Romance – Page 7 – Sneak Peek Books

Burning Kingdoms

They escaped Internment, but will the ground be a refuge or a prison? When Morgan and her friends left Internment, they never imaged what life would be like on the ground. There are many new wonders, but there are also the horrors of war.

Celeste is determined to return to Internment so she can save her dying mother—and she needs the king’s help to get her home. Morgan has the ability to help Celeste convince the king to help. However, in order to help Celeste, she must betray her best friend, Pen. As Morgan struggles to make the right decision for her friends and for Internment, the war on the ground intensifies.

Soon the characters are caught in a trap of the king’s making, and they aren’t sure what will become of them. Burning Kingdoms, the second book of The Internment Chronicles, has danger, suspense, and a new set of characters.

Burning Kingdoms focuses more on the character’s relationships with each other than on the challenges of being in a new world. The story is interesting, but the world on the ground is not really unique or intriguing. The ending of the story throws in some complications—Pen’s relationship with her father and Morgan kissing Judas—however, the complications distract from the story and leave the reader wondering why they were added.

Sexual Content

Celeste talks about her brother. “What would they do with a prince who dreams of falling in love with another prince?” She then talks about how she worries that her brother would be sent to an “attraction camp” to cure him. “There are tonics involved and surgeries that are worse than death . . . If Papa were ever to find out, I truly worry that Az would end himself.”
Morgan kisses Judas (to who she is not betrothed to). “He’s closer, and I reach for his shoulder. It’s jagged with bone, and I’ve wanted to touch it since the night he pinned me against that tree in the moonlight . . . My heart is like this world’s rain hitting against the window. I can’t breathe. I had thought all kisses were like the ones I’ve shared with Basil, that they started out timid and uncertain. But this one goes through the skin.”
The story implies that Pen’s father abused her. Pen feels ashamed. “A horrible thing happened that day. You wouldn’t have understood. You were only a little girl.”
Morgan and Pen talk about Judas’s kiss. “. . . But I realize that she’s right—that something in his eyes when he looked at me, when he kissed me, even when he plucked the leaf from my hair, was wanting.”

Violence

Two bombs land in the middle of a busy city, killing many. “The screams have all faded to whimpers and groans; Birdie is one sobbing girl among hundreds . . . The first bomb was just to get everyone to the harbor . . . All the survivors would come here and be caged animals.”

Drugs and Alcohol

Several of the characters go into a club and get drunk. “By the fourth or fifth glass, Birdie has stopped spluttering the stuff back up before she can swallow it.”
Several times throughout the story, the characters drink alcohol.
Pen spends much of her time drunk. “She prefers gin to sleep.”
A group, including Morgan, goes on a yacht and drinks champagne. Pen gets drunk and dives into the water. When Pen doesn’t resurface, Morgan jumps in after her and finds Pen unconscious.
While in the hospital, Morgan is given something to help her sleep.

Language

The only profanity in the story is when a driver mumbles, “goddamn snow” during a blizzard.

Supernatural

None

Spiritual Content

Throughout the story, there are references to Internment’s belief in the god of the sky. They believe that when someone dies, “we burn the bodies of our dead so that all the bad in them can fall away, while all the good becomes a mass of colors in the sky that can’t be seen by the living.”
Two of the characters discuss their different beliefs. On the ground, they burn offerings. “If there’s something you really want to ask of our god, you burn something that’s of equal importance.” Once a year on Internment “we burn our highest request and set it up on the wind to be heard.” At the end of the story, one of the characters sacrifices his car, which is his most precious possession, in the hopes that god will make his sister well again.
One of the characters tells a story about the god of the sky. “If people were going to be greedy, he could take the source of that greed away. That’s why it’s against the law for any king to pass a bill that would charge for wind or solar energy.”
On the ground, people believe that Ehco was the first creature of the sea. “. . . The God told him [Echo] that when he put mankind in the world, mankind would sometimes ask the God for things he wouldn’t be able to do. And mankind would grow angry with him—and would grow sad, and that anger and sorrow needed someplace to go, and so it would be Ehco’s job to consume it and keep it in his body so that it didn’t destroy the world.”
Pen and Morgan question their beliefs. “Lately I wonder if the god of the sky even heard us when we were in the sky.”
Pen is reading the ground’s religious book, The Text. In the book, “their god creates light, and the earth and things . . . And then this god of theirs creates the first man and woman, and a page or two later their children are throwing stones and murdering each other. It doesn’t bode well for the dawn of humanity, does it?”
The Text has a story about the ark. “Their god flooded the world to start over. So when their god doesn’t like someone, he tries to drown them.”
When having a funeral, one of the characters is worried about not having a priest. “The priest has to say the burial prayer. If he doesn’t say the prayer, how will Riles be able to get to heaven?”

Bet Your Life

Jess Tennant wants to stay out of trouble, but when Seb is found on the side of the road with serious injuries, she is pulled into the drama. At the request of Seb’s younger sister, Jess tries to find out what really happened to Seb, but the more Jess discovers, the more complicated Seb’s story becomes.

In Bet Your Life Jess enters the party world of the popular rich kids. However, she soon learns that the party scene isn’t glamourous, but dangerous. As Jess learns about Seb, she finds that most people think he had it coming and nobody wants the truth to come out.

Bet Your Life explores the topic of rape. Although the rapes are not described in detail, bits and pieces of the victims’ experiences are uncovered. One of the girls talks about how the police would not believe her story because she could not remember exactly what happened. Even though Jess knows that Seb was drugging girls, she decides not to tell anyone with the hope that being beat up and left for dead will cause him to change his ways.

Unlike the first book in the series, How to Fall, the second installment of the Jess tenant series contains more sexual content and the kissing scenes are described in more detail. The sexual content may be disturbing for some teens.

Sexual Content

Ryan unexpectedly kisses Jessie on the mouth. “My lips were parted and it was startlingly intimate, even if it was quick.”
Jess watches Will and thinks, “I wanted to run my hand across his broad shoulders and down his back. I wanted him to turn around and press his body against mine. I wanted to remind myself what it was like to kiss him. . .”
Will and Jess kiss several times. In one scene, Will sneaks into Jess’s house and surprises her. “I slipped my arms around his neck and he stepped between my knees, closing the distance between us . . . and then we were kissing and it made the room spin as if we were on a carousel. . . he dropped kisses down my neck. He trailed his fingers along my spine and I felt it in the pit of my stomach . . . He pulled the material off my right shoulder and leaned in to kiss my collarbone.”
Jess discovers that a boy was drugging girls and then having sex with them. In one scene, a girl wakes up and is unable to move. The boy strokes her face and then she passes out. Jess finds the boy’s cell phone which has pictures of some of the victims. “The lighting in the picture was terrible, but I could see a girl lying on her back on a rumpled bed, one arm over her face. She was topless. I was also fairly sure she was unconscious.”
While looking at a boy’s cell phone, Jess discovers pictures of him and his step-mom. “. . . in the picture he’d taken of the two of them kissing. And he was pretty obviously naked too, so it didn’t take a genius to work out what was going on.”
A girl went to the police to report that she had been raped, but the officer said, “no jury would ever take me seriously, especially when I don’t’ know where it happened or even what happened.”
A boy tells Jess that he was drugging girls so he could have sex with them. When she said it was rape, he replied, “There were no consequences for her. She didn’t even know it had happened, and neither did anyone else. I wore a condom. I was respectful. I didn’t take pictures or video. I didn’t make fun of them.”

Violence

At a party, Ryan and Will fight, presumably over Jess. The fight takes place over several pages and neither is hurt badly. When Ryan is hit in the mouth and begins to bleed, the fight ends.
Someone drugs Jess, locks her in a pool house, and then sets it on fire. She is able to escape without being seriously injured. However, the person who set the fire ends up dying.

Drugs and Alcohol

Jess goes to a party where alcohol is served.

Language

When talking about a boy who was beat up, someone said, “There’s no justice in half killing someone because they’re a dick.”
Profanity is used rarely. Profanity used includes damn and ass.

Supernatural

None

Spiritual Content

None

The Elite

America isn’t sure if she wants to win Prince Maxom’s heart. The other six selections’ girls don’t share that uncertainty. They all want Maxon to choose them to be the next princess of Illea and are ready to fight America for Maxom and the crown.

When America is with Maxom, he sweeps her off her feet, and the choice seems obvious. Then her heart becomes confused whenever she sees her childhood sweetheart, Aspen. With Aspen back in her life, and both Aspen and Maxom competing for her heart, America’s indecision grows.

America is a strong character in The Selection, but she loses much of what makes her likable in the second installment of this series. In book one she is strong and funny, but in this book she degenerates into an indecisive and, quite frankly, whiny brat. The story is dragged on because America can’t decide if she wants to marry the Prince or Aspen.

The book loses the romance and suspense of the first book. Though there are exciting and fun scenes, they are sparse. If you enjoyed The Selection, you may find yourself reading The Elite out of obligation, rather than enjoyment.

Sexual Content

America kisses both Malcom and Aspen at different times throughout the book.
After one of the contestants gets married, she talks about the first time she and her husband shared a bed. It was, “a little uncomfortable at first. The second time was better.”
One of the contestants is seen lavishing affection on Maxom and kissing his neck.

Violence

After being found together, a contestant and a guard are caned for treason. During the caning, the guard’s back is described. “His skin was already torn, pieces hanging sickeningly. Blood was trickling down, ruining what used to be his dress pants.”
Two of the elite get into a fight. They use their nails and fists causing mild injury to each other.
The rebels attack the palace several times. In one scene a guard is hit by a bullet and blood pours from his chest.

Drugs and Alcohol

At a banquet hosting the Italian monarchy, wine is served. When a member of the monarchy wants America to talk about Maxom, she offers America wine in order to get her to talk.

Language

The words hell and damn are used in the heat of emotion.

Supernatural

None

Spiritual Content

None

Goddess

Ares was just the beginning of Helen’s problems. The rest of the gods are free, and they have gone right back to wreaking havoc on mortals. Helen might be the only one who can stop them, but in order to do so, she must do the unthinkable. She must become a goddess.

Becoming blood brothers with Orion and Lucas has changed everything. The four Scion houses are united, yet Atlantis is nowhere to be found. Helen scrambles to keep the people she loves safe, while also searching for a way to defeat literal gods. She begins to realize that she can’t keep everyone alive. The only question is, who will die in this war against the gods?

Helen comes into her own in Goddess. She is a powerful character who drives the story forward. Lucas also narrates a bit of the story, allowing the reader to see Helen’s strength from an outside perspective. There is a decent amount of sex and violence in this story. Goddess twists and turns in a way that will keep readers on the edge of their seats until the very end.

Sexual Content

Aphrodite curses a city. She says, “I abandon this place. No man shall feel desire, and no woman shall bear fruit. You will all die unloved and childless.”
The Greek gods return to Earth. They rape and kill several mortal women. “A terrified woman was struggling against a massive claw that was wrapped around her waist. Enormous wings . . . beat the air as the giant bird hauled her into the night sky.”
Andy is part siren, which means all men and even some women are incredibly attracted to her. Andy “had run away from every man who’d pursued her, but that didn’t stop them from chasing. She’d run away from the girls who had pursued her, too, and there had been plenty of those.”
When Helen and Orion are talking, Hector yells, “Hey, Orion? Put some pants on, toss her over your shoulder, and carry her off like a man, for the love of Pete!” He’s mostly
Helen and Orion kiss a few times. “He lowered his head and kissed her . . . she slid her hands across his shoulders and the back of his neck. The only thing that she could think was how amazing Orion felt. Amazing.”
Matt “turned his head and stared at the wall as [Ariadne] tossed something silky and lace-trimmed in her closet.” Ariadne tells him, “My lingerie isn’t going to strike you blind, you know.”
Helen sees a vision of Guinevere and Lancelot. “His hands dug into her hair, sending her hairpins flying and her tresses tumbling down around his calloused fingers in messy locks. His lips nudged hers apart. Guinevere fell back against the flagstones and pulled Lancelot down on top of her. He slid his knee between her thighs, pushing her many-layered skirts up until his hand could reach the bare skin underneath.”
Orion warns Cassandra that Phaon, “only goes for little girls.”
Ariadne and Matt have sex. “As Matt picked her up and carried her over to his bed, he marveled at how simple a gesture it was.”
In one of Helen’s visions, she “woke with Paris’ naked body tangled up with hers . . . Helen joined the memory as Paris was slipping into a deep sleep shortly after they had made love for the last time.”
When Phaon is about to die, he says to Orion, “Why so frustrated? I already told you, you can have the little one, Orion. You know she wants it from you.”
Cassandra, who hasn’t hit puberty yet, “turned her mouth up to his like a shy flower opening for the first time. In a daze, Orion lowered his lips and kissed her. Lucas’s foot connected with the side of Orion’s head . . . ‘She’s just a child!’ Lucas growled . . . ‘I know!’ Orion hollered. ‘I shouldn’t have–I’m sorry!’ “

Violence

It was feared that Helen of Troy was pregnant with the prophesized Tyrant, so Menelaus said, “I will beat the child out of you and love you still.” Then a mob tries to stone her. “When the first stone struck her, she did not cower or try to cover herself. More stones followed, battering her from all sides, until the mob ran out of stones to throw.” Helen still does not die, so the crowd says, “Behead her. It’s the only way.” To which Helen responds, “Yes, get a sword . . . I beg you.”
When Helen of Troy first discovered she was pregnant, she tried to kill herself and her baby. She says, “I tried, but I couldn’t do it. I couldn’t kill us myself.”
When Phaon tries to kill Orion, Helen springs to his defense. Lucas “held on to her, even though in that moment she was hotter than the surface of the sun . . . She switched off the current immediately, and he fell down with a scream . . . His hands, chest, and cheek were black and bloody, burned down to the bone by the ball of lightning she had created. He writhed on the ground in agony.”
When Daedalus duels Phaon, they realize, “He’s going to bleed Phaon to death . . . A cut here, a bone-breaking blow there, and on and on it went.”
Matt and Hector duel. “Matt’s sword was buried up to the hilt in his chest . . . Hector held onto his side, still clutching the thick blade that had run him clean through the heart. He hit the ground and his head turned upward, his eyes staring directly at the clouded sun.”
When Lucas challenges Achilles to a duel, his brother wonders, “Are you trying to kill yourself?”

Drugs and Alcohol

Helen finds out that Daphne has been drugging her father to keep him asleep.

Language

When Helen finds out her mother has been drugging her father, she plans, “to kick that no-hearted bitch’s ass.”
The words crap, moron, dickhead, and jackass are used once or twice.
The words hell and damn are used often.

Supernatural

Helen and her friends have many powers. These include controlling hearts, flying, breathing underwater, super strength, super hearing, and the ability to sense lies.
When Helen starts being able to see emotions, she says, “It’s as if everything that everyone is feeling is splashed across their insides, and I can see it!”
The Greek gods are real.
The people from the Trojan War, such as Achilles, Hector, Paris, and Helen, are real and have been reincarnated.

Spiritual Content

None

Dreamless

Helen’s world is turned upside down when she discovers that Lucas, her beloved, is her cousin. Tormented by the guilt of being in love with someone she is related to, and unable to banish her feelings for him, her despair begins to affect her time in the Underworld. Her experiences in the Underworld are so grueling that her friends and family begin to worry Helen is going insane, or even dying.

Despite her failing health, Helen can’t avoid the Underworld. She is the Descender. She must wander through Hades’ world, and search for a way to stop the Furies from tormenting her family. But her strength is fading. Even a demi-god can only survive so much before the trip to the Underworld stops being a visit, and becomes permanent.

Dreamless keeps the stakes high. Helen is plagued with incestuous thoughts and tries to avoid those by falling in love with her friend Orion. However, that only brings about a love triangle. Lucas burns with jealousy, and Helen is still unable to let go of her feelings for her cousin. This book has adult themes and conversations, as well as a smattering of language and a decent amount of violence. Most violence isn’t extremely graphic, aside from the final battle, which will leave readers dying to get their hands on the third and final book in this beautifully written trilogy.

Sexual Content

Castor tells Lucas, “Scions have been plagued with incest since Oedipus. And there have been others in this House who have fallen in love with their first cousins, like you and Helen . . . the children born to related Scions always suffer our greatest curse. Insanity.”
Orion and Helen kiss. “His head fell listlessly toward Helen, inch by inch, until his lips grazed lightly against her own. His mouth was very warm and soft. Like a new flavor she couldn’t quite place but that she wanted to swallow whole, Helen pulled his lower lip into her mouth to take a bigger sip of him. Catching his face in one of her hands so she could tilt his wilting mouth towards her . . . “
Morpheus, the god of dreams, tries to seduce Helen. “Helen ran her hands across his chest and allowed him to kiss her lightly as he spoke . . . [he] slid her hands up over her head, pinning her under him.”
Orion and Helen make out. “He lowered his mouth to hers and kissed her. Her knees melted. This guy was that good a kisser . . . He guided her down to the ground, careful not to crush her underneath him.”

Violence

When Castor tries to stop his son from yelling at Helen, Lucas, “spun around and hit his father. The blow was so hard it sent Castor flying halfway across the kitchen and into a cabinet of glasses and mugs over the sink. Noel screamed, covering her face as shards of broken dishes went flying in every direction.”
The Furies make Orion and Helen try to kill each other. “There was blood on her hands. Stunned out of her trance, Helen looked down and saw a dark, wet circle expanding across Orion’s shirt . . . She had stabbed him. And then she kept pushing the tip of the blade into him a tiny bit at a time.”
Zach’s master abuses him. “Zach crumpled onto his knees, all the air rushing out of his lungs. Automedon had punched him in the gut so fast he’d never seen it coming.”
When a child is born with the ability to cause earthquakes, the child is “left on a mountainside to die of exposure to the elements.”
Ares tortured Helen. “Ares hit her face again and then stood up so he could kick her in the stomach. The wind came out between the seized-up muscles . . . He kicked her again and again. If she tried to avoid the blows by curling up and turning her back to him, he stomped rather than kicked. She felt her forearm snap and tried to bring her leg up to protect her side, but that only made him attack her more viciously.”
Automedon stabs Zach in the chest, killing him.

Drugs and Alcohol

None

Language

The words hell, ass and damn are used frequently.
Other profanity is used rarely. The profanity includes crap, bitch, dick, asshole, bastard, son of a bitch, bullshit, and dickhead.

Supernatural

There are Greek gods, demi-gods, and myrmidons in Dreamless. These beings have an assortment of powers, from super-strength to the control of hearts.

Spiritual Content

None

Starcrossed

Helen has always been odd. Her biggest fear growing up was that someone would find out how much of a freak she really was. It’s not until a strange new family moves to her hometown on the island of Nantucket that she begins to realize just how different she is from the average teenager.

When the Delos family arrives, they open Helen’s eyes to another world. One where the ancient Greek stories of Troy, Tartarus, and Mount Olympus are true. Helen is more closely tied to this world than she could ever have dreamed. She is a Scion, a demigod, and with that knowledge comes the awakening of a myriad of powers she must learn to control.

But along with the Delos family arrives a curse. Scions have been tormented by the Furies for millenniums; three sisters who demand a blood debt be paid. This tortuous debt has cost countless lives, divided families, and driven Scions insane. Yet if that debt were to ever be paid in full, it would bring the end of the world.

Starcrossed is a page-turner that creates a world so wonderful one can’t help but wish it was real. Ancient Greek myths mesh with modern times in a delicious way, creating vivid characters and a whirlwind of action.

The Starcrossed series is best suited for more mature readers because the fight scenes add suspense, but also violence and blood. There are few kisses but a plethora of sexual tension because Helen cannot be with the man she is falling in love with.

Sexual Content

While injured, Helen sleeps in the same bed as Lucas. “She gasped involuntarily as one of Lucas’s hands ran up the length of her thigh and latched on to the sloping dip from her hip to her waist. Then she felt him tense, as if he’d just realized that pillows weren’t shaped like hourglasses. His head jerked up and he looked around.”
When discussing Lucas with Helen, Kate says, “He’s like . . . wow! I could go to jail for even thinking what I’m thinking . . . But we’re not talking about me. We’re talking about you and Lucas and the importance of condoms.”
Creon lusts after Helen. “She was powerful, and yet so unaware of her potential she was nearly helpless. His hands shook at the thought of conquering her.”
Helen thinks she accidentally killed a child molester with her lighting. “That creepy guy . . . remember how he kept ‘accidentally’ bumping up against you and stroking your hair?”
When Helen is learning jujitsu Hector cracks a joke about Helen’s, “prone body and open legs.” Then Claire teases, “I would have thought it would be harder to get between your legs, but Hector doesn’t seem to be having any trouble at all.”
Helen and Lucas experience a lot of sexual longing while trying to stay away from each other. Helen asks Lucas, “Why are you sleeping on my roof and not in my bed?” Later she realizes that “There was a part of Helen that knew exactly how to seduce Lucas whether he wanted to be seduced or not, and that freaked her out.”
Helen wears the cestus, a mythical object that protects her. It looks different to everyone, because it turns into what most attracts them. When testing it, Helen “looked at Hector, focusing on him alone, and she felt her necklace change shape in her hand . . . Helen looked down and saw that she was holding a tiny scrap of lace that more closely resembled diamond-encrusted dental floss than underpants.”
Helen and Lucas kiss. “Lucas caught her and supported her as they tumbled on the wind, holding and kissing each other as he guided them safely back down to the catwalk.”
Lucas and Helen try to find a way to be together without being considered married. Helen suggests, “What if I wasn’t a virgin?” Lucas responds, “We’d be considered a married couple in the eyes of the gods, regardless of who took your virginity.”
When Lucas sees Helen in her pajamas he says, “since you apparently sleep in the most ridiculously transparent tank top I’ve ever seen, I’m going to have to ask you to get under the covers before I do something stupid.”

Violence

Helen attacks Lucas when she first sees him. “Lucas was holding her by the wrists to keep her hands away from his neck . . . if she could get her fingers half an inch closer, she could reach his throat. And then what? a little voice in her head asked. Choke the life out of him! answered another.”
Helen is attacked by a mysterious woman. “A wiry arm wrapped around her neck, simultaneously pulling back and pressing down until Helen fell to her knees . . . white and blue blobs bloomed across her field of vision . . . Helen crooked her arm and rammed her elbow into her attacker’s solar plexus with every bit of juice she had in her tank. She heard the person suck wind and then felt herself get dropped.”
Helen gets beat up when trying to learn how to fight. “Helen swallowed a mouthful of spit and blood and instantly regretted it when she choked on one of her own teeth.”
A reporter is murdered by a Scion. “She was lovely in terror–a perfect, pleading mast of alabaster white skin . . . Creon wanted to hold her like that for days, but a split second of enjoyment later he heard a snap. Like a switched-off TV, the light in her eyes contracted to pinpricks, and then went completely dark.”
It turns out that Helen is impervious to all weapons. “He started hacking away at her. Four strokes in, and the blade was ruined . . . The rain of blows ended abruptly when the sword fell apart.”
Creon tries to kill Helen. “He brought it down directly over her heart. Creon’s knife made a dozen pinging noises as it shattered and scattered off her skin . . . Lucas jumped on Creon with a vicious snarl, and the two of them began to fight so fast Helen could barely see their hands move. They punched and grabbed and gouged at each other, both of them changing from claw-handed boxing to some kind of strange wrestling in which they tried to bend each other’s joins in the wrong direction.”
Helen’s mother wakes up after being abducted. “There were deep vertical slashes on both her forearms that were still leaking fast-pumping blood even as they healed.”
A Scion, “drew a small bronze blade from his belt and slit Pandora’s neck so deeply he nearly cut off her head. She was dead before her blood had a chance to soak into the sand.”

Drugs and Alcohol

Helen’s mom, “Jabbed a needle into [Helen’s] neck . . . Helen felt her muscles go limp and refuse to follow her commands. The world faded into a pale gray haze.”
Helen’s mother is drugged with her own syringe.

Language

The words hell and ass are used frequently. Such as, “What the hell are you wearing?”
Crap and damn are said several times. For instance, when Claire sees Helen fly she says “Oh, damn it. You are a vampire.”
Jackass and shit are said once or twice.
Helen thinks, “I’m not usually a bitch–I’m just super-grouchy because I’m being stalked by three blood-crying ghosts who won’t let me sleep.”
When Helen is learning to fight with Hector, Jason yells, “She’s never fought before, you dickhead!”

Supernatural

Many of the characters in the books are demi-gods and have powers such as super-strength, super-speed, lightning bolts, flight, power over water, etc. In the book, “most of the ancient myths and great dramas are based on real people. The gods are real, and they had children with mortals. Half human, half god. We are their descendants. Their Scions.”
Scions are plagued by the Furies who force Scions from other houses to attack and try to kill each other. “For the first time in Helen’s life she knew what pure, heart-poisoning hatred was. She was not aware of the fact that she was running toward him, but she could hear the voices of the three sobbing sisters rise into a keening wail . . . The sisters were tearing at their hair until it came out of their scalps in bloody hanks.”
When Claire finds out what Helen is, she admits that she, “was a little worried [Helen] might try to drag me off to hell and drain my essence at some point.”
Cassandra is the Oracle. “The voices coming out of her were old and young and everything in between, all speaking in harmony . . . Cassandra’s mouth was glowing, and her hair was writhing around her head like snakes.”

Spiritual Content

Helen and Orion spend much of their time in the Underworld, where all spirits go. They meet Hades and Persephone, and the god of death is mentioned.

Passenger

Secrets are kept to protect. Secrets are kept to survive. When Etta is suddenly thrust into another time, she realizes her life has been based on secrets. In an attempt to keep Etta safe, and keep a family heirloom out of the Irnonwood’s hands, Etta’s mother disappeared into the future. Now, if she wants to save her mother and return to her own time, Etta must find the ancient object that has been hidden for so long.

Nicholas has long been the Ironwood’s victim. In an attempt to secure his freedom, he agrees to watch over Etta and ensure that she brings the ancient object to them. Yet when Nicholas and Etta team up, he soon finds himself drawn to Etta.

As Nicolas and Etta work together, they follow clues left behind by Etta’s mother. The clues lead them across time periods and across continents. As they race to meet Ironwood’s deadline, they realize he is not the only one who wants the object. Can the two find the object and keep it out of the grasp of those who would use it to destroy their timeline?

The imagery and dialogue in Passenger jump off the page and engage the reader from the start. Action and suspense begin in the first chapter and lead the reader on an adventure that spans several centuries. For a story that has epic chases and attacks, the violence is not graphic. Although there is blood, the battle scenes are not gory or over the top.

The reader learns about racism through the eyes of Nicolas, as he struggles with being the son of a slave and a white landowner in the southern colonies. The cultures of the past cause interesting conflicts, as Etta’s worldview is based on the present.

Passenger is an excellently written book, with interesting characters, secrets galore, and suspense. However, the ending is set up for a sequel and leaves more questions to be answered. Because none of the book’s questions are answered in this installment, the reader will be left wondering what next?

Sexual Content

A few weeks after Etta and her boyfriend break up, she sees him kissing a girl in Central Park.
Nicholas explains his parentage. “Nicholas’s mother had been the family’s slave, and Augustus had assaulted her, abused her, and in the end had never freed her.”
Cyrus Ironwood tries to blackmail Etta. Cyrus tells her, “he was going to leave me so destitute I was going to have to resort to prostitution.”
Etta and Nicholas are attracted to each other. “She traced his face . . . He pressed a hard, almost despairing kiss to [her hand]. But when she tilted her face up, half-desperate with longing, her blood racing, Nicholas pulled back.”
Etta and Nicolas kiss several times. “He leaned forward and captured her lips, stealing the kiss himself until she had to come up and gasp for breath. Nicholas pulled her back under, and this time she did let go, only to take his beautiful face in her hands, to let his hands tangle in her hair, around her shoulders . . . he was breathing hard enough that she felt his heart jumping against her ribs, and she knew hers was doing the same. She turned, running her lips along the curve of his ear, her fingers pressed against the solid muscles of his back.”
Nicolas looks at Etta and thinks, “Want. His exhaustion had boiled him down to his basest instincts. He wanted her lips, her touch, her esteem, her mind. Inside her. Beside her. With her.”
When Etta and Nicolas are put in the same room to sleep, Etta goes to Nicolas’s bed and crawls in with him. “He ducked down kissing her, and she moved against him, urging him to touch her, to find the secret self that only ever seemed to exist with him. Etta felt him come alive in his own skin, felt the sheer stretch of him as he moved over her, with her, and she let herself fall into it, dissolving into him.”

Violence

Etta’s mother is kidnapped and her family Alice is killed. “Blood sputtered from her chest, fanned out against Etta’s hands as she pressed them against the wound . . . Her next breath came raggedly, and the next one never came at all.”
Etta wakes up on a ship that is under attack. During the attack, several people die. One crew member falls, “his chest shredded by balls of lead, his face a death mask of outraged disbelief.” During the fight, Etta stumbles over a dying man. “He wasn’t moving. He wasn’t blinking. She looked down, mind blank as it took in the dark liquid coating her skin, her chest, her stomach, the dress. Blood. Her snowy white skirt was drenched with thick crimson blood. She was crawling through that man’s blood.”
Etta and Nicholas are chased by three men. “A pair of hands scooped Etta up by the elbows, hauling her back before she could get her feet beneath her. The smell of cologne and sweat flooded her nose, and she threw her head back, trying to hit some soft, fleshy part of him.”
A man shoots at Etta. “The bullet went wide, striking the brick wall behind them. A splatter of dust and debris exploded into her hair, scratching the back of her neck.”
In the jungle, Etta almost steps on a cobra. Nicholas shoots it, but the bullet also grazes Etta.
Etta and Nicolas are again chased by men. Etta shoots at them, and they scatter.
Someone tries to capture Etta. The attack is described over several pages. During the attack, Nicolas is shot. “She reached out, one hand gripping his arm to steady him, the other going to his side—where a large, wet patch of violently crimson blood was spreading.”
In a final confrontation, a man holds a knife against Etta’s throat and later is shot in the shoulder. Etta and Nicolas are left in a desert to die.
At the end of the story, one of the characters is found. “The face was unrecognizable, swollen and purple as a ripe plum. She’d been stripped bare to her waist, and three jagged stab wounds to the torso looked to be bleeding through the earthy salve and bandages covering them. A thin blanket had been draped over her supine form to protect her modesty.”

Drugs and Alcohol

None

Language

Damn and hell are used frequently.
Bastard is used in a couple of instances. “Despite the wash of blood at his feet and the bodies strewn around him, his features went as soft as a kitten’s. The old bastard couldn’t help himself in the presence of young ladies, especially those in need of rescue. . .”
Nicolas says “bloody hell” a few times.
During a battle, one man is killed. His dying words are, “Sent . . . down . . . to . . . devil . . . by-by-a-a shit-sack . . . negro.”
Nicolas explains about time travel. “Christ. . . The first time I traveled, I attacked an automobile with an umbrella and nearly pissed myself in terror.”
“Oh my God” is used several times.
When Nicolas thinks, “And holy God, when she looked at him the ways she did now . . . he felt like he’d stepped into the blue-white heart of a flame.”

Supernatural

Several of the characters are able to use portals to time travel.

Spiritual Content

One of the characters describes his parents’ relationship. “Abbi and Ummi were not married—they could not be traditionally bound. It is forbidden for a woman of my faith to marry a man who is not. But Allah in all his wisdom still brought them together. . . It is blasphemous, I know; it goes against our teachings and beliefs, but I accept their choices. I cherish them in my heart. I cannot help but think, it matters not who you love, but only the quality of such a love.”

5 to 1

Women rule the land. Women are respected. Women built Koyanagar into a country where women could do anything. But to accomplish this, they had to put men into their place.

If they want chance at having a better life, the boys of Koyanagar must compete for a wife. Those who do not have a wife—and do not give their wife a female child—will be forced to guard the wall. Everyone knows once you’re sent to guard the wall, it’s only a matter of time until you end up dead.

Sudasa should feel excited about having young men compete for her hand in marriage. As she watches the test though, she realizes her cousin is among the contestants and has been given an unfair advantage over the others. Someone wants to make sure her cousin is the clear winner of the test.

The only boy who could possibly beat Sudasa’s cousin is Kiren. But there’s a slight problem, as Kiren hopes to gain his freedom by losing the test. Sudasa knows that Kiren may be her only hope in avoiding a marriage to a cousin who she despises. Yet, she also knows that Kiren doesn’t want to win the test and be forced to marry her. As she wrestles with the right thing to do—for herself and for Kiren—she discovers Koyanagar isn’t based on fairness at all.

5 to 1 is written from both Sudasa’s and Kiren’s point of view. Sudasa’s story is written in verse; however after reading the first page, the reader will be so engrossed in the story that they forget that they are reading poetry. Because Kiren’s point of view is in prose, it is easy to keep track of which character is speaking.

The world of Koyanagar is mesmerizing and unique. The characters come to life and add interest to the story. The two main characters drive the action. Both characters are struggling to do the right thing, and in doing so they capture the reader’s heart.

The only down side of 5 to 1 is the story ended without having the conflict completely resolved. The end of the book is frustrating because Kiran and Sudasa’s fates are unclear.

Sexual Content

In a speech, the president talks about when girls were sold, “to the highest bidder.” And some were, “raped, fated for ruin.”
One of the contestants tells a guard, “I bet you wish it was still the old country, huh? A man should be able to stick it to his wife whenever he wants, and if she doesn’t like it, he should be able to slap her senseless.”
A contestant tells Sudasa, “You’ll be the one sweating in our marriage bed.” When she slaps him, he laughs at her.

Violence

Abortion is talked about throughout the book. Before Koyanagar became a country, many families aborted girl children. Now women abort boy children.
The president of the country tells the people, “The people took their money and spent it on illegal ultrasounds. If they didn’t hear the words ‘It’s a boy,’ they spent more money on doctors who could quietly made the problem go away. If they couldn’t afford these luxuries, they waited nine months and then took care of things themselves. Some abandoned their baby girls in a park, knowing they would be sold to lands far away. Other used a towel. A pail. And a grave.”
There are several references to Agnimar Cliff where young men go to jump off the wall and end their life. Boys who are weak or do not want to be trained to guard the wall jump off Agnimar Cliff.
A boy was killed because he, “refused to tell the State where his girlfriend was hiding.”
Sudasa’s sister says that she would abort a baby if it was a boy. She would do this even if abortion is illegal. When Sudasa protest, her sister says, “You saw that disabled boy competing for you. Do you think a mother would want a boy like that in her belly?”

Drugs and Alcohol

None

Language

None

Supernatural

None

Spiritual Content

People wanted boy children because they could, “attend their funeral pyres and release their souls to heaven.” A character gives a boy a proper funeral pyre to “free the boy’s soul for rebirth.”
Being invited to be a part of the marriage test is supposed to be an honor. “That’s what she keeps saying, as if the mere act of being invited to fight for one’s life is a gift from the gods we’re not supposed to believe in anymore. I don’t believe in them, but not because religion has been banned . . . I just don’t think a being that’s good and fair would lie a place like Koyanagar exist.”