Topic: Family

Healer of the Water Monster

The prospect of spending his summer in Phoenix with his father and his new girlfriend, Leandra, makes Nathan feel sick to his stomach. Still unsettled by his parent’s impending divorce, Nathan decides to spend his summer with his grandmother, Nali. At her mobile home, away from cell service and the luxuries of modern technology, Nathan starts a summer project to keep him busy that involves growing corn in his grandmother’s garden.  

However, his summer gets off to a more exciting start than Nathan bargained for when his corn seeds start going missing. While trying to catch the thief in action, Nathan stumbles across a water monster named Pond, a creature from Navajo legend that can control the water. However, Pond’s lake is dried up and his power is fading, rendering him unable to sing the water monster songs that bring rain to the area. Nathan learns that Pond has been poisoned by radiation from a nearby excavated uranium mine. To save Pond, Nathan needs to go to the Third World and get medicine from Mother Water Monster, the strongest of all water monsters. 

Meanwhile, Nathan’s Uncle Jet is struggling with his alcohol addiction. Nali wants Uncle Jet to have an Enemy Way Ceremony, a cleansing ritual that will help Jet on his road to recovery. However, Uncle Jet is against the ceremony since he is depressed and doesn’t believe it will work. Nathan discovers that an Ash Being is clinging to Uncle Jet, a dark creature who is increasing Uncle Jet’s feelings of hopelessness.  

After learning a few water monster songs to protect him in the Third World, Nathan unites with other Holy Beings, such as Wind and Darkness, to meet Mother Water Monster. They solve a series of puzzles in the Third World before meeting her and getting the medicine for Pond. Nathan returns home to discover that Mother Water Monster did not give him medicine, but a rock instead, and Pond passes away. Nathan feels all his work was in vain, but Changing Woman, a Navajo Holy Being, reassures him: “You gave Pond a great pool of hope, for his own health and for the return of the rains. Hope is a very powerful medicine and can give every minute we have alive a great deal of meaning and worth.” 

Nathan realizes that he has someone else who needs hope – his Uncle Jet. He rushes to be present at Uncle Jet’s Enemy Way, in which the Ash Being is successfully expelled. The story ends as Nathan discovers that the rock is actually a water monster egg, which is now his duty to care for and continue Pond’s legacy.  

The main theme of Healer of the Water Monster, as Nathan learns, is hope. Nathan feels hopeless for various reasons: he struggles to learn the water monster songs, his parents are unhappy, and he’s losing his friend, Pond. However, by relying on others and asking for help when he needs it, he is able to prevail. The other characters, such as Uncle Jet, learn this valuable lesson too.  

Readers will find that Nathan is a relatable character due to his insecurities. He admits that he is afraid of the journey to the Third World and doubts that he is the right person to make such a dangerous and important journey. However, with reassurance from his friends, Nathan accepts that it’s his duty to help the water monsters. At the end of the story, Nathan also takes the responsibility of passing on the water monster’s songs to the baby water monster, who is a symbol of hope. 

This story, the prequel to Heroes of the Water Monster, is easier to read than the second book. There are only two main plots in this story, while the second book is difficult to follow due to its much larger scope. Thus, in Healer of the Water Monster, the reader is able to learn about Nathan in more detail. The inclusion of Navajo culture is interesting and straightforward, and it doesn’t overshadow the plot of Uncle Jet and his struggles with alcoholism. Uncle Jet’s dark thoughts brought on by the Ash Being and his PTSD from serving as a marine are heavy topics for this story but mentioned sparingly. Healer of the Water Monster focuses more on spreading hope, overcoming insecurities, and looking to the future than it does on the fantasy action which makes it more thoughtful – but not any less worthwhile – than its sequel. Readers who want to connect with other Indigenous characters should also read Rez Dogs by Joseph Bruchac and When the Butterflies Came by Kimberley Griffiths Little.  

Sexual Content  

  • None 

Violence  

  • Nathan accidentally gets hurt while trying to pass by a fight and gets knocked out. “Two big men [were] fighting each other in the middle of the cars and trucks. They were cursing and saying many things that would make his mom mad. Their fists and knees slammed into each other’s bodies. . . They both fell to the earth, and a large dust cloud bloomed around them. Some dust flew into Nathan’s eyes. As he was rubbing his eyes, Nathan felt the full weight of two massive bodies pushing him up against the car. . . Nathan fell to the earth. Last thing he remembered, he heard a loud smack and then a lightning-like flare of pain made his vision blurry, then go dark.” 
  • Darkness uses its powers on a man who steals. “Darkness wrapped the shadows around the man. The man knelt down. His screaming was muffled, as if his head were under a pillow. The man screamed and writhed. It was kind of terrifying, and Nathan hoped the man wasn’t in pain. In seconds, the shadows unraveled, and like black ink slipped off the man, who was sound asleep.” 

Drugs and Alcohol  

  • Uncle Jet smokes once. “When [Uncle Jet] noticed Nathan was heading toward him, Uncle Jet quickly put out his cigarette.” 
  • Devin, a medicine man that Nathan and Nali visit, smokes tobacco. “Devin lit the tobacco with a lighter and puffed on it.” 
  • Uncle Jet is an alcoholic. This is mentioned multiple times in the story, but there are only a few instances where the reader sees him drinking. For example, Nathan finds Uncle Jet sleeping after many drinks. “The stench of alcohol crept up Nathan’s nostrils.” Nathan leaves him to rest. 
  • Uncle Jet takes Nathan to a party where people are drinking and he has a few drinks. “A crowd passed brown bottles and silver aluminum cans around. . . Uncle Jet chugged a can.” 

Language    

  • Nathan calls someone “stupid.” 

Supernatural  

  • The Water Monsters are a group of Holy Beings that play a central role in the story. They are creatures of legend from Navajo stories that inhabit bodies of water and look like lizards. They have many powers, including controlling water, turning it to ice, using it to travel long distances, and more. Other than Pond, Nathan’s water monster friend, Nathan also meets Mother Water Monster. “Far in the distance, a creature of titanic proportions rose from the water. Waterfalls cascaded from its scaly body. . . Water cleared from the face of the creature, and a pair of bloodred eyes stared at Nathan.” 
  • To control water, water monsters sing songs. Nathan learns some of these water monster songs; this allows him to freeze water and control it. Nathan freezes a water bottle to prove to his father that the water monsters, and their songs, are real. “Nathan stopped singing in his mind. . . [he] handed his father the water bottle that he had frozen completely solid. Both his father and Nali looked at the bottle in utter surprise. Tiny frost crystals had formed on the outside.” Later, Nathan uses the same song to freeze a lake in the Third World. 
  • Nathan discovers that a horned toad-looking creature is stealing his seeds. This creature, Seed Collector, is a being from the Third World. He can speak and stand on two legs. “Shocked, [Nathan] froze in place when he saw the large horned toad standing on its hind legs and holding a glowing quartz crystal. Atop its head was a tiny, horizontally striped turkey feather. A turquoise necklace dangled around its thorny neck. . . a trail of cactus flowers followed it, hovering right about its shoulder area.”  
  • Nathan has a turquoise stone that allows him to communicate with all beings. He uses it to speak to the water monsters and Holy Beings.  
  • Nathan befriends a spider. Nathan uses his communication stone to talk to Spider. She comes with him on the journey to the Third World, spinning webs for him so that Nathan can find his way back to the Fourth World. 
  • An Ash Being is a shadow-like creature that feeds on one’s fears and worsens feelings of anxiety and depression. Nathan notices that an Ash Being has latched onto his Uncle Jet. At one point, it latches onto Nathan, calling him “worthless” and making him feel depressed for a short time until the Holy Beings scare it away. 
  • A butterfly with rainbow wings called Changing Woman – a Navajo Holy Being – congratulates Nathan on his return from the Third World.  

Spiritual Content  

  • This story centers around Navajo beliefs, which are mentioned frequently. The main focus is the Holy Beings who help Nathan rescue Pond, including Wind and Darkness, figureless beings that are the personification of wind and darkness. The Navajo language is also used frequently, which can be translated with the glossary in the back of the book.  
  • The Third World and Fourth World are mentioned in the story multiple times. Humans occupy the Fourth World, while Holy Beings such as Water Monsters and more live in the Third World. A large part of the story is Nathan’s journey to the Third World to meet Mother Water Monster. 
  • The story describes these different worlds and how they came to be. “Ages before humans lived in our current Fourth World, it has been said that the ancestors of the Navajo left the mists and clouds of the Second World for the shimmering waters of the Third World. First to crawl onto the land were the beings of thought, First Woman and First Man. Second were the beings of land, Coyote, Turkey, Deer, Turtle, Cougar, Bear. . . ” This Navajo creation story spans four pages and describes how Coyote steals a baby water monster, enraging Mother Water Monster who attempts to destroy the third world, prompting the First Man, First Woman, and creatures of land into moving to the Fourth World where they now reside.  
  • An Enemy Way is a Navajo ceremony that people undergo when they experience trauma in their lives and undergo a spiritual cleanse to aid the process of recovery. A large aspect of the story is Uncle Jet undertaking this ceremony to start his road to recovery. In this multi-day ceremony usually for warriors who have returned from war, singing and other rituals are used to combat the dangerous effects of ghosts. 
  • A few times in the story, sweetgrass is discussed. The Navajo use sweetgrass as medicine that they burn and inhale the smoke of to purify the spirit and energize the body. Pond uses his sweetgrass to prolong his life and inhales it a few times. Two times, he lets Nathan do it too. “Nathan picked up the sweetgrass and held it in front of the water monster’s nose. The water monster blew upon it and small embers ignited. Soon, a sweet smoke wafted through the air and into its nostrils. Some of the smoke entered Nathan’s nose, and in an instant, he was no longer tired. He was alert, like he had awakened from the night of great sleep, though he was still hungry and thirsty.” 
  • Other sacred objects include corn pollen and turquoise; both of which are mentioned a few times in the story.  

Jasmine Toguchi, Super Sleuth

It’s a big weekend for Jasmine Toguchi! She’s excited to celebrate Girl’s Day—a Japanese holiday honoring women and girls—with her sister, mother, and best friend, Linnie.  

On Friday after school, Linnie comes over to plan their outfits for the Girl’s Day celebrations, and Jasmine’s neighbor, Mrs. Reese, lets them search through her old clothes for the perfect accessories. But the clothes are in her dark garage, which is kind of scary. And then Linnie decides to go home early, which is kind of weird. Plus Jasmine’s big sister, Sophie, doesn’t seem to want to join in the Girl’s Day fun this year, which is kind of confusing. WHAT is going on?

As her big weekend plans start to unravel, Jasmine must use her sleuthing skills to spot the clues around her. Then maybe, just maybe, she can put everything back in order before Girl’s Day is over! 

Jasmine Toguchi, Super Sleuth explores the topic of friendship with a relatable conflict between Jasmine and her best friend, Linnie. Jasmine and Linne play dress-up at their neighbor Mrs. Reese’s house. Afterward, they do not have time to properly clean up. Jasmine tells Mrs. Reese that it was Linnie’s fault that the clothes weren’t put away right. This upsets Linnie, who then tells Jasmine’s mom that she wants to go home. When Linnie explains why she is upset, Jasmine thinks, “Linnie was snitching on me! She was not a good friend at all.”  

After Linnie goes home, Jasmine “was afraid Linnie would be mad at me forever. I was afraid she would not be my friend anymore. I needed to make things right.” Jasmine realizes that even though she tries to be a super sleuth, she “missed some important clues” that prove Linnie is a super friend. In the end, even though it’s difficult, Jasmine apologizes and the friendship is repaired.  

The story is accessible to fluent readers who are ready for a book with multiple plots. Black and white illustrations appear every two to three pages and show Jasmine’s daily life. Many of the illustrations show the characters’ facial expressions, which will help readers understand the characters’ emotions. Another positive aspect of the story is that difficult words are explained within the text. For example, Jasmine’s teacher asks the class what a detective is. Jasmine answers, “A detective is someone who solves mysteries by using clues. Another word for detective is sleuth.”  

Even though Jasmine Toguchi is a series, the books do not need to be read in order because each book focuses on a new storyline. And for even more fun, the back of the book has directions on how to make origami paper dolls. 

Young readers will enjoy the engaging plot of Jasmine Toguchi, Super Sleuth. With relatable conflicts, positive adult role models, and a kind protagonist, Jasmine Toguchi, Super Sleuth will please young readers and their parents. One of the best aspects of the story is how Jasmine uses her powers of observation to solve a mystery and understand others. In addition, the story has positive life lessons about friendship, communication, and dealing with changes. Jasmine’s mom says, ”Change doesn’t have to be a bad thing. Growing up. . . is a part of life. Just make sure you’re doing things because you want to, not because of what others might think.” Jasmine Toguchi, Super Sleuth will appeal to many readers, especially those who love to imagine themselves as super sleuths. For another educational and entertaining mystery, check out King & Kayla and the Case of the Secret Code by Dori Hillestad Butler. 

Sexual Content  

  • None

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • Jasmine’s friend, Linnie, celebrates Hanukkah. However, the holiday is not described. 

Life in the Balance

Veronica Conway has been looking forward to trying out for the All-Star softball team for years. She’s practically been playing softball since she was a baby. She should have this tryout on lock. Except right before tryouts, Veronica’s mom announces that she’s entering rehab for alcoholism, and her dad tells her that they may not be able to afford the fees needed to be on the team.

Veronica decides to enter the town talent show in an effort to make her own money, but along the way she discovers a new hobby that leads her to doubt her feelings for the game she thought she loved so much. Is her mom the only one learning balance, or can Veronica find a way to discover what she really wants to do with her life?

Life in the Balance takes a close look at how alcoholism affects Veronica, as well as her family and friends. When Veronica’s mom goes into rehab, Veronica is embarrassed so she doesn’t tell anyone. This, in addition to softball tryouts, adds a lot of stress to Veronica’s life. Since the book is written from Veronica’s point of view, readers get an inside look at her struggles. Often, Veronica worries that her behavior may hurt her mother and force her to revert to drinking alcohol. Readers who know someone who has been affected by alcoholism will learn positive ways to cope. However, because most of the story revolves around Veronica’s inner turmoil, there is little suspense or action.

Readers who want a fast-paced sports book will be disappointed by Life in the Balance, which has no play-by-play softball action. While Veronica says that she loves playing softball, trying out for the All-Star softball team only brings her stress. This is partly because Veronica’s family has a history of playing softball. This includes Veronica’s mom, her grandmother, and her great-grandma, who played in the All-American Girls Softball League during World War II. Unfortunately, Life in the Balance’s only softball action is when Veronica goes to practice, but even none of the scenes are described in detail.

Readers affected by alcoholism will be able to relate to Veronica’s struggles and gain insight into the importance of getting professional help. Readers who aren’t interested in the topic of alcoholism will have a hard time finishing the book because of its singular focus and slow pace. If you’re looking for a more exciting book that deals with alcoholism, check out The Secret Sheriff of Sixth Grade by Jordan Sonnenblick. For a fast-paced softball story that also deals with middle school angst, catch a copy of Much Ado About Softball by Rajani LaRoca and Out of Left Field by Ellen Klages.

Sexual Content  

  • During a “Growing Up” lesson at school, the teacher “didn’t separate the girls and the boys because he wanted to make sure kids questioning their gender would be comfortable.” 
  • One of Veronica’s friends’ “parents kiss a lot in public, which makes us blush and avert our eyes.” 

Violence  

  • None 

Drugs and Alcohol  

  • Veronica’s mother is an alcoholic who enters rehab after she goes to work drunk. Veronica’s mom says, “I drank a bit too much during my lunch meeting. I hadn’t quite, um, gotten back to normal, and the client I was meeting with noticed what was going on. She, uh, told my boss.” 
  • Veronica and her dad go to the rehab center to visit. While taking a tour, Veronica’s dad says, “This reminds me of the dorm room I had senior year of college. . . The kitchen was such a mess, too, always covered in empty beer bot—” Veronica thinks her dad looks upset, “like just mentioning the word beer he’ll get in trouble.” 
  • Veronica takes Tylenol for a headache. 

Language  

  • None 

Supernatural 

  • One of Veronica’s friends gets a psychic reading from her aunt, who says, “The future is looking bright and the people [she] loves won’t let me down.” 

Spiritual Content  

  • None 

The Hero Two Doors Down

This book is based on the true story of a boy in Brooklyn who became neighbors and friends with his hero, Jackie Robinson. 

Stephen “Steve” Satlow is an eight-year-old boy living in Brooklyn, New York who cares about only one thing: the Dodgers. Steve and his father spend hours reading the sports pages and listening to games on the radio. Aside from an occasional run-in with his teacher, life is pretty simple for Steve. 

But then Steve hears a rumor that an African-American family is moving to his all-Jewish neighborhood. It’s 1948 and some of his neighbors are against it. Steve knows this is wrong. After all, his hero Jackie Robinson broke the color barrier in baseball the year before. 

Then it happens — Steve’s new neighbor is none other than Jackie Robinson! Steve is beyond excited about living two doors down from the Robinson family. He can’t wait to meet Jackie. This is going to be the best baseball season yet! How many kids ever get to become friends with their hero? 

Steve’s childhood is chronicled in the first five chapters of The Hero Two Doors Down. While this allows readers to understand Steve’s behavior, the story has a slow start. Much of the story focuses on Steve’s inner thoughts and lacks actions. Despite that, anyone who admires Jackie Robinson will enjoy the story.  

Since Jackie Robinson is the main character in The Hero Two Doors Down, readers might expect a story about baseball. However, there is little baseball action because the story focuses on Steve’s relationship with Jackie. This gives readers an inside look into Jackie’s personal life and highlights his positive attributes. Jackie’s influence changed Steve from an angry boy who used his fist to solve problems to a boy who understood that “punching someone who has verbally attacked you will only make things worse.” 

The Hero Two Doors Down illustrates important life lessons including the importance of self-control. At times the adults are preachy, but this makes the message impossible to miss. By reading the book, readers will learn positive ways to interact with others, even when they both disagree. Jackie helped Steve learn that “You’ll become your best self if you stay focused, set goals, and don’t let anyone stop you from making your dreams come true.” While the story lacks baseball action and has a slow pace, the book’s message makes it worth reading. Readers who want to learn more about Jackie Robinson should also read Play Ball, Jackie! by Stephen Krensky. Readers looking for more baseball action can find it in The Contract Series by Derek Jeter and Prime-Time Pitcher by Matt Christopher. 

Sexual Content  

  • None 

Violence  

  • Steve gets into trouble after school. He hears that his teacher, Miss Maliken, plans to make a home visit. Steve and his best friend, Sena, try to stop her. “Sena’s hand reached toward Miss Maliken, but I followed her lead. Together we pushed Miss Maliken, then watched in shock as she toppled over the hedge. The air filled with her screams. . . Women scrambled to help her.” Steve is suspended from school. 
  • Steve’s grandparents “fled Russia, along with two million other Jewish families, hoping to find freedom to practice their religion . . . In Russia, Jews were treated very badly. . . There was a lot of violence against them, and many men, women, and children were hurt or killed simply because they were Jewish.” 
  • Some players are upset that Jackie is playing baseball. “He’s been hit six times by pitchers and been insulted plenty just because he’s a black man in a previously all-white game.” Some of the players also tried to “slide into second base with their cleats pointing forward. It was dangerous and could lead to a serious injury for the second baseman.”  
  • When Jackie was in school, he joined a gang. He said, “We didn’t do anything really bad. . . stole some golf balls and sold them back to the golfers. . . took fruit from stands.”  
  • During a pick-up game, Steve drops a ball. Afterwards, “Several boys on our team ran over to me.” When they started calling Steve names, he “jumped up from the ground. . . and got in their faces. . .” Sena tried to drag Steve away, but Steve “pulled [his] arm away and jammed it into the belly of one of [his] attackers instead of retreating. The boy punched [him] hard in the gut. [He] dove into the other boys.” Sena and Steve finally run away. 
  • Steve has some anger issues and he “was sent to the principal’s office because [he] bloodied a classmate.”  

Drugs and Alcohol  

  • None 

Language  

  • Some boys call Steve a sissy and a liar. 
  • Someone calls Steve a chicken. 

Supernatural 

  • None 

Spiritual Content  

  • Steve and his family are Jewish and occasionally pray, but no actual prayers are included. 
  • Steve’s family celebrates Hanukkah. On the first night, “when your father lights the first candle, he will say a special prayer asking for peace in Israel . . .” 
  • Jackie gives Steve a Christmas tree. Steve’s parents want to return the tree because “it is a symbol of a Christian holiday. Like Hanukkah, Christmas is part religious holiday and part tradition.” 
  • Steve’s favorite part of Hanukkah is “watching my father pray for peace, understanding, and friendship . . . I learned that whether you are Christian or Jewish, we both pray to God.” 

You Throw Like a Girl

Gabby’s summer vacation isn’t shaping up to be that great. Her dad was just deployed overseas, and Gabby is staying at her grandmother’s house with her mom and baby sister until he returns.

The one bright spot is that Gabby plans to sign up for the local softball league—her greatest love and a passion that she shares with her dad who was a pitcher in college. But when Gabby goes to sign up for the summer league, she discovers there isn’t enough interest to justify a girls’ team this year. And to top it off, a horrible miscommunication ends with Gabby signing up to participate in the Miss Popcorn Festival—the annual pageant that Gabby’s mom dominated when she was younger.

Besides not having any interest in pageant life, Gabby made a promise to her dad that she would play softball for the summer. Since her pitching skills rival any boy her age, Gabby creates a master plan: disguise herself as a boy and sign up for the boys’ baseball team instead—while also trying to win the pageant to make Mom happy. Can Gabby juggle perfecting her pageant walk and perfecting her fastball? Or will this plan strike out? 

Told from Gabby’s point of view, You Throw Like a Girl revolves around Gabby’s deception. This creates suspense because there is always the possibility that others will find out her secret. Through much of the story, Gabby tries to justify her behavior. For example, Gabby wonders, “Maybe I had lied to people and fooled them, but was it so wrong when the reason was for someone else?” Gabby’s lies begin to pile up, but she never considers how her deceit will affect those around her. After one of the pageant contestants threatens to reveal Gabby’s secret, Abby finally confesses her wrongdoings. Despite this, Gabby doesn’t show regret or much personal growth. 

You Throw Like a Girl has a simple plot that makes the story easy to read and understand. In addition, the story has a positive message: “It’s a lot better to be yourself than someone you’re not.” Gabby’s experiences also explore the theme of friendship through the supporting characters Owen and Erin. While Owen and Erin are good friends, Gabby is not because she is too focused on herself and lacks empathy. In addition, when Gabby’s secret is finally revealed, everyone forgives her quickly and she receives no punishment, which is unrealistic and downplays Gabby’s bad behavior.  

Despite the story’s flaws, many middle-grade readers will enjoy You Throw Like a Girl because of the funny situations Gabby experiences. Readers will also relate to Gabby’s conflict with her mother and her desire to please her parents. Through it all, Gabby’s family is shown in a positive light and the adults display healthy communication. Readers who are drawn to the story because of the cute cover of Gabby pitching may be disappointed by the lack of baseball action. However, readers who are looking for a lighthearted story that doesn’t delve into heavy issues will find You Throw Like a Girl entertaining.  

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language  

  • Heck is used four times. 
  • Darn is used twice. 

Supernatural 

  • None 

Spiritual Content  

  • One of the baseball players’ father picks Gabby up for a game. He thinks about introducing himself to Gabby’s mothers, but she talks him out of it. Gabby, “said a silent prayer that he wouldn’t decide to get out of the van.” 
  • When she is dressed like a boy, Gabby goes into the girl’s bathroom. Two little girls scream and Gabby “prayed their parents weren’t outside and about to come racing in to find out what was wrong.” 

Throw Like a Girl

When softball star Liv Rodinsky throws one ill-advised punch during the most important game of the year, she loses her scholarship to her fancy private school, her boyfriend, and her teammates all in one fell swoop. With no other options, Liv is forced to transfer to the nearest public school, Northland, where she’ll have to convince their coach she deserves a spot on the softball team, all while facing both her ex and the teammates of the girl she punched. . . Every. Single. Day.

Enter Grey, the injured star quarterback with amazing hair and a foolproof plan: if Liv joins the football team as his temporary replacement, he’ll make sure she gets a spot on the softball team in the spring. But it will take more than just a flawless spiral for Liv to find acceptance in Northland’s halls, and behind that charismatic smile, Grey may not be so perfect after all. 

Readers will instantly connect with Liv, who is a hard-working, spunky protagonist worthy of admiring. When Liv is forced to change schools, she is determined to prove that she will be an asset to the softball team. Even though Liv joins the football team to impress the softball coach, Liv doesn’t slack or complain. Because of her competitive nature, Liv gives the football team 100% and proves to the players and the coaches that she is an integral part of the team. While Liv’s work ethic and athletic ability are admirable, Liv’s loyalty to her family and friends makes her lovable. However, Liv is not portrayed as a perfect person; teens will relate to Liv’s flaws and insecurities. Plus, Liv’s lively personality makes Throw Like a Girl incredibly fun to read.  

Liv is surrounded by well-developed and likable supporting characters. Liv’s family is an important part of the story and her little brother is adorable. While Liv’s family don’t always agree with each other, they (usually) don’t hide secrets from each other. The family’s healthy dynamics make it easy to fall in love with them. However, Grey steals the show with his winning smile, his charismatic personality, and his confidence in Liv’s football skills. There are plenty of swoon-worthy moments that will have the reader’s hearts melting.  

Throw Like a Girl has the perfect amount of football action, teen drama, and romantic moments. In addition, the story has a positive message because Liv learns that “standing up for yourself doesn’t mean walking away.” Readers will cheer for Liv when she’s on and off the field and by the end of the book, Liv will feel like a favorite friend. Throw Like a Girl is so charming that it will appeal to both sports fans and romance enthusiasts. For more sports and swoon-worthy moments read Defending Taylor by Miranda Kenneally and Better Off Friends by Elizabeth Eulberg .

Sexual Content  

  • When Liv first begins playing football, she is nervous about being a quarterback. During practice, Liv is uncomfortable because “for the eighth time in so many minutes, my hands are hovering near the rear-end seam of his pants. Like, right underneath his junk. Big, bulgy, manly junk.” 
  • Before a football game, Grey meets Liv outside the girl’s locker room. Grey’s “fingertips graze my cheek, moving down until they gently tip up my chin. My pulse stutters. . .” Before they can kiss, a friend interrupts them.  
  • When Liv drives Grey home, they sit in the car and talk. Then, “Grey closes the space between us, his lips warm against mine. They’re softer than I imagined, but the scrape of stubble pressing into my chin is 100 percent rough-and-tumble boy.” They stop when the porch light comes on. 
  • Grey and Liv kiss often. However, most of the kisses are not described. For example, Grey shows up at Liv’s house to check on her and her “arms lock his neck, lips to his.” 
  • During one conversation, between Liv and Grey, she thinks “We’ve made out and I’d love to do it again rightthehellnow. . .” Later in the conversation, Grey asks Liv to be his girlfriend. Liv “answer[ed] him with a kiss. Hard and full.”  
  • When his parents are away for the weekend, Grey invites Liv in and takes her to his bedroom. Then he tells Liv a secret. Liv “close the distance between us, twisting to push up onto my knees, draping my arms over his shoulders. . . I’m looking down on him, my chest touching his, the end of my hair pooling against his collarbone. . . And then I kiss him.” The scene ends here. 
  • Liv and Grey have an argument. A few days later, at football practice, they make up. “Even with the eyes of our teammates on us, he dares to touch my face, his strong hands cupping my cheeks, rough thumbs dusting my mouth in the breath before his lips crash into mine. Immediately, I wrap my arms around his waist. The hard planes of his chest conform to my curves. . . The wolf whistles start. . . It’s only by sheer, indoctrinated willpower that I’m able to pull myself out of the kiss.” 

Violence  

  • Liv’s sister, who is a lesbian, is the softball coach. During a softball game, a member of the opposing team, Kelly, says, “Does it bother you? Your sister being paid to check out your teammates?” When the game is over, Liv attacks Kelly. Liv describes, “The knuckles of my hand smack her straight across the ski jump of her obnoxiously pert nose, and we tumble to the infield dirt. I have her pinned, my butt across her kidneys, knees on either side of her squirming stomach.” When the girls are torn apart, Kelly has a bloody nose and Liv has a black eye. The fight is described over three pages.  
  • During a football game, the opposing team is unnecessarily rough. One of the payers, Jake, gets tackled and afterwards he does not move. The coaches go out to check on him and call for a medic. Liv “exhale[s] as I realize that though they’re keeping him steady, not a single one is gripping him like he’s not moving under his own power. I can see Jake’s mouth moving. Blood streaming down from a cut over his left eye.” Jake is not seriously hurt.  

Drugs and Alcohol  

  • During dinner, Liv’s adult sister drinks wine and her father “pops open a beer.” 
  • Grey takes Tylenol for a headache.  
  • After Liv goes on a date, her dad waits up for her. When she arrives, he has a “beer in hand.” Another time when Liv gets home, her father and sister are waiting for her and they both are drinking beer. 
  • Before the story begins, Grey was driving drunk and crashed into a tree. The accident isn’t described.  

Language  

  • Profanity is used profusely. Profanity includes ass, asshole, bastard, bitch, crap, damn, dick, freaking, goddammit, hell, and shit. 
  • God is frequently used as an exclamation.  
  • Christ and Jesus are used as an exclamation several times. 
  • After fighting the opposing team, Liv thinks, “Maybe all the soccer players in Kansas City are smart enough to know that gay people aren’t pedophiles.” 
  • When a football player flips someone off, the coach says, “Put down that hand, Rogers, or I’m taking that finder as a sacrifice to the god of high school football. Might take that senior captain title, too, for good measure.” 

Supernatural 

  • None 

Spiritual Content  

  • While talking about sports, Liv’s best friend says, “God did not make you a volleyball player, that’s for sure . . .” 

Nic Blake and The Remarkables: The Manifestor Prophecy

Nic Blake has a secret to keep from the rest of the world—she has a magical power called the Gift. This makes her, like her father, a Remarkable. Nic explains her life as a Remarkable in an Unremarkable world, “an Unremarkable . . . doesn’t have the Gift or any supernatural ability.” Nic knows that the majority of people in her town are Unremarkables and that “a majority of Unremarkables don’t know about the Gift or know that Remarkable creatures exist. Though Nic knows she has these powers, she still does not know how to use them. As she is about to have her twelfth birthday, Nic is excited that, “My dad’s gonna teach me how to use the Gift so I can finally be a real Manifestor.” Nic reveals, “Although we Manifestors are born with the Gift inside of us, we still have to learn how to use it, and there are lots of ways to use it, too.”

In Jackson, Mississippi, Nic is happily living with her father, Calvin, and hanging out with her best friend, JP. Her world is about to change, however, when Nic’s mother, who Nic has not seen since she was a baby, suddenly reappears in her life—along with a twin brother, Alex, whom Nic didn’t know she even had. Nic’s twin brother Alex and Nic’s mom reveal that they had to find Nic because her father has been accused of stealing a magical weapon by the Remarkable government. Nic’s mom and her brother have come all the way from the land they call home, Uhuru, a super technologically advanced city where only Remarkables live, to find Nic.

When Nic’s dad is accused of stealing a dangerous, magical weapon, Nic, JP, and Alex must set out on a quest to find the magical weapon and prove that Nic’s father is innocent. Along the way, Nic shows herself to be an extremely insightful Manifestor, even though she doesn’t know how to control the Gift. Throughout the novel, Nic learns more about her powers as well as how they connect with her ancestry. For instance, Nic recalls a story about how some of her ancestors who were caught by slavecatchers were freed by a Manifestor who “whispered ancient words to them, and they remembered who they were . . . They flew off like birds to freedom.” Nic recognizes that the Gift “helps us when we need it,” and gradually learns how to use her powers.   

Nic is an extremely empathetic character, who struggles to comprehend having a mom and brother enter her life unexpectedly. Nic explains, “It feels like my world was made of sand and I didn’t know it, and a gigantic wave has crashed in, wiped it out, and left me with something that doesn’t resemble my life.” Readers will appreciate the sacrifices Nic makes to prove her father’s innocence, even though her family dynamic is completely uprooted. Nic thinks, “I never would’ve thought that my dad would be a wanted criminal . . . it’s hard to believe this is my life.” Nic’s father admits his mistakes in keeping secrets from her. Nic’s dad says, “No matter my reasoning, I kept you from an amazing mom and brother.”  

Another reason readers will love Nic is that she is a very open-minded character and treats each new person she meets with respect, Remarkable or not, because her father has taught her that “some Manfestors like to make sure other Remarkables know that [Manifestors] are the most powerful Remarkables. Dad says it’s silly; that as Black folks we’ve seen people like us get treated as inferior and we shouldn’t do that to others.”

A major theme in Nic Blake and The Remarkables is reconnecting with estranged or lost family. Nic is dealing with a lot: “finding out I was kidnapped, that my dad may be a criminal, and that I have a mom and a twin brother.” Throughout the novel, Nic has to learn to trust and rely on Alex to help her navigate through Uhuru. Alex shows Nic how to use Uhuru’s technology. But Nic also helps Alex by demonstrating bravery, such as when she approaches a dragon for help, while “Alex whimpers.” In this way, both Nic and Alex bring something to the table and help each other on their journey. Alex and Nic’s relationship adds a great deal of heart to the story, as they realize that they actually have a lot in common, they even begin to call this “twin telepathy.”

Nic Blake and The Remarkables ends on a cliffhanger, with Nic receiving a threatening message from an anonymous source because she has found and returned the magical weapon. The threat tells Nic, “You think you’re gonna get away with finding what I hid?” This ending will certainly keep readers on their toes and excited to read the next book. Readers who enjoy stories with fantasy, action, and family will find this book absolutely delightful. Nic’s journey leaves readers with an amazing message about trusting in your own abilities. As Nic says, “The power to save myself, it lies within me.” 

Sexual Content  

  • None 

Violence  

  • Nic’s powers accidentally knock out her Uncle Ty. Nic explains, “Our hands touch, and everything happens in a flash. Uncle Ty’s Glow goes out like a fire doused with water, and a jolt shoots through my palms, making my own aura glow so bright, it blinds me . . . [Uncle Ty] hits the ground with a thud.” Uncle Ty recovers quickly, but Nic feels extremely worried that she accidentally hurt someone.  
  • Nic and her dad visit a Civil Rights Museum when her dad tells her what happened to Emmett Till. Nic explains what her father taught her about the event, saying, “[Emmett] was accused of whistling at a woman. I didn’t think it was that big of a deal, but Dad said that back then because Emmett was Black and the woman was white, some people did think it was a big deal. The woman’s husband and brother-in-law kidnapped Emmett in the middle of the night and killed him. [Emmett] was fourteen; a kid like me.” 
  • Nic and JP encounter a Boo Hag, which Nic explains is like a vampire except that these creatures “live off breath instead of blood. They climb on victims at night and suck the oxygen from their bodies, and sometimes they steal the person’s skin.” 
  • Nic and her friends encounter a ghost-like creature called a haint. JP asks the haint how he died: “[the haint] points at a tree, hangs his head, and holds his hand up as if it’s a rope. ‘Oh,’ JP murmurs. ‘You were lynched.’” 
  • Based on his interpretation of a prophecy, Uncle Ty believes that he is meant to defeat Nic and attacks her. Nic says, “My brain doesn’t process what he’s said until the lightning bolt whizzes straight for me.” Nic is able to escape Ty with her mom and dad’s help.  

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • Nic’s father gets her a hellhound as a birthday present: “The woods dissolve, revealing my backyard, and that fire-breathing, gigantic hellhound is a tail-wagging little hellhound pup.” 
  • Nic explains the difference between the Gift and magic. “The Gift is an innate power that lives in us Manifestors. Magic, on the other hand, is a corrupt form of the Gift. It’s hard to control and super destructive. Also, magic in real life can only be performed with a wand, and the magic in wands runs out after a while. We Manifestors don’t need wands.” 
  • While Nic is in the kitchen, “a deep growl rattles the door to the basement.” Nic asks, “Is that the demon you caught at the governor’s mansion?” Nic’s dad explains that it is a demon, saying, “I swear, demons can’t stay away from that place.” 
  • Nic can identify other Remarkables. Nic says, “the Remarkables light the place up a bit thanks to the Glow, different-colored auras that tell you the kinda Remarkable they are.” 
  • Nic’s dad creates an illusion of stars on her ceiling. “With the wave of his hand, my ceiling disappears and a night sky takes its place.” 
  • Nic’s father’s best friend, whom she calls Uncle Ty, gives Nic a G-Pen. Uncle Ty explains that the “Gift-Infused technology” can only be bought in Remarkable cities. The G-Pen allows Nic to “write to any [Remarkable person] with it, and they’ll see it wherever they are . . . You simply think about the person and write to them in midair.” 

Spiritual Content  

  • JP has very religious parents. JP’s parents tell him, “Phones are quick access to the Devil.”  
  • Nic’s neighbor, Mr. Zeke, takes a trip to “a Remarkable city or historic site” each year, and this year “he went to Africa to see the Garden of Eden.” 
  • Nic and her friends encounter a woman named DD, but they realize something about her real identity. Nic says, “You’re the Devil’s daughter,” and then Nic hears, “Countless voices wail as a cackle echoes in the distance, sounding as evil as the Devil himself. That’s because it is the Devil himself.” 
  • JP saves Nic from the Devil’s daughter by chanting “Jesus” and “holding a cross made of forks, spoons, and rubber bands like a shield. [JP] points it in DD’s direction. ‘Jeeee-suuus!’ The skeletal hands explode into dust, freeing [Nic].” 

Why We Fly

From the New York Times bestselling authors of I’m Not Dying with You Tonight comes a story about friendship, privilege, sports, and protest. 

With a rocky start to senior year, cheerleaders and lifelong best friends Eleanor and Chanel have a lot on their minds. Eleanor is still in physical therapy months after a serious concussion from a failed cheer stunt. Chanel starts making questionable decisions to deal with the mounting pressure of college applications. But they have each other’s backs—just as always, until Eleanor’s new relationship with star quarterback Three starts a rift between them. 

Then, the cheer squad decides to take a knee at the season’s first football game, and what seemed like a positive show of solidarity suddenly shines a national spotlight on the team—and becomes the reason for a larger fallout between the girls. As Eleanor and Chanel grapple with the weight of the consequences as well as their own problems, can the girls rely on the friendship they’ve always shared? 

Why We Fly was inspired by real people who took a stand against racism. John Carlos and Tommie Smith raised their Black power fist at the Olympics in 1968. Similarly, Collin Kaepernick kneeled during the national anthem in protest of the treatment of Blacks. Why We Fly explores the idea that players should “shut up and play” and the consequences athletes face if they voice their opinions. The story’s message is clear—athletes and others should not be punished for peaceful protest. However, the main characters’ experiences also highlight the importance of having a plan before you protest. In addition, the story reminds readers that no one should be forced to support a cause. By reading, Why We Fly today’s readers will gain insight into effective activism and be encouraged to explore ways they can help others. 

The chapters alternate between Eleanor’s and Chanel’s points of view. Since the girls are of different races, readers will begin to understand how race and wealth affect a person’s experiences. While the story explores important themes, the main characters are difficult to relate to. Even though Eleanor and Chanel have been best friends most of their lives, neither one is a good friend. For example, after Eleanor is voted captain of the cheerleading team, Chanel ghosts her. In addition, Chanel is critical of Eleanor’s relationship with star quarterback, Three. Many readers will dislike Eleanor’s and Chanel’s behavior and thus will have a hard time relating to them. 

On the other hand, Eleanor has a difficult time considering things from other’s point of view. When she is voted cheerleading captain, she accepts the position and never considers how it will affect Chanel. As cheerleading captain, Eleanor doesn’t show positive leadership skills and Chanel eventually has to jump in to unite the team. Then, when Eleanor encourages the cheerleaders to kneel during the national anthem, she doesn’t think about the consequences or how it would affect others. Eventually, she goes to talk to a rabbi who says, “Living up to a legacy doesn’t mean celebrating it. It means we pick up the baton and keep running the race. It also means we need to check ourselves and our assumptions about how far we’ve come, or haven’t.” Eleanor learns that when protesting, having good intentions is not enough—she should have also considered different people’s points of view and the consequences others would face if they protested.  

While many books have imperfect characters, Why We Fly’s characters are unlikable because they are self-centered and have unhealthy relationships. Despite this, readers who are interested in activism can learn important lessons about effective protest. In addition, readers may want to research some of the influential people the story mentions such as Dorothy Buckhanan Wilson, President of Alpha Kappa Alpha Sorority. Readers who want to explore issues of discrimination and wealth should also add these books to their reading list: Jackpot by Nic Stone, The Hate U Give by Angie Thomas, and I’m Not Dying with You Tonight by Kimberly Jones & Gilly Segal. 

Sexual Content  

  • After physical therapy, Three and Eleanor are talking. “He leans closer, and I freeze, dying for him to kiss me and feeling ridiculous that I’m so desperate for him to kiss me that I’m willing for it to happen in this doctor’s office. . . I lift my face, and his lips brush mine gently at first, and then he presses closer, and we fall over a cliff into the kiss.” The doctor interrupts them. 
  • One of the characters wears a shirt that reads, “Woke Up Lesbian Again.” 
  • Eleanor and Chanel go to a BBQ at Three’s house. When Eleanor and Three begin to flirt, Chanel says, “It’s a Planned Parenthood cautionary tale right before our eyes.” 
  • Before a football game, Three and Eleanor have a moment alone. Eleanor kisses him. Three “holds me to him, running that hand all the way up my back and into my hair. His lips part mine, and we kiss until we’re so tangled in each other that the stadium noises fade. . .” They are interrupted by another football player, who yells, “Three! Untangle yourself from that octopus, and let’s go.” 
  • A friend drops Three off at Eleanor’s house. Eleanor wonders, “Why did he have to get a ride to what is obviously going to look like a hook-up?” 
  • Eleanor slept with her previous boyfriend, Roman. Eleanor’s friend said, “Roman was the type to kiss and tell, and she was right. . .” Eleanor isn’t sorry that she slept with Roman, she’s “just mad everyone thought it was cool to slut-shame me for my choice while admiring him for doing the same thing.” Later, Eleanor reveals that Roman is the only person she has had sex with. 
  • Eleanor and Three are hanging out at her house. They begin kissing. Three says that he doesn’t expect her to have sex with him, but Eleanor says she wants to. “Three lies back, taking up my entire bed, leaving me no space and no option other than to press up against him and rest my cheek on his chest. . .” Before they can have sex, they get into an argument, and Three leaves. 
  • On social media, someone posts: “Looks like Chanel Irons will be the next Barack Obama. Anyone know if she’s straight? I’m here for being her Michelle. We can un-hetero that White House together.” 

Violence  

  • Before the book begins, Eleanor falls during cheerleading practice. Eleanor “came down wrong. . . I flailed, trying to save myself too. My head thwacked James’s shoulder on the way down, then hit the mat. One leg bent under me, and my ankle collapsed. . . when I came to, the throbbing in my head blinded me to all the other pain.” Months later, Eleanor is still in physical therapy. 

 Drugs and Alcohol  

  • In order to deal with stress, Chanel sneaks into the school bathroom to vape marijuana. She loads “the cartridge of Runtz, press and release the button, and take a short breath.”  
  • Chanel is suspended from school. Afterwards, she hides in the shed behind her house. “Even though I normally take only one short puff, I find myself taking extra puffs today and holding the vapor longer.”  
  • Because of the pressure of applying to colleges, Chanel is “stoned for nearly two months.” 
  • After a football game, a bunch of teens go to a player’s house. Before his parents leave the room, they padlock the liquor cabinet. 

Language  

  • Profanity is used frequently. Profanity includes ass, bitches, bullshit, crap, damn, hell, piss, and shit. 
  • Fuck is used once. 
  • Oh God and dear God are infrequently used as an exclamation. 
  • Three’s mother dislikes Eleanor and calls her “locker-room lice.” 
  • Eleanor and Chanel kneel during the national anthem at a football game. Afterwards, someone posts a picture with a caption that says, “Now we’ve got a Jew bitch on her knees with the primates.” 

 Supernatural 

  • None 

 Spiritual Content  

  • Eleanor was part of a competition squad that would pray “before every tournament—in Jesus’s name.” Because Eleanor is Jewish, she seeks out her rabi’s advice. “His guidance gave me the guts to ask the team to change the prayer to something more egalitarian.” 
  • Eleanor mentions religious holidays such as the High Holy Days and Rosh Hashanah. 
  • Eleanor goes to synagogue during the High Holidays. Her brother wears a bar mitzvah tallit (a prayer shawl), but Eleanor is upset that she forgot hers. The knots on the tallit represent “the number of commandments in the Torah.” 
  • During the service, the rabbi says, “When I look around, both at our larger world and our own community, I see enormous pain. I see injustice . . . There are those who deny the humanity of people of color. Who asks that they be silent in the face of unequal, hateful, violent treatment. . . We have a moral obligation to bear witness to injustice in society. . . it is our responsibility to protect the marginalized and to partner with other communities to confront the powerful who perpetuate injustice.” The sermon goes on for two pages. 

Secret of the Water Dragon

Drake and the Dragon Masters are back in the third installment of the Dragon Masters series. This time, someone’s trying to steal the Dragon Stone. This book centers on Bo and his dragon, Shu, as the group races to find out what happened to the Dragon Stone. The Dragon Masters discover that one of their own might be harboring a dark secret. 

Secret of the Water Dragon hones in on the overarching plot that was introduced in the first two books. This time, the evil wizard Maldred has sent out his dark magic and has put a spell over Bo’s home kingdom. Emperor Song, once kind and just, blackmails Bo into bringing him the Dragon Stone by kidnapping Bo’s family. It is only when Drake and Bo realize that Shu’s dragon powers can help wash away enchantments that Bo’s kingdom is freed from Maldred’s clutches. 

Secret of the Water Dragon helps increase the stakes as the Dragon Masters start to understand that their enemy, Maldred, draws near. They must race against the clock in order to have all the Dragon Masters bonded with their dragons before anything truly terrible arises. At the end of the book,  another wizard, Diego, falls into a deep slumber, and only Shu is able to wake him, thanks to Shu and Bo’s bond. As Diego awakens, he notes that he’s seen yet another dragon, which will have readers eager to read the next book, Power of the Fire Dragon. Young readers will find this plot thread compelling and will want to find out what happens next. However, because the plots build on each other, the books should be read in order. 

Bo’s kingdom is much like Dragon Master Ana’s in the way that they both fulfill certain regional stereotypes. If Ana’s home was like Egypt, then Bo’s is a loose understanding of East Asian countries like Japan and China. The raven guards from Bo’s kingdom who try to steal the Dragon Stone are depicted in the artwork as ninjas. Much like Ana’s story, this is not a very creative way of making Bo’s world, but it falls in line with usual fantasy tropes that are not within King Arthur’s England. 

Family and connections to home have been the most prominent themes in the Dragon Masters Series thus far. Ana, Drake, and Bo have all expressed how much they love and miss their families. Plus, Bo’s loyalty to his friends has been put to the test when his family’s lives are on the line. These books are a good way to present the differences between family by blood and found families, as the Dragon Masters find themselves becoming even closer friends after this incident. For instance, Drake offers to go with Bo to his home kingdom because he wants to help him and doesn’t want him to be alone.  

West’s Dragon Masters are fun and heartwarming books filled with friendship. In addition, the characters have the courage to do the right thing, even in the face of adversity. And of course, there are cool dragons and evil wizards. The Dragon Masters Series takes readers on adventures in fantastical worlds. 

Sexual Content  

  • None 

Violence  

  • The thief who is after the Dragon Stone presumably fights with Simon, the guard who’s watching over the Dragon Stone. The fight scene isn’t shown, but Drake describes, “When they got to Griffith’s office, Simon the guard was conked out on the floor!”  

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • This series deals with magic and dragons. As the opening lines detail, “Griffith [the wizard] and the Dragon Masters were in the Training Room, hidden beneath King Roland’s castle. A magical stone called the Dragon Stone had chosen Drake, Bo, Rori, and Ana to work with dragons. Griffith was their teacher.”  
  • Someone attempted to steal the Dragon Stone. Griffith explains that this would be bad because “someone could use the main stone to control the dragons. Or even to form a dragon army.” 
  • Drake and Griffith catch Bo with the Dragon Stone. “Bo was reading aloud from a book. The words sounded magical, like something a wizard would say.” Griffith uses his powers to stop Bo. “Suddenly, sparks shot out from the corner of the room. They hit the book Bo was holding and it fell to the ground.”  
  • Outside of King Roland’s castle, Rori and Ana encounter one of the Raven Guard, a group of skilled fighters. They report back to Griffith, Bo, and Drake. Rori and Ana speak over each other, saying, “He had a red crystal! And he shone it in our eyes . . . Then he was asking us stuff! And we gave him answers! Somehow he made us tell the truth, even though we did not want to. I think the crystal was magic!” 
  • Each of the Dragon Masters has to bond with their dragons, which comes to a climax when their piece of the Dragon Stone glows and they can finally communicate telepathically with their dragon. Bo experiences this, and he says, “Shu is speaking to me —  inside my head!” 
  • Bo’s dragon, Shu, uses her magical powers to remove the evil spell over Emperor Song’s mind. “A misty blue cloud floated from [Shu’s] mouth. Emperor Song looked up at it, terrified. He froze as a light blue mist rained down on his head. The look on his face changed. He looked peaceful.” This brings Emperor Song back to being a peaceful emperor. Shu explains that she has a special power that can “wash away any spell.” 
  • The evil wizard Maldred’s magical red orbs attack Emperor Song’s palace and guards, as well as the Dragons and their Dragon Masters. The Dragon Masters are fighting against Maldred’s forces and are trying to protect Emperor Song and his people, attempting to break the spell. Drake says, “Another red ball zoomed toward Bo. Bam! The orb burst. Worm had used the power of his mind to destroy them. Blast! Shu tried hitting one of the glowing balls with a jet of water.” This sequence continues for a couple of pages. 

Spiritual Content  

  • None 

The Siren Song

Charlotte Mielswetzski and her cousin, Zachary “Zee” Miller, may appear to be typical middle-school students, but their lives are far from ordinary. Only the realm of Greek Gods is aware of their extraordinary adventures. After successfully saving the Underworld from a coup by a god named Philonecron and restoring the lost shadows of their peers, they are forced to return to their mundane existence. Despite their heroic acts, Charlotte is faced with an indefinite grounding, while Zee is treated with extreme caution as if he is fragile. This lack of recognition for their bravery leaves them feeling unappreciated and misunderstood. However, they find solace in each other as they navigate the complexities of the hidden world they have become part of, and they form a bond that grows stronger with each passing day. 

But their newfound sense of normalcy is disrupted when Zee starts dating her best friend and seems to forget every aspect of their adventures. Charlotte becomes perplexed by her cousin’s sudden change in behavior and struggles to make sense of it all. Meanwhile, she must also contend with the challenges of being grounded, which leads to her feeling trapped and restricted in her everyday life.  

Just when it seems like things couldn’t get more complicated, Charlotte’s parents announce that they will be going on a special cruise for spring break. Initially, this appears to be a haven for Charlotte, a place where she can finally escape from the clutches of Philonecron. However, Charlotte doesn’t know Philonecron is the descendant of Poseidon, a powerful god of water who does not take kindly to being made a fool of. As Charlotte sets sail on the cruise, she unknowingly becomes the target of Philonecron’s and Poseidon’s wrath. The open sea that once seemed like a place of safety now becomes a battleground where Charlotte must face new challenges and dangers. 

While Charlotte is off on the cruise, facing her personal battles and grappling with the repercussions of her recent heroic act, Zee falls victim to a nefarious plot orchestrated by Philonecron and Proteus, a cunning and shape-shifting god. Proteus, in his quest to deceive and manipulate, assumes the form of Zee, ensuring that no suspicions are raised about the true nature of his absence. Under this guise, he cunningly delivers Zee into the clutches of Philonecron. Once in the clutches of Philonecron, Zee is immobilized on Poseidon’s luxurious yacht, a vessel that serves as a symbol of the god’s power. Unbeknownst to Zee, his fate intertwines with that of Charlotte’s, as she unexpectedly stumbles upon the captive duo during her final, climactic showdown with Poseidon himself. 

In a twist of fate and a convergence of destinies, Charlotte must confront not only the wrath of Poseidon but also the treacherous plans of Philonecron, all while navigating the tumultuous waters of her personal struggles. As the tension reaches its peak and the stakes grow higher, Charlotte’s path intersects with that of Zee, leading to a high-stakes battle that tests their courage, resilience, and the depth of their bond. 

If readers didn’t fall in love with Charlotte in the first novel, The Shadow Thieves, they will undoubtedly find themselves deeply enamored with her by the conclusion of The Siren Song. Throughout the story, Charlotte’s character shines as a remarkable embodiment of determination and strength, showcasing unwavering resolve and unyielding fearlessness in the face of adversity. Her unwavering determination and indomitable spirit make her an irresistible character that readers will surely cherish and admire. One of her greatest lines in the novel is when she addresses Poseidon before their final battle and says, “I’m afraid you’re just not that powerful, and now everyone here knows it. I mean, really, you’re all scared of him, but I beat him and I’m only in eighth grade.” 

The Siren Song is a captivating read that seamlessly continues the story of Charlotte and Zee’s thrilling and unforgettable adventures within the mythical world of Greek Gods. With its vivid and descriptive prose, the book effortlessly transports readers to a realm where ancient legends come to life, where the lines between reality and mythology blur, and where the power and allure of the Siren’s song beckons. Whether you are a fan of Greek mythology or simply looking for a captivating and immersive reading experience, The Siren Song is an absolute must-read that will leave you craving for more.   

Sexual Content  

  • None 

Violence  

  • Charlotte has recurring nightmares of dying in the River Styx. “Charlotte felt a shuffling around her, and before she could react she was being pushed toward the Styx. She wanted to fight back, to turn, to run, but she had no strength, no will. She could do nothing. She found herself on the banks, the heat from the river hitting her face . . . Charlotte stared at [Hades] as she fell into the River Styx.” 
  • Zee, similar to Charlotte, also is plagued by nightmares from the things they saw in the Underworld. “You would think that after the tenth time you dreamed that Harpies were attacking your family while you were chained to a cliff and forced to watch, it would become less upsetting — but, Zee could tell you, it had not.” 
  • Two men kidnap Zee, but he doesn’t go down without attempting to fight. “As panic welled up inside him, Zee kicked his left foot back as hard as he could toward the knee of the man on his left. Instead of making hard contact, his foot kept going past the plane of the leg, plunging right into the watery body. He heard a rippling sound and felt a strange vibration on his arm, and for a moment, the man’s grip loosened. Zee wrenched his body forward violently, bracing himself to kick the other man, when his eyes caught some sort of strange shifting in front of him. Suddenly the man in the aqua suit was gone, and Zee found himself face to face with — himself. Zee’s whole body went slack, his vision blurred, his stomach turned, his skin turned to ice.” 
  • Poseidon displays his rage by killing or torturing anyone who defies or questions him. A waitress that works for him asks him a question and he becomes enraged. “‘I’ll show you,’ he boomed, lifting the trident. The waitress screamed, and in one fluid motion, Poseidon pointed it directly at her. As Charlotte watched, frozen, a stream of green light came shooting from the trident and hit the women.” Poseidon turned her into a goldfish and left her struggling for air, but Poseidon made all his wait staff immortal so she couldn’t die.
  • Charlotte steals Poseidon’s trident which proves a struggle as she tries to harness the power of one of the strongest gods. It also enrages Poseidon causing a fight between him and Charlotte. Poseidon “stopped and, raising his arms above his head, summoned a spinning column of water from the choppy sea. The column moved rapidly toward Charlotte, who took a single step back, clutching the trident to her chest. Then a tremendous force slammed her into the wall of the ship. Her head hit the wall hard, and that was when everything went black. Charlotte awoke to find the trident lying next to her and a cackling Poseidon galloping toward her… Then a tentacle swopped down and crashed into Poseidon’s chariot . . . While Poseidon’s attention was diverted, Charlotte got up groggily and ran around to the stern to make her stand against the Ketos [another god], clutching the trident.” She is aided in her fight by a giant squid named Sir Laurence and Zee. Together, the three defeat Poseidon and take his trident to save Charlotte’s parents who are trapped on the cruise ship.  
  • The cruise ship that Charlotte’s parents were trapped in drifts off course and the damage to the ship causes a gas leak that renders everyone unconscious. Afterward “the ship’s doctor began examining everyone immediately and discovered that everyone seemed to survive the experience unscathed — everyone except one thirteen-year-old girl [Charlotte]. She had suffered a concussion and a lumbar sprain in her back. She also had big black and green bruises all over her body, tiny lacerations on her face, a sprained wrist, small cuts in her hands and knees, blisters on her hands, and bruised ribs. When questioned, she had no memory of what had happened to her — no one could press her, because they didn’t remember what had happened to them, either.” 

Drugs and Alcohol  

  • None

Language  

  • None 

Supernatural 

  • The beginning of the book explains how Charlotte and Zee are tied to the world of Greek mythology through their last adventure in the Underworld. “The thing is, a few months before, in order to save all the sick kids, Charlotte and Zee had to sneak down to the Underworld — the Underworld as in the Greek mythology Underworld, which is actually real. In fact, as Charlotte learned last fall, much to her surprise all of Greek myths are real — Zeus, Poseidon, Hades, the whole bit . . . Hades is the god of the Underworld, and a minor god named Philonecron tried to overthrow him, and to make an army he’d stolen and enchanted kids’ shadows.” 
  • Charlotte steers a small lifeboat towards Poseidon’s yacht but encounters the monsters Scylla and Charybdis. Poseidon positioned them to prevent mortals from finding the boat.  “The water was moving, at first slowly and then in a rush, into the cave on a the right, and as Charlotte steered the boat away, she saw that there was a smaller cave inside the first. No, no, not a cave, but a mouth. A huge, gaping mouth, rimmed with pointy yellow teeth. There was a monster in the cave — green and around and the size of a house, with pink eyes on six wavering tentacles and an open mouth that seemed to take up its whole body.” Charlotte escapes death with the help of a friend. 

Spiritual Content  

  • None 

A Soft Place to Land

Janae Marks’ novel follows twelve-year-old Joy as she and her family move from their house into a much smaller apartment building. After her dad loses his job, their family can no longer afford a lot of things that they previously were able to, and this only adds to Joy’s sadness and confusion about living somewhere new. Joy admits that she feels “sad that my family had to move.” 

One of the major themes in this book is families facing financial struggles and how children perceive it. Because of their new financial difficulties, Joy notices that her parents are arguing a lot. When Joy overhears her parents arguing, Joy becomes extremely upset and she feels she needs to reassure her younger sister, Malia, that her parents are not going to separate.  Joy’s parents continue to argue, and after her father spends the night away “to get some space,” Joy worries that they will get a divorce.  

Because of how open she is about her feelings and struggles with change, Joy is an extremely empathetic character. At first, Joy is focused on how much she misses her family’s previous home. Joy explains, “I wish we were back in our real home, where Mom and Dad got along . . . I wish I’d known that last Christmas would be our last in the house.” However, through making friends with Nora, another girl who lives in the building, Joy is able to make new memories. For instance, Joy and Nora meet up with other kids who live in the apartment complex to play board games in a place they call “the Hideout;” this time with other kids makes Joy feel included. Joy says, “I’m so glad I have the Hideout now, too, and these four friends.” 

Joy learns an important lesson about how even our closest friends can secretly be going through a rough time. For example, Nora appears to be fine on the surface, and Joy tells Nora, “I told you what was going on with me, and I thought you’d talk to me about your stuff, too.” Nora reveals, “I miss my dead mom, okay? I wish she was here, but she’s not, and she’s never going to come back.” Joy realizes after their fight that, “It was wrong of me to expect you to tell me about your problems, just because I told you about mine . . . I promise I’ll be there for you, but if you don’t want to talk about something, we won’t.” This important realization makes both girls feel more confident in their friendship. Nora and Joy’s friendship leaves readers with a positive outlook on new environments and the possibility of making friends in a new place. 

Overall, Marks’ novel excellently showcases Joy’s changing perspective on her family’s move. Initially admitting that she is frustrated with their move to the smaller apartment, Joy explains, “I hate that so much is out of my control.” This allows many readers to sympathize with Joy, even if they have not gone through a similar situation. Plus, many young readers will relate to the overwhelming feelings that come with big life changes.  

The ultimate focus of this novel is the importance of family and friendship. As Joy says, it is important to recognize that even when you are struggling, “You are not alone.” Joy’s growing friendship with Nora is central to the book and highlights how readers can find happiness and friendship in new situations. Joy’s realization at the end of the novel leaves readers with an important message: “I still miss our house, and our memories there, but what made it feel like home were my parents and sister.” Joy recognizes that friends and family are what shape her happy memories, not necessarily the specific place where she is.  

Sexual Content  

  • None 

Violence  

  • While walking her neighbor’s dog, Ziggy, Joy loses her grip on his leash, and he runs away. Ziggy is lost for several days and is ultimately found, but not in good health. “There is Ziggy, lying down on a bean bag chair next to the bookshelf. He looks weak, and like he can’t get up . . . he’s dehydrated.” Ultimately, Ziggy is brought to the vet and gets the treatment he needs to get better. 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

On Air with Zoe Washington

Marks’ novel follows fourteen-year-old Zoe as she begins her summer job working at a local bakery, where she and her biological father, Marcus, begin to bond over their love of baking. Marcus has recently been exonerated, after being previously incarcerated for most of Zoe’s childhood. Zoe and Marcus decide to open a barbecue food truck together, but first, they have to reckon with the systemic obstacles facing Marcus as an exoneree. Though Marcus is entitled to compensation from the state as an exoneree, Zoe quickly realizes that this process often takes a very long time. Marcus explains, “My lawyer is already working on it, but he told me not to expect compensation anytime soon,” as the state can make obtaining this compensation difficult.  

Because Marcus was in prison for so long, he does not have credit in the eyes of the bank and thus he is denied a loan to open a business. After this setback, Zoe begins researching how the lives of exonerees are affected after they are released from prison. Zoe finds that for many exonerees, “the original conviction was still on [their] record, and [they] had a hard time getting a job.” Zoe believes that “it didn’t seem fair. Was it really justice if [exonerees] couldn’t get back to living a regular life?” This realization motivates Zoe to start a podcast, which she calls “On Air with Zoe Washington.” For her podcast, Zoe interviews exonerees and lawyers who frequently work with them. Zoe hopes to help amplify exonerees’ voices on how being incarcerated affects their lives.  

Zoe is a determined, hard-working, loveable character that readers will be drawn to immediately. She not only wants to help her biological father open his business, but she also wants to help raise awareness for the systemic obstacles that affect formerly incarcerated individuals. Zoe uses her podcast as a platform to bring attention to the fundraising page she and Marcus created for their food truck business, and how they intend to hire previously incarcerated people to work with them. Throughout the book, Zoe learns from the people she interviews on her podcast, as well as from Marcus, the importance of not making assumptions and judgments about individuals. Marcus reminds Zoe of the people he met in prison and the importance of second chances, especially when it comes to finding work after incarceration.  

Marcus is also an extremely empathetic character. He helps Zoe become more open-minded towards the idea of hiring previously incarcerated people. Marcus explains that he met many people in prison who “weren’t innocent of their crimes but served their time and are ready to do better.” However, prisoners struggle to find jobs after their release because “people on the outside judge. They think ‘Once a criminal, always a criminal.’ But if they were more open-minded, they’d see that’s not the case for a lot of folks.” Marcus helps Zoe realize that “previous offenders were like many of us—worthy of another chance.” Zoe learns that if she wants things to be better for Marcus, she also has to try to make things better for others.  

Overall, On Air with Zoe Washington emphasizes the importance of not being judgmental towards others. Marks maintains the familiar characters from the first book in this two-part series, From the Desk of Zoe Washington. Though this second novel could be read as a stand-alone book, Zoe’s journey in reconnecting with Marcus and helping him prove his innocence is central to From the Desk of Zoe Washington, and frequently referenced in this novel as well.  

The book also raises awareness about the stigma and systemic obstacles facing formerly incarcerated individuals. This is highlighted through Marcus as he struggles to use new technology, and he isn’t “able to get exoneree compensation from the state, or any other assistance or loans.” The key takeaway of this novel is best exemplified by what Zoe explains: “I learned so much from all of [the people Zoe interviewed], and in the end, I was happy the panel topic had shifted to include prior inmates who had committed their crimes. Because they deserved grace, support, and a better life, too.”  

Readers who are interested in social issues such as the ones discussed in On the Air with Zoe Washington, should also read A Good Kind of Trouble by Lisa Moore Ramee and Clean Getaway by Nic Stone. 

Sexual Content  

  • Zoe’s best friend, Maya, tells Zoe about how she kissed her boyfriend, Trevor, for the first time. Maya says, “Trevor and I . . . we finally kissed.” Maya says the kiss was “kind of awkward the first few seconds, but it got way better after that.”  

Violence  

  • None 

Drugs and Alcohol  

  • Zoe talks with Hannah, a girl whose mom is incarcerated. Hannah says her mom’s “crimes are all drug-related like she got caught with drugs. Usually, she ends up in prison for a while, and when she gets out, she’ll agree to go to rehab . . . But then she ends up back on drugs, gets arrested again, and it’s this whole horrible cycle.” 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • Marcus leads Zoe and the rest of her family in prayer before their dinner. “Marcus closed his eyes and thanked God for the food and this opportunity to be together.” 
  • Zoe explains, “My parents and Grandma weren’t religious, so I hadn’t grown up going to church. Praying wasn’t usually something we did before eating. It felt right, though, to give thanks in that moment.” 

Always Isn’t Forever

J.C. Cervantes’ novel follows Ruby and her long-time boyfriend, Hart. When Hart suddenly passes away in a drowning accident, Ruby struggles to figure out her new plans for the future—a future without the love of her life. Unbeknownst to his friends and family, Hart experiences a miracle, as his soul comes back to life in the body of someone else. Unfortunately for Hart, his new body is that of Jameson Romanelli, a football player at his school that Ruby describes as “arrogant, selfish, [and] obnoxious.” Because Jameson is in a coma after a car crash, an angel named Lourdes is able to put Hart’s soul into Jameson’s body. Lourdes explains to Hart that Jameson’s soul is about to pass on, and this is what allows her to put Hart’s soul into his body.  

Hart must try to reckon with his new body and he can’t tell anyone who he really is. This allows him to grow and experience new things. For instance, Ruby describes Hart as a bit of a “worrywart. . . when we were kids, he wouldn’t climb the monkey bars or anything more than four feet off the ground, he started a petition for seat belts on the school bus.” In addition, Hart is “a stickler for the rules.” But that changes when Hart has to learn to convincingly do things that Jameson would normally do, in order to not clue anyone in about his divine intervention. For instance, Hart needs to learn a lot about football, as Jameson is a top athlete at their school and he is under a great deal of pressure from his father. Being in Jameson’s body allows Hart to understand that people face pressures we have no way of knowing about from surface-level encounters. Hart explains, “I’ve only lived in Jameson’s body a day and I already feel like shit. Imagine how bad he felt living his whole life under this kind of pressure.” 

Because Hart (referred to as Hart/Jameson later in the book), now in Jameson’s body, is not able to tell Ruby what happened, Ruby feels completely confused as to why Jameson is suddenly reaching out to her and being nice. Eventually, as Ruby spends more time with this “new” Jameson, she starts to feel that “I couldn’t stand [Jameson] and then he woke up from a coma and I felt this weird connection and then I hung out with [Jameson] and to be honest he wasn’t that bad; he was nice.” Ruby feels conflicted about enjoying her time with Jameson, but says, “I felt like . . . like we’re connected by something bigger.”  

Always Isn’t Forever switches points of view at the start of each chapter, which will help readers relate to each of the characters individually. Though Hart initially judges Jameson, Hart grows as a character because he can feel Jameson’s emotions. For example, Hart discovers that Jameson had a serious girlfriend who “had a rock-climbing accident and died.” Hart is able to feel Jameson’s grief: “I feel an ache deep between my ribs that shoots into my heart.” Hart recognizes that this grief is what drove Jameson to alcohol. Hart learns about how the pain of grief can affect people who may seem hardened on the outside, like Jameson.  

Even though the book’s characters are extremely empathetic, the situation regarding what happens to Jameson’s soul when Hart’s soul is put into his body is not explained in detail. This causes confusion especially because Jameson’s memories begin taking over Hart. For instance, Hart lost some of his memories. He explains, “I have no idea how to sail this boat that evidently, I bought and fixed up and don’t remember a damn thing about.” However, Hart regains all his memories at the end, and though this leaves a happy ending for Ruby and Hart, the reader might be confused as to why the angel did not just give Hart all of his memories to begin with.  

Overall, the theme of processing grief is extremely pertinent in Always Isn’t Forever. Readers will empathize greatly with Ruby as she explains how she feels after Hart’s death: “At first, I let [grief] have at me. I knew the grief was eventually going to swallow me up. And I wanted it to.” Later in the novel, Ruby recognizes that her grief has caused her to give up things she used to enjoy. She reflects that she’s “given up what I love: the water, my dreams to travel—even myself. I guess a part of me is terrified that if I let myself want again, it’ll just be one more thing ripped away. But how is a life without desire worth living?” Eventually, Ruby is able to open up to Jameson and share her feelings, which allows her to refocus on her dreams of travel and college that she had put aside in the depths of her grief.  

Sexual Content  

  • Hart and Ruby share a quick romantic moment. Hart says, “[Ruby] gives me a kiss, meant to be a peck, but I’m greedy, and in a nanosecond the kiss is deeper, our bodies pressed so close I think we could melt into this mattress.” But the kiss ends abruptly, with Hart saying, “Sometimes I wish we had never agreed to wait to have sex until college.”  
  • To test her theory that “a part of Hart is inside Jameson,” Ruby approaches Jameson and kisses him. Hart/Jameson describes, “[Ruby] pulls me closer, opens my mouth with her own. Every nerve in my body is on fire. I let go. I deepen the kiss, feel its heat, its desire, and all the questions it’s asking . . . our erratic breathing matches the rhythm of the kiss now, frantic, out of control. As if this is the last kiss we’ll ever have. I want more of [Ruby]. All of her.” 
  • Ruby and Hart/Jameson spend a romantic evening together. Ruby says, “Each kiss more urgent than the second before, the longing growing, growing, growing.” 
  • Ruby asks Hart/Jameson if he wants to be intimate with her. Ruby explains, “We’d sworn we’d wait until college. But now. . . if this is my only chance. It was always going to be Hart. It was, is, and forever will be—Hart.” But they stop before they go any further than kissing because Hart/Jameson says, “No, not like this.” 

Violence  

  • When a little boy accidentally falls overboard during a storm, Hart goes out into the dangerous waters to rescue him. Even though the boy is saved, as Hart attempts to get to the boat’s ladder, “My fingers trace its edges just as a colossal swell sucks me under. The waters are dark . . . violent. I fight my way to the top, but it’s not there. I have no idea which way is up.”  
  • Hart’s drowning is described over a page, including Hart’s feelings about dying: “They say our life passes before our eyes right before we die, but it isn’t true. I think two things in that moment: I should have spent that extra minute with my dad. I should have chosen to spend tonight with Ruby. The water closes in . . . Water rushes into my nose and mouth, floods my lungs.” 

Drugs and Alcohol  

  • It is briefly mentioned that Jameson’s car accident was caused because he was driving under the influence. Later, Hart explains that Jameson’s long-time girlfriend passed away. “That’s why [Jameson] started drinking.” 

Language  

  • Ruby refers to Jameson as a “two-faced son of a bitch”  because he cheated off her schoolwork and toilet-papered her house.
  • Occasionally, characters use words like asshole, shit, and damn.  
  • Rarely, characters use the word fuck.  
  • When frustrated, Ruby exclaims, “I swear on the baby Jesus that I am not a violent person.”  
  • Gabi, Ruby’s sister, exclaims, “Holy Santos,” when she discovers “a part of Hart is somehow inside of Jameson.” 

Supernatural 

  • Lourdes, an angel, explains to Hart that he “can go back to a human life; you can live out your days until your actual scheduled time to die . . . All we have to do is find a body that is on the verge of death.” 
  • As Hart’s soul enters Jameson’s body, Hart explains, “I stare out of Jameson’s eyes. The world looks different . . . I thought [Jameson] might tell me to get the hell out of his body. But no. You want to know what he said? What his last words were before he checked out for good? ‘Don’t waste it, man.’” 
  • Gabi, Ruby’s sister, tells Ruby that she has a theory about Jameson. Gabi says, “What if . . . [Jameson] has a message from the other side, from Hart . . . because he was so close to death?” 
  • Initially, when Lourdes uses her angel powers to put Hart’s soul into Jameson’s body, she explains that Hart will not be able to tell anyone exactly what happened to his soul. Lourdes explains that in order for Hart to be able to explain the truth of what happened to his soul to Ruby, Lourdes will “use the only power I have that is great enough . . . I will give up a single wing.” Lourdes’ sacrifice allows Hart to be able to explain what happened to his soul, so that Ruby can understand what happened to his soul after he drowned.  
  • Lourdes tells Hart, “When the death angel came for me . . . I asked to use my last wing to give you back your memories.”

Spiritual Content  

  • Lourdes tells Hart that she used her abilities as an angel on him. “You’re not in heaven, and you’re not exactly dead . . . I saw you struggling and I knew [drowning] was going to be painful, so I pulled your soul out early to save you from all of that.”  
  • Ruby’s sister, Gabi, does a card reading for Ruby. The cards that have been passed down through generations in their family. Gabi says the cards are “a special gift from the ancestors.” Gabi “takes the World card in her hands, closes her eyes, and meditates for as long as necessary until she gets that ‘message’ from our ancestors.” Gabi explains that she “heard a single whisper; it said, ‘message?’” 

Stand Up, Yumi Chung!

On the outside, Yumi Chung suffers from #shygirlproblems, a perm-gone-wrong, and kids calling her “Yu-MEAT” because she smells like her family’s Korean barbecue restaurant. On the inside, Yumi is ready for her Netflix stand-up special. Her notebook is filled with mortifying memories that she’s reworked into comedy gold. All she needs is a stage and some courage.

But instead of spending the summer studying her favorite YouTube comedians, Yumi is enrolled in test-prep tutoring to qualify for a private school scholarship, which will help in a time of hardship at the restaurant. Then one day after class, Yumi stumbles on an opportunity that will change her life: a comedy camp for kids taught by one of her favorite YouTube stars, Jasmine Jasper. The only problem is that the instructor and all the students think she’s a girl named Kay Nakamura — and Yumi doesn’t correct them.  

As this case of mistaken identity unravels, Yumi must decide to stand up and reveal the truth or risk losing her dreams and disappointing everyone she cares about. 

Middle-grade readers will instantly connect to Yumi, who struggles with typical conflicts such as self-doubt, feeling inadequate, making friends, and trying to make her parents happy. Yumi’s humor and honesty make her instantly likable. Many readers will relate to Yumi’s desire to reinvent herself into a more confident and popular person. With the help of new friends and the comedian Jasmine Jasper, Yumi is encouraged to challenge herself and to do things that make her uncomfortable. Along her journey, Yumi learns the importance of being her true self instead of trying to change herself to meet others’ expectations. 

One of Yumi’s main conflicts is that her parents do not understand her desire to be a comedian. Instead, they focus on the importance of earning good grades in school. This problem is compounded by Yumi’s sister, who graduated high school two years early and is currently in medical school. This conflict is further exasperated when Yumi begins lying to her parents. At one point, Yumi wonders, “What does it mean to follow my heart, anyway? What if pleasing my parents and comedy are both pieces of my heart?” 

Yumi reveals her secret to a friend, who says, “You have to speak if you want people to hear you.” When Yumi’s secret is finally revealed, she is forced to have an honest discussion with her family. This discussion allows Yumi and her family to understand and support each other even if they don’t necessarily agree on everything. Yumi’s experiences highlight the importance of being honest as well as the importance of forgiveness. 

Stand Up, Yumi Chung! will resonate with readers because of the likable protagonist and the relatable conflicts. While there are many humorous moments, the story also teaches important life lessons about self-acceptance and open communication. In the end, the story reminds readers that making mistakes is an unavoidable part of life and that “there is no such thing as failure. Just a chance to pivot and try something different.”  

Sexual Content  

  • None

Violence  

  • None 

Drugs and Alcohol  

  • After her family has the grand reopening of their restaurant, Yumi finds her father in the alley smoking a cigarette. “He only smokes when he’s really stressed out.” 

Language  

  • The kids in school call Yumi “Yu-meat, Wet Poodle, and Top Ramen.” 
  • Heck and dang are used occasionally.  
  • Fricking is used twice.  
  • OMG is used once. 

Supernatural 

  • None 

Spiritual Content  

  • None 

Flirting with Fate

Ava Granados’s family has a magical secret. Ava explains, “All the women in the Granados family had this keen, odd, otherworldly ability to pass along blessings to their female descendants. But here was the catch: they could only do so from their death beds.” When her grandmother is dying, Ava and all her sisters rush to their grandmother’s bedside. Unfortunately, due to a flash flood, Ava gets into a car accident and is too late to receive her Nana’s blessing. While her sisters receive their blessings, including an extremely detailed memory and the ability to persuade others, Ava is devastated to not have received her grandmother’s parting gift.  

When Ava attends the celebration of Nana’s life, she looks up and suddenly sees her recently deceased grandmother looking at her. Ava describes, “A figure emerged from the orchard a mere thirty feet away. Wide-eyed, dimple-cheeked, perfect auburn coif. Nana?” When Nana lay dying, she accidentally gave Ava’s blessing to someone else, but because she is now a ghost, she has no memory of what happened. Nana asks Ava to help her restore the blessing to its proper recipient or Nana “will remain a ghost . . . until this is made right.”  

Ava realizes that Nana’s blessing must have accidentally landed on the boy whose car she crashed into. For guarded Ava, befriending some random boy is the last thing she wants to do. Desperate to help Nana reach peace, Ava must find a way to connect with this mysterious boy, Rion, in order to be able to recapture her Nana’s blessing. Nana encourages Ava to open up to Rion and to look within herself. Nana says, “You can always recognize the love when it belongs to you.” Over the course of the novel, Ava learns to trust in herself and her feelings for Rion.  

Many readers will be able to relate to Ava because she is afraid of being hurt or rejected. Ava begins to spend more time with Rion, all the while trying to figure out how best to get her Nana’s blessing back. Nana encourages Ava to look within herself. Nana says, “You can always recognize the love when it belongs to you.”  

Ava and Rion end up connecting over the loss of a parent. Rion’s parents died in a car accident while Ava’s mom left. However, they both blame themselves for their parents’ absence.  Because Rion is able to share his emotions, Ava is able to truly open up about her feelings. Ava explains, “I used to blame myself for my mom leaving too. She left when I was seven, and I used to think if I had been better, nicer, more, then she would have stayed.” Ava is able to comfort Rion by sharing what she has learned. She tells Rion, “We can’t blame ourselves for things we had no control over.” Ava and Rion’s relationship is extremely impactful as it allows them both to share feelings about things that they previously kept inside.  

Overall, Ava’s journey to opening up her heart and embracing things she never thought possible is extremely compelling. Similar to Cervantes’ other work, Enchanted Hacienda, Cervantes continues exploring the theme of magic being inherited through female descendants. Though there is a romantic relationship brewing between Ava and Rion, there is also a major focus on the importance of family, as Ava’s relationship with her Nana is central. Nana encourages Ava to open her heart, saying, “I gave you the gift of an open heart . . . you keep people at arm’s length; you don’t trust. I don’t want you to go through life closed off from love.” This wonderful novel leaves readers with an important message: trust yourself and open your heart to possibilities.  

Sexual Content  

  • Ava’s sister, Carmen, sees a cute guy at a party. Carmen tells Ava, “Look, there are a lot of boys to kiss in this world.”  
  • Ava explains her negative history with relationships. “Relationships always ended badly, with a goodbye and a broken, unmendable heart . . . at least for someone. But last year [Ava] did kiss Bryce Wellington on the Haunted Mansion ride at Disneyland just to get it over with . . . Sadly, it felt unimpressive.” 
  • Ava’s sisters are watching The Notebook in the living room, and Ava remarks, “Clothes were flying off [the characters] and the last thing Ava wanted to do was stand there with her grandmother’s ghost and a fifteenth-century saint while a monster sex scene played out ten feet away.” 
  • Ava believes she and Rion are having a romantic moment, when suddenly, she realizes she is actually kissing his twin brother, Achilles. Ava says, “His lips brushed against hers. She felt a jolt, an alarm that screamed wrong, wrong, wrong.” After realizing she is actually kissing Rion’s brother, Ava “jerked free, horrified, as she wiped her mouth on the back of her hand.” 
  • After pushing Rion out of the way of a falling tree, they kiss. “She felt her body yielding, falling deeper into Rion. And then their mouths met. And Ava was no longer falling. She was dissolving. The forest and the sky fell silent. The world evaporated. There was only this moment.” 
  • Ava kisses Rion at a party. Ava “reached up, bringing his lips to hers. Allowing herself to be swept away in his trust, his warmth, his love.” 

Violence  

  • When Achilles tricks Ava into kissing him, Rion finds out and tackles Achilles. “The brothers rolled across the dirt, all grunts and curses and years of unspent anger.” They finally stop when Ava yells at them. 

Drugs and Alcohol  

  • None 

Language  

  • Characters occasionally use moderate language like shit, damn, and ass.  
  • When Nana suddenly appears as a ghost, Ava exclaims, “Jesus Christ!” 
  • Nana, in her ghost form, splashes water at Ava’s sisters who exclaims, “Holy Mary, Mother of God!” 

Supernatural 

  • Ava explains an example of a blessing in her family. “Ava’s great-grandmother had graced Nana with an angel’s voice. Before that, Nana couldn’t even sing off-key . . . After the death-bed blessing? It was like listening to a Mexican Pavarotti [Opera star] when [Nana] opened her mouth to sing.” 
  • Ava’s sister, Viv, is given the blessing of persuasion by her grandmother. Viv explains, “It’s not like I can go around making people do anything I want them to. Nana said I would just be able to help others see my side of things.”  
  • Ava’s other sister, Carmen, received the blessing of memory from Nana. Carmen says, “I got the blessing of memory, which I guess means that I can recall details, read or hear or see something once and remember it verbatim . . . it’s weird—like having a camera in my head.” 
  • Ava’s Nana appears to her one last time at the end of the book. Ava explains, “And then, as if by magic, the mist parted, just enough for Ava to see Nana . . . [Nana] was young, beautiful, beaming with joy.”  

Spiritual Content  

  • As Ava drives to get to her grandmother’s bedside, Ava prays that she will make it there in time to say goodbye. Ava says, “Listen, God . . . If you get me home with enough time, I’ll go to confession for. . . I’ll go for a whole week.” 
  • Nana is guided in her ghost form by Saint Medardus. Medardus introduces himself as, “I am the patron saint of weather, vineyards, brewers, captives, prisoners, and teeth . . . I hail from the fifteenth century and am [Nana’s] guide, here to help her.” 
  • Ava attends confession, as she promised to do on the night of her Nana’s passing. Ava is nervous about it and says, “What if I see someone I know? What if the priest laughs at me? What if I get it all wrong?” But she ultimately speaks to the priest and after she confesses, the priest says, “Your penance is to say six Our Fathers and three Hail Marys.” 

The Science of Being Angry

Eleven-year-old Joey is angry. All of the time. And she doesn’t understand why. She has two loving moms, a supportive older half-brother, and, as a triplet, she’s never without company. Her life seems good but sometimes she loses her temper and lashes out, like the time she threw a soccer ball—hard—at a boy in gym class and bruised his collarbone. Or when jealousy made her push her (former) best friend and crush, Layla, a little bit too roughly.

After Joey has a meltdown at her apartment building, the family is evicted and Joey is desperate to figure out why she’s so mad. A new unit in science class makes her wonder if the reason is genetics. Does she lose control because of something she inherited from the donor her mothers chose? 

The Science of Being Angry follows Joey, who is struggling to understand her place in her family. Joey feels different from her brothers because she’s a fraternal triplet and her brothers are identical twins, but they’re only genetically related to one of their moms. When Joey’s class begins a genetics unit, Joey begins to question how her DNA is affected by her mothers’ sperm donor. In addition, Joey wonders if the sperm donor’s DNA is the link to her uncontrollable anger.  

Joey and her friend Layla decide to send Joey’s brother’s DNA to 23 and Me. For some reason, Joey thinks that sending her brother’s DNA will lead to better results Unfortunately, when Joey’s moms discover the 23 and Me account, they have it deactivated before Joey learns anything. This abruptly ends the story thread without answering any of Joey’s questions about the donor.   

In addition to exploring family bonds, The Science of Being Angry also focuses on Joey’s inability to control her anger. Joey’s confusion about her biological father and her insecurities about her moms’ love causes Joey to lash out at others. Joey may have sensory sensitivities that cause her to become irritable, but this thread is left unexplored. To make matters worse, her moms don’t always agree about the best way to help Joey. In the end, Joey and her moms seek help from a therapist, which ends the story on a hopeful note. However, some readers may be disappointed that the story doesn’t include any anger management strategies.  

The Science of Being Angry uses sensitivity as it explores complicated family dynamics. Joey’s feelings are described in detail in kid-friendly language. However, much of the story focuses on Joey’s emotions and inner turmoil so there is little action. In addition, readers will have to pay close attention to the text because Joey’s moms are referred to as Mama and Mom, which may make it difficult for some readers to keep track of who is talking. Readers who have nontraditional families will relate to Joey and can benefit from reading The Science of Being Angry. However, the story will mostly appeal to readers who are interested in exploring Joey’s vast emotions and the genetics that make her unique. Middle-grade readers who want to explore difficult family dynamics may also want to read We Are All Made of Molecules by Susin Nielsen. 

Sexual Content  

  • Joey’s moms occasionally kiss. For example, when Mom “kiss[ed] Mama on the cheek. . . Mom pressed her face against Mama’s cheek to kiss it again and wrapped her arms around Mama, holding tightly.” 
  • Mom explains meeting Mama. “She was such a kind, sweet little dweeb. How could I not fall for her?” Then Mom explains how she knew she liked girls. “I didn’t want to think about it, because I was confused for a long time. I married Luka, because I thought that’s what I wanted. . . But something was missing with Luka. With me. When I met your mama, I found that something.” 
  • Joey is confused about her feelings for her friend, Layla. While at her house, she “suddenly wondered what it would be like to kiss her.” Joey wonders if she is gay. Thinking about her feelings makes Joey angry so she “shoved Layla as hard as she could onto the floor. Layla hit her elbow on the coffee table in front of them. She was okay; she got a small bruise and cried, but she didn’t bleed or anything.”  
  • At a party, Layla sits next to Joey. Layla’s “voice was too soft, her leg felt too good against Joey’s. . . Joey, without thinking, kissed her.” Afterwards, Joey runs out of the house. 
  • Joey is thinking about her moms watching a movie. “She couldn’t see them. . . but she knew what they’d look like, anyway. Mom was probably draped along the couch, Mama lying on top of her between her legs. They were much like that. . .”

Violence  

  • Joey and her brothers sneak out of their apartment and go to the swimming pool. Before they can jump in, a security guard appears, and “Joey responded the way she always did, the way that her moms both begged and yelled at her not to. With her fist. . . Joey turned and punched the security guard square in the belly. He fell directly into the pool. . .”  
  • At hockey practice, Eli calls Joey a bad name, “so Joey used the hook of her stick to pull at Eli’s leg, knocking him off balance and sending him spiraling on the ice. . .” 
  • While watching TV, Joey’s brother Thomas sits on the couch. Joey gets upset that Thomas keeps touching her so she “kicked her leg into Thomas as hard as she could.” 
  • Joey and her brothers go to a Halloween party at their friend Eli’s house. “The second they walked through Eli’s door, Joey found herself getting slammed against the wall, hard, with a loud oof! . . . She shoved Eli, and then backhanded him against his helmet.” 
  • At the Halloween party, Eli’s bullying of Joey continues. He “slapped her across the face with the slice of pizza in his hand.” 
  • While at school, Joey bruised her classmate Danny’s collarbone. “Joey didn’t think she meant to hurt him, but she definitely meant to throw the ball as hard as she could at him.” 
  • During science, Joey gets upset and yells “I don’t care about the stupid project!” Then she threw her “heavy science textbook at the classroom window” breaking it. She is suspended from school. 
  • While playing football, Joey tackles Mama. “Just as the ball flew over Mama’s head, Joey threw her entire weight at Mama’s middle. . . tackling her hard to the grass. Mama’s head hit the ground first. . .” Mom jumps in and “reached behind Mama to find her head and pulled away with some blood on her hand. . . Mama’s eyes opened but they didn’t look right. . .” Mom turns on Joey and yells, “What is wrong with you? What the hell is wrong with you!” Mama goes to the hospital but is released the same day. 
  • At hockey practice, Joey skates past Eli “when suddenly she felt something jerk her back. Eli had his hand gripped tightly into the collar of her shirt and he yanked it.” Joey starts to fall, but “Eli pushed her into the wall of the rink, hard, took the puck back, and scored.” Joey’s mom had talked to the coach about Eli’s bullying. The coach sees Eli’s behavior and sits him on the bench.  

Drugs and Alcohol  

  • Joey’s brother takes ADHD medication. 
  • After dinner, Mama “picked up the bottle of wine and refilled her and Luka’s glass.” 

Language  

  • Several times Joey calls a classmate a rat. 
  • Jesus Christ is used as an exclamation twice. 
  • Oh God and Oh my God are occasionally used as an exclamation.  
  • Heck is used twice. 
  • There is some name-calling including jerk and loser. For example, Joey’s brother says the landlord was a “jerk” for kicking them out.  
  • While playing hockey, Joey tells Eli that he’s being a ball hog. When Eli replied, “he used the B word that had been banned from Joey’s household.” 

Supernatural 

  • None 

Spiritual Content  

  • None 

Lupe Wong Won’t Dance

Lupe Wong wants to be the first female pitcher in the Major Leagues.   

She’s also championed causes her whole young life. Some worthy . . . like expanding the options for race on school tests beyond just a few bubbles. And some not so much . . . like complaining to the BBC about the length between Doctor Who seasons.

Lupe needs an A in all her classes in order to meet her favorite pitcher, Fu Li Hernandez, who’s Chinacan/Mexinese just like her. So when the horror that is square dancing rears its head in gym? Obviously, she’s not gonna let that slide.  

Lupe Wong Won’t Dance examines middle school drama by focusing on Lupe’s struggles. Middle-grade readers will empathize with Lupe as she tries to navigate the complexities of a middle school’s social hierarchy. Even though Lupe doesn’t mean to make enemies, she often does because she doesn’t always think about the consequences of her actions. For instance, Lupe gets upset and makes hurtful comments to her best friend, Andy. In response, Andy begins hanging out with the popular soccer girls and stops talking to Lupe. The two eventually work out their differences, and Lupe learns that she needs to “try to listen to people more instead of worrying about myself and my own goals.” 

Lupe’s family life is an integral part of the story. Lupe misses her father, who died in an accident. She also questions her father’s decision to quit playing baseball to care for his family. Lupe is desperate to meet Fu Li Hernandez because he reminds Lupe of her father, and many of Lupe’s actions are based on her need to earn straight A’s in order to meet Fu Li Hernandez. However, Lupe Wong Won’t Dance doesn’t include any baseball action other than one short practice and when Lupe finally meets Fu Li Hernandez. Still, meeting Fu Li Hernandez makes Lupe realize, “My dad was no quitter. Fu Li’s smile was like Dad’s the first time I whistled. The same smile when I finger-painted my entire face and body. . . And it’s the same smile he had when I hit my first baseball.”  

Lupe Wong Won’t Dance uses humor and middle school drama to highlight the importance of being inclusive. While the story explores the discrimination of the past, it does so in a nonjudgmental way that reminds readers that it’s important to take this advice: “I did then what I knew how to do. Now that I know better, I do better.” Another important lesson the story imparts is the importance of self-acceptance. As Lupe’s friend says, “I shouldn’t change just so people will like me.” 

Lupe’s story is perfect for middle schoolers, especially those who often feel out of place. Lupe Wong Won’t Dance acknowledges that others can be cruel while challenging readers to overcome their difficulties. In the end, the story encourages readers to be kind and inclusive to others, even those who are different than you. For more middle school reads featuring a protagonist who feels out of place, read Out of Place by Jennifer Blecher, Efrén Divided by Ernesto Cisneros, and A Thousand Questions by Saadia Faruqi. 

Sexual Content  

  • In order to get out of square dancing, Lupe researches the song “Cotton-Eyed Joe” and discovers the song’s origins. A YouTube video explains that the song refers “to a man making his rounds with the ladies. . . Why are his eyes white as cotton?. . . if one listens carefully to the words, poor ol’ Cotton-Eyed Joe’s eyes were whited out by chlamydia or syphilis—”  
  • After watching the YouTube video, Lupe looks up chlamydia and discovers it’s “a widespread, often asymptomatic sexually transmitted disease caused by chlamydia trachomatis” and syphilis is “a sexually transmitted disease caused by the spirochete bacterium treponema pallidum.” 
  • Lupe’s mom asks her if she’s gay. Lupe replies, “I don’t know. I’m only twelve. I thought I’d figure it out in a few years.” 
  • On an online forum discussing students being forced to learn how to square dance, someone writes, “Outrageous! Should we bring back petticoats and chastity belts?”  

Violence  

  • When Lupe was in second grade, she saw her classmate Zola picking her nose. Lupe began calling Zola “the Green Goblin” and the name stuck. “She eventually found out I was the one who started the Green Goblin nickname and hasn’t spoken a word to me since.” 
  • While practicing her pitching, Lupe’s brother Paolo “takes me out at the knees. The wind is knocked out of me a little. He hoisted me back up by the waist of my jeans, giving me a wedgie.”  
  • When Paolo learned how to square dance, he was partnered with a popular girl. And at the time, his mom was making the kids take “Crock-Pot leftovers for lunch” which caused Paolo to fart a lot. “It’s hard to hide a fart when you do-si-do and spin around. . . between hand sweats and farting. . . she told everyone. . . It’s taken two years for everyone to stop calling me Flutterbutt.” 
  • In the PE locker room, Lupe finds her locker decorated in shaving cream that reads Guadapoopy. When Coach Solden sees it, she goes to wipe it off the locker. “Coach spins back around and one foot slips on remnant shaving cream. Her foot flies up in the air, and she tries to catch herself with one arm. She falls to the floor with a thump and a small crack. Lips pursed together, noises burble from her mouth that sound like cusswords in an alien language.” The coach broke her arm in the fall. 
  • Lupe’s mom tells her about Coach Becky Solden’s square dancing experience. “One by one, as a joke, the boys approached her and then passed her by for other girls. She was the only girl left. . . Just like the rest, [Bruce] walked up to her, but he stopped and bowed. . . Just before Becky touched his hand, Bruce jumped back and ran towards the boys’ locker room screaming. . . For the entire two weeks, we danced, every time a boy danced with Becky, he made monkey noises under his breath. . . Even some of the girls made monkey noises and pretended to scratch their armpits.” 

Drugs and Alcohol  

  • When researching the song Cotton-Eyed Joe, one article says “he could have gotten his cloudy eyes from alcohol poisoning.”  

Language  

  • Variations of crap are used frequently. 
  • Heck is used occasionally.  
  • There is frequent name-calling such as jerk, dorks, doofus, idiot, nimrod, whiner, klutz, and others. 
  • When Lupe shows the school principal pictures of a “cropped, magged-up version” of an eye, the principal says, “Oh, gawd.” 
  • Samantha, a mean girl, calls Lupe “Guadaloopy.” Samantha also calls Lupe’s friend Andy, “Anda-loser.” In return, Lupe calls Samantha “Sam-o-nella.” 
  • During PE, Samantha whispers loudly, “Word is [Lupe’s] parents found her at the dump. That’s why she smells like a blowout diaper.” 
  • Lupe comments on “Skanky Potato Head.” 

Supernatural 

  • None 

Spiritual Content  

  • Before dinner, Lupe’s family prays. Her brother says, “Thank you God, for all that we have. Bless this interesting food to our bodies. And please help Lupe with her cleanliness so she can be next to you . . .” 
  • Before dinner, Paolo prays, “God, thank you for our grandparents who can cook. . . And thank you for giving Mr. Montgomery pinkeye so my algebra test is postponed. And help Lupe through puberty and bless this food.”  
  • Lupe thinks about her father. During Qingming, “the Chinese version of Dia de los Muertos . . . Grandma Wong takes us to the cemetery to burn paper things that represent what she thinks Dad needs in the afterlife. This year she burned a paper house and fake money. [Lupe] snuck in a paper baseball and bat.” 

Final Season

Sixth-grader Ben Redd is the star quarterback for his middle school football team in Skaneateles, New York. Coached by his father and his two older brothers, Rich and Raymond, Ben wants to lead his team to a championship over their rival school in Penn Yan. 

However, Ben’s life is completely changed when his father is diagnosed with ALS, a neurodegenerative disease that affects the nerves and spinal cord. After his dad’s diagnosis, which connected to all those hard hits and tackles he took on the field, Ben’s mom becomes more determined than ever to get Ben to quit football. As his father’s condition worsens, Ben is struck with fear, anger, and despair at his circumstances. Will Ben learn to accept these changes with the championship on the line? Or will this be his final season in the sport? 

Ben is the exciting young protagonist of the story. His kind personality, love for others, and determination to succeed in the face of adversity make him an admirable character. Ben also displays a mature attitude toward his reality, acknowledging that bad things, like ALS, can and will happen in life. His wrestling with these unfortunate truths will feel relatable and authentic to readers, especially those who have gone through tough times in their own lives. 

Final Season’s main theme—the importance of love and family—explores Ben’s love for his father and how his family handles his father’s deteriorating condition. Although Ben and his family love football, they recognize that their love for each other is far more important than fame and glory. Even with the championship game on the line, Ben tells his father, “I love you too, Dad,” before heading into the big game. Other themes include leading others with love and treating them with respect. 

Throughout the book, Ben develops from someone who sees football as the greatest goal in life to someone who values the importance of love and family. Many supporting characters, such as his brothers and the lone girl on the football team, Thea, encourage this outlook on life. Of course, there’s also plenty of football action throughout the book. The story features multiple, in-depth action scenes of football games. For example, “[Ben] took the snap, rolled high, and hit Damon on a corner route.” Although some details can be too technical for non-football enthusiasts, the fast-paced action will keep readers engaged nonetheless. 

Overall, Final Season tells the powerful story of Ben’s life as a rising leader of his football team and as a loving son to his sickly father. Although the book explores the topic of ALS, which might be difficult for some readers, it offers a reassuring message that love will overcome these struggles. And while the explosive football scenes are enjoyable, the heart of the story lies in Ben’s interactions with his family—and more importantly—with his dad. Final Season is more than a story about football; it’s about love, family, and cherishing one’s time in life. 

Sexual Content 

  • None 

Violence 

  • Ben and his friends throw rotten eggs at Mrs. Wimple’s house; he is a well-known grouch who hands out detentions at their middle school. The boys explain, “We want to hit the windows if we can, but don’t worry if you miss. Either way, the Wimp and the Weirdo are gonna have a lot of stink on their hands.” 
  • Ben talks about CTE, or Chronic Traumatic Encephalopathy, and remembers that “a college teammate and friend of their father’s had killed himself because of” CTE. 
  • On a boating trip, Ben’s boat encounters rough waves and Ben’s father “collapsed” and “[hit] his head on the corner of the windshield and [collapsed] on the floor.” When he stood up, “blood gushed from a cut in his scalp” and “[soaked] his gray polo shirt.” Ben’s father is okay and doesn’t need medical attention. 
  • Thea, a girl on Ben’s football team, knocks Damon, another football player, “down like a bowling pin. Damon stayed down, moaning and thrashing and holding his right knee.” He returns to his feet after a few moments. 
  • Ben’s father falls out of his SUV, hits his face, and “blood gushed from his nose, spattering [Ben’s] older brothers’ bare arms with fat red dots.” Ben’s father is helped back to his feet and requires no medical attention. 
  • Ben’s teammate, Woody, and the rest of the football team play a prank on Thea by cutting off one of her braids. Before Ben can  stop Woody, he approaches Woody and sees “scissors used to cut small branches and stems” and “half of one of Thea’s blonde braids” in Woody’s hand. 
  • During the championship game, Ben breaks his pinkie finger when a big brute slams him out of bounds. His finger was “snapped in half, and the top half hung limp at a ninety-degree angle.” Ben receives medication attention and is okay. 

Drugs and Alcohol 

  • During a trip to the lake, Ben sees his father holding “one of those unusual-sounding German beers.”  
  • During dinner, Ben’s father has “a glass of wine with his mom.”  
  • Ben’s father took a “sip of red wine” during dinner at home. 
  • Before his big football game, Ben thinks about using “sleeping pills” to fall asleep. 

Language 

  • Ben calls multiple people idiots. 
  • Ben calls his friend Woody a “stinky egg” because of Woody’s rambunctious attitude. 
  • Ben’s mother repeatedly utters “oh my God” during incidents of fear, especially toward her husband’s worsening condition. 
  • There is some name calling including jerk, string bean, and stupid.  
  • When she sees that another teammate has shaved his head, Thea utters “Gosh.”  
  • When Ben breaks his pinkie finger, he says, “It hurts like heck.” 

Supernatural 

  • None 

Spiritual Content 

  • One night at dinner, Ben blesses his family’s food by saying, “Dear God, thank you for this food, thank you for this family, and thank you for our . . . our . . . our good health. Amen.” 
  • Ben and his dad attend church and “opened a hymn, held it between them, and pointed to the words as he croaked out the hymn.” 
  • When Ben asks his dad why his brothers don’t go to church, his dad replies, “Jesus said, ‘Judge not, lest ye be judged.’” They then talk about loving God and others because “Jesus only asked us to do two things, love God and love our neighbors as we love ourselves.” 
  • When Ben’s father is interviewed by 60 Minutes, he tells them he’s never been happier because of his “faith and my family around me. I’m blessed.” 
  • When Thea learns that Ben’s father is in the hospital, she tells Ben that “[she’s] praying for him.” 
  • When Raymond, one of Ben’s older brothers, asks his mom what he could do to help his father, his mom replies that they “could maybe pray.” 

Rez Dogs

Malian loves spending time with her grandparents at their home on a Wabanaki reservation—she’s there for a visit when, suddenly, all travel shuts down. There’s a new virus making people sick, and Malian will have to stay with her grandparents for the duration. 

Everyone is worried about the pandemic, but Malian knows how to keep her family safe: She protects her grandparents, and they protect her. She doesn’t go out to play with friends, she helps her grandparents use video chat, and she listens to and learns from their stories. And when Malsum, one of the dogs living on the rez, shows up at their door, Malian’s family knows that he’ll protect them too. 

Rez Dogs gives an overview of the pandemic through the eyes of a child on a reservation. Both her grandparents and her new dog, Malsum, help her understand indigenous history and her ancestor’s Wabanaki/Penacook stories. Malian also encounters other facets of modern indigenous life, like the issues with Wifi reception on the reservation. In addition, her grandparents receive an unannounced visit from a social services employee who doesn’t have a valid reason to question the family. These pieces help highlight the rampant inequality that still exists today. In the same breath, Malian brings up other examples of community and indigenous life. For example, during the pandemic, Ireland raised money to send to the Navajo and Hopi people in their time of need.  

The story is written in verse, which gives this quiet story a nice, even pacing. Although not high in action and adventure, there is a lot of good historical information in the book. For instance, Malian’s grandparents help Malian with a school assignment about the US government’s treatment of indigenous peoples. One story includes information about how the US government used to sterilize indigenous women. Although the nature of this conversation is difficult, Bruchac explains it in kid-friendly language, without including graphic details.  Historical events come up often, and it provides a great starting point for readers who may not have any prior knowledge of indigenous history. 

Rez Dogs demonstrates the importance of culture, family, and storytelling. Malian’s grandparents tell Malian many stories about the Wabanaki/Penacook people; many of the stories have been passed down through generations. Malian’s experiences make her feel more connected to her grandparents and her heritage.  

The dog, Malsum, is a symbol for indigenous folks generally, as he embodies community and protects Malian. Her grandpa says, “Some of the most loyal folks I’ve ever known have been dogs. They always find some way to come back home.” In the end, Malsum disappears when Malian leaves the reservation. Malian and her grandparents conclude that they’re all rez dogs, coming and going, but always returning home when they need to.  

Rez Dogs is a straightforward story that highlights the importance of storytelling as part of one’s culture. Bruchac uses both past and present stories to present information about indigenous people’s culture. The stories are delivered in a simple, yet powerful manner. While young readers will be unfamiliar with Malian and her family’s experiences, the overarching themes will resonate with all readers and may spark readers’ curiosity so they will want to learn more about indigenous histories and cultures. Other books that feature indigenous characters include The Sea in Winter by Christine Day and The Girl Who Loved Wild Horses by Paul Goble. 

Sexual Content  

  • None 

Violence  

  • There are discussions about the violence that occurred in native boarding schools in North America. For example, Grandpa Roy talks about how one of the nuns at his school left him a “gift.”  He says, “Every knuckle on/ both my hands/ got broken one time/ or another/ from being hit/ with that heavy ruler/ Sister Anna Louise/ always kept in her pocket.” 
  • Malian’s grandma explains how on reservations, doctors hired by the US government used to sterilize indigenous women. Grandma says, “Whenever a woman/ went into a free clinic,/ they’d offer to do/ a full health check-up./ And when she woke,/ they would not tell her/ what they’d done—/ an operation/ to prevent her from/ ever having more kids.” This is a historically accurate statement that leads Malian to research the Eugenics Project, which details many of the same atrocities in similar terms. 
  • Malian has to do a genealogy project, and she considers sharing about how “the colonial government/ offered bounties for Indian scalps.” No more detail is given. 

Drugs and Alcohol  

  • None 

Language  

  • Grandpa Roy expresses that they’re “god darn lucky” that the coronavirus hasn’t reached their home and that Malian and her grandparents haven’t encountered it yet. 
  • Malian explains that her reservation friends call her Macintosh, like the apple, because it’s “a name for someone/ who looks Indian/ but acts more/ like a white person—/ red on the outside/ and white within./ An insult to say/ to somebody Native.” Malian says she doesn’t mind that they say it because they don’t say it in a mean way. 
  • Grandpa Roy laughs about the various misinformed beliefs white people have about indigenous people, including the Wabanakis. He notes that one belief about Wabanakis is that they are “anal-retentive, whatever that means.” This is not explained further. 

Supernatural 

  • None 

Spiritual Content  

  • The characters in this book are members of one of the Wabanaki nations who reside in modern-day Maine as well as in Canada. As such, there are discussions about stories and beliefs in the Wabanaki nations. For instance, Grandpa Roy tells Malian a story about how his Grandpa Red Hawk once saw the dogs acting like people. Red Hawk says, “They’d put on clothes/ we left behind/ and some of them/ were walking around/ on their hind legs./ Some were sitting/ around the fire/ and drinking soup/ from wooden cups…/ one of them was even/ smoking a pipe.” These stories pop up often throughout the book. 
  • Malian mentions that she had a “Catholic school uniform,” presumably because she went to Catholic school. 
  • Malian and her grandma break off the fry bread and put it under a tree for “Manogies,/ the little people/ who are the guardians/ of the natural world.”  
  • As a child, Malian’s mother was in foster care. She describes foster care to Malian, saying it “was like purgatory,/ someplace with no address/ and stuck/ in between/ heaven and hell.” 
  • Malian notes that her grandparent’s old dog died and “her spirit took the Sky Road.” 

Jasmine Toguchi, Mochi Queen

Eight-year-old Jasmine Toguchi is a flamingo fan, tree climber, and top-notch mess-maker!

She’s also tired of her big sister, Sophie, always getting to do things first. For once, Jasmine wishes SHE could do something before Sophie—something special, something different. The New Year approaches, and as the Toguchi family gathers in Los Angeles to celebrate, Jasmine is jealous that her sister gets to help roll mochi balls by hand with the women. Her mom says that Jasmine is still too young to join in, so Jasmine hatches a plan to help the men pound the mochi rice instead. Surely her sister has never done THAT before.

But pounding mochi is traditionally reserved for boys. And the mochi hammer is heavier than it looks. Can Jasmine build her case and her mochi-making muscles in time for New Year’s Day? 

Jasmine is determined to prove that she is strong enough to pound mochi. In order to get her wish, she comes up with some unique and silly ways to get more muscles. However, Jasmine will also need to convince her family to break tradition — after all, pounding mochi is only for boys who are ten years or older. While Jasmine appeals to her father, he doesn’t give her a quick answer. Instead, before making his decision, he talks to the other family members to get their approval. In the end, Jasmine discovers that pounding mochi takes a lot of strength and hard work. She’s disappointed that she was only able to lift the heavy hammer one time. Despite this, Jasmine’s family showers her with praise because “you’re the first under-ten-year-old and the first girl to pound mochi in our family.”  

The story is accessible to fluent readers who are ready for a book with multiple plots. Black and white illustrations appear every two to three pages and show Jasmine’s daily life. Many of the illustrations show the characters’ facial expressions, which will help readers understand the characters’ emotions. Another positive aspect of the story is that difficult words are explained within the text. For example, Jasmine explains that her mom is an editor. “An editor reads other people’s work and fixes the words.” For more fun, the back of the book has a recipe for microwave mochi. Even though Jasmine Toguchi is a series, the books do not need to be read in order because each book focuses on a new storyline.  

Jasmine Toguchi, Mochi Queen is an entertaining chapter book that teaches the importance of controlling one’s emotions. For instance, Jasmine has a cousin named Eddie, who often teases her. To control her anger, Jasmine uses a counting strategy that works…most of the time. Jasmine can do this because her family members have taught her healthy communication skills. 

Jasmine Toguchi, Mochi Queen will encourage readers to work towards a goal — even those that seem unlikely to happen. Because the story focuses on Jasmine, young readers will feel as if they have made a new friend. Readers will also adore Jasmine’s spunky attitude and understand her determination to do something before her sister. In the end, Jasmine is an admirable character not because she has muscles, but because, “You’re strong. . . You believe in something and you don’t let anyone change your mind.”  

Sexual Content  

  • None 

Violence  

  • When Eddie makes fun of Jasmine, she “forgot to count to ten again. My foot flew out from under me and kicked the ball. Smack! It pounded Eddie in the back.” Afterwards, Eddie leaves the room. 

Drugs and Alcohol  

  • None 

Language  

  • Jasmine’s cousin Eddie is mean to her. He calls her “Jasmine Pee” and says she’s a weakling. 
  • When Jasmine ignores Eddie, he asks, “Are you so dumb you can’t make conversation?” 

Supernatural 

  • None 

Spiritual Content  

  • None

The Shadow Thieves

Charlotte Mielswetzski and Zachary Miller are both normal middle schoolers leading different lives. Charlotte is an introvert who finds solace in books and a new kitten. Her cousin Zachary, on the other hand, is a talented soccer player from London who loves living life in the fast lane. 

After people around him start getting sick, Zachary is forced to leave his hometown and move to the United States to live with Charlotte’s family. Charlotte is excited to have her cousin around, but she soon realizes that there is something unusual about him. Strange things keep happening around him, and she is determined to get to the bottom of it. 

One day, when the kids in their town start getting sick with magical illnesses, Zachary finally confides in Charlotte about the phenomenon that seems to be haunting him. Charlotte is both shocked and intrigued by what she hears. She knows that they must take action to stop this mysterious force that is causing so much harm. Together, Charlotte and Zachary embark on a dangerous journey to the Underworld to put an end to the uprising that seems to be at the root of it all. As they navigate through a world of darkness and unknown powers, they learn more about themselves and their capabilities. In the end, Charlotte and Zachary emerge victorious, having saved their town from certain doom. 

The Shadow Thieves is an incredibly captivating and enthralling story that will have readers completely hooked from start to finish. The seamless combination of reality, magic, and Greek mythology creates an immersive and truly unique experience that will transport readers to another world. The author’s masterful use of descriptive language and vivid imagery allows readers to fully visualize the story’s world, making it all the more engaging and enjoyable. 

Furthermore, the author has created a richly detailed world for the characters to inhabit, with vivid descriptions of the landscape, architecture, and culture. The characters themselves are not only expertly crafted but also multi-dimensional, with complex backstories and intricate relationships with one another. This level of depth and complexity enables readers to fully immerse themselves in the story, forming deep connections with each character and becoming fully invested in their individual journeys. For example, Charlotte’s endearing personality and kind heart make her an incredibly lovable character, while Zachary’s fierce determination to save everyone makes him a strong and admirable protagonist. 

The Shadow Thieves is a book that anyone who enjoys a good story filled with adventure, magic, and mythology should read. From the very first page, the reader is immersed in a world that is both intricate and fascinating, with well-developed characters that are easy to connect with. Whether you are a fan of fantasy or simply looking for a great story, The Shadow Thieves is a book that is sure to keep you engaged and invested from beginning to end. 

Sexual Content  

  • None 

Violence  

  • An older man, named Frank, is mean to a grasshopper by stomping on it. Frank “knew what was about to happen, and he still used all his might to stomp his foot down on the grasshopper with a great thwap. If he hadn’t, perhaps he could have been saved — but he did. So, then and there Frank died killing himself through his own meanness.” His death is not prevalent to the rest of the story but helps to introduce the underworld.  
  • Charlotte’s cousin Zachary, also referred to as Zee, gets a concussion during one of his first soccer games in America. “The goalie for the other team was an All-Metro senior and had a particularly high drop kick, which he aimed at a very burly midfielder, and Zee ran in to make the steal. The two jumped for the ball at the same time, and the midfielder threw his elbows out to push off Zee, headed the ball, then headed Zee. The heads knocked with a sickly thud . . .” This causes Charlotte’s parents to lock Zee inside for a few days.  
  • While Zee is absent, the other school kids come down with a mysterious illness. Nobody knows the cause. “Physical examinations were normal, blood tests were normal, everything was normal. Nothing was wrong with the kids, except they were clearly sick.” 
  • Grandmother Winter, Zee’s grandmother, passed away naturally.  “It would be her last breath, and with it she said two distinct syllables to Zee. . .metos.”  
  • After his grandmother’s death, the kids around Zee get a mysterious illness and he feels as if there is always something following him. One day when he is walking, Zee discovers the strange beings that seem to be the cause of it all. “That’s when he heard the scream. Zee whirled around and ran back around the corner. And then he froze. The boy was no longer alone. Two men, or something very like men, were with him. The man-like men were extremely tall, extremely thin, and extremely pale . . . One of the man-like men were holding the boy, the other was reaching into the boy’s chest, which was giving way like jelly. The boy was screaming. Zee stood, absolutely unable to move, while the second man-like man started pulling out something long and black and flimsy from the boy’s chest. And then the boy stopped screaming and seemed to collapse on the spot.” The boy was now mysteriously ill.  
  • Charlotte and Zee find a man who is being attacked by Harpies. “A man was chained to a cliff, a shirtless man dangling against the rock face, with blood all over his stomach. Three Harpies were circling around his head. And even though she could not see his face,” Charlotte knew that it was Mr. Metos, their teacher. 
  • Philonecron, a god who wanted to control the Underworld, can make Zee do anything he desires because he has some of Zee’s blood. He commands Zee to punch Charlotte. Then Zee “turned toward Charlotte. His face was contorted, his eyes burning, his every muscle clenching. Yet he began to move to her stiffly, slowly, painfully, looking like a very uncomfortable zombie . . . Charlotte could only stare as her cousin stopped right in front of her. He looked at her helplessly, then closed his eyes. Charlotte squirmed again, and the Footman [Philonecron’s creation from Zee’s blood] held her tightly . . . suddenly a truck ran into Charlotte’s stomach, and everything went black for a moment.” Charlotte was okay after the punch but bruised and out of breath. 
  • After taking Zee with him, Philonecron orders the Footman to drop Charlotte in the river Styx. “The Footman stepped forward and death was before Charlotte, and something surged through her veins. She exploded into action. Quick as she could, she leaned over, bit the Footman on the shoulder (gross), kneed him in the stomach (payback) and elbowed him in the neck (for good measure). With a soundless cry of surprise the Footman dropped her . . . She lunged behind him, and with a great breath she pushed, with all her might she pushed, his feet slipped on the rocks, and the Footman went headlong into the Styx.” One of the many Footmen created by Philonecron dies in the Styx and Charlotte escapes.  
  • Zee attempts to kill himself to foil Philonecron’s plan. “If Zee were dead, he couldn’t utter the words of the spell. All he would have to do was run, run as fast as he could. If he could get to the Styx before the Footmen got to him, he could jump in and save the world. . . He was almost there, he was ready to make his break, and then – And then he felt Philonecron’s hand on his shoulder.” Philonecron makes Zee unconscious and uses his power over Zee’s blood to keep him from escaping or killing himself. 
  • Zee realizes that the shadows created by Philonecron have to listen to him because they are bound by his blood. When Philonecron’s shadow army starts to tear down the center of the Underworld to try to overthrow Hades, Zee orders them to attack the Footmen. “Some shadows stretched out like snakes and slithered over [the Footmen], cutting swaths through their bodies. Others grew themselves long legs, which they used to wrap around the Footmen’s waists, and long arms, which they used to pull the Footmen’s arms from their shoulders and smash them to the ground. Others wrapped themselves around the Footmen’s legs and squeezed until the legs fell off.” The Footmen holding Zee captive were destroyed.  
  • Philonecron was not allowed to set foot on the ground near the center of the Underworld because of Hades’ orders. If he does, he will be burned. To get around this, he is carried to Hades’ castle in a chair. In the middle of the fight between the Shadows, Hades, Philonecron, Charlotte, and Zee, Charlotte acts. “Charlotte reached down, picked up the largest rock she could find, held it above her head, and crashed it down as hard as she could on the chair under [Philonecron’s] feet. A great crack splintered through the air – Philonecron’s mouth opened, his eyes bugged, and the chair broke into pieces underneath him. Philonecron went tumbling backward, his bottom hitting the ground, followed by his hands, followed by his feet. A hissing noise emanated from the ground. Philonecron yelled and pushed himself up in the air, ready to dive back onto the litter, but he was too late. His feet started smoking, then they burst into blood-red flame. The fire traveling up to his legs, and screaming, he propelled himself onto the litter — leaving a pile of ash where his legs had once been.” Philonecron’s legs will eventually regenerate, but he is banished to the upper world by Hades. 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural  

  • Frank, the older gentleman who died, is brought to the door of the Underworld. “A few moments after Frank’s death the door in the Mall opened. A form slipped through, a messenger of sorts, with winged sandals and a winged hat, and he moves so quickly through the air no one saw him at all . . . He arrived at Frank’s house in moments, where he found the dead man sprawled in his garden . . . And in the blink of an eye Frank and the Messenger were standing in front of the nondescript door.” When they pass through, the door between the two worlds remains open for a short period of time.  
  • Before Zee’s grandmother passed, she had a premonition on what would happen to Zee. “Grandmother Winter took a big breath in, a loud, urgent breath – and then Zee saw something flash in her eyes, and what he did not know was that his grandmother was having her last premonition.” Zee does not know what the premonition is, besides that she told him the word “metos.” 
  • The entirety of chapter nine outlines King Hades, the god of the Underworld. “The underworld was no hell of course; at least Hades didn’t think so. Sure, if you had been really, really bad — like, in the upper one half of one percent of all bad — his department of Eternal Rewards would send you to Tartarus and devise something suitably punitive . . . Hades may have been a Greek god, but that didn’t mean his leadership practices had to be ancient. There were any number of great business minds in the Underworld, and Hades could spend as much time as he wanted picking their brains, sometimes literally.” Under the idea of running the underworld like a business, Hades has different departments and tiers of people who work for him. This allows him to stay in his castle most all the time. 
  • Philonecron, a being of the underworld who wants to create an uprising, notices the shadow of a boy. “Philonecron could not believe what he was seeing. But it was true. There was no denying it. The boy’s shadow was loose.” The shadow being loose, means that Philonecron can steal it and use it. 
  • Philonecron learns he can steal the shadows of children because they are not fully connected to the individual yet. “Philonecron sought out as many children as he could find, Life Essence and all. Much to his delight, he learned that the boy, whom he had begun to think of affectionately as Patient Zero, was no aberration. If shadows were caused by interplay between light and Life, a child’s was still forming. An adult’s was inextricably bound to his body, but a child had a tenuous relationship to his own permanence, and thus, his own shadow.”
  • Mr. Metos, Charlotte, and Zee’s teacher, reveals his true identity so that he may help them in their journey against the Underworld. Mr. Metos says, “I am a descendant of Prometheus . . . We are sworn to protect humans against the whims of their creators. It is quite a task . . . I have Titan blood, yes. A little, though I am mortal. More important, I have the charge of Prometheus. The gods created man but do not help him. They’re like parents who abandon their children. Humanity is nothing but a plaything to them, and now, Philonecron is treating people like lab rats.”  
  • Upon entering the Underworld, Zee and Charlotte find large, bird-like creatures that swoop down at them. “The Harpy – for that is what the woman-faced, eagle-bodied, impossibly enormous, and while we’re at it, quite bad-smelling creature was — was singing a little song to herself.” The Harpies are dangerous and mean-spirited, but they do not ever do any damage to Charlotte or Zee.  

Spiritual Content  

  • None 

The Clockwork Crow

A magical story of snow and stars, The Clockwork Crow is a mysterious gothic tale set in a frost-bound Victorian country mansion. On her way to her new home, orphaned Seren Rhys is given a mysterious package by a strange and frightened man; she reluctantly takes the package with her. The package contains miscellaneous gears and parts that build a small, metal crow. As Seren adapts to her new life at Plas-y-Fran, she is thrust into a mystery about a young boy who vanished on Christmas Eve a year before. The mansion servants refuse to answer Seren’s questions, so she decides to investigate on her own. Who are the family who must not be spoken of, and can Seren find the boy, Tomos, before time runs out? 

Twelve-year-old Seren Rhys has lived in an orphanage for most of her life. After the death of her great-aunt, Seren discovers that she will be moving in with her godparents who have a mansion in Wales. She dreams of a fabulous life with lots of joy and warmth, but that is not the reality awaiting her. The servants of the house speak about the family in hushed whispers, and Seren’s curiosity gets the better of her. With the help of her magical Clockwork Crow, she uncovers a great mystery regarding the youngest boy of the family and decides it’s up to her to save him. Despite being afraid, Seren decides, “I’m not going to let that stop me.” 

The author crafts an elaborate fantasy from deceptively simple language. The book is written in third person and follows Seren’s journey throughout. Many readers will relate to Seren’s curiosity and her desire to learn more about the household’s secrecy. The supporting characters are fascinating yet ambiguous, likely from being poorly revealed. This is perhaps a casualty of the quick pace that the book has. The deadened manor provides the perfect backdrop for magical forces. Together, these elements create an engaging story that draws readers to try to solve the mystery with Seren. 

The importance of belonging is highlighted since Seren has been alone for most of her life and dreams of the “traditional” family that others have. When she arrives at Plas-y-Fran, she discovers that the family has been torn apart following the disappearance of their son, Tomos. Seren reflects that saving him at her expense would be acceptable, because “[Tomos’] mother and father were longing for him. But no one was longing for her. No one would care if she never went back.” She has always felt like an outsider, after living in an orphanage for the beginning of her life and then joining a family that already had a child. Through her adventure, Seren learns the value of belonging and discovers that she is loved.

The Clockwork Crow is enjoyable to read, although the story is a bit rushed. The novel consistently moves forward and never feels stagnated. At the beginning of every chapter, there is a short riddle that is relevant to the chapter, although it is not one that readers can solve. An example riddle is “Beak and wing and eye and claw. I’m not who I was before.” Fans of fantasy and mystery will enjoy The Clockwork Crow, but it can be enjoyed by all readers thanks to its message about self-discovery and found family. Seren feels lonely at times but manages to establish a family with her godparents after finding their son and reuniting the family. This book is the first in the Clockwork Crow trilogy; if readers are interested in continuing the story, they can read The Velvet Fox to follow Seren’s journey.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • The housekeeper consistently calls Seren an “impudent little girl.” She also puts Seren down frequently. For example, the housekeeper says Seren has “appalling manners.”

Supernatural

  • The Clockwork Crow is able to talk and move independently once the key is cranked. The Crow claims to be “as real as [Seren]” when asked if the events were just a dream.
  • The Crow was confined to clockwork when a witch cursed him by saying, “until you give up the one thing that means the most to you, you’ll be a black crow forever and ever.” Prior to the curse, the Crow used to be human.
  • There is a fairy family of “magic, secret creatures, who can never get older, can be beautiful or ugly and twisted.” Every character in the book is afraid of the Fair Family and speaks about them in hushed whispers.

Spiritual Content 

  • The household attends church sermons every Sunday, and the housekeeper tells Seren “this is the Day of the Lord and we must be respectful” regarding the tasks and activities expected of her for the day.

The Lost Girl

When you’re an identical twin, your story always starts with someone else. For Iris, that means her story starts with Lark. The twins have always had each other’s back and their bond was so strong that they never felt alone. They shared their looks as well as their thoughts and feelings. Lark was the extension of Iris and vice versa, and they were always better off together. 

However, things change when they are put in separate classes in fifth grade. They are in unfamiliar surroundings without their other half. For the first time, they have to make new friends and acquaint themselves with new teachers, new routines, and new challenges. Despite the grownups telling them that this is the best decision, Iris and Lark do not agree.  

Iris’s heart aches because she misses her sister’s constant presence. She had always been confident with Lark by her side, but now she has to navigate the scary and unfamiliar world of fifth grade alone. Lark, on the other hand, finds herself hiding in a world of her own as she struggles to adapt to the changes. The once inseparable twins now feel the weight of their individuality. 

At the same time, something strange is happening in the city around them. Things both great and small go missing. The girls can’t help but feel a sense of unease as they notice their world changing. When Iris begins to understand that anything can be lost in the blink of an eye, she decides it is up to her to find a way to keep her sister safe. Iris starts paying attention to her surroundings and taking note of suspicious activities. With each passing day, Iris becomes more determined to protect her sister and unravel the mystery of the missing things. 

The Lost Girl is an incredibly touching story that celebrates the unbreakable bond of sisterhood, and the beauty of individuality. The story follows two sisters, Iris and Lark, as they navigate the challenges of life, and come out on the other side stronger and more resilient. The reader experiences the twins’ journey and is drawn into the world of Iris and Lark by their intricate relationship. Since the story is told from the third-person perspective, the narrative style creates a sense of mystery around the identity of the speaker, which adds an intriguing element. While this narrative style has its benefits, it can also be confusing at times. For instance, the speaker seems to have knowledge of the girls’ internal thoughts, which can sometimes make it difficult to discern who is thinking or talking. However, black and white pictures appear once each chapter and provide a visual element that helps readers fully immerse themselves in the story. 

Throughout The Lost Girl the reader is reminded of the transformative power of change, and how even the most difficult situations can lead to personal growth and a greater understanding of yourself. However, The Lost Girl could benefit from a more developed and connected plot. The mystery and magic elements are not clearly explained which may cause confusion and disconnect readers. While the beginning seems to crawl along at a snail’s pace, the imbalance between the explanation behind the mystery and the deep development of the main characters leaves the ending feeling rushed.  

The Lost Girl presents a heartwarming tale about the bond of sisterhood and the journey towards self-discovery. While the plot development has some flaws, specifically with the integration of mystery and magic, the novel still offers wonderful life lessons.  Additionally, the themes of individuality, family connection, and the power of friendship are sure to strike a chord with many readers. Readers longing for books similar to The Lost Girl should also read the Legend of Eerie-on-Sea Series by Thomas Taylor and Inside Out & Back Again by Thanhha Lai. 

Sexual Content  

  • None 

Violence  

  • Mr. Green, the man who owns the antique shop, invites Iris to stay with him. When she refuses, Mr. Green tries to force Iris to stay. Before anything can occur, Duchess, Mr. Green’s cat, comes to Iris’s aid. “A yowling sound—then Mr. Green yelled, ‘Ow!’ Duchess was at his ankle, biting. Iris wrenched free from his grasp and ran forward, and then heard another yowl, this time in pain. Mr. Green kicked the cat. Then his hand wrapped around her shoulder again, and the next thing she knew, she was being thrown into the doorway marked office.” Duchess and Mr. Green remain mostly unharmed, but Iris is left trapped in the room. 
  •  Mr. Green attempts to get close to Iris because he plans to use magic to transform her into a doll. Iris “dove over to the shelves with the jars of magic, grabbed one, and hurled it at Mr. Green. He yelled and ducked out of the way. The jar exploded on the wall, and the magic inside splattered and oozed and steamed and hissed, and Mr. Green slapped his hands over his face and screamed.” Iris temporarily halts the attack, but wounds Mr. Green with a magic substance.  
  • The girls from Camp Awesome, the after-school camp Iris attends, attempt to save Iris from Mr. Green. Unfortunately, the girls are no match for the size and strength Mr. Green possesses. Mr. Green “swore, then threw Hannah across the room and kicked Lark in the stomach. She stumbled backwards. Iris dove to her.” Hannah and Lark are wounded slightly. The girls are left trapped listening to the demands of Mr. Green. 
  • Iris agrees to go with Mr. Green as long as he allows the other girls to go free. To ensure she doesn’t leave, he binds her to a chair. Mr. Green “growled at her. And then he duct-taped one arm to the chair. Then the other. Then he bound her ankles. And then her mouth.”  
  • The girls continue to fight Mr. Green and they use their intelligence to outwit him. They formulate a plan to shove him into the magic well. “Then several things happened at once. Mr. Green pushed the door open. As he did, Lark jumped backward. A crow let out a cry and dove toward him. He whirled around, and out of nowhere Duchess came barreling forward, right toward his ankles. He bobbled. Lark thrust out her hands and pushed. He slipped backward. And he fell.” The girls defeat Mr. Green and escape. After he falls into the well, it is presumed that he is dead and unable to come back up from the magic water within. 

Drugs and Alcohol  

  • None 

Language  

  • Tommy Whedon, Lark’s sworn enemy, makes fun of Iris in the hallway. “You’re a psycho, you know that?” Iris retaliates by calling him a mole rat and blowfish.  
  • Tommy Whedon became Lark’s enemy when he called her crow girl. “And at recess, Tommy told Iris she was nasty and ugly and bossy and no one liked her, and Lark didn’t talk for the rest of the day. Somehow their parents got wind of the ‘mole rat’ comment and Iris got a talking-to about name calling. Meanwhile people whispered Freak and Crow Girl at Lark for the rest of the year.” This nickname pops up a couple of times.  

Supernatural  

  • Lark is imaginative and believes there is magic in even the most mundane things. Lark believes her teacher to be an ogre because he made fun of her and seems out of place as a fifth-grade teacher. “‘I am pretty sure,’ [Lark] said, voice intent, ‘that Mr. Hunt is an ogre’…To Lark an ogre took great pride in his collection of children’s hearts and when the other ogres would come over for dinner (usually ogres serve yak to guests) he would show his treasure, boasting about how he had the finest collection in the land. He’d take the jar off the shelf and tell the great and glorious story of the capture of the child the heart once belonged to.” This is a thought Lark brings up repeatedly throughout the text and she continues to theorize about why she believes Mr. Hunt is an ogre. 
  • Iris sees a cat, Duchess, travel thorough a clock.  
  • Duchess leads Iris behind a curtain where Iris discovers a whole house. Not only is it almost the size of a mansion, but there are remarkable pieces of art scattered throughout. Mr. Green says, “I told you I had magic. You kept saying it was science.”  
  • Mr. Green use magic to make a compass using water and create a battery out of a potato.  
  • Mr. Green gains power by accessing wells of magic. He shows Iris a new well that is hidden inside his mansion. “Iris shook her head slightly as if to clear it. It was a well of magic. Magic was a thing, something you could scoop up like water.” Iris has a hard time comprehending the magic.  
  • Inside Mr. Green’s office, Iris discovers more magic. “One wall of shelving was lined with wooden carvings, and perched right in front of it was a big shiny black-and-gold sewing machine with a foot pedal. Another was filled with sealed jam jars of shimmering magic.”  
  • Mr. Green explains magic’s power. “The magic is hard to work with, but it does excel at one thing in particular . . . It excels at transformation. This is very useful when you need to walk out of a museum with a painting or take a sculpture the size of a semi-truck out of a public garden. It can also be useful in other ways. And I think, Miss Maguire, I know the best way to keep you. . . Perhaps I can give you as a gift to [my lost sister] after all.” He explains to Iris that he could use the magic to transform Iris into a doll for his sister.  
  • The explanation behind who the narrator is brought full circle and revealed as Mr. Green’s lost sister, Alice. It is learned that Alice turned herself into a crow and that she’s the giant crow following the girls throughout the story. “Iris was right — I did run from you. You locked me in a room, you said it was for my own good, and I pulled all the magic I could from the room and turned myself into a crow. I made a tool to open the latch and flew out the window. Crows are very good with tools. Magic has a cost. You gave your humanity willingly for it. I gave mine, too, but in a different way. I like my way better.”  

Spiritual Content  

  • None 

Saints of the Household

Max and Jay have always depended on one another for their survival. Growing up with a physically abusive father, the two Bribri (indigenous Puerto Rican) American brothers have learned that the only way to protect themselves and their mother is to stick to a schedule and keep their heads down.

But when they hear a classmate in trouble in the woods, instinct takes over and they intervene, breaking up a fight and beating their high school’s star soccer player to a pulp. This act of violence threatens the brothers’ dreams for the future and their beliefs about who they are. As the true details of that fateful afternoon unfold over the course of the novel, Max and Jay grapple with the weight of their actions, their shifting relationship as brothers, and the realization that they may be more like their father than they thought. They’ll have to reach back to their Bribri roots to find their way forward. 

Told in alternating perspectives, Saints of the Household outlines Jay’s and Max’s stress as they enter their final year of high school. Ari Tison is Bribri herself and brings Bribri stories and language into the text. She integrates these elements seamlessly. It gives insight into Bribri culture and provides a contrast to rural Minnesota. The boys’ connections with their home and their mother’s family are deeply important to the story, as it provides a sense of normalcy and peace in an environment that is otherwise uncertain. 

Jay and Max’s relationship drives the tone of the story. The brothers have different personalities, which causes conflict. Max wants to escape his home situation and often pulls away from Jay, who is always preoccupied with family and school matters. The brother’s bond fluctuates; the more Jay and Max exist in harmony, the more hopeful the story becomes. Both Jay and Max are sympathetic characters, and readers will find it easy to connect with them. 

Since Jay and Max are familiar with domestic violence, Saints of the Household includes violent scenes. In addition, when their classmate Luca physically abuses Nicole – his then-girlfriend – the brothers beat up Luca in order to protect Nicole. Some readers may find the abuse troubling as Tison’s remarkably succinct writing style makes the descriptions of these scenes short, yet powerful. Despite this, in the quiet moments, Jay and Max find solace in each other and in their Bribri traditions even though they live in the tundra of Minnesota. Jay also seeks comfort in his friend Nicole, while Max finds it in his art. 

In order to help readers distinguish between the brothers, Max’s chapters are all written in wandering verse, which is in stark contrast to Jay, who writes his thoughts in prose. The changing points of view illustrate the differences between the brothers as well as highlights how differently they understand their current situations. Another factor that affects the story is that religion plays a significant role in the story as the boys’ beliefs balance between Christianity and Bribri traditions. As with other elements of the book, these are integrated seamlessly into the story and there aren’t any strong stances taken on the topic itself. Religion is as much a part of Jay and Max’s life as Bribri culture, or their mom’s hot chocolate: it just is. 

Despite the darkness that cloaks the events in Saints of the Household, the ending is uplifting. The brothers have witnessed violence and have even stooped to physically fighting each other. Despite this, the conclusion hints that Max and Jay will make it through these difficult times through their family’s and friends’ love. Saints of the Household will appeal to readers looking for a more literary and thoughtful text rather than an action-packed adventure. The story ends on a hopeful note and shows that the characters will make it through to the next stages of their lives. It also reminds readers that life can get better. For more perspective from indigenous authors, read The Marrow Thieves by Cherie Dimaline and Powwow Summer by Nahanni Shingoose. 

Sexual Content  

  • Jay finds one of his dad’s porn magazines. The magazine has “a woman with a low-cut shirt lean[ing] forward on the cover.”  
  • Nicole used to date Aaron, but she “think[s] Aaron was hooking up with someone else right after we broke up because of something I saw online. They were flirting in the comments somewhere.”  
  • Max and his girlfriend, Melody, kiss. Max describes, “She leans over and kisses me./ We kiss hard, and I cry.” 
  • Max mentions that he says “no to [Melody] when she asks about sex” because he’s worried he’ll hurt her. 
  • At a school dance, Max and Melody kiss. Max describes, “Before we get to the hall,/ she turns off the lights,/ and then I kiss her, and we kiss, and we kiss,/ by the dark door.” 
  • Max and Melody “mess around, pulling clothes;/ she’s musk, honey, stomach,/ ochre colors filling my mind/ with every kiss and touch/ we unfurl on the bed,/ until she’s over me.” Max stops before things can go any further. 
  • After an absence, Nicole sees Aaron again. “Before Aaron can say anything, they hug each other, and hug and hug. She kisses him on the cheek. He kisses her back, and they start really kissing.”  

Violence  

  • The narrator asks God for forgiveness for “kicking the neighbor’s dog, for shouting at the sky, for beating up that boy.” The event where the boy, Luca, is beaten up is explained later in the book as the book’s plot follows the aftermath. 
  • After they beat up Luca, Jay and Max see a counselor. The counselor asks, “Why didn’t you stop? Why did you kick him in the face? You broke his nose…His face is severely injured.” 
  • Jay explains what happened the day they beat up Luca. Jay says, “Luca was pulling at [Nicole’s] jacket, and she pushed his hands away. Then Luca’s hands were on her shoulders while she swore at him. . . She pushed him off, then he grabbed her hand and yanked it down and then leaned forward to say something in her ear. And we snapped. We were on him, pulling him away from Nicole, and he swore at us. He shoved Max, and I shoved him back, then he shoved me back, and then we beat the heck out of him.” This description lasts for one page. 
  • Jay describes the first time his dad hit him. Jay says, “Dad opened the door and caught me listening. I saw his usual hard anger turned hot, but hotter this time. I can still feel it. That first time he swung. My body crumpled onto the wooden floor.” The description ends after a page, but it is established that this happens regularly. 
  • Jay explains his father’s domestic violence further. Jay says, “After Max’s fourteenth birthday, he took to hitting me whenever I did anything that upset him…Then he started on Max. He made us swear never to tell Mom, because she wouldn’t understand that it was what we deserved for acting like fools, for not doing what he asked, for looking at him the wrong way and how it showed him disrespect. That didn’t last long, because his anger turned to her soon.”  
  • The brother’s mom tells a story about two young men who have to stop mystical eagles from stealing children from a tribe. They lull the eagles to sleep and, while they slept, the two men “swiftly took a knife to [the eagle’s] throat and cut [them] to pieces.”  
  • Max and Jay come home and see their mom crying and holding her shoulder. Their dad is yelling. Jay reacts: “With two long strides, I am right up to him, him and his sour breath. I send my fist right to his face.” Their dad ends up leaving the house without taking a swing at Jay.  
  • Jay’s dad tries to be nice to Jay’s mom, but then Jay says, “I lay him out when he drinks too much and goes after Mom again.” It is insinuated later that his dad hit his mom in the face. 
  • After an absence, Jay and Max’s dad comes home. Jay details: “Late at night, I hear a loud bang at the back door. Mom opens it, like she does. And I hear it, the lick of fist to skin. I see Dad’s hands go hard to her neck. Max jumps on Dad.” Their dad is arrested. 
  • Jay has dreams about his dad physically abusing him. He has “dreams where Dad’s hands hit me across the face, harder for calling the authorities on him…I see the time he decked me for taking it out and how he marched me out to the alley and pushed my face into the can so hard the plastic edge cut into my skin.” His descriptions last for a page. 
  • Jay’s grandpa, Grandpa Fernando, talks to Jay about depression. He says, “I used to get sad, too. You know your great-uncle? It was so much he took his own life. I don’t want that for you.”  
  • Max and Jay fight. Max says, “I go for you first./ I go for your ankles,/ and your back cracks/ against the wood./ I’m on you,/ swinging and swearing.” The fight ends when Grandpa Fernando hits Max over the head with “a big book in his hands.” The description of the fight lasts for a few pages. Jay sustains bruises on his face, but both brothers are otherwise fine. 

Drugs and Alcohol  

  • The brother’s dad physically abuses his family, “especially when he drinks.” Jay elaborates that his dad “likes rum and Coke.” 
  • Max paints Melody’s portrait at a park next to a trailer park. Max notes, “there, a smoking empty bean can/ with cigarette butts on the steps.” 

Language  

  • Profanity is used somewhat infrequently. Profanity includes: shitty, asshole, damn, hell, jackass, and fuck. 

Supernatural 

  • None 

Spiritual Content  

  • The book opens with a passage about communion and Christian church service. An unnamed narrator says, “I keep crying at the time of the reflection, asking God for forgiveness. I can’t stop thinking about it —  before I am told to eat the cracker and drink the two-inch cup of black-red wine.” The passage lasts for half a page, and God’s name is invoked frequently throughout the book. Jay and Max’s family does attend church. 
  • Max and Jay are indigenous Costa Rican, and Jay notes that the ocean is traditionally sacred and revered. He says that they’d “have to pray to even get close” to the ocean. 
  • Grandpa Fernando would tell Max and Jay stories about their ancestors, who were the first indigenous peoples of Costa Rica – the Bribri. He would tell them “of tricksters, the Creator Sibö, and men who were cursed after selfishness.” There are short chapters dedicated to various Bribri stories, and they each last for a couple of pages. One story is about the birth of Creator Sibö. 
  • Jay references an Old Testament story where “Jonathan risks his life for King David, and a verse says that David loved Jonathan with more love than a man had for a woman — and Max and I are like that. Brothers born eleven months apart.” 
  • Max and Jay’s mom tells them a story about mystical eagles. She explains that “the mystical eagles were the dragons of Talamanca…They’d come down from the mountains, tearing children from their mothers’ arms, snatching those who went out in the day from the pathways.” The story lasts for a page. 
  • Max says that he remembers him and Jay “laughing at the sex-garden references in the Bible—Eden, then the gardens in the Song of Solomon.” 
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