Mythology – Page 3 – Sneak Peek Books

Pegasus: The Flame of Olympus

Manhattan is thrown into darkness during the worst storm in history, so when Emily hears a crash on the top of her apartment, she is reluctant to go investigate. However, her curiosity gets the best of her, and what she finds changes her life forever.

Pegasus has fallen from Olympus during a terrifying fight against the Nirads, stone warriors who are out to destroy everything in their path. In an effort to help Pegasus, Emily teams up with Joel. Along the way, the two are greeted with danger from both the Olympian world and the Earth world. Fighting monsters isn’t Emily’s only worry. She must also learn how to avoid a government agency that wants to capture Pegasus. In the end, will Emily and Joel be strong enough to protect Pegasus and themselves?

Pegasus is a fast-paced story with a lovable heroine, Roman gods, and plenty of action. Because the story is told from Emily’s point of view, the reader is able to connect with not only Emily, but with the other characters as well. Even though the story has violence, the descriptions are mild and allow the reader to imagine the details. O’Hearn weaves the Roman myths into a modern setting that will leave readers wanting more.

Sexual Content

None

Violence

When Nirads fight to destroy Olympus, many of the Roman gods are hurt. Mercury was, “lying on his side, a spear sticking out of his chest. Blood matted his fair hair, and his face was covered with bruisers.”
Paelen, an Olympian thief, was captured by a government agency. They put him in a secret government facility and restrain him with chains. “. . . Two men in white overalls rushed forward and caught hold of his hands to restrain him. But when Paelen proved too strong for them, more men arrived. They wrestled his hands down until he was finally handcuffed to the sides of the bed.”
The Nirads try to kill Pegasus and Emily. The fight lasts several pages. “Emily lunged forward and jammed the points of the pitchfork into its black eyes. Howling in rage, the creature fell to the ground and raised two hands to its face. Black liquid oozed between its fingers and dripped onto the tarmac.”
Paelen will not answer Agent J’s questions. “Driven to fury, the older man started to slap Paelen violently across the face.” When Agent J leaves, someone said, “If he keeps pressing Agent J like that, the man will have him sliced and diced and poured into Mason jars.”
Paelen finds a dead Nirad at the prison. “Instead his eyes were drawn to a deep scar burned on the folded-back skin of the Nirad’s open chest. Closer inspection revealed several other similar scars along its exposed body.”
When Paelen is trying to escape, he is shot with a tranquilizer gun. He, “felt the sharp stinging of bees. He looked down at his chest and saw darts sticking into him.”
In order to get Emily to talk, an agent grabs her wounded leg. “The pain was blinding. Emily had never known such agony. It stole the screams from her throat and drove the wind from her lungs. Stars appeared before her eyes as the sound of water rushed in her ears. A moment later she passed out.”
When a guard calls Pegasus a horse, Diana (Roman Goddess) shoves the agents against the wall. “The wind was driven from their chest with such strength that they were instantly knocked out and crumbled to the floor.”
When the government’s agents try to stop Pegasus and others from escaping, Pegasus fights. “The stallion rose on his hind legs and lunged forward. One golden hoof struck Agent O, leaving a deep horseshow impression on his chest. The other hoof hit Agent J in the head with a lethal impact.”

Drugs and Alcohol

Joel’s parents were killed when “a drunk driver lost control of his car and crashed into us.”
While being held captive, Paelen is given a truth drug. “As the drug took effect, Paelen started to feel what it must have been like to be Medusa. His head was full of writhing, angry snakes; his veins were coursing with fire.”
One of the guards at the government agency said, “Want to join me and the boys for a beer later?”

Language

None

Supernatural

When Emily looks into Pegasus’ eyes images appear. “. . . Strange images suddenly flooded her mind. She saw Pegasus in a dark room, storm-filled sky with lightning flashed all around him. She felt his determination, his fear. . .”
Emily must sacrifice herself to relight the flame of Olympus. “The flames were coming from each part of her, consuming her and spilling out of her every pore. As she stood in the center of the flames, the pain slowly ebbed and finally disappeared completely.”
When Emily doesn’t die in the flames, Vesta (Roman Goddess) explains, “You have been reborn.”

Spiritual Content

None

Pegasus: Olympus at War

Olympus is under attack, which gives Emily the chance to save her father from the clutches of a dangerous government organization. In order to find her father, she returns to New York with Paelen and Joel. Unbeknownst to the three, Cupid follows them in an attempt to help Emily.

While the Olympian gods fight for their survival, Emily and her friends try to free Emily’s father. However, they soon discover that Olympus’s fight has followed them to New York. Soon Emily is captured by the Nirads and has to decide how far she will go to save the people she loves.

Pegasus: Olympus at War will capture the reader’s interest from the beginning. The suspense begins on the first page and doesn’t let up until the end of the story. Cupid is a welcome addition to the cast of characters. The Roman gods are not seen as perfect individuals but as complex characters. As the group tries to save Emily’s father, Cupid learns to overcome his fear in order to help his friends.

Emily is an interesting heroine who is a good role model for young readers. As she fights to control her powers, she realizes that there are some things that can never be done, even if that means sacrificing those she loves. Another positive aspect of Pegasus: Olympus at War is that Emily learns to take a look at the Nirads as individuals, and as she does this, she learns the real power of understanding others.

Sexual Content

When Cupid travels to New York, he is attacked by a mob of women. He says, “Women used to worship me. They were shy and needed coaxing. But tonight those girls were mad. They were ripping at me . . . It was as if they were trying to steal a piece of me.”
Emily has a crush on Cupid. When she looks at him, her heart flutters. “He bent down and gave her the softest kiss on the lips.”

Violence

Emily is shot. “She flew backwards and fell to the floor. It felt as if she had been hit by a baseball bat. Her chest was on fire, and the blood was rushing in her ears.” Because she is now an Olympian, she does not die.
Emily and her friends are attacked by the government agents. The fighting takes place over several pages. “As the fight intensified, Cupid was struck by Agent T’s plank of wood. The force of the blow sent him hurtling across the restaurant. He landed on his wings and cried out in pain.”
When Emily’s father escapes from his cell, he attacks an agent. “. . . He launched himself at the agent. Knocking him to the floor, he started to pound him.”
While trying to escape from the government compound, there is a fight between the Nirads, the agents, and the Olympians. The fighting continues for several pages. “Howling in pain, the creature swung a brutal fist and knocked the golden blade out of Joel’s hand, sending it flying. The creature roared and lunged at him.” The Nirads capture Cupid, Paelen, Joel, and Emily’s father.
During a fight, Emily’s dad is accidentally shot.
Emily cannot control her power. As Emily and her friends try to escape being captured, Emily ends up wounding many Nirads. “The red beam struck the ferocious nightmare and burned right through the creature, cutting it in half. The air filled with howls of pain as it fell to the floor and died.”
In order to control the Nirads and Emily, the Gordons turn Nirad children to stone. They also turn several Olympians to stone. “The child’s frightened wails turned to howls of pain as its skin darkened slowly and became solid . . . With a final agonized cry from the child, it was done.”
Paelen was turned into stone. “Already he could feel his blood slowing as each cell in his body turned to stone. Paelen experienced pain he’d never known before. It was like freezing and burning at the same time. He could no longer move. All he knew was pain and then . . . black nothingness.”
There is a final battle between the Nirad, the Gordons, and the Olympians. During the battle, Emily is turned to stone, and then she ends up killing the Gordons. “Unlike Euryale, who had burned, Stheno simply disappeared in a soft, soundless puff. Black ash filled the air and rained down where the Gordon had been standing.”

Drugs and Alcohol

A character in the book tells about a government worker who disappeared. “A few months back we were all out at a bar. He was drunk as a skunk and spoutin’ stories of them bringin’ in these big, four-armed gray aliens.”

Language

None

Supernatural

Emily has the power to heal others as well as to harness the power of the sun. Cupid explains Emily’s transformation. “Emily, the human in you died in the Flames back in Olympus. Your other life ended that day. Now you are as we are. You can no longer be killed.”
Cupid unwillingly uses his charms to put people under his control.

Spiritual Content

None

The Serpent’s Secret

Kiran’s parents are just a bit odd, and she has never really fit in. Even so, she thought she was just a regular sixth grader living in New Jersey. Then, on her twelfth birthday, her parents disappear and a rakkhosh demon crashes through her house to try to eat her.

When two princes show up, trying to rescue her, she realizes that her parents’ stories are really true—she really is a princess that comes from another world. With the help of the two princes, Kiran is taken to another dominion, one with magic, winged horses, moving maps, and annoying talking birds. Before she can save her parents, she must fight demons, unlock riddles, and avoid the Serpent King of the Underworld.

The Serpent’s Secret is an interesting and action-packed retelling of Indian mythology. Filled with riddles, jokes, and a talking bird, the story will entertain middle school readers. Black and white illustrations will help readers visualize the characters. As Kiran learns about her cultural background, she also learns to accept herself. Although there is violence, the scenes are appropriate for younger readers because they are not described in detail and much of the action is running away from demons instead of battling them.

Kiran and the two princes talk like stereotypical teenagers. The main character’s dialogue is filled with slang and idioms such as when Kiran looks at the prince and thinks, “While I got my fill of Lal-flavored eye candy.” There is a lot of creative name-calling throughout the story, which does not involve cursing.

A dynamic story with a strong heroine, The Serpent’s Secret will delight those who like a good adventure story. For readers interested in adventure stories or India’s mythology, Aru Shah and the End of Time is a must-read.

Sexual Content

The king has multiple wives.

Violence

A rakkhosh, or demon, swallows Kiran’s parents and then tries to swallow her. When Lal tries to help, the rakkhosh knocks him out. “I shrieked as the monster’s fist managed to connect with Lal’s head. The prince slumped forward, unconscious, and then began to slip off the rakkhosh’s neck.” The fighting takes place over several chapters.
A teenager spits at Lal. “The goober hung on a lone blade of grass, shimmering like a disgusting jewel.”
The Demon Queen attacks Kiran. “. . . The rakkhoshi ripped a handful of her own hair from her head and threw it at me . . . As soon as the magical hair hit me, I couldn’t move at all.” Neel saves Kiran, but not before the Demon Queen turns Neel’s brother and friend into spheres. The battle lasts over several pages.
When Kiran and Neel try to steal a stone that is being protected by a python, the “snake grabbed a hold of Neel, wrapped itself around him, and began to squeeze. . . Neel’s face got redder as the snake squeezed.” The battle scene takes place over a chapter. In the end, the python is defeated. “The python’s giant body lay still, oozing dark blood on the cavern floor. Trying to reach the jewel, it had instead split itself in two on Neel’s sword.”
A baby rakkhosh wants to eat Kiran, her parents, and Neel. “That snot-nosed newborn demon transformed himself into a whirlpool.” When the rakkhosh “eats” them, they end up in a cave with a seven-headed snake, who “wrapped Ma, Baba, and even poor terrified Tuntuni in his coils. As a last flourish, he slapped his nasty tail over all their mouths.”
The serpent king imprisoned Neel in a flaming sphere. “The prince screamed in pain—a sound that made my blood run cold. He writhed around within the glowing orb, his body twisting in unnatural contortions, as if he were being tortured.”
Kiran and the Serpent King battle. “He shot bolt after bolt of green fire, but I met them all with the shimmering, diamond light of my own.” Kiran’s moon mother shows up, and “as he launched the cracking lightning from his hands, the moon shot a white-hot beam at the Serpent King. He glowed an incandescent green, but then began to writhe and decay, his energy going from green to brown to gray to black.” The Serpent King disappears and everyone is safe.

Drugs and Alcohol

A rakkhosh sings a song, “Hob, gum, goom, geer! Pass the blood! Pass the beer!”
A “band of drunken demons” chase Kiran and Neel.
Kiran sees a warning sign that reads, “After whisky, fighting demons risky.”

Language

A bangle seller says her bracelets are for “generously proportioned and the skinny-butt offspring of slimy snake creatures alike.”
The Demon Queen calls Kiran a “snake in the grass” and “cobra dropping.
When Kiran is fighting a python, she thinks, “Holy serpent poop.”
Kiran thinks that Neel’s “Granny still had some chutzpah left in her.”
Kiran calls Neel a “Royal Pain-in-the- Heinie.”
Crap is used twice and heck is used once.

Supernatural

The story focuses on Indian mythology, including mythological monsters and demons.
Kiran’s parents are “swallowed by a rakkhosh and whisked away to another galactic dimension.”
Kiran’s father was a serpent king and her mother was a moon maiden. Her adoptive parents found her “in a clay pot floating down the River of Dreams.”
Kiran’s biological mother exiled her to New Jersey and put a protection spell over her and her adoptive parents. “Anyway, an expired spell also makes everything around it unstable—in this situation, the boundaries between the various dimensions . . . which is how the rakkhosh came into your world.”
Kiran’s tears have healing properties. “I remembered how Tuni had seemed dead, but how he’d come to life in my arms.”
Kiran can understand horses. “And then, as clearly as if the horse were speaking to me, I heard his voice in my mind.”

Spiritual Content

Kiran explains that her “Baba always tells me we’re all connected by energy—trees, wind, animals, people, everything. . . He says that life energy is a kind of river flowing through the universe.” Neel continues the thought and says, “When our bodies give out, that’s just the pitcher breaking, pouring what’s inside back into the original stream of universal souls . . . so no one’s soul is ever really gone.”

Aru Shah and the End of Time

Aru makes up stories such as having a fancy chauffeur and traveling to Paris. She doesn’t mean to tell lies, she just wants to fit in at her private middle school. While her classmates are vacationing in exotic places, Aru is stuck at home, which just happens to be connected to the Museum of Ancient Indian Art and Culture.

Not all of Aru’s classmates believe her stories. One day, three students show up at Aru’s home hoping to catch her in a lie. Aru told them that the museum’s Lamp of Bharata is cursed. When they dare her to light the lamp, Aru doesn’t really believe anything bad will happen.

Aru doesn’t know that lighting the lamp will change her life forever. When the fire touches the wick, it awakens the Sleeper, an ancient demon, who is intent on awakening the God of Destruction. Now Aru’s mother and her classmates are frozen. Aru must do something to save them, but how is a young girl supposed to defeat an ancient evil?

Aru Shah and the End of Time will captivate readers from the first page. Action, adventure, humor, and interesting places in Indian Mythology come to life. The beautiful descriptions and interesting characters (including a pigeon sidekick) are just some of the reasons readers will fall in love with Aru’s world. Although the story contains many Indian words, the reader can figure out most of them through the story’s context. The back of the book contains a glossary that helps explain the Indian Mythology and terms.

Told from Aru’s point of view, readers will relate to her desire to fit in and her struggle with being truthful. Aru and her companion, Mini, are unlikely, lovable heroines. As the two girls fight to defeat the Sleeper, they discover that one doesn’t have to be perfect in order to accomplish great things, such as saving the world.

Told with compassion and humor, Aru Shah and the End of Time is a must-read for middle school girls. Not only will the story take readers on an amazing adventure, but it also teaches the importance of friendship, working together, and honesty. Because of Aru’s experiences, she realizes the importance of looking at situations from different perspectives. The many lessons in the book are seamlessly integrated into the plot and never feel forced. Once you open the pages of Aru Shah and the End of Time, you will not want to put the book down.

Sexual Content

At a school dance, the chaperone yells, “Leave enough room between you for Jesus.” As the dance progressed, she begins yelling, “LEAVING ROOM FOR THE HOLY TRINITY.”
When Aru looks into the Pool of the Past, she sees her mother and father. “They were strolling along the banks of a river, laughing. And occasionally stopping to . . . kiss.”

Violence

Aru and Mini trick a demon to make herself turn into ash. “The demon’s palm landed with a loud thunk on her own scalp. A horrible shriek ripped through the air. Flames burst around Brahmasura’s hand… Aru covered her face. Her ears rang with the sound of Madam Bee’s screams.”
Boo attacks the Sleeper and poops on him. The Sleeper “growled and threw Boo across the room. The pigeon hit a shelf with a loud smack and slumped to the floor.”
Shukra becomes consumed with his beauty. Because he spends so much time focusing on himself, his wife stops loving him. Shukra’s wife tells him, “How can I love someone I no longer know?” In anger, he kills her. “I do not remember doing what I did. . . It was only when the red had cleared from my eyes that I saw her corpse.”
Memory-stealing snow falls on Aru and Mini. “This time, when the snow landed on Aru, it stung. Because it (the snow) was taking. With every flake another memory was ripped from her.” Later Aru causes someone to lose his memories.
Aru, Mini, and the godly mounts plan an ambush. The ambush is described over a chapter. When the Sleeper arrives, he brings demons with him. “Aru ducked under the guest sign-in table as someone’s head (literally) flew past her . . . The seven-headed horse shook its head. Blood and spit flew over the walls . . . Boo acted quickly, and bird droppings rained across the demon’s eyes and forehead.”

Drugs and Alcohol

None

Language

None

Supernatural

The story focuses on Indian Mythology and includes gods, demigods, monsters, and demons. The back of the book includes a glossary of Indian mythology, so the reader can understand who the mythological characters are.
Aru lights the Lamp of Bharata and awakens the “Sleeper, a demon who will summon Lord Shiva, the fearsome Lord of Destruction, who will dance upon the world and bring an end to Time.” When Aru lights the lamp, people are “suspended in time… Their skin was warm. A pulse leaped at each of their throats. But they didn’t move.” The Sleeper is a demon that can take many forms.
In order to save Time, Aru and Mini must find the keys to the Kingdom of Death. The first one is found in the hair of a demon—anything that touches the demon turns to ashes.
Aru discovers that her mother is a part of a sisterhood. “Five women who are reincarnations of legendary queens from the ancient stories. These days their job is to raise and protect us.”
Aru and Mini meat the Seasons, who are tailors. Winter explains, “We dress the world itself. I embroider the earth with ice and frost, the most delicate in the world.” The Seasons give the girls magical gifts that will help them on their journey.
Aru and Mini go to a market that has a library of living books.
The Sleeper turns the “mounts of the gods” into clay and puts them in a birdcage. Aru uses a magical ball to free them.

Spiritual Content

Aru and Mini are “siblings because you share divinity. You’re a child of the gods because one of them helped forge your soul.”
When trying to explain the Otherworld, a character explains, “Many things can coexist. Several gods can live in one universe. It’s like fingers on a hand. They’re all different, but still part of a hand.”
Aru’s mother said, “the Hindu gods were numerous, but they don’t stay as one person all the time. Sometimes they were reincarnated—their souls were reborn in someone else.”
Aru and Mini go to the Halls of the Dead, where Aru can “hear the final words of people who have died: No, and not yet. . . And I hope someone clears my internet browser. But mostly, Aru heard love. Tell my family I love them. Tell my wife I love her.”
After leaving the Hall of the Dead, Mini remembers, “in Hinduism, death wasn’t a place where you were stuck forever. It was where you waited to be reincarnated. Your soul could live hundreds—maybe even thousands—of lives before you got out of the loop of life and death by achieving enlightenment.” Later in the story, Aru and Mini visit that place where reincarnation takes place. The sign says, “REMAKE, REBUILD, RELIVE! REINCARNATION MANUFACTURING SERVICES.”
Aru and Mini go to an office where a character explains karma. The story talks about Chitrigupta, who “kept a record of everything a soul had ever done, both good and bad. This was why karma mattered.” Later, someone explains, “As you live, your good deeds and bad deeds are extracted from karma . . .”

The Sea of Monsters

Percy is a year older, but much remains the same. Once again, Percy is expelled from school when attacked by monsters, and he must flee to Camp Half-Blood. But Camp Half-Blood is not the safe haven Percy was looking for. The camp’s magical boundaries are dying, and soon Percy is on another quest. Joined by Annabeth and his new half-brother Tyson, Percy traverses the Sea of Monsters to both rescue Grover and save the future of Camp Half-Blood.

A wonderfully engaging story, Percy takes readers on an epic journey of strength and heroism. The reader will learn about acceptance alongside Percy because one of the themes is not to judge someone based on his or her looks. The Sea of Monsters has many, well, monsters. As a result, there is much fighting, but the violence is not portrayed in a bloody manner.

Sexual Content

When they win a race, “Annabeth planted a kiss on [Percy’s] cheek.”

Violence

Percy plays dodgeball with cannibals. One cannibal says, “We Laistrygonians aren’t just playing for your death. We want lunch!” Then the cannibal “waved his hand and a new batch of dodgeballs appeared on the center line . . . They were bronze, the size of cannon balls, perforated like wiffle balls with fire bubbling out the holes.”
Annabeth kills one of the cannibals. “Suddenly the giant’s body went rigid. His expression changed from gloating to surprise. Right where his belly button should’ve been, his T-shirt ripped open and he grew something like a horn—no, not a horn—the glowing tip of a blade.”
Tantalus tells the story of why he was punished. “No one noticed that his children were missing. And when he served the gods dinner, my dear campers, can you guess what was in the stew?”
Percy is attacked by a Hydra. “There was a flash of light, a column of smoke, and the Hydra exploded right in front of us, showering us with nasty green slime that vaporized as soon as it hit, the way monster guts tend to do.”
Percy’s boat explodes. “I spun in the air, got clonked on the head by something hard, and hit the water with a crash . . . The last thing I remembered was sinking in a burning sea, knowing that Tyson was gone forever, and wishing I were able to drown.”
Percy runs into piranha sheep. “The deer stumbled and was lost in a sea of wool and trampling hooves. Grass and tufts of fur flew into the air. A second later, the sheep all moved away, back to their regular peaceful wanderings. Where the deer had been was a pile of clean white bones.”
Percy and Clarisse fight the Cyclops. “She charged the Cyclops again and again. He pounded the ground, stomped at her, grabbed at her, but she was too quick. And as soon as she made an attack, I followed up by stabbing the monster in the toe or the ankle or the hand.”

Drugs and Alcohol

Percy drinks a potion that turns him into a guinea pig.

Language

None

Supernatural

Percy is a half-blood, the son of Poseidon. The Greek gods, monsters, and most things from the old Greek tales are all true.

Spiritual Content

None

by Morgan Lynn

The Titan’s Curse

Percy, Annabeth, and Thalia are working together to save a pair of half-bloods from the monster who kidnapped them. But when Annabeth is lost, Percy will stop at nothing to save her. Meanwhile, Kronos bides his time, forever scheming to take over the world. His General has escaped eternal punishment and is amassing an army to take down Olympus. A prophecy tells of a quest to stop the upcoming terror, and Percy joins despite not being chosen to go. Soon he is traveling across the country with Thalia and three of Artemis’ Hunters on a journey to save Annabeth, a goddess, and the world itself.

This installment of the Percy Jackson and the Olympians series is riveting and full of suspense. As Percy grows he comes into his own as a powerful son of Poseidon. New characters keep this book fresh, while the constant action keeps readers on the edge of their seats. Aside from the frequent, non-graphic violence, there is little in this book that would exclude younger readers.

Sexual Content

None

Violence

When Apollo’s sun bus crashes into a lake, “steam billowed up . . . ‘Well,’ said Apollo with a brave smile . . . ‘Let’s go see if we boiled anyone important, shall we?'”
Thalia and Percy get into a fight. “Thalia pushed me, and a shock went through my body that blew me backward ten feet into the water . . . Anger roared in my ears. A wave erupted from the creek, blasting into Thalia’s face and dousing her from head to toe . . . Thalia yelled, and a blast of lightning came down from the sky, hit her spear like a lightning rod, and slammed into my chest.”
Percy fights a lion with his friends. “Immediately, arrows pierced the lion’s maw—two, four, six. The lion thrashed wildly, turned, and fell backward. And then it was still.”
Percy fights skeleton creatures. “I thought I was doing pretty well, until the other two skeletons shot me in the back . . . I landed face down in the street. Then I realized something . . . I wasn’t dead. The impact of the bullets had been dull, like a push from behind, but they hadn’t hurt me.”
Bianca climbs into a giant robot to stop it from killing her and her friends. When Bianca stops the robot, it collapses, and Bianca “was gone.” Bianca’s friends assumed she died.
Dionysus, the god of wine, saves Percy from a manticore (a flying monster) and skeletons. “SNAP! It was the sound of many minds breaking at the same time. The sound of madness. One guard put his pistol between his teeth like it was a bone and ran around on all fours . . . the planks under his paws erupted into grape wines, which immediately began wrapping around the monster’s body . . . until he was engulfed in a huge mass of vines, leaves, and full clusters of purple grapes. Finally the grapes stopped shivering, and I had the feeling that somewhere inside there, the manticore was no more.”
Zoe is wounded in a fight. “She leaped between her father and Artemis and shot an arrow straight into the Titan’s forehead, where it lodged like a unicorn’s horn. Atlas bellowed in rage. He swept aside his daughter with the back of his hand, sending her flying into the black rocks.”
Luke is mortally wounded. “Talia kicked Luke away. He lost his balance, terror on his face, and then he fell . . . We rushed to the cliff’s edge . . . They were staring at Luke’s broken form on the rocks.”
The Olympians debate whether to smite Percy and his friends. Poseidon says, “They are worthy heroes. We will not blast my son to bits.”
While fighting a monster, Percy is injured. “My coat and shirt were pinned to the wall by some kind of spike—a black dagger-like projectile about a foot long. It had grazed the skin of my shoulder as it passed through my clothes, and the cut burned. I’d felt something like this before. Poison.”

Drugs and Alcohol

Thalia’s mother died. Someone explains her death: “heavy drinker, and apparently she was out driving late one night about two years ago, and . . . “
Dionysus mentions wine several times and procures it once or twice. “He glanced up innocently from the pages of Wine Connoisseur He said, ‘Ah, pinot noir is making a comeback.'”

Language

Percy and his friends visit Hoover Dam and start making jokes about “the dam snack bar” and “some dam French fries” and “the dam restroom.”

Supernatural

The ancient Greek gods, heroes, and monsters are all real.
Bianca pledges herself to Artemis, and when she becomes one of Artemis’ maidens, she is granted immortality.
Zeus brings a pair of angel statues to life, so they can help his daughter.

Spiritual Content

After a battle, Artemis thinks the monsters are stirring. She says, “Let us pray I am wrong.” Percy asks, “Can goddesses pray?”

by Morgan Lynn

The Last Olympian

Percy has reached sixteen, the age at which the Great Prophecy will be revealed. Percy can’t spend time worrying about what the prophecy means because Kronos has stepped out of the shadows and has declared war against Olympus. It will take all the Olympians and demigods that Percy can muster to stop Kronos, and that might not even be enough.

The Last Olympian’s content grows with Percy, who must deal with death and war. The entire second half of the book spans a series of battles that take place in New York City. This is by far the most action-packed book in the series. While a couple of deaths are intense, the majority are monsters simply disintegrated into dust and the war is not graphically described.

Sexual Content

Rachel hints that she wants Percy to kiss her. Rachel says, “And so . . . hypothetically, if these two people liked each other, what would it take to get the stupid guy to kiss the girl, huh?”
Percy thinks about how demigods aren’t related to the children of other gods. “A demigod would never think about dating someone who had the same godly parent . . . But a daughter of Aphrodite and a son of Hephaestus? They’re not related. So it’s no problem.”
Annabeth kisses Percy. “Then she laughed for real, and she put her hands around my neck . . . When she kissed me, I had the feeling my brain was melting right through my body.”

Violence

Percy kills a giant crab monster. “I jabbed Riptide into the chink in its armor . . . The monster shuddered and hissed. Its eyes dissolved. Its shell turned bright red as its insides evaporated.”
Percy and Beckendorf blow up an enemy ship, but Beckendorf doesn’t make it out. “The Princess Andromeda blew up from both sides, a massive fireball of green flame roiling into the dark sky, consuming everything. Beckendorf, I thought. Then I blacked out.”
Percy gets frustrated with a stubborn satyr. “I grabbed him by the shirt, which seriously wasn’t like me, but the stupid old goat was making me mad.”
Percy fights an army of the dead. “There was nothing left of them but weapons in the sand and piles of smoking, empty uniforms. I had destroyed them all . . . I looked down at my clothes. They were slashed to pieces and full of bullet holes, but I was fine. Not a mark on me.”
Conner thinks about looting a candy store when everyone in New York City is asleep.
Luke destroys Kronos by killing himself. “He stabbed himself. It wasn’t a deep cut, but Luke howled. His eyes glowed like lava. The throne room shook.”
The last half of this book is a giant war that takes place in New York City. There is a lot of violence and some deaths, but most of it is not graphically described.
“An entire phalanx of dracaenae marched in the lead, their shields locked together, spear tips bristling over the top. An occasional arrow would connect with their snaky trunks, or a neck, or a chink in their armor, and the unlucky snake woman would disintegrate.”
“I tossed [the Minotaur] over the side of the bridge. Even as he fell, he was disintegrating.”
“Annabeth and I raced from block to block, trying to shore up our defenses. Too many of our friends lay wounded in the streets. Too many were missing.”
“Her features, once beautiful, were badly burned from poison. I could tell that no amount of nectar or ambrosia would save her.”

Drugs and Alcohol

None

Language

Percy says “Oh, gods” once or twice.

Supernatural

The Oracle gives prophecies about the future that always come true.
Percy rides on a hellhound, who can travel through shadows.
Luke’s mother sees horrible visions of the future. “My child . . . Must protect him! Hermes, help! Not my child! Not his fate – no!”
Morpheus puts the city of New York to sleep.
Percy is dipped in the River Styx and becomes invincible.
Kronos resides in Luke’s body because Kronos has no form of his own.
Percy is a half-blood, the son of Poseidon. The Greek gods, monsters, and most things from the old Greek tales are all true.

Spiritual Content

Percy feels guilty for the deaths of the demigods who were killed when he blew up the enemy ship. Poseidon tells Percy, “They all chose to battle for Kronos . . . they chose their path.”

by Morgan Lynn

The Battle of the Labyrinth

The inevitable fight with Kronos is still building, and this time Percy must travel with his friends into the depths of the ever-changing Labyrinth. No one knows who to trust, as Kronos continues to convert monsters, half-bloods, and demons to his side of the war. Percy finds himself battling monsters he has never seen, all while dealing with his confusing relationship with Annabeth and helping Grover finally track down the lost god Pan.

The setting is full of tension and excitement. New characters arrive on the scene, adding intrigue and mystery. The ending will leave the reader gasping in surprise as they reach for the next book in the series.

Percy has finally reached high school, and begins to notice the opposite sex; however, there is no romantic relationship. There is a burgeoning physical attraction between him and Annabeth. The Battle of the Labyrinth is a little more mature, and the fight scenes become slightly more graphic. Despite this, the novel is appropriate for younger readers.

Sexual Content

When Percy meets two empousai (monsters similar to vampires) they use their powers to charm him. One asks Percy for a kiss. He thinks, “She smelled like roses and clean animal fur–a weird but somehow intoxicating smell.”
Sea demons watch a video about puberty. “As a young sea demon matures, the narrator said, changes happen in the monster’s body. You may notice your fangs getting longer and you may have a sudden desire to devour human beings. These changes are perfectly normal.”
Annabeth kisses Percy. “Annabeth glared at me like she was going to punch me. And then she did something that surprised me even more. She kissed me.”

Violence

An empousai attacks Percy and Rachel. “I slashed with Riptide. Tammi tried to dodge my blade, but I sliced straight through her cheerleader uniform, and with a horrible wail she exploded into dust all over Rachel.”
Percy meets flesh-eating horses. “Come inside! Eat you! Tasty half-blood! . . . Poseidon can come in, too! We will eat you both! Seafood!”
Percy fights a monster called Geryon. “I went on the attack. Geryon parried my first strike with a pair of red-hot tongs and lunged at my face with a barbecue fork. I got inside his next thrust and stabbed him right through the middle chest.”
Daedalus kills his nephew. “Somehow he managed to grab the rim of the tower with his fingers as he fell. ‘Uncle!’ He screamed. ‘Help me!’ The old man’s face was a mask. He did not move from his spot.”
Percy meets Antaus, who decorates his court with skulls. “They grinned from pikes at the back of the stands and hung on chains from the ceiling like horrible chandeliers. Some of them looked very old–nothing but bleached-white bone. Others looked a lot fresher. I’m not going to describe them. Believe me, you don’t want to know.”
Percy kills Antaus. “I stabbed the giant in the stomach. He bellowed, and sand poured out, but he was too far up to touch the earth, and the dirt did not rise to help him. Antaeus just dissolved, pouring out bit by bit, until there was nothing left.”
During a battle, Nico summons the dead to help him. “The earth trembled. A fissure opened in front of the dracaenae, and a dozen undead warriors crawled from the earth.”

Drugs and Alcohol

Half-bloods drink nectar when they are injured. The nectar heals and strengths them.

Language

None

Supernatural

Nico, son of Hades, summons the dead. ” ‘In my day, we used animal blood,’ the ghost mumbled . . . The grave started to bubble. Frothy brown liquid rose to the top like the whole thing was filling with soda . . . Nico had summoned the dead with Coke and cheeseburgers.”
Percy meets many monsters, such as giants, hundred-handed ones, and Kampe. “It was sort of like a centaur, with a woman’s body from the waist up. But instead of a horse’s lower body, it had the body of a dragon–at least twenty feet long, black and scaly with enormous claws and a barbed tail.”
Kronos possesses Luke’s body. “Luke sat bolt upright. His eyes opened, and they were no longer blue. They were golden, the same color as the coffin. The hole in his chest was gone. He was complete.”

Spiritual Content

Percy and his friends discuss how immortal gods and monsters can still die. “Even immortality has limits. Sometimes . . . sometimes monsters get forgotten and they lose their will to stay immortal.”
Daedalus, who has cheated death for two millennia, decides to pass on. ” ‘Whoa,’ I said. ‘Pass on? But you can’t just kill yourself. That’s wrong!’ He shook his head. ‘Not as wrong as hiding from my crimes for two thousand years . . . My time has come.’ “

The Lightning Thief

Percy’s life consists of him being moved from boarding school, to military school, to private school. Pretty much any school that will take him. Because no matter where he goes, or how good he tries to be, something always goes wrong.

At the end of sixth grade, Percy figures out why is life has always been so difficult. He is the son of the Greek god Poseidon, which makes him a half-blood. A demi-god. Monsters are attracted to him. To protect himself, Percy goes to Camp Half-blood, where he learns sword fighting, archery, and a myriad of other skills that he will need to survive. He soon learns that his father is on the brink of war with Zeus and that he may be the only one who can stop it. The Lightning Thief is an enjoyable adventure that will keep readers engaged. There is a lot of fighting with monsters, but asides from that this book is friendly to younger readers.

Sexual Content

Dionysus is on probation because he, “took a fancy to a wood nymph who had been declared off-limits.”

Violence

Percy is taught in class how Kronos ate his children “And later, when Zeus grew up, he tricked his dad, Kronos, into barfing up his brothers and sisters.”
It turns out Percy’s teacher is a monster in disguise. “She snarled, ‘Die, honey!’ And she flew right at me . . . I did the only thing that came naturally: I swung the sword. The metal blade hit her shoulder and passed clean through her body as if she were made of water. Hisss!”
Percy is in a car crash. “There was a blinding flash, a jaw-rattling boom!, and our car exploded. I remember feeling weightless, like I was being crushed, fried and hosed down all at the same time.”
Percy loses his mother. “Then, with an angry roar, the monster closed his fists around my mother’s neck, and she dissolved before my eyes, melting into light, a shimmering golden form . . . A blinding flash, and she was simply . . . gone.”
Furies attack Percy. “I turned and sliced the Fury on the right. As soon as the blade connected with her neck, she screamed and exploded into dust.”
Percy kills Medusa. “I slashed up with my sword, heard a sickening shlock!, then a hiss like wind rushing out of a cavern – the sound of a monster disintegrating . . . I could feel warm ooze soaking into my sock.”
A Chimera attacks Percy. “Before I could swing my sword, it opened its mouth, emitting a stench like the world’s largest barbecue pit, and shot a column of flame straight at me. I dove through the explosion. The carpet burst into flames; the heat was so intense, it nearly seared off my eyebrows.”
Percy kills a monster. “The ropes readjusted themselves at my command. Crusty’s whole head struck out the top. His feet stuck out the bottom . . . I had no qualms about what I was about to do . . . I swung the sword. Crusty stopped making offers.”
Percy goes to the Underworld. “Even from far away, I could see people being chased by hellhounds, burned at the stake, forced to run naked through cactus patches or listen to opera music. I could just make out a tiny hill, with the ant-size figure of Sisyphus struggling to move his boulder to the top. And I saw worse tortures, too – things I don’t want to describe.”
Percy kills a wild boar in self-defense. “I slashed upward. The boar’s severed right tusk fell at my feet, while the disoriented animal charged into the sea . . . a wave surged up from nowhere and engulfed the boar, wrapping around it like a blanket. The beast squealed once in terror. Then it was gone, swallowed by the sea.”
Percy’s mother turns her abusive husband to stone with Medusa’s head.

Drugs and Alcohol

The director of Camp Half-Blood is Dionysus, the god of wine. “He waved his hand and a goblet appeared . . . The goblet filled itself with red wine.”

Language

None

Supernatural

Percy Jackson is a demi-god, the son of Poseidon. He goes to Camp Half-Blood, where there are demi-gods, satyrs, nymphs, a centaur, and even a minor god. All the monsters of Greek mythology are real too.

Spiritual Content

Percy and Chiron discuss the existence of the Greek gods. Percy said, “You’re telling me there’s such a thing as God.” Chiron replies, “God – capital G, God. That’s a different matter altogether. We shan’t deal with the metaphysical . . . gods, plural, as in, great beings that control the forces of nature and human endeavors: the immortal gods of Olympus. That’s a smaller matter.”
Percy visits the Underworld, ruled by Hades.
After every meal at camp, “everyone was taking a portion of their meal and dropping it into the fire, the ripest strawberry, the juiciest slice of beef, the warmest, most buttery roll . . . Burnt offerings for the gods.”

Voyage with the Vikings

Mr. Whittaker uses the Imagination Station to send cousins Patrick and Beth back to the time of the Vikings. Mr. Whittaker asks the cousins to bring back a sunstone, but they don’t know what a sunstone looks like. Even if the two knew what they were looking for, finding the sunstone would be difficult. Once they arrive in Greenland, Erik the Red accuses them of being spies and threatens to enslave them. Patrick and Beth wonder if they can complete their mission and find the sunstone without angering Erik the Red and becoming his slaves.

Full of action, Voyage with the Vikings introduces young readers to the life of a Viking. Although the reader gets a glimpse at Erik the Red’s violent temperament, there is no actual fighting. Part of the storyline shows the difference between Vikings and Christian beliefs.

This story gives the reader a view into another time period and creates suspense that will keep the reader wanting to know what happens next. Voyage with the Vikings is easy to read with kid-friendly language. The end of the book will leave even the most reluctant reader wanting to pick up the next in the series.

Sexual Content

None

Violence

Erik the Red threatens to kill Patrick. When Erik the Red goes to throw his spear, a polar bear roars, and he is thrown from his horse.
Erik tells Patrick, “I would kill you if I could.”

Drugs and Alcohol

The Vikings throw beer onto the fire as a sacrifice to a Norse god.

Language

None

Supernatural

Patrick and Beth use the Imagination Station to travel back in time.

Spiritual Content

Leif’s father, Erik the Red, is angry that his son went to trade and brought back, “a new God. The God of the Cross.”
Leif explains that the Vikings worship the Norse gods and offer sacrifices to them.

13 Treasures

Tanya can see fairies—evil fairies who want to keep their existence secret. When Tanya writes about the fairies in her diary, they come to punish her. They pinch her, rouse her from her sleep, and cast spells on her. Tanya’s strange behavior can’t be ignored or explained, and her mother isn’t sure what to do. In an effort to get Tanya to behave, her mother sends her to Elvesden Manor, her grandmother’s secluded estate.

In the hopes of learning more about how to protect herself from the fairies, Tanya sneaks into her grandmother’s library. Soon Tanya is mixed up in a fifty-year-old mystery of a missing girl. But as Tanya tries to unravel the mysteries of her second sight, she soon discovers that there is more to the fairy realm that she first believed. And if she is not careful, she may be pulled into the fairy world and never be able to return home.

Right from the start, 13 Treasures creates suspense as the fairies attack Tanya. Tanya struggles to keep the fairies secret (or they will seek revenge) but also explain her strange behavior. When Tanya is sent to her grandmother’s house, no one is particularly glad to see her, except Fabian the care keeper’s son. The tension in the house creates suspense. The evil fairies, the unwelcoming grandmother, and the string of missing children all lead to a creepy mystery. However, Tanya proves to be a compassionate, plucky heroine that befriends a goblin.

13 Treasures is full of fairy lore, strange creatures, and complicated characters who add interest to the story. Younger children will enjoy having a few scares that don’t leave them frightened. Even though the story is written for 8-12-year-olds, the language and the long descriptive passages may be difficult for some children.

Sexual Content

None

Violence

When Tanya writes about the fairies in her diary, they come into her room and warn her to stop. One fairy makes Tanya float in the air and turn somersaults. Then, she is dropped and crashes to the floor.
When a goblin tells Tanya too much information, the other goblins beat him. “The goblin howled as Toadface drove a heavy fist into his stomach . . . The bruised goblin was left weeping in a heap on the ground. He had sustained several cuts to his face and was bleeding profusely, his lower lip split and swollen.”
When Warwick sneaks up and grabs Tanya’s shoulder, she kicks him in the shin.
When Tanya and Fabian try to go into the woods, a raven attacks Fabian. “It hooked onto the back of Fabian’s mud-drenched clothes with long, black talons, and began a frenzied attack on the back of his head.”
A drain dweller grabs Tanya’s wrist, trying to rip off a bracelet. As Tanya struggles to get the drain dweller to let go of her, it bites her. “She felt, rather than saw, the blood running down her arm and dripping from her elbow.” When the drain dweller gets the bracelet, it runs out the door and is eaten by the cat. “The creature did not scream when the cat’s claws found their target, or even whimper as the broken, aged teeth clamped down on its windpipe for the kill.”
In order for a human to escape the fairy realm, they must have another to take their place. Tanya is tied to a tree with spider twine so she can be forced to go into the fairy realm.

Drugs and Alcohol

None

Language

When Fabian sees a drain dweller he yells, “And what the hell is that?”

Supernatural

There are fairies, goblins, and other creatures.
Tanya has the second sight because someone in her family was switched with a changeling. “The second sight comes from having fairy blood.”
A gypsy who lives in the woods is said to be able to see into the past. The gypsy gives Tanya a compass that will show the direction of her home.
The fairies threaten to use rosemary that grows in the piskies’ domains to wipe Tanya’s memory.
Fabian believes that a girl he saw in the woods could be a ghost. “Maybe she’s trying to tell us that he did kill her all those years ago. Maybe she can’t move on until justice is done.”
The fairies use a glamour to disguise a fairy child that was switched with a human child. One of the characters is afraid the glamour will wear off and the baby would be, “put under observation in a laboratory somewhere—analyzed, poked, prodded, and experimented on.”
Tanya is told that she must destroy anything that the fairies could use to control her. “Blood. Saliva. Fingernail and toenail clippings. Teeth. All the stories of witchcraft, of people being controlled by a witch in possession of a lock of their hair or a tooth—it all stems from the truth. You don’t leave anything to chance.”
Tanya is given a potion to rub on Fabian’s eyes so he can see the fairies.

Spiritual Content

None

Underworlds: When Monsters Escape

Owen, John, and Sydney saved Dana from the Underworld, but that didn’t end their problems. Hades threatens to take Dana back forever unless Owen and his friends capture the cyclopes and bring them back to the Underworld.

When Owen and his friends discover that the cyclopes have taken over the power plant in Pinewood Bluffs, they know they must find a way to return the creatures to their world. However, they are not sure how to overcome the giants.

When Monsters Escape is as fun and action-packed as the first book in the series. Even though the friends are battling giant creatures, the scenes are not described with gory detail, which allows younger readers to be entertained without being frightened. However, the descriptions of the undead maybe a little frightening for some readers.

Sexual Content

None

Violence

Cyclopes come to Owen’s town. One “reached back and ripped a telephone out of the ground as if it were a weed. He threw it across the road in front of the car, which swerved up onto the sidewalk . . . the driver leaped out of the car and ran back up the road.”
Owen and his friend must face three cyclopes. Owen uses Odysseus’ Nobody trick and Orpheus’s lyre on the cyclops. “. . . The hairy cyclops bellowed in pain, arching back into the wall next to me.”
Loki throws fire bolts at the group.
Draugs, which are undead creatures from Norse mythology, chase the group. Some of the draugs have axes and spears. Dana defeats them by using a powerful glove. “Dana spun like a ballerina, and blades of light swung around her like scythes. The ragged shrouds of the draugs caught fire.”
Dana uses the glove to capture the cyclopes. “Chains swirled suddenly out of the storm like snakes and wound around the cyclopes’ wrists, binding the giants tightly together.”

Drugs and Alcohol

None

Language

None

Supernatural

Draugs are in Owen’s town. They are described as “death walkers.” They are “dead Viking warriors who come back, like ghosts. After they die, their souls live on in their old dead form. Draugs are strong. Angry. Evil. And they can’t really die.”
Runes are used to control others. When used, the stone tingles “and not in a good way.”
Owen and his friends use a rune stone to transform into Draugs. “We all grabbed hold of the Draug thread and chanted strange runic names over and over . . . We grew larger, wider, our faces oozed facial hair—even the girls’—and our clothes turned gray and frayed. . . we didn’t feel dead. We just looked like it.”
The cyclopes make armor for Loki that will make him indestructible. “The helmet wove bands of silver over his face. The horns on his head stuck out of the helmet and writhed as if alive.” Dana takes a sliver of the armor and “Loki’s armored glove was forming around her hand. It melted over her wrist and palm and fingers like liquid silver.”

Spiritual Content

None

Underworlds: Revenge of the Scorpion King

Another adventure begins when Owen, Dana, Jon, and Sydney sneak onto Loki’s sled and end up in the Babylonian Underworld. Unsure of where they are or how they can stop Loki from waging war on their world, the friends will have to rely on each other to survive.

With the help of a new friend, the group must figure out a way to get to the top of the Scorpion King’s tower before Loki. The Revenge of the Scorpion King gives readers a glimpse of the Babylonian Underworld and the monsters of legends. The new monsters add excitement and suspense to the story. Because the events in the story are based on mythology, younger readers won’t be so scared that the events could happen to them. The scenes are not described in detail, which allows readers to enjoy the monster battle scenes.

Sexual Content

None

Violence

The children are chased by Underworld soldiers and a monster that is “a cross between a dragon and a giant crocodile.” The monster throws green flames at the children.
Loki tries to defeat the children throughout the story. In one scene, as Loki chases the children, he throws bolts at them. Dana throws her own bolts at Loki. “Bolt after bolt of silver light sprayed across the room, and Loki and Fenrir dived away.”
Thornviper, a snake-like monster, attacks the children. “Then a blast of flaming thorns from the creature’s mouth almost incinerated us.”
Furnace, an eight-foot metal monster blows flames at the children. “Furnace spat at us from his fiery jaws, coals spraying across the floor.”
Mad Dog attacks the children. “He twisted back and swiped at us with a massive paw. His claws caught a handful of shelves on the wall and tore them away. Then he opened his jaws wide, and flames shot out.”
Loki shoots a flame at Owen, which knocks him down. “Except that the bolt of silver light didn’t actually hit me. It flashed so close to my face that I thought I had died. Or gone blind. Or both.”
Birdman, a half-bird, half-man monster attacks the children. Dana hits him and his “upper beak split and flames leaped out.”
The scorpion king hits Loki with his stinger. “The armor at his shoulder burst open, and we saw white bone. Loki collapsed to his knees, clutching his shoulder. . .”
Loki takes the Babylonian monsters to earth, where they begin attacking Pinewood Bluffs. The monsters begin incinerating the town’s buildings.

Drugs and Alcohol

None

Language

None

Supernatural

Loki uses runes to control the monsters. He is trying to get the Tablets of Destiny, so he can control the monsters forever.
Owen uses Orpheus’s lyre to get the monsters to do as he commands. He also uses the lyre on the parents, so they will allow them to stay in Pinewood Bluffs and fight the monsters.
Dana has a piece of Loki’s armor that she uses as a weapon.
The scorpion king turns back into a human.

Spiritual Content

None

Underworlds: The Ice Dragon

Loki is bringing an army of Underworldly creatures to take over Odin’s throne. As part of Loki’s battle plan, he turned Pinewood Bluffs into one of his battlefields. Before Loki can continue his journey to Asgard, he must find the Chrystal Rune. Owen, Dana, Jon, and Sydney are determined to find the Chrystal Rune before Loki can and save their world.

The Ice Dragon is an action-packed story that introduces the Norse gods. The story also explains why children have been chosen to help fight Loki. The Ice Dragon features Loki’s shape-shifting abilities and gives the reader a glimpse into his trickster personality. Although some of the events in the book are a bit far-fetched, the last installment of the Underworlds series is one of the best because of the non-stop action.

Sexual Content

None

Violence

When looking for the Chrystal Rune, rock goblins appear. “A small army of green-skinned creatures swarmed out from the rocks. They were as skinny as stick figures, with tight green skin, curling talons, and hoofed feet.” A man appears and helps the children. “While the man hacked a path through the goblins, we tore through the mines. . .”
Loki throws mistletoe at one of the gods. The god “cried out and fell to his knees. With a sigh as loud as the wind, he slid to the ground, eyes blank, body still.”
Loki attacks Asgard. The armies from different Underworlds unite to defeat him. The battle is described without detail.
Loki changes into an ice dragon and attacks the children. Owen stabs him with a sword. “The sword was deep in Loki’s chest . . . A howl came from the mound of ice chunks. The dragon was no more, and Loki appeared in its place, screaming and squirming and clutching his chest with both hands.”

Drugs and Alcohol

None

Language

None

Supernatural

The Valkyries are key characters. They are described as “the three daughters of the Norse god, Odin, and they chose which heroes died in battle.”
Loki kills Baldur. Later, as Baldur travels to the underworld, he comes back to life. Owen says, “Maybe because it wasn’t Ragnarok, after all? So Baldur couldn’t die?”
Loki’s daughter keeps Dana a prisoner in the Underworld. Loki’s daughter is described as “an old skull-headed lady with stringy white hair. Her hands were the bones of a skeleton, hanging together with stringy sinews. Her arms and legs, visible under her cloak – ugh! —were covered in rags that may or may not have been rotten flesh. When she cracked open her jaws, worms slithered out.”

Spiritual Content

None

Underworlds: The Battle Begins

The Greek gods of mythology are stories told about gods that never existed, or so Owen Brown thought. Then on a seemly ordinary day, his friend Dana disappears through the school floor. Determined to find out what happened to Dana and bring her back home, Owen decides to follow the clues to rescue his friend.

Jon and Sydney join Owen on his search. Along the way, they discover that Loki has taken Dana. In order to bring her home, they must descend into the Underworld, fight the legendary warriors called Myrmidon and avoid Loki’s wolf, Fenrir. Fighting Greek and other mythological creatures is no easy task for a fourth grader, but with the help of his friends, Owen hopes that freeing Dana can be done.

The first book of the Underworlds series begins with action and never slows down. Owen and his friends are interesting characters whose bravery can be admired. Although Fenrir and the Myrmidons are dangerous, they are described in a kid-friendly way that won’t scare younger readers. The Battle Begins is an action-packed story that brings mythology to life.

Sexual Content

None

Violence

Dana was captured by a mythological creature and taken to the Underworld.
Owen and his friends must defeat a Myrmidon, Fenrir (the giant red wolf), and Loki, who is “a huge figure—a man of ice, frost, and smoke.”
Owen plays Orpheus’s lyre, and “the army of Myrmidons climbing the staircase crashed to the floor in a heap, bringing the top of the town down with them.”
The Myrmidon hurl their battle axes, but the group is able to escape.

Drugs and Alcohol

None

Language

None

Supernatural

Owen takes Orpheus’s lyre out of a museum. The lyre has magical powers. When played with the right note, people, animals, and mythological creatures do what Owen commands.
When Owen and his friends go to the Underworld, they are taken across a river. In the river are the recently dead, “human shapes swimming under the waves, their mouths open in silent screams.” Owen is told that the recently dead “haunt the shore, hoping to rejoin the living, fearing to cross to the far side.”

Spiritual Content