Icon: Teaches About Culture

Midnight Magic

Princess Teresina of the kingdom of Pergamontio is being haunted by a ghost, and the former magician Mangus is called upon to help solve the mystery. But not all is what it seems in a kingdom that outlaws magic and once convicted Mangus for magic. Now, Mangus’s assistant, Fabrizio, joins his master at the castle to discover what secrets lie within the secret passageways. 

Avi’s Midnight Magic is the second book in the series, though the books do not need to be read in order to be understood. The book’s protagonist and narrator, Fabrizio, sets up the story and explains the context well for those who are unfamiliar with the previous installment. Fabrizio is aiding his master, Mangus the Magician, as the magician tries to solve the mystery of the ghost in the castle. Fabrizio is a likable but naïve boy, who wants to impress his master. Mangus is older and more jaded, and he occasionally mocks his young assistant; however, Mangus does like Fabrizio and praises him when he does well. 

The Kingdom of Pergamontio outlaws magic, and it becomes clear early on that Mangus the Magician is more Sherlock Holmes-clever rather than magical. He doesn’t believe that the princess is being haunted, despite Fabrizio’s clear belief in this supernatural specter. Instead, Mangus uses the power of reasoning to uncover the secrets of the castle. Although magic isn’t used, Fabrizio uses tarot cards throughout the book, something for which Mangus mocks him. Much of the book discusses the way faith and reason interact, leaning heavily on reason and logic being the wisest ways to learn about the world. Fabrizio, despite being overly trusting in others, does note that stories and context link together otherwise meaningless facts. To solve the mystery of the princess’s ghost, faith and reason must work together.  

As he spends time wandering the castle, Fabrizio learns about the royal family and accidentally befriends the princess. He also does his best to avoid the king’s terrifying advisor, Scarazoni, who wants Mangus killed, and who is rumored to have killed the missing prince. Each character’s personality, even the classic stereotypes like the evil advisor and brash, manipulative princess, brings further intrigue into an otherwise twisting mystery. The intrigue is fun and fast-paced, and readers will find themselves unable to put the book down. 

For younger readers, Midnight Magic is a great introduction to both the medieval fantasy and mystery genres because it discusses the real and unreal, and the characters are able to uncover the mystery thanks to their ability to come together and use both logic and faith. The tone of the story is mostly serious, though the inclusion of magic adds a hint of whimsy and wonder that helps bring the story to life. Fabrizio notes that stories, though sometimes fictitious, can speak the truth in spirit and emotion rather than content. To help solve the mystery, Fabrizio is able to seek out context to paint a larger picture; this highlights that there are many pieces to a good story, and sometimes they come from the most unlikely places. 

Sexual Content  

  • None 

Violence  

  • Fabrizio notes that there’s a stick near the doorway. He describes it as “a cudgel with which he was supposed to beat away anyone who tried to enter the house.” 
  • Mangus becomes upset with the impossible task of dealing with a ghost, and he “in a pique of frustration, pushes [Fabrizio] away.” He apologizes after. 
  • Princess Teresina explains that she believes the ghost is her brother. She says, “A few months ago he was sent as an emissary to the pope, in Rome. He never reached the holy city. I believe he was murdered and the ghost we saw is . . . his.” There are no further details about his alleged murder. 
  • Fabrizio overhears the royal advisor, Scarazoni, conspiring with the princess’s tutor. Scarazoni confirms that “the prince was killed. There is no more to say.” 
  • The queen and Fabrizio come across the dead body of the princess’s tutor. No further descriptions of the dead body are given, but it is established that he was murdered. 
  • After Mangus, Princess Teresina, and Fabrizio see the supposed apparition, Mangus alerts the king and Scarazoni of the situation. Scarazoni becomes enraged, wanting to prove the princess wrong. Scarazoni “grabs hold of Mangus’s robe at the throat and shoves the old man hard against the wall.” Scarazoni proceeds to yell at Mangus for answers, and Mangus has difficulty speaking as he’s being held at the throat. This scene lasts for about a page. 
  • Scarazoni raises his hand to hit Mangus, and Fabrizio throws himself between them. Fabrizio describes, “When [his hand] came, [it] struck him down.” 
  • Fabrizio finds the kitchen boy, Rinaldo, in the chapel. “The boy’s clothing was torn in many places and streaked with blood. His face was marked with what also looked like blood. All around him were bits of broken candles. A sword was at his side. What’s more, he was writhing about, clutching his left leg tightly.” It is revealed that Rinaldo is the supposedly murdered prince, alive and well, living in the castle. 
  • Scarazoni’s plot is revealed, and he is sentenced “to be executed.” The reader does not see this execution scene. 

Drugs and Alcohol  

  • None

Language  

  • Fabrizio encounters a soldier who wants to speak with the magician Mangus. Fabrizio has some practiced replies that he uses to deter people, but the soldier responds in a mocking tone, “Well spoken, cur.” 
  • Mangus refers to the princess’s tutor as “a dolt.” 
  • Fabrizio announces that he believes in ghosts, and Mangus, unimpressed, says, “You are the living proof that even someone who reads can be a fool.” 
  • Light language such as stupid and fool is used often. 

Supernatural 

  • In the Kingdom of Pergamontio, there is magic as well as magicians. However, magicians are forbidden in the kingdom. Mangus was, “arrested and brought to trial in that same castello, had, under threat of torture, confessed and repented of being a magician.” The book occasionally uses Italian terms like castello, which in this case means castle. 
  • Fabrizio uses tarot cards to help divine events come. He notes, “These cards, he believed, could fashion the future. Since he could envision no life for himself other than as a servant, it was his master’s fate he wished to shape.” Mangus dislikes tarot cards and says “tarot cards are nothing but ignorant superstition.” 
  • The king’s daughter, Teresina, is being haunted by “a terrifying ghost.” Teresina recounts, “What I saw could not, would not, be felt. My hand passed right through it.” 
  • While wandering through the castle, Fabrizio sees the ghost. “It stood – or rather floated – four feet above the ground, with a fluttering radiance that kept within a specific niche. The more Fabrizio stared at it, the more convinced he grew that the illumination contained the shape of a person.” This is the central mystery of the book, and it is later revealed to be a trick of reflections. 

Spiritual Content  

  • Mangus, when summoned by the king, makes “the sign of the cross over his own heart” and says, “The Lord knows I’ll need all the help I can get.”  
  • When Mangus’s wife, Sophia, hears the ominous news that her husband has been summoned by the king, she exclaims, “God have mercy!” These expressions are used occasionally. 
  • The punishment for witchcraft and wizardry is to be burned at the stake, but Mangus escaped this fate. One government figure named Scarazoni states, “If you dance with the Devil, your feet will feel the heat.” These beliefs are strongly rooted in Christianity, which Mangus notes when he proclaims that “I am not now – nor have I ever been – a dabbler in ways of evil. I seek to be a good Christian.” 
  • After seeing the ghost for the first time, Teresina says that she “hastened to say a prayer.” 
  • After speaking to the princess about the ghost, the princess’s lady-in-waiting “joined a nunnery and [had] taken a sacred vow of silence.”
  • Many characters say prayers, but the prayers themselves are not written out. The text usually states, for instance, “Mangus said a prayer.” Further detail is not given. 
  • In the castle, there is a statue of the Mother Mary. It becomes a focal point as it is where the princess sees the ghost several times. 
  • Mangus prays in front of a “portrait of the Blessed Martyr, Saint Stephano, so pierced with arrows.” 

The Magical Reality of Nadia

Nadia loves fun facts. Here are a few facts about her: 

  • She collects bobbleheads — she has 77 so far.
  • She moved from Egypt to America when she was six years old.
  • The hippo amulet she wears is ancient…as in it’s literally from ancient Egypt.
  • She’s going to win the contest to design a new exhibit at the local museum. Because how cool would that be?!

Okay, so that last one isn’t a fact just yet, but Nadia has plans to make it one. But then a new kid shows up and teases Nadia about her Egyptian heritage. It’s totally unexpected and totally throws her off her game. 

Then something else happens that Nadia can’t explain: Her amulet starts glowing! She soon discovers that the hippo is holding a hilarious — and helpful — secret. Can she use it to confront the new kid and win the contest? 

Nadia often acts like a know-it-all who loves telling people interesting facts about random subjects. Despite this, Nadia is a likable protagonist who learns that “being a leader didn’t mean telling people what to do or doing it all yourself. It was about guiding everyone else to come to a solution together.” Nadia’s quirky personality will draw readers into the story, but it is Titi who is the star of the story.  

While living in Ancient Egypt, a magician curses Titi by sending him into a hippo amulet. When Nadia purchases the amulet, she discovers the secret to breaking the curse—Titi can only be set free by helping Nadia six times. Titi is energetic, optimistic, and funny. And as a teacher, he has plenty of wisdom to impart. For instance, Nadia and Titi jump into the parable of “The Eloquent Peasant.” The parable comes to life in comic-style panels that educate about Egyptian history in a unique and entertaining way. While in the comic, Nadia learns a powerful lesson about how to deal with a bully. Even though Titi lived in a different time period, he is still able to help Nadia with her friendship problems.  

One of Nadia’s problems is that the new kid, Jason, is very vocal about his dislike of Nadia’s Egyptian heritage. For example, he makes fun of Nadia’s lunch because “it smells weird.” In addition, he says he only eats “American food. . . not desert people food.” However, Jason’s mean comments are not just confined to school. While at the fall fair, Jason asks the DJ to play the song “Walk Like an Egyptian.” Then, Jason “took a couple of staggering steps forward with his arms in the awkward position. He moved his head forward and back like a pigeon, too, a huge grin on his face.” In this situation, Nadia uses the parable of “The Eloquent Peasant” to find a solution, but not everything goes as she planned. 

At first, Jason’s behavior makes Nadia want to hide her Egyptian heritage, but her parents explain how they handle microaggressions. When a cashier at the local supermarket made rude comments, Nadia’s Mama began talking about things they had in common. Mama said, “It showed her that we aren’t so different after all. . . Getting to know me has allowed her view to shift.”  

The Magical Reality of Nadia uses humor to highlight the importance of finding common ground with others. Nadia points out that, “Unless you are Native American, we all have an immigrant story in our past. Each of us is here today because one of our ancestors came to America and started a life for their family.” While most of the story is in traditional text, the book includes sections of black-and-white comics as well as lively black-and-white illustrations throughout.  

While The Magical Reality of Nadia is humorous and entertaining, the story hits on topics of prejudice, friendship, and courage. Nadia’s story will help readers have empathy for people who are different from them and in the end, the lessons from The Magical Reality of Nadia will stay with readers long after they put the book down.  

Readers looking for another book about immigrating to another country should also read Other Words for Home by Jasmine Warga and Efrén Divided by Ernesto Cisneros. However, if you’d like to learn more about Ancient Egypt’s culture, check out the Kid Detective Zet Series by Scott Peters and the TombQuest Series by Michael Northrop. 

Sexual Content  

  • None 

Violence  

  • During summer vacation, one of Nadia’s friends went to London. Afterward, Nadia asks, “Did you know they used to display chopped-off heads on the original London Bridge?”  
  • Jason goes to the museum and destroys Nadia and her friends’ project. 
  • While at an ice cream shop, Jason starts making fun of Nadia’s heritage. Nadia gets upset with “her hands balling into fists. She’d never hit anyone before, but there was a first time for everything. She lunged at Jason . . . and tripped over her backpack. Jason laughed, but as Nadia fell, she knocked into him and he lost his balance falling backwards onto the table.” Jason falls onto an ice cream sundae. One of Jason’s friends says, “It looks like you pooped your pants!”  
  • Nadia’s parents left Egypt during the Arab Spring. Her mom says, “People who opposed the government were still being imprisoned, and tortured, and killed. We realized we did not want to raise you in that kind of environment.”  

Drugs and Alcohol  

  • None 

Language  

  • A teacher teases a magician. Afterwards, the magician calls the teacher a fool. 
  • Titi tells Nadia to “close your mouth. You look like Hatmehit’s hat! Hatmehit was an ancient Egyptian fish goddess.”  
  • Freakin’ and heck are both used once. 
  • After reading a parable, Nadia says one of the characters is a doofus and a fool. 
  • When Nadia tells her friend they “can’t toss a football in a museum,” her friend tells her to “Calm down, Grandma.” 
  • Jason calls one of his friends an idiot. 
  • Jason calls Nadia an “Egyptian Queen.” Then he says, “You don’t even belong here. Why don’t you just go back where you came from?!”  

Supernatural 

  • A teacher is cursed by an angry magician. “The next thing the teacher knew, there was a great wind and a loud sucking noise. Then everything turned black.” The teacher is confined to an Egyptian necklace.  
  • “Ancient Egyptians wore hippo amulets to ward off evil.” 
  • Nadia held her hippo amulet and asked for help. Then, “Nadia went over to the desk . . . There, on the college-ruled pages of what was to be her math notebook, a little animated man was jumping up and down, waving wildly at her.”  
  • At first, Nadia is confused when she discovers “a little animated man [Titi] haunting her math notebook!” But then she realizes that if she shuts the notebook, the man disappears. However, Titi and Nadia soon set boundaries that allow the two to communicate when appropriate.  

Spiritual Content   

  • One of Nadia’s fun facts revolves around the Ancient Egyptian’s beliefs about death. The Book of the Dead says “When a person died and was judged by the ancient gods, they had to swear to two things: that they had not lied, or cheated, or killed, or harmed others; and that they preserved the Nile River and kept it pure. . .” 

Jasmine Toguchi, Mochi Queen

Eight-year-old Jasmine Toguchi is a flamingo fan, tree climber, and top-notch mess-maker!

She’s also tired of her big sister, Sophie, always getting to do things first. For once, Jasmine wishes SHE could do something before Sophie—something special, something different. The New Year approaches, and as the Toguchi family gathers in Los Angeles to celebrate, Jasmine is jealous that her sister gets to help roll mochi balls by hand with the women. Her mom says that Jasmine is still too young to join in, so Jasmine hatches a plan to help the men pound the mochi rice instead. Surely her sister has never done THAT before.

But pounding mochi is traditionally reserved for boys. And the mochi hammer is heavier than it looks. Can Jasmine build her case and her mochi-making muscles in time for New Year’s Day? 

Jasmine is determined to prove that she is strong enough to pound mochi. In order to get her wish, she comes up with some unique and silly ways to get more muscles. However, Jasmine will also need to convince her family to break tradition — after all, pounding mochi is only for boys who are ten years or older. While Jasmine appeals to her father, he doesn’t give her a quick answer. Instead, before making his decision, he talks to the other family members to get their approval. In the end, Jasmine discovers that pounding mochi takes a lot of strength and hard work. She’s disappointed that she was only able to lift the heavy hammer one time. Despite this, Jasmine’s family showers her with praise because “you’re the first under-ten-year-old and the first girl to pound mochi in our family.”  

The story is accessible to fluent readers who are ready for a book with multiple plots. Black and white illustrations appear every two to three pages and show Jasmine’s daily life. Many of the illustrations show the characters’ facial expressions, which will help readers understand the characters’ emotions. Another positive aspect of the story is that difficult words are explained within the text. For example, Jasmine explains that her mom is an editor. “An editor reads other people’s work and fixes the words.” For more fun, the back of the book has a recipe for microwave mochi. Even though Jasmine Toguchi is a series, the books do not need to be read in order because each book focuses on a new storyline.  

Jasmine Toguchi, Mochi Queen is an entertaining chapter book that teaches the importance of controlling one’s emotions. For instance, Jasmine has a cousin named Eddie, who often teases her. To control her anger, Jasmine uses a counting strategy that works…most of the time. Jasmine can do this because her family members have taught her healthy communication skills. 

Jasmine Toguchi, Mochi Queen will encourage readers to work towards a goal — even those that seem unlikely to happen. Because the story focuses on Jasmine, young readers will feel as if they have made a new friend. Readers will also adore Jasmine’s spunky attitude and understand her determination to do something before her sister. In the end, Jasmine is an admirable character not because she has muscles, but because, “You’re strong. . . You believe in something and you don’t let anyone change your mind.”  

Sexual Content  

  • None 

Violence  

  • When Eddie makes fun of Jasmine, she “forgot to count to ten again. My foot flew out from under me and kicked the ball. Smack! It pounded Eddie in the back.” Afterwards, Eddie leaves the room. 

Drugs and Alcohol  

  • None 

Language  

  • Jasmine’s cousin Eddie is mean to her. He calls her “Jasmine Pee” and says she’s a weakling. 
  • When Jasmine ignores Eddie, he asks, “Are you so dumb you can’t make conversation?” 

Supernatural 

  • None 

Spiritual Content  

  • None

The Miracle of the First Poinsettia

It is la Noche Buena, Christmas Eve, and soon festivities will be taking place in the mountain village that is Juanita’s home. But as she wanders through the colorful marketplace, Juanita feels lonely and sad. This year, her father is out of work, and their family has no pesos for parties or gifts. How can she enter the church for midnight mass with nothing—not even the tiniest present—to give to the baby Christ Child?

As her family prepares for the holiday, Juanita is embarrassed that she doesn’t have a gift to present to the baby Christ Child. However, when an angel statue speaks to Juanita, the young girl trusts the angel and plucks the weeds from around the statue. At first, Juanita was “frightened and confused. She wondered how she could bring such plain weeds to the Baby Jesus.” However, Juanita follows the angel’s instructions and takes the weeds into the church. As Juanita walks down the aisle, the weeds miraculously turn into poinsettia flowers, which today grow in abundance in Mexico.

The Miracle of the First Poinsettia explains the story behind the first Poinsettia. Each illustration uses the dark red tone of the flower to bring traditional Old-World Mexico to life. Even though the illustrations are enchanting, young readers will have a difficult time sitting still through the entire story. Because of the text-heavy pages, which have up to 15 complex sentences, parents will need to read the book to their children. To highlight Mexican culture, Spanish words are used within the text. Each Spanish word appears in italics and a glossary appears at the back of the book to aid non-Spanish speakers. 

The Miracle of the First Poinsettia is a beautiful story about the wonder of Christmas. At first, Juanita focuses on the gift-giving traditions. Even though Juanita does not have a gift to give, her mother reminds her, “Ah, mi hija, you give gifts all the time. You gave your galletas to your brothers. You sang songs for Papá. You bring such joy. To us, you are a gift!” Through her difficulties, Juanita learns that “a gift from the heart is the best gift of all.”

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • None

Supernatural

  • None

Spiritual Content 

  • The story focuses on the Christmas season and the miracle of the first poinsettia.

Heroes of the Water Monster

Edward isn’t sure about this whole “step-brother” thing, especially now that his dad is moving in with his girlfriend and her preteen son, Nathan. Their new place in Arizona may be nice, but relocating is already hard enough due to their family’s Navajo—also known as Diné—heritage. According to the Diné, children lose communication with the Holy Beings once they hit puberty, and Nathan’s already started the process of becoming a man. For most people, this is part of growing older, but Nathan has become the guardian of a young water monster named Dew. Nathan’s ability to see her is fading, so he quickly has to entrust Dew’s care to Edward.  

To make matters more complicated, Dew’s older sister, a powerful water monster named Yitoo, is coming to The Fourth World—Earth—to teach Dew the traditional songs of the water monsters. Having been away in the Third World for nearly 150 years, Yitoo’s return is ruined when she discovers that something is wrong in the Fourth World. The waters from her river are depleted and the environment is suffering. Alongside Dew, Edward, and Nathan, Yitoo travels the length of her river to find the source of the cutoff. To her dismay, the city of Pheonix, Arizona has redirected her river to service the population’s waterparks, golf courses, and sprinkler systems. This frivolous use of her precious resource prompts her to vow revenge on humankind. 

Together, Dew, Edward, and Nathan team up to stop Yitoo from using her water monster power to unleash a massive hurricane on the Phoenix area. They meet other creatures and people from Diné creation stories who give them advice and special gear for their final confrontation. Eventually, the team of friends is able to stop Yitoo before she can punish humanity. As Nathan sees Dew, Yitoo, and the other Holy Beings for the last time before growing up, he and Edward promise to keep their Diné heritage alive and work towards a future where humans treat the natural world with respect.  

Heroes of the Water Monster’s plot is a straightforward save-the-world type of story, but the traveling between different worlds and mythical creatures can be confusing at times. As for the narrators, the story switches between the perspectives of Nathan and Edward. Nathan’s point of view is more mature and forgiving towards others, while Edward is more impulsive and childish. Edward is also half Diné, half white, which creates interesting tension as he struggles with his mixed identity. The difference between the narrators gives a unique perspective on the events of the story, especially when Edward and Nathan disagree on whether or not to help Yitoo. Because Edward and Nathan are both likable and thoughtful narrators, the reader understands why each boy feels the way they do. Despite their different ages, both Edward and Nathan had valuable input and opinions on the story’s events. 

Heroes of the Water Monster is an interesting tale filled with many cultural references. If readers have no prior experience with Navajo/Diné culture, this story may be a bit difficult to read. However, in order to understand the story, some readers may need to use the glossary provided at the end of the book.  

The main theme of Heroes of the Water Monster is generational trauma, which is showcased through the water monster Yitoo. While Yitoo is the villain in the end of the story, she is also Edward and Nathan’s friend. She has lived for hundreds of years, which means that she lived through the forced relocation of the Diné. She exhibits the rage that displaced people experience when they are horribly mistreatment and the destruction of the sacred environment they once called home.  

At first, Edward and Nathan don’t know if they have a right to stop Yitoo, but they realize that they have a shared history, and a shared future, too. While they may not be the legendary Twin Heroes who defeated fearsome creatures of legend in Diné stories, they do have the power to impact the world their descendants will inherit. A Holy Being advises Nathan and Edward that, “It stands to reason that a Modern Enemy would surrender to Modern Heroes.” 

Thus, the modern heroes, Edward and Nathan, work to convince Yitoo and themselves that they can’t hold the current population responsible for what their ancestors did. A better future isn’t achieved through revenge, but by educating and making changes for the better. Edward, Nathan, Yitoo, and Dew all have to grapple with their identity and the painful past that comes with it. In order to heal, they have to accept the past as part of their identity and use their grief in constructive ways. Edward’s father says, “We Diné, like all Indigenous Nations, have a past filled with heartbreak and devastation. But we also have a brilliant, shining future.” 

Sexual Content  

  • Janet, Nathan’s Mom, and Ted, Edward’s Dad, greet each other. “Janet . . . walked into [Ted’s] arms. They kissed.”   

Violence  

  • Occasionally, the Diné’s forced relocation is discussed. These stories mention some of the abuse, murder, torture, and death of the Diné at the hands of the U.S. government. One story mentions two brothers whose parents were killed in front of them. “From the cornfield, the boys saw their dad arguing with a soldier. The other solider pointed their rifles at the mom and dad. . . [They] covered their eyes but still heard the loud shots.”  
  • After killing their parents, the soldiers kill all their livestock and force the boys to walk to Fort Defiance, Arizona where they are imprisoned. They were almost fed poison, but were saved by a handful of nurses who tossed their food on the ground. “[Those] who had eaten the rations became deathly ill. . . The sick were left to die. . . The rest were forced to march in many long lines eastward. . .” 
  • On the trail, there was more hardship and death. Those who fell behind were killed. Elderly, young kids, and even pregnant women. The Diné were also forced to swim across a river, and one of the brothers drowns. “The elderly and the young people around them struggled against the strong current. . . A sound more disturbing than the screaming of the drowning grew. It was silence. Many bodies sank beneath, did not rise again, and drifted downriver. Halfway across, the river took [the] younger brother.” 
  • Yitoo describes her perspective of the aforementioned story: the forced relocation of the Diné crossing her river. “One by one, the Diné walked down the hill and into the river. The elderly and youth struggled around the strong current. Blankets of water smothered them. I did my best to calm the waters. But I couldn’t sing. I was too shocked at everything around me. . . A curtain of bubbles arose from all the violent thrashing of the drowning. Their screams quieted. Their bodies became cold. When I’m alone, I still hear their screams. When I sleep, I dream of the faces of those who sank beneath the river and did not rise again.” 
  • When Nathan and Drew try to stop Yitto from attacking Phoenix, Yitoo attacks them with her water. “A rope of water wrapped around [Nathan’s] waist and Dew’s neck and pulled them into the crater. Warm water invaded every atom of Nathan’s being. . . He couldn’t stop the invisible force yanking his waist. . . Just then, Dew appeared in front of him. With a mighty jaw snap near his belly button, she severed the pull.”  
  • Edward, Nathan, and Dew are attacked by a Guardian when visiting a sacred mountain that takes the shape of a mountain lion. The Guardians are creatures meant to protect the mountains from intruders. “Edward yelled in horror as in seconds a mountain lion with velvet fur, the color of sunflower petals, had already snuck up on them. It leaped into the air and landed in front of them with an earthquaking thud. . .  Its tree-thick tail slammed into Nathan’s chest, sending him flying yards away from them. The Guardian lifted a paw and slapped Dew across her jaw. Dew dizzily walked forward and then was pinned under the Guardian’s other paw. . . Then the most horrifying thing happened. The Guardian bit down into the back of Dew’s neck. Dew squealed a blood-curdling wail that made Edward nauseous. Dew’s body went completely silent and limp.” Dew survives.  
  • The final fight between Edward, Dew, Nathan, and Yitoo lasts nearly 30 pages. Much of the confrontation is conversation, but it does get violent when Yitoo fights back against Edward, Nathan, and Dew. Yitoo has impenetrable armor that protects her for the majority of the fight, but the armor is weakened when the boys use one of the Sacred Arrows against her, and it breaks open a spot in Yitoo’s armor that Edward stabs. “Edward jabbed the tip of the knife against Yitoo. Immediately, ribbons of lightning raced across Yitoo’s body. They covered her entire body from head to tail, shoulders to toes, and entered her throat as she howled in pain. Even if she wasn’t his favorite Holy Being, [Edward] hated hearing how much pain she was in. Still, he held the knife on to her. More and more bolts of lightning raced from the tip of the knife throughout her massive body. But finally, after a few seconds that felt like an hour of seeing Yitoo squirm and spasm, the lightning disappeared and her entire body fell against the ocean, creating one last final wave. . . Yitoo lay limp, and smoke emerged from her mouth.” This does not kill Yitoo, and she is exiled to the Fifth World.  

Drugs and Alcohol  

  • Nathan’s Uncle Jet, who is briefly mentioned, deals with PTSD which led to his alcoholism and depression. He is not shown drinking during the story. 

Language    

  • Yitoo calls the behavior of “The Pale People,” a term for white colonists, “damnable.” 

Supernatural  

  • Water monsters are a type of Holy Being that play a large role in the story. They are creatures of legend that inhabit bodies of water. They have many powers, including controlling water, turning it to ice, using it to travel long distances and more. They use these powers frequently, which is done by singing.  
  • Yitoo and Dew are both water monsters. Water monsters look like lizards. Edward describes Dew as “a tiny Komodo dragon” with “diamond designs like a Diné rug” on her back and stomach. They can also speak.  
  • Nathan learns water monster songs, which gives him some control over water. Water monsters are also able to control their size by taking in or expelling water, such as when Yitoo grows herself into a massive size to create the hurricane.  
  • Yitoo can keep her water as jewelry and unleash it at will.  
  • Nathan has a ring made of turquoise that allows him to communicate with all beings. He uses it to speak to the water monsters. Later, Edward gets one too. 
  • Two Holy Beings called Jet Stone Boy and Jet Stone Girl meet Nathan. They have crystal-like skin and travel on a rainbow. 

Spiritual Content  

  • There are countless references to Diné beliefs. The main ones include creation stories, Holy Beings, and the water monsters. The Diné language is also used frequently, which can be translated using a glossary in the back of the book.  
  • Some of the Holy Beings include Spider Woman, a legendary weaver, Father Sun, who created the universe, Mother Earth, Moon Lady, and Tall Woman. 
  • In addition to the Holy Beings, which are typically good or neutral beings, there are evil beings called Enemies who, in Diné legend, are defeated by the Twin Heroes, two Holy Being brothers who fought the Enemies. Edward gives examples of the Enemies: “Thunderbird, who could summon dangerous lightning storms; and Wild Boar, who could run at unheard-of speeds to hunt humans for hundreds of years.”  
  • One of the references in the story is to the Third World, Fourth World, Fifth World, and Celestial Realm. The Third World is a realm where Holy Beings, such as the water monsters, come from.  
  • Yitoo came from the Third World. She was the first water monster to come into the Fourth World, Earth. “Yitoo was the first one. She’s so powerful that she bit into the ocean of the Third World and brought that water [to the Fourth World].” The Fifth world is a mystical land beyond these worlds that Yitoo travels to when she is exiled. 
  • Diné Bikéyah is the term for the holy land of the Diné, located between the Four Sacred Mountains.  
  • Three times in the story, sweetgrass is discussed. The burning of sweetgrass is a native ritual practice used to purify the spirit. “Nathan asked Yitoo for some of her energizing sweetgrass. She happily provided some from her medicine bag. . . Nathan lit the tips of the sweetgrass and then immediately blew them out. A thin trail of smoke wafted in the air. Both Nathan and Edward inhaled. The delicious smoke flowed into their nostrils. . . The dark shadows underneath Edward’s eyelids disappear[ed] and his posture straighten[ed]” 
  • Edward and Nathan climb one of the sacred mountains, Tsoodził. After sprinkling corn pollen on the ground as a sign of respect, Edward says, “Ted had said that only medicine folk were allowed to set foot on the mountains to gather sacred medicine and sands. The medicine folk had to sing ceremonial songs the entire time they were on the mountain to protect themselves and as a gesture of respect.” Each of the scared mountains are protected by a Guardian, a powerful creature meant to kill intruders.  
  • Edward and Nathan obtain two objects when visiting the Celestial Realm, the Obsidian Armor and Sacred Arrows. The arrows can create various magical effects, such as a bright light or a rainbow, and the Obsidian Armor will protect the wearer against Holy Beings and fit them perfectly.  

The Christmas Witch: An Italian Legend

Belifna spent her time cleaning and sweeping and singing. But the people in her town thought her singing was awful and the kids in her town thought she looked like a witch. One night, Belifna saw a strange new star. Next, she saw a procession of travelers. The travelers stopped and three kings asked Belifna to join the group who were traveling to welcome the newborn Christ Child. Belfina was afraid to go without gifts, so she went into her house and closed the door.

Belifna kept thinking about the star, but when she went to look for it, she couldn’t find it. On the first Christmas, Belfina missed her chance to go to Bethlehem. Now, each year, the good Christmas Witch leaves cookies and gifts at the homes of sleeping children. For even now, Belfina is still hoping to find the Christ Child. 

The Christmas Witch introduces an Italian legend that explains why children receive gifts on Christmas Eve. Belfina’s story will instantly captivate young readers, who will relate to Belfina’s fear of leaving home. Even though the story revolves around the birth of Christ, the story mostly focuses on Belfina’s missed chance to meet the Christ Child. The Christmas Witch is a fun story that shows how different cultures explain the Christmas gift-giving tradition.

The Christmas Witch is perfect for early independent readers and for parents looking to read a book aloud. Each page has large illustrations that are similar to watercolors. Plus, readers will have fun finding Belfina’s cat which appears on almost every page. The story uses simple vocabulary words with two to five sentences per page which makes it accessible to early readers.

The Italian legend is an interesting retelling that shows how an old woman became the Christmas Witch. The Christmas Witch can be used to start a conversation with your child about different cultural beliefs as well as the true meaning of Christmas. Readers interested in more Christmas-themed books should read Mortimer’s Christmas Manger by Karma Wilson and The Little Reindeer by Nicola Killen.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • None

Supernatural

  • None

Spiritual Content 

  • The story retells the story of the first Christmas. When Belfina looks for the dazzling new star, she sees “the sky filled with a shower of heavenly lights. And a choir of angels sang. . . Joy to the world!”

Murder at Midnight

Murder at Midnight presents the story of Mangus the Magician and his newest servant, Fabrizio. The story takes place in the kingdom of Pergamontio, Italy in 1490. Pergamontio is behind the times, and the hapless King Claudio is terribly superstitious in this traditionally Catholic kingdom. When hundreds of identical papers calling for treason against the crown appear overnight, the royal advisor accuses Mangus of witchcraft. Desperate to save his new master’s life, Fabrizio sets out to help prove Mangus’s innocence and discover what created these documents. 

The main protagonist, Fabrizio, is a delightful mix of naïve and brash – he’s never quite sure how he’s going to help Mangus, but he’s determined to try even though he’s likely to make many life-threatening mistakes along the way. In some other characters, this might be trite or annoying, but Fabrizio is ten years old and genuinely doesn’t know any better. He believes in magic wholeheartedly despite Mangus’s repeated explanations about how he’s an illusionist, not a magician. Fabrizio wants nothing more than to save Mangus from certain death – except, maybe, learn magic himself. 

At the start of the novel, Mangus is curmudgeonly and deeply uninterested in Fabrizio, but by the end when Fabrizio and his friend Maria help save his life, he’s just curmudgeonly. Their dynamic involves plenty of Mangus demeaning Fabrizio for not being smart enough, which motivates Fabrizio to want to be a better servant. Mangus is a self-proclaimed philosopher, and he relies on reasoning to make decisions. He serves as a counterweight to Fabrizio whose decisions are motivated entirely by his heart. Although these two never quite see eye-to-eye, they grow a close bond. 

These two characters are well-developed for future installments, and the mystery plot of this first book works well. Fabrizio meets Maria, the daughter of immigrants who bring a printing press to Pergamontio. As the kingdom is somewhat backward, this situation is slowly unveiled through the course of the novel, eventually showing that the scandal runs right to the heart of the king’s inner circle. The plot is interesting with semi-historical elements, and it’s action-packed enough to keep the attention of younger readers. 

Murder at Midnight deals with some light violence as the story is set in 1490s Italy with plenty of intrigue and quite literally backstabbing. The main conflict revolves around Mangus, whose life is threatened since he’s accused of witchcraft and the punishment is death. The book also deals with some Catholic-related themes since Italy is a historically Catholic nation, though the book doesn’t take any stance on religion. Murder at Midnight is a fun introduction to the printing press and censorship. In addition, the dynamic between reason and emotion comes through, showing readers that a balance of the two ideas leads to better outcomes than just reason or emotion separate from each other. Through cooperation and patience, Fabrizio and his various companions can save Mangus and go on with living their peaceful lives – that is, until the next book, Midnight Magic.  

Sexual Content  

  • None 

Violence  

  • When the other servants, Benito and Giuseppe, speak to Fabrizio, they often take swings at him because they don’t like him. For instance, Fabrizio is coerced into telling them secrets from Mangus. When he’s trying to run off, Fabrizio notes that he is “trying to dodge a flurry of blows.” This happens somewhat often. Fabrizio notes that from this particular altercation, he receives bruises from them and nothing more. 
  • The king’s officials, DeLaBina and Scarazoni, threaten to “burn [Mangus] at the stake” and “cut out his heart” if he truly is a magician. Mangus, of course, is not a magician but an illusionist, but the other characters don’t necessarily understand this. 
  • Fabrizio is falsely accused of distributing treasonous papers, and he is taken down to the dungeon to be executed. While there, he nearly trips over a corpse. A soldier asks if the body is dead, and the executioner says, “I hope so. I broke his neck three days ago.”  Fabrizio is not executed, and there is no further discussion about the corpse. 
  • Fabrizio and his new friend Maria find DeLaBina dead in the dungeons. Fabrizio notes, “Beneath lay a man with his head twisted to one side. A ruby-encrusted dagger was sticking out of his back. On the ground, a pool of wet blood was spreading.” This is the extent of the description. 

Drugs and Alcohol  

  • None 

Language  

  • Light language is used frequently. Terms include: fool, stupid, ignorant, blockhead, nasty, ugly, and fat. 

Supernatural 

  • Fabrizio works and lives with Mangus the Magician, who performs, as far as Fabrizio is concerned, “real magic” as well as sleight-of-hand tricks. Much of the book’s main plot deals with how the Kingdom of Pergamontio feels about magic that is rooted in anything other than Christian miracles. Mangus notes that the king “is deeply superstitious” and that he has “outlawed magic.” 
  • One night, Fabrizio watches Mangus perform and decides what is real magic and what is fake, saying that when “a burning candle was pulled from an ear” and “a box changed into a hat” it was for sure “true magic.” 
  • The king of Pergamontio expresses his true fears as to who made the identical treasonous papers that have been distributed throughout the kingdom. He says, “Ghosts? Is that who made the papers? Ghosts can do anything they wish, you know.” DeLaBina expresses that it’s instead magic and someone who “is in league with the devil.” 

Spiritual Content  

  • Since the book is set in 1490 Italy, the characters are notably Catholic. For instance, Mangus notes that “God gave us the gift of reason.” 
  • The kingdom has a curfew, and Mangus tells the crowd that there’s a curfew because “the king loves us and wishes to keep us safe from devils.” 
  • Fabrizio makes an astute comment that catches Mangus’s attention, and Fabrizio attributes it to living on the streets. Fabrizio says, “When you are a homeless orphan – as I was – the teachers God provides are one’s own eyes and ears.” 
  • After seeing a treasonous document, Mangus exclaims, “God protect us!” 
  • Mangus is accused of using magic to make treasonous documents to overthrow the king. As this is 1490 Italy, the king is uncomfortable with modern inventions like the printing press, and identical documents are outside the bounds of imagination. The top prosecutor for the kingdom says, “Such identical replication is impossible for human hands! Not even God – in all his greatness – makes two things alike.” 
  • Fabrizio refers to the treasonous papers against the king as “the devil’s work.” Mangus corrects him that the papers were definitely done by human hands. 
  • The executioner, Agrippa, explains his profession to Fabrizio. Agrippa says that he wanted to be a stonemason, but “the good God willed it otherwise, didn’t he?” 
  • A knock sounds at the door of the execution room, and Fabrizio, who thinks he’s about to be executed, “fell to his knees and began to murmur frantic prayers.”  
  • Fabrizio meets Maria, the daughter of immigrants from Milan who own a printing business and use a printing press. Maria introduces herself as a “printer’s devil” because she’s covered in the black ink she works with, and it’s incredibly hard to scrub off. 
  • When Mangus’s wife, Sophia, learns that her husband has been arrested, she “clasped her hands in brief prayer.” 

The Holiday Switch

Lila Santos is ready for her last winter break of high school. The snow in her small town of Holly, New York is plentiful, the mood as cozy as a fuzzy Christmas sweater, and she’s earning extra cash working at the local inn. In other words, it is the setting for the greatest film of all time, Holiday by the Lake—while moonlighting as an anonymous book blogger.

But her perfect holiday plans crash to a halt when her boss’ frustratingly cute nephew, Teddy Rivera, becomes her coworker. Lila is Type A while Teddy is Type “Anything but Lila’s Way,” and the two of them can’t stop butting heads over tangled icicle lights and messy gift shop merch. But when they accidentally switch phones one afternoon, they realize they’ve both been hiding things from each other. Will their secrets—and an unexpected snowstorm—bring these rivals together?

While Lila’s conflict is understandable, her judgmental attitude makes it difficult to connect with her. Even though Lila is the protagonist, Teddy is more likable because he goes out of his way to show Lila that he cares for her. For instance, when Teddy finds Lila’s list of Christmas activities that she wants to do, he plans ways to get Lila to spend time with him by taking her to the different activities on her list. 

The two teens eventually connect because they are both keeping secrets from their parents. Both are afraid their parents won’t understand their passions. Readers will relate to Teddy’s and Lila’s desire to meet their parents’ expectations as well as live their own dreams. In the end, both teens discover their fears are unfounded. While Lila’s parents are upset about her dishonesty, they support her goals. Likewise, Teddy also learns that his family supports his dreams.

Readers who want to snuggle up with a book during the holiday will appreciate The Holiday Switch because of the town’s over-the-top Christmas activities. The winter puns also add to the romance’s cuteness. For example, while ice skating, one of the characters “slipped on the ice and said, ‘Holy night.’” The predictable plot has some sweet moments that will warm readers’ hearts and get them into the holiday spirit. However, if you’re looking for a holiday romance that will be more memorable, grab a hot cocoa and a copy of What Light by Jay Asher.

Sexual Content 

  • Lila babysits for a couple who “party like they’d been caged animals in a zoo. They come home sweaty and red-faced, and the PDA is over the top embarrassing.”
  • While outside, Teddy asks Lila if he can kiss her. She says yes and then, “I rise up to my tiptoes and shut my eyes. When his lips feather against mine, I’m infused with energy and thrill. My hands climb his back, his cup my face, and he kisses me as if I’m another puzzle he has to explore.” 
  • Before Teddy begins a climbing competition, he kisses Lila. “Teddy lifts my chin with a finger and presses a kiss to my lips.” 

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • Oh my God and God are used as exclamations occasionally. 
  • Crap and pissed are used several times.

Supernatural

  • None

Spiritual Content 

  • None

The Dreamer

The Dreamer follows eleven-year-old Neftalí, a young boy who struggles to live up to the strict expectations of his father. Neftalí explains that he enjoys daydreaming and nature; he “collected twisted sticks, liked to read, and was not good at mathematics.”  

Neftalí’s father does not want his son to daydream. In fact, Neftalí’s father says, “Stop that incessant daydreaming!” and warns Neftalí that his “mother was the same, scribbling on bits of paper, her mind was always in another world.” Neftalí’s father also implies that this may have caused Neftalí’s mother’s death. Neftalí reveals his mother “had died two months after [Neftalí] was born.”  Neftalí wonders, “Was Father right? Could daydreaming make you weak? Had it made his mother so weak that she had died?”  

Neftalí’s father’s extremely negative mentality towards creative arts also affects his older brother, Rodolfo, who dreams of attending a conservatory to study music. Rodolfo explains, “My teacher and headmaster say . . . that if I study music, I might be able to get a scholarship to the conservatory.” Their father responds to this by aggressively “slamming his fist on the table” and yelling at Rodolfo, “There will be no more wasting time on music.” Because Neftalí’s father ridicules him for his love of reading and writing, Neftalí tries to conceal his writing projects from his father.  

Neftalí is an extremely sympathetic character that readers will appreciate because of his constant determination to do what he loves. Neftalí does not let his father’s constant tirades about his writing stop him. For instance, even when Father tries to make Neftalí stop daydreaming, Neftalí still “wrote words everywhere: on fence posts, on bleached driftwood, and on the old boats near the shore.” 

Another character that will capture readers’ hearts is Neftalí’s Uncle Orlando, who owns a local newspaper called La Mañana and encourages Neftalí’s writing abilities. It is Uncle Orlando who advocates for Neftalí to come work at his newspaper office, even though Father calls Neftalí’s essays “frivolity, nothing more.” Uncle Orlando advocates for the local indigenous people, the Mapuche, who are being pushed off of their land by developers by offering up his newspaper shop as a meeting place for organizing protests. Neftalí is inspired by “Uncle Orlando’s sincere voice as he talked about the rights of the Mapuche, the plans for a peaceful protest, the common outcry for respect for all humanity.” 

Readers who enjoy exploring nature will enjoy the way each chapter continues the story of Neftalí’s growth as a writer alongside drawings reflecting Neftalí’s surroundings. Each chapter is named after an element of nature, such as “ocean,” “rain,” or “mud.” Neftalí often discusses the beauty of Chile, where he lives, and this inspires him as he writes. For instance, Neftalí “looked up at the Andes mountains, hovering like a white-robed choir . . . He closed his eyes and wondered what lay beyond, past the places of Labranza, Boroa, and Ranquilco, where the sea plucked at the rugged land.” 

This book occasionally uses Spanish words in reference to the beauty of Chile and its nature; however, readers will be able to easily understand these words based on the text’s context clues. Because the book follows Neftalí—who is revealed at the end of the book to be the poet, Pablo Neruda—readers will likely want to flip back through the book to reread the sections of poetry and will likely feel inspired by Neftalí’s journey. Overall, this fictionalized retelling of the life of Pablo Neruda encourages readers to persevere, to reach for their dreams, and to appreciate the beauty of life around them.  

Sexual Content  

  • None 

Violence  

  • When Neftalí’s brother, Rodolfo, tells Father he wants to study music, Father “slammed his fist on the table.” 
  • Rodolfo did not hear his father’s whistle to come back to the agreed meeting place. “When [Father] found me, I was disobeying him . . . I still have the bruises. Do you understand? You do not want Father to catch you doing something . . . wrong.” 
  • Neftalí’s father wants his children to grow physically stronger. Because of this, Father forces Neftalí and his little sister, Laurita, into the choppy waves of the ocean even though they are both terrified of the waves, as “the swells rose higher than their heads.” Father argues, “It will make you strong. And if you do not wade out far enough, I will make you stay in longer.”  
  • Father forces Neftalí and Laurita to stay in the water, even when “a wave broke against their chests. Laurita slipped under the dark water. Neftalí jerked her up. She choked and sputtered and began to cry.” Neftalí says, “Surely now they could come in,” but Father “shot an arm forward and pointed to the waves again.” 
  • After Father forces Neftalí and Laurita into the ocean, Neftalí has frequent nightmares that “Laurita was drowning, and he could not save her because he was drowning, too.” 
  • Neftalí encounters a hurt swan. “In the muddy reeds, the male swan wobbled. Blood pooled beneath him.” Sadly, the swan quietly passes away in Neftalí’s arms. Neftalí does not understand what happened as the swan’s wounds appeared to be healed, but suddenly, “the life disappeared from [the swan’s] body.” 
  • Uncle Orlando worries about what the developers will do if they find out where people are protesting. The developers “have killed so many already . . .” 
  • Uncle Orlando hosts a meeting to protest on behalf of the Mapuche, so the angry developers set Uncle Orlando’s newspaper office on fire. Neftalí explains, “When he turned the corner to the main road, he saw the ball of fire rising into the night.” His uncle’s shop is destroyed, but Uncle Orlando tells Neftalí he will not give up, “There are editors who will hire me.” 
  • When Father discovers that Neftalí’s essay advocating for the rights of the Mapuche has been published in a college magazine, he is furious. Father lashes out and “grabbed a notebook and flung it out the window . . . Father flung another notebook and another.” Then Father sets Neftalí’s writings on fire.  

Drugs and Alcohol  

  • None 

Language  

  • Neftalí’s Father insults Neftalí and his siblings when they disobey him. For example, he calls Neftalí “a skinny weakling” that will “amount to nothing.” 
  • Rodolfo, Neftalí’s brother, is frustrated that Neftalí likes to stop and examine small things in nature as they walk to school. Rodolfo calls Neftalí “dim-witted” and asks Neftalí, “Can you not walk like other boys?” 
  • When Neftalí struggles to respond to one of his father’s coworkers, Father calls Neftalí “absentminded” and says, “There’s no telling what will become of [Neftalí].” 
  • Father calls Neftalí a “scatterbrain” for reading. He also tells Neftalí, “You are nothing more than a brittle twig . . . And this obsession with books will not make you vigorous!” 

Supernatural 

  • Rodolfo tells Neftalí a legend about the “chucao bird,” which Father says, “is a bird in the forest that tells the future.” Rodolfo reveals to Neftalí, “If you hear it call on your right side, it is a good omen and means fortune and happiness. If you hear it on your left, it is a warning and means bad luck and disappointment.” 
  • As Neftalí explores a nearby forest, he finds a large rhinoceros beetle and stares at it. Neftalí recounts, “As he marveled at the beetle, the shell contorted and bulged, growing bigger and bigger. Its legs elongated until it was as tall as a pony.” Neftalí then describes riding the giant beetle, “Oddly unafraid, Neftalí climbed onto its sturdy back, and rode it through the forest.” 

Spiritual Content  

  • When Neftalí asks Laurita for help trying to heal a hurt swan, “Laurita put her hands together, in prayer, ‘He must get better.’” 

Truly, Madly, Royally

Zora Emerson’s summer plans are simple: to attend the pre-university program at Halstead U and continue her community work in her hometown of Appleton. Zora is Black and from a modest background, which doesn’t fit the typical picture of students at Halsted U nor the royal family of Landerel – a small country in Europe. Dodging reporters, dating a prince, and attending a royal wedding were not part of the plan.  

After meeting a mystery boy in the library, Zora falls for his charm, only to discover that she’s fallen for Owen Whittelsey, the son of the Queen of Landerel. Soon, Zora’s studies and volunteering is split between dates with Owen. However great Zora’s dates with her Prince Charming are in private, the royal life is not as glamorous as it seems. Owen is constantly monitored by his security team, and the budding relationship between Zora and Owen is investigated by the press. When Zora wins a grant to bolster her after-school program, the award is taken away when outsiders hint that her connections to the royal family give her an unfair advantage.  

Despite the setbacks and scrutiny, Zora persists in growing her after-school program through different means while managing her relationship with Owen. Eventually, he invites Zora to attend the wedding of his brother as a guest of honor. During the trip of a lifetime, Zora learns how to be confident in herself and embrace her heritage.  

Truly, Madly, Royally is a romance story mixed with a unique narrator whose heart lies with helping her community. Despite the majority of students at Halstead being from rich, white families, Zora is determined to embrace her African heritage and prove that she has a place among them by excelling in the classroom and her community work. Zora’s confidence is admirable even as she’s faced with large setbacks, such as grant money for her community work being taken away. Instead of giving up, Zora runs her own fundraiser, earning the money on her own. At the end of the story, African culture is highlighted as the royal wedding is between Owen’s brother and a Black woman named Sadie. However, the romance plot takes center stage, so the book doesn’t teach much about African culture beyond these basic issues. 

Truly, Madly, Royally is an easy, quick read. However, there’s not much to learn or gain from this story due to its simplistic and predictable plot. Readers who typically enjoy the romance genre will be disappointed by the development of Zora and Owen. While the romance is underwhelming, the story of Zora’s relationship she has with kids from her after-school program is heartwarming. Beyond that, however, the story highlights the importance of community. Zora truly wants to make a difference in her community and works hard to achieve her goals. Zora’s caring nature, confidence, and African heritage bring a unique element to this common romance trope.  

Sexual Content  

  • Skye, Zora’s friend, admits that she and Zora’s brother Zach kissed. 
  • Owen invites Zora to the royal ball. Then, “Owen bows his head and kisses my hand.” Afterwards, he asks, “Am I welcome to kiss you?” Zora says yes, and Owen kisses Zora for the first time. Zora describes, “Owen closes the distance between us and bows his head closer. It’s a kiss that starts with one soft, sweet peck, quickly followed by another. We look at each other and smile before taking a deeper dive with a tender kiss that lingers. We stay holding hands the whole time. A few seconds later, we pull back slowly.” 
  • Owen kisses Zora in a lecture hall at Halstead. “He pulls me in closer for a quick, wonderful kiss.”  
  • Owen hugs and kisses Zora while dancing in a friend’s dorm. “[Owen] lifts me off the floor. He lowers my feet with a quick kiss.”  
  • When Zora shows up at a wedding, Owen greets her. “[Owen] wraps his arms around me and kisses my forehead.”  

Violence  

  • Owen’s sister, Emily, committed suicide, which Zora learns from an article that provides the details of her death. “Apparently, when [Emily] was younger, a royal biographer dubbed her the ‘redheaded stepchild.’ Sadly, the unfortunate moniker stuck. . . [Emily] was considered chubby. The body shaming, the merciless trolling, the unflattering memes everywhere all threw her down a self-destructive path that ultimately led to her tragic death. Her body was found off a cliff in a mountain range along the southern coast of Landerel.” 

Drugs and Alcohol  

  • When Owen’s sister died, there was “a high level of alcohol in her system.” 

Language  

  • Zora’s mother claims that her ex-husband, Zora’s dad, is always “showing his ass.”  

Supernatural  

  • None 

Spiritual Content  

  • Zora’s mother is religious and occasionally mentions God and praying. She says, “I’m gonna pray you find a friend there you can relate to. You know God always listens to a mother’s prayer.”  
  • Zora’s father says “the only person ruling this house is Jesus.” 
  • Zora is at a community event where she feels like she has to keep standing up to greet people. “I stand up, sit down, and then stand up and sit down again. You would think I am at a Catholic church service.” 
  • The royal wedding is held in a chapel in Landerel. 

Saints of the Household

Max and Jay have always depended on one another for their survival. Growing up with a physically abusive father, the two Bribri (indigenous Puerto Rican) American brothers have learned that the only way to protect themselves and their mother is to stick to a schedule and keep their heads down.

But when they hear a classmate in trouble in the woods, instinct takes over and they intervene, breaking up a fight and beating their high school’s star soccer player to a pulp. This act of violence threatens the brothers’ dreams for the future and their beliefs about who they are. As the true details of that fateful afternoon unfold over the course of the novel, Max and Jay grapple with the weight of their actions, their shifting relationship as brothers, and the realization that they may be more like their father than they thought. They’ll have to reach back to their Bribri roots to find their way forward. 

Told in alternating perspectives, Saints of the Household outlines Jay’s and Max’s stress as they enter their final year of high school. Ari Tison is Bribri herself and brings Bribri stories and language into the text. She integrates these elements seamlessly. It gives insight into Bribri culture and provides a contrast to rural Minnesota. The boys’ connections with their home and their mother’s family are deeply important to the story, as it provides a sense of normalcy and peace in an environment that is otherwise uncertain. 

Jay and Max’s relationship drives the tone of the story. The brothers have different personalities, which causes conflict. Max wants to escape his home situation and often pulls away from Jay, who is always preoccupied with family and school matters. The brother’s bond fluctuates; the more Jay and Max exist in harmony, the more hopeful the story becomes. Both Jay and Max are sympathetic characters, and readers will find it easy to connect with them. 

Since Jay and Max are familiar with domestic violence, Saints of the Household includes violent scenes. In addition, when their classmate Luca physically abuses Nicole – his then-girlfriend – the brothers beat up Luca in order to protect Nicole. Some readers may find the abuse troubling as Tison’s remarkably succinct writing style makes the descriptions of these scenes short, yet powerful. Despite this, in the quiet moments, Jay and Max find solace in each other and in their Bribri traditions even though they live in the tundra of Minnesota. Jay also seeks comfort in his friend Nicole, while Max finds it in his art. 

In order to help readers distinguish between the brothers, Max’s chapters are all written in wandering verse, which is in stark contrast to Jay, who writes his thoughts in prose. The changing points of view illustrate the differences between the brothers as well as highlights how differently they understand their current situations. Another factor that affects the story is that religion plays a significant role in the story as the boys’ beliefs balance between Christianity and Bribri traditions. As with other elements of the book, these are integrated seamlessly into the story and there aren’t any strong stances taken on the topic itself. Religion is as much a part of Jay and Max’s life as Bribri culture, or their mom’s hot chocolate: it just is. 

Despite the darkness that cloaks the events in Saints of the Household, the ending is uplifting. The brothers have witnessed violence and have even stooped to physically fighting each other. Despite this, the conclusion hints that Max and Jay will make it through these difficult times through their family’s and friends’ love. Saints of the Household will appeal to readers looking for a more literary and thoughtful text rather than an action-packed adventure. The story ends on a hopeful note and shows that the characters will make it through to the next stages of their lives. It also reminds readers that life can get better. For more perspective from indigenous authors, read The Marrow Thieves by Cherie Dimaline and Powwow Summer by Nahanni Shingoose. 

Sexual Content  

  • Jay finds one of his dad’s porn magazines. The magazine has “a woman with a low-cut shirt lean[ing] forward on the cover.”  
  • Nicole used to date Aaron, but she “think[s] Aaron was hooking up with someone else right after we broke up because of something I saw online. They were flirting in the comments somewhere.”  
  • Max and his girlfriend, Melody, kiss. Max describes, “She leans over and kisses me./ We kiss hard, and I cry.” 
  • Max mentions that he says “no to [Melody] when she asks about sex” because he’s worried he’ll hurt her. 
  • At a school dance, Max and Melody kiss. Max describes, “Before we get to the hall,/ she turns off the lights,/ and then I kiss her, and we kiss, and we kiss,/ by the dark door.” 
  • Max and Melody “mess around, pulling clothes;/ she’s musk, honey, stomach,/ ochre colors filling my mind/ with every kiss and touch/ we unfurl on the bed,/ until she’s over me.” Max stops before things can go any further. 
  • After an absence, Nicole sees Aaron again. “Before Aaron can say anything, they hug each other, and hug and hug. She kisses him on the cheek. He kisses her back, and they start really kissing.”  

Violence  

  • The narrator asks God for forgiveness for “kicking the neighbor’s dog, for shouting at the sky, for beating up that boy.” The event where the boy, Luca, is beaten up is explained later in the book as the book’s plot follows the aftermath. 
  • After they beat up Luca, Jay and Max see a counselor. The counselor asks, “Why didn’t you stop? Why did you kick him in the face? You broke his nose…His face is severely injured.” 
  • Jay explains what happened the day they beat up Luca. Jay says, “Luca was pulling at [Nicole’s] jacket, and she pushed his hands away. Then Luca’s hands were on her shoulders while she swore at him. . . She pushed him off, then he grabbed her hand and yanked it down and then leaned forward to say something in her ear. And we snapped. We were on him, pulling him away from Nicole, and he swore at us. He shoved Max, and I shoved him back, then he shoved me back, and then we beat the heck out of him.” This description lasts for one page. 
  • Jay describes the first time his dad hit him. Jay says, “Dad opened the door and caught me listening. I saw his usual hard anger turned hot, but hotter this time. I can still feel it. That first time he swung. My body crumpled onto the wooden floor.” The description ends after a page, but it is established that this happens regularly. 
  • Jay explains his father’s domestic violence further. Jay says, “After Max’s fourteenth birthday, he took to hitting me whenever I did anything that upset him…Then he started on Max. He made us swear never to tell Mom, because she wouldn’t understand that it was what we deserved for acting like fools, for not doing what he asked, for looking at him the wrong way and how it showed him disrespect. That didn’t last long, because his anger turned to her soon.”  
  • The brother’s mom tells a story about two young men who have to stop mystical eagles from stealing children from a tribe. They lull the eagles to sleep and, while they slept, the two men “swiftly took a knife to [the eagle’s] throat and cut [them] to pieces.”  
  • Max and Jay come home and see their mom crying and holding her shoulder. Their dad is yelling. Jay reacts: “With two long strides, I am right up to him, him and his sour breath. I send my fist right to his face.” Their dad ends up leaving the house without taking a swing at Jay.  
  • Jay’s dad tries to be nice to Jay’s mom, but then Jay says, “I lay him out when he drinks too much and goes after Mom again.” It is insinuated later that his dad hit his mom in the face. 
  • After an absence, Jay and Max’s dad comes home. Jay details: “Late at night, I hear a loud bang at the back door. Mom opens it, like she does. And I hear it, the lick of fist to skin. I see Dad’s hands go hard to her neck. Max jumps on Dad.” Their dad is arrested. 
  • Jay has dreams about his dad physically abusing him. He has “dreams where Dad’s hands hit me across the face, harder for calling the authorities on him…I see the time he decked me for taking it out and how he marched me out to the alley and pushed my face into the can so hard the plastic edge cut into my skin.” His descriptions last for a page. 
  • Jay’s grandpa, Grandpa Fernando, talks to Jay about depression. He says, “I used to get sad, too. You know your great-uncle? It was so much he took his own life. I don’t want that for you.”  
  • Max and Jay fight. Max says, “I go for you first./ I go for your ankles,/ and your back cracks/ against the wood./ I’m on you,/ swinging and swearing.” The fight ends when Grandpa Fernando hits Max over the head with “a big book in his hands.” The description of the fight lasts for a few pages. Jay sustains bruises on his face, but both brothers are otherwise fine. 

Drugs and Alcohol  

  • The brother’s dad physically abuses his family, “especially when he drinks.” Jay elaborates that his dad “likes rum and Coke.” 
  • Max paints Melody’s portrait at a park next to a trailer park. Max notes, “there, a smoking empty bean can/ with cigarette butts on the steps.” 

Language  

  • Profanity is used somewhat infrequently. Profanity includes: shitty, asshole, damn, hell, jackass, and fuck. 

Supernatural 

  • None 

Spiritual Content  

  • The book opens with a passage about communion and Christian church service. An unnamed narrator says, “I keep crying at the time of the reflection, asking God for forgiveness. I can’t stop thinking about it —  before I am told to eat the cracker and drink the two-inch cup of black-red wine.” The passage lasts for half a page, and God’s name is invoked frequently throughout the book. Jay and Max’s family does attend church. 
  • Max and Jay are indigenous Costa Rican, and Jay notes that the ocean is traditionally sacred and revered. He says that they’d “have to pray to even get close” to the ocean. 
  • Grandpa Fernando would tell Max and Jay stories about their ancestors, who were the first indigenous peoples of Costa Rica – the Bribri. He would tell them “of tricksters, the Creator Sibö, and men who were cursed after selfishness.” There are short chapters dedicated to various Bribri stories, and they each last for a couple of pages. One story is about the birth of Creator Sibö. 
  • Jay references an Old Testament story where “Jonathan risks his life for King David, and a verse says that David loved Jonathan with more love than a man had for a woman — and Max and I are like that. Brothers born eleven months apart.” 
  • Max and Jay’s mom tells them a story about mystical eagles. She explains that “the mystical eagles were the dragons of Talamanca…They’d come down from the mountains, tearing children from their mothers’ arms, snatching those who went out in the day from the pathways.” The story lasts for a page. 
  • Max says that he remembers him and Jay “laughing at the sex-garden references in the Bible—Eden, then the gardens in the Song of Solomon.” 

When the Butterflies Came

Tara Doucet is a twelve-year old who seems to have everything going for her. She comes from one of the oldest families in New Iberia Parish and is a descendant of the original Paris Doucet Family. However, beneath the surface, Tara is struggling with a number of challenges. Her beloved Grammy Claire recently passed away, leaving a void in Tara’s life. Additionally, her mother has become reclusive and is unable to deal with her recent divorce or the looming foreclosure of their family plantation, leaving Tara to shoulder much of the burden. To make matters worse, Tara and her sister have never seen eye-to-eye, causing further tension and conflict within the family. 

Despite these difficulties, Tara’s life takes an unexpected turn for the better when she has a remarkable experience. After Tara’s grandmother’s funeral, a beautiful, velvety purple butterfly visits her, almost as if it were sent by her grandmother. Moments later, Tara receives a letter that sets her on a quest to unlock the mystery surrounding her Grammy Claire’s research with butterflies. As she delves deeper into her grandmother’s past, Tara must confront her own fears and insecurities and learn to embrace the beauty and complexity of life. 

The letter Tara receives from her grandmother leads her on an unexpected adventure to protect the butterflies that her grandmother discovered. Tara’s journey takes her to her grandmother’s house where she finds 10 keys and more letters with cryptic clues; the letters urge Tara to protect the butterflies and trust no one. As Tara progresses from clue to clue, she learns of her grandmother’s amazing scientific discovery. However, the discovery is what put her grandmother’s life and the existence of the butterflies in peril. 

The suspense builds as Tara relies on her wits and follows her heart to find the clues. She risks everything to save her grandmother’s butterflies. Tara’s wondrous tale is narrated in a gripping first-person, present tense, which allows readers to experience the intense range of emotions Tara goes through, including emotions from the depths of grief to the heights of wonder, from gripping fear to overwhelming surprise. As the reader follows Tara’s journey, they will be drawn into the vivid and enchanting landscape that is painted, where the rules of reality are suspended and anything is possible.  

Throughout Tara’s journey, she encounters various obstacles and challenges that she must overcome to succeed in her mission to protect the butterflies. Tara learns more about her grandmother’s life and the scientific discoveries she made. She also uncovers a sinister plot to destroy the butterflies and their habitat. Tara must use all of her skills and intelligence to stop the plot and protect the butterflies.  

However, figuring out who is behind all the danger is not an easy task. Tara must travel to the island of Chuuk, where her grandmother lived and her research began five years ago. There, she dives deep into her grandmother’s research, searching for clues that will help her uncover the truth of who is behind the plot to destroy the butterflies. Her journey to Chuuk reveals a world full of secrets and dangers that Tara never imagined. But with each new challenge, she grows stronger and more determined to complete her mission and protect the butterflies. 

Overall, Tara’s adventure is a thrilling and exciting story that teaches readers about the importance of protecting the environment and the creatures that inhabit it. When the Butterflies Came highlights the importance of perseverance, courage, and intelligence in overcoming obstacles and achieving goals. The story also emphasizes the power of family, even in the face of adversity, and the importance of cherishing the memories of those who have passed on. Tara’s journey is a story of growth and discovery, of facing one’s fears and finding the strength to overcome them, and of the enduring power of love. 

Sexual Content  

  • None 

Violence  

  • Tara is up at two in the morning trying to determine what the seventh key, that her grandmother leaves as a clue towards her secrets of the butterflies, unlocks when she hears someone moving around upstairs. She goes to her Grammy Claire’s laboratory that should have been locked shut. Instead, she finds it unlocked and one of the precious butterflies, crushed on a desk. Tara wonders, “‘What happened here? How did she die?’ And then I started to cry even harder because I know deep in my heart that the Giant Pink butterfly didn’t die of old age. It didn’t have an accident. Its life span didn’t just run out. It was murdered.”  
  • In a letter following the seventh key, Grammy Claire outlines that there is someone who is willing to put their lives in danger for the butterflies. “Someone wants to hurt the [butterflies]. To steal them, and destroy them. I cannot allow that to happen. They are precious. They hold a secret the world is not ready for, but which someone is willing to kill for. I often make myself crazy thinking about each person I know on the island and wondering who wants the butterflies. And who might want me dead.” The letter makes Tara question how her grandmother died. She begins to wonder if her grandmother’s car accident, wasn’t truly an accident.  
  • Tara finds her sister, Riley, splayed out at the bottom of the stairs, which are covered in water and oil. Riley begins to draw conclusions of her own that she shares with Tara. Riley says, “These stairs were just fine last night . . . I think somebody tried to hurt me. Or you.” 
  • While Tara and Riley are attending a barbecue, two gunshots go off. “A second later, there’s two ear-splitting pops that rupture the air. Instantly, the bark of the palm tree I’m sitting next to spurts a shower of splinters. My cheeks sting from flying, razor-like slivers, and then shredded bark sprays over my hair, my lap, and clothes. I’m screaming as I fall to the ground.” Tara is okay, but they find a bullet missed her head by inches. Riley and Tara run to escape. 
  • After finding the final last chest that unlocks the secrets of the butterflies, Riley and Tara try to leave the island when they are intercepted by the individuals who have been after their family the whole time. Tara is suddenly “tackled from behind and flung to the ground. The treasure chest launches out of my arms and I get a mouthful of sand. Then someone huge and strong reaches around and clasps their hand around my mouth.” Tara remains pinned in the sand.  
  • Tara and Riley’s captors talk about how to dispose of them. “‘Rope.’ ‘Nope. Grotto.’ ‘Hmm . . . might be easiest’ ‘. . . found Claire’s hidden chest. Look like they drowned getting it.’” 
  • As Tara and Riley’s captors held their heads over the water, Riley screams out to Tara. Riley’s “voice is instantly muffled as a hand roughly shoves my head under the water. I never get a chance to take a decent breath. Almost immediately, bubbles escape my nose. After twenty more seconds, my eyes bulge, trying to see in the dark water, staring up at the cavern roof. Beams of light flash here and there, squiggly and hazy . . . Now I’m bursting. I am truly drowning. My lungs are on fire. I’m going to die! Die!” Right before Tara’s body can completely give out, the men release because people show up. 

Drugs and Alcohol   

  • None 

Language  

  • In Grammy Claire’s third note, she mentions the importance of nipwisipwis, but Tara doesn’t quite understand what it means. It isn’t until her sister Riley looks up that it is written in another language –Chuukese. “I can barely choke out the words. ‘Nipwisipwis means butterfly!’” Nipwisipwis is utilized frequently for the rest of the book.  
  • ‘Kinnisow’ means ‘thank you’ in Chuukese. Eloni, Grammy Claire’s research assistant, teaches this to Tara so that she may use it while on the island.  

Supernatural   

  • The first butterfly to visit Tara is a small, purple one that floats into her room. It sits and stares into her eyes, making Tara question if there is something special about the butterfly. “This butterfly ain’t no regular butterfly. ‘Are you magic?’ I say real quiet, because I don’t want it to fly away and disappear.” 
  • In Grammy Claire’s second note, she talks about her dear friend who used to help Tara’s mom come out of her bouts of melancholy. To do so, she utilized herbal practices to create a concoction. Tara says, “’I’ll bet Grammy Claire’s talking about the mother of Miz Mirage, the woman who lives in the swamp. The one all the kids at school call a swamp witch. . . Maybe what she does ain’t bad magic at all.’ Words dance in front of my eyes. Herbs. Healing. Prayers. Love.” 
  • Someone shows Tara the magic of the butterflies. Tara begins to realize that the purple ones with a yellow outline can make music of their own.  
  • Upon finding the last chest, Tara and Riley begin to read some of the curious findings that make their grandmother’s work with butterflies so dangerous. “I stare inside the thick envelope, trying to focus. Words jump out at me. Nipwisipwis is written over and over again on every sheet. Giant Pink. Experiments. Turn back time.” 

Spiritual Content   

  • After Grammy Claire dies, Tara receives a letter from her that was written in the event of her death. The letter says, “What does gone mean, after all? Am I six feet under? Floating in the air or dancing on a cloud? Maybe I am having tea with God and making Him answer the long list of questions I’ve been hungering after for decades . . . even if that means I’ll wake up in heaven next time I see you. You can bet I’ll be the first in line to hug you and smother you with kisses.” 
  • In a letter, Grammy Claire tells Tara how she is looking down on her from heaven. “In Chuukese, they call heaven naangenu, the place we came from and the place we return after death. Where I am, I will be with you in spirit. Always” 
  • Eloni, Grammy Claire’s research assistant, tries to comfort Tara. Eloni says Grammy Claire is still looking over them and that Grammy Claire, “is right now watching. From naangenu. . . It means heaven. Where the gods live. And one day, we live there, too.” 

My Diwali Light

Devi loves the Diwali season. It’s a time to wear her favorite red dindi and eat samosas until she bursts! Make mithai and design rangoli with her papa. And paint diyas with her nani—a reminder to shine her light brightly all year long.

The story, with vibrant collage illustrations, follows one girl’s Diwali traditions as her family celebrates their favorite holiday with the ones they love. The illustrations are full of interesting details that feature Devi’s clothing, her family, and her neighborhood. The pictures’ brilliant, bright colors give the book a joyous, festive tone. Each page has one to five sentences. However, both the complex sentence structure and the frequent use of Hindi words will require the book to be read aloud to a child, rather than for the child to read it for the first time independently. Since the book doesn’t contain a glossary, My Diwali Light will not help children from other cultures to understand the customs associated with Diwali. 

Devi’s activities show a strong sense of family and the importance of learning from your elders. For example, “Nani says when we clean our home, we remember to keep our hearts clean, too.” During the holiday preparations, Devi’s family strings marigolds and twinkling lights and also paints diyas. While they are preparing for the holiday, Nani says “the flame is a reminder for all of us to shine our lights brightly, to be kind, helpful, and loving.” 

While readers unfamiliar with the holiday may have difficulty understanding some of the book’s language, the general concept of allowing your kindness to shine will be understood by all readers. My Diwali Light revolves around Devi’s family, who show kindness to each other as well as others. 

While all of Devi’s family celebrates the season, they all celebrate differently, which allows readers to understand that the holiday is about sharing the Diwali light and sparkle. 

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • None

Supernatural

  • None

Spiritual Content 

  • As part of the holiday tradition, Devi’s Papa gets the thali ready and Devi “sprinkle[s] the rice and the water and help[s] shower the statures in the mandir with milk, yogurt, honey, ghee, and sugar. We offer flowers and mithai. I shake the coins. Mama sings the aarti, and I ring my bell loudly.”
  • Devi’s family prays “our own prayers, quietly whispering words of hope from deep in our hearts.” The family prays for health, happiness, peace, and that “we are always together on Diwali.” 

Solimar: The Sword of the Monarchs

Solimar, a soon-to-be princess of the kingdom of San Gregorio, is about to celebrate her fifteenth birthday. “After the quinceañera, she would be considered a princess of the world. And she would also officially be crowned Princess Solimar Socorro Reyes Guadalupe of San Gregorio.” 

Solimar’s home is known for its oyamel forest, a sacred place for the monarch butterflies that migrate each year. Solimar decides to watch the new generation of monarchs arrive in the oyamel forest. When Solimar goes to oyamel, she is surrounded by butterflies, who completely cover her arms and her rebozo, or shawl. Afterwards, Solimar notices that her rebozo looks as if it has “butterfly wings embedded in the fabric . . . and they’re shimmering.” The encounter with the monarchs gives Solimar the ability to predict the near future while she is wearing the rebozo and standing in sunlight. 

But then, on the eve of the kingdom’s annual supply trip, Solimar’s brother tells her, “He’s running away from home to join a ship because he doesn’t want to be king anytime soon, or possibly ever.” On top of this, when her father and brother set off on the trip, a neighboring king and his guards invade Solimar’s kingdom and take her mother and abuela hostage. The invading king plans to use Solimar’s mother and the rest of their family as a bargaining tool to force Solimar’s father to give him a thousand acres of their oyamel forest. Solimar hides just in time to escape the notice of the invaders and realizes it is up to her to find a way to warn her father of the invaders and their plans. Solimar, her bird Lázaro, and an enchanted talking doll set off on their quest down the river, in an attempt to “warn her father in time and change the destiny of her kingdom.”

Solimar is a sympathetic and strong female character that readers will connect with due to her determination and willingness to go against the mold. Though she is a soon-to-be princess, Solimar does not believe she needs to look a specific way to be considered royal. She explains that she prefers her hair short, and says, “Where does it say what a princess must look like?” She even argues with her brother and father for reform within the kingdom. She explains, “I wanted to change things in my kingdom. I have ideas about forming a council of men and women who advise the king and allowing everyone in the kingdom to vote,” instead of just men. 

Readers who enjoy fantasy and heroic journeys will love Solimar’s adventure to rescue her kingdom. This book occasionally showcases Spanish words, which can expand readers’ exposure to new vocabulary. The first time the Spanish words are used, they are typically explained in English, but readers will also be able to use context clues to identify the meanings. There is also a map of all the different locations Solimar visits as she journeys through the kingdom of San Gregorio at the front of the novel. 

Readers will sympathize with Solimar as she learns to appreciate her responsibilities to the kingdom. Solimar’s family also shows growth, as they ultimately decide to let their son, the prince, pursue the life of a sailor and “creat[e] a transport fleet for [their kingdom].” Another example of growth is when Solimar is hesitant to put on a crown, fancy shoes, and a gown for her quinceañera. Her dislike of these formalities symbolizes that she is afraid that in becoming a princess she will still not have a voice in making decisions that impact the kingdom. However, by the end of the novel, Solimar grows to appreciate her family, who trust her input and ideas and even appreciate the quinceañera’s formal ceremony. Overall, this book showcases the importance of family, friendship, and finding trustworthy people in tough situations. Readers eager to explore more books about friendship should also read A Thousand Questions by Saadia Faruqi and A Hundred Horses by Sarah Lean.

Sexual Content 

  • None

Violence 

  • Abuela’s friend who practices enchantments, Doña Flor, tells Solimar what will happen if someone tries to steal the magical rebozo from her. Doña Flor says, “Anyone who tries to break the bond would suffer the wrath of the ancestral spirits,” which means, “Rage, madness, impending doom.”
  • A leader of a rival kingdom breaks into Solimar’s family home. “Mothers called for their daughters. Girls cried. Footsteps scuffled. Chairs tipped over. A man’s booming voice ordered, ‘Be quiet!’” Solimar’s mother, grandmother, and friends are trapped and kept as hostages. “Abuela glanced over her shoulder and caught sight of Solimar. Her eyes filled with alarm, and almost imperceptibly . . .Abuela waved for Solimar to go away.” Solimar stays hidden and escapes.
  • The guards from the rival kingdom surround Solimar’s mother, abuela, and their advisors. “One stepped forward and announced, ‘By order of King Aveno, you all are under house arrest and may not leave the castle.’” When King Aveno enters, he reveals he is holding hostages to “gain the advantage I needed to negotiate for the land I wish to buy” from Solimar’s father, King Sebastián. 
  • Solimar’s friend, Berto, talks about his father who “died five years ago.” Berto does not describe the event in detail. 
  • King Aveno snatches the rebozo from Solimar and suddenly “the sky darkened, and a wind stirred and steadily grew . . . From the forest, a dark, tornado-like cloud raced toward the stage. [The king’s spy] and King Aveno held on to each other in an attempt to withstand the fierce gale. The wind roared.” The tornado “lifted away, growing smaller and smaller until it vanished. When the wind and world quieted, King Aveno and [his spy] were nowhere to be seen. All that remained were their boots and Solimar’s crumpled rebozo.”

Drugs and Alcohol 

  • None

Language 

  • Occasionally, Solimar’s Abuela proclaims “for heaven’s sake.”

Supernatural

  • When Solimar goes to watch the migration of the monarch butterflies, she suddenly is surrounded by them: “A swarm of monarchs descended and swirled around her—a blur of black, orange, and coral—creating an iridescent mist as if she was swaddled in the softest and nicest blanket.” She starts to hear “a rhythmic humming” and is not sure where it is coming from as, “The song persisted, though, and grew louder and louder until it reached a crescendo of haunting voices.”
  • After her encounter with the monarchs, Solimar notices a mystical substance around her. “Glittery specks lingered in the air like suspended jewels” and her shawl, or rebozo, is covered in the magical substance. “One side looks as if the butterfly wings are embedded in the fabric . . . and they’re shimmering.”
  • After Solimar’s encounter with the butterflies, she can predict things, such as when her abuela is about to fall down a hill while searching for a specific herb. Solimar explains, “I’ve never seen that herb before. I just knew where it was and that she would fall. But I don’t know how I knew.”
  • Solimar’s friend Josefina tells Solimar, “[My boyfriend] asked to meet me tonight, but he was so serious and standoffish that I am worried his feelings for me have changed. What will he tell me?” Solimar instantly begins to predict a proposal, “Only that he loves you…” And sure enough, this prediction does come true. 
  • To see if her predictions are only lucky guesses, Solimar asks her friend Maria to, “Ask me something else. Maybe about the expedition. Something I couldn’t already know.” Maria says, “When I talked to [the stable hand] only an hour ago, he mentioned your father had just decided on the horse he would ride in the lead tomorrow. Which stallion will have the honor of wearing the king’s colors?” Solimar answers correctly, confirming she can make predictions while wearing the magical shawl. 
  • Abuela takes Solimar to see a folk healer, “where few dared to travel unless they needed to be rid of a curse or cleansed of evil spirits.”
  • The folk healer, Doña Flor, taught Solimar’s grandma how to use herbs to help heal ailments. Abuela says, “Her enchantment is for good . . . some things at Doña Flor’s house are charmed. Just . . . be accepting. That’s all I ask. Embrace the mystery and the peculiarities.”
  • Doña Flor tells Solimar, “Your rebozo is the swaddle for the butterflies. You are now their protector and inseparably connected to them.” Because of this, Doña Flor reveals that the magic of the butterflies in the shawl “are safely embedded. It’s part of the magic, as is the ability for [Solimar] alone to bear their intuition about the near future and what lies ahead.”
  • Though Solimar is now able to access the magical intuition of the monarchs, she knows “each day that it is sunny, [Solimar] must open the rebozo to warm and strengthen those you carry. Otherwise [the monarchs] will never have the stamina to take leave and cluster in the trees.” In addition, Solimar must avoid people asking her questions in the sun because, “For every question you answer, it drains a little of [the butterflies’] strength. If they lose too much they will surely die.”
  • Doña Flor has enchanted dolls that “begin to chatter.” Doña Flor tells Solimar that “their enchantment is strong, yet they are generous souls and very helpful.”
  • Abuela has tried to use spells. She says, “I tried to make a love potion on [my cat] and the stable cat, hoping to make them compatible. But I wasn’t exactly successful . . . But instead of falling in love with each other, they fell in love with the first inanimate object they touched. In [her cat’s] case, it happened to be that green woolen sock she carries everywhere.”
  • Solimar uses magic to figure out which way to go in the dangerous devil’s river. Solimar “heard the chorus again — mystical and ancient and with such harmony that her arms prickled and tears filled her eyes. A clutch of monarchs lifted from the rebozo, their wings beating in time to the rhythmic song, and trailed after the swarm toward the waterway on the right.”
  • The magic of the monarchs can move a canoe without Solimar paddling it at all. “The canoe glided to the right, following the monarchs’ path.”
  • Solimar uses her predictive abilities to help navigate a perilous labyrinth of caves. She reveals, “The tunnel on the right is navigable, but there is no through passage. The water is stagnant, and the air is foul-smelling. The one in the middle has a rock ceiling that eventually becomes so low that the only way to pass is by swimming beneath it, underwater. The tunnel on the left leads to a long corridor and a bat-filled chamber.” She makes it safely out of the caves. 
  • Solimar and her abuela plan to distract the invading guards with an enchantment. As the invaders sit in the middle of the room waiting for the greedy king’s decision about his hostages, “The awnings above the audience collapsed, spilling all manner of household items into the audience: feather dusters, wooden spoons, tea towels. . . Everyone who had been forewarned about the pastries and had not eaten them laughed as each guard picked up an inanimate object — and immediately fell hopelessly in love with it. At least for a few weeks, they would be as lovestruck and preoccupied as [Abuela’s cat], whose sweetheart was a green woolen sock.”
  • Solimar carries the rebozo and protects the monarchs that are magically embedded inside until they are strong enough to leave. At that point, “A wave of butterflies erupted from the oyamel forest. They dove and swooped around Solimar. . . The ancient song began, beautiful and melodic. The butterflies lifted the fabric, turning it around and around in the sun, and waving it so that it rippled until the creases fell away.” The last butterfly “emerged . . . the last one she protected landed on [Solimar’s] finger, then flew away to join the others in the oyamel forest.”      

Spiritual Content 

  • Solimar’s kingdom is home to “the oyamel forest,” a forest that draws in monarch butterflies. She explains, “Like everyone in the kingdom, Solimar believed that the ancestors of the monarch butterflies inhabited the oyamel forest, and that year after year, their spirits lured a new generation of butterflies to this spot during their migrations.”
  • In Solimar’s kingdom of San Gregorio, “the forest and the monarchs were revered and protected,” and the forest is often referred to as “the sacred place.”
  • Solimar ponders what draws the butterflies to the forest each year. “Isn’t it amazing that the butterflies, that have never been here before, arrive season after season at the same spot as their ancestors? Is it the magnetic pull of the earth or the position of the sun as the scientists suggest? Or do the spirits of their fathers and mothers whisper directions to them in a dream? Is it some magical intuition that allows them to know what lies ahead? . . . it’s a miracle.”
  • The dangerous river that prevents Solimar’s kingdom from trading goods is referred to as “Río Diablo,” or the devil’s river. 
  • When Solimar and her abuela visit Doña Flor for advice on Solimar’s ability to predict things, Doña Flor uses scents and vapors to help her. Doña Flor “stopped and picked a few leaves from one of the dried bouquets hanging from the ceiling and tossed them on the fire. A crisp fragrance, like a muddle of pine and mint, filled the room. Doña Flor waved the vapors toward her and inhaled deeply.” Abuela explains, “The strong scent of eucalyptus helps with remembering.”
  • Doña Flor explains that when any of the monarchs of the oyamel forest are weak, “on those occasions, the ancestral sprits of the monarchs choose a benevolent courier to protect the stragglers until they are strong enough to join the others” on their migration.

The Last Leopard

Martine, her grandmother, and her best friend, Ben, are off to Zimbabwe to help her grandmother’s friend, Sadie, run her hotel in the Matobo Hills. But when they arrive, Martine realizes that someone wants to run Sadie off her land. Not only that, but hunters and treasure seekers are trying to capture Khan—a legendary giant leopard, rumored to be the rarest in the world. Can Martine help before it’s too late?

Martine is surprised when her grandmother announces they are going to Zimbabwe to help her friend Sadie. When they arrive at the isolated hotel, Martine discovers that Sadie is hiding something. Sadie eventually reveals that Mr. Ratcliffe has been trying to run Sadie out of business so he can hunt the legendary leopard, Khan. When the police unexpectedly arrest Martine’s grandmother and Sadie, Martine, and Ben vow to keep Khan safe even if it means putting themselves in danger. 

The third installment of the Legend of the Animal Healer Series has a darker mood than the previous books because it focuses on Mr. Ratcliffe’s greed and his “canned” hunting business. In order to keep his illegal business in operation, Mr. Ratcliffe bribes corrupt police officers. Mr. Ratcliffe is not content with hunting lions and other dangerous animals. Instead, he is also determined to kill the legendary leopard Khan—even if it means hurting others to obtain his goal.

When Martine’s grandmother and Sadie are arrested, Ngwenya, a local, helps Martine and Ben hide in a local village. This situation gives readers an inside look at the indigenous people who live in the bush. While the Zimbabwe culture is completely different from the United States, the communities shine with beauty even though, like any society, not everyone has pure intentions. The mix of characters that Martine and Ben meet adds interest to the story as well as highlights the negative aspects of greed. In the end, the story clearly shows that money is not important; instead, people only need “love, freedom, and enough to eat.”

The Last Leopard is a fast-paced story that teaches readers the horrors of canned hunting and the need for people to take action to save endangered animals. In the author’s note, St. John explains that illegal hunters have caused “cheetahs, lions, and hippos, animals we thought would be around forever, [to be moved] onto the endangered list, and the leopard, one of the world’s most elusive and beautiful creatures, [to be] in danger of being wiped out. Unless we act soon, we’ll wake up to discover that there is only one last leopard.”

Sexual Content 

  • None

Violence

  • According to legend, the tribe elders, including Lobengula, hid a treasure. Lobengula was suspected of “having several of his own brothers murdered.” After the treasure was hidden, “Lobengula ordered all who had buried the treasure to be killed in case they had thoughts of stealing it.”
  • When others went to search for the treasure, their expedition “was cursed. Men were struck down with illness none had ever seen before; charged by elephants or murdered by rivals; one even had his nose licked by a lion just before he was disemboweled.”
  • The story revolves around the practice of canned hunting which is “the wicked and widespread practice of putting lions, leopards, and other dangerous and hard-to-hunt animals in small enclosures so that ‘hunters’ are guaranteed a ‘kill’ or a trophy to hang on their walls.” Mr. Ratcliffe owns the Lazy J [?] which captures animals to be hunted.
  • Martine hears a shot. When she looks through binoculars, she sees “the lion lay dead on the ground. The hunter had one foot on its chest and one hand on his rifle, and he was smiling and posing for photographs. The lion’s blood was leaking out onto his boot, but he didn’t seem to notice.”
  • While in the wilderness, the leopard Khan knocks Martine to the ground. “His great paws thudded against her chest and his claws pierced her skin. She was winded and in pain. She could feel blood trickling down her armpit.” Martine can feel Khan’s hatred and fear as well as his exhaustion “from the endless struggle to survive.” When Khan hears others coming, he runs into the desert.
  • Martine and Ben sneak onto Mr. Ratcliffe’s property, where they find animals ready to be canned hunted. When the owner sees them, Martine and Ben run. As they ran, Khan “jumped from the sky” saving Martine and Ben. A man who witnessed the events says, “There was no shooting. One of the guides went to get his rifle and Khan opened up his chest with a swipe of his paw. That man will be spending many months in the hospital.”
  • To keep Martine and Ben out of the way, Mr. Ratcliffe pays a man named Griffin to kidnap the kids. “They’d been kidnapped at about nine o’clock in the morning and denied food or water until six in the evening because Martine refused to give Griffin any information on her gift.” After Martine pretends to tell the future, Griffin allows the kids to eat. Then, he locks them “in a dusty, windowless storeroom with nothing but a bottle of water, a wooden crate, and a couple of snacks.”
  • To escape from Griffin, Martine and Ben hatch a plan to have the “Enemy of Lions” ants bite Griffin. When the ants begin climbing up Griffin’s legs, he “let out a tormented scream. . . He was leaping, twisting, and screeching like a madman.” Griffin’s friends jump up to detain the kids but “Martine and Ben were ready with the sacks. A single swish sent showers of biting ants all over the men.” The kids escape.
  • Martine and Ben go in search of Khan. While searching, “a hand was clamped over [Martine’s] mouth.” Martine is able to flee, but Griffin follows her. “Griffin grabbed at her ankle and missed. Martine scooped a rock as she dodged him and threw it with all her might. The rock hit the bees’ nest square on.” The bees attack Griffin who “fled down the mountainside.” Later, Martine discovers that police found “a comatose figure by the roadside. . . he was so swollen that one of the constables described him as looking as if he’d been blown up with a bicycle pump.”
  • A guide pulls a gun on Ben, so Ben pretends that he will lead the guides to the leopard. Ben is uninjured. 

Language

  • An adult asks Martine, “What the heck do you think you’re doing?”

Drugs and Alcohol 

  • A young adult and his friends are looking for the location of the legendary treasure. They want to find the treasure so they can buy luxuries including cigarettes and whiskey. 
  • When a witch doctor is called to help a sick child, he chanted and “took a swig from a brown bottle at his side. . . In between chants, the witch doctor had continued to take long swallows from his brown bottle.” Before the end of the ceremony, the witch doctor passes out drunk.
  • Martine carries a survival kit that contains “three small brown bottles: one for headaches and pain, one to treat Bilharzia, a disease found in Zimbabwean rivers, and one for stomach ailments.” Martine gives the stomach medicine to the sick baby, who recovers.
  • One of Sadie’s workers discovers that the owner of the Lazy J. paid someone to poison the water tank for the cattle on Sadie’s property.

Supernatural

  • There are several witch doctors who use bones and other items to tell the future. One witch doctor tells Martine, “I will throw the bones and tell you what you need to know. . . what you call destiny is written in sand and not in stone.” During the ceremony, the witch doctor “scattered the bones onto the dry earth.”
  • The witch doctor tells Martine and Ben, “You are bound together, but you will be torn apart. When that happens, look to the House of Bees.”
  • Martine has a gift that allows her to feel the emotions of animals as well as heal them. When she finds Khan, who is injured, Martine uses her magic. When Martine uses her gift, she has a vision of “the ancients, the San Bushman. . . and they were chanting with her, encouraging her. . .  a magical energy came from them and passed through her as if she were a lightning conductor.”
  • When Martine’s hands heat up, she puts them on Khan’s wound. “At first the leopard writhed beneath her touch as if her hands were so hot they were singeing him but gradually his muscles relaxed and a peace came over him.” Afterward, Martine uses moss, honey, and super glue to treat Khan’s wound. 

Spiritual Content

  • The people of the Matobo Hills created shrines to worship “Mwali, the High God. Each shrine had its own guardian and they are looked after to this day.”
  • After Martine and Ben are kidnapped, Martine pretends to be ill. When Griffin sees her pale skin, he prays, “Mwali, don’t desert us now.” 

The Girl who Speaks Bear

Yanka, a twelve-year-old girl, lives in a small village with her foster mother, Mamochka. Yanka isn’t exactly sure of where she came from, but “Mamochka says I was about two years old when she found me outside the bear cave,” at which point, Mamocka took Yanka home and raised her as her own. Yanka has distinct memories of living in the bear cave and memories of “the bear who raised [her].” One day, a family friend, Anatoly, visits and tells Yanka about the Story of the Lime Tree’s Curse. In the story, Yanka recalls, “It was about an enchanted tree, and a woodsman and his family who were cursed to be bears” after the woodsman became too greedy while making demands of the magical lime tree. Yanka wonders if there may be a connection between this story and her past, as “that story was about people turning into bears and now my legs have become bear legs.” 

Yanka notices that she is different than the other children in her village. She says, “I tower above all the other twelve-year-olds, and most of the grown-ups too. And I’m stronger than everyone. Even the ice cutters and woodchoppers.” Yanka takes a great tumble at the village’s festival, and when she awakes, she realizes “My legs are enormous. Thick and muscular. And covered in fur . . . I have bear legs.” Yanka takes her new legs as a sign that she should explore her birthplace. She goes into the forest, hoping to discover more about her memories. 

Yanka is a very sympathetic character as she struggles to feel a sense of belonging that many readers may relate to. She explains, “But if I don’t know where I came from, how can I be sure where I belong?” Ultimately, When Yanka’s journeys to find her birth mother, Yanka discovers that her mother passed away, when she “was trying to rescue [Yanka’s] father. He was trapped in Smey’s [a fiery dragon] cavern.” Though her mother has died, Yanka learns that her mother left her with her grandmother, “The bear Tsarina.” Incredibly, Yanka realizes that her family has been cursed to turn into bears, but in some cases, they can periodically transform into humans. This makes Yanka wonder, “Am I meant to be a bear or a human?”  

Throughout her journey, Yanka shows immense growth, and she especially grows to appreciate the village people who love her. As she goes further into the forest to learn about her birth mother, Yanka begins to fully transform into a bear. However, once this happens, Yanka comes to understand “I’ve been so focused on where I don’t fit into the village that I’ve lost sight of where I do. I have a mother, Mamochka, who loves me. A best friend in Sasha . . . There is a place for me in the village.” This realization pushes Yanka to try to break her family’s curse so that she might return to her village once and for all.  

The folktale style of The Girl Who Speaks Bear will keep readers on their toes, as each chapter is set up as its own separate tale within the story. The chapters flow together in a way that helps readers understand Yanka and her family better. Readers will be interested in the use of many Russian words like “sbiten,” a hot honey drink, and they can find the meaning of each of these words in the glossary at the back of the book. 

Yanka ultimately finds that even the magic of the Lime Tree cannot undo “old curses,” such as the one placed on her family. However, Yanka learns to embrace the differences that make her stand out. She says, “I don’t want the curse to be broken. I don’t want to be only a human forever. I like being a bear too . . . I want to keep this gift and learn how to control it.” 

Overall, this story will capture readers’ hearts as Yanka embraces her love for the forest, as well as her love for her family in the village. The author employs folktales that connect with her grandmother’s Prussian heritage. This novel emphasizes the importance of appreciating the people who love you for who you are. Yanka explains, “I’ve seen so many amazing things on this journey . . . But above all, I’ve learned the importance of going home to the people you love.” 

Sexual Content  

  • None 

Violence  

  • Yanka decides to go into the forest to look for clues about the bears who raised her. She remembers the dangers that lie within the forest. “Fire dragons who would burn your life away and Yaga [people who collect souls of the dead] who would steal your soul.” 
  • In the forest, Yanka is attacked by a wolf called Ivan the Grey as she tries to cross through an area of the forest that is guarded by his pack of wolves. Yanka says, “I drop the lantern and raise my arms to protect myself. Ivan the Grey bites down on my elbow, crushing it between his powerful jaws, I yell in pain and fall back.” Yanka escapes further violence by telling Ivan the Grey that she knows about his missing claw and how it was stolen. 
  • Yanka and her pet weasel, Mousetrap, befriend a young elk who is being attacked by wolves. Suddenly, Yuri [the elk] screams… [Yanka] frowns at him, confused—then [makes] out a writhing dark creature on top of him. A wolf. Teeth flash as they bite into Yuri’s rump.” Yuri s escapes as Yanka and Mousetrap distract the wolf.  
  • Some animals in the forest explain how dangerous the fire dragon, Smey, is. The animals tell Yanka, “[Smey] poisons the air with his sulfurous breath and heats soil into bubbling mud . . . [Smey] sends fires through our forest, burning our trees, charring our den.” 
  • Yanka’s newfound ally, Ivan the Grey, attacks the dangerous dragon, Smey, “Ivan lets out a blood-chilling snarl and tears straight through the center of the dragon.” However, this does not kill the dragon, instead it exposes its heart, “a pulsing, beating heart made of fire.” 
  • Ivan the Grey is hurt after attacking Smey, “Ivan whimpers in pain as he lands awkwardly” after the dragon causes another explosion. Fortunately, Ivan is able to recover. 

Drugs and Alcohol  

  • Mamochka is a healer who uses herbs. “People say Mamochka can cure anything — that if she wanted to, she could cure the sky from bleeding at sunset — because she has the wisdom of the Snow Forest inside her.” Mamochka’s healing skills are paralleled by her caring personality, as she truly loves to help others.  
  • Mamochka makes Yanka remedies when she is ill. Yanka explains, “Whenever I’m unwell, [Mamochka] has a tonic or a tea to make me feel better. This winter she even made a special ointment, just for me, when I complained that my feet ached from growing too fast.” 
  • When Yanka wakes up to find that she has bear legs, Mamokchka tries applying various herbs to help fix it. Yanka says, “Through [Mamochka] said her remedies weren’t working, [Mamochka] still covers my legs with so many different herbs that I end up smelling like her medicine-mixing corner.” 

Language  

  • None 

Supernatural 

  • Yanka is able to talk to all the animals in the forest. For example, while she passes by the edge of the Snow Forest a bird speaks to her saying, “Yanka the Bear! Come back to the forest!” 
  • Yanka believes Anatoly, a friend of Yanka and Mamochka who frequently visits their home, and his stories about the forest. Yanka explains, “There’s a forest filled with creatures . . . A fiery dragon flies across the night sky and regal bears dance in a crumbling castle overgrown with vines. A house with chicken legs sprints along a riverbank and a pack of wolves hunt beneath a silver moon.” 
  • Yanka recalls, “The villagers tell stories about Yaga—witches who live in houses with chicken legs surrounded by skull-and-bone fences. In their stories, Yaga eat lost children and steal their souls.” However, Yanka’s encounter with the Yaga prove that they are not dangerous to the living, as they help Yanka find her lost family.  
  • The Yaga that Yanka meets live in a house that is animated and able to walk and move about on its legs. Yanka notices, “The porch balustrades curl around my back, helping to support me.’ 
  • Yanka grandparents were curses and turned into bears, which happened overnight. “But all too soon, [Yanka’s grandfather] came home pale and trembeling, and everything changed. [Yanka’s grandfather] would not tell [Yanka’s grandmother] what had happened and fell asleep with his head on her lap . . . And when they awoke, [Yanka’s grandparents] were bears.” 
  • The Yaga bring one particular fisherman back to life. “The Yaga grabbed the fisherman’s soul and ran to his bosy. ‘Get back in!’ she ordered with such fierceness that the fisherman dared not refuse. He lay down in his body and breath surged into his lungs.” The fisherman was actually Yanka’s father.  

Spiritual Content  

  • As part of her village’s annual festival to celebrate the start of spring, Yanka is “chosen to carry Winter,” as “every year at the festival, a big straw doll called Winter is burned, to symbolize the end of winter and the coming of spring. Carrying Winter is a real honor, usually given to one of the grown-ups who has contributed most to village life over the season.” Yanka’s strength is central to her being chosen for this role.  
  • Occasionally, some characters exclaim, “for spirit’s sake.” 

Magical Imperfect

Etan is a twelve-year-old boy whose life is full of silence, earthquakes, and a bit of magic. He lives in a world that is both familiar and unfamiliar. The ground beneath his feet is constantly shaking, threatening to upend everything he knows. But despite the danger, Etan finds solace in the game of baseball, a sport that has been a part of his life since he was old enough to hold a bat.

However, Etan’s world is turned upside down when his mother is admitted to a mental institution. He suddenly finds himself unable to express his thoughts and feelings because his words are trapped inside his head. Without the ability to communicate, Etan feels isolated from the other kids his age since he is unable to reach out and connect with them.

But there is one person who understands him better than anyone else: his grandfather. Raised in a close-knit community of immigrants, Etan’s grandfather knows the value of acceptance and understanding. He doesn’t judge Etan for his silence, but instead offers him the comfort and support he needs to navigate this difficult time.

Not everyone in the community is as kind-hearted as Etan’s grandfather. When a local shopkeeper asks Etan to run an errand for him, this sets off a chain of events that will change Etan’s life forever. While running the errand, Ethan Meets Malia Agbayani, whom the boys at school have nicknamed “the creature.” At first, Etan is hesitant to approach her, but when he finally does, he discovers a kindred spirit. Despite her nickname, Malia’s voice is like music to Etan’s ears. She sees the world in a unique way, and her perspective helps Etan to find his own voice. As they spend time together, Etan realizes that outside of his community, there is a world full of people who are different but just as valuable. With this newfound understanding, Etan’s world begins to open in ways he never thought possible.

Etan is a truly endearing main character that will captivate the reader’s imagination. His journey through the obstacle of selective mutism is truly inspiring, as he learns how to overcome his personal struggles and create new friendships. As the reader follows his journey, they are taken on a fascinating exploration of his family’s rich Jewish history, with all of its intricate traditions and customs. Through Etan’s eyes, the reader is transported to a world full of magic and wonder, where anything is possible if you believe in yourself. With each passing chapter, the reader will feel more and more invested in Etan’s story, eagerly anticipating what will happen next and how he will continue to grow as a person.

Readers will also be captivated not only by the wisdom and mysticism displayed by Etan’s grandfather but also by the rich cultural context he provides. Through his tales from his homeland in Prague, the grandfather shares his deep knowledge of the Jewish religion and the Hebrew language. Moreover, his character serves as a powerful reminder that everyone has the ability to create magic in the world – all that is required is a strong belief and a heart full of love. The reader cannot help but be inspired by the grandfather’s teachings, and they will come away with a renewed appreciation for the beauty and diversity of world cultures.

The Magical Imperfect is a heartwarming tale that emphasizes the value of embracing diversity and the true meaning of unity. The author beautifully showcases the power of empathy and compassion, and how they have the ability to bring people together. Through vivid descriptions and relatable characters, The Magical Imperfect teaches us that our differences should be celebrated rather than feared and that we should strive to build bridges of understanding and respect. Overall, this book is an excellent reminder of the importance of kindness and acceptance in our increasingly diverse world. This is a rich, rewarding, and deeply moving story that is sure to touch the hearts of readers of all ages.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • Malia, Etan’s friend, introduces Etan to a spot that is full of magic. “These are the Sitting Stones. This is where the trees listen the most. The pool is magical . . . But this water is magic.”
  • During an earthquake, Ethan gets a small cut on his arm. His grandfather sees the cut and decides to show him the power of the clay. Grandfather pulls Ethan close “presses down his two clay fingers on the cut on my arm . . . The cut is gone. I search with my fingers, trace my skin up and down, and back and forth . . . Then it feels like the world starts to spin cold and warm all at once. . .” Ethan’s grandfather explains, “Your body, Etan, it’s experienced something from another time, an ancient thing giving its power to something new right now.”
  • Etan and Malia visit the Sitting Stones and he begins to wonder if the clay inside the pool could heal. He wonders if it would help heal Malia’s eczema issues.
  • Another object that is considered magical is a small green stone that Etan is given. The stone helps give him the strength to find words to speak. His grandfather explains,  “This, he says, is a bareket, an emerald, an ancient, powerful stone, like from the breastplate of Aaron . . . When you feel afraid to speak, hold the stone in your hand, tight tight tight, and it will bring you courage.” 
  • In order to heal Malia’s eczema, Etan and Malia combine his grandfather’s clay and the clay from the Sitting Stones pool. Ethan puts “clay on two fingers, dab it onto her face, around her eye. I [Ethan] pray, think of the trees, the pool, my green bareket, somewhere in the water . . . When most of the clay is off my hands, Malia starts humming, her voice like light. ‘Look!’ she cries. Her red, swollen arms are smooth, clear, like the red was never there.” To both of their amazement, the clay makes the redness disappear. 

Spiritual Content 

  • Etan’s family holds religion near and dear to their heart. His grandfather is a Jewish immigrant that uses his religion and the magic associated with it to teach Etan different lessons about life. He often reminds Etan how important it is to remember his heritage and the different objects that help represent them. When Etan’s grandfather leaves his workshop early, it is usually for a specific religious activity, like lighting the Shabbat Candles. “When he leaves extra early so he can be home to light the Shabbat candles. The candles, he says, they make us Jews.”
  • Etan’s grandfather has a small box full of valuables from his life in Prague. He believes that the objects within hold a magical power that each represents a different thing. The object most talked about in the book is the clay. “This is the last of the clay taken from the Vlata River by your ancestor, the Maharal himself . . . It’s the clay of the golem; it once made a terrible monster that defended the Jewish people in their time of great need.”
  • There are mentions of aspects of the Jewish religion throughout the text, but it isn’t until Etan begins to pray when using the clay on Malia, that there is a full string of Hebrew language used. “Baruch ata Adonaim Eloheinu Melech ha-olam, hamotzi lechem min ha’aretz.” This is the prayer that they say for bread at Shabbat.

The Sea in Winter

Maisie’s life has revolved around ballet since she was four. Her friends, life, and dream of becoming a ballerina all revolve around her love of dance. However, during the critical period when Maisie and her friends are preparing to audition to attend premier dance schools, Maisie injures her knee. Confined to crutches and physical therapy, her injury may prevent her from ever dancing again. Her only hope is to get better by summer. 

However, as her injury persists, Maisie’s family takes a road trip. During this time, she struggles to be happy for her friends who are preparing for their auditions. Maisie also feels disconnected from her family’s happiness. Desperate to prove she’s recovering, Maisie forces herself to go on hikes despite the pain in her knee. Maise’s frustration with her injury makes her feel irritable. She lashes out at her stepfather and her mother during their trip, straining their relationship. Even though she regrets her outbursts, Maisie struggles to find the strength to apologize. 

Eventually, Maisie’s injury worsens because she pushes herself too hard during a hike. Maisie is rushed to the hospital, unable to walk or move her leg without intense pain. With her dream of dancing out of reach, Maisie breaks down and admits that she’s having trouble managing her emotions. She knows she must give up dance, but she feels like she’s giving up on herself. Her stepdad tells her, “None of this means you’ve failed. It just means that you’re moving forward. Which is about the bravest thing any of us can do.”

The Sea in Winter is a story about learning to grow from setbacks. It is an easy read with a simple plot and only a few main characters. However, at times the text is very descriptive, such as long passages about the scenery on the family’s hikes or the food the family eats. Because of these detailed passages, the book moves slowly at times. The overall message—finding the strength to move on during setbacks—is a good lesson, but it can get lost in these descriptions. 

Dancers would enjoy this book because of the use of dancing terms and the occasional flashbacks to Maisie’s ballet classes. These events might be better understood by people with an interest or background in dance. However, familiarity with ballet isn’t necessary because the main story happens after Maisie’s injury.

The book references the Makah and Piscataway cultures, two Indigenous tribes in North America. Maisie’s mother is Makah and her father is Piscataway. Her parents refer to stories about their tribes’ hardships to show Maisie that relying on others during hard times and connecting with one’s culture can help you through major life changes. In a time of grief, Maisie’s mother “turned to the teachings of my ancestors, for one thing. I looked back at our history of resilience and survival. How the Makahs managed to bring their community together, despite horrible events.” 

The narrator, Maisie, is very honest with the reader about how she feels, even when she struggles to admit it out loud. Maisie is in middle school, a trying time for children as they discover who they are and make decisions about their future. Growing up can be confusing and stressful – especially when things don’t go according to plan. Maisie’s frustrations are relatable to anyone who feels like the world is moving on without them. However, no one has to face the world alone. This story emphasizes the power of family as a support structure. It encourages someone who is struggling, to depend on the people around them when they encounter things they cannot handle on their own.

The Sea in Winter ends on a positive note for Maisie as she branches out into new interests and rekindles her relationships with her friends. Though moving on from dance and re-discovering herself is not an easy task, Maisie finds strength in sharing her feelings with others. She relies on her family and stories of perseverance and allows herself to dream new dreams and set new goals. The book ends with Maisie declaring: “I choose onward.”

Sexual Content 

  • Two characters on a TV show kiss. “Phillipe huffs in frustration, takes [Catriona’s] face in both hands, and kisses her on the mouth.”

Violence 

  • The book discusses a protest against the Makah Native Americans, who were legally allowed to resume their tribal tradition of whale hunting. Some of the protestors had signs and bumper stickers that said: “Save a whale, kill a Makah.”
  • Maisie’s father died while serving in Afghanistan. Maisie says, “I know that [my father] was killed in action before my first birthday.”
  • Maisie says that her stepdad’s grandfather, who they called See-yah, was abused in school for speaking his native language. “His teachers tried to beat the Klallam language out of him.” 
  • Maisie’s mother admits that she hit one of the men who delivered the news of Maisie’s father’s death. Maisie’s mother, “hit one of the men square in the chest, and slapped him across the face, before [she] collapsed in a heap on the floor.” 

Drugs and Alcohol 

  • None

Language   

  • Maisie calls a TV commercial “stupid.”
  • Maisie snaps at her mom and says, “Why are you always on your stupid phone?”
  • Maisie says her injury is the result of “a stupid decision.”

Supernatural 

  • None

Spiritual Content 

  • None

Classified: The Secret Career of Mary Golda Ross, Cherokee Aerospace Engineer

Mary Golda Ross designed classified airplanes and spacecrafts as Lockheed Aircraft Corporation’s first female engineer. Find out how her passion for math and the Cherokee values she was raised with shaped her life and work.

Cherokee author Traci Sorell and Métis illustrator Natasha Donovan trace Ross’s journey from being the only girl in a high school math class to becoming a teacher to pursuing an engineering degree, joining the top-secret Skunk Works division of Lockheed, and being a mentor for Native Americans and young women interested in engineering. 

Mary Golda Ross’s amazing life will encourage readers of all ages to pursue their passions by working hard. When Mary attended a state teacher’s college, the boys refused to work with her which motivated Mary to “get better grades than they did.” In her early career, Mary shared her love of math as a teacher. However, when World War II started, Mary went to work at the Lockheed Aircraft Corporation, where she helped design fast-flying planes. Later, she worked on spacecrafts that “helped the Apollo space program send astronauts to the moon!” Even though Mary never received public acclaim, that didn’t bother her. Throughout her life, Mary continued to work hard and encourage young women to study math and science.

As the first female engineer for Lockheed Aircraft Corporation, Mary “modeled the Cherokee value of working together in mind and heart.” Mary also wasn’t afraid to ask questions. Even though Mary was the only female, she proved herself a capable engineer. “Her male colleagues respected her intellect, her drive to solve problems, and how she worked in the team.” These qualities allowed Mary to make a positive impact in the world. 

Mary’s experiences come to life in realistic illustrations that use muted colors. One of the best aspects of the illustrations is their ability to incorporate math and science. For example, one picture shows a series of images of teenage Mary using a microscope, helping with a science experiment, and performing another task; around these pictures are math equations. Pictures of planes and drafting pages are incorporated into many of the illustrations.

Even though The Secret Career of Mary Golda Ross, Cherokee Aerospace Engineer is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page has one to four complex sentences that will be difficult for beginning readers to tackle on their own. In addition, the book contains some advanced vocabulary such as colleagues, orbiting satellites, concepts, and classified. Even though some readers will not understand all the book’s concepts during the first read, The Secret Career of Mary Golda Ross is still an excellent book to share with young readers.

The Secret Career of Mary Golda Ross, Cherokee Aerospace Engineer is an American Indian Library Association Youth Literature Award Honor Picture Book; this award to given to stories that represent Indigenous North American peoples in the fullness of their humanity. This picture book is a must-read not only because it introduces a woman of importance, but also because “the narrative highlights Cherokee values including education, working cooperatively, remaining humble, and helping ensure equal opportunity and education for all.” To learn more about women who made notable contributions in engineering, read Counting on Katherine: How Katherine Johnson Saved Apollo 13 by Helaine Becker and Mae Among The Stars by Roda Ahmed.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • None

Mystery of the Egyptian Scroll

You, who have dug deep and sifted hard for a story to read, have unearthed an ancient treasure: a mystery from the dusty ages when a kid could be a hero and fight for the good of all . . .

Twelve-year-old Zet oversees the family pottery stall now that his father is away fighting the Hyksos invaders. But sales are not going well and his rumbling stomach is setting off warning bells. What if his family can’t afford to eat? Zet needs help fast. Then a miracle happens: a huge reward is offered to whoever finds a stolen scroll and returns it to its rightful owner. Zet needs to track down that scroll. There’s only one catch: Zet is no detective and he’s way out of his element. Still, Zet sets out in search of clues, sneaking past hieroglyphics-covered walls, sprinting along the Nile, and chasing after a crafty pair of suspects. Can Zet find the scroll? Can he win the reward and save the day?

Mystery of the Egyptian Scroll follows Zet, who is desperate to provide for his family. Zet is somewhat impulsive and acts before he thinks. However, he is also a moral character who is brave in the face of danger and cares about others. Zet begins investigating the thief’s identity because a warrior offered him a large reward. Yes during his investigation, Zet meets a farmer and a blind beggar and despite their lowly status, he always treats them with kindness and worries about their wellbeing. 

This fast-paced story will give readers a glimpse into ancient Egyptian life and show some of the hardships that families had to overcome. Even though Zet was only 12 years old, he was in charge of providing for his family: his mother, sister, and baby brother. Zet takes his responsibility seriously and worries about what will happen when the family runs out of food. In the end, Zet is given a reward for helping identify the thieves. Even though Zet’s family needs the money for basic necessities, Zet still offers to give the farmer some of his reward money. Zet’s dedication to his family and his kindness to strangers is admirable. 

Mystery of the Egyptian Scroll is an engaging story full of action and adventure. The conclusion has several surprises and readers will smile when Zet is praised and rewarded for “doing the right thing.” The story’s easy vocabulary and short chapters make it accessible to most readers. The engaging story will entertain all mystery-loving readers who want to travel to ancient Egypt. Readers who want to learn more about ancient Egypt can jump back in time by reading Escape from Egypt by Wendy Mass. To learn even more about the time period, Mystery of the Egyptian Scroll can be paired with the nonfiction book The Curse of King Tut’s Mummy by Kathleen Weidner Zoehfeld.

Sexual Content 

  • None

Violence 

  • When a thief runs through the marketplace, no one wants to “be associated with thieves. . . You might get your hand cut off, or worse, your head.”
  • A farmer overhears two men talking, but he didn’t “tell them they were trespassing. . . because the thin one pulled out a knife. I didn’t wait to find out if he planned to use it. I just started running.”
  • Zet overhears two thieves talking. “Shut your mouth,” growled the large man. “And keep it shut, or I’ll have to do it permanently. Don’t think I won’t either.”
  • When a man is arrested, Zet worries that the police chief would kill him. “Impale him on a stake, or burn him to death. That was punishment for crimes against the state.” Later, the man is let out of prison unharmed.
  • To stop the thieves, Zet jumps into a river and unties their boat. One of the thieves orders his guard to stop Zet. “The powerful man reached him and they struggled. The servant easily pushed him under, holding him down until Zet thought his lungs would burst” Zet finally “bit the man’s arm. Hard. The hand released him. . . The huge guard grabbed for him again, but Zet found the oar and punched it toward the man’s ribs.” The warrior arrives and helps Zet.

Drugs and Alcohol 

  • In the marketplace, a man and a stall owner argue over the price of beer.

Language 

  • Zet’s sister calls him a “jackal-head.”
  • A man calls someone a dog.
  • One of the thieves calls Zet a rat.

Supernatural

  • None

Spiritual Content 

  • When telling time, the description often refers to Ra. For example, “Overhead, the sun god Ra was nearing the end of his voyage across the sky. Soon, he would reach the horizon.”
  • Zet’s family has a household shrine. “Their statue of Bastet, the cat goddess, was small but made of the finest ebony. She had been the household god of his father, and his father’s father before that. . . He lit a stick of incense and prayed to her for help in finding the thieves.” 
  • When Zet prays to the statue of Bastet, he “rubbed Bastet’s carved, ebony head. Even though she was a statue, he felt sure she enjoyed it.”
  • When Zet sees one of the thieves, “he thought of his prayers to Bastet the night before and said a silent thank you.”
  • Zet and his sister go by a chapel. “Inside was the shrine with the stele—the stone carving—covered with dozens of engraved ears. During the day, the Hearing Ear shrine would often be crowded with worshipers coming to speak to the goddess. They’d ask her for favors or help with whatever ailed them.”
  • Zet and his sister sneak into a temple to spy on the High Priest. When the High Priest sees them, Zet says, “We simply want your blessing. A blessing from a man as powerful as yourself. You have the ear of the gods. You have the ear of Amenemopet himself.” The priest gives them a blessing.

Other Words for Home

When 12-year-old Jude is forced to leave her home country of Syria with her pregnant mother, she loses her friends, family, and her home overnight. Suddenly, Jude has left behind the only place she’s ever known and moves to Cincinnati, Ohio to live with her uncle. 

Adapting takes time. People in America talk fast and talk in ways Jude doesn’t understand. The English Jude learned back home is not enough to keep up, causing her to struggle in school and making it difficult to make friends. Americans dress differently too, and many of them don’t understand Muslim customs. Meanwhile, the constant stress of her mother’s pregnancy and being separated from her home, father, and brother weigh heavily on Jude’s mind. Yet the hardest part about adapting to America is figuring out who she is in this new place. In America, Jude must redefine herself in ways she never imagined. She relies on the last words her brother spoke to her: “Be brave.” 

Jude dives headfirst into making her new life work. She studies hard, develops relationships with new friends, and even tries out for her school musical. Yet Jude becomes torn between her past and present identities when a terrorist attack leads to an increased amount of hate crimes against Middle Eastern people in her town. Jude doesn’t understand why innocent people should be held responsible for the crimes of a few. Jude says, “Americans expect bombs to go off in Lebanon, in Pakistan, in my beloved Syria, but not in France, Britain, Canada. . . Americans think it’s normal for there to be violence in places where people like me are from, where people like me and people who look like me live. . . That they all see people like me and think violence, sadness, war.” Jude concludes that many people are quick to make generalizations about things they don’t understand. However, instead of getting upset, Jude decides to prove them wrong. She decides to truly be “seen.” 

Things start to look up when Jude scores a role in her school play and her new baby sister is born. Plus, Jude is able to talk with her brother for the first time in nearly a year. Eventually, Jude finds where she fits in, confidently pursues her goals, and is filled with hope for the future when her family can be reunited again. The book ends with Jude standing in the spotlight on the stage, ready to be seen. 

Other Words for Home is a story about a girl who, despite having her life uprooted, remains optimistic for a future where she can thrive. It is written in free verse, but the story is still easy to understand. As a narrator, Jude is humorous and direct which makes her story entertaining and powerful. American readers will find the events shocking because they will see their culture through the eyes of someone else. While people may know the facts and physical struggles of immigrant families, they rarely get to see the true emotions behind the people who endure these trials. Even though some parts of the story may be uncomfortable to read, Other Words for Home is a must-read because the story will give readers a better understanding of the life of immigrants in America.

While the content of Other Words for Home can seem political, there is never a time when the reader doesn’t identify with Jude. She feels like an outcast who wants others to see her for who she really is – not the labels that society puts on her. This is especially relatable to middle-grade readers, but is also relatable to anyone who wishes the world wasn’t so quick to judge. One of the most powerful moments in the story is when Jude bravely declares, “I am choosing to not be afraid” in the face of society’s prejudice. 

One theme that is highlighted throughout the story is the importance of not judging people based on their race. Jude is an immigrant, a Muslim, and a foreigner. Others often make assumptions about Jude and these perceptions alter how she is able to adapt to American society. At first, Jude is unsure of how to navigate these labels, but she slowly comes to resist them and stays true to herself. In the beginning of the story, Jude is torn over which place – Syria or America – is her home, but she comes to realize that home is a feeling rather than a place. Home is among her friends and family, who support her dreams and see Jude as her true self. 

Sexual Content 

  • When Muslim girls get their first period, they come of age and cover their hair with a headscarf. Fatima, one of Jude’s friends, is the first to get her period. Jude says Fatima “is one of the first girls in our grade to cover. She has bled between her legs.”
  • Jude says she wasn’t supposed to watch the movie Practical Magic or Pretty Woman because “witches and prostitutes scare Mama.”
  • Jude and her friend, Sarah, watch a show with kissing. Jude describes how Sarah “doesn’t seem surprised by all the kissing on the show. I wonder if she has been kissed herself but I’m not brave enough to ask her.”
  • Jude gets her first period. “I look at the bloodstained spots that appeared on [the] sheets overnight. . . then I saw the slow, thick, crimson drip between my legs, and I felt the dense cramp of my stomach and I knew.” 

Violence 

  • Jude sees a picture in a newspaper of bloodied civilians. “The front page is filled with awful pictures of people who are bloodied and cowering together.”
  • Jude’s brother, Issa, is at his apartment with Jude and his roommates when police raid it. “There is shouting, glasses knocked to the ground, bodies shoved against walls, the sounds of handcuffs clicking, more shouting.” Neither of them is injured. The story doesn’t say what happens to the other people. 
  • Layla tells Jude about a terrorist attack. “And then she tells me: about the explosion, about the blood in the streets, and the horror and the death.” These are the only details given about the incident. 
  • There are three instances of hate crimes. No one is injured. In the first instance, Layla’s family’s shop is defaced when someone writes “terrorists” on the storefront. In the second, a man follows Jude and tells her to “go back to where you came from.” Lastly, a woman tells Jude to remove her hijab. 

Drugs and Alcohol 

  • None

Language 

  • Jude’s friend, Miles calls the man who told her to “go back to where [she] came from” a jerk. 

Supernatural 

  • None

Spiritual Content 

  • Jude, her family, and a few of her friends are Muslim. There are references to Muslim culture such as the Quran, mosques, and Allah (God). Occasionally Jude brings up Arabic proverbs. 
  • Jude says that there are men who “manipulate the Quran to say things that the rest of us know it does not say.” 
  • Jude mentions an Arabic myth. “I felt like the woman from the Arabic myth who can see so far into the distance that she can see the future.”
  • Jude says, “Allah would want us to have faith.” When she receives a postcard from a friend after a long time of not hearing from her, Jude says, “[This] is the type of thing that makes me believe in Allah and the grace of the universe.”
  • Jude and her family visit a mosque together.

Golden Domes and Silver Lanterns: A Muslim Book of Colors

With breathtaking illustrations and informative text, Golden Domes and Silver Lanterns magnificently capture the world of Islam, celebrating its beauty and traditions for even the youngest readers. Sure to inspire questions and observations about world religions and cultures, this entrancing volume is equally at home in the classroom as it is being read to a child on a parent’s lap.

Golden Domes and Silver Lanterns uses vibrant colors that beautifully illustrate different aspects of the Muslim religion. Each two-page spread focuses on one color. For example, “Red is the rug Dad kneels on to pray, facing toward Mecca, five times a day.” Each sentence uses a large font to display both the color and the Muslim word that is being explained. Even though Golden Domes and Silver Lanterns is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Adults who are unfamiliar with the Muslim faith but want to introduce young readers to the religion will find a one-page glossary at the back of the book. 

The picture book shows many different people; however, it focuses on an unnamed girl and her family. The illustrations portray the girl’s family in a positive light and the beautifully colored images enhance the beauty of the religion. Several illustrations display the Quran as well as the architecture of a mosque. Adults who want to teach children about Muslim traditions will find the simple story format and the detailed illustrations delightful. Yo Soy Muslim: A Father’s Letter to His Daughter by Mark Gonzales also highlights the beautiful traditions of a Muslim family and would make an excellent addition to your reading library.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • Each page shows one way the girl’s family celebrates being Muslim such as wearing a hijab or a kufi as well as showing other important events such as Eid and Ramadan.

Hair Twins

Every morning Papa combs through his daughter’s waves like he does his own—parting it down the middle, using coconut oil to get all the tangles out.

Some days he braids her hair in two twists down the side of her face. Other days he weaves it into one long braid hanging down her back, just like a unicorn tail. But her favorite style is when he combs her hair in a tight bun on the top of her head, just like the joora he wears every day under his turban. They call this their hair twin look!

Hair Twins celebrates a Sikh father and daughter who have a special hair routine that celebrates the Sikh tradition of not cutting your hair. Papa’s love is clearly displayed when he takes the time to care for his daughter’s hair and style it in all sorts of fun ways such as when he makes “twists down the side of my face. They remind me of the long snowy-white braid my dadi wears to parties.” After the girl’s hair is styled, she becomes Papa’s “hair assistant” and soon they are both ready to greet the day!

The whimsical illustrations focus on Papa and his daughter and include some silly elements, such as when Papa brushes the girl’s hair “down the middle, like a river separating two enchanted forests.” The illustrator creates a picture that turns the girl’s hair into water with jumping fish. While not all of the pictures are fanciful, the brightly colored pictures clearly show the family’s love. Little readers will enjoy seeing the different hairstyles and their comparisons. 

This heartwarming story shows the incredible bond between a father and daughter, and it also gives readers a glimpse into their culture. The author’s note at the end of the book reveals more about Raakhee’s inspiration for writing the book. She also explains that she wanted others to be “inspired to proudly share their own tradition with the world.” For more inspiration, read Hair Love by Matthew A. Cherry, which is another picture book that shows how hair can be a form of self-expression. 

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • None

Now is the Time for Running

In the poor village of Gutu in Zimbabwe, Deo and his family live in one room. The people of his village are starving and struggling. Deo doesn’t even have a proper soccer ball to play with – just a bag of leather and twine – but this village is the only place he’s called home. When government soldiers destroy Gutu for housing “dissidents” suddenly Deo has lost his family, his home, and his happiness all at once. Deo’s mentally disabled older brother, Innocent, is his only remaining relative. Deo must get Innocent to safety in South Africa, but the journey to a better life is harder than he could ever imagine.

First, Deo and Innocent leave Zimbabwe. As they travel, they see a country torn apart by the government’s purge of dissenters. They narrowly escape run-ins with soldiers and travel through dangerous wilderness to cross the border. They spend some time at a farm, but danger arises when the local workers don’t like that refugees have stolen their jobs. The promise of a better, safer life lies in the city of Johannesburg. Once again, Deo and Innocent uproot themselves and travel to the city.

However, Johannesburg doesn’t turn out to be the haven they heard about. Instead of fighting against the government, the people in South Africa are fighting each other. Groups of radicals are calling for “foreigners” – the refugees from other African nations – to go home or be eradicated. They destroy refugee-owned shops and ruin their homes. During one of these raids, Innocent is killed. 

Without his brother, Deo doesn’t know what to feel. In fact, he wants to feel nothing at all. The book resumes almost two years later with Deo addicted to drugs and living on the streets. His life changes by chance when a soccer coach sees Deo’s skill with the ball, and suddenly Deo is given a place to sleep, warm food to eat, and a reason to live: playing soccer.  

At first, his team is a far cry from a family. Deo thinks they come from too many different places to understand each other. However, Deo’s coach convinces them that their strength lies their differences. They play successfully at the Street Soccer World Cup, also known as the Homeless World Cup – a competition that brings refugees and street kids together for the chance to change their lives. The story doesn’t reveal how the final match ends, but for Deo, his new life is just beginning. 

Inspired by true events, Now is the Time for Running is a journey of displacement through the eyes of a young man. Deo tells it like it is – he doesn’t shy away from the situation in Zimbabwe despite how much pain it causes him. It’s necessary to note that this book does not shy away from the horrors of civil war, poverty, and intolerance. While this book is not for the faint of heart, the lessons and truths it brings to light are meaningful and powerful. As a narrator, Deo goes through more in a few years than many people suffer through in their whole lives, but this doesn’t make him less relatable. Deo wants to protect the people he loves and to be happy – goals that anyone can relate to.

The first lesson of this book is clear: Deo never gives up. His unrelenting goal to protect his brother and escape the disastrous situation in Zimbabwe shows that he is continuously determined to have a better life. Even after Innocent dies and Deo struggles with addiction, he gets back on his feet through the soccer program. Despite great odds, Deo shows that people can always make the choice to persevere towards their goals. 

The other main theme of the story is not as apparent, but it’s one of the reasons readers see repeated instances of violence as Deo searches for a new place to call home: The “us vs. them” mentality. While present throughout the whole book, such as when the soldiers massacre the people of Gutu or when Innocent is killed in the anti-refugee riots, this issue comes to a head in Deo’s soccer team. After fighting breaks out amongst the teams, Deo’s coach teaches them that the true strength lies in their differences. The coach says, “Each of you brings something special to this team. Zimbabwe has brought me guts and determination; from Kenya, I get lightness and speed; from Mozambique, superb ball control and agility. . . It is because we are not the same that we are stronger than any other team in this competition! All of you have learned to play soccer in different parts of Africa. Our combined playing style is like no other in the world.” Once the team listens to the stories of their fellow teammates, they understand that they all have suffered, but they can all move forward together. 

Now is the Time for Running is a powerful book that teaches that strength does not lie in forcing everyone to be the same; it comes from accepting that everyone’s differences bring something new and unique to the table. Readers who want to learn about history through the eyes of an athlete should also read The Berlin Boxing Club by Robert Sharenow.

Sexual Content 

  • The guards punish Innocent by taking his clothes away. When Deo rescues him, Innocent throws a fit about being naked, but Deo convinces Innocent to come with him by saying that the soldiers might take both their clothes. “We don’t want the soldiers to come back and take my clothes too. Then we’ll both be naked. . . Can you imagine everyone laughing at our butts and our balls bouncing around?” 
  • One of the women that Deo and Innocent stay with is a sex worker. 
  • Two of the soccer players, T-Jay and Keelan, have a short exchange. When T-Jay says Keelan has a “cute butt,” Keelan gives him the middle finger. 
  • Innocent always carried a condom. Keelan says, “Perhaps your brother knew more about sex than you think.” Deo replies, “Innocent didn’t like girls much. He saw safe-sex ads everywhere, and he thought that condoms would keep him safe from girls.”
  • During a game, Deo describes, “Keelan. . . scored her third goal and headed straight to me. I was sitting on the bench when she threw her arms around me and kissed me on the cheek.”

Violence 

  • Deo punches a kid named Pelo who calls him crazy on the soccer field. “Pelo does not have the chance to finish what he’s saying because he has to deal with my fist in his mouth. . . ” Another kid pulls Deo away before the fight continues.
  • When Deo sees soldiers carrying guns, he thinks about the damage guns can cause. “I have seen a cow cut in half from a burst from one of those guns.” 
  • Deo knows stories about the violence brought by the soldiers. The soldiers “went to Chipinge when the people were angry from hunger, so angry that some of them were killed. Auntie Aurelia told us that her niece was one of those who were hungry. She did not say how she bled to death.”
  • Commander Jesus comes to Deo’s village, Gutu, to kill dissenters of the government. Commander Jesus says, “In the back of my jeep there is a drum filled with blood. The blood came from people who voted wrongly. My life is to drink human blood. My supply is running low. I have come here to kill dissidents. . . You are going to eat eggs, after eggs hens, after hens goats, after goats cattle. . . . Then you are going to eat your children. After that you shall eat your wives. Then the men will remain, and because dissidents have guns, they will kill the men and only dissidents will remain. That’s how we will find who they are, and then we will kill them.” 
  • The soldiers and Commander Jesus hurt Grandpa Longdrop. Deo witnesses “an awful crunch and [I] see Grandpa Longdrop collapse in front of me. His eyes look dazed. He tries to get up, and I try to reach him to tell him to stay down, but then Commander Jesus kicks him. He crumples.” 
  • Deo’s mentally disabled brother, Innocent, comes to defend Grandpa Longdrop. “Innocent runs screaming toward Commander Jesus with a stick raised high above his head. He cracks it down on Commander Jesus’s outstretched hands.” The soldiers attack Innocent. “The soldiers beat Innocent with their rifle butts. What is worse than the sound of wood against the bones of your brother?. . . Innocent does not cry. He lies like a baby, curled up, his hands and arms covering his head. . . Innocent is pulled to his knees. His face is crooked, his eyes black balls. Blood trickles from his broken nose.” Innocent later recovers from these injuries.
  • Commander Jesus has the soldiers beat all the residents of Gutu. “The soldiers beat us as we lie on the ground. . . Useless hands against hard sticks. Elbows cracked. Heads smacked. Screams. Flashes of wood. Soldiers grunting. And pain. Lots of it.” 
  • After the beating, Deo assesses the townspeople’s injuries. “Grandpa Longdrop lies on the ground, his head in my [mother’s] lap. Sometimes he groans, and sometimes he is so quiet that I am afraid that he will never wake up. . . The backs of my legs hurt where the soldiers’ sticks fell, but this is nothing to what others have suffered. One of Lola’s brothers has a broken arm. Bhuku’s [mother] has a split in her head that bleeds and bleeds. Shadrack’s little sister could be dead.”
  • The soldiers pull a truck driver out of his car and kick him before letting him run away.
  • The soldiers take Innocent as punishment for hitting Commander Jesus. Deo finds him later. “A naked body is lying in the middle of the [cattle pen]. The man’s wrists are tied to pegs in the ground. His ankles are tied to the end of a log that stretches his legs wide apart. There is a sack over his head. . . I notice ants crawling all over his body. . . There is dried blood at the side of his mouth, his nose is broken, and his eyes are all puffy.” Innocent says the soldiers also peed on him.
  • The soldiers end up killing everyone in Deo’s village. “Gunshots rat-a-tat-tat across the valley. . .I crawl forward into the noise of people dying. The soldiers are shooting. People are running away. Some are falling. Now the soldiers hold their guns as if they mean business. Their guns bark, come alive in their hands, their bullets rip into the earth, the walls, trees, pots, chairs, and flesh. I watch. I am too afraid to turn away. People scream; their cries are cut in half by bullets.” 
  • Deo finds his mother (or “Amai”)  and Grandpa Longdrop among the dead villagers. “Amai is lying face down. Her arms are thrown out in front of her as if she is trying to grab something out of her reach. Her back is covered with a damp patch of blood. . . I find Grandpa Longdrop. He stares up at the sky. His mouth is open. He does not look like Grandpa Longdrop anymore. I find Shadrack. Dead. There is Lola. Blood where her face should be. Her brothers are lying not far away.” 
  • During a soccer game, Deo gets angry and kicks a boy named Aziz. “I charge [Aziz] from behind and deliberately kick his ankles. He falls, and the players on his team shout at me.. . . Aziz gets up, inspects his knee. It’s bloody.”
  • When crossing the border, two of the men in the group climb an electric fence and are electrocuted. “The two men run ahead, faster than us. They are the first to reach the fence. They start climbing. . . The wire fizzes, crackles, and the men shriek and fall to the ground as the electricity burns them.” The men are dazed but recover. 
  • An anti-refugee gang pulls a shopkeeper named Ahmed from his store and beats him. “Hands grab Ahmed and pull him onto the street. He screams as many sticks fall on him. . . Ahmed’s white robes turn red with blood.” It’s unknown whether he lives or dies.
  • Deo finds Angel, a sex worker, beaten up by one of her clients. “Angel is covered with blood, beaten. She lies on her bed, curled up in a ball. Her face is swollen. . .” Angel explains that her clients “were tired of paying a kwerekwere [a foreigner]. They wanted it for free.”
  • Deo finds Innocent’s dead body on the ground during an anti-immigrant raid. “I see the shape of a human head, lying on its side. The shape of an arm and a hand. . . I reach the body of my brother, facedown on the ground, covered with rubble.”
  • A refugee named Muhammad commits suicide by jumping into the ocean. “Muhammad had had enough of what he called a life without hope and without country. . . so he chose to run to the blue horizon. [The police] sent out a boat to fetch [Muhammad], but they never found him.”
  • While playing soccer, T-Jay and Deo get in a fight. “T-Jay lashed out at me with his elbow. The blow caught me squarely between the eyes, and for a moment I thought I was going to fall down. But instead of taking me down, it was like a switch that flicked on inside me. My fist found its way up T-Jay’s nose and my knee said hello to his balls. . . he got in quite a few good punches before my nose started bleeding. I stopped kicking T-Jay only when I heard [the] whistle bursting my eardrum.”
  • Keelan explains how she ended up in South Africa. Soldiers came to her town to punish the people who had voted wrongly. Her father, the community leader, was killed. Keelan says, “they had chopped off his arms with a machete.” 
  • T-Jay shares his story too. His father lost his foot when he stood on a landmine. T-Jay’s father “couldn’t work anymore, so he stayed at home. He beat the crap out of me until the social services took him away.” 

Drugs and Alcohol 

  • Captain Washington, a family friend of Deo, drinks after he learns Deo’s mother is dead. Captain Washington “brings back a bottle of booze. He pours himself a drink and swallows it quickly…At least when he drinks, he is no longer crying.”
  • After his brother dies, Deo gets addicted to sniffing glue, a common addiction for street kids in South Africa. Deo says, “the glue makes everything weightless.” He also calls it the “magic tube.” Deo talks about getting high off glue and the withdrawal symptoms, which include vomiting and muscle aches. 
  • Deo notices that some of the other kids on his South African soccer team are also “glue-tube heads.”
  • T-Jay’s father was an alcoholic.
  • T-Jay says it’s too late for him to go back to school because he got into drugs.

Language   

  • The story contains some profanity. Shit is used a few times; damn is used three times.
  • Deo says fear smells worse than “dog crap.”
  • A rude man calls Mai Maria, a woman who helps Deo and Innocent cross the border, a “filthy Rasta woman.”
  • Angel calls someone a “bitch.”
  • The slur kwerekwere is used occasionally. It is a derogatory term for foreigners or outsiders. It is used by gangs of people who want to expel the refugees from their country.
  • The guy who sells Deo glue says, “get your ass down here.”

Supernatural 

  • There is a rumor that Mai Maria is a witch who eats children. 

Spiritual Content 

  • The Methodist Church is mentioned throughout the story because they sometimes provide food and shelter for refugees or struggling communities. Once, Deo stays in a shelter set up by the Methodist Church. 
  • Deo talks about Spirits. “Grandpa Longdrop says that there are two kinds of people, those who believe in the Spirits and those who don’t. . . I understand the Spirits of the Wind, the Spirits of the Rocks, and the Spirits of the Trees are all those who have died and live on in other ways. I understand that they watch over us, that they can sometimes be angry because we forget them. And it is said that when they are angry, they can sometimes punish us. But this thing of the beating [by the soldiers] is too big to blame on the Spirits. They would not allow such a painful thing to happen. If I believe in Spirits, why would I believe in something that causes such pain? Surely the Spirits had nothing to do with what has happened in our village.”
  • Deo sings an ancient Spirit song passed down by his family to prompt Innocent into a fit so they can distract a group of soldiers. “It is always terrible to see Innocent when he has one of his fits. . . People are afraid of Innocent when he becomes like this. They think he is possessed. They think that the Spirits have taken over his body.” The lyrics of the song are not included in the story.
  • One of the items that Innocent carried with him was a pocket Bible with a note inside from their father. The note reads: “To Innocent and Deo, This is not a book of laws but a book of love. It will always be your salvation.” 
  • The soccer team from the Philippines at the Homeless World Cup chants, “For God and for country!” 
  • Bishop Desmond Tutu, who has come to oversee the Homeless World Cup, thanks God and says to the players, “God bless you all!” 
  1. Pages:
  3. 1
  4. 2
  5. 3
  6. 4
  7. 5
  8. 6
  9. 7

Latest Reviews