Topic: battle

Simon Thorn and the Viper’s Pit

Simon Thorn recently discovered that he is an Animalgam, a secret race of people who can change into animals. Now Simon is going to school at a secret Animalgam academy, which is hidden under the Central Park Zoo. Even though Simon does not get along with his newly discovered Animalgam brother, he makes some true friends as he learns about his new power and learns how to fight.

But life still has challenges. Simon’s evil grandfather, Orion, killed Simon’s uncle and took his mother captive. Orion wants to rule over all Animalgams, but to do so, he needs to find all of the pieces of the predator—a terrible weapon that will change the Animalgam world forever. In order to stop this, Simon is determined to find his mother and the pieces of the predator. Simon and his friends head across the country, battling not only the bird kingdom but rogue Animalgams as well. Can Simon and his friends work together to overcome dangerous enemies, torn loyalties, and unexpected setbacks?

Simon Thorn and the Viper’s Pit has the same cast of characters as the first book in the series and adds a few interesting new characters. Each character has their own unique ability, which allows them to work as a team to get out of dangerous situations. As the kids race across the country, they must avoid the bird kingdom as well as other mammals. This conflict adds non-stop action that involves more running away than actual fighting. At one point along the way, Simon is told, “Life is hard, and it changes in ways we don’t want or expect. Running away isn’t the answer. We have to find the good in what we have, and we have to appreciate it. Otherwise you’re never going to be happy no matter where you are.”

Simon and Winter, who are the most developed characters, add an interesting contrast. Simon is an extremely likable character, who has compassion for others and wants to do what is right. On the other hand, Winter’s prickly personality and insecurities are more consistent with a rebellious teenager. Simon and the others stick by Winter’s side even though she is at times difficult to deal with. The friends’ interactions highlight the importance of individuality and accepting yourself. After all, “When it comes to you, the only opinion that matters is your own.”

Aimee Carter brings the complex Animalgam’s world into sharp focus as she creates well-developed characters that are unique. The action-packed sequel to Simon Thorn and the Wolf’s Den is just as amazing as the first book. Readers will enjoy the non-stop action and will root for Simon and his friends as they try to defeat an evil villain. Simon Thorn and the Viper’s Pit takes the reader on an exciting adventure that focuses on friendship, loyalty, and family. Readers will not be able to stop turning the pages of the Simon Thorn series, so make sure you have the next book in the series, Simon Thorn and the Shark’s Cave.

Sexual Content

  • None

Violence

  • After a boy makes mean remarks, Simon “launched himself at the bigger boy with a feral cry. Garrett fell, his elbows knocking against the wooden floor with a hard crack. Simone scrambled over him trying to pin his legs and arms, but before he could get any kid of grip, Garrett began to shift.” Garrett turns into a mountain lion, shoves Simon, and taunts him. “Simon wheezed, struggling to breathe as his vision went red.” Simon’s uncle, in wolf form, appears and, “tackled the mountain lion, sending Garrett flying.” The fight then ends. The fight scene takes place over three pages.
  • During a school match, Nolan changes into a wolf, and “in a flurry of fur and teeth, Nolan snarled and jumped, his paws landing against Jam’s chest as they fell to the ground. Jam’s glasses flew off into the sand, and Nolan bared his teeth an inch from Jam’s throat. While he didn’t bite him, Jam winced with pain, and Simon noticed the wolf’s claws digging deep into Jam’s black uniform.” Jam’s shirt is ripped, but he is not injured. Simon jumps in and stops the fight.
  • When a man tries to capture Simon, he aimed “a swift kick at Perrin’s knee before taking a sharp turn into the park. Perrin howled with pain.” Simon is able to run away.
  • When Perrin grabs Simon, Simon’s mouse, Felix, helps him. “Simon turned his head just in time to see Felix sink his teeth into the soft space between Perrin’s thumb and finger. With a cry, Perrin released his grip, snatching his hand away.” One of Simon’s friends turns into a snake, and Perrin “snatched the snake out of the air and hurled her against the wall. She hit the brick with a sick crack, and there was a loud ringing in Simon’s ears as panic overtook him.” Simon is able to escape, and he takes the unconscious snake with him.
  • Simon is on a train that makes a stop. While Simon is walking, “he was pulled through the door and off the train, spilling out onto the cold, dark platform. Simon fought his abductor with all his might, kicking and yelling into the warm palm stifling his cries for help. He struggled against the unyielding grip that held him in place on the platform, but it was no use.”
  • When Perrin again tries to capture Simon, “the humans formed a ring around Simon and his friends, and the adults began to shift. . . Talons clawed at fur, teeth ripped out feathers, and in the midst of it all, Simon saw the woman leap from the dusty street toward Perrin, shifting into a red fox in midair.” Perrin is able to escape uninjured, but when he comes back, Simon turns into an eagle and attacks. Simon “caught Perrin’s wing and dragged him back toward the brawl in town. . . he flung Perrin’s delicate bird body toward a waiting coyote. . . But at last Perrin spread his wings, catching a current before the coyote could take a bite out of him.” Perrin flees and Simon is safe.
  • When Malcom goes to get Simon and his friends, some of the mammals try to stop them. Malcom shifts into a wolf, and a man pulls a gun. “But before his fingers could curl into claws, Jam appeared behind Keval and kicked him between the legs. Hard. Keval cried out and dropped the gun. . .a cottonmouth snake struck Keval’s exposed ankle with a hiss, and a shiny black spider appeared on his collar and sank her fangs into his neck.” Keval collapses, and the kids are able to escape.
  • When a man catches Simon, he “pulled a long knife with a jagged edge and rested it against Simon’s throat. . . He could feel the sharp edge of the blade pressing against his skin, only a slip away from opening an artery, and the fiery knot in his chest constricted.”
  • Simon’s mother tries to keep Orion from hurting Simon. “His mother slammed into Orion, and together they tangled as they half flew, half fell. . . Simone spotted a figure he thought might be a golden eagle crumpled on the ground.”
  • Malcom finds the reptiles that are holding Simon and his friends captive. The reptiles hand the kids over to Celeste, and “In a flurry of howls and growls, the mammals shifted and launched themselves at the reptiles. . . Celeste yanked Simon backward toward the elevators. He stumbled and tried to grab hold of a nearby couch to resist, but Celeste dragged him to the doors and jabbed the button. . . an armadillo and a badger raced towards them, and they too jumped onto the wolf’s back. Celest screamed, and Simon darted past her and down the corridor.”
  • A man turns into a poisonous snake and bites Simon’s friends. When he corners Simon, someone hits the man, whose “expression went blank, and seemingly in slow motion, crumpled to the floor.” Simon’s friends are given the antidote.

Drugs and Alcohol

  • None

Language

  • Another student calls Simon a “birdbrain.”
  • Twice someone is called a “jerk.”

Supernatural

  • The story revolves around Animalgams, “a human who could not only talk to animals, but developed the ability to turn into one, too.” This ability is passed down by family. “Nearly all Animalgams could only shift into a single animal, and they belonged to one of the five Animalgam kingdoms: mammals, birds, insects, reptiles, or underwater creatures.” Nolan and Simon are special, they can shift into any animal.

Spiritual Content

  • None

 

 

 

Rise of the Dragons

Joss and Allie have always feared the Raptors and the wave of death caused by the vicious beast. When Joss finds a dragon egg, he never imagined the love he could feel for the Silver dragon or the danger the dragon would bring into his life.

The Lennix’s are a cruel and power-hungry family who wish to rule over all dragons and humans. They have trained their Raptors to follow commands and prey on unsuspecting humans. But some of the raptors are questioning the Lennix’s rule. They are convinced that possessing the Silver dragon is the key to their continuing rule.

Sirin lives in the Lost Lands, where dragons no longer live. Most people have forgotten the dragons and no longer believe they existed at all, but Sirin hopes that she will one day meet a dragon. While Sirin dreams of dragons, her real life is full of grief. When her mom is hospitalized, Sirin is forced to live with several different families. Sirin wonders if her life will be filled with grief forever.

Rise of the Dragons weaves together three stories—Joss and Allie, the Lennix family, and Sirin—and eventually ties the stories together. Most of the story focuses on Joss and Allie, the indentured servants who find the Silver’s egg. When the Lennix family tricks Joss and Allie into going to their compound, life only gets worse for the siblings. Readers will be engrossed in the unique, but cruel, dragon world.

Even though the reader knows that Sirin’s story will eventually connect to Joss and Allie’s story, readers may have a hard time connecting with Sirin’s story, which is realistic fiction. The chapters about Sirin pop in at unexpected places and slow down the plot. The conclusion brings Sirin and a dragon together in a fun, unexpected way and clearly sets up a sequel.

The story contains detailed, concise descriptions, as well as short chapters that often focus on one character. However, some readers may struggle with the difficult vocabulary, such as “ensconced,” “undulating,” “lugubriously,” “cantilevered,” and “soporific.” Rise of the Dragons may best suit middle school readers because younger readers may be frightened by the raptors’ cruelty; several of the characters’ parents are killed by raptors, and the characters are then enslaved by the Lennix family.

Sage creates an interesting dragon world, where death and violence are everyday occurrences. Although the characters are not well developed, the story has enough action and suspense to keep the pages turning. Rise of the Dragons has plot twists, truly evil villains, and a protagonist with whom readers will sympathize.

Sexual Content

  • None

Violence

  • Joss thinks about his parents, who died when raptors “dived onto his mother and father, and the shine of their sharpened talons, curved and lethal, as they emerged from their sheaths for the kill.” Later Joss again thinks about his parents and how “they had been attempting to escape a Lennix roundup, and it hadn’t worked. He remembered Raptors diving down, taking his parents hundreds of feet up into the sky, and then dropping them into the sea.”
  • When Joss is riding his dragon, Lysander, they are chased by a group of dragons. As Joss and Lysander try to flee, “Joss felt a burst of heat as a spume of dragonfire hit Lysander’s tail. The flames fell away from Lysander’s silver scales like water from oiled feathers, but the shock of it caused him to shoot rapidly forward. . .” Joss and Lysander fly through a portal and are safe.
  • Lysander frightens a flock of sheep, and they run into an old quarry. Joss tells his sister about how he “climbed down into the quarry and they were piled up. Dead on the quarry floor. Well, they weren’t all dead. Some were injured and bleating. So . . . so I had to hit them on the head. To put them out of their pain. It was. . . Oh, it was horrible.”
  • When Joss trips, D’Mara “Grabbed Joss’s arm and pulled him roughly to his feet, gripping him so hard he could feel her nails digging into skin.” When Joss and Allie try to run, D’Mara “threw herself at Joss and caught his neck in an armlock. Allie hurled herself at the traveler, but a well-aimed kick sent her sprawling to the ground. . . The traveler jerked her arm hard against Joss’s throat, making him gasp for breath.” Armed guards appear and they shoved the sack over Lysander’s head. “At once he lay down upon the ground in defeat. . .They pulled her (Allie) arms behind her back and roughly tied her hands, then threw a net over her and wrapped her up so tightly that she could hardly breathe. Allie began to gasp in panic. . . As Allie took a shuddering gulp of air, Tamara kicked the back of her knees and Allie fell to the ground.” Joss is also tied up, and the two were taken to Fortress Lennix to be prisoners.
  • When Sirin and Ellie are walking home from school, some girls bully them, telling them they must pay a toll to pass. One girl grabs Sirin by the collar. Later, the same girls corner Sirin and her foster mother, Mandy. Mandy tries to help, but “Mandy looked down and saw the point of a jagged knife pressing into her all too thin cardigan. . . but the pressure of the knife point reminded her to keep quiet.” One of the girls “pulled out a knife, drawing the tip of the blade across Sirin’s stomach.”
  • The Lennix twins take Allie to a notoriously violent raptor and have her thrown into his room. They giggle as they hear the dragon roar and they assume Allie is being eaten. However, the dragon does not injure Allie.
  • When the Lennix’s catch a Green dragon, the other dragons punish the Green. “Bellacurx sent a short burst of flame flickering across the ground, so that they curled around the delicate feet of the Green and sent her hopping from one foot to another—much to the amusement of the other Raptors. . . In a sudden movement, the red dragon brought her wings down in such a way that their sharpened barbs gouged deep grooves through the scales of the Green and tore into her wings.” The Green is then imprisoned.
  • The Lennix’s raptors go on a raid, attacking the Greens and “demolished their nest.” D’Mara’s husband tells the raptors, “The free Greens are finished. But the Reds, Yellows, and Blues remain . . . Raptors, tonight we shall go in for the kill. We go to the Islands of the Blues where they hold their eggs deep in caves beneath the ocean. From them we shall take a tribute: a living infant that we shall tear to shreds before their eyes, and then we shall leave them in grief. We shall return again and again and again until the Blues show us their hiding places of their clutches and beg us to take them.”
  • The epic battle between the Lennix’s raptors and other dragons takes place over three chapters. During the fight, “Wave after wave of firestiks rained down from Flight Vengeance. Bellacrux and Lysander ducked and dived. . . And then a firestik found its mark—on Lysander’s left wing tip. Lysander pitched to one side and sent the weapon bouncing off his armored silver scales. The sudden lurch sent Joss sliding out from the rider’s dip.” Joss is able to rebalance, and the fight continues. One aggressive raptor named Valkea goes after Bellacrux. “Valkea let loose a long, focused spume of fire. It caught the tip of Bellacrux’s tail but did little damage, for the tail-thrashing doused the flames and the burn alerted Bellacrux to her pursuer . . . Bellacrux sent a long, thin steam of brilliant orange flame straight into Valkea’s face. The Red wheeled backward and the flames shot down the soft and vulnerable front of her neck. . . In agony from the burn, she thrashed her neck to and fro, trying to cool the burn. . .” During the battle, one dragon is injured when someone throws a firestik, and the raptor’s “tail exploded into flames,” causing the raptor to fall to his death.
  • When a burning raptor falls to his death, he hits a dragon’s wing. When the raptor’s tail hits the dragon, “there was a snap like a pistol shot, and suddenly her wing was hanging down, useless. Herlenna screamed. . . She keeled over to one side, and with a crashing and cracking of branches, she disappeared through the canopy of trees like a drowning swimmer beneath the waves. Lysander and Joss heard a deep thud, and then all was silent.”

Drugs and Alcohol

  • None

Language

  • D’Mara calls her husband a “spineless little liar” and “slick of dragon slime.”
  • D’Mara calls a dragon an “idiot.” Later she calls Joss an “idiot.” Several other characters also call someone an “idiot.”
  • Kaan calls his brother a “dumbo” and then tells him, “Oh, go boil your stupid fat head.”
  • D’Mara tells her husband, “And I always thought that Lock of yours was a bit of a bonehead.”
  • A girl tells Sirin’s foster mom, “Bleedin’ Nora, you’re effing crazy, you are.”

Supernatural

  • Humans can lock with dragons. “Some people were lucky enough to become so close to a dragon that they stayed together for life. They even understood each other’s thoughts.” Once a dragon and human have locked, they can communicate through thought.
  • A silver dragon is able to travel through a portal to the Lost Lands. “All Silvers can travel through the invisible portals that link our two worlds. And if a Silver touches its tail to another dragon, they can both go through. Indeed, you can have a whole chain of dragons going through.”

Spiritual Content

  • None

Ender’s Game

Earth has been attacked twice by the Buggers—aliens attempting to colonize Earth’s solar system. The whole world waits with bated breath for the Third Invasion and sends its best and brightest children to Battle School when they are six years old to be trained in strategy and warfare. Eventually, these children will become the pilots, commanders, and soldiers that will save the human race from extinction.

Ender is a governmentally approved Third child in a world with a strict two-child rule. He was allowed to be born in the hopes that he will be a genius like his two older siblings, but with the correct temperament for Battle School. The experiment succeeds, but Ender doesn’t want to go to Battle School. He doesn’t want to hurt anyone. He especially doesn’t want to leave behind his beloved sister Valentine, though he will not miss his psychopathic brother Peter. But Colonel Graff tells Ender that the world needs him, and Ender believes him.

What follows is Ender’s journey through Battle School, where his brilliance generates both respect and hatred from the other children. As the children study how to fight, Ender finds himself at the center of an immense web of manipulations, all designed to turn him into the Commander that Earth needs to defend itself. It doesn’t matter that Ender doesn’t want to kill anyone; it’s what he is good at and will become great at with the right push. And push him, they do.

Ender’s Game is a masterpiece, which is why it is required reading at many high schools. There is heavy content that is inappropriate for younger and sensitive readers: profanity and name-calling are used often, there are bouts of violence (including attempted murder), and there is a thematic question of whether cruel, immoral means are justified by an end that benefits humanity.

These masterfully woven questions will keep readers up at night, and readers will relate to Ender and his struggle to define himself. Is he a monster like his brother Peter? Is he a killer like the teachers want him to be? It is Ender’s emotional turmoil of self-loathing, loneliness, and despair that will haunt readers long after they read the last page—more than the aliens, the fights, and even the theological questions. Ender’s Game will leave readers desperately wishing that Ender’s life had not been so hard. Readers will forget that Ender is just an ink-and-paper boy from a story, and not the son, brother, or friend that they have fondly come to know him as.

Sexual Content

  • When Valentine says she has an oral exam at school, her brother says it could be worse. “It could be an anal exam.”
  • Dink says, “Hey, look! Salamander’s getting babies now! Look at this! He could walk between my legs without touching my balls!”
  • When Valentine is offered a weekly column in a newspaper, she says, “I can’t do a weekly column…I don’t even have a monthly period yet.” Later in the same argument, Peter asks her, “Are you sure you’re not having a period, little woman?”
  • When Peter is also asked to write a column, he says, “Not bad for two kids who’ve only got about eight pubic hairs between them.”
  • After a bully makes fun of another boy’s butt, “Look how he shimmies his butt when he walks,” the other boys start calling the bully, “Buttwatcher.”
  • One of the commanders “had programmed his desk to display and animate a bigger-than-lifesize picture of male genitals, which waggled back and forth as Rose held the desk on his naked lap.”
  • Ender jokingly calls his friend, “you circumcised dog.”
  • When the Buggers procreate, “each male in turn penetrated the larval queen, shuddered in ecstasy, and died, dropping to the tunnel floor and shriveling.”

Violence

  • Ender is attacked, and he beats the main bully thoroughly, to make sure no one is ever bold enough to attack him again. “Ender walked to Stilson’s supine body and kicked him again, viciously, in the ribs. Stilson groaned and rolled away from him. Ender walked around him and kicked him again, in the crotch.”
  • Ender’s older brother threatens to kill him. Peter “knelt on Ender, his knee pressing into Ender’s belly just below the breastbone. He put more and more of his weight on Ender. It became hard to breathe. ‘I could kill you like this,’ Peter whispered. ‘Just press and press until you’re dead. And I could say that I didn’t know it would hurt you, that we were just playing, and they’d believe me, and everything would be fine. And you’d be dead.’”
  • A boy hits Ender repeatedly when they are on a space shuttle. “Just as the next blow was coming, Ender reached up with both hands, snatched the boy by the wrist, and then pulled down on the arm, hard…The boy sailed through the air, bouncing against the ceiling, then down against another boy in his seat, then out into the aisle, his arms flailing until he screamed as his body slammed into the bulkhead at the front of the compartment, his left arm twisted under him.”
  • Two teachers mention a prior student’s suicide in passing. “Everybody looks like Pinual at one time or another. But he’s the only one who killed himself.”
  • Ender plays a computer game that sometimes has gruesome deaths. One time, “the Giant cut him open along the spine, deboned him like a fish, and began to eat while his arms and legs quivered.” Another time, “He jumped at the Giant’s face, clambered up his lip and nose, and began to dig in the Giant’s eye. The stuff came away like cottage cheese, and as the Giant screamed, Ender’s figure burrowed into the eye.”
  • A commander slaps one of his soldiers. “Madrid stepped closer to the girl and slapped her across the face with the back of his hand. It made little sound, for only his fingernails had hit her. But there were bright red marks, four of them, on her cheek, and little pricks of blood marked where the tips of his fingernails had struck.”
  • Ender’s commander hits him after Ender disobeys orders. “Suddenly Bonzo swung at him, caught his jaw with a vicious open-handed slap. It knocked Ender sideways, into his bunk, and he almost fell. Then Bonzo slugged him, hard, in the stomach. Ender dropped to his knees.”
  • Ender and his friends are attacked by an older group of guys in the Battle Room. “Someone caught Ender by the foot. The tight grip gave Ender some leverage; he was able to stamp firmly on the other boy’s ear and shoulder, making him cry out and let go. . . the boy had hung on too well; his ear was torn and scattering blood in the air, and Ender was drifting even more slowly. I’m doing it again, thought Ender. I’m hurting people again, just to save myself. Why don’t they leave me alone, so I don’t have to hurt them?”
  • Ender gets picked on several times during Battle School. “So Ender got knocked down in the shower that morning. One of Bernard’s boys pretended to trip over him and managed to plant a knee in his belly.”
  • Valentine, “had seen a squirrel half-skinned, spiked by its little hands and feet with twigs pushed into the dirt. She pictured Peter trapping it, staking it, then carefully parting and peeling back the skin without breaking into the abdomen, watching the muscles twist and ripple.”
  • Bonzo tries to kill Ender. “Bonzo’s tight, hard ribs came against Ender’s face, and his hands slapped against his back, trying to grip him…instead of kicking, he lunged upward off the floor, with a powerful lunge of the soldier bounding from the wall, and jammed his head into Bonzo’s face. Ender whirled in time to see Bonzo stagger backward, his nose bleeding.” The fight takes place over two pages.
  • “Late one night [Ender] woke up in pain…He saw that in his sleep he had been gnawing on his own fist. The blood was still flowing smoothly.”

Drugs and Alcohol

  • None

Language

  • “Bastard” is used often. Peter tells his brother, “No, no, I don’t want your help. I can do it on my own, you little bastard.” Another time Colonel Graff says, “We promise gingerbread, but we eat the little bastards alive.”
  • “Hell,” “asshole,” and “ass” are used several times. Valentine says her older brother is “The biggest asshole.” Graff tells a teacher, “your ass is covered, go to hell.”
  • “Damn” is used a few times. Graff tells Ender, “I told them you were the best. Now you damn well better be.” Another time a student says, “I be the best soldier I can, and any commander worth a damn, he take me.”
  • Another student tells Ender to “kiss butts if you’ve got to.”
  • Variants of “piss” are used several times. One boy in the Game Room tells Ender, “Beating you…would be as easy as pissing in the shower.”
  • At Battle School, the boys’ slang includes frequent name calling. For example, Graff says, “Scumbrains, that’s what we’ve got in this launch. Pinheaded little morons.” Other variants include pisshead, fartface, etc.
  • “Son of a bitch” is used once. “I’m a pilot, you son of a bitch, and you got no right to lock me up on a rock!”
  • “There was a myth that Jewish generals didn’t lose wars.” The commander of Rat Army is Jewish, so it, “was often called the Kike Force, half in praise, half in parody of Mazer Rackham’s Strike Force.”

Supernatural

  • An alien race, called “Buggers,” invaded Earth’s solar system twice before. All of Earth is preparing for the Third Invasion.

Spiritual Content

  • When talking about how humans won the last war, Graff says, “Call it fate, call it God, call it damnfool luck, we had Mazer Rackham.”
  • Graff says if Ender is not the one, “then in my opinion God is a bugger. You can quote me on that.”
  • After a battle, Ender saw that some people “knelt or lay prostrate, and Ender knew they were caught up in prayer.”
  • An admiral says piloting is “a god. And a religion. Even those of us who command by ansible know the majesty of flight among the stars.”
  • Speaker for the Dead is a book that became “a religion among many religions” on Earth. “But for those who traveled the great cave of space and lived their lives in the hive queen’s tunnels and harvested the hive queen’s fields, it was the only religion.”

by Morgan Lynn

 

 

The Shark Whisperer

Tristan Hunt is known for being clumsy, which is why his parents aren’t surprised when he falls into a pool of sharks. After his strange experience in the shark tank, Tristan is invited to an ocean-themed summer camp in the Florida Keys. But this camp has a secret. All of the campers have a special talent when it comes to the ocean.

While at camp, the ocean animals ask for help figuring out who is finning sharks in the Bahamas. When several of the campers go to investigate, they disappear. With the help of sharks, dolphins, a quick escape-artist octopus, and other sea creatures, can the campers stop the shark-finning, reef-blasting billionaire?

Tristan Hunt and the Sea Guardians takes the reader on an underwater adventure, where sea creatures of all types come to life. As the campers learn about sea life, they discover an array of sea creatures from a toothless shark in a rehabilitation center to chatty seagulls. Several scenes are from a shark’s point of view, which adds interest. Tristian meets several sharks with a Bahamian accent, and one humorous shark laughs at Tristan’s fear of sharks and tells him that humans taste awful. The interaction between humans and sea life, and the variety of sea creatures with their different personalities make the story a lot of fun.

As Tristan and the other campers learn about their skills, their different reactions are interesting. At first, Tristan is a clumsy, insecure boy. However, as the story progresses, Tristan becomes more confident, is able to speak his mind, lead others, and can also laugh at his clumsiness on land. The story connects sea creatures’ behavior to the campers’ behavior and shows the importance of leadership, cooperation, and helping each other.

As a marine scientist, Prager beautifully describes the ocean sea creatures and their habitat as well as highlights the importance of taking care of the ocean. Although the ocean descriptions accurately explain the ocean, some of the long descriptions and advanced vocabulary may make the story difficult for some readers. Tristan Hunt and the Sea Guardians mixes adventure, action, and ocean life to create an exciting, educational fantasy that readers will enjoy. Readers will want to jump into this series, which continues in The Shark Rider.

Sexual Content

  • None

Violence

  • Someone is finning sharks. Tristan explained, “Finning, that’s totally disgusting. It’s when people slice off a shark’s fins and then throw the dying shark back into the water.”
  • The bad guy’s crew kidnapped some of the campers. The kidnapping was not described.
  • The sea life reported that “men from the ship killed and finned ten lemon, two bull, and five bull sharks. Took the fins and dumped the sharks. A few pilot whales were injured by the blasts; hurt their ears and they’re having trouble navigating.”
  • In order to free the kidnapped campers, the sea life attacks the bad guy’s yacht. A group of birds “dove like kamikazes toward the men on the upper deck at the back of the ship.” Then a group of birds poops on the men. When the kids try to escape, “the security man also tried to pull out his gun, but the birds had aimed well. The firearm kept slipping in his grasp due to a heavy coating of poop and slime.” The kids jump off the yacht, and the men tried to start the Jet Skis’ engines. “At that very moment, however, another team was preparing to go on the attack. The flying fish swam fast to build up speed. They leapt out of the water, stretched their fins out wide, and used their tails as rudders. The eight-inch, silvery fish glided low, swift, and silently over the water’s surface. . . They hit their target in quick successions, pummeling one of the men in the face and chest.” The attack happens over four pages.
  • After the campers are rescued, and with the help of humans, the sea creatures put explosives on the ship. Tristan “noticed that the ship was leaning. Its right side was lower in the water than the left. . . Men started yelling. Black smoke began billowing out from inside the ship.” The yacht sinks, but no one is injured.
  • When one of the bad guy’s men finds a group of campers, they trick him into driving his Jet Ski into an ooid sand wave. “The water over the top of the ooid sand wave was too shallow for the heavy Jet Ski. It hit the sand and stopped with a tremendous jolt. Somehow the man was able to stay aboard and upright on his machine. He reached for his gun. Just as he was about to swing his weapon around, a heavyweight rammed him from behind. The man flew off the Jet Ski as if he’d been hit by a dump truck.”

Drugs and Alcohol

  • As the kids were flying over an island, “Coach Fred came on the intercom and told them about a secret navy base there that specialized in capturing drug smugglers.” One of the teens asks if the Navy shoots the drug smugglers. Coach Fred replied, “No, they do not shoot the drugs smugglers. . . well only if necessary.”

Language

  • Darn is used twice.
  • Heck is used once. When a man sees a strange shadow in the ocean, he asks, “What the heck was that?”
  • Oh my God is used twice. Tristan’s father said, “Oh for God’s sake.”
  • Hugh’s family has a chef. He said, “Thank God we do. My mom can’t cook at all.”
  • Someone calls Tristan an idiot.
  • A shark calls Tristan a “lame brain.”
  • A man calls a group of people dorks.
  • frickin’ is used once.

Supernatural

  • All of the kids at camp have different abilities. Ms. Sanchez explains why. “Well, as you and the others know, life on Earth is believed to have started in the ocean. Over hundreds of millions of years, animals evolved and adapted to life in the sea—like dolphins. . . Humans have always lived on land. But since life began in the sea, our very earliest ancestors came from the ocean. In some people there are still traces of the genes that allowed those organisms to adapt to and live in the sea. At the right age and with the right help, these genes can sort of, well, be turned on, at least for a few years.”
  • When the kids at camp drink a pink-colored water, their hands and feet change. After drinking the pink-colored water, “there was a thin sheet of skin between their toes, like the webbing on a duck’s feet.” The effects of the water are temporary.
  • Some of the students can communicate with sea animals. Others have “excellent mucus deployment skills.”
  • When an octopus touches Hugh, “the creature turned brown with blue polka dots. Hugh smiled. Then an even more shocking thing happened. Hugh’s hand also turned brown with blue polka dots.” Hugh discovers he has the ability to camouflage and communicate with animals. Ms. Sanchez explains, “I bet in seawater you’ll be an excellent mimic. Your skin will have the ability to change color and maybe even texture when you’re in the ocean.”
  • Sam discovers that she can echolocate. Sam was swimming in a lagoon, and “after she made the clicking noises she had more than a feeling that the sharks were coming. It was like she had a full-screen 3D image of them in her head.”
  • When the students are in the water, their wounds heal quickly.

Spiritual Content

  • None

The Darkest Hour

After the battle with the dogs, the dust settles. There is only one casualty—Bluestar, the leader of ThunderClan. Since Fireheart was the deputy, he must now receive his nine lives and new name from StarClan. Everything seems to be flowing smoothly at the beginning of Firestar’s rule. Prey is good; there have been no fights with other Clans, and Tigerstar has been quiet so far, even though he was the reason the dogs attacked. Firestar works with his apprentice and helps the Clan recover, but he is haunted by a new prophecy.

Soon Tigerstar announces that RiverClan and ShadowClan are merging and that they will be forming TigerClan. When TigerClan attacks WindClan, it becomes clear what will happen if ThunderClan and WindClan don’t accept the new order. Is there any way the clans can work together to bring peace to their home?

As Tigerheart tries to unite the other clans, he shows his cruelty. Unlike previous books, The Darkest Hour doesn’t focus on floods, fires, or storms. Instead, the clans fight each other and the intense battle scenes are often described in detail, which will cause an emotional reaction because of the graphic descriptions.  The book transitions smoothly from the clan’s life to the battles; the battle scenes and the epic climax will leave the readers’ hearts pounding.

The final chapter in the Warrior series, The Darkest Hour, will not disappoint! As the six-story arch ends, readers will feel an emotional connection with the clans’ cats and will be surprised by unexpected and shocking events. Young readers love the Warrior series because of the well-developed characters, the descriptions, and the nonstop action. The Warrior series has turned many youngsters into avid readers because the series takes the reader into the lives of wild cats, who soon feel like friends. Warriors fans will forever remember Fireheart, who will leave his paw marks on their hearts.

Sexual Content

  • None

Violence

  • Tigerstar commanded Stonefur to kill two cats, and when Stonefur refuses, Darkstripe attacks him. “The two warriors were a clawing, screeching knot of fur on the floor of the clearing. The rest of the cats scrambled backward to give them space, still keeping the same eerie silence. . .” They fight for two and a half pages. Stonefur eventually dies in the battle.
  • Firestar was in his camp when he heard wailing. Firestar watched as “limping out of the tunnel was a cat that was almost wounded beyond recognition. Blood dripped from a long gash in his flank. His fur was matted with sand and dust, and one eye was closed . . . The newcomer was Mudclaw, barely able to stand from pain and exhaustion.” Mudclaw announced that TigerClan was attacking their camp. When a patrol goes to their camp, Onewhisker “was lying on his side with deep wounds to his throat and shoulder. Barkface, the WindClan medicine cat, was pressing cobwebs to them, but the blood still oozed out sluggishly.” Onewhisker told them that Gorsepaw had been killed. Onewhisker said that Tigerstar “pinned him down in the center of the clearing, with his warriors around him so none of us could get close enough to stop him. He . . . he said he was going to kill him to show the rest of us what we could expect if we refused to join him.”
  • Tigerstar attacked Scourge. As they were fighting, Tigerstar “fell on his side, exposing his belly, and Scourge’s vicious claws sank into his throat. Blood welled out as the smaller cat ripped him down to the tail with a single slash. A desperate scream of fury erupted from Tigerstar, then broke off with a ghastly choking sound. His body convulsed, limbs jerking and tail flailing . . . The dark red blood kept on flowing, spreading across the ground in a ceaseless tide. Tigerstar let out another shriek.” This fight lasted one page.
  • During a major battle with BloodClan, Scourge attacked Firestar. As Scourge attacked Firestar, “Agony exploded in his (Firestar’s) head as the reinforced claws struck down. Flame washed over his eyes, fading to leave nothing but darkness. A soft, black tide was rising to engulf him; he made one final effort to get up, but his paws would not support him, and he fell back into nothingness.” Firestar died, but because he had nine lives from StarClan, he was brought back to life.  After he was brought back he killed Scourge, and the battle was over. The battle is sixteen pages long, and many lives were lost.

Drugs and Alcohol

  • None

Language

  • Firestar’s friend called him a “Stupid furball.”
  • Firestar called a cat a “mouse-brain” because they jumped into a battle and almost fought the wrong side. The phrase mouse-brain is used six times.
  • Blackfoot called some cats “half-Clan crowfood.”
  • Darkstripe called someone “fox-dung.”

Supernatural

  • None

Spiritual Content

  • Cats that die go to StarClan and can come back in dreams.
  • Cats go to the moonstone, “a gleaming rock, which glittered as if it were made from countless dewdrops,” to share dreams with StarClan and gain answers.
  • StarClan shared a prophecy that said, “only fire can save the Clan.”
  • A clan leader can be granted nine lives from StarClan, which means they can die eight times and return to life.
  • Cats are granted their warrior name, “by the powers of StarClan.”
  • Fireheart said that it was the will of StarClan that Bluestar died, and that she made peace with StarClan before she died.
  • Firestar received a prophecy from StarClan saying, “Four will become two. Lion and tiger will meet in battle, and blood will rule the forest.”
  • Ravenpaw said that StarClan made a good choice making Firestar leader.
  • Firestar tried to reach out to Spottedleaf, the dead medicine cat, in a dream. Firestar wanted help making a decision, but Spottedleaf wouldn’t help him, and she told him that it was his decision.
  •  Firestar said that “Tigerstar behaves as if he’s never heard of StarClan.”
  • Sandstorm said, “It’s in the paws of StarClan.”
  • Tallstar swore on StarClan.
  • Bramblepaw started arguing with his father and he said, “then at least I’ll go to StarClan as a loyal ThunderClan cat.”
  • Right before all the cats went into battle, they said, “And may StarClan be with us all.”
  • Cats think the stars represent each member of StarClan, so when one cat saw some stars at dawn, he thought, “a few early warriors of StarClan looked down at him.”
  • After Firestar was killed, he lost one life, met with StarClan, and then he came back to life.
  • A cat said, “Thank StarClan.”
  • Firestar asked his medicine cat if they had received any messages from StarClan.
  • Firestar said that they are in the forest, “by the will of StarClan.”
  • As Whitestorm died, he said, “I go to hunt with StarClan.”
  • After they won the battle, Firestar said, “Thank you, StarClan.” He then received a vision from Spottedleaf.

Lady Knight

The Chamber of the Ordeal has given Kel a task that could win the war and save countless lives. Kill the Nothing Man, who entraps the souls of children to fuel metal killing machines. But the Chamber is unable to give her any details, leaving her wondering how she can find the Nothing Man. Is there a way to fulfill her mission without breaking her oaths and abandoning her duty? Or will Kel have to sacrifice everything—including her life?

Unfortunately, Kel quickly finds herself trapped in Tortall when Lord Wyldon assigns her to run a refugee camp. Refugees are pouring in due to the war, and Kel worries they may be a target as the Nothing Man needs children to use for his machines. Kel cannot abandon the refugees, so she sets aside the Ordeal’s mission and works to make New Haven the best fort it can be. With constant attacks by Scanran forces, things are never quiet for long. And soon, an unimaginable tragedy will set Kel on a course that will end up with her going head to head against the Nothing Man, his magic, and his army.

Many readers will relate to Kel because she faces her troubles with determination, understanding that her actions have consequences. Kel’s journey was not easy. Throughout her journey, she shows physical and mental strength, but also the strength of conviction. Kel understands the importance of duty and is willing to go to any length to protect others.

Knight is a roller coaster from beginning to end. The story has a slightly darker tone than the previous books because it focuses on war and describes war’s causalities. Kel has become the knight she always wanted to be. She is kind, and brave, and noble—a great example for girls and boys everywhere. The plot will keep readers engaged, as will the wide cast of new characters. From Scanrans to refugees, Tamora Pierce once again has managed to create a wide cast of diverse characters that are as well-developed as they are lovable. The only disappointing thing about Knight is that it is the last book in Kel’s wonderful story.

Sexual Content

  • Kel thinks about how, “She and Cleon had kissed, had yearned for time and privacy in which to become lovers. He’d wanted to marry her, though she was not sure that she wanted marriage.”
  • A man is shocked that a woman is in charge. He calls Kel, “’a shameless girl, a chit who’s no better than she ought to be!’ The insult to Kel, the claim that she was nearly a prostitute, brought the soldiers growling to their feet.”

Violence

  • Kel’s fort is attacked several times. “Three raiders still galloped toward the eastern wall. One of them went down, an arrow in his throat. . . . Numair’s spell had done its work: flames rose from the ground at the enemy’s rear. There was no sign of either shaman in that large blaze. He’d burned them out of existence.”
  • Killing devices attack the fort. “A man went down, gutted by a dagger-hand. A soldier flew off the walkway to the ground twenty feet below . . . One refugee wasn’t quick enough; the device cut him lengthwise from behind as he turned to flee.”
  • When her men don’t want to bury the dead after a battle, she says, “Then, sir, you shall plow the section where the bodies are, two days hence . . . The feel of a plow as it hits rotting flesh and bone must be . . . interesting.”
  • Two men fight over a woman. “Two young men, both larger than Kel, punched, kicked, and rolled on the ground, trying to rip one another apart.”
  • Kel goes to Haven after reports of a battle. She finds, “a few dead sword- or axe-cut animals . . . All had bloody muzzles and, in the case of the cats, bloody claws . . . [there] was a maroon-and-brown pile. There Oluf’s cold, dead face, his eyes wide, seemed to stare right at her. He lay on a stack of dead men, all in army maroon.”
  • Kel finds several dead bodies as she tracks a group of kidnapped refugees. “Though animals had fed on the dead woman, the Stormwings hadn’t touched her. The earth had protected her face. Gently Kel brushed the mud away. Through the dirt, bloat, and darkening of dead flesh, Kel recognized Hildurra.” Later, “A woman lay crumpled at the roadside. Kel thought her skirts were dull maroon until she saw that they were stained with blood.”
  • At a castle, “corpses hung from the walls in iron cages. Some of the bodies were beginning to fall apart. At least two looked fairly recent.”
  • Kel and her troops storm a castle. The fight takes place over a chapter. “The door opened and a man stuck his head out. Kel cut him down. Another man stumbled across his body to die at Connac’s hand. Inside, Kel heard men hammering at the blocked doors and shutters. Here came another soldier, half armed over a nightshirt. Kel rammed her glaive into his unprotected side while Connac chopped at the man’s neck.”
  • When Stenmun attacks her, Kel “hooked her leg around one of his, and jerked, a leg sweep from her studies in hand-to-hand-combat . . . He went down on his back . . . Kel didn’t wait for an invitation. She brought the iron-shod butt of the glaive down with all her strength, striking him right between the eyes, breaking through his skull. That probably finished him, but to be sure, she cut his throat.”
  • Kel finds Blayce. “She caught Blayce at the knees, cutting the muscles behind them. He dropped, turning visible to her unaided eyes, his control over his invisibility spell gone. Kel seized her glaive two-handed and yanked the blade toward her, neatly beheading the Gallan.”

Drugs and Alcohol

  • Tobe thinks Kel was drunk when she bought him. “I don’t care if you was drunk or mad or takin’ poppy or rainbow dream or laugh powder, you bought my bond and signed your name and paid money for me and you can’t return me.”
  • When offered wine or cider, Kel chooses cider. She thinks about how, “recently she had found that wine or liquor gave her ferocious, nauseous headaches. She was happy to give up spirits; she hadn’t liked the loose, careless feeling they gave her.”
  • A woman had been “smuggling poppy” to the children that Blayce chose to kill.

Language

  • Phrases such as Goddess bless and By the gods are used frequently as a part of Tortallian culture.
  • An angry cook calls a dog, “you thankless rat turd.”
  • An innkeeper calls an orphan a “whore’s brat.”

Supernatural

  • Kel lives in Tortall, a world filled with monsters and magic. The monsters include griffins, centaurs, and more. Some are good, some are not. Kel even has a basilisk for a teacher.
  • Several people at court are mages. They have the Gift, which can be used for light, to heal, and more. For example, “Daine, known as the Wildmage, shared a magical bond with animals . . . For three years her eagles, hawks, owls, pigeons, and geese had carried tidings south while the land slept.”
  • Neal puts a spell on an abusive man. Neal says the spell won’t hurt the man, “as long as you don’t hit anyone. When you do, well, you’ll feel the blow as if you struck yourself.”
  • A little girl, “is a seer . . . She prophesied that you would come and save us from the Gallan.”

Spiritual Content

  • Tortall has many gods. They are named differently but are similar to the Greek gods. For example, Mithros is the god of the sun, and there is a god of death. The gods are mentioned often in the Tortallian culture but are not an integral part of the plot.
  • An evil mage captures the spirits of dead children and uses them to fuel killing machines, metal monsters with knife fingers.
  • At one point, Neal asks why the gods don’t stop the killing machines. “All the legends say they loathe necromancy. It interferes with the balance between the mortal realm and that of the dead.”
  • When stopping at an old battleground, Kel “added a soft Yamani prayer . . . It seemed to work with most ghosts. She’d never seen any in the Yamani Islands.”

The Wild Robot Escapes

After being repaired, Roz is sent to Hilltop Farm, which is unlike the remote island that Roz considers home. Roz still speaks the language of the animals and is able to make new friends on the farm. She talks to the cows and the farmer’s children and works to help keep the farm in check as wolves and natural disasters assault the small homestead.

Even though Mr. Shareef and his children consider Roz part of the family, Roz still misses home. Eventually, Roz begins to yearn for the friends and family she left behind. Flocks of geese begin migrating and stopping on the farm, reminding her of her son Brightbill. Roz can’t escape due to a tracker installed in her body, but she works with the farmer’s children to research the tracker and remove it.

After Roz escapes for the second time, recovery robots quickly capture her and bring her to her creator. She is destroyed to appease the public, but Roz’s creator gives her a new body with more features than she had before. They travel to the island Roz came from and reunite her with her old friends and Brightbill. Throughout Roz’s journey, she wonders why she isn’t like other robots. Roz questions, “Is being different the same as being defective?”

Like the previous book in the series, The Wild Robot Escapes is a story of a robot trying to fit in with a new crowd. Roz encounters a number of friendly characters while she tries to get back to the home she knows, which shows that we’re never completely on our own. With the help of friends, Roz is able to overcome many obstacles.

Roz’s destruction, reconstruction, and return to her island also show the darker sides of society. Even though she eventually returns to her family, she has to fake her own death to please the world that thinks she is a rogue robot. The Wild Robot Escapes teaches the importance of friends and family, while also considering the realities of death and society. It’s a heartwarming book with unnervingly realistic undertones about judgment and fear.

The story refers to characters and events from the first book in the series, so readers should read The Wild Robot first. Many readers will be able to relate to Roz, who is a hard-working and compassionate robot who questions her purpose in life. The Wild Robot Escapes is an intriguing, illustrated story that is both entertaining and educational.

Sexual Content

  • None

Violence

  • Roz recounts the time from the first book when she, “tumbled off a cliff . . . killed two geese and smashed four of their eggs.”
  • Roz finds the carcass of, “a dear [that] had recently been killed and eaten.”
  • Mr. Shareef, “hand[s] Roz a rifle.” Roz uses it to intimidate wolves, but she doesn’t fire it.
  • Wolves “slash her [Roz’s] chest,” and Annabelle then “land[s] a hard kick” on the wolves.
  • Mr. Shareef says, “sometimes farmers have to kill animals.” Mr. Shareef tells Roz, “I order you to kill those wolves.”
  • During a storm, a tool “hit the back of her [Roz’s] head.”
  • A wolf named Shadow says, “You can eat all the animals you like. . . after we kill the robot.”
  • During a hailstorm, “a stone hit Brightbill’s shoulder, and he fell to the ground.”
  • While hunters are looking for prey, “a gunshot echoed throughout the mountains.”
  • A ram “smashed right into the robot.”
  • When Roz is melted down, “a blazing beam of light filled the picture, and the robot parts turned orange.”

Drugs and Alcohol

  • None

Language

  • Roz, “slipped on cow dung.”
  • Similar to the first book, many animals mistake Roz for a “monster” or “creature” before they get to know her.
  • Annabelle calls a group of wolves “brutes.”

Supernatural

  • None

Spiritual Content

  • A character says a prayer before they eat. “Thank you, God, for this yummy food.”
  • Shadow and Barb say that Roz was, “towering above them, looking like a demon.”

by Dylan Chilcoat

 

Squire

It was Kel’s proudest moment when she passed her page examinations and was named a squire. But as months pass without any knight taking her onto their service, Kel worries that no knight will want a girl squire. Will she be stuck as a glorified scribe in the palace forever?

That is not her only worry. Now that she is a squire, the Chamber of the Ordeal weighs heavily on her mind. Every squire must enter the Chamber at the end of their squireship. If they survive, they become a knight. But some have been driven mad by the Chamber. Determined to prove herself unafraid, Kel visits the Chamber several times and places her hand on the outside of the door. And each time, the Chamber sends her horrifying nightmares built from her deepest fears.

But Kel cannot dwell on the Chamber too often, because her wildest dreams come true when Raoul asks her to be his squire. As the Knight Commander of the King’s Own, Raoul is a noble warrior that will take Kel on many adventures—not all of them enjoyable. He is a character that readers will fall in love with, as he is good and noble, but also great fun with a solid sense of humor.

Kel is a strong female character who grows and changes throughout the story. Kel has been able to succeed in a male-dominated world because of her hard work and determination. Kel stands up for other women, admires other women rather than becoming jealous, and her behavior highlights the importance of women supporting each other. Kel has a strong moral code that will encourage readers to also stand up for others.

Although Kel is a strong woman, she also has a supportive family and friends. These relationships give the story more depth and show the importance of having positive relationships. As Kel becomes older and begins to think about romantic relationships, Kel discusses sex with her mother, which helps the reader understand Tortall’s sexual morals. Even though Raoul felt uncomfortable talking about sex with Kel, they have a conversation about how it might affect her career, and he gives her advice and information to help Kel make the decision that is right for her. Although Kel never has a sexual relationship, Kel does obtain birth control. Having a sexual relationship is discussed in a nonjudgmental way that allows Kel to make the best decision for herself.

 Squire does not disappoint, with an exciting plot full of monsters, magic, and fun. Raoul and the men of the King’s Own add well-developed new characters to the mix, while Kel’s page friends still make appearances. Readers will feel as though they are squires as they follow Kel on her jousts and into battle. As Kel explores being in a relationship for the first time, readers will relate to her doubts and awkwardness. With a tantalizing ending that sets up the next book, readers should be sure to have Knight handy, because they will not want to wait to read the final book in the Protector of the Small series.

Sexual Content

  • It’s mentioned in passing that Kel’s maid, “put out her clothes, including a fresh breastband and loincloth, and one of the cloth pads Kel wore during her monthly bleeding.”
  • A centaur offers to buy Kel with three slaves, which are horses he owns, and “two more if she breeds successfully within a year.”
  • When Peachblossom gets in a centaur’s way, the centaur “reared to show the geldings his stallion parts, and hissed.”
  • A woman sees bruises on Keladry’s body and thinks she is being abused. She offers Kel protection. “They’ll get the man who did it . . . Even if it’s a noble. After the rapes last winter, they have a new commander.”
  • “Cleon leaned down and pressed his lips gently to [Kel]’s . . . He turned crimson, and strode down the hall.”
  • Cleon kisses Kel a second time. “He lowered his head just a few inches to press his mouth to hers.”
  • Cleon and Kel start secretly dating, and kiss several times. Once, “Cleon pulled her into a corner invisible to passerby and kissed her again. Then he strode out of the tent. Kel pressed her fingers to lips that throbbed from this new and different use.”
  • Raoul warns that if women are in command, they’ll “take Rider men as lovers, and it’s found out, they encounter trouble. Men who dislike their orders offer to work it out in bed. Jealousies spring up.”
  • Twice, when Kel is challenged to a joust, Cleon says a variation of, “Gods protected me, you’re going to die a virgin.”
  • A man confesses to the court. “Two girls of the Lower City were attacked, beaten. A third was—must I say it?—a third was beaten and raped. I did it.”
  • Cleon and Kel almost get carried away twice, but they are interrupted. “That got her another round of very warm kisses. They had each other’s tunics off and were fumbling with shirt lacings when Raoul called outside.”
  • Just in case, Kel “found a midwife-healer traveling with the progress and purchased the charm against pregnancy.” She never uses it, however.

Violence

  • After entering the Chamber of the Ordeal, “a squire went mad there. Five months later he escaped his family and drowned himself.”
  • Kel visits a town shortly after it was attacked. “Bodies were set along the streets, pieces of cloth over their faces. Kel could only glance at those who’d burned; the sight of their swollen black flesh was too much . . . Raoul crouched beside a dead man who clutched a long-handled war-axe. He hadn’t died in a fire: five arrows peppered his corpse.”
  • Keladry knows the bandits she captured are going to be hung. “Kel shuddered: she hated hangings. No matter what the crime was, she saw no malice in those hooded and bound silhouettes dangling against the sky. Worse, to her mind, was the thought that the condemned knew they were to die, that a day and time had been set, that strangers planned each step of their killing.”
  • Centaurs say they have to cull traitorous centaurs and the dumb horses they mated with because, “You don’t want bad blood in the herd, particularly not in the slaves . . . That’s probably what Graystreak’s doing now, culling the slaves that bred with that crowd.” Kel thinks that is “obscene.”
  • Kel fights a centaur. The battle takes place over three pages. “He hurled the axe. Kel dodged left, still between him and escape, and stepped in with a long slash across his middle . . . Kel lunged, sinking the eighteen-inch blade deep below the centaur’s waist and yanking up. His belt dropped, cut in two; his forelegs buckled. Kel pulled her glaive free as her foe went down, clutching his belly. Blood spilled around his hands.”
  • Kel has several nightmares when visiting the Chamber of the Ordeal. “Another centaur clubbed her with a spiked mace. . . They were clubbed down as Kel fought to do something, anything.” Another time, the Chamber gives her a nightmare where, “Men, armed and mounted on horses, galloped down the street . . . she toppled as the man’s sword bit deep into her good shoulder. She lay on her side in the mud, blood pooling under her.”
  • A man “tried to run her through” during a joust. Kel unhorses him, then “flipped up his visor with her sword point and pressed the sharp tip to his nose. ‘Yield,’ she advised, her voice even. ‘Or I carve my initials right there.’”
  • Kel is in a brief fight with bandits. “The man who followed him carried a sword: Kel parried his cut at Peachblossom and ran him through.”
  • Kel fights in a battle. “Kel shot her officer squarely in the throat. He too dropped. . . Her arrow punched into the frothing man’s eye. He dropped like a stone.”

Drugs and Alcohol

  • Kel’s knight master, “doesn’t drink spirits, and he doesn’t serve them. He says he had a problem as a young man, so he doesn’t care to have liquor about. Captain Flyndan likes a glass or two. He serves it in his tent, but only when my lord isn’t there.”
  • The squires serve refreshments at a party, including “liquid refreshments: wine, punch, brandy, and, for the Yamanis, rice wine and tea.”

Language

  • Phrases such as Goddess bless and By the gods are used frequently as a part of Tortallian culture. Once Raoul says, “Gods . . . [she was] green the whole trip, I swear.”
  • Bitch is used three times. An angry knight tells Kel, “One of us will spear you through your bitch’s heart.” Later Joren tells her, “Once I’m a knight, you’d best keep an eye behind you, bitch.”

Supernatural

  • Kel lives in Tortall, a world filled with monsters and magic. The monsters include griffins, centaurs, and more. Some are good, some are not. Kel even has a basilisk for a teacher.
  • Several people at court have the Gift, which can be used for light, to heal, and more. Once, “The king reached a hand toward Vinson and twisted his fingers. The blue fire of his magic settled over the weeping squire. It blazed fiercely white, then vanished. ‘He tells the truth,’ King Jonathan said grimly.”
  • Squires have to spend a night in the Chamber of the Ordeal before they can become knights. “Generations of squires had entered it to experience something. None told what they saw; they were forbidden to speak of it. Whatever it was, it usually let squires return to the chapel to be knighted.”
  • Kel visits the Chamber several times. When she touches the door, she receives nightmarish visions of death and violence.
  • Daine has animal magic; she can speak to animals and shapeshift. “An eagle hurtled from the sky . . . It immediately began to change shape until a small form of Daine’s head perched on the eagle’s body.”

Spiritual Content

  • Tortall has many gods. They are named differently but are similar to the Greek gods. For example, Mithros is the god of the sun, and there is a god of death. The gods are mentioned often in the Tortallian culture but are not an integral part of the plot. After she passes a test, Kel thinks “Thank you, Mithros, for this gift.”
  • Characters often pray before meals or battles. “We ask the guidance of Mithros in these uncertain times, when change threatens all that is time-honored and true. May the god’s light show us a path back to the virtues of our fathers and an end to uncertain times. We ask this of Mithros, god of the sun.”
  • Raoul points out, “Haven’t you ever noticed that people who win say it’s because the gods know they are in the right, but if they lose, it wasn’t the gods who declared them wrong? Their opponent cheated, or their equipment was bad.”
  • Scanrans, from the country up north, sometimes froth “at the mouth as Scanrans did when they claimed war demons had possessed them.”

The First

Byx’s family was killed by soldiers. Now, he fears that he is the last of his kind, the endling. But legends tell of a carnivorous moving island where a hidden dairne colony lives in peace. Byx and his friends embark on a journey to find the island. They travel into the country of Dreyland, where they pass over snow-covered mountains, fight soldiers who wish to enslave them, and face other dangers.

Byx is surrounded by his traveling companions. The loyal Tobble. The brave and resourceful Khara. Gambler, who is wise but deadly. And Renzo, a thief who can perform magic.

But as Byx and his friends travel through Dreyland, they realize that the threat of war grows and their own country will soon be attacked. To make matters worse, there is a treacherous plot that could bring both Byx’s dreams and the creatures of their world to the brink of extinction. Will the unlikely leaders be able to find the last of the dairne? Can they stay safe from the soldiers who wish to kill them?

Tobble plays a larger role in this second book; his well-developed character is not only interesting but also explores the idea of bravery. Tobble and Byx do not feel brave or worthy of being leaders. However, they both use their own talents to protect their friends. At one point, Byx’s friend points out, “We all have our own particular fears, Byx. One can be brave nine times and be a coward the tenth time.”

A major theme that runs throughout the novel is the need to treat all species with respect. Several of the characters must face their fears. For Tobble, he must face worms. Through his experiences, he learns “never to judge a species on the basis of its appearance. . . Every plant, every animal, every insect serves a purpose. . . No matter how annoying, how ugly, how frightening, or how unappetizing it might be.” Through the character’s words and actions, the reader will learn that everything in the natural world is connected.

As the story progresses, the characters are less concerned with finding if there are more dairne and more concerned with a war that is brewing between countries. Khara hopes to unite the exiled families and lead them against the tyrannical leader. But Renzo doubts “that war can ever be waged with honor, mercy, and fairness.” As Byx and his companions travel, they often have to make decisions about morality. For example, when is it acceptable to steal? To kill? To fight? Even though the characters must make difficult life and death choices, they know that “in truth lies strength.”

Beautiful, descriptive language brings Byx’s world to life and takes the reader on an epic journey where friends valiantly risk their lives to help Byx find others of his species. Not only are the characters interesting, but they also grapple with real-life issues such as friendship, fear, and ethics. Although the publisher recommends the book for readers as young as eight, the story hits on some heavy topics and includes bloody violence, death, and war. The First is an amazing, entertaining story that will leave readers contemplating the nature of humans, their desire for power, and the importance of fighting for others.

Sexual Content

  • None

Violence

  • Birds attack Byx and his friends. The birds “hit us like a hailstorm, slamming into chests and heads, striking with the cruel beaks that had given them their name. In seconds, I (Byx) was cut on both arms, narrowly avoiding a slashing attack that would have opened my neck. I heard a dog yelp in pain as a razorgull sliced through his fur.” Trying to protect his friends, Gambler “plowed straight into the bird cloud, slashing and batting with nearly supernatural speed and accuracy. He caught one unfortunate bird which promptly disappeared down Gambler’s gullet. Lunch. Razorgull blood streaked the side of his jaw and the birds swirled away as they considered this new threat.” The attack lasts for four pages.
  • When Renzo was ten years old, he was given twenty lashes for stealing.
  • Renzo tells about his childhood when his master, Draskull, would beat him. “Draskull was not good, and he could be brutal. . . You see the heavier scars on my back? Those were left by Draskull. He liked to use a bamboo stick.”
  • Byx and his friends go into a forest. They discover that the trees are alive, and “the branches were turning into giant worms.” The worms carry the group into a huge hole. “Luca screamed. Tentacles whipped around him with inhuman speed. He cried out again. I heard the horrifying sound of bones crushing. And then I, too, screamed in horror, as Luca’s bloodied body dropped into the pit.” When Tobble sees Luca’s dead body, he “bent over and vomited onto a knot of worms beneath him.”
  • Several of Byx’s friends are captured by bug-like creatures who bury them. Khara’s head “was mounted on the side of the tunnel. Just her head. Sticking out from the dirt wall as if it had grown there naturally.” Later Khara reveals that, “I lay there, buried, helpless, believing I would have to remain there for days, hearing Renzo and Gambler weaken, knowing their hunger, knowing their fear. Knowing that it would take us a long time to die.”
  • When soldiers spot Byx and his friends, Gambler “ran, leapt, let loose a terrifying roar, and hit the nearest man-at-arms while snagging a second with one extended paw. Khara swung her sword at a third soldier. He parried well, but his weapon was no match for the Light of Nedarra. Khara’s sword broke his in half, and with a backhand swipe, she sent him running. . . Renzo smashed the edge of his shield down on the man, who crumpled to the ground. . .I had my knife out, but I’d learned only one move. I shouted a mix of terror and determination and ran straight at the bit man as he aimed his staff toward me. . . I threw myself at the ground between his legs and slashed at a knee. . . Blood soaked his pant leg.” A man is killed when a soldier hits him with an arrow. The scene takes place over four pages.
  • When Byx, his friends, and a group of slaves try to escape on a boat, archers begin firing at them. “One of the rowers was hit in the leg. Grimacing in pain, he kept rowing, despite the shaft sticking out of him.” The group rows into a reef, and the soldiers follow, but the reef breaks up the galley. “Maybe a few would find wreckage to keep them afloat. Maybe a few could swim well enough that they had a chance to reach shore. But most, we feared, would drown.” The escape scene takes place over three pages.
  • As a diversion, Khara and her friends roll burning barrels down a path. As the group tries to pass the soldiers, a soldier stops them. In order to escape, “Khara had drawn her sword. She struck hard and fast, and the man who had questioned her spoke no more. . . We tore after Khara as she pursued the fleeing man. They disappeared from view for a moment, and when we reached them, Khara was panting and I saw a smear of blood on her face. . . A single guard was on duty . . . Khara came up behind him and smashed the hilt of her sword against the base of his skull. He would have a terrible headache when he woke up, but at least he would wake up.”
  • When Khara’s father dies, she must fight in order to be the leader. Tobble is at her side and fights Mountain Morgoono. “Mountain cursed and swatted, slapping himself in an effort to grab the swift wobbyk. But Tobble was already atop Mountain’s head, legs wrapped around his neck, riding him like a child on his father’s back. And then Tobble went berserk. . . Tobble yanked out Mountain’s hair in tufts, tore one of his nostrils, and bit a sizeable hunk out of his right ear. . . Like a toppled tree, Mountain dropped. . . Tobble drew his knife and held it near the man’s throat.” Mountain Morgoono yields and the match ends.
  • After Tobble defeats Mountain Morgoono, Khara faces Albrit. “Albrit dodged right, but as Khara passed, she managed to slice a red line in Albrit’s shoulder. She dropped from the rope at the end of its arc, spun, and faced Albrit, who charged, his own sword swinging horizontally with such force that it could have cut Khara in two. Khara ducked under the swing. . .” Khara defeats Albrit, who becomes her general.
  • When soldiers see Byx and his friends, they chase them, shooting arrows at them. An arrow hits Maxyn’s horse, and Maxyn is captured. Byx and his friends leave Maxyn behind. Later when Byx finds Maxyn, he learns that “he’s been treated badly. . . His hands were wrapped in bloody bandages. His face was swollen. And his eyes, when they opened, seemed empty and lost.” Maxyn also had a swollen jaw, and “a deep cut, from ear to muzzle, oozed pearly blood.”
  • Soldiers in boats surround a village, intending to starve the villagers out so they can capture and enslave them. In order to help the village, Tobble sets a boat on fire and runs it into the soldiers’ ship, which then catches fire. Tobble is able to reach the shore, but “he had singe marks on his fur. His face was smeared with soot. But he was grinning.”
  • When Byx and his friends see soldiers coming their way, Byx decides to attack first. “I stabbed my knife at him, and he knocked it aside easily with his sword. My blade twirled like I was being pursued by a raptidon.” No one is injured.

Drugs and Alcohol

  • Byx and his friends are close to a town. When they enter, “a loud and boisterous party was underway, including many drunk-sounding voices, and music was being played. . .”

Language

  • None

Supernatural

  • Byx is a dairne who can tell if someone is lying because she can “feel the falseness.” Byx explains that when he hears a lie, “there’s something missing, and you hear the wrongness of it. You feel it in your belly. . .”
  • Byx and his friends go into a cave, where natites give them water that speeds the healing process.
  • Some of the characters know “theurgy” which is the “study of spells and incantations.” Renzo sometimes uses magic while cooking. The magic “didn’t amount to much, though: a cold stew turned hot, a bland vegetable seasoned. One night he’d tried to impress us by popping tallin kernels. They’d turned into little fireflies and floated away on the breeze.”
  • A natite has a fishtail and is “vaguely human in shape. . . Green flesh covered its powerful shoulders and chest, and two huge, writhing tentacles rose from the creature’s shoulder blades.”
  • Khara has a magical sword that conceals its true nature until it is drawn in anger.
  • There is a large moving island that is rumored to be carnivorous. Byx discovers that the island rides on Tarok, “a huge ancient water beast. Over thousands of years, the rare creatures accumulated layers of dirt and vegetation until they because, in essence, living islands.”
  • The natite captures Byx and his friends. Their galley “sank with sudden, plunging speed. But even as we all cried out in panic, it became clear that the entire galley was sinking within a massive bubble of air.” The natites question Byx and then let him go.
  • While underwater, a natite casts a spell, “Tamak on maaginen colloitsu, joka trojuu vett’ank antar simulle heng itsken.” When the spell is cast on Byx, he “felt something spreading across my body, as if someone were covering my fur with jelly. It was at once invisible and disturbingly slimy. When the goo made its way to my face, I felt a moment of panic.” The spell allows Byx and his friends to breathe underwater.
  • Khara finds out that a sword has a spell of destiny on it. “A spell of destiny underlies all other magic, a curse and a prophecy. The sword will be drenched in blood in a great war.”
  • Renzo tells Byx that he can “cast spells that confuse the eye, but not invisibility spells.” However, in the story he does not use the spells.
    Spiritual Content
  • A natite tells a story about how “a traitorous band of the Queen’s soldiers tried to abscond with the objects soon after our arrival here. As they escaped, there was a violent volcanic eruption. The gods, no doubt, were angered at their betrayal.”
  • Tobble believes in Hanadru, “the great artist who lives in the clouds and paints the fate of all on her great easel. . .You may not believe in Hanadru, but she is one of the Pure Spirits of people.” To this, his friend replies, “I don’t believe in fate, whether it’s some god named Hanadru or someone else.”
  • When Tobble is able to defeat his enemy, he says, “Hanadru was kind.”

Into the Abyss

Gray and his alliance of shivers—Riptide, Coral, and AuzyAuzy—want peace. But Emperor Finnivus is determined to bring the entire ocean under his command. Even though Gray and his alliance defeated Finnivis’s armada once, the bloodthirsty emperor is determined to feast on the heads of every shark he conquers.

Despite a tragic loss, Gray must prepare his forces to defeat the emperor’s armada. With no one to tell Gray what to do, Gray must figure out a way to vanquish Finnivus and his evil forces. Gray and his friends are outnumbered by a superior force. The fate of the Big Blue depends on Gray leading his alliance to victory. Can Gray become the leader that his sharkkind need to defeat Finnivus’s evil?

The third installment of the Shark Wars series follows the same format as The Battle of Riptide. The majority of the story follows Gray and his alliance as they train to defeat Finnivus, and an epic battle ensues. Takiza appears less frequently, which allows Barkley to play a bigger role. Barkley must take his place as a leader, but he is frustrated because some of the other sharks don’t respect him. Instead, they insult his entire species. Barkley must use creative thinking to earn the respect of others. He learns, “If you want them to listen, you need to prove to them you’re listening too.”

The evil Finnivus becomes even more malicious. As his armada defeats other shivers, they capture pups and brainwash them into thinking Gray’s alliance is responsible for their parents’ deaths. During the battles, Finnivus uses the pups because he knows other shivers will be reluctant to hurt the younger sharks. Finnivus’s evil actions may upset some readers. Although the death count is high, the deaths are not described in a gory manner. However, the detailed deaths of some of the characters may disturb some readers.

Into the Abyss shows the difficulties of becoming a leader; however, by the end of the story Gray and Barkley both show admirable courage. As Gray tries to recruit orcas to help with the fight, he says, “What I know is that sometimes you have to swim out and be counted, no matter what. . . You’ve fooled yourselves into thinking that not taking a side is the best and fairest thing to do. . . By ignoring this evil, you join with it—because you allow it to happen.”

Readers who have read the previous books will enjoy following Gray and Barkley as they fight against evil. Although the story follows the same format as the previous series, the story still contains some surprises. Fluent readers will enjoy the comradery of the sharks as they join together to fight an epic battle, where good overcomes evil.

Sexual Content

  • None

Violence

  • Finnivus orders his armada to kill, “a pitiful force of prisoners. . . Moments after the command was shouted by Finnivus, it was over. Not a single one of the opposing hundred and fifty prisoners remained.”
  • Two mako shark assassins attack Gray. To defend himself, “Gray did a Bull Shark Rush at the closest shark, smashing him against a razor sharp coral wall. . .” Gray’s friends help defend him. One of the assassins, “had been speared by pointed rods of coral in three different places, including through the gills. . . The mako worked his jaws back and forth, close to death. He spit up a gob of blood as the light faded from his eyes.”
  • When a herald gives Finnivus bad news, the emperor eats her. “The emperor ripped off another piece of the royal herald who had the bad luck of having to deliver the message.”
  • Finnivus sends a group of pups to fight Gray’s armada. Lochlan leads the pups away and “the frenzied cluster of Indi pup mariners engulfed him. Lochlan winked at Gray. Then the AuzyAuzy King was swarmed by hundreds of sharks as the pups went into a feeding frenzy.” Gray wasn’t sure what to do, but, “time slowed as sharkkind died all around him, spiraling away to the Sparkle Blue.” Many sharks die before the end of the battle, which is described over eight pages.
  • Finnivus’s armada kills many of the Riptide scouts. “Finnivus ate one of the mangled prisoners immediately, not waiting for the royal seasoners to do their work.”
  • Takiza slaps Gray. “Takiza gave him another stinging slap on his snout. It was loud even in the heavy waters of the training field and made a crackling noise that echoed among the coral spires.”
  • Barkley and some of his friends capture an Indi pup, who is knocked out cold. When the pup comes to, he cries, “Don’t eat me alive! Send me to the Sparkle blue, but don’t eat me while I’m still alive!” Barkley is able to reunite the pup with a family member. Later, the pup tells Gray, “Finnivus told us about you! He said you were the ones who came and destroyed my home! You ate my mother and father—while they were still alive!”
  • Finnivus has urchins attack Whalem, who, “felt the acid drip from their bodies and howled.” Whalem dies.
  • An epic battle takes place over several days. During the battle, “Gray could see at least thirty or forty Indi sharkkind spiral downward in their death throes on the way to the Sparkle Blue.” During one of the fights, “the two armadas met with a howl and a crash, both sides ripping and tearing for their very lives. There were so many sharkkind whirling and twisting away in their death agonies that a constant cry of pain and anguish vibrated the waters all around them.” During this time, Finnivus kills his mariner prime. The battle takes place over three chapters.

Drugs and Alcohol

  • Valenka tries to poison Finnivus and his court.
  • Takiza gives Gray, “a large dose of maredsoo, the glowing deep-ocean energy greenie.”

Language

  • “Heck” is used once.
  • Finnivus calls someone a “dolt.”
  • Several times in the story a shark is called a “chowderhead” or other names like “jelly drifting flipper,” or “fat frill-face.”
  • When Gray hurts an octopus, the octopus calls him “a stupid jerk.”
  • Takiza insults Gray. “The betta basically called him an idiot in his wordy way.”
  • Barkley calls Gray a “fat lumpfish.”
  • Gray tells Takiza that he sounds like a “cranky shellhead.”
  • Whalem calls Finnivus an “idiot.”

Supernatural

  • None

Spiritual Content

  • Sharks that die go to the “Sparkle Blue.”
  • Takiza tells Gray to “pray to Tyro.”
  • A shark prays to Tyro asking him for help.
  • Takiza tells Gray about a prophecy. “He shall come from the depths of ocean prehistory. . . a megalodon will arise and win the unwinnable war.” Takiza believes the prophecy is about Gray, but he admits prophecies, “are irritatingly unclear. But the verse does seem to be speaking of someone remarkably like you, in an uncomfortably similar situation to the one we find ourselves in today.”
  • When Whalem is knocked out, he sees, “sparkling lights everywhere.” He also sees his friends who are swimming in the Sparkle Blue. One of his friends tells him that it’s not his time. Later, “the colorful lights returned. How everything sparkled! Then, Whalem was with his friends again, and he was happy.”

First Test

Keladry of Mindelan dreams of becoming a lady knight. A generation ago, that would not have been possible. But ten years ago, the King announced that ladies could try for their knighthood. In the decade since, no girl has dared to try. Until now.

Kel knows becoming a knight will not be easy. Years of hard training and study lie between Kel and her dream. But that’s not all. Kel did not know she would be placed on probation—something no boy has ever endured. And she did not realize how much resistance she would meet. Knights don’t think she is strong enough, her trainer does not think women should be knights, and the other trainees are determined to drive her away.

A delightful start to the Protector of the Small Quartet, First Test is a thoroughly enjoyable read. Kel is a brave and kind soul that readers will fall in love with. The other characters in this book are also refreshingly well-developed, from her training master and friends, to her enemies and even her horse. Protector of the Small is an enjoyable story filled to the brim with equal parts fun and excitement. It teaches readers how to be a true knight—how to be honorable, selfless, brave, and to always protect those who are weaker than yourself.

Kel wants to fight, but she’s not interested in glory. She wants to use her shield to protect those who can’t protect themselves. Unlike many female heroines, Kel doesn’t disguise herself as a boy or throw temper tantrums. Instead, she uses quiet determination and her intelligence to overcome obstacles. Kel’s story touches on themes of friendship, bravery, and shows the importance of not bullying others.

Several characters from the Song of the Lioness series appear throughout The Protector of the Small series, which will be a treat for fans of Alanna. However, readers do not have to read the Song of the Lioness series first in order to understand this series. Jump into a medieval world where fantasy and action combine to create a girl-centered adventure that will keep readers turning the pages until the very end.

Sexual Content

  • None

Violence

  • Kel survived a pirate attack when she was a girl. “The lady tumbled to the ground. Kel slid out the door on her belly. Turning, too startled to cry, she saw the lady at her mother’s feet. There was an arrow in the Yamani woman’s back.”
  • Kel fights with a group of boys when they try to drown a bag of kittens. No one is seriously injured. “Another lad grabbed a branch and swung at her; she blocked it with hers, then rammed the length of wood into his stomach. He doubled over, gasping.”
  • Kel tries to rescue a bag of kittens from a spidren that wants to eat them. The spidren bites a kitten in half, then comes after Kel. Kel freezes in terror, and she does not see when soldiers kill the spidren.
  • Kel fights a group of bullies several times. “Gripping Zahir’s index finger, Kel jammed her thumbnail into the base of Zahir’s own nail . . . He yelped and let go. Joren lunged for her. She stepped back, ducking under Zahir’s frantic punch . . . She grabbed Joren’s tunic and turned, kneeling as she did. He went flying over her shoulder.”
  • The pages say that “a page failed the examinations about six years ago and jumped off the Needle.”
  • The pages go on a spidren hunt with a group of knights. The spidren took a woman, and the knights say they have to find the spidrens because, “Often they bite off a victim’s limb, then slap a web on it, to keep them from dying of blood loss. The woman they took may yet live.”
  • The pages fight when the knights find the spidrens. “The weapon’s slim razor point sliced through the spidren’s chest and arm, releasing a spray of dark blood. Kel reversed the spear and cut back, dragging the blade down. It bit into the spidren at the neck and stuck there as crossbow bolts riddled the immortal.”
  • After the battle, soldiers rolled, “a barrel of blazebalm into the [spidren’s] nest. A mage whispered, and the blazebalm roared into flames. Hearing the young shriek as they burned, Kel found it was her turn to vomit.”

Drugs and Alcohol

  • Adults sometimes drink wine with their meals.

Language

  • Phrases such as Goddess bless are used frequently as a part of Tortallian culture. One time, Alanna thinks, “Goddess bless . . . How will I ever get on with him if I’m to help this girl Keladry?” Another time, Neal asks Kel, “Why in the name of all the gods in all the Eastern and Southern Lands would you start a fight with them?”

Supernatural

  • Kel lives in Tortall, a world filled with monsters and magic. The monsters include griffins, centaurs, and more. Some are good, some are not. Kel even has a basilisk for a teacher. “The creature was fully seven feet tall, not counting the long tail it used to balance itself, and it was viewing her with fascination. Its large gray slit-pupiled eyes regarded her over a short, lipless muzzle.”
  • Several people, called mages, have the ability to use magic and some can heal with magic. Kel’s friend Neal is one of them. “Neal rested her foot on his hands and bowed his head. A soft light of such a deep green as to be nearly black shimmered between his palms and Kel’s flesh . . . The pounding in her foot began to soften until it had ceased. Her toes shrank back to their normal size as she watched.”
  • “A mage was briefly granted the power to raise the dead last year.” One of the things he brought back to life was, “a kind of living skeleton, a creature of bone and air. It had flown to perch on her, yet its wings were empty, slender fans made of very long finger bones.”

Spiritual Content

  • Tortall has many gods. They are named similarly to the Greek gods. For example, Mithros is the god of the sun, and there is a god of death. The gods are mentioned often in the Tortallian culture but are not an integral part of the plot.
  • Characters often pray before meals or battles. “We ask the guidance of Mithros in these uncertain times, when change threatens all that is time-honored and true. May the god’s light show us a path back to the virtues of our fathers and an end to uncertain times. We ask this of Mithros, god of the sun.”
  • While visiting a foreign land, Kel hears about their sacred relics. “They are the swords given to the children of the fire goddess, Yama . . . The short sword is the sword of law. Without it, we are only animals. The long sword is the sword of duty. It is the terrible sword, the killing sword.”

by Morgan Lynn

 

 

 

The Battle of Riptide

Gray and Barkley have always had to worry about Goblin shiver, but now the fish are whispering of a greater threat. Finnivus has a vicious armada, and he plans on expanding his empire. Finnivus won’t stop killing until he is the emperor of the seven seas.

Gray isn’t sure what he can do, but then Takiza appears. Takiza, a wise and mysterious fighting fish, has made Gray his apprentice. With Takiza’s instruction, Gray will learn what it means to be a great warrior. Gray isn’t convinced that he can learn how to defeat Finnivus and his armada. Can Gray find the courage to fight? Will he lead his shiver to a victory or to their deaths?

The second installment of the Shark Wars series ramps up the action as shark shivers struggle to survive. Finnivus, a spoiled king, gives the story a new, interesting threat. Readers will root for Finnivus’s demise because the young shark is a truly self-centered, evil king. Although it is no surprise that Gray will have to face Finnivus, the shark action is nicely interwoven between Gray’s training scenes.

New, interesting characters are added, which allows readers to see how the sharks must work together to defeat Finnivus. The battle isn’t portrayed in a glamorous way, but is portrayed as being ­­necessary to defeat evil. Although the death count is high, the deaths are not described in a gory manner. However, some readers may be upset when a shark eats her shivermates.

Readers who have not read Shark Wars may have difficulty understanding the dynamics of the characters. The sharks’ world is brought to life in a realistic, interesting way and includes shark language such as landsharks, shiver, chop chop, and greenie. The cover of the book has a picture of each shark, which allows readers to understand the size and physical differences of characters.

The Battle of Riptide explores the theme of loyalty and illustrates that loyalty should not be more important than doing what is right. The fast-paced story will keep readers interested with the well-developed characters, an evil king, and intense battle scenes. But the best part of the story is reading about Gray’s struggle to become a courageous leader worthy of being respected. With 242 pages and no pictures, Shark Wars is a good choice for fluent readers. Anyone who wants to swim into a good shark story will enjoy The Battle of Riptide. Readers will want to make sure they have the third book in the series, Into the Abyss, ready to read because even though Gray and his allies have won the battle, it is clear that the war will continue.

Sexual Content

  • None

Violence

  • When Snork gets stuck in the coral, Razor Shiver attacks. In order to defend his friend, Striker “hurtled out of nowhere and speared a streaking bull shark in the flank, butting it away from biting Gray. . . Barkley took on another bull as Shell rammed a third. It was a melee!” When Snork gets free, the group flees.
  • King Finnivus’s herald goes to talk to Razor. In anger, Razor, “roared and took the herald’s dorsal fin with one clean bite.” A battle ensues and, “after only a few fin flicks, there was blood everywhere. . . It was a slaughter. Then two Indi Shiver sharks—a blue shark and a mako—struck at Razor himself, one mauling his dorsal, the other taking his right fin. Razor was finished!” The attack happens over three pages.
  • Two sharks attack Gray and Barkley. “When Gray emerged from behind the pillar of coral, he was zooming straight at his attackers. Surprise! Gray smashed into the mako, snout to snout. He weighed much, much more than that shark and heard its spine audibly snap. It sank, a surprised look frozen on its face.” Barkley bites an attacking shark and, “the blue shark keeled over and sank, warm blood rising from the wound.” The attack happens over four pages.
  • Valenka plots Goblin’s death. She lures Goblin to a quiet location where ocean creatures inject him with poison. “The toxic dwellers stung Goblin on his belly and by the bends on his fines. Goblin screamed in frustration as the stonefish kept low and underneath him. . . Goblin stiffened as if he had swum into an invisible wall when the jellyfish stung him in the gills. . . With a last audible hiss, Goblin rolled belly up. . .Then Valenka bit Goblin in the gills.” The scene takes place over two pages.
  • After defeating Goblin shiver, the shiver is served to King Finnivus. Valenka takes part in the meal. “Valenka looked at the faces of her ex-shivermates arranged on a rock disc carried on the backs of four sea turtles. . . Halfway through the meal, Valenka discovered it wasn’t so bad. In fact, Streak was kind of tasty.”
  • When Finnivus demands Gray’s head for dinner, Gray attacks. “Gray roared, rocketing forward and catching the Indi mariners by surprise. He rammed the nearest one in the liver and ricocheted off two others. . .” Gray is able to escape and no one is injured.
  • The story ends with a multi-chapter battle. Many are killed, but most deaths are not described. During the battle, “Barkley barely avoided a bite at his left fin as he struggled to keep up. . . The richly tattooed armada commander, a young spinner shark, looked over an instant before Gray struck. The bite was clean and deep. Blood clouded the water as the spinner’s eyes rolled upward to the whites.” The Indi shiver retreats.

 Drugs and Alcohol

  • None

Language

  • Heck is used once.
  • Barkley tells another shark, “Suck algae, you big bully!”
  • Gray calls someone a “chowderheaded flipper.”
  • Two times, someone says, “Shut your cod hole before I rip off your tail and feed it to you.”
  • Finnivus yells at someone. “You are nothing but an old, krill-faced, jelly-brained drifter that my father should have gotten rid of a long time ago!”
  • Someone calls Gray a “jelly-brain.”

Supernatural

  • None

Spiritual Content

  • Sharks that die go to the “Sparkle Blue.”

 

News Prints

As a newsie, Blue can sell just as well as the boys in her town of Nautilene. Living in a home with other newsies, Blue feels safe even though her homeland, Goswing, is fighting a war. But Blue is afraid that danger isn’t just lurking in the shadows of her war-torn country. She’s afraid that others may discover her secret—Blue is not a boy.

When Blue is offered a job as an apprentice to a scientist named, Jack, Blue is excited to learn new skills. While working with Jack, Blue meets Crow, a reclusive boy, who has secrets of his own. The two instantly become friends, and together, they help each other to become their true selves.

Beautiful color illustrations combine the newsies era to life. Unlike many graphic novels, News Prints illustrations include vibrantly colored cityscapes and backgrounds. The amazing artwork will keep readers turning the pages.

News Prints is a combination of steampunk and historical settings. Even though the story has old friends, conspiracy, and interesting inventions, the story is not original. Blue disguises herself as a boy, which requires her to answer questions about her identity. Her new friend’s crow also has a secret about his identity. The theme is clear: people should not make assumptions about others and people should have the freedom to be their true selves.

Although the artwork is stunning, younger readers may be confused because the basic story lacks important background information about the setting. Even though the illustrations help tell the story, some scenes were confusing. The frantic pacing allows the story to skip over information that may have made the scene’s action clear.

Blue comes to realize that even though the war has torn families apart, strangers can come together to make their own family. The story also shows how the media is not always truthful and how the government bends the news to lie to people. In today’s world, this is a theme worth exploring.

News Prints is told from Blue’s perspective, which allows the reader to connect with her. Blue is honest, loyal, and compassionate. She doesn’t back down from causes that she believes in. Younger readers may be confused because of the lack of background information, but for strong readers who have already jumped into reading graphic novels, News Prints will entertain.

Sexual Content

  • None

Violence

  • Blue and other newsies fight. Someone knocks Blue down.
  • The military shoots down a flying machine. No one is injured.

Drugs and Alcohol

  • None

Language

  • Blue said “goose butts” several times.

Supernatural

  • None

Spiritual Content

  • None

The Great Pet Escape

Guinea pig George Washington thinks that being a second-grade class pet is like being in prison. He dreams of escaping and leading his two friends to freedom. When he finally escapes, he goes to find his friends, Barry and Bitter. George Washington is shocked to find out that his friends like being classroom pets.

George Washington convinces his friends to leave with him. A mouse named Harriet and her many mouse minions stop the three friends from escaping. Will George Washington be able to battle his way out of this terrible mess?

The Great Pet Escape is an outrageously silly story told from George Washington’s point of view. The graphic novel format will keep younger readers entertained. Although the story is written for those ready for chapter books, they may not understand all of the humor. For example, one of Barry’s former partners in crime has turned into a yoga-loving, herbal tea-drinking, pacifist. Even though some of the humor may not be understandable, readers will still fall in love with the class pets.

Readers will giggle when Harriet’s mouse minions fight George Washington and his friends. The colorful pictures are adorably funny and bring the action to life. Readers will want to read the story again and again, not only to enjoy the illustrations but also to relive the food fighting action. The Great Pet Escape is a unique, ridiculously silly story that will capture reader’s hearts.

Sexual Content

  • None

Violence

  • The animals have a food fight. They throw fish sticks, fruit, vegetables, and pasta at each other.
  • Two animals have a sword fight with uncooked spaghetti.
  • During the food fight, Jell-O is used as a holding cell.

Drugs and Alcohol

  • None

Language

  • One of the characters thinks he wants to get his friends and “get the heck out of here.”
  • Someone calls a hamster a “moron.”

Supernatural

  • None

Spiritual Content

  • None

Bunjitsu Bunny’s Best Moves

Isabel the Zen Bunny is back! Isabel is the BEST bunjitsu artist in her school. She can throw farther, kick higher, and hit harder than anyone else! But her strongest weapon is her mind. Isabel has thirteen new adventures with even more fun and wisdom. Isabel learns lessons from a mountain goat, one hundred squirrels, and a lynx.

Much like Aesop Fables, each tale is simple, yet exciting. Every conflict is resolved in a peaceful manner and leaves readers with a moral, such as “never start a fight, learn from those who know more than I do, and keep my body strong and healthy.” The story ends with instructions on how to make a bunny face out of paper.

Each clever story is brief and ranges from 6-10 pages long. The story uses simple vocabulary, contains 1-5 sentences per page, and has simple red-and-black illustrations. The combination of illustrations and short sentences makes Bunjitsu Bunny’s Best Move a good option for those just transitioning to chapter books or to read aloud.

Each story can stand alone, and readers will want to go back to reread their favorites. Bunjitsu Bunny’s Best Moves is a about fierce girl who proves that a person or a bunny doesn’t have to use their muscle to solve a problem.

Sexual Content

  • None

Violence

  • Isabel and her brother make their shadows fight. “His shadow kicked its foot in the air. Isabel blocked the kick.” The two do several other play fighting moves.
  • A mountain goat will not let Isabel pass on a bridge. The mountain goat tells her, “You can pass if you beat my mighty horns.” Isabel backs up and “got a running start. Isabel and Mountain Goat met head-to-head.” They do this several times before Isabel figures out how to pass the mountain goat without bumping heads.
  • A group of squirrels tries to take Isabel’s cookies. “She fought them one, two, three, ten, fifty at a time. They kept coming back.” She finally tricks them into fighting each other. “They were so busy fighting one another, they didn’t see Isabel tiptoe away with the tray.”
  • Lynx wants to fight Isabel. “He leapt at Isabel. The two fought until she held him to the ground.” This happens several times until Isabel lets the Lynx win, so he will leave her alone.
  • At bunjitsu school, the classmates practice moves and practice attacking each other. The different moves are illustrated.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Minecraft: The Crash

Bianca doesn’t think before she acts because her best friend, Lonnie, has always been there to catch her when she falls. But when Bianca and Lonnie are in a horrific car crash, Bianca learns that thoughtless actions can lead to severe consequences for her and for others.

Bianca wakes up in the hospital with painful injuries. She is afraid to find out what has happened to Lonnie—did he survive or has Bianca lost her best friend? To avoid the painful truths of reality, Bianca jumps into the virtual reality world of Minecraft. When she meets a glitching avatar that might be Lonnie, Bianca vows to do everything she can to help Lonnie in the virtual world.

Bianca teams up with Esme and Anton, two other kids who are in the hospital. While in the Minecraft world, the kids must face dangerous mobs that are generated by their fears and insecurities. With the help of her new friends, can Bianca overcome her fears and return to reality?

Minecraft: The Crash begins with a graphic crash scene, which leaves Bianca wondering what happened to Lonnie. Bianca’s resulting fear and guilt conflict drive much of the story. Her time in the Minecraft world adds interest to those who play the game, but fans may not like that the story does not stay true to the actual Minecraft game. Instead, the author changed many of the game’s elements to fit the story’s plot. On the other hand, if someone is not familiar with the Minecraft game some events will be confusing.

Bianca, Esme, and Anton interact like typical teenagers—they argue and disagree, but they also work together (most of the time.) Esme and Anton show the importance of working together to solve a problem. They also encourage Bianca to face her issues. Esme and Anton are likeable characters who stick with Bianca through everything. However, Bianca is hard to relate to because she comes off as a self-centered person who is dishonest when it benefits her. Although Esme and Anton are doing everything they can to help her, Bianca does little to contribute to the group’s plan. Instead, she does what she wants even if it may cause harmful consequences to others. Although she feels guilty for causing the car accident, she has not learned from the event.

The length of the book, the complexity of the plot, and some difficult vocabulary combine to make Minecraft: The Crash more appropriate for middle-school readers than younger readers, as does the fact that the story deals with the difficult topic of death. Although Bianca recognizes that she is to blame for Lonnie’s death, the ending of the story does not acknowledge the long-term ramifications of the car crash or the pain Lonnie’s death caused others. Despite these drawbacks, this book will keep readers who want to jump into the Minecraft world entertained with battle after battle.

Sexual Content

  • None

Violence

  • Bianca and her friend are in a car crash. Bianca could see the driver of the other car; “his head lurched back as his green car collided with our blue one.” During the crash, “there was the smell of smoke. And the taste of blood. And the scrape of something against my body that felt like it had gutted me open somewhere in the middle. I wondered if I’d been halved.” Bianca is seriously injured. Her friend dies.
  • While in the Minecraft word, Bianca meets a zombie mob. She began “plowing through green guys with the sword like an Amazon warrior. . . I was screaming and chopping and generally having a great time until one of them hit me, and the energy bar at the top of my vision went down half a heart.” The battle takes place over three pages. During that time, Bianca kills zombies. When she kills one, “green slime burst in pixelated arcs that fell on the ground and disappeared in seconds.”
  • While in the Minecraft world, Bianca tries to go into another player’s house. She triggers an explosion and “blocks exploded, lava erupted, and a series of sparks bloomed in front of my eyes.
  • Spiders charge the three kids. Bianca “picked up my sword again and hacked at the charging spider. It broke into blue pieces and fell to the ground . . .” Then Anton “did a spin and swiped at another spider. It broke apart, but the river of spiders just kept pouring out of the house.”
  • A group of villagers attacks and “they all turned on us, mercilessly raining down blows. . . Anton got the brunt of the blows.”
  • While in a tunnel, zombies attack. Lonnie and Esme “started slashing through the mob. . .” Later, creepers appear. As Bianca tried to escape, “creepers pressing in. One on the far end popped and set off a chain reaction.”
  • Witches begin throwing potions at the group. As Bianca was fleeing, “a potion hit me and exploded. My movements instantly became slower. My heath bar over my head dipped. . . . Ashton kept on hitting until the witch died.”
  • A line of endermen appear and “this group seemed to be gunning for us, arms outstretched in attack mode. . . I swung my sword, just missing it, and giving it enough time to reach me. My health points took a big hit when it landed a blow. . . The endermen pounded me with its fists. I put my arms up, unable to do anything else. . .” The battle takes place over two pages.
  • Endermen attack the group again. Endermen “rained down on us like black hail. . . Esme fired arrow after arrow into the crowd of them. I hacked my way through at one side . . .”
  • When Bianca’s friends try to get her to leave the game, she “thought about the TNT I had in my inventory, and how I needed a distraction. It suddenly appeared and detonated instantly in front of us. We were blown back in different directions. My heath bar took a major hit.” Bianca’s friends were “thrown back into the exit portal.” They were forced out of the game.
  • A slime mob attacks a house. Bianca “charged in, giving my best warrior yell. I bashed through the little slimes that were at my feet while keeping the skeletons away from Lonnie.” The battle takes place over three pages.
  • Zombies come into a bobby-trapped house. When the zombies got to the door, “there was the click of a trigger, and the sound of a low whistle that got louder and louder, and then bam! Both of them got smashed by an anvil.” The battle takes place over two pages.
  • While in the bobby-trapped house, Bianca steps on a pressure plate. She runs, but “a series of flaming arrows flew towards us. Most stuck in the ground, burning in place, but a few of them hit us. The sharp stab of the arrow piercing me was bad enough, but the fire . . . I started to crawl away, but Lonnie sat where he was, pinned by three arrows that hit his legs and arm. . . d” No one is seriously injured.
  • Zombies attack again. Bianca “continued slashing with my sword while pushing Lonnie backward, away from danger. . . a zombie hit me, sending me sprawling. My body felt leaden as I hit the floor, and I didn’t know if I had the energy to escape the approaching zombie. . . “ Lonnie pulls her to safety.
  • Bianca and Esme get into an argument. Bianca “pushed her to the ground and started to hit her with my fist, but she was back up on her feet a moment later, punching back. . . I pulled my hands up to shield my face, hoping the blows would end soon, and a moment later she stopped.” Someone pulls Esme off Bianca.
  • A scarred enderman appears and Bianca “thrust upward with the sword. I caught the enderman’s arm. It staggered back a step, but then reached around with its other arm to strike me. . . the enderman’s arm flashed out, lightening quick, thwacking my face. The blow burned like fire. . .” Esme shoots the enderman, but others appear. Anton has TNT so he “lobbed the bombs over our heads as we kept firing. . .” The group is able to escape. The battle takes place over 2 ½ pages.
  • Witches ambush Bianca. “They pelted potions, and I warded them off with my sword as best I could. Then I charged the closet witch—the one on my right—slashing until it died, droppings ticks and glass bottles.” Someone saves Bianca.
  • Wither skeletons with swords attach the group. “Anton killed one at close range by sticking its torso, and one of Esme’s arrows found its target, destroying the third one.”
  • Ender pirates attack. Bianca tries to escape, but one “extended its hand and knocked me over. I fell to the floor, but I didn’t seem to have taken much damage. The fighting continued around and over me for a second before I regained my footing.” The battle continues for 3 ½ pages and ends when Anton detonates an explosion, “The yellow and orange of the bomb was bright against the sky. . . I (Bianca) jumped up onto the rail, and dove into the water as the pirate ship blew up behind me.”
  • Someone steps on a pressure plate and enemies appear. “The silverfish looked vicious, and they came straight toward us with their jaws unhinged, as if they meant to take a bite out of anyone who got close enough. . . They swarmed around us, unrelenting and hideous, but our armor kept us relatively safe. . .” They escape through a portal.
  • Bianca and her friends jump through a portal, but an enderman appears and grabs Bianca. “The enderman grabbed me by the hand, pulled me backwards, and threw me down on the ground. It kneeled over me, wrapped its hands around my neck, and squeezed. I choked for air. My legs and arms flailed as I tried to dislodge myself from the enderman’s grasp.” The game glitches and Bianca reappears somewhere else.
  • In a final battle, Bianca and her friends fight a dragon. “Its eyes blazed as it charged straight toward us. I could feel the heated air radiating from its flapping wings. . . The dragon dropped its wing and clipped Anton on his back. He lurched forward, landing at Lonnie’s feet and staring up at the sky.” The battle takes place over 10 pages.

Drugs and Alcohol

  • While in the hospital, doctors gave Bianca painkillers. When she woke up, she “considered that the drugs were making me loopy.” Later Bianca’s father is told that doctors have “administered the strongest painkillers we can under the circumstances. . .”

Language

  • Darn, jeez, heck, and crap are each used one time.
  • Pissed is used five times. For example, Bianca thinks that another player “looked pissed.”
  • Anton says that Esme is “a jerk sometimes.”

Supernatural

  • None

Spiritual Content

  • None

The Last Kids on Earth and the Cosmic Beyond

Jack and his friends are looking forward to their first Christmas celebration since the monster apocalypse. Jack wants to show the monsters the joy of sledding, snowball battles, and gift giving. But their winter plans are put on hold when an evil human villainess begins hunting them.

The villainess hopes to create a portal to bring Ghazt, the general of the undead, to Earth. But first she needs Jack’s monster-slaying tool, the Louisville Slicer. When his prized weapon is stolen, will Jack and his friends be able to get it back? Will they be able to stop the villainess’s evil plan?

The Last Kids on Earth and the Cosmic Beyond takes a step back from monster fighting and focuses more on the kids’ winter activities. In order to show the monsters that snow is fun, the kids do a series of snow activities including ice fishing and snowball fights. But the activities make the “monsters extra freaked out. They’ve become afraid of snow in both flake form and ball form.” Readers will laugh as Jack and his friends try to show the monsters their traditions. Through these humorous scenes, readers will learn the importance of understanding different cultures. The story shows that some people may find different traditions strange because they have never heard of them.

Like the previous books, the story will keep readers entertained with its fast pace, funny scenes, and epic battles. The easy-to-read text contains dialogue bubbles, alliteration, and onomatopoeias that make reading the story a joy. The black and white illustrations that appear on almost every page bring the kids’ world to life as well as add humor.

At first, The Last Kids on Earth and the Cosmic Beyond may look like just another graphic novel. But the characters are surprisingly well developed and readers will come away with a valuable lesson about the importance of community. When Jack and the kids seek out a Warg, Jack realizes that “maybe she was watching because she felt that feeling, that’s the worst of all feelings. That feeling of being, like, left out?”

This story can be understood without reading the previous books in the series, but for maximum enjoyment readers should read the books in order. Readers will enjoy The Last Kids on Earth and the Cosmic Beyond. The story keeps the same humorous, non-frightening format as the previous books.

Sexual Content

  • Jack has a crush on June. At one point, June “looks deep into my (Jack’s) eyes. I’m wondering if this might be sort of a romantic moment or something. . .” It’s not.
  • When Dirk is bitten by a zombie, he is “stretched out on the poker table. . . I expected it to be like a scene from one of those TB shows with doctors running around emergency rooms. You know the ones, where they spend like half their time saving lives and the other half making out in the hospital closets?”
  • Meathook grabs Jack, and his “gray-purple tongue snaps and smacks me across the face. I half expect it to follow that with a French kiss of death.” Meathook grabs Jack’s weapon and then lets him go.

Violence

  • While catapulting in a sled, the kids jump out of the sled before they slam into a monster. “There’s a gulp—and the great beast’s belly rumbles. The sled has been swallowed.”
  • An “above ground-like octopus” attacks Jack. Before the monster can hurt him, “a rolling library cart slams into the monster. There’s a wet SPLAT and the monster is suddenly airborne, sailing across the library.”
  • A zombie tries to bite Jack, but June stops the zombie by putting her gum in its mouth.
  • An evil human villainess captures the kids. In order to escape, Jack throws “a handful of dry, shredded gum into her face.”
  • Meathook tries to smash the kids, but they use a string of lights to try to trip him. Jack “sees the string of lights snapping in the air and then—THWACK!—the harpoon slams into Meathook’s scaly hide.” The trick does not work, but “the string of lights circle around me (Jack). My butt’s jerked from the seat.” During this battle, a zombie bites Dirk. Evie grabs Jack, but then, “a pair of zombies soars past our heads. Like, airborne undead. . .Another zombie sails past us. Its pinwheeling arms nearly take Evie’s head off. . . ” The scene is described over seven pages.
  • Meathook grabs Dirk. Jack sees Dirk, “sagging, spinning, hanging from the monster’s tongue.” The two disappear.
  • In an epic battle that takes place over several chapters, Meathook tries to stop Jack and the others from helping Dirk. “His one massive paw swipes, slashing the air, engulfing me. . . Quint cries. He’s scooped up, too. Our heads clonk tougher and my world spins.” Meathook captures all three kids.
  • Jack escapes Meathook and jumps on Evie’s back. “It’s a whole hero-villainess piggyback situation. My hands grasp her cloak.”
  • Jack and his friends have been “overrun by the undead. . . the zombies are on us! Quint’s robes are shredded! Teeth sink into June’s shoulder pads! A dripping mouth on Quint’s wrist. Hands tearing open my big white puffy pants. . . The zombies are flung backward on the heels. It’s like they’re being yanked by invisible strings.”

Drugs and Alcohol

  • None

Language

  • Crud is used twice. When a monster goes to hit Quint, Jack yells “crud.”
  • Dirk calls Jack a dork. Later he calls the evil villainess’s zombies “her dork collection.”
  • Freaking is used once.
  • Ghazt tells Evie she is a fool twice.
  • Evie calls Jack an “idiot boy.”

Supernatural

  • A new monster appears called Meathook. His characteristics include, “Big fist! Powerful Paw! Action Arm!”
  • Monsters that look like eyeballs appear. When Jack sees the “goo-ball things” he thinks, “It’s a reminder of just how bizarre the world is now that the sight of a rolling, gooey, eyeball creature only medium weirds us out.”
  • Warg has “spiny bone tentacles, and an outer eyeball layer. When the monster stomps on the floor, “at once the eyeballs roll toward her. They leap up, veering at her like some coat of peeping pupils.”
  • Ghazt is the general of the undead.
  • Dirk begins turning into a zombie. When Dirk moans, “it’s an awful combo cry: a howling human and a groaning zombie, mushed into one awful noise.”
  • Something happens to the Louisville Slicer that makes it “different. It has some new power because of what happened.”

Spiritual Content

  • Evie, an evil human villainess, is a worshiper of the Destructor of Worlds. While trying to understand the villainess, the kids find a book that explains that the worshipers want to build a portal. Quint explains, “Apparently, these worshipers had some success. They called themselves the Cabal of the Cosmic. . . Any creature can be a Servant—they need not be from a specific dimension.”
  • The evil human villainess plans to use a three-step ritual to bring an evil being from another dimension. Part of the ritual is to “capture an undead human being. . . place the artifact in the zombified human’s hands to open a portal, allowing Ghazt to enter the zombified body. Ghazt will then take control of that person’s body. Forever.”

Shark Wars

Gray is bigger than the other sharks in his clan and when his stomach rumbles, Gray follows the food and gets into trouble. Gray is banished from his reef and is forced to journey into the Big Blue. Luckily, his best friend Barkley goes with him. As they hunt for food, they enter an ocean world where the battle for hunting grounds is fierce. Gray and Barkley must find out which sharks are friends and which sharks are foes. How will the two friends keep from becoming someone else’s dinner?

The action-packed story follows Gray, who struggles with his large size and his hunger. Because the story is written in the third person point of view, the reader knows that sharks are keeping secrets from Gray. The reader knows that Gray should not be so trusting, adding suspense to the story.

Shark Wars creates a believable world where sharks rule the underwater realm. As the shark clans fight for food, Gray struggles to learn fighting skills, as well as to determine which sharks are trustworthy. Gray learns that even though he doesn’t like a fellow shark, that doesn’t mean they cannot work together for the good of the group.

As Gray meets other fish, he wonders if he is “swimming a good current.” In the end, he discovers the importance of loyalty and standing up for his friends. Shark Wars teaches the importance of doing what is right. The author tells Gray’s struggle for survival in an interesting way. Altbacker includes shark language such as landsharks, shiver, chop chop, and greenie. The cover of the book has a picture of each shark, which allows readers to understand the size and physical differences of characters. With 248 pages and no pictures, Shark Wars is a good choice for fluent readers. For those wanting a story that combines sharks, friendship, and fighting, Shark Wars will keep you entertained. But be warned, once you read Gray and Barkley’s story, you will be hooked and want to have the next book of the series waiting on the shelf!

Sexual Content

  • Valenka rubs up against the male sharks when she is trying to convince them to do something. For example, when trying to convince Goblin to do something, Valenka, “rubbed against him and whispered in his ear.”

Violence

  • A tiger shark attacks Gray and Barkley. “Gray heard a satisfying ‘Whufff!’ as he rammed the shark in the soft underbelly by his liver. The tiger tried to turn but was momentarily paralyzed. Barkley hammered the dazed attacker next. Or he tried. Because of his small size, he bounced off like a sea horse against hard coral.”
  • Gray’s clan is attacked and many of them are sent to the Sparkle Blue. The attack is not described, but Gray is upset. “A reddish haze descended over his eyes as he thought of someone eating sharks from his shiver family.”
  • Goblin and other sharks attack Gray and his friends. “Gray swam towards Goblin, who taunted the sawfish by nipping at his tail as his other shiver sharks laughed. Gray picked up his pace by ferociously whipping his tail back and forth. . . Gray hit the great white in the side, doing no real damage but forcing him from Snork.
  • The sharks play a game where they try to eat wahoo, which are really fast fish.
  • A shark, Thrash, taunts a mother turtle and threatens to eat her babies. The shark “lazily slid with the current so he was now facing the turtles and blocking them from the safety of the greenie. He gnashed his teeth together. “ ‘Just swim inside! You won’t feel a thing’ . . . Thrash laughed and then opened his mouth to bite the momma turtle in half with his jagged teeth. She screeched in fear. . .” Another shark appears and stops Thrash.
  • Thrash taunts a beta fish, then gets beat up by it. “Then the little fish caught Thrash by the tip of his tail with its frilly fins and somehow swung him in circles! And fast. . . The little fish threw Thrash into the distance, several body lengths away.”
  • Two shark clans battle. “The cries of bloody victory and death receded until he only heard his heartbeat and the water whisking past his gills. Gray rammed one attacking bull hard, sending it spinning away just before it could bite Thrash. . . Goblin battered a blue shark away from Churn, then bit a dorsal fin off another.” Several sharks die. The battle takes place over four pages.
  • A group of Goblin’s shiver sharks set a trap and attack others. “Ripper barreled into Shell, knocking him senseless. . . Barkley didn’t even feel the tiger’s impact on his side. Suddenly he felt the water cool and sweet, and he was floating by the Coral Shiver reef.” The sharks are put into a cage.
  • In a fit of anger, Gray “whirled and gave Striker a tremendous tail slap to the face. Gray actually felt it all the way up to his spine.”
  • When Gray tries to free his friends, other sharks try to stop him. Thrash “launched himself at Gray, who barely missed losing his left fin. He jammed Thrash as he passed flank side with his dorsal fin, raking the tiger.” The battle is described over three pages.
  • There is an epic multipage fight between Goblin’s clan and another clan. “Everything was flashing teeth, blood, confusion, and above all, the thunderous fin of the Bluefin siege flashing by, a relentless, speeding, silvery mass. . . He [Gray] butted two attacking bulls off the safe area, and both were sucked into the Run as if jerked away by a giant octopus tentacle. . . Striker smashed into Shell’s pursuer, biting him in the gills and forcing the dying shark into the current.”

Drugs and Alcohol

  • None

Language

  • Gray gets stuck. When his friend teases him, Gray yells, “Shut your cod hole and push!”
  • A fish calls other fish “morons.”
  • Heck is used three times. For example, Goblin asks, “Who the heck are you?”

Supernatural

  • None

Spiritual Content

  • Sharks that die go to the “Sparkle Blue.”

A Royal Guide to Monster Slaying

Twelve-year-old Rowan is destined to be Queen and her twin brother, Rhydd, is to be Royal Monster Hunter. Rowan would give anything to switch places, but the oldest child is always next in line, even if she is only older by two minutes. She resigns herself to admiring her monster-hunting aunt’s glorious sword and joining her queen mother for boring diplomatic teas. But tragedy shatters the longstanding rule, and Rowan finds herself hunting the most dangerous monster of all: a gryphon.

Accompanied by a feisty baby jackalope and a giant wolf that barely tolerates her, Rowan sets off on a journey that will see her join other unlikely allies: a boy with monster-hunting ambitions of his own, and a girl hiding dangerous motives. It will take all of Rowan’s skills, both physical and diplomatic, to keep this adventure on track. The future of her kingdom depends on it.

Rowan and her brother Rhydd follow their aunt on a hunt that ends in a bloody battle and death. The heart-stopping battle is not for the faint of heart. Armstrong uses detailed descriptions of the battle between beast and man. Even though many of the monsters in the story are deadly, Rowan respects the monsters because she has been taught to only kill monsters if there is no other choice.

The story is told from Rowan’s point of view, which allows the reader to understand her concern for others. Rowan often acts overconfident; however, in the end she learns the importance of listening to others and working as a team. The know-it-all princess befriends a baby jackalope and their relationship will make readers long for a jackalope of their own. Through her journeys, Rowan learns that no man or beast should be forced to follow another. People should only follow a leader by choice, not by force.

The cute book cover may give readers a false impression. A Royal Guide to Monster Slaying hits on some heavy themes: the importance of family, duty, conservation, indentured servitude, and political ambition. Rowan is kidnapped, almost killed multiple times, and has a face-to-face encounter with a giant spider and a deadly gryphon. The frightening encounters may leave some readers with nightmares. A Royal Guide to Monster Slaying is full of action, danger, and monsters who aren’t afraid to kill humans. The imaginative world is unique, fascinating, and will keep readers turning the pages. Readers who want an excellent adventure will want to follow Rowan as she learns how to become the next Royal Monster Hunter.

Sexual Content

  • Rowan is sneaking through the castle when she hides from a guard and a maid. Rowan listens to their conversation and learns that “she caught him flirting with the maid of a visiting lady. She’s upset, and he’s trying to tell her it meant nothing, and I’m stuck in a window alcove, wishing they’d just kiss and make up. . . Then the guard and maid do make up. And they do kiss. They don’t stop kissing. I don’t watch them, of course. That’s gross. But I can tell they’re kissing by the noises, which are also gross. They kiss and whisper, and whisper and kiss.”

Violence

  • Even though monster fights are illegal, “people still poach jackalopes for their antlers, which they think can be ground up as a cure for infertility.” Rowan finds a baby jackalope, and finds the dead mother. “The mother jackalope lies on the ground, her body riddled with arrow piercings. The killer took only her antlers.”
  • While in the forest at night, Rowan comes across four older kids. Rowan pulls her sword, and one boy “snorts. One of the other boys takes a slingshot form his pocket. The girl draws a knife.” When Rowan doesn’t flee, “a stone strikes my temple. I spin on the boy with the slingshot, and my sword spins, too. The tip of it catches his sleeve, and he yelps as if I’ve stabbed him.” When the kids realize that Rowan is the princess, they run off.
  • When Rowan gets too close to a unicorn, “the beast bites my butt. . .and the jackalope leaps from my head onto Courtois’s neck and sinks his teeth in right below the unicorn’s horn.”
  • The Royal Monster Hunter and her group find a manticore. As they track the monster, Rowan smells “a coppery one that makes me flinch. I can’t be a monster hunter and not recognize the scent of blood.” They find the manticore in a barn and Rowan “can hear it, making horrible ripping and gulping noises as it devours its prey. I can smell it, too, its dank must overpowering the smell of the livestock.”
  • In order to kill the manticore, Rowan’s aunt Jannah jumps on its back. In order to tire the beast, “she rides the manticore until the beast stops bucking and rearing. . . Jannah didn’t hop on the beast’s back for fun. The position just lets her sink in her dagger in exactly the right spot. One hard thrust and the manticore stiffens. Then before it has time to feel more than a flash of pain, it slumps to the ground.” In order to teach others about the beast, Jannah “opens the beast up… notice the size of the heart, the placement of the internal organs.”
  • While inspecting the manticore, a gryphon grabs Rowan in its talons. Rowan’s brother, Rhydd, tries to help, but “the beast holding me strikes at him. Blood flies. The beast lets out another ear-piercing shriek and slams me into the barn floor, talons pinning me there. . . The beak seizes Rhydd and flips him into the air, then lets go. As he falls, the beak grabs him again, this time by one leg. There’s a sickening crunch. . . The beast drops my brother’s leg. Rhydd falls to the floor.” The gryphon takes flight with Rowan in its beak and hunters shoot arrows at it. “An arrow buries into the underside of the beast. Then another and another. . . An arrow slices the fabric of my trousers, and I let out a cry. . . I grit my teeth and wrench it [the arrow] free. Then I stare at the sharp arrowhead, dripping blood.” Rowan keeps slashing at the gryphon, and then she slashes “the foreleg as hard as I can.” The beast drops Rowan and she hits “the ground. Pain slams through me and then. . . Darkness.” The scene takes place over four pages, but the battle continues.
  • When the gryphon lands, “a figure runs from nowhere. She [Jannah] leaps. Her sword slashes at the beast’s rear flank. . .The gryphon wheels on her. Its beak swings her way. . . she swings the sword, but the gryphon’s beak closes around her sword arm. . . The powerful beak closes with the same sickening crunch I heard when it seized Rhydd. Then it throws Jannah. Before it hits the ground, it grabs her again, this time by the leg, just like it did with Rhydd. . . The gryphon has Jannah by the leg. It lashes back and swings her. . . Swings her at a rock. Jannah’s head hits that rock. There is a crunch. . . She’s on the ground, blood streaming from her arm and her leg and her scalp.” Jannah dies. The battle scene is described over eight pages.
  • As Rowan tries to chase a monster away, “something hits my arm and knocks me off balance. As I stumble, I see an arrow lodged in my sleeve.” Rowan drops to the ground, and “I’m leaping up when another arrow whizzes past. It hits the warakin in the shoulder. The beast squeals in rage.” Rowan is able to drive off the warakin before anyone gets hurt.
  • As a pegasus attacks Rowan, the jackalope jumps on her back. The pegasus “flies up with great flaps of her wings, and Jacko clings to her, squealing. She dives, and he tumbles, and I scream. Then he’s dangling from her mane, his claws tangled in it. The pegasus tosses her head, and Jacko goes flying.”
  • Rowan’s companion Warg is a giant wolf. He hunts at night and “when he returns, the blood on his muzzle tells me he’s eaten.”
  • When Rowan tries to give a pegasus a sedative, the pegasus “wheels and rears. One hoof hits that sore shoulder again. I stumble, and I see another hoof coming straight for my head. My arm flies up. Her foreleg is delicate enough that I knock it off course. As I scramble out of the way, she comes at me again. This time, she grabs my tunic in her teeth and whips me off my feet.” Rowan gives the pegasus the sedative and then “she lies there, legs splayed and bent, her head drooping.” Rowan realizes that giving the sedative to the pegasus was wrong. The scene is described over five pages.
  • Rowan comes across an overturned wagon. A couple says their baby is stuck underneath the wagon. When Rowan crawls under the wagon to help, a man “wrenches me by the hair. I try to swing at his face, but there isn’t enough room. I yank out my dagger and slice his arm instead. He snarls. I slash the blade as I back out. Someone grabs my legs. Hands grapple at me from the wagon wreck. . . The young man shoves a sack over my head. I scream under it. Scream and kick and punch. As he hauls me away, my feet tangle, and I fall. He keeps dragging me, the sack cutting into my throat.” Rowan is captured and put in a cage.
  • After Rowan escapes, she watches a boy talk to Alianor. Rowan thinks that the two worked together to capture her, so Rowan hits “him square in the back, and he lands face-first with an oomph. I try to pin him, but he’s twisting, and he manages to get onto his back and throw me aside. That’s when Jacko attacks. He jumps onto Dain’s face and digs his claws in, legs wrapped around Dain’s head. . . Jacko sails from nowhere. He lands on Dain’s lap and sinks his teeth into the boy’s stomach. Dain yelps. . .”
  • While climbing a tree, Rowan disturbs a spider’s nest. Spiders begin dropping onto Rowan and Dain. A spider gets under Dain’s tunic and Rowan tries to “reach up under the fabric and pull out the spider. As I do, he yelps and bats at the back of his tunic. Another lump scuttles underneath. Then Dain yelps louder, in pain now. . .” Rowan discovers that the spiders are jba-fofi. “According to legend, only baby jba-fofi live in trees. The adults are too big for that. They’re the size of dogs, and they build trapdoors on their burrows. When any unsuspecting prey passes, they jump out and drag it in.” Rowan and Dain are able to get out of the tree.
  • As Alianor walks in the forest, “the ground opens, and a giant spider grabs her leg. . . She falls face-first as the spider drags her into its lair. The ground closes and they’re gone.”
  • In order to save Alianor, Rowan crawls into the spider’s lair. She finds “a fawn wrapped in black spider silk. The corpse is desiccated—drained of blood. I shiver as I shift the carcass aside. . . I  continue along. . . This time when I reach down I’m touching a soft-and-hard bundle that I know is wrapped prey. I try to keep going, crawling over the bundles, flinching as the dried bodies crackle within.” Rowan finds the spider, but before she can do anything, the jba-fofi springs. “It’s on me before I can even free my blade. . . The spider’s two front legs wrap around my chest. It pulls me toward its jaws, and Jacko shrieks, leaping on the beast. . . Jacko jumps onto the spider, sinking his fangs onto its back.” To get away from the spider, Rowan starts a fire and “shoves more mummies into the fire, stretching them in a line between us and the jba-fofi.”
  • Rowan searches for Alianor. “Then I see her head, completely wrapped in black webbing. I grab the webbing and pull. It sticks to my fingers and holds fast, refusing to break. With my trembling hand, I pick up my dropped dagger. I feel for her mouth, find it and slice the webbing as carefully as I can. . . I open her mouth. There’s more webbing in there. I yank it out and then press my hands against her chest and . . . Alianor coughs.”
  • As Rowan and Alianor try to escape, “something wraps around my [Rowan’s] leg. As I fight, it pulls hard, and I’m flipped onto my back. . . I kick as hard as I can. The spider squeals. I crawl back on my elbows and knees. I’m flipping over when powerful fangs grip my leg. . .” Dain is able to pull Rowan out of the spider’s lair and the pegasus attacks the spider. The spider scene is described over sixteen pages.
  • Lanslet, a teenager, attacks Rowan hoping to kill her. “He lunges at me. I leap forward to counter, and that isn’t what he expects. Our swords clang. . . My sword strikes his arm. He never even flinches, just draws his sword back and— An arrow hits his shoulder.” One of Rowan’s companions shoots arrows at Lanslet and “Malric hits Lanslet square in the back. The young man goes down with the Warg on top of him. Malric’s teeth sink into Lanslet’s collarbone, ripping away the leather. Lanslet screeches, and running footsteps sound as someone shouts an alarm.” Rowan is able to escape. The fight is described over three pages.
  • A gryphon comes after Rowan and her companions. “Malric charges. The gryphon rears like a horse, its talons flashing, but Malric feints to the side. When the gryphon twists to parry, Malric leaps, teeth sinking into the beast’s foreleg.” Malric pretends to be injured so the gryphon will attack him and the kids are able to hide in a cave.
  • Malric tries to sneak past the gryphon. Malric is “crouching to jump when the gryphon grabs him around his neck. . . The gryphon throws Malric. Warg hits the cavern wall, and that crunch rings out. That terrible crunch I will never forget—the one I heard when the gryphon pitched my aunt head-first into a rock.” Malric is injured. “Inside the cavern, the gryphon stomps about, shrieking in rage. That’s all I see. The gryphon. . . and a blood-smeared wall.”
  • Dain soaks arrowheads in a sedative and shoots them at the gryphon. “The gryphon lunged. Dain dives to the side. The gryphon’s beak snaps. It catches Dain’s bare foot. He drops the arrow as he falls clear of the beast and rolls across the cavern floor. . . As the beast turns, I see the angry red scabs on the foreleg I injured a week ago. I swing my sword right at the same spot. The blade slices in. The beast lets out a terrible screech of pain and rage.” The beast succumbs to the sedative and goes unconscious. The scene with the gryphon is described on and off for thirty-six pages. No one is seriously injured.

Drugs and Alcohol

  • Someone has to taste the queen’s food and drink to make sure it is not poisoned.
  • Rowan gets angry that the pegasus isn’t friendly, so she gives her a sedative.
  • In order to capture Rowan, her captors drugged Warg.

Language

  • Rowan thinks unicorns are “jerks.”

Supernatural

  • None

Spiritual Content

  • Rowan’s father wrote an inscription on the inside of a book that he gave her as a gift. As she reads the message, Rowan misses her father, but thinks, “he’s watching from the others side, and he’s there every time I add a new page or a new fact or a new sketch.”

Tales of Bunjitsu Bunny

Introducing Isabel, a.k.a. Bunjitsu Bunny! She is the BEST bunjitsu artist in her school. She can throw farther, kick higher, and hit harder than anyone else! But she never hurts another creature . . . unless she has to. Tales of Bunjitsu Bunny introduces Isabel and has twelve short stories, each with a different, exciting adventure. Isabel learns lessons from bunjitsu school, pirates, and even a butterfly.

Much like Aesop Fables, each tale is simple, yet exciting. Every conflict is resolved in a peaceful manner (except one) and leaves readers with a moral, such as “Practice my art until I am good at it. And then keep practicing, study the world, and find what makes me laugh, and laugh loudly. And often.”

Each clever story is brief and ranges from 6-10 pages long. The story uses simple vocabulary, contains 1-5 sentences per page, and has simple red-and-black illustrations. The combination of illustrations and short sentences makes Tales of Bunjitsu Bunny a good option for those just transitioning to chapter books or to read aloud.

Each story can stand alone, and readers will want to go back to reread their favorites. Tales of Bunjitsu Bunny is about a fierce girl who proves that a person or a bunny doesn’t have to use their muscle to solve a problem.

Sexual Content

  • None

Violence

  • Pirates take Isabel prisoner. “The pirates grabbed Isabel and pulled her into their boat. Isabel grabbed the arm of the nearest pirate and bunjitsu flipped him over her shoulder. He landed in her empty boat.” Isabel uses bunjitsu to get all four pirates onto her boat. The boat that the pirates are on begins to sink.
  • Jackrabbit challenges Bunjitsu Bunny to a fight. He says, “I will hit her so hard, she will fly to the moon.” The fight never happens because Isabel doesn’t show up.
  • A bear tells Isabel that he practices bearjitsu and “kicked Isabel so hard she slid across the field. . . He grabbed Isabel’s ears and flipped her to the ground. . . He twisted Isabel into a pretzel.” When the bear asks Isabel if she wants to give up, “Isabel kicked Bear so hard he shot straight into the cloud. When he landed, she flipped him to the ground so hard the earth shook! Then she grabbed his giant paw and twisted it behind his back.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Wizard’s War

When Evan and Cleo jump into a book, they find themselves thrust into a quest to save the kingdom. In order to save the kingdom, they will have to fight elves, trolls, and the mighty Golden Dragon. Danger comes from many places, and the two are not sure who they can trust. Only magic will end the war, but will it help them find the right key and return home?

This fast-paced fantasy contains many fantastical creatures that will enthrall younger readers. Danger lurks around every corner, which keeps the suspense high throughout the entire story. When Evan and Cleo meet the manticores, there are several fun riddles that readers can try to solve. Because of some overlapping plot points, The Wizard’s War should be read after the first two books of the series.

Throughout the story, Evan and Cloe show their bravery, brains, and devotion to each other. Working together to defeat evil is the main theme of the story. King Ledipus’s words reinforce this theme when he says, “Today we start a new chapter in the world, one where all creatures—humans, elves, manticores, dwarves, dragons, and even trolls—live in harmony. We will work together to build a future where all can find happiness.”

The story contains a lot of dialogue and short descriptions that help keep the story interesting. A full-page illustration appears in every chapter. The story contains magic wands and magic spells, which are clearly fantasy and not part of the real world. The Wizard’s War will be a hit with readers looking to take a trip into another world. The ending contains a cliffhanger that will leave readers reaching for the next book of the series—The Titanic Treasure.

Sexual Content

  • None

Violence

  • Elves throw a net on Evan, Cleo, and Vixa. “They struggled but it was no use. Even Vixa’s blade couldn’t cut the net.” The elves take the captives to the queen. “The elves tied up Evan, Cleo, and Vixa and led them to a platform made of logs.” The queen orders the elves to let them go.
  • A group of trolls uses a catapult to fling “a fiery lump” at Evan, Cleo, and Vixa. “The fireball roared past them.”
  • Cleo and Evan try to escape the trolls by riding on a railroad cart. The trolls follow them in their own cart. “One of the trolls leaped into their cart and bared his yellow teeth. He growled and swung his club with the force of a sledgehammer.” Cleo slows the cart and s out of the cart. “Evan curled his legs under the troll’s chest and kicked up. The troll lifted into the air just as the cart shot under a low bridge. His head smacked into a beam and he flew out of the cart.”
  • When another troll attacks, Cleo “kicked the troll in the face. The creature swung his club. It whizzed past Cleo’s head and smashed the hand brake to splinters.” Cleo causes the troll’s cart to flip and “the troll flew forward and smacked into the tunnel wall.”
  • Someone jumped onto a troll’s back and “yanked on the troll’s ears. . .”
  • A dragon attacks Evan and Cleo. “Another flame spewed from the dragon’s throat. . . Evan rolled away and crept behind a statue of an ancient king.” During the attack, the dragon’s “tail whipped around and hit Cleo.” The battle takes place over a chapter.
  • During the final battle, dwarves, manticores, and others fight to defeat the evil villain. The manticore and dragon fight. “The manticores clawed and bit and let their spikes fly. The dragon swung her tail like a club.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The library under the school has a magic portal that takes people into books. When a person travels into a book, they become a character in the book.
  • When Evan and Cloe become characters in a book, Evan is a wizard and Cloe is a moon elf.
  • An evil character controls the king and his daughter through a headband that uses “dark magic.”
  • One of the characters is a manticore, which is a “lion with bat wings, and the end of its tail was covered in sharp spikes.”
  • Tannis wants Vixa to find the Dragon’s Orb because it “has the power to control dragons.”
  • Cloe poured a “silvery liquid onto Daruis’s wing. The leathery skin began to mend. She took the rest of the potion and poured it into Darius’s mouth . . . The manticore seemed to swell with strength.”
  • When Evan uses a spell, “orange light fired out and hit the troll in the face. Daisies sprouted from the troll’s head, and his nose started blinking like a holiday light.”
  • During the story, several of the characters smash a crystal that opens a magical doorway.
  • Evan uses the “Monstrous Transformation spell,” which makes him become large.

Spiritual Content

  • None

 

The Turtle Invasion

Max receives an urgent message. The Battle Bugs need his help. An old enemy has returned and this time the enemy has vowed to destroy every bug. An epic fight is about to begin, and only Max can save the day.

For those who have read the previous Battle Bug books, the appearance of General Komodo brings suspense. The Turtle Invasion brings the gecko and bullet ants into focus and readers will learn interesting facts about each species. The bug (and human) characters are not developed as well as they were in the previous books; however, seeing a human through a bug’s eye gives the story interest. The fighting between lizards and bugs adds suspense with kid-friendly descriptions.

The plot of The Turtle Invasion has the same structure as previous books. The bugs need help. Max appears. Max is almost eaten by a creature. Max survives and is the only one who can save the Battle Bugs. Although younger readers might not mind the repetitious plot, some may find the story less enjoyable.

Readers should read earlier books in the Battle Bugs series because many of the characters were developed in previous books. Even though The Turtle Invasion has some longer, descriptive paragraphs, the text is easy to read. Dialogue, Max’s thoughts, onomatopoeia, and full-page illustrations help keep readers engaged.

Sexual Content

  • None

Violence

  • When Max arrives on bug island, a gecko wants to eat him. Max, “head-butted the gecko right on its nose. The gecko squealed and clutched its face. With one last surge of energy, Max flung the lizard away from him.”
  • General Komodo leaps onto Max. “Max let out a yell as Komodo’s claws grabbed hold of him and he went tumbling to the ground.” Later Komodo chases Max up a tree. Komodo is able to break the tree branch Max is on. “The impact knocked the wind out of him (Max). He lay on his back, fighting for breath.” Max is then taken to prison.
  • When Max escapes from prison, a gecko grabs him. “The gecko shoved Max down against the ground. Max twisted in pain. . .” Bullet ants appear and swarm the gecko, and “then the stinging began. The gecko yelped in pain, let go of Max, and went hobbling off toward the beach.”
  • The two armies fight. During the battle, “hornets zoomed down from the sky, struck with a barrage of stings, and then soared out of range of reptile jaws.” The bugs end up victorious.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Max has a magic book that takes him to Bug Island. When he looks at the book through a magnifying glass, “a familiar force snatched him off his feet. The room around him seemed to swell and swirl. He went tumbling down into the book.” When he lands on Bug Island, he is the size of a bug.

Spiritual Content

  • None

The Lizard War

Max loves everything about bugs, so his mother gives him an old book full of insect pictures. When Max peers into the book, he suddenly finds himself on Bug Island—and he’s the size of a bug. When he arrives on Bug Island, he finds out that the bugs are under attack. Lizards have found their way to Bug Island. The lizards are looking for yummy snacks: the bugs of the island. Max isn’t sure how he ended up on the island, but he knows he can help the bugs win the battle.

The Lizard War jumps into action in chapter two and leads the reader on a fun, imaginative journey through a bug’s life. The story teaches facts about bugs through an engaging storyline. The bug (and human) characters are well-developed and show unique personalities. Seeing a human through a bug’s eye gives the story interest and humor. The fighting between lizards and bugs adds suspense with kid-friendly descriptions.

Even though The Lizard War has some longer, descriptive paragraphs, the text is easy to read. Dialogue, Max’s thoughts, onomatopoeias, and full-page illustrations help keep readers engaged. Through the actions of the bugs, readers will learn about the importance of working together. Although the story focuses on bugs, any reader who enjoys reading about battles will enjoy The Lizard War.

Sexual Content

  • None

Violence

  • Max is riding a scorpion when a lizard begins bullying the scorpion. When the lizard is distracted, “the scorpion darted forward, taking the reptile by surprise. Before it could react, the scorpion snapped one of its pincers onto the lizard’s nose. The lizard gave a high-pitched hiss and backed away, twisting its head in pain.”
  • The lizards battle the other insects. During the battle, the scorpion “aimed his stinger straight for its nose. The reptile fell back, writhing on the ground in pain.” Later in the battle, “the giant hornet and other flying insects started dive bombing the lizards on the bridge, flying at them wherever they could.” The battle takes place over a chapter. None of the bugs or lizards are seriously injured.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Max has a magic book that takes him to Bug Island. When he looks at the book through a magnifying glass, “the room started to swirl around him, making him dizzy. . . His stomach flipped over, and for a moment he felt like he was falling.” When he lands on Bug Island, he is the size of a bug.

Spiritual Content

  • None

The Locker Ate Lucy!

As hall monitor, Sam Graves is supposed to keep the kids of Eerie Elementary safe. Sam and his friends, Lucy and Antonio, know the school is alive, but they’re not prepared for how scary the school can be. When a locker eats Lucy, it’s up to Sam and Antonio to save her. Will they be able to save Lucy before they become Eerie Elementary’s lunch?

The next installment in the Eerie Elementary series, The Locker Ate Lucy, will continue to captivate readers because of its spooky, action-packed fun. Many of the pages end with cliffhangers that will make the reader want to continue reading. Black-and-white illustrations and onomatopoeia help create the story’s tone. The book contains simple sentence structures and a straightforward plot.

The easy-to-follow plot is entertaining and appropriate for newly independent readers. However, The Locker Ate Lucy will be enjoyed by older readers as well. Those who enjoy the Notebook of Doom series will want to jump into the world of Eerie Elementary. Readers will enjoy seeing the friends work together and come up with creative ways to escape. The story ends with discussion questions that add to the learning value of the book.

Sexual Content

  • None

Violence

  • When a locker eats Lucy, Jack and Antonio go into a vent to search for her. In order to stop them, “the vent squeezed tighter, closing around them! It pressed against Sam’s shoulders. It pressed against his legs.” They escape when the vent comes to an end.
  • A lunch cart tried to make Sam and Antonio its lunch. “CLICK CLACK! The lid snapped like a mouth as it rolled toward them. . . Then just as it was about to hit them, the boys jumped out of the way.”
  • Everything in the basement comes to life. A dodge ball, a Frisbee, and “roller skates that shot toward his legs like cannonballs” fly towards Sam and Antonio. When they try to run, “something long that looked like a spear was headed for Antonio. A whiffle ball bat.”
  • A “maze of rusty old pipes” are alive and have Lucy, who is “suspended in midair, hanging upside down. One of the pipes was wrapped around her ankle.”
  • When Sam and Antonio free Lucy, the school tries to drown them. “Water bubbled up through the crack in the floor. It was rising fast.” The friends are able to escape.
  • Sam ends up alone in the cafeteria. As he was hanging from a curtain, “the water on the lunchroom floor began rising. It was taking shape. It was becoming something. . . The water was taking the form of a giant hand.” The hand tears the curtain that Sam is hanging on, but Sam comes up with a plan to save himself.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • “Orson Eerie was a mad scientist. He was also the architect who designed Eerie Elementary almost one hundred years ago. Orson Eerie found a way to live forever—he became the school. Orson Eerie was the school, and the school was Orson Eerie! Eerie Elementary was a living, breathing thing that fed on students.”

Spiritual Content

  • None
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