The Tea Dragon Festival

A worthy sequel to the debut graphic novel The Tea Dragon Society, The Tea Dragon Festival immerses readers in a charming fantasy realm where humans and dragons dwell in harmony. Readers may recognize cheerful bounty hunters, Hese and Erik, from the previous installment in the series, but the couple appears noticeably younger and are able-bodied, as this story takes place before Erik’s debilitating injury in battle. 

New characters include Rinn, a young chef learning to use natural ingredients in their recipes with the help of their grandmother, Gramman. While foraging in the woods outside of Silverleaf Village, Rinn stumbles upon a shapeshifting creature named Aedhan who has been asleep for eighty years. Aedhan belongs to the Shining Wing clan of dragons, whose duty it is to oversee the Tea Dragon Festival and protect Silverleaf Village. 

Soon Hese and Erik arrive from their bounty hunting escapades and reveal that they have been tracking a forest spirit that has the power to make its victims sleep for decades without aging. They follow clues to a magical glade and tell the spirit that if it wants to share memories of its flourishing species from thousands of years ago, it should make people dream for a matter of hours rather than decades. The creature bows its head and leaves peacefully. 

When it is time for the Tea Dragon Festival to begin, the village sets up decorations and shares a bounteous feast of home-cooked recipes made from foraged ingredients and tea leaves that will allow Aedhan to glimpse the memories and events during the eighty years he was asleep. Rinn and Aedhan share this meaningful meal and notice their new feelings for one another. Rinn decides that they would rather enjoy cooking as a hobby than as a vocation. Hese and Erik set out on new adventures hinting at the events of the other two books in this lovable trilogy. 

Nonbinary readers will likely identify with Rinn, as well as Aedhan, who remarks that dragons are capable of shifting between male and female forms. Queerness is not called into question or judged in their world. The Tea Dragon Festival also provides positive representation for disabled people, especially the deaf or hard-of-hearing and users of sign language. 

Like in The Tea Dragon Society, O’Neill’s endearing artistic style continues to immerse readers in a flourishing realm that values family, traditions, nature, and following one’s heart. The story is introduced with an author’s note about the depiction of sign language in italicized captions, to distinguish it from verbal dialogue without diminishing its value as a form of communication. 

The Tea Dragon Festival is an adorable companion to its precedent and fluently builds readers’ curiosity about the third installment in the trilogy. Although the premise of making peace with the forest spirit rather than slaying it is appealing, its execution is anticlimactic. The story does not explain how Hese and Erik avoid succumbing to slumber in their encounter with the creature, nor how they manage to communicate with it. Other than this oversight, this graphic novel shows an impressive capacity for storytelling, art, and positive representation. 

Sexual content 

• None 

Violence 

• Aedhan fights off a large griffin to protect Rinn and their little sibling, drawing blood from a painful gash. 

Drugs and Alcohol  

• When brewed into tea, leaves harvested from the small household pets known as tea dragons have the power to send the drinker into a trance and glimpse their own memories or past events experienced by those around them. 

Language  

• None 

Supernatural 

• The book includes multiple fantasy creatures, such as shape-shifting dragons, anthropomorphic birds, and humans with features like tails, horns, furred ears, or goat legs. 

Spiritual Content  

• None