Topic: Good vs Evil

Simon Thorn and the Wolf’s Den

Twelve-year-old Simon Thorn’s best friend is a mouse. The kids at school think Simon’s a freak because he talks to animals. Simon doesn’t think life can get worse, until a herd of rats kidnaps his mom. After his mom’s disappearance, Simon learns that he and his family are Animalgams—people who can change into an animal at will.

The children of the Animalgams attend a secret academy hidden within New York’s Central Park Zoo. Simon sneaks into the academy hoping to find clues to his mother’s whereabouts. While at the academy, Simon learns that the Animalgam world is full of ancient rivalries and feuding kingdoms. Commanding the school is a dangerous foe intent on holding supreme power, and she thinks Simon is the key to gaining it. In an instant, Simon’s world has shifted, and he isn’t sure who he can trust. Simon is determined to find his mother, but he may lose his life in the process.

Simon Thorn and the Wolf’s Den jumps into action right from the start. The plot twists and turns as Simon uncovers family secrets, new friends, and evil villains willing to kill for power. Although the plot is complicated, the author circles back to repeat important information, which helps the reader keep track of key details.

Simon is a relatable character because he wants to fit in, but he refuses to bow to bullies. Even when Simon is under intense pressure, he continues to do what is right, including protecting those around him. Because the story is written in the first person, Simon’s thoughts and feelings allow the reader to understand why Simon puts his life in his enemy’s hands.

The villains in the story are capable of hiding their true intentions, but in the end, their actions show the dangers of desiring power. The story also highlights the themes of friendship, forgiveness, and the pain of loss. Simon’s uncle, Darryl, shows what a good parent figure should act like—he gives encouragement, sets rules, and is willing to die for Simon. At the end of the story, readers will understand that even when people have good intentions, the outcome doesn’t always work out as expected.

The story’s advanced sentence structure and often scary violence make the story more appropriate for older elementary readers. Simon Thorn and the Wolf’s Den is a fast-paced story that takes readers into a fantasy world where unlikely Animalgams band together to defeat evil. This entertaining story will surprise and delight readers, while it teaches that “you are the person you choose to be, not the person others think you are.” Readers will be clamoring to read the next book in the series, Simon Thorn and the Viper’s Pit.

 Sexual Content

  • None

Violence

  • When Bryan is bullying Simon, Winter stands up to the bully. The bully “shoved her backward. Winter hit the chair hard, and the crack of elbow against metal echoed through the cafeteria. Simon didn’t stop to think. By the time he realized what he was doing, he had already tackled Bryan to the ground and socked him in the soft spot below the ribs. Bryan cried out, and Simon pulled away, dumbfounded.” During the fight, “Bryan shoved his arm against Simon’s throat. His fist connected with Simon’s abdomen, and Simon curled into a ball.” When Bryan goes after Winter, “Simon roared. His hand shot out, his fingers curled into claws, and he swiped his nails against Bryan’s face. Bright red lines sprouted across Bryan’s cheek, and he faltered, his mouth opened in shock.” The bullying and fighting scene lasts for five pages.
  • While walking through the park, Bryan and his friends see Simon. Bryan shoves Simon, and then “one of the eighth graders caught him and pushed him forward. Back and forth he went, until he was so jarred that he could barely keep his balance. . . Simon made what was possibly the stupidest move in his life: he kneed Bryan in the stomach. Hard. And as Bryan doubled over, Simon pushed him to the ground, grabbed his backpack, and made a run for it.”
  • While at home, rats attack Simon, Darryl, and Isabel. “Rats—hundreds and hundreds—crowded the hallways and poured into the apartment, surrounding the three of them. Their high-pitched squeaks made Simon’s ears ring and he could see their sharp front teeth. . . A particularly eager one tried to climb up Simon’s leg, its tiny nails scratching his skin, and he kicked hard.” Simon’s mother tries to steal a car, but the rats disable the car. The rats begin throwing bricks at the car. “Another hit the window, and another, and another. . . The window shattered. Shards exploded all over him, clinging to his sweatshirt.” As Simon runs, the rats “descended on him with impossible speed, climbing up his clothes, flinging themselves at him, biting him everywhere they could reach. . . One of them crawled up the knife, and though the blade cut its belly, the rat either didn’t notice or didn’t care.” The rats take Isabel. Simon and Darryl get separated. Simon is safe. The rat scene takes place over ten pages.
  • Winter helps Simon escape a guarded building. Winter “kicked an unexpecting guard. Hard. His cry of pain echoed through the lobby. . .” When Simon and Winter get outside, the rats attack. As Simon tries to run, he feels “the rats’ sharp claws scratching his legs as they tried to climb up his jeans again.” A flock of predatory birds appears, and “before Simon could move, talons ripped the rats off his clothing and more vicious screams echoed in his ears as the birds and rats clashed.” The rats scatter.
  • During an Animalgam training exercise, “the mountain lion snapped at the girl, who wore a stony expression and didn’t take her eyes off her opponent. . . At last the cat attacked. Again the girl was ready for him, and she sprang aside a second time. With impossible speed and strength, she flipped the beast over in midair and pinned him to the ground, her knee against his throat. The mountain lion fought back, his massive paws striking her again and again until—The girl disappeared.” The girl wins the match by turning into a spider.
  • During an Animalgam training exercise, Simon tries to sidestep his opponent, “but she grabbed his sweatshirt and twisted him around, and Simon fell hard on his back. All the air left his lungs, and he gasped. . . He buried his knee in her stomach and pressed his arm across her neck, the same way Bryan had pinned him. . . he held her down as she struggled.” When the opponent changes into a spider, Simon is able to capture her in the palm of his hand. When he threatens to squish her, she gives up.
  • When Nolan denies that he is Simon’s brother, Simon dumps chocolate milk on him. Then, Nolan “lurched forward and tackled Simon to the floor, ripping at his shirt and tearing at his hair.” Simon doesn’t fight back, and their uncle breaks up the fight.
  • Brothers, Malcolm and Darryl, fight. “An inhuman snarl cut through the air, and in a flurry of teeth and fur, Malcolm shifted and leaped at Darryl, knocking him to the grass. Darryl roared. In an instant, he also shifted into his wolf form, and Simon jumped back as they collapsed in a heap of limbs and claws. The wolves snarled and ripped at each other’s fur, pawed each other’s snouts, and rolled over and over again as they each fought to gain control.” Even though the brothers fight, they make sure they do not hurt each other. Their mother breaks up the fight.
  • Winter turns into a snake and attacks a man who is trying to keep Simon from leaving. When the man grabs Simon, Winter “shot toward him, sinking her fangs into Perrin’s ankle. Winter must have been venomous, because instantly his grip loosened enough for Simon to shove him away. . . His eyes rolled back into his head, and his knees buckled as he collapsed to the ground.” The man is given anti-venom serum.
  • An Animalgam turns into a black widow and bites the villain. The venom does not kill her.
  • While in wolf form, Darryl is caged and birds attack him. The attack is not described, but Simon finds Darryl. “The hulking wolf lay inside, his sides heaving and his gray fur matted with blood. Scratch marks lined his belly, and the feathers that clung to him made it obvious what had happened. . . As soon as Darryl was free, he shifted back into a human and staggered against the wall.”
  • When Simon and his friends get to his grandfather’s place, they find the security guard “stooped behind the desk. Simone moved closer. A security guard was slumped in his chair, and dark liquid dripped from his neck.”
  • In an epic battle that lasts for two chapters, the villains fight for control over Simon. During the battle, an eagle “flew after Simon, catching up in seconds. His talons scratched Simon’s neck and shoulders, and he shoved the bird away, using all his might to tear a handful of feathers from Orion’s wing. The eagle screamed and disappeared into the trees.” Hundreds of birds attack Darryl, who is trying to help Simon. Darryl is in wolf form, and he “snapped at the birds, fighting to break free, but there were too many of them. They pecked and scratched at his face, his throat, his paws, every part of him they could reach. . . Orion lunged toward the wolf, sinking the razor-sharp points of the Heart of the Predator into Darryl’s chest . . . Darryl had shifted back into a human, and a pool of blood expanded beside his motionless body.” Darryl dies.
  • During the epic battle, Simon turns into an eagle and “lashed out with his talons, slicing across Orion’s face and grazing his one good eye. . . Orion cried out, and at last he let go. Clawing at the air, he stumbled backward off the roof and fell into an empty sky.” Orion is injured but comes back to grab the scepter.
  • Malcolm is able to pin one of Simon’s enemies to the floor. He tells her, “You will leave the city and all our lands, and you will never return. If I ever see you again, I will rip you limb from limb, as slowly and excruciating as possible. By the time I’m finished, you will be begging me to let you die.”

Drugs and Alcohol

  • None

Language

  • Several times someone calls somebody else a “jerk.” For example, when Simon is being bullied, a girl tells the bullies, “Would you jerks shut up and go back to whatever hole you crawled out of?”
  • A bully, Bryan, calls Simon a “freak” and a “psycho.” He also calls Simon a “fart face.”
  • Simon calls Bryan an “ape face.”
  • A girl calls Nolan a “royal halfwit.”
  • Several times someone calls another person an “idiot.”

Supernatural

  • Simon can talk to animals. “Not only could he understand what they were saying, but they could understand everything he said in return.”
  • The story revolves around Animalgams, humans that can change into an animal. This ability is passed down by family. For example, when Darryl changes, his “fingers shifted into claws, his hands into paws, and his nose into a snout. Gray fur spouted all over his body, engulfing his clothing, and as his torso thinned and lengthened, a tail appeared at the base of his spine. In the time it took Simon to blink, his very human uncle had changed into a real, live, snarling wolf.”
  • Animalgams can only turn into one animal, except for the Beast King. The Beast King ruled hundreds of years ago, and “he killed countless Animalgams who refused to bow down to him.” The Beast King was powerful because “he could shift into any animal he wanted. . . You try defeating an enemy who can suddenly grow venomous fangs or dive underwater or fly away. Not to mention he had thousands of followers willing to fight for him.” Nolan and Simon are the Beast King’s heirs, and many believe one of them will eventually be able to shift into any animal.
  • The villain is trying to find all of the pieces of a scepter, because “when all the pieces are in place, the Predator can absorb the power of everyone it kills and transfer it to the person who holds the scepter.”

Spiritual Content

  • None

Daughters of Steel

Halan was a powerless princess. Now, she’s the queen of the Magi Kingdom, a blazing desert land where magic rules. Without any power, Halan wonders if she can be the queen her people need.

Nalah was a poor girl, from a kingdom that feared magic. Now she’s the Queen’s Sword, standing beside Halan at the helm of the kingdom. The more Nalah’s uncontrolled powers grow, the more dangerous they become. Will Nalah’s fear of her magic’s power cause her to hurt the people she cares about?

Nalah goes on a quest to discover how to control her powers. While she is gone, a friend from her world travels through the Transcendent Mirror asking for help. Halan decides to go through the mirror and help the Thaumas of New Hadar. As a dark threat draws closer, can Nalah and Halan reunite to save both worlds?

The second installment of the Sisters of Glass series continues the saga of Nalah and Halan; both girls need to learn valuable truths that will help them become leaders. Halan wants to be a good queen—one that will “stand up for people, do the hard things when it needs to be done, even if it means putting her own life on the line.” When Halan travels to New Hadar, she highlights the importance of caring for others, no matter their station in life. At one point, she tells her friend Marcus (a market boy), that “Your life and your brother’s and the lives of every single soul being held by the Hokmet are just as valuable as mine. If I were to put my safety above that of others, then I would be a very poor leader indeed.”

Nalah takes her own journey, where she must face several challenges. Throughout her journey, she learns that everything must have balance and that she has to prove her own worth to herself. Even though Nalah learns important lessons during her travels, even younger readers may have a hard time believing some of the unrealistic events. For example, even though no one has ever returned from a journey into the desert, Nalan is able to cross the desert in two days, albeit she gets injured. Nalah is also able to perform advanced magic, with no new instruction; she even successfully performs a healing magic spell that her mother could not control.

Through the sisters’ experiences, readers will explore the qualities of a good leader, as well as think about the nature of good and evil. At one point, Halan thinks about those who care for their own safety and questions, “Or was witnessing evil and doing nothing about it just as bad as doing it yourself?”

 Daughters of Steel has a complicated plot, graphic violence, and a ritual that requires collecting people’s blood. The story jumps back and forth between Nalah’s point of view and Halan’s point of view, which makes the story confusing at times. Although Sisters of Steel gives readers thought-provoking questions to consider, readers who are only interested in reading about sisters in a magical world may want to read The Unicorn Quest, which has less violence.

Sexual Content

  • None

Violence

  • When a beam falls on a man, Nalah uses magic to try to help him. Nalah felt “for the splinters in the wood’s core, she concentrated on them and willed them to open like a wound. The beam split apart under her hands. . . The man trapped underneath let out a pained gasp as the beam was dragged off his lower torso. Blood was flowing freely from the legs of his trousers, where a jagged spur of bone was poking through his skin.”
  • Nalah accidently sets the building on fire. Workers begin throwing water on the fire, but it doesn’t help. “The workers backed up as fast as they could as the whole structure started to topple. It crashed to the ground in a shower of sparks, and there was a scream as part of it flew off and caught a young woman square in the chest. She dropped and rolled, and people ran to help her.
  • When Marcus jumps through the Transcendent Mirror, a soldier follows him. The soldier “lunged, swinging his heavy stick, and Halan had to push Marcus aside as she dived out of the way. Marcus toppled to the ground, quickly scooting away until his back rammed up against a bookshelf. . .” Halan throws a bottle of sleepsand at the soldier, and “he recoiled, staggering, and then crashing to the floor. Halan felt some satisfaction seeing that he landed face down in his own spittle.”
  • When Soren and Nalah begin a journey, a group of people surround them. Someone grabs Soren, and he “was on his knees, his arms twisted behind his back by one of the men, a knife held to his throat by another.” Nalah wonders, “Could she take on twelve armed adults—some possibly wielding Thauma weapons?” Nalah doesn’t fight, but gives herself up. A man makes her put on gloves that will not allow Thauma magic to “transmute skin.”
  • A group of people captures Soren and Nalah, and as the two are being transported a man hits Soren. “The man punched him hard in the stomach and he doubled over, gasping for breath as he was pulled through another door, which slammed with a clang.” Nalah is taken to another room somewhere. “Nalah had not given up, but she was helpless to stop them from dragging her over to a wide wooden table in the center of the workshop. They thrust her against it hard enough that it pushed all the air from her lungs. . . one of the women had leaned over and seized her wrist, pulling it across a table to rest palm up across a shallow metal bowl. The woman snapped a shackle over her arm and another over her other wrist, so that she was pinned down, the edge of the table digging into her stomach.” The capture of Soren and Nalah takes place over ten pages.
  • In order to escape an enforcer, “Marcus lobbed an old kettle across the room, striking the Enforcer on the shoulder. The man tripped over a box and landed on his back on the floor, cursing with words she’d [Halan had] never heard before. . .” Halan and Marcus go through a trap door. Then “the Enforcer burst out from the trapdoor, and by the time he saw the pole coming toward him it was too late. Powered by panic, the blow hit home, and the man dropped like a stone and sprawled there, unconscious.”
  • Trying to get Marcus and Halan to come out of a house, Enforcers throw a smoke bomb into the house. “the smoke tasted foul and bitter, and it snaked into her lungs and began to choke her.” They are able to escape.
  • Nalah is captured and tied up, and her wrist is cut so that her blood will flow into a bowl. She feels pain, “and then there was numbness, and then there was pain again. Nalah’s arm throbbed and her vision swam. Her knees gave out, but the manacles held her in place, still stretched over the table. Her shoulders and her calves ached from the strain.” Nalah tried to focus on other things, but “the stinging agony of the cut on her wrist always brought her back.
  • After some of Nalah’s blood is drained, two men come into the room. One man “was dragging Soren behind him. His hands and legs were bound, and there was a bloom of purple across one side of his face where he’d been struck, but at least he had the right number of eyes.”
  • In order to escape, Soren “grabbed the metal ruler from the bench and held it out in front of him, twirling it in his fingers like a scimitar. . . The man lunged at Soren, clashing his sword so hard against Soren’s ruler that sparks flew from the impact. . . With a flourish of her arm, Nalah sent the glowing chain whipping across the attacker’s back. His clothing sizzled at its touch, and the man cried out in pain. Nalah pulled the chain back in and whipped it again, driving the man into the corner of the room like a lion tamer.” Nalah and Soren get out of the room, but encounter more people. “The nobles rushed at them. Soren parried one blow and got a hard swipe across the shoulders of one of the women, drawing blood. But then he had to duck and roll under the table to avoid the swords of the other three nobles. Nalah spotted a box full of threads and ran over to scoop them up in her hands. Twisting some of the threads around her fingers, she concentrated on imbuing them with magical energy and speed. When the woman vaulted over a table to swing her sword at Soren, Nalah flung out her hands toward her. The threads shot out like arrows, winding around the woman’s wrist and waist, binding her. . . One of the nobles had got under his guard and stuck a short knife right into his belly. Soren choked and doubled up, the ruler dropping from his hand with a clang.” The capture, blood gathering, and escape takes place over two chapters.
  • As part of a test, Nalah must face a wolf. “The flickering light picked out the hundreds of tiny blades that formed its coat, two serrated metal ears, and a jaw that disguised rows of metal teeth. . . Nalah yelped and dived aside as it punted, snapping at the air where her throat had been. . . The creature’s snarling head twisted in midair, and its teeth closed on Nalah’s leg. She screamed. The pain spiked up through her body as the wolf’s fangs sank into her flesh. Half blind with agony, Nalah threw back her head and channeled her breath into a burst of heat that struck the wolf right in the mouth. It yelped and let her go, recoiling, pawing at its face.”
  • Enforcers try to capture Nalah and Marcus. Marcus “struck, stabbing the tip of the knife into the soft exposed flesh where the Enforcer’s show met the bottom of his still trouser.” Marcus uses a magic knife, so the Enforcer cannot speak and call for help. Later, they find other Enforcers, and “Marcus lunged wildly at one of the Enforcers with his knife and then tried to bolt around them, but the other one was too quick and gave him a stunning blow across the back of the neck with his truncheon. He sprawled on the floor and the knife skittered out of his hand. . .” Marcus is captured.
  • A man grabs someone with a glove “made of deep green iridescent fabric, like a beetle’s shell. As soon as he touched the bare skin, the man’s hand spasmed and turned ashen gray, the flesh seeming to sag and shrink away. . . the hand, which continued to wither with each passing second.”
  • Tam grabs Halan and “seized her wrist, twisting it up behind her back. She gasped as he pressed his knife to her chest. . . The pain was worse than what Halan had been prepared for. She let out a sobbing yell as Tam dragged his knife across her arm, holding it out over the crystal bowl. Blood cascaded down the blade and dripped into the black pool in long, viscous strings.” Tam attempts to kill Halan, but before he does Tam is killed when “his back hit the altar with a sickening crunch, and he wheeled away and struck the wall that was peppered with the shards of his crystal bowl. Tam hung there for a second and then slid down the wall and lay still.”
  • A man throws sand into the air. “Most of the soldiers managed to duck and shield their faces, but a few were too slow as the sand melted and twisted into tiny shards of glass and flew at them. Two men fell to the ground, gasping and clutching at their faces, blood beginning to seep from a thousand tiny wounds.” The man “reached out to grasp the branch of a nearby tree. Suddenly, all the trees in the garden began to whip their branches around wildly. Two of the soldiers were knocked on their backs, and three more standing too close let out choking screams as the branches wrapped around them, hugging them tight to the trunks of the trees.”
  • A man grabs Halan’s ankle with a glove. “Something seized Halan’s ankle, feeling like a hundred biting insects were all stinging her skin at once. She screamed and tried to pull away, but the grip tightened. Halan’s vision swam and she reeled, losing her balance and hitting the ground hard. She held up a hand and watched as her skin turned gray and began to wither before her eyes.”

Drugs and Alcohol

  • None

Language

  • In New Hader, several people refer to those who can do magic as “Thauma scum.”
  • “God” is used as an exclamation once. Someone says, “God, I was so worried. . .”
  • A man tells Nalah, “You’re too young, too stupid to have these powers, you see? They should never have come to you—they’re wasted on you. You’re not even from this world! You’re a street rat, a guttersnipe. . .”
  • Several times, someone calls a person an “idiot.”
  • When Marcus encounters a dark figure, he asks, “What the hell do you think you’re doing?”

Supernatural

  • Thaumas have magical powers that allow them to make things with one element—glass, metal, tapestry, wood, etc.
  • In the story, each world has a tawam, which is another version of themselves. When Halan goes to the other world she recognizes Ester. “This girl was New Hadar’s version of Ester—her tawam! Not everybody from the two worlds had a tawam—Ester’s ancestors must have survived the quakes, met and had children, and their children met the same people and had children, and on down the generations, for hundreds of years.”
  • Halan and Nalah have the ability to “communicate through their thoughts, a benefit of their special bond. They’d quickly gotten used to using it, sending each other messages even when they were in the same room.”
  • When Halan finds an orb and looks into it, she sees a vision. Halan wonders, “Is this another vision of the future?”
  • When Nalah looks into an orb, she sees a vision. During the vision, “the eye focused on Nalah, and she felt as if in one glance it had seen her whole life, every moment she’d lived and every moment still to come. You are lost, Child of the Clan, said a deafening voice that seemed to come from the mountains themselves. Take the journey and be found.” Because of the vision, Nalah takes a journey to a shrine.
  • Nalah is given an Aqua Needle. “Nalah was fascinated when she first saw the hollow wooden stake, its end sharpened to a point. Apparently all you needed to do was follow its magnetic pull to a point in the desert and push it into the sand. Within moments, water hidden within the earth would begin flowing from its mouth.”
  • The Transcendent Mirror allows people to travel to the different worlds.
  • A man uses Nalah’s blood to make a blood cloak. An ancient text said, “that the blood of one of these Thaumas, when joined with certain other materials, can make a substance so powerful, it becomes like an extension of the Thauma themselves. It draws power from the Thauma and imbues that power into whoever is wearing it—Fifth Clan or not.”
  • When Nalah is in shackles, Soren puts a silver coin into her mouth. Nalah uses her magic to turn the coin into a key, which allows her to remove the shackles.
  • Halan finds a hold-all bag, which looks normal but holds as many items as one can put into the bag.
  • Nalah is told she must go to a shrine and “find you what the Seer has to tell you. Your destiny be the destiny of all of us, Starchild, and it must not be delayed. Read I this in the stars. . .”
  • Nalah must use her magic to pass a series of tests. When she gets to the shrine, the walls begin to burn, and Nalah must ignore them to focus on opening a box to get a key.
  • Halan is given a magic knife that “will render anyone it cuts unable to speak for at least an hour.” Halan’s traveling companion, Marcus, is given a staff that “strikes with twice the force you put into it and will bear almost any weight without bending.”
  • Tam performs a ceremony. Halan sees him “standing at an altar, his eyes closed and his mouth moving constantly as he muttered incantations. Placed on the altar was a large crystal bowl filled with a liquid so dark it was almost black, and giving off an eerie ghost light that hurt Halan’s eyes to look at. . .” Unconscious prisoners surround the altar, and their wrists had been cut. Tam “dipped the other hand into the bowl and began to write in the air, symbols that seemed to burn on the backs of Halan’s eyelids when she blinked, written with the blood of the innocent Thauma.” Tam is attempting to draw power through using the Thauma’s blood. The ritual is described over two pages.
  • When Tam performs a ritual, New Hadar begins to tear. The ritual is going to cause the end of New Hadar. Halan and Nalah are able to stop the ritual, which creates a permanent portal between the worlds.

Spiritual Content

  • Halan enters a secret meeting. “Thank you, Halan thought, sending out a message to the spirit of Nalah’s father. It looks like your luck even works for me.”
  • Halan meets a prophet, Cyrus, who has been dead for hundreds of years. Cyrus tells her, “I am not alive, Nalah. . . Not quite—not the way you would understand it. I exist here. I have existed here since before I was born, and I will exist here for a long time after you are dead. In my short time as a mortal being, I was a Fifth Clan Thauma named Cyrus, also called the Prophet, the Blind Seer. I was blind, then, although it might be more true to say my eyes were simply . . . elsewhere.” Cyrus tells Nalah, “Since you picked up my prophecy orb, I have not left your side.”
  • Halan prays for a miracle.

Secret in the Stone

Claire and her older sister, Sophie, never imagined that climbing a ladder in a fireplace would take them to another world—Arden. Arden used to be a land of unicorns and magic. Now, the unicorns and the great guardians of magic have disappeared. The sisters, the only descendants of Arden’s royal family, can bring all the unicorns back.

Claire doesn’t think Sophie should be the heir—Sophie is the brave one, but Sophie lacks magic. The two sisters travel to Stonehaven, a Gemmer school on Starscrape Mountain, where Sophie hopes to learn how to be Arden’s heir and harness the magic of stone. The fate of Arden relies on Sophie learning how to wake the legendary moontears and bring back the unicorns. As Claire and Sophie make the treacherous trek to bring back the unicorns, they realize that some allies are traitors in disguise. With danger lurking around every corner, can the sisters unlock the secret of the unicorns before it’s too late?

Secret in the Stone focuses on the complicated sibling relationship between Claire and Sophie. Claire feels inferior to Sophie, who always acts brave, confident, and decisive. Like many siblings, Claire and Sophie do not have a calm relationship, instead they argue and fight. At one point Claire tells Sophie, “I hate you!” However, as soon as Sophie needs her, Claire jumps into danger to help her. The story highlights the girls’ love for each other and their willingness to help each other at all costs.

The story weaves in background information from The Unicorn Quest, which helps the reader keep track of the important events that happened in the previous book. Like the previous book, Secret in the Stone builds an intriguing world that revolves around warring guild villages. The story has a vast cast of characters, many of which only appear for a brief period; this may confuse some readers.

Several themes run throughout the book. Readers will learn the dangers of making assumptions about other people as well as the importance of forgiving each other. Another theme the book reinforces is the importance of thinking about how your actions affect others. Often, even when the characters have good intentions, their actions lead to negative consequences. The story also shows that when evil exists, people must face it. When Claire meets a neutral village, she tells the leader, “It’s not fair—you can’t just keep your eyes shut when the world around you is falling apart! You have to do something! What kind of a safe place is this if you’re ignoring the real problems Arden is facing?”

Secret in the Stone is an engaging story that will keep readers turning the pages. However, the book is a stepping stone to book three. The story doesn’t resolve any of the conflicts but rather sets the story up for the next book. Readers who expect a book about unicorns will be disappointed because unicorns never appear in the story. Secret in the Stone will delight readers who want to enter a world of magic; however, readers must read The Unicorn Quest first. Readers who enjoy Secret in Stone should add the Sisters of Glass series to their reading list because the book also takes readers to a captivating world where magic exists.

Sexual Content

  • None

Violence

  • A stone knight comes to life. When it comes close, Sophie swings a “dagger at the stone leg, sparks flying as the blade scraped rock. The knight paused, as though confused about the tiny thing near its feet making such a big fuss. He gave the nuisance a kick, and the dagger spun through the air as Sophie fell on her side.” Before the girls could run, the knight paused, and “slowly the knight unfolded from his crouched position, and rose to a towering height.” The knight then bows to Claire and Sophie.
  • A scholar tells Claire a story about a father who sacrificed his daughter. The king “took his ailing daughter to a glade, and slipped a dagger into his only daughter’s heart. And as her royal red blood spilled onto the grass, a unicorn did finally appear. . . He placed his horn to the daughter’s heart.” The girl then transformed into a unicorn.
  • Claire and Sophie discover that Anvil and Aquila Malchain have been frozen into statues. “Anvil’s ax was raised above his head, looking as if he were about to chop something, his face snarled in an expression of rage. Aquila’s grandmother’s bun had unraveled, and her gray hair streamed out behind her as if she had been running, one hand gripping a knife while the other was clenched into a fist.” A Gemmer had turned their blood to rubies.
  • When a wraith attacks Claire, “a thick darkness flooded all of Claire’s senses—her ears, eyes, nose, mouth. The cold wasn’t just the cold of a winter’s night or the cold of a northern ocean. It was the cold that belonged to those alien, barren stretches of space. It was a cold that wrapped. That suffocated. That dragged her under.” Sophie helps Claire when she “just poked it [the wraith] and it ran, like shadows before light.”
  • Wraiths attack Claire and Sophie. Before they are hurt, riders appear. “Ropes of light crisscrossed across the night sky then snagged on the monsters, pushing them back, pulling them down. . . Each time a rope hit one, it’d scream and rear back.” The riders take Claire.
  • When Claire is taken to a secret village, a man traps her. The man “snapped his fingers and Claire was swept up into the air. The world swung back and forth as a thick net scooped her up into its valley. Its loose edges wove themselves together quickly, anchoring her to the ceiling above. She was trapped in a rope cage.” Sophie saves Claire.
  • When Claire and Sophie try to leave the hidden city, a tree root captures her. The root “reached for her ankle and wrapped around it. . .” Someone helps Claire escape the root.
  • A girl is found guilty of stealing and is sentenced to death.
  • A water plant “drifts around the lake like an animal. It’s called a Gelatinous Fish.” The Gelatinous Fish grabs Claire. Claire “felt what seemed to be rubbery tentacles, or lake weed, wrapping around her ankle, pulling her back into the deeper waters. . . The pain intensified. Black dots swarmed the edges of her vision. The passageway darkened. . .” Someone uses light to chase the fish away.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Someone gives Claire and Sophie a Kompass that is “a rare magic known only to the Malchain family that always pointed toward the one person or thing it was forged to find. In this particular case, it was Aquila.”
  • Claire and Sophie find a ladder in a fireplace. When they climb the ladder, they end up in Arden—a world where magic is real.
  • In Arden, there are four guilds of magic. Forgers work with metal, Gemmers work with rocks and gems, Spinners weave magic from thread, and Tillers work with all that grows from the earth. “Our magic, guild magic, only extends to what’s around us. . . The magic doesn’t come from within us, but from the things around us—plants, rocks, thread, metal. All we do is encourage the magic that naturally exists in those things, to make plants grow bigger and faster and stronger, for instance.”
  • In Arden, people are able to use magic, but “the only magic we have isn’t really magic at all. It’s just the ability to see the potential in each block of stone, medallion of metal, loop of thread, or seed. If someone doesn’t have magic, I think it’s just because she hasn’t learned enough about herself yet.”
  • Wraiths are dangerous creatures that kill humans. Claire describes a wraith as “big and dark and cold. It kind of looked like a skeleton wrapped in shadows.”
  • When Claire uses her Gemmer magic, it feels like a “buzz in her bones—a slight tingle that felt like her fingers were going asleep.”
  • A group uses magic to hide an entire village.
  • Sophie uses magic to make a cloak fly. Sophie and several others use cloaks to escape.
  • While trying to help a friend, Claire and her group run into Thorn, a boy they know. As they are traveling, Nett falls because “wrapped around his ankle was the thin end of a whip, its handle clutched in Thorn’s fist. Thorn gave a slight tug to the whip, and the first foot or so of the cord broke off on its own, binding Nett’s ankles together. . . He cracked the whip in Claire’s direction. She yelped; she felt the cord rush by her, coiling into a mini-Thornado above her head before dropping down.” Sophie uses her magic to free her friends and bind Thorn. “The whip had wrapped carefully around Thorn, binding him mummy-like from his feet and ending right below his nose—allowing him to breathe, but not giving him a chance to yell for help.”
  • An old fortress has Mesmerizing Opals. If people look at the light of the opals, “they would become entranced by the stone and would be no better than puppets, their minds numb and unable to think for themselves.”

Spiritual Content

  • None

Apprentice Needed

Ozzy Toffey has had enough adventure. But on a dark and windy night, he gets out of bed, jumps out of the window, and walks into the ocean. After almost drowning, Ozzy sure could use the help of Rin, the wizard he hired to help find his parents. But Rin is missing.

Then Ozzy receives an envelope with an airplane ticket to New York. Ozzy and his friend Sigi are convinced that Rin sent the tickets. The two set out on what they hope will be a quick trip to find Rin. Clark, the mechanical bird Ozzy’s father left him, has a hard time getting through airport security.

When Ozzy, Sigi, and Clark get to New York, they don’t find Rin. Instead, they find a rich and powerful man who wants to capture Ozzy. Will Rin appear and help save the day? Will Ozzy figure out why he keeps walking into the ocean?

The second installment of Wizard for Hire is full of action, adventure, and humor. Clark takes a bigger role in Apprentice Needed. Readers will laugh as Clark continues to fall for metal objects. His fascination with the mailbox, spoons, and other metal objects is humorous, but it also highlights everyone’s need to feel appreciated. Everyone who reads Apprentice Needed will wish they had a metal bird-like Clark.

The villain adds suspense to the story, in a way that is more humorous than scary. Readers will have a hard time not feeling sorry for the villain, who continually is outsmarted by two kids and a wizard. The wizard, Rin, may or may not be magical—much of the magic in the story is questionable. It’s not clear if Rin causes the weather that helps Ozzy and Sigi escape or if it was a coincidence. Plus, Rin finds magic in ordinary events, like an Uber showing up when needed.

As the story progresses, Ozzy learns the importance of letting go of things that he cannot control. Rin also teaches an important lesson about being careful with what you say. Rin says, “You may throw your words around callously, but they leave impressions on all who are struck.” Apprentice Needed has well-developed, interesting characters that readers will love. The pacing of the story leads to one suspenseful event after the other. Instead of ending the story with a satisfactory conclusion, the story ends with many unanswered questions. After reading Apprentice Needed, readers will be eagerly looking for the next book in the series.

Sexual Content

  • Ozzy finds Clark in the bathtub with a flash drive, a set of keys, and Ozzy’s portable CD player. Later, Ozzy says, “Something’s flashing.” Clark replies, “There was none of that. Just talking and listening to music. Yes, the stapler kept sort of glimmering at me, but there wasn’t any flashing. Your dad didn’t build me to be that kind of bird.”

Violence

  • Ozzy thinks back to the past when his parents created a Discipline Serum that gave people “power to control one’s will, and the ultimate power to control the will of others if needed.” Their business partner “kidnapped the doctors. In doing so, they’d left Ozzy for dead. But science demands sacrifice and Ozzy’s demise was a sacrifice that Ray and Charles had been willing to take.” Later, Ray had “done away with” Ozzy’s parents.
  • Ray tries to take Ozzy and Sigi to a private location. “Ozzy and Sigi were so focused on Ray that they failed to notice the two bodyguards slipping up behind them. The men grabbed them and lifted Ozzy and Sigi as if they were made of nothing but feathers . . .” In order to escape, “Ozzy lifted his right leg and threw it back into the knee of the man who was holding him. The man’s leg buckled and they both fell to the snow-covered ground. Sigi went limp and slipped halfway out of the arms of her attacker. He attempted to squeeze her harder, but her teeth connected with his right forearm and she bit down with a sense of purpose.” Rin appears and with the weather’s help, Ozzy and Sigi are able to escape.
  • A man kidnaps Sigi. “One moment she had been standing in the parking lot of the Devil’s Punchbowl and the next she had been picked up and whisked away into the trees. She had kicked and fought as hard as she could, but the man holding her was strong, and something on a cloth near her nose had knocked her out.” Sigi is not hurt.
  • A man sneaks into a house and pulls a gun on Ozzy. The man catches Clark in a net and “then slammed it against the wall.” Rin tells Ozzy and Sigi to drop to the ground, which they do. Then Rin “spun like he was possessed, sending book after book flying with incredible accuracy. Jon’s gun hand was nailed by the M volume of an encyclopedia, and the weapon went flying across the room and up against the wall. Rin kept spinning. Book after book thwacked Jon as he struggled to fend them off and stay standing. . . Rin sent a collegiate dictionary across the room, and it made full contact with Jon’s face. The man dropped onto his stomach and then blacked out.” The group escapes.
  • Ozzy and his friends flee in a car, and Jon follows them. Jon is stuck in a traffic jam, so he “jammed the gears into reverse and flew backward into the sedan. The airbag in the red car went off as Jon gave the vehicle gas and pushed the red car back a foot or so.” Several cars are damaged, but no one is hurt.
  • As Jon is chasing Ozzy and his friends, Clark goes under the car and starts pulling and biting wires and hoses. Clark “just kept biting and tearing. Clark cut the brake lines and when Jon tried to stop, the beige Corollas kept flying straight toward where Ozzy and the others had entered the trees. Jon screamed as the car launched off the side of the road into the forest.”
  • Jon pulls up to Ozzy and his friends, who are stranded on the side of the road, and “with no fight or arguing, Rin dropped his staff and they all spun around and put their hands behind their backs. Jon cautiously bound their hands with a roll of packing tape he’d pulled from the van.” In order to escape, “Rin pushed his feet up against the seat beneath him and with all the strength he had in his legs, he propelled himself forward over the middle seat and up over Jon’s head. . . Most of Jon was smashed beneath him. Rin wriggled and bucked like a fish doing the worm. The surprise caused Jon to drop the gun. . .” Sigi “aimed her legs at Jon’s right side and began kicking wildly.” Ozzy and his friends escape.
  • Ozzy and his friends duct tape Jon to a tree.
  • Jon pulls another gun on Ozzy and his friends. “Ozzy looked up to see Jon holding Sigi, his left arm around her and the gun in his other hand. . . Sigi was putting up a fight, but her captor was strong and held a weapon while she didn’t.” Ozzy points his buzzing finger at Jon, and he “began to tremble as he held onto Sigi. His head shook and his eyes grew wide with fear. He lowered the gun he was holding and then, with one surprising move, he brought his arm up and smashed the gun against the side of his own head. The blow stunned him and caused him to stumble forward.” Sigi hits the man, and “the hired goon fell to the deck, out cold. . .”
  • Rin jumps into the ocean, and then “something exploded out of the water and made contact with the Spell Boat.” The boat is split in two. “Both of the remaining halves were beginning to sink.” Jon is able to swim to the lifeboat.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The wizard casts spells. For example, he says, “Resped unidino,” and “the words caused a small flame to burn in his hand and light the space.”
  • Rin “snapped his fingers” and made someone temporarily mute. The man was “trying to scream obscenities—but no sound came from his mouth.”
  • Someone or something is taking over Ozzy’s mind and causing him to walk to the ocean. The first time this happens, Ozzy crawls out of bed and smashes his bedroom window. “Ozzy just stood there, his mind feeding him messages he didn’t want to obey. Without warning or reason, he ran across the room, barreling directly into the already fractured glass with his right shoulder.” When Ozzy flew through the window, “His body crumpled up as it came to a stop near two large boulders.” Ozzy walked into the ocean and “he moved deeper, as wave after wave came thundering down on top of him. . . Water filled his mouth and blinded his eyes. . . The sea ripped his legs out from under him, and Ozzy sank below the wet and deadly surface.”
  • Someone or something is taking over Ozzy’s mind and causing him to drive his motorcycle too fast through the woods. A branch hits Ozzy’s helmet, causing it to spin and cover his eyes. “The motorcycle was running at top speed, and Ozzy was weaving and maneuvering through the forest like a skilled, blindfolded pilot.” When Ozzy gets to the beach, “the back of the bike flipped up and sent Ozzy sailing straight into the ocean. . .” When Ozzy hits the water, he “instantly came to—his mind was his again.”
  • Ozzy’s finger, which has a strange birthmark, begins to buzz. When a police officer tries to arrest Ozzy, “his finger vibrated, his mind cleared, and electricity shot up through his legs and into his mind. Ozzy reached out and pointed toward Officer Greg, who was sitting in the police car’s driver’s seat with the door open. The officer’s body went rigid and he threw the vehicle into drive. Then, without a moment of hesitation, he slammed his right foot onto the gas pedal.” The officer drives towards a cliff but jumps out before the car crashes into the ocean.
  • When Ozzy goes into the ocean, “a strong rubbery rope of water coiled around his ankle” and pulled him under. “Going limp, his finger buzzed. The thick water gripping his left hand relaxed and was smothered by the ocean. Ozzy reached his free hand over and touched the wet ropes around his right arm. Immediately they unraveled and joined the greater body of water he was sinking in.” Ozzy is able to break the bonds of the water and resurface.

Spiritual Content

  • None

 

The Magic Looking Glass

Trolls steal a branch for the magical Story Tree, and Hansel and Gretel must find the branch and bring it back. As they begin their search, Hansel and Gretel meet a new friend, Wolfie. The three venture into the forest and find a fortress with a Magic Looking Glass inside. The Looking Glass promises to help them, but can the reflection be trusted? Can Wolfie and the twins save the day or will the Magic Looking Glass have the last laugh?

Wolfie, the grandson of Throat-Rip the Destroyer, doesn’t want to be like his father, who eats grandmothers whole. When Wolfie meets Hansel and Gretel, he welcomes the opportunity to do something good. Wolfie is a fun new character in the Little Legends series. Through his adventures, he realizes that no one can force him to do evil deeds.

Unlike the other books in the series, The Magic Looking Glass has an easy-to-follow plot. Most readers will be able to relate to Hansel and Gretel, who have a great sibling relationship until the Magic Looking Glass curses them. The siblings’ fighting makes them funny and relatable. Throughout the story, Wolfie has to come up with unique ways to keep the siblings apart. Unlike the big bad wolf, Wolfie proves that he has the ability to bring people together instead of eating them.

Black and white pictures help bring the characters and action to life. Some readers may find The Magic Looking Glass scary because the mirror wants to steal Hansel and Gretel’s bodies. Readers will enjoy the action-packed story, the humor, and the black-and-white pictures that help bring the characters and their actions to life. The Magic Looking Glass is a good choice for confident readers who want to see fairy tale characters in a new light.

Sexual Content

  • Hansel and Gretel talk about their father’s string of wives.

Violence

  • When the Sacred Shiny Story-Snipping Shears were dropped, Jack tries to pick them up, but “he was barged out of the way by a large, blue creature with webbed fingers and brightly glowing eyes. . . It waved its hand, and a torrent of water flooded over Jack and Betsy, sending them skidding backwards over the ground.”
  • When Wolfie tries to help Hansel and Gretel, the reflection in the Magic Looking Glass casts a spell, and a big hole opens up, “beneath Wolfie’s feet. He tried to step around it, but the hole opened faster and faster. There was no way he could avoid it. . . He tumbled into blackness.”
  • As Wolfie and Gretel are trying to escape from trolls, “a swarm of imps poured out of the door at the top of the staircase and came running toward them, roaring and waving a ragtag collection of weapons.” When Hansel begins shooting arrows at Gretel, the imps stop.
  • Wolfie breaks the Magic Looking Glass. “For a moment, the reflection stood in the middle of the hall, looking shocked, angry, and scared, then it too broke into a million of pieces, which blew away on a howling wind.”

Drugs and Alcohol

  • None

Language

  • Several characters call the mayor names or talk badly about him. Someone says he’s a “horribly slimy man.” Someone else calls him “Sausage-Face Fitch.”

Supernatural

  • Tale Town has a magical tree. “If you ran your finger along the branch, the story would happen inside your head.” The tree has a spell of protection, which “means that the only way to trim off a story is using the Sacred Shiny Story-Snipping Shears.”
  • Spells are cast throughout the story. When the reflection in the Magic Looking Glass “clicked its finders,” Hansel and Gretel’s minds switched, “so that they were in the wrong body.”
  • Hansel and Gretel meet a Magic Looking Glass that is able to talk. The looking glass is able to lock Hansel and Gretel in a room. When they try to leave, “their legs stiffened and slowed down, until they couldn’t move at all.”
  • The reflection in the Magic Looking Glass wants to steal someone’s body. The reflections explain, “I can’t actually touch anything! I’m not really real! But with one of your bodies, and my troll friend’s help? Well, then I can be real—and it will be you rotting away in this mirror instead!”
  • The reflection casts a spell on Hansel and Gretel. “The reflection pointed at the twins again, a glowing light snaking from its hands toward them. The light grew brighter until, with a brief, blinding flash, it fell away.” The curse made it so the two couldn’t do anything together.

Spiritual Content

  • None

The First

Byx’s family was killed by soldiers. Now, he fears that he is the last of his kind, the endling. But legends tell of a carnivorous moving island where a hidden dairne colony lives in peace. Byx and his friends embark on a journey to find the island. They travel into the country of Dreyland, where they pass over snow-covered mountains, fight soldiers who wish to enslave them, and face other dangers.

Byx is surrounded by his traveling companions. The loyal Tobble. The brave and resourceful Khara. Gambler, who is wise but deadly. And Renzo, a thief who can perform magic.

But as Byx and his friends travel through Dreyland, they realize that the threat of war grows and their own country will soon be attacked. To make matters worse, there is a treacherous plot that could bring both Byx’s dreams and the creatures of their world to the brink of extinction. Will the unlikely leaders be able to find the last of the dairne? Can they stay safe from the soldiers who wish to kill them?

Tobble plays a larger role in this second book; his well-developed character is not only interesting but also explores the idea of bravery. Tobble and Byx do not feel brave or worthy of being leaders. However, they both use their own talents to protect their friends. At one point, Byx’s friend points out, “We all have our own particular fears, Byx. One can be brave nine times and be a coward the tenth time.”

A major theme that runs throughout the novel is the need to treat all species with respect. Several of the characters must face their fears. For Tobble, he must face worms. Through his experiences, he learns “never to judge a species on the basis of its appearance. . . Every plant, every animal, every insect serves a purpose. . . No matter how annoying, how ugly, how frightening, or how unappetizing it might be.” Through the character’s words and actions, the reader will learn that everything in the natural world is connected.

As the story progresses, the characters are less concerned with finding if there are more dairne and more concerned with a war that is brewing between countries. Khara hopes to unite the exiled families and lead them against the tyrannical leader. But Renzo doubts “that war can ever be waged with honor, mercy, and fairness.” As Byx and his companions travel, they often have to make decisions about morality. For example, when is it acceptable to steal? To kill? To fight? Even though the characters must make difficult life and death choices, they know that “in truth lies strength.”

Beautiful, descriptive language brings Byx’s world to life and takes the reader on an epic journey where friends valiantly risk their lives to help Byx find others of his species. Not only are the characters interesting, but they also grapple with real-life issues such as friendship, fear, and ethics. Although the publisher recommends the book for readers as young as eight, the story hits on some heavy topics and includes bloody violence, death, and war. The First is an amazing, entertaining story that will leave readers contemplating the nature of humans, their desire for power, and the importance of fighting for others.

Sexual Content

  • None

Violence

  • Birds attack Byx and his friends. The birds “hit us like a hailstorm, slamming into chests and heads, striking with the cruel beaks that had given them their name. In seconds, I (Byx) was cut on both arms, narrowly avoiding a slashing attack that would have opened my neck. I heard a dog yelp in pain as a razorgull sliced through his fur.” Trying to protect his friends, Gambler “plowed straight into the bird cloud, slashing and batting with nearly supernatural speed and accuracy. He caught one unfortunate bird which promptly disappeared down Gambler’s gullet. Lunch. Razorgull blood streaked the side of his jaw and the birds swirled away as they considered this new threat.” The attack lasts for four pages.
  • When Renzo was ten years old, he was given twenty lashes for stealing.
  • Renzo tells about his childhood when his master, Draskull, would beat him. “Draskull was not good, and he could be brutal. . . You see the heavier scars on my back? Those were left by Draskull. He liked to use a bamboo stick.”
  • Byx and his friends go into a forest. They discover that the trees are alive, and “the branches were turning into giant worms.” The worms carry the group into a huge hole. “Luca screamed. Tentacles whipped around him with inhuman speed. He cried out again. I heard the horrifying sound of bones crushing. And then I, too, screamed in horror, as Luca’s bloodied body dropped into the pit.” When Tobble sees Luca’s dead body, he “bent over and vomited onto a knot of worms beneath him.”
  • Several of Byx’s friends are captured by bug-like creatures who bury them. Khara’s head “was mounted on the side of the tunnel. Just her head. Sticking out from the dirt wall as if it had grown there naturally.” Later Khara reveals that, “I lay there, buried, helpless, believing I would have to remain there for days, hearing Renzo and Gambler weaken, knowing their hunger, knowing their fear. Knowing that it would take us a long time to die.”
  • When soldiers spot Byx and his friends, Gambler “ran, leapt, let loose a terrifying roar, and hit the nearest man-at-arms while snagging a second with one extended paw. Khara swung her sword at a third soldier. He parried well, but his weapon was no match for the Light of Nedarra. Khara’s sword broke his in half, and with a backhand swipe, she sent him running. . . Renzo smashed the edge of his shield down on the man, who crumpled to the ground. . .I had my knife out, but I’d learned only one move. I shouted a mix of terror and determination and ran straight at the bit man as he aimed his staff toward me. . . I threw myself at the ground between his legs and slashed at a knee. . . Blood soaked his pant leg.” A man is killed when a soldier hits him with an arrow. The scene takes place over four pages.
  • When Byx, his friends, and a group of slaves try to escape on a boat, archers begin firing at them. “One of the rowers was hit in the leg. Grimacing in pain, he kept rowing, despite the shaft sticking out of him.” The group rows into a reef, and the soldiers follow, but the reef breaks up the galley. “Maybe a few would find wreckage to keep them afloat. Maybe a few could swim well enough that they had a chance to reach shore. But most, we feared, would drown.” The escape scene takes place over three pages.
  • As a diversion, Khara and her friends roll burning barrels down a path. As the group tries to pass the soldiers, a soldier stops them. In order to escape, “Khara had drawn her sword. She struck hard and fast, and the man who had questioned her spoke no more. . . We tore after Khara as she pursued the fleeing man. They disappeared from view for a moment, and when we reached them, Khara was panting and I saw a smear of blood on her face. . . A single guard was on duty . . . Khara came up behind him and smashed the hilt of her sword against the base of his skull. He would have a terrible headache when he woke up, but at least he would wake up.”
  • When Khara’s father dies, she must fight in order to be the leader. Tobble is at her side and fights Mountain Morgoono. “Mountain cursed and swatted, slapping himself in an effort to grab the swift wobbyk. But Tobble was already atop Mountain’s head, legs wrapped around his neck, riding him like a child on his father’s back. And then Tobble went berserk. . . Tobble yanked out Mountain’s hair in tufts, tore one of his nostrils, and bit a sizeable hunk out of his right ear. . . Like a toppled tree, Mountain dropped. . . Tobble drew his knife and held it near the man’s throat.” Mountain Morgoono yields and the match ends.
  • After Tobble defeats Mountain Morgoono, Khara faces Albrit. “Albrit dodged right, but as Khara passed, she managed to slice a red line in Albrit’s shoulder. She dropped from the rope at the end of its arc, spun, and faced Albrit, who charged, his own sword swinging horizontally with such force that it could have cut Khara in two. Khara ducked under the swing. . .” Khara defeats Albrit, who becomes her general.
  • When soldiers see Byx and his friends, they chase them, shooting arrows at them. An arrow hits Maxyn’s horse, and Maxyn is captured. Byx and his friends leave Maxyn behind. Later when Byx finds Maxyn, he learns that “he’s been treated badly. . . His hands were wrapped in bloody bandages. His face was swollen. And his eyes, when they opened, seemed empty and lost.” Maxyn also had a swollen jaw, and “a deep cut, from ear to muzzle, oozed pearly blood.”
  • Soldiers in boats surround a village, intending to starve the villagers out so they can capture and enslave them. In order to help the village, Tobble sets a boat on fire and runs it into the soldiers’ ship, which then catches fire. Tobble is able to reach the shore, but “he had singe marks on his fur. His face was smeared with soot. But he was grinning.”
  • When Byx and his friends see soldiers coming their way, Byx decides to attack first. “I stabbed my knife at him, and he knocked it aside easily with his sword. My blade twirled like I was being pursued by a raptidon.” No one is injured.

Drugs and Alcohol

  • Byx and his friends are close to a town. When they enter, “a loud and boisterous party was underway, including many drunk-sounding voices, and music was being played. . .”

Language

  • None

Supernatural

  • Byx is a dairne who can tell if someone is lying because she can “feel the falseness.” Byx explains that when he hears a lie, “there’s something missing, and you hear the wrongness of it. You feel it in your belly. . .”
  • Byx and his friends go into a cave, where natites give them water that speeds the healing process.
  • Some of the characters know “theurgy” which is the “study of spells and incantations.” Renzo sometimes uses magic while cooking. The magic “didn’t amount to much, though: a cold stew turned hot, a bland vegetable seasoned. One night he’d tried to impress us by popping tallin kernels. They’d turned into little fireflies and floated away on the breeze.”
  • A natite has a fishtail and is “vaguely human in shape. . . Green flesh covered its powerful shoulders and chest, and two huge, writhing tentacles rose from the creature’s shoulder blades.”
  • Khara has a magical sword that conceals its true nature until it is drawn in anger.
  • There is a large moving island that is rumored to be carnivorous. Byx discovers that the island rides on Tarok, “a huge ancient water beast. Over thousands of years, the rare creatures accumulated layers of dirt and vegetation until they because, in essence, living islands.”
  • The natite captures Byx and his friends. Their galley “sank with sudden, plunging speed. But even as we all cried out in panic, it became clear that the entire galley was sinking within a massive bubble of air.” The natites question Byx and then let him go.
  • While underwater, a natite casts a spell, “Tamak on maaginen colloitsu, joka trojuu vett’ank antar simulle heng itsken.” When the spell is cast on Byx, he “felt something spreading across my body, as if someone were covering my fur with jelly. It was at once invisible and disturbingly slimy. When the goo made its way to my face, I felt a moment of panic.” The spell allows Byx and his friends to breathe underwater.
  • Khara finds out that a sword has a spell of destiny on it. “A spell of destiny underlies all other magic, a curse and a prophecy. The sword will be drenched in blood in a great war.”
  • Renzo tells Byx that he can “cast spells that confuse the eye, but not invisibility spells.” However, in the story he does not use the spells.
    Spiritual Content
  • A natite tells a story about how “a traitorous band of the Queen’s soldiers tried to abscond with the objects soon after our arrival here. As they escaped, there was a violent volcanic eruption. The gods, no doubt, were angered at their betrayal.”
  • Tobble believes in Hanadru, “the great artist who lives in the clouds and paints the fate of all on her great easel. . .You may not believe in Hanadru, but she is one of the Pure Spirits of people.” To this, his friend replies, “I don’t believe in fate, whether it’s some god named Hanadru or someone else.”
  • When Tobble is able to defeat his enemy, he says, “Hanadru was kind.”

Game of Stars

Twelve-year-old Kiranmala just wants to be normal, despite having been born an Indian princess in the Kingdom Beyond, an alternate dimension. So, when the Demon Queen shows up in her dreams, Kiranmala doesn’t want to listen to the demoness.

After a visit with some all-seeing birds, Kiranmala finally, reluctantly goes to the Kingdom Beyond and finds that the Kingdom Beyond is in danger. A game show reigns supreme, society is fraying, and everyone is running scared or imprisoned. Kiranmala knows her father is behind the game show, but is there any way she can beat him at his own game?

The second installment of the Kiranmala and the Kingdom Beyond Series, Game of Stars takes readers on an action-packed ride through the Kingdom Beyond. The story brings back some beloved characters from the first book and adds new characters as well. This story will be confusing if readers have not read The Serpent’s Secret first!

The story revolves around the Indian culture and mythology, with many of the creatures straight out of Bengali folktales. For those not familiar with the culture, some of the references to Indian food, clothing, and monsters may be confusing as they lack adequate description. The cute black and white illustrations scattered throughout the story help the readers visualize some characters and events, but there needed to be more of them. Although it is exciting to have an Indian heroine, the story may be frustrating to follow for those unfamiliar with the customs.

A drawback to this book is that none of the characters talk like normal people, and much of the dialogue is childish. Some creatures talk in rhymes and riddles, which is fun. However, the characters continually use name calling throughout the story, which adds to the childish tone. For example, someone calls the Serpent King a “scummy snake” and a “pooper-scooper.” Even the Demon Queen’s and the Serpent King’s dialogue makes them seem more like whiny children rather than strong adults.

As Kiranmala travels through the Kingdom Beyond, she considers the nature of good and evil. Through her experiences, she learns that being human or a rakkosh doesn’t define you; instead, it is how people act that makes them good or evil. Throughout the story, Kiranmala worries that she will become evil like her father. A professor tells her, “No one turns good or evil by magic. That’s not how it works. You become evil when you choose to act against your conscience again and again. Being good or evil is about the decisions you make each and every day. It’s not something that just happens to you.

For those who haven’t picked up the Kiranmala and the Kingdom Beyond Series, you may want to try Aru Shah and The End of Time first because it is less confusing but still revolves around India’s mythology. Middle school readers will enjoy the riddles, the funny characters, and the exciting chases.  Overall, Game of Stars is an action-packed story that shows that a strong, smart girl is capable of heroic deeds and saving the prince.

Sexual Content

  • A store vendor tells Kiranmala a story. “Well, when the Raja wasn’t having any heirs, he called upon a rishi, one of those sadhu-sanyasi guys who meditates on the mountaintop and knows all sorts of magic shajik. . . So, anyhoo, this guy gave the ranis a super-magical fertility root to share so they would all have babies.”
  • As part of the contest, there is a promotional poster that shows Kiranmala about to kiss a boy.

Violence

  • Kiranmala sees her imprisoned friend and thinks, “Neel did look terrible. . . he also looked skinny and, weirdly for a half rakkhosh who hardly needed sleep, tired. He had big dark circles under his eyes, a fading bruise on his cheek, and one side of his lip looked puffy, like he’d been on the wrong side of somebody’s fist. . . Both of his wrists were bound in cruel metal shackles. The chain from his wrists led to shackles that bound his ankles too.”
  • When Kiranmala tries to free Neel from prison, Bogli tries to stop her. Kiranmala “let my arrows fly. Unfortunately, about 50 percent bounced right off Bogli’s scales. The other 50 percent that found their mark didn’t’ seem to do much damage, but hung there, kind of boinging” Neel uses a fork to stab “Bogli’s slimy skin.” During the fight, Bogli “smacked Neel hard across the face. Because of his shackles, Neel didn’t have super balance, so he fell hard, unable to use his hands too much to break his fall. . . He got in a blow to the monster’s thigh with both his shackled hands before Bogli flicked him off like a mosquito, then pinned poor Neel under a giant, warty foot.” The fighting continues for nine pages; no one is seriously injured.
  • When Kiranmala takes the Serpent king’s tooth, he tries to get it back by “flinging uneven green bolts of energy at us in between giggles. . . I nocked arrow after arrow in my bow, but they didn’t seem to bother Sesha. And as if the flying bolts of pain weren’t bad enough, at the Serpent King’s cry, the scraggly lawn outside the dentist’s office filled with snakes of all kinds. . . they slithered viciously in our direction, surrounding Ai-Ma in a trice. They hissed and snapped at us.” The scene takes place over two pages.
  • When Kiranmala goes to talk to a professor, he starts throwing fish at her. Kiranmala “found myself being pelted by something wet and slimy. A story of wet of slimy things actually. . . I put my hands up to protect my face, but the onslaught of rapid-fire fish kept flying at me, flapping on my skin with their scaly cold.” The professor stops throwing the fish when he realizes Kiranmala is not a ghost.
  • Soldiers parade Kiranmala past a prison cell, where she sees Neel’s grandmother Ai-Ma, “her shoulders hunched and face grim. There were some disposable teacups hanging from her few strands of hair and little burn marks like someone had thrown hot tea at her. Off her skin hung strange patches of vegetable peels and plastic bags too, like people had been using her as a target for throwing garbage.
  • Kiranmala must pass a test and if she does not, a witch and her sister will “eat you and the prisoner’s livers for a snack! While they’re still in your bodies.”
  • In order to save Neel, Kiranmala must rip off a bee’s wing, but because the bee is the Rakkhosi Queen’s soul, the queen will also die. The Rakkhosi Queen tells Kiranmala, “Do it!” When Kiranmala refuses to rip off the bee’s wing, the Rakkhosi Queen, lunged at me. I screamed. I really thought she’d just had it and was going to kill me, but it wasn’t me she was after. Her sharp talons grabbed the bee out of my hand, and in one swift motion, she tore off its wing. Her scream. . . Deep and horrible, like someone was being cut in two. The demoness dropped the sword and then fell down heavily next to it . . . She writhed now on the floor, her arm at a horrible, unnatural angle.”
  • The Serpent King tells Kiranmala, “I want to kill you and the Rakkhoshi Queen both.” The Serpent King then “shot a bolt at me, encasing me in one of his green orbs of pain and torture. Immediately, I dropped to my knees inside the floating bubble. The sharp, hot pain on my skin and in my bones was so intense, I couldn’t stop from crying out.” Neel charged “at Sesha with his sword raised. They clashed, sword to green bolt, making an enormous explosion of light every time their weapons made contact.” During the fight, Kiranmala must fight a ghost who took Neel’s brothers’ form. The Serpent King uses two stones, and when their power combines, “Neel’s mother was floating up off the ground now, her glowing body losing its form, becoming water and then fire, earth and then air, over and over again.” The battle scene takes place over three chapters. With the help of her friends, Kiranmala is able to free Neel and save his mother.

Drugs and Alcohol

  • None

Language

  • Crapola and crud are used once.
  • Dang and heck are used twice.
  • Darn in used four times. For example, when Kiranmala sees Neel in prison, she yells, “I’ll rescue you if I want to and you’ll be grateful, darn it!”
  • Throughout the story, there is name calling. For example, a demoness calls Kiranmala Loonie-Moonie, pea-brained tree goat, and a pathetic puppy from Parsipppan.” Someone calls the Serpent King a “scummy snake” and a “pooper-scooper.”
  • Several times the skateboarding resistance is referred to as scum.
  • Neel’s mother calls him an idiot.

Supernatural

  • Barngoma and Bangomee, are birds with human heads. When Kiranmala sees them, “they didn’t speak out loud but somehow, their words slipped into my brain. . . their voices floated into my head in a weird, nasal unison.”
  • Barngoma and Bangomee use their power to hypnotize Kiranmala. “They opened their eyes wide, and again, I felt like I was falling into their swirling rainbow irises. Those swirly, whirly birdie eyes somehow pulled me out of myself so much that I actually felt separated from my body and spirit. . . Falling into the giant birds’ eyes was the wackiest, weirdest thing. I felt like I was flying through a movie on super-duper fast forward.” When she is in a trance, she sees her friend imprisoned and can interact with him.
  • Barngoma and Bangomee create a wormhole that takes Kiranmala to the Kingdom Beyond. Kiranmala advises, “If you have never driven an auto rickshaw through a rip in the fabric of space-time created by two giant, hippopotamus-sized birds, I strongly recommend wearing a bike helmet when you do.”
  • Kiranmala learned that “rakkhosh were actually, in some weird, interdimensional way, the same thing as back holes.”
  • Bolga was “born from a well of dark energy.” She has “webs between her toes, gills along her neck, and webbing fanning out beneath her giant arms.”
  • Kiranmala sees the birth of the Chintamoni and Poroshmoni stones. When she enters the wormhole, “the last thing we saw floating by us in space-time were some gods and demons churning an ocean of milk. They pulled on a familiar-looking snake wrapped around a mountain that operated as a churn. Out of the ocean rose medicine and poison, light and dark, good and evil, and then a sparkling white stone and a glowing yellow one.”
  • Kiranmala explains “the power of Chhaya Devi’s vials. They held the shadows of trees inside. Once freed, the shadows reconstituted themselves like expanding sponges. Super-powerful, tree-shaped magic sponges, that is.”
  • Kiranmala is able to understand parkkhiraj horses.
  • Kiranmala and Neel are able to communicate through the moon’s reflection. Neel says, “When I look up at the moon through the cell window, I can see you reflected there.”
  • Kiranmala has to face ghosts, which is dangerous because “looking at a ghost face-to-face while it was calling me would make my soul forfeit for the taking.”
  • Before Kiranmala dives into the ocean, someone “spun some sort of land rakkhosh dryness spell over me so that my clothes, pack, and weapons would stay dry and I dived into the water.”
  • Kiranmala goes to a hotel and sees a ghost, who was carrying its head. Later, she discovers that the hotel is alive.

Spiritual Content

  • The story focuses on Indian mythology, including mythological monsters and demons.

 

The Last

Byx, a dairnes, has always been a part of her family and a part of her pack. She has always had the love of her parents and the guidance of her pack. One terrible day, Byx wanders off from her pack’s nest. When she returns, she discovers that soldiers have killed everyone. Now Byx is the last of the dairnes. The endling.

As the youngest and the smallest of her siblings, Byx doesn’t feel like she is capable of taking off on her own. But she has no choice. She’s alone. Byx sets off on an epic journey in search of a legendary island where other dairnes may live. In her search for the island, she must travel through a war-torn kingdom and flee from knights who want to kill her.

During her travels, she finds allies who join her. There’s Tobble, the worthy wobbyk, Khara, the girl of many disguises, Renzo, the honorable thief, and Gambler, the principled felivet. Their enemies will stop at nothing to kill Byx, the last of the dairnes. Will Byx’s allies be able to keep her alive?

Byx’s story comes to life as she tells her own story of heartbreak and hope. As Byx meets others, she feels incapable of leading because she was the runt, and she feels like she was “too young to be clever. Too small to be helpful.” Many readers will relate to Byx’s insecurities, but also her determination to keep working towards her goal. Even though Byx feels that “this hope of mine is ridiculous. And I’m a fool,” others choose to follow her because Byx believed in them first. Through Byx’s experiences the message is clear; it is never wrong to hope.

The interesting and compelling characters are one of the best parts of the story. Readers will fall in love with Tobble, who according to wobbyk code, must save Byx’s life three times. Even though Tobble is small, he’s determined, fiercely loyal, and willing to fight for others. Each character has their own reasons to help Byx, but through teamwork they overcome obstacles. Each character has unique talents, which allow them to help their friends.

The Endling highlights that all people are capable of being a hero or a villain. In the story, humans are portrayed as untrustworthy deceivers who are hungry for power. Humans “do not understand the balance of life. They do not understand their will to dominate and control, to use and abuse, is destructive to all.” Throughout the story, humans are shown in a negative light, and younger readers may be frightened by the deception and the violence in the story. Much like real life, the death in the story is disturbing and the scenes may remain with the reader for a long time.

From the very first page, Applegate creates captivating settings and fascinating characters readers will love. The fast-paced adventure shows that even those who feel unworthy can become leaders. The Endling is an epic story that will take readers to an imaginative world where good must fight evil in the hopes of saving the last of the dairnes.

Sexual Content

  • None

Violence

  • A group of humans begins shooting arrows at Byx, who jumps off a cliff and glides down to the sea. Byx is safe from the poachers, but they kill her pack. Byx hears the “howls and screams. Agony. Pain beyond words. Terror and despair.” She then sees her family “piled on the ground like discarded hides, blood pouring, white and pearly, soaking the leaves, eyes glassy and open, mouths open. Torn and stabbed.”
  • When Byx tries to run to her dead family, someone hits her with an arrow. “It wasn’t a killing arrow. It was an arrow meant for capture. . .” When Byx continues to struggle, the person hits her on the back of the neck, but she “felt it for only a second, maybe two, before I was lost in swirling darkness.” Later the person cleans Byx’s wound.
  • Byx thinks about her dead family and all that she saw. She “closed my eyes and heard the screams. I smelled the brackish blood, steel and iron, sword and armor. I saw a spear poking at the dead bodies, the pitiful dead piles of fur.”
  • A giant snake pins Byx to a tree. She “struggled, but with each movement the enormous snake coiled around me, tightening its hold. . . I tried to free my arms, but the strength of the huge serpent was infinitely greater than anything I could muster.” Byx’s friend Tobble tries to help. “He leapt to my defense, digging his teeth into the serpent that had pinned me, but suddenly the little wobbyk was snatched away, as if someone had him on a string.” Someone appears and chops the snake in half, and “the two pieces thudded to the ground. They writhed for a moment, then went still.” The scene takes place over four pages.
  • A group of soldiers discover Byx and her friends hiding. Gambler, a huge cat, “swiped at a careless constable, leaving bloody tracks down his sword arm.” As they try to escape, “a reckless raptidon constable came at him, talons at the ready. In one move, Gambler knocked him out of the sky and sent him in a tangled, bloody heap down to the ally below.” They are able to flee safely.
  • Khara talks about her great-grandfather, who was “given the treatment reserved for traitors. . . He was roasted over a slow fire for days, screaming in agony, before they finally cut off his head.”
  • When knights begin following Byx and his group, Gambler attacked the knights so his friends could escape. Gambler, “flew through the air, paws outstretched, and slammed full force into the knight. The knight toppled from his horse but was up in a heartbeat, reaching for his sword. Gambler leapt on the knight before he could draw. . .” The knight uses magic to shoot a spear, “from the end of the spear came a jet of flame.” The grass catches fire and the group ran for their life.
  • A soldier sees Byx, assumes he is a dog, and kicks him, “in my ribs with enough force to knock me over.”
  • When Byx’s group comes across a rat-like creature that spies, Gambler attacks it. “. . . Gambler ended the creature’s life with a bite that crushed its skull.”
  • A group of guards throw a net over Byx. His friends try to help. During the scene, Khara, “staggered from a savage blow from the hilt of a guardsman’s sword against the side of her head. Her eyes rolled up.” During the fight, Tobble “hurled himself with mad fury on the guardsman. . . dug his claws into the man’s ears, and began ripping at his nose. . . Blood flew everywhere.” The scene takes place over 6 pages.
  • When Khara accuses someone of treachery, the person “swung a backhand and hit the side of her face with a sharp report that seemed to echo off the walls.”
  • A knight suspends a boy above a fire. “The knight meant death to come slowly to his human prisoner.” Before the boy can be roasted, Byx and Gambler save him.
  • The knight attacks a group of guards. “Crossbow bolts few. One missed. One struck the Knight in his right thigh.” As the guard tries to escape, one of the men was “wreathed in flames.”

Drugs and Alcohol

  • Byx and his friends go into an inn where, “two barmaids threaded through the crush of people, carrying pitchers of ale, mead, or cider.”

Language

  • None

Supernatural

  • Byx is a dairne who can tell if someone is lying because she can “feel the falseness.” Byx explains that when she hears a lie, “there’s something missing, and you hear the wrongness of it. You feel it in your belly. . .”
  • Some of the characters know “theurgy” which is the “study of spells and incantations.”
  • A natite has a fishtail and is “vaguely human in shape. . . Green flesh covered its powerful shoulders and chest, and two huge, writhing tentacles rose from the creature’s shoulder blades.” In order to cross the sea, Khara must pay a “blood tax” that allows the natite to “pin down elements in it that identify a particular person. Somehow, by means we don’t understand, they can share this information instantly with every other natite in the world. Once they know who you are, if you cross the sea again, they will know you by some obscure natite sense . . . It’s like having your travel documents.”
  • One of the characters is a seer who has “magical runes and seals, the visible manifestation of powerful theurgic charms. It is said that she cannot be killed.”
  • Khara has a magical sword that conceals its true nature until it is drawn in anger.

Spiritual Content

  • Byx hears a voice and wonders, “Was it some echo of my mother’s voice? Did she still call to me from the land of dead?”
  • One of the characters sings a song about the beginning of the world. “In ancient times/When life was new, /The great ones met/At Urman’s yew. /Beneath the tree, / Beside the sea, / They planned the world /For you and me.”
  • Byx asks what a ‘knight of fire’ is. Someone replies, “Pray to your gods, dairne, that you do not find out the answer.”
  • When Gambler thinks he is about to die, he sings a song. He explains, “It’s a death song. Felivet who knows he is about to die sins his love to the moon and stars, our guides.” Gambler says that he will never end his own life because “we believe that a felivet who dies well in battle ascends to a great forest above the clouds. There we hunt endless prey and gather sometimes without others of our kind to tell of our great deeds in life.”
  • Byx and her group are looking for a moving island. Someone says that, “the sentient islands are gods to many. Others think they’re home to foul beasts and monsters. Still others believe that anyone who sets foot on the island will be eaten, consumed by the very trees.”
  • The Knight of Fire chases Byx and his group. In order to get rid of the knight, they make a trap. When the knight approached the group, “Khara, screaming, attacked the knight . . . The knight, unable to stab her, instead slammed the pommel into her face. Khara fell back, her nose spraying blood.” The knight, “tumbled into the stake-filled gully.” Byx hopes “never to see anything as awful as the sight of the fearsome Knight of the Fire and his charger, pierced through with sharpened sticks. The knight had died instantly. His horse, impaled by five spears, still lived, whinnying and kicking, but it was clearly doomed.”

 

Into the Abyss

Gray and his alliance of shivers—Riptide, Coral, and AuzyAuzy—want peace. But Emperor Finnivus is determined to bring the entire ocean under his command. Even though Gray and his alliance defeated Finnivis’s armada once, the bloodthirsty emperor is determined to feast on the heads of every shark he conquers.

Despite a tragic loss, Gray must prepare his forces to defeat the emperor’s armada. With no one to tell Gray what to do, Gray must figure out a way to vanquish Finnivus and his evil forces. Gray and his friends are outnumbered by a superior force. The fate of the Big Blue depends on Gray leading his alliance to victory. Can Gray become the leader that his sharkkind need to defeat Finnivus’s evil?

The third installment of the Shark Wars series follows the same format as The Battle of Riptide. The majority of the story follows Gray and his alliance as they train to defeat Finnivus, and an epic battle ensues. Takiza appears less frequently, which allows Barkley to play a bigger role. Barkley must take his place as a leader, but he is frustrated because some of the other sharks don’t respect him. Instead, they insult his entire species. Barkley must use creative thinking to earn the respect of others. He learns, “If you want them to listen, you need to prove to them you’re listening too.”

The evil Finnivus becomes even more malicious. As his armada defeats other shivers, they capture pups and brainwash them into thinking Gray’s alliance is responsible for their parents’ deaths. During the battles, Finnivus uses the pups because he knows other shivers will be reluctant to hurt the younger sharks. Finnivus’s evil actions may upset some readers. Although the death count is high, the deaths are not described in a gory manner. However, the detailed deaths of some of the characters may disturb some readers.

Into the Abyss shows the difficulties of becoming a leader; however, by the end of the story Gray and Barkley both show admirable courage. As Gray tries to recruit orcas to help with the fight, he says, “What I know is that sometimes you have to swim out and be counted, no matter what. . . You’ve fooled yourselves into thinking that not taking a side is the best and fairest thing to do. . . By ignoring this evil, you join with it—because you allow it to happen.”

Readers who have read the previous books will enjoy following Gray and Barkley as they fight against evil. Although the story follows the same format as the previous series, the story still contains some surprises. Fluent readers will enjoy the comradery of the sharks as they join together to fight an epic battle, where good overcomes evil.

Sexual Content

  • None

Violence

  • Finnivus orders his armada to kill, “a pitiful force of prisoners. . . Moments after the command was shouted by Finnivus, it was over. Not a single one of the opposing hundred and fifty prisoners remained.”
  • Two mako shark assassins attack Gray. To defend himself, “Gray did a Bull Shark Rush at the closest shark, smashing him against a razor sharp coral wall. . .” Gray’s friends help defend him. One of the assassins, “had been speared by pointed rods of coral in three different places, including through the gills. . . The mako worked his jaws back and forth, close to death. He spit up a gob of blood as the light faded from his eyes.”
  • When a herald gives Finnivus bad news, the emperor eats her. “The emperor ripped off another piece of the royal herald who had the bad luck of having to deliver the message.”
  • Finnivus sends a group of pups to fight Gray’s armada. Lochlan leads the pups away and “the frenzied cluster of Indi pup mariners engulfed him. Lochlan winked at Gray. Then the AuzyAuzy King was swarmed by hundreds of sharks as the pups went into a feeding frenzy.” Gray wasn’t sure what to do, but, “time slowed as sharkkind died all around him, spiraling away to the Sparkle Blue.” Many sharks die before the end of the battle, which is described over eight pages.
  • Finnivus’s armada kills many of the Riptide scouts. “Finnivus ate one of the mangled prisoners immediately, not waiting for the royal seasoners to do their work.”
  • Takiza slaps Gray. “Takiza gave him another stinging slap on his snout. It was loud even in the heavy waters of the training field and made a crackling noise that echoed among the coral spires.”
  • Barkley and some of his friends capture an Indi pup, who is knocked out cold. When the pup comes to, he cries, “Don’t eat me alive! Send me to the Sparkle blue, but don’t eat me while I’m still alive!” Barkley is able to reunite the pup with a family member. Later, the pup tells Gray, “Finnivus told us about you! He said you were the ones who came and destroyed my home! You ate my mother and father—while they were still alive!”
  • Finnivus has urchins attack Whalem, who, “felt the acid drip from their bodies and howled.” Whalem dies.
  • An epic battle takes place over several days. During the battle, “Gray could see at least thirty or forty Indi sharkkind spiral downward in their death throes on the way to the Sparkle Blue.” During one of the fights, “the two armadas met with a howl and a crash, both sides ripping and tearing for their very lives. There were so many sharkkind whirling and twisting away in their death agonies that a constant cry of pain and anguish vibrated the waters all around them.” During this time, Finnivus kills his mariner prime. The battle takes place over three chapters.

Drugs and Alcohol

  • Valenka tries to poison Finnivus and his court.
  • Takiza gives Gray, “a large dose of maredsoo, the glowing deep-ocean energy greenie.”

Language

  • “Heck” is used once.
  • Finnivus calls someone a “dolt.”
  • Several times in the story a shark is called a “chowderhead” or other names like “jelly drifting flipper,” or “fat frill-face.”
  • When Gray hurts an octopus, the octopus calls him “a stupid jerk.”
  • Takiza insults Gray. “The betta basically called him an idiot in his wordy way.”
  • Barkley calls Gray a “fat lumpfish.”
  • Gray tells Takiza that he sounds like a “cranky shellhead.”
  • Whalem calls Finnivus an “idiot.”

Supernatural

  • None

Spiritual Content

  • Sharks that die go to the “Sparkle Blue.”
  • Takiza tells Gray to “pray to Tyro.”
  • A shark prays to Tyro asking him for help.
  • Takiza tells Gray about a prophecy. “He shall come from the depths of ocean prehistory. . . a megalodon will arise and win the unwinnable war.” Takiza believes the prophecy is about Gray, but he admits prophecies, “are irritatingly unclear. But the verse does seem to be speaking of someone remarkably like you, in an uncomfortably similar situation to the one we find ourselves in today.”
  • When Whalem is knocked out, he sees, “sparkling lights everywhere.” He also sees his friends who are swimming in the Sparkle Blue. One of his friends tells him that it’s not his time. Later, “the colorful lights returned. How everything sparkled! Then, Whalem was with his friends again, and he was happy.”

Harry Potter and the Half-Blood Prince

The world finally believes that He-Who-Must-Not-Be-Named is back. While the ministry is scrambling to respond, Dumbledore has called the Order of the Phoenix, a secret society that fought He-Who-Must-Not-Be-Named last time, back into service. Harry, who is still reeling from the death of his godfather, is ready to join the Order and fight. But things prove more complicated. He-Who-Must-Not-Be-Named is in hiding, and the adults in Harry’s life seem to think it is more important for him to return to school than to join the Order and fight.

Dumbledore is the only person who seems to think Harry can be of use. Dumbledore enlists Harry’s aid in exploring one of the most cloaked mysteries in the magical world – how He-Who-Must-Not-Be-Named rose to power and achieved immortality. While He-Who-Must-Not-Be-Named has returned, Dumbledore believes there is a way to make the Dark Lord mortal once more, and Harry is the only one who can solve this vital mystery.

Harry Potter and the Half-Blood Prince continues the theme of a longer page count, which can be found in books 4-7 of the Harry Potter series. Although this novel has a serious tone, there are lighter moments that keep the story from becoming too heavy. The original cast continues to develop in interesting ways, and Harry’s frequent trips into He-Who-Must-Not-Be-Named’s past bring vivid new characters to life.

While still appropriate for most elementary readers, the end of this story does include Inferius, which are dead bodies bewitched to do a dark wizard’s bidding. This scene may frighten more timid readers. However, more mature elementary students and junior high students will love exploring the mysterious web that is the childhood of He-Who-Must-Not-Be-Named, and will wait with bated breath to see where it leads.

Sexual Content

  • Fleur is a beautiful French woman who kisses people on the cheek as a form of greeting. Once she, “swoop[ed] to kiss [Harry] on each cheek; He felt the places where her mouth had touched him burn.”
  • In a fit of rage, Mr. Gaunt tries to strangle his daughter. “His hands closed around his daughter’s throat . . . with a roar of rage, Morfin leapt out of his chair and ran at Ogden, brandishing his bloody knife and firing hexes indiscriminately from his wand. Ogden ran for his life.”
  • When Harry realizes Mundungus has been stealing Sirius’ things, he “pinned Mundungus against the wall of the pub by the throat.”
  • The headmistress of an orphanage mentions a bullying problem. “Billy Stubbs’s rabbit . . . well, Tom said he didn’t do it, and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it.”
  • Harry sees “Dean and Ginny, who were locked in a close embrace and kissing fiercely as though glued together.”
  • Ron gets a girlfriend and kisses her frequently. “There, in full view of the whole room, stood Ron wrapped so closely around Lavender Brown it was hard to tell whose hands were whose.”
  • After winning the Quidditch Cup, “without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments – or it might have been half an hour – or possibly several sunlit days – they broke apart.”

Violence

  • Malfoy freezes Harry with a charm and, “stomped, hard, on Harry’s face. Harry felt his nose break; blood spurted everywhere.”
  • Snape has posters on the wall in his classroom. One is a poster of what happens when someone is attacked by Inferius (corpses bewitched to do a dark wizard’s bidding). The poster merely shows, “a blood mass upon the ground.”
  • Ron gets attacked by birds. He, “helped and covered his face with his hands, but the birds attacked, pecking and clawing at every bit of flesh they could reach.”
  • Ron punches Harry while under the influence of a potion. “A crashing blow hit him on the right ear . . . Ron’s fist was drawn right back; his face was contorted with rage.”
  • Dobby and Kreacher get in a fight. “Dobby sank his knobbly little fist into Keacher’s mouth and knocked out half of his teeth. Harry and Ron both leapt out of their beds and wrenched the two elves apart, though they continued to try and kick and punch each other.”
  • Harry uses a spell without knowing what it does. “Blood spurted from Malfoy’s face and chest as though he had been slashed with an invisible sword. He staggered backward and collapsed onto the waterlogged floor with a great splash, his wand falling from his limp right hand.”
  • Snape kills Dumbledore. “A jet of green light shot from the end of Snape’s wand and hit Dumbledore squarely in the chest. Harry’s scream of horror never left him; silent and unmoving, he was forced to watch as Dumbledore was blasted into the air. For a split second, he seemed to hang suspended beneath the shining skull, and then he fell slowly backward, like a great rag doll, over the battlements and out of sight.”
  • Dumbledore and Harry are attacked by Inferius. “The surface of the lake was no longer mirror-smooth; it was churning, and everywhere Harry looked, white heads and hands were emerging from the dark water, mem and women and children with sunken, sightless eyes were moving toward the rock: an army of the dead rising from the black water.”
  • There is a fight when Death Eaters get into Hogwarts. It takes place over seven pages. “One of the fighters detached themselves from the fray and flew at him: It was the werewolf, Fenrir. He was on top of Harry before Harry could raise his wand: Harry fell backward, with filthy matted hair in his face, the stench of sweat and blood filling his nose and mouth.” Later, a Death Eater “slashed at the air: Harry felt a white-hot, whiplike something hit him across the face and was slammed backward into the ground. Spots of light burst in front of his eyes.”

Drugs and Alcohol

  • The Minister of Magic offers the Prime Minister whisky during a meeting.
  • Snape serves wine to his visitors. “Snape poured out three glasses of bloodred wine and handed two of them to the sisters.”
  • When Dumbledore picks Harry up at the Dursleys, he conjures a glass of “Madam Rosmerta’s finest oak-matured mead” for everyone. The Dursleys don’t drink it, but Harry, “sipped. He had never tasted anything like it before, but enjoyed it immensely.”
  • The headmistress of an orphanage gets tipsy on gin during a meeting with Dumbledore. “It soon became clear that Mrs. Cole was no novice when it came to gin drinking. Pouring both of them a generous measure, she drained her own glass in one gulp.”
  • Professor Trelawny often leaves “a whiff of cooking sherry behind her.”
  • Harry is given Chocolate Cauldrons with firewhisky in them, but he does not eat them.
  • A professor has a “glass of mead in one hand” during a party.
  • After Christmas, the Fat Lady is hungover because she and her friend “drank their way through all the wine in that picture of drunk monks.”
  • Dumbledore “handed Voldemort a goblet of wine” when Tom Riddle applied to be a teacher at Hogwarts, many years ago.
  • Ron is poisoned by a glass of mead. “Ron had dropped his glass; he half-rose from his chair and then crumpled, his extremities jerking uncontrollably. Foam was dribbling from his mouth, and his eyes were bulging from their sockets.”
  • Professor Slughorn and Hagrid get drunk after a funeral. The scene takes place over seven pages. At one point, Hagrid and Slughorn were sitting side by side, arms around each other, singing a slow sad song about a dying wizard called Odo.”

Language

  • Damn and hell are used a few times. For example, Harry says Snape, “didn’t think my mother was worth a damn either.”
  • Mr. Dursley yells, “what the hell is that?” when he sees a house elf.
  • Ron calls his brothers gits.

Supernatural

  • Harry Potter goes to a school of wizards and is a part of an entire world of magic. His studies include divination, potions, and defense against the dark arts. He goes to school in a castle with magical rooms, house elves, and a potion master who can brew liquid luck. He encounters borrowed memories, the magical equivalent of zombies, and a prophecy. In short, Harry is surrounded by magic and supernatural occurrences every day of his life. As such, not all instances are listed here.
  • Although the series revolves around magic, the story does not encourage children to try magic on their own. To cast a spell, wizards simply say a word and wave their wand. For example, saying luminos casts light.
  • Professor Trelawney made a prophecy about the Dark Lord before Harry was born. She does not remember making the prophecy afterward, but it is stored in a secret Hall of Prophecies hidden in the Ministry of Magic.

Spiritual Content

  • There are ghosts in the castle that behave like regular (although transparent) people. One of Harry’s teachers is even a ghost.
  • He-Who-Must-Not-Be-Named splits his soul and hides pieces of his soul in precious, hidden objects. His goal is to become immortal and unkillable. If he is killed, the pieces of his soul remain, and therefore he cannot truly die.

by Morgan Lynn

 

 

The Battle of Riptide

Gray and Barkley have always had to worry about Goblin shiver, but now the fish are whispering of a greater threat. Finnivus has a vicious armada, and he plans on expanding his empire. Finnivus won’t stop killing until he is the emperor of the seven seas.

Gray isn’t sure what he can do, but then Takiza appears. Takiza, a wise and mysterious fighting fish, has made Gray his apprentice. With Takiza’s instruction, Gray will learn what it means to be a great warrior. Gray isn’t convinced that he can learn how to defeat Finnivus and his armada. Can Gray find the courage to fight? Will he lead his shiver to a victory or to their deaths?

The second installment of the Shark Wars series ramps up the action as shark shivers struggle to survive. Finnivus, a spoiled king, gives the story a new, interesting threat. Readers will root for Finnivus’s demise because the young shark is a truly self-centered, evil king. Although it is no surprise that Gray will have to face Finnivus, the shark action is nicely interwoven between Gray’s training scenes.

New, interesting characters are added, which allows readers to see how the sharks must work together to defeat Finnivus. The battle isn’t portrayed in a glamorous way, but is portrayed as being ­­necessary to defeat evil. Although the death count is high, the deaths are not described in a gory manner. However, some readers may be upset when a shark eats her shivermates.

Readers who have not read Shark Wars may have difficulty understanding the dynamics of the characters. The sharks’ world is brought to life in a realistic, interesting way and includes shark language such as landsharks, shiver, chop chop, and greenie. The cover of the book has a picture of each shark, which allows readers to understand the size and physical differences of characters.

The Battle of Riptide explores the theme of loyalty and illustrates that loyalty should not be more important than doing what is right. The fast-paced story will keep readers interested with the well-developed characters, an evil king, and intense battle scenes. But the best part of the story is reading about Gray’s struggle to become a courageous leader worthy of being respected. With 242 pages and no pictures, Shark Wars is a good choice for fluent readers. Anyone who wants to swim into a good shark story will enjoy The Battle of Riptide. Readers will want to make sure they have the third book in the series, Into the Abyss, ready to read because even though Gray and his allies have won the battle, it is clear that the war will continue.

Sexual Content

  • None

Violence

  • When Snork gets stuck in the coral, Razor Shiver attacks. In order to defend his friend, Striker “hurtled out of nowhere and speared a streaking bull shark in the flank, butting it away from biting Gray. . . Barkley took on another bull as Shell rammed a third. It was a melee!” When Snork gets free, the group flees.
  • King Finnivus’s herald goes to talk to Razor. In anger, Razor, “roared and took the herald’s dorsal fin with one clean bite.” A battle ensues and, “after only a few fin flicks, there was blood everywhere. . . It was a slaughter. Then two Indi Shiver sharks—a blue shark and a mako—struck at Razor himself, one mauling his dorsal, the other taking his right fin. Razor was finished!” The attack happens over three pages.
  • Two sharks attack Gray and Barkley. “When Gray emerged from behind the pillar of coral, he was zooming straight at his attackers. Surprise! Gray smashed into the mako, snout to snout. He weighed much, much more than that shark and heard its spine audibly snap. It sank, a surprised look frozen on its face.” Barkley bites an attacking shark and, “the blue shark keeled over and sank, warm blood rising from the wound.” The attack happens over four pages.
  • Valenka plots Goblin’s death. She lures Goblin to a quiet location where ocean creatures inject him with poison. “The toxic dwellers stung Goblin on his belly and by the bends on his fines. Goblin screamed in frustration as the stonefish kept low and underneath him. . . Goblin stiffened as if he had swum into an invisible wall when the jellyfish stung him in the gills. . . With a last audible hiss, Goblin rolled belly up. . .Then Valenka bit Goblin in the gills.” The scene takes place over two pages.
  • After defeating Goblin shiver, the shiver is served to King Finnivus. Valenka takes part in the meal. “Valenka looked at the faces of her ex-shivermates arranged on a rock disc carried on the backs of four sea turtles. . . Halfway through the meal, Valenka discovered it wasn’t so bad. In fact, Streak was kind of tasty.”
  • When Finnivus demands Gray’s head for dinner, Gray attacks. “Gray roared, rocketing forward and catching the Indi mariners by surprise. He rammed the nearest one in the liver and ricocheted off two others. . .” Gray is able to escape and no one is injured.
  • The story ends with a multi-chapter battle. Many are killed, but most deaths are not described. During the battle, “Barkley barely avoided a bite at his left fin as he struggled to keep up. . . The richly tattooed armada commander, a young spinner shark, looked over an instant before Gray struck. The bite was clean and deep. Blood clouded the water as the spinner’s eyes rolled upward to the whites.” The Indi shiver retreats.

 Drugs and Alcohol

  • None

Language

  • Heck is used once.
  • Barkley tells another shark, “Suck algae, you big bully!”
  • Gray calls someone a “chowderheaded flipper.”
  • Two times, someone says, “Shut your cod hole before I rip off your tail and feed it to you.”
  • Finnivus yells at someone. “You are nothing but an old, krill-faced, jelly-brained drifter that my father should have gotten rid of a long time ago!”
  • Someone calls Gray a “jelly-brain.”

Supernatural

  • None

Spiritual Content

  • Sharks that die go to the “Sparkle Blue.”

 

I Hunt Killers

Jasper Francis Dent, who goes by Jazz, is the son of a famous serial killer who has been imprisoned for four years, but still has lasting effects on the boy’s life. Although Jazz is plagued by memories of the teachings his father gave to him, Jazz was almost adapting to living normally. He took care of his grandmother and had a best friend and girlfriend.

However, a serial killer imitating his father causes Jazz to change his life drastically. Instead of following in his father’s footsteps, he uses the inner workings of a serial killer’s mind to try to find out who is committing the murders. Jazz has to deal with reporters constantly hounding him, a sheriff who won’t let him look into the investigation, and a killer who is always one step ahead of everyone else.

I Hunt Killers has an exciting premise that hooks readers instantly. The story immediately throws Jazz into a crime scene surrounding a dead body. The gore and violence that the book opens up with are present throughout, but so is the thrill Jazz experiences trying to discover who committed the crime. The characters are well developed, unique, and convincing.

Jazz’s character is relatable because of his complexity and his competing desires. The reader is given a glimpse into Jazz’s thought process and is allowed to see his torment. Jazz wants to do good, but also struggles with the darker parts of himself, those parts that might be like this father. The themes in the book seem somewhat forced at times, but also provide messages related to independence, persevering through difficulty, and breaking cycles of abuse.

The book contains a somewhat predictable story, although the characters are unique and compelling. The story is written in a very approachable way, utilizing understandable language that clearly and quickly conveys Lyga’s message. At times, it seems like Jasper almost magically discovers clues to his victim. It is difficult to believe that a thirteen year old would reach the conclusions he does. This results in many of the revelations in the story feeling somewhat forced, and the twists feeling less surprising.

I Hunt Killers is a dark, disturbing, character-focused mystery in which the plot is often overlooked in favor of humor or graphic violence. Its story is predictable, but is otherwise an enticing read. The story shows the horrific nature of brutal crimes. Readers will want to take caution before picking up I Hunt Killers because of the subject matter, the graphic crime scenes, and the mind games that are played throughout the story.

Sexual Content

  • Many of the dead bodies in the book, including the first one, are found naked.
  • Jazz thinks of a time he and his girlfriend spent “tangled up” at their hideout.
  • Jazz says that another character’s reaction “felt like he’d just seen a nun do a striptease.”
  • Jazz mentions having a pistol pointed at his “thirteen-year-old junk” in a memory from when his dad was first apprehended. He is seventeen at the time the book takes place.
  • Howie wonders if the killer was just “having sex and stuff” and suggests that the killer’s girlfriend might have just hit her head and had a heart attack, resulting in him abandoning her at the scene.
  • Howie perks up at the mention of “cleavage” while a dead body is investigated.
  • Howie and Jazz contemplate whether or not the killer “did stuff” to his victim.
  • Jazz and Connie kiss several times. Their kisses range from a “quick kiss on the lips” to “kissing and groping” that includes descriptive visuals such as “the soft insistence of Connie’s plush lips, to the warm of her tongue” and “a long, lingering kiss that warmed him [Jasper] all over.”
  • Connie and Jazz spend the beginning of rehearsal “feverishly kissing and groping back in the wings.”
  • A character is suspected to have “entertained some R-rated fantasies about the girls in his class.”
  • Jazz says that “if you were in a room alone with her [Harriet Klein], you’d feel it.”
  • Gramma Dent accuses Jazz of “Putting [his] thing inside them [whores]!”
  • Jazz explains how serial killers often “jerk off” after revisiting crime scenes, which Howie says “ruined masturbation” for him.
  • Howie calls a toe ring “sexy.”
  • Jazz thinks about how he is obsessed with sex. “He was terrified of sex. Like every teenage boy, he was obsessed with it, of course, and wanted to have as much of it as humanly possible…”
  • When Connie sits on Jazz’s lap, “he felt himself respond to her weight in his lap the only way a teen boy should respond.” Then, Connie adjusts herself in Jazz’s lap and grinds “her butt into his groin in that special pleasant/painful way.”
  • Connie mentions how people dream about “having sex with a supermodel.”
  • A character whose initials are “VD” reminds Howie of “venereal disease.”
  • Jazz remembers how a female character’s breasts had pressed against him when they hugged.
  • When Howie is hospitalized, Jazz asks jokingly if he wants “a hot nurse and a stripper pole.”
  • Jazz recounts that one of Billy Dent’s victims was “sexually assaulted, invaded both vaginally and rectally.”
  • Jazz suspects that the killer used “a sex toy or something” on one of his victims.
  • Jazz says to Connie, “I bet I could warm you up,” implying sex. Connie “shifted, locking her ankles together.”
  • Jazz thinks that “any straight male snuggling with Connie would be desperate to get those jeans off.”
  • Gramma Dent, upon seeing a horde of reporters outside her home, believes they are enemy warriors and yells that “They’re gonna rape mongrel babies into me!”
  • Howie suggests to Jazz that he “stick [his] tongue down her [Connie’s] throat.”
  • Billy Dent asks if Jazz has “a little piece of tail [he] like[s] to bang,” and if “girls. . . line up for a taste of [his] dick.”
  • Billy Dent talks to his son and asks, “are you always the one buyin’ the rubbers? Hmm? Or maybe she’s on that pill? Cause you can’t always trust ‘em, Jasper. You look at them rubbers real close-like, see?”
  • Billy asks Jazz to “Tell Dear Old Dad your little pussy’s name.”
  • Billy describes a victim with “Perfect little titties.”
  • Billy says to Jazz “I’m glad you’re getting’ your dick wet.”
  • Billy is suspected to have left semen and committed rape at a murder scene.
  • G. William searched Jazz and placed a hand “uncomfortably close to the family jewels.”

Violence

  • The book opens up with a police scene surrounding a dead body, and it is made clear that this will be a common theme in the novel.
  • There are multiple instances of body bags being opened or used to store/view bodies. “Two cops approached the corpse with a body bag hanging limp between them… he focused on the struggle with the body bag.”
  • Jazz often imagines entering violent scenarios with different characters.
  • The killer’s specialty is to sever his victim’s fingers. Removed fingers are referred to as excised digits.
  • Billy Dent killed over one hundred people, whose deaths are frequently referenced.
  • Jazz experiences memories of his father describing his methods to commit murder. “Good boy. Good boy. (one cut, two cuts) Just like that.”
  • Vivid descriptions of dead bodies are provided. “Dead female Caucasian… Found at least two miles from anywhere in any direction. Naked. No apparent bruising. Missing fingers.”
  • Billy Dent kept trophies from his victims.
  • Jazz has what looks like the “biggest god-damn pistol in the entire universe [pointed] right at [his] thirteen-year-old junk.”
  • The experimentation process of serial killers is described as they try new methods of violence. “And they experiment. Cutting off the fingers…”
  • G. William threatens to shoot Jazz.
  • Jazz “was certain that the next day would have seen G. William dead by his own hand” if Billy Dent had not been found.
  • Jazz imagines cutting a finger off.
  • Jazz says that the death isn’t just “Joe-Bob McHick smacking around his girlfriend and then leaving her to die.”
  • An autopsy is performed on a corpse.
  • Jazz imagines G. William drawing his service revolver and putting “two slugs into his center of mass.”
  • A joke is made about pointing an excised finger.
  • Howie is a “type-A hemophiliac, which meant that he bled if you looked at him too hard,” and experiences large amounts of bleeding in the novel.
  • Jazz beat up Howie’s bullies.
  • Jazz experiences a bloody nose.
  • A reference is made to Hannibal Lecter, the cannibal villain.
  • Jazz thinks a crime would be easier to identify if there had been “some sort of savagery before death—torture, cutting mutilation…”
  • Victims are strangled.
  • During the investigation of a body, eyelids are peeled back.
  • Howie’s face bleeds profusely from a nosebleed.
  • Genocide and famine are referenced.
  • A body is nailed naked to a ceiling in a church. “Her head lolling downward, her limbs bearing the weight of her body. When the reverend who found the body called the police, the skin and muscle were already coming loose.”
  • An angered parent of a victim threatened to kidnap Jazz and perform his father’s crimes on him.
  • Eyes are removed from a corpse and fed to cats.
  • There are multiple references to famous serial killers.
  • Gramma Dent often threatens people with a shotgun.
  • Jazz imagines a character having a “Glock or Magnum” in their purse.
  • Jazz’s grandmother smacks him multiple times.
  • Billy Dent disjointed a corpse.
  • Billy Dent is said to have raped and abused his victims as well as killed them.“He tormented them. Tortured them. Raped them and abused them.” More details are given later on when Billy Dent’s victim is described as “Sexually assaulted, invaded both vaginally and rectally.”
  • Jazz imagines ripping out a character’s larynx.
  • Jazz wonders why Billy has not been shanked in prison, as well as why he hasn’t committed suicide.

Drugs and Alcohol

  • G. William is said to very rarely drink.
  • Jazz gives his grandmother a “poor man’s sedative” so that he can go out without her arguing.
  • Jazz also puts a “powerful tranquilizer” in his grandmother’s breakfast for a similar purpose.
  • Jazz’s grandmother is sedated and held captive by the novel’s antagonist.
  • Jazz “clambered down the fire escape like a monkey on crystal meth.”

Language

  • There is an immense amount of profanity including crap, Christ, God, Devil/Satan, Hell, idiot, moron, badass, douche, goddamn, demon, piss, whores, ho, bastard, ass, hellfire, jackass, smart-ass, butt, buttocks, damn, BS, pussy, titties, dick, bitch.
  • When Jazz tells G. William that he had been spying on the crime scene at the beginning of the book, “G. William slammed a fist on the desk and swore.”
  • A killer leaves behind his victim’s middle finger while taking other digits.
  • Doug Weathers is called a “bottom-feeding moron.”
  • Jazz and Howie say “bros before hos.”
  • Gramma Dent uses the “hellfire o’ Jesus” as an exclamation.
  • Jazz exclaims “Jesus!” at one point.
  • Connie gasps “Oh my God.”
  • Billy Dent is said to have “a real PhD in slinging high-grade horse manure.”

Supernatural

  • Witchcraft and witches are mentioned as a part of the Salem Witch Trials that took place in The Crucible.

Spiritual Content

  • G. William is said to have “catholic guilt.”
  • The Devil/Satan, demons, Heaven, Christ, and God are mentioned as slurs, although not in actual religious contexts.
  • Jazz describes faith as “being certain of something without any kind of evidence.”
  • Howie says that he “deftly avoids the crushing throngs of heathens.”
  • The Crucible is being performed by Jazz’s drama group, and he acts as a reverend in the play during the witch trials that were performed in Salem by the Puritans.
  • A quote from The Crucible says “Theology, sir, is a fortress; no crack in a fortress may be accounted small.”
  • A quote from The Crucible says “Man, remember, until an hour before the Devil fell, God thought him beautiful in Heaven.”
  • Gramma Dent has a collection of “religious dogma.”
  • Billy Dent says that “Cain slew Abel, all under God’s eye” as justification for his murders, specifically of Jasper’s dog Rusty.
  • Jazz asks that “God bless Ginny Davis.”
  • Billy Dent describes the sound of someone dying as “sacred an’ holy.”
  • Gramma Dent cries out “Praise God!”
  • Jasper’s grandmother recalls how she had “said all her Hail Marys” when she shifts into the persona of a young girl.
  • Billy Dent claims he is the god of his victims.
  • Jazz says Billy “had been a god” that he worshiped, although later states that Billy “had been a devil, not a god.”
  • Billy sighs “as if asking the Good Lord.”
  • A serial killer believes that Billy Dent, a serial killer, is a god, and that Jasper is a “child of divinity.”

by Dylan Chilcoat

 

Night

Although news of World War II reaches Elie and his family, they feel safe. They believe the Germans will never make it to their hometown of Sighet, Transylvania. But soon, the SS are in their town, but no one believes the horror stories of torture and death. And then, Elie and his family are taken from their home.

Night is Elie’s personal story, beginning at age 12. Elie, who was a deeply observant Jew, must confront the evil he witnesses while in the Auschwitz and Buchenwald concentration camps. He recalls the terrifying memories of the death of his family, the death of his own innocence, and the death of his beliefs. Elie wants others to understand that the cruelty of the camps and the death of innocents must never happen again.

Night uses powerful imagery that will stay with the reader for years. Unlike the Diary of Anne Frank, Night shows the horrors that took place during World War II. Elie often recalls people’s deaths, and he does not shy away from gruesome descriptions. Even though Elie describes the murder of many people including children, the descriptions are not bloody and do not glorify the events. As Elie describes the events that he experienced, he shows how the SS soldiers as well as ordinary people were cruel.

The real-life testimony in Night gives readers insight into the minds of the Jewish people and to the suffering of those who went to the concentration camp. Although the events are not easy to read about, Night is a must-read because everyone should understand how anti-Semitism played a part in the murder of over six million people. Through Elie’s journey, he chronicles his changing relationship with his God and with his father. He describes how the concentration made people act like animals, who were willing to kill for a crust of bread. The desperation and hopelessness of those in the concentration camp is difficult to read about, however, it sheds light on the conditions of the camps. Elie’s story will help readers understand the importance of standing up for those in need and hopefully prevent another Holocaust from taking place.

Sexual Content

  • While being deported in the cattle cars, “some of the young let go of their inhibitions and, under cover of darkness, caressed one another, without any thought of others, alone in the world.”
  • While moving prisoners from one camp to another, the guards flirted with some girls. “The girls giggled. They allowed themselves to be kissed, and tickled, bursting with laughter.”
  • At the concentration camp, some of the German’s “liked children” and brought them food, but “this affection was not entirely altruistic; there existed here a variable traffic of children among homosexuals.”
  • Elie accidentally saw one of the supervisors with a girl who was “half naked, on a straw mat.”

Violence

  • Moishe the Beadle is deported. Once in Polish territory, the train is taken over by the Gestapo. The Jews “were forced to dig huge trenches. When they had finished their work, the men from the Gestapo began theirs. Without passion or haste, they shot their prisoners, who were forced to approach the trench one by one and offer their necks. Infants were tossed into the air and used as targets for the machine guns.”
  • When the Jews were being deported, “The Hungarian police used their rifle butts, their clubs to indiscriminately strike old men and women, children and cripples.”
  • When Elie’s family was being deported, “the police were lashing out with their clubs.” The police also yelled at the Jews, “Move, you lazy good-for-nothings!”
  • While being deported in the cattle cars, a woman kept screaming. When she would not be quiet, “the young men bound and gagged her. When they actually struck her, people shouted their approval. . . She received several blows to the head, blows that could have been lethal.”
  • When Elie and his family got to Auschwitz, “strange-looking creatures, dressed in striped jackets and black pants, jumped into the wagon. Holding flashlights and sticks, they began to strike at us left and right. . .” As others were getting out of the train car, “an old man fell to the ground. Nearby, an SS man replaced his revolver in its holster.”
  • At Auschwitz, Elie saw, “flames, huge flames, were rising from a ditch. Something was being burned there. A truck drew close and unloaded its hold: small children. Babies! Yes, I did see this, with my own eyes. . . children thrown into the flames.”
  • While at the concentration camp, men were beaten often. Eliezer sees, “So many crazed men, so much shouting, so much brutality. Dozens of inmates were there to receive us, sticks in hand, striking anywhere, anyone, without reasons.”
  • When Eliezer’s father asks for the restroom, a Gypsy, “slapped my father with such force that he fell down and then crawled back to his place on all fours.”
  • When Elie and another man crossed paths, “he threw himself on me like a wild beast, beating me in the chest, on my head, throwing me to the ground and picking me up again, crushing me with even more silent blows, until I was covered in blood. . . Abruptly, he calmed down and sent me to work like nothing had happened. . .I was aching all over.”
  • A supervisor beat Elie’s father “with an iron bar. At first, my father simply doubled over under the blows, but then he seemed to break in two like an old tree struck by lightning.”
  • A supervisor had Elie lie down on a crate. Elie was then lashed with a whip. Elie “no longer felt anything except the lashes of the whip. . . It was over. I had not realized it, but I had fainted.”
  • During an air raid, a prisoner sneaks out to try to eat soup from a cauldron. The man, “thrust his head toward the still steaming liquid. We jumped at the sound of the shot. Falling to the ground, his face stained by the soup, the man writhed a few seconds at the base of the cauldron, and then he was still.”
  • After a prisoner stole food, he was hung. “The entire camp, block after block, filed past the hanged boy and stared at his extinguished eyes, the tongue hanging from his gaping mouth.”
  • Another time, three prisoners including a “little pipel, a sad-eyed angel” were hung. The other prisoners were forced to walk by them. When Elie walked by the dead, “The two men were no longer alive, but the third rope was still moving; the child, too light, was still breathing. And so he remained for more than half an hour, lingering between life and death, writhing before our eyes. . . His tongue was still red, his eyes not yet extinguished.”
  • As the SS was evacuating the camp, “From time to time, a shot exploded in the darkness. . . Their fingers on the triggers, they did not deprive themselves of the pleasure. If one of us stopped for a second, a quick shot eliminated the filthy dog.”
  • Someone tried to strangle Elie.
  • A man’s son kills him for a piece of bread. The son tries to eat the bread, but “two men had been watching him. They jumped him. Others joined in. When they withdrew, there were two dead bodies next to me, the father and son.”

Drugs and Alcohol

  • None

Language

  • At Auschwitz, someone yells at the inmates, “Sons of bitches, why have you come here?”

Supernatural

  • None

Spiritual Content

  • Eliezer describes his spiritual relationship with God throughout the book. Not all quotes are included in the review because a main theme through the book is Elie’s changing relationship with God.
  • Moishe the Beadle is guiding Elie’s studies of Kabbalah. Moishe the Beadle says, “Man comes closer to God through the questions he asks Him, he liked to say. Therein lies true dialogue. Man asks and God replies. But we don’t understand His replies. We cannot understand them. Because they dwell in the depths of our souls and remain there until we die. The real answers, Eliezer, you will find only within yourself.”
  • While being deported, someone said, “Oh God, Master of the Universe, in your infinite compassion, have mercy on us. . .”
  • Some evenings, the men would try to sing, and “some of the men spoke of God: His mysterious ways, the sins of the Jewish people, and the redemption to come. . . I was not denying his existence, but I doubted His absolute justice. . .” One of the men said, “God is testing us. He wants to see if we are capable of overcoming our base instincts, of killing the Satan within ourselves. . . And if He punishes us mercilessly, it is a sign that He loves us all that much more.”
  • On the eve of Rosh Hashanah, the Jews gathered for prayer, and Elie wonders, “What are You, my God. . . How do you compare to this stricken mass gathered to affirm to You their faith, their anger, their defiance? What does Your grandeur mean, Master of the Universe, in the face of all this cowardice, this decay, and this misery? Why do you go on troubling these poor people’s wounded mind, their ailing bodies?”
  • During prayer, Elie wonders why he should bless God’s name. “Why, but why would I bless him. . . Because He caused thousands of children to burn in His mass graves? Because he kept six crematoria working day and night, including Sabbath and the Holy Days? . . . How could I say to Him: Blessed be Though, Almighty, Master of the Universe, who chose us among all nations to be tortured day and night, to watch as our fathers, our mothers, our brothers end up in the furnaces?”
  • During a prayer service, Elie thinks, “Man is stronger, greater than God. . .” Since God has not stopped the killing, Elie thinks God has betrayed them by “allowing them to be tortured, slaughtered, gassed, and burned.”

 

 

 

 

The Storm Runner

Zane keeps to himself because other kids tend to tease him about his limp and because he walks with a cane. But he doesn’t mind, because he spends his days exploring a nearby sleeping volcano with his dog. One evening, as Zane is exploring the volcano, a plane with twin engines crashes. Even stranger, as the plane was going down, Zane thought he saw a monster in the cockpit.

Things get more complicated when a girl named Brooks shows up demanding that Zane meet her at the volcano. Zane follows the beautiful girl who leads Zane down a twisted path. Soon Zane is running from monsters controlled by the Maya god of death. According to an ancient prophecy, Zane’s decisions may allow the god of death to escape a prison that is centuries old.

Zane soon realizes that magic, monsters, and Maya gods are more than just fables. In a web of secrets, the Gods are trying to manipulate Zane to their own advantage. Zane tries to do what is right, but what does a flawed eleven-year-old boy know about stopping the destruction of the world? In a battle against good and evil, is there any way Zane can win against a Maya god?

The Storm Runner brings the magic of Maya mythology to life in a fast-paced, action-packed story that will leave readers wondering who can be trusted. Despite being self-conscious about it, Zane doesn’t let his disability deter him from trying to save the world. Although some of Zane’s decisions are questionable, his imperfections make him a truly relatable character.

Zane is not the only well-developed character; the story contains a cast of interesting characters including giants, demi-gods, and even an overprotective mother. The Storm Runner is perfect for fans of the Percy Jackson series or Aru Shah and the End of Time. However, Zane’s story takes a more serious tone and lacks the humor of the other series.

 The Storm Runner contains elements common to other mythological fantasy books—for instance, a boy discovers that his father is a god and must travel to strange places in order to save the world. Despite these similarities, this story effectively brings Maya mythology to life through an exciting series of events.

The length of the story, the complicated plot, and the extensive cast of characters may be overwhelming for some readers. The first third of the story introduces a lot of people, gods, and situations that cause the pace to drag. Despite a slow start, the monsters, the magical creatures, and the relationship between the characters make The Storm Runner an exciting adventure well worth reading. Readers will root for Zane as he fights evil, and they will pull their hair in frustration as Zane makes well-intentioned, but stupid decisions. In the end, readers come away with the powerful message that a person’s flaws don’t define them.

Sexual Content

  • None

Violence

  • A demon attacks and kills Zane’s dog and then attacks Zane. The demon, “grabbed me by the arms, sinking its long claws into my flesh. I screamed in pain and fell to the ground . . . Slime sizzled through my shirt sleeve, burning my skin like acid.”
  • Zane finally stabs the demon with his cane. “It sank right into the creature’s gel-like body, and there was a disgusting sucking sound as the cane disappeared inside. . . I blinked as the monster dissolved into a dark pool of thick mucus. . .” The scene is described over four pages.
  • A creature tries to kidnap Zane. “While my uncle tussled with the alux, she hauled me back through the bank and out the front doors, then stuffed me in the car.” The creature “jerked Mom’s head back by her hair and mimicked her desperate voice.” Brooks turns into a hawk and picked, “up the monster by the back of its neck. . . Brooks shook it hard like it was her mouse prey and she was trying to break its neck.” The scene is described over three pages.
  • Ah-Puch eats a creature. He “scrambled to clutch the thing. Bones snapped. Then he brought it to his mouth, bit its neck, and sucked all the blood from it before tossing the drained corpse to the cave floor below. . . “
  • Demon runners attack Zane and Brooks. When Zane tries to escape, “The hair reached me, climbed my body, and wrapped itself around my neck, covering my mouth and pinning me to the asphalt.” Zane is able to jerk “my guy’s neck back” and “his thick-skinned neck ripped open easily.” Hondo threw a screwdriver that wedged into the demon’s skull. The demon’s “face began to crack like dried mud, crumbling to the ground to reveal. . . a blue-skinned monster head. Green veins throbbed and budged.” The fight takes place over six pages.
  • Twins who were fathered by a god are grabbed by creatures. “The creatures holding Bird and Jordan folded their wings tighter and tighter. Each of the twins’ faces puckered like their heads were being sucked dry. Their skin turned gray, and purplish veins spread beneath. Their eyeballs bugged out and turned dark red.” The creatures take the twins away.
  • Zane throws a spear at Ah-Puch’s bird. “Muwan released a terrible scream and started tumbling through the air. I watched in horror as she crashed into the bare trees below. They shook on impact, their sharp branches splitting her open.”
  • The final battle takes place over several chapters. Ah-Puch and his demons attack Zane and his group. Demon runners attack Ah-Puch’s army. “They shrieked, leaping onto the back of Ah-Puch’s little army with amazing force. Teeth gnashed. Claws ripped. Hair chocked.” Finally, Zane turns into a jaguar and Ah-Puch turns into a snake. Zane attacks, “launching myself onto his neck as we hurtled over the step’s edge, down, down, down. . . As I sank my teeth into his slimy scales, I prayed that he didn’t bleed maggots. He did. They poured into my mouth as he screamed.”

 

Drugs and Alcohol

  • One night, Zane’s uncle Hondo drinks beer and smokes cigars.

Language

  • Crap and heck are used often. One example is when Brooks shows up at Zane’s house, he wonders, “How the heck had she found me?”
  • “Oh God” is used as an exclamation a few times.
  • A monster attacks Zane and his uncle. His uncle asks, “What the hell was that little thing?”
  • Someone tells Zane, “Believe me, when I catch the idiot bonehead who let Ah-Puch out, I’m going to send him spinning into the center of the Milky Way.”

Supernatural

  • Gods and monsters from Maya mythology are real. Brooks explains, “Myths are real, Zane. Well, most are. And gods are very real—an important part of the universe and its balance.”
  • The first creature, a demon, has “pasty bluish gray” skin. “Its bloated body was covered in patches of dark hair. Cauliflower-like ears drooped down to its bulging neck.”
  • Brooks is a nawal (a shapeshifter) who can turn into a hawk.
  • Ah-Puch, the Maya god of death, disaster, and darkness, is trapped in a magical artifact until Zane lets him out. Ah-Puch “looked like a bloated zombie with decomposing gray skin with nasty black spots, and he had a dark, twisted smile. He wore this weird helmet that had eyes hanging off it, the eyes of the people he’d recently killed.”
  • Ms. Cab works as a psychic and is a Maya seer. A god later turns all seers into chickens.
  • Zane discovers that he is the son of a Maya God. He can spirit jump, which allows him to leave his body and appear in another realm.
  • Pacific, the keeper of time, helps Zane.
  • When going to a party, Zane and his friends wear enchanted clothes that “fix all imperfections.” When they get to the party, a “gray-bearded skeleton materialized. . . Eyeballs floated in his eye sockets, and he wore a long white tuxedo jacket with a dead red rose pinned to one of his silk lapels.”

Spiritual Content

  • Zane gets a scholarship to attend a Catholic school. When Zane gets into trouble at school, his punishment is “ten rosaries, detention for a week, a call to Mom, and an apology to the jerk I’d torpedoed with my cane.”
  • After an explosion, Zane’s mom says, “Thank the saints, he’s safe now.”
  • Zane sent “a prayer up to the saints and anyone else listening.” Later in the story, he says a couple of Hail Mary’s.
  • Zane splashes holy water on a picture of a demon.

Survival Tails: World War II

The messenger pigeon Francis is on a mission. He must carry an urgent message to code breakers so they can warn London of an upcoming Nazi attack. Francis wants to do his part to help win World War II, but while on a dangerous assignment, Francis is injured. Now Francis cannot fly and is stranded in the middle of the London Zoo, but he is still determined to deliver his message and help win the war.

While at the zoo, Francis meets the world-famous panda Ming. Since coming to the zoo, Ming has always been too afraid to speak. When Francis lands in Ming’s enclosure, Ming knows she must do something to help Francis and the other animals at the zoo. With the help of a kind zookeeper, two mischievous monkeys, and other friends, Ming fights to help Francis recover his strength. When the war finally arrives in London, Francis, Ming, and the other animals must work together to save themselves. . . and maybe even London itself.

The life of a carrier pigeon comes to life with the introduction of Francis, who is patriotic, brave, and dedicated to helping his country and others. Readers will fall in love with the fearless pigeon as he befriends the zoo animals. Francis’s mission is never far from his mind, and he continually works to find a solution to his problem. Because the war is told from the animals’ point of view, readers are given a unique view of World War II. Even though the focus is on the animals’ fears, the story doesn’t leave out the danger to humans.

Unlike Francis, panda bear Ming desires to be silent because she is afraid of making deep connections with others. At a young age, Ming was traumatized when she was taken away from her panda bear family. However, with the help of Francis, Ming is able to find her voice and help others. When Ming sees others take risks to help Francis deliver his message, she learns to put her own fears aside. Francis tells Ming, “Don’t let fear stop you from doing what you want to do. What you need to do.”

Survival Tails: World War II will grab readers’ attention from the very first page. The non-stop action and suspense will keep readers flipping the pages until the very end. Readers will connect with Francis and the other animals as they help each other survive. Francis’s dedication to the war effort and his friends is inspiring. Even though Francis is just a pigeon, he will leave readers with valuable life lessons and will encourage them to never give up.

The end of the book has historical background on the Blitz, a World War II timeline, and a glossary. At the end of the story, Francis says, “Hopefully, the world will have learned something from this tragedy. That is the one good thing that could come of it.” Survival Tails: World War II will help younger readers learn about the sacrifices made during World War II. The story will introduce younger readers to the events in World War II and help spark their curiosity about the time period.

Sexual Content

  • None

Violence

  • A soldier brings an important message to a lieutenant general. When the soldier appears, “blood trickled down his face from beneath his helmet, dripping into his eyes, and his uniform was ripped and muddied.” The soldier says, “I came as fast as I could to get the message to you, sir. Didn’t even stop when the Nazis started shooting at me.”
  • When the Nazis bomb London, the panda bears saw “planes [that] flew in a V formation, like a flock of geese, gliding low over London, seeking their targets. Gunfire echoed around the city, then thud, thud, thuds in quick succession as the bombs landed. . . snaking trails of black smoke rose high into the sky.”
  • When Francis is trying to deliver a message, shots are fired at him. “As Francis flew closer, the gunfire came again, but this time he was ready. He easily dodged the bullets, then moved into position so that he still had the pillbox in sight. . . Francis passed safely out of range. . .”
  • Francis sees a plane start shooting. Then the plane “veered to the left[,] but caught its wing on one of the barrage balloon’s thick cables. Its entire left wing sheared off and the plane fell into a tailspin, exploding in a blast of blinding light and heat that erupted toward Francis.” Francis tried to fly higher to avoid being injured but “his wings finally gave up on him. He froze in midair for a split second before he began to fall.”
  • While walking around the zoo, Francis gets hit on the head. “It was an empty peanut shell. . . He pretended to walk away, but then spun to face his attacker, getting hit directly in the face by another nut.” His “attacker” was two monkeys, who were trying to have fun.
  • When Ming sees a polar bear for the first time, a blackbird tells her, “Sometimes I hang around here at feeding time, and it’s just a bloodbath! The way they use their sharp teeth to rip into the. . .”
  • When a Toucan takes the canister with the message inside, Francis goes after him. Fighter planes appear and “huge missiles fell from the sky in quick succession, whistling as they dropped lower, lower, lower, then hit their target with an enormous blast that threw both Francis and Toca off course.”
  • In order to get the canister back, Francis “opened his beak wide and, with a loud war cry, dove at Toca, knocking them both into a spin. Their wings and claws became entangled as they both struggled to break free, sending a flurry of feathers through the air as the solid, unforgiving ground rose fast and faster to greet them.” Francis gets the canister but is injured.
  • The animals watch as Nazis drop incendiaries over London. “All around them, more and more incendiaries fell from the sky, raining down like droplets of fire.” Fire quickly spreads around the zoo and animals panic. “The fires continued to rage all around them, and now, along with the incendiaries, bombs were being dropped. There were screams as humans ran for shelter. Their cries were drowned out by the echoing explosions and drones of planes—both enemies and allies—flying above.” The animals race toward a tunnel so they can hide. As they ran, a “bomb exploded within the zoo grounds and a huge geyser of water burst forth from the ground as it hit the main water pipe. Francis fought against the heavy spray, but his wings were waterlogged.”
  • As Francis looks for animals to help, his friend Paddy follows him. Paddy is injured, and Francis “wrapped his good wing around Paddy as the two hobbled along toward the tunnel. There was another explosion as the camel house as hit, blocking their path. Francis and Paddy were thrown back against a wall by the blast.” When Francis finds Paddy, he sees “a small bundle of bloodied fathers lay unmoving on the ground.” Paddy dies. The scene of the zoo being bombed is described over eight pages.
  • The zoo that the pandas were moved to is also bombed. “Before Ming could shout out a warning, the bomb landed just beyond the giraffes’ paddock. She threw herself at Tang and Sung and knocked them to the ground, sacrificing her own safety to shield them with her own body. Ming felt as though she were caught inside a firestorm. The explosion sent a fierce blast sweeping over them in scorching waves.” The humans put out the fire.
  • After the zoo was bombed, Francis notices “a few animals still wandering the zoo, looking as dazed and exhausted as Francis felt. . . Francis had seen humans with the same lost expressions at Normandy—those who had returned from the front line, some inured, some worse, with their eyes glazed over.”

Drugs and Alcohol

  • In order to relocate the panda bears, they are shot with a tranquilizer gun. After being shot with the tranquilizer, “Ming’s vision blurred in and out of focus. Thang lay still beside her, his tongue lolling out of the side of his mouth.”

Language

  • Ming says someone is a coward.

Supernatural

  • None

Spiritual Content

  • When Francis was sent to deliver a message, he “spread his wings, praying that they were ready for the long, dangerous journey ahead.”

Lullaby Lake

Tag, Skyla, and Blaze go to Lullaby Lake to search for the next piece of the magical Ember Stone. When they get to the lake, they find magical fairies protecting the Ember Stone. The fairies won’t let anyone near the stone. Thorn and his spies are near. How will the friends get the next piece of the stone? Will they be able to defeat Thorn’s dark magic?

The evil vulture Thorn makes an exciting appearance in the fourth book of The Last Firehawk series. Lullaby Lake adds mystery when Tag and his friends keep falling asleep and forgetting their goal. With the help of a sleepy sloth and a bit of good luck, the three befriend a nixie, who happens to be the princess. Although the story has less adventure than the first books in the series, the fairy world adds new characters, magic, and an argument with a protective fairy king.

The repetitious nature of the series may lead some readers to become bored with the series. Lullaby Lake ends with the three friends needing to find another piece of the Ember Stone. Similar to The Whispering Oak, the protector of the Ember Stone does not want to give the stone to Tag and his friends. The similarities between the plots leave the story lacking much-needed suspense.

The fourth book in the series continues to use onomatopoeias, which are scattered throughout the story and make the reading fun. Short sentence structure, dialogue, and simple vocabulary make the series easy to read. Black-and-white illustrations appear on every page and help bring the story to life.

Sexual Content

  • None

Violence

  • Thorn tries to take the Ember Stone from Tag. “Quick as a flash, Thorn took another swipe at Tag’s sack. His sharp claws ripped it open . . . Skyla shot acorns from the shore while Tag and Blaze chased after the vulture by air.”
  • Tiger bats capture a nixie. Tag and his friends rescue her. “Bonk! She hit the tiger bat holding the nixie, and the tiny fairy fell to the ground. . . Blaze threw small flames at the tiger bats. They squawked and took to the sky.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Water fairies protect the Ember Stone. When they are in danger, they sing a lullaby that puts animals to sleep. The fairy uses magical bubbles to take Blaze, Tag, and Skyla to the fairies’ underwater kingdom.
  • Thorn is an evil vulture that uses black magic called the Shadow; he hopes to destroy Perodia.
  • Firehawks “were magical birds who protected the Ember stone—a stone that holds magic within.”
  • When a piece of the Ember Stone is placed on a map, “the map glowed, brighter and brighter. . . When Tag looked again, a small shining dot appeared on the map.” The magical map guides the friends to the next location to which they must travel.

Spiritual Content

  • None

The Whispering Oak

In order to find the third piece of the magical Ember Stone, Tag, Skyla, and Blaze will have to cross the tornado-filled Shifting Sands. The Ember Stone can be found close to the Whispering Oak, but the way is dangerous and Thor’s spies are everywhere. Can the three friends save Perodia? Will Thorn’s spies beat them to Whispering Oak and find the Ember stone first?

The third book in The Last Firehawk series follows the same format as the first two books. The three friends travel to a new location, encounter Thorn’s spies, and meet new friends that help them find the next piece of the Ember Stone. New characters—talking bees and grumpy bears—add a new element to the story that brings interest. The three friends continue to use teamwork and must use logic to convince the bees to give them the Ember Stone.

The Whispering Oak will introduce newly independent readers to the adventure genre. The Whispering Oak should be read after the first two books in the series. Onomatopoeias make reading fun as well as add to the threatening mood. Short sentence structure, dialogue, and simple vocabulary make The Whispering Oak easy to read. Black-and-white illustrations appear on every page, which helps bring the story to life.

The book begins with an introduction to help readers understand the conflict. A two-page map of Perodia gives a visual of the geography and location of important landmarks. The last page of the book contains four questions and an activity, which will reinforce important comprehension skills.

Sexual Content

  • None

Violence

  • Crag beetles try to stop the friends from getting through a tunnel. “The beetles climbed on top of each other—one by one, until there were no longer hundreds of beetles but one gigantic, mega beetle!” Tag charged the beetles “Knocking some beetles to the ground. . . “Tag continued using his dagger to break up the giant beetle, while Skyla attacked it with her paws and Blaze attacked it with her beak.” The friends are able to escape.
  • Tiger bats attack the friends. “They attacked again and again. Tag felt his wing getting weaker as he tried to hold off the bats.” Blaze is able to chase the bats away.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Thorn is an evil vulture that uses black magic called the Shadow; he hopes to destroy Perodia.
  • Firehawks “were magical birds who protected the Ember Stone—a stone that holds magic within.”
  • When a piece of the Ember Stone is placed on a map, “the map glowed, brighter and brighter. . . When Tag looked again, a small shining dot appeared on the map.” The magical map guides the friends to the next location to which they must travel.

Spiritual Content

  • None

The Assassination of Bragwain Spurge

Elf historian Bragwain Spurge accepts a dangerous mission to catapult across the mountains, spy on the goblins, and deliver a peace offering to the goblins’ dark lord. No other elf has returned for the goblins’ land, but Spurge is determined to be the first.

Spurge’s host, goblin archivist Werfel, is excited to show the goblin culture to his guest. Instead of being great friends like Werfel had hoped, Spurge’s snobbish attitude and sneaky ways lead to an international crisis. Soon, the two are fugitives fighting for their lives. But in order to survive, and keep their nations from war, the two will need to put their cultural differences aside and work together.

A unique political story, The Assassination of Bragwain Spurge, is told from three points of view.  Werfel tells his version of events in first-person text; the pride and love he feels for his culture and his people shines throughout the entire story. Lord spymaster Ysoret Clivers writes reports to the elves’ leader, which allows the reader to understand lies that were told to Spurge. Spurge transmits pictures of his side of the story back to the elf kingdom. The beautiful, sometimes hilarious, black-and-white illustrations portray the goblin culture from Spurge’s perspective, often making the goblin world appear frightening.

Spurge’s story begins with illustrations of his travel to the goblin’s city. Because the story is told from three points of view, the same events can be seen through different perspectives, which allows the reader to understand how so many misunderstandings can take place between two people. Spurge portrays the goblins as frightening monsters, who leer at him and have disgusting habits. Despite Spurge’s conceited attitude, Werfel makes an excellent host, who is willing to die for the unlikable, unfriendly guest.

Many readers will relate to Spurge, who was bullied throughout school. Spurge has always been “the weed: unwanted by anyone.” Spurge accepted the dangerous mission because “I thought I would be useful. . . I thought I could be different than I was. I thought I could be one of them.” He is heartbroken when he realizes that he was used. Werfel points out that “just because you’re useful to the wealthy doesn’t mean they’ll reward you. It just means they’ll use you.” Spurge’s heartbreak and hurt make his previous behavior understandable.

Spurge and Werfel are not necessarily heroes, but in the end they band together to help bring peace between their people. The conclusion allows the reader to know that there is always the possibility of peace when two people begin to understand each other’s culture. The action-packed, visually inspiring, and funny tale teaches the value of friendship and understanding others’ perspectives. The Assassination of Bragwain Spurge will draw in readers because of the many illustrations; however, only dedicated readers will make it to the end of the book because of the changing points of views, the complexity of the plot, and the length of the story.

Sexual Content

  • None

Violence

  • While giving the history of the goblin city of Tenebrion, Ysoret Clivers writes about twelve elves who went into the city. Only two came back alive, “but raving mad—unable to explain the horrors they’d seen, and not just because their tongues had been cut out. Their minds had been blasted.”
  • When being introduced to a goblin family, the host tells Spurge, “I, for one, am going to try right now to forget all the elves I killed in all sorts of ways during the war, and I am not going to think of all of my friends you people shot and stabbed and cut apart. Oh, and burned from the air. And imprisoned without food.” Another guest tells Spurge, “When most goblins took elfin prisoners, they cut off their arms at the elbow. Not me, sir. . . I always cut off your people’s hands right at the wrists.”
  • When Spurge was a child, the other boys would tease him. Ysoret Clivers and the other boys, “burned his desk with him tied to it . . . (and) dragged him down to the crypt and forced him to eat grave-worms or have his pale little head kicked in.”
  • When Ysoret Clivers displeases the king, a bodyguard cuts off his finger. “He spread my hand out on my desk and, taking out his ax—” By the end of the book, Ysoret Clivers has lost three fingers.  When the third finger is removed, blood splatters the page, but it is not described.
  • Spurge and Werfel are surrounded by bandits, who make the goblin give up his clothes. The bandit grabs Spurge, and “she spit in the elf’s face, then threw him backward to the floor. . . She kicked Spurge as hard as she could. Spurge writhed in pain.” Werfel stops the bandit from killing Spurge. But then “the goblins surrounded them, jabbing at them with short swords and knives, forcing them back toward the balcony railing and the darkness beyond it. . .” The bandits push the two off the balcony, but they are uninjured. The attack is described over a chapter.
  • A goblin challenges Spurge to a duel. The battle is described in 19 pages’ pictures. The goblin attacks Spurge with a mace, but Spurge is able to defeat him.
  • An elf knight hits Werfel’s pet. “One of the guards swung a sword and hit her with the flat. Werfel heard the crunch. Skardebek went whirling over their heads and hit the ground. She lay there twitching as the knights pulled their two prisoners away.
  • Werfel’s pet helps him and Spurge escape from the elves. “She darted forward and clamped herself angrily over the executioner’s hooded face. He gagged and clutched at her. . . Skardebek flapped away—and Spurge slammed the guard over the head with the pike. The man collapsed.”
  • As Werfel and Spurge are trying to escape, a knight sees them. There is a brief altercation. “Werfel grabbed his weapon. He shoved his hand over the man’s mouth. . . Skardebek flapped in his face and he choked. . .” Spurge hit “the guard in the stomach. The picket guard fell backward, the breath knocked out of him.”
  • When the elves and goblins’ leaders meet, a weapon detonates and explodes. The leaders and their armies disappear into a black hole. The meeting is described in pictures.

Drugs and Alcohol

  • To welcome Spurge, the elfin scholar, to the goblin city, a champagne fountain is prepared.

Language

  • When the goblins consider someone a friend, they insult them by calling them names. Spurge calls a neighbor’s children “little jerks” and “awful spawn.”
  • If the goblin’s find out Werfel is a spy, Ysoret Clivers writes that “we can claim that he was just a nincompoop or a madman.”
  • A goblin challenges Spurge to a duel, calling him a “cowardly, lily-livered, stitch-faced desperado.”

Supernatural

  • Spurge uses a communication spell to send pictures back to the elves. “Werfel could tell it was a spell because the elf was floating several inches above the bed, surrounded by crackling sparks.”

Spiritual Content

  • When a group of angry goblins surrounds Spurge and Werfel, Werfel “clenched his hands and started to say a prayer to Great Rugwith.”

The Crystal Caverns

Tag, Skyla, and Blaze band together to search for the next piece of the magical Ember Stone. They must find the stone before the powerful vulture Thorn. Finding the Ember Stone will help Thorn increase his power. Thorn also wants the last firehawk, Blaze. Can the three friends save Perodia from Thorn’s dark magic?

The second book in The Last Firehawk Series has a new adventure as the three friends seek the next piece of the ember stone. The three friends brainstorm ideas on how to get into and out of the Crystal Caverns. The addition of a new friend, a seal, gives the story additional interest.

While in the frozen world of the Crystal Caverns, the friends must defeat Thorn’s spies, the ice leopards. Blaze and his friends need to work together to defeat Thorn’s spies. Readers will enjoy seeing Blaze learn to use his powers. Even though he has not mastered his powers, he does his best to help his friends. Readers will learn the importance of helping others as well as working together. The Crystal Caverns has the right amount of suspense and action to keep younger readers interested without adding details that might scare them.

Although The Crystal Caverns can be read as a stand-alone book, readers will enjoy the story more if they have read The Ember Stone first. The Last Firehawk Series is written for newly independent readers and will appeal to readers seeking adventure. The story has many elements that will keep readers interested. The illustrations show emotion, and the ice leopards add danger and suspense to the story. Onomatopoeias are scattered throughout the story, which makes reading fun as well as adds to the mood. Short sentence structure, dialogue, and simple vocabulary make The Crystal Caverns easy to read. Black-and-white illustrations appear on every page, which helps bring the story to life.

The book begins with an introduction to help readers understand the conflict. A two-page map of Perodia gives a visual of the geography and location of important landmarks. The last page of the book contains four questions and an activity, which will reinforce important comprehension skills. Readers who love animals and a good adventure will enjoy The Crystal Caverns.

Sexual Content

  • None

Violence

  • Ice leopards, who are under Thorn’s control, come after Tag, Skyla, and Blaze. “Skyla loaded an acorn into her slingshot. Quick as a flash, she shot it into the left eye of one of the leopards. The leopard fell back and roared . . . The leopard swiped its claws at Tag, but he ducked just in time.”
  • While in a cave, ice leopards try to get the Ember Stone. Blaze throws fire bolts at icicles to make them fall. “They yelped as the huge icicles came crashing down! Crash! Large icicles smashed to pieces on the ground, right in front of the ice leopards.”
  • The ice leopards make another attempt to get the Ember Stone. “Skyla shot acorns at the other ice leopard, but they bounced off its thick, spotted fur. Skyla was cornered. . . The leopards yelped and fell to the ground as Blaze screeched again. . . Blaze screeched and the ice leopards’ icy teeth shattered. . . The leopards scrambled to their feet and ran away.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Thorn is an evil vulture that uses black magic called the Shadow; he hopes to destroy Perodia.
  • Firehawks “were magical birds who protected the Ember Stone—a stone that holds magic within.”
  • When a piece of the Ember Stone is placed on a map, “the map glowed, brighter and brighter. . . When Tag looked again, a small shining dot appeared on the map.” The magical map guides the friends to the next location to which they must travel.

 

Spiritual Content

  • None

 

 

 

In Plain Sight

Megan, who has moved all over the country, knows how to make friends. Now living in Las Vegas, Megan “Cause Queen” Caliente organizes a protest, where she is detained by police. When her mother comes to pick her up from jail, the police arrest her mother. Megan discovers that her mother has been living under an assumed name, and her father is a convicted terrorist.

Megan’s life is suddenly turned upside down. Her friends turn against her, and gossip spreads like fire. Megan struggles to understand her mother’s decisions. She also wonders if she will follow in her father’s footsteps.

Written from Megan’s point of view, In Plain Sight focuses on Megan’s journey to understand her mother’s choices as well as how her father’s terrorist act will affect the person she becomes. After people discover who her father is, Megan must deal with gossip, and one student shouts, “Muslim go home!” Suddenly, Megan is stereotyped as an extremist and some of her friends abandon her.

Throughout the story, Megan learns about the impact of choices. Her friend Matt shares his own troubled background and teaches Megan that genetics don’t determine who you become. Matt tells Megan, “Everything in life is a choice . . . You can choose to be you. Or you can let someone else choose for you.” This theme is reinforced when Morgan struggles to deal with her father’s deadly actions and decides to go to a memorial for those who her father killed. While there, a girl whose father died in the bombing, tells Megan, “. . .but if you came here looking for forgiveness, you’re not going to get it. . . It’s not yours to get. . . You didn’t do anything wrong.”

Written as a part of the Orca Soundings books, which are specifically written for teens, In Plain Sight is a fast-paced book that looks at the timely issue of terrorism in a teen-friendly manner. Teens will enjoy this high-interest, easy-to-read story.

Sexual Content

  • Megan is upset when she finds out who her father is. In anger, she yells at her mom, “Well, sharing that [a computer] got you into a shit-load of trouble. And sharing your body got you pregnant.”
  • Megan and Matt go on a road trip. They sleep in the vehicle for the night. When they get out their sleeping bags, Matt suggests, “Why don’t we zip them together?” When Megan declines, Matt said, “Can’t blame a guy for trying.”

Violence

  • None

Drugs and Alcohol

  • During a protest, Megan saw a tourist with a can of Coors Light.
  • Megan’s “big love is current events, not parties and weed.”
  • Megan’s aunt drinks a glass of wine.
  • Matt tells Megan, “I’m the son of a guy who dealt drugs for a living, and you don’t see me selling the white stuff.”

Language

  • Profanity is scattered throughout the book and includes ass, bitch, crap, damn, hell, pissed, and shit.
  • “Oh my god” and “my god” are each used as an exclamation once.
  • Someone calls Megan a “lying hag.”
  • A police officer tells a protester, “Stay where you are and stop being a smart ass. . .”
  • When Megan’s friend is goofing off, she thinks, “He’s such a smart ass.”
  • Megan makes a huge mistake and tells her mom she won’t do it again. Her mom replies, “Damn right you won’t do it again.”
  • When Megan yells at her mother, she thinks, “I know I’m being a bitch. . .”

Supernatural

  • None

Spiritual Content

  • None

Resistance

Chaya Linder is living in Nazi-occupied Poland. Her Jewish family is in danger. Her sister is deported to one of the camps and her brother disappears. After losing their two children, Chaya’s parents have given up hope. In an effort to make a difference, Chaya becomes a courier and travels between the ghettos of Poland. She takes lifesaving supplies like forged papers and food. Sometimes, she even smuggles out children.

When Chaya joins a resistance cell, she hopes to use the Nazis’ supplies to help her people. When a mission goes wrong, most of Chaya’s network is killed or captured. Alone, with nowhere to go, Chaya isn’t sure what to do. When Esther, a former member of her cell, appears, Chaya begins a journey to the Warsaw Ghetto where a large uprising is being planned. Chaya is determined to save as many lives as possible, even if she loses her own life. Her only desire is to live or die with honor.

Told from Chaya’s point of view, Resistance gives the reader a grim picture of the persecution Jews received during World War II. The story begins with suspense, which continually builds as Chaya survives her ordeals, while many of the other resistance members are killed. Many of the events are violent, and although they are not described in bloody detail, death is common. Although the publisher recommends the book for ages 8-12, the descriptions of death and torture would make this a difficult book for younger readers.

As Chaya’s world crumbles around her, the reader gets a better understanding of why some Jews did not fight back. Some of the Jewish people were so overcome by fear, or some didn’t believe the stories of the death camps, so they didn’t fight back. Others refused to fight because they believed that killing was wrong—even if they were fighting to save their own life. Several times in the story, the characters discuss the morality of killing the Nazi soldiers. In the end, the story makes it clear that leaving the Ghetto in order to survive, or staying in the Ghetto are both valid choices. “We’ll all die one day, no one escapes that fate. Our only decision is how we live before that day comes. Our path requires courage, but so does theirs. Both paths are ways to resist.”

As Chaya and Esther travel to Warsaw, they meet people from all lifestyles and religions. This helps the reader understand people’s different responses to the Jews. Some of the Poles ignored the problem, while others took advantage of the Jewish people, and even physically attacked them. Yet, there were still many Poles that risked their lives to help save the Jews. In the end, the story shows that there were evil people as well as good people who were willing to die fighting.

Resistance ends with the events of the Warsaw Uprising, which gives the reader a vivid description of the death of many civilians, and resistance fighters. The cruelty of the Nazis and the heroic deeds of the Jews are depicted. Although the story gives a historic perspective, sensitive readers may be upset by the death the surrounds Chaya and the Jewish people. Resistance ends with a list of the historical resistance fighters who fought for their people and should be considered heroes.

Sexual Content

  • None

Violence

  • Chaya’s father is stopped by a Polish police officer who, “ripped out pieces of my father’s beard, one fistful at a time. With every tear, my father grunted with pain, but he said nothing and offered no form of resistance. The crowd that had gathered pointed at him and laughed, as if humiliation and pain were some kind of joke.”
  • Chaya and some others were stealing provisions from a train car when “a gunshot rang through the night and Jukub yelped with pain.” Charya shot a Nazi soldier who was “running toward us with his pistol out, shouting for his comrades.”
  • The resistant fighters attack a café. One threw a grenade through the window. Soldiers, “began to emerge, many with obvious cuts on their faces or uniforms. They became the target of my first grenade. . . My third went inside the café and exploded with enough force to blow some of the bricks off the building.” The surviving Nazis began shooting, and Chaya “saw bodies in civilian clothes fall.”
  • Some of the resistance fighters who survived were sent to Montelupich Prison were, “If the Draengers were there, then they had experienced torture worse than anything I could imagine, and even what I could picture turned my stomach. They would be kept at the edge of death in an attempt to make them talk.”
  • While in a ghetto, Esther drops potatoes, and “two desperate women suddenly became five, and then all of them fought for anything that was left. To get it off Esther’s shoulders, one woman knelt on her back. They were suffocating Esther, but the only thing that seemed to be in their vision was the bag.”
  • When Chaya and Esther are trying to escape from a ghetto, a boy who is helping them is shot. “Henryk hadn’t yet shut the window before a bullet caught him from behind. He fell forward across the windowsill. . .”
  • When Esther is hiding in a barn, the Gestapo finds her. “Ester was hit again and probably knocked unconscious, because she made no other sounds.”
  • In order to create a distraction and save Esther, Chaya cuts the gas line to the Nazi’s trucks and then lights the gas on fire. The gas, “immediately ignited a booming fire that popped the truck’s hood open and set the engine aflame . . . The last truck exploded into the air with a booming sound that would be heard for kilometers around.”
  • When Chaya found Esther, she was tied to a tree’s trunk. When Chaya got closer, “I noticed the bruise was even worse than it appeared from a distance. There was a cut on her cheek too, and other smaller bruises on her neck and probably elsewhere that I couldn’t see.” Esther’s arm was injured as well.
  • Esther recounts what the Gestapo did to her. She was put in a dark room, and “someone slapped me or hit me to get my attention, and they were telling me what would happen if I didn’t talk.”
  • The end of the story focuses on the Warsaw uprising, the description of the battle is told over ten chapters. The resistance fighters throw Molotov Cocktails on the soldiers. When the first explosives were thrown, “bodies fell, and the troops who survived it scattered.” During the battle, Esther threw a “fuel-filled wine bottle” onto a tank, and “the top hatch burst open like a popped cork. Flames shot from within the tank.”
  • During the battle, the Nazis “found the hospital. . . They killed everyone inside. Revenge for our fighting.” How the patients died was not described, but Chaya thinks, “I didn’t want to know, or think about it.”
  • The Nazis have a long-barrel machine gun that they use to kill the Jews. A sniper killed the gunner, “who kneeled over his gun, dead.” Chaya throws a grenade at the vehicle and “the explosion knocked me off my feet.”
  • The Germans escorted civilians and “each was placed on their knees, row by row by row. . . A fighter rose from her knees with a gun. . . She took aim at one of the commanding officers and fired, hitting him squarely in the chest.” Then an officer “gave the order to shoot and every Jew on the street was killed.”
  • Chaya is shot in the leg. When she looks at the wound, she “saw blood spurting from my thigh, almost like everything was happening in sudden slow motion.”
  • When a SS officer sees Chaya, “his hand unfolded, revealing a grenade. . . He pulled the pin and raised his arm to throw it. Then a bullet whizzed past my ear, hitting the grenade itself, which exploded in his hand.”
  • German soldiers would throw poison gas grenades into the sewer system, just in case Jews were hiding in there. As Chaya and a group were trying to escape, poisoned gas was thrown into the sewer, and “Then I heard a splash, and in the light beneath the manhole, I saw Mr. Pilzer’s body go down. He didn’t fall like a dead body would. Instead, he used himself as a shield from the gas, deliberately spreading out his clothes to contain as much of the smoke as possible.”
  • Esther intentionally leads a soldier away from a group of Jews. “A few minutes later, the silent darkness was broken by a single shot fired inside the sewer line.”

Drugs and Alcohol

  • Several times during religious services, people passed around wine.
  • Chaya thinks that on Adolf Hitler’s birthday, he probably had, “a hearty slice of birthday cake to go with a glass of wine.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • As Chaya and Esther were hiding from Nazi soldiers, Chaya was upset that Esther did not do a better job as a lookout. Chaya thought, “Even God wouldn’t expect me to forgive her.”
  • During Shabbat, Chaya, “covered my eyes with my hands, giving myself a private moment with God to ask for healing, happiness, and prosperity.”
  • Chaya and Esther are about to take a trip, and Esther thinks the snow is a warning. Esther said, “Maybe God is telling us to wait one more evening.” Chaya replies, “Maybe God is offering to cover our tracks if we hurry.”
  • One of the characters tells Chaya, “The greater our need, the nearer our God, no?” A boy replies, “And God is very near now.”
  • Chaya asks a group of teens if they will try to escape the ghetto. A boy tells her, they will remain because “We’ve given our lives to God. Whatever happens to us now is alright.” The group discusses the moral implications of staying or trying to escape to fight. One of the group members tells Chaya, “The highest honor we can give God is to die in His name.” Another character said, “Defending one’s life in the moment is allowed. But killing them is different. That’s murder!”
  • Chaya and Esther discuss their belief in God and his promises. Chaya said, “I believe in God’s promises. . . But I’ve run out of patience waiting for them. I believe in God’s laws, but. . .” They also discuss if killing Nazis is murder. One of Chaya’s friends believed that “God has given us the right to defend ourselves.”
  • When Chaya and Esther miss Shabbat, Ester is upset. Chaya tells her, “God will understand, Esther! He understands why we missed Shabbat, and why I wear the crucifix. He understands the gun inside my bag, and if I have to use it again, then I hope He will understand that too . . .”
  • The evening before Passover, a group discussed God. One of the men, Tamir, gave encouraging words, “Didn’t Moses once say to our people, ‘Be strong and courageous! God is the one Who goes with you.”  Chaya thinks that Tamir was “giving praise and honor to a God who might not save him from his fate. But he did so, confident that this coming fight was worthy of God’s blessings.”
  • Esther found a belt buckle in one of the Nazi soldier’s bags. The buckle had an “eagle standing on top of the Nazi swastika” with the words “God With Us.” Chaya thinks about how the Christians are beginning to prepare for Easter. She thinks, “how could these soldiers commit such atrocities on this day, all while wearing an emblem that suggested God supported their actions?”
  • An escaped prisoner tells Chaya, “Hitler wants no Gods other than himself.”

 

Crossing the Line

Dalila Sandoval, the daughter of one of the wealthiest lawyers in Mexico, is focused on her future. She is turning 18, but she already knows exactly what she wants from life—until she meets Ryan Hess. He is a “bad boy” who doesn’t fit into her life, but when she looks into his blue eyes, a flame of desire comes alive.

Ryan Hess has one goal—to prove he can become a great boxer. He flees an unhappy family life and travels to Mexico in the hope of convincing a famous retired boxer to train him. He does not want to be pulled into Dalila’s life or her problems, but he can’t stop himself from falling for her. Despite their immediate attraction, forces outside of their control quickly rise to conspire against them. Is there any way their love can survive?

Dalila and Ryan are two star-crossed lovers who, like Romeo and Juliet, fall in love quickly. Each chapter flip-flops between Ryan and Dalila’s point of view, allowing readers to understand both character’s thoughts and feelings. The beginning of the story is predictable, and the supporting characters are underdeveloped. Despite these drawbacks, readers who enjoy a good love story will be drawn into the couple’s drama and enjoy the unique angle of a rich girl from Mexico falling for a poor American.

Crossing the Line is not a book for those wanting a plausible story based in reality. Ryan spends all his time thinking about proving himself in the boxing ring, but once Dalila steals his heart, he quickly forgets about his dream. Dalila has no qualms about lying or using her body to beguile Ryan. Even though Ryan knows that Dalila is manipulating him, he overlooks her flaws and vows to stay by her side as she tries to figure out if her father is involved in the Mexican Mafia.

Crossing the Line is full of mystery and has a whirlwind ending full of surprises. The story follows the typical story line—boy and girl don’t want to fall in love, but are forced together by outside forces. For older readers who want a steamy, action packed romance, Crossing the Line will keep you entertained.

Sexual Content

  • When Ryan was new to town, a girl and he “hooked up at a party.”
  • After Ryan’s mom found out she was pregnant, her boyfriend, “ran off with some bimbo stripper he’d met at a dive bar.”
  • When Ryan was younger, his mom “had a history of bringing random guys to the trailer, but she wasn’t a whore. She was hoping one of them would stick around enough to take care of her.”
  • While at a concert, Ryan’s friend said, “I think that girl over there with the spider tattoo on her face just grabbed my ass. I feel violated.”
  • Dalila’s friend “might be a flirt, but she’s not into one-night stands or hookups.”
  • Dalila tries to convince a police officer that she is Ryan’s girlfriend. “I bury my hands in his thick hair and touch my lips to his. I’m determined to make this make-out session look convincing. . . the touch of his soft but firm lips against mine sends delicious sensations zinging up my spine. I’ve kissed boys before, but I’ve never felt goose bumps all over like this.”
  • The day after Ryan’s fight, Dalila tends to Ryan’s wounds. “And when she bends over to tend to the cut on my cheek, her cleavage makes my groin twitch.”
  • At Dalila’s birthday party, she and a friend take a walk in the gardens. “Before I can pull back, he presses his lips to mine and wraps his arms around my waist, pulling me close. I’m not ready for this. . . I push him away, glad when our lips separate.” The boy thinks she is playing games and “presses his body to mine again, so close that I can feel how much of a distraction he wants to be.” Ryan sees the two and the boy leaves.
  • Ryan and Dalila kiss several times. Once when they kiss, Ryan’s “breath hitches as she steps so close, I can feel the heat of her skin against mine. Without hesitation, she reaches up on her toes and her sexy, full lips meet mine. They’re soft and wet and full of passion. I hate myself as I take hungry possession of her mouth . . . My lips are still on hers as my tongue instinctively darts out, taking this kiss to the next level. . . her tongue darts out and meets mine.”
  • Ryan tells a story about when he, “got an erection during the swim unit freshman year. One of the girls noticed and screamed it out to the entire class.” He tells another story about his mom’s boyfriend. Ryan did not like him so he took a girl’s phone and “text[ed] the guy all this sexual stuff hoping my mom would see it.” Ryan’s mom broke up with the man.
  • Dalila goes to where Ryan is staying and takes a shower. Thinking about her in the shower, Ryan’s “body is reacting, willing and ready to be called into action.” The shower scene takes place over four pages and the two end up in the shower together. Dalila’s “breath hitches as he leans down and gently licks my wet skin, the sensation sending shock waves through my veins. . . His hot, wet tongue graces my earlobe and then his lips place tiny, light kisses on my mouth. A fire burns within me that I’ve never experienced before. . . This feeling is like a drug and I want more.” They do not have sex, but “we both explored and experimented and drove each other insane. . .”
  • Ryan and Dalila’s truck breaks down in the middle of the desert. Alone at night, they kiss and Dalila, “still straddling me, lifts my T-shirt that she’s been wearing all day over her head. Her fingers go to the front hook of her sexy lace bra and she releases the material, making me feel like the luckiest guy on the planet. It falls down her shoulders revealing her full, perfect breasts. I swallow and my breathing gets ragged as her hands reach for my zipper.” They then have sex, but it is not described in this scene.
  • Later, Ryan and Dalila have sex again, and it is described over two and a half pages. “She steps closer and reaches out, touching my chest with her soft, delicate fingers. . . I close my eyes and feel the brush of her gentle kisses on each bruise, starting with my shoulders and moving down to my chest and lower. . .When her panties and shorts fall to the floor, she focuses her gaze on the ground. . . My fingers trace a path from her taunt stomach to those perfectly shaped hips and I settle my palms on her amazing backside. I pick her up by her bottom.”

Violence

  • Ryan thought about committing suicide, but someone saw him, “sitting on a park bench with a pocketknife it my hand,” and talked him out of it.
  • Ryan thinks back to a time when he got in a fight at school. When the boy talked badly about him, he “whacked willie with a solid left hook. Willie fell and I was immediately on top of him, punching him repeatedly as frustrated tears streamed down my face. My fist kept flying until three lunch supervisors hauled me away.”
  • Ryan sees a boy slip something into a girl’s drink and he confronts the boy. When the boy goes to give the girl a drink, Ryan’s “fist connects with Skyler’s jaw. The guy stumbles backward and falls to the floor.”
  • Ryan’s stepfather tells Ryan that his father “killed someone, shot him in a bar fight.”
  • Ryan goes to an underground bar and fights other men, but the fighting is not described.
  • At Dalila’s birthday party, someone shoots at her family’s compound. Ryan shields Dalila. “Another pop pop pop fills the air and I suck in a horrified breath. . . Fresh blood drops from Ryan’s side onto the floor.” Ryan only has a flesh wound.
  • After spending the night together, Ryan takes Dalila home. Her father’s bodyguards beat up Ryan. “Without a word or grunt, he punches me in the gut. His fist feels like a steel mallet. Fuck, that hurt. . . Gerardo punches me in the gut with that mallet fist of his two more times. I don’t want to crumple to the ground when the clowns release me, but the pain takes over my resolve and all of a sudden I’m eating dirt.”
  • A man and his gang attack Ryan. “I take a few of them out before I’m surrounded. I’m not giving up, not even when someone whacks me on the back with something other than a fist. The punches and kicks don’t stop, and slowly my body gives up.” Ryan blacks out and is dumped in an alley.
  • Dalila hears a gun shot. When she runs towards the sound, “my entire body goes numb as I see Papa holding a gun. He’s standing over a body lying in a pool of blood.” Later she finds out that her father did not kill the man.
  • Someone kills Dalila’s abuela as revenge. Ryan and Dalila find “Abuela Carmela, who’s lying on the floor, soaking in her own blood. . . Dalila’s hand flies to her mouth and a helpless cry pierces the air at the sight of her grandmother riddled with stab wounds.”
  • At the end, several cartel members surround Ryan and Dalila. Ryan threatens them and “I see the fire flash out of the barrel of his gun.” Ryan is shot. “Something cold pierces my gut and my shoulder. I know I’ve been hit.” Someone grabs Dalila “and attempts to run out with her as his shield. . .” Before he can do that, “shots ring out” and the man “falls to the ground, his body riddled with bullets. He’s dead.”

Drugs and Alcohol

  • Ryan’s mother is an alcoholic. At a funeral Ryan wonders, “how much alcohol she downed before she showed up here.” Ryan refers to his mother’s drinking often.
  • Ryan smokes a cigarette at a funeral.
  • At a dinner party, the guests are served “some kind of amber-colored brandy.”
  • At a concert, people are able to order a drink from the bar. A boy offers to buy a girl a beer, but she just wants a soda. The boy buys the girl a soda, but slips something into it.
  • Ryan meets a man in a bar; the guy has a “half-empty bottle of beer in front of him.”
  • Ryan’s mother said she heard, “you were running drugs across the border.”
  • Dalila goes out with her friends and sees a boy she knows. The boy is with his friends. “One of them is laughing loudly and the other has bloodshot eyes. They’ve definitely been drinking.”
  • Ryan goes to an underground bar where “there’s a big dude at the door who looks like a poster child for the overuse of steroids. In lethal doses.” The people in the bar are also drinking.
  • Dalila’s parents throw her a birthday party and one of the boys was holding a beer.

Language

  • Profanity is used in the extreme. Profanity includes: ass, bastard, bitch, crap, dick, damn, douch-bag, fuck, hell, motherfucker, piss, pendejo, puta, and shit.
  • When Ryan sees a girl, he flips her off.
  • Ryan’s motto in life is “fuck being a hero.”
  • Ryan’s stepfather calls him a bastard several times.
  • When Ryan stops a boy from kissing someone, the boy says, “Oh, and the next time you cock-block me like that, I’m gonna make sure you never get hired in Mexico again. By anyone.”
  • After Ryan is shot, he stays the night at Dalila’s family home. His friend tells Ryan, “I’ll bet my left nut that sleepin’ on an expensive mattress will make you crave the good life, especially if the rich chick finds her way into it.”

 

Supernatural

  • None

 

Spiritual Content

  • When Ryan reminds his stepfather that they are not family, his stepfather says, “Thank the mighty Lord for that.”
  • The story talks about the Day of the Dead.

City of Ghosts

A screech of wheels. The grip of freezing water. Death. When Cassidy almost drowns, everything changed. She can now enter the world of the dead. To make things stranger, her best friend, Jacob, is a ghost.

Cassidy didn’t think life could get more complicated. Then her parents agree to film a TV show about the world’s most haunted places and the family heads to Edinburgh, Scotland. Restless ghosts haunt the graveyards, castles, and even the pubs. When Cassidy meets another girl who can see the dead, Cassidy realizes she has a lot to learn. Cassidy soon discovers that in a city of ghosts, danger hides in unexpected places.

Victoria Schwab writes a creepy ghost story that is just the right balance of cuteness, chills, and charm. Scotland’s people and lore come to life as Cassidy visits the historical landmarks including Edinburgh Castle and Mary King’s Close. As Cassidy encounters different ghost stories, Scotland’s history unfolds.

Cassidy’s best friend, Jacob, is a fun addition to the cast of characters. Even though Cassidy has told her parents about Jacob, and Cassidy’s parents research haunted places, they do not believe in ghosts. Cassidy’s caring, quirky parents bring ironic humor to the story that middle school readers will understand.

City of Ghosts is the perfect ghost story for younger readers. The easy-to-read text contains short sentences and is a good blend of action, description, and dialogue. The Harry Potter references will delight readers. Although the plot contains only a few surprises, the story is still solid and engaging. Cassidy’s inquisitive mind and courage will draw the reader into the story. Her relationship with Jacob and her parents are an added bonus. City of Ghosts takes the reader on a spooky adventure that will be hard to forget.

Sexual Content

  • None

Violence

  • The narrator almost dies while riding her bike. She is on a bridge when “the truck whipped around the curve and hurtled toward me. I swerved out of the way, and so did the truck, tires screeching as my bike slammed into the railing hard enough to make sparks fly.” She goes into the river, where a boy ghost saves her.
  • A long time ago, a boy died in a school fire. The fire began during a school play. In a panic, the boy “shuffles on his hands and knees until he reaches the trap door (of the stage). . .He pulls the door up and climbs down into the dark just before a piece of burning set collapse on top of the stage, pining the trapdoor shut.”
  • When Cass enters the veil, she sees “a man being hauled toward a platform, where a noose hangs waiting.”
  • Cass’s dad explains how some people would rob graves and take the bodies to medical theaters so medical students could practice on them. Two men, “Decided that instead of digging up corpses, they would simply create their own. . . They murdered sixteen people before they were caught and tried . . .Burke was hanged, and then dissected in an anatomy theater, just as his victims had been.”
  • While in the veil, The Raven, a ghost who steals children, puts Cass under a spell. Then, “her fingers harden like claws. . . she thrust her hand straight into my chest. Cold rushes through me, a bone-chilling cold, worse than the bottom of the river. It feels like icy fingers wrapped around my heart.” She tears Cass’s life’s ribbon out of her chest. In order to come back alive, The Raven must dig up her corpse and place the life’s ribbon in her chest. Cass attempts to get her life’s ribbon back and the struggle is told over several chapters. Cass crawls into a grave, and when The Raven finds her, “The Raven grabs me and throws me out of the grave. . . I land hard on the ground. . . and hit a gravestone, knocking all the air out of my lungs.”
  • While in the veil, Cass sees a ghost who is on a platform, and “a course rope is cinched around his neck.” The execution doesn’t come.
  • Ghosts chase after Cass and Jacob. The ghost children “close in, opening their mouths, and instead of different voices coming out, there’s only one. The Raven’s. Her eerie hypnotic song pours from their lips.” The chase takes place over several chapters.

Drugs and Alcohol

  • One of the characters has two pints of beer—one for himself and one for his friend’s ghost.

Language

  • “Oh god” is used as an exclamation. When Cassidy’s parents want to talk to her, she thinks, “Oh god. I’m going to be a big sister.”

Supernatural

  • Jacob, a ghost who is attached to a living girl, is one of the main characters in the story.
  • Cass can see ghosts and cross the veil between the living and the dead. The narrator explains, “It takes a lot of spirit power for a ghost to reach across the Veil—the curtain between their world and ours. And the ghosts that have that kind of strength, they tend to be really old and not very nice. . . the dead grow strong on darker things. On pain and anger and regret.”
  • Lara casts a spell on a ghost and then reaches in and pulls the ribbon out “. . . The dark thread comes free in her hand, hanging limply from her fingers for a moment before crumbling away to ash. An instant later, the main crumbles, too, just . . . falls apart.” Later Lara explains that she sent him, “To the great unknown? To the silent side? To peace and quiet? Call it what you like. I sent him to the place beyond. Where he’s supposed to be.”
  • The Raven puts two teen boys under a spell. The boys “stand chest-deep in the grave. . . Their expressions are glassy, their breaths fogging as they shovel mound after mound of dirt out of the pit. . . “The boys dig up the Raven’s corpse.

Spiritual Content

  • None

The Wizard’s War

When Evan and Cleo jump into a book, they find themselves thrust into a quest to save the kingdom. In order to save the kingdom, they will have to fight elves, trolls, and the mighty Golden Dragon. Danger comes from many places, and the two are not sure who they can trust. Only magic will end the war, but will it help them find the right key and return home?

This fast-paced fantasy contains many fantastical creatures that will enthrall younger readers. Danger lurks around every corner, which keeps the suspense high throughout the entire story. When Evan and Cleo meet the manticores, there are several fun riddles that readers can try to solve. Because of some overlapping plot points, The Wizard’s War should be read after the first two books of the series.

Throughout the story, Evan and Cloe show their bravery, brains, and devotion to each other. Working together to defeat evil is the main theme of the story. King Ledipus’s words reinforce this theme when he says, “Today we start a new chapter in the world, one where all creatures—humans, elves, manticores, dwarves, dragons, and even trolls—live in harmony. We will work together to build a future where all can find happiness.”

The story contains a lot of dialogue and short descriptions that help keep the story interesting. A full-page illustration appears in every chapter. The story contains magic wands and magic spells, which are clearly fantasy and not part of the real world. The Wizard’s War will be a hit with readers looking to take a trip into another world. The ending contains a cliffhanger that will leave readers reaching for the next book of the series—The Titanic Treasure.

Sexual Content

  • None

Violence

  • Elves throw a net on Evan, Cleo, and Vixa. “They struggled but it was no use. Even Vixa’s blade couldn’t cut the net.” The elves take the captives to the queen. “The elves tied up Evan, Cleo, and Vixa and led them to a platform made of logs.” The queen orders the elves to let them go.
  • A group of trolls uses a catapult to fling “a fiery lump” at Evan, Cleo, and Vixa. “The fireball roared past them.”
  • Cleo and Evan try to escape the trolls by riding on a railroad cart. The trolls follow them in their own cart. “One of the trolls leaped into their cart and bared his yellow teeth. He growled and swung his club with the force of a sledgehammer.” Cleo slows the cart and s out of the cart. “Evan curled his legs under the troll’s chest and kicked up. The troll lifted into the air just as the cart shot under a low bridge. His head smacked into a beam and he flew out of the cart.”
  • When another troll attacks, Cleo “kicked the troll in the face. The creature swung his club. It whizzed past Cleo’s head and smashed the hand brake to splinters.” Cleo causes the troll’s cart to flip and “the troll flew forward and smacked into the tunnel wall.”
  • Someone jumped onto a troll’s back and “yanked on the troll’s ears. . .”
  • A dragon attacks Evan and Cleo. “Another flame spewed from the dragon’s throat. . . Evan rolled away and crept behind a statue of an ancient king.” During the attack, the dragon’s “tail whipped around and hit Cleo.” The battle takes place over a chapter.
  • During the final battle, dwarves, manticores, and others fight to defeat the evil villain. The manticore and dragon fight. “The manticores clawed and bit and let their spikes fly. The dragon swung her tail like a club.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The library under the school has a magic portal that takes people into books. When a person travels into a book, they become a character in the book.
  • When Evan and Cloe become characters in a book, Evan is a wizard and Cloe is a moon elf.
  • An evil character controls the king and his daughter through a headband that uses “dark magic.”
  • One of the characters is a manticore, which is a “lion with bat wings, and the end of its tail was covered in sharp spikes.”
  • Tannis wants Vixa to find the Dragon’s Orb because it “has the power to control dragons.”
  • Cloe poured a “silvery liquid onto Daruis’s wing. The leathery skin began to mend. She took the rest of the potion and poured it into Darius’s mouth . . . The manticore seemed to swell with strength.”
  • When Evan uses a spell, “orange light fired out and hit the troll in the face. Daisies sprouted from the troll’s head, and his nose started blinking like a holiday light.”
  • During the story, several of the characters smash a crystal that opens a magical doorway.
  • Evan uses the “Monstrous Transformation spell,” which makes him become large.

Spiritual Content

  • None

 

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