Topic: Paranormal

All that Glows

Emrys, a fiery Faery, was sent to London to guard the prince from the Old One who is out to destroy the crown.  Emrys is to guard Prince Richard, “Britain’s notorious, partying bad boy and soon-to-be king.”  Richard’s wild ways attack soul-feeding Green Woman, but also Emrys.

In a move that goes against every Faery rule, Emrys reveals herself to Richard and finds herself falling in love with the mortal.  Now she is in a fight against time to discover who the Old One is so she can keep Richard safe.  And if she can keep him safe, she will have to make the ultimate choice—loving Richard or keeping her magic.

 All that Glows is an entertaining story that has suspense, love, and intrigue.  Although others see Richard as an unruly party boy, the reader gets to see the side of him that is unsure and lonely.  As the novel progresses, Richard becomes more and more likable as he grows out of his boyhood partying ways and into a man worthy of being king.

There are several fights between Green Woman and Emrys, and the story ends with a final battle between the faeries.  These scenes add suspense and the reader is allowed to imagine these scenes unfolding since they are described without graphic or gory details.  Like the fight scenes, the love scenes are also tame.   Richard and Emry kiss and Emrys admires Richard’s physique, and although there is sexual longing, the two do not act on this desire.

 All That Glows is an excellent story.  However, there is a fair amount of scenes that revolve around clubbing, alcohol, and sexual desire that may be inappropriate for younger readers.

Sexual Content

  • When Richard looks at Emrys she describes the feeling as, “the strange jolt that seized me when our eyes met.”
  • When Richard takes Emrys to a club, Emrys thinks, “I hate the way he’s looking at me, all slow and squinty, like he wants nothing more than to get his fingers on the zipper of my dress.”
  • Richard kisses Emrys. She describes it as, “a nameless desire in the way he kisses me.  I feel it rising in me as well, swelling like clear, triumphant notes.  He pulls me closer, his kiss growing deeper, a never-ending crescendo.”
  • When Richard kisses Emrys, “it’s so easy to lose myself in the feel of him. His tongue just barely grazes the edge of my lips.  My hands slide up around his neck, anchor in his shaggy hair, pull him closer.  With a single finger he traces the ridged pathway of my spine all the way down to the small of my back…It’s like being in another universe, a time apart.  Nothing else in the world matters but how he’s touching me, making me move.”
  • In another scene, Richard kisses Emrys and she savors, “the taste of him, rest in his warmth . . . he pulls me closer . . . our kisses grow bolder, deeper. Forging new ground . . . I lose myself in his kiss.  In its perfect glowing feeling.”
  • Richard, “leans in closer, so that I feel his breath grazing my check. Deliciously hot.  Here (away from the bed’s feathery sheets), I think it will be easier to stop.  I let our lips collide, press soft into each other . . . ”
  • In another scene when Richard and Emrys kiss, she describes it as, “it’s like I’m diving into him, swimming down, down and never coming up for air. And I never want to.  His tongue grazes mine, inviting me deeper.  To places I could never go in the presence of so many watchers.”

Violence

  • A Green Woman (soul feeder) tries to sink her teeth into the prince. “The teeth beneath her mottled lips grow ragged, meant for tearing tendon from bone. “ Emrys throws herself at the soul feeder.  She then uses her magic to throw the soul feeder, “back with such force that the stall door crumples around her body.”
  • While in the restroom, a man comes in and approaches Emrys. “He’s less than an arm’s length away when he reaches out, his fingers twitching and eager.”  Richard hits the man and stands, “over the howling drunk as he writhes on the floor clutching his face and his awful, running nose.” When the man again reaches for Emrys, the drunk prince knocks him out.
  • After the fight in the club, Richard shows his sister his injured hand. She replies, “Well, you must have had one hell of a good reason to hit him.”
  • When a Banshee (soul feeder) tries to seduce Richard’s friend, Emrys jumps at her, “only dimly aware of the scattering remains of beer glasses and sloshed whiskey.” Emrys throws a spell at the Banshee taking away her voice. Then Emrys’ hands, “envelope her (Banshee), crushing over her larynx.” As she is holding the Banshee, Emrys puts a spell on the soul feeder so she cannot talk about what happened.
  • A Banshee and a Black dog attack Emrys and another fairy. However, Emrys uses a banishing spell to make them flee.
  • Emrys goes into a club to try to question a Green Woman. The Green Woman throws a spell meant to kill Emrys.  Instead it hits a girl.  “The girl’s body lies close to my feet . . .  Her eyes are open—but there’s nothing behind them.”

Drugs and Alcohol

  • The prince goes to a club several times through the story. In each club scene there is drinking.  In one scene, the bartender says, “All the girls buy him drinks, and he gets drunker than a jilted woman on her wedding anniversary . . . he’s gonna get us shut down for all that underage drinking.”
  • While at a club, the prince dances and, “amber liquid sloshes from the top of his beer bottle. . . ”
  • When Emrys tells Richard that his life is in danger he, “emerges with what he’s hunting for—a bottle of whiskey and a weighty crystal glass.”
  • After Richard’s father dies, Richard has a hard time coping. He says, “. . . just a few weeks ago I was at Eton and my biggest worry was whether or not the prefects would find my stash of booze.”
  • When the fairy queen asks Emrys to report on Richard’s behavior, the queen asks, “How’s the prince coping? Drowning in the neck of a liquor bottle?”
  • Richard gets so drunk that he passes out.
  • At a dinner party, champagne and wine, “flows abundantly” and, “the crowd of faces grows increasingly flushed and the laughter grows volumes louder by the hour.”

Language

  • Richard says “bloody hell” after being attacked by a soul feeder.
  • After a night of partying, Richard’s father yells, “I’ll go to hell and back before I let you spend twelve months pissing in the corner of some pub.”
  • When Emrys shows herself to Richard he says, “Shit. I’ve gone crazy.”
  • Richard and Emrys get into an argument. Richard yells, “Maybe that (being dead) wouldn’t be such a bad thing!  Then you’ll be free and you won’t have to babysit me and wipe my ass every second of the damn day!”
  • In an argument, Richard’s sister yells, “Like hell I am,” she huffs. “You don’t just get to tell me I have a flipping Faery godmother and that we’re being attacked by some old thing and then go traipsing off into God-knows-where.”
  • Damn and hell are used several times.

Supernatural

  • There are fairies, spirits, and spells. Throughout most of the book, Emrys uses a veiling spell, which makes it so mortals cannot see her.
  • Emrys uses a banishing spell to keep people away and a spell that wipes people memories. She uses a variety of other spells as well.
  • Emrys talks about Henry VIII and the ghost of his wives as, “disturbed, unrested souls—cluster around, haunting him in all their vehemence.”
  • There are Tower ravens, “prophets clad in black feathers” that warn Emrys that someone is out to kill all of the royal family. In another scene, several of the Tower ravens go to Emrys to warn her about the Old One. They tell Richard that the Old One is, “coming for your crown and head.”
  • Emrys explains soul feeders. “There are spirits whose powers are strengthen by a mortal’s death…They like to hunt in the cities, usually at night.”
  • Banshees suck out mortals’ souls with a scream. They can also shape shift into weasels, stoats, hares, and crows.
  • A Green Woman appears as a beautiful, green-clad blonde to seduce and kill men.
  • Emrys explains that royal blood contains blood magic that can be transferred, which is why the Old One wants to kill him.
  • Emrys explains that there are many types of supernatural creatures including Herne the Hunter, who is a very old spirit who guards the woods of Windsor.

Spiritual Content

  • There’s several references to “the Greater Spirit.” One of the characters tells Emrys, “may the Greater Spirit go with you.”
  • Emrys promises to erase a Black Dog’s memory and tells him, “I swear it by the Greater Spirit.”
  • After Richard’s father dies, Richard says, “Sometimes I wonder if he’s watching me . . . I wonder if he likes what he sees.”
  • Emrys looks at the Thames and thinks, “In dusk’s illuminating glow, the surface of the Thames looks less full of sewage and debris and more like the mighty brown god it once was.”
  • When a faery dies, Emrys says, “We do not know what lies beyond this plane. We can’t imagine where our sisters might be now—yet we know they aren’t gone.”

All that Burns

Emrys’ job was to secretly guard the prince, not fall in love with him.  However, loving him was a choice—one she gladly made, even when she had to give up her fairy power and immortality to be with him.  The mortals distrust her because they think she cast a spell over the young prince.  Now they want her and her fairy sisters dead.

To make matters worse, an old prisoner of Mabb’s has escaped and is determined to kill the royal family.  No one knows who the prisoner is or what he will do.  When Richard is abducted, no one knows if the enemy is a mortal or a fairy.  Emrys and Richard’s sister try to figure out what has happened to him, but they must do it in secret, because in a world where fairy and mortals mix, it is impossible to know who to trust.

All that Burns is an interesting story that focuses on Emrys’ love and the loss of her power.  Richard is worth all she has given up, but she still questions everything—her decision to give up her power and her new place within the mortal world.  At times, Emry’s inner conflict overshadows the story’s action and suspense.  In addition, many of the characters have lived thousands of years and reflect on their life in Camelot.  Thus anyone who is not familiar with King Arthur and Camelot may be confused.  One bright spot in the story is Richard’s sister Anabelle who is fiercely devoted to finding Richard and returning him to Emrys’ arms.

Sexual Content

  • When Richard touches Emrys she says it, “reminds me—in a faint and aching way—of magic. The way a spell burned just under my skin.    Waiting to explode.  This is what his touch does to me.  Every time.”  And then they kiss.
  • Richard’s touch slides down Emrys’ collarbone, his hand sinks into her hair and they kiss. “Richard’s breathe scarves my neck and his kisses trail down, forging new paths all the way to my collarbone . . . Want rises inside me, like the first surge on an unleashed spell.”  When Emrys reaches for the zipper on her dress, Richard “goes rigid.”
  • Another time Emrys kisses Richard and her, “hand slides up his chest and draws him closer.”
  • When another man kisses Emrys, she compares his kiss to Richard’s kiss.

Violence

  • Emrys is plague by dreams of the fall of Camelot. She sees a field that has turned to mud and is, “churned and mixed with the blood of a thousand men.  Full of flailing horses, snapped spears, and knights carved each other to pieces with crude metal.”
  • A mob of angry mortals chase Emrys and are run off by a Black Dog, which is a soul feeder. The Black Dog, which eats mortals and fairies alike, corners Emrys, but doesn’t eat her.
  • Emrys and Richard are attacked by men in black jackets and ski masks. A man presses a knife to Richard’s face and puts a cloth over his face that makes him go still. Emrys escapes only to see a Black Dog coming to get her.
  • One of the king’s guards shoots the fairy queen with electricity, the only thing that can kill a fairy.
  • When the veiling spell is broken, Emrys and the princess are chased by detectives.
  • People burn an effigy of Emrys over a fire barrel.
  • Emrys and Richard are put into a room underground, where they are told they will die when the building above them is blown-up.
  • Emrys and Richard are chased by the Ad-hene, but someone comes to their rescue by using magic to slice a staircase in half. Then the palace of Westminster is blown up, crushing the Ad-hene.
  • In the end the fairies corner Morgaine le Fay, who runs into tunnels that loop and cannot be escaped.

Drugs and Alcohol

  • When Emrys is under a veiling spell, she describes her steps as, “if I’ve had too many gin and tonics. I guess I am drunk in a way, reeling under so much magic after so many months without it.”
  • When inviting an enemy to dine at her table, the princess said, “I was thinking more along the lines of spiking his drink.”

Language

  • Richard tells Emrys, “the thought of losing you scares me shitless.”
  • In a fit of panic the prince’s sister uses magic and then says, “Oh shit. Shit. Shit. Shit.”
  • “Crap” is used once.

Supernatural

  • There are fairies, spirits, and spells.

Spiritual Content

  • None

Gasp

The vision has been passed on to another, but who?  If Jules passed the vision curse to Sawyer when she saved him, isn’t it logical to think that Sawyer passed it on to another?  And is it Jules’ responsibility to help the next person since the vision curse started with her?

Jules and Sawyer go on a search to discover if the vision curse has been passed to another.  After searching and finding the next victim, all they want to do is help.  But the victim’s overbearing mother doesn’t believe in the curse and doesn’t want Jules and Sawyer anywhere near her daughter.  With few clues to go on, Jules and Sawyer attempt to prevent tragedy.  And in the end, they find out that the vision curse refuses to be ignored.

Gasp has enough twists and turns to keep the reader interested.  Jules and Sawyer, with the help of their friends, try to help the next victim of the curse which allows the author to throw many surprises into the storyline.  Unlike bang, gasp focuses more on the mystery of the curse, and less on the romantic relationships between characters, which makes gasp a very enjoyable read.

Sexual Content

  • Jules thinks that her older brother’s crush on a cute guy is “fun” to watch develop.
  • Trey said that a boy, “touched my face and kissed me.” Later in the book, Jules watched Trey kissing the boy.
  • When Sawyer kisses Jules she, “feels like the fire is inside me now.”
  • Jules’ sister asks her if she is ‘sexting.”
  • In one scene that lasts approximately three pages, Jules tells Sawyer to pull over the car. When he does she straddles his lap and then begins touching his face and, “nipping his lips with my teeth, drawing the tip of my tongue across his.”  They then makeup and she unbuttons his shirt.  “I guide his hand up my side and press it against my bra, and through the fabric his thumb stumbles over my nipple.”  In the scene, “his torso jerks and shudders and his gasp turns into a low moan.”  Then Sawyer said, “I’m so sorry. I didn’t even know that could . . . you know, happen, without actually, you know. Touching it.”
  • When Jules’ mom asks where she’s been, Jules thinks, “I try to think of something other than Sawyer spooged his pants so we called it the night.”
  • Jules, Sawyer, and Trey are teasing each other when Sawyer says, “Aw, man. I thought Ben would cure you of this desire to force homosexuality on me for your own selfish whims.”
  • When Sawyer is putting on a wetsuit, Jules yells, “I can’t wait to see your package in that suit.”
  • Jules’ father asks her if she is pregnant.
  • Jules and her father discuss his affair.

Violence

  • The story reviews the school shooting that happened in bang. One of the victim’s wounds are described—“only her guts were ripped up, and the shreds sewn together. She still has tubes going into her arm—pain meds and antibiotics . . . ”
  • Jules thinks about the first vision when she saw Sawyer’s face in a body bag.
  • Jules, Sawyer, and their friends help the victims of a ferry accident.
  • Jules goes back to the scene where she was mugged and describes what happened.
  • Jules asks her father about the “years of never knowing if we were going to come home to find that you killed yourself.”

Drugs and Alcohol

  • They talk about how the victim of the school shooting is “heavily medicated” by pain medication and that when Trey was in the hospital, the pain medications make troy “emboldened.” They say the medication makes a person “stoned.”
  • When walking on a boat, Trey’s walk is described as, “like a drunk.”

Language

  • Jules said spring break being over, “sucked balls.”
  • Rowan’s sister calls her a “grammar whore” and later said, “don’t be a douche.”
  • When Jules father can’t be found she thinks, “He’s a douche for making you worry. Maybe it would be best if he does just go kill himself, so we can get on with our lives.”
  • Jules wonders if her teacher thinks she’s “batshit crazy.”
  • When Jules thinks Sawyer is dead she goes to school where she doesn’t, “want anybody infiltrating it (her grief) with their fake-ass, digesting bullshit.”
  • Profanity is used often throughout the book. The profanity used includes the following: shit, fucking, Oh my God, damn it, pissed, holy shit, and Jesus futhermucker.

Supernatural

  • The story revolves around a person who sees a vision of a tragic event. The vision changes based on if the person is finding clues to help the potential victims or if the person is on the wrong track.

Spiritual Content

  • When Jules feels like she has failed the victim, her brother says, “You didn’t fail. The victim failed.  We are not God.  Or dog.”
  • Jules rolls her eyes to the Jesus in the sky.
  • The victim said, “I guess since you and Sawyer didn’t get shot, we figured you had some mystical protection or a guardian angel watching over you or something.”
  • When the group of teens is talking about the ferry accident, Trey said, “Hey, let’s not bring God into this.”
  • Jules’ parents will not discuss the fact that their son is gay. Jules and her brother don’t go to church because, “if their church won’t accept my brother, they can’t have me either.  Plus her parents, “religious fear runs deep.”

Crash

Jules wonders if she is going insane.  After all, she sees a truck smashing into a building, exploding, and then nine body bags in the snow.  And one of the bodies is that of her childhood friend, with who she is in love.  As the vision comes more frequently, life gets complicated. Jules can’t warn her friend because of a long-standing family rivalry.  And even if she did tell him about the visions, would he think she was crazy?  After all, that’s exactly what Jules wonders.

 Crash is a fast-paced book that throws the reader into suspense from the beginning until the end.  The story is full of drama-family drama, school drama, and boy drama.  Jules doesn’t think she can trust her family with her fear about the visions so she lies and sneaks around.  And it turns out that secrecy is normal in her family; after all, her sister has a secret boyfriend, her father had a secret affair, and Jules secretly tries to figure out the meaning of her visions.

To add to the drama, Jules has been banned from taking to her childhood friend, who may end up in a body bag.  In order to save her friend, Jules is willing to do whatever it takes.

 Crash is an entertaining mystery with lots of unexpected turns.  Jules is a likable character who is easy to relate to because her life is so messy.   Her relationship with her brother adds to the book’s enjoyment.

One downside of the book is the cursing, which is common throughout the book, both in dialogue and the character’s thoughts.  Although the book is entertaining, it also contains some heavy topics such as hoarding, depression, dishonesty, and homosexuality.  Although the topics are not discussed in detail, it is clear that Jules does not respect her father because of his depression and his hoarding.  Also, there are so many characters keeping secrets from each other that honesty seems to be a trait that is not highly valued.

Sexual Content

  • Jules’ brother is gay. There are several times that Jules and her brother tease each other about liking the same boy.
  • When Jules begins acting strange, her brother asks, “You’re not pregnant, are you?” Her brother then tells Jules that he only asked because that’s what their father said.  During this conversation, Jules says she is, “the poster child for purity” because she still has her… Her brother finishes the thought with the words “cheery, and hymen.”  They also mention a chastity belt. During the same conversation, Jules’ brother asks, “You’re not having an alien Antichrist baby for the seed of Angotti?”
  • Jules’ sister is having a long-distance relationship with a boy she met at camp. When Jules asks about meeting him online, her sister replies, “. . . his online user name is Child Predator77.  I sent him pictures of my naked budding bazooms and he wants to meet me behind the Dumpster at Pete’s Liquor to give me candy.  Jeez, Jules!  Of course not.  I’m not stupid.”
  • When Jules’ crush walks into the room, he, “ducks his head in a shy sort of way, which makes my thighs ache, and not because of the bruises” and later when he smiles Jules’ “stomach flips.”
  • Jules’ mother tells her that her father had an affair.
  • Jules’ crush gives her an anxious, “hungry look” before he, “slips his fingers gently into her hair.” Then he leans her against a wall and traces her lips with his fingers. He kisses Jules, “but soon he’s pressing harder and I’m reaching for him and I can’t be bothered to think or remember anything at all.  I just need to be in it and try to breathe . . . “
  • During the kissing scene, Jules describes feeling the warmth of his back and how “his tongue finds mine.”

Violence

  • Jules describes a time when she was delivering a pizza and a guy came up behind her, grabbed her by the neck, and stole her money belt before he shoved her into a snowy bush. The thief held a knife by her ear.   Luckily a stranger tackled the guy and the mugger got away.  The police tell Jules the man was, “probably some meth addict who needed money for supplies.”

Drugs and Alcohol

  • The narrator thinks about her grandfather who, “killed himself with I was little. ”  Although the grandfather’s death is mentioned several times, how he committed suicide is never described.
  • One of the character’s cousins, “takes a drag and drops her cigarette butt to the ground.”

Language

  • One of the Jules’ favorite sayings is, “Oh my dogs.”
  • The narrator describes a character as a “douche” and another as an “asshole.” Her car is a “piece of crap.”
  • The words dammit, hell, crap, fucking, son-of-a-bitch, and shit are used in dialogue as well as in Jules’ thoughts.
  • Several times when Jules is having a difficult conversation, she says, “Oh my God.”
  • In an argument, Jules says, “mother-fuh-lovin’ crap.”
  • In one scene, the narrator describes her feelings as “pissed.”
  • One of the characters yells, “Get your asses out there!” Another time she says, “Where’s the fucking phone book?  God!  I hate this stupid place.”
  • While talking to a friend, Jules yells, “But goddammit, Sawyer, despite all that, I’m going to save your fucking life anyway, because I love you, and one day you’d better fucking appreciate it.” After she hangs up the phone, she thinks, “You? Are bumblefucking nuts, Demarco.”
  • As two characters discuss a family member, one says, “He’ll bring out his whole tradition and honor bullshit and use that as an excuse to be a bastard.”
  • Jules’ mother tells her husband, “act your age once, will you.  We’re in a hospital, for Christ’s sake.”

Supernatural

  • Jules sees visions in billboards, television screens, and in windows. When she begins to get clues and figure out the pieces of the puzzle, the visions let up. However, when she is getting the meaning of the clues wrong, the visions become more frequent.

Spiritual Content

  • Jules’ parents will not discuss the fact that their son is gay. Jules and her brother don’t go to church because, “if their church won’t accept my brother, they can’t have me either.  Plus her parents, “religious fear runs deep.”

Bang

Fear:  that’s what Sawyer feels. And Jules can understand why. After all, she is the one who gave the vision curse to Sawyer.  Now Sawyer and Jules must decide if they are going to risk their lives trying to stop a tragedy.

Book II of the Visions series adds more involvement from Jule’s brother Trey.  Jules loves her brother, and it’s easy to see why.  He’s good-natured, loyal, and teases his sister about her love life. The relationship between Trey and his sister adds depth and delight to bang.  However, both Sawyer’s and Jules’ relationship with their parents is dysfunctional and full of distrust.  Sawyer’s grandfather hits him, in the past, his mother had an affair, and Sawyer lies to his parent so he can spend time with Jules and try to solve the mystery of the vision.

At the beginning of the book, the language is mild with words like “crap” and “friggin.’” However, it doesn’t take long until the cursing (and the make-out scenes) increase in frequency and intensity. Another troubling aspect of the book is Jules’ sisters’ romantic relationship. Her sister decides to fly to New York to stay with a boy she met at soccer camp, all without her parents knowing about the trip until she’s left.

bang loses a lot of the suspense that was contained in the first book, crash.  Instead of focusing on the mystery of the vision, bang delves into Jules’ relationship with Sawyer as well as their family relationships.  Although Jules cares deeply about her siblings, she is disrespectful and deceitful to her parents.  None of the characters consider confiding in the adults in their life.  Instead, Sawyer, Jules, and Trey band together to try to stop a tragedy from happening.

 Sexual Content

  • Jules sneaks out of the house where she receives her first kiss which was the, “most weirdly amazing feeling.”
  • When Jules sees her boyfriend, he tells her that he’d like to kiss her but only, “runs his thumb across my lips and looks at me so longingly it hurts.” Later Jules presses, “a finger to his lips and watch his eyes droop halfway in response,” and, “his gaze lingers and burns.”  When her boyfriend leaves she thinks, “At this rate, we’ll have, like, nine babies by the end of our senior year.”
  • There are many scenes where Jules and her boyfriend make out, which involves kissing and caresses each other. In one scene Jules thinks, “I really want to see that chest once more.”
  • In another scene, the two make out and they are, “kissing and panting and touching each other, starving and lusty and steamy hot . . . he presses against me, his chest against my chest, our feet finding spaces every other, and his thighs squeezing mine. And suddenly, I realize that what’s pressing against me is not all thigh, and I am secretly amazed and a little shocked by it being there, doing that.”  She describes being, “intoxicated by his fervor and the overwhelming electric, psychedelic aching in my loins.”
  • While joking with his sister and her boyfriend, Trey says, “I’m not into incest, thank you. However…If you ever, you know, want to experiment.” Sawyer replies, “Maybe I could bang all the Demarco siblings.”
  • At school, a girl who likes Sawyer comes up to him and, “sticks her boobs out.” She asks him to Spring Fling and promises they can, “make out behind the bleachers like when we were a couple.” Sawyer tells the girl he is gay, and she gets upset and asks, “I made out with a gay?” and “Were you gay when we made out?”
  • Jules father asks her, “What do you want to say that I don’t already know? That you’re pregnant?”  Jules is angry that her father, “thinks I’m out there banging people left and right.”
  • Jules thinks about her father’s past affair, and she talks about it with others.

 Violence

  • Jules boyfriend talks about how his grandfather used to hit him.
  • Sawyer has a gruesome vision of a school shooting where eleven people are shot. He describes the scene of the shooting and how the “faces are blown into bits.”
  • A college campus was vandalized and someone spray paints a stop sign so that it reads, “Stop fags.”
  • The college campus shooting is describe in detail over four pages. Several people are shot.  One of the shooters jabs a gun between a boy’s eyes.  There is a fight between the gunman and several others, which is described.  “I kick the crap out of her arm that holds the gun, and I whack the shit out of her face with my cast . . . I kneel on her fucking head as she screams.”  Trey shows up and is shot.  Jules watches as he sinks, “to the floor, leaving s streak of red on the wall behind him.”
  • Trey says, “All I can remember is someone screaming ‘Die, fag!’ in my face, which really, you know, sucked. Then I took one look at the blood spurting out of my arm” and he passed out.
  • In the hospital, several characters discuss the events of the shooting and the injuries of the victims.

 Drugs and Alcohol

  • While in the hospital, Trey is given morphine for his pain. He acts goofy and, “a little drunk on morphine.”  Later when Trey talks about going to a pricey private school that she knows her family can’t afford,  Jules thinks, “there’s always the power of morphine to make your forget about the minor details of your life.”
  • Jules, “scared the hell out of Trey when I tell him that he totally threw himself at a college boy while under the influence of morphine.”

Language

  • Cursing is frequent. The cursing includes crap, dang, shit, damn it, fucking and pissed.
  • Jules uses Oh my God and Oh Christ as profanity.
  • Jules wonders when she became an “insecure loser” and thinks, “back when I accepted the fact that I was a total psycho.”
  • A character says jokingly, “tell the two-timing lunch whore I said hey.”
  • When Trey is frustrated, he says, “for shit’s sake, Jules.”
  • Jules brother, Trey, is jealous that both of his sisters have a boyfriend and he doesn’t. When his sister talks about sneaking out of the house and flying to New York to see him, Trey says, “Fuck…Why the hell not.  Why the hell not.”
  • Jules’ sister jokingly tells her, “You ruin this for me, and I will ruin your face, bitch.”

Supernatural

  • Jules talks about, “the vision isn’t a total fix; it’s a chance to change a bad thing to something less bad . . . the vision’s gone. You did what you were supposed to do. Maybe . . . maybe those people needed to go through that experience in order to become the people they’re meant to be, you know?  Maybe the experience triggers something inside of them that will help them become great.”   Sawyer replies, “And maybe it’ll make them dependent on prescription drugs, or want to kill themselves.”
  • Jules asks Sawyer, “You think the vision gods, or whoever, gave us these changes so we can end up watching the people we save turn into drug addicts?”

Spiritual Content

  • One of Jules favorite sayings is, “thank dog for that.”
  • Jules finds a newspaper article that reports about a protest lead by a cult preacher who’s been, “shouting about gays taking over the government, and he’s been ragging on U of C lately because their rights group have been picketing the guy.” The preacher has been getting his followers and, “saying God wants his cult to rid the country of homosexuality.”  Sawyer asks, “So you think our shooters are some outsider cult followers of the raving lunatic, coming to campus to . . . do God’s will?”
  • When Jules talks about the news article she asks, “Who would want to believe in a God like that? If God is not, like, totally in love with all the people he created, why would anybody want to believe in him?  Five things a real God should be:   Not a hater.  2. That about sums it up.

The Breathless

Ro’s body was found lifeless on the beach. No one knows what happened. All they know is that Ro’s boyfriend, Cage, disappeared the same day and hasn’t been seen since. The mystery behind her death turned Blue Gate Manor into a house of sadness and secrets.

One year later, Cage shows up looking for Ro with no memory of anything that happened in the last year. His confusion only adds to the mystery of Ro’s death because even though he was the last person to be seen with her, he has no idea how she died or if he caused her death. Ro’s sister, Mae, doesn’t trust him, but she decides that helping Cage is the only way to find out what happened to her sister.

Then Mae finds a little green book that belonged to Ro. She hopes the book will unlock the secrets behind Ro’s death. As she follows clues in the book, she discovers her family is hiding a dark secret about her ancestors. Danger lurks around every corner as Mae hunts for answers that might be better left undiscovered.

The very first sentence of The Breathless grabs the reader’s attention and never lets go. Graphic descriptions bring this creepy Gothic tale to life. Full of magic, love, and loss, The Breathless is a captivating story that will give sensitive readers a fright they will not soon forget. This is not a good book to read for those who are prone to nightmares.

Sexual Content

  • Cage is watching a girl on the beach. The girl, “licks her fingertips before she turns the page and he wants to be that book.”
  • While sleeping, Ro’s boyfriend thinks about a time when she “pulls him down next to her and leans into him, all oil and legs and her red bikini top loose. He holds his breath as she unties her top, lets it fall.” He wraps his arms around her in the dream and then wakes up.
  • One of the characters is in love with a girl and they kiss. “She leans forward and kisses him and his stomach drops and then the world drops way until her lips finally leave his.”
  • When Mae starts to cry, Cage hugs her. Then he thinks about kissing her. “He was going to kiss her, it was all he wanted, and the next thing he knew she was pulling out of his arms, and stepping back.”
  • When Cage is burning with fever, Mae undresses him. When she goes to take off his pants he said, “Mae, we can’t.” She replies, “Cage, that’s not what I’m doing.”

Violence

  • Cage wakes up in a hospital, unsure of why he is there. He climbs out a window to escape. When a security guard tries to stop him, Cage hits the man. “His fist collided with the man’s face. The security guard crumpled to the ground.”
  • Elle points a rifle at Cage. At first, Elle thinks she hit her sister when she fires because “The house was bleeding. Thick, dark red droplets were splattered across the floor.” However, Elle only shot the red polish in Mae’s pocket.
  • Grady’s girlfriend, the “witch’s” daughter, has his child. When Grady’s father discovers Grady’s secret, the father sets the house on fire and Grady’s girlfriend dies. Then Grady kills his father with an ax. “The first thud makes his ears ring, and they’re still ringing as he drags his father’s body from the house . . . He feels like his lungs are going black, his heart too. But there’s no stopping now.”
  • Elle hits a deer with her car. Mae “knelt down beside the deer, taking its head in her hands, watching its lungs going fast as it panted, a shard of glass in its neck. Its heartbeat thudded against her, echoed inside her, fainter and fainter . . . The deer’s blood was slick in her hands and she stared at the shards of glass in its neck.”
  • One of the characters tries to raise Ro from the dead. In order to complete the ritual, he drugged his sister and then put her into a lake to drown. She is saved. Later the character intends to kill her so she can’t tell anyone what he did, but “he realized he couldn’t do it. Not when she was blinking up at him, asking questions.”
  • Mae’s father shoots Cage. “And then came the blast that thundered in his ears and he was falling, the gravel rising up in front of him. . .”

Drugs and Alcohol

  • Mae’s father often drinks whiskey.
  • In a flashback, Ro is smoking a cigarette. “It’s slender and smells of cloves.”
  • A character steals pills from his mother’s supply and gives them to his sister.
  • When Cage is on his way to see his mother, he doesn’t want to . . . “meet her new boyfriend but what he really doesn’t want to see are those pill bottles of hers, the way they make her angry. She’s angry that she’s sick, always has been.”

Language

  • “Shit” is used often throughout the book by several different characters. In one scene, Mae’s father said that there are “plenty of pieces of shit around these days.”
  • “Hell” is used several times. When Mae is caught spying on her sister, Elle says, “What the hell, Mae.”
  • Mae’s father says “goddamn” several times. One time he swore when he almost hit a girl with his truck.

Supernatural

  • The story revolves around Mae trying to understand a book that Ro had owned. The book has several spells, including one to bring back the dead. “Besides the raising ritual, there were other spells: some for curses, some for love, so many she hadn’t been able to get through them yet.”
  • Mae finds a room that has jars of animals used for rituals. In one jar “chunks of a hairlike substance were at the bottom. Floating inside the jar was a pale cat skull.” Another jar had a bird claw and a horse’s hoof. “Bits of tissue swirled into the murky water, and long dark hair was layered at the bottom. . . A hank of what looked like the horse’s dark mane fluttered at the bottom, next to bone.”
  • Mae remembers a time when her sister tried a ritual. When her sister turned around, “her dress had been a different color. . . Dark, dark red, steaked with blood.”
  • Mae discovers that the raising ritual requires the payment of a “human life for human life.”
  • A “witch” and her family live nearby. They use a ritual that can bring the dead back to life.

Spiritual Content

  • None

Emerald Green

The pieces are starting to come together, and the truth is terrifying. The Count is a powerful man who has killed many people in order to keep his plan in place. Gwen has her hands full stopping him, but her friends and family aren’t helping. Gideon’s behavior baffles and frustrates Gwen, who isn’t sure if she can trust or depend on him. And Charlotte’s jealousy of Gwen might unravel their entire family.

The ghost gargoyle Xamerius is one of the best parts of Emerald Green. Xamerius is realistic, humorous, and much better than a pet.

The trilogy remains strong with this final installment. Gwen is finally getting an idea of what she must do, but that doesn’t hamper the suspense in any way. The stakes are high, and conflicting motives create conflicts that will either bring about the end of mankind or save it.

Sexual Content

  • While Gwen and Gideon are talking, she thinks, “Now kiss me: I want to know if stubble feels prickly.”
  • Gwen and Gideon kiss several times. In one scene, “his left hand was buried in my hair and his right hand began stroking my throat, slowly wandering down.” The mood is interrupted when Gwen’s phone rings.

Violence

  • Gideon and Gwen are trying to escape from a man who intends to kill them. Gideon takes a heavy candleholder off the wall and throws it at the man. “It hit Sir Alfred on the head with a nasty sound, and he dropped to the floor like a stone.” Another man stabs Gwen.
  • When Gideon and Gwen travel back in time, they are in danger of meeting a former version of Gideon. In order to prevent that from happening, Gwen hits him over the head, knocking him out.
  • Someone shoots Gideon. “Gideon’s blood was all over the place. The hem of my dress was sucking it up like a sponge.”

Drugs and Alcohol

  • Gwen comes up with a plan to go back into the past and vaccinate the boy who is a ghost in her school thereby preventing his death.
  • One of the characters mentions a guard who had a hangover.
  • Several of the adults have a whisky when they are upset. Gwen’s grandfather has two whiskies and later in the book Gwen’s grandmother gives her son-in-law a whisky.
  • One of the characters takes “Alcott’s miraculous potion,” which makes him act strange. He tries to force Gwen to take the potion as well. As he talks, he says, “I’ll wager these lips have never done anything forbidden, am I right? A little of Alcott’s miraculous portion here will change that.” Gideon thinks the potion was opium.
  • After Gideon comes back from his time traveling, he is in shock and the doctor tells someone to get him a whisky.
  • At a teen’s party, someone spikes the punch, and many of the teens attending get drunk.
  • When one of the characters tries to get Gwen to take cyanide, someone hits him over the head with the butt of a pistol.

Language

  • When Gwen finds Gideon lied to her, she wonders, “why the hell she ever fell for the guy in the first place.”
  • The ghost gargoyle Xamerius calls Gideon a “bonehead.” Later, when someone tries to hurt Gwen, Xamerius calls the person a “bastard.”
  • Gwen, who is upset with Gideon, calls him a “bastard.”
  • Gwen tells her friend that she is “shit-scared of falling in love. . .”
  • Xamerius, the ghost gargoyle likes to narrate Gwen’s actions. In one scene he said, “and there was deathly silence in the room. . . All eyes rested on the girl in the piss-yellow blouse. . .”
  • One of Gwen’s friends calls someone an “ass-hole.”
  • Damn, shit, hell, and oh my god are used.

Supernatural

  • A ghost named James stays at Gwen’s school. She is the only one who can see him.
  • Gwen sees a ghost of a gargoyle who used to guard a church.
  • Gwen and Gideon have a gene that makes them time travel. A secret society has a chronograph that allows the two to have control over when and where they travel to.
  • When Gwen is stabbed with a sword, she dies. “I was hovering in the air, weightless, bodiless, rising higher and higher in space.” Later she finds out that her special power is that she cannot be killed by another person. She can only die if she chooses to sacrifice her life for another.
  • A ghost that thinks Gwen is a demon says, “I will never leave the side of this diabolical creature until I have fulfilled my task. I will curse every breath she takes.” Xamerius eats the ghost.

Spiritual Content

  • One of the characters, who is trying to kill Gideon and Gwen said, that the person helping him is doing it because he will gain, “the certainty that the angels in heaven will praise his deeds is worth far more than gold. We must rid the earth of demonic monstrosities like you two, and god will thank us for shedding your blood.”
  • A journal entry recounts a story of a girl who was said to be “with child by a demon.” The person writing the journal thinks the father would, “rather accuse his daughter of witchcraft than accept the fact that she does not comply with his concept of morality.” Later, the journal describes an “exorcism” that caused the girl to, “foam at the mouth, roll her eyes, and speak confusedly in tongues, while Father Dominic sprinkled her with holy water. As a result of this treatment, Elisabetta lost the fruit of her womb that same night.”

Ruby Red

Gwen was supposed to be the ordinary one, and her cousin Charlotte was destined to be extraordinary. When Gwen accidentally time travels, the reversal of fates leads to more trouble than anyone could have imagined. Everyone has their own motives and as Gwen begins to unravel secrets that are hundreds of years old, she begins to wonder if anyone is on her side.

To add to her trouble, Gwen is forced to travel with Gideon—a handsome, but insufferable boy, who doesn’t trust Gwen. As the two travel back in time, Gideon and Gwen must learn to help each other because danger hides behind every corner.

Ruby Red is an enjoyable read with a unique plot. Full of twists and turns, Gwen and Gideon’s journey through time has plenty of mystery, suspense, and adds a dash of romance. This rich story will keep you well up into the night and leave you wanting more. Sporadic violence may not be appropriate for children, but this young adult novel will be perfect for most high school readers.

Sexual Content

  • When Gwen travels into the past, she sees herself kiss a boy. “The girl who looked like me had planted her lips right on the boy’s mouth. He took it passively at first, then he put his arms around her waist and pulled her closer.”
  • Gwen thinks about a boy she dated who “wasn’t into kissing. What he liked was leaving love bites on my throat to distract my attention from his creeping hand . . . I was constantly trying to keep Miles’s hands out of my shirt.”
  • Gideon comes to Gwen’s school to talk to Charlotte. Gwen’s friend wonders if Gideon is gay.  And then they see him kiss Charlotte on the cheek.
  • While in a church confessional, Gideon kisses Gwen. “. . . when his lips touched my mouth, I shut my eyes. Okay. So now I was going to faint.”

Violence

  • Someone uses his mind to hurt Gwen. “Bewildered, I looked from his mouth to his hand. It was more than four yards away from me. How could it be around my neck at the same time? And why did I hear his voice in my head when he wasn’t speaking.” The character scares Gwen but doesn’t hurt her.
  • Gwen and Gideon are attacked and the fighting is described over six pages. The coach driver was shot and, “part of his face was missing and his clothes were drenched in blood. The eye of the undamaged part of his face was wide open, looking into nowhere.” Someone shoots at Gideon and then he has a sword fight with two men. Gwen describes the fighting from her point of view. “The man who’d been hit was now lying on the ground twitching and making horrible sounds.” In the end, the fight is ended when Gwen kills one of the attackers.
  • After the fight, Gideon and Gwen discuss what happened. Gwen was upset and said, “I didn’t expect it to be like . . . like cutting up a cake. Why didn’t that man have any bones?”
  • Gideon holds a gun to a woman’s head because he thinks the woman and her husband are going to try to hurt Gwen. When the butler gets ready to hit Gideon, Gideon and Gwen run away.

Drugs and Alcohol

  • None

Language

  • Gwen thinks, “I realized how pathetic I sounded—but what the hell, I was feeling pretty pathetic right now.”
  • Gwen is hiding in the bathroom stall at school. The door had scribbles that said, “Malcolm is an ass, life is crap, and other, similar remarks.”
  • “Damn” is used infrequently and “hell” is used several times. The profanity is only used in stressful situations.
  • Gwen thinks “Oh my God” often.
  • When Gideon is holding a gun to his wife’s head, a character calls him a “bastard.”

Supernatural

  • A ghost named James stays at Gwen’s school. She is the only one who can see him.
  • At the end of the book, Gwen sees a ghost of a gargoyle, who used to guard a church.
  • Gwen and Gideon have a gene that makes them time travel. A secret society has a chronograph that allows the two to have control over when and where they travel to.
  • Gwen’s aunt has visions. When trying to explain them, Gwen’s mother says, “I think Aunt Maddy really sees what she says she does. But that doesn’t mean her visions predict the future, not by a long shot. Or that it has to mean anything in particular.”
  • One of the characters can talk into people’s minds and as well as physically hurt them with his mind.
  • Several of the characters talk about Gwen having the “magic of the raven” but no one, including Gwen, knows what the power is.

Spiritual Content

  • None

Sapphire Blue

Gwen keeps hoping things will get easier, but it seems the universe has other plans. She and Gideon kiss, only to be interrupted by a gargoyle demon who imprints on Gwen and insists on following her everywhere she goes. If her new friend wasn’t enough, Gwen runs into her grandfather in 1948. The two bond and hatch a plan that may just keep Gwen alive.

Strong characters keep the Ruby Red Trilogy interesting. Gwen’s best friend Lesley uses the internet to run down leads for Gwen. James, a ghost (who doesn’t know he’s a ghost), teaches Gwen how to survive in the eighteenth century. Gideon is full of contradictions, which frustrates and confuses Gwen.

The second installment of the Ruby Red Trilogy, Sapphire Blue keeps the mysteries coming. Woven into action are dynamic relationships that make the characters seem real. Gwen’s relationships with her gargoyle friend and her grandfather are rich. A count, who could be evil, is thrown into the mix which will keep the reader interested in the story.

Sexual Content

  • Ruby Red ended with Gideon and Gwen kissing, which is where book two begins. Gwen thinks, “Wow, could Gideon kiss! I instantly felt green with jealousy of all the girls he’d learnt to do it with.”
  • When traveling to the past, Gwen tries to explain how in her time period, she’s not too young to kiss a boy. She tells her grandfather that, “All the girls in our class are on the pill but me. . . Oh, and of course Charlotte won’t have anything to do with sex either. That’s why Gordon Gelderman calls her the Ice Queen.” When her grandfather asks, “What kind of pill?” Gwen thinks, “Oh, my God, in the year 1948, they probably had nothing but cow-gut condoms, if that.” They then decide that neither of them wants to talk about sex.
  • Gwen gets upset because she thinks Gideon is “snogging” with Charlotte and her at the same time. At the end of the argument, Gideon kisses Gwen. “His hand began stroking my hair, and then, at last, I felt the gentle touch of his lips . . . It wasn’t a gentle kiss anymore, and my reaction surprised me. I had no idea how, but at some point in the next few minutes, still kissing without a break, we landed on the green sofa, and we went on kissing there until Gideon abruptly sat up. . . ”
  • Charlotte is jealous and tells a boy that Gwen’s best friend isn’t “very discriminating. Particularly when she’s had a drink. She’s done the rounds of almost all the boys in our class and the class above us. I’d rather not repeat what they call her.” The boy asks, “The school mattress?”
  • When Gwen travels back in time to attend a party, a woman talks about Lady Brompton, who is flirting with Gideon. Lady Brompton is a widow who, “found consolation long ago in the arms of the Duke of Lancashire, much to the duchess’s displeasure, and at the same time she’s developed a taste for rising young politicians.”
  • At the party Gwen attended, she is surprised when one of the men, “made a grab for my décolletage from behind.” Later, the same man, “was unashamedly groping Lady Brompton’s bosom, on the pretext that she had a stray hair lying there.”
  • When someone offers Gwen alcohol at a party, she thinks, “My only experience with alcohol date to exactly two years ago.” She then remembers how a drink that consisted of vanilla ice cream, orange juice and vodka. She recounts the different effects it had on different people.
  • At breakfast, Aunt Maddie tells the group, “You can always leave out breakfast and save the calories to invest in a little glass of wine in the evenings. Or two or three little glasses of wine.  The gargoyle ghost replies, “A liking for the bottle seems to run in your family.”
  • Gideon kisses Gwen and she thinks, “the kiss was more intoxicating than yesterday’s evenings punch. It left me weak at the knees, and with a thousand butterflies in my stomach.” Later in the book, Gideon kisses Gwen several more times.
  • One of the characters tells Gwen that Gideon’s goal was to make Gwen fall in love with him. Then the man tells Gwen that Gideon is with Lavinaia who “is one of those delightful women who enjoys passing on the benefit of their experiences to the opposite sex.”

Violence

  • At the beginning of the book, a character kills a man, but the murder is not described.
  • When Gideon goes back in time, someone hits him over the head, but he is not seriously injured.
  • Gideon sees men fighting with swords. When Gideon recognizes one of the men, Gideon jumps in to help him. Gideon, “ran the man through the chest with it. Blood spurted from the wound, flowing profusely. . .” The remaining man runs away.

Drugs and Alcohol

  • A journal entry tells Gwen about a time when two people went to a party and, “had unfortunately landed in the goldfish pool after the excessive consumption of alcohol.”
  • In a journal entry, a novice went missing and when he reappeared, “unsteady on his feet and smelling of alcohol, suggesting that although he failed the test, he found the lost wine cellar.”
  • When Gwen and her grandfather pass a sleeping guard, Gwen’s grandfather said, “I’m afraid he’ll never make the grade to Adept if he goes on drinking like a fish. . .”
  • When Gwen travels back in time to attend a party, a woman offers her punch saying, “No one can endure this fully sober.” At first Gwen “sipped the punch hesitantly,” but then she proceeds to get drunk.

Language

  • When running across a river, a character said, “Bloody hell . . .We must run if we don’t want to fall into the middle of the river.”
  • During an argument, Gwen tells Gideon that he is “such a shit.”
  • A gargoyle ghost yells at Gideon, “Leave her alone. Can’t you see she’s unhappy in love, bonehead?”
  • Profanity is used in the book, usually in times of emotion. The profanity includes: hell, damn, and shit.

 

Supernatural

  • Gwen can see ghosts. A gargoyle ghost, Xemerius, explains how he is different than a ghost. “Ghost are only reflections of dead people who for some reason or other don’t want to leave this world. But I was a demon when I was alive. You can’t lump me in with ordinary ghosts.”
  • James is a ghost who Gwen can see. However, James, not realize he is a ghost, thinks he is sick and having “fevered fantasies!”
  • Xemerius gets angry when someone calls him a ghost and yells, “I’m a demon. . . A powerful demon. Conjured up by magicians and architects in the eleventh century, as you reckon time, to protect the tower of a church that isn’t standing any more these days.”
  • When Gwen goes back in time, she opens a book with the picture of “a demon of the Hindu Kush, who brought disease, death and war.” Gwen is surprised when the demon begins talking to her. They have a short conversation. When Gwen turns the page, the demon disappears.

Spiritual Content

  • One of the people that Gwen meets in the past said, “There is nothing the church fears more than the discovery by human beings that God is not sitting far away in heaven, determining our fate, but is within us . . . It is always refreshing to discuss such blasphemous notions with you children of the twenty-first century, who do not bat an eyelash at the thought of heresy.”

Winging it

It’s tough enough being the only girl dragon shifter, but when Zoe is forbidden to tell her best friend, Meagan, about her powers, Zoe realizes that living in two worlds is complicated. When Meagan begins to question Zoe’s friendship, tensions heat up.

When Zoe’s father grounds her, her mother leaves her father, and Meagan makes a new friend, Zoe doesn’t think things can get worse. Then she discovers that the Mages have laid a trap to destroy the shape shifters. Zoe must find a way to help her friend Meagan as well as save the dragon shifters without revealing any dragon secrets.

Winging It begins building suspense from the first page and will keep the reader interested until the last battle. Teens can relate to Zoe because she is smart, strong, and truly cares for others. Like any other teen, Zoe isn’t always sure of herself, but she always strives to do what is right, even if that means keeping secrets from her parents and her best friend Meagan.

The second book of The Dragon Diaries brings in interesting new characters—Derek, a shape shifting wolf, Jessica, a shape shifting jaguar, as well as Sigmund, Zoe’s dead brother. Sigmund brings a bit of humor to the story because even though he’s dead, he likes to tease Zoe as well as help her. Zoe spends more time in the supernatural world in Winging It, however, the setting is clearly fantasy and does not resemble real life in any way. The only down side of the book is the frequent and colorful profanity.

Sexual Content

  • Zoe has a crush on a twenty year old man. Her father tells her, “You are thinking of love and romance. Jared is thinking of now, he is thinking of sex, and he almost certainly does not have your welfare at the forefront of his thoughts.”
  • One of the characters said that a boy, “seems to think that love, romance, and sex are the same thing.”
  • Jared kisses Zoe. “That barest touch filled me with yearning and made me shiver. My heart was thundering, doing that crazy thing of matching its beat to his. Our noses were almost touching, his hands framing my face and I didn’t want to step away from him. Ever.”
  • One of the character’s said that he’s dating a girl, but, “It’s no big deal.” His friend thinks they are dating for the sex.
  • One of the characters kisses her boyfriend “with enthusiasm.”
  • At the end of the book Zoe kisses a boy. “It was sweet and lingering, and an entirely different kind of kiss than I’d had with Jared. Our lips clung a bit and I bumped his nose with mine when I stepped back.”

Violence

  • Meagan is attacked in the school bathroom. Suzanne punches her and breaks her glasses. Zoe turns into a dragon and the girls flee.
  • Kohana and Zoe shape shift and fight. When Kohana throws a thunder bold at Jared, Zoe stops it by throwing herself in its path.
  • At a party, the Mages attack Zoe and her friends with a spell. Zoe slams two Mages’ heads together and knocks them out. One of the shapeshifters, Jessica, is trapped. “I could see Jessica’s limp form on the floor, her shadow in tatters and her body motionless, the golden swirl of spell light illuminant.”
  • The Mages trap Zoe and her friends in a drainage pipe and use a spell to try to drown the group.
  • There is a fight between Kohana and Zoe’s friends. Derek is hit by a lightning bolt. Zoe rips out some of Kohana’s feathers because, “there was power in the feathers.” The fighting ends when Kohana and Zoe transport to the dream world.
  • The Mages plan to sacrifice someone during a ceremony. The fight scene that follows goes on for several pages. During the fight, the ghosts of all Wyverns past appear and Zoe sees where the past Wyverns made a mistake which caused the current situation. During the fight, Kohana “tackled the woman and she screamed as she fell. I saw that he had ripped out her eyes with his claws, then left her writhing in anguish and bleeding in the snow.” The fight ends when Zoe goes into the Mage’s memories and uses her dragon fire to destroy them.

Drugs and Alcohol

  • After the dragon broke up a fight in the school bathroom, some of the kids are debating if Suzanne was “smoking something.” They also refer to a “toke.”
  • Zoe and her friends go to a party where there is alcohol, “pot, incense, and cigarettes.”

Language

  • Profanity is used frequently throughout the book. The profanity includes: bullshit, damn, ass, crap, holy frick, hell, fuck, piss, bitch, shit, and holy shit.
  • When Zoe upsets her friend, she thinks, “Meagan is not a bitch—that I made her sound that way said more about me than her.”
  • Later in another fight with her father, Zoe yells, “You should give us the chance to not fuck up our lives by trying to make your stories come true.”
  • Zoe calls the girl who attacked Meagan an “uber-bitch.”
  • When Suzanne’s boyfriend breaks up with her, she said, “Trevor just dumped me for that slut.”

Supernatural

  • The Mages want to eliminate all shape shifters in order to gain the others’ power. Mages can also gain power by consuming other people’s spells. “Mages recruit humans with an innate musical ability. This power—called spellsinging—allows those gifted humans to enchant other humans with their music or their songs.”
  • One of the characters can read minds as well as cast spells.
  • The dragon shapeshifters can beguile others. “Beguiling is kind of like hypnosis and it’s a dragon trick . . . We conjure flames in our eyes; the humans look closer; we make suggestions.”
  • Zoe’s father uses dragonsmoke as a protective barrier. “Humans can cross easily, but a dragon can cross the dragonsmoke of another with only explicit permission.” Zoe’s father uses it to ground Zoe and makes sure she doesn’t leave the house.
  • In her dream, Zoe sees the Wyrd sisters who give her clues on how to defeat the Mages.
  • Meagan mentions her mom’s visionary sessions, and later in the book her mother said she will do a visioning for Zoe’s mother.
  • Kohana, another shapeshifter, can appear in Zoe’s dreams.
  • One of the Wyrd sisters tosses Zoe into the land of the dead, where Zoe meets her dead brother. Later in the story, he appears in the real word. When he appears, Zoe is the only one who can see him.
  • One of the characters uses tarot cards to help Zoe.
  • Zoe jumps into her mother’s memories and, “poked around, stirring a few things that seemed evocative of when she’d met my dad, and then I hoped for the best. And got the heck out of there before I learned too much.”
  • One of the Wyrd sisters blows kisses to a statue and it comes to life.
  • Zoe’s dead brother appears and helps her find clues to defeat the Mages.

Spiritual Content

  • One of the characters has been reincarnated; however, she does not remember anything from her past life.

Flying Blind

Zoe has dragon powers. . .or so she has been told. Zoe is the Wyvern of the Pye: the only female dragon shapeshifter and one with special powers. However, Zoe hasn’t been able to harness those powers and isn’t sure she is special at all. Zoe feels like a normal girl, and she’s struggling because she can’t tell her best friend Meagan about the changes that are about to happen.

Zoe hasn’t yet begun to understand what it means to be the Wyvern or how to change into a dragon, but when her best friend is bullied, her inner dragon makes an appearance. Suddenly Zoe is sent to boot camp with her shape-shifting friends. What Zoe hoped would be a time of learning becomes a time of fighting and her friends are beginning to turn against her. Zoe must learn to master her powers and stop the Mages from eliminating her and her friends—but first, she must convince her friends that she is not the enemy.

Zoe tells her story in a humorous manner, which shows the confusion of being a teenage girl. She isn’t the confident girl she dreams of being, but she’s working on believing in herself. The story contains suspense, action, and a lot of dragon fighting. Even though the fights often cover several pages, the wounds are not described in detail. In the end, Zoe is a very likable character who learns that believing in her capabilities is an important step towards becoming the Wyvern.

Besides the frequent profanity, the only other downside of the book is that Zoe is boy crazy. At the beginning of the story, she has a crush on one boy. On the same day, a young man drives her to boot camp. On the drive, she has sexual longings for him and kisses him on the cheek. Then when she gets to boot camp, she is again contemplating the hotness of a boy at camp.

Sexual Content

  • Zoe goes on a motorcycle ride with Jared. When he helps her with her helmet, “his fingers were warm on my chin as he fastened the strap, and I got all shivery at his touch. . . It was hard to say anything with my heart lunging around my chest as if it were trying to break free.”
  • Several times in the story, Zoe has a sexual longing for Jared and thinks about kissing him. In one instance she thinks, “. . . but he was hot. Having him so near me made bits of me tingle that I hadn’t even known I had.”
  • When Zoe thinks about almost kissing Jared, she thinks, “It would have been educational. An experience. A new sensation. That was the only reason I was curious.”
  • Zoe sees two of the characters, “making out like they’d invented it.” Later the same couple was, “locked into one hummer of a kiss, one that seemed to go on and on forever.”
  • When Zoe goes into her dad’s memory, she is careful. “I didn’t want to poke around too much there, certainly didn’t want to learn things I’d rather not know about my parents—I mean, they must have had sex, right? At least once?”
  • When Zoe asks if two people “did it”, her father “inclined his head, too diplomatic to speculate on anyone else’s sexual relations.”
  • Zoe wonders if she will lose her powers when she loses her virginity. “I was already fond of my powers, such as they were, but not excited by the prospect of lifelong celibacy just to ensure that I kept them.”

Violence

  • Two girls corner Zoe and her friend Meagan in the P.E. shower. During the confrontation, “Yvonne hooked Meagan’s ankle with one foot, jerking it hard. Meagan fell quickly, cracking her jaw on the tile floor. She didn’t move. And there was blood running toward the drain.” Zoe begins to turn into a dragon which scares the girls away.
  • Zoe becomes jealous of another girl and, “was tempted to throw a rock at her head.”
  • Two of the dragons fight. “He slashed, and Adrian flinched as one talon tore at the side of his face . . . Adrian went after him, striking him twice more, than giving him a wallop with his tale. He didn’t cut him; he didn’t burn him—he just thumped him.”
  • While drunk, several humans change into dragons and fight. One dragon is hit with dragonfire while trying to protect Zoe and, “I felt him stiffen in pain. I smelled his scales burning. And I heard the rhythm of his wings falter. Just before we fell out of the sky. Shit.”
  • In a dream, Zoe sees a boy hung lifeless from a tree. The boy begins talking to her, which scares her “shitless.”
  • Zoe turns into a dragon and fights with a shapeshifter. “I slashed at him with my talons, caught him across the snout, and ripped the skin from the corner of his eye to the edge of his nostril. He bellowed in pain, then belted me.” The fight continues for several pages with other dragons joining in. Because they are under a spell, several of the dragons try to kill Zoe and she only escapes because she turns into a salamander.
  • Over several pages, a fight between Zoe and another dragon is described. She “slammed him in the cojones with my tail at the same time that I punched him under the chin. Then he was the one reeling in pain.”
  • One of the characters explains how the Mages want to eliminate all other shapeshifters. In order to take a shapeshifter’s power, a Mage must eat them, “right to the last shred and drop.”
  • The end of the story has a dramatic fight between the dragons and the Mages. The fight includes trying to cast and break spells. Although the dragons use their fire, there is not a lot of description of the damage. When a Mage turns into a snake, Zoe, “stepped on it, hard, and ground my heel down into the floor . . . his scream was very satisfying.” During the fight, a dragon causes an earthquake and the building falls down hitting a Mage in the skull. “It was his blood under the rubble, and I couldn’t feel a lot of regret.”

 

Drugs and Alcohol

  • A group purchases sparkling wine, a case of beer, and a bottle of bourbon. Later, the group gets drunk and begins to fight with each other.

Language

  • There are frequent curse words used throughout the story. The profanity that is used includes: holy frick, bullshit, holy shit, badass, shit, and smart-ass.
  • There are several times that Zoe says or thinks about her emotional state as being “pissed off.” She also thinks that she doesn’t want to “piss off” her father.
  • Zoe’s mom ran a “crapload of red lights.”
  • Once when Zoe talks about rules, one of the characters says, “Fuck rules.”
  • During a fight, Zoe calls a girl “bitch.”
  • When someone loses the dragon’s scales, another character says, “You fucked up.”

Supernatural

  • Much of the book deals with the dragon culture. For instance, each dragon has a unique ability such as being able to see into the future, being able to communicate with the earth, being able to fix a dragon’s scales, etc.
  • If someone can take a person’s clothing while they are changing into a dragon, the dragon must fulfill three wishes.
  • Zoe has dreams that are more like visions. During one dream, a woman shows Zoe that if she shuts her right eye, she can see supernatural elements of the world.
  • Zoe has a rue stone which is, “kind of like tarot cards for Vikings. They carved symbols on small stones, then used them to tell the future.”
  • Zoe has a range of dragon powers such as being able to give people dreams, as well as being able to use her mind to locate where people are.
  • Dragons can beguile humans, “essentially it’s a kind of hypnosis that works on humans.” Usually, dragons use it to make humans forget they saw a human transform.
  • Mages can cast spells, but Jared uses his voice to conjure a spell to break the Mages’ spell.
  • Two ghosts appear to Zoe to show her how to break a spell and win the fight against the Mages.

Spiritual Content

  • At one point, Zoe prays, “to every deity I’d ever heard of. One of them must have listened.”
  • Zoe and her father discuss reincarnation. Her father says that Donovan’s named his son Nick. “It wasn’t just to honor a lost comrade. Donovan believed that Nick was Nikolas reborn.”

Blazing the Trail

As the school’s Valentine’s Day dance approaches, Zoe gives quiet and steady Derek a chance to win her heart. The only thing is, Zoe’s not sure her heart doesn’t already belong to rocker boy Jared. However, Jared is the king of mixed messages, ignoring Zoe one minute and then appearing out of nowhere to protect her. However, this time when Jared shows up, he puts the alliance that Zoe has carefully built in jeopardy. And with the Mages out to eliminate all shape shifters, Zoe needs the help of everyone—human and shapeshifters alike.

Zoe is a feisty character who is trying to do what is right. But her heart and her mind don’t always agree on the right plan of action. However, she is committed to keeping her friends alive. This proves to be a difficult task. Even if Zoe knew how to defeat the Mages, she isn’t sure if she can overcome her fear and take action when her life may be the final sacrifice.

Although Blazing the Trail loses some of its appeal, Zoe seems destined to trust those who are not trustworthy and fight the same battles. Although Zoe is likable, the fact that she repeats many of the same events of the earlier books makes her actions, and the book as a whole, more predictable.

Sexual Content

  • Kohana kisses Zoe.
  • Zoe kisses Derek several times in the book. In one scene Zoe, “leaned closer to him, touching my lips to his cheek. I felt him melt. It was strange, realizing that I had some ability to affect his thinking with just a little touch, and it gave me an uncomfortable sense of power.”
  • When Zoe and Derek kiss, “I felt the weight and heat of his hand on my shoulder, the touch of snowflakes melting on my face, the press of his body. And then his tongue met mine. I felt as if I’d touched an electrical wire and pulled back, my breath coming in gasps.”
  • Derek tells Zoe that they must make a union. Zoe knows that “he was talking about sex.” Derek then said that they could start by going steady.
  • One of the characters tells Zoe, “You’re sixteen. I haven’t been for a while. That makes you jailbait, and I’m not going to have any more dealings with cops ever again.”
  • At the end of the story, Jared kisses Zoe “hard. It was every bit as thrilling as the first time.”

Violence

  • While performing a ceremony to invoke the ShadowEaters, the ShadowEaters jump their constraints and, “feed on the third guy like a pack of vultures. . . I saw their teeth flash as they bit and snapped. When they retreated just seconds later, smacking their lips, he had collapsed on the ground.”
  • During a Mage ceremony, a girl’s throat is slit.
  • In a battle, Zoe slits a person in half. Then the person loses “the spell light that had filled his skin.” The shape shifters use their singing to destroy the Mages.
  • One of the Wyrd sisters finds the dead and eats them. “She hopped onto his chest in her raven form and ripped his flesh open with her beak. When she tore into his body cavity, presumably looking for that liver, I couldn’t stand it anymore.”
  • One of the Mages tricks Zoe into going with him. When they get to an isolated location, he “Kicked my feet out from beneath me. . .” Using a spell the Mages trap Zoe and intend to use the NightBlade to “cut the shadows away from the bodies of the victims, the better to offer sacrifices to the ShadowEaters.” Kohana saves Zoe, but another boy’s throat is slit. “Blood spurted from his throat.”
  • When a girl takes a picture of Zoe changing into a dragon, she and Zoe get into a fight.
  • In the dream world, one of the Wyrd sisters shows Zoe a battlefield where her friends lay dead.  “I gagged when I saw the eyeball impaled on the end of her knife. She laughed at me, then ate it off the tip of the blade, chewing with gusto.” Zoe also sees her own corpse.

Drugs and Alcohol

  • None

Language

  • Profanity is used often in both the character’s thoughts and words. The profanity includes: hell, holy shit, shit, fuck, bitch, bitchy, and ass.
  • Zoe said she, “was in a pretty crap mood when I got to English class late.” Later she said she was, “feeling a little bit pissed.”
  • When Zoe makes an error, she thinks, “this was a colossal fuckup on my part and I had to try to make it right.”
  • A girl calls Zoe a “bitch.”

Supernatural

  • In her dream, Zoe sees the Wyrd sisters who give her clues on how to defeat the Mages.
  • The Mages invoked the ShadowEaters “to feed them the shadows of their sacrificial victims.” The ShadowEaters hope to gain enough power that they can transcend into another form. “When ShadowEaters ate a shifter’s shadow, the shifter died. It was like the shifter ceased to exist, because he or she couldn’t cast a shadow—or because in eating the shadow, the ShadowEaters stole the shifters ability.”
  • The Mages use “glamours” to hide what is really there.
  • “Mages recruit humans with an innate musical ability. This power—called spellsinging—allows those gifted humans to enchant other humans with their music or their songs.”
  • Zoe’s dead brother appears and helps her find clues to defeat the Mages.
  • Zoe attends the birth of a cat shapeshifter. During the ceremony, the cat ancestors appear, but no one can see them except Zoe.
  • One of the Wyrd sisters gives Zoe her shears which can be used to cut spells.

Spiritual Content

  • None

Haunted

Phoebe isn’t sure what is going on. She keeps jumping; one minute her life is perfectly normal, and the next she is in a different location with different people. Phoebe jumps from time and place, which frightens and confuses her (and the reader). Phoebe wonders if she has a mental disorder or if she is truly jumping back in time. It is not until later that Phoebe realizes that she is in fact dead.

To add to the confusion of the story, Phoebe is trying to discover the secrets behind her parents’ move to the family mansion in England. As Phoebe learns about her ancestor, Madame Arnaud, she discovers that her sister is in grave danger. Madame Arnaud has a devious plan. With the help of Miles and Eleanor, Phoebe tries to find a way to defeat Madame Arnaud and save children from dying.

Miles’s character adds a little bit of romance and mystery, which teens will enjoy. Even though Phoebe and Miles like each other romantically, the story focuses on how they defeat Madame Arnaud.

Although Haunted has an interesting and frightening backstory with Madame Arnaud, the beginning of the story is confusing and difficult to follow. Because of Phoebe’s confusion, she comes across as an unreliable narrator, which makes it harder to sympathize with her. Haunted might be a difficult book for struggling readers.

Sexual Content

  • Phoebe meets Miles and they kiss. “His tongue was warm, but his lips were cold from the pool, a combination that made me crazy with arousal. My nipples hardened against his bare chest, with my swimsuit a scant barrier between us.”
  • Phoebe fantasizes about Miles. “Soon I’d be kissing him for all I was worth, burrowing my fingers into that beautiful, black hair. I’d take my time and lick a slow trail down his neck into the follow near his clavicle.”

Violence

  • While in a trance, Madame Arnaud enters Phoebe’s body and writes about a maid trying to kill her. The murder is not described.
  • Madame Arnaud wanted to live forever and she thought drinking a child’s blood would allow her to live longer. “If she drank the blood of a baby, she got to drink its future, all the decades it was expected to live.”
  • In order to steal the life of children, Madame Arnaud would, “gently lift the child’s arm, or whatever limb had been cut, to her lips and suck away the blood. . . And not just for a few seconds, once the child got used to it. No, she’d take a full suckle like a baby at its mother’s breast. She drank her fill.”
  • Phoebe thinks about kidnapping a child for Madame Arnaud. Phoebe thinks if she does this, Madame Arnaud will leave her sister alone.
  • Phoebe leads Madame Arnaud to a lake where she has set a trap for her. Phoebe watches Madame Arnaud drown.

Drugs and Alcohol

  • Madame Arnaud tells Phoebe that when she lived in France, “we drank champagne like it was water.”

Language

  • When Phoebe’s mother sees a puncture wound on Tabby, she says, “My god! How’d you do that? A nail on this goddamn crib?”
  • Phoebe’s teacher thinks she is depressed and gives her the number of a suicide hotline. She thinks, “He actually thought I could do it. He was giving me a goddamn suicide hotline number.”
  • Phoebe cusses occasionally throughout the book. She says crap, goddammit, and damn.
  • A boy tells Phoebe, “I try my best not to be an asshole.”

Supernatural

  • Phoebe sees a vision of a woman whose “Decayed skin revealed the muscles underneath. Her right index finger had decomposed so much that just one long bone stuck out at the end.”
  • Phoebe mysteriously jumps back in time and she’s not sure if she time-traveled or if it was just a weird memory.
  • Phoebe talks about an Ouija board and automatic writing. “Basically, you sit with pen and paper and invoke a spirit . . . you invite them to use your body, and while you’re in a trance, they write their message as fast as they can.” Later in the story, Madame Arnaud enters Phoebe’s body and writes her story.
  • The mansion where Phoebe’s family lives is full of ghosts, including the ghost of the babies who Madame Arnaud killed.
  • A character tells Phoebe about a woman named Elizabeth Bathory who “Bathed in the blood of virgin peasants to keep her skin fresh and youthful. She also, if the victim was beautiful, drank the blood.”
  • In the end, the ghosts are “released” and go on to the afterlife.

Spiritual Content

The story contains a pagan yew tree that has a Rune on it. The tree aids in killing Madame Arnaud. Phoebe believes that “the house is malevolent. But something brought us together, something kept sending you to your car and me to the pool. It wanted us to figure things out and fix things.”

Dreamland

Odea can walk people’s dreams. But walking in other’s dreams can be dangerous. Her mother has taught her the rules—never interfere, never be seen, and never walk the same person’s dream more than once.

Odea doesn’t understand her mother’s rules, or why her mother covers every mirror. Odea doesn’t understand her mother’s need to surround herself with clocks. And she definitely doesn’t understand why her mother keeps them on the move. Even though she doesn’t understand her mother, Odea has never questioned her mother’s reasons.

Until Connor moves next door. In the effort to get to know Connor, Odea begins walking his dreams.  But then, a series of events occur that makes Odea question everything. Her mother disappears, a mysterious boy begins to follow Odea in the dream world, and monsters begin chasing her. Odea isn’t sure who she can trust in the dream world or her own.

Dreamland pulls the reader into Odea’s story right from the start. Odea and her friend Gollum are both loveable outcasts, whose interactions are entertaining and endearing. However, it’s not just the characterization in Dreamland that pulls the reader into the story. Anderson creates a story that is believable, interesting, and full of suspense. There are multiple plots that run throughout the book; however, they are weaved together perfectly to make the story both easy to read and entertaining. In the end, the mystery of Odea’s mother is solved in a satisfying manner. Dreamland will captivate teenagers without the use of descriptive violence or sex scenes.

Sexual Content

  • The narrator thinks about a rumor in which a girl’s, “sole form of exercise came from. . . showing off various parts of her anatomy to different horny senior boys beneath the bleachers . . .”
  • Odea comes upon a boy who is swimming naked in a pond. “Then it hit her: he was swimming naked. He was naked right then. Which meant she was having a conversation with a naked boy.”
  • Odea dreams about a boy and thinks about the fact that she has never kissed anyone, but would like to. Then Odea’s enemy appears in the dream, “Her hair shimmered in the sun and her boobs floated like overturned cups on the water. Then they were kissing . . . She could hear the suction sound of their lips and the lapping of their tongues and the whisper of his fingers on her back and shoulders.”
  • Odea wonders if her, “real father was horrible, a criminal or a drug addict or someone who trafficked kiddie port.”
  • Conner and Odea kiss. “They moved together, finding each other through the soft pressure of their tongues. She brought her hands to his head; she leaned into him; she wanted to taste him and become him and be carried in these seconds forever.”

Violence

  • Odea throws some picture frames at her mother. “Her mom screamed. The glass shattered. The frame thudded to the ground. ‘God, Dea.’ Now her mom was shouting. ‘Jesus. You nearly gave me a heart attack.’” After a brief argument, Odea’s mom slaps her.
  • Part of the story revolves around the death of Connor’s mother and brother. The kids at school think that “He killed his mom. His brother, too. Beat his mom’s brains out, then shot his brother in the head the day before Christmas. He was, like, seven.”
  • Odea goes into Connor’s dream, where he sees men kill his mother and one-year-old brother.  Connor also tells Odea about the night they died. “The first shot didn’t kill her. It wasn’t meant to kill her . . . I heard my mom say please and no. I was so scared I couldn’t move. Couldn’t even hide . . . Then I heard . . . a crack. We found out later that it was her skull. He took the lamp from the bedside table and just hammered her head in . . . They shot Jake in the middle of the forehead. Execution-style.”
  • In a dream, two men “with a face like a hole and long, black fingers,” chase Odea. “As the men reached out their liquid fingers to her and unhinged their jaws, roaring, as if to swallow her whole—as she felt their wet breath on her throat and neck, their eager, tasting tongues, black as rot—a narrow opening was revealed . . .” Odea is able to escape.
  • After Odea’s mom disappears, the police begin following her. Odea is driving, trying to lose the police, when the faceless men from the dream world appear. “She screamed and wrenched the wheel to the right. The car jumped the gutter and plunged into the field. . . She bit down on her tongue and tasted blood. Then the black arms of the tree reached out to embrace her and she moved into the dark.”
  • A reporter tells Connor and Odea a story. “When I was three, my mom was killed by an intruder. Shot three times, point-blank range. Nearly took her head off . . . She worked as a stripper to keep the lights on and everybody knew it. . . Some junkie busted in, shot my mom, snatched the money, and ran.”
  • While in the psychiatric hospital, Odea sees, “a quick glimpse of naked skin—a man and woman together.” Then as she is walking with Connor, she thinks, “of the vision she’d seen in the gap between the curtains and wondered what it would be like. With Connor.”
  • While in a motel room, Odea “heard a headboard knocking against the wall and the sound of a woman moaning. She could feel her whole body blush.”

Drugs and Alcohol

  • After two mean girls confront Odea, they leave, “asses bumping right to left, the smell of booze trailing them.”
  • Odea is put in a psychiatric hospital because the police think Odea tried to commit suicide. While there, the nurses give her medication.
  • Odea remembers a time when her mom let her drink eggnog that had too much rum it.

Language

  • Profanity is used infrequently throughout the book. “Fuck” is used several times. Other profanity includes: ass, shit, and damn it.
  • Bitch is used once.
  • Gollum calls someone “an evil hell spawn.”
  • The narrator calls her cat an “asshole.”
  • Odea calls her car a “piece of shit.”
  • Odea remembers a time when a boy called her mom “a whore. She gives it out in the parking lot of the Quick-E-Lube.”
  • When Odea asks about the death of his mother and brother, Connor said, “fuck you.”
  • In the hospital, Odea’s nurse’s name was Donna Sue. Odea thinks it, “seemed like a name she might have made up to keep her patients at ease while she was busy sticking needles in their arms and probing their asses.”

Supernatural

  • Odea can travel to other people’s dreams. “Then there was a parting, as of a curtain, and Dea felt a soft sucking pressure on her skin and suddenly she had skin again, and ribs and lungs expanding inside of them. She came out of the dark like surfacing after being underwater and she was in. She’d made it. She was in Connor’s dream.”
  • In an effort to help Connor remember the night of his mother’s death, Odea goes into Connor’s mind while he is awake.
  • Odea uses a mirror to travel to the dream world where her mother is being held captive.

Spiritual Content

  • Connor tells Odea that he doesn’t believe in God or heaven. She then thinks, “She didn’t know whether she believed in God.”

Took

When Daniel and his sister move to rural West Virginia, Daniel doesn’t think things can get any worse.  The students at his new school torment him. The teachers are indifferent. He has no friends. His parents are unhappy. And to make matters worse, his sister spends all of her time talking to her doll.

When Daniel hears stories of Old Auntie, who kidnaps a girl every 50 years, he thinks it’s just an old tale used to frighten children. But then he feels someone watching him. He sees strange shadows. And when his sister suddenly disappears, Daniel is convinced Old Auntie isn’t just a story.

As Daniel’s parents lose themselves in grief, Daniel decides he must face his fears and bring his sister home. With the help of his neighbor and one of Old Auntie’s descendants, Daniel fights for his sister’s freedom.

Right from the start, Took: A Ghost Story will capture the reader’s attention. Young readers will be able to relate to Daniel, who feels as if all of life’s decisions are out of his control. Although Daniel clearly cares for his parents and sister, his frustration with them is understandable. Daniel is a likable character, who faces his fears and in the end, brings his family back together.

The story is primarily told from Daniel’s point of view but has several chapters told from Old Auntie’s point of view. This adds suspense to the story and helps develop the creepy mood. This is not a book to read with the lights out. Because Old Auntie and Bloody Bones are described in such realistic, vivid detail, readers will be entertained and frightened.

Sexual Content

  • None

Violence

  • Bloody Bones kills someone. “Tore him clean apart with the panther’s teeth and ate him up. Then he dug his grave with the bear’s claws and brushed the ground smooth with the raccoon’s tail.”
  • The kids at school are mean to Daniel. They “accidentally” hit him and kick the back of his seat on the bus.
  • When Daniel and his sister, Erica, are in the woods, Daniel sees something and forces Erica to leave with him. They get into a fight. “. . . She struggled harder to get away from me, crying and screaming . . . she managed to bite me twice and scratch my face.”
  • Bloody Bones is going to throw Daniel off of a cliff, so Eric throws rocks at him. “Bloody Bones plunged over the edge of the cliff, screaming as he bounced from rock to rock, his bones flying apart and scattering as he went.”

Drugs and Alcohol

  • Daniel and Erica’s parents are seen drinking wine. When Erica is “took,” their parents drink even more. “There was an empty wine bottle on the table and an ashtray full of cigarette butts and ashes.”
  • When Daniel goes to a friend’s house, his friend’s father smells of beer and cigarette smoke.

Language

  • None

Supernatural

  • The story revolves around Old Auntie, a “conjure woman” who takes a girl every 50 years. When she takes a girl, she returns the one that was “took;” however, the girl is the same age as she was when she was first “took” and has no memory of her former life. Auntie weaves spells to influence people’s decisions.
  • One character describes Old Auntie as “a haunt come back from her grave.”
  • Old Auntie takes the form of a girl, so she can talk to Erica without scaring her. Auntie also uses a doll to convince Erica that no one loves her except Auntie.
  • Auntie has a razorback hog, called Bloody Bones, which she called back from the dead. “His bones put themselves together and rose up on their hind feet. His skull jumped on top of the bones, and off he danced.”

Spiritual Content

  • The townspeople are mean to the new family because they do not join the only church in town. “We weren’t only outsiders, we were godless outsiders.”

Better Off Undead

Adrian Lazarus has always felt like an outcast. But now that he’s dead, life gets even worse. Even though Adrian does not have a beating heart, he still feels the pain of people talking behind his back. When the school bully, Daryl, decides to target him, Adrian isn’t sure what to do. Then a mysterious girl, a beekeeping boy, and a seventh-grade sleuth enter his life. Can his friends help Adrian stay safe?

Now that Adrian is a zombie, he notices that the world is changing. Forest fires burn, super-flues spread, and bees vanish. While advertisements claim everyone is safe, Adrian and his friends are worried. Is there anything they can do to help the earth?

Better of Undead takes a humorous look at the inside of a junior high school and explores the need to fit in. When the school bully targets Adrian, he and his friends come up with an interesting way to stop the bullying. As Adrian suffers through junior high, he learns that being beautiful isn’t important. It’s what inside that matters. He also realizes that he does not have to let his zombie instincts take over.

Adrian tells his story in a humorous way that will make readers laugh. At the end of the story, the action slows as the author reinforces the messages. One message is that the environment is changing and you should do something about it. The danger of having personal data mined is also shown.

Sexual Content

  • None

Violence

  • Daryl, the school bully, pushes a girl and then hits Adrian in the face. “He turned away from me, head ducking down, then turned back and landed a sharp, compact punch to my face.”
  • Gia talks about all of the bad things that have happened. “Outside Quebec, massive fireballs incinerated part of a town. Thirty buildings melted into a thick greasy mass. Cars burned like crumpled paper. Forty-seven people died, and five of those bodies were never found. They were vaporized by the sudden blast of radiant heat.”
  • Adrian found a dead squirrel outside of his house and ate it. “A fresh kill, blood still leaking from its nose, but otherwise not too shabby.”
  • Adrian is taken to see a man who is interested in learning about Adrian’s condition. When a bodyguard tries to block his path, he thinks about biting him. “I felt a surge of power inside me that was beyond myself. It was something other, and greater, than my ordinary being . . . My eyes locked on the vein in the bodyguard’s neck. As I was about to attack, teeth bared. . . “
  • In order to trick the school bully, Adrian and his friend stage a fight at a school dance. “Adrian grabbed Zander by the shoulder, spun him around, and landed a right cross to his face. Zander fell backwards . . .” The two are kicked out of the dance and meet in the woods. “Zander charged forward, tackling me to the ground. . . Zander gained the advantage and viciously kicked me in the stomach . . . I leaped on Zander’s fallen body . . . I burst a large packet of fake blood that had been planted inside Zander’s shirt. While Zander shrieked in agony, my two hands tore up the string of sausage that had been hidden in the hollow. They dripped with bloody sauce.”
  • A doctor wants to run experiments on Adrian. In order to get him to agree, Adrian’s little brother and Adrian’s friends are kidnapped and held hostage. In order to escape, Zander “was punching the bodyguard on the head . . . The guard shrugged him off and with one backhanded blow swatted Zander to the ground . . . He snarled and gave me a two-handed shove that propelled me into the window. My forehead cracked against the thick pane.” When the house catches on fire, everyone is able to escape.

Drugs and Alcohol

  • Pretty Pillz are mentioned several times. The Pillz claim to make everyone beautiful. “It’s as easy as swallowing a pill.”

Language

  • Profanity is used rarely, but includes: jerkwads, school butt, hell, and damn.
  • A kids at the smells the air near Adrian and says, “Stinks in here, don’t it? I mean, crap, it’s totally disgusting.”
  • A kid at school threatens to kick Adrian’s butt. When someone tells him to stop, the kid says, “Who. . . in the hell . . . are you?”
  • After being hit, Adrian yells, “Get out of here now or I’ll fire-trucking eat your brains! Only I didn’t say ‘fire-trucking.’ Because, like, who would? Is it even a word? No, I said a different f-word, one that I have heard before, plenty of times (I used to ride the school bus, after all).”
  • “Oh my God” is said several times. When told a story, Adrian replies, “Oh my God.”

Supernatural

  • Adrian dies when hit by a car. He describes himself as a “shuffler, ankle-dragger, shape-shifter, howler, freak. I am a living dad, soulless corpse, brain-sucker, crawler, spitter, wraith, wuss, dumb butt, flailer, mutant, haunt.”
  • Gia, who is allergic to bees, was stung by a swarm of them. “I woke up. I was alive, and I wasn’t supposed to be alive. . . That’s when I saw her, the queen bee. She sat on my chest, and I swear, Adrian, we regarded each other in perfect silence, like equals. . . And she spoke.”  The queen bee told Gia, “It all connects.”

Spiritual Content

  • None

 

Love Sugar Magic: A Dash of Trouble

Leo wants to be able to help her family prepare for the Dia de los Muertos festival. Leo’s family owns a bakery in Rose Hill, Texas. Every year, her family spends days preparing for the big celebration. This year, when Leo is told that she is once again too young to help, she sneaks out of school and into the bakery. She soon discovers that her mother, aunt, and four older sisters have been keeping a secret from her. They’re brujas—witches of Mexican ancestry—who pour a little bit of sweet magic into everything that they bake.

Leo is determined to test her magical abilities, even when her sisters tell her to wait until she is older. When her best friend Caroline has a problem, Leo is confident that she can craft a spell to solve Caroline’s problem.

A Dash of Trouble is the first book in a series about a Mexican-American family that lives in a diverse Texan town. The fantasy includes Spanish vocabulary that is easy to understand in the context of the book. The story brings the Mexican traditions for Día de los Muertos to life.

Even though Leo doesn’t always feel appreciated by her family, her family clearly loves her and wants what is best for her. Readers will be able to relate to Leo’s desire to be treated more like an adult (even when she doesn’t act like one) as well as her desire to help her friend.

Leo spies on her family, makes promises she does not intend to keep, and practices magic against her family’s wishes. When Leo accidentally shrinks a boy from her class, his mother is frightened and calls the police. When Leo is able to reverse the spell, her family is proud of her for figuring out how to solve the problem. The boy covers for Leo, saving the family’s magical secret. Leo’s story is entertaining and filled with humor. A Dash of Trouble would lead to a good discussion on the importance of honesty.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • On the Day of the Dead, some people put alcohol on their family’s shrines.

Language

  • None

Supernatural

  • The females in Leo’s family are witches, and they have a spellbook that has been handed down for generations. Leo’s sister explains, “But we’re not just any kind of witch. Brujería is practiced by lots of people in lots of different ways, and our special family power comes from the magic of sweetness; sweetness from love and sweetness from sugar.”
  • In Leo’s family, “each group of sisters gets magical talents based on the order in which they were born. Second-borns, like Mamá and me have the power of manifestation, which means we can produce objects—small ones, for the most part—whenever we need them.”
  • Another one of Leo’s sisters has the power of influence. “They make . . . suggestions. They can change a person’s feelings, make you happy or sad for no reason.” In one part of the book, she tries to influence Leo’s feelings.
  • Leo uses a spell to make pig cookies fly. They fly around and make a mess out of her room.
  • Leo’s sisters have the power to channel the dead, which they do during the Day of the Dead. “Belén spoke again, but it wasn’t her voice that came out. It was a man’s voice, and it came out of Belén’s throat.” Leo thinks, “. . . Day of the Dead was invented as a way to talk to people who have passed away, to remember them and show them that you still loved them. If messages helped people do that, they couldn’t be so scary.”
  • Leo’s sisters explain, “We can see and talk to any of the ghosts who are hanging around, no problem. It’s calling them, or channeling them so other people can hear, that takes extra effort.” The twins can see their abuela, or grandma, who hangs around because “she still has so much love tying her to the world of the living. The older ghosts get a little more . . . scattered, and then sometimes they stop showing up altogether—“
  • Leo’s sister, Marisol, tells her not to mess with magic, especially “big spells. They can have terrible consequences . . . And the more complicated the spell, the more one tiny experiment can mess things up, big-time.”
  • Leo makes cookies with a spell in the hopes of making a boy named Brent like her friend, Caroline. The spell does not work correctly. Instead, Brent begins writing love notes to all the girls in his class. He also tells several girls that he loves them “more than anything in the world.”
  • Leo accidentally shrinks Brent. “Inside the jar was a person. A tiny person unmistakably. The person was curled up and suspended in the honey, eyes closed and hands folded as if he were enjoying a nice nap.” With the help of her sisters and her dead grandmother, Leo is able to reverse the spell.
  • Leo’s abuela appears. “Sitting—no, actually, standing in the center of the bed, her body from the waist down disappearing through the mattress, was Abuela.”

 Spiritual

  • None

 

  1. Pages:
  3. 1
  4. 2

Latest Reviews