Reading Level: Young Adult

Light it Up

Told in a series of vignettes from a myriad of points of view, Light it Up details a community’s reaction to a police officer killing a thirteen-year-old Black girl. An outraged city demands change, but quickly the outside world, and some white nationalists, take notice. As tensions escalate between the citizens of Underhill, and as the white nationalist group White Out arrives in the city ready to counterprotest, the lives of the residents are thrown into further disarray. 

Light it Up is the second book in her series, coming after How it Went Down, which is also about the killing of an unarmed Black teenager in the same community. It is not necessary to read How it Went Down first, but there are overlaps between the fictional setting and the characters. Each book makes sense on its own, as the focus is on different tragedies that happen to different characters. 

Magoon’s book takes place in a fictional city, but the unarmed killing of Black people in the United States is real, and she heavily borrows from real-life situations to bring her narrative to life. Magoon mentions the names of Black people killed by police in the United States including Michael Brown, Freddie Gray, and Martin Luther King Jr. She also includes a fictional white nationalist group, White Out, that is heavily based on real-life groups, and the KKK also makes a brief appearance. These moments serve to show how close her narrative runs along our reality.

Light it Up primarily tackles conversations about race relations in the United States from a variety of perspectives. Magoon addresses the nuances through many different points of view, including from a little girl who only speaks in simple poems, the daughter of a police officer, local nonprofit organizers, a gang leader, and many more. Each piece tells part of a larger story about the Black girl who was killed, but the lives of the other characters also shine through. Although this story is a tragedy at its core, it’s also about a community fighting the same fight day after day, and doing as much as they can to live somewhat normal lives. 

There are also segments of the book that show the scripts from news broadcasts and social media comments, which brings in extra context from outside the city of Underhill and paints an even broader picture of the conversations surrounding police brutality and racialized violence. Light it Up takes a stance that is clearly shown in one news segment in particular. A guest tries to justify the viewpoints of white supremacists, saying that their views are equally valid, and the news commentator points out, “The minute you accept the premise that intolerance is a valid point of view, you lose freedom.” This is a succinct look at one of the book’s main themes. 

Light it Up has mature content, including heavier language usage, violence, and sexual suggestions than some other young adult novels; however, its themes about race relations and community are powerful and certainly worth reading about. Additionally, most of the characters, unless otherwise specified, are college students or adults. Readers should take note that extreme bigoted language is used, but in context, the language shows the reality of white nationalists in the United States. This book is important to read because it helps illustrate the many facets of racism, and it does so in an intelligent and empathetic manner. There is not a happy ending after a child is killed, and the community can only do its best to grieve and continue the fight for a better home, despite the terrible obstacles. This is not a joyful occasion and the only way out is through. 

Sexual Content  

  • The characters in this book engaging in sexual content are exclusively adults. 
  • One character, Jennica, used to be in a relationship with a man named Noodle, and he still comes around her place sometimes. Jennica describes how Noodle says, “‘Hey, gurrrrrl.’ He drags the word out so long it sounds dirty.” When she rebuffs him, he says, “I wanna keep doing you.” Jennica also mentions that what she misses about him “has nothing to do with sex.”  
  • At another point, Noodle texts Jennica, “You look hella sexy in that apron.” Jennica is not amused. 
  • While drunk at a party, Noodle sexually assaults Jennica. Jennica narrates, “My back is against the wall and Noodle presses up against me with his whole body. His hands push up my skirt. His mouth is on my neck, my chest. When I try to wriggle away, he takes hold of my wrists, pinning them beside my head.” After a page, he is stopped by a man named Brick, whom Jennica then kisses despite Brick saying no several times. Jennica notes, “When our mouths meet, I taste salt and beer and breath. It’s one quick moment, or it lasts a hundred years. He tears his face away.” 
  • While she is drunk, Jennica makes a sexual pass at Brick. Jennica notes that Brick pushes her back a step, but she also notes, “But his eyes say different. His fly says different.” Nothing happens between them. Later, she articulates her attraction, saying, “[Brick’s] muscles. I’m kinda turned on and I hate it because it reminds me of last night. Of Noodle’s hand going between my legs.” 
  • Brick notes that he can have “any woman [he] wants.” He says, “I could lose myself in [the party], find some honey to wriggle against me, soft and warm. The one in the hot-pink mini skirt. Damn. The one with the shaved head and earrings like Olympic rings.” This is the extent of his detailing of his sexual desires. 
  • Community organizer Zeke is talking to community volunteer Kimberly at the community center as folks are seeking shelter from the police outside. Zeke gives Kimberly a blanket and notes, “She smiles up at me. So pretty. Sleepy eyes are kinda sexy, I guess.” 
  • It is insinuated that a character named Melody has sex with Brick. The only description of this is from Melody, who remembers, “my memory rings with the sensation of his muscles against me. His breath on my cheek. The quick, hard rhythm as we rise together. The way his arms wrap me tight as we lay together. His sweet whispers.”  
  • Brick and Melody have sex again. Brick’s usual dating method is: “We screw, we snuggle, then we go our separate ways. No hang-ups. I sleep careful. I sleep smart. No drama.” He says this as Melody wakes up in his bed. Brick sees Melody, “her shirt is off and the covers are pulled up right underneath her excellent rack…She’s right there, and willing, and it feels good.” They have sex again that morning, though no further details are given. 
  • Kimberly and Zeke are attracted to each other. Kimberly mentions that Zeke “is fine.” Zeke mentions that Kimberly “is fine. Can’t tear [his] eyes from that big, sexy behind of hers. Why is she wearing cute pants like that to the office? Nobody needs to look that good while filing correspondence.”  
  • Kimberly likes Zeke, but she insinuates that she may have had a relationship with another man that they mutually know. Kimberly says, “Zeke can’t ever know what happened between me and Al. Reverend Sloan. The senator.” She doesn’t elaborate about what happened further. 
  • Senator Al Sloan has a history with Kimberly, and she doesn’t like how he seems to speak in double-entendres. Kimberly notes that when he says, “I still think about that week,” she understands it as him saying, “I wouldn’t mind getting in your pants this time, if you’ll let me.” Kimberly manages to rebuff him at each opportunity. 
  • Kimberly and Zeke kiss. Kimberly describes, “His lips are soft. It’s not unpleasant. But I don’t know what to do… My hands find his fingers. His tongue plunges in and out and I try to move mine in response.” Kimberly explains to Zeke that she’s never had sex before, and after a couple of pages of discussion, it is insinuated that they do have sex, but nothing is shown. The sequence lasts for several pages. 

Violence  

  • The book’s central discussion is about police officers killing unarmed Black people. The characters reference real life examples listing, “Look at Watts in ‘65, look at LA after Rodney King, Ferguson after Michael Brown, Baltimore after Freddie Gray.” Later, students at a demonstration at their college campus, named other victims like “Emmett Till, Martin Luther King Jr., Sandra Bland,” and many others. 
  • One day, walking home from school, an unarmed Black girl, Shae Tatum, is shot and killed by a police officer. Descriptions throughout the book detail her death. For instance, after she’s shot, “the curb is dewy with blood.” Later, a police statement notes that “the child was running away and got shot in the back.” 
  • Shae’sdad comes running to the crime scene, and another character, Brick, stops him because, as Brick notes, “The next five minutes play out in my mind in sped-up slo-mo fashion: He’ll run at them. Try to bring them down with his own hands. Then he’ll be laid out beside her and they will feel justified.” Brick stops him, but the grieving father “pummels [Brick].” With the cops pointing guns at them, Brick requests that a paramedic “sedate [Shae’s dad]” and they do as he asks. The scene is described over a couple of pages. 
  • At a crime scene, the police tear gas the crowd. One cop notes, “The line we held firm for hours is shattered. So long, tenuous peace. The string of yellow tape bursts and drifts to the ground as people run and scream.” 
  • Brick seriously considers and plans to organize his gang against the cops, and he tells part of his plan to one of the women who’s attracted to him. She tells others that, “He’s talking it. Panther-level action, taking guns against the cops.” 
  • The young daughter of the police officer who killed Shae is being abused by other students at school. She notes, “When I am not looking, other kids reach out and pinch me as hard as they can. I say nothing. Like I’m supposed to.” 
  • The daughter of the police officer has a classmate who says to her, “I bet [your dad] beats your mom. All cops are beaters.” The classmate then “pounds his knuckles into the other palm,” and the daughter has flashes of what are presumably memories. She thinks, “The smack of skin on skin. Beer bottle against the wall. The boxing bag hanging from the garage ceiling… I know how to throw a good punch.” It is insinuated that she punches this classmate. 
  • It is insinuated that the police officer who killed Shae Tatum beats his wife. Their daughter notes, “[Mom’s] shirtsleeves taper smoothly to her wrists such that everything is covered.” 
  • Much of the book details the actions of the white supremacist group called White Out, but the book also details the history of white supremacist groups. One author on a news program explains, “The image of white people marching with torches by night evokes more than a belief. It evokes intent. Historically such images are associated with lynchings. The Klan and its members passed extra-legal judgment on any black people they had it in for. The image evokes hatred and represents an absence of due process. Forces that this country has been working for a century to overturn.”  Historical explanations of violence like this are explained throughout the book, but this is the end of this description. 
  • One college student, Tyrell, is having a conversation with his white classmate, Robb. Robb doesn’t understand that white supremacists and racism have always existed, and he asks Tyrell if there are white supremacists in his neighborhood. Tyrell thinks, “You mean like the cops who put us into walls, the teachers who tell us we won’t amount to anything, the cabbies who won’t stop for us, the bankers inside their bulletproof glass cages? You mean like the guy who shot my best friend?” Robb doesn’t understand that this is a system that he, as a white man, benefits from. 
  • One police officer watches the White Out rioters descend upon the city. He thinks to himself, “There is no one I hate enough to bring a torch to a park and chant in the dead middle of winter. I think hard about it. There’s no one. Well, terrorists, I guess. The kind of man who straps a bomb to his chest and walks into a school to set it off. I hate guys like that enough to set them on fire.”  
  • One white college student is driving his two black classmates to the protests, and he’s driving over the speed limit. The other two are worried about getting pulled over, and their white driver refuses to slow down. One of them then reaches “up from behind and takes his shoulder. Pinches his fingers as hard as he can into his soft tissue.” This convinces the white driver to slow down and be serious. 
  • The college students in the fray see a cop beat a young Black woman who tripped and fell during the protest. The cop’s “baton, already raised and ready, comes down hard on her. Crack! She screams as the cruel metal tube strikes her shoulder. She falls to the ground. The cop spins, putting his back to us, and brings the baton down on her again.” The white college student tries to stop the cop. The student’s “hand goes out, grabs the officer by the collar with one hand. His other hand knocks the baton aside and away from the woman on the ground.” This scene lasts for a couple of pages. 

Drugs and Alcohol  

  • Shae’s parents bring out the mulled wine, presumably for the people who are of-age. Mr. Tatum says, “My sister-in-law’s been making it like no tomorrow.”  
  • After police-mandated curfew hours, Brick considers staging a protest. Noodle tells him it’s a bad idea, saying, “The whole point is they come after us for nothing now. We can get high and forget about it.” 
  • Zeke is on a date with Kimberly and he offers her beer as “it looks like we’re out of wine.” 
  • A character notes that Brick’s parties involve a lot of “dancing and drinking and being all loud.” 
  • Jennica shows up to one of Brick’s parties angry. She says, “I came anyway. In time to see Kimberly and Zeke sitting right up where I used to sit. Holding court with Brick. I’m holding court with Jose Cuervo.” It is confirmed that Jennica is drunk. 
  • One college student, DeVante, checks his white classmate’s car he’s in for “errant weed,” as DeVante knows full well that he and Tyrell would be the ones that the cops would blame for it being in the car. 
  • DeVante and his white classmate Robb have been friends since the start of college. DeVante notes that, “We’ve talked about girls and kept each other from getting too drunk, or walked each other home when we’ve occasionally missed the mark.” It is implied that they are in their first year of college, but nothing else is described. 

Language  

  • Profanity is used frequently. Terms include hell, ass, God, goddammit, shit, fuck, and bitch.  
  • One character known for being insensitive reads about the murder. He tells his roommate, “Cops shot a girl. Only thirteen, and retarded or something.” His roommate responds, “Don’t say retarded.” This is the extent of the conversation. 
  • Robb refers to a woman news anchor as “the hot chick with the big lips.” He later says, “Can we get a scroll bar with her number?” The other people around berate his rudeness. 
  • Robb regularly makes microaggressions against Black people. For example, he notes that there are mostly white people at his college. He says, “Everyone in the room is white, except DeVante and two Asians. I mean, a Filipino and a … I forget. Chinese, maybe. Whatever — he grew up in Portland.” These comments come up semi-regularly. 
  • In one of the online forum posts, a presumably white person uses the N-word. The comment reads, “Fuck these n—-. We’re gonna take it to them where they live.”  In another post, the same commenter says, “You n— can’t keep a good cop down.” The term is written out in the book. 
  • White supremacists show up at Shae Tatum’s funeral, declaring that she deserved to be shot and that this incident was a “war on cops.” Zeke notes a photo that he sees at the funeral, describing, “The focus is on a small girl, not more than ten, standing at the front of the group. Her long blond pigtails fall over her shoulders, framing the hand-lettered sign at her chest: SHE HAD IT COMING.” Many more incidents like this occur throughout the book. Another sign at this event reads, “[The cop who killed Shae] DESERVES A MEDAL, NOT A PUBLIC LYNCHING.” 
  • A guest activist on a television program discusses the phenomenon of counterprotests. They say, “There’s a history of counterprotest. Remember, the ‘God Hates Fags’ contingent showed up at Matthew Shepard’s funeral.” This is the extent that this term is used. 
  • One newscaster notes that on social media the counter-protesters were trending the phrase, “The only good n– is a dead n–.” The newscaster doesn’t say the word but instead indicates it with the n– instead. 
  • Another person on a social media thread comments about the black protesters, “Like monkeys in the zoo. Making sounds and throwing feces. Ooh Ooh. Fenced in! Tear gas! Tase their asses!” 
  • Brick sees that his friends are being arrested for protesting. He thinks to himself, “Cops and n–s in a game of chicken- who’s more afraid of the dark?” The word is spelled out in the book. 
  • Jennica and Melody stand with the protestors against White Out. One of the white supremacists yells at the group, “Oooh oooh ooh! Go back to Africa, you motherfucking apes!”  
  • After getting Shae’s dad away from the police officers, he is sedated and lying in the back of a car. Another man is trying to keep him upright but is struggling, and he says, “Fuckin’ Christ.” 
  • Brick swears in surprise at Jennica when she’s drunk and she kisses him. He says, “Jesus, fuck.” 
  • One of the cops is complaining about paperwork. He says, “Christ, look at all these arrest reports.” His co-cop says, “Don’t take the Lord’s name in vain, for God’s sake.” They both laugh at his joke. 

Supernatural 

  • None 

Spiritual Content  

  • Someone on a news forum comments saying, “Why r u up here talkin bout blessings? Ain’t no GOD in this mess.” Many other people give their “thoughts and prayers” to the community. Another comment states, “You trippin. Prayers aint enough.” 
  • Shae Tatum’s funeral is held at a church. One little girl notes, “Ladies, ladies / loud ladies / big ladies / chewing ladies / sipping ladies / humming, Lord Jesus / humming, my baby / humming all the way to the cathedral sky.” 
  • The cop who killed Shae Tatum sits with his family at their home, holding a vigil for Shae. His wife lights a bunch of candles and says to her family, “Let’s pray.” The scene lasts for half a page. 
  • A news show discusses the intersection of faith, liberty, and rights. The guest on the program notes, “When a serial killer says God made him do it, we don’t let him off the hook for his crimes. Are we supposed to accept murder as a protected aspect of faith?” This discussion lasts for several pages. 
  • A commenter on a social media forum says about the verdict, “Life and death, reward and punishment, is the purview of God Almighty. Righteousness has been on our side from day one. #HeroCop.” 
  • One of the college students is deeply upset and is thinking of his friend who was killed by police. He thinks, “Don’t know what to make of a world without justice, of a God who turns our best intentions into the dark.” This point is not elaborated on more. 

Shadow and Bone

Alina Starkov never expected to be anything but ordinary. An orphan from Keramzin, a small village in Ravka, she is a mapmaker in Ravka’s First Army. Her best friend, Mal, is also in the army as a tracker. Alina wants nothing more from life. 

But that changes when her regiment attempts to cross the Fold, a swath of deadly darkness created 400 years ago by the Black Heretic that splits Ravka in half. Alina discovers that she can summon light, making her a Grisha – someone with the ability to practice the Small Science. But Alina is no ordinary Grisha – she is a Sun Summoner, who is prophesied to destroy the Fold for good. 

Now Alina will enter a lavish world of royalty and intrigue as she trains with the Grisha, her country’s magical military elite—and falls under the spell of their notorious leader, the Darkling. He believes Alina can summon a force capable of destroying the Shadow Fold and reuniting their war-ravaged country, but only if she can master her untamed gift. 

Alina begins working with the mysterious Darkling, the only Shadow Summoner and leader of the Grisha. He tells Alina that he seeks to rectify his ancestor’s mistake and unite Ravka once more. The Darkling says Alina is Ravka’s only hope. But the more Alina learns about the Grisha world, and about the Darkling himself, the more she realizes that things are even more complicated than she previously thought. With Ravka’s future on her shoulders, Alina must figure out who her allies are and possibly prevent a catastrophe bigger than the creation of the Fold itself. 

As the first book in a fantasy trilogy, Shadow and Bone has the difficult task of setting up its characters, setting, and plot in an engaging way while still leaving room for the story to develop in subsequent books, and it does not disappoint. The world-building is excellent as it introduces just the right amount of information so that the reader is not confused but is still intrigued to learn more.  Throughout the story, Bardugo expertly weaves in more details as needed. Ravka comes to life through Bardugo’s lush prose that provides just enough description without distracting from the plot so that even the most plot-driven readers will not be able to walk away from this book. 

Another positive aspect of Shadow and Bone is its vast cast of characters. Even minor characters have multiple layers of depth which keeps readers on their toes and makes them constantly examine the characters’ decisions. Alina is an easy character to relate to for anyone who has ever struggled to fit into an unfamiliar environment, and her strength and perseverance make her an admirable protagonist. This is especially evident in her struggle to merge her new life with her old dreams for her and Mal, and readers will root for her as she searches for ways to combine her ordinary past with her extraordinary present. Readers will eagerly devour Shadow and Bone, and delight in learning about the world of the Grisha alongside Alina. 

Sexual Content  

  • A beautiful Grisha girl smiles flirtatiously at Mal. His friends tease him. “‘You know she’ll be staying at camp,’ Mikhael said with a leer. ‘I hear the Grisha tent’s as big as a cathedral,’ added Dubrov. ‘Lots of nice shadowy nooks,’ said Mikhael, and actually waggled his brows.”  
  • Mal taps on Alina’s tent after hours. One of her fellow soldiers hears the knock and giggles, “If it’s that tracker, tell him to come inside and keep me warm.” 
  • The night before their regiment crosses the Fold, Alina and Mal reminisce about their childhoods. They are interrupted and when Mal gets up to leave, he tells Alina to wish him luck. She does, and then thinks sarcastically, “Good luck? Have a lovely time, Mal. Hope you find a pretty Grisha, fall deeply in love, and make lots of gorgeous, disgustingly talented babies together.”  
  • Alina’s friend Genya usually spends her time at the Grand Palace because the Queen and especially the King like to keep her close. It is insinuated that the King treats Genya as if she is a prostitute. Genya later confirms this to Alina, telling her that “the King has his way with lots of servants.” 
  • The Darkling kisses Alina in an empty room at the Little Palace. “I’d been kissed before, drunken mistakes, awkward fumblings. This was nothing like that. It was sure and powerful and like my whole body had just come awake. I could feel my pounding heart, the press of silk against my skin, the strength of his arms around me, one hand buried deep in my hair, the other at my back, pulling me closer.” This scene occurs over two pages. 
  • As Alina wanders the outskirts of the city, a drunk man stumbles out of an inn and grabs Alina by the coat. He says, “Hello, pretty! Have you come to keep me warm?” He makes a few more comments in the same vein; Alina quickly gets away by blinding him with her light powers. 

Violence  

  • When Alina’s regiment attempts to cross the Fold, they are attacked by volcra, deadly creatures who live in the Fold and feed on humans. There are many injuries and casualties, including Alina’s friend Alexei. Alina “gasped as Alexei’s arm was yanked from mine. In a spurt of flame, I saw him clutching at the railing with one hand. I saw his howling mouth, his wide, terrified eyes, and the monstrous thing that held him in its glistening gray arms, its wings beating the air as it lifted him from his feet, its thick claws sunk deep into this back, its talons already wet with his blood. Alexei’s fingers slipped on the railing . . . His screams faded into the sounds of battle as the volcra carried him into the dark. Another burst of flame lit the sky, but he was gone.” This scene occurs over four pages. 
  • When Alina is being taken to the Little Palace by Grisha guards, they are attacked by Fjerdan assassins. Alina “huddled on the floor [of the carriage], clutching the knife’s heavy hilt, my knees to my chest, my back pressed against the base of the seat. Outside, I could hear the sounds of fighting, metal on metal, grunts and shouts, horses whinnying. The coach shook as a body slammed against the glass of the window. I saw with horror that it was one of my guards. His body left a red smear against the glass as he slid from view.” This scene occurs over four pages. Many unnamed people die, and a few are injured.  
  • Alina has a nightmare where she “threw open the door . . . and screamed. There was blood everywhere. The volcra was perched on the window seat and, as it turned on me and opened its horrible jaws, I saw it had gray quartz eyes.”  
  • During a combat training session, Alina spars with Zoya, one of the most powerful Grisha. Zoya “pressed her advantage and lunged forward. That was her mistake . . . I [Alina] stepped to the side, and as she came in close, I hooked my leg around her ankle. Zoya went down hard. . . But before I had a chance to even register my victory, Zoya sat up, her expression furious, her arm slashing through the air. I felt myself lifted off my feet as I sailed backward through the air and slammed into the training room’s wooden wall. I heard something crack, and all the breath went out of my body as I slid to the ground.” 
  • In the woods, thieves attack Alina and Mal. Alina’s training saves them. “Before he could recover, I [Alina] slammed a knee into his groin. As he bent double, I put my hands on the back of his head and brought my knee up hard. There was a disgusting crunch, and I stepped backward as he fell to the ground clutching his nose, blood spurting between his fingers.”  
  • The Darkling kills Morozova’s stag in order to use its antlers to make an amplifier for Alina. The Darkling “strode forward and without hesitating slit the stag’s throat. Blood gushed into the snow, pooling around the stag’s body. I watched as the life left his dark eyes, and a sob broke from my chest.” 
  • Alina has a nightmare. “That night, I dreamed of the stag. I saw the Darkling cut his throat again and again. I saw the life fading from his dark eyes. But when I looked down, it was my blood that spilled red into the snow.” 

Drugs and Alcohol  

  • Alina watches a friend “take a swig from the bottle [of kvas] and then lurch forward.” Kvas is the Ravkan equivalent of beer. 
  • While en route to the Little Palace, Alina, the Darkling, and the rest of the Grisha guards sit around a fire and “pass a flask back and forth.”  
  • Genya, Alina’s best friend at the Little Palace and a Grisha servant to the Ravkan King and Queen, describes the King as “probably drunk” and says that he “devotes all his time to hunting, horses, and imbibing.”  

Language  

  • None 

Supernatural 

  • This book involves a magic system known as the Small Science, which is a way of manipulating matter. Those who can wield the Small Science are known as Grisha. The Grisha are split into three orders: Corporalki (the Order of the Living and the Dead), Etherialki (the Order of Summoners), and Materialki (the Order of Fabrikators).  
  • The Darkling and Baghra, Alina’s tutor, are Shadow Summoners, while Alina is a Sun Summoner; these are unique abilities that no other known Grisha possess. For example, here is a description of when Alina summons light for the first time on purpose and by herself: “I called and the light answered. I felt it rushing toward me from every direction, skimming over the lake, skittering over the golden domes of the Little Palace, under the door and through the walls of Baghra’s cottage. I felt it everywhere. I opened my hands and the light bloomed right through me, filling the room, illuminating the stone walls, the old tile oven, and every angle of Baghra’s strange face. It surrounded me, blazing with heat, more powerful and more pure than ever before because it was all mine. I wanted to laugh, to sing, to shout. At last, there was something that belonged wholly and completely to me.” The Darkling’s power works in a similar way: “He brought his hands together and there was a sound like a thunderclap. I gasped as undulating darkness spread from his clasped hands, spilling in a black wave over me and the crowd.” 

Spiritual Content  

  • Many Ravkans worship Saints, and consider Alina to be a living Saint because she is the Sun Summoner. 
  • The Apparat, the King’s spiritual advisor, tells Alina, “There is something more powerful than any army. Something strong enough to topple kings, and even Darklings . . . Faith.”  
  • Alina checks the casualty lists every week, looking for Mal’s name, and each time she doesn’t see his name she “gives thanks to all the Saints that Mal was safe and alive.” 
  • When Alina is on the run, she can’t resist slipping into a tiny church to hear the priest say Mass. The priest “offered prayers for the congregation: for a woman’s son who had been wounded in battle, for an infant who was ill with fever, and for the health of Alina Starkov. ‘Let the Saints protect the Sun Summoner,’ intoned the priest, ‘she who was sent to deliver us from the evils of the Shadow Fold and make this nation whole again.’” 
  • Alina describes Genya as “a painted icon of a Saint, her hair a burnished copper halo.” 

My Flawless Life

Hana Yang Lerner seems to have it all. She excels academically and attends St. Francis, the most elite private school in Washington, D.C. Plus, her position as the daughter of a prominent senator means she is popular and has a bright, shining future ahead of her. 

However, Hana’s reputation is ruined when her father is arrested for a car accident that left a woman seriously injured. Unable to fix her own life, she becomes the school’s unofficial “fixer” – the fixer of other people’s problems. Now, her fellow students contact her, knowing she will be able to bury their secrets. With her friends gone and a deep knowledge of how to make and use connections to her advantage, Hana is well up to the task. 

Until one day, when Hana is contacted by an anonymous student, called Three. Three asks Hana to trail her ex-best friend, Luce Herrera. Hana agrees, thinking this is how she gets her old life back. But the deeper she digs, the more she finds out about her classmates – more than she ever wanted to know. Along the way, she is also forced to confront a deep secret of her own. 

The redeeming qualities of My Flawless Life mostly have to do with its discussion of complex issues such as the “money fixes everything” mentality, parental expectations, and the value that teens place on popularity and reputation. Because Hana and her classmates come from prominent families, they are expected to be perfect and do great things with their lives. Through Hana’s thoughts and emotions, readers will get a glimpse into how that pressure affects teens. They will also see how that pressure is reflected in Hana’s actions, and to a lesser extent the actions of her classmates.  

The overlap between money and reputation is also discussed, bringing to light how important money is in elite circles. Hana’s family’s reputation shatters after her father loses his job and they are forced to move into a smaller home, showing how quickly status can be lost. At the same time, this book examines how money can make a lot of problems go away. For example, Hana is paid well to keep her classmates’ secrets in the dark. My Flawless Life seeks to examine how teens growing up in wealthy elite circles are essentially encouraged to use money in this way. The story condemns this, while simultaneously showing the pressure and expectations that leads teens to accept this way of life despite its ethical concerns. 

However, My Flawless Life is lacking in many aspects. Despite its marketing as a thriller, the book is slow-paced until over halfway through the story. The first half is mostly background information that could have been woven throughout the story to make the pacing more even. Once the mystery actually begins to unfold, the pacing feels too quick – there are so many twists and turns in such a short amount of time that the plot becomes confusing and overwhelming. Furthermore, although Hana is an interesting and well-developed character, most of the side characters feel flat and underdeveloped.  

In spite of the book’s drawbacks, My Flawless Life is interesting and worth a try for readers who enjoy mysteries, unreliable narrators, and discussions about issues such as money, parental expectations, and academic pressure. If you’d like another engaging story that touches on topics such as wealth and parental expectations, American Royals by Katharine McGee would make an excellent choice. Readers should also pick up Amber House by Kelly Moore, a fast-paced story that focuses on family drama. 

Sexual Content  

  • None 

Violence  

  • In a flashback, a car accident is described: “Through the beam of our headlights, I saw a flash of a person in front of us, one arm raised to her face as if bracing for impact. Then darkness. A grotesque thud on the front of the car. A sickening crunch as we skidded through the grass. Then stillness.” 

Drugs and Alcohol  

  • At a party, Hana sees one of her classmates, Tiffany, snort a line of what Hana assumes is Adderall. 
  • At another party, Hana and her classmates play a drinking game. Some drink alcohol, while others drink nonalcoholic soda, but those who do drink get slightly tipsy. 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

Very Bad People

Six years ago, when Calliope was in middle school, her mother lost control of a minivan and plunged into a lake. Calliope and her two sisters, Lorelai and Serafina, survived the crash, but their mother died. The investigation into why the car crashed was inconclusive. Despite the pain of losing their mother, Calliope’s sisters and father were able to move forward. But Calliope has never been satisfied. She suspects that something else is at work behind her mother’s death, and she’s determined to find out what it is.  

Now a junior in high school, Calliope has earned a spot at Tipton Academy – the school her mother once attended. For the first time, she is separating from her family in order to get closer to her mother’s past, hoping that it will bring closure. While Calliope struggles to adjust, she joins Haunt and Rail, a secret society that is responsible for influencing important decisions at the academy. After attending the initiation, Calliope is wary of the society’s role and motives. She also learns that her mother was once a member of Haunt and Rail, or a “Ghost,” too. Feeling that she is closer than ever to discovering her mother’s past, Calliope’s doubts subside as Haunt and Rail secretly – and successfully – launch a campaign to increase pay for the food staff at Tipton. Calliope plunges headfirst into her responsibilities as a Ghost, and she finally feels like she belongs and is inspiring change at Tipton.  

Things start to go awry for Calliope when rumors arise that one of Tipton’s English teachers, Mr. Ellis, is having inappropriate relationships with female students. At first, Haunt and Rail seek to vindicate the affected women, but soon their desire for change becomes more ambitious. Calliope becomes caught up in a crime she never expected as the truth behind her mother’s death comes to light.    

Very Bad People lives up to its title. Readers may pick up this book expecting a boarding school mystery, but they may not be ready for the story’s twists and deceptions. As for the narrator, Calliope is a curious, driven character, who often reflects on her choices. At times, Calliope realizes that she is a bad friend and tries to be better. Plus, she struggles with her allegiance to Haunt and Rail. Even though Calliope is trying to be a good person, she is often complacent even though she knows something is wrong.  

Unfortunately, Very Bad People has many flaws. For example, while Calliope’s complexity makes her more interesting, readers may be surprised by the story’s dark nature. In the end, Calliope’s story feels secondary to the mystery and setting. In addition, her romance with Nico is almost unnecessary. The plot is bogged down with lots of detailed information about the school and a long list of characters that can be difficult to keep track of. Very Bad People is a story for an experienced reader of the mystery genre – not for someone looking for a romance or a detective tale.   

Sexual assault and murder are the main conflicts of this story, and it is very dark at the end. The conclusion shows that Calliope can’t trust anyone—not even her family. The events in the story are traumatic for Calliope and she will never be the same. Regardless, the story has a somewhat happy ending. The conclusion is satisfying because Calliope is finally brave enough to make the right choice.  

Very Bad People is a page-turning thriller. The betrayal between friends and family is shocking to the core and Calliope’s investigation of her mother’s death is thorough – too thorough for her own good, leaving her entangled in a secret society whose motives are questionable. Overall, readers who want a mystery full of twists and turns in an intricate setting should give this story a try, particularly those who enjoy dark academic themes. Readers who aren’t afraid to jump into an exciting book with complicated characters who face evil should read the Truly Devious Series by Maureen Johnson. Readers who want an excellent mystery that isn’t as graphic should grab a copy of Endangered: A Death on a Deadline Mystery by Kate Jaimet. 

Sexual Content  

  • A few weeks after starting school, Calliope begins dating another student, Nico. They hold hands occasionally. 
  • Calliope and Nico kiss. Nico “leans forward and tilts his chin just slightly to the left. Our lips brush lightly once, then come together, and I am falling, falling, and I don’t have to think anymore.” They kiss a second time but it is not described. 
  • Calliope’s aunt, Mave, is bisexual. She uses the words “bisexual” and “queer” to refer to herself, and she is also married to a woman, Teya.  
  • At a Haunt and Rail celebration, Calliope sees two students kiss. “Akari and Lucas finish their dance and collapse onto the couch to a round of applause and hoots. Her body drapes across his, and he presses his lips to hers.”  
  • Calliope’s sister, Lorelai, says that she kissed a boy.  
  • Mr. Ellis, a teacher at Tipton, is accused of being a predator. It is revealed that he “watches teen porn” on his tablet and that he converses with female students via inappropriate text messages. According to a student, Ellis is responsible for, “Inappropriate touching, sexually explicit speech, and private invitations to visit his faculty apartment without other students or teachers present.” Multiple victims are mentioned in the story, including a girl named Lacy, who committed suicide after what he did to her. In addition, Brit, a member of Haunt and Rail, reveals that Mr. Ellis made sexual advances toward her.  
  • After a student, Aymée, is kicked out of Haunt and Rail, the group retaliates against her by sending pictures to the school. The pictures include depictions of Aymée’s past relationship with a teenage boy while she was in middle school along with a note that suggests she had a relationship with Mr. Ellis. In one of the pictures, Aymée is kissing the teenage boy. 
  • Aunt Mave admits she slept with Kathy (Calliope’s mother’s) ex named Danny. 
  • Calliope’s sister, Lorelai, admits that she knew that Kathy was having an affair with Danny. “I saw them together. . . When I walked into the house. . . Momma wasn’t inside. I went around back, looking for her, and she was in the woods behind the house with some stranger. They were half-naked, rolling around in the pine needles. . . Momma said Danny was her special friend and tried to sell me some bullshit story about what they’d been doing. I didn’t fully get what was happening, but I knew it was bad. I knew what kissing was, obviously.” 

Violence  

  • Calliope’s mother, Kathy, died in a car accident. Kathy, Calliope, and her two sisters, Lorelai and Serafina, were in the car. Calliope frequently remembers this moment and her memory of the incident is crucial to the story’s plot. It is described in detail when Calliope says, “I woke to cold water – rushing in, filling the van, dragging us under. Screams and screams. Only our mother was silent in the front, slumped over the steering wheel . . . ” Calliope continues to describe how she and her sisters were able to escape the van, but had to leave their mother behind.  
  • Aunt Mave tells Calliope a story about a student who died when she went to Tipton. The student, Adam, died on campus and there were rumors that his death may have been a murder and that Haunt and Rail were involved. Mave says, “[Adam] died on campus, right in one of the dorms. Tripped down a flight of stairs in the middle of the night, and no one found him until the next morning.”  
  • Calliope finds out that Haunt and Rail members killed Mr. Ellis by poisoning his food. Calliope sees his dead body. “Mr. Ellis is slumped over in a wooden chair, head, chest, and arms draped across the top of his kitchen table. His eyes are open, empty bowls. A dark pool halos his head and drops down onto the tile. Blood – no, vomit.”  
  • Lorelai admits that she was the one who caused her mom’s car accident. “I never planned for it to happen. . . I just needed the car to stop, and I kept asking Momma, and she told me to be quiet. . . Momma still wouldn’t pull over, so I grabbed the wheel. I just wanted us to turn around, go home, but the van spun out, off the road. Then we were in the lake, and Momma wouldn’t wake up.” 

Drugs and Alcohol  

  • At a Haunt and Rail party, someone brings champagne. No one gets drunk. Calliope takes a sip of it. 
  • Calliope’s classmate carries a flask and drinks from it when she visits Calliope’s room.  

Language  

  • Lucas calls Adam a “douchecanoe” and an “ass.” He curses while he describes Adam’s behavior. “Adam was a total daddy’s boy. He was this uber-privileged asshole. . . Adam was partying on campus… [After curfew] he kept the party going in his room, getting shitfaced by himself.”  
  • Students says “fuck” a few times. For example, one student says, “fuck this meeting” and calls Mr. Ellis a “fucker.”  
  • Akari (another student) says, “Damned if we do, damned if we don’t.” 
  • “Shit” and “bullshit” are said once.  
  • When the senior Haunt and Rail students accuse Aymée of sabotaging their plan, Aymée says, “I’m not putting my ass on the line,” and, “You’re all fucking brainwashed.” 
  • “Jesus,” “Christ,” and “Oh my God” are all used several times.  

Supernatural  

  • None 

Spiritual Content  

  • None 

Jackpot

Meet Rico: high school senior and afternoon-shift cashier at the Gas ‘n’ Go who also takes care of her younger brother. Every. Single. Day. When Rico sells a jackpot-winning lotto ticket, she thinks maybe her luck will finally change, but only if she—with some assistance from her popular and wildly rich classmate Zan—can find the ticket holder, who still hasn’t claimed their prize. But what happens when have and have-nots collide? Will this investigative duo unite. . . or divide? 

Told from Rico’s point of view, Jackpot highlights the difficulties of living in poverty. Many readers will sympathize with Rico’s struggles and relate to her insecurities. Rico is an interesting, well-developed character who believes poverty has stolen all her opportunities. In contrast, Zan has never had to worry about money. Despite this, Zan feels his only option is to work for his family’s company.  

In the end, both characters realize, “Everyone has choices. Are some of them hard? Yes. But if you want something bad enough. . .” Rico and Zan’s relationship gives both of them a new perspective and the bravery to take control of their lives.  

Even though Rico and Zan are completely opposite from each other, they each have universal teen conflicts that readers will connect with. Neither character allows others to see their true selves. Zan has closed himself off because he is afraid others will take advantage of him due to his family’s wealth. On the other hand, Rico’s life has been so consumed with work — schoolwork, her job, and caring for her brother — that she has no friends. In addition, Rico feels inferior to her wealthy classmates. Being friends with Zan teaches Rico that not having money doesn’t mean you’re not as worthy as those who do. 

Many teen readers will connect with Jackpot because of the interesting characters and universal themes. While readers will sympathize with Rico’s situation, Zan is the real star because his quirky behavior is humorous and endearing. Even though Rico and Zan are realistic characters, the conclusion is not quite believable. Despite this, Jackpot’s focus on class will leave readers thinking about how one’s class affects every aspect of life. In the author’s note, Stone explains that Jackpot reinforces the idea that “there’s a whole lot more to people than how much — or how little — is in their bank account.” Readers who want another book that explores classism should check out I’m Not Dying with You Tonight by Kimberly Jones & Gilly Segal and Class Act by Jerry Craft.  

Sexual Content  

  • Zan goes to see Rico at work. As he’s leaving, he “yanks” her forward. Rico collides “with his chest—then he’s wrapping his arms around my waist and lifting me off my feet. . .” Afterwards, she is “legitimately hot all over.”  
  • ​​​Rico’s grandfather was “a white guy. . . he had a one-night stand with an . . . escort he’s pretty sure was black, then ten months later, my mom was left on his doorstep.”  
  • Rico’s mom got pregnant when she was in college. “She spent a month in Spain and came back pregnant. . . she didn’t know about his wife and kids. . .” 
  • Rico’s friend Jessica says, “Timberlake’s old news, but I’d totally have his babies if I weren’t so bent on having Ness’s [her boyfriend].” Later, it is revealed that Jessica and Ness are sexually active. 
  • Rico goes to a friend’s house where she’s surprised to see Zan. When Zan sees her, she describes how “he rushes over and scoops me up in what I can only describe as THE HUG. . . he holds me by the shoulders and basically eats every inch of my body.” 
  • After getting drunk, Rico wakes up next to Zan. Even though they are both fully dressed, Rico thinks that they hooked up and she just can’t remember it. An older woman tells Ric
  • o that after her first marriage broke up, she met Lionel. “Lionel really knew his way around a lady, if you catch my drift.” 
  • While Rico is working, an adult buys a Playboy magazine from the convenience store. 
  • Rico’s brother asks if she’s had a wet dream. He explains what he means. “They’re dreams where you’re doing it with somebody, duh. Mason’s big brother has them all the time and he pees out sticky stuff in the bed, so that’s why they’re called wet.” 
  • Jessica and her boyfriend are kissing when someone tells them to “get a room.” 
  • Rico and Zan pose as a couple in order to look at houses for rent. As part of the ruse, Zan tells the real estate agent that they “’had a little too much fun after winter homecoming, if you catch my drift.” Zan winks and pats Rico’s belly. 
  • Rico has an emotional moment and begins to cry. To comfort her, Zane “draws me in to him. The more I cry, the closer we get until I’m curled in his khaki’s lap like a toddler, sobbing into the neck of his perfectly pressed polo shirt.” After snuggling for a few minutes, Zane says, “Don’t take this the wrong way, but you should probably get off my lap now.”  

Violence  

  • None 

Drugs and Alcohol  

  • Zan thinks Rico is acting “high strung.” He tells her, “We need to get you some good weed or something.” 
  • Jessica’s mother “drinks away most of her paycheck.” 
  • Rico goes to a friend’s house. The teens there drink alcohol and get “a bit tipsy.” 
  • Jessica wonders which one of the cheerleaders is in “therapy and on anti-anxiety meds.”  
  • When Rico’s brother has a fever, she gives him ibuprofen. 

Language  

  • Profanity is used often. Profanity includes variations of ass, asshole, bitch, crap, dumbass, damn, hell, pissed, shit and motherfu–.  
  • Lord, God, Jesus, and other religious names are used as explanations often.  
  • When Rico wakes up next to Zan, she thinks, “Might as well have a red letter T for tramp tattooed on my cheek.” 
  • Rico thinks someone is a douche-jackass and a son-of-a-bitch. 

Supernatural 

  • None 

Spiritual Content  

  • Zan is Catholic and goes to mass “when [his] grandma makes [him].” 
  • Rico thinks about God. “The whole God thing has always been a little suspect to me.” Rico’s mom would listen to the “sermon station” but this just made Rico question God’s goodness. “But for as long as I can remember, Mama has prayed without ceasing, and . . . well, I find it tough to believe this God character is so great when we continue to barely scrape by despite how hard Mama works and prays.” 
  • At one point, Rico thinks that God will “smite us [her and Zan] for all these lies we’re telling.” 
  • While at a wedding, Rico looks at Zan and thanks “whatever God is worshipped in this church for the fact that I’m already sitting.” 
  • Rico’s boss has heavy security on his computer. Rico explains, “He got new software just after the store was broken into and trashed by anti-Muslim douchefaces last August.”  
  • Rico goes to Zan’s house to eat dinner with his family. Zan’s father prays, thanking God for the food and his successful business. Then he says, “Lord, we thank you for our young Alejandro [Zan], and for the light that has recently graced his life, pulling him out of darkness—” Zan’s father was talking about Rico. 
  • Zan’s grandmother invites Rico to mass and then asks if Rico is a believer. The conversation gets interrupted before Rico can answer. 

I Kissed Shara Wheeler

Chloe Green wants nothing more than the title of valedictorian, and she’s almost got it in the bag. There’s just one little problem and her name is Shara Wheeler, who happens to be Chloe’s greatest competition and school sweetheart. Chloe and Shara have been competing forces since Chloe arrived at Willowgrove Christian Academy during her freshman year of high school. They have a completely normal academic rivalry, until Shara corners Chloe and kisses her, leaving Chloe angry and bewildered. 

Then, Shara goes missing after prom night and the whole school is enraptured by the perfect Christian girl’s disappearance. Chloe is unfazed, however; she knows there’s more to Shara than meets the eye. Chloe discovers that she isn’t the only person Shara kissed before magically disappearing. Right before disappearing, Shara also kissed Rory, Shara’s next-door neighbor, and Smith, Shara’s boyfriend. Thrown into an unlikely alliance, chasing a ghost through parties, break-ins, puzzles, and secrets revealed on monogrammed stationery, Chloe starts to suspect there might be more to this small town than she thought. And maybe—probably not, but maybe—more to Shara, too. 

I Kissed Shara Wheeler takes the reader on a journey through the rigid conservative Christian values of False Beach, Alabama. Readers will get an in-depth look through the eyes of the residents who have a myriad of complicated feelings about their town and the places they occupy within it. The book is narrated by Chloe, whose perspective is strongly influenced by her liberal, southern California roots, but most of the other characters don’t know life outside of False Beach and their staunchly religious private school. As much as Chloe’s strong-willed opinions drive change, the other characters teach her about the complicated love they have for their home, even when it strives to suppress various aspects of their identities. 

Much of the book’s content discusses sexuality as the characters grow and learn to accept themselves for who they are. The story opens with Shara kissing Chloe, though at this point Shara has never appeared as more than just a conservative Christian girl. In contrast, Chloe is openly bisexual and anti-religious, but it takes both girls most of the book to realize that they have genuine feelings and attraction for each other. Many of the other characters also go through their own reckonings in the book, including Smith and Rory, who discover that their feelings for each other are more than just that of childhood best friends.  

Fans of Casey McQuiston’s other books Red, White, and Royal Blue and One Last Stop will likely enjoy the fun energy in I Kissed Shara Wheeler. McQuiston balances the serious moments with the characters’ sense of humor. Some readers may find Chloe to be a bit single-minded in her quest to triumph over Shara, but this doesn’t draw away from the story. Ultimately, readers will be able to take away that there is always more than meets the eye, and there is always room to change and grow into the person you want to be. Readers who enjoy I Kissed Shara Wheeler can find more romance by reading Instructions for Dancing by Nicola Yoon or The Statistical Probability of Love at First Sight by Jennifer E. Smith.

Sexual Content  

  • Chloe explains why she’s looking for Shara Wheeler. Chloe says, “Because two days ago, Shara found her alone in the B Building elevator before fifth hour, pulled her in by the elbow, and kissed her until she forgot an entire semester of French.” It then comes to light that Shara has kissed Smith (her boyfriend) and Rory (her neighbor) as well. 
  • No one knows where Shara is, and Chloe comes up with unlikely theories – one being that Shara has “some sugar daddy she’s holed up with or something.” 
  • Chloe writes a letter to her friend about being kissed by Shara. Chloe starts by telling her not to react while reading the letter because “if Madame Clark picks this one up and reads it out loud like she did with Tanner’s ranking of girls’ butt’s I will literally kill you.” 
  • Chloe notes that when she first moved to False Beach, Alabama, she was in freshman bio and noted that “the chapter on sexual reproduction was taped shut.” 
  • Chloe, Rory, and Smith go into Rory’s room to use his computer. Chloe “counts at least three different hand-drawn penises” on Rory’s bedroom wall. 
  • There is a joke school code of conduct that is presumably written by Chloe. Among other details, it includes, “No student may smoke, drink, dance, or have sex, which means half the students are smoking, drinking, dancing, having sex, and lying about it. Pills are fine. If you’re on the football team, just ask Emma Grace’s dad to write you a prescription.” This list lasts for a page. 
  • Chloe notes that once at a party, she “almost got French-kissed by Tucker Price from the Quiz Bowl team in his parents’ saltwater jacuzzi.” 
  • After a trip, Chloe’s two moms kiss. Chloe jokes that they kiss “like they’re on the bow of the freaking Titanic.” 
  • Chloe briefly mentions a situation where “a sophomore sent her boyfriend nudes and he forwarded them to all his friends.” This comes up on chapel day at school and the administration then gave “a very shame-y talk on modesty.” 
  • Chloe’s friend tells Chloe that he’s “a make-out hobbyist . . . I’ve kissed like, all my homies.” He doesn’t go into details. 
  • Shara’s neighbor, Rory, expresses his repressed feelings for Smith to Chloe. He says, “maybe I talked myself into [Shara], because when I looked at her and Smith together, I was so jealous, and she seemed like the right place to put it.” Chloe validates his feelings, telling him, “It would be okay. If you didn’t like Shara. If you didn’t like girls at all.” It is revealed later that Smith has similar feelings for Rory as well. 
  • Chloe finds Shara and Shara kisses Chloe. Chloe thinks that Shara “knows exactly what she’s doing when [Chloe] twists her fingers into the loose wisps of hair at the nape of Shara’s neck and kisses her back, hard. Her other hand grips the tulle where it fans out from Shara’s waist and holds Shara’s body up against hers like see, we’re a match, and it works — Shara sighs and lets go of the rail to slide her palm over Chloe’s cheek.” The description lasts for half a page. 
  • Chloe’s classmate Georgia gets caught “making out in the B Building bathroom” with their other classmate, Summer, and Georgia gets reported to the principal’s office. No other description is given for that kiss. It’s only said that Georgia has been dating Summer and Summer has “known she was bi since last year.” 
  • Smith and Rory kiss and Chloe walks in on their moment. She’s hiding and she describes only what she can hear, saying, “Then, after a few seconds, just long enough for a nervous first kiss, Smith laughs.” 
  • Two of Chloe’s classmates are arguing, and one tells the other that “if she wanted people to believe things she says, she shouldn’t have lied about giving her best friend’s crush a handjob at her birthday party.” 
  • Chloe and Shara kiss in Shara’s bedroom. Chloe describes, “She tips her head forward, and Shara kisses her. Chloe puts her arms around Shara’s neck and kisses her back.” The description lasts for a page. 
  • Chloe and Shara make out. “Chloe doesn’t know how long. It felt like a long time.” The page before, they have a conversation on how they both want to take it slow. Chloe says, “Shara’s hand drops from Chloe’s neck to her shoulder, and then she’s pushing Chloe down on the bed and kissing her, one hand pinning her to the mattress and the other on her waist.” 
  • Chloe fights against the school administration’s policies. For instance, she says, “Freshman year, she adjusted to Willowgrove by making problems on purpose, but nobody showed up to her GSA meeting, and she got suspended for bringing free condoms to school in protest of the abstinence-only sex ed policy.” 
  • Chloe’s classmate Dixon makes a rude sexual comment towards Chloe at the party, citing something he calls the Rachel Rule. He says, “‘It’s a rule the seniors made last year for Rachel Kennedy, who was a huge bitch but still got to come to parties because she had huge boobs.’ He’s looking down now. At her chest, and her wet shirt. He hands clench into firsts at her sides — ever since she sprouted D-cups in tenth grade, a guy staring at her chest has never ended well. ‘So, as long as you keep wearing that, the Rachel Rule says you can stay.’” Chloe does not like this, and she expresses her discontent by telling him that he peaked in high school and, even now, she “still wouldn’t sleep with him.” 

Violence  

  • Chloe finally finds Shara, and Chloe is furious. In her anger, she shoves Shara into a lake. Chloe describes, “with one solid shove, she pushes Shara — prom dress and all — over the railing and into Lake Martin.” 
  • Chloe “punched a mall Santa when [she] was five.”  

Drugs and Alcohol  

  • Chloe refers to her classmate, Jake Stone, as “Stone the Stoner.”  
  • Jake Stone was suspended once because he “was caught vaping” in the school bathroom. 
  • Every teacher at Willowgrove has to “sign a morality clause saying they won’t drink, express political opinions or be gay.” 
  • Chloe says that False Beach, Alabama has “the aura of a Mountain Dew bottle filled with dip spit.” 
  • Chloe goes to a high school party and is annoyed that she has to watch a classmate “slobber all over a beer bong.” There is plenty of drinking at this party, including something referred to as an “upside down margarita,” which is a drinking game. The party’s descriptions last for a couple of chapters. 
  • The Willowgrove school district hired a cop to scare the students about drugs, but instead, Chloe notes that the cop “ended up telling us exactly how many ounces of weed you can carry without getting arrested.” 
  • Chloe stays up too late thinking about Shara and has a massive headache the next day. She says, “This must be what a hangover feels like.” 

Language  

  • Chloe notes that Shara’s disappearance is odd. Chloe thinks to herself, “That’s the thing about popular kids: They don’t have the type of bond forged in the fire of being weird and queer in small-to-medium-town Alabama. If Chloe tried to ghost like this, there’d be a militia of Shakespeare gays kicking down every door in False Beach.” 
  • Strong language is used frequently. Profanity includes ass, fuck, idiot, d-bags, shit, megabitch, crap, dick, hell, and douchebag. 
  • Chloe says “Shara Wheeler is the most tragic heterosexual to ever cram herself into a Brandy Melville crop top.” 
  • Chloe describes her classmate’s understanding of her as “the weird queer girl from LA with two lesbian moms.” 
  • Chloe’s friend Georgia has a collection of books at her parents’ bookstore just for Chloe, and she “affectionately calls it Chloe’s Monster Fucker Collection” due to the fact that Chloe likes stories where the headstrong main female protagonist falls in love with the villain, which sometimes happens to be a literal nonhuman entity. 
  • Chloe and her friends identify as LGTBQ+, and they reference their sexualities somewhat often in-text. For instance, Chloe’s friend Benjy is worried about his future college roommate. He says, “My new fear is that he’ll be a hot straight guy. I cannot spend my first year away from home with an unrequited crush on a guy who wears neckties to football games…I don’t have high hopes for the gays of Tuscaloosa.”  
  • Chloe’s classmate is an unpleasant person by all counts. She details why, saying he’s “the type who insists it’s okay for him to make offensive jokes because he’s not actually racist/sexist/homophobic/transphobic/whatever so he doesn’t actually mean them, but aren’t the jokes so funny.” 
  • Smith asks Ash, a nonbinary student, to “explain the whole nonbinary thing” to him. Ash explains to Smith it’s, “Like if someone yelled your first name [William] at you. You might answer to it, but it wouldn’t feel right, because that’s not you.” Ash and Smith have this conversation for several pages. 
  • Chloe doesn’t want another student named Drew Taylor to be her salutatorian because “he has a YouTube channel about why girls at Willowgrove are sluts for taking birth control pills.” 
  • Chloe’s mom exclaims “Jesus Christ” when she finds out that Chloe has Shara’s expensive crucifix necklace. 

Supernatural 

  • Chloe sometimes wishes she lived in another place and time. An example of this is that she wishes she “were a vampire hunter in Edwardian England.” 

Spiritual Content  

  • The book opens with a service at the Willowgrove Christian Church, “where the Wheelers are spending their morning pretending to be nice, normal folks whose nice, normal daughter didn’t stage a disappearing act at prom twelve hours ago.” 
  • Chloe finds the spare key to the Wheeler’s house under a rock with “Joshua 24:15 engraved on it. As for me and my house, we will serve the Lord.” Bible quotes are scattered throughout the book. 
  • The students in this book attend “Willowgrove Christian Academy.” Chloe describes a billboard for the academy reading, “Jesus Loves Geometry! A Christ-Centered Education At Willowgrove Christian Academy!” The school also has “chapel days” where the students are required to attend service. 
  • Chloe greatly dislikes her religious school, but she attends the school because of its academics and theater program. She says, “If this was her only option, she could put up with the Jesus stuff.” 
  • Shara wore a somewhat revealing dress at homecoming. Chloe describes, “It was only a blue silk slip with a modest neckline, but it stuck to her like water, and she wasn’t wearing a bra . . . God’s favorite daughter shows one hint of nip.” 
  • Chloe half-jokes that Shara Wheeler’s family “has more money than God.” 
  • Mr. Wheeler is the principal at Willowgrove, and he has a reputation for “telling teenagers they’re going to hell.” He says many religious things to the students, including telling Chloe that “gossip is against God’s will.” This is how many teachers and much of the curriculum work at this school. 
  • Shara expresses in her journal entry that “the loudest Christians I’ve ever met were the worst ones.” 
  • Shara and Chloe go through their notes for their AP European History exam, which involves a lot of religious history. For instance, they reference the “Defenestration of Prague” where “Protestants threw a bunch of Catholic officials out of a castle window in Bohemia. Started the Thirty Years War.” There is a series of notes like this for a couple of pages. 
  • Georgia explains to Chloe that Summer’s church “is more into Jesus the brown socialist than the whole eternal damnation thing.” 
  • Chloe explains that her understanding of Christianity is based on Willowgrove’s variety – “judgmental, sanctimonious hypocrites hiding hate behind Bible verses, twenty-four-karat crucifix necklaces, and charismatic white pastors with all the horrible secrets that money can protect.” 
  • The school finds out that there’s been an admissions scam at Willowgrove, and Benjy sees all the fliers with the information and exclaims, “Jesus wept.” 

Imogen, Obviously

Imogen is straight. She’s the world’s biggest queer ally and is surrounded by queer friends but is a self-described “raging hetero” herself. Her best friend, Gretchen, who has an amazing gaydar, confirms this every day with affectionate nicknames. 

However, Imogen’s world shifts when she visits her childhood best friend, Lili, on Lili’s college campus. Imogen is warmly greeted by Lili and her amazing group of queer friends, and she quickly forgets her anxieties about not fitting in. However, Lili tells Imogen a secret: at the beginning of the school year, she told her friends that she and Imogen briefly dated, to avoid revealing that she’s never been in a relationship before. She apologizes to Imogen and offers to tell her friends she lied, but Imogen tells her not to worry. It’s not a big deal to her if LIli’s friends think Imogen is bi. 

But Imogen can’t stop thinking about Tessa, one of Lili’s friends. And Tessa is constantly flirting with Imogen. Maybe. Imogen isn’t sure. After all, Tessa is flirty with everyone. But she does know that she should probably stop talking to Tessa like this because it’s not fair to lead her on. After all, Imogen is straight. Or. . . is she?

From the author of Simon vs the Homo Sapiens Agenda comes another brilliant journey of self-discovery and acceptance. Imogen, Obviously features a cast of funny, witty, and loveable characters that show that there’s no one way to be queer. Some teens will relate to Imogen’s long journey of discovering her sexuality amidst the rationalizing and denial that comes with the journey. Others will see themselves in her younger sister, Edith, who always knew she was different and proclaimed that she liked girls when she was seven. Still, others will recognize the darker side of this book, which tackles the uglier side of being queer. Biphobia is discussed, specifically, the pressure that many bisexual people face to “pick a side” as well as the downside of having labels be a prerequisite for being “queer enough” to truly belong in queer spaces. These complex issues are handled in a nuanced way, allowing room for discussion and growth.

While these issues are given the gravity they deserve, the book overall is still lighthearted. This atmosphere is kept alive by the characters – Lili’s college friend group and their antics are quintessential. Their warmth and immediate acceptance of Imogen as one of their own will make readers feel as if they themselves can also belong in that group.  Imogen, Obviously is a romcom perfect for teens that are looking for a story that is cute and heartwarming, but also thought-provoking and relatable. Readers who want more books that cast LGBTQ+ characters in a positive light should add the following books to their reading list: All the Invisible Things by Orlagh Collins, Last Night at the Telegraph Club by Malinda Lo, and All Boys Aren’t Blue: A Memoir-Manifesto by George M. Johnson.

Sexual Content 

  • Imogen and Tessa visit a sculpture of the world’s largest scissors and take a few pictures. Imogen posts a picture to Instagram with a scissor emoji for the caption. Gretchen texts her jokingly asking, “Who are you scissoring?” Scissoring is a term used to describe lesbian sex. 
  • Lili’s friends Kayla and Declan have an inside joke where they pass a sausage in a plastic bag back and forth between them. Many sexual innuendos are made with this joke, such as when Imogen texts Gretchen, “I don’t even want to tell you what I’m about to do with a German sausage” with no context and Gretchen responds, “IMOGEN. What are you about to do with a tiny German sausage???”  
  • Imogen and Tessa make out in Tessa’s room while Tessa is partially undressed. Imogen describes, “My words melt away when I see her. Tessa in an undershirt, white with short sleeves, the straps of her sports bra faintly visible underneath. Nothing on bottom but boy shorts.” 

Violence 

  • None 

Drugs and Alcohol 

  • Imogen goes to a party with Lili and her friends. Imogen has an alcoholic drink for the first time.

Language 

  • Profanity such as “fuck” and “shit” are used as exclamations, but rarely.

Supernatural

  • None

Spiritual Content 

  • None

The Stern Chase

The Herons are home in Skandia—preparing to celebrate two of their own and working on sea trials in the newly constructed Heron. But during a short excursion, they encounter an Iberian pirate ship raiding the coast of Sonderland, so Hal and his crew take action.

Though the Herons quickly triumph, the Iberians voice their fury at the Herons, vowing to take revenge. And soon they do—raiding the harbor and stealing or destroying as many ships as they can. Though there is little proof the Iberians are behind it, the Herons take their ship—the only one that survived the raid—and race after their enemy in hot pursuit. They will take down these pirates and get justice, no matter what.  

The Stern Chase lives up to its name since the majority of the story focuses on the Skandians chasing the pirate ship. At first, Hal and his crew, The Brotherband, are trying to discover what country the pirates come from. Then, they need to figure out which direction the pirates went. And then, they must find the pirate’s secret hiding spot. Unfortunately, the search lacks action and readers may quickly become bored with the chase. Another of the book’s flaws is that The Stern Chase follows the same format as all the other books in the series, which doesn’t allow any surprises to unfold.  

While the previous books in the Brotherband Chronicle are action-packed and interesting, The Stern Chase is stale. There is little interaction between the characters and none of the characters show any personal growth. The story begins with Invgar and Lydia’s engagement party, however, once the party is interrupted there are few scenes that feature the couple. The Skandian Oberjarl, Erik, also joins the expedition, but he only has a small role. Overall, none of the characters are given a chance to shine.    

One of the best aspects of the Brotherband Chronicles is the sense of comradery among the crew and the action-packed scenes. However, The Stern Chase is missing both of these elements, which will leave readers disappointed. If you’ve sailed through all the Brotherband books, you can find additional excitement and adventure by reading the Starcatchers Series by Dave Barry & Ridley Pearson and Lintang and the Pirate Queen by Tamara Moss. 

Sexual Content  

  • When a member of the Brotherband, Thorn, is about to leave to search for pirates, he says goodbye to his girlfriend and kisses “her on the lips. It was a long kiss . . .” 

Violence  

  • Iberians attack a trading ship and the Brotherband jumps in to help. “Thorn charged into the rank of the Iberian crew. His massive club smashed into one man, hurling him to one side, then he swung back again and took another in the chest as the startled pirate turned to face him.” 
  • The battle continues and the ship’s captain “leapt forward, bringing his long-bladed sword down onto the helmet of the pirate captain who had faced him. . . The sword blade sank deep into his helmet, cleaving a deep cut in the metal. The pirate’s last conscious thought was that he had dropped his own sword and was now unarmed and at the mercy of his former prey.” It is implied that the pirate dies. The scene takes place over four pages. 
  • The Brotherband captures the remaining pirates, who are closest to the harbormaster. “The pirates, their hands bound behind them and secured in a line by a rope around their necks, were marched down the quay by the trader’s crew. . . Piracy was a capital crime, and they had been caught red handed.” 
  • Pirates sneak into the Skandia harbor and damage their ships. In the morning, the Skandia guards are discovered dead. One of the guards is, “lying on his back, staring unseeingly up at the sky. . .he had been stabbed.” 
  • The pirates anger a bear that attacks them. “One massive, claw-laden paw swiped at him before he could bring his sword forward. The huge claws opened four red weals across his face. . .” The bear struck the pirate who smashed “into the rock wall behind him. His limp body slid slowly to the ground. The pirates run from the bear, but “the terrible bear snapped and smashed at those nearest it, leaving a trail of broken bodies.” Six men “paid the ultimate price, their bodies hurled to the rocks on either side, or lying still where they fell.”  
  • A sailor describes a pirate attack. His men were outnumbered and were quickly killed and “their bodies thrown overboard.”  
  • The Brotherband meet the pirates on the open sea. The pirates began shooting arrows towards the Brotherband. “An arrow flashed down at Thorn, grazing his arm and leaving a bloody welt.” Thorn “hurled the grapnel overhand back toward the ship behind them. . . Thorn’s blind throw had been effective. A man tumbled off the bow of the big ship, falling into the sea and being driven under by her plunging forefoot.” During the short confrontation, men on both sides are injured. 
  • Several members of the Brotherband spy on the pirates. The Brotherband hears a small party of pirates approaching. Lydia, a member of the Brotherband, throws a dart, and a pirate “felt a jolting impact in his right shoulder. The force of it spun him half around and the impact jarred the sword from his grasp. He staggered. . . then his legs gave way and he sank to the ground, gasping as he felt the first waves of pain seizing his upper body.” The man dies. 
  • The Brotherband tricks the pirates into following them. The Brotherband’s ship, Heron, purposely runs into the other ship’s oars. “The air was filled with the splintering, cracking sound of the oars being smashed and shattered. Lethal splinters of white oak flew above the two ships. . .” Several of the pirates “fell, struck by sharp daggers of white oak. . . Within seconds, a good half of the rowing crew were injured or disabled, lying groaning or unconscious on the rowing benches. . .” 
  • One of the Brotherband sets off “the Mangler,” which throws a giant bolt ball at the pirates’ ship. “It smashed into the men crowded around the mast, cleaving a deadly path through them, throwing bodies left and right before it sailed clear over the side into the sea.”  
  • The Brotherband boards the ship. “Thorn led the way. . . His massive club-hand smashed out to left and right, shattering shields, breaking limbs and fracturing ribs among those who opposed him.” 
  • During the battle, the Skandian Oberjarl, Erik, was wounded “but he seemed impervious to them, ignoring the blood streaking his arms and legs, dealing out quick vengeance to any who struck him. The pile of fallen pirates grew around him as he shattered and smashed his way along the blood-streaked deck.” The bloody battle is described over 12 pages. The pirates started with a crew of forty. After the battle there are “fewer than a dozen left standing.”   

Drugs and Alcohol  

  • The Skandians throw an engagement party. During the party, alcohol is put out “so that revelers could fill and refill their tankards as they pleased.” Many of the adults get drunk. 
  • The Brotherband finds a sinking ship that had been attacked by pirates. One of the wounded men is given a “painkilling draft.” 

Language  

  • Oh my Lord and Oh God are both used as an exclamation once. 
  • “Gorlog’s beard” and “Gorlog bite him” are both used as an exclamation once.  

Supernatural 

  • None 

Spiritual Content  

  • The Brotherband gives a sailor from another ship a funeral. Hal wonders how to perform the ceremony because he “wasn’t familiar with whatever gods the Gallicans might pray too, and Skandians weren’t a particularly religious group, regarding their own gods with a kind of affectionate disdain.”  
  • The pirates hear a “low rumbling sound, full of threat and menace, and wonder if such an unearthly sound might come from a djinn or a demon.” A djinn is an intelligent spirit of lower rank than the angels, able to appear in both human and animal forms, that can also possess humans. 
  • When the pirates see a bear, “one of the men. . . let out a yelp of fear, calling on his gods to protect him.”  

Big Time

Gerri waits outside all night to audition for Big Time, her favorite TV singing competition. She believes she has a shot at success, but when she’s insulted by one of the judges and kicked out of the competition, she thinks she’ll probably never sing again. 

After a teacher at her school asks her to join a choral club, Gerri reluctantly gets involved. Even though she can’t read music and she doesn’t know the other kids, she finds herself enjoying the group and learning a lot about music. A cute guy she met at the Big Time auditions joins the group, and when they perform their unique mashups at an open-mic night, Gerri realizes there’s more than one way to be a successful—and happy—singer!

Anyone who’s ever faced rejection will relate to Gerri’s conflict and empathize with her feelings of insecurity. Since much of Gerri’s self-doubt and personal growth revolves around her musical ability, the story lacks action. Nevertheless, readers who are interested in music will enjoy learning how being part of a group helps Gerri understand music and herself better. While much of the story revolves around Gerri’s choral group, her guitar-playing granddad also plays a positive and significant role in Gerri’s musical growth. Gerri’s granddad helps her see that people should sing for their own personal enjoyment because music “helps us bring a little bit of happiness into other people’s lives.”

When Gerri tries out for Big Time, she meets Poppy, a confident singer who has some success on the reality show. Even though Poppy doesn’t play a large role in the story, her experiences help reinforce the importance of singing for enjoyment. While she was competing, Poppy began to focus on beating the other contestants, which caused a lot of stress and unhappiness. When she was cut from the competition, Poppy was relieved because being on Big Time took the joy out of singing. 

One of the best aspects of the book is Gerri’s personal growth. She changes from a downtrodden girl who doesn’t want to sing, to a more confident musician who is thankful that she was rejected from Big Time. Gerri thinks, “It turns out that getting rejected from Big Time was one of the best things that could have happened to me. . . because it helped me understand what being a musician is really all about. . . It’s about learning and practicing and making music wherever and whenever you feel like it.”

As part of the Orca Limelights collection, Big Time is specifically aimed at middle schoolers and teens with an interest in the performing arts who want to read a short, high-interest novel. The story’s straightforward plot, easy vocabulary, and interesting characters make Big Time the perfect fit for music-loving readers. 

Big Time has many positive aspects including teaching the importance of overcoming obstacles. In addition, the story portrays Gerri’s family in a positive light, and the supporting characters, while not perfect, unite over their love of singing. If you’re looking for a quick read, Big Time is a short, but solid story that will please anyone who loves music. Readers who want to read more music-themed books should grab a copy of Ace’s Basement by Ted Staunton and the graphic novel series Eagle Rock by Hope Larson.

Sexual Content 

  • None

Violence 

  • A woman calls one of the Big Time judges a jackass.

Drugs and Alcohol 

  • One of the Big Time contestants says that Adele drinks whiskey before every performance.

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • None

The Hate U Give

Angie Thomas’ novel centers around Starr, a sixteen-year-old girl, who within the first thirty pages of the book witnesses her friend Khalil’s brutal murder at the hands of a police officer. The rest of the book follows Starr’s journey of grieving for her friend, testifying to the police, and also dealing with the instances of racism that occur at her predominantly white private school, Williamson. Starr ultimately agrees to testify before a grand jury, to combat their narratives that Khalil is a “drug dealer and gangbanger,” and also to testify that Khalil was doing nothing wrong; he was needlessly murdered. 

Identifying and combating systemic oppression is a major theme in The Hate U Give. In the hopes of getting justice, Starr decides to speak to the police about Khalil’s murder; Starr’s family, her father in particular, supports her decision. Starr realizes that speaking out, speaking to the police, and speaking to the grand jury and the media is ultimately her own way of fighting for Khalil. Starr thinks, “This is how I fight, with my voice.” In her televised interview, Starr risks being attacked by corrupt officers, as well as by gang violence as she implicates the gang’s leader by explaining, “Khalil was forced to sell drugs for him” because “his mom’s life was in danger . . . that’s the only reason he’d ever do something like that.” Starr also grows to realize that, “I don’t understand how everyone can make it seem like it’s okay he got killed if he was a drug dealer and a gangbanger.” Starr connects Khalil’s murder and police brutality in general to assumptions, “[the officer] assumed that we were up to no good. Because we’re black and because of where we live. We were just two kids minding our business. His assumption killed Khalil.”

Starr is an extremely sympathetic character who exemplifies feeling split into two different people: “Garden Heights Starr” in her hometown and “Williamson Starr” at her majority white private school. She desperately wants to feel “the normal where I don’t have to choose which Starr to be. The normal where nobody tells you how sorry they are or talks about ‘Khalil the drug dealer.’ Just . . . normal.” On top of grieving her friend’s death and trying to get him justice, Starr is navigating this sense of dual identity, which many readers may relate to.

Starr’s father is also an extremely sympathetic character and a strong role model for Starr. He talks about getting out of the King Lord gang. He says, “I became a King Lord when I was twelve. Shit, that was the only way to survive . . . Then I became a daddy, and I realized that King Lord shit ain’t worth dying for.” He describes being a “d-boy” and selling drugs as part of his job within the gang. Starr’s father went to prison for three years, “[he] took that charge” instead of letting the leader, King, go to prison for life. By the end of the book, her dad is organizing members from both gangs to work together to protect their neighborhood from riots as the grand jury verdict approaches. He says, “We all mad, but burning down our neighborhood ain’t gonna fix it . . . Y’all gotta come together somehow, man . . . For the sake of the Garden.”

Another major theme is Starr confronting toxic friendship—specifically with her friend Hailey from Williamson Prep. Starr feels distanced from her friend after Hailey “unfollowed my Tumblr.” Starr explains, “I once posted a picture of Emmet Till, a fourteen-year-old black boy who was murdered for whistling at a white woman in 1955. His mutilated body didn’t look human. Hailey texted me immediately after, freaking out . . .She couldn’t believe I would reblog such an awful picture.” Hailey also makes a racist comment to Starr when they’re playing basketball. Hailey says, “Pretend the ball is some fried chicken. Bet you’ll stay on it then.” Starr starts to confront Hailey by saying, “You made a fried chicken comment to the only black girl in the room.” But Starr is not able to truly call Hailey’s behavior out until later. Starr discovers that Hailey is bothered by Starr posting “Petitions. The Black Panther pictures. That post on those little girls who were killed in that church . . . ” Hailey said she did not want to see “all the ‘black stuff,’” showing her true ignorance and the underlying reason for her comments towards Starr. 

Readers who are prepared to handle frequent language and instances of violence will find Starr and her entire family to be strong and relatable characters who truly demonstrate what it means to advocate for yourself and for others. The Hate U Give shows a zoomed-in look at how systemic racism affects Starr, her family, and their community as a whole. The book ends with an important message, that “People are realizing and shouting and marching and demanding. They’re not forgetting. I think that’s the most important part.” These vital themes covered in Thomas’ novel make it a must-read. Explore more books that highlight racism and the need for change by reading I’m Not Dying with You Tonight by Kimberly Jones & Gilly Segal and Stamped: Racism, Antiracism, and You by Jason Reynolds & Ibram X. Kendi.

Sexual Content 

  • Starr mentions how the guys at the party “grind so close to girls that they just about need condoms.” She goes on to explain, “Spring in Garden Heights doesn’t always bring love but it promises babies in the winter.”
  • Starr’s friend, Kenya, tells her about drama with another girl. “You’re so lucky you go to that white-people school and don’t have to deal with hoes like that.”
  • Starr recalls her first kiss with her childhood friend, Khalil. They kissed at Vacation Bible school.
  • When Starr and her boyfriend, Chris, were kissing, her mom and uncle walked in on them. “They pointed out that friends don’t kiss like that.”
  • Starr describes the incident with Chris that made her angry. “Fooling around isn’t new for us, and when Chris slipped his hand in my shorts, I didn’t think anything of it. Then he got me going, and I really wasn’t thinking . . . And right as I was at that moment, he stopped, reached into his pocket, and pulled out a condom. He raised his eyebrows at me, silently asking for an invitation to go all the way.” Starr is angry because “he knew I wasn’t ready for that, we already talked about it, and yet he had a condom? He said he wanted to be responsible, but I said if I’m not ready, I’m not ready.”
  • Starr reveals that her half-brother, Seven, came out of a one-time encounter between their father and a prostitute, “It’s no secret that my big brother is a result of a ‘for hire’ session Daddy had with [a prostitute] after a fight with Momma.”
  • Starr and Chris begin to passionately kiss. “I kiss his lips . . . He kisses me back, and soon we’re making out like it’s the only thing we know how to do. It’s not enough. My hands travel below his chest, and he’s bulging in more than his arms. I start unzipping his jeans . . . ” But Chris stops her because she’s “not in a good place,” as she is extremely stressed waiting for the grand jury’s verdict.

Violence 

  • Starr meets up with Khalil at a party, when suddenly a fight breaks out and she hears, “Pop! A shot rings out. I duck. Pop! A second shot. The crowd stampedes towards the door.” Later in the novel, readers learn that a young boy was shot in an encounter between rival gangs.
  • Khalil explains that he believes the shooting may have been connected to the local gang violence. “Garden Heights has been a battlefield for the past two months over some stupid territory wars.”
  • While Khalil is driving Starr home, police pull him over because his tail light’s broken. For no reason, the officer is aggressive and forces Khalil out of the car. After the officer pats Khalil down “two more times,” Starr thinks the encounter is over. But suddenly, as Khalil walks back to his car, the officer shoots him three times. It is described in detail, “One. Khalil’s body jerks. Blood splatters from his back . . . Two. Khalil gasps . . . Three. Khalil looks at me, stunned. He falls to the ground.” This horrifying scene is described over five pages. 
  • Starr immediately runs to her friend and sees his body “in the street like it’s an exhibit.” While she sits with her friend’s body, “Officer One-Fifteen yells at me, pointing the same gun he killed my friend with.”
  • After Khalil’s murder, Starr has nightmares about another friend’s murder, her friend Natasha, who was killed by an unknown gang member in a drive-by shooting. “It happened six years ago, but I still remember everything from that day . . .Natasha was splashing in the water, all happy and stuff. Then—Pow! Pow! Pow! I dove into a rosebush. At first I thought it was me, ‘cause I had blood on my shirt. The thorns on the rosebush got me, that’s all. It was Natasha though.” Starr says, “[Natasha’s] blood mixed in with the water, and all you could see was a red river flowing down the street.”
  • Starr’s half-brother, Seven, says his stepdad, King, is abusive towards his mom and sisters. “He’ll beat her, she’ll put him out. Then he’ll come back.”
  • Starr’s dad saw his cousin being killed. He says, “A drug deal turned into a robbery, and he got shot in the head twice. Right in front of me.”
  • In Starr’s neighborhood, patrolling officers pull up to her father’s store and when they see his name on his ID, they force him to the ground. A cop yells, “On the ground, face-down!” Then, “The black cop keeps his knee on Daddy’s back as he searches him. He pats him down once, twice, three times, just like One-Fifteen did to Khalil. Nothing.”
  • While watching a basketball game with her family, Starr suddenly hears gunshots. “Glass shatters. Then, pop, pop, pop, pop. Gunshots. ‘Get down!’ Daddy yells . . . Momma’s on top of us, and she wraps her arms around us.” This scene goes on for two pages. Starr feels that this attack is “clearly a message for me” about her speaking to the grand jury. 
  • Hailey tells Starr that, “Somebody was gonna kill [Khalil] eventually,” and, “The cop probably did everyone a favor. One less drug dealer . . . ” Starr “slam[s her] fist against the side of Hailey’s face.” They fight for two pages.
  • Lesha, the King Lord’s gang leader’s wife, threatens Starr’s family. Lesha says, “Can’t wait till King fuck y’all up for letting that girl snitch on him on TV.”
  • Starr joins a peaceful protest and speaks to a crowd, but just as she begins speaking about Khalil’s death, the police throw tear gas at her and the other protestors. “The can of tear gas sails toward us from the cops. It lands beside the patrol car.” Starr picks up the can because “any second it’ll combust,” and “[chucks] it back at the cops.”
  • During the riots, Starr, Seven, and Chris search for her father. When they check on his store, they are trapped when, “A glass bottle with flaming cloth—Whoomf! The store is suddenly lit bright orange . . . Flames lick the ceiling and block the door.” This intense scene lasts three pages. All the protestors struggle to breathe because of the tear gas, but no one is shown to be gravely injured. 

Drugs and Alcohol 

  • The opening scene of the book shows Starr at a party, “A haze lingers over the room, smelling like weed.”
  • Starr tries a drink at the party, but spits it out because, “this is way stronger than what I’m used to. They shouldn’t even call it punch, just straight up liquor.” 
  • Kenya’s friends ask Starr about her school and the parties there. She asks, “I bet they be doing Molly and shit, don’t they? White kids love popping pills.”
  • Starr reveals that Khalil’s mom was not present for much of his life because she was “on crack.”
  • Rosalie, Khalil’s grandmother, tells Starr’s family that Khalil “was selling that stuff” to pay for Rosalie’s cancer treatments, but that “he wanted to stop” because it was so dangerous. 
  • Reflecting on her hometown, Starr says, “Garden Heights has dope boys on corners, but downtown people in business suits wait for crossing lights to change. I wonder if they ever hear the gunshots and shit in my neighborhood.”

Language 

  • The teenagers frequently use profanity such as shit, hell, damn, goddamn, bitch, fuck, and ass. 
  • A recurring exclamation in the book is one of Tupac’s expressions, “Thug Life,” which Khalil explains to Starr stands for, “The Hate U Give Little Infants Fucks Everybody.” He says it means, “what society gives us as youth, it bites them in the ass when we wild out.”
  • A member of the gang The Garden Disciples calls Starr’s brother the N-word and asks, “You Kinging?” Trying to find out if he is with the other gang.
  • Starr sees Khalil at a party and says, “The sea of people parts for him like he’s a brown-skinned Moses.”
  • Occasionally, Starr exclaims, “Thank Black Jesus.”
  • Starr discusses how everyone at her school expects her to date “the only other black kid in eleventh grade . . .Because apparently when it’s two of us, we have to be on some Noah’s Ark type shit and pair up . . .”

Supernatural

  • None

Spiritual Content 

  • Starr explains, “Problem is it would’ve taken Black Jesus to convince my parents to let me come. Now Black Jesus will have to save me if they find out I’m here.”
  • Starr discusses her family’s views on religion: “Momma became a member of Christ Temple Church when she was in Nana’s belly. Daddy believes in Black Jesus but follows the Black Panther’s Ten-Point Program more than the Ten Commandments. He agrees with the Nation of Islam on some stuff, but he can’t get over the fact they may have killed Malcom X.”
  • Before school, Starr’s father leads their family in prayer saying, “Black Jesus, watch over my babies today.”
  • Before Starr testifies in front of the grand jury, her father leads their family in a prayer: “Black Jesus, thank you for this blessing . . . Now, Lord, tomorrow is a big day for my baby girl as she goes before this grand jury. Please give her peace and courage . . . I ask for some mercy, God. That’s all. Mercy for Garden Heights, for Khalil’s family, for Starr.”
  • Starr’s father explains why he named his son Seven, “Seven, that’s a holy number. The number of perfection . . . you’re the perfect gift God gave me.”

Tristan Strong Keeps Punching

In the final installment of Kwame Mbalia’s series, Tristan’s problems are greater than ever. The gods of Alke are scattered across his world and there are ghosts everywhere  —  good and bad, as it turns out. What a wonderful time to have a Strong family reunion in New Orleans, amidst all the chaos!

Tristan also has another issue: his powers are flaring with his mood swings, causing him to be covered in magical fire. And of course, Cotton, the main antagonist of the series and a powerful and evil spirit is back and ready to put up a fight. This time Cotton has brought even darker moments from American Black history. Tristan just hopes he can find his friends and the gods of Alke – and figure out how to control his temper – before Cotton can enact his plan on Tristan’s world. 

Tristan Strong Keeps Punching wraps up loose ends from the previous two books, includes familiar friends and foes, and introduces new characters in creative ways. For instance, Tristan and his friends encounter the Redliners, a barely disguised reference to the historic practice of redlining in the United States.  However, middle school students may who are not familiar with the historical practice of redlining may be confused by Mbalia’s dialogue. For example, the Redliners tell Tristan and his friends, “We, the Redliners, are the most tolerant and welcoming group you could find! We just don’t think you belong here.” The Tristan Strong Series deals heavily with the injustices that have occurred in American Black history, and Mbalia continues to handle the topic with grace and gravity, balancing historical facts with Tristan’s emotional stake in the issues at hand.

In this book, Tristan finds himself reckoning with his grief and anger, and he learns how to handle his emotions in a productive way. His emotions are validated, but he starts to understand how to conduct himself in a manner that accounts for other people involved. Previously, his actions previously endangered his friends. It is only when his magical animated sticky doll friend, Gum Baby, dies that he realizes his actions directly led to her being put in harm’s way. From that point forward, Tristan reckons with the consequences of his actions without losing the fire that keeps him fighting for justice.

Tristan Strong Keeps Punching is an excellent end to the trilogy. Readers should read the first two installments before tackling this one as this book makes many references to the previous books. Young readers will enjoy the fast-paced action plot and the balance between humor and grave historical fact. This book would appeal to fans of Riordan Reads mythology novels, like Aru Shah and the End of Time by Roshani Chokshi or Percy Jackson and the Olympians by Rick Riordan himself. Tristan’s remarkable gift as a storyteller of the gods of Alke is made more perfect by his perseverance to keep telling these important stories. If these books teach readers anything, it’s to keep dreaming, create a better world, and never forget the stories of those who came before.

Sexual Content 

  • None

Violence 

  • Tristan must fight various magical and evil entities. In one sequence, Tristan fights a haint (an evil spirit). Tristan narrates, “But I was attacking, too. The shadow gloves flashed in and out, jabs and straights, hooks and uppercuts. Gum Baby flipped from my left shoulder to my right and back again, hurling sap balls and insults with equal intensity. I dodged a slicing strike, slipped a bull rush, and turned and fired three punches at the back of the haint.” This sequence lasts for a chapter.
  • There are descriptions of slavery as this series deals heavily with the history of Black Americans and Black American culture. Tristan recounts some of these details, saying, “I read about the barges that had hauled the shackled enslaved north, up the river, to a giant plantation. A free man’s protests were scrawled in the grass of Artillery Park, where he’d been kidnapped and sold into slavery. A family’s prayers were carved into the pillars lining the docks along the Mississippi, where they’d been separated, never to see each other again. These were the hidden narratives Folklore hero and god High John had been talking about. This is what he had meant.” These descriptions come up somewhat frequently throughout the book.
  • Tristan fights coffles (malicious spirits) that have trapped some kids. Tristan “swung again and again, trying to take out the coffle before it could rise. The monster wriggled and writhed on the ground, and I had to hop and dodge its flailing limbs or my legs would’ve been ripped to shreds.” This fight sequence lasts for several pages.
  • Tristan’s friend, Ayanna, tells Tristan about one of her former friends who died in a fight. She says, “He wanted to go out and kill [evil magical creatures, including the fetterlings], and I didn’t, and we argued about it. He flew into a rage, took his raft, and left. We heard fighting and went out after him, but by then it was too late. The fetterlings used his anger against him, and I lost a friend.” 
  • Gum Baby is loudly and badly playing music, and Tristan asks her to stop. Gum Baby responds, “Gum Baby’s gonna tune your face with some sweet chin music if you keep talking,” insinuating that she’d hit him with her banjo if he insulted her again. She does not actually hit him.
  • Tristan says he thinks Cotton is going to Fort Pillow as he’s “raiding places where Black people suffered in large groups…[Fort Pillow] was the site of one of the biggest massacres of Black soldiers in the entire Civil War. People fighting for their freedom were cut down by Confederate soldiers without remorse.”
  • Tristan goes into High John’s memories and sees a town being burned to the ground. “Flames exploded out of broken glass and spread everywhere. More shouts and screams…Flames shot fifteen feet into the air. Every house in the small neighborhood was on fire. I couldn’t see anyone, but the screams…I knew the screams would haunt me for the rest of my life. So many. Old, young. I heard them all.” The memory lasts for a few pages and it is clear that Tristan witnessed the “Memphis Race Riots of 1866. Nearly all of South Memphis was destroyed…Black-owned homes, businesses, restaurants. People were killed. Abused. Beaten. And yet no one was ever brought to justice.”
  • Another magical being, Granny Z, tells Tristan, “My children are kicked, beaten, harassed, stolen, abused, abandoned, forgotten and stripped of their rights every single day. And it’s a sad fact that their abusers are always gonna be afraid that their own sins will be revisited upon them.”
  • Tristan and his friends Gum Baby, Ayanna, and Thandiwe are attacked in a Wig Emporium. “Gum Baby flipped out of nowhere, her hands moving a blur as sap rocketed through the air. Breakers exploded into smoke five at a time. I limped forward to help her, but she disappeared in a crowd of foes. I tried fighting my way free, but there were too many. We were being overwhelmed.” This scene lasts for a page. Gum Baby dies but the death isn’t described. 
  • Tristan helps ghosts save their stories from Cotton, who wants them erased. Tristan hears one ghost say, “I moved here to get away from the lynchings.” This point is not elaborated upon.
  • Tristan fights with many Breakers, magical creatures that can strip people and gods of their spirits, thereby killing them. Tristan describes how the Breakers “rained blows on me, snarled at me, shrieked at me, roared at me, sent wave after wave after wave of pure hatred and malevolence, and it was all I could do to keep my arms raised and defend myself, because I was so tired, incredibly tired, of defending myself, but it wasn’t just me I was defending, now was it?” The scene lasts for several pages.
  • One of the old folk gods, John Henry, fights Cotton. John Henry gripped the ghostly tentacles, “lifted one foot, and then exploded into motion, charging Cotton like a linebacker and planting a shoulder squarely in the haint’s chest. Cotton flew back a dozen yards —  through the air! —  before landing and skipping across the sand like a stone across a pond.” This battle sequence lasts for several chapters.
  • Tristan has one final battle with Cotton that lasts for several pages. Tristan narrates, “Cotton’s momentum carried him past me, and he was off-balance. My right fist, my power fist, knifed through the air and connected flush against Cotton’s chin. Just my fist, not the shadow gloves, because I needed them for what came next…The black flames flared to life one more time, with as much energy as I could muster flowing through them. Just as I’d done on the barge, I willed the gloves together, merging six into two shining beacons of black in the light of the setting sun…I darted forward and grabbed Cotton. He twisted, turned, fought, and struggled, but I didn’t let go. The flames of the akofena [magic] spread to him, devouring the thorns and cotton as if they hungered for the hatred binding the haint together.” Tristan destroys Cotton by turning him to ash.

Drugs and Alcohol 

  • Tristan ends up at an outdoor strip mall. He says, “Shelves are stocked with products you’d never heard of, or weird stuff you’ve seen advertised on TV — all two-a.m. hangover purchases, as my dad called them. I’m not sure what a hangover is, but if it made me buy an automatic toenail clipper that looked like two machetes taped together, I want no part of it.”

Language 

  • Gum Baby, a magical sticky being, loudly and frequently refers to Tristan as “Bumbletongue” or “thistle-head.” As they’re friends, it’s done mostly in jest.
  • Light language is occasionally used. Words include chump, rejects, and doofus.
  • Tristan meets a kid named Memphis, who uses they/them pronouns. 
  • A slave-patroller haint chases Tristan, yelling, “You ungrateful little stain on society, get over here! I will hunt you down, you hear?”

Supernatural

  • Tristan is having issues with his magic. Most notably he keeps bursting into flames when he gets angry. For instance, Tristan notes, “I stared in utter horror at the small silver flame popping out of my knuckles.” This happens frequently throughout the book.
  • As this is the third installment in the series, Tristan gives a quick recap of the last couple books. He says of his summer, “I’d eaten a bunch of key lime pie, done a little boxing, fallen into another world with powerful gods and made a bunch of folk hero friends…You know, the normal summer.” These gods and folk heroes feature throughout the book as Tristan is trying to rescue them.
  • Tristan’s magical smartphone is controlled by Anansi, the trickster god. Tristan says, “He was the Weaver, the owner of all stories, from truths to tall tales, and his name was embedded in my title of Anansesem.”
  • Tristan and his granddad enter Congo Square in New Orleans, where “ghostly apparitions dressed in their Saturday night finest were hitting moves that made my calves cramp as I watched…as if on cue, everybody started doing the Electric Slide.” Ghosts appear frequently in this book; many of them are friendly or give helpful advice.
  • Gum Baby announces that she’s been following a “ghostie” for a while because it was terrorizing everyone. This creature is like the haints, which are malicious spirits. Tristan describes the creature, saying, “I looked up and saw a long, lanky creature scuttling down from the top of the wheelhouse like a monstrous crab.” The group spends a chapter fighting the creature.
  • Tristan discovers that the haint that they’ve encountered is a coffle. His cousin explains its odd appearance, saying, “They were used to fasten slaves together when they were marched from the house to the fields and back.” Tristan describes its appearance, “Two long, wooden, bone-like structures protruded from the opposite sides of a loop, forming what looked like the skull of a hammerhead shark. Its body was a chain, and its four limbs were thorny, viny branches.”
  • Tristan’s magic storyteller abilities occasionally cause him to have visions. In one instance, he describes, “I saw stories — written in French and Spanish and Chitimacha and English — about the birth of jazz and the death of neighborhoods. I saw tales of Fon and the Ewe and the Igbo, and legends of Vodun and Vodou and the spirits within…I read about the slave ports that had dotted the Mississippi River. I read about the glamorous buildings that had been built around the sale of men, women, girls, and boys like me. Some older, some younger.” This description continues for several pages.
  • Cotton is the main antagonist of the series and is a powerful and evil haint. He is a manifestation of the evils of slavery. Tristan describes, “I once again saw the horrific true form of the haint underneath the disguise. Complete with his burning hatred and desire for power.”
  • A god, Mami Wata, rides in a boat that encounters Angola. Tristan notes that “a monstrous, nearly see-through house was superimposed over the prison…The house I was seeing was Old Angola, a long-gone plantation.” In this house and prison reside many trapped spirits and evil haints, including Cotton.
  • Tristan’s usual Ananasem powers (storytelling powers) change when he meets ghosts of former soldiers. He says, “I was inside the story!” In this instance, the sequence lasts for several pages and details the lives of a couple Black soldiers escaping the South to Vicksburg.
  • Tristan teaches some kids magic. When he tells them what he’s going to do so, one kid responds, “Ain’t no wizards ‘round here. That’s movie stuff.” Tristan then demonstrates that all the kids have magic within them. Tristan says, “Each of the kids had a story fragment nestled in their chest, right above their heart. A piece of the story of Alke lived on in each of them.”
  • Tristan meets Granny Z, who tells Tristan about Loa. Granny Z says, “L-O-A. The mysteres. The links between the High God and his people on earth, serviced by the mambos, their priestesses.”
  • Tristan and his friends drive a magic SUV after a magical horse that’s kidnapped a child. Tristan says, “We looked out the front windshield to see Twennymiles (the horse) leaping into the air and disappearing. Old Familiar (the SUV) followed.” They are magically transported through the air and through neighborhoods, and the scene lasts for a couple pages.

Spiritual Content 

  • Tristan encounters many different gods (like Anansi and Mami Wata) on his journey, and they’ve given him powerful artifacts for his magical powers. These gods exist throughout the book, and sometimes Tristan mentions his magical gifts. He says, “I reached for the adinkra bracelet on my right wrist. Dangling from it were my gifts from the gods. The Anansi symbol. The akofena from High John. The Gye Nyame charm. The Amagqirha’s spirit bead from Isihlangu. They gave me strength, power, and right now, all the confidence I needed.”
  • Tristan meets a girl named Hanifa, who “wears a hijab.” 
  • The gods of Alke, due to the events of the previous books, are now scattered in Tristan’s world. Some of them are weakened and some die in nonviolent ways. Tristan often laments that “Gods can’t die,” but the events of the book say otherwise, like when High John passes away beneath a tree. 
  • High John’s ghost tells Tristan, Ayanna, and Thandiwe about his upbringing and the influence of the Church. He says, “some Sundays, his lordship and most honorable, the man who wanted to be called Boss, graciously allowed the people who actually worked the fields to rest.”

Be Prepared

Vera, a nine-year-old Russian girl, yearns for a sense of belonging. She looks to her classmates for guidance on how to fit in. In Vera’s case, this means trying to blend in with her American classmates. Despite her best efforts, she just can’t seem to get it right. Her first American-style sleepover is a disaster, leaving her feeling like she’ll never be able to connect with her peers. 

Just when she’s about to give up, her friend, Ksenya, tells her about a Russian summer camp. Vera is intrigued, but also a little hesitant. After all, the camp is in the middle of the woods in Connecticut, which is not exactly what she had in mind. Nevertheless, she decides to give it a try. 

When Vera first arrives at the camp, she is introduced to her tent-mates, Sasha and Sasha. While initially hopeful, her first interaction with the Sashas does not go well. Vera tries to make friends with them by drawing pictures and sharing her stash of hidden Skittles, but it soon becomes clear that their friendship is only superficial. Will Vera ever find a place where she belongs? 

The Russian language is heavily used throughout the text. There are even some portions written completely in Russian scripture. For example, campers sing a song that is written in Russian scripture: “БУАЬ ГОТОВ, РАЗВеДЧИК, к Делу чеСТноМУ, Трудный путь лежит перед тобоЙ . . .” In addition to direct Russian scripture, there are Russian words that utilize the English alphabet. For example, the boys at the camp are referred to as “volchata,” which means “wolf cubs.” A handful of the English-written Russian words are defined, but most of them are not given a definition and there is not a glossary, which can make some areas of the text harder to decipher. 

Be Prepared is a captivating graphic novel that partially draws on the true experience of the author, who shares an intriguing snippet of her life. The graphic novel takes the reader on a thought-provoking journey of self-discovery, narrated from the viewpoint of nine-year-old Vera. Through her eyes, readers witness not only the challenges that many preteens feel, such as finding their place in the world but also the unique challenges immigrant children face.  

One of the most striking aspects of the graphic novel is its use of green and gray illustrations. These colors add depth and dimension to the story and help to convey the complex emotions that Vera experiences throughout her journey. The adorable art style, with its round-faced characters and expressive eyes, is both charming and heartwarming, making it impossible not to root for Vera as she navigates the ups and downs of growing up. 

In the end, Vera gains a new perspective and begins to reach out to other campers who are also left out. This allows her to find a sense of purpose, make new friends, and appreciate her Russian heritage. Vera’s story is a powerful testament to the resilience and strength of the human spirit. As she learns to navigate the world around her, she discovers new friendships and a sense of belonging that she never thought possible. This graphic novel is a must-read for anyone who has ever felt like an outsider, and for anyone who wants to understand the experiences of immigrant children in a deeper and more meaningful way. 

Sexual Content  

  • Vera starts to change in front of her new tent-mates who are both fourteen. One of the girls says, “She doesn’t wear a bra? Gross!” 
  • One of Vera’s tent-mates, holds a maxi pad in front of Vera’s face and makes fun of her for not having a period.  The girl says, “It’s a maxi pad!! Do you seriously not know what those are?” 
  • Sasha and Sasha, Vera’s tent-mates, taunt her for drawing Alexei, their camp crush and an older male camper. “She wants [the picture of Alexei] so she can kiss it.” 

Violence  

  • A chipmunk bites Vera on the pointer finger.  Vera talks to herself about the possibility of what may happen. “Now I am going to die of rabies… I wonder how many people I’ll bite before they subdue me.”  
  • Vera, after being bitten by the chipmunk, chooses to stay silent since she feels there is no one she can tell at the camp. When her mother comes to visit her after the second week, Vera fills her in. “I have rabies and I’m going to die!” Vera yells to her mother upon her arrival at camp.  
  • Vera talks about the violent side of the Russian religion, particularly in relation to Saint Vera. “I never forgot, [the saints] died horrible deaths . . . [Saint Vera] was tortured and beheaded, along with her sisters, while her mother watched. If I was learning anything from the history classes, it was that Russians are bred for suffering.” 
  • Vera talks about the history that leads up to the formation of the camps that exist today. She talks about the harsh history that made many Russians lose their culture, which is why the camps were formed – to help Russian heritage remember their culture and past. “During one three-year period in the seventeenth century, a third of the population starved to death. And in the twentieth century, the government sent millions of its own citizens to suffer and die in work camps (including my own great-grandmother).” “Gulag” is one of the terms used in the text. This refers to the system of labor camps run by the Soviet Union during the 1930s-50s. 
  • ​​​“Ow! Something stung me!” a male camper exclaimed when a wasp stung him on the forehead. The sting caused an allergic reaction and swelling. 
  • The camp counselors told a story about a small camper who died because a bigger camper pooped on top of him. The boy “died down there, in the dark at the bottom of the [outhouse].” 
  • A jealous camper hangs another girl’s bloody underwear on the flagpole for everyone to see.  
  • Phil, Vera’s little brother, talks about dealing with a mean individual at camp. “Yeah he takes karate at home, and he put me in a headlock. And one time he found a mouse in the woods, and he ran up and kicked it right in front of me. It died.” 

Drugs and Alcohol  

  • None 

Language  

  • Hollywood is used to refer to the outhouse that is set up for the camp. 
  • When a wasp stings a boy on the head, Vera accidentally says the bite looks like a “nipple.” Afterwards, the entire camp calls the boy “tit head.”  

Supernatural 

  • None 

Spiritual Content  

  • Vera writes to her mother about the Russian church at camp. “On Sundays we have church. It’s just like church at home except it’s outside. They keep all the icons in a little house, so they don’t get wet. I am jealous of the saints for the first time ever.” 
  • Vera explains what she likes about the church services at camp and her personal connections to the religion.  “The orthodox liturgy is a beautiful melodic chant. I understood maybe a third of it. But the icons…I loved the icons. The gilded script, the tiny piece of Saints’ bones in jewel-encrusted frames. And I never forgot those people died horrible deaths. I had a picture of my namesake, Saint Vera, over my bed at home. She was tortured and beheaded, along with her sisters, while her mother watched.”  

Unscripted

Zelda Bailey-Cho is an incredibly talented and ambitious seventeen-year-old comedian who dreams of making it big before she turns 25. She is a young woman with a sharp wit, impeccable timing, and a passion for making people laugh. Zelda has always known comedy is her calling, and she is willing to work hard and persevere until she achieves her dreams.

As Zelda prepares to attend the Rocky Mountain Theater Arts camp, she is excited about the opportunities that lie ahead. She sees the camp as the perfect place to start her journey and is determined to take full advantage of every opportunity that comes her way. At RMTA, Zelda has the chance to learn from some of the most experienced and skilled comedians and improvisers. She is eager to absorb as much knowledge and experience as possible. She believes that making the varsity improv team is the first step towards achieving her goal of being on Saturday Night Live. However, the reality of being on the varsity team at the camp is not everything Zelda expected. 

It turns out, the camp is plagued by toxic masculinity, sexual harassment, and misogyny, all of which make it difficult for Zelda to accomplish her goals. She faces many obstacles, including being the first female in fifteen years to make the varsity squad on top of being one of only five female campers that summer. She wants to make her other female campers proud, but it becomes increasingly difficult as she becomes the target for humiliation on her male-only team.

As Zelda struggles to navigate the obstacles at camp, her relationship with her coach, Ben, becomes increasingly complicated. While Ben reassures Zelda that he will stop the humiliation, he still allows the guys to tear her down during rehearsals. His sweet smiles and endearing touches leave Zelda’s head spinning. As the rehearsals become more and more heartbreaking for Zelda, so does her relationship with Ben. It all comes to a head one day when he pins her against a tree and unclasps her bra. 

Zelda feels betrayed and violated because she thought she could trust Ben. The incident leaves her questioning her own judgment, as well as the intentions of those around her. But despite the trauma she experiences, Zelda refuses to let it define her. Her fellow female campers — Paloma, Sirena, Emily, and Hanna — help Zelda learn the difference between abuse and affection. They help Zelda realize that she is a survivor who will not be silenced. Zelda finds the strength to speak out about what happened to her, hoping that her story will inspire others to do the same. 

Zelda’s journey is one of resilience, determination, and strength. She faces numerous challenges, including toxic masculinity, sexual harassment, and misogyny, but refuses to let them hold her back. She is a role model for young women everywhere, showing them that they too can achieve their dreams, no matter what obstacles they may face. 

Unscripted is a captivating and thought-provoking book that is sure to resonate with young women. In a where misogyny and sexual harassment are still prevalent, it is important for young women to be aware of these societal issues and learn how to navigate them. The book does an excellent job of exploring these themes through the experiences of its strong and inspiring female lead character. Furthermore, Unscripted is not limited to themes of misogyny and sexual harassment. It also delves into various other issues that young women may face, such as gender stereotypes, body image, and self-esteem. The author does a great job weaving together these themes in a way that is both informative and engaging. Overall, Unscripted is a great read for young women who want to empower themselves and learn how to overcome the challenges they may face in today’s society. It provides a positive role model and valuable insights that can help them navigate the complexities of the world. Readers who enjoy Unscripted should also read Ana’s Story: A Journey of Hope by Jenna Bush Hager.

Sexual Content 

  • During Zelda’s first rehearsal with her male counterparts, she plays a nurse. One of the boys opens her office door and says, “Well, hello there, lady doctor. How lucky am I? Should I drop my pants now, or now and later?” Zelda stays in character, looks at his chart, and says, “Ah! I see you’ve had a series of brain injuries that make you say inappropriate things. Well. We should get you some heavy drugs to suppress that.”
  • In another scene, there were some allusions to Zelda’s character being a porn actress, but it wasn’t the focus of the scene so she “let it go.”
  • In another scene, one of the males in Zelda’s group forces her to be a prostitute in the woods. “‘Oh, look! A woods hooker! I think I’d like to see a dance,’ Xander said. ‘I’ll be the pole.’” 
  • Xander tries to make Zelda uncomfortable by making sexual comments. Xander began grinding on Jake and pitched his voice into a falsetto. “’Oh, Jakey!’ he tittered, apparently imitating me. ‘You’re so funny! I love it when you do me!’ The grunting sounds increased, reaching a fever pitch.”
  • The girls at the camp tell Zelda that guys look at her as a sexual object. Hanna says, “See—you do that leaning in thing and your boobs just—” Hanna makes jazz hands.
  • Ben utilizes his power as a coach to get Zelda alone for a one-on-one rehearsal. He makes her act out a scene in which he kisses her. “And then he was kissing me. A real, live boy was kissing me. Kissing ME. I hardly knew what was happening. He wrapped an arm around my back and pulled me closer.”  The kissing stops as Ben pulls away and calls the rehearsal to a close. It is the only scene that they “rehearse.”
  • Another time Zelda is put in a demeaning position. “It was happening again. And Ben was doing nothing to stop it. I was numb as Xander marched with me over his shoulder and set me down off stage. ‘Woo! Quick, but satisfying!’ He mimed zipping up his pants. Bile rose up in my esophagus.”
  • Ben sexually violates Zelda outside the cabins against a tree. “Before I had a chance to make a decision, the fingers of his right hand unclasped my bra and his left hand grabbed my boob. The moment he made contact, I knew I didn’t want it. I tried to step back, but I was still pushed up against the tree.” Zelda says, “‘Don’t. Please, Ben. Just—’” Zelda “tried to push him away with my hands, but he ground into me. ‘It’s okay,’ he murmured. ‘You’re so sexy. I can’t help myself.’” He only stops because Zelda knees him in the crotch and runs away. 

Violence 

  • Before Zelda goes to camp, her father tries to teach her about life. He recounts the story of what led them to this point, but this time he includes a part Zelda had never heard. He loves his new wife and stepson, Will, but they were not deterring him from the negative thoughts inside his head. It was Zelda that ultimately saved him. “‘Zelda-belle.’ He exhaled sharply, folded and unfolded his arms, then took my hands. ‘Your mom loved Will, and I . . . I couldn’t take the sadness anymore. I was thinking about . . .’ He raised his eyebrows, willing me to fill in the blanks . . . Did he mean . . . he was thinking about killing himself?” He lets Zelda know it was her birth that brought light back into his life. She was the one to pull him out of his depression.
  • The owners of RMTA, Paul Paulsen and Paul Deluca (P1 and P2), lay out the ground rules upon everyone arriving at the camp. “’Lastly, we have a very strict physical violence policy. If you get in a physical altercation, you will be sent home. No exceptions.’ Paul Paulsen said . . . ‘Well,’ Paul DeLuca drawled, ‘unless it’s in a scene.’”
  • There is a scene in which Jake 2 and Trey, other members of the varsity improv team, fake punch one another. “‘A punch in the face for not freeing the slaves earlier!’ Jake 2 called. He turned to Donovan and clapped him on the back. ‘Right, my brother?’ My eyes grew huge. Anger flashed in Donovan’s eyes, but it was gone so quickly, I thought I might have imagined it.” This scene upsets Donovan as a biracial individual. It is one of the first times Zelda realizes that it isn’t just sexual comments that are being made and hurting someone.
  • Zelda knees Ben in the crotch to avoid him going further in his sexual advances. “A switch flipped in my head. A message flashed in my mind with lightning speed and clarity: Ben was not what love looked like. He was what danger looked like. And that’s when Dad’s voice shouted in my head, Prime attack zones: spectacles and testicles! I jerked up my knee as hard as I could and rammed it into his crotch.”
  • Ben, the varsity coach, punches a Boy Scout that Zelda is hiking with, Jesse, in the face which causes a fight to break out between the three of them. Most of the violence comes from Ben. “But it took a cracking sound, blood pouring out of Jesse’s nose, and Ben shaking out the hand that had punched Jesse to set off a bomb inside my body…Ben charged at me, and I barreled toward the steps…’How dare I?’ He caught up with me in two strides and grabbed my arms. ‘How dare you?’ He spun me to him. Fury contorted his face. ‘I let you onto Varsity and this is how you repay me?’ His hands dug into my upper arms, and he shook my body…I tried to break out of his grasp, but he growled, ‘Shut up!’ and shook me again…I twisted around, but still gripping my arms, Ben kicked Jesse in the knee as he lurched toward us, which sent him stumbling back down into the gravel. Jesse’s nose was bleeding so freely, the front of his shirt was a lake of blood…’Stand UP, bitch,’ he demanded, digging his fingers even deeper into my forearms. Whimpering from the pain, I listened…Turning around in shock, Ben dropped my arms, so I grabbed his shoulder to force him back to face me, then spectacles-testicled him, and he collapsed to the ground.”

Drugs and Alcohol 

  • None

Language 

  • Zelda is in a conversation with two girls who are discussing how the males on their improv team tend to stereotype them just because they are female. For example, “Then when guys do a scene together, do they call it ‘Dick-prov’?”
  • Sexism and misogyny are heavily discussed throughout the book.
  • The terminology surrounding the LGBTQ+ community is brought up multiple times as both Zelda’s brother and bunkmates are a part of the community. In one scene, the two bunkmates, Sirena and Emily, are telling the girls what they feel comfortable being called. “Sirena says, ‘We like ‘gay.’ And ‘lesbian’ is fine, too. In certain contexts, ‘queer’ makes the most sense. Right, Em?’”’
  • Emily, one of the few females at the camp,  brings up her weight multiple times on her own volition and discusses the stereotypes she faces because of it. This scene is a wonderful example of the adversity she faces daily due to her weight. “Unfortunately, Emily was too anxious to be her best self. At one point, she played a really funny newscaster who was so nervous, she couldn’t remember any of the news, and later managed a spot-on Irish accent, but the guys she was performing with mostly sidelined her. After the third scene, where she played someone’s mom, a guy behind me whispered, ‘That fat girl is really bombing.’”
  • The terminology “asshats” is used several times. 
  • There are also multiple instances of the males making derogatory symbols and expressions towards the girls. When Zelda glares at a group of boys, they “flipped me off. I looked to the coaches to see if anyone was paying attention to the cretins, but the coaches were spread around the room, eyes on the stage.”
  • Zelda’s varsity group is called up to the stage for one of the improv games, but she is joined by the two guys who continue to humiliate her. “I took a deep breath and trotted up on stage. Unfortunately, Crotch-grabber and Finger-flipper stood on either side of me. My weakest aspect of improv next to two sexist body-shamers. Awesome.”
  • The word damn is used several times.
  • The words prostitute and hooker are used multiple times, often in improvisational scenes where they are forcing Zelda to be one.
  • Zelda stands up to some of the negative comments being made towards her during rehearsal. Zelda says, “You know, improv has always made me feel good. Like I was strong and funny and smart. I was a part of something. But you guys — What you do isn’t improv. It’s a lot of one-upmanship and dick waving and you don’t need me for that.” 
  • Ben, the varsity improv coach, calls Zelda a bitch multiple times. Zelda thinks, “It took a long time to fall asleep, but when I woke the next morning, I was sure about two things: 1) Ben was never getting me alone again. And 2) If I was a bitch, I was going to be the funniest bitch that asshole had ever seen.”
  • Ben calls Zelda a whore one time.
  • Nina Knightley, Zelda’s idol, says, “There’s a lot of crap out there. . . and I’ve seen my fair share of it. But the way you get through it is together. Find your people. And then keep helping people up. It’s the only way. Got it?”

Supernatural

  • None

Spiritual Content 

  • None

The Maze Cutter

Isaac, Sadina, and their friends are living on an isolated island — far from the destruction and terror on the mainland caused by the Flare virus. But when a suspicious ship carrying a woman from the mainland arrives, the friends take this chance to leave the safety of the island for the opportunity to see what life on the mainland holds for them. Isaac and his friends leave their safety and their home behind for a chance at improving the world for future generations. The novel follows Isaac and his friends’ trip to the mainland, as well as two warring groups, both desperate for descendants of a certain bloodline that they hope to use for their respective causes.

Fans of Dashner’s original Maze Runner series (2009) will be thrilled to find a new batch of characters and references to the original series in The Maze Cutter. Though the story is set seventy-three years after the Maze Runner Series, the references to the original series will make it difficult to follow for readers who have not read the original series. The prologue opens with references to the events of the original series and there are interspersed excerpts from the diary of one of the characters in the original series. 

The Maze Cutter’s point of view switches between Alexandria, Isaac, and Minho. Alexandria is a goddess with powers stemming from the Flare virus. Isaac is a young man who joins his friends who return to the dystopian mainland. And Minho is a trained soldier for the Remnant Nation. The varying plots can be hard to follow since the different characters start out in completely different places, hundreds of miles from each other. However, by the halfway point of the novel, a trap set by one of the two warring factions brings them together with a battle scene that keeps readers wanting to know more. 

Minho and Isaac demonstrate the importance of building relationships and embracing “found family.” Isaac struggles to reckon with the loss of his family, as well as his perceived guilt because his family died when they entered stormy ocean waves to save him from drowning. Isaac’s willingness to push through his fear to protect his friends makes him a likable character, and readers will enjoy seeing his realization that “all the crazy people” that survived the battle with him “had made [the loss of his family] a little more bearable.” 

Minho is an orphan who “had no parents, no brothers, no sisters, no friends. Only enemies,” until he meets an older woman named Roxy who offers him food and shelter when he stumbles onto her property. Readers will appreciate how Minho’s mindset changes about having family, as he initially is taught to “follow protocol” and not trust anyone, but eventually, he lets Roxy in and shows his emotional side. During the battle scene at the end of the novel, Roxy saves him. Minho says, “It was kinda cool having a mom.”

Another major theme is humanity, and what happens when humans reach for power. To prevent any spread of the Flare virus, the Remnant Nation trains children, like Minho, to be soldiers that will kill any outsiders in hopes of eradicating the virus. By contrast, the Godhead wants to use the virus to infect all of humanity and cause “The Evolution”—powers they hope to gain from the virus. Minho explains of the Godhead and the Remnant Nation, “You’re talking about two religions here, both in a race to the end. And one won’t rest until the other’s gone.” Readers can take away the message that while sometimes people start out with the intention of protecting and helping people, the opportunity to gain power can cause them to hurt others to achieve their goals.

The conclusion leaves readers wondering what the characters will choose to do—will they stay on the mainland or look for a way to return home? Will Alexandria take complete power over her faction? Readers will be left looking forward to the next book in the series, The Godhead Complex, which shows Alexandria uncovering the most valuable asset in this post-apocalyptic battle—a clue that connects the book back to the original Maze Runner series. Readers who are not put off by violence will enjoy how the end battle brings the characters together and shows the survivors forming tight bonds of friendship. 

Sexual Content 

  • After Sadina is kidnapped, she is reunited with her long-time girlfriend, Trish. “Trish and Sadina had yet to let go of each other. . . kissing and hugging in a loop that might last another day or two.”

Violence 

  • Minho is approached by a man who begs for his life. Minho didn’t have the courage to disobey protocol” so he shot the man. The murder is described in detail, “A single shot rang out” and the man Minho shot is described as having “a small wisp of smoke leaking from the new hole in his head, slumped off the horse and fell into the mud with a wet splat. Another shot, and the animal fell as well.”
  • Alexandria finds out that another member of the Godhead, Mikhail, has been attacking followers in a vicious process called “hollowing.” During hollowing, “they’d been sliced from aft to stern, their very essence of life removed with violent but precise efficiency.”
  • When witnessing a young boy being attacked, Minho grabs the man attacking him and “slammed him against the wall . . . the stranger’s head cracked against the jagged stone.” It is implied that Minho kills him.
  • Sadina and Isaac are threatened by Timon, a follower of the Godhead, who attempts to kidnap them and threatens to kill their friends. Timon yells, “MEET ME OR THEY ALL DIE . . . TELL ANYONE, THEY DIE.” 
  • When Sadina and Isaac are kidnapped, Kletter, a suspicious woman who arrived on a mysterious ship at the beginning of the book, is brutally murdered. “Her neck . . . that was the bad part. The really bad part. It had been slashed with something sharp, from one side to the other like a necklace, and blood poured down the front of her body in gushes.” 
  • In order to protect his newfound friend Roxy, Minho attacks Letti, one of the kidnappers. Minho “swung the club of wood and smashed it against the side of Letti’s head . . . Letti collapsed to the ground in a heap.” She is not killed as, “Her chest moved up and down, still alive, but her bloody head sure didn’t look so good.” 
  • While trying to escape the confines of the Remnant Nation’s “Berg,” Minho’s friend, Skinny, is killed. It is brutal; Skinny’s “head was smashed, the arms and legs twisted at weird angles, blood everywhere.” Several people die, but these deaths are not described in detail. This “Berg” battle is described over ten pages.
  • During the battle scene, “Minho had barely stepped from the wreckage when he saw a man buried beneath a large chunk of the Berg that had fallen off . . . The chest didn’t move at all, and there was blood in all kinds of bad places.” 
  • Roxy saves Minho from being stabbed by a Remnant Nation leader during the battle: “Then a long object swung in from the left of his vision, slamming directly into the face of the priestess. The woman screamed, blood spurted, she dropped the knife, collapsed, and went still.”
  • Alexandria orders her followers to kill Nicholas and bring her his head. Alexandria “slid the box closer to her, lifted its lid . . . The eyes of Nicholas stared back at her. His eyelids removed so that they could never close again. She smiled at him, half-expecting what was left of the dead man to return the kind gesture. He did not.”

Drugs and Alcohol 

  • During a meeting of the Congress of the island, Sadina discovers that her mother and two other congresspeople have put something in the wine so that they can leave the island without resistance. They “spiked the wine. But don’t worry, it only puts them to sleep.”
  • Alexandria meets with Mannus, a wavering follower of the Godhead, who describes how he ended up with “horns sewed upon his head.” He says, “I was young and drunk and there might’ve been a lady involved. She’s dead now and I still got these damn horns.” 

Language 

  • Many of the younger characters frequently use hell and damn.
  • Other profanity is used occasionally. Profanity includes bastard, shit, and bullshit.
  • Characters from the Remnant Nation frequently use “thank the Cure” and “for Flare’s sake” as exclamations.
  • Within the setting of the Godhead, there are frequent exclamations of “Praise to the Maze,” “Glory to the Gladers,” and other expressions of worship towards Alexandria, “the Evolution,” and powers that come with it.
  • Old Man Frypan, one of the original Gladers, often exclaims, “hallelujah” and “amen.”

Supernatural

  • Though there are no direct examples of magic in the book, futuristic technology often appears to fill this type of role. For instance, when Isaac and his friends are reunited once more, they are horrified to discover “at least a dozen dark shapes hovered above the horizon as if by magic,” but “Isaac knew it wasn’t magic,” instead it is gigantic “Bergs” coming to take them away. 

Spiritual Content 

  • Characters with strength and enhanced senses from “The Evolution” are referred to as Gods and Goddesses of “the Godhead.”
  • Timon, one of the kidnappers, asks Sadina and Isaac if they have heard of the Godhead, to which Sadina asks, “Like in the Bible. . . Never read it.” But Timon exclaims, “No I’m not talking about the damn Bible.” 
  • The Remnant Nation forces Minho to go on a forty-day trek. While pretending to be loyal to the Remnant Nation, Minho says, “Long live the Cure . . . May I wander for forty days and nights and return a Bearer of Grief in her service! May the Godhead die, and the Cure rule the earth.” 
  • Jackie, one of Isaac’s friends, worries about her kidnapped friends, explaining, “We’re wandering the wilderness like freaking Moses from the Bible. Or was that Joseph? Paul? Who the hell knows.” 
  • Alexandria is part of “the Godhead”, and her goal is to overtake the other two “Gods” and become “their new God.”

by Elana Koehler

Holding Up the Universe

Holding Up the Universe follows the love story of two teenagers who are grappling with their own perception of identity. Jack Masselin is a popular boy who secretly struggles with a neurological disorder; Libby Strout is known as an overweight girl, once dubbed “America’s Fattest Teen” after an incident from her childhood was covered by local news. Jack and Libby realize they have more in common than they thought, but both teens struggle with understanding themselves and learning how they present themselves to others. Over the course of the book, the characters gain confidence in themselves, and learn how to trust their intuition and interact with peers.

Seventeen-year-old Jack has a reputation as being a popular “playboy” and has various other popular friends, such as Dave Kaminski and Seth Powell. Jack is also in an “on-again, off-again everyone-assumes-we’ll-end-up-together-forever” relationship with Caroline Lushamp, one of the school’s most popular cheerleaders. Jack embraces his own arrogance and confidence as he considers himself to be “charming,” “hilarious,” and “the life of the party.” However, Jack secretly struggles with prosopagnosia, which prevents him from being able to recognize faces. Jack is terrified of being excluded, so he tends to go along with what the “popular” kids are doing in order to remain in their good graces. Throughout the story, Jack learns how to tell others about his condition, and learns various “tricks” to manage his condition.

After her mom’s death, sixteen-year-old Libby lost control of her weight. The media negatively represented the Strout family after Libby had to be airlifted out of her home following a panic attack. After being dubbed “America’s Fattest Teen,” Libby was homeschooled for several years, but now she’s ready to return to public school. Shortly after re-enrolling, Libby is bullied for her weight and consistently receives hurtful remarks from peers. Despite the mean statements, Libby remains confident in herself, almost becoming empowered by their hate. 

Following a physical altercation between Jack and Libby, they are required to engage in an after-school Conversation Circle with the school counselor, Mr. Levine. During these meetings, Jack and Libby get to know each other and help each other in a variety of ways. Libby encourages Jack to seek an official prosopagnosia diagnosis from researchers at Indiana University, and Jack slowly realizes he is falling in love with Libby. By the conclusion of the Conversation Circle meetings, Jack and Libby discover how important their identity is, and that it doesn’t matter what anybody else thinks about them. They come to terms with this realization and manage to develop deeper relationships with those around them.

Jack and Libby narrate alternating chapters which occasionally include flashbacks. At times, the back-and-forth perspectives between the two characters can be confusing, but the author weaves them together so seamlessly, it allows the reader to see the emotions of both characters within a specific event. The author effectively uses flashbacks by including them during relevant parts of the plot, such as referring to the day that Libby was airlifted from her home. 

Jack and Libby are relatable in their own ways. Jack is terrified of being excluded, while Libby understands that people will hate her for her weight and chooses to ignore their comments and trust herself. Because Jack is obsessed with what others think, he can sometimes be annoying. Instead of talking to his friends and accepting help from others, Jack believes he should manage everything independently. Despite this, the relationship between Jack and Libby is sweet, and has a lovable moment when Jack is able to recognize Libby without having to use “identifiers.” 

Overall, Holding Up the Universe is well-written and enjoyable to read because it’s paced appropriately and has a plot that readers can connect to. The author effectively utilizes descriptive language to manipulate the emotions of readers to the point that it feels like they are experiencing the events through the characters’ eyes. Holding Up the Universe tackles complex topics that may not be suitable for younger readers, such as fat-shaming, bullying, depression, and peer pressure.

Holding Up the Universe speaks on empowerment, acceptance, and overflowing love, which makes it a feel-good read, but readers still learn about struggles common in high school. The overall theme of the novel can be identified as “seeing and being seen,” since the main characters struggle with identifying others and being respected for who they really are. If you’re ready for another story that explores the importance of accepting yourself, Dating Makes Perfect by Pintip Dunn and Mosquitoland by David Arnold should be added to your must read list.

Sexual Content 

  • There are multiple references to blow jobs and girls being undesirable as a sexual partner.
  • Libby is eager for her first kiss and talks about being hopeful to find a boy to “claim her body.” She also is fascinated by the anecdote about a woman losing weight by having “marathon” sex.
  • Jack discovers that his father is having an affair with a teacher.  Jack sees “a new, unopened email from Monica Chapman . . . and then I open it. And wish I hadn’t.” Jack then drafts a reply which reads “Dear M. If Jack is angry, it’s because of us . . . Maybe I should stop being so selfish. If I really loved you, I would end my marriage or at least come clean to my wife.”
  • On a date, Jack invites Libby to dance with him. Jack is “at first aware of every eye in the room on us, but then all the faces fade away, and it’s just Libby and me, my hands on her waist, all that woman in my arms.”
  • At a party, Caroline tries to coerce Jack to have sex. After removing her shirt, Caroline says, “I think I’m ready for it. . . with you . . . unless you don’t want to.” They do not have any form of sexual contact because Jack realizes, “I don’t love Caroline. I don’t even like Caroline.”

Violence 

  • There is a game known as “Fat Girl Rodeo” where players non-consensually jump on the back of a “fat girl” and try to hang on as long as possible. After Libby enrolls in high school, she becomes the target of the game. Jack jumps on her in the cafeteria, and Libby manages to “summon all the strength [she has] to peel him off like a Band-Aid.” Once Jack is on the ground, she punches him in the mouth. Jack’s “jaw feels knocked loose, like it’s somewhere in Ohio. I give it a rub to make sure it’s still attached, and my hand comes away covered in blood.” 
  • Jack sticks up for someone being bullied. When the group doesn’t back down, Jack “runs right into the herd of them . . . one lands in the dirt, and suddenly they’re not laughing anymore.” The bullies argue with Jack, and then Jack begins to throw punches. “Maybe because I’m angry. At everyone. At myself.” Jack continues to punch the bullies that come at him “even when his hand feels broken, even when he can’t feel his knuckles anymore.” This scene lasts four pages.
  • After a misunderstanding at a party, Moses Hunt tracks down and begins punching Jack. Moses’ “fists are coming at me too fast to duck, too fast to move. Over and over his fists make contact with bone, or maybe he’s not the only one swinging.” This fight lasts three pages.

Drugs and Alcohol 

  • Teens gather for a party and consume alcohol and weed. Jack drinks beer. After drinking several shots, he declares “my esophagus burns like I just inhaled gasoline.” Jack also smokes a joint “because maybe this is the secret of life . . . maybe this will give me answers. Instead, I end up coughing like an old man for a good five minutes.”

Language 

  • Insults and taunting such as “whore” are used toward the girls.
  • There is frequent swearing throughout the book, both casually and as insults. Profanity includes ass, bastard, bitch, bullshit, damn, douche, fuck, goddamn, hell, pissed, and shit.
  • Phrases such as OMG and oh my god are used occasionally.

Supernatural

  • None

Spiritual Content 

  • None

Five Survive

Six friends. One RV. Five make it out.

Red thought this would be a normal spring break road trip with her friends, Maddy, Simon, and Arthur. Maddy’s older brother, Oliver, and his perfect girlfriend, Reyna, come along as chaperones. But things start falling apart after the RV unexpectedly crashes, stranding them in the middle of nowhere with no cell service. Soon, it becomes clear that this was no accident. Someone had masterminded all of this.

A sniper’s voice in the woods tells them that one of them has a secret. Once that person confesses, they die; the rest go free. Alliances form and tensions rise, forcing Red to recall harsh truths about her past and come to terms with the fact that not everything in her life is as straightforward as it seems.

Red is an incredibly complex protagonist. Right away, it’s clear that there’s more to her than meets the eye. Her thought process is quite scattered, so readers initially only get small glimpses into her background but those glimpses are powerful enough to convey that her home life is quite rocky. When Red was in middle school, her mother was killed, leaving Red to take on household responsibilities while her dad was consumed by grief. Throughout the novel, she must work through the guilt related to her mother’s death. Red is a puzzle that slowly comes together as she and her friends work together, first to devise an escape plan and then to figure out which of them is the target. But is there a liar among them? Buried secrets will be forced to come to light and tensions inside the RV will reach deadly levels. Not all of them will survive the night.

While Jackson uses traditional third-person narration, every character is equally fleshed out and has a distinct personality. Each of them has a role, even if it may not be obvious at first. In the beginning, Oliver takes control and seems to be the unquestioned leader, but power dynamics subtly shift over time and each character has their moment in the spotlight. As each new piece of information is revealed, Red is forced to reevaluate her relationship with her best friend’s family. This creates a familiar experience for teenage readers who learn that their childhood perceptions of the people around them are not necessarily the full truth.

Jackson is a master at grabbing the reader’s attention and not letting it go for 400 pages. Pacing is maintained through multiple internal plots and sagas that all come together in the end; every story element is there for a reason. With each failed escape attempt, Jackson raises the stakes impossibly high, creating delicious suspense. Characters must grapple with their sense of right and wrong, and question what they think they know about themselves and the people closest to them. Five Survive will stay with readers long after they finish the final page. Although it’s action-packed, it’s also a fascinating glimpse into human psychology, examining what drives people to make the decisions they do and keep the secrets they keep. Jump into another suspense-filled thriller by reading We Were Liars by E. Lockhart or The Agathas by Kathleen Glasgow & Liz Lawson.

Sexual Content 

  • A few sexual “that’s what she said” jokes are made. 

Violence 

  • Oliver and Maddy’s mother is an attorney who is currently involved in a case related to a conflict between two gangs. When describing the case, Oliver mentions some violent altercations. “At the end of August last year, one of the leaders, Joseph Mannino, was killed by another, Francesco Gotti. Allegedly, I should say. Shot him twice in the back of the head.”
  • After the RV breaks down, the six hear a loud noise outside. When they go outside to investigate, a rifle is shot. “A crack in the darkness, louder now that she was outside with it. Red flinched, hands up to her ears, and the red dot wasn’t there anymore. But there was something else. A splintered hole in the RV. Not the size of a fingernail. The size of a bullet.” This scene occurs over two pages.
  • In an internal flashback, Red remembers reading a graphic description of how her mother, a police officer, was killed. “Mom on her knees. Begging for her life…On her knees, terrified, knowing what was about to happen. And then it did: two shots to the back of the head. Killed with her own service weapon.”
  • The six devise an escape plan using reflections in a mirror. The sniper would shoot at the reflection, thinking that one of them was coming out, revealing where the sniper was hiding and allowing them to run in the opposite direction. As predicted, the sniper shoots: “Behind Simon, there was a splintered hole in the wooden base of the dining booth, where the bullet had struck through after the mirror, probably out the other side of the RV back into the dark night. Through glass and wood and wood and plastic and metal. Skin and bone would be nothing in its path.”
  • An elderly couple, Don and Joyce, drive by and, noticing the broken down RV, offer to help. The sniper communicates via walkie-talkie that the six have to drive them away; if they ask for help, the couple will be shot. Oliver slips them an SOS note despite protests from the other five, and the sniper kills them. “Crack. Too quick. Joyce folded sideways onto the road, a space where the middle of her face had been…Crack. A plume of blood in the headlights. A gaping hole in Don’s face, beside his forever-open mouth. He fell slowly, knees buckling first, crumpling backward over his legs, bent all wrong. Empty stare up at the stars, a halo of red pooling on the road.”
  • Oliver describes a bar fight he was in a few months before. Someone was hitting on his girlfriend, Reyna. Oliver describes, “So I pull Reyna away from the guy and I tell him to leave her alone. And then this guy loses it. He shoves me and I’m asking him what his problem is. And then he hits me, punches me right in the face…So I did what any other guy in the situation would do: I hit him back. And maybe it was too hard, I don’t know. But I think the guy gets knocked out. He falls back on the pavement and, you know, he’s breathing heavy like he’s unconscious. He’s not bleeding out or anything.” It is later revealed that this person died a few days later as a result of this incident.
  • Thinking that Arthur is the one with the secret, Oliver attacks him, demanding a confession. “Oliver slapped a hand down on the kitchen counter beside him and then he charged, wrapping his hands in Arthur’s shirt, driving him backward.” This incident continues over four pages, with the fight described between interludes of dialogue.
  • The sniper shoots Maddy in the leg when she tries to get to Don and Joyce’s abandoned car to get help, and the five work together to stop the bleeding as best they can. This is the focus for seven pages; Maddy’s injury is referred to throughout the rest of the novel.
  • The police arrive and chaos ensues. Multiple people are shot and Oliver threatens to set fire to the RV. “Red’s hands jumped to her ears at the sound of the rifle, her eyes flickering from Oliver, lying dead still on the road, to Arthur clutching at this neck, to the police officer in front of her. But the woman wasn’t looking at Red. She was looking at the dark shape of the walkie-talkie in Red’s hand. It must have been instinct for her too. Her gun flashed. A tiny firework. Something stung Red in the chest, breaking through…Her hand cradled her chest, pressed against her dark red shirt. Her fingers came away and the red came away with them.” Several people are injured, but only Oliver dies. This scene lasts six pages.

Drugs and Alcohol 

  • A few references to drinking and being drunk are made. For example, Simon sits down awkwardly next to Red, who remarks, “You’re drunk already? I thought you only had like three beers.” When he moves closer, she “smells the sharp metallic tang on his breath.”

Language 

  • Profanity is frequently used, mostly variations of “fuck” as well as a few instances of “shit” and “ass.”
  • “Oh god” is rarely used as an exclamation.

Supernatural

  • None

Spiritual Content 

  • None

Out of Sight, Out of Time

At the end of the last school year, Cammie decided to leave the Gallagher Academy. The Circle of Cavan will not stop trying to kidnap her until they get the answers they need, and the people around her were in constant danger because of it: Bex, Liz, Macey, and Zach. Cammie will not allow anything bad to happen to them. In order to protect the people she loves most, Cammie decides to spend the summer holiday following in her father’s footsteps and hunting for the Circle. 

Then Cammie wakes up in a remote convent in the Alps. Her body is weak and covered in wounds. Her hair is short and midnight black. And tomorrow is the first of October.  

Cammie is whisked back to school, but she remembers nothing—nothing—of what happened over the summer. Did she find any answers? Was she captured by the Circle of Cavan? Her mother and teachers beg her to let it go; they warn her there are things she may not want to remember. But Cammie can’t let it go. Bit by bit, she begins to piece together what happened last summer. And the more she does, the bleaker the future becomes.  

Out of Sight, Out of Time diverges from past books as it wades deeper into the mystery that has surrounded the Circle of Cavan. Less focus is given to Cammie’s school as Cammie struggles with confusion, feeling lost, and how her friends and Zach were changed by her disappearance. After she returns to school, Cammie’s state of mind is questioned by everyone—herself included. At times, the first-person point of view takes on a dreamy quality, as Cammie gets sucked back into the trauma of what happened last summer. Though it is implied that Cammie was tortured, there are no graphic descriptions of her experiences.  

Since it has a different feel from the previous books, readers will either love or hate Out of Sight, Out of Time. As she pieces together a frightening picture of her summer, Cammie’s fragile mind leads her to doubt if she can trust herself. However, it is easy to relate to Cammie’s struggles with her friends, who are mad at her for leaving them behind. The mysteries built up over the last several books slowly fall into place, queuing this series up for a dramatic showdown in the next and final book in the series, United We Spy.  

Out of Sight, Out of Time has high stakes, suspense, action, and mystery galore. All our favorite characters are back, including Macey’s friend Preston Winters. From Rome to the Alps, Cammie will stop at nothing to find answers, to fix whatever went wrong last summer, and to finally finish her father’s mission.  

Sexual Content  

  • When Zach and Cammie reunite after the summer, Zach kisses Cammie. “Zach’s lips found mine. His hands burned as they left my arms and moved through my hair, bracing the back of my neck . . . And then he kissed me again, and the kiss was all that mattered. He pulled back, traced his lips across the tender place on my head.”  
  • When Zach and Cammie split up on a mission, “he squeezed my hands and kissed me gently. ‘For luck,’ he said.” 

Violence  

  • When a teacher startles Cammie, she reacts instinctively. “It felt like someone else who was turning, grabbing the hand, and kicking at the leg closest to me. That girl was spinning, using gravity and momentum to push the two-hundred-pound man toward the railing.” Later, she sees the bruise marks that she left on the man’s neck.  
  • A sniper aims for Cammie but hits a teacher, Dr. Steve, instead. His blood splashes Cammie. “I’d never realized how pale Dr. Steve’s skin was until it stood in contrast to the red blood that was oozing down his arm.” Dr. Steve survives.  
  • Then, Cammie kills the mysterious sniper, who was about to kill Bex. “Bex lunged, striking the man, but he didn’t fall. And as he shifted his weight, Bex crashed to the ground . . . She tried to block the blow, but the man was so strong. And the next thing I knew, there was a splatter of blood and Bex was screaming, her face a mix of shock and fear and . . . relief as the man fell to the ground and didn’t move again. The gun was in my hands. My finger was on the trigger.” The struggle takes place over two pages.  
  • A man guides Cammie to an alleyway where the Circle is waiting to ambush her. When Cammie realizes it is a trap, she “was already spinning, kicking him to the ground, knocking his head against the stone wall and starting to run . . .” The fight to escape takes place over seven pages. 
  • During the fight to escape, Cammie’s car crashes. “My head snapped, and the car spun. I was faintly aware of the sensation of being weightless and then rolling, over and over. The crunching metal made a sickening sound. Shards of glass pierced my skin.” Cammie is shaken up with some cuts, but otherwise is okay.  
  • Cammie flees from Zach’s mother, leader of a splinter group of the Circle. As Cammie flees, she “felt a blow to my back. I fell, crashing against an outcropping of rocks . . . my right arm slammed against the ground. Pain shot from my elbow to my shoulder as if lightning had struck.”  

Drugs and Alcohol  

  • None 

Language    

  • None 

Supernatural  

  • None 

Spiritual Content  

  • None 

Breaking Time

When a mysterious Scotsman suddenly appears in the middle of the road, Klara thinks the biggest problem is whether she hit him with her car. But, as impossible as it sounds, Callum has stepped out of another time, and it’s just the beginning of a deadly adventure.

Klara will soon learn that she is the last Pillar of Time—an anchor point in the timeline of the world and a hiding place for a rogue goddess’s magic. Callum believes he’s fated to protect her at all costs after being unable to protect the previous Pillar, his best friend, Thomas. For a dark force is hunting the Pillars in order to claim the power of the goddess—and Klara and Callum are the only two people standing in the way.  Thrown together by fate, the two must learn to trust each other and work together. . . but they’ll also need to protect their hearts from one another if they’re going to survive.

Since the death of her mother and moving to Scotland, Klara’s life has been turned upside down. Things only get worse when Callum arrives. At first, Klara doesn’t believe he has traveled from the past nor does she understand the strange powers that have manifested through her. While many readers will relate to Klara’s grief and her inability to be honest with her father, Klara is not a very memorable character. Even after a man steps out of a mist and tries to kill her, Klara is still unwilling to believe Callum’s story. This conflict takes too long to resolve and slows the story’s pacing.

Breaking Time introduces many ancient Gods as well as some lore for the Fair Folk; however, some of the story’s magical elements are inconsistent. For example, while one goddess is only able to appear to Klara at a mystical site, another appears to her through a dream, and demon monsters can appear anywhere. Since Klara doesn’t understand her powers, she goes on a quest to different mystic sites in an attempt to understand them. At each place, she learns more about herself and what it means to be a Pillar. Unfortunately, the story’s worldbuilding is lacking and the magic elements are inconsistent which causes confusion.  In addition, some of the people and events are not clearly connected to the central conflict. To make matters worse, the conclusion is ambiguous and doesn’t wrap up any of the conflicts, which many readers may find frustrating.

Unfortunately, Breaking Time’s unremarkable protagonist and inconsistent worldbuilding make the story difficult to enjoy. Readers who have some previous knowledge of Scottish folklore may still find Breaking Time an interesting read; however, readers who have no previous knowledge of Scottish folklore may want to leave the book on the shelf. If you’re looking for a time-traveling romance, Time Between Us by Tamara Ireland Stone and the Ruby Red Trilogy by Kerstin Gier both have mystery, excitement, and some swoon-worthy scenes.

Sexual Content

  • Klara sees Callum watching for danger. Klara goes to him and Callum “took her waist between his strong hands, pulling her close. In a swift movement, he turned Klara so that her back was against a nearby tree. His body flush against hers. She could feel every inch of him. . . His lips pressed hungrily against hers, and she grasped the nape of his neck, wanting him closer. . . Their lips danced. She willed him to move faster, harder against hers. Her tongue dipped into his mouth and he moaned at the contact.” The two do not go further. The scene is described over a page.
  • After kissing Klara, Callum thinks about how “He had only kissed one girl before.”
  • After a near death experience, Klara tells Callum to kiss her. “His lips descended on hers, slow and meaningful. . . He slid the palm of his hand down to the back of her neck, she shuddered.”
  • Klara told Callum that she could send him back to his own time. He refuses her offer. Then, “his lips found her hairline and lingered there. He felt her palms up his back, felt his muscles tighten in response to her touch. . . Klara wanted him here, too. . . Everything that was fierce and gentle in Callum flowed out of his touch and into her . . .” They stop kissing when they are interrupted. The scene is described over a page.
  • While listening to a band and dancing, Callum “pulled her even closer, lifting her so she was on her toes. . . She pushed her fingers into his hair. He moaned, feeling euphoric. His lips descended to hers.” The kiss is described over half a page.

Violence

  • To pay for their meals, Callum and his friend, Thomas, fought in a local pub. Callum recalls one fight when “Thomas got pummeled. . . Sounds still rang in Callum’s ears: the thud of fist and flesh, the sickening crunch of bone.”
  • One night, Callum comes across Thomas lying in the street. “Thomas lay on the ground, his legs splayed at sickening angles. Blood seeped through his shirt. . . [Callum] pressed his hands against the deep slice that marred his friend’s torso. A knife wound.” 
  • While Callum kneeled next to Thomas, his “world flipped sideways. A blow had hit Callum like a runaway carriage. . . pain exploded along his ribs.” Thomas’s killer steps out of the shadows and “Callum didn’t see the blow coming, only felt the pain searing across his temple as he was thrown to the ground again.” 
  • During the fight, the man stabs Callum. “Callum touched his side, and his fingers came away with blood. He watched as crimson spread across his shirt. . . He tried to take a step, only to crumple to the ground beside Thomas, whose head rested limp against his chest.” Callum passes out. When he awakens, he is in another time period and he assumes Thomas is dead. The fight scene is described over four pages. 
  • A man steps out of a fog and grabs Klara’s throat. “He squeezed tighter, making her sputter. Her lungs worked fruitlessly, burning and straining like her ribs had been welded shut. He was trying to kill her. Was killing her.” Callum jumps to Klara’s aide and “ lunged forward and sunk his dagger into the man’s thigh. . . crying out in pain, the man released his grip slightly, allowing Klara to pull out of his grasp.”
  • While fighting the man, “A powerful burst of energy exploded inside [Klara], moving in electric waves outward from her chest into her limbs. Her fingertips felt like live wires. . . it suddenly sparked into a bright, white light that wiped away everything else.” Klara’s power sends the man into a different realm. The fight scene is described over four pages.
  • A beast appears “standing as tall as a horse and twice as wide, it bore the head of a snake, the form of a panther, and the cloven hooves of a demon.” The beast corners Klara, and Callum comes to her aid. “The creature lunged at Callum. He threw all of his strength at the beast, ducking down and ramming his shoulder into its stomach. . . [Klara] slam[ed] her phone into the beast’s snapping jaws.” 
  • During the fight with the beast, “the monster swung its neck like an unbroken horse, throwing Callum head over heels into the nearest partition wall. . . His body exploded with pain.” While Callum is down, “The monster lumbered toward [Klara], its tongue lashing the air as its hideous head darted and swayed. Its monstrous skull smashed into Klara’s side and sent her sliding along the floor.”
  • As the fight with the beast continues, Callum “slammed the rock into the beast’s spine, the spot on the neck where the scales met fur. The monster shrieked in pain. . . its scaled back, [was] now slick with dark blood as the monster fell on its side.” After being injured, the monster turned into “a pile of dust on the floor.” The bloody fight is described over five pages.
  • While fighting in the pubs, if Callum had a bad fight, his master “would be so mad that the beatings wouldn’t stop until I did better in the next fight.”
  • While in the forest, a god in the shape of a stag appears to Klara. Soon, another monster appears and attacks the stag. “The stag was crumpled before her, his neck in the jaws of another beast. Familiar teeth sunk into the animal’s furred flesh.”
  • Once the stag is out of the way, the monster goes after Klara. The beast “snapped its head up from the stag’s neck, blood dripping from the pearly points of its teeth.” Klara ran, but “spit flew from its mouth and landed with a heavy smack on the tree, acid sizzling where it met the bark—right next to her face.” Eventually, “the leopard-like tail came around and pinned Klara against the tree. Splinters cut through the back of her jacket and into the soft flesh of her skin. She convulsed with a full-body shiver as its jaws opened.” 
  • During the fight, the stag recovers and charges the monster that has Klara pinned against a tree. Once free, “Klara grabbed the broken antler from the forest floor and rammed it into the beast’s eye. The black pupil sunk like putty around the shard, which shuddered violently in her hand the deeper she plunged it in . . . the beast shrieked then collapsed into darkly shimmering dust.” The fight is described over six pages.
  • Aion, a man who Callum has only seen once, follows Callum. When Callum confronts him, Aion refuses to answer any questions. “Callum’s knuckles sunk into Aion’s cheek and nose, glancing off bone. His cry was muffled by Callum’s fist. He drew his hand back, chest heaving. A line of dark blood trickled from Aion’s nostril and over his lip.”
  • While at a mystic site, another monster attacks Klara and Callum. “Callum crouched in front of the beast, sword raised. With a twist of her heart, she noticed the blood splashed across his leg. His limp. . . [Callum] lunged again, this time striking the beast’s neck with the broad side of the sword. Rearing its head, the beast cried out. Then, it swung down in a flash. . . sinking its teeth into Callum’s side.”
  • As Callum and the beast fight, Klara jumps in. “She grabbed the hilt and ran headlong toward the creature. . . leaping as high as she could, Klara bore down and drove the blade into the monster’s open mouth.” When nothing else works, Klara uses her power against the beast, causing the beast to dissolve “until nothing more than a shimmering curtain of gold dust remained.” The scene is described over four pages.
  • Four beasts that “looked as if they were plucked straight from the pits of hell” attack Callum. When the lead beast runs at him, Callum “dropped, flattening his body against the ground to avoid the snarling beast . . . One hand grasped the beast’s muzzle, the other the meat of its neck. Callum felt the crunch of its crooked and uneven teeth under his fingers as he tightened his grip, then used the beast’s own weight to swing it away—and let go.”
  • As the fight continues, “Callum fell to his knee and thrust the dirk upward, catching the creature’s soft belly with his blade. . . The terrible sound of ripping flesh filled his ears. Hot blood splattered in his hair and face. . .” 
  • The beasts almost overtake Callum when one of them “sunk its claw into the front of Callum’s chest. The bite of fang and flesh tore a scream from his lungs.” After Callum fights the beasts, Llaw, a demigod who is trying to kill all of the Pillars, appears and attacks. “Llaw was strong. He stole the remaining breath from Callum’s belly with a sharp kick, sending his body reeling like he had run full force into one of the standing stones. Pain flared in his injured shoulder. Callum fell to his knees. Llaw drove a fist into his chest.”  At the end of the six pages of fighting, Callum’s “vision faded, along with the beat of his heart.”
  • When Klara finds Callum’s body, she pleads to the god Cernunnos. However, Llaw appears. “Llaw’s boot slammed against her chest, pinning her to the ground. The hound by his side. . . crouched. With its sickening sharp claws carving up the earth as it moved, the creature inched toward her until its snapping, snarling jaw was nearly pressed against her throat.” Llaw “pressed his foot down on her chest until a rib snapped.”
  • Klara calls on her powers and is able to distract Llaw. Then, she swung her sword. “The hilt shuddered in her fingers as the blade met resistance—as it cut through the flesh and bone of Llaw’s arm. Then the sword was free again, a swatch of blood on silver the only evidence that she hadn’t missed.”
  • At the end of the fight, Klara stabs Llaw in the chest. “He shuddered violently, like he’d been pushed onto her blade. . . She felt his body go limp.” Klara and Llaw’s fight scene is described over seven pages. 

Drugs and Alcohol

  • Callum thinks back to a time when he had whisky at a pub.     
  • After Callum gets into a fight, Klara calls a doctor. The doctor assumes Callum is drunk. The doctor said, “this young man needs aspirin, water, and perhaps to reconsider his life choices, if he’s already this drunk so early in the morning.” 
  • Klara and Callum go to a bar to listen to a band. Other people are served beer.
  • Klara’s grandmother “smoked a joint every Christmas.”
  • Klara’s father talks about the night before he married Klara’s mother when they had champagne.

Language

  • Profanity is used infrequently. Profanity includes ass, bastard, crap, damn, hell, pissed, and shit.
  • Goddamn is used once.
  • God, oh my God, and Jesus are used as exclamations a few times. 

Supernatural

  • In the woods, Klara and Callum come across an area that looks like a fairy ring. Then, a fog begins to take form. “The air in front of [Klara] began to shimmer as if it was the height of summer—but the air turned suddenly cold. . . The mist grew thicker still with every passing second, until it was a curtain of light and shadow. . . Callum watched in horror as a hand emerged from the mist and reached for her.” A man steps out of the fog. 
  • The story revolves around Samhain, “a Gaelic holiday, similar to Halloween, celebrating the barriers of the human and spirit world thinning out on October 31 through November 1, allowing crossover from both realms.”
  • Callum learns that Thomas was visiting mystical centers. A man tells Callum, “Different centers are thought to be closer to different gods or different locations in the Otherworld. . . Some say energy flows at these sites – at these mystic centers, or thin places— especially at certain times of the year, or with specific celestial events, the power of which is beyond our understanding.”
  • If Klara concentrates, she can feel the “pull of the Otherworld.” While trying to understand her powers, Klara walks into a forest and a stag steps out of the mist. “She watched in awe as the stag fell away, its body transforming until the only thing that remained of the beast were its antlers” that “crowned a man.” The man is Cernunnos, the god of the wilds, of nature, and of life itself. He tells Klara that “my essence is connected to the soil, the leaves, the trees, the ocean.” 
  • Callum wants to find the “bean-nighe” who is part of the Fair Folk. The bean-nighe “appears to those she chooses, and those who will die.” To find a bean-nighe, Callum will need to go to a lake, take part of his shirt, “soak it in your blood, and leave it in the waters. With it, you must swear to leave your life—if the bean-nighe would so choose to take it.” When Callum follows these directions, he asks the bean-nighe for “the strength of ten men” so he can protect Klara.
  • Klara goes to a mystic site. While there, a “pearl of light” appears. “The pearl grew. . . the spin stopped abruptly, and it flattened in the air in front of her, casting her in a blaze of white. . . Klara cried out, at first in shock, then in agony. It felt like she was being scorched alive.” The light takes her through a vision of the past.

Spiritual Content

  • Arianrhod, the Goddess of the Silver Wheel is “a primal figure of female strength—often associated with the moon, she had dominion over the sky, reincarnation, and even time and fate itself.” The goddess appears to Klara and Callum. Arianrhod shows a vision to Callum. “The fog gathered around them again. . . A familiar form took shape in front of Callum’s eyes. His chest wrenched open with disbelief and wonder.” Callum is shown his friend Thomas, and Arianrhod explains that “Thomas’s life was precious—more precious than most of the humans who walk this earth. There was a power in his blood more valuable than any mortal treasure. . .”
  • The Goddess reveals that Callum’s friends, Thomas, and Klara are both “pillars.” Arianrhod divided her powers “amongst ten human souls that would be born into your world. . . Spread across the centuries, each of the ten chosen ones became a Pillar of Time, with my power sealed within their blood.” 
  • Arianrhod’s son, Llaw, is a demigod who is trying to kill all the Pillars so he can gain their power. The goddess explains that “Llaw has already taken the power from the other nine vessels, but my power can all be restored as long as you live past Samhain.” If Llaw isn’t stopped, chaos will reign and time itself will be destroyed.

Ghost Boys

When twelve-year-old Jerome Rogers is shot and killed by a police officer, his ghost watches his family and the world around him shake in the wake of his death. Upset and frustrated, he doesn’t understand why this had to happen–why a police officer would confuse a kid with a toy gun for a grown man, and why no one administered any medical care at the scene. Jerome is mad that this often happens to black folks like him. Then, Jerome meets another ghost boy named Emmett Till, who teaches him about the United States’ long legacy of discrimination against black people, and especially black boys.

Jewell Parker Rhodes’ Ghost Boys is a gripping story about violence, grief, and the devastation caused by systemic racism. Jerome laments about how he’ll never get to grow old, and that he has to leave his family behind. He witnesses the court proceedings deciding the fate of the police officer, and he sees his family’s reaction when the judge decides that there is not enough evidence for a trial. It is wholly unfair, and Jerome struggles with this unfairness throughout much of the novel. It is by Emmett Till’s explanation of history that Jerome learns he can still look after kids who have been wronged and that maybe we can take steps toward change.

A couple of people can see Jerome’s ghost and interact with him. His grandmother has some inkling that he’s there, but Jerome spends most of his time speaking with Sarah, the daughter of the police officer. She grapples with internalized biases, and they help each other understand that they can still create change for the better, even though their worlds are categorically messy. It is through Sarah and Emmett Till that Jerome comes to accept his death and realizes that sharing his story will hopefully help prevent events like this in the future.

Rhodes doesn’t hold back in Ghost Boys. Although this book details violence and tragedy, she does an excellent job using these details to move the plot along and help the characters grow. Her choice to include the historical case of Emmett Till is also well done, and Emmett’s inclusion in the book helps balance out Jerome’s other primary interactions as a ghost. 

Ghost Boys is an emotionally difficult book, and the target audience should be middle-grade readers and older readers who find themselves ready for this intensity. The tragedy of this book is not that it is violent, but rather that this is our unfortunate reality. The names of real-life black people killed by the police are scattered throughout the book, reminding us that this book doesn’t exist in a vacuum. For all the gravitas that Ghost Boys brings, it is an important read for understanding grief and compassion, and by the end, there is still a glimmer of hope that maybe people can change for the better.

There are many great book options for middle-grade readers who want to explore racism in more detail including  The Lions of Little Rock by Kristin Levine, A Good Kind of Trouble by Lisa Moore Ramée, From The Desk of Zoe Washington by Janae Marks, and The Parker Inheritance by Varian Johnson.

Sexual Content 

  • Jerome dreams about what it would be like for him to be able to grow up. On his list of things he would’ve done, he mentions, “Real is me having a girlfriend. (Maybe.)”

Violence 

  • The protagonist, Jerome, is shot and killed by police officers who mistook his toy gun for a real one. As a ghost watching himself outside his body, Jerome describes his body, saying, “Laid out flat, my stomach touching ground. My right knee bent and my brand-new Nikes stained with blood. I stop and stare at my face, my right cheek flattened on concrete. My eyes are wide open.”
  • Jerome’s Ma pokes him while emphasizing that she wants him to be educated. Jerome says, “Sometimes the poke hurts a bit. But I get it.”
  • Jerome is afraid of some bullies at school because they “like to dump [his] backpack. Push [him], pull [his] pants down. Hit [him] upside the head.” This is a common occurrence when Jerome describes his time at school. 
  • Jerome notes that the new kid, Carlos, is going to get a beating from the school bullies. Jerome says, “New students are beat-down magnets.”
  • The bullies attack Carlos in the school bathroom. Jerome describes, “Mike punches Carlos. He falls backwards. Then, Mike and Snap are both kicking Carlos. In the stomach. The head.” This scene continues for two pages. 
  • Jerome stands up to the bullies on behalf of Carlos, and Carlos pulls a gun on the bullies, surprising everyone. Jerome describes, “We all turn. Carlos has a gun.” It turns out later that it’s a plastic toy, and that’s how Carlos got it past school security.
  • Jerome doesn’t like seeing his mom upset. He says, “seeing Ma crying makes me want to crush, slam something into the ground.” He does not act on these impulses.
  • Jerome’s dad is upset over his son’s death at the hands of a policeman. While speaking with the rest of the family about the injustice, Jerome describes, “Pop’s fist slams the wall. The drywall cracks. I’ve never seen Pop violent.”
  • Many references are made to slavery and violence against black people in the United States. Jerome’s dad says, “Tamir Rice, 2014. He died in Cleveland. Another boy shot just because he’s black . . . No justice. No peace. Since slavery, white men been killing blacks.”
  • Sarah, the daughter of the police officer, can see Jerome’s ghost. She tells him that she’s sorry, and Jerome thinks, “If she wasn’t a girl, I’d think about hitting her.”
  • Ever since her dad killed Jerome, Sarah’s parents have been arguing. Jerome and Sarah both hear noise coming from downstairs. “A door slams. Sarah’s mom and dad are shouting. Glass breaks.”
  • Jerome becomes angry, and in his ghost form his “hand connects. Peter Pan flies across the room. The book hits the wall, drops to the floor.”
  • Emmett Till died in 1955. He was lynched by a group of men, and the scene lasts for two pages. Jerome watches Emmett’s memories, describing, “The husband fires the gun, sparks fly. Emmett’s spirit rises. With barbed wire, the men lash Emmett’s body to a large wheel. They drag, shove the wheel into the river. Watch it sink. Blood stains the riverbank.”
  • In one of the final chapters, the reader experiences Jerome’s death in first person. Jerome says, “Pain slams me. Two fire sticks are inside me. Burning, searing my right shoulder and lower back. What happened? What happened to me?” This description goes on for a couple of pages.

Drugs and Alcohol 

  • Jerome says that, “I know Ma will remind [Grandma] to take her blood pressure pill.”
  • Jerome describes a lot a few blocks away from his home. He says, “A meth lab exploded there and two houses burnt.”
  • Jerome describes some drug dealers who happen to deal two blocks away from his school. He says, “drug dealers slip powder or pill packets to customers, stuffing cash into their pockets. Pop says, ‘Not enough jobs, but still it’s wrong. Drugs kill.’”
  • After killing Jerome, Sarah’s dad “drinks, stares at the TV.”

Language 

  • Mild language is used occasionally. Terms included are stupid, dumb, and crazy.

Supernatural

  • Jerome dies and becomes a ghost, watching over his family for much of the book.
  • Jerome meets Emmett Till’s ghost, who was a real-life boy who was killed in 1955.
  • From Sarah’s window, Sarah, Emmett, and Jerome can see “a shadow. Then, another. And another. Another and another. Hundreds, thousands of ghost boys standing, ever still, looking up, through the window into our souls.” It is then clarified that these are the ghosts of thousands of black boys who have been killed.

Spiritual Content 

  • Grandma has “premonitions . . . worries about bad things happening.” She tells Jerome that she receives these premonitions in the form of bad dreams.
  • Grandma has superstitions, and Jerome states that she likes to do things in threes because it’s “Grandma’s special number.”
  • Grandma tells Jerome, “Three means All. Optimism. Joy . . . Heaven, Earth, Water. Three means you’re close to the angels.”
  • For Jerome’s funeral, Reverend Thornton makes an appearance. He says to Jerome’s family, “We should pray.” To this, Jerome’s dad says, “What for? Jerome’s not coming back.”
  • Grandma expresses her belief in spirits and the afterlife, saying, “Every black person in the South knows it’s true. Dead, living, no matter. Both worlds are close. Spirits aren’t gone.” Her words are dismissed by the reverend and by others as mere superstition. 
  • Emmett Till talks about his mother’s beliefs, saying, “‘Family and faith,’ that’s what mattered, she said.”
  • Jerome’s grandma has an altar to her late husband. Jerome describes, “Every Sunday, Grandma lights candles and talks to a picture of Grandpa in a sailor’s uniform.”
  • Carlos tells his dad that he “wants to honor Jerome” on Day of the Dead. The Day of the Dead ceremony goes on for a chapter.

Contingency Plan

When Sandra Sinclair, recently widowed and the mother of twelve-year-old Jane, meets wealthy lawyer Joe Gillette, he wins her over with his kind and conscientious attitude. Falling in love faster than she ever thought possible, Sandra agrees to marry him. But soon after they move into their new home, things begin to change, and Joe’s controlling behavior causes Sandra to question her decision. When her new husband becomes seriously abusive, Sandra decides she and Jane must leave.

When Joe makes it clear that he will not just let Sandra walk away, she discovers it’s quite likely Joe arranged his first wife’s death and that Sandra is now part of his “contingency plan.” She soon realizes that even the law is no defense against this meticulous and egotistical man. Fleeing to an old family cabin on a remote lake, mother and daughter prepare to live off the grid. But when Joe tracks them down, Sandra must come up with a contingency plan of her own.

Contingency Plan is part of the Orca family of Rapid Reads books which are intended for a diverse audience, including ESL students, reluctant readers, adults who struggle with literacy, and anyone who wants a high-interest quick read. Since Contingency Plan focuses on Sandra, who was recently widowed, younger readers may have a difficult time connecting to her. While readers will empathize with Sandra’s grief, she is not necessarily a dramatic character that will keep readers’ interest. Much of the story is told in the past tense, which limits the suspense, and the ending of the book is anticlimactic and unsurprising. 

Some teen readers may reach for the book because they are interested in Sandra’s daughter. However, Sandra’s daughter rarely plays an active role in the story, which makes it difficult to emotionally invest in her. Plus, Joe has very little interaction with Sandra’s daughter. 

Even though Joe is very controlling, his abusive behavior is rarely physical, which may lead some readers to wonder why Sandra feels she cannot stay with him. Unfortunately, Contingency Plan isn’t a compelling story and fails to teach any life lessons. Reluctant readers who are looking for a story that focuses on family and will appeal to teens have many good options, including In Plain Sight by Laura Langston and Tell by Nora McClintock.

Sexual Content 

  • Sandra goes on an overnight trip with Joe. While having dinner, Joe smiles at her and Sandra proclaims, “the chemistry took my breath away. But it was more than sexual attraction.” Later, his “tender mouth nuzzled my ear, sending a tingle to forgotten places. . . We wouldn’t need that second bedroom tonight.” 
  • After being married for a while, Joe says that Sandra treats sex “like a chore.”
  • Even though Sandra is beginning to hate Joe, she feels that she has to pretend like she loves him. One night, “our lovemaking earned a solid-gold Oscar for me. For him, the usual silver star for excellence. My body responded in spite of itself.”

Violence 

  • Joe gets angry at Sandra. Sandra describes, “he gave me a shake that rattled my teeth. But he didn’t slap me.”
  • A private detective investigates Joe because while backpacking in the wilderness, Joe’s first wife died. Some people believed Joe intentionally got lost and caused his wife’s death. 
  • Sandra takes her daughter and hides out in an old hunting cabin. Sandra knows Joe is in town asking questions, so she comes up with a plan to kill him. When Sandra hears Joe’s snowmobile, she jumps on her own snowmobile and drives towards a partially frozen lake. Both Sandra and Joe break the ice and fall into the freezing water, but because she is prepared, Sandra is able to make it out. “He bobbed to the top. . . Joe’s gloved hand flipped up his visor and he splashed. ‘Help me! For god’s s-sake, S-sandra,’ he splashed.” Sandra leaves him in the water and thinks, “At 15°C, it wouldn’t take long for the ice to refreeze.” 

Drugs and Alcohol 

  • Joe and Sandra drink champagne several times.
  • After getting married, Joe and Sandra have dinner with the family. One woman gets “tipsy” while “the wine and brandy were making everything a bit unreal.”
  • After their marriage, Joe often drinks alcohol. 
  • When running from Joe, Sandra stays in a cheap hotel where someone has a drunken party.
  • On a long trip, Joe takes amphetamines to keep awake.

Language 

  • Hell is used three times. For example, after looking at Sandra’s computer chat history, Joe yells, “What the hell are you doing gossiping on the computer with those bitches?”
  • Joe tells Sandra, “I have every right to know what my goddamn wife is up to.”
  • Joe calls Sandra’s car a “shitbox.”
  • Bullshit is used once.

Supernatural

  • None

Spiritual Content 

  • After getting married, Joe says, “May God hold you in the palm of his hand.”
  • After going on her honeymoon, Sandra tells her dead husband, “Thanks for your blessing, Andy.”
  • Occasionally Sandra prays simple prayers. For example, after lying to Joe, Sandra “prayed that [Joe] couldn’t feel my heart breaking out of my chest.”

Now is the Time for Running

In the poor village of Gutu in Zimbabwe, Deo and his family live in one room. The people of his village are starving and struggling. Deo doesn’t even have a proper soccer ball to play with – just a bag of leather and twine – but this village is the only place he’s called home. When government soldiers destroy Gutu for housing “dissidents” suddenly Deo has lost his family, his home, and his happiness all at once. Deo’s mentally disabled older brother, Innocent, is his only remaining relative. Deo must get Innocent to safety in South Africa, but the journey to a better life is harder than he could ever imagine.

First, Deo and Innocent leave Zimbabwe. As they travel, they see a country torn apart by the government’s purge of dissenters. They narrowly escape run-ins with soldiers and travel through dangerous wilderness to cross the border. They spend some time at a farm, but danger arises when the local workers don’t like that refugees have stolen their jobs. The promise of a better, safer life lies in the city of Johannesburg. Once again, Deo and Innocent uproot themselves and travel to the city.

However, Johannesburg doesn’t turn out to be the haven they heard about. Instead of fighting against the government, the people in South Africa are fighting each other. Groups of radicals are calling for “foreigners” – the refugees from other African nations – to go home or be eradicated. They destroy refugee-owned shops and ruin their homes. During one of these raids, Innocent is killed. 

Without his brother, Deo doesn’t know what to feel. In fact, he wants to feel nothing at all. The book resumes almost two years later with Deo addicted to drugs and living on the streets. His life changes by chance when a soccer coach sees Deo’s skill with the ball, and suddenly Deo is given a place to sleep, warm food to eat, and a reason to live: playing soccer.  

At first, his team is a far cry from a family. Deo thinks they come from too many different places to understand each other. However, Deo’s coach convinces them that their strength lies their differences. They play successfully at the Street Soccer World Cup, also known as the Homeless World Cup – a competition that brings refugees and street kids together for the chance to change their lives. The story doesn’t reveal how the final match ends, but for Deo, his new life is just beginning. 

Inspired by true events, Now is the Time for Running is a journey of displacement through the eyes of a young man. Deo tells it like it is – he doesn’t shy away from the situation in Zimbabwe despite how much pain it causes him. It’s necessary to note that this book does not shy away from the horrors of civil war, poverty, and intolerance. While this book is not for the faint of heart, the lessons and truths it brings to light are meaningful and powerful. As a narrator, Deo goes through more in a few years than many people suffer through in their whole lives, but this doesn’t make him less relatable. Deo wants to protect the people he loves and to be happy – goals that anyone can relate to.

The first lesson of this book is clear: Deo never gives up. His unrelenting goal to protect his brother and escape the disastrous situation in Zimbabwe shows that he is continuously determined to have a better life. Even after Innocent dies and Deo struggles with addiction, he gets back on his feet through the soccer program. Despite great odds, Deo shows that people can always make the choice to persevere towards their goals. 

The other main theme of the story is not as apparent, but it’s one of the reasons readers see repeated instances of violence as Deo searches for a new place to call home: The “us vs. them” mentality. While present throughout the whole book, such as when the soldiers massacre the people of Gutu or when Innocent is killed in the anti-refugee riots, this issue comes to a head in Deo’s soccer team. After fighting breaks out amongst the teams, Deo’s coach teaches them that the true strength lies in their differences. The coach says, “Each of you brings something special to this team. Zimbabwe has brought me guts and determination; from Kenya, I get lightness and speed; from Mozambique, superb ball control and agility. . . It is because we are not the same that we are stronger than any other team in this competition! All of you have learned to play soccer in different parts of Africa. Our combined playing style is like no other in the world.” Once the team listens to the stories of their fellow teammates, they understand that they all have suffered, but they can all move forward together. 

Now is the Time for Running is a powerful book that teaches that strength does not lie in forcing everyone to be the same; it comes from accepting that everyone’s differences bring something new and unique to the table. Readers who want to learn about history through the eyes of an athlete should also read The Berlin Boxing Club by Robert Sharenow.

Sexual Content 

  • The guards punish Innocent by taking his clothes away. When Deo rescues him, Innocent throws a fit about being naked, but Deo convinces Innocent to come with him by saying that the soldiers might take both their clothes. “We don’t want the soldiers to come back and take my clothes too. Then we’ll both be naked. . . Can you imagine everyone laughing at our butts and our balls bouncing around?” 
  • One of the women that Deo and Innocent stay with is a sex worker. 
  • Two of the soccer players, T-Jay and Keelan, have a short exchange. When T-Jay says Keelan has a “cute butt,” Keelan gives him the middle finger. 
  • Innocent always carried a condom. Keelan says, “Perhaps your brother knew more about sex than you think.” Deo replies, “Innocent didn’t like girls much. He saw safe-sex ads everywhere, and he thought that condoms would keep him safe from girls.”
  • During a game, Deo describes, “Keelan. . . scored her third goal and headed straight to me. I was sitting on the bench when she threw her arms around me and kissed me on the cheek.”

Violence 

  • Deo punches a kid named Pelo who calls him crazy on the soccer field. “Pelo does not have the chance to finish what he’s saying because he has to deal with my fist in his mouth. . . ” Another kid pulls Deo away before the fight continues.
  • When Deo sees soldiers carrying guns, he thinks about the damage guns can cause. “I have seen a cow cut in half from a burst from one of those guns.” 
  • Deo knows stories about the violence brought by the soldiers. The soldiers “went to Chipinge when the people were angry from hunger, so angry that some of them were killed. Auntie Aurelia told us that her niece was one of those who were hungry. She did not say how she bled to death.”
  • Commander Jesus comes to Deo’s village, Gutu, to kill dissenters of the government. Commander Jesus says, “In the back of my jeep there is a drum filled with blood. The blood came from people who voted wrongly. My life is to drink human blood. My supply is running low. I have come here to kill dissidents. . . You are going to eat eggs, after eggs hens, after hens goats, after goats cattle. . . . Then you are going to eat your children. After that you shall eat your wives. Then the men will remain, and because dissidents have guns, they will kill the men and only dissidents will remain. That’s how we will find who they are, and then we will kill them.” 
  • The soldiers and Commander Jesus hurt Grandpa Longdrop. Deo witnesses “an awful crunch and [I] see Grandpa Longdrop collapse in front of me. His eyes look dazed. He tries to get up, and I try to reach him to tell him to stay down, but then Commander Jesus kicks him. He crumples.” 
  • Deo’s mentally disabled brother, Innocent, comes to defend Grandpa Longdrop. “Innocent runs screaming toward Commander Jesus with a stick raised high above his head. He cracks it down on Commander Jesus’s outstretched hands.” The soldiers attack Innocent. “The soldiers beat Innocent with their rifle butts. What is worse than the sound of wood against the bones of your brother?. . . Innocent does not cry. He lies like a baby, curled up, his hands and arms covering his head. . . Innocent is pulled to his knees. His face is crooked, his eyes black balls. Blood trickles from his broken nose.” Innocent later recovers from these injuries.
  • Commander Jesus has the soldiers beat all the residents of Gutu. “The soldiers beat us as we lie on the ground. . . Useless hands against hard sticks. Elbows cracked. Heads smacked. Screams. Flashes of wood. Soldiers grunting. And pain. Lots of it.” 
  • After the beating, Deo assesses the townspeople’s injuries. “Grandpa Longdrop lies on the ground, his head in my [mother’s] lap. Sometimes he groans, and sometimes he is so quiet that I am afraid that he will never wake up. . . The backs of my legs hurt where the soldiers’ sticks fell, but this is nothing to what others have suffered. One of Lola’s brothers has a broken arm. Bhuku’s [mother] has a split in her head that bleeds and bleeds. Shadrack’s little sister could be dead.”
  • The soldiers pull a truck driver out of his car and kick him before letting him run away.
  • The soldiers take Innocent as punishment for hitting Commander Jesus. Deo finds him later. “A naked body is lying in the middle of the [cattle pen]. The man’s wrists are tied to pegs in the ground. His ankles are tied to the end of a log that stretches his legs wide apart. There is a sack over his head. . . I notice ants crawling all over his body. . . There is dried blood at the side of his mouth, his nose is broken, and his eyes are all puffy.” Innocent says the soldiers also peed on him.
  • The soldiers end up killing everyone in Deo’s village. “Gunshots rat-a-tat-tat across the valley. . .I crawl forward into the noise of people dying. The soldiers are shooting. People are running away. Some are falling. Now the soldiers hold their guns as if they mean business. Their guns bark, come alive in their hands, their bullets rip into the earth, the walls, trees, pots, chairs, and flesh. I watch. I am too afraid to turn away. People scream; their cries are cut in half by bullets.” 
  • Deo finds his mother (or “Amai”)  and Grandpa Longdrop among the dead villagers. “Amai is lying face down. Her arms are thrown out in front of her as if she is trying to grab something out of her reach. Her back is covered with a damp patch of blood. . . I find Grandpa Longdrop. He stares up at the sky. His mouth is open. He does not look like Grandpa Longdrop anymore. I find Shadrack. Dead. There is Lola. Blood where her face should be. Her brothers are lying not far away.” 
  • During a soccer game, Deo gets angry and kicks a boy named Aziz. “I charge [Aziz] from behind and deliberately kick his ankles. He falls, and the players on his team shout at me.. . . Aziz gets up, inspects his knee. It’s bloody.”
  • When crossing the border, two of the men in the group climb an electric fence and are electrocuted. “The two men run ahead, faster than us. They are the first to reach the fence. They start climbing. . . The wire fizzes, crackles, and the men shriek and fall to the ground as the electricity burns them.” The men are dazed but recover. 
  • An anti-refugee gang pulls a shopkeeper named Ahmed from his store and beats him. “Hands grab Ahmed and pull him onto the street. He screams as many sticks fall on him. . . Ahmed’s white robes turn red with blood.” It’s unknown whether he lives or dies.
  • Deo finds Angel, a sex worker, beaten up by one of her clients. “Angel is covered with blood, beaten. She lies on her bed, curled up in a ball. Her face is swollen. . .” Angel explains that her clients “were tired of paying a kwerekwere [a foreigner]. They wanted it for free.”
  • Deo finds Innocent’s dead body on the ground during an anti-immigrant raid. “I see the shape of a human head, lying on its side. The shape of an arm and a hand. . . I reach the body of my brother, facedown on the ground, covered with rubble.”
  • A refugee named Muhammad commits suicide by jumping into the ocean. “Muhammad had had enough of what he called a life without hope and without country. . . so he chose to run to the blue horizon. [The police] sent out a boat to fetch [Muhammad], but they never found him.”
  • While playing soccer, T-Jay and Deo get in a fight. “T-Jay lashed out at me with his elbow. The blow caught me squarely between the eyes, and for a moment I thought I was going to fall down. But instead of taking me down, it was like a switch that flicked on inside me. My fist found its way up T-Jay’s nose and my knee said hello to his balls. . . he got in quite a few good punches before my nose started bleeding. I stopped kicking T-Jay only when I heard [the] whistle bursting my eardrum.”
  • Keelan explains how she ended up in South Africa. Soldiers came to her town to punish the people who had voted wrongly. Her father, the community leader, was killed. Keelan says, “they had chopped off his arms with a machete.” 
  • T-Jay shares his story too. His father lost his foot when he stood on a landmine. T-Jay’s father “couldn’t work anymore, so he stayed at home. He beat the crap out of me until the social services took him away.” 

Drugs and Alcohol 

  • Captain Washington, a family friend of Deo, drinks after he learns Deo’s mother is dead. Captain Washington “brings back a bottle of booze. He pours himself a drink and swallows it quickly…At least when he drinks, he is no longer crying.”
  • After his brother dies, Deo gets addicted to sniffing glue, a common addiction for street kids in South Africa. Deo says, “the glue makes everything weightless.” He also calls it the “magic tube.” Deo talks about getting high off glue and the withdrawal symptoms, which include vomiting and muscle aches. 
  • Deo notices that some of the other kids on his South African soccer team are also “glue-tube heads.”
  • T-Jay’s father was an alcoholic.
  • T-Jay says it’s too late for him to go back to school because he got into drugs.

Language   

  • The story contains some profanity. Shit is used a few times; damn is used three times.
  • Deo says fear smells worse than “dog crap.”
  • A rude man calls Mai Maria, a woman who helps Deo and Innocent cross the border, a “filthy Rasta woman.”
  • Angel calls someone a “bitch.”
  • The slur kwerekwere is used occasionally. It is a derogatory term for foreigners or outsiders. It is used by gangs of people who want to expel the refugees from their country.
  • The guy who sells Deo glue says, “get your ass down here.”

Supernatural 

  • There is a rumor that Mai Maria is a witch who eats children. 

Spiritual Content 

  • The Methodist Church is mentioned throughout the story because they sometimes provide food and shelter for refugees or struggling communities. Once, Deo stays in a shelter set up by the Methodist Church. 
  • Deo talks about Spirits. “Grandpa Longdrop says that there are two kinds of people, those who believe in the Spirits and those who don’t. . . I understand the Spirits of the Wind, the Spirits of the Rocks, and the Spirits of the Trees are all those who have died and live on in other ways. I understand that they watch over us, that they can sometimes be angry because we forget them. And it is said that when they are angry, they can sometimes punish us. But this thing of the beating [by the soldiers] is too big to blame on the Spirits. They would not allow such a painful thing to happen. If I believe in Spirits, why would I believe in something that causes such pain? Surely the Spirits had nothing to do with what has happened in our village.”
  • Deo sings an ancient Spirit song passed down by his family to prompt Innocent into a fit so they can distract a group of soldiers. “It is always terrible to see Innocent when he has one of his fits. . . People are afraid of Innocent when he becomes like this. They think he is possessed. They think that the Spirits have taken over his body.” The lyrics of the song are not included in the story.
  • One of the items that Innocent carried with him was a pocket Bible with a note inside from their father. The note reads: “To Innocent and Deo, This is not a book of laws but a book of love. It will always be your salvation.” 
  • The soccer team from the Philippines at the Homeless World Cup chants, “For God and for country!” 
  • Bishop Desmond Tutu, who has come to oversee the Homeless World Cup, thanks God and says to the players, “God bless you all!” 

All My Rage

In the humble and quiet town of Juniper, California, resides two Pakistani-American teens who are not just best friends, but family as well: Salahudin Malik, an aspiring writer who struggles to take care of the family motel as his mother’s health declines and his father slowly succumbs to alcoholism, and Noor Riaz, an intelligent and logical woman who dreams of becoming a doctor, yet has to hide her ambitions from her controlling uncle, who adopted her when her parents were killed in an earthquake in Pakistan. 

However, their friendship is compromised when the Fight breaks out between them, and their individual problems gradually worsen. Sal’s desperate attempts to save the motel and Noor’s determination to go to college lead to unforeseen consequences. Sal and Noor’s friendship rises and falls with each harrowing decision, all the while fending off the monsters that live in their past and the ones that live to this day.

Narrated in dual-POV, both Sal and Noor are engaging and complex—even though they have plenty of flaws. The teens are perfectly portrayed as realistic teenagers who are withstanding difficult lives. While trying to ensure his family motel remains competent, as per his dying mother’s wishes, Sal’s desperation and lack of proper judgment lands him in deep waters; this further compromises his friendship with Noor, who is sacrificing her own happiness to appease her selfish uncle by working at his liquor store. At such a young age, both teens must not only think for themselves, but also for their guardian/family as their living conditions and financial situations are not ideal.

However, the two protagonists shed an inspiring light with their determination—and especially their deep love and care for each other. When Sal finds out a disturbing fact about Noor’s uncle, he takes her out for the evening in order to distract her and ensure she does not undergo her uncle’s wrath anymore. Sal states, “She was always ready to run. Every day, she came to school wondering if this would be the day she had to get out. . . I should have seen. Done something.” He worries for her—just like Noor does for him, as she urges him to prioritize his impressive writing skills and make something out of it, instead of striving to save the motel and sacrificing his own dreams. 

Furthermore, Tahir perfectly exacerbates the problems delineated in this novel, such as racism, familial issues, the oppression of religion, and, of course, inner rage—specifically directed toward the unfair circumstances Noor and Sal are both placed in. Their character development is phenomenal, with them being naive and unsure in the beginning, and in the end, they’ve indubitably matured after undergoing numerous ups and downs in their personal and social lives. The plot development is extraordinary because the slow build-up to the climax, which hits the reader hard, perfectly exhibits how one really does not see the worst situation coming. It also depicts the true feeling of rage, and how—sometimes—the universe will compile loads of problems upon someone to no end. 

The story is more than enjoyable, what with Tahir’s effective storytelling and proper characterization of the two protagonists and the people they were surrounded by. The underlying message in this story is that home can only feel like home once you fit in. In this case, the two characters struggle indefinitely to do so — undergoing an infinite amount of distress and, eventually, rage as well. From there, the novel covers topics such as drug and alcohol addiction, Islamophobia, mentioning of repressed sexual assault, and death.

This awe-inspiring novel’s message is about the identity crisis that comes with belonging to two different cultures, especially for South Asian teenagers, as they often struggle with balancing their ethnic and nationalistic backgrounds. Someone from a background different from the characters’, or even the same, will learn that there are drawbacks, but also beauties involved in South Asian culture. They’ll also learn just how much these teenagers had to fight—just so they can feel like they belonged somewhere. Not only is this book adorned with a meaningful and captivating premise, but it has an impactful and emotional conclusion that will leave readers, especially those with a South Asian background, with a newfound understanding of young love, forgiveness, and inner growth. There is no doubt that Tahir’s razor-sharp writing and remarkable story will reside in all readers’ hearts from the first line. Readers who want to read another excellent book about teens with complicated family lives should read The Astonishing Color of After by Emily X.R. Pan.

Sexual Content 

  • Noor is at Sal’s house, and he becomes enamored in her presence, thinking about the way she smells, “and the way her body curves beneath her worn The Cure t-shirt…” He also thinks that his “skin is tingling in a good way for once.”
  • Sal picks up Noor from school and thinks about how, last night on the phone, she made a “comment about impure thoughts . . . which made [him] wonder if she had impure thoughts. About [him].”
  • Sal takes Noor to the outskirts of Juniper, and she settles herself between his legs, her back against his chest. He thinks: “Too many synapses are firing. Too much of her is touching too much of me. My whole body prickles.” They kiss passionately two times after that, and she “makes a funny sound, between a gasp and a moan.” He also thinks: “Suddenly, I need her, all of her. I need her to be close to me.” This whole interaction lasts about three pages.

Violence 

  • When Sal visits his dying mother in the hospital, his drunk father is there. The police are called because his father was causing a commotion in the waiting room. As Sal pleads for his father to let him take him home, he jerks away from Sal, thus “windmilling” him and smacking him in the face.
  • Jamie, a bully, yells racist remarks at Noor. Then, Jamie grabs Noor’s arm, but Noor rips away from her grip and swings, meeting “her face with a dense thump” she “knows too well… [Jamie] falls back, screams, grabs her nose.”
  • Noor has been physically abused by her uncle, but it worsens when he finds out that she has been applying to colleges. He yells at her—right before he kicks her, and she is on the ground, and she curls up and waits “for it to be over.” He continues to kick her, “his tennis shoe [slamming] into [her] ribs.” From there, she pulls herself up to her feet and throws a brass sculpture at him, and he screams at her right before she runs away.

Drugs and Alcohol 

  • Drugs and alcohol are one of the few prominent themes in the story, as Sal’s father is an alcoholic and Sal becomes involved with drug dealing to keep his family’s motel running. 
  • In the very beginning of the book, Sal states, “It’s 6:37 a.m. and my father doesn’t want me to know how drunk he is.” Shortly after, Sal runs into Art, his then-girlfriend’s cousin, who is a drug dealer and deals with someone in the bathroom. He states: “Even though [Art] hangs out with the white-power kids, he gets along with everyone. Probably because he supplies most of Juniper High with narcotics.”
  • Sal and his alcoholic father share a heart-to-heart about Sal’s mother. Just when Sal thinks of consoling his father, Sal states, “His plate clatters in the sink. A cupboard opens. A glass clinks. I smell it, that sharp stink I’ll never get used to, and his sigh of relief, as his memories slide away, a quiet, merciful forgetting.”

Language 

  • The words bitch, shit, asshole, ass, dumbass, and dick are all used several times. The most common is shit.
  • The word “fuck” is used very rarely. For example, when Sal’s mother is dying, he recollects himself by thinking, “Not now. I’m not going to fucking weep.” 
  • Sal’s father curses in Punjabi once: “Haramzada kutta!” which directly translates to: Dog of a bastard. 

Supernatural

  • None

Spiritual Content 

  • Most of the characters are religious, especially Sal’s mother, who commonly makes references to God to get through tough times. For instance, when Sal, as a young child, gets hurt by a stranger, she prays to God, “Do not let him remember. Punish he who did this. Punish him with pain, God. Punish him as only you can.”
  • Noor’s uncle refers to God negatively as he looks down upon the practice of Islam in general. For example, he says to Noor, “Do you even understand what they’re saying in Arabic? It’s backward and illogical, Noor .  . . ‘Religion is the sigh of the oppressed creature. It is the opium of the people.’ Karl Marx.”

Good Girl, Bad Blood

After unearthing her town’s secrets and investigating and solving the murder of Andie Bell and Sal Singh, Pip Fitz-Amobi swears she is not a detective anymore.

Even though Pip has released a viral podcast about her investigation, with the help of her boyfriend Ravi Singh, she has put her investigating days behind her. Pip is still haunted by her past involvement in solving the case. “I almost lost everything,” she explains, “I ended up in the hospital, got my dog killed, put my family in danger, [and] destroyed my best friend’s life.” After seeing the lengths she went to investigate Andie’s and Sal’s murders, the obsessive, reckless, almost selfish person she became, and the damage it caused her and the people she loves, Pip never wants to be pulled back into investigating.

But the morning after the six-year anniversary of the deaths of Sal and Andie, the brother of Pip’s friend Connor, has gone missing. She feels she has no choice but to help find him. This time as Pip looks for Connor’s brother Jamie, she uncovers more of her town’s secrets, and now everyone is listening.

Good Girl, Bad Blood is a fantastic sequel to A Good Girl’s Guide to Murder. Like its predecessor, this book has fantastic twists and turns. Similar to the first book, Good Girl, Bad Blood has an interesting use of storytelling, combining the more traditional third-person narration with interview transcripts, Pip’s notes, images, maps, newspaper clippings, and more.

Picking up where A Good Girl’s Guide to Murder left off, Good Girl, Bad Blood deals directly with the events of the last book. Unlike other books in the murder mystery genre, this book examines the impact of traumatizing events on Pip and her friends and family. After Pip’s world has been turned upside down by uncovering the secrets surrounding Andie and Sal’s deaths, Pip is a changed person. She is more protective of those she loves and more careful with her actions. But Pip is also traumatized and scared, and she is haunted by the events she witnessed. Pip tries to make it seem like she is fine so she can support those around her, but in reality, Pip is lost. She is unsure of who she is and who she is becoming.

In the end, while Pip and her friends rescue Jamie and uncover a larger, more sinister plot in the process, Pip comes to terms with many of her flaws. She is not a “good” girl. “Maybe I’m selfish,” Pip says, “maybe I’m reckless and obsessive and I’m OK with doing bad things when it’s me doing them and maybe I’m a hypocrite, and maybe none of that is good, but it feels good. It feels like me . . .” Pip also recognizes that she needs more time to heal. She accepts that it’s okay to be angry at the injustices in the world, and it’s okay to not have a perfect answer to every problem. As Pip comes to terms with who she is, she is also shattered from witnessing violence and death as she watches someone get shot and then, unfortunately, fails to save them. Although Pip is forced to accept the cruelty of the world and the people in it, she is still traumatized and terrified by her experiences.

Overall, Good Girl, Bad Blood is a great sequel, with a dark, suspenseful story full of twists and turns and a fantastic cast of characters. Pip is strong-minded, courageous, and independent, but she is also flawed and broken. She continues to show readers that one does not have to fit into the perfect model society expects from you. It is okay to be angry at the world and its injustices and to grieve the loss of others, and to also grieve who you once were. 

Sexual Content 

  • Ravi picks Pip up for dinner. Ravi is dressed nicely, and Pip “could smell aftershave too, as he stepped towards her, but he stopped short, didn’t kiss her on the forehead nor run a hand through her hair.” The pair begin to talk, and Ravi “[places] one hand on her waist, his warm fingers dancing up her ribs.” The scene cuts out before anything else happens between the two. 
  • The night of Ravi’s brother’s memorial, Ravi greets Pip and “[presses his] words into her forehead with his lips.”
  • After an argument, Pip confronts Ravi about her feelings, explaining why she has been so distant lately. “She had barely finished speaking, but Ravi’s hand was against her face, cupped around her cheek, his thumb rubbing the rain from her bottom lip. He moved his fingers down to lift her chin and then he kissed her. Long and hard, their faces wet against each other, both trying to fight a smile.”

Violence 

  • Picking up where the first book in the series left off, Good Girl, Bad Blood, references much of the violence of A Good Girl’s Guide to Murder including the disappearance and death of Andie Bell, the murder of Sal Singh, and the kidnapping of Isla Jordan. Andie Bell was having an affair with her history teacher Elliot Ward, and when she went over to his house to talk one night, “an argument ensued. Andie tripped, hitting her head against his desk. But as Ward rushed to get a first aid kit, Andie disappeared into the night” and was declared missing. 
  • Thinking Andie must have died from her head injury, Ward killed Sal, Andie’s boyfriend, making “it look like suicide and planted evidence so police would think Sal killed his girlfriend then himself.” Months after this, Elliot Ward found who he thought was Andie on the side of the road, disheveled and incoherent. Ward kidnapped Isla, who he thought was Andie, for five years to continue to cover up his crimes. 
  • Andie was actually not killed directly by Ward, in fact, she was able to make it home that night, only to be confronted by her sister, Becca Bell. Becca had been drugged and sexually assaulted by Max Hastings (who is revealed to be a serial rapist), and later finds out that the drugs Max used were sold to him by her sister. The two “started arguing, pushing, until Andie ended up on the floor, unconscious and vomiting. . . Becca froze . . . watching Andie die, too shocked, too angry to save her sister’s life.” Becca hides Andie’s body “because she was scared no one would believe it was an accident.” 
  • After Pip tells the police about how important it is to look into Jamie’s disappearance, the police say, “We’ve got an actual high-risk case: an eight-year-old abducted from her backyard.” It is later revealed that the abduction was only a domestic dispute. 
  • After publishing the podcast, Pip’s life changed. “The anonymous death and rape threats still came in weekly, comments and tweets calling her an ugly, hateful bitch.” Pip explains internet trolls comment on almost everything Pip posts. These hateful comments continue after she posts about Jamie. Pip gets comments saying “I killed Jamie Reynolds,” “Who will look for you when you’re the one who disappears?” and “I killed Jamie and I’ll kill you too, Pip.”
  • As Pip goes to the old, abandoned farmhouse on the edge of town in search of Jamie, she remembers this is “the place where Becca Bell had hidden her sister’s body for five and a half years. Andie had been right here all along, decomposing in the septic tank.”
  • As the investigation into Jamie’s disappearance continues, theories pop up online about what happened. Connor angrily tells Pip about what he is reading. “They think my dad killed Jamie . . . They’re saying [Connor’s dad] took the knife from our house and followed Jamie down Weevil Road. Killed him, cleaned and dumped the knife, and hid his body temporarily. That he was still out when I got home around midnight because I didn’t ‘actually see’ my dad when I got in. And then he was absent last weekend because he was out disposing of Jamie’s body. Motive: my dad hates Jamie because he’s ‘such a fucking disappointment.’”
  • Six days after Jamie goes missing “a dog walker discovered [a] body at about six a.m. . . . in the trees beside I-95, between Fairview and Stamford.” The radio reports “Officers are still at the scene. The deceased is as yet unidentified but has been described as a white male in his early twenties.” Worried, Pip rushes to Connor’s house to see if the body is Jamie’s, but they find out it is not. 
  • It is revealed that Jamie was kidnapped by Stanley Forbes, who is in the witness protection program because his father was a “serial killer. He killed children. And he made his young son, Child Brunswick [Stanley], help him lure out the victims.” Over the years “six children disappear . . . Their burned remains were later discovered buried along the shore of Lake Ontario, all within one mile of each other. The cause of death in each case was blunt force trauma.” 
  • As Pip questions him, Stanley explains that Jamie confronted him about his identity. Stanley explains, “the next thing I know, Jamie lunges at me with a knife. I managed to get out of the way and knock the knife out of his hands. And then we were fighting, out by those trees beside the house . . . I push Jamie off, into one of the trees, and he hits his head, falls to the ground. I think he lost consciousness for a few seconds and after that he seemed a little dazed, concussed.” Not wanting to have to move again, Stanley kidnapped Jamie because he “just needed time to think about what to do. I was never going to hurt him.”
  • Charlie, the brother of one of the victims who was killed by Stanley’s father, tricked Jamie into helping him. Charlie made Jamie believe he was a girl who had a stalker “threatening to kill her.” In reality, Charlie is trying to have Jamie kill Child Brunswick (Stanley) for him. 
  • Charlie finds Pip and Stanley talking in the old barn and Charlie pulls a gun on Stanley. Three months after his sister was found, Charlie explains how his “dad hanged himself. I was the one who found him, after school. My mother couldn’t cope and turned to alcohol and drugs to numb everything out. I almost starved. Within a year I was removed from her care and sent from foster family to foster family . . . By seventeen, I was living on the streets.” 
  • As Charlie holds Stanley at gunpoint, Pip steps in front of Stanley, pleading to Charlie, “Please don’t shoot.” To protect Pip, Stanley pushes her away. Pip pleads with Charlie more, but he does not budge. “Charlie looked at [Pip], watched her crying. And then he lowered the gun. [Charlie] took two heavy breaths. . . then Charlie fired. The sound ripped the earth out from under Pip. . .  He fired again. And again. And again. Again. Again. Until they were just empty clicks. Pip screamed, watching Stanley stagger back off his feet, falling hard against the floor.” Pip tries to save Stanley by performing CPR and placing pressure on the wounds. As she tries to help him, the building bursts into flames and smoke fills the room. “The smoke was getting lower and darker . . . Pip coughed with every breath. But she didn’t let go of him. She held on and she pulled” Stanley out of the burned building. Outside, on the grass, she continues to perform CPR, trying to save Stanley, but unfortunately, Stanley dies. This scene is rather vivid and lasts over a few pages. 

Drugs and Alcohol 

  • On her podcast, Pip recounts the trial of Max Hastings and how he drugged his victims. An “expert witness . . . [talked] about the effects of benzodiazepines like Rohypnol . . . The drug acts like a sedative and can have a depressant effect on the body’s central nervous system . . . It feels almost like being separated from your own body, like it just won’t listen to you, your limbs aren’t connected anymore.” Two women who were assaulted by Max, explained they “both only had one or two alcoholic drinks the nights of the” attacks.
  • The night after the memorial, Cara, Pip’s best friend, went to a party and “was so drunk she couldn’t speak in full sentences, not even half sentence, or quarter, broken up by cries or hiccups.” Pip picked up a “drunken, sobbing Cara.” The next morning, Cara texts Pip: “Urgh, been throwing up literally all day.” 
  • The night he went missing at a party, Jamie “went outside to have a cigarette.” 
  • People send Pip videos of the party Jamie went to. One video showed two of Pip’s classmates “downing two bottles of beer” and later playing beer pong. 
  • When Pip tells her parents she is investigating Jamie’s disappearance, they are angry. Pip’s mom reminds her, “you ended up in the hospital, Pippa, with an overdose. They had to pump your stomach.” 
  • Another witness tells Pip they saw Jamie after they “went to [their] buddy’s house on Weevil Road for some takeout and beers.”
  • As Pip stakes out the abandoned barnyard, she encounters three teenagers who regularly hang out there. Pip recognizes one who was “buying drugs from Howie Bowers last year.” She sees all three of them smoking cigarettes. After questioning them, Pip learns that they “carry drugs across state lines” for a local drug dealer and in return get “weed for free.” 

Language   

  • Profanity is used often throughout this book. Profanity includes shit, fuck, bitch, and ass.

Supernatural 

  • None

Spiritual Content 

  • None

Dark Blue: Color Me Lonely

Kara Hendricks and Jordan Ferguson have been best friends since kindergarten. By now—sophomore year—they’re more like sisters, really. Jordan has always been the leader in the friendship, but still she’s the perfect friend. That is until Jordan started hanging out with a new “cool” crowd and decided Kara was a popularity liability. 

Devastated, Kara feels betrayed and abandoned by everyone—even God. How could Jordan do this? Why did God let this happen? Yet for all the hurt and insecurity, these dark blue days contain a life-changing secret. Now that Jordan is gone, Kara has the chance to discover something about herself that she never knew before. But first, she must learn to trust again. It won’t be easy.

Kara’s story deals with universal themes of self-worth, identity, and loneliness that anyone who has suffered a loss will relate to. However, readers may find it difficult to sympathize with Kara because of her self-pitying attitude. When Jordan starts hanging out with the cheerleaders, she tries to include Kara in her new friend group. However, Kara is so uncomfortable that she begins to avoid Jordan. Since Kara’s insecurities drive much of her action, when the friendship finally ends, Kara turns to daydreaming about scenarios that would hurt Jordan. From the start, the girls’ unhealthy relationship is portrayed in a negative manner, so when the friendship ends there is little emotional impact.

Unfortunately, there is nothing unique about Dark Blue’s plot. Instead, it revolves around the typical stereotypes – a goth girl, a nerd, and an academic high achiever. None of the supporting characters are well developed and Kara begins spending time with some of her new friends, not because she truly likes them, but because she’s so desperate not to be alone. The connection between Kara and her new friends feels forced and unauthentic, especially since so many of their conversations are about their belief in God. But through these lunch time discussions, Kara begins to realize that God is the only best friend she needs.

Another negative aspect of Dark Blue is Kara’s long and tedious inner musings. Most of Kara’s interactions with others are short and do little to develop Kara’s personality. Instead, the story has long passages that focus on Kara’s thought process. Because Kara is so caught up in her misery, it is difficult to relate to her. 

Dark Blue reminds readers that God is with us even during difficult times. While it is important to connect with others, only God can fill the emptiness that is inside of us. Once Kara accepts God’s love, she is finally able to look at life in a more positive light. While Dark Blue’s message will resonate with readers, the lack of character development and the typical plot structure are not very memorable. However, readers who are dealing with loss and loneliness will find comfort in the book’s message.

Sexual Content 

  • At school, Kara sees some “couples hanging onto each other like they can’t bear to let go, a few even making out.” 

Violence 

  • Edgar’s mom was up for parole, but it was denied so “she hung herself.”

Drugs and Alcohol 

  • Kara’s friend, Amy, smokes cigarettes and is part of the “pot-smoking Goth group.”
  • When Amy and her friends show up at a school dance, Kara thinks “Some of them are high or drunk or both. Including Amy.” Later, Amy pukes. 
  • Kara’s friend, Edgar, has a father who is a recovering alcoholic and a mother who is in jail for drugs.
  • While talking about Edgar’s home life, Amy says that she’s “used all kinds of lame excuses to get drunk.” 

Language 

  • Freaking, crappy, and crud are used rarely. 

Supernatural

  • None

Spiritual Content 

  • When Jordan becomes part of the cheerleading squad, Kara thinks, “Maybe it’s because I prayed that Jordan did so well. Maybe her success was God’s way of getting even with me for being so hopelessly selfish.” 
  • Kara and her friends often discuss their belief in God. For example, during lunch, some of the kids talk about freedom of religion. A girl says, “I don’t think our government should tell us to pray either. But I don’t think they should tell us that we can’t.” The conversation lasts for a page. 
  • Kara asks her friends, “I mean do you think it’s true that you can really have a close relationship with God?” Two kids in the group discuss their beliefs. A boy who goes to church three days a week says, “God made us all unique people. . . I need to go to church a lot and read a lot and pray a lot.” The conversation lasts for three pages. 
  • Because of Kara’s depression, she thinks about giving “this God-thing a shot.” However, she feels like she wants to make a deal with God so her life will go back to the way it was before Jordan dumped her as a friend. Kara thinks, “And I’ve got to wonder whether it’s worth the risk of blowing it with God just because I think I might be able to swing some sort of deal. . . my life is cruddy enough without going and making it worse by messing with someone like God.” Kara’s inner musings last for a page.
  • One of Kara’s friends, Edgar, says, “I think God is calling me to be a missionary.” He then explains why he believes this. The conversation lasts for about a page. 
  • When Amy offers to give Edgar a makeover, he says, “I’ve been asking God to do something to change me. I’ve been praying to become the kind of guy that other people will listen to.” 
  • Edgar considers Jesus his best friend. 
  • Kara goes to church with Edgar. The youth pastor discusses how “God designed us to feel lonely” and only God can fill the lonely ache inside of us. 
  • After the pastor speaks, Kara isn’t sure how to ask Jesus into her heart. The pastor explains how she needs to “invite Jesus to come inside of you. And once you’ve done that, your life will never be the same.” The church scene is described over five pages.
  • Edgar tells Kara that “God wants us to make good choices. . .But most of all I think he just wants us to love him and to let him into all the ordinary and sometimes gory details of our daily life.”
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