Topic: battle

Submerge

Lia and Clay’s love has broken the Little Mermaid’s curse, but their ever after may not be as happy as they planned. Lia is adamant about staying on land with Clay for her senior year despite her family’s opportunity to move to the new, sparkling capital city below the waves. But before any decision about the future can be made, her family must endure Melusine and her father’s trial, where new revelations will have far-reaching consequences that threaten what Lia holds most dear.

The verdict will shake Lia’s world, calling into question her future with Clay, her feelings for Caspian, and the fate of all Merkind. As she wonders who to trust, Lia sets out on a treacherous path that will lead her away from her sheltered Malibu home to a remote and mysterious school for Mermaids—Mermaids who may hold the secret to an ancient magic Lia can use to get back all she’s lost.

As a “princess,” Lia must learn about Mer politics. However, much of Lia’s teaching is dry and boring. In class, Lia learns about “magic having unintended political consequences.” Even though the story introduces the Mer world, Lia explores very little of it. Instead, her only focus is on restoring Clay’s memory so they can be together. Lia is so focused on herself that she never notices anyone else’s needs. Unfortunately, Lia’s single-minded focus on Clay becomes tedious.

The first part of Submerge is a retelling of the events from the first book in the series. The repetition is long-winded and readers will quickly lose interest in the court proceedings. In addition, a Mer teacher, Ondine, is introduced. Instead of adding interest to the story, Lia’s trust in Ondine is unbelievable, and Ondine’s betrayal, predictable. To make matters worse, Caspian is suddenly in love with Lia, which adds another unbelievable element to the story. The conclusion doesn’t wrap up any of the story’s threads and reinforces the idea that Lia cannot think past her own wants. Readers who love Disney’s Little Mermaid will want to throw the Mer Chronicles into the ocean and watch it sink to a watery grave.

Sexual Content

  • Mers get their legs during puberty because they need legs “for mating.”
  • Lia and her boyfriend kiss. Lia describes the kiss. “I let my eyes flutter shut. Let myself taste Clay’s lips against mine. Get lost in the richness of every touch, every press of his tongue and graze of his cheek.”
  • When Lia shows Clay her tail, he kisses her. “Slow and sweet and swirling to different depths. I forget everything else.” The kiss is interrupted when Clay’s mother walks in on them.
  • Clay and Lia kiss often. For example, while swimming in the ocean, “strong arms grab me and pull me against him, my wet body pressing against his. . . Droplets of water from his face collide with mine as he takes my mouth in a kiss as sweeping as the sea breeze itself.”
  • Clay and Lia discuss the trial. Then they kiss. “Now he does pull me in, pressing my body flush against his and seizes my mouth violently with his. There’s a wildness, a fervor, in his kiss I’ve never felt before. . . So I push back with equal ferocity.”
  • Clay is preparing to take a potion that will take away some of his memories when Lia and Clay decide to have sex for the first time. “Clay’s eyes close as he bites the bottom of my lip. When he opens them again, desire darkens the hazel. I’ve never seen such naked hunger.” Clay stops kissing her so they can go somewhere private.
  • Before Clay takes the potion, Lea wants to give Clay a memory that he will not forget so they have sex for the first time. Clay’s “palms skim up and down my arms, leaving streaks of exhilarating tingles in their wake from shoulder to wrist. My fingers twine into his hair as our mouths latch together, more lasting and leading than ever before. . . He grabs what he needs from the nightstand (and there’s something that seems both so comforting and so momentous about that small, foil packet), and then he moves toward me. . .Time surges and crests, and we move with it, holding each other close. . .”
  • After Clay loses his memory, Lia’s sister tells her, “A rebound hookup can be totally hot.”
  • In the middle of the night, Lia and Clay show up at Clay’s father’s house, which is on a military base. His father gets upset and says, “I got you security clearance so you could feel at home here, not so you could . . . score with girls.”
  • After Lia fights against ancient magic and wins, Lia and Clay kiss. “Clay’s lips are on mine the instant the door clicks shut. Hands run up my bare arms and tangle in my hair as biceps cloaked in thin cotton press against my eager palms. His tongue welcomes me, drawing me in until I’m utterly lost in his kisses, drowning in the sensations of soft lips and rough stubble. . . ”

Violence

  • A Mermaid describes her mother’s death. When her mom went shopping, raiders “cut her throat. Left her to die.”
  • Someone tells Lia a story about a siren who wanted revenge “so she used the siren bond she shared with him to sense when he was alone and to call him to her so she could murder him in cold blood after making him—”
  • In order to manipulate Lia, Ondine binds Caspian. “The ropes tighten more and more until Caspian, so strong and stoic, can’t help but scream.”

 Drugs and Alcohol

  • Lia’s sisters are looking forward to college keg parties.
  • A mermaid, who was a siren, is given a potion that will not allow her to speak in the human world.
  • The Mer Tribunal gives Clay a potion that takes away all of his memories of Lia. “The potion works by constructing extremely powerful wands that completely block Clay’s mind from accessing certain memories.”
  • Clay is given antidepressants because of his depression; however, he doesn’t know if he should take them.

Language

  • Several different forms of damn are used occasionally.
  • During a trial, Lia watches the defendant and wonders, “What the hell does he have to smile about?”
  • When the Mermaid that tried to kill Clay and Lia testifies, Lia thinks, “That bitch starts talking. I don’t trust myself not to snap.”
  • God is used as an exclamation twice.
  • Pissed is used twice. For example, Lia thinks, “The last thing I want to do is piss off the psycho with raging powers . . .”
  • Clay says “eff that” and later he says, “I was so goddamn helpless and you needed me!”

Supernatural

  • Most Mer do not use ancient magic, but they do utilize potions. Much of the story revolves around Lia learning how to use magic.
  • At the trial, Caspian explains how the defendant used runes. The runes, “mapped out coordinates. It was part of a spell—marking Clay’s bedroom with the place under the sea where he would sleep forever.”
  • Because Lia “sirened” Clay, they have a special bond and can feel each other. Lia “can trace him, feel him, no matter how far away he is.” Lia can also use this bond to tell what Clay is thinking and feeling.
  • In order to perform ancient magic, Lia’s palm is cut and she shares her blood with other Mermaids. “Only through blood magic can we forge new links to fully access new power.” The Mermaids then use their combined power to restore Clay’s memories.
  • Ondine forces Lia to take a potion so she can siren humans.
  • Lia uses magic to break Ondine’s hold on her. “The rope of magic grows impossibly brighter. Blinding! I can feel it sizzle and it scares me. It scares me more than anything that has ever scared me. I grab on to it—and scream. . . Even as her power sears through me, scalding me from the inside, I pull hard.” Lia’s magic is able to overcome Ondine, and Ondine disappears. The scene is described over two pages.
  • Lia releases Ondine’s power into the sea. Lia’s “body tingles with burning ice as the magic picks up speed, cycloning through my chest, down my arms, and out my palms. I crash to my knees as all flows out of me and disappears beneath the waves.”

Spiritual Content

  • Ondine takes Lia to “a sacred space. . . a place where magic itself is worshiped.”

Tristan Strong Punches a Hole in the Sky

Seventh-grader Tristan Strong lost his best friend, Eddie, in a bus accident, and Tristan is dealing with grief as well as guilt because he thinks he could have saved Eddie. Now, all Tristan has left from Eddie is a journal where Eddie was recording a bunch of stories. With the journal and his grief in hand, Tristan’s parents send him to live with his grandparents in Alabama to recover.

Then a creature shows up one night and steals Eddie’s journal. Tristan is sent on a chase to the Bottle Tree where he ends up punching a hole in the MidPass, a magical world filled with black American folk heroes. The only way Tristan can get back home is to help the gods find Anansi to seal the hole and end the war in the Alke and MidPass. Easy enough, right?

Tristan Strong Punches a Hole in the Sky introduces black American folklore like John Henry, High John, and Brer Rabbit, plus older tales such as the story-weaving spider Anansi. In this book, they are gods living in their own world adjacent to Tristan’s world. The mythology includes strong ties to the slave trade and slavery. For instance, the main antagonists, Uncle Cotton and the Maafa, embody greed and enslavement, and monstrous bone ships carry the terrible and haunting memories of enslaved Africans who suffered and died in the Trans-Atlantic slave trade.

The importance of memory and storytelling are key themes that come to life through the folklore and history of this story. Tristan discovers that he is an Anansesem, which means his ability to weave stories is imbued with magical qualities that bring the stories to life. His abilities keep history and mythology alive. History and mythology are intertwined, and readers will see how they influence each other.

Tristan also deals with his own grief over the death of his friend Eddie. Tristan’s memories and Eddie’s journal keep those memories alive. Through Tristan’s memories and Eddie’s ghost, Tristan learns how to cope with his grief. He will always be sad that his best friend is gone, but using the journal and his storytelling abilities, Tristan can continue to live his own life while honoring Eddie’s memory.

Storytelling is one of the most important themes in Tristan Strong Punches a Hole in the Sky, and it serves as a constant reminder that stories keep histories and memories alive. Oral storytelling is one of the oldest practices, and Mbalia taps into that intensely human need to share experiences in a beautiful and creative way. Tristan’s story encapsulates the fun, adventurous elements of traveling to a new world where gods come to life and mythology runs rampant. The heart of this book, however, is in the memories and experiences that have survived and are now shared through Tristan’s eyes.

Sexual Content

  • None

Violence

  • Tristan comes from a long legacy of boxers. Boxing-related violence, like punching, happens. For example, Tristan notes that in his first fight, he “got knocked flat on [his] butt. Twice.”
  • Tristan has gotten into several fights at school. Tristan notes, “At least I’d held my own in those school fights.”
  • A legend named Gum Baby threatens Tristan for following her. She says, “If Gum Baby had more time, she’d wear out that hide of [Tristan’s], up one end and down the other.”
  • Gum Baby tries to beat up Tristan. Tristan narrates, “it took everything I had to shield myself as her tiny fists and feet pummeled me.”
  • Tristan tells Gum Baby that if she loses Eddie’s book, he’ll “turn [Gum Baby] into an incense holder.”
  • Tristan accidentally nearly knocks Gum Baby over. In response, she grabs the hood of his sweatshirt and yells, “BUMBLETONGUE, GUM BABY GONNA WHOOP YOU LIKE YOUR BUTT’S ON FIRE!”
  • Tristan uses his boxing abilities to protect himself against magical monsters. Tristan describes that during a fight with the fetterlings or magical shackle-snakes, “I ducked its attack and slammed home an uppercut. Another slithered up and I snapped two quick jabs and a hook.”
  • Other characters use weapons against magical monsters, including staffs and swords. Tristan uses magical boxing gloves gifted to him by John Henry. In one battle, Tristan punches a fetterling, and “it exploded, showering [Tristan] with broken bits of chain and fluff.” These fight sequences often last a few pages.
  • Tristan’s best friend, Eddie, died in a bus crash, and Tristan couldn’t save him. Tristan tells his friend, Ayanna, about the crash. Tristan narrates, “We drove over a bridge and hit a patch of ice . . . We slid into the other lane, right into the path of a truck . . . I saw that the bus was hanging over the edge of the bridge . . . Eddie was in the back corner, trapped between two seats, struggling and failing to free himself. He asked me to save him . . . I still see his hand reaching for me. I didn’t move I was so scared. I was scared of falling, of drowning in the water below. I didn’t wanna die.” Tristan spends several pages telling the full story.
  • Much of the mythology in the book is influenced by the effects of slavery. For instance, Tristan meets two immortal women with wings. He describes, “Nana used to tell me stories about how over in Africa, before the horrors of slavery, people used to fly all the time . . . Then came the chains and ships, and pain and whips, and the people’s wings fell or were torn off.”
  • There is a magical war being waged in Alke, and there are many casualties. Ayanna tells Tristan that she “had to go talk to some of the Midfolk… . . . had to tell some families that we weren’t able to find their loved ones.”
  • Tristan activates a magical statue while being chased. To do this, Tristan picked up Gum Baby and “threw the best spiral [he’d] ever tossed in [his] life. Like, fifty yards, easy. I should’ve played football.”
  • Tristan and his friends go into the mountains looking for the Story Box, but the mountains have several layers of protection against intruders, including laser-shooting rocks. As they fly in on their magical raft, Tristan describes, “Silver and black lightning bolts were being hurled at us by giant black stone towers with jewels at the tops.”
  • The horrors of slavery are baked into the folklore throughout the book. Sometimes, Tristan gets a glimpse at different scenes hinting at this. One of the obvious moments is when the god, High John, shows him, “Old trees and Mississippi suns. Auction houses and Congo landings.” At these images, Tristan says, “I didn’t recognize any of the images and yet I knew them all.”
  • Gum Baby slaps Tristan across the face because, as Gum Baby says, “Ain’t no time for sleep . . . Gum Baby got missions and stuff.”
  • Giant poisonous brand flies swarm the Ridgefolk in the mountain. Tristan describes the scene, saying, “Everywhere a brand fly landed, skin sizzled and welted. Victims tried to peel the flies off, but whatever type of poison those flying iron monsters carried, it was potent. After a few feeble attempts to free themselves, the Ridgefolk crumpled to the floor paralyzed. Fetterlings snapped cuffs around their wrists and ankles and tugged them out the door.” The attack from all the monsters in this scene lasts for a chapter.
  • High John cuts up a massive monster with his magical ax. Tristan describes, “It wasn’t pretty. You ever see a twig get caught beneath a lawnmower? Or tree branches fed into a wood-chipper? Yeah.”
  • The poison from the brand flies infects Tristan’s friend, Ayanna. When they find her again, “she’s not breathing.” They bring Ayanna with them when they flee the mountain. Chestnutt, another companion, is also in a magical coma due to the poison.
  • Tristan and the surviving gods fight the Maafa, a magical entity built upon pain that consumes all that it can. Tristan sees the others fighting and describes, “But the refugees from Midfolk fought, too, for their very right to live, though they were far from home. John Henry, the raft line wrapped around his waist so he could use both hands, swung his hammer like he was back drilling through a mountain. Left and right, up and down, the hammer fell on the fetterlings with the rash of metal on metal. No flourishes, just a steady rhythm.” The battle lasts for several chapters.

Drugs and Alcohol

  • None

Language

  • Light profanity is used throughout. Profanity includes chumps, sucks, dumb, stupid, idiotic, nimrod, and loudmouth.
  • Tristan calls Gum Baby a “doll baby,” and she attacks him. She calls him a “giant turtle-faced thistle-head.”
  • Tristan’s go-to exclamation is “sweet peaches.”
  • Tristan sees a place called the Golden Crescent from the air. Tristan says, “Holy—” but is cut off by some of his companions.

Supernatural

  • This is a book about mythology, specifically West African mythologies that include “Nyame or Anansi.” There are also many African American folk legends, including “High John, John Henry, and Brer Rabbit.” These legends are gods. Tristan interacts with these immortal beings frequently, and they all do a variety of magic. They also live in magical realms that Tristan visits.
  • Rick Riordan, the author of the Percy Jackson series and head of Riordan Reads, has a preface in this book. Riordan pokes fun at Greek mythology, saying that “you can’t swing a gorgon’s head in any bookstore without hitting at least a dozen Greek-myth-inspired books.”
  • Tristan’s best friend, Eddie, dies before the start of the book, and Eddie leaves Tristan his journal. Eddie’s journal emits an “emerald-green glow” that Tristan realizes only he can see.
  • The first page of the journal is blank when Tristan received it, but Tristan soon notices that “a weird symbol appeared to be stitched” into Eddie’s journal. It is assumed that it appeared out of nowhere.
  • Nana tells many stories about mythology to Tristan. When they arrive on the farm, Nana tells Tristan about haints. She says that they’re “evil spirits . . . Lord knows, plenty of those ramblin’ about.” Haints show up throughout the book.
  • There is a baby doll in Tristan’s room at his grandparents’ house. One night, Tristan hears weird noises, and he turns his flashlight on. When the light hit the baby, it “rotated its head.” The baby doll is a legend called Gum Baby, and she talks to Tristan. In Anansi’s stories, Gum Baby “was a doll Anansi used to trap an African fairy while he was on a quest.”
  • Tristan punches the Bottle Tree, ripping a hole in the sky. “The punch smashed into the large blue bottle near the top, shattering the glass…Out of the corner of [Tristan’s] eye, [Tristan] saw a shadowy shape ooze from what was left of the broken bottle on the ground and creep along the grass…a chasm ripped open at the foot of the tree. A giant sucking sound filled the clearing like air rushing toward a hole.” Tristan and Gum Baby fall through the hole as they try to save Eddie’s journal.
  • Ayanna describes Tristan’s world and her world, Alke, by saying, “Alke is the dream to your world’s reality. The tales, the fables, the things you think are made up, they exist here. We aren’t just stories—we’re real, with hopes and dreams and fears just like you.”
  • Eddie’s spirit comes back through his journal several times throughout the book. Tristan describes, “The journal pages spun and coiled in the air until they formed a humanoid figure.” Eddie saves Tristan from the fetterlings, which are metals snakes with shackles for heads. He also speaks to Tristan occasionally.
  • Tristan is an Anansesem, or a magical storyteller. John Henry explains that when Tristan tells stories, “something special happens.” Tristan is able to bring the stories to life or summon them with his words, and this happens several times throughout the book. For instance, when Tristan tells a story about him and Eddie, the clouds around him “swirled and stretched into a diorama. Two cloud boys—one slightly larger than the other—crept into a large nimbus of a building.”
  • The god High John pulls Tristan’s soul out of his body and brings him into a spirit realm where they can talk privately. They fly on the back of High John’s giant crow, “Old Familiar.”
  • In the popular stories about High John, he would take “slaves’ spirits on trips of happiness and joy and wonder, all while their bodies remained on the plantation and continued to work.”
  • There are forest fairies, the Mmoatia, who know plants and healing remedies. They “have taken a shine to [Tristan].”

Spiritual Content

  • Before a battle, John Henry says, “Give me strength.” Tristan “was confused until [he] realized it was like a prayer before battle, and [Tristan] gulped. When gods prayed, things were about to get real.”
  • Inside the mountain, the council within calls upon their ancestors for guidance. Tristan notes, “I could see through them. ‘They’re spirits,’ I mumbled.”
  • The diviner in the mountain tells the ancestors that Tristan “has the blessing of gods and the spirit of the imbongi . . . I can feel it.”
  • Tristan is afraid of heights, and while flying around on a magical flying saucer he “mumbled prayers in seven different languages.”
  • There’s a legend about High John in which he “fell in love with the devil’s daughter. In order to win her hand, the devil told him he had to clear an enormous field, plant corn, then harvest it, all in one day.”

by Alli Kestler

Don’t Call the Wolf

Lukasz has lived the life of a nomad ever since he and his nine older brothers were forced from their mountain homes. As the last of the famous Wolf-Lords, a group of dragon slayers, they’ve roamed the country hunting dragons, falling in love and being put on display as a distinct race. But one by one, Lukasz’s brothers are called back to their mountain home to slay the beast that forced them out in the first place: the Golden Dragon. Now, two decades later, Lukasz finds himself following the same path, searching for his brother, Franciszek. But when Lukasz starts his journey he encounters a girl that will change everything for him.

That girl is Ren, the queen of the forest. Ren is a shapeshifter, who is able to change into a lynx whenever she needs to. Since monsters have begun to spread throughout the woods, Ren has offered safe haven to all the animals of the forest. Though young, she’s determined to protect her home, no matter what it takes. But, when the Golden Dragon shows up to burn her forest, Ren realizes she can’t fight alone anymore. When she meets Lukasz, she strikes a deal with him: slay the Golden Dragon and she’ll help find Franciszek.

However, that may not be as simple as it sounds. Unlike his brothers, Lukasz has no desire to slay the Golden Dragon. He just wants to find Franciszek and leave. Even if Ren and Lukasz have begun to fall in love with each other, he may very well break her heart in the end.

Don’t Call the Wolf is a standalone novel that’s well-written and well thought out. It’s a story about two worlds, the human world, and the fairy tale world, colliding unexpectedly. Lukasz is a Wolf-Lord, a dragon slayer, both an ally and enemy to Ren and her animal family. Throughout the novel, the disparity between humans and the rest of the natural and magical world is constantly shown, especially the distrust between the two groups. Through this, the novel explores how people can be too quick to judge or be wary of anything different or unfamiliar.

The story’s message of prejudice is where the novel is the strongest, as it weaves together characters that come from a variety of backgrounds and that overcome those prejudices to not only continue their journey but to become friends. A few even go so far as to sacrifice themselves for others. These characters, while not as fleshed out as they could be, are endearing because of this. The main characters, Ren and Lukasz, are the strongest of the cast; each character has flaws as well as realistic fears and desires. For instance, Lukasz can’t read, but this is an endearing flaw that he tries to overcome. Ren deals with being called a monster by the humans that live in her forest, and she must fight against that label.

Don’t Call the Wolf is a retelling of the Polish fairy tale The Glass Mountain. The story is full of adventures in the magical forest, and romance that is excellently paced. The character development is similarly strong, and Ren is fabulously fierce. Don’t Call the Wolf is a great read for anyone looking for a touch of magic in a novel. With a strong setting, elements of a fairy tale, and a theme of overcoming prejudice, fantasy lovers will want to pick up this novel.

Sexual Content

  • Ren watches as Lukasz kisses a monster. “Eyes still locked on Ren, it kissed him [Lukasz]. His arms came up, encircling it. And to Ren’s disgust, he kissed it back.” When thinking about the kiss later, Lukasz thinks it should have been Ren kissing him. “He wished she had been the one to kiss him.”
  • Ren and Lukasz develop a romance. While camping in a forest, Ren “felt a stab of jealousy as Lukasz lowered himself beside Felka to talk. His eye caught hers across the clearing, and Ren turned quickly back to Czarn.” Felka is a human from the only village in Ren’s forest. Later, when Ren is watching Lukasz, she thinks, “Then she ran a hand over the stubble edge of his jaw. She loved his face. She loved that crooked tooth. Ren wondered, suddenly, if she loved more than that.”
  • Lukasz’s older brother, Franciszek, asks Lukasz, “You love this girl [Ren], right?”
  • At the end of the novel, Ren and Lukasz plan to marry. When Lukasz jokes about going to propose to her, Ren says, “No. I think I will.” Then, they kiss. “He leaned down and kissed her. She ran a hand over his cheek, through his hair.”

Violence

  • Throughout the novel, the main characters fight monsters. The first time Lukasz sees one, he notes, “Some were burned beyond recognition, others had whole limbs hacked off. Some had parts of their skulls cleaved away, bits of gray brain and viscous blood spattering their shoulders. Their faces, frozen, still stretched into the tooth-baring, agonized grimaces of death.”
  • While fighting a dragon, Lukasz’s hand is badly burned. “Lukasz screamed. He was on his knees, screaming. Coughing. Tears streaming down his cheeks, dripping off his chin.”
  • As a lynx, Ren attacks a strzygoń, a monster, “Its re-formed limbs could not match the strength of her forelegs. She bit down. Hot blood splashed over her face.” Just after this, Czarn, a wolf loyal to Ren, attacks another strzygoń. “The fight was short. And bloody. One of the bulkier strzygi managed to take a chunk out of Czarn’s ear before the wolf’s powerful jaws closed around its throat and severed its head.”
  • When Ren meets a human girl named Felka, Felka tells Ren, “You ripped his face off!”
  • Koszmar, a soldier that accompanies Lukasz, is startled and shoots a tree branch. “Koszmar shrieked and fired an entire round of bullets into it before realizing it wasn’t another monster.”
  • After Koszmar is killed by a strzygoń, a strzygoń spawns from his corpse, “Then a chest and shoulders emerged, tearing the ribs wide. A head unfurled, with hair congealed in clots. Slick rivers of blood coated naked spine.”

Drugs and Alcohol

  • After getting his hand burned by a dragon, Lukasz is put in a hospital. He’s given opium for the pain. Doctors “kept him knocked out with opium for a full two weeks. For the pain, the doctor had explained.”
  • When thinking about his brothers, Lukasz thinks, “Rafał lay upon the beds of Miasto tattoo parlors, Eryk bought a vodka distillery, and Anzelm drank most of it.” Later, Lukasz thinks of himself, “Lukasz was twenty, bored, and a little tipsy.”

Language

  • Bastard and bullshit are used a few times. For example, Lukasz talks to a dragon he’s fighting. He says, “Come on, you feathery bastard.”
  • Damn is used frequently. For example, while fighting another dragon, Lukasz thinks, “Where is the damn sword?”
  • Lukasz constantly says “God.” When he is talking with his older brother, he says, “My God, Rafał.”

Supernatural

  • This novel is filled with magical creatures from old European legends.
  • Dragons are all over Lukasz’s country. When Lukasz is hunting a dragon, he sees, “It was huge, orange, covered in feathers and scales. It had a curved beak and a quizzical, birdy look in its eye. It chirped again.”
  • Lukasz is a Wolf-Lord, a famous dragon slayer. During a lecture, a professor describes the Wolf-Lords, “By tooth or by claw, they promised. The Brygada Smoka. The last of the Wolf-Lords, and the greatest dragon slayers in the world.”
  • Ren’s forest is filled with strzygoń, a type of monster that was once human. When Ren encounters one in the forest, she sees, “It stood on all fours, joints locked. With the bulging eyes of a goat, oblong pupils in slate gray, it considered her. It put its head to the side, feathery brows jutting over those terrible eyes. It looked almost like an enormous moth, and again, Ren trembled.” When strzygoń appears in the forest, they crawl out of pits. “A pit opened up, earth crumbling away in its center, ringed with orange flames and twisting roots. It gaped wide in the forest floor.”
  • Ren can shapeshift into a lynx. When she goes to fight a monster, she shifts. While shifting Ren’s “knees shot to her chest and her spine curled up. Her muscles expanded, snapping into place around her limbs. Power tore across her shoulders. Fur raced over her skin.”

Spiritual Content

  • Ren has the power to baptize strzygoń, monsters that were once human. When she encounters a group of strzygoń, she says, “Your time here is finished. I. . . I baptize you.” Once that is said, the strzygoń all crumple and their souls go to either heaven or hell.

by Jonathan Planman

Aru Shah and the Tree of Wishes

War between the devas and the demons is imminent, and the Otherworld is on high alert. Fourteen-year-old Aru Shah and her friends are sent on a mission to rescue two “targets,” one of whom is about to utter a prophecy that could mean the difference between victory and defeat. It turns out that the targets, a pair of twins, are the newest Pandava sisters, though the prophecy says one sister is not true.

When the Pandavas fail to prevent the prophecy from reaching the Sleeper’s ears, the heavenly attendants ask them to step aside. Aru believes the only way to put the shine back on their brand is to find the Kalpavriksha, the wish-granting tree that came out of the Ocean of Milk when it was churned. If she can reach it before the Sleeper, perhaps she can turn everything around with one wish.

Aru Shah and the Tree of Wishes brings India’s mythology to life in an engaging and suspenseful story that pits good against evil. Readers will meet the constellations, Saturn, a dismembered crocodile, and other deities. As Aru, her Pandava sisters, Aiden, and Rudy (a prince) try to stop the Sleeper from winning a war, they travel through the skies (literally) in a fast-paced adventure that is at times heart-stoppingly suspenseful as well as mixed with humor and heart.

Two new Pandava sisters enter the scene, but they play a secondary role. However, readers will enjoy Nikita’s fashion sense as well as her ability to make plants grow into weapons. Her sister, Sheela, adds interest because of her ability to tell prophecies. Even though the two sisters do not have a starring role, their inclusion adds several fun elements to the story. Because of the large cast of characters and their backstories, Aru Shah and the Tree of Wishes should only be read after the first two installments of the series.

Each one of Aru’s group has family issues that make them feel unworthy; some of them also feel unloved. Because Aru’s father gave up his family and became the Sleeper, Aru feels “a terrible ache of loss” as well as a “confusing mix of anger and pity and pain.” While the story explores the hurt of being unloved by a parent, it doesn’t offer platitudes to explain away the pain. By the end of the story, Aru is full of rage, which will leave readers wondering what will happen next.

Even though the characters fight several battles, many of them are won through optical illusions. While the battle scenes are suspenseful, the descriptions are never bloody or gory. While the story is appropriate for younger readers, the complicated plot, large cast of characters, and the mythological gods, goddesses, and monsters make the story best for strong readers.

Anyone who enjoys an excellent adventure should read Aru Shah and the Tree of Wishes. Aru and her friends are relatable characters who are willing to enter dangerous situations in order to defeat the Sleeper. The ending doesn’t wrap up any story threads but ends with a surprise twist and a cliffhanger that will have readers reaching for the next book in the series, Aru Shah and the City of Gold.

Sexual Content

  • Aru and her friends are sprinkled with “glittering dust” that “forces out secrets.” Rudy yells, “I’ve never kissed a girl. Once I practiced on a gem, but I choked on it!”

Violence

  • A rakshasa is a demon “with the body of a man and the head of a bull.” The rakshasa tries to take a girl. Aru and Mini attempt to stop the demon, and “he flung out his other hand, and an S-shaped piece of onyx came hurtling toward Aru. The weapon writhed as it flew, emitting shadows that obscured her vision.” A shadow “wrapped itself around Mini’s ankle while another slipped under her sneakers, trying to dislodge her show suckers.”
  • During the attack, the girl is on a Ferris wheel. Using magic, Mini makes the Ferris wheel turn, “slowly, then fast and even faster until its lights blurred. . . The rakshasa’s grip loosened and he tumbled, his bull head knocking against the metal spokes as he dropped from one rung to the next.”
  • When the rakshasa tried to open the door of the Ferris wheel, Aru “let loose. Electricity rippled around the door. . . He howled as a surge of lightning shot through his arm, sending him crumpling to his knees.” Someone trips the demon who “let out a terrifying roar right before he knocked his head on a telephone pole and promptly passes out.” The demon battle is described over six pages.
  • While going over the Yamuna River, Aiden, Brynne, and Rudy drink the water. Later, Aru and Mini see their friends in the river water “swirling in a tight knot, their heads dipping in and out of the water. . . In fact, they seemed, well . . . dead.” Mini saves Aiden, Brynne, and Rudy. However, the goddess erases Aru’s mind so no one knows that Mini saved them all.
  • Two yali try to kill Aru and her friends. “The second yali lunged at them, trying to reach the pillar.” Bryn creates wind that “roared through the air, and the creature hit a pile of stones with a hard thud.” Aru and the others, including the yali, all live. Their bartering and fighting is described over 7 pages.
  • The king of the birds orders the birds to attack Aru and her group. Aru cast a lightning bolt that transformed into a net. A swath of birds is caught in mid-flight. They squawked as they dropped to the forest floor, squirming beneath the mesh.
  • During the battle against the birds, “Aru, Brynne, and Aiden channeled everything they could at the flock—concentrated tornadoes, winnowing electrified blades, and bolts of lightning. When a large percentage of the birds had fallen away, Mini replaced the veil of invisibility with a violet shield.” The force field gives the other birds a “powerful conk to the head.” The fight is described over 6 pages.
  • When Saturn looks directly at something it bursts into flames. When he was looking for a beetle, “his gaze went everywhere at once. One glance and a palm tree hissed as it went up in flames. One blink and the pit of broken musical instruments burst into flames, filling the air with the twanging of popped guitar strings.” No one is injured.
  • A plant bites Aru’s finger.
  • The story ends in a multi-chapter battle. While trying to save Sheela, an invisible enemy threatens the group. “Aiden raised his scimitars only for something to hurl him backward, slamming him against a boulder.” The group attempt to defend themselves. “Nikita spread out her arms, and the fence of roots and thorns exploded outward. Something yelled in pain.”
  • When they find Sheela, she “appeared, gagged with a shadow and bound with silvery ropes. Her eyes looked frantic, but she held up her chin.”
  • When a pair of naga try to “snake toward the group,” Rudy “borrowed one of Aiden’s scimitars and skewered the ends of their tails to the ground. They screamed and hissed, coiling back on themselves.”
  • Trying to protect herself and her friends, “Nikita slammed her palms together. Roses of every size and color cascaded down her body like a ball grown unfurling. Their branches reached for the shadows and grew around the Sleeper, trapping him in a net of thorns.”

Drugs and Alcohol

  • None

Language

  • “Oh my gods” and “Oh gods” are both used as an exclamation once.
  • While on a bridge over the Yamuna River, Aru thought, “Gods, she was thirsty.”
  • Heck is used twice.

Supernatural

  • Magic is used often. For example, after catching several rakshasas, Aru and her friends decide to take them to the Court of the Sky. In order to restrain them, Nikita “stretched out her hand and green light radiated from her fingertips. The sidewalk trembled as weeds between the cracks grew taller, multiplied, and spread outward until they had formed four rectangular cushions on the ground. . . Vines snaked out from Nikita’s tiara and grew several feet long before they snapped off and wound around each of the rakshasas, binding them tight.”
  • Aru is given a key that will unlock all things. The key is “in a sense, alive, and it might demand something in return for its services.”
  • Nikita and the other Pandavas meet in each other’s dreams.
  • While crossing the Yamuna River, the river “called to her like a lullaby” making Aru desperately thirsty for its waters. While there, Aru and Mini meet the goddess of the river whose “long black hair was pinned back with fish teeth and dotted with pearls. Around her neck and wrists she wore writhing snakes brighter than any jewels.”
  • Nakita makes clothes with magical elements. She makes Aru pants “where the coiled-up sticky threads were disguised as embroidery.”
  • Aru finds a jewel that is “a receptacle for thoughts, emotions, memories.” The jewel shows Aru her father’s memories. When the stone is pressed on, “something like a hologram emerged from the jewel, rending an eerie sequence of scenes in front of them.”

Spiritual Content

  • Aru is the daughter of thunder and lightning.
  • Aru and the other Pandavas are reincarnated. Nikita and her twin are “the reincarnations of Nakula and Sahadeva, the brothers famous for their beauty, archery and equestrian skills, and wisdom.”

 

Piratica

Art attends a school for proper young ladies. That is, until she bumps her head and remembers her long-forgotten past. Her mother was Piratica, a pirate queen, and Art grew up on her mother’s pirate ship. Art lost her memory not in a mundane accident, but from an exploding pirate ship that claimed her mother’s life! Now that she remembers where she came from, Art quickly takes on her mother’s mantel and runs away to find her mom’s old pirate crew.

Felix was already down on his luck when an unfortunate run-in with Art leaves people thinking he is a famous highway robber. Unable to convince the law that he is innocent, Felix is forced to flee for his life. He ends up on Art’s pirate ship, where he is courteously imprisoned. The pirates promise he will be put ashore when they are far enough from London that he cannot turn the pirates into the law. However, as their adventures continue, Felix finds his utter distaste for pirates warring with a growing admiration for Art’s fearlessness.

Piratica honors bravery, loyalty, and a bit of pirate flair. Art is an inspiring character, who is not immune to doubt, but she is unwilling to let it slow her down for a moment. Determined to will her dream of becoming a pirate into reality, her pirate crew cannot help but be swept along by her vision. With a delightful cast of well-developed supporting characters, every scene carries readers along this swashbuckling tale.

Full of fun, adventure, and a healthy helping of piratical ridiculousness, Piratica is a must-read for anyone who loves adventure, pirates, or strong female characters. The silliness is over-the-top, yet remains believable and thoroughly enjoyable. With plenty of action but not much gore, this is an excellent story for readers looking for more exciting adventures who aren’t mature enough for adult content.

Sexual Content

  • A girl kisses Felix as he escapes from a fight. “She kissed Felix so forcefully it knocked him into the chute.”
  • When the pirates reach Africay, “Slender black locals . . . offered them wives. . . Even Art was offered a wife.”

Violence

  • When one of Art’s pirates slanders her, she slaps him. He “raised his fist . . . but Art had ducked Black Knack’s blow with the perfect weaving motion of the trained fighter. Swimming back, she punched him instead with a sharp thwack on the point of his shaveless jaw. Black Knack’s eyes rolled up. He keeled straight over.”
  • A fight breaks out in a bar. “Cutlasses sparkled and fists flailed. Flying bottles and cuts filled the air . . . Art avoided a descending beer mug and shoved off a fighter who had got carried away and was trying to brain her with a chair.”
  • Art and her pirates capture a ship. When the captain tries to fight, “Art kicked him hard in the leg, and he went to one knee. Behind her at once she heard a scuffle, two or three cries, a series of thuds.”
  • Art and her pirates defend themselves when another ship tries to board them. “She fired. The bullet whizzed, unseen, over the sea between the two ships . . . The bullet struck, as Art had meant it to, a smoke-wreathed barrel of gunpowder left on the forecastle. Which blew up like a firework of pink and primrose.” The fight is described over three pages.
  • A pirate shoots Black Knack. “Then Goldie fired. Fire flash. The silliest sound—like a huge twig snapping. Black Knack seemed to jump—that was all—to jump forward—forward—The jump took him right past the hatch . . . it threw him instead to the lip of the cliff. And over.”
  • Art and Goldie duel. “As she sprang, Art saw Mr. Beast rearing, cutlass and pistol in the way, and landed a fist of ringed knuckles at the base of his nose . . . one of those little knives came zipping out, straight for Art’s throat. Art dodged . . . the knife cut her thinly along the right cheekbone. But Goldie, they now all saw, was bleeding at the temple where the hair had been sliced away.” The fight is described over five pages.

Drugs and Alcohol

  • When running away, Art sees the gate porter “drinking hot gin. He never noticed her, and minutes later she was over the wall.”
  • When a highwaywoman comes to a tavern, the owner says “I’ll take a look at your loot, dear, and we’ll drink some gin.” The highwaywoman responds that she wants sherry because “You know I can’t stand the gin.”
  • Art and her crew visit a tavern with “tall tots of rum and liqueurs.”
  • After a victory, Art’s pirate crew “downed everything—rum, wine, the brandies of Africay, the home-brewed lemon ciders, coffee in which a knife could have stood upright.”
  • For their last meal, Art receives “a bottle of wine.”

Language

  • God is used as an exclamation twice. Art’s dad says, “By God, what’s this?” Another time, Felix says “Oh, God.”
  • Devil is used as part of exclamations. Art’s father exclaims, “Why the devil are you smiling?” A man says, “If a woman did such a thing—she was the devil itself.”
  • Funny exclamations are used often. A few examples include “Cat’s Wallopers,” “Goat’s Gizzards,” “Caterwauling Stars,” “Dastardly Custard,” “by the Sacred Pig of Eira,” and “By the Yak!”
  • Variations of damn are used several times. A man says, “You’re damnably late, sir.” Another man says, “Get your act together, and we’ll be off, dammit innit.”
  • Hell is used as an exclamation several times such as “Hell’s Porcupines,” “By the Blast of Hell,” and “Hell’s Kettles!” Also, a pirate calls Art “a hell of a captain”, and once Art asks, “What the hell could that be?”
  • Poo is used twice. A man says, “And poo to you, too!” Another man says, “Poo to you, sir!”
  • A man calls someone a “pompous asp.”
  • When going into a pitch-black cave, Black Knack tells Ebad, who is black, “Don’t you go in, Ebad. We’ll lose you.” Durk turns and slaps Black Knack in response.
  • Bitch is used twice. Goldie tells her pirates, “You lazy pigs—come here and help me finish this bitch.”

Supernatural

  • None

Spiritual Content

  • A man exclaims, “By the Lord’s Armchair.”
  • One of Art’s pirates says, “I wish to God Molly were here.”
  • A pirate cries, “Fill ‘em full of lead, by the Lord’s Armchair” and another says, “by the sacred Blue of Heaven.”
  • Ebad says, “It’s Molly. By the Lord God. Our Molly Faith.”
  • The pirate Black Knack tells Art, “You’re no girl. You’re a demon. But—a hell of a captain, I’ll give ye that.”
  • Before supper, a pirate says, “Thank you, God, for the gift of greed.”
  • Art finds a message left by pirates. It reads, “We are the Pirate Kind. We live by blood and murder. We end our days on a rope, or under the pitiless acres of the Sea. After which, we are told, we must suffer forever in the Kingdom of Hell, for our Sins.”

by Morgan Lynn

The Vanishing Deep

Seventeen-year-old Tempe was born into a world of water. When the Great Waves destroyed her planet five hundred years ago, its people had to learn to survive living on the water. However, the ruins of the cities lay below. Tempe dives daily, scavenging the ruins of a bygone era, searching for anything of value to trade for Notes. It isn’t food or clothing that she wants to buy, but her dead sister’s life.

For a price, the research facility on the island of Palindromena will revive the dearly departed for twenty-four hours before returning them to death. It isn’t a heartfelt reunion that Tempe is after; she wants answers. Elysea died keeping a terrible secret, one that has ignited an unquenchable fury in Tempe. Tempe knows that her beloved sister was responsible for the death of their parents; now she wants to know why.

But once revived, Elysea has other plans. She doesn’t want to spend her last day in a cold room accounting for a crime she insists she didn’t commit. Instead, Elysea wants her freedom and a final glimpse at the life that was stolen from her. She persuades Tempe to break her out of the facility, and they embark on a dangerous journey to discover the truth about their parents’ death. Every step of the way they are pursued by Lor, a Palindromena employee desperate to find them before Elysea’s twenty-four hours are up—and before the secret behind the revival process and the true cost of restored life is revealed.

The Vanishing Deep takes the reader on a trip into the future, where people live on metal structures on the ocean. The Old World was destroyed due to unsustainable practices because people “always [are] wanting more than we have.” Scholte’s world-building is detailed, realistic, and beautiful. Even though the story shows the importance of caring for the earth, the message is integrated into the story and never feels like a lecture.

The story jumps back and forth between Tempe’s and Lor’s points of view, which helps build suspense. Both characters are suffering from grief, but they each react to the loss of a loved one in different ways. Lor hides from the world and forces himself to pay penance to his friend’s death. On the other hand, Tempe is so shrouded in anger that she hasn’t grieved for her lost sister. By the end of the story, both Lor and Tempe realize they need to deal with their grief. Tempe realizes “anger had been my anchor. It had tethered me to the darkness in the world, to the things I couldn’t control. I had hidden from my grief. It was easier that way. But it wasn’t healthy.”

The Vanishing Deep is a suspenseful story that propels readers into an imaginative world that makes one consider questions about death. Tempe and Lor’s different perspectives show how grief can overtake someone’s life in unexpected ways. The conclusion contains several surprises but also leaves many unanswered questions. Despite this, readers will enjoy the journey through the New World, where people can resurrect a loved one. The story leaves off on a positive note by reinforcing the need for people to go through the grieving process, which includes learning to fully live their lives even though they’ve suffered an incredible loss.

Sexual Content

  • Lor and Tempe kiss. Tempe’s “skin blistered at the touch of him. I wasn’t sure who had ignited who. He tasted like the sea, smoke, and brine. His hand snaked up and into my hair. I breathed him in between kisses, needing him, needing this, needing life.”

Violence

  • When Tempe was younger, kids “would circle me, throw things in my hair and chant, water witch, water witch, water witch, as they ran around me. They wanted protection from the Gods below. Protection from me.”
  • When Tempe and her sister escape Palindromena, Lor goes after them. When Elysea sees him, she yells, “He’s already killed me once! Don’t let him do it again!” The barkeeper “tossed the knife at [Lor]. . . The knife dug into the counter, scratching [Lor’s] arm and pinning [Lor’s] shirt to the wood.” Lor is uninjured.
  • When Lor boards Tempe’s boat, she “Dove toward him, my arms connecting around his middle. . . He slipped on the wet metal hull, and we fell to the deck. . .He had hit his head against the mast when he fell. He was out cold.” Tempe ties Lor to the boat.
  • Lor and his best friend, Calen, were climbing a cliff when they fell into the sea. Lor died and his mother “couldn’t say goodbye to her son, so she killed Calen so Lor could live on.”
  • Tempe, Elysea, and another boy go to an underwater temple where they are ambushed. “Something silver shot past [Tempe’s] shoulder, tearing through my diving skin and into my flesh. I gasped in pain.”
  • While in the temple, a rebel named Qera grabs Tempe. Qera “grabbed my leg and twisted the flipper off. . . I reached for Qera’s wrist. She elbowed me in the face, attempting to tear my dome loose.” The fight is described over five pages. No one is seriously injured.

 Drugs and Alcohol

  • After diving, Tempe takes a “recompression pill to neutralize the bubbles that were currently forming in my muscles and bloodstream.”
  • When Tempe goes on land, she is given “two opaque pills” to help with the stationary sickness.
  • There is the occasional mention of drinking rager—“a spirit made from fermented seaweed that hit you in the face like the odor of a month-dead familfish.”
  • A man goes to the bar and asks for a rager. He says, “Thanks, man. Liquid courage.”
  • While at a celebration, Lor drinks rager. Lor takes “a tentative sip. The fermented drink burned my tongue and made my eyes water.” Lor gets drunk.
  • The day before Tempe’s birthday, she goes to a bar with her friend. The worker gives Tempe’s friend “a shot of rager and a half a shot for me.”

Language

  • Profanity is used occasionally. Profanity includes ass, bastard, crap, damn, piss, and shit.
  • “Gods below” and “Gods” are both used as an exclamation occasionally.
  • Fuck is used once.

Supernatural

  • Scientists found a way to bring people back to life for 24 hours. Some thought “bringing back the dead was against the Gods’ wishes. Both Old and New.”
  • When a person is revived, he or she is “intrinsically linked through the echolink, tethering to my heartbeat. If she died, I would too.”

 

Spiritual Content

  • The New Gods and the Old Gods are mentioned, but no specific information is given about them.
  • Several times, Tempe prays to the Gods below. For example, she drops stones into the ocean “saying a prayer to the Gods below who took souls from boats in a storm and the air from the lungs of divers.”
  • In the past, “the Old World believed in the Gods above and followed the stars to journey across the land.”
  • Some people believe the “Old Gods had turned away from us and our selfishness.”
  • Tempe “doesn’t believe in luck; I believe in the Gods below and what they determined for my future. Why they had chosen to take my parents and my sister, I wasn’t sure.”
  • When Tempe goes to Palindromena, someone says, “Praise the Gods below for protecting our island.”
  • Tempe asks her sister about death, but her sister doesn’t remember anything. “Those who believed in the Gods below said you would be reunited with your loved ones in a realm beneath the sea. A realm where you could breathe underwater. And those who believed in the Old Gods said you would go to a place in the sky.”
  • When Tempe’s sister suddenly becomes unconscious, Tempe prays. “In all the times I’d prayed to the Gods below, they’d never listened. I begged that they would this time. Just this once.”
  • Lor wants to save Elysea’s life, but he’s not sure how. “For the first time in my life, I whispered words of prayer to the Gods below, not knowing if they existed, listened or cared. But wasn’t that how everyone prayed? With faith that they weren’t alone and no evidence to prove it?”

 

 

 

Peter and the Shadow Thieves

Peter has been having a grand old time on his island, dubbed Never Land, despite some squabbles with the pirates who live there. However, when a strange ship docks looking for the starstuff, Peter’s peace is shattered. He overhears a strange shadow-like creature threatening Molly, and makes a snap decision to follow the ship to London in order to warn her.

Peter is not prepared when he reaches London. He has to keep Tink, his fairy or birdgirl, hidden. He doesn’t have shoes or a coat, he doesn’t know where Molly lives, or how to survive on the streets of London. Obstacle after obstacle gets in Peter’s way. Will it be too late to save Molly from the shadow thief and its strange powers? And will Peter ever get back to Never Land, to rescue his friends who’ve been captured by the pirates in his absence?

Peter and the Shadow Thieves is packed full of adventure from start to finish. This installment jumps from many different third-person points of view, allowing readers to see what’s happening on Never Land, with Peter and Molly in London and with the bad guys all at once. While the changes in perspective are clear, readers might not enjoy jumping from the main thread with Peter and Molly in England to Never Land every so often, as it reduces the suspense of the main storyline.

While Peter further learns the importance of working together, Molly uncharacteristically throws a tantrum, reveals the starcatchers’ secrets, and nearly ruins her father’s important mission. Despite her childish behavior, her father forgives her and thanks her for her bravery, which is not believable.

However, fans of Peter and the Starcatchers will be pleased with the second installment in the series. Readers will get to see all the beloved characters from the first book, along with some new friends and a frightening new villain. Timid readers may have nightmares about Lord Ombra, the terrifying shadow thief, who can steal shadows and control minds. More adventurous readers will be thrilled at the continuous suspense, twist and turns, and non-stop adventure that is thus far the hallmark of this series.

This book wraps up its major plot points while leaving plenty of questions that will leave readers eagerly reaching for the next book, Peter and the Secret of Rundoon. With plenty of action but not much violence, this is a great series for those readers itching for more exciting adventures who may not yet be ready for more mature content.

Sexual Content

  • When a mermaid kisses someone, they give the person the ability to breathe underwater for a short amount of time. When rescuing one of Peter’s friends, a mermaid kisses him so he can breathe underwater. “A kiss. His first, actually. Soft lips, right on his. Suddenly his lungs stopped burning.”

Violence

  • It’s mentioned in passing that when Mr. Slank was stuck at sea, he had been “forced to kill and eat” the other man he was stuck with “so he could stay alive.”
  • When rescuing his friend, Peter is almost captured by Captain Hook, but Captain Hook is distracted by Tink. Captain Hook, “clapped the hand to his eye, which had just received a hard poke from a tiny but amazingly potent fist.”
  • A man clouts Peter on the ear. “Kremp scuttled over and clouted Peter on the ear. Fortunately for Peter, Kremp was an inexperienced clouter, and it was not too painful.”
  • When escaping prison, “Peter felt a hand grab his left leg; he kicked it free. He turned the key, and the shackle on his right ankle opened . . . Peter kicked with all his strength, heard a loud ‘Ow!’ and a curse below him, and then shot upward, away from the chain and the shackles.”
  • One of Molly’s maids threatens her with a knife. The maid “had crossed the room, bringing the point of the knife to within inches of Molly’s face.” Molly is unharmed.
  • While trying to escape a shadow thief, a man “fell down the steep staircase, his head hitting the stone with a sickening sound.” The man dies on impact.
  • While escaping the men who kidnapped her mother, Molly is grabbed by one of the bad men. Molly “opened her mouth and bit down on [his hand] with all her strength. The hand was yanked away as the owner screamed in pain, and Molly, with a last, desperate wiggle, fell through the hole.”
  • Molly’s friend George tackles a man in her way. “Unfortunately, Magill was considerably taller than George’s usual targets; George had connected, noggin-first, with Magill’s right knee. The collision proved extremely painful for both parties. Magill yelped as he skipped sideways on this left foot, both hands holding his knee. George thudded to the ground, moaning, clutching at his throbbing skull.”
  • Molly’s father is shot. “Molly heard the shots and screamed as she saw her father crumple to the ground.” He survives.
  • When Slank captures Molly, Peter kicks him. “‘Hello, Slank!’ shouted Peter, delivering a high-velocity kick to Slank’s head as he shot past.”
  • A bear named Karl attacks the bad guys. “With a swipe of his enormous paw, he sent the closest of the rifles skidding across the dirt like a twig.”
  • Peter is shot. “UNNNH. Peter did not hear the shot that hit him; only his own grunt as the bullet tore through his left shoulder, hurling him forward onto the trunk. He slid facedown onto the dirt, wondering why he didn’t feel anything . . . His left arm didn’t work. He rolled sideways and the world became a red blur as the pain suddenly shot from his shoulder, surging through his body.”

Drugs and Alcohol

  • Sailors are fond of grog, an alcoholic drink. A sailor “kept his face turned away . . . fearing the captain would smell the grog that had put him to sleep on his watch.”
  • When a deckhand tells a far-fetched tale, the other sailors “were convinced he must have gone mad, or gotten into the grog.”
  • A sailor thinks he sees something strange, perhaps a bee, though there are no bees at sea. In response, the captain takes “him off his ration of grog. He’s too young for grog if he’s seeing bees.”
  • A homeless drunk tells Peter, “Sometimes, when I has me rum, I sees things that ain’t there.”
  • When they reach London, the captain keeps his sailors on his ship because “once they’d gotten ashore and filled their bellies with grog, it was only a matter of time before they were wagging their tongues about the ship’s strange voyage.”
  • It’s mentioned in passing that, “Most of the crew had gathered forward along the rail to watch a bloody, drunken brawl taking place outside the Jolly Tar, a notorious dockside pub.”
  • It’s mentioned that “some sailors, having overdone the grog, slept against the wall of the Jolly Tar; one was passed out in a wheelbarrow.”
  • A clerk keeps ducking beneath his desk to sneak gulps of alcohol. “The clerk ducked down behind the counter, and Peter heard the sound of liquid being swallowed.” The clerk makes a bargain with Peter. He will mail Peter’s letter if Peter takes his flask to a nearby bar and gets a refill.

Language

  • Captain Hook calls his men “idjit” several times.
  • Tink is a jealous fairy. She calls one of the mermaids a “fat grouper” twice, and she calls Molly a “cow” twice.
  • Captain Hook hatches a plan to catch the boys, and says, “I have you now, you little devils.”
  • When Molly’s friend George smacks his head on a windowsill, Tink comments, “Another idiot.”

Supernatural

  • Starcatchers are “a small group of people . . . There have been Starcatchers on Earth for centuries, Peter. Even we don’t know how long. But our task is always the same: to watch for the starstuff, and to get to it, and return it, before it falls into the hands of the Others.” The Others misuse starstuff to gain power.
  • Starstuff is golden dust that sometimes falls from the sky as meteors and “has amazing power . . . Wonderful power. Terrible power. It . . . it lets you do things . . . It’s not the same for everybody. And it’s not the same for animals as for people.” Starstuff can heal, can make people fly, or can even make people strong. Molly explains that larger quantities are more dangerous and can kill a person, or turn a fish into a mermaid, horses into centaurs, and other transformations.
  • Starcatchers have learned the language of porpoises, bears, and wolves. They work together often to find and return any starstuff that falls to earth.
  • Some fish on Peter’s island were turned into mermaids by starstuff. “Peter could see the tiny figures of a half dozen mermaids sunning themselves on the broad, flat rock they favored.”
  • Molly’s father turned a bird into a fairy, to watch over Peter. Her name is Tink. She calls herself a “birdgirl.”
  • Peter was exposed to a large quantity of starstuff. As a result, he can fly permanently and will never grow older.
  • A shadow creature called Lord Ombra has many abilities and seems to be more shadow than man. Lord Ombra can read thoughts if he touches a person’s shadow. He can also steal shadows, which allows him to control and/or impersonate that person.
  • In an attempt to escape prison, Peter uses his locket of starstuff. The result is that he, the guard, and the other prisoners that Peter is chained to all float into the air and fly for a few minutes before the starstuff wears off. When others hear what happened, “the word ‘witchcraft’ is whispered by the crowd.”

Spiritual Content

  • When a man asks a shadow thief, “Who the devil are you?” the shadow thief responds, “Not the devil, but a good friend of his.”
  • When Molly’s father hears the starcatchers’ mission was a success, he says, “Thank God.”

by Morgan Lynn

DC Super Friends: Shark Attack!

When a space probe falls into the ocean, Batman and Aquaman try to recover it, but the villain Black Manta gets there first. Black Manta uses a device to control the sharks. Aquaman tries to talk to the sharks, but the device stops him. While a great white chases Batman, Aquaman hides in the sea grass. Batman and Aquaman are able to save the day and get the device. The Coast Guard fish both the space probe and Black Manta out of the ocean.

Superhero fans will cheer for Batman and Aquaman when they defeat the Black Manta. Each full-page illustration shows the action, which includes being chased by sharks. Even though Black Manta is the villain, Aquaman asks the sharks not to bite him. Even though the reader knows that Batman and Aquaman will be victorious, they will enjoy the fast-paced action as they learn a few shark facts.

Young readers will need help reading Shark Attack! The story uses basic vocabulary and short sentences, but is intended for children who are familiar with words on sight and can sound out new words. Each page has 1 to 3 simple sentences that are printed with large text. The action is illustrated with large pictures which often include various types of sharks. As the superheroes battle the Black Manta, the violence consists of the sharks bumping but never biting.

Shark Attack! uses familiar characters and full-page illustrations to engage young readers. The story is intended for preschool through kindergarten readers, but older readers will also enjoy the story. The plot is easy to understand and the colorful illustrations will help readers understand the story’s events. Superhero and shark-loving readers will enjoy seeing Batman and Aquaman take a bite out of crime in Shark Attack!

Sexual Content

  • None

Violence

  • “The great white bumps Batman. It circles back to take a bite.”
  • The great white also bumps the Blank Manta.

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Lovely War

In a hotel room in Manhattan in the midst of World War II, the Greek gods Aphrodite and Ares are caught in an affair by Aphrodite’s husband, Hephaestus. Hoping to understand Love’s attraction to War, Hephaestus puts Aphrodite on trial. Her defense is to tell the tale of one of her greatest successes, the intersecting love stories of Hazel Windicott and James Alderidge, and of Aubrey Edwards and Colette Fournier. Aphrodite’s witnesses are Ares (god of war), Apollo (god of music), and Hades (god of death). Each contributes their own different, but overlapping, perspectives to the proceedings.

The story begins as piano player Hazel and soldier James meet at a parish dance and fall into instant, dizzying love, only to be separated three days later when James is sent to the front. Desperate to distract herself from anxiety about her soldier’s well-being, Hazel joins the YMCA where she meets Colette, a singer who lost her whole family in an attack on her home in Belgium. There, they happen upon ragtime musician Aubrey, a Black soldier who desires to make a name for himself on stage and on the battlefield. Aubrey and Colette bond over their music and realize their affections go beyond an appreciation for each other’s talents.

While the story addresses dark and violent subject matter due to its historical period, the frame narrative allows for light moments as well. The banter among the gods, and their respective belief that their part of the story is the most memorable, allows the mood to lift as needed. The darker moments hold meaning within the larger narrative and the smallest joys are heralded as gifts from the gods.

The human characters hold their own amongst their immortal narrators. Each character is likable and humorous in his/her own way. Over the course of the war, Hazel emerges from her meek demeanor, learning to stand for what she sees is right, while not losing her innocence and goodness of heart. James is goofy and sincere, making his experience in combat all the more tragic, as he must reconcile that what he does on the battlefield does not have to mean a loss of himself. Colette is strong-willed and a fierce defender of her friends, though internally she fears that anyone she loves is destined to die. She opens up, however, to the charming dreamer Aubrey. Aubrey’s experiences with racial violence show that the enemy to their happiness is not only the German soldiers they encounter on the battlefield but also those who perpetrate violence and discrimination against black Americans within their own neighborhoods and war camps.

Teenage readers who enjoy romance, Greek mythology, and historical fiction may enjoy this book. It is recommended that readers proceed carefully, as the book does address racism and racial violence as well as the terrors and destruction of war. Despite the hate and violence which surround them, the couples find their way back to love amidst it all. Their fragility as mortals in wartime allows for precious love to shine, as even the impermeable gods come to admire. After Aphrodite reminds Hephaestus that the mortals die, he responds, “They do. But the lucky ones live first. . . The luckiest ones spend time with you.”

Sexual Content

  • Two characters are briefly described as having an affair. “In an instant they are in each other’s arms. Shoes are kicked off, hats tossed aside. Jacket buttons are shown no mercy.” Their kisses are “like a clash of battle and a delicious melding of flesh, rolled together and set on fire.”
  • Athena and Artemis are called, “Those prissy little virgins.”
  • Some of the gods make brief jokes about paying attention to women’s bodies.
  • Hazel’s attraction to James sparks “a series of little explosions” which “began firing throughout her brain and spread quickly elsewhere.”
  • Stéphane admires Colette’s spine and thinks that “he could run his fingers along her back.” He does not act on his thought.
  • Colette is attracted to Aubrey’s musical talent, saying, “It was sexy. And so was its athletic high priest at the piano bench.”
  • During an attack on Aubrey, a racist soldier implies that Aubrey is after white women. Aubrey retorts asking if the man has “ever been with a black girl.” When the soldier laughs, Aubrey “had no illusions about her being a willing participant.”
  • Joey assumes an encounter between Aubrey and Colette was sexual in nature. He asks Aubrey, “Did you . . .?” Aubrey informs him, “It’s not like that,” and then scolds him for presuming that Colette is a “hooker.”
  • Aubrey hides so as not to be seen by a supervisor and realizes “he was free to ogle Colette from the shoulders down just at that moment, and he took advantage of it.”
  • Colette tries to understand Hazel’s fear about meeting up with James. Colette assumes that Hazel’s fear might be due to the possibility of one of them “taking advantage” of the other. Hazel admits that “if anyone found out, there’d be such a scandal.” She explains, “When I’m around James, I do the most outrageous things.”
  • Colette recognizes that being “alone in the dark” could lead to “dozens of ways a young man could try to take advantage of this situation,” although nothing comes of it.
  • A couple says goodbye, and “the brief kiss she gave him at the door was filled with neither passion nor desire, but sweetness, affection, gratitude.”
  • Hazel removes her stockings at the beach, and it is said, “The sight of her bare feet was just about enough to give poor James a stroke there on the spot.”
  • Hazel is pushed into James’ arms and, “The feel of her body pressed against his went through him like an electric shock.” They hold each other for a moment, spinning in circles.

Violence

  • There are multiple instances of racial violence perpetrated against Aubrey and his bandmates. There are also third-party historical sources referenced. Words such as “darkie,” “coon,” “negroes,” and “colored” are frequently used by other characters to address these men. At one point a southern soldier states, “An ape’s an ape.” Other racist comments permeate the experience of the black soldiers at home and abroad.
  • The black soldiers face fears of waking to a “lynch mob.”
  • The narrator describes an instance of police brutality. “A white police officer had entered a black woman’s home without a warrant, searching for a suspect. When she protested, he beat and arrested her, dragging her from her home though she wasn’t fully dressed. When a black soldier saw this and tried to intervene to defend the woman, the white policeman pistol-whipped the black soldier, seriously injuring him.” She then briefly mentions the “shooting that followed” which killed many people.
  • When addressing the possibility of looking at white women, Aubrey states, “No pretty face is worth swinging from a tree.”
  • The “Rape of Belgium” is described in detail over five pages. The narrator notes that German soldiers “pulled men from workplaces and homes and hiding places and executed them in the streets. Women, children, and babies were executed too. As old as eighty-eight. As young as three weeks.” Later, Aphrodite goes on to reference “the stories of women raped, children crucified, nailed to doors, of old men executed. . .”
  • The story frequently finds itself in the midst of trench combat. There are descriptions of the training process, of learning how to kill another man with minimal remorse, and of soldiers often encountering death and the bodies of those lost in battle. The men learn about the effects of gas attacks and how “those poor buggers in the first gas attacks drowned in their own blood.” At one point the trenches are described as “slick with blood.”
  • James imagines his own brother ending up the way his fellow soldiers have. “He saw Bobby’s burnt and blood-soaked body lying in the mud at the bottom of a trench.”
  • The soldiers travel “past live horses and dead horses and trucks and motorcycles.”
  • Multiple racially motivated murders take place in the camps. Two men are “strangled” and the discovery of one body is described over 6 pages. Aubrey and Lieutenant Europe come to the realization that “that was blood on the snow. His head. His face. His bloated, blackened face.” They assume the killers “beat his face in with their rifles.” They note, “You almost wouldn’t know it’s him” and they “gently [close] his gaping lower lip to hide the horribly broken jaw.”
  • Aubrey is held at gunpoint by a racist soldier who says, “We ain’t gonna let you Negroes get a taste for white women.” Aubrey took the man’s gun and “pressed the cold muzzle of the revolver against his victim’s temple.” Then, Aubrey warns his attacker not to mess with the Black soldiers again.
  • The narrator cynically describes how little detail is provided in the notifications of soldiers’ deaths, explaining, “They never said, ‘hung for hours on a barbed wire fence with his bowels hanging out, pleading for rescue, but nobody dared go for fear of hostile fire.’”
  • James partakes in trench warfare. He is a sniper and frequently must shoot German soldiers. After he shoots a man, “a red throat pours blood down a gray uniform.” James actively tries to not think about what he is doing in order to protect his friends.
  • A flamethrower is used in combat. The soldiers try to distinguish the fire, and the narrator notes that “the smell of flesh on fire reminds James of food, of cooking meat.” Ares goes on to narrate that “Chad Browning has stopped his screaming. His clothing is half melted away, half fused to his skin.”
  • Hazel is sexually assaulted by a prisoner of war. The attack is thwarted quickly but not before, “He licked her lips and teeth with his foul tongue, then forced it inside her mouth.”
  • Multiple explosions occur throughout the text. For example, after one explosion “the smoke lifted, and James scrubbed the grit from his eyes, Frank Mason wasn’t there anymore. Just a fire, a helmet, a torn pair of boots, and a little charred prayer book.” It is later implied that there would not be a body to bury.
  • Later, another explosion occurs. “The engine and the first two cars were annihilated. The cars beyond buckled and crashed into one another. Soldiers and war workers were thrown all about the cars. Shards of glass from shattered windows flew like shrapnel. Colette emerged unscathed, for Hazel had thrown her body over her friend’s.” James must treat Hazel’s injuries. Hades goes through the necessary course of action to “apply pressure to the bleeding and summon a medic. Clear airflow, release tight clothing.”
  • Hazel receives a blood transfusion. She notes the “tubes of red blood dangled from jars mounted to a metal frame and ran, Hazel realized, into a needle injected into her arm.”

Drugs and Alcohol

  • A character jokes about how the soldiers of the 369th “were knocked on their backs by the routine daily allotment of wine for French soldiers.”
  • While under treatment for shell shock, James is given sedatives.

Language

  • The narrator quotes real news articles about the 369th infantry; these include racist comments and one censored use of the n-word.
  • Offensive terms for opposing soldiers are often used. These include “Jerry,” “Russkies,” “Fritz,” and “Boche.” They refer at one point to Kaiser Wilhelm as “Wee Willie Winkie.”
  • Audrey calls the racist behavior of another soldier “shit” twice.
  • A trainer tells soldiers that in the event of a gas attack, “‘If you’ve lost your mask, you still stay calm. If all else fails, piss on a hankie and breathe through that.’” He warns that they will “break out in damnable sores everywhere” and that they “hurt like hell.”
  • Joey calls Aubrey a “jackass.”
  • Men are called “bastards” twice.
  • Aubrey calls his own behavior “damnably stupid.”
  • There is one use of the oath “Chrisssake.”
  • Emile regrets not being injured sooner, saying, “But non, you stayed away, leaving me healthy and sound, so the Germans could piss on me with their shells and bullets year after year…”
  • Aphrodite calls her husband a “blooming ass.”

Supernatural

  • Spirits occasionally observe their loved ones from the afterlife. At one point, James feels Frank’s presence and begins speaking to him. James wonders if he is going mad.

Spiritual Content

  • The story is told from the rotating perspectives of four Greek gods. Their influence and powers are often employed as catalysts for plot developments.
  • Hades comes dressed as a Catholic priest, as that is how he presents himself to humans.
  • Many of the human characters are Christian and are described praying, visiting churches, and lighting votive candles. They also reference Christian stories and practices.
  • After losing everyone she loves to the war, Colette struggles with her faith. She believes herself to be a “plaything to a vindictive god.” She calls god “it” and explains that “a loving god would never allow this. And if there was no god at all, surely chance would occasionally favor me, non?”
  • After standing up to an authority figure, the narrator says that Hazel “wasn’t a Catholic, but at the rate she was going, she probably needed a priest to take her confession. Before she was struck by lightning and cast down to hell.”

by Jennaly Nolan

 

14+    480   4.7   4 worms   AR   hs  (World War I)

Diverse Characters, Strong Female Character

 

 

 

 

 

The Hunters

Hal and his fellow Herons have tracked Zavac across the ocean, intent on retrieving the stolen Andomal, Skandia’s most prized treasure. Even though a fierce battle left Zavac and his fellow pirates counting their dead, the rogue captain managed to escape right through the Skandians’ fingers. If they hope to bring Zavac to justice and reclaim the Andomal, the Herons must take to the sea. But the challenge ahead is a dangerous one that could very well take out Hal’s entire crew.

In the first installment of the Brotherband Series, it was difficult to keep track of all of the characters. However, the main characters are now well-rounded individuals and their unique traits are beginning to shine. Hal has grown into a confident skirl, who knows his crew, which allows him to assign each person a job that is best suited to his/her talent. Even though Lydia is a girl, during battles she contributes because her skills are extremely useful. Readers will enjoy the interplay between the Herons and laugh at some of their mischievous ways.

While the second installment of the series, The Invaders, was slow and uneventful until the end, The Hunters has the perfect blend of suspense, character development, and battles. The Herons work as a team and show the importance of hard work, friendship, and loyalty. One of the best aspects of the series is that everyone has a valuable skill and that skill does not have to revolve around fighting. For example, Edvin cooks, knits, and steers the Heron. Even though the crew teases Edvin about his knitting, in the end, even Edvin’s knitting is used to benefit the entire crew.

The Brotherband Series brings to life the sea-faring warriors of Skandia, while teaching important lessons about working as a team and valuing others. The Hunters quickly captures the readers’ attention and keeps readers hooked by introducing interesting characters and conflicts. Even though all of Flanagan’s books end in an epic battle, each battle is realistic, unique, suspenseful, and told without gory details. The book’s conclusion is both heartwarming and humorous. After finishing The Hunters, readers will be eager to pick up the next book in the series, The Slaves of Socorro.

Sexual Content

  • None

Violence

  • Thorn and Lydia go after Rikard, who hears them and jumps to his feet. Lydia reacts and “her arm whipped forward and the long dart hissed away through the morning air. It flashed at knee level between Rikard’s legs, tangling between them.” Rikard falls “flat on his face.” Torn “hauled the pirate to his feet, then hit him with a thundering left, sending him crashing back to the ground once more.”
  • A pirate overhears a man talking about his pirate ship. The pirate walks into the man. “Nobody noticed the thick stiletto that he slid into the old man’s side. Pegleg’s gasp of pain was lost in the tavern’s bubble of shouting, drunken voices.”
  • When a pirate sees Rikard walking down a dark alley, he “stepped forward and rammed his knife up and under the other man’s ribs, shoving and twisting until it reached, and stopped, his heart. Rikard shuttered briefly. . . his hands went to the blood welling from the terrible wound.”
  • A sentry detains the Heron. Upset, Thorn “stepped toward the guard. His left hand flashed out to grip the spear at its midpoint, thumb down. Then he twisted his hand and the spear upward in a half circle and jerked backward, all in one rapid motion. . . Thorn had leveled the razor-sharp point at the captain’s throat.” The Herons are eventually allowed to pass.
  • Doutro has the Herons’ crew arrested. In order to get Hal to reveal where the crews’ valuables are hidden, Doutro has Hal beaten. “Hal tried to duck the first blow, but the man behind him held him still. The big fist exploded off his cheekbone. He grunted in pain.” Hal is beaten until he is unconscious. The description of the beating is described over several paragraphs.
  • Doutro has Lydia taken to his house because he is thinking about selling her as a slave. As Lydia tries to escape, a young man tries to stop her. She knocks him off balance and then “hit him on the side of the jaw with the heel of her open hand, fingers spread to increase its rigidity.” The man blacks out.
  • The Herons are put in a prison cell with another man. When the Herons escape, Stig hit the other man “with a blinding right cross that sent him sprawling. Luckily, there was a pile of dirty straw to break his fall. He lay spread-eagle on it, out cold.”
  • As the Herons leave the prison, the guards “went through the guardroom like a hurricane. . . In seconds, they were sprawled unconscious on the floor.
  • Pirates attack a merchant ship. The Herons jump in to help the merchants. Lydia uses her atlatl and “one of the longboat’s crew rises to his feet in agony as the dart transfixed him. Then the pirate crashed over, falling on the rower in front of him. . .” Hal uses a huge crossbow to shoot at the pirates. “The helmsman collapsed over the steering oar and the longboat swung wildly.”
  • After several pirates have been injured or killed, some of the Herons board the longboat. “Thorn and Stig moved forward like a two-man battering ram. The huge club and Stig’s whirling ax swept away anyone who tried to oppose them. . .” In the end, many of the pirates jump into the river to avoid being killed. The battle is described over 8 pages.
  • A group of pirates attack the Herons in an ally. Stig attacks a pirate and “the two blades rang together and shrieked against each other as Stig’s axe slid down the sword’s crosspiece. . .[Stig] grabbed the swordsman’s right hand with his left, twisting it down and around, bending the wrist back. The man howled in pain and inadvertently leaned forward to try to lessen the twisting pressure. . . Stig head-butted him in the face and jerked his wrist one more time.”
  • Seven pirates try to stop Stig’s movement. “The first man to move had taken two paces when Stig’s sword darted out and back. The thug clutched at his chest, a surprised look on his face, he crumbled to his knees.” The pirate dies.
  • Thorn arrives and sees the Herons are in danger. “Thorn kept coming, his massive club-hand rising and falling, then sweeping from side to side, smashing ribs and skulls and arms as he scattered the gang, spilling them like ninepins before him. . . The shaggy old sea wolf, transformed into a terrible and terrifying instrument of violence, simply lunged the club-hand in a straight-armed punch at the terrified thug. It hit him in the chest and hurled him backward. . . the man flew between them [Hal and Lydia], smashing into the brick wall with a sickening sound, then sliding to the ground as his knees gave way.” The fight scene is described over three pages.
  • The book ends with an epic ship-to-ship battle between the Herons and Zavac’s pirates. Hal shoots a giant crossbow and “the bolt streaked away and plowed through the packed men in the bow of the ship. . . He figured that first bolt had killed or wounded at least four men. . .” As Hal shoots the crossbow, Lydia uses her weapon to shoot darts at the men. One of Lydia’s darts hits Zavac’s first mate who “staggered and fell.”
  • Some of Zavac’s men were able to board the Heron by making a bridge of oars. In man-to-man combat, Hal uses a spear and “thrust quickly, hitting him [the pirate] in the thigh. The Magyaran dropped his spear, reached to clutch the wound in his leg and toppled off the oars into the sea.”
  • Hal’s crewman, Ingavr “swung the oar at full length, smashing it into them, sweeping them from their unsteady foothold. One fell back aboard the Raven, three of his ribs fractured by the oar. The others went into the sea.”
  • Hal rams the Raven with his boat. “Heron’s sharp prow sliced like a giant blade along the starboard bank of oars, smashing and splintering them as she went, hurling the oarsmen off their benches as the butt ends of the oars jerked forward and smashed into them. The air was filled with the shouts of injured men and the grinding, smashing sound of the oars as they flew into splinters.” Two men are injured and two men are knocked unconscious.
  • The Herons board the pirate ship and begin swinging their axes. A pirate stabs Wulf with a sword and “blood welled out.” Thorn helps the two boys. “Thorn swung a backhanded stroke across his head, shearing through the helmet.”
  • Zavac tries to kill Hal. Zavac “suddenly thrust down with a convulsive heave, putting all his weight behind the knife. Hal just managed to twist his body to the side. The dagger scored a shallow cut across his neck and he felt the hot blood flow from the cut.”
  • Thorn appears and puts a hook on Zavac’s arm. “Zavac screamed in agony as the two-piece clasping hook clamped down on his forearm like a vice. Hal actually heard several small bones cracking as Thorn increased the pressure. . .” Zavac is left to go down with his ship. This final battle is described over 26 pages.
  • Tursgud, the Heron’s nemesis, acted belligerently and Ingvar’s massive hand, balled into a fist, flashed up in a thundering, devastating uppercut. It caught Tursgud on the point of his jaw, picking him up and hurling him backwards for several meters. He slid across a table, collapsing it, then crashed into the ground. . .”

 Drugs and Alcohol

  • Thorn goes into a tavern to see if he can get some information on a pirate ship. The patrons were drinking ale.
  • A pirate goes into a tavern and “he signaled the tavern keeper for another jug of brandy.”
  • While trying to sleep on the Heron, Hal hears “drunken voices of sailors heading back to their ships after an evening in the taverns close to the waterfront.”
  • When the Herons return home, the town throws a party. “There were platters of roast vegetables and barrels of ale and wine for those who wished it.” Several of the adults drink the wine.

Language

  • The Skandians often use their gods’ names in exclamation. For example, “For Gorlog’s sake” is used as an exclamation three times. “Lorgan’s ears” and, “Oh Gorlog help us,” are both used as an exclamation once.
  • One of the Herons’ crew calls someone a “treacherous cow.”
  • Several times someone is called a fool.

Supernatural

  • None

Spiritual Content

  • Zavac “wore on the gods of several different religions, none of which counted him as a devoted follower. . .”

Peter and the Starcatchers

Peter thinks life cannot get any worse after he and some other boys from the orphanage are dumped on a ship. They’re told that they are bound to become servants to a cruel king. But then strange things start happening on the ship: flying rats, talking porpoises, and a mysterious girl named Molly. The strange occurrences all center around one heavily guarded trunk. But when Peter tries to investigate, Molly gets in his way.

Molly’s father is a starcatcher, with a very important mission. He’s supposed to be transporting precious cargo on another ship. When Molly discovers the two trunk got switched and the precious cargo is on her ship, she knows she must guard it from an overly curious orphan boy. However, when the porpoises tell her a pirate is coming for the treasure, Molly may just have to trust Peter in order to stop the powerful treasure from falling into the wrong hands.

The first half of Peter and the Starcatchers bounces between Peter’s, the pirate Black Stache’s, and Molly’s father’s perspective, creating a fast-paced narrative as the three ships maneuver to steal or protect the treasure. The second half of the book takes place on a remote island, after Peter’s ship crashes onto an island reef. Again, the perspective changes frequently from a wide host of characters, but rather than being confusing, the changing perspectives create excitement and allow readers to see what is happening all over the island. Each character is developed enough to have a unique voice, and readers will enjoy watching as each person fights for a different goal.

The story has plenty of action and suspense, which may frighten more timid readers. Anyone who enjoys a swashbuckling adventure will be delighted by the frequent twists and turns as the different parties clash in their struggle for the treasure. By the end of the story, the island becomes quite crowded with people vying for the treasure, including: Peter and the other orphan boys, Molly, Black Stache and his pirates, the island natives, a group of newly-created mermaids, and Molly’s father with his team of Starcatchers. Each group is well-developed and richly described. Readers will love seeing the story from each group’s perspective—even the groups they are rooting against!

While the large cast of characters doesn’t allow for every individual to be deeply developed—for example, most of Black Stache’s crew are stereotypical pirates—every character is colorful and the more prominent characters are well-developed. Peter and Molly are both very likable and are realistically portrayed. For example, they act bravely but admit to being afraid. They also admit when they make mistakes and learn the importance of working together.

While Peter and the Starcatchers shows the importance of working together, its biggest successes are its wonderful cast of colorful characters and a nonstop, zig-zag plot that is packed full of adventure. This is not a traditional Peter Pan stories, but a delightfully creative take on the original tale. Readers will enjoy when aspects of the original story (mermaids, a crocodile, and a one-handed pirate) are revealed. While there are sequels, all of the main story lines are neatly tied up in this book, allowing readers to decide if they want to be satisfied with this adventure or reach for another.

 Sexual Content

  • Peter overhears Molly’s governess and Mr. Slank in a cabin. Molly’s governess says, “Oh, Mr. Slank! . . . You are a devil!” To which Slank replies, “’That I am . . . And you know what they say! . . . the devil take the hindmost!’ Then Peter hears Mrs. Bumbrake emit a very un-governess-like squeal, followed by what sounded like a slap, followed by some thumping, then more squealing, then more thumping and then much laughing.”
  • The pirate Black Stache has a secret weapon called “The Ladies.” Instead of normal sails on his pirate ship, “the sky above the pirate ship was filled with an enormous black brassiere—an undergarment of fantastic size, as if made for a giant woman. The twin mountains of fabric, funnel-shaped, pointed and bulged ahead of the breeze.”
  • Peter meets a mermaid. “She did not appear to be wearing any clothes, her only covering coming from her lush cascade of hair. Ordinarily this second thing would have gotten Peter’s full attention, but he was much distracted by the third thing, which was blood seeping from a deep gash in her forehead.”
  • A mermaid saves Peter from drowning. “Her mouth was touching his mouth, and—the strangest thing—her breath was becoming Peter’s breath.”

Violence

  • Grempkin, a man from the orphanage, likes cuffing boys on the ear when they annoy him. “ ‘OW!’ said Thomas, upon being cuffed a second time by Grempkin.”
  • Slank, the man in charge of Peter’s ship, also likes cuffing boys’ ears. “
  • When a man tries to abandon ship, a guard stops him with a whip. The man “had taken perhaps three long strides when the whip cracked . . . and wrapped itself around this man’s ankle like a snake. The sailor crashed to the deck . . . [Slank] drew back his leg and kicked the would-be escapee hard in the ribs.”
  • Molly tells Peter about His Royal Highness, King Zarboff the Third, and how, “if you don’t salute with these three fingers when you say his name, and he finds out, he has these very fingers cut off.”
  • When pirates board Molly’s father’s ship, the captain’s “men fought courageously, but the pirates outnumbered them two to one. He could not stomach watching his men be slaughtered in a hopeless cause.” The captain surrenders.
  • Molly and Peter try to throw the trunk with the treasure overboard. “Molly screamed as Slank, grabbing her by her hair, yanked her away from the trunk. Peter lunged forward, grabbed Slank’s arm, and sank his teeth into it, tasting blood. Now it was Slank’s turn to scream.”
  • Pirates board Peter’s ship, and Molly defends the trunk. “She lunged toward Stache, her green eyes blazing with fury. Before Stache could react, she had knocked him away from the trunk, her hands clawing at his face . . . his screams mingling with the roars of the giant, who had lunged forward to grab the escaping girl, only to be attached by the pirates who’d been watching him.”
  • Peter’s ship sinks in a storm. “The Never Land broke apart, whole sections of the deck tearing loose, the masts splintering like twigs. A crewman was pitched, screaming, into the sea; he was followed by another, and then another.” The boys manage to climb into a dory and survive.
  • Slank and his giant crewman, Little Richard, try to steal the trunk from mermaids. “The instant he moved, another she-fish . . . hissed and darted forward, snakelike, opening her own hideous mouth and clamping her needle-sharp teeth down on his right forearm. Slank whirled to shoot it, but Little Richard, bellowing in pain, moved faster; he brought his massive left fist down on the she-fish’s head. She emitted a blood-chilling screech and fell away into the dark water.” The struggle is described over two pages.
  • The mermaids attack again. “The water boiled ominously around them. Little Richard screamed as he was bitten on his right leg, then his left.” Little Richard survives.
  • Slank crashes the dory into a mermaid. “The bow lifted slightly, avoiding a direct collision with the trunk, but striking the defiant mermaid. Slank felt the thud in his feet. That’s one less to worry about.” The mermaid is knocked unconscious.
  • Slank holds a mermaid captive, “holding the knife at her neck.” The other mermaids try to rescue her. “From time to time the knife cut, or the whip connected, each time drawing a scream. The water around the longboat grew cloudy with blood. But the mermaids kept coming, coming, frothing the water around the unsteady longboat.” The fight is described over two pages.
  • Peter is knocked unconscious. “The clublike wooden handle of Little Richard’s whip, two feet of two-inch-diameter oak, slammed into Peter’s skull from behind. Peter instantly crumpled to the shallow water, unable to break his fall, and lay face down, motionless.”
  • Peter and Molly attack Slank with coconuts. “Blood streaming down his face, Slank lunged to his feet, flailing his arms as he staggered toward the lagoon, the children still clinging to his back and bashing him with coconuts.”
  • Slank threatens Molly with a knife, “leaving a thin line of blood on Molly’s neck.”
  • Molly fights to escape. “Slank grunted in pain as Molly drove her left heel into his nose, blood spurting instantly, the shock weakening his grip just enough for Molly to yank her right foot free of his grasp.”
  • When Peter jumps out of the way of Black Stache’s sword, Black Stache accidentally kills Fighting Prawn, the leader of the island natives. “In fact, [Peter] flew straight up, but so quickly did he launch himself that Stache never really saw it, and thus had no chance to stop the thrust of his sword, which continued right through, plunging deep into the chest of Fighting Prawn.”
  • Peter duels with Black Stache. “Peter twisted his body and shot to his right, and as he did he switched his knife to his left hand and slashed downward with it, and it happened too fast for him to see, but he could feel it as he flashed past, feel the knife finding a target, and then, as he shot upward, he heard the scream, and turned to look down upon the vision of Black Stache, holding his sword in his right hand, and looking in horror at the bleeding stump where the left had been.”

Drugs and Alcohol

  • Alf, a sailor, often desires grog (rum mixed with water, a popular sailor drink). “Are we done, then? . . . Because I could use some grog.”
  • The captain of the Never Land is known to have “never bothered to learn even the basics of seamanship, choosing instead to occupy his time consuming vast quantities of rum.” He is never shown drinking but he appears several times, stumbling around and giving nonsensical orders to the crew.
  • A sailor claims a spell was cast on him to make him fall asleep. Another sailor scoffs. “Not hardly. Too much rum, that’s your magic spell.”
  • The men on watch “found some rum somewhere” and are “flat on their backs, snoring.”
  • Peter plans to put the man on watch to sleep, by spiking his food with rum. “Peter was still not sure exactly what rum was, but he knew two things about it . . . The first was that sailors loved to drink it, and gulped it down whenever they had any. The second was that it made them sleep.” He knows the cook has a barrel of rum because “the cook spent far more time drinking rum than cooking.”
  • When pirates board, Slank tells them, “We have a few women . . . And plenty of rum. But if you think there’s treasure on this old scow, I’m afraid you’ll be disappointed.”

Language

  • A man tells Peter that his ship will be traveling for five weeks, “If a storm doesn’t blow you halfway to hell.”
  • Slank asks, “What the dickens are you doing?”
  • The pirates often call each other names, such as “bag of lice.”
  • Idjit is used several times. Captain Stache shouts, “I DON’T WANT YOUR BLEEDIN’ HAND, YOU IDJIT! . . . I WANT THE BLEEDIN’ SPYGLASS.”
  • Moron is used once. A pirate says, “You rock-headed, lobster-brained MORON!”
  • Peter calls Molly a rat, after she threatens to tattle on him.
  • Molly’s father thinks “damn” when he hears pirates are coming, and thinks “damn” again when someone nearly catches him.
  • Devil is used a few times. To distract a giant crocodile, Alf shouts, “COME ON, YOU DEVIL!” Slank later calls the mermaids “she-devils.”

Supernatural

  • A magic trunk does strange things to people who touch it. When Alf touches it, “Alf could see light now, swirling around his head, colors and sparkles, moving to music, dancing to the sound of . . . bells, yes, it was bells, tiny ones, by the sound of them.”
  • Peter sees “a rat floating in midair. Peter blinked his eyes, but there was no question: the rat was suspended in space, as if hanging from a string, but there was no string. As Peter and the guard stared at the rat, it waved its legs slowly, almost languidly, as if swimming, and began to drift toward the doorway.”
  • Starcatchers are “a small group of people . . . There have been Starcatchers on Earth for centuries, Peter. Even we don’t know how long. But our task is always the same: to watch for the starstuff, and to get to it, and return it, before it falls into the hands of the Others.” The Others misuse starstuff to gain power.
  • Starstuff is golden dust that sometimes falls from the sky as meteors and “has amazing power . . . Wonderful power. Terrible power. It . . . it lets you do things . . . It’s not the same for everybody. And it’s not the same for animals as for people.” Starstuff can heal, can make people fly, can make people strong. Molly explains that larger quantities are more dangerous and can kill a person, or turn a fish into a mermaid, horses into centaurs, and other transformations.
  • Starcatchers have learned the language of porpoises, which are extremely intelligent creatures. They work together often to find any starstuff that falls in the ocean. Molly speaks with a porpoise several times, in their language of clicks and squeaks.
  • Some fish are turned into mermaids by starstuff. “They were changing. And fast. They still had their tails, though these had grown longer and more graceful. In their midsections, their bodies narrowed and their skin changed abruptly, from rough green scales to a white, fleshy smoothness. . . a distinct head appeared, separating from the trunk by a slender neck. . . The mouth became smaller, and a bulge of flesh started to protrude above it; ears were sprouting on each side of the head.”
  • Molly’s father turns a bird into a fairy, to watch over Peter. “The fairy, in a shimmer of gold, sprang from Leonard’s hand and darted to Peter, flitting around his head, filling his ears with her magical bell sounds.”

Spiritual Content

  • Molly tells Peter that there seems to be a larger battle going on in the universe over the possession of starstuff. “‘Just as we have the Others and the Starcatchers here on Earth, there seems to be something similar going on up there.’ [Molly] pointed toward the sky.”

by Morgan Lynn

 

The Invaders

As champions of the Brotherband competition, Hal and the rest of the Herons were given a simple assignment: safeguard the Skandians’ most sacred artifact, the Andomal. When the Andomal is stolen, the Herons must track down the thief to recover the precious relic. But that means traveling stormy seas, surviving a bitter winter, and battling a group of deadly bandits willing to protect their prize at all cost. If it comes down to a fight, Brotherband training might not be enough to ensure the recovery of the Andomal—or the safety of the Herons.

Even though the Herons have left Skandia, their training continues as they wait for the winter winds to cease. The beginning of The Invaders focuses on Thorn’s training of the boys, which allows Thorn’s character to shift from a broken-down drunk to a respected warrior. The story often shifts focus from the Herons, to the pirate Zavac and back to Skandia. While the three story threads are easy to follow, the large cast of characters do not allow for sufficient character development. Hal and Thorn are well-developed, but the other characters fade into the background.

Despite the lack of character development, one theme runs true: “We all have different levels of ability. What we must do is make the most of what we’ve got.” Each character has a different ability and even Ingvar, who has poor vision, is a valuable member of the crew. The Invaders adds Lydia to the crew. Lydia is not a helpless girl who needs a man to save her. Instead, her skills are essential in helping save lives during the battle against the pirates.

While the plot is somewhat predictable, the interactions between the Herons’ Brotherband, Swengal’s Skandian crew, and the town people add interest. Unfortunately, at 400+ pages, The Invaders does little to advance the plot. The story ends with the pirate Zavac’s escape and the Herons alone in their search to find Zavac and take back the Andomal. The sluggish beginning, the difficult vocabulary, and the descriptive sailing scenes make The Invaders best for strong readers.

Unlike the Ranger’s Apprentice Series, the main characters are not fighting to help their country. Instead, Hal is fighting to restore his Brotherbands’ reputation. Another main difference between the two series is that Hal’s ingenuity is constantly praised, and he does not learn and grow. Readers who fell in love with Will in the ranger’s apprentice, will miss the three main characters—Will, Horace, and Halt. Even though The Invaders is not as captivating as the Ranger’s Apprentice Series, readers ready for an adventure on the high seas will enjoy the story.

Sexual Content

  • None

Violence

  • When Jesper questions Thorn’s ability to train the boys, Thorn “moved with blinding speed. . . The old sea wolf’s left hand closed on Jesper’s collar in an iron grip and hoisted the boy off his feet, holding him suspended, his feet dangling clear of the ground. Then he gathered himself and hurled Jesper away like a sack of potatoes.”
  • While training the boys, Thorn uses a hickory baton to give the boys “a none-too-gentle rap on the behind” to get them moving. Once, Thorn “put a little extra venom into a whack.”
  • Thorn teaches the boys how to fight in battle. During an exercise, “Stig launched one last, massive blow at Thorn. . . Thorn caught it on the slanting face of his shield and deflected it.” Stig loses his balance, and “Thorn jabbed the baton painfully into his ribs like a snake striking.”
  • Pirates attack a ship. When a sailor tried to surrender, “a pirate’s spear was already thrusting forward. It took him in the middle of the body and drove him back. He screamed and fell to the deck, the spear still transfixing him as the pirate struggled to free it.” Even the sailors that surrendered were killed. “One died in silence. The other gave a brief cry of pain and despair, then fell to a bloodstained deck.”
  • The pirate captain, Zavac, questions a sailor to find where the ship’s treasures are hidden. Zavac “slashed the thin blade of the dagger across the Gallican’s face, laying open a long cut. . . Now the pain registered with him, a burning sensation across his face, accompanied by the rush of blood dripping down onto his clothes.” When the sailor stays quiet, Zavac tells his men, “Torture him. . . . On second thought, when he’s ready to talk, keep torturing him for another five minutes. Then call me.” After being tortured, the sailor is “barely recognizable. . . Two of his fingers on his right hand were missing, as was his left ear.” The sailor was eventually killed. The ship attack is described over eight pages.
  • Zavac and the pirates attack a small town, killing many people. The watch commander and his men try to defend the town. Zavac joins the fight and “he pivoted on his right foot and thrust viciously with the long curved blade in his hand. He felt it strike a momentary resistance, pause, then penetrate. Only now, he looked, and saw his sword deep in the belly of one of the garrisons. . . Zavac’s thrust had gone just below the highly polished breastplate that the man wore. The officer’s eyes were wide-open with shock.” The man dies. The pirate’s attack is described over several chapters.
  • A group of pirates chase Lydia. Trying to escape, she gets into a skiff. A pirate “grabbed hold of the stern” and Lydia “unshipped one of the oars and jabbed it at him, aiming at the hand that clutched the stern. He yelled in pain, releasing the boat.” Another pirate comes after her and Lydia “took quick aim at the man who had nearly caught her, then cast. His comrades were startled as he screamed and threw his arms up, then fell backwards against the wave. . .” The pirate dies.
  • Stig asks Barat, a company commander, to allow some of his men to help save Hal. Barat tells Stig no and Stig “hit Barat with every ounce of his strength. . . It was a savage right that connected flush on the side of his jaw, lifted him off his feet, then dropped him to the sand like a sack of potatoes. . . Barat was out like a light.”
  • The Skandians team up with the town people to defeat the pirates. Hal and his crew hit the balustrade with huge arrows. “A few seconds later, a section of the pine balustrade around the tower exploded in a hail of splinters as the heavy projectiles smashed into it, then through it, cartwheeling among the defenders and knocking men over.” Some pirates are injured, but the injuries are not described.
  • After Hal and his crew set the watch tower on fire, the pirates flee. However, the Skandians are waiting for them. The Skandians “smashed into the disorganized Magyarans, axes rising and falling in a deadly rhythm. The pirates, stunned and demoralized by the sudden onset of the watchtower fire, eyes streaming from the smoke, had no chance against the charging Skandians.”
  • Swengal and one of the pirates have one to one combat. “The Magyaran panicked as he tried in vain to withdraw his trapped spear. As a result, he never saw the roadhouse stroke from the massive ax that ended the fight for good.”
  • The story ends with a multi-chapter battle where the Skandians help free the town from pirates. When one of the invaders was shooting arrows at the Heron, Lydia threw a dart at him. The man “reappeared, arrow nocked, bow half drawn—and stepped straight into the plummeting dart she had just thrown. He threw up his hands, the bow went spinning away, and he reeled, then toppled over the railing, hitting the support frame several times as he fell.”
  • One of the Heron’s crew, Ingvar, was hit by an arrow. “. . . Ingvar [was] writhing on the deck, clutching at the arrow that was protruding from his left side, close to the hip.”
  • The Heron uses an oversized crossbow to send projectiles into a platform. The projectiles “wreaked havoc on the platform, smashing and splintering the railing and cutting down five of his [the pirate leader’s] men.”
  • One man is hit with a dart and then “toppled off the catwalk and thudded to the street below.”
  • Another pirate tried to flee, but Thorn “slammed the small metal shield into his unprotected midriff and he gasped and doubled over. A rib-cracking jab from the club finished him, sending him sprawling.”
  • During the battle, many pirates die. One dies when Hal “jabbed quickly forward and saw the shock on the man’s face as the sword penetrated his defense and slid between his ribs.”
  • When some of the pirates attempt to flee, the towns’ people attack them. “After a few brief violent moments, the townspeople moved on, leaving the broken, battered bodies of the pirates sprawled on the cobbles.”

 Drugs and Alcohol

  • A Skandian in the common room had an ale cup in his hand.
  • Sometimes Thorn’s past drunken behavior is discussed and Thorn is called a, “Broken-down old drunk.”
  • A ship that the pirates attack is carrying “a few barrels of wine and ale.”
  • After the town is liberated, they throw a celebration where ale is served.

Language

  • One of the boys says, “Don’t be an ass, Stefan.”
  • Lydia calls someone a “pompous, overbearing prat of a man.”
  • Thorn calls someone a “preening idiot.”
  • Gorlog is a Skandian god. Five times, Gorlog’s name is used in creative exclamations such as, “Oh for Gorlog’s sake.” Another time, Thorn says, “Gorlog’s bleached and broken bones you’re a sorry lot.”
  • Someone says, “Oh Bungall’s braided beard.” Bungall was a minor deity, generally referred to as the god of acting in an embarrassing manner.
  • One of Hal’s crew says, “Perlins and Gertz,” who are the Skandian demigods of snow and ice.

Supernatural

  • None

Spiritual Content

  • Occasional the Skandian gods’ names are used as exclamations.
  • Thorn thinks, “May the Great Blue Whale fly up to the sun.” The reference is not explained.
  • There is a brief reference to Tharon, the god of thunder.
  • When Hal and his crew are found, Swengal says, “Thank the gods you’re all safe.”
  • After a man knocks out Barat, he tells one of Barat’s men to tell the others “Barat stayed behind to pray to Torink for a great victory.” Torink was their god of battles.

We Unleash the Merciless Storm

We Unleash the Merciless Storm is the second book to take place in Medio, a world ruled by a wealthy inner city and divided by walls. In Medio, wealthy men take two wives—a Primera and a Segunda—who have trained their entire lives to fill these positions. Meanwhile, rebellion brews in the outer lands, and the rebel faction, La Voz, plans to strike on the capital. In We Set the Dark on Fire, Dani Vargas becomes a Primera to the powerful and dangerous Mateo. Dani becomes involved in a world of espionage and subterfuge while falling in love with Mateo’s Segunda, Carmen. We Unleash the Merciless Storm picks up right where We Set the Dark on Fire left off, following the aftermath of the car explosion that ended the first book.

Half of the story is told from Carmen’s perspective. When she returns to the headquarters of La Voz, Carmen discovers that the organization’s leadership is on thin ice, with distrust and skepticism everywhere. After having her loyalties questioned in light of her relationship with Dani, Carmen leaves the La Voz camp and steals back into Medio’s central city to find Dani. After a perilous journey, Carmen and Dani are reunited and must go on the run to escape the government’s police. What follows is a climactic battle as Dani and Carmen fight to stay together while turbulent change spreads across Medio.

Readers who enjoyed We Set the Dark on Fire will enjoy this second installment, which concludes the story of Dani and Carmen’s relationship. Their passionate love is the heart of this story, and readers will be rooting for this couple as they overcome adversity.

The political undertones of this book are similar to those of the first installment, as the characters rail against oppression and a corrupt government. A wall divides Medio, and the rebels must sneak past border patrol agents and hide from the police.

Readers will enjoy seeing Carmen’s past explored in more detail. Carmen, who has been raised by La Voz and taught to put the cause first, often feels conflicted about her loyalty to Dani, which is just as strong as the loyalty she feels to the rebellion. She also feels conflicted about the number of violent acts she has committed as a La Voz agent and wonders what Dani will think of her. The moral conflict over violence forms a large part of the story. La Voz’s leader says, “The goal of true resistance is not violence. It’s not about blood or death. The goal of true resistance is peace. Abundance. Violence is only a means to an end.” Throughout the story, La Voz agents strive to stay true to their morals and find that it is often difficult.

 

We Unleash the Merciless Storm is not quite as intriguing as the first book and includes less of the captivating world-building and detail that marked its predecessor. Still, the plot moves quickly and readers will be eager to keep turning the pages to find out what happens next. Part apocalyptic love story and part espionage spy thriller, this sequel will satisfy fans of the first book.

 

Sexual Content

  • Carmen remembers Dani looking at her like she’d “never kissed her dizzy.”
  • Someone calls Carmen a “whore,” and she thinks, “Like being a whore wasn’t condoned by [the government]. Like girls weren’t sold to the highest bidder to warm the beds of the men who would never deserve them.”
  • Carmen and Dani kiss and “Carmen could taste the truth on Dani’s tongue. There was no stopping now; there were only hands and lips and hair and hips and the feeling of drowning and coming up for air all at once.”
  • Dani and Carmen share a bed. “[T]heir noses were brushing each other, and Dani’s hands rose up to bury themselves in Carmen’s hair, and there was no pain in the world, no grief, no sadness, there was only the charged space between their lips, and every day Carmen had wanted this stretching out behind them.”
  • When Carmen and Dani kiss, “their lips met like a lightning strike, thunder reverberating through their bodies as they pressed frantically into each other, hands tugging at clothing and hair, mouths open in agony and relief as the friction built to a fever pitch between them.”
  • Dani and Carmen have sex, but the act is not described in detail. Afterward, “Carmen felt she was being left somehow cleaner than she had been found. Purer. How could something that was said to be so wrong do all of that? How could something the gods supposedly denied feel like a baptism? How could it feel like faith?”

Violence

  • Dani hears gunshots as La Voz has a shootout with “border patrol agents who’d followed them from the wall [and] entered the camp, guns blazing.”
  • Carmen must kill a captured border patrol agent to prove her loyalty to La Voz. She “reached forward without hesitation and opened the officer’s throat. He slumped to the ground, his blood spreading slowly at their feet.”
  • Dani’s weapon of choice is throwing knives that are dipped in various poisons. The poisons have the power to kill a person instantly, send them to sleep or send them into madness.
  • Dani throws a knife at the president, and watches “the president of Medio reach for his throat, his eyes uncomprehending, and pull out the blade.” The wound itself is not fatal, but “the poison was already spreading through his veins.”
  • During the final battle, Dani hits a soldier with a poisoned knife that causes madness, and he “was roaring, his rifle in his hands, spraying bullets in every direction.”
  • A man is shot, and “the bullet ripped through [his] chest, sending him to the ground, blood splattering and pooling and absolutely everywhere.”

Drugs and Alcohol

  • At a dignitary function, Carmen sees the President of Medio “as he took another goblet of wine and downed it in one gulp before grabbing another.”
  • The president is clearly drunk, and later he stands in the entrance to a grove, “his fly comically open, swaying on the spot.” Carmen thinks he is a “drunken, cowardly fool.”

Language

  • Profanity is used very rarely. Profanity includes bitch, damn, and hell.
  • Someone tells Carmen, “Not only are you a traitorous bitch, but you’re a whore, too.”

Supernatural

  • None

Spiritual Content

  • The beginning of the book contains a myth from Medio, which tells the story of the Salt God and the Sun God. The Salt God calls upon a man and a girl, and “the spirits within them came forth, meeting the god’s spirit of pure light as at last his human form was abandoned forever.” At the end, the man and the girl say they will be the voice of the people. This myth is said to be the origin of the rebel organization La Voz. (“La Voz” is Spanish for “the voice.”)
  • Carmen looks at the wall that separates Medio, which some people believe was built by gods. She thinks, “She didn’t believe gods had built the wall. She believed men had made other men do it.”
  • Carmen looks at statues of deities, which include “the goddess of secrets and the god of the harvest” and “the four capricious children of the god of fermentation and fertility, who were said to be present at every feast or festival ever held.”
  • Carmen says, “The gods were only stories told by people in power to make oppression seem glorious, fated. Carving their likenesses is the very thing keeping the people broken and suffering? Cut off from the resources that could save them? It was nothing more than a cruel joke.”
  • Carmen tells Dani, “There isn’t a god or a person living who could keep me from coming back to you.”
  • A miracle is described as “an act of a god, when [the people] had too long believed all their gods had abandoned them.”
  • Carmen prays “to the gods Dani believed in, the ones Carmen never could.”

by Caroline Galdi

Deception

When Baalboden is destroyed, the survivors are left to fend for themselves. The ragtag group elect Logan as their leader. With Rachel by his side, Logan is determined to get the survivors to the safety of another city-state. The survivors must leave the ruins of their home and take their chances in the Wasteland. But the Commander and a rival city-state’s army both want to take the device that controls the Cursed One for themselves.

Soon, it becomes clear that the survivors have a traitor among their ranks, who is killing them. Both Rachel and Logan are put under an unbearable strain, causing Logan and Rachel to wonder if their love will be shattered. Soon, everyone is questioning if they can survive the Wasteland.

The second book of the Defiance Series has wide plot holes, long and unrealistic fight scenes, and underdeveloped characters. Even though the story’s point of view alternates between Logan and Rachel, the two are frustrating characters to follow.

Rachel’s father trained her to defend herself, and Rachel is portrayed as an excellent fighter who can defeat male soldiers. Her daring acts in battle are described in long descriptive scenes that are completely unrealistic. In addition, Rachel is amazingly self-centered. When Rachel’s best friend Sylph dies, Rachel is distraught and only thinks about how Sylph’s death will affect her. Instead of being a heart-wrenching moment, Sylph is so underdeveloped that her death has little impact on the reader.

Most of the time, Logan only thinks about keeping Rachel alive. He feels guilty about everything and doesn’t trust anyone in his inner circle to help him keep the survivors safe. Even though Logan is surrounded by others who are older and more knowledgeable, Logan acts as if he is the only one intelligent enough to save the survivors. He over-thinks every situation and doubts his own abilities, but is still arrogant enough to think only he can find the solution to every problem. Plus, Logan’s repetitive inner dialogue is annoying.

This dystopian novel blends action and romance together; however, the story’s many flaws will leave readers wishing that they had left the book on the shelf. If you’re looking for an entertaining dystopian romance, you should read The Selection Series by Kiera Cass and the Matched Trilogy by Ally Condie.

Sexual Content

  • Rachel and Logan kiss several times. For example, Rachel gives Logan a “quick kiss.”
  • Logan thinks “kissing Rachel is like discovering a new element—one that turns my blood into lava and sends sparks shooting straight through every logical thought still lingering in my head.”
  • Rachel has a bad dream. When Logan wakes her, Rachel “raise[s] my head to kiss him, swallowing the rest of his words. My lips are harsh. My hands grip his arms. Claw his shoulders. . . This is what I need. This will make it better. I wrap my leg around his. . . I kiss him hard enough to hurt.” The scene is described over three pages.
  • Rachel and another girl have a short conversation about Logan’s kissing abilities. Rachel thinks, “I lose myself for a moment in the thought of his callused fingers gently sliding over my back, his lips pressing urgently against mine, his breath quickening against my skin.”
  • Rachel and Logan walk into a bedroom and see a husband and wife in bed together. Both the woman’s and man’s chest are exposed.
  • Logan helps Rachel, who is injured, change clothes. Rachel’s skin “glows, my breath hitches in my throat, and a feeling just as real as the pain in my arm but infinitely more delicious spreads through my stomach in lazy spirals. . . His chest scrapes the sensitive skin along my back as he breathes in quick, little jerks as if he’s been running.” Logan admits being tempted by Rachel.

Violence

  • The story begins with a multi-chapter battle. After Baalboden is destroyed, a group of soldiers try to enter the town to attack the survivors. “The first wave of soldiers crashes into the tiny band of survivors and the scream of metal against metal shivers through the air. . . Logan slams into another man, and their swords clash. We lunge, swing, hack, and parry with the Wall at our backs, and slowly gaining ground toward the gate.”
  • During the above fight, Rachel “leap[s] to my feet, and he [a soldier] lunges toward me on legs suddenly too weak to hold him. I follow his gaze as he stares down at the deep cut on his thigh, at the blood gushing out of his artery with every beat of his heart.” Another soldier attacks and Rachel “slice[s] my knife across his neck as he turns. Blood spurts, and I stagger back as it arcs toward me.”
  • A soldier pens Rachel down. Rachel jabs “the knife into the soft meat of the soldier’s leg, and he stiffens, his grip on my Switch arm loosening slightly. Before he can recover, I snap my head back, smashing my skull into his nose.” A man helps Rachel “as he wrenches the man’s sword arm to an impossible angle. The soldier screams in agony as the sickening crack of a bone ripping apart from its tendons fill the air.”
  • During the battle, Willow uses a bow and arrow and “takes them [soldiers] both down in less than ten seconds.” Rachel looks “away before I can see the blood that pours out of their wounds and spreads across the soot-stained cobblestones beneath them.” After the fighting, Logan gives an order “to strip the soldiers’ bodies of anything we can use.”
  • Rachel thinks back to when she killed a man. “My knife. His chest. Blood covering me as I sat horrified.”
  • When soldiers attack, Rachel tries to keep them away from the others. “I plant my right foot, lean back slightly, and snap my left leg into the air, kicking his windpipe with my boot. He drops to the floor. . .” She kills the man, but other soldiers attack her. “I slash my knife, sticking into a soldier’s neck. A line of brilliant red spills across his coat and splashes onto my hand.” Many of the soldiers are killed in bloody detail.
  • The Cursed One attacks a group of survivors. “A thick stream of red-gold fire spews out of its snout. Frankie dives beneath it, but flames grab hold of his tunic and his clothing ignites. He rolls across the grass, extinguishing the flames.” Frankie dies.
  • Someone slits a man’s throat. Logan finds the body. “I shake him and watch in horror as his head tips back, revealing the thick crimson slice across the base of his neck.”
  • While in the forest, someone throws a rock at Logan, making his head bleed.
  • As the group of survivors flees, highwaymen attack. Rachel leads their counterattack. “The highwaymen are converging on me. . . I dive out from under his feet before he can finish swinging his sword at me. His momentum carries him past me, and I slash the tendons behind his knees with my blade.” When the man is down, Rachel goes after another one. “I snatch my knife and lunge to my feet, bringing my weapon in his sternum as I stand. He deflates slowly, and I shove him away as he crumples. . .” Twenty-three of the highwaymen are killed.
  • An army attacks the group. The survivors throw jars full of acid and “the cypress explodes in a shower of splinters, branches, and shards of bark the size of my arm. . . A handful of soldiers are crushed beneath the trunks. Still more are bleeding from gaping wounds to their heads, arms, and legs. . . The soldiers closest to the explosion are thrown onto their backs, their skin riddled with cuts.” The survivors escape by blowing up a bridge. The fight takes place over eight pages.
  • One of the survivors, Willow, jumps into the river to save someone. When a solider goes after her, Rachel shoots him with an arrow. “He staggers, reaches up to grab the arrow, and falls backward into the river. Three more arrows fly, and all of the injured soldiers stop moving.”
  • As the survivors are resting, the rocks near them begin to explode. “Before they can move, another piece of the ground bursts into flames, right beneath the feet of an older man. . . He screams, a long, high wail of agony that tapers off into silence as his body twists away from the fire and falls to the grass in a smoldering heap.” Rachel pushes a child out of danger’s way. The stone explodes and “pain—searing, vicious pain unlike any I’ve ever felt—blazes a trail of agony down my right forearm. I scream and belly crawl away from the terrible heat that reaches for me.” Many people die or are injured. The scene is described over seven pages.
  • Two of the characters reveal that they killed their father. The father’s death is not described.
  • Rachel is kidnapped. Quinn tires to stop the traitor. “He drags me to my feet, but Quinn is already there, crouched and shaking, his breath rattling in the back of his throat like a trapped animal. . . Quinn falls to the ground and disappears beneath the cloud of smoke.” Rachel tries to escape, but the traitor finally “balls up his fist and slams it into the side of my head. . . then my ears ring, my eyes close, and darkness takes me.” The scene is described over eight pages.
  • When Rachel insults the traitor, “the knife plunges down, slicing through my bandage and digging into burned flesh. I scream as raw agony blisters my arm.”

Drugs and Alcohol

  • Someone poisons the survivors with castor seed poison, which cannot be cured.
  • Several times people are injured and are given pain medication.

Language

  • None

Supernatural

  • None

Spiritual Content

  • When soldiers try to ram their way into the city, Logan prays that the survivors have time to escape.
  • When the Cursed One attacks a group of survivors, Frankie gives his life to save them. “I [Rachel] close my eyes, praying that Frankie dies quick and that the pain is over in seconds. Praying that the monster leaves once he’s satisfied his prey is dead. Praying that everyone else has the good sense to honor Frankie’s sacrifice by remaining silent.”
  • While holding an infant, Rachel prays “that I don’t break her.”
  • When Rachel is kidnapped, Logan prays that she is okay.

Criminal Destiny

The clones of project Osiris are now free – but they’re being hunted. After their narrow escape from their “perfect” hometown, Eli, Tori, Amber, and Malik are finally in the real world and are determined to expose the leaders of the other world, Serenity. They decide to track down Tamara Dunleavy, the mysterious billionaire and founder of Project Osiris. Evading capture by breaking laws and sneaking into houses, hotels, buses, and cars—are they becoming the criminals they were destined to be?

What they learn will change everything and lead them straight back into the Plastic Works and the heart of the experiment in order to uncover the deadly criminals they’re cloned from—and find evidence that will convince the outside world to believe the truth. But the outside world isn’t exactly what they expected. Strangers aren’t just unfriendly, they’re dangerous. The wrong move could send them right back into the arms of Dr. Hammerstrom and leave them trapped in Serenity for good.

The story revolves around five characters—Eli, Malik, Hector, Tori, and Amber—and each chapter changes between these characters’ points of view. This allows the reader to understand each character’s thought process, which helps build their character. Each person struggles with the knowledge of being cloned from a criminal, but each one reacts to it differently and sometimes in surprising ways.

The story Criminal Intent has non-stop action as the kids discover how the real world works. As the kids try to navigate the real world, their misunderstandings lead to some hilarious comments. The kids truly believe that they need to break Rackoff, one of the criminals a kid is cloned from, out of prison in order to have a future. His escape is “a ticket for eleven clones to be able to prove who they are, and what’s been done to them. And maybe, just maybe, have a future.” Because of this belief, the kids are willing to commit crimes in exchange for his help.

While the conclusion is somewhat far-fetched, it also has several surprises and ends with a cliff-hanger. The kids are so busy evading the Purples, the police, and other people, that they do not have time to learn anything about Project Osiris. Unfortunately, the kids’ only plan is to find help from one of the criminals that they were cloned from. While Criminal Intent has humor and action, the kids have no real idea how they are going to have a future separate from the scientists from Project Osiris, which includes their parents. Instead of solving any problems, this action-packed story sets up an exciting third book, Payback.

Sexual Content

  • None

Violence

  • The Purple People Eaters try to capture the kids. When a Purple tries to grab Tori, Malik “barrels out from a group of students and makes a bull run at him. Malik crashes headfirst into the Purple’s midsection. . . the element of surprise knocks him on his butt.”
  • As the kids try to escape, a Purple grabs Malik. “Secret Agent Man gets Malik in a headlock. And the next thing he knows, his own car is coming at him, chewing up turf. The rear door swings open, catching him in the side of the head.” The kids escape without seriously injuring anyone. The scene is described over three pages.
  • While in Denver, the kids see a man being mugged in an alleyway. “Scruffy has the suit guy up against the wall and is holding the knife to his back. . .” Amber jumps in to help. “Scruffy wheels and now the knife is pointing at Amber. . . She starts lecturing the crook in what sounds eerily like her mother’s teacher voice.” The confused crook runs off.
  • The kids see a man digging through their backpacks. Amber goes after the guy. She jumps over a table and her “front foot gets tangled with his two fleeing ones. We both go down . . . there’s a thwack as his head hits the base of the tree.” The man is knocked unconscious and the kids take off.
  • A group of teens is lounging around the kids’ car. “Amber reaches out, grabs the leader’s leg just above the boot, and gives a mighty yank. He comes flying off the hood and lands in a heap on the pavement on the parking lot.” When a teen tries to grab Amber, “Malik’s fist shoots out like a battering ram, catching the kid full in the nose.” The teenagers back off and leave. The scene is described over two pages.
  • The kids’ research who they were cloned from. One of the men was sentenced to “over three hundred years behind bars. . . He was stabbed to death by another inmate last year.”
  • Late at night, Tori sees a man enter the hotel room. She grabs a metal wastebasket. “I’m out of bed, across the room, and swinging my weapon at the shadowy figure.” The person turns out to be her friend, Eli. His head is bleeding, but not hurt badly.
  • While trying to help someone escape from prison, the kids steal a postal service truck. Malik threatens the driver with a crowbar. “Malik drops the crowbar and enfolds the postal worker in a wrestling hug. George struggles against him, but Malik is just as big as he is, and strong. . .” Eli uses a maneuver he learned on the internet to make George pass out.
  • When the Purples find the kids, someone grabs Eli “strangling [him] with [his] own collar.” Eli gets the syringe and “wielding it like a knife, I get to my knees and stab it into my enemy’s thigh. He stops dead, letting out a gasp of pain that’s instantly familiar.” The man “collapses to the ground out cold.”
  • Bryan, a Purple, grabs  Tori and Eli rushes to help. “I come up behind him and stab the needle into the back of his shoulder. . . Bryan drops like a stone.”
  • Eli threatens a pilot with the syringe, so the pilot flies Eli and Tori away. When they get to their destination, Eli pricks the pilot “with the needle, careful to inject a small amount of tranquilizer into the back of his neck.” The escape scene is described over seven pages.

 Drugs and Alcohol

  • When the Purples find the kids, a doctor tries to tranquilize the kids with a “syringe filled with some kind of cloudy liquid.” Eli is able to get the syringe and he uses it on several people.

Language

  • Malik thinks about his friend Hector. “Poor stupid, pain-in-the-butt little Hector, who died during our escape from Happy Valley.” Later when Malik discovers Hector is alive, he says, “I wasted a lot of sad on your unworthy butt.”
  • There is some name calling, including pinheads, dimwit, moron, idiot, jerk, and stupid
  • While trying to steal a truck, the victim tells Malik, “you’re bat-poop crazy.”

Supernatural

  • None

Spiritual Content

  • None

 

Halt’s Peril

While Will and Halt are hot on the trail of the Outsiders, which is a cult that’s been making its way from kingdom to kingdom by conning the innocent out of their few valuables, they are ambushed by the cult’s deadly assassins. Pierced by a poisoned arrow, Will’s mentor is near death and in dire need of the one antidote that can save his life. Time is not on Will’s side as he journeys day and night through the harsh terrain to Grimsdell Wood in search of the one person with the power to cure Halt: Malkallam the Sorcerer.

Halt, Horace, and Will track the Outsiders in the hope of dismantling the cult. The three travel through unknown territory in a story full of adventure, fighting, and friendship. However, this time both Halt and Horace face life and death situations. Their survival is not guaranteed. In order to save Halt, Will and Horace are willing to do anything. Unlike previous installments in the series, both Will and Horace no longer have qualms about killing others. While they try to use peaceful means to solve a problem, killing others becomes necessary to save Halt and defeat the Outsiders.

Halt’s Peril highlights the importance of loyalty, dedication, and friendship, but the book also has several scenes that readers may find disturbing. As the series progresses, the characters do not become stagnant. Instead, they mature, and their relationships become more complex. Readers will enjoy the changing relationship of Will, Horace, and Halt. Instead of Will and Horace being subordinates, Halt values their skills, knowledge, and friendship.

The conclusion of Halt’s Peril will leave the reader smiling because good overcomes evil, loves last through separation, and friends help each other in times of need. Flanagan delivers another action-packed story that will keep readers entertained until the very end.

Sexual Content

  • When Halt makes it back home, he cast “aside his usual reticence, he stepped forward to meet [his wife], swept her into his arms and kissed her for a long, long time.”
  • When Will makes it home, he “felt a gentle hand on his arm and looked up slightly to meet Alyss’s smiling eyes…” Will “stepped forward, embraced her and kissed her. His head swam a little as she responded enthusiastically.”

Violence

  • When Will leaves a tavern, two men follow him. To encourage them to leave, Will shoots an arrow at them. Then, “without warning, there was another hiss-thud between them. Only this time, Niallis’s hand flew to his right ear, where the arrow had nicked him on its way through. Blood ran hotly down his cheek.”
  • Two thugs, Niallis and Dennis, are told to remove Halt from a tavern. Halt says Horace’s name, then “Horace began with a straight right to Dennis’s jaw. It was a solid blow.” Niallis attempts to help Dennis, but “Horace had pivoted and hit him with a crushing left hook to the jaw. Niallis’s eyes glazed and his knees went slack.” Horace knocks out both thugs. The scene is described over one page.
  • Halt attempts to talk to a smuggler named O’Malley. When the man attempts to leave, Halt’s saxe knife “was now pressing a little too firmly against the smuggler’s throat.” The smuggler gives Halt the requested information.
  • When O’Malley follows Halt’s ship, Will and Halt begin shooting arrows at the boat. “One arrow thudded, quivering, into the bulwark less than a meter from the helm. The other buried itself painfully in the flesh part of O’Malley’s upper left arm…” As the arrows continue to rain down on the crew, chaos ensues. “Again they shot. This time, both arrows found their mark and the man pitched forward, rolling into the scuppers as the ship heeled…” The smuggler’s ship hits a reef and crashes. Halt has men throw “some barrels overboard to float down to them. It might give them a chance.” The scene is described over three pages.
  • Tennyson, a false prophet, orders his men to kill a farmer. Tennyson “heard the slap-whiz of two crossbows, and two bolts streaked across the field to bury themselves in the man’s back. He threw up his hands, gave a choked cry and fell face-first down in the grass.” Tennyson’s men kill the farmer’s wife, then burn the farm and the barn with all of the cows inside. The scene is described over three pages.
  • Halt, Will, and Horace hide in an ambush of Tennyson and his men of Scotti raiders. When the raiders are close, Halt and Will begin shooting arrows. As the raiders attempt to flee, “threatened by the hail of arrows, they bunched together uncertainly. A few seconds later, the crazed cattle smashed into them… When the stampede passed, at least half of the raiding party were lying, seriously wounded, on the field.” Half of the raiders die before the others are able to run off. The scene is described over one page.
  • Tennyson sends two assassins to kill Halt and Will. During the attack, “Will’s arrow slammed into [the assassin’s] side. He lurched sideways, jolting against his companion and throwing off his aim. Then Halt’s arrow slashed into his chest and he jerked the trigger with dead fingers as he toppled backwards.” Will hears “Halt’s brief cry of pain, followed by the sound of his bow dropping… wet red blood stained his cloak. There seemed to be a lot of it.” Halt is hit with a poisoned crossbow bolt. The scene is described over three pages.
  • Later, Will attacks the assassin. The two are on horseback when the assassin “struck once, aiming for Tug, but Will leaned forward over his horse’s neck and deflected the thin blade with his saxe…” Both men jump out of the saddle, and Will “stepped in and slammed the heavy brass-shod hilt of his saxe into the side of the man’s head. Then without waiting to see if the first blow had been successful, he repeated the action a little harder.” Will takes the assassin captive.
  • When the assassin insults Will, “Horace’s open hand slapped hard across the side of his head, jerking it to one side and setting his ears ringing.” Horace strikes the assassin several times throughout the story.
  • In order to help Halt, Will and Horace need to know what type of poison was on the crossbow bolt. In order to get the assassin, Bacari, to talk, Horace “put the razor-sharp tip of the bolt against Bacari’s inner forearm, then deliberately pressed it into the flesh, penetrating deeply so that hot blood sprang from the wound and ran down Bacari’s hand. Bacari screamed in pain and fear as Horace dragged the sharpened iron through the flesh of his arm, opening a deep, long cut.”
  • During guard duty, Horace falls asleep. “Horace came awake in panic as he felt something whip over his head and then tighten inexorably around his throat, dragging him back away from the fire, cutting off his air and strangling any attempt he made to call out.” When the assassin tries to kill Horace, Will steps in. Bacari “was still laughing when Will’s throwing knife, drawn and thrown the moment the saxe had left his hand, buried itself in his heart. He looked down and saw it for a fraction of a second before his sight went black and his legs collapsed underneath him.” The scene is described over four and a half pages.
  • In the past, Halt had saved another ranger’s life by “shooting two of the bandits and cutting the third down with his saxe knife.” Halt was injured when “the huge bandit leapt out, swinging a terrible blow with the massive club.” All of the bandits were killed. The battle is described in one paragraph.
  • When Tennyson is preaching, one of his men uses an optical illusion. When Will sees the man, “the young Ranger’s arm went up, then down as he crashed the brass striker into the man’s head, behind the ear.”
  • Tennyson takes his followers into a huge cave. Halt, Will, Horace, and Malcom interrupt Tennyson’s preaching. Tennyson’s men attack. “Quickly, Halt retreated before the first rush, drawing his saxe to deflect a dagger thrust, then slashing the razor edge across his attacker’s forearm. The man yelled in pain and dropped out of the fight.” In order to prevent Tennyson and his men from escaping, Will throws explosives. “Rocks and earth fell from the ceiling in ever-increasing amounts… Will saw a massive rock shaken loose from the wall above the ledge where Tennyson stood. It hit beside him, barely a meter away.” The preacher “stepped onto empty air and toppled slowly off the ledge. He smashed against the jagged rocks at the base of the wall.” The scene is described over five pages.

 Drugs and Alcohol

  • When Will goes into a tavern, he is offered ale or ouisgeah. “Ouisgeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia.” When three men come into the tavern, “the tavern keeper immediately began to pump up three large tankards of ale without a word passing between them.”
  • While making stew, Will added, “a generous glug” of red wine.
  • The assassins dip their crossbow bolts in poison.
  • When Halt is shot, Will gives him a salve that was “derived from the drug warmweed.”

Language

  • “Why the devil” is used several times. For example, when someone tells Halt that Tennyson went to Picta, Halt says, “Why the devil would Tennyson want to go to Picta?”
  • “Oh my god” is used as an exclamation once. “My god” is used as an exclamation once.
  • “For god’s sake” is used as an exclamation twice. When someone has difficulty mounting a horse, Halt says, “For god’s sake, can’t you just haul him up behind you?”
  • When the cave is collapsing, Will tells someone, “get the hell out of here.”

Supernatural

  • None

Spiritual Content

  • Tennyson is a false prophet who preaches about Alseiass, the Golden God. Tennyson convinces people that they must build Alseiass “the golden, jeweled alter that he desires—an alter that you can worship at for generations to come.”
  • Tennyson tells people, “Alseiass loves you! Alseiass wants to bring light and joy and happiness into your lives… Alseiass is the god of light and enlightenment! His light of mercy can be seen even in the darkest reaches of the earth.”

The Kings of Clonmel

In the neighboring kingdom of Clonmel, a mysterious cult, the Outsiders, has sprung up, promising the defense against lawless marauders in exchange for the people’s riches. Their sermons attract audiences from miles around, but there’s a dark side to the seemingly charitable group. This prompts Halt, Will, and Horace to investigate…but what the trio uncovers could threaten the safety of not only Clonmel, but their homeland of Araluen as well.

Halt, Will, and Horace band together to fight evil in the action-packed adventure The Kings of Clonmel. Unlike the other books in the series, The Kings of Clonmel takes a hard look at a religious cult that brutally murders innocent people in order to convince them to follow their leader, Tennyson. While much of the story revolves around Tennyson and his followers, the reader will also get a surprising look into Halt’s life before he became a ranger, which gives depth to his personality.

As The Ranger’s Apprentice series progresses, the relationship between Halt, Will, and Horace matures. No longer uncertain apprentices, Will and Horace have grown into men who are fiercely loyal and willing to go into dangerous situations in order to help the common man. Although Will and Horace respect Halt, they are now comfortable teasing him. This new element adds humor to the story, and it shows the great lengths the two men will go to support Halt. While Horace is straightforward and honest, Halt and Will are willing to use deceit in order to defeat the enemy. The contrast between the men allows the reader to see that friends can disagree without destroying their relationship.

The eighth installment of The Ranger’s Apprentice series will not disappoint readers. While the conclusion of The Kings of Clonmel still contains an epic battle, the story never feels like a repeat of previous books. Instead, the adventure still contains surprises. Halt, Will, and Horace have a deep friendship, and each man uses his unique talent in order to help others. The men clearly love their country and their king, and they are willing to sacrifice for the greater good. While the story contains some disturbing scenes where women and children are mercilessly killed, their deaths highlight the importance of following reason instead of mob mentality. Even though today’s men do not need to go into combat, The Ranger’s Apprentice series teaches important lessons that can be applied to today’s world.

Sexual Content

  • After being gone, Will returns to the castle. When he sees Alyss, “She leaned forward, kissed him lightly on the lips and slipped away.”
  • Horace mentions an event from an earlier book. Horace had asked about some skimpily clad girls. Instead of saying they were prostitutes, Halt told him “that they had short dresses because they might have to run with urgent messages.”

Violence

  • A group of men, the Outsiders, attack a family farm. When the men attack, a man “reached for the ax he had just leaned against a water trough. Before he could raise it, an arrow flashed across the clearing and buried itself in his throat. He gave a choking cry and staggered, falling half into the trough. The water began to turn red with blood.” When the men are dead, the killers “shouldered the door of the farmhouse open…” Once inside, a woman threw a pot of boiling water on a man. “He screamed in agony and lurched to one side, dropping the bloody sword and throwing his hands to his face.”
  • A surviving man “had a long pitchfork in his hands and he raised it as he ran forward. He never saw the bandit leader. He only felt the searing agony of the sword thrust into his side… He fell facedown.”
  • During the attack, a woman asks for mercy. “The raiders, oblivious to the splashed blood and sprawled bodies around them, helped themselves hungrily to the platters of hot, sizzling bacon…” Everyone is killed except for two children who were able to run away. The family’s death is described over three pages.
  • Halt stops raiders from setting a fire to villagers’ boats. “The first moment the raider knew he wasn’t alone was when an iron bar of an arm clamped across his throat while a powerful hand forced his head forward to complete the choke hold.” The man passes out. Then, Halt approaches another man and “slapped the burning pile of tinder out of his hand, scattering it onto the sand. Then he followed through with his other hand, his left, in a hooking palm strike that had all the power of his twisting body and shoulder behind it. The heel of his hand slammed into the man’s chin, snapping his head back and sending him crashing into the hull of the boat with a cry of pain.”
  • A man confronts Halt. Halt “flat-kicked sideways at the inside of the man’s left knee. The leg buckled and the man collapsed with a cry of pain, holding his injured knee and yelling.” The scene is described over four and a half pages.
  • The Outsiders try to capture Halt and send dogs after him. “Faced with a head-on target, the Ranger waited until the dog had lifted its head to send the snarling challenge… Then Halt shot for the throat, the impact of the heavy arrow, with the eighty pounds of draw weight from his bow behind it, sending the dog staggering backwards and sideways. The second arrow… dropping it stone dead.”
  • Another dog is sent after Halt. “As he watched, another massive gray-and-black shape detached itself from the group and came arrowing up the slope after them… This as a pitiless killing machine, perverted by its cruel training so that it sought only to kill and kill again.” Halt’s shot kills the dog instantly.
  • When a man tries to approach Will, “he’d barely begun to draw when a black-shafted arrow hissed downhill and sent him tumbling back into the trees. His companions looked at his lifeless body…” The men send another dog, and Halt kills it “and sent it rolling back down the slope, eyes glazed, tongue lolling.” The dog attack is described over four pages.
  • One of the bandits tries to track Halt, but Halt sees him and “Halt swung an overhand blow and brought the striker knob down hard onto the man’s skull, just behind the left ear.” The man “collapsed, limp as a rag, onto the ground.”
  • Halt takes a man, named Colly, prisoner. The man “tried to throw a punch at Halt. Halt ducked under the wild blow. Stepping in and pivoting his upper body, he hit Colley with a palm strike to the jaw, sending him sprawling again.”
  • When he was a teen, Halt’s brother tried to kill him numerous times. At one point, Halt says his brother “tried to poison me.”
  • Will looks at the evidence left behind in a village. “He could see the scene in his mind’s eye. A boy or a girl, terrified by the galloping, screaming men, had tried to run for the shelter of the trees. One of the raiders had swung out of line to pursue the little running figure. Then he’d cut his victim down from behind.”
  • Horace, Will, and Halt warn a village about the Outsiders preparing to attack. When the Outsiders attack, both Halt and Will begin shooting down men. “And within a few seconds, six men in the center of the advancing line went down. Two of them made no sound. The others cried out in pain, dropping their weapons.”
  • When the Outsiders’ defense begins to break up, “they fell back, leaving a number of their companions sprawled lifeless on the ground and on the barricade itself… they had paid the penalty for assaulting a well-defended position on their own.”
  • Horace goes after the enemy. “They began to back away, but they were too late. Kicker smashed into two of them, hurling one to the side and trampling the other… A sixth outlaw was already sinking to his knees, staring with disbelief at the black arrow buried in his chest. His head dropped forward. The lone survivor looked at his companions, scattered and broken, some of them lying still, others trying desperately to crawl away…” The battle takes place over seven and a half pages.
  • When a messenger mentions the Sunshine Warrior to Tennyson, Tennyson “let his rage loose and he beat back and forth at the wretched man with his closed fist. Blood flowered from the crouching man’s nose and he huddled lower, trying to protect himself from the savage fist.” Tennyson has a servant give the man ale and a meal. Then Tennyson has the messengers assassinated.
  • When trying to leave Tennyson’s camp, a sentry tries to stop Will. In order to escape, Will “shot his booted right foot forward, straightening his knee and slamming the sole of the boot hard into the man’s face. The man stumbled and went down…”
  • When Halt’s brother, King Ferris, won’t listen to Halt, Halt has Horace knock him unconscious. “The king was stretched unconscious on the floor an overturned chair beside him.”
  • Tennyson sends an assassin after Will. When Will sees him, “Will brought his right elbow up to face height and pivoted on his right heel, slamming the point of his elbow into the man’s face, breaking his nose and sending him reeling back against the people around them.”
  • Horace faces one of Tennyson’s assassins, Killeen, in a combat to the death. Killeen uses a mace while Horace uses a sword. The man hits Horace’s shield. “To Horace it felt as if a house had fallen on his shield.” When Killeen exposes his neck, Horace “stepped in and swung a lightning side stroke at the exposed two centimeters of neck. There was a roar of surprise from both sides of the arena as Killeen’s helmet went spinning away to land on the turf with a dull thud… the spectators realized that his head had gone with it.” The combat is described over four pages.
  • When Will finds an assassin in Horace’s tent, Will attacks. “…Something hard crashed into his head, behind the ear, and everything went black.”
  • Even though Horace has been poisoned and cannot focus, he still attempts to fight Gerard. Before Horace can be injured, Will intervenes. “Gerard’s snarl of triumph turned abruptly into a screech of agony as the arrow transfixed the muscle of his upper right arm…the sword falling harmlessly from his nerveless hand…” The scene is described over four pages.
  • Will and one of Tennyson’s assassins agree to a combat. Each man has to shoot arrows until one of them is dead. Will shoots his arrow, and then “the purple figure jerked suddenly, stumbled a few paces and then fell faceup on the grass.”
  • At the end of the combat, the King is found dead. “Peering behind the throne, he saw the flights of the crossbow bolt protruding from the thick wood. The missile had gone through the back of the chair and into Ferris’s back, killing him instantly, pinning him to the chair.”

 Drugs and Alcohol

  • Someone poisons Horace, making him unable to focus. After a few days, the effects of the poison wear off.
  • Will finds a village that had been burnt down. The inn still had cheap brandy sitting on a shelf.
  • In order to infiltrate the Outsiders’ camp, Will knocks out one of the sentries and pours brandy on him. “If a sentry was found reeking of brandy and sleeping peacefully under a tree, no amount of protesting on his part would convince his superiors that he had been attacked.” While Will is sneaking into the camp, he sees a group of men who “were drunk and talking loudly, staggering slightly on the uneven ground.”
  • As Will is spying on the enemy, he heard “the clink of glasses from inside and the sound of pouring… There were one or two appreciative sighs—the sound a man makes when he has taken a deep draft of wine.”
  • While trying to recruit members, the Outsiders set up “several casks of ale and wine under a large, open-sided tent and were serving generous mugs of both to all comers.”
  • Several times during the story, people are served wine or ale. For example, when setting up for a combat, wine and ale are set up for the townspeople to purchase.
  • When the Rangers finish their Gathering, someone says, “So now let’s have a glass of wine and call it a night.”
  • Halt, Horace, and Will go to a farmstead and say, “we’ll pay well for a hot meal and a tankard of ale.”

Language

  • Halt calls his brother “a lying sack of manure.”
  • Damn is used three times. For example, Halt says, “Horace, when you get older, try to avoid being saddled with an apprentice. Not only are they a damned nuisance…”
  • Hell is used twice. Halt says that his brother’s castle is “drafty as hell in winter, too.”
  • “Oh for God’s sake” is used as an exclamation several times.

Supernatural

  • None

Spiritual Content

  • A group of raiders, named the Outsiders, are posing as a religious group in order to fleece the town of its money. The people had a “simple message of friendship… they asked for nothing but a place to worship their benevolent and all-loving deity, the Golden God Alseiass. They made no attempt to convert the locals to their religion. Alseiass was a tolerant god…”
  • When trouble began in the village, “then the Outsiders would come forward with a solution. The outlaws surrounding the village were followers of the evil Balsennis—a dark god who hated Alseiass and all he stood for.” The villagers were told that “to expel Balsennis, special prayers and invocations would be required.” However, they had to build a shrine made of gold.
  • When Will realizes that the Outsiders are killing innocent children, he thinks, “You’d better pray that your god will protect you.”
  • Tennyson preaches about Alseiass, saying, “I’m a servant of the Golden God Alseiass. And he says all men are my friends—and I should be a friend to all men… There are evil, lawless men abroad in the world. They are the servants of the black spirit Balsennis. I see his hand everywhere I go, bringing sorrow and despair and death to the people of this wonderful country…”
  • Tennyson says that Alseiass doesn’t mind if a person worships other gods because “that isn’t Alseiass’s way. He doesn’t’ care to force himself upon you. If you have other gods you prefer, or no gods at all, he doesn’t condemn you.” Tennyson preaches for eight pages, trying to get support to overthrow the king.
  • When Halt goes into a town pretending to be looking to buy sheep, he says, “Thank God, I’ve seen little in the way of good animals arrive so far.”
  • When Tennyson’s inner circle go in to raid a town, one of the men says, “My men and I serve Balsennis, the mighty god of destruction and chaos.”
  • Halt meets a woman who doesn’t believe in Alseiass. She says, “Some of us here worship the old gods. We know the gods send us good times and bad to try us. I don’t trust a god that promises only good times… A god that brings you good and bad in equal amounts doesn’t ask for much. Maybe a prayer or two… A god that promises only good times? A god like that will always want something of you.”

The Knights Before Christmas

‘Twas December 24th, and three brave knights were just settling in for the night when out on the drawbridge, there arose such a clatter! The knights try everything to get rid of this unknown invader (Santa Claus!), a red and white knight with a fleet of dragons . . .

The Knights Before Christmas is a delightful parody of Clement Clarke Moore’s well-known poem “’Twas the Night Before Christmas.” The Knights Before Christmas is a perfect read-aloud book because each page contains four rhyming lines that detail the knights’ plight. In addition to the poem, some pages contain speech bubbles that take famous Christmas songs and give them a humorous twist. For example, one knight thinks, “I’m dreaming of a white javelin, just like the one I used to throw. . .”

Readers will laugh at the words and appreciate the adorable pictures of the knights trying to keep Santa Claus out of the castle. The picture book contains colorful, cartoonish pictures that bring detail to the knights’ activities. Younger readers may not understand all of the humor. For example, the knights “consult the king’s book on what good knights should do.” The illustration shows the king’s book, which says, “draw the bridge.” The next page shows a knight creating a drawing of a bridge. Even if readers do not understand all of the story’s humor, they will still want to read the book again and again.

The Knights Before Christmas is a festive, fun story that readers will want to pull out every Christmas season. The story contains elements that the young and the old will both enjoy.

Sexual Content

  • None

Violence

  • To prepare to chase Santa Claus away, the “Silent Knight duked it out with a many-armed coat.” The illustration shows the knight boxing a coat.
  • Trying to deliver his gifts to the knights, Santa Claus uses a catapult to throw sugarplums. While the knights hide, “dozens of sugarplums rained down on their heads. . . Three shields came in camouflage. Mint spears hit the gate, as Santa stormed that castle with his fierce dragon eight.”  Santa continues to throw the gifts, including gingerbread men, into the castle.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

Erak’s Ransom

What does it mean to earn the Silver Oakleaf? So few men have done so. For Will, a mere boy and apprentice to the most difficult Ranger to please, that symbol of honor has long seemed out of reach. If he is to ever earn it, he must prove himself in ways he never imagined.

Now, in the wake of Araluens’ uneasy truce with the raiding Skandians, there comes word that the Skandian leader, Erak, has been captured by a desert tribe. The Rangers, along with a small party of warriors, are sent to free him, but the desert is like nothing these warriors have seen before. Strangers in a strange land, they are brutalized by sandstorms, tricked by one tribe that plays by its own rules, and surprisingly befriended by another. Like a mirage, nothing is as it seems. Yet one thing is constant: the bravery of the Rangers.

Erak’s Ransom goes back in time, before the fifth and sixth installments of the series. When Erak is taken captive, the Skandians ask for the Araluens’ help. For the first time ever, Halt, Horace, Will, and Evelyn travel together. The interplay between the characters is interesting. Readers will appreciate seeing how people from different cultures can respectfully work together without having to hide their beliefs.

Like the previous books in the series, the story ends with an epic battle. However, one of the best aspects of Erak’s Ransom is the political negotiating, the clashing of beliefs, and the honor of desert tribes. Even though the story’s plot is complicated and there is a huge cast of characters, readers familiar with the characters will not have difficulty understanding the plot. The Araluens, Skandians, and two desert tribes come together to defeat an evil raiding party. Each group has a different strength, and all contribute to freeing Erak and defeating evil.

Erak’s Ransom is another fast-paced story that readers will not want to put down. Although male friendship is highlighted, Evelyn’s strong personality also comes to the forefront and shows how women can be capable leaders. Erak’s Ransom will leave readers wishing they could sit around the campfire and have a conversation with the Araluens and the Skandians because at this point in the series, they seem like trusted friends.

Sexual Content

  • At Halt’s wedding, “there had been the inevitable tearful flouncing and shrill recriminations when the girlfriend of one of the younger warriors from Sir Rodney’s Battleschool had caught her boyfriend kissing another girl in a dark corridor.”

Violence

  • A group of men finds a caravan that was slaughtered. “Horses, mules, camels and men were scattered about the desert, lifeless shapes surrounded by darkening patches of dried blood that had soaked into the sand… The men and animals had been killed, and then hacked in a senseless frenzy. There was barely a body with just a single killing wound.”
  • Will shoots an arrow near Umar’s grandson. Angry, Umar’s “fist struck Will backhanded across the jaw. He staggered and fell, the bow dropping from his hands… Will, stunned by the blow, tried to regain his feet but a savage kick from Umar winded him and sent him sprawling again.” Umar stops when his wife yells at him.
  • While the Araluens, Skandians, and Arridis are traveling together, they are attacked. The group makes a shield wall. Gilan and Halt use their bows. “Already, half a dozen riderless horses were running wildly with the group charging from the front, their riders lying in crumpled heaps in the sand behind them… The battle became a heaving, shoving, hand-to-hand melee, with curved swords rising and falling, hacking and stabbing along the line. Men cried out in pain on both sides as they went down, then cried out again as comrades and foes trod them down in their efforts to reach the enemy.” Both sides lose men. The attack is described over four pages.
  • The Araluens, Skandians, and Arridis surrender. The leader of the other army imprisons those who will be valuable to sell as slaves. Everyone else is left without shoes and water. The leader says, “You’re brave enough now, boy, but wait ‘til your tongue is dry and swollen so large that it fills our throat so that you can hardly breathe. Wait ‘til your feet are torn and blistered by the heat and the rocks. Your eyes will be blinded by the glare of the sun and you’ll wish your leader had allowed me to kill you here, and now.”
  • The captives are bound, and “The guards mounted and herded their captives on foot toward the camp… Urged on by spear butts and curses, they stumbled on the uneven ground.” When the captives arrive at the camp, they see Erak. “…He was seated on the ground, chained between two noisy, complaining camels. His face was bruised and his hair matted with dried blood. One eye was almost closed and there were whip scores on his arms and back.”
  • Tualaghi forces the captives to walk for three days. “If anyone falls—and inevitably they did, since they were kept off balance by having their hands tied together in front of them—he was immediately surrounded by riders jabbing with lance points or striking down at them with the butts of their spears.” The men are bruised and sore by the time they arrive at their destination.
  • Halt upsets the Tualaghi leader. Two men grab Halt, “forcing him forward and down until he was on his knees in front of Yusal. The Tualaghi Aseish then rained closed-fist blows on Halt’s face, left and right, striking again and again until the Ranger’s face was cut and bleeding and his head lolled to one side… he crumbled to the sand, facedown, and semiconscious.”
  • When a woman looks at Yusal, he “had her savagely whipped.”
  • When the prisoners are taken to be executed, “there were those who chose to jeer at the prisoners and throw stones, clumps of earth or garbage at them.”
  • Will and Aloom try to find a vantage point so they can see the captives. Three of the enemies appear and “crowded upon him (Aloom), swords flashing, rising and falling as they attacked.” In order to help, Will jumps and “landed feet first on the shoulders of the Tualaghi leader. The man gave a cry of shock and pain and crumpled beneath the force of Will’s body. Will heard the snap of bones breaking somewhere, then a sickening thud as the bandit’s head slammed into the hard, rocky ground.”
  • During the fight with Will and Aloom, Will uses his saxe knife, and “the Tualaghi gave a short cry, half surprise, half pain, and sank back against the wall, his sword dropping from his hand…” The three Tualaghi are killed, and Aloom is severely injured and eventually dies from his wounds.
  • Will watches as Aloom “coughed and scarlet blood stained the front of his robe.” Will must leave Aloom in order to help the captives.
  • Will shoots the executioner. “Only then did those on the platform see what had been visible to the crowd in the square: the gray shafted arrow buried deep in the executioner’s chest.”
  • Will shoots an arrow at Yusal. The arrow “took him in the muscle of his upper left arm… He screamed in pain and fury…” Yusal flees, but “there were still armed Tualaghi all over the platform, threatening his friends.” Will shot arrows until “the guards began dropping with shrieks of agony and terror.”
  • A Tualaghi strikes his sword at Horace, and “a thin red line formed immediately, then blurred as blood began to well out of the cut… Horace simply brought the massive brass-pommeled hilt back in a short, savage stroke, thudding it into the man’s head.”
  • Evelyn uses her sling to fling a stone at Yusal. “A solid smacking sound could be heard clearly around the square. Then Yusal’s hands dropped and revealed a mask of blood covering his eyes and upper face, flowing down to soak into his blue veil… He fell full length to the hard ground below.” Evelyn uses her sling to drop another man. The man “doubled over, clutching his face and moaning in pain.”
  • Toshak, a Skandian traitor, tries to run from the fight. Erak “launched himself at Toshak, the sword swinging down in a blow that would have split the traitor down to the waist. There was a massive ringing clang as Toshak caught the blow on top of his double-bladed ax head… With a mighty roar, Erak used his left arm to thrust himself up from the cobbles while he drove the sword deep into Toshak’s unprotected body.” Toshak dies. The battle is described over three chapters.

 Drugs and Alcohol

  • Wine and barrels of ale are served at Halt’s wedding.
  • When a couple of Skandians meet a desert people, one of them replies, “Don’t know how you all keep going without a good drink of ale… Settles the mind in the evenings, ale does.”
  • A dying man is given “a few drops of clear liquid” to relieve his pain.
  • At a celebration, the Skandians are given “brandy made from fermented dates and peaches.”

Language

  • The exclamation “Gorlog’s beard” is used occasionally. “Gorlog was a lesser Scandian deity who had a long beard, curved horns and fanglike teeth.”
  • “God’s above,” “good God,” and “my God” are used as exclamations a few times.
  • Several times someone is called an idiot. For example, Halt wonders why he needs to invite “the Iberian ambassador and his two idiot daughters to my wedding.”
  • Evelyn “frightened the devil out of” a guard.

Supernatural

  • None

Spiritual Content

  • A diplomat thanks the lord for Evelyn’s character and courage.
  • A group of raiders are referred to as “the Forgotten of God.”
  • When Will begins a journey, he says, “I’ll see you in a few days.” The person replies, “I hope the god of journeys wills it so.”
  • When Will appeared, Halt “whispered a prayer of thanks.” Later, Halt puts his bound arm on the execution block and “prayed that his friend had got the message.”
  • The desert people “believed that djinns and devils and spirits all lived in these ancient mountains.”
  • The Skandians believe “that if they were to die in battle without a weapon in their hand, their soul would wander for all eternity.”
  • After Evelyn negotiates successfully, Halt says, “Lord forgive me, I’ve created a monster.”

Glass Sword

Mare, Cal, and the members of the Scarlet Guard are ready to regroup and find a way to fight back against the newly crowned King Maven. No matter how strong Mare and Cal may be, they cannot fight against a legion of Silver warriors alone. They need stronger allies to help the Scarlet Guard’s rebellion.

Mare’s only option is to find the newbloods, a group of Reds with powerful abilities like their Silver rulers. They are scattered throughout the Kingdom of Norta. They are the key to creating an army that can stand against Maven’s legions and level out the playing field.

Yet, Maven won’t just let Mare do as she pleases. For every newblood she saves, Maven imprisons or kills two more. With Maven breathing down her neck, Mare begins to feel the pressure of transitioning into a leader for the Scarlet Guard. Her relationships become strained. Her decisions are questioned at every turn. Worst of all, Maven haunts her every step. Will Mare be able to overcome Maven’s manipulations and create an army of newbloods? Or will the pressure shatter her?

Glass Sword is an underwhelming sequel to the first book in Aveyard’s Red Queen series. Whereas the first book had political intrigue between the Silvers in the royal court and a daring espionage mission by Captain Farley of the Scarlet Guard, the second book doesn’t have any of that. Instead, the book focuses on exploring how Mare comes to terms with her actions from both the past and present. While there are plenty of missions into different parts of Norta to find newbloods, very few of these missions feel truly dangerous to Mare and her friends.

The story is weighed down mainly by Mare’s growing unlikable characteristics. Away from the immediate danger of Maven and his Silver underlings, Mare is forced to find a new role for herself as a leader of the Scarlet Guard. However, this only makes Mare more selfish. She prioritizes her own life over others, and she is willing to sacrifice anyone but herself. In the end, Mare gets a wake-up call from Cal, the former crown prince, and Kilorn, her best friend. This forces her to examine herself; ultimately, she sacrifices herself for them when Maven captures them.

Betrayal is once again a main theme as Mare finds herself betrayed many times over the course of the story. Another major theme is about turning into a monster; Mare changes from a girl trying to save lives into someone willing to murder and throw lives away whenever she sees fit. The action scenes, in which Mare and her friends infiltrate cities and towns, are fun, interesting, and help to move the story along. The introduction of the newbloods is also a plus since their new, unique abilities and the growing cast of characters add more layers. Overall, Glass Sword is a sequel that introduces fun, new elements to the already interesting world of Norta. Yet the story is bogged down by the unlikable main character and the many predictable moments where she falls into obvious traps. Nonetheless, Glass Sword sets up the backdrop for the next book in the series, King’s Cage.

Sexual Content

  • Mare changes her clothes in front of Kilorn, her childhood friend. Mare thinks, “He shouldn’t blush, having seen me in various stages of undress for many summers, but his cheeks redden anyway.”
  • On Tuck, the Scarlet Guard’s island, Mare finds out Kilorn has been flirting with another girl. “To think, he’s been spending his time flirting while I’ve been unconscious and Shade lies wounded and bleeding.”
  • Mare has an ongoing romance with Cal. When she brushes his arm, “Cal smells like blood, his skin is ice, and I tell myself I don’t want to taste him ever again.” Mare tries to convince herself not to love Cal. Mare thinks, “I must freeze my heart to the one person who insists on setting it ablaze.” Later, she kisses him “because I am weak, I press my lips to his, searching for something to make me stop running, to make me forget.”
  • At one point, Mare and Cal start sleeping in the same bed together. “From that day on, his bedchamber becomes ours. It is a wordless agreement, giving both of us something to hold on to.”
  • Gisa, Mare’s younger sister, has a crush on Kilorn. Mare watches as “He listens intently, and she bites her lip, pleased by his attention. I guess her little crush hasn’t gone away just yet.”
  • Kilorn quotes Maven’s public speech when he confronts Mare about her relationship with Cal. He says, “‘Mare Barrow seduced the prince into killing the king.’ It’s shocking to know he’s half right.”
  • When Kilorn and Mare have an emotional discussion, Mare thinks, “A friendly marriage to the fish boy with green eyes, children we could love, a poor stilt home. It seemed like a dream back then, an impossibility. And it still is. It always will be. I do not love Kilorn, not the way he wants me to.”

Violence

  • While discussing his younger brother, King Maven, Cal says, “Maven will still kill you. In a cell or on the battlefield, he won’t let any of us live.”
  • Mare and her brother, Shade, are running for their lives from an army when Mare realizes “a bullet meant for me catches him in the meat of his upper arm, while another strafes his leg.”
  • After seeing three bodies crushed by debris, Mare thinks, “It isn’t hard to let people die when their deaths give life to someone else.”
  • Before she’s put in a cell, Farley, a member of the Scarlet Guard, fights back. Farley “slams the [guard] into the passage wall, crushing his neck between her elbow and the window of another cell.”
  • Mare remembers when she killed a Silver. “Ryker Rhambos, electrocuted on the sand of the arena, reduced to nothing more than his blackened flesh.”
  • Mare remembers the Scarlet Guard attacking the royal ball. Mare says, “The Scarlet Guard kills children. The Scarlet Guard must be destroyed.”
  • While looking for more newbloods, Mare discovers a dead baby in a tavern. “In the basket is a baby, no more than a few days old. Dead. And not from abandonment or neglect. The rag is dyed in its blood.”
  • Mare punches a younger girl who talks back to her. “When my fist collides with her jaw, I expect to see sparks spread over her skin. There’s nothing but my bruised knuckles.”

Drugs and Alcohol

  • None

Language

  • Someone calls Nix, a newblood, “that Silver bastard.”
  • Cal calls the Colonel, a leader of the Scarlet Guard, a “sack of scum.”
  • Mare tells Kilorn, “I’m sorry you can’t stop being an ass for two minutes so you can see exactly what’s going on here.” Right after that she says, “You heard what the Colonel called me. A thing. A freak.”
  • Gareth, a newblood, calls someone “the Silk Bitch.”

Supernatural

  • Silvers are people with silver blood and supernatural abilities. There are many abilities, including controlling fire, manipulating metal, mind control, etc.
  • Newbloods are Reds with supernatural abilities. Mare explains, “Newbloods are born with the mutation that enables our own…abilities.”
  • When Mare meets Nix, a newblood, she thinks, “Stoneskin echoes in my head, but this man is no such thing. His skin is ruddy and smooth, not gray or stony. It is simply impenetrable.”
  • Stoneskins, a type of Silver, have super strength and skin that resembles stone.
  • Magnetrons are a type of Silver that can manipulate metal. For example, before a building collapses on Mare and Cal, “Gravity and fire made the structure fall, but the might of magnetrons stop it from shielding us.”
  • Mare’s brother, Shade, a fellow newblood, can teleport. Nix says, “Two days ago, around midnight, Shade popped up on the porch. I mean actually popped.”
  • Mare can manipulate and create lightning and electricity. Mare’s lightning “is more powerful than any magnetron, any green warden, any gun. It is everywhere.”
  • One young boy, Luther, is a newblood with the ability to steal life. For example, “he takes the fern by the stem, holding it in his small fist. And slowly, the fern curls beneath his touch, turning black, folding into itself—dying.”
  • Another newblood can shapeshift. For example, “an old woman who has everyone call her Nanny, seems to be able to change her physical appearance. She gave us all quite the fright when she decided to waltz through the camp disguised as Queen Elara.”
  • Harrick, another newblood, can create images out of thin air. “He can create illusions, mirages, make people see what isn’t there. And he has hidden us all in plain sight, making us invisible in our empty cart.”
  • One newblood can manipulate gravity. Mare thinks, “Gareth manipulated the forces of gravity holding me to the earth. If we had been standing in the open, I probably would have ended up in the clouds.”

Spiritual Content

  • None

by Jonathan Planman

Dress Coded

Molly wasn’t planning on starting a rebellion. But when she sees a teacher yelling at Olivia for wearing a tank top, Molly takes action. She wants others to know that the middle school dress code unfairly targets girls who have mature bodies. In order to tell their stories, Molly starts a podcast.

The podcast explains how Liza got dress coded and Molly didn’t, even though they were wearing the exact same outfit. Other girls were dress coded because their shorts were too short, their shirts showed a sliver of their stomach or their clothing didn’t cover their shoulders. It isn’t fair.

Middle school is hard enough without having teachers trolling the halls looking for dress code violations. Soon, Molly’s podcast creates a small rebellion that swells into a revolution. The girls are standing up for what is right, but will teachers and parents listen?

Dress Coded’s topic and teen-friendly format will appeal to a wide audience. The short chapters are broken into letters, lists, Molly’s dress code podcast, and definitions. The story doesn’t shy away from the humiliation and bullying that can happen because of a dress code. Molly tackles the dress code by going through the proper steps: getting students to sign a petition, sending the petition to the superintendent, and trying to get the petition placed put on the school board’s agenda. It is only after all of these attempts fail that Molly pleads for other students to camp outside of the school in protest.

While Molly is fighting to change the dress code, she is also dealing with a family in crisis. Her brother is addicted to vaping, which has her parents concerned. Although the story describes some of the harmful effects of vaping, too much emphasis is put on how many teens vape and where they get the vaping pods. Instead of feeling like a natural part of the story, the descriptions of vaping middle schoolers become tiresome.

Dress Coded does an excellent job of explaining the harmful effects of vaping. However, the story doesn’t address the topic of bullying, even though one of the recurring characters has a mean name for everyone. The story also throws in a trans student getting into trouble for wearing lipstick, a short conversation about the possibility of Molly being bisexual, and a girl who is crushing on another girl. These scenes do nothing to advance the plot and were not used as a teaching moment for respecting others.

While Dresses Coded isn’t amazing literature, the story has a high-interest topic and a story that middle school readers will enjoy. Molly is a likable character who shows the importance of perseverance. The story’s message is clear: girls’ bodies are not something to be ashamed of and they are not a distraction to boys. Parents and teachers could use Dresses Coded as a conversation starter about many topics, including bullying, vaping, protesting, and respecting others.

Sexual Content

  • When talking about going to the prom, Molly tells her mother, “It’s not like when you went to the prom. Nobody cares. I may go with a boy, or a girl, or a group.” Molly’s mom asks her, “Are you bisexual, Molly? Because that’s totally and completely fine.”
  • One of Molly’s friends has a crush on another girl.
  • During a sleepover, Molly’s friend “said she could see herself dating a girl, but nobody specifically.”

Violence

  • When a boy was about to pull a chair out from under Molly, Olivia “punched him.”

 Drugs and Alcohol

  • Molly’s brother, Danny, is addicted to vaping. Molly’s parents were “searching Danny’s room and backpack, hiding their cash so Danny can’t take it to buy pods, and calling doctors to ask how long it will be before Danny gets popcorn lung and dies.”
  • Danny sells vaping pods to middle schoolers.
  • Danny “was suspended for the third time. His teacher caught him vaping during history.” After that, Molly lets her brother hide his vaping supplies in her closet.
  • Some of the girls on Molly’s lacrosse team vape. Other kids vape in the school bathroom.
  • When Molly’s parents take away all of Danny’s vaping supplies, he searches for any that his parents missed. Molly witnessed “my brother crawl out of the closet with a vape pod, puncture it with a nail file, and start sucking on it. This is what he’s become, now that Mom has all of his devices.”
  • Some of the middle schoolers “are plotting how to smuggle their vape pods. They ask if any of the girls would like to hide pods in their bras.”
  • Molly often refers to her classmates hiding so they can vape. For example, at a party, “a bunch of people were vaping in the lawn-mower shed.”
  • Molly thinks about her grandpa who “died from drinking too much.”

Language

  • Danny calls Molly, “Frog.” He calls Molly’s friend, “Toad.”
  • Molly’s classmate, Nick, calls the girls in his class names based on their looks and race. For example, “Nick called Bea ‘Pencil Legs.’” Other names include, “Rice and Beans,” “Jew Fro,” and “a hairy beast man.”
  • When Olivia gets her period, blood seeps through her pants. After this, Nick calls her “Tampon Fail.” Later, he admits that he doesn’t know what “Tampon Fail” even means.
  • During class, a teacher “mentioned this mountain in Switzerland called Mount Titlis.” After that, Nick begins calling Molly, “Swiss Alps.”
  • Molly thinks about fourth grade, when “everybody called me Snot Drop.”
  • After Danny’s parents find his vaping supplies, he calls Molly a “gross, ugly narc.”
  • A boy in Molly’s class “spit on Julissa and called her the n-word.”

Supernatural

  • None

Spiritual Content

  • When the parents have a meeting to discuss a camping trip, Molly prays “that my parents don’t get roped into” being chaperones.

 

The Legend of Zelda: Twilight Princess Vol 3

Link continues on his quest to save the children from his village and dispel the dark clouds that are threatening to take over the land. Link returns to the Twilight Realm in the form of a wolf and quickly discovers that the children are stuck in the Twilight Realm as lost souls! With the help of an unlikely wolf ally, Link must learn to become a much stronger warrior if he wants a chance to save those he loves.

Much like the previous two installments, this graphic novel closely follows the plot of the video game with a few diversions and added elements. For intense Zelda fans, another taste of Twilight Princess will make this graphic novel enjoyable. However, casual gamers will likely be bored due to the repetitive plot, and those who are not familiar with the Twilight Princess game may be confused in a few places. All in all, this graphic novel is best for readers who are already a part of the Link fandom.

Link is a lovable character that will capture readers’ interests. While one of the children becomes slightly more developed in this installment, Link is mostly surrounded by two-dimensional characters. There is more action in this book than in the first book, but aside from the last battle, most of the battle images are not graphic. In Twilight Princess Vol 3, Link continues to explore what true strength really is, and he finally realizes that strength lies in protecting the innocent.

Twilight Princess Vol 3 has intense fighting and a dark tone. Even though the manga artwork is incredible, the fight scenes are a bit confusing because there is so much going on. Unlike the previous books, this volume shows different characters’ points of view, which helps develop the characters and gives the story an interesting twist. Twilight Princess Vol 3 continues to develop Link and his world. Although Twilight Princess Vol 3 contains action and adventure, the slow pace of world-building may make it difficult for some readers to get through the story.

Sexual Content

  • None

Violence

  • While in his wolf form, Link kills two monsters by ripping them apart with his teeth.
  • Link fights a skeleton warrior as part of a training session. At the end of their fight, Link cuts off the skeleton warrior’s head. The skeleton warrior then stands up, picks up his head, and congratulates Link.
  • A captured village girl considers committing suicide. The girl wonders, “Rather than living alone with monsters…” and almost cuts her wrist with the pottery shard, but is interrupted by a kitten that needs her help.
  • Link battles a monster and his minions during a 32-page battle. In the end, Link slashes the monster across the chest with his sword, and the reader sees the monster bleeding profusely before he falls into a gorge.
  • A monster clubs a village boy in the head, and then is attacked by a mob of village children.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Link lives in a world with magic, shadow beasts, and demons. When people from the land of light are engulfed by the Twilight Realm, they turn into lost souls. This is what happens to the children from Link’s village. When he finds them, he cannot interact with them, as they are merely lost souls.
  • When Link travels to the Twilight Realm, he is transformed into a giant wolf. While in his wolf form, Link can communicate with animals.
  • Link learns that “humans aren’t the only race living in Hyrule” when he meets a Goron. Gorons are giant rock-like creatures that “live in Death Mountain and eat rocks.”
  • Link meets a magical wolf that transports Link to his realm in the clouds. Once there, the wolf shows himself as a skeleton warrior and trains Link to be a better swordsman.

Spiritual Content

  • There is a legend that when evil people tried to use magic to take over the land, “the goddesses grew angry at this affront and sent four spirits of light to seal the upstarts’ magical power away in the shadow crystal. Furthermore, the mirror of shadow prevented these wizards from entering the world of light. They were exiled to the twilight realm.”
  • Renado, a shaman and physician, takes the children to his village to protect them.
  • The children hide from the monsters in a house. There is a statue of a spirit in the house. The shaman says, “perhaps the power of the spirit Eldin does not allow the monsters to enter.” Link later meets the Eldin, “one of the spirits of light who gather in Hyrule and protect this land.”
  • Renado says, “thank the gods,” when his daughter is saved by monsters.

by Morgan Lynn

Race to the Sun

Lately, seventh-grader Nizhoni Begay has been able to detect monsters, like the man in the fancy suit who was in the bleachers at her basketball game. Turns out he’s Mr. Charles, her dad’s new boss at the oil and gas company. He’s alarmingly interested in Nizhoni and her brother, Mac, their Navajo heritage, and the legend of the Hero Twins. Nizhoni knows he’s a threat, but her father won’t believe her.

When Nizhoni’s dad disappears the next day, he left behind a message that said “Run!” The siblings and Nizhoni’s best friend, Davery, are then thrust into a rescue mission that can only be accomplished with the help of Diné Holy People, who are all disguised as quirky characters. However, their aid will come at a price. The kids must pass a series of trials that seem as if nature itself is out to kill them. If Nizhoni, Mac, and Davery can reach the house of the Sun, they will be outfitted with what they need to defeat the ancient monsters Mr. Charles has unleashed. It will take more than weapons “for Nizhoni to become the hero she was destined to be.”

Middle-grade readers will relate to Nizhoni, who wants to be good at something but just isn’t. When her emotionally distant father is kidnapped, Nizhoni embarks on a quest to save her father. However, she isn’t alone; Nizhoni’s book-loving best friend and annoying brother join her adventure through the Southwest. On the quest, Nizhoni and her friends meet the “Holy People” as well as some scary monsters.

The fast-paced story combines Navajo mythology with moments of humor, unexpected twists, and timeless lessons about friendship, family, and failure. The importance of hard work and helping others is weaved into the story. Spider Woman says, “All good things come through hard work. If something is too easy to get, it isn’t worth much, is it?”

At first, Nizhoni doesn’t feel like she has the qualities to become a hero. However, Nizhoni learns that she doesn’t need to change. One of the story’s recurring themes is: “Don’t worry about what you’re supposed to be. Just be who you are.” While Nizhoni shows bravery, she is able to defeat the monsters only with the help of others.

Race to the Sun will take readers on an action-packed quest and introduce them to Navajo mythology. Nizhoni is an interesting but imperfect narrator. Readers will relate to Nizhoni’s insecurities and her moments of courage. The conclusion is rushed, and there are several holes in the plot, but this doesn’t take away from the book’s enjoyment. For readers looking for more marvelous mythology books, the following books will delight you: the Storm Runner series by J.C. Cervantes and the Pandava series by Roshani Chokshi.

Sexual Content

  • When Nizhoni’s parents are reunited, they kiss.

Violence

  • Charles tells Nizhoni that he wants her dead. Without thinking, Nizhoni runs “full tilt at Mr. Charles. His startled eyes are the last thing I see before I kick that knife right out of his hand… I’m not done. I head-butt Mr. Charles in the stomach… And for good measure, I execute a perfect elbow strike to the cheek, just like I learned in self-defense class Coach taught in PE last year.” Nizhoni’s dad comes in and stops her.
  • In the past, Nizhoni had to attend anger management classes for “punching Elora Huffstatter in the nose.”
  • Adrien, a bully, and his friends corner Mac. “Mac screams, an animal-like bloodcurdling cry of rage. He slams his hands onto the ground, palms flat… A low rumble rolls across the baseball field, like an army of badgers tunneling through the earth, and then, suddenly, all the sprinklers turn on…” Mac makes the sprinklers shoot at the bullies. “The jets are all pointed at them, zipping back and forth in sharp slashing cuts, or pulsing bursts aimed at their eyes.” The bullies eventually run away.
  • To save Black Jet Girl, Nizhoni needs to get by two buzzards. She throws a feather into a fire and “it explodes into a million tiny salt crystals that pop and sizzle. Hot granules fly everywhere… The salt strikes their protruding eyes and they stumble around, screeching in pain.”
  • Some people believe that Spider Woman eats children. However, Spider Woman helps Nizhoni and her friends.
  • Nizhoni and her friends are following the Rainbow Road. They enter a corridor surrounded by rocks. When Mac disappears, Nizhoni runs after him. When she finds him, “he’s staring right at me. With big red eyes… He bares his sharp teeth and hisses… Monster Mac takes a swipe at me, and I see that besides having long, pointy teeth, he has long, pointy claws, too.”
  • When Nizhoni sees monster Mac, she turns to “launch a swinging kick right at the monster’s stomach. It lands with an Oomph! I elbow him in the chest and he doubles over. One more kick—this time to his ribs—and he’s down. He’s on all fours, panting.” Monster Mac “becomes a cockroach. It scuttles off…” The fight is described over one page.
  • In a multi-chapter battle, Nizhoni and her friends fight to keep the monsters from returning to earth. “Nizhoni lifts her bow and…release. The arrow flies true, a streak of white lightning that hits the banáá yee aghání in its veiny red eyeball. The monster screeches and veers away…”
  • A banáá yee aghání goes after Nizhoni’s mother. “Mom waits until the buzzard is practically on top of her, and then she swings the sword. Lightning crackles from its tip, slashing the monster’s face. Ligai drops, almost too quickly, streaking under the buzzard and dragging its beak across the monster’s underside, tearing it open.”
  • During the fight, Mac falls off a flying bird. “A shimmery substance unfurls in the air underneath him like a silver net. He falls into the glimmering stuff, and it completely envelops his body, rolling him into what looks like a giant burrito.” Later, Mac finds out that Spider Woman put him in a spider web to keep him safe.
  • When Mr. Rock points a gun, Nizhoni’s mom “launches herself into the air, her sword slashing downward, and Mr. Rock’s gun goes flying—while still attached to his hand.”
  • Mr. Charles shoots an arrow at Nizhoni. “It’s a direct hit right over my heart. I scream as fire radiates through my body… I struggle to breathe, my pulse beating too loud in my ears… I fall to the canyon below.” Nizhoni discovers that she cannot be killed by her own arrow.
  • Nizhoni uses lightning “that’s been building up in my blood. And I blow Mr. Charles to smithereens… And then a sound like a bubble popping. And then more pops as all the banáá yee aghání in the sky above me burst into a blaze of white lightning and turn into ash that rains down on me.”

 Drugs and Alcohol

  • None

Language

  • A girl tells Nizhoni that her mom “left us because I was a dirty Indian. Then she made war-whopping noises like something out of a bad Western.”
  • Adrien, a bully, and his friends bother Mac. The bully says, “Marcus Be-gay! Oh, please be gay!” The rest of the boys chant, “Gay! Gay! Gay!”
  • Adrien calls Nizhoni a loser.
  • “Oh my God” is used as an exclamation one time.
  • Heck is used three times. For example, when Mr. Charles meets Nizhoni and her brother, who are a mess, Mr. Charles asks, “But holy heck, what happened to you all?”
  • Nizhoni calls her brother a dork.
  • A buzzard tells his brother, “Don’t be an idiot.”
  • Nizhoni says her mom is “badass.”

Supernatural

  • Nizhoni can tell if a person is a monster in disguise. When she sees Adrien, a bully, “his eyes meet mine and that horrible sensation—my monster detecting—springs to life. The hair on the back of my neck rises, and a chill like the trail of an ice cube scuttles down my spine.”
  • Nizhoni knows the “language of animals” and can see in the dark.
  • Marcus can control water. He tells Nizhoni, “I’ve made water move before. Like in the bathtub.”
  • Nizhoni’s stuffed horned animal comes to life. Nizhoni had “been raised to take seemingly supernatural things in stride. Up to now, talking animals hadn’t been a part of my everyday life, but my shimásání taught me there’s more to the world than we humans can see…”
  • Mr. Charles is a shape-shifter who can look human. He is related “to a nasty kind of monster called a banáá yee aghání. These are vicious bird creatures.”
  • Nizhoni meets a crystal boy, who is made of white crystal rock, and a girl, who is made out of black rock.
  • Nizhoni and her best friend Davery go into a school that is having a prom. They are tempted to stay, but when they leave, “in an instant, the whole gym shimmers and disappears.”
  • Nizhoni looks into a mirror. She “leans forward to press my hands against the mirror, and suddenly the surface is not there anymore… I go plummeting into the glass.” Nizhoni is transported to a glade, “where she can see people, but they can’t see her.”
  • Nizhoni meets the sun, who is “wearing blinding bright armor and carrying a golden shield. And step-by-step on an invisible set of stairs, he appears to be climbing into the sky.”
  • Nizhoni finds her mom, her friends, and others encased in amber. When the amber cases shatter, Nizhoni looks up, and “Mac is standing on a platform, yawning and stretching his arms over his head.” All the people in the amber come back to life.
  • Nizhoni and her friends must fight a group of buzzards, but “only a monster slayer can look into their eyes.”

Spiritual Content

  • Along the journey, Nizhoni meets the Holy People. Someone tells her, “The tricky part is that the Holy People don’t always answer, or at least not in ways that you might recognize. But they are always there.”
  • After Nizhoni’s father is kidnapped, she prays “with all my might that he’s out of that trunk and getting food and water.”

The Outcasts

Hal never knew his father, a Skandian warrior. But unlike his esteemed father, Hal is an outcast. In a country that values physical strength over intellect, Hal’s ingenuity only serves to set him apart from the other boys his age. The one thing he has in common with his peers is Brotherband training. Forced to compete in tests of endurance and strength, Hal soon discovers he’s not the only outcast in this land of seafaring marauders—and that his battle for acceptance has just begun.

Hal and his best friend, Stig, have always felt like outsiders. People have looked down on Hal because he is half-Araluen, and they look down on Stig because his mother makes a living doing other people’s washing. When the two boys go to Brotherband training, Tursgud and Rolland choose their team members, and the eight boys who were not picked form the third Brotherband. Hal is chosen as the reluctant leader of the third Brotherband, the Herons.

As the three teams compete against each other, the Herons learn to help and rely on each other. While few people believe the Herons can be turned into warriors, Hal and his ragtag group find creative ways to defeat the other teams. Even though many of the Herons do not have physical prowess, each member of the Brotherband has an important role. Everyone—even a half-blind boy—can contribute. Through their experiences, readers will learn the importance of controlling their anger, working as a team, taking responsibility for their actions, and using their intelligence.

Middle school readers will relate to Hal and the other Herons as they fight to prove their worth. The story focuses on Hal, who is often criticized for his creative intelligence. However, it is this very intelligence that allows the Herons to win competitions. The Skandia society admires warriors who have strength, courage, and are not afraid of going to battle. These Skandian qualities allow the fast-paced story to have many exciting scenes as well as many descriptions of bullying and violence.

The connecting story arcs, difficult vocabulary, and huge cast of characters make The Outcast best for stronger readers. The conclusion connects all of the story arcs together and ends with a surprising twist. The Brotherband Series features several adults that also appear in the Ranger’s Apprentice Series. Despite this, readers do not need to read the Ranger’s Apprentice Series in order to understand the Brotherband Chronicles. Both series appeal to a wide audience because of the engaging plots, the likable characters, and the life lessons.

Sexual Content

  • The Herons are declared champions and, “Hal was delighted when a certain blond-haired girl slipped her arms around his neck and kissed him on the lips.”

Violence

  • During a raid, village soldiers go after the Skandians. One of the Skandian warriors “slammed the flat of his ax into the shoulder of the charging horse, throwing it off balance. As it stumbled, he drove forward with his shield, hitting the animal again and sending it reeling to one side.” The rider falls off and when the Skandian scares the man, he runs away.
  • As the Skandians are heading back to their ship, one warrior named Mikkel is injured by a spear. “The heavy iron head penetrated underneath Mikkel’s raised arm, burying itself deep in his upper body. He let go a small cry and fell to his knees, then crumpled sideways.” Mikkel dies from his injuries. The raiding scene is described over three pages.
  • A known bully, Tursgud, insults Hal and Hal’s mother. Hal “thrust forward and shoved both hands into Tursgud’s chest, sending the bigger boy stumbling and falling in the soft sand.” The bully “grabbed Hal’s shirt front in his left hand and drew back his right, fist clenched.” An adult breaks up the fight.
  • Pirates attack a group of cargo ships. When the pirates board one ship, the ship’s captain “hears the sounds of battle, axes and swords clashing against each other. . . He heard men shouting, heard the defiant war cries of the Rainbow’s crew.” The Rainbow’s crew was “murdered in a few brief seconds.”
  • The pirates board another ship, the Golden Sun. “The clash of weapons had died away and there was a series of splashes alongside. He [the captain] realized that the pirates were throwing the crews’ bodies overboard.”
  • The pirates overtake a third ship. The Skandian crew “smashed into the disorganized pirates, their heavy oaken shields used as weapons of offense, slamming into the pirates and hurling them to either side. The first rank of the pirates fell before the massive onslaught. The deck ran red with their blood. . .” The pirates throw the captain and his nephew overboard and kill the entire crew. The pirate scenes are described over 10 pages.
  • One of the boys misinterprets an instructor’s command. Next, the instructor “realized that the tree trunk-sized club was whistling through the air at blinding speed, and in the next half second would knock his head clean off his shoulders. With a startled yelp, he dropped flat on the still-wet ground, feeling the wind of the massive weapon as it passed over his skull, missing him by a few centimeters.”
  • Tursgud and his brotherband corner Hal. Hal “sent two lightning left jabs into Tursgud’s face, feeling the other boy’s nose crunch under the impact of the second, then stepped forward and hooked savagely with his right at the big boy’s jaw, hoping to end it there and then.” The last punch misses and the fight continues.
  • Tursgud’s friends grab Hal and hold him captive. “Hal’s ears were ringing and he realized that consciousness was slipping away from him. A hand grasped his hair and pulled his head up, sending tears flowing from his eyes with pain. . . the fist scrape painfully along the side of his face, tearing at his ear, so that blood started to trickle down his face.” By the end of the fight, Hal is semiconscious. The vicious fight takes place over six pages.
  • During the fight, Tursgud’s brotherband ties up Stig, stopping him from helping Hal.
  • One of the brotherband’s competitions is a wrestling match. During a match between Bjorn and Stig, Bjorn throws insults. Stig angrily attacks, which allows Bjorn to pin him. Bjorn “raised his right foot and placed it in Stig’s belly. At the same time, he fell smoothly back onto the grass, then straightened the leg, adding his left leg to the thrust as he rolled backward into the grass.” Bjorn was able to pick up Stig and “the Herons’ representative flew for several meters, landing heavily on his back with an ugly thud that drove the air out of his lungs.” There are three wrestling matches that are described over sixteen pages.
  • During a competition, Stefan mimics Tursgud’s voice in order to confuse Tursgud’s brotherband. When Tursgud sees Stefan, Tursgud runs after him. Tursgud “rapidly overtook Stefan and hurled himself on him, driving him to the ground. Stefan curled in a half ball, elbows and knees up to protect himself from the wild punches Tursgud was throwing.” An instructor breaks up the fight.
  • Pirates sneak into town and kill two of the town watch. Someone reports, “Their throats had been cut.”

 Drugs and Alcohol

  • Thorn becomes a drunk after his best friend dies in battle. At one point, Thorn “had become so drunk the previous night that he had lost his way while heading back to the boatshed where he lived. He had crawled into the shelter of the wall, out of the wind, and laid down, vaguely hoping to die.” While Thorn stops drinking in chapter two, others often talk about his drunkenness.
  • After his friend’s death, Thorn became depressed and looked “for comfort in an ale or brandy tankard. There was very little comfort in either, but there was oblivion, and a strong drink helped him forget his loss, albeit temporarily.”
  • After the Herons are forced to surrender their title, Thorn thinks about Hal’s dismal future and he wants to drink. He gets a strong brandy that was hiding in his room. He is able to resist the temptation because he realizes, “If he drank himself insensible, he would eventually wake up. And this situation would not have changed.” His struggle is described over three pages.
  • A ship was carrying “valuable goods—oil, wool, fleeces, and brandy.”
  • A pirate ship lands in Skandia; the ship is carrying wine.
  • When the Herons are declared champions, the town throws a celebration and many of the adults drink ale.

Language

  • The Skandians often use their gods’ names as exclamations. For example, when someone sees a drunk, Hal says, “Oh, by Gorlog’s claws and nostrils, Mam! He stinks.” Later, someone uses “Gorlog’s breath” as an exclamation.
  • Someone uses “Gorlog and Orlog” as an exclamation. Orlog “was Gorlog’s lesser-known brother, only invoked in moments of great stress or surprise.”
  • When two brothers argue they call each other names such as a “bowlegged monkey,” “ugly gnome,” and “numbskull.”
  • A boy calls Thorn an “old wreck” and a “dirty old cripple.”
  • While fighting, someone calls Tursgud a coward and another boy calls him “coward scum.” As Tursgud punches Hal repeatedly, his brotherband yells, “Kill him! Kill him!”
  • Hal is often reminded that he is half Araluen. One boy calls him an “Araluen weasel.” Later, another boy calls him a “mongrel.”
  • The characters call each other idiots a few times. For example, Hal yells at two arguing brothers, “You blasted, blithering idiots. . .”
  • When an instructor sees two brothers arguing, he tells the group leader, “Gorlog help you if they’re always like that.”
  • An adult calls someone a fool.

Supernatural

  • None

Spiritual Content

  • The Skandians believe “if a sea wolf died in battle without a weapon in his hand, his soul would wander in the netherworld for eternity.”
  • Gorlog “was one of the second rank of Skandian gods, like Ullr the hunter or Loki the liar, although unlike them, Gorlog had no specialized skills.”
  • When Hal saw a boy fell, he “breathed a silent prayer of thanks” because the boy’s fall ensured Hal’s brotherband would not be punished.
  • Stig calls Thorn a “broken down tramp.” Later Stig apologizes. When Thorn accepts the apology, Stig says, “Well, praise Gorlog for that!”
  • While getting ready to sail, Hal tells one of his team members, “ ‘All right Ingvar, pull as if Hulde herself was on your heels.’ Hulde was the goddess of the dead, and definitely not someone you would ever want close behind you.”
  • After the Herons fail at protecting an ancient relic, someone says, “Orlog curse the lot of you!”
  • When the Herons leave Skandia, someone says, “ ’May Ullr guide you.’ Ullr was the god of hunters.”
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