Topic: Mythology

The Oddyssey

Sometimes it feels like Oddonis can’t do anything right—especially compared to his perfect twin brother, Adonis. But this time, Oddonis really messed up. He accidentally turns his father, the all-powerful king of the Gods, Zeus, into a giant baby! Now Oddonis must assemble a team and journey to the underworld to reverse the curse and rescue Mount Olympus. Along the way, he’ll have to overcome a series of dangerous obstacles—like his obnoxious brother, his own self-doubt, and the horrible farts of his best friend, Gaseous! Can Gods as unlikely, unusual, and unheroic as Oddonis and his friends really save the day?

Unlike most stories, The Oddyssy’s heroes are not perfect, beautiful, or even brave. Many readers will relate to Oddonis who struggles with feelings of inferiority. Despite this, he agrees to travel to the Underworld and talk to Hades in order to reverse the spell. Throughout the journey, Adonis wants to use strength to attack his enemies. However, Oddonis and the other odd gods are able to complete the journey because of “their quick thinking, their ingenuity, and their diplomacy skills.” In the end, Adonis learns a powerful lesson: “the power of using your brains, instead of your fist.”

Like Odysseus in The Odyssey, Oddonis must face trials and tribulations on his journey. The fast-paced, funny story gives The Odyssey a unique spin. However, the story uses immature humor that revolves around farts, underwear, and puns. For example, when toddler Zeus goes outside naked, the illustration shows Zeus with a blurred groin. In addition, some of the humor is odd; for example, when Oddonis and his crew go to Mumce’s island, she wants them to call her Mumzy Wumzy because she “wants to be a mommy. Mumzy Wumzy NEEDS to be a mommy. And you will all be Mumzy Wumzy’s children. . . forever!” Oddonis and his crew are able to defeat Mumce by acting like bratty children.

Readers who enjoy The Treehouse Series by Andy Griffiths & Terry Denton and The Misadventures of Max Crumbly Series by Rachel Renée Russell will also enjoy the Odd Gods Series. Even though The Oddyssey is not a graphic novel, it has easy vocabulary, short paragraphs, and humorous black-and-white illustrations on every page. While the story has some juvenile humor, the story will entertain readers and has a positive message about using your brain instead of brawn.

Sexual Content

  • None

Violence

  • Hades puts Adonis and his friends in a cage that is suspended over a volcano.

 Drugs and Alcohol

  • None

Language

  • Someone calls Oddonis and his friends “Booger Brains!”
  • Oddonis calls Adonis and his friends idiots.
  • Mumce calls Oddonis and his crew “horrible brats.”
  • Toddler Hades says, “Adonis Poopy head!”
  • “Oh my Gods” is used as an exclamation twice. “OMGs” is used as an exclamation four times.
  • Heck is used twice. When Oddonis sees the Cyclope’s he asks, “What the heck is that?”
  • Darn is used twice. When toddler Zeus gets out of the house, Adonis says, “My bad.” His angry mother yells, “You’re darn right, your bad!”

Supernatural

  • Hades tricks Zeus into saying a spell that turns Zeus into a child who acts “as though you’re only three!” When Zeus says the spell, he changes into a demanding toddler. Later, Oddonis tricks Hades into saying the spell.
  • Zeus is a shapeshifter who can “turn himself into whatever he wants by just thinking it.”
  • Mumce changes some boys into pigs. She says, “I taught these naughty boys a lesson: if you act pigheaded, you might end up being pigheaded.”

Spiritual Content

  • None

Race to the Sun

Lately, seventh-grader Nizhoni Begay has been able to detect monsters, like the man in the fancy suit who was in the bleachers at her basketball game. Turns out he’s Mr. Charles, her dad’s new boss at the oil and gas company. He’s alarmingly interested in Nizhoni and her brother, Mac, their Navajo heritage, and the legend of the Hero Twins. Nizhoni knows he’s a threat, but her father won’t believe her.

When Nizhoni’s dad disappears the next day, he left behind a message that said “Run!” The siblings and Nizhoni’s best friend, Davery, are then thrust into a rescue mission that can only be accomplished with the help of Diné Holy People, who are all disguised as quirky characters. However, their aid will come at a price. The kids must pass a series of trials that seem as if nature itself is out to kill them. If Nizhoni, Mac, and Davery can reach the house of the Sun, they will be outfitted with what they need to defeat the ancient monsters Mr. Charles has unleashed. It will take more than weapons “for Nizhoni to become the hero she was destined to be.”

Middle-grade readers will relate to Nizhoni, who wants to be good at something but just isn’t. When her emotionally distant father is kidnapped, Nizhoni embarks on a quest to save her father. However, she isn’t alone; Nizhoni’s book-loving best friend and annoying brother join her adventure through the Southwest. On the quest, Nizhoni and her friends meet the “Holy People” as well as some scary monsters.

The fast-paced story combines Navajo mythology with moments of humor, unexpected twists, and timeless lessons about friendship, family, and failure. The importance of hard work and helping others is weaved into the story. Spider Woman says, “All good things come through hard work. If something is too easy to get, it isn’t worth much, is it?”

At first, Nizhoni doesn’t feel like she has the qualities to become a hero. However, Nizhoni learns that she doesn’t need to change. One of the story’s recurring themes is: “Don’t worry about what you’re supposed to be. Just be who you are.” While Nizhoni shows bravery, she is able to defeat the monsters only with the help of others.

Race to the Sun will take readers on an action-packed quest and introduce them to Navajo mythology. Nizhoni is an interesting but imperfect narrator. Readers will relate to Nizhoni’s insecurities and her moments of courage. The conclusion is rushed, and there are several holes in the plot, but this doesn’t take away from the book’s enjoyment. For readers looking for more marvelous mythology books, the following books will delight you: the Storm Runner series by J.C. Cervantes and the Pandava series by Roshani Chokshi.

Sexual Content

  • When Nizhoni’s parents are reunited, they kiss.

Violence

  • Charles tells Nizhoni that he wants her dead. Without thinking, Nizhoni runs “full tilt at Mr. Charles. His startled eyes are the last thing I see before I kick that knife right out of his hand… I’m not done. I head-butt Mr. Charles in the stomach… And for good measure, I execute a perfect elbow strike to the cheek, just like I learned in self-defense class Coach taught in PE last year.” Nizhoni’s dad comes in and stops her.
  • In the past, Nizhoni had to attend anger management classes for “punching Elora Huffstatter in the nose.”
  • Adrien, a bully, and his friends corner Mac. “Mac screams, an animal-like bloodcurdling cry of rage. He slams his hands onto the ground, palms flat… A low rumble rolls across the baseball field, like an army of badgers tunneling through the earth, and then, suddenly, all the sprinklers turn on…” Mac makes the sprinklers shoot at the bullies. “The jets are all pointed at them, zipping back and forth in sharp slashing cuts, or pulsing bursts aimed at their eyes.” The bullies eventually run away.
  • To save Black Jet Girl, Nizhoni needs to get by two buzzards. She throws a feather into a fire and “it explodes into a million tiny salt crystals that pop and sizzle. Hot granules fly everywhere… The salt strikes their protruding eyes and they stumble around, screeching in pain.”
  • Some people believe that Spider Woman eats children. However, Spider Woman helps Nizhoni and her friends.
  • Nizhoni and her friends are following the Rainbow Road. They enter a corridor surrounded by rocks. When Mac disappears, Nizhoni runs after him. When she finds him, “he’s staring right at me. With big red eyes… He bares his sharp teeth and hisses… Monster Mac takes a swipe at me, and I see that besides having long, pointy teeth, he has long, pointy claws, too.”
  • When Nizhoni sees monster Mac, she turns to “launch a swinging kick right at the monster’s stomach. It lands with an Oomph! I elbow him in the chest and he doubles over. One more kick—this time to his ribs—and he’s down. He’s on all fours, panting.” Monster Mac “becomes a cockroach. It scuttles off…” The fight is described over one page.
  • In a multi-chapter battle, Nizhoni and her friends fight to keep the monsters from returning to earth. “Nizhoni lifts her bow and…release. The arrow flies true, a streak of white lightning that hits the banáá yee aghání in its veiny red eyeball. The monster screeches and veers away…”
  • A banáá yee aghání goes after Nizhoni’s mother. “Mom waits until the buzzard is practically on top of her, and then she swings the sword. Lightning crackles from its tip, slashing the monster’s face. Ligai drops, almost too quickly, streaking under the buzzard and dragging its beak across the monster’s underside, tearing it open.”
  • During the fight, Mac falls off a flying bird. “A shimmery substance unfurls in the air underneath him like a silver net. He falls into the glimmering stuff, and it completely envelops his body, rolling him into what looks like a giant burrito.” Later, Mac finds out that Spider Woman put him in a spider web to keep him safe.
  • When Mr. Rock points a gun, Nizhoni’s mom “launches herself into the air, her sword slashing downward, and Mr. Rock’s gun goes flying—while still attached to his hand.”
  • Mr. Charles shoots an arrow at Nizhoni. “It’s a direct hit right over my heart. I scream as fire radiates through my body… I struggle to breathe, my pulse beating too loud in my ears… I fall to the canyon below.” Nizhoni discovers that she cannot be killed by her own arrow.
  • Nizhoni uses lightning “that’s been building up in my blood. And I blow Mr. Charles to smithereens… And then a sound like a bubble popping. And then more pops as all the banáá yee aghání in the sky above me burst into a blaze of white lightning and turn into ash that rains down on me.”

 Drugs and Alcohol

  • None

Language

  • A girl tells Nizhoni that her mom “left us because I was a dirty Indian. Then she made war-whopping noises like something out of a bad Western.”
  • Adrien, a bully, and his friends bother Mac. The bully says, “Marcus Be-gay! Oh, please be gay!” The rest of the boys chant, “Gay! Gay! Gay!”
  • Adrien calls Nizhoni a loser.
  • “Oh my God” is used as an exclamation one time.
  • Heck is used three times. For example, when Mr. Charles meets Nizhoni and her brother, who are a mess, Mr. Charles asks, “But holy heck, what happened to you all?”
  • Nizhoni calls her brother a dork.
  • A buzzard tells his brother, “Don’t be an idiot.”
  • Nizhoni says her mom is “badass.”

Supernatural

  • Nizhoni can tell if a person is a monster in disguise. When she sees Adrien, a bully, “his eyes meet mine and that horrible sensation—my monster detecting—springs to life. The hair on the back of my neck rises, and a chill like the trail of an ice cube scuttles down my spine.”
  • Nizhoni knows the “language of animals” and can see in the dark.
  • Marcus can control water. He tells Nizhoni, “I’ve made water move before. Like in the bathtub.”
  • Nizhoni’s stuffed horned animal comes to life. Nizhoni had “been raised to take seemingly supernatural things in stride. Up to now, talking animals hadn’t been a part of my everyday life, but my shimásání taught me there’s more to the world than we humans can see…”
  • Mr. Charles is a shape-shifter who can look human. He is related “to a nasty kind of monster called a banáá yee aghání. These are vicious bird creatures.”
  • Nizhoni meets a crystal boy, who is made of white crystal rock, and a girl, who is made out of black rock.
  • Nizhoni and her best friend Davery go into a school that is having a prom. They are tempted to stay, but when they leave, “in an instant, the whole gym shimmers and disappears.”
  • Nizhoni looks into a mirror. She “leans forward to press my hands against the mirror, and suddenly the surface is not there anymore… I go plummeting into the glass.” Nizhoni is transported to a glade, “where she can see people, but they can’t see her.”
  • Nizhoni meets the sun, who is “wearing blinding bright armor and carrying a golden shield. And step-by-step on an invisible set of stairs, he appears to be climbing into the sky.”
  • Nizhoni finds her mom, her friends, and others encased in amber. When the amber cases shatter, Nizhoni looks up, and “Mac is standing on a platform, yawning and stretching his arms over his head.” All the people in the amber come back to life.
  • Nizhoni and her friends must fight a group of buzzards, but “only a monster slayer can look into their eyes.”

Spiritual Content

  • Along the journey, Nizhoni meets the Holy People. Someone tells her, “The tricky part is that the Holy People don’t always answer, or at least not in ways that you might recognize. But they are always there.”
  • After Nizhoni’s father is kidnapped, she prays “with all my might that he’s out of that trunk and getting food and water.”

The Quest for the Golden Fleas

Welcome to Mount Olympus, a pet supply and rescue center that sits high on a hill in Athens, Georgia. By day, the overconfident hamster Zeus, wise cat Athena, proud pufferfish Poseidon, loyal grasshopper Demeter, and treat-loving pug Ares are under the watchful eye of their caretaker, Artie, who is obsessed with Greek history. Her favorite podcast, “Greeking Out,” so enthralls her pets with its legendary tales of heroes and heroines that they believe themselves to be the actual megastars of mythology!

Under the cover of nightfall, this gang of gods pursues quests bestowed upon them by the magical, all-knowing Oracle of Wi-Fi. From an accidental plunge into a raging whirlpool (a toilet), to an epic voyage aboard the Argo (a robot vacuum), join Zeus and his minions in this romp through Greek mythology.

The Quest for the Golden Fleas is a strong start to the Zeus The Mighty Series. The hamster Zeus’s arrogance and desire to prove his worth gets him into hilarious situations. Readers will laugh when Zeus and the other Greek gods find wonder and danger in everyday objects. For example, when Zeus and his friends inspect the contents of a purse, they are amazed by the “artifacts” and believe “this relic is surely enchanted.” Similar to the ancient Greek gods, Zeus and Poseidon often disagree, which adds suspense and humor to the story.

Zeus is convinced that finding the golden fleas will prove he is worthy of ruling Olympia. While Zeus looks for the golden fleas, he abandons Demeter, who is being chased by a dragon (an iguana). All of the danger comes to life in black and white illustrations that excellently show the emotions of all of the animals. The illustrations show Athena racing through the store on a robot vacuum and bats chasing Zeus as he wields his shield (a tape measure) and blasts the bats with torchlight (a flashlight). While much of the plot is humorous, Zeus learns an important lesson—friendship is more important than a “furry old Fleece.”

While readers may not understand all of the references to Greek Mythology, the non-stop action will keep readers entertained. Zeus and the other gods are all completely different in a loveable way. The unique story combined with the funny illustrations will appeal to young readers. The Quest for the Golden Fleas will spark readers’ interest in Greek Mythology. The back of the book gives historical information about the Greek gods and The Myth of Jason and the Argonauts. For more humorous mythology, readers should add the Odd Gods Series by David Slavin & Daniel Weitzman to their must-read list. For readers who desire a more action-packed mythological story, the Underworlds Series by Tony Abbott will keep you at the edge of your seat.

Sexual Content

  • None

Violence

  • A colony of bats (Harpies) attacks Zeus. When Zeus tries to turn on the light, “Another Harpy barreled out of the blackness. Zeus blinded it but not before it lashed out and nearly knocked the torch from his arm.”

 Drugs and Alcohol

  • None

Language

  • When Poseidon gets out of his fishbowl, Zeus asks, “What is that fool doing?”
  • An old hamster calls Zeus a coward.
  • Heck is used once.

Supernatural

  • None

Spiritual Content

  • When Zeus opens a portal (a door), he says, “Thank gods.”

Idun and the Apples of Youth

Twelve-year-old Idun is confident that she can take care of the apples of youth–the magical and delicious golden apples that keep all of Asgard Academy’s gods and goddesses healthy and young. But when it comes to sharing her thoughts, Idun feels insecure. Instead, Idun keeps her feelings hidden inside.

When Loki makes a deal with a giant disguised as an eagle, Idun must figure out how to save herself and her magical orchards. How can Idun save the apples of youth so the gods and goddesses don’t age?

Readers will relate to Idun’s conflict: she isn’t sure when it’s best to share her thoughts or keep them secret. Instead of telling others what she thinks, she often stays silent, which causes her to feel hurt and unhappy. Although the conflict is relatable, the story’s plot is choppy and follows the same format as the previous book. Predictably, Loki is “a worm in a rotten apple” and causes the disappearance of the apples of youth. The only surprise is that any goddessgirl would trust Loki not to betray her.

Idun and the Apples of Youth is full of fun apple puns, surprising shapeshifting, and a crush-worthy boy-god. When the apples of youth disappear, everyone begins to age, which brings in some silly situations that will make readers smile. Through her experiences, Idun learns that “speaking up for yourself isn’t necessarily selfish.”

The Thunder Girls series does not need to be read in order; however, readers who are unfamiliar with Norse mythology will want to read the glossary first. The easy-to-read story will keep younger readers entertained as a new villain flies into the picture and traps Idun. Even when Idun is in a perilous situation, she doesn’t sit around waiting for someone to save her.

Readers interested in mythology but who aren’t ready to tackle the Percy Jackson series will enjoy the Thunder Girls series. Interesting characters, fashion, and just the right amount of blush-worthy scenes will keep readers interested until the very end.

Sexual Content

  • A boy might like Idun. “As far as she knew, no boy had ever crushed on her before. The idea that Bragi might like-like her sent a jumble of emotions surging through her—shyness and panic, but also a little thrill of excitement.”
  • Bragi tells Idun, “It’s kind of true that I like you. I mean, like-like you. . .You don’t have to say anything. I just wanted you to know, that’s all.” Idun tells Bragi, “I like you, too.” Then she thinks that she “needed to think about what he’d told her for a while. If a crush was destined to happen between them, it would unfold in its own good time. No rush.”

Violence

  • While walking from a mall in the human world to the school, Idun stops to help a creature. “The creature whipped around to stare at her with its tiny eyes. . . ‘I’ve already found what I was looking for!’ it crowed. ‘Four tasty students! Ringy-ding-ding! And rooty-toot-toots! I’ll grind your bones and steal your boots!’” The girls run from the creature.
  • The large painted friezes that covered a wall come to life. The warriors in the friezes begin to attack. “With resounding battle cries, sculpted warriors hurled food across the room at foes on opposite walls. They grabbed turnips, carrots, potatoes, apples, bread rolls, and whatever else they found for ammo within their paintings.” The food fight lasts for three pages.
  • While on a skiing tip, Loki meets a giant eagle that is fixing a pot of soup. When the eagle begins drinking the soup, Loki yells at him to stop. Loki grabs a ladle and swings it at the eagle. “With one clawed foot, he [the eagle] grabbed the bowl end of the ladle as Loki swung it at him again. As Loki held fast to the handle end, the eagle chanted some sort of magic spell that went like this: ‘Deaked leadked geak!’’’ Loki is unable to drop the ladle, and the eagle flies off with Loki hanging off the ladle. Bragi and Honir ran outside and “they scooped up rocks from the ground and threw them at the eagle, trying to make it let loose of Loki. . . Much to Bragi’s surprise, as he was pondering various schemes, the eagle suddenly released Loki. Oomph! Loki fell flat on his back in the powdery snow.”
  • Loki and Idun plant apple seeds in Midgard. While planting, an eagle “came swooping from the trees toward them. ‘Whoa! Wait!’ yelled Idun as it seized her, hooking one of its claws in the back of her hangerock. At the same time, it lifted the handle of her half-full eski with its other claws.” When Idun yells for help, Loki runs away. The eagle takes Idun captive and locks her in a pantry.
  • Loki, who shapeshifted into a falcon, tries to fly Idun back to the school. When they are close, they see that the students pile sticks and shavings outside the wall. “Luckily, someone managed to strike flint and spark a fire just as she and the falcon dove over the wall. Whoosh! Flames shot up the very instant they were safely past. Hot on their tail, Thiazi the eagle-giant tried to pull back in time to dodge the fire. But without success. Pzzt!” When the eagle-giant saw Thor on the wall, he flew away.

Drugs and Alcohol

  • None

Language

  • “Ymir’s eyeballs,” “Ymir’s nose,” and “Ymir’s elbows” are used as an exclamation. “Ymir was a frost giant who’d lived at the beginning of time. Slain by gods, his various body parts had been used to grown the nine worlds. And for some reason, everyone spoke of those body parts as slang.”
  • Loki calls a boy a loser.

Supernatural

  • Idun and her roommates go into a shop that has clothes that talk. When Freya puts on a cloak, she shapeshifts into a bird. When Freya puts the cloak on, “the new cloak tightened around her. Wings opened up from its sides. . . Freya took to the sky, her legs and booted feet becoming claws, and her head becoming that of a falcon with a sharp hooked beak.”
  • While planting apple seeds, he says a spell to help them grow. “Grow, little seeds. Sprout and blossom. May whatever you bear be healthy and awesome.”
  • When Idun is kidnapped, the students at the school no longer have the magical apples to keep them young. The students begin aging; this includes getting wrinkles, losing their hearing, and other problems that come with age. For example, “Once the most awe-inspiring, powerful god of all, Odin was now bent and frail.”
  • Idun was turned into an acorn that could speak. Eventually, “Loki murmured some magic words and poof. . . Idun was instantly her girlgoddess self again.”
  • The large painted friezes that cover a wall come to life. “These painted friezes cover all of the V’s walls and were peopled with heroic warriors who had died in battle. The warriors had been brought into the friezes by Odin’s Valkyries as painted figures that magically came to life toward the end of every meal.”
  • Freya has a marble that contains cats and a cart. When Freya says, “catnap,” the cats and cart grow. The first time Freya uses the marble she thinks, “if anyone had been watching at that moment, the cats and cart would’ve seemed to instantly disappear. However, in reality, they had only shrunk down to a single cat’s-eye marble.”
  • Freya has a necklace that has a “walnut-size, teardrop-shaped amber jewel dangling from its center. It gave her the power of prophecy.”
  • Loki can shapeshift. He has shoes that “were magic and allowed him to race like the wind, skimming over land and water.”
  • Idun sees Mimir, who “was bobbing up and down atop his water slide. Mimir had become detached from his body sometime in the past. But he—or rather, his head—had been magically brought back to life by Odin. And now that’s all he was—a head.”

Spiritual Content

  • The story focuses on Norse mythology and includes Norse gods and goddesses as characters.
  • The story focuses on Idun, who is the “girlgoddess of youth, and her magical and deliciously sweet golden apples were what kept all of the academy’s goddesses and gods healthy and youthful.” Every day Idun must pick the magical apples. “Plucking them from the trees was a task that only she could do. Because if anyone else—even Odin himself—were to so much as just touch one of the apples while it still clung to a tree, the apple would shrivel and disappear in a puff of smoke.”
  • Idun has a magic cart. “Idun pulled a tiny wooden box called an eski from the pocket of hangerock. When she gave her eski a shake and set it on the ground, it quickly expanded from the size of a single ice cube into a box large enough to hold today’s crop of apples.”
  • According to Norse mythology, “Long ago, the giant Ymir’s bones had become mountains; his hair, trees; his skull, the sky. Even his eyelashes became a wall that encircled the human world of Midgard.”

The Girl the Sea Gave Back

For as long as she can remember, Tova has lived among the Svell, the people who found her washed ashore as a child and use her for her gift as a Truthtongue. Her own home and clan are long-faded memories, but the sacred symbols and staves inked over every inch of her skin mark her as one who can cast the rune stones and see into the future. She has found a fragile place among those who fear her, but when two clans to the east bury their age-old blood feud and join together as one, her world is dangerously close to collapse.

For the first time in generations, the leaders of the Svell are divided. Should they maintain peace or go to war with the allied clans to protect their newfound power? When their chieftain looks to Tova to cast the stones, she sets into motion a series of events that will not only change the landscape of the mainland forever but will give her something she believed she could never have again—a home.

The Girl the Sea Gave Back is a Vikings-inspired story that is bloody and brutal. The story focuses on both Tova and Halvard’s points of view and continually jumps between the two character’s perspectives. Because the story switches points of view, there are often times when the same scene is retold from another character’s point of view. In addition to switching points of view, the story also flashes back into each character’s life. The always-changing point of view and the flashbacks makes the plot both choppy and confusing.

Although the story focuses on Tova, she is not an easy character to relate to. It is clear that the Svell dislike her; however, the reason for their fear is never explained. In the beginning, Tova seems content to follow orders and do what she is told. Although she does not like foretelling death, she doesn’t think about the consequences of her actions. Of the two characters, Halvard is more likable and interesting. He constantly doubts his worthiness but is willing to take risks to save those he loves.

In the end, The Girl the Sea Gave Back is a tale of war and fate. Long bloody battles propel the story forward, and although there is plenty of action, the characters lack development. Even though war is described in detail, it is not glorified. Instead, the story makes it clear that peace is difficult to obtain, but it is worth working towards. Halvard learns that “war is easy. It comes again and again, like waves to a shore. But I lived most of my life driven by hate, and I don’t want that for my grandchildren. Or yours.”

Although beautifully written, The Girl the Sea Gave Back lacked in world-building and will leave the reader with many unanswered questions—both about the characters and what will happen to the warring tribes. The complicated story uses graphic imagery that will leave some readers squeamish. Only strong readers who are looking for a Viking-inspired war story should read The Girl the Sea Gave Back.

Sexual Content

  • One of the woman warriors “had never been motherly in nature and though she’d had several lovers through the years, she’d never had children.”
  • In a brief moment alone with Tova, Halvard “took a step toward me and my heart kicked in my chest, the blood running faster through my veins. . . He leaned down, hiding me in his shadow as he pressed his lips softly to the corner of my mouth. His hands wound around my waist and for a moment, I melted into him.”

Violence

  • As a child, Tova went into town, and “something hot hit my face and it wasn’t until I reached up that I realized it was blood—a prayer to their god, Eydis, to ward off whatever evil I might bring. I still remember the way it felt, rolling down my skin and soaking into the neck of my tunic.”
  • When two tribes meet, the chieftain’s brother betrays him by attacking the other tribe’s chieftain. The man “suddenly reared back with the sword, launching it forward with a snap, and it sank into Espen’s stomach. The tip of its blood-soaked blade reached out behind him where it had run him through.” The two tribes fight. Halvard tries to protect his friend, Aghi. Halvard “twisted my sword in an arch around me to catch him in the gut. He tumbled to the grass and I lifted the blade before me, thick blood dripping onto the golden grass.” During the battle, Aghi is stabbed with a knife. “Aghi doubled over and it wasn’t until he hit the ground that I saw it. The handle of my knife was lodged between his ribs. I swallowed a breath as bright, sputtering blood poured from his lips and when I opened my mouth, I couldn’t hear the sound of my own screams.” As the battle continues, Halvard plunged the blade into Bekan’s heart. His head rolled back and he gasped, coughing on the blood coming up in his throat. . .” Many people die during the 12 pages of battle.
  • When the Svell lose the battle, Vigdis is upset and attacks Tova. “. . . He screamed, shoving Jorrund aside and snatching up my arm. He threw me back and I hit the ground hard before he came over me, taking a handful of my hair into his fist. . .” Vigdis threatens to set Tova on fire, but she convinces him that she can still be useful so he lets her live.
  • When Halvard was a child, his village was attacked and he was captured. Some of the captives were tied behind a cart. “The rope cut into the skin around his wrist and his arms ached, blood trailing up into the sleeves of his torn tunic. The woman tied beside him had fallen before the moon had even risen above the treetops and her lifeless body dragged over the ground beside him.” Halvard was saved by his brothers.
  • When the Svell attack a village, Tova could hear the screams. “The light of dusk caught the glistening of wet blood on armor and the warriors passed us. . .” The man Vigdis was looking for was not in the village, so “Vigdis lifted his hand, rearing back and swinging his arm to slap me [Tova] across the face. I fell to the ground, my hands sliding over the wet soil as my mouth filled with blood.”
  • Halvard thought back to his childhood when the Svell attacked his village. Most of the dead “weren’t even wearing their armor or their boots, cut down as they tried to flee in the dark. They’d been sleeping when the Svell came out of the forest and set fire to their homes. . . The bodies of people I’d known my whole life had been strewn throughout the village bright red blood staining the crisp, white snow. . .”
  • At the end of the battle, friends of Halvard appear and save him when “arrows suddenly fell from the sky, arcing over my head and hitting their marks before me. Svell warriors hit the ground hard. . .”
  • Halvard and his men approach the destroyed village and find “bodies still lying where they’d fallen in the fight.” Halvard sees a Svell warrior and “the blunt side of the blade caught him in the jaw. The sword fell from his hand as he tumbled backward, sliding on the stone until he rolled over the threshold, landing in the mud outside.” More Svell appear and “Asmund lifted his ax, stopping the man’s blow overhead, and slammed his closed fist into his face. . . Asmund kicked him in the chest sending him backward.” When it looks like Asmund might die, Halvard “let the knife in my other hand sink back behind my head and slung it forward, letting it fly handle over blade through the air, it hit its mark finding the flesh between his shoulder blades, and he fell face-first into the dirt at Asmund’s feet.”
  • When Tova refuses to cast the stones, “a man’s face appeared over me before he bent down low, lifting me back to my feet. He didn’t even look up as a sob wracked my chest. His hand took hold of the neck of my tunic. . .” The man drags Tova to the meeting place and “he shoved me inside and I toppled forward, sliding on the ground. My palms scraped against the dry, cracked mud. . .” A man threatens to kill her if she does not read the stones.
  • During the final battle there are many deaths. The battle is described over multiple chapters. “An axe flew over my [Halvard’s] head, catching a Nădhir woman behind me, and she was knocked from her feet, hitting the ground hard. I stood just in time to catch the man who’d thrown it with my blade, dropping him with one strike. . .” When a woman attacks Halvard, “I brought my axe down onto her shoulder and she fell to her knees, reaching for Fiske. He toppled backward, driving his sword up to impale the woman with it. The length of the blade shone with blood as Fiske pulled it from where it was wedged between her bones and stood, heaving.” As the battle rages, Tova joins in. “A man crashed into the mud behind me, Halvard’s knife buried in his chest. He coughed blood as I pulled it free and got back to my feet.”
  • During the battle, a Svell man tries to kill Tova. “In the next instant, his knife was swinging wide, catching me in the arm. . . Before he could bring the knife down, I rolled to my side, covering my head with my hands. The blade ripped into my other arm, the edge of the iron hitting the bone, and I cried out.”

Drugs and Alcohol

  • When Tova is injured, Jorrund has to stitch the injury. “Her blood shone on the needle as Jorrund pulled the thread in one long motion and tied it off. When a tear finally rolled down her cheek, he gave her another drink of the sour ale. She swallowed it down until the burn in her throat reached her chest.”
  • While preparing for a battle, the Svell drink ale. “Outside, the Svell gathered around smoking fires, drunk on ale and eating what would be for some of them a last meal.”
  • When a woman warrior is injured, she is given ale to help with the pain.
  • During a ceremony to make Halvard the new chieftain, Halvard cuts his palm and allows the blood to pool in a cup. The other leaders then drink the blood.
  • The night before the final battle, Halvard and his family drink ale.
  • After the battle, some of the warriors were “drinking our winter stores of ale.”

Language

  • None

Supernatural

  • Tova is a Truthtongue and uses runes to tell the future. Before she drops the stones, she chants, “Eye of the gods. Give me sight.” After she throws the stones, she interprets them.

Spiritual Content

  • The story revolves around the Spinners of Fate who “sat at the foot of the Tree of Urṍr weaving the density of mortals.” When Tova was born, her mother consulted the Spinners of Fate and they told her what would happen in the future.
  • Different tribes believe in different gods. Although the gods’ names are mentioned, there is no explanation of how the gods are different from each other.
  • Jorrund is the tribe’s healer and the “interpreter of Eydis’ will.” When he finds Tova on the beach, he thinks Tova is an omen for Eydis.
  • The people believe in an afterlife and refer to it often. For example, a man’s “only child was taken to the afterlife and there she’d wait for her father until he took his last breath.” When a person dies, their body is cremated so they can travel to the afterlife.
  • While preparing to meet another tribe’s leader, a man says, “we’ll make a sacrifice at dawn and ask Eydis to give us her favor.”
  • People, including Tova herself, think that Tova “was a living curse. A betrayal to the Svell god. . . She was a scourge. And there were many that wanted her dead.”
  • When Halvard’s friend Aghi dies, Halvard thinks that he would also like to die in the battle because “it was an end that the gods would favor.” Because Aghi’s body could not be cremated, Halvard performs a ritual. Halvard takes his knife and “I wound my fingers tightly around its blade before I slid it against my calloused palm. The hot blood pooled in the center of my hand before I pressed my finger into it, carefully writing Aghi’s name across the face of the stele.” Someone says a prayer and Halvard thinks, “It had been a long time since I’d prayed to Thora or Sigr. Not because I didn’t believe in them, but because I wasn’t sure they listened.”
  • Someone tells Halvard the story of Truthtongues. When one of the god’s sisters dies and is buried, the god “swore vengeance of the Spinners for taking her life. As an offering, the Spinners gave Naṍr a mortal child with the mark on her chest. They called her the Truthtongue and promised that every woman born into her lineage would have the ability to read the runes and see into the future.”
  • When the Svell were ready to attack a village, Tova tells a man, “There isn’t a single god who looks favorably upon dishonorable killing.” Tova feels guilty that she helped the soldiers find the village. She thinks, “I hadn’t planned the massacre in the glade but it was my rune cast that had justified it. . . I had always known that I was cursed. That something dark had marked me.” Tova thinks she was sent out of her village because her god didn’t want her.
  • The characters often pray to their gods. For example, during a ceremony, a man shouts, “We ask you, Thora and Sigr, to entrust your people to Halvard, son of Auben.”
  • Before battle, a man says a prayer. “We call upon you! We ask for your protection and your favor as we take the fjord!” The tribe’s healer then “dropped the torch at his feet and the flame caught the pitch, writhing over the grass in the paths he’d laid. . .It was an ancient symbol, the shield of the fallen Svell warrior.”
  • As the warriors are praying, Tova thinks, “But there was no one I could call upon. No one who was listening. Instead, I made my plea to the Spinners. I asked for their forgiveness. I begged for their help.”
  • When Tova offers to cast the stones for Halvard, he refuses by saying, “I don’t want to know. I trust the gods.”
  • The night before the final battle, Tova doesn’t pray to a god. “Instead, I prayed to the woman in my vision.” Later, she discovers that the woman in the vision was her mother.
  • When Tova meets her mother, her mother tells her, “The Spinners brought us here to find you. But we don’t know yet what other purpose they have for us. We won’t know until they tell us. . . Mortals and gods cannot be trusted to obey the warnings of the Spinners.”

The Fire Keeper

Living on a secluded tropical island should bring happiness to Zane Obispo. He is surrounded by his family and his friends. Zane is frustrated that he still can’t control his newfound fire skills that he inherited from his father. Zane is also convinced that he is the only one who can save his father, the Maya god Hurakan, who is now in prison. Plus, there is a painful rift between him and his dog ever since she became a hellhound.

Zane and his shape-shifting friend, Brooks, plan to take action and find a way to save Hurakan. But their plans come to a sudden halt when they discover that their island home is a prison. They can’t leave the island. When another godborn shows up, Zane and Brooks know they must come up with a plan to save Hurakan as well as the godborns who are in danger. Zane has no idea how to find the godborns or who would have taken them hostage.

Zane and his friends must race against time and save his father before he is executed. But first he must find the godborns before they can be hunted down and killed. In a world where Maya gods cannot be trusted, who can Zane trust to lead him in the right direction? How can a mere boy save both the godborns and his father?

The Fire Keeper is an action-packed adventure that never lacks a dull moment. As Zane and his friends jump through portals looking for clues to the whereabouts of the godborns, they meet several gods and monsters. Even though Zane doesn’t trust Ah-Puch, the previous god of death, he teams up with the god in a desperate attempt to save both the godborns and Hurakan. The constant question of who can be trusted adds to the suspenseful tone of the story.

Before readers pick up The Fire Keepers, they will need to read The Storm Runner. Zane’s story includes a huge cast of characters—monsters, magical creatures, godborns—which are introduced in The Storm Runner. Another aspect that may cause readers confusion is when Zane and his uncle occasionally mix Spanish words into their dialogue. Although readers should be able to use context clues to understand the word’s meaning, struggling readers may find the mix of English and Spanish difficult. Both The Storm Runner and The Fire Keepers have a complicated plot and an extensive cast of characters which may intimidate struggling readers.

All of Zane’s friends make an appearance in the second installment of the story. The addition of Ren, who is also a godborn, gives the story more humor. Ren is convinced that the Maya gods are aliens, and her refusal to change her mind breaks up the tense scenes. In addition to Ren, Ah-Puch has a starring role in the story which allows readers to see the god of death in a unique way. Some readers may be disturbed by Ah-Puch because he drinks bat’s blood to gain power. For example, he grabbed several bats and “snapped their necks, and turned his back to us as he drank their blood.”

The Fire Keeper brings the magic of Maya mythology to life in a fast-paced, action-packed story that will leave readers with a new understanding of the complicated nature of people (and gods). Zane is a very likable character, who clearly cares about others. The Storm Runner series is perfect for fans of the Percy Jackson series or of Aru Shah and the End of Time. However, Zane’s story takes a more serious tone and lacks the humor of the other series.

 Sexual Content

  • Zane thinks back to when he “almost kissed Brooks last month at the bonfire. Emphasis on almost. It didn’t happen, okay.”

Violence

  • While on the beach, Zane sees “a small shadow, no bigger than a fist, slid over the boat’s edge and began to grow into a tall column. Before I could blink twice, three shadow monsters emerged from the column, spreading their colossal wings. Long insect-like arms and legs sprouted from their swollen, pulsing bodies. . . Rosie exploded into killer-hellhound mode, shooting fireballs out of her mouth and eyes. . . One monster swiped Brooks away, sending her crashing into the violent black sea.” When Ren wakes up, the shadows disappear. The scene is described over three pages.
  • A mud monster takes the shape of Ms. Cab. “This demon version of Ms. Cab reached into her dress pocket and pulled out a small red bird. Using a small knife from the table, she split the bird’s chest open, and a flurry of tiny winged beetles escaped. . .The bedazzled beetles swarmed me [Zane], climbing all over my body, their teeny feet stepping across every inch of my skin, up my cheeks and across my scalp.” Zane surprises the demon when he “swept my storm runner leg across the intruder’s ankles, bringing her to the ground with a loud thud.” Brooks and Rosie show up and help Zane. “Flames erupted from Rosie’s eyes and mouth. . . Bright blue flames engulfed Ms. Cab as her screams rose into the air. . .The thing’s skin dripped to the ground in a sizzling heap of goop that smelled like canned spinach and burning hair. All that was left of Monster Cab was a lumpy statue made of hard, cracked mud, its expression frozen with terrified eyes and a wide contorted mouth.”
  • When Ren dreams, she creates shadow monsters. One of the monsters attacks Zane and his dog. When Zane tries to help his dog, his “spear sailed right through the form and looped back to me. I drop-rolled to the ground, swiping at Top Hat’s remaining stilt with my leg. I connected with nada. . .The shadow reached for me. I tried to scramble away from his grasp, but in a flash, he caught me, clutching my ribs so tightly I couldn’t move or breathe.” Ren wakes up and the shadow disappears.
  • Zane and his group are attacked by bats. “They were bats with curled, flesh-colored claws and crooked fangs. . .The bats landed on me [Zane]. . . Their little claws tap-danced all over my back, up my neck, and across my head. Their mouths pressed against my ears and cheeks, breathing hot puffs of air. . . One of the beasts had his mouth wide open, and he plunged a mouthful of fangs into the back of my hand.” Ah-Puch “stood upright, seizing the bats out of the air with such incredible speed his arms were only a blur.” The bat’s blood gives Ah-Punch more strength and the group is able to escape. The scene is battled over three pages.
  • Zane falls into a trap and when he wakes up, he “couldn’t open [his] eyes. I was blindfolded. I couldn’t move, either—my hands and feet were bound to some kind of tree or wooden pole.”
  • To free Zane, his uncle Hondo attacks the bats. “Hondo whirled, did a backflip, and kicked a few of the bloodsucking beasts in midair before landing. . . Hondo swung his crowbar mightily, but he was losing. The bats attacked him claws-first, tearing at his cheeks and neck.” When it looks like someone might die, Ah-Puch helps. “Then in a whirl of shadow and dust, Ah-Puch surfaced and blindsided the one god with a massive shard of glass, driving it deep into the bat’s ribs and slicking upward with a nauseating ripppppp.” During the fighting, Ah-Puch is attacked by a god. The god “leaped at the god of death, fangs bared. His claws slashed, ripping Ah-Puch like paper. Thick blood spilled onto the dirt.”
  • During the multi-chapter battle, Zane shoots “fire bullets from my hands, aiming precisely for the guy’s eyes. His bat wings didn’t deflect them fast enough this time. He screamed, shook his head, and looked back at us with empty, scorched sockets.”
  • Zane tries to free his father by attacking the villains. Zane “went after them, shooting dozens of fire bullets from my hands and nailing them in the chest, but it didn’t stop their rage. . . Just then, Rosie appeared by my side, blue flames exploding from her mouth as Jordan swept down with ferocious speed, slicking my neck with a razor-sharp claw.” A friend saves Zane.

Drugs and Alcohol

  • Someone gives Zane a drugged candy. After he eats it, he feels terrible, and “felt a sharp pain in my back, like I’d been stabbed with an ice dagger. . . Cold sweat dripped down my face, and my insides felt like a giant fist was wringing them out. Uncontrollable shivers gripped me as my mind stumbled over all my memories. . .”
  • Zane walks through a wedding reception, where “a few guys stood in the corner doing shots and slamming their fists on the table. . .” When a waiter comes by carrying “a tray of what might have been champagne,” Zane’s uncle yells, “How about a drink?”
  • After fighting with huge bats and surviving, Ah-Puch drinks “a one-hundred-year-old bottle of tequila.”

Language

  • Crap and heck are used occasionally. For example, when Zane goes through a portal, he lands on a frozen lake. He thinks, “Crap! Crappity crap!”
  • “Oh my gods” is used as an exclamation once.
  • Zane calls people a jerk three times. Zane thinks the gods are “jerks” because “they wanted to be rid of godborns.”
  • Someone tells Zane, “Hey, wake your flojo butt up.”
  • “Holy hell” is used once.
  • Hondo refers to someone as a “moron.”
  • Several times someone calls Zane an “idiot.”

Supernatural

  • Gods and monsters from Maya mythology are real. Ixtab, the queen of the underworld, uses shadow magic to hide Zane from the other gods. However, the shadow magic also makes Zane and Brooks prisoners who cannot leave the island they are living on.
  • Brooks is a nawal (a shapeshifter) who can turn into a hawk.
  • Zane’s dog, Rosie, is a hellhound who can breathe fire. In the previous book, Rosie went to the underworld. Zane can also talk to Rosie telepathically. When Rosie licks a wound, the wound heals. Rosie can also teleport. During the adventure, Rosie sprouts wins and can fly.
  • Zane’s father is a Maya god. Zane is trying to learn how to control fire. “Ixtab had told me that my skin and anything touching it was nonflammable.”
  • Zane’s father gave him a jaguar tooth and “the amulet was fused with the most ancient and potent magic in the universe. I could use the amulet to spirit jump to the Empty, and also to grant any power to whoever I gave it to.”
  • Ren’s mother is a goddess. She can make shadow monsters appear, but she doesn’t know how to control them.
  • Ms. Cab was a Maya seer, but “ever since Ixtab had turned her into a chicken for a short time, Ms. Cab could actually speak bird, which helped them trust her.”
  • Ms. Cab tells about the first humans who were made from mud. “But the people ended up being dumb and weak, so the gods destroyed them.”
  • Ixtab takes Zane to a scrying pool, and tells him, “Souls live inside the sacred waters and help me see things.”
  • Zane must find the Fire Keeper because “the Fire Keeper can read each lick of the flame, each glimmer in the embers. He sees what no one else can—places, people, events—with perfect clarity. Choices and outcomes. He can even manipulate the future.”

Spiritual Content

  • When Zane goes into a church, he can hear people’s prayers through the candles they lit. While in the church, Zane lights a candle and “said a silent prayer.”

Sif and the Dwarfs’ Treasures

Twelve-year-old Sif attends Asgard Academy, but she’s keeping important secrets from her podmates. No one knows that her magical hair allows the wheat crop to grow. When mischievous Loki cuts her hair in a horrible prank, Sif must rely on her podmates and Loki for help.

Sif has a prophetic dream that gives her a hint on how to solve the problem. Sif and Freya must convince Loki to go to Ivaldi’s sons, dwarves who are skilled blacksmiths. Loki must strike a bargain with them to help Sif get her hair back. An overconfident Loki strikes a deal with the blacksmiths, and as part of the deal he could lose his head—literally.

To make things worse, there are rumors of a looming attack that could hit Asgard Academy. Sif is afraid that Ragnarok, or doomsday, might be about to begin. Is there any way Sif can save the wheat crops and her beloved school?

Fans of Goddess Girls will enjoy this new series which focuses on Norse Mythology. Sif is a relatable character who has a difficult time overcoming her embarrassing insecurities. She doesn’t want anyone to know that she is a seer—or that she has a difficult time reading. As Sif gets to know her podmates better, she realizes that no one, not even a goddess girl, is perfect.

Sif and the Dwarfs’ Treasures has many positive messages that pertain to younger readers. Odin has created the school in order to get people from different worlds to interact. “[He] wished them to understand and appreciate everyone’s differences.” As Sif learns more about her roommates, she realizes the importance of working together. Sif also knows that looks do not define a person’s (or a god’s) character. Even though “many girls found Loki cute,” Sif knows that “a person’s behavior, not his appearance, was what made him attractive.”

Readers will enjoy learning about Sif, who is a well-rounded and caring goddess. Sif and the Dwarfs’ Treasures has interesting characters and actions, humorous puns, and a sprinkle of crushing moments that will entertain readers. Although many of the characters appeared in Freya and the Magic Jewel, the stories do not need to be read in order. Each book is told from a different goddess’s point of view and allows the reader to see that even goddesses need help from others.

Readers who are unfamiliar with Norse mythology will want to read the glossary first. The story introduces Norse mythology in a kid-friendly way, while still staying true to the original stories. Sif and the Dwarfs’ Treasures uses a relatable character to embed important life lessons in an entertaining story that readers will love. Readers will eagerly look for the next book in the series, Idun and the Apples of Youth.

Sexual Content

  • Freya has noticed Sif and Thor looking at each other and thinks the two are “crushing on each other” because “crushes often start with just looking.”
  • After Sif and Thor have several conversations, Sif thinks, “She likes him, too. As a friend anyway. As far as crushing. . . well. . . time would tell.”

Violence

  • The large painted friezes that covered a wall come to life. When Sif and her friends are eating, “all four girls studied the nearby frieze, [and] an armor-clad warrior reached out of it to grab a dish of lemon-flavored snow pudding from a Valkyrie rushed by with a tray of desserts. With a wide grin on his face, the warrior took aim and then flung the snow pudding at a painting of heroes directly across the room.” A food fight begins. Most of the food being thrown “was directed at warriors occupying friezes on opposite walls, but occasionally the thrown food accidentally hit students, too!” They start a food fight several times in the story.
  • When Loki says a mean joke, Thor gets angry. “In an instant Thor was across the room, his fists balled to punch Loki out. Before he could follow through[;] however, Loki shape-shifted into fire. ‘‘Yow!’ Thor leaped back, blowing on his singed fingers to cool them.”
  • Loki changed into an eagle and stole an apple, “even though he could eat them anytime he wanted in the Valhallateria.” When Loki stole the apple from Idum, she scraped her knee and it was bleeding.

Drugs and Alcohol

  • None

Language

  • After Loki plays a mean trick, someone calls him a bonehead.
  • Loki says, “It’s easy to predict events that have already happened. Even a dummy like Thor could do that!”
  • Someone calls Loki a rat.
  • Loki calls a group of students idiots.

Supernatural

  • Sif takes a class on how to read Runes and the students share their “‘rune-words’ meanings and suggest[ed] prophecies that might be connected to them.”
  • In order to hide from Thor, Sif “transformed into a rowan tree. It was one of only two forms she could take, the other being a swan.”
  • When Sif was younger, she was “proud” of her talent at prophecy and tried to use her talent at school. However, soon people started calling her “fortune-tattler instead of fortune-teller.” She also lost her best friend. Sif was trying to help her friend by carving the rune word for brave, but Sif made an error and wrote the rune word for poison instead. When Sif’s friend became ill, the friend’s parents wouldn’t allow them to spend time together.
  • A dwarf chanted a spell, “For one whole day, you’ll zip your lip. Nothing will you say. Nothing will you sip.” The spell makes it so the Loki cannot speak or eat for a day.
  • The large painted friezes that cover a wall come to life. “These painted friezes cover all of the V’s walls and were peopled with heroic warriors who had died in battle. The warriors had been brought into the friezes by Odin’s Valkyries as painted figures that magically came to life toward the end of every meal.”
  • Freya has a marble that contains cats and a cart. When Freya says, “catnap,” the cats and cart grow. The first time Freya uses the marble, she thinks, “if anyone had been watching at that moment, the cats and cart would’ve seemed to instantly disappear. However, in reality, they had only shrunk down to a single cat’s-eye marble.”
  • Freya drinks juice that won’t make her immortal, but will make her “stay the same age.”
  • Several characters are shapeshifters.
  • Mimir, an oracle, only has a head. When Sifi sees him, “suddenly a column of bright-blue water shot through one of the tubular slides to bubble up in a tall, fountain-like spout at eye level. Atop the spout sat a disembodied bald head!”
  • Sif goes to the library to learn about rune spells and charms. One of the things she learns is that “difficult rune interpretations can sometimes be solved through dreams.” Later in the story, she uses the book’s advice and has a prophetic dream.
  • Talking acorns can give students a message. Odin uses one to deliver a message to Sif.

Spiritual Content

  • The story focuses on Norse mythology and includes Norse gods and goddesses as characters.
  • Sif is a seer, a shapeshifter, and also the “girl goddess of bountiful harvest.” Her power comes from her hair; however, how her hair helps the harvest is never explained. When Sif’s hair is cut, the humans’ wheat fields begin to wither.
  • Freya is the goddess of love and beauty. She is also a seer. Another character, Odin, was “the leader of the Asgard gods and the supreme ruler of all the worlds.” (This is not a complete list of the Norse gods that appear in the book.)

Odd Gods

Oddonis may be the son of Zeus, but he’s a little bit odd for a God. He’s so odd, in fact, that he’s not sure if he has any powers at all. And if that isn’t enough, his twin brother Adonis is the most popular, most athletic, and most otherworldly handsome God of them all.

Oddonis’s future at Mount Olympus Middle isn’t looking bright, especially when he makes the last-minute decision to run against Adonis to be class president. With the help of his friends Mathena (Goddess of math and poultry), Germes (God of all things sniffling and snotty), Puneous (the smallest God of them all), and Gaseous (enough said?), Oddonis is determined to win the race, prove that his friends are as good as any Greek God, and maybe, just maybe, find out what his true powers really are.

Anyone who has ever felt like an outsider will relate to Oddonis, who is not handsome, strong, or amazing like his brother, Adonis. Oddonis’s tale features other misfits, including Gaseous, who farts his way through the story. Unfortunately, Gaseous’s farts smell like “feta cheese, a wet ferret, and feet.” Later at an assembly “Gaseous lets out one of those loud, long, air-going-out-of-a-balloon farts, and the auditorium goes crazy.” In the end, Gaseous uses his fart-power to help Oddonis.

Odd Gods has easy vocabulary, short paragraphs, and humorous black-and-white illustrations on every page. Despite the juvenile humor, Odd Gods has several positive messages about the importance of liking yourself (flaws and all). Even though Oddonis was bullied and called names, he realizes that it’s okay not to be perfect. In the end, Oddonis looks at his reflection and thinks, “I maybe even like what I see. . . And that makes me smile.”

Throughout the story, Oddonis finds a unique group of friends, who were often criticized by others. When Oddonis decides to run against his brother, his friends use their unique talents to help Oddonis. Through their experiences, the reader will learn the importance of friendship, forgiveness, and working together. The message is clear: people who are different should be proud of their differences. Even though Odd Gods has gross humor, readers will enjoy the ridiculously humorous story as well as learn some valuable lessons.

Sexual Content

  • Adonis is the “God of beauty and desire.”

Violence

  • On the school chariot, Poseidon “opens his mouth, a tidal wave comes out” and drenches Oddonis and his friend. The illustration shows Oddonis and his friend swimming with fish and crabs, while other gods laugh at them.
  • On the first day of school, Oddonis, Gaseous, and Puneous are in the hall when “Ares and Apollo pick the three of us up, stuff us in an open locker, and slam the door shut.”
  • When Oddonis sticks up for another kid, “Hercules slams his mighty fists down on our table, and before I can say, ‘Where are we going’ –I’m FLYING UP IN THE AIR!” And it’s not just me—Gaseous, Puneous, Mathena, and Clucky and Ducky are flying, too!” The group ends up in the dumpster.
  • While in the dumpster, Gaseous farts and “Boom!!! WHAM!!! Back we land, right at our table, right where we were sitting before.”
  • Adonis, Poseidon, and Hercules are racing towards Oddonis in a chariot. When the chariot gets close, one of Oddonis’s friends “grabs a level next to the steering wheel and pulls hard. One side of the dumpster drops down and empties its putrid payload. . . right on Adonis’s chariot!” The three gods are “coated with stinky slimy slop! (The cafeteria’s ‘Tuna Surprise’ never looked better!)”
  • Oddonis looks in his brother’s backpack and sees a picture of himself being hung on a noose.

Drugs and Alcohol

  • None

Language

  • Someone calls Gaseous “Fire Butt.”
  • “Oh My Gods” is used as an exclamation twice and also OMG is used twice.
  • The story contains a lot of name calling, including apes, birdbrain, fish face, jerk, weirdos, idiot, dummy, doofus, bonehead, stupid, halfwit, dimwhit, blockhead, and nincompoop.
  • “What the—” is used twice.
  • Heck is used three times.
  • When Oddonis tells Echo, “But now what do I do, do, do?” Echo giggles and says, “You said doo-doo, doo-doo, doo-doo.”

Supernatural

  • None

Spiritual Content

  • When Puneous comes back from a spying mission, Oddonis says, “Thank Gods you’re okay!”

Freya and the Magic Jewel

When eleven-year-old Freya hears a Doomsday prophecy from her magical jewel, she isn’t sure what to make of it. Mere seconds after the prediction, she receives a mysterious invitation to Asgard Academy from the powerful Odin, who commands her to “bring her magic” to Asgard.

With encouragement from her twin, Frey, Freya reluctantly heads out on the new adventure. Freya’s first challenge begins before she even steps foot in Asgard. While trying to navigate the treacherous Bifrost Bridge, she drops her magical jewel off the bridge, and a sneaky pair of dwarves take her jewel down to the world of Midgard!

Without that jewel, Freya thinks she is powerless. But with the help of her pod-mates at Asgard, Freya discovers a world that is bigger and more mysterious than she ever imagined! There, she learns the true terror of Ragnarok, the doomsday that her jewel warned her about, and what it could mean for Asgard Academy if she and her new friends, the Thunder Girls, don’t stop it!

Fans of Goddess Girls will enjoy this new series, which focuses on Norse Mythology. At first, Freya comes across as shallow because of her intense love of fashion and her assumption that everyone male will find her crush-worthy; she is the goddess of love and beauty after all! On the positive side, Freya has a positive attitude even when times are difficult. In the end, Freya learns that her best ability is fostering friendship. Readers will relate to Freya, who wonders if she is “in-like” with someone, and worries about hurting someone’s feelings if she does not like them in the same way.

Freya soon learns that Mason has a crush on her. In order to win her heart, he promises to “rebuild Asgard’s wall to protect her, if only she will give me her heart in return, plus the sun and the moon.” Freya doesn’t want to make the promise, but she knows the Asguard’s wall must be rebuilt. She reluctantly agrees because she doesn’t think Mason can succeed at building the wall. Although this is one of the main plot points, Mason is delegated to the background, so the ending falls flat.

Readers who are unfamiliar with Norse mythology will want to read the glossary first. The story introduces Norse mythology in a kid-friendly way, while still staying true to the original stories. Readers will enjoy the Norse world, Loki’s mischievous pranks, and the fast pace of the story. Although the story lacks depth, the characters are stereotypical, and Freya is not well developed, younger readers will enjoy getting to know Freya and the other Norse god and goddesses.

Sexual Content

  • Mason thinks he has won Freya’s heart. “Then he closed his eyes and leaned forward, puckering up.” Freya gives him something other than a kiss.

Violence

  • The large painted friezes that covered a wall come to life. “At first it was only the blinking of eyes or the twitch of a hand, as if those carved, painted heroes were waking up from a long sleep. . . And because they were all warriors, they immediately went into battle mode. Painted hands grabbed turnips, carrots, and crab apples from painted fields and trees or from platters on carved feast tables, depending on the scene. Arms drew back. Fists punched forth from the friezes. . . The moment food was lobbed out of a frieze, it temporarily turned real.” The kids had to evacuate.
  • Dwarves make a boar that comes alive. “Waving their arms, the four dwarfs chased the boar, trying to shoo it out of their workshop without getting stuck by its sharp tusks. . . Alfrigg wasn’t fast enough, though. Oomph! The board head-butted him in the rear.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Freya has a marble that contains cats and a cart. When Freya says “catnap” the cats and cart grow. The first time Freya uses the marble, she thinks “if anyone had been watching at that moment, the cats and cart would’ve seemed to instantly disappear. However, in reality, they had only shrunk down to a single cat’s-eye marble.”
  • Fraya has a magical jewel that can tell the future. The jewel “had the power to show Freya the future, sometimes it only revealed bits of information. It didn’t always answer her questions, either, so she could never be sure what it did or didn’t know.”
  • A message acorn had “cute faces and hats, and sweet voices.” One acorn “hopped right up into her (Freya’s) palm.”
  • Sometimes characters use vine slides to travel. Freya gives her brother a vine slide, which “could enlarge back into the huge spiral slide for Frey anytime he wished to travel through it. And then shrink anytime he wasn’t using it.”
  • Ice giants appeared normal-sized, but “magically shot up to five times their normal height” and made it snow.
  • While trying to enter Asgard, the Bifrost became hot for the frost giants. “When the frost giants were huge, the bridge probably sensed they were troublemakers and was trying to make them turn back from Asgard by giving them, and only them, a case of hot foot.”
  • When Freya drops her jewel, “gnarled hands reached up and snatched at Brising (the jewel) like snapping turtles. Fingers captured it before it could even hit the ground.”
  • Doors appear in thin air and allow people to travel to different locations.
  • Freya drinks juice that won’t make her immortal, but will make her “stay the same age.”
  • Several characters are shapeshifters. Others can grow bigger.
  • One character has a box that “expanded into a box large enough to hold many apples.”
  • Freya puts her toes and nose against a tree. “Whoosh! Instantly she found herself standing inside a hollowed-out space in the very middle of the tree trunk. . .”
  • One of the characters only has a head.

Spiritual Content

  • The story focuses on Norse mythology and includes Norse gods and goddesses as characters.
  • The main character, Fraya, is the goddess of love and beauty. She is also a seer. Another character, Odin, was “the leader of the Asgard gods and the supreme rule of all the worlds.” (This is not a complete list of the Norse gods that appear in the book.)

A Coding Mission

Ms. Gillian has set up The Makerspace in the library so students can work together on projects. A group of students built a diorama of a labyrinth, complete with the Minotaur and the Greek hero Theseus. A group of students decides they want to make a code to help Theseus find his way out of the labyrinth. What better way to try out the code than use Ms. Gillian’s magic book to take them into the center of the labyrinth? Will the students be able to write a code that leads them out of the labyrinth before the Minotaur finds them?

A Coding Mission, a graphic novel, has a diverse cast of characters that aren’t afraid of showing that they are smart. The story weaves together coding and Greek mythology. The kids, with the librarian’s help, use trial and error to design a code to help them find the way out of the labyrinth. The code is illustrated on a device, so readers can get a general idea of what code looks like.

The full-color drawings are interesting, detailed, and have both white text bubbles that show the characters’ dialogue as well as black boxes for the narration. Words that readers may be unfamiliar with are in bold text, with a glossary in the back of the book. The back of the book also contains directions for making a maze and using an algorithm to solve the maze.

The story has a lot of positives aspects—it teaches vocabulary, introduces a Greek myth, and has wonderful illustrations. Each page contains six or fewer easy-to-read sentences, and the plot moves at a fast pace. For those who want to learn more about coding, the book includes a list of further resources. However, because the story is so short, the characters and the plot are not well developed. More advanced readers will quickly become bored with the Adventures in Makerspace series. However, for readers who are just transitioning to chapter books or are reluctant readers, A Coding Mission will give them a simple, entertaining story that will help them build reading skills.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • When the librarian opens an old book, the librarian and the students poof and enter a labyrinth.

Spiritual Content

  • None

Aru Shah and the Song of Death

Aru and Mini are just beginning Pandava training. But then someone steals the god of love’s bow and arrow, and the thief isn’t playing Cupid. Instead, the shape-shifting thief is turning men into heartless, fighting zombies. The Otherworld is in a panic, and they think Aru is the thief. The gods have decided that Aru must find the weapon within ten days, or both she and Mini will be kicked out of the Otherworld—forever!

Aru won’t be alone on her quest. Along with her Pandava sister, Mini, Aru unwillingly teams up with super-strong Brynne and Aiden, the boy who lives across the street. But Brynne and Aiden are keeping secrets, and Aru isn’t sure she wants them on her team. Still, they must find a way to battle demons and travel through the dangerous serpent realm together.

Getting along with Brynne and Aiden isn’t Aru’s only challenge in Aru Shah and the Song of Death. She must also overcome her own mind, where the Sleeper’s words, “You were never meant to be a hero,” still resonate. Will Aru be able to overcome her self-doubt? Can she prove that she has what it takes to be a hero?

This second installment in the Pandava series takes the reader on a wild ride through the Otherworld. Full of action and adventure, the story adds interesting characters including a crab that is angry that his brother can sing, a handsome boy, and another Pandava sister. Still, readers who fell in love with Mini and Boo will miss them in this book; Boo has a tiny appearance, and Mini spends much of the story in the land of the sleep.

This story highlights the complicated nature of people. Although the villain is clearly acting villainous, the villain is shown to have other sides to her nature. As Aru learns more about India’s history, she discovers that just a hero can also be a monster. The theme is reinforced when Aru’s mom says, “sometimes villains can do heroic things and heroes can do villainous things.” The villain’s story shows that there are always two sides to every story; however, the villain’s past does not excuse their bad behavior.

Also threaded throughout the story are strong messages of treating people with respect, as well as putting others before yourself. Since several of the characters can shape-shift, the reader will see that physical appearances can be deceiving. At one point in the story, Aiden says, “I just don’t think people should be mean to someone because they don’t like the way they look.”

Aru Shah and the Song of Death is a highly entertaining story that brings India’s mythology to life. Because the story has many characters based on mythology, readers not familiar with India’s mythology will need to use the glossary that appears at the back of the book. The different realms of the Otherworld are beautifully described, the gods are diverse and interesting, and the battle scenes are often filled with humor. This book will leave readers thinking about the complicated nature of people and the importance of compassion. As one god said, “Just because something is not fair does not mean it is without reason or even compassion.”

Sexual Content

  • There is a brief passage when Aru thinks about Aiden’s parents being divorced. She thinks, “Lots of kids at school had divorced parents, and not all families needed a dad and a mom to be whole. Some had two dads, or two moms, or just one parent, or no parent at all.”
  • Aiden’s mother was an apsara, a heavenly dancer. In order to be with Aiden’s dad, she had to give up her place in the heavens. Aiden’s parents are getting divorced, and Aiden wonders, “What if she regrets her life? She gave up everything for my dad. And then he leaves her to marry a girlfriend he met while he was still with my mom.”
  • Because Aiden’s mother was an apsara, Aiden has the ability to smolder. “In stories, apsaras were the ultimate temptation, because they were unnaturally beautiful and magical. . . apsaras have a kind of hypnotic power. They render themselves impossible to look away from, and even make people follow them.” Aiden uses his power to get past the sage’s waiting room.
  • The god of love gives Aiden an arrow. The god of love says, “an enchanted arrow from my own collection, to do with as you wish. But know that you cannot change someone’s free will. And there is no way magical cure for grief. All this arrow can do is open the pathway for love. It doesn’t make someone smitten, and the love doesn’t necessarily have to be romantic.” Aiden uses the arrow on his mother.
  • When Aiden says, “I like you Shah,” Aru’s “heartbeat jittered and she felt a not unpleasant swoosh low in her stomach, like butterflies taking wing.” Aru is a little upset when Aiden then says that he likes her as a friend.

Violence

  • Zombies attack Aru and Mini. Aru “flung Vajra as if it were a javelin. The lightning bolt zapped the wooden peg out of the zombie’s hand, and he pulled his arm back, stung. . . An enchanted flower stall turned its pumpkin vines into a row of exploding jack-o’-lanterns, and the kitchen appliances section summoned an army of wooden spoons to beat a group of zombies over the head.” The attack ends when “fake Aru sent the Pandava girl-jaguar flying back against a wall, where she slid to the floor, unconscious. In a flash of blue light, the big cat turned back into a girl.” The attack lasts for two chapters.
  • As Aru and another girl are fighting, “a blast of wind shot Aru straight up into the sky. Her arms started pinwheeling. She glanced down—that was a huge mistake. Everyone looked like really tiny ants. As she fell, the last thing she saw before blacking out was a pair of giant hands reaching to snatch her out of the sky.”
  • A giant swan attacks Mini and her friends. Mini uses Dee Dee, and “purple light exploded in a burst in front of them. The swan squawked and stomped back. . . Then Brynne morphed. Blue light blazed around her. Where she had once stood, there was now a blue elephant almost as large as the swan.” Elephant-Brynne “charged at the bird.” The scene takes place over eight pages. No one is injured.
  • When trying to get through customs, “the floor opened beneath Aru plunging her into frigid pitch-black waters.” Then a “cold tendril wrapped around her ankle and dragged her under.” Aru discovers that she can breathe and walk underwater. She can also talk to sea creatures.
  • A giant crab tries to eat Brynne, Aiden, and Mini. “The crab reared up, swinging one of its pincers, and Brynne went flying against the wall. She slid down, shook her head, and then got back to her feet. . .” Mini uses a shield, but “the shield broke. Down came the pincer. The four of them rolled in different directions. The crab rotated, trying to catch them all at the same time. . .” During the attack, the crab eats Brynne, who turns into an elephant, which the crab throws up. The scene takes place over seven pages.
  • The serpent king attacks Aru. He tries to bite her, and “his jaws missed her face by an inch. As she pivoted out of the way, Vajra jumped into her hand, fully expanded. Aru threw the lightning bolt. . .Vajra shot forward like an arrow. But Takshaka was faster. His powerful tail whipped out and knocked the lightning bold aside like it was a toy. . . Takshaka’s tail lashed through the air and caught her in the stomach. She crashed into the wall and slid down, shaking her head.” The fight takes place over six pages. Aru and her friends are able to escape.
  • The serpent king tries to stop Aru and her friends. “he zigged and zagged, his great coils winding way up the shelves and blocking the entrance to the ceiling above. . . Takshaka’s fangs lengthened. They were stained yellow, and one was chipped. Venom dripped onto the ground, hitting the floor with a teaming hiss. . . A rush of air hit Aru just as Takshaka lunged.” The wind blows Takshaka backwards. A boy appears and helps the group escape. The scene takes place over five pages.
  • A group of asuras try to block Aru and her group from passing. Aru’s group uses their celestial weapons. “They herded the attackers with invisible jabs, forcing them into a tight circle. Brynne blasted them with wind, and Aru added the finishing touch: a golden electrical net to catch and pin them in place.” The asuras flee as soon as the net is taken off.
  • Sparky will not allow Aru and his group to go into the Ocean of Milk. He challenged Brynne to an eating contest. As he is eating, “his skin, which had always been a bit ruddy, now reminded her of embers. Even his hair, once a rust color, like a bad dye job, had changed. Now it looked multicolored—blue at the roots, orange in the middle, and yellow at the tips. Like a flame. . . Sparky wasn’t some kid with ugly sunglasses and an appetite that could destroy a city. He was Agni, the god of fire. And he was on the verge of consuming them. . . The fire continued to move closer. Aiden raced back toward them. There were soot marks on his face and he was out of breath. . . Waves of fire skirted around them, nearly blistering their skin and blackening the wooden planks beneath their feet. Agni opened his jaws, getting ready to swallow them whole. All Aru could see were searing flames, “the air in front of her heat-warped and furious.” Aru is able to use a godly gift to defeat Sparky. The scene takes place over ten pages.
  • The story ends in an epic, multi-chapter battle scene. When the villain shoots an arrow at Aru, “Aiden dove in front of her. . . The arrow hit him with full force. Aiden crumpled up on the ground.” Aiden turns into one of the heartless. As the battle continues, “Mini aimed Dee Dee at the first line of Heartless, which included Aiden. A burst of violet light blasted them, and they fell to either side. Almost immediately, they started to get back up. . . Aru steadied herself, preparing for his next blow. When it came, Aru fell to the ground. . . Aiden roared, ready himself to plunge his blades straight through her. At the last second, Aru rolled out of the way. Aiden snarled. He tried to life the scimitars to strike again, but they were stuck in the damp sand.” The villain is defeated.

Drugs and Alcohol

  • When Aru meets Varuni, the goddess changes colors. Aru thinks the goddess is sparkling; “It reminded Aru of champagne. Which was disgusting. The one time she’d sneaked a sip from her mom’s New Year’s Eve glass, it had tasted like rotten soda.”
  • While Varuni is talking to her husband, he implies that Varuni drinks too much. Later in the story, Varuni “sipped on something that looked like tomato juice and had a piece of celery sticking out of it.”

Language

  • “Oh my god” is used as an exclamation once, and “Oh my gods” is used an exclamation twice.
  • “Heck” is used twice.
  • Brynne calls two obnoxious asuras “pigs.”

Supernatural

  • The story focuses on Indian Mythology and includes gods, demigods, monsters, and demons. The back of the book includes a glossary of Indian mythology, so the reader can understand who the mythological characters are.
  • During a fight, a shapeshifter “shifted into a blue world and was carrying a large bow and arrow in her mouth as she ran.” Later the person shifts into the likeness of Aru.
  • Each Pandava has a celestial weapon. Mini has Dee Dee, which can cast a shield of invisibility. Aru has Bajra, which is a bracelet that can turn into a lightning bolt.
  • Aru and the other Pandavas can speak to each other telepathically.
  • When Aru and her group go to see a sage, he is cursing people. One curse is, “May all the chocolate chip cookies you reach for turn out to be cleverly disguised oatmeal raisins.” Another curse is, “May you always fumble with your credit card in Starbucks when there’s a huge line behind you.”
  • When Aru and her group go to the Queen Uloopi’s old palace, they find a cursed place littered with skulls. When Mini touched a skull, “the jaws snapped open. . . nearby another skull—or, honestly little more than a jawbone—laughed and whispered.” Mini goes into a trance which allows her to talk to voices. The voices give Mini the knowledge that she seeks, but then “a serpent tail as thick as a redwood trunk curled around her body and yanked her toward the cave.” Mini is taken to the land of the sleep, “far from the reaches of mortals.”
  • Aru and her group see “huge night-black hounds prowling toward them. Saliva dripping from their jaws. Their eyes looked like round mirrors, but instead of reflections, they reveal moving images.” The hound’s eyes reflect the person’s worst nightmare.
  • When Queen Uloopi is given her heart jewel, “a bright light washed over her, and Uloopi was transformed. . . Her wrinkled skin glowed, and the gray in her hair shone like silver. Her eyes sparkled . . .” When her heart jewel is restored, she is able to catch “up on all the things she hadn’t properly seen.”

Spiritual Content

  • One of the characters is a Rakshasa, which is a “mythological being, like a demigod. Sometimes good and sometimes bad, they are powerful sorcerers, and can change shape to take on any form.”
  • Brynne is part asura, which is why she can shapeshift. She is the daughter of Lord Vayu, the God of the wind, so she never loses her direction.
  • Aru and her friend are looking for someone’s soul song. They find it, and “in the astral plane, the song orb had taken on a strange pulsing glow, reminding Aru that this was actually a part of someone’s soul. Someone had wanted the god of love’s arrow so dearly that they’d been willing to part with their very essence.”
  • Aru has an encounter with the god of waters, who is “known for being as fickle as the sea itself.” She then meets his wife, Varuni, who is the goddess of wine.
  • Aru and the other Pandavas have been reincarnated. However, the reincarnated are not the same person they once were. Aru, who was reincarnated from Arjuna said, “Arjuna and I are completely different people. That’s like expecting Brynne to have the power of ten thousand elephants just because she’s Bhima reincarnated! Or asking Mini to rule a country now just because she’s got Yudhistira’s soul! I’m not Arjuna!”
  • When an enemy of Arjuna appears, he wants revenge. Aru argues, “I mean, that was like a millennium ago. And I’m not Arjuna. We just have the same soul. It’s like getting someone’s hand-me-down socks, honest.”
  • Aru and her friends meet with a sage. “A sage is a very wise person. Aru’s mom had told her that some have special powers, because of their religious focus. Once there was a sage so formidable he put a curse on the gods themselves—he caused them to lose their immortality.”
  • Agni, the god of fire, explains how “I’m a sacred part of every prayer! You know at weddings, that there’s a holy fire for the bride and groom to walk around? That’s me!”

Game of Stars

Twelve-year-old Kiranmala just wants to be normal, despite having been born an Indian princess in the Kingdom Beyond, an alternate dimension. So, when the Demon Queen shows up in her dreams, Kiranmala doesn’t want to listen to the demoness.

After a visit with some all-seeing birds, Kiranmala finally, reluctantly goes to the Kingdom Beyond and finds that the Kingdom Beyond is in danger. A game show reigns supreme, society is fraying, and everyone is running scared or imprisoned. Kiranmala knows her father is behind the game show, but is there any way she can beat him at his own game?

The second installment of the Kiranmala and the Kingdom Beyond Series, Game of Stars takes readers on an action-packed ride through the Kingdom Beyond. The story brings back some beloved characters from the first book and adds new characters as well. This story will be confusing if readers have not read The Serpent’s Secret first!

The story revolves around the Indian culture and mythology, with many of the creatures straight out of Bengali folktales. For those not familiar with the culture, some of the references to Indian food, clothing, and monsters may be confusing as they lack adequate description. The cute black and white illustrations scattered throughout the story help the readers visualize some characters and events, but there needed to be more of them. Although it is exciting to have an Indian heroine, the story may be frustrating to follow for those unfamiliar with the customs.

A drawback to this book is that none of the characters talk like normal people, and much of the dialogue is childish. Some creatures talk in rhymes and riddles, which is fun. However, the characters continually use name calling throughout the story, which adds to the childish tone. For example, someone calls the Serpent King a “scummy snake” and a “pooper-scooper.” Even the Demon Queen’s and the Serpent King’s dialogue makes them seem more like whiny children rather than strong adults.

As Kiranmala travels through the Kingdom Beyond, she considers the nature of good and evil. Through her experiences, she learns that being human or a rakkosh doesn’t define you; instead, it is how people act that makes them good or evil. Throughout the story, Kiranmala worries that she will become evil like her father. A professor tells her, “No one turns good or evil by magic. That’s not how it works. You become evil when you choose to act against your conscience again and again. Being good or evil is about the decisions you make each and every day. It’s not something that just happens to you.

For those who haven’t picked up the Kiranmala and the Kingdom Beyond Series, you may want to try Aru Shah and The End of Time first because it is less confusing but still revolves around India’s mythology. Middle school readers will enjoy the riddles, the funny characters, and the exciting chases.  Overall, Game of Stars is an action-packed story that shows that a strong, smart girl is capable of heroic deeds and saving the prince.

Sexual Content

  • A store vendor tells Kiranmala a story. “Well, when the Raja wasn’t having any heirs, he called upon a rishi, one of those sadhu-sanyasi guys who meditates on the mountaintop and knows all sorts of magic shajik. . . So, anyhoo, this guy gave the ranis a super-magical fertility root to share so they would all have babies.”
  • As part of the contest, there is a promotional poster that shows Kiranmala about to kiss a boy.

Violence

  • Kiranmala sees her imprisoned friend and thinks, “Neel did look terrible. . . he also looked skinny and, weirdly for a half rakkhosh who hardly needed sleep, tired. He had big dark circles under his eyes, a fading bruise on his cheek, and one side of his lip looked puffy, like he’d been on the wrong side of somebody’s fist. . . Both of his wrists were bound in cruel metal shackles. The chain from his wrists led to shackles that bound his ankles too.”
  • When Kiranmala tries to free Neel from prison, Bogli tries to stop her. Kiranmala “let my arrows fly. Unfortunately, about 50 percent bounced right off Bogli’s scales. The other 50 percent that found their mark didn’t’ seem to do much damage, but hung there, kind of boinging” Neel uses a fork to stab “Bogli’s slimy skin.” During the fight, Bogli “smacked Neel hard across the face. Because of his shackles, Neel didn’t have super balance, so he fell hard, unable to use his hands too much to break his fall. . . He got in a blow to the monster’s thigh with both his shackled hands before Bogli flicked him off like a mosquito, then pinned poor Neel under a giant, warty foot.” The fighting continues for nine pages; no one is seriously injured.
  • When Kiranmala takes the Serpent king’s tooth, he tries to get it back by “flinging uneven green bolts of energy at us in between giggles. . . I nocked arrow after arrow in my bow, but they didn’t seem to bother Sesha. And as if the flying bolts of pain weren’t bad enough, at the Serpent King’s cry, the scraggly lawn outside the dentist’s office filled with snakes of all kinds. . . they slithered viciously in our direction, surrounding Ai-Ma in a trice. They hissed and snapped at us.” The scene takes place over two pages.
  • When Kiranmala goes to talk to a professor, he starts throwing fish at her. Kiranmala “found myself being pelted by something wet and slimy. A story of wet of slimy things actually. . . I put my hands up to protect my face, but the onslaught of rapid-fire fish kept flying at me, flapping on my skin with their scaly cold.” The professor stops throwing the fish when he realizes Kiranmala is not a ghost.
  • Soldiers parade Kiranmala past a prison cell, where she sees Neel’s grandmother Ai-Ma, “her shoulders hunched and face grim. There were some disposable teacups hanging from her few strands of hair and little burn marks like someone had thrown hot tea at her. Off her skin hung strange patches of vegetable peels and plastic bags too, like people had been using her as a target for throwing garbage.
  • Kiranmala must pass a test and if she does not, a witch and her sister will “eat you and the prisoner’s livers for a snack! While they’re still in your bodies.”
  • In order to save Neel, Kiranmala must rip off a bee’s wing, but because the bee is the Rakkhosi Queen’s soul, the queen will also die. The Rakkhosi Queen tells Kiranmala, “Do it!” When Kiranmala refuses to rip off the bee’s wing, the Rakkhosi Queen, lunged at me. I screamed. I really thought she’d just had it and was going to kill me, but it wasn’t me she was after. Her sharp talons grabbed the bee out of my hand, and in one swift motion, she tore off its wing. Her scream. . . Deep and horrible, like someone was being cut in two. The demoness dropped the sword and then fell down heavily next to it . . . She writhed now on the floor, her arm at a horrible, unnatural angle.”
  • The Serpent King tells Kiranmala, “I want to kill you and the Rakkhoshi Queen both.” The Serpent King then “shot a bolt at me, encasing me in one of his green orbs of pain and torture. Immediately, I dropped to my knees inside the floating bubble. The sharp, hot pain on my skin and in my bones was so intense, I couldn’t stop from crying out.” Neel charged “at Sesha with his sword raised. They clashed, sword to green bolt, making an enormous explosion of light every time their weapons made contact.” During the fight, Kiranmala must fight a ghost who took Neel’s brothers’ form. The Serpent King uses two stones, and when their power combines, “Neel’s mother was floating up off the ground now, her glowing body losing its form, becoming water and then fire, earth and then air, over and over again.” The battle scene takes place over three chapters. With the help of her friends, Kiranmala is able to free Neel and save his mother.

Drugs and Alcohol

  • None

Language

  • Crapola and crud are used once.
  • Dang and heck are used twice.
  • Darn in used four times. For example, when Kiranmala sees Neel in prison, she yells, “I’ll rescue you if I want to and you’ll be grateful, darn it!”
  • Throughout the story, there is name calling. For example, a demoness calls Kiranmala Loonie-Moonie, pea-brained tree goat, and a pathetic puppy from Parsipppan.” Someone calls the Serpent King a “scummy snake” and a “pooper-scooper.”
  • Several times the skateboarding resistance is referred to as scum.
  • Neel’s mother calls him an idiot.

Supernatural

  • Barngoma and Bangomee, are birds with human heads. When Kiranmala sees them, “they didn’t speak out loud but somehow, their words slipped into my brain. . . their voices floated into my head in a weird, nasal unison.”
  • Barngoma and Bangomee use their power to hypnotize Kiranmala. “They opened their eyes wide, and again, I felt like I was falling into their swirling rainbow irises. Those swirly, whirly birdie eyes somehow pulled me out of myself so much that I actually felt separated from my body and spirit. . . Falling into the giant birds’ eyes was the wackiest, weirdest thing. I felt like I was flying through a movie on super-duper fast forward.” When she is in a trance, she sees her friend imprisoned and can interact with him.
  • Barngoma and Bangomee create a wormhole that takes Kiranmala to the Kingdom Beyond. Kiranmala advises, “If you have never driven an auto rickshaw through a rip in the fabric of space-time created by two giant, hippopotamus-sized birds, I strongly recommend wearing a bike helmet when you do.”
  • Kiranmala learned that “rakkhosh were actually, in some weird, interdimensional way, the same thing as back holes.”
  • Bolga was “born from a well of dark energy.” She has “webs between her toes, gills along her neck, and webbing fanning out beneath her giant arms.”
  • Kiranmala sees the birth of the Chintamoni and Poroshmoni stones. When she enters the wormhole, “the last thing we saw floating by us in space-time were some gods and demons churning an ocean of milk. They pulled on a familiar-looking snake wrapped around a mountain that operated as a churn. Out of the ocean rose medicine and poison, light and dark, good and evil, and then a sparkling white stone and a glowing yellow one.”
  • Kiranmala explains “the power of Chhaya Devi’s vials. They held the shadows of trees inside. Once freed, the shadows reconstituted themselves like expanding sponges. Super-powerful, tree-shaped magic sponges, that is.”
  • Kiranmala is able to understand parkkhiraj horses.
  • Kiranmala and Neel are able to communicate through the moon’s reflection. Neel says, “When I look up at the moon through the cell window, I can see you reflected there.”
  • Kiranmala has to face ghosts, which is dangerous because “looking at a ghost face-to-face while it was calling me would make my soul forfeit for the taking.”
  • Before Kiranmala dives into the ocean, someone “spun some sort of land rakkhosh dryness spell over me so that my clothes, pack, and weapons would stay dry and I dived into the water.”
  • Kiranmala goes to a hotel and sees a ghost, who was carrying its head. Later, she discovers that the hotel is alive.

Spiritual Content

  • The story focuses on Indian mythology, including mythological monsters and demons.

 

The Chupacabras of the Rio Grande

Professor Fauna hears a news report about something that has completely drained the blood from a cow’s body! The professor thinks a chupacabra may be the culprit. Professor Fauna bursts into Elliot and Uchenna’s classroom and flies them to Laredo, Texas.

Once they arrive in Texas, the kids team up with local kids Lupita and Mateo, their brilliant mother Dr. Alejandra Cervantes, and their father Israel. However, helping the chupacabras isn’t the only problem. The people of Laredo are also angry about the building of a border wall. Is there any way to help this divided community? Can the Unicorn Rescue Society save the bloodsucking creature?

As Uchenna and Elliot search for clues that will help them find the chupacabras, they also learn the complicated issue of building a border wall. When talking about the border wall, Professor Fauna said that a border wall is intended to enforce the law, but it is also, “dividing communities and families who have always lived on both sides of the border.”

The kids also meet Andrés, who is having a difficult time because he is separated from his parents. Andrés was born in the United States, but his parents weren’t, so they were taken to a detention center. The story shows that people can disagree about the border wall but still be friends. In the conclusion, the theme is made clear; “Governments create borders. But for families—of chupacabras and people—borders just keep them apart.” The author’s view on immigration is made clear; although it ties into the story, the story only shows one side of the argument.

The Chupacabras of the Rio Grande has a well-developed plot full of suspense and adventure. The addition of the Cervantes family allows readers to learn about the Mexican heritage. Although the story takes a more serious tone than the previous books, readers will enjoy the interaction between the characters. In the end, the story highlights the importance of working together despite differences. The Chupacabras of the Rio Grande is an entertaining story that could be used as a starting point for a good discussion on immigration.

Sexual Content

  • None

Violence

  • The chupacabra runs into a flea market where it, “leaped from the table and slammed into an elote cart, knocking it over. Corncobs and kernels and cream and liquid chili went spraying all over the asphalt.” At one point an, “elderly woman . . . threw a charger at him.”

Drugs and Alcohol

  • None

Language

  • “Heck” is used twice.

Supernatural

  • None

Spiritual Content

  • When Uchenna and Elliot go to the Cervantes’s house, they see a niche that has a statue of the Virgin Mary. The Cervantes’s also have an, “alter to our abuela. . . She was the family matriarch.”

Sasquatch and the Muckleshoot

Elliot wants life to be normal. Uchenna wants adventure. But when Professor Fauna takes the kids to the Pacific Northwest on another mission in the Muckleshoot territory in Washington, they discover that film crews have arrived in masses. The news crews want to find Bigfoot. But the news crews aren’t the only danger. The Schmoke brothers plan to clear the forest. Is there any way the Unicorn Rescue Society can help keep the Sasquatch hidden? Will the Sasquatch’s territory be destroyed by chainsaws?

The third installment of The Unicorn Rescue Society has the same lovable characters and the same evil villains. As the group heads to the Pacific Coast, the narration shows a strong love of nature and teaches the importance of taking care of the natural world, which includes logging responsibly. When the group arrives at their destination, they meet Mack, who shares the Muckleshoot’s culture.

Mack shares some of the Native Americans’ history, including how the “white folks. . . believed the white way of life was superior.” Because of this belief, the whites forced the Native Americans to give up their languages and customs. The white called this, “Kill the Indian and save the man.” Now the Native Americans are using some of their casino money to buy back the land that the whites stole from them. Even though the story shows the Muckleshoot people care for the forest and the animals, much of the dialogue seems to promote a political agenda instead of teaching about the Native American culture.

Sasquatch and the Muckleshoot is not as enjoyable as the first two books because the plot focuses less on the adventure of helping the mythical creature. The professor and kids do very little to help Mack find a solution to help the Sasquatch. In addition, the absent-minded professor is taken to the extreme. Even younger readers will have a hard time believing that the professor is so clueless that his plane runs out of gas. And how many times can the professor crash land his plane without anyone getting injured?

Readers will enjoy the black-and-white illustrations, funny puns, and the way Mack calls Elliot by a variety of names such as “Screams A Lot.” Other positive aspects of the story are the diverse characters and the use of Spanish and Lushootseed words and phrases. Sasquatch and the Muckleshoot has some humorous scenes, and readers will enjoy watching Elliot overcome his fear. Unlike the first two books in the series, Sasquatch and the Muckleshoot is missing much of the action and adventure that made the first two books fun to read.

Sexual Content

  • None

Violence

  • Four men capture the professor. The professor is, “smacked on the face with his shoe, but the others quickly grabbed his arms and legs. He struggled, but their hands were strong as tree roots.” The men tie up the professor.
  • When Uchenna, Elliot, and a friend dress up like Sasquatch, men try to grab them. The men, “grabbed the three juvenile Sasquatch and tried to wrestle them to the ground. The small furry ones fought valiantly, striking out with their fists and kicking the shins of the hard-hatted attackers. But they were overpowered and pinned to the mossy forest floor.”

Drugs and Alcohol

  • None

Language

  • “Darn” is used once.
  • A news reporter calls someone an “idiot.”
  • One of the characters knew someone in middle school who was a “real jerk.”
  • A man calls someone a “fool.”

Supernatural

  • None

Spiritual Content

  • None

The Storm Runner

Zane keeps to himself because other kids tend to tease him about his limp and because he walks with a cane. But he doesn’t mind, because he spends his days exploring a nearby sleeping volcano with his dog. One evening, as Zane is exploring the volcano, a plane with twin engines crashes. Even stranger, as the plane was going down, Zane thought he saw a monster in the cockpit.

Things get more complicated when a girl named Brooks shows up demanding that Zane meet her at the volcano. Zane follows the beautiful girl who leads Zane down a twisted path. Soon Zane is running from monsters controlled by the Maya god of death. According to an ancient prophecy, Zane’s decisions may allow the god of death to escape a prison that is centuries old.

Zane soon realizes that magic, monsters, and Maya gods are more than just fables. In a web of secrets, the Gods are trying to manipulate Zane to their own advantage. Zane tries to do what is right, but what does a flawed eleven-year-old boy know about stopping the destruction of the world? In a battle against good and evil, is there any way Zane can win against a Maya god?

The Storm Runner brings the magic of Maya mythology to life in a fast-paced, action-packed story that will leave readers wondering who can be trusted. Despite being self-conscious about it, Zane doesn’t let his disability deter him from trying to save the world. Although some of Zane’s decisions are questionable, his imperfections make him a truly relatable character.

Zane is not the only well-developed character; the story contains a cast of interesting characters including giants, demi-gods, and even an overprotective mother. The Storm Runner is perfect for fans of the Percy Jackson series or Aru Shah and the End of Time. However, Zane’s story takes a more serious tone and lacks the humor of the other series.

 The Storm Runner contains elements common to other mythological fantasy books—for instance, a boy discovers that his father is a god and must travel to strange places in order to save the world. Despite these similarities, this story effectively brings Maya mythology to life through an exciting series of events.

The length of the story, the complicated plot, and the extensive cast of characters may be overwhelming for some readers. The first third of the story introduces a lot of people, gods, and situations that cause the pace to drag. Despite a slow start, the monsters, the magical creatures, and the relationship between the characters make The Storm Runner an exciting adventure well worth reading. Readers will root for Zane as he fights evil, and they will pull their hair in frustration as Zane makes well-intentioned, but stupid decisions. In the end, readers come away with the powerful message that a person’s flaws don’t define them.

Sexual Content

  • None

Violence

  • A demon attacks and kills Zane’s dog and then attacks Zane. The demon, “grabbed me by the arms, sinking its long claws into my flesh. I screamed in pain and fell to the ground . . . Slime sizzled through my shirt sleeve, burning my skin like acid.”
  • Zane finally stabs the demon with his cane. “It sank right into the creature’s gel-like body, and there was a disgusting sucking sound as the cane disappeared inside. . . I blinked as the monster dissolved into a dark pool of thick mucus. . .” The scene is described over four pages.
  • A creature tries to kidnap Zane. “While my uncle tussled with the alux, she hauled me back through the bank and out the front doors, then stuffed me in the car.” The creature “jerked Mom’s head back by her hair and mimicked her desperate voice.” Brooks turns into a hawk and picked, “up the monster by the back of its neck. . . Brooks shook it hard like it was her mouse prey and she was trying to break its neck.” The scene is described over three pages.
  • Ah-Puch eats a creature. He “scrambled to clutch the thing. Bones snapped. Then he brought it to his mouth, bit its neck, and sucked all the blood from it before tossing the drained corpse to the cave floor below. . . “
  • Demon runners attack Zane and Brooks. When Zane tries to escape, “The hair reached me, climbed my body, and wrapped itself around my neck, covering my mouth and pinning me to the asphalt.” Zane is able to jerk “my guy’s neck back” and “his thick-skinned neck ripped open easily.” Hondo threw a screwdriver that wedged into the demon’s skull. The demon’s “face began to crack like dried mud, crumbling to the ground to reveal. . . a blue-skinned monster head. Green veins throbbed and budged.” The fight takes place over six pages.
  • Twins who were fathered by a god are grabbed by creatures. “The creatures holding Bird and Jordan folded their wings tighter and tighter. Each of the twins’ faces puckered like their heads were being sucked dry. Their skin turned gray, and purplish veins spread beneath. Their eyeballs bugged out and turned dark red.” The creatures take the twins away.
  • Zane throws a spear at Ah-Puch’s bird. “Muwan released a terrible scream and started tumbling through the air. I watched in horror as she crashed into the bare trees below. They shook on impact, their sharp branches splitting her open.”
  • The final battle takes place over several chapters. Ah-Puch and his demons attack Zane and his group. Demon runners attack Ah-Puch’s army. “They shrieked, leaping onto the back of Ah-Puch’s little army with amazing force. Teeth gnashed. Claws ripped. Hair chocked.” Finally, Zane turns into a jaguar and Ah-Puch turns into a snake. Zane attacks, “launching myself onto his neck as we hurtled over the step’s edge, down, down, down. . . As I sank my teeth into his slimy scales, I prayed that he didn’t bleed maggots. He did. They poured into my mouth as he screamed.”

 

Drugs and Alcohol

  • One night, Zane’s uncle Hondo drinks beer and smokes cigars.

Language

  • Crap and heck are used often. One example is when Brooks shows up at Zane’s house, he wonders, “How the heck had she found me?”
  • “Oh God” is used as an exclamation a few times.
  • A monster attacks Zane and his uncle. His uncle asks, “What the hell was that little thing?”
  • Someone tells Zane, “Believe me, when I catch the idiot bonehead who let Ah-Puch out, I’m going to send him spinning into the center of the Milky Way.”

Supernatural

  • Gods and monsters from Maya mythology are real. Brooks explains, “Myths are real, Zane. Well, most are. And gods are very real—an important part of the universe and its balance.”
  • The first creature, a demon, has “pasty bluish gray” skin. “Its bloated body was covered in patches of dark hair. Cauliflower-like ears drooped down to its bulging neck.”
  • Brooks is a nawal (a shapeshifter) who can turn into a hawk.
  • Ah-Puch, the Maya god of death, disaster, and darkness, is trapped in a magical artifact until Zane lets him out. Ah-Puch “looked like a bloated zombie with decomposing gray skin with nasty black spots, and he had a dark, twisted smile. He wore this weird helmet that had eyes hanging off it, the eyes of the people he’d recently killed.”
  • Ms. Cab works as a psychic and is a Maya seer. A god later turns all seers into chickens.
  • Zane discovers that he is the son of a Maya God. He can spirit jump, which allows him to leave his body and appear in another realm.
  • Pacific, the keeper of time, helps Zane.
  • When going to a party, Zane and his friends wear enchanted clothes that “fix all imperfections.” When they get to the party, a “gray-bearded skeleton materialized. . . Eyeballs floated in his eye sockets, and he wore a long white tuxedo jacket with a dead red rose pinned to one of his silk lapels.”

Spiritual Content

  • Zane gets a scholarship to attend a Catholic school. When Zane gets into trouble at school, his punishment is “ten rosaries, detention for a week, a call to Mom, and an apology to the jerk I’d torpedoed with my cane.”
  • After an explosion, Zane’s mom says, “Thank the saints, he’s safe now.”
  • Zane sent “a prayer up to the saints and anyone else listening.” Later in the story, he says a couple of Hail Mary’s.
  • Zane splashes holy water on a picture of a demon.

The Sword of Summer

Magnus Chase isn’t your average 16-year-old kid. After a terrible incident that killed his mother, Magnus was forced to survive on the harsh streets of Boston for two years. Then everything changes, and not necessarily for the better when Magnus discovers the truth about his parentage. This knowledge is dangerous, and after attempting to outmaneuver his suspicious Uncle Randolph, Magnus lands in more trouble than he ever has before.

Escaping who he believes to be evil, Magnus falls into the hands of his worst enemy, a fire giant named Surt. Magnus dies and his soul is sent to Valhalla, the hall of warriors who will fight with Odin during Ragnarok (the end of the world). This is the beginning of an unlikely story of emotional growth, the development of strength, and the family found in friendship.

Fans of Rick Riordan’s previous works will be pleased as they travel into a fascinating world of Norse mythology. A character from the beloved Percy Jackson and the Olympians series even makes a cameo, making a fun crossover between magical worlds.

This family-friendly adventure is an exciting ride throughout. The characters are well developed and believable, but the sheer amount of characters may become confusing for less attentive readers. Nevertheless, even the timidest readers will enjoy this story as it is filled with well-placed humor. The plot is action-packed, leaving readers excited to turn the next page.

Although this book is entertaining and amusing, there are battles with monsters throughout the book that may upset some readers. The battles are not told in gory detail, but characters are injured and must deal with the consequences of their battles. Ultimately, Magnus Chase and the Gods of Asgard: The Sword of Summer is a delightful read full of humor, action, and magic.

Sexual Content

  • Samirah has an arranged marriage to Amir Fadlan. When Magnus questions her feelings on the matter, Sam responds, “Ugh! You don’t get it. I’ve been in love with Amir since I was twelve.”
  • Every time a giant comes to barter or make a deal with Freya, the goddess of love, sex, beauty, fertility, and gold, they always ask for her hand in marriage.
  • Magnus’s father Frey lost the Sword of Summer because he fell madly in love with a frost giantess. The only way that he could heal his heart was by offering the Sword of Summer to Skirnir.
  • Freya has lots of dwarven children. Every time she wants jewelry made by dwarves, she goes to Nidavellir and marries a dwarf in exchange for their craftsmanship. These one-day marriages each end with a child. This interaction is not described beyond this, but it is acknowledged that Blitzen is a child of Freya and a dwarf.
  • Magnus describes his first kiss when he is involuntarily given mouth-to-mouth by a goat. “My only previous experience with kissing had been with Jackie Molotov in seventh grade, behind the bleachers at a school dance…. Anyway, with apologies to Jackie, getting mouth-to-mouth from a goat reminded me of her.”
  • In the past, a son of Loki was sent to Valhalla and fell in love with the lead Valkyrie, Gunilla, but he “betrayed her. Turned out she was a spy for [Loki]. Broke her heart.”
  • After Halfborn nearly sacrifices his life for Mallory in battle, they are on good terms, and it appears that there may be romance in the future for them. “As my hallmates headed back home, I was happy to see Halfborn Gunderson slip his arm around Mallory Keen’s waist. She didn’t even cut his hand off for doing so.”

Violence

  • Magnus engages in a battle with the fire giant, Surt. “I smacked Surt in the head with my rusty sword. . . The blade didn’t seem to hurt him, but the swirling flames died. . . Then he punched me in the gut.” Later in the battle, “Surt kicked me in the ribs and sent me sprawling. . . Surt must have kicked me hard enough to trigger a near-death hallucination.” After a brief time period, Magnus’s sword begins to act on its own and guides Magnus’s actions. “It spun in an arc, dragging my arm along with it, and hacked into Surt’s right leg. The Black One screamed. The wound in his thigh smoldered, setting his pants on fire . . . Before he could recover, my sword leaped upward and slashed his face. With a howl, Surt stumbled back, cupping his hands over his nose. . . Just as he reached me, my sword leaped up and ran him through.”
  • Magnus describes his death. “I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water…. It hurt. A lot.”
  • When getting a tour of Hotel Valhalla, Magnus is “pushed down as a spear flew past. It impaled a guy sitting on the nearest sofa, killing him instantly.” The guy is already dead, so this is just a temporary “death” as he will regenerate in a few hours.
  • Magnus and all those who inhabit Hotel Valhalla observe how newly inducted einherjar (inhabitants of Hotel Valhalla) died. In one video, a warrior “saved a bunch of kids at her village school when a warlord’s soldiers had tried to kidnap them. She’d flirted with one of the soldiers, tricked him into letting her hold his assault rifle, then turned it on the warlord’s men . . . The video was pretty violent.”
  • Mallory is excited to “see the new boy get dismembered.”
  • The einherjar participate in practice battle exercises to prepare for Ragnarok, when the nine worlds will fall. One of these “battles” is comically described, but each “death” is also shown. Many characters get shot, punched, or stabbed to “death” in the heat of battle.
  • In a dream, Surt threatens Magnus by saying, “When we meet again, you will burn, son of Frey. You and your friends will be my tinder. You will start the fire that burns the nine worlds.”
  • Samirah attacks Magnus after he leaves Valhalla. “She charged from behind the concession building and kicked me in the chest, propelling me backwards into a tree. My lungs imploded like paper sacks.”
  • An eagle drags Magnus away from his friends to convince him to do something for him. “The eagle veered, slamming me into the fire escape. I felt my ribs crack, like vials of acid breaking inside my chest. My empty stomach tried unsuccessfully to hurl.”
  • When Blitzen competes in a dwarf craftsmanship competition, Magnus acts as his bodyguard. “A random dwarf charged me from the side-lines, swinging an axe and screaming, ‘BLOOD!’ I hit him in the head with the hilt of my sword. He collapsed.”
  • Otis, a goat who belongs to Thor, marvels at Magnus’s talking sword. Otis exclaims, “I’ve never been killed by a talking sword before. That’s fine. If you could just make a clean cut right across the throat-”
  • For Odin to learn the secrets of the runes, he sacrificed an eye and “fashioned a noose and hanged himself from a branch of the World Tree for nine days.”
  • Magnus attacks and kills two giantess sisters. Magnus threw a knife and, “The spinning steak knife hit her in the chest. It didn’t impale her . . .She lowered hands, grabbing instinctively for her chest, which allowed Jack full access to her nose. A second later, Gjalp was lying dead on the floor next to her sister.”
  • The book concludes with a giant final battle in which warriors of Valhalla fight fire giants and attempt to rebind Fenris’ wolf. Within this battle, several warriors get hurt and three Valkyries die, including Gunilla. “Blitzen was so angry—between the Wolf gloating about his dad’s death and Surt stealing his fashion ideas—that he howled like Crazy Alice in Chinatown and rammed his harpoon right through the giant’s gut. The fire giant stumbled off, belching flames and taking the harpoon with him.” “Halfborn Gunderson buried his axe in the breastplate of a giant. X picked up another fire-breather and tossed him off the side of the ridge. Mallory and T.J. fought back-to-back, jabbing and slashing and dodging blasts of flame.”
  • Magnus’s Uncle Randolph is poisoned by Loki. “Randolph smelled the poison before he felt it. Acrid steam curled into his nostrils. The side of his face erupted in white-hot pain. He fell to his knees, his throat seizing up in shock.”

Drugs and Alcohol

  • Magnus thinks, “Random police and park rangers I could deal with. Truant officers, community service volunteers, drunken college kids, addicts looking to roll somebody small and weak—all those would’ve been as easy to wake up to as pancakes and orange juice.”
  • The mead of Valhalla doesn’t contain alcohol as it is magical goat milk that tastes like a mixture of delicious flavors. However, this topic makes Magnus share his own experience with alcohol. Magnus says, “Yes, I’ve tried alcohol, thrown up, tried alcohol again, thrown up.”
  • The god Aegir is a brewer who “spends all his time at the hops shop, or going on brewery tours with his buddies…. He’s always talking about microbrews. He has a cauldron a mile wide!”
  • Magnus and his friends go to Nabbi’s tavern and the dwarves that he travels with order mead (not the Valhalla kind).
  • Thor, the thunder god, “loved drinking mead.”
  • When the group comes across giantess sisters, the enormous monsters are drunk. Magnus thinks, “They’d obviously been hitting the mead pretty hard.”

 Language

  • Profanity is used a few times throughout the book. Profanity includes ass, dammit, crap, and idiot.
  • Many characters exclaim, “Gods of Asgard” and “gods” as a form of profanity.
  • When Gunilla introduces a new video system that shows how einherjar die, “the warriors cheered and banged their mugs, drowning out the sound of Sam cursing next to me.”
  • Magnus is angry towards a Valkyrie that he dislikes and thinks, “No, but your dad was apparently a jackass!”
  • While trying to escape Valhalla, “Mallory cursed in what was maybe Gaelic. Our little hallway group was a veritable United Nations of Cussing.”
  • When attempting to arrange his dead body, Magnus’s “hands had come unclasped so I appeared to be giving everybody the finger.”
  • When Blitzen talks about his mother’s requests, he says, “She wants her damnable earrings.”
  • Thor could “cuss like a drunken, creative sailor. ‘Mother-grubbing scum bucket!’ he yelled (or something along those lines. My brain may have filtered the actual language, as it would’ve made my ears bleed.)”
  • Magnus wants to comfort Hearthstone. “I wanted to hug the poor guy, bake him a batch of cookies, and tell him how sorry I was about his crappy childhood, but I knew he wouldn’t want pity.”

Supernatural

  • The story exists in a world where Norse mythology is real, including all of the gods, heroes, and monsters. For example, Magnus is the son of Frey, the god of peace, fertility, rain, sunshine, and summer.
  • In the beginning of the book, Magnus doesn’t understand why Blitzen hates daylight. He says, “Maybe he was the world’s shortest, stoutest homeless vampire.”
  • Two magical, evil wolves broke into Magnus’s apartment and killed his mom when he was fourteen. “From the hallway, two beasts emerged, their pelts the color of dirty snow, their eyes glowing blue.”
  • Surt is a fire god and has powers. “Around Surt, flames began to swirl. The firestorm spiraled outward, melting cars to slag heaps, liquefying the pavement, popping rivets from the bridge like champagne corks.”
  • Due to Magnus being a demigod, he has magical abilities. He doesn’t have a problem in extreme temperatures, can walk through fire, can heal others, and mentally communicates with horses.
  • There is a vala who is a “seer. She can cast spells, read the future, and… other stuff.” She can also read/use the runes, which is a form of non-inherited Norse magic.
  • Hearthstone is an elf, and Blitzen is a dwarf. Their identity gives them special abilities like fashion sense, craftsmanship, and rune magic.
  • As an einherjar, Magus acquires super strength, has more muscles, and has accelerated healing.
  • Heartstone uses rune stones and eventually becomes a runemaster. These stones allow him to perform magic, usually to help his friends on their quest.
  • The group encounters Mimir, a disembodied head who floats in water and knows the secrets of the nine worlds.
  • The Sword of Summer is a magical weapon that Magnus wields. It can speak and fight on its own. Magnus transforms it into a stone on a chain that he wears around his neck. Magnus “could easily pull it off the chain. As soon as I did, the stone grew into a sword. If I wanted it back in pendant form, all I had to do was picture that. The sword shrank into a stone, and I could re-attach it to the necklace.”
  • Valkyries can fly, camouflage magically, and teleport back to Valhalla in a poof of light.

Spiritual Content

  • Norse gods are real, but they are not worshipped. They are treated more like characters than all-knowing deities.
  • Magnus describes the place where his funeral occurs. “It was set up like a chapel: three stained glass windows on the back wall, rows of folding chairs facing an open coffin on a dais. I hated this already. I’d been raised non-religious. I’d always considered myself an atheist.”
  • Magnus says, “If there is an Almighty God up there, a head honcho of the universe, He was totally laughing at me right now.”
  • Samirah is Muslim and wears a hijab. When arguing with Magnus she says, “A good Muslim girl is not supposed to hang out on her own with strange guys.”
  • Thor is described as watching television religiously. Then Magnus says, “Can I say a god did something religiously?”

by Morgan Filgas

The Wizard’s War

When Evan and Cleo jump into a book, they find themselves thrust into a quest to save the kingdom. In order to save the kingdom, they will have to fight elves, trolls, and the mighty Golden Dragon. Danger comes from many places, and the two are not sure who they can trust. Only magic will end the war, but will it help them find the right key and return home?

This fast-paced fantasy contains many fantastical creatures that will enthrall younger readers. Danger lurks around every corner, which keeps the suspense high throughout the entire story. When Evan and Cleo meet the manticores, there are several fun riddles that readers can try to solve. Because of some overlapping plot points, The Wizard’s War should be read after the first two books of the series.

Throughout the story, Evan and Cloe show their bravery, brains, and devotion to each other. Working together to defeat evil is the main theme of the story. King Ledipus’s words reinforce this theme when he says, “Today we start a new chapter in the world, one where all creatures—humans, elves, manticores, dwarves, dragons, and even trolls—live in harmony. We will work together to build a future where all can find happiness.”

The story contains a lot of dialogue and short descriptions that help keep the story interesting. A full-page illustration appears in every chapter. The story contains magic wands and magic spells, which are clearly fantasy and not part of the real world. The Wizard’s War will be a hit with readers looking to take a trip into another world. The ending contains a cliffhanger that will leave readers reaching for the next book of the series—The Titanic Treasure.

Sexual Content

  • None

Violence

  • Elves throw a net on Evan, Cleo, and Vixa. “They struggled but it was no use. Even Vixa’s blade couldn’t cut the net.” The elves take the captives to the queen. “The elves tied up Evan, Cleo, and Vixa and led them to a platform made of logs.” The queen orders the elves to let them go.
  • A group of trolls uses a catapult to fling “a fiery lump” at Evan, Cleo, and Vixa. “The fireball roared past them.”
  • Cleo and Evan try to escape the trolls by riding on a railroad cart. The trolls follow them in their own cart. “One of the trolls leaped into their cart and bared his yellow teeth. He growled and swung his club with the force of a sledgehammer.” Cleo slows the cart and s out of the cart. “Evan curled his legs under the troll’s chest and kicked up. The troll lifted into the air just as the cart shot under a low bridge. His head smacked into a beam and he flew out of the cart.”
  • When another troll attacks, Cleo “kicked the troll in the face. The creature swung his club. It whizzed past Cleo’s head and smashed the hand brake to splinters.” Cleo causes the troll’s cart to flip and “the troll flew forward and smacked into the tunnel wall.”
  • Someone jumped onto a troll’s back and “yanked on the troll’s ears. . .”
  • A dragon attacks Evan and Cleo. “Another flame spewed from the dragon’s throat. . . Evan rolled away and crept behind a statue of an ancient king.” During the attack, the dragon’s “tail whipped around and hit Cleo.” The battle takes place over a chapter.
  • During the final battle, dwarves, manticores, and others fight to defeat the evil villain. The manticore and dragon fight. “The manticores clawed and bit and let their spikes fly. The dragon swung her tail like a club.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The library under the school has a magic portal that takes people into books. When a person travels into a book, they become a character in the book.
  • When Evan and Cloe become characters in a book, Evan is a wizard and Cloe is a moon elf.
  • An evil character controls the king and his daughter through a headband that uses “dark magic.”
  • One of the characters is a manticore, which is a “lion with bat wings, and the end of its tail was covered in sharp spikes.”
  • Tannis wants Vixa to find the Dragon’s Orb because it “has the power to control dragons.”
  • Cloe poured a “silvery liquid onto Daruis’s wing. The leathery skin began to mend. She took the rest of the potion and poured it into Darius’s mouth . . . The manticore seemed to swell with strength.”
  • When Evan uses a spell, “orange light fired out and hit the troll in the face. Daisies sprouted from the troll’s head, and his nose started blinking like a holiday light.”
  • During the story, several of the characters smash a crystal that opens a magical doorway.
  • Evan uses the “Monstrous Transformation spell,” which makes him become large.

Spiritual Content

  • None

 

The Hidden Oracle

There is no way to punish an immortal god, right? That is what almighty Apollo, god of the sun, thought, but he is quickly proven wrong as his father, Zeus, casts him down to the mortal world as a powerless, friendless, and—even worse—ugly sixteen-year-old boy named Lester Papadopoulos. As if it can’t get any worse, Apollo (now Lester) can’t even remember how he incurred Zeus’s mighty wrath.

With nowhere and no one to turn to, Apollo lays his trust in a runty twelve-year-old girl named Meg and the teenage demigods that reside in Camp Half-Blood. There he seeks help from the campers, including some of his own children, and begins to discover disturbing secrets that may endanger those he grows close to.

Fast-paced and witty, The Hidden Oracle is a humorous read for younger and older readers alike. Fans of Percy Jackson and the Olympians and Heroes of Olympus series will rejoice as Riordan once again paints a world of mystery and mythology that enthralls readers. However, the book touches on sensitive topics such as sexuality and battle violence that may be of concern for some parents. Nevertheless, it is an entertaining novel that is well worth the read.

Sexual Content

  • Apollo mentions his hope that Meg does not develop a crush on Percy Jackson.
  • Apollo has two loves of his life that he mentions several times throughout the novel. Both of his relationships ended in tragedy. One of his loves was Hyacinthus, a strong hero who happened to be a man. The other love was Daphne, whom he dreams of and describes as having, “those lips I had never kissed but never stopped dreaming of.” Due to losing these loves, he swears off marriage as others “had never possessed my heart” as his true loves once had.
  • Apollo encounters some of his demigod children at camp Half-Blood. When he meets each of them, he remembers the romantic relationships that he had with their parents. “To my teenage self, our romance felt like something that I’d watched in a movie a long time ago—a movie my parents wouldn’t have allowed me to see.”
  • Apollo is embarrassed by the attention of some female campers, and he says, “My face burned. Me—the manly paragon of romance—reduced to a gawky, inexperienced boy!”
  • Nico di Angelo and Apollo’s son, Will Solace, are dating. Apollo has no problems with their relationship because he has had “thirty-three mortal girlfriends and eleven mortal boyfriends? I’ve lost count.”
  • Apollo once created a child with another man.
  • Apollo “accidentally saw Ares naked in the gymnasium.”
  • One of Apollo’s former girlfriends, Cyrene, got together with Ares to get revenge on Apollo.
  • Apollo argues that gods are almost always “depicted as nude, because we are flawless beings. Why would you ever cover up perfection?”

Violence

  • When Apollo crashes on Earth, a group of hoodlums beat him up. “My ribs throbbed. My stomach clenched . . . I toppled out and landed on my shoulder, which made a cracking sound against the asphalt.” His opponents pull out a knife, but it is not used. One of the boys “kicked me in the back. I fell on my divine face. . . I curled into a ball, trying to protect my ribs and head. The pain was intolerable. I retched and shuddered. I blacked out and came to, my vision swimming with red splotches.”
  • A lightning wielding cyclops kills one of Apollo’s sons. The death is not described.
  • Percy, Meg, and Apollo get into a car crash in which their car is totaled. No one is seriously injured.
  • A mythical grain spirit called a karpoi bites the head of a nosos clean off in one chomp.
  • Meg slaps Apollo’s face to wake him from a dangerous trance. He promptly vomits afterward.
  • Meg “poked Connor Stoll in the eyes and kicked Sherman Yang in the crotch.”
  • There is a famous story about Apollo in which he slays the mighty monster Python. He “killed Python without breaking a sweat. I flew into the mouth of the cave, called him out, unleashed an arrow, and BOOM!”
  • There is a legend about Apollo “skinning the satyr Marsyas alive after he challenged me to a music contest.”
  • After a dangerous camp activity, “Chiara had a mild concussion. Billie Ng had come down with a case of Irish step dancing. Holly and Laurel needed pieces of shrapnel removed from their backs, thanks to a close encounter with an exploding chainsaw Frisbee.”
  • Two satyrs die attempting to retrieve and bring the Oracle of Delphi back to Camp Half-Blood. Their deaths are not described.
  • Apollo wishes that he could have “picked a nice group of heroes and sent them to their deaths.”
  • Apollo and Meg battle killer ants who attack in groups, snap through Celestial bronze, and spit acid. “Meg’s swords whirled in golden arcs of destruction, lopping off leg segments, slicing antennae.”
  • The pair meet a geyser god that suggests that they do not jump in his water unless they “fancy boiling to death in a pit of scalding water.”
  • A man almost stabs himself to obey the orders of his master, Emperor Nero.
  • Apollo attempts to fight Nero and “let out a guttural howl and charged the emperor, intending to wring his hairy excuse for a neck.” Later, he fights one of the emperor’s bodyguards and “spun Vince like a discus, tossing him skyward with such force that he punched a Germanus-shaped hole in the tree canopy and sailed out of sight.”
  • There is a large battle near the conclusion of the novel in which many characters fight a giant mechanical statue. It is described over several chapters and many are hurt in the process, but the ending is victorious for the heroes.
  • Nyssa slaps Leo in the face because he was missing for several months.

Drugs and Alcohol

  • Ambrosia is the food of the gods and their immortal bodies allow them to eat it as their normal food. Demigods eat ambrosia if they are sick or injured because it instantly heals them. However, if mortals attempt to eat it, they burn up inside and possibly combust.

Language

  • “Crud” and “darned” are each used once.
  • Meg tells Apollo that he has landed in Hell’s kitchen and he thinks, “It seemed wrong for a child to say Hell’s Kitchen.”
  • Apollo is dragged across a river, “scolding and cursing.”
  • Many demigods mutter ancient Greek curses when they are angry.
  • A demigod calls a friend, “Idiota,” when she does something wrong.
  • Many characters use the expressions, “thank the gods!” and “oh, gods.”
  • Percy “yelped a curse that would have made any Phoenician sailor proud.”

Supernatural

  • Most of the characters are demigods and have magical powers that they have inherited from their godly parent. For instance, Meg can control elements of nature (plants, soil, grain spirits, etc.) because her mother is Demeter, the goddess of agriculture.
  • Many Greek mythological creatures and monsters appear in the story.
  • Nico, the son of Hades, uses his powers to sit with his boyfriend by saying that the “zombies stay away” if he is seated near him.
  • It is mentioned that Leo died and then came back to life. The details of this event are found in one of Riordan’s previous books.
  • When a demigod is claimed at Camp Half-Blood, a glowing symbol appears above their head to show their parentage.  This happens to Meg during the campfire ceremony.
  • Some trees in the woods of Camp Half-Blood are the ancient Grove in Dodona, which is a powerful force that whispers prophecies. Finding this grove is the catalyst for the majority of the novel’s plot. The wood from these trees was used for the mast of the Argo, which could “speak to the Argonauts and give them guidance.”
  • Meg tells Apollo about a looming threat to which he responds, “I had been hoping she would say something else: giants, Titans, ancient killing machines, aliens.”
  • Magical creatures emerge from the woods to aid Apollo in his quest to stop the evil Emperor Nero. “The shimmering forms of dryads emerged from their trees—a legion of Daphne’s in green gossamer dresses . . . They raised their arms and the earth erupted at their feet.”

Spiritual Content

  • In this book, the Greek gods are real and have a presence in the world. All of the legends about them are true, and they are immortal. The main character is a god who has been turned mortal.
  • The source of the gods’ powers is their presence in the minds of humankind, and if they are forgotten they will eventually fade. “Gods know about fading. They know about being forgotten over the centuries. The idea of ceasing to exist altogether terrifies us.”
  • It is discussed how in ancient Greece, priests tended and cared for the sacred Grove of Dodona.
  • When the character of evil Emperor Nero is introduced, Christians are mentioned as being scapegoated by him. In response to these accusations, he says, “But the Christians were terrorists, you see. Perhaps they didn’t start the fire, but they were causing all sorts of trouble.” A terrifying event is then mentioned in which Nero had “strung up Christians all over his backyard and burned them to illuminate his garden party.”

by Morgan Filgas

 

Deception’s Princess

As princess of Connacht, and the last of six daughters, Mauve’s life should be perfect. As she matures, rich and powerful men begin to notice her because of her beauty and dowry. After all, who wouldn’t want to marry Mauve and become the next high king?

But Mauve must learn how to keep her suitors at a distance without offending them. She must learn who can be trusted and who is an enemy.

When Mauve becomes friends with Odran, the son of a visiting druid, she learns what true friendship is. But she also learns that having a friend can lead to danger—both for herself and Odran. In the end, will Mauve stay loyal to her family or will she choose to follow her own heart?

Mauve is a feisty heroin with the spirit to go after what she wants. At times she can seem ungrateful and selfish. As she tries to figure out who she is, she often endangers herself and those around her. However, the reader can understand her struggle to find a path of her own.

The book is interesting, but it is not a page-turner because of a lack of action. However, because most of the violence is not described, the book is suitable for younger readers. Additionally, the ending is satisfying enough on its own that the reader can choose to end the series after book one or to continue on to read the second book, Deception’s Pawn.

Sexual Content
• The queen has asked the fosterlings girls to try to find out where Odran disappears each day. When Mauve finds out about it she thinks, “Our fosterlings girls aren’t hunters, and flirting with Odran won’t work, but what if they flirt with someone who is a hunter? A good one? There were any number of young men under our roof who fit that description and who would willingly trade their tracking skills for kisses and the promise of more.”
• Odran slips his arm around Mauve’s waist and they kiss. “His lips still held the taste of the bread I’d brought for us to share and had a faint savor of sweetness. I was so startled by his kiss that though I kissed him back, I stood like a stone in his arms.” After the first kiss, “He was about to gather me into his arms again, but I was quicker. Now I knew what I wanted, and I was the one who led the way. Oh, such a soaring feeling. So sweet, so free, and so wrapped in its own enchantment that we hovered in a moment outside of time.”
• In another scene Odran and Mauve kiss. “He moved so desperately fast that our teeth collided and my mouth was crushed . . . I thought I was going to die from lack of breath and I didn’t care…I yearned for him all the more and held him fast.”

Violence
• Mauve’s friend Kelan is killed because “he claimed he overheard my darling mutter that someone else deserved that damn piece of meat. False! False! He refused to hear my beloved’s oath that he’d said no such thing, challenged him to fight it out and killed him at the second blow.” Later on, Mauve finds out that her father ordered Kelan’s death because Kelan taught her how to use a sword.
• Odran’s father finds out that he has been helping injured animals. Odran’s father is so upset that he kills the animals. “The blackthorn stick lashed down. There was a sickening sound of impact and agonized yelp, and Muirín lay stretched dead of the floor. I was still frozen by the horror of that small broken body when Master Íobar strode to where the hare crouched, trembling, and destroyed her too.” When Mauve and Odran question Master Íobar, he strikes Ordan.
• It is hinted that one of the men hits his servants.

Drugs and Alcohol
• Often the king entertains guests. During the nightly feast there is mead. One evening the men are “overcome by all the mead and Gaulish wine they’d been drinking.”

Language
• Damn is used by one of the servants.

Supernatural
• None

Spiritual Content
• Because the story takes place in Ireland, there are references to the Fair Folk, the Otherworld, as well as important times of year such as, “Samhain, the time of shadows, the turning of the year from light to dark. The border between our world and the realm of the spirits grew as thin as frost on a blade of grass. Few dared to venture outside on that night for fear of meeting the fair folk or the dead.”
• A druid is a major character in the story. Maeve explains, “. . . druids and bards were often touched by Lugh, the god of poets.” Later in the story, the men plan to take a trip to, “watch horses run and men compete in countless athletic games to honor the god Lugh . . . ”
• Mauve’s father is afraid of a druid because “he is a man who can speak to the gods! He reads their desires and commands our sacrifices . . . he has the power to curse us down to the marrow of our children’s bones!”
• As Maeve takes a walk she thinks, ”this snowfall was a gift from the Fair Folk, from the gods, a magical spell that transformed familiar places with glittering enchantment.” Later on in the story, she thinks, “the gods seemed to listen.”
• Mauve becomes upset when an animal she was caring for dies. “I don’t know if he buried the body or left it for Flidais to find. Goddess of wild things, lady Flidais, take back your own, I prayed. Let the last gift of his body feed your other children. Let his spirit find peace.”
• Mauve keeps a piece of her dead friend’s sword. When she does she thinks, “At Samhain, when the dead bring their grievances to the living, no angry spirit came to haunt me. That was how I knew I’d done the right thing.”
• When Mauve’s mother becomes pregnant, “there was no counting the number of offerings my parents made to the goddess Brigid in her role as blesser and helper of childbirth.”
• Mauve’s friend Odran takes care of injured animals. His mother taught him how to care for animals. As he tells how he learned his skill, Odran explains that his father did not like the animals but, “Mother’s friend was there to remind him that he owed my life to Flidais, the goddess who cares for wild things.”
• When the king announces that he will not travel to Tara for the rites, a druid yells at him, “Are you so weak that you’d sacrifice the safety of your people, the fate of all Èriu, and the gods’ favor because you must cling fearfully to one woman’s skirts? I tell you, you will bring a thousand curses on everything you love if you follow any path that keeps you from your appointed place at Tara this Samhain. I know it for every one of those curses will come from my mouth and break over Cruachan like a thunderbolt mighty enough to shatter stone!”
• A series of pranks occur and the people blame it on the fair fokes. One man suggest that, “Lord Eochu’s druid ought to read the omens and see what he’s done to offend the gods.”

Enchantment

As a child, Ivan stumbled across a slumbering princess in a forest clearing. Terrified by the beast that guarded her, he fled. But years later he is compelled to return by the need to determine if his princess was a childhood fantasy. Unfortunately for him, she was not.

Ivan is thrown into a world a thousand years in the past. Despite the fact that he is already engaged to a simple American girl, Ivan discovers that he is expected to marry the princess. If he fails to do so, the kingdom will become forfeit to the evil witch, Baba Yaga. However, Ivan must prove to himself and to the kingdom’s subjects that he truly is worthy of their princess.

Filled with culture, magic, and an interesting look into how modern people would fare in ancient times, Enchantment is a joy to read. However, some adult themes make this novel appropriate for a more mature audience than Card’s most famous book, Ender’s Game. Nevertheless, this is an intriguing story that will draw you in for an enjoyable tale.

Sexual Content

  • When Katerina meets Ivan and knows they are destined to get married, she thinks, “And in the marriage bed, wouldn’t he lie more lightly upon her than any of the hulking knights who had looked at her with covert desire?”
  • When the king meets Ivan, the king makes, “a reference to the presumed consummation of their marriage.”
  • Baba Yaga thinks about her husband, who is also a god. “He was the only male she’d ever slept with that she couldn’t kill no matter how much she sometimes wanted to.”
  • Baba Yaga tells a bear that if he betrays her with another woman, “your balls fall off.” She then tells him to, “Stick to swans and heifers or whatever it was that Zeus had a taste for. Or she-bears. But as far as humans go, you’re mine.”
  • When Ivan and Katerina are married, Ivan thinks that he had hoped to marry out of love. When he thinks of his marriage night he is concerned. “To bed a woman who was only doing it because her people were being held hostage. How is this going to be distinguishable from rape?” In a book that Ivan had tried to read, the author “had written that ‘all women love semi-rape . . . But the idea seemed so loathsome to him that even if it were true, he did not want to know it . . . To sleep with an unwilling woman—Ivan was not even sure he would be able to perform.”
  • At the wedding, Ivan is unsure what to make of the guest’s behavior. “The crude comments about how he was going to keep the princess turning on the spit longer than a suckling pig gave him a new appreciation for the Jewish ban on pork. And the children who asked if they could come play in the tent that his erection would make of the bedcovers left him speechless.”
  • When Ivan’s fiancé finds out that he married Katrina, she is upset. One of the reasons she is upset is because she and Ivan never had sex and people teased her saying he was gay or had a childhood injury. “They kept thinking up some new malady to explain his lack of sexual drive. ‘He has elephantiasis of the testicles’—that was a favorite—‘his balls weigh thirty pounds each.’”
  • When Ivan and Katerina consummate their marriage, the act is not described in detail, but Katerina thinks about what she had been told. The advice is told over a page and includes,  “Most of them spoke of the casual brutality of men, like dogs that mounted bitches, boars on sows. It will hurt. . . One took her aside warned her not to cry out in pain—some men will think it should always be like that, they’ll come back for more of your pain instead of for your love . . . If you don’t make him welcome, he’ll find someone else who will. Other told her to be grateful when he found someone else, because then he’d only bother her when it was time to make babies.”

Violence

  • Baba Yaga used magic to turn her husband into a bear. “Yaga found her husband tearing at a human thigh. It was disgusting, the way he let blood drool onto his fur, making a mess of everything. One the other hand, the ligaments and tendons and veins stretched and popped in interesting ways.”

Drugs and Alcohol

  • None

Language

  • Profanity is used rarely throughout the book, including bitch, damn, and shit.
  • Katerina tells Ivan, “Not everyone is as tall as you. . . I don’t imagine you could even lie down straight in a regular house. Not without sticking your head out the door and your ass in the fire.”
  • The king calls the witch a “great bitch.”
  • Shit is used several times. One example is when the bear tells Baba Yaga that when he kills men, he doesn’t need a sword, “I roar at them and they shit themselves and run stinking into the woods.”
  • Ivan thinks he wasn’t worthy of Katerina and that, “the only men who tried to date such women were the arrogant assholes who thought every woman wanted them to drop trou and let the poor bitch have a glimpse of Dr. Love.”

Supernatural

  • Time travel, magic, witches, and old Russian gods are integral parts of the storyline.
  • Baba Yaga is an evil witch who uses magic and spells to try to gain a kingdom.
  • Mikola Mozhaiski is the bear god. Some people thought Mikola Mozhaiski kept Baba Yaga in check.
  • A magical bear, who is a god, was watching over Katerina as she slept.

Spiritual Content

  • Katerina is a Christian. She believes in Mikola Mozhasiski and the Holy trinity. “. . . unlike God, you couldn’t pray to Mikola Mozhaiski, you couldn’t curry favor with him, he asked of you neither baptism nor mass.”
  • Ivan is a Jew who practices his religion. When Katerina first meets him she wonders why a wolf hasn’t sent him on to heaven. Then she thinks, “Well, not heaven. He was a Jew.”
  • Katerina’s father would like her to choose another husband, even if it means they will have to fight to keep the kingdom. Katerina said, “Father, I am a Christian . . . But the armies of Rome have been defeated many times since they converted to Christianity. Maybe when God has some great purpose, like converting an empire, he gives victory to is follows. But Christians can die.”
  • Katerina prays. “And in that moment, she had prayed, O Mikola, O Tetka Tila, O Lord Jesus, O Holy Mother. . . then she realized that she had prayed to Jesus third, not first, and when she spoke to the Holy Mother, it was not so much the Blessed Virgin as her own dead mother to whom she prayed. No doubt this was damnation, and she sank down into sleep, into despair.”
  • Baba Yaga asked the bear to kill someone and she reminds him that he is immortal. Baba Yaga mocks him saying, “You’ve lost faith in yourself. Isn’t that rich? A good who has become a self-atheist!”
  • When Baba Yaga told bear he should have remained a weather god, he said, “Weather god was never my option. This people didn’t need a sky god. They needed a god to keep winter under control. Like any good king, we respond to the needs of the people. We become what they need us to be.”
  • One of the characters, Dimitri, has a dream and thinks the Winter Bear has determined that he should marry the princess. Even though the priest has forbidden him to perform the old rites, Dimitri still performs them because the “Christian God had not replaced the old gods. Father Lukas was full of lies. And the Winter Bear was full of promises.”

Goddess

Ares was just the beginning of Helen’s problems. The rest of the gods are free, and they have gone right back to wreaking havoc on mortals. Helen might be the only one who can stop them, but in order to do so, she must do the unthinkable. She must become a goddess.

Becoming blood brothers with Orion and Lucas has changed everything. The four Scion houses are united, yet Atlantis is nowhere to be found. Helen scrambles to keep the people she loves safe, while also searching for a way to defeat literal gods. She begins to realize that she can’t keep everyone alive. The only question is, who will die in this war against the gods?

Helen comes into her own in Goddess. She is a powerful character who drives the story forward. Lucas also narrates a bit of the story, allowing the reader to see Helen’s strength from an outside perspective. There is a decent amount of sex and violence in this story. Goddess twists and turns in a way that will keep readers on the edge of their seats until the very end.

Sexual Content

  • Aphrodite curses a city. She says, “I abandon this place. No man shall feel desire, and no woman shall bear fruit. You will all die unloved and childless.”
  • The Greek gods return to Earth. They rape and kill several mortal women. “A terrified woman was struggling against a massive claw that was wrapped around her waist. Enormous wings . . . beat the air as the giant bird hauled her into the night sky.”
  • Andy is part siren, which means all men and even some women are incredibly attracted to her. Andy “had run away from every man who’d pursued her, but that didn’t stop them from chasing. She’d run away from the girls who had pursued her, too, and there had been plenty of those.”
  • When Helen and Orion are talking, Hector yells, “Hey, Orion? Put some pants on, toss her over your shoulder, and carry her off like a man, for the love of Pete!” He’s mostly
  • Helen and Orion kiss a few times. “He lowered his head and kissed her . . . she slid her hands across his shoulders and the back of his neck. The only thing that she could think was how amazing Orion felt. Amazing.”
  • Matt “turned his head and stared at the wall as [Ariadne] tossed something silky and lace-trimmed in her closet.” Ariadne tells him, “My lingerie isn’t going to strike you blind, you know.”
  • Helen sees a vision of Guinevere and Lancelot. “His hands dug into her hair, sending her hairpins flying and her tresses tumbling down around his calloused fingers in messy locks. His lips nudged hers apart. Guinevere fell back against the flagstones and pulled Lancelot down on top of her. He slid his knee between her thighs, pushing her many-layered skirts up until his hand could reach the bare skin underneath.”
  • Orion warns Cassandra that Phaon, “only goes for little girls.”
  • Ariadne and Matt have sex. “As Matt picked her up and carried her over to his bed, he marveled at how simple a gesture it was.”
  • In one of Helen’s visions, she “woke with Paris’ naked body tangled up with hers . . . Helen joined the memory as Paris was slipping into a deep sleep shortly after they had made love for the last time.”
  • When Phaon is about to die, he says to Orion, “Why so frustrated? I already told you, you can have the little one, Orion. You know she wants it from you.”
  • Cassandra, who hasn’t hit puberty yet, “turned her mouth up to his like a shy flower opening for the first time. In a daze, Orion lowered his lips and kissed her. Lucas’s foot connected with the side of Orion’s head . . . ‘She’s just a child!’ Lucas growled . . . ‘I know!’ Orion hollered. ‘I shouldn’t have–I’m sorry!’ “

Violence

  • It was feared that Helen of Troy was pregnant with the prophesized Tyrant, so Menelaus said, “I will beat the child out of you and love you still.” Then a mob tries to stone her. “When the first stone struck her, she did not cower or try to cover herself. More stones followed, battering her from all sides, until the mob ran out of stones to throw.” Helen still does not die, so the crowd says, “Behead her. It’s the only way.” To which Helen responds, “Yes, get a sword . . . I beg you.”
  • When Helen of Troy first discovered she was pregnant, she tried to kill herself and her baby. She says, “I tried, but I couldn’t do it. I couldn’t kill us myself.”
  • When Phaon tries to kill Orion, Helen springs to his defense. Lucas “held on to her, even though in that moment she was hotter than the surface of the sun . . . She switched off the current immediately, and he fell down with a scream . . . His hands, chest, and cheek were black and bloody, burned down to the bone by the ball of lightning she had created. He writhed on the ground in agony.”
  • When Daedalus duels Phaon, they realize, “He’s going to bleed Phaon to death . . . A cut here, a bone-breaking blow there, and on and on it went.”
  • Matt and Hector duel. “Matt’s sword was buried up to the hilt in his chest . . . Hector held onto his side, still clutching the thick blade that had run him clean through the heart. He hit the ground and his head turned upward, his eyes staring directly at the clouded sun.”
  • When Lucas challenges Achilles to a duel, his brother wonders, “Are you trying to kill yourself?”

Drugs and Alcohol

  • Helen finds out that Daphne has been drugging her father to keep him asleep.

Language

  • When Helen finds out her mother has been drugging her father, she plans, “to kick that no-hearted bitch’s ass.”
  • The words crap, moron, dickhead, and jackass are used once or twice.
  • The words hell and damn are used often.

Supernatural

  • Helen and her friends have many powers. These include controlling hearts, flying, breathing underwater, super strength, super hearing, and the ability to sense lies.
  • When Helen starts being able to see emotions, she says, “It’s as if everything that everyone is feeling is splashed across their insides, and I can see it!”
  • The Greek gods are real.
  • The people from the Trojan War, such as Achilles, Hector, Paris, and Helen, are real and have been reincarnated.

Spiritual Content

  • None

Starcrossed

Helen has always been odd. Her biggest fear growing up was that someone would find out how much of a freak she really was. It’s not until a strange new family moves to her hometown on the island of Nantucket that she begins to realize just how different she is from the average teenager.

When the Delos family arrives, they open Helen’s eyes to another world. One where the ancient Greek stories of Troy, Tartarus, and Mount Olympus are true. Helen is more closely tied to this world than she could ever have dreamed. She is a Scion, a demigod, and with that knowledge comes the awakening of a myriad of powers she must learn to control.

But along with the Delos family arrives a curse. Scions have been tormented by the Furies for millenniums; three sisters who demand a blood debt be paid. This tortuous debt has cost countless lives, divided families, and driven Scions insane. Yet if that debt were to ever be paid in full, it would bring the end of the world.

Starcrossed is a page-turner that creates a world so wonderful one can’t help but wish it was real. Ancient Greek myths mesh with modern times in a delicious way, creating vivid characters and a whirlwind of action.

The Starcrossed series is best suited for more mature readers because the fight scenes add suspense, but also violence and blood.  There are few kisses but a plethora of sexual tension because Helen cannot be with the man she is falling in love with.

Sexual Content

  • While injured, Helen sleeps in the same bed as Lucas. “She gasped involuntarily as one of Lucas’s hands ran up the length of her thigh and latched on to the sloping dip from her hip to her waist. Then she felt him tense, as if he’d just realized that pillows weren’t shaped like hourglasses. His head jerked up and he looked around.”
  • When discussing Lucas with Helen, Kate says, “He’s like . . . wow! I could go to jail for even thinking what I’m thinking . . . But we’re not talking about me. We’re talking about you and Lucas and the importance of condoms.”
  • Creon lusts after Helen. “She was powerful, and yet so unaware of her potential she was nearly helpless. His hands shook at the thought of conquering her.”
  • Helen thinks she accidentally killed a child molester with her lighting. “That creepy guy . . . remember how he kept ‘accidentally’ bumping up against you and stroking your hair?”
  • When Helen is learning jujitsu Hector cracks a joke about Helen’s, “prone body and open legs.” Then Claire teases, “I would have thought it would be harder to get between your legs, but Hector doesn’t seem to be having any trouble at all.”
  • Helen and Lucas experience a lot of sexual longing while trying to stay away from each other. Helen asks Lucas, “Why are you sleeping on my roof and not in my bed?” Later she realizes that “There was a part of Helen that knew exactly how to seduce Lucas whether he wanted to be seduced or not, and that freaked her out.”
  • Helen wears the cestus, a mythical object that protects her. It looks different to everyone, because it turns into what most attracts them. When testing it, Helen “looked at Hector, focusing on him alone, and she felt her necklace change shape in her hand . . . Helen looked down and saw that she was holding a tiny scrap of lace that more closely resembled diamond-encrusted dental floss than underpants.”
  • Helen and Lucas kiss. “Lucas caught her and supported her as they tumbled on the wind, holding and kissing each other as he guided them safely back down to the catwalk.”
  • Lucas and Helen try to find a way to be together without being considered married. Helen suggests, “What if I wasn’t a virgin?” Lucas responds, “We’d be considered a married couple in the eyes of the gods, regardless of who took your virginity.”
  • When Lucas sees Helen in her pajamas he says, “since you apparently sleep in the most ridiculously transparent tank top I’ve ever seen, I’m going to have to ask you to get under the covers before I do something stupid.”

Violence

  • Helen attacks Lucas when she first sees him. “Lucas was holding her by the wrists to keep her hands away from his neck . . . if she could get her fingers half an inch closer, she could reach his throat. And then what? a little voice in her head asked. Choke the life out of him! answered another.”
  • Helen is attacked by a mysterious woman. “A wiry arm wrapped around her neck, simultaneously pulling back and pressing down until Helen fell to her knees . . . white and blue blobs bloomed across her field of vision . . . Helen crooked her arm and rammed her elbow into her attacker’s solar plexus with every bit of juice she had in her tank. She heard the person suck wind and then felt herself get dropped.”
  • Helen gets beat up when trying to learn how to fight. “Helen swallowed a mouthful of spit and blood and instantly regretted it when she choked on one of her own teeth.”
  • A reporter is murdered by a Scion. “She was lovely in terror–a perfect, pleading mast of alabaster white skin . . . Creon wanted to hold her like that for days, but a split second of enjoyment later he heard a snap. Like a switched-off TV, the light in her eyes contracted to pinpricks, and then went completely dark.”
  • It turns out that Helen is impervious to all weapons. “He started hacking away at her. Four strokes in, and the blade was ruined . . . The rain of blows ended abruptly when the sword fell apart.”
  • Creon tries to kill Helen. “He brought it down directly over her heart. Creon’s knife made a dozen pinging noises as it shattered and scattered off her skin . . . Lucas jumped on Creon with a vicious snarl, and the two of them began to fight so fast Helen could barely see their hands move. They punched and grabbed and gouged at each other, both of them changing from claw-handed boxing to some kind of strange wrestling in which they tried to bend each other’s joins in the wrong direction.”
  • Helen’s mother wakes up after being abducted. “There were deep vertical slashes on both her forearms that were still leaking fast-pumping blood even as they healed.”
  • A Scion, “drew a small bronze blade from his belt and slit Pandora’s neck so deeply he nearly cut off her head. She was dead before her blood had a chance to soak into the sand.”

Drugs and Alcohol

  • Helen’s mom, “Jabbed a needle into [Helen’s] neck . . . Helen felt her muscles go limp and refuse to follow her commands. The world faded into a pale gray haze.”
  • Helen’s mother is drugged with her own syringe.

Language

  • The words hell and ass are used frequently. Such as, “What the hell are you wearing?”
  • Crap and damn are said several times. For instance, when Claire sees Helen fly she says “Oh, damn it. You are a vampire.”
  • Jackass and shit are said once or twice.
  • Helen thinks, “I’m not usually a bitch–I’m just super-grouchy because I’m being stalked by three blood-crying ghosts who won’t let me sleep.”
  • When Helen is learning to fight with Hector, Jason yells, “She’s never fought before, you dickhead!”

Supernatural

  • Many of the characters in the books are demi-gods and have powers such as super-strength, super-speed, lightning bolts, flight, power over water, etc. In the book, “most of the ancient myths and great dramas are based on real people. The gods are real, and they had children with mortals. Half human, half god. We are their descendants. Their Scions.”
  • Scions are plagued by the Furies who force Scions from other houses to attack and try to kill each other. “For the first time in Helen’s life she knew what pure, heart-poisoning hatred was. She was not aware of the fact that she was running toward him, but she could hear the voices of the three sobbing sisters rise into a keening wail . . . The sisters were tearing at their hair until it came out of their scalps in bloody hanks.”
  • When Claire finds out what Helen is, she admits that she, “was a little worried [Helen] might try to drag me off to hell and drain my essence at some point.”
  • Cassandra is the Oracle. “The voices coming out of her were old and young and everything in between, all speaking in harmony . . . Cassandra’s mouth was glowing, and her hair was writhing around her head like snakes.”

Spiritual Content  

  • Helen and Orion spend much of their time in the Underworld, where all spirits go. They meet Hades and Persephone, and the god of death is mentioned.

Dreamless

Helen’s world is turned upside down when she discovers that Lucas, her beloved, is her cousin. Tormented by the guilt of being in love with someone she is related to, and unable to banish her feelings for him, her despair begins to affect her time in the Underworld. Her experiences in the Underworld are so grueling that her friends and family begin to worry Helen is going insane, or even dying.

Despite her failing health, Helen can’t avoid the Underworld. She is the Descender. She must wander through Hades’ world, and search for a way to stop the Furies from tormenting her family. But her strength is fading. Even a demi-god can only survive so much before the trip to the Underworld stops being a visit, and becomes permanent.

Dreamless keeps the stakes high. Helen is plagued with incestuous thoughts and tries to avoid those by falling in love with her friend Orion. However, that only brings about a love triangle. Lucas burns with jealousy, and Helen is still unable to let go of her feelings for her cousin. This book has adult themes and conversations, as well as a smattering of language and a decent amount of violence. Most violence isn’t extremely graphic, aside from the final battle, which will leave readers dying to get their hands on the third and final book in this beautifully written trilogy.

Sexual Content

  • Castor tells Lucas, “Scions have been plagued with incest since Oedipus. And there have been others in this House who have fallen in love with their first cousins, like you and Helen . . . the children born to related Scions always suffer our greatest curse. Insanity.”
  • Orion and Helen kiss. “His head fell listlessly toward Helen, inch by inch, until his lips grazed lightly against her own. His mouth was very warm and soft. Like a new flavor she couldn’t quite place but that she wanted to swallow whole, Helen pulled his lower lip into her mouth to take a bigger sip of him. Catching his face in one of her hands so she could tilt his wilting mouth towards her . . . “
  • Morpheus, the god of dreams, tries to seduce Helen. “Helen ran her hands across his chest and allowed him to kiss her lightly as he spoke . . . [he] slid her hands up over her head, pinning her under him.”
  • Orion and Helen make out. “He lowered his mouth to hers and kissed her. Her knees melted. This guy was that good a kisser . . . He guided her down to the ground, careful not to crush her underneath him.”

Violence 

  • When Castor tries to stop his son from yelling at Helen, Lucas, “spun around and hit his father. The blow was so hard it sent Castor flying halfway across the kitchen and into a cabinet of glasses and mugs over the sink. Noel screamed, covering her face as shards of broken dishes went flying in every direction.”
  • The Furies make Orion and Helen try to kill each other. “There was blood on her hands. Stunned out of her trance, Helen looked down and saw a dark, wet circle expanding across Orion’s shirt . . . She had stabbed him. And then she kept pushing the tip of the blade into him a tiny bit at a time.”
  • Zach’s master abuses him. “Zach crumpled onto his knees, all the air rushing out of his lungs. Automedon had punched him in the gut so fast he’d never seen it coming.”
  • When a child is born with the ability to cause earthquakes, the child is “left on a mountainside to die of exposure to the elements.”
  • Ares tortured Helen. “Ares hit her face again and then stood up so he could kick her in the stomach. The wind came out between the seized-up muscles . . . He kicked her again and again. If she tried to avoid the blows by curling up and turning her back to him, he stomped rather than kicked. She felt her forearm snap and tried to bring her leg up to protect her side, but that only made him attack her more viciously.”
  • Automedon stabs Zach in the chest, killing him.

Drugs and Alcohol

  • None

Language

  • The words hell, ass and damn are used frequently.
  • Other profanity is used rarely. The profanity includes crap, bitch, dick, asshole, bastard, son of a bitch, bullshit, and dickhead.

Supernatural 

  • There are Greek gods, demi-gods, and myrmidons in Dreamless. These beings have an assortment of powers, from super-strength to the control of hearts.

Spiritual Content   

  • None

Pegasus: The Flame of Olympus

Manhattan is thrown into darkness during the worst storm in history, so when Emily hears a crash on the top of her apartment, she is reluctant to go investigate. However, her curiosity gets the best of her, and what she finds changes her life forever.

Pegasus has fallen from Olympus during a terrifying fight against the Nirads, stone warriors who are out to destroy everything in their path. In an effort to help Pegasus, Emily teams up with Joel. Along the way, the two are greeted with danger from both the Olympian world and the Earth world. Fighting monsters isn’t Emily’s only worry. She must also learn how to avoid a government agency that wants to capture Pegasus. In the end, will Emily and Joel be strong enough to protect Pegasus and themselves?

Pegasus is a fast-paced story with a lovable heroine, Roman gods, and plenty of action. Because the story is told from Emily’s point of view, the reader is able to connect with not only Emily, but with the other characters as well. Even though the story has violence, the descriptions are mild and allow the reader to imagine the details. O’Hearn weaves the Roman myths into a modern setting that will leave readers wanting more.

Sexual Content

  • None

Violence

  • When Nirads fight to destroy Olympus, many of the Roman gods are hurt. Mercury was, “lying on his side, a spear sticking out of his chest. Blood matted his fair hair, and his face was covered with bruisers.”
  • Paelen, an Olympian thief, was captured by a government agency. They put him in a secret government facility and restrain him with chains. “. . . Two men in white overalls rushed forward and caught hold of his hands to restrain him. But when Paelen proved too strong for them, more men arrived. They wrestled his hands down until he was finally handcuffed to the sides of the bed.”
  • The Nirads try to kill Pegasus and Emily. The fight lasts several pages. “Emily lunged forward and jammed the points of the pitchfork into its black eyes. Howling in rage, the creature fell to the ground and raised two hands to its face. Black liquid oozed between its fingers and dripped onto the tarmac.”
  • Paelen will not answer Agent J’s questions. “Driven to fury, the older man started to slap Paelen violently across the face.” When Agent J leaves, someone said, “If he keeps pressing Agent J like that, the man will have him sliced and diced and poured into Mason jars.”
  • Paelen finds a dead Nirad at the prison. “Instead his eyes were drawn to a deep scar burned on the folded-back skin of the Nirad’s open chest. Closer inspection revealed several other similar scars along its exposed body.”
  • When Paelen is trying to escape, he is shot with a tranquilizer gun. He, “felt the sharp stinging of bees. He looked down at his chest and saw darts sticking into him.”
  • In order to get Emily to talk, an agent grabs her wounded leg. “The pain was blinding. Emily had never known such agony. It stole the screams from her throat and drove the wind from her lungs. Stars appeared before her eyes as the sound of water rushed in her ears. A moment later she passed out.”
  • When a guard calls Pegasus a horse, Diana (Roman Goddess) shoves the agents against the wall. “The wind was driven from their chest with such strength that they were instantly knocked out and crumbled to the floor.”
  • When the government’s agents try to stop Pegasus and others from escaping, Pegasus fights. “The stallion rose on his hind legs and lunged forward. One golden hoof struck Agent O, leaving a deep horseshow impression on his chest. The other hoof hit Agent J in the head with a lethal impact.”

Drugs and Alcohol

  • Joel’s parents were killed when “a drunk driver lost control of his car and crashed into us.”
  • While being held captive, Paelen is given a truth drug. “As the drug took effect, Paelen started to feel what it must have been like to be Medusa. His head was full of writhing, angry snakes; his veins were coursing with fire.”
  • One of the guards at the government agency said, “Want to join me and the boys for a beer later?”

Language

  • None

Supernatural

  • When Emily looks into Pegasus’ eyes images appear. “. . . Strange images suddenly flooded her mind. She saw Pegasus in a dark room, storm-filled sky with lightning flashed all around him.  She felt his determination, his fear. . .”
  • Emily must sacrifice herself to relight the flame of Olympus. “The flames were coming from each part of her, consuming her and spilling out of her every pore. As she stood in the center of the flames, the pain slowly ebbed and finally disappeared completely.”
  • When Emily doesn’t die in the flames, Vesta (Roman Goddess) explains, “You have been reborn.”

Spiritual Content

  • None
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