Genre: Fantasy

Solimar: The Sword of the Monarchs

Solimar, a soon-to-be princess of the kingdom of San Gregorio, is about to celebrate her fifteenth birthday. “After the quinceañera, she would be considered a princess of the world. And she would also officially be crowned Princess Solimar Socorro Reyes Guadalupe of San Gregorio.” 

Solimar’s home is known for its oyamel forest, a sacred place for the monarch butterflies that migrate each year. Solimar decides to watch the new generation of monarchs arrive in the oyamel forest. When Solimar goes to oyamel, she is surrounded by butterflies, who completely cover her arms and her rebozo, or shawl. Afterwards, Solimar notices that her rebozo looks as if it has “butterfly wings embedded in the fabric . . . and they’re shimmering.” The encounter with the monarchs gives Solimar the ability to predict the near future while she is wearing the rebozo and standing in sunlight. 

But then, on the eve of the kingdom’s annual supply trip, Solimar’s brother tells her, “He’s running away from home to join a ship because he doesn’t want to be king anytime soon, or possibly ever.” On top of this, when her father and brother set off on the trip, a neighboring king and his guards invade Solimar’s kingdom and take her mother and abuela hostage. The invading king plans to use Solimar’s mother and the rest of their family as a bargaining tool to force Solimar’s father to give him a thousand acres of their oyamel forest. Solimar hides just in time to escape the notice of the invaders and realizes it is up to her to find a way to warn her father of the invaders and their plans. Solimar, her bird Lázaro, and an enchanted talking doll set off on their quest down the river, in an attempt to “warn her father in time and change the destiny of her kingdom.”

Solimar is a sympathetic and strong female character that readers will connect with due to her determination and willingness to go against the mold. Though she is a soon-to-be princess, Solimar does not believe she needs to look a specific way to be considered royal. She explains that she prefers her hair short, and says, “Where does it say what a princess must look like?” She even argues with her brother and father for reform within the kingdom. She explains, “I wanted to change things in my kingdom. I have ideas about forming a council of men and women who advise the king and allowing everyone in the kingdom to vote,” instead of just men. 

Readers who enjoy fantasy and heroic journeys will love Solimar’s adventure to rescue her kingdom. This book occasionally showcases Spanish words, which can expand readers’ exposure to new vocabulary. The first time the Spanish words are used, they are typically explained in English, but readers will also be able to use context clues to identify the meanings. There is also a map of all the different locations Solimar visits as she journeys through the kingdom of San Gregorio at the front of the novel. 

Readers will sympathize with Solimar as she learns to appreciate her responsibilities to the kingdom. Solimar’s family also shows growth, as they ultimately decide to let their son, the prince, pursue the life of a sailor and “creat[e] a transport fleet for [their kingdom].” Another example of growth is when Solimar is hesitant to put on a crown, fancy shoes, and a gown for her quinceañera. Her dislike of these formalities symbolizes that she is afraid that in becoming a princess she will still not have a voice in making decisions that impact the kingdom. However, by the end of the novel, Solimar grows to appreciate her family, who trust her input and ideas and even appreciate the quinceañera’s formal ceremony. Overall, this book showcases the importance of family, friendship, and finding trustworthy people in tough situations. Readers eager to explore more books about friendship should also read A Thousand Questions by Saadia Faruqi and A Hundred Horses by Sarah Lean.

Sexual Content 

  • None

Violence 

  • Abuela’s friend who practices enchantments, Doña Flor, tells Solimar what will happen if someone tries to steal the magical rebozo from her. Doña Flor says, “Anyone who tries to break the bond would suffer the wrath of the ancestral spirits,” which means, “Rage, madness, impending doom.”
  • A leader of a rival kingdom breaks into Solimar’s family home. “Mothers called for their daughters. Girls cried. Footsteps scuffled. Chairs tipped over. A man’s booming voice ordered, ‘Be quiet!’” Solimar’s mother, grandmother, and friends are trapped and kept as hostages. “Abuela glanced over her shoulder and caught sight of Solimar. Her eyes filled with alarm, and almost imperceptibly . . .Abuela waved for Solimar to go away.” Solimar stays hidden and escapes.
  • The guards from the rival kingdom surround Solimar’s mother, abuela, and their advisors. “One stepped forward and announced, ‘By order of King Aveno, you all are under house arrest and may not leave the castle.’” When King Aveno enters, he reveals he is holding hostages to “gain the advantage I needed to negotiate for the land I wish to buy” from Solimar’s father, King Sebastián. 
  • Solimar’s friend, Berto, talks about his father who “died five years ago.” Berto does not describe the event in detail. 
  • King Aveno snatches the rebozo from Solimar and suddenly “the sky darkened, and a wind stirred and steadily grew . . . From the forest, a dark, tornado-like cloud raced toward the stage. [The king’s spy] and King Aveno held on to each other in an attempt to withstand the fierce gale. The wind roared.” The tornado “lifted away, growing smaller and smaller until it vanished. When the wind and world quieted, King Aveno and [his spy] were nowhere to be seen. All that remained were their boots and Solimar’s crumpled rebozo.”

Drugs and Alcohol 

  • None

Language 

  • Occasionally, Solimar’s Abuela proclaims “for heaven’s sake.”

Supernatural

  • When Solimar goes to watch the migration of the monarch butterflies, she suddenly is surrounded by them: “A swarm of monarchs descended and swirled around her—a blur of black, orange, and coral—creating an iridescent mist as if she was swaddled in the softest and nicest blanket.” She starts to hear “a rhythmic humming” and is not sure where it is coming from as, “The song persisted, though, and grew louder and louder until it reached a crescendo of haunting voices.”
  • After her encounter with the monarchs, Solimar notices a mystical substance around her. “Glittery specks lingered in the air like suspended jewels” and her shawl, or rebozo, is covered in the magical substance. “One side looks as if the butterfly wings are embedded in the fabric . . . and they’re shimmering.”
  • After Solimar’s encounter with the butterflies, she can predict things, such as when her abuela is about to fall down a hill while searching for a specific herb. Solimar explains, “I’ve never seen that herb before. I just knew where it was and that she would fall. But I don’t know how I knew.”
  • Solimar’s friend Josefina tells Solimar, “[My boyfriend] asked to meet me tonight, but he was so serious and standoffish that I am worried his feelings for me have changed. What will he tell me?” Solimar instantly begins to predict a proposal, “Only that he loves you…” And sure enough, this prediction does come true. 
  • To see if her predictions are only lucky guesses, Solimar asks her friend Maria to, “Ask me something else. Maybe about the expedition. Something I couldn’t already know.” Maria says, “When I talked to [the stable hand] only an hour ago, he mentioned your father had just decided on the horse he would ride in the lead tomorrow. Which stallion will have the honor of wearing the king’s colors?” Solimar answers correctly, confirming she can make predictions while wearing the magical shawl. 
  • Abuela takes Solimar to see a folk healer, “where few dared to travel unless they needed to be rid of a curse or cleansed of evil spirits.”
  • The folk healer, Doña Flor, taught Solimar’s grandma how to use herbs to help heal ailments. Abuela says, “Her enchantment is for good . . . some things at Doña Flor’s house are charmed. Just . . . be accepting. That’s all I ask. Embrace the mystery and the peculiarities.”
  • Doña Flor tells Solimar, “Your rebozo is the swaddle for the butterflies. You are now their protector and inseparably connected to them.” Because of this, Doña Flor reveals that the magic of the butterflies in the shawl “are safely embedded. It’s part of the magic, as is the ability for [Solimar] alone to bear their intuition about the near future and what lies ahead.”
  • Though Solimar is now able to access the magical intuition of the monarchs, she knows “each day that it is sunny, [Solimar] must open the rebozo to warm and strengthen those you carry. Otherwise [the monarchs] will never have the stamina to take leave and cluster in the trees.” In addition, Solimar must avoid people asking her questions in the sun because, “For every question you answer, it drains a little of [the butterflies’] strength. If they lose too much they will surely die.”
  • Doña Flor has enchanted dolls that “begin to chatter.” Doña Flor tells Solimar that “their enchantment is strong, yet they are generous souls and very helpful.”
  • Abuela has tried to use spells. She says, “I tried to make a love potion on [my cat] and the stable cat, hoping to make them compatible. But I wasn’t exactly successful . . . But instead of falling in love with each other, they fell in love with the first inanimate object they touched. In [her cat’s] case, it happened to be that green woolen sock she carries everywhere.”
  • Solimar uses magic to figure out which way to go in the dangerous devil’s river. Solimar “heard the chorus again — mystical and ancient and with such harmony that her arms prickled and tears filled her eyes. A clutch of monarchs lifted from the rebozo, their wings beating in time to the rhythmic song, and trailed after the swarm toward the waterway on the right.”
  • The magic of the monarchs can move a canoe without Solimar paddling it at all. “The canoe glided to the right, following the monarchs’ path.”
  • Solimar uses her predictive abilities to help navigate a perilous labyrinth of caves. She reveals, “The tunnel on the right is navigable, but there is no through passage. The water is stagnant, and the air is foul-smelling. The one in the middle has a rock ceiling that eventually becomes so low that the only way to pass is by swimming beneath it, underwater. The tunnel on the left leads to a long corridor and a bat-filled chamber.” She makes it safely out of the caves. 
  • Solimar and her abuela plan to distract the invading guards with an enchantment. As the invaders sit in the middle of the room waiting for the greedy king’s decision about his hostages, “The awnings above the audience collapsed, spilling all manner of household items into the audience: feather dusters, wooden spoons, tea towels. . . Everyone who had been forewarned about the pastries and had not eaten them laughed as each guard picked up an inanimate object — and immediately fell hopelessly in love with it. At least for a few weeks, they would be as lovestruck and preoccupied as [Abuela’s cat], whose sweetheart was a green woolen sock.”
  • Solimar carries the rebozo and protects the monarchs that are magically embedded inside until they are strong enough to leave. At that point, “A wave of butterflies erupted from the oyamel forest. They dove and swooped around Solimar. . . The ancient song began, beautiful and melodic. The butterflies lifted the fabric, turning it around and around in the sun, and waving it so that it rippled until the creases fell away.” The last butterfly “emerged . . . the last one she protected landed on [Solimar’s] finger, then flew away to join the others in the oyamel forest.”      

Spiritual Content 

  • Solimar’s kingdom is home to “the oyamel forest,” a forest that draws in monarch butterflies. She explains, “Like everyone in the kingdom, Solimar believed that the ancestors of the monarch butterflies inhabited the oyamel forest, and that year after year, their spirits lured a new generation of butterflies to this spot during their migrations.”
  • In Solimar’s kingdom of San Gregorio, “the forest and the monarchs were revered and protected,” and the forest is often referred to as “the sacred place.”
  • Solimar ponders what draws the butterflies to the forest each year. “Isn’t it amazing that the butterflies, that have never been here before, arrive season after season at the same spot as their ancestors? Is it the magnetic pull of the earth or the position of the sun as the scientists suggest? Or do the spirits of their fathers and mothers whisper directions to them in a dream? Is it some magical intuition that allows them to know what lies ahead? . . . it’s a miracle.”
  • The dangerous river that prevents Solimar’s kingdom from trading goods is referred to as “Río Diablo,” or the devil’s river. 
  • When Solimar and her abuela visit Doña Flor for advice on Solimar’s ability to predict things, Doña Flor uses scents and vapors to help her. Doña Flor “stopped and picked a few leaves from one of the dried bouquets hanging from the ceiling and tossed them on the fire. A crisp fragrance, like a muddle of pine and mint, filled the room. Doña Flor waved the vapors toward her and inhaled deeply.” Abuela explains, “The strong scent of eucalyptus helps with remembering.”
  • Doña Flor explains that when any of the monarchs of the oyamel forest are weak, “on those occasions, the ancestral sprits of the monarchs choose a benevolent courier to protect the stragglers until they are strong enough to join the others” on their migration.

The Last Leopard

Martine, her grandmother, and her best friend, Ben, are off to Zimbabwe to help her grandmother’s friend, Sadie, run her hotel in the Matobo Hills. But when they arrive, Martine realizes that someone wants to run Sadie off her land. Not only that, but hunters and treasure seekers are trying to capture Khan—a legendary giant leopard, rumored to be the rarest in the world. Can Martine help before it’s too late?

Martine is surprised when her grandmother announces they are going to Zimbabwe to help her friend Sadie. When they arrive at the isolated hotel, Martine discovers that Sadie is hiding something. Sadie eventually reveals that Mr. Ratcliffe has been trying to run Sadie out of business so he can hunt the legendary leopard, Khan. When the police unexpectedly arrest Martine’s grandmother and Sadie, Martine, and Ben vow to keep Khan safe even if it means putting themselves in danger. 

The third installment of the Legend of the Animal Healer Series has a darker mood than the previous books because it focuses on Mr. Ratcliffe’s greed and his “canned” hunting business. In order to keep his illegal business in operation, Mr. Ratcliffe bribes corrupt police officers. Mr. Ratcliffe is not content with hunting lions and other dangerous animals. Instead, he is also determined to kill the legendary leopard Khan—even if it means hurting others to obtain his goal.

When Martine’s grandmother and Sadie are arrested, Ngwenya, a local, helps Martine and Ben hide in a local village. This situation gives readers an inside look at the indigenous people who live in the bush. While the Zimbabwe culture is completely different from the United States, the communities shine with beauty even though, like any society, not everyone has pure intentions. The mix of characters that Martine and Ben meet adds interest to the story as well as highlights the negative aspects of greed. In the end, the story clearly shows that money is not important; instead, people only need “love, freedom, and enough to eat.”

The Last Leopard is a fast-paced story that teaches readers the horrors of canned hunting and the need for people to take action to save endangered animals. In the author’s note, St. John explains that illegal hunters have caused “cheetahs, lions, and hippos, animals we thought would be around forever, [to be moved] onto the endangered list, and the leopard, one of the world’s most elusive and beautiful creatures, [to be] in danger of being wiped out. Unless we act soon, we’ll wake up to discover that there is only one last leopard.”

Sexual Content 

  • None

Violence

  • According to legend, the tribe elders, including Lobengula, hid a treasure. Lobengula was suspected of “having several of his own brothers murdered.” After the treasure was hidden, “Lobengula ordered all who had buried the treasure to be killed in case they had thoughts of stealing it.”
  • When others went to search for the treasure, their expedition “was cursed. Men were struck down with illness none had ever seen before; charged by elephants or murdered by rivals; one even had his nose licked by a lion just before he was disemboweled.”
  • The story revolves around the practice of canned hunting which is “the wicked and widespread practice of putting lions, leopards, and other dangerous and hard-to-hunt animals in small enclosures so that ‘hunters’ are guaranteed a ‘kill’ or a trophy to hang on their walls.” Mr. Ratcliffe owns the Lazy J [?] which captures animals to be hunted.
  • Martine hears a shot. When she looks through binoculars, she sees “the lion lay dead on the ground. The hunter had one foot on its chest and one hand on his rifle, and he was smiling and posing for photographs. The lion’s blood was leaking out onto his boot, but he didn’t seem to notice.”
  • While in the wilderness, the leopard Khan knocks Martine to the ground. “His great paws thudded against her chest and his claws pierced her skin. She was winded and in pain. She could feel blood trickling down her armpit.” Martine can feel Khan’s hatred and fear as well as his exhaustion “from the endless struggle to survive.” When Khan hears others coming, he runs into the desert.
  • Martine and Ben sneak onto Mr. Ratcliffe’s property, where they find animals ready to be canned hunted. When the owner sees them, Martine and Ben run. As they ran, Khan “jumped from the sky” saving Martine and Ben. A man who witnessed the events says, “There was no shooting. One of the guides went to get his rifle and Khan opened up his chest with a swipe of his paw. That man will be spending many months in the hospital.”
  • To keep Martine and Ben out of the way, Mr. Ratcliffe pays a man named Griffin to kidnap the kids. “They’d been kidnapped at about nine o’clock in the morning and denied food or water until six in the evening because Martine refused to give Griffin any information on her gift.” After Martine pretends to tell the future, Griffin allows the kids to eat. Then, he locks them “in a dusty, windowless storeroom with nothing but a bottle of water, a wooden crate, and a couple of snacks.”
  • To escape from Griffin, Martine and Ben hatch a plan to have the “Enemy of Lions” ants bite Griffin. When the ants begin climbing up Griffin’s legs, he “let out a tormented scream. . . He was leaping, twisting, and screeching like a madman.” Griffin’s friends jump up to detain the kids but “Martine and Ben were ready with the sacks. A single swish sent showers of biting ants all over the men.” The kids escape.
  • Martine and Ben go in search of Khan. While searching, “a hand was clamped over [Martine’s] mouth.” Martine is able to flee, but Griffin follows her. “Griffin grabbed at her ankle and missed. Martine scooped a rock as she dodged him and threw it with all her might. The rock hit the bees’ nest square on.” The bees attack Griffin who “fled down the mountainside.” Later, Martine discovers that police found “a comatose figure by the roadside. . . he was so swollen that one of the constables described him as looking as if he’d been blown up with a bicycle pump.”
  • A guide pulls a gun on Ben, so Ben pretends that he will lead the guides to the leopard. Ben is uninjured. 

Language

  • An adult asks Martine, “What the heck do you think you’re doing?”

Drugs and Alcohol 

  • A young adult and his friends are looking for the location of the legendary treasure. They want to find the treasure so they can buy luxuries including cigarettes and whiskey. 
  • When a witch doctor is called to help a sick child, he chanted and “took a swig from a brown bottle at his side. . . In between chants, the witch doctor had continued to take long swallows from his brown bottle.” Before the end of the ceremony, the witch doctor passes out drunk.
  • Martine carries a survival kit that contains “three small brown bottles: one for headaches and pain, one to treat Bilharzia, a disease found in Zimbabwean rivers, and one for stomach ailments.” Martine gives the stomach medicine to the sick baby, who recovers.
  • One of Sadie’s workers discovers that the owner of the Lazy J. paid someone to poison the water tank for the cattle on Sadie’s property.

Supernatural

  • There are several witch doctors who use bones and other items to tell the future. One witch doctor tells Martine, “I will throw the bones and tell you what you need to know. . . what you call destiny is written in sand and not in stone.” During the ceremony, the witch doctor “scattered the bones onto the dry earth.”
  • The witch doctor tells Martine and Ben, “You are bound together, but you will be torn apart. When that happens, look to the House of Bees.”
  • Martine has a gift that allows her to feel the emotions of animals as well as heal them. When she finds Khan, who is injured, Martine uses her magic. When Martine uses her gift, she has a vision of “the ancients, the San Bushman. . . and they were chanting with her, encouraging her. . .  a magical energy came from them and passed through her as if she were a lightning conductor.”
  • When Martine’s hands heat up, she puts them on Khan’s wound. “At first the leopard writhed beneath her touch as if her hands were so hot they were singeing him but gradually his muscles relaxed and a peace came over him.” Afterward, Martine uses moss, honey, and super glue to treat Khan’s wound. 

Spiritual Content

  • The people of the Matobo Hills created shrines to worship “Mwali, the High God. Each shrine had its own guardian and they are looked after to this day.”
  • After Martine and Ben are kidnapped, Martine pretends to be ill. When Griffin sees her pale skin, he prays, “Mwali, don’t desert us now.” 

The Girl who Speaks Bear

Yanka, a twelve-year-old girl, lives in a small village with her foster mother, Mamochka. Yanka isn’t exactly sure of where she came from, but “Mamochka says I was about two years old when she found me outside the bear cave,” at which point, Mamocka took Yanka home and raised her as her own. Yanka has distinct memories of living in the bear cave and memories of “the bear who raised [her].” One day, a family friend, Anatoly, visits and tells Yanka about the Story of the Lime Tree’s Curse. In the story, Yanka recalls, “It was about an enchanted tree, and a woodsman and his family who were cursed to be bears” after the woodsman became too greedy while making demands of the magical lime tree. Yanka wonders if there may be a connection between this story and her past, as “that story was about people turning into bears and now my legs have become bear legs.” 

Yanka notices that she is different than the other children in her village. She says, “I tower above all the other twelve-year-olds, and most of the grown-ups too. And I’m stronger than everyone. Even the ice cutters and woodchoppers.” Yanka takes a great tumble at the village’s festival, and when she awakes, she realizes “My legs are enormous. Thick and muscular. And covered in fur . . . I have bear legs.” Yanka takes her new legs as a sign that she should explore her birthplace. She goes into the forest, hoping to discover more about her memories. 

Yanka is a very sympathetic character as she struggles to feel a sense of belonging that many readers may relate to. She explains, “But if I don’t know where I came from, how can I be sure where I belong?” Ultimately, When Yanka’s journeys to find her birth mother, Yanka discovers that her mother passed away, when she “was trying to rescue [Yanka’s] father. He was trapped in Smey’s [a fiery dragon] cavern.” Though her mother has died, Yanka learns that her mother left her with her grandmother, “The bear Tsarina.” Incredibly, Yanka realizes that her family has been cursed to turn into bears, but in some cases, they can periodically transform into humans. This makes Yanka wonder, “Am I meant to be a bear or a human?”  

Throughout her journey, Yanka shows immense growth, and she especially grows to appreciate the village people who love her. As she goes further into the forest to learn about her birth mother, Yanka begins to fully transform into a bear. However, once this happens, Yanka comes to understand “I’ve been so focused on where I don’t fit into the village that I’ve lost sight of where I do. I have a mother, Mamochka, who loves me. A best friend in Sasha . . . There is a place for me in the village.” This realization pushes Yanka to try to break her family’s curse so that she might return to her village once and for all.  

The folktale style of The Girl Who Speaks Bear will keep readers on their toes, as each chapter is set up as its own separate tale within the story. The chapters flow together in a way that helps readers understand Yanka and her family better. Readers will be interested in the use of many Russian words like “sbiten,” a hot honey drink, and they can find the meaning of each of these words in the glossary at the back of the book. 

Yanka ultimately finds that even the magic of the Lime Tree cannot undo “old curses,” such as the one placed on her family. However, Yanka learns to embrace the differences that make her stand out. She says, “I don’t want the curse to be broken. I don’t want to be only a human forever. I like being a bear too . . . I want to keep this gift and learn how to control it.” 

Overall, this story will capture readers’ hearts as Yanka embraces her love for the forest, as well as her love for her family in the village. The author employs folktales that connect with her grandmother’s Prussian heritage. This novel emphasizes the importance of appreciating the people who love you for who you are. Yanka explains, “I’ve seen so many amazing things on this journey . . . But above all, I’ve learned the importance of going home to the people you love.” 

Sexual Content  

  • None 

Violence  

  • Yanka decides to go into the forest to look for clues about the bears who raised her. She remembers the dangers that lie within the forest. “Fire dragons who would burn your life away and Yaga [people who collect souls of the dead] who would steal your soul.” 
  • In the forest, Yanka is attacked by a wolf called Ivan the Grey as she tries to cross through an area of the forest that is guarded by his pack of wolves. Yanka says, “I drop the lantern and raise my arms to protect myself. Ivan the Grey bites down on my elbow, crushing it between his powerful jaws, I yell in pain and fall back.” Yanka escapes further violence by telling Ivan the Grey that she knows about his missing claw and how it was stolen. 
  • Yanka and her pet weasel, Mousetrap, befriend a young elk who is being attacked by wolves. Suddenly, Yuri [the elk] screams… [Yanka] frowns at him, confused—then [makes] out a writhing dark creature on top of him. A wolf. Teeth flash as they bite into Yuri’s rump.” Yuri s escapes as Yanka and Mousetrap distract the wolf.  
  • Some animals in the forest explain how dangerous the fire dragon, Smey, is. The animals tell Yanka, “[Smey] poisons the air with his sulfurous breath and heats soil into bubbling mud . . . [Smey] sends fires through our forest, burning our trees, charring our den.” 
  • Yanka’s newfound ally, Ivan the Grey, attacks the dangerous dragon, Smey, “Ivan lets out a blood-chilling snarl and tears straight through the center of the dragon.” However, this does not kill the dragon, instead it exposes its heart, “a pulsing, beating heart made of fire.” 
  • Ivan the Grey is hurt after attacking Smey, “Ivan whimpers in pain as he lands awkwardly” after the dragon causes another explosion. Fortunately, Ivan is able to recover. 

Drugs and Alcohol  

  • Mamochka is a healer who uses herbs. “People say Mamochka can cure anything — that if she wanted to, she could cure the sky from bleeding at sunset — because she has the wisdom of the Snow Forest inside her.” Mamochka’s healing skills are paralleled by her caring personality, as she truly loves to help others.  
  • Mamochka makes Yanka remedies when she is ill. Yanka explains, “Whenever I’m unwell, [Mamochka] has a tonic or a tea to make me feel better. This winter she even made a special ointment, just for me, when I complained that my feet ached from growing too fast.” 
  • When Yanka wakes up to find that she has bear legs, Mamokchka tries applying various herbs to help fix it. Yanka says, “Through [Mamochka] said her remedies weren’t working, [Mamochka] still covers my legs with so many different herbs that I end up smelling like her medicine-mixing corner.” 

Language  

  • None 

Supernatural 

  • Yanka is able to talk to all the animals in the forest. For example, while she passes by the edge of the Snow Forest a bird speaks to her saying, “Yanka the Bear! Come back to the forest!” 
  • Yanka believes Anatoly, a friend of Yanka and Mamochka who frequently visits their home, and his stories about the forest. Yanka explains, “There’s a forest filled with creatures . . . A fiery dragon flies across the night sky and regal bears dance in a crumbling castle overgrown with vines. A house with chicken legs sprints along a riverbank and a pack of wolves hunt beneath a silver moon.” 
  • Yanka recalls, “The villagers tell stories about Yaga—witches who live in houses with chicken legs surrounded by skull-and-bone fences. In their stories, Yaga eat lost children and steal their souls.” However, Yanka’s encounter with the Yaga prove that they are not dangerous to the living, as they help Yanka find her lost family.  
  • The Yaga that Yanka meets live in a house that is animated and able to walk and move about on its legs. Yanka notices, “The porch balustrades curl around my back, helping to support me.’ 
  • Yanka grandparents were curses and turned into bears, which happened overnight. “But all too soon, [Yanka’s grandfather] came home pale and trembeling, and everything changed. [Yanka’s grandfather] would not tell [Yanka’s grandmother] what had happened and fell asleep with his head on her lap . . . And when they awoke, [Yanka’s grandparents] were bears.” 
  • The Yaga bring one particular fisherman back to life. “The Yaga grabbed the fisherman’s soul and ran to his bosy. ‘Get back in!’ she ordered with such fierceness that the fisherman dared not refuse. He lay down in his body and breath surged into his lungs.” The fisherman was actually Yanka’s father.  

Spiritual Content  

  • As part of her village’s annual festival to celebrate the start of spring, Yanka is “chosen to carry Winter,” as “every year at the festival, a big straw doll called Winter is burned, to symbolize the end of winter and the coming of spring. Carrying Winter is a real honor, usually given to one of the grown-ups who has contributed most to village life over the season.” Yanka’s strength is central to her being chosen for this role.  
  • Occasionally, some characters exclaim, “for spirit’s sake.” 

Magical Imperfect

Etan is a twelve-year-old boy whose life is full of silence, earthquakes, and a bit of magic. He lives in a world that is both familiar and unfamiliar. The ground beneath his feet is constantly shaking, threatening to upend everything he knows. But despite the danger, Etan finds solace in the game of baseball, a sport that has been a part of his life since he was old enough to hold a bat.

However, Etan’s world is turned upside down when his mother is admitted to a mental institution. He suddenly finds himself unable to express his thoughts and feelings because his words are trapped inside his head. Without the ability to communicate, Etan feels isolated from the other kids his age since he is unable to reach out and connect with them.

But there is one person who understands him better than anyone else: his grandfather. Raised in a close-knit community of immigrants, Etan’s grandfather knows the value of acceptance and understanding. He doesn’t judge Etan for his silence, but instead offers him the comfort and support he needs to navigate this difficult time.

Not everyone in the community is as kind-hearted as Etan’s grandfather. When a local shopkeeper asks Etan to run an errand for him, this sets off a chain of events that will change Etan’s life forever. While running the errand, Ethan Meets Malia Agbayani, whom the boys at school have nicknamed “the creature.” At first, Etan is hesitant to approach her, but when he finally does, he discovers a kindred spirit. Despite her nickname, Malia’s voice is like music to Etan’s ears. She sees the world in a unique way, and her perspective helps Etan to find his own voice. As they spend time together, Etan realizes that outside of his community, there is a world full of people who are different but just as valuable. With this newfound understanding, Etan’s world begins to open in ways he never thought possible.

Etan is a truly endearing main character that will captivate the reader’s imagination. His journey through the obstacle of selective mutism is truly inspiring, as he learns how to overcome his personal struggles and create new friendships. As the reader follows his journey, they are taken on a fascinating exploration of his family’s rich Jewish history, with all of its intricate traditions and customs. Through Etan’s eyes, the reader is transported to a world full of magic and wonder, where anything is possible if you believe in yourself. With each passing chapter, the reader will feel more and more invested in Etan’s story, eagerly anticipating what will happen next and how he will continue to grow as a person.

Readers will also be captivated not only by the wisdom and mysticism displayed by Etan’s grandfather but also by the rich cultural context he provides. Through his tales from his homeland in Prague, the grandfather shares his deep knowledge of the Jewish religion and the Hebrew language. Moreover, his character serves as a powerful reminder that everyone has the ability to create magic in the world – all that is required is a strong belief and a heart full of love. The reader cannot help but be inspired by the grandfather’s teachings, and they will come away with a renewed appreciation for the beauty and diversity of world cultures.

The Magical Imperfect is a heartwarming tale that emphasizes the value of embracing diversity and the true meaning of unity. The author beautifully showcases the power of empathy and compassion, and how they have the ability to bring people together. Through vivid descriptions and relatable characters, The Magical Imperfect teaches us that our differences should be celebrated rather than feared and that we should strive to build bridges of understanding and respect. Overall, this book is an excellent reminder of the importance of kindness and acceptance in our increasingly diverse world. This is a rich, rewarding, and deeply moving story that is sure to touch the hearts of readers of all ages.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • Malia, Etan’s friend, introduces Etan to a spot that is full of magic. “These are the Sitting Stones. This is where the trees listen the most. The pool is magical . . . But this water is magic.”
  • During an earthquake, Ethan gets a small cut on his arm. His grandfather sees the cut and decides to show him the power of the clay. Grandfather pulls Ethan close “presses down his two clay fingers on the cut on my arm . . . The cut is gone. I search with my fingers, trace my skin up and down, and back and forth . . . Then it feels like the world starts to spin cold and warm all at once. . .” Ethan’s grandfather explains, “Your body, Etan, it’s experienced something from another time, an ancient thing giving its power to something new right now.”
  • Etan and Malia visit the Sitting Stones and he begins to wonder if the clay inside the pool could heal. He wonders if it would help heal Malia’s eczema issues.
  • Another object that is considered magical is a small green stone that Etan is given. The stone helps give him the strength to find words to speak. His grandfather explains,  “This, he says, is a bareket, an emerald, an ancient, powerful stone, like from the breastplate of Aaron . . . When you feel afraid to speak, hold the stone in your hand, tight tight tight, and it will bring you courage.” 
  • In order to heal Malia’s eczema, Etan and Malia combine his grandfather’s clay and the clay from the Sitting Stones pool. Ethan puts “clay on two fingers, dab it onto her face, around her eye. I [Ethan] pray, think of the trees, the pool, my green bareket, somewhere in the water . . . When most of the clay is off my hands, Malia starts humming, her voice like light. ‘Look!’ she cries. Her red, swollen arms are smooth, clear, like the red was never there.” To both of their amazement, the clay makes the redness disappear. 

Spiritual Content 

  • Etan’s family holds religion near and dear to their heart. His grandfather is a Jewish immigrant that uses his religion and the magic associated with it to teach Etan different lessons about life. He often reminds Etan how important it is to remember his heritage and the different objects that help represent them. When Etan’s grandfather leaves his workshop early, it is usually for a specific religious activity, like lighting the Shabbat Candles. “When he leaves extra early so he can be home to light the Shabbat candles. The candles, he says, they make us Jews.”
  • Etan’s grandfather has a small box full of valuables from his life in Prague. He believes that the objects within hold a magical power that each represents a different thing. The object most talked about in the book is the clay. “This is the last of the clay taken from the Vlata River by your ancestor, the Maharal himself . . . It’s the clay of the golem; it once made a terrible monster that defended the Jewish people in their time of great need.”
  • There are mentions of aspects of the Jewish religion throughout the text, but it isn’t until Etan begins to pray when using the clay on Malia, that there is a full string of Hebrew language used. “Baruch ata Adonaim Eloheinu Melech ha-olam, hamotzi lechem min ha’aretz.” This is the prayer that they say for bread at Shabbat.

Kitty and the Twilight Trouble

Girl by day. Cat by night. Ready for adventure! In the sixth book of this popular chapter book series, Kitty, a little girl with catlike superpowers, must teach a new friend what it takes to be a true superhero.  

Kitty is looking forward to visiting the carnival with her family and her cat crew. But her feline friend, Pixie, is too busy spending time with Hazel, a new superhero. When near disaster strikes at the carnival, Kitty uses her catlike superpowers to help. But Hazel thinks she can save the day without any assistance from Kitty. Can Kitty show Hazel what being a true superhero means, before someone gets hurt? 

Kitty returns in this fast-action story that focuses on friendship. In this new installment of the series, Kitty and her cat crew experience friendship trouble when Pixie meets a new friend, Hazel. Pixie starts spending all her time with Hazel and ignores everyone else. Even though Kitty and the cat crew are hurt, Kitty tries to be understanding and non-judgmental. When Figaro complains about Hazel, Kitty says, “She might be really nice once you get to know her.” Even though it’s difficult, Kitty doesn’t criticize Hazel.  

But when Kitty finally meets Hazel, Hazel is mean. Hazel tells Kitty, “Pixie is my sidekick now. She doesn’t need you anymore.” Kitty is upset and wonders why Pixie didn’t stick up for her. However, when Hazel and Pixie need help, Kitty doesn’t think twice; she jumps in to rescue the two cats. In the end, Kitty forgives both Hazel’s and Pixie’s bad behavior and even befriends Hazel. Kitty realizes that “being a superhero is more than being brave. It’s about being kind, too, and looking for the best in others—animals and humans.”  

Kitty and the Twilight Trouble has a fast-paced plot that will keep readers engaged until the very end. Each page has illustrations ranging from cat prints to detailed illustrations of Kitty and her activities. The illustrations are black and white with a pop of orange. The beautiful pictures will help readers visualize the story. Although most of the vocabulary is easy, younger readers may need help with some of the words such as harrumphing, clambered, dangerously, and slunk. 

Whether readers are new to the Kitty Series or have read them all, Kitty and the Twilight Trouble will captivate them. Newly independent readers will fall in love with Kitty because she is brave and kind; however, she is not perfect and learns from her mistakes. In the end, the story teaches that friends forgive each other. Both parents and children will love the Kitty Series because Kitty and her cat crew show the importance of being kind and having empathy for others. If you’re looking for another cute cat book that teaches about friendship, check out Pioneer Cat by William Hooks or The Catfish Club by Sudipta Bardhan-Quallen. 

Sexual Content  

  • None

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language  

  • Hazel calls Kitty a “silly human.” 
  • A cat, Figaro, says, “That Hazel is a menace!” 

Supernatural 

  • Kitty has “catlike” superpowers that allow her to jump and somersault. “With her superpowered senses, she could see in the dark and hear sounds from miles away.” 

Spiritual Content  

  • None 

Found

On one fateful day at Sky Trails Air, an airplane full of 36 infants and no adults appears out of thin air. Thirteen years after the plane incident, readers meet Jonah Skidmore and Chip Winston, neighbors, and new friends. The boys were adopted thirteen years ago, and both receive mysterious letters that read “You are one of the missing” and “Beware! They’re coming back to get you.” 

When trying to find out what the letters mean, the boys meet an FBI agent who refuses to share any information regarding a matter of “national security.” After a bit more digging, the boys discover they were victims of a vast smuggling operation and are now caught in a battle between two opposing forces that want very different outcomes for Jonah’s and Chip’s lives. The boys struggle to decide how to protect the lives of all 36 children and must choose to return to the future or stay in the current time which might ruin the fabric of time. 

Jonah is the primary protagonist, who is nonchalant about most things in his life — adoption, planning, confrontation, and more. However, when others are in trouble, Jonah is the first to step up and fight. Chip is Jonah’s newest neighbor and friend, and the boys bond over their mysterious situation. Chip is more emotional than Jonah, and he is more prepared to jump into situations headfirst. Jonah’s younger sister, Katherine, is intrigued by the mystery and is enthusiastic to help —  sometimes to a fault. Jonah reflects that “she made this whole mess sound as if it was just a challenging math problem . . . this was just an intriguing puzzle to her.” Chip and Katherine are more eager to find clues than Jonah, who ends up being the voice of reason at times. Despite their differences in approach to the challenge, the three characters work together to solve the mystery.

Found is a phenomenal book for young teens as they begin to question their identity and relationships with others. The book’s primary theme is identity, as Jonah and Chip try to answer the question: “Who am I?” While not every adolescent isn’t adopted or struggling with a multi-generational infant-smuggling operation from the future, readers can appreciate how the characters work to understand their past and how to shape their future. However, there are plot holes in the story regarding how the timeline works and there is little background on what the reader knows about Chip and Jonah’s past. The questions readers are left with leave them to continue reading the series to find answers.

The action-packed book has suspenseful turns that readers won’t expect. For readers who love science fiction and mystery, Found is a perfect story. The science isn’t entirely explained, but if readers are able to look past that and focus on the story, the book will be hard to put down. The main characters are brave and try to do the right thing, which could inspire readers to do the same. This is the first book in an eight-part series, so the book ends on a cliffhanger to keep readers engaged and interested in the next book: Sent. 

Sexual Content 

  • Chip admits that he has a crush on Jonah’s sister, Katherine. When Jonah’s mom finds out Katherine is hanging out at Chip’s house, alone, she thinks, “There couldn’t be anything romantic going on between those two, could there? She’s only in sixth grade, but this is an older boy . . . ”

Violence 

  • After Chip learned he was adopted, his father refused to talk about the topic. This upsets Jonah, who fantasizes about “stalking over to Chip’s house, swinging his best punch, and hitting Chip’s dad right in the mouth. He wanted to hit him a couple of times.”
  • Someone tries to abduct Jonah, Chip, and Katherine when they meet with an eyewitness from the plane incident, Angela DuPre. Someone else jumps onto the abductor, which allows the children to get away. The person who tackles the abductor “had one hand pressed into the other man’s hair, holding his head down. With his other hand, the tackler was frantically waving Jonah away.” The teens are able to safely escape with no injuries.
  • Two of the bad guys get tased while trying to abduct the teens in order to return them to the correct time. Angela DuPre “pointed her gun at [one] and a stream of light shot across the room, jolting him. He let out a scream and fell to the ground, twitching.” The men are stunned momentarily but are not seriously injured.
  • The final fight scene between the attackers and the children gets violent. Jonah has a direct confrontation with one of the bad guys named Gary. “With one hand, Jonah grabbed for Gary’s hair, with the other, he poked his fingers into Gary’s eyes . . . Jonah let go of Gary’s hair just as Gary was shoving him away, flinging him toward the stone wall. Jonah slammed against the wall hard. He thought he could feel every bone of his spine hitting rock, one bone after the other.” Jonah is not seriously hurt, and able to run immediately after. This scene only lasts one page.

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • The teens believe there is a ghost sharing information with them. 
  • Angela DuPre has a conspiracy that Chip and Jonah were part of an attempt to travel back in time. Angela explains, “the theories are that if anything could go faster than light, all sorts of weird things would happen. Time and space would have a different relationship.”

Spiritual Content 

  • None

Beyond the Kingdoms

Alex and Conner Bailey once lived the fairytale life most kids dream of. They spent the past few weeks in The Land of Stories – a world of kingdoms where fairy tales are true and their friends are famous storybook characters such as Little Red Riding Hood and Mother Goose. However, Alex and Conner aren’t living in a fairytale anymore. Following the death of the twins’ grandmother, the Fairy Godmother, The Land of Stories is threatened by the Masked Man, who is amassing an army to destroy the Land of Stories once and for all. 

The story picks up where A Grim Warning left off, with Alex and Conner hunting down the Masked Man. Alex is desperate to prove that the Masked Man is her late father after seeing him unmasked briefly, but no one believes her. Alex and Conner track him to a tavern where he uses a portal to escape. When the Masked Man vanished, Alex and Conner struggle to find their next clue. Meanwhile, Alex has had trouble with her new role as the Fairy Godmother, as her powers have become uncontrollable. Her unreliable powers lead her to lash out unexpectedly and almost cause harm to her friends. Because of this, the Fairy Council decides to remove her from the position of Fairy Godmother.

Upset, Alex runs away and meets with Mother Goose, who decides to help Alex prove The Masked Man is her father. They discover that The Fairy Godmother had two children, the twins’ father and Lloyd, who grew up despising magic and had ambitions to destroy the Land of Stories. Because of this, the Fairy Godmother killed Lloyd’s magic and had him imprisoned. However, Lloyd has recently obtained a potion and a collection of books from the human world. With these two items, he can travel to other fictional worlds, where he plans to recruit an army. 

With the new information, Alex regroups with Conner. They take their own potion and chase the Masked Man through fictional worlds such as The Wizard of Oz, Alice in Wonderland, Peter Pan, King Arthur, and Robin Hood. Teaming up with famous characters such as Arthur and the Tin Woodman, they make it back to the Fairy World too late – the Masked Man has already started launching attacks on the kingdoms, which sends the fictional world into chaos.

The Land of Stories Series is filled with twists and turns that will keep the reader guessing. While keeping track of the long list of characters is difficult, the series is entertaining because of the modern twists of a classic fairy tales. Conner is a funny and witty character who is dedicated to his sister and provides much-needed comic relief. Meanwhile, Alex is more serious, as she struggles with the responsibility of being the Fairy Godmother and managing her powers. She grows the most as a character, learning to take responsibility for her actions while also moving on. After loosing her position on the Fairy Council, she says, “My biggest fear was disappointing someone, and then after one moment of weakness, I ended up disappointing the entire fairy tale world. But rather than fighting the world that discarded me, I chose to continue saving it. So maybe greatness isn’t about being immortal, or glorious, or popular – it’s about choosing to fight for the greater good of the world, even if the world’s turned its back on you.” 

Though it seems like everyone is against her, Alex follows her heart and trusts that, in time, people will see her point of view. Many of the characters who have been villains in The Land of Stories Series refuse to forgive others and direct their anger back at the world, thinking that will make them happy. But Alex knows this won’t work. To be happy, one must be content with their own decisions. This is why – even when Alex is tempted to stay in one of the other fictional worlds she travels to – she instead returns to the Land of Stories, knowing she would regret not saving the fairy tale world. 

Overall, Alex and Conner stick to their morals and by each other, helping even when things seem grim. The twins and their allies protect the world they love in the face of great odds. The story ends on a cliffhanger as Conner proposes a way to beat the Masked Man. Conner wants to return to the real world to get his own stories, but we’re left wondering how Conner’s writing will help. Readers will have to tune in to the next installment, An Author’s Odyssey, to find out if Alex and Conner can save the Land of Stories before it’s too late. Readers who are ready to jump into another captivating series with lots of action and adventure should also read Keepers of the Lost Cities by Shannon Messenger.

Sexual Content 

  • Alex kisses Rook, her former boyfriend, on the cheek. 
  • Alex kisses Arthur. “[Alex] leaned over and kissed Arthur more passionately than she had ever kissed anyone. . . Arthur kissed Alex back. . . They lay under the stars and kissed each other” until morning. 
  • Maid Marion and Robin Hood “share a kiss” as Robin Hood sneaks into her bedroom. 
  • Mother Goose and Merlin fall in love. Merlin kisses Mother Goose’s cheek.  

Violence 

  • In the Hall of Dreams (see supernatural), the Fairy Godmother looks at her son’s dream and sees his desire to destroy the Land of Stories. “There was destruction everywhere she looked. Castles and palaces were crumbling to the ground and villages were on fire. The ground was covered in carcasses of every creature imaginable.”
  • The Masked Man slaps a soldier who makes him angry. “The Masked Man backhanded [the soldier] across the face.”
  • With her sword, Goldilocks cuts off a witch’s arm. “[The witch] crawled across the walls like a lizard and lunged for Goldilocks. [Goldilocks] swung her sword and sliced off the witch’s left arm.” The witch’s arm grows back. 
  • Jack is attacked by bugs. “Hundreds of insects crawled out of the witch’s tree-bark skin and attacked him, biting and stinging all over his body.” 
  • Alex uses her powers to choke one of the Masked Man’s soldiers. “The trees around the creek suddenly came to life. They grabbed every person at the creek except for Alex with their branches and held them tightly to their trunks. . . The branches wrapped around [the soldier’s] throat and choked him. . . He was gagging and could barely speak.” Alex lets him go. 
  • In a flashback, the Fairy Godmother kills her son’s magic so that he won’t take over the world. “The boy turned back around and saw his mother pointing her wand at him. POW! Ropes blasted out of the tip of her wand and wrapped her son around a tree. . . The Fairy Godmother pointed her wand at him again and hit her son with a bright blast of light. A few moments later, a sparkling silhouette his exact shape and size fell out of him. The Fairy Godmother waved her wand and chains wrapped around the silhouette. She dragged it into the river and held it under the water. The silhouette squirmed and convulsed as the Fairy Godmother drowned it, splashing water everywhere. . . Little by little, the silhouette faded in the water until it washed away completely.”
  • The Tin Woodman tells the story of how he was made. “The Wicked Witch of the East cast a spell on my axe, causing it to slip out of my hand and cut off my limbs one at a time, eventually severing my head and splitting open my body. A local tinsmith rebuilt me one appendage at a time until I was made entirely of tin.” 
  • Red discovers that the witch, Morina, has been kidnapping children and draining their youth and beauty to make potions that make other people seem younger. Eventually, these children die. 
  • Morina kills another witch. “Morina raised a hand towards [the witch] and she suddenly went as stiff as a board. Her stone skin cracked and chipped away until [the witch] crumbled into nothing but a pile of rocks on the ground.” 

Drugs and Alcohol 

  • Mother Goose carries a flask with alcohol or “bubbly” inside, that she occasionally drinks. 
  • While in Wonderland, the caterpillar from the story smokes a hookah. Mother Goose joins him and also smokes from the hookah briefly. 
  • Alex meets Merlin and Mother Goose when they are “three-quarters deep into a large bottle of ale.”

Language   

  • The Masked Man calls one of his soldiers an “idiot.” 
  • Goldilocks is pregnant. After crying, she says “damn these hormones!” 
  • Mother Goose calls the Fairy Council “uppity, colorful know-it-alls.” She later calls a woman a “loon.” 
  • Jack asks, “What the hell happened?” 
  • Red says that she’s going to kill the woman who stole her fiancé, Charlie. “I’m thinking about the day I get Charlie back, and get to slaughter Morina like the cow she is!” 
  • Mother Goose says the biggest “jerk” she’s had a fling with, was Charlemagne.

Supernatural 

  • In the Land of Stories, all fairy tales are real and magic is abundant, from witches casting spells to mythical creatures such as unicorns and mermaids. People use magic for everything, from teleportation to healing injuries.
  • A major aspect of this story is a potion that allows the user to open a portal into any fictional book of their choosing. The Fairy Godmother uses the potion to travel into Frankenstein. “As soon as the third drop [of the potion] made contact, the book illuminated like a gigantic spotlight . . [The Fairy Godmother] clutched her wand and stepped straight into the beam of light.” Other characters throughout the story will use the potion to travel into stories such as Robin Hood, The Wizard of Oz, and Peter Pan. 
  • The Fairy Palace, where the Fairy Council lives, has a Hall of Dreams, where each person’s dreams are stored. “[The Fairy Godmother] pushed opened the double doors and stepped into the boundless space and watched the thousands of orbs floating around. Each orb represented someone’s dream.”

Spiritual Content 

  • None

The Tea Dragon Tapestry

The final installment in the Tea Dragon Trilogy, The Tea Dragon Tapestry, is a soothing synthesis of characters from the previous books who come together to celebrate their culture in a charming fantasy realm. In the opening pages, readers are reunited with Greta, a teenage villager training to be a blacksmith, and her love interest Minette, a young prophetess healing from traumatic memory loss.

When Minette receives an illustrious tapestry from the monastery she used to call home, she is reimmersed in a culture she left behind. She begins to have strange dreams about the Ancestor – the sacred creature depicted on the tapestry. Meanwhile, Greta is preparing to study under Kleitos, a master blacksmith. She also fosters pet tea dragons, one of whom is grieving over a former owner.

Greta and Minette meet Rinn and Aedhan, who have traveled from a mountain village to visit Rinn’s uncle, Erik, and his partner, Hesekiel. Readers will recognize these older characters from the previous books. Greta and Minette learn important life lessons from their role models, such as how to belong in a new place and reconnect with one’s origins and identity.

Greta completes a project to demonstrate her skill to Kleitos, and Minette weaves more details onto the tapestry to contribute to her culture. The graphic novel concludes with an epilogue in the form of a letter written by Hesekiel. The letter details how his generation has passed on their legacy to the younger generation, and how the cycle of life and death gives him hope for the future.

Nonbinary readers will likely identify with Rinn and Aedhan, as well as the elusive Ancestor, all of whom use they/them pronouns. Queerness is not called into question or judged in this world. The Tea Dragon Tapestry also provides positive representation for physically disabled people, as Erik lives a fulfilling life regardless of being confined to a wheelchair.

O’Neill’s endearing artistic style continues to immerse readers in a flourishing realm that values family, traditions, nature, and following one’s heart. Their choice of colors is more vibrant and pastel than the previous books. The Tea Dragon Tapestry brings satisfying closure and momentous hope to the series. Like previous installments, this book shows an impressive capacity for storytelling, art, and positive representation.

Sexual Content

  • None

Violence

  • Erik and Kleitos playfully duel with swords in a field, but nobody is injured.

Drugs and Alcohol 

  • When brewed into tea, leaves harvested from the small household pets known as tea dragons have the power to send the drinker into a trance and allow them to glimpse their own memories or past events experienced by those around them.

Language 

  • None

Supernatural

  • The book includes multiple fantasy creatures, such as shapeshifting dragons, anthropomorphic birds, and humans with features like tails, horns, furred ears, or goat legs.

Spiritual Content 

  • Minette’s culture performs rituals and prayers to a being known as the Ancestor. Minette formerly lived at a monastery dedicated to this primordial creature.

Amulet Keepers

Strange things are happening in London. Red rain is flooding the streets. People are going missing. And someone is opening graves in Highgate Cemetery . . .
 
Only Alex and his best friend, Ren, suspect the truth. A Death Walker, a powerful ancient Egyptian evil, is behind the chaos. Their quest to stop him takes them from New York to London, and from the land of the living to the deep underground tombs of the long dead. Will they stop the Death Walker before he gets too powerful . . . or will the tombs claim them, too

The second installment of the TombQuest Series jumps into action right from the start. Even though the plot is similar to The Book of the Dead, Amulet Keepers ramps up the fear factor, especially since part of the mystery revolves around a missing boy. Amulet Keepers has more violence and may frighten younger readers, especially because the Death Walker steals people’s souls. In order to break up the tense scenes, Alex’s cousin Luke appears several times. Luke adds some humor to the story and his athletic abilities come in handy while fighting several thugs.

Many readers will empathize with Alex, who is desperate to find his missing mother. However, Alex’s short temper occasionally borders on the side of being thoughtless and mean. Nevertheless, Alex’s best friend Ren has Alex’s back, even when she becomes frustrated by his bossy attitude. Despite Alex’s behavior, readers will appreciate how all three characters — Alex, Ren, and Luke — have different strengths that help defeat the Death Walker. Amulet Keepers also introduces a mummified cat to the cast of characters, which adds an interesting twist. 

TombQuest is an exciting series full of action and adventure that will keep readers engaged but might frighten some readers. Readers wanting a fast-paced story where danger — and mummies — lurk around every corner will find Amulet Keepers entertaining. Readers who want an adventure that doesn’t involve the dead coming back to life will find Keeper of the Lost Cities by Shannon Messenger more to their liking.

Sexual Content 

  • None

Violence 

  • A man is walking in his neighborhood when a dead mummy attacks. The man screams, but “the neighbors stayed in their beds, pulling the sheets a little closer. And so none of them saw the powerful figure of one man drag the limp frame of another out of the light at the edge of the village. . .” 
  • While leaving the airport, Alex and Ren are ambushed by Liam, a thug that works for The Order. Alex’s “own heavy suitcase crashed into him. Liam swung the thing like a Ping-Pong paddle, clocking Alex hard on the shoulder and sending him sprawling to the pavement. . . Out of the corner of his eyes, he saw Liam bring the suitcase down toward Ren, trying to swat her like a fly.” Ren is “knocked flat.”  Then, Liam puts a zip tie around Alex’s wrists.
  • Liam tries to put Ren and Alex into a van. “As he reached out for Alex, a shoulder slammed hard into Liam’s gut and a pair of arms wrapped up the tops of his thick legs. . . Liam’s mouth formed a perfect round O as he fell backward and his head slammed into the side of the van.” After Alex’s cousin, Luke, incapacitates Liam, the kids escape. The scene is described over three pages.
  • Liam follows the kids to a museum. To get into the parking lot, Liam has to take care of the security guard, Glenn. Liam “grabbed the back of Glenn’s head with one powerful hand as the other one shot up towards the guard’s neck. The gleaming metal point of a large hypodermic needle sank deep into the soft, pale flesh of Glenn’s neck. . . the guard fell still.” The guard was injected with horse tranquilizers and was “lucky to be alive.”
  • When a Death Walker comes after Ren and Alex, Alex grabs the scarab, and “a powerful phantom wind rose up. . . it was enough to slow [the Death Walker] and knock him off balance.” During the fight, Alex shoots a “spear of wind” at the Death Walker, but “the creature opened his mouth wide and ate it. The wind disappeared into a howling vacuum inside.” The creature tries to feed on Ren’s soul. Alex saw “a flicker and a blur as a mirror image of his best friend slowly began to pull away from her body. . .He looked down and saw the same thing happening to him.”
  • Alex uses his scarab’s magic when the Death Walker tries to feed on Alex and Ren. With his eyes, Alex breaks a tree branch. “The Walker looked up in surprise, pointing his open mouth at the falling branch. . . A moment later, the branch crashed down on his oversized frame, knocking the foul man-thing to the ground.” The kids are able to run away from the Walker. The scene is described over four pages.
  • Dr. Aditi, who was helping Alex and Ren, is in a cemetery when the Death Walker sees her. “Two strong hands clamped down on her shoulders. . . The powerful hands dug into her shoulders as he opened his mouth wide and showed her oblivion. The world went cold, and the last thing she saw as her eyes turned white and her lips edged past purple was her very self, slipping away.”
  • While in an isolated part of a museum, Liam corners Ren. “There was nowhere to go, no other exit, but she put the room’s one bench in between her and the towering thug.” Liam takes out a syringe of horse tranquilizer. “He stabbed out with the syringe. . . she screamed as the point of the needle raked across her left arm.”
  • Ren tries to run from Liam, but “he reeled her in like a wriggling trout as the drop of tranquilizer began to take effect and her vision began to blur.” Luke and Alex jump in to help Ren. Alex uses his amulet to push Liam’s lookout down the stairs. Then, Alex “squeezed his fingers into a sharp point and . . . a lance of concentrated air caught Liam directly under his chin, sending him reeling backwards.” Then, Luke “lowered his shoulder and crashed into the back of Liam’s legs, sending the big man toppling over him and onto the floor.” 
  • When Liam tries to take an unconscious Ren, Alex attacks the thug with wind. “As Liam rose onto one knee, his body jerked violently off the floor and spun toward the other two men. His big frame caught them at shoulder level and all three landed in a heap . . . grunting from pain and surprise.” All three kids escape without injury. The scene is described over six pages.
  • After failing to capture Alex and Ren, Liam is taken to the Death Walker. “Liam felt his body lift off the ground, his feet kicking out from underneath him. He could only flap his arms helplessly as he was slammed back down. The back of his head crashed into the hard-packed dirt and knocked him out cold.” Liam is mummified.
  • Alex and Ren are in a series of tunnels under a cemetery when “a massive force struck Alex so hard that he flew sideways into the wall . . . he left an Alex-shaped impression in it as he slumped down to the floor . . . Ren spun around to find the long iron snout of a crocodile mask turned toward her like the barrel of a gun. Her hands wrestled futilely with an unseen force clamping down hard on her throat, cutting off the blood flow.” The Death Walker’s servant, Te-mesah, ties up Alex and Ren.
  • To force Alex to talk, Te-mesah hurts Ren. “Ren gasped with pain and surprise as her bound hands were yanked over her head. . .Ren’s feet were a foot off the ground. . . Her face was a mask of pain and despair.” 
  • Pai, a mummified cat, comes to Ren’s aid. “Pai hissed again, gathered her haunches underneath her, and jumped. . . Te-mesah put his hands up, but it was too late. . . He stumbled backward and smacked into the wall, then . . .attempted to pry the hissing whirlwind from his head.” While Te-mesah is occupied, Ren and Alex escape. The scene is described over three pages.
  • While in the tunnels, Alex and Ren find Willoughby (a Death Walker). Willoughby had Robbie, “a young boy, tied to a stone slab in front of him. The boy turned his tear-streaked face toward them. He screamed for help, but a filthy rag tied over his mouth muffled the words.” 
  • A mummy begins to chase Robbie but he “executed a nifty soccer-field fake. . . the mummy barreled straight ahead, as mummies do. Alex grasped his amulet, raised his right hand, and released the most powerful lance of wind yet. . .The mummy toppled forward at full speed and wiped Willoughby out.” 
  • Willoughby focuses on Alex, deciding “who to kill first. . . [the Death Walker] punched his hand forward again, and Alex’s body convulsed hard on the floor. . .He reached up and wiped his mouth painting a red smear across the back of his hand.”
  • Robbie cuts off Willoughby’s hand. “The metal shears snapped shut, making a grotesque sound as they cut through muscle and old bone. Robbie squeezed with every muscle in his small body – and all the anger in there, too – leaning his chest and all his weight down on the handles. . . Willoughby’s hand dropped to the dirt floor with a dull thud.” 

Drugs and Alcohol 

  • After using his magic, Alex’s head hurts so he “rifled through his stuff for his bottle of headache pills, took two too many, and collapsed onto his bed.” 

Language 

  • When Alex is being mean to Ren, she tells him, “Don’t be a jerk.”
  • Alex calls the Death Walker’s servant a scumbag.
  • Freaking and heck are both used once.

Supernatural

  • In England, it rains blood several times.
  • Alex has a scarab amulet that gives him special powers such as being able to sense the dead and control wind.  
  • Ren befriends the mummy of Bastet. “Part protector and part predator, the cat-headed goddess was both revered and feared in ancient Egypt.” 
  • The mummy of Bastet gives Ren an amulet in the shape of an ibis, “the symbol of Thoth, the god of wisdom and writing.” The amulet gives Ren visions, but she doesn’t understand what they mean.
  • Captain Winfred Willoughby was a tomb raider who was accused of murder. Upon his death Willoughby was mummified, and he comes back to the world of the living as a Death Walker.
  • An archeologist was mummified and brought back to life. “Everything about him was wrong, an abomination. . . The man’s skin was mottled and uneven; in some places it was stretched taut and dry, like a mummy’s, and in others, it hung loose, like a pale old man’s.” To stay alive, the mummy must feed on the souls of the living.
  • To send Willoughby back to the land of the dead, Alex uses his amulet to activate the Book of the Dead. Alex recites, “O thief! O usurper! Get back! Return, for you should know justice. . .” The spell does not work until Ren cuts off Willoughby’s hand, which was the ancient Egyptian’s punishment for stealing.

Spiritual Content 

  • None

The Fourth Suit

Ridley Larsen is a friend that anyone would want. She’s fierce, loyal, and sharp as a whip. However, her harsh critique puts her friendship with the rest of the Magic Misfits on the rocks, even with the threat of Kalagan—the group’s long-time enemy—hanging over them. 

Nonetheless, the Magic Misfits solve the incidents happening in Mineral Wells, which brings them closer to discovering Kalagan’s hiding spot and his true identity. But Ridley’s temper gets in the way of their hard work. Ridley must work to master her temper so the Magical Misfits can work together. 

Ridley takes the spotlight in this installment of Magic Misfits. A limited third-person perspective lets the reader learn about Ridley’s reasons for her brash attitude and her tumultuous relationship with her mother, who often prioritizes her work over Ridley. Readers will relate to Ridley’s frustration when she doesn’t understand why the others are happy with trusting adults, due to her rocky relationship with her mother. The lack of communication tears apart Ridley’s friendship with the rest of the Magic Misfits. 

Ridley’s distrustful, distant relationship with her mother raises her suspicions towards other adults. She especially doesn’t trust Mr. Vernon, the purveyor of magic goods, because he’s been keeping secrets from the Magic Misfits all summer. The Magic Misfits ask her to trust Mr. Vernon when they find out about the Emerald Group, Vernon’s old network of fellow magicians. Ridley agrees to trust her friends and opens up to them because she realizes that her being impulsive and not listening is making her friendships suffer. 

As the Magic Misfits encounter Kalagan more often, the idea of trust and acceptance comes to a head. Ridley’s mistrust in Vernon halted their progress in stopping the villain, much like Ridley’s distrust of the rest of the Magic Misfits did. Vernon is forced to open up about the truth behind the dissolution of the Emerald Group. Eventually, with everyone’s support and openness, the old and new magician groups can face Kalagan. When Kalagan is defeated and Ridley and her mother reconcile, Ridley learns that you can rely on the people around you to help you become a better friend and a better person.

Occasionally, an omniscient, unnamed narrator chimes in with a recap of the story’s events, which blends in seamlessly with the overall narration. As a bonus, black and white pictures are scattered throughout the novel and help readers visualize the setting and the action scenes. In order to engage the readers more, there are how-to magic tricks sprinkled throughout the story. These sections contain instructions for performing the magic tricks, along with illustrations to reference. Tricks such as transforming a quarter into a penny and turning water into ice are easy to do, but adults are encouraged to help their little ones with these activities. 

The Fourth Suit is a lively and riveting story that gets its energy from the tension of holding onto the past while trying to change for the better. Combined with exceptional narration and detailed descriptions, the striking visuals of various styles complement an incredible story. Readers will enjoy reading about the friendship between Ridley and her friends, and how they patch up their relationship as well as stop Kalagan once and for all. If you are looking for stories about magic, friendship, and secrets, give Magic Misfits: The Fourth Suit a read! Readers who want more action and adventure should also check out The Revenge of Magic by James Riley and Rise of the Dragon Moon by Gabrille K. Byrne.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • Carter, one of Ridley’s friends, calls Kalagan a “creep.”
  • Carter refers to Kalagan’s brother as a “lunatic.”

Supernatural 

  • Many of the characters use tricks related to illusions or trickery, such as Ridley’s transformations or Theo’s levitation. They are in no way similar to supernatural magic or the paranormal. 

Spiritual Content 

  • Carter’s uncle says he “did some digging deep in [his] soul” and that he “joined a church group in town.”

Dolphin Song

Martine’s class is going on an exciting school trip—a voyage to watch the Sardine Run off the coast of South Africa. But the trip takes a dramatic turn when their ship runs into a fierce storm, and Martine and her classmates are thrown into shark-infested waters! Luckily, a pod of dolphins rescues and transports them to a deserted island, but now the children—and the dolphins—face a new and terrible danger. Will Martine be able to use her special gift with animals to save them?

While other students are looking forward to the class trip, Martine has been plagued with terrifying nightmares about being in the ocean and surrounded by sharks. Then Grace, a witch doctor, warns Martine about staying away from the ship’s gate, which increases Martine’s fear and confusion. Martine’s fear of the ocean is understandable, and it increases the story’s suspense. 

Despite the warnings, Martine’s greatest fears come true when she and several of her classmates are thrown into the raging ocean. The story takes an unexpected turn when Martine and some of her classmates are stranded on a deserted island and must fight for their survival. While much of the story revolves around survival, there is still plenty of animal action — a cage dive with sharks, an encounter with a man-o-war jellyfish, and a swim with dolphins. Through Martine’s experiences, readers will enjoy learning about various sea creatures as well as how sonar poses a threat to ocean life. 

Once the group of students lands on the island, they soon split into two groups, leaving Ben and Martine to join forces. During their time on the island, the kids only begin to work together out of necessity. However, they soon join forces to save the dolphins, and in the process, they learn the importance of giving someone a second chance. Along with this lesson, Dolphin Song weaves in many important life lessons including being able to fix your mistakes and the importance of standing up for what you believe.

Martine struggles with uncertainty, fear, and forgiveness, but her inner turmoil doesn’t slow the story’s action. However, readers will enjoy seeing Martine’s personal growth that leads her to more fully understand her best friend, Ben. In the end, Martine realizes “that was the thing about a friend. You could do things that weren’t really possible on your own. Friends made you brave. Friends made things fun.”

The Legend of the Animal Healer Series uses a unique approach that will give readers a new appreciation of sea life. The story educates readers about the importance of protecting all sea creatures. However, Dolphin Song does have several scenes that may upset sensitive readers. While Dolphin Song recaps the important information from the first book in the series, for maximum enjoyment, the books should be read in order. Animal-loving readers who want more action-packed animal adventures should also read the Wild Rescuers Series by Stacy Plays and the Survival Tails Series by Katrina Charman.

Sexual Content 

  • None

Violence 

  • Santa Carolina was known as Death Island, as it was a penal colony. “The jailers at Santa Carolina used to take prisoners to Death Island, a tiny shell sandbar, and tell them if they could swim the five miles or so back to the mainland—a stretch of water cursed by vicious crosscurrents and even more vicious sharks—they’d be freed. None of the prisoners ever survived.”
  • When the ship hits a terrible storm, everyone grabs a life jacket. One student, Claudius, “wrenched at Ben’s life jacket, trying to pull it off by brute force. Ben wriggled out of Claudius’s desperate grip and held up a hand in surrender.” Ben falls into the ocean without a life jacket, but he survives.
  • Martine is exploring a reef by a sunken ship when a manta ray pushes her toward the surface. “An instant later, there was a muffled, undersea explosion. . . the ray caught the full impact. Bits of cartilage, tissue, and manta ray skin rained down on the sea like lava.” Martine had a bloody gash on her arm, but the ray saved Martine’s life.
  • A group of bad men show up on the island and see Claudius. They think the boy might be a spy so they take him back to their hideout and tie him up. The skipper questions Claudius and “struck Claudius across the face. A palm print appeared on the boy’s cheek.” When the group finds out there is a reward for information about Claudius, they decide to treat him better.
  • A tourist, Norm, was cage diving with sharks when he fell into the water. A great white swims toward him, “like a torpedo sleek and deadly, shooting toward the stricken man. As it approached, its jaws stretched wide and its serrated teeth were plainly visible. In seconds, Norm would be missing an arm, his head, or even his torso.” Martine uses her gift to stop the shark.
  • An island, Santa Carolina, has a dark past that is discussed several times. Santa Carolina was “a notorious penal colony and Death Island, which was not an island but a shell bar, had seen many prisoners drowned after being abandoned by guards.”
  • Sonar can disorient and confuse dolphins and whales. The sound a sonar gives off “can carry up to a hundred miles and be as loud as a fighter jet takeoff. In some cases, it can cause whales to surface too quickly, leading to a fatal condition similar to the bends in human beings. They get gas bubbles in their organs. Their brains bleed. Dolphins’ lungs explode.”

Drugs and Alcohol 

  • One of the sailors drinks “a home-brewed concoction called palm wine.” 
  • A sailor tells Martine a story about a man who had a “skull-splitting headache.” A “witch doctor had started the treatment by putting a large pebble into his fire. . . blended herbs in a bowl made from a special wood and engraved with a cross, then added water. . . After making a series of tiny incisions in the man’s forehead, the witch doctor rubbed in a little of the herb point and sent him home. . .” After the story, the sailor says he uses aspirin for his headaches.
  • When Martine sees a sunken ship, she assumes the pirates had been drunk on rum.
  • A tribe of sailors would catch fish by crushing “the leaves of the lulla palm” which made the fish intoxicated. “When the fish were rolling drunk, the men would simply scoop them into a net.”
  • One of the student’s parents would leave him alone while they went to cocktail parties. 

Language 

  • There is some name calling among the kids including runt and loser.
  • Martine gets angry at Ben and says, “You are a wimp. You’re pathetic.” 
  • One of the kids tells Martine, “I thought you were a fruitcake.”
  • One of the kids says Ben is “a tree-hugging nutcase.”
  • Oh my God is used as an exclamation once.

Supernatural

  • Martine is able to heal animals with her touch. When she finds a beached dolphin, Martine touches the dolphin, and “the electric current zapped her. . . She kept her palms on the dolphin’s side . . . then her palms heated up to the point where they were almost sizzling . . .” After the dolphin is healed, Martin and a kite surfer put the dolphin back into the ocean and it swims away.
  • Martine goes to a secret cave where she sees paintings that show her future. When Martine sees a new painting, she thinks the paintings are “as if the forefathers were reaching out from beyond the grave.”
  • Claudius, one of the stranded school kids, gets stung by a man-o-war jellyfish. Martine tries to help him. She “laid her hands on him. Almost immediately her palms began to heat up. . . The energy went as far as Claudius’s skin and then stopped as if blocked by an impenetrable barrier.” Martine’s gift didn’t help.
  • While trying to use her gift to help Claudius, Martine has a vision. “The scene at the beach swam away and she saw smoke and Africans in animal masks and then, out of nowhere, a mental picture of Grace’s plant. . . came into her head.” Martine uses the plant to save Claudius.
  • Grace, a witch doctor, uses bones to tell the future. She believes that “everythin’ is already written” and that you cannot change fate’s path. 

Spiritual Content 

  • Ben is Buddhist and also half Zulu. He says, “Buddhism does allow the eating of meat; we’re just not supposed to cause pain. . . Buddhists believe that animals are equal to people.”

Tristan Strong Keeps Punching

In the final installment of Kwame Mbalia’s series, Tristan’s problems are greater than ever. The gods of Alke are scattered across his world and there are ghosts everywhere  —  good and bad, as it turns out. What a wonderful time to have a Strong family reunion in New Orleans, amidst all the chaos!

Tristan also has another issue: his powers are flaring with his mood swings, causing him to be covered in magical fire. And of course, Cotton, the main antagonist of the series and a powerful and evil spirit is back and ready to put up a fight. This time Cotton has brought even darker moments from American Black history. Tristan just hopes he can find his friends and the gods of Alke – and figure out how to control his temper – before Cotton can enact his plan on Tristan’s world. 

Tristan Strong Keeps Punching wraps up loose ends from the previous two books, includes familiar friends and foes, and introduces new characters in creative ways. For instance, Tristan and his friends encounter the Redliners, a barely disguised reference to the historic practice of redlining in the United States.  However, middle school students may who are not familiar with the historical practice of redlining may be confused by Mbalia’s dialogue. For example, the Redliners tell Tristan and his friends, “We, the Redliners, are the most tolerant and welcoming group you could find! We just don’t think you belong here.” The Tristan Strong Series deals heavily with the injustices that have occurred in American Black history, and Mbalia continues to handle the topic with grace and gravity, balancing historical facts with Tristan’s emotional stake in the issues at hand.

In this book, Tristan finds himself reckoning with his grief and anger, and he learns how to handle his emotions in a productive way. His emotions are validated, but he starts to understand how to conduct himself in a manner that accounts for other people involved. Previously, his actions previously endangered his friends. It is only when his magical animated sticky doll friend, Gum Baby, dies that he realizes his actions directly led to her being put in harm’s way. From that point forward, Tristan reckons with the consequences of his actions without losing the fire that keeps him fighting for justice.

Tristan Strong Keeps Punching is an excellent end to the trilogy. Readers should read the first two installments before tackling this one as this book makes many references to the previous books. Young readers will enjoy the fast-paced action plot and the balance between humor and grave historical fact. This book would appeal to fans of Riordan Reads mythology novels, like Aru Shah and the End of Time by Roshani Chokshi or Percy Jackson and the Olympians by Rick Riordan himself. Tristan’s remarkable gift as a storyteller of the gods of Alke is made more perfect by his perseverance to keep telling these important stories. If these books teach readers anything, it’s to keep dreaming, create a better world, and never forget the stories of those who came before.

Sexual Content 

  • None

Violence 

  • Tristan must fight various magical and evil entities. In one sequence, Tristan fights a haint (an evil spirit). Tristan narrates, “But I was attacking, too. The shadow gloves flashed in and out, jabs and straights, hooks and uppercuts. Gum Baby flipped from my left shoulder to my right and back again, hurling sap balls and insults with equal intensity. I dodged a slicing strike, slipped a bull rush, and turned and fired three punches at the back of the haint.” This sequence lasts for a chapter.
  • There are descriptions of slavery as this series deals heavily with the history of Black Americans and Black American culture. Tristan recounts some of these details, saying, “I read about the barges that had hauled the shackled enslaved north, up the river, to a giant plantation. A free man’s protests were scrawled in the grass of Artillery Park, where he’d been kidnapped and sold into slavery. A family’s prayers were carved into the pillars lining the docks along the Mississippi, where they’d been separated, never to see each other again. These were the hidden narratives Folklore hero and god High John had been talking about. This is what he had meant.” These descriptions come up somewhat frequently throughout the book.
  • Tristan fights coffles (malicious spirits) that have trapped some kids. Tristan “swung again and again, trying to take out the coffle before it could rise. The monster wriggled and writhed on the ground, and I had to hop and dodge its flailing limbs or my legs would’ve been ripped to shreds.” This fight sequence lasts for several pages.
  • Tristan’s friend, Ayanna, tells Tristan about one of her former friends who died in a fight. She says, “He wanted to go out and kill [evil magical creatures, including the fetterlings], and I didn’t, and we argued about it. He flew into a rage, took his raft, and left. We heard fighting and went out after him, but by then it was too late. The fetterlings used his anger against him, and I lost a friend.” 
  • Gum Baby is loudly and badly playing music, and Tristan asks her to stop. Gum Baby responds, “Gum Baby’s gonna tune your face with some sweet chin music if you keep talking,” insinuating that she’d hit him with her banjo if he insulted her again. She does not actually hit him.
  • Tristan says he thinks Cotton is going to Fort Pillow as he’s “raiding places where Black people suffered in large groups…[Fort Pillow] was the site of one of the biggest massacres of Black soldiers in the entire Civil War. People fighting for their freedom were cut down by Confederate soldiers without remorse.”
  • Tristan goes into High John’s memories and sees a town being burned to the ground. “Flames exploded out of broken glass and spread everywhere. More shouts and screams…Flames shot fifteen feet into the air. Every house in the small neighborhood was on fire. I couldn’t see anyone, but the screams…I knew the screams would haunt me for the rest of my life. So many. Old, young. I heard them all.” The memory lasts for a few pages and it is clear that Tristan witnessed the “Memphis Race Riots of 1866. Nearly all of South Memphis was destroyed…Black-owned homes, businesses, restaurants. People were killed. Abused. Beaten. And yet no one was ever brought to justice.”
  • Another magical being, Granny Z, tells Tristan, “My children are kicked, beaten, harassed, stolen, abused, abandoned, forgotten and stripped of their rights every single day. And it’s a sad fact that their abusers are always gonna be afraid that their own sins will be revisited upon them.”
  • Tristan and his friends Gum Baby, Ayanna, and Thandiwe are attacked in a Wig Emporium. “Gum Baby flipped out of nowhere, her hands moving a blur as sap rocketed through the air. Breakers exploded into smoke five at a time. I limped forward to help her, but she disappeared in a crowd of foes. I tried fighting my way free, but there were too many. We were being overwhelmed.” This scene lasts for a page. Gum Baby dies but the death isn’t described. 
  • Tristan helps ghosts save their stories from Cotton, who wants them erased. Tristan hears one ghost say, “I moved here to get away from the lynchings.” This point is not elaborated upon.
  • Tristan fights with many Breakers, magical creatures that can strip people and gods of their spirits, thereby killing them. Tristan describes how the Breakers “rained blows on me, snarled at me, shrieked at me, roared at me, sent wave after wave after wave of pure hatred and malevolence, and it was all I could do to keep my arms raised and defend myself, because I was so tired, incredibly tired, of defending myself, but it wasn’t just me I was defending, now was it?” The scene lasts for several pages.
  • One of the old folk gods, John Henry, fights Cotton. John Henry gripped the ghostly tentacles, “lifted one foot, and then exploded into motion, charging Cotton like a linebacker and planting a shoulder squarely in the haint’s chest. Cotton flew back a dozen yards —  through the air! —  before landing and skipping across the sand like a stone across a pond.” This battle sequence lasts for several chapters.
  • Tristan has one final battle with Cotton that lasts for several pages. Tristan narrates, “Cotton’s momentum carried him past me, and he was off-balance. My right fist, my power fist, knifed through the air and connected flush against Cotton’s chin. Just my fist, not the shadow gloves, because I needed them for what came next…The black flames flared to life one more time, with as much energy as I could muster flowing through them. Just as I’d done on the barge, I willed the gloves together, merging six into two shining beacons of black in the light of the setting sun…I darted forward and grabbed Cotton. He twisted, turned, fought, and struggled, but I didn’t let go. The flames of the akofena [magic] spread to him, devouring the thorns and cotton as if they hungered for the hatred binding the haint together.” Tristan destroys Cotton by turning him to ash.

Drugs and Alcohol 

  • Tristan ends up at an outdoor strip mall. He says, “Shelves are stocked with products you’d never heard of, or weird stuff you’ve seen advertised on TV — all two-a.m. hangover purchases, as my dad called them. I’m not sure what a hangover is, but if it made me buy an automatic toenail clipper that looked like two machetes taped together, I want no part of it.”

Language 

  • Gum Baby, a magical sticky being, loudly and frequently refers to Tristan as “Bumbletongue” or “thistle-head.” As they’re friends, it’s done mostly in jest.
  • Light language is occasionally used. Words include chump, rejects, and doofus.
  • Tristan meets a kid named Memphis, who uses they/them pronouns. 
  • A slave-patroller haint chases Tristan, yelling, “You ungrateful little stain on society, get over here! I will hunt you down, you hear?”

Supernatural

  • Tristan is having issues with his magic. Most notably he keeps bursting into flames when he gets angry. For instance, Tristan notes, “I stared in utter horror at the small silver flame popping out of my knuckles.” This happens frequently throughout the book.
  • As this is the third installment in the series, Tristan gives a quick recap of the last couple books. He says of his summer, “I’d eaten a bunch of key lime pie, done a little boxing, fallen into another world with powerful gods and made a bunch of folk hero friends…You know, the normal summer.” These gods and folk heroes feature throughout the book as Tristan is trying to rescue them.
  • Tristan’s magical smartphone is controlled by Anansi, the trickster god. Tristan says, “He was the Weaver, the owner of all stories, from truths to tall tales, and his name was embedded in my title of Anansesem.”
  • Tristan and his granddad enter Congo Square in New Orleans, where “ghostly apparitions dressed in their Saturday night finest were hitting moves that made my calves cramp as I watched…as if on cue, everybody started doing the Electric Slide.” Ghosts appear frequently in this book; many of them are friendly or give helpful advice.
  • Gum Baby announces that she’s been following a “ghostie” for a while because it was terrorizing everyone. This creature is like the haints, which are malicious spirits. Tristan describes the creature, saying, “I looked up and saw a long, lanky creature scuttling down from the top of the wheelhouse like a monstrous crab.” The group spends a chapter fighting the creature.
  • Tristan discovers that the haint that they’ve encountered is a coffle. His cousin explains its odd appearance, saying, “They were used to fasten slaves together when they were marched from the house to the fields and back.” Tristan describes its appearance, “Two long, wooden, bone-like structures protruded from the opposite sides of a loop, forming what looked like the skull of a hammerhead shark. Its body was a chain, and its four limbs were thorny, viny branches.”
  • Tristan’s magic storyteller abilities occasionally cause him to have visions. In one instance, he describes, “I saw stories — written in French and Spanish and Chitimacha and English — about the birth of jazz and the death of neighborhoods. I saw tales of Fon and the Ewe and the Igbo, and legends of Vodun and Vodou and the spirits within…I read about the slave ports that had dotted the Mississippi River. I read about the glamorous buildings that had been built around the sale of men, women, girls, and boys like me. Some older, some younger.” This description continues for several pages.
  • Cotton is the main antagonist of the series and is a powerful and evil haint. He is a manifestation of the evils of slavery. Tristan describes, “I once again saw the horrific true form of the haint underneath the disguise. Complete with his burning hatred and desire for power.”
  • A god, Mami Wata, rides in a boat that encounters Angola. Tristan notes that “a monstrous, nearly see-through house was superimposed over the prison…The house I was seeing was Old Angola, a long-gone plantation.” In this house and prison reside many trapped spirits and evil haints, including Cotton.
  • Tristan’s usual Ananasem powers (storytelling powers) change when he meets ghosts of former soldiers. He says, “I was inside the story!” In this instance, the sequence lasts for several pages and details the lives of a couple Black soldiers escaping the South to Vicksburg.
  • Tristan teaches some kids magic. When he tells them what he’s going to do so, one kid responds, “Ain’t no wizards ‘round here. That’s movie stuff.” Tristan then demonstrates that all the kids have magic within them. Tristan says, “Each of the kids had a story fragment nestled in their chest, right above their heart. A piece of the story of Alke lived on in each of them.”
  • Tristan meets Granny Z, who tells Tristan about Loa. Granny Z says, “L-O-A. The mysteres. The links between the High God and his people on earth, serviced by the mambos, their priestesses.”
  • Tristan and his friends drive a magic SUV after a magical horse that’s kidnapped a child. Tristan says, “We looked out the front windshield to see Twennymiles (the horse) leaping into the air and disappearing. Old Familiar (the SUV) followed.” They are magically transported through the air and through neighborhoods, and the scene lasts for a couple pages.

Spiritual Content 

  • Tristan encounters many different gods (like Anansi and Mami Wata) on his journey, and they’ve given him powerful artifacts for his magical powers. These gods exist throughout the book, and sometimes Tristan mentions his magical gifts. He says, “I reached for the adinkra bracelet on my right wrist. Dangling from it were my gifts from the gods. The Anansi symbol. The akofena from High John. The Gye Nyame charm. The Amagqirha’s spirit bead from Isihlangu. They gave me strength, power, and right now, all the confidence I needed.”
  • Tristan meets a girl named Hanifa, who “wears a hijab.” 
  • The gods of Alke, due to the events of the previous books, are now scattered in Tristan’s world. Some of them are weakened and some die in nonviolent ways. Tristan often laments that “Gods can’t die,” but the events of the book say otherwise, like when High John passes away beneath a tree. 
  • High John’s ghost tells Tristan, Ayanna, and Thandiwe about his upbringing and the influence of the Church. He says, “some Sundays, his lordship and most honorable, the man who wanted to be called Boss, graciously allowed the people who actually worked the fields to rest.”

The Sister Switch

Addie Asante of Columbus, Ohio, feels stuck in the middle. Her big sister, Sophie, bosses her around while her little sister, Camille, gets whatever she wants.

When Addie receives a mysterious package with a magic bracelet, she makes a wish to no longer be in the middle and—POOF—she’s transformed into her big sister!

Being Sophie is amazing: Addie can hang out at the café after school, have her own room, and sing in the talent show. But as her friend Becca warns her, having a wish come true can get really messy. Plus, in a twist of magical chaos, Addie’s big sister has become the baby sister, and the baby sister has become Addie!

With friendships—and grades—on the line, plus a sneaky stranger determined to get her hands on the magic bracelet, can Addie and her sisters find a way to switch back before it’s too late?

The Sister Switch is told from Addie’s point of view which allows the reader to understand her frustration at being the middle child. However, Addie isn’t a very likable character because she is self-centered and doesn’t think about the consequences of her actions. When Addie is in Sophie’s body, Addie thinks about how she can use the situation to her advantage. She never thinks about how her actions will affect Sophie. In the end, the sister switch brings all three sisters closer together, but there is no large character growth. 

Addie’s sisters, Sophie and Camille, aren’t very likable either. When Sophie enters Camille’s body, she acts like a bratty child who throws temper tantrums, refuses to do schoolwork, and causes havoc. Meanwhile, Camille’s cheerful attitude and focus on having fun isn’t realistic. Plus, her terrible behavior causes trouble. For example, she begins a food fight in the cafeteria. While some of the scenes are supposed to be funny, it’s difficult to ignore that when the three sisters interact, there is little kindness between them. 

Anyone who has a sibling will be able to understand Addie’s difficulties and find humor in some of the situations. In the end, Addie learns that she should stay true to herself and embrace what causes her joy. However, the story glosses over Addie’s selfishness. While The Sister Switch is a book that younger readers will likely enjoy, parents won’t want their child to copy Addie’s behavior. Overall, the sisters’ bad behavior, the tired plot, and the lack of character growth make The Sister Switch a book that is best left on the shelf. If you’re looking for an entertaining book that reinforces positive sister behavior, read Disney Frozen Polar Nights: Cast Into Darkness by Mari Mancus and Jen Calonita. If you want another dash of magic to add sparkle to your day, check out Love Sugar Magic: A Dash of Trouble by Anna Meriano.

Sexual Content 

  • None

Violence 

  • Addie’s twelve-year-old sister, Sophie, is “stuck in Camille’s five-year-old body.” When Sophie goes to school, she “apparently threw a fit. And a chair? Plus, she refused to do any of the activities.”
  • When Camille is stuck in Addie’s body, she goes to lunch with Addie’s friends. Camille and Addie get into an argument and then Camille “smiled wickedly. . . she’d picked up her leftover sandwich and tossed it at my face.” A food fight ensues. 

Drugs and Alcohol 

  • None

Language 

  • OMG is used as an exclamation often.

Supernatural

  • While at school, Addie makes a wish. “Suddenly, I felt something tighten around my wrist. The lights in the hallway flickered. . . My skin felt weird. Like it was being tickled by a million tiny feathers.” The bracelet’s magic switches Addie’s and her sister’s bodies. 
  • After the wish, Addie’s “fingers looked different. . . And then I looked into the mirror. Sophie’s face stared back at me.” Meanwhile Addie’s twelve-year-old sister, Sophie, “was stuck in Camille’s five-year-old body.”
  • A blond woman wants Addie to give her the magical bracelet. The woman can track the bracelet and has a gold bead that “warms up and glows when the magic is working.” It’s similar to a “radar.”

Spiritual Content 

  • When Addie’s sister takes over her body, Addie prays that her friends don’t laugh at her. 

The Beast and The Bethany

What the Beast wants is what the Beast gets. The Beast demands a variety of foods to be brought to him. From necklaces to singing parrots, he eats it all. Ebenezer Tweezer gives the Beast these rather unorthodox foods. However, Ebenezer does not leave empty-handed. 

Once Ebenezer meets the Beast’s demands, Ebenezer is given whatever he pleases. The Beast has given him luxurious items like a piano and a 15-story house. But the one gift Ebenezer wants and needs the most is a potion to keep him young and beautiful—a magical potion that has kept him alive for 511 years. As Ebenezers’ birthday nears, he needs more potion. However, the Beast is craving a different taste, one he has never had before. He wants to eat a child. So, when the Beast gives Ebenezer an ultimatum – bring me a child to eat or no potion – Ebenezer knows he must find a child before his birthday in three days. 

After many failed attempts of retrieving a child, Ebenezer is pointed towards an orphanage. He needs to find a child worthy of being eaten by the Beast. Ebenezer does want anyone nice and he’s doubtful he will ever find a suitable child as they are all either too kind or too cute. Then Ebenezer and Miss Fizzlewick, the head of the orphanage, hear yelling in the hall. When they find a little girl named Bethany shoving worms up another child’s nose, Ebenezer knows she is the one. 

When the Beast sees Bethany, he refuses to eat her until she has been fattened up. This allows Ebenezer time to get to know Bethany. For the next three days, they go on crazy adventures and learn a lot about each other. Ebenezer comes to see her as a friend, his only friend. But Ebenezer now had a choice: should he save Bethany, or himself?

The Beast and The Bethany is a great read because the author adds humor through jokes and the characters’ behaviors. Both main characters, Ebenezer and Bethany, develop from people who only looked out for themselves into more caring and selfless people. The story also has themes of pride and greediness. The reader sees this with Ebenezer’s desire to live another 511 years, and the Beast’s yearning for a new, tastier treat. However, when the characters learn and grow, this reinforces the lesson of being grateful for what you have. 

Another positive aspect of the story is black and white illustrations sprinkled throughout the book. These illustrations give the reader a better sense of the setting and characters. Readers will get to see Bethany’s face as she is riddled with disgust, Ebenezer as the potion wears off and he ages, and the Beast’s three eyes and sharp teeth. 

Although the story has a simple plot line, the author keeps the plot interesting with silly settings and crazy characters. In addition, the author does a great job showing each character’s personality; how they clash but ultimately complement each other. Readers will find their interactions hilarious and heartwarming. Some readers will relate to Bethany’s stubbornness but see her maturity and apologies as a good lesson.  In addition, The Beast and The Bethany teaches about the value of friendship by showing that life is not as meaningful unless you have someone to spend it with. Readers who want to read another humorous, monster-related story should also read Castle Hangnail by Ursula Vernon. 

Sexual Content 

  • None

Violence 

  • The Beast eats a parrot. There are no graphic details, but its death is implied. “It was the last question [the parrot] ever asked.” Then, the Beast thanks Ebeneezer for “a delicious dinner” and says, “It’s so nice to eat something with personality.”
  • It is implied the Beast has eaten a poodle when Ebenezer says, “Is it a poodle? Do you want me to go to the dog shelter again!”
  • The Beast says he wants to eat a child. He says, “I want to know what one tastes like. I want a juicy, plump little child. I want to gobble it up in one oozy, squishy bite.”
  • Bethany shoves worms up a boy’s nostrils. “Geoffrey was pinned on the floor by the small, bony girl from the bird shop. The girl was shoving worms up his nostrils, and she was shouting, ‘Rat! Rat!’ at him.”
  • Ebenezer imagines cooking Bethany to serve to the Beast. “Ebenezer considered chucking Bethany in the oven, roasting her for forty-five to fifty minutes, and then serving her in a bowl for the beast.” 
  • Bethany tells Ebenezer she wants to shove a trumpet down the Beast’s throat. 
  • The Beast eats Miss Fizzlewick. The Beast “wrapped its two tongues around Miss Fizzlewick and dragged her into its belly . . . The Beast crunched down on Miss Fizzlewick until eventually the only sound left in the room was the happy purr of the Beast.”
  • After finding out Ebenezer’s plan, Bethany punches him in the stomach and calls him a “stupid idiot.” She continues punching him until she starts hitting him in the head with a cushion. “She picked up a cushion and started bashing him over the head with it.” There is also a picture of her doing this.  
  • The Beast threatens Bethany, saying “First, I will drag you into my belly with my tongues, and then I will start gnashing.”
  • Both Ebenezer and the Beast talk about the Beast eating Ebenezer’s cat, but there is no description. 

Drugs and Alcohol 

  • Ebenezer puts sleeping powder in candy in hopes of taking a child. However, he accidently uses it on himself. 
  • A painting on Ebenezer’s wall is a skeleton head smoking a cigarette. 

Language 

  • A button on Bethany’s backpack reads, “Bog Off!”
  • Bethany tells one of the boys in the orphanage, “Shut up, you little rat!” 
  • Bethany calls other people names often. Names include rat, idiot, and loser. She says shut up as well.
  • When Bethany cannot finish another piece of cake, Ebenezer calls her “a weakling” and “pathetic.”  
  • The Beast calls Bethany an “ignorant brat.” 
  • The Beast refers to Ebenezer as a “rotten, treacherous twit” and a “stupid fool.” He also says, “I am glad he is dead!”

Supernatural

  • The beast can grant wishes. He does this by throwing it up. For example, Ebenezer requests a piano. “The beast closed its three black eyes and shut its dribbling mouth. It started to wiggle its blob of a body and made a low humming noise as it moved side from side. Then, all of a sudden, the eyes opened again. The beast stopped wiggling, stretched its mouth wide open, and vomited out a baby grand piano.”
  • The Beast tells Ebenezer he will not get the potion that makes him young unless he brings him a child. He tells Ebenezer he will die without the potion’s powers. 
  • The beast describes the potion as an “elixir of life–a magical potion containing all the vitamins needed for youth, life, beauty, and shiny hair. It’s so powerful, even I can’t control it . . . ”
  • The gifts that the Beast gave to Ebenezer become alive and begin walking.  

Spiritual Content 

  • None

Unleashed

One month after the events of Jinxed, Lacey wakes up in a hospital room with no memory of how she got there. With Jinx missing and MONCHA, the company behind the pet robot, threatening her family, Lacey doesn’t know who to turn to for answers.

After Lacey gets expelled and her mother acts strangely from the latest update from MONCHA, Lacey and her friends must get to the bottom of a sinister plot at the heart of the company, one that would ruin the interactions between bakus (pet robots) and their owners. Lacey must use all her skills to stop the corporation from carrying out their plan. But how can she take on the biggest tech company in North America with just a level one baku? 

Without the resources from her school, Lacey relies on her ingenuity and smarts to modify her baku. However, she hadn’t prepared for the company to remove public access to any information about the customization of bakus. Lacey soon learns that MONCHA, now headed by a temporary CEO, wants absolute control over the look and function of all their products, including the beloved pet robots. 

Departing from the action-packed baku battles of the previous book, Unleashed delves into Lacey’s world, which is fascinating and distinctive. Everyone relies on their baku, and each baku can make its owner happy. From copying hairstyles of famous celebrities to competing in races alongside similarly modeled species, bakus give a positive spin on day-to-day life. Yet, Jinx is different than the other bakus. He can feel and perceive things, which allows him and Lacey to converse. Jinx’s standoffish behavior adds tension to their relationship while furthering the suspense. 

Unleashed builds upon the action of the previous novel. In place of the well-known baku battles of the previous book, Lacey’s encounters with MONCHA will keep the reader engaged. Though a few characters are predictable—the incompetent adults; the spoiled rich boy; the corrupt CEO of a tech company—the story never feels stale. On top of that, Lacey’s story gives the reader a realistic look into a world in which everyone is on a device 24/7. The story has a satisfying end, answering any lingering questions the previous book left unresolved. 

Through Lacey’s experiences, readers learn an important lesson about following your dreams. You don’t have to go on a predetermined, well-trodden path to achieve your goals. The message in Unleashed is clear: going a different way doesn’t mean you will fail to reach your destination. If you’d like to go on another adventure with a mechanical animal and an unlikely hero, check out Wizard for Hire by Obert Skye.

Sexual Content 

  • Lacey blushes when Tobias, her crush, touches the back of her arm. 

Violence 

  • None

Drugs and Alcohol 

  • While hospitalized, Lacey receives some medication.  

Language   

  • One of Lacey’s classmates texts “OMG” on a group school messaging board.
  • Lacey says “Oh my god” twice.
  • Jinx exclaims “Holy bakus.”
  • One of Lacey’s friends calls Tobias’s brother a jerk

Supernatural 

  • None

Spiritual Content 

  • None

The Taken

Isla and her family are foxes who have always lived in the Graylands, not too far from the furless. She and her brother, Pirie, being young cubs, are slowly learning to survive the many dangers that face them. Suddenly, Isla returns to her family’s home to discover the smell of fire and strange newcomers – and no trace of her family.

Alone and afraid, Isla plunges deep into the world of the furless to search for her family. While dodging danger at every turn, she meets Siffrin, another fox who knows magic and can shapeshift. More importantly, Siffrin is also looking for her brother, but Siffrin won’t explain why. Shrouded in mystery, Isla begins to learn about the world beyond that of the Graylands and seeks to find her brother before the foxes who caused the disappearance find him.

The Taken is the first in the Foxcraft Series and it is an action-packed start to the series. As this is a fantasy world with foxes and other supernatural forces, there are plenty of new terms for readers to take in while reading. For instance, the characters refer to humans as “the furless” and roads as “the deathway.” Fortunately, if readers are confused, there is a glossary of terms at the back and a map of the near the front of the book.

Isla, much like the reader, does not know anything about foxcraft or foxlore, much to Siffrin’s chagrin. The Taken sets up what will follow in the coming books, continuing the mysterious disappearance of Isla’s brother, Pirie. Importantly, it introduces the reader to Isla, whose self-confidence and compassion for others grow as the book progresses. Despite not knowing if her family is alive, she will do anything to get them back and she learns to confront foxes and any other creatures who get in her way. 

Isla, Siffrin, and Pirie are hunted by a dark magical force living in the aptly-named Darklands that can seemingly control foxes that it captures. Iserles is one of the authors from the Warriors Series, and there are similar amounts of fighting in both series. Fans of the Warriors Series will not find the violence upsetting, but some young readers may be upset by the descriptions. For instance, there is a scene in which Isla describes death in gruesome detail, saying, “From where we were perched, I couldn’t see the impact, and the rain distorted the cracking limbs. I was spared the mangle of her broken body.” However, those familiar with other Erin Hunter Series will feel at home in this world and will enjoy the high-octane plot. 

Foxcraft: The Taken is a solid start to this exciting series, which leaves plenty of unanswered questions to stir readers’ excitement for the second book, The Elders. Despite many new terms, it’s relatively easy to fall into the world and understand the various plot points. Isla’s resilience and love for her family drive this book and nicely sets up the character that will lead the rest of this series. Those ready for a fun adventure should absolutely read the Foxcraft Series. 

Sexual Content 

  • None

Violence 

  • The dangers of cars and roads are always present. Isla’s grandmother says, “The death river claims more foxes than all other assassins.”
  • A dog attacks Isla, but at the last second, she manages to free herself from the trap she’s in. Isla “flailed and bucked, desperate to free my trapped foreleg. The creature’s great jaws gaped above me; I felt the dampness of his breath.”
  • Some human children throw rocks at Isla. “One of them grabbed a rock and flung it at me. It struck the stone ground by my hind paw, and I sprang back in confusion.”
  • A guard dog announces that she “killed a cat the other night.” 
  • Ilsa’s grandmother, Greatma, tells how foxes have historically been treated, especially by humans. She says, “Our kind has been hunted, tortured, attacked, and turned into pelts to warm the necks of the furless. They have shot us for fun and chased us as a game –  they do not even eat those they kill. By the death river or their casual cruelty; by gas, or dogs, or simple starvation. The land of the furless is full of deaths and each one whispers a fox’s name.”
  • Isla attacks Siffrin, a messenger of the Elders, because he’s been following her. She “bit him hard on his wiry tail. The dog yelped in surprise.”
  • Siffrin shapeshifts to fight the foxes that are hunting him and Isla. Isla “heard the scrape of their claws as they scrambled on stone, and I craned to see what was going on. With a snarl, Siffrin broke free, this time in the form of the mongrel dog. He vaulted into the air, at least at full brush-length, slamming down on the fox that was snapping at his paws. He sent her tumbling onto the deathway.” This fight scene lasts for several pages.
  • Isla learns how to catch a mouse. Isla pounces on it, and “with a bite and a jerk of [her] head, it was dead.”
  • A fot named Karka orders her cronies to capture Isla and Siffrin. Karka says, “Get them or I’ll tear out your filthy throats!”
  • One of Karka’s minions (known as The Taken) jumps across the buildings to chase Isla and Siffrin, but misses the building and lands on the street below. Isla describes, “From where we were perched, I couldn’t see the impact, and the rain distorted the cracking limbs. I was spared the mangle of her broken body.” The description lasts for a paragraph.
  • Siffrin reveals that he watched Karka kill Isla’s family. “When [Siffrin] arrived, it was almost over. Your ma and fa, they were already dead…Your greatma was courageous. She fought hard. [She] was already falling, was already wounded.” The description lasts for around a page and doesn’t describe the specifics of their deaths.
  • Animal control captures Isla and she is scheduled to be euthanized. She talks with another captured fox as they watch an animal be taken to another room by humans. The other fox says, “Another one taken to be killed.” This scene lasts for a chapter.
  • The wolf that Isla freed saves her life by attacking Karka and the Taken. “The great wolf opened his jaws. Karka stayed frozen, held in his thrall. He sprang upon her and threw her down, fastening his deadly fangs around her neck. With a brutal snap he shook her and then dropped her, letting her head roll on the graystone. She stared at him with her single gray eye. Would stare like that forever.” This scene lasts for a couple pages.

Drugs and Alcohol 

  • None

Language 

  • Isla has a confrontation with a wolf. Isla tells the wolf that she eats rats, and the wolf says to Isla, “A thing that eats rats has no right to exist!” He also calls her a “rat-munching coward.”
  • Light language is used often. Terms include: idiot and stupid.

Supernatural

  • The book details the story of Isla and Pirie, who are foxes who think and talk like humans, as do some other animals in the book. Isla meets a wolf who speaks the same language as her, and she’s surprised. Isla says, “He must have been a cub of Canista –  a creature like me – though I could hardly imagine how we might be related.” Canista is the name for the Fox deity from which they come from.
  • Isla has a vision of her brother being captured, being led into the world of the humans. Isla describes her vision, saying, “I was moving with difficulty, my flank throbbing with pain. Up ahead there was a row of tall furless dens. In the front of them was a huge stone yard with a lone furless standing at the center. Her skin was cool gray, her eyes stared blindly, and great wings unfolded from her back. I gazed at her in fear and wonder.” Siffrin explains that this is a rare kind of foxcraft called “gerra-sharm” that can happen between cubs of the same litter.
  • Isla meets a small dog who “cast no shadow.” As Isla learns, he is a “messenger of Jana, one of the Elder Foxes from the Wildlands.” When Isla asks why he is a dog, he says, “I am in wa’akkir. I have assumed a disguise.” It is explained later that wa’akkir is an ancient fox magic called foxcraft.
  • Siffrin, the magic fox messenger, explains foxlore to Isla. He explains how foxes, wolves, and dogs are “cubs of Canista” and that, “Only Fox had the courage to live without rules, without the hierarchies of others – to hunt and survive in freedom and peace. For while Wolf and Dog are so brutalized that they will gladly kill their own kind, Fox avoids conflict at all costs. She does not yearn to control others –  only to live by her own wits.” The history lesson lasts for several pages, as he explains the magical powers they possess, like imitating other animals (“karak”) and invisibility (“slimmering”). These magic powers are used by Siffrin throughout the book, and he teaches Isla to use them as well.
  • Siffrin uses his powers to heal Isla. Siffrin says, “With my touch, I sense you; with my eyes, I heal you. By Canista’s Lights, I share what I have; we are knit together and you are whole.” During this, Isla has a vision of Siffrin as a cub where he was “desperate and starving.” The scene lasts for a page.

Spiritual Content 

  • Siffrin heals Isla using his Maa. He describes to Isla that the Maa is the “essence of every fox,” or the spirit.

Black Bird, Blue Road

Twelve-year-old Ziva has two goals in life: to become a judge like her father and to save her twin brother, Pesah, from leprosy. Because of his health, Pesah lives in his quarters alone. Against her parent’s wishes, Ziva visits him every day. Pesah is dying and he doesn’t have long to live. When Pesah has a dream that he will die on Rosh Hashanah, Ziva refuses to accept this fate and decides to take Pesah’s health into her own hands. When Pesah tells Ziva about a town, Byzantium, that is full of doctors, medicine, and hopefully a cure, the twins steal their family’s wagon and start their journey to Byzantium.

Their journey is interrupted by a boy, Almas, who freezes Ziva and shackles her to a wagon. The boy says he will help her and her brother if she helps him in return. Desperate, Ziva agrees. He instructs her to find a specific bowl in the wagon and break it. After breaking it, the boy changes into something completely different—a half-demon boy. Almas says he is bonded with them until he fulfills his promise to help. Ziva is hesitant to trust Almas, but Pesah reassures her that Almas can be trusted. Almas tells them they do not need to go to Byzantium but, instead, to go to Luz. A place where the Angel of Death is not allowed, and the people live forever.  

The three of them journey to Luz with some pit stops along the way. Ziva hopes Luz will be the answer to her prayers and she will find a way to heal Pesah. Black Bird, Blue Road introduces readers to the Jewish religion and culture, including the angels they trust and the demons they fear. Although death is talked about throughout the entire story, Ziva, as well as the reader, is taught that death is not a punishment but a gift. 

Black Bird, Blue Road is best suited for strong readers or for those who are already familiar with Judaism. The book contains a glossary to help readers understand the Jewish language and culture. However, since the Hebrew and Jewish cultures are intertwined in the story, passages can be confusing and hard to read. It is up to the reader to go to the glossary in the back to fully understand some of the text.

The story is told from the first-person limited point of view of Ziva. Ziva is admirable as she is loyal to her brother. Her bravery comes from her dedication to her brother as she takes on trials to save his life. Pesah is logical and keeps her grounded. His kindness compliments her stubborn nature. Lastly, we have Almas. He is judged for his parents’ title as “Sheyds” but fights for a different reputation. He relates to Ziva and Pesah because he understands the pain of death, just as they do.      

Although Black Bird, Blue Road takes on the devastating topic of death, the author allows Ziva, Pesah, and the reader to laugh, smile, and become at peace. Readers with an interest in religion and ethical thinking will love this book. The author does a great job connecting with the audience using emotion and creating a relationship with the characters. The theme allows the reader to reflect on personal experiences around death. While the conclusion can be considered unhappy, the reader feels satisfied because Ziva grows to eventually accept Pesah’s fate.

Sexual Content 

  • Almas and Ziva walk together in the dark, leading the horses through the path. They share a touch that sparked something in Ziva. Almas’ “hand touched hers. His fingers closed tightly around hers, hand warm and steady, and Ziva felt a flush heat her face and neck. He pulled her closer.” After this interaction, Ziva blushes as Almas hands her the horse’s reins and they continue to walk down the path. 

Violence 

  • Ziva needs to cut off her brother’s finger so his disease does not spread. “Ziva held his infected finger out straight, away from his other fingers, and slipped the shears’ blades a tiny way down from where the blackness ended . . . She needed to pull the handles of the shears together swiftly, smoothly. The infected finger dropped into the bucket and was lost in the gauze there.”  Ziva wraps Pesah’s amputated finger in linen to stop the bleeding.
  • Ziva sticks up for her brother by punching a bully, Reuven, in the face. “Ziva’s fist connected with Reuven’s nose before she even realized she was swinging. He yelped, staggered back, and tripped over the edge of the reflecting pool.”
  • When the brother and sister duo run away, they are stopped by local thieves. Ziva tries to fight one of the boys, Almas. Ziva lunged “for the boy. She was about to give him another scar to complement the one he had. He barely dodged her swiping hand in time. . . Almas caught her wrist as she tried to smack him again, ‘stop!’” Almas holds her arms to stop her from hitting him. Ziva eventually calms down.  
  • One of the thieves slaps Ziva for snarling at him. He then says, “There’s more where that came from. Maybe I’ll break your nose next time . . . ”
  • After breaking a bowl, Almas is released to his natural form as a half-demon. Enraged at being enslaved by the two thieves he was with, Almas kills them. “Avag was pulled away from [Ziva].  And flung out the back of the wagon. He skidded across the rocky ground and came to a stop near a horrified Petros.” Almas then, “seized Avag by the throat. Petros turned and ran.” Ziva and Pesah run away, and the remainder of the fight between the two thieves and Almas is not described. Pesah sees the Angel of Death, Malach ha-mavet, arrive and then hears screams. 

Drugs and Alcohol 

  • Ziva tries to give her brother a medicine to cure his leprosy. She found this remedy in “a medical pamphlet from Byzantium.” The recipe calls for: speak-leak, crop-leak, wine, and bull’s gall. It needed to be put in a brass bowl for nine days. However, Pesah never ingests this mixture. 

Language 

  • Ziva calls one of the men that tried to rob her and her brother a “stupid thief.”
  • One of the thieves calls Ziva a “stupid girl.”  
  • Ziva gets called a “brat” for sticking up for a local fruit vendor. 

Supernatural

  • Almas uses one of his powers as a sheyd, a demon, to freeze Ziva.
  • Almas can hear the future, but he never uses this power in the book. It is only mentioned. 

Spiritual Content 

  • Pesah has a vision of the Angel of Death, who said he will die on Rosh Hashanah.
  • Several demons are mentioned. Mazzikims are invisible demons. Shabriri are water demons that appear when humans come close to water at night. These demons are talked about and briefly explained.
  • The Angel of Death is mentioned multiple times in both English and Hebrew – Malach ha-mavet. This Angel is described by Ziva as having six wings and many eyes. The Angel of Death can also disguise itself as a little boy. 
  • To break Almas’ curse, Ziva breaks a bowl that is carved with demonic figures that have birds’ feet and fangs. 
  • The Milcham bird is the leader at Luz. The kids talk about how one of the Milcham’s feathers could cure any illness. 
  • While at the river, Ziva is stopped by a demon called Shabriri. The demon tries to take her to be punished for coming to the river at night, but Pesah banishes the demon with a saying he learned at the Synagogue. Pesah says, “Briri.” He then repeats, “Ri!”
  • Ziva talks about Elul and its practices. Elul is a Jewish holiday celebrated on the twelfth month on the Hebrew calendar. It is a time to reflect on wrong-doings and strive to be better for Rosh Hashanah.
  • Ziva and Pesah pray nightly. She offers to pray with Almas but is hesitant because of Almas’s half-demon nature. He accepts their offer to pray.
  • When they see wolves leading their wagon, Ziva talks about “Celestial Khazars” who are shapeshifters. These wolves lead the group to the Asena camp. There is no description of these animals’ shapeshifting. 
  • Before arriving at Luz, the group stops at a camp. A shaman, Chichäk, greets them and says the twins brought the Angel of Death to their camp. Ziva begs Chichäk to help her brother. The shaman takes Pesah to perform rituals telling Ziva she will ask the spirits to help. The ritual performed is not described. It does not heal Pesah, but it gives him three more days to live. 
  • At the camp, Ziva is greeted by a boy. They talk about the different religions, Gods, and beliefs. One part of this conversation is narrated as, “The boy pointed upward into the darkness. ‘Tengri is the god of the sky.’ Ziva smiled at him, trying to keep it from looking as patronizing as it felt. ‘In the city, we believe in Hashem.’” The boy then asks Ziva if she believes these Gods are different. She answers yes. The boy responds to this by saying, “There are many paths to the heavens. Because one path would not be enough.”

The Minor Third

Theo Stein-Meyer likes being a part of the Magical Misfits. They had been together since the beginning of summer and have become good friends while helping to protect Mineral Waters from the nefarious troupes that come to town. With his trusty violin bow, Theo completes the team with his levitation skills, his unruffled calm, and proper manners.    

But when a girl named Emily starts to spend more time with the group, Theo is notably drawn to her. They quickly bond over their shared interest in not only magic but also music. Emily appears to understand the pull he feels between music and magic, and between friends and family.  

Then a famous ventriloquist arrives in town, and the Misfits are sure that he is up to no good. When their mentor, Mr. Vernon, unexpectedly gets called out of town and tensions bubble among the friends over their differences, it comes to question if the group can come together to stop another member of the Emerald Ring. Under pressure from both his friends and his family, Theo must make a choice about where—and with whom—he belongs.  

Theo is in the spotlight in this installment of Magical Misfits. A limited third-person perspective lets the reader learn about Theo’s interest in magic and music as well as his struggle to decide whether to practice magic tricks with his friends or perform music with his family. Readers will relate to Theo’s dilemma of having to choose to live up to his family’s expectations for him or be there for his friends. This causes a rift between Theo and his family and deepens the falling-out amongst him and his friends.  

Theo doesn’t want to disappoint his family or friends, especially when both want him to take part in their respective performances for the talent show. His siblings and parents encourage him to play the violin, and whenever he performs with them, he feels like he belongs. On the other hand, his friends support him in practicing magic. Theo feels like he can be himself around his friends too, even with their occasional tiffs. But when his friends realize that the ventriloquist is behind their recent quarrels, they finally mend the cracks in their relationship. With that, the Magic Misfits learn a valuable lesson: friends can overcome any obstacle if they work through the problem together. 

Occasionally, an omniscient unnamed narrator chimes in with a recap of the story’s events, which blends in seamlessly with the overall narration. As a bonus, black and white pictures are scattered throughout the novel and help readers visualize the setting and the action scenes. In order to more fully engage readers, there are how-to magic tricks sprinkled throughout the story. These sections contain instructions for performing the magic tricks, along with illustrations to reference. Tricks such as levitating a roll of bread and making a card rise from one’s palm are easy to do, but adults are encouraged to help with these activities.   

The Minor Third is a lively and riveting story that gets its energy from the tension of being true to oneself while living up to family expectations and dealing with positive peer pressure. Combined with phenomenal narration and vivid descriptions, the striking visuals of various styles complement an incredible story. Readers will enjoy reading about the friendship between Theo and his friends and how they patch up their relationship as well as stop the ventriloquist. If you are looking for stories about magic, friendship, and secrets, give The Minor Third a read! Readers who enjoy Magic Misfits will also enjoy the magical world created in the Kingdom Keepers Series by Ridley Pearson. 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • Near the vestibule of the magic shop, the Magic Misfits see a person smoking a cigarette. 

Language    

  • Theo’s friend calls him a jerk. 

Supernatural  

  • Many of the characters use tricks related to illusion or trickery, such as Carter’s sleight-of-hand or Theo’s levitation. They are in no way similar to supernatural magic or the paranormal.  

Spiritual Content  

  • None 

Breaking Time

When a mysterious Scotsman suddenly appears in the middle of the road, Klara thinks the biggest problem is whether she hit him with her car. But, as impossible as it sounds, Callum has stepped out of another time, and it’s just the beginning of a deadly adventure.

Klara will soon learn that she is the last Pillar of Time—an anchor point in the timeline of the world and a hiding place for a rogue goddess’s magic. Callum believes he’s fated to protect her at all costs after being unable to protect the previous Pillar, his best friend, Thomas. For a dark force is hunting the Pillars in order to claim the power of the goddess—and Klara and Callum are the only two people standing in the way.  Thrown together by fate, the two must learn to trust each other and work together. . . but they’ll also need to protect their hearts from one another if they’re going to survive.

Since the death of her mother and moving to Scotland, Klara’s life has been turned upside down. Things only get worse when Callum arrives. At first, Klara doesn’t believe he has traveled from the past nor does she understand the strange powers that have manifested through her. While many readers will relate to Klara’s grief and her inability to be honest with her father, Klara is not a very memorable character. Even after a man steps out of a mist and tries to kill her, Klara is still unwilling to believe Callum’s story. This conflict takes too long to resolve and slows the story’s pacing.

Breaking Time introduces many ancient Gods as well as some lore for the Fair Folk; however, some of the story’s magical elements are inconsistent. For example, while one goddess is only able to appear to Klara at a mystical site, another appears to her through a dream, and demon monsters can appear anywhere. Since Klara doesn’t understand her powers, she goes on a quest to different mystic sites in an attempt to understand them. At each place, she learns more about herself and what it means to be a Pillar. Unfortunately, the story’s worldbuilding is lacking and the magic elements are inconsistent which causes confusion.  In addition, some of the people and events are not clearly connected to the central conflict. To make matters worse, the conclusion is ambiguous and doesn’t wrap up any of the conflicts, which many readers may find frustrating.

Unfortunately, Breaking Time’s unremarkable protagonist and inconsistent worldbuilding make the story difficult to enjoy. Readers who have some previous knowledge of Scottish folklore may still find Breaking Time an interesting read; however, readers who have no previous knowledge of Scottish folklore may want to leave the book on the shelf. If you’re looking for a time-traveling romance, Time Between Us by Tamara Ireland Stone and the Ruby Red Trilogy by Kerstin Gier both have mystery, excitement, and some swoon-worthy scenes.

Sexual Content

  • Klara sees Callum watching for danger. Klara goes to him and Callum “took her waist between his strong hands, pulling her close. In a swift movement, he turned Klara so that her back was against a nearby tree. His body flush against hers. She could feel every inch of him. . . His lips pressed hungrily against hers, and she grasped the nape of his neck, wanting him closer. . . Their lips danced. She willed him to move faster, harder against hers. Her tongue dipped into his mouth and he moaned at the contact.” The two do not go further. The scene is described over a page.
  • After kissing Klara, Callum thinks about how “He had only kissed one girl before.”
  • After a near death experience, Klara tells Callum to kiss her. “His lips descended on hers, slow and meaningful. . . He slid the palm of his hand down to the back of her neck, she shuddered.”
  • Klara told Callum that she could send him back to his own time. He refuses her offer. Then, “his lips found her hairline and lingered there. He felt her palms up his back, felt his muscles tighten in response to her touch. . . Klara wanted him here, too. . . Everything that was fierce and gentle in Callum flowed out of his touch and into her . . .” They stop kissing when they are interrupted. The scene is described over a page.
  • While listening to a band and dancing, Callum “pulled her even closer, lifting her so she was on her toes. . . She pushed her fingers into his hair. He moaned, feeling euphoric. His lips descended to hers.” The kiss is described over half a page.

Violence

  • To pay for their meals, Callum and his friend, Thomas, fought in a local pub. Callum recalls one fight when “Thomas got pummeled. . . Sounds still rang in Callum’s ears: the thud of fist and flesh, the sickening crunch of bone.”
  • One night, Callum comes across Thomas lying in the street. “Thomas lay on the ground, his legs splayed at sickening angles. Blood seeped through his shirt. . . [Callum] pressed his hands against the deep slice that marred his friend’s torso. A knife wound.” 
  • While Callum kneeled next to Thomas, his “world flipped sideways. A blow had hit Callum like a runaway carriage. . . pain exploded along his ribs.” Thomas’s killer steps out of the shadows and “Callum didn’t see the blow coming, only felt the pain searing across his temple as he was thrown to the ground again.” 
  • During the fight, the man stabs Callum. “Callum touched his side, and his fingers came away with blood. He watched as crimson spread across his shirt. . . He tried to take a step, only to crumple to the ground beside Thomas, whose head rested limp against his chest.” Callum passes out. When he awakens, he is in another time period and he assumes Thomas is dead. The fight scene is described over four pages. 
  • A man steps out of a fog and grabs Klara’s throat. “He squeezed tighter, making her sputter. Her lungs worked fruitlessly, burning and straining like her ribs had been welded shut. He was trying to kill her. Was killing her.” Callum jumps to Klara’s aide and “ lunged forward and sunk his dagger into the man’s thigh. . . crying out in pain, the man released his grip slightly, allowing Klara to pull out of his grasp.”
  • While fighting the man, “A powerful burst of energy exploded inside [Klara], moving in electric waves outward from her chest into her limbs. Her fingertips felt like live wires. . . it suddenly sparked into a bright, white light that wiped away everything else.” Klara’s power sends the man into a different realm. The fight scene is described over four pages.
  • A beast appears “standing as tall as a horse and twice as wide, it bore the head of a snake, the form of a panther, and the cloven hooves of a demon.” The beast corners Klara, and Callum comes to her aid. “The creature lunged at Callum. He threw all of his strength at the beast, ducking down and ramming his shoulder into its stomach. . . [Klara] slam[ed] her phone into the beast’s snapping jaws.” 
  • During the fight with the beast, “the monster swung its neck like an unbroken horse, throwing Callum head over heels into the nearest partition wall. . . His body exploded with pain.” While Callum is down, “The monster lumbered toward [Klara], its tongue lashing the air as its hideous head darted and swayed. Its monstrous skull smashed into Klara’s side and sent her sliding along the floor.”
  • As the fight with the beast continues, Callum “slammed the rock into the beast’s spine, the spot on the neck where the scales met fur. The monster shrieked in pain. . . its scaled back, [was] now slick with dark blood as the monster fell on its side.” After being injured, the monster turned into “a pile of dust on the floor.” The bloody fight is described over five pages.
  • While fighting in the pubs, if Callum had a bad fight, his master “would be so mad that the beatings wouldn’t stop until I did better in the next fight.”
  • While in the forest, a god in the shape of a stag appears to Klara. Soon, another monster appears and attacks the stag. “The stag was crumpled before her, his neck in the jaws of another beast. Familiar teeth sunk into the animal’s furred flesh.”
  • Once the stag is out of the way, the monster goes after Klara. The beast “snapped its head up from the stag’s neck, blood dripping from the pearly points of its teeth.” Klara ran, but “spit flew from its mouth and landed with a heavy smack on the tree, acid sizzling where it met the bark—right next to her face.” Eventually, “the leopard-like tail came around and pinned Klara against the tree. Splinters cut through the back of her jacket and into the soft flesh of her skin. She convulsed with a full-body shiver as its jaws opened.” 
  • During the fight, the stag recovers and charges the monster that has Klara pinned against a tree. Once free, “Klara grabbed the broken antler from the forest floor and rammed it into the beast’s eye. The black pupil sunk like putty around the shard, which shuddered violently in her hand the deeper she plunged it in . . . the beast shrieked then collapsed into darkly shimmering dust.” The fight is described over six pages.
  • Aion, a man who Callum has only seen once, follows Callum. When Callum confronts him, Aion refuses to answer any questions. “Callum’s knuckles sunk into Aion’s cheek and nose, glancing off bone. His cry was muffled by Callum’s fist. He drew his hand back, chest heaving. A line of dark blood trickled from Aion’s nostril and over his lip.”
  • While at a mystic site, another monster attacks Klara and Callum. “Callum crouched in front of the beast, sword raised. With a twist of her heart, she noticed the blood splashed across his leg. His limp. . . [Callum] lunged again, this time striking the beast’s neck with the broad side of the sword. Rearing its head, the beast cried out. Then, it swung down in a flash. . . sinking its teeth into Callum’s side.”
  • As Callum and the beast fight, Klara jumps in. “She grabbed the hilt and ran headlong toward the creature. . . leaping as high as she could, Klara bore down and drove the blade into the monster’s open mouth.” When nothing else works, Klara uses her power against the beast, causing the beast to dissolve “until nothing more than a shimmering curtain of gold dust remained.” The scene is described over four pages.
  • Four beasts that “looked as if they were plucked straight from the pits of hell” attack Callum. When the lead beast runs at him, Callum “dropped, flattening his body against the ground to avoid the snarling beast . . . One hand grasped the beast’s muzzle, the other the meat of its neck. Callum felt the crunch of its crooked and uneven teeth under his fingers as he tightened his grip, then used the beast’s own weight to swing it away—and let go.”
  • As the fight continues, “Callum fell to his knee and thrust the dirk upward, catching the creature’s soft belly with his blade. . . The terrible sound of ripping flesh filled his ears. Hot blood splattered in his hair and face. . .” 
  • The beasts almost overtake Callum when one of them “sunk its claw into the front of Callum’s chest. The bite of fang and flesh tore a scream from his lungs.” After Callum fights the beasts, Llaw, a demigod who is trying to kill all of the Pillars, appears and attacks. “Llaw was strong. He stole the remaining breath from Callum’s belly with a sharp kick, sending his body reeling like he had run full force into one of the standing stones. Pain flared in his injured shoulder. Callum fell to his knees. Llaw drove a fist into his chest.”  At the end of the six pages of fighting, Callum’s “vision faded, along with the beat of his heart.”
  • When Klara finds Callum’s body, she pleads to the god Cernunnos. However, Llaw appears. “Llaw’s boot slammed against her chest, pinning her to the ground. The hound by his side. . . crouched. With its sickening sharp claws carving up the earth as it moved, the creature inched toward her until its snapping, snarling jaw was nearly pressed against her throat.” Llaw “pressed his foot down on her chest until a rib snapped.”
  • Klara calls on her powers and is able to distract Llaw. Then, she swung her sword. “The hilt shuddered in her fingers as the blade met resistance—as it cut through the flesh and bone of Llaw’s arm. Then the sword was free again, a swatch of blood on silver the only evidence that she hadn’t missed.”
  • At the end of the fight, Klara stabs Llaw in the chest. “He shuddered violently, like he’d been pushed onto her blade. . . She felt his body go limp.” Klara and Llaw’s fight scene is described over seven pages. 

Drugs and Alcohol

  • Callum thinks back to a time when he had whisky at a pub.     
  • After Callum gets into a fight, Klara calls a doctor. The doctor assumes Callum is drunk. The doctor said, “this young man needs aspirin, water, and perhaps to reconsider his life choices, if he’s already this drunk so early in the morning.” 
  • Klara and Callum go to a bar to listen to a band. Other people are served beer.
  • Klara’s grandmother “smoked a joint every Christmas.”
  • Klara’s father talks about the night before he married Klara’s mother when they had champagne.

Language

  • Profanity is used infrequently. Profanity includes ass, bastard, crap, damn, hell, pissed, and shit.
  • Goddamn is used once.
  • God, oh my God, and Jesus are used as exclamations a few times. 

Supernatural

  • In the woods, Klara and Callum come across an area that looks like a fairy ring. Then, a fog begins to take form. “The air in front of [Klara] began to shimmer as if it was the height of summer—but the air turned suddenly cold. . . The mist grew thicker still with every passing second, until it was a curtain of light and shadow. . . Callum watched in horror as a hand emerged from the mist and reached for her.” A man steps out of the fog. 
  • The story revolves around Samhain, “a Gaelic holiday, similar to Halloween, celebrating the barriers of the human and spirit world thinning out on October 31 through November 1, allowing crossover from both realms.”
  • Callum learns that Thomas was visiting mystical centers. A man tells Callum, “Different centers are thought to be closer to different gods or different locations in the Otherworld. . . Some say energy flows at these sites – at these mystic centers, or thin places— especially at certain times of the year, or with specific celestial events, the power of which is beyond our understanding.”
  • If Klara concentrates, she can feel the “pull of the Otherworld.” While trying to understand her powers, Klara walks into a forest and a stag steps out of the mist. “She watched in awe as the stag fell away, its body transforming until the only thing that remained of the beast were its antlers” that “crowned a man.” The man is Cernunnos, the god of the wilds, of nature, and of life itself. He tells Klara that “my essence is connected to the soil, the leaves, the trees, the ocean.” 
  • Callum wants to find the “bean-nighe” who is part of the Fair Folk. The bean-nighe “appears to those she chooses, and those who will die.” To find a bean-nighe, Callum will need to go to a lake, take part of his shirt, “soak it in your blood, and leave it in the waters. With it, you must swear to leave your life—if the bean-nighe would so choose to take it.” When Callum follows these directions, he asks the bean-nighe for “the strength of ten men” so he can protect Klara.
  • Klara goes to a mystic site. While there, a “pearl of light” appears. “The pearl grew. . . the spin stopped abruptly, and it flattened in the air in front of her, casting her in a blaze of white. . . Klara cried out, at first in shock, then in agony. It felt like she was being scorched alive.” The light takes her through a vision of the past.

Spiritual Content

  • Arianrhod, the Goddess of the Silver Wheel is “a primal figure of female strength—often associated with the moon, she had dominion over the sky, reincarnation, and even time and fate itself.” The goddess appears to Klara and Callum. Arianrhod shows a vision to Callum. “The fog gathered around them again. . . A familiar form took shape in front of Callum’s eyes. His chest wrenched open with disbelief and wonder.” Callum is shown his friend Thomas, and Arianrhod explains that “Thomas’s life was precious—more precious than most of the humans who walk this earth. There was a power in his blood more valuable than any mortal treasure. . .”
  • The Goddess reveals that Callum’s friends, Thomas, and Klara are both “pillars.” Arianrhod divided her powers “amongst ten human souls that would be born into your world. . . Spread across the centuries, each of the ten chosen ones became a Pillar of Time, with my power sealed within their blood.” 
  • Arianrhod’s son, Llaw, is a demigod who is trying to kill all the Pillars so he can gain their power. The goddess explains that “Llaw has already taken the power from the other nine vessels, but my power can all be restored as long as you live past Samhain.” If Llaw isn’t stopped, chaos will reign and time itself will be destroyed.

The White Giraffe

The night Martine Allen turns eleven years old is the night her life changes completely. Martine’s parents are killed in a fire, so she must leave her home to live on an African wildlife reserve with a grandmother she never even knew she had. When Martine arrives, she hears tales of a mythical animal living there – a white giraffe. They say no one has ever seen the animal, but it does leave behind footprints. Her grandmother insists that the white giraffe is just a legend, but then, one stormy night, Martine looks out her bedroom window straight into the eyes of the tall, silvery animal. Could it be just Martine’s imagination, or is the white giraffe real? And if so, why is everyone keeping its existence a secret?

The White Giraffe is the perfect book for anyone who has ever dreamed of going on an African safari. After tragedy befalls Martine, she gets sent to Africa where she is overcome with a sense of wonder at the beauty of Africa’s wildlife. However, she is also frustrated because she knows the adults in her life are keeping secrets from her. St. John brings Martine’s story to life with a mix of joyous encounters with wildlife and the confusion of being surrounded by secretive adults. The blend of suspense, suspicion, and surprises will keep readers flipping the pages until the very end. 

Even though Martine isn’t necessarily a relatable character, she is interesting and likable. Like many, Martine struggles with loneliness and the desire to have friends; unfortunately, the kids in Martine’s class are bullies who harass classmates who are different. Plus, Martine’s struggle to understand her own power is made even more difficult because of her classmates’ taunting, and her grandmother’s strange silence. Despite these difficulties, Martine is willing to put her life in danger to care for injured animals. This, along with the strange prophecy about a white giraffe, highlights Martine’s love of animals. 

While the story’s pacing is fast with both action and adventure, The White Giraffe clearly shows the greedy nature of humans who poach and capture animals for material gain. In addition, the story gives a brief look at racism when Tendai, who works at the animal reserve, shares his personal experiences of police brutality. Because of this experience, Tendai realizes that “only a man can crush you inside, in your heart, for no reason other than the color of your skin.” Despite this, Tendai has forgiven his abusers because “sometimes the thing that hurts your enemies most is to see that you are not like them.”

The White Giraffe takes the reader into the African bush and leaves them with a sense of wonder. Readers will gain a new appreciation of the people who strive to save wildlife. The story also has important life lessons, including showing that no one is perfect. When Martine makes a mistake, she is not chastised, instead her friend says, “We all make mistakes, chile. That’s human. But not everybody had the courage to admit what they done and go out into the world to try to mend things.” Readers who love animals and would like more exciting stories about helping animals should add the Vet Volunteers Series by Laurie Halse Anderson and the Zoe’s Rescue Zoo Series by Amelia Cobb to their reading list.

Sexual Content 

  • None

Violence 

  • Martine learns that her grandfather, Henry, died but “the events surrounding it were still shrouded in mystery. The police theory was that Henry had stumbled upon a gang of poachers trying to steal a couple of giraffes or maybe kill them for trophies. . . There had been a struggle. When it was over, Henry had been fatally wounded.”
  • On a field trip, Martine’s classmates chase her, intending to cause her harm. However, she is able to hide and stay safe.
  • Tendai tells of a time when he was beaten because of his skin color. Tendai’s “back and broad chest were crisscrossed with fifty or sixty thick, raised scars. It was as if someone or something had tried to cut him into a million pieces.” 
  • After Martine sees Tendai’s scars, he tells her about a police officer who “tore my shirt. . . I’m sorry to say I punched him as hard as I could. After that, Tendai remembered very little. When he regained consciousness, he was in a prison hospital covered in welts.”
  • Martine and Tendai are watching a kudu when “a bullet ripped into the tree trunk above Tendai’s head, simultaneously spraying him with splinters and terrifying Martine. . . a second bullet hit the kudu in the throat. Blood spurted from his neck in a fountain and he dropped to the ground and lay still.” 
  • Martine’s classmates torment her by writing witch “all over her books, and on another occasion she opened her pencil case to find a hairy baboon spider—an African tarantula—lurking inside.”
  • One day, the kids at school surround Ben and start saying that “he’s a waste of space,” a “runt” and a “mongrel.” One boy says, “You’re like one of those sad-looking dogs you find down at the shelter.”
  • Someone captures the white giraffe, Jemmy. When Martine finds him on a cargo ship, “Jemmy was lying on the floor, his legs at odd angles. His white and silver coat was covered in cuts and matted blood.” 
  • When Martine and Jemmy get to the deck of the cargo ship, the poacher, Alex, yells “Raise the gangplank!” Jemmy “swept across the deck, striking Alex a glancing blow with his hoof as he went. Alex dropped like a stone.” Martine and Jemmy escape.

Drugs and Alcohol 

  • A woman teaches Martine how to use healing herbs. 
  • When Martine finds the giraffe on a cargo ship, she also sees two leopard cubs that “were clearly drugged.” Martine leaves them behind. 

Language 

  • Because Ben won’t talk to the other kids at school, they say he is “deaf, stupid or a nutcase.” One of the girls calls Ben “Bonkers Ben.”
  • Martine’s grandmother calls a woman a “crazy old magic woman.”

Supernatural

  • An African legend believes that “the child who can ride a white giraffe will have power over all the animals.” Martine learns that she is the child in the legend.
  • When Martine touches an injured, dying goose, her hands “heated up to the point that they were practically glowing. After a few seconds, the Egyptian goose jerked and its eyelids flickered. She loosened her palm. It shook out its wings and flew into the darkening sky.” Afterwards, Martine’s classmates think she’s a witch that used voodoo or black magic to heal the goose.
  • When a kudu is shot, Martine helps it. “Martine places her hot hands over the kudu’s dying heart and began pressing down every few seconds. Under her touch, the beat grew stronger and the kudu’s skin became warm.” A few minutes later, the kudu “gets on his feet . . . and bounded weakly away.” 
  • A woman named Grace uses bones to tell the future. Martine’s grandmother explains, “Africans with second sight throw bones the way Western fortune tellers use crystal balls and tarot cards.” The woman told Martine’s grandmother that “the bones had told her that a tragedy would bring [Martine] back to Sawubona. . . She said that if you came of your own accord, the gods might be appeased and the tragedy would be averted.” After the woman’s prediction, Martine’s parents were killed in a fire.
  • Grace takes out a pouch and dumps out “a collection of small bones, a portion of porcupine quill, a guinea fowl feather, and a couple of elephant hairs.” Then “a thin spiral of blue smoke rose from the objects on the floor. It flattened out and blurred images began to flash across it.” The vision helps Martine save the white giraffe.
  • When Jemmy is injured, Martine “put her hands on the white giraffe’s heart. Unbidden, technicolor memories of their time together came flooding into her mind. . . Martine was aware of her hands becoming hotter and hotter and a pure feeling, like love, flowing through her.” Jemmy recovers and they are able to escape.

Spiritual Content 

  • None

Kitty and the Treetop Chase

Girl by day. Cat by night. Ready for adventure! In the fourth book of this chapter book series, Kitty, a little girl with catlike superpowers, teams up with another superhero to save a bakery from certain disaster. 

When a new family moves into town, Kitty is excited to make another friend. But Ozzy, Kitty’s new neighbor, is quiet and seems to have nothing in common with Kitty. Then a member of Kitty’s cat crew tells Kitty about a dog causing a commotion in the bakery. Kitty decides to use her catlike superpowers to investigate, and it turns out that Ozzy has his own superpowers, too! Together, the pair sets off to track down the mischievous dog before he can cause even more damage.

With his owl superpowers, Ozzy adds an interesting and fun dynamic to Kitty and the Treetop Chase. At first, Kitty isn’t sure what to think about Ozzy, but when she’s called to solve a mystery, she welcomes Ozzy’s help. There are bumps in the road when Ozzy and Kitty don’t agree with each other, and both think that they’re right. But with the help of a friend, the two superheroes learn to work together to solve their mystery. Through their adventure, Kitty realizes “having superpowers was amazing fun, but it was going to be even better now that she had someone to share it with!”

In her quest to help animals, Kitty uses superpowers, her new friend Ozzy, and her cat crew to solve mysteries. Together, Kitty and Ozzy discover two dogs that look identical, but one of them has been naughty. Once the two superheroes discover the dogs’ plight, they jump in to help. Instead of being judgmental, Kitty listens to the naughty dog’s story and feels compassion for him. In the end, everyone gets a happily ever after.

Independent readers will fall in love with Kitty and her cat crew. Kitty is a likable and interesting protagonist who is curious, brave, and kind. The story is well-written with beautiful imagery, but readers will also appreciate the large illustrations that appear every one to three pages. Each illustration uses black, white, and orange which gives the pictures a magical quality. Since much of the action takes place at night, many of the illustrations have a black background which allows Kitty and her cat friends to pop off the pages. In addition, many of the pages include fun elements such as cat prints. However, Kitty’s willingness to help animals in need is the story’s real magic. 

While Kitty and the Treetop Chase is part of a series, the series does not need to be read in order because each story focuses on a new mystery. In addition, the beginning of the book gives a short introduction of Kitty and her cat crew. Independent readers who are ready for adventure will find Kitty and the Treetop Chase the perfect book for them. Since the story revolves around superheroes and animals, the fast-paced mystery will appeal to a wide range of readers. Readers who crave more superhero actions should also read the Princess in Black Series by Shannon Hale & Dean Hale.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • Kitty has superpowers. “Kitty could see in the dark and hear noises from far away. She could also balance perfectly and perform amazing somersaults. Best of all, she could talk to animals!”
  • Kitty’s new friend Ozzy “is training to be a superhero, and his owl-like powers give him amazing eyesight and super hearing.” Ozzy can also talk to owls. 

Spiritual Content 

  • None

Minecraft: Mob Squad #1

The village of Cornucopia is practically perfect in every way. Plenty of food, cozy homes, and a huge wall to keep everyone safe from the scary world outside. What more could a kid possibly need?

Well, a lot, actually.

Mal, a fearless girl, needs adventure, and her friends are right there with her. There is Lenna, a dreamer whose family underestimates her every day, and Tok and Chug, two brothers who love to build stuff (Tok) and smash stuff (Chug). They’re best friends, and in a town whose grown-ups value safety over bravery and fitting in over standing out, they’re the bad apples.

But when a mysterious mob sneaks past Cornucopia’s defenses, the village is in huge trouble. And nobody knows what to do. Finally faced with the adventure they’ve always wanted, Mal and her friends defy the rules their elders have always followed and set out beyond the wall for the first time.

On their journey across the Overworld, they discover wonders they’ve never dreamed of and dangers they’ve never imagined. To save the day, they’ll have to prove they’re more than bad apples. They’re the Mob Squad!

Minecraft fans will love Mob Squad’s action and adventure. As the four friends venture out into the unknown, they quickly learn that they aren’t “bad apples” like the people of Cornucopia have labeled them. Instead, they begin to understand how their unique talents are perfectly suited for the world outside of Cornucopia’s wall. As they fight mobs, they discover more about the world as well as themselves. Through their experiences, the kids gain confidence and realize being different is what makes them special. 

The Mob Squad shows the world of Minecraft from the viewpoint of the four friends. Readers will enjoy seeing aspects of the game through their point of view. Each chapter alternates between the four kids; however, the characters’ voices are not very distinct so readers will need to pay attention to the name that appears at the beginning of each chapter. 

Mob Squad’s quick pace will keep readers interested with plenty of action, adventure, and battles against mobs. The battle scenes are suspenseful, but not long or gory. However, what makes The Mob Squad shine is the friendship between the kids. Not only do they learn to survive on their own, but they also learn the importance of teamwork. When the kids save the town, they realize that their destiny doesn’t have to be chosen by their family, but they can choose to do what is best for themselves. Readers will be eager to learn what happens to Mal, Lenna, Tok, and Chug in their next adventure which appears in Mob Squad: Never Say Nether.

Sexual Content 

  • None

Violence 

  • A group of boys corner Tok in an alley. Tok’s brother, Chug, punches the leader of the bullies, Jarro. Then Chug “lands a kick right in Jarro’s backside.”  
  • Tok was running into town when Jarro put his arm out causing him to fall flat on his back. Chug is “just about to give in and woop some rumpus when a shadow looms over us all.” An elder stops the fight. 
  • Once the four friends leave Cornucopia, they fight mobs often; not all fights are listed below. On the first night out of Cornucopia, Tok forgets his cat outside. However, Chug and the others must help because zombies are waiting for them. Chug is “hacking at one monster, but it hits him back, and he grunts in surprise. . .” Lenna shoots arrows and “one of the zombies makes a splattery hiss and flops over dead. . . Lenna aims for the two zombies on the left with her arrows, one after the other, while Chug and Mal hack away at the one with the sword and helmet.” 
  • During the fight, Chug and Mal work together. “Mal swipes at [the Zombie’s] legs with her diamond pickaxe, and the moment it turns to groan angrily at her, Chug deals a massive blow against its back with his sword, and the zombie finally falls over.” The fight is described over three pages.
  • Skeletons start shooting at Lenna. Lenna describes, “On instinct, I throw the torch at the skeleton and use its moment of distraction to reach into my pocket and prepare my own weapon. I fire off two shots before it returns an arrow.” An arrow hits Lenna in the leg. “It feels hot and dull, and I yank it out and shoot it right back at the skeleton, destroying it.” The scene is described over three pages.
  • While in the wilderness, zombies attack the Mob Squad. Lenna takes down a zombie. “We’re all feeling confident, right up until someone runs around the corner and hits Mal with an ax.” Mal “stagger[s] back, seeing stars. . . The monster sprints at me again, axe raised, and my arm feels dead. An arrow lodges in the creature’s chest, and then Chug darts forward and gets in a strike with his new diamond sword.” 
  • The kids have to fight evokers, vindicators, and other mobs. When a vex attacks, Lenna takes “it down with two fiery shots. . .I’ve landed two shots on it when Poppy yelps and something slashes at my legs. I look down and see a spectral fang rolling past. My leg burns with pain, and I stumble.” No one is seriously injured.
  • The story concludes with vexes, vindicators, and other mobs attacking Cornucopia from inside the wall. One of Cornucopia’s members, Krog, is commanding the mobs. As the mobs climb out of an underground cavern, “three vindicators barrel out, axes ready, grunting. Chug and [Mal] engage them, working as a team as Lenna keeps harrying the vexes with flaming arrows. . . More vexes fly out, and one lands a hit on my back before Lenna can nock another arrow. The cry of pain flies out of my mouth before I can stop it.”
  • During the battle, “more vexes swarm out the door of Krog’s house, followed by their evoker. Ghostly white fangs ripple up from the ground, hitting Dawna [a resident of Cornucopia] in the leg and making her scream. . . Dawna reaches for one of Tok’s swords, takes her first swing at a vex, and incredibly, lands a solid hit.”
  • As the battle continues, someone grabs Lenna. Lenna “flail[s] and shout[s] . . My elbow catches someone in the face—I feel the pop of their nose at the solid hit, and they grunt and drop me.” Lenna discovers the person is her sister.
  • Tok is surprised when he hears “a snort and look[s] up to find a huge beast snarling at me. It’s like a cow crossed with the biggest, ugliest rock I’ve ever seen. It paws the ground with an enormous hoof and charges.” Tok runs for his life, leading the beast into a narrow alley. Tok jumps onto the beast’s back. “The creature screams and throws me, and I skid on my back across the cobblestones. It hurts. . . . I look up, and all I see is a ton of stinky beast butt. I raise my sword. . . I stab it.”
  • When the villain, Krog, begins throwing harmful potions at the Mob Squad, Tok hits him on the head with an iron sword. Krog “topples forward.” In the end, Krog is arrested and the mobs are defeated. The village attack is described over 30 pages.

Drugs and Alcohol 

  • A vex puts a potion on all of Cornucopia’s crops, causing them to die.
  • Chug licks a potion off the floor. Afterwards, he describes how he doesn’t “feel every rib when I breathe. I can do cartwheels again.”
  • Someone throws a slowness potion at Mal. The potion makes her do everything “super slowly.”
  • Krog throws a poison at Mal.  Once the poison hits her, “her cheeks are sinking in, there are purple hollow pooling made her eyes, her lips are going dry and cracked.” Mal feels “like being sunburned on the inside, like I’m drying out, all my blood turned to ash.” Mal drinks milk which reverses the effects of the potion.
  • Krog throws a potion of weakness at Chug. Chug’s arms feel like they “are made of noodles. I can barely lift the sword.” When he drinks milk, his strength returns.

Language 

  • Chug insults Jarro by saying, “You’re a thief? You certainly stole all the ugly around town for yourself.” 
  • Because of her imagination, Lenna’s family refers to her as “loony Lenna” and “liar.”
  • Lenna’s sister calls her an idiot.
  • The town people call the Mob Squad “Bad Apples.”
  • An adult calls the Mob Squad kids “rapscallions,” “scalaways,” and “dunderheads.”
  • Darn is used three times.
  • Chug tells his brother to “shut your piehole.”
  • Twice, Chug calls someone a jerk. For example, when thieves steal from Chug and his friends, he calls one of the men a jerk. 

Supernatural

  • None

Spiritual Content 

  • None

The Okay Witch

Thirteen-year-old Moth loves everything witchy. She spends much of her time watching shows and reading books about witches, but she soon discovers that witches are not the stuff of spooky stories, movies, and fantasy. 

After a run-in with some eighth-grade bullies, something strange happens. Moth soon discovers she is a witch and her town, Founder’s Bluff, has a centuries-long drama with witches. If that’s not surprising enough, her family is at the center of it all. When Moth’s powers show up, things get strange. She finds a magic diary, meets a talking cat, and discovers a hidden witch world. Through these, Moth unravels more secrets from generations past, learning more about the town, her family’s history, and herself. 

The graphic novel The Okay Witch focuses on Moth, allowing the readers insight into Founder’s Bluff, the history of the witches, and how Moth acclimates to being a witch. Readers will relate to the seemingly fast and strange changes in Moth’s life. Moth is excitable, passionate, and stubborn. She butts heads with her mother occasionally. Moth’s mother doesn’t want her to get involved with “witch-stuff” because Moth’s mother thinks that “witch-stuff” is dangerous. However, by listening to her mother and her grandmother, Moth realizes her mother was trying to make her more aware of the attention her powers will bring and the weight of the responsibility in learning the history of the witches.

The drawings in this graphic novel are colorful and do an excellent job of portraying the characters’ emotions through their facial expressions. Reluctant readers may like that most pages do not have words but instead tell the story through drawings. Readers will love the switches from soft pastels to saturated colors, which not only makes the characters pop off the page but also makes it easier to tell the difference between the diary entries and the real world. 

Moth learns about her family history, her grandmother’s cohort of witches, and how Moth herself fits into it. Her grandmother and mother have figured out where they feel they belong in terms of being with or without their kind; now Moth gets to find the answer for herself. When Moth’s grandmother tells her about finding solidarity with the witches, Moth decides to watch and think about what she wants to do with her magic. Through this interaction between Moth and her grandmother, The Okay Witch shows the importance of family and legacy as well as the personal choice each person must make in order to make life fulfilling. 

Though many readers will enjoy reading the graphic novel The Okay Witch, the plot is not unique and there is too much focus on Moth’s understanding of the past and not enough focus on the present consequences of being a modern-day witch. While not unique, The Okay Witch is a good story for readers who like stories about the everyday lives of fictional witches. Readers who enjoy graphic novels about friendship should also read Stargazing by Jen Wang. Ravenous by MarcyKate Connolly tells a unique story involving a witch, and readers who want to know more about historical witches should read What Were the Salem Witch Trials by Joan Holub.

Sexual Content 

  • None

Violence 

  • Mayor Kramer kidnapped Moth’s mother. Moth goes to the Kramer residence to get her mother back. However, she badmouths Mayor Kramer’s family’s ancestors and ends up angering the ghosts living in the paintings. The ghosts are depicted grabbing Moth and holding her up against a pillar. 
  • To help her daughter, Moth’s mother distracts the ghosts and is seen whacking them with several objects, including a potted plant and a sword, to no avail. Moth and her mother use magic to eradicate the ghosts. The ghosts are seen disintegrating into tiny, green pieces that eventually disappear. This scene occurs over seven pages.
  • To attempt to defeat Moth and her mother, the ghosts try to possess Moth’s friend but fail. However, they succeed in possessing the mayor. The possessed mayor lifts Moth’s mother up to a broken window to throw her out of it, but Moth, in desperation, uses magic to get rid of the ghosts. The ghosts are seen going up in green smoke. This scene lasts for two pages. 

Drugs and Alcohol 

  • None

Language   

  • Two students call Moth “Mothball.” 
  • A bully calls Moth and her friend “mutants.”
  • A girl says “OMG.”
  • Judge Nathaniel Kramer, one of the mayor’s ancestors, calls the witches “she-devils.”

Supernatural 

  • Moth Hush is a witch, like her mother and grandmother. She spends a lot of time around her mother, who doesn’t want her to practice magic. However, Moth learns a lot of spells when her mother isn’t looking. Throughout the course of the story, she uses a lot of charms and spells. In short, she involves herself with magic whenever she can. As such, not all instances of magic will be listed here. 
  • Witches cast magic spells in many ways. The magic can be done non-verbally with intent behind the spell, incantations, gestures, or a mix of the three. For example, Moth’s grandmother levitates a few photographs by lifting her hand. 
  • There is a realm called Hecate where the witches from Moth’s grandmother’s cohort live. The witches offered a piece of themselves to Hecate, the goddess of magic, in order to seek refuge from the regular humans that were trying to hurt them. 
  • When someone dies, “their spirit may still hang around if they have unfinished business. . . Some ghosts possess bodies and objects and buildings.” For example, Mr. Laszlo is a ghost because he wanted to help Moth be the best witch she can be. He possesses a black cat and shares the body of the cat.   

Spiritual Content 

  • Moth’s grandmother tells a story about how the Sun became good. “Once the Moon was the only light in the world, and there was only night. Until the Moon was called away on business by our dear Hecate. So Moon said to her daughter Sun, ‘Keep watch over the world. Be a good girl and go around the whole thing. But forget not that you are precious, bright and fearful hot. If you get too close to the things below, you’ll burn them up in your fire.’”  

The Tea Dragon Festival

A worthy sequel to the debut graphic novel The Tea Dragon Society, The Tea Dragon Festival immerses readers in a charming fantasy realm where humans and dragons dwell in harmony. Readers may recognize cheerful bounty hunters, Hese and Erik, from the previous installment in the series, but the couple appears noticeably younger and are able-bodied, as this story takes place before Erik’s debilitating injury in battle. 

New characters include Rinn, a young chef learning to use natural ingredients in their recipes with the help of their grandmother, Gramman. While foraging in the woods outside of Silverleaf Village, Rinn stumbles upon a shapeshifting creature named Aedhan who has been asleep for eighty years. Aedhan belongs to the Shining Wing clan of dragons, whose duty it is to oversee the Tea Dragon Festival and protect Silverleaf Village. 

Soon Hese and Erik arrive from their bounty hunting escapades and reveal that they have been tracking a forest spirit that has the power to make its victims sleep for decades without aging. They follow clues to a magical glade and tell the spirit that if it wants to share memories of its flourishing species from thousands of years ago, it should make people dream for a matter of hours rather than decades. The creature bows its head and leaves peacefully. 

When it is time for the Tea Dragon Festival to begin, the village sets up decorations and shares a bounteous feast of home-cooked recipes made from foraged ingredients and tea leaves that will allow Aedhan to glimpse the memories and events during the eighty years he was asleep. Rinn and Aedhan share this meaningful meal and notice their new feelings for one another. Rinn decides that they would rather enjoy cooking as a hobby than as a vocation. Hese and Erik set out on new adventures hinting at the events of the other two books in this lovable trilogy. 

Nonbinary readers will likely identify with Rinn, as well as Aedhan, who remarks that dragons are capable of shifting between male and female forms. Queerness is not called into question or judged in their world. The Tea Dragon Festival also provides positive representation for disabled people, especially the deaf or hard-of-hearing and users of sign language. 

Like in The Tea Dragon Society, O’Neill’s endearing artistic style continues to immerse readers in a flourishing realm that values family, traditions, nature, and following one’s heart. The story is introduced with an author’s note about the depiction of sign language in italicized captions, to distinguish it from verbal dialogue without diminishing its value as a form of communication. 

The Tea Dragon Festival is an adorable companion to its precedent and fluently builds readers’ curiosity about the third installment in the trilogy. Although the premise of making peace with the forest spirit rather than slaying it is appealing, its execution is anticlimactic. The story does not explain how Hese and Erik avoid succumbing to slumber in their encounter with the creature, nor how they manage to communicate with it. Other than this oversight, this graphic novel shows an impressive capacity for storytelling, art, and positive representation. 

Sexual content 

  • None 

Violence 

  • Aedhan fights off a large griffin to protect Rinn and their little sibling, drawing blood from a painful gash. 

Drugs and Alcohol  

  • When brewed into tea, leaves harvested from the small household pets known as tea dragons have the power to send the drinker into a trance and glimpse their own memories or past events experienced by those around them. 

Language  

  • None 

Supernatural 

  • The book includes multiple fantasy creatures, such as shape-shifting dragons, anthropomorphic birds, and humans with features like tails, horns, furred ears, or goat legs. 

Spiritual Content  

  • None 
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