Topic: Friendship

Thanks to Connor, Lev, and Risa—and their high-profile revolt at Happy Jack Harvest Camp—people can no longer turn a blind eye to unwinding. Ridding society of troublesome teens while simultaneously providing much-needed organs for transplant might be convenient, but its morality has finally been brought into question.

But unwinding is a big business, and there are powerful political and corporate interests that want to see it not only continue, but also expand to the unwinding of prisoners and the impoverished. And the minds behind unwinding have already begun pushing its boundaries.

Cam is the first “rewound,” a futuristic Frankenstein’s monster who does not technically exist and is made entirely out of unwinds’ body parts. He struggles with his identity and the question of whether he has a soul. And when the actions of a sadistic bounty hunter inextricably bind Cam’s fate with the those of Connor, Risa, and Lev, Cam comes to question humanity itself. 

Unwholly introduces several new aspects that shine more light on the practice of unwinding teens by introducing several new characters, including Cam. When people are first introduced to Cam, many of them believe he is an abomination and not human. However, Cam’s creator, Roberta, is a master of deception who uses the media and Risa to convince others that Cam is indeed a unique person worthy of admiration. When Cam compares himself to the monster Frankenstein, Roberta says, “That monster was made from dead flesh, but you are made of the living! That creature was a violation of all things natural, but you, Cam, you are a new world wonder!” At first, Risa hates Cam, but when she’s forced to spend time with him, she begins to view him as a person instead of a thing. This change allows Risa and the reader to see Cam’s humanity.  

Because human parts are in high demand, the black market has thrived. Nelson, a parts pirate, uses traps to lure in unsuspecting teens. Once they are in Nelson’s hands, their fate is sealed—they will be unwound, and nobody—not Nelson or his buyer—cares if the teen belongs to a loving family. Money is the prime motivator when it comes to providing parts to the wealthy. Readers will come to hate Nelson, as he is truly evil. However, Nelson is not the only new character who is easy to hate; Starkey a stork saved from unwinding, has grand plans to make storks the center of attention. In his quest to become the storks’ leader, he is willing to take down anyone in his path—including Connor.   

Unwholly allows the reader to understand how unwinding has become a part of society. Through the practice of unwinding, parents are allowed to play God. However, unlike God, parents are often selfish and are too caught up in their own emotional turmoil to make logical decisions. For instance, Hayden’s divorced parents sign the unwind papers because they’d rather see Hayden unwound than in the custody of the other parent. Other parents sign the unwind papers when cash is offered. When it comes to unwinding, Shusterman makes the reader look into the cruelty and compassion surrounding the teens sentenced to “a divided state.”  

The second installment of the Unwind Dystology is a disturbingly dark tale that forces the reader to ask questions about the value of human life. While the first installment focuses on Connor’s, Risa’s, and Lev’s fight for their life, Unwholly delves into the evil that exists in the world. While the story is gripping and thought provoking, it may inspire nightmares. Readers who want a tamer book should consider leaving the Unwind Dystology on the shelf.  

Sexual Content  

• Mason Starkey tells his mom, “Hey, Mom, by the way . . . Dad’s late nights at the office aren’t really at the office. They’re with your friend Nancy.” 

• Connor and Risa love each other. “With no other way to prove his feelings, he reaches forward with his own hand, pushes the hair back from her face, then leans in, giving her a powerful kiss.” 

• Looking for a companion, Cam interviews a series of girls. One girl “fauns all over him” and says, “I’d would love to be your first. You can do that, can’t you?” 

• Risa and Cam are talking when Risa “kisses him. It’s more than a peck, but only slightly more.” 

• Cam helps Risa escape. Before she leaves, “she leans forward and kisses him on the cheek. He feels it like an electric shock in all the seams of his face.”  

Violence  

• Throughout the book, many people are shot with a tranq gun. Not all examples are included below. 

• When Mason Starkey was in fourth grade, he “flipped a boy off the top platform of the jungle gym. The kid had suffered a concussion and a broken arm.”  

• Two Juvey-cops, whom Starkey calls Mouthpiece and Lady-Lips, pick up Starkey. While being transported, Starkey gets out of his handcuffs, and “slides the penknife he used to pick the lock out of his sleeve, grips it in his hand, and slashes it across Lady-Lip’s face. The man screams, and blood flows from a four-inch wound.” Starkey runs. 

• Mouthpiece catches up to Starkey. “Mouthpiece turns him around and pushes him against the brick wall, hard enough to scrape and bruise his face. . . [Starkey] elbows Mouthpiece in the gut and spins around, grabbing the gun. . .” 

• The gun goes off, and Starkey sees, “Blood! Blood everywhere! . . . In front of him, Mouthpiece’s face is a red, pulpy mess. The man goes down, dead before he hits the pavement and—” Another Juvey-cop arrives, and Starkey shoots him. The two Juvey-cops die. 

• One of the characters is a parts pirate who traps kids to sell them. This man pretends to be drunk one night, and Starkey picks his pocket. Starkey “opens the wallet, and the second he does, a jolt of electricity courses through him with such power his feet fall out from under him, and he’s left semiconscious on the ground, twitching. A stun-wallet.” The drunk “shoves him in the back of a waiting van.” 

• While being taken to a harvest camp, a girl named Miracolina sees “half a dozen people dressed in black with faces hidden by ski masks come leaping out of the woods from all directions. The chauffeur is hit with a tranq bullet to the neck and goes down like an overstuffed rag doll.” Someone grabs her, and Miracolina “kicks, and bites, and claws in terror and outrage.” Miracolina is shot with a tranq gun. Miracolina is kidnapped to save her life. 

• Cam gets angry and begins “hurling a plate across the room, then another, then another. Roberta has to duck, and now the whole world is flying dishes and silverware and glass. In an instant, the guards are on him, pulling him back to his room, strapping him to the bed—something they haven’t done for over a week.” 

• Connor confronts a man who works for the resistance. They argue, and Connor hits him. “The punch connects with the man’s eye, and he stumbles backward into the bulkhead. He looks at Connor not with contempt, but with fear. . .” The man leaves. 

• Connor isn’t sure if he can trust Trace, a man in Connor’s inner circle. Connor plans to ambush Trace, but Trace “kicks Connor’s legs out from under him, grabs the gun out of his hand, twists him around, and pushes him cheek-first into the dirt, wrenching [Connor’s arm donor’s] arm painfully behind his back. Connor can feel the seam of the graft threatening to tear loose.” The two work out their problems, and no one is injured. 

• A nicotine-addicted boy falls into a pit while trying to get cigarettes. For fun, the parts pirate pretends that he’ll let the boy flee, but “the tranq dart hits him right in the back of the neck, delivering a full dose directly into his brain stem. His legs buckle beneath him. . .” The parts pirate sells the boy to an illegal organ criminal market. Several other times, the parts pirates use different tricks to trap teens and sell them. 

• A girl posing as a Girl Scout is let into Lev and his brother Marcus’ house. She detonates a bomb, and “the explosion blows Lev back against the wall, and the sofa flips on top of him, pinning him there. Shattering glass, crumbling timbers—and a shooting pain in his ears so bad he’s convinced his skull has split open.”  

• Lev’s brother Marcus is in the kitchen with a beam embedded in his gut. “There’s blood everywhere—but Marcus is still alive. . . With all his strength, Lev lifts the beam. Marcus screams in pain, and Lev, holding the beam up with his shoulder, pushes Marcus out of the way. . .” Lev’s wounds are minor, but Marcus only survives because he gets parts from an unwound teen. 

• During the explosion, Dan “was blasted backward against the wall. A huge bloodstain in the rough shape of his body marks his impact, and now he lies a lifeless heap on the floor.” 

• When Miracolina [a girl scheduled to be unwound] tries to escape, she uses metal serving trays to stop the tranq guns from knocking her out. Lev catches her. Miracolina, “pushing Lev, scratching at him. She tears the platter from her chest and swings it. It connects with his head with a heavy band. He falls, but he’s right back up again.” The two run away together.  

• While researching the Heartland War, Connor discovers that hundreds of thousands of teens were protesting. “Those same angry kids are calling for change, and when they don’t get it, they hit the streets, forming random mobs, burning cars, breaking windows, letting loose a kind of communal fury. . .” These events happened before the president was assassinated. 

• Starkey and some others go to “rescue” Jesus LaVega. Jesus doesn’t know this, and “Starkey turns in time to see a baseball bat swinging at him. He ducks, and the bat breezes past an inch from his head. . .” Jesus swings the bat again and, “It connects with Starkey’s side. An explosion of pain. Starkey goes down. . .” 

• When Jesus continues to swing the bat, one of Starkey’s teens hits Jesus with a “large football trophy and swings the marble base at his head. The heavy stone connects with the back of Jesus’s head, and he crumples to the ground instantly. . . Blood pours out of his head, soaking the carpet.” Jesus is dead.  

• Upset that Jesus is dead, Starkey hits the boy’s father. “Starkey swings his foot, connecting with the man’s torso. . . Starkey kicks again and again. The man screams, the man moans, but Starkey keeps swinging his foot, unable to stop . . . The man, bloody and beaten, still has enough strength to crawl out the door.” Starkey sets the family’s house on fire as he leaves. 

• In a multi-chapter conclusion, the “Graveyard,” where Connor and others sentenced to be unwound are hiding, is raided by Juvenile Authority. There is chaos with both cops and teens shooting tranq bullets and real bullets.  

• Miracolina and a kid on guard duty are both hit with tranq bullets and go down. “Then out of nowhere, a police battering ram, its headlights dark, crashes through with such speed that the gates fly off their hinges. [A guard] dives out of the way just in time, and when he looks back, he sees his unconscious friend turned to roadkill by the wheels of the battering ram . . .”  

• When the riot squad arrives, Connor’s team must take cover. “Connor’s there, but his brain won’t give rise to words. Beside him, [a girl] lies draped over the leg of the upended pool table with a tranq bullet in her neck—but worse than that is the horse-faced boy. He took a real bullet to the forehead.” 

• While fighting a Juvey-cop, Connor “takes the Juvey out—not with a bullet, but with the butt of his rifle.” 

• Hayden and a group of teens lock themselves in a plane. The Juvey-cops turn off the power so the plane heats in the desert sun. The teens say they would rather die than be unwound, but after one boy dies, Hayden shoots out a window, and they give themselves up to the Juvey-cops. 

• Starkey and his loyal group leave the Graveyard on a plane that Trace is flying. The plane hits an armored riot truck. “The starboard landing tear clips the truck, sending it tumbling like a toy, and a huge chunk of the landing gear rips loose. . .” The truck blows up, presumably killing everyone on board.  

• The plane that Starkey and his group are on makes a water landing. “The fire outside provides enough light for Starkey to see to the far recesses of the main cabin, and he wishes he hadn’t looked. The dead are everywhere. Blood is smeared on every surface, sticky and thick. . .” Starkey plans to leave the critically injured because they “are just liabilities.”  

• Trace asks Starkey to help him escape the plane, but Starkey refuses. As the plane sinks into the water, “Trace cranes his neck, trying to keep his head above water as long as he can. Then he takes one deep gulp of air, holds it, and he’s underwater. . . His body burns through the last of its oxygen; then, resigned to his fate, Trace releases his final breath. . . It’s as awful as he imagined it might be, but he knows it won’t last long.”  

Drugs and Alcohol  

• One of the characters is angry that he remembers “when you were three years old, and your mom, all doped up on pain medication from your sister’s cesarean delivery, took you to a fire station and begged them to take you away and make you ward of the state.” 

• An advertisement for unwinding includes information about a seventeen-year-old girl who “got drunk, crashed her car, and killed two innocent people.”  

• Cam is given Tylenol-aspirin for pain. 

• Cam is given “graft-grade healing cream” to erase his scars. “He can feel the tingling as the engineered microorganisms in the cream do their job.” 

• When a boy is injured, he is given a shot of “epinephrine,” which is “the same as adrenaline.” 

• When someone discovers who Risa is, she threatens to kill herself with “a subcutaneous cyanide pill.” Later, the readers learn that this is not true. 

• Someone notices Connor’s muscles and says, “I hope to God you’re not shooting up those damn military steroids they have the boeufs [soldiers]  on; they shrink your testicles down to peanuts.” Connor isn’t using steroids. 

• There is a reference to real Russian vodka and “Tequila from before the agave extinction.”  

• To get out of handcuffs, Starkey intentionally breaks his hand and then takes morphine for the pain. 

Language  

• Profanity is often used such as ass, bitch, crap, damn, goddamn, freaking, hell, and piss.  

• Jesus, my God, good God, and for God’s sake are used as exclamations occasionally.  

• There is some name-calling, including asshole, bastard, bitch, lowlife, idiot, moron, and pompous baffoons. 

Supernatural 

• When a person is given a body part from an unwound person, the body part remembers what the person learned. For example, Cam’s brain was assembled using many different people’s brains. Thus, Cam often has flashes of their memories.  

Spiritual Content  

• Pastor Dan and Lev talk to kids in juvenile detention. Pastor Dan says, “The Lord works in mischievous ways.” 

• Pastor Dan left the church, but he said, “I still believe in God, just not a God who condones human tithing.” 

• Miracolina, who is Catholic, has always known she would be tithed. Her priest tells her, “The Vatican has yet to take a position on unwinding, and so until it is either condoned or condemned, I can be as uncertain about it as I please.” 

• Miracolina’s name means miracle. “She was named this because she was conceived to save her brother’s life. Her brother, Matteo, was diagnosed with leukemia when he was ten.” Her parents “made a pact with God that if you were born, and Matteo was saved, we would show our gratitude by gifting you back to God through tithing.”  

• Miracolina is upset that she was “rescued” from being unwound. At one point, she thinks, “Perhaps that’s why I have been put on this path, to humble me and make me realize that I can be a hater, just like anyone.” 

• While talking to Lev, Miracolina says, “Miracles are the property of God.” Lev answers, “Miracles are gifts from God. To call them property insults the spirit in which they are given.”  

• Miracolina and a teacher discuss the soul. When a person dies, the soul goes to God. When a person is unwound, what happens to the soul? According to the teacher, “if your soul leaves this world, then voluntary unwinding is no different from assisted suicide—and in the Catholic religion, suicide is a mortal sin. Which means that by your own beliefs, you’d be going to hell.”  

• When a storm is brewing, Miracolina “has to believe that God has brought this storm for her, so she can escape—so she can do what she was meant to do. And if she does get struck by lightning, well, that would be a sign from above too, wouldn’t it. So she says a silent prayer. ‘Lord, if what I’m doing is wrong, then by all means, strike me down. Otherwise set me free.’” 

• Cam was programmed with the Bible in three languages. “Risa has to laugh at the audacity of his creators—did it occur to them that filling him with biblical knowledge while playing God was the ultimate hubris?” 

• When Miracolina and Lev are captured by a parts pirate, Lev says, “Then maybe you should start praying. I sure am.” 

• At one point, Lev realizes that “he did not need to be adored or pitied. He needed to be forgiven. Not by God, who is all forgiving . . . He needed to be forgiven by an unforgiving world. By someone who once despised him. Someone like Miracolina.” 

• When Miracolina is shot by a Juvey-cop, Lev prays that she isn’t dead or maimed. 

• As Connor and Lev flee the Graveyard, Lev thinks, “How stupid would it be, if, after all this, Connor and I both die in a car accident because I don’t know how to drive? He can only thank God the road is straight.” 

• When Hayden and a group of teens think they are going to die, Hayden “says the Lord’s prayer. . . Tad and several others are quick to join in. . . Nasim begins to recite an Islamic prayer, and Lizbeth covers her eyes, chanting the Shema in Hebrew.” 

After America’s Second Civil War, the Pro-Choice and Pro-Life armies came to an agreement. According to their Bill of Life, human life may not be terminated from the moment of conception until the age of thirteen. But between the ages of thirteen and eighteen, the child may be gotten rid of by their parent through a process called “unwinding.”

By repurposing a teen’s organs and other body parts in living recipients, the unwound child’s life doesn’t technically end. According to society’s leaders, unwinding leads to a healthier and safer community, as troublesome and unwanted teens are used for the greater good.

Connor is a rebel whose unwinding was ordered by his parents. Risa, a ward of the state, has been slated for unwinding due to cost cutting. And Lev, his parents’ tenth child, has been destined for unwinding since birth as a religious tithe. As their paths intersect, they start to fight for their own destinies. But do they stand a chance of escaping their fate or proving their lives are worth saving? 

Readers who want a light, entertaining read should avoid the Unwind Dystology. Unwind has plenty of action and suspense that propels the story forward at a fast pace and leaves the reader questioning their beliefs about the value of human life—both before and after birth. Shusterman expertly delves into difficult questions from multiple perspectives by focusing on three completely different characters. After Lev is kidnapped, he chooses to escape his destiny—being unwound. At this time, he begins to question God’s will. Lev’s friend says, “You got it in your heart to run from unwinding, ain’t no one can tell you it’s the wrong thing to do, even if it’s against the law. The good Lord wouldn’t have put it in your heart if it wasn’t right.” In the end, Levi learns that he can still believe in God but not condone human tithing. 

On the other hand, Risa grew up in a state institution where she helped care for babies that no one wanted. Since abortion is illegal, many babies are left on people’s doorstep, but this doesn’t guarantee that the child will be loved or cared for. Risa wonders, “Which was worse. . . to have tens of thousands of babies that no one wanted, or silently make them go away before they were even born?” Risa’s experiences force the reader to ponder both the pro-life and the pro-abortion point of view.  

Unwind is a thought-provoking story that begins with the question: Should unborn children have a right to live, or should women have a right to choose what happens to their bodies? To put a spotlight on these questions, Shusterman creates a dark world full of violence that is not for the faint of heart. However, readers who aren’t afraid of exploring controversial topics will find that each protagonist—Connor, Risa, and Lev—has a different system and wants to do what is right. The next installments of the Unwind Dystology explore human evil in more detail. Although the series makes readers ask important questions, many readers will not be ready to face the books’ disturbingly dark images. Readers who want a tamer dystopian book have many options, including Matched Trilogy by Ally Condie, The Maze Cutter by James Dashner, and Lunar Chronicles by Marissa Meyer. 

Sexual Content  

• When Connor’s friend, Ariana, says she will run away with him. He “kisses her.” 
• A woman helps Connor, Risa, and a storked newborn hide. Storked are those left on doorsteps. The old woman assumes that Connor and Risa are the baby’s parents. The woman says, “If you really want to stay alive, honey, have him get you pregnant again. They won’t unwind an expectant mother, so that will buy you nine whole months.” 
• One boy says that he has two dads, but “I’m not like my dads—my compass points to girls, if you know what I mean.” 
• While hiding out in a warehouse, two kids “make out all day long, drawing a cluster of other kids who sit there and watch.” 
• Connor kisses Risa. “She did not expect it, and when he breaks off the kiss, she realizes from the look on his face that he hadn’t expected it either. . . she pulls him into another kiss—this one longer than the first.” 
• Connor and Risa are sent to a harvest camp to be unwound. While they wait, “They meet in the girls’ bathroom . . . They hold each other in the tight space, making no excuses for it. . . they kiss as if they’ve done it forever.”

Violence  

• When Conner discovers he is supposed to be unwound, he runs away. Connor’s father and the police find him hiding in the back of a semi. To escape, Connor runs across a busy highway. “He hears a gun fire. He feels the impact, but not in his skin. The bullet embeds in his backpack.” Connor realizes that they’re firing tranquilizer bullets. 
• As Connor is running across the highway, a Cadillac’s “side mirror smacks him painfully in the ribs before the car screeches to a halt, sending the acrid stench of burned rubber up his nostrils.” Connor sees Lev in the Cadillac so he grabs Lev to use as a human shield. 
• Connor puts a “choke hold” on Lev and drags him across the road. As they run, “bullets now fly past them.” To escape, “Lev grabs the arm that’s locked around his neck and sinks his teeth in with the full force of his jaws until he tastes blood. The kid screams.” Lev is hit with a tranquilizer bullet and falls to the ground. 
• While Connor is running, a bus swerves, and “Risa’s head is slammed against the window as the bus suddenly pulls to the right. . . Risa is thrown forward, down the aisle, as the bus comes to a sudden, jarring stop.” 
• After the bus crashes, “the windshield is smashed, and it’s covered in blood. Lots of it. . . It’s the bus driver’s blood. His hands halfway through [the windshield], and he’s not moving.” 
• Connor and Risa work together to trick a police officer. Risa pretends to be injured. When the officer goes to help her, “the officer is knocked to the ground, and suddenly there are two figures attacking him—The Unwind and the girl.” Connor uses a tranquilizer gun on the police officer. 
• An unwanted baby is put on Connor’s doorstep. His parents did not want to take the child in, so they put it on a neighbor’s doorstep. Eventually, the child is placed back on Connor’s doorstep, but by then, it’s so sick that it dies.  
• Roland, a runaway, was sent to be unwound because he “had beaten up his stepfather for beating his mom. The mother took her husband’s side, and the stepfather got off with a warning. Roland, on the other hand, was sent to be unwound.” 
• A newspaper article talks about a hospital that was harvesting stem cells. “The council described a general culture of trafficking of children snatched at birth. . . The pictures show organs, including brains, have been stripped—and some bodies dismembered.” 
• Roland corners Risa while she’s in the bathroom. “He grabs her hands, pushes her back against the cold green tile wall, and presses his hip against her so that her knee can’t reach its mark.” Rolands implies that he is going to have sex with her whether she wants to or not. Another teen comes in and interrupts. Roland lets Risa go. 
• Lev goes to a pawnbroker to sell a stolen bracelet. The pawnbroker opens the safe. “He feels something hard and heavy connecting with his head. His thoughts are instantly scrambled. He loses consciousness before he hits the ground.”  
• While hidden in a warehouse, the Unwinds are woken so they can be transferred to another hiding place. The “Fatigues,” adults in charge of watching the Unwinds, have rifles. “A cranky kid pushes a Fatigue for tearing away his blanket. The Fatigue with the gun hits him on the shoulder with his rifle—not enough to seriously wound him, but enough to make it clear to the kids, and everyone else, that they mean business.” 
• Lev turns Connor and Risa into the cops. Afterward, Connor “hauls off and punches Lev in the eye. Not hard enough to knock him down, but hard enough to snap his head halfway around and give him a nasty shiner.” 
• Someone shows Connor a crate that has five dead kids in it. “There are no signs of blood, no wounds. They could all be asleep except for the fact that [one]’s eyes are open and staring at nothing.” Later, Connor learns that the kids suffocated in the crate. 
• Connor entices his enemy, Roland, into an airplane. Connor “leaps forward and firmly plants the muzzle of the Admiral’s gun against Roland’s back. . . Roland makes his move. He spins, knocks Connor back, and grabs for the gun.” Connor pushes Roland into a crate and locks him in. “While Roland rages inside, Connor takes aim at the crate and fires the gun, once, twice, three times.” After making sure Roland can breathe, Connor leaves. Later, Roland is let out, uninjured. 
• To hurt the Admiral, a mob of kids attacks the Admiral’s jet. “The first of the kids reaches the top of the stairs and heaves the hatch open, only to be met by Risa, and a brutal punch to the jaw. It sends him tumbling over the side and to the ground . . . The second kid is met by an aerosol burst of Bactine [a pain-relieving spray] right to the eyes. The pain is excruciating. He stumbles backward. . .” The mob destroys everything they can get their hands on. The scene is described over multiple chapters. 
• Cleaver, a helicopter pilot, tries to get away from the mob but is unable to. Connor breaks up the kids and finds “the man on the ground is battered and bloody. . . He’s been beaten to a pulp.” Helpless, Connor watches Cleaver die. 
• Connor thinks about the Mayan game of pokatok. “The game was a lot like basketball, except that the losers were sacrificed to the Mayan gods.”  
• Roland and Connor fight. Roland “begins swinging, and Connor is quick to defend. . . Connor taps into his own wellspring of fury, and he lets loose a brutal offensive of his own. . . [Roland] slams him against the wall his hand pressed against Connor’s windpipe. . . Connor’s struggles become weaker without oxygen to feed his muscles.” Roland thinks about killing Connor and is surprised that he can’t. The scene is described over two pages. 
• Roland is unwound and is conscious of the entire procedure. As Roland’s body is taken apart, a nurse says, “You may feel a tugging sensation near your ankles. . . it’s nothing to worry about.” 
• An hour and fifteen minutes into the procedure, “surgeons leave, new ones arrive. He looks towards his toes but can’t see them [because they have been removed]. . . A clanging of metal. The lower half of the table is unhooked, and pulled away. . . Now Roland feels discomfort in his gut. Discomfort, a tickling sensation, but no pain. The surgeon lifts things away.” 
• The nurse leaves once Roland’s eyes have been removed. Roland sees “not quite darkness, just an absence of light. He hears everything around him but can no longer communicate. . .” The doctors talk about sports as they continue to remove parts of Roland’s brain. After three hours and nineteen minutes, the procedure is complete, and Roland is still alive, but he is confused about what has happened. The procedure is described over six pages. 
• In the conclusion, three Unwinds [Lev, Blaine, and Mai] decide to attack the harvest camp where they are being held. Blaine and Mai both go inside the “Chop Shop” where the unwind procedure is performed. A guard sees Blaine and “aims his tranq gun at Blaine’s left thigh, and fires. . . The impact of a tranq bullet is more effective than a detonator. Blaine and the guard are instantly incinerated as the six quarts of liquid explosive coursing through Blaine’s body ignite.” 
• During the attack, Connor is injured. “His face is a shredded, bloody mess. He’s lost an eye. His right arm is crushed and mangled. But he’s alive!” Connor is in a coma for several weeks. When he awakes, he has been given an Unwind’s eye and arm. The revolt scene is described over eight pages.

Drugs and Alcohol  

• At a party for Lev, champagne is served to the adults. Lev’s brother, Marcus, pretends to be drunk so he can go on a rant. 
• A police officer thinks that Unwinds are “often high on illegal substances. . . Nicotine, caffeine, or worse.”  
• Lev is hit with a tranquilizer gun. When he wakes up, “his head hurts, he feels like he might puke, and his brain is still only at half power.” 
• An adult who helps hide Unwinds talks to Connor when “the Admiral adds some whiskey from a flask to his own coffee.” After the Admiral’s son was unwound, he “left the military, spent several years more drunk than I am now.” Then he sobered up and began helping the Unwinds. 
• A boy who has asthma takes Xolair. 
• Roland steals a bottle of ipecac from the infirmary. “He was planning to use the stuff to spike the drinks and create a puke-fest.” His plan is never carried out. 

Language  

• Profanity is used seldom. Profanity includes hell, damn, crap, and ass. 
• My God and for God’s sake are used several times as an exclamation.

Supernatural 

• When a person is given a body part from an unwound person, the body part remembers what the person learned. For example, one man received a new hand, and the hand still knew how to perform magic. 
• One boy, Cyrus, was injured and received half of a boy’s brain. Now, the boy is in Cyrus’s head. “This boy in the corner of his head doesn’t talk to him in words. He feels. He emotes. He doesn’t understand that he’s only a part of another kid. . . Now he keeps looking for things in Cyrus’s head that just aren’t there. . . And so the kid hurls out anger. Terror. Grief. Waves pounding the wall, and beneath it all, there’s a current tugging Cy forward.” 

Spiritual Content  

• Lev is a tithe, “a child of a religious family who is born and raised to be unwound, as an act of charity.” 
• Lev’s parents are Christians who “have always given 10 percent of everything to the church.” This includes giving Lev as a tithe, who will be unwound. Lev’s parent told him, “Your life will be to serve God and mankind.” Because he is a tithe, Lev has “always felt closer to God than to his friends, or even his family.” 
• Lev’s family believes “everyone’s equal in God’s eyes.” 
• Lev is jealous of his siblings, who are not unwound. Lev’s pastor tells him that God asks for the best fruits, not the first fruits. Lev thinks, “Giving of one’s self is the ultimate blessing.” 
• After Lev is kidnapped, he still wants to be unwound, “as it was ordained to be. . . Being torn from his purpose was the most unnerving thing that had ever happened to Lev, but now he understands why God let it happen. It’s a lesson. It’s to show Lev what happens to children who shrink their destiny: they become lost in every possible way.” 
• When Lev talks about being tithed, he says, “Tithing’s in the Bible; you’re supposed to give 10 percent of everything. And Storking is in the Bible, too.” Storked is when babies are left on doorsteps. “The homeowner is obligated to keep and raise the child.” 
• When talking about storked babies, Lev uses Moses as an example. “Moses was put in a basket in the Nile and was found by Pharaoh’s daughter. He was the first storked baby, and looked what happened to him!” 
• Unwanted babies are raised in a state institution or storked. Connor wonders, “If a baby was going to be so unloved, why would God want it brought into the world?” 
• After Lev runs, he says his parents “loved God more than they loved me, and I hate them for it. So I guess that means I’m going to hell.” 
• Connor and some of the other Unwinds discuss when a soul is put into an unborn child. One Unwind says a girl believed that “if someone actually gets unwound, then they never had a soul to begin with. She said God must know who’s going to be unwound, and he doesn’t give them souls.” The conversation lasts for three pages. 
• Lev is part of the group that plans to destroy the harvest camp. Before he can set off his detonator, he thinks: “God, dear God, what am I doing? What have I done? How did I get here?” Lev is unable to set off the detonator and helps rescue people instead. 
• While Lev is in a cell, Pastor Dan visits. The pastor “resigned my position. I left the church. . . I still very much believe in God—just not a god who condones human tithing.”