Neverwas

Neverwas continues the story of Sarah and Jackson in Amber House, who are not quite the same people. History has shifted thanks to Sarah’s successful rescue of her brother and aunt. As a result, this Sarah’s parents are happily married. There are other changes too, some good and some bad. Jackson’s aunt Ruth is dying. Hathaway’s mother never left him. Sarah’s best friend no longer exists.

The small changes Sarah understands, but there are deeper changes as well from farther back in history. The American Revolution failed. Nazi Germany won the war. North America is split into three countries, with Amber House located in the Confederate-like country where slavery has only recently been abolished.

How could saving her brother and aunt have caused such large changes to history? It makes no sense, and Sarah doesn’t want to fix it. She doesn’t believe that she can fix it. Together, she and Jackson start to unravel what happened—Jackson eagerly, Sarah unwillingly. Together they realize where history went wrong, and that it’s up to them to fix it, again.

Neverwas is a strong second book in the Amber House series. Though it lacks the beautiful imagery that made the first book a delight, Neverwas is based on an interesting “what-if” concept that will hook readers. The story explores what might have happened if the American Revolution failed, and the ripple effects it would have on world history; these changes keep the story interesting enough to keep the pages turning. The authors also did a wonderful job developing the alternate-Sarah. Sarah is still clearly herself, yet there are changes to her personality and how she views the world, changes that are there due to the fact that her parents are happily married, her aunt is alive, and other small alterations to her past.

This Sarah is not as likable as the Sarah in book one. The Neverwas Sarah is not as strong, she can be frivolous and clueless, and she would rather bury her head in the sand than try to change history again. But with Jackson and her brother urging her on, she does a commendable job of pulling herself up by her bootstraps, and in the end, she does all she can to rectify history and bring a better future. Overall, Neverwas has a theme of helping others, even when the cost to yourself may be great.

 Sexual Content

  • When a boy sees that he and Sarah are under the mistletoe, “his lips softly brushed my cheek.”
  • In an echo of the past, Sarah sees two people whose “lips met in a kiss that made me look away.”
  • In another echo, “A man had Maeve pinned against the wall. She was struggling to get away from him, but he had her arm twisted up behind her back. He kissed her. Hard. A possessive, violent gesture.” She is rescued, and tells him, “I should kill you, Ramsay. Just know if I ever see you on my property again, I will shoot first and swear you tried to rape me later.”
  • Jackson kisses Sarah once. “His lips met mine. Gently—so gently—but also fiercely. As if this belonged to him. As if he had waited for it. As if there was nothing in the world but that kiss. It could have lasted forever and it would have ended too soon. My first kiss.”

Violence

  • Deirdre finds a female slave who was “a tumble of limbs, her face battered and bloody.”
  • Sarah lives in an alternate world where Nazi Germany won the war and still exists. She is furious when a Nazi comes to her family’s Christmas party. “In seventy-five years, the Nazis had wiped out all the Jews, Gypsies, homosexuals, and disabled people in Europe.”
  • Jackson hits his head and has a seizure as a result. “He got to his feet abruptly, bumping his head hard against the mantel. He lifted his hand to his temple and brought away fingers wet with blood. Then his head jerked backward as he crumpled to the floor…his left arm and leg began to shake, and a trickle of blood oozed from his nose.”
  • A racist man asks Jackson, “What happened to you, boy? Half a lynching?”
  • Jackson and Sarah are attacked. “Jaeger raised a hand, and a blade into view. He stabbed it into Jackson. I saw the crimson of blood spreading all around the wound.” Sarah later shoots Jaeger. “Jaeger staggered back, sinking to one knee, his hand clapped to his shoulder. He brought his hand away to see; it was covered with blood.”
  • When a Nazi tries to stab a Jew, another man’s “hand came up and slammed into the Reichsleiter’s face…then [the Reichsleiter’s] face sank into the circle of backs surrounding him. The crowd seemed to swallow him. His protests ceased. The thud of blows continued.”
  • A man tries to kill Nyangu. “She reached out with claws and slashed his face…She grabbed the door frame and leapt up, jamming her bent legs forward to hit the Captain’s midsection with her heels. He doubled over, gasping, and she jerked loose, scrabbling up and away.”
  • When the Captain tries to kill her, Nyangu throws a sack of poisonous spider eggs at him. The spiders hatch, and “I saw tiny spiders swarming his face. Hundreds of them. More. They filled the claw marks down the cheek. They crawled along the lashes of his staring eyes.”

Drugs and Alcohol

  • Sarah describes a bow of hers as, “hanging drunkenly to one side.”
  • A boy teasingly asks Sarah if she has “been sampling too much eggnog” when she spaces off.
  • In an echo, Sarah sees a man who “wavered slightly on his feet, and I understood he was drunk.”

Language

  • “God,” “Good Lord,” and other variations are used as exclamations frequently. For example, Sarah’s mother says, “Oh, my God.” Another time Rose exclaims, “Lordy, child.”
  • “Holy Jesus” is used once. A man says, “Holy Jesus, I just about lost my lunch looking at you.”
  • A boy calls himself a “git.”
  • “Damn it” is used twice. A sheriff yells, “Stop, dammit! You come back here.”
  • Sarah’s brother tells her, “You always get the crappy fortunes.”
  • “Bitch” is used in a poem once, referring to a dog. “A restless hound intent to make her bed…one chance there is to bring this bitch to heel.”
  • When a Jew calls a Nazi a murderer and grabs his arm, the Nazi says, “Unhand me, you filthy Jew.”
  • A news report in a Confederate-like state says, “The only known casualty is a negro youth who is presumed to have set the blaze.”

Supernatural

  • Sarah can see visions of things that happened in Amber House’s past when she touches items from its past, such as a doorknob or Christmas ornament. They are called echoes.
  • Jackson can see pieces of the future and different possible futures.
  • Sarah can feel where Jackson is, even when she cannot see him. She can use this strange sense of “Hotter, Colder” to find him.
  • Sarah finds an evil coin that a man used to change the future. “It seemed almost to squirm. My mind’s eye exploded with telescoping images…I felt possessed, attacked…violence surrounded them, every form of corruption, every kind of death, and I was drowning in it.”

Spiritual Content

  • Sarah’s family goes to a Catholic church service. The service itself is described very briefly; the morning is treated more like a social outing.
  • A girl says, “Merciful Lord” and “crossed myself to ward off evil,” when she finds a nearly dead woman.
  • A little girl says she doesn’t like the story of Pandora or of Eve from the Bible. Her grandmother says, “I used to think that too, Annie. But then I thought, what if we should be grateful to Pandora and Eve instead of blaming them? What if they did exactly what God wanted them to do—to choose choice itself? To bring change and chance into an orderly world.”
  • Sarah has her fortune told by a woman who says she is Catholic. The woman owns The New Dawn Metaphysical Bookshop and says, “Person can’t help it if she can see things other people can’t.”
  • Sarah’s aunt says, “Maybe God is an artist. He saw something deeper. And you must be here to help Him lay it bare.”

by Morgan Lynn

The Portal

Rose lives an ordinary life with her mother. She loves her friends and has a fashion blog, which has a lot of hits. Everything changes when Rose’s mom is killed in an auto accident. Rose is sent to live with a grandmother she barely knows. To make life worse, a group of mean girls makes fun of Rose’s fashion-forward looks. Now Rose must deal with being the target of bullying as well as trying to understand her grandmother’s dementia.

Rose finds peace in her grandmother’s greenhouse. One night, a strange glowing light appears in the greenhouse. When Rose goes to investigate, she is thrown five hundred years into the past. Rose is now the servant of Elizabeth, the daughter of King Henry VIII. When Rose finds a locket with two mysterious pictures in it, she begins to wonder about her own past. Can the locket reveal mysteries about her parents?

Rose goes back and forth between the present and the past. Although many connections are made between the two time periods, some readers may not like the jumpy nature of the story. As Rose goes into the past, the reader learns fun facts about the time period as well as gets a peek into the dynamics of the royal family. Rose’s love of fashion is integrated into the story, and Rose includes pictures of the time period’s clothing and shoes as part of her blog. In both time periods, the author’s theme is clear: all people should be treated with respect and kindness.

Readers will be able to relate to Rose, who is not portrayed as a perfect character. Rose struggles with fitting in, and even though she recognizes that people should be treated with kindness, she doesn’t always show kindness herself. However, Rose is lovable because of her curious nature and her willingness to stick up for others.

Even though The Portal doesn’t explain the magic of time travel well, readers will still find the fast-paced story enjoyable. The conclusion feels a little rushed, and not all of the pieces fit well together. Despite this, The Portal is an entertaining read that has a dash of historical facts. Younger readers who enjoy time travel stories with strong female characters may also want to read The League of Archers and Ruby Red Trilogy.

Sexual Content

  • None

Violence

  • Mean girls push Rose into her locker and then shut it. Rose felt a shove and then “her head banged against metal; then there was a slam. Complete darkness.”
  • When Rose goes back in time, she meets Princess Elizabeth, whose father was King Henry the Eighth. The King, “chopped off her mother’s head.” Later in the story, one of the characters thinks about the King’s dead wives. “People didn’t talk about witches, not since the king had chopped off his wife’s head, Queen Anne. But that was four wives ago. Of course, after Anne, the second head to roll was Catherine Howard’s a few years ago, but she wasn’t considered a witch, just a wanton seductress.”
  • While ice skating, a mean girl intentionally runs into another girl, making her fall.
  • A group of mean girls chase Rose and throw things at her. Rose “heard the girls closing the distance and shoved an empty trash can that clanked down the alley towards them. . . She heard someone take a hard fall and gasp as if the air had been knocked out of her.” Rose’s cat, “sailed over her head, her claws spread in attack mode.”
  • While back in time, a group chases a “fool” and throws eggs at her. When Rose talks to the girl, she says, “But I’m a fool. Fools are born to be teased.”

Drugs and Alcohol

  • A mean girl spreads a rumor about a teacher. The girl “claimed Ms. Elfenbach was drunk or something when she graded a test last year. She started a rumor that she was an alcoholic.”
  • Rose’s father wants to talk to her, but wants to wait “until evening, when most of the people were well into their cups and might not notice if he carefully approached her.”

Language

  • Good Lord, oh my God, Oh God, and OMG are infrequently used as an exclamation. For example, Rose thinks, “OMG, I’d die for those shoes!”
  • Darn is said a few times.
  • When Rose goes back in time, she calls someone a “jerk.” Others pick up the term and occasionally use it.
  • One of Rose’s friends says that a mean girl was “going to have (her dad) sue me for libel when I called her a jerk. . . The funny thing is, her dad is kind of a jerk.”
  • Someone calls a boy a “sack of pig droppings.”

Supernatural

  • Rose has a gene that allows her to time travel. The magic of time travel is not explained, and Rose does not understand what causes her to go back in time. When Rose goes back to the future, those in the past are not aware of her absence.

Spiritual Content

  • When someone uses the phrase “God’s kneecaps,” Rose thinks it is “the most fun swear ever. . . She pictured God sitting on a throne of cumulus clouds. His flowing celestial garments hiked up a bit, exposing knobby old knees crowning skinny, slightly hairy legs. Maybe God would be groaning a bit— ‘Oh, lamentations! My arthritis is kicking up again!’”
  • Princess Mary is, “very religious. She spends a lot of time in the chapel.” The fact that her father was a protestant and she was Catholic is discussed. Rose remembers reading that Mary was “England’s most horrific monarch. . . Her passion for God and burning Protestants had earned her the name.”
  • Princess Mary flogs “a servant whom she suspected of heresy. Dressed in fine gowns but with bare knees, she (Princess Mary) would crawl on stone to offer her prayers to the Virgin Mary. She was so proud of those knees if they were bloodied by the end of the ritual. It was rumored that she beat herself on Good Friday in penitence for Christ’s crucifixion.”
  • Princess Elizabeth says that “A king or a queen can’t be wrong. Nor can a princess who might someday become queen. It’s their divine right.” They are not God, but they are “given that right by God.”
  • A character prays to God.
  • When the king dies, the “servant mourners” had to “fall to their knees and pray for the soul of their king.”
  • A servant tells Rose, “The court regards people like myself as a curious little aberration that was created by God for the sole entertainment of royalty and court.”

 

 

 

Attack at the Arena

Mr. Whittaker finds a mysterious letter inside the Imagination Station. The letter leads Patrick and Beth to fifth-century Rome on a quest to find a special cup that belongs to a monk. The cousins jump back in time and end up at the Roman Colosseum.

Before long, Beth and Patrick are separated. Patrick meets Telemachus, a monk, who believes fighting is wrong. Telemachus wants the emperor to end the gladiator battles. Telemachus guides Patrick as he looks for his cousin.

Meanwhile, Beth is mistaken as a slave and is sent to serve in the emperor’s palace. As the Emperor’s servant, Beth must attend Emperor Honorius’s gladiator battle. Patrick also attends as a monk’s apprentice but is captured and sent to fight in the arena. Will Patrick be able to survive?

History is incorporated into the story through Telemachus, Emperor Honorius, and the arena fighting. The story describes the horrors of the arena fighting in child-friendly terms and leaves out graphic violence. After reading the story, many may want to know more about ancient Rome.

Attack at the Arena has a fast-paced, action-packed plot with a strong message of faith. Since lessons in faith are delivered through the monk Telemachus, the lessons do not come across as preachy. Instead, readers will see how Telemachus lives his faith. Through Telemachus’s actions, the reader will learn that, “Greater love has no one than this, that he lay down his life for a friend.”

Readers who enjoy The Magic Tree House will want to add Attack at the Arena to their reading list. Both series have likable characters, mystery, and time travel. However, Attack at the Arena teaches how God can change people. This book is the second installment of The Imagination Station Series; as each book builds on the previous story, readers should read Voyage with the Vikings first. The interesting plot will keep readers turning the page until the very last page.

Sexual Content

  • None

Violence

  • When Patrick and Beth go back in time, they land in an arena with a tiger. The tiger “crouched down like a cat searching for a mouse. Its eyes burned bright. It ran straight toward Patrick.” Someone uses a whip to scare the tiger away.
  • A soldier sees Beth and “picked her up and threw her over his shoulder.” He takes her to the palace to work as a slave.
  • A soldier thinks Patrick is trying to help Beth escape. The soldiers “grabbed his arms. They roughly pulled him back.” One of the soldiers “pulled out a shiny sword. . . He pointed the sword at Patrick.”
  • A man hears soldiers coming to capture him. When the monk tells the man to hide, the man instead “pulled the knife out of his belt. He pointed it at Telemachus (the monk).” The man steals a chalice and then flees.
  • A soldier thinks Patrick is trying to help Beth escape again. He “picked him up and threw him into a wood cart. . . Patrick fell onto the bottom of the cart. His face was in the mud and straw.” Patrick is taken to the arena.
  • At the arena, “Slaves fought the wild creatures. The men screamed and ran when the animals attacked.”
  • Patrick and other prisoners are forced to fight in the arena. At the emperor’s signal, “prisoners began to fight each other. Each man battled for his life. An old prisoner quickly knocked Patrick’s knife out of his hand.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Mr. Whittaker has an Imagination Station that allows Beth and Patrick to travel back in time. When they get into the Imagination Station, “the machine jerked forward. Patrick felt as if he were on the subway. . . The machine whirled. Suddenly, everything went black.”
  • Mr. Whittaker also has a ring that “you can only see it when my hand is in the machine.”

Spiritual Content

  • The monk tells a soldier, “All children belong to God.”
  • The monk tells Patrick, “God may let you find your friend later.”
  • The monk tells Patrick that he is in Rome because “God told me to come here.” The monk didn’t know why God wanted him in Rome, but “it is for me to obey and go.” Later, the monk goes to the arena for the same reason. The monk says that God told him to go, “in my prayers this morning.”
  • The monk tells Patrick, “there are no what ifs? with God. When He speaks, we’re to listen and obey.”
  • The emperor, Honorius, says he is Christian and that “by law the emperor must be a Christian.”
  • The monk tells the people watching the fighting, “In the name of Jesus who shed His blood for us. . . don’t take pleasure in the bloodshed! Stop—in the name of Christ—stop!”

 

A Touch of Scarlet

Emma’s life is a mess. Her boyfriend Gray broke up with her. Her roommate, Michelle, isn’t talking to her. She is lonely and isolated at her exclusive prep school. Then things get even stranger when she goes into a trancelike state and enters the world of the novel The Scarlet Letter.

In a moment of weakness, Emma kisses her roommate’s boyfriend, which causes her classmates to exclude Emma even more. Emma wants to feel brave, but instead, she’s heartsick over her breakup with Gray, worried about her estranged relationship with Michelle, and wishing her life didn’t parallel The Scarlet Letter.

When Emma finds out that Michelle is gay, Emma tries to help Michelle come out into the open and stop hiding her secret. The second half of the story follows Michelle’s struggle with discrimination and fear.  However, as the story is told from Emma’s point of view, the reader doesn’t get to see Michelle’s emotions. Although it is clear that Emma cares for her roommate, the battle isn’t Emma’s so it lacks emotion and suspense.

A Touch of Scarlet’s best moments are when Emma goes into the world of Hester and The Scarlet Letter.  When Emma watches the plot of the book unfold, she learns that each situation can be viewed from different perspectives and that forgiveness and honesty are important in life.

The book delves into the voodoo religion, showing how to make a hex. Another troubling portion of the story is when Emma learns how to leave her body and travel to The Scarlet Letter’s world.

Emma is shown to be a troubled teen who is trying to deal with life’s complications. She makes mistakes but cares for her friends. Plus, whe does not have sex or do drugs. However, several of the characters are seen drunk, smoking marijuana, and having sex.

Sexual Content

  • Throughout the book Emma kisses three different boys.
  • Emma and Gray kiss many times throughout the book. In one scene Emma tells Gray that, “My dad worries you’re going to steal my virginal innocence.” Even though Emma considers having sex with Gray, she does not.
  • Emma and Gray make out. She describes the sensation of Gray touching her.  “My body lit up like a pinball machine. Before I knew it, I was lying on the ground, my dress hitched up around my waist, with Grey’s body shifting on top of mine . . . I tore at his shirt, trying to undo the buttons with cold, nervous fingers . . . A part of me wanted to go for it—to lose myself in the moment.”
  • Emma and her roommate, Michelle, talk about how Michelle cheated on her boyfriend.  Michelle says, “It was a little more than kissing . . . I had to tell someone. It’s been eating me up inside.”
  • After a breakup, Emma kisses her roommate’s boyfriend. “Then we were really kissing, his lips on my lips, his hand gripping the back of my neck.”
  • Michelle’s roommate struggles with the fact that she is gay, but she doesn’t want anyone to know about it.
  • One of the characters tells about when she accidently told her friends that her cousin was gay. “Chelsea got all weirded out and Amber flipped because apparently—news to me—she had hooked up with him a few times the summer before. So Amber starts telling me he’s going to hell . . . I feel like vomiting, partly from drinking too many margaritas and partly because I’ve just realized my friend are complete assholes.”

Violence

  • Emma thinks about her mother who killed herself by walking into the ocean. Emma has dreams where she sees her mother walking into the water and Emma tries to save her. “I plunged to the bottom, trying to dive under the tumult, but the waves kept careening over me.”
  • Emma travels to the world of the scarlet letter. Abigail sticks a large needed into her belly and then accuses Elizabeth of being a witch. Elizabeth is arrested when, “the constable finds a poppet with a needle in its belly and accuses Elizabeth of using it as a voodoo doll.”
  • While playing hockey, Emma purposely hits another girl with a hockey puck. “I watched in fascination as it sailed through the air, seeming to hover in slow motion right before it connected with Elise’s exquisite cheekbone.”
  • When Gray finds another boy at Emma’s house. Gray wants to, “smash his face in.” Emma tells him, “You should be thanking him, not trying to smash him to a bloody pulp like some macho dickhead.”
  • In her dream world, Emma is chased by a mob of women who fling mud at her. “Fear and adrenaline surged through me as I ran through the forest, hearing their haunting voices behind me and feeling the pelts of mud at my back.”
  • Emma and Flynn kiss. “His mouth tasted earthy and sweet, like smoke and sage. And then I surrendered to the kiss, allowing him to draw me in, one hand on the back of my neck, the other making its way down my waist.”
  • In her dream world, someone tries to burry Emma alive and turn her into a zombie. “After he poured the last of the dirt on me, he reached in his basket and pulled out one last red rose, which turned black in his hands. He threw it onto my makeshift grave and laughed, ‘this is your fate.”
  • In biology, the class must dissect a cat. Michelle deskins the cat. One of the lab partners tells Michelle not to cut too close to the cat’s tail. The girls laugh when Michelle says, “I wouldn’t touch this cat’s anus with a ten-foot pole.”
  • At the end of the book, the girls find out that their male headmaster had an “inappropriate relationship” with a student when the headmaster worked at an all-male school.

Drugs and Alcohol

  • When Emma gets back to school she thinks, “Lockwood girls didn’t like their parents sticking around any longer than necessary, anxious to break out the booze for the first-night celebrations.”
  • Emma pulls out her cell phone, “looking down at it like a drug addict staring at a fix.”
  • Flynn drinks often, as well as smokes a joint, which is passed around between several others.
  • Flynn’s “father is an asshole and his mother is knocked out on prescription drugs half the time.”
  • Throughout the book, several characters drink as well as talk about things that happened when they were drunk.
  • Emma’s grandmother drinks often. Once the grandmother is admonished, “You’ve had enough whiskey for three people.”

Language

  • A boy asks someone, “When are you two lovebirds going to get off your asses and join us on stage?”
  • After the school finds out the Emma kissed her roommate’s boyfriend she is called a “bitch” and a “slut.” Emma says she is “sick of the slut-shaming.”
  • Emma’s friend is called a “dyke” several times in the story.
  • “Oh my god” and variations of “asshole” are used often.
  • When someone sees Emma and Flynn kissing, he says, “what the hell, man?” Flynn replies, “I’m such a fuck-up.”

Supernatural

  • A major part of the plot is that while running, Emma goes into a trance like state and enters the world of the book The Scarlet letter. After the first time Emma enters the world of The Scarlet Letter, she wonders who she saw. “Ghost lingering in a parallel universe, caught between my world and their own?”
  • Emma is told that she must be careful in her dream world because, “a voodoo priest can put people into trancelike states, and then bury them alive . . . they steak their ti-bone-ange (soul) thus depriving them of free will and conscience. That’s how zombies are created.”
  • Emma learns a “black magic” spell to remove a person “from your path.” Later in the story, Emma and her friends cast the spell. Emma is told, “a hex is just a formal way of putting a wish into the universe.”
  • At a slumber party, the girls play Bloody Mary.  Emma is freaked out when she sees, “Gray’s face, flickering in the candlelight . . . Behind him was a find aura of red, almost like Hester’s ghost was standing behind him.”
  • Emma learns how to send her spirit into the dream world while her body stays in one place. “I imagined myself a dolphin, half of my mind shut down to let me rest; the other half active and alert. It was this second half I sent out wandering.”

Spiritual Content

  • Michelle says that God hates her because she doesn’t believe in God.
  • Michelle’s aunt is “part dream interpreter, part voodoo practitioner, and all around wise woman. She believed in the spirit world and claimed to communicate with the dead.”
  • Emma goes and stands in the same spot where she was hit by lightning. She wonders, “If God would be audacious enough to strike the same place, and person, twice.”
  • When Emma is having her dreams, she is told that, “The Haitian people believe you have two parts of your soul-le ti-bon-ange, or your little angel, and le gros-bon-ange, your big angel. Now the little angel is like your shadow soul.  It’s only visible in dreams or visions, and helps you communicate with the spirits or the loa, kind of like your conscience. But the big angel is your fate soul, the one that determines your destiny or prophesizes your future.”
  • Emma goes to Easter service. “I hadn’t been to church since Christmas, and I felt a little guilty about it. It wasn’t’ that I didn’t believe in God, more than I questioned what kind of God he was.  Anyone who’s lost a parent must go through this crisis of faith, asking, How could a merciful God take my mother away?”
  • Emma thinks, “Michelle claimed to be an atheist, with science her only religion. She often scoffed at Darlene’s voodoo beliefs, but deep down, I think Michelle had some faith of her own, even if it didn’t conform to any church or institutions view of the cosmos.”

A Phantom Enchantment

Emma has been looking forward to spending her senior year of high school in Paris. When she arrives, she and her friend Elise are excited to learn the culture and participate in an Opera writing competition.  Then Flynn and Owen show up in Paris and the conflict heats up.

Elise doesn’t want to miss the opportunity to date a cute French boy, but she also doesn’t want to give up Owen.

Then Emma’s boyfriend, Gray, goes missing and is presumed dead. Emma travels through a mirror and is able to talk to Gray, but the Gray in her dreams is dangerous and depressing. In an attempt to get over Gray, Emma begins spending more time with Owen. Soon Emma must face Elise’s jealousy and her own growing attraction to Owen.

As Emma’s dreams continue to frighten her, she decides to stay away from the mirror, but that doesn’t stop her from feeling Gray’s presence. And then a series of accidents makes Emma wonder if Gray’s Ghost wants revenge.

Although A Phantom Enchantment takes place in Paris, the setting does not add to the story. So much of the story revolves around Emma and her American friends, that the French culture takes a backseat to the teen drama. Even though Emma and Elise are in a Paris boarding school, none of the French students make more than a ripple in the story.

Even though the story parallels the Phantom of the Opera, this also does not add to the enjoyment of the story. By the time Emma’s story reaches book three, both her story and conflict feel old. Thus, reading A Phantom Enchantment became a chore, and Emma’s story came to a welcome end.

Sexual Content

  • Emma and her boyfriend talk about a night they spent on the beach and she asks, “You mean the night we almost had sex?”
  • A drunk Flynn sleeps in Emma’s bed. The next morning he wakes up concerned that they had sex, and he didn’t remember it.
  • Emma thinks about Owen who had his heart broken when Michelle, “revealed that she was gay. Then I led him on by kissed him, and worse by kissing Flynn a couple months later.”
  • Emma wishes she could be, “more like Elise, sampling cute men as one might sample macarons.”
  • Owen leans close to Emma. “He wanted me to be the one to initiate. He wanted me to want more. And I did…as difficult as it was not to press my body into Owen’s and kiss him hard on the mouth, I drew away.”
  • Elise tells Emma, “I know you were probably saving yourself for Gray . . . I just want to remind you that you’re human. And you’ll never be this young and hot again.” Elise tells Emma to, “wear something sexy, and try to get lucky.”
  • Else worries that she will become unfaithful like her mother, who cheated on her husband.
  • Emma and Owen kiss and she was, “dazed by the feel of his tongue in my mouth, dizzy from the sheer cinematic splendor of it.”
  • Emma and Owen make out. “I was a puddle of sensation, letting his mouth crash over me like a tide…We didn’t’ actually have sex-neither of us had prepared for this-but it didn’t matter. The end result felt the same as we lay in bed next to each other, nearly naked and spend, feeling desire twine though our limbs.”

Violence

  • The book refers to the storyline of Phantom of the Opera and how, “a scene changer had been found dead in a cellar, hanging from a beam.”
  • A Christmas tree falls and hurts Elise and Owen. Emma wonders if Gray’s ghost had something to do with the accident.
  • Gray pins Emma against the wall and yells, “You know what fucking happened to me!” He makes it clear that he would like to have sex with her, but she is unwilling. Gray ends up leaving.
  • A character talks about how he set fire to a girl’s room because he was jealous that she was with another man.

Drugs and Alcohol

  • There are several scenes where the characters are seen drinking and are drunk.
  • Flynn dreams of smoking pot in front of Jim Morrison’s grave, so Emma and Owen go with him so he can fulfill his dream. Although Emma does not smoke pot, Owen does.

Language

  • One of the male characters had, “to take a piss.”
  • Elise says that she has been “a bitch lately” and then apologizes. She also call another student a “douche.”
  • Gray yells, “Well, love is (a joke). The fairytales tell you otherwise, but it’s all bullshit. Happily ever after is a fucking lie.”
  • Profanity is scattered throughout the book. The profanity used includes: holy shit, Oh my god, smartass, and bastard.

Supernatural

  • Emma uses a voodoo spell to bind her and Gray together.
  • Emma is able to send her spirit self though a mirror and interact with Gray who had been lost at sea. Several times in the story Emma thinks she can feel Gray’s presence following her.
  • Several items go missing which is blamed on the Bastille Ghost.

Spiritual Content

  • One of the characters is a practitioner of voodoo and a believer of spells.
  • Emma prays to God, and she repeats a verse, “Dear Saint Anthony, please come around. Something’s lost that must be found.”
  • Emma says, “Sometimes I wished I believed in God in that unequivocal way others did. While I did believe in a cosmic force that had played some role in our creation, I had no idea what form it took or how much it actually intervened in human endeavors.”

A Breath of Eyre

Going to an exclusive prep school isn’t a dream for Emma. Instead it’s a lonely existence. With no friends, a father who is distant, and a step-mom who thinks she needs therapy, Emma doesn’t think life can get worse. Emma escapes her dreary life by reading Jane Eyre and dreaming about her crush on her English teacher.

As her sophomore year begins, Emma gets a new roommate, Michelle, who offers friendship and relief from her loneliness. However, when Michelle is accused of setting a barn on fire, Emma must decide if the friendship is worth fighting for.

Then a bolt of lightning hits Emma and sends her into the nineteenth century and the body of Jane Eyre.  As a governess, Emma finds peace and soon finds herself attracted to Mr. Rochester. Soon, Emma isn’t sure if she wants to live in Jane’s world or her own.

A Breath of Eyre has Emma jumping for her prep school to the world of Jayne Erye. The premise behind the book is interesting and will keep the reader wondering what happens next. Although A Breath of Eyre referes the book Jane Eyre, it is not necessary to read it to understand A Breath of Eyre. However, the book may be more enjoyable to those who have read Jane Eyre.

Many of the events in the book are typical of a teen novel. Michelle goes to a prep-school and is an outcast because she is on scholarship. The prep-school girls are vicious, but the teachers are afraid to discipline them because their parents have money. There is also a love triangle.

Mont throws in an interesting twist when Michelle travels between worlds; however, the book still lacks loveable characters that draw a reader into the story. The reader will smile because of the sweet conclusion of the book, but getting there will take some effort.

Sexual Content

  • One of the girls at school talks about her father who was a rich man who “took a liking” to her mother. When the man’s wife found out, the girl’s mother was fired.
  • Emma is at a party when Gray tries to kiss her. “I’d always imagined my first kiss being in the middle of a meadow under starlight . . . Not standing drunk with Gray Newman at the side of a building.”
  • Emma thinks back to when Gray almost kissed her. “The heat from his body had felt like fire. His lips had been inches from mine.” She then thinks, “I would have given anything for him to try to kiss me now.”
  • Emma and Gray talk about the problem with dating someone and then being friends afterwards. Emma wonders if Gray has slept with another girl, and then she imagines him with another girl, “her head on his shoulder, his hands running through her hair, and thoughts of being ‘just friends’ a distant memory for both of them.”
  • When Emma and Gray dance she, “wanted to bury my head in the warm hollow of his neck.  His hands gripped my hips, while his lips grazed my hair . . . I was in intoxicated by the moment, by the promise of something I’d only imagined before.”
  • Gray tells Emma that he slept with a girl who he had been going out with for six months.
  • Emma and Gray are parked in a car when he pulls her towards him. “. . . I was straddled across his legs . . . His shirt was open a little . . . I slipped my hand inside and pressed my palm against his heart, where his pulse beat hard and steady against my fingertips . . . The kiss grew deeper, warmer and wetter and more intense until I wasn’t thinking about anything other than the kiss. Letting myself fall head first into the white-hot madness of it…Other parts of my body began to engage, and I was all heat and light, tugging at his shirt, digging into his back, burrowing myself into the hollow of his neck.”
  • Emma has a daydream where Gray is kissing her and “There is a moment of unbearable tension as we hover mere centimeters from each other—waiting, wanting—and then pure release as our lips collide, sending sparks of heat and light through every limb down to our fingers and toes.”
  • Emma and Gray kiss often throughout the book. The feelings of the kiss are described in detail.  One scene describes it as “blistering hot.”

Violence

  • A man is attacked by a woman. His arm was, “soaked in blood.” The man said, “She tried to suck my blood. She said she’d drain my heart.”
  • In a dream world, Emma’s mother throws herself off of a roof. “I watched as this dark-plumed thing descended, wings outstretched, then shielded my face to avoid seeing her smash against the stones.” The building is then engulfed in flames.
  • Emma’s father talks about when his wife, “came here to this beach and she walked right into the ocean with her nightgown on.” He then tells Emma about how her mother left a suicide note.
  • Gray talks about when he got into a fight and hit his friend in the face.
  • A girl’s mother, “slapped her hard and quick against the cheek.”
  • Gray tries to commit suicide. Emma saves him, but in the process almost drowns.

Drugs and Alcohol

  • Emma asks her friend if he stopped lifeguarding because he’s been, “too busy doing keg stands and scoring with the fraternity chicks?”
  • Emma’s grandmother drinks old-fashions and doesn’t like it when her drinks get low.
  • Several of the girls smoke pot in the school’s barn.
  • Emma and Michelle go to a party and, “slurp wine coolers like they were Gatorade.” Other students were, “sniffing out alcohol and drugs.”
  • Emma tells Gray that she is not interested in him because he spends his free time with his “head in a beer bong.”
  • On the way to a dance, Michelle and her friends drink champagne out of the bottle. Michelle encourages the driver to drink because he has to drive, “less than half a mile.”
  • Gray tells Emma about when he went to a party with his best friend’s sister. They both had been drinking, and the girl decided to go skinny dipping. The girl went into the water and never came out. Her body was never found.
  • When Emma is upset, her grandmother gives her a sip of tea with liquor in it.

Language

  • Elise says, “The new girl must be lesbo, because she can’t stop staring at us.”
  • Hell, ass-hole, damn, hell, pissed off, and shit are used in conversation.
  • Two roommates tease each other about getting, “enough Johnson.”
  • Michelle says, ‘I need to get away from these Lockwood bitches.”
  • Emma thinks about going into the hallway but is afraid it is, “occupied by a pissed-off ghost.”
  • A teacher is discussing a book and tells the class, “every once in a while, nature has to kick our ass to show us who’s boss.”
  • Gray is upset that a teacher wiped a tear off of Emma’s face. “He’s a teacher for God’s sake.  What’s he doing touching you? If I was your father, I’d kick his ass.”
  • Michelle ask Emma, “Why are you being so nice to me? I’ve been such a bitch.”

Supernatural

  • After Emma is struck by lightning she becomes Jane Eyre and lives her life for a short period. Later in the book, when Emma is stuck in a burning barn, she again begins to live Jane Eyre’s life.
  • Emma’s grandmother said, “your mother called out to me the night she died. I don’t know how, but somehow, her voice reached me . . . that night I woke up with this panicked feeling, like someone had just taken out a giant chunk of my heart.”

Spiritual Content

  • Emma thinks about her body and lack of curves. She thinks, “Despite nightly pleas to a God I only half believed in, I remained a disappointing five foot three.”
  • One of the characters believes in Voodoo and tells Emma about papa Legba’s vẻvẻ, which is a symbol to attract spirits to earth. Emma has a necklace that looks like a vẻvẻ.
  • Emma uses an incantation and ask Papa Legba to. “open the door for me. Father Legba, open the door to let me pass through.” Emma then goes to a “dream” world where she meets her dead mother.
  • Emma’s friend tells Emma not to mess with voodoo. The friend says she doesn’t believe in it, “but it’s kind of like God. I don’t believe in him either, but he still scares me.”
  • Emma thinks, “I had not been raised in a religious household, although my father did believe in giving thanks and asking forgiveness. Now I said a simple prayer for help. I don’t know who it was intended for—was I praying to a great Christin God to send me a guardian angel?  Was I praying to Papa Legba to guide me back though the door between worlds? Or was I praying to the Universe to help me find the path of my own destiny. I didn’t know and I didn’t care. I just knew I couldn’t make it on my own.”

Backward Glass

For as long as anyone can remember, a skipping song has warned children about the dangers of Prince Harming. “Lover sweet, bloody feet, running down the silver street. Leave tomorrow if you’re called—truth and wisdom in the walls. Crack your head, knock you dead, then Prince Harming’s hungers fed.”

When Kenny moves to a new town, he is shocked when his father finds a dead baby hidden in the wall of the carriage house. But what shocks him more is the note that is found with the baby. “Help me make it not happen, Kenny. Help me stop him. Clive is dead all over again.”

Kenny embarks on a journey through different time periods with the help of his newfound friend Luka and a time travel mirror. The two teens hope to save the baby and figure out how the skipping song is related to the child’s death. They soon discover that Prince Harming is not just a fairy tale character, but a living man who is out to kill Kenny and anyone else that stands in his way.

Backward Glass is an interesting story. However, there are many different characters in different time periods, which makes keeping track of people and events a little difficult. In the end, all of the pieces of the story fall into place to give the reader a satisfying ending.

Sexual Content 

  • Kenny tells about his father’s first kiss. “Ten years old, and he chased her into a scrap yard and kissed her and she tripped him.”
  • When Kenny is saying goodbye to a girl from another time period she, “stepped forward, grabbed my shoulders, and kissed me square on the mouth. It was awkward, and it wasn’t a long kiss like you see in the movies, and maybe that’s all I’m going to tell you about it because maybe it’s none of your business. It was good, though.”

Violence 

  • Kenny and his father find a dead baby hidden in the wall, “like someone killed it and hid it there. With a note asking me for help.”
  • As Kenny and Luka step out of the time travel mirror, a man holds a gun and threatens to kill Kenny. Luka “reached for the gun, now pointed toward the ceiling, and covered both of the men’s hands in her own, but from one of them—I couldn’t tell which—came a sharp kick to her midsection that sent her flying to crack her head on the cement floor of the basement.” The two men precede to fight over the gun. Then Kenny is shot. The shooter says he had to kill Kenny because Kenny killed his wife. This fight scene continues for several pages.
  • Kenny is jumped by several teenagers. “I fought back like I had nothing to lose . . . When Boyd Fenton broke my nose, I stepped back, pulled it as straight as I could and asked if he was done yet.” In the end, another boy arrives and helps Kenny fight off his tormentors.
  • Wald carries a “wild man” who is tied up and gagged. The man breaks free and tries to hurt Kenny. “He thrashed frantically, trying to hit me in any way he could. His head slammed against mine, and some part of him dug into my stomach.”
  • When Kenny’s father was younger a man attacked him. “He twisted Brain’s arm, checking his lunge, and brought a quick fist down onto the side of his head, slamming him back against the corner of a brick. Brain slumped.”
  • Kenny pushes a woman into the mirror. However, he knows that this means she will die because the mirror in the other time period is under water. “I reached for her, but all I could feel was water and pain.”
  • A man goes back in time with the intent to kill his infant self. “All I need to do is never live. I kill the baby and its’ no crime. It’s suicide.” Later in the story, the man is holding his baby self when someone tries to grab the baby from him. The man, “gave her a push with his foot, sending her flying into a large chest.” Later the man, “began to topple back . . . cradling the baby, instinctively bringing it close as he fell . . . Little Curtis and his older self lay spread out on the floor, their hands close enough to exchange bright flashes. Both were convulsing slightly.”
  • A young boy tries to take a girl into the time travel mirror. “When she couldn’t pass in, he grew angry and smashed her head repeatedly into its unbreakable surface. She never recovered completely.”

Drugs and Alcohol 

  • One of the characters smokes a cigarette.
  • One of the characters gets stuck in a time period that is not his own when, “fed too much beer at a year-end celebration by a stranger . . . he came back to the mirror too late and found himself trapped ten years in his own past.”
  • Kenny talks about a vacant house that kids, “had been going there to drink or make out for a couple of years.”

Language 

  • When Kenny’s father finds a dead baby hide behind a wall he says, “Oh Christ, Oh Christ. Oh, Jesus, Kenny, look at the little thing.”
  • When Luka’s mother thinks she is on the phone, her mother yells, “Hell’s the matter with you?”
  • A character talks about how he found, “that goddamn diary when I was nine years old.”
  • When discussing time travel, a character says, “Christ. Time travel—and I wanted to sell comic books. Go on H.G. Wells. Take it. Save the baby. Maybe there’s a reason the damn mirror didn’t open up for me.”
  • Kenny tells a teen named Chuck that his sister will marry a Goldstein. Chuck replies, “You saying my sister’s going to marry a Jew?” When Kenny asks if he cares, Chuck replies, “Nah, but it don’t matter how welcome I am in the family, none of them better try cutting part of my pee-pee off.”
  • Holy crap and hell are occasionally.

Supernatural 

  • None

Spiritual Content 

  • Two characters discuss the rules of time travel and how people cannot get in contact with their other self. “It’s like you can’t mess up time,” Luka said. “Keisha says it’s God, but I asked her where exactly the time-travel mirrors come into the Bible. Melissa says it’s fate, but I don’t even think it’s’ that.”

No True Echo

In a strange twist of events that he doesn’t understand, Eddie relives the same day over and over. The first time Eddie lived through the day, his mother died when he was an infant and his only plan was to spend his school break climbing trees with his best friend and trying to find a way to talk to the new girl. As Eddie continues to relive the same day, he is also attempting to figure out what is causing the strange occurrence, why the new girl keeps asking about his dead mother, and if there is a way he can change the day’s events.

As Eddie navigates his unexpected time-travel, Eddie tries to figure out who he can trust. And in the end, he must decide if telling the truth is the right thing to do, even if it means losing someone he loves.

No True Echo weaves a gripping story that leaves the reader wondering what will happen next. The story revolves around Eddie (and others) being shot which adds suspense and intrigue. The shooting scenes are described with little detail which allows the reader to imagine as much or as little as they like.

However, what really drives the story is the characters. The story is told from Eddie’s point of view as well as a police officer’s point of view which adds depth to the storyline. The adults are not portrayed as perfect, but with problems of their own. Eddie’s best friend Angus adds humor. The new girl Scarlett adds suspense and a bit of romance. The interactions between the characters are realistic and emotional. In the end, the story shows that the connections people make are what really matter in life.

Sexual Content

  • None

Violence

  • Eddie is shot several times, but it is not described in detail. The first time Eddie is shot, he jumps in front of a girl to protect her. “All I knew was the agony of the bullet ripping into my chest. And the shock. And the fear.”
  • Another time Eddie is shot, he “shut my eyes in agony as the bullet tore through my body, but the pain vanished as though it had never been there.” Later when discussing the shooting, he is told that “he (the shooter) knew that the timeline would be destroyed anyways, so I’m not sure that counts (as murder). He also knew I would save you.”

 Drugs and Alcohol

  • Eddie’s mom has a “large glass of wine” with dinner.

Language

  • None

Supernatural

  • In this time period, people can time travel by going back into their younger bodies. At one point in the story, Eddie travels into his infant body so he can watch his mother’s death in order to determine if her car accident was an accident or a murder.

Spiritual Content

  • None

 

Sapphire Blue

Gwen keeps hoping things will get easier, but it seems the universe has other plans. She and Gideon kiss, only to be interrupted by a gargoyle demon who imprints on Gwen and insists on following her everywhere she goes. If her new friend wasn’t enough, Gwen runs into her grandfather in 1948. The two bond and hatch a plan that may just keep Gwen alive.

Strong characters keep the Ruby Red Trilogy interesting. Gwen’s best friend Lesley uses the internet to run down leads for Gwen. James, a ghost (who doesn’t know he’s a ghost), teaches Gwen how to survive in the eighteenth century. Gideon is full of contradictions, which frustrates and confuses Gwen.

The second installment of the Ruby Red Trilogy, Sapphire Blue keeps the mysteries coming. Woven into action are dynamic relationships that make the characters seem real. Gwen’s relationships with her gargoyle friend and her grandfather are rich. A count, who could be evil, is thrown into the mix which will keep the reader interested in the story.

Sexual Content

  • Ruby Red ended with Gideon and Gwen kissing, which is where book two begins. Gwen thinks, “Wow, could Gideon kiss! I instantly felt green with jealousy of all the girls he’d learnt to do it with.”
  • When traveling to the past, Gwen tries to explain how in her time period, she’s not too young to kiss a boy. She tells her grandfather that, “All the girls in our class are on the pill but me. . . Oh, and of course Charlotte won’t have anything to do with sex either. That’s why Gordon Gelderman calls her the Ice Queen.” When her grandfather asks, “What kind of pill?” Gwen thinks, “Oh, my God, in the year 1948, they probably had nothing but cow-gut condoms, if that.” They then decide that neither of them wants to talk about sex.
  • Gwen gets upset because she thinks Gideon is “snogging” with Charlotte and her at the same time. At the end of the argument, Gideon kisses Gwen. “His hand began stroking my hair, and then, at last, I felt the gentle touch of his lips . . . It wasn’t a gentle kiss anymore, and my reaction surprised me. I had no idea how, but at some point in the next few minutes, still kissing without a break, we landed on the green sofa, and we went on kissing there until Gideon abruptly sat up. . . ”
  • Charlotte is jealous and tells a boy that Gwen’s best friend isn’t “very discriminating. Particularly when she’s had a drink. She’s done the rounds of almost all the boys in our class and the class above us. I’d rather not repeat what they call her.” The boy asks, “The school mattress?”
  • When Gwen travels back in time to attend a party, a woman talks about Lady Brompton, who is flirting with Gideon. Lady Brompton is a widow who, “found consolation long ago in the arms of the Duke of Lancashire, much to the duchess’s displeasure, and at the same time she’s developed a taste for rising young politicians.”
  • At the party Gwen attended, she is surprised when one of the men, “made a grab for my décolletage from behind.” Later, the same man, “was unashamedly groping Lady Brompton’s bosom, on the pretext that she had a stray hair lying there.”
  • When someone offers Gwen alcohol at a party, she thinks, “My only experience with alcohol date to exactly two years ago.” She then remembers how a drink that consisted of vanilla ice cream, orange juice and vodka. She recounts the different effects it had on different people.
  • At breakfast, Aunt Maddie tells the group, “You can always leave out breakfast and save the calories to invest in a little glass of wine in the evenings. Or two or three little glasses of wine.  The gargoyle ghost replies, “A liking for the bottle seems to run in your family.”
  • Gideon kisses Gwen and she thinks, “the kiss was more intoxicating than yesterday’s evenings punch. It left me weak at the knees, and with a thousand butterflies in my stomach.” Later in the book, Gideon kisses Gwen several more times.
  • One of the characters tells Gwen that Gideon’s goal was to make Gwen fall in love with him. Then the man tells Gwen that Gideon is with Lavinaia who “is one of those delightful women who enjoys passing on the benefit of their experiences to the opposite sex.”

Violence

  • At the beginning of the book, a character kills a man, but the murder is not described.
  • When Gideon goes back in time, someone hits him over the head, but he is not seriously injured.
  • Gideon sees men fighting with swords. When Gideon recognizes one of the men, Gideon jumps in to help him. Gideon, “ran the man through the chest with it. Blood spurted from the wound, flowing profusely. . .” The remaining man runs away.

Drugs and Alcohol

  • A journal entry tells Gwen about a time when two people went to a party and, “had unfortunately landed in the goldfish pool after the excessive consumption of alcohol.”
  • In a journal entry, a novice went missing and when he reappeared, “unsteady on his feet and smelling of alcohol, suggesting that although he failed the test, he found the lost wine cellar.”
  • When Gwen and her grandfather pass a sleeping guard, Gwen’s grandfather said, “I’m afraid he’ll never make the grade to Adept if he goes on drinking like a fish. . .”
  • When Gwen travels back in time to attend a party, a woman offers her punch saying, “No one can endure this fully sober.” At first Gwen “sipped the punch hesitantly,” but then she proceeds to get drunk.

Language

  • When running across a river, a character said, “Bloody hell . . .We must run if we don’t want to fall into the middle of the river.”
  • During an argument, Gwen tells Gideon that he is “such a shit.”
  • A gargoyle ghost yells at Gideon, “Leave her alone. Can’t you see she’s unhappy in love, bonehead?”
  • Profanity is used in the book, usually in times of emotion. The profanity includes: hell, damn, and shit.

 

Supernatural

  • Gwen can see ghosts. A gargoyle ghost, Xemerius, explains how he is different than a ghost. “Ghost are only reflections of dead people who for some reason or other don’t want to leave this world. But I was a demon when I was alive. You can’t lump me in with ordinary ghosts.”
  • James is a ghost who Gwen can see. However, James, not realize he is a ghost, thinks he is sick and having “fevered fantasies!”
  • Xemerius gets angry when someone calls him a ghost and yells, “I’m a demon. . . A powerful demon. Conjured up by magicians and architects in the eleventh century, as you reckon time, to protect the tower of a church that isn’t standing any more these days.”
  • When Gwen goes back in time, she opens a book with the picture of “a demon of the Hindu Kush, who brought disease, death and war.” Gwen is surprised when the demon begins talking to her. They have a short conversation. When Gwen turns the page, the demon disappears.

Spiritual Content

  • One of the people that Gwen meets in the past said, “There is nothing the church fears more than the discovery by human beings that God is not sitting far away in heaven, determining our fate, but is within us . . . It is always refreshing to discuss such blasphemous notions with you children of the twenty-first century, who do not bat an eyelash at the thought of heresy.”

Emerald Green

The pieces are starting to come together, and the truth is terrifying. The Count is a powerful man who has killed many people in order to keep his plan in place. Gwen has her hands full stopping him, but her friends and family aren’t helping. Gideon’s behavior baffles and frustrates Gwen, who isn’t sure if she can trust or depend on him. And Charlotte’s jealousy of Gwen might unravel their entire family.

The ghost gargoyle Xamerius is one of the best parts of Emerald Green. Xamerius is realistic, humorous, and much better than a pet.

The trilogy remains strong with this final installment. Gwen is finally getting an idea of what she must do, but that doesn’t hamper the suspense in any way. The stakes are high, and conflicting motives create conflicts that will either bring about the end of mankind or save it.

Sexual Content

  • While Gwen and Gideon are talking, she thinks, “Now kiss me: I want to know if stubble feels prickly.”
  • Gwen and Gideon kiss several times. In one scene, “his left hand was buried in my hair and his right hand began stroking my throat, slowly wandering down.” The mood is interrupted when Gwen’s phone rings.

Violence

  • Gideon and Gwen are trying to escape from a man who intends to kill them. Gideon takes a heavy candleholder off the wall and throws it at the man. “It hit Sir Alfred on the head with a nasty sound, and he dropped to the floor like a stone.” Another man stabs Gwen.
  • When Gideon and Gwen travel back in time, they are in danger of meeting a former version of Gideon. In order to prevent that from happening, Gwen hits him over the head, knocking him out.
  • Someone shoots Gideon. “Gideon’s blood was all over the place. The hem of my dress was sucking it up like a sponge.”

Drugs and Alcohol

  • Gwen comes up with a plan to go back into the past and vaccinate the boy who is a ghost in her school thereby preventing his death.
  • One of the characters mentions a guard who had a hangover.
  • Several of the adults have a whisky when they are upset. Gwen’s grandfather has two whiskies and later in the book Gwen’s grandmother gives her son-in-law a whisky.
  • One of the characters takes “Alcott’s miraculous potion,” which makes him act strange. He tries to force Gwen to take the potion as well. As he talks, he says, “I’ll wager these lips have never done anything forbidden, am I right? A little of Alcott’s miraculous portion here will change that.” Gideon thinks the potion was opium.
  • After Gideon comes back from his time traveling, he is in shock and the doctor tells someone to get him a whisky.
  • At a teen’s party, someone spikes the punch, and many of the teens attending get drunk.
  • When one of the characters tries to get Gwen to take cyanide, someone hits him over the head with the butt of a pistol.

Language

  • When Gwen finds Gideon lied to her, she wonders, “why the hell she ever fell for the guy in the first place.”
  • The ghost gargoyle Xamerius calls Gideon a “bonehead.” Later, when someone tries to hurt Gwen, Xamerius calls the person a “bastard.”
  • Gwen, who is upset with Gideon, calls him a “bastard.”
  • Gwen tells her friend that she is “shit-scared of falling in love. . .”
  • Xamerius, the ghost gargoyle likes to narrate Gwen’s actions. In one scene he said, “and there was deathly silence in the room. . . All eyes rested on the girl in the piss-yellow blouse. . .”
  • One of Gwen’s friends calls someone an “ass-hole.”
  • Damn, shit, hell, and oh my god are used.

Supernatural

  • A ghost named James stays at Gwen’s school. She is the only one who can see him.
  • Gwen sees a ghost of a gargoyle who used to guard a church.
  • Gwen and Gideon have a gene that makes them time travel. A secret society has a chronograph that allows the two to have control over when and where they travel to.
  • When Gwen is stabbed with a sword, she dies. “I was hovering in the air, weightless, bodiless, rising higher and higher in space.” Later she finds out that her special power is that she cannot be killed by another person. She can only die if she chooses to sacrifice her life for another.
  • A ghost that thinks Gwen is a demon says, “I will never leave the side of this diabolical creature until I have fulfilled my task. I will curse every breath she takes.” Xamerius eats the ghost.

Spiritual Content

  • One of the characters, who is trying to kill Gideon and Gwen said, that the person helping him is doing it because he will gain, “the certainty that the angels in heaven will praise his deeds is worth far more than gold. We must rid the earth of demonic monstrosities like you two, and god will thank us for shedding your blood.”
  • A journal entry recounts a story of a girl who was said to be “with child by a demon.” The person writing the journal thinks the father would, “rather accuse his daughter of witchcraft than accept the fact that she does not comply with his concept of morality.” Later, the journal describes an “exorcism” that caused the girl to, “foam at the mouth, roll her eyes, and speak confusedly in tongues, while Father Dominic sprinkled her with holy water. As a result of this treatment, Elisabetta lost the fruit of her womb that same night.”

Ruby Red

Gwen was supposed to be the ordinary one, and her cousin Charlotte was destined to be extraordinary. When Gwen accidentally time travels, the reversal of fates leads to more trouble than anyone could have imagined. Everyone has their own motives and as Gwen begins to unravel secrets that are hundreds of years old, she begins to wonder if anyone is on her side.

To add to her trouble, Gwen is forced to travel with Gideon—a handsome, but insufferable boy, who doesn’t trust Gwen. As the two travel back in time, Gideon and Gwen must learn to help each other because danger hides behind every corner.

Ruby Red is an enjoyable read with a unique plot. Full of twists and turns, Gwen and Gideon’s journey through time has plenty of mystery, suspense, and adds a dash of romance. This rich story will keep you well up into the night and leave you wanting more. Sporadic violence may not be appropriate for children, but this young adult novel will be perfect for most high school readers.

Sexual Content

  • When Gwen travels into the past, she sees herself kiss a boy. “The girl who looked like me had planted her lips right on the boy’s mouth. He took it passively at first, then he put his arms around her waist and pulled her closer.”
  • Gwen thinks about a boy she dated who “wasn’t into kissing. What he liked was leaving love bites on my throat to distract my attention from his creeping hand . . . I was constantly trying to keep Miles’s hands out of my shirt.”
  • Gideon comes to Gwen’s school to talk to Charlotte. Gwen’s friend wonders if Gideon is gay.  And then they see him kiss Charlotte on the cheek.
  • While in a church confessional, Gideon kisses Gwen. “. . . when his lips touched my mouth, I shut my eyes. Okay. So now I was going to faint.”

Violence

  • Someone uses his mind to hurt Gwen. “Bewildered, I looked from his mouth to his hand. It was more than four yards away from me. How could it be around my neck at the same time? And why did I hear his voice in my head when he wasn’t speaking.” The character scares Gwen but doesn’t hurt her.
  • Gwen and Gideon are attacked and the fighting is described over six pages. The coach driver was shot and, “part of his face was missing and his clothes were drenched in blood. The eye of the undamaged part of his face was wide open, looking into nowhere.” Someone shoots at Gideon and then he has a sword fight with two men. Gwen describes the fighting from her point of view. “The man who’d been hit was now lying on the ground twitching and making horrible sounds.” In the end, the fight is ended when Gwen kills one of the attackers.
  • After the fight, Gideon and Gwen discuss what happened. Gwen was upset and said, “I didn’t expect it to be like . . . like cutting up a cake. Why didn’t that man have any bones?”
  • Gideon holds a gun to a woman’s head because he thinks the woman and her husband are going to try to hurt Gwen. When the butler gets ready to hit Gideon, Gideon and Gwen run away.

Drugs and Alcohol

  • None

Language

  • Gwen thinks, “I realized how pathetic I sounded—but what the hell, I was feeling pretty pathetic right now.”
  • Gwen is hiding in the bathroom stall at school. The door had scribbles that said, “Malcolm is an ass, life is crap, and other, similar remarks.”
  • “Damn” is used infrequently and “hell” is used several times. The profanity is only used in stressful situations.
  • Gwen thinks “Oh my God” often.
  • When Gideon is holding a gun to his wife’s head, a character calls him a “bastard.”

Supernatural

  • A ghost named James stays at Gwen’s school. She is the only one who can see him.
  • At the end of the book, Gwen sees a ghost of a gargoyle, who used to guard a church.
  • Gwen and Gideon have a gene that makes them time travel. A secret society has a chronograph that allows the two to have control over when and where they travel to.
  • Gwen’s aunt has visions. When trying to explain them, Gwen’s mother says, “I think Aunt Maddy really sees what she says she does. But that doesn’t mean her visions predict the future, not by a long shot. Or that it has to mean anything in particular.”
  • One of the characters can talk into people’s minds and as well as physically hurt them with his mind.
  • Several of the characters talk about Gwen having the “magic of the raven” but no one, including Gwen, knows what the power is.

Spiritual Content

  • None

No Good Deed

Ellie Hudson is on her way to the Olympics. All she has to do to qualify is participate in a competition in Nottingham. However, a gold medal quickly becomes the least of her concerns when she gets lost below Nottingham Castle and ends up in medieval England.

Frantic to get home (and wondering if she’s suffering from a psychotic breakdown), Ellie is found by a knight in shining armor—literally. Her passport, iPhone, and modern education aren’t exactly useful for surviving in medieval England. Her archery skills on the other hand…might just help her face down a tyrant, join a band of outlaws, and help feed a kindly group of nuns. While the final resolution leaves something to be desired, this is a delightful tale written in a light and enjoyable tone that will leave readers waiting breathlessly for Connolly’s next tale.

Sexual Content

  • When Eleanor makes a comment about James’s body, her friend says, “If you’re defrocking a cleric, little Robbin, you’re a bigger sinner than any of us.”
  • When James puts his arm around Eleanor, she gets distracted. “It was distracting when I’d been trying to keep my thoughts closer to the center of the friend zone.”
  • While at a party, a man doesn’t recognize Eleanor and she assumes it “because his eyes never got any higher than my chest.”
  • While at a party, Eleanor is “checked out” by a man.

Violence

  • Soldiers try to capture Eleanor. As she runs, they shoot arrows at her. When she is caught, she notices a head on a spike, which causes her to jump into the river around the castle to avoid the same fate.
  • When soldiers capture Eleanor, “A soldier’s big hand shoved me between the shoulder blades.”  Eleanor then describes her condition. “My body ached, I had new bruises on my arms and shoulders, my wrists were rubbed raw.”
  • Eleanor is sentenced for her crimes. Someone explains that the sentence, “means the accused is weighed and lowered into a pond, where God will judge his innocence.”
  • In order to prove her innocence, Eleanor is forced to shoot a turnip off of her friend’s head.  The sheriff tells a soldier, “cut that archer’s throat if she deliberately misses again.” Eleanor is able to hit the turnip and save herself.
  • When Eleanor goes into the forest to get an arrow, two men taunt her. One of the men tries to hit her with his staff. “Gigantor gave a pissed-off kind of roar—I barely managed to duck as the big man swung his staff at my head. The unyielding wood came close enough to part my hair.”  When Eleanor ends up in the river, the men think she is dead. She then gets the upper hand and is able to defeat them. No one is seriously injured.
  • The sheriff’s soldiers go into the covenant and destroy the tables of food the nuns had prepared for the poor. They also take the nuns’ goats.  Eleanor thinks, “I hoped all three of them got head-butted in the nuts.”
  • In order to get the nuns’ goats back, Eleanor gets into a fight with two men. One of the men was hit with a rock and knocked out. The other man was hit with a quiver. “The blunt hit Will in the ass, which had to hurt like hell.”
  • Trying to save the nuns’ goats, Eleanor gets stopped by a Lord. When he threatens to take the goats, Eleanor shoots his horse and the Lord falls to the ground. Eleanor ties him up.
  • The sheriff was planning on chopping off a twelve-year-old’s head for treason, until Eleanor intervenes.
  • Eleanor shoots a would-be assassin and saves a life.
  • The prince makes a doctor drink from a glass vial. The vial most likely contained poison.

Drugs and Alcohol

  • Mead is mentioned.

Language

  • Profanity is scattered often throughout the book. Most of the profanity is in the main character’s thoughts and speech. Profanity includes “asshole, hell, dammit, badass, pissed, jackass, shit, son of a bitch.”
  • When soldiers try to capture Eleanor, she “ran like hell.” As she begins to run, she goes through horse manure but figures she was already “in deep shit” so a little more wouldn’t hurt.
  • When the soldiers falsely accuse Eleanor, she thinks, “Those lying bastards.”
  • When Eleanor tricks the sheriff, she thinks, “Holy Crap. That actually worked.”
  • After getting ill, Eleanor wakes up in a convent, but thinks she is in a hospital. “Then I moved my head. God, I must have one hell of a concussion, because I’d had the weirdest dream about church bells and ministering angels.”
  • Several times Eleanor calls someone a “jackass.”
  • When Eleanor hits a man who attacked her she thinks, “Payback’s a bitch.”
  • Eleanor describes the chief forester as having a “don’t-dick-with-me-attitude.” Later she tells him, “your boss is a rat bastard.”
  • One of the characters says his name is Fitzhugh. Then he explains that “The ‘Fitz’ is the Norman way of saying ‘bastard of.’”
  • When Eleanor attacks a Lord, he yells, “Give me your name, you treacherous cur, so I can dig up the graves of your mother and father and piss on their bones.”

Supernatural

  • Eleanor goes through a dark tunnel and when she comes out the other side, she is suddenly in the fifteenth century. No explanation is given for how she mysteriously traveled back in time.

Spiritual Content

  • After getting out of a difficult situation, Eleanor thinks, “I’d asked the universe for a lot today, but I sent up one more prayer: Please don’t let the place be too far.”

 

Pathfinder

Rigg is as unimportant as a young boy can be. He lives in almost complete seclusion in the far northern woods of his wallfold. He and his father are trappers, coming down from the mountains only to sell their furs. But Rigg has a talent. He can see the path left by every living being that has traversed Garden. This skill comes in handy when tracking animals, but it is not until his father dies that Rigg beings to realize the full extent of his powers.

With his dying breath, Rigg’s father tells him a secret—he is not Rigg’s father. Shocked and hurt, Rigg must travel into the heart of civilization to find his family. He explores his terrifyingly powerful talent on the way, using it to get out of trouble time and time again. But when he arrives at his wallfold’s capital, he realizes that his talent may be most useful in protecting himself from his very own family.

Orson Scott Card creates a fascinatingly unique world. His detailed understanding of physics and his elaborate exploration of time travel puzzle and delight. Rigg’s story is wonderful to follow. It is exciting, dangerous, and enthralling. The skill in which Orson Scott Card builds this world will quickly suck readers into a wonderful trilogy. There are adult conversations regarding sex and violence, but the adult content is not described in detail.

Sexual Content

  • Loaf tells Rigg that he threw out this first wife when he came home from a lengthy trip and discovered she had three children from three different men. Loaf says she was lucky he didn’t kill her, as was his right.
  • Rigg hangs a purse of jewels under his clothes, around his waist. Loaf says, “I think you carry in your crotch most of the wealth of this wallfold . . . but that’s how all young men feel, isn’t it!”

Violence

  • Rigg’s father dies when a tree falls on him and he is impaled. His father calls out to him, “I have been pierced by two branches, completely through my belly.” Rigg does not see this directly, and his father makes Rigg promise, “You will not come look at me, now while I’m alive or later after I’m dead. I don’t want you to have this terrible image in your memory.”
  • Rigg tries to save a boy from falling off a waterfall. In the process, he nearly knocks a man over the falls. “The weight of Rigg’s head and shoulder striking the man caused his leg to buckle, and the man twisted, started to topple forward. I came to save a boy and now I’m killing a man.”
  • Umbo thinks his brother was pushed over the waterfall by Rigg. Umbo throws rocks at Rigg, nearly knocking him over the falls. Later a mob, stirred up by Umbo, comes for Rigg. Nox talks the mob down. “Why do you want to believe the worst? Why are you hungry to do a killing here today?”
  • Umbo runs away because his father beats him, and after his little brother dies he was scared his father would kill him. “Perhaps Umbo was afraid . . . Everyone knew how Tegay beat him when he was angry.”
  • Loaf met his wife after a battle. He was on the ground with a gash across his stomach. His wife found him, stitched him up and took him home. “By scavenger law I’m her slave,” Loaf says.
  • When captured, a general threatens to torture and kill Rigg’s friends.
  • A man talks about his great-grandfather, who was given, “a slow and gruesome public death . . . with his body parts fed to the royal hunting dogs.”
  • Rigg hits a man on the forehead and pees on the same man during an attempt to escape his own assassination.
  • Ram Odins’ neck is broken by expendables, machines that look human. “The expendable reached out with both hands, gave Ram’s head a twist, and broke his neck.”
  • Peasants broke into the house the former princess was living in, and forced her to surrender all her clothing.
  • Loaf injures a drunkard who was close to hurting his wife. He does this before his wife would have killed the drunk to save herself from harm.

Drugs and Alcohol

  • Rigg is attacked by soldiers who are drugged to the point of being unable to recognize when they received, “orders [that] would lead directly to their deaths.”

Language

  • Bastard is said once.

Supernatural

  • Rigg and several others have the ability to manipulate time to different extents. These abilities are genetic.
  • Some people in Rigg’s wallfold have genetically induced powers such as projecting a wall with their minds.

Spiritual Content

  • The people of Rigg’s wallfold pray to many deities such as the Wandering Saint.
  • Rigg briefly wonders if he is a demon, since he has strange abilities.
  • Rigg and his friends take a pilgrimage to the Tower of O, a strange structure of unknown origins that is the oldest structure in the Wallfold.

by Morgan Lynn

Ruins

Rigg and Umbo have started to hone their time traveling skills—and just in time. They discover that in the not-so-far future Earth visits Garden with the intent to completely destroy Garden. Now the two boys race to figure out why their parent planet would destroy a colony they created. Something the Earthlings found on Garden horrified them, but what?

Garden cannot fend off these attackers, so Rigg will have to find the motive behind the attack and change the past to stop it from ever happening. As Rigg searches for answers, he travels through different wallfolds. One is extinct of all human life, another seemingly populated by poop-throwing yahoos and sentient mice, and in a third, the people have evolved to live in the sea. But wherever he goes, Rigg finds people who want to manipulate him. With no one willing to tell him the whole truth, how can Rigg decide which path to take?

The second installation in the Pathfinder series takes the story up a notch. By expanding Rigg’s world from one wallfold to four, the reader is shown several different paths the human race could have taken. The what if’s are tantalizing. The world Rigg explores is as interesting and exciting as the actions he takes. Ruins is in no way linear. Now that Rigg and Umbo are skilled time travelers, their paths jump forward, go backwards, and sometimes cease to exist entirely. While these time jumps may cause one to stop and ponder for a while, they are written in a way that is relatively easy to follow.

Sexual Content

  • When discussing a parasite, it is said that “the only part of the earthborn brain it could control was the wild, competitive beast, bent on reproduction at any cost . . . That sounds like soldiers on leave.”
  • Rigg notes that some mice are mating. Later, when starting a colony, Loaf says the mice are “mating their little brains out.”
  • The humans that live under the ocean are naked. Larex comments on how Rigg is staring, to which Rigg replies, “I’m fifteen years old, I think . . . my eye goes to naked women.”
  • Umbo explains that when they change something in time, children will be born, but the “mix of genes . . . will be different. Perhaps conception will happen on a different day. Or a different sperm will win through.”

Violence

  • Yahoos, creatures that appear to be similar to humans with little intelligence, throw poop at Umbo and Loaf. “The watcher flung something out of his lofty perch. It splatted against Umbo’s cheek and shoulder. It stank. It clung . . . it was nightsoil. Presumably the watcher’s own.”
  • Param is murdered. When she is skipping time, the mice move a metal rod into the space she is about to occupy. When she and the rod collide, “Param felt a searing agony in her throat, the heat of billions of molecules being torn about . . . she lived just long enough to feel the heat pulse through her entire body, every nerve screaming with the pain of burning to death in a searing moment.”
  • To keep the mice in line, Olivenko points out that the humans “can break their little skulls under our feet.”
  • Rigg and Loaf discuss the morality of preemptive killing.
  • When Ram Odin tries to stab Rigg, Rigg jumps into the past and kills Ram with a knife. “He was also completely aware of the knife in Ram Odin’s hand, the hand that was darting forward to plunge it into Rigg’s kidney . . . In the very moment he caught Ram Odin’s knife, Rigg shifted half an hour back in time . . . the knife easily passed between the ribs of Ram Odin’s back and pierced his heart. A little flicking motion and both ventricles of Ram Odin’s heart were split open. The blood of his arteries ceased to pulse. He slumped over and, without time even to utter a sound, he died.”

Drugs and Alcohol

  • None

Language

  • The words “pissed” and “butt-ugly” are used once.

Supernatural

  • Symbiotic creatures evolve so they can live in conjunction with humans. They attach to the human body and, depending on the breed, can provide benefits such as breathing underwater and increasing a person’s speed, eyesight, etc.

Spiritual Content

  • Rigg discovers the Odinfolders have meddled in genetic alteration, and selectively bred themselves for traits they considered desirable.
  • Humans are defined as any creature, no matter how diverse, that is descended from what we consider a homo sapien.
  • Mice were bred for intelligence, to the point that Rigg says their souls look very similar to human souls.
  • Param briefly wonders if death is better than life.
  • Rigg accidentally copies himself by time traveling. Vadesh warns him to be careful or he will “run out of souls to populate these bodies that you accidentally make.”

by Morgan Lynn

Visitors

Two Riggs means twice the adventures—and twice the trouble. Now that Rigg has a copy, they have decided to diverge. One will attempt to get to Earth and stop the invasion. The other will explore the wallfolds of Garden and decide if the walls should stay up or come down.

The Rigg that goes to Earth is willing to destroy his parent planet if that is the only option for protecting Garden. He quickly discovers that the situation is not that simple. Earth may be in as much danger as Garden from an enemy that cannot be fought or reasoned with.

Meanwhile, the original Rigg explores his own world. He encounters slavery and murder, and is faced with the dilemma of how to use his powers. As a time traveler, he can change anything he wants, but should he? If he allows people to die, is he complicit in their murders? He cannot save everyone…or can he?

The final installment of the Pathfinder series has everything from Neanderthals to alien races. The brain-tickling problems that come with time travel continue, this time compounded with moral questions. Just because Rigg can save a life doesn’t mean he should, but how can he let people die horrific deaths when he has the power to change the outcome? At what point does free will become an illusion? Visitors again expands Rigg’s world from a few wallfolds to several populated worlds, and provides readers with an extremely satisfying ending.

 Sexual Content

  • Umbo and Param kiss several times. Years later, when they are married, Param is irritated that her husband never asks for intimacy or “even wait[s] around as if hoping.”
  • Leaky wonders if she is infertile or if her husband is.
  • Leaky admits she had a botched C-section and was so, “torn up inside the midwife said [she’d] never be able to bear.”
  • Ram plays matchmaker with Noxon and Deborah, to which Deborah says, “We didn’t agree to mate and make babies.”
  • When speaking of Neanderthals and Erectids (extinct species), a man describes their mating as “being kidnapped and sequestered” while his daughter insists it is “rape.”
  • Square, one of the first people to grow up with a facemask, discusses the need for him to mate with Umbo. “And when you take a mate and we find the best way to get facemasks on your babies.”
  • Noxon is copied, and both copies are in love with Deborah. The Noxon who was not exposed to radiation decides he will be Deborah’s husband because his gametes are likely superior to the Noxon who was exposed to radiation.
  • Noxon kisses Deborah. “Whereupon Noxon sprang from his chair, took her into his arms, and kissed her . . . She responded with as much enthusiasm as was appropriate with her father present. Which was to say that, upon repetition, in private, the whole business seemed to work much better.”

Violence

  • Umbo realizes Param will have to marry him or kill him because he could become a political threat to her. “It should be clear that in order to keep you from being a divisive force in the kingdom, she either has to marry [me]…Or kill me.” Param decides to marry him.
  • To explain Rigg’s face, Ram Odin lies and says Rigg’s face melted in a fire.
  • Umbo’s father hits Umbo and breaks his son’s skull. “Father began striking him with the flat of the blade, hitting him on the shoulders and the side of his head, until young Umbo hung limp and unconscious . . .‘”I think the skull is broken here. Look how it’s swelling, but it looks dented anyways.’”
  • Rigg visits a tiny town where a young girl was raped and murdered. “He tried to kiss her and she was still too young and small to put up much of a fight. When he was done with the rape, she was crying and her clothing was torn . . . he dragged her to her feet and strangled her. It was brutal. He held her up and she flailed and kicked, but her arms weren’t long enough to reach his eyes and her kicking him did no good.”
  • When exposed, a murderer commits suicide.
  • In one version of the future, Loaf’s throat is slit, his wife is run through with a sword, and their baby is thrown out of a second-story window. Umbo is told that this is what happened as he does not witness any of it.
  • A man kills Deborah. “He had a fist-sized stone in his hand and he was bringing back his arm and before Noxon could come out of sliced time to shout at Deborah the stone was already in the air . . . It struck Deborah on the side of the head . . . and dropped her instantly.”

Drugs and Alcohol

  • None

Language

  • Shut up is said several times.
  • Son-of-a-bitch is said once.
  • Ram asks the expendable if he has an anus and if it works.

Supernatural

  • None

Spiritual Content

  • Rigg and Ram discuss the morality of going back in time and preventing a young girl from being raped and murdered. Ram says, “You can’t just go killing people because you know they’re going to do something terrible…because until he does the murder, he doesn’t deserve to die.”
  • Rigg comes to the conclusion that while he has, “this godlike power to force other people not to do evil…choos[ing] not to use it doesn’t make [Rigg] evil.” He decides on a course of minimal change.
  • Umbo wonders if the replication of genes is all there is to life, since “we evolved so that our greatest pleasure comes from sex.”

by Morgan Lynn

Enchantment

As a child, Ivan stumbled across a slumbering princess in a forest clearing. Terrified by the beast that guarded her, he fled. But years later he is compelled to return by the need to determine if his princess was a childhood fantasy. Unfortunately for him, she was not.

Ivan is thrown into a world a thousand years in the past. Despite the fact that he is already engaged to a simple American girl, Ivan discovers that he is expected to marry the princess. If he fails to do so, the kingdom will become forfeit to the evil witch, Baba Yaga. However, Ivan must prove to himself and to the kingdom’s subjects that he truly is worthy of their princess.

Filled with culture, magic, and an interesting look into how modern people would fare in ancient times, Enchantment is a joy to read. However, some adult themes make this novel appropriate for a more mature audience than Card’s most famous book, Ender’s Game. Nevertheless, this is an intriguing story that will draw you in for an enjoyable tale.

Sexual Content

  • When Katerina meets Ivan and knows they are destined to get married, she thinks, “And in the marriage bed, wouldn’t he lie more lightly upon her than any of the hulking knights who had looked at her with covert desire?”
  • When the king meets Ivan, the king makes, “a reference to the presumed consummation of their marriage.”
  • Baba Yaga thinks about her husband, who is also a god. “He was the only male she’d ever slept with that she couldn’t kill no matter how much she sometimes wanted to.”
  • Baba Yaga tells a bear that if he betrays her with another woman, “your balls fall off.” She then tells him to, “Stick to swans and heifers or whatever it was that Zeus had a taste for. Or she-bears. But as far as humans go, you’re mine.”
  • When Ivan and Katerina are married, Ivan thinks that he had hoped to marry out of love. When he thinks of his marriage night he is concerned. “To bed a woman who was only doing it because her people were being held hostage. How is this going to be distinguishable from rape?” In a book that Ivan had tried to read, the author “had written that ‘all women love semi-rape . . . But the idea seemed so loathsome to him that even if it were true, he did not want to know it . . . To sleep with an unwilling woman—Ivan was not even sure he would be able to perform.”
  • At the wedding, Ivan is unsure what to make of the guest’s behavior. “The crude comments about how he was going to keep the princess turning on the spit longer than a suckling pig gave him a new appreciation for the Jewish ban on pork. And the children who asked if they could come play in the tent that his erection would make of the bedcovers left him speechless.”
  • When Ivan’s fiancé finds out that he married Katrina, she is upset. One of the reasons she is upset is because she and Ivan never had sex and people teased her saying he was gay or had a childhood injury. “They kept thinking up some new malady to explain his lack of sexual drive. ‘He has elephantiasis of the testicles’—that was a favorite—‘his balls weigh thirty pounds each.’”
  • When Ivan and Katerina consummate their marriage, the act is not described in detail, but Katerina thinks about what she had been told. The advice is told over a page and includes,  “Most of them spoke of the casual brutality of men, like dogs that mounted bitches, boars on sows. It will hurt. . . One took her aside warned her not to cry out in pain—some men will think it should always be like that, they’ll come back for more of your pain instead of for your love . . . If you don’t make him welcome, he’ll find someone else who will. Other told her to be grateful when he found someone else, because then he’d only bother her when it was time to make babies.”

Violence

  • Baba Yaga used magic to turn her husband into a bear. “Yaga found her husband tearing at a human thigh. It was disgusting, the way he let blood drool onto his fur, making a mess of everything. One the other hand, the ligaments and tendons and veins stretched and popped in interesting ways.”

Drugs and Alcohol

  • None

Language

  • Profanity is used rarely throughout the book, including bitch, damn, and shit.
  • Katerina tells Ivan, “Not everyone is as tall as you. . . I don’t imagine you could even lie down straight in a regular house. Not without sticking your head out the door and your ass in the fire.”
  • The king calls the witch a “great bitch.”
  • Shit is used several times. One example is when the bear tells Baba Yaga that when he kills men, he doesn’t need a sword, “I roar at them and they shit themselves and run stinking into the woods.”
  • Ivan thinks he wasn’t worthy of Katerina and that, “the only men who tried to date such women were the arrogant assholes who thought every woman wanted them to drop trou and let the poor bitch have a glimpse of Dr. Love.”

Supernatural

  • Time travel, magic, witches, and old Russian gods are integral parts of the storyline.
  • Baba Yaga is an evil witch who uses magic and spells to try to gain a kingdom.
  • Mikola Mozhaiski is the bear god. Some people thought Mikola Mozhaiski kept Baba Yaga in check.
  • A magical bear, who is a god, was watching over Katerina as she slept.

Spiritual Content

  • Katerina is a Christian. She believes in Mikola Mozhasiski and the Holy trinity. “. . . unlike God, you couldn’t pray to Mikola Mozhaiski, you couldn’t curry favor with him, he asked of you neither baptism nor mass.”
  • Ivan is a Jew who practices his religion. When Katerina first meets him she wonders why a wolf hasn’t sent him on to heaven. Then she thinks, “Well, not heaven. He was a Jew.”
  • Katerina’s father would like her to choose another husband, even if it means they will have to fight to keep the kingdom. Katerina said, “Father, I am a Christian . . . But the armies of Rome have been defeated many times since they converted to Christianity. Maybe when God has some great purpose, like converting an empire, he gives victory to is follows. But Christians can die.”
  • Katerina prays. “And in that moment, she had prayed, O Mikola, O Tetka Tila, O Lord Jesus, O Holy Mother. . . then she realized that she had prayed to Jesus third, not first, and when she spoke to the Holy Mother, it was not so much the Blessed Virgin as her own dead mother to whom she prayed. No doubt this was damnation, and she sank down into sleep, into despair.”
  • Baba Yaga asked the bear to kill someone and she reminds him that he is immortal. Baba Yaga mocks him saying, “You’ve lost faith in yourself. Isn’t that rich? A good who has become a self-atheist!”
  • When Baba Yaga told bear he should have remained a weather god, he said, “Weather god was never my option. This people didn’t need a sky god. They needed a god to keep winter under control. Like any good king, we respond to the needs of the people. We become what they need us to be.”
  • One of the characters, Dimitri, has a dream and thinks the Winter Bear has determined that he should marry the princess. Even though the priest has forbidden him to perform the old rites, Dimitri still performs them because the “Christian God had not replaced the old gods. Father Lukas was full of lies. And the Winter Bear was full of promises.”

Passenger

Secrets are kept to protect. Secrets are kept to survive. When Etta is suddenly thrust into another time, she realizes her life has been based on secrets. In an attempt to keep Etta safe, and keep a family heirloom out of the Irnonwood’s hands, Etta’s mother disappeared into the future. Now, if she wants to save her mother and return to her own time, Etta must find the ancient object that has been hidden for so long.

Nicholas has long been the Ironwood’s victim. In an attempt to secure his freedom, he agrees to watch over Etta and ensure that she brings the ancient object to them. Yet when Nicholas and Etta team up, he soon finds himself drawn to Etta.

As Nicolas and Etta work together, they follow clues left behind by Etta’s mother. The clues lead them across time periods and across continents. As they race to meet Ironwood’s deadline, they realize he is not the only one who wants the object. Can the two find the object and keep it out of the grasp of those who would use it to destroy their timeline?

The imagery and dialogue in Passenger jump off the page and engage the reader from the start. Action and suspense begin in the first chapter and lead the reader on an adventure that spans several centuries. For a story that has epic chases and attacks, the violence is not graphic. Although there is blood, the battle scenes are not gory or over the top.

The reader learns about racism through the eyes of Nicolas, as he struggles with being the son of a slave and a white landowner in the southern colonies. The cultures of the past cause interesting conflicts, as Etta’s worldview is based on the present.

Passenger is an excellently written book, with interesting characters, secrets galore, and suspense. However, the ending is set up for a sequel and leaves more questions to be answered. Because none of the book’s questions are answered in this installment, the reader will be left wondering what next?

Sexual Content

  • A few weeks after Etta and her boyfriend break up, she sees him kissing a girl in Central Park.
  • Nicholas explains his parentage. “Nicholas’s mother had been the family’s slave, and Augustus had assaulted her, abused her, and in the end had never freed her.”
  • Cyrus Ironwood tries to blackmail Etta. Cyrus tells her, “he was going to leave me so destitute I was going to have to resort to prostitution.”
  • Etta and Nicholas are attracted to each other. “She traced his face . . . He pressed a hard, almost despairing kiss to [her hand]. But when she tilted her face up, half-desperate with longing, her blood racing, Nicholas pulled back.”
  • Etta and Nicolas kiss several times. “He leaned forward and captured her lips, stealing the kiss himself until she had to come up and gasp for breath. Nicholas pulled her back under, and this time she did let go, only to take his beautiful face in her hands, to let his hands tangle in her hair, around her shoulders . . . he was breathing hard enough that she felt his heart jumping against her ribs, and she knew hers was doing the same. She turned, running her lips along the curve of his ear, her fingers pressed against the solid muscles of his back.”
  • Nicolas looks at Etta and thinks, “Want. His exhaustion had boiled him down to his basest instincts. He wanted her lips, her touch, her esteem, her mind. Inside her. Beside her. With her.”
  • When Etta and Nicolas are put in the same room to sleep, Etta goes to Nicolas’s bed and crawls in with him. “He ducked down kissing her, and she moved against him, urging him to touch her, to find the secret self that only ever seemed to exist with him. Etta felt him come alive in his own skin, felt the sheer stretch of him as he moved over her, with her, and she let herself fall into it, dissolving into him.”

Violence

  • Etta’s mother is kidnapped and her family Alice is killed. “Blood sputtered from her chest, fanned out against Etta’s hands as she pressed them against the wound . . . Her next breath came raggedly, and the next one never came at all.”
  • Etta wakes up on a ship that is under attack. During the attack, several people die. One crew member falls, “his chest shredded by balls of lead, his face a death mask of outraged disbelief.” During the fight, Etta stumbles over a dying man. “He wasn’t moving. He wasn’t blinking. She looked down, mind blank as it took in the dark liquid coating her skin, her chest, her stomach, the dress. Blood. Her snowy white skirt was drenched with thick crimson blood. She was crawling through that man’s blood.”
  • Etta and Nicholas are chased by three men. “A pair of hands scooped Etta up by the elbows, hauling her back before she could get her feet beneath her. The smell of cologne and sweat flooded her nose, and she threw her head back, trying to hit some soft, fleshy part of him.”
  • A man shoots at Etta. “The bullet went wide, striking the brick wall behind them. A splatter of dust and debris exploded into her hair, scratching the back of her neck.”
  • In the jungle, Etta almost steps on a cobra. Nicholas shoots it, but the bullet also grazes Etta.
  • Etta and Nicolas are again chased by men. Etta shoots at them, and they scatter.
  • Someone tries to capture Etta. The attack is described over several pages. During the attack, Nicolas is shot. “She reached out, one hand gripping his arm to steady him, the other going to his side—where a large, wet patch of violently crimson blood was spreading.”
  • In a final confrontation, a man holds a knife against Etta’s throat and later is shot in the shoulder. Etta and Nicolas are left in a desert to die.
  • At the end of the story, one of the characters is found. “The face was unrecognizable, swollen and purple as a ripe plum. She’d been stripped bare to her waist, and three jagged stab wounds to the torso looked to be bleeding through the earthy salve and bandages covering them. A thin blanket had been draped over her supine form to protect her modesty.”

Drugs and Alcohol

  • None

Language

  • Damn and hell are used frequently.
  • Bastard is used in a couple of instances. “Despite the wash of blood at his feet and the bodies strewn around him, his features went as soft as a kitten’s. The old bastard couldn’t help himself in the presence of young ladies, especially those in need of rescue. . .”
  • Nicolas says “bloody hell” a few times.
  • During a battle, one man is killed. His dying words are, “Sent . . . down . . . to . . . devil . . . by-by-a-a shit-sack . . . negro.”
  • Nicolas explains about time travel. “Christ. . . The first time I traveled, I attacked an automobile with an umbrella and nearly pissed myself in terror.”
  • “Oh my God” is used several times.
  • When Nicolas thinks, “And holy God, when she looked at him the ways she did now . . . he felt like he’d stepped into the blue-white heart of a flame.”

Supernatural

  • Several of the characters are able to use portals to time travel.

Spiritual Content

  • One of the characters describes his parents’ relationship. “Abbi and Ummi were not married—they could not be traditionally bound. It is forbidden for a woman of my faith to marry a man who is not. But Allah in all his wisdom still brought them together. . . It is blasphemous, I know; it goes against our teachings and beliefs, but I accept their choices. I cherish them in my heart. I cannot help but think, it matters not who you love, but only the quality of such a love.”

Voyage with the Vikings

Mr. Whittaker uses the Imagination Station to send cousins Patrick and Beth back to the time of the Vikings. Mr. Whittaker asks the cousins to bring back a sunstone, but they don’t know what a sunstone looks like. Even if the two knew what they were looking for, finding the sunstone would be difficult. Once they arrive in Greenland, Erik the Red accuses them of being spies and threatens to enslave them. Patrick and Beth wonder if they can complete their mission and find the sunstone without angering Erik the Red and becoming his slaves.

Full of action, Voyage with the Vikings introduces young readers to the life of a Viking. Although the reader gets a glimpse at Erik the Red’s violent temperament, there is no actual fighting. Part of the storyline shows the difference between Vikings and Christian beliefs.

This story gives the reader a view into another time period and creates suspense that will keep the reader wanting to know what happens next. Voyage with the Vikings is easy to read with kid-friendly language. The end of the book will leave even the most reluctant reader wanting to pick up the next in the series.

Sexual Content

  • None

Violence

  • Erik the Red threatens to kill Patrick. When Erik the Red goes to throw his spear, a polar bear roars, and he is thrown from his horse.
  • Erik tells Patrick, “I would kill you if I could.”

Drugs and Alcohol

  • The Vikings throw beer onto the fire as a sacrifice to a Norse god.

Language

  • None

Supernatural

  • Patrick and Beth use the Imagination Station to travel back in time.

Spiritual Content

  • Leif’s father, Erik the Red, is angry that his son went to trade and brought back, “a new God. The God of the Cross.”
  • Leif explains that the Vikings worship the Norse gods and offer sacrifices to them.

Timeless: Diego and the Rangers of the Vastlantic

Time collided. Now dinosaurs roam with robots. Humans from three different time periods now live on Earth. Diego’s parents come from two different time periods and hope to make their home, New Chicago, a better place.

In Diego’s world, conflict is ever-present. Not everyone believes that kids from different eras of history and from different cultures should interact. Some still wish for the world that they came from before time collided.

When Diego’s father, a New Chicago’s top engineer, is taken by rebels, Diego vows to help free his father. Diego thinks the key is to build bigger, stronger weapons. However, when he and three others accidentally end up on a pirate ship, Diego’s beliefs are challenged.

Diego and the Rangers of the Vastlantic gives the reader a glimpse of the struggles others faced during different eras, which gives the story interest. The story doesn’t just focus on how boys and girls often do not understand each other, but also how people from different cultures can also have conflict.

Although the story is full of action and has an epic battle scene, the violence is not described in great detail. Instead, sights and sounds are left to the reader’s imagination. Stunning illustrations enhance the story and help bring the new world to life. Diego and the Rangers of the Vastlantic is a story about friendship, family, and seeing others in a new way. In the end, Diego learns that powerful weapons are not the key to keeping his world safe.

Sexual Content

  • Two boys have a sparring match and the winner gets a kiss from Paige. One of the boys says, “Sadly for you, only one lovely lady will get to know the thrill of these lips.” Later the winner describes the kiss, “But it wasn’t exactly a kiss. More like an attack on my face. Her lips were, like, strong.”

Violence

  • Diego and a group are cornered by a bully and his gang. Diego “Slammed Fish across the face with it (skateboard) and a girl ‘judo flipped’ a boy to the floor.”
  • A rebel group attacks a power plant and kidnap about a dozen engineers. “A marine lay on the floor nearby, unmoving . . . Shots. More gunshots. Fists colliding, the thump of bodies hitting the floor.” During the attack, a man holds a sword against Diego’s father’s throat.
  • Rebels attack a boat carrying some of the engineers’ families. “More pops. Splintering cracks. . . The gunfire seemed to come from everywhere . . . Bullets zinged past Diego’s head.” Diego’s mother shoots the rebel’s boat and it explodes.
  • When trying to escape from dinosaurs, Diego crashes his gravity board on a cliff. “The beast began to throw their massive bodies against the wall, trying to dislodge him.” Diego is rescued.
  • The rebels attack the pirate ship and the battle plays out over an entire chapter. The battle is not described in graphic detail.
  • The pirates, trying to save the engineers, attack the rebel’s base. The attack happens over several chapters. Diego shoots at one of the bad guys. When someone is injured, the description jumps in time, which allows the reader to imagine what happened. One of the characters is killed, but his death is not described.
  • When someone calls Diego a “clock mongrel,” Diego’s father hits him. “George spun and crumpled to the floor.”

Drugs and Alcohol

  • A boy “sucked on his cigarette, the end glowing. . .”
  • The pirate captain is seen asleep with a half-empty bottle of vodka and Diego assumes he is drunk.

Language

  • Profanity is used rarely, but includes bastards, crap, crud, damn, hell, holy crap, and pisses.
  • When Lucy is saved from a dinosaur, she said, “Oh my God, I thought I was done for!” She uses this phrase twice.
  • When Diego finds out that pirates have been hired to find his father and the other engineers, Diego said, “Hell, I should be allowed to go before some hired guns.”
  • When Diego tells his friend about the pirates, his friend replies, “bloody hell!”
  • The rebel group is referred to as “bastards.”
  • When Paige makes a meal, the available food is referred to as “nasty crap.”
  • According to Diego, one of the girls acts like “everything I do pisses her off.”

Supernatural

  • Diego and his father have “the Maker’s Sight,” which allows them to see how different machine parts work together. “It shows me a series of images that allow me to make or fix anything.”
  • Diego wills baby turtles to surround Lucy. He explains how he did it. “It’s more like I can send them a thought, feeling, or image, and they seem to . . . act on it. It’s like hypnosis, I think.”
  • When describing “the Maker’s Sight,” Diego’s friend said, “You sound like one of those spiritual mediums we have back in London, communicating with the dead through their crystal balls.”

Spiritual Content

  • During a battle, the pirate captain said, “A prayer to your god of choice might also be helpful.”

The Trap

You would think Henry and Helen would be two peas in a pod. After all, they are twins. But Helen is brave and fearless, while Henry must think everything through. Despite their clear differences, they, along with their best friends Carl and Nicki, are inseparable.

When Carl’s brother mysteriously disappears, the four friends go on a mission to figure out what happened. Their search leads them to a book called Subtle Travel and the Subtle Self, which explains how a person can leave their body in their sleep. As the four friends learn to travel, they quickly discover that their subtle self isn’t invulnerable when Henry’s subtle self gets trapped. His friends want to jump in and save him, but will that lead to more disaster?

Teens and preteens alike will enjoy The Trap because it is fast-paced and easy to read. This story contains a good mystery, a bit of the supernatural, as well as a bit of humor.

The Trap touches on racial issues of the 1960’s but doesn’t go into detail. The only negative part of this book is that Henry and Helen have no qualms about lying to their parents in order to solve the mystery.  There is also a section in the book where Helen reveals that she likes to break into people’s houses because it’s interesting to look around.

The Trap shows the importance of understanding people of different cultures. It has a sweet ending that will leave readers satisfied.

Sexual Content

  • Henry and Nicki go to a school dance in their subtle forms. As they dance, Henry “leaned forward and kissed her. A subtle kiss is a strange thing. It’s slippery, and a little electric, and it buzzes on your lips.”

Violence

  • Carl punches Henry. “Carl’s big knuckles had come at me, his pimply face looming behind them . . . My nose and cheek backed up—right into my brain, and my brain retreated down my throat into my stomach. My stomach hadn’t expected that, and become upset.” Henry pukes, and Henry’s sister jumps on Carl.
  • A character talks about the Jews being killed during World War II. “They were murdered . . . I returned once, years after the war, to see the graveyard where my parents and grandparents were buried. It is all weeds now. There are no Jews left to care for their own dead.”
  • One of the children talks about her great-grandfather who worked on the Transcontinental Railroad. “And in Iowa, he got attached by an Irish railroad gang. They mobbed him and some other Chinese workers, saying that Chinese people were stealing Irish jobs. They almost killed him, and he ended up in the hospital in Cedar Rapids.”
  • In a TV show, the Devil tells a rich man he can live forever if he murdered two other people. The rich man finds two “bums drunk.” The rich man did not think those men deserved to live as much as he did. So the rich man puts rat poison in a bottle of whiskey, “intending to give it to the hoboes. Then the show took a commercial break.”
  • Henry’s dad talks about when he was in the war. When they heard shots, everyone ran, but one man got shot. “Lying out there on his back, in the street. And making a sound, like gargling . . . because they shot him . . . in the throat . . . The North Koreans . . . they went up to Davis. And I watched . . . as they. ..They stripped him. They took his gun, his belt. Jacket. Helmet. Boots. Right off him, while he was still trying to breathe. They took everything. And they left him there, naked in the street. He died there.”

Drugs and Alcohol

  • Carl’s father is disliked because he is a drunk. The father appears several times in the story and is seen drinking beer on multiple occasions.

Language

  • One of the adults complains about, “this damn back of mine.”

Supernatural

  • Henry finds a book that teaches him how a person, “could step right out of their body while their body was sleeping. You’d be yourself, but invisible. This was called ‘subtle travel.’ The part of you that did the walking, your second body, was called ‘the subtle form.’”
  • A ghost appears and helps Henry solve the mystery of what happened to Carl.
  • When Carl was in his subtle form, someone did something to his physical body. Carl isn’t sure if his body is alive or dead, and he is afraid if he goes back into his body he will die.

Spiritual Content

  • None

 

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