Culture – Page 2 – Sneak Peek Books

Spin the Dawn

Maia loves to sew. She dreams not only of becoming a master tailor but becoming the imperial tailor. However, it’s a far-fetched dream as only boys are allowed to become tailors in A’landi. As her father’s only daughter and youngest child, Maia is expected to be quiet, obedient, and eventually raise a family. After her older brothers die in war and her father becomes too sick to sew, the burden of caring for her family becomes even greater, and her dream of becoming a tailor fades.

Maia cannot think of anything more abhorrent than abandoning her sewing, but she sees no alternative until her father is called upon by the emperor. The emperor is getting married and needs a new imperial tailor to create his betrothed’s wedding gowns. There is to be a competition of the best tailors in the land, and her father is invited to join. Maia’s father is too sick to travel to the capital, so Maia disguises herself as her father’s son and goes in her father’s place. Soon she finds herself competing with tailors who are decades more experienced than herself, who are willing to cheat, and who would possibly even be willing to commit murder in order to become the next imperial tailor.

Spin the Dawn has a lovable, interesting cast of characters that will hook readers. The land of A’landi is foreign, beautiful, and magical. The rich characters, court intrigues, and mysterious Lord Enchanter keep the tailoring competition from becoming cliché. Readers will be delighted when magic becomes a part of Maia’s life and will understand her moral struggle in deciding whether or not to use it.

While Part I of Spin the Dawn is a delightful read focused on the tailoring competition, Part II takes an entirely different track with Maia going on a journey to create three magical dresses for the emperor’s betrothed. The lore behind the dresses is fascinating, but the journey feels rushed and some conflicts are resolved too easily to be believable. Still, the Lord Enchanter accompanies Maia on her quest and their relationship is enchanting to watch. While Part II is weaker than Part I, the delicious dynamic between Maia and the Lord Enchanter will be enough to keep readers reading until the end.

Sexual Content

When speaking of the emperor, Maia’s brother says, “So you’ve heard how handsome he is from the village girls? Every one of them aspires to become one of the emperor’s concubines.” Maia says, “I have no interest in becoming a concubine.”
A village boy wants to marry Maia. “I thought with dread of Calu touching me, of bearing his children, of my embroidery frames collecting dust . . . I stifled a shudder.”
There are rumors that the emperor’s betrothed has a “lover. But it’s all court gossip. No one knows for certain.”
While pretending to be a boy, Maia had “been wearing at least three layers to help obscure my chest.”
When Norbu finds out that Maia is a girl disguised as a boy, he “touched my cheek and pressed his thigh against my leg. ‘I always thought you were a pretty boy. Perhaps a little kiss?’ “
Maia and the Lord Enchanter almost kiss. “He pressed a gentle kiss on the side of my lips, just missing my mouth. His lips were soft, despite the desert’s unrelenting dryness. A shiver flew up and down my spine, even though his breath was warm, and his arm around me even warmer.”
Maia and the Lord Enchanter kiss several times. “His lips pressed against mine. Gently at first, then with increasing urgency as I started to respond with my own need. His hand was tight on my waist, holding my wobbly knees steady.” Another time, “he tilted my chin and kissed me. Heat flooded me from my lips to my toes, and my heart hammered, its beat rushing and skipping to my head.”
Maia and the Lord Enchanter sleep together. “He kissed me, exploring my mouth with his tongue, then tantalizing my ears and my neck until I was dizzy and feverish. Finally, when my knees weakened and I couldn’t bear to stand any longer, Edan eased me onto his cloak against the soft, damp earth. Our legs entwined; then we became flesh upon flesh. All of me burned, my blood singing wildly in my ears.”
When Maia is captured by bandits, one of them says, “Do you know how long it’s been since I’ve felt a woman?” Maia is then rescued.
Maia and the Lord Enchanter kiss goodbye. “I crushed my mouth against his, wrapping my arms around his neck and my legs around his hips. His kisses moved to my cheeks, my neck, my breasts, back to my lips. Passionate, then tender. Then passionate again, as if we couldn’t make up our minds.”

Violence

A man breaks Maia’s hand. “Norbu stepped on my wrist, pinning my hand to the ground . . . He was carrying one of the heavy metal pans we used for smoothing our fabrics. I tried to yank my wrist away, but he was too strong. Too quick. He raised the pan high, then brought it crashing down onto my hand. Pain shot up from the tips of my fingers and flooded my brain. I screamed.”
When it’s discovered that Maia is a girl, she is thrown into a dungeon. The guards “struck me in the ribs and kicked me to my knees so that I landed in a rotten pile of hay, coughing and whimpering.”
Maia is whipped for lying to the emperor. “The guards tore my tunic and ripped off my chest strips—so fast I’d barely crossed my arms to cover myself when the whip burned into my skin, a stinging line of fire. Blood splattered onto the cold stone floor. . . Each lash bit into me, gashing my back, and I chewed on my lip so hard my mouth grew hot with blood.”
Maia is chased by wolves, which then turn on each other. “Soon I was forgotten as the wolves fought one another. The sight was gruesome, blood on fur on sand. I buried my face in my hands until the snarls became whimpers, then nothing.”
Maia stumbles upon an old battlefield. “Broken drums, slashed war banners, mounds of bones—human bones. And bodies . . . Some of the men had frozen to death. I could tell from their ashen faces, tightly drawn blue lips, and curved-in shoulders.”
Maia and the Lord Enchanters are attacked several times by bandits. Once, the Lord Enchanter “fired three arrows in quick succession. Vachir eluded each shot, but the men behind him weren’t as lucky. Two fell.”
Maia fights a demon. “I lunged forward and slammed my dagger into his shoulder. He cried out, an anguished scream that made my blood curdle.”
Maia is attacked by bandits. “I slashed at the one who’d spoken, but I missed his throat and scored his cheek instead. I made a long, jagged gash.”

Drugs and Alcohol

A fellow tailor “reached into his robes for a flask. He offered it to me, and after I declined, he took a long drink.”
Maia turns in early one night. In the morning, she discovered “It was a good thing I’d refused to go out with Norbu and the others. After their bath, they’d gone to the local drinking house, where Master Taraha and Master Garad drank themselves into a stupor. Now they were spending the day retching. Even from my table, I could smell it.”
While traveling, Maia and the Lord Enchanter stay the night with a group of travelers. The travelers pass around a wine gourd after dinner, and Maia accidentally gets drunk. “I was so mortified I simply took another drink. And another. The more I drank, the less it burned my throat . . . Normally I wouldn’t have stared at him so obviously, but the wine had washed away my caution.”

Language

Variations of the phrase “demon’s breath” are used a few times as profane exclamations.
A man says a country’s wine “tastes like horse piss.”
Damn is used a few times. The Lord Enchanter says, “I want to get out of this damned place.”

Supernatural

Maia “repaired amulets for travelers who asked it of me, though I didn’t believe in magic. Not then.”
A man says to Maia, “The A’landans are superstitious people. Constantly praying to their dead ancestors. If you believe in spirits and ghosts, I don’t see why you wouldn’t believe in magic.”
Maia meets the emperor’s Lord Enchanter. Maia “knew little of enchanters, lord or not, other than that they were rare and drifted from land to land.” Longhai tells Maia, “The Lord Enchanter advises Emperor Khanujin on many matters. He served the emperor’s father for years, yet he hasn’t aged a day!” Maia later finds out that the Lord Enchanter can transform into a hawk, which is his spirit form. “Feathers sprouted over his skin and spine. A pair of wings erupted from his shoulders and fanned down across his arms.”
Maia discovers that the scissors passed down from her grandmother are magical. “The scissors glided over the shawl, possessed in a way that my hands could only follow. Invisible threads repaired the cloth’s damage, giving it life anew, and colors from my paint pots soaked into the silk . . . Impossible as it appeared, the scissors not only cut but embroidered . . . My hand wouldn’t let go of the scissors, no matter how much I tried to pry them away, no matter how much I wanted to put them down. I was under a spell, drunk with their power.”
In Part II of Spin the Dawn, Maia is forced to go on a journey with the Lord Enchanter. On this journey, magic becomes a part of daily life. From enchanted carpets that fly, using magic to heal, and a magical tablecloth that creates an entire meal from nothing, Maia’s journey is filled with magic.
Maia is given an impossible task by the emperor’s betrothed. She is told to make a dress out of the laughter of the sun, the tears of the moon, and the blood of the stars. These three dresses are called Amana’s dresses, and it is said that whoever possesses them will receive a wish from the goddess Amana herself.
Maia goes to an island filled with ghosts. While there she meets a demon—a creature who used to be a sorcerer but was cursed when he killed his master. The demon steals a piece of Maia’s soul, which means he can follow her anywhere.
When Maia finishes the dresses, the goddess Amana speaks to her. Amana’s statue in the temple glows and a “low and powerful, yet kind” voice says, “Ask me your heart’s greatest desire, Maia. And I shall grant it.”

Spiritual Content

It is mentioned in passing that “Toward the end of every month, [Maia] helped the women who were preparing their gifts for the dead—usually paper clothing, which was tricky to sew—to burn before the prayer shrines in honor of their ancestors.”
Maia lives in a land with many gods. The gods are often mentioned in passing. A tailor says, “The gods are listening to us, masters. Do you want to invoke their wrath?” The emperor’s betrothed says, “The imperial tailor is a master chosen by the gods. I expect him to be able to work with any material, whether it be glass or silk.” Another time, a man says, “The gods watch over me, I am very grateful.”
Two gods are more developed and become part of the plot. The first is the goddess Amana, whose magical dresses Maia is tasked with sewing. People often say, “Amana be with you.” The other is the sun god, who Maia indirectly encounters during her search for the laughter of the sun. While in the desert, the Lord Enchanter says, “The sun is worshipped in many lands. He’s a brilliant, brutal deity. And now we are in the heart of his kingdom.”
The Lord Enchanter says, “Pigs are smarter than people give them credit for! Where I grew up, we almost worshipped them.” Maia “couldn’t tell if he was joking.”
Maia confesses that she doesn’t “even trust the gods. Not to listen, anyway. My father prays to Amana every morning, every night. . . But Finlei and Sendo died.”
The Lord Enchanter grew up in a monastery. “The monks I grew up with were different from the ones here. Not generous and kind. And the gods we worshiped were harsh and unforgiving.”
Maia asks a monk, “What if there are no gods? What if there is only magic, only enchanters and demons and ghosts?” The monk replies, “You must keep your faith . . . The gods watch over us, but unlike the spirits of this realm, they do not interfere in our lives. Not unless we anger them greatly, or impress them.”

by Morgan Lynn

Addison Cooke and the Treasure of the Incas

Twelve-year-old Addison longs for adventure, but his aunt and uncle, both respected curators at the New York Museum of Archaeology, always leave Addison home when they travel the world to find hidden treasures. When Addison’s aunt and uncle discover an ancient Incan key that leads to treasure, they are kidnaped by the evil Russian Professor Ragar.

Addison convinces his sister, Molly, and two of his friends to set off to South America on a mission to rescue his aunt and uncle. Once they arrive, they find adventure, danger, and booby-traps. Can Addison and his team find the treasure, outsmart Professor Ragar, and save his family?

This fast-paced adventure takes readers on an epic journey through South America. Addison, who is eccentric and optimistic, leads his friends into one dangerous situation after another. Although the group is often in danger and narrowly escapes death several times, the events are often humorous. Even though the group is young, they are able to figure out ancient clues, outsmart Professor Ragar, and escape mercenaries.

Full of mystery, suspense, and evil villains, adventure seekers will keep turning the pages of Addison and the Treasure of the Incas. Young readers will learn about the conquest of Pizarro as they follow the exciting travels of Addison. However, the story is not always historically accurate, and the path the kids take is geography inaccurate. Despite these inaccuracies, the story will pique middle graders’ interest in the Ancient Incan Society and increase their love of reading.

The publisher recommends this book for children as young as eight. Although younger children may enjoy the story, the length of the book and the complexity of the writing would make Addison and the Treasure of the Incas difficult for beginning and struggling readers.

Sexual Content

None

Violence

During the time of the Incas, Pizarro kidnapped Atahualpa. Atahualpa’s, “brother’s army attacked Pizarro before the ransom could be delivered. . . Pizarro burned Atahualpa alive at the stake.”
Professor Ragar and his mercenaries kidnap Uncle Nigel and his wife. “Immense men in dark suits crowded the room. They held Uncle Nigel pinned down, his face pressed against his desk.”
During the kidnapping, the mercenaries also try to seize Uncle Nigel’s niece and nephew. There is a chase. The two kids are cornered so they put an electrical cord into water. The mercenary “kicked his foot and the giant floodlight crashed into the water. Electricity jolted through the reflecting pool with a thunderous zap. Bodyguards collapsed like felled oaks, hitting the water in a sizzling, giggling mess.” The men are not seriously hurt, and the kids are able to escape.
Addison talks about the Spanish Inquisition, when non-Catholics were killed “often by burning them at the stake, like King Atahualpa. People would say they were Catholic to avoid being killed. So the Inquisition would torture them to find out who was telling the truth.”
The kids go into an ossuary and discover ancient trip wires. Eddie falls “into a vat of skulls, the mummy on top of him. . . The skull bin tilted, pulling an ancient trip wire, releasing a boulder. The falling stone yanked a rope through a pulley, sending a massive scythe blade whipping through the air.” While trying to get up, “Raj sprinted and Eddie followed, their feet dancing across the pile of bones. A massive blade sprung from the ground, splitting every bone in its path.” The boys are not injured.
When Professor Ragar and his men find the kids in the ossuary, there is a chase. One of the kids pulls a trip wire and a “steel scythe rocketed toward the surprised guard. Terrified, he leapt…striking his head on the rocky ground. The man lay crumpled in a heap of clattering foot bones.” Another man “slipped on a femur, and crashed down the mountain of bones. . . Boulders tumbled from the ceiling, pelting the guard on the head. The man sank to his knees, stunned senseless.”
When Professor Ragar tries to catch Addison, one of his men, “slashed with his knife. Addison crab-walked backwards on his hands, the knife barely missing his throat.” When Addison is caught, “Ragar wound up his open palm and slapped Addison across the face. Addison’s cheek stung, and his head rang for a few seconds.”
Zubov, one of Professor Ragar’s men, threatens to cut off Addison’s fingers. “Zubov began squeezing Addison’s windpipe. . . Zubov pressed his knife to Addison’s cheek.” One of Addison’s friends helps him.
While in the Amazon jungle, Molly is attacked by a giant spotted anaconda that “dropped onto Molly. The ten-foot constrictor wrapped its muscled body around her legs, then waist, and worked its way up her chest.” Someone pokes the anaconda with a flaming brand. “It hissed viciously, tightening its grip on Molly, and wrapped a coil around her throat.” The snake eventually releases Molly.
The kids are chased by tribesmen who shoot poison-tipped spears and darts at them.
Don Guzmán is rumored to kill people by putting them in a freezer.
Don Guzmán locks the kids in a room. In order to escape, Raj “took a running start and swung his plank hard into a man’s stomach. It connected with a satisfying smack, like a Jell-O mold chucked from a high window and meeting the pavement.” The group runs through a wedding where “Guadalupe lay pinned to the dining room table, Zubov’s hand clutching her throat. . . Zubov brushed the hair back from Guadalupe’s neck and ran the blade along the fold of her ear.” The kids are able to escape.
The kids, Ragar, and Zubov have a conflict during the wedding of Don Guzmán’s daughter. Zubov “gripped his stiletto and stabbed at Addison. Addison leapt back, but too late—the knife struck him square in the chest. He fell to the ground, stunned. . . “ Rager stops Zubov from killing Addison, because he doesn’t want to upset Don Guzmán. During their escape, Molly landed “a well-placed kick right in the guard’s stomach.”
As the kids are fleeing, they steal a limousine, but they are followed. Eddie smashes the limousine into a jeep and they are able to pull ahead. Eddie “plowed directly through a supermarket. The limousine smashed through the front window and into the cereal aisle. It crashed through frozen foods and baked goods before blasting out the rear wall of the store, onto a new street.”
When one of Ranger’s men try to enter a treasure vault, he triggers a booby trap and is impaled by “spikes like a shish kabob.” A second man “plummeted into the river a hundred feet below with a terrified splash. . . The man’s screams echoed until the trapdoor slid shut.”
Zubov tries to kill Molly by throwing knives at her. Molly, “wound up and kicked Zubov as hard as she could. This time, she aimed a few feet higher than his shin. . . Zubov turned purple and crumpled to his knees, winching.”
Ragar ties the kids up with rope, intending to burn them alive. “The flames snapped and jumped, devouring the kindling. Addison felt the growing heat inching closer to his toes . . . the raging flames touched Addison. The cuffs of his pants ignited, the blaze racing up his legs.” The group is able to escape.

Drugs and Alcohol

Addison sees a “weather-beaten man sipping a bottle of foul-smelling liquid from a brown paper bag.” The man offers Addison the bottle, but Addison declines saying, “Arnold Palmers are as strong as I go.”
While in South America, Addison and the others see “local women with gold hoops in their noses who drank corn wine from gourds . . .” Later, the kids see women “drinking white rum.”

Language

None

Supernatural

While in South America, Addison sees women selling voodoo dolls.

Spiritual Content

The kids see a mural painted with angels and “dozens of Incan gods. Some gods were male and some female. Some were part jaguar, llama, or snake.”
The Incas considered King Atahualpa a god. “The Incan emperor was considered the child of the sun. Inti, the sun god, the most powerful Incan god.”

Listen, Slowly

The beach. Friends. Boys. Mia planned her summer around fun. Then her father drags her to a small village in Vietnam where Mia is to watch over Bá (her grandmother). However, Mia doesn’t want to learn about her roots—she’s a California girl, who has no desire to meet relatives, travel to Vietnam, or give up the comforts of her life.

As Mia struggles with mosquitoes, lack of privacy, and a language barrier, she learns about her family heritage as well as what is really important in life. However, the story isn’t just about Mia; it’s also about Bá and her need to find out what happened to her husband in the Vietnam War.

As Mia tells her story in Listen, Slowly, the reader is entertained with funny stories as well as introduced to Vietnamese culture. Another positive aspect of the book is Mia who is a realistic and likable character. She worries about regular teenage things, but also comes to realize that the people in her life are more important than things, cell phone included. This book is suitable for younger readers because the story is told from a teen’s point of view. Although the story contains some adult issues, they are adjusted to fit the maturity level of a younger audience.

Sexual Content

Mia thinks about her best friend who has large breasts and a bow on the butt of her bikini. Mia is afraid a boy that she likes will be interested in her best friend because of the bikini. When Mia goes on Facebook, she sees a photo of her friend in a bikini. She thinks, “Did she Photoshop to make her boobs look extra big? How big do they need to be? I don’t want her boobs, but I have to confess I do want the attention they get her . . . There HE is, just as I suspected, standing right behind her butt bow.”

Violence

A soldier recounts a story about when he was in the war. The soldier and a prisoner, who viewed each other as equals, spent time digging a tunnel. Then helicopters came and dropped bombs. The prisoner died. When the soldier recounts the story, Bá slaps him because the prisoner was Bá’s husband.
Mia’s father tells her about when he left Vietnam. “I looked out my airplane window and saw a boy not much older than I was dangling from a helicopter. I watched him hang, then drop into the sky.”

Drugs and Alcohol

None

Language

None

Supernatural

None

Spiritual Content

None

The Lightning Queen

Eleven-year-old Teo lives in the Hills of Dust, where not much happens. His life is dull and there is not much hope of things changing in the future. Then a gypsy caravan arrives. The caravan’s Mistress of Destiny tells Teo his fortune–Esma, Queen of the Lightening, will be his lifelong friend. Once Teo and Esma know their fortune, they band together to make it come true.

Teo tells his own story in The Lighting Queen. Teo and his companions, a duck, a blind goat, and a three-legged skunk, bring the story of rural Mexico to life. However, what ultimately drives the story is Esma. She is a plucky heroine who believes that anything is possible, and her optimistic attitude brings inspiration to both Teo and the reader.

The Lightning Queen has plenty to love for readers of all ages. The characters (including the animals) are loveable. The story is engaging and sprinkled with humor. The storyline shows the harshness of life without going into graphic detail or adding unneeded violence. Through the story, the reader sees the importance of looking beyond the physical appearance of people and finding friendship in unlikely places.

Sexual Content

Teo and Esma kiss goodbye once. “Our lips touched like two bird wings brushing against each other for the tiniest of moments, then flying apart on their own separate journeys.”

Violence

Teo tells the story of when his father was hit by a car. “There was a screech and a thump . . .I remember blood and tears on his eyelashes . . . I remember the driver standing over my father, talking to another driver. Calmly. Too calmly. And most of all I remember their words . . . ‘It’s just an indio.’ Then the other man shrugged and said, ‘What’s one less indio?’ They dragged my father to the side of the road. They wiped his blood from their shirts with handkerchiefs. Then they got back into their cars and drove off.”
When Teo’s uncle sees the gypsies giving fortunes, he becomes angry and, “flipped the table over. Cards scattered . . . other Romani woman gasped and skittered backwards with the toddlers. My aunts pulled away, against the wall, holding their own children. My uncle lunged toward Uncle Paco, trying to restrain him.”
The schoolteacher hits a boy’s hand with a ruler. “Tears streamed down his cheeks and he cried out. Twice. Now the boy was sobbing, trembling. Three times. Snot and tears covered his face, and his eyes were wide with fear.”
The schoolteacher hits Teo’s hand with a ruler. “There was a crack, a bolt of pain like fire that shot through my entire body. My hand wanted, more than anything, to pull away.”

Drugs and Alcohol

None

Language

None

Supernatural

The gypsies tell fortunes. At the beginning of the story, a gypsy tells Teo’s fortune—that he and Esma were destined to be friends for life. The two decided to do everything they can to make the fortune come true.
Esma puts a “pretend” curse on the schoolteacher in order to make the teacher kinder to the students. Teo’s grandfather tells the two that he doesn’t like curses, even pretend ones.
Teo dies. In death, he sees his sister, father, and grandfather. Esma comes and sings to Teo’s dead body. Teo, “felt the strain of the silvery thread pulling me towards my body. At the same time, I felt the tug of the other world, so easy and glittering and colorful, the promise of an eternity playing with Lucita [his sister], basking in the warmth of Grandfather and Father . . . My soul string was stretched to a single, quivering delicate strand.” When Esma sings, Teo “floated downward” and comes back to life.
When Esma sings, people say they can feel their dead loved ones. “I can almost feel my grandmother here with me, as though Esma’s song has opened a path to somewhere hidden.”

Spiritual Content

Teo and Esma find a statue that looked like, “a raccoon wearing a giant crown of corncobs.” Teo tells Esma, “We call them diositos—little gods. People say they’re good luck. Most of us have one or two at home. But don’t tell the priest about it.”
Teo’s grandfather gives his uncle a “limpia to clean his spirit. That meant spitting on him with cactus liquor and beating him with bundles of herbs.”

Love Sugar Magic: A Dash of Trouble

Leo wants to be able to help her family prepare for the Dia de los Muertos festival. Leo’s family owns a bakery in Rose Hill, Texas. Every year, her family spends days preparing for the big celebration. This year, when Leo is told that she is once again too young to help, she sneaks out of school and into the bakery. She soon discovers that her mother, aunt, and four older sisters have been keeping a secret from her. They’re brujas—witches of Mexican ancestry—who pour a little bit of sweet magic into everything that they bake.

Leo is determined to test her magical abilities, even when her sisters tell her to wait until she is older. When her best friend Caroline has a problem, Leo is confident that she can craft a spell to solve Caroline’s problem.

A Dash of Trouble is the first book in a series about a Mexican-American family that lives in a diverse Texan town. The fantasy includes Spanish vocabulary that is easy to understand in the context of the book. The story brings the Mexican traditions for Día de los Muertos to life.

Even though Leo doesn’t always feel appreciated by her family, her family clearly loves her and wants what is best for her. Readers will be able to relate to Leo’s desire to be treated more like an adult (even when she doesn’t act like one) as well as her desire to help her friend.

Leo spies on her family, makes promises she does not intend to keep, and practices magic against her family’s wishes. When Leo accidentally shrinks a boy from her class, his mother is frightened and calls the police. When Leo is able to reverse the spell, her family is proud of her for figuring out how to solve the problem. The boy covers for Leo, saving the family’s magical secret. Leo’s story is entertaining and filled with humor. A Dash of Trouble would lead to a good discussion on the importance of honesty.

Sexual Content

None

Violence

None

Drugs and Alcohol

On the Day of the Dead, some people put alcohol on their family’s shrines.

Language

None

Supernatural

The females in Leo’s family are witches, and they have a spellbook that has been handed down for generations. Leo’s sister explains, “But we’re not just any kind of witch. Brujería is practiced by lots of people in lots of different ways, and our special family power comes from the magic of sweetness; sweetness from love and sweetness from sugar.”
In Leo’s family, “each group of sisters gets magical talents based on the order in which they were born. Second-borns, like Mamá and me have the power of manifestation, which means we can produce objects—small ones, for the most part—whenever we need them.”
Another one of Leo’s sisters has the power of influence. “They make . . . suggestions. They can change a person’s feelings, make you happy or sad for no reason.” In one part of the book, she tries to influence Leo’s feelings.
Leo uses a spell to make pig cookies fly. They fly around and make a mess out of her room.
Leo’s sisters have the power to channel the dead, which they do during the Day of the Dead. “Belén spoke again, but it wasn’t her voice that came out. It was a man’s voice, and it came out of Belén’s throat.” Leo thinks, “. . . Day of the Dead was invented as a way to talk to people who have passed away, to remember them and show them that you still loved them. If messages helped people do that, they couldn’t be so scary.”
Leo’s sisters explain, “We can see and talk to any of the ghosts who are hanging around, no problem. It’s calling them, or channeling them so other people can hear, that takes extra effort.” The twins can see their abuela, or grandma, who hangs around because “she still has so much love tying her to the world of the living. The older ghosts get a little more . . . scattered, and then sometimes they stop showing up altogether—“
Leo’s sister, Marisol, tells her not to mess with magic, especially “big spells. They can have terrible consequences . . . And the more complicated the spell, the more one tiny experiment can mess things up, big-time.”
Leo makes cookies with a spell in the hopes of making a boy named Brent like her friend, Caroline. The spell does not work correctly. Instead, Brent begins writing love notes to all the girls in his class. He also tells several girls that he loves them “more than anything in the world.”
Leo accidentally shrinks Brent. “Inside the jar was a person. A tiny person unmistakably. The person was curled up and suspended in the honey, eyes closed and hands folded as if he were enjoying a nice nap.” With the help of her sisters and her dead grandmother, Leo is able to reverse the spell.
Leo’s abuela appears. “Sitting—no, actually, standing in the center of the bed, her body from the waist down disappearing through the mattress, was Abuela.”

Spiritual

None

My Family Adventure

Sofia Martinez is a seven-year-old girl who wants to be noticed. My Family Adventure contains three short stories about Sofia’s daily life. In the first story, she tries to gain her family’s attention through a photo swap. In story two, Sofia and her cousins want to make a surprise gift for their abuela’s, or grandma’s, birthday. In the third, a class pet goes missing and Sofia needs to figure out how to get the pet back into its box.

Sofia Martinez: My Family Adventure is written for beginning readers. Each story contains three easy-to-read chapters. Beginning readers will appreciate the many pictures that are scattered throughout the story and the large print. Readers will be able to relate to the topics in each story. Spanish words and phrases are printed in pink and appear throughout the text. Although many of the words are understandable because of their context, a glossary is included at the end of the book.

Sofia’s story shows her cultural heritage through her stories. In each of her stories, her large family is portrayed as a positive influence. Sofia often relies on her family members to solve her problems. In one story, her father lovingly tells her, “There are a lot of people here. Not everyone can pay attention to you.” The illustrations are another positive aspect of the book. The illustrations are full of color and portray Sofia and her family as warm and stylish. The character’s facial expressions will help younger readers decipher the emotions of the characters.

Sexual Content