “human kindling. Hopes and dreams consumed nightly, reduced to flesh, fat, skin, and sinew, until there was nothing left to burn.” Then, she heard “the unmistakable sigh of a blade carving the breath from a man’s throat. One. Two. Two bodies draped gently on the ground. One. Two.”
  • When Luca reveals himself to the Warlord, more chaos erupts. There is “blood spray, bodies tumbling into the pit, the fire roaring and coughing smoke with each addition. Daggers and swords met in violent, reverberating clangs. Boots crunched bones, and live bodies, shrieking to the stars.” In the chaos, the Warlord “was sent headfirst into her own flames.” She is burnt to death.
  • Taillefer is fighting for his life against the Warlord’s men with his “hands in a fury, going for all the soft spots on the soldier’s face—ears, eyes, lips. The prince’s forearm caught the boy’s windpipe, and his head flew back with a crack, sucking cry escaping from his lips.” He escapes.
  • While escaping her prison cart, Amarande notices “her arm was bleeding from her shoulder through the length of her forearm, the wood of the fractured cart taking a sliding bite on the way down.” Ula stitches up Amarande’s wounds later.
  • To defeat his mother, Queen Inés, Taillefer stabs her guard and “twisted and removed a dagger from where it had been lodged in the soldier’s liver for hours on end.” The soldier bleeds out and dies. Taillefer then throws poison on his mother, burning her skin and killing her. “The tincture had dissolved the skin at her throat, the meat of her exposed, veins and capillaries burned back like parchment blackening and curling in flame before vanishing altogether.”
  • While Amarande converses with the Royal Council members, Geneva violently enters the room and “one guard and then another fell to the floor, assassin’s smiles carved across their throats, blood gushing onto the collars of their regal Ardenian uniforms.”
  • While fighting, Geneva thrust her blade “straight for the vulnerable flesh of Luca’s unprotected torso.” Luca is wounded but not killed. Next, Geneva turns to fight Amarande. “Geneva smashed her body backward, driving Amarande even harder against the wall, so hard that her skull thudded off the unforgiving stone with a terrific crack.” General Koldo attempts to save Amarande by attacking Geneva from behind, but she is thwarted when Geneva thrusts her into a table. “[Koldo] was bleeding from the head, a huge gash over her eye from where she’d made contact with the massive piece of scrolled furniture.”
  • When the action subsides, Luca notices he had accidently struck Taillefer in the neck with his dagger. Luca watches as “blood framed each of his teeth in stark red, as if he’d sunk them into a still-beating heart.” Luca then saw the “weak slice to the jugular.” Taillefer slowly dies from the loss of blood.
  • Amarande is stabbed in the leg by her mother. She tries to overpower Geneva with her good leg, but Geneva “thrust a thumb straight into Amarande’s leg wound, and the princess’s body seized as she cried out, vision fading to white. Her mother shoved Amarande and her blade aside, and scrambled free.” Amarande begins to lose consciousness with “all her adrenaline tapped, blood pooling under her body from her leg, arm, somewhere else.” Amarande survives, but her mother escapes.

Drugs and Alcohol

  • None

Language

  • Hell is used once. When Amarande is brought to the Warlord, she curses by saying “stars and hell.”

Supernatural

  • None

Spiritual Content

  • None

by Elena Brown

Mosquitoland

After the sudden and unexpected divorce of her parents, Mim Malone is dragged from her Ohio home. Mim’s happy life collapses when she’s forced to live with her father and his new wife in “Mosquitoland,” otherwise known as the middle of Mississippi.  

When Mim overhears a conversation, she finds out her mother is sick, and something in Mim snaps. Mim runs home, packs a bag, steals her stepmother’s stash of money, and boards the next Greyhound bus out of town, starting her almost thousand-mile journey from Jackson, Mississippi to Cleveland, Ohio. 

On her bus is a cast of quirky characters—some annoying, some creepy, and some, like her seatmate Arlene, kind. When the Greyhound bus tips over in the middle of a rainstorm, what would have been a straightforward trip, spirals into an interesting journey into the unexpected. On this new journey, Mim finds unexpected friends in Beck, a college student on a trip to find his old foster sister, and Walter, a boy Mim’s age with down syndrome, who is homeless. With the help of these new friends, Mim begins to realize she is not alone in this world, and that while she is struggling with events in her life, she does not have to struggle alone. 

While the trip started as a plan to see her mother, Mim’s trip morphs into a journey of self-discovery and acceptance. Mim is a strong-minded and independent, but also an imperfect person. She describes herself as a “collection of oddities, a circus of neurons and electrons.” Mim explains “my heart is the ringmaster, my soul is the trapeze artist, and the world is my audience. It sounds strange because it is, and it is, because I am strange.” Readers will relate to Mim because she does not strive to be perfect. Instead, she recognizes her quirks and problems, and, as a teenager, she knows she still has much to learn. 

Throughout Mosquitoland, Mim explains that she is “not okay.” She struggles with an unspecified mental illness, and her world seems to be falling apart because her family fractured when her parents divorced. At first, Mim is attempting to go home, back to the life she had with her mother in Ohio, but throughout the trip, she realizes “home is hard.” She learns that she will never have her old life back – a life she somewhat idolizes – and that leaving her old life behind is for the better. Mim realizes that home is not a “place or a time,” maybe “home is the heart . . . an organ, pumping life into my life.”   

Mosquitoland is beautifully written, with witty dialogue and memorable characters. The story is written from Mim’s point of view, who has a very unique narrative voice. Readers get insight into her perspective of the world and her hilarious internal dialogue on various topics, including baseball games, shop signs, and teenage girls. Moreover, her point of view is interspersed with letters to her unborn sister, explaining why she decided to leave Mississippi and documenting her feelings about the trip. 

Mosquitoland explores the heavy subject matter of mental illness and sexual assault. Mim explains that throughout her life, she has often questioned her sanity and her father has often thought there is something wrong with her. Mim goes to psychiatrists and therapy and is prescribed medication, but often questions if this medication is necessary. Mim’s family has a history of mental illness. Mim’s aunt committed suicide and her mother is currently hospitalized for depression. This book also discusses sexual assault, as an older man forces himself on Mim and kisses her. This experience traumatizes Mim and she often has flashbacks to this moment. Plus, she becomes anxious around men who remind her of the man who assaulted her. Furthermore, she feels incredibly guilty for not speaking up about this man’s actions before he assaults another girl. Mim shows the readers her vulnerability in these moments, the tough persona she presents to the world is broken down, and readers see Mim as someone who is just trying to figure life out and survive.  

Overall, Mosquitoland is a funny and entertaining book, with memorable, relatable characters. While it does touch on some difficult topics, this is balanced with a lighthearted tone and humorous plot. Beyond being a coming-of-age story about Mim coming to terms with her life and finding herself, it is also a story about the power of friendship. 

Sexual Content  

  • When Mim was younger she liked her friend’s older brother. Mim explains that she “was sexually attracted to Steve insomuch as I was an indiscriminate preadolescent girl.” When she was a year older, she still liked him. As he drove Mim home one night she explains, “new images sprang to mind: less boxing-ring-chest-pounding, more bedroom-floor-topless-romping.” 
  • Mim imagines what high school girls should be talking about. She thinks it’s “argu[ing] over who gives the most efficient blow job.” 
  • After a long, deep conversation, Mim and Beck, the older boy she has a massive crush on, fall asleep with “Beck hold[ing] Mim . . . on the floor well into the night.” Mim explains, “[w]e don’t talk. We don’t need to. Sleep is close, and I’m okay with that . . . At some point, he carries me to bed and lies down next me. . . He wraps an arm around me, and I swear we were once a single unit.” As Beck rolls over in the bed, “he rolls sideways, toward me, his face hovering over me. We stare at each other for a second, silent, unmoving . . .And I sense the move before it comes. Beck leans in, slowly, and kisses my forehead. It isn’t brief, but it’s gentle, and full of sadness and gladness and everything in between.” Mim wonders “how it would smell-taste-feel to have his lips pressed against my own, to feel his weight on top of me.” The two never go past the kiss as Beck reminds Mim, “I’m too old for you.” 

Violence  

  • In the beginning of her journey, the Greyhound tips over. Mim observes, “it’s a simmering stew of glass and blood and sewage and luggage, a cinematic devastation . . . Some people are moving, some are moaning, and some aren’t doing either. Carl is bleeding in about six places, administering CPR to one of the Japanese guys. I see Poncho Man help Amazon Blonde to her feet, right where I’d been sitting. I stand and stare for i-don’t-know-how-long, until an ax crashes through the left wall—formerly the roof of the bus. Firefighters crawl through the wreckage like ants, pulling limp bodies around their shoulders, administering first aid. Two EMTs . . . approach the limp body of a woman. The redhead leans over, puts his ear to the woman’s chest. Straightening, he looks at his partner, shakes his head.” Mim realizes the woman is dead and she is Arlene, Mim’s seat mate, who she has bonded with during the trip. In the accident, Mim received “just a cut.” 
  • Mim accidently becomes locked in the bathroom with a man she has nicknamed “Poncho Man.” He comes on to her, getting closer to her. When she pulls away, he grips her aggressively and tries to kiss her. “His lips are cold against mine,” Mim explains. In order to get away from him, Mim forces herself to throw up, launching “a vomit for the ages directly into Poncho Man’s mouth.” 
  • When she was younger, a bully calls a friend of Mim a “retard.” Mim punched the bully “breaking his nose and earning a one-day suspension.” 
  • Caleb, a suspicious young man she meets in the woods, tells Mim his dad “used the beat the hell outta [him] with household appliances . . . [and] for no good reason, too. [His dad] wasn’t a drunk . . . He was just fine at it sober. But one day, I was all growed-up, see. So you know what I did? Pulled the fire extinguisher out of his garage and beat the shit out of him.” 
  • When Mim figures out Caleb is planning to steal from Walter, she and Walter run back into town. Caleb chases them on to the roof of a gas station, where he pulls “a sizeable hunting knife” on them. Eventually, the owner of the gas station, Ahab, who just happens to know karate, comes up to the roof and begins to fight Caleb. “A blurred figure plummets on top of him, knocking him to the ground. Within seconds, Caleb is back on his feet, wielding the hunting knife at this new adversary . . .The fight doesn’t last more than a minute. In a roundhouse kick that would have made Jet Li proud . . . [Ahab] sends Caleb’s hunting knife sailing over the edge of the roof. With him disarmed, it’s hardly a fight at all. A couple of hook-kick combos and graceful strikes to the chest, arms, and head, and Ahab has a whimpering Caleb trapped in a half nelson on the gravel.” Ahab keeps Caleb in his “clenches” until the police arrive.  
  • When Caleb begins to insult Ahab, “without thinking twice, Ahab lifts Caleb up by his hoodie, and punches him once, twice, three times in the face. Blood splatters across the gravel roof, as well as a single tooth.”  
  • Beck reveals that he saw a young girl exit a bathroom, eyes “puffy and red from crying.” Afterwards, Beck sees a man exiting the same bathroom, and Beck realizes what this man had done to the young girl. Beck “punched him. Twice. In front of a cop.” The man is arrested because the “little girl spoke up.” Mim realizes that predator responsible was Poncho Man, the same man who assaulted her.  
  • Beck recalls that he had a foster sister whose father had just been released from prison. Unfortunately, a few weeks later her dad was “stabbed to death in a drug deal.” Beck’s foster sister “shut herself in the upstairs bathroom. We could hear her sobbing all through the house,” Beck explains. “I kicked down the door, found her in the tub. She’d slit her wrists.” 
  • When Mim is six her aunt “hung herself in our basement. . .I found her hanging there, her feet dangling inches from the floor – inches from life.” 

Drugs and Alcohol  

  • Mim is prescribed “aripapilazone” or “abilitol.” Mim takes these pills a few times. Although it is prescribed by a psychiatrist for her mental health issues, she is unhappy taking this medication and stops.  
  • When she was young, Mim and her mom used to go to a block party every Labor Day. She remembers “beer buckets” and her mom drinking beer.  
  • As he talks to Mim, the Greyhound bus driver “lights a cigarette [and] takes a drag.”  
  • When Mim stops at a gas station, the “young girl behind the counter blows a giant bubble with her gum and offers [her] free cigarettes.” 
  • When Mim meets Caleb, he “pulls a pack of cigarettes from his pocket, sticks one in his mouth . . . and lights up.” 
  • In memories from her childhood, Mim remembers her mother and father “drinking beer” in various instances.  
  • When Mim was nine years old, she discovered that her father smoked, and he allowed her to try one. Mim “pulled out a cigarette, surprised by how light it felt in my fingers. Dad lit the end, then told me to breathe in deep. I followed his instructions and inhaled deeply, deciding Dad was way cooler than I’d given him credit for. This was immediately followed by my hacking my lungs out, then throwing up on my mother’s favorite Venetian blinds. I couldn’t taste anything for a week. It was my first and last cigarette.” 
  • When Mim is forced to move to Mississippi she really wants to take her mother’s couch. She tells her father, “I would literally jump off the roof while simultaneously swallowing a bottle of sleeping pills,” before leaving the couch behind.  

Language    

  • Profanity is used occasionally. The profanity includes shit, fuck, bitch, jackass, dick, bastard. 
  • When she was younger, Mim witnessed a bully call a friend a “retard.” When she asks her mom what that word means, her mom explains “retard is a mean word used by mean people.”  
  • Beyond the use of regular profanity, this book also uses words that are profane-esque, including “effing” or “muthafuckas.” 

Supernatural  

  • None 

Spiritual Content  

  • Beck asks Mim if she “believe[s] in God.” Mim tells a story, explaining when she was “maybe four years old,” she was with her mom running errands. Mim saw a man with “a really deformed face . . . so with the tact of a four year old, [Mim] pointed right at his cheek and asked what happened. He smiled even bigger and said God made him that way.” Mim continues “the prospect of there being a God scares me. Almost as much as the prospect of there not being one.”  
  • Beck says he definitely believes in God. He says, “My heart must continue beating in order to pump a red liquid called blood through tiny tubes called veins throughout this unit called a body. All my organs, in communication with my heart, must work properly for this carbon-based life-form called Beckett Van Buren to exist on this tiny spinning sphere called Earth. So many little things have to be just so, it’s a wonder we don’t just fall down dead.”  
  • When visiting her mother, Mim “ponder[s] the peculiarities of an angry Almighty.” She explains, “[a]nd now I know. I see it in the medicated drool dripping from the face of my once youthful mother. I see it in the slew of trained specialists assigned to her keeping. I see it in the Southwestern motif, from floor to ceiling of this nightmare called Sunrise Rehab, and I know what makes God when He’s angry: a person with the capacity for emptiness . . . a drained emptiness. A person who was once full. A person who lived and dreamed, and above all, a person who cared for something – for someone. And within that person, he places the possibility of poof – gone – done – to be replaced by a Great Empty Nothingness.” 

Curse of the Night Witch

Everyone on Emblem Island has a symbol that decides their fate, but Tor Luna seems like the only person who hates the one he’s been given. While other people can speak with animals, have beautiful singing voices, or culinary talent, Tor’s emblem is for leadership. He expects to live an uneventful life and take over his mother’s position as town chief. On the New Years’ holiday, Eve, the town gathers to send their yearly wishes to the wish god. Tor decides that this Eve he’ll wish for a new emblem. However, rejecting one’s emblem is a sure-fire way to get cursed, which is exactly what happens when Tor wakes up the next day with a curse mark where his leadership emblem once was.  

Tor teams up with his friends, Melda and Engle, to find the legendary Night Witch, a fearsome woman who is said to have hundreds of emblems that she gained from killing their original owners. To find her, the group uses The Book of Cuentos, a storybook that includes legends about Emblem Island’s history that turn out to be more than just stories. Eventually, they reach the Night Witch – but things aren’t as clear-cut as they have been written in the storybook. 

The Night Witch used The Book of Cuentos to frame herself as a villain in order to prevent her from getting her power stolen. She warns Tor that a greater darkness, one that is all evil, is rising and that she has picked Tor as her successor. Tor is unwilling to inherit her abilities, but the Night Witch passes on her power anyway. She picked Tor because the Night Witch believes he won’t abuse her skills. She says: “the best leaders are the ones who don’t want to lead.” The book ends with Tor shouldering the heavy burden of the Night Witch’s abilities with his friends and family at his side to defend Emblem Island from the coming darkness.  

Curse of the Night Witch is steeped in Latin American folklore amplified by the author’s rich imagination. The book is heavy on worldbuilding that is relevant to the plot and is an immersive part of the story’s adventure. The stories from The Book of Cuentos can be unsettling, but they help craft a world where darkness lingers under a colorful exterior. In addition to being a detailed story, Curse of the Night Witch is a coming-of-age story as Tor and his friends undertake a dangerous journey. When Tor thinks the Night Witch is going to kill him, Tor wishes he would’ve been more grateful for what he had. However, he realizes that his journey has taught him to appreciate what he’s gained: Melda and Engle, “two friends he would trust his life with” as well as a deeper respect for his former emblem.  

Tor is a thoughtful and determined main character who will quickly earn the sympathy and respect of readers. His drive to improve himself while still protecting innocent people shows his emotional complexity. The story emphasizes the power of friendship through Melda, Engle, and Tor, who are always ready to support one another and see their journey through until the end, no matter what happens. The plot twists and compelling lore make this an interesting story, however, there is gore and violence that some readers may find disturbing. Readers who want to read another tale that combines a rich cultural world with three friends who will protect each other until the end will enjoy Maya and the Rising Dark by Rena Barron. 

Sexual Content  

  • None 

Violence  

  • The Night Witch has an emblem that allows her to kill people by touching them. She kills her father and other innocent people. The Night Witch “had a gift never seen before. The power to kill with a single touch. And kill she did. One day, the girl emerged from her home, covered in blood, her father’s emblem on her skin. . . [The Night Witch] traveled across the island, leaving only death in her wake, emblems appearing on her arms after each kill, the ones she had stolen from children in their beds and from the poor souls who found themselves alone on a dark night.” 
  • A troll attacks Tor for trespassing in its territory. “A troll reached forward, and Tor screamed as its claw ran down the length of his arm.” The troll also bites him. Tor “screamed. It was like a giant needle had skewered his toes. Sparks of pain ignited in his toes and his entire foot went numb.” This feeling comes from a toxin that dissolves after a few hours, so Tor is not injured.  
  • A pelilarga attacked Melda. “[Melda] screamed as the pelilarga reached up and clawed her ankle, leaving five long, bloody scratches. . . The pelilarga hissed, and Melda winced, like it had scratched her again.” Melda is scratched up, but nothing worse. The attack ends when Melda, Tor, and Engle are able to distract the pelilarga with fireworks so they can escape. 
  • A giantess cuts Tor’s ear with an arrow for trespassing on her tribe’s land. “Tor winced and reached for his ear. His fingers came back covered in blood. The tiniest part of his ear, at the very tip, had been cut away.” Other than the cut, which later heals, Tor is not injured. 
  • The Book of Cuentos describes a mother who tried to kill herself and her children. The children escape, but the woman dies and becomes a monster called “The Woman.” The Woman “walked into the water, holding [her children’s] hands, intending to drown them and herself. But, before they were submerged, her children escaped. . . The Woman roams the island in search of children to take for her own.”  
  • A kidnapper hurts Tor for freeing his prisoners. “The man charged at Tor, managing to grab his arm so tightly Tor was actually afraid the bone might snap in half. . . Tor struggled until the man elbowed him right in the ribs. [Tor] bent over, gasping, the air sucked right out of him.” Engle saves Tor by hitting the kidnapper with The Book of Cuentos. “The kidnapper made a grunting noise, blinked, and fell to the ground. Engle stood there, The Book of Cuentos still held high above his head.”  
  • Emblem thieves are people born without emblems that kill others to steal their emblems. Killing someone allows the murderer to take the emblem of the victim. A group of prisoners caught by the emblem thieves are freed by Melda, Tor, and Engle. The prisoners fight back against their captors. “A woman cried out and leapt forward, taking down a guard in a single motion. . . A teenage girl disappeared right before [Tor’s] eyes, then reappeared after having struck a thief in the head with a bucket. An old man with a telekinesis emblem threw a chair at another.” The battle lasts a few paragraphs and ends when someone with a snowflake emblem freezes the remaining guards. 
  • An old woman in an abandoned town admits she resorted to eating her children to survive. 
  • Engle’s curse mark hurts him when he steps into the Night Witch’s territory. Engle “doubled over, crying out in pain and gripping his arm. . . the skin on Engle’s arm ripped open like the slow tearing of a seam. In a few horrifying moments, blood spilled over the cape Melda had made, and a clear message appeared, carved deep into his skin.”  
  • The same skin-tearing happens to Melda as the group gets closer to the Night Witch. “Then it was Melda’s turn to scream out. She clutched her arm, and loudly ground her back teeth together.” Lastly, it happens to Tor. “[Tor’s] palm suddenly split open. He gasped in pain, blood puddling at his feet.” 
  • Creatures take Engle into the water. After Melda rescues Engle, he’s very close to dying. “Engle’s eyes remained closed, and large gashes had been sliced through his clothes. He was bleeding, everywhere. But he was still breathing.” He lives.  
  • When Tor confronts the Night Witch, she admits that she didn’t kill her father; he was killed by other men. “The men who came [to the Night Witch’s home] were emblem thieves. There to take my father’s alleged two powers. By killing him. Once they realized one of his marks was false, they came back. And found me. But I was ready this time. I killed each one where they stood. My father’s emblem became mine. . . I roamed the island, searching for thieves just like the ones that had killed my father. I killed them before they could end anyone else. And so, my markings grew.” 
  • Tor fights the Night Witch. The witch “raised her hand, and the ground beneath Tor’s feet began to shake. It broke open, and dozens of shards of rock like teeth trapped his legs, then torso. The sharp stone tips pierced his clothes, crimson stains blooming through the fabric in blotches.” The battle lasts two pages and ends with the Night Witch transferring her power to Tor. 
  • Tor wakes in the middle of the night as his first new emblem appears. “He awoke screaming at the top of his lungs, feeling like someone was carving at his arm with a butcher knife, then scrubbing it with sea salt.” Tor learns that the process of getting a new emblem is painful.  

Drugs and Alcohol  

  • Troll bites contain a toxin that induces drowsiness. Engle says, “Troll bites are nothing but annoying. Their teeth release just a bit of a chemical that promotes drowsiness, making it hard for their victims to escape.” 

Language    

  • Melda calls the Plains, a city on the island, “stupid.” 

Supernatural  

  • The Book of Cuentos is an important book of legends that tells the history of Emblem Island, as well as detailing information about the island’s creatures and curses. It is kept by the community’s leader, Tor’s mother, until she passes it on to him. Some of the stories from The Book of Cuentos appear at the end of chapters. They are often dark tales of murder, punishment, and otherworldly beings.  
  • The story takes place on Emblem Island, a place where everyone has two distinct features: an emblem and a lifeline. An emblem is a symbol representing a magical skill somewhere on the body. A lifeline is a line, usually around the hands, that shows high and low points representing hardships and victories. It also shows when the person’s life will end. 
  • People with two or more emblems are known as wicked or a witch. “Witch was a foul name for a person who had been born with multiple emblems.” The people of Emblem Island believe that people with multiple emblems have too much power which drives them to evil deeds. The Night Witch is the most infamous of these witches, as she has hundreds of emblems. 
  • Tor and Melda have leadership emblems, which help them inspire people. Engle has a sightseer emblem, which allows him to see long distances. There are emblems for just about everything, including cooking, talking to animals, and water breathing. 
  • The world is full of magic creatures and objects. Familiar objects, like peaches, grow purple, and some animals have gigantism; a starfish is the “size of a rug.”  
  • Some magical creatures include gnomes, mermaids, trolls, giants, and fairies, among others. 
  • A “barbed malkin” is a cat-like creature with spike-like fur along its back.  
  • The mention of curses or cursed objects is very common. Stories like this are present in nearly every chapter. “Tor knew that touching the Bone Boat’s treasure was strictly forbidden. Doing so would unleash a fury-storm of repercussions: a hundred years of curses, teeth falling from the sky, the sea turning gray, blah blah blah, the same old tales Tor liked to roll his eyes at.” These legends often turn out to be true.  
  • Due to his Eve wish, Tor is cursed. It manifests in the form of an eye on his arm that blinks. Engle touches Tor, and the curse spreads to Engle in the form of a mouth that can speak.  
  • A myth in The Book of Cuentos tells of the creation of a hydroclops, a snake with a head on either end.  
  • Melda has a necklace that contains a “drop of color.” “Drops of color were extremely rare – they could only be extracted from special creatures. The liquid from Melda’s necklace could turn anything in the world that shade of blue.” Colors on Emblem Island are very important and can be stolen or changed with powerful magic.  
  • Captivates, siren-like mermaids, capture Tor, but his friends help him break the spell. 
  • Pelilargas, fantastical women with long hair, have the ability to steal souls, which makes their hair grow longer and stronger.  
  • Goblins are greedy creatures who have the ability to suck color from objects. In exchange for passage on a boat, a goblin takes the color from Melda’s eyes.  
  • A vanor is a creature able to take on the appearance of other people and craft illusions. Tor encounters one. “The [vanor] had no face, only a flesh covered canvas where a face should have been. But he wanted one. All vanors did. They lived to steal faces to add to their collections.”

Spiritual Content  

  • The residents of Emblem Island believe in karma. Melda says, “I’m only helping you [Tor] because I don’t want any bad karma affecting my Eve wish.” 
  • Souls exist. Some creatures, such as pelilargas, have the ability to steal them. 

The Nature of Witches

Witches have been in control of the weather for hundreds of years, keeping the atmosphere calm and stable. Each witch has powers based in the seasons: winter, spring, summer, and fall. Shaders, or people without magic, depend too much on the witches to keep the weather steady, pushing the limits of the witches. Thus, shaders have been starting to think that the magic is infinite and, as Clara says, “As if this planet were infinite.” More and more witches are being depleted of their powers and dying, causing the witch community to grow tired.

Clara Densmore is not just any ordinary 17-year-old witch, she is an Everwitch. An Everwitch is a witch that is tied to all four seasons. It is a rare and powerful magic; she can use her magic year-round whereas regular witches can only use their magic during their designated season. However, Clara cannot fully control her magic, which resulted in the deaths of her parents and best friend, Nikki. Clara fears her powers, and she is scared that by using her magic she will hurt other people she loves.

Then, Clara’s mentor and teacher, Mr. Hart, dies. Clara must continue her Everwitch training with two new visitors: a teacher named Mr. Burrows and his assistant, Sang Park, from the Western School of Solar Magic. Sang, a spring witch who has an interest in botany, is tasked as Clara’s primary trainer, and soon becomes Clara’s love interest. As Clara struggles with her Everwitch magic and explores the romantic pull she feels toward Sang, she must decide if she wants to improve her control over her magic or be stripped of her magic.

The Nature of Witches is a riveting story filled with romance, self-discovery, and magic. Readers may become very emotional because they are immersed in Clara’s first-person perspective. The story focuses on Clara, which allows readers to understand her thoughts and actions. Readers watch as Clara switches between wanting to be stripped of her magic and accepting it. Clara’s mental struggle is relatable because she is deciding between what she wants, what would be “easy,” and her duty as the most powerful witch. In the end, Clara realizes that her magic is a part of her and is something she can’t live without. Through her experiences, Clara learns the importance of loving both herself and her powers.

Readers will meet several complex, lovable characters inside the pages of The Nature of Witches. Clara and the other characters are portrayed with depth, showing both their good and bad traits. LGBTQ themes are expressed through Paige’s and Clara’s romantic past; the two girls were friends who became partners. There were no labels put on either person or judgment from anyone, suggesting that it is wholly accepted and integrated into society.

Griffin also includes thought-out and vivid worldbuilding by using mystical and descriptive language. The Nature of Witches is engrossing and easy to read, so readers will fly through the pages. Although the inclusion of witches and magic that controls the atmosphere is highly fictional, the story’s main idea is based on the possibility of snowstorms in June and tornadoes in winter. Climate change has been a hot topic for years and this story serves as a reminder that our world is still suffering, and readers must do something before it’s too late.

The Nature of Witches lets readers know that the first step to help stop climate change is to understand the harmful things humans do that affect the climate. The book does not give specific ways to make changes. However, it implies that people will have to face some type of horrible disaster before they accept that things must change. As Clara points out, “We aren’t in this alone and shouldn’t act like we are; the atmosphere is hurting, and that’s a problem for all of us, witches and shaders alike. The challenge is great, and we have a lot of work ahead of us. But we’re in this together, and if there’s anything I’ve learned this past year, it’s that together is where the magic lies.” At the end of the day, we must communicate with each other and work together to effect change.

Griffin gives readers an earnest, thoughtful, and fantastical story about magic and self-acceptance. Both the characters and plot will keep readers interested. While The Nature of Witches has a timely and important message attached to it, the message is not shoved in readers’ faces. The story’s vivid worldbuilding, the interesting plot, and the lovable characters make The Nature of Witches the perfect book for readers who love fantasy and climate fiction. Readers interested in reading another fantastical story that shows the dangers of climate change should grab a copy of Spark by Sarah Beth Durst.

Sexual Content

  • Clara spends the day with her summer fling Josh. After a long day, needing the comfort of his warm body, she “take[s] Josh’s hand, and he follows me the three steps to the bed. He tugs me close to him, brushes his lips against my neck.” They “fill the darkness with heavy breaths and tangled limbs and swollen lips, and by the time the mood reaches its highest point in the sky, Josh is asleep beside me.”
  • After a training incident with Clara’s ex-girlfriend, Paige, Clara remembers the time when they dated. Paige asked Clara to kiss her. “When our lips touched for the first time, [Clara] knew there was no going back.”
  • Sang, a spring witch, as well as Clara’s trainer and love interest, almost kisses Clara. “‘Clara,’ he says, his voice rough with something that sets my insides on fire. ‘If you don’t want me to kiss you right now, you’re going to have to stop looking at me like that.’ But that’s exactly what I want, I don’t care that his lip is bleeding and I’m out of breath, I want it so badly it doesn’t feel like a want. It feels like a need.” But they do not kiss.
  • Sang tells Clara that he likes her. Clara admits she’s tired of fighting her attraction. They hug and share their first kiss. “He kisses me as if it might never happen again, slow and deep and deliberate. There’s a gentleness to the way he opens his mouth and twists his tongue with mine, the way he traces his fingertips down the sides of my face and onto my neck as if he’s memorizing me.”
  • After Sang and Clara’s kiss, Clara admits, “I couldn’t sleep last night, kept awake by the ghost of Sang’s lips on mine, by the way his hand felt pressed against my lower back.”
  • Clara meets Sang outside a school building before their meeting with their teachers. “I can’t help the way my eyes drift to his lips, the way the back of my hand brushes against his.”
  • Clara walks a campus trail early and goes into the woods. She suddenly hears Sang’s voice coming toward her, but she hides. When she sees him, she confesses, “I want to run to him and wrap my arms around his waist and kiss him beneath the branches of our tree, but something keeps me rooted in place.”
  • While driving, Sang calls Clara impressive. “And before I know what’s happening, he pulls over to the side of the road, and I’m closing the distance between us, crawling onto his lap and wrapping my arms around his neck, I kiss him with the urgency of the water roaring down the mountainside and my magic rushing out to meet it.” They continue to kiss into the night. “His hands find my hips and his lips drift down my neck. My head falls back and I arch into him before returning my mouth to his. I kiss him until the sun sets and the moon rises, until my entire body hums with want.”
  • During one of Clara’s classes, Sang comes in as a special guest. When she looks at him, “My face heats with the memory of his body under mine, his face tilting up to me, his mouth on my neck and his hands in my hair.”
  • Clara hopes Paige can’t tell her heart is racing when she sees Sang. Clara remembers “echoes of his mouth on mine and his fingers on my skin and the way he breathes out when I kiss the notch in his neck flood my mind when I see him.”
  • Sang tucks Clara into bed, and “he gives me a soft, slow, lingering kiss.”
  • During the Spring Fling, Sang and Clara hug and admit how happy they are with each other. “Kissing him under the light of the stars makes me feel as if he is who I was always meant to find.” Clara admits to herself that Sang is magic to her, causing, “My lips [to] part, and the kiss deepens, each of us breathing the other in as if we’re the cool night breeze or the perfect scent of daphne.” When Clara falls backwards, “Sang follows, his mouth back on mine, and I think for a moment how perfect it is that two spring witches are falling for each other in the gardens at night.”
  • When Clara breaks up with Sang, she put “my hands on either side of his face and kiss him through my tears and his.”
  • In the aftermath of the solar eclipse, Sang runs to meet Clara and, “his lips meet mine, and I kiss him without hesitation or fear or worry. He weaves his hands through my hair, and his breaths are heavy, matching my own. I open my mouth and tangle my tongue with his, kiss him deeply, kiss him with greed and desire and longing.”
  • As Sang and Clara lay in bed, “I close my eyes, bend down, and kiss him. He puts his hands on either side of my face and opens his mouth, and I get lost in him, lost in the way his fingers feel on my skin, the way his hair tickles my face, the way his lips are soft and taste like black tea and honey.”
  • When Sang gifts Clara a journal, she thanks him and leans in to kiss him. “He kisses me again, then looks out over the meadow.”
  • Sang summons a small storm in his hand and commands thunder while Clara commands lightning. Sang tells Clara thunder will always follow lightning and they walk up to each other, and Clara describes, “I pull Sang into me and kiss him, greedy, deep, long, and eager, soaking up every drop of him before I leave.”
  • The storms dissipate and Sang and Clara cling to each other as they continue to kiss until the Autumnal equinox starts. “His lips are on my mouth, my neck, my chest, and I hold his face between my hands, run my fingers through his hair and down his back.”

Violence

  • As part of training, Clara and the other summer witches try to put out a fire. Clara is taken aback by the memories of the death of her best friend. Clara thinks, “This is the first time I’ve been involved in a group training session since I was on this same field last year, practicing with my best friend. Since the magic inside me rushed toward her in a flash of light, as bright as the fire in front of me. Since she screamed so loudly the sound still echoes in my ears.”
  • Clara’s teacher asks why she fights against her magic. Clara tells him that he knows the reason, elaborating, “He wasn’t here when my best friend died, when my magic sought her out and killed her in one instant, one single breath. But he’s heard the stories.”
  • Clara is paired with Paige for her training on how to handle storms. Clara recognizes that the storm is unstable and tries to pull Paige away. Clara tries to tackle Paige before the storm hurts her but the lightning strikes Clara and goes toward the gold chain around Paige’s neck. “Paige shakes beneath me. I scramble off her and stay by her side.” Paige ends up with a burn on her neck but is otherwise unharmed.
  • Sang accidentally poisoned his mother after growing a plant that has poisonous seeds that she put on her salad. He says, “She got really ill. Vomiting and pain, so weak she could hardly stand. My dad saw the seeds on her plate. He looked them up and realized they were toxic.”
  • After the Spring Fling dance, Clara, Sang, and some of their peers decide to play the ring of fire – a game where the witches need to keep a lightning bolt alive without it dying or touching them while passing it to each other. During a round where the lightning starts to get too strong, it aims for Sang, and, “lightning enters his chest and shoots down his left arm, exiting out his fingertips. He convulses and is thrown several yards before slamming into the ground, shaking, shaking, shaking.” Sang passes out and “a superficial burn is already forming on his skin, an intricate, fractal-like pattern that’s deep red and looks like the leaves of a fern. It covers all the skin I can see on his chest and neck.”

Drugs and Alcohol

  • During the Spring Fling, Clara is talking to Paige. On Paige’s breath is “the sharp smell of alcohol.”

Language

  • Badass is used twice.
  • Shit and fuck are both used once.

Supernatural

  • The book is centered around witches and magic. Below are some, but not all examples of the witch’s magic.
  • Spring magic is calm as “its sole purpose is bringing beauty into the world,” says Clara. It helps plants grow and deals with spring atmospheric occurrences such as tornadoes.
  • Summer magic is intense and bold. Summer witches specialize in thunderstorms and fires. Clara says, “No other season can absorb as much magic from the sun as summers,” making the season strong because witch magic derives from their connection with the sun.
  • Winter magic is aggressive and precise. Witches with winter magic deal with blizzards, wind, the cold, and moisture. According to Clara, “Winters are more straightforward than anyone else. We don’t soften ourselves with indirectness or white lies or fake niceties. What you see is what you get.”
  • Autumn magic is slow and steady, building “on an undercurrent of thankfulness and sorrow.” Since it is a transitional season, it is attuned to its environment and can easily change to accommodate it.
  • Sang picks a fight with Clara, hoping to get her mad so she will use her magic without restriction and to relieve any anger built up between them. They have a small magic fight and by the end of it, Clara has unknowingly pulled spring magic from Sang to create a birch tree. When Clara uses her magic, “The earth shifts as a birch tree shoves through the ground and grows right next to us, tall and white and real. Spring magic heightened to its full strength in the dead of winter.”
  • When Mr. Burrows takes Clara to a field test, she is trapped with a family of shaders. They are stuck in a field surrounded by a wall of rocks and a sunbar, a concentrated wall of sunlight, and triple-digit temperatures. To help the family survive, Clara creates hailstones to keep them cool. Clara is “in a free fall of magic, power bursting from my fingers and into the air, tossing the hail higher and higher as if it’s weightless. I create as much hail as possible, stones dropping out of the sky in rapid succession.”
  • During the Eclipse of the Heart Music Festival, a huge storm breaks and threatens to flood the river. Clara must stop the storm and the river before thousands are flooded. As she tries to stop the storm, she “throw[s] my magic into the storm, and all four seasons follow, tumbling into the cloudburst and taking hold. Winter magic dries out the air, lessening the humidity. Summer focuses on the updraft, pushing down as hard as it can. Spring lines the bank of the river, forcing the water to hold. And autumn cools the air so it can’t rise.”

Spiritual Content

  • None

by Brynn Jankowski

Remember Me

The day before her seventeenth birthday, Blue Owens wakes up feeling like something is wrong. Her memories are hazy, and everything seems vaguely familiar, yet so foreign. Her friends and family are acting weird and suspicious, tiptoeing around her, as if she will fall and break at any minute. Blue explains, “You ever get the feeling something’s going on and you don’t know what it is?”  

In the back of her closet, she finds a strange note that reads: meet me on the little blue bus at 7:45. Blue has no idea who wrote the note or any idea why someone would want to meet her. But she only has one day to decide what she’s going to do. 

Following her gut, Blue gets on the little blue bus at 7:45 and meets Adam, who seems like a stranger. But as they talk and connect, she is flooded with familiarity; it is as if they have always known each other. Because they have. Adam hesitantly explains that they have dated since the tenth grade. “In fact,” he says, they’ve “done everything together for two years.” Blue discovers that she “canceled” Adam, and chose to erase him from her memory. 

Realizing what she has done, Blue sets out to recover her memories and figure out why she “canceled” them. As she explores deeper into her past, she is faced with painful memories. Should Blue leave her forgotten memories in the past? Should she bring her memories back and experience her grief all over again?  

Set ten years in the future, Remember Me mixes sci-fi and mystery elements with a story about grief and finding yourself. While Blue is a determined, independent, and brave young woman, she is also broken and imperfect, as she is dealing with great tragedies. After Blue’s sister’s tragic death, Blue spirals into a deep depression, waking up “most days [wishing she was] dead.” Blue’s friends and family begin to worry, as she becomes detached, irritable, and overly spontaneous. Blue must decide if she wants to erase all memories of her sister, finding a supposed cure to her pain, or spiral further, hoping one day she will wake up “and be [the] kind of person who glows and has goals and a self that doesn’t torture them.”  

In the end, rather than truly canceling her past, Blue learns to live with her grief. Although “it still hurt[s] whenever” she thinks of her sister, as these memories can “break [her] apart,” Blue is able to “come back together” and be whole. She comes to terms with her past and realizes that memories of her sister, for better or for worse, are still a part of her and make her who she is. 

Remember Me is best for mature readers, as it deals with topics like depression, suicide, death, and grief. It also delves into the effects of divorce on children. Furthermore, it has an explicit sex scene and substantial use of profanity. Overall, Remember Me, is a must-read, with a diverse cast of characters, a strong female lead, and an interesting plot. The story discusses the difficulties of grieving and losing someone you love. Plus, it highlights the importance of learning to live with the painful events of your past and accepting them as a part of who you are. 

Sexual Content  

  • Blue’s friends, Turtle and Jack, are dating and “in love.” They often act intimate with each other in front of others. 
  • Turtle is practicing for a play and has to make out with Kevin, a boy who is gay and uncomfortable kissing a girl. While practicing for the show the two struggle to connect. The teacher who is directing their practice has Turtle and her partner Jack (who is also in show choir) kiss to show them how it’s done. “Kevin is watching, uncomfortably, from the side. Jack leans forward slowly, pulling Turtle flush against their own body, and they melt into a deep kiss.” 
  • In eighth grade, Blue kissed Jacobo Mancini. Blue “let him put his hands in my bikini bottoms. I remember playing a game where I was supposed to be in the closet with Calvin Locus and we were supposed to spend six minutes in there and we didn’t come out for a much longer time.”  
  • While riding the bus with Adam, Blue thinks that she does not “remember kissing [him]. . .  my body does. My body positively writhes with knowing.” 
  • After reuniting, Blue and Adam kiss. “Our lips touch and he presses the middle of my back toward him. I feel like an elevator falling up.” Later, their families pull them apart, Blue thinks “out of nowhere I’m back in that kiss, in the breathlessness that took me over.” 
  • Blue thinks about sex. She thinks, “I’m not so much thinking about sex per se, like me having it but I am thinking about the idea of sex, or why people want to have it.” She then imagines her and Adam together. “And it’s not like I want to have sex with him right away or something. . . But I would like to kiss him. Very much I would like that. I wouldn’t mind running my hands over the skin under his shirt, feeling his breath on my neck, his fingertips on my belly.” 
  • Blue notes that her friend lives in the older part of town, in a crumbling building where you “can hear their neighbors having sex when they’re trying to go to sleep.” 
  • When Blue and Adam first began to date, they spent “hours and hours on end” kissing. Then “the shirts came off. We spent about a month like that . . . then pants got inched down and finally off.” The two become sexually intimate with each other. Blue recounts a moment when Adam had “his head between my legs” for the first time.  
  • Before she cancels him, Blue visits Adam for what is supposed to be the last time. The two kiss. Adam “opens his mouth and it’s hot when he nips at my lips. It’s not a sexy kiss so much as a communication . . . an apology.” 

Violence  

  • Ten years into the future, there is an “international epidemic” of suicide, especially among young people.  
  • There is a bridge in Blue’s town that “people throw themselves off… all the time, and it’s been getting worse.” One instance causes the whole community to come together, when “Taylor Strong chucked himself off the edge”of the bridge. 
  • When Blue arrives at the beach, she sees Adam and explains “my throat drops into my toes… He has V draped across his arm and is swimming ferociously toward the shore. She is limp, head hanging backward, neck tilted back and exposed like she’s offering herself up to the sky.” She imagines V swam “straight to the spot where Dad told us not to go, swims out there vowing to prove that we all underestimate her. She swims straight into a riptide, gets pulled under, flails and kicks but the riptide is too strong for her. She’s carried away screaming when she reaches the surface, until she can’t fight anymore…. By the time the ambulance comes, I am as gone as V…  My sister is dead.” 
  • After her sister dies, Blue explains “most days when I wake up I wish I were dead.” 

Drugs and Alcohol  

  • On her fifteenth birthday, Blue gets drunk. She explains that she “didn’t mean to get drunk but [she’s] such a lightweight that even though [she] only took a couple of sips” she was drunk. 
  • Blue attends a party with her friends and drinks.  
  • Blue observes the “worst my parents do is smoke joints out back after they think I’m asleep.” 
  • After her parents’ divorce Blue wonders if her father is hooking up with “one of those rafting girls he works with, sturdy, beer-drinking, tan, young.” 
  • Blue’s father explains to Blue before she was born, he “drank too much beer and cursed.” 

Language    

  • Profanity is used often. Profanity includes shit, fuck, bitch, ass, and pussy. 

 Supernatural  

  • None 

 Spiritual Content  

  • Blue and her grandmother attend a funeral. As they walk into the church, Gran “makes the sign of the cross twice, once as we pass the Lady of Guadalupe statue in the courtyard and again when we stumble over the threshold into the actual church.” 
  • Blue describes the funeral service. “A priest says some things about Jesus. . .  I just listen[ed] to the prayers, the talk of God having a place in heaven for Arturo, the God will look over his wife and his children, that Arturo is free now.” 

The Duel at Araluen

King Duncan and Princess Cassandra are trapped in the south tower of Castle Araluen and under near-constant attack from the Red Fox Clan. Sir Horace and Ranger Commandant Gilan are holed up in an old hill fort, surrounded by the enemy. And Ranger’s apprentice, Maddie, is the only one who can save them all.

With the help of Hal, Thorn, and the rest of the Heron brotherband, Maddie will have to break her father and his men out of the hill fort, but will they reach Castle Araluen in time?

As the third installment of the Royal Ranger Series, Duel at Araluen continues the story of the Red Fox Clan who plan to kill King Duncan, Princess Cassandra, and Maddie. Unlike the previous two books in the series, Duel at Araluen describes many skirmishes between the rebels and the Araluens. While the book has less adventure, there is non-stop action as three groups—the Scandians, Horace and his soldiers, and Cassandra and her loyal army—prepare to defeat the Red Fox Clan.

While the book revolves around war, there is never senseless killing. Even though the Red Fox Clan planned to kill Horace and his men, when the rebels are defeated, Horace doesn’t execute the traitors. Instead, Horace orders his men to “leave the tents there for them so they won’t die of exposure. . . We’ll leave them what medical supplies and bandages we can spare and they can take care of one another.” Like the previous books, many people die, but all of the killings are in self-defense.

Duel at Araluen highlights the importance of loyalty, friendship, and bravery. For example, Jesper, one of the Scandians, makes several mean comments to one of his shipmates. Afterwards, Jesper claimed he was just joking. Hal scolds Jasper, saying, “A joke is when everyone can have a good laugh together. But when you do something that’s spiteful and hurtful and causes misery to someone else, that’s not a joke. That’s cruelty.”

Duel at Araluen uses the same format of all The Ranger’s Apprentice books. Even though the format is familiar, readers will be happy to see returning characters such as the Scandians from the Brotherband Series. Seeing the world from Maddie’s point of view gives the setting a fresh outlook. Plus, both Cassandra and Maddie have strong roles that involve leadership, planning, and fighting. Instead of being portrayed as stereotypical damsels in distress, Cassandra and Maddie are well-developed, capable characters who have many admirable traits. Readers who want to explore books with a strong female character and plenty of action should also add the League of Archers Series by Eva Howard to their reading list.

Sexual Content

  • None

Violence

  • After the Red Fox Clan took over the castle, the King, Cassandra and a group of loyal soldiers lock themselves in a tower. The Red Fox Clan started throwing projectiles at the tower. In response, Cassandra’s archers shoot arrows at the invading army. “Two of the first three shots found their targets. One man fell away from the windlass, an arrow in his upper body. Another. . . went down with a shaft in his thigh.”
  • The Red Fox Clan builds a trebuchet and uses it to throw rocks at the castle tower. Cassandra’s archers shoot fire arrows at the trebuchet and the invading army. “Two men went down. One of them stayed down. The other one hauled himself to his feet. . . an arrow through his lower leg. . . All the while, the tree archers peppered the trebuchet with arrows, but to no real effect. The only reward for their efforts was a sole figure lying unmoving on the flagstones.”
  • The Red Fox Clan begins throwing fire bladders at the tower. “Cassandra started in fear as the bladder struck the tower. . . Almost instantly, there was a roar of flame as the oil and pitch ignited, and a flood of fire erupted over the balcony, some of it clinging to the walls, while the rest dripped down and spread tendrils of flame over the floor.” No one is injured by the fire bladders.
  • The Red Fox Clan plan to swarm the fort that Horace, Gilan, and their army are hiding. “The light flared up, revealing a mass of some twenty men on the walkway. Instantly, the archers on the east and west walls drew, aimed and shot. A storm of arrows slammed into the attackers as they bunched together. . . more arrows slammed into them as they hesitated.”
  • During the attack, the rebels use ladders to scale the fort’s walls. “Their leader ran to be the first down one of the ladders. But, five spaces short of it, he was struck by an arrow and hurled back against the rough timbers of the palisade.”
  • One of the rebels lunges at Gilan with a sword. “Gilan’s sword, gleaming blood-red in the smoky firelight, struck like a viper, driving the man’s upper body, piercing the chain metal there. The swordsman gasped and stepped back. . . [Gilan] swung in a diagonal overhead cut at the man on his left. The stroke went home and the man fell to his knees, crying out in pain and shock. Then he toppled sideways.” The battle is described over nine pages.
  • After the battle, a man gives a casualty report. The Araluen’s lost two men and three others were injured. The rebels lost at least a dozen men and eight are wounded and cannot flee.
  • Along with the Scandians, the Araluens attack the rebel army. The Araluens use their lances to try to break up the enemy’s shield wall. “Some of the lances penetrated, forcing their way between the shields, hitting bodies, legs, and arms.” The battle is described over eight pages.
  • During the battle, one of the rebels “reared up in agony, clutching vainly at an arrow that had magically appeared between his shoulder blades.”
  • One of the leaders of the rebel army, Trask, steals his own soldier’s horse and tries to flee. But Maddie sees Trask and uses her sling as a weapon. Trask “felt a thundering impact on his helmet, right in the center of his forehead. . . Vaguely, he felt himself topple backward from the saddle and crash onto the soft grass. Then everything went black.”
  • The rebels set a door on fire, trying to chase Cassandra and her army to flee. One of Cassandra’s sergeants goes around the wall and a crossbowman “raised his weapon and shot. . . Then the crossbow bolt hit him and he reared back, falling dead at Cassandra’s feet.”
  • The book ends with a multi-chapter battle between the Araluens and the Red Fox Clan, where many people die. During the battle, one of Cassandra’s archers is stabbed and “with a startled cry of pain, the archer fell back on the steps, his spear clattering on the stonework as he dropped it.” Many men are killed in a similar manner.
  • During the attack, one of the rebels “felt a chill of fear clutch his heart as he realized he was seriously outmatched. . . In total panic, he turned to run, but Hal leaped forward and, reversing his sword, brought the heavy hilt down on the back of the man’s head, sending him sprawling unconscious on the boards of the walkway.”
  • Cassandra and the rebel leader, Dimon, fight. Cassandra injures him. “Blood dripped slowly from Dimon’s left arm, but not in sufficient quantities to weaken him.” At one point, Cassandra “twisted desperately to the right. The blade scored across her ribs, opening a long, shallow slash in her side. Blood welled out instantly, staining her jerkin.” Cassandra kills Dimon. The sword fight is described over five pages.

 Drugs and Alcohol

  • One of Cassandra’s sergeants was “nursing a mug of ale—a small mug, in view of their limited supply.”

Language

  • Damn is used three times. For example, Dimon says, “I should have thought of this damned tower, should have remembered how impregnable it can be.”
  • Maddie’s horse says, “By Blarney’s perpetual beard, when you sleep, you really sleep, don’t you?”
  • Maddie calls her horse a know-all and a blowhard.
  • Twice a Scandian uses “Orlog’s ears” as an exclamation.
  • The king calls the rebel’s leader scum.

Supernatural

  • None

Spiritual Content

  • Maddie’s horse makes a comment about Blarney, “a minor Hibernian deity. . .His beard grew constantly down to his feet, no matter how often he cut or shaved it.”

Scarlet

Scarlet Benoit’s grandmother has been missing for nearly three weeks. After her pleas to the police are largely ignored, Scarlet resigns herself to focus on the responsibilities at her family’s farm—tending to chickens and selling vegetables at gossip-leaden bars in her small town of Rieux, France. When selling the vegetables, Scarlet suffers under endless taunts from the Rieux townsfolk, all who claim her grandmother to be as crazy as Cinder Linh— the cyborg girl known to have challenged the Lunar Queen Levana. Scarlet finds herself surprisingly defended by a strange man new to the town: an underground fighter is known simply as Wolf. As the two continue to cross paths, Wolf reveals an estranged connection to the gang which kidnapped Scarlet’s grandmother. Desperate to find her grandmother, Scarlet must choose to trust a man connected to the kidnapping, or else never see her grandmother again.

On another part of the globe—in the prison of the Eastern Commonwealth—Cinder is now a disgrace across her nation. Cinder becomes partners with felon Captain Thorne, and the two manage to flee with a spaceship. In hiding the fact Cinder is the lost Lunar Princess Selene—the only royalty savvy enough to overthrow the bloodthirsty Queen Levana—Cinder must decide whether to understand and accept her past or run away from it. As Queen Levana sends wolf-mutants to wreak havoc upon the world, her hold on the Eastern Commonwealth grows ever stronger. Cinder’s outlook on her past may decide the world’s future.

Scarlet continues the sci-fi rendition of the Cinderella story. The story maintains the intricate and clever character development among the characters Cinder Linh, Emperor Kai, and Queen Levana. Meyer also works through the perspectives of new characters Scarlet and Wolf, thereby managing to interweave another Brother’s Grimm fairytale: Little Red Riding Hood. Myer bases the characters on classic stories that a wide spectrum of readers already know. However, Meyer eloquently twists these original tales into a unique narrative of space operatic scale. What results is a set of classic tales so twisted and surprising readers will be kept on the edge of their seats.

Scarlet continually shifts between the perspectives of a multitude of characters. Cinder and Scarlet, as the main characters of the Lunar Series books one and two, are focused upon the most in Scarlet. However, even minor characters like Captain Thorne, Emperor Kai, Wolf, and even the Queen Levana have chapters from their point of view. By giving switching the character’s point of view, Meyer’s is able to transport the reader across the globe according to where, and when, each source of the action takes place. In doing so, Mayer effortlessly sutures the worlds of Cinder and Scarlet together, while also creating an intensely detailed and complex narrative world. Additionally, the shifting perspective of the narration gives readers room to consider the motivations of each character individually, allowing a clearer picture of the compelling politics at play.

While Scarlet may not be suitable for younger middle-grade readers due to its, occasionally intense, descriptions of violence and torture, the narrative is sure to be a captivating start for any mature YA readers interested in stepping into the realm of sci-fi and fantasy fiction. Enough of the narrative from Cinder is explained so readers can pick up Scarlet and be able to easily navigate the world that Meyer describes. (Though of course, starting the Lunar Chronicles from the beginning is still recommended!)

It is also refreshing to find a narrative so heavily lead by two strong female characters. Both Cinder and Scarlet are self-assured and formidable forces who have the ability to handle the intensity of split-second, world-determining decisions. By so confidently and intently working to learn from their past turmoil and losses, Cinder and Scarlet show readers how one can still hold their own agency even during the times when the pressure of the world seems heavy. In Scarlet, Meyer encourages readers to look towards their past, not as something dreadfully out of their control, but as something they have the freedom to sculpt how they wish— even from where they stand in the present. Readers who enjoy the Luna Chronicle should also read the Chemical Garden Series by Lauren DeStefano and the Tin Star Duology by Cecil Castellucci.

Sexual Content

  • When discussing Cinder, a customer at the Rieux Tavern says, “I think she’s kind of cute, pretending to be all helpless and innocent like that. Maybe instead of sending her back to the moon, they should let her come stay with me?” After this comment, another customer replies by saying, “No doubt that metal leg of hers would make for a real cozy bedmate!”
  • When speaking to the fighter about potentially offering him a farmhand job in exchange for food, Scarlet jokes, “After seeing the evidence of your appetite in there, I think I’d lose my shirt with a deal like that.” She then flushes, thinking, “no doubt he was now imagining her with her shirt off.”
  • Carswell Thorne, a current prisoner of New Beijing, recalls convincing a guard to lend him a portscreen (a touchpad of sorts), but concedes that, “this would not have succeeded if the guard wasn’t convinced he was an idiot, incapable of doing anything other than counting the days and searching for naughty pictures of ladies he’d known and imagined.” Thorne then thinks, “he sure did appreciate the suggestively naughty, if heavily filtered, pictures.”
  • Noticing Scarlet holding Wolf’s arm, the announcer in the center of the illegal fighting ring smirks and says, “Looks like the wolf has found himself a tender morsel tonight.” The fighter next to him—the one preparing to fight Wolf, claims, “Think I’ll be taking that one home after I’ve destroyed dog-boy’s pretty face!”
  • Upon reaching Captain Thorne’s stolen ship, Cinder notices that the “seal of the American Republic had been hastily painted over with the silhouette of a lounging naked lady.”
  • After hopping on board a train, Scarlet kisses Wolf. After she pulled away, “Wolf buried one hand into her mess of curls and kissed her back.”
  • When Ran catches Scarlet trying to escape from the Queen’s Special Forces, he says, “If it wasn’t such a repulsive thought, I might take advantage of you here, now that we’re all alone . . . just to see the look on my brother’s face when I told him about it.”

Violence

  • When discussing her grandmother’s disappearance, Scarlet describes how she found her grandmother’s ID (a person’s identification embedded typically inside the arm), “wrapped in cheesecloth spotted red from her blood and left like a tiny package on the kitchen counter.” While detectives attribute this to Scarlet’s grandmother cutting the ID from her arm herself, Scarlet accuses a kidnapper of doing so.
  • Speaking on the news of Cinder at the royal ball in the Eastern Commonwealth, a tavern regular named Roland says, “They [the royal guards] should have put her out of her misery when she fell on those stairs… I’d have put a bullet right through her head. And good riddance.”
  • Many of the customers at The Rieux Tavern argue with Scarlet about the fact that Cinder, “should be executed,” for trying to kill a Union leader.
  • The tavern crowd’s jeers towards TV footage of Cinder at the royal palace, Roland says, “We all know crazy runs in [Scarlet’s] family. First, that old goose [Scarlet’s grandmother] runs off, and now Scar’s defending Lunar rights!” In response, Scarlet “was suddenly halfway over the bar, bottles and glasses scattering, her fist connecting with Roland’s ear.” Scarlet then grabs the front of Roland’s shirt. Scarlet “shoved Roland hard with both hands,” causing him to stumble. When Roland threatens Scarlet, a fighter from the back of the tavern grabs him by the neck, “lifting him clear off the floor.” The fighter chokes Roland until other tavern guests convince him to let go. This scene is described four pages.
  • It is noted that Scarlet keeps a small pistol strapped to her lower back, just in case, “a stranger will want to take you somewhere you don’t mean to go.”
  • Scarlet’s father breaks into her grandmother’s house, in order to rifle through her grandmother’s things. Trying to stop him, Scarlet grabs her father’s arm, and then notices, “The skin was covered in burn marks. Each one a perfect circle and placed in a neat, perfect row. Row upon row upon row, circling his forearm from wrist to elbow, some shining with wrinkled scar tissue, others blackened and blistering. And on his wrist, a scab where his ID chip had once been implanted.” When he is questioned about the marks, Scarlet’s father says, “They made me.” Scarlet’s father said that Scarlet’s grandmother watched him. “They gave me the poker . . . and they brought me to her. And I realized, she was the one with the answers. She was the one with the information. They wanted something from her. But she just watched . . . she just watched me do it, and she cried . . . She let them do this to me.”
  • Scarlet visits a nearby farm, where there is an illegal fighting ring taking place. Scarlet attends in order to find the fighter she met at The Rieux Tavern. The initial scene of this fighting ring is described as follows: “A writhing crowd shouted up at a hastily constructed stage, where one man was beating his opponent in the face, fist flying over and over with sickening steadfastness. Blood started to leak from his opponent’s nose.”
  • Finding the fighter, known as Wolf, at the illegal fighting ring, Scarlet “closed the distance between them and thumped her locked fist into his sternum, ignoring how he towered a full head above her. Her hatred made her feel like she could crush his skull with her bare hands.” While questioning Wolf, Scarlet slams her fist harder and harder into his chest, and when he tries to avoid her, “Scarlet simultaneously grabbed his left wrist and yanked out her gun. She pressed the barrel against his tattoo.” This interaction lasts for a total of three pages.
  • At the illegal fight ring, Wolf fights a man called The Hunter. “Hunter threw the first punch . . .  Wolf ducked easily and skirted out from Hunter’s shadow . . . A series of blows were deflected, until Hunter’s fist finally connected with a sickening crunch . . . Wolf aimed a solid kick to Hunter’s chest . . . Hunter attacked with renewed vigor. Wolf took a punch in the stomach and was crumpled over with a grunt. It was followed by a blow that sent him careening to the edge of the stage.” This exchange continues until, “Hunter fell to his knees and Wolf was behind him in a breath, his face violently contorted, his hands on each side of Hunter’s head.” Wolf makes to snap Hunter’s neck, but, seeing Scarlet in the crowd, he leaps back, letting Hunter slump to the stage. This description lasts for six pages.
  • Captain Thorne is forced to dodge the bullets of the Eastern Commonwealth military as they escape from the Commonwealth in Thorne’s stolen spaceship.
  • After Scarlet sees Wolf in the illegal fighting ring, Wolf shows up on Scarlet’s property. Scarlet and pulls a shotgun on Wolf, but eventually Wolf convinces Scarlet to trust him, and she lowers her weapon.
  • When one of Emperor Kai’s android tutors, Nainsi, tries to introduce Queen Levana to speak with him, the Queen slaps the android across her single blue sensor.
  • When speaking to Emperor Kai, Queen Levana threatens, “One more patronizing comment and I will have you slice off and nail your own tongue to the palace gate.”
  • Ran, Wolf’s brother, catches sight of Scarlet and Wolf on a train to Paris. Ran criticizes Wolf for choosing to leave the gang they are a part of, a group known as the Order of the Pack. In response, Wolf accuses Ran of needing the protection of the gangs leader Jael. With this Ran leaps forward to attack Wolf. A tussle between the two brothers begins, until “Ran’s head landed in the water and Scarlet heard a sickening crunch.” Wolf continues to attack his brother, throwing punches, until Scarlet shoots Wolf in the arm to stop him. The conflict lasts about four pages.
  • Angered by Wolf for not telling her the full truth behind his motivations to lead her to Paris, Scarlet thinks, “If she ever saw him again she would scratch his eyes out. She would throttle him until his lips turned blue.”
  • Scarlet thinks she is finally visiting her grandmother, but quickly realizes it is the Lunar’s thaumaturge who disguised himself as her grandmother to get information from her. When speaking of her true grandmother, the thaumaturge states, “I wonder how lubricated the old lady’s tongue would become if she were to watch as you hammered needles into your own flesh.” Scarlet tries to attack the thaumaturge, lunging to scratch at his face, but she is quickly stopped by the thaumaturge through his Lunar mind control abilities.
  • While searching Scarlet and her grandmother’s house, Cinder realizes that Scarlet’s grandmother housed her in secret. When viewing the room she was healed in, Cinder sees herself as a child, which may be disturbing to some readers. The description is as follows: “It was a photo of a child. what was left of a child. She was wrapped in bandages from her neck to the stump of her left thigh. Her right arm and shoulder were uncovered, showing the skin that was gouged bloody red in spots, bright pink and glossy in others. She had no hair and the burn marks continued up her neck and across her cheek. The left side of her face was swollen and disfigured, only the slit of her eye could be seen, and a line of stitches ran along her earlobe before cutting across to her lips.”
  • When Wolf approaches Scarlet in her cell, she screams and strikes him with her fists five times before he restrains her by holding her arms to her stomach.
  • When Cinder and Captain Thorne are found in a bar in Rieux by Eastern Commonwealth authorities, Thorne punches one of the officers, and gets punched in the gut in return. As Cinder tries to escape the authorities in turn, a man from the corner of the tavern crouches down on all fours, more canine than human, and proceeds to immediately snap the neck of one of the officers. He then bites down on the neck of another officer while the remaining officer shoots in his direction. The man reaches out to fight the remaining officer by clawing at this officer’s face. When the man goes for Cinder, Thorne heaves a chair over his back, and the man then turns to bite into his arm. Cinder is eventually able to tranquilize the man. This fight lasts around twelve pages. There is another description that lasts a page detailing another member of Queen Levana’s forces taking a bite out of the neck of an officer inspecting Cinder’s spaceship before Cinder is able to quiet the canine-like human with another tranquilizer dart.
  • When Scarlet manages to escape her imprisonment, she tries to save her grandmother—who she finds in one of the other cells of the building, bloodied through endless torture. Scarlet is found by Wolf’s brother Ran. Scarlet’s grandmother goads Ran until he rushes at her, grabbing her throat. In an effort to fight back, Scarlet jumps onto Ran’s back, clawing at his eye sockets. Ran drops Scarlet’s grandmother, and her form collapses. Ran then proceeds to clamp his jaws over the grandmother’s neck, killing her, while Scarlet escapes.
  • Trying to escape, Scarlet hides in the shadows. When Ran passes, she swings a wrought-iron candelabra at Ran’s head. When he tries to grab her hood, Scarlet then aims her knee towards Ran’s groin, thus managing to escape him. When Ran next catches up to Scarlet, he “gripped her shirt and lifted her from the ground.” Ran then throws her at a statue in the room. But before he can attack her a second time, Wolf attacks him from a corner of the room, stopping Ran from continuing to hurt Scarlet. With this begins a fight between Ran and Wolf as one tries to tackle and kill the other. Eventually, Wolf kills his brother with a bite to the neck. Controlled by his orders to kill her, Wolf nearly attacks Scarlet as well, before she convinces him to stop. Scarlet’s escape and battle with Ran and Wolf lasts about thirty pages and a total of two chapters.
  • As Cinder, Scarlet, Thorne, and Wolf try to escape, they are caught by Queen Levana’s thaumaturge and the special forces. Scarlet scrambles to Cinder’s Spaceship and manages to mow down a few members of the forces with the ship, including the thaumaturge, granting enough time for Cinder to shoot the thaumaturge in the thigh with her pistol. Scarlet then shoots the thaumaturge with her shotgun.
  • The global attack of the Lunar Queen Levana and her special forces is described by Kai as this: “Bodies littered the square, their spilled blood black beneath the flickering billboards. Most of the corpses were concentrated near the opening of a late-night restaurant, one of the few businesses that had been open and crowded at midnight, when the attack had started.”

Drugs and Alcohol

  • A location Scarlet delivers goods to, The Rieux Tavern, was popular in her town because “drinking and gossiping were the favorite pastimes.”
  • Scarlet catches her father going through her grandmother’s things. As she talks to him, she notes, “The smell of cognac swirled through the air.”
  • Roland, The Rieux Tavern regular, is known to be a heavy drinker with whiskey heavy on his breath.
  • Scarlet gets a message from a hospital, reporting that her father died from alcohol poisoning. A few pages later, it is revealed that an operative killed Scarlet’s father in a way that would not seem suspicious.

Language

  • While fighting with Wolf, Scarlet calls him a “traitor and a bastard.”

Supernatural

  • Cinder is known to be a Lunar, which means that she holds the power “to control and manipulate the bioelectricity of other living creatures. [Lunars] could trick people into seeing things that weren’t real or experiencing made-up emotions. They could brainwash people into doing things they wouldn’t otherwise do.” Cinder uses these powers throughout the book, mainly to escape Queen Levana and the Eastern Commonwealth authorities trying to imprison, and execute, her.
  • In an effort to control Earth, the Lunar Queen Levana created an army known as the Lunar Special forces. These forces are later more clearly described as this: “They appear to be Lunar males whose physical makeup has been combined with the neural circuitry of some sort of wolf hybrid.” The effect is that closest to a werewolf of sorts. Wolf, a member of this army, later describes the phenomenon as this: “Each pack is ruled by a thaumaturge who controls when our animal instincts take over, when all we can think about is killing. They’ve manipulated our Lunar gift and used it to turn us into these monsters instead—with some physical modifications.

Spiritual Content

  • None

by Hannah Olsson

Legend

Set in the Republic, what was once the western United States, the world of Legend dives into the lives of two intelligent fifteen-year-olds, Day and June, who come from completely different backgrounds. Amid a war splitting the nation apart and a plague spreading throughout the Republic, Day and June must try to navigate the twists and turns of their own lives. 

Day is a wanted criminal from the slum sector who failed his Trials – a test every ten-year-old must take that determines how useful they will be to the government. Despite hiding from the Republic’s military, Day is trying to provide for his brothers and mother. When Day finds out his younger brother Eden has been infected with the plague, he tries to steal medicine and starts to uncover things the Republic wants hidden.  

June is the Republic’s star student, who comes from an upper-class military family and had a perfect score during her Trials. She attends the top university and lives with her brother, Metias, a respected military officer and June’s guardian. However, when Metias is killed, the Republic tasks a grieving June to avenge her brother’s death and find the prime suspect: Day.  

Their missions lead Day and June to meet each other and they unexpectedly discover an inexplicable attraction to each other. The two uncover a truth that the Republic wants to keep hidden. Soon, Day and June realize they must work together to understand the extent the Republic will go to keep its dark secrets. 

Legend is a page-turning dystopian story that stars two quick-witted and strong characters that are trying to figure out who they are in a world of conflict and deceit. Both Day’s and June’s perspectives are told from first-person point of view. To help readers avoid confusion, the text’s fonts and colors change to distinguish the chapter’s speaker. By allowing the reader to experience both sides, they can learn new information alongside the characters. Readers will become more connected with the characters and understand how they feel, making both June and Day relatable and likable. 

The story includes an array of issues such as classism, morality, trust, the effects of standardized testing, and the value of family. The subjects are well-integrated into the plot without being shoved in the reader’s faces. The book clearly lays out and compares the differences between Day’s poor background and June’s wealthy upbringing, exposing the vast inequalities. The Trials are a method of standardized testing split into three parts: the physical exam, the interview, and the written exam. Children take the tests to determine if they will be helpful to the military. While both Day and June are smart in their own ways, Day is not supportive of the Republic so he is ostracized and punished.  

Legend is perfect for dystopian fans who like action, mystery, and a little bit of romance. The story is dramatic, intense, and has good pacing. The plot is understandable and thought-provoking, although some of the twists are a little predictable. The theme that nothing is as it seems shines as the deception of the government and the innocence of Day is revealed. Overall, Legend is a strong start to a trilogy that uses a believable situation to encourage readers to stick to their morals, even when it makes life difficult. Readers looking for more fast-paced dystopian novels will also enjoy the Matched Trilogy by Ally Condie. 

Sexual Content  

  • While roaming the streets, Day wanders into a bar and chats with a bartender. Day thinks, “If I weren’t busy hunting for information, I’d take my time with this girl, chat her up and maybe get a kiss or three out of her.” 
  • After helping June recover from her injuries from a fight, Day studies June. Day thinks, “At this moment all I’m thinking about is what I’d give up for the chance to kiss her or to run my fingers through her dark hair.” 
  • There are several instances that both Day and June are imagining kissing and touching each other. Day says that “nothing good can come out of falling for someone on the streets.” But he admits, “a part of [him] still wants to kiss her, no matter how cracked a move it might be.”  
  • Day and June are talking and drinking nectar wine when they kiss. Day “kisses [her] gently at first and then, as if he’s reaching for something more, he pushes [her] against the wall and kisses [her] harder.” 
  • The following day, Day thinks about kissing June. Day can “still feel her lips against mine, the smooth, soft skin of her face and arms, the slight trembling of her hands.” June says he has kissed lots of girls before her, but that June is different and he “[wants] more.” 
  • A jealous Thomas, a Republic soldier, brings June back to her apartment, asking if Day had kissed her. She says it was for the mission. “Then, before I can protest, one of Thomas’s gloved hands brushes my chin as he leans in to kiss me on the lips.” June is repulsed and pulls away but his hand stays on the back of her neck. 
  • June has a dream. “Day has his arms wrapped around me and is kissing me again and again, his hands running up my arms and through my hair and around my waist, his chest pressed against mine, his breath against my cheeks and neck and ears.” 
  • In the aftermath of their escape, June and Day talk about what happened. They hug and, “she wipes a tear from [his] cheek and kisses [him].” 
  • Day and June discuss a plan to go to The Colonies. Day is appreciative that June wants to stay with him and kisses her while June “wraps [her] arm around his neck and kiss[es] him back.” 

Violence  

  • While soldiers are inspecting the Lake sector for plague-infected people, a woman wanders into the street. A soldier “lifts his gun and aims. A volley of sparks engulfs the infected woman.” 
  • To find a cure for his plague-ridden brother, Day infiltrates the hospital. To make the doctor show him where the cures are stashed, Day “whip[s] out one of [his] knives and hold[s] it close to the man’s throat.”  
  • While Day is escaping from the hospital, soldiers fire at him. “One of the stray bullets scrapes [Day] and searing pain shoots up [his] arm.”  
  • After Day escapes from the hospital, Metias confronts him. Metias tries to take him into custody, but “before he can fire, my knife hits him hard in the shoulder and he falls backward with a thud.”  
  • The Republic soldiers have captured a spy from the Colonies and are torturing him in an interrogation room. “Whenever he thrashes, Commander Jameson stomps on the chain around his neck and chokes him until he stops.”  
  • Day is watching and betting on a Skiz fight between Kaede, the bartender, and another girl. “Kaede strikes early and hard, lunging out and striking the other girl viciously across the face.” After another punch, the girl “crashes to the ground, hitting her head on the cement floor.” This fight scene lasts two pages. 
  • June stumbles into a Skiz fight where viewers bet on two fighters. When someone loses, they are kicked out of the tournament while the winner picks the next contestant. June is fighting Kaede, a fan-favorite fighter. During the fight, “Kaede’s fist punches hard into [her] side, and [she] feel[s] a terrible, sharp pain.” June is stabbed, thinking that, “Only a serrated knife could have torn [her] skin that way.” June ends the fight by ‘twist[ing Kaede’s] arm in a tight hold. In one move, [she] shatter[s] it.” By the end of the fight, June’s side is bleeding. The fight lasts three pages. 
  • While June is trying to escape the crowd who wants her to continue fighting, “Someone grabs [her] leg and yanks hard. [She] hit[s] [her] head hard enough to send the world spinning.” 
  • The Republic military goes to Day’s house to take his family into custody. Thomas, a Republic soldier, kills Day’s mother when he “shoots her in the head.” From June’s perspective, she thinks she’s supposed to “feel the joy of avenging [her] brother’s death.” But she can’t. “The pool of blood underneath the woman is starting to make [her] feel sick.” 
  • The soldiers capture Day and are trying to bring him into headquarters. When he fights back, “one soldier kicks him hard enough to knock him out.” 
  • While Day is in custody, soldiers beat him, and he sustains many injuries. “The girl looks down, then takes a gun from her belt and strikes me hard across the face.” 
  • The Republic is showing the civilians that they caught the infamous criminal Day, but some protesters in the crowd cause a ruckus, irritating soldiers. “One of the soldiers restraining me strikes me in the back with his rifle.” 
  • After Day is taken into custody, June goes to talk to him and observes his injuries. “His lips are so cracked that a little blood has trickled down to his chin.” His leg “is swollen to twice its normal size,” and, “Blood oozes from the edges of the bandage.” 
  • Hundreds of protestors gather outside of Batalla Hall and soldiers are sent to deal with them as they become unruly. Soon enough, “Bullets rain down on the square. People in the crowd collapse like levees in a flood.” Afterward, June scans “the scene of blood and bodies and prisoners. There are 97, 98 dead. No, at least 120. Hundreds more are in custody.” 
  • There is mention of death by execution in several scenes. When a judge announces the verdict for Day’s crimes, he says, “Day is hereby sentenced to death…by firing squad, to be carried out four days from today, on December twenty-seventh at six p.m. . . ” 
  • A soldier, Thomas, goes into Day’s cell to interrogate him. “His left fist hits me hard across the jaw, and my head snaps to the side.” By the end of the fight, Day’s face is bleeding, and it can be assumed that he is badly bruised because, “He hits me again, then one of his knees slams into my stomach.” Thomas also threatens Day’s brothers, saying that Day should, “Watch [his] tongue, unless [he] want[s] to see their bodies lined up next to [his] mother’s.” The confrontation lasts for three pages. 
  • Day attempts to break out of prison. “I swing back down, kicking one soldier in the head with my good leg.” The escape is described over two pages. 
  • After Commander Jameson prevents Day from escaping, she has a violent confrontation with Day. “Before she can stop me, I dart out of her grasp and sink my teeth deep into her hand.”  
  • Day has a flashback to his childhood when he accidentally hit a policeman with a ball while playing with his brother John in the street. The police officer punishes him for it when “he lifts the knife and gets ready to hit [Day] across the face with its handle.” John tries to plead with the police to stop him but, “The knife handle whips [him] across the face. The policeman walks over and kicks [him] in [his] side.” 

Drugs and Alcohol  

  • One night, Day and June talk to one another, and “a bottle of nectar wine sits between us.” 

Language    

  • Hell and damn are both used once. 

Supernatural 

  • None 

Spiritual Content  

  • None 

Girl in the Blue Coat

Hanneke Bakker is struggling to find her place during World War II. Without her parent’s knowledge, Hanneke has been obtaining and selling black market goods. However, her life gets turned upside down when Mrs. Janssen, one of her usual customers, asks her to find Mirjam Roodveldt, a young Jewish girl that Janssen had been hiding in Mrs. Jansesen’s home.  

At first, Hanneke refuses to help find Mirjam. However, when she agrees to search for her, Hanneke quickly becomes exposed to the brutal realities of war. When Hanneke meets a group dedicated to hiding and rescuing Jewish citizens who are under threat from the Nazis, it causes Hanneke to question how beneficial her efforts have been. With blonde hair and light eyes, Hanneke identifies herself as the “Nazi’s poster child,” making her feel guilty about her negligence to the war.  Hanneke is eventually drawn further into the mystery of the missing girl and her search leads her to stunning revelations about the war and the people involved. 

Teens will relate to Hanneke because she falls deals with many of the same struggles that normal teens experience, such as young love and conflicts with parents. The story is told from Hanneke’s point of view in a very raw and honest way. Throughout the book, Hanneke must cope with the death of her boyfriend, Bas, as well as the loss of her normal life during wartime. She also deals with losing her best friend, Elsbeth, whose morals become questionable after marrying a Nazi soldier. The story teaches readers that grief is not a one-way street and that there are multiple coping mechanisms that help someone deal with loss.  

Since the story is written from Hanneke’s point of view, other characters are not well developed. While everyone is dealing with their own form of grief, describing the lives of other characters more in-depth would have made the novel more impactful. For example, Ollie copes with the loss of his brother who died in battle. When talking to Hanneke, Ollie reminisces on his brother’s life saying, “. . . I talk about him all the time. Him and his obnoxious jokes, his laugh, what he would have become.” Unfortunately, readers are given limited knowledge on Ollie’s personality and perspective. This leads readers to have a one-sided view of the conflicts in the story. 

Even though Hanneke is the protagonist, she is not always likable. However, she has several positive attributes including courage and determination. Her naivety comes out frequently, which makes her seem self-centered. For example, when Mrs. Janssen asks Hanneke to find Mirjam, Hanneke focuses on whether or not it would benefit herself. At times, she lacks conviction and she frequently questions her actions, which may frustrate readers. She asks people involved in the war resistance dumb questions too, then becomes angry with herself because she had previously shielded herself from the horrors of the war. 

Despite taking place in 1942, teens will be inspired by Hanneke and the positive messages she carries. Hanneke’s life would have been simpler had she not agreed to search for Mirjam; however, she knows it is what must be done for the sake of Mrs. Janssen, who is worrying herself sick over Mirjam’s disappearance. Despite making mistakes, Hanneke continues her journey. Ultimately, Hanneke’s compassion for Mrs. Janssen and for everyone who has lost people to the horrors of war is comes to drive her.  

While the characters are fictional, many of the events are historically accurate and the war within the Netherlands was extremely well-researched by the author. However, at times the plot felt like it went too slow, while other times it went too fast. Plus, the conclusion was rushed and confusing. Nonetheless, those who are interested in the history of WWII would find this an interesting read, especially those who wish to learn more about the German occupation of the Netherlands. For readers interested in learning more about the World War II resistance, Resistance by Jennifer A. Nielsen is a must-read. 

Sexual Content  

  • Hanneke and Ollie, the brother of Hanneke’s dead boyfriend, briefly kiss whilst pretending to be a couple in front of German soldiers. “Ollie cups my face in his hands and kisses me. His mouth is soft and full, his eyelashes brush against my cheek, and only he and I know that our lips are shivering in fear.” 
  • Hanneke occasionally flirts with German soldiers to avoid suspicion. “With the way I’m standing, my dress has risen above my knee, and the soldier notices . . . I shift my weight a little so the hemline rides even higher, now halfway up my goose-bumped thigh.” 
  • Hanneke frequently recalls previous romantic encounters she had with her boyfriend. In one instance, she recalls her first kiss with him. “When he kissed me, he dropped his bicycle and it clattered to the ground, and we both laughed.” 
  • Ollie confesses his love for Willem, saying, “Jews aren’t the only ones who suffer because of the Nazis. I don’t love Judith. I love Willem.” 

Violence  

  • At the beginning of the war in the Netherlands, “two thousand Dutch servicemen were killed when they tried but failed to protect our borders as the country fell” and “German planes bombed Rotterdam, killing nine hundred civilians.” 
  • Hanneke is shocked when Mrs. Janssen says, “I’ve heard of people imprisoned, taken away and never returned. But four people, including a woman and a child, shot dead in cold blood?” 
  • Mrs. Janssen recalls the death of her family at the hands of the Nazis. This took place at the Janssen family shop, where the Janssens were hiding their Jewish neighbors. Someone had tipped off the Nazis that these individuals were being hidden, leading to a massacre. “When the shooting was done, Hendrik was dead, and David, and Rose, and Lea. Only Mirjam managed to escape.” 
  • The Nazis capture and beat a man, causing “bleeding from the nose, his right eye split and swollen.” 
  • Hanneke talks about protests that have “left dead bodies in the streets.” 
  • A fight breaks out between two shop customers. Nazi soldiers come to disperse the fight. “A fight broke out in the shop, which led to the earliest major roundup and hundreds dead.” 
  • Hanneke talks about how resistance workers “could be shot” for their work. 
  • During a round up, a girl tries to escape, but she is shot and killed by a Nazi soldier. “They shoot her. In the middle of the bridge, in the back of the neck so that blood bursts from her throat, slick and shining in the moonlight.”  

Drugs and Alcohol  

  • Hanneke smuggles items through the black market, including “cigarettes and alcohol.” 

Language                                                                                                                                               

  • Profanity is used rarely. Profanity includes damn in both English and italicized Dutch. 
  • Mrs. Janssen goes to show Hanneke the cupboard where she hid Mirjam. When she sees it, Hanneke thinks, “Verdorie. Damn it, she’s crazier than I thought.” 

Supernatural  

  • None 

Spiritual Content  

  • Several of the characters are of Jewish faith, which is a big source of conflict within the story as it takes place during World War II.  
  • The Nazi soldiers sympathize with the Christian characters. A soldier says, “I feel bad punishing a good Christian woman who is too stupid to know where her husband was.” 
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