The Ship of the Dead

Magnus Chase can’t catch a break. First, he died bravely and was reborn in Valhalla, the Norse afterlife for heroes. Soon after his death, he had to embark on a mission to stop Fenris Wolf from escaping. Shortly after this perilous quest, he had to find Thor’s missing hammer, which is much easier said than done. Now, Magnus faces his toughest challenge. The sinister trickster god Loki has broken free from his prison and is intent on starting Ragnarök, the prophesied end of the world. 

Magnus and his ragtag group of friends must sail across three worlds to intercept Loki and prevent him from wreaking havoc with his army of the undead. As the fate of the world hangs in the balance, Magnus wrestles with one question: Is he strong enough to stand against Loki?  

The Ship of the Dead is the fast-paced and engaging finale to the Magnus Chase and the Gods of Asgard trilogy. Building upon the groundwork laid in the first two installments, this book dives further into Norse mythology while exploring themes of family, strength, and individuality. Throughout this novel, Magnus and his friends band together as they face many different foes. They support one another while embracing the unique skills and backgrounds that each character brings to the team.  

The plot is driven by the eight core characters of this novel, who are as eclectic as they are lovable. Magnus, a deeply compassionate healer, is willing to risk everything to protect his friends. Sam, one of Odin’s Valkyries, embarks on the quest while fasting for Ramadan, and utilizes this to help her stay focused and determined. Hearth, a deaf elf, is the greatest sorcerer in the Nine Worlds. Blitz, a fashionable dwarf, is a skilled designer and inventor. T.J., a Civil War soldier who died serving the Union, is as cheerful as he is brave. Mallory, a hotheaded fighter who hails from Ireland, is ready to attack any challenge that comes her way. Halfborn, a Viking warrior who died over a thousand years ago, is a force to be reckoned with on the battlefield. Finally, Alex, the transgender and genderfluid child of Loki, unites the crew with her mischievous nature and quick wit.        

The Ship of the Dead contains Riordan’s familiar humorous writing style and well-developed plots. This story contains many characters and settings, which some readers may find confusing. However, readers do not have to be familiar with Rick Riordan’s previous works to enjoy the Magnus Chase and the Gods of Asgard Series.  

Like the previous installments in this series, The Ship of the Dead discusses serious topics such as homelessness, ableism, transphobia, child abuse, and Islamophobia. These themes will resonate with readers who relate to the struggles that the characters face and allow them to feel represented and understood. These topics are written about in a way that is suitable for young readers, and this novel offers readers a chance to consider new perspectives and learn about those who are different from them.   

The Ship of the Dead is an action-packed and touching finale to one of Rick Riordan’s greatest series. Readers will be both entertained and moved by the plot and the bonds that the characters develop with one another. This series is perfect for middle-grade readers who are eager for a fun and adventurous story.  

Sexual Content  

• Magnus and Alex, Magnus’s friend and child of Loki, kiss as they are walking across a frozen bay. Magnus details, “Then, before I even knew what was happening, she kissed me. She could have bitten off my mouth and I would have been less surprised. Her lips were cracked and rough from the cold. Her nose fit perfectly next to mine. Our faces aligned, our breath mixed. Then she pulled away.” 
• A giantess named Skadi says that Loki publicly “insinuated that he had shared [her] bed.”  
• Alex and Magnus kiss after the quest is complete. Alex “clamped his hands on the sides of my face and kissed me.”  

Violence  

• Magnus describes the accidents he had while training for his quest. He had “gotten chomped by a great white shark, strangled by a giant squid, and stung by a thousand irate moon jellyfish.” He recovers from all these injuries.  
• Alex decapitates a wolf that had stolen a mead horn from Magnus’s uncle’s house. Alex “lashed out with his garrote like he was throwing a bowling ball. . . the golden cord wrapped around the wolf’s neck. With a yank backwards, Alex cured the wolf of any future headache problems. The decapitated carcass flopped against the carpet.” 
• Halfborn injures his head during a shipwreck. “Halfborn Gunderson was slumped over the rudder, blood dripping from an ugly gash on his forehead.” Magnus heals Halfborn. 
• Nine giantesses attack Magnus and his friends. “The nine sea giantesses fell upon us with a collective howl of glee. My friends were ready. Mallory Keen flipped onto [a giantess’s] back and plunged her knives into the giantess’s shoulders. Halfborn Gunderson dual-wielded mead goblets, slamming [one giantess] in the face and [another] in the gut.” This fight is described over seven pages. Nobody is seriously injured or killed.  
• In a dream, Magnus hears Kvasir, a wise being created by the gods, being murdered. “Inside the cave, Kvasir began to scream. A few moments later, I heard the sound of a chainsaw, then liquid gurgling into a large cauldron.”  
• In a dream, Magnus sees Alex get kicked out of her house. “A trickle of blood ran from [Alex’s] left temple. She crawled down the front walk on her hands and knees, her palms shredded from breaking her fall and leaving dabs of blood on the cement like a sponge painting.” It is implied that Alex was kicked out for being transgender. Alex leaves, and the pair do not reconcile.       
• T.J. fights a stone giant in a duel. “With a dry crack T.J.’s rifle discharged. The giant roared in pain. He staggered backward, smoke streaming from his left eye, which was now black instead of amber.” T.J. kills the giant. The fight scene is described over 11 pages.  
• Magnus kills a dragon by stabbing it in the heart with his sword, Jack. “Fumbling and panicked I positioned Jack’s point against the weak spot in the hide. Then, with all my strength, I drove the sword into the dragon’s chest.”  
• Magnus kills a giant with the help of a flock of crows. “[The giant] raised his ax over his head once more. Jack pulled me into battle as the murder of crows rose from their tree and swarmed [the giant’s] face, pecking at his eyes, nose, and Frosted Flakes beard.” 
• Magnus and his friends fight an undead army on Loki’s ship. Alex “turned into a mountain lion and lunged at the [zombie], biting his head clean off. . . Sam pulled out her Valkyrie spear. With searing light, she blasted through the undead, burning dozens at a time, but hundreds more pressed forward, their swords and spears bristling.” During this fight scene, which spans over three pages, numerous zombies are killed.      

Drugs and Alcohol  

• The characters occasionally mention and drink mead. 
• Magnus recalls seeing how alcohol affected people while he was homeless. “I’d been on the streets long enough to know how ‘mead’ improved people’s skills. Pick your poison: beer, wine, vodka, whiskey. Folks claimed they needed it to get through the day. They called it liquid courage. It made them funnier, smarter, more creative. Except it didn’t. It just made them less able to see how unfunny and stupid they were acting.”  

Language  

• While kicking her out of his house, Alex’s father yells, “That’s all I want from you! To be a normal kid! Is that so damn hard?”

Supernatural  

• Magnus has a magical sword named Jack that can talk and fly.  
• Sam is a Valkyrie, a warrior who leads the souls of the dead heroes to Valhalla, the Norse afterlife for heroes who died bravely in battle.  
• Magnus and his friends sail in a magical ship that can take the form of a handkerchief. Magnus “flicked the handkerchief toward the water. As soon as the cloth hit the surface, the corners unfolded and unfolded. . . In the space of two breaths a Viking longship lay at anchor in the canal, the turbulent water coursing around its stern.” 
• Magnus and his friends encounter nine giantesses as they are sailing. “In front of us, the sea had started to churn, swirling into a downward funnel like someone had pulled the bathtub plug out of Massachusetts Bay. Rising from the maelstrom were the giant watery forms of women—nine in all, each as large as our ship, with dresses of foam and ice, and blue-green faces contorted in rage.” They fight the giantesses and escape. 
• Magnus has healing powers that he often uses on himself and his friends when they get injured. For example, he “channeled Frey-power to heal Halfborn’s head wound.”  
• Hearth is a sorcerer who uses runes to cast spells. “Hearth threw a runestone I hadn’t seen before. It hit [a giantess] with a bright flash, liquefying her into a large angry puddle.” The giantess recovers.  
• Magnus possesses a magical ability known as the Peace of Frey. This power allows Magnus to “blast everyone’s weapons out of their hands.” 
• \A stone giant appears in front of Magnus and his friends and threatens to kill them. Magnus’s “mind had to process what [he] was looking at: not a section of ruined wall, but a giant, twenty feet tall, whose appearance perfectly mimicked limestone.” Magnus and his friends fight the giant. 
• Hearth’s dad, Mr. Alderman, is transformed into a dragon by a cursed ring. “The monster’s four feet were each the diameter of a trashcan lid. Its short thick legs dragged along a lizard-like body, maybe fifty feet from nose to tail, its spine ridged with spikes bigger than my sword. . . The new, dragonish Alderman pulled himself from his lair, muttering, grinning, then cackling hysterically—all for no apparent reason.” 
• After Magnus accidentally tastes the blood of a dragon heart, he gains the ability to understand animals.   
• Magnus and his friends encounter an undead army on Loki’s ship. “Taking up most of the vast deck, they stood at attention in ranks of ghostly white and blue, tens of thousands, like they were waiting for a parade review. Some were mounted on zombie horses. Others had zombie dogs or wolves by their side. A few even had zombie birds of prey perched on their skeletal arms.”   

Spiritual Content  

• This novel is centered around Norse mythology and contains frequent depictions of and references to Norse gods. 
• While on the quest, Sam is fasting during Ramadan. This means that she does not eat or drink during the day. 
• Magnus prays to Frey for help when he is fighting the giantesses. Magnus says, “Okay, Frey, Dad, please. . . we’re about to die down here, so if you’ve got any help you could send me, I’d really appreciate it. Amen.” Frey sends a deity to aid Magnus. 
• Sam prays and breaks her fast. “At sunset. . . Sam did her ritual washing. She prayed facing southwest, then sat down next to me with a satisfied sigh and unwrapped a package of dates. She passed me one, then took a bite of hers. She closed her eyes as she chewed, her face transformed by pure bliss like the fruit was a religious experience. Which I guess it was.” 

by Kelly Barker