Hispanic Star: Selena Gomez

Meet Selena Gomez – once just a girl from Grand Prairie, Texas, who loved to perform for her family. Her courage, drive, and empathy have been guiding posts in her lifelong career since her beginnings on Barney & Friends. Selena’s skyrocket to fame took her from the Disney Channel to becoming one of Time magazine’s most influential people in the world in 2020. An emblem for her generation, Selena shows that you can be exactly who you are and follow your passions wherever they may lead you.

Hispanic Star proudly celebrates Hispanic and Latinx heroes who have made remarkable contributions to American culture and have been undeniable forces in shaping its future. If you can see it, you can be it.  

Millions around the world admire Selena Gomez for her talented artistic career. However, few know about the challenges she faced as a child to become the famous star she is today. For example, in 2016, Selena had to cancel part of her concert tour because she was dealing with mental health issues and fighting Lupus. Selena said, “I need to face this head-on to ensure I am doing everything possible to be my best.” She wanted to show fans “how important it was to get help when you are struggling.” Selena’s story showcases the importance of taking care of your physical and mental health. 

Hispanic Star: Selena Gomez shines a light on social media’s harmful effects and how Selena struggled with her self-image because of it. At one point, Selena realized she needed to step back from posting on social media so she could retrain her mind “to not go to these negative places when you say something wrong, do something wrong when you wear a certain thing or represent a certain culture.” Selena acknowledges that social media made her feel as if she was not good enough. Hopefully, teens will read Selena’s story and learn to limit their interaction with social media. 

Short passages explain key vocabulary and historical information relevant to the book to help readers fully understand Selena’s life and accomplishments. For example, one section explains the kinds of roles in film and television, including background talent, recurring, guest star, etc. Other sections explain the battle of the immune system, the Commonwealth of Puerto Rico, etc. To make it easy to recognize, the supplementary text appears in a gray box. The book also includes black-and-white illustrations every three to six pages. 

Hispanic Star: Selena Gomez takes a deep look at Selena and discusses how Selena’s hardships have shaped her into a better person. She values self-reflection, thoughtfulness, fearlessness, and empathy and uses her platform to help make the world a better place. Selena wants young people “to take care of themselves and one another; to stay true to who they are and what they believe.” Hispanic Star: Selena Gomez makes it clear that Selena is much more than a singer—she is an advocate for others and wants people to believe in themselves. 

Sexual Content 

  • None 

Violence 

  • None 

Drugs and Alcohol 

  • None

Language 

  • None 

Supernatural 

  • None 

Spiritual Content 

  • None 

Love in English

Sixteen-year-old Ana is a poet and a lover of language. Except since she moved to New Jersey from Argentina, she can barely find the words to express how she feels. 

At first, Ana just wants to return home. Then she meets Harrison, a very cute, very American boy in her math class, and discovers the universal language of racing hearts. But when she begins to spend time with Neo, the Greek Cypriot boy from ESL, Ana wonders how figuring out what her heart wants can be even more confusing than the grammar they’re both trying to master. After all, the rules of English may be confounding, but there are no rules when it comes to love. 

Told from Ana’s perspective, Love in English shows Ana’s struggle with understanding both the English language and American culture. To convey Ana’s language difficulties, Ana’s family’s conversations are peppered with Spanish words. In addition, when others speak to Ana in English, she misses many of the words which are written as “####### ########.” Ana also struggles with words, such as “close,” that have two meanings and are pronounced differently. Throw in American idioms like “a bird in hand is worth two in the bush” and “a stich in time saves nine” and readers begin to understand and empathize with how hard it is to learn English.  

It’s not just English that Ana struggles to understand. Ana meets Harrison and Neo at school. When Ana meets Harrison, she thinks, “There’s so much I wish I could ask him about. . . but I can’t catch any of the words needed to form those questions. They swim in my brain, some visible, some shapeless, but none want to coalesce into sentences. It’s so frustrating. It’s like someone stole all my words.” Ana struggles to understand the language of love, which often leads to misunderstandings.  

Much of the plot revolves around Ana’s inner dialogue, which makes Ana feel like a new friend that you want to sit down and share coffee and a secret with. Ana is extremely likable and deals with many of the same struggles as today’s teens. However, readers who love action-packed stories full of adventure will find Love in English difficult to read. For those who love looking into a character’s heart and soul, Love in English is the perfect book. Many readers will relate to Ana, who is trying to find a place where she belongs in life and in America. Through it all, Ana learns that “The most important words are the ones we’re brave enough to share.” 

Sexual Content 

  • While leaving the classroom, Ana bumps into Harrison. She thinks, “For a second, I want to grab his hand and hold it. Or pull him toward me, and we will have our first kiss here in our math classroom.”  
  • One of Ana’s new friends, Altagracia says, “You like boys? Girls? Both? I like girls myself.” Later, Altagracia tells Ana that “she went on a date with another girl and they kiss[ed].” 
  • In the cafeteria, a girl says she can’t keep lipstick on for more than twenty minutes. Her friend replies, “You should probably stop kissing so many people then.” 
  • Ana goes to a night club to watch Harrison’s band play. Ana sees Harrison dancing with Jessica, a girl from school. Jessica “pushes onto the tiptoes of her high-tops. The lean in is slow, so slow. . . Her lips land on his. He stands there. . . She gets off her tippy toes and runs her thumb gently over his lips.”  
  • After seeing Jessica kiss Harrison, Ana leaves but has no way to get home so she calls Neo. Instead of going home, Ana goes to Neo’s house and they watch a movie. Ana looks “up at Neo. He’s so close, a few inches away. He looks at me steadily. . . His lips look perfect, the dimple in his chin a little shadowed where he missed a spot shaving. . . “ Ana’s phone rings and she’s left to wonder if she wanted Neo to kiss her. 
  • Ana goes to Harrison’s house and he asks Ana permission to kiss her. Ana is “looking at Harrison, and I know I want to kiss him. Instead of words, I use my lips. His lips are soft, and wonderful, but he doesn’t move them. I am self-conscious. Am I supposed to do something more? I kiss him again. He kisses too, then pulls away.” 
  • Neo takes Ana to a poetry slam and then the Empire State Building. While at the top, he “leans in. When his lips touch mine, the moment shivers through me, his lips, warm and perfect, part mine. His hand is on the small of my back, and he pulls me in, and I can’t breathe.” The kiss is described over a paragraph. 

Violence 

  • Several times, a boy from school makes snarky remarks about Neo being an immigrant. One day, Ana gets to school and sees Neo and the boy fighting. “One has the other in a headlock. . . It’s Neo in the headlock, swinging his arms, connecting with a thud on the other boy’s lower back. He pulls Neo tighter.” Neo has blood on his face when teachers break up the fight. 

Drugs and Alcohol 

  • While at a night club Ana sees some girls from school and one of the girls is “flirty drunk.” 

Language 

  • Ana overhears profanity in the hallways at school. Ana writes in her journal, “Fuckface. A face that likes to do sex? Doosh noze? Shit biscuit? Duck butter? Bananas. Like ‘crazy’?” 
  • Profanity is used rarely. Profanity includes damn, fuck, and shit. 
  • Oh my God is used as an exclamation.  

Supernatural 

  • None 

Spiritual Content 

  • None 

Mexican WhiteBoy

Danny is tall and skinny. Even though he’s not built, his arms are long enough to give his pitch a power so fierce any college scout would sign him on the spot. He’s got a ninety-five mile an hour fastball, but the boy’s not even on a team. Every time he gets up on the mound, he loses it.

But at his private school, they don’t expect much else from him. Danny is brown. Half-Mexican brown. And growing up in San Diego that close to the border means everyone else knows exactly who he is before he even opens his mouth. Before they find out he can’t speak Spanish, and before they realize his mom has blond hair and blue eyes, they’ve got him pegged. But it works the other way too. And Danny’s convinced it’s his whiteness that sent his father back to Mexico.

That’s why he’s spending the summer with his dad’s family. But to find himself, he may just have to face the demons he refuses to see—the demons that are right in front of his face. He may also have to open up to a friendship he never saw coming.  

Danny and his rival-turned-friend Uno become almost inseparable, which allows the reader to see how each teen deals with similar situations. Since they are both biracial, Danny and Uno struggle to fit in. Unlike his Mexican relatives, Danny doesn’t speak Spanish, making him feel as if “he’s not really Mexican. His skin is dark like his grandma’s sweet coffee, but his insides are as pale as the cream she mixes in.” Likewise, Uno struggles with his identity because his mom is Mexican and his dad is Black. Uno feels as if he’s “stuck in the middle.” His parents fight, and “one is pulling his left arm, the other pulling his right. Like it’s some kind of tug-of-war between black and Mexican, and he’s the rope.” The struggle to understand their place in the world is one that many teens will be able to relate to, especially those of mixed race. 

Mexican WhiteBoy also shows the difficulties Danny and Uno have because of their absent fathers. Danny hasn’t seen his father in three years and thinks his father is in Mexico. Danny’s emotional trauma is shown when Danny ruminates on his father’s absence. Danny also writes fictitious letters to his father. While the letters aren’t based on reality, they show Danny’s dream life. Unlike Danny, Uno sees his father once a month. Uno’s domineering father, who’s gotten off drugs and out of trouble, often lectures Uno about how finding God has made him a better person. The father-son relationships add to the story’s emotional depth.  

Matt de la Peña integrates Danny’s love of baseball and pitching into the story. Despite this, Mexican WhiteBoy is not a typical sports story since no baseball games are ever played. However, readers will empathize with Danny, who is trying to answer the questions: Who am I? Where do I belong? At the beginning of summer, he lacks confidence, is depressed, and self-harms. Danny’s relationship with Uno helps Danny find his footing in life and take his place on the baseball diamond. Danny and Uno’s friendship transforms both boys, and they help each other find hope for the future. Mexican WhiteBoy shines a light on the realities of life for many inner-city teens. The gritty scenes don’t sugarcoat the teens’ struggles. Instead, Mexican WhiteBoy conveys the importance of believing in yourself and shaping your own future. For those who’d like to explore another book that shines a light on the issue of self-acceptance, check out Bruiser by Neal Shusterman. Readers who want a book that focuses more on the game of baseball should read Heat by Mike Lupica and Fast Pitch by Nic Stone. 

Sexual Content 

  • Danny’s cousin Sophia introduces him to her friends. When the girls flirt with Danny, Sophia says, “I see my homegirls gonna try and corrupt you, cuz. Better watch it, though, these heinas got mad STDs.” 
  • Danny has a crush on Liberty. Danny’s cousin and her friends gossip about Liberty. Someone says the girl is “sixteen and already droppin’ her drawers for billetes.” 
  • A man keeps showing up to watch Danny pitch. Uno says, “I thought homey was a molester or some shit.” 
  • Danny’s aunt and uncle come home after a night on the town. “Uncle Tommy and Cecilia stumble in reeking of cigarettes and tequila. . . [Cecilia] extends her neck, but when Tommy’s lips get close she pulls back, giggling some more . . . He kisses her neck, reaches a hand up for his wife’s chest.” They disappear into the bedroom. 
  • Uno, Danny and a group of other teens play truth or dare. Danny “watches Flaca, on a dare. . . saunter over to Raquel, take her face in her hands and kiss her while all the guys cheer and the girls laugh. He watches Sofia, on a dare . . . pull up Uno’s black Dickies shirt and leave a dark brown hickey on his already dark stomach.” On another dare, Danny’s cousin, Sofia, and Uno disappear into the bedroom and don’t return. 
  • Danny comes out of the bathroom half-dressed. His cousin, Sofia, asks, “What were you doing in there so long, beating off?. . . It’s perfectly normal you know. I heard ninety-five percent of guys beat off and the other five percent are lyin’.” 
  • Uno kisses Sofia “on the lips.” 
  • After spending time with his crush, Danny gets up to leave. “She grabs Danny’s face in her hands and kisses him on the lips real quick. When they separate, she stands there giggling. Then Danny takes her face in his hands and kisses her.” 

Violence 

  • During a stickball game, Uno throws the ball at another player, Raul, who has just finished batting. “The ball smacks him right in the ass. Raul trips and falls to the ground, clutching the back of his jeans.” 
  • Danny accidentally hits Uno’s brother, Manny, with a bat. Uno “rushes Danny, shoves him with both hands. . . Danny backs up a couple of steps, surprised.” Danny’s cousin, Sofia, tries to stop the fight. “Uno shoves Sofia out of the way and gets in Danny’s face again, pokes a finger into his forehead.”  
  • Before Danny can try to defend himself, Uno is “already stepping forward with all his weight, delivering an overhead right that smashes flush into Danny’s face. Snaps his head back. Buckles his knees.” When Danny falls, he “knows there was a loud crashing sound in his brain.” There is “warm liquid running down his neck. . . Running into his mouth. . . Salty. Smell of copper.” 
  • Danny goes to the hospital because he has “a nasty gash under his left eye” and a dislocated jaw. He needs “five stitches under his left eye, ten to the back of his head. . .” 
  • Danny and Uno are scamming people out of money. After one incident, three guys, including one named Carmelo, attack Uno. “One of the other guys slugs him in the back of the head. Uno spins around, narrowly avoids a wild right from another kid and punches the kid who hit him in the jaw. . . Uno breaks free and pounces on Carmelo. He gets him in a tight headlock, tries to choke the life off of him. But the other guys pull Uno off, hold his arms while Carmelo punches him twice in the stomach . . .” 
  • Danny jumps into the fight to help Uno, who watches Carmelo “rear back and throw a punch right at [Danny’s] face, but he ducks it and the punch grazes the face of Carmelo’s own guy. . . [Danny] swings a vicious right and hits him on the side of the face, sending him sprawling onto the ground. Blood starts coming from the guy’s nose.” Danny and Uno have bruises but no serious injuries. The fight scene is described over two pages. 
  • While at the beach, a man whistles at Danny’s mom. Her husband gets mad and attacks the man. Danny hears “the sound of punches landing and shouting and then sirens and cops shouting. . . the cops handcuffed his dad and pushed him into the back of their squad car. By his face.” Afterward, his father leaves for Mexico and doesn’t come back. 
  • Uno’s stepdad, Ernesto, comes home smelling of tequila. He yells at Uno. “When Ernesto’s been drinking tequila he’s liable to swing an open hand. ‘Course it ain’t the open hand he’s scared of, it’s what he might do in response to the open hand. So instead of killing this man and getting locked up for real, he nods and nods and nods and nods.” 
  • When a girl starts talking to Danny, her boyfriend, Marzel, gets mad. Marzel “rears back to throw a punch, but out of nowhere Uno steps in and blasts the guy from the side. Puts him flat on his back and then stands over him, glaring down. . . Marzel looks up at Uno, touches his bloody lip and holds his fingers in front of his eyes. He stands up slow, swings wildly at Uno, but Uno ducks it, lands two quick and powerful body blows, doubles Marzel over.” A couple guys break up the fight. 
  • Danny’s parents separated when his father hit his mother, but there are no other details. 
  • Danny, his uncle Ray, and other men were driving when a “big hippie guy came walking down the middle of the road . . . Ray hit the gas and ran smack into the guy, a nasty thumping sound against the hood. The guy’s head whipped all forward, and when Ray hit the brakes, he flew from the Bronco like a rag doll.” 
  • The guy got up and “threw a right at Uncle Ray through the open window, but Uncle Ray ducked it, grabbed the guy by the arm and pulled him halfway into the cab and his boys started whaling on him. . . Rico smacked him in the same part of the face so many times, the sound of the blow actually changed. They became muted. Tim delivered blow after blow to the guy’s ribs and stomach.” 
  • When the guy became limp, “Blood was all over the place, on Danny’s face. . . Uncle Ray flipped the Bronco into reverse and backed up. He turned the wheel slightly and pulled forward, ran over both the guy’s legs. Danny could actually hear and feel the bones crush and snap under the tires. . .” Uncle Ray races away when the “guy was completely still and covered in red.” The scene is described over three pages. 
  • While in prison, “the scout” meets Danny’s dad. The scout tells Danny, “One day I got jumped by a bunch of black guys. . . They tried to kill me. Your dad was the only one who stepped in. He beat two of them real bad and the others backed away . . . And me and your dad turned into friends.” 
  • Danny self-harms when he is upset. He digs “into the inside of his forearm with his nails to remind him he’s a real person.” He “holds his left arm against the sink and runs the sharp part of the tweezers across the inside. Goes back and forth in a straight line. Back and forth again. A thin trickle of blood starts creeping out. . . He drops the tweezers in the sink and turns on the water full blast. Washes the blood off. . . But the line of blood comes back even thicker. It’s all over the sink now, too.” 
  • While at Danny’s school, Barker, a rich white kid, insults Uno. Danny “punches Barker in the face. Spins the kid around. . . He takes a step toward Danny and throws a wild right, but Danny ducks it, hits the kid again. Harder this time, in the eye.” A senior breaks up the fight, which is described over a page. 

Drugs and Alcohol 

  • Both the adults and the teens drink often; thus, not all of the drinking is described below. 
  • A girl tells Danny they can hang out and drink “a little white Zin and shit.” 
  • During stickball, there are some “young bucks, los ratas, hanging out on stolen bikes, pulling drags off stolen cigarettes.”  
  • As Uno is walking, he sees “a broken forty bottle lying at the mouth of the gutter. . . Wonders how much alcohol must be flowing through National City’s gutters after an average Friday night.”  
  • Uno’s father goes on a rant about drugs such as Ritalin, Vicodin, and Zoloft. His father says, “Who benefits more from all these prescriptions? The patient or the doctor?” 
  • Uno’s father used to “smoke anything I could roll up in a Zig-Zag.” 
  • While planning a trip, Sofia asks her friends who will be “sneakin’ in the thermos of jungle juice?” 
  • The last time Danny saw his dad, they were sitting together, and his dad had a “beer dangling” in his hand. 
  • Danny’s mom invites a man to have dinner with her and Danny. The man brings a bottle of champagne. 
  • When Danny goes to family events, the adults “are drinking homemade horchata and Pacifico and Bud Light and tequila with lime—always tequila.” 
  • Several of the teens smoke cigarettes. 
  • Danny gets drunk for the first time. “He learns that jungle juice makes him feel light as a feather. That it makes him feel ten feet tall. . . Makes him feel like smiling and talking to anybody and everybody, at any time—though he hasn’t.” 
  • When Danny was little, he was sick. His father stayed home to take care of Danny. However, his dad spent most of the time watching TV and smoking pot. Danny “remembers thinking [the smoke] looked like a magic carpet. And because he was a little high, took from the secondhand, he started wondering what it would be like to ride a magic carpet?” 
  • Uno gives Danny a beer. “Danny cringes as the cold beer washes past his tastebuds, down his throat. It’s only his third time drinking beer—all summer—and he doubts he’ll ever like the taste.” 
  • At a party, “Lolo puts a shot of tequila into Raquel’s belly button, [a guy] slurps it out and bites into a wedge of lime.” 
  • A girl’s “real mom” died of a supposed overdose. 
  • One of Danny’s uncles “breaks up a bud, rolls the weed in a Zig-Zag and licks. He pulls a lighter from his pocket and, out of pure habit, cups a hand over the fire.” 

Language 

  • Both English and Spanish profanity are used often. Profanity includes ass, bitch, chingado, damn, goddamn, fuck, motherfucker, piss, puta, and shit. 
  • Uno’s parents yell at each other. Uno’s mom calls his father “a good-for-nothing black bastard.”  In return, his father says, “Bitch, if I didn’t have the Holy Ghost. . . I swear to God.” 
  • When Uno was young, he got hurt during a baseball game. His father began yelling, “Get up, you little punk-ass bitch! Get your ass up! Ain’t no son of mine gonna lay there crying!” 
  • Jesus, Jesus Christ, God, and oh my God are occasionally used as exclamations.  
  • A rich white kid calls Danny a “wetback.”  
  • When Uno and Danny go to Danny’s school, a rich white boy says, “Now get your black ass outta here.” When Uno threatens him, the boy says, “Bring it, dude! I ain’t afraid of no blacky!” 

Supernatural 

  • None 

Spiritual Content 

  • Sofia’s aunt goes to church. One of Sofia’s friends says, “That old broad is too fat to go to church.” 
  • Uno’s father was a gangster and drug addict before he found Jesus. His father says, “I love you! Just like I love Jesus! He felt powerless, too, you know. Like you and me. When he took the most messed-up suckers and died for them, he died for us!” 
  • Uno’s father said that “studying the Bible taught him to love himself. Taught him to look inward for companionship. Taught him to actually look forward to spending time alone with himself.” 
  • Uno’s father says that suicide is “a deadly sin in two books. God’s and mine.” 
  • Uno tells Danny about his father’s religion. “But sometimes I think maybe God’s down here. In regular everyday stuff. Like the power of a train.” 
  • Uno‘s father says that everyone has “a little piece of God.” 

Sal and Gabi Fix the Universe

Following the events of Hernandez’s previous novel, Sal and Gabi Break the Universe, Sal and Gabi are dragged into even more multiverse shenanigans when versions of Gabi from other universes begin showing up in their universe. Sal is approached by a Gabi from another universe who says that she wants to help Sal protect his universe from meeting a terrible fate like hers. While Gabi from another universe, whom Sal calls “FixGabi,” claims to want to fix holes in the universe, Sal realizes that she is tricking him and hiding her true intent. Sal realizes, “FixGabi, it turned out, was a supervillain bent on cosmic destruction.” To protect the universe, Sal and Gabi must enlist the help of their families, as well as their understanding of what Sal’s Papi calls “Calamity physics.” 

Considering the perspectives of others is one of the major themes in the novel. For instance, one of Sal’s teachers explains, “People make art because they want you to learn what life feels like to them. Sometimes it’s funny, sometimes it’s scary, sometimes it’s sad or uplifting or gross or deep or a million other things. But whatever it is, it’s always about what the artist thinks of life.” This theme becomes specifically important to Sal later when he interacts with FixGabi. Even though FixGabi has tried to trick Sal and cause havoc in his universe, Sal realizes that FixGabi “has lost a lot of loved ones. She’s seen her world ravaged by rips in the universe. She felt helpless and afraid. But rather than give in to those feelings, she fought back, as hard as she could.” Sal and his friends accepting FixGabi makes her decide that, “I want to make up for everything . . . I was so lonely.” 

Another major theme is friendship and found family. Just like in the previous novel, Sal and Gabi support their friend, Yasmany, as he struggles with problems at home that ultimately culminate in Children’s Services removing him from his home. Yasmany reveals that he has nowhere to live because “My [grandparents] are trying to get me to move back in with Mami. They said they’re too old. They can’t handle me . . . I got nowhere to be. Why doesn’t anybody want me?” But Sal and Gabi are great friends to Yasmany; Sal offers to let Yasmany stay with him for a few nights and Gabi’s parents ultimately decide that Yasmany will come live with them. When Yasmany asks Gabi’s family why they would do this for him, Gabi tells Yasmany, “You deserve a family that deserves you.”  

Readers who loved the first book in this two-part series will be thrilled by Sal and Gabi Fix the Universe. Sal and Gabi’s friendship gets even stronger and readers will be compelled by their friendship and how they always have each other’s best interests in mind. For instance, Sal tells Gabi, “There’s no one like you in the world, Gabi Reál. You are one of a kind.” And Gabi tells Sal how much she appreciates him, saying, “You saved my baby brother, Sal, and therefore my whole family. Thank you. Thank you forever.” Hernandez’s novel will appeal to readers because it has science fiction, theatre productions, and amazing friendships.  

Sexual Content 

  • None 

Violence 

  • Following up on a situation discussed in the previous novel, Sal describes how his friend, Yasmany, had to leave home for his own safety. Sal says, “[Yasmany] was living with his abuelos now because life with his mami had gotten intolerably bad. I don’t know why exactly, since Yasmany wouldn’t go into details, but I knew Children’s Services had gotten involved.”  
  • When Yasmany witnesses Sal’s dad ground Sal for messing with his calamity physics equipment, Yasmany says to Sal, “Nothing got broken; no one got hit. It was just, like, normal talking at the kitchen table.” Sal realizes the dark implication of what Yasmany said.  

Drugs and Alcohol 

  • Sal is upset with his Papi because he found him smoking a cigar. Sal’s dad says, “My team and I might very well be nominated for a Nobel Prize before I die . . . I guess I wanted to celebrate a little.” Sal angrily says, “Even though you swore to Mami when she was dying in the hospital that you’d never smoke a cigar again?” Papi tells Sal that his experience trying a cigar again after all those years was “terrible.” 

Language 

  • None 

Supernatural 

  • None 

Spiritual Content 

  • When talking with their school janitor, Mr. Milagros, Sal and Gabi discover that Mr. Milagros’ wife, Lourdes, passed away. Mr. Milagros exclaims, “She’s not with the devils, Gabi. She’s with the angels. Lourdes is in heaven.” 
  • Gabi thinks, “I don’t even believe in heaven . . . but I’m sure Lourdes is there.” 

Sal and Gabi Break the Universe

When Sal Vidón meets Gabi Reál for the first time, it isn’t under the best of circumstances. Sal is in the principal’s office for the third time in three days, and it’s still the first week of school. Gabi, student council president and editor of the school paper, is there to support her friend Yasmany, who just picked a fight with Sal. She is determined to prove that somehow Sal planted a raw chicken in Yasmany’s locker, even though nobody saw him do it and the bloody poultry has since mysteriously disappeared. 

On his very first day at his new school, Sal meets Gabi Reál, “student council president and obviously one of the smartest kids in school,” and Gabi is absolutely set on understanding how Sal performs some of his most difficult magic tricks.  

Sal feels a bit singled out because of his diabetes, and there are a few instances when Sal struggles to manage his blood sugar. But Sal also has a secret, he can reach into other universes. Sal explains, “We are not alone in the universe my friends . . .There are countless other universes above and beneath our own like pages in a book.” Sal has the unique ability “to see these other worlds” and access them.  

After reaching into another universe, Sal realizes, “All the holes I’d made so far usually didn’t last long . . . [This] hole wasn’t gone yet. That was bad. Until a hole was closed, there was a risk that stuff I didn’t intend to bring over from the other universe would come through on its own.” Sal and his new friend, Gabi, discover that she can also see the holes in the universe, and Sal explains, “I’d never met anyone else who could see [the holes].” Sal and Gabi team up, on a mission to learn more about how to close the holes into other universes.  

Though Hernandez’s novel centers around Sal and Gabi learning more about other universes, as well as how it impacts their universe, Sal’s diabetes is an important theme as well. Sal had to go explain his condition to the principal on the first day of school. Sal’s principal admits, “We’ve never had a student with diabetes before,” but that she will instruct her teachers to learn “how to meet [Sal’s] needs.” Readers will likely learn a great deal about diabetes and readers with diabetes will appreciate being represented by Sal.  

Readers will relate to Sal as he starts at a new school and tries to make new friends. Sal is an empathetic character who puts time and effort into his passions, one of which is magic tricks. Sal consistently makes Gabi and other characters in the book laugh when they are feeling down. Sal explains, “I started studying magic when my mami died. It was a way for me to cope with the pain and to try to take back control of my life . . . That’s why I love performing tricks now. I love to see people’s eyes fill with wonder.” Sal always does his best to make other characters feel happy, saying, “Sometimes, when [life’s] too hard, when it hurts too much, only silliness can save us. And I’m all about doing whatever it takes to help people make it to tomorrow.” 

A major theme of the story is coping with the pain of losing a loved one. Sal often reflects on how much he misses his mom. When Sal is struggling with grief, Sal’s dad reveals, “[Mami’s] death was the worst thing that’s ever happened to either of us . . . I thought my life was over when she died . . . I thought it would kill me, you know. Literally stop my heart.” And when Sal asks his dad what helped him keep going while he was grieving, Sal’s dad says, “You, mijo.” Sal and his father’s bond is a positive force throughout the novel, and they are able to support each other after the loss of Sal’s mother. Readers will learn from this novel to “trust in the people that love you,” and this will help you during the hardest times in life.  

Readers who enjoy fantasy, reading about alternate realities, or magic tricks will adore this book. Hernandez showcases a heartwarming and strong friendship between Sal and Gabi. Sal explains that he and Gabi bonded over embracing the nuances of each other’s families: “Months later, [Gabi] told me the way I had met her interesting, complicated family, pleasantly and without judgment. . . made her think I was the most mature seventh grader she had ever met.” This book discusses more sensitive topics such as grief and struggling to manage type one diabetes, but throughout the novel Sal and Gabi showcase strong friendship, humor, and kindness toward others, and in this way the book maintains an uplifting tone.  

The ending perfectly sets up the second book in the series, Sal and Gabi Save the Universe, as Gabi and Sal have used Sal’s ability to reach between universes to save Gabi’s sick, newborn brother—but they do not know what the consequences of this interference will be. Readers will be on the edge of their seats to see what happens in Sal and Gabi’s next adventure. 

Sexual Content 

  • None 

 Violence 

  • Sal encounters a bully on his first day at school. The bully, Yasmany, “slapped [Sal’s] diabetes bag out of my hands. It hit the ground with a glassy crunch. My stomach crunched right along with it.” Yasmany does eventually apologize to Sal.  
  • Sal and Gabi discover that Yasmany has run away from home because he feels unsafe. After Sal and Gabi help him and take him to eat and stay with Gabi’s family, Sal asks Gabi, “Is Yasmany’s papi a bad guy?” Gabi reveals, “The bad guy is his mom.”  

Drugs and Alcohol 

  • None 

Language 

  • Sal explains a Cuban insult to Gabi, saying, “‘Sapingo’ is a classic Cuban insult. It’s basically how you tell the person whom you are insulting that they’re about as smart as a day-old skid mark.” 
  • At his previous school, the majority of students are white while Sal is Cuban. Sal says, “kids were telling me to ‘go back to brown town’ all the time.”  
  • Sal explains, “‘Cacaseca’ is the word Miami talk-show hosts use instead of BS. It literally means ‘dry poop,’ but it really means ‘Dude, your poop is so played out. Don’t try to play me with your played-out poop.’” 
  • While walking home from school, Sal is nearly hit by a car. Sal explains, “I never even flinched. Not because I am very badass or anything. I was paralyzed. Classic deer-in-headlights syndrome.”  

Supernatural 

  • When doing a magic trick, Sal reaches into another universe and creates a hole. He “made a pretty big rip in the universe inside that locker.” Because of this rip, Sal and Gabi are briefly able to see into another universe, where there is a chicken factory. But the hole does eventually close, and they go back to their own universe.  
  • Because of his ability to reach into other universes, Sal has been able to bring other versions of his Mami into his world. For instance, Sal says, “I had [brought] Mami Muerta back from the dead five times since [her death]. Six including this one.” However, Sal recognizes how each of these versions of Mami is very different from the Mami he knew as a child.  
  • After Sal uses his abilities to reach between universes to save Gabi’s sick, newborn baby brother, Gabi reveals that she thinks her brother has become “a wormhole to another universe.” This sets up the plot for the second book in the series, Sal and Gabi Save the Universe 

Spiritual Content 

  • Sal’s classmate, Gladis, wears a necklace with an “ojo turco.” Sal explains, “An ojo turco is a piece of blue glass with a blue eyeball painted on it. People wear them on necklaces and bracelets to protect them against the evil eye.”  
  • Sal explains that Mami would “tell me stories about how a brujo [witch] could make you sick, make your cows give blood instead of milk, turn your hair white, age you in five seconds, all sorts of stuff.” 
  • When Sal takes Gabi into another universe for the first time, the people living in the other universe think Sal and Gabi are “evil spirits, or devils, or something. She says she is going to kick us in the butt three times and send us back to hell.” Sal and Gabi convince the lady from the other universe that they are “good spirits.” 
  • Even though Gabi’s newborn brother is in the NICU and does not have a positive prognosis, Gabi’s mom says, “I lost my faith for a while, too. Do you know how I got it back. . . God is just another word for ‘goodness.’ Every time we do a good thing, God grows. Inside us.” 

Baseball’s Best: Five True Stories

Babe Ruth, Joe DiMaggio, Jackie Robinson, Roberto Clemente, and Hank Aaron—five amazing baseball legends. From the first black man to play major league ball to the longest hitting streak ever, these are some of the game’s most inspiring stories. Find out what unforgettable feats won each player a place in the Baseball Hall of Fame. 

Baseball fans who want to meet some of the players who helped shape baseball should put Baseball’s Best: Five True Stories on their must-read list. Each chapter focuses on one player’s career, his accomplishments, and how the player changed baseball. The stories are motivational and most of them show how a player had to overcome obstacles along the way. While the book has a lot of baseball statistics, they are balanced with personal stories about the players. Some readers might be surprised by the pressure each player faced. For example, when Henry Aaron became the home run champion, he said, “I just thank God it’s over. I feel I can relax now. I just want to have a great season.” 

As part of the Step Into Reading 5 books, Baseball’s Best: Five True Stories is intended for readers in grades 2 – 4 who are proficient readers. The book includes large black-and-white pictures of the players as well as full-color illustrations that show the players in action. Illustrations appear every 1 to 3 pages and some pictures fill an entire page. The book’s oversized text, large illustrations, and short chapters will appeal to younger readers.  

Baseball’s Best: Five True Stories brings baseball history to life in an appealing format. Since the non-fiction book is all about baseball, it is best suited for readers who already know and love the sport. One chapter focuses on Babe Ruth; readers can learn more about him by also reading Babe Ruth and the Baseball Curse by David A. Kelly. Readers curious about Jackie Robinson should also read Play Ball, Jackie! by Stephen Krensky and Miss Mary Reporting: The True Story of Sportswriter Mary Garber by Sue Macy.  

Sexual Content 

  • None 

Violence 

  • During a game, Babe Ruth “trots out to the left field to warm up, the fans hurl lemons at him. ‘Get off the field, old-timer!’ they shout.” 
  • When Jackie Robinson played baseball, he had to deal with prejudice. “Some opposing players shout curses at him from the bench, while others threaten to strike if Jackie takes the field. . . Pitchers hurl fastballs dangerously close to his head. Runners slide with the spikes of their shoes aimed at his legs.” 
  • Jackie also had to deal with segregation and “hate mail. Some letters even threaten his life.” 
  • After an earthquake struck Nicaragua, Roberto Clemente got on an airplane heading to Nicaragua to distribute supplies. “Clemente’s plane takes off. Moments later one of the engines explodes and catches fire. The plane plunges into the ocean.” Roberto’s body is never found.

Drugs and Alcohol 

  • None 

Language 

  • None

Supernatural 

  • None 

Spiritual Content 

  • None 

Flirting with Fate

Ava Granados’s family has a magical secret. Ava explains, “All the women in the Granados family had this keen, odd, otherworldly ability to pass along blessings to their female descendants. But here was the catch: they could only do so from their death beds.” When her grandmother is dying, Ava and all her sisters rush to their grandmother’s bedside. Unfortunately, due to a flash flood, Ava gets into a car accident and is too late to receive her Nana’s blessing. While her sisters receive their blessings, including an extremely detailed memory and the ability to persuade others, Ava is devastated to not have received her grandmother’s parting gift.  

When Ava attends the celebration of Nana’s life, she looks up and suddenly sees her recently deceased grandmother looking at her. Ava describes, “A figure emerged from the orchard a mere thirty feet away. Wide-eyed, dimple-cheeked, perfect auburn coif. Nana?” When Nana lay dying, she accidentally gave Ava’s blessing to someone else, but because she is now a ghost, she has no memory of what happened. Nana asks Ava to help her restore the blessing to its proper recipient or Nana “will remain a ghost . . . until this is made right.”  

Ava realizes that Nana’s blessing must have accidentally landed on the boy whose car she crashed into. For guarded Ava, befriending some random boy is the last thing she wants to do. Desperate to help Nana reach peace, Ava must find a way to connect with this mysterious boy, Rion, in order to be able to recapture her Nana’s blessing. Nana encourages Ava to open up to Rion and to look within herself. Nana says, “You can always recognize the love when it belongs to you.” Over the course of the novel, Ava learns to trust in herself and her feelings for Rion.  

Many readers will be able to relate to Ava because she is afraid of being hurt or rejected. Ava begins to spend more time with Rion, all the while trying to figure out how best to get her Nana’s blessing back. Nana encourages Ava to look within herself. Nana says, “You can always recognize the love when it belongs to you.”  

Ava and Rion end up connecting over the loss of a parent. Rion’s parents died in a car accident while Ava’s mom left. However, they both blame themselves for their parents’ absence.  Because Rion is able to share his emotions, Ava is able to truly open up about her feelings. Ava explains, “I used to blame myself for my mom leaving too. She left when I was seven, and I used to think if I had been better, nicer, more, then she would have stayed.” Ava is able to comfort Rion by sharing what she has learned. She tells Rion, “We can’t blame ourselves for things we had no control over.” Ava and Rion’s relationship is extremely impactful as it allows them both to share feelings about things that they previously kept inside.  

Overall, Ava’s journey to opening up her heart and embracing things she never thought possible is extremely compelling. Similar to Cervantes’ other work, Enchanted Hacienda, Cervantes continues exploring the theme of magic being inherited through female descendants. Though there is a romantic relationship brewing between Ava and Rion, there is also a major focus on the importance of family, as Ava’s relationship with her Nana is central. Nana encourages Ava to open her heart, saying, “I gave you the gift of an open heart . . . you keep people at arm’s length; you don’t trust. I don’t want you to go through life closed off from love.” This wonderful novel leaves readers with an important message: trust yourself and open your heart to possibilities.  

Sexual Content 

  • Ava’s sister, Carmen, sees a cute guy at a party. Carmen tells Ava, “Look, there are a lot of boys to kiss in this world.”  
  • Ava explains her negative history with relationships. “Relationships always ended badly, with a goodbye and a broken, unmendable heart . . . at least for someone. But last year [Ava] did kiss Bryce Wellington on the Haunted Mansion ride at Disneyland just to get it over with . . . Sadly, it felt unimpressive.” 
  • Ava’s sisters are watching The Notebook in the living room, and Ava remarks, “Clothes were flying off [the characters] and the last thing Ava wanted to do was stand there with her grandmother’s ghost and a fifteenth-century saint while a monster sex scene played out ten feet away.” 
  • Ava believes she and Rion are having a romantic moment, when suddenly, she realizes she is actually kissing his twin brother, Achilles. Ava says, “His lips brushed against hers. She felt a jolt, an alarm that screamed wrong, wrong, wrong.” After realizing she is actually kissing Rion’s brother, Ava “jerked free, horrified, as she wiped her mouth on the back of her hand.” 
  • After pushing Rion out of the way of a falling tree, they kiss. “She felt her body yielding, falling deeper into Rion. And then their mouths met. And Ava was no longer falling. She was dissolving. The forest and the sky fell silent. The world evaporated. There was only this moment.” 
  • Ava kisses Rion at a party. Ava “reached up, bringing his lips to hers. Allowing herself to be swept away in his trust, his warmth, his love.” 

Violence 

  • When Achilles tricks Ava into kissing him, Rion finds out and tackles Achilles. “The brothers rolled across the dirt, all grunts and curses and years of unspent anger.” They finally stop when Ava yells at them. 

Drugs and Alcohol 

  • None 

Language 

  • Characters occasionally use moderate language like shit, damn, and ass.  
  • When Nana suddenly appears as a ghost, Ava exclaims, “Jesus Christ!” 
  • Nana, in her ghost form, splashes water at Ava’s sisters who exclaims, “Holy Mary, Mother of God!” 

Supernatural 

  • Ava explains an example of a blessing in her family. “Ava’s great-grandmother had graced Nana with an angel’s voice. Before that, Nana couldn’t even sing off-key . . . After the death-bed blessing? It was like listening to a Mexican Pavarotti [Opera star] when [Nana] opened her mouth to sing.” 
  • Ava’s sister, Viv, is given the blessing of persuasion by her grandmother. Viv explains, “It’s not like I can go around making people do anything I want them to. Nana said I would just be able to help others see my side of things.”  
  • Ava’s other sister, Carmen, received the blessing of memory from Nana. Carmen says, “I got the blessing of memory, which I guess means that I can recall details, read or hear or see something once and remember it verbatim . . . it’s weird—like having a camera in my head.” 
  • Ava’s Nana appears to her one last time at the end of the book. Ava explains, “And then, as if by magic, the mist parted, just enough for Ava to see Nana . . . [Nana] was young, beautiful, beaming with joy.”  

Spiritual Content 

  • As Ava drives to get to her grandmother’s bedside, Ava prays that she will make it there in time to say goodbye. Ava says, “Listen, God . . . If you get me home with enough time, I’ll go to confession for. . . I’ll go for a whole week.” 
  • Nana is guided in her ghost form by Saint Medardus. Medardus introduces himself as, “I am the patron saint of weather, vineyards, brewers, captives, prisoners, and teeth . . . I hail from the fifteenth century and am [Nana’s] guide, here to help her.” 
  • Ava attends confession, as she promised to do on the night of her Nana’s passing. Ava is nervous about it and says, “What if I see someone I know? What if the priest laughs at me? What if I get it all wrong?” But she ultimately speaks to the priest and after she confesses, the priest says, “Your penance is to say six Our Fathers and three Hail Marys.” 

The Enchanted Hacienda

Harlow Estrada is an editor who has recently been through a breakup and lost her dream job, as she struggles to decide what her next path in life should be. Harlow’s mother invites her to come to the family farm, referred to as the Estrada Hacienda, and spend time reconnecting with her family and their land.  

Harlow feels out of place, even among her family, as she is the only female member of her family without magical abilities. She explains, “the magic happened to skip me entirely. Unlike my two sisters and pair of primas [cousins] and every other ancestress before me.” Harlow’s mother and aunt decide to leave on a sudden vacation. They leave Harlow to take care of the family’s land, as well as their magical plants. Harlow is determined to use this time to learn more about her family’s legacy and about how she fits into it.  

Harlow is an empathetic character that many readers will be able to relate to, as she struggles to figure out her place in the world, as well as within her family. Harlow emphasizes, “I mean, if I can’t have the Estrada family magic, I still want to feel like there’s significance to my work, my life . . . And now I’m worried I am and always will be unremarkable.” During her return to her family’s farm, Harlow realizes that it is a great opportunity to write something of her own, and she feels deep down that she should write “something magical.” She begins working on a novel inspired by the magic she experiences upon her return to her family’s land. 

Though she’s just experienced a terrible breakup, Harlow happens to run into a mysterious man named Ben, who she later learns is the grandson of Beverly—her late grandmother’s best friend. Tied together by their families and the magic of Harlow’s family farm, Harlow and Ben’s initial spark only grows stronger as they pursue a relationship together. However, their feelings for one another become complicated by Harlow’s important self-discovery, as she realizes she does in fact have magical abilities like the rest of her family. Harlow notices a glimmer in Ben’s eyes when they are kissing and realizes, “Ben Brandt has been magically bonded to me.” 

Desperate to understand how Ben was bonded to her, Harlow returns home to ask her mother for help. Harlow is shocked when her mother tells her, “[Your aunt] and I believe that you are an enchantress,” as Harlow has “lived [her] life believing [she has] no magic.” This exciting revelation leaves Harlow with a difficult decision to make, as she realizes, “I have to break the bond,” and risk magically destroying all of the feelings she and Ben have for one another in the process. Readers will be on the edge of their seats as they wonder what will happen between Harlow and Ben.  

The Enchanted Hacienda is written for adults, many teens will be drawn to it since J.C. Cervantes has written so many young adult novels. Readers who enjoy fantasy, magic, and an immersive setting will love this book, as it heavily focuses on the power of nature and the beauty of Mexico.  

Harlow’s growth throughout the novel provides a reassuring message that everyone has something that makes them special. Through writing her novel, Harlow realizes that her main character is reflective of her own desire to “find her way, to learn to speak the language of the blooms, to unearth the family secret.” Harlow’s writing mirrors her own journey of learning more about herself and her family. Harlow’s completion of her novel and the support of her family emphasizes a major theme in the novel: the strength in family. Harlow summarizes the theme of family when she calls this love, “The kind of love that believes in you, challenges you, walks through fire for you, makes a home for you—the kind of love that transforms you.” 

Sexual Content 

  • When Harlow visits his family’s home in Quebec, Harlow and Ben kiss for the first time. Harlow says, “Drowning in his touch, I drink him in while he kisses me hungrily, urgently like he might never kiss me again.” This passionate kissing scene lasts for about a page.  
  • While waiting out a rainstorm inside an old barn, Ben and Harlow kiss passionately, and it begins to go further. Harlow says, “And then I feel that tug again. Powerful. Alluring. A kinetic spark that ignites every cell in my body . . . Ben’s fingers trace my bare stomach. They hover near my bra, then slip the seam.” Before they go any further, they are interrupted when Ben gets a distressing phone call. 
  • Harlow and Ben spend an intimate afternoon together beside the river.  “I’m [Harlow] still sinking when my hand unhooks the front clasp of my bra. I want to feel his heat against my bare skin.” This scene lasts about two pages, but just before they go further Harlow stops Ben, noticing a magical, “uncommon spark of light” that unnerves her.  
  • Harlow and Ben begin to passionately kiss. Harlow says, “My body is on auto-drive, operating on sheer emotion when I tilt my head back and kiss him. An urgent fiery kiss that is all-consuming.” This scene continues for three pages before Harlow stops Ben, feeling guilty about the bonding magic.  
  • Harlow and Ben are intimate. “We finally break apart near the table, and then [Ben’s] reaching behind me and untying my apron, never taking his gaze from mine as it falls to the floor. I stand perfectly still, savoring the pleasure of his touch.” This scene lasts four pages.  

Violence 

  • None 

Drugs and Alcohol 

  • Harlow explains that her ex-boyfriend, Chad, is excellent at telling when there is a problem. Harlow explains, “He smells problems like a police dog sniffs out cocaine.” 
  • Harlow is about to attend a party to support Chad, even though she’s just been unexpectedly fired from her dream job. Harlow thinks, “You’re going to pull your shit together . . . pour a glass of merlot, put on a dress, and have the time of your goddamn life.” 
  • After Harlow’s break up, her friend “pulls bottles from her oversize bag and begins to mix a concoction of gin, sugar, champagne, and some red syrupy stuff.” 
  • Harlow enjoys the solitude of the empty hacienda, explaining, “I make a margarita with that aged añejo tequila my mom saves for special occasions before I find a good book in the study.” 
  • While attending a vow renewal of family friends, Harlow sees Ben who “is holding out a champagne flute to me.” 
  • Before Harlow attempts to remove the bonding magic between her and Ben, she takes “a shot of añejo” with her aunt. Harlow says, “’To courage,” and then she “tip[s] the amber liquid back.” 

Language 

  • Harlow and her friend, Laini, often use profanity such as shit, ass, and damn.  
  • Occasionally, Harlow and other main characters use “fuck.” For example, When Chad tells Harlow to wear something “appropriate.” Harlow’s friend says, “I’ll let you go. But only in a dress that screams, ‘Fuck the patriarchy.’” 

Supernatural 

  • Harlow describes her family’s land and how they create magic via plants. “The real family power, though, is in how they combine blooms, or concoct elixirs, using petals, leaves, and stems to create prosperity, love, health, hope, protection, or even to cause separation, doubt, fear, and misery. It’s all so complicated and beautiful and alchemical.” 
  • To help Harlow sleep, her mother uses “dream magic.” Harlow explains, “Then, as I fall back on my pillow and close my weary eyes, I remember that my mother sometimes uses holly for the power of dream magic.” 
  • Harlow discusses how her family is able to use their magic discreetly, explaining, “To the general passerby, it looks like a lovely vintage florist. But to the locals and a select few, this is the spot where you place and pick up your order of magic. After you sign the non-disclosure agreement—that is a modern addition. We operate using a whisper network, whispers carried on the wind of our town, El Viento, named for the goddess who is responsible for its creation.” 
  • To choose which Estrada family member will watch the farm and take care of the magical gardens while Harlow’s mom and aunt are out of the country, Harlow’s mother uses a “white iris petal, known for its faith and virtue.” Harlow’s mom explains, “You will each sleep with this under your pillow tonight. Whoever’s petal turns blue will act as the guardian.” Harlow’s petal turns blue. 
  • Harlow delivers a magical bouquet filled with memory magic that will allow her late grandmother’s friend, Beverly, to magically bond with her husband, William. Harlow explains that the bouquet is infused with memory magic, to help William recapture his memories of his life with Beverly, as he struggles with dementia. Harlow says, “Beverly and William Brandt were bonded at precisely 7:58 p.m. The moon was high, their hands connected, each breathing in the fragrance of the magic as he accepted the bouquet—just as instructed. I knew the moment it happened. [William’s] eyes sparked with flickers of gold, a sure sign that the bonding was complete.” 
  • The bonding bouquet that Harlow delivers to Beverly and William begins to work. Harlow explains, “[William’s] arms around [Beverly] with a familiarity that made me soar with joy and relief and even wonder,” showing that the memory magic has worked.  
  • When Harlow’s mom tells Harlow that she does have magic, Harlow tries magically bringing a flower back to life.  Harlow does “as [mom] says, and in a few seconds, I feel the vibration of life in the hydrangea; slowly I connect a thread of magic to it. The flower pulses as I open my eyes and watch it unfold into a healthy bloom.” 

Spiritual Content 

  • Harlow explains the story of how their family gained magical abilities. “The Aztec goddess Mayahuel whispered the given names of each child in the family,” and this instilled their family with power that passed down through the generations.  
  • Harlow says, “A lot of kids learn fairy tales, or stories from the Bible, but in my family? The very first tale you learn and commit to heart is the tale of a young and very beautiful goddess named Mayahuel whose jealous grandmother hid her in the farthest corner of the universe . . . wanting to conceal the goddess’s beauty and power.” 
  • Harlow’s family’s magic began with her great-great-grandmother; “Legend has it that the soil called to my great-great-grandmother when she came through this land on her way to somewhere else. . . the Aztec goddess of agave, Mayahuel, appeared to her and told her that if my great-great-grandmother used the land according to her instructions, the goddess would grant our family’s female descendants an unimaginable magic.” 
  • Harlow reflects on her childhood imagination about her family’s gardens. “I used to imagine the most fantastical night creatures swooping in to pollinate the flowers, to offer their gifts of magic to Mayahuel.” 

The Dreamer

The Dreamer follows eleven-year-old Neftalí, a young boy who struggles to live up to the strict expectations of his father. Neftalí explains that he enjoys daydreaming and nature; he “collected twisted sticks, liked to read, and was not good at mathematics.”  

Neftalí’s father does not want his son to daydream. In fact, Neftalí’s father says, “Stop that incessant daydreaming!” and warns Neftalí that his “mother was the same, scribbling on bits of paper, her mind was always in another world.” Neftalí’s father also implies that this may have caused Neftalí’s mother’s death. Neftalí reveals his mother “had died two months after [Neftalí] was born.”  Neftalí wonders, “Was Father right? Could daydreaming make you weak? Had it made his mother so weak that she had died?”  

Neftalí’s father’s extremely negative mentality towards creative arts also affects his older brother, Rodolfo, who dreams of attending a conservatory to study music. Rodolfo explains, “My teacher and headmaster say . . . that if I study music, I might be able to get a scholarship to the conservatory.” Their father responds to this by aggressively “slamming his fist on the table” and yelling at Rodolfo, “There will be no more wasting time on music.” Because Neftalí’s father ridicules him for his love of reading and writing, Neftalí tries to conceal his writing projects from his father.  

Neftalí is an extremely sympathetic character that readers will appreciate because of his constant determination to do what he loves. Neftalí does not let his father’s constant tirades about his writing stop him. For instance, even when Father tries to make Neftalí stop daydreaming, Neftalí still “wrote words everywhere: on fence posts, on bleached driftwood, and on the old boats near the shore.” 

Another character that will capture readers’ hearts is Neftalí’s Uncle Orlando, who owns a local newspaper called La Mañana and encourages Neftalí’s writing abilities. It is Uncle Orlando who advocates for Neftalí to come work at his newspaper office, even though Father calls Neftalí’s essays “frivolity, nothing more.” Uncle Orlando advocates for the local indigenous people, the Mapuche, who are being pushed off of their land by developers by offering up his newspaper shop as a meeting place for organizing protests. Neftalí is inspired by “Uncle Orlando’s sincere voice as he talked about the rights of the Mapuche, the plans for a peaceful protest, the common outcry for respect for all humanity.” 

Readers who enjoy exploring nature will enjoy the way each chapter continues the story of Neftalí’s growth as a writer alongside drawings reflecting Neftalí’s surroundings. Each chapter is named after an element of nature, such as “ocean,” “rain,” or “mud.” Neftalí often discusses the beauty of Chile, where he lives, and this inspires him as he writes. For instance, Neftalí “looked up at the Andes mountains, hovering like a white-robed choir . . . He closed his eyes and wondered what lay beyond, past the places of Labranza, Boroa, and Ranquilco, where the sea plucked at the rugged land.” 

This book occasionally uses Spanish words in reference to the beauty of Chile and its nature; however, readers will be able to easily understand these words based on the text’s context clues. Because the book follows Neftalí—who is revealed at the end of the book to be the poet, Pablo Neruda—readers will likely want to flip back through the book to reread the sections of poetry and will likely feel inspired by Neftalí’s journey. Overall, this fictionalized retelling of the life of Pablo Neruda encourages readers to persevere, to reach for their dreams, and to appreciate the beauty of life around them.  

Sexual Content 

  • None 

Violence 

  • When Neftalí’s brother, Rodolfo, tells Father he wants to study music, Father “slammed his fist on the table.” 
  • Rodolfo did not hear his father’s whistle to come back to the agreed meeting place. “When [Father] found me, I was disobeying him . . . I still have the bruises. Do you understand? You do not want Father to catch you doing something . . . wrong.” 
  • Neftalí’s father wants his children to grow physically stronger. Because of this, Father forces Neftalí and his little sister, Laurita, into the choppy waves of the ocean even though they are both terrified of the waves, as “the swells rose higher than their heads.” Father argues, “It will make you strong. And if you do not wade out far enough, I will make you stay in longer.”  
  • Father forces Neftalí and Laurita to stay in the water, even when “a wave broke against their chests. Laurita slipped under the dark water. Neftalí jerked her up. She choked and sputtered and began to cry.” Neftalí says, “Surely now they could come in,” but Father “shot an arm forward and pointed to the waves again.” 
  • After Father forces Neftalí and Laurita into the ocean, Neftalí has frequent nightmares that “Laurita was drowning, and he could not save her because he was drowning, too.” 
  • Neftalí encounters a hurt swan. “In the muddy reeds, the male swan wobbled. Blood pooled beneath him.” Sadly, the swan quietly passes away in Neftalí’s arms. Neftalí does not understand what happened as the swan’s wounds appeared to be healed, but suddenly, “the life disappeared from [the swan’s] body.” 
  • Uncle Orlando worries about what the developers will do if they find out where people are protesting. The developers “have killed so many already . . .” 
  • Uncle Orlando hosts a meeting to protest on behalf of the Mapuche, so the angry developers set Uncle Orlando’s newspaper office on fire. Neftalí explains, “When he turned the corner to the main road, he saw the ball of fire rising into the night.” His uncle’s shop is destroyed, but Uncle Orlando tells Neftalí he will not give up, “There are editors who will hire me.” 
  • When Father discovers that Neftalí’s essay advocating for the rights of the Mapuche has been published in a college magazine, he is furious. Father lashes out and “grabbed a notebook and flung it out the window . . . Father flung another notebook and another.” Then Father sets Neftalí’s writings on fire.  

Drugs and Alcohol 

  • None 

Language 

  • Neftalí’s Father insults Neftalí and his siblings when they disobey him. For example, he calls Neftalí “a skinny weakling” that will “amount to nothing.” 
  • Rodolfo, Neftalí’s brother, is frustrated that Neftalí likes to stop and examine small things in nature as they walk to school. Rodolfo calls Neftalí “dim-witted” and asks Neftalí, “Can you not walk like other boys?” 
  • When Neftalí struggles to respond to one of his father’s coworkers, Father calls Neftalí “absentminded” and says, “There’s no telling what will become of [Neftalí].” 
  • Father calls Neftalí a “scatterbrain” for reading. He also tells Neftalí, “You are nothing more than a brittle twig . . . And this obsession with books will not make you vigorous!” 

Supernatural 

  • Rodolfo tells Neftalí a legend about the “chucao bird,” which Father says, “is a bird in the forest that tells the future.” Rodolfo reveals to Neftalí, “If you hear it call on your right side, it is a good omen and means fortune and happiness. If you hear it on your left, it is a warning and means bad luck and disappointment.” 
  • As Neftalí explores a nearby forest, he finds a large rhinoceros beetle and stares at it. Neftalí recounts, “As he marveled at the beetle, the shell contorted and bulged, growing bigger and bigger. Its legs elongated until it was as tall as a pony.” Neftalí then describes riding the giant beetle, “Oddly unafraid, Neftalí climbed onto its sturdy back, and rode it through the forest.” 

Spiritual Content 

  • When Neftalí asks Laurita for help trying to heal a hurt swan, “Laurita put her hands together, in prayer, ‘He must get better.’” 

Solimar: The Sword of the Monarchs

Solimar, a soon-to-be princess of the kingdom of San Gregorio, is about to celebrate her fifteenth birthday. “After the quinceañera, she would be considered a princess of the world. And she would also officially be crowned Princess Solimar Socorro Reyes Guadalupe of San Gregorio.” 

Solimar’s home is known for its oyamel forest, a sacred place for the monarch butterflies that migrate each year. Solimar decides to watch the new generation of monarchs arrive in the oyamel forest. When Solimar goes to oyamel, she is surrounded by butterflies, who completely cover her arms and her rebozo, or shawl. Afterwards, Solimar notices that her rebozo looks as if it has “butterfly wings embedded in the fabric . . . and they’re shimmering.” The encounter with the monarchs gives Solimar the ability to predict the near future while she is wearing the rebozo and standing in sunlight. 

But then, on the eve of the kingdom’s annual supply trip, Solimar’s brother tells her, “He’s running away from home to join a ship because he doesn’t want to be king anytime soon, or possibly ever.” On top of this, when her father and brother set off on the trip, a neighboring king and his guards invade Solimar’s kingdom and take her mother and abuela hostage. The invading king plans to use Solimar’s mother and the rest of their family as a bargaining tool to force Solimar’s father to give him a thousand acres of their oyamel forest. Solimar hides just in time to escape the notice of the invaders and realizes it is up to her to find a way to warn her father of the invaders and their plans. Solimar, her bird Lázaro, and an enchanted talking doll set off on their quest down the river, in an attempt to “warn her father in time and change the destiny of her kingdom.”

Solimar is a sympathetic and strong female character that readers will connect with due to her determination and willingness to go against the mold. Though she is a soon-to-be princess, Solimar does not believe she needs to look a specific way to be considered royal. She explains that she prefers her hair short, and says, “Where does it say what a princess must look like?” She even argues with her brother and father for reform within the kingdom. She explains, “I wanted to change things in my kingdom. I have ideas about forming a council of men and women who advise the king and allowing everyone in the kingdom to vote,” instead of just men. 

Readers who enjoy fantasy and heroic journeys will love Solimar’s adventure to rescue her kingdom. This book occasionally showcases Spanish words, which can expand readers’ exposure to new vocabulary. The first time the Spanish words are used, they are typically explained in English, but readers will also be able to use context clues to identify the meanings. There is also a map of all the different locations Solimar visits as she journeys through the kingdom of San Gregorio at the front of the novel. 

Readers will sympathize with Solimar as she learns to appreciate her responsibilities to the kingdom. Solimar’s family also shows growth, as they ultimately decide to let their son, the prince, pursue the life of a sailor and “creat[e] a transport fleet for [their kingdom].” Another example of growth is when Solimar is hesitant to put on a crown, fancy shoes, and a gown for her quinceañera. Her dislike of these formalities symbolizes that she is afraid that in becoming a princess she will still not have a voice in making decisions that impact the kingdom. However, by the end of the novel, Solimar grows to appreciate her family, who trust her input and ideas and even appreciate the quinceañera’s formal ceremony. Overall, this book showcases the importance of family, friendship, and finding trustworthy people in tough situations. Readers eager to explore more books about friendship should also read A Thousand Questions by Saadia Faruqi and A Hundred Horses by Sarah Lean.

Sexual Content 

  • None

Violence 

  • Abuela’s friend who practices enchantments, Doña Flor, tells Solimar what will happen if someone tries to steal the magical rebozo from her. Doña Flor says, “Anyone who tries to break the bond would suffer the wrath of the ancestral spirits,” which means, “Rage, madness, impending doom.”
  • A leader of a rival kingdom breaks into Solimar’s family home. “Mothers called for their daughters. Girls cried. Footsteps scuffled. Chairs tipped over. A man’s booming voice ordered, ‘Be quiet!’” Solimar’s mother, grandmother, and friends are trapped and kept as hostages. “Abuela glanced over her shoulder and caught sight of Solimar. Her eyes filled with alarm, and almost imperceptibly . . .Abuela waved for Solimar to go away.” Solimar stays hidden and escapes.
  • The guards from the rival kingdom surround Solimar’s mother, abuela, and their advisors. “One stepped forward and announced, ‘By order of King Aveno, you all are under house arrest and may not leave the castle.’” When King Aveno enters, he reveals he is holding hostages to “gain the advantage I needed to negotiate for the land I wish to buy” from Solimar’s father, King Sebastián. 
  • Solimar’s friend, Berto, talks about his father who “died five years ago.” Berto does not describe the event in detail. 
  • King Aveno snatches the rebozo from Solimar and suddenly “the sky darkened, and a wind stirred and steadily grew . . . From the forest, a dark, tornado-like cloud raced toward the stage. [The king’s spy] and King Aveno held on to each other in an attempt to withstand the fierce gale. The wind roared.” The tornado “lifted away, growing smaller and smaller until it vanished. When the wind and world quieted, King Aveno and [his spy] were nowhere to be seen. All that remained were their boots and Solimar’s crumpled rebozo.”

Drugs and Alcohol 

  • None

Language 

  • Occasionally, Solimar’s Abuela proclaims “for heaven’s sake.”

Supernatural

  • When Solimar goes to watch the migration of the monarch butterflies, she suddenly is surrounded by them: “A swarm of monarchs descended and swirled around her—a blur of black, orange, and coral—creating an iridescent mist as if she was swaddled in the softest and nicest blanket.” She starts to hear “a rhythmic humming” and is not sure where it is coming from as, “The song persisted, though, and grew louder and louder until it reached a crescendo of haunting voices.”
  • After her encounter with the monarchs, Solimar notices a mystical substance around her. “Glittery specks lingered in the air like suspended jewels” and her shawl, or rebozo, is covered in the magical substance. “One side looks as if the butterfly wings are embedded in the fabric . . . and they’re shimmering.”
  • After Solimar’s encounter with the butterflies, she can predict things, such as when her abuela is about to fall down a hill while searching for a specific herb. Solimar explains, “I’ve never seen that herb before. I just knew where it was and that she would fall. But I don’t know how I knew.”
  • Solimar’s friend Josefina tells Solimar, “[My boyfriend] asked to meet me tonight, but he was so serious and standoffish that I am worried his feelings for me have changed. What will he tell me?” Solimar instantly begins to predict a proposal, “Only that he loves you…” And sure enough, this prediction does come true. 
  • To see if her predictions are only lucky guesses, Solimar asks her friend Maria to, “Ask me something else. Maybe about the expedition. Something I couldn’t already know.” Maria says, “When I talked to [the stable hand] only an hour ago, he mentioned your father had just decided on the horse he would ride in the lead tomorrow. Which stallion will have the honor of wearing the king’s colors?” Solimar answers correctly, confirming she can make predictions while wearing the magical shawl. 
  • Abuela takes Solimar to see a folk healer, “where few dared to travel unless they needed to be rid of a curse or cleansed of evil spirits.”
  • The folk healer, Doña Flor, taught Solimar’s grandma how to use herbs to help heal ailments. Abuela says, “Her enchantment is for good . . . some things at Doña Flor’s house are charmed. Just . . . be accepting. That’s all I ask. Embrace the mystery and the peculiarities.”
  • Doña Flor tells Solimar, “Your rebozo is the swaddle for the butterflies. You are now their protector and inseparably connected to them.” Because of this, Doña Flor reveals that the magic of the butterflies in the shawl “are safely embedded. It’s part of the magic, as is the ability for [Solimar] alone to bear their intuition about the near future and what lies ahead.”
  • Though Solimar is now able to access the magical intuition of the monarchs, she knows “each day that it is sunny, [Solimar] must open the rebozo to warm and strengthen those you carry. Otherwise [the monarchs] will never have the stamina to take leave and cluster in the trees.” In addition, Solimar must avoid people asking her questions in the sun because, “For every question you answer, it drains a little of [the butterflies’] strength. If they lose too much they will surely die.”
  • Doña Flor has enchanted dolls that “begin to chatter.” Doña Flor tells Solimar that “their enchantment is strong, yet they are generous souls and very helpful.”
  • Abuela has tried to use spells. She says, “I tried to make a love potion on [my cat] and the stable cat, hoping to make them compatible. But I wasn’t exactly successful . . . But instead of falling in love with each other, they fell in love with the first inanimate object they touched. In [her cat’s] case, it happened to be that green woolen sock she carries everywhere.”
  • Solimar uses magic to figure out which way to go in the dangerous devil’s river. Solimar “heard the chorus again — mystical and ancient and with such harmony that her arms prickled and tears filled her eyes. A clutch of monarchs lifted from the rebozo, their wings beating in time to the rhythmic song, and trailed after the swarm toward the waterway on the right.”
  • The magic of the monarchs can move a canoe without Solimar paddling it at all. “The canoe glided to the right, following the monarchs’ path.”
  • Solimar uses her predictive abilities to help navigate a perilous labyrinth of caves. She reveals, “The tunnel on the right is navigable, but there is no through passage. The water is stagnant, and the air is foul-smelling. The one in the middle has a rock ceiling that eventually becomes so low that the only way to pass is by swimming beneath it, underwater. The tunnel on the left leads to a long corridor and a bat-filled chamber.” She makes it safely out of the caves. 
  • Solimar and her abuela plan to distract the invading guards with an enchantment. As the invaders sit in the middle of the room waiting for the greedy king’s decision about his hostages, “The awnings above the audience collapsed, spilling all manner of household items into the audience: feather dusters, wooden spoons, tea towels. . . Everyone who had been forewarned about the pastries and had not eaten them laughed as each guard picked up an inanimate object — and immediately fell hopelessly in love with it. At least for a few weeks, they would be as lovestruck and preoccupied as [Abuela’s cat], whose sweetheart was a green woolen sock.”
  • Solimar carries the rebozo and protects the monarchs that are magically embedded inside until they are strong enough to leave. At that point, “A wave of butterflies erupted from the oyamel forest. They dove and swooped around Solimar. . . The ancient song began, beautiful and melodic. The butterflies lifted the fabric, turning it around and around in the sun, and waving it so that it rippled until the creases fell away.” The last butterfly “emerged . . . the last one she protected landed on [Solimar’s] finger, then flew away to join the others in the oyamel forest.”      

Spiritual Content 

  • Solimar’s kingdom is home to “the oyamel forest,” a forest that draws in monarch butterflies. She explains, “Like everyone in the kingdom, Solimar believed that the ancestors of the monarch butterflies inhabited the oyamel forest, and that year after year, their spirits lured a new generation of butterflies to this spot during their migrations.”
  • In Solimar’s kingdom of San Gregorio, “the forest and the monarchs were revered and protected,” and the forest is often referred to as “the sacred place.”
  • Solimar ponders what draws the butterflies to the forest each year. “Isn’t it amazing that the butterflies, that have never been here before, arrive season after season at the same spot as their ancestors? Is it the magnetic pull of the earth or the position of the sun as the scientists suggest? Or do the spirits of their fathers and mothers whisper directions to them in a dream? Is it some magical intuition that allows them to know what lies ahead? . . . it’s a miracle.”
  • The dangerous river that prevents Solimar’s kingdom from trading goods is referred to as “Río Diablo,” or the devil’s river. 
  • When Solimar and her abuela visit Doña Flor for advice on Solimar’s ability to predict things, Doña Flor uses scents and vapors to help her. Doña Flor “stopped and picked a few leaves from one of the dried bouquets hanging from the ceiling and tossed them on the fire. A crisp fragrance, like a muddle of pine and mint, filled the room. Doña Flor waved the vapors toward her and inhaled deeply.” Abuela explains, “The strong scent of eucalyptus helps with remembering.”
  • Doña Flor explains that when any of the monarchs of the oyamel forest are weak, “on those occasions, the ancestral sprits of the monarchs choose a benevolent courier to protect the stragglers until they are strong enough to join the others” on their migration.

Random Acts of Kittens

When Natalia Flores finds a lost cat with a litter of newborn kittens, she is desperate to keep one of them. Whether or not her mami says yes to a new pet, the rest of the kitties will need homes — and Natalia has the purrfect plan. With help from her friend Reuben, Natalia starts an anonymous online account to find each cat the right owner. But as her classmates apply, her matchmaking scheme gets more complicated. And when her former best friend Meera applies for a kitten, Natalia doesn’t know what to do. Will her attempt to spread kindness help heal their friendship, or simply tear her and Meera further apart? 

Random Acts of Kittens has a slow start because a lot of kitten facts are introduced. While the facts will be helpful for readers who don’t know a lot about cats, others may find the fact-heavy pages boring. In addition to the slow start, readers may have a difficult time connecting with Natalia because at first, she is very unlikable. She complains about not having any friends; however, it’s hard to sympathize with her because she tries to manipulate people and situations to get others to like her. Her main concern is how other people perceive her. Despite this, she does learn and grow through her experiences. 

Random Acts of Kittens has several positive aspects, including teaching the importance of finding animals a loving forever home. It also highlights the difficulty in finding families to adopt older animals. In addition, Natalia connects what she learned about kittens to her life. By taking care of the kittens, Natalia realizes that “I didn’t have to divide my love up between [the kittens]—I would always have more than enough to go around.” Natalia applies this lesson to her life because now she understands that her mother loves both her and her sister equally, even if she gives one more attention when needed. 

Many middle-grade readers will relate to Natalia’s conflicts with her family and friends. Even though Natalia’s life is full of conflict, in the end, she learns the importance of communication and forgiveness. The heartfelt conclusion shows Natalia’s personal growth when she makes amends with a former friend and prioritizes the kitten’s needs.  

The back of the book also explains how readers can help animals in need. The story’s positive message makes Random Acts of Kittens a book worth reading. Younger kitten-loving readers will find the Pet Rescue Adventures Series by Holly Webb an engaging series with plenty of cat cuteness. Cat lovers will also find plenty of action and adventure by reading the Warriors Series by Erin Hunter. 

Sexual Content 

  • Natalia’s gets a ride to school with her sister, Julieta, and her boyfriend, Hayden. “. . . Julieta got in the shotgun seat and kissed Hayden on the lips. Fireworks and sparkles were exploding in his eyes.” 

Violence 

  • At school, Natalia overhears two boys talking. One, Brigham, says, “My older brother used to shoot at cats up in the canyon. It’s a lot of fun.”  
  • The boy’s conversation reminds Natalia that, “Brigham had been kind of a bully when we were in kindergarten. Whenever I complained about him, the teacher said he was like a puppy that didn’t know his own strength. One day, he pushed me off the swing. I turned around and jabbed him with a one-two-three to the stomach. He never bothered me again.” 

Drugs and Alcohol 

  • None 

Language 

  • Brigham calls Natalia a weirdo and a loser several times.  

Supernatural 

  • None 

Spiritual Content 

  • When Gigi, the momma cat, gets out of the house and can’t be found, Natalia prays. In a desperate move, I closed my eyes right there in the middle of the sidewalk and sent a prayer to the universe for forgiveness, and for help.”  

Octopus Stew

Ramsey loves to wear his superhero cape, but he never thought he’d ever become an actual superhero. That all changes one afternoon when Ramsey is at his grandma’s house and his grandma decides to make pulpo guisado, octopus stew. When Ramsey and his grandma go to the supermarket, Grandma chooses the biggest octopus in the store. Grandma scrubs the octopus and puts it in the pot, and that’s when the trouble begins.

The octopus grows and grows. When it grows out of the pot, the octopus grabs Grandma and refuses to let her go. Determined to save his grandma, Ramsey grabs his superhero cape. Will Ramsey be able to save his grandma? Or will the octopus have her for dinner?

Ramsey’s tale comes to life in full-colored illustrations that are at times humorous. The oil-painted illustrations pop with bright colors. Young readers will relate to Ramsey, who gets stern looks from the adults in the story. Readers will also appreciate Ramsey’s facial expressions which are full of emotion. The family dog gets a starring role in the illustrations, and readers will love looking for him in each of the story’s pictures. Even though the octopus grabs Grandma in his huge arms, his appearance adds suspense without much little fear factor. The conclusion is surprisingly sweet.

Ramsey’s family is Afro-Latino and the family’s love of telling stories is apparent. The story includes a central foldout that contains a humorous surprise. Octopus Stew would be the perfect introduction to tall tales and will encourage readers to tell their own family stories.

Octopus Stew makes a wonderful read-aloud book because it’s packed full of sound words such as bloop, kerchunk, and thum! The English text intertwines with Spanish phrases and reflects the author’s family, who spoke non-standard Spanish at home. A glossary provides definitions and pronunciations of the Spanish phrases. However, the story’s context clues are sufficient to understand the Spanish words’ meanings.

Even though Octopus Stew is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page of the picture book has 1 to 3 complex sentences. A recipe for octopus stew is included at the end of the book.

Octopus Stew shows how oral storytelling can be fun for families, and the story will encourage readers to create a tall tale of their own. The wonderful illustrations and the unique plot make Octopus Stew an entertaining story that kids will love. In addition, the illustrations have enough detail to capture readers’ attention. Octopus Stew is a family-oriented story that will appeal to a wide range of readers who enjoy the humor, suspense, and surprising conclusions.

Sexual Content

  • None

Violence

  • A huge octopus grabs Grandma and holds her in the air.
  • The octopus “attacked, spraying ink all over my [Ramsey’s] drawing.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

 

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