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The Egyptian Cinderella

This Egyptian spin on the classic Cinderella tale was initially recorded in the first century by a Roman historian and is retold here by folklorist Shirley Climo. 

Poor Rhodopis! She has nothing—no mother or father, and no friends. She is a slave from the far-off country of Greece. Only the beautiful rose-red slippers her master gives her can make Rhodopis smile. So, when a falcon swoops down and snatches one of the slippers away, Rhodopis is heartbroken. For how is she to know that the slipper will land in the lap of the great Pharaoh himself? And who would ever guess that the Pharaoh would promise to find the slipper’s owner and make her queen of all Egypt? 

The Egyptian Cinderella follows the same story format as the original fairy tale. However, instead of stepsisters, Rhodopis is treated badly by three servant girls who tease Rhodopis about her looks. Instead of having brown eyes, straight hair, and skin “like copper,” Rhodopis has green eyes and hair that “the breeze blew. . . into tangles.” However, her unique looks are what sets Rhodopis apart from the others. The Pharaoh says, “She is the most Egyptian of all…For her eyes are as green as the Nile, her hair as feathery as papyrus, and her skin the pink of a lotus flower.” 

Illustrator Ruth Heller uses bright and bold colors to bring Rhodopis’ world into vivid detail. Almost all of the illustrations include aspects of nature, such as plants, birds, and a monkey. The jewel-colored illustrations help highlight Egyptian culture. Even though The Egyptian Cinderella is intended for young readers, many of the pages are text-heavy, which may make it hard for younger readers to sit through a reading of the book. In addition, the complex sentence structure and advanced vocabulary make the book best read to a child rather than for the child to read it independently. 

Anyone who enjoys fairy tales will find Rhodopis’ story captivating. The beautiful illustrations and familiar story will allow readers to imagine Egypt. In the end, the Pharaoh overlooks the fact that Rhodopis was a slave, which gives the story a happy-ever-after that everyone will enjoy. The story is based on Rhodopis, a Greek slave girl who indeed married a Pharaoh, which makes the story’s conclusion even sweeter. Readers who enjoy fairytales can find more retellings by reading the Whatever After Series by Sarah Mlynowski and the Once Upon a Fairy Tale Series by Anna Staniszewski. 

Sexual Content  

  • None 

Violence  

  • Rhodopis is kidnapped and sold into slavery.

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • The story mentions “Ra the Sun” climbing into the sky. 
  • The god Horus appears as a falcon. When Rhodopis sees him, she “bowed her head and felt a rush of air on the back of her neck.” 
  • When a falcon drops a shoe in the Pharaoh’s lap, he says, “The god Horus sends me a sign!” Afterward, the Pharaoh searches for the maiden to whom the shoe belongs.

Reawakened #1

When seventeen-year-old Lilliana Young enters the Metropolitan Museum of Art one morning during spring break, the last thing she expects to find is a live Egyptian prince with godlike powers who has been reawakened after a thousand years of mummification.

And she really can’t imagine being chosen to aid him in an epic quest that will lead them across the globe. But fate has taken hold of Lily, and she, along with her sun prince, Amon, must travel to the Valley of the Kings, raise his brothers, and stop an evil, shape-shifting god named Seth from taking over the world. 

Lily is a compelling protagonist who has always been a rule follower and an obedient daughter. This all changes when she meets Amon. At first, Lily is suspicious of Amon and doesn’t understand the strange power he has over her. However, when Lily learns that he is a reawakened prince, her determination to help Amon gives her the strength to make decisions based on her own thoughts and feelings. Readers will admire her determination and willingness to put herself in danger to help Amon. 

Reawakened incorporates Egyptian history and rich world-building. However, at times, the world-building is long-winded and breaks the story’s pace. While much of the information is necessary to understand the book’s events, the information often seems like a boring lecture. Lily’s inner musings also slow down the book’s pacing. At first, Lily is trying to understand her physical attraction to Amon as well as Amon’s powers. However, nothing exciting takes place until after the two travel to Egypt. Readers who enjoy action and adventure may find it difficult to slog through the first part of the story.  

From the start, Amon’s goal is to reawaken his brothers. However, the brothers don’t make an appearance until the story’s end, which increases the story’s action and suspense. In addition, the brothers are so incredibly likable that the reader will wish they could jump into the story and meet them. The three brothers’ strong bond and dedication to each other is heartwarming. The brothers are so interesting that some readers will be disappointed that they weren’t given more time.

Unfortunately, the climax isn’t very dramatic because it’s seen through Lily’s point of view, which gives the reader a limited view of the fight against good and evil. However, the conclusion has several surprises, including Lily’s willingness to sacrifice herself for Amon. Readers who enjoy character-based stories that allow them to understand the inner workings of the protagonist will find Lily a relatable character who grows throughout the story. Instead of ending with a happy ever after, Lily’s and Amon’s story will continue in the next book in the series, Recreated. 

Sexual Content  

  • Amon tells a story about Iris and Osiris, two siblings who were married. Amon says “incest” was common among the gods and pharaohs. 
  • Lily often talks about her attraction to Amon and not all of the passages are included below. For example, while they are dancing, “his hands, splayed on my back, moved inch by tantalizing inch downward until they reached the bare skin at my waist. . . he put his forehead to mine. The side of his mouth tickled my cheek. . . I could be kissing him. But I was too much of a coward to make the first move.” The scene is described over a page.  
  • When Lily and Amon are really close, she thinks: “Any slight movement and we could be kissing. With a twang of alarm, I realized that I wanted to experience his lips pressed against mine, and I wondered if it was something I truly desired for myself or if he was making me want it.” 
  • After Lily is injured, Amon’s “gaze dropped to my mouth, and my breath caught. . . I knew without a doubt that he wanted to kiss me. And Egyptian heaven help me, I wanted him to. But despite the fact that I was vividly imagining the press of his lips against mine. . .” Amon moves away from Lily. Lily tries to get Amon to kiss her several times after this, but he continues to keep his distance. 
  • After Lily and Amon’s bond is permanently sealed, he kisses her. “I’d waited so long for his kiss, and it was so much more, so much better than I had dared imagine. Golden sunshine burst behind my closed eyelids as I became a being entwined with the sun.” 
  • Amon’s brother, Astern, makes many sexual innuendos. For instance, when his body is re-formed, Astern says, “I am also grateful for my fully re-formed front, since I am partial to it.” 

Violence  

  • Since the story revolves around Egyptian gods, much of the violence is documented below under supernatural. Amon tells a story about three siblings—Iris, Osiris, and Seth. Seth tricked Osiris into climbing into a box, and Seth’s servants “sealed the lid with molten lead.” Then, Seth went to find Iris. “He was determined to take possession not only of the throne but of his sister as well.” To escape, Iris “leapt upon a moonbeam and vanished.” 
  • Later, Iris discovers that Osiris’s chest “had been thrown into the Nile. By the time she was able to raise the box, it had been broken into by crocodiles, and her husband’s body had been torn to pieces.” 
  • The god Amun-Ra sent out fellow gods, Seth and Horus, to search for Nebu, a golden stallion that roamed the desert. “Seth had heard the rumor that Horus had very powerful eyes and he worried that Horus would likely be the first to find Nebu, so in an act of desperation, he stole upon Horus while he slept and ripped his eyes from their sockets. . . He left Horus to die.” Horus promised to become the leader that Egypt needed, and Amun-Ra gave him a third eye. “It is said that an amulet made with the Eye of Horus can ward off evil, shielding its bearer from harm.”  
  • While looking for Amon’s canopic jars, Lily and Amon enter an ancient passageway leading to a tomb. “Rocks and debris shifted, rising into the air. . .  Amon continued to murmur in ancient Egyptian and the rubble rose higher, shooting past us in a cloud of stinging dust. Pebbles came next, firing through the air like bullets.” Amon’s spell keeps them safe, but the entrance is sealed. 
  • Seth asked three kings to sacrifice their children. When the kings refused, Seth took over a priest named Runihura’s body. “Runihura thrust his fingers into his eyes and yanked the bloody orbs from their sockets. . . he squeezed each eyeball, then opened his hands, a puff of light rising from each palm. . . the light pierced [the son’s] foreheads, and the boys cried out as dark magic lifted them into the air and threw them across the temple.”  
  • The priest warns the kings of doom. “The dying priest gathered his remaining strength and spat. Blood and saliva spattered across the king’s cheek, spraying his white robes with red. . . King Heru surged forward and plunged his own dagger into the neck of the priest, whose body finally slumped in death.” 
  • Seth, who is also known as The Dark One, sends a sandstorm. Amon tells Lily to hide, but she does not. She “cried out in pain and glanced down. The tremendous force was crushing my forearm, bruising the muscles, grinding against my bone, ripping into me, but nothing was there. Suddenly, the pressure lifted, and a crescent-shaped puncture appeared on both sides of my left arm.” Lily is bit several times before she is pulled to a safe location. She discovers the Dark One sent the creatures that bit her.  
  • While in a mountain, “a worm the size of Godzilla” attacks Amon, Lily and Amon’s brother, Astern. “Its gray skin oozed. The front half was all mouth with sharp, circular teeth that went back as far as I could see.” The worm tries to wiggle out of the mountain and attack. “Amon slashed at its side while Astern created magic dust that blew up in puffs of light. . . In retaliation, the worm opened its mouth, spewing neon-green slime and fat clumps of glistening saliva over everything. . .” Astern turns into a bird and takes Lily to safety. 
  • When Amon was a boy, he and his brothers skipped school and went on an adventure. Their teacher didn’t want them to get into trouble, so he followed their trail. He came across jackals. The teacher “did not survive. Our beloved instructor’s gnawed-upon bones were laid before the three of us, and our father honored his sacrifice as a hero.” 
  • Amon finds a man “burned, abused, and bleeding, with one eye ripped out, broken limbs, and bones protruding in several places, yet he still breathed.” The man tries to give Amon a message, but “he gasped as an invisible power lifted his torso. His broken arms dangled at his sides . . .” The god Seth speaks through the man.  
  • In the multi-chapter conclusion, Amon and his brothers fight the Great One in order to keep the god of chaos, Seth, from ruling the world.  
  • To defeat Amon and his brothers, the Great One raises “Masaw Haput—those born of death. You would call them zombies.” A zombie goes after Lily and her companion, Dr. Hassan. “Dr. Hassan sank his two files deep into the zombie warrior’s chest. It just stared at the two of us, breathing raggedly. Then, raising its sword overhead, it let out a supernatural scream, its jaws unhinging, a metal staple the only thing holding the jaw to its skull.” One of Amon’s brothers “took its head off” before it could hurt anyone. 
  • Lily hears Amon’s screams. When she finds him, a tray of ancient tools is close to him. “A pool of sticky blood surrounded the tray . . . Rivulets of blood had dried on his arms. . . Deep slashes marked several places on his thigh, and ugly stab wounds peeked out from between the fragments of what was left of his shirt.” Amon’s eyes had also been removed.  
  • Mummy crocodiles and living crocodiles attack Lily and Dr. Hassan. Amon’s brother, Ahmose, turns into a bird, and the two climb on. Lily falls “landing on the back of a croc mummy that did not like the fact that its remaining back leg broke off upon impact. It spun quickly and snapped at [Lily], grabbing [her] shirt in its teeth.” The crocodile is killed before it can injure Lily. 
  • Dr. Hassan and Lily create an effigy of Sebak, a reawakened man given power by the god Seth. “Dr. Hassan hit the figure three times and I heard a sharp snap like bone breaking. A scream full of rage blossomed, not from the doll figure, but from the giant creature by the pyramids. . .” Sebak became a crocodile beast and was trying to get to Lily. “His left front leg hung limply at his side, and one of his back legs seemed to have given way.” Dr. Hassan finds a way to send Sebak back to the underworld. 

Drugs and Alcohol  

  • While opening Amon’s canopic jars, Lily is covered in a red powder that makes her feel “nauseated, weak, and dizzy.” Later, she discovers that the red power was a poison that would have killed her if Amon hadn’t intervened. 

Language  

  • Amon yells, “Son of a stunted jackal.” 

Supernatural 

  • Since many of the characters use chants and spells, not all of them are listed below. The story revolves around the god of chaos, Seth, who wants to defeat Amon and his brothers so he can rule Earth.  
  • Amon’s power “is a gift from the sun god Amun-Ra and his son Horus.” Amon says that he needs to “waken my brothers and complete the ceremony to align the sun, the moon, and the stars so that the Dark One, Seth, the god of chaos, may be kept at bay for another thousand years.” Amon often uses chants to help him complete his mission and keep Lily safe. Often, no specific words are given. The chants used to create spells appear below.  
  • After completing the ceremony, Amon “will have my full power and I will be able to manipulate time and send you back to your home so that you will arrive just a moment after we left. No one will miss you. Your family will never even know you were gone.” 
  • In order to talk to Lily, Amon “invoked a spell from the Book of the Dead to be able to communicate my thoughts to you.” 
  • Since he cannot locate his canopic jars, Amon must pull energy from Lily. When he pulls energy from her, “it felt like a gradual draining, but the pull was sharp and painful like someone was vacuuming out my insides with a steel wool attachment.”  
  • When Lily is injured, Amon uses magic to help her. “Amon ran his hand up my arm to my hurt shoulder, and I hissed as he cupped it with his palm. After a quick chant he poured enough warmth into the muscle to rival a heating pad.” Her injury has not completely healed but has lessened. 
  • Amon transports Lily by using sand. The first time, Lily “screamed as wind swept around our bodies, gritty sand stinging my skin like thousands of needles. I watched in horror as my body unraveled, piece by piece, to join the tumult, and my cry was cut off because I no longer had a throat, let alone a voice.” 
  • Amon can use his voice to command people. When Lily tries to leave Amon, he tells her to stop. When she didn’t, “my legs froze with a jolt so sudden that my bag flopped around my front and pulled me off balance. I feel in a heap. . .” 
  • When Amon commands Lily to take his hand, she “made a concerted effort to refuse his command and was rewarded with pain—stabbing, knife-twisting-in-my-gut pain. It made me gasp. . . When my determination weakened, and the pain overwhelmed me, I whimpered and gave in.”  
  • According to Amon, “When you know the true name of a being, be they god, human, or animal, you gain power over them.” A person’s true name “represents your ideal self. The person at the center. The name that is engraved upon your heart.” 
  • Amon reawakens two dead shabti. Shabti are described as, “Human servants were entombed with their leaders, with the understanding that they could journey to the afterlife with their masters and continue to act as servants for the dead kings or pharaohs.” In order to do this, Amon weaves a spell that begins with “Shabti servants, apportioned to me,/ You who molder in corruption,/ I summon you from the realm of the dead. . .” The spell is half a page. 
  • Amon discovers that one of the shabti broke his canopic jars. When Lily opens the one remaining jar, particles “coalesced until they formed a light. . . Slowly, the golden light rose up and out of the container, where it stretched until two wings became visible.” The light turns into a falcon. Amon weaves a spell by saying, “I call upon the falcon, born in the golden fires of the sun. . . Lend your whole, living soul to the one rent in pieces. / offer your resilient wings, your piercing talons, and your discerning eye. . .” Afterward, Amon and the falcon become one. 
  • Amon attacks the shabti. “The shabti shrieked and turned to run, but the falcon was upon him. . . its sharp golden talons grabbed the man, squeezing his torso mercilessly. . .” Before Amon can send him back to the underworld, the shabti disappears “with a puff of red smoke.” 
  • Apophis, a human priest, is a “lecherous man who abused anything or anyone he considered weak and soft. . . He lured women, and when they were at their most vulnerable, he’d strike. . . When he was ready to move on to the next victim, he would sacrifice the young maiden to a giant croc that he adorned with gold bracelets . . .” He was given the nickname, the Eater of Souls, not only because he threw victims to crocodiles but also because of his ability to control the undead. 
  • Apophis sent biloko to hurt Lily. Biloko are “invisible demons with crocodile snouts that, like Apophis, have a taste for females, though, in their case, they prefer the sweetmeats of the eyes, intestines, liver, and heart.” 
  • Amon murmurs, and “grains of sands twisted and writhed, and suddenly three horses burst from the dunes in a blast of shimmering powder.” The horses take Amon and his companions to a forest. 
  • Amon and his companions use an adder stone to pass through a mountain. Lily thinks, “What really freaked me out was that I wasn’t in a secret cave hidden within a mountain; I was passing through solid rock.” 
  • In order to raise his brother from the underworld, Amon weaves a spell. “The stars rise. The stars fall. The stars die. / As do you, my brother. / Astern—the embodiment of the stars. / It is time for rebirth. For renewal. For remaking. . .” 
  • As Amon chants, “sightless orbs and a gaping mouth rimmed with teeth peek[ed] through the wrappings as they fell away. . . The remaining skin was stretched tight and looked like fragments of old leather. In some places, it was ripped off completely, revealing graying bones with hanging bits of flesh.” When Astern is fully formed, he is handsome and muscular. Later, the third brother is also reawakened similarly. 
  • When Amon’s canopic jars were stolen, he lost some of his powers. Amon’s powers are restored when Lily is willing to sacrifice herself for him.  
  • In order to send Amon back, Lily must kill him. She is reluctant to do this, but when Amon reaches up to kiss her, “the kiss was brief. Amon lay back down, eyes wide, as a trickle of blood leaked from the corner of his mouth. . . the sharp blade as embedded in Amon’s chest up to the hilt.” Afterward, a god mummified Amon. Lily and the god recite a spell from the Book of the Dead and “commemorate his name as we do so. In naming him, we connect his body, his ka, or soul, his ba, which is the character, and his shut, or shadow.”

Spiritual Content  

  • In Ancient Egypt, three kings held a summit, and “each city worshiped a different god. . . The kings had been convinced by their priest that their patron gods had abandoned them and that they should come together as one to make offerings to appease a new god, namely, the dog god, Seth, in order to secure the safety and well-being of the people.” 
  • After the kings made an offering, each king’s wife became pregnant. But then, “the god Seth demands that three young men of royal blood be sacrificed to him and that they serve him indefinitely in the afterlife.” The princes were sacrificed.  
  • Amon, one of the sacrificed princes, chants to the god Seth. “Protect me, God of the Morning Sun. Rebuff those who work evil. Turn aside this calamity. . .” The chant is one page long.  
  • Amon has “been imbued, gifted, with a portion of [the sun god’s] power so that [he] may fulfill [his] duties.” 
  • Amon explains why the pharaohs aligned with a god. “They believed that if they took the names of the gods for themselves, they would receive divine aid. . . They made it so that to reject a pharaoh was to reject deity.” 

Ancient Rome and Pompeii

When Jack and Annie got back from their adventure in Magic Tree House #13: Vacation Under the Volcano, they had lots of questions. How did ancient Rome become an empire? Where did ancient Romans go for fun? And what happened to the Roman town of Pompeii? Find out the answers to these questions and more as Jack and Annie track the facts.  

Jack and Annie go to Pompeii and experience the volcanic eruption that buried the city. Ancient Rome and Pompeii gives more information about the history of Rome and introduces many of the historical figures of the time, including Julius Caesar, Octavian, and Cleopatra. In addition, the book discusses some of the people who tried to fight the Romans. By reading Ancient Rome and Pompeii, readers will learn more about the politics and culture of the Romans and how Ancient Rome impacted our world.  

This nonfiction story begins with the myth of Romulus and Remus and how Romulus founded Rome. While Vacation Under the Volcano only shows Pompeii, Ancient Rome, and Pompeii go into great detail about the Roman empire, the gladiators, the soldiers, and the construction of Rome. Curious readers will find The Magic Tree House Fact Tracker full of interesting facts that are new. 

Ancient Rome and Pompeii explain how the Romans believed in many gods. It also explains that many of the Romans’ beliefs are now considered myths. Emperor Caligula, who was eventually killed by his guards, believed he was the god Jupiter. Rome’s history is violent, and the book discusses many of the political leaders who were killed or committed suicide. The language is kid-friendly, but the deaths may upset or confuse some readers.  

Ancient Rome and Pompeii is packed with information that is easily digestible for young readers. Many tools help a young audience follow along. For example, each chapter is broken into small sections with historical information, and the illustrations break up the text into much smaller pieces. Pictures of Jack and Annie appear along the margins, giving readers more information and defining vocabulary words. The story also gives examples that will help readers understand concepts. For example, the Roman army had to march twenty miles carrying sixty pounds. The illustration shows Jack carrying a golden retriever with the caption: “Lugging sixty pounds around is like carrying a golden retriever on your back.” 

The Magic Tree House Fact Tracker presents nonfiction information in a way that will engage young readers. The book is perfect for readers interested in research because the author includes the best way to research Rome and more resources such as books, videos, and museums. Filled with up-to-date information, photos, illustrations, and fun tidbits from Jack and Annie, the Magic Tree House Fact Trackers are the perfect way for kids to learn more about the topics they discovered in their favorite Magic Tree House adventures. Learn more about ancient history by reading Through Time: Pompeii by Richard Platt and The Curse of King Tut’s Mummy by Kathleen Weidner Zoehfeld. 

Sexual Content  

  • None

Violence  

  • The god Mars had two sons, Romulus and Remus. They built a city, and then “a fight broke out over who would be in charge of the city. Romulus killed Remus.” 
  • The Romans went to the “Colosseum to see bloody sports—sports where people and animals died terrible deaths.” 
  • Gladiators were prisoners and slaves. “Some were freemen who got paid for fighting. Gladiators usually fought to the death. But if a fearless fighter was wounded, the emperor could spare his life.” There is a picture of two gladiators with their weapons.  
  • Centurions trained Roman soldiers. “The training was strict and brutal. Punishment included beatings and even death.”  
  • A section describes the “Roman War Machines,” including catapults, ballistae, and flamethrowers. “Soldiers loaded [the ballista] with rocks or pointed metal bolts that shot out at about 115 miles an hour! Anything in their path was immediately destroyed.” 
  • Carthage and Rome fought in the Punic Wars. “Years after Hannibal’s death, the Romans attacked Carthage and burned it to the ground.”  
  • “Julius Caesar’s army began a siege on Avaricum, a walled town in Gaul . . . Roman soldiers clambered over the walls . . . Death and destruction rained down upon the Gauls.” 
  • Julius Caesar ruled Rome. “He was such a strong leader that many feared he wanted to be crowned king. . . Several senators, including his friends Brutus and Cassius, planned to kill him. . . As Caesar sat down, the men grabbed him around the neck and began stabbing him. They stabbed him twenty-three times.”  
  • The book lists many people who committed suicide, including Cleopatra and Mark Antony. Some say Cleopatra died because of a poisonous snake bite.  
  • Queen Boudicca from Iceni refused to pay Roman taxes. “As punishment, the Romans tied Boudicca and her daughters to posts and beat them.” In retribution, Queen Boudicca went on a rampage “through the countryside. Thousands of people died.” When Queen Boudicca realized she would lose, she “drank poison rather than allow herself to be captured by her enemies.”  
  • The Roman emperor Caligula “behaved very badly when he was emperor. He killed anyone he wanted to.” Eventually, “his own guards murdered him.”  
  • Emperor Nero felt his mother was too powerful, “so he decided to poison her.” The poison did not work, and Nero tried to kill her several more times. “Finally, Nero ordered his soldiers to stab her to death. This time Nero succeeded!” 
  • People hated Nero. “Knowing that he would lose his thrown, Nero committed suicide.”  
  • A volcano destroyed Pompeii. “People were knocked down and lay where they fell.” The volcano’s explosion is described over two pages.
     

Drugs and Alcohol  

  • None

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • The god Mars had two sons, Romulus and Remus, who were raised by a shepherd. Legend says Romulus founded Rome.  
  • Since they worshiped many gods, the Romans built the Pantheon and dedicated it to all the gods. 
  • Caligula “demanded that everyone bow down to his horse. Finally, Caligula built a temple for himself. He thought he was the god Jupiter.” 
  • Every Roman street had shrines for their gods. The book lists the Roman gods, including Jupiter, Juno, Mars, Ceres, Neptune, Venus, Diana, Vesta, Mercury, and Vulcan. 

Vacation Under the Volcano

Who wants to vacation next to a volcano? Jack and Annie are about to find out when the Magic Tree House whisks them back to the days of the Roman Empire. They arrive in Pompeii and discover they’ve arrived on the day the city is going to be destroyed. Now Jack and Annie must race against time to find an ancient library before it is buried in ash!  

Suspense is created because Annie worries about being in Pompeii and thinks it “feels wrong.” In addition, the ground shakes and rumbles, and then Jack and Annie meet a soothsayer who warns them that the end is near. When the kids finally find the library, they don’t realize it at first because they are looking for modern books, while the Roman books are written on scrolls. Ultimately, Hercules saves the kids, and they return home safely. 

During their adventure, Jack and Annie learn about Roman culture. Jack uses a book to define unfamiliar words and look up facts about Pompeii, which allows the reader to learn more about its history. This information appears in a different font to give readers a visual cue that the information is factual. The back of the book contains more information about Roman culture. Readers who want to learn even more about Pompeii should read The Magic Tree House Fact Tracker: Ancient Rome and Pompeii. 

When reading Vacation Under the Volcano, children will learn about Roman culture and the destruction of Pompeii. Unfortunately, the siblings only have brief interactions with other people. Most of their knowledge comes from observation, so readers do not understand how Romans lived.  

Proficient readers ready for chapter books will enjoy jumping back into time with Jack and Annie. The story is accessible to young readers because of the large text and black-and-white illustrations every two to seven pages. The large, detailed illustrations help bring the characters to life and show how the Romans dressed and constructed their buildings. Even though Vacation Under the Volcano is part of a series, the books do not need to be read to be enjoyed.  

Vacation Under the Volcano gives readers a brief glimpse of what Pompeii was like before a volcano destroyed the city. This exciting book creates suspense using kid-friendly descriptions of the erupting volcano. In the conclusion, Jack and Annie are helped by a surprising hero—Hercules! For another exciting time travel adventure into ancient Rome, jump into the Imagination Station and read Attack at the Arena by Marianne Hering and Paul McCusker. Also, be sure to check out Wendy Mass’s The Time Jumpers Series, which also takes readers on exciting adventures in the past.  

Sexual Content  

  • None 

Violence  

  • Jack and Annie see gladiators. “The warriors’ feet [were] chained together, and guards walked with them.” Jack looks up information in a book: “They were forced to fight each other or wild animals like lions or bears.”
  • Jack and Annie feel the beginning of the volcanic eruption. “Everything was shaking and crashing down around them—pots, plants, the mermaid fountain. Water from the goldfish pond sloshed onto the patio.” 
  • When pumice, ash, and burning rock began falling, Jack and Annie used cushions to protect their heads. 

Drugs and Alcohol  

  • None 

Language  

  • When Annie gets to Rome, she wants to go home immediately. Jack asks her, “Are you nuts?” 

Supernatural 

  • The magic tree house can travel through time. When Jack and Annie travel, the tree house “spun faster and faster and faster. Then everything was still. Absolutely still.” When they arrive in Pompeii, they are dressed appropriately for the time period. 
  • One of the characters is a soothsayer “who could see into the future and warn others about what they saw.”  
  • Hercules helps Jack and Annie escape Pompeii. After the siblings return, they discuss whether Hercules is real or mythical. Annie says, “Hercules is a myth to people in this time. But in Roman times, lots of people believed he was real. So since we were in Roman times, he was real to us.” 

Spiritual Content  

  • Jack and Annie see a Roman temple. Romans “believed that many gods and goddesses ruled the world. This is the Temple of Jupiter, their chief god. In this temple, they prayed to Jupiter and offered him gifts. 

The Scarab’s Secret

The tiniest of creatures can change the fate of a great Pharaoh.

The chance meeting of Khepri, the small scarab beetle, and a powerful Pharaoh turns out to be a life-altering experience for both, ultimately shaping the fate of the young leader. After Khepri uncovers a mysterious plot to murder the Pharaoh, he is determined to put an end to it. The tiny scarab with a big heart helps the Pharaoh avert danger and saves his life. 

The Scarab’s Secret is a beautiful story that shows that even small things—like the scarab—can make a big impact. The scarab beetle narrates his own story to show the reader how he came to be honored. When the scarab is accidentally taken into the Pharaoh’s tomb, he learns that one of the passageways has a trap. When the Pharoah’s men try to lead him down the trap, the scarab warns the Pharoah and saves his life. The scarab’s tale shows “how even a little beetle can play its part in the life of a great prince.” 

Christina Balit’s illustrations use vivid colors and geometric shapes to bring Egypt to life. The first illustration shows the Pharaoh kneeling in a field with the Nile River in the background, the prince carefully holding the scarab in his hand. This scene sets up the scarab’s importance. The other pages focus on the Pharaoh’s tomb, depicted with elaborate illustrations in predominantly gold and blue. Readers will be captivated by the detailed illustrations and will have fun finding the scarab on each page. 

While The Scarab’s Secret is intended for young readers, many of the pages are text-heavy, which may make it hard for wiggly readers to sit through a reading. The complex sentence structure and advanced vocabulary make the book best read to a child rather than for the child to read it independently.

Anyone who wants to introduce Egyptian culture to a child will find The Scarab’s Secret an entertaining story. The fact that the Pharaoh takes time to notice the scarab reinforces the importance of nature and the idea that everything has a purpose, even a scarab. The author’s note gives more information about pharaohs. Young readers who would like to learn more about Egypt should also read Escape from Egypt by Wendy Mass as well as Mary Pope Osborne’s books Mummies and Pyramids and Mummies in the Morning.  

Sexual Content  

  • None 

Violence  

  • The Pharaoh’s men plan to murder him. 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None  

Spiritual Content  

  • The god Ra is mentioned several times. “The great god Ra created all things. . . This beetle is as precious to Ra as the pharaoh himself. Ra has placed him here for a reason.”  
  • This historical background at the end of the book discusses the Egyptians’ belief in gods. 

Who Was Leif Erikson?

Hold on to your Viking helmets as you learn about the first known European to set foot in North America in this exciting addition to the Who Was? Series!

Leif Erikson was born to be an explorer. His father, Erik the Red, had established the first European settlement in present-day Greenland, and although Leif didn’t yet know it, he was destined to embark on an adventure of his own.  

Leif, the wise and striking Viking, landed in the area known as Vinland almost five centuries before Christopher Columbus even set sail! “Leif the Lucky” and his fierce, sea-fearing crew were accomplished navigators who raided foreign lands for resources, hunted for their food, and passed down Old Norse myths from one generation to the next. This book gives readers a detailed account of what life was like during the time of the Vikings. 

Who Was Leif Erikson? includes information about Erik the Red and other historical figures such as Harald Fairhair, the First King of Norway. To establish Leif’s background, the book also includes information about Viking culture, such as “the Thing,” which was the oldest parliament in Europe. Plus, readers will learn about Scandinavia, Greenland, and Vinland. The historical information is fascinating, but the Vikings were feared for a reason—their culture was violent and included killing and enslaving people. 

One of Leif’s accomplishments was bringing Christianity to the Vikings. This section explains the Vikings’ belief in Asgard and the Norse Gods in detail. The Viking warriors “were training for the battle at Ragnarok, the end of the world—the ultimate battle between good and evil.” Anyone who has watched the Avengers movies will notice how the Viking culture inspired Stan Lee. The book ends by explaining how the Vikings are still remembered today in pop culture and the football team, the Minnesota Vikings. 

Take a step back in time and learn more about the 1000s and the Vikings’ search for new lands. The book has an easy-to-read format with large font. Large black-and-white illustrations appear on almost every page. Many of the illustrations show maps, people, and objects from the time period. For example, there are illustrations of the Vikings’ longships, their longhouses, and other aspects of their daily life. The wide array of illustrations and the short chapters will help keep readers interested until the end. Scattered throughout the book are one-page infographics that give more information about the time period, such as how stories were passed down from generation to generation. The end of the book includes a timeline of the Vikings and a timeline of the world during that time period. 

The fierce Viking culture and the Norse Gods still impact the world today, and readers will be fascinated to learn more facts about Erik the Red and Leif Erikson. The Vikings were brave warriors seeking adventure, and although they were known for plundering and killing Who Was Leif Erikson? explains why many people are proud of their Viking heritage. Readers who want to learn more about the Vikings should read Voyage with the Vikings by Marianne Hering & Paul McCusker. To jump on another ship of a famous voyager, read Ice Wreck by Lucille Recht Penner and Who Was Ferdinand Magellan? by Sydelle Kramer. 

Sexual Content  

  • None 

Violence  

  • Both Leif’s grandfather and father murdered someone from their own village. 
  • The Vikings acted like pirates. In the summer, Erik the Red and his men “sailed away in search of villages to threaten. In these violent and deadly raids, Erik and his fellow Viking warriors burned villages to the ground. . . Villagers who weren’t killed might be taken as slaves.” 
  • A Viking raid attacked a Christian monastery. “The Viking invaders descended on the monastery ‘like stinging hornets’. . . They robbed, tore, and slaughtered everyone—priests and nuns alike. . . Monks were taken as slaves or drowned in the sea.” 
  • The King of Norway tried to conquer England and was “killed in battle.” 
  • The Vikings believed that storms were caused by Thor, the god of storms and thunder, who “killed giants in the sky with his massive hammer.” 
  • While exploring North America, Thorvald, a Viking warrior, discovered it “was already someone else’s home. Immediately, Thorvald and his men attacked, killing eight of the nine native men.” The native people attacked the Vikings. “As Thorvald and his men ran back to their ship, arrows rained down on them. Thorvald was struck and later died.” 
  • When a native was “caught stealing weapons, he was killed on the spot.” 

Drugs and Alcohol  

  • The Vikings drank beer with meals. 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • Some people in England “wondered if these fearsome warriors [the Vikings] in their terrifying dragon ships had been sent by God to punish them.” 
  • When some of the Vikings moved to England and Iceland, they “began converting to Christianity.” 
  • The Vikings worshipped many different Gods, but King Olaf wanted to convert everyone in Norway to Christianity. “Leif Erikson wasn’t so sure the Greenlanders would want to leave behind all the gods they had grown up believing in . . . The Vikings believed the universe was centered around one big tree: The World Tree.” Six pages describe the Viking’s beliefs and gods, including Odin, Loki, and Freya. 
  • To be fearless fighters, warriors wore the “skins of wolves and bears into battle. They believed the spirits of these fearsome animals possessed them, along with the spirit of their god Odin. . . They believed if they died bravely in battle, they would be taken to Valhalla.” 
  • Lief became a Christian and “spread the word of God among the fellow Greenlanders by bringing Christian missionaries with him.” 

Fox versus Fox

There’s only one Fox . . . except when there are two! Fox, who is a red fox, meets a white fox. Both foxes can do tricks and jumps. When the foxes try to jump higher than each other, they find another similarity—foxes cannot fly. With all their similarities, the foxes realize that instead of trying to outfox each other, they should be friends. 

Young readers will enjoy Fox versus Fox and the silly ways Fox shows off. Readers will learn that meeting someone new can lead to friendship. Fox’s story uses simple but humorous illustrations, such as when Fox uses a rocket blaster to jump higher than the white fox. Fox’s silly antics will leave readers giggling and wondering what he will do in the next book. Each page has one simple sentence that includes word repetition. As a My First I Can Read Book, Fox versus Fox is perfect for your little one because the story uses basic language, word repetition, and has large illustrations on each page.  

Fox versus Fox is a fun story that will engage young readers and leave them wanting to read about Fox’s other adventures. Other Fox books include Fox Has a Problem, Fox at Night, Fox versus Winter, Fox the Tiger, Fox Is Late, Fox and the Jumping Contest, and Fox and the Bike Ride. Fox versus Fox will encourage readers that when you meet someone new, they might be a new friend! Friendship can come from unexpected places, and children need help creating new friendships. To help them learn to be better friends, pair Fox versus Fox with Shawn Loves Sharks by Curtis Manley and Angus All Aglow by Heather Smith. 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

The Valiant #1

Princess. Captive. Gladiator. Always a Warrior. 
 
Fallon is the daughter of a proud Celtic king and the younger sister of the legendary fighter Sorcha. When Fallon was just a child, Sorcha was killed by the armies of Julius Caesar.
 
On the eve of her seventeenth birthday, Fallon is excited to follow in her sister’s footsteps and earn her place in her father’s war band. She never gets the chance.
 
Fallon is captured and sold to an elite training school for female gladiators—owned by none other than Julius Caesar himself. In a cruel twist of fate, the man who destroyed Fallon’s family might be her only hope of survival.
 
Now, Fallon must overcome vicious rivalries, deadly fights in and out of the arena, and perhaps the most dangerous threat of all: her irresistible feelings for Cai, a young Roman soldier and her sworn enemy.  The Valiant recounts Fallon’s gripping journey from fierce Celtic princess to legendary gladiator and darling of the Roman empire.  

The Valiant jumps right into the action and proceeds at a breathtaking pace until the very end. Overnight, Fallon’s dreams are obliterated, and her life falls apart. As a captive, Fallon’s fierce determination to free herself is admirable. While Fallon’s pain is understandable, her strength and bravery never falter. Fallon takes the reader on her adventure, which leads her to several eye-popping surprises and forces her to question her beliefs while retaining her strength of character. 

Told in first person, The Valliant focuses on Fallon, who must learn about Rome’s culture and politics. At one point, Fallon meets both Julius Caesar and Cleopatra. This adds an extra layer of interest. As a strong woman, Cleopatra reinforces one of the book’s themes: “A woman ought to be able to chart her own course in life.” In addition to Caesar and Cleopatra, the book has many characters that play a significant role in the story but are not well developed. Despite being underdeveloped, Fallon’s romantic interest, Cai, has several swoon-worthy scenes that break up the battle scenes. 

The Valiant is an entertaining book that follows a brave protagonist worthy of rooting for. However, the book deals with dark topics, including slavery, murder, and worshiping the Greek god of death. And while the gladiatrix fights bravely, war is not glorified. Cai reminds Fallon, “Honor is nothing but a dangerous lie, Fallon. In battle, there is no honor, not really. Caesar never won because he was honorable. He isn’t. He won because he was clever and tenacious and used whatever means necessary. . .” Mature readers who aren’t squeamish about violence will enjoy following Fallon’s adventure into the Roman empire. For a less bloody adventure, read the Protector of the Small Series by Tamora Pierce and The Royal Ranger Series by John Flanagan. 

Sexual Content  

  • Fallon and Mael hope to one day get married. After practicing for battle, Mael kisses her. “His lips on mine silence my apology, muffling words with his sudden, hungry kiss. My eyes went wide. . . then drifted shut, plunging me into a red-lit darkness. . . My pulse surged loudly in my ears, and my fingers tangled in his long hair as I drew him down to me again.” The kiss is described over a page.  
  • Fallon’s father betrothed her to Mael’s brother, Aeddan. After the announcement, Aeddan “spun me around and kissed me hard on the lips.” Fallon does not kiss him back. Later that night, he brings wine to Fallon’s house to celebrate. 
  • When Aeddan tries to kiss Fallon again, she “jammed my knee into his groin, shoving him away as he gasped in pain and staggered back.” Before Aeddan can try to kiss her again, Mael appears and uses his sword to push Aeddan out of the house. 
  • A Roman officer, Cai, meets Fallon, who wanders the gladiator school’s grounds. “He took me again by the shoulders, drawing me toward him. . . Cai’s hands lightly moved up my arms, over my shoulders and down my back to my waist, tracing my body through the thin material. . .” Fallon flees before Cai can kiss her.  
  • After Fallon breaks Cai’s ribs, she goes to the infirmary to apologize. “Cai pulled me tightly to his bandaged chest and held me there. . . and he kissed me with a hungry desperation that tore the breath from my lungs. His hands tangled in my hair, and my arms tightened around him. . . he didn’t stop kissing me. Not for a long, dizzying while.” 
  • When Fallon goes to have a slave collar removed, Cai goes with her. Afterward, “Cai reached up and ran his fingertips along my skin, and I shivered at this touch. . . his hand shifted to slide into my hair, and he brought his face down to mine and kissed me. The kiss thrilled me all the way to my toes.” 
  • After professing his love for Fallon, Cai kisses her. “His mouth was nectar-sweet as he kissed me, and we fell back together into the soft, cool grass beside the stream.” 

Violence  

  • Mael and Aeddan fight over Fallon. “Suddenly, Aeddan reared back and head-butted his brother sharply. Mael reeled away in pain, blood running down his face. . .” Aeddan stabs Mael with a blade, and Mael “opened his mouth, and a dark gout of blood bubbled up and spilled down his chin. Aeddan wrenched the dagger out of his brother’s flesh, and Mael collapsed.” Fallon assumes Mael dies.  
  • Fallon was lost in the forest at night when “a broad-shouldered man swung his fist like a mallet at my head. I fell, consumed by a dark red tide.” When Fallon wakes, she tries to scream, but the man “pressed a knife blade up under my left ear. The scream building in my throat died instantly.” Fallon is kidnapped and sold to a slave trader. 
  • The man who kidnapped Fallon hit her. “A short, sharp jab to my stomach. . . his thick fingers fumbling at the lacing of my tunic. I kicked and swore at him, but I was chained, and he was much stronger.” The man intended to rape her, but the slave master stops him.  
  • The Varnini are a tribe of fierce women fighters. Fallon and Varini girl are put into a wagon and chained together. They get into a fight. Fallon describes, “She lashed out at me with one long leg, the leather sole of her sandal slapped painfully against my thigh. . .” The girl hit Fallon’s face, and “pain exploded from my left cheek, and a red mist descended in front of my eyes. . . I howled in fury and swung my clenched fist in a double blow that caught the Varini on the temple and sent her reeling.” The fight is described over three pages. 
  • Because of Fallon and the Varini’s fight, the wagon tips over. The slave driver’s “head was bent at an unnatural angle, and his mouth was frozen open in a silent cry of shock. A slick of dark blood painted the sides of his face, and his eyes were empty and staring.” 
  • When the Varini was first captured, she attacked the slave trader. She said, “I bit off half his ear and kicked him in the balls so hard he still limps.” 
  • Fallon and the Varini girl, Elka, run, but they are still chained together. They try to hide, but a group of men find them. “The man reared back again, and while his attention was focused on Elka, I sprang forward with a low, darting thrust that tagged him solidly on the upper thigh. . . I pulled my sword and blood spilled down the front of his leg.” The fight is described over two pages. 
  • Charon, the slave master, finds the girls who are being attacked. “With one swift motion, Charon had grabbed the brigand by the shoulder and yanked him around. Two moves and the man lost first his sword hand. . . and then his head. . . The man’s head toppled from his neck and bounced away into the undergrowth, the whites of his eyes glittering in the moonlight.” 
  • Pirates attack the ship that the slaves are in. The slaves are locked below deck. Fallon watched as “the body of a man fell across the grate. His mouth and eyes were frozen open in a horrible death grimace. Wind-dark blood flowed from a gaping wound to his chest. . .”  
  • Fallon breaks out of the ship’s hold and enters the fighting. “A legionnaire gutted one of the pirates not three strides in front of me, and the man twisted in a horrid dance as his guts spilled. . . Legionnaires in their uniforms [were] hacking and slashing and killing.” 
  • When being sold as a slave, Fallon and Elka are chained together. Two other slaves are given weapons and told they will be freed if they can kill the two women. When one of the men attacks Fallon with a pike, “with a powerful thrust of [Elka’s] long legs, Elka had launched herself toward us, howling with battle madness. The point of her sword blade disappeared up under the man’s helmet chinstrap. . . then the man’s chest bloomed suddenly with a dark crimson that flooded down over his painted skin.” 
  • During the attack, Fallon “swung up at a sharp angle and met my attacker’s weapon, screeching up its length in a flash of sparks. . . I brought the sword back around and down in a vicious slash across the man’s extended forearm. Blood spurted, crimson, and sparkling in the sunlight.” The fight is described over three pages. One man dies. 
  • While being trained to be a gladiatrix, a group of women attack Fallon. “Another crack of the whip and a line of fire licked across the backs of my legs. I fell to my hands and knees with a grunt. . .” When Fallon falls, “the girls kicked and punched at me in the darkness, and I curled into a ball to try to avoid the worst of it. . .”  
  • Enraged at her attackers, Fallon grabs two torches. “I spun circles of flames in the dark air, batting the whip away from me and almost setting the retiarius net aflame. . . One girl screamed in alarm as my torch set her tunic hem smoldering.” The next day, Fallon “hobbled out to the practice yard, where the throbbing, livid bruises on my legs and arms went glaringly unremarked upon.” The attack is described over three pages. 
  • After the swearing-in ceremony, two women were eager to use their weapons. One woman accidentally injures her sparring partner. Fallon sees “the crumpled body of a girl lying in a pool of blood, shockingly red against the white-gold sand. . .” The girl, Lion, lost her hand. Someone “was on her knees, tearing linen into strips and wrapping Lion’s arm tightly as she could while crimson spurted in time with the beating of the girl’s heart. . .” While in the infirmary, the doctor, Heron, “and his assistant worked to stanch the flow of blood. . . He returned with a bronze brazier full of angry red coals and a metal bell-shaped tool that had been heated until it glowed.” The woman survives. 
  • Cai is angry that Fallon will not allow him to buy her. He spars with her. “He was relentless, he was humorless. . .” Fallon tricks Cai, who looks away. “I wound up with all the strength that I could muster and delivered a slashing blow to his exposed flank. I heard his rib crack like a slap of a hard-shot arrow. Cai dropped to one knee in the sand. . .” Cai’s rib is broken.  
  • The end of the book has several gladiator tournaments described in long, bloody detail. Not all of the battles are described here. During one fight, “one gladiator’s trident had gone straight through the guts of his opponent. Two of the tines stuck out obscenely from his back, dripping wet. . .” The wounded gladiator’s “face [was] rigid with pain, and gestured for the mercy blow”. . . his opponent picked up his sword and “thrust the point through the other man’s neck.” 
  • During Fallon’s first gladiatrix battle, she is knocked down by the Fury. Fallon is “down on all fours in an instant, sucking sand-gritty air through my teeth. . . In the very last instant before her attack, I slammed the hilts of my twin swords together and thrust them out before me. . .” The swords went into the Fury’s ribs. The Fury’s “body slammed into me, throwing me back down to the ground. . . I thrashed and struggled and heaved her off me.” Fallon watches as “blood bubbled up and spilled out the sides of her mouth, staining my fingers.” The Fury dies. 
  • At a party, two gladiators fight. One of the men, Ajax, “looked down to see two blades protruding from his chest, the points red with his own blood.” Later, Fallon sees a group of men huddled around the body. “They had split Ajax’s torso open like the roasting carcass of a wild boar. I glimpsed the white gleam of his rib cage grasping like rigid fingers at the shadows, and I could hear the wet, gluttonous sounds of feasting.” 
  • A fellow gladiatrix named Nyx tricks Fallon and Elka into drinking spiked wine, Elka is flogged. Afterward, Fallon finds Nyx in the laundry. Fallon “went straight for trying to drown her in the tub. I used my shoulder to hit her from behind square in the middle of her back, and she fell face-first into the water. . . I grabbed a length of sodden linen and slapped it hard across her torso, knocking her over.”  
  • Fallon and Nyx are in a reenactment of one of Julius Caesar’s battles. However, they are on opposite sides. During the battle, Fallon attacks Aeddan. Fallon “rammed the butt of my spear into his side. The breath left his lungs in a whoof as he stumbled sideways, and I followed up with a series of swift, vicious jabs.”  
  • Fallon gets into a chariot and demands that Aeddan drive it. “Aeddan steered so that we would pass within arm’s length of Nyx’s chariot on our right. . . Nyx’s whip cracked, and I ducked instinctively . . . The wasp-kiss of the whip left a crimson welt on my upper arm.”  
  • After several passes, Fallon tells Elka to send a spear into Nyx’s chariot. “The chariot shot upward, arching through air like it had been unleashed from a legion catapult. . . Nyx screamed, arms and legs flailing frantically as she sailed up and over her horses’ heads.” Nyx is injured but not killed. The final battle is described over ten pages.  

Drugs and Alcohol  

  • Every two years, the tribes come together to feast and drink alcohol, and many become drunk. 
  • Alcohol, usually wine, is often served with dinner. 
  • Fallon confronts her sister, Sorcha, who “strode over to a side table that held a wind jug and goblets. She sloshed a generous measure of dark red wine into one of the goblets and took a long drink.” 
  • After drinking the spiked wine, Fallon passes out on the side of the road. A group of girls finds her and takes her to their house. When Fallon awakes, she is at “a house of whores.”

Language  

  • Profanity is used rarely. Profanity includes arse, bitch, damn, and bastard. 
  • “Oh dear goddess” and “Lugh’s teeth” are used as exclamations once. 
  • Another gladiatrix convinces Fallon and Elka to go to a party. As they walk to it, they consume wine. Fallon “took another swallow, and my urge to run faded as the liquid heat from the wine coursed through my limbs.” Later, she discovers the wine was spiked with mandragora, “a powerful intoxicant.”  

Supernatural 

  • Fallon’s tribe has both men and women warriors. “The legions thought of the Island of the Mighty were demons, aberrations whose corpses they burned in heaps after battles so that their black souls could never escape to inhabit another body.”  
  • When Fallon’s sister, Sorcha, was alive, she spent “time with the chief druid. . .The druiddyn were sages and mystics of our tribe. They dealt with portents and prophecies. . .” 
  • After Fallon kills a woman in battle, she is shaken. Her friend, who has killed before, tells her, “His shadow visits me almost nightly in my sleep. We’re so familiar with each other now, he’s almost a friend.” Later, Fallon “said a silent prayer for the Fury and thanked her for giving me the fight that would send me hurtling toward my destiny.”  
  • To frighten Fallon, someone nails a raven to her door. Some think it is an omen of “ill luck.”

Spiritual Content  

  • Fallon often refers to Morrigan, “goddess of death and battles.” Fallon had a dream that Morrigan visited her and called her daughter.  
  • Sorcha explains why she allowed her family to believe she was dead. Afterwards, Fallon “heard the sound of wings beating overhead. I looked up, the sky was clear. Empty. But in my mind, a throaty voice whispered, ‘Daughter’ and ‘Victory.’” Morrigan’s voice reassures Fallon.  
  • After being taken captive, Fallon prays to Morrigan, the triple goddess of blood and battles. “Mach. Red Nemain. Badb Catha . . . hear me. Wind, carry my words. Shadows and darkness, see my plight. Let the Morrigan hear my pleas. Give me strength to vanquish my enemies and wreak my vengeance.” 
  • After someone vandalizes Fallon’s room, “I whispered a prayer of thanks to Morrigan that I’d had the foresight to take the box of Charon’s armor directly to the quartermaster.” 
  • A woman died in a gladiator fight. During her funeral, someone says, “Last night the goddess Nemesis, she of the midnight brow, in her great wisdom called Ismene to the realm of heroes and sent forth Mercury to guide her there. She feasts now in the halls of Dis, she spars with Minerva. . .” 
  • When a gladiator is killed in battle, “the gladiator’s body was dragged from the arena by hook-wielding men dressed in outlandish headdresses meant to resemble long-eared desert dogs. . . the men were playing the ritual part of an Egyptian god of the dead called Anubis.”  
  • Fallon tells her friend, “Morrigan hates me.” Her friend replies, “Your goddess has brought you this far. Maybe this is her way of telling you she thinks you’re worth the effort.” 
  • During a battle, Fallon realizes that “The Morrigan had not forsaken me. She wasn’t against me. The true Morrigan had shown herself to lead me to victory.”  

Lost in the Jungle

Dr. Hank Witherspoon has disappeared. When Jack and his genius siblings, Ava and Matt, find Hank’s lab ransacked, they uncover clues pointing them to Brazil—but many questions remain. Why was Hank studying dangerous electric eels? And who is trying to steal his inventions? Their investigation leads them to a soccer prodigy, his savvy sister, a business tycoon who zips around on motorized boots, and a strangely incompetent riverboat captain.

In the depths of the Amazon rainforest, the three siblings and their new friends must overcome deadly piranhas, stealthy jaguars, and the dreaded “Trail of Pain” to save Hank . . . and make it out alive. 

Readers familiar with the Jack and the Geniuses Series will enjoy seeing Jack and his siblings take on another adventure. However, Lost in the Jungle has less science and fun gadgets. Instead, the siblings spend more time trying to locate Hank. Along the way, Jack has “mind drifts” where he thinks about random things; some readers may find the mind drifts irritating because they are so random. For example, after hearing about a sloth legend, Jack thinks, “. . . I started wondering what sort of creature I’d want to be in the rainforest. A vampire bat? A boa constrictor? The howler monkeys had amazing beards. It would be fun to yell all the time, too. . .”  

The adults in the kids’ lives are mostly absent. For example, Jack and his genius siblings rely on Hank; however, Hank gives them little guidance and leaves them alone for long periods. Hank doesn’t share his plans with the kids; instead, he leaves for the rainforest without a word. After not hearing from Hank for weeks, the siblings decide to find Hank. This causes them to put themselves and others in danger. Even though Hank is irresponsible, the story reinforces the idea that Hank and the kids are family despite not being biologically related. The conclusion proves that love can be found in some surprising ways. 

Lost in the Jungle is a fast-paced story that teaches how the Amazon is being destroyed by illegal logging and how this leads to global warming. While each book in the Jack and the Geniuses Series features a new location and a new dilemma, the books are best read in order so readers can understand the family dynamics of the kids. Readers who love adventure and science will enjoy learning about the Amazon by reading Lost in the Jungle. Readers can jump into another fast-paced adventure by reading the Explorer Academy Series by Trudi Trueit and Tom Swift Inventors’ Academy Series by Victor Appleton. 

Sexual Content  

  • None

Violence  

  • Someone breaks into the lab. When Jack and his siblings find him, the man puts Jack in a headlock. “The man clamped down harder on my head. My ears hurt. He yelled at them to back down the stairs as he dragged me out of the room.” The man threatens to drop Jack from the second story. Jack thinks, “One easy shove and I was going to sail right off the platform and splatter like a water balloon on the polished concrete.” The man leaves without injuring anyone. 
  • A man tries to kidnap Jack, Ava, Matt, and their two friends. The kids jump out of the vehicle to get away, but the man follows. “The driver started to charge, splashing with each heavy step, and then [the sibling’s friend] leaned forward, flicked the stone into the air with his left foot. . . and struck. His leg moved like lightning and the stone flew through the air. . . striking the driver directly in the side of the head. Instantly the man dropped to his knees, twisted, and fell forward in a puddle.” The kids flee. 
  • While lost in the rainforest, Jack follows the sound of voices and runs into a “burly and bearded” man. The man “kept shouting at me in Portuguese. He held his boot above my stomach like he was going to stomp on me.” The man pulls out a gun, but he doesn’t hurt anyone. 
  • When Ava and the other kids find Matt, one of the bad guys, Alex, “dropped his arm across my chest and held me up like a human shield. Then he grabbed the gun off the ground and pressed it into my neck. The blood rushed from my head.” Jack passes out. Everyone is gone when he comes to, and Jack runs into the forest to hide.  
  • Jack and the kids find several bad guys fighting over a flash drive. “Roger’s right fist flashed forward as quickly as a golden lancehead and smashed into Bobby’s forehead. He dropped like a puppet without string.” Two bad guys “showed us the pistol once more” and demanded that the kids take their shoes off. The kids comply.  
  • One of the bad guys, Bobby, plans to take a boat and leave the kids stranded in the jungle. As Bobby waded to the boat, “the giant electric eel wrapped itself around his right leg and pumped him full of nine hundred volts. Every muscle in his body instantly tensed. His eyes bulged. . . [he] fell face-first into the water.” Bobby isn’t seriously injured.  

Drugs and Alcohol  

  • In a woman’s office, the kids see that “a thick, half-smoked cigar rested in a silver ashtray on the desk.” 
  • In a crowd outside of a soccer match, “two old dudes chewing on cigars scurried alongside our car.” 
  • During intermission at the opera, “a few dozen operagoers rushed outside, reaching for their cigarettes, cigars, and phones.” 

Language  

  • One of the bad guys calls a woman a “greedy old hag.” 

Supernatural 

  • None 

Spiritual Content  

  • None 

The Throne of Fire

Following the events of book one in The Kane Chronicles, Carter and Sadie are facing a new danger: the serpent of chaos, Apophis. Carter gives the reader a very brief overview of what happened in the previous book, saying, “The Egyptian gods are running around loose in the modern world; a bunch of magicians called the House of Life is trying to stop them . . . and a big snake [Apophis] is about to swallow the sun and destroy the world.” However, Carter and Sadie now have several new magician trainees who can help them fight Apophis.  

Carter and Sadie discover that they must work with the gods to defeat the serpent of chaos, Apophis, as his rise threatens both mortals and gods. Sadie explains it well as she says, “Apophis can’t imagine that anyone could unite the gods and magicians . . . He thinks the return of [the sun god] will weaken us even further. We have to prove [Apophis] wrong. We have to make order from chaos.” After their mom passed away, Carter was sent to live with his dad, and Sadie was sent to live with her grandparents, and throughout the book, we get to see them really bond and reconnect with each other as siblings as they learn to understand their magic. Readers with siblings are likely to find Carter and Sadie very relatable, as they do not always get along, but when they are facing danger, they support each other no matter what. 

The Throne of Fire’s theme focuses on Carter and Sadie strengthening their friendship as siblings. In the first book, the readers learn that Carter and Sadie have lived far away from each other for most of their lives, but now they spend every day together learning more about magic and working together to save the world. Readers with siblings will likely empathize with Carter and Sadie as they worry about each other’s safety. For instance, Sadie says, “Seeing Carter hurt was the final insult . . . My friends had been attacked, and my birthday ruined. But my brother was off-limits. No one was allowed to hurt my brother.” Sadie and Carter stand strong and have each other’s back in the face of constant danger.  

Sadie and Carter face a new struggle—their friend, Walt, is dying of an ancient curse that they cannot stop. Walt explains that his curse is connected to King Tut’s bloodline. Walt says, “[The] curse runs in my family . . . Kind of a genetic disease. Not every generation, not every person, but when it strikes it’s bad. [King Tut] died at nineteen. Most of the others . . . twelve, thirteen. I’m sixteen now . . . My dad was eighteen. I never knew him.” Sadie and Carter desperately try to come up with solutions to help Walt, but he explains, “This curse has been defying healers for three thousand years.” Carter and Sadie feel guilty that they still cannot cure Walt, and this unresolved issue will continue in the next book.   

The Throne of Fire has one impactful lesson: do what feels right even when another option seems easier. For example, when Carter and Sadie fight Apophis, the serpent of chaos, he tries to bribe them to join him. Carter thought, “Chaos can also be appealing. It tempts you to believe that nothing matters except what you want. And there was so much that I wanted.” However, Sadie and Carter decide that the most important thing is to restore order. The Throne of Fire will appeal to readers who love mythology, magic, and being kept on the edge of their seats.   

Sexual Content  

  • One of the new magicians that Sadie and Carter are training, Jaz, gives another trainee, Walt, a kiss on the cheek before trying a difficult spell. “[Jaz] pulled her wand and then—much to [Sadie’s] shock—gave Walt a kiss on the cheek.”  
  • Sadie thinks about her friend Walt and realizes she has feelings for him: “I wasn’t at all interested in how handsome [Walt’s] face looked in the moonlight, or his muscular arms in that sleeveless tee . . . Sorry. Lost my train of thought.”  
  • Sadie discusses her interactions with the god of funerals, Anubis. “I had a bit of a crush on Anubis. I know how ridiculous that sounds . . . [Anubis] was a god. We had absolutely nothing in common. I hadn’t heard from [Anubis] since our adventure with the Red Pyramid.”  
  • Sadie is briefly transported to the Land of the Dead where Anubis advises escaping some monsters. “Anubis said. ‘I’m sorry I can’t do more. But happy birthday, Sadie.’ [Anubis] leaned forward and kissed [Sadie] on the lips.”  
  • Walt reveals that he is dying of an incurable curse, “I’m going to die anyway, Sadie. I want my life to mean something. And . . . I want to spend as much time as I can with you.” Sadie doesn’t know how to respond and reveals to the reader, “I think I might have kissed [Walt].”  
  • Sadie performs a spell to get herself and Walt out of a cavern. Afterward, “Walt leaned down and kissed me.” 

Violence  

  • Carter receives a vision in which he has to fight several monsters. “Horrible faces rose up—a sea dragon with feline eyes, a crocodile with porcupine bristles, a serpent with the head of a mummified man. Each time one rose up, I raised my sword and cut it down, or speared it with my javelin.”  
  • A three-headed serpent attacks Carter and some of his magician trainees. “The serpent opened its mouths, blasting out three columns of flames.” Luckily, Carter and his friends can protect each other, and “[Carter] raised a green shield of magic to deflect the fire.”  
  • Carter describes how his magician trainees defend themselves against the three-headed serpent attacking them. “Julian’s sword sliced off one of its heads. Felix’s shoe bounced off another. The blast from Walt’s wand turned the third to dust. Then Alyssa’s statues slammed into it, smashing the monster under a ton of stone. What was left of the serpent’s body dissolved into sand.” 
  • A monster with deadly venom bites Carter. “The creature sank its fangs into Carter’s left shoulder, and he dropped to the ground.” Sadie destroys the creature with magic. She “unleashed a beam of golden light that hit the monster with the force of a sandblaster. The [creature] crumbled to bits.” Luckily, healing magic saves Carter.  
  • Sadie, Carter, and their friend Bes play a game in the Land of the Dead with the moon god, Khonsu, in exchange for a few more hours of time so that they can complete their quest. If they lose, Khonsu threatens to, “Erase part of our souls . . . take our memories, our identity.”  
  • The magician Desjardins has to fight one of his own friends, whom Apophis possesses. Desjardins tells his fellow magician, “You toy with something much worse than death, my old friend. Pray that I kill you before you succeed.” Desjardins uses his magic to banish Apophis to the duat, a realm between our world and the underworld, and succeeds. However, the spell requires so much magic that Desjardins passes away afterwards.  

Drugs and Alcohol  

  • None 

Language  

  • Characters occasionally use words like stupid, shut up, and idiot.  

Supernatural 

  • Carter explains that the god, Horus, is able to speak to him in his mind. Horus gives Carter advice on finding an artifact Carter is looking for. However, Horus warns Carter about the artifact at the last possible minute. Horus speaks to Carter, “You’ll have five days to figure out how to use [the artifact], or we’re all doomed. Good luck!”  
  • After talking to Horus, Carter says, “I could’ve screamed at [Horus] for not telling me sooner, but it wouldn’t have made any difference. Gods only talk when they’re ready, and they don’t have a good sense of mortal time. I knew this because Horus had shared space in my head a few months ago.”  
  • Carter and Sadie see their friend Jaz perform a spell to protect them all from evil spirits of chaos. Carter “turned just in time to see a flash of blinding red light. The entire vortex collapsed inward, sucking all six [spirits] into Jaz’s circle. The light died. Jaz fainted, her wand and the Sekhmet statue both crumbling to dust in her hands.”  
  • Carter channels the power of the god Horus to give him strength while fighting some demons. “I awoke in a different body . . . My arms were bronze and muscular, circled with bands of gold and lapis lazuli. I was dressed for battle in leather armor.” Carter describes, “I felt strong and powerful like . . . well, a god.” 

Spiritual Content  

  • Before doing a spell, Jaz takes out a goddess statue to bring her strength. “From [Jaz’s] bag, she produced a small statue of Sekhmet, [Jaz’s] patron goddess, and held it aloft.”  
  • Like the previous book, the gods in this book are not worshipped but interact with others. The gods have strengths and powers. For instance, Carter discusses his thoughts about the god Horus. “[Horus] didn’t want [another god] coming back to challenge his authority. Gods tend to be selfish. Even when they’re helpful, they always have their own motives. That’s why you have to be careful about trusting [gods]. 

You Wouldn’t Want to Be a Pyramid Builder!

You are living in Egypt around 1500 BC. When a pharaoh dies, he joins the hawk-headed sun god Ra and travels the sky in his boat. To ensure his eternal life, the pharaoh’s corpse must not decay. So, each pharaoh gets his subjects to build him a gigantic tomb—a pyramid—which will preserve his body forever. Thousands of Egyptians are forced to work on it, including you.  

You Wouldn’t Want to Be a Pyramid Builder! immerses the reader in the story, making the interactive book fun to read. Readers will learn about the difficult work required to build a pyramid fit for a pharaoh. Much of the work was completed by unskilled workers who mined in a granite quarry or cut stone with a very hard rock. Skilled carvers and painters were also necessary to complete the inside of the pyramid. While most of the book discusses pyramid building in detail, it also incorporates the Egyptians’ belief in many gods and how the gods were vital to everyday life. 

Even though building a pyramid was serious work, the book uses humor to engage and educate readers. The text and full-color illustrations give accurate technical detail and give readers a vivid understanding of what life was like as an Egyptian pyramid builder. The book’s format is perfect for reluctant readers since each page has larger and several smaller illustrations. On each two-page spread, a large paragraph explains what is happening. Along the edges, more information about a pyramid builder’s life is given. For example, “On payday, your wages come in various useful forms, such as grain, oil, or fine linen cloth. 

Anyone who wants to understand how the pyramids were made will find this easy-to-read book fascinating. The nonfiction book includes informative captions, a complete glossary, and an index. While some readers may not understand all of the words, context clues and illustrations will help them decode their meaning. Readers don’t have to watch for scorpions or crocodiles to learn more about ancient Egypt. Instead, they can head to the nearest library to check out Mummies and Pyramids by Mary Pope Osborne or The Curse of King Tut’s Mummy by Kathleen Weidner Zoehfeld. 

Sexual Content  

  • None 

Violence  

  • Tax collectors “always have ways of showing how wrong you are.” The illustration shows a man on the ground being beaten with a stick.  

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • When creating the decorations in a tomb, “It is very important to know the exact stance and gestures the figures should portray and what symbols and written spells should accompany them. . . If you get any of them wrong the decorations will lose their magic power of ensuring the pharaoh’s safe journey to the gods.”  
  • To keep evil spirits away, “place the god Bes in a shire set in the wall of one of your rooms. He protects homes.” 
  • Some days are considered unlucky, “when it is believed evil forces are particularly strong. . . On those days, it is best to avoid bathing, making a journey, killing an ox, a goat, or a duck. . . Illnesses are caused by evil spirits too, so doctors prescribe spells as well as medicine.” 
  • It is important to carry an amulet such as the eye of the Sun God, Ra.

Spiritual Content  

  • The Egyptians believed in many gods and that the pharaohs were gods. “The Egyptians think the gods look after them because their rulers, the pharaohs, are gods themselves. When a pharaoh dies he joins the hawk-headed sun god Ra and travels to the sky in his boat.”  
  • The Egyptians believed the gods controlled everything. “You must bring offerings of your best produce to the temples for them. . . when the crops fail or when the hot wind blows blinding sandstorms from the desert, the gods are angry.” An illustration gives an example that shows a man getting eaten by a crocodile.  
  • It is important to preserve a body because “if it decays your spirit will perish. In the case of a pharaoh, these arrangements are important because the well-being of Egypt relies on his union with the gods. . . The head embalmer wears the mask of Anubis, the god of the dead, and recites appropriate spells.”  
  • When a body is preserved, “lucky amulets are bound in wrappings and the mummy is completed by a face mask portraying the person within.”  
  • When burying a pharaoh, “sacred rites, performed by the temple priests daily, will keep his spirit alive forever.” 

The Spin

Everyone knows Marcus Stroman as a baseball player. He loves the sport, and yes, he probably has a shot at the pros. But “baseball player” doesn’t totally define him. Why won’t anyone also see him as a basketball player or a musician? While he loves being known for what he does well, he’s struggling because people are trying to limit him to just one thing.

Literally how high up a mountain does Marcus need to climb to be completely free of what everyone else sees? How can he protect himself from the online zings, the chatter, and the opinions? When you walk out on the field or that court, how much criticism is fair play? With some perspective from a new view, Marcus realizes that no matter what field, court, or classroom he’s in, he has to block some shots.  

Marcus’ story rotates between Marcus’ family life, school life, and counseling sessions. The Spin reflects on the importance of words—both written and spoken. This topic is reinforced when Marcus’s class discusses a newspaper article and whether the reporter used any biased words. The teacher says, “The difference in reporting may seem minor, with just a few different words or phrases, but how things are reported has major implications.” Marcus gets first-hand experience when he is mentioned in a school newspaper article—Marcus feels that the article doesn’t portray him accurately. During class, with the teacher’s help, Marcus and the reporter discuss how the articles’ words affected the information conveyed. The class discussions allow the reader to understand how word choice can affect how readers interpret biased words differently.  

Marcus meets with his therapist, Gary, several times. During one session, Gary reminds Marcus that he can’t just assume that his parents know how he feels. Instead, “I have to tell people what I need from them instead of leaving them guessing.” With Gary’s help, Marcus finds a way to discuss his love of basketball with his parents. Gary also helps Marcus when some students write mean online comments. Gary says, “The instant sting or hurt? That’s real. That happens, and you process it. But then you can decide how much sticks and how much you shake off. You could also ignore it altogether.”  

The Spin includes many life lessons that are relatable to middle-grade students. However, some conversations, especially those between Marcus and his peers, aren’t authentic. Furthermore, Marcus’s parents are extremely agreeable and patient, but this behavior will not seem genuine to many readers. Besides students’ snarky comments online, the characters work through their disagreements using healthy communication skills.  

The Spin focuses on Marcus’s frustration with people classifying him as “just a baseball player.” Many readers will relate to Marcus’ conflicts, especially the difficulty discussing their emotions. However, the long conversations with Marcus’ parents and therapist slow the action, and many will be disappointed that there are few play-by-play sports scenes. While The Spin isn’t action-packed, the story includes relevant lessons about communication, friendship, and choosing your words wisely. 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None

Language  

  • Freaking, dang, and heck are each used once. 
  • In one of Marcus’ classes, the teacher discusses a newspaper article. A kid asks, “Someone was a bonehead about setting the fire?” 
  • Marcus thinks that one of the players on his team is a jerk. 
  • An adult uses “Good Lord” as an exclamation once. 

Supernatural 

  • None 

Spiritual Content  

  • None 

Pets to the Rescue: Tara and Tiree, Fearless Friends

Jim loves to go for long walks with his dogs, Tara and Tiree. One cold winter day, Jim falls through the ice on a frozen lake. Tiree tries to save him and falls through the ice too! What will happen if Tara tries to help them both? 

Tara and Tiree, Fearless Friends follows Jim, who enjoys spending time outside with his dogs. One winter day, Jim falls into a frozen lake and cannot get out of the water. Even though “Jim called for help. No one was near. No one could hear him.” The suspenseful scene will have readers biting their nails and wondering what will happen next. Even though it’s difficult, Tiree and Tara save Jim.  

As part of the Ready To Read Level 2 Series, Tara and Tiree, Fearless Friends is intended for children who can read independently. The story is told using short chapters. Each page has two to four sentences of various lengths; however, most sentences are short. The story has a simple plot with full-color illustrations that help readers visualize the action. Some of the pictures show Jim struggling to get out of the frozen lake; however, the illustrations are kid-friendly.  

Readers who love animals will enjoy reading the true story of how Tara and Tiree saved Jim’s life. Although the story focuses on simple activities such as taking a walk, readers will not be able to put the book down. In the end, Tara and Tiree, Fearless Friends teaches that “There is no such thing as a bad dog…There is such a thing as a brave and wonderful dog.” Adults who would like to share more true stories of heroic dogs should check out Dog Heroes by Mary Pope Osborne & Natalie Pope Boyce. 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

Boy + Bot

From bestselling author Ame Dyckman comes a simple and charming story sure to entertain readers of all ages. One day, while collecting pinecones, a boy encounters a lost robot. The two become fast friends, and the boy’s creativity and adventurous spirit delight the pragmatic robot. However, the pair’s fun comes to an abrupt halt when the robot bumps his off-switch. Concerned for his friend, the boy takes the deactivated robot home. There, he treats and cares for the robot in the only way he knows how: he feeds him applesauce, reads him a story, and tucks him in for bed.   

That night, the power switch bumps again and awakens the robot. Assuming that the sleeping boy is deactivated, the robot carries the boy to his home: a laboratory belonging to the robot’s kind inventor. There, the robot treats and cares for the sleeping boy in the only way he knows how: he reads him an instruction manual. He prepares a battery for him. When the robot’s inventor returns home, the boy finally awakens. The boy and robot are delighted to see that the other is perfectly okay. The inventor drives the boy back to his parents, but the boy and robot agree to play tomorrow. 

Boy + Bot is a very easy read, with only one to seven short sentences per page and no challenging vocabulary. The book is illustrated by prolific illustrator Dan Yaccarino. An author himself, Yaccarino matches the book’s simple story with illustrations that do not draw the reader’s focus away from the narrative. The main characters’ outfits are drawn with vibrant colors that catch the reader’s eye. Meanwhile, the backgrounds are limited to no more than two muted colors, and many pages have no background at all. Through this, the reader is able to focus on the Boy and Bot’s story without getting distracted by details of their environment. 

While not a challenging read, Boy + Bot is a warm and comforting story that teaches young readers the value of accepting and uplifting their friends. Boy and Bot could not be any more different on the surface, but their mutual love of play and exploration forms a quick and tight bond. If you are looking for a fast and easy read that tells an enjoyable story with a strong message, Boy + Bot is an excellent choice. 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None

Spiritual Content  

  • None 

Because of Thursday

Thursdays have always been Annie’s lucky day. She was born on a Thursday and married on a Thursday. Each of her two children was born on a Thursday.  She opened her diner on a Thursday, and it was on a Thursday that she made the famous pasta salad that became a staple of her small town. As Annie grew older, she looked back on her life with pride and satisfaction. She had married the love of her life, achieved her dream of opening a restaurant, and raised two amazing children. However, one Tuesday, Annie’s husband tells her that he isn’t feeling well. On a Monday, her husband passes away. This loss upsets the joy that Annie once felt. Not long after, she closes her restaurant.  

Now, Annie spends most of her time at home. One day, she finds a dish towel on her porch with the word “Thursday” embroidered on it. Annie notices small movements and sounds coming from underneath. She lifts the towel and is delighted to find a kitten bundled up inside! Annie takes the kitten in and quickly finds herself taking care of it. She names the kitten “Thursday” and enjoys tending it. Soon, Annie is inspired to begin cooking once again. It doesn’t take long for the people of her town to hear. Soon enough, everyone helps Annie restart her restaurant. With this, Annie’s restaurant is restored as the heart of the town, and Thursday is adored by every customer who comes in. 

The author of over 70 children’s books, Patricia Polacco writes her stories with a natural grace. As in all her works, Because of Thursday is told with a heartfelt and human touch. Polacco speaks to her reader less like an omnipotent narrator and more like an old friend telling a story, elevating little moments into engaging pieces of a narrative. She describes the smaller details of the story, like the ingredients of Annie’s famous “Ugly Pasta” recipe, with a unique humor and conceit. “It looked like it had been kicked around in the dirt with all the burned pepper flakes in it,” she writes. “And wiped through someone’s armpit with all the lumps of garlic on it and blown across a dusty field with all the grated cheese on it.”  

While this kind of writing should not be a challenge for advanced readers, younger readers may need help navigating the book’s long paragraphs. Each page features four to twelve sentences. Parents’ assistance may also be needed to explain adjectives like “delectable” and “gelatinous.” Polacco’s dynamic illustrations add spirit and energy to the book. Each page features a double-spread illustration with vivid colors and attention to background detail. For example, the final page features Annie’s majestic and colorful manufacturing plant, complemented by a giant fountain shaped like a stack of noodles.  

While Polacco’s pleasant written voice and lively illustrations always make a good story, the resolution of Because of Thursday features a shift in tone that makes the story ultimately feel a little uneven. The book’s climax involves Annie achieving nationwide fame when a TV chef discovers her recipe. Although the chef’s name is never stated, he is drawn to look like Guy Fieri. Even though it’s satisfying to see Annie reach such a high degree of success, the inclusion of a specific real-life celebrity feels out of place in a fictional story. Readers familiar with Fieri will likely be confused by his appearance and may incorrectly assume that the book is a true story. 

With this being said, Because of Thursday is still a worthwhile read. Parents can use the story as a way to discuss the topic of grief with their child, specifically how it can affect someone’s mood and motivation. Additionally, readers can learn the importance of being there for others. Just as Annie gave joy to her town through her cooking, her town was there for her when she returned to her restaurant. As with any book by Patricia Polacco, Because of Thursday is a heartfelt and beautifully illustrated story that allows parents to discuss meaningful themes and messages with their children. 

Sexual Content 

  • None 

Violence 

  • None 

Drugs and Alcohol 

  • None 

Language 

  • None 

Supernatural 

  • None   

Spiritual Content 

  • None

Gigi and Ojiji: What’s in a Name?

Gigi wants to be called something other than her baby name of Gigi—but her full name, Geraldine, is too long to write. And Hanako, her middle name, doesn’t feel quite right. Will Gigi find the perfect name? 

Throughout the day, Gigi tries using different names. Gigi’s family encourages her to try using different names and her grandfather, Ojiji, even shows her how to write Hanako in Japanese. Even though the name Hanako doesn’t feel right, Gigi thinks she needs to use the name because “Ojiji likes the name Hanako. And it’s easy for him to say.” However, Ojiji assures Gigi that she needs to choose the name that feels perfect to her. 

As part of the I Can Read Level 3 Series, Gigi and Ojiji: What’s in a Name? is intended for independent readers who are ready for more complex plots and challenging vocabulary. Each page has three to six sentences and large illustrations. The cute illustrations capture Gigi’s emotions while the back of the book has a Japanese vocabulary wordlist. 

Readers will enjoy watching Gigi interact with her family as she tries out different names. Gigi and Ojiji: What’s in a Name? features Gigi, a biracial six-year-old girl, and her parents. Through Gigi’s adventure, Gigi’s family uses positive communication to solve problems using everyday events that readers will relate to. The cute story and relatable conflict will have children reading it again and again. Readers who enjoy Gigi and Ojiji: What’s in a Name? can go on more adventures by reading the Katie Woo Series by Fran Manushkin. 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

The Christmas Baby

Mary and Joseph travel by donkey to Bethlehem, but when they arrive, the only place to stay is a barn. When the baby was born in the manger, Mary and Joseph rejoiced. The angels sang, and kings journeyed to bring gifts. When the baby was born, he “smiled at the world with God’s own smile.”  

The Christmas Baby is a heartwarming retelling of the birth of Jesus. Using natural colors of blue and brown, the illustrations focus on the animals and the sky. When the baby is born, a two-page spread shows the animals’ joy as they “brayed and mooed and barked and bleated he is come!” The book connects every child to the Christmas baby because babies bring joy. The last page speaks directly to the reader because when you were born, “you smiled back at us all with God’s own smile.” 

Celebrate the Christmas season by reading The Christmas Baby. Each page has two to four short sentences that use repetition to increase the excitement of Jesus’s birth. Even though the story focuses on Jesus’s birth, the story also shows how Jesus came for everyone—wisemen, kings, animals, and you. Not only will The Christmas Baby remind readers that God loves them, but it also shows readers how important they are to other people. For more Christ-centered picture books, read Mortimer’s Christmas Manger by Karma Wilson. 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

Gymnastics Challenge

Harper is a parkour extraordinaire. Nothing brings her more joy than “packing in the fun” at the park with her friends Cici and Lily, where they “move over, under, and around obstacles” with grace and agility. However, when Harper is unexpectedly invited to join a local gymnastics team, she fears that her decision could rupture her friendship with Cici and Lily. Can Harper maintain her friendship without sacrificing her opportunity to compete in gymnastics? 

Gymnastics Challenge is a captivating graphic novel that showcases the importance of friendship in sports, especially when new opportunities threaten to tear apart existing relationships. The book is told through the eyes of Harper, a spunky, energetic girl who wants to use her parkour skills to succeed in gymnastics. Her determination to overcome the difficulties in the new sport, such as the uneven bars, is evident throughout the story, and her ability to recognize her own faults and train to get better is admirable and inspirational. Of course, the story also makes Harper’s character feel realistic, emphasizing how she makes mistakes and wobbles during her routines. She overcomes her fears of making mistakes and learns that “we all wobble sometimes . . . in parkour, in gymnastics, and in friendships.” 

The book presents a positive outlook, relaying the importance of telling the truth and supporting one another in friendships. Conflicts arise when Harper is dishonest with her friends, but she learns to apologize and admit her faults, repairing her struggling relationship with Cici and Lily. Conversely, Cici and Lily learn to support Harper in her new opportunities. For instance, during Harper’s big competition, they shout, “Go Harper! You got this!” These events teach readers that the strongest friendships require honesty and support. 

Gymnastics Challenge presents its tale in a captivating graphic novel format. Each page contains two to four panels in a simplified art style, where the characters, movements, and dialogue are easy to read and follow. The book also uses a combination of graphic novel aspects, such as page-covering panels and pictorial elements like facial creases or sweat drops, to enhance its illustrations, making the scenes look and feel believable. Although the number of speech bubbles per page might be slightly overwhelming for younger readers, each bubble typically only contains one to two sentences with simple vocabulary. 

Gymnastics Challenge is part of the Jake Maddox Graphic Novel series, which focuses on inspiring lessons in sports and competition. Alongside its colorful illustrations, the book also contains additional content, such as a glossary, “Learn More About Gymnastics,” and “Visual Discussion Questions,” which ask the reader to identify how the art style represents the feelings and emotions in each scene. Although older readers may find the plot slightly cheesy, Gymnastics Challenge wins a perfect score with its illustrations, characters, and action sequences. 

Sexual Content 

  • None 

Violence 

  • None 

Drugs and Alcohol 

  • None 

Language 

  • None 

Supernatural 

  • None 

Spiritual Content 

  • None 

In The Red Zone

Alex Summers and Oscar Han have always been the “dynamic duo” for their school’s football team, the Bobcats. With Alex as the star quarterback and Oscar as the wide receiver, the boys expected another fantastic football season with their friends. However, when Oscar unexpectedly quits the team, Alex is thrown into a frenzy of sadness, confusion, and betrayal. More alarmingly, Alex’s performance begins to drop in Oscar’s absence, and his team starts losing game after game. Can Alex right his relationship with Oscar before his season spirals out of control? 

In The Red Zone is an engaging graphic novel that explores the importance of friendship in the context of football. Told from Alex’s perspective, the book presents him as a lovable yet determined football player who wants to lead his team to a championship. His friendship, care, and support for his teammates are evident throughout the story, making him an admirable and inspirational protagonist. However, the story also highlights his weaknesses, such as his inability to appropriately understand Han’s reasons for leaving football; these flaws make his character realistic and genuine.  

The book presents an important lesson on honesty, communication, and supporting the differing interests of others. Much of the story’s conflict comes from the miscommunication between Alex and Han. Alex can’t comprehend that Han “didn’t even like playing football anymore.” However, through an honest conversation, both boys realize that their differing interests shouldn’t drive a wedge between them. Instead, they learn to understand and support each other. In The Red Zone teaches readers that they can avoid misunderstandings through proper communication, honesty, and love for one another.  

In The Red Zone delivers its story in an engaging graphic novel format. Each page contains two to three panels in a simplified art style, making the character movements and dialogue easy to read and follow. Although the art style lacks common graphic novel aspects like splashes or bleeds, its variety of colors and onomatopoeia make its illustrations captivating and enjoyable. Large speech bubbles also quickly identify the speakers and typically contain one to two sentences with simple vocabulary and sentence syntax.   

In The Red Zone is part of the Jake Maddox Graphic Novel series, which focuses on uplifting lessons in sports and competition. Alongside its enjoyable illustrations, the book contains additional content, such as a glossary, football history facts, and “visual questions,” which ask the reader to identify how the art style represents the feelings and emotions in each scene. While the plot can be too simplistic and slightly cliché for older readers, In The Red Zone’s charm lies in its illustrations, making it an exciting read for graphic novel enthusiasts and football fans alike.  

Sexual Content 

  • None 

Violence 

  • None 

Drugs and Alcohol 

  • None 

Language 

  • None 

Supernatural 

  • None 

Spiritual Content 

  • None 

The Bravest Dog Ever: The True Story of Balto

It is one of the worst storms ever—it’s been snowing for days and is 30 degrees below zero. But somehow Balto must get through. He is the lead dog of a sled team carrying medicine to sick children in Nome, Alaska. He is the kids’ only hope. Can Balto find his way through the terrible storm? Find out in this exciting true story! 

Follow this suspenseful tale as Gunner (Balto’s owner), Balto, and his team travel through a terrible blizzard. These dogs never give up, even as “snow blocked the trails. The dogs sank up to their necks in the snow. They could not move. Some began to panic.” Balto stays calm, which helps the other dogs wait as Gunner digs them out. But this is just one obstacle that Balto helps Gunner navigate. Readers will wait in anticipation as they watch Balto navigate this terrible storm and will cheer when Balto finally makes it to Nome. 

While the majority of the story focuses on Balto, readers will also see how many people had to work together to get the medicine to Nome. The illustrations will help readers understand why medicine could not be delivered any other way. For instance, one illustration shows a train stuck in the snow while another shows a map of the trip, giving readers a clear visual of the vast distances involved. The illustrations compliment the dire tone of the story, using light blues and browns on white backgrounds. These muted colors allow the snow to take center stage. 

The True Story of Balto is part of the Step into Reading Level Three Series, which targets readers in first grade through third grade. With three short chapters, Step Three books are longer and slightly more difficult than Step Two books. Each page has three to seven sentences and a large illustration. This level includes some more challenging vocabulary and concepts, though the meanings are made clear through context and illustrations. 

The True Story of Balto brings history to life with suspense and drama that will make the book hard to put down. While Balto’s bravery is highlighted, the book doesn’t leave out the other people who helped along the way. This story shows the importance of working together and persevering in difficult times. Any reader who loves dogs will enjoy learning more about the true story of Balto. Learn about more animal heroes by reading Pigeon Hero by Shirley Raye Redmond.  

Sexual Content  

  • None 

Violence  

  • On the trip, “In one team, two dogs froze to death.”  

Drugs and Alcohol  

  • None

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None

Little Blue Truck’s Christmas

It’s the most wonderful time of the year! Little Blue Truck is spreading cheer by delivering Christmas trees to his animal friends. Can you help count each green tree from one to five and back again? Don’t forget to save one for Blue! Beep! Beep! 

Follow Blue’s adventure as he delivers trees to his friends. Along the way, readers will learn counting as they keep track of how many trees Blue has to deliver. Each two-page spread also has other items that adults can encourage readers to count. For instance, one page has four red birds, while another has four cute piglets. The last page of the book shows Blue’s final delivery; this tree’s glowing Christmas lights will give the reader one last glimpse of holiday cheer. 

Little Blue Truck’s Christmas is a fun book to read because of the rhyming and onomatopoeia words. Each page has four short lines of text, and each number and onomatopoeia is shown in a different colored font. The illustrations show a snow-covered world that is full of Christmas cheer. Blue wears a wreath and many scenes show Christmas lights and fun details, such as two rabbits wearing brightly colored scarves and hats while making a snowman.  

Get ready for the holiday season by reading Little Blue Truck’s Christmas. The fun illustrations, decorations, and sparkly lights make this book a wonderful Christmas treat while emphasizing the joy of giving during the holiday season. For even more great holiday reads, grab a blanket and snuggle up with Bear Stays Up for Christmas by Karma Wilson, and The Christmas Tree Who Loved Trains by Annie Silvestro. 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

Unwind

After America’s Second Civil War, the Pro-Choice and Pro-Life armies came to an agreement. According to their Bill of Life, human life may not be terminated from the moment of conception until the age of thirteen. But between the ages of thirteen and eighteen, the child may be gotten rid of by their parent through a process called “unwinding.”

By repurposing a teen’s organs and other body parts in living recipients, the unwound child’s life doesn’t technically end. According to society’s leaders, unwinding leads to a healthier and safer community, as troublesome and unwanted teens are used for the greater good.

Connor is a rebel whose unwinding was ordered by his parents. Risa, a ward of the state, has been slated for unwinding due to cost cutting. And Lev, his parents’ tenth child, has been destined for unwinding since birth as a religious tithe. As their paths intersect, they start to fight for their own destinies. But do they stand a chance of escaping their fate or proving their lives are worth saving? 

Readers who want a light, entertaining read should avoid the Unwind Dystology. Unwind has plenty of action and suspense that propels the story forward at a fast pace and leaves the reader questioning their beliefs about the value of human life—both before and after birth. Shusterman expertly delves into difficult questions from multiple perspectives by focusing on three completely different characters. After Lev is kidnapped, he chooses to escape his destiny—being unwound. At this time, he begins to question God’s will. Lev’s friend says, “You got it in your heart to run from unwinding, ain’t no one can tell you it’s the wrong thing to do, even if it’s against the law. The good Lord wouldn’t have put it in your heart if it wasn’t right.” In the end, Levi learns that he can still believe in God but not condone human tithing. 

On the other hand, Risa grew up in a state institution where she helped care for babies that no one wanted. Since abortion is illegal, many babies are left on people’s doorstep, but this doesn’t guarantee that the child will be loved or cared for. Risa wonders, “Which was worse. . . to have tens of thousands of babies that no one wanted, or silently make them go away before they were even born?” Risa’s experiences force the reader to ponder both the pro-life and the pro-abortion point of view.  

Unwind is a thought-provoking story that begins with the question: Should unborn children have a right to live, or should women have a right to choose what happens to their bodies? To put a spotlight on these questions, Shusterman creates a dark world full of violence that is not for the faint of heart. However, readers who aren’t afraid of exploring controversial topics will find that each protagonist—Connor, Risa, and Lev—has a different system and wants to do what is right. The next installments of the Unwind Dystology explore human evil in more detail. Although the series makes readers ask important questions, many readers will not be ready to face the books’ disturbingly dark images. Readers who want a tamer dystopian book have many options, including Matched Trilogy by Ally Condie, The Maze Cutter by James Dashner, and Lunar Chronicles by Marissa Meyer. 

Sexual Content  

  • When Connor’s friend, Ariana, says she will run away with him. He “kisses her.” 
  • A woman helps Connor, Risa, and a storked newborn hide. Storked are those left on doorsteps. The old woman assumes that Connor and Risa are the baby’s parents. The woman says, “If you really want to stay alive, honey, have him get you pregnant again. They won’t unwind an expectant mother, so that will buy you nine whole months.” 
  • One boy says that he has two dads, but “I’m not like my dads—my compass points to girls, if you know what I mean.” 
  • While hiding out in a warehouse, two kids “make out all day long, drawing a cluster of other kids who sit there and watch.” 
  • Connor kisses Risa. “She did not expect it, and when he breaks off the kiss, she realizes from the look on his face that he hadn’t expected it either. . . she pulls him into another kiss—this one longer than the first.” 
  • Connor and Risa are sent to a harvest camp to be unwound. While they wait, “They meet in the girls’ bathroom . . . They hold each other in the tight space, making no excuses for it. . . they kiss as if they’ve done it forever.”

Violence  

  • When Conner discovers he is supposed to be unwound, he runs away. Connor’s father and the police find him hiding in the back of a semi. To escape, Connor runs across a busy highway. “He hears a gun fire. He feels the impact, but not in his skin. The bullet embeds in his backpack.” Connor realizes that they’re firing tranquilizer bullets. 
  • As Connor is running across the highway, a Cadillac’s “side mirror smacks him painfully in the ribs before the car screeches to a halt, sending the acrid stench of burned rubber up his nostrils.” Connor sees Lev in the Cadillac so he grabs Lev to use as a human shield. 
  • Connor puts a “choke hold” on Lev and drags him across the road. As they run, “bullets now fly past them.” To escape, “Lev grabs the arm that’s locked around his neck and sinks his teeth in with the full force of his jaws until he tastes blood. The kid screams.” Lev is hit with a tranquilizer bullet and falls to the ground. 
  • While Connor is running, a bus swerves, and “Risa’s head is slammed against the window as the bus suddenly pulls to the right. . . Risa is thrown forward, down the aisle, as the bus comes to a sudden, jarring stop.” 
  • After the bus crashes, “the windshield is smashed, and it’s covered in blood. Lots of it. . . It’s the bus driver’s blood. His hands halfway through [the windshield], and he’s not moving.” 
  • Connor and Risa work together to trick a police officer. Risa pretends to be injured. When the officer goes to help her, “the officer is knocked to the ground, and suddenly there are two figures attacking him—The Unwind and the girl.” Connor uses a tranquilizer gun on the police officer. 
  • An unwanted baby is put on Connor’s doorstep. His parents did not want to take the child in, so they put it on a neighbor’s doorstep. Eventually, the child is placed back on Connor’s doorstep, but by then, it’s so sick that it dies.  
  • Roland, a runaway, was sent to be unwound because he “had beaten up his stepfather for beating his mom. The mother took her husband’s side, and the stepfather got off with a warning. Roland, on the other hand, was sent to be unwound.” 
  • A newspaper article talks about a hospital that was harvesting stem cells. “The council described a general culture of trafficking of children snatched at birth. . . The pictures show organs, including brains, have been stripped—and some bodies dismembered.” 
  • Roland corners Risa while she’s in the bathroom. “He grabs her hands, pushes her back against the cold green tile wall, and presses his hip against her so that her knee can’t reach its mark.” Rolands implies that he is going to have sex with her whether she wants to or not. Another teen comes in and interrupts. Roland lets Risa go. 
  • Lev goes to a pawnbroker to sell a stolen bracelet. The pawnbroker opens the safe. “He feels something hard and heavy connecting with his head. His thoughts are instantly scrambled. He loses consciousness before he hits the ground.”  
  • While hidden in a warehouse, the Unwinds are woken so they can be transferred to another hiding place. The “Fatigues,” adults in charge of watching the Unwinds, have rifles. “A cranky kid pushes a Fatigue for tearing away his blanket. The Fatigue with the gun hits him on the shoulder with his rifle—not enough to seriously wound him, but enough to make it clear to the kids, and everyone else, that they mean business.” 
  • Lev turns Connor and Risa into the cops. Afterward, Connor “hauls off and punches Lev in the eye. Not hard enough to knock him down, but hard enough to snap his head halfway around and give him a nasty shiner.” 
  • Someone shows Connor a crate that has five dead kids in it. “There are no signs of blood, no wounds. They could all be asleep except for the fact that [one]’s eyes are open and staring at nothing.” Later, Connor learns that the kids suffocated in the crate. 
  • Connor entices his enemy, Roland, into an airplane. Connor “leaps forward and firmly plants the muzzle of the Admiral’s gun against Roland’s back. . . Roland makes his move. He spins, knocks Connor back, and grabs for the gun.” Connor pushes Roland into a crate and locks him in. “While Roland rages inside, Connor takes aim at the crate and fires the gun, once, twice, three times.” After making sure Roland can breathe, Connor leaves. Later, Roland is let out, uninjured. 
  • To hurt the Admiral, a mob of kids attacks the Admiral’s jet. “The first of the kids reaches the top of the stairs and heaves the hatch open, only to be met by Risa, and a brutal punch to the jaw. It sends him tumbling over the side and to the ground . . . The second kid is met by an aerosol burst of Bactine [a pain-relieving spray] right to the eyes. The pain is excruciating. He stumbles backward. . .” The mob destroys everything they can get their hands on. The scene is described over multiple chapters. 
  • Cleaver, a helicopter pilot, tries to get away from the mob but is unable to. Connor breaks up the kids and finds “the man on the ground is battered and bloody. . . He’s been beaten to a pulp.” Helpless, Connor watches Cleaver die. 
  • Connor thinks about the Mayan game of pokatok. “The game was a lot like basketball, except that the losers were sacrificed to the Mayan gods.”  
  • Roland and Connor fight. Roland “begins swinging, and Connor is quick to defend. . . Connor taps into his own wellspring of fury, and he lets loose a brutal offensive of his own. . . [Roland] slams him against the wall his hand pressed against Connor’s windpipe. . . Connor’s struggles become weaker without oxygen to feed his muscles.” Roland thinks about killing Connor and is surprised that he can’t. The scene is described over two pages. 
  • Roland is unwound and is conscious of the entire procedure. As Roland’s body is taken apart, a nurse says, “You may feel a tugging sensation near your ankles. . . it’s nothing to worry about.” 
  • An hour and fifteen minutes into the procedure, “surgeons leave, new ones arrive. He looks towards his toes but can’t see them [because they have been removed]. . . A clanging of metal. The lower half of the table is unhooked, and pulled away. . . Now Roland feels discomfort in his gut. Discomfort, a tickling sensation, but no pain. The surgeon lifts things away.” 
  • The nurse leaves once Roland’s eyes have been removed. Roland sees “not quite darkness, just an absence of light. He hears everything around him but can no longer communicate. . .” The doctors talk about sports as they continue to remove parts of Roland’s brain. After three hours and nineteen minutes, the procedure is complete, and Roland is still alive, but he is confused about what has happened. The procedure is described over six pages. 
  • In the conclusion, three Unwinds [Lev, Blaine, and Mai] decide to attack the harvest camp where they are being held. Blaine and Mai both go inside the “Chop Shop” where the unwind procedure is performed. A guard sees Blaine and “aims his tranq gun at Blaine’s left thigh, and fires. . . The impact of a tranq bullet is more effective than a detonator. Blaine and the guard are instantly incinerated as the six quarts of liquid explosive coursing through Blaine’s body ignite.” 
  • During the attack, Connor is injured. “His face is a shredded, bloody mess. He’s lost an eye. His right arm is crushed and mangled. But he’s alive!” Connor is in a coma for several weeks. When he awakes, he has been given an Unwind’s eye and arm. The revolt scene is described over eight pages.

Drugs and Alcohol  

  • At a party for Lev, champagne is served to the adults. Lev’s brother, Marcus, pretends to be drunk so he can go on a rant. 
  • A police officer thinks that Unwinds are “often high on illegal substances. . . Nicotine, caffeine, or worse.”  
  • Lev is hit with a tranquilizer gun. When he wakes up, “his head hurts, he feels like he might puke, and his brain is still only at half power.” 
  • An adult who helps hide Unwinds talks to Connor when “the Admiral adds some whiskey from a flask to his own coffee.” After the Admiral’s son was unwound, he “left the military, spent several years more drunk than I am now.” Then he sobered up and began helping the Unwinds. 
  • A boy who has asthma takes Xolair. 
  • Roland steals a bottle of ipecac from the infirmary. “He was planning to use the stuff to spike the drinks and create a puke-fest.” His plan is never carried out. 

Language  

  • Profanity is used seldom. Profanity includes hell, damn, crap, and ass. 
  • My God and for God’s sake are used several times as an exclamation.

Supernatural 

  • When a person is given a body part from an unwound person, the body part remembers what the person learned. For example, one man received a new hand, and the hand still knew how to perform magic. 
  • One boy, Cyrus, was injured and received half of a boy’s brain. Now, the boy is in Cyrus’s head. “This boy in the corner of his head doesn’t talk to him in words. He feels. He emotes. He doesn’t understand that he’s only a part of another kid. . . Now he keeps looking for things in Cyrus’s head that just aren’t there. . . And so the kid hurls out anger. Terror. Grief. Waves pounding the wall, and beneath it all, there’s a current tugging Cy forward.” 

Spiritual Content  

  • Lev is a tithe, “a child of a religious family who is born and raised to be unwound, as an act of charity.” 
  • Lev’s parents are Christians who “have always given 10 percent of everything to the church.” This includes giving Lev as a tithe, who will be unwound. Lev’s parent told him, “Your life will be to serve God and mankind.” Because he is a tithe, Lev has “always felt closer to God than to his friends, or even his family.” 
  • Lev’s family believes “everyone’s equal in God’s eyes.” 
  • Lev is jealous of his siblings, who are not unwound. Lev’s pastor tells him that God asks for the best fruits, not the first fruits. Lev thinks, “Giving of one’s self is the ultimate blessing.” 
  • After Lev is kidnapped, he still wants to be unwound, “as it was ordained to be. . . Being torn from his purpose was the most unnerving thing that had ever happened to Lev, but now he understands why God let it happen. It’s a lesson. It’s to show Lev what happens to children who shrink their destiny: they become lost in every possible way.” 
  • When Lev talks about being tithed, he says, “Tithing’s in the Bible; you’re supposed to give 10 percent of everything. And Storking is in the Bible, too.” Storked is when babies are left on doorsteps. “The homeowner is obligated to keep and raise the child.” 
  • When talking about storked babies, Lev uses Moses as an example. “Moses was put in a basket in the Nile and was found by Pharaoh’s daughter. He was the first storked baby, and looked what happened to him!” 
  • Unwanted babies are raised in a state institution or storked. Connor wonders, “If a baby was going to be so unloved, why would God want it brought into the world?” 
  • After Lev runs, he says his parents “loved God more than they loved me, and I hate them for it. So I guess that means I’m going to hell.” 
  • Connor and some of the other Unwinds discuss when a soul is put into an unborn child. One Unwind says a girl believed that “if someone actually gets unwound, then they never had a soul to begin with. She said God must know who’s going to be unwound, and he doesn’t give them souls.” The conversation lasts for three pages. 
  • Lev is part of the group that plans to destroy the harvest camp. Before he can set off his detonator, he thinks: “God, dear God, what am I doing? What have I done? How did I get here?” Lev is unable to set off the detonator and helps rescue people instead. 
  • While Lev is in a cell, Pastor Dan visits. The pastor “resigned my position. I left the church. . . I still very much believe in God—just not a god who condones human tithing.”  

A Trip to the Country for Marvin & James

Marvin the beetle and his best friend James Pompaday, a human, embark on yet another delightful adventure in this heartwarming fifth book. In this installment, James invites Marvin and Marvin’s cousin, Elaine, to accompany him on a captivating journey to visit his father in the serene countryside. Along their enchanting expedition, they come across a charming train, playful yo-yos, graceful sailboats, and even find themselves in a thrilling, albeit slightly perilous, encounter with a toy sailboat and a frog. Join Marvin, James, and Elaine as they navigate through a series of delightful escapades, making cherished memories along the way. 

This heartwarming story takes readers on a journey filled with excitement and wonder. Through simplistic yet descriptive storytelling, readers can immerse themselves in the world of Marvin and his friends. The easy-to-read writing style makes this book accessible to readers of all ages, including young children who are transitioning to chapter books. Additionally, the green, white, and black illustrations that accompany the text enhance the visual experience, allowing readers to fully visualize the enchanting scenes and characters. While the book can be read as a standalone piece, it is also a part of The Masterpiece Series. This means that readers can enjoy it independently, without having read the other books in the series. However, for those who have followed the series, this book offers a deeper understanding of the overall storyline and the characters involved. 

Marvin, a small and tenacious beetle with a shiny black exoskeleton and delicate wings, serves as a remarkable and inspiring example to readers of all ages. Through his courageous actions and unwavering determination, Marvin shows us that true character and strength of will can surpass any limitations imposed by physical attributes. His unwavering spirit and resilience in the face of challenges inspire readers to embrace their inner strength and strive for greatness, proving that size and appearance are not the sole measures of one’s worth. 

The adorable story teaches readers an important lesson about the value of trusting your friends and the importance of persevering through various obstacles. It emphasizes the idea that when we encounter challenges, it is our friendships that give us the strength and support to overcome them. Additionally, the story encourages readers to never give up, even when facing difficult situations, as it is through persistence that we can achieve our goals and find success. With its delightful escapades and cherished memories, A Trip to the Country for Marvin & James is sure to captivate readers and leave them longing for more adventures with Marvin, James, and Elaine. 

Sexual Content  

  • None 

Violence  

  • As Marvin, Elaine, and James take off for their trip to the countryside, Elaine becomes nervous about being in James’ pocket. She is quick to remind Marvin to be careful while inside it. Elaine warned, “Be careful you don’t fall out or you will be smashed flat as a pancake.” 
  • When riding a toy sailboat, Marvin and Elaine get stuck in tall grass on a small stream. While stuck they encounter a frog who seems determined to have them for lunch. “They tumble into the water just as the hungry frog tries to eat them again.”  
  • While Marvin and Elaine have escaped the frog, they now face the issue of being in the water. Elaine cannot swim and relies on Marvin to save her. “She crawls on Marvin’s head again and now Marvin nearly drowns. Finally, he gets Elaine to wrap her front legs over his shoulders. Now he can swim.”  

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural  

  • None 

Spiritual Content  

  • None 

Construction Site on Christmas Night

The mighty construction trucks are busy building a very special gift in time for Christmas Eve. But there’s a surprise waiting for them too! Excavator, Bulldozer, Crane Truck, Dump Truck, and Cement Mixer all receive a special present as each truck finishes their part of this important job, before rolling off to a sweet and sleepy goodnight.  

Construction Site on Christmas Night uses a repeating pattern to tell the story. In the first section, Bulldozer is working hard to clear the ground. Once he has completed his part of the job, he finds “a massive gift with cable ‘ribbon’ from the yard, it’s topped off with a thank-you card. An awesome carbon steel blade.” After Bulldozer opens his gift, he goes to sleep. The story repeats this format with each of the other trucks, with each gift reflecting the truck’s unique personality. For example, Dump Truck receives new tires and Cement Mixer receives a new drum. Then the conclusion shows the firetrucks snuggled into their newly built firehouse while the other trucks sleep outside in the snow.  

Even though Construction Site on Christmas Night is a simple story, it still has positive lessons. Each truck has a job that is unique to their design. Without each truck completing its work, the firehouse could not be built. In addition, the story shows the joy of giving and the value of work.  

Even though Construction Site on Christmas Night is a picture book it is intended to be read to children instead of having them read it independently. The story uses rhyming and onomatopoeia which make the story fun to read. The illustrations use primary colors as well as festive details, such as ribbons and bows. Each page has one to six sentences that keep the story flowing at a fast pace. 

Any child who loves trucks will find joy in reading Construction Site on Christmas Night. The story reinforces the importance of appreciating others and the importance of using your own unique talents. The book is perfect for snuggling up and reading on a cold winter’s night. Plus, it will leave readers with sweet dreams of what they will find under the Christmas tree. To read more about hard-working trucks, chug to the nearest library and check out Bulldozer Helps Out by Candace Fleming. 

Sexual Content  

  • None 

Violence  

  • None

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 
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