Topic: battle

The Sorcerer of the North

Will is finally a full-fledged Ranger, who has his own fief to look after. Will is just getting used to the sleepy fief when he is called away on a secret mission. Lord Syron, who is a master of a castle far in the north, is struck down by a mysterious illness. Some believe that Lord Syron has been struck down by an ancient enemy who is using dark magic. One thing is known for sure: many do not respect Lord Syron’s son, Orman. Will Orman be able to guide the fief during his father’s illness?

As Will is trying to determine who is loyal to Lord Syron, Alyss shows up disguised as a noblewoman. The two hope to discover who is to blame for Lord Syron’s illness. As Will battles growing hysteria, traitors, and most of all, time, Alyss is taken hostage and Will is forced to make a desperate choice between his mission and his friend.

The Sorcerer of the North has a slow start as Will travels to his new fief. Unfortunately, Will is called away almost immediately. During the first part of the book, Halt, Alyss, and several other known characters make a short appearance. Even though their appearance sets up the book’s conflict, the action is slow. Readers who have read the previous Ranger’s Apprentice books will continue reading because they are familiar with Will and the other characters; however, those who have not read the previous books in the series will not want to start with this one.

In The Sorcerer of the North, Will spends too much time traveling to meet different people in attempt to learn about Lord Syron’s kingdom. Instead of being interesting, the reader may quickly become bored. Once Will travels to Syron’s castle, he still spends much of his time collecting information. It isn’t until the end of the book that the action picks up, ending in a cliffhanger that will lead readers to pick up the next book in the series, The Siege of Macindaw.

Even though The Sorcerer of the North isn’t as entertaining as the previous books, readers will enjoy seeing Will become more confident as a Ranger. As Will investigates Lord Syron’s fief, he learns that things are not always what they seem. However, the story has few surprises, too little action, and an easily solved mystery. In addition, readers will miss Halt, Horace, and Evenlyn, who were prominently featured in the previous books. Despite this, readers will want to continue to read The Sorcerer of the North because they know that Will’s next exciting adventure is just around the corner.

Sexual Content

  • Will is happy to see Alyss, who “sensed his need for warmth and feminine company and affection and had been more than glad to supply all three. It hadn’t progressed past some tentative embraces and kisses in the moonlight. . .”
  • As Alyss leaves Will’s house, “she leaned forward and her lips touched his—light as butterfly wings and amazingly soft to the touch. They remained so for many seconds, then Alyss finally stepped back.”

Violence

  • Will catches a man spying on him. When the man tries to sneak into Will’s house, “Will moved quickly, grabbing the man by the wrist with his right hand and pivoting to jerk him forward into the room. At the same time, he let the pivot movement throw his left leg across the doorway as a barrier, so the outsider was jerked forward and tripped over the outstretched leg. . .” The man recovers and aims a war spear at Will, “the razor-sharp head weaving slightly as if to mesmerize his enemy.”
  • When the spy, Buttle, sneaks into Will’s house, Alyss tries to help by pointing a dagger toward the man. “Buttle swung instantly toward her, dropping into a defensive crouch, the spear ready to thrust. . . ” Will cuts the tip off of Buttle’s spear. Then, Will “brought the brass pommel of the saxe thudding into his temple.” Buttle is knocked unconscious and sold into slavery.
  • As Will and two other men try to leave the castle, guards shoot at them. “Will saw movement on the battlements ahead of them, and heard a crossbow bolt strike, skidding, on the stones in front of Tug. Without conscious thought, seemingly without aiming, he shot again and a figure tumbled from the parapet into the courtyard, his crossbow clattering on the stones beside him.” The men were able to escape.
  • When men follow Will out of the castle, Will shoots an arrow at one of them. “Instead of striking home into Buttle’s upper body, it came out of nowhere and slammed into his thigh, tearing through the fleshy part of the leg and pinning it to the hard leather of the saddle.”
  • Will tries to get Alyss out of the castle, but he is unable to. When he flees the castle, a sergeant recognizes Will and “lunged clumsily with the halbert. Will’s saxe knife was in his hand and he deflected the heavy ax head to one side. Grabbing the sergeant’s arm, turning and crouching in one movement, he threw him over his shoulder to the flagstone of the courtyard. The sergeant’s head slammed into the hard stone. His helmet rolled on one side and he lay stunned.”

Drugs and Alcohol

  • Will asks a stranger about an injured dog. The man replies, “John Buttle has a shepherd like that one. And he’d be the kind to injure a dog and leave it that way. Has a nasty temper, John does, particularly when he’s in the drink.”
  • The Scandians needed to raid a fief in order to get supplies, including wine.
  • Will invites the Scandians to a feast. He tells a man, “But don’t try to match them drink for drink. You’ll never manage it.”
  • Will goes into a tavern where the patrons were “tapping their wine mugs on the table” and singing along with a song. One of the songs is about a “drunken witch,” and another song talks about “the drunken king of Angledart.”
  • Will goes into the barracks rooms because he knew “nothing lessened men’s tongues like an evening of music and wine.” He gives the men “a large flagon of apple brandy to help the night along.”
  • Someone poisons Orman. Later, Will finds out the poison was “a particularly nasty toxin called corocore. It’s very obscure—not listed in any of the major texts on herbs and poisons. It takes about a week to take effect, so it was probably slipped into Orman’s food or drink sometime in the last ten days.”
  • Alyss, disguised as a noblewoman, asks for someone to bring her and her guest “the good Gallic white” wine.

Language

  • A man talks about his injured dog. He says, “little bitch tried to bite me so I taught her.”
  • Damn is used occasionally. For example, Will tells a Scandian that a man “made a damn nuisance of himself around here. . .”
  • “My God” is used as an exclamation twice. For example, when someone shows Will a weapon, Will says, “My God.”
  • “Oh God” is used as an exclamation three times. “Good God” is used as an exclamation once.
  • Alyss is working undercover as Lady Gwendolyn. She tells Will, “Now we can talk, while any eavesdroppers will hear the jongleur serenading that stuck-up twit, Lady Gwendolyn.”
  • Hell is used once. Will says, “Then we ride like hell for the gate.”
  • Someone calls a guard an idiot.

Supernatural

  • While in a forest at night, Will sees an apparition. “. . . A giant figure loomed out of the mist, towering high above the mere, seemingly to rise from the black water itself. One moment there was nothing. Then, in the blink of an eye, the figure was there, fully formed. . . This was no mortal figure he knew. This was something from the other side, from the dark world of sorcery and spells.” When the apparition tells Will to leave, Will quickly exits the forest.
  • Alyss is hypnotized.

Spiritual Content

  • As he was walking across the courtyard, Will “Breathed a silent prayer that they wouldn’t encounter Buttle on his way out.”
  • Will’s dog approaches a man. When the man begins petting the dog, Will’s friend says, “Thank God you didn’t shoot him.”

Let Sleeping Dragons Lie

Odo and Eleanor are excited to be knights. The only problem is that nothing ever happens in their sleepy little village. While Odo is happy to wait for some action to come his way, Eleanor is eager to go on the next adventure. Both knights know they are prepared to go on a quest, especially since they have their trusted and talkative enchanted swords.

When bilewolves attack the village, two strangers show up to dispatch the evil creatures. The strangers, Edga, and Hundred, are determined to prevent an unbearable imposter from taking the crown. Odo, Eleanor, and their swords join the quest. They will wander through unfamiliar lands, fight unseen enemies, and prepare for an epic battle.

The second installment of the Have Sword, Will Travel Series loses its humor and lacks a lot of the charm of the first book. When Odo and Eleanor join the quest, they meet two new characters, Edga and Hundred. Unfortunately, neither of these characters is relatable. Years ago Edga abdicated the thrown, and now he believes Kyndryk should be king. However, Kyndryk rarely appears. When he does, none of his actions prove he is worthy of becoming king.

Several new characters appear in book two. However, a bat that has been taught to recite letters in order to deliver messages is the most interesting character. All of the new characters are one-dimensional. Even though their quest is admirable, their personalities do not pop off the page. As the group travels to stop the coronation, the action lags. When the group finally makes it to their destination, a dragon appears, but his appearance is anticlimactic. Instead of adding an interesting element, the dragon does nothing to add to the story’s plot.

Readers who fell in love with Odo and Eleanor in Have Sword, Will Travel will be slightly disappointed in the sequel, Let Sleeping Dragons Lie. The simple plot, the slow pace, and the lack of enchanted sword action all add up to a mediocre sequel. If you’re looking for an excellent fantasy series, the Riders of the Realm Series by Jennifer Lynn Alvarez and the Max Tilt Series by Peter Lerangis both take readers on an adventurous journey full of wonder.

  Sexual Content

  • None

 Violence

  • “Four enormous, shaggy, wolf like creatures, each the size of a small horse” attack two people—Hundred and Edga. The man’s weapon “was a blur, leaping out to punch one bilewolf’s snout, then jab another’s forefoot. The woman was equally as adept, though she wielded a curved sword, the blade moving swiftly…”
  • When Odo and Eleanor see the fighting, they also notice “three villagers lay dead or seriously wounded, their torn and jagged clothes still smoking from the bilewolves’ acid-spewing jaws.”
  • During the battle against the bilewolves, Sir Halfdan rides his warhorse towards a bilewolf. “A bilewolf turned towards the galloping horse and charged, leaping at the last moment to avoid Sir Halfdan’s lowering lance…” Sir Halfdan “flicked the point up, taking the beast in the shoulder, the steel point punching deep. Bilewolf shrieked, the lance snapped, and then horse, knight, and dying bilewolf collided and went flying.” Sir Halfdan dies. Three other villagers are killed, but their deaths are not described.
  • During the battle, a “bilewolf bunched itself to leap up at Odo…but Runnel’s sharp point cut through its leg even as it sprang. It fell sideways, yelping and Biter came down to separate its massive head from its body…” At the end of the battle, all the bilewolves are “slain, one with a crushed skull and the other with a sliced-open throat. All four carcasses lay steaming, the grass beneath them turning black and smoking…” The above battle takes place over six pages.
  • Edga, Hundred, and some of the villagers sneak into the village’s manor house to take some men prisoner. Hundred “brought down the guard with one hand across her mouth and a forearm tight against her throat. The guard struggled for a minute, then fell unconscious.”
  • The group sneaks into the manner when all of the men are sleeping. The group seizes the sleeping men, “swiftly trussing them up like livestock, wrist tied to ankles.”
  • While the group is herding the men out of the manor, “the front door burst in, admitting the single remaining guard… Hundred tripped the guard and Odo fell on him, one knee pinning him to the ground…and they both tied him up.” No one is injured. The scene is described over three pages.
  • Someone uses a craft-fire to have birds attack Edga’s group. “With a furious flapping of wings, a dozen black shapes converged on them from all sides, claws and beaks reaching for their eyes… Edga spun his staff overhead, knocking a raven to the ground. Hundred produced a whip and cracked it twice. Three birds fell dead, instantly slain.” Everyone is able to escape without injury.
  • A hooded figure appears and when he gestures, “tiny darts hissed out of the trees, striking them each in the throat. Odo felt a string of pain, followed by a rushing, clouding sensation as darkness swept over him once more.” Everyone in the group becomes unconscious, but they wake up safely.
  • When traveling into the urthkin’s tunnels, “something moved behind her [Eleanor] and she felt a tiny pinprick at the neck. ‘Move, tall one, and I will spill your lifeblood to the dirt,’ said the urthkin holding the curved knife to her throat.”
  • Someone uses craft-fire to make birds and bugs attack Edga’s group. “An eagle and dozens of sparrows…swarmed from the sky. Scorpion, spiders, and ants issued from cracks in rocks…” The humans were able to run and escape the attack.
  • When trying to stop Edga’s sister from becoming king, Edga’s group “attacked the backs of the watching Instruments. Two fell with throwing knives buried deep in their shoulders. Another two dropped with tendons cut in their ankles.”
  • During the battle, “Odo lowered the shield from his face long enough to block a wicked slash to his ribs from a skinny woman… The blow jarred every joint in the left side of his body.”
  • In order to stop the attacking birds, “Hundred’s blades caught the craft-worker. The bearded man went down with a cry, and his green-flamed torch went out. The animals were instantly released.”
  • Hundred tries to stop Lord Deor. Hundred “threw a knife that glanced off his shoulder without doing any harm… The third bit into his neck, and he turned with a snarl.” The fighting is described over seven and a half pages.
  • Trying to capture Lord Deor, Odo continues the fight. “Blood still flowed freely down his [Odo’s] side, and his smile was looking forced.”
  • The huge rock where the fight took place began to crumble, and Lord Deor “with a cry, he fell into a fiery crack and disappeared. There came a sound like giant jaws crunching and he was gone.”
  • As Edga’s sister tried to run, the dragon caught her and wrapped her in “his lightning-fast tongue. The dragon held her like that for a few seconds, then whipped his tongue back, sending the regents spinning dizzily away until she fell over a stone and lay there, sobbing angrily.”
  • In the epilogue, an enchanted sword “lunged, killing the peasant with a single stab to the throat.”

 Drugs and Alcohol

  • Edga asks Hundred to sing. “Give us a round of ‘Drunk Eyes Fair See What Fair Might Not Be.”
  • While traveling, Edga’s group stops for the night. As they talk to other travelers, they “passed around a flask of warming spirits that made Odo’s eyes water, just sniffing it.”
  • Someone uses poison darts to put Edga’s group “to sleep.”

Language

  • Eleanor calls someone a “slimy cumberwold.”
  • Edga’s sister says he is a “dullard.”
  • Eleanor tells Odo, “don’t be such a lubberwort.”
  • Kyndryk’s grandmother calls him a fool.
  • Edga’s sister says, “You’re supposed to be dead, you old fool!”

Supernatural

  • Biter and his sister sword are enchanted swords that are able to talk and control their movements.
  • Someone uses a craft-fire to deliberately call the bilewolves.
  • Some people believe that “the dead were dead and likely to stay that way—unless talked about too much.”
  • In order to help Edga grieve the loss of his friends, Odo built a grave. Hundred explains, “These are twigs and berries—an old Karnickan ritual, I believe. A stick for the body, a seed for the soul? To put grief to rest and let the happy memories thrive?” The group buries the stick and seed to represent the dead.
  • Urthkin, “pale-skinned, reed-slender demi-humans” that have “paws like a mole’s, with digging claws,” only come out at night because light hurts their eyes. Edga’s group asks for permission to use the Urthkin’s tunnels.
  • Edga and his group are taken to a forge that is able to create enchanted swords. Odo’s sword, Biter, asks a smith to repair a nick in his sword. Biter is “washed in sweet oils, bathed in three fires, hammered by a master smith.” Afterward, Biter’s memory comes back.
  • Kyndryk paints a mural of a dragon. He chants, “Dragon, dragon, heed our call. Come to aid us, one and all. From a cruel and dreadful fate, save us now, ere it’s too late.” After Kyndryk says the chant several times, the dragon comes alive. “But the dragon was flying too low. The broad wings flapped almost carelessly a third and final time. Then, with a soundless crash that somehow made the stone quiver faintly underfoot, it struck the vertical cliff face and became a mural once more.”

Spiritual Content

  • While trying to sneak past sentries, Odo “kept his face carefully neutral, praying his relief was perfectly concealed.”

All the Pieces Fit

In book five, D.J. and Hilo traveled to Hilo’s home planet. In order to keep their activities secret, they left robot versions of themselves on earth. When government agents appear, they are determined to take D.J. and Hilo into custody. With the help of Gina and Polly, the secret agents end up running from the scene. However, now Gina’s parents discover the truth about D.J. and Hilo.

Being a hero isn’t easy. Hilo had no idea it would be this hard. Hilo came to earth because he was running from Razorwark. He’s done running. Razorwark has come to earth, and the time has come for one final face-to-face showdown. What happens will decide the fate of the robot world…and Hilo’s future. The sacrifice will be great but with Izzy’s help, Hilo finally knows what he has to do because THIS is how all the pieces fit.

Fans of the Hilo series will not be disappointed with the sixth installment of the series, which brings all of the characters together to fight Razorwark. All the Pieces Fit is a fast-paced story that contains many exciting battles. However, the fighting is broken up with humorous scenes, such as a hurricane of hamsters and a force field around the city. However, the philosophy about Hilo’s empatis will confuse some readers. However, the ending is surprising and shows how “we all have a purpose. We have a place we’re supposed to fit.”

All the Pieces Fit uses brightly-colored illustrations that keep the action moving. The detailed illustrations show exaggerated facial expressions, which will help readers understand the characters’ changing emotions. For maximum enjoyment, the stories should be read in order. Even though the first chapter recaps the events in the previous books, the stories’ plots build on each other.

Hilo is the perfect series for all ages. The sci-fi story shows the importance of friendship and sacrifice, and the heartwarming conclusion will leave readers smiling. Even though Hilo’s story is wrapped up, readers will be excited that the actions continues in Gina—The Girl Who Broke the World.

Sexual Content

  • None

Violence

  • Government agents try to take custody of D.J. and Hilo. Gina uses her magic wand to knock “buttface here on his butt.”
  • Polly shoots lasers at the government agents, who jump out of the way. Then Gina uses her magic wand to make vines grow around the agents. Later, Polly makes two agents clothes blow up like balloons. Polly hits the agents with a stick and they go flying.
  • Gina and her friends continue to harass the agents. When one of the agents tasers D.J., they discover that a robot has taken D.J.’s place. The government agent fight is illustrated over eight pages.
  • To chase off the rest of the agents, Polly uses magic to send “a wee hurricane of hamsters” to attack. The agent tasers Gina. When he tasers Hilo, he discovers that Hilo has also been replaced by a robot.
  • When Polly creates a “giant monster hedgehog,” the remaining agents run away. The scene takes place over four pages.
  • As a force field covers a town, a car is split in half, separating the passenger from the driver. No one is injured.
  • While flying in the sky, Razorwark grabs Hilo and throws him to the ground. Hilo is uninjured.
  • Razorwark and Hilo fight. Hilo blasts Razorwark with freezing lasers. Razorwark blasts Hilo with a laser, and Hilo falls to the ground. The battle scene is illustrated over five pages.
  • Hilo destroys the portal so Razorwark cannot escape. Then, Razorwark and Hilo blast each other with lasers. Razorwark tells Hilo he wants revenge because people “wanted me to be the sole fighter of their wars! And I was! They wanted me to be a murderer! And I was!” Razorwark plans to kill all of the humans so the “society” of robots has a world of their own.

 Drugs and Alcohol

  • None

Language

  • Lisa calls a government agent a buttface. When Lisa’s father gets upset, her mom says, “No, she’s not totally wrong. They are kind of buttfaces.”
  • Someone calls the government agents “dirt weasels.”
  • When a force field covers the town, an agent says, “holy mackerel.”

Supernatural

  • Razorwark opens a portal to allow robot pieces to enter Earth’s atmosphere. Then Razorwark uses magic to assemble the pieces.
  • Izzy touches Hilo’s heart with a flower that transfers Izzy’s energy to Hilo. When Izzy’s power is drained, she dies. Hilo explains to his friends, “Razorwark gave me some of his empatis and he gave some to Izzy. It’s the energy that brought us to life. Without it we’re empty. We’re broken machines. Without it we die. Izzy gave me all of hers. She gave me everything.”
  • Gina uses her magic wand to make a tree grow to make magic wands. She tells her friends, “You all have wands that can do stunner spells. These won’t hurt the robots! But it’ll knock them on their cans.” The group uses their wands to stun the robots. During this time, the scene flashes to Hilo and Razorwark fighting.
  • Razorwark surrounds Hilo in a “crystal thing.” When D.J. finds Hilo, he breaks the “crystal thing” freeing Hilo.
  • During the final battle between Razorwark and Hilo, the two appear to blow up and “this rain…it’s energy. It’s what made Razorwark. And Izzy…and Hilo…alive.” The energy falls onto the robots, making them come alive.
  • Polly takes the robots through a portal so they can build an entire society.
  • Hilo falls to the ground in a flash of light. Although it’s not explained how, Hilo is now a human.
  • Gina uses a “magic gem. The orb of fellbeck. It cast a spell that makes the entire world forget everything that’s happened in the last two days.” After the spell, Gina says, “Time is the stone that falls. Time is the river that crawls. Turn back the water and rock. Turn back the sun and the clock.” After Gina uses the spell, only four people remember what happened.

Spiritual Content

  • None

Brute-Cake

With no monsters to fight, Alexander and his friends have drifted apart. The Super Secret Monster Patrol used to protect the town from monsters. Without monsters, Alexander is dreading summer vacation. In order to keep Alexander busy, his father has signed him up for a summer camp at the library.

But then Alexander starts finding super creepy monster cards. He’s convinced that the monsters are back, but Rip and Nikki don’t believe him. When Rip invites his friends over to see his new house, the kids decide to explore the attic. When a brute-cake jumps out of a can, the friends know that they must fight the monster together.

Fans of The Notebook of Doom Series will look forward to reading about the S.S.M.P.’s return. The same monster-fighting friends come together to fight new, non-scary monsters. Instead of having a Notebook of Doom to explain the monsters, Alexander keeps finding monster cards that have important information about each monster. Each card is illustrated on one page and has pictures of the monsters, their habitat, their diet, and more exciting information.

Even though the brute-cake wants to turn other monsters into statues, the spooky scenes are more funny than scary. Every page has large, black-and-white pictures that bring the action to life. The large text is comprised of short sentences and easy vocabulary. The Binder of Doom is a companion series; however, readers who have not read The Notebook of Doom will be able to understand Brute-Cake’s plot. The story’s dialogue and use of onomatopoeias make Brute-Cake a great book to read aloud. Full of friendship, mystery, and a funny fighting fruitcake, Brute-Cake will be devoured by independent readers. Readers who like monsters and adventure should add The Yeti Files by Kevin Sherry to their reading list.

Sexual Content

  • None

Violence

  • Rip, Alexander, and Nikki find a monster brute-cake. The brute-cake heats up the kitchen and then “the cake swelled up until it was the size of a baby elephant. Then – WHAM – it socked Rip in the jaw with nut-covered fist. . . Nikki jabbed the brute-cake with her spatula. Crumbs flew everywhere. . . The cake shoved Nikki into Alexander and Rip. They stumbled backward into a rack of pots and pans.” The scene is described over two pages.
  • When Nikki charges the brute-cake, the monster “blasted Nikki with a gush of warm glaze. Instantly, she became a shiny white statue.”
  • Rip and Alexander go after the brute-cake. “The monster yanked an enormous candied walnut from its own gut. WHOOMP! It chucked the nut at Rip.” Rip takes an ant out of his pocket. The ant grows to a gigantic size. The brute-cake tries to crush Alexander. “The brute-cake jumped in the air, directly above Alexander. As the monster came down, Alexander rolled sideways. . .”
  • The brute-cake charged towards Alexander. “Alexander dove aside at the last second. The giant cake rammed into the drill-pickle’s pointy drill and—PLOMPFF! The monster crumbled to pieces.” The last battle scene is described over five pages.

Drugs and Alcohol

  • None

Language

  • Rip calls Alexander a “weenie” one time.
  • Crud is used three times. For example, Alexander thought, “This crust crud on my shirt must be icing!”

Supernatural

  • While in Rip’s attic, Alexander opens a tin can. Then, “Plonk! The tin burst open. A small brownish creature leaps out and smacked into Alexander’s shoulder.” The creature runs away.
  • Alexander and his friends find a brute-cake that is “eighty times tougher than a regular fruitcake.” The monster is “bumpy, brown and covered with shiny bits of fruit and nuts.”
  • After the brute-cake falls apart, Nikki comes back to life.

Spiritual Content

  • None

Oh, Rats!

Phoenix has always been lucky: he’s the largest in his litter, he has the most lustrous fur, and he’s the most sought-after squirrel in his part of New Jersey. All of this makes him being kidnapped by a hawk seem all the more unlucky.

Luckily, the hawk doesn’t have the best grip; however, he drops Phoenix on a freshly tarred street in downtown Manhattan. Stripped of his gorgeous golden-brown coat, Phoenix now looks like . . . like . . . a common sewer rat! Enormously unlucky!

But his luck changes once again when it isn’t sewer rats that find him, but rather Lucy and Beckett, wharf rats living in an abandoned pier on the Hudson River. Just as Phoenix starts to adjust to city life, the rats discover that humans (an unobservant and furless species) plan to tear down the pier and build a tennis complex. Can Phoenix save his new friends’ home? Or has his luck finally run out?

At first, Phoenix is a vain rat who wants to win Giselle’s attention. As Phoenix is admiring his reflection in a pond, a red-tail hawk grabs him. The hawk eventually drops him over Manhattan. Two rats, Lucy and Beckett, drag Phoenix back to their crate and nurse him back to health. After Phoenix sees his battered reflection, he stops eating in the hopes that he will die. However, he soon is caught up in the plight of the rats, whose home is about to be demolished. The rats decide to sabotage an electrical substation to stop the gentrification of their pier.

The rats’ diverse community has many characters that are interesting and well-developed. Phoenix has to overcome his dislike of rats and learn to appreciate of his own looks. Beckett, a bookish rat, would rather hide in his crate reading than join the other rats swimming. The red-tail hawk adds humor. However, the rats’ world also has several villains that also add interest to the story.

Oh, Rats! has some exciting moments, but the plot drags in many places. The focus on Lucy and Beckett’s alcoholic father seems out of place because his appearance does nothing to advance the plot. Although readers may find the rats’ way of life interesting, readers may struggle with the vocabulary. The story uses difficult vocabulary such as ignominious, appalled, piqued, lugubrious, and curmudgeonly. However, black and white illustrations appear occasionally, which helps break up the text.

Phoenix is a relatable character, who has a mix of good luck and bad luck. In the end, Phoenix realizes that friendship is more important than one’s looks. Even though Phoenix’s story is interesting, many readers will have a difficult time wading through the slow plot and difficult vocabulary. With a vast selection of animal books out there, Oh Rats! may be best left on the library shelf.

 Sexual Content

  • Phoenix has a crush on a squirrel and they brush whiskers. Later, Phoenix thinks, “Giselle! Phoenix hadn’t thought of her in days. He wondered if she’d gone back to the pond from time to time to think about him. It didn’t seem likely. She’d switched from Tyrone to him so easily, she would probably have switched to another squirrel by now. Though she had seemed to like him.”

Violence

  • Tyrone, a squirrel, is electrocuted. Even though his death is not described, Phoenix carries Tyrone on his back so Tyrone can have a proper funeral.
  • A hawk grabs Phoenix. “He was in the clutches of a bird of prey. He tried to wretch himself free, but the bird tightened its grip, and the terrible pain in his shoulder redoubled—a talon was piercing it. The bird’s other claw had a vicelike hold on his hindquarters.”
  • The hawk drops Phoenix, who “finally dropped out of the tree and hit the street, the pavement wasn’t as unforgiving as pavement usually is. This particular crew had just laid down a new layer of hot tar, which was still soft and doughy.” The tar burned Phoenix. “His whole front side was instantly scalded. . . When he leaped to his feet, the tar scalded his footpads.” As Phoenix escaped the tar, dogs chased him. A bird finally helps Phoenix find water.
  • An alley cat chases Lucy and Beckett. Lucy runs into a pipe. “Her less agile brother dove and hit the pipe snout-on. For an instant he saw stars. The stars cleared up just as the alley cat pounced. A claw grazed Beckett’s back, but he darted to the other end of the pipe and squirmed in before the cat could grab him.” Lucy and Beckett hide in the hot pipe until it’s safe to leave.
  • When humans place dynamite by the rats’ home, Mrs. P moved some under the bulldozer. “After lighting both fuses, she dropped the match and waddled away as fast as she could. But the dynamite was only meant for weakening beams, and the blast wasn’t much louder than a car backfiring.”
  • Beckett reads an article about the rats causing the electricity to go out. “The headline was: SUICIDE BOMBER?” When a rat asks what that is, “Beckett squirmed. ‘I’m not sure,’ he said at last. But of course he knew, and by the aghast look on Lucy’s face he could tell that she did too.”
  • In an electrical substation, Phoenix lights dynamite. “The dynamite exploded just as he stepped onto the balcony. The detonation wasn’t all that powerful. The balcony didn’t tremble under his paws or anything. Nevertheless, he watched one neighborhood after another blink out, till the entire city was dark again.”
  • When a hawk lands by the rats, the rats flee. “In his rush to protect Lucy, Beckett had knocked her over, and they lay tangled on the ground, while their father was pressed flat behind his beer can.”

Drugs and Alcohol

  • When a construction crew put poison out, four rats eat it and end up dying.
  • In order to gain an inheritance, a rat tries to poison Mrs. P. Mrs. P is given an antidote and doesn’t die.
  • Lucy and Beckett’s father, Mortimer, is an alcoholic. Lucy “loved their father Mortimer, but since the death of their mother he’d taken to drink, which brought out his temper.” When Mortimer comes home, he smells bad. Beckett asks him, “Sucking old beer cans again?”
  • Lucy worries about her father because “once, when he’d staggered home alone after one of his binges, a cab on the West Side Highway had hit his tail, which was why half of it was missing.”
  • Lucy and Becket go to look for her father. “She knew the neighborhood bars on the other side, as well as the alleys behind them where her father liked to drain the dregs from toss-out beer and wine bottles.” As she looked for her father, Lucy saw “a sour-smelling human was passed out in front of the first bar they checked. . .”
  • Beckett isn’t sad that his father isn’t at home because “Mortimer was particularly nasty when he drank.”
  • Lucy and Beckett find their father at a bar. “Mortimer grabbed a paper cup. . . the bartender was filling four mugs with draft beer. He held the mug handles in one hand and left the spigot open as he filled them, some trickles of beer spilled down onto the rubber mat. Or would have, if Mortimer hadn’t been there with his cup. When it was full, he carried it back to his hideaway with great care.”
  • Lucy and Beckett are able to leave the bar because humans are not observant creatures, “especially when guzzling beer and watching baseball.”
  • When the electricity goes out, Mortimer decides to come home. “Indeed, it was Mortimer, rolling an unopened can of New Amsterdam ale in their direction.”

Language

  • Someone asks Phoenix, “What the heck are you doing here?”
  • A construction worker says, “I’ll be darned if I’m going to set the charges.”
  • When humans yell at the construction workers, someone calls them “wackos.”

Supernatural

  • None

Spiritual Content

  • None

The Battle for Skandia

Still far from home after escaping slavery in the icebound land of Skandia, young Will and Evanlyn’s plans to return to Araluen are spoiled when Evanlyn is taken captive. Though still weak, Will employs his Ranger training to locate his friend, he but soon finds himself fatally outnumbered. Will is certain that death is close at hand, that is until Halt and Horace make a daring, last-minute rescue. Their reunion is cut short by the horrifying discovery that Skandia’s borders have been breached by the Temujai army—and Araluen is next in their sights. Only an unlikely union can save the two kingdoms, but can it hold long enough to vanquish a ruthless new enemy?

Readers familiar with the Ranger’s Apprentice series will want to continue Will and Evanlyn’s epic journey through Skandia. The Battle for Skandia brings the four friends together—Halt, Horace, Evanlyn, and Will. In order to help the Skandians defeat the Temujai, Will and his friends join the fight. Unlike the previous books, The Battle for Skandia deals with strategy and tactics as Halt leads the Skandia forces in the fight against the Temujai army. Readers will learn more about the Skandiam’s traditions and bravery as their forces face the Temujai army. The contrast between the Araluens’ culture and the Skandian’s culture is interesting and sometimes humorous.

Unlike the previous books, The Battle for Skandia deals more with politics and preparation for battle, which slows the plot down. The story ends with a very long battle where many men die, including the leaders, the soldiers, and the slaves. Even though Evanlyn is a princess, she also helps to defeat the Temujai army. Throughout the story, the characters show the importance of loyalty and courage. The heartwarming conclusion holds some surprises. The Battle for Skandia highlights the importance of working together for the greater good. Although the story’s flow is choppy as it jumps back and forth between different characters’ perspectives, readers familiar with the series will want to know how Will and Evenlyn escape the dangerous threats that seem to lurk behind every corner.

Sexual Content

  • The commander of the Temujai has a concubine; however, she is only mentioned once.
  • There is a brief mention of Halt’s banishment. Someone explains that Halt was drunk when he said that the king was “the issue of an encounter between your father and a traveling hatcha-hatcha dancer.”

Violence

  • When checking her traps, Evanlyn “sensed rather than heard, the movement in the trees behind her and began to turn. Before she could move, she felt an iron grip around her throat, and as she gasped in fright, a fur-gloved hand, smelling vilely of smoke, sweat, and dirt clamped over her mouth and nose, cutting off her cry for help.” When Evanlyn tried to struggle, “her kicks were ineffective as she was dragged backward. Finally, there had been an instant of intense pain, just behind her left ear, and then darkness.” The man takes her back to his camp and ties her to a tree.
  • When Erak was sent to collect taxes, he “opted for a more direct course, which consisted of seizing the person under investigation, ramming a double-headed broadax up under his chin and threatening mayhem if all taxes, every single one of them, were not paid immediately.”
  • Halt and Horace find dead men at a guard post. When they investigate, they find “ten others, all of them killed the same way, with multiple wounds to their torsos and limbs.” The men were “shot. These are arrow wounds. And then the killers collected their arrows from the bodies.”
  • A man prepares to kill Evanlyn. Will comes to her rescue. Will shoots an arrow. “The bow gave a slight twang and the light arrow leapt away, arcing swiftly across the intervening space and burying its point into the soft flesh of the warrior’s wrist.” Horace arrives and “interposed himself between Evanlyn and the man who was trying to kill her and, in a series of flashing sword strokes that bewildered the eye, he drove the other man back away from the girl.” Five men are killed, and one man is taken as a prisoner. The scene is described over four pages.
  • When Halt and Erak spy on the enemy, they are caught and must run. Halt shot his arrow and “the heavy shaft went home. The Tem’uj fell backward in the snow, his own shot half a second too late, sailing high and harmless into the top of the pines.” As they run, Halt continues to shoot arrows, killing a man who “lay in the snow in the center of a widening circle of red.”
  • A slave is dragged in front of a group of Skandian leaders. In order to get her to talk, Slagor “moved quickly, stepping down from the platform and drawing his saxe knife in one smooth movement. He held the razor-sharp blade below the woman’s chin, pressing it into the flesh of her neck with not quite sufficient force to break the skin.” As Slagor yells at the woman, the group notices “angry welts across the woman’s face. Obviously, she had been recently beaten.” When the woman cringes away, “Slagor’s man grabbed a handful of her hair to stop her and she cried out again, in pain as well as fear. He raised the vicious-looking whip over his head, ready to bring it down.”
  • When the Skandians began fighting the Temujai, “Huge axes rose and fell and more horses came down, with tortured screams. Will had to shut his ears to the sound of horses in agony.”
  • When the Temujai attack the Skandians, the Skandians send a “shower of spears, rocks and other missiles from the Skandian line. Most of them fell short of the galloping horseman.” Some of the Temujai horses were stuck by stakes.
  • During the battle, “Will watched as one group of sixty quickly slung their bows, drew sabers, and darted into the Skandian line in a slashing attack, killing a dozen men.”
  • Will directs the archers to shoot towards the enemy. “Men and horses screamed in pain as they crashed to the ground. . . Those who were unhurt by the arrows were confronted by their comrades and their horses tumbling and rolling headlong. And as each stricken man fell, he took another with him, or caused his neighbor to swerve violently. . .” As the fighting, “the archers were exposed to return fire for no more than a few seconds. Even so, under the constant barrage of arrows from the Temujai, they took a few casualties. . . More horses came down, more riders tumbled out of their saddles. . . Haz’Kam’s son, with one arrow through his right thigh and another in the soft flesh between neck and shoulder, lay across the body of his horse.” Haz’Kam’s son is able to deliver a message to his father before he dies.
  • The Temujai try to take out Will’s archers. “Will studied the mass of riders. He had seventy-five archers still standing in the line, several of them lightly wounded. They had lost eleven men, killed by Temujai arrows, and a further fourteen had been wounded too seriously to keep fighting.” Will’s archers fired arrows and “then suddenly, the air around him was alive with the hissing sound of arrows and all along the line his archers were falling, some crying out in pain and shock as others more ominously, silent.”
  • As the Temujai get close to Will’s archers, they fire. “The arrows tore into his men, killing or wounding seven of them.”
  • A Temujai soldier threatens Evanlyn. When Will sees Evanlyn in danger, he grabs his saxe knife and threw it at the enemy. “The big knife took Nit’zak under the left arm just before he began his downward cut. His eyes glazed and he crumpled slowly to one side, lurching against the earth wall of the trench, then sliding down to the hard-packed earthen floor.” The battle is described over 49 pages.

Drugs and Alcohol

  • When taken to her kidnapper’s camp, the men ignore Evanlyn. The six men “ate and drank, swigging what was obviously a strong spirit from leather bottles.”
  • Will thinks back to when he was addicted to warmweed.
  • When Halt is talking to Erak, Halt “poured himself a glass of the brilliant red wine and drank deeply.”
  • After the battle, the Skandians have a three-day period of mourning, “which in Skandia, took the form of a lot of drinking and much enthusiastic recounting of the deceased’s prowess in battle. . . The traditions were sacred to Skandians—particularly traditions that involved a lot of drinking and carousing late into the night.”
  • After the Temujai army is defeated, Halt and the Skandians discuss how to keep the Temujai from trying to return. As they talk, Halt “took a sip of the rich Skandian beer.”

Language

  • Damn is used occasionally. For example, when Horace returns home, someone says, “Damn me boy, but you’ve done us all proud.”
  • When Will’s horse acts up, Halt says, “what the devil. . .”
  • “Gorlog’s teeth” is used as an exclamation once.
  • “By the gods” is used as an exclamation.
  • “My god” is used as an exclamation. When Will returns home, someone says, “My god, I thought we’d never see you again!”
  • Hell is used as profanity. For example, Halt plans to go spy on the enemy. When Halt tells Erak to “wait here,” Erak says, “To hell with waiting here.”

Supernatural

  • None

Spiritual Content

  • The Skandian leader “had sworn a blood vow to the Vallas, the trio of savage gods who ruled the Skandian religion, in which he promised death to any relative of the Araluen King.”
  • In the previous book, Halt helps a dying Scandian by giving the man his weapon. “Shandians believe that if a man died without a weapon in his hand, his soul was lost forever.”
  • When he discovers that Erak has arrows, Halt says, “Thank the gods for the Scandian habit of hoarding everything.”
  • During the battle, “Erak breathed a quick prayer to the Vallas.”
  • During the mourning period, one of the Skandians says, “Ragnak died in battle, as a berserker, and that’s a fate that every true Skandian would envy. It gains him instant entry to the highest level of their version of heaven.”

Beneath the Weeping Clouds

Echofrost, Shysong, and all of the Storm Herd are finally free, but their freedom came with a price. Sandwen Rider Rahkki Stormrunner has been captured by the Gorlan giants, who are quickly losing their patience with the Fifth Clan. With Rahkki in grave danger, the Storm Herd must join forces with the humans they have long feared to save him.

As sweeping monsoon rains threaten to ravage the region, enemies, friends, tame steeds, and wild steeds will have to engage in one final battle to decide the fate of all three groups—the Sandwens, the giants, and the pegasi.

The third installment of the Riders of the Realm Series focuses more on Rahkki’s experiences in the giant’s world. Even though Rahkki isn’t free to leave, the giants treat him as a welcomed guest. The giants hope to make a peace agreement with the landwalkers. Soon Rahkki realizes that many of his ideas about the giants are incorrect. In the end, Rahkki’s misconceptions prevail and end up destroying a chance at peace.

I’Lenna and Rahkki’s brother, Brauk, also plays a dominant role in the story. Unfortunately, a large part of the story focuses on Rahkki, Brauk, and I’Lenna attempting to find each other. Even though the publisher recommends the series for readers as young as eight, younger readers may be frightened by some of the story’s events. At one point, Rahkki is almost killed by giant ants and a giant spider. Another frightening event is when I’Lenna’s mother has her tied up as a sacrifice to a giant lizard.

Alvarez expertly weaves the important events from the past books into Beneath the Weeping Clouds, which will help readers keep track of the large cast of characters. Readers who have read the previous books will emotionally connect to the characters, especially Rahkki. Readers will root for Rahkki as he tries to bring peace to his world. The events of the conclusion are exciting and show the importance of not making assumptions about others. However, the conclusion also leaves many unanswered questions.

Beneath the Weeping Clouds is full of danger, adventure, and even ends with an epic battle between Rahkki’s family and the Queen’s supporters. The story reinforces the importance of communication and forgiveness. The Riders of the Realm Series will entertain readers. However, the long descriptions, the large cast of characters, and the complex storyline make the story suitable for strong readers. Beneath the Weeping Clouds explores the themes of friendship, freedom, and forgiveness and will leave readers wishing that they could bring Rahkki into their world.

Sexual Content

  • I’Lenna thinks about Rahkki who “kissed her.”

Violence

  • When an unfamiliar Kihlara rushed Echofrost, “She reared up just as Graystone thrust his large body between her and the charging steed. The chestnut smacked into Graystone’s chest and rocked backward, smashing into Hazelwind, who bit the chestnut’s neck and tossed him onto his side.” Echofrost stops the fight.
  • I’Lenna is tied to a sunstone as an offering to Granak. On the third night, I’Lenna hears “a tree crack and topple over.” She tries to escape. “Bracing herself, I’Lenna yanked against the iron manacles at the ends of the ropes, rubbing her flesh raw on the hard metal.” I’Lenna dislocates her thumb in order to get her hand free.” In order to free I’Lenna, some of her friends distract the dragon. Koka “snatched at Mut’s dagger and stabbed the dragon in the leg. The reptile twisted around, teeth flashing.”
  • I’Lenna’s friends set a herd of goats free. “As hoped, the easy prey drew the dragon’s bright eyes. . . In two mighty steps, she reached the goats and bit one, then two more. She lowered herself, waiting for her toxic venom to take effect.” The group hides and most people assume the dragon ate I’Lenna. The dragon scene takes place over five years.
  • Rahkki throws a fish in the giant’s soup. Then, “three giants grabbed him and began to pull his limbs in opposite directions. Rahkki howled as pain shot through his body.” Rahkki is then thrown in a cell.
  • Rahkki’s brother says that an ancient race was probably “exterminated.”
  • Rahkki is trapped by giant monsoon ants. Rahkki’s dragon tried to help him. “The golden burner soared through the raindrops and dived towards the insects, shooting blue flames, his hottest. Ants caught fire and exploded. Their disembodied legs and shells spiraled into the sky.”
  • Rahkki tries to run from the ants, but the ants “swarmed his legs. He drew Miah’s dagger and attacked, knocking the ants off his skin and skewering them. . . They scurried up Rahkki’s legs, clamped their mandibles around his flesh, and then jammed him with their stingers.”
  • Rahkki tries to climb up a tree, but vultures “attacked and pecked his arms. Rahkki fell backward and slammed onto the ground again. The savage ants flowed over him. He flailed.” Unexpected help arrives and saves Rahkki. The scene takes place over five pages.
  • Rahkki’s brother, Brauk, breaks into a guard’s room. When the guard appears, “Brauk shot up and struck the guard with the back of his elbow, knocking him unconscious before he could draw his weapon. The man toppled.”
  • A black magna spider traps Rahkki, who “tries to kick the silk away from him, but it stuck to his legs.” Brauk tries to help by throwing a dagger. “The dagger slammed into the spider’s belly. Blue blood squirted from the wound and splattered Rahkki and the tree.” Rahkki is saved. The scene is described over two pages.
  • After ripping out the spider’s venom sack, someone “gave the spider’s head a hard, fast jerk, killing it instantly.”
  • Divided over who should be queen, the villagers begin fighting each other. A blacksmith “raced toward the soldiers, hammer lifted over his head. The adult villagers charged with him. They swarmed the soldiers, who seemed frozen with shock.” The soldiers attacked and “lit firebrands and tossed them at the huts, setting thatched roofs on fire.”
  • During the battle, Brauk “twirled and thrust his sword. Kol reared, clubbing soldiers with his hooves.”
  • Both the wild herd and the tame herd fight the soldiers. “The flying armies collided. Riders swung their swords, hooves struck hides, and teeth tore into skin. Grunts and snorts, squeals and shrieks filled the sky… The Riders hollered to one another and slicked at the wild pegasi with their glinting swords.” Several of the pegasi are injured.
  • Brauk fights Harak. “As his sword clanged to the ground, Harak kicked, striking Brauk again in the spine. Brauk crumpled into a lifeless pile. . . Then a fist rose from the crumpled pile that was Brauk. He drove it straight into Harak’s nose. Blood burst out and streaked the blond man’s face.” During the fight, Harak’s stallion, “dived down and kicked Brauk in the back, flattening him to the ground.” One of the wild herd “glided past Harak Nightseer, [and] she kicked him soundly in the head. Harak crumpled, knocked out cold.”
  • The Queen is accidently stabbed with a dagger. “She dropped to the floor. . . Her eyelids fluttered, her lips pursed.” The Queen is gravely injured, but it is not clear if she lives or dies. The battle scene is described over 51 pages.

Drugs and Alcohol

  • In a previous battle, Rahkki “soaked his darts in poisonous dragon drool after first boiling out all the toxins, leaving only the anesthetic properties intact.”
  • The Queen’s Elixir heals people. The Elixir is made from “black magna spider venom.” “Unlike most poisonous creatures, this spider’s venom didn’t injure or kill—it healed its prey, rapidly curing disease, knitting broken bones, and restoring damaged tissue and organs.”

Language

  • “Bloody rain” is used as an exclamation frequently.
  • Bloody is used as an adjective several times. For example, someone said the soup was “bloody disgusting.”
  • Rahkki thinks he is an “idiot.”

Supernatural

  • The clan believes in omens. They think an early monsoon is “another bad omen.”

Spiritual Content

  • Rahkki’s brother implored his clan’s protection from “Granak and the Seven Sisters” when he prays, “watch over me.”
  • I’Lenna prays, “Granak, Father of Dragons. Please protect your people.”
  • When the giants attack, I’Lenna prays, “Granak protect us.”
  • Rahkki yells, “Granak! As a bloodborn prince of the Fifth Clan, I command you to protect us. . . Rahkii believed in Granak. Why did his people feed the huge lizard if not for his protection? Please, Rahkki thought, hear my call!”
  • “Lands to skies,” “sun and stars,” and “by Granak” are all occasionally used as an exclamation.
  • “By the Ancestors” is used as an exclamation once.
  • Someone says, “Praise the wind!”

The Spacedog Cometh

Klawde is not an average cat. He’s an exiled emperor from across the universe. Klawde spends his days plotting his revenge. He will use any means possible to return to his homeland. Klawde is cruel. He’s cunning. He’s also his human’s best friend.

As Klawde plots his cosmic revenge, the space dog Barx arrives on Earth. Barx plans to take Klawde back to his home planet, where Klawde will be punished for his crimes. Unlike Klawde, Barx is loyal and an overall good boy. He also loves to play catch. Barx is determined to bring Klawde to justice. Will the ferocious feline be able to avoid justice?

While Klawde is focused on evading Barx, Raj is faced with his own out-of-town visitor. Although his grandmother is from Earth, she may be even more formidable than Klawde. When Raj’s grandmother plans a birthday party for Raj, he is convinced that the party will lead to the ultimate embarrassment.

Klawde: The Spacedog Cometh brings in two new characters—Barx and Raj’s grandmother. Raj’s grandmother showers Raj with love. She not only begins packing him traditional Indian lunches, but she also invites his entire class to a birthday party that will feature traditional Indian food. Raj loves his grandmother enough not to complain, but he still worries about being different than his classmates. Raj’s relationship with his grandmother leads to some funny, awkward, and surprising situations.

As Raj is trying to survive his grandmother’s visit, Klawde is up to no good. He is convinced that torturing Barx is the key to returning to his home planet. The contrast between Klawde and Barx is amusing and leads to many fight-and-chase scenes. As Klawde and Barx create chaos, Raj doesn’t know if Klawde is being honest or not. After all, Klawde has told him, “Lies are the sharpest arrows in the warrior’s quiver” and “The truth is whatever I say it is.”

Klawde: The Spacedog Cometh continues the engaging, comical story of Klawde. The new characters keep the plot fresh and exciting. Although Klawde’s plans don’t turn out as he had hoped, the conclusion is heartwarming and proves that Klawde will never change. The story continues in the same action-packed format as the previous books. The engaging story has short paragraphs, easy vocabulary, and hilarious blue-and-black illustrations. Not only do the illustrations help the reader imagine the story’s events, but they also highlight Klawde’s various emotions of misery, distaste, and disgust.

Sexual Content

  • None

Violence

  • When Raj brings a dog home, Klawde attacks him. “SLASH! I struck the dog’s nose, claws fully extended. The beast’s eyes snapped open as it yelped in shock and pain. When it saw me, it began to growl, a low rumble that sounded like thunder. Then it charged! Only my superior feline reflexes kept me from the death trap of its snapping jaws.” Klawde hides in his litter box. When the dog follows, “I began to kick up sand with my back paws, creating such a flurry that the canine was blinded.” Klawde eventually races away from the dog, and jumps on Raj’s grandmother’s head. The fight is described over three pages.
  • Klawde calls the dog a “slobbering moron.” In response, the dog bites Klawde’s tail. “The pain—it was like my tail had been blasted by a Zzaxxannian laser torpedo! Fortunately, my cry of agony so surprised Barx that he loosened his grip.” Klawde gets away by climbing a tree.
  • When Klawde finds the dog sleeping, he “bit him on the leg.” The dog doesn’t respond; instead, “Barx merely yawned.”
  • Klawde hides in the bathroom. When Barx comes into the bathroom to drink from the toilet, Klawde attacks. Klawde “sprang from my hiding place, claws fully extended! My left paw slashed Barx’s nose, my right his ear. Barx stumbled backwards in shock.” The dog chases Klawde, who climbs onto the mantel and “flung down a stack of books that the father-ogre kept there. They hit Barx on the shoulder, and he yelped in anger.” Raj’s grandmother shows up and stops the fighting. The fight is described over four pages.
  • Klawde demands that Barx returns to his home planet. When Barx refuses, Klawde calls him a bad dog. “A low growl started in Barx’s throat, and the fur along his spine began to rise. . . ‘Don’t you growl at me!’ I said, slashing him across his hideous snout. Barx bared every single one of his deadly teeth.” Then, Klawde ran from Barx.
  • When Klawde returns to his home planet, the other cats attack. “Just then, the escape pod started to rock. We were being swarmed by the infuriated mob. . .The mob was clawing at the hatch, trying to pry it open.” Klawde makes a desperate last-minute call to Raj, who comes and saves him.

Drugs and Alcohol

  • None

Language

  • In his thoughts, Klawde often calls others names. The characters also call each other names, including moron, idiot, jerk, dimwit, imbecile, fool, cowardly scoundrel, dolt, fraud, sniveling charlatan, vile flatterer, and two-faced mongrel.
  • Heck is used three times. For example, when Raj takes a traditional Indian meal to school, someone asks him, “What the heck is that?”
  • When Klawde keeps saying “sit,” Barx says, “Dang it!”
  • Darn is used once. Barx says, “Klawde did something pretty darn awful in my solar system. . .”
  • When Raj sees the lights from a spaceship he thinks, “No. . . freaking. . .way.”

Supernatural

  • None

Spiritual Content

  • None

 

Then Everything Went Wrong

Hilo can’t remember his past, so he decides to go back to his home planet. But D.J. won’t let Hilo return to his home alone and jumps through the portal before anyone can stop him. In order to hide their disappearance, Izzy makes a fake Hilo and a fake D.J. robot. The two friends need time to explore Hilo’s home planet. Will D.J.’s parents figure out that D.J. is missing?

Hilo knows he is supposed to save everyone, but what happens if danger appears when he is gone. As Hilo discovers his past, the military is quickly narrowing their search for him. Will Hilo discover the answers he needs before it’s too late?

With Hilo and D.J. on another planet, Izzy and Gina are forced to take drastic measures to hide their missing friends. Gina creates a fake Hilo and a fake D.J., but it’s impossible for her to make them act “normal.” Even though Izzy and the robots are supposed to blend in, they keep getting into fights at school. Polly appears on earth, which adds to the comical conflict. Despite the fights and the misunderstanding, it is clear that the friends will do anything to keep each other safe.

Then Everything Went Wrong is full of humor and heart. Izzy and Polly clearly don’t understand earth’s customs, and their well-intentioned mistakes will keep readers giggling. Izzy keeps telling everyone that she “knows how all of the pieces fit,” but does she know what’s best for everyone?

Brightly colored illustrations will capture readers’ attention, but readers will want to keep turning the pages because of the engaging story and the likable characters. The detailed illustrations show exaggerated facial expressions which will help readers understand the characters’ changing emotions.   For maximum enjoyment, the stories should be read in order. Even though the first chapter recaps the events in the previous books, the story’s plots build on each other.

The story hits on themes of friendship, fitting in, and the dangers of war. The book ends with a shocking cliff-hanger that will leave readers in suspense. Even though Then Everything Went Wrong is the fifth installment of the series, the plot continues to build and keep readers engaged. Hilo is a boy robot that readers will love.

Sexual Content

  • None

Violence

  • Hilo decides to go back to his home planet, and D.J. refuses to be left behind. D.J. puts on Hilo’s spacesuit and goes through a portal. Hilo follows. They see space pigs and D.J. almost gets eaten by a space frog.
  • When Hilo and D.J. find Dr. Horizon’s secret lab, Hilo hits a button that begins a self-destruct countdown. Hilo creates a shield around himself and D.J. that protects them from the blast.
  • When a boy calls Polly a weirdo, she hits him. The boy falls on the ground and Polly jumps on his back and pulls his arm back.
  • When a group of girls yells at Polly, Polly says, “I won’t be fighting anyone.” A girl pushes Polly and fake Hilo and fake D.J. jump in to protect Polly. The fight is not described.
  • A woman tells Hilo a story about Tamir, who said, “I was a creature of rage and greed. I sought only to hurt and to conquer and to rule my world. . . I was born enslaved, beaten, starved, abused, and forced to work until the day I was strong enough to fight back.” Tamir changed when he felt love.
  • When the army shows up and wants to take Hilo, Gina shoots a beam of light out of her wand. It hits a man in the stomach and knocks him down, but doesn’t seriously injure him.

Drugs and Alcohol

  • None

Language

  • For show and tell, Izzy says, “So, when I armpit fart—it attacks pigeons. . . If I cup my hand too much, it sounds too high and the pigeons don’t come. . . When I do my right armpit I can call seagulls.”
  • In the space void, D.J. asks, “does this place always smell like a gorilla’s armpit?”
  • Gina waves her wand at the portal and two big dogs come through. The dogs chase Izzy and Gina.
  • Polly says that the Furback Clan was “forced to make weapons for those dirt-snaking vermin.” Then he calls them, “Lizard poop.”
  • A military man says, “Dang it” three times.
  • Polly, disguised as a human girl, tells the class about “hippopotamus bees” that “weigh three tons, and carry twenty gallons of nectar in their pouches which are attached to their rather gigantic butts.” Polly then points to her butt.
  • A boy calls Polly a weirdo.

Supernatural

  • Gina sends a communication spell across dimensions.
  • Polly uses a “masking spell. It’ll change my appearance. I’ll look human.”
  • When Tamir went through a dimensional portal, the creature said, “In my world we call a door like that magic. Here you call it science. It’s mostly the same.”
  • Robots “don’t have emotions . . .But they feel. They’re so afraid.”

Spiritual Content

  • None

Lintang and the Pirate Queen

Lintang loves her family, but she doesn’t want to be a homemaker. Lintang dreams of leaving her island home. She longs to go on dangerous and daring adventures. When she meets the infamous pirate, Captain Shafira, Lintang wants to join her crew. When she gets her chance, Lintang promises to follow orders. However, Lintang’s curious, impulsive attitude always gets her into trouble.

Lintang discovers that living on a pirate ship can be difficult. Her loyalties are divided when she finds that her best friend, Bayani, has stowed away and is desperate to stay hidden. Lintang knows that Bayani is hiding a secret that could change the world. However, she has promised the pirate queen that she will never lie to her. How can Lintang impress the pirate queen and keep Bayani’s secret at the same time?

Readers will relate to Lintang, who has a difficult time following orders. Despite her best intentions, Lintang gets into trouble time and time again. When Lintang is demoted to a cabin girl, she gains the crew’s respect through her positive attitude and work ethic. During her voyage, Lintang “had turned into Lanme Vanyan (the mother of all monsters), faced a Kanekonese siren, fought a dragon, almost drowned twice, battled a sea serpent, [and] worked as a cabin girl.”

Moss creates a beautiful world full of mythies. Some mythies are friendly and others are deadly. In order to introduce the different creatures, many of the chapters being with a page from The Mythie Guidebook, which describes each type of mythie. The information describes how to eradicate the mythie, their behavior, danger level, and provides a description.

Lintang and the Pirate Queen has non-stop action as Lintang, Captain Shafira, and her crew embark on a dangerous journey where they fight fearsome monsters. The story ends in an epic multi-chapter battle that has many surprises. Because of the complex world, the complicated plot, and the large cast of characters, Lintang and the Pirate Queen is best for strong readers. However, adventure-loving readers will love this tale of friendship and adventure.

Sexual Content

  • Lintang tells a legend about Pero, who “was not afraid of the Goddess of Death.” When he left home, he “packed his bag, said goodbye to his mother, kissed the barmaid, and left.”
  • Avalon is transgender. One of the ship’s crew treats him unkindly. She says, “Avalon pretends she is a boy. I remind her she is not.”

Violence

  • While walking in the forest, Lintang and Bayani are attacked by a malam rasha. “A night terror (malam rasha) is a humanoid forest mythie in the predator category. It appears as a woman with wooden skins, long dark hair, and a white dress. Instead of arms, it has tree roots, which are sharp enough to dig through flesh.” Bayani’s fey friend, Pelita, helps. “Before it could attack, a ball of white light zipped in front of its face. The malam rasha recoiled, snarling.” Lintang raised her sword and the “malam rasha reared up. It moved to strike with its arm of tree roots, but she stabbed and it retreated. Slash. Dodge. Stab. Dodge. . . Lintang ran to Bayani, shoved him to the ground, and threw herself over him.” When the two are laying on the ground, someone chases the mythie away. The fight scene takes place over four pages.
  • The malam rasha goes to the temple and goes after Lintang. “The mythie barreled into her. She landed on the stone floor, winded. Pelita fluttered out of the way just in time. The malam rasha curled its lip and slashed at Lintang’s stomach. . . The malam rasha tried again, clawing and tearing until the front of Lintang’s sarong was in tatters.” Panna leaves that were smeared on Lintang protected her. Captain Shafira jumped in to help. “Captain Shafira aimed sword blows at the malam rasha so fiercely that it was forced to retreat.” The Captain’s crew assists her in capturing the malam rasha. “Captain Sharfira brought her sword down and chopped off its arm. It released an earsplitting shriek.” The battle is described over three pages.
  • Once the malam rasha is captured, Captain Shafira “directed a kick to the malam rasha’s wooden head, and it slumped, unmoving.” Later when the light of day appears, the mythie “burst into flames, leaving only a silhouette of ash and the broken fishing net.”
  • A predator mermaid uses her power to make Lintang jump into the sea. “Stinging spread across her body, from both the impact and the chill. It didn’t matter. Nothing mattered anymore. She was with the mermaids now.” The mermaids try to pull Lintang deeper into the ocean. “Splinters sliced at Lintang’s lungs. Her head felt light. . . She barely noticed the flash of steel, or the clouds of blood in the water, or the fact that the mermaids had released their deadly grip.” Lintang is saved. The scene is described over a page.
  • When leaving the island, Nyasamdra picks up Captain Shafira’s ship. Nyasamdra “let them float in the air. She watched them swirl inside the bubble, her face childlike with curiosity.” Trying to help, a “bird darted past Nyasamdra’s fingers and pecked the bubble. There was a pop, and everyone had to hold on as the ship plummeted back into the waves.” Bayani comes above deck and gives Nyasamdra the correct tribune, then she lets them pass. The scene is described over four pages.
  • A sea serpent attacks Captain Shafira’s ship. The huge serpent tries to break the ship up by squeezing it. “Lintang acted without thinking. She raced forward and shoved a harpoon into the serpent’s mouth to wedge it open. The serpent started to snap but stopped as the dragon’s claw dug into the roof of its mouth and sprayed blood across the deck.” One of the crew members “swung out on a rope, caught the harpoon with one hand, and used the dragon talon to slash the serpent through the neck.” Lintang is injured. The fight is described over three pages.
  • When Governor Karnezis tries to get Lintang to give up Captain Shafira’s location, Lintang tries to escape. “. . . Governor Karnezis snatched her hair. She cried out as he yanked her backwards.” Lintang uses a dart to put the governor to sleep. Captain Shafira and her crew help Lintang escape.
  • Farah and her family helped Captain Shafira when she was injured. The Vierzan counsel sent “people to kill Farah’s family and burn the place down.”
  • While under the sirens’ spell, Avalon attacks a crewmember, Mei. “Avalon lunged. He wrapped his arm around Mei’s throat. . .Mei strained to pull his arm from around her neck. Her round cheeks turned pink. She was suffocating.” A crew member hits Avalon over the head with a frying pan, causing him to pass out.
  • Captain Shafira boards Captain Moon’s ship and the two fight with swords. “The two thrust and parried, each as skilled as the other. A few clashing blades and a clever maneuver later, they’d switched positions. . . Captain Shafira managed to kick Captain Moon’s ankle, dropping her to one knee. Captain Moon blocked an attack while she was down, then stabbed forward so violently that Captain Shafira had to jump two steps down the staircase. . .” When the sirens threaten both ships, the two captains work together.
  • The ship’s dragon awakens. Captain Shafira and Captain Moon bait the dragon, causing it to tear down a locked door.
  • At one point in the fighting, Bayani is “standing on the bridge with the spear side of the khwando pointed at Zazi’s neck.”
  • Lintang jumps in the ocean, then turns into the mother of monsters named Lanme Vanyan. Lanme attacks a dragon. Lanme “sprang, clamping her hands on the dragon’s shoulder. It tried to toss her aside, but she held on and slashed at its wings. They twisted in the air like a whirlwind.” She flings the dragon away and then attacks a siren. “Lanme zipped toward it and bit it beneath the arm. . . The siren tried to crush her with its free hand. She bit its fingers. Bubbles hissed from its mouth, but it didn’t pull back.” The siren swims away.
  • The dragon returns and attacks Lanme again. Lanme “whipped her tail into the air, wrapped it around the dragon, and slammed it onto the waves. The dragon shuddered with the impact, then floated, stunned.” Then, Lanme turns back into a human.

Drugs and Alcohol

  • The Vierzans developed a medicine that “kills dangerous things in your body. Stops illnesses, disease; you name it, the Curall fixes it.” When Pelita is sprayed with Curall, she glows brighter. “Pelita’s squeaks turned into tiny shrieks. She sounded like she was in pain. . . And then, as swiftly as a sneeze, a human body burst out of the pixie. A girl lay in Pelita’s place, an Islander barely ten years old.”

Language

  • While practicing sword fighting, Lintang says to her best friend, “You ebony-nosed loobatoon! You brown-tailed barbanees! You blood-eyed ruberrince!”
  • “By the Gods” is used as an exclamation four times.
  • When Lintang scares the ship’s cook, she says, “Mother of monsters, you scared the petticoats off me!”
  • Someone calls another character a gnome.

Supernatural

  • Lintang’s world has various mythies, such as sirens, propheseeds, mermaids—both predator and friendly types. For example, “Propheseeds are sky mythies that take the form of three glowing dandelion seeds. They appear harmless, giggling childishly, and do not physically attack. . . The propheseeds will say your name three times, then, in a form of a riddle or rhyme, give you the time and details of your imminent death.”
  • Those born on the twin Islands have “small, shiny fish scales” on the back of their necks. A ship can only leave the island if they have someone from the Twin Islands. But the island’s mythie guardian Nyasamdra drowns ships “that tried to leave her territory unless they carried someone with her mark.”
  • Sirens are predator mythies. “Like the common siren, it calls for males, but unlike the common siren, it gives power to its victims, making them strong and violent, unable to think of anything but getting close to the mythie.”
  • Mythies did not appear in Lintang’s world until “shooting stars had passed overhead when the mythies arrived. No one knew why the Three Gods had sent the mythies. The creatures had caused havoc throughout the world, but the priest always said in serene voices that the Gods had reasons for everything they did, even if humans could not understand them.”
  • One of the characters is a talking clamshell.
  • Lintang turns into the mother of monsters named Lanme Vanyan.

Spiritual Content

  • People believe in Ytzuam, which is “high above, past the clouds, past the sun, there’s a world in the stars. . . It’s separated from our world by a single thick curtain. There are three Gods who live there: Niti, Patiki, and Mratzi.”
  • As Lintang walks she sees the temple, which makes her think about the gods. “Lintang used to learn about the Gods from the priest there when she was younger, but the only time she visited now was during seasonal festivals.” The three gods are Neti, the creator of the stars, Patiki, the planter of stars, and Mratzi, the harvester of stars.”
  • When Lintang accidentally sets the house on fire, she needs water fast. “Their offerings to the Three Gods had been freshly lain on the stone alter that morning. She reached between a scattering of juicy bubleberries and thin, smoldering sticks of mollowood to take the earthen jug.” She uses the water to help fight the flames.
  • When Lintang fights the malam rasha, she was “praying to the Three Gods that her plan would work.” Then she “dredged up a memory of a prayer from temple. ‘Hear me, Niti, Patiki, Mratzi—Gods of Ytzuam, givers of life, guardians of stars. Please protect us, please don’t let the malam rasha eat us.”
  • People believe that when someone dies, they continue to live. Lintang thinks about her dead grandfather. “Lintang hoped her grandfather’s star, blazing high in the sky” was not ashamed of her.
  • Bayani had died and Mratzi told him that the mythies were human. She then allowed him to return to the living.
  • Lintang trusted the Pirate Queen, but then “prayed to Niti she wasn’t wrong.” Later, when the Pirate Queen decides to stay with Lintang until she gets to her destination, Lintang “sent a silent prayer of thanks to the Gods.”
  • In Vierzan, the people have destroyed the Gods’ monuments because “they think the Gods sent mythies to wipe humans out. . . Now they refuse to pray or build temples or leave offerings.”
  • When Lintang must jump off a building, Bayani thinks she is injured. When he discovers that she is fine, he says, “Thank the Gods, thank the Gods—”
  • When almost drowning, Lintang sees a vision. Shooting stars crashed “through a field of unplanted seeds. . . the impact of the shooting stars scattered seeds throughout the world. . . She saw a man unwittingly absorb one of the star seeds, then he burst apart as a gnome sprang from him.” The vision shows Lintang how humans became mythies.
  • Lintang turned into a mythie.

Through the Untamed Sky

After winning the wild Pegasus mare named Echofrost in a contest, Rahkki Stormrunner is officially a rider in the Sky Guard army. Rahkki is terrified of heights though, and Echofrost doesn’t want to be tamed. But with Echofrost’s herd captured by the giants and a fierce battle looming on the horizon, the duo will have to conquer their fears if they want to fly with the army and free the herd.

Meanwhile, back in his village, Rahkki learns of a growing rebellion to overthrow Queen Lilliam. Unfortunately, the queen suspects Rahkki’s family is behind it, and she places him under intense watch.

As Rahkki and Echofrost escape to Mount Crim to save Storm Herd, Rahkki worries that the greatest danger may not come from the impending battle against the giants, but from within his own clan.

Through the Untamed Sky continues the story of Echofrost and Rahkki. In order for Echofrost to free her herd from the giants, Echofrost joints the Sky Guard with Rahkki. However, it soon becomes apparent that none of the Landwalkers (humans) care whether Rahkki lives or dies. To make matters worse, someone is actively trying to assassinate Rahkki. In a world where political power can only be gained by killing the current Queen, danger lurks in the shadows.

Although Echofrost’s desire to be free is understandable, she never thinks about Rahkki’s needs. Echofrost’s selfish behavior continues to the very end of the story. It takes a battle with the giants for Echofrost to see that “freedom meant choosing her bonds, because a Pegasus could not live alone or act only for oneself.”

The second installment of the Riders of the Realm Series shifts its focus away from Echofrost’s conflict and focuses more on the political unrest. As the story unfolds, Rahkki remembers the night his mother died. Even though the flashbacks help explain the political structure, readers may become upset that someone would kill a pregnant woman in order to gain the throne. The death of Rahkki’s mother is not the only violence in the story. An epic battle is fought and many lose their lives. Although the descriptions are not gory, there is blood and violence that may upset sensitive readers.

Through the Untamed Sky will entertain readers. However, the long descriptions, the large cast of characters, and the complex storyline make the story suitable only for strong readers. Like the first book in the series, Through the Untamed Sky ends with a cliffhanger that will have readers reaching for the third book in the series, Beneath the Weeping Clouds.

Sexual Content

  • The princess and Rahkki are talking when the princess “placed her hand in his, and a jolt of heat shot through his body.”
  • During the battle, Rahkki “leaned forward and kissed [the princess’s] lips. She tasted sweet, like peppermints.”

Violence

  • As part of a ceremony, Rahkki and Echofrost are branded. After the branding, Echofrost’s “eyes bulged and her breath came in rapid bursts as she absorbed the pain of the branding. Rahkki’s body had gone numb except for his throbbing shoulder.”
  • The giants come to talk to the queen, but the queen upsets the giants, then, “The Sky Guard ascended. Guiding their pegasi with their legs, the Riders fired arrows at the Gorlanders. . . Led by the two elephants, the Gorlanders rushed out and their huge strides carried them swiftly toward the jungle.” The Gorlanders’ dragons “dived down, shooting hot jets at the new pair. Rahkki cringed when the flames licked the back of his neck.” The scene is described over three pages. No one is seriously injured.
  • A giant lizard, Granak, chases after Rahkki and the princess. In an attempt to hide, the two “quickly pushed vines and leaves over their bodies, but Granak reared back and uprooted their tree with his massive clawed foot. Thick roots popped out of the soil, throwing Rahkki and l’Lenna into the air.” As the two run, their pegasi “swooped down, attacking like angry birds. Echofrost landed a barrage of kicks to Granak’s head. Shysong kicked him hard across his ear hole. . . The lizard’s huge foot swung at the roan, just grazing Shysong’s wing. She spun out of control.” When I’Lenna gets to the fortress, the guards close the gate, locking Rahkki out.
  • When the lizard catches up to Rahkki, “Granak swiped his huge paw and slammed Rahkki’s chest. The boy tumbled across the yard. . . Rahkki tumbled across the soil, his body vibrating from the power of the dragon’s paw. His armor clanged, protecting his skin. . .” Rahkki throws hot pepper spice “straight into the dragon’s open mouth. Granak reared back with a roar and shook his great head.” The lizard flees. Some people believe Rahkki defeated the giant lizard with magic. The chase scene is described over eight pages.
  • Rahkki remembers the night his mother was assassinated. His mother’s Pegasus was injured as he tried to fly the kids to safety. “A long sharp sliver of wood was embedded in the stallion’s chest like a spear. . . [Rahkki’s] tears dripped onto the stallion’s face. They mixed with the rain as he [his brother] stroked the boy’s cheek and listened to his soft breaths.”
  • Giant spiders attack and try to wrap the pegasus in their web. Rahkki’s brother, Brauk, tries to help. “Brauk picked up a sharp stick. The closest spider had reared back and shot a band of silk at them. . . then he charged the waist-high spider and smashed it across its fangs.” The spider is able to grab Brauk with its web. The pegasus is able to help. “Drael stomped its head, and pale-blue blood squirted across Rahkki’s nightdress.” The spider scene is described over three pages.
  • Someone tries to kill Rahkki with a poisonous snake. “A pillow slammed onto Rahkki’s head. He tried to shove it aside, but the person pressed it into his face, cutting off his air. Meanwhile, the serpent bumped against his thigh.”
  • When Echofrost tries to find her herd, giants see her. “A small tree spiraled up from the Gorlan party, thrown like a spear. It struck her between the eyes.” Echfrost and Rahkki fall to the jungle floor. “Hot blood trickled from Rahkki’s hairline. He ran his hands along his body, checking for injuries; but other than his raw skin, a few cuts, his throbbing ear, and a pulled muscle in his thigh, he was undamaged.”
  • A giant finds Echofrost. “Suddenly, a rock struck her flank and she whirled around.” Echofrost saw “an adult Gorlan male, squatting and facing her . . . Reaching into a bag strapped to his back, the giant threaded out a long rope. At the sight of it, Echofrost pinned her ears back. He caught her, tugged hard, and rolled her onto her side.”
  • Rahkki finds the captured Echofrost and fights the giant, who is a prince. “Desperate, he sliced the prince’s arm with his dagger.” Then a huge python reached the giant and “it sank its teeth into his short neck. The giant roared and toppled onto his back, and the snake’s great weight pinned him.” Feeling sorry for the giant, Rahkki helps. “He reached the base of the python’s skull and drew his dagger. . . Then he tightened his fists around the pommel and drove the sharp blade straight into the python’s brain.”
  • When the Land Guard is commanded to attack the giants, Rahkki is forced to go with them. The army is supposed to steal the wild herd from the giants. While trying to get to the pegasi, “screams and shouts and smoke filled the valley.” The tiny dragons use their fire and “several Land Guard soldiers rolled across the grass, trying to snuff out their burning tunics. Others swiped at the burners with their sawa blades, cutting them out of the sky.”
  • The giants use their saber cats to help them fight the battle. “The first saber cat reached the captured wild herd, and its long fangs punctured a mare’s throat, severing the vein.”
  • A saber cat attacks Rahkki. The cat “galloped at him, tail lashing, jaws wide.” Echofrost threw Rahkki out of the way. Rahkki “grabbed his sawa sword instead. The cat turned on him, muscles rippling, lips curled back in a snarl, whiskers bristling. . .” Echofrost goes to help and “kicked the cat in the head, knocking it out. It tumbled onto Rahkki, pinning him to the ground.”
  • When the princess claims to be “the rightful Queen of the Fifth,” the head soldier Harak tries to kill her. General Tsun helps the princess, then “Harak loosed the arrow, and the shaft plunged straight through Tsun’s throat. His breath cut short, the general collapsed and his life force pooled atop soil. . .”
  • When the giants take the princess captive, Rahkki jumps in to help her. “Rahkki sliced the bindings around I’Leanna’s wrist. . . the king roared at the sight of I’Leanna being cut free, and the line of ten giants loosed their stones at the princess. Rahkki clutched her close, blocking her body with his.” Rahkki is injured when a stone “slammed into his anklebone. Another stone struck his helmet. He released I’Lenna and crumbled to his knees, his ears ringing.”
  • Harak shoots an arrow at Rahkki, but Echofrost “darted between the arrow and Rahkki’s neck. It slid between her armor and into her rib cage. . .”
  • During battle, a mare named Rizah “tossed the man across the field and then kicked another.” A young soldier shoots an arrow at Rizah. “The arrow lodged deep in Rizah’s neck . . . The golden mare pinwheeled toward land and struck the grass. She toppled over, wheezing.” The battle scene takes place over 50 pages.

Drugs and Alcohol

  • When Rahkki’s brother is injured, he is given “medicine to keep him asleep.”
  • An animal healer explains how she uses dragon drool to make a medicine that puts people to sleep. “Boiling the venom removes all of the toxins but leaves the anesthetic properties intact.”
  • During a meal, the Queen’s table has food and rice wine.
  • A merchant sells food and rice wine to shoppers.
  • After Rahkki gives a girl his food, she was found “convulsing in the dirt. Another groom screamed for help as white froth poured from the girl’s mouth.” It turns out that Rahkki’s food had been poisoned.
  • During the battle, Rahkki uses “drool-soaked” darts to put giants to sleep.

Language

  • Bloody rain is used as an exclamation frequently.
  • Lands to skies, sun and stars, and by Granak are all occasionally used as an exclamation.
  • Rahkki’s brother says, “My brother’s an idiot.”
  • By the Ancestors is used as an exclamation once.
  • When a group of boys was wrestling, a boy calls someone a “Gorlan-blooded freak.”

Supernatural

  • Each clan “claimed a different mascot, and the queens fed their respective beasts live animals to keep them content, then stared at the gnawed bones as if their futures were written in them.” In one clan, the queen’s adviser “oversaw the sacrifices to the clan’s mascot, read omens, and made predictions.”
  • Someone tells Rahkki that curiosity calls the kaji spirits. “Kaji spirits harassed the seven clans, causing people to trip and slip and blunder where they were otherwise sure-footed and agile. Kajies came in flurries when Sandwens were either up to no good, full of pride, or curious about things that had nothing to do with them.”
  • When attacking a python, Rahkki says, “Granak protect me!”

Spiritual Content

  • After winning Echofrost in a contest, Rahkki goes to talk to the queen. When he returns, he climbed onto her back, “with a small prayer to the wind spirits.”

Scarlett Hart Monster Hunter

Scarlett Hart isn’t afraid of monsters. As the orphaned daughter of two legendary monster hunters, she is prepared to rid the entire city of monsters! The only problem is that the Royal Academy for the Pursuit and Eradication of Zoological Eccentricities says she’s too young to fight perilous horrors. But that doesn’t stop Scarlett and her trusty butler. They fight mummies, a horrid hound, and save the city from a monster attack.

Scarlett is a plucky heroine who isn’t afraid to fight. With the help of her butler, Napoleon, Scarlett is able to keep her monster hunting a secret. However, her parents’ rival, Count Stankovic, wants all of the monster hunting glory for himself. The Count will try anything to get Scarlett out of the way. Every time Scarlett turns around, the Count is hiding in the shadows, waiting for his chance to get proof that Scarlett is breaking the law. When a group of monsters starts mysteriously manifesting, Scarlett knows she has to risk breaking the rules and being put in jail. She will do whatever it takes to save the city.

Scarlett goes around the city fighting sea monsters, fire-breathing monsters, and gargoyles. Even though the monsters always meet their demise—sometimes in creative ways—the illustrations keep out the bloody gore. Most of the story revolves around battling monsters and the Count. However, Sedgwick includes enough detail and family background to give the story a little depth.

Scarlett Hart Monster Hunter is an entertaining story with elements of steampunk. Even though the action revolves around monsters, no one is seriously injured. The story has many elements that will entertain middle school readers, like the string of funny, creative insults Scarlett uses when referring to the Count. The illustrations use many onomatopoeias, such as, “creak, fazaza, tweak, phut, phut, sputter.” The cartoon-like illustrations use shades of brown to mimic the darker tone of the story.

Readers who love monster fighting fun and have read The Last Kids on Earth series will miss the humor and friendship that is lacking in Scarlett Hart Monster Hunter. Despite this, Scarlett Hart Monster Hunter is a fast-paced story that is worth spending an afternoon reading. However, readers may want to make sure they aren’t alone in the house when they decide to jump into Scarlett’s spooky world. Monster-loving graphic novel fans should also add Ghostopolis by Doug TenNapel to their reading list.

Sexual Content

  • When the Count is running after Scarlett, his pants slip down and show his buttcrack.

Violence

  • While walking, a monster jumps out and a man falls into the water and sinks.
  • The Count uses a rocket launcher to fire a weapon that blows up a monster. The scene is illustrated over two pages.
  • Scarlett reads a newspaper article that says, “The Black Dog of Suffolk County. Also known as Black Shuck. Ghost-dog with glowing red eyes. Has caused four deaths this past month alone. Last sighted in Devil’s Hollow.”
  • Scarlett goes to capture the Black Dog. When she shoots at it, the Black Dog attacks her car. When the Black Dog runs off, Scarlett chases it and hits it with her car. They load the dead dog into a sack and put it on top of the car. The scene is illustrated over five pages.
  • When a mummy sees Scarlett and Napoleon, it says, “Urrr. Brains. Fresh brains. . .” The mummy chases Scarlett and Napoleon. A group of mummies appears, trapping the two monster fighters. Scarlett uses her sword and a stage curtain to capture the mummies. The scene is illustrated over five pages.
  • While hunting a ghost, a ghostly bishop jumps out of a closet and chases Scarlett and Napoleon. The Count shoots the ghost who shrivels. “Fzzzzz. Pop.” The ghost disappears. The scene is illustrated over four pages.
  • When the Count takes a picture of Scarlett ghost hunting, she holds a gun up to threaten him. The Count gives Scarlett the camera and leaves.
  • Scarlett follows the Count. When he hears her, he shoots at her. Scarlett shoots back. Then, she throws a container of black spiders at the Count, who freaks out and drops the gun. The scene is illustrated over three pages.
  • Scarlett and Napoleon go to a cathedral and see swarms of living gargoyles attacking people. The Count drives up and begins shooting the gargoyles. When a gargoyle grabs the Count, Napoleon drives into the creature, saving the Count. A gargoyle grabs a boy and Scarlett shoots the gargoyle. The boy falls safely to the ground. The scene is illustrated over 10 pages.
  • Napoleon tells Scarlett about a dance her parents attended. Scarlett’s father and the Count argued over a girl. The Count “went to punch your father. . . Stankovic (the Count) fell over a balcony into a fountain. He was humiliated. Everyone laughed at him. He left in a huff, and no one saw him for months.”
  • When Scarlett and Napoleon are put in jail, someone slams a car into the building to free them.
  • When a group of monsters attacks, several people (including Scarlett and Napoleon) try to stop them. People use a variety of weapons, including a gun, a shovel, and a sword. A giant octopus-like monster with many eyes goes after Scarlett. She jumps in a car with Napoleon and drives away. The battle takes place over 14 pages.
  • Scarlett jumps in an airplane and looks for an octopus-like monster. When she finds the monster, she shoots it. The monster throws parts of a building at the plane. Scarlett drops a bomb into the monster’s mouth and it blows up. The fight is illustrated over 16 pages.
  • When Scarlett is flying home, she sees the Count hit Napoleon with a car. The Count points his gun at Napoleon. Scarlett flies close and the Count shoots at the plane. When Scarlett turns the plane around, she flies close to the Count, who falls off a cliff. He falls into a shark’s mouth. Later, the Count is seen hanging onto the shark’s fin; it is not clear if the Count is a zombie or still living. The scene is illustrated over eight pages.

Drugs and Alcohol

  • Scarlett goes into a pub and orders “a triple whisky and easy on the ice.” The bartender glares at her. Then she says, “Just kidding. Ginger beer, please.”
  • After battling monsters, Napoleon tells Scarlett, “Since you will arrive first, perhaps you could ask Mrs. White to pour me a glass of beer? A large one.”

Language

  • Scarlett exclaims, “leaping lizards, piston heads, and gaskets and cylinder rings.”
  • Scarlett says, “I’m just a great idiot.”
  • Scarlett calls the Count a series of names, including: “pea-brained tire muncher,” “scabby nosed cat eater,” “animal-faced sewer dweller,” “dog-bottomed ferret face,” and “weasel-headed monkey brain.”
  • Scarlett says, “that toad faced Count stole our kill the other day.”
  • Someone calls Napoleon “an old fusspot.”
  • Someone calls the Count a “swine.”

Supernatural

  • Scarlett has a pair of ghost goggles that let her see ghosts. Without the goggles, ghosts “only materialize when they want to scare you.”
  • The Count learns how to bring monsters to life.

Spiritual Content

  • While hunting ghosts, Napoleon takes holy water and Scarlett takes the Bible.

Gotta Warn the Unicorns

Princess Pulverizer is so close to completing the Quest of Kindness that will allow her to go to Knight School. Before she can do her next good deed, she needs to help Fortune—a unicorn she recently rescued—find his family.

When a cowardly king orders his knight to capture all the unicorns they can, it’s up to the princess and her pals to warn the unicorns before it’s too late. But first they have to find them. Can Princess Pulverizer, her friend Lucas, and Dribble the dragon save the unicorns?

With her same feisty attitude, Princess Pulverizer faces King Harvey the Lion-Hearted. The cowardly king is convinced someone is trying to poison him and the only solution is to find a unicorn horn. When his knights present the king with a false unicorn horn, Princess Pulverizer shows off her unicorn knowledge and explains why the horn is not truly from a unicorn. She didn’t mean to endanger the unicorns, but her prideful nature has made King Harvey send his knights out on a unicorn hunt.

Princess Pulverizer is determined to fix her mistake and save the unicorns. Readers will giggle as Princess Pulverizer and her friends trick the king’s knights. King Harvey’s ridiculous behavior also adds humor. However, some of the story’s humor comes from the gassy king who likes to eat beans. The story’s comedy doesn’t interfere with the important message of not showing off.

Gotta Warn the Unicorns has a spunky, selfish princess who is trying to learn to be more like a knight. In the end, she praises her friend Lucas and asks King Harvey to give Lucas the magic lion charm. The story’s conclusion will leave readers curious about where Lucas’s newfound courage will lead them. Readers will be eager to grab the next book in the series, Yo-Ho, Yo . . . NO!

Gotta Warn the Unicorns is perfect for readers who are ready for chapter books. The story contains easy vocabulary and short paragraphs. Black-and-white illustrations appear frequently and add humor to the story. Gotta Warn the Unicorns will engage readers and encourage them to be kind to others.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Princess Pulverizer has a magic mirror that shows the future.
  • Princess Pulverizer has a magic ring that allows her to enter a room in complete silence.
  • Princess Pulverizer has a magic arrow. “If ever the holder of the arrow finds themselves lost, it will always point them toward home.”
  • Princess Pulverizer has a magic mace that has “the power to heal the wounds of anyone on the side of all that is good and right.”
  • Princess Pulverizer has a truth-telling sword. “If someone is lying, it will wiggle. But if he’s telling the truth, it will lie still.”

Spiritual Content

  • None

Enemies

Klawde and Raj are back! As summer turns to fall, our favorite warlord cat remains in his pitiful, exiled existence. But Raj has an even scarier prospect than cosmic exile: starting at a new school. And if things didn’t seem complicated enough, both cat and human are confronted with two figures from their past they did not expect to pop up in Elba, Oregon.

While Klawde trains three kittens to become warriors, Raj is trying to make new friends and win a robotics contest. The tense story atmosphere chronicles Klawde and Raj as they both seek revenge on an enemy. When Klawde feels depressed and hides out in his bunker, Raj cheers him up with Klawde’s own words: “Revenge is a dish best served as often as possible! Revenge is the best medicine!” Klawde is truly an evil alien warlord who believes “an excellent lie is better than an inconvenient truth.” Even though Raj realizes that revenge isn’t the best medicine, the story has some bullying and gives no advice on how to conquer the problem.

Klawde: Evil Alien Warlord Cat #2 jumps back and forth between Klawde’s and Raj’s points of view. The story focuses on the drama of middle school, using humor and fun illustrations that are washed in blue. Klawde’s violent behavior is often outrageous and humorous, and he perfectly captures cats’ disdain for others. The conclusion shows Raj learning that revenge isn’t the right course of action because it hurts others.

Readers will enjoy the fast-paced story but may have difficulty with some of the advanced vocabulary, such as perfidious, malevolence, nefarious, and exponentially. However, readers will be able to use context clues to understand the meaning of the difficult words. Short chapters, large font, and pictures that are scattered throughout the story will keep even reluctant readers interested. Even though Klawde: Evil Alien Warlord Cat #2 doesn’t have an anti-bullying message, the highly entertaining story will keep readers flipping the pages until the very end.

Sexual Content

  • None

Violence

  • Klawde teaches kittens to be warriors. As they train, the calico kitten “dispatched each of her brothers so quickly that, for the final match, I paired both girls against her. The fight was even, until on one the grays caught the calico with a strike to the head that sent her sliding across the floor. She crouched in a corner, meowing pitifully… The boys went to check on the state of their sister. Once they were near, the girl sprang forward with a leap so lightning-fast, they had no time to react. She landed on their backs, slashing and biting and yowling with glee.”
  • The calico pretended to be heading towards a nap and then, “she turned, rose up behind her brothers on her hind legs, and crashed their skulls together.”
  • Klawde finds his enemy, who was “finished slurping up the innards of whatever creature he had captured, and crunched its bones between his teeth.”
  • Klawde and his sworn enemy fight. Klawde “cuffed him on his cheek as an answer to his insolence. Then I reached with my other paw to strike at his shoulder. I ducked his next swing, and at the same time used my right hind leg as a surprised cudgel, jackhammering him with a blurred series of blows.” The fight is described over two pages.
  • Klawde is upset, so he attacks a human by “grabbing at his leg. His hideous bare skin now bore four perfectly parallel scratch lines.”
  • After Klawde tampers with Raj’s robot, the robot goes crazy during an assembly, and “it shot the coffee out of Miss Natasha’s hand, and next it sprayed water at Principal Brownepoint, nailing him right in the crotch of his pants. It looked like he’d peed himself!”

Drugs and Alcohol

  • Klawde gets high on catnip.

Language

  • On the human side, there is some name-calling, including jerk and dork.
  • Klawde has many funny names that he calls both humans and cats alike. For example, he calls a cat an ignorant imbecile, a dim-witted dolt, and a moron.
  • Heck is used twice.

Supernatural

  • None

Spiritual Content

  • When Klawde challenges his enemy to a duel to the death, his enemy “looked like he’d just seen the ghost of King Si-uh-meez, whose spirit is known to appear to cats on their deathbed.”

Waking the Monsters

Mega robot monsters are popping up from the ground, and they’re too big for Hilo to battle on his own. Luckily, Gina can use her magic to help fight the battle. But the closer Hilo and Gina get to the secret behind the monsters, the closer they get to the secret of Hilo’s past. Do they really want to know what happened in the past?

Gina needs to help Hilo, but that means missing cheerleading practice and keeping her activities hidden from her mother. D.J. and Izzy are determined to keep their two friends safe, but every time a monster is powered down another one appears. With all of the unusual events, Hilo is now on the military’s radar. Can Hilo avoid being captured by the army? Is there any way that Hilo and his friend can stop the monster invasion?

The fourth installment of the Hilo Series has the same characters, but a host of new mechanical monsters that need to be defeated. Unlike the previous books, Waking the Monsters focuses on battle scenes. It takes Hilo and all of his friends working together to stop the creatures. Gina is allowed to shine by using her magical ability to help Hilo. Gina’s excitement at being Hilo’s “sidekick” brings humor to the fighting. During the battles, no one is seriously injured and the mechanical monsters are powered down instead of destroyed.

Hilo’s lost memory, the long battles, and the military joining the battle give Waking the Monsters a slightly darker tone than the previous books. However, Hilo’s desire to help others in creative ways will leave readers with a smile. The story has some humor based on farting and butts. For example, Izzy makes an owl that “farts roses” and she shows her friends how it works. Izzy also makes a chicken that speaks Portuguese and “when she gets mad, her butt falls off.”

Brightly colored illustrations will capture readers’ attention, but readers will want to keep turning the pages because of the engaging story and the likable characters. The detailed illustrations show exaggerated facial expressions which will help readers understand the characters’ changing emotions.  For maximum enjoyment, the stories should be read in order. Even though the first chapter recaps the events in the previous books, the story’s plots build on each other.

Readers will be endlessly curious about Hilo’s forgotten memory. The action-packed scenes, the friendships, and the mystery will keep readers turning the pages to the very end. If you’re looking for a story full of action and humor, the Hilo Series is a perfect choice.

Sexual Content

  • None

Violence

  • Giant mechanical animals begin appearing from out of the ground. The first one, a giant turtle that breathes fire, is going to “smash a town.” Hilo and the turtle fight; Hilo blasts the turtle with an ice blast, and then the turtle hits Hilo who falls to the ground. The turtle then stomps on Hilo. Izzy does a “diagnostic scan” and figures out how to power down the turtle. The fight takes place over eight pages.
  • Over the next several days, other mechanical monsters pop up from the ground and Hilo fights them. One creature looks like an alligator. The fights take place over two pages.
  • A giant mechanical ape appears. The ape is able to detach his hand and grab Hilo. People run screaming as the ape gets closer to the town. Hilo’s suit is damaged and “his audio link in his helmet got bonked. He can’t hear [his friends].” A mechanical monkey and the army show up. Izzy makes a suit for Gina, who joins in the battle and she’s “fighting a giant robot monkey with magical wands.” The monkey learns how to “calibrate your blast and build up a resistance.” Gina uses magic to grow twine that wraps up the monkey. During the battle Hilo gets confused. Izzy is afraid that Hilo is “not in control and he might destroy the other robot.” Gina is able to create vines that go through the ape’s body; the vine takes down the ape by popping its arms off. The battle takes place over 21 pages.
  • While in a military institution, the scientist fixes the mechanical animal that then attacks. The scientist made the creature nine times stronger. Hilo shoots lasers at the creature’s head. Two army men shoot at the creature, but it deflects the shot and blows up the army men’s vehicle. Hilo saves the men and eventually takes the creature down with an ice blast. Hilo goes to sleep and falls to the ground. The scene takes place over eight pages.
  • While Hilo is injured a mechanical creature knocks over the military doctors and tries to communicate with Hilo. When the creature touches Hilo’s hand, it causes Hilo to remember the past. The creature shows Hilo’s home planet being destroyed and the creature says, “They made me into a weapon. They made me destroy my own kind. I asked them to let me stop. But they kept sending me back to destroy more. And more. And more. Just robots like you and me. Robots who were only doing what humans made them do.” Gina appears and uses magic against the creature. The scene takes place over two chapters.

Drugs and Alcohol

  • None

Language

  • “Holy Mackerel” is used as an expression occasionally.

Supernatural

  • Polly is a magical warrior cat and an “apprentice sorceress third class.”

Spiritual Content

  • None

The Bad Guys in Do-You-Think-He-Saurus?!

The Bad Guys have flown through outer space, made it back to Earth, and managed to land in exactly the right place… but at exactly the wrong TIME. Who knew alien escape pods were capable of time travel?!? And now that they’re 65 million years in the past, they must avoid being eaten by dinosaurs and fix their broken time machine if they ever want to get back home before an evil alien destroys the whole world!

The seventh installment of the Bad Guys Series has the group hopping back in time. Hilarity ensues as Wolf, Snake, and Shark try to hide from the dinosaurs. Unfortunately, the story lacks plot—the group run around avoiding the dinosaurs and eventually make their way home. Although the black-and-white illustrations are comical, even younger readers will wish that the Bad Guys stayed in the past longer and learned about the dinosaurs.

One interesting development is that Snake acts like a leader. Even though Snake acts bravely, he tells Wolf, “I don’t want your job, you hair-brained lunatic. Who needs THAT kind of responsibility? I’m just your wingman. Your vastly superior wingman.” The Bad Guys’ time-traveling ends with each character having a new superhero power. After the story ends, “Broadcast was picked up by satellite, while being beamed from Earth into dark space.” The story transitions to a weird and random, “pilot episode [of] The Glamorous Life of Dr. Rupert Marmalade,” a “Bad Guys Tryout” quiz, and “Hiss-terically Funny” jokes.

Despite the story’s lack of development, Bad Guys fans will enjoy the familiar characters, the non-stop action, and the surprising conclusion. The Bad Guys in Do-You-Think-He-Saurus?! uses the same format as the previous books. The story pulls readers into the text in various ways. The large text has nine or fewer sentences per page, and many of the words are huge and bold. In addition to the large text, black-and-white illustrations appear on every page. Some of the illustrations are full-page, while others appear in panels. The illustrations show the story’s action as well as the characters’ facial expressions.

As always, the Bad Guys will continue to entertain readers with a unique cast of characters, an action-packed plot, and fun friendships.

Sexual Content

  • None

Violence

  • A giant robot appears on earth. The robot tells Fox, “You have been identified as an enemy. Prepare to be terminated.” There is a “Zap!” and Fox disappears.
  • A velociraptor grabs Wolf’s tie and begins flinging him around.
  • A T-rex chases Piranha. At first, Piranha is totally frightened, but then he thinks, “MY Bolivian brothers would be ashamed to see me running away like. . . a jellyfish with tiny little baby hands.” Piranha tries to attack the T-rex, but gets stuck in the dinosaur’s nostril.
  • Two T-rexes chase Wolf and Snake. The three friends run into Shark, and the group forms a tumbling ball that “DONKs” onto a dinosaur’s head, causing Piranha to shoot out the dinosaur’s nose.
  • The Bad Guys travel through time. When they shoot out of the time “circle,” they “smack” into a robot, causing him to fall into a river.

Drugs and Alcohol

  • None

Language

  • The story has some name-calling, including coward and nutjobs.
  • The are several references to butts. For example, Piranha tells Wolf, “Well, amigos. . . In Bolivia we have an old saying—It’s better to be eaten by dinosaurs than it is to be eaten by aliens with butts for hands.”
  • “OMG” is used as an exclamation once.

Supernatural

  • The Bad Guys accidentally travel back in time. As Spider tries to figure out how to return to their time period, Piranha shoots out of a dinosaur’s nose and accidentally hits the “Do Not Press” button, which causes a “swirly circle” to appear in the sky. The Bad Guys and a velociraptor jump into the circle and return to present-day earth.
  • After time traveling, the Bad Guys have new “superpowers.” Mr. Shark can shape-shift; he turns into a tree, a skateboard, and a donut. Snake can now move things with his mind. “Guys, I think Mr. Snake is lifting a car. . . with his MIND.”

Spiritual Content

  • None

Guest: A Changeling Tale

Mollie knows that it’s dangerous to praise a baby. The Kinde Folke, who are anything but kind, may overhear and snatch the beautiful child away. Mollie loves her baby brother Thomas and somehow flattering words escape. She knows her baby brother could be snatched, but she isn’t expecting a hideous changeling to take his place. When her brother disappears, her father leaves town and her mother tries to keep the changeling alive. Mollie’s mother hopes that the Kinde Folke will take the changeling home and return Thomas.

Mollie watches the joy and strength leave her mother. In the hopes of saving her family, Mollie decides to sneak away and return Guest (the changeling) to the Kinde Folke. But the Kinde Folke do not want Guest back, and they will do everything in their power to keep Mollie from finding them. Determined, Mollie journeys over mountains and through forests filled with otherworldly foes. Can Mollie find the treacherous Kinde Folke and convince them to let go of her brother?

Mary Downing Hahn weaves a tale of frightening fairies who use trickery and violence to keep Mollie from finding her brother. Although the Irish folklore is interesting, none of the characters in the story are likable. Mollie is spoiled, mean, and says hateful words. The story hints that Guest’s father cares about him, but the man only steps in to help when Mollie and Guest are in danger. Even though Guest is described as a disgustingly ugly changeling, he grows as a person and realizes that his previous actions were wrong. Readers may be put off by the host of unlikeable characters.

As Mollie searches for her brother, she continues to make the same mistakes over and over again. If it wasn’t for the help of the traveler and sympathetic Kinde Folke, Mollie would have surely met her demise. In the end, Mollie is reunited with her brother; however, he is so mean and ill-tempered that the reader will wish that the fairy queen had sacrificed him as she had planned.

Mollie travels through the forest and has to overcome many difficulties. The changing relationship between Mollie and Guest will give readers hope. Throughout the story, several people ask Mollie, “Why must you speak your mind without giving a thought to what you say?” By reading Mollie’s story, readers will understand the need to think before they talk. Readers who are interested in folklore and the darker side of fairies will enjoy Guest: A Changeling Tale. Readers interested in folklore with mischievous and often dangerous characters should try better alternatives, such as 13 Treasures by Michelle Harrison or The Spiderwick Chronicles by Tony DiTerlizzi and Holly Black.

 Sexual Content

  • Mollie finds out that Guest’s father is Madog. Guest’s half-brother says that Guest’s mother “should not have lain with Madog.”

Violence

  • Mollie’s mother thinks about taking the changeling baby to the crossroads. “Those who’d killed themselves were buried in this place. Murderers, too, and thieves, all those who weren’t allowed to lie in the churchyard. Changelings and unwanted babies had both been left here to die.”
  • A Stallion horse takes Mollie into the sky. When she asks to be returned, “I understood that the horse meant to dive into the lake and drown me. I lunged to one side, but the black threads of his mane wrapped themselves around me and held me fast. Into the water we plunged, going so deep, I thought I’d never see the sky again. . . I used all of my strength to push the silver heart against the horse’s neck. With a shudder, the stallion threw me from his back.” Mollie is able to swim to the surface, but the Stallion races after her. “And then, though I scarce believed what I saw, the horse changed to a man as beautiful and wild as the horse.” With the help of the traveler, Mollie is saved.
  • Guest tells Mollie that his birth mother does “not like me. Scream, hit, hurt me.”
  • Creatures “wearing tattered leaves and cobwebs” try to get Mollie to follow them. When she doesn’t, “they surrounded us, hundreds of them, no bigger than wasps. . . No longer pretending to be friendly, they pinched us, they bit. They pulled our hair as if they meant to yank it out. They tore our clothes as if they wished to strip us to our bare skin.” Mollie thrust the locket at the Tinies and “at its touch, the creatures shrieked in pain and spiraled upward.”
  • The Kinde Folke tricked Mollie into believing a wolf was her brother Thomas. The wolf “struggled to escape, and when I tightened my hold on him, he snarled and sunk his teeth into my arm. Shocked, I let him go. His lips drew back and exposed long, sharp teeth. Fur covered his body. . . As he leaned over me, poised to attack, I pulled out the locket and pressed it as hard as I could against one of his eyes. With a savage howl, he leapt backwards, one eye gone, nothing left of it but a smoking hole and the stench of burned flesh.”
  • One of the Kinde Folke appears to Mollie and her companions. When they go into a circle, “Green flames raced across the ground toward us. My skin tingled and my hair crackled. Guest and Aidan glowed as if they were burning from within. The flames vanished as quickly as they’d come, and a terrible silence fell.” When Aidan approached the woman, “the lady struck his face with her open hand. Aidan’s head snapped back and he raised an arm to protect himself from the second blow.” When the woman asks Mollie a question, Mollie stays quiet. “The air stirred before I felt the blow. Stumbling backwards, I almost knocked Guest down. He whimpered and held my skirt tightly.”
  • When Madog tries to keep Mollie from following the Kinde Folke, she “yanked the locket from around my neck and thrust it into Madog’s face. With a cry of pain, he sprang back.” When the Kinde Folke try to convince Mollie to go with them, she lifted “the locket high, I thrust it against their shoulders, their faces, their arms, their hands. The dancers screamed in pain.” The Kinde Folke flee.
  • The Kinde Folke plan on sacrificing Mollie’s brother. One of the Kinde Folke tells her, “Every seven years, we are sworn to give the Dark Lord of these lands a tithe. That’s the price we pay to roam the world as free as the wind.”
  • When a girl spills wine, the Kinde Folke’s queen called her a “stupid, clumsy girl.” The queen then “slapped Aislinn’s face so hard, the girl nearly fell from her chair.”
  • When Mollie steals her sleeping brother from the Kinde Folke, the Kinde Folke try to get him back. “The hounds were upon us, dark, long and lean, red-eyed and sharp-toothed, more like shadows than actual dogs. They ripped at the horses’ legs, leapt at their throats, and tried to pull us to the ground.” In order to escape, someone gives Mollie a pouch. Mollie “fumbled with the cord and then hurled the sack at the Kinde Folke. Its contents exploded in a flash of lighting. Small iron balls shot into the Kinde Folke crowded around us. They screamed in pain and tried to shield themselves.” Mollie and her companions are able to flee.
  • While Mollie and her companions are fleeing, “a strange darkness fell upon us. . . Thunder crashed so loudly the earth seemed to shake. Lightning exploded across the sky with a force that split the clouds.” The Dark Lord speaks, then he “destroyed the Kinde Folke just as he said he would.”
  • When Mollie brings her brother home, their father is afraid the Kinde Folke will seek vengeance. He says, “Remember what they did to the Millers’ barn and house—burned them both to the ground just because Mistress Miller refused to call them kind.”

Drugs and Alcohol

  • A shapeshifter gives Mollie a “pretty little blue bottle.” The shapeshifter said the bottle contained “my elixir of health.” But Guest hit the bottle, which poured onto the ground. When a butterfly drank the elixir, “in a moment, it lay still and the ferns around it withered.”
  • During a ceremony, the Kinde Folke drinks wine. When a girl drops a glass of wine, someone says, “Bring more wine. But give none to this one. She’s had more than enough already.”
  • Mollie’s brother is given a potion that puts him to sleep.

Language

  • None

Supernatural

  • Mollie has an iron necklace that is covered in silver. When the necklace touches a Kinde Folke, the necklace hurts them.
  • The story centers around the Kinde Folke, who have magical powers. “Worst of all, if the Kinde Folke learned of a beautiful baby boy’s birth, they’d steal him away and leave one of their own sickly creatures in his place.”
  • Pookas, which are ghosts, “live in dark lakes and take lasses.” A Pooka turns into a stallion and tries to keep Mollie from entering the Kinde Folke’s Dark Lands.
  • Tinies lead people into the swamp and drown them.
  • The Kinde Folke try to trick Mollie. Two of them “glamorized to look like” her parents.
  • Mollie is given a cloak that had invisibility woven into every thread.
  • Some of the characters can shapeshift.

 

Spiritual Content

  • None

The Dragon’s Tale

Princess Pulverizer plans to become a knight. But first, she has to complete her Quest of Kindness and complete eight good deeds. Princess Pulverizer is determined to make her dream come true. Her dragon friend Dribble dreams of being a chef. He wants to run his own restaurant, but when people see him, they run away.

The villagers start feeling sick to their stomachs and so does Dribble. Due to a bad bellyache, Dribble accidentally sets a barn on fire. Everyone in town is angry at Dribble. How can Princess Pulverizer prove that Dribble isn’t a typical fire-breathing dragon that loves to burn buildings down? Is there any way the two will make their dreams come true?

Princess Pulverizer isn’t a typical princess. She doesn’t dream about dresses, but instead wants to be a knight. The tough princess is selfish, spoiled, and snobby. With the help of her friends, she is trying to be more kind. However, she still has a hard time not focusing on herself. Although Princess Pulverizer will never be a perfect princess, she has determination and spunk.

The princess and her friends discover that a polluted river is the reason people are getting sick. The story missed an opportunity to teach readers about the harmful nature of trash. At one point both Dribble and Lucas drink from the polluted river. In the end, the river is not cleaned up by hard work but by magic.

The Dragon’s Tale is perfect for readers who are ready for chapter books. The story contains easy vocabulary and short paragraphs. Black-and-white illustrations appear frequently and add humor to the story. The illustrations show Princess Pulverizer’s facial expression and her vast emotions in a humorous way.

Even though The Dragon’s Tale doesn’t have the same learning value as the previous book in the series, it will appeal to many readers. The high-interest story doesn’t only includes a princess, a friendly dragon, and a unicorn. Dribble’s desire to open a restaurant gives the story a unique twist. In the end, Princess Pulverizer helps Dribble make his dream a reality—at least for a day. Fairy tale fans will enjoy watching Princess Pulverizer and her friends travel through the kingdom and working together to overcoming their obstacles.

Sexual Content

  • None

Violence

  • Ralf was attempting to juggle on stage. When he messes up someone said, “You stink!” Then the person threw a tomato at his head. Some people in the crowd also “threw wilted lettuce and rotting tomatoes at the stage.”
  • Ralf throws a lasso at a unicorn. “The unicorn looked up, frightened. And as he lifted his head, the lasso swung down over him, catching around his neck. . . He dragged the unicorn closer to the woods, where he had a cage on wheels hidden in the trees, waiting. Then he forced the unicorn into the cage and slammed the door shut.”
  • When Ralf tells a lie the unicorn “made a sudden turn, then jabbed Ralf in the leg with its horn.” When Ralf tells another lie, the unicorn “lowered his head and butted Ralf right in the rear end.”

Drugs and Alcohol

  • None

Language

  • Several characters refer to Lucas being “lily-livered.” For example, Princess Pulverizer said, “Besides, I thought you were trying hard not to be so lily-livered.”

Supernatural

  • Princess Pulverizer has a magic mirror that shows the future.
  • Princess Pulverizer has a truth-telling sword. “If someone is lying, it will wiggle. But if he’s telling the truth, it will lie still.”
  • Princess Pulverizer has a magic arrow. “If ever the holder of the arrow finds themselves lost, it will always point them toward home.”
  • Princess Pulverizer and her friends need to help the town clean up the polluted river. In order to clean up the river, Princess Pulverizer says, “all we have to do is get the unicorn to stick his horn in the river, and it will be cleaned up in an instant.” They find the unicorn and “when the unicorn reached the water’s edge, he dipped his horn into the river. There was a flash of light. A sweet smelling wind blew through the trees. And in an instant, the river was clean.”
  • Princess Pulverizer is given a magical handkerchief and told, “hold it to your nose, and you will be able to smell things miles away.”

Spiritual Content

  • None

Klawde

Klawde is not your average cat. He’s an emperor from another planet, exiled to Earth. He’s cruel. He’s cunning. He’s brilliant… and he’s about to become Raj Banerjee’s best friend. Whether he likes it or not.

Klawde had everything. Sharp claws. Fine fur. And, being the High Commander of the planet Lyttyrboks, an entire world of warlike cats at his command. But when he is stripped of his feline throne, he is sentenced to the worst possible punishment: exile to a small planet in a quiet corner of the universe… named Earth.

Raj had everything. A cool apartment in Brooklyn. Three friends who lived in his building. And pizza and comics within walking distance. But when his mom gets a job in Elba, Oregon and he is forced to move, all of that changes. It’s now the beginning of summer, he has no friends, and because of his mother’s urgings, he has joined a nature camp.

It’s only when his doorbell rings and he meets a fur ball of a cat that Raj begins to think maybe his luck is turning around.

Klawde does not like Earth. He doesn’t like humans. He doesn’t even like his human boy Raj. In order to leave Earth and get revenge on his home planet, Klawde has no choice but to reveal his real Identity to Raj. In order to get Raj to help him, Klawde tries to hide his true nature. He is hateful, evil, and continuously plotting and manipulating. On the other hand, Raj is completely ordinary and relatable. He is unhappy about moving and afraid that he will never make friends. Readers get an inside view of both Klawde’s and Raj’s thought processes because each chapter switches between the two characters’ points of view.

Klawde: Evil Alien Warlord Cat is exceptionally engaging, humorous, and fun to read. Readers will appreciate the short paragraphs, the easy vocabulary, and the hilarious blue-and-black illustrations. Not only do the illustrations help the reader imagine the story’s events, but they also highlight Klawde’s various emotions of misery, distaste, and disgust. Readers will fall in love with the evil alien cat, understand Raj’s conflicts, and cringe when Raj’s mother expertly wields her power over the household.

Despite the humorous tone of the story, readers will learn the importance of friendship and working together. Klawde: Evil Alien Warlord Cat mixes realistic human conflicts with an outlandish alien warlord cat to create an action-packed story that readers will love. Readers will be eager to pick up the next book in the series, Enemies.

Sexual Content

  • None

Violence

  • When Klawde was napping, his enemies came for him. “Before I could even unsheathe my claws, they pounced atop me. They tied me up and chained my paws, and then they dragged me from my holding cell into the Supremest Court of All Galactic Order.” When Klawde’s minion speaks up for Klawde, “someone smacked him on the back of the head.”
  • Klawde is taken to the veterinarian for vaccinations. When the veterinarian tried to give him a shot, “with a bloodcurdling yowl, Klawde flew at the vet’s face and latched on. The vet started screaming and flailing his arms around.” Later, Klawde explains how he attacked. “First, my claws ripped at its hands. Next, its face. Oh, how sweet the feeling! I left long red scratch marks all over its vile, furless cheeks. When I was but seconds away from murdering it, my Humans pulled me off.”
  • While at camp, Raj meets some kids that are bullies. When they were playing nature tag, “Scorpion and his pals took the kill-or-get-killed concept way too seriously. Their idea of tag was to shove the younger kids into the mud and try to step on us.”
  • When Raj’s father tries to give Klawde “dried food pellets,” Klawde bites him. Then Raj’s father put “the finger I’d just bitten into his mouth.”
  • While at camp, a group of bullies throws rocks at Raj and his group.
  • When Klawde goes to scratch Raj’s mother, she tells him, “If you try it, I’ll skin you alive and turn you into a fur hat.”
  • Klawde sneaks to Raj’s camp. During a game, Klawde thinks the camp’s counselor is “planning to devour my human—or worse!” In order to help Raj, Klawde “paused, took aim, and launched myself into the air. . . My aim was true, and I made a direct hit on the plant-monster’s head. My claws made quick work of its face. . . I showed the monster no mercy, but its strength was that of ten thousand cats. It grasped me by the neck and tore me off itself. Then it dangled me from its hideous leafy paws.” When the counselor grabs Klawde, Raj gets angry and jumps out of the tree. Raj lands on the counselor and Klawde runs away. The fight is described over five pages.
  • When Raj and Klawde return home, Raj calls Klawde “kitty.” Klawde tells him, “Don’t ever call me that again or I will vaporize you across ten galactic quadrants!” Then Klawde swipes at Raj, “leaving a bloody scratch on my finger. It hurt a little, but I didn’t care.”

Drugs and Alcohol

  • None

Language

  • In his thoughts, Klawde often calls others names. The characters also call each other names often, including losers, morons, idiot, fool, jerk, little babies, and rodent.
  • When a cat crouches in attack mode, Klawde thinks, “At least these Earth cats were not all meek morons!”
  • Klawde is given a mouse with catnip inside of it. In order to get another one, Klawde says, “Mrow,” and then he wonders, “What had become of me? I had said it! The idiot Earth cat word! These mouse dolls—this was how the Humans controlled felines. This was how they made Earth cats stupid! The fiends!”
  • When the TV remote is broken, Raj’s dad says, “Darn it!”
  • As part of a contest, Raj climbs up a tree. When he gets to the top, he wonders, “How the heck was I going to get back down?”

Supernatural

  • None

Spiritual Content

  • None

The Icebound Land

After a fierce battle with Lord Morgarath, Will and Evanlyn are captured. Erak, a Skandian warrior, forces Will and Evanlyn onto a ship destined for Skandia. Erak plans to sell the two young people as slaves. When the group returns to Skandia, Will and Evanlyn are separated. Their lives are full of grueling work, freezing cold nights, and hopelessness. Will the two ever be able to find each other? And if they do, is there any chance of escape?

Halt, determined to rescue his young apprentice, purposely defies the king. Expelled from the Rangers, Halt is joined by Will’s friend Horace as he travels toward Skandia. On their way, freelance knights block their way, demanding tribute. Unwilling to pay to pass every bridge, Horace uses his combat skills to challenge the knights. Unknowingly, Horace has attracted the attention of an evil warlord, Deparnieux, who plans to kill the young knight to prove his power. Deparnieux traps Halt and Horace, taking the two captive. Halt patiently watches, trying to learn the key to defeating Deparnieux and continuing the journey towards Skandia. Will Halt and Horace free themselves in time to rescue Will?

Unlike the two previous books, The Icebound Land focuses more on the characters’ individual struggles. Even though Will is held captive, his master, Erak, soon comes to respect the boy and he recognizes that Will is an honorable warrior. Erak tries to keep the two slaves, Will and Evanlyn, together. However, Erak is unwilling to let the two free.

After Erak takes a short journey, he returns to find Will addicted to the powerful narcotic, warmweed. Erak decides to help Will and Evanlyn escape. Erak knows that Will’s death is fast approaching, and the only way to save Will is to help him escape. Erak helps Will because “a boy like that, he’s a real warrior. He may only be knee-high to a gnat, but he’s got the heart of a true Skandian.”

While Evanlyn and Will hide out in a camping cabin, Halt and Horace are fighting their own battle. As Deparnieux’s prisoners, the two are faced with countless hours of boredom and must patiently watch Deparnieux’s cruelty. Halt knows the key to their survival is patience, but how long can they watch Deparnieux terrorize and kill others?

The Icebound Land has a darker tone than the other two books because it focuses on slavery, drug addiction, and the abuse of power. Throughout the story, several people abuse their power and treat others cruelly just because they can. The slaves are not immune to this problem. One slave, who is in charge of the others, purposely gets Will addicted to warmweed because Will stopped the man from beating a young slave. Erak is the only supporting character that shows kindness, but that kindness was born out of respect for Will.

As the third installment of the Ranger’s Apprentice series, The Icebound Land has less action than the previous books. However, readers who are familiar with the main characters will want to know what happens next. The Icebound Land continues to teach the importance of not being boastful or overconfident. The story does not wrap up any of the plot points, but instead ends in a cliffhanger. Readers will want to jump into The Battle for Skandia as soon as they finish the last page of The Icebound Land.

Sexual Content

  • Halt says, “I’ve heard it on good authority, that good King Duncan is not the lawful occupant of the throne. I’ve heard it said that he is, in fact, the son of a drunken privy cleaner. Another rumor has it that he was the result of his father’s fascination with a traveling hatcha-hatcha dancer.”
  • Horace and Halt see a young woman who is wearing a short skirt. Later, Horace thinks about the girl. “The memory of the girl, and her shapely legs, was causing his cheeks to burn with embarrassment again.” Horace asks several questions about the girl’s dress. Halt jokingly tells Horace the girl is a messenger, who needs to be able to run when necessary and the girl cannot run in a long dress. Horace believes Halt and “for a moment, Halt regretted his deception, feeling a slight pang of guilt. . . Then, the Ranger looked at those clear blue eyes and the contented, honest face of the warrior apprentice and any sense of regret was stifled. Horace had plenty of time to learn about the seamier side of life, he thought.”

Violence

  • A man named Folder “had murdered both of his parents after an argument over a horse.”
  • A group of ten men try to rob a carriage. Halt sees them and intervenes. One of the men “had a brief impression of something flashing past, just in front of his nose. Then, there was an almighty jerk on the raised collar of his cloak and he found himself pinned against the carriage by a quivering black arrow that thudded into the wood.” Halt ties them up.
  • Soldiers appear to arrest Halt for talking badly about the king. “As the Ranger spat out the last word, he had somehow scooped up the longbow from behind him and nocked and fired an arrow. It slammed into the wall behind the spot where the tavern keeper had been standing a second before, and buried itself deep into the wood panel, quivering still with the force of its impact.” Halt misfires another arrow and then “the corporal and his men leaped forward, swinging the short, heavy clubs that they carried, swarming over the small gray-and-green figure.”
  • While traveling, knights stand on bridges and demand money from the travelers. Instead of paying to pass, Horace challenges the knight and wins. This process happens several times. For example, the first time, Horace and the other knight duel and the knight loses his lance in the first pass. During one pass, Horace’s sword “slammed into the back of the other man’s helmet with a loud, ringing clang.” Horace doesn’t kill the knight, but his sword “put a severe dent in the helmet, and the concussion of the blow went straight through the steel to the skull of the knight wearing it.”
  • Evanlyn accidently spills soup on Slagor, a drunk sailor. “Slagor bellowed in pain and grabbed Evanlyn by the wrist, dragging her forward, twisting her arm cruelly so that she was bent awkwardly over the table.” Will picks up a knife, ready to kill Slagor, but Erak stops him from killing the man. After the incident, Erak reprimanded Will. “. . . Erak sent a backhanded fist crashing against the side of the boy’s head, knocking him senseless to the floor.” Will falls to the ground unconscious and has Will dragged to his living quarters.
  • While working, slaves are often slapped or whipped with a leather strap.
  • Will sees a slave being beaten up by another slave. “A thin, ragged boy was huddled on the ground while an older, larger youth flayed at him with a length of knotted rope. . . The boy’s face was heavily bruised, Will saw, and as he watched, a cut opened just under the smaller boy’s eye and blood covered his face.” Will grabbed the knot rope from the youth and stopped the beating.
  • Erak was sent to a settlement to inquire about missing taxes. “It had to be admitted that Erak’s version of investigating consisted of seizing the unfortunate Jarl by his beard as he lay sleeping in predawn darkness. Erak then threatened to brain him with a battleax if he didn’t make a rapid and upward adjustment to the amount of tax he was paying. . .”
  • An evil knight, Deparnieux, has one of his men drop a net over Horace. The net “dropped form the branches of an oak tree that overhung the road, draping itself around the head and shoulders of the boy. For a moment, Horace struggled uselessly in the folds of the net that enveloped him.” Horace and Halt are then captured and made prisoners.
  • Outside of Deparnieux’s castle, metal cages hang. “Horace could make out, to his horror, that the structures were iron cages, only an arm span wide, containing the remains of what used to be men. . . The figures inside were dried-out husks, blackened and shriveled by their long exposure . . . but others were newer and the men inside were recognizable.” One man was still alive—he was put in the cage because he had laughed at Deparnieux.
  • When trying to free Will, Evanlyn gives the watchman money to look the other way. The man “grabbed her by the shoulders and pulled her closer to him,” demanding more money. “Then a frown came over his face as he felt a sharp pain in his belly—and a warm trickle running down his skin from the spot where the pain was centered. . . He backed off quickly, waving at the door and cursing her.”
  • A young knight appears outside of Deparnieux’s castle, challenging the man. Deparnieux killed both of the youths’ parents. As the two knights joust, “The young knight’s lance, badly positioned and at the wrong angle, shattered into pieces.” When the young knight begins to lose, Deparnieux “urged his battlehorse after him, following him relentlessly, raining blows on the sword, shield or helmet at will. Finally, there was a duller sound as Deparnieux’s sword struck a vulnerable point—the chain mail protecting the opponent’s neck.” The knight crumbles off his horse’s saddle and dies. The fight is described over two and a half pages.
  • Deparnieux and Halt combat. Deparnieux rides his battlehorse, while Halt stands in the combat field. Halt shoots arrows toward Deparnieux’s eyes. Deparnieux has no problem using his shield to block the arrows. After one pass, Halt shoots an arrow at Deparnieux’s back. “. . . There was a bright flash of pain in his left shoulder. . . he realized that, as he galloped past, Halt had sent another arrow spitting at him, this time aiming for the gap in his armor at the shoulder. . . the wound was a nuisance. A painful nuisance, he amended as he felt the hot blood trickling down his armpit.”
  • After another pass, Halt again shoots arrows towards Deparnieux’s eyes. As Deparnieux shields his face, “Deparnieux heard it. A dull impact of metal on metal—more a metallic thud than a ringing tone. He wondered what it was. Then he felt a small core of intense pain, a bright flare of agony, that began in his left side and expanded rapidly until it engulfed his entire body. He never felt the impact as his body hit the grassy field.” The combat scene is described over two and a half pages.

Drugs and Alcohol

  • An angry slave gives Will an addictive drug called warmweed. The warmweed was used to control the yard slaves. “Warmweed addicts looked forward to nothing, planned for nothing.”
  • Will becomes addicted to warmweed. When Will isn’t given the drug, “his teeth chattered and his body shook and trembled and heaved as he fell to the ground, rolling helplessly in the snow, his knees drawn up to his chest. One hand flailed uselessly at the snow, while the other was jammed firmly in his mouth.” When Evanlyn hands Will the drug, “Will seized the small handful of the gray, herblike substance with horrifying eagerness. . . his attention was totally focused on the drug and she came to realize how completely it ruled his life and his mind these days.”
  • Halt goes into a tavern. He tells the tavern keeper to fill his cup. “There was just the slightest slurring of his words to remind the tavern keeper that this would be the eighth or ninth time he’d refilled the tankard with the cheap, fiery brandy-spirit. . .”
  • When a group of seamen arrive at an island, they are given “brandy-spirit.” One of the men “drank half the brandy in one long gulp.” Later, Erak thinks that the man is a “useless drunk.”
  • While stuck on an island, a group of Skandians “filled their time with drinking and gambling.”
  • During meals, the Skandians usually drink alcohol. When Will and Evanlyn finally reach Skandia, they are taken to the dining hall where they see “nearly one hundred and fifty drunken Skandians eating, laughing and shouting at one another. . .”
  • While staying at a tavern, Halt “accepted a large beaker of red wine with his meal. Horace had settled for water.” While Halt and Horace ate, the room filled with people “coming to eat or to enjoy a few jugs of wine or beer.”
  • While in Erak’s private quarters, the two drink wine as they talk. Evanlyn “was beginning to relax a little and the wine sent a soft glow through her.”
  • While “guests” of Deparnieux, Halt and the knight are served wine with dinner.

Language

  • “Oh God” is used as an exclamation once. “My god” is used as an exclamation three times.
  • Damn is used ten times, mostly in conversation. For example, Erak says, “I hate the damn drug. I’ve seen what it does to people. No one deserves that sort of shadow life.”
  • In anger, Halt exclaims, “For God’s sake. . .”
  • Hell is used three times. For example, when Will and Evanlyn’s skiff begins to sink, Evanlyn says, “Roll like hell!”
  • Halt calls the kind a “poltroon. A coward. And a fool.”
  • Several times a person is called an “idiot.” For example, when a knight is blocking Horace and Halt’s path, Halt says, “Well, I suppose I’ll have to shoot the silly idiot. . . I’ll be damned if I’ll pay tribute to every jumped-up bandit who thinks the world owes him a free living.” Halt then calls the knights who act this way “morons.”
  • Evanlyn thinks Will is a “stubborn, pigheaded idiot.”
  • A knight attempts to insult Horace by asking him, “. . . are you a lying Araleuen dog who barks in the gutters?” The knight then calls Horace a coward and a thief. Later, he calls Horace a “whining pup.”
  • Halt calls the evil knight a swine. Later, the knight calls Halt a commoner. Halt says, “Guard your tongue, you lowborn cur!”

Supernatural

  • None

Spiritual Content

  • Skandians believe that the Vallas are the three gods of vengeance. “They take the form of a shark, a bear and a vulture.” The Skandians’ king makes a “Vallasvow” to kill King Duncan’s family. Erak explains, “It’s when you hate so badly that you swear to be avenged, not just upon the person who has wronged you, but on every member of the family as well. . . It’s a death vow, of course, and it’s unbreakable. Once it’s made, if the person making the vow should ever recant, the Vallas will take him and his own family instead of the original victim’s.”
  • When Evanlyn frees Will, she “prayed now that the Skandian Jarl was right, and that it was possible for an addict, deprived of warmweed, to make a full recovery.”
  • After Will recovers from his drug addiction, he wakes up in an unknown place. When Evanlyn enters the room, he says, “Thank God you’re safe.”

Serpent & Dove #1

In the city of Cessarine, the war between magic-wielding witches and holy men of the Church known as Chasseurs has raged for centuries. At the very heart of this war lays Louise, a Dame Blanche witch who has decided to hide in Cessarine to keep her estranged mother from finding her.

But her days skulking around dressed as a man, secretly squatting above a theater and stealing to survive come to an abrupt end when Reid, a Chasseur captain, discovers her thieving ways. After an embarrassing encounter in which Louise frames Reid as a sexual predator in front of a theater audience, the two must quickly keep themselves both from being reprimanded in the only way they can: by marrying each other.

Marriage changes both Louise’s and Reid’s lives forever. For Louise, she never meant to get this close to her Chasseur enemies, and she plays a dangerous game by keeping her true witch nature hidden while developing her relationship with Reid. For Reid, not only did he love another noble girl, but Louise is wild, untamed, and a heathen: she goes against every aspect of society’s proper female image. Yet, the longer the two are around each other, the more they fall in love. And the more dangerous their relationship becomes, the closer Louise’s mother gets to finding her. Yet, their love will overcome any obstacles that stand in their way.

Mahurin’s Serpent & Dove is a fun, exciting story from beginning until the end. Focusing on characters in a similar Romeo & Juliet styled story, Mahurin skillfully develops a story about old grudges, fanatical warriors, and love that overcomes even death. The main characters are very believable and are relatable because of how they can’t control their emotions despite realizing how complicated those emotions might make their lives. The story is fast-paced and full of surprises, twists, and heart-pounding scenes that will keep readers wanting to know what happens next. And even though many of those twists may be somewhat predictable, those secrets are revealed in very satisfying ways.

Serpent & Dove themes also come through naturally, and are built into the story’s backdrop. Louise and Reid learn that centuries-old grudges need to be overcome in order to find love and happiness. In the beginning, both Louise and Reid believe the other is one-dimensional and evil. By the end of the story, both Louise and Reid are willing to sacrifice everything for one another. The story also highlights the dangers of recognizing one’s faults, as seen in the Dames Blanches and the Chasseurs.

Overcoming prejudice is the novel’s main crux and it’s incorporated into the story quite charmingly. Watching Louise and Reid follow their hearts and find lives worth living is heartwarming. Serpent & Dove is a great story because of how well this point is executed, and because it truly does feel like at any moment their love could be torn apart by every other character. The story is thrilling from the moment Louise and Reid meet until the very end of the novel. Mature readers who enjoy a good mix of action and romance will want to add this book to the top of their reading list.

Sexual Content

  • Near the beginning of the novel, Louise and her friend visit a brothel in order to learn the whereabouts of a magical object. Louise comments on the working ladies at the brothel, “To be fair, however, many of them weren’t wearing corsets. Or anything at all.”
  • Many characters often give each other compliments on their looks. Babette, a courtesan working at the brothel, gives Coco a compliment, “Cosette, you look ravishing, as usual.”
  • Louise and Reid constantly think about the other’s sex appeal. Louise thinks Reid is, “Irritatingly I couldn’t help but stare. Thick lashes framed eyes the precise color of the sea.”
  • Bas, a thief friend of Louise, notices Louise’s sex appeal often. “He leaned forward, dark eyes setting on my lips.” Louise thinks Bas is “handsome enough to court. Certainly handsome enough to kiss. From across the cramped table, I eyed the dark line of his jaw.” She also thinks he has “such a tight little ass.” Yet since Bas only saw her as a friend-with-benefits, Louise thinks, “Perhaps that was why I’d stopped loving him.”
  • Madame Labelle, the owner of the brothel, kisses a man. “Grasping Tremblay’s arms with a wide smile, Madame Labelle kissed both his cheeks . . .”
  • When Louise and Coco are confronted by two men, Andre and Grue, at the brothel, Louise thinks, “I dreaded to think what they would do with immediate access to anything. Especially sex and violence.”
  • After Coco gives Louise her favorite food, Louise thinks, “I could’ve kissed her.”
  • When Louise wants free food from a pastry chef, she flirts with the chef, Johannes Pan. “Most days I only had to bat my lashes. Others I had to get slightly more. . . creative.”
  • One of the witches’ Goddesses “represents fertility, fulfillment and sexuality.” Similarly, Adam and Eve are mentioned. “Eve seduced Adam into sin.”
  • Reid’s fellow Chasseurs gossip about Louise, “I heard she’s a whore.”
  • When Louise and Reid finally make love to each other, Louise thinks, “The time for games was done.” And then she says, “I wanted him to touch me. I wanted him to become my husband in every sense of the word.” And, later in the same scene, it’s revealed that “Reid had never had sex. He was a virgin.” And, once again, later in the same scene, “I watched his throat bob, heard his breath hitch.”

Violence

  • There’s frequent violence throughout the novel, including the sight or mention of corpses. For instance, Reid says, “Thirteen bodies had been found throughout Belterra over the past year.”
  • Witches are commonly burned on pyres, as well as anyone who might conspire with witches. “But the flames come first with the Church. Questions second.” Estelle, a witch after Louise, is caught by Reid and burned alive. Louise thinks, “Though tears clouded my vision, I forced myself to watch the flames lick up Estelle’s dress. I forced myself to hear her screams.”
  • A young noblewoman was found with her throat slashed.
  • Louise is willing to get her hands dirty when her life is threatened. Babette, a courtesan, threatens Louise with blackmail if she doesn’t become a courtesan, “If Babette wasn’t careful, she’d soon learn just how wretched and violent we could be.” Louise kills two thugs after her life. “Gritting my teeth, I seized Andre’s knife and plunged it into his throat, slashing through skin and tendon and bone.” After that fight, Louise tries to clean herself up: “Deep purple bruises had seeped beneath my eyes, and dried blood spattered my cheeks. I scrubbed at it with the cold water from the tap, rubbing my skin until it was pink and raw.”
  • Witches use their magic to create havoc and bloodshed. While attacking the royal family during a parade, the witches were“Laughing as bodies fell around them with the simplest flicks of their fingers.”
  • Children are also harmed by witches. Reid says, “Last month, a child had been found without its eyes. . . More than twenty bodies circled the air around the witches now—some unconscious, heads lolling, and others painfully awake.”
  • When Louise uses magic, she has to give something in return, typically meaning she has to harm herself. “Though I bit my lip hard enough to draw blood, a small groan still escaped as I snapped a second finger.”
  • Several times, Louise is threatened by two guys that hold a grudge against her. A man, Grue, “smash[ed] my face into the ground. My nose cracked, and blood spurted sickeningly into my mouth.” When defending herself, Louise “exploded beneath him in a blur of limbs and nails and teeth, clawing and biting and kicking every bit of him I could reach.”
  • Reid displays a desire to attack and kill witches quite frequently, especially towards Morgane, Louise’s mother: “And Morgane—never before had I longed to kill a witch as I did now, to plunge a knife into her throat and sever her pale head from her body.”
  • Later, Reid also kills his foster father. “A small, pleading noise escaped him, but he could do little else before I fell upon him. Before I drove my knife home in his heart.”
  • The Chasseurs will kill any witch, even children and babies. “They showed no mercy, cutting through woman and child alike without hesitation.”

Drugs and Alcohol

  • Aristocrats in Cessarine drink alcohol at social parties. Louise notes, “Judging from the loud, slurred voices of the aristocrats nearest me, they’d been hitting the bubbly for hours.” While at the King’s social party celebrating Reid’s heroics, Louise “grabbed a flute of champagne from a passing servant and down[ed] it in one swallow.” Louise thinks, “After a few moments, delicious warmth spread through my body.”
  • When Morgane, Louise’s mother, sends witches after Louise, the witches inject her with drugs in order to capture her. When a needle is stabbed into Louise’s neck, she“had no physical strength left to give, and my mind was too drug-saturated to distinguish patterns.”
  • After Louise runs from Reid, Louise’s friend defends her, “She was drugged and obviously injured.”
  • When Morgane has finally captured Louise, Morgane says, “Extraordinary, those little injections. When Monsieur Bernard brought one to me, I perfected the medicine.” Morgane’s injections mess with Louise’s ability to use her magic, “Panicked, I focused on bringing a pattern forth—any pattern—but the gold winked in and out of focus, blurred and disjointed from the drug.”
  • After days of being injected with her mother’s drug, Louise thinks, “Though the drug paralyzed my body, it did nothing to dull the ache in my bones.” Later on, Louise “scowled and focused on the burning sensation in [her] hands and feet—the first indicator of the drug waning.”
  • When speaking with one of her fellow witches, Louise tells the witch about how she feels being under the drug. “If I could move, I’d puke all over your lap.” The witch calls the drug a medicine, and Louise responds, “Is that what you call it? Medicine? That’s an interesting word for poison.”
  • At the end of the novel, Louise discovers that she shares a connection with Prince Beau of Cessarine. Louise comments, “It would seem we frequent the same pubs.”

Language

  • Ass and shit are used frequently. For example, aristocrats and other haughty characters are often referred to as “pompous ass.”
  • Fucking appears a few times in the novel. A thug, Andre, verbally abuses Louise, saying “I’m going to cut you into fucking pieces.”
  • Damn, hell, and whore are each used a few times. For example, Louise tells Babette, “You are a goddamned hound.”
  • A noble insults a courtesan. The noble says, “it’s locked away in my townhouse, you salope ignorante—”
  • Louise calls someone a “twit.”
  • A pastry chef is called a “halfwit.”
  • When talking about someone possibly betraying Louise and Coco, Coco says, “That bastard will renege as soon as he’s out of sight.” Bastard is used frequently.
  • Similarly, Louise calls someone a “worthless coward.”
  • Louise says, “Nature could piss off.”

Supernatural

  • Magic is a common theme and backdrop for this novel. The main conflict stems from a fanatical group of witches, the Dame Blanches, attempting to overthrow the royal family of Cessarine to win back their land and free themselves from persecution. Witches within Cessarine hide in plain sight, “Any one of us could be a witch.” Many believe, “The witches are vicious.”
  • When Louise witnesses the parade of the Royal family, she feels magic in the air. Louise “recognized the faint brush of energy against my skin, the familiar thrumming in my ears. Magic.”
  • Magic typically has a smell that “always followed the witches. Sweet and herbal, yet sharp—too sharp. Like the incense the Archbishop burned during Mass, but more acrid.”
  • There are magical objects as well. Some are even trafficked in the black market, “But while Filippa might’ve had no enemies, her pompous ass of a father had accumulated plenty while trafficking magical objects.”
  • Angelica’s Ring, a magical object, is sought after by Louise because “it renders the user immune to enchantment. Sort of like the Chasseur’s Balisardas.”
  • Louise is a witch herself, the daughter of Morgane, the leader of the Dames Blanche witches. When Louise has a conversation with a thief, she thinks, “The ancient feud between the Church and witches didn’t affect me anymore—not since I’d left the world of witchcraft behind.”
  • Dame Blanches use magic by seeing golden patterns in the air.
  • Dame Rouges, another coven of witches, use blood magic instead of seeing golden patterns in the air.
  • Some believe that basic remedies will keep witches away. “Please, monsieur, return home. Salt your doors and windows.”
  • Witches can use their magic to control others, even controlling corpses. When attacking the royal family during a parade, “The witches cackled and continued contorting their fingers in unnatural ways. With each twitch, a helpless body rose. Puppeteers.”
  • Most witches are viewed as demons, as Reid says, “But witches weren’t human. They were vipers. Demons incarnate.” Witches are also commonly referred to as “it.”

Spiritual Content

  • The Christian Church and its teachings are a main backdrop of this novel. Mass is mentioned, but never directly put in any scene.
  • The Archbishop makes several appearances.
  • The Chasseurs are the holy warriors of the church. Only men can be Chasseurs. “Sworn to the Church as huntsmen, Chasseurs protected the kingdom of Belterra from the occult—namely, the Dames Blanches, or the deadly witches who haunted Belterra’s small-minded prejudices.”
  • Chasseurs wield Balisardas, weapons that negate magic. For Balisardas, “Each had been forged with a molten drop of Saint Constantin’s original holy relic, rendering us immune to the witches’ magic.”
  • Biblical references are common. When Reid watches his best friend and fellow Chasseur, Reid notices, “Though he also wore no uniform, the crowd still parted for him like the Red Seas for Moses.”
  • God is mentioned frequently throughout the story. For example, the Archbishop said, “May God have mercy on your soul.” The Archbishop says, when talking about the Triple Goddess, “As if God could be a woman.”
  • Hell is mentioned several times. Just before a witch escapes from Reid’s grasp, he laments, “before I could unsheathe my blade and send her back to Hell where she belonged.”
  • The Bible, scripture, and other religious sayings are quoted frequently throughout the book. “Thou shalt not suffer a witch to live.” Another is, “Witches do not worship our Lord and Savior, nor do they acknowledge the holy trinity of Father, Son, and Holy Spirit. They glorify another trinity—an idolatrous trinity. The Triple Goddess.”
  • The Triple Goddess is also mentioned several times, either in the form of the Maiden, the Mother, or the Crone. The Triple Goddess is worshipped by the witches; it’s considered “Triple” because the witches use it to mock the Trinity.
  • The Garden of Eden is mentioned.
  • Many of the characters, especially the Chasseurs, often pray. Others, like Louise or witches, use prayers to mock holy men and women. Witches generally mock every part of Christianity.

by Jonathan Planman

 

 Middle School Mayhem

After being trapped in a locker for hours, Max Crumbly has discovered three burglars are planning to steal all the school’s new computers and his father’s vintage comic book. Max vows to stop them and get his book back. But after crashing through a ventilation shaft and landing on the burglar’s pizza, he is surrounded by three ruthless criminals. There is no hope in sight as Max is now trapped between the three burglars who are ready to tear him apart and three ruthless criminals. All of a sudden, Erin, his only friend at South Ridge Middle School, comes to the rescue. She shuts off all the lights giving Max valuable time to escape.

Trapped in the school, Max and Erin must get Max’s comic book back and trap the three burglars – Moose, Tucker, and Ralph – before the police arrive. After Max confines Moose in the cafeteria and Tucker in the gymnasium, it seems like Max might actually accomplish the impossible and outwit the thieves. But Ralph, the ringleader of the burglars, poses a much harder challenge for Max than his two cronies. Will Max be able to catch Ralph and save his dad’s comic book, or will he be caught by the most malicious criminal of them all?

Russell creates a character who is flawed just like any other boy his age but manages to work through his problems. Up against an impossible task, Max strives through self-doubt to outsmart and outwit the criminals to save the school’s new computer center. Throughout the book, Max grows as a person and he now considers the consequences of his actions. He also feels bad after he accidentally gets Erin grounded because she was helping him snoop around the school. Young readers can see Max as a role model. They can be inspired to work hard when all hope seems lost and help others whenever possible.

While parents might find the book repetitive and full of too much bathroom humor and slapstick comedy, younger readers will enjoy the story’s amusing mayhem. Many of the jokes come from Max either making a fool of himself or hurting the criminals in some way, like trapping Ralph in a room with a snake and setting his hair on fire. However, the large font, black-and-white illustrations, and consistently funny jokes will help young, reluctant readers transfer their reading skills from picture books into full-fledged novels. Readers should read the first book in the series in order to understand this one. This book also ends with another cliffhanger, so make sure you have the next book in the series The Misadventures of Max Crumbly: Masters of Mischief.

Sexual Content

  • None

Violence

  • Ralph grabbed onto Max’s cape in the ventilation shaft. Max rolled over onto his back, brought both of his knees to his chest, and then kicked with all his might. “The chunky soles of my lost-and-found motorcycle boots landed squarely on Ralph’s very sweaty and very surprised FACE!!”
  • Moose chases Max and grabs him by his collar. Moose accidentally “butt-dialed the burner on the stove and set himself on fire.” While on fire, Max dumps a bucket of slime on Moose, wraps him in plastic wrap, and ties him to a pole.
  • Max knocks Turner out in the gym and ties him up in a soccer net.
  • Max shoots a rocket at Ralph. It misses but lights Ralph’s toupee on fire. “As Ralph slowly walked toward me, I noticed the strangest thing. The top of his head was smoking.”

Drugs and Alcohol

  • None

Language

  • Max knew middle school was going to be challenging, but he never “expected to end up DEAD in the computer lab, wearing a SUPERHERO COSTUME, with four slices of PIZZA stuck to my BUTT!”
  • The students at Max’s school nicknamed him “Barf” after he threw up on his bullies’ shoes.
  • After Moose and Tucker complain they are hungry, Ralph shouts, “How about I rip out your spleens and shove ‘em down your throats?! Then you won’t be hungry anymore, you MORONS!”
  • When grabbing Max, Ralph snarls, “Hold still, you little RAT!”
  • When Ralph gets stuck in a ventilation shaft, Moose and Tucker try to pull him out. Ralph’s saggy pants fall off and he is pictured in his underwear.
  • Max said that releasing his pet turtles into the wild when he was younger was “the STUPIDEST thing I’ve ever done in my life!!”

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

 

 

 

 

 

The Great Big Boom

When Gina disappears into a portal, no one knows where she is. But Hilo knows that friends don’t let friends disappear. Hilo and D.J. know they must find Gina and bring her home. They know jumping into a portal will lead them on a dangerous adventure, but they are determined to get Gina back. Can they find Gina and make it back to Earth before the portal closes?

Readers will fall in love with Hilo, the lovable living machine from another planet. The Great Big Boom takes readers on an epic adventure to a world where two clans have been battling for centuries. As Hilo searches for a way home, he struggles with regaining his memories. Hilo is afraid that he will discover that he is truly evil.

In the battle scenes, the characters spend more time running away than fighting and none of the characters are seriously injured. Hilo and D.J. go to “Oshun, the last magical planet” and find their friend Polly who loves to tell puns. Polly introduces Hilo and D.J. to a clan of fierce-talking cats. Readers will giggle at the sibling arguments and the silly antics of the Furback Clan.

Brightly colored illustrations will capture readers’ attention, but readers will want to keep turning the pages because of the engaging story and the likable characters. The detailed illustrations show exaggerated facial expressions which will help readers understand the characters’ changing emotions.   For maximum enjoyment, the stories should be read in order. Even though the first chapter recaps the events in the previous books, the story’s plots build on each other.

Hilo’s story demonstrates how one person can make a positive impact on others. Hilo learns that a person can always change for the better and that past deeds do not have to define you. The Great Big Boom keeps readers entertained with mystery, fighting, magic, and wonderfully complex characters. At the end of the story, readers will be eager for Hilo’s next adventure, Waking the Monsters.

Sexual Content

  • None

Violence

  • The military surrounds Hilo and D.J. with tanks but when the two boys beginning crying, “I want my mommy! Waaaaaah!” the army men get confused. The boys are put in a holding cell. Hilo holds an object and recites a spell: “Time is the stone that falls. Time is the river that crawls. Turn the water and rock. Turn back the sun and the clock.” The orb “can erase the memories of an entire world from two sunsets.” After the spell, a man lets the kids out of the cell.
  • A giant hamster-like creature that is carrying an alligator creature chases D.J. and Hilo. Someone uses lasers to hit the alligator creature and the hamster-like creature in the butt. The two creatures run away.
  • An elephant squid grabs someone and D.J.’s sister uses a magical blast to shrink the elephant squid. When the squid shrinks, the person he captured kicks him.
  • Hilo and his friends are gobbled up by a fish, who takes them to a sorcerer. The fish spits the group out of its mouth.
  • The Scale Tale Clan tries to attack Hilo and his friends, but the house they are in begins grabbing them and punching them. The Scale Tale Clan is able to capture one creature. When Hilo goes to save his friend, the Scale Tale Clan surrounds him with weapons, but Hilo uses an electromagnetic pulse to disable the weapons. The two clans battle each other.

Drugs and Alcohol

  • None

Language

  • The characters in the story call others names. For example, humans are called “hairless monkeys.” Other names creatures are called include putrid, slime-caked salamander, odorous toe crust from a troll’s diseased foot, snake face, and fish-bottomed dung herders.
  • Someone tells Hilo and D.J. that they stink “just like a buffalo’s keister.”
  • “Holy Mackerel” is used as an exclamation.

Supernatural

  • Hilo is a living, feeling machine that runs off of solar energy, can fly, and shoots lasers out of his hands.
  • Two kids use magic to turn their brother into a sandwich. Their mother shouts, “Turn your brother back before the cockroach eats him!”
  • Someone uses an incantation to bring Hilo’s memories back. The person chants, “Deep in the sea, below the murk. Beneath the cavers, trapped in dirt. Rise up from the ground, overturn the dark moss. Return to use the visions we have lost.”
  • A sorcerer uses a spell to put Hilo and his friends “inside of Hilo’s memories. Our bodies are entranced inside my house. Oh. . . We’re in Hilo’s head.”
  • The Scale Tale Clan has a “fire orb” that makes them weapons.

Spiritual Content

  • None

 

The Burning Bridge

For years, the Kingdom of Araluen has prospered, but everyone knows the evil Lord Morgarath is plotting the kingdom’s destruction. Lord Morgarath has been hiding safely behind the impassable mountains. He’s been patiently building his Wargal army, waiting for the perfect opportunity to strike.

When Will and his friend Horace, an apprentice knight, travel to a neighboring village, they find a frightened maiden named Evanlyn. The young woman miraculously survived a Wargal attack. As the three journey towards Araluen, they discover the unsettling truth. Morgarath has finally devised a plan to bring his legions over the mountains. Will, Horace, and Evanlyn must warn the king’s army of the imminent danger of being crushed. While the three are surrounded by Wargals and are running low on supplies, Will and Horace are determined to save the king’s army.

The Burning Bridge continues the story of Will, a Ranger’s apprentice, and Horace, a Battleschool student. As Araluen prepares for war, the two young men accompany Ranger Gilan as he journeys to the neighboring county to seek reinforcements. The companionship and respect between the group paint a vivid picture of friendship during medieval times. Despite their friendship, each man must do what is best for their country, even if that means leaving a friend behind. The story uses a third-person omniscient point of view to focus on Will and Horace’s thought process, which allows the reader to understand their actions.

Although Will and Horace are only apprentices, they play a vital role in saving the kingdom. The apprentices’ actions are realistic because their skills are constantly being improved as they travel with Gilan. Each character, no matter their station, has an important role in the kingdom. From the king to the cook, each person helps in the war efforts. Readers will enjoy the positive male relationships as well as the introduction of Evanlyn, who is determined to help her country.

The Burning Bridge is a story of war, friendship, and sacrifice. The descriptive battle scenes focus on the destruction of war and never glorifies the battle. Each person, including the king, loses someone they love. Although the sacrifices were necessary, each character feels the loss. Even though the death scenes are not described in gory detail, lives are lost.

The Burning Bridge has many positive aspects: well-developed characters, a believable setting, and realistic, exciting conflicts. The story’s long descriptive scenes and advanced vocabulary (such as traverse, caprice, incognito, incipient, vehemently, and emphatically) make the story best-suited for strong readers. The Ranger’s Apprentice Series must be read in order because the plot builds on the previous book. Those who have read The Ruins of Gorlan will also enjoy The Burning Bridge.

Sexual Content

  • Will thinks about Alyss. Will “shifted uncomfortably as he thought of her. Alyss had kissed him after his homecoming dinner at the inn and he still remembered the soft touch of her lips.”

Violence

  • While traveling, Halt and Will come across a man who is surrounded by Wargals. The man’s “long sword held them at bay, but the Wargals were making small feinting movements toward him trying to find an advantage. They were armed with short swords and axes and one carried a heavy iron spear.” Halt approaches and tries to help the man. “Realizing the swordsman was distracted, he darted forward and ran the spear into his body. A second later, Halt’s arrow buried itself in the Wargal’s heart and he fell dead beside his stricken prey.” Halt shoots an arrow and his “second shot dropped the left-hand Wargal.” When a Wargal goes after Will, “Halt’s fourth arrow took it in the throat. At such short range, the arrow tore clean through. With a final grunting shriek, the Wargal fell dead on the grass.” The fight is described over two pages.
  • Two men, Carney and Bart, try to rob Horace and Will. Horace “darted forward and his sword flashed in an overhead cut at Carney. . . Carney barely had time to bring his own blade up in a clumsy parry. Thrown off balance and totally unprepared for the surprising force or authority behind the stroke, he stumbled backward and sprawled in the dust.” Horace knocks Carney to the ground and then swung his fist, “hammering the heavy brass pommel of his sword hilt into the side of Bart’s head.” When Bart tries to get up, Horace “turned and casually raised his sword, swinging it to clang, flat-bladed, against Bart’s skull.” The two men are tied up and eventually set free. The fighting is described over five pages.
  • Halt throws two nobles into a moat. “A group of servants were busy emptying the privy buckets into the moat when they were startled by a sudden drawn-out cry. They looked up in time to see a scarlet-and-gold clad figure sail out of a first story window, turn over once and then land with an enormous splash in the dark, rancid waters.”
  • Will and Horace see a group of Wargals pass by with prisoners. A prisoner, who was a miner, falls and causes others to fall down. “The two prisoners who had been brought down struggled to their feet, under a rain of lashes from their captors. The miner who had caused the fall lay still, in spite of the vicious whipping from the Wargals.” The dead prisoner is left on the side of the road.
  • Will and Evanlyn attempt to burn down a bridge in order to prevent the Wargals from crossing. Wargals and Skandian armies appear and try to stop the group. Will “nocked an arrow to the string and, barely seeming to aim, sent it hissing toward the lead Wargal. The arrow buried itself in the Wargal’s chest and he fell, crying out once, then lay silent.” Will and Evanlyn try to hide from the enemy, but a “rock took him in the side of the head and he grunted in surprise, then his eyes rolled up and he fell at her feet, dark blood already welling from his scalp.”
  • When Will is injured, a Skandian grabs Evanlyn. “The Skandian held her in a bear hug, her feet pressed onto the rough sheepskin of his vest, smelling of grease and smoke and sweat all but suffocating her. She kicked out, lashing with her feet and tossing her head, trying to butt the man who was holding her, but to no avail.” The bridge scene is described over six pages.
  • Halt and his men defeat a group of Skandians who were preparing a sneak attack. Although the fighting is not described, Halt says, “We caught them totally by surprise and cut them to pieces.”
  • During the battle, a bugler didn’t hear Morgarath, so Morgarath “whipped the man across the face with his leather-covered steel riding crop. . . The bugler, ignoring the agony of the whip cut and the blood that poured down his forehead and into his eye, raised a horn to his lips and blew. . .”
  • During the final battle against the Wargals, “fully half of his [Morgarath’s] Wargal soldiers were lying broken in the dust of the battlefield.” Part of the battle is described through Horace’s point of view. Horace “had watched as Wargals and horses had all died and their bodies sprawled now in the dust of the Plains of Uthal like so many scattered rag dolls. It had been fast and violent and confusing.”
  • Trying to escape the Wargals, a group of Skandians attack. “The Wargal tried to bring his iron spear up in defense, but he was a fraction too slow. The heavy ax sheared through his armor and he went down. . . But the Wargals hadn’t left their group unscathed. As he spoke, Nordal staggered and sank slowly to one knee. Bright blood stained the corner of his mouth and he looked hopelessly at his leader.” The man eventually dies.
  • Horace and Morgarath battle to the death. Before the battle begins, “Horace felt his throat go dry as he realized he was now fighting for his life.” As the two fight, “Horace’s left arm, his shield arm, was rendered completely numb by the terrible force of the blow. . . Now Horace used the shorter blade of his sword to lunge at the gap that had opened between shield and body and drove the point at Morgarath’s ribs. . .But the black armor held against the thrust, which was delivered from a cramped position and had little force behind it. Nonetheless, it hurt Morgarath, cracking a rib behind the mail armor, and he cursed in pain and jerked at his own sword once more.”
  • During the fight, Horace’s shield breaks. Morgarath took the opportunity and “slammed the double-handed hilt of the sword into the side of the boy’s helmet and onlookers groaned in dismay as Horace fell from his saddle.” Horace is dragged several meters and then regains his feet. The two enemies continue the fight on foot.
  • As the battle continues, Morgarath uses his broadsword. “The broadsword began its downward arc, splitting the air. And now Horace, throwing everything into one final effort, stepped forward, crossing the two blades he held, the dagger supporting the shortened sword. . . Horace’s knees buckled, then held, and for a moment Morgarath and he stood locked, chest to chest. . . Morgarath felt a deep, burning agony pour through his body as Horace slipped the dagger free and, with every ounce of his strength behind it, drove it through Morgarath’s chain mail and up into his heart.” Morgarath dies. The fight is described over eight pages.
  • The Skandians take Will and Evanlyn hostage, forcing them onto a boat. Halt follows, trying to catch up to the Skandians and save Will and Evanlyn. “Halt was riding without reins now as he unslung the longbow and laid an arrow on the string. At a full gallop, he sighted and released. The bow oarsman gave a grunt of surprise and lurched sideways over the gunwale of the boat as Halt’s heavy arrow slammed into him, transfixing his upper arm.” Halt continues to rain arrows on the enemy and hits several other men who “lay groaning in pain. The other was ominously still.” The scene is described over three pages.

Language

  • Damn is used nine times. Darn is used once.
  • When Gilan sees a village void of people, he asks, “What the hell is going on here?”
  • After reading a parchment, Baron Arald asks, “Pauline, do you understand what this idiot is getting at?”
  • Halt tells the baron that a nobleman “is a nincompoop and a fool.”
  • My God, by God, and Oh God are used as exclamations five times in total.
  • When looking at the enemy, someone says, “My god of battles, he doesn’t half give me the creeps, that one.”
  • “Gorlon’s teeth!” is used as an exclamation once.

Supernatural

  • Will sees a group of Wargals. “Bearlike in build, they had long muzzles and massive yellow canine fangs, exposed now as they snarled at their prey. They were covered in shaggy fur and wore black leather armor.”
  • Morgarath has control of the Wargals’ minds. “Without minds of their own, they were almost without fear.” Morgarath can give the Wargals instructions by using mind control. During the battle, “the Wargals heard the words and his [Morgarath’s] thoughts in their mind.”

Spiritual Content

  • While traveling through Celtica, the narration says, “the Celts had their own religion, which had to do with gods of fire and iron.”
  • When a Skandian is severely injured, he asks for his sword. “Skandians believed a man must die with his weapon in hand if his soul were not to wander in torment for eternity.”
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