Dragon Rider #1

Firedrake, a dragon living in a small valley in Nothern Scotland, is stunned when he learns that humans are about to flood his home. Firedrake consults his family of dragons, who tell him of a time past, where dragons lived in solitude in the far east, in a range of mountains called the Rim of Heaven. Since his fellow dragons are unable to hide from the humans forever, Firedrake, along with his brownie companion Sorrel, set out to find a new home in the Rim of Heaven.

As they travel in search of a mapmaker, they encounter an orphaned human boy, Ben, who they take with them on their travels. At the mapmakers, they learn of the existence of “The Golden One,” a fearsome creature named Nettlebrand, a dragon who hunts other dragons and is armored with impenetrable golden scales. Even with the threat of this mysterious creature, the group is determined to continue their journey and find the Rim of Heaven.

Flying over moonlit lands and sparkling seas, they encounter fantastic creatures, summon up surprising courage – and cross the path of a ruthless villain with an ancient grudge who’s determined to end their quest. Only a secret destiny can save the dragons in this enchanting adventure about the true meaning of home.

Dragon Rider is a tale with many twists and turns as the characters meet many new friends and confront countless setbacks on their way to the Rim of Heaven. The story’s focus on Firedrake’s travels does not allow for any real character development. However, Twigleg undergoes the most change since he develops from a spy to a trusted friend. The remaining cast of characters is entertaining as they do their best to protect one another on their misadventures. Furthermore, the characters’ reactions to situations are entertaining. For instance, the brownie Sorrel is full of insults, but she is also full of wit and concern for friends. The blundering yet cruel persona of Nettlebrand contrasted to his timid servants also earns a few laughs, making this story an overall enjoyable read for its humor and adventure.

Dragon Rider will become some readers’ favorite book because of its thrilling magical aspects. But, the many random encounters with magical creatures does not necessarily add to the plot development and the worldbuilding lacks detail. Despite this, the many funny and interesting characters make this story worthwhile. Another positive aspect of the story is that it highlights the need for one to find a sense of belonging which is reinforced by Firedrake’s desire to protect his kin. In the end, all the characters find themselves a new place to belong, but they never would’ve found it had they not gone looking. Dragon Rider will appeal to readers looking for an entertaining story full of adventure and creatures of legend.

Sexual Content

  • None

Violence

  • Sorrel threatens Rat. “Stop winding us all up like this or I’ll tie a knot in your tail!”
  • Sorrel threatens to hurt another rat, Gilbert. “I’ve got a good mind to shut you in one of your own drawers!” Sorrel later says, “I ought to have tied that silly fat podge to his globe with his own tail.”
  • It is known that Nettlebrand ate eleven of Twigleg’s siblings, but this is not described.
  • Nettlebrand threatens to eat Professor Greenbloom. “Talk away! I’ll eat you any moment now.”
  • To escape the Professor, Gravelbeard, a dwarf, bites his hand. It is not injured.
  • A sea serpent briefly describes a fight with Nettlebrand. She fought with her sister against The Golden One. “We [the serpent sisters] wound our coils around [Nettlebrand’s] armor and kept [Nettlebrand’s] jaws shut with our bodies. But his golden scales were cold as ice and burned us.”
  • Sorrel suspects a raven is a spy, so she strikes the raven with a stone. Since brownie spit is magical, she spits on the stone first, then throws it. “Like lightning, she took aim and hurled the stone into the sky. It flew straight as an arrow to the raven, struck his right wing, and remained stuck to his feathers like a burr. Cawing angrily, the black bird fluttered about, beating his wings violently and lurching around in the sky as if he had lost all sense of direction. Ben watched incredulously as the raven pecked more and more frantically at his wing and finally few unsteadily away.”
  • Twigleg describes the consequences of Nettlebrand’s creation. “The more bored [Nettlebrand] was, the more violent and evil-tempered he grew . . . Nettlebrand, in his rage, ate all my brothers . . . [Nettlebrand] ate our maker too. . . but [Nettlebrand’s] still searching for dragons.”
  • When he finds out that he’s been betrayed, Nettlebrand threatens to kill Twigleg. “I’ll trample him to death! I’ll crack him like a nut! I’ll eat him alive the way I ate his brothers!”
  • Ben is caught by a giant bird who takes Ben to his nest as food for its chick. “Beating his wings vigorously, Firedrake landed on the edge of the nest, as close as possible to where Ben was sheltering. The huge chick retreated in fright. It uttered a hoarse crock and opened its beak menacingly . . . when [the chick] tried lunging at Ben again, the dragon bared his teeth and roared so threateningly that it flinched back in terror.” Ben is rescued before any harm comes to him.
  • No one is hurt in the final stand against Nettlebrand. The friends cover him in brownie spit and breathe dragon fire on him, which makes him turn into his original form, a toad. “The dragons swooped toward him. . . their blue fire licked at him, burning his limbs. Nettlebrand stared down at himself. His armor was melting into a sticky, golden sludge. . . White vapor, damp and cold as ice, surged from his jaws. Hissing, the chill escaped his body until he collapsed like a punctured balloon.” A toad hops out of the puddle of gold, unharmed.

Drugs and Alcohol

  • During a run-in with sand elves, the mischievous creatures toss around sleeping powder, which affects Ben. The next day, Firedrake asks Ben if he has “slept off his elfin hangover.”

Language

  • Sorrel is bad-tempered. She often uses the names of mushrooms in place of expletives such as “festering fungus” and “putrid puffballs.”
  • Some of the characters constantly insult one another. For example, Rosa calls Sorrel a “brainless mushroom-muncher” and says, “What thanks do I get? I have to listen to her silly fur-brained fancies!” Another insult is used later, when someone says, “You leaf-burrowing, mushroom-munching, shaggy-haired brownie.”
  • Sorrel calls many of the characters names such as dimwit, idiot, and stupid.
  • Sorrel also says that humans stick their “nasty furless noses” in places they don’t belong.
  • Sorrel tells Gilbert the rat that he has a “fat little ratty bum.” She also calls him “stuck up.”
  • Nettlebrand frequently insults his armor cleaner, Twigleg. He calls Twigleg a “bone-brained homunculus.” He also calls him “beetle-brain.”
  • Twigleg does not think very highly of Sorrel. He thinks, “The stuck-up, suspicious brownie! Laughing at him for eating flies, then stuffing her own face with those stinking mushrooms!”
  • Twigleg calls sand elves “stupid little things.”
  • Twigleg calls Sorrel a “pig-headed, pointed-eared brownie,” and adds, “Do you only ever open your eyes to tell one mushroom from another?”
  • Nettlebrand curses Twigleg when he finds out that he’s been betrayed. “That stinking flea! That spidery monstrosity! That sharp-nosed birdbrain!”
  • Twigleg calls Burr-Burr-Chan, another brownie, a “great furry fool.”
  • Twigleg also calls Sorrel “a stupid, pointy-eared nitwit.”

Supernatural

  • The book features talking animals such as Rosa Greytail, a talking rat who lives with the dragons. It also includes many mythical creatures including dragons, brownies, elves, dwarves, fairies, and more. An unknown magical force draws magical creatures together and allows them to speak the same language.
  • Dragons in this story are a bit unusual from the typical view of them. They have calm demeanors and live entirely on moonlight. Dragon fire can also cure injuries and bring out the true nature of any creature that has been enchanted by magic.
  • Twigleg, one of the main characters, is a homunculus or manikin, a being that is animated by alchemy.
  • Brownies are fictional cat-like creatures that walk on two legs and have magical saliva. Some have four or six arms, but Sorrel has two.
  • A magical form of communication is used between Nettlebrand and Twigleg in which one of them spits in water and can contact the other.
  • Nettlebrand is a dragon created to hunt dragons, made by an alchemist from indestructible metal. The alchemist used the ivory from dragon horns to make gold, which is why he needed a creature to hunt them.
  • The group meets a four-armed brownie named Burr-Burr-Chan who accompanies them for some time. “He looked almost like Sorrel, except that his coat was paler and thicker. And he had four arms.” Burr-Burr-Chan explains that he is a special type of brownie called Dubidai who protect the dragons.

Spiritual Content

  • The group of adventurers stop at a monastery that worships the dragons. There, Professor Greenbloom talks briefly about reincarnation. “These people [the monks] believe that we all live many lives on this planet. So any one of these children could really be older than the oldest grown-up monk.”
  • The monastery also has a temple to “The Kindly Gods” and one to “The Angry Gods” which are mentioned. The Angry Gods, “are said to keep all evil from the monastery and the village.” The evil includes spirits and natural disasters.

by Maddie Shooter

Legend

Set in the Republic, what was once the western United States, the world of Legend dives into the lives of two intelligent fifteen-year-olds, Day and June, who come from completely different backgrounds. Amid a war splitting the nation apart and a plague spreading throughout the Republic, Day and June must try to navigate the twists and turns of their own lives. 

Day is a wanted criminal from the slum sector who failed his Trials – a test every ten-year-old must take that determines how useful they will be to the government. Despite hiding from the Republic’s military, Day is trying to provide for his brothers and mother. When Day finds out his younger brother Eden has been infected with the plague, he tries to steal medicine and starts to uncover things the Republic wants hidden.  

June is the Republic’s star student, who comes from an upper-class military family and had a perfect score during her Trials. She attends the top university and lives with her brother, Metias, a respected military officer and June’s guardian. However, when Metias is killed, the Republic tasks a grieving June to avenge her brother’s death and find the prime suspect: Day.  

Their missions lead Day and June to meet each other and they unexpectedly discover an inexplicable attraction to each other. The two uncover a truth that the Republic wants to keep hidden. Soon, Day and June realize they must work together to understand the extent the Republic will go to keep its dark secrets. 

Legend is a page-turning dystopian story that stars two quick-witted and strong characters that are trying to figure out who they are in a world of conflict and deceit. Both Day’s and June’s perspectives are told from first-person point of view. To help readers avoid confusion, the text’s fonts and colors change to distinguish the chapter’s speaker. By allowing the reader to experience both sides, they can learn new information alongside the characters. Readers will become more connected with the characters and understand how they feel, making both June and Day relatable and likable. 

The story includes an array of issues such as classism, morality, trust, the effects of standardized testing, and the value of family. The subjects are well-integrated into the plot without being shoved in the reader’s faces. The book clearly lays out and compares the differences between Day’s poor background and June’s wealthy upbringing, exposing the vast inequalities. The Trials are a method of standardized testing split into three parts: the physical exam, the interview, and the written exam. Children take the tests to determine if they will be helpful to the military. While both Day and June are smart in their own ways, Day is not supportive of the Republic so he is ostracized and punished.  

Legend is perfect for dystopian fans who like action, mystery, and a little bit of romance. The story is dramatic, intense, and has good pacing. The plot is understandable and thought-provoking, although some of the twists are a little predictable. The theme that nothing is as it seems shines as the deception of the government and the innocence of Day is revealed. Overall, Legend is a strong start to a trilogy that uses a believable situation to encourage readers to stick to their morals, even when it makes life difficult. Readers looking for more fast-paced dystopian novels will also enjoy the Matched Trilogy by Ally Condie. 

Sexual Content 

  • While roaming the streets, Day wanders into a bar and chats with a bartender. Day thinks, “If I weren’t busy hunting for information, I’d take my time with this girl, chat her up and maybe get a kiss or three out of her.” 
  • After helping June recover from her injuries from a fight, Day studies June. Day thinks, “At this moment all I’m thinking about is what I’d give up for the chance to kiss her or to run my fingers through her dark hair.” 
  • There are several instances that both Day and June are imagining kissing and touching each other. Day says that “nothing good can come out of falling for someone on the streets.” But he admits, “a part of [him] still wants to kiss her, no matter how cracked a move it might be.”  
  • Day and June are talking and drinking nectar wine when they kiss. Day “kisses [her] gently at first and then, as if he’s reaching for something more, he pushes [her] against the wall and kisses [her] harder.” 
  • The following day, Day thinks about kissing June. Day can “still feel her lips against mine, the smooth, soft skin of her face and arms, the slight trembling of her hands.” June says he has kissed lots of girls before her, but that June is different and he “[wants] more.” 
  • A jealous Thomas, a Republic soldier, brings June back to her apartment, asking if Day had kissed her. She says it was for the mission. “Then, before I can protest, one of Thomas’s gloved hands brushes my chin as he leans in to kiss me on the lips.” June is repulsed and pulls away but his hand stays on the back of her neck. 
  • June has a dream. “Day has his arms wrapped around me and is kissing me again and again, his hands running up my arms and through my hair and around my waist, his chest pressed against mine, his breath against my cheeks and neck and ears.” 
  • In the aftermath of their escape, June and Day talk about what happened. They hug and, “she wipes a tear from [his] cheek and kisses [him].” 
  • Day and June discuss a plan to go to The Colonies. Day is appreciative that June wants to stay with him and kisses her while June “wraps [her] arm around his neck and kiss[es] him back.” 

Violence 

  • While soldiers are inspecting the Lake sector for plague-infected people, a woman wanders into the street. A soldier “lifts his gun and aims. A volley of sparks engulfs the infected woman.” 
  • To find a cure for his plague-ridden brother, Day infiltrates the hospital. To make the doctor show him where the cures are stashed, Day “whip[s] out one of [his] knives and hold[s] it close to the man’s throat.”  
  • While Day is escaping from the hospital, soldiers fire at him. “One of the stray bullets scrapes [Day] and searing pain shoots up [his] arm.”  
  • After Day escapes from the hospital, Metias confronts him. Metias tries to take him into custody, but “before he can fire, my knife hits him hard in the shoulder and he falls backward with a thud.”  
  • The Republic soldiers have captured a spy from the Colonies and are torturing him in an interrogation room. “Whenever he thrashes, Commander Jameson stomps on the chain around his neck and chokes him until he stops.”  
  • Day is watching and betting on a Skiz fight between Kaede, the bartender, and another girl. “Kaede strikes early and hard, lunging out and striking the other girl viciously across the face.” After another punch, the girl “crashes to the ground, hitting her head on the cement floor.” This fight scene lasts two pages. 
  • June stumbles into a Skiz fight where viewers bet on two fighters. When someone loses, they are kicked out of the tournament while the winner picks the next contestant. June is fighting Kaede, a fan-favorite fighter. During the fight, “Kaede’s fist punches hard into [her] side, and [she] feel[s] a terrible, sharp pain.” June is stabbed, thinking that, “Only a serrated knife could have torn [her] skin that way.” June ends the fight by ‘twist[ing Kaede’s] arm in a tight hold. In one move, [she] shatter[s] it.” By the end of the fight, June’s side is bleeding. The fight lasts three pages. 
  • While June is trying to escape the crowd who wants her to continue fighting, “Someone grabs [her] leg and yanks hard. [She] hit[s] [her] head hard enough to send the world spinning.” 
  • The Republic military goes to Day’s house to take his family into custody. Thomas, a Republic soldier, kills Day’s mother when he “shoots her in the head.” From June’s perspective, she thinks she’s supposed to “feel the joy of avenging [her] brother’s death.” But she can’t. “The pool of blood underneath the woman is starting to make [her] feel sick.” 
  • The soldiers capture Day and are trying to bring him into headquarters. When he fights back, “one soldier kicks him hard enough to knock him out.” 
  • While Day is in custody, soldiers beat him, and he sustains many injuries. “The girl looks down, then takes a gun from her belt and strikes me hard across the face.” 
  • The Republic is showing the civilians that they caught the infamous criminal Day, but some protesters in the crowd cause a ruckus, irritating soldiers. “One of the soldiers restraining me strikes me in the back with his rifle.” 
  • After Day is taken into custody, June goes to talk to him and observes his injuries. “His lips are so cracked that a little blood has trickled down to his chin.” His leg “is swollen to twice its normal size,” and, “Blood oozes from the edges of the bandage.” 
  • Hundreds of protestors gather outside of Batalla Hall and soldiers are sent to deal with them as they become unruly. Soon enough, “Bullets rain down on the square. People in the crowd collapse like levees in a flood.” Afterward, June scans “the scene of blood and bodies and prisoners. There are 97, 98 dead. No, at least 120. Hundreds more are in custody.” 
  • There is mention of death by execution in several scenes. When a judge announces the verdict for Day’s crimes, he says, “Day is hereby sentenced to death…by firing squad, to be carried out four days from today, on December twenty-seventh at six p.m. . . ” 
  • A soldier, Thomas, goes into Day’s cell to interrogate him. “His left fist hits me hard across the jaw, and my head snaps to the side.” By the end of the fight, Day’s face is bleeding, and it can be assumed that he is badly bruised because, “He hits me again, then one of his knees slams into my stomach.” Thomas also threatens Day’s brothers, saying that Day should, “Watch [his] tongue, unless [he] want[s] to see their bodies lined up next to [his] mother’s.” The confrontation lasts for three pages. 
  • Day attempts to break out of prison. “I swing back down, kicking one soldier in the head with my good leg.” The escape is described over two pages. 
  • After Commander Jameson prevents Day from escaping, she has a violent confrontation with Day. “Before she can stop me, I dart out of her grasp and sink my teeth deep into her hand.”  
  • Day has a flashback to his childhood when he accidentally hit a policeman with a ball while playing with his brother John in the street. The police officer punishes him for it when “he lifts the knife and gets ready to hit [Day] across the face with its handle.” John tries to plead with the police to stop him but, “The knife handle whips [him] across the face. The policeman walks over and kicks [him] in [his] side.” 

Drugs and Alcohol 

  • One night, Day and June talk to one another, and “a bottle of nectar wine sits between us.” 

Language   

  • Hell and damn are both used once. 

Supernatural 

  • None 

Spiritual Content 

  • None 

The New Olympians

There is a horse named Tornado Warning that’s winning every race he enters—and faster than ever before seen—and Emily thinks the animal looks a lot like Pegasus. Afraid of what this might mean and of what Jupiter might do if he finds out, Emily, Joel, Paelen, Pegasus, and the sphinx Alexis decide to go to Earth to investigate. There they discover a plot to replicate Olympians and Nirads. The CRU has already created dozens of clones. Now they want to create their own Emily clone—and it doesn’t matter to them if the original Emily dies in the process. 

Can Emily and her friends put a stop to the CRU’s plans before Jupiter finds out and follows through on his threat to destroy the Earth? 

The New Olympians’ plot revolves around the CRU’s ability to make clones of the Olympians. The Olympians believe making clones is unnatural and that the humans must be stopped. Emily’s thoughts, the descriptions of the clones, and the Olympian’s views all reinforce the idea that making clones is immoral. To make matters worse, the CRU hopes to use the clones to dominate the world. An agent explains, “One world order isn’t a bad thing, Emily. There will be no more borders, no more wars . . . One language, one people and one country. . . The CRU is going to create Olympus on Earth.” In order to achieve this, the CRU will murder anyone who opposes them. While Emily has no desire to hurt anyone, she has no choice but to destroy the CRU facility and anyone who tries to stop her.  

The New Olympians has a more serious tone and ramps up the violence. Sensitive readers may be upset by the treatment of the clones, some of which have deformities and are kept in cages. While none of the actual deaths are described, the number of people who are injured, killed, and punished may be upsetting.  

One negative aspect of the story is inconsistencies in the characters’ actions. For example, even though the CRU can identify Paelen, he still puts himself and others in danger when he goes to the Las Vegas strip to see the sights. In the first two books, Paelen tries desperately to prove that he is no longer a thief. However, in The New Olympians, he steals several times and acts as if he enjoys the thrill of thievery. In another instance, Emily and her friends’ original goal was to verify that the CRU had indeed made clones. However, instead of reporting back to Jupiter once they’ve confirmed the existence of clones, the group decides to confront the CRU. Despite their knowledge of the CRU’s cruel tactics, the group makes several unrealistic decisions. For example, Agent T, who used to work for CRU, leads the group to a small town close to Area 51. Even though he knows the area is crawling with agents, Agent T thinks the group will go unnoticed. However, Agent T is quickly dispatched. Agent T’s presence doesn’t shed light on any new information which makes that section of the story feel unimportant and a waste of pages. 

Readers who have read the first two books in the series will find The New Olympians frustrating because of the story’s inconsistencies, Emily’s lack of character growth, and events that do not advance the plot. However, readers may enjoy the reappearance of several characters from the previous books. The New Olympians wraps up the main conflict with the CRU’s clone-making abilities, which allows the next book in the series, Pegasus and the Origins of Olympus, to take Emily back in time to the origins of Olympus and to the deadly battle between the Olympians and the Titans. Readers who love traveling to other worlds where pegasi live should also read the Riders of the Realm Series by Jennifer Lynn Alvarez. 

Sexual Content 

  • After Joel scores a winning goal, the sphinx Alexis “brushed back the hair from Joel’s eyes, leaned forward, and kissed him full and long on the lips.” The kiss makes Emily jealous. 
  • The newspaper prints a picture of Tornado Warning, who looks like Pegasus’ twin. One of the Olympians asks Pegasus, “Did you get up to some mischief while you were in Emily’s world?” 

Violence 

  • Emily and her friends break into a house that belongs to Agent T and Earl. When Agent T comes down the stairs, he screams. “Alexis knocked to the floor a long-haired man wearing a brown bathrobe. Emily received her first look at Alexis’s eating teeth as the Sphinx stood on the man’s chest and prepared to kill him. . . Huge, sharp canines filled her mouth as her jaw unhinged to allow her to open her mouth wider than Emily had thought possible.” Joel calms the sphinx down before anything worse happens.  
  • A newspaper article describes a robbery, saying “there was only one survivor of the massacre.” 
  • Another newspaper article describes a boy who broke into a chocolate store. “One witness said he was super strong and tossed everyone around like they weighed nothing.”  
  • When Pegasus sees Tornado Warning, Pegasus attacks him. “Tornado Warning charged out of his stable. Rearing up, the two glowing stallions attacked each other with all the fury they possessed. Pegasus’s wings opened and smashed at Tornado’s head, knocking him into the large open training ring.”  
  • Pegasus’s brother tries to stop the fight, but “all his presence did was to infuriate Tornado Warning further. The gray stallion rose high in the air and came crashing down on Chrysaor with his powerful front hooves. Driven to the ground, the winged boar squealed in pain.” Chrysaor is injured.  
  • Ranch hands hear the horses fighting and go to investigate. “A blast from a shotgun fired at Pegasus alerting the group. . . [Emily] raised her hands in the air. No flame emerged, but the man was lifted over the heads of the fighting stallions and thrown to the opposite side of the stable.” Agent T holds the ranch hands at gunpoint.  
  • The stallions continue to fight. “Pegasus was steadily gaining over Tornado. Despite the racing stallion’s strength, he was no match for the enraged Olympian . . . Tornado Warning was covered in blood from the deep cuts caused by Pegasus’s hooves. His eyes were closed, and he wasn’t breathing.” The fight is described over six pages. 
  • Agent T needs information about Tornado Warning. A ranch hand named Rip refuses to talk, so Agent T “slapped Rip across the face.” Rip is still defiant and Alexis attacks. “Moments later Rip Russell was on the ground, crying in pain and grasping his lower legs. His jeans were torn from Alexis’s claws, and blood was rising to the surface.”  
  • When Rip and some other ranch hands try to grab Emily, Alexis attacks them. Emily closes her eyes, so she doesn’t see the attack, but Agent T tells her, “Keep your eyes shut; you don’t want to see this.” Alexis kills the men who were “going after Emily.” Later, Emily sees blood on her clothes.  
  • When Agent T tries to talk to the CRU, they attack him and Alexis. Alexis’ wings are dislocated. Alexis thinks Agent T is dead, so she runs to warn the others. 
  • The CRU soldiers try to capture Emily and her friends. When the soldiers arrive, “Popping sounds filled the air as they fired. [Emily] felt the stings on her arms and back and realized they were using tranquilizer darts. . . She held up her hand and released the laserlike flame at the nearest military vehicle. It exploded in a brilliant blast.” This causes a chain reaction that blows up the other vehicles.  
  • The CRU also try to capture Tornado Warning. The horse “stopped, spun around, and charged the soldiers who were trying to capture him. . . He instinctively used his wings as weapons. He flapped them and struck the men who were trying to catch him. Others were kicked by his lethal hooves. . . the winged racehorse [was] finally brought down by the countless tranquilizer darts being shot into him.” 
  • During the attack, Joel is shot. In anger, Emily goes after the military helicopters. “Emily focused her eyes on the closest helicopter. . . Emily raised her hands and unleashed the flame.” The story implies that Emily destroys all the helicopters. The attack is described over five pages. 
  • While walking down a Las Vegas street, two men “pulled out weapons and shoved them into Paelen’s and Joel’s backs.” They take Paelen, Joel, and Frankie to their mob boss. After the mob boss threatens to kill them, Joel and Paelen attack the men. “A shot went off and hit Joel’s arm, but the bullet ricocheted off the silver and hit one of the men.” Paelen is shot in the head. “The bullet knocked Paelen backwards. He felt a searing pain in the center of his forehead. . . Joel charged the shooter. . . The tattooed man cried out as the bones in his arm shattered under the impact of Joel’s silver arm.” The scene is described over seven pages. 
  • After subduing the mob boss’ men, Joel tries to get the mob boss to talk. When he refuses, Joel “put his silver hand around the man’s throat and hoisted him up in the air. As the tattooed man squirmed and tried to break free, Joel slammed him hard against the wall.” The man eventually talks. Joel and Paelen then tie up the man and leave. 
  • When Paelen’s clone sees him, the clone attacks. The clone “smashed through the diner door and turned on Paelen. It screeched and roared and charged at him with murderous fury in his eyes. . . The clone lifted Paelen in the air and threw him through the plate-glass window of the diner. . . The clone struck out at Joel with a brutal blow that threw him several meters in the air. Joel landed on the roof of a seller’s pushcart and slipped down to the ground, badly winded.” 
  • As the fight continues, Paelen “tore up a streetlight from the pavement and used the pole like a bat, smashing the clone into a tall, brightly lit casino sign. Lightbulbs burst and sparked as debris poured down into the street.” As Paelen and the clone throw each other around, they start a fire. 
  • Ignoring the fire, Paelen “hurled the clone at the biggest, heaviest thing he could find—a lighted wall of a casino. The casino’s sign exploded with the impact, and the wall crumbled. As the clone fell to the ground, part of the lighted sign collapsed and fell on top of it.”  
  • A police officer raises his weapon at an injured Paelen. When Paelen refuses to stop, the officer shoots a taser. “Electrical current tore through him. He lost control of his muscles and collapsed to the ground, convulsing. The pain was intense, and he couldn’t move.” Paelen passes out and wakes up in jail. The fight scene is described over five pages. 
  • Paelen breaks out of jail, and returns to his hiding place, but the clone is still able to find him. “The clone, caught hold of him and, screaming in rage, lifted him high above its head. Snarling with uncontrolled hatred, it hurled Paelen at the painted window. . .” Paelen falls off the building and is presumed dead.  
  • In order to keep her friends safe, Emily shoots at the military helicopters that are shooting at them. “One by one, the helicopters exploded in the air and rained fire down on the dark desert floor. Soon they were alone.” 
  • In an epic, multi-chapter conclusion, the Olympians, led by Emily, fight the CRU. Emily tries to talk to the CRU soldiers, who shoot her. Emily “felt her body exploding in pain as several bullets found their mark. Thrown backwards, she hit her head on the ground with an explosive impact.” In a panic, Emily accidentally makes Alexis and Pegasus disappear and Emily assumes she has killed them. 
  • When Jupiter finds out what is happening on Earth, he takes his two brothers—Pluto and Neptune—to Earth. To help Joel, the three go to the police station. The police “opened fire on the chariots. Unaffected by their bullets, Jupiter returned fire with his lightning bolts. Suddenly the ground beneath the police exploded as Neptune commanded water to come forth.” 
  • When another police officer shoots at Pluto, “he swept his hand in the air. An instant later, the officer collapsed dead to the ground.” As they talk to the police, helicopters appear. “A second rocket was fired at the Olympians. Jupiter raised his arm, and the rocket shot away from the chariots and tore into the police station. The rocket exploded on impact. . .” Jupiter “fired powerful lightning bolts at [the helicopters]. They burst into flame and crashed down to the street in a heap of burning metal.” 
  • The military continues to shoot weapons at the Olympians, who remain unharmed. The weapons “were defeated by the Olympians’ powers and crashed into a big black pyramid-shaped building. The light at its top went out, the windows exploded, and the building burst into flame.”  
  • The CRU captures the Nirad prince, Toban. They secure him to a table with gold and the gold burns his skin. The gold “scalded him until his skin smoldered, opened, and bled. [Emily] watched scientists extracting fresh black blood and skin samples from the suffering young prince. . . The prince’s eyes were shut as he writhed and howled in pain. The tight gold bands were cutting deep into his smoking, open flesh.” 
  • To destroy the CRU’s ability to make clones, Emily destroys Area 51. “Emily unleashes her power. Laserlike flames rushed from her hands and burned their way into the buildings. . . The sounds of the groaning and crumbling facility filled the air and grew in intensity until they become almost unbearable . . . The dust settled, and where once stood the CRU facility was nothing but an impossibly large crater.” 

Drugs and Alcohol

  • When Emily meets Tornado Warning, one of the workers tells her, “Tornado Warning is loco. He has killed two riders. No one can touch him unless he is drugged.” In order to control Tornado Warning, the horse is given sedatives.  
  • In order to keep Tornado Warning from fighting with Pegasus, the horse is given “heavy tranquilizers” that make him sleep.  
  • Paelen meets a homeless boy named Frankie. Frankie’s mother abandoned him, and the boy is being cared for by a man who is drunk often. 
  • In order to steal money, Paelen targets a drunk gambler. 

Language   

  • The adults use profanity infrequently. Profanity includes darn, heck, damn, and hell. For example, Agent T asks Emily, “what the hell are you doing back here?” 
  • Oh God and Lord are used as exclamations several times.  

Supernatural 

  • The story includes many Greek Gods, who have supernatural powers, such as the sphinx Alexis who can “read a human’s intentions.” 
  • The sphinx Alexis is given Pluto’s helmet of invisibility so she can travel around Earth without being seen. 
  • Emily can heal others. She also has new, unpredictable powers. She explains, “Sometimes I can move things. Sometimes items disappear and I can never find them again. And sometimes they explode.” 

Spiritual Content 

  • When Emily plans to go to Earth without permission, she “prayed she would be returning to him in Olympus soon with good news.” 
  • When Earl finds out about Tornado Warning, he says, “pray to God he’s just a horse and not an Olympian clone.” 
  • When Emily leads the military away from her friends, Paelen prayed, “Be safe, Emily.” 
  • At Agent T’s request, Jupiter turns him into a willow tree. Jupiter explains that Agent T is a “very happy” tree. “Agent T will never feel pain but can still experience joy. He can think, speak, and live a long and happy life with Alexis.” 
  • In order to punish the CRU staff, Pluto changes them into Prometheus Oak trees. “Being turned into a Prometheus Oak is living torture. He will remain fully conscious and aware of his previous life. He will feel everything. . . His bark is like breaking bones, and when the wind blow through his leaves, you will hear him screaming.” 

The Secret Explorers and the Moon Mission

Meet the Secret Explorers—a band of brainiac kids from all over the world. Everyone in this diverse group of young experts has a specialty, from outer space to dinosaurs, and each story follows a character who gets chosen for a “secret exploration.”

In The Secret Explorers and the Moon Mission, space expert Roshni and geology expert Cheng blast off into outer space on a mission to the moon. There, they must navigate the dangerous terrain to clear up space debris before it can interfere with a lunar mission! Along the way, the Secret Explorers pilot a space buggy and collect important rock samples.  

The Secret Explorers and the Moon Mission has large black-and-white illustrations that break up the text and help readers understand the plot. Characters’ thoughts are easy to distinguish because they are in bold text. While younger readers may struggle with some of the difficult vocabulary and the length of the book, the book’s educational value makes it worth parents’ time to read italoud to their children. The book ends with ten pages of “Roshni’s Mission Notes,” which are a summary of all the scientific facts and discoveries made throughout the story. Plus, the book has fun illustrations, quizzes, and a vocabulary list. 

Readers interested in adventure and space travel will enjoy The Secret Explorers and the Moon Mission and learning about historical people like Buzz Aldren, Michael Collins, Katherine Johnson, and others who helped make going to the moon possible. Plus, the characters are knowledgeable and encouraging. Roshni and Cheng teach about astronomy, space, and different types of rocks. Readers who want to learn more about space travel through non-fiction reading should grab a copy of The Race to Space Countdown to Liftoff by Erik Slader & Ben Thompson and Mae Jemison: Awesome Astronaut by Jill C Wheeler 

 Sexual Content 

  • None 

 Violence 

  • None 

 Drugs and Alcohol 

  • None 

 Language   

  • None 

 Supernatural 

  • When Roshni is needed for a mission, a compass begins to glow and as “she stepped forward, the wall seemed to ripple and a shiny steel door appeared around the compass symbol. . . As the light faded, she found herself in the Secret Explorers’ headquarters.” 
  • The Exploration Station picks two Secret Explorers for each mission. When the kids’ badges “lit up,” they knew they were chosen to go on the mission. 
  • The Beagle can change into different types of transportation, and magically takes its occupants to where they need to go. 

 Spiritual Content 

  • None 

The Trials of Hairy-Clees

Zeus and the other gods at the Mount Olympus Pet Center are finally working together like a well-oiled machine. . . until they discover a multi-headed monster looming over Greece. And on top of that, a pesky new arrival is trying to join the Olympians.

It turns out defeating the monster is only one challenge on a long list of trials. Zeus and his team of gods—Athena, Demeter, Poseidon, and Ares—are facing their toughest quest yet. Even with some unexpected help from a feathered friend, can they succeed? Or have Zeus the Mighty and his Olympians met their match?

The Trials of Hairy-Clees mixes Greek Mythology, animals, and plenty of mayhem into an entertaining story that will have readers laughing out loud. In the third installment of the Zeus the Mighty Series, Hermes (a hen) makes a spectacular entrance. From the start, Ares (a pug) wants to help Hermes, because of her bravery. In a desperate attempt to get Hermes to leave, Zeus tells the hen that she can’t be an Olympian because she’s not immortal. Unfazed, Hermes is determined to complete the labors of Heracles, become immortal, and join the Olympian flock.

Readers who aren’t familiar with Greek Mythology will easily understand the book because the pet store owner listens to a podcast, “Greeking Out,” about the Greek myths; this allows the reader to get a quick lesson on the mythology that is necessary to fully appreciate the book. The book’s plot parallels the information given in the podcast, which helps readers understand key events.

In The Trials of Hairy-Clees, everyday objects become the relics and monsters of ancient Greece. For example, the animals believe a misting fan is the Hydra, a snake with many heads. The high-action plot, humorous situations, and black and white illustrations blend to make a fun series that will keep readers turning the pages. Each illustration shows the Greek gods, which gives the reader a visual and helps them understand the plot and the gods’ emotions. Plus, large illustrations appear every one to five pages.

In the end, Hermes plays a vital role in defeating the Hydra and even Zeus admires Hermes’ bravery and determination. After Hermes’ brave deeds, the Olympians decide to help Hermes complete all Heracles’ labors, which will have readers eager to read the fourth book in the series, The Epic Escape From the Underworld. Readers who love humorous stories about brave characters should put the Zeus the Mighty Series at the top of their must-read list. For more humorous books that put a spotlight on mythology, check out the Odd Gods Series by David Slavin and The Unicorn Rescue Society Series by Adam Gidwitz.

Sexual Content

  • None

Violence

  • While getting ready to attack the sea monster, “Zeus the Mighty’s world turned black and white. He had been swallowed by what seemed like an endless cloud of dirty white fluff . . . The stuff tickled his nose and poked into his mouth. It was like he was being crushed by a feather duster.” When the hen notices Zeus, she introduces herself.
  • The pet owner saves Hermes the hen from certain death. Hermes “was in line to receive the Kentucky-fried treatment.”
  • Much of the book’s humor and violence comes in the form of the cat, Athena, chasing Hermes. For example, when Athena sees Hermes for the first time, Athena leaps out. “The hen leapt backward with a flurry of wings, just a feather’s breadth from Athena’s claws. . . The cat sunk low, preparing for a second pounce, her tail twitching.” When Demeter yells at Athena, the cat stops the attack and “peered around sheepishly, her eyes no longer wild.”
  • As Zeus and Demeter are talking, they hear “a bloodcurdling hiss . . . Hermes was scrabbling below, her wings held wide, as if she were trying to take flight. Hot on her tail was Athena, claws out.” Hermes is able to escape.
  • In order to complete one of the labors of Heracles, Hermes must take on the Hesperis. Hermes “pulled the small wooden Zeus figure from beneath her wing. She threw it at the lead Hesperis. The flaming creature squealed when it struck her in the chest.” Hermes realizes the Hesperis aren’t as dangerous as they appear, and she is able to complete the task
  • Athena tries to attack Hermes. “Just as Athena was about to crash into her would-be prey, Hermes raised a wing and batted the cat aside. Athena tumbled gracefully, and then rolled to her feet. Her eyes remained focused on Hermes, but they no longer had that crazed look.” When Hermes stops running from Athena, Athena no longer wants to pounce on her.
  • Hermes, the Olympians, and the Amazons work together to kill the Hydra (a fan). “The monster’s five heads raged above [Zeus]. They swiveled to aim their foul fog at the Amazon flock, which was closing in fast. . . One after another, the birds release their payloads. The boulders [tennis balls] sailed through the air toward the Hydra’s chest. . . the five spinning heads slowed. The gale winds decreased.”
  • The fight against the Hydra continues as Zeus “yanked off his cloak and tossed it at the monster’s heads. . . In the next instant, the cloak slipped through the helmet’s bars and dropped directly onto the Hydra’s spinning heads. . .” The Hydra is defeated when it “detached from the wall and crashed to earth.”

 Drugs and Alcohol

  • None

Language

  • Athena is put in Ares’s dog crate. When Zeus talks to her, he says that “Ares’s place smells like pug butt.”
  • Poseidon calls someone an oaf.

Supernatural

  • Zeus finds a lion squeaky toy, that Athena thinks is “an incredibly potent relic. . . Whoever wears the hide of the Nemean lion is imbued with its powers. In other words, you’d be indestructible!” Zeus puts the squeaky toy over his head and the toy saves him from harm several times.

Spiritual Content

  • None

Gregor the Overlander

When eleven-year-old Gregor and his two-year-old sister, Boots, fall down an air duct in their laundry room, they find themselves in Underland: an underground world that has remained hidden from the surface dwellers for centuries. Underland is populated by the friendly but fierce Underlanders, who live in the underground city of Regalia. However, Underlanders are not the only ones who live in the dark. Giant, talking animals inhabit this strange place: enormous bats, upon whom the Underlanders ride and fly, cockroaches, spiders, and worst of all, rats.

The rats are the sworn enemies of the people of Regalia and when Gregor arrives, word begins to spread that he may be the warrior spoken of in an ancient Underland prophecy; a warrior who will save Regalia from the rats. Gregor, however, just wants to find his father, who’s been missing for over two years and may be lost somewhere in Underland. On his quest to recover his father, Gregor learns many important lessons about courage, friendship, and perseverance.

Those who read Gregor the Overlander will enjoy its unrelentingly quick pace and action. The peculiar and intriguing world of Underland, the fantastical and dangerous creatures, the mysterious “Prophecy of Gray,” and the hunt for a boy’s lost father are sure to hook the reader for the entirety of the story. The action, while violent and bloody, is not gory. Often, giant bugs or animals are wounded and killed in battle, which some may find more palatable than human violence.

The story is rife with themes that are important for every child to explore, such as family, friendship, sacrifice, courage, and empathy. Throughout the book, Gregor is unceasingly loving, kind, and protective of his little sister, and in the darkest moments of his quest, Gregor finds strength and hope in the thought of reuniting with his father. Gregor is not a perfect character though; he often finds himself losing his temper and judging others too quickly, like the cockroaches Tick and Temp. However, Gregor learns that these humble creatures possess virtues of their own and are deserving of respect and dignity. Gregor also frequently butts heads with two young Underlanders (who also happen to be royalty in Regalia), Luxa and Henry. However, after Luxa rescues Gregor and vice versa the two begin to trust and respect one another, planting the seeds of friendship.

Throughout the story, Gregor expresses doubt that he is in fact the warrior spoken of in the Prophecy of Gray. However, he continually demonstrates courage in the face of danger, surprising both himself and the Underlanders. In the end, Gregor finds that he is willing to sacrifice himself for his friends. Throughout the story, Gregor develops into a courageous, yet thoughtful young man. Though the story is self-contained, it also sets up the sequel, Gregor and the Prophecy of Bane, quite nicely.

Gregor the Overlander’s unique blend of fantasy, mystery, and adventure combine to create a story that is sure to entice and delight young readers. Plus, readers will find it easy to identify with Gregor and imagine how they would react to the challenges he faces. The fast-paced story with its unique world, its pulse-pounding action, and its compelling characters ensure that readers won’t want to put it down until they’ve finished, after which they’ll quickly reach for the next one, Gregor and the Prophecy of Bane.

 Sexual Content

  • None

Violence

  • When Gregor tries to escape and return home from Regalia, two rats find him and Boots, intending to eat them. The kids are saved when a squad of Overlanders comes to their rescue, but there are many bloody wounds sustained in the ensuing battle. One of the rats bites the wing and throat of a bat, and an Underlander cuts off a rat’s ear “with one stroke of her sword.” Gregor “thrusts his torch into [the rat’s] face,” causing him to stumble back “right into Henry’s sword.” A bat sprays blood from a wound in its wing, and another rat dies when stabbed through the throat.
  • Luxa, a human Underlander, “crossed the room and struck [Gregor] on the face” for attempting to escape Regalia’s palace.
  • A woman and her bat barge into a meeting, the woman “pressing her hands to her chest to stem the flow of blood [while one of her] bat’s wings folded in, but the other extended at an awkward angle, clearly broken.” The woman delivers a message, then passes out.
  • A giant spider nearly eats Luxa, but she is saved at the last moment: “From above, a jet of silk shot down, encircling Luxa’s sword arm and jerking her from her bat. The pair of striped legs reeled her in like a fish.” Gregor saves Luxa by spraying the spider in the face with a can of soda: “Just as the fangs were about to pierce Luxa’s throat, [Gregor] flew up and popped the soda can top. The stream of root beer shot out and smacked the spider queen right in the face. She dropped Luxa and began to claw at her six eyes.”
  • A brown spider who has been wounded and is “oozing a strange blue liquid” dies. A different spider “began to pump juice into [the dead spider]” and eats him.
  • Henry, a human Underlander, stands over Ripred the rat as he sleeps, “ready to plunge his sword into [Ripred’s] back,” but the rat awakens at the last second. “In the split second Henry drove the blade down, Ripred flipped onto his back and slashed his terrible claws. The sword cut across the rat’s chest as Ripred tore a deep gash along Henry’s arm.” The scene takes place over three pages.
  • Tick, a cockroach, charges a group of rats, sacrificing herself in order to save Boots. She dies when a “rat sprang forward and crushed [her] head in its jaws.”
  • Many rats fall from a bridge after Luxa and Henry sever it with their swords. The rats plunge into a river below where “enormous piranha-like fish surfaced and fed on the screaming rats.”
  • Ripred, a rat ally to Gregor and his quest, “tore out [one rat’s] throat with his teeth while his back feet blinded the second. In another flash, both rats lay dead.”
  • Gorger, king of the rats, using his tail, “slashed poor Gox (a friendly spider) in half.”
  • Gregor jumps off a cliff, and many rats follow him over the edge, as does the Underlander Henry. A bat dives down and saves Gregor, who sees “the rats beginning to burst apart on the rocks below,” and just before Henry hits the rocks, Gregor turns away. The scene is described over three pages.
  • Gregor falls off of a cliff and nearly breaks his nose when caught by Ares the bat: “At that moment, Gregor slammed into something. ‘I’m dead,’ he thought, but he didn’t feel dead because his nose hurt so badly and his mouth was full of fur. Then he had the sensation of rising and he knew he was on Ares’s back.”
  • Gregor attempts to help a wounded bat by stitching its wing. “He cleaned off [the bat’s] wound as well as he could and applied an ointment she told him would numb the area. Then, with great trepidation, he began to sew up the rip. He would have liked to move quickly, but it was slow, careful work mending the wing. Aurora (the bat) tried to sit motionless, but kept reacting to the pain involuntarily. ‘Sorry, I’m sorry,’ he kept saying. ‘No, I am fine,’ she would reply. But he could tell it hurt a lot.”

Drugs and Alcohol

  • None.

 Language

  • Several times, Boots declares that she has pooped herself and needs to be changed.

 Supernatural

  • Gregor’s neighbor, Mrs. Cormaci, is known to read tarot cards for people.
  • A reference is made to Nostradamus the soothsayer.
  • Central to the plot is a series of ancient prophecies from the half-sane founder of Regalia, Bartholomew of Sandwich. Pertinent to this book is the Prophecy of Gray: “Two over, two under, of royal descent, Two flyers, two crawlers, two spinners assent. One gnawer beside and one lost up ahead. And eight will be left when we count up the dead. The last who will die must decide where he stands. The fate of the eight is contained in his hands. So bid him take care, bid him look where he leaps, As life may be death and death life again reaps.”

 Spiritual Content

  • None

 

Much Ado About Baseball

Twelve-year-old Trish can solve tough math problems and throw a mean fastball. But because of her mom’s new job, she’s now facing a summer trying to make friends all over again in a new town. That isn’t an easy thing to do, and her mom is too busy to notice how miserable she is.

But at her first baseball practice, Trish realizes one of her teammates is Ben, the sixth-grade math prodigy she beat in the spring Math Puzzler Championships. Everyone around them seems to think that with their math talent and love of baseball, it’s only logical that Trish and Ben become friends, but Ben makes it clear he still hasn’t gotten over that loss and can’t stand her.

Ben hasn’t played baseball in two years, and he doesn’t want to play now—but he has to, thanks to losing a bet with his best friend. Once Ben realizes Trish is on the team, he knows he can’t quit and be embarrassed by her again. To make matters worse, their team can’t win a single game. But then they meet Rob, an older kid who smacks home runs without breaking a sweat. Rob tells them about his family’s store, which sells unusual snacks that will make them better ballplayers. Trish is dubious, but she’s willing to try almost anything to help the team.

When a mysterious booklet of math puzzles claiming to reveal the “ultimate answer” arrives in her mailbox, Trish and Ben start to get closer and solve the puzzles together. Ben starts getting hits, and their team becomes unstoppable. Trish is happy to keep riding the wave of good luck . . . until they get to a puzzle they can’t solve, with tragic consequences. Can they find the answer to this ultimate puzzle, or will they strike out when it counts the most?

Much Ado About Baseball is a fast-paced story that teaches about friendship and fitting in using baseball as a backdrop. The story is told from both Ben’s and Trish’s point of view. The alternating points of view allow readers to see how Ben and Trish struggle with conflicting emotions. Middle grade readers will relate to Ben and Trish, who both are trying to fit in with their new baseball team. While the two are often at odds, they learn to work together. As a result, Ben realizes that friendship is about “arranging things so they’re best for the group, and not just for one person.”

While the story has plenty of baseball action, math puzzles also take center stage. Readers will enjoy trying to solve the puzzle before the answer is revealed. In addition, Much Ado About Baseball has a Shakespeare quoting character and magical fairies that need a lesson in cooperation. By combining baseball, puzzles, and Shakespeare, LaRocca creates an imaginative and engaging story that is full of suspense. While the story focuses on friendship, it also shines a light on the importance of honesty and forgiveness. The story’s conclusion is a little too perfect and cheerful. Everything is wrapped up in a positive manner which causes the ending to sound a little preachy. Despite this, Much Ado About Baseball will appeal to sports fans and non-sports fans alike. If you’re looking for another book full of baseball excitement, grab a copy of Soar by Joan Bauer.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Several times someone is referred to as a jerk. For example, Trish thinks a boy is a jerk.
  • Heck is used occasionally.

Supernatural

  • Both Ben and Trish get a magical math puzzle book. When the right answer is written down, “the entire grid turned bright green. . . Then, under the puzzle, a sentence appeared.” The sentence gives help with a problem.
  • After using the magical math book, Ben tells the baseball where to go. The ball, “seemed to slow down. . . it was surrounded by sparkling green light.” Because of this, Ben is able to hit a home run.
  • Ben thinks eating the Salt Shaker snacks makes him better at baseball. His team eats the snacks before every game. “But the kids kept having weird reactions. . .breaking out in purple blotches that disappeared after a few minutes; hiccupping intermittently for an afternoon; even growing fuzzy hair on our forearms that resembled a donkey’s fur.”
  • In Ben and Trish’s world, fairies exist “as much as magic math books and lucky coins.”
  • Ben and Trish go to a part of the forest where fairies are. After a brief conversation, “The mouths surrounded us like a green cloud. When they finally flew away, we were back in my yard.”

 

Spiritual Content

  • None

A Wish in the Dark

All light in Chattana is created by one man — the Governor, who appeared after the Great Fire to bring peace and order to the city. For Pong, who was born in Namwon Prison, the magical lights represent freedom, and he dreams of the day he will be able to walk among them. But when Pong escapes from prison, he realizes that the world outside is no fairer than the one behind bars. The wealthy dine and dance under bright orb light, while the poor toil away in darkness. Worst of all, Pong’s prison tattoo marks him as a fugitive who can never be truly free.

Nok, the prison warden’s perfect daughter, is bent on tracking Pong down and restoring her family’s good name. But as Nok hunts Pong through the alleys and canals of Chattana, she uncovers secrets that make her question the truths she has always held dear. Set in a Thai-inspired fantasy world, Christina Soontornvat’s twist on Victor Hugo’s Les Misérables is a dazzling, fast-paced adventure that explores the difference between law and justice — and asks whether one child can shine a light in the dark.

Beautiful imagery and compelling characters bring the world of Chattana into clear focus. While the story focuses on Pong, the supporting characters add interest and depth. Pong, who was born and raised in prison, believes that his only chance of living a happy life is to flee Chattana. With the help of Father Cham, Pong realizes that he cannot run from his problems. Father Cham explains, “You can’t run away from darkness. It’s everywhere. The only way to see through it is to shine a light.” Because of Father Cham’s wise words, Pong has the strength to stand up for justice and change his world for the better.

A Wish in the Dark shines a light on social issues such as protest, privilege, and justice. However, the book does not preach a particular doctrine. Instead, Pong’s experiences lead him to understand that one mistake or misfortune does not define a person. For example, Pong sees firsthand how people who have been in prison face discrimination. Once they are released, they find it difficult to find jobs and provide for their families. Because Father Cham lives a life dedicated to helping the poor, Pong learns compassion for those who are poor and downtrodden. Father Cham teaches that “desperate people deserve our compassion, not our judgment.”

As a Newbery Honor Book, A Wish in the Dark will leave readers thinking about many of society’s problems. While the story shows the glaring disparities between the wealthy and the poor, it does not give unrealistic solutions. Instead, readers see how “wealth can be as much a curse as a blessing and no guarantee of happiness.” The conclusion doesn’t end with a perfect happy-ever-after, but instead shows that there is hope for the people of Chattana. The story also leaves readers with this question: “Which is better: being safe or having freedom?”

Sexual Content

  • None

Violence

  • While in prison, two girls beat up Somkit because he won’t give them a mango. Later, “Somkit touched his bruised cheek and winced.”
  • When the mean girls throw Somkit’s food on the ground, Pong “stomped on her bare foot.”
  • Nok, Somkit, and Pong are held captive in a stable. When the guards catch them trying to escape, Nok, “brought the end of it [her staff] down hard on the stable floor. . . The ground shook like an earthquake. . . All four guards lay on their backs on the floor, twitching like fish in the bottom of a boat.” All three run.
  • When a group of over 1,000 peacefully march over a bridge, the Governor orders his men to arrest everyone. “In the Governor’s right palm, a huge ball of light began to swirl, as blindingly bright as the center of a star. It swelled, bigger and bigger. People in the crowd cried out. . .The Governor reared his arm back, as if getting ready to hurl the enormous mass of light forward . . . Pong knew what to do . . . Pong seized the Governor’s wrist and held on. . . As soon as he grabbed the Governor’s wrist, the raw light swirling in the Governor’s right hand went out.”
  • Angry, the Governor “growled like a beast and raised his other fist to strike Pong. As he brought it down, a streak of jet black shot out from the crowd. Nok flew to Pong’s side and crossed her forearms in front of her, blocking the Governor’s fist.” The Governor flees. The protest and the supernatural events (see below) are described over 14 pages.
  • The Governor grabs Pong. “Two hands gripped his shoulders. The last thing Pong saw was the rage in the Governor’s eyes as he yanked Pong toward him, and then hurled him over the side of the bridge.” Someone jumps in after Pong and saves him.

 Drugs and Alcohol

  • None

Language

  • A girl calls her brother a dummy.
  • Somkit tells Pong, “Don’t be a jerk.”
  • A man calls a group of kids “lazy brats.”
  • Crap is used three times. For example, Somkit calls a boat “a piece of crap.”
  • Heck is used five times.

Supernatural

  • Chattana used to have vendors who “sold all manner of magical treats: pears that made you fall in love, cakes frosted with good luck, even a rare fruit shaped like a sleeping baby that would let you live for one thousand and three years if you ate a single bite.”
  • The governor is the only one who can create light that powers the city.
  • Pong is thrown into the river and is drowning when he has a vision. Then, “The white wispy shape formed the body of a man. . . It was Father Cham. . .Pong turned to follow Father Cham’s gaze and saw a pulsing orange glow hovering on the northern horizon. He knew he was seeing another vision from the past: The Great Fire.” In the vision, Father Cham imparts wisdom to Pong. The vision is described over seven pages.
  • During the protest, Pong grabs the Governor’s wrist and “the Gold light flowed into his palm, down his left wrist and into his arm . . . A liquid Gold light flowed, trapped beneath Pong’s skin . . . The lines of light streamed out of his prison mark.”
  • Trying to help his friend, Somkit grabs Pong. “Light flowed from Pong into Somkit’s hand. The same streams of Gold light poured form Somkit’s crossed-out tattoo.”
  • Somkit, Nok, and Pong were “glowing like human lanterns on the dark bridge.” The people come forward and hold hands. “Each person felt the surge of light flow through them and burst out into the darkness.” By the next morning, everyone’s light had disappeared.

Spiritual Content

  • Father Cham, a monk, puts bracelets around Pong’s wrist. As he does, he gives blessings such as, “May you never get food poisoning from a raw chicken” and, “May wasps never sting the palms of your hands or the bottoms of your feet.”
  • Father Cham blesses a baby and says, “may you walk in peace wherever you are in the world.”
  • When Father Cham dies, a monk tells Pong, “You know that Father Cham is merely leaving this life behind and going on to the next.”
  • After Pong leaves Somkit, “not a day had passed at the temple that Pong hadn’t prayed for his friend and wished he could know what he was doing.”

Of Mice and Magic

Princess Harriet is uninterested in brushing her hair, singing duets with forest animals, or any other princess activities. So when a fairy tells a bored Harriet about the curse of the twelve dancing mice princesses, she is more than willing to accept the quest. Armed with the poncho of invisibility and her trusty battle quail, Harriet goes to the Mouse Kingdom and quickly realizes there is more to the curse than meets the eye.

Of Mice and Magic uses the story elements of The Twelve Dancing Princesses to create a wacky, action-packed adventure that will have readers eagerly turning the pages. Harriet takes the quest, knowing full well that her line will fall if she does not help the princesses break their curse. As she travels with the princesses to their ball, she finds help in one of the attendees and one of the princesses. However, the witch who cursed the princesses wants the princesses to dance so they can power her magic. The witch is more funny than scary, and readers will enjoy seeing how Harriet convinces the witch to dispel the curse.

While Harriet is trying to break the curse, she realizes that the Mouse King is a meticulous and irrational person. For instance, he named his daughters by the months of the year, and his entire castle is themed by color. His conflict with Harriet about the princesses, and later the witch, gives hilarity to the adventure. Readers will enjoy reading the conversations between these three characters.

Purple and white illustrations add to the wackiness of the book. Drawings with dialogue help break up the text and keep the action moving. Of Mice and Magic shows the value of teamwork and will engage even the most reluctant of readers. Of Mice and Magic is the second book in the Hamster Princess Series but can be enjoyed as a standalone book. Younger readers who enjoy humorous books should also read the Two Dogs in a Trench Coat Series by Julie Falatko

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • One of the twelve mice princesses, under the influence of the curse, must give Harriet a hot chocolate laced with a “sleeping potion” every night that she stays in the princess’ room.

Language

  • One of the mice princesses’ dance instructors calls the mice princesses “crazy” because they had learned every single dance. The dance instructors also call their shoes “freaky.”
  • Harriet tells everyone to “shut up” while thinking of a way to escape the Mouse King’s castle with his daughters.
  • The Mouse King calls his knights “idiots” when they can’t decide to cut the rope or climb down the rope to get to the princesses.

Supernatural

  • Harriet noticed that the old shrew, who was a fairy in disguise, did not have a shadow. The shrew fairy’s shadow had been “cavorting with the flickering shadows of some willow leaves, jumped up and came sliding hurriedly across the grass.” When the shrew fairy’s disguise is discovered, she calls her shadow back, and “It fastened itself to her heels and hunched down, looking sheepish.”
  • The twelve mice princesses are under a curse. “Every night, no matter where the princesses are, a door opens in the floor of their room. Whether they want to or not, the mice must climb down, down, into the underworld beneath the castle.” Later, one of the younger mice princesses says they must dance every night, all night. “We can’t not I mean, we stop for a few minutes . . . but it’s like an itch, and you have to scratch eventually.”
  • The shrew fairy gave Harriet a Poncho of Invisibility. “A Poncho of Invisibility is not quite as good as a Cloak of Invisibility…Harriet had to readjust the folds several times to make sure her feet didn’t become visible.” The only effect of the Poncho was that “there was a nasty bit when the poncho was partway on and partway off where he could see Harriet’s innards.” There are no ill effects with this magical item.
  • Harriet figures out the reason behind the curse. “The princesses are compelled to dance. They have to dance, and when they dance over the symbol, it generates magic. . . and I bet there’s some left over for the witch.”
  • An earthquake, one of the measures to prevent the mice princesses from leaving the mouse kingdom, started when “Hyacinth the quail, carrying Wilbur the prince and August the princess, crossed some invisible line. The earth began to dance.”
  • The shrew fairy gives Harriet a charm, as a thanks for freeing the princesses from their curse. “I grant you [Harriet] a very limited charm. You can cliff-dive again safely.” The charm allows Harriet to fall from large heights without hurting herself. There are no ill effects with this charm.

Spiritual Content

  • None

by Jemima Cooke

 

Mirror Magic

Do you believe in magic? Mia and her friends do! And when they meet the Star Animals, a whole world of magical adventures unfolds in this new chapter book series, accompanied by black and white illustrations throughout.

Mia and her Star Animal, a fox named Bracken, must use their special powers to stop the forces of dark magic. Mia’s older sister has started acting strangely and the Star Animals sense dark magic is at work. Soon Mia discovers that the new compact mirror that her sister, Cleo, has been using must be to blame. Can the girls use their newfound Star Magic to help make things right?

Mirror Magic will appeal to young readers who love animals and magic. The story focuses on Mia, but it also revolves around her two friends, Lexi and Sita. Most of the story centers on the girls meeting the magical animals and learning how to use their own magic. However, Mia’s sister, Cleo, adds suspense and mystery to the story and in the end, the girls discover that a Shade has been manipulating Cleo.

In the story’s climax, the Star Friends and their animals, fight with the Shade. The scene with the Shade is scary and may upset some readers. Despite this, Mirror Magic does an excellent job of introducing the main characters, the magical animals, and the conflict with Violet, who turns out to be a Star Friend too. Mirror Magic sets up a world that is slightly predictable, but also full of mystery and adventure.

Mirror Magic is the first in a chapter book series that focuses on three friends—Mia, Lexi, and Sita—who are illustrated with different skin tones. The cute black and white illustrations appear every two to seven pages. Even though Mirror Magic will appeal to readers who are six and up, younger readers may have a difficult time with the more advanced vocabulary.

Star Friends will appeal to readers who enjoyed The Rescue Princesses Series and The Rainbow Magic Series. The story portrays Mia’s family in a positive manner, and while Mia and her friends are kind, they are not perfect. The girls clearly want to help others and they are even planning a baked food sale with the proceeds going to help an organization that protects endangered animals. The simple plot and sweet characters will appeal to animal loving early elementary readers.

Sexual Content

  • None

Violence

  • Mia’s sister had a magical compact with a Shade trapped inside. When Mia looks into the mirror, “The handsome face and sympathetic brown eyes melted away under her gaze, becoming a gray skull with glittering red eyes.” Mia throws the compact on the ground and “gray smoke started to seep out through the cracks in the broken glass. . . The smoke swirled together and formed a very tall, thin figure with gray skin, a skull-like face, and ragged clothes. The figure’s slanted eyes glowed red in his bony face.”
  • When the Shade is set free, he steps towards the Star Friends. Bracken (a magical fox) “growled. . . Darting forward, he grabbed the Shade’s leg with his teeth. At the same moment, Willow [a magical deer] charged and butted the Shade.” The Shade swiped “at them with his long nails.”
  • Mia jumps in to help the animals fight the Shade. “She threw herself at the Shade. He stood his ground and, as she hit his chest, he threw her backward as easily as if she weighed no more than a piece of paper.” The Star Friends and the Shade’s fight is described over four pages.
  • Violet captures the Shade in her phone. “The Shade’s face pulled into a grimace as the camera on her phone flashed. With a scream he dissolved into smoke and was sucked into the screen of the phone.” Violet sends the Shade back into the shadows.

 Drugs and Alcohol

  • None

Language

  • OMG is used as an exclamation once.

Supernatural

  • Magical animals from another world come into the human world looking for a Star Friend. Each animal must “find a human child to be your Star Friend—a child who is kindhearted enough to use magic for good and brave enough to defeat someone using dark magic. When you meet a child. . . speak to him or her with your thoughts. If they are open to magic, they will hear you.”
  • The magical animals can appear and disappear. They also each have a unique magical ability.
  • Dark magic also exists in the world. “It comes from the ground, and it is magic that can be used to hurt people and make them unhappy.”
  • Cleo has a mirror that has a Shade in it. “Bad people can conjure Shades—evil spirits who exist in the shadows.” It brings misery and unhappiness. “It can also be trapped inside an object, like a necklace, book, or toy that the person using the dark magic will give to someone they want to harm in some way.”
  • The Shade in Cleo’s mirror pretends “to be that person’s friend, but then they start twisting their minds, making them jealous and angry.”
  • Mia’s magic allows her to “see what’s happening elsewhere really clearly, and you’ll be able to hear what’s being said and look at the details of a scene.” She can also see the past and future.
  • Sita has the ability to “comfort people and heal them.”
  • Lexi’s magical abilities have to do with agility. “She’ll be able to do things a normal human couldn’t.”
  • Violet is a Spirit Speaker who has “the magic ability to command spirits.”

Spiritual Content

  • None

 

Once Upon a Frog

Abby and her brother, Jonah, need to talk to Maryrose, the fairy that lives in the magic mirror. For some reason, Jonah has Maryrose’s memory. But when Abby, Jonah, and their dog, Prince, go to talk to Maryrose, they inadvertently get sucked into a fairytale.

When they get to the other side of the mirror, they are in the story of The Frog Prince. Only the princess, who’s supposed to transform the cute little frog back into a handsome prince, turns out to be super rude. Abby and Jonah can’t decide if they want to help her. Can they take matters into their own hands and turn the frog into a prince themselves?

In this fun adventure, Abby and Jonah must climb out of a smelly well, canoe over a waterfall, sneak into the palace and kiss a frog! The two siblings hop into the fairytale determined to change the frog, Frederic, into a human. What could possibly go wrong?

Once Upon a Frog introduces readers to the original version of The Frog Prince, but also gives the story a new spin. The beginning of the book starts with Abby’s experience with a school bully, as well as the not-so-nice princess, Coco. Both experiences—the school bully and the mean princess—teach Abby an important lesson: sometimes a nice person will be mean because he/she is upset. In the end, Abby uses this knowledge to have a conversation with the school bully, which gives her new insight into the reasons he is being mean. While Abby and the bully will never be friends, Abby thinks the bully’s mean days are over.

Abby narrates the story and a lot of the conflict comes through Abby’s thoughts. This allows the reader to understand the brother Grimm’s version of the story. Unfortunately, Once Upon a Frog is repetitive and the winding plot may confuse younger readers. Even though Abby learns a lesson, the message is unclear. The prince, who acted nice, ends up being evil and the princess, who acted mean, ends up being nice. This may leave readers wondering who they should trust.

With a high-interest topic, easy vocabulary, and a smattering of magic, Once Upon a Frog allows younger readers to jump into the fairy tale world. With more than 10 books in the Whatever After Series, readers will be able to find a fairytale that interests them. Maggie and the Wish Fish by E.D. Baker is another fairytale-inspired book that fans of the Whatever After Series will enjoy.

Sexual Content

  • In order to change the frog back into a human, Abby kisses him. The frog’s “nose and lips are pretty much all the same. I pucker my lips and give him a quick peck. . . His skin feels like regular skin that’s just coated in something slimy. Like Vaseline.”

Violence

  • Brandon, a bully at Abby’s school, grabs a book from Abby and then sneezes on it.
  • Brandon steps “on the backs of Penny’s shoes.” Penny yells at him, “You’re such a pain!”
  • In order to turn Fredric, the frog, back into a human, he is repeatedly thrown against a tree and different walls. The first time, “Jonah throws and Frederic flies in an arc across the sky. . . Frederic screams. His arms and legs are spread-eagle and pointed in all directions and he’s headed right toward the tree.” None of the attempts are successful in changing the frog.
  • When Fredric turns into a human, he takes Coco’s tiaras and tries to leave. Abby’s dog, Prince, “starts barking like crazy and snapping at Frederic’s leg. Without even blinking, Frederic conks Prince on the head with a candlestick.”
  • When Abby tries to stop Fredric from fleeing, “Frederic throws a tiara at my [Abby’s] head and I duck. . . He keeps throwing tiaras at me, and one scrapes across my arm. Ouch.”
  • Fredric tries to kidnap Abby. To avoid him, Abby jumps into a well. Eventually, Abby agrees to go with Fredric.
  • Fredric is caught and taken to the dungeon. In the process, “the soldiers grab Frederic and handcuff him.”
  • In the end, Abby discovers that Fredric, “tried to kill his sister to get the throne!”

 Drugs and Alcohol

  • None

Language

  • One of Abby’s classmates, Brandon, is a bully. At recess, Brandon goes around bothering the other kids. He calls Abby, “Crabby Abby.” Then he goes around calling other kids names such as stupid and four-eyes.
  • There is some name-calling such as jerk and dumbest of the dumb.
  • Fredric throws a tantrum and yells, “Maryrose is a fairy. And you, little boy, are a liar. A big fat liar! A big fat, lying freak!”
  • Fredric calls Maryrose a “horrible big-chinned fairy freak!”
  • After being thrown against a wall, Fredric yells, “I’m still a stupid frog.”

Supernatural

  • In a previous book, something happened and now Jonah has Maryrose’s memories. “Jonah remembers useless information. Like how Maryrose’s cousin got sick.”
  • Abby and Jonah have a “magic mirror in our basement. When we knock on it three times at midnight, it pulls us inside and whisks us into a fairy tale.” Maryrose is a fairy who’s “trapped inside our mirror. She’s the one who takes me and Jonah into different fairy tales.”
  • A frog tells Abby that he “can talk because I’m actually human—Well, I’m a human trapped inside the body of a frog. . . My own sister, Sophie, who wants the throne for herself, paid the evil fairy to do this to me.”
  • In order to get home, Abby and Jonah must find the ever-changing portal. The portal is a mural painted on the castle wall. “I knock once on the mural. Twice. Three times. The braided rainbow on the wall starts to swirl. . . We step through.”

Spiritual Content

  • None

 

 

Cinder

For Cinder, a reluctantly adopted half-cyborg, daily life has always been a constant struggle toward belonging and acceptance. Inside her home, Cinder is nothing more than the orphan she was as a child, though she can never forget the scientist that rescued her. However, his untimely death has left her with little knowledge of her former life. Unable to know the motivations of the person who initially saved her, Cinder now faces the wrath of a stepmother who uses her as a common mechanic and breadwinner for Cinder’s two stepsisters. Outside her home, Cinder faces an entirely different sort of ill-will; as part-cyborg, Cinder faces endless forms of discrimination from her community in the Eastern Commonwealth of New Beijing, a society that is more than willing to give up any of their cyborg citizens for the purposes of scientific experimentation.

New Beijing faces its own onslaught of problems. Once a powerful and prosperous development, the royal state now faces threats of war from the Lunars, a magical dictatorship residing on Earth’s moon.  Crippled under the wrath of a plague known as letumosis, New Beijing fears that its only hope of survival may rest in its Prince Kai’s ability to marry the Lunar Queen Levana—or else find a cure for the disease that currently holds a 100% casualty rate.

Cinder gratefully avoids both issues of the letumosis plague and New Beijing’s political instability, focusing instead on her own efforts to escape her present living conditions. However, when Cinder’s stepsister, Peony, falls to the disease, Cinder is opted up for a cyborg draft that aims to find a letumosis cure, and is thus driven into the conflicts of her nation head-on. In facing experimentation, Cinder finds not only a connection with Prince Kai, but also faces the truth behind her childhood. In encountering her past, Cinder must now ask: does she think she can change the fate of her world? And, if she loves and accepts herself—her own power—will others accept her as well?

Cinder is a sci-fi fantasy that works to retell the classic story of Cinderella from the lens of an imaginative society filled with political intrigue and social commentary pertinent to our community today. In weaving together the personal struggles of Cinder, the strategic plans of Prince Kai, the wrath of the Lunar population, and the welfare of New Beijing as a collective, Meyer presents a story that keeps readers on the very edge of their seats. Though there are subtle nods towards Cinderella throughout the narrative, Cinder is presented as her own, dynamic character with unique conflicts and struggles.

As a longer narrative with more complex diction, Cinder is a story for junior high and high school readers. It is also important to note that, as a narrative that presents explicit descriptions of death and disease, the narrative may not be suitable for younger readers, particularly considering our present struggles with the COVID pandemic. However, for those readers wanting a thrilling, action-packed, and innovative piece of speculative fiction that works to bring real world conflict to an imagined world, this is the perfect book! Cinder will especially capture the attention of any readers looking to dive into sci-fi fantasy for the first time, as the narrative holds an easily digestible, yet intricate, world that serves as a perfect introduction to the genre. In following Cinder’s journey, readers can also truly see the way invented worlds speak to issues of discrimination, classism, ethics, and power within our present world.

By confronting New Beijing’s societal conflicts as the result of a history that speaks to her own past, Cinder also rises to accept where she has come from—as both New Beijing citizen and cyborg mechanic power—to sculpt her own path in the world with newfound agency. When fate arises, and the wellbeing of a community rests in her hand, Cinder truly shows all readers that empowering themselves is the first step towards empowering their surroundings.

Sexual Content

  • When Dr. Erland praises Cinder for the way her technology falls perfectly in line with her central nervous system, Cinder sarcastically replies, “I’m sure I’ll feel much more grateful when I find a guy who thinks complex wiring in a girl is a turn-on.”
  • Fascinated by Queen Levana’s projected beauty, Kai hesitates when meeting her. Instead, he stares “at the pale, translucent skin, wondering if just touching her was all it would take to destroy a man’s mind.”
  • To stop Prince Kai from announcing his marriage to Queen Levana, “Cinder wrapped her arms around his neck and kissed him . . . Though Cinder had intended for it to be a short kiss, she found herself lingering. Hot tingles coursed through her body, surprising and scary but not unpleasant, surging like electricity through her wires . . . the desperation melted and, for the briefest of moments, the ulterior motives were gone. She found herself kissing him for no other reason than she wanted to.”
  • After seeing Cinder kiss Prince Kai, Queen Levana says, “You must misunderstand my culture. On Luna, we consider monogamy to be nothing more than archaic sentimentality. What do I care if my husband-to-be is in love with another . . . woman?”

Violence

  • At the beginning of Cinder, Cinder watches as a baker named Chang Sacha realizes that she has caught the plague. As a result of this discovery, Chang Sacha’s son is taken from her, and a screaming Chang Sacha is led to quarantine by officials. Following this, Cinder realizes that officials are “going to burn Chang-ji’s booth.” Authorities burn the booth until “The baker’s booth had been reduced to rubble and the skeleton of a portable oven.” The scene is described over five pages.
  • While introducing Queen Levana, the queen of the Lunar race, it is mentioned that the queen “murdered her older sister, Queen Channary, so she could take the throne from her. [Rumors from the Eastern Commonwealth community] said [Queen Levana] had her own husband killed too so she would be free to make a more advantageous match. They said she had forced her stepdaughter to mutilate her own face because, at the sweet age of thirteen, she had become more beautiful than the jealous queen could stand. They said she’d killed her niece, her only threat to the throne. Princess Selene had only been three years old when a fire caught in her nursery, killing her and her nanny.” This is the extent of the description concerning the violence incited by Queen Levana.
  • Cinder’s youngest stepsister, Peony, catches the disease that is described when Cinder finds, “a splotch of red, rimmed with bruise purple” on Peony’s collarbone. Peony screams, and cries, before an emergency hover and med-droids take her away to quarantine. At this time, a med-droid tests Cinder for the disease by inserting a needle in her right wrist and drawing blood.
  • In light of Peony’s sickness, Cinder’s stepmother Adri donates Cinder to the cyborg draft (a system where a family’s cyborgs can opt themselves up, or have their family guardians donate them, as bodies for plague testing). In an argument with Cinder, Adri slaps Cinder’s cheek with the back of her hand. In order to escape the droids trying to take her, Cinder swings her toolbelt—known as a magbelt—“against the android’s cranium.” Cinder then smashes the lens of the second android. The last android finally catches Cinder before she escapes and electrocutes her until she falls to unconsciousness. This scene lasts five pages.
  • When unconscious, Cinder has a dream described as this: “Flames. Smoke. Blisters burbling across her skin. Her leg and hand were gone, leaving stumps where the surgeons had attached her protheses. Dead wires dangled from them. She tried to crawl but was as useless as an upended turtle . . . she was surrounded. Other crippled victims writhed among the coals, moaning, begging for water. They were all missing limbs. Some were nothing more than a head and a torso and a mouth, pleading.” This image is described over two pages.
  • Against her will, Cinder is tested at the king’s hospital. In this scene, an android pins her head to the side of a stretcher she is strapped to and uses prongs at the back of her neck to scan her system and note the percentage of “machine” Cinder truly is. The android then proceeds to inject Cinder with the plague. This scene lasts six pages. After being given the virus, a description of the android drawing Cinder’s blood lasts two pages.
  • Attempting to escape the testing lab, Cinder tries to attack the leading scientist on the royal letumosis research team, Dr. Erland. Cinder raises a wrench at his temple, but after speaking to the doctor, she decides against this action.
  • To test Cinder’s system, Dr. Erland pinches a vertebra above her shoulders. At this moment, “Fire and pain ruptured her spine, flooding her veins. She cried out and fell off the table, crumpling to the floor.”
  • Cinder visits her sister Peony in the quarantine section. The setting is described with “the stench of excrement and rot.” Flies fill the room with buzzing, while the patients are “sleeping or staring blankly up at the ceiling, their skin covered in a blue-black rash.” Peony is described with “purplish blotches” all over her arms, “just this side of death.”
  • In the hospital, Cinder also sees Chang Sacha again. Sacha has bluish pigment and a pungent odor. She grasps Cinder’s hand with yellowed fingernails. She asks Cinder to look for her son Sunto, before “the life dulled in Sacha’s black eyes.” Sacha’s death is described over two pages.
  • Following Sacha’s death, Cinder watches as a med-droid arrives and pulls out a scalpel. “Cinder watched, mesmerized and disgusted, as the android pressed the blade into Sacha’s wrist. A stream of blood dripped down Sacha’s palm . . . The med-droid traded the scalpel for tweezers, and Cinder heard the subtle click of metal on metal. She grimaced as the android extracted the small chip. Its protective plastic coating glistened scarlet.”
  • Dr. Erland warns Cinder that she must leave the royal research lab as “Queen Levana will stop at nothing to ensure her control, to terminate any resistance. That means killing those who could resist her—people like you. . . If she were to see you, she would kill you.”
  • Dr. Erland speaks on the murder of his daughter at the hands of Queen Levana. None of the details are described, except that she was killed because she was a “shell,” a Lunar without magic.
  • Cinder returns to quarantine to visit Peony. During this visit, Peony’s “face was ashen, her lips peeling. The dark splotches on her neck had begun to fade to lavender beneath the surface of her ghostly skin. Eyes on Cinder, she pulled her arm out from beneath the blanket and spread out her fingers, displaying their blue-black tips and the yellowish tinge of her nails.” When Cinder tries to raise Peony to administer an antidote, her body goes “limp,” and Cinder “stared into Peony’s empty eyes. Eyes looking past her, through her.” The description of Peony’s death lasts four pages.
  • To stop a med-droid from taking Peony’s ID chip, Cinder “wrenched the scalpel from [the med-droid’s] glove and jammed it into the android’s sensor. . .Cinder barreled over the bed and slammed her fist into the android’s head.”
  • Cinder pulls the chip from her sister herself. Cinder “asked for hurried forgiveness while she grasped her sister’s fragile wrist. She spliced the scalpel into the soft tissue. Blood dribbled out of the wound and onto her glove, mixing with years of grime. Peony’s fingers twitched when Cinder hit a tendon, making her jump. When the cut was wide enough, she peeled it open with her thumb, revealing bright red muscle. Blood . . she dug the tip of the blade in as carefully as she could, easing up the square chip.” This description lasts a page.
  • In a tense conversation with Queen Levana, Kai tries to loosen his grip on a chopstick, “lest he accidentally leap across the table and jab a chopstick into the witch’s eye.”
  • After assuming she was disrespected by a server, Queen Levana orders the servant to turn a blade towards herself, aiming it at the corner of her eye. This interaction ends here, as Kai stops the Queen before she can force the servant to hurt herself.
  • Angered by the new income Cinder has gained from the royal research department, Adri violently mangles and dismantles one of Cinder’s droid friends, Iko. She also asks Cinder to take off her new, machine-made, foot as payment for Peony’s funeral. This interaction lasts two pages.
  • Upon seeing Cinder at the ball, Adri raises a hand over her shoulder to strike Cinder, but Kai stops her with a hand firmly wrapped around her wrist.
  • Knowing that Cinder is Lunar, Queen Levana orders her arrest. A “Lunar guard stepped out of the crowd . . .Without warning, he grasped Cinder’s wrists, pinning them behind her.” Queen Levana then forces Cinder to lift the barrel of the gun to her own temple. When Cinder’s finger pulls down on the trigger, she manages to evade the Queen’s brainwashing just enough to force the gun away from her head. The gunshot shatters a chandelier above. Cinder then pulls the gun at the Queen and pulls the trigger, but a red-haired guard steps up to block the blow. This scene lasts about 15 pages.

Drugs and Alcohol

  • None

Language

  • Cinder’s stepmother Adri maintains full, albeit reluctant, guardianship of Cinder following the death of her husband. As a cyborg, Cinder faces cruel discrimination and punishments under her stepmother’s control. For instance, Adri often threatens to sell Cinder off “as spare parts.”
  • Pearl, Cinder’s stepsister, also throws cruel taunts Cinder’s way. For instance, on mention of the cyborg draft, Pearl says, “I know a cyborg who could volunteer for plague testing . . . They reimburse the volunteers’ families, wire-head.”
  • In a discussion on whether to marry Queen Levana, the prince of New Beijing, says, “My plan is to not marry her. Diplomacy be damned.”
  • Following Peony’s death, Cinder shouts into her body, “Dammit. Dammit. Peony!”
  • Angered by the fact Prince Kai gifted Cinder a pair of white gloves, Pearl says, “Did you think the prince—no– the emperor would find it in his heart to overlook all your. . . ‘shortcomings’?”
  • One of the girls working for Queen Levana’s attendants, upon meeting Cinder, exclaims, “I’m sorry. I’m so sorry. I’m an evil, worthless, wretched girl.”

Supernatural

  • At the beginning of the novel, another society known as the Lunars are introduced, with the line, “everything about Lunars was eerie and superstitious.” According to Cinder, Lunars were a society that evolved from an Earthen moon colony, but no longer became human. They contain supernatural powers that allow them to be able to “alter a person’s brain—make you see things you shouldn’t see, feel things you shouldn’t feel, do things you didn’t want to do. Their unnatural power had made them a greedy and violent race.”
  • Describing the Lunar people further, Dr. Erland says, “Lunars have the unique ability to not only detect bioelectricity in others, but to also control it. They can manipulate it so that people see what the Lunar wishes them to see, and even feel what the Lunar wishes them to feel. A glamour is what they call the illusion of themselves that they project into the minds of others.”
  • Upon Queen Levana’s arrival to Earth, an angry protest goes to the palace, but as soon as Queen Levana steps upon the balcony, they quiet. “Slowly, as if sleepwalking, the crowd began to depart . . . So, this was the effect of the Lunar glamour, the spell to enchant, to deceive, to turn one’s heart toward you and against your enemies.”
  • During a discussion about Queen Levana building an army, Prince Kai is given a picture taken on the moon, showing rows of creatures with wide hunched shoulders described as “a cross between man and beast. Their noses and jaws protruded awkwardly from their heads, their lips twisted into perpetual grimaces. White spots erupted from their mouths—Kai could not see them clearly, could not tell for sure, but they gave him the distinct impression of fangs.” These creatures are also thought to hold magic.

Spiritual Content

  • None

by Hannah Olsson

Haven’s Secret

Twin sisters, Parker and Ellie McFadden, could not be more different. Parker is a firecracker, always bursting with energy, which she channels into her athletic activities. Ellie is gentle and quiet with a big heart for all types of animals, even spiders. Their mom, who was an environmental scientist, inspired the girls’ love for nature and was always traveling for dangerous research projects until one fateful scuba diving mission that led to her death. Before their mom died or abandoned them as Parker likes to believe, she set aside special gifts for each of her daughters to receive on their birthday. This year, they receive two bracelets and two notes reminding them to “listen carefully,” and “sisterhood comes first,” and “the magic will follow.”

Aside from the bracelets, Parker and Ellie get an even bigger surprise when their father informs them they will be spending the summer with their Great Aunt Mabel and Great Uncle George from their mom’s side of the family. Despite Parker’s protests, Mr. McFadden insists this trip will be good for the girls and that their mother had also spent time with her aunt and uncle as a kid. The next day, George and Mabel, an eccentric pair of twins, arrive to take Parker and Ellie to their mountain home which they call Haven.

Since arriving in Haven, Parker and Ellie find strange things happening. Ellie can hear animals’ thoughts and control plants, while Parker can generate fire and heat from her hands and make the ground move. Determined to find answers, Parker and Ellie explore Haven. In their mom’s old room, Ellie finds a box of pictures and notes from her mom and another girl, Sadie. Meanwhile, Parker uses an astrolabe, a special birthday gift from a previous year, to decipher the coordinates of their mom’s last locations before she went away. After demanding information, George and Mabel explain that Haven is no ordinary farm, but a sanctuary that offers protection from The Danger, a harmful force caused by human greed. Those who possess powers, like Parker and Ellie, George and Mabel, and their mother, have the responsibility to work with the environment to restore balance.

Even with this information, Parker and Ellie become suspicious of Haven and its secrets. George and Mabel are obviously withholding information, and Mabel grows increasingly wary of Parker’s strong powers and her inability to control them. Eventually, Mabel confesses that Sadie was their mom’s twin sister, and her thirst for power led to their mom’s death. Mabel expresses concern that Parker will betray Ellie in the same way if her powers are not controlled.

Suspense increases for Parker and Ellie after their dad warns them over the phone that they are in danger and must leave Haven immediately. Suddenly, everything becomes clear when Parker cracks the last astrolabe coordinate and discovers the last place her mom was before her death was Haven. The girls realize Haven is no longer safe and Mabel can’t be trusted. Parker and Ellie must work together and trust in their powers to stop Mabel from disturbing the earth’s balance and letting The Danger win.

Haven’s Secret is the first book in The Powers Series, and the story ends with a cliffhanger teasing more adventure to come. Although the book is written in third person, the chapters go back and forth between focusing on Parker’s and Ellie’s perspective. Because of their unique personalities, readers will be able to relate to either Parker or Ellie. In addition, the novel has strong themes of sisterhood and teamwork as Parker and Ellie realize they are stronger together. The book also has important environmental themes such as practicing sustainability by utilizing recycled materials. The Danger is also a symbol for climate change and environmental neglect, and Parker and Ellie’s powers are used to support environmental activism.

With its environmental themes, Haven’s Secret is an important and timely book. Overall, it is an exciting read with all the twists and secrets Parker and Ellie uncover at Haven. The ending, especially, is sure to keep you on the edge of your seat. Although the pacing is a little slow in the beginning, readers will admire Parker and Ellie’s sisterly bond and get inspired to help the environment. If you’d like to read another magical book that has environmental themes, pick up a copy of Spark by Sarah Beth Durst.

 Sexual content

  • None

Violence

  • While running through the forest, “Parker’s foot skidded on the mud a second time and she pitched forward, right into a stupid tree. Face first . . . Her head flooded with pain, grimy water seeped through the knees of her jeans, and something primal rose up within her, overtaking her body and mind.” Parker is hurt.
  • A wounded cow arrives at Haven. “It’s left hind leg had a giant gash in it, almost as if the animal had gotten in a barn fight.” George and Ellie work together to help heal the cow.
  • As part of her powers, Ellie feels the pain of the wounded animals around her. As she walks closer to them, she feels “pain shimmering through every end of her body, until she was doubled over with it.” Ellie has to focus and stay strong in order for the pain to subside.
  • Ellie helps heal an injured wolf that has “a deep gash between his ribs—his blood pooled beneath him.” The animal is hurt by a growing storm caused by The Danger. We do not see exactly when the wolf was injured.
  • To protect her and her sister, Ellie blows a magical whistle their mother had given them, and “Mabel screeched as if the pain of the entire world was upon her.”
  • As Parker and Mabel fight each other, “glass shards skittered across the floor. Parker focused on the rain outside the window, drawing it into her own private tempest, thrusting it against Mabel’s wintry hailstorm. The two storms crashed together above George’s bed, and he lifted a frail arm to shield his face from the deluge of rain and hail.”
  • When Mabel’s storm falters, “the wolf Ellie had healed chose its moment to spring onto Mabel’s back.” As a result, “Mabel shrieked.” Her cries reveal she is in pain, but neither the pain nor the violence is described in detail.
  • Mabel’s rage destroyed Haven. It is implied that George and Mabel were killed in the destruction.

Drugs and Alcohol

  • None

 Language

  • None

 Supernatural

  • In the prologue, The Danger, a dark, magical force attacks an unknown character. The Danger “made its presence felt in the swirling wind, the bending trees, the keening animals, the shadows cast by the waning moon . . . It filled her, and she let it. It fused to her body from the inside out, banishing all the parts she’d kept hidden and protected for so long.”
  • In a moment of frustration, Parker slams her foot on the ground and “the ground cracked and jolted Parker out of her rage. For a second her whole body rattled like someone was shaking her . . . There, clearly, beneath her sneaker, was a split in the ground.” Before realizing her powers, Parker assumes the crack was caused by an earthquake.
  • After meeting Arlo the dog, who lives at Haven, Ellie discovers she can communicate with animals. After Ellie asked Arlo if he would like to come in inside, she could feel him say yes. “It wasn’t like he had actually spoken, but a strong feeling of ‘yes’ had come out of nowhere.” Ellie continues to hear the thoughts of animals throughout the book.
  • In the forest, Parker “felt as if a million slender tendrils from the forest were fighting to pull her back and eat her alive.” This is The Danger trying to get her.
  • As Ellie walked around Haven, “she noticed buttercups springing up around her feet, almost as if to mark her path.” Later, Ellie discovers that she has some control over plants.
  • Parker produces light from her hands, and “the skin on her palms was briefly translucent, exposing what had just been jumping underneath—a landscape of sparks, a million bright pinpricks, all of them screaming and clawing to get out out out into the world—”
  • Mabel explains to Parker and Ellie that The Danger “is a malevolent, shape-shifting force created by people’s greed.”
  • After getting frustrated with Mabel for not telling the truth, Parker creates a burst of fire and light. “Parker opened her arms wide as the searing heat coursed through her and enveloped the palms of her hands.” As a result, Parker notices the mountain side of the road “was mostly uniform except for a gaping chunk in the middle, the space for the last missing piece of puzzle.” Parker had caused an explosion and shifted bits of the earth. Parker has “the ability to produce light and manipulate the earth’s surface matter.”
  • Ellie comes to realize that “all her life, she had been able to see how people were feeling, sometimes even before they saw it themselves.”
  • When George grew weak after healing animals, Ellie “stepped in and discovered she could heal animals too.”
  • Parker and Ellie notice a mysterious shadow but “light had nothing to do with it. Nothing was casting it. The shadow simply crept of its own accord. And then it was gone.”
  • When a vine begins to choke Ellie, “she visualized the vine receding, herself taming it with merely a thought,” and, “around her neck and shoulders, the vines loosened.”
  • George explains to Parker “that the powers don’t just run in our This is bigger than just us. Lots of other people have powers.”
  • As Mabel becomes more power-hungry, “showers of sparks danced from her irises and arced down to the floor trailing thin ribbons of black smoke.”

Spiritual content

  • None

by Elena Brown

Shadow Weaver #1

Emmeline can control and manipulate shadows, and because of her power, people fear Emmeline. However, they also mock her behind her back. Her parents forbid her from leaving their home, so she doesn’t have any friends except for a shadow named Dar. The shadow has been with Emmeline ever since she was little. She and Dar make mischief all the time. One day, Emmeline’s parents have important guests over, and she is told not to play any of her usual pranks. Emmeline disobeys her parents, and it’s the last straw. Lord Tate convinces Emmeline’s parents to let him and Lady Aisling, a noblewoman, teach Emmeline, in her father’s words, “how to be a proper lady”.

After hearing Emmeline vent her worries, Dar asks Emmeline to let her change Lord Tate’s mind, but Emmeline must help Dar with something in return: Emmeline has to help Dar become a human. Dar was not always a shadow; someone killed her and turned her into a lost soul, but, with Emmeline’s help, she could become flesh again. That night, Dar alters Lord Tate’s mind and accidentally puts him into a coma.

The lord’s nephew, Alden, blames Emmeline for Dar’s actions, so Emmeline runs away and meets a boy named Lucas. His family takes her into their home. At first, Emmeline is wary of the family but trusts them after they misdirect the Zinnian soldiers who are looking for her. At the same time, Emmeline begins to doubt Dar, as Dar craves becoming flesh more and more; however, performing the ritual for Dar is the only way for Emmeline to clear her name. Can Emmeline keep her mistrust a secret from Dar, who is always with her?

The story focuses on Emmeline’s perspective, which lets the reader see Emmeline grow and change her prankish behavior. The reader also sees the magic from her point of view, especially when she talks about her connection with the shadows and darkness. Dar is somewhat endearing due to her struggle of being invisible and intangible. However, her switching between being serious and playful drags the story’s pacing to a crawl and does not allow for character development until the last chapters.

Emmeline also learns how to trust herself as well as other people and she becomes less reliant upon Dar. For instance, she thinks to herself that she can trust Lucas and his family because “Lucas trusted me enough to show me how he works with light. And his parents lied to protect me from those guards.”

Shadow Weaver is a story that draws upon the fantastical and magical. Younger readers will like the spellbinding descriptions of Emmeline’s shadow weaving and the fresh take on magic, betrayal, and secrets. Emmeline can be unlikeable at first because she does not care about her parents or the servants. However, she becomes more likable when she meets Lucas’ family, people who are patient and show affection. This is not a scary story about good versus evil, but a fun and suspenseful story about family. Readers who enjoy Shadow Weaver and would like to read more stories about magic should read the Keeper of the Lost Cities Series by Shannon Messenger.

Sexual Content

  • None

Violence

  • Dar plays a prank on Kendra, Emmeline’s former best friend. “Dar springs forth, shifting into a giant monster at the last minute.” Kendra drops a laundry basket and lands “awkwardly on one foot and stumbles to her knees.” Kendra injures her foot and cannot move it as well as the other one.

Drugs and Alcohol

  • Lucas’s mother applies a “poultice” to Emmeline’s injuries.

Language

  • While talking to another servant girl, Kendra calls Emmeline “crazy.” Dar calls Kendra crazy too, but when she and Emmeline are by themselves.
  • Emmeline thinks “drat” to herself when confronted with a problem.

Supernatural

  • The Cerelia Comet bestows magic upon people every 25 years, blessing those born in the year of the comet a magical gift.
  • Emmeline is a shadow weaver; she can shape shadows into different objects, animals, and silhouettes. “Shadows. . . become whatever I wish–tacky, like clay, or as thin as smoke. I can mold them all to my will.” She can make the shadows tangible.
  • Dar and Emmeline prank the servants in Emmeline’s house with magic. Dar shapeshifts into the silhouettes of different people. Emmeline shapes the shadows into either objects or silhouettes.
  • Lucas is a light singer; when he sings, he can bend the light. Lucas “is using light in much the same way I use shadows.” At first, he can use his light to bake bread and make vegetables grow faster, but then can use his light to make tangible objects such as his bands of light and orbs of light.
  • Dar asks Emmeline to perform a ritual for her. Emmeline collects an apple, a rose, a witch hazel, and water touched by the light of the full blood moon.
  • During the ritual, Emmeline puts the apple, the witch hazel, and the water “into the mortar and grind[s] it up into a paste.” Emmeline “accidentally pricks [her] thumb” on one of the roses and it falls into the mortar, but it is part of the ritual. Then, Emmeline adds her tears. Once she adds her hair to the mixture, Emmeline lights the candles and covers Dar’s entire form in her shadows.
  • Dar says the words to the ritual: “Witch hazel, harvested in darkness, stolen fruit, rotten to the core . . . Water, blessed by the full blood moon, roses, pinched from a garden, misbegotten candles, tears of regret, the blood of a thief, and hair from a liar’s head, come together under the full moon . . . and make me whole!” Dar says the words over and over; her shape rises from the ground and gathers into a single spot. “When she finally stops changing shapes and is just a girl coated in mud lying on the ground, she ceases her murmuring.”
  • Simone can read “into people’s minds” and use telepathy. There are no ill effects of Simone getting into people’s minds, but it is painful for her to use telepathy.
  • Dar can shapeshift into anything or anyone.

Spiritual Content

  • People built temples to honor the Cerelia Comet. “Legend tells that the first time the comet flew over our lands, it sprinkled the ground with the first seeds of life, bringing blessings anew every twenty-five years. Many people revere the comet to this day . . .”
  • Emmeline and Dar go inside a temple dedicated to the Cerelia Comet and steal candles from the altar to use for the ritual.

by Jemima Cooke

Mia Mayhem Gets X-Ray Specs

Mia Mayhem is learning to control her x-ray vision! She can’t wait to see through walls and crack secret codes. There’s only one problem: her glasses are way too big, clunky, and totally not cool! But she knows that if she wants to keep up with her classmates, she’ll have to adjust quickly. Will Mia be able to look past her obstacles and see things through?

A large part of the storyline follows Mia and her classmates as they try their supervision. Mia doesn’t want to admit that she doesn’t have x-ray vision. Instead of being truthful, she lies and says she sees “an elephant with a hot dog.” In the end, Mia learns that she “should have never guessed during the eye exam and pretended to know something when [she] didn’t.”

Mia Mayhem Gets X-Ray Specs has a diverse cast of characters which includes a girl who wears prosthetics. In addition, Ben and his seeing-eye dog, Seeker, make an appearance, which gives an added dose of interest. Readers will note how Seeker assists Ben. The story also shows how Ben’s blindness helps him hone his other senses, which in turn helps him with this supervision.

Young readers will enjoy the book’s format which has oversized text and black and white illustrations on every page. The large illustrations are often humorous, and they also help readers follow the story’s plot. Mia Mayhem Gets X-Ray Specs has an easy-to-understand plot that is perfect for emerging readers. However, some readers will need help with some of the advanced languages, with words such as connection, recognize, squinting, and officially.

Readers who are ready for chapter books will enjoy the silly storyline in Mia Mayhem Gets X-Ray Specs. Mia’s enthusiasm and friendliness make her a fun and likable protagonist. Even though Mia Mayhem Gets X-Ray Specs is part of a series, the books do not need to be read in order. While the story doesn’t have any life lessons, the Mia Mayhem Series will make emerging readers excited to see what type of mischief Mia gets into next, and with 12+ books in the series, readers will have plenty of adventure to look forward to.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • A boy yells at Mia, “Nice job using your loser vision.”

Supernatural

  • Mia finds out that “super-sight usually kicks in at age eight. . . You’ll soon be able to do awesome things like x-ray through walls and see in absolute darkness.” Later, she stares at a wall and then “a blast of heat lasers came out of my eyes! In just one shot, I burned through five walls. . .”
  • Because Ben is blind, he uses his other super senses such as being able to feel vibrations that lead him to his seeing-eye dog. Ben says, “I may not have regular vision like you, but I’m sensitive to echoes.”

Spiritual Content

  • None

Duplex

Ryan wakes up to find his contractor dad building walls to turn their big old house into a duplex. The family that moves into the other side includes Bizzy Horvat, the pretty girl he has a crush on at school. Bizzy claims her mother is a witch with the power to curse people with clumsiness or, in Bizzy’s case, astonishing beauty.

When a bee gets caught in Bizzy’s hair, Ryan acts so quickly and radically to save her from getting stung that he attracts the attention of a group of micropotents—people with micropowers. He soon realizes that Bizzy and her mother also have such powers. It becomes Ryan’s job, with the help of the other micropotents, to protect the Horvats from a group of witch hunters from their native country, who are determined to kill Bizzy, her mother, and all the other “witches”—micropotents—who have gathered to protect them.

Ryan is a loveable, ultra-smart nerd, who will do anything to keep the people he loves safe. Throughout the novel, readers will enjoy seeing Ryan grow and mature. While Ryan is an interesting character, he is not necessarily relatable. For a sixteen-year-old, Ryan doesn’t talk or act like a typical teenager. For example, when Ryan is on a goodbye date with his girlfriend, “Ryan felt like he was catching a glimpse of a whole life that might have been, a life in which he was able to court her, to drive her to the movies and someday to the hospital to give birth to their child, and strap car seats into the back of the car until the kids were old enough to sit up safely on their own. . .”

Throughout the story, Ryan struggles to understand his parents’ separation. He wonders, “How do married people who loved each other so much they moved in together—how do they get so angry that they completely reject the life they built?” Later, Ryan finds out that his parents separated after his mother got an abortion. Ryan’s father says, “I don’t know if I can live with it. What she did. That was my baby too, we decided together, it was ours, and it’s dead now, and we’ll never have another, and I didn’t even get a vote.” While the topic of abortion is not explored in detail, the feelings of each parent are discussed. Ryan’s complicated family life adds interest to the story.

Unfortunately, Duplex spends too much time explaining Ryan and the other micropotents’ powers, which slows down the plot. In addition, once Bizzy and Ryan begin dating, their constant declarations of love become annoying. Plus, Ryan spends too much time explaining how he doesn’t love Bizzy because she’s beautiful, but because she’s an amazing person. While the story has some suspense, the action doesn’t pick up until the end. Readers who have read Card’s other micropowers novel, Lost and Found, will see the similarities; if readers enjoyed Lost and Found, they will also enjoy Duplex. However, if you’re looking for an excellent book about characters with supernatural power, you may want to read Card’s Ender’s Game Quintet or the Michael Vey Series by Richard Paul Evans instead.

Sexual Content

  • When Ryan begins spending time with Bizzy, his mother gets worried. His mother says, “But you are both bags of undifferentiated hormones as volatile as nitroglycerin. So, I’m warning you. Keep your clothes on, buster. Keep your fly zipped. Don’t get that girl pregnant.”
  • Bizzy and Ryan are getting to know each other. “‘I’m going back inside now,’ Ryan said, ‘because what you showed me, and what you’ve been saying—it makes me want to hold you and kiss you and all kinds of stuff that would require me not to be in the friend zone.’”
  • Bizzy kisses Ryan to hide her face. “To Ryan’s disappointment, it only took one kiss to get them to the library. . .Worse yet, Ryan felt like he had wasted their first kiss on what amounted to camouflage.”
  • When Ryan hugs a girl, she says, “If you’re trying to turn me on, it’s not working.”
  • Bizzy and Ryan kiss many times. For example, Bizzy “swiveled to him, grabbed his head, and planted a kiss on him that was so passionate it blew the previous one out of the water.”
  • Bizzy and Ryan become girlfriend and boyfriend. At school, “She kissed him again. This time it was a real girlfriend kiss. Not long, not passionate, just quick. A declaration of ownership.”
  • Bizzy says that some girls “try to do a sexy walk. They end up looking like beginner prostitutes.”
  • Bizzy and Ryan get home late. Ryan is worried about their mothers’ reactions. He says, “The thing is, if I get home at ten, they’ll assume I got you pregnant by nine-thirty.”
  • Ryan’s mom had an abortion. She says, “It was a termination of an unwanted pregnancy, still in the first trimester.”
  • On Halloween, Bizzy and Ryan kiss. “She leaned in to kiss him. . . He did not break the kiss. Not for a good long while.” Later Bizzy, “kept stopping to kiss some unexpected part of his head—ears, nape of the neck, eyelid, cheek, chin. He never thought that having Bizzy kiss him could possibly be annoying, but now he knew that it could. And that she wanted to annoy him.”

Violence

  • Alfred shows up at Ryan and Bizzy’s school posing as an FBI agent. When the man makes a move to shove Ryan, “Ryan didn’t wait for the door to close. . . Ryan struck him in the side of the head with all the force of his open hand and extended arm. Alfred’s head crashed into the metal door frame as if his skull were on a track. A think streak of blood trailed after him.” The man dies.
  • To force Ryan to test his micropower, his best friend, Defense, begins bullying a classmate named Errol. When Defense calls Errol names, Errol kicks him. “Kicked him with all the force of a game-winning field goal. Defense gave a horrible oof! that sounded as if all the air he had ever inhaled was discharged at once. That was followed by a high gasp and then a whine that told Ryan that Defense probably had some broken ribs.”
  • When Errol goes to kick Defense in the head, Ryan leaps up. “He was at exactly the right position to strike Errol on the Adam’s apple. . . The blow landed with Ryan’s full mass behind it. Errol’s body instantly went limp and he fell straight down, with Ryan landing atop him.” The school nurse “performed an emergency tracheotomy and had Errol breathing again.” Both Errol and Defense had to be taken to the hospital.
  • A man tries to get into Bizzy’s house. When Ryan tries to stop him, “The man’s hand flew out toward Ryan’s face. Depending on where he meant to land it, it would have blacked Ryan’s eyes or given him a bloody nose. Instead, though, the man’s hand hit the edge of the Burkes’ storm door, which Ryan had partially closed to bring it right to the place where the man’s fist was going.” The man breaks his hand and leaves.
  • Two men dressed as police officers go to Bizzy’s house. When they enter the house, one of them reached for his gun. “As the fake cop was drawing his gun, which Ryan knew he was going to use to kill Mrs. Horvat and Bizzy, Ryan got his own hand onto the gun and squeezed a shoulder nerve in the guy so that his grip on the pistol suddenly let go. . .Ryan shot the guy square in the shoulder. . . By now the other fake cop had turned around and was drawing his pistol.” The second man falls to the ground. When the cop begins making noise, Ryan’s friend, “kicked this guy really hard in the head.”
  • When two cops are on the ground, another man comes into the house. “The man drew a weapon and began to raise it to aiming position. . . [Ryan] fired his pistol and the man sprouted a hole in his forehead and dropped like a rock.” The man dies.
  • Two more men enter the house. “They dropped to the ground, probably not dead because Ryan’s shots took them in the knees. They were screaming in pain while yawning.”

 Drugs and Alcohol

  • Dahlia, a friend of Ryan’s, has a micropower that makes people yawn. She says, “I’ve done ride-alongs with police guys on patrol, and they found it a lot easier to subdue drunks who were yawning. Even though yawning is sometimes a trigger for vomiting.”
  • On Halloween, Defense calls the police to report a drunk driver. He says, “I’m watching an obviously drunk guy get into his car.”
  • On Halloween, Defense and Ryan see two drunk guys dressed as policemen. Ryan says, “The friendship of drunks who need somebody to lean on must be one of the great blessings of alcoholic life.”

Language

  • Profanity is used rarely. Profanity includes ass, bitch, damn, crap, hell, and piss.
  • There is an abundance of name calling including ass-face, bonehead, dimwit, loser, moron, idiot, pervert, psycho bastards, weirdo and whiny baby.
  • Bizzy’s mother calls Ryan an “ass-faced idiot.”
  • A teacher calls Ryan a “rotten little con man.” Another teacher calls Ryan a “sphincter.”
  • A police officer refers to Defense as a “pissant kid.”
  • Ryan’s sister says their mom was being a “fishwife.”

 

Supernatural

  • Ryan joins a group of people who have micropowers. For example, one girl “makes people yawn, which partially incapacities them.” A boy can feel spider’s pain. “I know when they die, and I know whether it was deliberate arachnicide or not.”
  • According to Bizzy, her micropower comes from being cursed. Bizzy explains, “Mother says that when I was a baby, a Gypsy woman got so angry at Mom that she cursed me with something that would cause my mother grief for the rest of her life. . . I’m not just pretty, Ryan. The glamour is one of astonishing beauty. I’m heartbreakingly beautiful.”
  • At first, Ryan cannot see Bizzy’s glamour. “When she was paying no attention to him, he could see how the glamour poked through, stabbing at the hearts of strangers. Unlike people who had resting-angry-face or resting-bitch-face or whatever, Bizzy had resting-beautiful-face. It was all he could see, now that he knew what to look for. Her talent wasn’t that she could make herself beautiful, it was that she could make herself less beautiful. . .”
  • Bizzy believes her mother is a witch. She says, “her micropower is one that would have gotten her burned as a witch in 1680. Because if she mutters a certain formula under her breath, things go wrong for that person for a few days. . . They drop things. Like heavy tools on bare feet. Or the baby they’re carrying. Or the file folder they absolutely have to get to the boss’s desk right . .”
  • Ryan meets Jannis who can heal people. Jannis explains, “I help put things in order. But nothing deep inside the body. I’m good with broken bones just under the skin. . .” She uses her micropower to help Defense and Errol heal.

Spiritual Content

  • Bizzy and Ryan were talking about the different nature of girls and boys. Bizzy says, “Insane boys think God finally got the guy-design right when he made them. But crazy girls think God ran out of good parts and made them out of scrap.”

 

Ants in Our P.A.N.T.S.

The Special Undercover Investigator Team has a new plan. “Once we get wind of an evildoer’s schemes to form a team, the Anti-Crime Unit will go undercover as fellow evildoers and follow this simple procedure: pinpoint the possible perpetrator’s position; avoid blowing your cover; neutralize any superweapons; thwart their villainous plan, and stop them from getting away.”

However, the procedure does not go according to plan. When Cilantro (a chameleon) isn’t promoted to an agent, he considers teaming up with other evildoers. When he goes to the New old opera house looking for other evildoers, he feels guilty, but he also discovers important information that will help solve a crime. In the end, Cilantro must decide if he will fight for good or evil.

The mission is made more difficult because Brash is in the hospital, unconscious, and MegaRoboBrash cannot access all Brash’s memories. With the help of a medium, Mango can enter Brash’s mind. While there, Mango discovers that Brash has “regressed into a child as some sort of coping mechanism!” Can Mango discover what is keeping Brash from waking up? Will Mango, Cilantro, and RoboBrash thwart the evil villain?

Ants in Our P.A.N.T.S brings back a host of old characters as well as a sprinkle of new characters. While much of the conflict was established in previous books, the addition of giant ants adds humor and interest. Even though Brash is unconscious, he still appears frequently. Brash appears as a small child (which is adorably cute) and later as an adult. The large cast of characters may be confusing, but they help keep the story fresh and interesting.

Even though Ants in Our P.A.N.T.S is laugh-out-loud funny, it still has a positive message. Brash refuses to wake up because he is battling fear. With Mango’s help, Brash decides, “This is my mind. I decide how much space I’ll let my fears take up.” He learns that he must forgive himself and let go of the fear and guilt. The story also highlights the importance of believing in yourself.

Ants in Our P.A.N.T.S has many positive aspects. The combination of human and animal characters blend to create a ridiculous story that uses wordplay to add humor. The imaginative story comes alive in brightly colored artwork that shows the characters’ wide range of emotions. The text is large and uses different font sizes, which helps emphasize the characters’ emotions and important aspects of the story.

The illustrations and the unique storyline of Brash and Mango will appeal to even the most reluctant readers. Each page has 3 to 11 sentences. The sentences range from one word to more complex sentences. The story does an excellent job of giving enough background information so readers who are new to the series will understand the plot. However, for maximum enjoyment, the series should be read in order.

The Investigators Series is immensely enjoyable to read because of the ridiculously silly scenes, the unique characters, and the fun puns. Each story contains plenty of surprises that will keep readers flipping the pages. No matter your age, you will find something in the series to love.

Sexual Content

  • None

Violence

  • An evil villain uses the Embiggerner to supersize ants. The ants then attack the city. People run from the ants, but no one is injured. The “savage beasts” are put to sleep with music. The scene is illustrated over six pages.
  • Two villains team up and use the ants to attack the city, destroying many buildings. They also use the Embiggerner to make “ginormous gemstones,” “jumbo shrimp,” and “big money.” The attack is humorous instead of scary.
  • Brash and Mango trick the evil triceratops into charging a red cape. Chameleon trips him and the triceratops ends up with his horns stuck in a sidewalk.
  • Ants attack MegaRoboBrash, who hits them. Then he ties their antennas together and throws them into space. The scene is described over seven pages.
  • A chameleon and a group of ants attack the triceratops so he can be sent back to jail. They use trickery, knitting, and balls of yarn to retain the villainous triceratops. The scene is described over four pages.

 Drugs and Alcohol

  • None

Language

  • People who follow the law are referred to as “Idiot Law-doers.”
  • Darn and dang are both used once.
  • A construction worker is called a dummy.

Supernatural

  • Most of the characters are animals such as an octopus, a chameleon, a skunk, etc. There is also a character that is a squash.
  • Mango needs help to find out why RoboBrash cannot access all of Brash’s memories. Dr. Hardbones tells Mango to go to the Séance Factory. Dr. Hardbones says, “the medium there may have some ideas about how to see into Brash’s unconscious mind.”
  • The medium at the Séance Factory is a tick.
  • In a previous book, an agent was “turned into a radioactive saltine cracker.”
  • Hardbones is a skilled brain surgeon who turns into the Action News helicopter.

Spiritual Content

  • None

 

Soul Riders: The Legend Awakens

According to ancient myths, when the Soul Riders and their horses are gathered together, they will be able to defeat the evil that threatens the island. But Lisa and her friends don’t quite understand this yet. And now that Lisa’s horse, Starshine, has been stolen from Jorvik Stables and her father has disappeared, there’s no time to think about old stories. Together with Alex and Linda, Lisa embarks on a dangerous journey into Jorvik’s magical landscape to save Starshine, and to find the answers they are searching for.

At the same time, Anne is on her own mission. She must find her horse, Concorde, who seems to have been transported to the strange and dangerous world of Pandoria. But someone keeps whispering dark lies into Anne’s head that make her doubt if there’s any hope at all for the four girls. . .

The Legend Awakens explores the nature of good and evil; however, after the four Soul Riders realize they have powers, they are confused as to how to use them. The girls do not understand the mythology of Jorvik, yet they are committed to defeating Garnok. Even as the girls fight Mr. Sands—who Garnok has granted eternal life—they don’t understand who Garnok is. Plus, there are several evil beings who serve Garnok, but it is unclear exactly what they are. While the magical world has some interesting elements, the character’s confusion and lack of knowledge will frustrate readers.

The adults helping the soul riders continuously remind the girls about the importance of working together. Despite this, the girls quickly go off on their own mission and lose touch with each other. The multiple viewpoints, along with the quickly changing perspectives gives the story a fast pace. However, some readers will have a difficult time keeping track of the various plot threads.

The story’s complicated plot, unexplained concepts, and lack of character development make The Legend Awakens a confusing story. Nevertheless, readers who are interested in the supernatural may enjoy The Legend Awakens. If you’re looking for an entertaining series about horses, The Legend Awakens will leave you disappointed. Horse-loving readers who want a fast-paced story that revolves around horses should add The Rose Legacy Series by Jessica Day George to their reading list.

Sexual Content

  • None

Violence

  • Sands steals Starshine and puts him in an electrified cage. The horse “was tied in place with heavy chains and a shiny stainless steel halter.” When Lisa tries to rescue Starshine, Mr. Sands locks her in a cage next to her horse.
  • Meteor is horse-napped. When Lisa first sees him, she wonders if he is dead. “The crane with Meteor’s lifeless body dangled from the end rolled slowly along. . . He was alive! But he was badly injured. At least one of his hind legs looked broken, and his skin was covered in deep sores.” Lisa uses her magic to heal Meteor.
  • One of the spirit’s horses, Khann, tries to stop Alex and her horse Tin-Can from fleeing. Alex uses her power. Alex “let a bolt of lightning flash out of her and land near him. He whinnied and his black eyes almost rolled into his head. Then he galloped into the woods. . .”
  • When Sabine tries to hurt Linda, Alex attacks with lightening. “The lightning bolts were accompanied by a rumbling noise and a sharp flash of light. . . the lightning hit Sabine but bounced off her like a rubber ball. . . Sabine lifted Linda up by her long, thick braid and spun her around in the air, grinning.” Eventually the lightning effects Sabine and she “fell over the stair railing. Alex heard Sabine curse angrily before she hit the floor with a hard thump, then silence.” The battle is described over three pages.
  • Shadows attack Anne and her horse Concorde. “Concorde whinnied, a prolonged and tormented sound . . . Then came the shadows. They coiled their way around her like a wreath. She realized that the shadow creatures had arms, legs, and big heads that slowly swayed back and forth as they took everything from her that made her who she was. . . And now they were upon her, arms growing, menacing shadows. They tugged at her legs now, groping at Concorde, who desperately tried to rear up and get free. . .” Ann stops fighting and expects to die. The scene is described over two pages.
  • Later, Anne defeats the shadow people. “She took control of the sun, of the clear pink water, of the slowly swaying vines that had made her dizzy before. It all became hers. The ground and the air, and the strange statues that whispered that the world was bigger and more amazing than could have ever suspected.” Anne creates a portal like a “reddish-pink tornado” and leaves the Pandoria and the shadows.
  • Evil beings, including Ketja, chase the four friends into the mountains. Ketja says an incantation and then, “the boulders on the slope were rolling downhill, heading straight for them. . . When the first boulder was only a few seconds away from smashing into them, it exploded. [Anne] closed her eyes and screamed in fear, loudly, a scream that echoed throughout the entire forest.”
  • To escape Ketja and her evil friends, the girls make a bridge collapse. “Anne turned to look back and saw the horses’ legs moving, the riders’ shocked faces as what was left of the bridge gave way underneath them and they all fell, plunging downward along with fragments of the collapsing bridge.” Their pursuers disappear into the ravine. The scene is described over four and a half pages.
  • An owl attacks Anne “ripping at Anne’s hair. . . A big tuff of her long, blonde hair ripped out, caught in the bird’s claws, and she screamed in pain.”

 Drugs and Alcohol

  • None

Language

  • Oh my God is used as an exclamation three times.
  • Linda thinks that the people who lived in the 1800s were idiots.
  • Heck and darn are both used once.

Supernatural

  • The Soul Riders are told about Aideen, who “brought light to the island, and life and hope poured forth out of the cold emptiness.”
  • Pandoria is a “world that co-exists with ours. Pandoria’s unreality seeps into our reality and vice versa. That is the essence of magic.”
  • The soul riders are “chosen girls who share a special bond with their horses. Through that bond, they acquire special powers to help them fight against evil.”
  • The girls discover that Mr. Sands has been alive for hundreds of years. Mr. Sands “had met Garnok several hundred years ago and had been granted eternal life then so that he could successfully accomplish just this: the liberation of Garnok.” Garnok is evil; however, it is unclear who or what Garnok is.
  • Jessica is an evil spirit, who has taken a human body. “She hated being stuck in this body. When Garnok was finally set free, she needed to be as well. . . Jessica longed to return to the dark star, back to her life beyond a body, beyond the earth.”
  • One of the girls finds a book titled “Garnok: Truth or Myth.” The book says that Garnok is “a sea monster” that “steals the sailors’ souls.”
  • Later, someone tells the girls that “Garnok is all that is evil. He comes from a place where chaos reigns, and he wants to return there. But before he returns, that chaos and destruction would also be spread through our world.”
  • One of the evil spirits uses the power of her mind to speak into Anne’s consciousness.
  • When an evil spirit chases Linda, Linda hides. “The moonlight flowed into her now and she disappeared in the shade of the far side of the moon. The moon had a back side, and that is a perfect hiding spot.”
  • Fripp is a “cosmic being” that looks like a squirrel. “If you can imagine a blue, slightly overgrown squirrel.”
  • While in Pandoria, Anne uses the sun to help her horse Concorde. “And Anne reached out her hands and took the sun and moved it even deeper into Concorde’s slumbering soul. It was hers to take. She knew that now. It was hot, but it didn’t burn. Nothing could hurt her as long as she had the sun on her side.”
  • While in a swamp, a bright light uses Lisa’s mother’s voice to call to her. “Then she heard it again, the summoning voice. It embraced her heart. She was bewitched by the flickering white flare of light over the dark water. It was so beautiful . . .” Lisa goes into the water. Before she can drown, Alex “shot lightning at the swamp, but the bolts rebounded, veering around in the air with the will-o’-wisps.” Lisa’s friends save her. The scene is described over four pages.
  • Later in the swamp, the horse Calliope falls into the mire. All of the girls “screamed for Calliope now. . . Her legs flailed in panic, creating big ripples in the water, and she screamed, screamed louder than they were screaming, pleading to be rescued.” When Calliope gives up, she “vanished below the surface.”
  • The girls are sent to find a magical apple.

Spiritual Content

  • Linda tries to escape from Sabine, an evil spirit. As she runs, “she locks the door behind her and said a grateful prayer for those extra seconds” which allowed her to avoid Sabine.
  • After being injured, Linda sees Alex and says, “I prayed you would come and you did!”

 

Gargantis

Herbie Lemon and Violet Parma team up once again to solve another Lost-and-Foundery mystery. This time, the outcome of the case has implications on the entire island. Eerie-on-Sea is under attack as a violent storm, nicknamed Gargantis, tears through town, destroying buildings and causing stormquakes (earthquakes caused by the storm).

Amid the chaos, another case presents itself to Herbie. Mrs. Fossil has found a mysterious bottle on the beach. It seems to move on its own and has indecipherable ancient writing on its side. Everyone claims to be the bottle’s rightful owner. Dr. Thalassi and Mrs. Fossil want it for their respective collections. The town’s fishermen say it is theirs due to the presence of their own ancient language on the side. However, a frightening man in a hood makes it clear that he wants the bottle more than anyone and he is willing to sacrifice everyone in Eerie-on-Sea to get it.

Some want to discover what the writing on the bottle means, what fairy-like creature is living inside, and why the man in the hood wants it so badly. They seek the help of Blaze Westerley, a young, outcasted fisherman. Blaze’s uncle was recently lost at sea while investigating the ancient legends of the Eerie fishermen. Soon, Herbie and Violet realize the legends may be more relevant to the case than they initially believed. In fact, if they can crack the case of the fish-shaped bottle, they may be able to save Eerie rock from the terrible Gargantis.

Gargantis shows off the charming relationship between Herbie and Violet as they take on the town’s adults. Blaze Westerley is a welcome addition as he diversifies the group. Blaze is a little unsure of himself, but confident in his uncle’s mission. He, too, is a bit of a “lost thing” like Violet and Herbie were before him. The trio works well together, and each person has skills and knowledge that contribute to solving the mystery.

The book dives a bit deeper into Herbie’s backstory. He must reconcile his fear of the sea with his love of finding homes for lost things. Since the bottle came from the ocean and most of the people who want it are fishermen, Herbie spends a lot of time doing things that scare him, such as being on boats far away from shore. Herbie’s experiences develop the theme that sometimes we must do what scares us in order to help ourselves and others.

The story also highlights how a new perspective can bring the truth to light. Without Blaze’s input or Violet’s seemingly “bonkers” ideas, the mystery would not have been solved. Taylor also applies this idea to Herbie’s book from the mermonkey. Herbie believes that the cover of the book is a message that he will meet his end at the bottom of the sea. However, he never reads the contents, which say something different. In the end, the townspeople gather and give their own interpretation of the cover, none of which end with Herbie drowning. The book, therefore, reinforces the importance of perspective and the value of individuality.

The fast-paced book introduces new characters and interweaving plotlines. For this reason, it is recommended that readers not read Gargantis as a standalone. In addition, the resolution may fall flat for those who did not read the first book, Malamander. Black and white illustrations bring some added visualization to some of the scenes. Plus, the characters are just as charming and quirky as before. If readers enjoyed Malamander, they are likely to enjoy Herbie and Violet’s deep dive into the ancient fishermen’s legends.

Sexual Content

  • None

Violence

  • A mechanical shell attacks Violet and Herbie. Herbie fends it off by throwing “the bucket at [it], knocking it to the ground.” Violet “wrestles with it” trying to get it to stop.
  • Violet tells Herbie that the fishermen cannot fish in the storm. She explains, “The one motorboat that tried got its engine exploded by lightning.” She then says, “One fisherman has drowned already.”
  • Amid the argument, Herbie fears “some sort of riot is about to break out in the hotel.”
  • Herbie narrates that when Lady Kraken, the owner of the hotel, slaps him “on the back. It feels like being hit with a sock full of dry twigs.”
  • Violet shows Herbie an image in a book that depicts a large creature who “uses its giant flippers to smash the town to pieces, while lots of little medieval people run away screaming.”
  • The book Herbie receives from the mermonkey, a prophetic machination who gives customers a book, has a picture that shows “tiny figures of men and women and children writhe and twist as they sink down, down, down to the depths.” Herbie thinks this describes his fate as well as his unknown family’s. The cover also shows these bodies being received by “the white tentacles, feelers, and claws of the abyssal horrors that lurk at the cold, dark bottom of the sea.”
  • The clockwork crab makes “steel blades slide out from each of [its] four raised arms.” It aims for Herbie. Herbie wonders if there is a rule for his profession about smashing “a lost object to smithereens if it tries to pinch your stuff and then attacks you with swords.” When the clockwork crab attacks, “Herbie experiences a sudden flash of pain” and then a thin line of blood runs down the back of his hand.” Herbie gives “the blasted thing an almighty kick up the trumpet” and knows “with certainty that something has broken” after hearing it land with a “PANG!
  • Herbie keeps a sprightning, a fairy-like creature that can produce lightning, under his cap. He feels “a small explosion” at one point, followed by “smoke and the unmistakable stench of singed hair.”
  • Without a word, the man in the deep hood, nicknamed Deep Hood, threatens Mr. Mollusc, Herbie’s boss. He merely shows him what is under the hood, which is enough to make Mr. Mollusc go “so white he’s almost see-through” and agree to the Deep Hood’s terms.
  • When faced with two difficult possibilities, Herbie outlines his choices. He says he can either “get on the boat — despite the mermonkey’s warning — and run the risk of a watery end on the cold, dark bottom of the sea, or don’t get on the boat, and face the certainty of being nabbed by a bunch of angry fishermen with ropes and knives.” He chooses the boat.
  • Blaze explains that his uncle was once “swept overboard and swallowed into the swirling mouth of the Vortiss,” a whirlpool in the ocean, but he survived. His uncle told his fellow fishermen that he saw “the wrecks of all the ships the Vortiss has gobbled up over hundreds of years. And the skeletons of all the men who were gobbled with them, too.”
  • Blaze explains that his uncle wanted to return to Vortiss to investigate, so he took Deep Hood with him. However, they began to argue. Blaze remembers that his “Uncle had his ax out.” Then, Deep Hood threw something like a bomb. Blaze was “thrown to the deck.” That was the last he saw of his uncle, as the rope connecting the two men to the ship was “cut clean through.”
  • Blaze sees Deep Hood and blames him for his uncle’s fate. Blaze then “leaps forward, the wrench raised like a club.” Deep Hood uses his tentacle to ward the boy off, “smashing Blaze in the face.”
  • Herbie’s sprightning makes his cap explode, shocking Deep Hood’s hand, and causing Deep Hood to be “hurled backward.”
  • When a fisherman, named Lanky Beard, questions Deep Hood’s intentions, Deep Hood’s tentacle “shoots out and strikes Lanky Beard in the face.” It then “[grabs] his beard and [yanks] his head down onto a tabletop.” Finally, the tentacle punches the man’s feet out from under him, causing him to go “down with a sickening crunch, and [stay] down.”
  • Deep Hood is the clockwork crab’s master. He becomes disappointed in it and “kicks the shell… a strong, cruel kick, designed to punish.” Soon other fishermen join in, kicking the shell around in what Herbie describes as a “spiteful game.”
  • The sprightning defends Herbie and Violet by shooting lightning at a fisherman. “The man is thrown off his feet as electricity scorches the moldy wallpaper right down the corridor.”
  • When trying to leave the pub, Deep Hood’s tentacle yanks Violet back. Herbie frees her when he “takes the door in both hands and slams it shut with all [his] force on the tentacle,” which is followed by a “sickening, rubbery crunch—and a roar of pain from Deep Hood.”
  • The sprightning uses its lightning on Mr. Mollusc, sending it “crackling up Mr. Mollusc’s arm and down into his trousers.” This causes him to “go stiff as a board and fall over backward in a puff of smoke.”
  • Deep Hood discovers Herbie and Violet eavesdropping. Herbie sees “Violet’s terrified face as the tentacle shoves her into the open sarcophagus and slams the lid shut.” Herbie also says, “I remember the smashing of glass in the tower as I was pulled out a window and carried away into the night.” He does not remember anything other than that, as he assumes he has been “knocked out.”
  • The fishermen use a rope to restrain Herbie. Herbie narrates, “It’s pulled tight, trapping my arms, and I’m jerked off my feet and out through the metal door.”
  • The fishermen and Deep Hood launch their first attack on Gargantis, using Herbie as bait. Herbie sees the weapons the fishermen and Deep Hood plan to use on Gargantis. It is a gun, “the type once used to hunt whales” with spears as projectiles that have bombs attached. The fishermen fire multiple times at Gargantis. The fishermen continue to attack the creature and use Herbie and the sprightning as bait. Herbie describes that the boat is “struck violently,” but everyone aboard is unharmed. Herbie sees that the fishermen are now armed with “axes and spears.” Herbie observes as “Gargantis attacks” the fishermen’s boat. Herbie thinks that by now all the fishermen are “down to the ocean floor.” It is later discovered that they all survived. This first attack takes place over 22 pages.
  • Herbie, Violet, and Blaze come across a swarm of sprightnings that singe Violet’s hair.
  • Later, Deep Hood attacks Gargantis again. Herbie sees the spear land “in the neck, embedding itself deep,” followed by “a sickening ball of fire that bursts out of the storm fish’s mouth” when the bomb explodes. Gargantis “writhes and twists, shrieking with pain and spouting flame.” This wound is nearly fatal to the monster, and the characters believe she is dead.
  • In response to Gargantis’s injury, the sprightnings “swarm around the iron fishing boat, darting and zapping at the fishermen and running in hot angry arcs across its surface.” The sprightnings’ electricity causes an explosion that results in the loss of the power engines, leaving the fishermen victim to the whirlpool, Vortiss. This second attack takes place over two pages.
  • When both the sprightning and Gargantis are close to death, Deep Hood launches another attack. Deep Hood explains that he wants Gargantis’s “carcass” for his potion. The Westerleys and Deep Hood grow increasingly angry with each other. Deep Hood calls Blaze to fight. Deep Hood “punches Squint in the face” and throws an ax at Herbie and Violet, but misses. In the final moments of this encounter, Gargantis returns, and Deep Hood is swallowed by her. This final attack takes place over six pages.
  • Squint tells the story of what happened on the day he was pulled into Vortiss. He remembers that Eels “threw the bomb . . . at his boat.” That act made Squint realize that Eels “wanted to kill us, so that no one else would know he was here, or how to find the Vortiss”. Later Eels “threw another bomb, right at Gancy’s head” and “seemed desperate to kill her before she could wake.”
  • Herbie identifies the remains of Saint Dismal by the features of the skeleton. He sees that, “On the chin of the skull, attached to scraps of mummified skin, is a long dangling beard that reaches all the way to his bony toes.”

Drugs and Alcohol

  • The fishermen frequent a pub in which they drink “pints of Clammy Dodger.”
  • Blaze says his uncle was “brought . . . back to life with brandy and a slap.”
  • Herbie describes that in winter, it is normal to see the fishermen at the pub drinking beer and smoking pipes.
  • Violet refers to some “drunken sailors.”
  • Lady Kraken has a “long-stemmed glass with a little golden wine inside.”
  • Dr. Thalassi “prescribed [Lady Kraken] an ointment” for her tentacle growth.
  • Herbie explains how the fishermen’s behavior at the pub changes when the tourists leave for the colder season. He says, “Pipes are smoked once more as sea songs are sung and beer is spilled and fights erupt, and Boadicea Bates presides over it all.”

Language

  • Some of the characters are called ridiculous, crazy, annoying, a fool, and other similar terms.
  • Fishermen often say phrases like, “Bless his Beard,” and, “By Dismal’s beard.”
  • Herbie wants to know why Deep Hood “[had] to be so creepy about” turning in a lost object.
  • Herbie references Deep Hood to Mollusc, calling him one of “the strangest ones.”
  • Herbie thinks only “weirdos and crackpots” would visit Eerie-on-Sea in the winter.
  • Herbie mentally refers to the clockwork crab as a “stupid shell.”
  • Mollusc tells Dr. Thalassi to “take this frightful object away,” which turns out to be Mrs. Fossil caught in a net. He later calls her a “scruffy person.”
  • Lady Kraken calls Herbie a “dunderbrain.”
  • Herbie mishears Lady Kraken when she is brushing her teeth. She says she has yet to “[brush her] backside…the backside of [her] toosh.” She means to say tooth, but due to the foam in her mouth, the joke refers to her bottom.
  • The phrases “how on earth” and “bladderwracks” are used as exclamations.
  • Herbie occasionally uses the word “blasted” as a descriptor for frustrating objects.
  • Herbie’s narration calls Deep Hood the “awful man.”
  • Mrs. Fossil refers to Sebastian Eels as, “That rotter.”
  • Herbie sees a fisherman outside of the bathroom “doing up his fly.”
  • Deep Hood calls Blaze “dim-witted.”

Supernatural

  • Herbie encounters a clockwork crab, a machine that looks like a hermit crab. The crab seems to act autonomously. Herbie says, “I don’t see how a clockwork hermit crab, no matter how complex, can want things for itself.”
  • The book’s plot centers around the legend of Gargantis, a sea storm monster that travels through both the sky and water. The saying goes, “Gargantis sleeps, Eerie keeps . . . Gargantis wakes, Eerie quakes and falls into the sea.” Herbie describes the storm as “a vast creature—with the head of an anglerfish and dozens of fins along its sinewy body.” It also “is wreathed in storm clouds and lightning that seems to pour off its fins.”
  • The book revisits the mermonkey contraption from the first installment. The machine picks a book that it feels the customer needs to read. Herbie explains that “some people have only to touch the hat in the creature’s hand to set off the mechanism and be dispensed a book.”
  • The characters encounter a “fish-shaped bottle.” Within the bottle is a creature called a sprightning. The sprightnings are fairy-like creatures who can produce lightning, glow, and fly. Herbie sees that “two electrical arcs flicker out from the figure’s back, forming shapes that look for all the world like wings.”
  • When someone mentions the word “dismal,” “the storm spews lightning and thunder once more.” Herbie thinks the weather is “conjured by these words.”
  • Erwin, the cat, speaks again.
  • Deep Hood has a pink tentacle that he uses to attack his enemies. Deep Hood seems to have a supernatural sense of smell.
  • Lady Kraken is given a gold tincture made from the flesh of Gargantis that heals her incurable legs. Herbie watches as the “golden liquid . . . turns purple and strange.” She drinks it and temporarily can walk.
  • After the language Eerie script is decoded, Violet discovers the remainder of the saying regarding Gargantis and Eerie Rock. It continues, “Gargantis dies, Eerie dies, and all falls into the sea.” It turns out that Gargantis has “been holding [Eerie Rock] up all these years” and that Eerie’s stormquakes have been the result of Gargantis leaving her cavern to try to find her lost sprightning.
  • The sprightnings have the ability to “signal” to Gargantis to help their queen get back to them.
  • Squint explains the relationship between Gargantis and the queen sprightning. “The sprightning gives light to the storm fish, and Gargantis gives the sprightning electrical power in return, so she can breed her swarm. They bind forever and should never be separated for long.” They must reunite the two creatures to save their lives.
  • Once Deep Hood is revealed as Sebastian Eels, he shares that the tincture he offered to Lady Kraken allowed him to regrow the hand he lost in the previous book.
  • Eels has “dozens of little pink feelers” that “clutch at his lips and gums.” He also has gills.
  • Herbie narrates, “There’s a rushing sound as air is drawn into [Gargantis’s] mouth, and I sense her long body inflating and filling the cave beneath Eerie Rock completely.” She returns to her post holding Eerie Rock up.

Spiritual Content

  • The story refers to the legend of Saint Dismal, an Eerie-specific tale of the island’s “first Fisherman.” He is the “patron saint of calamitous weather and first fisherman of Eerie-on-Sea.” He is portrayed as having a “strange and holy light over his head,” which eventually is revealed to be a sprightning. They call this his “Gargantic Light.”
  • Violet reads that the people believed the sprightning to be a “miracle” because it was accompanied by an abundant catch of fish. In addition, the fishermen often use the phrase, “Bless his beard” in reference to their saint.
  • When Erwin, the cat, turns counterclockwise three times, the fishermen believe that a “bad omen” is upon them. The saying goes, “When Eerie cat turns widdershins thrice, ’tis dreary luck for men and mice.”
  • The fishermen are “extremely superstitious. When Herbie asks why the fishermen did not try to stop Erwin from turning, Violet says, “He who touches Bad Luck Cat will nary catch a cod nor sprat!”
  • Blaze explains that the whirlpool Vortiss is said to be “the place where storms are born” and has “strange lights and treacherous winds.” He also says that Saint Dismal talked of an “underwater world beneath Eerie Rock, where lie the wrecks of all the ships the Vortiss has gobbled up over hundreds of years.”
  • Gargantis is “a storm fish from the lost tales of creation” and “a creature from the beginning of the world, who should endure till its end.”

by Jennaly Nolan

The Thirteenth Fairy

In the quiet and uneventful town of North Pasadena, California, Filomena Jefferson-Cho finds adventure with her favorite book series, Never After, where magic and fairy tale characters exist. On her way to purchase the thirteenth and final book of the Never After series, Filomena discovers strange things have been happening.

First, the author of the series has mysteriously disappeared. Second, Filomena is being followed by a strange boy dressed as Jack Stalker, the main hero of the Never After books. Deciding the boy is just a Never After fan and not a potential murderer or kidnapper, Filomena turns to greet him but is interrupted by the sudden crash of a thunderbolt and the shrieking sound of an ogress. As she flees from danger, Filomena realizes the boy following her is in fact the real Jack Stalker and, Never After, a world full of famous fairy tale characters, is real.

Filomena inadvertently follows Jack and his best friend, Alistair Bartholomew Barnaby, to Never After where she finds the kingdom in a state of distress after the thirteenth fairy, Carabosse, stole Princess Eliana. As a result of Carabosse’s disappearance, the evil ogre queen, Olga has taken over the land.

In her first visit to Never After, Filomena fights ogres and meets the fairy, Zera, who sees a strange resemblance between Filomena and her sister, Carabosse. Zera reveals that Filomena possesses the fairy mark which shines brightly as a crescent moon on Filomena’s forehead. Confused, Filomena rejects her fairy mark and leaves Never After. Although she always wondered about her biological parents, Filomena is reluctant to accept that she is from Never After. However, upon her return to North Pasadena, Filomena finds her Never After books have changed and Filomena returns to Never After to help her friends, even if it means leaving behind the safety of North Pasadena and acknowledging her true identity.

This novel is an exciting book for young, middle-grade readers because it combines fairy tales and reality and mixes familiar characters with new stories. The book follows Filomena’s story, but short prologues are scattered in between chapters to provide context to the history of Never After.

Traveling to and from the magical and mortal world, Filomena and other recognizable fairy tale characters fight trolls, outsmart dragons, ride motorcycles with wolves, and perform spells in their quest to stop the ogres and save Never After.  The Thirteenth Fairy is a fast-paced story full of adventure and inspiring characters. Throughout the book, Filomena learns the importance of friendship, family, and believing in yourself. Before her adventures in Never After, Filomena was unsure of herself and where she belonged. Although she is loved by her adoptive parents, she is an outcast at school, and she is losing faith in herself. However, with help from her new friends, Filomena discovers her inner courage and strength. Filomena learns that you can achieve anything as long you believe in yourself and trust the friends and family who have your back.

Sexual Content

  • Filomena’s mom is a contemporary romance writer, and Filomena is informed by school bullies that “page 157 of Mum’s latest book is exceptionally saucy.”

Violence

  • Filomena says hello to a boy she assumes is a fellow Never After fan, but instead, “the boy suddenly pushes her to the ground” to shield her from the Ogre’s Wrath.
  • Filomena and a strange boy are being attacked by thunderbolts. “More thunderbolts strike the ground around them, but they duck and weave, luckily avoiding being hit.”
  • A group of school bullies grabs Filomena’s backpack and “another grabs at her hair as she tries to regain her footing, knocking her off-balance yet again and yanking her backward.” Filomena “flinches, reaching for her hair.” She is upset, but not badly hurt.
  • Jack tells his friends that his “whole family was killed. I’m the only one left. I saw my brother burning in front of me when the ogres attacked our village.”
  • Filomena remembers ogres “like to roast their victims before eating them.”
  • Filomena, Zera, Jack, and Alistair engage in a battle against the ogres. The four friends watch as “ogres roar as they set cottages on fire, and when the inhabitants run out, they stomp on them.” Eventually, Zera “stabs the ogre general right in the heart.” Most of the ogres retreat, but Alistair “is in the grips of an ogre’s giant fist.” After Alistair has been saved, he claims he hurts “everywhere and after,” but he is alive.
  • In a vision, Princess Eliana is attacked by Olga the ogre queen. There is “blood on the wall. Blood on the floor. Then at last—an ogre fully satisfied.”
  • Filomena and her friends encounter the school bullies who reveal themselves to be trolls. The friends try to outrun the trolls until they are forced to fight. Jack uses his magic vines to trap the trolls, “but the trolls unleash their own weapons — garden shears! —and begin to hack at the vines. Jack falls to his knees, his vines dripping blood.” Then, “a few of the trolls focus their attention on the new combatants, and one of them slashes at Gretel [a Never After friend]’s sweater.” Jack continues to fight the trolls with his vines until they are “choked unconscious.” None of the friends are seriously injured, but a few of the trolls escape and kidnap Alistair.
  • Filomena encounters a hungry ogre in the woods. The ogre “moves first, reaching to stab the fork into Filomena’s stomach.” However, with Filomena’s dragonhide armor, “the fork can’t penetrate her.” While the ogre is confused, Filomena “stabs the ogre with the Dragon’s Tooth, hard and fast in the thigh” and the wolves of the forest chase the ogre away.
  • After the ogre queen is defeated “they discovered that King Vladimir had been killed, his corpse rotting in the middle of the ballroom, where he had tried to kill Olga and save his daughter.”

Drugs and Alcohol

  • At a feast with the Vineland villagers, Zera “raises her goblet of wine and taps the table with her open palms three times, signaling for silence.”
  • When Olga poisoned Queen Rosanna, “the poison spread slowly at first. Rosanna’s flesh flushed, reddening and heating until all her veins burst.” Olga killed Queen Rosanna.

Language

  • Filomena refers to the mean girls at her school as the “troll army.”
  • Posy, a bully, tells Filomena, “For a smart kid you’re pretty stupid.”
  • Posy tells Filomena to “stay away from us, ”
  • After Jack completes the Test of Wills, Alistair declares it was “badass.”

Supernatural

  • Never After is a land of magical creatures from fairies and “towering dragons, their armored scales glittering gold and green, to warty goblins and rambunctious dwarves.”
  • Carabosse is “the thirteenth and most powerful fairy in all of Never After.”
  • A thunderbolt strikes near Filomena, and she wonders, “did I imagine it, or were we just hit with an Ogre’s Wrath?!”
  • Filomena performs a fairy spell to make the lightning stop. She chants, “Ogre, ogre, cloaked in clover, I cease your wrath, three times over!”
  • Filomena discovers the Heart Tree, which is “the portal that connects all lands of Never After to each other.”
  • Frustrated with her peers, Filomena shouts out a spell to make time stop and to her surprise, “everyone is frozen.”
  • Jack has powers that allow him to grow vines and speak to trees.
  • Jack and Alistair explain that, being from timeless fairytales, they are technically immortal. He says, “We never grow old, but we can perish.”
  • Jack contains a Seeing Eye telescope that helps him locate magical items.
  • Desperate for an escape, Filomena “grabs the Pied Pipe from [Jack’s] hands and lifts it to her lips. Without thinking, she plays the first tune that comes to mind: the theme from the movies based on the Never After books, of course. Sure enough, it unlocks the Heart Tree.”
  • Jack reminds Alistair that “Filomena can’t see Zera’s cottage [because] it has the glamour around it.”
  • Filomena performs a spell that makes ogre bones turn to mush; “Ogre be feeble! Ogre be thick! Ogre be sluggish! Ogre be sick! Ogre droop under this limbless kiss, until every bit of you is mush and twist!” Then, the ogre’s “flesh goes formless…what was once nimble becomes numb, the skin sagging into a gloppy substance.” The ogre is presumably dead.
  • Zera recites a spell whispering, “the thirteenth fairy is missing, my sister is she. The thirteenth fairy is hiding, won’t you show her to me?” Then, Filomena sees “on her forehead, underneath the skin, is a luminescent mark: a tiny crescent moon surrounded by thirteen tiny stars.”
  • Filomena notices her favorite book series has magically changed the second time she reads it. “The first book is the story of Jack the Giant Stalker. But somehow, as she rereads it, it’s not.”
  • Magic and magical objects are used all throughout the book. For example, “Filomena stares in disbelief at the Arabian rug floating in the sky.”

Spiritual Content

  • None

by Elena Brown

Harriet the Invincible

Harriet Hamsterbone is different from the other princesses in the rodent realm. She’s not good at sighing and looking ethereal in front of guests; she prefers to care for her riding quail, Mumfrey, instead of attending deportment lessons. One day, Harriet’s parents tell her about the curse that a rat placed on her at birth, dooming her to “prick her finger on a hamster wheel and fall into a sleep-like death” on her twelfth birthday. But Harriet is ecstatic—that means she is invincible until she’s twelve! And so, she goes on a two-year adventure with Mumfrey—fighting monsters, saving princesses, and participating in jousts—until her twelfth birthday. The curse then activates in an unanticipated fashion.

Harriet the Invincible uses inspiration from fairy tales to create a wacky, action-packed story that will have readers eagerly turning the pages. When Harriet’s curse backfires on the castle guests, workers, and her parents, Harriet is determined to break the curse, lest neighboring kingdoms snatch the land in her parent’s absence. As she travels the realm to find someone to help her, she must rely on her smarts to solve problems. Ratshade, the rat who cursed Harriet, is more comical than scary, and readers will enjoy reading about how Harriet eventually uses her wits to defeat Ratshade.

On her travels, Harriet convinces Wilbur, a prince, to end the curse. The prince complains that he does not want to break the curse or marry Harriet. To him, “There is entirely too much kissing involved in this curse.” He becomes more confident, inspired by Harriet’s forwardness to end the curse, but still drags his feet, adding to the strangeness of the story. Readers will enjoy the humor of the story and how Harriet breaks the curse without her invincibility.

Purple and white illustrations add to the wackiness of the book. Drawings with dialogue help break up the text and keep the action moving. Harriet the Invincible shows the value of teamwork and will engage even the most reluctant readers. Harriet the Invincible is the first book in the Hamster Princess Series but can be enjoyed as a standalone book. Younger readers who enjoy Harriet the Invincible may also want to try the Princess in Black series by Shannon Hale.

Sexual Content

  • None

Violence

  • Harriet’s deportment teacher tried to make her walk around with a book on her head to improve her posture. Harriet stuffed “a book. . . in his mouth” because she didn’t want to complete the exercise.
  • During her two-year trip, Harriet fights Ogrecat, an ogre with cat-like qualities. “The Ogrecat flung [Harriet] off with a wild shake of his arms.” Harriet recovered with a “reverse one-handed cartwheel (the other hand was holding the sword).” Then, Harriet “brought the hilt of her sword down on his toes.” The fight is detailed in three pages.
  • When her mother wakes her up to meet the royal court, Harriet drops her “sword on her own foot.”
  •  Harriet defends herself against Ratshade, the god-mouse that cursed her to sleep when she pricked her finger on the hamster wheel. “Harriet whipped her around and around and charged toward the hamster wheel.” Before Ratshade could get another hit in their fight, “Harriet slammed [Ratshade] into the hamster wheel, hard enough to give the wicked fairy a shoulder full of splinters. The curse took. . . but it was the wrong person.” This part of the scene is described over three pages.
  • After Wilbur breaks the curse, Ratshade and Harriet fight. “Ratshade’s spell hit [Harriet] before she could make it ten feet. It felt like somebody clubbed her in the back of her knees.” Next, Ratshade cast a spell that made two of a hydra’s heads crash together, then “two more tied themselves together in a knot.” This scene lasts for two pages.
  • Harriet drops her sword, and the prince throws the sword to Harriet while he distracts the wicked god-mouse. Then, Harriet “swung the sword over her head and down in a great cleaving arc. . . aimed for the stump of Ratshade’s tail.” Furious, Ratshade tries to strangle Harriet with her claws. “Ratshade’s monstrous claws were cutting into [Harriet’s] skin and making it hard to breathe. . . Bright spots were starting to form in front of her eyes.” Finally, Harriet clips a magical clothespin onto Ratshade’s nose. While trying to unclip the magical clothespin, “Ratshade tumbled over [Mumfrey’s tail] and landed on her back.” This scene lasts for six pages.

Drugs and Alcohol

  • The Crone of the Blighted Waste puts “nasty-smelling gunk” on Harriet’s injuries and gave Harriet “a bottle of antiseptic” to continue treating the injuries.

Language

  • While writing a letter to her parents, Harriet says “dang” to her riding quail.
  • Harriet calls the Orgrecat a “foul beast” and a “monster.”
  • After cutting their way through the briars around the castle, Wilbur and Harriet “muttered bad words under their breath.”

Supernatural

  • Ratshade curses Harriet on her christening. “When [Harriet] is twelve years old, she shall prick her finger upon a hamster wheel and fall into a sleep like death!”
  • Three fairy god-mice modify the curse on Harriet. The oldest god-mouse changed the curse so “when the princess falls asleep, she shall not need either food or drink.” The middle god-mouse changed the curse so that “at the moment it takes effect, enormous thorny briars shall grow around the princess’s tower so no one can get in.” The youngest god-mouse changed the curse so “the kiss of a prince” will wake Harriet up.
  • When the curse activates on Ratshade, Harriet “felt [the curse] take, a great wash of cold air that ruffled her fur and pinned her ears back. . . Sparks arced and cracked over the rat’s fur and between her whiskers. . . The cold wind wrapped around them once, twice, three times–and the third time. . .then there was silence.” The curse had spread to the rest of the castle grounds, and except for Harriet, the hamsters around the castle were asleep.
  • Later, the Crone of the Blighted Waste makes the “modifications of the curse [take] effect. . . none of [Harriet’s] people will have to eat or drink while they are asleep, and the brambles seem to have grown around the entire palace quite nicely.”
  • Wilbur, a prince, was cursed to remain on a glass mountain until someone arrived to get him. “Prince Wilbur was wearing a hand-me-down christening gown. . . when the wicked fairy showed up, she thought he was a princess, and… well…”
  • After Wilbur broke the curse on Ratshade, the “pile of ropes exploded.” Ratshade said spells “that make the ropes whip off her like frightened snakes.” There were no ills effects from either spell.

Spiritual Content

  • None

by Jemima Cooke

 

Ravenous 

Traveling on her house with chicken legs, a witch has arrived in the city of Bryre, and she is ravenous for children. While Greta is at the castle of Bryre, the witch captures her bother, Hans. Greta refuses to let the witch have her brother—after her parents disappeared, her brother is the only family she has left—and they strike a deal. The witch will give back Hans if Greta brings her something, a magical item the witch desires.

However, the Bryrian king thinks Greta is lying about her brother. When she ventures out on her own, a village of hybrids captures her, pausing her progress. With the help of a magical half-boy and half-horse named Dalen, Greta travels to Belladoma—a kingdom that once held her captive—to find the magic item. Mercenaries block their path, and the Sonzeeki, an ancient, tentacled sea creature, is getting restless. In the middle of the chaos is a family secret that can help Greta save Belladoma and defeat the Sonzeeki.

Set in the kingdom of Belladoma and its surrounding area, each chapter follows Greta’s perspective. The kingdom of Belladoma overlooks the sea; the streets are dark and depressing due to the mercenaries and the Sonzeeki’s terrorizing of the castle town. The first page of every chapter is decorated with alternating pictures of Greta, the Sonzeeki, Dalen, and the witch, allowing the reader to visualize the characters. While the narration is limited to Greta’s perspective, readers will relate to her determination and wit. Though she is weaker and smaller than the leader of the mercenaries, she uses her “swiftness” and her “ability to not let go” to best him in a fight.

Throughout Ravenous, Greta changes her opinion about Belladoma. She realizes they are her people since they had been affected by the former king’s and the mercenaries’ rule just like she had. She had assumed that Belladoma, and by extension its people, was bad because her captors had taken her there as food for the Sonzeeki; she thought the people were complicit with the captors. The dynamic between Dalen and Greta is lovely. At first, they’re enemies, but they connect over puzzles and stories and become friends. Dalen is one of the people that helped Greta realize that the people of Belladoma are “not bad people. They’re victims too.”

Ravenous is reminiscent of Hansel and Gretel and has elements of Baba Yaga. The story is an original and engaging retelling that adds a spin to the classics. There are a few instances of graphic violence and many acts of magic scattered throughout the story. The way the adults treat Greta is deplorable because they think she is incapable, then change their minds when she defeats them. The mercenaries look down on Greta due to her age, then perceive her as a threat after she wins against their boss, Vincali—to them, she is not “a mere child.” The lesson is this: do not underestimate people because of uncontrollable factors. Readers who enjoy reading Ravenous will also enjoy the companion book, Monstrous.

Sexual Content

  • None

Violence

  • When the hybrids capture Greta, the lead centaur “yanks [Greta] and pins [Greta’s] arms behind [her] back.” He shoves Greta into the cage.
  • Greta fights Vincali, leader of the mercenaries, for the cornucopia. “Then, I leap to my feet and brandish my weapon at him . . . [the leader of the mercenaries] lunges and tries to knock the sword from my hands . . . I duck and parry, then manage a swipe.” The leader of the mercenaries “comes at me faster. . . I evade the blow again. . . I parry blow for blow.” When they get into the center of town, their fight ends. Their fight lasts for two pages.
  • After rescuing her brother, Greta fights the witch. “One [of the witch’s floating hands] grabs at my cloak and lifts me up.” Then Greta swings “at it with [her] sword and land[s] a glancing blow,” from which, “the hand makes what sounds like a shriek and drops [her].”
  • After figuring out the witch’s weak spot, Greta, “leaps up and grabs one of the legs [of the witch’s house] . . . I take my sword and, swatting at the hand again, jab the blade up into the belly of the house. I twist and turn it until one of the bricks comes loose.” The witch materializes in front of Greta and “squeezes her hands around [Greta’s] neck,” while Greta uses a magic amulet to burn the house. The witch’s house “explodes in a blast of fire, feathers, and blinding light” and the witch burns as well. Her body “turns pitch black with cracks of red fire—then nothing remains but falling ash.” The fight scene lasts for five pages.

Drugs and Alcohol

  • While in the castle at Belladoma, Greta sees “two wine glasses.”
  • A couple of girls in the castle were “bringing ale” to the mercenaries, who “get more and more drunk and gamble away their spoils.” The mercenaries drink a lot of ale.

Language

  • One of the mercenaries calls Greta a “fool.”

Supernatural

  • The witch owns a walking house. “The house moves in a pattern, a figure eight that brings it close to the edge of the woods.”
  • In the story, there is a magical item known as the cornucopia. “It is the form of a horn-shaped basket. One merely has to touch it and think about what food one desires, and the meal will appear in the cornucopia.”
  • The witch teleports Greta outside of the walking house. The witch “snaps her fingers and [Greta finds herself] standing outside the chicken hut, watching it retreat into the woods at a breakneck pace . . .”
  • The witch sets part of the village on fire. “She snaps her fingers, and a surge of magic singes the air. In a flash, flames being to devour the great tree in the middle of the village.” A few of the villagers had been burnt and some had fits of coughing after inhaling the smoke.
  • Dalen and Greta must use alchemic symbols to solve a riddle. “Each triangle corresponded to an element and exposing it to that element reveals the real map.” The only effect on the map is revealing more locations where King Ensel hid the cornucopia.
  • Greta uses potions on herself. “Each potion has a purpose. . . but I have no idea whether these even work, let alone what sort of combustible interactions they might have if used together.” The only side effects that Greta has when using the potions are dizziness and feeling more addicted to the magic.
  • The leader of the mercenaries uses an amulet to create fire. “The amulet’s fire goes wide, scorching the brick wall.”
  • Greta sets the witch’s house on fire with the amulet. “The chicken hut erupts into flame, flaring high with an audible pop, reaching up to the tops of the trees in the grove.”
  • The witch throws Dalen with “three disembodied hands that have materialized in the air and hang there, seeming to wait on the witch for instruction.”

Spiritual Content

  • Dalen talks about the creation story of hybrids. “The Phoenix Queen, mother of us all. She cast the spell that allowed our varied species to be created. . . Every fifty years, her mortal form would burst into flames, and she would be reborn from the ashes. . . But the last time she did not come back. Legends says her ashes scattered to the winds, dripping magic across the lands.”

by Jemima Cooke

Hunted

Beauty knows the Beast’s forest in her bones—and in her blood. After all, her father is the only hunter who’s ever come close to discovering its secrets.

So when her father loses his fortune and moves Yeva and her sisters out of their comfortable home among the aristocracy and back to the outskirts of town, Yeva is secretly relieved. Out in the wilderness, there’s no pressure to make idle chatter with vapid baronesses– or to submit to marrying a wealthy gentleman.

But Yeva’s father’s misfortune may have cost him his mind, and when he goes missing in the woods, Yeva sets her sights on one prey: the creature he’d been obsessively tracking just before his disappearance. The Beast.

Deaf to her sisters’ protests, Yeva hunts this strange creature back into his own territory—a cursed valley, a ruined castle, and a world of magical creatures that Yeva’s only heard about in fairy tales. A world that can bring her ruin, or salvation.

Fans of Disney’s Beauty and the Beast will love Hunted which takes place in medieval Russia and follows the original Slavic fairytale. Spooner expertly weaves parts of the original folklore while taking an in-depth look at Yeva, who often feels discontent. When Yeva’s father dies and the Beast takes her captive, Yeva’s thoughts often revolve around killing the Beast. Instead of being portrayed as perfect, Yeva’s emotions are more complicated because she feels both hatred and compassion toward the Beast. She is also admirable because, no matter how dire the situation, she never feigns comfort or lies to herself about her circumstances.

Unlike Spooner’s book Sherwood, Hunted has a much slower pace because Yeva spends much of her time alone hunting. Also, when the Beast holds Yeva prisoner in the dungeon, she is alone most of the time. Since much of the conflict comes from Yeva’s inner thoughts, there are few moments that are truly action-packed. Despite this, Hunted is an engaging story that looks at one’s deepest desires. Through Yeva’s experiences, the reader will come to understand that most people have more than one nature and they can take several paths that will lead to happiness.

Hunted will delight readers who like to explore a character’s thoughts and feelings. Even though the story focuses on Yeva, Beast’s emotions are also explored through letters that he’s written. While at the Beast’s castle, Yeva and Beast are alone, which limit’s the story’s perspective. Despite this, Hunted will transport you into a magical world full of danger. Readers who enjoy fairy tale retellings should also read the Once Upon a Con Series by Ashley Poston.

Sexual Content

  • Yeva agrees to marry Solmir. “Solmir freed one hand from Yeva’s grasp and lifted it to take hold of her chin in his fingers. He leaned forward and brushed his lips against hers, the briefest of touches before he pulled away.”
  • After Yeva returns home, she is not invited back into society because “no one quite knew what to make of her, whether she had spent the winter with an unmarried man under a curse or if she’d spent it in the bed of a wicked monster.”
  • When the Beast turns back into his human form, Yeva kisses him.

Violence

  • Yeva’s father invested in a caravan of goods. He gets word that all the men were killed. “Barbarian swords in their guts, heads piled in the wagon and burned. All the goods stolen or destroyed.”
  • Yeva finds her father’s body in the woods. “She uncovered his bow, then a few feet farther she found his pack, the leather torn and the contents strewn about beneath the snow.” She believes the Beast killed her father.
  • When Yeva sees a wolf in the woods, “she swung her father’s bow around and drew it in one smooth movement. The arrow flew straight and true. There was a bone-shaking roar of fury and pain that threw her to the ground with its intensity, and then the shadowy giant bounded off through the wood.”
  • The Beast pretends to be injured, and Yeva prepares to kill him. “The Beast lunged at her, knocking the ax aside with a blow that numbed her from the shoulder down, arm falling uselessly to her side. . . The impact of the Beast’s body hitting hers sent her head snapping forward out of its concealing hood, as it lifted her from her foot.” Yeva is knocked unconscious and taken captive. She wakes up “chained underground with broken ribs and no light.”
  • Yeva tells a story about a young man, Ivan, who had jealous brothers. “They killed Ivan in his sleep and cut his body into pieces.” Later, a wolf “ate his treacherous brothers whole.”
  • Unknowingly the Beast has been kindly caring for Yeva. But when Yeva tries to see the Beast’s face, “something huge flung itself at her, knocking her back onto the ground. Her head struck hard enough to stun her, despite the carpet to cushion it.” When Yeva discovers her helper is the Beast, “Yeva’s hand closed around the knife, and with a scream she brought her arm up in an arc, sinking the knife to its hilt in the Beast’s shoulder.” The Beast is injured, but not critically.
  • Yeva’s dog Doe-Eyes attacks the Beast. The Beast “gave his great body a shake that dislodged the dog and sent her flying. Yeva’s heart shriveled, then snapped as Doe-Eyes collided with a tree and dropped into a heap in the snow, unmoving.”
  • Yeva sneaks into the Beast’s bedroom one night to kill him. “The knife stabbed deep into this throat and hit bone, and Yeva gasped aloud as she jerked the knife sideways, trying to slice. . . There was blood everywhere, blood on the rug and blood spattering the wardrobe. . . A final breath. And then he was still.”
  • A woman who married young discovered that “her husband wasn’t a good man. He hit her when she didn’t do everything exactly to his liking. . . He always hit where it wouldn’t show, until one day he lost his temper and blackened her eye.” The woman stayed with her husband because he made her feel “so special, so loved.”

 Drugs and Alcohol

  • Yeva uses willow bark as a pain reliever.

Language

  • “By God” and “good love” are both used as an exclamation once.
  • When Yeva returns home, she tries to break her engagement with Solmir. He yells, “If you think I give a damn—sorry—about the silly rumors people whisper in the streets, you must not think very highly of me.”

Supernatural

  • The Beast takes Yeva to a magical wood where she meets Lamya, who is both a woman and a dragon. She also “discovered tress that had faces, voices, peeping at her one instant and gone the next.”
  • Yeva meets a fox named Borovoi, who will only answer three of her questions. Borovoi leads her to a frozen pond. When Yeva falls into the pond, she sees “a rotting face loomed out of the blackness at her, boney arms pulling her close.” Yeva almost drowns but is able to pull herself out of the pond. Later, Yeva learns that the pond “belongs to one of the Rusalk, a girl killed long ago by a lover or father or brother. She appears to men as their heart’s desire to lure them to their deaths.”
  • After Yeva kills the Beast, she is surprised when “the Beast’s gaping throat knit itself together neatly, as though she was watching a seam ripping in reverse. His lungs filled with one great, wet, rattling breath, and he coughed more blood onto the rug.” Yeva discovers that the curse will not allow the Beast to die.

Spiritual Content

  • Yeva doesn’t want to tell her sisters the truth about a man’s interest in her. Yeva “prayed they wouldn’t ask her again what she knew, for she couldn’t lie to them.”
  • When Yeva readies herself to leave, she gets Solmir to promise to take care of her sisters. She prayed “he didn’t change his mind.”

Thornwood

For years, Briony has lived in the shadow of her beautiful older sister, Rosalin, and the curse that has haunted her from birth. According to the curse, on the day of her sixteenth birthday, Briony would prick her finger on a spindle and cause everyone in the castle to fall into a 100-year sleep. When the day the curse is set to fall over the kingdom finally arrives, nothing—not even Briony—can stop its evil magic.

You know the story.

But here’s something you don’t know. When Briony finally wakes up, it’s up to her to find out what’s really going on, and to save her family and friends from the murderous Thornwood. But who is going to listen to a little sister?

Thornwood looks at the classic tale of Sleeping Beauty through the eyes of the little sister. While the villain in the story is clearly the fairy queen who cast the spell, she doesn’t make an appearance until the very end. Instead, the suspense is created by the Thornwood branches that attack the castle’s inhabitants. When Briony and a group of acquaintances try to defeat the Thornwood branches, a fairy tells Briony, “The Thornwood will disappear once Rosalin dies in it.” At one point, Rosalin considers sacrificing herself to the Thornwood to save the people she loves. However, Briony is the true hero of the story because she perseveres until she finds a way to defeat the fairy queen without sacrificing her sister.

Adding Sleeping Beauty’s sister to the story is an interesting premise, however, the sister relationship is spoiled by Rosalin, who has few redeeming qualities. For the most part, Rosalin is too caught up in her looks and the prince to notice her sister. When Rosalin talks, her statements are mean and dismissive. For example, when Briony tries to help Rosalin, Rosalin tells her, “Why don’t you just leave. Nobody needs you here. Go annoy someone else.” Plus, Rosalin constantly makes fun of Briony’s hair describing it “like mud that’s been stirred with bathwater” or “a mass of frizz that’s been hit by a lightning bolt.” Anyone who has been a victim of bullying will be saddened by Rosalin’s behavior, especially because Briony already feels ignored and unimportant. Despite this, Briony never gives up on trying to help her sister.

In the end, the Royal family is not portrayed in a positive light. The parents are clueless fools, Rosalin is self-centered, and the family doesn’t consider the feelings of others. However, by the end, Briony wonders, “Had we even thought about anyone but ourselves? We had acted like this was our story. Like the other people in it—everyone in this castle, and outside it, too—were minor details we didn’t have to pay attention to.” The conclusion has a typical happy ending that attempts to show that your station in life doesn’t determine your worth. However, if you’re looking for a fabulous fairy tale, you should leave Thornwood on the shelf and instead read The Prince Problem by Vivian Vande Velde or the Royal Academy Rebels Series by Jen Calonita.

Sexual Content

  • In order to wake Rosalin, a prince kisses her. Briony sees the kiss and thinks, “I wish I had gotten there thirty seconds later. . . It wasn’t a gross kiss. Just a peck on the lips—polite and distant—and then the prince stepped back from the bed.”
  • The story implies that Rosalin and the prince kiss. Briony “looked pointedly away and caught Edwin doing the same. We both snickered.”
  • When the prince thinks Rosalin is about to die, he professes his love and then kisses her. Briony thinks, “This time, the kissing was gross.”
  • After the castle is free from the Thornwood, Rosalin “claims that she only ‘likes’ the electrician who had been modernizing the castle, and she’s ‘not interested in getting serious with anyone right now.’ I mean, she’s already kissed him more times than she kissed Varian, back when she thought he was her destined husband.”

Violence

  • While Briony searches the castle, the Thornwood grabs her. “Something snapped around my wrist, driving sharp spikes into my skin. . .The branch that had grabbed me yanked back so hard that I was dragged towards the window. . .the branch pulled, slowly and steadily. Thorns dug into my wrist with sharp stabs of fiery pain.” Someone saves her. The scene is described over three pages.
  • When Briony, Edwin, Rosalin, and the prince try to leave the castle, the Thornwood attacks. “The ground around Edwin exploded, clumps of dirt flying as barbed vines broke through the earth. One wrapped itself around his ankle. . . another snapped around his wrist. . . Edwin had been pulled to the ground, and a thorny branch was crawling up his arm over his shoulder.” The Thornwood attacks everyone except for the prince. Rosalin’s fairy godmother saves them, but Edwin is seriously injured. The scene is described over six pages.
  • When the fairy godmother gets Edwin out of the Thornwood, Edwin is a “bruised and bloody creature. . . He was unconscious, his clothes in shreds and stuck to his body with dried blood.”
  • The Thornwood gets into the castle. The branches attack Rosalin. Briony “lunged for them and grabbed the largest, pulling at it with my bare hands. It could have encircled me easily, but it was too busy trying to get to Rosalin.” When they get Rosalin free, Briony, Edwin, and the prince run into a tower.
  • When they get to the tower, “A thorn snagged my [Briony’s] hair and pulled several strands out, with a burst of pain that brought new tears to my eyes. I wrenched myself free, into the golden light.” The tower scene is described over five pages.
  • Briony traps the fairy queen. But then, “She reached out and grabbed me by the throat. . . she lifted me from the floor, and I couldn’t’ breathe. I tried to scream, but couldn’t do that, either. Panic filled me as I struggled to draw air into my lungs and no air came.” Rosalin and Edwin save Briony.

 Drugs and Alcohol

  • After sleeping for over 100 years, Rosalin discovers that the castle is surrounded by thorns. “There are some princes that come there [the village] to try to fight their way through the Thornwood and wake the beautiful princess sleeping in the castle. They need a place to sleep. . . and lots of ale.”
  • Before the castle fell asleep, Edwin was apprenticed to the blacksmith. The blacksmith “was not a good man. He got angry a lot, and drunk, and he let the other apprentices—”
  • When Briony goes to the apothecary, she finds it to be a mess. “The pots on the shelves were knocked over sideways or smashed on the floor. . .” Someone suggested that people were looking for wine and didn’t find it.
  • When the prince finds an empty jug that smells like alcohol, he says, “Someone in this castle is very drunk right now.” Later, the royal wizard shows up to the ball drunk. He tells the king and queen, “I have been working great and terrible magics to figure out a way to release us from our plight. I had to partake of wine so I could access the depths of. . . um. . .”
  • The prince offers Rosalin a bite of her birthday cake. When she refuses the cake, he eats it. Then, “his eyes went wide. He fell over sideways, straight as a log. The fork with its remnant of cake flew out of his hand, skittering across the dance floor. . .” The cake had been poisoned.

Language

  • Briony uses “oh curses” as an exclamation once.
  • A boy calls Edwin “sniveler.”
  • Rosalin calls Briony an idiot.
  • Rosalin often makes rude comments about Briony’s hair. For example, Rosalin says, “And fix your hair. You look like a Pegasus caught in a windstorm.”

Supernatural

  • The story takes place in Sleeping Beauty’s magical kingdom, where magic exists.
  • The castle is surrounded by Thornwood, a living plant that tries to trap people. When the branches are cut, “they hissed as if they had been burned.”
  • Briony sees a strange bird that “cocked its head and looked straight at me, and then it wasn’t a bird at all. It was a woman—a creature that looked like a woman—with shimmery dragonfly wings whirring behind her back.”
  • After the curse is broken, the fairy godmother throws a birthday ball. “The doors of the kitchen swung open and a cart rolled out. Rosalin’s birthday cake teetered on top.”
  • The prince says a fairy gave him a magical sword that can help him fight off the Thornwood.
  • Briony trips and puts her hand out to catch herself. “My palm landed right on a thorn. I screamed and pulled back. I expected the branches to wrap around my wrist. Instead, they all arced toward the thorn that had pierced my skin. A drop of blood dripped from the thorn’s tip, and one of the branches, swooped low to catch it.”
  • The tower room has a magic spinning wheel. Briony uses the spinning wheel to create magical, gold thread. The Thornwood “seemed to flinch back from the gold thread.”
  • Rosalin believes that the only way to save the castle from the Thornwood is to sacrifice herself, which she considers. Rosalin says, “It needs my blood. Once it has it, you’ll be free. You’ll all be safe. . . Name your first child after me.” Rosalin “thrust both hands into the thorns. Their hiss rose around us, sharp and sibilant and triumphant.”
  • Briony discovers that her blood repels the Thornwood. She “jabbed [her] palm into the spindle of the spinning wheel. It hurt. It really hurt. For one blinding second, the pain was all there was. Then I blinked out tears and saw that the thorns had drawn back even farther, leaving a larger space around the spinning wheel than they had before. My blood had given the spinning wheel power.”
  • Briony realizes that “No one, no prince, no savior, had come to us through the Thornwood. [The prince] had come from it.” Then Briony uses the magical gold thread. She “brought the thread down over his head and around his neck. I crisscrossed the ends and pulled them, making a noose that tightened against his throat.”
  • When Briony puts the golden thread around the prince, he changes. “His body shimmered; his face lengthened; his eyes grew larger. Two wings, blacker than black, snapped shut over his shoulder blades. He didn’t look like a woman, but he wasn’t a man either. He was a creature. A being. A center of power.” The prince was the fairy queen in disguise.

Spiritual Content

  • None

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