Under the Surface

Ruby wants an adventure before college. Her best friend, Sean, wants a break before West Point. Luckily, their French class takes a trip to Paris in their senior year—and as everyone knows, Paris promises the best of times and the worst, in the tradition of Dickens. Ruby is an amateur YouTuber with dreams of traveling the world. She knows the only way to make it big is to go somewhere unique in Paris, not just the top of the Eiffel Tower. Sean has liked Ruby forever, so all he wants is to spend time with her, no matter where they end up.  

On their first day, their mutual friend Val gets an invitation from a stranger to a secret party and convinces Ruby to tag along without telling Sean. After all, what kind of explorer refuses a trip into the forbidden section of the Paris catacombs? The problem: the prohibited sections of the Paris catacombs are extremely dangerous and prone to collapse, and, without a guide, death by dehydration or starvation is almost a guarantee. Notoriously, those known as cataphiles like to throw exclusive parties in the catacombs, but those often end in arrest, injury, or death. Val’s mysterious stranger, Julien, is a Paris local and promises that no harm will come to any of them. Of course, they get lost soon after they arrive.  

Back at the hotel, Sean is the first to realize his classmates are missing. Since he was the last to see Ruby, he becomes the Parisian authorities’ first suspect and may be the only person capable of tracking them down. Once he discovers where they are, he thinks all he has to do is beat the clock and find them before a cave-in or they succumb to dehydration. Little does he know, there are people in the catacombs who know Ruby and her friends are there and are dead set on hunting them down and killing them. The tension builds steadily, driven by a propulsive plot and accessible prose that quickly hooks the reader. 

The enigmatic catacombs and iconic city provide an irresistible backdrop for this thriller. Layer in a citywide investigation and an insidious cult, and the result is genuinely gripping entertainment that never lets the reader settle. Ruby and Sean are talented and ambitious protagonists whose resourcefulness makes them easy to root for, even when their initial naivety lands them in deeper trouble. Watching two high schoolers rise to meet genuinely life-threatening circumstances is one of the novel’s strengths—their growth feels earned rather than convenient. The few moments of French dialogue, helpfully translated, add an authentic texture to the Parisian setting without slowing the pace.  

Readers who enjoy adrenaline-fueled stories, morbid and historical settings, and tough, resilient characters will love Ruby and Sean’s determination, quick thinking, and sweet romantic tension in Under the Surface. The book builds tension and includes somewhat unpredictable twists, leaving the reader constantly guessing what will happen next. Sean’s perspective offers a desperate, caring lens through which the mystery unfolds, while Ruby’s perspective creates a complex, thrilling narrative of high schoolers connecting through their shared trauma. The message of Under the Surface is clear: in extreme emergencies, trust your instincts and keep your enemies close. 

Sexual Content 

  • In a flashback, Ruby talks to her friend Selena’s crush, Tyler. Tyler kisses Ruby. “He must’ve noticed my focus shift, because suddenly he was staring at my lips, trailing a finger along my cheek. I basically stopped breathing. . . I knew it was wrong to kiss the boy my best friend liked. But I wanted to know what she was so willing to stomp all over our friendship to get. So when he touched his lips to mine, I didn’t stop him. I even kissed him back. Mistake number two. A minute later, I got the sense to back away. But it was too late. I’d felt the way my lips parted, the way the tip of his tongue swept across mine, the way I’d clung to the back of his neck, holding him close.”   
  • When Selena is rescued and brought back to her hotel, Selena’s girlfriend, Aliyah, kisses her. “When Selena sees her and calls her name, Aliyah bounds over and throws her arms around her. ‘Ew, you reek.’ But she kisses Selena anyway.” 
  • After Ruby is rescued and wakes up in the hospital, Sean confesses that he has always liked her. “[Sean] lets out a husky chuckle, then sits on the edge of [Ruby’s] bed and cups [her] face, staring into [her] eyes for another long moment before gently touching his lips to [hers]. Despite the lightness of his touch, sparks ignite inside [Ruby] so intensely. . . [she slides] a hand around his neck, over his cropped hair that feels like silk under [her] fingertips, and pull[s] him closer, deepening [their] kiss. His lips are warm and soft, and they mold against [hers], moving in perfect unison like [they’ve] both imagined this countless times, and now it’s finally happening.” 

Violence 

  • While stuck in the catacombs, Ruby and her friends accidentally bump into a cultist. The cultist is wearing a skull mask and brandishing a knife at Ruby. She realizes “[the cultist was] trying to sneak up on [her]. They want to stab [her].” 
  • Running from the cultist, Ruby and her friends happen upon a dead body. The person died from starvation, not direct violence, but was put in that position after running from the cultists. “The person died in the fetal position and seems to be dressed in men’s hiking clothes: cargo pants, boots, and a black nylon jacket, all covered in some sort of white mold.” 
  • After a long night in the catacombs, Ruby wakes up with a knife at her throat. Ruby describes the experience, “There’s cold steel at my throat. I don’t have time to cry out. But I don’t need to—the scuffling wakes Val and Selena. Whoever’s got me, they have a light, and its beam bounces all over the girls as Val scrambles for a flashlight and Selena shrieks. Their grip on my hair forces up my gaze, and I can’t look down to find Julien. My cheek is pressed against some ridged latex material. The skull mask.” Ruby walks away without a scratch because Julien, their guide to the catacombs, knocks the attacker out with a stone slab. 
  • The stranger who woke Ruby up with a knife soon recovers and attacks Julien. The stranger grabs a bone as a weapon and cuts Julien on his ankle. Ruby throws the man off Julien. While he’s helpless on the ground, Julien attacks the stranger. “Julien throws himself on top of the stranger and tears his mask off. I think he’s about to demand answers, but instead he pummels his face, alternating fists, letting out a gravelly growl with each wallop. The man’s head snaps back like a punching bag, propped up by his pack, and Julien’s rage possesses him, visceral and raw. I can feel waves of it coursing off him as he delivers blow after blow.” Julien kills him.  
  • Almost out of the catacombs, Ruby and her friends are tracked down by the leader of the cult, Stefan. Stefan slaps Julien, and Selena has a revelation. “They want to kill us, [Selena] silently mouths [at Ruby].” From context clues, Selena and Ruby realize they were brought into the catacombs to be sacrificed. 
  • As Ruby and Selena try to play along with the cultists, Val (the friend who convinced them to go to the catacombs) doesn’t pick up the hint to cooperate. Val laughs and makes fun of Stefan. “Stefan sweeps around [Ruby] and stands directly in front of Val, his silence more terrifying than anything he’s said yet. Her expression falls, and her hazel eyes widen in fear. Then he chuckles lightly. Her posture relaxes, and her lips curl into a slight smile. Without warning, he grabs the side of her head and slams it hard into the stone wall, knocking her glasses clean off her face. Her skull makes a sickening crack, and she crumples to the ground.” Val dies. 
  • To buy Selena time to escape, Ruby attacks Stefan. “[Ruby lunges] forward and clamp[s] Stefan’s ankle, then plunge[s] the knife as hard as [she] can into his calf. The blade sinks through cloth and flesh and muscle, and Stefan lets out a howl of surprise and pain. . . He curses and jerks around like he’s trying to twist and point the gun at [Ruby], but the space is too cramped. He changes tacks, kicking furiously. [She] burrow[s] against stone and bur[ies] [her] head in [her] arms, trying to protect it. One kick lands on [her] left wrist, and [she] yelp[s] as pain shoots up [her] arm.” They are both injured and treated in the hospital for their injuries.  
  • In her delirium after being injected with a sedative, Ruby hears a loud bang but doesn’t register it. In the hospital, the lead investigator in the case informs Ruby that “Julien suffered a gunshot wound.” At the end of the book, he’s in a coma, and it’s unclear if he survives.  

Drugs and Alcohol 

  • After their first day in Paris, a couple of the teens throw a party, and since they’re eighteen, they have alcohol. As Ruby tries to leave the hotel to find Val, she runs into Selena outside the party. Selena asks, “Where the hell are you going?” Ruby notes how “[Selena’s] words slur a bit, and a hint of pink blushes across her tawny cheeks. She must’ve downed booze before [the party] ran out.” 
  • In a flashback to an earlier party, Ruby remembers “[sitting] alone on [a] couch nursing a Solo cup of fruity God-knows-what while Selena spread her wings, barely recognizable in a vibrant, colorful crop top and sultry eyeliner, gyrating her hips to the beat as Aliyah, Lisa, and their posse buzzed around her and Tyler played beer pong nearby.” Ruby doesn’t know all of the teens at the party. 
  • Waiting for more information from the Parisian authorities, the parents of the missing kids have wine. Sean observes, “Val’s mother pass by and offer [Ruby’s dad] a glass of wine, but he turns it down with a quick headshake. Ruby once mentioned he binge drinks when his grief is too much to bear, but he’s not an alcoholic—he’s not chemically dependent on booze.” 
  • After Ruby attacks Stefan so Selena can get free, Stefan injects her with an unknown substance. Ruby describes her experience, “strong arms loop around my waist from behind and tug me back. I yelp as something sharp pierces my neck over Olivia’s scarf. . . I clasp my neck as he sets a syringe on a nearby shelf. It feels like icicles are radiating through my throat. It’s hard to breathe.” 

Language   

  • Language is often used, including ass, crap, shit, and fuck. 
  • There are also occasional swears in French, including shit and bitch.

Supernatural 

  • None

Spiritual Content 

  • The cult Ruby and her friends encounter in the catacombs believes that “bones are vessels for [spirits]. Once [the bones] weaken, so does their protective energy and their ability to commune with [Stefan and the cult].” They believe the bones protect the city and grant special powers to those who worship them.  

by Kate Schuyler 

Lucky Enough

When seventeen-year-old Alex’s dad dies, it feels like her entire world stops – only it doesn’t. Her family moves on as if nothing happened, and Alex feels pressured to do the same. She starts dating the quarterback of the football team, going to parties, and getting ready for the big homecoming dance – all in the hopes that her life will turn back around. The more she gets used to the raves and recognition, the less time she has to think about her father – even if it’s at the cost of her own identity.  

Then she meets Cameron, a boy who quickly finds his way under her skin and into her heart, and suddenly, Alex is reminded that grief, like her heart, is not something to keep locked away. 

Lucky Enough is told from Alex’s perspective and weaves in several different story threads, including her grief over her father’s death, her relationship with the popular crowd, and the pressure to have sex for the first time. Over the summer, Alex began dating the high school quarterback, Jordan, and became part of his friend group, which includes Paige. However, both Jordan and Paige are so self-centered and unlikeable that readers will wonder why Alex wants to be part of their group. As the homecoming dance approaches, Paige pressures Alex to have sex with Jordan so he doesn’t break up with her. To save her relationship, Alex promises to have sex with Jordan, which gives readers the false impression that boys are entitled to sex, even if the girl isn’t ready. Unfortunately, Alex lacks a moral compass, which leads her into a life focused on going to parties and getting drunk. While many teens will relate to Alex’s conflicts, her decisions are often reckless and illogical. 

Alex’s friends and family are underdeveloped and one-dimensional, making it hard to connect with any of them. Even though he claims to love Alex, Jordan is absent for most of the story, and when he does appear, he is only interested in physical intimacy. When the relationship finally ends, there is no surprise and little emotional impact, especially because both Jordan and Alex quickly move on to someone else.  

While at a party, Alex meets Cameron, who shows her kindness. At first, she resents Cameron’s intrusion into her life, but she soon learns that they share something in common – the loss of a parent. And unlike Jordan, Cameron isn’t just a romantic distraction; he helps her deal with her grief. Unfortunately, the book has little romance and no swoon-worthy scenes. While Cameron is more developed than Jordan, neither love interest creates enough emotional connection for readers to fully invest in the romance.  

Lucky Enough tries to demonstrate healthy grief processing through Alex’s journey. At first, Alex does everything she can to distract herself from her loss. However, this strategy only leads to more heartache. Finally, Alex shares her feelings with her family, visits her father’s grave site, and accepts that her father will never return. Cameron, who also lost a parent, helps Alex “find ways to recognize the person you miss the most in the spaces and people all around you. The ways that they are still here.” 

While Lucky Enough explores grief after losing a parent, this message is watered down by the tangle of friendship drama and partying. Alex spends so much time drinking and running away from her problems that the happy ending doesn’t feel earned. Instead of focusing on grief, the story tries to incorporate too many threads, which muddies the message. Readers looking for a more focused exploration of grief might prefer Locomotion by Jacqueline Woodson, Before I Let Go by Marieke Nijkamp, or Goodbye Days by Jeff Zentner. 

Sexual Content 

  • Alex is dating Jordan Tucker, the high school quarterback. Occasionally, they kiss, but it is not described in detail. For example, while at school Jordan “places an arm on either side of my body against the lockers, leaning in to kiss me.” 
  • A party is broken up when the teens hear sirens. During the chaos, Alex meets a boy named Cameron. He looks at her bodysuit and says, “So, I take it the police interrupted your hookup plans?” Alex thinks, “I thought I looked hot. Not skanky.”  
  • While looking through Instagram, Alex sees “Becca’s tongue shoved down Daniel Michelson’s throat.” 
  • Paige, one of Alex’s “friends,” encourages her to have sex with Jordan. Paige makes fun of Alex for being a virgin. Paige says, “It’s just, we all know you and Jordan still haven’t slept together. I didn’t know what’s taking so long, honestly. His last girlfriends gave it up after the first week of dating.” 
  • Alex thinks about the night Jordan tells her that he loves her. “Kissing Jordan felt like swimming laps around a pool. No, more like diving into the deep end and not being able to find your way back to the surface.” That night, they go to the movies and sit in the back row. Jordan pulls Alex onto his lap, and he kisses her. “A shiver ran down my back from his touch and my lips brushed against his. He kissed me softly and then pried my lips open with his tongue, finding mine and encircling it as if he was tracing all the tiny bumps that coat the top.” 
  • Paige again encourages Alex to have sex with Jordan. Paige says, “I know you’re a virgin, and that’s super sweet and all, but you’re going to lose [Jordan] if you don’t do something. . . I have watched him have many girlfriends, and none typically last more than a few months. He’s a player, yes, but he’s a player with needs.”  
  • While at a party, Jordan pulls Alex into the woods, where he has spread out a blanket. Alex wonders how he got drunk so quickly. “He leans over and kisses me intently. . . I lose myself in his mouth. His hands are everywhere. . . until they reach around the front of my waist and start unbuttoning my jeans.” Alex finally yells at him to stop.  
  • When Alex refuses to have sex with Jordan, he gets angry and says, “We’ve been going out for months now, and you won’t even let me get to second base. Do you know how that makes me look?” He continues, “Look, I still like you. But a guy like me has needs, and I have a reputation to uphold.”  
  • Jordan tells Alex that if they don’t have sex after the homecoming game, he’s going to break up with her. She wonders, “Am I making it a bigger deal than it is? Does losing my virginity really matter in the grand scheme of things, when if I don’t do it, I’ll lose Jordan instead?” Alex is also worried that she’d lose her popularity if Jordan breaks up with her.”  
  • After being pressured by Jordan, Alex tells him, “I want to be with you. All the way. Why don’t we [have sex] after the game tomorrow?”  
  • Alex’s sister is excited about meeting a “cute girl.” 
  • Alex, Jordan, and a group of friends ride to the homecoming dance together. Alex overhears Jordan tell a guy that he “can’t wait to rip [her dress] off.” During the ride, Jordan sits next to Paige. Alex thinks, “Something about the way Jordan laughs at what Paige is saying, or how his eyes momentarily glance over her entire body, makes my stomach churn.” 
  • While riding to the homecoming dance, Alex pulls Jordan’s “face to my own and push my tongue against his, claiming him for everyone to see. The entire limo erupts into screams.”  
  • At the homecoming dance, Jordan disappears. Alex goes to look for him and finds him behind the stage curtains. She sees Paige and Jordan making out. “Her bare leg wrapped around the back of another pair wearing white pants.” Alex screams at them and “Jordan pushes Paige off his body so fast, it takes me a moment to register how intertwined they really are with each other. Paige pulls her dress down as if it’s an inconvenience, and not like she got caught making out with her friend’s boyfriend.” Alex leaves the dance in tears. 
  • After leaving the homecoming dance, Alex goes to a club and dances with a man wearing a mask. When she thinks the man might leave her, Alex “put my hands back around the base of his neck, pulling his face to mine. My lips crush into his and I’m met with a sweeter kiss than before. He tastes like tequila and a hint of cherry soda. . . His muscular arms wrap completely around my waist as they press my body into his own. . .” 
  • After the homecoming dance, Jordan and Paige start dating. While at a party, Alex sees Jordan “shoving his tongue so far down Paige’s throat I swore he was going to get it stuck there.” When Alex turns to flee, she bumps into a “couple making out.” 
  • Jordan follows Alex and says he’s sorry. “His lips brush mine softly, and all of a sudden the familiar feelings of safety and comfort rushes through me. I part my mouth to taste more of him as his hands find my hair. . . His hands are everywhere, moving from the back of my neck and down my back. . . his hands slide under my dress.”  
  • Alex meets up with a boy named Cameron. She thinks, “Every time he touches me, my skin burns with desire and my entire body aches when he pulls away.” They kiss. “Both of his hands are on the sides of my face, and he kisses me gently, so soft and quick that before I know it I’m staring back into his eyes again and he’s looking at me desperately.” 

Violence 

  • None 

Drugs and Alcohol 

  • Since the book has excessive drinking, with teens often getting drunk, not every instance is documented below. 
  • Even though Alex and her friends are underage, they party and get drunk every weekend. At a party, Alex is with her best friend, Blaze. When they hear the sirens, Blaze “finishes slurping down her beer.” Alex thinks, “This is another reason why I love Blaze. No matter how bad a situation we are in—aka the threat of going to jail for underage drinking right now—she didn’t have a care in the world, as long as she finished the drink in her hand.”  
  • During a party, the teens hear sirens. They jump into cars and leave in a panic. Alex gets into a car with a boy she has never met.  
  • One of Alex’s friends is dating a boy who got kicked off the football team for smoking pot. 
  • While at a party, Blaze pours vodka into a cup for Alex, who “take[s] a big swig and flinch[es], the clear liquid burning down the back of my throat.” Alex and Blaze drink “a quarter of it before we both tap out. At this point the room is spinning and I’m not sure which way is the front or the back of the house.” Alex jumps into the pool fully clothed.  
  • At one party, Alex arrives and is “thankful for the distraction of drunk guys and girls wearing little to no clothing as we get out of the car.” Blaze and Alex pour beer from a keg.  
  • While riding in a limo on the way to the homecoming dance, Alex and her friends drink champagne. Alex drinks and “the bubbles go straight to my nose. . . I find out the hard way it’s not a drink to be chugged. . .” When the glass is empty, she grabs the bottle and “take[s] another big gulp directly from the top. For a minute I wonder if the fizz will float to my head and I giggle at the idea of my brain being briefly filled with bubbles.”  
  • To get her mind off Jordan, Alex goes to a club with Blaze. Alex “downed almost two blue drinks, I’m starting to feel good.”  

Language 

  • Profanity is used frequently. Profanity includes ass, bullshit, crap, damn, hell, pisses, and shit. 
  • When Alex starts dating Jordan, a girl refers to Alex as “his playmate.” 
  • God is used as an exclamation four times. 

Supernatural 

  • None 

Spiritual Content 

  • While at a club, a waiter brings Alex tequila, and she thinks, “Thank God.” 

When Objects Talk: Solving a Crime with Science

When you think of the people involved in a murder investigation, you probably think of police officers, lawyers, and judges, but what about scientists? Forensic specialists use scientific tools and processes to help solve crimes. When Objects Talk looks at many of these procedures, including DNA testing, bloodstain pattern interpretation, blood testing, fingerprinting, ballistics, autopsies, and forensic anthropology. Combining facts and fictional storytelling to illustrate the theory and practice of forensic science, this book shows how science answers the important question: whodunit? 

When Objects Talk explains forensic science “as it relates to solving criminal cases, particularly murder.” While most of the book is nonfiction, there is a fictional case where two detectives are trying to solve a woman’s murder. This story is told throughout the book so readers can see how specific evidence ties to a murder investigation. Each time the book returns to the murder, there is a subheading titled “The Case” and a magnifying glass, making the transitions easy to follow. Additionally, the fictional investigation is printed in bold font. 

The fictional murder investigation will quickly grab readers’ attention, making the science of solving murders interesting and applicable. The two detectives, Elizabeth Sullivan and Mario Basquez, follow the clues, allowing readers to see how they connect the evidence to the murderer. Readers can see the detectives’ thought processes and learn about the detectives’ jobs. For instance, during an autopsy, one of the detectives must be present. However, detectives new to the job may not be able to handle watching the entire procedure.  

While the detective story is interesting, the explanations of the various scientific tools used in murder investigations are detailed, making the book best suited for readers with a strong interest in the scientific process. The book thoroughly explains the people and processes in this field. Unlike the television shows CSI: Crime Scene Investigation and NCIS, the methods are not glamorized, which may disappoint some readers.     

Even though When Objects Talk is written at a high reading level, the book explains many of the vocabulary words within the text. For example, “The word forensic means ‘relating to or concerning the law.’ Forensic science means using the tools of scientific study in law enforcement and court cases.” To help readers understand the criminal system, two pages explain the principal players, such as a homicide detective, a coroner, and a magistrate. Each detail of a murder investigation is explained, including the autopsy, which may upset sensitive or squeamish readers.  

Readers who love both science and crime will find that When Objects Talk offers a fascinating, unglamorized look at how murders are truly solved — though those sensitive to descriptions of autopsies and body parts should be forewarned. Fans of the genre will also want to add Scene of the Crime: Tracking Down Criminals with Forensic Science to their reading list for further exploration of the topic. 

Sexual Content 

  • None 

Violence 

  • Edmond Locard, a French criminologist, was the first person to try to find evidence proving a person had contact with someone. After setting up a crime lab, Locard had a difficult case. “A young woman who had been strangled to death. Her boyfriend was the prime suspect. . .” After finding evidence that the boyfriend lied, he confessed. The paragraph explains what evidence was found at the crime scene. There is also a dead body lying in the grass. Everything is covered except the feet. 
  • In the fictional murder case, a woman calls the police because her neighbors haven’t been seen in days. When the police arrive, they find an unlocked door and “they discover the body of a woman. Ann Marlboro has been brutally murdered!” The detectives look at the blood splatter. On the next page is a picture analyzing bloodstain patterns. 
  • How an autopsy is performed is described over four pages. One paragraph describes how the medical examiner looks at the brain. “To expose the brain, the skull is cut open with a special electric oscillating saw. . . Then he or she lifts the brain toward the back of the skull and cuts the optic tracts and spinal cord. The brain is removed, weighed, and examined.” 

Drugs and Alcohol 

  • During the investigation, the detectives find “a prescription for [the victim] from a European pharmacy. It was for sleeping pills, but the Europeans still use barbiturates. [The medical examiner] found barbiturates in her gastric fluid.” 

Language 

  • When the dead woman’s employer finds out she was murdered, he says, “Oh, my God.” 

Supernatural 

  • None 

Spiritual Content 

  • None 

The Curse of the Mummy: Uncovering Tutankhamun’s Tomb

During the reign of the New Kingdom of Egypt, the boy pharaoh Tutankhamun ruled and died tragically young. In order to send him on his way into the afterlife, his tomb was filled with every treasure he would need after death. And then it was lost to time, buried in the sands of the Valley of Kings. His tomb was said to be cursed. 

Centuries later, as Egyptomania gripped Europe, two Brits—a rich earl with a habit for gambling and a disreputable, determined archaeologist—worked for years to rediscover and open Tutankhamun’s tomb. But once it was uncovered, would ancient powers take their revenge for disturbing and even looting the pharaoh’s resting place? What else could explain the mysterious illnesses, accidents, and deaths that began once it was found? 

When most people think about Egypt, they think about the pyramids, and the mummies hidden within them. However, very few consider how the political and social context of the 1900s enabled wealthy British aristocrats to plunder Egypt’s treasures. Among the wealthy who were allowed to excavate in the Valley of Kings was Lord Carnarvon, who had no experience in archaeology and lacked the knowledge to dig scientifically. To help him find treasure, Lord Carnarvon hired archaeologist Howard Carter, who meticulously recorded every aspect of his excavations. Many of the photographs taken of King Tutankhamun’s burial chamber are included in the book, allowing readers to experience the excitement of discovering the boy king’s treasures.  

The Curse of the Mummy conveys the British lack of respect for Egyptian people and culture. For example, Howard Carter understood the importance of each precious item that was placed on King Tutankhamun’s body. However, Howard Carter and Dr. Douglas Derry “pawed through the mummy’s thirteen layers of wrapping,” plundering every item of value. To make matters worse, “the team could not remove all the jewelry. So they cut off its arms in order to slide off the bracelets. They cut the torso in half, too, and sawed off the head, before using a chisel and hammer to gouge out each body piece.” After reading about King Tutankhamun’s treatment, readers can understand why some believed in the mummy’s curse. 

Even though The Curse of the Mummy is packed with information, the text is broken into manageable pieces. To help readers visualize the events, the book includes large pictures from Tutankhamun’s burial chamber, as well as photographs and artwork that appear every two to nine pages. In addition, at the end of each chapter is a short segment about some of the deaths and misfortunes that were attributed to the mummy’s curse. For example, Lord Carnarvon’s personal secretary, Richard Bethell, was at the opening of Tutankhamun’s burial and was found dead seven years later. The cause of death was unknown. “Police were baffled, but those who believed in the curse weren’t. They knew the cause of death.” However, at the end of the book, Fleming debunks the curse by explaining the lack of scientific evidence to support the notion that the curse is real. Fleming explains, “Science and logic have shown there is no such thing as the mummy’s curse. It is nothing but a knot of rumors and superstitions.” 

As part of the True Stories in Focus Series, The Curse of the Mummy is specifically written for a middle school and high school audience, utilizing rigorous research to provide accurate and compelling content for young readers. The True Stories in Focus Series emphasizes sharing true stories and focusing on real individuals and their authentic experiences. These books aim to help young people understand the world, develop critical thinking skills, and connect historical events to the present. 

Anyone interested in ancient Egypt should read The Curse of the Mummy. Fleming includes fascinating facts and photographs that allow readers to step into King Tutankhamun’s tomb and see its grandeur. While Fleming doesn’t demonize the British, readers will be exposed to the harsh realities of the time period, a time when Britain looked down upon anyone who wasn’t an aristocrat, including the Egyptians and archaeologist Howard Carter. While The Curse of the Mummy takes a deep dive into the archaeological excavation of King Tutankhamun’s tomb, there is very little information about the boy king himself. 

However, readers can learn more about King Tutankhamun by watching National Geographic’s documentary “King Tut’s Treasures: Hidden Secrets Rediscovered.” Readers interested in learning more about Egyptian culture should also read The Curse of King Tut’s Mummy by Kathleen Weidner Zoehfeld and See-Through Mummies by John Malam. Readers who want to explore ancient Egypt through fiction should grab a copy of The Boy Who Could Draw by Scott Peters or the TombQuest Series by Michael Northrop. 

Sexual Content 

  • None 

Violence 

  • Sections explain the myths behind the curse of King Tutankhamun. During excavation, Lord Carnarvon, a wealthy British aristocrat, found a mummified cat. Afterwards, “One of his servants had been stung by a scorpion. . . Delirious from the insect’s poison, he claimed a large gray cat was chasing him.”  
  • Some thought London’s British Museum was under a mummy’s curse. The cursed item was “the coffin lid of a priestess of Amen-Ra. According to newspaper accounts, anyone who gazed upon the object felt its unseen force.”  
  • Five treasure hunters bought the coffin lid, and Arthur F. Wheeler took ownership of it. Three days after getting the coffin lid, one of the treasure hunters, Thomas Douglas Murray, had an accident. “His gun exploded for no reason, blowing off his left hand.”  
  • Arthur F. Wheeler received a “telegram telling him that two of his servants had unexpectedly died.” Wheeler gave the coffin lid to his fiancée. “She soon came down with a mysterious ailment. Then her mother suddenly died, and her pets went insane.” More suspicious events followed the coffin, which are explained over three pages. 
  • Lord Carnarvon’s guests believed that “The cat was angry for being disturbed.” This idea was reinforced when the cat’s coffin had fallen open, and the cat’s bandages, “had been ripped open around the neck as if the spirit of the dead feline had burst out of them.” 
  • Howard Carter was put in charge of caring for the monuments of Upper Egypt. One evening, “a group of drunken French tourists forced their way into a site after attacking the Egyptian guards. Carter told the guards to fight back. The result was a rowdy brawl that left men on both sides with black eyes and bloody noses.”  
  • To maintain control over the Egyptians, the British did not permit protests. “In one instance, after a handful of Egyptian villagers pelted a group of British soldiers with rocks, authorities rushed in. They arrested fifty-two of the villagers. . . Four rock throwing villagers got the death penalty, two went to jail for life, and the remaining received forty lashes with the whip.” 
  • After World War I, the Egyptians sought to expel the British. The Egyptians organized protests and strikes. “At first, the British had responded with their usual harshness—suppressing demonstrations and killing hundreds of protestors.”  
  • A terrorist shot the British commander of the Egyptian Army. The British used this as an excuse to “seize control of the country. 

Drugs and Alcohol 

  • Some believe priests would put poison in the tombs. “Maybe they’d drench the mummy’s bandages in cyanide made from peach pits, or laced tomb objects with scorpion venom.” Despite the speculation, “archaeologists have found little or no evidence of poison placed in tombs.” 

Language 

  • None 

Supernatural 

  • According to some, Tutankhamun’s mummy was cursed when the “high priest carried out mysterious rituals. As specified by The Book of the Dead, they had summoned protective demons and placed charms in the tomb’s walls. They had recited spells and prayers.” 
  • Some people said that “the curse was carved above the tomb’s entrance and read: Death will Slay with its wings / Whoever disrupts the peace of the pharaoh.”  
  • Others said the curse was written on the sarcophagus: “O anyone who enters this tomb, / who will make evil against this tomb: May the crocodile be against him on water, / and the snake against him on land.” 
  • Others said the curse was written on a magic brick. The curse read: “It is I who drives back robbers from the tomb with flames of the desert. / I am the protector of Tutankhamun’s grave, / and I will kill all those who cross this threshold.” 
  • Many deaths were blamed on the mummy’s curse. The book has a large number of events that could be attributed to the curse. Therefore, not all of the deaths are listed below. The first person to die of the curse was Lord Carnarvon. A mosquito bite led to an infection that killed Lord Carnarvon. Towards the end, “delirious, he muttered over and over, ‘A bird is scratching my face. A bird is scratching my face.’” Some believe Lord Carnarvon’s death was caused by the curse of the mummy. 
  • The curse of the mummy struck George Jay Gould, a wealthy American, who toured King Tutankhamun’s tomb. Almost immediately afterward, he fell sick with a fever and a cough. “As the dying man struggled for breath, he claimed to be surrounded by the ‘spirits of the pharaohs,’ and that Anubis, the Egyptian god of mummification and the afterlife, ‘drew the last breath out of him.’” 
  • A wealthy man named Ali Kamel Fahmy Bey visited the tomb and joked about the curse. “Just months after his visit, on July 11, 1923, his wife of six months shot him in their London hotel room. . . Hours later he died.” 
  • Howard Carter brought a pet bird to Egypt. Some believed the bird brought Carter luck. However, when Carter opened King Tutankhamun’s tomb for the first time, a servant “brought news of a tragedy. A cobra had slipped into Carter’s house” and ate the bird.  
  • Lord Carnarvon was receiving advice from a psychic. “Carnarvon was getting advice from beyond the grave. Or so he believed.” Lord Carnarvon believed the psychic was passing on “ghostly communications.”  
  • Cheiro, a psychic, told reporters that the night King Tutankhamun’s tomb was opened, “a shadowy form was taking shape. Slowly, it materialized into the ghost of a beautiful woman.” Cheiro believed it was the ghost of an Egyptian princess, who wanted Cheiro to warn Lord Carnarvon “not to remove any relics from the cursed tomb. If he did, he would suffer from a swift and terrible sickness that would kill him.” The scene is described over two pages. 

Spiritual Content 

  • The Egyptians believed in many Gods, which are mentioned in the book. For example, a collector had a statue of “Sekhmet, the lion-headed goddess who tore men to pieces at the request of the sun.”  
  • The Egyptians believed the resting place of mummies was “crucial. Egyptians believed a tomb was an important symbol of continuity, of eternity, of a ruler passing from the living world to that of the gods. For this reason, it was important that a king’s body not be disturbed after it had been laid to rest.” 
  • Before Tutankhamun became king, the Egyptians believed “the gods had turned their backs on the land. . . But Tutankhamun had stepped forward to rebuild the temples and sanctuaries. He’d offered nourishing foods to the deities.” The Egyptians praised Tutankhamun for “restoring the traditional religion of the land. . .” 
  • During mummification, the heart was left in the body because “it was believed the heart was the ‘seat of the mind,’ and that the god Osiris would judge it against a ma’at feather, the symbol of truth and rightness.” 
  • One of the death rituals performed was the Opening of the Mouth. “Using what the Egyptians believed was a magical adze, [a high-ranking official] touched the mummy’s face mask. This, it was believed, allowed the dead king to breathe, walk, and talk in the afterlife.” 
  • During the early 1990s, Spiritualism was practiced all over Europe and the United States. Lord Carnarvon had “been hiring clairvoyants and holding séances at his estate. He also employed palmists to read his palm, and fortune-tellers to glean his future from the depths of their crystal balls.” 
  • During one of Lord Carnarvon’s séances, the psychic medium’s “face convulsed. Her eyes rolled back and she turned white as a corpse. Her lips worked spastically. . . then, in a guttural voice not her own, she spoke.” The psychic spoke in Coptic, “a type of language descended from the ancient Egyptians.” 
  • Howard Carter unwrapped King Tutankhamun’s mummy. “A pair of golden hands, sewn to the wrappings, held a crook and flail. And across its chest lay a large golden bird, its wings spread wide as if in flight. The ancient Egyptians believed that at death the spirit flew free, but that it returned to the body when it was ready to enjoy eternal life. . . [The body] needed to be perfectly preserved so the spirit would recognize it when it returned to the tomb.” 
  • A wishing cup found in King Tutankhamun’s tomb was inscribed with a prayer: “May your spirit live, may you spend millions of years, you who love Thebes, sitting with your face to the north wind, your eyes beholding happiness.” 

Dark Heir

Centuries ago, the forces of Light and Dark waged a devastating war, resulting in the destruction of magic. That is, until the present day. In 19th-century London, the dead villains are being reborn and reclaiming their destiny. The only hope of stopping them is the Stewards, a secret class of ancient warriors.  

At the heart of the Stewards’ forces is seventeen-year-old Will Kempen, prophesied to one day defeat the Dark King. But as Will and his allies embark on their most dangerous quest yet, Will hides a terrible secret. Will is not their destined hero. He is the Dark King reborna role he does not want nor claim. To stop the gathering Dark Forces, Will must travel into the underbelly of the old world. But as he unravels layers of his forgotten past, Will fears the fine line between confronting history and repeating it.  

Will is a complex, yet sympathetic protagonist. While he lies for most of the book, his deception does not necessarily make him unlikable. For one, the stakes are too high. Every time Will hints at the topic, the surrounding cast always states their intent to kill the Dark King. Secondly, Will’s end goal serves the common good. He wants to prevent anyone from accessing the Dark King’s power, even if it means limiting his own power. For example, the Dark King has an undead army buried below a mountain, and Will attempts to prevent its uprising and the conversion of more innocents. Ironically, the supposed heroes of the book, the Stewards, prevent Will from saving the day. Readers will like Will but will be frustrated by the quick, arguably irrational condemnation of his character.  

The only ally who remains loyal to Will is James St. Clair. James is the reborn version of Anharion, the Dark King’s warrior and lover. James has a complicated relationship with his past life. On one hand, James embraces it, often playing into the villain role as a survival tactic. On the other hand, deep down, James wants to be a protector, which is why he is attracted to the illusion of Will as “the chosen savior.” James believes that Will can break the cycle, when in reality, any association with Will accomplishes the opposite. Further complicating their relationship, Anharion wore the Collar, a magical artifact that reportedly gave the Dark King total control over his actions. Thus, the extent Anharion truly supported the Dark King remains unknown. Presumably, the answer will be revealed in the next book in the series.    

Violet and Cyprian are Will’s friends and allies, but their rigid worldviews create complications. Cyprian, a diligent rule follower, is repulsed by the idea of working with James and blindly adheres to the Stewards’ teachings, placing obedience and group identity above all else. Though aligned with the supposed good guys, his inflexibility borders on prejudice—particularly when he immediately turns against Will. 

Violet represents a softer version of Cyprian’s ideology. Like him, she wants to do the right thing but fails to recognize that reality doesn’t always fit neatly into the Stewards’ framework of Dark versus Light and Good versus Evil. While their hurt over Will’s lies is understandable, both characters abandon him with startling speed, arguably betraying him more severely than he ever betrayed them. This hasty rejection makes Violet and Cyprian feel one-dimensional, as though they make irrational decisions merely to generate conflict rather than acting from genuine character motivation.  

Dark Rise is told in the third person, with each chapter narrated from a different point of view. It primarily focuses on Will, who is the most interesting character to follow. Readers will enjoy the fast-paced plot and the romantic tension building between Will and James as they unravel layers of their forgotten past. While drawn to James, Will is also wary of him, afraid that pursuing a relationship will bring them closer to their past selves. However, both boys bring out the best in each other. Will brings out James’ heroic side, encouraging him to use his powers for good. James teaches Will to be less afraid of the past and question the black-and-white thinking the Stewards instilled in him.   

Dark Heir is a fascinating take on the Chosen One trope, where no character is quite what they seem. It continues building upon the mysterious past hinted at in the first book, while leaving the most significant questions unresolved, presumably until the third and final installment. For example, was the Dark Heir a world-ending villain or a victim of the Stewards’ smear campaign? Did the Collar control Anharion’s actions or did it serve some unknown secondary purpose?  

Overall, Dark Heir explores themes of indoctrination, generational burden, and systemic corruption against a fantasy backdrop. It also provides compelling characters to keep readers emotionally invested. Readers who enjoy dark fantasy will enjoy this book because it does not shy away from the complex moral consequences of a magical war, featuring deeply conflicted yet compelling characters.  

Sexual Content     

  • James is attracted to Will. In one scene, James remembers “how it had felt to have all that attention focused on him, dark eyes looking down into his own, a warm hand brushing hair from his face. God, he hated when he was weak.”  
  • Will is attracted to James. He frequently likens James to poetic figures, such as “a consumptive heroine from a painting, the kind that dies beautifully.”  
  • While the past remains a mystery, the Dark King and Anharion are implied to have had a sexual relationship. For example, James asks Will to “take what was [the Dark King’s]. Prove you’re not afraid. . . Kiss me.” Will turns down the offer but promises to reconsider after they are out of danger.  
  • In one scene, James helps Will unlock his powers. At times, the author’s word choice feels more sexual than academic. As Will describes, “James’ magic was flowing over his body in warm, slow, rippling oscillations, the gentlest pulsing. . . The hot, sweet feel of James blazed through him. . . His veins lit up with power.”  
  • After Will’s identity is revealed, his friends attack him. James saves Will. Overcome with relief, Will kisses James. Will’s “hands pushed inside [James’] jacket, up and over his warm shirt. . . Will touched [James’] shivery hot skin, then pulled his cravat from his throat.” Will stops the kiss when he sees James wearing the Collar. Scared he lacked consent, Will vomits. However, some textual clues indicate that, contrary to the historian’s claims, the Collar does not strip James of autonomy. For example, after James first wears the Collar, he describes feeling “no compulsion. He felt nothing at all.”  

Violence     

  • Sinclair is the main villain and wants to exploit the Dark King’s powers. To raise the Dark King’s undead army, Sinclair begins a digging expedition in the mountain where it is located. The locals dislike Sinclair’s men and kill one named Howell. As Will describes, the local “shot Howell. Howell fell to the ground.” 
  • While exploring the mountain holding the Dark King’s army, Will and his friends are unexpectedly attacked by bandits. James dares the bandits to “shoot everyone,” then uses his magic to catch the bullets and send them flying “backward into the throats of the men who had fired them. The closest bandits fell, their bodies riddled with lead, their lives cut short.” James allows the remaining bandits to flee. 
  • While using his powers to occupy another body, Will is recognized and stabbed. Will describes, “a rush of wet and blood as [the sword] drove him to the ground. . . the sword that was in his gut. . . he choked on blood.” Will returns to his body, and the unnamed old man he was occupying presumably dies.   
  • While using his powers to possess his follower, John Sloane, Sinclair puts the Collar on James. However, the Collar does not work as Sinclair intended, allowing James to kill the body Sinclair is occupying. With a “single slash of his sword, [James] severed John Sloane’s head.”   
  • When Will’s identity is exposed, Violet and Cyprian attempt to hurt him. Cyprian breaks the brand, a magical artifact that would allow Will to stop the Dark King’s army. Violet gives Visander “Ekthalion,” a powerful sword that Will once gifted her. Visander is a reborn warrior of the Light Forces. However, James helps Will escape before he can be harmed.    

Drugs and Alcohol     

  • Will encourages a captain working for Sinclair to drink an entire bottle of wine. Will wants the captain to lower his guard and reveal information about Sinclair’s plans.  
  • James drinks from a flask of alcohol he found in his late father’s desk. However, he does not get intoxicated. The flask’s primary purpose in the scene is to segway into a conversation about his father.  
  • When Will reflects on his job as a ship hand, he remembers drinking to fit in with his coworkers. He describes his “first coughing splutter of dock gin. . . The men had laughed, slapping him on the back.”  

Language    

  • Hell is used once when Will observes James overexerting his powers, and Will thinks he looks like “hell.”  
  • Goddamn is used infrequently. For example, after James takes too long opening a gate, Violet shouts, “James, open the goddamned gate!”  
  • Shit is used twice. For example, after James sees the Collar, he says, “Shit.”  

Supernatural    

  • There is a world of magic, divided between Light and Dark Forces. Characters possess a wide range of abilities, as listed below.   
  • In the previous book, Katherine – Will’s love interest and the true Chosen One – dies. In this book, Visander, a reborn warrior of the Light Forces, takes over her body. Visander awakens buried in Katherine’s grave. He narrates that he “was buried, his sounds smothered by the earth above and around him,” but after some digging, “his grasping, reaching hand broke out into space.”  
  • Will develops the power to “scry.” He can temporarily inhabit other people’s bodies. For example, Will “scries” into the body of a guard holding his friend captive to free said friend.  
  • The Stewards are extremely strong and fast. For example, Cyprian jumps across large distances, such as between two diverging rock planes.  
  • James can move things with his mind. For example, James catches and redirects bullets.  
  • There are cursed artifacts that carry spells. The Collar is supposedly cursed to make James obedient to the Dark King. Ekthalion is a powerful sword that killed the Dark King. The brand controls the Dark King’s undead army.     

Spiritual Content     

  • None

by Kerry Lum

The Family Romanov: Murder, Rebellion & the Fall of Imperial Russia

He was Tsar Nicholas II of Russia: the wealthiest monarch in the world, who ruled over 130 million people and one-sixth of the earth’s land surface, yet turned a blind eye to the abject poverty of his subjects.

She was Empress Alexandra: stern, reclusive, and painfully shy, a deeply religious woman obsessed with the corrupt mystic Rasputin.

Their daughters were the Grand Duchesses Olga, Tatiana, Marie, and Anastasia: completely isolated and immature girls who wore identical white dresses and often signed joint letters as OTMA, the initials of their first names.

Their only son was Tsarevich Alexei: youngest of the Romanovs, heir to the throne, a hemophiliac whose debilitating illness was kept secret from the rest of the world.

Candace Fleming deftly maneuvers between the plight of Russia’s poor masses and the extravagant lives of the Romanovs, from their opulent upbringings to the crumbling of their massive empire, and finally to their tragic murders. Using captivating photos and compelling first-person accounts throughout, The Family Romanov is history at its most absorbing. 

The book begins by focusing on Nicholas II’s childhood and the influence of his father, Tsar Alexander III. Unfortunately, Alexander was embarrassed by Nicholas’s small stature and gentle demeanor. The tsar refused to allow Nicholas to participate in government business because he considered him “a bit of a girlie” and “a dunce.” 

Not only was Nicholas unprepared to be tsar, but he also alienated many who were unhappy with Nicholas’s choice of wife—a shy woman whom the Russian people viewed with distrust and who initially failed to produce a male heir. To make matters worse, on the day Nicholas was crowned as the new tsar in May 1896, an accident occurred that killed an estimated fourteen hundred people. This tragedy was interpreted as a bad omen, and many peasants predicted that Nicholas’s reign “would be beset with troubles from God.” Initially, readers will sympathize with Nicholas, who appears overwhelmed by circumstances beyond his control. However, this sympathy quickly fades as Nicholas makes increasingly unwise and cruel decisions.  

Interspersed throughout the book are first-person accounts from Russia’s poor that paint a vivid picture of human suffering. Peasants faced starvation and were forced to send their children to work in factories for long hours and inadequate pay. The poor lived in constant fear of becoming attached to their children because of the high mortality rate. These descriptions give readers a stark understanding of the vast divide between Russia’s wealthy nobility and its impoverished peasants. When comparing these two worlds, it becomes clear why the Russian Revolution was inevitable.  

When the poor began protesting for better working conditions, Tsar Nicholas showed no compassion. Instead, he blamed the workers for the problems and told his troops they were “obligated to fire” on protesters. Nicholas’s only concern was silencing dissent rather than addressing legitimate grievances. 

Instead of helping people, Nicholas took away people’s rights. “If Russians so much as grumbled about the government, they could be arrested and exiled to far-off frozen Siberia without recourse. To keep the peace and protect order, the tsar censored the press, banned books, limited public speech, and refused people the right to assemble for political reasons.”  

Nicholas’s attempts to quell unrest proved ineffective because he refused to acknowledge the underlying problems, which only fueled further discontent. The working class refused to remain silent. Despite book bans in Russia, workers continued reading authors like Jules Verne and James Fenimore Cooper. These books allowed them to “envision a better life” and taught them critical thinking skills. “These literate workers were now able to picture a government more responsive to their needs.” 

By the end of World War I, Tsar Nicholas and his government had completely lost the people’s trust and were overthrown. Even under house arrest, the Romanov family continued to live in luxury. They still had “footmen in elaborate ornate livery [who] still bowed and served meals; expensive wines from the imperial cellar still appeared on the table; maids still came to help [Empress Alexandra] change into lace gowns and lengths of pearls.” While readers may be horrified by the Romanovs’s eventual murders, the book clearly illustrates the causes that led to the family’s downfall. 

The Family Romanov transforms complicated history into an engaging account divided into four parts. The text is broken into manageable sections with headlines announcing each topic, making it less overwhelming for readers. Short, firsthand accounts from the working class and peasants reveal the horrendous suffering they endured. The book also includes 28 pages of photographs featuring the Romanov family and key figures in their lives, as well as images of wounded soldiers, injured protesters, and Rasputin’s “battered corpse.” 

While many may believe their government—whether democratic or monarchical—will never fail, no government is invincible, making The Family Romanov essential reading. The book not only helps readers understand Russian history but also highlights the failures of Tsar Nicholas that ultimately led to his downfall. The Family Romanov is well-researched and provides a comprehensive examination of the past that helps readers fully understand why Imperial Russia collapsed. Discover more about Russia by reading these exciting books: Swimming with Spies by Chrystyna Lucyk-Berger, Stalin by Sean McCollum, and Spy Runner by Eugene Yelchin. 

Sexual Content 

  • The holy man, Gregory Rasputin, was accused of molesting “numerous women—maids, noble women, even nuns. And according to one member of Rasputin’s family, the report contained obscene photographs.” Tsar Nicholas did not believe the rumors. 

Violence 

  • Since the book covers both World War I, the Russian Revolution, the civil war, and the tsars’ violence, not every instance of violence is documented below. 
  • In 1881, a man “hurled a bomb at the imperial carriage. Miraculously, [Tsar Alexander] went uninjured, but many in his retinue were not as lucky.”  
  • When Tsar Alexander stepped out of the carriage to help people, a second bomb was thrown. “This one landed between his feet. An explosion of fire and shrapnel tore away Alexander’s left leg, ripped open his abdomen, and mangled his face.” He was taken to the palace, where he died. 
  • A peasant boy was afraid of his father, who often got drunk. “He would drink to the point where he was seriously ill, and there were even occasions when he was close to death. . .” While drunk, the boy’s father “fell upon my unfortunate mother. . . [I] prevented him from beating her. This. . . usually ended up with Father beating me up as well.”  
  • When the new tsar, Nicholas, was to be sworn in, hundreds of thousands of peasants attended. “Panic broke out. . . The crowd pushed forward, eager to grab their share [of food and gifts]. Some wooden planks that had been placed over several deep ditches gave way. Men, women, and children tripped and fell. Unable to rise in the mass of pushing, shoving bodies, they were trampled, crushed, suffocated.” Approximately 1,400 people died. Later, the tsar wrote a letter to his mother detailing his plans to “crush the rebellion by sheer force. . . and that would mean rivers of blood. 
  • The working class and the peasants suffered from terrible working conditions and a lack of food. They protested, hoping that Nicholas would intervene. Instead, soldiers fired on the crowd. “Bullets shredded the flags, and icons, and portraits of Nicholas. Bodies fell to the snow-covered ground. . . When the shooting stopped, between 150 and 200 men, women, and children lay dead. Between 450 and 800 were wounded.” This event is known as Bloody Sunday. 
  • On the day the October Manifesto was proclaimed, the Russian government promised reforms, including the right to peacefully demonstrate. Additionally, many political prisoners were released from prison. Moscow workers marched in the streets. A mob of supporters of the tsar, called the Black Hundred, attacked the Moscow workers and newly freed prisoners. “The mob pulled out knives and brass knuckles. Within minutes, the workers’ triumph turned to terror as they were slashed and beaten. . . When the attack was over, one of the prisoners lay dead, and dozens more were injured.”  
  • The Black Hundred continued to attack people, and the most vicious attacks were perpetrated against the Jews. “Russian subjects, provoked by the Black Hundred, rose up against their Jewish neighbors, burning homes, looting shops and synagogues, and murdering innocent men, women, and children. . . government officials looked the other way.” 
  • On Easter Sunday, a leaflet “printed under the supervision of Nicholas’s minister of the interior and paid for with the tsar’s money” was given to people. The leaflet said, “Let us massacre these. . . monsters.” Monsters referred to Jews in this letter. The Christian attack lasted three days. “When peace was finally restored, fifty-seven Jews (including two babies and a twelve-year-old) lay dead, and five hundred more were wounded.” Jewish homes and businesses were destroyed. When told of the deaths, Tsar Nicholas said, “Good. The Jews need to be taught a lesson.” 
  • One Jewish person wrote about the Easter Sunday riots. One group of people, including “the glazier Grienschpoun” hid in an outhouse. “The rioters rushed for the shed. . . A neighbor . . . was the first to stab the glazier in the neck. . . they finished him off with sticks and clubs.”  
  • To get away from the mob, three Jews named Chiaia, Macklin and Berlatsky climbed onto a roof. “Finally all three were tripped over the edge of the roof. Chiaia fell on a pole of feathers . . . escaped with her life. The wounded Macklin and Berlatsky lay writhing with broken limbs on the pavement, where the cowardly crowd finished them off with crowbars.” The event is described over three pages. 
  • The tsar’s police arrested the leader of the Soviets, who was against the autocracy. Russian peasants and workers protested by barricading their section of town. Nicholas deployed a fighting unit. “The tsar’s troops were ruthless. Bringing up artillery, they bombarded the workers’ section until the whole district was nothing but smoldering rubble. . . Their orders were to shoot anyone who had not already fled. Men, women, and children were systematically mowed down. . . More than a thousand people had been killed, and thousands more were injured.”  
  • World War I started when a terrorist “calmly stepped out in front of Archduke Ferdinand’s car during the prince’s ceremonial visit to the city of Sarajevo. . . fired twice. The archduke’s wife, Sophie, instantly crumbled, and blood gushed from the archduke’s neck.” Both died. 
  • During World War I, Alexandra and her two oldest daughters became nurses so they could help wounded soldiers. One person wrote, “I have seen the empress of Russia assisting in the most difficult operations, taking from the hands of busy surgeons amputated legs and arms, removing bloody and vermin-ridden field dressings, enduring all the sights and smells and agonies of the most dreadful of all places, a military hospital in the midst of a war.” 
  • Rasputin had become so powerful that some believed he was the puppet master, making decisions for Nicholas and Alexandra. Three nobles—Yusupov, Purishkevich, and Pavolvich—decided to assassinate him. Yusupov shot Rasputin in the back. They thought Rasputin was dead, but he wasn’t. 
  • Rasputin staggered “to his feet, his mouth foaming, [he] lunged at his would-be murderer. His long, bony fingers dug like steel claws into the prince’s shoulders. Terror-stricken, Yusupov struggled to break free from the death grip.” Yusupov fled. 
  • Rasputin attempted to flee. Purishkevich said, “I fired [at Rasputin]. . . I missed. I fired again. Again I missed. . . I fired a third time. The bullet hit him in the shoulder. . . I fired a fourth time and hit him in the head.” The three nobles cut a hole in the ice and put Rasputin’s body in a river. The book contains a picture of Rasputin’s dead body.  
  • A group of men took the Romanov family and their servants into a basement. The family thought they were going into the basement for their safety. They were lined up in two rows. Chief executioner of Emperor Nicholas II, Yakov Yurovsky, “jerked the Colt pistol from his pocket. . . He shot the tsar. Nicholas crumpled to the floor just as the other men raised their guns and fired. Alexandra died as she tried to cross herself.” 
  • The Romanov children had hidden so many jewels in their clothing that they were essentially bulletproof. “Incredibly, bullets aimed directly at both the girls’ and Alexei’s chest merely bounced off and jumped about the room like hail.” 
  • Alexei couldn’t run. His chair tipped over. “He moaned and clutched his father’s arm. Minutes later, Yurovsky shot him in the head.” 
  • The girls tried to escape. “Crawling through the thick cloud of gun smoke that now filled the room, [the girls] searched frantically for a way out. Only their outlines could be seen, and the men began firing randomly at anything that moved. . . Olga and Tatiana, arms around each other, huddled in a corner. Bullets soon took their lives.” 
  • Marie and Anastasia “pressed themselves together. Both girls screamed for their mother. The murderers moved forward. They slashed at the ‘Little Par’ with bayonets before silencing them both with gunshots.” The bodies were hidden in the Koptyaki Forest.

Drugs and Alcohol 

  • During many of the royal parties, alcohol such as champagne, cognac, and wine was served. 
  • Occasionally, the book describes men as being drunk. For example, many of the poor became drunkards. Many of the poor would go to “the neighborhood tavern, they tried to drown their misery by squandering precious kopecks on cheap vodka and watered-down beer.” 
  • While in the military, Nicholas “focused on what he enjoyed most — laughing and partying with his fellow officers.” Once, he got so “stewed” that “the Officers carried [him] out.”  
  • While pregnant, Empress Alexandra drank “bitter herbal concoctions,” “prayed,” and “even bathed in the moonlight” in the hopes that this would allow her to have a son. However, she delivered another daughter. 
  • According to Rasputin’s security detail, the holy man did not always act holy. “Rasputin took part in a drinking party with some [college] students. . . A musician struck up, and there was singing, and Rasputin danced with a maid-servant.” Rasputin was often seen “dead drunk.” 
  • To kill Rasputin, his assassins “plied [him] with wine that they thought was laced with cyanide.” Later, the assassins learned that the wine was not poisoned.  
  • When the Romanov family was exiled, they packed “vials of holy water; boxes of smelling salts; laxatives, morphine, and even a year’s supply of bath oil and cologne.” 

Language 

  • The tsar Nicholas derisively called Jews “the Yids” and encouraged people to attack them. Nicholas said, “[They] must be put in their place.” 
  • When Nicholas realizes that he will be executed, he says, “Lord, oh, my God! Oh, my God!”

Supernatural 

  • None

Spiritual Content 

  • For the Romanov family, religion was a daily part of their lives and appeared often. Because of this, not every reference is below.  
  • The poor did not feel guilty about stealing food from the wealthy people’s forest. They believed, “God grew the forest for everyone.” 
  • The Romanovs believed that “God had given them this power, had chosen them to rule the Russian people. As God’s representative on earth, they maintained, the tsar should be left to run the country according to his own ideas of duty and right.”  
  • The tsar had two restrictions. “He had to abide by the teachings of the Russian Orthodox Church. . . and he had to follow the laws of succession.” 
  • After her mother died, Empress Alexandra became “obsessed with God and the afterlife.” 
  • After a peasant boy’s mother died, he was distressed because he fell asleep before he could read the Psalter forty times. “According to popular belief . . . you have to read the entire Psalter forty times over to [send a soul to Heaven.]” 
  • To marry Nicholas, Empress Alexandra had to convert from Lutheranism to Russian Orthodoxy, a branch of Christianity. “To toss [being Lutheran] aside would, she believed, be an insult to God.” Finally, after much prayer, Empress Alexandra decided, “She wouldn’t really be changing faiths, she reasoned. She would merely be changing the way she expressed that faith.” 
  • Alexei, Nicholas’s son, had Hemophilia. “Nicholas believed Alexei’s illness was God’s will, and so he accepted it passively. ‘My own fate, and that of my family are in the hands of Almighty God,’ he said.”  
  • Empress Alexandra collected icons. “Believing, as the Church taught, that God and the saints helped and healed people through these icons, she surrounded herself with them, then spent hours each day on her knees in prayer. She also began putting her faith in so-called holy men—hermits, soothsayers, wandering monks, and faith healers. They were, she believed, a direct link to God.” 
  • Empress Alexandra thought that the Russian Orthodox Church “believed in seers, holy men, martyrs, and living saints as well as visions, miracles, and speaking in tongues. . . It had [been] taught that God often blessed ordinary men with the divine ability to heal bodies and souls, in addition to the ability to act as spiritual guides to the rich and powerful.” 
  • Even though Empress Alexandra believed a daughter was a “miracle of God,” she prayed “before icons, begging God for the miracle of a son.” 
  • Empress Alexandra was introduced to “Dr.” Philippe by relatives who “dabbled in the occult, the two were notorious for the midnight seances. . . both women believed in a host of psychic phenomena—ghosts, astrology, even magic.” It was believed that “Dr.” Philippe could “heal the sick by chanting, predict the future by praying and make himself invisible just by donning a magic hat.” 
  • “Dr.” Philippe told Empress Alexandra that she would have a son if she “Prayed to Seraphim of Sarov.” Three months later, Alexandra was pregnant. “She was convinced it was because of ‘Dr.’ Philippe. He had interceded with the Almighty on her behalf, and God blessed her. This event cemented her belief in mysticism.” 
  • Nicholas believed “God’s will must always be accepted without complaint. After all, everything that happened in life was God’s will, so it was pointless to question the meaning of events.” 
  • However, Alexei’s illness made Alexandra question God. “But after she’d waited so long and prayed so hard, why had God allowed this terrible thing to happen?” She believed that Alexei’s illness was because of her “unworthiness.” To become holier, “She began to pray longer and harder, spending hours on her knees in the palace chapel. . . She covered the walls of the nursery, and even baby Alexei’s crib, with hundreds of icons and religious images.” 
  • When the working class and the poor began to rebel, the tsar believed that he was not the problem. Instead, “It was the fact that people had turned against the autocracy and their holy tsar. ‘We have sinned. . . and God is punishing us,’ he said. Therefore, strikes were not a sign that the country needed democratic reform. Rather, they were God’s way of telling the country it needed an even stricter autocracy.” 
  • Because a peasant’s life was so hard, when an infant died, a common saying was, “Thank goodness the Lord thought better of it!” 
  • Gregory Rasputin was a peasant farmer who “claimed to see a vision from God.” He left his family and went to a monastery in Greece. When he returned, “he declared himself to be what Russians called a starets—a holy man.” Some believed he was a healer and a prophet. Empress Alexandra put her faith in Rasputin and often followed his advice. 
  • After the prime minister was assassinated. Alexandra believed this proved that “Those who offend [Rasputin] may no longer count on divine protection.” 
  • During the three hundredth anniversary of Romanov rule, the royal family threw a jubilee. During the ceremony, they saw two doves circling overhead. Nicholas and Alexandra believed this was a religious sign. Nicholas said it was “a symbol that the blessings of God, after three centuries, continue to rest on the Romanov[s].” 
  • Orthodox Church outside of Russia “largely ignored [Tsar Nicholas’s] anti-Semitism, poor leadership, and brutal suppression of his subjects.” The church wanted to declare the family “martyred saints.” The Orthodox Church outside of Russia did not agree. Three pages discuss the conflict. 

I Wish You Would

It’s Senior Sunrise, the epic overnight at the beach that kicks off senior year. But for Natalia and Ethan, it’s the first time seeing each other after what happened at junior prom—when they almost crossed the line from best friends to something more and ruined everything. After ghosting each other all summer, Natalia is desperate to pretend she doesn’t care, and Ethan is desperate to fix his mistake. 

However, Natalia is the student body president, and she needs to be focused on making Senior Sunrise the best event ever—otherwise, students won’t feel inclined to attend other class events for the rest of the year. Natalia doesn’t want her friends to have a lackluster year. One of their most popular traditions is the writing of the Lion Letters. Each student writes down their fears and their resolutions for their last year of high school and puts them into a jar. At sunrise the next day, the letters are thrown into the ocean, never to be read. Or at least, that’s how it’s supposed to go.  

Natalia bares her soul in her letter, but the second she puts it in the jar, she regrets that, too. So, while everyone is distracted, she tries to grab her letter, but she accidentally tips the jar over. Seven letters are scattered to the wind, and there’s no way of knowing who they belong to. Now, Ethan and Natalia are forced to work together to find the lost letters before any secrets are revealed—especially their own. 

Natalia and Ethan are both interesting protagonists who learn the same valuable lesson—never be afraid to ask for help. The book oscillates between their perspectives. They also share a flaw: an inability to communicate. This makes it easy for the reader to relate to and empathize with them. Along the way, they learn to trust each other and their friends, and their entire high school learns that most secrets are better dealt with together.  

While the message is positive, the conflict becomes repetitive, with Ethan and Natalia constantly misunderstanding each other. The ending is predictable, and both Ethan and Natalia develop similarly and learn the same lesson. As characters, they are too similar to one another, and while they do grow, it feels as though that growth is temporary. The story feels stale, and the conflict is somewhat surface level. That said, the plot is entertaining and the language is simple. The romance between Ethan and Natalia is sweet, and the secrets provide fun reveals, even if they are predictable. 

Readers who enjoy the friends-to-lovers trope, heartwarming displays of friendship, and stubborn, strong characters will love I Wish You Would. This book is filled with moments of acceptance, self-discovery, and facing fears, along with the fun romantic tension between Natalia and Ethan. Both characters are inspiring and learn how to fight for what they believe in. Overall, this is an enjoyable read with fascinating secrets, relatable fears, and beautiful dreams of college and a future relationship.  

Sexual Content 

  • Reminiscing about their prom night, Natalia describes her first kiss with Ethan. “Then my best friend leans in and kisses me.” She is snapped out of the memory before it’s described. 
  • Later, when talking with a classmate about Ethan, Natalia remembers “the way [Ethan’s] featherlight touch traced [Natalia’s] collarbone, [her] neck, the curves of [her] hips,” and feels embarrassed. 
  • Ethan’s famous dad, Mr. Forrester, corners Natalia at a party and gets a little too close with her. Natalia thinks, “Does he realize how close he’s leaning?” Mr. Forrester mentions that “[his] costar Sofía always complains about her curves, but men love them.” He acts as though he’s about to attempt something sexual with Natalia, making her uncomfortable. They are interrupted by nearby voices, and he backs off.  
  • The day before senior sunrise, Natalia’s friend Rainn confesses that he has a crush on Natalia. When she doesn’t respond, he kisses her. Natalia describes the event, “Rainn’s gaze drops to my lips, and before I have time to think, he kisses me.” She breaks the kiss and turns him down.  
  • When one of the missing letters is found, some of the students read it. Natalia’s friend Leti turns to another friend and talks about the letter. The letter reveals that Leti rightly reported the former drama teacher, Mr. Ford, for inappropriate content and had him fired. Leti says, “Mr. Ford is the guy I told you about—the one who posted nudes of my sister after they dated. I had to do something.”  
  • After Natalia receives a news alert that Mr. Forrester has been caught cheating, she shows Ethan the article. Ethan describes the photo of his dad and costar “kissing in broad daylight on a busy New York City sidewalk where they’re on location for the show. The photos are grainy, but there’s no denying it’s [his dad].” 
  • During a confrontation about their poor communication, Ethan and Natalia kiss each other. From Ethan’s perspective, “The kiss is savage with urgency. Lips and teeth and moans. Hot breath and cool skin. [His] fingers disappear in the wild tangle of her hair as [he] pull[s] her flush against [him]. Still, [he] want[s] more, so much more. The delirious taste of her, the anchoring feel of her. Sunset on [their] skin, Natalia in [Ethan’s] arms.” 
  • After having a long, thorough conversation, Natalia and Ethan kiss again. “Ethan’s soft, urgent lips moving against [Natalia’s]. He tastes like minty toothpaste and ocean salt, and [Natalia] melt[s] against him. Every way [she] go[es], he follows. Strong and sure and solid.” 

Violence 

  • Ethan finds one of the missing letters. In an effort to distract the rest of the class, Ethan asks his friend Rainn to hit him. “Without hesitation, Rainn punches [Ethan] in the side, harder than [Ethan] expect[s].” Rainn has been harboring some ill feelings towards Ethan and takes it out on him in this moment. The fight lasts a couple of pages, and in the end, they both have a few bruises.  
  • After finding out why Mr. Ford was fired, a student named Tanner reacts violently and aggressively confronts Leti. He verbally abuses Leti, and, as he escalates, another student, Prashant, steps in to stop him before Tanner becomes physical. “A skinny arm crosses [Natalia’s] vision as it cracks a fist into Tanner’s jaw.” An adult arrives to diffuse the situation, and Prashant has to ice his hand.  
  • As Ethan confronts his dad about his behavior at the party, his dad denies insulting Natalia. After trying to gaslight his son, Ethan punches his dad. “That’s when [Ethan] lost it. [Ethan’s brother] had to pull [Ethan] off [his dad]. [Mr. Forrester] crumpled then. [His] lip was swollen and bloody where [Ethan had] hit him.” 

Drugs and Alcohol 

  • After they get to senior sunrise, Natalia notes that one of their classmates “looks rough. His eyes are red, and [Natalia] can smell the booze coming out of his pores.” Natalia learns that he was at a party the night before. 
  • When Ethan’s dad corners Natalia at a party, she notices that “the ice in his glass clinks [as he moves], some of the amber liquid sloshing onto his wrist.” His speech slurs a little, implying Mr. Forrester is drunk.  
  • When Tanner confronts Leti, she “smell[s] the booze on his breath.” A teacher-chaperone, Mr. Beckett, reveals that this is a third strike for Tanner, implying that he’s been caught drinking before.  

Language 

  • Language includes frequent use of fuck, shit, damn, bitch, ass, and pussy. The latter three are often used as insults, such as when Claire, a classmate, reads Ethan’s secret letter in front of a large group and someone responds, “says the bitch reading the sex letter.”  
  • Some profanity is used as adverbs or expressions of frustration. For example, Ethan thinks, “leave me the fuck alone.”  

Supernatural 

  • None 

Spiritual Content 

  • None 

by Kate Schuyler 

Louder Than Words

What happens when your fresh start depends on keeping your worst mistakes buried? Jordyn Jones is about to find out. She made mistakes in her first couple of years of high school—mistakes she and her friends desperately want to forget. Yet on her first day at Edgewood High, everybody already seems to know who she is and that she was expelled from her previous school. Luckily for Jordyn, she makes new friends who give her the benefit of the doubt. She meets a cute soccer player, Zay, who likes art as much as she does. She helps a new friend run for student body president, and life begins to improve. That is, until the school’s anonymous podcast, Tomcat Tea, reveals some harmful secrets and rumors about Edgewood students—many of whom are Jordyn’s friends. 

Some of the rumors are true, while others are lies, including the rumor that Zay uses performance-enhancing drugs that could affect his college scholarship. To redeem herself for past mistakes, Jordyn decides to hunt down the podcaster and stop the harm from spreading. Jordyn’s quest to create a culture of acceptance throws her into the spotlight—and earns her dangerous enemies. As the tension builds and the podcast continues, Jordyn risks her happiness to bring down the podcaster. But what she did at her old school is too hideous for anyone to know, and the more she challenges the podcaster, the more the mysterious online character threatens to reveal Jordyn’s past. Secrets will come out; the only question is when. 

Jordyn is an inspiring protagonist who tries to make amends for her mistakes through both words and actions. Her bravery in risking her own secrets to save everyone else’s is admirable and makes the reader root earnestly for her. On the school wall, she paints a mural that encourages students to anonymously reveal their own secrets, taking power away from the podcaster. However, Jordyn’s new friends feel two-dimensional and quickly abandon her when bad news comes out, showing they lack the loyalty real friends would show. They ostracize her and barely give her a chance to explain herself. Some of this may be attributed to teenagers’ fickleness, but their automatic distrust of Jordyn feels flat and underdeveloped. That said, this is the book’s only flaw. Overall, Louder Than Words is endearing and entertaining. 

Readers who enjoy scandalous secrets, high school mysteries, and proud revolutions will love the lengths Jordyn goes to change the culture at Edgewood High. The book navigates the themes of redemption and secrets realistically, and Jordyn’s path makes it easy for the reader to empathize with her. Jordyn is a likable character who encourages students to be honest with themselves and each other. Louder Than Words points out that acceptance takes time and that teenagers need to adapt to betrayals and hard truths slowly to best process them. The book is full of second chances and heartwarming moments of acceptance. The ending and the twist revealing the podcaster’s identity make the story worth reading. There are mentions of suicide and bullying, but Jordyn and her fellow students work hard to eliminate the bullying around them. This book is a must-read because of its strong protagonist, fun twists, and strong message: secrets don’t define who you are, and acceptance and redemption are possible when you’re brave enough to pursue them. 

Sexual Content 

  • After cheering for him at a soccer game, Jordyn and Zay kiss. Jordyn describes the event, “I’m leaning in, closing my eyes, pressing my lips against his. Our mouths are warm, but he somehow tastes minty and cool, and I immediately want more. When I grab for his shirt to pull him closer, I can feel him smiling without breaking contact, which makes me smile too, our joy as brilliant as the light that was just all around us and exploding within this unexpected kiss. My arms float up and I cup the back of his head. He grips my hip, almost lifting me into his lap.” The scene ends without further description of the kiss.  
  • After this, all other sexual content in this book is limited to one sentence-descriptions of kissing. Jordyn and Zay kiss a couple of times, but the description is light. For example, during their date, Jordyn goes “up on [her] tiptoes to kiss Zay in the middle of the mess [they] made together.” As Zay tells Jordyn about his ex, he mentions that he “just kissed her.”  

Violence 

  • In a flashback, Jordyn remembers being a bystander to bullying at her old school. Her former friends, Elise, Yasmine, and Lilly, would bully a girl named Aubrey. “When Aubrey opened the door of her stall to attempt an escape, Lilly tossed more than half [a] container [of makeup] in her direction. The tawny powder caked Aubrey’s thin hair, face, and white collared top instantly, sticking thanks to the water, making her look like she’d just been unearthed, dug up like a fossil; probably ruining her uniform for good. Elise smiled maliciously.” 
  • In another flashback, after Jordyn and her former friends find out about Aubrey’s attempted suicide, Jordyn responds to Elise, who blames Jordyn for the entire thing. Jordyn points out that it was mostly Elise’s fault, and things get physical. “So, [Jordyn] grabbed [Elise’s] wrist, just to get her to turn around and see that [Jordyn] wasn’t going to let [Elise] get away with lying. But as soon as [Jordyn] touched her, [Elise] flipped out, shook [Jordyn] off, and pushed [Jordyn], hard. And [Jordyn] fell backward into the door. The handle dug into [Jordyn’s] back, and it hurt like hell. When [Jordyn] recovered, [she] punched [Elise] right in the face. Gave [Elise] a black eye.” 

Drugs and Alcohol 

  • The podcast, Tomcat Tea, spread a rumor about Zay. “Word on the street is that Zay is using performance-enhancing drugs, among others as well.” The rumor is false, but this sparks a conversation about drugs and drug testing.  
  • Under extreme stress, Jordyn confesses to her aunt that being a bystander to bullying made her partially responsible for a girl’s suicide attempt. When Jordyn found out about the attempt, “[my former friends and I] were all crowded into Principal Valentine’s office, just standing there, and Dean Murphy just said it so casually. He’s like, ‘Aubrey Day was found unconscious in her room last night. She’d taken an entire bottle of her mother’s painkillers. She’d written a note.’” Aubrey survived, and there is no further mention of pills.  

Language   

  • Language includes frequent profanity such as hell, damn, and asshole. 

Supernatural 

  • None 

Spiritual Content 

  • None 

by Kate Schuyler 

Which Way to the Wild West?: Everything Your Schoolbooks Didn’t Tell You About America’s Westward Expansion

1805: Explorer William Clark reaches the Pacific Ocean and pens the badly spelled line “Ocian in view! O! the joy!” (Hey, he was an explorer, not a spelling bee champion!) 

1836: Mexican general Santa Anna surrounds the Alamo, trapping 180 Texans inside and prompting Texan William Travis to declare, “I shall never surrender or retreat.” 

1846: A band of travelers, including the soon-to-be notorious Donner family, becomes trapped in the Sierra Nevada, forcing them to decide whether it is better to eat each other or starve to death in the snow. 

1861: Two railroad companies, one starting in the West and one in the East, start a race to lay the most track and create a transcontinental railroad. 

Get the feeling the world’s changing quickly? Welcome to the thrilling, tragic, and downright wild adventure of America’s westward expansion. 

Which Way to the Wild West? covers Western Expansion in 11 chapters and is jam-packed with information that will leave some readers’ heads spinning, even though each chapter is broken into smaller sections with clear titles like “Santa Anna Does It Again.” The book covers a vast cast of historical figures, including future presidents, religious leaders, and commoners. While all this information will thrill history buffs, other readers won’t have enough stamina to keep track of the rapid change of topics. 

Many books that discuss the founding of America gloss over the violence that permeated throughout early America. Which Way to the Wild West? isn’t shy about showing how immigrants’ greed for land and gold shaped the country and negatively affected minorities and Indigenous people. For Indigenous people, the gold rush was “like an invasion.” The miners drove away the deer and game that they relied on for food. “They chopped down forests and polluted salmon streams. When some Native Americans tried to join the search for gold, they were violently driven away from good mining spots.” To make matters worse, “newcomers brought new diseases that devastated the native villages.”  

Many readers will be shocked at the Americans’ cruelty when it comes to the Native Americans. To force the Plains Indians off their land, the U.S. government supported buffalo hunters because “once there were no more buffalo to hunt, Plains Indians would no longer be able to roam freely across the plains. Unable to live their traditional way of life, they’d be forced to settle down on reservations.” When this plan did not work, the U.S. military slaughtered Indigenous women and children. In the end, many Native American leaders—Sitting Bull, Crazy Horse, and Chief Joseph—could not win against the U.S. military, and their way of life ended. To learn more about the Native Americans’ struggle to keep their land, read Native American Heroes: Osceola, Tecumseh, & Cochise. 

The founding of America was only made possible because of violence, greed, and broken promises. Which Way to the Wild West? discusses the events in a matter-of-fact tone that often uses humor. Despite this, many of the quotes from primary sources show the gravity of the situation. For example, soldiers killed many of the Lakota people who were unarmed. One soldier said, “It was a thing to melt the heart of a man, if it was of stone.” 

Western Expansion ended when all of the Indigenous people were forced onto reservations, the cowboys retired, and the land was divided and fenced “into farms, and ranches and towns.” By the end of the book, readers will have a better understanding of how Western Expansion shaped the country in both positive and negative ways. Readers who want to learn more about American history can also read the fiction books Will’s Race for Home, In the Footsteps of Crazy Horse and Alamo All Stars. 

Sexual Content 

  • None 

Violence 

  • The book contains many deaths due to animals, accidental shootings, and murder. The deaths that are not described in detail have been omitted from the list below. 
  • James Beckworth, a mountain man, was attacked by a grizzly. “The bear smacked Smith around like a doll, smashing several of his ribs. Then it took Smith’s head in its teeth and shook him back and forth. . . The scalp had been ripped from Smith’s skull. One ear was hanging on by a twisted strip of skin.” Someone sewed the ear back on, and “Smith’s ear stayed on.” 
  • During the Alamo, the Texans surrendered. “Santa Anna’s soldiers killed all 183 Texas soldiers—stabbing many of them with bayonets after they had surrendered. . .” The Mexican soldiers defeated another town. “Mexican soldiers marched the prisoners to an open field, shot and bayonetted all of them, and set the bodies on fire.”  
  • After the Alamo, the Texans attacked the Mexicans and surprised them. After the attack, “It took Houston’s officers a while to get the Texans to stop killing Mexican soldiers. When it was all over, nearly six hundred Mexicans were dead compared with only nine Texans.” 
  • While the Donner party was in the desert, two of the men fought. “A man named John Snyder attacked James Reed with a whip. Reed stabbed Snyder, killing him.” Reed was kicked out of the group but survived.  
  • The Donner Party took a cutoff and was snowed in at Donner Lake. “Fifteen of the strongest members of the party” went for help but got lost. “Someone brought up the question on everyone’s mind: Should they kill and eat one member of the group in order to save the others?” They didn’t kill anyone, but when one of them died, “They cut the flesh from the bodies, roasted it, and ate it.” Only seven of them made it out of the mountain alive. 
  • Marcus and Narcissa Witmore were missionaries. When the Cayuse Indians began to die of disease, they killed Marcus. Then, the Cayuse men attacked other settlers. “Then a bullet came through the window, piercing Mrs. Witmore’s shoulder. . . Clasping her hands to the wound, she shrieked with pain and then fell to the floor.” The orphans whom the Witmores were caring for had to hide in the attic. Thirteen people died. Later, “The Cayuse men were tried for murder, found guilty, and hanged.” 
  • A Mexican miner named Joaquin Murrieta was accused of stealing horses and mules. When the Americans confronted him, they “pulled Murrieta off the horse, tied him up, and dragged him to his brother’s cabin. They wrapped a rope around his brother’s neck and hanged him from a tree. Then they tied Murrieta to the same tree and whipped him while his brother’s body swung back and forth from the branch above.” 
  • Murrieta survived and went on a killing spree, killing the men who had attacked him. “The governor of California offered a five-thousand-dollar reward for his capture.” A group of men “cut off Joaquin’s head, put it in a jar of brandy, brought it back to town, and charged people a dollar to see it.” No one was really sure if it was actually Joaquin’s head in the jar. 
  • Wilson was carrying mail for the pony express when Indians attacked him. Wilson was shot in the head with an arrow. “His friends tried to pull out the arrow, but the pointed stone stuck fast in his skull.” Wilson’s friend thought he would die, so they left him under a tree. When they returned, “Wilson lay unconscious for the next eighteen days” but he survived.   
  • As more settlers moved into the Indians’ land, tension mounted. “A group of Indian warriors killed a family of four in Colorado. Furious settlers brought the bodies into Denver and put them on display.” John Chivington, an army officer, led seven hundred soldiers to a Cheyenne camp that was primarily composed of women and children. Chivington told his men: “Kill and scalp all, big and little.”  
  • Chivington and his men attacked at night. “The Cheyenne fighters were nearly surrounded by American soldiers and were slowly driven out of their camp.” Some U.S. soldiers were “killing women and children, cutting off their scalps, and slicing up their bodies.” The death toll was over one thousand. Despite conducting a “dastardly massacre,” Chivington was not punished. 
  • Crazy Horse and his warriors wanted to attack a fort, so they waited for soldiers to come out to collect firewood. “Crazy Horse retreated to the top of a hill, trying to tempt Fetterman [a soldier] into attacking him. . . Fetterman led his men on a charge up the hill—and right into Crazy Horse’s trap. . . In less than thirty minutes of brutal combat, Fetterman and all his men were killed. About two hundred Indian fighters were killed or wounded as well.”  
  • The railroad companies hired Chinese men to do dangerous work that often ended in death. For example, men set off dynamite to dig through the mountain. “Chinese bodies flew from the cave as if shot from a cannon. Blood and flesh were mixed in a horrible mess.” Ten men died in that explosion.  
  • Two girls killed their stepmother “by pouring melted lead into her ears.” 

Drugs and Alcohol 

  • A man was called “Big Drunk” because he was tall and often drunk. 
  • During a battle between the Mexicans and Americans, some of the soldiers seized someone’s brandy and “downed it in quick gulps.” 
  • During the California gold rush, “the price for a glass of whiskey was one pinch of gold dust.” 
  • When a man became ill, he was given brandy. 
  • Railroad inspectors were given whiskey. One inspector got really drunk, and when the inspector woke up, “he gave his official approval to the tracks.” When the tracks were completed, “there was a great abundance of champagne.” 

Language 

  • An adult uses “Great God” as an exclamation. 
  • A miner told his wife, “I am willing to stand [the hard work of mining] to make enough to get us a home, and so I can be independent of some of the darned [censored] that felt themselves above me because I was poor.” 

Supernatural 

  • None 

Spiritual Content 

  • The first women to travel to Oregon were two missionary wives. Their goal was to teach Christianity to the natives. 
  • Some settlers believed in manifest destiny and that all the land should be theirs. “Some were convinced that God wanted it that way—that it was God’s plan to have the American style of democracy spread across the continent to the Pacific Ocean.” 
  • When the two railroads were connected, a gold spike was set in place. The spike had an inscription: “May God continue the unity of our country as the railroads unite the two great oceans of the world.” 
  • The Nez Perce believed that “We came from the earth, and our bodies must go back to the earth, our mother.” They also believed the Great Spirit made the world.  

Rebellion 1776

In the spring of 1776, thirteen-year-old Elsbeth Culpepper wakes to the sound of cannons. It’s the Siege of Boston, the Patriots’ massive drive to push the Loyalists out that turns the city into a chaotic war zone. Elsbeth’s father—her only living relative—has gone missing, leaving her alone and adrift in a broken town while desperately seeking employment to avoid the orphanage.

Just when things couldn’t feel worse, the smallpox epidemic sweeps across Boston. Now, Bostonians must fight for their lives against an invisible enemy in addition to the visible one. While a treatment is being frantically fine-tuned, thousands of people rush in from the countryside begging for inoculation. At the same time, others refuse protection, for the treatment is crude at best and at times more dangerous than the disease itself.

Elsbeth, who had smallpox as a small child and is now immune, finds work taking care of a large, wealthy family with discord of their own as they await a turn at inoculation. But as the epidemic and the revolution rage on, will she find her father? 

Rebellion 1776 gives readers a unique perspective on how the revolution affected ordinary people’s lives. Readers will sympathize with many characters, especially those thrust into difficult situations through no fault of their own. Since the book is told from Elsbeth’s point of view, it reveals how perilous her life is as a parentless, penniless girl. Though smart and strong, Elsbeth’s fear drives her to dishonesty and manipulation. She knows that without employment, she will lose both food and shelter—with no one to turn to for help. 

The story thrusts readers into revolutionary Boston, showing what life was like for women, children, and servants. After the Patriots surround Boston, Elsbeth believes her life will return to normal. However, her father disappears, and her master leaves the city. To survive, Elsbeth agrees to work for the Pike family, where she milks cows, scrubs floors, cares for children, and performs endless chores before collapsing into bed each night. Elsbeth’s mundane existence is reflected in the book’s slow pace, leaving both her and the reader anticipating what crisis will strike next. 

Since the book centers on both Elsbeth and the Pike family, a large cast of characters appears, many only briefly. This prevents readers from connecting with most supporting characters. However, the Pikes’ ward, Hannah, befriends Elsbeth, and their friendship provides perspective on women’s treatment during the period. Mrs. Pike and her long-term servant similarly highlight how women lacked control over their lives. Despite these constraints, Elsbeth and Hannah dream of making their own choices, a desire readers will empathize with. 

Smallpox drives much of the story, and Elsbeth often reflects on losing her mother and siblings to the disease. When the Pike family is inoculated, Elsbeth cares for them during their recovery. Hannah, believing she had survived smallpox as a child, discovers she was misinformed and contracts the disease. The progression of her illness and subsequent death may be traumatic for some readers. 

Rebellion 1776 will captivate readers who enjoy historical fiction or want to learn more about the American Revolution. The story’s slow pace and large cast make it best suited for strong readers already interested in the period. Elsbeth’s story shows how smallpox destroys families but ends hopefully—Elsbeth reunites with her father and receives the opportunity to fulfill her dream of becoming a seamstress. 

Sexual Content 

  • Elsbeth’s closest friend Shubel joins the military. Before he leaves, the two say goodbye. “I looked deep into the turnip’s eyes, and he looked into mine. . . and by the time we blinked, we’d become close in such a dazzling manner that I swear sparks were shooting from our fingertips.” Later, the two get married. 

Violence 

  • Elsbeth hides under a table when the Patriot cannons begin bombarding Boston. 
  • The Boston Massacre is mentioned. “British soldiers had fired into a crowd of ordinary folks, killing some and wounding more.” 
  • Elsbeth receives a letter from her father. It reads: “I was attacked by a group of sailors who kidnapped me—pressed me into service for the King. . . I fought hard—broken arm still healing. . . My knee is better.” He later returns to Boston. 
  • Elsbeth is milking a cow when a scoundrel named Billy Rawdon shows up and threatens her with a knife. He grabs her, and when she tries to get free, Billy “painfully pressed the blade against my neck, cutting me. I shuddered in pain and stilled myself. . . A drop of blood trickled down my neck from the cut.” Billy soon leaves.  
  • Thomas, one of the Pikes’ children, runs away and joins Captain Hunter, who was a privateer trying to capture a ship. The man was “shot in the heart, Captain Hunter died shortly before the Defiance sank to the bottom of the sea.” Thomas survives and makes it home. 

Drugs and Alcohol 

  • An older gentleman drinks from a flask of wine. 
  • Mr. Pike takes “powder from the megrim” for headaches and “drinks decoction for his sour stomach.” 
  • Elsbeth goes to Sign of the Wolf tavern to meet a man who claims to know her father. The inn smells like sour ale. 
  • When the Pike family has smallpox, Elsbeth goes to the apothecary, who gives her “bark from a willow tree, Peruvian bark, yellow moss from an ash tree, juniper berries, nutmeg, and a vial of castoreum oil.” 
  • Hannah, a young girl who is living with the Pikes, gets smallpox. The doctor gives her laudanum for her pain. Afterwards, Elsbeth puts red silk around Hannah because “the color red helped fight the pox.” 

Language 

  • Often, the characters call each other names and refer to others in a mean way. Because of the frequency and number, the list is incomplete.  
  • A girl calls her brother “a warty-faced whale” and “a slimy weasel.” 
  • Elsbeth works for an older gentleman who often calls her names, such as “a blockhead kitchen maid,” “sniveling featherbrain,” “idle dolt,” and “a pockmarked, slothful wench best suited for farmwork.” 
  • When Elsbeth goes to see her father at work, another worker calls her a “rebel brat.” 
  • Elsbeth thinks her father is a “dunderhead.” 
  • A man calls someone a “blasted devil.” 
  • Elsbeth often calls others names such as “muttonhead,” “nincompoop,” “foggy-brained numbskull,” and “a snake-bellied son-of-the-devil.” 
  • Pissed is used twice. 
  • Creative explanations are often used, and not all are included. These include “tarnal maggots and lice,” “blast and tarnation,” “drat,” and many, many more.  
  • A young woman refers to her guardian as “Captain Fizzlefart, but not to his face.”

Supernatural 

  • A woman mentions that when it thunders during a snowstorm, it’s a good omen.

Spiritual Content 

  • When Mr. Pike’s family arrives, he says, “Praise God’s mercy.” 
  • Hannah believes “owls take messages to the dead. . . When Grandmamma hears one, she always opens a window and whispers a few words for the owl to take to the ghost of my grandfather.” Later, she dies, and Elsbeth sees two owls and whispers a message for them to take Hannah.” 
  • When one of Mr. Pike’s children runs off, Elsbeth “prayed only for his safety.” 
  • When the Pike family heard about the smallpox inoculations, they “went to church for a special prayer service.” 
  • Mrs. Pike doesn’t want to have her children vaccinated against smallpox. She asks, “What about faith? Smallpox is God’s will, so we ought not tamper with it.” His daughter argues, saying that Mr. Pike takes other medication for headaches and a “sour stomach.” In the end, the Pike family is inoculated against smallpox. 
  • Part of the Declaration of Independence is read. “. . . and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitled them. . . all men are created equal, that they are endowed by their Creator with certain unalienable Rights. . .”
  • After reading the Declaration of Independence, a man says, “God save our American States!” 
  • Elsbeth writes a letter that ends with “I pray to our Lord to preserve you, body & spirit.” 
  • Hannah gets smallpox. As Elsbeth cares for her, she prays, “Please don’t let her die, please give her strength, please take away the pain.”

Canon Fodder

The Runaways may have been a superhero team once, but they haven’t been one in a long time. Now, they feel as though they have their lives together, even if they’re not using their powers to fulfill their supposed responsibilities. Karolina has discovered her passion for saving people along with her girlfriend and fellow Runaway, Nico. She wants to use her powers to make the world better, especially when they meet Doc Justice.

Doc Justice is a big deal in Los Angeles. He single-handedly built the J-Team from the ground up, and although most of the old team members are deceased, he has never stopped fighting crime. He is an inspiration to the Runaways, especially Victor, who grew up hearing stories about the great Doc Justice. So, when Karolina and Nico bring news that Doc Justice has invited the Runaways to live with him, they cannot refuse a chance to meet their idol.

The Runaways move into Doc Justice’s mansion, and soon, he’s recruiting them for a new J-Team, complete with the old costumes and monikers. Soon enough, all of Los Angeles is in love with their new superhero team. Excited to finally use their powers for greater things and to have stable leadership, the Runaways go along with it — except for Gert.

Gert doesn’t have special powers, but she has never felt excluded. She is left at home again and again with Doc Justice’s assistant, Matthew. Feeling useless, Gert asks Matthew to train her in the art of mission control. Along the way, she learns about the old J-Team and their deaths. As it turns out, Doc Justice isn’t the good guy the Runaways think he is, and it was no accident that his past teams have fallen apart. Despite not possessing superpowers, Gert is determined to stop Doc Justice and save her friends.

Canon Fodder focuses more on Gert than previous issues did, and she proves to be inspiring, fantastically stubborn, and genuinely kind. She is the only member of the Runaways without superpowers, but she proves to be invaluable because she’s the only one who figures out Doc Justice’s secrets. Additionally, she does so while sincerely doubting herself and her role on the team, which is relatable for teenagers. Even after defeating Doc Justice, she still feels off-kilter, and while she’s more confident in her abilities, she doesn’t see herself as worth anything to her team.

Overall, Canon Fodder has a more somber tone than the other books in the series, as it explores heavier themes such as betrayal, deception, murder, and self-doubt. There’s more death and violence in this issue than in the others. Doc Justice’s deceased teammates and the manipulation of the Runaways add depth to the story, making the characters more complex and interesting.

The fifth volume of The Runaways is divided into six parts, each of which builds the overall narrative and allows the reader to gain insight into each character. As with all comics, this one can be confusing at times, with numerous references to the broader Marvel universe. This means that readers unfamiliar with Marvel may be a little discombobulated while reading. However, this doesn’t detract from the story, which has an easily comprehensible plot and simple language.

Canon Fodder is filled with beautiful illustrations that highlight the characters’ best features and fantastical, magical battles. The panels alternate between close-ups and wide shots, designed to capture the scene and the characters’ expressions perfectly. Although events that occur simultaneously are depicted, they can occasionally be confusing when determining where to look based on the page layout. However, this doesn’t distract from the detailed artwork on each page.

Readers who enjoy superhero teams, vicious villains, and found families will love the fierce action, creatively designed costumes, and brave curiosity in the fifth volume of The Runaways. This graphic novel emphasizes themes of loyalty and hope, while also serving as a cautionary tale about the dangers of ambition. Doc Justice is a twisted villain who challenges the Runaways perfectly, forcing them to grow up and learn how to trust one another. Overall, this is a beautiful story with a brutal message: trust needs to be hard-earned and is not easily given, especially when you’re learning how to be an adult.

Sexual Content

  • None

Violence

  • While Nico and Karolina are patrolling for crime, they are attacked by bad guys. A new superhero, Doc Justice, shows up and saves the two Runaways. He punches and chokes the three bad guys. The two that he punches have blood flying from their mouths. The three are just unconscious by the end of the fight.
  • As the Runaways begin fighting crime alongside Doc Justice, a montage of the Runaways is shown, lifting cars, firing lasers at unseen villains, and punching bad guys. There is no blood, and it is implied that no one dies.
  • After saving Los Angeles a few times, Doc Justice decides to train Nico in physical combat, since she struggles to control her staff. There are a few panels with Nico and Doc sparring. There is no blood, and no one is injured.
  • When Gib is incorporated into the team they’re building, he wears a costume, and there is a panel with supposed bad guys shooting guns at him. The bullets bounce off him, and no one is hurt.
  • While battling Doc’s old teammate, Doc Justice shows the team his true selfish colors. He sends Karolina off to her death. When Gert notices, she sends Old Lace, their pet dinosaur, after him. Doc Justice rips apart a solar panel and attacks Old Lace with it when she’s protecting Karolina. Old Lace flies backwards, with blood dripping from her mouth. Old Lace heals eventually.
  • In response to Doc’s actions, Victor blasts him with electricity. Doc falls backwards, and Old Lace jumps up and grabs Doc with her teeth. There is no blood, but Old Lace drags him into darkness, and it’s implied that he dies.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The Runaways are a teenage group of superheroes, so, naturally, many of them possess magic or supernatural abilities. Nico, the Runaways’ magician, casts spells to solve their problems. When Nico and Karolina are trying to return to the Runaways’ hideout, they encounter a construction crew working on the mountain blocking their way. Nico calls Chase and says, “You’re pretty free and easy with the magic when you’re not the one casting spells.”
  • Nico summons the Staff of One, and golden rays of magic shine from her body and from the staff as she casts the spell “End of Shift!” that gets rid of the construction crew.
  • Karolina, the Runaways’ resident alien, can fly and shoot rainbow colored energy from her palms that act like lasers or lightning. When Nico and Karolina return from patrolling the streets for crime, Karolina confesses that “there [had] been some flying. Yes.” She is depicted as flying and rainbow-colored on many pages.
  • Molly, the youngest Runaway, has super strength and is invincible. She is often depicted performing a superhero landing (landing from high heights without a scratch) and punching through walls.
  • Gib, the newest addition to the Runaways, needs souls to sustain him. There is a series of three panels where Old Lace, the Runaways’ pet dinosaur, gives Gib a dead cat. The only way we know the cat is dead is because it’s limp – there is no blood or gore. Pink rays of light and sparkles flow from the cat to Gib, nourishing him.
  • When the Runaways fail at incorporating Gert into their team, Chase apologizes to Gert. Chase feels sorry because Gert’s old psychic link to Old Lace shifted to him. Gert says, “Look, I’m the one who shifted Old Lace’s bond to you before I died. It was the right thing to do in the moment.” The psychic bond enables Old Lace to form a connection with both Gert and Chase, protecting them when they’re in trouble.
  • With Doc Justice, the team goes after an environmental activist and an old member of Doc’s team. She can control lightning and blasts it at Karolina. The lightning bolts are blue and flying around her when she does so.
  • After the Runaways’ battle with Doc Justice, he lies on the floor, passed out. Gib approaches him, and the same pink light and sparkles surround him, drawing Doc’s soul to him and feeding Gib.

Spiritual Content

  • None

by Kate Schuyler

The Notorious Benedict Arnold: A True Story of Adventure, Heroism & Treachery

Most people know that Benedict Arnold was America’s first, most notorious traitor. Few know that he was also one of its greatest Revolutionary War heroes. 

Steve Sheinkin’s accessible biography, The Notorious Benedict Arnold, introduces young readers to the real Arnold: reckless, heroic, and driven. Packed with first-person accounts, astonishing American Revolution battle scenes, and surprising twists, this is a gripping and true adventure tale from history. 

The Notorious Benedict Arnold begins with Arnold’s childhood, showing how his father’s downfall led Arnold to desperately seek the attention and approval of others throughout his life. As an adult, Arnold was a wealthy merchant who understood that when the British began taxing Americans, he had to fight this injustice. However, his motivations went beyond patriotism: “Yes, he believed in the cause of American independence, but there was much more to it. War would be a heaven-sent chance to wipe out the marks against him, to soar up and over everyone who’d ever dared to judge him.” 

Arnold refused to wait for others to take action and hatched a plan to attack the fort in Quebec, Canada. Traveling through untamed land was excruciatingly difficult, and Arnold’s men almost starved to death. Despite these harsh conditions, Arnold and his men successfully took the fort. On the battlefield, Arnold’s reckless fearlessness helped him win battles, though many disliked him, refused to take orders from him, and spread false rumors about him. When Arnold returned home, however, “people who recently considered themselves too good to associate with him were now coming over uninvited, just to ask how he was, congratulate him, and wish him well.” 

Rather than portraying Arnold as simply a heinous traitor who almost handed George Washington over to the British, the book weaves a compelling story showing how Arnold’s intelligence, bravery, and recklessness allowed him to win one of the most decisive battles in the American Revolution. Readers come to understand not only Arnold’s motivations but also the political workings of the time and how they affected his military career. Many readers will ultimately feel compassion for Arnold, whose craving for recognition and approval brought about his downfall. 

The Saratoga battlefield monument perfectly symbolizes Arnold’s complicated legacy in American history. It features “a small stone sculpture of a lower left leg. No person, just a tall boot. A plaque reads: In memory of the most brilliant soldier of the Continental Army who was desperately wounded on this spot. . . winning for his countrymen the decisive battle of the American Revolution.’ Nowhere does the monument mention the name Benedict Arnold.” This anonymous tribute captures the tragedy of a man who was simultaneously one of America’s greatest heroes and most infamous traitors. 

Although The Notorious Benedict Arnold is non-fiction, it reads like an exciting adventure that is hard to put down. Even though everyone knows how Arnold’s story ends, learning the facts about his military history and interactions with other important historical figures proves enlightening. Readers gain new understanding of the political leaders of the time and discover why Arnold ultimately turned against the Americans. 

The Notorious Benedict Arnold will appeal to readers who love fast-paced adventures featuring exciting battles, political maneuvering, and the quest for freedom. While everyone remembers Benedict Arnold’s treachery, this book reminds us that he was also one of America’s greatest military heroes—a complex legacy that continues to fascinate readers today. 

Sexual Content 

  • One American general, “spent his nights. . . singing and drinking and amusing himself in the company of the wife of a commissary, who was his mistress and, like him, loved champagne.” 
  • A song popular among the British soldiers had these lyrics: “Sir William, he snug as a flea, / Lay all this time a-snoring; / Nor dreamed of harm as he lay warm / In bed with Mrs. Loring.” 

Violence 

  • The book includes frequent violence, which shows Benedict Arnold’s fierce temper as well as the Americans’ struggle with the British and the Revolutionary War. Not every instance of violence is included below.  
  • The book begins with a description of a hanging. “The prisoner would have to climb onto a wagon with the rope looped around his throat. Horses would jerk the wagon forward, and he would tumble off the back. The force of his falling weight should be enough to snap a man’s neck.” 
  • As a teen, Benedict was embarrassed and angry that his father had lost the family’s wealth. During a celebration, “Benedict got his hands on a purchase of gunpowder, dumped the powder down the barrel of a small cannon on the town green, followed it up with a lit match, and leaped backward. He yelled ‘Huzza!’ as the cannon spit fire past his face.” 
  • A French gentleman was interested in Benedict’s sister Hannah. Benedict warned the man to stay away. When Benedict came home and saw the man in his house, Benedict and his friend devised a plan. “While the friend walked toward the door, Arnold loaded and cocked a pistol and crouched in the shrubs beneath the window. The friend opened the door. . . Thinking it was Hannah’s overprotective brother, the Frenchman leaped from the couch, tripped to the window, lifted the glass, jumped out, and sprinted down the street. Arnold took a shot toward the bouncing figure, purposely aiming just a little high.” The Frenchman never returned. 
  • One of Benedict’s sailors, Boles, planned on informing the authorities that Benedict was not paying British taxes. Benedict told Boles to leave town. When Boles was found in a tavern, a group of sailors “dragged Boles outside and across the street to the whipping post, where, in Arnold’s words, Boles received nearly forty lashes with a small cord.” Then Arnold’s crew carried Boles to the edge of town and dumped him on the muddy road. 
  • Daniel Morgan was “a leader of a group of volunteers from the woods of Virginia. . . Morgan annoyed a British officer, who responded by slapping Morgan with the flat side of his sword. Morgan turned and decked the officer, for which he was sentenced to receive 500 lashes. Morgan stood, teeth clenched, while they slashed his back into strips of pulpy flesh.” Morgan healed but was badly scarred. 
  • The Americans invaded a British fort in Canada. When American artillery fired, “explosions blew off arms and legs, shells ripped open the buildings, sending brick and glass spinning through the crowded space.” The British surrendered. 
  • The Americans attack a fort in Quebec. A group of soldiers was going through a barricade, when a cannon exploded, “shooting flames and a swarm of grapeshot. . . Montgomery [the commander] was struck in both thighs, his cheek, his head, and was dead before he hit the snow. Eight other soldiers were killed by the blast.” 
  • During the attack, Arnold “felt something rip through the flesh below his knee. . . Arnold fell, got up, stumbled to the wall and leaned, unable to put any weight on the leg. Blood flowered in his boot and gurgled out into the snow.” Arnold survived his wounds. 
  • During one battle, many Americans were injured. “John Lamb was shot in the cheek. He pulled out a handkerchief, tied up the hole in his face, and went on firing. Archibald Steele had two fingers blown off his hand. . .” The Americans were forced to surrender.  
  • During a battle between the British and the Americans, Dyer, an American soldier, accidentally killed himself when he “rammed a new gunpowder cartridge into a muzzle, the other men heard an explosion, and saw Dyer blown overboard. His body bobbed in the water, the sponging rod blown clear through his chest. A few feet away floated his hands.” 
  • Later during the same battle, “cannonballs crashed into ships on both sides, sending limbs flying, leaving dead and unconscious men lying in spreading puddles of blood.”  
  • After the battle, the Americans set their ships on fire and they exploded, “killing a badly wounded officer who’d been left behind in the chaos. The men watched his broken body tumble high into the air and crash down in the lake.” 
  • During an extended battle, about 600 British and 300 American soldiers were killed. “Wounded men lay all over the battlefield, calling out for help, crying for a drink of water. . . British burial parties quickly dug pits and dumped in the dead, leaving arms, legs, and even heads above ground. Wolves feasted that night on the dead and dying.” 
  • British General Grey led an attack on Philadelphia that came to be known as the Paoli Massacre. People “could hear the sounds of steel blades plunging through flesh, and the cries of dying men. . . Grey’s men went on thrusting and slicing, even after the Americans tried to surrender.” 
  • Andre, a British officer, was accused of spying and hanged. “Andre grabbed [the noose] and placed the loop around his own neck, drew tight the knot. He took a handkerchief from his pocket and tied it over his eyes. . . His body swung gently at the end of the rope. ‘In a few minutes,’ said one soldier, ‘he hung entirely still.’” 

Drugs and Alcohol 

  • After two of his children died and his business collapsed, Benedict’s father turned to alcohol. Captain Arnold had “always enjoyed his rum,” but after the tragedy, he started drinking more frequently and heavily. 
  • Captain Arnold’s drinking became a constant problem. “Night after humiliating night, the younger Arnold was sent out to search the waterfront taverns for his father. He often had to literally drag the goading, puking, crying man through the streets to their home.” 
  • Arnold became an apprentice and learned how to make “various cold cures and an aphrodisiac called ‘Francis’ Female Elixir.” 
  • Benedict goes to a tavern. “He could hear men inside shouting in drunken voices. . . He could smell the sour stink of booze-soaked floors. Arnold hated the smell, and he had a reason to hate it.” 
  • British prisoners of war were given a meal and “pitchers of rum.” 
  • While Arnold was in Philadelphia on military business, he filled his mansion with “expensive food and wine.” During this time, Arnold was spending time with an unmarried woman. He sent this woman’s father “a few nice bottles of wine.” 
  • To convince two brothers to row to a British ship and bring Andre, a British officer, back, the brothers were given “big cups of rum.” 
  • After taking over a fort, the Green Mountain Boys, a group of American rebels, “found ninety gallons of rum in the supply room and decided to drink it all.” 

Language 

  • Damn is used infrequently. For example, a man tells Benedict, “You are a damned Yankee, destitute of good manners or those of a gentleman.” 
  • While taking over a fort, an American tells a Red Coat, “Come out of there! Come out, you damned old rat!” 
  • “Good God” and “by God” are both used as an exclamation once.  
  • Goddamn is used twice. For example, after a battle, a soldier said, “Goddamn you!” 
  • A British prisoner called the locals “perfidious dastards” and “a greasy committee of worsted-stocking knaves.” 
  • After a battle that the Americans won, a general said, “If Old England is not by this lesson taught humility, then she is an obstinate old slut, bent upon her ruin.” 

Supernatural 

  • None  

Spiritual Content 

  • While Benedict was in boarding school, he received a letter from his mother informing him that the family was sick with yellow fever. She wrote, “What God is about to do with us I know not. We have a very uncertain stay in this world.” Two of Benedict’s sisters died. 
  • Arnold and a group of men demand to be given the colony’s supply of gunpowder. When a man refuses to give it to the group, Benedict yells, “None but Almighty God shall prevent my marching!” 
  • While taking over a garrison, the British are told to surrender “in the name of the Great Jehovah and the Continental Congress.” 
  • When Arnold showed up on the battlefield, he told the soldiers, “God bless you. . . If the day is long enough, we’ll have them all in hell before night.” 
  • When two American soldiers arrested a British officer, he said, “God bless my soul.” 
  • When Benedict Arnold’s plot to have the British attack West Point failed, some believed it was the “hand of God.”  

Game Seven

Julio Ramirez Jr. lives in the shadow of his famous father. Not just because Julio Senior is a pitcher for the Miami Marlins and famous for his scorching fastball, but because he defected from Cuba, leaving Julio and his sister and mother branded as the family of a traitor. Now sixteen, Julio has dreams of playing shortstop for Cuba’s national team—until he’s given the opportunity to sail to the U.S. Can he abandon his family, just like his Papi did? Is freedom worth the perilous journey and risking prison if he’s caught? Will his Papi be waiting for him on the other shore—or, with the Marlins in the World Series against the Yankees, has Julio Senior forgotten all about his son? 

When his father defected, Julio’s life changed for the worse. It’s bad enough that he and his mother must work to eke out a living, but now his father’s actions might keep Julio from his baseball dreams. Dealing with the loss of his father, poverty, and a hopeless future causes a myriad of emotions that the teen isn’t sure how to handle. Then, in a blink, everything changes when Julio is given the opportunity to escape Cuba with his uncle and cousin. Despite the difficulties, Julio’s mother supports his decision to leave, saying, “Make your decision and know that I love you. I’ll always love you, no matter what.” 

Most of Game Seven chronicles Julio’s escape from Cuba and his anger at being abandoned by his father. During the dangerous journey, Julio listens to the Marlins playing in the World Series on a transistor radio. Listening to the games fuels his anger and isolates him from his family, who believe his father can do no wrong. At one point, Julio thinks, “All I knew was that Papi was about to be a hero in front of the whole world, and I didn’t want to hear it happen.” While Julio’s circumstances are unique, readers will relate to his conflicting emotions and the difficulty of his decision to leave Cuba. 

Julio’s story will force readers to consider the value of family, loyalty, and freedom. The narrative never tells readers what to think but shows the complexity of Julio’s decision. Readers will empathize with his desire to stay with his mother and sister while also desperately wanting freedom. Because Julio and the others are traveling in a Buick converted into a boat, there is added peril. However, most of the book’s conflict is internal, and the only baseball action appears in brief radio broadcasts of the World Series. While the cover art featuring a boy playing baseball is misleading, Game Seven is still worth reading because readers can relate to Julio’s desire to reach his goal. 

Game Seven uses Julio’s family dynamics, his dream of playing baseball, and his dangerous escape from Cuba to craft an entertaining story that fosters empathy for refugees. However, the plot’s focus on the teen’s inner turmoil might deter some readers from finishing. Still, because many major league baseball greats have defected from Cuba, Game Seven offers a valuable perspective for baseball fans. To learn how sports can give people hope, sports enthusiasts may also want to read Heat by Mike Lupica, Outcasts United by Warren St. John, and Now is the Time for Running by Michael Williams. 

Sexual Content 

  • Julio’s father left Cuba and did not contact his family for years. Julio “remembered Mama’s words about Papi. About how there was no way he was alone, living without a woman.” Afterward, Julio discovers his father has another child. “The stork didn’t drop him on Papi’s doorstep one day. He got here by Papi doing my mama wrong.”  
  • When Julio and his family make it safely to Florida, they stay at a housing complex. Julio’s cousin sees a swimming pool and says, “That must be where the honeys go sunbathing in bikinis. Maybe even topless.” 
  • Julio hears commercials for everything, including beer and “pills to keep older guys ready for sex.” 

Violence 

  • None

Drugs and Alcohol 

  • One of the baseball coaches smokes a cigar. 

Language 

  • Profanity is used occasionally. Profanity includes ass, bastard, damn, pissed, shit, and holy crap. 
  • Julio refers to one of the baseball coaches as a “blowhard.”  
  • Julio’s cousin refers to a coach as a “fat swine.” 

Supernatural 

  • None 

Spiritual Content 

  • Julio’s cousin, Luis, “would always say his prayers before bed. Like a little kid, he’d get on his knees with his hands clasped in front of him and close his eyes. Then his mouth would move with no sound coming out, until he was finished.” However, Julio doesn’t pray. He believes “God already knows what we want. Why should I bother Him?” 
  • Julio, his cousin, and his uncle flee Cuba with a man named Gabriel, who acts as their guide. They pray before they embark on the trip.  
  • When Gabriel was a teenager, he tried to leave Cuba. Before trying to escape Cuba, Gabriel’s family went to church to pray. “The priest even gave me my first Communion—the body and blood.” There were eight people on the raft; three people died in the ocean. An older woman died after being caught. The others were put in prison.  
  • On the trip, Julio occasionally prays. For example, “I was praying [the boat’s] tip would lead us straight to the States.” 
  • While in a car that was transformed into a boat, Julio thinks, “It was only God who was above us, however, He laid out the currents and weather in our path.”  
  • Julio’s baseball coach says, “But talent without heart—that’s talent ’sjust a waste of a God-given gift.” 
  • Right before Julio and his family flee Cuba, Julio goes through thick brush, “praying I was still going in the right direction.” 
  • When Uncle Ramon was young, “[his] mother told [him] thunder was the angels bowling in heaven. That it was the sound of them knocking down all ten pins, getting a strike.” 
  • Julio’s cousin asks if it’s okay to pray to win a baseball game. His father replies, “If it isn’t, I earned a ticket to hell before I was fifteen.”  
  • When the guide gets Julio and his family safely to Florida, Uncle Ramon says, “Now that those prayers have been answered, I think we should give thanks.” As they prayed, Julio “prayed [his half-brother] would never lose faith in Papi the way I had, even if I was going to be jealous of that.” 

Dark Rise

In 19th-century London, sixteen-year-old Will Kempen leads a quiet life, closely monitored by his overprotective mother. But when a mysterious group kills her, Will goes on the run and finally learns the truth about the world, his family, and his own identity.  

Long ago, a devastating war raged between the forces of Light and Dark, resulting in the complete destruction of magic—until the present day, when the dead heroes and villains are reborn to reclaim their destiny. Most important is Will. Born from the blood of the Lady, he is prophesied to one day defeat the Dark King. Joining the Stewards, an ancient class of warriors, Will fights against the Dark King’s rise, only to realize that the line between good and evil might not be so clear after all.  

In the beginning, Will is a likable protagonist who is easy to root for. Despite his harsh surroundings, he maintains a kind nature. For example, he warns an opponent of a deadly booby trap even after they try to kill him. However, Will’s character arc takes an unexpected turn. Set up to become the chosen savior, he ends the story as a morally gray figure shrouded in mystery. In a shocking plot twist, Will realizes he is not of the Lady’s blood—he is the reincarnation of the Dark King.  

Some readers may find Will’s past life unforgivable, regardless of the good he does in his current life. While the specifics of the war are only hinted at, readers can infer there were great casualties. Furthermore, despite swearing to kill the Dark King, Will keeps his identity a secret, allowing the Stewards to continue believing their greatest enemy is their savior. However, there are also hints that the war was more complex than the Stewards’ framing of Light versus Dark or Good versus Evil. Considering Will’s kind nature, it is plausible that the Stewards conducted a smear campaign against the Dark King to further their agenda. Since Dark Rise is the first entry in a trilogy, much of the war remains a mystery, leaving Will’s character morally gray at best.  

Initially presented as Will’s love interest, Katherine Kent is revealed to be the true blood of the Lady. She is kind and innocent, yet unafraid to make bold moves to protect the people she loves. For example, she breaks off her engagement after her sister’s safety is threatened and immediately fights Will after learning his true identity. James St. Clair, the Dark King’s reborn right-hand man, follows a similar role reversal. He is initially presented as Will’s enemy but emerges as a possible future love interest. While rules and righteousness stifle the surrounding cast, James is the most dynamic character, often taunting the Stewards and exposing flaws in their morality. Like Will, James had no choice in the role he was born into, but he copes with the opposite response: embracing and even enjoying his perceived villainy.  

Readers will enjoy the fast-paced plot and the building tension between Will, Katherine, and James as they unravel layers of their shared yet unknown past. Dark Rise is told in the third person, with each chapter narrated from a different point of view, but it primarily focuses on Will, Katherine, and their friends in the Stewards. The book would be improved if it focused exclusively on Will, Katherine, and James, but the good outshines the bad. Plot lines from the supporting characters exist only to support the main storyline and are largely forgettable. The most entertaining scenes happen when James is present, causing trouble for the main characters through battles of magic or wits. For example, when the Stewards capture James, he gains the upper hand by strategically revealing information that will cause conflict among the Stewards.   

Overall, Dark Rise offers an interesting take on the Chosen One trope: the hero becomes the villain, the villain becomes the love interest, and the love interest becomes the hero. It explores themes of indoctrination, generational burden, and systemic corruption against a fantasy backdrop while providing mostly fascinating characters to keep readers emotionally invested. Readers who enjoy young adult and dark fantasy will enjoy this book.      

Sexual Content     

  • Will has a spiritual attraction to Katherine. When he reflects on his early meeting with her, he emphasizes “how drawn he had been to her.”   
  • Katherine initiates a kiss with Will, who is reluctant. The kiss helps Katherine unlock her magical powers. As Katherine describes, she “moved in towards Will. . . around her light started to shine as if his touch was conjuring it. . . Will jerked back.”   
  • Will thinks James is a “golden beauty, he might have been carved from fine marble.”    
  • Will’s and James’ past life counterparts – the Dark King and Anharion – are implied to have a sexual relationship. It is mentioned that “[Anharion] kissed the Dark King’s lips.”      

Violence     

  • Will suppresses the traumatic memory of his mother’s assassination for most of the book. However, Will has a flashback about when he arrives home to find his mother “bleeding in the garden behind the house, three dead men on the ground, and more men on the way.” His mother asked for a knife, then she “plunged the knife towards his throat. . .  the knife had gone through his palm instead of his neck. . . he’d pushed her off, gasping in air and clutching his bleeding palm to his chest. . . ” Will flees, and his mother presumably dies of blood loss. The emotional flashback lasts three pages.   
  • Violet, a friend of Will’s, abandons the Dark for the Light after overhearing her father’s plan to sacrifice her to help her older brother, because “[Violet’s brother] can’t come into his true power without killing another like him.”   
  • When Katherine learns Will’s identity, she grabs the ancient artifact that originally defeated the Dark King – the Sword of the Champion – hoping to use it to kill Will. Will warns her that the Dark King’s blood corrupted the sword, and now it will kill Katherine. Katherine assumes he is lying, grabs the sword, and quickly dies. Will describes, “black webbing raced toward her heart. . . she collapsed, pale and cold.” Readers may not feel much sympathy for Katherine, as her death was avoidable if she had not jumped to conclusions and condemned a close friend.   
  • Simon is the main villain and the leader of the efforts to revive the Dark King. He ironically attempts to kill Will under the mistaken assumption that he is the blood of the Lady. Simon wields the Dark King’s sword against Will, which does not work. Then Will stabs Simon, narrating Simon’s death with factual detachment. He describes understanding “the resistance of the body, the strength of muscle and sinew that it took to push the weapon in. . . when [Simon] opened his mouth, blood and not words came out of it.”   
  • Will, along with two Stewards, Violet and Cyprian, plan an unsuccessful sneak attack on James. Cyprian is a Steward who is friendly with both Will and Violet. Using his powers, James throws Violet “violently upward, hitting the ceiling with a cry” and sends Cyprian “flying backward across the room to hit the wall with a sick smash.” Will is not harmed, only “yanked down to his knees and held there.”  Due to their superhuman strength, Violet and Cyprian do not sustain any long-term injuries.  

Drugs and Alcohol     

  • Background characters, like the ship hands, drink beer. However, the main cast does not partake.      

Language    

  • A Steward compares a deserted wasteland to hell.   
  • God is frequently used to express surprise. For example, after learning he killed Will’s mother, Simon taunts, “My God, what is this? Some pitiful boy’s revenge?” 
  • Behind her back, Violet’s father calls her “stupid mongrel” and “bastard girl.”     

Supernatural    

  • There is a world of magic, divided between Light and Dark forces. Characters possess a wide range of abilities.  
  • The Dark King can control minds and revive the dead. The Dark King died before the events of the story, so he is not depicted using his powers. However, it is stated that the Dark King can “draw people to him and wrap them into the shape he wanted.”   
  • The Stewards are extremely strong and can withstand significant damage. For example, Violet is shocked the first time she sees them fight. They “had a strength and speed that wasn’t – that couldn’t be – natural.” A Steward “pushed one of the half-ton crates out of her way with one hand, which was impossible.”   
  • James can move things with his mind. For example, Will unties a rope, causing a crane to fall over James. James “flung out his hand and the crane abruptly stopped, frozen abruptly in the air.”   
  • There are cursed artifacts that carry spells. A collar is cursed to make James obedient to the Dark King, if worn. James does not wear it. However, his counterpart Anharion did, which is a possible explanation for his loyalty to the Dark King, but the past life largely remains a mystery. The Sword of the Champion is also cursed to kill Katherine.     

Spiritual Content     

  • None 

by Kerry Lum  

Come Away with Me

The Runaways are still recovering from their superhero adventures, and as a result, their trust issues have worsened. All of them blame themselves for what’s happened, including thirteen-year-old Molly. She visits Krakoa’s website for more information on their sanctuary for super-powered individuals. The Runaways barely have time to recover from Doc Justice’s manipulations when two X-Men from Krakoa show up at their door, claiming to have emails from Molly that imply she needs rescuing.

The X-Men, named Wolverine and Pixie, try to take Molly to Krakoa by force, but the Runaways rescue her. The whole thing turns out to be a misunderstanding, but they realize that if the emails didn’t come from Molly, they came from another mutant in trouble. The Runaways do not trust adults, but they always come to the rescue of kids in danger. So, they team up with the X-Men to find the lost mutant.

After fighting crazy monsters, traversing through a strange dream world, and making peace amongst each other, the Runaways and the X-Men find the mutant. The X-Men take the mutant to Krakoa, where she can learn her powers in a safe environment. Yet, the Runaways still have problems, and it doesn’t look good.

Chase has been sneaking out to meet a mysterious girlfriend — one who looks a little too much like Gert. Victor and Gert aren’t a couple, especially since Victor trusted Doc Justice despite Gert’s warning not to. They don’t know how to resolve their issues. Karolina is still weak from Doc Justice’s attack, and she doesn’t know how she fits into the human world. Nico is struggling with her staff yet again, and she’s beginning to worry that bartering away a piece of her soul with each spell may not have been a good idea. The Runaways are splintering more than ever. Will they stay together, or will they prove that nothing good lasts forever?

The Runaways are strong, inspiring, and relatable protagonists who are struggling to solve problems that may not have solutions. This volume focuses on each member and takes on a more defeatist tone as the Runaways struggle to stay together. Throughout the whole series, each member has struggled with their identity. This issue culminates in realizations for all of them about where and how they fit into the adult world, which is something every kid has to figure out eventually. This last volume in the series lacks cohesive subplots, and it feels like a weak conclusion to the series. The tone is consistent throughout, focusing on self-doubt and identity; however, the story is disorganized and leaves the characters without a satisfying conclusion. It’s worth reading to see how the characters overcome their challenges and how they fight with the X-Men, but it’s a disappointing finish.

The sixth volume of The Runaways is divided into six issues, each of which continues the overall narrative while providing insight into the development of each character. The narrative focuses equally on each member of the Runaways. The narrative is simple and easily comprehensible. However, it’s a Marvel comic, which means it contains numerous Marvel references. These references can make the story confusing to those unfamiliar with Marvel. The plot in this volume is somewhat fractured, and there are too many moving parts that distract from the main themes and storyline.

This graphic novel is filled with beautiful illustrations that highlight the characters’ best features and fantastical, magical battles. The panels vary between close-up and wide shots, designed to capture the scene and the expressions of the characters perfectly. Although events that occur simultaneously are depicted, they can occasionally be confusing when determining where to look based on the page layout. However, this doesn’t distract from the detailed artwork on each page.

Readers who enjoy rescues, fun characters, and complex family dynamics will love the unique magic, witty superheroes, and poignant struggles that the Runaways face in the sixth volume. This graphic novel emphasizes themes of hope, independence, and responsibility through well-developed and realistic characters. The Runaways have always had trust issues, but now they must figure out how to trust themselves, and it’s a very interesting journey to follow. Overall, this is a bittersweet story with a tragic message: sometimes problems are insurmountable, and even the best-laid plans fall apart.

Sexual Content

  • After saving a mutant in trouble, Chase sneaks out of the Runaways’ hideout to meet up with his girlfriend. They share a kiss, hands wrapped around each other, taking up a whole page in a single panel.
  • While kissing, Chase experiences a flashback to explain who his girlfriend is. Before saving the mutant in trouble, a version of Gert from the future shows up, trying to save Chase from the future. She claims she’s still in love with Chase and kisses him. Before anything more is shown, Chase snaps back to the present, where he’s kissing Gert from the future.
  • After the present, Runaway Gert has a particularly rough day at school, Victor catches up with her and apologizes for the events with Doc Justice. They have an emotional conversation, and then they kiss, cupping each other’s faces. They break the kiss and continue walking home.
  • In the Runaways’ moment of peace after saving the troubled mutant, Nico and Karolina share a kiss, both cupping each other’s faces. They are interrupted by aliens outside.

Violence

  • After the events with Doc Justice in the previous book, Molly sent an email to Krakoa, inquiring about their haven for mutants. Then, two X-Men show up at the Runaways’ door looking for Molly. They think Molly needs extrication from an abusive situation, so one of the X-Men, Wolverine, immediately starts swinging at the Runaways with his adamantium claws. Doombot and Molly work together to stop Wolverine, and no one is hurt.
  • While trying to save a mutant in trouble, the Runaways and the X-Men encounter giant monsters and fight them off. There is a lot of punching and some spraying of blood, but no one is grievously injured.
  • While future Gert has a flashback, she remembers her version of Chase becoming a supervillain. He is depicted with metal fists aflame and wearing a superpowered suit. He is in an apocalyptic wasteland, surrounded by debris and a world on fire.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The Runaways are a superhero team; therefore, most of the members have supernatural or magical abilities. They primarily deal with supernatural or magical crises, so there are depictions of supernatural content on nearly every page. As an example, the cover page depicts Karolina glowing in multiple colors and floating in space. Karolina is an alien who can fly and change colors.
  • When Gib, the newest addition to the Runaways, wants to go to high school, he transforms from a clearly non-human being (with green skin and horns) to a human form. There is no spell spoken or magic depicted. In one panel, he looks like a monster, while in another, he looks human.
  • When two X-Men show up at the Runaways’ door looking for Molly, one of them, Pixie, starts flying. Pixie has fairy wings on her back, pointed ears, black eyes, and the ability to cast magic spells. She does so several times in this graphic novel. When she says a spell, pink whorls appear around her.
  • Nico is a powerful magician with a magical staff. She casts spells numerous times in the graphic novel by speaking commands, and the staff follows her commands. Golden light surrounds her when she does so. After saving the mutant in trouble, Nico admits to Karolina that she made a deal with the magician living in the staff. Nico explains, “My ancestor trapped him in the Staff, or turned him into the Staff, I guess. He’s the one who made up the stupid rules. . . we renegotiated the terms.” In return, Nico agreed to give up a part of her soul.
  • While the Runaways team up with the X-Men to look for a mutant in trouble, they accidentally slip into a mass hallucination. In one panel, their bodies are partially invisible, depicting a passage between two realms – the real world and a dream world. In that dream world, they fight horrible monsters by casting a lot of spells. When they escape, they discover that the alternate world and the monsters are a hallucination designed for them by the mutant in trouble.
  • In a flashback, Chase reveals that he’s been dating a version of Gert from the future for quite some time. Multiple times in the novel, she tries to transport Chase to the future to save him from his fate. When she does so, she is depicted with glowing purple gloves and purple lightning flickering around them.
  • In a break between saving the mutants and the Runaways’ next crises, Gib is depicted surrounded by pink lightning and sparkles, eating the soul of a dead rat. This happens in several panels as he seems to have a group of cats that do his bidding, dropping off several dead rats with souls for Gib to absorb, then leaving.
  • After dealing with their most recent crises, the Runaways experience a moment of peace, only to be interrupted by an earthquake and the landing of an alien ship in their backyard. Aliens from Karolina’s home world reappear to take her home. They also have multicolored skin and are capable of flight.

Spiritual Content

  • When Gib, who is not human, wants to go to school with Gert and Victor, Chase protests, saying, “You look like something the Book of Revelation threw up. You can’t go to high school!”

 

by Kate Schuyler

Rebel Spirits

Lori Chase doesn’t know what to think about ghosts. She may have seen a few in the past, but those were just childish imaginings. . . right? Only now that she is living in Gettysburg, Pennsylvania, spirits seem to be on everyone’s mind. The town is obsessed with its bloody Civil War history, and the old inn that Lori’s parents run is supposedly haunted by the souls of dead soldiers. Then Lori meets one such soldier—the devastatingly handsome Nathaniel Pierce. Nathaniel’s soul cannot rest, and he desperately needs Lori’s help. Nathaniel was not killed in the famous battle. He was murdered. Lori begins to investigate the age-old mystery, stumbling upon shocking clues and secrets. At the same time, she can’t help falling for Nathaniel, just as he is falling for her. 

Though Lori knows she can see ghosts, she isn’t expecting to meet the ghost of a handsome soldier. Nathaniel’s mysterious death, haunting good looks, and introspective nature quickly captivate her. As Lori investigates his death, she learns more about the Civil War that claimed his life. She makes a compelling narrator that teenagers will relate to—like most teens, she struggles to understand her romantic feelings, is reluctant to confide in her parents, and isn’t sure who to trust with her innermost thoughts. 

To solve his murder, Nathaniel retells his involvement in a Civil War battle, including brief but gruesome descriptions of soldiers who died from their injuries. Though he has only three days to solve his murder, he doesn’t seem eager to pursue the mystery and lacks essential clues that would lead Lori to the answer. Despite this, his heartrending story, empathy for others, and affection for Lori make him a worthy love interest. 

Evan, a young man who works at Lori’s family’s bed and breakfast, helps her understand Gettysburg’s history and also becomes a love interest. At times, his cheerful personality and obvious affection for Lori overshadow Nathaniel. When he learns about Lori’s quest, Evan offers his help in a kind and respectful manner. The story feels like a weak love triangle since Nathaniel will disappear in three days, while Evan has time on his side. 

After Lori nearly dies, she asks Nathaniel, “Would you allow me to be dead so we could stay together?” He acknowledges that he doesn’t belong in her world, nor she in his, saying, “Some things are timeless, and one of them is this: Love is not selfish.” He explains how he helped save her life, then adds, “Evan Maxwell. He’s a good man, and he cares for you. Give him a corner of your heart.” This moment highlights the importance of selfless love. However, their romance develops too quickly and feels shallow—especially since Lori plans to go to dinner with Evan the day after Nathaniel leaves. 

Rebel Spirits will entertain teenagers seeking romance mixed with mystery and ghosts. However, the story lacks historical depth and could have taken place anywhere in the United States, missing opportunities to explore the Civil War and Gettysburg in detail. The spirit world’s rules are also inconsistent—Nathaniel has only three days with Lori yet afterward remains in contact with another person who sees ghosts. The conclusion feels rushed, like a puzzle whose pieces don’t quite fit. However, readers who enjoy character-driven novels will appreciate its positive message about selfless love and find it an easy, enjoyable read.   

Sexual Content 

  • Nathaniel unexpectedly kisses Lori. “Not a quick kiss on the cheek like I gave Evan, but a full kiss on the lips. My first kiss, actually. . . It’s sweet and delicious and I want it to go on and on. I close my eyes and kiss him back, and feel my insides turn to Jell-O.” 
  • Lori and Nathaniel are on a bench talking when, “He pulls me toward him, locks me in his arms, and his lips on mine are warm and firm. They taste of ginger, and I can’t get enough.” 
  • Lori is at a creek near her home when Nathaniel materializes. “He greets me with a long kiss. I want to enjoy it even more than I already do, but my mind is elsewhere. I pull back.” 
  • Lori seeks the help of Evan. As they’re talking, “he leans forward, and without much warning plants his lips on mine.” Lori thinks, “It was pretty nice, considering that he’s the second guy to kiss me today.” 
  • Lori and Nathaniel meet to say goodbye. “His arms are around me, mine around him, as if nothing could ever come between us. . . Our lips eagerly find each other, and for that brief moment, I forget that we’ll soon be torn apart.” 

Violence 

  • Nathaniel Pierce, who is a ghost, was murdered. Nathaniel turns around, and “that’s when [Lori] see[s] the torn fabric and dried blood of a gaping hole in the middle of his back.” 
  • Nathaniel talks about the war. Even though the battle had ended, “It was not the end of misery in this town where bodies of men and horses were strewn everywhere. Even more tragic were the wounded who waited for help. . . Imagine four wounded soldiers writhing in agony. They’re waiting for rescue to a field hospital, too weak, too torn apart to get there on their own.” A storm fills the creek and floods. The four soldiers die. 
  • One of the workers at the bed and breakfast won’t stay in the house after dark. She says, “. . . on quiet nights, you can still hear the screams of the soldiers having their arms and legs cut off. Without an anesthetic.” 
  • Nathaniel’s best friend’s father, Mr. Larch, worked in a mine. The man took a lantern into the mine. “He no sooner stepped off the elevator when he heard the roof rumbling. The wooden stakes. . . started buckling. . . The roof collapsed, most likely knocking the lantern out of Mr. Larch’s hand, which set off an explosion with the trapped gases.” Mr. Larch dies. 
  • After a battle, Nathaniel helps a “drummer boy, maybe fourteen, and he was a Reb. Entrails spilled out of the jagged hole in the boy’s gut. His eyes were glazed over, but when my face came close, they filled with fear.” Nathaniel took the boy to the field hospital. Soon after, another man, Henry, brought a patient to the hospital and got angry that the doctor wouldn’t help him immediately. “Henry went berserk and started throwing wild punches. Landed one on the side of the doctor’s head. I wrestled Henry to the ground.” Both patients died. 
  • During the war, people could tell the houses that were being used as hospitals “by the trail of blood up the front steps, and the arms and legs tossed out the back window. Kept dozens of civilians busy just burying the pile of limbs.” 
  • Lori’s friend Charlotte can also see ghosts. Charlotte has seen Nathaniel before. She tells Lori, “He shows up every year at this time, but he only stays until the Battle Days are over. . . It surprised me to see him. He’s usually just spirit, not flesh. You must be special for him to appear in bodily form and give you his name. Once a spirit offers his name, he’s vulnerable. He’s yours.”  
  • Lori asks Nathaniel about his family. He says, “They’re waiting to know how all this turns out. I can feel them hovering near sometimes, but they’re quiet, just waiting.” 
  • Lori finds a letter that explains how Nathaniel died. Nathaniel’s friend snuck up behind him with the intent to shoot him. The letter reads: “The wrongdoer, even in the darkest crevice of his soul, professed to be a faithful friend as he pointed his pistol. God save us from such acts of friendship.” The letter writer tries to stop the man, but “God help me, my fingers were on the trigger when the gun fired, and [Nathaniel] Pierce gasped his final, labored breath.” The letter writer accidentally shot Nathaniel. 
  • A group of people who have been looking for the ring are digging in a shed close to the bed and breakfast. The people discover Lori spying on them. Lori’s hands and legs are bound, and then one of the men, Cadmus, “gruffly tosses me onto the seat of the riding mower. The impact shoots a pain up my spine, which is already bruised. . .” Cadmus uses Chloroform to knock Lori out. 
  • Nathaniel’s gravestone is next to Jenny Wade. Jenny “was the only civilian killed during the Battle when a random bullet found her inside her sister’s house.” 

Drugs and Alcohol 

  • The Civil War doctors used Chloroform as an anesthetic. 

Language 

  • OMG, Oh God, and Oh my God are all used once.   
  • A woman says, “Lord-a-mercy.” 

Supernatural 

  • Several characters can see ghosts, and Lori has a relationship with one. When Lori gets to Gettysburg, a young man appears before her. “The dense air shimmers. Right in front of my eyes, the molecules—or whatever—form themselves into a shadowy image.” Lori and her friend have a Ouija board and a “genuine fake” crystal ball. “We charge everyone fifty cents for a glimpse into their future, a dollar if they want to hear actual knocks and squeals from the dead.” It was all fake, but then one day Lori actually saw something in the crystal ball. “A child falling out of a tree. He was twisted and motionless on the hard ground, with his glasses unbroken next to him.” The next day, she read a newspaper article about the boy’s death.  
  • Lori tells her brother about seeing a ghost. He tells her about “a tradition among the Kikongo people here in West Africa. It means the threshold between worlds. . . People here believe that after death the soul travels the path of the sun as it sets in the west. . . West Africans kidnapped as slaves believed that the kalunga line was under the Atlantic Ocean, because the living became dead when they got to the US as slaves.” 
  • A woman tells Lori that strange things happen at the bed and breakfast. “Sometimes you got to watch for dishes and such floating through the air. . . unless they’re weighed down good, and even then. Ghosts are powerful things, even if they’re all just puffs of air.” 
  • A doctor had a ring that belonged to Abe Lincoln’s son. He believed it was a lucky charm. The doctor says, “Pray to God it’ll see me through this bloody war.” On the day the doctor loses the ring, he dies. 
  • After the doctor dies, a man finds Abe Lincoln’s son’s ring. The man decides the ring is a blessing and a curse because it is “a reminder of a dear friend and of my son’s brief life. . . My prayer is that no other father or mother will be blinded by its glitter and suffer the loss of a child who wears it.” 
  • A woman finds a concealed shoe at the bed-and-breakfast. “Folks around here always used to put a well-loved child’s shoe in the wall when they built it. Supposed to hold the spirit of the child and bring good luck to the family.” 
  • Lori goes to a battleground to wait for Nathaniel. While she’s there, she hears a multitude of voices from ghosts. Lori wonders, “What part did [Nathanial] have in sharing those haunting, comforting voices with me?”  

Spiritual Content 

  • When a woman throws a lit match on the floor of the shed, Lori worries it will ignite the flammable fertilizer bags and cause them to explode. Lori prays, “Don’t let the embers ignite the whole shed.” 
  • When Cadmus orders a woman to Chloroform Lori, Lori is “praying she’ll toss the bottle out the window.” 

But You Can’t Hide

The Runaways have a home, they have jobs, and they have forgiven each other for past mistakes, but they still haven’t quite figured out how they fit into the new world that they’ve carved out for themselves. Whether it be romantic entanglements, educational journeys, or crime fighting, they’re still learning. However, they have bigger problems.

Doombot is still healing from being ripped apart by the Gibborim. When Chase tries to put him back together, he accidentally reverts Doombot to his original programming — the one infamous Marvel supervillain Dr. Doom gave him. Doombot goes berserk and attacks the Runaways.

But You Can’t Hide doesn’t give all the Runaways equal story time, but it still develops the characters. Each character is unique, inspiring, and independent. They constantly have to multitask, dealing with their personal lives and city-wide crises, like Doombot’s reboot. They learn how to grow from their various dilemmas. Alex Wilder leaves the Runaways’ hideout, and Molly follows him. Desperate to grieve for her parents, Molly bonds with Alex over their shared feeling of disconnection from the Runaways. Convinced Alex kidnapped Molly, the Runaways bring her home, leaving her feeling more adrift than ever.

Victor’s feelings for Gert intensify, and he yearns for a human body that they can both enjoy. Chase doesn’t know how to move on romantically from Gert, even though he’s had plenty of opportunities. Karolina can’t keep up with college, and nobody there understands what she’s going through. Each character must pivot and create a life outside the Runaways to improve their social-emotional health and grow as individuals.

The fourth volume of The Runaways is a graphic novel divided into six main parts, each focusing on a different character’s arc. This volume lacks a cohesive narrative thread, negatively impacting the story’s flow and making it feel more episodic than the previous issues. Additionally, since the story is part of the Marvel universe, the beginning of the story has a couple of side notes referring to separate comic series. This leaves a gap in the context, which will make the story confusing for those unfamiliar with Marvel. However, for the most part, the plot is easy enough to follow and worth reading.

But You Can’t Hide is filled with beautiful illustrations that highlight the characters’ best features and fantastical, magical battles. The panels alternate between close-ups and wide shots, designed to capture the scene and the characters’ expressions perfectly. The dialogue and sound effects are engaging, emerging from their own panels and overlaid onto others. Although events that occur simultaneously are depicted, they can occasionally be confusing when determining where to look based on the page layout. Yet, this doesn’t distract from the wonderful and detailed artwork on each page.

Readers who enjoy masked crime fighters, healthy relationships, and sarcastic comments will love the deep emotional conflicts, magical powers, and banter of the Runaways in this fourth volume. The story explores themes of identity, perseverance, and good vs. evil through the lives of strong, determined, and complicated teenagers. Each member of the Runaways must confront heartbreak and find a way to overcome their trust issues through increased interaction with the real world. Overall, this is an incredible story with an inspiring message: that everything has consequences, but with enough support, anxieties, mistakes, and losses can always be overcome.

Sexual Content

  • On the title page, Gert and Victor are kissing and wrapped in each other’s embrace. The same image appears at the end of part three. It has no direct connection to the plot. It just re-emphasizes Gert and Victor’s growing relationship.

Violence

  • On the title page for part two, Victor has a nightmare of Gert being strangled by one of the Gibborim. Her limbs are flailing helplessly, and a panel of Victor at the bottom of the page shows his horrified expression. Since it’s a dream, no one is injured.
  • The Gibborim dismantled Doombot, a robot and friend of Victor’s, when they visited the Runaways in the last issue. The Runaways attempt to put him back together, but they accidentally trigger his evil and aggressive coding. Doombot turns on and attempts to destroy them. A few punches are thrown, and Karolina strikes him with lightning. He keeps fighting until Molly jumps on him and pulls out some of his wires. No one is grievously injured, though Victor is temporarily unconscious.
  • While patrolling for crime, Nico and Karolina encounter three individuals working together for unknown purposes. Karolina blasts one of them with her magic, which looks like rainbow lightning. One of the bad guys is thrown to the ground. Nico casts a spell to make them dance, which ends the fight.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Nico is a magician who uses a staff to cast spells against their enemies. She does so a couple of times. When she casts a spell, she speaks a command, and colorful streaks of light explode from the staff, streaming towards their target to complete Nico’s command.
  • When Alex leaves the Runaways’ hideout to go back home, Molly follows him. She pesters him with questions about being dead. Alex says, “I don’t really have ghost powers.”
  • A man on the bus starts bothering Molly, so Alex grabs his wrist. One panel shows Alex grabbing the wrist normally, but the next shows the two with a background of green smoke, and Alex’s eyes are grey and cloudy. In the next panel, the man on the bus runs away. Alex explains, “When people touch me, they feel like they’re touching a corpse. Because they are.”
  • After Alex and Molly get to Alex’s house, Alex asks Molly to break into a locked room. She punches through the wall, and debris flies everywhere.
  • On the way home from school, Karolina saves a little girl from being flattened by a car. Karolina can fly, and when she does, her skin and hair transform to a rainbow tint. She picks up the girl and flies her away. After the incident with the little girl, Karolina develops a passion for saving people, and she is depicted flying and with her multicolored skin a couple of times.
  • After Karolina gets a taste for the superhero life, she convinces Nico to join her in patrolling for crime. While out, they stumble upon three bad guys working together for unknown purposes. One of them can cast a force field. The force field is blue with lightning crackling around him.

Spiritual Content

  • None

by Kate Schuyler

An Arrow to the Moon

Hunter Yee has perfect aim with a bow and arrow, but all else in his life veers wrong. He’s sick of being haunted by his family’s past mistakes. The only things keeping him from running away are his little brother, a supernatural wind, and the bewitching girl at his new high school.

Luna Chang dreads the future. Graduation looms ahead, and her parents’ expectations are stifling. When she begins to break the rules, she finds her life upended by the strange new boy in her class, the arrival of unearthly fireflies, and an ominous crack spreading across the town of Fairbridge.

As Hunter and Luna navigate their families’ enmity and secrets, everything around them begins to fall apart. All they can depend on is their love. . . but time is running out, and fate will have its way.  

Told from alternating points of view, An Arrow to the Moon focuses on Luna and Hunter, whose parents hate each other. When Luna and Hunter first meet, the two begin to walk an unexpected path where love might bloom. However, their families’ hatred makes it imperative that they don’t get caught together. Intertwined with their budding romance, the two struggle with their family lives. Luna feels like her parents’ expectations are suffocating, while Hunter’s relationship with his parents is full of conflict, mistrust, and often borders on hate. Many readers will relate to Luna and Hunter, who are on the cusp of leaving home and desire to forge their own paths. 

While Luna and Hunter are similar to Romeo and Juliet, the story also incorporates Chinese mythology, which may confuse readers without background knowledge of the myths. The constantly shifting points of view also add to the confusion. The book includes excerpts from both Luna’s and Hunter’s families as well as the story’s villain. Many readers will have a difficult time remembering all the essential parts of the book, especially in the latter part, when the elements are being woven together. Even though the conclusion explains how Hunter and Luna fit into Chinese mythology, readers will still have questions, which leaves the story feeling incomplete. 

The author, Emily X.R. Pan, uses beautiful language to draw readers into An Arrow to the Moon, and at first, Luna and Hunter’s relationship is a sweet romance. However, the book’s tone abruptly changes about halfway through when Luna walks in on her mother having sex with a man who is not her husband. Afterwards, Luna is justifiably upset, which is reflected in the profanity used. Some readers may be shocked at how Luna’s whole attitude changes after this event, especially because the scene feels unnecessary and gives the story a harsh and negative tone that takes the focus off Luna and Hunter’s relationship.  

An Arrow to the Moon’s complex plot, shifting narrators, and incorporation of mythology will appeal to strong readers who already have some knowledge of Chinese Mythology. Additionally, the tonal shift makes the book best suited for mature readers who enjoy complex storylines that prompt them to think about how families shape our lives and decisions. If you’re looking for a romance that gets inspiration from Romeo and Juliet, A Pho Love Story by Loan Le and Crossing the Line by Simone Elkeles may be the perfect book to steal your heart. 

Sexual Content 

  • At a party, Luna plays Seven Minutes in Heaven. She had never kissed anyone before and she “was curious to do a lot more than kissing.” Later, Luna wonders, “What would have happened, if she’d gone ahead and kissed him?” 
  • Hunter falls into a crack in the earth. The next day, while on the school bus, Luna sees Hunter’s bruises. She “leaned down to kiss the tender brown and indigo. There was electricity between her lips and his skin, a spark as she made contact.” Later that day, Hunter shows Luna his bruises are unexplainably healed. 
  • While in the cafeteria, Hunter kisses Luna’s hand. “There was a spark. His lips buzzed and heat swept through his body.” The kiss leaves an “indigo print of his lips on her flesh.” Afterwards, Hunter “wondered if this was what a hickey was.” 
  • While in the woods, Luna kisses Hunter, who “worried he would be bad at kissing, but she made it feel easy. There was that electricity, and a sense of this being absolutely right. The smell of her soft skin was intoxicating, sent a pooling warmth down into his body.” Luna “brought his fingers to her lips. She kissed his thumb, his knuckles. . . He offered kisses of his own.” The kissing is described over a page.  
  • While Luna’s parents are out of town, Hunter goes to her house. While there, they get into a fight and he leaves. Luna reflects, “This was not what she had expected when she invited him over. She’d envisioned them side by side on the couch. Kissing again, like in the woods. Maybe stuff beyond kissing.”  
  • On a snow day, Luna comes home to find her mom having sex. When Luna opens the bedroom door, “The head snapped up to look at her from between her mother’s legs. It was a man who appeared as shocked as Luna felt. A man Luna did not recognize.” Later, Luna reflects on the experience, angry that her mom was “slick and wild-haired and naked in bed with another man.”  
  • Hunter uses a shed in the woods to hide his bow and arrows. One day, Hunter takes Luna there and they kiss. “But the longer she kissed Hunter, the more confident they both grew, and she was very intensely aware of the parts of his body that were pressing against her. An instinct took over. . .” Luna shows Hunter a condom that she stole from her mom and the two have sex, but it is marred because of Luna’s anger at her mother. “This was the anger that churned in her gut as she kicked off her jeans. Hunter was the escape she needed; she wanted to drown herself in his touch.”  
  • After having sex with Hunter, Luna reflects. “Her anger towards her mother and her wish to be with Hunter had blurred together, until she knew only her body’s firecracker desire. . . If she was being perfectly honest, a part of her had wanted to do it to spite her mother.”  
  • When Hunter’s brother, Cody, is secretive about a book, Hunter “hoped it wasn’t porn.”  
  • Hunter invites Luna over to his house and they have sex. “This time they were slow and tender. They experimented with lips traversing skin, their touches drawing little violet petals. He drank in the honey-sweet smell.” When his parents come home, Luna climbs out the window.  

 

Violence 

  • Rodney Wong is trying to find Hunter’s family because they owe him money. When he is first introduced, he is in a “water-damaged San Francisco basement, idly flicking a small knife open and shut, open and shut. . . The man strapped to the table in front of him was gasping, though nobody had done anything to affect his air supply. It was purely nerves.”  
  • Wong enjoys the man’s fear, thinking, “All he’d had to do was make the suggestion of a sharpened blade wedging between the tip of a nail and the soft skin of the finger, and his subject had spiraled into a full-blown panic.” Wong gets a phone call and lets the man go.  
  • Hunter’s father loses something valuable and blames Hunter for stealing it. Hunter’s father confronts him, but Hunter denies stealing it. “The blow came unexpectedly. Hunter fell against the fridge, registering only that his mother was shrieking for him to stop. His dad had punched him in the ear. His head was a clash of thunder.” Hunter missed two days of school because he had a “hideous bruise on the side of his face that would draw questions.” 
  • Rodney Wong is looking for an artifact that Hunter’s father stole from him. “Wong set his foot down on Hunter’s knuckles.” When Wong threatens to hurt Hunter, the boy laughs and says, “My parents don’t give a shit.”  
  • A strange crack appears in the earth. Around the crack, everything is dead and broken, and Luna can feel an evil presence inside the crack. One night, Luna and Hunter meet in the forest, and it begins to burn. Luna, Hunter, and Cody try to save a nest where the fireflies live. Rodney Wong tries to stop them. “A man Cody didn’t recognize grunted with pain as Luna kneed him somewhere questionable. He had a hand wrapped under her throat while she clawed at an object in his other fist.” Cody’s pet rabbit jumps on the man’s face. “It brought Luna the chance she needed to scramble away.” Rodney fell into the crack and disappeared.

Drugs and Alcohol 

  • Luna goes to a party where a group of teens are “drunkenly singing along to ‘Losing My Religion.’”  
  • Hunter uses an inhaler for asthma, although it doesn’t really help.  

Language 

  • Profanity is used occasionally. Profanity includes ass, bullshit, fuck, hell, and pissed. 

Supernatural 

  • The wind is portrayed as a supernatural being that brings Hunter money. When Hunter hears the wind, “he held himself still, waiting, his every muscle tense with curiosity. If he tried to look at it straight on, it would sneak away. . . The rustling stilled and silence returned, and then he looked. There they were. Two crisp twenty-dollar bills waiting beside his heel.”  
  • One day, the wind followed Hunter into class and “knocked over the teacher’s podium. Papers had gone flying; a pencil cracked in two; the blackboard eraser landed against someone’s shoulder.” Hunter is given detention.  
  • Hunter’s brother Cody has a book that has blank pages. However, sometimes when he opens it, the book’s writing is visible. For example, the wind opens the book to a page that says, “Houyi was the God of Archery, and his aim was always true. When he drew an arrow, he could tell. . . how to angle his shot, how to time his release. He never missed. . .” Cody thinks the book is telling the story of Hunter because he, too, never misses with a bow and arrow. 
  • One night, Cody opens the book and finds a story about a girl named Chang’e. The girl worked in the emperor’s palace. When she tripped and dropped a glass teapot, she was banished “to live on the earth among ordinary mortals.” Through this book, Cody learns the Chinese mythology about the God of Archery. 
  • Cody’s pet rabbit, Jadey, begins talking to him. Jadey explains that the magical book is his. The rabbit says, “I am the keeper of these stories. They are the records of the universe and its past. They are the truth of what is to come.”  
  • Hunter’s mother made a bracelet for him and imbued it “with prayers and the properties of an impossible medicine.” She willed the bracelet to keep Hunter “safe. Keep him healthy and hidden.” The bracelet keeps the villain from seeing Hunter. 
  • Fireflies often appear to Luna. When she has her period, “Fireflies were gathering below her navel, pressing close as if she, too, sparked with light. . . There was a tug, and a warmth, then release. Her breath came easier, as if bounds around her organs had been cut free. . . The fireflies had taken her cramps away.” 
  • The fireflies often gather around Luna. “They had a way of finding the knots inside her and loosening them, softening the muscles, dissolving the pain.” 
  • Rodney Wong shows Luna a planchette, which is similar to an Ouija board. Planchettes “were designed to hold a writing utensil, such as a brush. As the planchette moved, it would produce a mark, and these symbols or characters were then interpreted.” When Luna tries the planchette, it creates “a circle so perfect it should have been drawn using a compass. No human hand could be so precise.” The circle could represent many things. 
  • To keep Rodny Wong from taking the artifact, Luna eats it. “Luna fed the stone between her lips, let its weight settle on her tongue. As her mouth closed over it, the texture changed. It melted like honey, like cream.” Afterwards, the fireflies gather around Luna, and she floats into the sky. Hunter shoots an arrow at her, but instead of bringing her back to earth, “Hunter rose up into the sky behind Luna, and her face twisted with dismay.” Luna realizes that she was not “flesh and bone.” She flew higher and higher until she landed in a crater on the moon. “Hunter passed overhead, still drifting. . .” Everyone forgets Luna and Hunter, except for Cody. 
  • When Luna was a baby, she was often ill, and moonlight seemed to be the only thing that helped her. Her father would set Luna’s bottle outside “whenever the milk wouldn’t sour. . . when Luna drank from the moon-charged bottle, her energy was refreshed, and so was the color in her cheeks.” 

Spiritual Content 

  • Luna discovers that fish and other underwater creatures will follow her “like [she is] the needle of a compass.” 
  • When Rodney Wong was young, he received a Western Education from a Lutheran missionary. The missionary taught that magic was forbidden. The missionary said, “Any practice of the occult, those wicked arts, takes one away from God and serves the evil spirits.” 

On the Come Up

Bri Jackson wants to be a rapper. She wants to be famous, make money, and escape Garden Heights. Mostly, she wants to support her family – her unemployed mother and her brother, who is putting off graduate school to work. At sixteen, Bri feels helpless. However, when she enters a rap battle at The Ring, she figures this might be her one shot. When her battle goes semi-viral, Bri is suddenly torn between her mother’s expectations, attending school and earning good grades, and her community, which wants her to continue rapping. Bri records her first song, which details the assumptions people make about her, but many people interpret it as a black girl being “ratchet” or “ghetto.”  Bri is once again divided between multiple aspects of her identity. She must figure out how to balance rapping with staying true to herself.  

On the Come Up is an ode to hip-hop as much as it is a coming-of-age story. Sixteen-year-old Bri wants to be one of the greatest rappers of all time, hoping to fill the massive shoes of her father, an underground hip hop legend who died right before he hit big. But Bri’s path to success is anything but straightforward. 

Bri’s life hasn’t been easy. Her father was murdered when she was young, and her mother fell into drugs afterward, leaving her grandparents to raise her. Even though she’s been living with her mom for eight years now, she can’t accept that this stability is permanent—she feels like it could all disappear at any moment. When her mom loses her job and an eviction notice threatens their home, Bri pours her anger and frustration into her first song, which goes viral for all the wrong reasons. Simultaneously, she has to navigate microaggressions at her private school, where she’s labeled with an “aggressive” reputation, while also dealing with typical teenage problems like fights with friends, crushes, and a potential new boyfriend. Her mother fights to have Bri allowed to live as just a teenager, without the burden of financial worries, but Bri struggles to handle everything on her own. 

Bri soon finds herself at the center of controversy, portrayed by the media as more menace than MC, as the story tackles systemic racism, poverty, police brutality, and the realities facing many Black youths in America. Thomas doesn’t shy away from exploring how economic uncertainty and viral fame complicate Bri’s journey, creating additional pressure as various people try to exploit her dreams for their own advantage. 

Bri is an assertive narrator with a strong sense of right and wrong. Even as she struggles with her identity, she knows what she wants her life to look like—she wants better for her community and her family. While she can sometimes be self-centered, she’s ultimately a good friend who cares deeply about those around her. Her friends Sonny and Malik provide interesting contrasts and tensions, calling Bri out when needed but standing with her when it matters most. Her mother and brother make sacrifices that show Bri what love looks like, even when she’s too overwhelmed to fully embrace it. 

Set in the same fictional Garden Heights as Thomas’s debut novel The Hate U Give, On the Come Up tells a grittier tale that highlights the narrow path many face as they try to climb out of poverty. Thomas weaves together themes of violence, identity, and family with careful attention to the characters and community of Garden Heights. 

While the ending is slightly rushed, the majority of the book unfolds with a pace that feels as carefully planned as one of Bri’s rap verses. Ultimately, while Bri has countless people standing behind her, she must decide who she wants to be—an important lesson for young readers figuring out their own values.  

Sexual Content 

  • Bri has a crush on her friend Malik. She thinks about how he makes her feel: “Like the way my heart speeds up every time he says ‘Breezy’. . . Like he wants the name to only belong to him. All these feelings started when we were ten.”  
  • Bri’s friend Sonny is gay, and Bri remembers when he came out. “Sonny turned to me and blurted out, ‘I think I only like boys.’”  
  • Malik grabs Bri’s arm, and she thinks about him touching her. “The way he’s holding my arm, running his thumb along my skin. Every single part of me is aware that he’s touching me.”  
  • Bri flirts with Curtis, a boy from church. “Is this flirting? I think this is flirting. Wait. I’m flirting with Curtis? And I’m okay with the fact that I’m flirting with Curtis?” 
  • Sonny used to have a crush on Bri’s older brother, Trey. “​​There was a time he could only stutter around my brother, that’s how big of a crush he had. Sometimes I think he’s still got a crush on Trey.” 
  • Bri and Malik kiss at Malik’s house. “When he inches his lips toward mine, I don’t move away. I simply close my eyes and wait for the fireworks. . . But, um, this kiss? This kiss ain’t none of that. It’s wet, awkward, and tastes like all those Cheetos Puffs Malik ate a little while ago.” Bri leaves afterward.  
  • Bri and Curtis kiss at Curtis’ house. “When he moves closer, I don’t move away. I can’t think; I can’t breathe. I can only kiss him back. Every single inch of me is aware of him, of the way his fingertips graze the back of my neck, the way his tongue perfectly tangles with mine.” They are making out, and he touches her chest. “He kisses me again, and slowly, his hand travels under my sweatshirt and under my bra. He grazes a spot that makes me stop kissing him long enough to make a sound I’ve never made before. I feel it in more places than my chest.” The scene ends with them kissing.  
  • Bri and Curtis kiss in Bri’s bedroom. “One kiss becomes two, two becomes three, and three becomes making out on the floor of my Tweety shrine of a bedroom.” They are interrupted by Bri’s brother and mom.  

Violence 

  • Bri thinks about the questions the school counselor asks her. These questions include references to her father’s murder. “Have you witnessed any traumatic events lately, such as shootings? . . . Are you struggling to come to terms with your father’s murder?”  
  • In Bri’s town, a young boy was killed by the police. It is referenced many times and is a contributing factor to much of the story’s tensions. “See, last year a kid was murdered by a cop just a few streets away from my grandparents’ house. He was unarmed, but the grand jury decided not to charge the officer.” 
  • There are many references to guns and murder in Bri’s rap verses. “This is no longer a battle, it’s your funeral, boo. I’m murdering you. . . This Glock, yeah, I cock it and aim it. That’s what you expect, bitch, ain’t it? 
  • While going through security at school, Bri is tackled by a security guard and held down because they think she has drugs in her backpack. “Before I know it, my chest hits the ground first, then my face is pressed against the cold floor. [The guard’s] knee goes onto my back as [another guard] removes my backpack.” The security guards put plastic cuffs on Bri and take her to the office. Bri is scared of getting shot like the kid who was killed by the police.  
  • A riot starts at Bri’s school after Long and Tate, the security guards who hurt Bri, are allowed to continue working. “A fist connects with Long’s jaw. The bullhorn flies from his hand. Suddenly, it’s as if that punch was the green light some students were waiting for. A cluster of boys charge Long and Tate, taking them to the ground. Curtis is one of them. Fists fly and feet kick.” The cops arrive and break it up. The security guards are taken away in ambulances.  
  • Gang members robbed Bri and Malik. One gang member, called The Crown, punches Malik and threatens Bri with a gun. “The Crown rams his fist into Malik’s face. Malik hits the ground. ‘Malik!’ I start for him. Click click. The gun cocks.” The gang member leaves after Bri gives him her necklace. Malik’s eye is bruised, but they are otherwise unharmed.  
  • Bri goes to her aunt and unintentionally asks her to kill the gang member who robbed her. She regrets it later and fears for her aunt and the gang member’s safety. “I wanted that guy dead, I swear I did. Now all I can think about is how a gunshot’s gonna take him like one took Dad.” Bri’s aunt doesn’t kill anyone.  
  • Bri’s aunt is arrested in a police raid. “SWAT team members knock down apartment doors, and Garden Disciples rush outside or get dragged out with guns pointed in their faces. A few brave ones make runs for it. Aunt Pooh lies flat on the courtyard, her hands cuffed behind her back. A cop pats her down.”  

Drugs and Alcohol 

  • Bri’s mother, Jay, is a drug addict. She has been clean for eight years. “Jay really did leave me and Trey at our grandparents’ house. She couldn’t take care of us and her drug habit, too.” 
  • Bri mentions that her aunt stopped smoking weed.  
  • Bri’s aunt is a drug dealer. “‘Business’ has been her code word for drug dealing since I was seven years old and asked her how she made enough money to buy expensive sneakers.” 
  • Bri gets in trouble for selling candy at school, but a rumor starts that she was dealing drugs. “Some idiot coughs to cover the ‘drug dealer,’ he says as I pass.” 
  • When Bri’s aunt is arrested, they find cocaine on her. “The officer pulls a baggie from Aunt Pooh’s back pocket.” 

Language 

  • Profanity is often used. Profanity includes: shit, damn, hell, fucked, ass, goddamn, and bitch. 

Supernatural 

  • None 

Spiritual Content 

  • Bri and her family go to church. “Not that Jay doesn’t love the Lord, but she gets extra-Christian when we’re in church.” 

by Abigail Clark 

Songs for the Offseason

It’s the summer before his senior year, and Dustin can’t wait to take a special trip to Japan with his high school baseball team. His plans are quickly dashed by the sudden death of his similarly athletic cousin. As someone focused on fitness, Dustin is deeply shaken by this loss. While attending his very first funeral, Dustin meets Andrea, the new stepdaughter of a distant relative, who seems to have a playlist for every occasion. At first, Dustin dislikes her. But as the summer continues, death seems to be stalking them both. More funerals crop up, one after another, challenging Dustin’s sense of stability. Andrea is there at every gathering, each with its own flair and antics from quirky family members, trying to find meaning in the madness alongside Dustin. As they reflect on life, death, and music, they learn to embrace the weird ways people cope—and find a path forward.

Readers will empathize with Dustin as he navigates through a summer filled with funerals that force him to contemplate death. At the first funeral, Dustin meets Andrea, and the two quickly become funeral buddies who support each other through this difficult time. As they attend each funeral, the two friends watch family members who cope with death in different ways, such as listening to music, drowning grief with alcohol, and relying on religion. While every reader may not relate to Dustin’s struggle to understand death, they will likely sympathize with his disappointment in losing out on his dream to go to Japan and his conflicting emotions regarding Andrea.

Dustin and Andrea’s relationship helps highlight different coping strategies. The two often discuss what happens after death and frequently contemplate religion. Through it all, Dustin realizes that “people / deal with / these things / in their own ways.” Even though Dustin can’t explain what will happen when he dies, Andrea helps him realize that “each name / and face / and moment / felt written / in the core / of all / that ever / was and / would be.” The story concludes with a hopeful tone because Dustin and Andrea realize that their relationship will help them navigate through difficult times.

Dustin’s journey begins and ends with his cousin, Jack’s, funeral. Jack’s death is shocking because he was young and athletic, and no one—including himself—knew he had a heart disease called cardiomyopathy. While he questions why Jack died, Dustin finds a way to honor his cousin. Because Jack loved baseball, Dustin organizes a baseball game and donates the proceeds to “different / heart associations, including one / for cardiomyopathy / in youth.” The book concludes with the baseball game, which allows Dustin and others to honor Jack and cope with his death.

As part of the West 44 collection, Songs for the Offseason is specifically aimed at teens with an interest in reading a short, high-interest novel. The story’s straightforward plot, easy vocabulary, and interesting protagonist make Songs for the Offseason a good fit for struggling and reluctant readers. According to the publisher, “West 44 is an exciting platform for new, authentic voices and gripping stories. Our books ensure that every reader is able to both get lost in a book and find themselves on its pages.”

Although Dustin clearly loves baseball, Songs for the Offseason includes only one short scene with play-by-play action. This may disappoint sports-loving readers. The rest of the story focuses on a string of funerals that Dustin and Andrea attend. While the book doesn’t feel like a baseball book, Songs for the Offseason will help readers who are dealing with grief understand that everyone copes with death differently, and that’s okay.

Readers looking for a book that focuses on sports should read Centerville by Jeff Rud and Above All Else by Jeff Ross. If you’d like to explore the topic of grief through another person’s perspective, read Rain is Not My Indian Name by Cynthia Leitich Smith and Always Isn’t Forever by J.C. Cervantes.

 Sexual Content

  • At a baseball game, a girl “greeted her / boyfriend / with a kiss.”
  • Dustin’s cousin, Steve, talks about his new stepsister. Steve says, “And if you want / to get with / my stepsister, / that’s fine, man. / She’s hot.” Dustin scolds Steve and tells him to “show some / respect.”
  • Dustin compares Andrea to her mom. Andrea gets angry and says, “I’ll be sure / to think of / how sorry / I am for you / while we’re / making out.”
  • Dustin’s dad falls to the floor and is taken to the hospital. While there, Andrea shows up to comfort Dustin. “She kissed me / on the cheek. / It sparked / against / my skin / like some / strange spell.” Dustin’s mom interrupts them.
  • After a baseball game, Andrea runs up to Dustin and “brought her lips / up to mine.” Later, they kiss again. Dustin describes, “our mouths / sank together, I felt the light / within us / spreading out / into the shadows. . . I kissed her again.”

Violence

  • Dustin doesn’t drink alcohol because of his family. While at a bar, Dustin’s family gets drunk and, “My Uncle Greg / popped / my Uncle Fred / in the face / with a bat. [Dustin] heard/ a sharp crack / as it struck / his jaw.” Fred’s tooth falls into a glass of ale. When he tries to get the tooth out of the glass, it “burst. / Shattered / over / his fingers, / slicking them / up a bit.” Dustin’s mom takes Fred to the hospital.

Drugs and Alcohol

  • Dustin’s uncle died of lung cancer. The uncle used chewing tobacco and cigarettes. While in the hospital, the uncle was “strung up / to a machine. / But he still kept blowing / smoke / in my face.”
  • After attending a funeral, Dustin’s family “got loaded / on cheap beers / and shots of / whiskey.”
  • After a funeral, Dustin’s dad was “drinking / his way out of / sadness.”
  • Dustin tries chewing tobacco. Afterwards, he “started / dry-heaving, / but / nothing / came out. It was like / the demon / who controlled / the universe / was inside of me now.”

Language

  • None

Supernatural

  • One of Andrea’s relatives is a medium. “Someone who / claimed to speak / with the dead.”
  • At a funeral for Andrea’s relative, another medium says that “the woman / had gone into / the Great Light.”

Spiritual Content

  • Dustin goes to a funeral for his cousin at a church that reminded him of a megachurch because “it had the same / slick vibes.”
  • During the funeral, the pastor doesn’t talk about the deceased but gives a sermon. The pastor asks, “If you died / today, /do you know / where you / would go?” The sermon is one page.
  • After the sermon, Dustin is upset. He says, “If we all / matter to God, the preacher could’ve / at least acted / like Jack / was a person. / Not just a talking point.”
  • At the funeral, Dustin meets Andrea, who says she doesn’t believe in God, but she prays anyway. Andrea says, “I figure, whatever religion / I don’t believe in / is probably / the true one.”
  • Dustin’s father’s family “only went to church / on Christmas / and Easter. / They weren’t / big believers.”
  • Dustin goes to pay respect to a man whose family is Jewish. “They were now / sitting shiva. / This meant / they were mourning / for seven days.”
  • Before Dustin leaves the dead man’s house, he and his friend say “a special prayer / before leaving / the house of mourning. / I felt calmer / after saying it.”
  • Andrea’s mom changes her religion to match that of her current boyfriend. Andrea also follows the man’s religion. Andrea says, “I don’t pretend / to be all-in. / If her latest god / knows everything, / there’s no point / in trying to / trick it.”
  • Andrea thinks the universe “was probably built / by an evil demon / who feasted / on our pain.”
  • Dustin’s grandmother dies. She had “raised / her sons Lutheran. . . She didn’t want / a service / in a church. / She’d lost her faith / after her husband / died. . .”

Stormbreaker

When fourteen-year-old Alex Rider discovers his guardian Ian wasn’t a banker, but a MI6 spy who was killed on a dangerous mission, his world transforms overnight. MI6 director Alan Blunt blackmails the grieving teenager into completing Ian’s unfinished assignment, thrusting him into a morally complex world where institutional power overrides individual choice. Alex must infiltrate Sayle Enterprises, which plans to distribute new computers to British schools—a seemingly kind act that Ian suspected concealed a sinister plot. Grieving his uncle, Alex is thrust into a world of action and violence, where people are crueler than he can imagine and danger lurks around every corner.  

Alone and undertrained, Alex faces SAS training, assassins, and a giant killer jellyfish, relying on skills his uncle taught him and his own quick thinking. Readers will find themselves rooting for Alex for his ingenuity and intelligence. Alex is a hero who maintains strong moral principles even when the adults around him abandon theirs. Alex’s sharp, witty perspective and determination to do what’s right, regardless of personal cost, make him compelling to young readers who see themselves reflected in his character despite his extraordinary circumstances. 

Horowitz delivers fast-paced, violent action while embedding deeper themes about power and sacrifice. The moral complexity of espionage permeates the novel, as MI6 leaders firmly believe that the ends justify the means, even if it means exploiting Alex and putting him in danger. At the same time, he is mostly alone, with no backup. The author creates genuine tension through Alex’s isolation—he operates mostly without backup, making his survival entirely dependent on his own resourcefulness. Yet there remains a sense of heroism, and a confirmation that the good guys will win. Horowitz’s young audience will be thrilled by the action and subterfuge, and more mature readers will enjoy Horowitz’s subtle critique of the British government, traditional spy literature, and the question of what individuals should sacrifice for their country, as well as whether a fourteen-year-old should bear England’s fate on his shoulders. 

Stormbreaker explores more mature themes and features a semi-realistic villain, whose motivations may seem irrational from the perspective of a fourteen-year-old spy. Readers who want to read an action-packed book without violence should consider the City Spies Series by James Ponti and the Charlie Thorne Series by Stuart Gibbs. 

Sexual Content 

  • None 

Violence 

  • Alex’s uncle Ian Rider is killed. Alex is told that he died in a car accident. “Driving home, [Ian’s] car had been hit by a truck at Old Street roundabout and he had been killed almost instantly.” However, Alex later finds out that he was shot. “A spray of bullets had caught the car full on the driver’s side, shattering the front tire, smashing the windshield and side windows, and punching into the side panels.” 
  • When Alex goes to the auto wreckers to find his uncle’s car, he is stuck in the car as it is about to be crushed. His leg is pinned, and he is covered in broken glass. “But the claw of the crane had already flattened the roof, pinning his left leg, perhaps even breaking it. . . The back window exploded and glass showered around his head, dust and diesel fumes punching into his nose and eyes.” Alex escapes with scratches and bruises but is not seriously hurt.  
  • As Alex tries to escape the auto wreckers, men start shooting at him, thinking that he is a trespasser. “Then there was a crack and a bullet whipped past.” The bullets miss.  
  • An MI6 agent shoots Alex with a tranquilizer to kidnap him. “The man fired. There was no explosion. The gun spat at Alex and he felt something slam into his heart. His hand opened and the file tumbled to the ground. Then his legs buckled, the room twisted, and he fell back into nothing.” He is unconscious but wakes up later and is unharmed.  
  • Alex is sent to train with SAS operatives. He has to endure combat training and other survival courses. “He took part in an unarmed combat class and was knocked to the ground so often that it took all his nerve to persuade himself to get up again.” He is bruised but not seriously injured.  
  • Wolf, one of the SAS operatives, is angry at Alex. He pushes him and forces Alex to fail a drill and accidentally set off a stun grenade. “The heel of Wolf’s palm had rammed into his chest, pushing him back with astonishing force. . . The trip wire activated a stun grenade—a small device filled with a mixture of magnesium powder and mercury fulminate. The blast didn’t just deafen Alex, it shuddered right through him as if trying to rip out his heart.” Alex can’t hear for a bit, but he recovers and is mostly unharmed. After training, he is left with cuts and bruises.  
  • Yassen, an assassin employed by Sayle, shoots and kills another employee who drops a case of smallpox. “‘No. You won’t,’ Yassen agreed, and shot him.”  
  • Two men use ATVs to try to kill Alex. They are trying to kill him because he has learned too much about what Sayle’s plan is. After being chased on ATVs, “Alex threw himself headfirst, flat on his stomach. The cheese wire whipped over him. If he had still been standing up, it would have cut him in half. . . One of the riders was carrying a flamethrower! He had just aimed a bolt of fire twenty feet long, meaning to burn Alex alive. . . Whoever these people were, they had tried to run him down, to cut him in half, and to incinerate him. . . Alex felt the first bullet slice past his shoulder. The second ricocheted off the side of his bike, almost causing him to lose control.” Both men die; one gets tangled up in barbed wire, and the other goes off the edge of the cliff. Alex escapes relatively unharmed.  
  • Alex is snooping in Sayle’s facility to report back to MI6, and a guard catches him and points a gun at him. “The gun was a Browning automatic pistol and one twitch of the man’s finger would send a 9mm bullet shattering through his skull and into his brain.” Alex attacks the man by “twisting his body around and driving his elbow into the side of the man’s head, just below his ear.” The man is knocked out. 
  • One of Sayle’s employees, Mr. Grin, attacks Alex because he found out Alex is spying on Sayle’s operation. “But Mr. Grin was quicker. He ducked to one side, then his hand shot out, the side of it driving into Alex’s throat.” Alex falls unconscious from the hit.  
  • The main villain, Herod Sayle, threatens Alex, saying that Mr. Grin will cut Alex. “Tell me what I want to know, Alex, or [Mr. Grin] will cause you more pain than you could begin to imagine. . . The edge of the blade had actually nicked the skin of his neck. He felt a trickle of blood slide down over his collar.” Alex is slightly cut by Mr. Grin’s knife, but he isn’t seriously injured. 
  • Herod Sayle reveals his plan to release smallpox through his computers, infecting schoolchildren. Alex speculates, “I suppose when the computers are turned on, people die.” Sayle confirms, “Because the virus I’m talking about is a form of smallpox. Of course, Alex, it’s been genetically modified to make it faster and stronger. . . more lethal.” 
  • Alex is put into a tank with a Portuguese man-of-war (a type of jellyfish). Alex is worried he will either drown or be stung by the jellyfish. Alex breaks the glass and escapes the tank.  
  • The jellyfish lands on Vole, another of Sayle’s employees, killing her. “The tentacles were wrapped all around her, hundreds and hundreds of stinging cells clinging to her arms and legs and chest.” 
  • Alex attacks a guard. “Alex used the handle of the harpoon gun, swinging it around and up to hit him, hard, under the chin.” He knocks him out, so he is able to escape Sayle’s facility. 
  • Alex sets off a smoke bomb on a plane, forcing Mr. Grin to crash. “He could imagine Mr. Grin blinded, fighting for control. The plane began to twist, slowly at first, then faster and faster. The engines whined. Now it was heading straight for the ground, howling through the sky.” Alex parachutes out of the plane and crashes into a glass ceiling. Mr. Grin dies in the helicopter crash. 
  • To stop the release of smallpox, Alex shoots the prime minister to stop him from pressing the button that would activate the virus. He also shoots Herod Sayle. “Shoot first and ask questions later. . . He emptied the gun. . . The first bullet smashed into the information desk. The second hit the prime minister in the hand, his finger less than an inch away from the mouse. . . Sayle had dived forward, determined to click on the mouse himself. The fifth and the sixth bullets hit him.” Sayle survives and escapes. The prime minister’s hand is wounded, but he is otherwise okay. 
  • Sayle threatens Alex with a gun, forcing Alex to go with him. “But the gun was in his right hand. It was perfectly steady, aimed at Alex’s lower back.” 
  • Yassen, an assassin, shoots Sayle on orders from his unknown boss. Alex initially thinks that Yassen is shooting at him. “Alex looked down, expecting to see blood. There was nothing. He couldn’t feel anything. Then Sayle staggered and fell onto his back. There were two gaping holes in his chest.” Sayle dies, and Yassen leaves Alex alive.  

Drugs and Alcohol 

  • None 

Language 

  • Profanity is used very infrequently. Profanity includes bloody, damn, and hell.  

Supernatural 

  • None 

Spiritual Content 

  • None 

by Abigail Clark

Don’t Call Me a Hurricane

It’s been five years since a hurricane ravaged Eliza Marino’s life and home in her quiet town on the Jersey shore. Now a senior in high school, Eliza is passionate about fighting climate change – starting with saving Clam Cove Reserve, an area of marshland that is scheduled to be turned into buildable lots. Protecting the island helps Eliza deal with her lingering trauma from the storm, but she still can’t shake the fear that something will come along and wash out her life once again.  

When Eliza meets Milo Harris at a party, she tries to hate him. Milo is one of the rich tourists who flock to the island every summer. But after Eliza reluctantly agrees to give Milo surfing lessons, she can’t help falling for him. Still, Eliza’s not sure if she’s ready to risk letting an outsider into the life she’s rebuilt. Especially once she discovers that Milo is keeping a devastating secret.  

Told from Eliza’s point of view, Don’t Call Me a Hurricane is a story about Eliza’s love for her community, her island, and the natural world. Eliza and her friends are social activists who organize a protest to save Clam Cove Reserve. They get motivation from the Standing Rock Sioux Tribe who protested the Dakota pipeline, as well as the Hawaiian people who protested to keep Mauna Kea untouched. Using beautiful descriptions, readers will be immersed in Eliza’s world, which revolves around the ocean, her family, and her friends. The story shines a spotlight on what happens to the island after a hurricane. After homes are destroyed, the locals can’t afford to fix them, and a wave of rich outsiders begins buying the land to build huge vacation homes.  

While much of the story focuses on environmental issues, Don’t Call Me a Hurricane is also about the friends and family that make up a community. Eliza’s life revolves around her large family and many friends, as well as her budding romance with Milo. However, because everything is filtered through Eliza’s thoughts, the supporting characters aren’t well developed, and the large cast of characters makes it difficult to remember how everyone is connected. Despite this, Eliza’s passionate and caring personality makes her a likable protagonist, with whom readers will empathize. 

To illustrate the devastation caused by a hurricane, the story contains flashbacks. These sections are marked by a one-page title, making them easy to distinguish. The flashbacks explain why Eliza still has panic attacks, even though the hurricane happened five years ago. To help herself cope, Eliza sees a therapist who gives her a list of coping skills, such as going on walks, meditating, or writing about the event. The therapist says, “Don’t keep it all / bottled up, weighing you down.” Later, Milo shares that he also went to therapy when his parents got a divorce. Both instances serve as reminders that there is no shame in seeing a therapist. 

At times, Don’t Call Me a Hurricane‘s climate change rhetoric takes over the story, slows the plot, and shifts the focus away from Eliza’s internal battle between her passion for the ocean and her terror of its destructive capabilities. Since everything is filtered through Eliza’s point of view, her story feels one-sided. In addition, Eliza is judgmental and unwilling to consider other people’s perspectives. In the end, Clam Cove Reserve is saved, but the victory is hollow because the book ends abruptly. Despite the book’s flaws, Eliza’s story will inspire readers to use their voice to advocate for important environmental issues.      

Sexual Content 

  • After meeting a cute guy at the beach, Eliza’s friend reminds her, “You said this was the summer you were gonna let loose / and make out with whoever you wanted to.” Eliza says she didn’t really mean it, saying, “I don’t need to be kissing anyone to make this summer / one to remember.”  
  • One of Eliza’s friends, Zack, is in an open relationship. Zack says, “Sexuality is fluid. You love who you love.” 
  • Eliza is reluctant to get to know Milo because he’s from out of town. She thinks, “I haven’t dated anyone for real, / aside from a few hookups.” 
  • Eliza often thinks about her desire to kiss Milo. For example, after a day of surfing with Milo, Eliza wants “to hold him around the waist / and ride each wave to the shore… I want him… Taste the salt on his skin.” 
  • After spending time together, Eliza reaches up to “hold the back of his neck, / in the palm of my hand / and press my lips to his. / A first kiss / because I can’t be patient anymore. / Want him too much… My mouth open to his. Reaching. Holding on.” Eliza thinks the kissing lasts forever. “His mouth on mine / and then my neck and shoulders. / A heart rising.” The kissing is described over half a page. 
  • Milo asks Eliza out on a date. He says, “I wake up from dreams of you, / I am going to be thinking about you / and your lips and this kiss.” Then, he kisses her. 
  • Milo makes Eliza feel emotions that are new to her. After talking to him, she takes a breath: “Know I need to keep breathing / in order to keep kissing / and I so want to keep kissing… I lean across the table / put my mouth on his. / And want to keep it there infinitely.” 
  • Milo and Eliza are kissing in the lobby of a hotel. When his stepmother sees them, she invites Eliza to join them in their suite. His stepmother says the locals are drunks and sluts because “the only thing to do is drink and…” 
  • Milo and Eliza take a shower but leave their swimsuits on. Eliza stands “on my tiptoes to reach / his mouth. / The taste of spearmint / on his tongue. I am lost… ” Eliza’s parents come home, and Milo sneaks away. 
  • During a protest, Milo and Eliza go on a walk so they can have privacy. They kiss. Milo’s “hands / are holding my face / and he is leaning down / toward me. / Kissing me. And my hands / find his stomach / and I can feel him / just start to shiver.” Afterward, they profess their love for each other.  

Violence 

  • When Eliza’s brother, Jack, is six years old, he gets swept up in the waves during a hurricane. “His body / appearing and disappearing. Must have / hit his head or hurt himself. He’s in pain / calling to us.” Jack’s father pulls him out of the water, but Jack isn’t breathing. “Jack is lying / on the attic floor, lifeless. / His head is bleeding, must have fallen…” Jack revives after his dad does chest compressions.  

Drugs and Alcohol 

  • When talking to a friend, Eliza “can’t tell if they’re drunk or high.” 
  • Milo’s friends start trash-talking the island. Milo excuses their behavior by saying, “They’re drunk.” One teen says, “Drunk because there’s nothing to do here / except get drunk.” 
  • Eliza parties with her siblings and friends. One of them brings beer. Later, Eliza refers to the party, saying she was drunk. 
  • When Eliza goes home, her parents are drinking wine. 

Language 

  • Oh my god is used as an exclamation once. 
  • Crap and pissed are used once. 

Supernatural 

  • None 

Spiritual Content 

  • Before going out on the family’s old boat, Eliza thinks, “Fact is, it’s a Hail Mary every time we’re out on the water. / But we all say our prayers and get dressed.” 

Fearless

Fearless follows the shocking events of the previous book, Reckless. When royal assassin Kai Azer and rebel traitor Paedyn Grey return to the kingdom of Ilya, their plans of debuting as a couple are ruined when King Kitt – Kai’s half-brother – makes a shocking announcement. To unite the Elites and Ordinaries and prevent more conflict and bloodshed, Kitt will marry Paedyn.   

The Elites revolt at the news, unwilling to accept an Ordinary queen. To prove her capabilities, Kitt instructs Paedyn to complete a series of three trials, where Paedyn must perform a series of increasingly difficult tasks, such as retrieving an ancient artifact and negotiating a peace treaty. Paedyn is determined to succeed, knowing their union would bring peace to the realm and uplift her long-suppressed people. However, despite her resolve to marry Kitt, Paedyn’s heart remains with Kai. Likewise, despite wishing to protect his brother, Kai’s heart remains with Paedyn. Once again, forbidden feelings threaten to return, forcing the ultimate choice between old duty and new love.     

Paedyn is a fighter, determined to uplift her people, even if it means risking her life in the trials. Her bravery is evident as she navigates numerous challenges, such as traversing a series of caves, fending off bandits, and crossing violent seas, all in pursuit of her noble goal. However, readers may be frustrated by her lack of resolve. Despite her engagement and the dire need of her people, Paedyn is unwilling to let go of her on-again, off-again romance with Kai, even though pursuing her fiancé’s brother constantly threatens to undermine her goals. On an emotional level, readers will sympathize with Paedyn’s struggles to let go of her first love, especially considering the complete lack of attraction she feels for Kitt. However, when considering the greater good, Paedyn’s choices seem selfish and irresponsible because she prioritizes her personal feelings over the survival of her people.    

Kai is tormented and pulled in two different directions. He finally understands the importance of the Ordinary cause, yet he is unable to let go of his feelings for Paedyn. However, despite his pain and jealousy, Kai helps Paedyn in any way he can, such as protesting her participation in Kitt’s deadly trials. Readers will appreciate that Kai has finally broken free of his father’s influence and become a fighter for good. However, readers may also be frustrated that, just like Paedyn, Kai is unwilling to commit to the cause completely, and he still pursues their romantic relationship, even if it means hurting his brother and jeopardizing the peace of the realm.  

While Paedyn and Kai’s romance is the heart of the book, keeping the reader emotionally invested in the story, it is not the main focus. Fearless’ focus is divided between the danger of Kitt’s trials and intricate court politics, which are full of plot twists, betrayals, and lies. The trials test Paedyn’s physical strength while the court tests her mental strength. While not quite living up to the heights of the first book in the Powerless series, Fearless far surpasses the second book in the series, Reckless. The stakes are once again elevated, and almost every scene feels important and consequential.   

Fearless is told from the dual points of view of Paedyn and Kai. While Paedyn pushes the plot along, contributing to the most important events of the story, Kai falls into a more supportive role, reacting to Paedyn rather than instigating any major events. Both rehash the conflict of the previous two books — the struggle between duty and love.  Unfortunately, Paedyn and Kai are never really forced to make a hard choice or sacrifice because Kitt is removed from consideration, allowing Paedyn and Kai to bypass what could have been a compelling moral dilemma. Overall, the series ends on a positive, crowd-pleasing note — the villain is defeated, the Ordinaries are uplifted, and Kai and Paedyn get married.   

Sexual Content    

  • In a shocking plot twist, Paedyn is revealed to share a mother with Kitt, making them half-siblings. While they never become physically involved, they do spend the majority of the book engaged. Kitt and Kai are half-brothers on their father’s side, so while Paedyn and Kitt share blood, Kai and Paedyn do not.  
  • Despite Paedyn’s engagement, Kai and Paedyn are unable to stay away from each other. They share a steamy kiss. As Kai describes, “This kiss is greedy and aching. This kiss is made up of every moment I wasn’t able to touch her, every moment I wanted her but willed myself not to. Her lips are as soft as the skin beneath my roaming hands.” 
  • Before swearing off their relationship for good (which does not last long), the story implies that Kai and Paedyn have intercourse. As Paedyn describes, “His mouth crashes into mine. I melt against him, letting this wave of wanting consume me… I’m quickly pulled onto his lap, one hand in my hair and the other gripping my hip… My mouth parts for him, our tongues meeting greedily… The loosened corset has a strap falling from my shoulder. Holding his gaze, I slip the other off my arm—an invitation. His chest heaves as I reach for his tunic and the trail of buttons down its center. One by one, I pull them free, revealing a sliver of skin beneath… the dress slips from my skin, leaving only the rain to clothe me.” The chapter ends as soon as Paedyn takes off her dress, and the next chapter begins the following morning, with the couple lying in bed. The steamy scene lasts three pages.  
  • Kai’s inner monologue frequently emphasizes his attraction to Paedyn, but more complimentary than graphic. For example, he thinks, “those beautiful blue eyes” or “that stunning smile she wears.” Paedyn thinks about Kai in a similar way, describing his appearance as “black hair curling over his brow, eyes bright, and dimples that I curse beneath my breath. But above all, love.” 

Violence    

  • After learning that his mother died while giving birth to Paedyn, Kitt accuses Paedyn of murder. To prevent Kitt from murdering Paedyn in retaliation, Kai murders Kitt. Paedyn describes their duel. “The Enforcer thrusts that stoker toward the king… The iron stoker protrudes from his chest… Kai rushes to his brother, voice choked. ‘No! You were supposed to dodge, Kitt!’” Paedyn watches “blood seep from Kitt’s touch… His wide green eyes lift.” The heartbreaking scene lasts three pages.  
  • In the first book of the series, a contestant named Blair kills Paedyn’s best friend, Adena. In revenge, Paedyn disfigures Blair. As Paedyn describes, “She screams when I force her face into the hungry wall of fire. The side of Blair’s pretty face bubbles and burns within the heat… The stench of fried flesh fills the air, accompanied only by the screams of Adena’s killer.” Blair is left with permanent burn scars on her face.  
  • Paedyn has a dream about Adena dying. “Suddenly, it’s Adena dying before me all over again. And all over again, I cannot save her.” 
  • During the final trial, Paedyn must fight an Elite who is using his superpowers to pose as Kai. Paedyn is not aware of the switch and believes she is fighting the real Kai. Over five pages, the tense fight unfolds, ending in the fake Kai’s death. “The dagger’s tip meets his chest…I try to pull my hands from the blade, but he lifts his free one, clamping it around mine… The blade sinks farther, springing bright blood from the deepening wound… And then the blade is buried to its hilt.”  

Drugs and Alcohol    

  • To escape the pressure of her situation, Paedyn gets drunk at a ball. As Kai observes, “She waves her glass at me, sloshing champagne over the brim of it.” Kai requests that she stop drinking.  
  • To prevent Kai from interfering in the final trial, Kitt drugs his brother.   

Language   

  • Profanity is used often. Profanity includes damn, hell, ass, shit, and bitch. For example, accusing Kitt of mirroring their father, Kai says, “This is the type of shit our father” would do.
  • God is referenced to emphasize the scale of someone’s power. For example, Paedyn privately thinks, “Elite powers do not make you a god.”   

Supernatural   

  • The Elites have superhuman abilities. For example, an Elite with fire powers lights a room on fire.  

Spiritual Content    

  • None   

by Kerry Lum   

The Dryad Storm

Wanted dead or alive by the entire continent, Elloren Gardner must accomplish the impossible: unite the world under the same banner. She knows that if they stay divided, authoritarian dictator and wielder of the Shadow Wand, Marcus Vogel, will invade among their discord and tear their world apart. As his Shadow forces corner the rest of the free world, Elloren finds herself in the Northern Forest, newly transformed and more powerful than ever. Separated from all her allies, save her love, Yvan Guryev, Elloren chooses to join with the forest and the natural world. The sentient forest crowns her as the Dryad Witch and gives her more power than she ever imagined herself possessing. Elloren is an inspiring, curious protagonist, and The Dryad Storm follows Elloren’s perspective, along with her friends’ perspectives. 

The Dryad Storm follows old and new faces, including an old acquaintance Gwynnifer Croft Sykes, a forgotten ally Gareth Keeler, and Elloren’s best friend Tierney Calix, among others. They all share Elloren’s determination, fierce morals, and unwillingness to quit, even in the face of grave danger. As Gwynn escapes from the West to find Elloren, Gareth holds the oceans in the East, and Tierney protects the rivers, but it’s up to Elloren to unify every survivor. With religious divisions and new magics at play, the Wand of Myth is lost, and the Shadow Wand waits in the wings for the coming winter to drain the forest of its power. Everyone gears up for the final battle between the Black Witch and the Icaral of Prophecy, and, like all predictions and omens, nothing is as it seems.  

Like the rest of the series, The Dryad Storm contains many fantastical elements and a complex web of details that can be overwhelming at times. As the finale, The Dryad Storm has a complex plot, and  

important information can be difficult to keep track of. This is especially true, considering that the story is further complicated by the multitude of perspectives, some of which are only used once or twice. The use of all these perspectives complicates the story and slows it down, meaning it’s not as engaging as it could be. The plot is predictable, and the story’s quality and character are lacking depth . Character development is rushed, and loose ends are tied up too neatly to be natural. However, the novel ultimately conveys a powerful message: the only way to break the cycle of hate is to choose love. All the religions on the continent have the same core belief in acceptance, kindness, and love, and once the characters realize this, Vogel is essentially defeated.  

Readers who love the magical youth of Harry Potter and the brave politics of The Hunger Games will love The Black Witch Series and Elloren’s fierce resistance. The Dryad Storm is filled with supernatural creatures, growing teenage romantic relationships, and living environments fighting anthropogenic decimation. Elloren and all her allies are well-constructed characters who defend themselves when challenged, lead by example, and adhere to strong moral principles. Overall, this is a beautiful story with moments of unifying hope, magical corruption, and lovely, budding friendship.   

Sexual Content 

  • During the Eastern holiday of love, Xishlon (similar to Valentine’s Day), Elloren’s old friend, Gareth, reminisces about his on-again, off-again girlfriend, Marina. He thinks about when “Marina sinuously drew off his tunic and kissed the skin over his thrumming heart. She pulled off her own clothing, Gareth’s pulse quickening as desire raced through his veins in response to the sight of Marina’s moon-washed, naked form . . . far under the water they pulled each other close and kissed unreservedly . . . they stopped short of taking each other to mate that evening.” Later in the evening, Gareth finds Marina and they talk about sex, referring to it in the Selkie tradition of “joining their tides.” They don’t actually have sex. 
  • When two of Elloren’s allies, Mavrik and Gwynn, are trying to escape the West, they grow closer to each other, bonding over the pain of leaving their brainwashed spouses behind. They form an attraction, and one night in the desert between the East and West, Gwynn dreams about her ex-husband, Geoffrey. “Geoffrey’s never kissed her like this before. She lets out a moan and surrenders to the kiss, thrills to this new, wantonly insistent Geoffrey, his usual hesitancy gone . . . he rolls his body onto hers and coaxes her thighs apart. . . his arousal quick, so intensely hard.” Gwynn wakes up to discover that she’s been kissing Mavrik in her sleep, and that he was also dreaming about his ex while kissing her. They separate immediately. 
  • When Elloren’s friends, Tierney and Viger, are in front of the Great Tree, Viger’s magic is amplified. To control it, Viger kisses Tierney. Viger “deepens the kiss. . . trembling with want, [Tierney] opens her mouth to him . . . the intoxicating motion of his tongue hinting at the things he might be capable of if she joined with him fully.” He cuts off the kiss when he no longer needs it. 
  • After Elloren is transformed into a Dryad, she re-establishes the mate bond with her love, Yvan. Elloren “shudders against Yvan, his lips on [hers], [her] heart fracturing open as [their] Wyvern-bond reignites under the Great Tree.” She kisses him several more times throughout the novel. After Elloren and Yvan find themselves back in the Eastern forest the night before they fight Vogel, they have sex for five pages. “Yvan joins with [Elloren] in a rush of fire . . . the sensations are surprisingly intense, it’s almost unbearable as [they] fall into a slow then confident rhythm.” They have sex twice. The second time later that evening.  
  • When Mavrik and Gwynn try to break into the magical forest to get in touch with Elloren, they work together night and day to create runes. They talk, and their grief bonds them further. They eventually have sex. “Mavrik brings his lips to hers, and Gwynn gasps as he pushes forward, joining their bodies. She tightens her thighs around his . . . thrilling to his passion, his hard maleness and stunned by the whirling rise of pleasure where they’re joined, she hugs him to get more of him . . . she arches her head back just before Mavrik lets out a groan against her shoulder.” 
  • When Elloren’s brother, Trystan, and his boyfriend, Vothe, emerge from the tree network transformed into Dryads, they kiss, happy to be alive. “They’re closing the distance between them, Trystan’s lips crashing down on [Vothe’s], their lightning igniting against each other’s in an incandescent firestorm, lighting up the surrounding air with forking white and blue power.” 
  • Over the course of five pages, Tierney has a sex dream about three different men, including Viger, her friend Fyordin, and Elloren’s cousin Or’myr. All three men are in love with her, and she has had romantic encounters with all of them during the series. The dream begins with Viger, then suddenly Tierney is in a different place with Fyordin, then her dream shifts to a cave with Or’myr. An example of the kind of language used during this scene is when Or’myr penetrates Tierney, his “body joining with hers in a surge of purple lightning and her rushing rapids.” The language is vague and ambiguous, but it is implied that she dreamed about intercourse with all three individually.  
  • While Tierney and Or’myr hold a magical shield to protect a river against Gardnerian forces, they joke about sexual euphemisms from their different cultures. Tierney mentions she’d like to “dance around the Ironwood tree” and “play with his sword of manhood.” Or’myr laughs and says he’d like to “partake of the garden.”   When they defeat Vogel, Elloren’s roommates, Ariel and Wynter, find each other on the battlefield. Ariel “chokes out a strangled sound of emotion before she and Wynter pull each other into an embrace then into an impassioned kiss.” They break apart and go home. 
  • When they think they’re about to die and Vogel’s shadow forces are going to crash into their magical shield, Tierney and Or’myr kiss. “Both of them [were] ready, [Or’myr] knows, to let this last kiss be their final cry of rebellion against the Shadow’s triumph.” They break apart when the forces disappear. 
  • After the war, Elloren’s allies, Iris and Sylvan, find each other in one of the Eastern forests. They are now free to start dating. “Iris can’t suppress her own besotted smile as she grips Sylvan’s leafy tunic and pulls him into a fiery and thoroughly claiming kiss. . . as Sylvan draws her down to the mossy Forest floor and reveals the full, Xishlon-fueled wonders of the Zhilaan Forest’s embracing love.” 

Violence 

  • The Dryad Storm features numerous battles and duels, some of which contain violent descriptions. Therefore, not all of them are included below. 
  • During the attack on the Amaz capital, Elloren’s ally, Alder, witnesses some of the violence. “A primal scream tears from Alder Xanthos’s throat. Explosions sound on all sides, hammering her ears.” Many are dead, wounded, and kidnapped. The description of the ambush and the related violence lasts seven pages.  
  • Alder’s pet eagles are killed by Damion Bane, one of Vogel’s right-hand men, and “he raises a limp golden eagle in the air . . . and shakes him like one might shake a sack of millet.”  
  • Before Gwynn flees from the West, she remembers “a mob of six Gardnerian men . . . holding down two Urisk girls . . . digging knives into the tops of the screaming children’s ear and swiping off the points, blood streaking down the girls’ terrified faces.” She remembers this event to dispel any guilt about leaving the West. She protects the girls in the memory, tearing them away from the men before they can do more harm. 
  • Vogel’s forces take Elloren’s ally Sparrow prisoner. One of the men, Tilor, has a history of harassing her and requests that Sparrow spend time with him. He “reaches toward Sparrow’s chest, and she lets out a growl of protest, her skin crawling as he fondles the petals of one of the small violets [on her dress], then yanks the flower from the fabric and tosses it to the floor before running his hand territorially over her breast and squeezing tight.” Sparrow stops him before he can do anything else. Resistance forces break into the prison and save Sparrow. No one is injured. 
  • Resistance forces believe Sparrow and Elloren’s ally, Valasca, are traitors. The Resistance forces collars on them that could “cut off the air to Valasca’s and Sparrow’s lungs at any moment.” The collars eventually come off, but they receive some vague threats and glares from various Resistance members.  
  • In a conversation with Tierney, Viger reflects on his childhood. He thinks about how his adoptive father “punche[d] Viger in the face. Hard. Sending Viger to the floor, blood streaming from his nose.” His father did this out of fear of Viger’s powerful, dark magic. 
  • To further their grip on the continent, Vogel’s forces take control of Ishkartaan. Vogel watches them. “The soul-expanding sound of thousands upon thousands of heathens screaming.” There’s no physical description of the violence or bodies, just the burnt and desolate landscape afterwards. 
  • Elloren and her allies try to secure help from the East. Suspicious, the East tries to corner her and her friends. Elloren and her allies defend themselves by “hurling out wind spells to force back the incoming [Eastern forces] as well as those guarding the border’s apex.” Nobody is explicitly hurt, and the fighting stops when Elloren and her friends escape. 
  • While coming into his power, Vogel decides to marry Elloren’s old bully, Fallon. Fallon is willing at first, but then Vogel “brings his mouth to hers with bruising force” and bites her, bloodying her lips. “Fallon cries out as bindings snare tight around her wrists, ankles, and wand.” Vogel leaves her in a prison cell. She is held captive until Elloren is thrown in with her, “vine-bound and gagged.” Elloren kills Fallon to protect herself.  
  • Fallon’s death allows Elloren to escape, which triggers the final battle of the war. This battle lasts approximately thirty pages, with Vogel and all his demons dying. None of Elloren’s friends are hurt. An example of the violence occurs right after Elloren frees herself, when “a lung-punching gust hits [her] back, Shadow slithering straight through [her] and around [her] rootlines as [she’s] blown clear off [her] feet.” She gets up and continues fighting.  
  • The only survivor of Vogel’s forces still intent on waging war, Damion, is hunted down and cornered by Elloren’s allies, Diana and Aislinn. Damion was married to Aislinn and sexually abused her, so “Diana’s growl tears through the Forest. . . ripping, slashing noise sounds and Damion Bane begins to scream.” It is implied that Diana tore him apart, though the chapter ends and there is no description of the body. 

Drugs and Alcohol 

  • Elloren’s former roommate, Ariel, has a history of addiction to an opiate-like substance called nilantyr. While Elloren and her friends are hiding out in the forest trying to come up with a plan to defeat Vogel, he lures Ariel away and tempts her with nilantyr.  
  • Elloren’s “chest contracts with alarm as [she] registers the grayed nilantyr plants spread around her, thick with dark berries.” Ariel resists the temptation and doesn’t have any. After, Ariel tells Elloren, “resisting nilantyr is a daily fight. I struggle.”  

Language   

  • Language is very tame, but words like stupid, idiot, and hell appear frequently. 
  • The word slut is used once. 
  • Bitch and whore are used infrequently 

Supernatural 

  • The Dryad Storm contains magic and supernatural elements on every page. There are several different kinds of supernatural creatures, including Lupines, Selkies, witches, faeries, wyverns, dragons, demons, Icarals, sentient forests, Dryads, Kelpies, Amazonian rune-wielding warrior women, lizard people, and individuals with skin of all colors of the rainbow. 
  • Magic appears in many forms, including in battles, holidays, and transformation. For battle, magic is used through spells, wands, and runes. For example, Elloren’s friend, Gareth, is protecting a river from Gardnerian forces by warding it. “Gareth thrusts his wand arm upward as he launches himself back toward the surface while murmuring a wand spell in the Selkie language, the low tones flowing smoothly from the base of his throat, the translation effortless. Power shoots through him with such force that it rattles his wrist.”  
  • The primary example of a magical holiday is Xishlon. This is an Eastern holiday similar to Valentine’s Day, celebrating love. The moon turns purple and has a powerful effect on people for a night, heightening feelings of attraction and love. For example, Elloren’s friend, Andras, reminisces about his ex, Sorcha, and thinks about how “the pull of the East’s lavender moon and the torment of its thrall grow ever more acute as the moon’s purple light deepens. Because he’s still in love with her.” 
  • There are two primary examples of transformation in The Dryad Storm. Once, to trick Elloren and lure her away from her friends, Vogel magically turns himself into her love, Yvan. Elloren’s “horror turns cataclysmic as. . . his glamour drops away. Revealing Vogel’s green-glimmering, black-haired, shockingly shirtless form.” 
  • The second kind of transformation happens when Elloren and her friends unite with the forest. Many of them transform into Dryads, or their skin turns color. As an example, when Yvan unites with the forest, “white bark forms all over [his] body and. . . Yvan’s whole form is drawn into the Great Tree.” He reappears soon after, the Great Tree’s “bark bulges outward and morphs rapidly into the shape of a man before the bark gives way.” He has new violet-tinted eyes, green-tinted skin, and a tree tattooed onto his hand.  

Spiritual Content 

  • The Dryad Storm continues with the complex religious system woven throughout the Black Witch Series, which mirrors modern monotheistic religions and intertwines them with politics. This religion has strong allusions to the three main monotheistic religions, Christianity, Islam, and Judaism. Their religious structures dictate more conservative norms than usual. References to their religion are heavily present in the novel, and priests hold prominent positions in high government and university institutions. 
  • Various creatures have different faiths, which all contain a myth of two great wands – one good, one evil. These faiths also all mention a Great Tree, a prophecy of the Black Witch and the Great Icaral, and the end of days. At one point, when reunited with Marina, Gareth says, “All the myths are converging so that all peoples of Erthia can come together and fight.” 
  • Before she leaves for the East, Gwynn watches Vogel give a speech where he claims, “We have dealt a staggering blow against the heathens of the East. Our Blessed Black Witch and Mage forces have struck down [the Eastern forces] and their unholy cesspit-city.” Numerous times, Vogel makes religious speeches like this and commits atrocities in the name of his religion. The magic that binds marriages together is hijacked by Vogel and used to control married Gardnerians, including many of Elloren’s allies, but this ultimately fails.  
  • During this speech, Gwynn remembers how she was made to “read The Book of the Ancients without ceasing” a few years ago after insisting that their servants were people too. She pretends to have been indoctrinated back into the fold but is secretly planning to leave for the East. 
  • As Eastern forces hunt down Elloren, falsely believing her to be allied with Vogel, they also close their own borders and grow more fundamentalist in their own religion. Their government releases a statement that says, “We extend an offer of [Eastern] citizenship to all [Elves] who pledge fealty to the Vo Conclave and the Goddess Vo on High.” This declaration is redacted when Elloren and her friends defeat Vogel.  
  • In the epilogue, Elloren and her friends are raising an orphaned Gardnerian, Valen, who possesses considerable magical power. When he comes of age, he is approached by displaced Gardnerians who still believe in Vogel’s teachings. They insist that “an Icaral demon took apart the world. You’ve been tricked and fooled. Brainwashed into believing those heathens and demons should not be slain. . . the Magedom itself was led astray. But Valen, you can change all that for us. You can bring about the true Reaping Times and fully cleanse Erthia.” Valen refuses to embrace them and their religion, turning them away. 

by Kate Schuyler 

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