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Power Forward

Zayd wants to take the basketball world by storm. In order to make his dreams come true, he’s going to have to overcome many obstacles. He knows he’s just a scrawny fourth-grader who weighs fifty-six pounds, but he’s convinced that size won’t get in his way. Zayd needs to step up his game to advance to the gold team. He’s prepared to practice, but his parents want him to focus on practicing the violin. Can Zayd convince his parents to let him pursue his passion?

Power Forward has a straightforward, easy-to-follow plot that is perfect for younger readers who are looking to transition into chapter books. The story focuses on Zayd’s desire to play basketball, but also includes glimpses into Zayd’s family life and integrates the Pakistani culture into the story. Zayd’s family adds humor and depth to the story.

Through Zayd’s experience, readers will be exposed to lessons about family, truthfulness, and the importance of perseverance. Many readers will relate to Zayd because he deals with the difficulty of being small for his age. He shows that one does not need to be at the top of the growth chart in order to be successful in sports. For those looking for a simple sports story, Power Forward is a slam dunk.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • “Oh my God!” is used as an exclamation three times in the book.
  • A character tells Zayd to explain why he skipped violin practice. “Maybe they’ll understand why you did such a boneheaded thing.”

Supernatural

  • None

Spiritual Content

  • A character tells someone that she is going to “the mosque to plan the fund-raiser.”

 

Pioneer Cat

Nine-year-old Kate doesn’t want to go on a wagon train. She’s upset about leaving her best friend. She’s worried about how long the trip will be. And she’s afraid someone will discover her cat Snuggs, who is hiding in the wagon. Kate knows pets aren’t allowed on the wagon train, but she can’t bear the thought of leaving Snuggs behind.

This first-person narrative has just the right amount of action and suspense for younger readers. The dangers of the Oregon Trail are described in a kid-friendly manner that adds suspense without including scary details. Short chapters, black-and-white illustrations, and dialogue help make Pioneer Cat an entertaining and easy-to-read story. The fast-paced storyline teaches about the hardships of moving to the west.

Pioneer Cat has many positive elements. Rosie, Kate’s friend on the trail, exhibits the true qualities of a good friend and speaks in fun idioms such as, “looks like a choice bowl of beans to me.” Kate’s parents are shown in a positive light and clearly care about their children. At one point in the story, Kate could have easily allowed her parents to believe a falsehood, but she tells them the truth instead. Many will pick up Pioneer Cat because of the cute cat on the cover, but they will continue reading because of Kate’s adventures and the other loveable characters in the story.

Sexual Content

  • None

Violence

  • A buffalo herd stampedes and heads toward the wagon train. The men shoot at the herd to get the buffalo to change directions. “When the men fire, several buffalo in the front of the pack crumpled to the ground. More piled up behind them. But one huge wounded beast kept coming. He plowed into a wagon near ours. There was a sickening thud. The wagon rolled over.” Most of the buffalo change directions and no one is injured.
  • Indians follow the wagon train and eventually want to trade with them. After the captain and the chief talk, one man shoots at the Indians. “Crack! A single gunshot rang out from one of our wagons. The pony one of the young Indians was riding stumbled and crashed to the ground. The rider went down with him.” The Indian is wounded, and the two groups work out their differences.

Drugs and Alcohol

  • None

Language

  • When the scouts go to help the injured Indian, someone yells, “For God’s sake, don’t shoot!”
  • When the captain sees kittens in one of the wagons, he exclaims, “My god, what’s this?”

Supernatural

  • None

Spiritual Content

  • Pa says grace at mealtimes. At one meal, Pa prays, “Dear Lord, give us a good journey and safekeeping. And bring us finally to Oregon if it be thy will.”
  • Kate’s parents can’t find her. When she appears, Pa says, “Thank the Lord.”
  • When two children are almost swept away in the river, someone says, “Thank God, you’re all right!”

Stealing Parker

Parker loves her family, her church, and her life. But all that changes when her mother divorces her father and leaves with her new lover—a woman. When Parker’s church and best friend turn their back on her, Parker sets out to prove that she likes boys. But when the boys’ assistant coach catches her eye, Parker’s life spirals out of control.

As Parker struggles with how to deal with her secret relationship, she is besieged with more problems. Parker’s father is in denial. Her brother is always high. And her best friend, Drew, is hiding the fact that he is gay.

Parker works through her insecurities and frustration through a prayer journal, which gives the reader insight into Parker’s emotional state. The reader will be able to understand Parker’s desire to be loved and how that leads her to kiss so many boys, although the illegal relationship between Parker and the boys’ baseball coach leads to frequent and steamy sex scenes and ends with an investigation.

 Finding Parker hits on difficult topics relevant in today’s world. Parker explores her faith in God and how that faith impacts those who are gay. The story also tackles the difficulties of high school friendships; most of Parker’s friends abandoned her after her mother came out, classmates that don’t even know her talk trash her, and even her best friend stops talking to her. Finding Parker brings realistic problems to light and shows the dangers of being promiscuous. In the end, Parker learns to love herself and accept her mother’s new lifestyle.

Although Parker is a well-developed and relatable character, her sexual relationship with the adult coach contains graphic sexual details. The story contains mature content, which some readers may want to avoid.

 Sexual Content

  • Parker’s mom “announced she’s a lesbian and ran off with her friend who was more than a friend.”
  • Parker has kissed many boys, trying to prove that she isn’t a lesbian like her mother. She lost weight so she wouldn’t look “butch.” “All the guys know I look good. They know I want them and I love kissing and sometimes rounding a couple of bases (I never go further than second).”
  • Parker thinks about when, after church she, “let him kiss me beside the turtle sandbox thing, so people will know I like boys.”
  • When Parker decides to manage the boy’s baseball team, the coach tells her not to date or “mess around” with team members. The coach said, “the girl who managed the team last year, uh, well, we had some incidents on the bus and in the locker room.”
  • Parker and her friend talk about her “one-night thing” with Matt Higgins. She thinks, “I didn’t enjoy kissing Matt Higgins very much. He kept trying to go up my shirt.”
  • A boy said, “Everyone knows she (Parker) puts out.” Parker gets upset and thinks, “I’m still a virgin.” She then thinks about how she can’t insert a tampon.
  • At last year’s prom, Parker’s date “kept trying to feel me up in the middle of the gym.”
  • Parker has a few minutes, “before we need to leave for church, so I unzip my dress. . . lie down on my bed, and slip my fingers under the elastic of my underwear, wondering what it would feel like if a guy touched me there.”
  • Parker thinks that Seth likes a girl but “he’s too embarrassed to get involved with her, considering the whole scandal with her dad, the district attorney, screwing his secretary and all.”
  • Parker has a crush on the baseball assistant coach. During class Parker lets out a moan when she, “picture(s) myself tangled up in his crumpled sheets, our legs knotted. The idea scares me a little because I’ve never gotten naked with anybody.”
  • While at practice, someone yells, “Corndog’s got a hard-on for Coach!”
  • When a group of boys try to get Corndog to tell them how far he’s gone with his girlfriend, Corndog said, “Hell, no. I can’t tell you. She’d rip my balls off.”
  • A boy tells a story about, “how he saw a hot pink dildo laying on the concrete behind the cafeteria . . . ”
  • Parker and Corndog write notes back and forth discussing someone’s penis size.
  • At a party, a girl “French kisses” a boy she doesn’t know.
  • Parker has a sexual relationship with the assistant coach, who is an adult. The first time they kiss, “He digs fingers into my hip. . . My mouth found his, and I wrap my arms around his neck. . . I deepen the kiss. His tongue explores the inside of my mouth. My knees go wobbly.”
  • Parker and the assistant coach begin making out in the parking lot of the laundromat, behind the dumpsters. The first time they meet there, they make out. “He tastes like mint toothpaste. My hands are on his neck and his are in my hair, and I can tell he’s experienced. . . He pushes me backward and climbs on top, his weight heavy, yet comforting.”
  • Parker gets a hall pass and goes to the assistant coach’s office. “Then his lips were on mine and he lifted me onto his desk. He pulled my hips to his and kissed me until I was so dizzy I could barely breathe. Brian began to grind against me and I was so drunk on him, I couldn’t think at all.” They stop because someone knocks on the door. Parker then thinks about a couple nights before when, Brian went up my shirt again and unsnapped my bra, and ran his hands over my bare breast. Him running his calloused fingers over my skin . . . I couldn’t stop trembling. . . His teeth sank into my shoulder.”
  • One night when Parker and Brain were making out, “he kissed my breast and felt me through my jeans. I wasn’t comfortable enough to touch him yet. But he took my fingers and put my hand there anyway.” They stopped when a “cop knocked on the truck window and told us to move along.”
  • Brian asks Parker to give him a blow job, but she doesn’t. Instead, he “pushes my panties aside, making me moan softly as he works a finger inside of me. . . Later I straddle him and he wraps his hands around my waist and we kiss and kiss. . .”
  • Brian and Parker park behind the dumpsters and, Parker “felt him too. He shut his eyes and leaned his head back against the seat while my fingers moved up and down. I could tell by the noises he made that he liked how I made him feel, but it was almost as if I could be anybody. It didn’t matter who I was, it was only that somebody was giving him pleasure.”

Violence

  • None

Drugs and Alcohol

  • At a party, a boy gets drunk and falls in a ditch. “. . . He was so drunk he started screaming about how he’d broken his leg. And Marie Baird had to convince him that his leg was already broken.”
  • The assistance baseball coach takes Parker out to eat and orders a beer.
  • Parker’s brother, Ryan, has a drug problem. She makes him eggs to “hopefully clean out whatever he drank/ate/snorted/shot-up last night.”
  • Parker goes to a party where teens are drinking beer. Some play beer pong and someone “takes a shot directly out of a Smirnoff bottle and wipes his mouth, then does another shot.”
  • Parker finds her brother passed out with “an empty bottle of Robitussin in his fist.” Parker and her friend take him to the hospital.
  • Parker’s mom tells her she needs to get on birth control.
  • Parker’s best friend is gay but hasn’t told anyone. Parker attempts to get him and another guy together. Later, Parker finds out that her best friend likes the same boy she does.

Language

  • Profanity is used often and includes ass, bitch, dick, fucking, hell, pissed, and shit.
  • When Parker and her friend look at a book of Kama Sutra, the friend said, “Jesus Christ, is that move physically possible?”
  • God is used as an exclamation often.
  • Someone lectures Parker on “how I screw over his friends.”
  • After being mean to Parker, Corndog apologizes, “Last night I heard my mom crying, and I got upset. That’s why I was a dick today. I’m sorry.”

Supernatural

  • None

Spiritual Content

  • The story contains entries from Parker’s prayer journal beginning when she was little. In the first entry, she writes, “as I prayed, I didn’t ask you for anything. I only thanked you for giving me Mom.”
  • Parker blames God for ruining her family. She often asks, “Why did God let this happen to my family?”
  • When Parker’s mother came out as a lesbian, members of the church began ignoring the family. However, Parker’s dad makes her attend church. They have a conversation about if the Bible says, “thou shalt not become a lesbian?” Her father replies “no.”
  • When the pastor’s daughter spreads rumors that Parker is “a butch softball player who probably likes girls,” Parker wonders where God went.
  • Parker makes a list of “Reasons Why I’m the Worst Christian of All Time.” Her list includes, “I don’t see how a loving God would split a family up like he did mine.”
  • When Parker was little, the pastor accuses her of lying and, “gave me a lecture on how lying is a straight path to Hell.”
  • When Parker flirts with the assistant coach, she thinks, “When God created the Earth, he had such a sick wicked sense of humor. He made everything that’s wrong feel really, really good.”
  • Parker’s dad breaks up with his girlfriend because his church friends tell him to. Parker prays, “Please help my family. Hasn’t our church taken enough from us?”
  • Parker and her mom have a conversation about God and church. Parker’s mom said, “God still loves me and he loves you too . . . All that matters is your personal relationship with God.”  Parker’s mom tells her that she doesn’t need to go to church because “I can talk to God while I’m walking the dog or running in the woods just the same as if I’m at church.”

 

A Little in Love

Thenardiers are strong. They are cruel. They steal. Eponine is a Thenardier. But she longs for more than a life of heartlessness. She dreams of a world filled with kindness and love.

When Eponine tries to show kindness, Mamam punishes her. When Eponine tries to show her mother affection, Mamam flinches. Mamam wants her daughters to be cruel and steal—from anyone. The only thing that Eponine’s parents care about is money and getting it any way they can.

When Eponine’s father kills a bishop, the family must flee. The family ends up in Paris, where Eponine desperately searches for goodness in the world. However, when her family ends up cold, starving, and out of options, Eponine wonders if being cruel is the only way to live.

A Little in Love captures the reader’s attention in the first few sentences and remains captivating until the end. The world Eponine lives in is described in wonderful detail and the characters are believable.

The story is told from Eponine’s point of view which allows the reader to feel her emotions and understand her struggles. Her personality drives the book. By the end of the story, the reader will fall in love with Eponine and cry when her story ends.

This story is based around Les Miserables; however, no background information is needed. Those who have a tender heart may want to avoid reading A Little in Love. Although the story is entertaining, the content is very dark and cruelty runs rampant in Eponine’s world.

Sexual Content

  • Eponine sees women that, “had pained their faces and they lolled in doorways. . .” Her father says the “harlots” are their kind of people.
  • A character in the book tells Eponine, “Love? It’s a myth. But there’s money in it. You’re not ugly. You could sell a kiss or two.”
  • A man kisses Eponine. But it was not a gentle kiss. “Montparnasse pressed his lips against mine and clutched at my dress and he pushed me against the gravestone very roughly and his tongue filled my mouth so I couldn’t breathe.” She then breaks free and runs away from him.
  • Eponine meets a woman who is in prison. The woman said, “I sold what no woman should ever have to sell.”
  • When Eponine realizes her sister likes Montparnasse, she wonders, “Perhaps she hadn’t run away from his mouth, as I had done. Perhaps she actually wanted to feel those hands. . .”

Violence

  • When Maman has a boy baby, she tells the family to leave the baby to die because she has always hated boys. Eponine thinks her mother hates boys because “she had two brothers and they used to beat her. Her father beat her too.”
  • When Eponine’s father tries to steal from a bishop, her father kills the man and runs from the law.
  • Eponine’s father talks about the law finding him. “They’ll put shackles on me, if they find me!  They will hang me or take me to the guillotine—and you too.”
  • Several of the characters talk about the executioner, “who works the blade—and he gets to keep the silver crosses or gold rings that the jabbering fools bring out with them. Once the blade drops, he pries these treasures out of their still-warm hands.”
  • One of the characters talks about murdering people. “If they’re very old, then what harm have you done? They’d have died soon anyway.”
  • At the end of the story, there is a rebellion. People die. Eponine sees a body. “His eyes were open. His chest was open too—like a red, wet cave.”
  • When a soldier points his weapon at Marius, Eponine, “threw my right hand across the end of the musket and pulled it toward myself.”

Drugs and Alcohol

  • The family in the book runs a tavern. The patrons as well as the adult family members drink.  There are several references to drunks throughout the book.

Language

  • Eponine’s father calls her a “bitch.”

Supernatural

  • None

Spiritual Content

  • Eponine wonders about intuition. “Some people think it’s the voice of God—but what about the people who say there isn’t a God at all?”

Flash’s Dash

Cressida, a unicorn-obsessed girl, is invited into the Rainbow Realm, where unicorns live. When Cressida arrives, Princess Flash is preparing for the annual Thunder Dash. For the first time ever, non-unicorns will be allowed to race. Cressida is excited to be the first human girl invited to run in the race.

Then Ernest, the wizard-lizard, has a mishap while casting a spell. Now the racetrack is covered in sticky, pink goo. Will Cressida and the unicorn princess find a way to save the race?

Flash’s Dash begins slowly because the story begins with Princess Sunbeam and Princess Flash arguing over who Cressida is friends with. Although the reader learns that a person can be friends with more than one person (or unicorn), the chapter is not very interesting.

Once Cressida jumps into preparing for Flash’s Dash, Cressida meets some new characters, including talking boulders. The story will appeal to younger readers because of the interesting characters, silly encounters, and fun conflict. However, readers will also learn the importance of practicing in order to get better.

As Cressida prepares for the race, she learns that Sunbeam doesn’t want to participate because she always loses. To make matters worse, she feels self-conscious because she overheard the boulders talking about her. How can she join the race after hearing the boulders say that she looked funny when she ran? In the end, Princes Sundance learns that the boulders actually said, “that she looked downright sunny. You know, like a streak of yellow light.” Through Princess Sundance’s conflict, the reader will learn how teasing hurts, as well as the importance of talking out problems and misunderstandings.

Flash’s Dash is the second book in this series written for children who enjoy chapter books. Beginning readers may struggle with the amount of text on a page as well as the long descriptive passages. The pictures scattered throughout the book are adorably cute; however, they only appear about every three to seven pages. This chapter book would be a good story to read aloud to beginning readers.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • A wizard-lizard makes a spell to change avocados into shoes. He chants, “Fasty Foo! Wing Feet, Fleet Feet, Fast Feet, Blue!” He also makes a magical mishap and changes a race course to pink strawberry cake batter.
  • The wizard-lizard made bandannas change into gold running shorts and a gold T-shirt. When he tries to use magic to put the clothes on Cressida, she “felt wind swirling around her body, as though she stood at the center of a miniature tornado. When the wind stopped, the gold shorts were inside out and upside down on her chest. . . “
  • Flash’s magical power is “to run so fast that my horns and hooves create lightning.”
  • Cassandra has a magical key that allows her to go to the Rainbow Realm. When she is in the Rainbow Realm, “time in the human world froze.”
  • Cassandra meets a talking boulder and talking forest animals.

Spiritual Content

  • None

 

Sunbeam’s Shine

Princess Sunbeam’s magical gem disappears when a wizard-lizard accidentally casts the wrong spell. Without her magic yellow sapphire, she loses her ability to create light and heat. Princess Sunbeam needs to find a human girl—one who believes in unicorns. A human girl is the only one who can help her reverse the spell and find her gemstone.

When Princess Sunbeam goes to the human world to search for a human girl, she finds Cressida. Cressida loves everything unicorns, and despite her parent’s disbelief, Cressida knows that unicorns are real. When Cressida meets a unicorn, Princess Sunbeam, she’s excited to travel to the Rainbow Realm.

Girls may want to pick up Sunbeam’s Shine because of the beautiful sparkly cover; however, the cover isn’t the only positive aspect of the book. As Cressida searches for the gem, she shows how to use problem-solving and communication skills. The addition of talking desert creatures adds interest to the story.

In the story, the sand dunes are upset with the cacti because of a misunderstanding. As Cressida helps the friends solve their problems, the reader learns the danger of keeping secrets.

Cressida is a smart, considerate character that uses good communication skills to help others. When she travels to the Rainbow Realm, she makes sure to leave a note for her parents so they do not worry. Sunbeam’s Shine hits the mark for its intended audience. Younger readers who want to add a little magic and sparkle to their lives will enjoy jumping into the Rainbow Realm.

Sunbeam’s Shine is the first in this series written for children who enjoy chapter books. Beginning readers may struggle with the amount of text on a page as well as the long descriptive passages. The pictures scattered throughout the book are adorably cute; however, they only appear about every three to seven pages. This chapter book would be a good story to read aloud to beginning readers.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • A wizard-lizard casts a spell on an ear of corn, “Alakazam! Alakazoop! Unicorn, unicorn! Alakaboop!” The spell was supposed to turn the corn bright pink, but instead it caused Princess Sunbeam’s magical gemstone to be “dropped into a shimmering, purple canyon.”
  • Sunbeam’s magical gemstone allows her to make the sun shine.
  • In order to reverse the spell, a human girl who believes in unicorns must be found. One must believe in unicorns in order to see them.
  • Sunbeam finds Cressida and the two use a magical key to enter the Rainbow Realm. When they enter the kingdom, Cressida “had the feeling the two of them were falling. It was like being in an elevator hurling downward without stopping on any floors.”
  • A flame-bite looks like a fox, but is made of flame. “. . . It looked just like red and orange candle flame with flailing arms, legs, and a tail.”
  • Cressida meets talking sand dunes and talking cacti.

Spiritual Content

  • None

The Wrath of Mulgarath

In the fifth and final installment of the Spiderwick Chronicles, the Grace children must battle Mulgarath’s goblin army to save their mother and reclaim the Field Guide. With the help of Thimbletack, Hogsqueal, and Byron, the Grace children attempt to sneak up on Mulgarath’s goblin army. Can the small group defeat a fierce army of goblins and Mulgarath? Are the children doomed to lose everything they hold dear?

All of the characters and creatures come together in a satisfying conclusion. The griffin, Thimbletack, and Hogsqueal unite to help the Grace children rescue their mother and defeat Mulgarath. Book five of the series is darker and has some potentially disturbing descriptions. Although the final battle ends with a satisfying surprise, reading descriptions of Mulgarath’s evil deeds may disturb younger readers. In an attempt to trick the children, Mulgarath shapeshifts to appear like their father. Jared is able to see through Mulgarath’s trick and, in the end, saves his family from Mulgarath’s wrath.

Like the previous books, the Grace Children work together and come to one another’s aid when needed. When Jared’s mother finally learns the truth about Jared’s strange behavior, there is a heartwarming apology. The ending doesn’t ignore the natural consequences of Jared’s bad behavior but ends with the hopeful possibility that life will be better. In the end, Aunt Lucinda moves in with the Grace family and there is peace between the children, Thimbletack, and the family cat. When the exciting series comes to an end, the readers will be left with a smile and characters that they will remember for a long time to come.

 Sexual Content

  • None

Violence

  • Mulgarath kidnaps the Grace children’s mother. When the children find her, she is in “one corner, bound, gagged, and unconscious.”
  • Goblins attacked Thimbletack. The fight is not described, but Jared finds Thimbletack, who “had a long, raw scratch on his shoulder and that his hat was missing.” He also had a black eye.
  • A griffin grabs a hobgoblin by the arm. “The griffin shook his head, whipping Hogsqueal back and forth.” Simon hit the griffin, “Hard on the beak with his hand,” hoping to get the griffin to let go of Hogsqueal.”
  • Thimbletack threatens a hobgoblin saying, “No. We’ll set rats to nibble off your toes, poke out your eyes, and put them up your nose. Your fingers we’ll remove with dull scissors, and we’ll wait until your confidence withers.”
  • Goblins attack the Grace children. The battle is described over three pages. During the fight, two goblins, “Grabbed hold of his (Jared’s) legs and toppled him into the dirt.” Mallory uses her swords to chase them away. One goblin “Jumped on her back, biting her shoulder.” The griffin appears and the children are able to escape.
  • While Simon is riding the griffin, a dragon attacks. “The dragon twisted, teeth sinking into Byron’s feathered and furred body. . .” Simon falls off the griffin, injuring his arm. In order to distract the dragon, Simon, “who had never killed anything. . . stepped on the head of one of the baby dragons, crushing in into a smear under his shoe. It squealed. Dragon blood stained the ground and melted the edge of Simon’s heel.” The fight ends with Byron, “Plunging his beak into the creature’s neck, he rent it wide. The dragon went limp in Byron’s claws.” The action is described over seven pages.
  • Mulgarath put fairies in honey. Simon tries to help, “but the honey was heavy and clung to their thick wings, tearing them. The sprites squealed as he set each one down on the table in a sticky, sodden heap. One was completely still and lay there limply, like a doll.”
  • Mulgarath kicks Thimbletack. “The ogre kicked the brownie, his giant foot tossing Thimbletack across the room, where Thimbletack landed like a crumpled glove beside Mrs. Grace.”
  • The story ends with an epic battle between the Grace children and Mulgarath, which is told over several chapters. At one point, Jared stabs Mulgarath in the foot with a sword. The battle ends with a funny surprise.

Drugs and Alcohol

  • None

Language

  • When Simon hits the griffin, his sister yells, “Oh Crap, don’t do that!”
  • Hogsqueal calls the Grace names such as “beetle-guts”, “lump-meat,” and “chatter-basket.”
  • Jared says, “I want Dad to be less of a jerk . . .”
  • “Oh my god,” is used as an exclamation once.
  • Mallory calls Jared an “idiot.”

Supernatural

  • Goblins, Frey, griffins, and other creatures exist. These creatures have different magical abilities.
  • Mulgarath is raising dragons. The dragons have “hundreds of teeth, thin as needles.” When a person touches a dragon, their skin burns.”
  • Mulgarath is able to change shapes. In order to trick the children, he changes, making himself look like their father. “As Jared looked up into the familiar hazel eyes of his father, they started to turn pale yellow. His father’s body elongated, filling out, becoming a mammoth shape clad in the tattered remains of ancient finery. His hands became claws, and his dark hair twined together into branches.”
  • The children meet their great-great-uncle Arthur Spiderwick, who the elves kept captive. Arthur meets his aged daughter. When Arthur goes to hug his daughter, his “foot touched the ground, his body turned to dust and then smoke.”

Spiritual Content

  • None

The Ironwood Tree

The entire faerie world wants Spiderwick’s Guide. Even if the Grace Children wanted to give the book away, they couldn’t because Thimbletack has hidden the guide. When Mallory disappears, Simon and Jared go in search of their sister. When the boys search the old abandoned quarry, dwarves imprison them. Is there any way for them to escape and save their sister?

Thimbletack and the griffin do not appear in the story, but new creatures are added. Although the story is entertaining, and suspenseful, some readers may wish that the different faerie creatures were incorporated into all of the books. Humor is added when neither Jared nor Simon wish to enter the girls restroom to look for Mallory. The ending takes a dark turn, and the unexpected killing of dwarves may disturb younger readers.

In the fourth installment of The Spiderwick Chronicles, Jared continues to struggle with anger and his mother’s misperception of him. Although Jared is trying to protect his family, he often falls into trouble. Jared worries that his mother will try to send him to live with his father, but his father won’t want him.

One of the best aspects of the series is the relationship between Jared and his siblings. Their realistic sibling relationship shows how each one has unique talents that can be used to defeat the faerie creatures. Although readers will be entertained by the faerie creatures, they will continue to read because they want to know what happens to the Grace children. Is there any way they can survive when the next faerie creatures come after them? The only way to find out is to pick up the fifth and last installment of the series.

Sexual Content

  • Mallory has a crush on a boy. To tease her, Simon sings, “Chris and Mallory sitting in a tree, K-I-S-S-I-N-G.”

Violence

  • A shape-shifting creature appears looking like Jared. When the creature confronts Jared, Jared “pointed a knife at his double.”
  • Dwarfs kidnap Mallory and put her in a magical box that makes her like Sleeping Beauty. A dwarf tells the boys, “Out of this case she would be doomed to age, death, and decay—the curse of all mortals.”
  • Mechanical dogs chase the children. The children climb up a tree to avoid the dogs, but one of the dog’s “teeth caught hold of the end of her white dress and ripped it. The other dogs swarmed close, tearing the cloth.” Simon comes up with a way to get away from the dogs.
  • When Mulgarath discovers that the goblins do not have Spiderwick’s Guide, he orders the death of the dwarves. “The goblins bit, clawed, and slashed until not a single dwarf was left standing. Jared felt sick and numb. He had never seen anything be killed before. Looking down, he felt like he might throw up.”

Drugs and Alcohol

  • None

Language

  • Mallory says, “Oh crap,” once.

Supernatural

  • A shape-shifting creature appears in the story. The creature makes himself look like Jared and other people. The creature’s body, “shrank, its dark hair paled into a sandy brown, and its now blue eyes went wide with terror.”
  • Dwarves live in an abandoned quarry. They have “skin as gray as stone.” The dwarves carve trees and animals out of metal. The animals are alive but must be wound up with a key.
  • A creature appears and helps the children escape. Jared thinks it is a “nodder or a banger.” The creature listens to the stones, which allows him to help the children.
  • Mulgarath is an ogre, “a massive monster with dead branches for hair.” The goblins are serving Mulgarath.

Spiritual Content

  • None

 

Lucinda’s Secret

The Grace children are surrounded by problems. Thimbletack wants revenge. A hungry griffin is hiding in the carriage house. Creatures will stop at nothing to get Arthur’s Field Guide. Giving up the Field Guide isn’t an option, so the children go to see their Aunt Lucinda. But the more they learn about the fantastical world around them, the more they are convinced that the only way to stay safe is to discover more about the creatures who want to silence them.

Lucinda’s Secret takes the reader into the past and begins to answer the question: Why do the fairies want the Field Guide? The third installment of The Spiderwick Chronicles has several scenes that may scare younger readers. The children go to visit their Aunt Lucinda in an asylum, and they see several patients in straight jackets and a man “in a bathrobe giggled over an upside-down book.” Lucinda’s story of monsters that attacked her at night may also frighten readers.

Readers will be able to relate to the realistic sibling relationships. Even though the children work together and care about each other, they still squabble, fight, and disagree. Because the siblings often have conflict, the scenes when they work together are even more enjoyable. The story shows how relationships are always changing and that people can love each other and still disagree.

The introduction of new characters and new creatures adds interest to Lucinda’s Secret. Book three focuses on advancing the plot and giving important background information. However, this book also has less action than the first two books and readers will miss Thimbletack and the griffin, who do not appear in the story. The introduction of elves and a glimpse into the elves’ world adds a new, interesting element. Readers will want to continue the series to find out how the elves and Lucinda’s secret are connected.

Sexual Content

  • None

Violence

  • When Aunt Lucinda was younger, monsters came looking for her father’s book. She shows the children her scars and says, “Late one night the monsters came. Little green things with horrible teeth held me down, while a giant one questioned me. I struggled, and their claws scraped my arms and legs . . . Before that night, my back was straight. Ever since, I have walked hunched over.”
  • When Mallory touches a unicorn, she sees a vision of people hunting. As the unicorn runs, “arrows fly, burying themselves in white flesh. The unicorn bellows and goes down in a cloud of leaves. Dog teeth rip skin. A man with a knife hacks the horn from the head while the unicorn is still moving.”
  • Elves capture Jared. With the wave of an elf hand, “dirty, hairy roots climbed Jared’s legs and held him.”

Drugs and Alcohol

  • None

Language

  • “Crappy” is used once. “Crap” is used three times.
  • When Jared talks about his dad leaving to take a new job, Mallory says, “You can’t really believe that load of crap.”
  • The Phooka tells the children he is “an ass or perhaps merely a sprite.”

Supernatural

  • Sprites visit Aunt Lucinda. They are “creatures the size of walnuts, whirling in on iridescent wings. They alighted on the old woman, tangling in her white hair and crawling up the headboard.”
  • Sprites gave Aunt Lucinda fruit, and when she ate it, “it tasted better than any food I’d ever imagined. . . After that, human food—normal food—was like sawdust and ashes. I couldn’t make myself eat it.” She now must rely on the sprites to feed her.
  • The children learn that wearing their clothes inside out will allow them to find the elf world. The children meet the green-skinned elves.
  • The children meet a Phooka, who speaks in riddles. The Phooka “had the body of a monkey with short, blackish brown speckled fur and a long tail that curled around the branch on which it sat.” The Phooka has a face that looks like a rabbit “with long ears and whiskers.”
  • When Mallory touches a unicorn, she sees a vision.

Spiritual Content

  • None

 

The Seeing Stone

The mysterious field guide that their long-lost great-great-uncle Arthur Spiderwick wrote is wreaking havoc on the Grace children’s lives. In an attempt to get the book, goblins kidnap Simon and his cat.  It’s up to Jared and Mallory to track down the goblins, save Simon, and make it out of the woods alive. Can Jared and Mallory save Simon before it’s too late?

Full of suspense, The Seeing Stone is more intense than the first story in the series. At the beginning of the story, the goblins are invisible to the Grace children. The fact that invisible goblins are able to kidnap Simon, put him in a cage, and may possibly want to eat him may scare younger readers. Despite the danger, Jared and Mallory learn to work together as they search for their brother. They use creative problem-solving skills to rescue Simon.

In The Field Guide, Jared is angry and only concerned about himself, but in the second book, he shows growth and proves that he is more than a troublemaker. The children learn that they must trust and rely on each other in order to defeat the goblins. Readers will relate to the realistic siblings’ relationship and the children’s struggle to get along. Although the mother cares about her children, she clearly struggles in her new role as a single parent.

Even though the children realize danger still lurks outside their home, they choose to lie to their mother because they do not think she will believe that goblins, trolls, fairies, and other creatures exist. As the children learn more about the mythical world around them, they meet Hogsqueal, a hobgoblin, who has a hilarious vocabulary and proves that not every creature is evil. When readers finish The Seeing Stone, they will want to pick up the next book in the series. The fast-paced story will end all too quickly, so you will want to have Lucinda’s Secret waiting on the shelf.

Sexual Content

  • None

Violence

  • Goblins kidnap Simon and his cat; then the goblins attack Jared and Mallory. When a goblin grabs Jared by his shirt, “he went down on his stomach in the grass. . .” Mallory tries to help Jared and “he saw Mallory’s arm jerk and heard her cry out. Red lines appeared where nails scraped her.” Mallory is able to chase the goblins off when she hits them with her rapier. The attack scene takes place over six pages but is not told in gory detail.
  • A troll tries to grab Mallory, but he is burned by sunlight and she is able to escape.
  • The goblins attack a wounded griffin. When the goblins circle the griffin, “the animal couldn’t seem to raise itself very far off the ground, but it could snap at the goblins if they got too close. Then the creature’s hawk beak connected, scissoring off the goblin arm.” Simon and his siblings save the griffin.
  • When the goblins chase after the children, they make a deal with the troll to lead the goblins to him. The troll hides in the river, and when the goblins enter, “the troll grabbed them all, shaking and biting and dragging them down to his watery lair.”

Drugs and Alcohol

  • None

Language

  • A hobgoblin calls Jared a host of creative names. A few names he uses include candy butt, dribble-puss, and jinglebrains.

Supernatural

  • A brownie lives in the Grace house. When Jared grabs the brownie, “the little brownie squirmed in his grasp, abruptly changing shape into a lizard, a rat that bit Jared’s hand, then a slippery eel that flailed wetly.”
  • The Grace children encounter goblins, who eat small creatures such as cats. The goblins “are born without teeth and so find substitutes, such as the fangs of animals, sharp rocks, and pieces of glass.”
  • The Grace children put hobgoblin spit in their eyes so they will have “the Sight.”
  • A hobgoblin uses children’s teeth instead of glass and other items. When Jared asks if he steals children’s teeth, the hobgoblin replies, “Come on, Dumbellina, tell me you don’t believe in the tooth fairy!”

Spiritual Content

  • None

 

The Field Guide

Jared, his twin brother, Simon, and their older sister, Mallory, are not happy about moving to a new town and into their Aunt Lucy’s dilapidated mansion. When a series of pranks happen and strange bruises start appearing on Simon and Mallory, Jared is blamed.

Then Jared stumbles upon Arthur Spiderwick’s Field Guide to the Fantastical World Around You. He believes the creatures in the book are real and that a boggart is the one causing all of the problems. No one else in the family believes the boggart is real. How can Jared prove that he isn’t responsible for destroying the house and hurting his siblings?

The story focuses on issues that children will be able to relate to including having problems with parents and difficulty expressing emotions. The plot focuses on Jared, who is having difficulty containing his anger. As Jared learns about the boggart, Jared is able to think about the boggart’s perspective. Jared doesn’t want to help the boggart, but “he knew what it was like to be mad, and he knew how easy it was to get into a fight, even if you were really mad at someone else. And he thought that just maybe that was how the boggart felt.”

The Spiderwick Chronicles: The Field Guide is a fantastical story that will engage even the most reluctant readers. The easy-to-read story has a fast-paced plot that deals with the difficult topic of divorce in a child-friendly manner. Black and white pictures and maps are scattered throughout the story, which will help readers picture the events in the story. When the story ends, readers will be reaching for the next book in the series.

 The Spiderwick Chronicles is an excellent series; however, parents should read the reviews for all of the books before beginning the reading journey. Younger readers may not be ready for scary events that the Grace children face before their adventure comes to an end.

Sexual Content

  • None

Violence

  • While Mallory was sleeping, someone tied her hair to the bed. “Long pieces of her hair had been knotted to the brass headboard. Her face was red, but the worst part was the strange pattern of bruises that decorated her arms.”
  • The boggart steals Simon’s mice and tadpoles. “Each of Simon’s tadpoles was frozen into a single cube in the tray.” Later, they discover the boggart is keeping the mice as pets.
  • The book refers to a fight at school that Jared got into. His mother says, “I was shocked to learn that you broke a boy’s nose.”

Drugs and Alcohol

  • None

Language

  • When Mallory’s mother says the house is just like she remembered, Mallory replies, “Only crappier.”
  • “Crud” is said once.

Supernatural

  • The children learn that there is a boggart living in the house. Boggarts are “malicious. Hateful. Hard to get rid of. In their brownie form, they were helpful and nice.” The boggart causes havoc for the family.
  • The children meet the boggart. When they see him, he is standing on a desk in “worn overalls and a wide brimmed hat, was a little man about the size of a pencil. His eyes were as black as beetles, his nose was large and red . . .”

Spiritual Content

  • None

 

Roller Girl

Ever since second grade, twelve-year-old Astrid has done everything with her best friend Nicole. When Astrid’s mother takes her and Nicole to a roller derby event, Astrid decides she wants to be just like roller derby girls and signs up for a roller derby summer camp. Astrid assumes Nicole will sign up with her, but Nicole signs up for ballet instead. This starts a conflict between the two friends and is the start of a difficult summer for Astrid.

At first, Astrid seems like an angry, bratty character who chases her best friend away. However, as the story progresses, the reader begins to see deeper into Astrid’s mixed emotions. Astrid struggles with the idea that Nicole wants to spend time with other people, including boys. When Astrid eavesdrops on one of Nicole’s conversations, she is upset that Nicole doesn’t stand up for her and reacts in anger. Like many preteens, Astrid must learn the difficult task of navigating friendships, but, in the end, she learns some valuable lessons including how to control her anger, how to forgive, and how to put other’s needs first. Another positive aspect of Roller Girl is that Astrid shows that through hard work and perseverance, a person can improve their skills and contribute to their team.

Readers will be drawn to Roller Girl because of the colorful cartooning that excels at showing the characters’ emotions. They will continue reading because of the fast-paced plot that covers many issues that preteens deal with: friendship, boys, parents, honesty, and feeling like a failure. The conclusion is heartwarming because Astrid changes from an angry girl into a supportive friend.

Sexual Content
• When Astrid sees her friend with a boy she thinks, “Was she on a DATE with Adam? I don’t know why this made me feel so weird . . . but it did.” As her friend walks away she wonders, “Was she going to hold hands with Adam? Was she going to KISS him?”

Violence
• In one of the pictures, siblings are shown hitting each other.
• When Astrid overhears her best friend talking to someone else about how to stop being friends with Astrid, she feels angry and throws soda at them. “I don’t know why I did it. I didn’t mean to hit them—I just meant to throw my soda at their feet.”
• Astrid is learning roller derby, which has pushing, shoving, and blocking. At practice, Astrid is thinking about hitting Nicole and hits someone else instead.

Drugs and Alcohol
• A girl tells Astrid’s friend that Astrid is “probably on drugs or something.” Astrid does not do drugs.
• When Astrid’s mother finds out Astrid has been lying to her, she says, “. . . and you’re going to be a teenager soon. How do I know you won’t lie to me about smoking, or skipping school, or doing drugs?” Astrid wonders, “Why does everyone think I’m doing drugs?”

Language
• Several characters call others names including “jerk”, “moron”, “rat-faced jerk”, “weirdo”, and “losers.”
• “OMG” and “OHMYGOD” are used as exclamations.
• “Crud” is used once.
• A character calls her siblings “turd buckets.”
• Astrid talks about how other kids call her “Ass-turd.”

Spiritual Content
• None

How to Rope a Giganotosaurus

Josh admires the legendary dino wrangler Terrordactyl Bill, who just captured a T. rex. Josh knows that he can be the next great dinosaur cowboy. In order to be like Terrordactyl Bill, Josh wants to capture his own giant dinosaur. Finding a T. rex can’t be done, but Josh, with the help of his friends, can nab a giganotosaurus. With a little bit of luck and a whole lot of rope, can Josh prove he has what it takes to be the best dino rider in The Lost Plains?

Whether reading this as part of the series or reading the story as a stand-alone, How to Rope a Giganotosaurus will engage younger readers with an easy-to-read story and fun illustrations. The second installment of the Dino Riders series will captivate readers because of Josh’s friendships, his daring spirit, and his desire to be great. Similar to the first book in the series, the story has several scenes that contain dino dung and dino slobber. Josh and his friends even cover themselves in dino dung and dino feathers. Although the bully is a bit stereotypical and the conclusion is far-fetched, that doesn’t take away from the book’s enjoyment. Anyone who enjoys adventure and dinosaurs will find How to Rope a Giganotosaurus fun to read.

Sexual Content

  • None

Violence

  • Josh and his friends try to capture a giganotosaurus, but the snare they build does not hold. The dino charges the kids and chases Josh. “He could feel the breath of the giant on his back as he powered towards the edge of the rocky outcrop. His heart pounded. His stomach went tight.” As the dino chases Josh, it falls into a swamp and dies. “A spray of stinking swamp water was thrown high into the air over Josh’s head.”

Drugs and Alcohol

  • None

Language

  • A bully calls Josh a “little dweeb.” Later the bully says that Josh and his friends look like “idiots.”

Supernatural

  • None

Spiritual Content

  • None

A Sassy Surprise

Big Apple Barn hasn’t always been Happy Go Lucky’s home. Since coming to Big Apple Barn, she has learned how to make friends and how to be a school pony. When a new pony, Sassafras Surprise, comes to live at the barn, Happy has a new set of worries. Everyone seems to be interested in Sassafras Surprise. Happy worries that Ivy will want to ride Sassafras Surprise instead of her.

A Sassy Surprise jumps into the theme of friendship and how a new horse (or person) can change the dynamics of a friendship. When Sassafras Surprise moves into the barn, Roscoe begins avoiding Happy, which adds suspense to the story. In the end, Happy, Roscoe, and Sassafras Surprise learn to talk about their feelings, which allows them to become better friends.

Like the previous books in the series, A Sassy Surprise has a simple plot, which is easy to read. To help beginning readers, the author uses short sentences and dialogue that give the horses personality. Black and white illustrations help break up the text and keep readers engaged. Although A Sassy Surprise is the third book in the series, readers can understand the events without having read the first two books.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

The Hide-and-Seek Ghost

Kaz is an ordinary ghost who hasn’t figured out how to glow. When the house that Kaz and his family live in is torn down, the wind scatters the ghosts and carries Kaz to a library. While at the library, Kaz meets Claire—a human who can see him. Together the two look for Kaz’s family and solve ghostly mysteries in the process.

One of Claire’s classmates, Eli, is known for his pranks. So when he asks Claire to help him rid his family home of a ghost, Claire isn’t sure if Eli really needs help or if he is just trying to pull another prank. Can Kaz and Claire discover if Eli’s home is really haunted?

The Hide-and-Seek Ghost brings Claire’s world and the ghost world to life with black-and-white illustrations that will help readers visualize the characters and actions. The plot focuses on an argument between Kaz’s parents and another ghost as well as the mystery of Eli’s haunted house. The multiple plots make the story choppy and may cause some confusion. Readers will enjoy following the clues to the mystery and looking at the many illustrations that show the characters’ emotions.

The ghosts in the story are not scary; however, there are several scenes where ghosts are separated from family when they leave a building and the wind blows them away. The idea of being accidentally separated from family and not being able to return may frighten some readers. A glossary of ghostly terms helps readers understand those that are used in the story.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Many of the characters are ghosts who can choose to be seen and heard by “solids” and who can glow, shrink, expand, and walk through walls.

Spiritual Content

  • None

 

Lilly and Fin: A Mermaid’s Tale

Two merpups, Lilly and Fin, love to sneak out of the mermaid city to explore caves. Adults have warned about the dangers of Two-Legs and the Kraken, but surely, they are just stories. Then one day, Lilly and Fin decide to go to their favorite cave. What they don’t know is that there is a couple of Two-Legs that are hiding in the shadows. Will Lilly and Fin fall into the humans’ trap?

Beautiful full-colored illustrations are sprinkled throughout Lilly and Fin: A Mermaid’s Tale. The illustrations of the characters, ocean creatures, and the submarine help bring the story to life. Readers will smile at the comical illustrations of the humans. Another positive aspect is that the larger illustrations have hidden pictures that give readers another fun way to interact with the story.

The easy-to-follow plot of Lilly and Fin: A Mermaid’s Tale cleverly weaves in the adults’ stories of the dangers of the Kraken and the Two-Legs. In the end, the merpups discover that the adults’ stories were not merely made up to make them behave. One negative aspect of the story is that Lilly and Fin lie to their parents on a regular basis. In order to sneak out of the city, Lilly tells her parents she is going to Fin’s, and Fin tells his parents he is going to Lilly’s. Lilly’s love for adventure shines throughout the story, but she isn’t the best friend. She completely ignores Fin when he suggests they do not go to the cave because his scales itch, which means there will be trouble. However, she does convince the Kraken to help free Fin.

The beginning of the story starts out slow, but once Lilly and Fin get out of the mermaid city, they meet interesting characters. The reader knows that Mr. and Mrs. Snorkel are on the hunt for mermaids, which adds suspense to the story. Although the book is written for younger readers, many of the pages only have text, with long paragraphs, which may intimidate some readers. Lilly and Fin: A Mermaid’s Tale would be a humorous story for confident readers of chapter books. The story would also be fun to read aloud for those who are not yet ready for chapter books.

Sexual Content

  • None

Violence

  • When Lilly and Fin tried to swim past Neptune, “the fat king grabbed them with his fingers and held them in front of his red eyes.” When the two talk disrespectfully to Neptune, “the fat man howled, shaking his fist, and the merpups with them.”
  • Mr. and Mrs. Snorkel capture Fin. When the submarine is close, Fin’s “wide eyes were just staring at the terrible pinchers, and before Lilly knew what was happening, one of them had sucked up her friend. It closed with a loud clang. And Fin was gone.”
  • In order to free Fin, the Kraken grabs the submarine, and it “began to shake as though it was in the grips of a mighty storm. Mr. Snorkel and Mr. Harkenear were rolling around the floor like marbles.” The group escapes in a pod.

Drugs and Alcohol

  • None

Language

  • “Darn” is used twice.
  • The Kraken calls Lilly a “dimwit.”
  • Lilly refers to Neptune as “the fatso.”

Supernatural

  • None

Spiritual Content

  • None

Escape to the Above

Wily has spent the twelve years of his life underground learning how to be a trapsmith. Wily makes traps to keep invaders from the cavern mage’s treasure. Even though Wily wonders what life in the Above would be like, he knows he can never leave.

Then a group of treasure hunters appears—an elf, a moss giant, a warrior with a magic arm. They want the caver mage’s treasure, including Wily himself. With the help of Wily, the group can invade every other dungeon and flee the Infernal King’s realm. Wily is about to go on an adventure, which will lead to a battle against the Infernal King, who uses gearfolk to terrorize and imprison the innocent. But is there any way this diverse group can work together and escape the Infernal King’s gearfolk?

A fun fantasy, Snared: Escape to the Above starts strong from the start. Wily’s underground world comes alive. When Wily leaves the cave he has lived in, seeing Wily’s perception of everyday things, such as a butterfly, is interesting and brings humor. Although Wily and his group must flee from horrors, the violence is not graphically described. Through Wily’s experience, he learns that “a prison doesn’t need cages to make you feel trapped. If you take away a person’s choices, they could be in the most beautiful place in the world and still be caged.”

Advanced elementary and junior high readers will enjoy the quirky characters and the interesting traps that Wily encounters. Although the plot is a bit predictable and the Infernal King is defeated too easily, readers will enjoy the adventure along the way. Full of humor and lessons about friendship and doing what is right, Snared: Escape to the Above will please adventure-seeking readers.

Sexual Content

  • None.

Violence

  • When invaders go into an underground cavern looking for treasure, they must go through various traps. Hobgoblets attack a knight from behind, but “the furious hobgoblets were both knocked unconscious by the flat side of a sword . . . The third hobgoblet was struck in the back of the head by the blunt end of the weapon.”
  • When a group of treasure hunters meets the cavern mage, he tries to stop them from taking his trapsmith. The mage throws magical bolts, but they do not hit anyone. Then he “snatched a quill . . . and used it to scribble ancient hieroglyphs in the air. A small tornado formed around the symbols, sweeping them up and churning them like dirty undershirts in the laundry cauldron. The blast of air struck the moss giant—and did nothing at all.” There is a fight that takes place over three pages.
  • When guards try to stop the group from leaving the underground cavern, the moss giant, “swiftly grabbed the guards in his large earthen hands and smashed their heads together. They both slid to the ground, unconscious.”
  • The king sends snagglecarts to round up citizens and put them in prison, even though they have done nothing wrong. Wiley watches a “dragon-size snagglecarts was rolling toward the mother and children with its mechanical mouth open, hungry for more prisoners. . . the gearfolk prodded the mother and two daughters, forcing them to walk up the ramp and into the jaws of the snagglecart.” A person wrapped in a cloak attacks the snagglecarts and gearfolk and “the front of the snagglecart exploded into a twisted mess of metal.” The humans are able to escape.
  • When the gearfolk try to capture Wiley and his friends, they fight back. A bounty hunter “Grabbed a wooden billy club from his rob and charged the gearfolk. The gearfolk was about to scream again when his head was knocked off by a trident. Someone is hit in the chest with a “crackling black energy,” but was uninjured. The battle takes place over a chapter, but Wiley and his friends escape unharmed. A baby crab dragon grabs the knight, “a giant claw clamped down on his leg, squeezing so tightly it was bending the metal armor around the knight’s thigh . . . The baby crab dragon made a playful click before lifting Pryvyd up and smacking him against the ground again.” Wiley is able to talk to the crab dragon, who then lets the knight go.
  • Wiley and his friends try to sneak into the king’s dungeon, but they were captured in a never-scape that was “submerged into ankle-high water.” The never-scape was slowly being submerged in water, but one of Wiley’s friends is able to help them escape.
  • At the end of the story, there is a battle between Wiley’s friends and the gearfolk, mechanical soldiers, and the cavern mage. The battle is not described in gory detail, and no one is injured.

Drugs and Alcohol

  • When invaders go into the underground cavern looking for treasure, the “ale cellar reeked of stale mushrooms and alcohol. Gigantic wooden barrels lined the walls, each big enough to store ten thousand swigs of ale.”

Language

  • When a fairy is caught spying, someone said, “Damn rust fairies are all over the city.”

 Supernatural

  • A knight has an enchanted floating arm that helps him in battle.
  • When going into a destroyed forest, ghosts appear. “Out of the mist, a stampede of spectral elk burst forth, beating their hooves against the ground. Their twisted antlers and hooves glowing a pale green like a bat’s eye while their chests were a deep emerald like the moss on Moshul’s knuckles.” When the Elk struck Wiley, he feels pain but is physically uninjured.

Spiritual Content

  • None

This is Where It Ends

No one ever thought this could actually happen to them. Not here. Not in Opportunity, Alabama.

It is just a normal morning at Opportunity High School when a frightening series of events forever alters the lives of all who are inside. At the conclusion of Principal Trenton’s back-to-term speech in the auditorium, the exit doors fail to open as thousands of students frantically attempt to exit. Two minutes later, someone starts shooting.

Lasting only fifty-four minutes, this harrowing story is told from the perspectives of four different students, each of who have personal connections with the shooter. Those minutes are packed with enough action and tension to feel like a year. This suspense-filled novel dives deep into the emotions of high schoolers and examines the complexities of a murderer’s personality. Riddled with guilt and fear, the characters of this novel make the tragic and once so seemingly impossible situation relatable for the average teen reader.

As the subject matter of this book is very mature, it is not recommended for younger readers. It deals with content such as a school shooting, the passing of a parent, violent deaths, and homosexuality. The author suggests it for readers 14 and above, but some teens may still be disturbed by the novel’s contents. Nevertheless, This is Where it Ends is a well-written and compelling book that examines a topic that has become increasingly important in modern teens’ lives. It allows readers to ponder the intricacy of teen relationships and the value that we place on social acceptance.

Sexual Content

  • There are several references to a romantic relationship between Claire and Tyler, the shooter.
  • Autumn and Sylv are dating secretly. They often hold hands and Sylv, “wanted nothing more than to kiss her, but instead, we held hands.” In another scene, they kiss, “I leaned in, cupped her cheek in my hand, and kissed her,” but as Autumn is afraid of what people will think, she does not “come out.” Facing death, the two admit their feelings in front of the entire school.
  • One of the murdered characters is “Kevin Rolland, one of Opportunity High School’s only out-and-proud students.”
  • At junior prom, Tyler corners his sister’s girlfriend, Sylv, and attempts to kiss her. This experience is traumatic for Sylv and leads to the breakup of Claire and Tyler.
  • During the shooting, Claire and her track teammates are locked out of the school, and they try to get help. As the crisis continues and deaths are discovered, Claire realizes that she is in love with her best friend, Chris, and acts on her feelings. It begins as “I curl my fingers around Chris’s and lean into him” and escalates to, “I look up and touch my lips to Chris’s . . . It’s as if I don’t know where he ends and I start . . . He leans in and kisses me again as if the world were ending. And actually, it has.”
  • Sylv mentions that Tyler raped her. It is not described.

Violence

  • Autumn’s father abuses her. She mentions that he hits her and shows her bruises.
  • Tomás constantly beats up and bullies Tyler for threatening his sister. Tomás thinks, “The one time his eyes weren’t glossed over with contempt was when I slammed his head into a locker. My fingers itch to do it again.”
  • Tyler enters the auditorium and shoots many people; he “picks them off methodically.” He shoots the principal first. “All I can see is Principal Trenton’s surprised smile as she was shot and the horror of the people around who rushed to help her . . . There’s death, there’s dying, and there’s blood everywhere.”
  • The bodies of two victims are described. “Two students . . . are splayed across the chairs in front of Tyler. The boy still has his bag half slung over his shoulder as his blood mixes with hers.”
  • Tomás is frustrated with his inability to be helpful during the shooting, and “I turn on my heels and ram my fist into one of the supply cabinets. The thin board splinters on impact, cutting my knuckles, but the pain offers no relief.”
  • During the shooting, Tyler threatens Sylv. “He placed his hands on my shoulders again, his thumbs digging into my neck . . . When I tried to roll over and crawl away from him, his boot found my stomach, and I doubled over. He pinned me, his knees on my arms and his hands on my shirt.”
  • When attempting to find the janitor to help unlock the auditorium doors, Tomás and Fareed find him dead in the supply closet. “His hands are bound together with a cable tie pulled so tight his fingers have gone black. Cable ties circle his neck, and he is gagged. His eyes are empty; his face is as discolored as his hands. Bloody scratches mark his neck, as if he tried to rip through the plastic with his bare hands.”
  • The shooting of students and teachers is described in detail. “The first bullet buries itself in the teacher’s arm. The second bullet drills a hole through his chest.” In another scene, “A freshman beside us stumbles and trips, sliding against the seat when a bullet perforates her neck. I almost join the screaming as blood splatters my face.”
  • Some bullying boys set fire to a student’s locker. Another student’s tires are slashed for revenge.
  • Because her brother is the shooter, Autumn feels grief and responsibility for the deaths of others. She thinks, “Every time I blink, I see Nyah’s face being torn apart by the bullet . . . Ty is my only brother, but right now, I want him to die. To take the gun and shoot himself.”
  • Autumn gets hit with the barrel of the gun while she is trying to stop Tyler. “His arm snaps back and the barrel of the gun bashes my cheek. Spots of light burst in my vision. Pain blossoms over my face. Blood pools in my mouth.”
  • Near the conclusion of the novel, Tyler shoots Autumn and then kills himself, “When he pulls the trigger, I feel the shot rather than hear it. Pain overwhelms me. The floor opens up around me. The last thing I see before I fade is Ty turning the gun on himself . . . Then he blows his brains out.”

Drugs and Alcohol

  • Tyler and Autumn’s father is an abusive alcoholic. “Mr. Browne drowned his sorrows in alcohol.”
  • Tomás describes what usually follows an assembly as, “So everyone pushes to leave, then strolls, dawdles, sneaks out for a smoke and some air (the two aren’t mutually exclusive, thank you very much).”
  • Claire thinks of the track runners’ get-together at the end of the school year. The event has “no alcohol until the JV athletes are asleep, but then we’ll drink. We’ll toast our four years together.”

Language

  • Profanity is used fairly often throughout the novel. This includes: dammit, hell, fuck, and fuck off.
  • Claire describes the re-built version of Opportunity High School as, “state of the art—larger sports fields, fancy equipment, right in the middle of fuck all.”
  • “Oh my God” is said once and “God” is said once.
  • The people who are around Autumn in the auditorium are described as, “no longer pitiful, no longer worried about my poor, fucked-up home.”
  • Tyler rants to Autumn in between shooting people. “You know how much it hurt to find out about you and that—that slut?”

Supernatural

  • None

Spiritual Content

  • After hearing the sound of the first bullet rip through the air, Claire and Chris decide to run for help. Before running, she chooses to “whisper a prayer to anyone who might listen.”
  • Upon seeing the mutilated body of the dead janitor, Fareed, “mutters something, but I can’t make out the words. It sounds like a prayer of sorts in the language of his parents.”
  • When Sylv comes out to her family as gay, she mentions that “Father Jones preaches about sin, hell, and damnation.”

by Morgan Filgas

Tales from a NOT-SO-Popular Party Girl

Middle school can be traumatizing for any girl.  But for Nikki, middle school is a nightmare. Nikki dreams about going to the Halloween dance with Brandon, but so does popular mean girl MacKenzie.  Then in a strange turn of events, MacKenzie resigns as the dance chairperson and so do all of the cool kids, leaving Nikki and her two friends in charge.  Now Nikki and her friends must decide if they should cancel the dance or if they can plan it all on their own.

To add to the drama of Nikki’s life, her little sister has a tooth fairy phobia that has become Nikki’s problem. Her parents drag her to a funeral where she has an uncontrollable fit of hiccups. And to cap it all off, she has to dress as a rat at a little kid party and paint faces—on the same night of the Halloween dance.

 Dork Diaries is written in the form of a diary, which allows Nikki’s thoughts and feelings to take center stage.  The diary contains a lot of text talk such as BTW and OMG.  Plus, there are many references to pop culture stars such as Jessica Simpson and Tyra Banks. Although Nikki’s days are filled with funny events, the books show a stereotypical junior high full of mean girls, boy drama, and cool kid drama.

Throughout the book, there are cute drawings that add to the storyline.  Because the story is written in diary format, most paragraphs consist of one to two sentences and the vocabulary is typical of a preteen. Although the story is entertaining, there is no educational value.

Sexual Content

  • When Nikki thinks Mackenzie is going to the dance with Brandon she says, “She was buying a new lip gloss JUST for Brandon. I knew what THAT meant.”

Violence

  • When Nikki was embarrassed she thinks, “I was so angry I wanted to grab them both by their necks and squeeze until their little heads exploded.”
  • A cool girl purposely bumps Nikki’s food plate, which splashes chocolate onto Nikki’s dress.

Drugs and Alcohol

  • None

Language

  • The narrator uses words like crud, craptastic, dagnabbit, darn, OMG and what the . . .”

Supernatural

  • None

Spiritual Content

  • None

 

CRIME BITERS! It’s a Doggy Dog World

Jimmy Bishop has a story that he doesn’t think anyone will believe, not even his best friend Irwin. Abby, Jimmy’s new dog, is a crime-fighting vampire dog. It’s true.

The other crazy things that happen to Jimmy are just as true.

Jimmy Bishop is obsessed with Stop Police—a TV show about a vampire detective. He has an older sister who teases him, two parents, and a best friend. His life appears to be pretty normal, but trouble seems to follow him.

Jimmy wakes up with a strange blotch on his face just days before school starts. Then his father has a series of job interviews and his parents hire a strange babysitter who tries to feed him fried beets in pea sauce. Then a new girl moves next door. But the most exciting and strangest event of all is when Jimmy brings home Abby, a new dog.

Crime Bitters is full of suspense, humor, and adventure. As Jimmy’s day-to-day life unfolds the reader will be captivated by the realistic characters as well as the illustrations. The story is easy to read, fun, and full of interesting facts. For example: “Fact: There are a lot of great bald people in the world. But unfortunately, none of them are in this book.”

Because Jimmy tells his own story, the reader gets a glimpse of how it feels to be bullied, how even relationships with best friends be full of strife, and how talking to a girl can be the scariest thing of all.  Crime Bitters has a fast-paced plot that will keep younger readers enthralled.

Sexual Content

  • None

Violence

  • When the babysitter swats Abby on the nose, Abby goes into attack mode.  “She (Abby) crouched down, like you see on one of those nature shows, where the panther suddenly spots the defenseless gazelle . . . Then Abby jumped, right onto Mrs. Cragg’s shoulder.” Jimmy’s mother appears and grabs the dog.
  • When a man tries to take Abby, Mrs. Cragg’s tries to stop him. “Then, without another word, Mrs. Cragg suddenly ripped her own hair off her head . . . and wrapped it around Mr. Bratford’s eyes, like a blindfold.”
  • When the kids discover that Mr. Bratford is a thief, he chases them. “He pinched my cheek so hard that tears came to my eyes then put one of his pimply hands on Abby and started petting her fur. . . The next thing I knew, Mr. Bratford had picked me up by the shirt and was carrying me over to Mrs. Cragg.”
  • Abby attacks Mrs. Bratford, “In one split second, she jumped out of my arms, bared her teeth, leaped onto Mr. Bratford, and clamped her jaws around his neck . . . Mr. Bratford screamed and feel down. Abby clamped harder, and they started rolling around on the ground.”
  • Jimmy hits Mr. Bratford in the knees with a cane.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Abby is a “superhero crime-fighting vampire dog” that has fangs.

Spiritual Content

  • None

The House on Stone’s Throw Island

Eli isn’t happy when he boards the ferry to go to Stone Throw’s Island. He’s not looking forward to his sister’s wedding. Even though groom’s sister, Josie, is his age, he doesn’t want to meet her.  In fact, Eli can think of a million things he’d rather do than spend the weekend on a remote island.

Josie feels the same; she doesn’t want to spend time with her soon-to-be brother-in-law. But when a ghost girl enters her room, Josie decides that Eli might be the best person to help figure out who the ghost is and what she wants. As the two try to figure out the secrets of the island, they soon discover that when the dead want revenge, there is little anyone can do to stop them from getting their ghostly desire.

The House on Stone’s Throw Island grabs its readers’ attention in the very beginning and captivate them until the end. Poblocki weaves a wonderful mystery using suspense and vivid descriptions to keep readers wanting more.

Though the story deals with the ghost of a World War II German spy, most of the violence is hinted at rather than described in detail. This allows readers to use their imagination to create their own images of what happened. The story is well crafted and the two main characters, Josie and Eli, are compelling. The House on Stone’s Throw Island is a perfect book for both older and younger readers who want a good scare.

Sexual Content

  • None

Violence

  • Someone tries to kill Margo while she is asleep. “A hand came down over her face. It covered her nose and her mouth with a sweat-slick grip and squeezed . . . She pushed at the figures’ chest, but the attacker managed to slap her hands away before pressing against her face even harder.” She hits the person with a lamp and he runs off.
  • Josie reads a diary entry that describes how a German spy was, “standing over my brother with a rifle.  He used it to strike Frankie in the face.”
  • A possessed wedding guest hits someone across the face.
  • A ghost explains how he and his friends died. They were locked in a cavern and, “a storm rose up and flooded the cavern. Despite our cries for mercy, the savage siblings allowed the seawater to fill our lungs.”
  • A possessed wedding guest captures Josie. “But Bruno squeezed her tight.  Tighter. So tight, she could no longer move. So tight, she could barely breathe.”  Josie, “snapped her head forward as hard as she could, making contact with his sternum . . . She wasn’t sure if she had broken something in him or herself.” As she tries to escape his grasp, they fall down the stairs and he is knocked unconscious.
  • The skeletal remains of a German spy try to get Josie and Eli to help him.  “Here was the sallow skin, the collapsed nose, the empty eye sockets.” The ghost wants them to give them a wedding guest in exchange for Eli’s father.
  • A U-boat rams the Sea Witch. The Sea Witch crashes, but everyone survives.

Drugs and Alcohol

  • None

Language

  • When discussing WWII, one of the wedding guests says, “Screw Hitler.”
  • Before one of the guest reveals a secret, she says, “I think now is the time to tell it. And I don’t give a good-gosh-darn about the repercussions.”
  • When being accused of being negative, one of the guests says, “Negative? Are you freaking kidding me?

Supernatural

  • Three dead German soldiers from World War II take over the bodies of the wedding guest.  The ghosts want revenge for their deaths.
  • The ghost explains what happened to him. “Our souls have been trapped here. Trapped until you arrived on this island, Madame Lintel. Your presence woke us up, and we slipped inside the skins of these men.”
  • An old U-boat and a ghost crew come up and claim three of the wedding guest.  “The three reached up, claiming the help that was being offered to them. . .the men climbed aboard the sub and stood with their compatriots, reunited in spirit at long last.”
  • Eli thinks that, “each of their souls must have been cracked just enough to let in the bad spirits. Or maybe it hadn’t been anything like that. Maybe Eli had merely been lucky they hadn’t crept inside his own head too.”

Spiritual Content

  • None

I’d Tell You I Love You, But Then I’d Have To Kill You

Cammie doesn’t just feel invisible, she is trained to be invisible. After all, when a girl goes to spy school, blending into a crowd is an art as well as a talent. However, when Cammie catches the eye of a gorgeous boy—a normal, not-spy boy—being invisible isn’t an option anymore. Cammie quickly discovers that navigating the world of romance and relationships is much harder than mastering fourteen different languages and advanced encryption at school.

Cammie puts all her spy skills to the test as she tries to keep her true identity hidden from her boyfriend and her boyfriend a secret from her spy school. She knows that she will never be able to reveal that the Gallagher Academy, which most people think is a school for rich snobs, is really a school for spies. Yet for the first time in her life, Cammie is getting a glimpse of what it means to be normal.

Although Cammie and her friends are geniuses when it comes to chemical warfare and breaking CIA codes in computer class, they are completely clueless when it comes to boys.  A new roommate, a new teacher, and a covert operation class lead to laugh-out-loud situations that are simultaneously filled with suspense. Through first-person narration, Carter creates a fun, sweet story and a unique setting in which to explore the well-known troubles teens have in understanding the opposite sex.

Carter successfully creates a believable world where girls can accomplish just about anything. The characters are lovable while still being grounded in reality. Additionally, the story is full of action and explores teen romance in a wholesome way that is perfect for younger readers.

 Sexual Content

  • When talking about an attractive teacher’s tone of voice, the narrator said, “We all heard, I think you’re the most beautiful woman in the world, and I’d be honored if you’d bear my children.”
  • A CIA member, “once sweet-talked a Russian dignitary into dressing in drag and carrying a beach ball full of liquid nitrogen under his shirt like a pregnant lady.”
  • The girls wonder if the gorgeous guy is a “honey pot” and then struggle to explain what a honey pot is.
  • A friend asks the narrator if she has, “been to second base yet?”
  • The narrator receives her first kiss, and then later kisses her boyfriend so he will stop talking.
  • A boy talks about mooning the girls at the Gallagher Academy.

Violence

  • A teacher throws a letter opener at another teacher’s head, which they stop with a book.
  • In a fit of anger, a student grabs a classmate’s arm, puts it behind her back, and rips out her diamond nose ring.
  • During a mission debriefing, a student is shown a picture of her friend’s bloody and swollen face. The teacher explains that during torture, what hurts most is, “listening to her friend scream…she will be screaming for about six hours, until she becomes so dehydrated she can’t form sounds.” After the lesson, her friend walks in unharmed.
  • As part of a final test in the covert class, Cammie is “kidnapped” and a fight ensues. She is locked in a room, blindfolded, and tied to a chair.
  • When the narrator meets a girl who she thinks might be her competition, the narrator thinks about her ability, “to kill you in your sleep and make it look like an accident, you silly vapid, two bit. . .”

Drugs and Alcohol

  • It is mentioned that as part of an interrogation tactics class, the students are, “under the influence of sodium pentothal,” and Cammie mentions being a wiz at poison-concocting.
  • A student smokes a cigarette.
  • When her friend announces she has bad news about Cammie’s crush, the narrator wonders if the bad news is that, “he’s taking drugs that will prepare him for a sex change operation.”
  • A student wonders if her first covert mission is going to be, “busting up a drug cartel that’s operating out of a night club.”

Language

  • A class is described as, “damn hard.”
  • When getting assigned a mission, the narrator said it’s like getting, “a gold-freaking-star.”
  • A student uses the phrase, “bloody hell.”
  • A student calls another student a “b—” and mentions the “B word.”  The B word is implied but never spoken.

Supernatural

  • None

Spiritual Content

  • Although religion isn’t discussed directly, Cammie pretends to be homeschooled for religious reasons. Cammie also wears a cross and carries a What Would Jesus Do? ink pen in her bag because it helps her cover story.
  • There is a conversation about how the Bible says people have free will, but a character doesn’t feel like that applies to his life because of his parents’ expectations.

The Sin Eater’s Daughter

As a young girl, Twylla is brought to live in the castle because she is the Daunte Embodied, daughter of two gods. As Daunte Embodied, it is Twylla’s duty to bring justice to the kingdom. She is the executioner; anyone that she touches, dies.

Twylla thought life in the castle would be different. But the privileged life she leads is lonely and becomes more a prison than a home to her. The kingdom’s people fear her. The queen demands absolute obedience from her. And Merek, Twylla’s betrothed, confuses her.

Twylla believes her life is set in stone until she is appointed a new guard. This guard doesn’t fear her as so many others do. He sees past her role as Daunte Embodied, and sees her as a person. As they spend more time together, Twylla begins to wonder if there is a different path she could follow. But such a path would go against her loyalty to Merek and the kingdom.

Confused and lonely, Twylla soon learns that the queen has a deadly plan of her own—and Twylla is in the way of the queen getting her desire. Will Twylla be able to survive long enough to choose between two men—one who needs her, and one who claims to love her?

The Sin Eater’s Daughter takes the reader into an interesting world ruled by an evil queen. The queen is the strongest character in the book. She is willing to kill anyone, including her best friend who dared to become pregnant while the queen could not. The king, who appears infrequently, is seen as a kind, but powerless man. Merek, who does not agree with his mother’s cruel ways, seems desperate and unkind, which makes it difficult for the reader to feel sympathy for him. Even Twylla, who is the heroin, is difficult to relate to. Although her situation is difficult, she seems to be content to sit in her tower and feel sorry for herself.

Although the world created in The Sin Eater’s Daughter is interesting, it is often violent and disturbing. Death is seen often and is described in graphic detail. There are many adult topics that appear including the mention of incest, killing a child in the womb, and seduction.

Sexual Content

  • During a sin-eating ceremony a woman’s father, who is under the influence of poppy tears, confesses that “she said no but he [himself] put a baby in her.” The Sin Eater says that when the man dies she will not “take that sin.”
  • Twylla and her guard kiss often towards the end of the book. In one scene she tells him that she loves him and then, “he devours the words right out of my mouth, pressing his own against mine and swallowing my worries. I let him, willing to sacrifice my questions temporarily for the taste of him, for his hands on my waist.”
  • Twylla and her guard plan to run away together. They again kiss. “Our mouths move gently, brushing together, our lips opening and closing against the other’s, our eyes locked. It makes me dizzy and I allow mine to flutter shut, concentrating on the feel of him against me, his tongue dancing gently with mine.”
  • Twylla and her guard have sex several times. The act is not described, but afterward they, “lie with our legs and arms twined, breathing softly, his breaths becoming my breaths. Our skin is damp and we stick together, as though nothing could separate us.” After one time together, the queen finds them in bed together and has them both thrown in jail.
  • The tradition in the kingdom is for the queen to give birth to one boy and one girl, and then the two children are married when they are adults. The goal is to keep the bloodline clean. Because the current queen has only one living child, a male, she plans to kill the king and marry her son.
  • At the end of the story, Twylla discovers that her guard was hired to seduce her.

Violence

  • One of the rituals in the book is when Twylla, as Daunte Embodied, kills condemned people with a touch. “Moments after I’ve touched them, they are slumped against the top of the table, blood streaming from their noses and pooling on the already-stained wood. I watch as thin red rivers flower over the edge, spattering the bolts that pin the chairs to the floor. . .”
  • When the guard and Twylla are found together he is clubbed in the back of the head with a sword. When he falls down, “two of them begin to kick him, bringing their boots back and swinging them into his ribs and spine.” The queen orders the beating to stop when the guard “has stopped moaning and grunting, finally unconscious.”
  • The queen has people killed throughout the book. Her favorite way to have them killed is to send the dogs to rip them apart. In one scene, the queen tells Twylla, “I have a mind to make you watch the dogs eat your lover first . . . Do you think he’ll try to shield you from their jaws when they tear your heart out . . . Do you know what my father used to do? He used to slice across the ankles of the wretches we were hunting. He’d cut them and leave them in the trees. He’d give them an hour to try to escape . . . it might be time to bring it back.”
  • The queen backhands Twylla across the face and threatens to kill her, “for opening your legs to another man while my son planned to wed you.”
  • In the end, the prince tells his mother, “I sentence you to hang by the neck until you are dead.”

Drugs and Alcohol

  • At dinner, one of the lords becomes drunk and upsets the queen so she has him killed.
  • When someone is sick, they are given poppy tears to help control the pain.
  • When a woman wants to “lose a child” they take an herb that will make them “lose a child.”
  • The queen uses poison to kill her husband.

Language

  • The queen calls Twylla, “a little slut,” a “whore” and a “harlot.”

Supernatural

  • There is a tale of a Sleeping Prince who is an alchemist. The prince was put under a spell that made him sleep forever. The queen has a totem that can call the Bringer, who is said to be able to bring the prince back to life with the death of a young girl. The queen believes that she can control the Sleeping Prince if she has the totem.

Spiritual Content

  • Twylla is told she is Daunte Embodied, the reborn daughter of the Gods. “The world has always been ruled by two Gods: Daeg, Lord of the sun, who rules in the day, and his wife Naeht, Empress of Darkness, who rules the night. . . She (Naeht) hatched a plan and seduced her husband, tiring him so much he couldn’t rise. Then she took the skies for her own and ruled alone, plunging all the world into darkness. Nothing lived, nothing thrived, and death was everywhere without the Lord of the Sun to light the world and give warmth and joy.” The God’s daughter was said to bring Daeg from his sleep and whenever Lomere needed the daughter, she would return as a symbol of hope.
  • As Daunte Embodied, Twylla is taught that she must, “strike down those who would hurt us. You will go and do your duty. You don’t want to anger the Gods do you?”
  • Twylla believes the Gods have chosen her path, and she must, “obey the Gods.”
  • When someone dies, a person’s soul, “will linger near the body for three days and nights after a death. During that time, the Eating must take place so the soul can ascend, otherwise it will drift to the West Woods to join its damned brothers and sisters in the trees. . .” During this time the sin eater must eat a particular food for each sin the person committed.
  • When Twylla’s mother talks about a woman taking an herb to lose a child, Twylla, “shook my head, not understanding. Losing a child wasn’t a sin; everyone knew the Gods could take away as they saw fit and sometimes they called an unborn back to the Eternal Kingdom.”
  • Twylla’s guard tells her that the religious rituals they perform are all lies and that her beliefs are, “just to scare people into obedience.” He explains that “We used to have Gods, too. And now we don’t and yet the country doesn’t falter; it thrives without them…It’s all made up. You are not beloved by the Gods—there are no Gods.”
  • Twylla tries to figure out what she believes and she thinks, “Neither my mother nor the queen have ever said they believed in the Gods. My mother needs them because if there are no gods, then there is no Eternal Kingdom and that makes the Sin Eater nothing more than a prop for mourning. The queen needs them because the fear of death is what makes people obedient, and kind, and good, and sorry.”
  • Twylla’s guard tells her that, “I don’t believe there are any [Gods] at all, but I believe there are men and woman whose lives are made easier by believing someone is watching over them.”

Blood Red Road

The Dust Lands are a post-apocalyptic world where written language has been forgotten, civilization has collapsed, and the strong rule through fear. Saba has grown up in a shack in the middle of nowhere with her twin brother, her sister, and her father. She rarely sees other people and has never been to a town.

Then Tonton soldiers come. They kill her father and kidnap her brother. For the first time in her life, Saba can’t follow her brother’s lead. Now she must be the leader because her brother’s life depends on it. Saba leaves the only home she has ever known and sets off in search of her twin.

Adventure after adventure follows. Saba’s path is not a straight one, but she never gives up hope. She knows what she wants and will do anything to get it. Written in a regional dialect, this first-person narration shows Saba’s strong will and determination. Even when sold into slavery, Saba is never the victim. She is never weak and her spirit is never broken.

Blood Red Road is fast-paced and exciting. A large cast of characters adds to this richly developed world of droughts and ruin. What sets this novel apart is that Young effortlessly turns the traditional damsel-rescuer model on its head. Saba is a wonderful role model for teenage girls that proves girls can be strong heroes too. Because of the sexual content and the violence, Blood Red Road is best suited for high school readers.

Sexual Content

  • Jack gives Saba “a quick hard kiss” after she saves his life.
  • When Saba is sold to the Cage Master, he “licks my ear slowly.”
  • Jack comes to a river where Saba and Maev are bathing. “Jack nudges our pile of clothes with his foot. Grins. Well, ain’t this an innerestin sitchation? he says. Two girls naked in the water an me with all their clothes.”
  • After rescuing Saba from a river, Jack kisses her. She pushes him away. Later Saba thinks Jack is dead, so she gives him mouth to mouth. It turns out he was faking.
  • Saba finally gives in and kisses Jack back. “He pushes me aginst the wall. Then his mouth is on mine an he’s kissin me like he’s starvin or dyin of thirst or somethin. He kisses my lips, my face, my neck, then back to my lips agin. He lips is smooth. Warm. The smell of him fills me.”

Violence

  • Saba’s neighbor and father are shot and killed. “The man slides a bolt shooter from his robe . . . He pulls the trigger an shoots Procter. Hob rears in fright. Proctor slides off an lands in a heap on the ground. He don’t move. . . He raises his bolt shooter. He fires. Pa cries out. His arms fly up in the air . . . the bolt’s gone right through his heart.”
  • Saba slaps her nine year old sister. “She gasps an sobs an screams an screams an screams . . . So I slap her. An she stops.”
  • Rooster’s hands are covered with burn scars from a hot poker, given to him by his abusive wife.
  • Saba is sold and forced to become a cage fighter. When a fighter loses three times in a row, they must run the gauntlet. “He sprints up the center path. Hands reach out, hit him, grab at his tunic, trying to pull him down…the crowd surges forwards onto the path, howlin like wolves at a kill, an bodies close over him. Waves pullin down a drownin man. Artashir disappears.”
  • During a break-out of the slaved cage fighters, bombs and weapons are used. “She lights her bottle. We toss ’em down the stairs. Then we run like stink. Two seconds later, there’s a huge bang. The ground shakes unner our feet.”
  • A landboat crashes, killing all aboard. “Blood covers his face. His right leg splays out at a strange angle…I fit a arrow to my bow. Take aim. This is fer Emmi, I says. Then I shoot her (dead body) in the heart.”
  • A mass grave is dislodged during a downpour; Saba ends up in a river surrounded by the dead. “I look down. It’s a human leg bone. I gasp. All around me, the dead are risin. Another leg bone bobs to the muddy surface. Then a skull. An arm bone. They swing lazily. The current grabs ’em an carries ’em away.”
  • When traveling, Saba sees four hanged men on the side of the road. “That’s when we come upon the hanged men. Four of ’em. Danglin by their necks from nooses tied to the branches of a big, lightnin-black tree. They turn gentle in the breeze, their faces an hands gray where they bin covered with wet ash that’s dried.”
  • Saba and her companions fight hellwurms. “The hellwurm’s on top of him. It rears up to its full height. It lashes out, swipes at him. Jack’s thrown into the air, like Emmi’s peg doll.”
  • Epona is captured. In an act of mercy, Saba shoots and kills her. “Suddenly Epona spots me at the edge of the trees…I lift my bow. I take aim. Epona smiles. She nods…That’s when I shoot her.”
  • There’s a battle between Saba’s people and the King’s. “Pinch lunges at me. A arrow whistles through th’ air. Hits him in the chest. He screams . . . There’s blood gushin outta his neck. The bolt’s ripped through it.”

Drugs and Alcohol

  • An addictive drug named chaal is very popular. It is chewed and makes the consumer relaxed. The King is basically a drug lord who rules via chaal production.
  • Saba and her sister’s food is drugged. “You put somethin in…the food…My hand drops down. My knees buckle unner me. I fall to the deck.”
  • Saba drinks too much grog and gets a hangover in the morning. “I cain’t move, I says. There’s somebody poundin on my brain with a hammer . . . you drank too much of Ike’s hooch.”
  • Jack offers Saba vodka when she has to have a wound stitched up. She refuses, and he drinks it instead.

Language

  • Profanity is used rarely in the story. However, the following words are used: bloody, holy crap, sonofabitch, bastard, gawdammit, and gawdsblood.
  • Damn, hell and ohmigawd are used many times.

Supernatural

  • Saba’s father is a star reader. He can see the future, and tries to bring rain (without success).
  • Saba has a pet crow, named Nero, who can understand people talk.
  • Saba is given a heartstone. “It stays cold until you get close to your heart’s desire. Then the stone becomes warm. The closer you get to your heart’s desire, the hotter the stone burns.”
  • The crazy king demands an eighteen-year-old boy born at midwinter be sacrificed by being burnt alive every six years. He believes when the “boy dies, that boy’s spirit, his strength moves into . . . the King. An his power’s renewed fer another six years.”

Spiritual Content

  • Saba discusses the afterlife with her brother. She thinks they’ll become stars. He thinks “you jest . . . stop. Yer heart don’t beat no more, you don’t breathe and then yer jest . . . gone.”

by Morgan Lynn

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