Topic: Ocean

Hello, Crabby!

Crabby is NOT happy. Sun is in Crabby’s eyes. Salt is in Crabby’s teeth. Sand is in Crabby’s shell. Plankton tries again and again to cheer Crabby up — with laugh-out-loud results! Will Crabby ever crack a smile? Or will Crabby always be crabby?

Hello, Crabby! is perfect for children who are learning to read. Crabby—the crabby crab—will have readers giggling with his over-the-top grumpiness. Bright colorful artwork appears on every page, showing the character’s emotions through their expressions. Pages are broken into colorful panels, which make it easy for readers to follow along with the plot.

Readers will be drawn to the story because of the bright color and the humorous pictures. But they will also enjoy the storyline as well as the rhyming words that appear throughout the text. The text uses simple sentences and easy vocabulary, and the speech bubbles are color-coded to distinguish each speaker. Each page contains five or fewer sentences, which makes the story assessable to new readers.

Hello, Crabby is not only full of humor, but it also introduces a word with different meanings. The dialogue is full of humor and includes a joke as well as several puns. Readers will fall in love with the cranky crab and laugh as Plankton tries, unsuccessfully, to make Crabby smile. Hello, Crabby! will help beginning readers build confidence as well as instill a love of reading.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 Rogue Wave

Four thousand years ago an ancient evil destroyed Atlantis. This evil is stirring again, and it will take six mermaids—Serafina, Neela, Ling, Ava, Becca, and Astrid—to defeat it. The mermaids are descendants of the Six Who Ruled—powerful mages who once governed Atlantis. In order to defeat this evil, the mermaids must find the magical talismans that belonged to the six.

Serafina mourns the loss of her betrothed—the traitor who is working for the man who destroyed her realm. But Serafina doesn’t have time to mourn; she must research the location of the talisman and discover its hidden location before anyone else can. While following leads, she must avoid death riders, who have been ordered to capture her.

Neela travels to her home realm, Matali, to warn her parents of the impending danger. However, her parents don’t believe her outlandish story and confine her to her chamber so she can rest and recover. Neela needs to escape so she can find a talisman, which is in the possession of the fierce razor mouth dragons. As they hunt for the talismans, both Serafina and Neela need to rely on courage, cunning, and their allies. Can they endure danger, defeat death, and discover the secret locations of the talismans?

Rogue Wave, the second book in the Waterfire Saga, is full of action, intrigue, and a hint of romance. Even though the first book, Deep Blue, focuses on bringing the six mermaids together, none of the mermaids work together in the second book. Instead, Rogue Wave jumps back and forth between Serafina and Neela, as they both look for a talisman. Often one mermaid’s experience would end with a cliffhanger, and then jump to the other mermaid’s story.

Despite the interesting mermaid world, many of the events were extremely unrealistic. One minute Serafina is a strong, brave girl ready to face down evil, and the next minute, she makes rash decisions that make no sense. Instead of connecting with Serafina, some readers may find the whinny, impulsive mermaid hard to relate to. On the other hand, many readers will relate to Neela, who tries to cope with difficulties with eating sweets. Neela’s parents are more concerned with Neela’s appearance than anything else. Neela has been taught that as royalty, she must always look pretty wearing jewels. Readers will root for Neela as she tries to break out of her parents’ mold.

Rogue Wave continues the intrigue that began in book one. As Serafina travels looking for the talisman, she meets an interesting Spanish princess and is reunited with her betrothed. Serafina hopes to defeat evil and help her realm; however, she is unwilling to accept the obvious and naively ignores clues that prove some people plotted against her mother. Younger readers may enjoy the mermaid world and the intrigue, but more advanced readers will have a difficult time believing Serafina can become a strong leader. The conclusion of Rogue Wave reveals an important plot twist, and readers will want to read the third book in the series, Dark Tide, to discover how the other mermaids fit into the complicated plan of saving the mermaid realm.

Sexual Content

  • As part of a disguise, Serafina uses a spell to give her an enormous bosom. Serafina complained, “It looks like I have two sea mounts stuck on the front of me. . . All I can see is my chest.” Her friend says the goal is to make the soldiers focus on her bosom, “not the face.”
  • Mahdi and Serafina kiss. “And then she was in his arms and his lips were on hers, silently telling her who he was. Hers. Always. And for a moment there was no safe house, no danger, no grief. All she knew was the heat of his kiss and the feel of his heart beating under her hand.”
  • The ghost of a Spanish princess tells Serafina about a pirate trying to capture her. The ghost says, “I vowed I would not be taken. I was a princess of Spain, meant to be wife to a French prince, not a wench to warm a pirate’s bed.”
  • Mahdi tells Serafina that he has kissed another girl but that it meant nothing.
  • Serafina and Mahdi get married, and Mahdi “cupped Sera’s face in his hands and kissed her, and Sera kissed him back, forgetting there were others nearby.”
  • After Sera and Mahdi are married, as part of his secrete identity, he becomes betrothed to another.

Violence

  • Serafina goes to Atlantis, where the Opafango live. Someone warns her, “The Opafango eat their victims alive. . . while their hearts are still beating and their blood’s still pumping.”
  • Serafina ties a man up.
  • When a soldier comes into a room, Serafina threw a dagger at him. His arm was “immobilized because her dagger had pinned his sleeve to the door.” The soldier is uninjured.
  • A villain tortures people to get information. “Four days ago, he cut a finger off a child—a child, Sera—to make her mother tell him where her father was hiding. I saw him do it.”
  • Someone tells Serafina about the raids that have been taking place. “Some of the villagers must’ve tried to fight. There were bloodstains on the wall and floors of the houses. They scribbled notes and left them behind. Please tell my wife . . . Please help us . . . They’ve got my children. . .”
  • Death riders attack a safe house. Serafina uses a spell and “the explosion was instantaneous. The concussive force was so great, it shook the ground. . . she heard the impact of debris as it was flung against the iron and the bubbling and hissing of lava.” Someone tells her, “No one could survive a blast like that.” The scene takes place over two chapters. Most of the scene is running from the death riders.
  • Someone captures Serafina in a net, but lets her go when they discover she is one of them.
  • Someone tells Serafina about a man’s experiences with soldiers. “Traho’s soldiers beat him so badly, he lost consciousness. They left him for dead.” Someone found the man and took him to safety, but the soldiers “were rounding everyone up. . . My dad tried to fight them off, but they beat him up.”
  • The ghost of a Spanish princess explains how she died. A pirate “locked me in my cabin. He boarded his ship and gave orders to bombard my vessel. . . I can still hear the cannon shot. I can smell the gunpowder. I faced death bravely, as a princess of Spain must. . . Drowning is not an easy death.”
  • Neela and several others try to take a moonstone from a dragon’s nest. A baby dragon clawed her. “A swipe of pain across her back, sudden and blinding, made her scream. She dropped the moonstone. . . Blood rose from the jagged tears in Neela’s skin, curling through the water.” When Neela and the others try to leave the dragon’s lair, a baby dragon screeches and the father comes after them. The dragon knocks a girl down and “was advancing on her now, lashing his tail, baring his horrible teeth.” The group flees, and when the dragons follow, the mermaids lead dragons to a bloom of jellyfish. The scene takes place over 7 pages.
  • A woman “nodded at two of her guards and they sized the grand vizier. She drew a crimson-tipped finger across her throat and they dragged him away.”
  • During the introduction of the new regime, goblins patrol the crowds. A merman was “cheering halfheartedly. A goblin noticed, and punched him.”A human captures a mermaid and wants information. “His right hand was bloodied. Across from him was a mermaid bound to a chair with a rope. Blood dripped off her chin. Her head lolled on her chest. . . The mermaid lifted her head and spat out a mouthful of blood. Her lip was split. One of her eyes was swollen shut.” The man tells her, “I’d like to kill you, I’d like that very much. . . Unfortunately, I can’t. You’re valuable to me and you know it.”

Drugs and Alcohol

  • Serafina uses a potion to put a group of men to sleep.
  • Mahdi tells Seraphina about his partying and playing a beer game.

Language

  • Someone calls Serafina an “idiot girl.”
  • Serafina calls a man a “lumpsucker.”
  • Several times, someone is referred to as “sea scum.”
  • “My gods” is used as an exclamation several times.
  • Hell is used twice. Someone tells Serafina death riders are coming and to “Get the hell out of here.”
  • A death rider calls his companion a “dumbwrasse.”

Supernatural

  • Some mermaids have magic. “Magic depended on so many things—the depth of one’s gift, experience, dedication, the position of the moon, the rhythm of the tides, the proximity of whales. It didn’t settle until one was fully grown.”
  • Serafina and several other mermaids cast a bloodbind spell, which required them to mix their blood. The mermaids now share each other’s powers. For example, Serafina can now understand other ocean creatures’ languages.
  • Some ghosts live in mirrors. An unknown evil man tries to use the mirror to get to Serafina. He watches Serafina through a mirror, but “Long, jagged cracks, running through the glass like a network of veins, held him back now. The spaces between the cracks were too small to fit his body through but large enough for his hand. Slowly, silently, they pushed through the mirror, hovering only inches from the mermaid. It would be so easy to wrap them around her slender neck and end what the Iele had started. But, no, the man thought, drawing back.”
  • The ghosts, vitrine, that live in mirrors “stayed within the bounds of their own mirrors; others wandered through the realm. Some spoke to the living, others refused to. There was, however, one all were bound by: when a vitrina’s own mirror was broken, the soul was released from the glass.”
  • While in the mirror realm, Serafina meets Rorrim, who feeds off of dankling. Rorrim explains, “It’s a little piece of fear. They burrow into backbones. A few of them will infest a nice strong spine, and then as the bones weaken, more come. . . There’s nothing, absolutely nothing, as tasty as fear. Doubt is delectable, of course. Insecurities, anxieties—all delicious, but fear? Oh, fear is exquisite!”
  • Serafina uses a bloodsong, and “even after four thousand years, the blood came to life under Sera’s hand. It brightened as if newly spilled, then spun up from the floor in a violent crimson vortex. The mermaids heard a voice. And then another. And more. Until there were dozens of them. Screaming. Sobbing. Pleading. Shrieking.”
  • In order to create an escape route, Serafina uses a vortex spell to make pikes burst.
  • Several times throughout the story mermaids use transparensea pearls. “The songspell of invisibility used shadow and light and was notoriously difficult to cast. Spellbinders—highly skilled artisans—knew how to insert the spell into pearls that a mermaid could carry with her and deploy in an instant.”
  • Serafina meets the ghost of a Spanish princess. Serafina agrees to take the princess back to Spain. The princess took Serafina’s hand “and Serafina arched her back, gasping. It was as if the ghost had reached inside her and wrapped a cold hand around her heart.” When the princess got to an island off of Spain, “Her body glittered now, became a million points of silver light, and then crumbled into a fine, shimmering dust. As Serafina watched, the warm Spanish winds swept her away, until all that remained was the echo of her laughter.” However, Serafina was exhausted because “the ghost had taken too much from her.” Serafina’s friends find her and help her recover.
  • Orfeo appears even though he has been dead for four thousand years.

Spiritual Content

  • Morsa, the scavenger goddess of the dead, can change forms and practices necromancy, “the forbidden art of conjuring the dead.”
  • When someone dies, a priest places a white pearl under the person’s tongue to catch the soul as it left the body. Horok—the ancient coelacanth, the Keeper of the Soul—would take the pearl and carry it to the underworld.
  • When Orfeo’s wife died, he built a temple for Morsa and summoned the goddess. Morsa gave Orfeo power, and he sacrificed people for Morsa. At first, he sacrificed “those without families in Atlantis, those who wouldn’t be missed. Then he came for us. He came at night. . . Orfeo gave her death, and in return, she gave him her forbidden knowledge. It made him so powerful that he created Abbadon and declared he would use the monster to march on the underworld” and take his wife back.
  • When Neela finds a sweet, she says, “Oh, thank gods!”

The Shark Whisperer

Tristan Hunt is known for being clumsy, which is why his parents aren’t surprised when he falls into a pool of sharks. After his strange experience in the shark tank, Tristan is invited to an ocean-themed summer camp in the Florida Keys. But this camp has a secret. All of the campers have a special talent when it comes to the ocean.

While at camp, the ocean animals ask for help figuring out who is finning sharks in the Bahamas. When several of the campers go to investigate, they disappear. With the help of sharks, dolphins, a quick escape-artist octopus, and other sea creatures, can the campers stop the shark-finning, reef-blasting billionaire?

Tristan Hunt and the Sea Guardians takes the reader on an underwater adventure, where sea creatures of all types come to life. As the campers learn about sea life, they discover an array of sea creatures from a toothless shark in a rehabilitation center to chatty seagulls. Several scenes are from a shark’s point of view, which adds interest. Tristian meets several sharks with a Bahamian accent, and one humorous shark laughs at Tristan’s fear of sharks and tells him that humans taste awful. The interaction between humans and sea life, and the variety of sea creatures with their different personalities make the story a lot of fun.

As Tristan and the other campers learn about their skills, their different reactions are interesting. At first, Tristan is a clumsy, insecure boy. However, as the story progresses, Tristan becomes more confident, is able to speak his mind, lead others, and can also laugh at his clumsiness on land. The story connects sea creatures’ behavior to the campers’ behavior and shows the importance of leadership, cooperation, and helping each other.

As a marine scientist, Prager beautifully describes the ocean sea creatures and their habitat as well as highlights the importance of taking care of the ocean. Although the ocean descriptions accurately explain the ocean, some of the long descriptions and advanced vocabulary may make the story difficult for some readers. Tristan Hunt and the Sea Guardians mixes adventure, action, and ocean life to create an exciting, educational fantasy that readers will enjoy. Readers will want to jump into this series, which continues in The Shark Rider.

Sexual Content

  • None

Violence

  • Someone is finning sharks. Tristan explained, “Finning, that’s totally disgusting. It’s when people slice off a shark’s fins and then throw the dying shark back into the water.”
  • The bad guy’s crew kidnapped some of the campers. The kidnapping was not described.
  • The sea life reported that “men from the ship killed and finned ten lemon, two bull, and five bull sharks. Took the fins and dumped the sharks. A few pilot whales were injured by the blasts; hurt their ears and they’re having trouble navigating.”
  • In order to free the kidnapped campers, the sea life attacks the bad guy’s yacht. A group of birds “dove like kamikazes toward the men on the upper deck at the back of the ship.” Then a group of birds poops on the men. When the kids try to escape, “the security man also tried to pull out his gun, but the birds had aimed well. The firearm kept slipping in his grasp due to a heavy coating of poop and slime.” The kids jump off the yacht, and the men tried to start the Jet Skis’ engines. “At that very moment, however, another team was preparing to go on the attack. The flying fish swam fast to build up speed. They leapt out of the water, stretched their fins out wide, and used their tails as rudders. The eight-inch, silvery fish glided low, swift, and silently over the water’s surface. . . They hit their target in quick successions, pummeling one of the men in the face and chest.” The attack happens over four pages.
  • After the campers are rescued, and with the help of humans, the sea creatures put explosives on the ship. Tristan “noticed that the ship was leaning. Its right side was lower in the water than the left. . . Men started yelling. Black smoke began billowing out from inside the ship.” The yacht sinks, but no one is injured.
  • When one of the bad guy’s men finds a group of campers, they trick him into driving his Jet Ski into an ooid sand wave. “The water over the top of the ooid sand wave was too shallow for the heavy Jet Ski. It hit the sand and stopped with a tremendous jolt. Somehow the man was able to stay aboard and upright on his machine. He reached for his gun. Just as he was about to swing his weapon around, a heavyweight rammed him from behind. The man flew off the Jet Ski as if he’d been hit by a dump truck.”

Drugs and Alcohol

  • As the kids were flying over an island, “Coach Fred came on the intercom and told them about a secret navy base there that specialized in capturing drug smugglers.” One of the teens asks if the Navy shoots the drug smugglers. Coach Fred replied, “No, they do not shoot the drugs smugglers. . . well only if necessary.”

Language

  • Darn is used twice.
  • Heck is used once. When a man sees a strange shadow in the ocean, he asks, “What the heck was that?”
  • Oh my God is used twice. Tristan’s father said, “Oh for God’s sake.”
  • Hugh’s family has a chef. He said, “Thank God we do. My mom can’t cook at all.”
  • Someone calls Tristan an idiot.
  • A shark calls Tristan a “lame brain.”
  • A man calls a group of people dorks.
  • frickin’ is used once.

Supernatural

  • All of the kids at camp have different abilities. Ms. Sanchez explains why. “Well, as you and the others know, life on Earth is believed to have started in the ocean. Over hundreds of millions of years, animals evolved and adapted to life in the sea—like dolphins. . . Humans have always lived on land. But since life began in the sea, our very earliest ancestors came from the ocean. In some people there are still traces of the genes that allowed those organisms to adapt to and live in the sea. At the right age and with the right help, these genes can sort of, well, be turned on, at least for a few years.”
  • When the kids at camp drink a pink-colored water, their hands and feet change. After drinking the pink-colored water, “there was a thin sheet of skin between their toes, like the webbing on a duck’s feet.” The effects of the water are temporary.
  • Some of the students can communicate with sea animals. Others have “excellent mucus deployment skills.”
  • When an octopus touches Hugh, “the creature turned brown with blue polka dots. Hugh smiled. Then an even more shocking thing happened. Hugh’s hand also turned brown with blue polka dots.” Hugh discovers he has the ability to camouflage and communicate with animals. Ms. Sanchez explains, “I bet in seawater you’ll be an excellent mimic. Your skin will have the ability to change color and maybe even texture when you’re in the ocean.”
  • Sam discovers that she can echolocate. Sam was swimming in a lagoon, and “after she made the clicking noises she had more than a feeling that the sharks were coming. It was like she had a full-screen 3D image of them in her head.”
  • When the students are in the water, their wounds heal quickly.

Spiritual Content

  • None

Deep Blue

Serafina has always known that she will eventually rule her nation, located deep in the Mediterranean Sea. She needs to prepare for her Dokimí, when she will be introduced to the Mer people as their future ruler and will announce her future husband. But rather than worrying about her Dokimí, Serafina is obsessed with the strange dreams of sea witches that have been haunting her.

Everything changes when, during her Dokimí, a poisoned assassin’s arrow strikes her mother, and her father is killed. Now, Serafina must embark on a quest to find the assassin’s master and prevent a war between the Mer nations. Along the way, Seraphina will meet five other mermaids; will the six mermaids be able to discover who is behind the conspiracy that threatens the Mer world?

Many readers will pick up Deep Blue because of the beautiful cover image of a mermaid; however, the story is not as intriguing as the cover photo. The mermaid world has a complicated history and a confusing number of characters (both gods, humans, and mermaids). Much of the mermaid world is mundanely similar to the human world and there are overly long descriptions of clothing. Another negative aspect of the story is the main character Serafina, as her character is inconsistent. In some scenes, she is fearful and runs from danger. Other times Serafina shows bravery, but that bravery makes her make stupid choices that endanger others. Serafina never takes the advice of more knowledgeable mermaids, even when she should.

Throughout the story, six mermaids must meet and make it to the sea witches’ lair. The six mermaids eventually find each other; however, readers will question how the mermaids come together at exactly the right landmarks that lead to the witches’ lair. The action slows down considerably as the characters talk about the history of the mermaids and much of the dialogue feels stilted.

In the end, Deep Blue is a typical story about a beautiful princess who loses everything including her parents. She takes a difficult journey, which teaches her some important lessons. Serafina must learn not to believe other people’s cruel remarks and that everyone makes mistakes. She also must overcome fear. Vrăja tells her, “You fear you will fail at the very thing you were born for. And your fear torments you, so you try to swim away from it. Instead of shunning your fear, you must let it speak and listen carefully to what it’s trying to tell you. It will give you good counsel.”

Even though the story has some positive messages, Deep Blue will leave readers slightly confused, disappointed, and wondering why anyone would want the whiny Serafina to rule their realm. Readers looking for a good mermaid book may want to try Atlantia by Ally Condie instead.

Sexual Content

  • Serafina overhears a conversation about her fiancé’s girlfriends.
  • When a mean girl tells Serafina that her fiancé has a girlfriend, Serafina says she isn’t upset because “I just hope she’s done a good job with him. Taught him a few dance strokes or how to send a proper love conch. Someone has to. Merboys are like hippokamps, don’t you think? No fun until they’re broken in.”
  • Serafina thinks back to when her fiancé kissed her. “It was lovely, that kiss. Slow and sweet.”
  • She finds her fiancé and one of his friends “lying on their backs. Mahdi had a purple scarf tied around his head and a smudged lipstick kisses on his cheek. . .” Someone had drawn a lipstick smiley face on Mahdi’s friend.
  • A merboy says that “Merl’s so hot, she melts my face off.”
  • Three human girls continue to fight over a boy, even though the girls are dead. Someone explains, “Must be something irresistible about rivers to sad girls. They just have to throw themselves into them. I’ve seen a lot of river ghosts.”

Violence

  • A man grabs an eel and “bit into it. The creature writhed in agony. Its blood dripped down his chin. He swallowed the eel. . .”
  • In the past “Kalumnus had tried to assassinate Merrow and rule in her stead. He’d been captured and beheaded, and his family banished.”
  • During a ceremony, men attack. An arrow “came hurling through the water and lodged in her mother’s chest. . . Her mother’s chest was heaving; the arrow was moving with every breath she took. It had shattered her breastplate and pierced her left side. Isabella touched her fingers to her wound. They came away crimson. . . The assassin, barely visible in the dark waters, fired. The arrow buried itself in Bastian’s chest. He was dead by the time his body hit the seafloor.” Both of Serafina’s parents are killed as well as many merfolk.
  • As the invaders try to capture Serafina, they blow up a wall. Serafina “looked up, still dazed, just in time to see a large chunk of the stateroom’s east wall come crashing down. Courtiers screamed as they rushed to get out of the way. Some didn’t make it and were crushed by falling stones. Others were engulfed by flames ignited by lava pouring from broken heating pipes buried inside the wall.” Serafina is able to run away.
  • The invaders use a dragon in their attack. “The dragon bashed her head against the palace wall and another large chunk of it fell in . . . the dragon knocked more of the wall down. The creature pulled her head out of the hole she’d made, and dozens of soldiers, all clad in black, swam inside. The leader pointed toward the throne . . . Arrows came through the water . . . Isabella spotted a dagger next to the corpse of a fallen Janiҫari. She conjured a vortex in the water, and sent the knife hurtling at the invaders’ leader. The dagger hit home, knocking him to the floor.” The Janiҫari “gurgled, drowning in his own blood.”
  • When Serafina and her friend were hiding in a cave, a merman appeared demanding “rent for staying in his cave. He signaled to the morays. They swam to the mermaids and began divesting them of their jewelry. . . One of the eels had dropped the necklace he’d taken from Serafina and had thrust his head down the front of her gown to retrieve it. Sera, lashing her tail furiously, caught another eel with her fins, and sent him spinning into a wall. He hit the stone hard and fell to the cave’s floor, motionless. The other eels were on her immediately, snarling. Tiberius sank his teeth into her tail fin. Sera screamed again, and tried to pull away.” The mermaids are sold to soldiers.
  • Soldiers capture Serafina and her friend. “They shackled Serafina’s wrists with iron cuffs and blindfolded her. They forced an iron gag into her mouth and wrapped a net around her. Then, one of the soldiers slung her over the back of his hippokamp and rode fast. . . The ride was agony. The net’s filament bit into Sera’s skin. The gag, with its bitter taste of metal, made her retch.” When they arrive at their destination, Serafina and her friend are put in prison with another mermaid. “Her face was bruised. She held her manacled hands close to her chest. Blood swirled above them, pulsing from the stump of bone where her left thumb used to be.”
  • While in prison, Serafina and her friends are immobilized with a metal collar that is padlocked to the wall. Serafina sees her friend, who was “chained to another pole only a few feet away. Her eye was swollen and bruised. Her skin was a sickly gray-blue.”
  • A merman frees Serafina and her friends from prison. During the break-out, “the guard’s throat had been cut. He was arching his back, flailing his tail. His eyes, pleading and desperate, found Sera’s. She gasped and backed away.”
  • While Serafina and her friend are hiding out, men appear and try to capture them. A man points a spear gun at Serafina. “Luckily, the duca lunged at the man and grabbed his arm. The gun went off. Trailing a thin nylon line, the spear hit a wall and fell into the water. . . the duca threw a punch at him, but he deflected it, grabbed the duca, and hurled him against a wall. The duca crashed to the floor, motionless.” Two mako sharks are mortally wounded. A merman who was helping Serafina was shot with a spear gun. The speargun hit “with a sickening thunk and exited his body under his collarbone. His attacker yanked on the line attached to the spear, pulling the cruel, barbed head into his flesh.” Later Serafina learns that several were killed during the fight. The scene takes place over five pages.
  • When Serafina enters the mirror realm, Rorrim tries to keep her there. When Serafina tries to leave, “He grabbed her hair and yanked her back. The pain was electric. She screamed and tried to pull away, but he only tightened his grip.” Serafina cuts off her hair and is able to escape.
  • Serafina’s friend, Ling, gets caught in a fishing net. When she is caught, Seraphina sees Ling’s “eyes wild with terror, mouth open in a scream.” Ling’s friends are able to free her.
  • As Serafina and her friends are traveling, they see “on the seabed below, maybe twenty feet off the ship’s port side, were bodies. At least a dozen of them. . . They were dead. Some were lying on their backs, others facedown. Some had the kind of open, gaping wounds that were made by a spear gun. Others had bruises on their faces.”
  • When Serafina sat against a tree, “she was jerked against the tree roots. She heard a snarl and smelled a gut-wrenching stench. She screamed and tried to pull away, but was pulled back.” Serafina’s friend took out her blade. “The blade came down to the right of Sera’s head. An instant later, she was free. . . and a human arm was lying on the ground. She whirled around to see what had attacked her. It was a terragogg. Or what was left of him. He was dead . . .” Someone had used forbidden magic to “reanimate the human dead and make them do their bidding.”
  • Three river witches are in a circle, casting a spell to keep a monster in his cage. “Blood streaked the lips of one, and dripped from the nose of another. Bruises mottled the face of a third. Sera could see that the magic cost them dearly. . .the monster grabbed the witch by her throat. She screamed in pain as its nails dug into her flesh. It jerked her forward, breaking her grip on the incanti at either side of her. The waterfire went out.” Serafina and her friends try to help the witches. “With a warrior’s roar, she (Astrid) swung her sword at the monster, the muscles in her strong arms rippling. The blade came down on one of its outstretched arms and cut off a hand. The monster shrieked in pain and fled into the depths of its prison.” The scene takes place over five pages.

Drugs and Alcohol

  • Serafina’s fiance, Mahdi, is rumored to be a party boy.

Language

  • “Good gods” and “Oh gods” are used as an exclamation several times throughout the book.
  • The villain and his soldiers are often referred to as sea scum.

Supernatural

  • Some mermaids have magic. “Magic depended on so many things—the depth of one’s gift, experience, dedication, the position of the moon, the rhythm of the tides, the proximity of whales. It didn’t settle until one was fully grown.”
  • Magic is used throughout the story. One spell is a vello spell. The mermaid said, “Waters blue, Hear me cast, Rise behind us, Make us fast!”
  • The story has several human ghost that live inside mirrors. “Ghosts lived inside it—vitrina—souls of beautiful, vain humans who’d spent too much time gazing into it. The mirror had captured them. Their bodies had withered and died, but their spirits lived on, trapped behind the glass forever.”
  • A witch uses a mirror to beckon Serafina. When Serafina looks at the mirror, she raised her hand slowly, as if in a trance.” Someone else enters the mirror, and the witch leaves.
  • Serafina and other mermaids can use songspells. “Canta mirus was a demanding type of magic that called for a powerful voice and a great deal of ability. . . Mirus casters could bind light, wind, water, and sound. The best could embellish existing songspells or create new ones.”
  • A mermaid can cast a bloodsong which shows someone else their memories. When a mermaid causes herself to bleed, “the crimson swirled through the water like smoke in the air, then coalesced into images. As it did, Serafina saw the bloodsong—the memories that lived in her teacher’s heart.”
  • Several times throughout the story mermaids use transparensea pearls. “The songspell of invisibility used shadow and light and was notoriously difficult to cast. Spellbinders—highly skilled artisans—knew how to insert the spell into pearls that a mermaid could carry with her and deploy in an instant.”
  • In order to help Serafina and her friend escape, a mermaid uses magic. “She pulled wind down into the water and spiraled giant vortexes one after another, until she’d raised a wall of spinning typhoons. She was no longer a mere mermaid. She was a storm system, a category five. And she was bearing down on the enemy.”
  • In order to escape, Serafina and her friend go through a mirror, where thousands of ghosts live. Many of the ghosts in the mirror realm are lifeless because they, “craved admiration. They become listless without it.” While in the mirror realm, Serafina meets Rorrim, who feeds off of dankling. Rorrim explains, “It’s a little piece of fear. They burrow into backbones. A few of them will infest a nice strong spine, and then as the bones weaken, more come. . . There’s nothing, absolutely nothing as tasty as fear. Doubt is delectable, of course. Insecurities, anxieties—all delicious, but fear? Oh, fear is exquisite!”
  • One mermaid was omnivoxa and could speak and understand any language.
  • A river witch uses a bloodsong to show Atlantis being destroyed. “People ran shrieking through the streets of Elysia, the capital, as the ground trembled and buildings fell around them. Bodies were everywhere. Smoke and ash filled the air. Lava flowed down a flight of stone steps. A child, too small to walk, sat at the bottom of them, screaming in terror, her mother dead beside her.” The story is retold over four pages.
  • The sea witches teach Serafina and her companions magic. One mermaid cast a spell trying to make waterfire. “Whirl around me/Like a gyre, /This I ask you, /Ancient fire. /Hot blue flames, /Throw your heat, /Cause my enemy/To retreat.”
  • One of the mermaids has the power of prophecy and sees visions of the future.
  • Serafina and her companions perform darksong. “Canta malus was said to have been a poisonous gift to the mer from Morsa, in mockery of Neria’s gifts. The invocation of the malus spells could get the caster imprisoned: the clepio spells, used for stealing; a habeo, which took control of another’s mind or body; the nocérus, used to cause harm; and the nex songspell which was used to kill.” A bloodbind is forever and if a mer breaks it, they die. The mermaids perform the bloodbind. The girls cut themselves and share their blood. “As the last notes of the songspell rose, the blood of all five mermaids spiraled together into a crimson helix and wrapped itself around their hands. Like the sea pulling the tide back to itself, their flesh summoned the blood’s return. It came, flowing back through the waters, back through the wounds. The slashed edges of their palms closed and healed.” The spell is described over four pages.
  • A witch tells the mermaids about silverfish who live in the mirror realm. “Tell it where you need to go, and it will take you.”

Spiritual Content

  • A witch, who is helping cast a spell says, “Gods help me!” As the witches are attempting to cast a spell, a witch says, “Come, devil, come. . . you’re near. . . I feel you.”
  • Serafina must face Alitheia. She is told, “The gods themselves made her. Bellogrim, the smith, forged her, and Neria breathed life into her. . . When Merrow was old and close to death, she wanted to make sure only her descendants ruled Miromara. So she asked the goddess of the sea, Neria, and Bellogrim, the god of fire, to forge a creature of bronze.” The creature must taste a meril’s blood to determine if she is a descendant of Merrow.
  • Serafina “prayed to the gods” that her magic would work.
  • The history of mermaids is told. When Atlantis was falling into the ocean, Merrow “saved the Atlanteans by calling them into the water and beseeching Neria to help them. As the dying island sank beneath the waves, the goddess transformed its terrified people and gave them sea magic. They fought her at first, struggling to keep their heads above water, to breathe air, screaming as their legs knit together and their flesh sprouted fins. As the sea pulled them under, they tried to breath water. It was agony. Some could do it. Others could not, and the waves carried their bodies away.”
  • After Serafina is questioned, the villain tells her, “Gods help you if you’ve lied to me.”
  • When Serafina and her friends are freed from prison, Serafina says, “Oh, thank gods!”
  • Serafina was told a story about the sea goddess, Neria, who “fell in love with Cassio, god of the skies. She made a plan to steal away from her palace and meet him on the horizon. Trykel found out and was jealous. He went to Fragor, the storm god, and asked him to fill the sky with clouds so he could hide in them, pretend to be Cassio, and steal a kiss. . .” The story is not completed.

The Raft

Robie feels lucky living on the small island of Midway which sits in the middle of the Pacific Ocean. But sometimes being the only kid on the island makes her feel like she’s going crazy. To keep Robie sane, she goes to visit her aunt in Hawaii. After her aunt suddenly has to leave the island for work, Robie decides to catch a cargo flight home. When the plane hits a nasty storm, Robie thinks everything will be alright. Robie is wrong.

Suddenly, Robie is submerged in water. She’s fighting for her life. Then Max, the only other survivor, pulls her onto a raft, and that’s when the real terror begins. They have no water. Their only food is a bag of skittles. There are sharks. They have no idea if help is on the way. How long can they survive in the middle of the ocean?

The Raft is a sensational survival story that has several twists that will surprise readers. The story is told from Robie’s point of view, which allows her fears to jump to the surface. When Robie is on the raft, she finds a “Survival at Sea” card that adds irony to the story, as well as helps Robie stay alive. Robie clearly loves nature but also fears nature’s violence. Through Robie’s experiences, the story highlights the dangers humans pose to wildlife by throwing trash into the sea; this aspect of the story will encourage readers to make small changes that can dramatically help ocean creatures survive.

The story doesn’t only focus on survival at sea. Max is dealing with overcoming a tragedy. As his story unfolds, Max retells his story of love and loss. Readers will be pulled into his story and will cry at his loss. Max’s story adds suspense and a unique aspect to the story.

The story has short chapters, and some of the paragraphs are only one sentence; this makes the story easy to read as well as increases the story’s suspense. Robie makes several references to The Hunger Games which adds an interesting element to the story. The Raft is a fast-paced story that pulls the reader in from the very first chapter. Fans of survival stories will absolutely enjoy The Raft. For those who want to dip their toes into other ocean survival stories, add Adrift by Paul Griffin and Surrounded by Sharks by Michael Northrop to your reading list.

Sexual Content

  • None

Violence

  • While walking home, a man thinks Robie is someone he knows. The man attacks Robie. Unexpectedly, “a hand grabbed a chunk of my cornrows and yanked. My food went flying as I whipped around. . . He grabbed my cornrows tighter, forcing my head down so I could only look at the ground . . .” Some men begin yelling at the man, and he lets Robie go.
  • A shark attacks a seal, which is able to escape to the beach. To stop the seal’s suffering, Robie grabbed a board, and “just as I was ready to bring the board down, her head fell my way, both of her eyes looking up at mine. There was no surprised in her gaze. Like she expected me to be there. To help her. . . Then I cried out as I brought the board down as hard as I could.”
  • Max’s journal details how his girlfriend, Brandy, died in a car crash. His truck rolled over, and Max found her body. “Brandy lay where she’d been thrown through the windshield as soon as we’d rolled, just off the road. . . Oh God. Her neck was at an impossible angle, and I held her hand to my chest.”

Drugs and Alcohol

  • None

Language

  • Crap and holy crap are used occasionally.
  • Frickin’ is used five times. For example, when Robie was on an airplane, she “tried not to think about the dark and the water underneath us. Nothing by dark and all that frickin’ water.”
  • Hell is used several times. When a man sees Robie on a deserted island, he asks, “What the hell is she doing out here?”
  • Oh my God and Oh God are used as exclamations six times.
  • Pissed is used four times. Robie is upset when she drops a partial bag of Skittles, she “blubbered, as part of me cursed the carelessness that had just lost us all the food we had, and another part was just pissed that I hadn’t eaten them all when I had the chance.”

Supernatural

  • None

Spiritual Content

  • When Robie is on a plane, an engine stops. She prayed, “God, please please let everything be okay. Please don’t let us crash and please just let me get to Midway. And please let them (the pilots) be calm when I look up there.”
  • The plane crashes, and Robie is pushed out into the ocean. When she is underwater, she prays, “God, please kill me already. This is more than I can take.” As she is still submerged, she prays, “God, please, let me reach the light. I want to live.”
  • Robie found a “Survival at Sea” card in the raft. As she was reading it, the card explained how to escape a fire caused by a plane’s oil slick. Robie thought, “Thank God for small favors. My plane crashed, but at least there wasn’t a fiery oil slick to deal with.”
  • When Robie hears a plane’s engine, Robie “said a silent prayer” hoping that it would find her.
  • When Robie finds a tube of Carmex, she “cradled it to my chest for a moment, thanking Max, thanking God, thanking whoever put that ditty bag on the beach.”
  • When Robie is worried that she is going to die, she says a prayer. Then she thinks, “When I was little, I did say my prayers every night. But when it was just me, and I was older, without Mom and Dad putting me to bed, I stopped. Midway didn’t even have a church. We did have a white cross though, on an edge of the island, overlooking the lagoon. . . Every Easter, the residents of Midway did gather at the cross at sunrise. Sometimes someone read from the Bible or said a few words. Usually we sang a hymn. This year I had slept in.. . I could bargain with God. Isn’t that what people did in these situations?” Robie decides she is too tired to plead her case, and God could make his own decision on what happens to her.
  • When Robie is rescued and calls her mom, her mom says, “thank God.”

Shawn Loves Sharks

Sean loves sharks. He has 126 shark books, which have taught him a lot about ocean predators. Sean loves how sharks have a big mouth full of sharp teeth. Sean does not love his classmate Stacy. He loves to pretend to be a shark and chase Stacy around the playground.

Sean loves sharks more than anything else in the world. When his teacher announces that every student will do a report on a predator, Sean is excited write about the shark. But he isn’t assigned the Great White Shark. When Stacy begins researching sharks and acting like one at school, Sean turns mean. Is there any way sharks can bring Sean and Stacy together?

Young shark lovers will love Sean Loves Sharks. Although the story has shark facts, it is also about building new friendships and discovering new things. Sean acts like a shark as he goes through his day—he chops his food and pretends to chomp the cat and his classmates as he chases them. When Sean is forced to learn about seals, he is incredibly disappointed, but as he reads he learns that seals are actually really amazing.

At one point, Sean is really mean to Stacy. As he thinks about his behavior, he realizes that “he knew that even a fast and clever seal could never be friends with a shark.” The conclusion is absolutely, adorably wonderful and will lead to some great discussions between parents and their young readers. Readers will not only learn facts about sharks and seals, but will also learn about bullying, friendship, and being kind to others.

Besides being an entertaining story, Sean Loves Sharks also has beautiful, often funny, full-colored illustrations. The illustrations will put giggles into young readers because humor is often incorporated into the pictures. For example, Sean’s cat is dressed as a shark, and the students pretend to be predators. Another positive aspect of the illustrations is that they show diverse characters; Stacy has dark hair and slanted eyes; Sean has brown skin; the students in the classroom are also drawn showing different ethnicities.

Even though Sean Loves Sharks is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. The engaging story is fun to read aloud. Since there is little text on each page, the story is a quick read making it an excellent bedtime story. Sean Loves Sharks is not only an entertaining story containing ocean creature facts but also has a positive message about being kind to others.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Aquaman: Undertow

Thirteen-year-old Arthur Curry wonders why his mother left when he was only three years old. He wonders why he doesn’t fit in with the other students at school. Arthur doesn’t like when other students call him freak or fish boy. When Claudia befriends him, Arthur wonders if she’ll decide he’s too weird to be her friend.

Arthur wants to learn about his mother. He also wants to figure out why he seems more comfortable talking to an octopus than kids his own age. When a huge storm strikes Amnesty Bay, Arthur discovers that he has the ability to help others. But should he help the boys who have bullied him for years?

Younger readers will enjoy Aquaman: Undertow because it shows that even superheroes can often be misunderstood. The short chapters and easy vocabulary make the book feasible for reluctant readers. The story does not follow the movie, which might disappoint some readers. The bullying conflict comes to a satisfying end that highlights the importance of helping others, no matter who they are or what they’ve done.

Aquaman: Undertow gives a unique insight into Arthur’s early teenage life. Although the plot is not well developed, readers will be able to relate to Arthur as he struggles with being bullied. The story has rough transitions, and some of the scenes end abruptly. The story jumps from Arthur’s current life to his nightmares, and then to Arthur’s father telling stories about the past. Despite the choppy transitions between scenes, readers will enjoy getting to know the boy who becomes Aquaman.

Sexual Content

  • None

Violence

  • At a school field trip, Arthur is looking at fish. “The next thing Arthur knew, a hand was palming the back of his head, and his face was shoved against the glass tank. Arthur winced.” A friend helps Arthur.
  • At the aquarium, two boys bully Arthur. One of the boys, “grabbed his shirt and banged him up against the glass. Arthur noticed that the crowd of classmates and other aquarium visitors were not staring at him. . . His back was pressed against the glass as Arthur watched Matta and Mike continue their taunting, their name calling, their bullying.”

Drugs and Alcohol

  • None

Language

  • Matt and Mike call Arthur names, including “freak” and “fish boy.”
  • Claudia calls a boy a “jerk” several times.
  • Arthur says “dang” once.
  • A boy says “frickin’” once.
  • A fisherman exclaims, “What the hell?!” Later another person asks the same question.

Supernatural

  • Arthur can understand how fish feel, can swim under water, and has superhuman strength.

Spiritual Content

  • None

Atlantia

The underwater world of Atlantia has been Rio’s home forever, but she dreams of living in the Above. When Rio has the chance to choose where to live, she wanted to choose the Above. But when her mother dies everything changes. Rio knows she must stay in the Below with her sister Bay. But when the day to choose comes, Bay makes the unexpected decision to go Above. Rio is stranded in the Below with no family. Now Rio only has questions. Was her mother murdered? If so, who wanted her dead? Why did Bay choose to go to the Above?

While Rio searches for her answers, she must hide her own secret. She has always hidden her powerful siren voice. When Rio’s estranged aunt Marie suddenly takes an interest in her, Rio wonders if Marie has discovered her secret. Can Marie be trusted to help Rio go Above, or will Marie lead her into danger? Rio hopes that Marie can answer her questions, but soon she learns that Atlantia’s history is more complex than the people have been told. Rio must listen to the voices of the past. And in the process, she hopes to save herself and her city.

The world of Atlantia is described in beautiful detail; however, the descriptions of a complex religion and history of the city make the beginning of the story slow. Although Rio is an interesting character, many may have a difficult time relating to her. When her sister Bay leaves to go to the Above, Rio is devastated and only thinks about how to join her sister in the Above. Because Rio had always planned to leave her sister, her motivation for going Above doesn’t ring true.

Atlantia is full of mystery, intrigue, and a dash of romance. Told from Rio’s point of view, readers get a look into what the world could look like if people destroy the land above the sea. Through Rio’s experiences, the reader will learn several positive messages including the importance of speaking up for yourself and others. Rio learns that many of the problems between the Above and the Below come from misunderstandings and fear. “People fear those who are different when really we are so much the same.” Rio realizes that “in order to save our city, we have to love each other more than ourselves.”

The ending of the story leaves a lot of unanswered questions, but it also has several surprises. Readers who want to read about mermaids should leave Atlantia on the shelf. Even though the story has sirens, the sirens are humans with a voice that can control people. If you enjoyed Ally Condie’s Matched series, and want to read more from the same author, just be aware that Atlantia is lacking the same action and suspense that makes the Matched series so enjoyable. Readers will either love or hate Atlantia. Some will find the slow pace and the lack of character development frustrating. However, others won’t be able to put the book down because of the mystery and the interesting premise.

Sexual Content

  • Someone saw Rio’s sister kissing a boy. The person said, “I don’t want to speak for them. But yes, it did seem like there was something between them. Something real.”
  • True kissed Rio. “Right here under the trees, right here on my lips, and then on my neck, his fingers strong on my back, pulling me hard and close to him. . . He is good at this. I am good at this. We are good at this.”
  • Rio and True are on a gondola when “true’s lips brush against mine and I kiss him back. We hold each other tight. Earlier, under the trees, we were hungry and relieved to touch each other. We are still hungry.”
  • Rio and True kiss. “True’s lips skim my cheekbone and then he finds my mouth and I kiss him back, reaching to touch the beautiful planes on his face.”

Violence

  • Marie tells a story about two siren sisters who fought in the temple. Their voices killed some of the worshippers who, “fell with blood streaming from their ears and terror in their eyes.” Because of the sisters, the Counsel put the sirens under their governance. One of the sisters didn’t agree with the new rules and committed suicide by drowning, “herself in the wishing pool.”
  • Rio’s mother was killed by the Counsel. The members, “called her in for a meeting. When she arrived, they gave her something to drink, as was the custom, and they had each put some of the poison in her cup. They all did it.”
  • When a transport takes a group of sirens to the Above, they are killed. “Another siren starts to run. Before she’s taken more than a few steps, the people in the boats shoot her down too. . . She doesn’t even breathe, only bleeds.” The scene takes place over several days.
  • One of the leaders of the Above is killed. The murder is not described but Rio sees the body and the “wild hair and his poor, dead face. I put my hand on his chest, but I feel no rise and fall, no heartbeat.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The gods gave Atlantia a miracle by sending sirens, people who can use their voice to control others. “There have never been two sirens from the same family line. We’ve always believed that the siren voice was a gift from the gods, not simple genetics. In order to be a minister, a person must show that they “cannot be swayed by sirens. They are chosen, in part, for their ability to resist.”
  • Marie, a siren, has the ability to communicate through a shell. She gives Rio a shell and tells her, “all you have to do is ask a question into that shell and then listen for the answer to come back to you.” Marie can also record voices into the shell, but the voice can only be used once.
  • Marie can, “hear voices from people who are gone. Who died hundreds of years ago. I hear voices in the walls of Atlantia, especially siren voices. They’ve been saved up, embedded in the walls.”
  • One of the characters can tell if a siren is telling a lie. “If I listen closely, I can hear something in their voices when they’re not telling the truth. It sounds like the wrong note in a song.”

Spiritual Content

  • Atlantia’s gods are the same gods as the ones above, but they take different shapes. When the people came to Atlantia, the leaders, “assigned land-animal faces and bodies to the gods for those of us who worship Below, and sea forms for those Above.”
  • The Atlantia religion was, “agreed upon by the sirens and the people together. They studied old histories. They learned about the gods. And then they shaped it all to fit the way their lives were. The Counsel took our religion to the Above, and the Above began to believe as well.”
  • The people of Atlantia are taught that those who live below have a “short life, illness, weakness, and misery. . . It is fair. It is as the gods decreed at the time of the Divide. Some have to stay Above so that humanity might survive Below. . . Thanks to the gods for the sea where we live, for the air we breathe, for our lives in the Below.”
  • Rio’s mother told her that, “some people say that the sirens are miracles, not people. . . Can you imagine believing such a thing? People can be miracles.”
  • Rio’s mother told her, “The gods know everything. . . They know how difficult this is. And they are pleased with you.”
  • Rio’s friend said, “I believe in them (the gods) so much that I don’t think they need statues everywhere to be powerful.”
  • When a portion of Atlantia has to be sealed off, many people die. Rio prayed, “and it’s not to Efram or any of the tiger gods, or any of the gods at all. It’s their faces I picture; it’s hers. My mother’s.” Later, Rio again prays to her mother and the gods.
  • Some people worship Rio’s mother and light candles for her.
  • Rio learns that “the temple, the gods, all of it, was a façade, a conceit. It was a way to make things more beautiful. . . No one thought of the gods as gods. They thought they were gargoyles. Decorations.” But later, the “people came to believe.” Later Rio wonders what it would be like to fashion your own gods.

Into the Abyss

Gray and his alliance of shivers—Riptide, Coral, and AuzyAuzy—want peace. But Emperor Finnivus is determined to bring the entire ocean under his command. Even though Gray and his alliance defeated Finnivis’s armada once, the bloodthirsty emperor is determined to feast on the heads of every shark he conquers.

Despite a tragic loss, Gray must prepare his forces to defeat the emperor’s armada. With no one to tell Gray what to do, Gray must figure out a way to vanquish Finnivus and his evil forces. Gray and his friends are outnumbered by a superior force. The fate of the Big Blue depends on Gray leading his alliance to victory. Can Gray become the leader that his sharkkind need to defeat Finnivus’s evil?

The third installment of the Shark Wars series follows the same format as The Battle of Riptide. The majority of the story follows Gray and his alliance as they train to defeat Finnivus, and an epic battle ensues. Takiza appears less frequently, which allows Barkley to play a bigger role. Barkley must take his place as a leader, but he is frustrated because some of the other sharks don’t respect him. Instead, they insult his entire species. Barkley must use creative thinking to earn the respect of others. He learns, “If you want them to listen, you need to prove to them you’re listening too.”

The evil Finnivus becomes even more malicious. As his armada defeats other shivers, they capture pups and brainwash them into thinking Gray’s alliance is responsible for their parents’ deaths. During the battles, Finnivus uses the pups because he knows other shivers will be reluctant to hurt the younger sharks. Finnivus’s evil actions may upset some readers. Although the death count is high, the deaths are not described in a gory manner. However, the detailed deaths of some of the characters may disturb some readers.

Into the Abyss shows the difficulties of becoming a leader; however, by the end of the story Gray and Barkley both show admirable courage. As Gray tries to recruit orcas to help with the fight, he says, “What I know is that sometimes you have to swim out and be counted, no matter what. . . You’ve fooled yourselves into thinking that not taking a side is the best and fairest thing to do. . . By ignoring this evil, you join with it—because you allow it to happen.”

Readers who have read the previous books will enjoy following Gray and Barkley as they fight against evil. Although the story follows the same format as the previous series, the story still contains some surprises. Fluent readers will enjoy the comradery of the sharks as they join together to fight an epic battle, where good overcomes evil.

Sexual Content

  • None

Violence

  • Finnivus orders his armada to kill, “a pitiful force of prisoners. . . Moments after the command was shouted by Finnivus, it was over. Not a single one of the opposing hundred and fifty prisoners remained.”
  • Two mako shark assassins attack Gray. To defend himself, “Gray did a Bull Shark Rush at the closest shark, smashing him against a razor sharp coral wall. . .” Gray’s friends help defend him. One of the assassins, “had been speared by pointed rods of coral in three different places, including through the gills. . . The mako worked his jaws back and forth, close to death. He spit up a gob of blood as the light faded from his eyes.”
  • When a herald gives Finnivus bad news, the emperor eats her. “The emperor ripped off another piece of the royal herald who had the bad luck of having to deliver the message.”
  • Finnivus sends a group of pups to fight Gray’s armada. Lochlan leads the pups away and “the frenzied cluster of Indi pup mariners engulfed him. Lochlan winked at Gray. Then the AuzyAuzy King was swarmed by hundreds of sharks as the pups went into a feeding frenzy.” Gray wasn’t sure what to do, but, “time slowed as sharkkind died all around him, spiraling away to the Sparkle Blue.” Many sharks die before the end of the battle, which is described over eight pages.
  • Finnivus’s armada kills many of the Riptide scouts. “Finnivus ate one of the mangled prisoners immediately, not waiting for the royal seasoners to do their work.”
  • Takiza slaps Gray. “Takiza gave him another stinging slap on his snout. It was loud even in the heavy waters of the training field and made a crackling noise that echoed among the coral spires.”
  • Barkley and some of his friends capture an Indi pup, who is knocked out cold. When the pup comes to, he cries, “Don’t eat me alive! Send me to the Sparkle blue, but don’t eat me while I’m still alive!” Barkley is able to reunite the pup with a family member. Later, the pup tells Gray, “Finnivus told us about you! He said you were the ones who came and destroyed my home! You ate my mother and father—while they were still alive!”
  • Finnivus has urchins attack Whalem, who, “felt the acid drip from their bodies and howled.” Whalem dies.
  • An epic battle takes place over several days. During the battle, “Gray could see at least thirty or forty Indi sharkkind spiral downward in their death throes on the way to the Sparkle Blue.” During one of the fights, “the two armadas met with a howl and a crash, both sides ripping and tearing for their very lives. There were so many sharkkind whirling and twisting away in their death agonies that a constant cry of pain and anguish vibrated the waters all around them.” During this time, Finnivus kills his mariner prime. The battle takes place over three chapters.

Drugs and Alcohol

  • Valenka tries to poison Finnivus and his court.
  • Takiza gives Gray, “a large dose of maredsoo, the glowing deep-ocean energy greenie.”

Language

  • “Heck” is used once.
  • Finnivus calls someone a “dolt.”
  • Several times in the story a shark is called a “chowderhead” or other names like “jelly drifting flipper,” or “fat frill-face.”
  • When Gray hurts an octopus, the octopus calls him “a stupid jerk.”
  • Takiza insults Gray. “The betta basically called him an idiot in his wordy way.”
  • Barkley calls Gray a “fat lumpfish.”
  • Gray tells Takiza that he sounds like a “cranky shellhead.”
  • Whalem calls Finnivus an “idiot.”

Supernatural

  • None

Spiritual Content

  • Sharks that die go to the “Sparkle Blue.”
  • Takiza tells Gray to “pray to Tyro.”
  • A shark prays to Tyro asking him for help.
  • Takiza tells Gray about a prophecy. “He shall come from the depths of ocean prehistory. . . a megalodon will arise and win the unwinnable war.” Takiza believes the prophecy is about Gray, but he admits prophecies, “are irritatingly unclear. But the verse does seem to be speaking of someone remarkably like you, in an uncomfortably similar situation to the one we find ourselves in today.”
  • When Whalem is knocked out, he sees, “sparkling lights everywhere.” He also sees his friends who are swimming in the Sparkle Blue. One of his friends tells him that it’s not his time. Later, “the colorful lights returned. How everything sparkled! Then, Whalem was with his friends again, and he was happy.”

The Battle of Riptide

Gray and Barkley have always had to worry about Goblin shiver, but now the fish are whispering of a greater threat. Finnivus has a vicious armada, and he plans on expanding his empire. Finnivus won’t stop killing until he is the emperor of the seven seas.

Gray isn’t sure what he can do, but then Takiza appears. Takiza, a wise and mysterious fighting fish, has made Gray his apprentice. With Takiza’s instruction, Gray will learn what it means to be a great warrior. Gray isn’t convinced that he can learn how to defeat Finnivus and his armada. Can Gray find the courage to fight? Will he lead his shiver to a victory or to their deaths?

The second installment of the Shark Wars series ramps up the action as shark shivers struggle to survive. Finnivus, a spoiled king, gives the story a new, interesting threat. Readers will root for Finnivus’s demise because the young shark is a truly self-centered, evil king. Although it is no surprise that Gray will have to face Finnivus, the shark action is nicely interwoven between Gray’s training scenes.

New, interesting characters are added, which allows readers to see how the sharks must work together to defeat Finnivus. The battle isn’t portrayed in a glamorous way, but is portrayed as being ­­necessary to defeat evil. Although the death count is high, the deaths are not described in a gory manner. However, some readers may be upset when a shark eats her shivermates.

Readers who have not read Shark Wars may have difficulty understanding the dynamics of the characters. The sharks’ world is brought to life in a realistic, interesting way and includes shark language such as landsharks, shiver, chop chop, and greenie. The cover of the book has a picture of each shark, which allows readers to understand the size and physical differences of characters.

The Battle of Riptide explores the theme of loyalty and illustrates that loyalty should not be more important than doing what is right. The fast-paced story will keep readers interested with the well-developed characters, an evil king, and intense battle scenes. But the best part of the story is reading about Gray’s struggle to become a courageous leader worthy of being respected. With 242 pages and no pictures, Shark Wars is a good choice for fluent readers. Anyone who wants to swim into a good shark story will enjoy The Battle of Riptide. Readers will want to make sure they have the third book in the series, Into the Abyss, ready to read because even though Gray and his allies have won the battle, it is clear that the war will continue.

Sexual Content

  • None

Violence

  • When Snork gets stuck in the coral, Razor Shiver attacks. In order to defend his friend, Striker “hurtled out of nowhere and speared a streaking bull shark in the flank, butting it away from biting Gray. . . Barkley took on another bull as Shell rammed a third. It was a melee!” When Snork gets free, the group flees.
  • King Finnivus’s herald goes to talk to Razor. In anger, Razor, “roared and took the herald’s dorsal fin with one clean bite.” A battle ensues and, “after only a few fin flicks, there was blood everywhere. . . It was a slaughter. Then two Indi Shiver sharks—a blue shark and a mako—struck at Razor himself, one mauling his dorsal, the other taking his right fin. Razor was finished!” The attack happens over three pages.
  • Two sharks attack Gray and Barkley. “When Gray emerged from behind the pillar of coral, he was zooming straight at his attackers. Surprise! Gray smashed into the mako, snout to snout. He weighed much, much more than that shark and heard its spine audibly snap. It sank, a surprised look frozen on its face.” Barkley bites an attacking shark and, “the blue shark keeled over and sank, warm blood rising from the wound.” The attack happens over four pages.
  • Valenka plots Goblin’s death. She lures Goblin to a quiet location where ocean creatures inject him with poison. “The toxic dwellers stung Goblin on his belly and by the bends on his fines. Goblin screamed in frustration as the stonefish kept low and underneath him. . . Goblin stiffened as if he had swum into an invisible wall when the jellyfish stung him in the gills. . . With a last audible hiss, Goblin rolled belly up. . .Then Valenka bit Goblin in the gills.” The scene takes place over two pages.
  • After defeating Goblin shiver, the shiver is served to King Finnivus. Valenka takes part in the meal. “Valenka looked at the faces of her ex-shivermates arranged on a rock disc carried on the backs of four sea turtles. . . Halfway through the meal, Valenka discovered it wasn’t so bad. In fact, Streak was kind of tasty.”
  • When Finnivus demands Gray’s head for dinner, Gray attacks. “Gray roared, rocketing forward and catching the Indi mariners by surprise. He rammed the nearest one in the liver and ricocheted off two others. . .” Gray is able to escape and no one is injured.
  • The story ends with a multi-chapter battle. Many are killed, but most deaths are not described. During the battle, “Barkley barely avoided a bite at his left fin as he struggled to keep up. . . The richly tattooed armada commander, a young spinner shark, looked over an instant before Gray struck. The bite was clean and deep. Blood clouded the water as the spinner’s eyes rolled upward to the whites.” The Indi shiver retreats.

 Drugs and Alcohol

  • None

Language

  • Heck is used once.
  • Barkley tells another shark, “Suck algae, you big bully!”
  • Gray calls someone a “chowderheaded flipper.”
  • Two times, someone says, “Shut your cod hole before I rip off your tail and feed it to you.”
  • Finnivus yells at someone. “You are nothing but an old, krill-faced, jelly-brained drifter that my father should have gotten rid of a long time ago!”
  • Someone calls Gray a “jelly-brain.”

Supernatural

  • None

Spiritual Content

  • Sharks that die go to the “Sparkle Blue.”

 

Shark Wars

Gray is bigger than the other sharks in his clan and when his stomach rumbles, Gray follows the food and gets into trouble. Gray is banished from his reef and is forced to journey into the Big Blue. Luckily, his best friend Barkley goes with him. As they hunt for food, they enter an ocean world where the battle for hunting grounds is fierce. Gray and Barkley must find out which sharks are friends and which sharks are foes. How will the two friends keep from becoming someone else’s dinner?

The action-packed story follows Gray, who struggles with his large size and his hunger. Because the story is written in the third person point of view, the reader knows that sharks are keeping secrets from Gray. The reader knows that Gray should not be so trusting, adding suspense to the story.

Shark Wars creates a believable world where sharks rule the underwater realm. As the shark clans fight for food, Gray struggles to learn fighting skills, as well as to determine which sharks are trustworthy. Gray learns that even though he doesn’t like a fellow shark, that doesn’t mean they cannot work together for the good of the group.

As Gray meets other fish, he wonders if he is “swimming a good current.” In the end, he discovers the importance of loyalty and standing up for his friends. Shark Wars teaches the importance of doing what is right. The author tells Gray’s struggle for survival in an interesting way. Altbacker includes shark language such as landsharks, shiver, chop chop, and greenie. The cover of the book has a picture of each shark, which allows readers to understand the size and physical differences of characters. With 248 pages and no pictures, Shark Wars is a good choice for fluent readers. For those wanting a story that combines sharks, friendship, and fighting, Shark Wars will keep you entertained. But be warned, once you read Gray and Barkley’s story, you will be hooked and want to have the next book of the series waiting on the shelf!

Sexual Content

  • Valenka rubs up against the male sharks when she is trying to convince them to do something. For example, when trying to convince Goblin to do something, Valenka, “rubbed against him and whispered in his ear.”

Violence

  • A tiger shark attacks Gray and Barkley. “Gray heard a satisfying ‘Whufff!’ as he rammed the shark in the soft underbelly by his liver. The tiger tried to turn but was momentarily paralyzed. Barkley hammered the dazed attacker next. Or he tried. Because of his small size, he bounced off like a sea horse against hard coral.”
  • Gray’s clan is attacked and many of them are sent to the Sparkle Blue. The attack is not described, but Gray is upset. “A reddish haze descended over his eyes as he thought of someone eating sharks from his shiver family.”
  • Goblin and other sharks attack Gray and his friends. “Gray swam towards Goblin, who taunted the sawfish by nipping at his tail as his other shiver sharks laughed. Gray picked up his pace by ferociously whipping his tail back and forth. . . Gray hit the great white in the side, doing no real damage but forcing him from Snork.
  • The sharks play a game where they try to eat wahoo, which are really fast fish.
  • A shark, Thrash, taunts a mother turtle and threatens to eat her babies. The shark “lazily slid with the current so he was now facing the turtles and blocking them from the safety of the greenie. He gnashed his teeth together. “ ‘Just swim inside! You won’t feel a thing’ . . . Thrash laughed and then opened his mouth to bite the momma turtle in half with his jagged teeth. She screeched in fear. . .” Another shark appears and stops Thrash.
  • Thrash taunts a beta fish, then gets beat up by it. “Then the little fish caught Thrash by the tip of his tail with its frilly fins and somehow swung him in circles! And fast. . . The little fish threw Thrash into the distance, several body lengths away.”
  • Two shark clans battle. “The cries of bloody victory and death receded until he only heard his heartbeat and the water whisking past his gills. Gray rammed one attacking bull hard, sending it spinning away just before it could bite Thrash. . . Goblin battered a blue shark away from Churn, then bit a dorsal fin off another.” Several sharks die. The battle takes place over four pages.
  • A group of Goblin’s shiver sharks set a trap and attack others. “Ripper barreled into Shell, knocking him senseless. . . Barkley didn’t even feel the tiger’s impact on his side. Suddenly he felt the water cool and sweet, and he was floating by the Coral Shiver reef.” The sharks are put into a cage.
  • In a fit of anger, Gray “whirled and gave Striker a tremendous tail slap to the face. Gray actually felt it all the way up to his spine.”
  • When Gray tries to free his friends, other sharks try to stop him. Thrash “launched himself at Gray, who barely missed losing his left fin. He jammed Thrash as he passed flank side with his dorsal fin, raking the tiger.” The battle is described over three pages.
  • There is an epic multipage fight between Goblin’s clan and another clan. “Everything was flashing teeth, blood, confusion, and above all, the thunderous fin of the Bluefin siege flashing by, a relentless, speeding, silvery mass. . . He [Gray] butted two attacking bulls off the safe area, and both were sucked into the Run as if jerked away by a giant octopus tentacle. . . Striker smashed into Shell’s pursuer, biting him in the gills and forcing the dying shark into the current.”

Drugs and Alcohol

  • None

Language

  • Gray gets stuck. When his friend teases him, Gray yells, “Shut your cod hole and push!”
  • A fish calls other fish “morons.”
  • Heck is used three times. For example, Goblin asks, “Who the heck are you?”

Supernatural

  • None

Spiritual Content

  • Sharks that die go to the “Sparkle Blue.”

Third Grade Mermaid and the Narwhals

Cora wrote a story about narwhals and reads it in class. Vivian Shimmermore makes fun of Cora’s story, saying that narwhals are fake. To prove Vivian wrong, Cora and her friends travel across the open ocean to find a pod of narwhals before they migrate. Cora wants to show Vivian that narwhals are not just mythical creatures but really exist. Will Cora and her friends be able to find the narwhals before they migrate?

Third Grade Mermaid and the Narwhals has many elements that will appeal to younger readers. Readers will enjoy meeting Cora’s friends—a sea cucumber and a shrimp. Delightful cartoon illustrations appear on every page; this allows the reader to visualize the sea creatures and the characters’ emotions. Some of the conversations appears in speech bubbles, which helps break up the text into smaller parts.

As Cora travels to see the narwhals, she learns the importance of stepping out of her comfort zone. Through Cora’s interaction with Vivian, Cora was encouraged to go find the narwhals—a feat that Cora did not think she could accomplish. Cora clearly doesn’t like Vivian Shimmermore; however, when Vivian is afraid of the dark, Cora helps her overcome her fear. The story also teaches the importance of friends helping each other.

The story is told from Cora’s point of view, which allows her personality to shine. Nevertheless, Cora has several qualities that are not worth emulating. When her teacher asks Cora to enter a writing contest, Cora only agrees to participate so she can “put Vivian in her place for once.” Cora’s interactions with others, even her friends, are at times slightly mean and snippy. When Cora asks for permission to go find the narwhals, she nags her mother. “The ‘Yes Game’ went on for some time before Mother actually said yes for real. But the point is she did.”

The book also has several negative aspects. Even though Cora looks like a third-grader, the other two girls from her class look more like teenagers. The plot also doesn’t enforce the importance of hard work. When it is time for Cora to write her story, she falls asleep and decides to turn in her diary entry. Even though Cora did not have time to write her story, she still receives first place.

With short sentences, dialogue, and definitions of difficult words, Third Grade Mermaid and the Narwhals is an engaging, easy-to-read book. The plot revolves around Cora’s trip to see the narwhals; however, at the beginning of the story, the plot jumps around which may make it confusing for beginning readers. The story ends with facts about narwhals and narwhal vocabulary. Younger readers will enjoy Cora’s adventure, the illustrations, and the sea life, but hopefully readers will not imitate Cora’s negative personality traits.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Shark Lady: The True Story of How Eugenie Clark Became the Ocean’s Most Fearless Scientist

Most people think sharks are scary monsters. But when Eugenie saw a shark, she thought they were beautiful. She dreamed of growing up and studying sharks. She wanted to show others how amazing sharks are. Discover how Eugenie became known as the Shark Lady.

Shark Lady follows Eugenie’s progress from a small child dreaming of sharks to a grown woman who made fantastic discoveries. Each page contains beautifully colored illustrations that bring the underwater world of sharks to life. Several of the pages have pictures of fish, with both their scientific name and their common name.

Even though some people believed Eugenie should be a secretary or a housewife, Eugenie never gave up on her dream. The story does not overlook the years of study and the hard work that Eugenie put into getting an education before she “finally dove into the open ocean.” Through Eugenie’s life experiences, readers will learn that “we must never let the world tell us what we can and can’t do. It especially can’t tell us how brave we will choose to be.”

At the conclusion of the story, there are fun facts about sharks and an illustrated timeline of Eugenie Clark’s life. The picture book Shark Lady will appeal to any reader who wants to learn about sea life. The many illustrations and short sentences make Shark Lady the perfect book to read aloud. The positive, true-life story of Eugenie will inspire children to never give up on their dreams.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Surrounded by Sharks

Early in the morning, Davey wakes up in a small hotel room surrounded by his family. He sneaks out of the room because he doesn’t want to waste any of the vacation sleeping. Davey, with a book in hand, heads to the beach. The beautiful ocean is too much of a temptation for Davey to resist. When he sees the No Swimming sign, he decides to just dip his toes in the water. But the waves tear Davey away from the island and soon he’s miles offshore. He’s surrounded by water—and something else. Sharks are circling below the surface, watching, and waiting. Davey’s terrified he will become the sharks’ next meal. Then no one will find out what happened to him.

Northrop writes with the perfect balance of suspense and action. The short chapters allow the reader to see Davey’s struggle, the sharks’ thoughts, and the action that is taking place back on the island. As the people on the island search for answers about where Davey could have disappeared to, the reader knows that Davey is about to become shark food. Switching between perspectives keeps the reader in suspense to the very end.

Every character in Surrounded by Sharks comes alive and their unique personalities add to the story’s atmosphere. Although the story revolves around Davey’s predicament, there are also several other teens that make the story relatable. While Davey’s two-parent family is not shown to be perfect, they clearly love each other. Surrounded by Sharks is an easy-to-read, suspenseful story that will keep even the most reluctant reader turning the pages until the very end.

Sexual Content

  • Davey is distracted by a girl because “her T-shirt was so light that he could see her bathing suit right through it. Or, wait . . . was that her bra?”

Violence

  • A shark tries to bite Davey. When it attacks, “the black eyes rolled back in its head, and its permanent frown widened for the bite, revealing two rows of sharp, serrated teeth. BONK! It hit the water cooler bottle.” Davey has the air knocked out of his lungs but is otherwise uninjured.
  • A shark attacks Davey. As Davey is being pulled into a boat, “the smaller shark surged forward below the surface and clamped onto Davey’s leg, harder this time. It swung its head to the side with surprising power and pulled Davey out of Drew’s grasp and clean off the side of the boat. Davey’s head dipped under the water, and a mouthful of seawater slipped into his lungs.” Davey is saved.

Drugs and Alcohol

  • Davey sits by a bar stand on the beach and worries about getting drunk off the fumes because then he’d get in trouble if he was “stumbling back into the hotel room completely blitzed on alcohol vapors.”
  • One of the characters, Zeke, had “been out at the local bars the night before. It was what they called ‘a late night’ in most places. . .” Later Zeke is described as having a “faint smell of booze.”
  • A man at the bar stand tells someone, “Come back at eleven. Mimosas and Bloody Marys. Full bar at noon.”
  • A character goes into a liquor store, but his wife doesn’t approve.

Language

  • “Frickin’” is used several times.
  • “Oh my god” and “god” are used as exclamations several times. For example, after being pulled into the ocean by a riptide, Davey thinks, “Oh my god, I’m an idiot!”

Supernatural

  • None

Spiritual Content

  • While out in the ocean, Davey believes thata he sees land and thinks “Thank God.”

Polaris

During the 1830s, the Polaris sets sail on a scientific mission to the Amazon jungle. The crew is excited to bring back new discoveries, but when the landing party returns, only half are alive. After an argument, the crew loads a chest into the bowels of the ship. After they begin their trip home, a bloody mutiny leaves most of the adult crew dead. Those who live, flee the ship, leaving six children—none of whom are older than twelve. The captain’s 12-year-old nephew Owen, a botanist’s assistant, and other deckhands struggle for survival. Soon they realize that the sea isn’t their only worry. Something else is lurking below deck, and it’s growing.

From the first page, Polaris will capture reader’s attention and they will not want to put the book down. With just the right mix of suspense and action, Polaris makes the fight for survival come to life. Full of realistic detail and nautical facts, readers will be pulled into the frightening atmosphere of Polaris. The story is appropriate for younger readers with tame battle scenes. This fast-paced story has well-developed characters that show the importance of working together despite the fact that they do not like each other. With a diverse cast of characters, an engaging plotline, and an epic battle scene, Polaris will not disappoint those looking for an excellent horror story. But be warned, the creepy creature may make its way into the nightmares of readers.

Sexual Content

  • None

Violence

  • A character thinks about a boy, who “had blown up trying to carry two cartridges (of gun powder) at once.”
  • A mutiny begins among the adult crew. The children listen to the fighting through a locked door and hear gunshots as well as someone being thrown into the sea. Then the boys hear, “three shots rang out in quick succession—the officer’s pistols. Shrieks of pain mixed with the shouts of rage, telling Owen that the rest of the work would be done with blades and hands.”
  • Owen shoots the creature. “Owen heard a quick sound behind him—tik-taclik! —like metal on bone.” Then, the boys pour boiling water on him. When the creature flees, someone stabs it with a spear.
  • When the creature snatches one of the boys, someone shoots the creature. “Per-KRACK went the pistol. A flash of flame and a billowing plume of smoke shot forth.”
  • A boy hits Owen over the head with a hatchet. Owen is not seriously injured.
  • When the creature tries to snatch another person, there is a fight that takes place over several pages. When someone shoots it, “the lead ball ricocheted off the thick armor plating of its thorax.” When Owen throws the pistol at it, “the butt of the pistol smacked heavily into what had been Obed’s forehead. The creature staggered backwards. . .” No one is injured.
  • The creature attacks the boys. The battle takes place over several chapters. During the battle, “A dark red rat-like creature emerged from the hatch, then a second, and then they all began to pour out. One dozen, two dozen.” The kids rig a device to blow up the ship after they have jumped off.

Drugs and Alcohol

  • Owen thinks about his uncle and father. “His uncle had taken him in after his mother’s death and his father’s descent into sorrow—and the bottle.”

Language

  • When the crewmembers discuss being infected with spores, someone thinks, “Oh God. . . What if it’s me?”

Supernatural

  • The children believe the ghost of Obed Macy is haunting the lower deck of the ship. They discuss if a Bible and cross will ward off the ghost.

Spiritual Content

  • During a storm, a character begins “the Lord’s prayer.”
  • A character prays, “Lord help us all.”

 

ADRIFT

Matt went to the party to see a beautiful girl. He never expected that decision would alter his life forever. In a strange turn of events, Matt and John end up adrift in a boat with three rich kids. They assumed they would be rescued quickly. They assumed wrong.

Matt and John are used to banding together to help each other. By when five people are fighting for survival, it’s difficult to know how far each person will go to stay alive. When Matt begins to fall in love with Driana, conflict builds. The group needs to work together to stay alive, but growing mistrust makes that impossible. After all, no one wants to be the first to die.

Adrift is a gripping tale that will capture readers’ attention right from the start. Even though most of the action takes place on a boat in the open sea, there is plenty of suspense to keep the story interesting. The story doesn’t only focus on the struggle of being lost at sea, but sprinkles in mystery because something happened in the past—something bad—and that secret has shaped both Matt and John.

Besides being an entertaining story, Adrift is easy to read and shows the complicated nature of humans.  Although the story explores the idea of killing a sick person to save oneself, in the end, the characters act with compassion. One positive aspect of this story is that characters show the importance of telling the truth—even if the truth is ugly.

Sexual Content

  • Matt and Driana kiss twice. The first time Driana, “kissed my eyes and then my lips . . . We kissed and kissed.” The second time Driana, “kissed me fast and then pulled away, and then she leaned in for a longer, harder one and lingered, and then she pushed away really hard. . .”

 

Violence

  • One of the characters tries to hug a dolphin. “It bucked, and its tail kicked up into the Windsurfer. . . Maybe I only imagined the bones crack, but her arm from her elbow down was facing the wrong way, and a slick red bone tip pierced her skin. . . blood pulsed from the rip in her arm . . . ”
  • John and Matt were told about a character whose, “mother was gunned down in front of her. . . A drug deal went bad and Stef’s mom was hit in the cross fire. . . Stef was holding her when she bled out. She was five years old, and she remembers it like it was yesterday.”
  • Throughout the story, the death of John’s father, Mr. Costello, is talked about. In the beginning of the book, the reader gets snatches of information such as, “When his father’s blood spattered my face.”
  • Several years before the story begins, John’s father is shot. The incident is described over several pages. Matt tells the story. He said, “It wasn’t the blood that freaked me out. . . Mr. Costello took all three bullets fired into the front seat. His body is pinned against the driver’s side door.”
  • At a baseball game, there is a group of men who are spitting at the coach. “Mr. Costello helps him up. He drags him to the ball-field exit and throws him into the parking lot.”
  • John tries to kill a baby porpoise, so they can eat it. John hits him with a harpoon, drags it onto the boat, and then hits it one the head with a hammer. “I heard a popping sound, and then another one when John swung the hammer into the porpoise’s temple. The porpoise writhed and bucked and flopped right out of the boat.”
  • When a shark tries to eat one of the boys, John hits it with a hammer.
  • One of the boys goes “out of his mind.” Dri is trying to comfort him when, “He screamed and flung her off. Her head smacked the bench cabinet. Blood drops hit the water on the deck and spread out like exploding red stars.” Matt steps in between the two and, “Drove the heels of my hands into JoJo’s chest. . . JoJo came back at me with a fist to my shoulder. The force of the punch tumbled into my spine, my legs. . . I hit the floor of the boat hard enough to see stars. . .”
  • JoJo jumps into the open ocean and is eaten by sharks. “. . . a shark bit his shoulder and shook him to tear away the skin. He didn’t have time to scream before another shark clamped its mouth over his head.”
  • John hits Matt. “When I turned back his fist smashed my face. Lights out.”

 

Drugs and Alcohol

  • There are several detectives looking for the missing teens. A detective’s memo stated, “Also, Castello’s mother was hospitalized with alcohol poisoning. Apparently this wasn’t the first time.”  Later Matt said, “After Mr. Costello was killed, she drank to the point she couldn’t work.”
  • One of the characters takes drugs for his depression. “One is pink, the other yellow, another light blue.”

 

Language

  • None

 

Supernatural

  • Matt occasionally sees a ghost. “I meet him [the ghost] in my nightmare. He lay in the front seat of the car with his skull smashed in. Mr. Costello opened his eyes and cried blood tears. The ghost had never spoken to me before, but that morning he said, Matt, it’s time to wake up.”
  • Matt says that Mr. Costello’s ghost is everywhere. “He looks so lost and sad. Like he wants to tell me something, but can’t talk because his neck is all blown out. His voice is gone.”
  • At the end of the story, Matt says, “. . . sometimes Mr. Costello is there . . . Once in a while he follows me. He doesn’t mean any harm, and he isn’t bleeding anymore. The wounds are gone. He can talk now, but he doesn’t.”

 

Spiritual Content

  • While looking at the sky, one of the characters says, “To get to see this? God loves us. Truly we are loved.”
  • A character asks Matt if he is a believer, then goes on to say, “I believe God sent you both. You especially. . . You have a talent for remaining calm. This is the way God made you.”
  • In a conversation, Matt is told, “God is watching out for us.” When Matt is asked if he believes, he replies, “Only when I’m taking a test I didn’t study for.”
  • There are several references to God such as, “Thank God we have more money than they do.”
  • One of the characters says, “The universe provides.” In response, John thinks, “For some people, the universe provides. The rest of us scramble.”

Shark Bait

Sam expected to view sea life while on vacation at the Great Barrier Reef. What he didn’t expect was to become shark prey. But when a huge wave hits Sam and another boy, they are swept into the open ocean. Sam must keep himself and his new friend, Michi, from drowning. He also has to worry about the predators that lurk underwater.

When Sam and Michi finally see land, their troubles are far from over. Michi’s foot gets stuck in a giant clam and when Sam goes for help, smugglers throw him in a cage with an angry bird. Sam must figure out a way to escape in time to help Michi get to shore before the tide comes in.

Action-packed suspense will keep readers turning the pages of Shark Bait. Because Sam tells his own story, the reader will be able to relate to his fear and determination. Although Sam seems to have the worst luck in the world, his story is believable. Shark Bait is an easy-to-read story that is sure to entertain.

Sexual Content

  • None

Violence

  • A shark attacks Sam. “I felt myself knocked head over heels. The next moment I was upside down, looking back through the inverted V of my splayed white legs . . . I couldn’t believe a real live shark had just head-butted me and then swum away.” When a shark bites the cast on Sam’s foot, Sam “hit my attacker in the eye” and the shark lets go.
  • During the night, a boat hits Sam. “It spun me around, rolling me helplessly along the hull beneath the water line . . . The hull wacked me again, on the shoulder this time.”
  • Sam wrestles with a sea snake. “Grabbing its neck with my other hand, I yanked it off my watch . . . It coiled itself into a writhing green football around my wrist and arm, its mouth biting and snapping in my tightly clenched fingers.”
  • Michi attacks a smuggler, who is holding Sam captive. “Michi darted forward and tripped the smuggler with his stick . . .” Then Michi uses a karate kick. “The toe of Michi’s heavy leather shoe struck him squarely in the temple. Whomp! Baldy went down like a sack of wet cement.”
  • A smuggler throws a spear at Michi, but no one is injured. Later Michi kicks the smuggler and the man “fell in a heap.”
  • A smuggler shoots a gun at the boys.
  • A smuggler tries to stab Sam with a bowie knife. Sam “formed a karate ridge-hand and struck him with all my strength right on the point of his elbow . . . he screamed, dropped the knife, and slid from view.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None
  1. Pages:
  3. 1
  4. 2
  5. 3
  6. 4

Latest Reviews