Topic: Monsters

Meet the Bigfeet

Blizz Richards is a loyal friend with a gigantic heart—he’s also a Yeti. Blizz and others like him have vowed to never be seen by the outside world, which makes it really difficult to have a family reunion. Blizz’s cousin decides to have a big party so the family can get together. The only problem is that an evil man with a camera is determined to prove that Bigfoot really does exist. Will Blizz and his friends be able to stay hidden or will the evil man be able to snap a photo of Bigfoot?

Each page of the story contains full-page black and white illustrations that introduce the many mysterious creatures that Blizz Richard knows. Readers will love the silly illustrations and enjoy the comical plot that pits a man with a camera against a group of creatures including a goatman, a goblin, and a skunk ape.

Meet the Bigfeet’s plot is at times random, and much of the story revolves around introducing characters. Even though the story’s conflict is weak, readers will enjoy the easily understood plot and the interesting characters. Each page has 2-4 sentences, which makes the story accessible to struggling readers. Meet the Bigfeet includes gags, jokes, and silly situations to entertain readers and take them into an imaginary world where Yetis and unicorns do exist.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • OMG is used once.

Supernatural

  • None

Spiritual Content

  • None

 

 

 

The Last Kids on Earth and the Cosmic Beyond

Jack and his friends are looking forward to their first Christmas celebration since the monster apocalypse. Jack wants to show the monsters the joy of sledding, snowball battles, and gift giving. But their winter plans are put on hold when an evil human villainess begins hunting them.

The villainess hopes to create a portal to bring Ghazt, the general of the undead, to Earth. But first she needs Jack’s monster-slaying tool, the Louisville Slicer. When his prized weapon is stolen, will Jack and his friends be able to get it back? Will they be able to stop the villainess’s evil plan?

The Last Kids on Earth and the Cosmic Beyond takes a step back from monster fighting and focuses more on the kids’ winter activities. In order to show the monsters that snow is fun, the kids do a series of snow activities including ice fishing and snowball fights. But the activities make the “monsters extra freaked out. They’ve become afraid of snow in both flake form and ball form.” Readers will laugh as Jack and his friends try to show the monsters their traditions. Through these humorous scenes, readers will learn the importance of understanding different cultures. The story shows that some people may find different traditions strange because they have never heard of them.

Like the previous books, the story will keep readers entertained with its fast pace, funny scenes, and epic battles. The easy-to-read text contains dialogue bubbles, alliteration, and onomatopoeias that make reading the story a joy. The black and white illustrations that appear on almost every page bring the kids’ world to life as well as add humor.

At first, The Last Kids on Earth and the Cosmic Beyond may look like just another graphic novel. But the characters are surprisingly well developed and readers will come away with a valuable lesson about the importance of community. When Jack and the kids seek out a Warg, Jack realizes that “maybe she was watching because she felt that feeling, that’s the worst of all feelings. That feeling of being, like, left out?”

This story can be understood without reading the previous books in the series, but for maximum enjoyment readers should read the books in order. Readers will enjoy The Last Kids on Earth and the Cosmic Beyond. The story keeps the same humorous, non-frightening format as the previous books.

Sexual Content

  • Jack has a crush on June. At one point, June “looks deep into my (Jack’s) eyes. I’m wondering if this might be sort of a romantic moment or something. . .” It’s not.
  • When Dirk is bitten by a zombie, he is “stretched out on the poker table. . . I expected it to be like a scene from one of those TB shows with doctors running around emergency rooms. You know the ones, where they spend like half their time saving lives and the other half making out in the hospital closets?”
  • Meathook grabs Jack, and his “gray-purple tongue snaps and smacks me across the face. I half expect it to follow that with a French kiss of death.” Meathook grabs Jack’s weapon and then lets him go.

Violence

  • While catapulting in a sled, the kids jump out of the sled before they slam into a monster. “There’s a gulp—and the great beast’s belly rumbles. The sled has been swallowed.”
  • An “above ground-like octopus” attacks Jack. Before the monster can hurt him, “a rolling library cart slams into the monster. There’s a wet SPLAT and the monster is suddenly airborne, sailing across the library.”
  • A zombie tries to bite Jack, but June stops the zombie by putting her gum in its mouth.
  • An evil human villainess captures the kids. In order to escape, Jack throws “a handful of dry, shredded gum into her face.”
  • Meathook tries to smash the kids, but they use a string of lights to try to trip him. Jack “sees the string of lights snapping in the air and then—THWACK!—the harpoon slams into Meathook’s scaly hide.” The trick does not work, but “the string of lights circle around me (Jack). My butt’s jerked from the seat.” During this battle, a zombie bites Dirk. Evie grabs Jack, but then, “a pair of zombies soars past our heads. Like, airborne undead. . .Another zombie sails past us. Its pinwheeling arms nearly take Evie’s head off. . . ” The scene is described over seven pages.
  • Meathook grabs Dirk. Jack sees Dirk, “sagging, spinning, hanging from the monster’s tongue.” The two disappear.
  • In an epic battle that takes place over several chapters, Meathook tries to stop Jack and the others from helping Dirk. “His one massive paw swipes, slashing the air, engulfing me. . . Quint cries. He’s scooped up, too. Our heads clonk tougher and my world spins.” Meathook captures all three kids.
  • Jack escapes Meathook and jumps on Evie’s back. “It’s a whole hero-villainess piggyback situation. My hands grasp her cloak.”
  • Jack and his friends have been “overrun by the undead. . . the zombies are on us! Quint’s robes are shredded! Teeth sink into June’s shoulder pads! A dripping mouth on Quint’s wrist. Hands tearing open my big white puffy pants. . . The zombies are flung backward on the heels. It’s like they’re being yanked by invisible strings.”

Drugs and Alcohol

  • None

Language

  • Crud is used twice. When a monster goes to hit Quint, Jack yells “crud.”
  • Dirk calls Jack a dork. Later he calls the evil villainess’s zombies “her dork collection.”
  • Freaking is used once.
  • Ghazt tells Evie she is a fool twice.
  • Evie calls Jack an “idiot boy.”

Supernatural

  • A new monster appears called Meathook. His characteristics include, “Big fist! Powerful Paw! Action Arm!”
  • Monsters that look like eyeballs appear. When Jack sees the “goo-ball things” he thinks, “It’s a reminder of just how bizarre the world is now that the sight of a rolling, gooey, eyeball creature only medium weirds us out.”
  • Warg has “spiny bone tentacles, and an outer eyeball layer. When the monster stomps on the floor, “at once the eyeballs roll toward her. They leap up, veering at her like some coat of peeping pupils.”
  • Ghazt is the general of the undead.
  • Dirk begins turning into a zombie. When Dirk moans, “it’s an awful combo cry: a howling human and a groaning zombie, mushed into one awful noise.”
  • Something happens to the Louisville Slicer that makes it “different. It has some new power because of what happened.”

Spiritual Content

  • Evie, an evil human villainess, is a worshiper of the Destructor of Worlds. While trying to understand the villainess, the kids find a book that explains that the worshipers want to build a portal. Quint explains, “Apparently, these worshipers had some success. They called themselves the Cabal of the Cosmic. . . Any creature can be a Servant—they need not be from a specific dimension.”
  • The evil human villainess plans to use a three-step ritual to bring an evil being from another dimension. Part of the ritual is to “capture an undead human being. . . place the artifact in the zombified human’s hands to open a portal, allowing Ghazt to enter the zombified body. Ghazt will then take control of that person’s body. Forever.”

The Sword of Summer

Magnus Chase isn’t your average 16-year-old kid. After a terrible incident that killed his mother, Magnus was forced to survive on the harsh streets of Boston for two years. Then everything changes, and not necessarily for the better when Magnus discovers the truth about his parentage. This knowledge is dangerous, and after attempting to outmaneuver his suspicious Uncle Randolph, Magnus lands in more trouble than he ever has before.

Escaping who he believes to be evil, Magnus falls into the hands of his worst enemy, a fire giant named Surt. Magnus dies and his soul is sent to Valhalla, the hall of warriors who will fight with Odin during Ragnarok (the end of the world). This is the beginning of an unlikely story of emotional growth, the development of strength, and the family found in friendship.

Fans of Rick Riordan’s previous works will be pleased as they travel into a fascinating world of Norse mythology. A character from the beloved Percy Jackson and the Olympians series even makes a cameo, making a fun crossover between magical worlds.

This family-friendly adventure is an exciting ride throughout. The characters are well developed and believable, but the sheer amount of characters may become confusing for less attentive readers. Nevertheless, even the timidest readers will enjoy this story as it is filled with well-placed humor. The plot is action-packed, leaving readers excited to turn the next page.

Although this book is entertaining and amusing, there are battles with monsters throughout the book that may upset some readers. The battles are not told in gory detail, but characters are injured and must deal with the consequences of their battles. Ultimately, Magnus Chase and the Gods of Asgard: The Sword of Summer is a delightful read full of humor, action, and magic.

Sexual Content

  • Samirah has an arranged marriage to Amir Fadlan. When Magnus questions her feelings on the matter, Sam responds, “Ugh! You don’t get it. I’ve been in love with Amir since I was twelve.”
  • Every time a giant comes to barter or make a deal with Freya, the goddess of love, sex, beauty, fertility, and gold, they always ask for her hand in marriage.
  • Magnus’s father Frey lost the Sword of Summer because he fell madly in love with a frost giantess. The only way that he could heal his heart was by offering the Sword of Summer to Skirnir.
  • Freya has lots of dwarven children. Every time she wants jewelry made by dwarves, she goes to Nidavellir and marries a dwarf in exchange for their craftsmanship. These one-day marriages each end with a child. This interaction is not described beyond this, but it is acknowledged that Blitzen is a child of Freya and a dwarf.
  • Magnus describes his first kiss when he is involuntarily given mouth-to-mouth by a goat. “My only previous experience with kissing had been with Jackie Molotov in seventh grade, behind the bleachers at a school dance…. Anyway, with apologies to Jackie, getting mouth-to-mouth from a goat reminded me of her.”
  • In the past, a son of Loki was sent to Valhalla and fell in love with the lead Valkyrie, Gunilla, but he “betrayed her. Turned out she was a spy for [Loki]. Broke her heart.”
  • After Halfborn nearly sacrifices his life for Mallory in battle, they are on good terms, and it appears that there may be romance in the future for them. “As my hallmates headed back home, I was happy to see Halfborn Gunderson slip his arm around Mallory Keen’s waist. She didn’t even cut his hand off for doing so.”

Violence

  • Magnus engages in a battle with the fire giant, Surt. “I smacked Surt in the head with my rusty sword. . . The blade didn’t seem to hurt him, but the swirling flames died. . . Then he punched me in the gut.” Later in the battle, “Surt kicked me in the ribs and sent me sprawling. . . Surt must have kicked me hard enough to trigger a near-death hallucination.” After a brief time period, Magnus’s sword begins to act on its own and guides Magnus’s actions. “It spun in an arc, dragging my arm along with it, and hacked into Surt’s right leg. The Black One screamed. The wound in his thigh smoldered, setting his pants on fire . . . Before he could recover, my sword leaped upward and slashed his face. With a howl, Surt stumbled back, cupping his hands over his nose. . . Just as he reached me, my sword leaped up and ran him through.”
  • Magnus describes his death. “I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water…. It hurt. A lot.”
  • When getting a tour of Hotel Valhalla, Magnus is “pushed down as a spear flew past. It impaled a guy sitting on the nearest sofa, killing him instantly.” The guy is already dead, so this is just a temporary “death” as he will regenerate in a few hours.
  • Magnus and all those who inhabit Hotel Valhalla observe how newly inducted einherjar (inhabitants of Hotel Valhalla) died. In one video, a warrior “saved a bunch of kids at her village school when a warlord’s soldiers had tried to kidnap them. She’d flirted with one of the soldiers, tricked him into letting her hold his assault rifle, then turned it on the warlord’s men . . . The video was pretty violent.”
  • Mallory is excited to “see the new boy get dismembered.”
  • The einherjar participate in practice battle exercises to prepare for Ragnarok, when the nine worlds will fall. One of these “battles” is comically described, but each “death” is also shown. Many characters get shot, punched, or stabbed to “death” in the heat of battle.
  • In a dream, Surt threatens Magnus by saying, “When we meet again, you will burn, son of Frey. You and your friends will be my tinder. You will start the fire that burns the nine worlds.”
  • Samirah attacks Magnus after he leaves Valhalla. “She charged from behind the concession building and kicked me in the chest, propelling me backwards into a tree. My lungs imploded like paper sacks.”
  • An eagle drags Magnus away from his friends to convince him to do something for him. “The eagle veered, slamming me into the fire escape. I felt my ribs crack, like vials of acid breaking inside my chest. My empty stomach tried unsuccessfully to hurl.”
  • When Blitzen competes in a dwarf craftsmanship competition, Magnus acts as his bodyguard. “A random dwarf charged me from the side-lines, swinging an axe and screaming, ‘BLOOD!’ I hit him in the head with the hilt of my sword. He collapsed.”
  • Otis, a goat who belongs to Thor, marvels at Magnus’s talking sword. Otis exclaims, “I’ve never been killed by a talking sword before. That’s fine. If you could just make a clean cut right across the throat-”
  • For Odin to learn the secrets of the runes, he sacrificed an eye and “fashioned a noose and hanged himself from a branch of the World Tree for nine days.”
  • Magnus attacks and kills two giantess sisters. Magnus threw a knife and, “The spinning steak knife hit her in the chest. It didn’t impale her . . .She lowered hands, grabbing instinctively for her chest, which allowed Jack full access to her nose. A second later, Gjalp was lying dead on the floor next to her sister.”
  • The book concludes with a giant final battle in which warriors of Valhalla fight fire giants and attempt to rebind Fenris’ wolf. Within this battle, several warriors get hurt and three Valkyries die, including Gunilla. “Blitzen was so angry—between the Wolf gloating about his dad’s death and Surt stealing his fashion ideas—that he howled like Crazy Alice in Chinatown and rammed his harpoon right through the giant’s gut. The fire giant stumbled off, belching flames and taking the harpoon with him.” “Halfborn Gunderson buried his axe in the breastplate of a giant. X picked up another fire-breather and tossed him off the side of the ridge. Mallory and T.J. fought back-to-back, jabbing and slashing and dodging blasts of flame.”
  • Magnus’s Uncle Randolph is poisoned by Loki. “Randolph smelled the poison before he felt it. Acrid steam curled into his nostrils. The side of his face erupted in white-hot pain. He fell to his knees, his throat seizing up in shock.”

Drugs and Alcohol

  • Magnus thinks, “Random police and park rangers I could deal with. Truant officers, community service volunteers, drunken college kids, addicts looking to roll somebody small and weak—all those would’ve been as easy to wake up to as pancakes and orange juice.”
  • The mead of Valhalla doesn’t contain alcohol as it is magical goat milk that tastes like a mixture of delicious flavors. However, this topic makes Magnus share his own experience with alcohol. Magnus says, “Yes, I’ve tried alcohol, thrown up, tried alcohol again, thrown up.”
  • The god Aegir is a brewer who “spends all his time at the hops shop, or going on brewery tours with his buddies…. He’s always talking about microbrews. He has a cauldron a mile wide!”
  • Magnus and his friends go to Nabbi’s tavern and the dwarves that he travels with order mead (not the Valhalla kind).
  • Thor, the thunder god, “loved drinking mead.”
  • When the group comes across giantess sisters, the enormous monsters are drunk. Magnus thinks, “They’d obviously been hitting the mead pretty hard.”

 Language

  • Profanity is used a few times throughout the book. Profanity includes ass, dammit, crap, and idiot.
  • Many characters exclaim, “Gods of Asgard” and “gods” as a form of profanity.
  • When Gunilla introduces a new video system that shows how einherjar die, “the warriors cheered and banged their mugs, drowning out the sound of Sam cursing next to me.”
  • Magnus is angry towards a Valkyrie that he dislikes and thinks, “No, but your dad was apparently a jackass!”
  • While trying to escape Valhalla, “Mallory cursed in what was maybe Gaelic. Our little hallway group was a veritable United Nations of Cussing.”
  • When attempting to arrange his dead body, Magnus’s “hands had come unclasped so I appeared to be giving everybody the finger.”
  • When Blitzen talks about his mother’s requests, he says, “She wants her damnable earrings.”
  • Thor could “cuss like a drunken, creative sailor. ‘Mother-grubbing scum bucket!’ he yelled (or something along those lines. My brain may have filtered the actual language, as it would’ve made my ears bleed.)”
  • Magnus wants to comfort Hearthstone. “I wanted to hug the poor guy, bake him a batch of cookies, and tell him how sorry I was about his crappy childhood, but I knew he wouldn’t want pity.”

Supernatural

  • The story exists in a world where Norse mythology is real, including all of the gods, heroes, and monsters. For example, Magnus is the son of Frey, the god of peace, fertility, rain, sunshine, and summer.
  • In the beginning of the book, Magnus doesn’t understand why Blitzen hates daylight. He says, “Maybe he was the world’s shortest, stoutest homeless vampire.”
  • Two magical, evil wolves broke into Magnus’s apartment and killed his mom when he was fourteen. “From the hallway, two beasts emerged, their pelts the color of dirty snow, their eyes glowing blue.”
  • Surt is a fire god and has powers. “Around Surt, flames began to swirl. The firestorm spiraled outward, melting cars to slag heaps, liquefying the pavement, popping rivets from the bridge like champagne corks.”
  • Due to Magnus being a demigod, he has magical abilities. He doesn’t have a problem in extreme temperatures, can walk through fire, can heal others, and mentally communicates with horses.
  • There is a vala who is a “seer. She can cast spells, read the future, and… other stuff.” She can also read/use the runes, which is a form of non-inherited Norse magic.
  • Hearthstone is an elf, and Blitzen is a dwarf. Their identity gives them special abilities like fashion sense, craftsmanship, and rune magic.
  • As an einherjar, Magus acquires super strength, has more muscles, and has accelerated healing.
  • Heartstone uses rune stones and eventually becomes a runemaster. These stones allow him to perform magic, usually to help his friends on their quest.
  • The group encounters Mimir, a disembodied head who floats in water and knows the secrets of the nine worlds.
  • The Sword of Summer is a magical weapon that Magnus wields. It can speak and fight on its own. Magnus transforms it into a stone on a chain that he wears around his neck. Magnus “could easily pull it off the chain. As soon as I did, the stone grew into a sword. If I wanted it back in pendant form, all I had to do was picture that. The sword shrank into a stone, and I could re-attach it to the necklace.”
  • Valkyries can fly, camouflage magically, and teleport back to Valhalla in a poof of light.

Spiritual Content

  • Norse gods are real, but they are not worshipped. They are treated more like characters than all-knowing deities.
  • Magnus describes the place where his funeral occurs. “It was set up like a chapel: three stained glass windows on the back wall, rows of folding chairs facing an open coffin on a dais. I hated this already. I’d been raised non-religious. I’d always considered myself an atheist.”
  • Magnus says, “If there is an Almighty God up there, a head honcho of the universe, He was totally laughing at me right now.”
  • Samirah is Muslim and wears a hijab. When arguing with Magnus she says, “A good Muslim girl is not supposed to hang out on her own with strange guys.”
  • Thor is described as watching television religiously. Then Magnus says, “Can I say a god did something religiously?”

by Morgan Filgas

A Royal Guide to Monster Slaying

Twelve-year-old Rowan is destined to be Queen and her twin brother, Rhydd, is to be Royal Monster Hunter. Rowan would give anything to switch places, but the oldest child is always next in line, even if she is only older by two minutes. She resigns herself to admiring her monster-hunting aunt’s glorious sword and joining her queen mother for boring diplomatic teas. But tragedy shatters the longstanding rule, and Rowan finds herself hunting the most dangerous monster of all: a gryphon.

Accompanied by a feisty baby jackalope and a giant wolf that barely tolerates her, Rowan sets off on a journey that will see her join other unlikely allies: a boy with monster-hunting ambitions of his own, and a girl hiding dangerous motives. It will take all of Rowan’s skills, both physical and diplomatic, to keep this adventure on track. The future of her kingdom depends on it.

Rowan and her brother Rhydd follow their aunt on a hunt that ends in a bloody battle and death. The heart-stopping battle is not for the faint of heart. Armstrong uses detailed descriptions of the battle between beast and man. Even though many of the monsters in the story are deadly, Rowan respects the monsters because she has been taught to only kill monsters if there is no other choice.

The story is told from Rowan’s point of view, which allows the reader to understand her concern for others. Rowan often acts overconfident; however, in the end she learns the importance of listening to others and working as a team. The know-it-all princess befriends a baby jackalope and their relationship will make readers long for a jackalope of their own. Through her journeys, Rowan learns that no man or beast should be forced to follow another. People should only follow a leader by choice, not by force.

The cute book cover may give readers a false impression. A Royal Guide to Monster Slaying hits on some heavy themes: the importance of family, duty, conservation, indentured servitude, and political ambition. Rowan is kidnapped, almost killed multiple times, and has a face-to-face encounter with a giant spider and a deadly gryphon. The frightening encounters may leave some readers with nightmares. A Royal Guide to Monster Slaying is full of action, danger, and monsters who aren’t afraid to kill humans. The imaginative world is unique, fascinating, and will keep readers turning the pages. Readers who want an excellent adventure will want to follow Rowan as she learns how to become the next Royal Monster Hunter.

Sexual Content

  • Rowan is sneaking through the castle when she hides from a guard and a maid. Rowan listens to their conversation and learns that “she caught him flirting with the maid of a visiting lady. She’s upset, and he’s trying to tell her it meant nothing, and I’m stuck in a window alcove, wishing they’d just kiss and make up. . . Then the guard and maid do make up. And they do kiss. They don’t stop kissing. I don’t watch them, of course. That’s gross. But I can tell they’re kissing by the noises, which are also gross. They kiss and whisper, and whisper and kiss.”

Violence

  • Even though monster fights are illegal, “people still poach jackalopes for their antlers, which they think can be ground up as a cure for infertility.” Rowan finds a baby jackalope, and finds the dead mother. “The mother jackalope lies on the ground, her body riddled with arrow piercings. The killer took only her antlers.”
  • While in the forest at night, Rowan comes across four older kids. Rowan pulls her sword, and one boy “snorts. One of the other boys takes a slingshot form his pocket. The girl draws a knife.” When Rowan doesn’t flee, “a stone strikes my temple. I spin on the boy with the slingshot, and my sword spins, too. The tip of it catches his sleeve, and he yelps as if I’ve stabbed him.” When the kids realize that Rowan is the princess, they run off.
  • When Rowan gets too close to a unicorn, “the beast bites my butt. . .and the jackalope leaps from my head onto Courtois’s neck and sinks his teeth in right below the unicorn’s horn.”
  • The Royal Monster Hunter and her group find a manticore. As they track the monster, Rowan smells “a coppery one that makes me flinch. I can’t be a monster hunter and not recognize the scent of blood.” They find the manticore in a barn and Rowan “can hear it, making horrible ripping and gulping noises as it devours its prey. I can smell it, too, its dank must overpowering the smell of the livestock.”
  • In order to kill the manticore, Rowan’s aunt Jannah jumps on its back. In order to tire the beast, “she rides the manticore until the beast stops bucking and rearing. . . Jannah didn’t hop on the beast’s back for fun. The position just lets her sink in her dagger in exactly the right spot. One hard thrust and the manticore stiffens. Then before it has time to feel more than a flash of pain, it slumps to the ground.” In order to teach others about the beast, Jannah “opens the beast up… notice the size of the heart, the placement of the internal organs.”
  • While inspecting the manticore, a gryphon grabs Rowan in its talons. Rowan’s brother, Rhydd, tries to help, but “the beast holding me strikes at him. Blood flies. The beast lets out another ear-piercing shriek and slams me into the barn floor, talons pinning me there. . . The beak seizes Rhydd and flips him into the air, then lets go. As he falls, the beak grabs him again, this time by one leg. There’s a sickening crunch. . . The beast drops my brother’s leg. Rhydd falls to the floor.” The gryphon takes flight with Rowan in its beak and hunters shoot arrows at it. “An arrow buries into the underside of the beast. Then another and another. . . An arrow slices the fabric of my trousers, and I let out a cry. . . I grit my teeth and wrench it [the arrow] free. Then I stare at the sharp arrowhead, dripping blood.” Rowan keeps slashing at the gryphon, and then she slashes “the foreleg as hard as I can.” The beast drops Rowan and she hits “the ground. Pain slams through me and then. . . Darkness.” The scene takes place over four pages, but the battle continues.
  • When the gryphon lands, “a figure runs from nowhere. She [Jannah] leaps. Her sword slashes at the beast’s rear flank. . .The gryphon wheels on her. Its beak swings her way. . . she swings the sword, but the gryphon’s beak closes around her sword arm. . . The powerful beak closes with the same sickening crunch I heard when it seized Rhydd. Then it throws Jannah. Before it hits the ground, it grabs her again, this time by the leg, just like it did with Rhydd. . . The gryphon has Jannah by the leg. It lashes back and swings her. . . Swings her at a rock. Jannah’s head hits that rock. There is a crunch. . . She’s on the ground, blood streaming from her arm and her leg and her scalp.” Jannah dies. The battle scene is described over eight pages.
  • As Rowan tries to chase a monster away, “something hits my arm and knocks me off balance. As I stumble, I see an arrow lodged in my sleeve.” Rowan drops to the ground, and “I’m leaping up when another arrow whizzes past. It hits the warakin in the shoulder. The beast squeals in rage.” Rowan is able to drive off the warakin before anyone gets hurt.
  • As a pegasus attacks Rowan, the jackalope jumps on her back. The pegasus “flies up with great flaps of her wings, and Jacko clings to her, squealing. She dives, and he tumbles, and I scream. Then he’s dangling from her mane, his claws tangled in it. The pegasus tosses her head, and Jacko goes flying.”
  • Rowan’s companion Warg is a giant wolf. He hunts at night and “when he returns, the blood on his muzzle tells me he’s eaten.”
  • When Rowan tries to give a pegasus a sedative, the pegasus “wheels and rears. One hoof hits that sore shoulder again. I stumble, and I see another hoof coming straight for my head. My arm flies up. Her foreleg is delicate enough that I knock it off course. As I scramble out of the way, she comes at me again. This time, she grabs my tunic in her teeth and whips me off my feet.” Rowan gives the pegasus the sedative and then “she lies there, legs splayed and bent, her head drooping.” Rowan realizes that giving the sedative to the pegasus was wrong. The scene is described over five pages.
  • Rowan comes across an overturned wagon. A couple says their baby is stuck underneath the wagon. When Rowan crawls under the wagon to help, a man “wrenches me by the hair. I try to swing at his face, but there isn’t enough room. I yank out my dagger and slice his arm instead. He snarls. I slash the blade as I back out. Someone grabs my legs. Hands grapple at me from the wagon wreck. . . The young man shoves a sack over my head. I scream under it. Scream and kick and punch. As he hauls me away, my feet tangle, and I fall. He keeps dragging me, the sack cutting into my throat.” Rowan is captured and put in a cage.
  • After Rowan escapes, she watches a boy talk to Alianor. Rowan thinks that the two worked together to capture her, so Rowan hits “him square in the back, and he lands face-first with an oomph. I try to pin him, but he’s twisting, and he manages to get onto his back and throw me aside. That’s when Jacko attacks. He jumps onto Dain’s face and digs his claws in, legs wrapped around Dain’s head. . . Jacko sails from nowhere. He lands on Dain’s lap and sinks his teeth into the boy’s stomach. Dain yelps. . .”
  • While climbing a tree, Rowan disturbs a spider’s nest. Spiders begin dropping onto Rowan and Dain. A spider gets under Dain’s tunic and Rowan tries to “reach up under the fabric and pull out the spider. As I do, he yelps and bats at the back of his tunic. Another lump scuttles underneath. Then Dain yelps louder, in pain now. . .” Rowan discovers that the spiders are jba-fofi. “According to legend, only baby jba-fofi live in trees. The adults are too big for that. They’re the size of dogs, and they build trapdoors on their burrows. When any unsuspecting prey passes, they jump out and drag it in.” Rowan and Dain are able to get out of the tree.
  • As Alianor walks in the forest, “the ground opens, and a giant spider grabs her leg. . . She falls face-first as the spider drags her into its lair. The ground closes and they’re gone.”
  • In order to save Alianor, Rowan crawls into the spider’s lair. She finds “a fawn wrapped in black spider silk. The corpse is desiccated—drained of blood. I shiver as I shift the carcass aside. . . I  continue along. . . This time when I reach down I’m touching a soft-and-hard bundle that I know is wrapped prey. I try to keep going, crawling over the bundles, flinching as the dried bodies crackle within.” Rowan finds the spider, but before she can do anything, the jba-fofi springs. “It’s on me before I can even free my blade. . . The spider’s two front legs wrap around my chest. It pulls me toward its jaws, and Jacko shrieks, leaping on the beast. . . Jacko jumps onto the spider, sinking his fangs onto its back.” To get away from the spider, Rowan starts a fire and “shoves more mummies into the fire, stretching them in a line between us and the jba-fofi.”
  • Rowan searches for Alianor. “Then I see her head, completely wrapped in black webbing. I grab the webbing and pull. It sticks to my fingers and holds fast, refusing to break. With my trembling hand, I pick up my dropped dagger. I feel for her mouth, find it and slice the webbing as carefully as I can. . . I open her mouth. There’s more webbing in there. I yank it out and then press my hands against her chest and . . . Alianor coughs.”
  • As Rowan and Alianor try to escape, “something wraps around my [Rowan’s] leg. As I fight, it pulls hard, and I’m flipped onto my back. . . I kick as hard as I can. The spider squeals. I crawl back on my elbows and knees. I’m flipping over when powerful fangs grip my leg. . .” Dain is able to pull Rowan out of the spider’s lair and the pegasus attacks the spider. The spider scene is described over sixteen pages.
  • Lanslet, a teenager, attacks Rowan hoping to kill her. “He lunges at me. I leap forward to counter, and that isn’t what he expects. Our swords clang. . . My sword strikes his arm. He never even flinches, just draws his sword back and— An arrow hits his shoulder.” One of Rowan’s companions shoots arrows at Lanslet and “Malric hits Lanslet square in the back. The young man goes down with the Warg on top of him. Malric’s teeth sink into Lanslet’s collarbone, ripping away the leather. Lanslet screeches, and running footsteps sound as someone shouts an alarm.” Rowan is able to escape. The fight is described over three pages.
  • A gryphon comes after Rowan and her companions. “Malric charges. The gryphon rears like a horse, its talons flashing, but Malric feints to the side. When the gryphon twists to parry, Malric leaps, teeth sinking into the beast’s foreleg.” Malric pretends to be injured so the gryphon will attack him and the kids are able to hide in a cave.
  • Malric tries to sneak past the gryphon. Malric is “crouching to jump when the gryphon grabs him around his neck. . . The gryphon throws Malric. Warg hits the cavern wall, and that crunch rings out. That terrible crunch I will never forget—the one I heard when the gryphon pitched my aunt head-first into a rock.” Malric is injured. “Inside the cavern, the gryphon stomps about, shrieking in rage. That’s all I see. The gryphon. . . and a blood-smeared wall.”
  • Dain soaks arrowheads in a sedative and shoots them at the gryphon. “The gryphon lunged. Dain dives to the side. The gryphon’s beak snaps. It catches Dain’s bare foot. He drops the arrow as he falls clear of the beast and rolls across the cavern floor. . . As the beast turns, I see the angry red scabs on the foreleg I injured a week ago. I swing my sword right at the same spot. The blade slices in. The beast lets out a terrible screech of pain and rage.” The beast succumbs to the sedative and goes unconscious. The scene with the gryphon is described on and off for thirty-six pages. No one is seriously injured.

Drugs and Alcohol

  • Someone has to taste the queen’s food and drink to make sure it is not poisoned.
  • Rowan gets angry that the pegasus isn’t friendly, so she gives her a sedative.
  • In order to capture Rowan, her captors drugged Warg.

Language

  • Rowan thinks unicorns are “jerks.”

Supernatural

  • None

Spiritual Content

  • Rowan’s father wrote an inscription on the inside of a book that he gave her as a gift. As she reads the message, Rowan misses her father, but thinks, “he’s watching from the others side, and he’s there every time I add a new page or a new fact or a new sketch.”

Dream a Little Dream

Liv is used to strange and new things. For all of her life, she has bounced from city to city as she moved from one place to another. This time she and her sister, Mia, are packing up their belongings for England because their mother has garnered a teaching position at Oxford University. Little does she know that this move will be the strangest yet.

Liv finds herself thrust into a world of gossipy blogs, a rich new family, and vivid dreams that make her question her reality. She soon finds herself entangled in bizarre dreams in which she is led to the most popular boys in school, one of which is her new “brother.”  Before she can even adjust to her new life, she is swept away into deals with a demon to free the boys from a terrible fate. Liv’s curious mind drives her closer to the heart of the mystery of the dreams as she searches for the truth underneath all of the madness.

Dream a Little Dream is an entertaining and suspenseful novel that leaves readers on the edge of their seats as they wonder what will happen next. Many of the characters are introduced at the same time, which causes confusion.  However, the story has a creative and engaging premise that is very enjoyable. The reader is able to discover this new world along with Liv and relate to her confusion, fear, and curiosity. The book has a surprising plot twist that adds to the enjoyment of the novel, but what follows that event leaves much to be desired. The attempt to leave room for a sequel ruins the ending and causes the reader to be confused rather than curious about the next installment in the series. Additionally, the novel describes how characters conduct rituals to make deals with a demon, which may be concerning to some parents.

Sexual Content

  • Liv’s mom has a relationship with an English lawyer, who makes her happy. They are described as kissing a few times, but nothing more than that.
  • Florence is described as having, “voluptuous breasts.”
  • The school blog wrote about sports and said, “Aesthetically speaking, those sloppy shirts they wear are the worst (even polo kit has more sex appeal), but all the same I don’t object to the sweaty sight of our four musketeers.”
  • In one of the “dreams”, Henry and Liv hold hands. They also discuss kissing, but only briefly.
  • In reference to Jasper’s dreams, “Most of the people in his dreams are stark naked.”
  • Liv’s mom talks about how when she was fifteen, she “was sitting up at night writing poetry. I was unhappily in love. . . At that age you fall in love with someone else every three weeks.”
  • Liv tells Anabel that she looks like Botticelli’s Venus, to which she responds, “Yes, but only when I’m standing around in a seashell with no clothes on.”
  • Anabel says that Arthur is the great love of her life and that, “it was like a tsunami rolling over us. I knew we were meant for each other, I knew he was the man I’d been waiting for all my life.”
  • Mia and Liv jokingly say that they have an “Operation Marrying Off Lottie” in which they will find their au pair a soulmate so she’ll have something to do when they don’t need her anymore.
  • Grayson and his girlfriend Emily kiss at a party intensely to the point which Liv thinks that it is, “kind of embarrassing to watch.”
  • Liv and her friends walk into a cinema and find a couple in the top row of seats in the dark. The man “began frantically adjusting his clothes . . . he came storming down the steps, his shirt still unbuttoned.” When the woman comes down, Arthur says, “How nice to see you again, Mrs. Kelly . . . and give your husband my regards if he happens to be at the party too.”
  • The four boys repeatedly ask Liv if she is a virgin. It is later revealed that she is.
  • Anabel breaks the rules of the game by having sex. She then has to forfeit and her dog is killed by the demon. It is later revealed that she killed her own dog with poison in order to trick the boys.
  • In the dream world, Henry and Liv kiss several times. They are not described in detail, but are usually described as “soft kisses.”
  • A gossipy girl talks about Arthur and says, “I get goosebumps whenever I set eyes on him. But Henry Harper is totally sweet too. And sexy.”
  • Henry and Liv make out during her sixteenth birthday party. “For a few seconds I forgot to breathe, then I felt my arms rising and going around his neck of their own accord to draw him closer. We weren’t kissing cautiously now, but much more intensely.” They all so make out during a school dance. “I’ve no idea how he did it, but when he kissed me nothing else mattered.”

Violence

  • When Liv went to a middle school in Berkeley, California, a girl gang, “had threatened to force my head into a toilet.” They later actually do shove her head into a toilet and it is described in detail in one of Liv’s dreams. These bullies also say that they squash people’s hands in doors.
  • In a dream, Henry sees his old cat. “He looked just the way he was when I last saw him: all-over blood and with his guts coming out . . .”
  • In one of her first vivid dreams, Liv repeatedly hopes that Lottie won’t show up with a hatchet.
  • In a nightmare, there is a group of enraged basketball fans. Liv says, “It sounds like they are going to kill him any moment now!” The mob begins to chant, “Burn him now, burn the traitor. Burn him now, not a day later!”
  • Liv jokingly remarks about London and says, “Street gangs indulging in shoot-outs the whole time, sex fiends lurking in front gardens, and isn’t that Jack the Ripper just coming around the corner.”
  • During a ritual, Liv, Grayson, Arthur, Jasper, and Henry all take turns cutting their hand with a hunting knife and dribbling their blood into a Chalice full of red wine. This scene is described in detail over several pages.
  • Liv has many dreams about Hamlet after she sees the play, and in these dreams, there are references to the stabbings and deaths of many of the Shakespearean characters.
  • During her sixteenth birthday party, Liv requests that Mia stop her from looking like a “lovelorn sheep” in any way that she can. Mia decides to distract her anytime she looks at Henry in that manner. “I was black and blue around the ribs and had been hit by assorted flying objects: several chestnuts, a spoon, and a blueberry muffin.”
  • Arthur intends on offering Anabel as a human sacrifice in the dream world in order to satisfy the demon. This never happens, but later in the novel, Anabel captures Liv with the intention of killing her as a virginal sacrifice to the demon.
  • When Liv tries to stop what she thinks is the sacrifice of Anabel, she “swung up my right foot and caught him just under the chin as I jumped. Still in the air, I turned at an angle of 280 degrees, and when I landed, my left forearm caught him in the stomach.”
  • An iron torch holder falls on Liv and she blacks out. Following the incident, she has to get several stitches.

Drugs and Alcohol

  • At the airport, Liv is stopped for suspicion of drug smuggling because a drug dog smells something in her backpack. It is just German cheese with a strong odor, but the ordeal causes Liv a lot of embarrassment.
  • On several occasions, Jasper helps himself to some of his mother’s sleeping pills in order to remain in the dream world longer.
  • Liv’s mom is accused of smoking pot when she was fifteen, but she defends herself by saying, “Nonsense. I never smoked pot until I went to college.”
  • Grayson tries to deter Liv from going to a party by telling her mother, “These parties are rather wild. I mean there’s a lot of alcohol flowing, and what with Liv being only fifteen.”
  • Liv describes Arthur’s house as looking like “a private clinic for the drug-addicted kids of millionaires.”
  • Jasper makes drinks that contain large amounts of alcohol during an important scene that lasts several pages. He is also later described as “tipsy.”
  • During a party, Arthur drinks gin straight from a bottle.
  • The British teens that Liv meets tell stories of when they were drunk on Halloween.
  • In one of Anabel’s dreams, Arthur walks toward her heroically while carrying a bottle of wine.
  • A drunk truck driver killed one of Anabel’s ex-boyfriends. The accident is not described.
  • At the school dance, Jasper “had somehow managed to get tipsy, although there were no alcoholic drinks.”
  • Anabel and Arthur leave the school dance under the guise that she is terribly drunk. They are actually setting a trap to lure Liv, so Anabel can kill her for the virginal sacrifice.
  • At the conclusion of the novel, Anabel is “lying in a hospital bed in Surrey, stuffed full of mind bending drugs and tied down.”

Language

  • Profanity is used frequently throughout the novel, including hell, bloody hell, shit, and damn.
  • “God,” “my God,” “thank God,” and “oh my God” are used frequently as swear words.
  • Grayson is described as a “stupid show-off” and later as an “idiot.”
  • Mia thinks that her aunts named Gertrude and Virginia have “shitty names.”
  • Liv strongly dislikes Persephone and says that she, “follows me around everywhere, talking to me the whole darn time!”
  • A character is called a “midget.”

 

Supernatural

  • During a ritual, Liv, Grayson, Arthur, Jasper, and Henry all take turns cutting their hand with a hunting knife and dribbling their blood into a Chalice full of red wine. This scene is described in detail over several pages.
  • Liv does not believe in “unlucky numbers any more than I believed in horoscopes, or four leaf clovers and chimney sweeps that brought you luck.”
  • The main characters of the novel conjure a demon and in return for freeing him, have immeasurable power and their dearest wish granted. “If you followed the rituals in this book, Anabel claimed, you could conjure up an ancient demon from the underworld, a demon that could help you gain immeasurable power and grant your dearest wishes.” Their immeasurable power is in the form of dreams in which they can control what happens with a simple thought and enter the dreams of others to learn their deepest secrets and desires.
  • The initial approach to conjuring the demon was not serious. “Conjuring up a demon on Halloween . . . It was fun . . . it seemed to me as harmless as telling your fortune by reading tea leaves. No one expects the tea leaves to develop an independent life of their own and come tormenting you in your dreams by night. Or go about murdering dogs.”
  • When Liv wakes up from a horrific nightmare, her family comes running to make sure that she is okay. Florence asks her, “Did you see a ghost?”

Spiritual Content

  • To upset Florence, Liv makes sarcastic suggestions as to the horrible things that she and her family might be. She says they are, “hopelessly disorganized, or a kleptomaniac, a Republican, a Jehovah’s witness, or anything.”
  • The demon that the group conjures is the “Lord of Shadows and Darkness.” Anabel believes that he is all-powerful and dedicates herself to him like a god. This devotion stems from a time period in her youth when she and her mother were a part of a satanic cult.

          by Morgan Filgas

 

Polaris

During the 1830s, the Polaris sets sail on a scientific mission to the Amazon jungle. The crew is excited to bring back new discoveries, but when the landing party returns, only half are alive. After an argument, the crew loads a chest into the bowels of the ship. After they begin their trip home, a bloody mutiny leaves most of the adult crew dead. Those who live, flee the ship, leaving six children—none of whom are older than twelve. The captain’s 12-year-old nephew Owen, a botanist’s assistant, and other deckhands struggle for survival. Soon they realize that the sea isn’t their only worry. Something else is lurking below deck, and it’s growing.

From the first page, Polaris will capture reader’s attention and they will not want to put the book down. With just the right mix of suspense and action, Polaris makes the fight for survival come to life. Full of realistic detail and nautical facts, readers will be pulled into the frightening atmosphere of Polaris. The story is appropriate for younger readers with tame battle scenes. This fast-paced story has well-developed characters that show the importance of working together despite the fact that they do not like each other. With a diverse cast of characters, an engaging plotline, and an epic battle scene, Polaris will not disappoint those looking for an excellent horror story. But be warned, the creepy creature may make its way into the nightmares of readers.

Sexual Content

  • None

Violence

  • A character thinks about a boy, who “had blown up trying to carry two cartridges (of gun powder) at once.”
  • A mutiny begins among the adult crew. The children listen to the fighting through a locked door and hear gunshots as well as someone being thrown into the sea. Then the boys hear, “three shots rang out in quick succession—the officer’s pistols. Shrieks of pain mixed with the shouts of rage, telling Owen that the rest of the work would be done with blades and hands.”
  • Owen shoots the creature. “Owen heard a quick sound behind him—tik-taclik! —like metal on bone.” Then, the boys pour boiling water on him. When the creature flees, someone stabs it with a spear.
  • When the creature snatches one of the boys, someone shoots the creature. “Per-KRACK went the pistol. A flash of flame and a billowing plume of smoke shot forth.”
  • A boy hits Owen over the head with a hatchet. Owen is not seriously injured.
  • When the creature tries to snatch another person, there is a fight that takes place over several pages. When someone shoots it, “the lead ball ricocheted off the thick armor plating of its thorax.” When Owen throws the pistol at it, “the butt of the pistol smacked heavily into what had been Obed’s forehead. The creature staggered backwards. . .” No one is injured.
  • The creature attacks the boys. The battle takes place over several chapters. During the battle, “A dark red rat-like creature emerged from the hatch, then a second, and then they all began to pour out. One dozen, two dozen.” The kids rig a device to blow up the ship after they have jumped off.

Drugs and Alcohol

  • Owen thinks about his uncle and father. “His uncle had taken him in after his mother’s death and his father’s descent into sorrow—and the bottle.”

Language

  • When the crewmembers discuss being infected with spores, someone thinks, “Oh God. . . What if it’s me?”

Supernatural

  • The children believe the ghost of Obed Macy is haunting the lower deck of the ship. They discuss if a Bible and cross will ward off the ghost.

Spiritual Content

  • During a storm, a character begins “the Lord’s prayer.”
  • A character prays, “Lord help us all.”

 

The Hidden Oracle

There is no way to punish an immortal god, right? That is what almighty Apollo, god of the sun, thought, but he is quickly proven wrong as his father, Zeus, casts him down to the mortal world as a powerless, friendless, and—even worse—ugly sixteen-year-old boy named Lester Papadopoulos. As if it can’t get any worse, Apollo (now Lester) can’t even remember how he incurred Zeus’s mighty wrath.

With nowhere and no one to turn to, Apollo lays his trust in a runty twelve-year-old girl named Meg and the teenage demigods that reside in Camp Half-Blood. There he seeks help from the campers, including some of his own children, and begins to discover disturbing secrets that may endanger those he grows close to.

Fast-paced and witty, The Hidden Oracle is a humorous read for younger and older readers alike. Fans of Percy Jackson and the Olympians and Heroes of Olympus series will rejoice as Riordan once again paints a world of mystery and mythology that enthralls readers. However, the book touches on sensitive topics such as sexuality and battle violence that may be of concern for some parents. Nevertheless, it is an entertaining novel that is well worth the read.

Sexual Content

  • Apollo mentions his hope that Meg does not develop a crush on Percy Jackson.
  • Apollo has two loves of his life that he mentions several times throughout the novel. Both of his relationships ended in tragedy. One of his loves was Hyacinthus, a strong hero who happened to be a man. The other love was Daphne, whom he dreams of and describes as having, “those lips I had never kissed but never stopped dreaming of.” Due to losing these loves, he swears off marriage as others “had never possessed my heart” as his true loves once had.
  • Apollo encounters some of his demigod children at camp Half-Blood. When he meets each of them, he remembers the romantic relationships that he had with their parents. “To my teenage self, our romance felt like something that I’d watched in a movie a long time ago—a movie my parents wouldn’t have allowed me to see.”
  • Apollo is embarrassed by the attention of some female campers, and he says, “My face burned. Me—the manly paragon of romance—reduced to a gawky, inexperienced boy!”
  • Nico di Angelo and Apollo’s son, Will Solace, are dating. Apollo has no problems with their relationship because he has had “thirty-three mortal girlfriends and eleven mortal boyfriends? I’ve lost count.”
  • Apollo once created a child with another man.
  • Apollo “accidentally saw Ares naked in the gymnasium.”
  • One of Apollo’s former girlfriends, Cyrene, got together with Ares to get revenge on Apollo.
  • Apollo argues that gods are almost always “depicted as nude, because we are flawless beings. Why would you ever cover up perfection?”

Violence

  • When Apollo crashes on Earth, a group of hoodlums beat him up. “My ribs throbbed. My stomach clenched . . . I toppled out and landed on my shoulder, which made a cracking sound against the asphalt.” His opponents pull out a knife, but it is not used. One of the boys “kicked me in the back. I fell on my divine face. . . I curled into a ball, trying to protect my ribs and head. The pain was intolerable. I retched and shuddered. I blacked out and came to, my vision swimming with red splotches.”
  • A lightning wielding cyclops kills one of Apollo’s sons. The death is not described.
  • Percy, Meg, and Apollo get into a car crash in which their car is totaled. No one is seriously injured.
  • A mythical grain spirit called a karpoi bites the head of a nosos clean off in one chomp.
  • Meg slaps Apollo’s face to wake him from a dangerous trance. He promptly vomits afterward.
  • Meg “poked Connor Stoll in the eyes and kicked Sherman Yang in the crotch.”
  • There is a famous story about Apollo in which he slays the mighty monster Python. He “killed Python without breaking a sweat. I flew into the mouth of the cave, called him out, unleashed an arrow, and BOOM!”
  • There is a legend about Apollo “skinning the satyr Marsyas alive after he challenged me to a music contest.”
  • After a dangerous camp activity, “Chiara had a mild concussion. Billie Ng had come down with a case of Irish step dancing. Holly and Laurel needed pieces of shrapnel removed from their backs, thanks to a close encounter with an exploding chainsaw Frisbee.”
  • Two satyrs die attempting to retrieve and bring the Oracle of Delphi back to Camp Half-Blood. Their deaths are not described.
  • Apollo wishes that he could have “picked a nice group of heroes and sent them to their deaths.”
  • Apollo and Meg battle killer ants who attack in groups, snap through Celestial bronze, and spit acid. “Meg’s swords whirled in golden arcs of destruction, lopping off leg segments, slicing antennae.”
  • The pair meet a geyser god that suggests that they do not jump in his water unless they “fancy boiling to death in a pit of scalding water.”
  • A man almost stabs himself to obey the orders of his master, Emperor Nero.
  • Apollo attempts to fight Nero and “let out a guttural howl and charged the emperor, intending to wring his hairy excuse for a neck.” Later, he fights one of the emperor’s bodyguards and “spun Vince like a discus, tossing him skyward with such force that he punched a Germanus-shaped hole in the tree canopy and sailed out of sight.”
  • There is a large battle near the conclusion of the novel in which many characters fight a giant mechanical statue. It is described over several chapters and many are hurt in the process, but the ending is victorious for the heroes.
  • Nyssa slaps Leo in the face because he was missing for several months.

Drugs and Alcohol

  • Ambrosia is the food of the gods and their immortal bodies allow them to eat it as their normal food. Demigods eat ambrosia if they are sick or injured because it instantly heals them. However, if mortals attempt to eat it, they burn up inside and possibly combust.

Language

  • “Crud” and “darned” are each used once.
  • Meg tells Apollo that he has landed in Hell’s kitchen and he thinks, “It seemed wrong for a child to say Hell’s Kitchen.”
  • Apollo is dragged across a river, “scolding and cursing.”
  • Many demigods mutter ancient Greek curses when they are angry.
  • A demigod calls a friend, “Idiota,” when she does something wrong.
  • Many characters use the expressions, “thank the gods!” and “oh, gods.”
  • Percy “yelped a curse that would have made any Phoenician sailor proud.”

Supernatural

  • Most of the characters are demigods and have magical powers that they have inherited from their godly parent. For instance, Meg can control elements of nature (plants, soil, grain spirits, etc.) because her mother is Demeter, the goddess of agriculture.
  • Many Greek mythological creatures and monsters appear in the story.
  • Nico, the son of Hades, uses his powers to sit with his boyfriend by saying that the “zombies stay away” if he is seated near him.
  • It is mentioned that Leo died and then came back to life. The details of this event are found in one of Riordan’s previous books.
  • When a demigod is claimed at Camp Half-Blood, a glowing symbol appears above their head to show their parentage.  This happens to Meg during the campfire ceremony.
  • Some trees in the woods of Camp Half-Blood are the ancient Grove in Dodona, which is a powerful force that whispers prophecies. Finding this grove is the catalyst for the majority of the novel’s plot. The wood from these trees was used for the mast of the Argo, which could “speak to the Argonauts and give them guidance.”
  • Meg tells Apollo about a looming threat to which he responds, “I had been hoping she would say something else: giants, Titans, ancient killing machines, aliens.”
  • Magical creatures emerge from the woods to aid Apollo in his quest to stop the evil Emperor Nero. “The shimmering forms of dryads emerged from their trees—a legion of Daphne’s in green gossamer dresses . . . They raised their arms and the earth erupted at their feet.”

Spiritual Content

  • In this book, the Greek gods are real and have a presence in the world. All of the legends about them are true, and they are immortal. The main character is a god who has been turned mortal.
  • The source of the gods’ powers is their presence in the minds of humankind, and if they are forgotten they will eventually fade. “Gods know about fading. They know about being forgotten over the centuries. The idea of ceasing to exist altogether terrifies us.”
  • It is discussed how in ancient Greece, priests tended and cared for the sacred Grove of Dodona.
  • When the character of evil Emperor Nero is introduced, Christians are mentioned as being scapegoated by him. In response to these accusations, he says, “But the Christians were terrorists, you see. Perhaps they didn’t start the fire, but they were causing all sorts of trouble.” A terrifying event is then mentioned in which Nero had “strung up Christians all over his backyard and burned them to illuminate his garden party.”

by Morgan Filgas

 

The Locker Ate Lucy!

As hall monitor, Sam Graves is supposed to keep the kids of Eerie Elementary safe. Sam and his friends, Lucy and Antonio, know the school is alive, but they’re not prepared for how scary the school can be. When a locker eats Lucy, it’s up to Sam and Antonio to save her. Will they be able to save Lucy before they become Eerie Elementary’s lunch?

The next installment in the Eerie Elementary series, The Locker Ate Lucy, will continue to captivate readers because of its spooky, action-packed fun. Many of the pages end with cliffhangers that will make the reader want to continue reading. Black-and-white illustrations and onomatopoeia help create the story’s tone. The book contains simple sentence structures and a straightforward plot.

The easy-to-follow plot is entertaining and appropriate for newly independent readers. However, The Locker Ate Lucy will be enjoyed by older readers as well. Those who enjoy the Notebook of Doom series will want to jump into the world of Eerie Elementary. Readers will enjoy seeing the friends work together and come up with creative ways to escape. The story ends with discussion questions that add to the learning value of the book.

Sexual Content

  • None

Violence

  • When a locker eats Lucy, Jack and Antonio go into a vent to search for her. In order to stop them, “the vent squeezed tighter, closing around them! It pressed against Sam’s shoulders. It pressed against his legs.” They escape when the vent comes to an end.
  • A lunch cart tried to make Sam and Antonio its lunch. “CLICK CLACK! The lid snapped like a mouth as it rolled toward them. . . Then just as it was about to hit them, the boys jumped out of the way.”
  • Everything in the basement comes to life. A dodge ball, a Frisbee, and “roller skates that shot toward his legs like cannonballs” fly towards Sam and Antonio. When they try to run, “something long that looked like a spear was headed for Antonio. A whiffle ball bat.”
  • A “maze of rusty old pipes” are alive and have Lucy, who is “suspended in midair, hanging upside down. One of the pipes was wrapped around her ankle.”
  • When Sam and Antonio free Lucy, the school tries to drown them. “Water bubbled up through the crack in the floor. It was rising fast.” The friends are able to escape.
  • Sam ends up alone in the cafeteria. As he was hanging from a curtain, “the water on the lunchroom floor began rising. It was taking shape. It was becoming something. . . The water was taking the form of a giant hand.” The hand tears the curtain that Sam is hanging on, but Sam comes up with a plan to save himself.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • “Orson Eerie was a mad scientist. He was also the architect who designed Eerie Elementary almost one hundred years ago. Orson Eerie found a way to live forever—he became the school. Orson Eerie was the school, and the school was Orson Eerie! Eerie Elementary was a living, breathing thing that fed on students.”

Spiritual Content

  • None

The Wrath of Mulgarath

In the fifth and final installment of the Spiderwick Chronicles, the Grace children must battle Mulgarath’s goblin army to save their mother and reclaim the Field Guide. With the help of Thimbletack, Hogsqueal, and Byron, the Grace children attempt to sneak up on Mulgarath’s goblin army. Can the small group defeat a fierce army of goblins and Mulgarath? Are the children doomed to lose everything they hold dear?

All of the characters and creatures come together in a satisfying conclusion. The griffin, Thimbletack, and Hogsqueal unite to help the Grace children rescue their mother and defeat Mulgarath. Book five of the series is darker and has some potentially disturbing descriptions. Although the final battle ends with a satisfying surprise, reading descriptions of Mulgarath’s evil deeds may disturb younger readers. In an attempt to trick the children, Mulgarath shapeshifts to appear like their father. Jared is able to see through Mulgarath’s trick and, in the end, saves his family from Mulgarath’s wrath.

Like the previous books, the Grace Children work together and come to one another’s aid when needed. When Jared’s mother finally learns the truth about Jared’s strange behavior, there is a heartwarming apology. The ending doesn’t ignore the natural consequences of Jared’s bad behavior but ends with the hopeful possibility that life will be better. In the end, Aunt Lucinda moves in with the Grace family and there is peace between the children, Thimbletack, and the family cat. When the exciting series comes to an end, the readers will be left with a smile and characters that they will remember for a long time to come.

 Sexual Content

  • None

Violence

  • Mulgarath kidnaps the Grace children’s mother. When the children find her, she is in “one corner, bound, gagged, and unconscious.”
  • Goblins attacked Thimbletack. The fight is not described, but Jared finds Thimbletack, who “had a long, raw scratch on his shoulder and that his hat was missing.” He also had a black eye.
  • A griffin grabs a hobgoblin by the arm. “The griffin shook his head, whipping Hogsqueal back and forth.” Simon hit the griffin, “Hard on the beak with his hand,” hoping to get the griffin to let go of Hogsqueal.”
  • Thimbletack threatens a hobgoblin saying, “No. We’ll set rats to nibble off your toes, poke out your eyes, and put them up your nose. Your fingers we’ll remove with dull scissors, and we’ll wait until your confidence withers.”
  • Goblins attack the Grace children. The battle is described over three pages. During the fight, two goblins, “Grabbed hold of his (Jared’s) legs and toppled him into the dirt.” Mallory uses her swords to chase them away. One goblin “Jumped on her back, biting her shoulder.” The griffin appears and the children are able to escape.
  • While Simon is riding the griffin, a dragon attacks. “The dragon twisted, teeth sinking into Byron’s feathered and furred body. . .” Simon falls off the griffin, injuring his arm. In order to distract the dragon, Simon, “who had never killed anything. . . stepped on the head of one of the baby dragons, crushing in into a smear under his shoe. It squealed. Dragon blood stained the ground and melted the edge of Simon’s heel.” The fight ends with Byron, “Plunging his beak into the creature’s neck, he rent it wide. The dragon went limp in Byron’s claws.” The action is described over seven pages.
  • Mulgarath put fairies in honey. Simon tries to help, “but the honey was heavy and clung to their thick wings, tearing them. The sprites squealed as he set each one down on the table in a sticky, sodden heap. One was completely still and lay there limply, like a doll.”
  • Mulgarath kicks Thimbletack. “The ogre kicked the brownie, his giant foot tossing Thimbletack across the room, where Thimbletack landed like a crumpled glove beside Mrs. Grace.”
  • The story ends with an epic battle between the Grace children and Mulgarath, which is told over several chapters. At one point, Jared stabs Mulgarath in the foot with a sword. The battle ends with a funny surprise.

Drugs and Alcohol

  • None

Language

  • When Simon hits the griffin, his sister yells, “Oh Crap, don’t do that!”
  • Hogsqueal calls the Grace names such as “beetle-guts”, “lump-meat,” and “chatter-basket.”
  • Jared says, “I want Dad to be less of a jerk . . .”
  • “Oh my god,” is used as an exclamation once.
  • Mallory calls Jared an “idiot.”

Supernatural

  • Goblins, Frey, griffins, and other creatures exist. These creatures have different magical abilities.
  • Mulgarath is raising dragons. The dragons have “hundreds of teeth, thin as needles.” When a person touches a dragon, their skin burns.”
  • Mulgarath is able to change shapes. In order to trick the children, he changes, making himself look like their father. “As Jared looked up into the familiar hazel eyes of his father, they started to turn pale yellow. His father’s body elongated, filling out, becoming a mammoth shape clad in the tattered remains of ancient finery. His hands became claws, and his dark hair twined together into branches.”
  • The children meet their great-great-uncle Arthur Spiderwick, who the elves kept captive. Arthur meets his aged daughter. When Arthur goes to hug his daughter, his “foot touched the ground, his body turned to dust and then smoke.”

Spiritual Content

  • None

The Ironwood Tree

The entire faerie world wants Spiderwick’s Guide. Even if the Grace Children wanted to give the book away, they couldn’t because Thimbletack has hidden the guide. When Mallory disappears, Simon and Jared go in search of their sister. When the boys search the old abandoned quarry, dwarves imprison them. Is there any way for them to escape and save their sister?

Thimbletack and the griffin do not appear in the story, but new creatures are added. Although the story is entertaining, and suspenseful, some readers may wish that the different faerie creatures were incorporated into all of the books. Humor is added when neither Jared nor Simon wish to enter the girls restroom to look for Mallory. The ending takes a dark turn, and the unexpected killing of dwarves may disturb younger readers.

In the fourth installment of The Spiderwick Chronicles, Jared continues to struggle with anger and his mother’s misperception of him. Although Jared is trying to protect his family, he often falls into trouble. Jared worries that his mother will try to send him to live with his father, but his father won’t want him.

One of the best aspects of the series is the relationship between Jared and his siblings. Their realistic sibling relationship shows how each one has unique talents that can be used to defeat the faerie creatures. Although readers will be entertained by the faerie creatures, they will continue to read because they want to know what happens to the Grace children. Is there any way they can survive when the next faerie creatures come after them? The only way to find out is to pick up the fifth and last installment of the series.

Sexual Content

  • Mallory has a crush on a boy. To tease her, Simon sings, “Chris and Mallory sitting in a tree, K-I-S-S-I-N-G.”

Violence

  • A shape-shifting creature appears looking like Jared. When the creature confronts Jared, Jared “pointed a knife at his double.”
  • Dwarfs kidnap Mallory and put her in a magical box that makes her like Sleeping Beauty. A dwarf tells the boys, “Out of this case she would be doomed to age, death, and decay—the curse of all mortals.”
  • Mechanical dogs chase the children. The children climb up a tree to avoid the dogs, but one of the dog’s “teeth caught hold of the end of her white dress and ripped it. The other dogs swarmed close, tearing the cloth.” Simon comes up with a way to get away from the dogs.
  • When Mulgarath discovers that the goblins do not have Spiderwick’s Guide, he orders the death of the dwarves. “The goblins bit, clawed, and slashed until not a single dwarf was left standing. Jared felt sick and numb. He had never seen anything be killed before. Looking down, he felt like he might throw up.”

Drugs and Alcohol

  • None

Language

  • Mallory says, “Oh crap,” once.

Supernatural

  • A shape-shifting creature appears in the story. The creature makes himself look like Jared and other people. The creature’s body, “shrank, its dark hair paled into a sandy brown, and its now blue eyes went wide with terror.”
  • Dwarves live in an abandoned quarry. They have “skin as gray as stone.” The dwarves carve trees and animals out of metal. The animals are alive but must be wound up with a key.
  • A creature appears and helps the children escape. Jared thinks it is a “nodder or a banger.” The creature listens to the stones, which allows him to help the children.
  • Mulgarath is an ogre, “a massive monster with dead branches for hair.” The goblins are serving Mulgarath.

Spiritual Content

  • None

 

Lucinda’s Secret

The Grace children are surrounded by problems. Thimbletack wants revenge. A hungry griffin is hiding in the carriage house. Creatures will stop at nothing to get Arthur’s Field Guide. Giving up the Field Guide isn’t an option, so the children go to see their Aunt Lucinda. But the more they learn about the fantastical world around them, the more they are convinced that the only way to stay safe is to discover more about the creatures who want to silence them.

Lucinda’s Secret takes the reader into the past and begins to answer the question: Why do the fairies want the Field Guide? The third installment of The Spiderwick Chronicles has several scenes that may scare younger readers. The children go to visit their Aunt Lucinda in an asylum, and they see several patients in straight jackets and a man “in a bathrobe giggled over an upside-down book.” Lucinda’s story of monsters that attacked her at night may also frighten readers.

Readers will be able to relate to the realistic sibling relationships. Even though the children work together and care about each other, they still squabble, fight, and disagree. Because the siblings often have conflict, the scenes when they work together are even more enjoyable. The story shows how relationships are always changing and that people can love each other and still disagree.

The introduction of new characters and new creatures adds interest to Lucinda’s Secret. Book three focuses on advancing the plot and giving important background information. However, this book also has less action than the first two books and readers will miss Thimbletack and the griffin, who do not appear in the story. The introduction of elves and a glimpse into the elves’ world adds a new, interesting element. Readers will want to continue the series to find out how the elves and Lucinda’s secret are connected.

Sexual Content

  • None

Violence

  • When Aunt Lucinda was younger, monsters came looking for her father’s book. She shows the children her scars and says, “Late one night the monsters came. Little green things with horrible teeth held me down, while a giant one questioned me. I struggled, and their claws scraped my arms and legs . . . Before that night, my back was straight. Ever since, I have walked hunched over.”
  • When Mallory touches a unicorn, she sees a vision of people hunting. As the unicorn runs, “arrows fly, burying themselves in white flesh. The unicorn bellows and goes down in a cloud of leaves. Dog teeth rip skin. A man with a knife hacks the horn from the head while the unicorn is still moving.”
  • Elves capture Jared. With the wave of an elf hand, “dirty, hairy roots climbed Jared’s legs and held him.”

Drugs and Alcohol

  • None

Language

  • “Crappy” is used once. “Crap” is used three times.
  • When Jared talks about his dad leaving to take a new job, Mallory says, “You can’t really believe that load of crap.”
  • The Phooka tells the children he is “an ass or perhaps merely a sprite.”

Supernatural

  • Sprites visit Aunt Lucinda. They are “creatures the size of walnuts, whirling in on iridescent wings. They alighted on the old woman, tangling in her white hair and crawling up the headboard.”
  • Sprites gave Aunt Lucinda fruit, and when she ate it, “it tasted better than any food I’d ever imagined. . . After that, human food—normal food—was like sawdust and ashes. I couldn’t make myself eat it.” She now must rely on the sprites to feed her.
  • The children learn that wearing their clothes inside out will allow them to find the elf world. The children meet the green-skinned elves.
  • The children meet a Phooka, who speaks in riddles. The Phooka “had the body of a monkey with short, blackish brown speckled fur and a long tail that curled around the branch on which it sat.” The Phooka has a face that looks like a rabbit “with long ears and whiskers.”
  • When Mallory touches a unicorn, she sees a vision.

Spiritual Content

  • None

 

The Seeing Stone

The mysterious field guide that their long-lost great-great-uncle Arthur Spiderwick wrote is wreaking havoc on the Grace children’s lives. In an attempt to get the book, goblins kidnap Simon and his cat.  It’s up to Jared and Mallory to track down the goblins, save Simon, and make it out of the woods alive. Can Jared and Mallory save Simon before it’s too late?

Full of suspense, The Seeing Stone is more intense than the first story in the series. At the beginning of the story, the goblins are invisible to the Grace children. The fact that invisible goblins are able to kidnap Simon, put him in a cage, and may possibly want to eat him may scare younger readers. Despite the danger, Jared and Mallory learn to work together as they search for their brother. They use creative problem-solving skills to rescue Simon.

In The Field Guide, Jared is angry and only concerned about himself, but in the second book, he shows growth and proves that he is more than a troublemaker. The children learn that they must trust and rely on each other in order to defeat the goblins. Readers will relate to the realistic siblings’ relationship and the children’s struggle to get along. Although the mother cares about her children, she clearly struggles in her new role as a single parent.

Even though the children realize danger still lurks outside their home, they choose to lie to their mother because they do not think she will believe that goblins, trolls, fairies, and other creatures exist. As the children learn more about the mythical world around them, they meet Hogsqueal, a hobgoblin, who has a hilarious vocabulary and proves that not every creature is evil. When readers finish The Seeing Stone, they will want to pick up the next book in the series. The fast-paced story will end all too quickly, so you will want to have Lucinda’s Secret waiting on the shelf.

Sexual Content

  • None

Violence

  • Goblins kidnap Simon and his cat; then the goblins attack Jared and Mallory. When a goblin grabs Jared by his shirt, “he went down on his stomach in the grass. . .” Mallory tries to help Jared and “he saw Mallory’s arm jerk and heard her cry out. Red lines appeared where nails scraped her.” Mallory is able to chase the goblins off when she hits them with her rapier. The attack scene takes place over six pages but is not told in gory detail.
  • A troll tries to grab Mallory, but he is burned by sunlight and she is able to escape.
  • The goblins attack a wounded griffin. When the goblins circle the griffin, “the animal couldn’t seem to raise itself very far off the ground, but it could snap at the goblins if they got too close. Then the creature’s hawk beak connected, scissoring off the goblin arm.” Simon and his siblings save the griffin.
  • When the goblins chase after the children, they make a deal with the troll to lead the goblins to him. The troll hides in the river, and when the goblins enter, “the troll grabbed them all, shaking and biting and dragging them down to his watery lair.”

Drugs and Alcohol

  • None

Language

  • A hobgoblin calls Jared a host of creative names. A few names he uses include candy butt, dribble-puss, and jinglebrains.

Supernatural

  • A brownie lives in the Grace house. When Jared grabs the brownie, “the little brownie squirmed in his grasp, abruptly changing shape into a lizard, a rat that bit Jared’s hand, then a slippery eel that flailed wetly.”
  • The Grace children encounter goblins, who eat small creatures such as cats. The goblins “are born without teeth and so find substitutes, such as the fangs of animals, sharp rocks, and pieces of glass.”
  • The Grace children put hobgoblin spit in their eyes so they will have “the Sight.”
  • A hobgoblin uses children’s teeth instead of glass and other items. When Jared asks if he steals children’s teeth, the hobgoblin replies, “Come on, Dumbellina, tell me you don’t believe in the tooth fairy!”

Spiritual Content

  • None

 

The Field Guide

Jared, his twin brother, Simon, and their older sister, Mallory, are not happy about moving to a new town and into their Aunt Lucy’s dilapidated mansion. When a series of pranks happen and strange bruises start appearing on Simon and Mallory, Jared is blamed.

Then Jared stumbles upon Arthur Spiderwick’s Field Guide to the Fantastical World Around You. He believes the creatures in the book are real and that a boggart is the one causing all of the problems. No one else in the family believes the boggart is real. How can Jared prove that he isn’t responsible for destroying the house and hurting his siblings?

The story focuses on issues that children will be able to relate to including having problems with parents and difficulty expressing emotions. The plot focuses on Jared, who is having difficulty containing his anger. As Jared learns about the boggart, Jared is able to think about the boggart’s perspective. Jared doesn’t want to help the boggart, but “he knew what it was like to be mad, and he knew how easy it was to get into a fight, even if you were really mad at someone else. And he thought that just maybe that was how the boggart felt.”

The Spiderwick Chronicles: The Field Guide is a fantastical story that will engage even the most reluctant readers. The easy-to-read story has a fast-paced plot that deals with the difficult topic of divorce in a child-friendly manner. Black and white pictures and maps are scattered throughout the story, which will help readers picture the events in the story. When the story ends, readers will be reaching for the next book in the series.

 The Spiderwick Chronicles is an excellent series; however, parents should read the reviews for all of the books before beginning the reading journey. Younger readers may not be ready for scary events that the Grace children face before their adventure comes to an end.

Sexual Content

  • None

Violence

  • While Mallory was sleeping, someone tied her hair to the bed. “Long pieces of her hair had been knotted to the brass headboard. Her face was red, but the worst part was the strange pattern of bruises that decorated her arms.”
  • The boggart steals Simon’s mice and tadpoles. “Each of Simon’s tadpoles was frozen into a single cube in the tray.” Later, they discover the boggart is keeping the mice as pets.
  • The book refers to a fight at school that Jared got into. His mother says, “I was shocked to learn that you broke a boy’s nose.”

Drugs and Alcohol

  • None

Language

  • When Mallory’s mother says the house is just like she remembered, Mallory replies, “Only crappier.”
  • “Crud” is said once.

Supernatural

  • The children learn that there is a boggart living in the house. Boggarts are “malicious. Hateful. Hard to get rid of. In their brownie form, they were helpful and nice.” The boggart causes havoc for the family.
  • The children meet the boggart. When they see him, he is standing on a desk in “worn overalls and a wide brimmed hat, was a little man about the size of a pencil. His eyes were as black as beetles, his nose was large and red . . .”

Spiritual Content

  • None

 

Lilly and Fin: A Mermaid’s Tale

Two merpups, Lilly and Fin, love to sneak out of the mermaid city to explore caves. Adults have warned about the dangers of Two-Legs and the Kraken, but surely, they are just stories. Then one day, Lilly and Fin decide to go to their favorite cave. What they don’t know is that there is a couple of Two-Legs that are hiding in the shadows. Will Lilly and Fin fall into the humans’ trap?

Beautiful full-colored illustrations are sprinkled throughout Lilly and Fin: A Mermaid’s Tale. The illustrations of the characters, ocean creatures, and the submarine help bring the story to life. Readers will smile at the comical illustrations of the humans. Another positive aspect is that the larger illustrations have hidden pictures that give readers another fun way to interact with the story.

The easy-to-follow plot of Lilly and Fin: A Mermaid’s Tale cleverly weaves in the adults’ stories of the dangers of the Kraken and the Two-Legs. In the end, the merpups discover that the adults’ stories were not merely made up to make them behave. One negative aspect of the story is that Lilly and Fin lie to their parents on a regular basis. In order to sneak out of the city, Lilly tells her parents she is going to Fin’s, and Fin tells his parents he is going to Lilly’s. Lilly’s love for adventure shines throughout the story, but she isn’t the best friend. She completely ignores Fin when he suggests they do not go to the cave because his scales itch, which means there will be trouble. However, she does convince the Kraken to help free Fin.

The beginning of the story starts out slow, but once Lilly and Fin get out of the mermaid city, they meet interesting characters. The reader knows that Mr. and Mrs. Snorkel are on the hunt for mermaids, which adds suspense to the story. Although the book is written for younger readers, many of the pages only have text, with long paragraphs, which may intimidate some readers. Lilly and Fin: A Mermaid’s Tale would be a humorous story for confident readers of chapter books. The story would also be fun to read aloud for those who are not yet ready for chapter books.

Sexual Content

  • None

Violence

  • When Lilly and Fin tried to swim past Neptune, “the fat king grabbed them with his fingers and held them in front of his red eyes.” When the two talk disrespectfully to Neptune, “the fat man howled, shaking his fist, and the merpups with them.”
  • Mr. and Mrs. Snorkel capture Fin. When the submarine is close, Fin’s “wide eyes were just staring at the terrible pinchers, and before Lilly knew what was happening, one of them had sucked up her friend. It closed with a loud clang. And Fin was gone.”
  • In order to free Fin, the Kraken grabs the submarine, and it “began to shake as though it was in the grips of a mighty storm. Mr. Snorkel and Mr. Harkenear were rolling around the floor like marbles.” The group escapes in a pod.

Drugs and Alcohol

  • None

Language

  • “Darn” is used twice.
  • The Kraken calls Lilly a “dimwit.”
  • Lilly refers to Neptune as “the fatso.”

Supernatural

  • None

Spiritual Content

  • None

Escape to the Above

Wily has spent the twelve years of his life underground learning how to be a trapsmith. Wily makes traps to keep invaders from the cavern mage’s treasure. Even though Wily wonders what life in the Above would be like, he knows he can never leave.

Then a group of treasure hunters appears—an elf, a moss giant, a warrior with a magic arm. They want the caver mage’s treasure, including Wily himself. With the help of Wily, the group can invade every other dungeon and flee the Infernal King’s realm. Wily is about to go on an adventure, which will lead to a battle against the Infernal King, who uses gearfolk to terrorize and imprison the innocent. But is there any way this diverse group can work together and escape the Infernal King’s gearfolk?

A fun fantasy, Snared: Escape to the Above starts strong from the start. Wily’s underground world comes alive. When Wily leaves the cave he has lived in, seeing Wily’s perception of everyday things, such as a butterfly, is interesting and brings humor. Although Wily and his group must flee from horrors, the violence is not graphically described. Through Wily’s experience, he learns that “a prison doesn’t need cages to make you feel trapped. If you take away a person’s choices, they could be in the most beautiful place in the world and still be caged.”

Advanced elementary and junior high readers will enjoy the quirky characters and the interesting traps that Wily encounters. Although the plot is a bit predictable and the Infernal King is defeated too easily, readers will enjoy the adventure along the way. Full of humor and lessons about friendship and doing what is right, Snared: Escape to the Above will please adventure-seeking readers.

Sexual Content

  • None.

Violence

  • When invaders go into an underground cavern looking for treasure, they must go through various traps. Hobgoblets attack a knight from behind, but “the furious hobgoblets were both knocked unconscious by the flat side of a sword . . . The third hobgoblet was struck in the back of the head by the blunt end of the weapon.”
  • When a group of treasure hunters meets the cavern mage, he tries to stop them from taking his trapsmith. The mage throws magical bolts, but they do not hit anyone. Then he “snatched a quill . . . and used it to scribble ancient hieroglyphs in the air. A small tornado formed around the symbols, sweeping them up and churning them like dirty undershirts in the laundry cauldron. The blast of air struck the moss giant—and did nothing at all.” There is a fight that takes place over three pages.
  • When guards try to stop the group from leaving the underground cavern, the moss giant, “swiftly grabbed the guards in his large earthen hands and smashed their heads together. They both slid to the ground, unconscious.”
  • The king sends snagglecarts to round up citizens and put them in prison, even though they have done nothing wrong. Wiley watches a “dragon-size snagglecarts was rolling toward the mother and children with its mechanical mouth open, hungry for more prisoners. . . the gearfolk prodded the mother and two daughters, forcing them to walk up the ramp and into the jaws of the snagglecart.” A person wrapped in a cloak attacks the snagglecarts and gearfolk and “the front of the snagglecart exploded into a twisted mess of metal.” The humans are able to escape.
  • When the gearfolk try to capture Wiley and his friends, they fight back. A bounty hunter “Grabbed a wooden billy club from his rob and charged the gearfolk. The gearfolk was about to scream again when his head was knocked off by a trident. Someone is hit in the chest with a “crackling black energy,” but was uninjured. The battle takes place over a chapter, but Wiley and his friends escape unharmed. A baby crab dragon grabs the knight, “a giant claw clamped down on his leg, squeezing so tightly it was bending the metal armor around the knight’s thigh . . . The baby crab dragon made a playful click before lifting Pryvyd up and smacking him against the ground again.” Wiley is able to talk to the crab dragon, who then lets the knight go.
  • Wiley and his friends try to sneak into the king’s dungeon, but they were captured in a never-scape that was “submerged into ankle-high water.” The never-scape was slowly being submerged in water, but one of Wiley’s friends is able to help them escape.
  • At the end of the story, there is a battle between Wiley’s friends and the gearfolk, mechanical soldiers, and the cavern mage. The battle is not described in gory detail, and no one is injured.

Drugs and Alcohol

  • When invaders go into the underground cavern looking for treasure, the “ale cellar reeked of stale mushrooms and alcohol. Gigantic wooden barrels lined the walls, each big enough to store ten thousand swigs of ale.”

Language

  • When a fairy is caught spying, someone said, “Damn rust fairies are all over the city.”

 Supernatural

  • A knight has an enchanted floating arm that helps him in battle.
  • When going into a destroyed forest, ghosts appear. “Out of the mist, a stampede of spectral elk burst forth, beating their hooves against the ground. Their twisted antlers and hooves glowing a pale green like a bat’s eye while their chests were a deep emerald like the moss on Moshul’s knuckles.” When the Elk struck Wiley, he feels pain but is physically uninjured.

Spiritual Content

  • None

Dreamland

Odea can walk people’s dreams. But walking in other’s dreams can be dangerous. Her mother has taught her the rules—never interfere, never be seen, and never walk the same person’s dream more than once.

Odea doesn’t understand her mother’s rules, or why her mother covers every mirror. Odea doesn’t understand her mother’s need to surround herself with clocks. And she definitely doesn’t understand why her mother keeps them on the move. Even though she doesn’t understand her mother, Odea has never questioned her mother’s reasons.

Until Connor moves next door. In the effort to get to know Connor, Odea begins walking his dreams.  But then, a series of events occur that makes Odea question everything. Her mother disappears, a mysterious boy begins to follow Odea in the dream world, and monsters begin chasing her. Odea isn’t sure who she can trust in the dream world or her own.

Dreamland pulls the reader into Odea’s story right from the start. Odea and her friend Gollum are both loveable outcasts, whose interactions are entertaining and endearing. However, it’s not just the characterization in Dreamland that pulls the reader into the story. Anderson creates a story that is believable, interesting, and full of suspense. There are multiple plots that run throughout the book; however, they are weaved together perfectly to make the story both easy to read and entertaining. In the end, the mystery of Odea’s mother is solved in a satisfying manner. Dreamland will captivate teenagers without the use of descriptive violence or sex scenes.

Sexual Content

  • The narrator thinks about a rumor in which a girl’s, “sole form of exercise came from. . . showing off various parts of her anatomy to different horny senior boys beneath the bleachers . . .”
  • Odea comes upon a boy who is swimming naked in a pond. “Then it hit her: he was swimming naked. He was naked right then. Which meant she was having a conversation with a naked boy.”
  • Odea dreams about a boy and thinks about the fact that she has never kissed anyone, but would like to. Then Odea’s enemy appears in the dream, “Her hair shimmered in the sun and her boobs floated like overturned cups on the water. Then they were kissing . . . She could hear the suction sound of their lips and the lapping of their tongues and the whisper of his fingers on her back and shoulders.”
  • Odea wonders if her, “real father was horrible, a criminal or a drug addict or someone who trafficked kiddie port.”
  • Conner and Odea kiss. “They moved together, finding each other through the soft pressure of their tongues. She brought her hands to his head; she leaned into him; she wanted to taste him and become him and be carried in these seconds forever.”

Violence

  • Odea throws some picture frames at her mother. “Her mom screamed. The glass shattered. The frame thudded to the ground. ‘God, Dea.’ Now her mom was shouting. ‘Jesus. You nearly gave me a heart attack.’” After a brief argument, Odea’s mom slaps her.
  • Part of the story revolves around the death of Connor’s mother and brother. The kids at school think that “He killed his mom. His brother, too. Beat his mom’s brains out, then shot his brother in the head the day before Christmas. He was, like, seven.”
  • Odea goes into Connor’s dream, where he sees men kill his mother and one-year-old brother.  Connor also tells Odea about the night they died. “The first shot didn’t kill her. It wasn’t meant to kill her . . . I heard my mom say please and no. I was so scared I couldn’t move. Couldn’t even hide . . . Then I heard . . . a crack. We found out later that it was her skull. He took the lamp from the bedside table and just hammered her head in . . . They shot Jake in the middle of the forehead. Execution-style.”
  • In a dream, two men “with a face like a hole and long, black fingers,” chase Odea. “As the men reached out their liquid fingers to her and unhinged their jaws, roaring, as if to swallow her whole—as she felt their wet breath on her throat and neck, their eager, tasting tongues, black as rot—a narrow opening was revealed . . .” Odea is able to escape.
  • After Odea’s mom disappears, the police begin following her. Odea is driving, trying to lose the police, when the faceless men from the dream world appear. “She screamed and wrenched the wheel to the right. The car jumped the gutter and plunged into the field. . . She bit down on her tongue and tasted blood. Then the black arms of the tree reached out to embrace her and she moved into the dark.”
  • A reporter tells Connor and Odea a story. “When I was three, my mom was killed by an intruder. Shot three times, point-blank range. Nearly took her head off . . . She worked as a stripper to keep the lights on and everybody knew it. . . Some junkie busted in, shot my mom, snatched the money, and ran.”
  • While in the psychiatric hospital, Odea sees, “a quick glimpse of naked skin—a man and woman together.” Then as she is walking with Connor, she thinks, “of the vision she’d seen in the gap between the curtains and wondered what it would be like. With Connor.”
  • While in a motel room, Odea “heard a headboard knocking against the wall and the sound of a woman moaning. She could feel her whole body blush.”

Drugs and Alcohol

  • After two mean girls confront Odea, they leave, “asses bumping right to left, the smell of booze trailing them.”
  • Odea is put in a psychiatric hospital because the police think Odea tried to commit suicide. While there, the nurses give her medication.
  • Odea remembers a time when her mom let her drink eggnog that had too much rum it.

Language

  • Profanity is used infrequently throughout the book. “Fuck” is used several times. Other profanity includes: ass, shit, and damn it.
  • Bitch is used once.
  • Gollum calls someone “an evil hell spawn.”
  • The narrator calls her cat an “asshole.”
  • Odea calls her car a “piece of shit.”
  • Odea remembers a time when a boy called her mom “a whore. She gives it out in the parking lot of the Quick-E-Lube.”
  • When Odea asks about the death of his mother and brother, Connor said, “fuck you.”
  • In the hospital, Odea’s nurse’s name was Donna Sue. Odea thinks it, “seemed like a name she might have made up to keep her patients at ease while she was busy sticking needles in their arms and probing their asses.”

Supernatural

  • Odea can travel to other people’s dreams. “Then there was a parting, as of a curtain, and Dea felt a soft sucking pressure on her skin and suddenly she had skin again, and ribs and lungs expanding inside of them. She came out of the dark like surfacing after being underwater and she was in. She’d made it. She was in Connor’s dream.”
  • In an effort to help Connor remember the night of his mother’s death, Odea goes into Connor’s mind while he is awake.
  • Odea uses a mirror to travel to the dream world where her mother is being held captive.

Spiritual Content

  • Connor tells Odea that he doesn’t believe in God or heaven. She then thinks, “She didn’t know whether she believed in God.”

The Serpent’s Secret

Kiran’s parents are just a bit odd, and she has never really fit in. Even so, she thought she was just a regular sixth grader living in New Jersey. Then, on her twelfth birthday, her parents disappear and a rakkhosh demon crashes through her house to try to eat her.

When two princes show up, trying to rescue her, she realizes that her parents’ stories are really true—she really is a princess that comes from another world. With the help of the two princes, Kiran is taken to another dominion, one with magic, winged horses, moving maps, and annoying talking birds. Before she can save her parents, she must fight demons, unlock riddles, and avoid the Serpent King of the Underworld.

The Serpent’s Secret is an interesting and action-packed retelling of Indian mythology. Filled with riddles, jokes, and a talking bird, the story will entertain middle school readers. Black and white illustrations will help readers visualize the characters. As Kiran learns about her cultural background, she also learns to accept herself. Although there is violence, the scenes are appropriate for younger readers because they are not described in detail and much of the action is running away from demons instead of battling them.

Kiran and the two princes talk like stereotypical teenagers. The main character’s dialogue is filled with slang and idioms such as when Kiran looks at the prince and thinks, “While I got my fill of Lal-flavored eye candy.” There is a lot of creative name-calling throughout the story, which does not involve cursing.

A dynamic story with a strong heroine, The Serpent’s Secret will delight those who like a good adventure story.  For readers interested in adventure stories or India’s mythology, Aru Shah and the End of Time is a must-read.

Sexual Content

  • The king has multiple wives.

Violence

  • A rakkhosh, or demon, swallows Kiran’s parents and then tries to swallow her. When Lal tries to help, the rakkhosh knocks him out. “I shrieked as the monster’s fist managed to connect with Lal’s head. The prince slumped forward, unconscious, and then began to slip off the rakkhosh’s neck.” The fighting takes place over several chapters.
  • A teenager spits at Lal. “The goober hung on a lone blade of grass, shimmering like a disgusting jewel.”
  • The Demon Queen attacks Kiran. “. . . The rakkhoshi ripped a handful of her own hair from her head and threw it at me . . . As soon as the magical hair hit me, I couldn’t move at all.” Neel saves Kiran, but not before the Demon Queen turns Neel’s brother and friend into spheres. The battle lasts over several pages.
  • When Kiran and Neel try to steal a stone that is being protected by a python, the “snake grabbed a hold of Neel, wrapped itself around him, and began to squeeze. . . Neel’s face got redder as the snake squeezed.” The battle scene takes place over a chapter. In the end, the python is defeated. “The python’s giant body lay still, oozing dark blood on the cavern floor. Trying to reach the jewel, it had instead split itself in two on Neel’s sword.”
  • A baby rakkhosh wants to eat Kiran, her parents, and Neel. “That snot-nosed newborn demon transformed himself into a whirlpool.” When the rakkhosh “eats” them, they end up in a cave with a seven-headed snake, who “wrapped Ma, Baba, and even poor terrified Tuntuni in his coils. As a last flourish, he slapped his nasty tail over all their mouths.”
  • The serpent king imprisoned Neel in a flaming sphere. “The prince screamed in pain—a sound that made my blood run cold. He writhed around within the glowing orb, his body twisting in unnatural contortions, as if he were being tortured.”
  • Kiran and the Serpent King battle. “He shot bolt after bolt of green fire, but I met them all with the shimmering, diamond light of my own.” Kiran’s moon mother shows up, and “as he launched the cracking lightning from his hands, the moon shot a white-hot beam at the Serpent King. He glowed an incandescent green, but then began to writhe and decay, his energy going from green to brown to gray to black.” The Serpent King disappears and everyone is safe.

Drugs and Alcohol

  • A rakkhosh sings a song, “Hob, gum, goom, geer! Pass the blood! Pass the beer!”
  • A “band of drunken demons” chase Kiran and Neel.
  • Kiran sees a warning sign that reads, “After whisky, fighting demons risky.”

Language

  • A bangle seller says her bracelets are for “generously proportioned and the skinny-butt offspring of slimy snake creatures alike.”
  • The Demon Queen calls Kiran a “snake in the grass” and “cobra dropping.
  • When Kiran is fighting a python, she thinks, “Holy serpent poop.”
  • Kiran thinks that Neel’s “Granny still had some chutzpah left in her.”
  • Kiran calls Neel a “Royal Pain-in-the- Heinie.”
  • Crap is used twice and heck is used once.

Supernatural

  • The story focuses on Indian mythology, including mythological monsters and demons.
  • Kiran’s parents are “swallowed by a rakkhosh and whisked away to another galactic dimension.”
  • Kiran’s father was a serpent king and her mother was a moon maiden. Her adoptive parents found her “in a clay pot floating down the River of Dreams.”
  • Kiran’s biological mother exiled her to New Jersey and put a protection spell over her and her adoptive parents. “Anyway, an expired spell also makes everything around it unstable—in this situation, the boundaries between the various dimensions . . . which is how the rakkhosh came into your world.”
  • Kiran’s tears have healing properties. “I remembered how Tuni had seemed dead, but how he’d come to life in my arms.”
  • Kiran can understand horses. “And then, as clearly as if the horse were speaking to me, I heard his voice in my mind.”

Spiritual Content

  • Kiran explains that her “Baba always tells me we’re all connected by energy—trees, wind, animals, people, everything. . . He says that life energy is a kind of river flowing through the universe.” Neel continues the thought and says, “When our bodies give out, that’s just the pitcher breaking, pouring what’s inside back into the original stream of universal souls . . . so no one’s soul is ever really gone.”

Aru Shah and the End of Time

Aru makes up stories such as having a fancy chauffeur and traveling to Paris. She doesn’t mean to tell lies, she just wants to fit in at her private middle school. While her classmates are vacationing in exotic places, Aru is stuck at home, which just happens to be connected to the Museum of Ancient Indian Art and Culture.

Not all of Aru’s classmates believe her stories. One day, three students show up at Aru’s home hoping to catch her in a lie. Aru told them that the museum’s Lamp of Bharata is cursed. When they dare her to light the lamp, Aru doesn’t really believe anything bad will happen.

Aru doesn’t know that lighting the lamp will change her life forever. When the fire touches the wick, it awakens the Sleeper, an ancient demon, who is intent on awakening the God of Destruction.  Now Aru’s mother and her classmates are frozen. Aru must do something to save them, but how is a young girl supposed to defeat an ancient evil?

Aru Shah and the End of Time will captivate readers from the first page. Action, adventure, humor, and interesting places in Indian Mythology come to life. The beautiful descriptions and interesting characters (including a pigeon sidekick) are just some of the reasons readers will fall in love with Aru’s world. Although the story contains many Indian words, the reader can figure out most of them through the story’s context. The back of the book contains a glossary that helps explain the Indian Mythology and terms.

Told from Aru’s point of view, readers will relate to her desire to fit in and her struggle with being truthful. Aru and her companion, Mini, are unlikely, lovable heroines. As the two girls fight to defeat the Sleeper, they discover that one doesn’t have to be perfect in order to accomplish great things, such as saving the world.

Told with compassion and humor, Aru Shah and the End of Time is a must-read for middle school girls. Not only will the story take readers on an amazing adventure, but it also teaches the importance of friendship, working together, and honesty. Because of Aru’s experiences, she realizes the importance of looking at situations from different perspectives. The many lessons in the book are seamlessly integrated into the plot and never feel forced. Once you open the pages of Aru Shah and the End of Time, you will not want to put the book down.

Sexual Content

  • At a school dance, the chaperone yells, “Leave enough room between you for Jesus.” As the dance progressed, she begins yelling, “LEAVING ROOM FOR THE HOLY TRINITY.”
  • When Aru looks into the Pool of the Past, she sees her mother and father. “They were strolling along the banks of a river, laughing. And occasionally stopping to . . . kiss.”

Violence

  • Aru and Mini trick a demon to make herself turn into ash. “The demon’s palm landed with a loud thunk on her own scalp. A horrible shriek ripped through the air. Flames burst around Brahmasura’s hand… Aru covered her face. Her ears rang with the sound of Madam Bee’s screams.”
  • Boo attacks the Sleeper and poops on him. The Sleeper “growled and threw Boo across the room. The pigeon hit a shelf with a loud smack and slumped to the floor.”
  • Shukra becomes consumed with his beauty. Because he spends so much time focusing on himself, his wife stops loving him. Shukra’s wife tells him, “How can I love someone I no longer know?” In anger, he kills her. “I do not remember doing what I did. . . It was only when the red had cleared from my eyes that I saw her corpse.”
  • Memory-stealing snow falls on Aru and Mini. “This time, when the snow landed on Aru, it stung. Because it (the snow) was taking. With every flake another memory was ripped from her.” Later Aru causes someone to lose his memories.
  • Aru, Mini, and the godly mounts plan an ambush. The ambush is described over a chapter. When the Sleeper arrives, he brings demons with him. “Aru ducked under the guest sign-in table as someone’s head (literally) flew past her . . . The seven-headed horse shook its head. Blood and spit flew over the walls . . . Boo acted quickly, and bird droppings rained across the demon’s eyes and forehead.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The story focuses on Indian Mythology and includes gods, demigods, monsters, and demons.  The back of the book includes a glossary of Indian mythology, so the reader can understand who the mythological characters are.
  • Aru lights the Lamp of Bharata and awakens the “Sleeper, a demon who will summon Lord Shiva, the fearsome Lord of Destruction, who will dance upon the world and bring an end to Time.”  When Aru lights the lamp, people are “suspended in time… Their skin was warm. A pulse leaped at each of their throats. But they didn’t move.” The Sleeper is a demon that can take many forms.
  • In order to save Time, Aru and Mini must find the keys to the Kingdom of Death. The first one is found in the hair of a demon—anything that touches the demon turns to ashes.
  • Aru discovers that her mother is a part of a sisterhood. “Five women who are reincarnations of legendary queens from the ancient stories. These days their job is to raise and protect us.”
  • Aru and Mini meat the Seasons, who are tailors. Winter explains, “We dress the world itself. I embroider the earth with ice and frost, the most delicate in the world.” The Seasons give the girls magical gifts that will help them on their journey.
  • Aru and Mini go to a market that has a library of living books.
  • The Sleeper turns the “mounts of the gods” into clay and puts them in a birdcage. Aru uses a magical ball to free them.

 Spiritual Content

  • Aru and Mini are “siblings because you share divinity. You’re a child of the gods because one of them helped forge your soul.”
  • When trying to explain the Otherworld, a character explains, “Many things can coexist. Several gods can live in one universe. It’s like fingers on a hand. They’re all different, but still part of a hand.”
  • Aru’s mother said, “the Hindu gods were numerous, but they don’t stay as one person all the time. Sometimes they were reincarnated—their souls were reborn in someone else.”
  • Aru and Mini go to the Halls of the Dead, where Aru can “hear the final words of people who have died: No, and not yet. . . And I hope someone clears my internet browser. But mostly, Aru heard love. Tell my family I love them. Tell my wife I love her.”
  •  After leaving the Hall of the Dead, Mini remembers, “in Hinduism, death wasn’t a place where you were stuck forever. It was where you waited to be reincarnated. Your soul could live hundreds—maybe even thousands—of lives before you got out of the loop of life and death by achieving enlightenment.” Later in the story, Aru and Mini visit that place where reincarnation takes place. The sign says, “REMAKE, REBUILD, RELIVE! REINCARNATION MANUFACTURING SERVICES.”
  • Aru and Mini go to an office where a character explains karma. The story talks about Chitrigupta, who “kept a record of everything a soul had ever done, both good and bad. This was why karma mattered.” Later, someone explains, “As you live, your good deeds and bad deeds are extracted from karma . . .”

Strange Star

In 1816 Switzerland, Lordy Byron and his guests have gathered around the fire to tell ghost stories. A pounding on the door reveals a strange girl covered in unusual scars, and she tells a chilling tale of her sister being snatched by Mary Shelley, one of the guests at the party.

The girl, Lizzie, tells her story of losing her mother, and almost losing her life to the experiments of an ambitious scientist. This scientist wants to use the power of electricity to bring the dead back to life. And she wants to use Lizzie in one of her experiments. Lizzie’s story was inspired by the book Frankenstein.  Although the story has been adapted for a younger audience, the story will still give the audience a frightful chill. For the younger reader who likes to be frightened Strange Star is a creepy good horror story.

Sexual Content

  • Miss Goodwin’s father comes looking for her when she “runs away” with a man. “He’s come to bring her home before she brings shame on the family.”

Violence

  • A scientist orders her servant to kidnap Peg, who is locked in a cellar. As Lizzie tries to save her, they enter a room that has specimens, “like baby animals and birds and toads with two heads!”
  • After his employer scolds Mr. Walton, he takes out his humiliation on a servant. “Next came the thud of a fist hitting flesh. . . It was about his own humiliation. And like all bullies, he had to inflict it on someone else.”
  • Miss Stine and others grab Lizzie . “. . . More hands seized me, pulling my arms behind my back. I twisted. Shouted. Kicked out with my feet. I was no match for the two, maybe three sets of hands. They yanked me and turned me till I was sure my arms would be torn from their sockets.” She is tied to a chair, and wires are put on her. “She pressed cold metal against those places on my head, neck and feet. Wires crisscrossed my face.” Lizzie is let go when a dead wolf is brought in and Miss Stine decides to experiment on it instead of Lizzie.
  • When Lizzie tries to leave Miss Stien’s house, she is stopped. “We grappled our way down the passage like a pair of fighting village boys, all arms and elbows and kicking feet. Once or twice I slipped in something wet. Something oily. I didn’t want to think what it means . . . With my arms now pinned behind my back by his hand, I couldn’t wriggle free.”
  • A wolf attacks a man. “There was frenzy of claws. Snarling. Snapping. Something sounding horribly wet. Then came a rip, a tearing noise like a rabbit being skinned. And gurgling and gasping that was definitely human.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Mercy believes that Lizzie and her mom are going to die because she saw their spirits in the cemetery on Midwinter’s Eve. “Pass by a church at midnight on Midwinter’s Eve and you’d see an entering it the souls of those who’d face death within the year. Those who came out again would survive. And those who didn’t . . .” Later in the year, lightning strikes Lizzie and her mom. Her mom dies.
  • Miss Stine believes the dead can be brought back to life with electricity. Miss Stine attaches wires to a wolf’s head, paws, and chest. When electricity surges through the wolf, he comes back to life.

Spiritual Content

  • None

Dragonbreath: Nightmare of the Iguana

Horrifying dream monsters are keeping Wendell awake. In an attempt to help his friend, Danny Dragonbreath and Suki the Salamander go in search of advice from Danny’s wise mythological great-grandfather Dragonbreath. Danny and Suki must defeat the Dream Wasp before it can lay eggs in Wendell’s dreams, which would cause Wendell to go crazy. So Danny, Suki, and a sleepy dream eater enter the “dark horrors of Wendell’s subconscious.” They climb mounds of healthy food, run from a school bully, and search a massive library before they find the Dream Wasp and smash her eggs.

Nightmare of the Iguana is hilarious, action-packed, fun. Wendell’s dreams are the frightening things that kids can relate to—not doing well on a pop quiz, a mother who is a health food nut, and a girl finding out that he likes her. Danny’s wise mythological great-grandfather Dragonbreath’s hearing problems lead to humorous statements. As Danny and Suki enter Wendell’s subconscious and fight dream monsters, the battles involve more running than actual fighting.

Green and black illustrations add to the allure of the book. Drawing with dialogue balloons helps break up the text and keep the action moving. Dragonbreath shows the value of friendship and will get even the most reluctant readers engaged in the story. Although Night of the Iguana is the eighth book of the Dragonbreath series, the story can be enjoyed as a stand-alone story.

Sexual Content

  • Suki kisses Wendell on the cheek.

Violence

  • Monsters chase Danny and Suki, yelling “We will crush their bones and then give them pop quizzes!” They hide in the library, and when a monster finds them, “the monster with the battle-ax swung and hit the weakened bookcase. It collapsed slowly. Books slid off in a waterfall of paper.” They find a staircase in a book and are able to escape unharmed.
  • The dream eater (baku)  fights the Dream Wasp. “The floor shook as the two collided. The Wasp slashed with its bladed forearms, but the baku’s hide was thick and knobby . . .” Danny and Suki began throwing it’s eggs at the Wasp. The battle is described over a chapter and with the dream eater killing the Wasp.

Drugs and Alcohol

  • None

Language

  • When being chased by monsters, Suki says, “Oh, crud.”
  • While squishing the Wasp’s eggs, Suki says, “Oh god, this is disgusting.”

Supernatural

  • Danny and Suki enter Wendell’s dream world and see the “dark horrors of Wendell’s subconscious.”
  • Dream monsters enter Wendell’s dreams. The main one, the Dream Wasp, lays its eggs in Wendell’s mind. “The Dream Wasp was the size of a house . . . Its stinger was as long as a car and tapered to a wickedly sharp point. Its jaws were serrated and meshed together like a bone zipper. Its forelegs looked like steak knives, assuming that by ‘steak’ you meant ‘the entire cow.’”

Spiritual Content

  • Danny’s great-grandfather is helping Suki. “He’s teaching me meditative techniques. To help with being a ninja in a past life.”

 

Podkin One-Ear

The legend of Podkin One-Ear has been passed down through traveling bards. On Midwinter Night, a traveling bard arrives at Thornwood Warren. He tells the exciting story of how Podkin One-Ear overcame the Gorm, a fierce, cruel, evil enemy. The legend of the greatest warrior their land has ever known will entertain and surprise readers.

Through the bard’s storytelling, Podkin and his siblings come to life. Podkin, the lazy son of a chieftain, never dreamed of becoming a great warrior. When the Gorm appear in their warren, kill their father, and capture their mother, Podkin and his siblings run for their lives. With the help of a magic dagger, a witch, and a blind mercenary, Podkin and his siblings might be able to defeat the Gorm. As Podkin One-Ear and his siblings flee for their lives, they discover the history of their land and the terrible truth behind how the Gorm came to be.

Told in the style of old legends, Podkin One-Ear contains suspense, monsters, and a bit of magic. The author’s descriptions bring the rabbit world to life.  Readers will cheer for Podkin and his siblings as they run from the Gorm and battle their way to save their mother. The Gorm and several of the battles are described in vivid detail and may frighten children. Through Podkin One-Ear’s tale, the reader will see how “you don’t have to be brave or strong or powerful to do incredible things.”

Sexual Content

  • None

Violence

  • The Gorm and rats that were changed chase Podkin. “At the front, where their heads should have been, were fanged, drooling mouths, and glaring out of holes in their armor were blank, rust-red eyes . . . the things were now beasts. Iron beasts. Monsters.” Podkin escapes.
  • The Gorm have Paz, Podkin’s sister, corned. In order to save her, Podkin cuts a tree down. The tree falls on the Gorm, who have “surprised clouds of breath gushing from behind their iron masks, and then the tree hit with an explosion of snow crystals and a roar that echoed through the forest . . . the riders, nothing could be seen except a twisted shard of armor and a splash of rusty crimson blood on the snow.”
  • As Podkin tries to escape from rabbits, who are trying to capture him and turn him over to the Gorm, his ear is pinned to the ground by a prong of a portcullis. “Her brother’s eyes were bulging and his teeth were gnashing in pain.” In order to set her free, Paz has to cut the ear off. “It was funny to be running off into the woods, leaving a part of his body behind. But the funniest thing of all was that even after his ear had been sliced off, he could still feel the burning pain of the portcullis piercing it.”
  • A rabbit throws a rock at one of the Gorm’s birds. “. . . When it suddenly exploded with a clang and a puff of iron feathers . . . the crow had been knocked to the ground, stone dead.”
  • Podkin hires a mercenary, Crom, to help him free his kidnapped siblings. There is a fight over the course of several pages. “Crom strode right up and cracked him between the ears with Starclaw’s hilt. There was a hollow clinging sound, and Quince folded up into a senseless heap on the floor . . . The huge rabbit went flying backwards crashing into the earthen wall of the burrow, smashing a hole right through it, and bringing half the ceiling cascading down to bury him.”
  • When the head Gorm is looking for Podkin and his siblings, “The Gorm Lord grabbed the guard rabbit and threw him across the chamber. He sailed through the air like a broken doll, crashing into a candle stall, and sending sparks flying and hot wax showing everywhere.” The destruction of the market and the children’s escape is described over several pages. Someone throws “little black balls of something” at a warrior. “The balls exploded, filled with black sticky goo that smoked and burned. The warrior roared, dropped his sword and clawing at his face.”
  • Crom tells about how he and Podkin’s father learned to battle. During a battle, Crom “was positioned, and he (the enemy) was about to bring his stone ax down on my head. I just stood there, staring up at him in surprise.” Podkin’s father saves Crom.
  • Crom describes the battle that caused him to lose his sight. While fighting the Gorm, they went into battle but were unprepared. There was a witch rabbit. “She rode a black rat and called down lightning from the sky . . . her magic took my sight, and for days I lay under a pile of bodies in some kind of trance.” Some rabbits that were fleeing healed his wounds.
  • Podkin and his crew sneak into a Gorm camp to free other rabbits (including Podkin’s mother). The battle scene takes place over a chapter. Podkin slashes Scramashank’s ankle. “. . . He slung the dagger sideways, aiming for the spot above Scramashank’s ankle. Starclaw switched through, as if it were nothing more than a blade of grass.” Then a bank of mist appears, and the Gorm “fell to the ground, choking, gasping, and clutching at their throats. Their already terrified beast toppled over, trampling and crushing them in the snow.”

Drugs and Alcohol

  • The chief has a cup of “frothy honey mead.”
  • One of the kidnappers is described as “clutching a half-drunk bottle of mead.”

Language

  • None

Supernatural

  • A warren of rabbits were turned into the Gorm, evil and unnatural beings. No one knows what exactly happened; “some say they tunneled too far down and came across something cursed and poisonous. Others say it was the work of witches.”
  • The Gorm are not rabbits anymore. One of them is described as “a walking slab of metal and meat, pierced through with rusty thorns and nails. Its armor overlapped in sheets of jagged, dented iron, mottled with rust and splashes of dried crimson that looked very much like blood . . . Skulls hung from its belt. Rabbit skulls, painted all over with evil-looking runes.”
  • Podkin has a magical dagger that came from the Goddess. The dagger can cut anything that is not metal.
  • A rabbit, who is a witch, uses bones to tell the future. Her warren is safe because “there’s enough glamours and enchantments about this place that Hern himself, god though he be, couldn’t find it if I didn’t want him to.”

Spiritual Content

  • During Midwinter, a holiday much like Christmas, the Midwinter Rabbit visits the warrens bringing gifts.
  • The story often contains the phrase, “thank the Goddess,” and Podkin prays to the Goddess. The Goddess made the twelve tribes of rabbits.
  • Podkin hides from the Gorm and “gave a small prayer to the Goddess.”
  • As a warren of rabbits was digging a new longburrow, they found jutting metal, pulsing metal. Because they thought the metal thing was evil, “our priestess sealed off the tunnel with magic charms.”
  • A bard tells a group of children that there is a god of bards and storytellers. “His name is Clarion, and he has been known to whisper the art of stories into the ears of a chosen few rabbits while they sleep.”
  • Twin sisters Estra and Nixha, Goddesses of life and death, came to “our world and decided it was the place for them.” However, they had to get rid of Gormalech. They played a game that no one really won, but they came to an agreement. “The goddesses would rule the surface of the world, bringing life (and death) back to it, as before. Gormalech would go deep underground, where iron and all the other metals come from, and between them they would share the place.” Now Gormalech is creating the Gorm and “the Balance is broken.”
  • When talking about Podkin gambling, the bard said, “I’m sure lots of people have won lots of things, including the Goddess herself. But for everything they won, I bet . . . I mean, I’m sure . . . they lost even more. Pook won because he had a touch of magic about him when it came to casting bones. Not many other rabbits have that blessing. Whatever tales of glory heard, gambling is for idiots.”
  • The forest rabbits worship the god of the forest. When Crom declines leading his warren, the warren moved on. “Maybe the tribe had never been happy at Darkhollow in the first place. Or, more likely, losing their chieftain had been seen as some kind of sign from the gods. Religion made rabbits do some very strange things sometimes.”

 

The Last Bogler

Alfred Bunce is out to rid Victorian London of bogles. In order to reach his goal, Alfred needs all the help he can get. Alfred and his apprentice, Ned, work with the Sewers Office to find and eliminate bogles. However, the bogles are acting unpredictably and Ned wonders if he has enough skill to become the next bogler.

To add to the suspense, an old enemy is out for revenge, and Ned’s life is in danger. Can Ned survive long enough to help Alfred rid London of bogles?

Ned is thankful that Alfred has taken him off the street, but Ned doesn’t think he wants to take Alfred’s place as the last bogler. The Last Bogler focuses more on Ned and his internal conflict, which makes the book less interesting than the previous two.

Although new characters are added, none of them are particularly memorable. The Last Bogler is not a stand-alone book; if the first two books haven’t been read, it may be hard to follow the plot. Additionally, much like the first two books, the language may be difficult for some readers.

Sexual Content

  • None

Violence

  • Alfred and Ned kill bogles. None of the deaths are described in detail. When one bogle is killed, it “reared up, frothing and hissing, its tentacles writhing, caught in the glittering trap—Bang! It exploded like a giant grape, releasing a geyser of black liquid.”
  • Alfred kills another bogle. “Suddenly there was no bogle. Nothing remained except a rapidly deflating, crusty black thing that looked like an oversized boil. Alfred’s spear was sticking out of it.”
  • Mr. Harwood is attacked, but it is not described. “By the time Alfred and Ned rounded the next corner, Mr. Harwood was already on his back in the middle of the alley, with both hands clamped over his nose.”
  • Someone tries to kill Ned, but the attack is not described. Ned’s “hair was ruffled, his knuckles were grazed, and there was a rip in the knee of his trousers.” Later, the attacker confesses that he was paid to kill Ned.
  • Jack Gammon tries to kill Ned and Alfred. Jack threatens to “chop him into pieces.” In the end, Jack falls to his death. Ned “would never forget the horror of shouting for help . . . with Jack Gammon’s shattered body lying in a pool of blood at his feet.”

Drugs and Alcohol

  • Alfred and another man talk about a missing person. They are unsure if he was taken by a bogle or “he’s tucked away in the Nell Gwynne public house, drinking himself witless.”

Language

  • When a newsboy is seen following Ned, someone says, “Why, what a damnable cheek!”
  • Alfred tells someone that a lady only cares about “that hoard o’ coins in her piss pot.”

Supernatural

  • Alfred is called a “Go-Devil Man.”
  • To catch a bogle, Alfred must lay out a circle of salt with a gap in the ring so the bogle can enter it. In order to kill a bogle, it must be hit with a spear.
  • When a bogle is near, a child feels a sense of despair.
  • Alfred visits a lady known for making potions and curses. She also talks about types of herbs that are “for deathwork” and others that drive away the devil, or attack magic.
  • Alfred learns that his spear is made from “blackthorn with a consecrated point on it” and that it has herbs that are “used for cursing.”

Spiritual Content

  • None

A Plague of Bogles

Bogles don’t hide in closets; they hide in small, dark places where they lie in wait for children they can devour.  Many adults don’t believe bogles exist, but Jem has seen a bogle.  When a child is sent to fetch some sherry from a basement and never returns, Mable goes in search of help and finds Jem.  Jem searches out the only person who can help, a bogler named Alfred.

In order to catch a bogle, Alfred needs some bait—a singing child.  In order to get off of the streets, Jem agrees to be bogle bait.  Jem and Alfred meet several interesting characters who have bogles that need eradicating. Soon they discover they need the help of Birdie, a gutsy girl with a beautiful voice.

To complicate the story, Jem is also trying to hide a secret.  As Jem tries to help solve the mystery of why there are so many bogles in one area, he is also trying to find Sarah Pickles, the woman who sold him as bogle food.

The story begins with suspense and mystery that make it more interesting for readers, but the language may be difficult for younger audiences.  For example, Jem says, “I never prigged a thing, save for that morsel o’ cheese.” The book also mentions debtors’ prisoners and homeless children.  The complicated themes and adult nature of some scenes may not be suitable for all children.

Jem is frightened of going to prison because of his past misdeeds, and he thinks about this often. Even though Jem does not want to end up in prison, he does not feel bad about stealing. Instead, Jem seems to think thievery is acceptable.  Jem, “had always favored the idea of bogling, because bogling was such a flash occupation, like smuggling or highway robbery.” As Alfred and Jem go about the city, they spend time in a tavern, where alcohol is served. (Although Jem would like some, Alfred won’t allow it.)

Sexual Content

  • None

Violence

  • When Jem picks a morsel o’ cheese off the floor and eats it, he is beaten.
  • Jem is in a circle of salt when a bogle puts its two viscous arms around him. Then he jumps out of the way when he hears “a cry and a loud hissing noise. The air filled with foul-smelling steam,” and the bogle is dead. (In total there are three bogles that are killed, in a similar fashion.)
  • Jem thinks about Newgate prison, a place he fears, because he knew “several people who had been hanged there.”
  • At one point in the story, Jem remembers a time when he “once helped to rob a woman’s house while she was making her regular weekly visit to her dead child’s grave.”

Drugs and Alcohol

  • A child was working for a tavern. She was sent to fetch some sherry when she disappeared; she’s presumed to be eaten by a bogle.
  • Jem sings the following song: “There is a nook in the boozing ken,/Where many a mug I fog,/and the smoke curls gently, while cousin Ben/keeps filling the pots again and again,/ if the covers have stumped their hogs./The liquors around is diamond bright,/And the diddle is best of all;/ But I never in liquors took much delight,/For liquors I think is all bite.”
  • After Alfred and Jem dispose of a bogle, they go to a tavern where Alfred was jostled by “loud men in dirty clothes, many of whom were so drunk that only the press of bodies kept them upright.  Jem noticed at least two gaping pockets just asking to be picked-pockets belonging to men who would never know, by morning, whether they had spent their missing money or been fleeced of it.”
  • The following is another song Jem sings: “The heavy wet in a pewter quart/ As brown as a badger’s hue, More than Bristol milk or gin,/ Brandy or rum I tipple in, With me darling blown, Sue.”

Language

  • None

Supernatural

  • To catch a bogle, Alfred must lay out a circle of salt with a gap in the ring so the boggle can enter it. In order to kill a bogle, it must be hit with a spear.
  • When a bogle is near, a child feels a sense of despair.

Spiritual Content

  • None

 

 

The Last Kids on Earth and the Nightmare King

Life couldn’t get much better for 13-year-old Jack Sullivan. He eats Twinkie sandwiches for breakfast, lives in a cool treehouse, has a hoard of monster friends, and battles zombies. Jack loves his life with his friends and wouldn’t change a thing about it.

Then Jack and his friends discover they may not be the last kids on earth. When a human voice comes from a radio, everyone except for Jack is excited to discover that others have survived the zombie apocalypse. June and the others hope to be reunited with their parents, but Jack is afraid that finding others will lead to his friends forgetting about him. Jack goes on a quest to prove that their life is crazy, fun, and perfect.

As jack creates crazy fun activities for his friends, a monstrous Nightmare King hunts Jack and his friends.  Jack soon learns that an ancient evil will use any method necessary to gain Jack’s loyalty and help him come into Jack’s world.

The Last Kids on Earth and The Nightmare King is another action-packed book that will keep readers entertained. New complications and new monsters are introduced to keep the plot interesting. The story shows a diverse group of friends who work together to defeat monsters. Although each character may seem stereotypical at first—the brainiac, the bully, the damsel—each character is fully developed and reveal that a person cannot be put into a category. For example, June is not a damsel in distress, but a strong girl who is capable of contributing to the group.

Although there is violence, the kids spend most of their time running from the monsters. The battle scenes contain humor and are not frightening. In the end, the story reminds readers that it often takes both kids and monsters to defeat evil.

Sexual Content

  • June and Jack are playing a game. June asks Jack, “Which prize would you like honey?”  Jack knows she is teasing him, “but I don’t care; I like hearing her call me honey—it makes my belly region warm.”

Violence

  • Zombies attack the group. Dirk uses his strength to grab the zombies and “corpses catapulted.”
  • A King Wretch swoops and tries to grab Jack. “I smack into the street, flipping and flopping like a fish. My nose cracks against my knee, and I immediately feel blood bubbling inside my nostrils.” The monster grabs Rover, “dragging Rover across the pavement. The sound of pained scraping fills my ears while dread floods my stomach.”
  • A Scrapken (an octopus-like creature who lives in the junk yard) uses his tentacles to try to smash the kids. Instead, the Scrapken hits a wall and Zombies rush into the junk yard. “Thankfully, the next tentacle swing slams into a tire pile, and about nine hundred ninety-nine pounds of rubber plow into the zombies. Some are knocked aside, and others are sent pinwheeling through the air.”
  • In order to get away from zombies, Jack hides in a car. Before the zombies can get to Jack, the Scrapken picks up the car. “It’s chocking the metal frame like an anaconda—tightening and squeezing and crushing!” Then the Scrapken throws the car. Jack has “aches and pains and bruises, but nothing major.”
  • The King Wretch saves Jack from Zombies. “With one massive, snapping chomp, the King Wretch devours a dozen zombies. A simple swallow, sucking them down.” The King Wretch then grabs Jack. “His talons punch me square in the chest. I hit the cold floor and the claws tighten, digging into my shoulders. Hot saliva drips from the King Wretch’s fangs and splashes against my cheek.” The King Wretch then hypnotizes Jack.
  • While riding a rollercoaster, The King Wretch grabs Jack. “The flying beast snaps out with his talons, tearing into my hoodie and knocking me back.”  Jack’s hoodie tears and, “I plummet downward for a short moment, and then all I feel is PAINFUL AWFUL TREE-LIM-BREAKING-SMASHING ON MY BONES!” Jacks friends come to save him and there is a battle that last over several chapters. In the end the King Wretch is eaten by the Scrapken. “Slithery serpent sounds and then, at last, the King Wretch goes silent. The Scrapken hugs him anaconda tight, squeezing, crushing, and then they disappear beneath the scrap, into the ground . . .”

Drugs and Alcohol

  • None

Language

  • Jack occasionally says “crud.”

Supernatural

  • The King Wretch hypnotizes Jack and gives him visions of what the future may be like. When the King Wretch looks into Jack’s eyes, “Soda bubbles in my brain. . . I feel like a tornado of terrible energy whirls past me. Through me... and then everything is altered”

Spiritual Content

  • None

 

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