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The Girl the Sea Gave Back

For as long as she can remember, Tova has lived among the Svell, the people who found her washed ashore as a child and use her for her gift as a Truthtongue. Her own home and clan are long-faded memories, but the sacred symbols and staves inked over every inch of her skin mark her as one who can cast the rune stones and see into the future. She has found a fragile place among those who fear her, but when two clans to the east bury their age-old blood feud and join together as one, her world is dangerously close to collapse.

For the first time in generations, the leaders of the Svell are divided. Should they maintain peace or go to war with the allied clans to protect their newfound power? When their chieftain looks to Tova to cast the stones, she sets into motion a series of events that will not only change the landscape of the mainland forever but will give her something she believed she could never have again—a home.

The Girl the Sea Gave Back is a Vikings-inspired story that is bloody and brutal. The story focuses on both Tova and Halvard’s points of view and continually jumps between the two character’s perspectives. Because the story switches points of view, there are often times when the same scene is retold from another character’s point of view. In addition to switching points of view, the story also flashes back into each character’s life. The always-changing point of view and the flashbacks makes the plot both choppy and confusing.

Although the story focuses on Tova, she is not an easy character to relate to. It is clear that the Svell dislike her; however, the reason for their fear is never explained. In the beginning, Tova seems content to follow orders and do what she is told. Although she does not like foretelling death, she doesn’t think about the consequences of her actions. Of the two characters, Halvard is more likable and interesting. He constantly doubts his worthiness but is willing to take risks to save those he loves.

In the end, The Girl the Sea Gave Back is a tale of war and fate. Long bloody battles propel the story forward, and although there is plenty of action, the characters lack development. Even though war is described in detail, it is not glorified. Instead, the story makes it clear that peace is difficult to obtain, but it is worth working towards. Halvard learns that “war is easy. It comes again and again, like waves to a shore. But I lived most of my life driven by hate, and I don’t want that for my grandchildren. Or yours.”

Although beautifully written, The Girl the Sea Gave Back lacked in world-building and will leave the reader with many unanswered questions—both about the characters and what will happen to the warring tribes. The complicated story uses graphic imagery that will leave some readers squeamish. Only strong readers who are looking for a Viking-inspired war story should read The Girl the Sea Gave Back.

Sexual Content

  • One of the woman warriors “had never been motherly in nature and though she’d had several lovers through the years, she’d never had children.”
  • In a brief moment alone with Tova, Halvard “took a step toward me and my heart kicked in my chest, the blood running faster through my veins. . . He leaned down, hiding me in his shadow as he pressed his lips softly to the corner of my mouth. His hands wound around my waist and for a moment, I melted into him.”

Violence

  • As a child, Tova went into town, and “something hot hit my face and it wasn’t until I reached up that I realized it was blood—a prayer to their god, Eydis, to ward off whatever evil I might bring. I still remember the way it felt, rolling down my skin and soaking into the neck of my tunic.”
  • When two tribes meet, the chieftain’s brother betrays him by attacking the other tribe’s chieftain. The man “suddenly reared back with the sword, launching it forward with a snap, and it sank into Espen’s stomach. The tip of its blood-soaked blade reached out behind him where it had run him through.” The two tribes fight. Halvard tries to protect his friend, Aghi. Halvard “twisted my sword in an arch around me to catch him in the gut. He tumbled to the grass and I lifted the blade before me, thick blood dripping onto the golden grass.” During the battle, Aghi is stabbed with a knife. “Aghi doubled over and it wasn’t until he hit the ground that I saw it. The handle of my knife was lodged between his ribs. I swallowed a breath as bright, sputtering blood poured from his lips and when I opened my mouth, I couldn’t hear the sound of my own screams.” As the battle continues, Halvard plunged the blade into Bekan’s heart. His head rolled back and he gasped, coughing on the blood coming up in his throat. . .” Many people die during the 12 pages of battle.
  • When the Svell lose the battle, Vigdis is upset and attacks Tova. “. . . He screamed, shoving Jorrund aside and snatching up my arm. He threw me back and I hit the ground hard before he came over me, taking a handful of my hair into his fist. . .” Vigdis threatens to set Tova on fire, but she convinces him that she can still be useful so he lets her live.
  • When Halvard was a child, his village was attacked and he was captured. Some of the captives were tied behind a cart. “The rope cut into the skin around his wrist and his arms ached, blood trailing up into the sleeves of his torn tunic. The woman tied beside him had fallen before the moon had even risen above the treetops and her lifeless body dragged over the ground beside him.” Halvard was saved by his brothers.
  • When the Svell attack a village, Tova could hear the screams. “The light of dusk caught the glistening of wet blood on armor and the warriors passed us. . .” The man Vigdis was looking for was not in the village, so “Vigdis lifted his hand, rearing back and swinging his arm to slap me [Tova] across the face. I fell to the ground, my hands sliding over the wet soil as my mouth filled with blood.”
  • Halvard thought back to his childhood when the Svell attacked his village. Most of the dead “weren’t even wearing their armor or their boots, cut down as they tried to flee in the dark. They’d been sleeping when the Svell came out of the forest and set fire to their homes. . . The bodies of people I’d known my whole life had been strewn throughout the village bright red blood staining the crisp, white snow. . .”
  • At the end of the battle, friends of Halvard appear and save him when “arrows suddenly fell from the sky, arcing over my head and hitting their marks before me. Svell warriors hit the ground hard. . .”
  • Halvard and his men approach the destroyed village and find “bodies still lying where they’d fallen in the fight.” Halvard sees a Svell warrior and “the blunt side of the blade caught him in the jaw. The sword fell from his hand as he tumbled backward, sliding on the stone until he rolled over the threshold, landing in the mud outside.” More Svell appear and “Asmund lifted his ax, stopping the man’s blow overhead, and slammed his closed fist into his face. . . Asmund kicked him in the chest sending him backward.” When it looks like Asmund might die, Halvard “let the knife in my other hand sink back behind my head and slung it forward, letting it fly handle over blade through the air, it hit its mark finding the flesh between his shoulder blades, and he fell face-first into the dirt at Asmund’s feet.”
  • When Tova refuses to cast the stones, “a man’s face appeared over me before he bent down low, lifting me back to my feet. He didn’t even look up as a sob wracked my chest. His hand took hold of the neck of my tunic. . .” The man drags Tova to the meeting place and “he shoved me inside and I toppled forward, sliding on the ground. My palms scraped against the dry, cracked mud. . .” A man threatens to kill her if she does not read the stones.
  • During the final battle there are many deaths. The battle is described over multiple chapters. “An axe flew over my [Halvard’s] head, catching a Nădhir woman behind me, and she was knocked from her feet, hitting the ground hard. I stood just in time to catch the man who’d thrown it with my blade, dropping him with one strike. . .” When a woman attacks Halvard, “I brought my axe down onto her shoulder and she fell to her knees, reaching for Fiske. He toppled backward, driving his sword up to impale the woman with it. The length of the blade shone with blood as Fiske pulled it from where it was wedged between her bones and stood, heaving.” As the battle rages, Tova joins in. “A man crashed into the mud behind me, Halvard’s knife buried in his chest. He coughed blood as I pulled it free and got back to my feet.”
  • During the battle, a Svell man tries to kill Tova. “In the next instant, his knife was swinging wide, catching me in the arm. . . Before he could bring the knife down, I rolled to my side, covering my head with my hands. The blade ripped into my other arm, the edge of the iron hitting the bone, and I cried out.”

Drugs and Alcohol

  • When Tova is injured, Jorrund has to stitch the injury. “Her blood shone on the needle as Jorrund pulled the thread in one long motion and tied it off. When a tear finally rolled down her cheek, he gave her another drink of the sour ale. She swallowed it down until the burn in her throat reached her chest.”
  • While preparing for a battle, the Svell drink ale. “Outside, the Svell gathered around smoking fires, drunk on ale and eating what would be for some of them a last meal.”
  • When a woman warrior is injured, she is given ale to help with the pain.
  • During a ceremony to make Halvard the new chieftain, Halvard cuts his palm and allows the blood to pool in a cup. The other leaders then drink the blood.
  • The night before the final battle, Halvard and his family drink ale.
  • After the battle, some of the warriors were “drinking our winter stores of ale.”

Language

  • None

Supernatural

  • Tova is a Truthtongue and uses runes to tell the future. Before she drops the stones, she chants, “Eye of the gods. Give me sight.” After she throws the stones, she interprets them.

Spiritual Content

  • The story revolves around the Spinners of Fate who “sat at the foot of the Tree of Urṍr weaving the density of mortals.” When Tova was born, her mother consulted the Spinners of Fate and they told her what would happen in the future.
  • Different tribes believe in different gods. Although the gods’ names are mentioned, there is no explanation of how the gods are different from each other.
  • Jorrund is the tribe’s healer and the “interpreter of Eydis’ will.” When he finds Tova on the beach, he thinks Tova is an omen for Eydis.
  • The people believe in an afterlife and refer to it often. For example, a man’s “only child was taken to the afterlife and there she’d wait for her father until he took his last breath.” When a person dies, their body is cremated so they can travel to the afterlife.
  • While preparing to meet another tribe’s leader, a man says, “we’ll make a sacrifice at dawn and ask Eydis to give us her favor.”
  • People, including Tova herself, think that Tova “was a living curse. A betrayal to the Svell god. . . She was a scourge. And there were many that wanted her dead.”
  • When Halvard’s friend Aghi dies, Halvard thinks that he would also like to die in the battle because “it was an end that the gods would favor.” Because Aghi’s body could not be cremated, Halvard performs a ritual. Halvard takes his knife and “I wound my fingers tightly around its blade before I slid it against my calloused palm. The hot blood pooled in the center of my hand before I pressed my finger into it, carefully writing Aghi’s name across the face of the stele.” Someone says a prayer and Halvard thinks, “It had been a long time since I’d prayed to Thora or Sigr. Not because I didn’t believe in them, but because I wasn’t sure they listened.”
  • Someone tells Halvard the story of Truthtongues. When one of the god’s sisters dies and is buried, the god “swore vengeance of the Spinners for taking her life. As an offering, the Spinners gave Naṍr a mortal child with the mark on her chest. They called her the Truthtongue and promised that every woman born into her lineage would have the ability to read the runes and see into the future.”
  • When the Svell were ready to attack a village, Tova tells a man, “There isn’t a single god who looks favorably upon dishonorable killing.” Tova feels guilty that she helped the soldiers find the village. She thinks, “I hadn’t planned the massacre in the glade but it was my rune cast that had justified it. . . I had always known that I was cursed. That something dark had marked me.” Tova thinks she was sent out of her village because her god didn’t want her.
  • The characters often pray to their gods. For example, during a ceremony, a man shouts, “We ask you, Thora and Sigr, to entrust your people to Halvard, son of Auben.”
  • Before battle, a man says a prayer. “We call upon you! We ask for your protection and your favor as we take the fjord!” The tribe’s healer then “dropped the torch at his feet and the flame caught the pitch, writhing over the grass in the paths he’d laid. . .It was an ancient symbol, the shield of the fallen Svell warrior.”
  • As the warriors are praying, Tova thinks, “But there was no one I could call upon. No one who was listening. Instead, I made my plea to the Spinners. I asked for their forgiveness. I begged for their help.”
  • When Tova offers to cast the stones for Halvard, he refuses by saying, “I don’t want to know. I trust the gods.”
  • The night before the final battle, Tova doesn’t pray to a god. “Instead, I prayed to the woman in my vision.” Later, she discovers that the woman in the vision was her mother.
  • When Tova meets her mother, her mother tells her, “The Spinners brought us here to find you. But we don’t know yet what other purpose they have for us. We won’t know until they tell us. . . Mortals and gods cannot be trusted to obey the warnings of the Spinners.”

Watch that Witch

Princess Pulverizer is desperate to finish her Quest of Kindness so she can finally go to Knight School. The problem is, she’s only halfway through her required number of good deeds. So when a witch offers to make her a knight right away—as long as Princess Pulverizer works for her—it’s a no-brainer. What could go wrong?

Princess Pulverizer is in a hurry to reach her goal. When the evil witch, Elle, offers to make her a knight immediately, Princess Pulverizer is convinced that causing a little mischief isn’t such a big deal. As the princess causes problems for others, the good witch tries to undo Princess Pulverizer’s pranks. Throughout the tale, the princess learns that “being a noble knight is not something you can become overnight. It takes time. And training. . . My father was right. I have a lot to learn.”

Readers will enjoy the story’s characters, which include twin witches, a faithful friend, Dribble the Dragon, and an impatient princess. Readers will relate to the princess’s desire to quickly reach her goal.  Watch that Witch is perfect for readers who are ready for chapter books. The story contains easy vocabulary and short paragraphs. Princess Pulverizer has many funny puns, introduces some new vocabulary, and has a tongue twister. Black-and-white illustrations appear frequently and will help readers picture the events in the story. The illustrations show Princess Pulverizer’s facial expression and her vast emotions in a humorous way.

Watch that Witch has interesting characters, a relatable conflict, and plenty of humor to keep readers interested. Young readers will enjoy the interesting topic and parents will like the positive messages about friendship, working hard, and being nice. The story reinforces the idea that teamwork is important and that “when we work together, no one can stop us.” Watch that Witch will make a fun addition to any child’s reading list. Readers will be eager to pick up the next book in the series, The Dragon’s Tale. Readers interested in knights may also want to try the Roland Wright Series by Tony Davis.

Sexual Content

  • None

Violence

  • A little boy has a gingerbread cookie, but then a witch shows up and brings the cookie to life. “The child looked surprised as his gingerbread cookie dropped to the ground and began to dance on its own.” The cookie bites the boy’s leg, then “the gingerbread boy ran off down the road.”
  • During a jousting match, “something slammed Princess Pulverizer right in the chest. She felt herself falling and then everything went black.”

Drugs and Alcohol

  • None

Language

  • Lucas left Knight School because some of the boys made fun of him and called him “lily-livered.”
  • Twice, the evil witch calls the princess a “fool.”

Supernatural

  • The princess has a sword of truth that quivers when someone is not telling the truth.
  • The story has two witches, one that is good and one that is evil. One witch “snapped her fingers and pulled a gingerbread cookie seemingly out of thin air.” She gives the cookie to a little boy, then “the woman in the blue gown waved her hand again and magically vanished.”
  • The princess has a magic mace that heals people’s wounds, “but the king also said that if we try to use the mace’s power on someone who is deceitful or evil, its magic will disappear.” When the princess waves the mace over Dribble’s blister, the blister dissolves.
  • The evil witch gives the princess a pin that puts her under a spell. While she wears the pin, the princess must do what the evil witch tells her to do.
  • The princess wears a ruby ring that “gave whoever wore it the ability to move without making a sound.”
  • When the princess begins to talk to the good witch, the princess “felt a piece of cloth fly into her mouth, blocking her words. She tried to pull the gag from her mouth, but already a white rope had magically tied her hands behind her back. Another rope was slithering its way around her legs, binding them so she couldn’t walk. . .a locked cage appeared magically around Princess Pulverizer. She was trapped!”
  • When the princess tries to escape, “she felt her feet lift off the ground. . .The wicked witch was waving her hands in the air. She was the reason the princess was flying in midair.”
  • The princess tricks the evil witch into looking into a magical reflecting pool. “Without thinking, she looked down into the water. A moment later, her fingers curled like a tiger’s claws. Her feet hardened like lead. And her skin turned gray as slate.” The evil witch turns into stone.
  • The princess is given a hand mirror as a gift. The mirror’s “magic is powerful. You can see the future reflected in the glass.”

Spiritual Content

  • None

Saving the Whole World

Hilo doesn’t remember much about his past, but that’s not stopping him from settling into life on earth. Hilo has discovered bowling, knock-knock jokes, and some good friends. Strange portals begin opening up all over town, and strange creatures are coming through them. Hilo has a plan to send the giant mutant chickens, Viking hippo, and the millions of killer vegetables back to their homeworld. Can Hilo, D.J. and Gina send these creatures back to their worlds before they destroy the earth?

Saving the Whole World digs deeper into Hilo and his friends’ backgrounds as well as introduces a sorceress martial-arts cat named Polly. In addition to being a lot of fun, the ferocious Polly jumps into every battle. D.J.’s family also plays a positive role in the story. Readers will enjoy the hilarious awkward parental interactions. Readers will laugh out loud when D.J.’s mom finds monsters in her house and yells, “Monsters are in my kitchen! There’s a talking cat! And Hilo can fly! I need an explanation! Now!”

Hilo isn’t just a fun story about a super-strong robot boy. Saving the Whole World hits on topics such as family, friends, and fitting in. Several times Hilo reinforces the idea that “Trying to find stuff out is the best part of not knowing something.” Without sounding like a school lesson, Saving the Whole World introduces new vocabulary through Hilo’s speech. For example, Hilo says “Y’see, I lured Razorwark into this limbo. Lured. Isn’t it a great word? Lured: verb, past tense. To tempt a person or animal to do something or go somewhere.”

Brightly colored illustrations will capture readers’ attention, but readers will want to keep turning the pages because of the engaging story and the likable characters. The detailed illustrations show exaggerated facial expressions which will help readers understand the characters changing emotions.   For maximum enjoyment, the stories should be read in order. Even though, the first chapter recaps the events in the previous books, the stories’ plots build on each other.

The book ends in a cliff-hanger that will have readers reaching for the next book, The Great Big Boom. Viking hippos, a magical warrior cat, and attacking vegetables combine to make a wonderful story that all ages will enjoy. If you’re looking for a story full of action and humor, Hilo is a perfect choice.

Sexual Content

  • Lisa has a crush on Hilo. Whenever she sees him, a heart pops up over her head.

Violence

  • Hilo and his friends find a robot in the bowling alley. When Hilo talks to the robot, the robot slams Hilo into a wall. Then, the robot begins “chucking bowling balls. Hilo throws the robot into the snow, where it short-circuits. Hilo sends the robot back to its home planet.”
  • Hippopotamuses fall from a portal and Polly shoots them with a laser. Polly yells, “That’s right whale bellies!” Then the hippopotamuses fight back with their own lasers.
  • A monster robot falls from a portal and begins pounding a “mighty mart.” The robot grabs Hilo and Hilo uses his power to knock out the robot.
  • A jabberwocky appears. When Hilo and his friends try to put the big bird into a cage, the bird steps on Polly.
  • When four monsters appear in D.J.’s kitchen, D.J. throws tennis rackets at them. The monsters chase D.J. who runs outside and jumps on a trampoline. When the monsters follow, the trampoline breaks, and the monsters get stuck.
  • Rapscallions, living vegetation, begin taking over everything, including buildings. Hilo and his friends begin whacking them with maces and lasers. Hilo yells, “I think we’ve got these veggies on the run!” When it looks the vegetation might win, Hilo blasts them with ice. The rapscallions are sent through a portal to the void.
  • Razorwark controls another robot and grabs Hilo, so Hilo cannot help his friends. In an attempt to hurt Hilo’s friends, Razorwark opens a portal that sucks Gina up. When Razorwark tries to convince Hilo to join him, Hilo shoots the robot with his laser hands

Drugs and Alcohol

  • None

Language

  • Hilo is in a space void. Hilo says the void smells “like a gorilla’s armpit.” Later Hilo gets “hurled into a new spot. Smells like elephant butt.”
  • Some kids call D.J. a dweeb.
  • “Holy Mackerel” is used as an expression occasionally.
  • While eating dinner, D.J. and his sibling discuss how mangos make Dexter “poop weird.”
  • When fighting hippopotamuses appear, Polly yells, “Come back and fight, you bloated, zit-caked boils from a troll’s butt.”
  • There is some name-calling. For example, space squid, bubble butt, phlegm-spitting ogre.
  • “Dang” is used twice.

Supernatural

  • Polly is a magical warrior cat and an “apprentice sorceress third class.”
  • Hilo is a living, feeling robot who can shoot lasers out of his hand. He discovers that he can also “freeze your hands with your breath and blast ice.”

Spiritual Content

  • None

The Fire Keeper

Living on a secluded tropical island should bring happiness to Zane Obispo. He is surrounded by his family and his friends. Zane is frustrated that he still can’t control his newfound fire skills that he inherited from his father. Zane is also convinced that he is the only one who can save his father, the Maya god Hurakan, who is now in prison. Plus, there is a painful rift between him and his dog ever since she became a hellhound.

Zane and his shape-shifting friend, Brooks, plan to take action and find a way to save Hurakan. But their plans come to a sudden halt when they discover that their island home is a prison. They can’t leave the island. When another godborn shows up, Zane and Brooks know they must come up with a plan to save Hurakan as well as the godborns who are in danger. Zane has no idea how to find the godborns or who would have taken them hostage.

Zane and his friends must race against time and save his father before he is executed. But first he must find the godborns before they can be hunted down and killed. In a world where Maya gods cannot be trusted, who can Zane trust to lead him in the right direction? How can a mere boy save both the godborns and his father?

The Fire Keeper is an action-packed adventure that never lacks a dull moment. As Zane and his friends jump through portals looking for clues to the whereabouts of the godborns, they meet several gods and monsters. Even though Zane doesn’t trust Ah-Puch, the previous god of death, he teams up with the god in a desperate attempt to save both the godborns and Hurakan. The constant question of who can be trusted adds to the suspenseful tone of the story.

Before readers pick up The Fire Keepers, they will need to read The Storm Runner. Zane’s story includes a huge cast of characters—monsters, magical creatures, godborns—which are introduced in The Storm Runner. Another aspect that may cause readers confusion is when Zane and his uncle occasionally mix Spanish words into their dialogue. Although readers should be able to use context clues to understand the word’s meaning, struggling readers may find the mix of English and Spanish difficult. Both The Storm Runner and The Fire Keepers have a complicated plot and an extensive cast of characters which may intimidate struggling readers.

All of Zane’s friends make an appearance in the second installment of the story. The addition of Ren, who is also a godborn, gives the story more humor. Ren is convinced that the Maya gods are aliens, and her refusal to change her mind breaks up the tense scenes. In addition to Ren, Ah-Puch has a starring role in the story which allows readers to see the god of death in a unique way. Some readers may be disturbed by Ah-Puch because he drinks bat’s blood to gain power. For example, he grabbed several bats and “snapped their necks, and turned his back to us as he drank their blood.”

The Fire Keeper brings the magic of Maya mythology to life in a fast-paced, action-packed story that will leave readers with a new understanding of the complicated nature of people (and gods). Zane is a very likable character, who clearly cares about others. The Storm Runner series is perfect for fans of the Percy Jackson series or of Aru Shah and the End of Time. However, Zane’s story takes a more serious tone and lacks the humor of the other series.

 Sexual Content

  • Zane thinks back to when he “almost kissed Brooks last month at the bonfire. Emphasis on almost. It didn’t happen, okay.”

Violence

  • While on the beach, Zane sees “a small shadow, no bigger than a fist, slid over the boat’s edge and began to grow into a tall column. Before I could blink twice, three shadow monsters emerged from the column, spreading their colossal wings. Long insect-like arms and legs sprouted from their swollen, pulsing bodies. . . Rosie exploded into killer-hellhound mode, shooting fireballs out of her mouth and eyes. . . One monster swiped Brooks away, sending her crashing into the violent black sea.” When Ren wakes up, the shadows disappear. The scene is described over three pages.
  • A mud monster takes the shape of Ms. Cab. “This demon version of Ms. Cab reached into her dress pocket and pulled out a small red bird. Using a small knife from the table, she split the bird’s chest open, and a flurry of tiny winged beetles escaped. . .The bedazzled beetles swarmed me [Zane], climbing all over my body, their teeny feet stepping across every inch of my skin, up my cheeks and across my scalp.” Zane surprises the demon when he “swept my storm runner leg across the intruder’s ankles, bringing her to the ground with a loud thud.” Brooks and Rosie show up and help Zane. “Flames erupted from Rosie’s eyes and mouth. . . Bright blue flames engulfed Ms. Cab as her screams rose into the air. . .The thing’s skin dripped to the ground in a sizzling heap of goop that smelled like canned spinach and burning hair. All that was left of Monster Cab was a lumpy statue made of hard, cracked mud, its expression frozen with terrified eyes and a wide contorted mouth.”
  • When Ren dreams, she creates shadow monsters. One of the monsters attacks Zane and his dog. When Zane tries to help his dog, his “spear sailed right through the form and looped back to me. I drop-rolled to the ground, swiping at Top Hat’s remaining stilt with my leg. I connected with nada. . .The shadow reached for me. I tried to scramble away from his grasp, but in a flash, he caught me, clutching my ribs so tightly I couldn’t move or breathe.” Ren wakes up and the shadow disappears.
  • Zane and his group are attacked by bats. “They were bats with curled, flesh-colored claws and crooked fangs. . .The bats landed on me [Zane]. . . Their little claws tap-danced all over my back, up my neck, and across my head. Their mouths pressed against my ears and cheeks, breathing hot puffs of air. . . One of the beasts had his mouth wide open, and he plunged a mouthful of fangs into the back of my hand.” Ah-Puch “stood upright, seizing the bats out of the air with such incredible speed his arms were only a blur.” The bat’s blood gives Ah-Punch more strength and the group is able to escape. The scene is battled over three pages.
  • Zane falls into a trap and when he wakes up, he “couldn’t open [his] eyes. I was blindfolded. I couldn’t move, either—my hands and feet were bound to some kind of tree or wooden pole.”
  • To free Zane, his uncle Hondo attacks the bats. “Hondo whirled, did a backflip, and kicked a few of the bloodsucking beasts in midair before landing. . . Hondo swung his crowbar mightily, but he was losing. The bats attacked him claws-first, tearing at his cheeks and neck.” When it looks like someone might die, Ah-Puch helps. “Then in a whirl of shadow and dust, Ah-Puch surfaced and blindsided the one god with a massive shard of glass, driving it deep into the bat’s ribs and slicking upward with a nauseating ripppppp.” During the fighting, Ah-Puch is attacked by a god. The god “leaped at the god of death, fangs bared. His claws slashed, ripping Ah-Puch like paper. Thick blood spilled onto the dirt.”
  • During the multi-chapter battle, Zane shoots “fire bullets from my hands, aiming precisely for the guy’s eyes. His bat wings didn’t deflect them fast enough this time. He screamed, shook his head, and looked back at us with empty, scorched sockets.”
  • Zane tries to free his father by attacking the villains. Zane “went after them, shooting dozens of fire bullets from my hands and nailing them in the chest, but it didn’t stop their rage. . . Just then, Rosie appeared by my side, blue flames exploding from her mouth as Jordan swept down with ferocious speed, slicking my neck with a razor-sharp claw.” A friend saves Zane.

Drugs and Alcohol

  • Someone gives Zane a drugged candy. After he eats it, he feels terrible, and “felt a sharp pain in my back, like I’d been stabbed with an ice dagger. . . Cold sweat dripped down my face, and my insides felt like a giant fist was wringing them out. Uncontrollable shivers gripped me as my mind stumbled over all my memories. . .”
  • Zane walks through a wedding reception, where “a few guys stood in the corner doing shots and slamming their fists on the table. . .” When a waiter comes by carrying “a tray of what might have been champagne,” Zane’s uncle yells, “How about a drink?”
  • After fighting with huge bats and surviving, Ah-Puch drinks “a one-hundred-year-old bottle of tequila.”

Language

  • Crap and heck are used occasionally. For example, when Zane goes through a portal, he lands on a frozen lake. He thinks, “Crap! Crappity crap!”
  • “Oh my gods” is used as an exclamation once.
  • Zane calls people a jerk three times. Zane thinks the gods are “jerks” because “they wanted to be rid of godborns.”
  • Someone tells Zane, “Hey, wake your flojo butt up.”
  • “Holy hell” is used once.
  • Hondo refers to someone as a “moron.”
  • Several times someone calls Zane an “idiot.”

Supernatural

  • Gods and monsters from Maya mythology are real. Ixtab, the queen of the underworld, uses shadow magic to hide Zane from the other gods. However, the shadow magic also makes Zane and Brooks prisoners who cannot leave the island they are living on.
  • Brooks is a nawal (a shapeshifter) who can turn into a hawk.
  • Zane’s dog, Rosie, is a hellhound who can breathe fire. In the previous book, Rosie went to the underworld. Zane can also talk to Rosie telepathically. When Rosie licks a wound, the wound heals. Rosie can also teleport. During the adventure, Rosie sprouts wins and can fly.
  • Zane’s father is a Maya god. Zane is trying to learn how to control fire. “Ixtab had told me that my skin and anything touching it was nonflammable.”
  • Zane’s father gave him a jaguar tooth and “the amulet was fused with the most ancient and potent magic in the universe. I could use the amulet to spirit jump to the Empty, and also to grant any power to whoever I gave it to.”
  • Ren’s mother is a goddess. She can make shadow monsters appear, but she doesn’t know how to control them.
  • Ms. Cab was a Maya seer, but “ever since Ixtab had turned her into a chicken for a short time, Ms. Cab could actually speak bird, which helped them trust her.”
  • Ms. Cab tells about the first humans who were made from mud. “But the people ended up being dumb and weak, so the gods destroyed them.”
  • Ixtab takes Zane to a scrying pool, and tells him, “Souls live inside the sacred waters and help me see things.”
  • Zane must find the Fire Keeper because “the Fire Keeper can read each lick of the flame, each glimmer in the embers. He sees what no one else can—places, people, events—with perfect clarity. Choices and outcomes. He can even manipulate the future.”

Spiritual Content

  • When Zane goes into a church, he can hear people’s prayers through the candles they lit. While in the church, Zane lights a candle and “said a silent prayer.”

The Star Shepherd

All Kyro wants is to be a Star Shepherd, like his dad, Tirin. Star Shepherds are the heroes that save the stars that fall to the ground. Without them, the stars would fizzle out and die.

Star shepherding is hard enough when Kyro is just trying to impress his dad, but when clusters of stars all begin to fall at once, Kyro realizes something is very wrong. His father goes out to investigate but never comes back. Now, with only his dog, Cypher, and his friend, Andra, Kyro must journey across the land to find out what’s happening to the stars. He may become the Star Shepherd he always dreamed of being, but it won’t be easy.

Focusing on Kyro, the story unfolds from his perspective as he journeys around the land trying to find his father and solve the mystery of the falling stars. Kyro is a likable character who works to overcome the many obstacles in his way. He has many fears, including the fear that he isn’t good enough to be a Star Shepherd, and the fear that his father may be too obsessed with saving stars to love Kyro anymore. However, Kyro not only overcomes these fears but strives to protect even Star Shepherds who don’t help him and those who hate Star Shepherds.

One of the best aspects of the story is Kyro’s relationship with Andra, his only friend. Even though the townspeople do not like Kyro, Andra doesn’t care. She is a steadfast and loyal friend who believes Kyro when no one else does. When Kyro is abandoned by the townspeople and by the other Star Shepherds, Andra takes it upon herself to support Kyro. Without Andra, Kyro might not have found the strength to see his journey through to the end.

Even though the story has some difficult vocabulary, the plot is easy to understand and the writing flows well. Young readers will enjoy watching Kyro journey from place to place through the well-thought-out world, especially as more fantastical parts of the story are revealed. While there are moments of potential violence, the scenes are done tastefully, never going too far. Also, there are illustrations within the book, one at the start of each chapter. These illustrations are in black and white and illustrate the characters and creatures in the novel. These illustrations usually take up half a page, though a few take up entire pages.

Overall, The Star Shepherd is a great read for middle schoolers. The unique setting will engage readers because it includes mythical creatures, ancient robots, and stars. Readers will root for Kyro, who fights for what he believes in and ends up succeeding in the end. Throughout the story, Kyro gains confidence and learns more about himself.  The Star Shepherd is more than an adventure story; it shows the importance of communication, the effects of grief, and the importance of friendship.  With a well-paced story, fun characters, and an interesting plot, The Star Shepherd would be a great book for any middle school reader who love fantasy.

Sexual Content

  • None

Violence

  • Stars fall from the sky every so often. If a Star Shepherd can’t return a star to its rightful place in the sky, then the star dies. “When one fell, it was the Star Shepherd’s job to bring that family member home. If one died, they were separated forever.” Kyro hates to see a star die, “He never again wanted to see one die in a vissla’s hands like he had a week ago.”
  • Many of the stars that fall down are intentionally cut down. Kyro tells Andra, “Since then, I’ve discovered someone isn’t just taking the stars; someone is cutting them down. See?” Since the stars are being cut down, clusters of them all fall at once. Andra’s father says, “A whole slew of them crashed right here in the market. Set the rooftops ablaze. We’re lucky no one was killed.”
  • Kyro is attacked by a giant, insect-like creature in a desert. “It opened its maw and let out an earsplitting scream, then lunged toward them. Kyro ducked to the side, narrowly avoiding one of the terrible pincers, then jumped out of the way of the thing’s tail.”
  • The vissla are evil creatures that haven’t been seen in hundreds of years. Kyro describes his encounter with one. “It was cold, like it radiated pure evil. One of them got to a star before me, and the vissla killed it.”
  • Andra’s father, Bodin, blames all of the village’s misfortunes on Kyro and his father. Therefore Bondin continually puts Kyro down. A ship captain reprimands Bodin for badmouthing Kyro, saying “I didn’t expect to find you bullying a mere boy.”

Drugs and Alcohol

  • None

Language

  • Tirin, Kyro’s father, isn’t well-liked by the villagers of Drenn. When Tirin goes into town to pick up a fallen star, the village leader says, “You are a fool.” That animosity extends to Kyro as well. Bodin tells Kyro, “You two fools have done more than enough damage to our village.”
  • The Star Shepherd council accuses Tirin of being a traitor to the Star Shepherds. Kyro defends him by saying, “He is not a traitor!”
  • Kyro tells a ship captain that the Star Shepherd council banned him from saving the stars. The man responds, “Then they’ve grown stupider with age.”

Supernatural

  • If the stars fall to the ground, they can die if they aren’t sent back into the sky. Kyro fails to save a star. “The sun rose, its rays bursting over the sky. The molten star’s light sputtered out, leaving only a gray rock cooling in Kyro’s hands.”
  • The stars hold back evil creatures called vissla. Kyro meets a vissla in a forest. “Shrieks began to echo from all sides. The cold wormed all the way into Kyro’s bones, making him completely numb.” Kyro thinks about the legend of the star net, “When the stars were first hung and the starlight net formed by interconnected beams of light, the dark creatures were banished underground and to the darkest corners of the world.”
  • The stars can be used to attack the vissla. However, the vissla can also destroy the stars. Kyro thinks, “But the vissla could destroy a star if it wasn’t being actively used against them. The creature had done the deed quickly, as though it couldn’t stand to touch the star for too long.”
  • Star Shepherds can collect stardust from fallen stars. Tirin gives Kyro some. “His father picked up two large vials of sparkling powder from the kitchen table and shoved them into Kyro’s hands.”
  • During the final fight with the vissla, Kyro merges with a star to keep the darkness away. “Suddenly, warmth flooded his veins. Brilliant light flared, pouring from his eyes and mouth. Everything was bright as day despite the late hour.”
  • The giants are said to be the ones that hung the stars in the sky hundreds of years ago. Kyro and Andra eventually meet the fabled giants. One of the giants tells them, “We wove the star casings, Stitchers sewed the pieces together, and Framers crafted the hooks to hang them in the night sky.”

Spiritual Content

  • None

by Jonathan Planman

The Darkest Part of the Forest

Fairfold is just like any normal, small-town—except for the faeries. The people of Fairfold have always lived alongside the Faerie Folk and have grown accustomed to their way of life. They live alongside each other by appeasing the faeries. They thread flower garlands for the Alderking. They don’t go to the forest hills at night. They don’t even bat an eye when a tourist goes missing after a visit to the forest to try and catch a glimpse of the Folk.

Even among all this strangeness, the biggest mystery of all is the horned boy in the glass coffin. In the woods, for as long as anyone can remember, a glass box has sat on the forest floor with a sleeping boy inside. Tourists come from across the world to see the boy, but no one can explain his existence or his ageless body. Anyone that attempts to break open this glass coffin has been met with explainable injuries, so the boy has stayed in his resting place for centuries.

Hazel and her brother, Ben, have lived in Fairfold all their lives and have always been drawn to the Folk. As children, Hazel and Ben secretly would go to the forest at night to hunt the Folk. Ben used his unearthly gift of music to lure creatures to them, while Hazel used her strength and sword to cut down the Folk. A near-death experience caused them both to retire from hunting, but they always had an internal pull to the Folk and to the boy in the glass coffin. They grew up fantasizing about who the boy in the glass coffin truly was. They knew they would never get the real answer . . . until the day the boy woke up.

The Darkest Part of the Forest is an adventure through a mystical town that exists in the human world. Magic and humans coexist in Fairfold, and Hazel and Ben have always thrown themselves into the dangerous faerie world. When the mysterious boy in the glass coffin awakens, they are caught on a mission to help save the boy and get him back to his home.

Hazel wants to help the boy, but she also has a secret to keep. As a child, Hazel made a bargain with the Alderking and now owes him her services. She now must choose between helping the horned boy and fulfilling her bargain to the Alderking. As Hazel, Ben, and the horned boy become friends, mysteries unravel, friendships blossom and love awakens. Will Hazel choose to help the boy or fulfill her bargain? Will Hazel and Ben be able to save the horned boy? Will they survive the journey to bring the boy home?

Fans of Holly Black will not be disappointed with this gripping story of faeries and young love. The Darkest Part of the Forest takes the reader through a fantasy world filled with betrayal, trickery, and most of all, love. The Darkest Part of the Forest is well-written, but the story can be confusing because of the intricate world stuffed into one novel. This story features unique characters and different points of view, but the excessive background information slows the plot. Readers will enjoy the relatable characters in a mystical world filled with mystery, romance, fantasy, and a satisfying ending.

Sexual Content

  • Hazel is known for kissing many boys “for all kinds of reasons.”
  • Hazel regrets kissing Robbie Delmonico because “ever since they’d made out at a party, he’d follow her around as though he was heartbroken.”
  • Hazel also shares a kiss with her brother’s boyfriend. “His mouth was soft and warm, and while she didn’t kiss him back, she didn’t exactly squirm away.”
  • In order to trick Hazel into drinking the faerie wine, a faerie girl kisses her “full and deep with soft lips and a cool tongue.”
  • Hazel asks a boy to “distract her.” So, “leaning over, not speaking, he brought his mouth to hers. She rolled toward him, and his arm came around her, pressing her closer, his fingers against the small of her back.” She removes his shirt and they continue to kiss on the ground until interrupted. This scene lasts about one page.
  • The horned boy, Severin, kisses Ben. “It was a searching, hungry kiss. His hand wrapped around Ben’s head and Ben’s hands fisted in Severin’s hair, bushed over horn, rough and cold as the back of a seashell.”

Violence

  • Hazel talks about some of the tourists’ disappearances. “Some got dragged down into Wright Lake by the water hags. Some would be run down at twilight by horses with ringing bells tied to their manes and members of the Shining Folk on their backs. Some would be found strung upside down in trees, bled out and chewed upon.”
  • There’s violence in Hazel’s stories of them hunting faeries. “Ben lulled faeries with his music, while Hazel struck them down with her sword.”
  • A water hag kills Hazel and Ben’s dog by “slamming him on the ground as if he weighed nothing.” Hazel avenges her dog by killing the hag, doing so by “hefting a large sword like a baseball bat and brought it down, bashing the edge against the monster’s head. Her skull split like a rotten melon.”
  • Hazel goes hunting alone one night and finds her classmate, Natalie “hanging upside down with her throat cut.”

 Drugs and Alcohol

  • Hazel and Ben attend parties in the forest where people often “looked flush with alcohol and good cheer.”
  • At these parties, different characters, including Hazel and Ben, drink alcohol. For example, “Leonie Wallace lifting her beer high over her head” and “Stephen drank moonshine from a flask.” There are multiple parties described throughout the book in flashbacks, and the novel begins at a party that Hazel is attending.

Language

  • Profanity is used sparingly. Profanity includes: hell, shit, damn, asshole, and bastard.
  • A mother tells the faerie woman, “damn the consequences and damn you, too.” Then she tells the faerie to “get the hell out.”

Supernatural

  • Supernatural events are a huge part of the plot since the town of Fairfold coexists with faeries and deals with them every day.
  • There’s a glass coffin in the woods and “in it slept a boy with horns on his head and ears as pointed as knives.”
  • The town of Fairfold lives alongside the Folk. In the forest “it wasn’t odd to see a black hare swimming in the creek or spot a deer that became a sprinting girl in the blink of an eye.”
  • The townsfolk feared a creature in the forest that “lured tourists with a cry that sounded like a women weeping, with fingers of sticks and hair of moss.”
  • People can go to a tree in the forest to “bargain for your heart’s desire.” A local girl had gone to the tree “and wished herself into Princeton, promising to pay anything the faeries wanted. She’d gotten in, too, but her mother had a stroke and died the same day the letter came.”
  • Townfolk tell a story about Carter’s parents and how their child was taken and replaced with a changeling. Carter’s mother had “gathered the neighbor ladies” and “baked bread and chopped wood and filled an old earthenware bowl with salt.” Carter’s mother then heated a poker and pressed it against the changeling’s shoulder because “burning a changeling summons its mother.” The faerie mother arrived carrying a bundle and Carter’s mother confronts her. The faerie woman gives back Carter and “reached out her arms for her own wailing child, but Carter’s mother blocked the way.” Carter’s mother states as a punishment for taking her child, she would be keeping both boys to raise as her own.
  • When Ben was a baby, his mother took him into the forest for a picnic. His mother was painting the scenery when a faerie woman comes out of the forest and compliments the drawing. The faerie woman asked the mother to draw her a picture. When she was done, the faerie woman gifted her with a “boon.” The faerie touched Ben and said, “I can’t change his nature, but I can give him the gift of our music. He will play music so sweet that no one will be able to think of anything else when they hear it, music that contains the magic of faeries.” Ben uses his musical talent later to save Hazel and to lure faeries to them.
  • Hazel makes a bargain with the Folk to get her brother a full scholarship to a music school. In exchange, Hazel must serve the Alderking for ten years.
  • Something possesses a classmate’s body. “Hazel knew that she might be looking at Molly’s body, but Molly was no longer looking out through her eyes.”
  • At one point, Hazel is hiding in the bathroom and sees a monster that is “easily over seven feet in height and looked roughly human shaped, if a human could be made from branch and vine and soil.”
  • To get into the faerie’s realm, Hazel must “stomp three times,” make up a rhyme, and then step through a moss-covered archway.

Spiritual Content

  • None

by Adeline Garren

Locker Hero

Max Crumbly is like any other teenage boy. He likes comic books and video games, and his uncanny ability to smell pizza from a block away has helped him out in some really sticky situations. However, after being homeschooled by his grandmother for years, Max is about to face the scariest thing ever: South Ridge Middle School. Awkward and alone, Max tries to make friends with the other students, but within days becomes the favorite target of the school bully, Doug “Thug” Thurston.

Despite Thug’s repeated attempts to throw him in his locker every day, Max succeeds in his attempt to make friends. He meets Brandon, his best friend in the world, at a pet store and they work at the local shelter together on weekends. Max also develops a crush on one of the most popular and smartest girls at his school, Erin. All the boys love Erin, especially Thug. When Erin meets Max, she is really nice to him and develops a small crush on him. Erin invites Max to help paint the backgrounds for the school play with her. But, after Erin tells Max that the play is canceled, they eventually stop speaking to each other, much to the dismay of Max.

But, all that drama is trivial after Thug traps Max in his locker on a Friday afternoon before a three-day weekend. Alone and with no way to call home, Max must find his way out of the school before he dies of starvation or boredom (whichever comes first). While in the locker, Max uncovers three criminals’ plots to rob the school of its brand new computer center. After the phone lines are cut, Max must find a way to singlehandedly stop the thieves and save the school. Will Max become the superhero he always wanted to be or will the thieves catch up to him?

Russell created a flawed character, who struggles with fitting in at his new school and being ‘hip’ and ‘cool’ around the other students. Throughout the book, Max grows as a person and rises above his middle school problems to think of others, like valuing saving the school’s computers above going home and taking a nap. At the end of the story, Max may inspire readers to put other people’s problems above their own.

Max Crumbly: Locker Hero is the companion series to Dork Diaries, but focuses on a male protagonist. Parents should be concerned about the book’s level of bathroom humor. Many of the jokes come from Max either unintentionally puking or peeing on other students, or just making a fool of himself. However, the black-and-white illustrations along with consistently funny jokes will help reluctant readers transfer their reading skills from picture books into full-fledged novels. Readers who are struggling with a new school or the transfer to middle school will enjoy this fun, easy-to-read story.

Similar to the movie Home Alone, the antics in Max Crumbly: Locker Hero’s are hard to believe, and the over-the-top action comes to an abrupt end. None of the story conflicts are resolved, which may upset some readers. Instead of wrapping up the story, Russell leaves off on a cliffhanger. Readers will want to jump into the next book in the series The Misadventures of Max Crumbly – Middle School Mayhem.

Sexual Content

  • None

Violence

  • After Thug finds out that Max isn’t Dark Vader’s son, he threatens to “beat my face into a pulp.”
  • One of Max’s favorite comic book superheroes, Electrostatic Man, “actually ZAPPED his OWN MOTHER with 10,000 watts,” killing her.
  • Ralph swears that once he gets his hands on Max, he’s “GONNA RIP HIS FACE OFF.”

Drugs and Alcohol

  • None

Language

  • Max believes that if he had superpowers, life in middle school would be better. He would never “miss the stupid bus again” because he could just fly to school.
  • In one of the images where Max draws himself flying, he gets pooped on by a bird. Max thinks, “Getting bombed by an angry bird is NOT cool.”
  • Max is calling his book THE MISADVENTURES OF MAX CRUMBLY and it will be “a highly detailed record of all the CRAP I’ve had to deal with! my experiences here at this school.”
  • Max has a socially anxious bladder and he pees when he gets nervous or scared. In one of his drawings, he imagines peeing on Thug.
  • One day in gym class, Max vomited on Thug’s shoe.
  • Max “had exactly forty-eight seconds to get my BUTT on the bus” before his big fight with Thug.
  • Max would have loved the janitor’s pretend rock and roll show “a lot better if I hadn’t been watching it from, you know …. INSIDE OF MY STUPID LOCKER!!”

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

 

 

 

 

House of Salt and Sorrows

Annaleigh Thaumas was once one of twelve sisters, but four of them have gone to an early grave. After burying four sisters who were lost to various circumstances—the plague, a freak accident, a suicide, and falling from a cliff—the townspeople start to whisper that the Thaumas girls are cursed. Despite a large estate and a grand coming out party, no one is interested in courting the sisters, even though five of them are already of age. Despairing of ever finding a match, the sisters stumble upon a magic door used by the god Pontus. It will take them anywhere they desire, and soon the girls are wishing themselves to a new ball every night, hoping desperately to find a suitor from far away who hasn’t yet heard a rumor of the cursed Thaumas sisters.

But Annaleigh starts to wonder if there is something sinister behind her sister’s deaths. As she tries to discover what happened the night her sister fell from the cliffs, she discovers that she was pushed. Someone murdered her, and they might be coming after the rest of them. Haunted by horrifying visions, Annaleigh doesn’t know if the ghosts of her dead sisters are trying to warn her, if they’re angry with her, or if she is simply going mad. As the hauntings escalate, Annaleigh becomes desperate for answers. When she meets a handsome man named Cassius, who seems perfect and wants to help, Annaleigh falls for him instantly but doesn’t know if she trusts him. And even worse—can she trust herself?

House of Salt and Sorrows is a delightful tale of magic and wonder. Erin A. Craig paints vivid pictures of fairy shoes and magical balls and does a skilled job developing a wide cast of characters. While the number of sisters can be hard to keep track of at the beginning, the Thaumas family takes readers on a fun adventure that is worth the ride. There are some inconsistencies and implausible occurrences at the beginning of the book that might turn off more advanced readers, but most of them are actually resolved by the end of the book. While a magical story, there are disturbing images in the second half of the book when the Harbinger of Madness and Nightmares starts tormenting Annaleigh. House of Salt and Sorrows is sure to enchant readers who are brave enough to stomach the more graphic images without having nightmares.

Sexual Content

  • Annaleigh accidentally bursts into her father’s room when he is having intercourse with his wife, Annaleigh’s stepmother. “From the noises coming out of the bed—its drapes blessedly closed—it was suddenly painfully obvious that Papa was not sleeping. Morella’s cries of ecstasy turned into a strangled howl of frustration.”
  • Rosalie jokes about finding a man. “‘I need a man at home on the ocean. One who can handle the curves and swells of the waves.’ She ran one hand down the curve of her own hip, dipping theatrically, her voice growing husky. ‘One who can maneuver his ship into any port, however tempestuous. . . One with a very large, very thick, very hard. . . mizzenmast.’”
  • Annaleigh gets lost and ends up in the red light district. “The first storefront I saw was bathed in a pink glow, and my stomach turned as I guessed at what merchandise was sold behind such lurid trappings. . . Some had girls in the windows, waving and posing. Others were awash with tinsel and gaudy paste jewels.”
  • Cassius kisses Annaleigh. “His mouth was warm against mine and softer than I’d ever imagined a man’s could be. My skin sizzled as his hands cupped my cheeks and he pressed a kiss to my horsehead before returning to my mouth. I dared to bring my fingers up to explore his jawline.”
  • Cassius kisses Annaleigh again. “I tilted my chin, and his lips were on mine, soft and achingly sweet. I ran my fingers up his chest, letting them linger on the back of his neck and twist into his dark curls.”
  • Cassius and Annaleigh kiss one more time. “Cassius released a murmur of pleasure before sweeping me into a kiss. His mouth was soft against mine before his arms tightened around me, pulling me into a more intimate kiss, a sweeter ache.”

Violence

  • Annaleigh discovers her little sister Verity has been drawing horrible images of her dead sisters, who Verity says have been haunting her. “She flipped to a scene in black and gray pastels. In it, Verity cowered into her pillows as a shadowy Eulalie ripped the bedsheets from her. Her head was snapped back unnaturally far . . . Octavia curled up in a library chair, seemingly unaware that half her face was smashed in and her arm was too broken to hold a book straight…I turned the page and saw a drawing of all four of them, watching Verity as she slept, hanging from nooses.”
  • A man saw Annaleigh’s sister fall from a cliff. “I’ll never forget that sound as long as I live…Like the slap of meat landing on the butcher’s block.”
  • Annaleigh sees a dead man who died from falling. “Edgar lay in a growing spread of blood, his body broken and smashed on the cobblestones. His spectacles lay feet away, one of the lenses cracked.”
  • At a party buffet, Annaleigh sees “A sea turtle…showcased on a bed of dead eels.” She sees the turtle’s head move and thinks maybe she can save him, but then, “The turtle’s eyelids burst open as a string of fat white maggots fell from the hole. They poured out of the poor loggerhead’s skull onto the platter. His body was full of them, ready to explode.”
  • Annaleigh discovers her friend has been dead for weeks and his body was possessed by a goddess. Annaleigh sees the goddess come out of her friend’s body. “Thick, viscous phlegm spewed from his mouth, landing on the floor like globs of tar. His body shook from the force, struggled to expel whatever was lodged deep in his throat. When his lips began to peel away, curling back like rolls of coiled tree bark, I pressed my face into Cassius, fighting the urge to throw up…Fisher’s body lay split open, pieces and parts flung out in a gruesome explosion. In the center of this absolute horror stood a figure, her back turned to us. Covered in viscera, she rolled her neck from side to side, stretching her muscles, delighting in her sudden freedom after such a tight confinement.”
  • When Annaleigh hears a horrible cackling in her head, “I smacked my temple to dislodge this most unwelcome intruder, but the cackling only grew. I hit myself again. And again, using more force…If I could just break it open, even a little, the voice could escape and leave me in peace.”
  • Annaleigh’s stepmother reveals that she met Annaleigh’s father when she was a prostitute. When he got bored of her, “He struck me. In front of his new little whore. He didn’t even care that she saw. He called me names, screamed, berated me.”
  • Annaleigh’s stepmother is killed by a Trickster. “Cries rose from the chaos, and for one awful moment, they echoed the sounds I’d heard her make when I’d walked in on her with Papa. But the pleasure was short-lived, and her whimpers of ecstasy soon turned into shrieks. The shrieks turned to screams. And then the screams cut off into silence.”

Drugs and Alcohol

  • Annaleigh’s sister Lenore drinks champagne at her coming out party. “She downed a glass of champagne in one swallow…I began to suspect that was not her first or second glass of champagne.”
  • Before going to a ball, Annaleigh’s friend snagged “three glasses of wine.” He says, “I filched it from the kitchen—thought we might need a little courage.”
  • At a feast, “wine flowed freely all evening. The women sipped with restraint, but the men were already a little worse for wear.”
  • Annaleigh’s father gets drunk at a feast and becomes belligerent. “‘Stop meddling with me! He roared, lashing his arm out to knock her aside.” When someone tells him that he is drunk, he replies, “And if I am? This is my house. My home! You can all be turned out into the cold if you don’t like it.”
  • Annaleigh goes to many balls, which usually serve wine and champagne. At one, there “was a fountain spouting wine. Couples in formal court fashions mingled around the circular base, sticking out cups to catch the scarlet liquid as it flowed from an ornate bronze battle scene.”
  • A man at a party offers her a drink from her flask. Annaleigh declines.
  • Annaleigh’s stepmother admits that she “mixed a bit of hemlock into [Annaleigh’s mother’s] nightly medicine, and [Annaleigh’s mother] died in her sleep, none the wiser.”

Language

  • Damn is used a few times. A man says, “Damned storm took us three days off course.” When drunk, Annaleigh’s father says, “Damn this coffee and damn these madeleines! Where’s my brandy?”
  • Cassius was born out of wedlock, so he tells Annaleigh, “I’m a bastard.”
  • Phrases referring to the gods are used occasionally as exclamations. For example, Hanna says, “Be sure to space them out evenly, and for Pontus’s sake, don’t set them too close to the plants!”

Supernatural

  • A dressmaker hints that she “design[s] dresses for the goddess of beauty.”
  • Annaleigh thinks her dead sisters are haunting the manor. “As she leaned in to find the stopper, a hand reached out of the water, grabbing her neck and dragging her under. Elizabeth surfaced from the churning waters, her eyes filmed a sickly green.”
  • It’s said the gods had magic doors to travel to and from the mortal realm. Annaleigh and her sisters find a hidden door that takes them wherever they want, and they use it to go dancing at elaborate balls every night in the hopes of finding a suitor.
  • Annaleigh’s sister Verity says their dead sister and their sister’s dead fiancé are in the room. Annaleigh doesn’t look, but she hears “a soft rustling, silk skirts raking across the marble tiles. . . the footsteps stopped behind me, and I suddenly felt them, felt their presence.” When Annaleigh asks her dead sister who killed her, the ghost “shoved me forward with such force, I struck my head on the marble tiles.”
  • Annaleigh remembers how a performance caught fire and “One of Pontus’s daughters. . . summoned a waterspout to rain down its fury upon the flames. When the fire was out, the stage was a mess of puddles and soot, but everyone cheered for the goddess’s quick thinking.”
  • Cassius reveals he is the goddess Versai’s son, which makes him half-god.
  • When in Versai’s temple, Cassius and Annaleigh see “Versai’s postulants. The Sisters of the Night. They live at the abbey, tending to the wishing wall and paying homage to my mother. They’re about to begin their first service of the day.”
  • Annaleigh meets Kosamara, “Harbinger of Madness. . . And Nightmares.” Annaleigh discovers that Kosamara has been plaguing her sisters with the goal of driving them mad to the point of killing themselves.
  • Things start to fly off shelves and the piano plays by itself. Annaleigh thinks it’s a poltergeist.
  • It’s revealed that Annaleigh’s stepmother summoned a Trickster to make Annaleigh’s father love her and marry her. To seal the deal, she had to let the Trickster “ravish me.” When she gives birth to twins, one is Annaleigh’s father’s son and the other is a monster that the Trickster comes to claim.

Spiritual Content

  • Annaleigh’s world has many gods. “Other parts of Arcannia worshipped various combinations of gods: Vaipany, lord of sky and sun; Seland, ruler of earth; Versai, queen of the night; and Arina, goddess of love. There were dozens of other deities—Harbingers and Tricksters—who ruled over other aspects of life, but for the People of the Salt, Pontus, king of the sea, was the only god we needed.” While the gods used to be “much more active in the affairs of mortals,” they have become less and less involved over time.
  • The islanders believe Pontus created them. “The High Mariner says Pontus created our islands and the people on them. He scooped salt from the ocean tides for strength. Into that was mixed the cunning of bull shark and the beauty of the moon jellyfish. He added the seahorse’s fidelity and the curiosity of a porpoise. When his creation was molded just so—two arms, two legs, a head, and a heart—Pontus breathed some of his own life into it, making the first People of the Salt. So when we die, we can’t be buried in ground. We slip back into the water and are home.”
  • At her sister’s funeral, Annaleigh’s “Papa stepped forward to place two gold pieces at the foot of the crypt—payment to Pontus for easing my sister back into the Brine.”
  • At a feast, the Higher Mariner says they are gathered “to give our thanks to mighty Pontus for his great benevolence, blessing us with a season of bountiful plenty.”

by Morgan Lynn

 

 Dog Days

The trials and tribulations of middle school life are temporarily over for Greg Heffley. As summer approaches, there are no bullies or classes to worry about. Greg is ready to kick back and enjoy junk food, TV, and video games. However, after his summer vacation is canceled, a three-month guilt trip starts for Greg. Greg now has to put up with his mom’s constant demands to go outside and read a book, his dad and his “bonding” experiences, a terrible birthday party, a new dog, and a fight with his best friend, Rowley. How will Greg survive?

Written in Greg’s own journal, the conflict of Diary of a Wimpy Kid: Dog Days revolves around everything that happens in Greg’s life. It is written from his 12-year-old perspective. The story contains a lot of bathroom and childish humor. At one point in the story, Greg, who is almost naked, has to chase after his dog. At another point in the story, Greg has to save his younger brother, Manny, before he accidentally washes his hands in the urinal.

Greg Heffley is a well-developed and relatable character for young audiences. Although Greg is lazy, petty, narcissistic, and cowardly, he does have moments of kindness. Greg will show readers the importance of sharing and thinking of others. He even points out some of the flaws in his own terrible behavior, showing kids that procrastinating and sleeping all day isn’t worth it. The consistently funny black-and-white illustrations, which look more like a comic strip than a highly illustrated graphic novel, help break up the text and keep even the most reluctant readers engaged.

Greg’s perspective is often pessimistic and at times can be downright mean. Greg demonstrates qualities, such as laziness and selfishness, that parents would not want their children to emulate. However, the story has relatable conflicts and shows readers the different perspectives of children and parents. Greg’s behavior could lead to a good discussion between parents and children about how people should act. Readers do not have to read these books in order to enjoy them. The fun, easy-to-read story will teach valuable and practical lessons to readers. Despite the childish humor, Diary of a Wimpy Kid: Dog Days will entertain readers and have them laughing out loud.

Sexual Content

  • At the beginning of the book, Greg and Rowley are strolling around the country club pool and he says, “We’re both bachelors at the moment, and during the summer it’s better to be unattached.”
  • Greg has a crush on Heather Hills, a lifeguard at the public pool, and hits on her every day for weeks. However, he “…didn’t mention Heather Hills to Mom, because [he doesn’t] need her getting in the middle of my love life.”

Violence

  • Rodrick shoves Greg off the high dive.
  • Grandpa accidentally runs over Greg’s dad’s dog while Rodrick’s fish eats Greg’s fish.
  • Greg snaps Rowley with a rubber band, leaving him with a red mark on his arm.
  • Rowley “crushed [Greg’s] hand to smithereens” with a hammer because he thought it was the Muddy Hand (a terrifying horror movie character) coming to get him.

Drugs and Alcohol

  • None

Language

  • Both bathroom and immature humor are used frequently and include words like poop, idiot, pee, and dumb.
  • Poop jokes are told frequently. For example, Rodrick wants to name the dog Turtle so he can call it “Turd for short.”
  • Scared that he’s not going out enough, Greg’s mom invites Fregley over and suggests that he and Greg should play outside together. Greg glances out the window and says, “I think Fregley might be naked” when he sees Fregley shirtless behind a tree.
  • When Greg was younger, he used to go swim in the baby pool, but he quit after he figured little kids would pee in the pool.
  • Greg’s dad went back-to-school shopping and the next day Greg says, “Well, THAT was a dumb move because Dad did all of his shopping at the pharmacy.”
  • Greg’s at the public pool and asks a lifeguard, “Does Mrs. Arciaga REALLY think it’s a good idea to wear a bikini when she’s eight months pregnant?”
  • Greg has the highest score on an arcade machine called Thunder Volt at the boardwalk, and his name was at the top of the high scores list. However, the person that had the second highest score on the list listed their name as “Is an idiot.” The high score list says “Greg Heffley …. is an idiot.”

Supernatural

  • None

Spiritual Content

  • Greg’s Gramma prays to the Lord to help her find her dollar savers coupon book while Greg prays, “Dear Lord, please let Mr. Jefferson get hit on the head so he forgets about the money I owe him. And please let me get past the third level of Twisted Wizard without having to use any of my bonus health packs. Amen, and thank you in advance.”
  • Greg describes a church trip on Sunday. He says, “Today’s sermon was called ‘Jesus in disguise,’ and it was about how you should treat everyone you meet with kindness because you never know which person is really Jesus pretending to be someone else.”

by Matthew Perkey

 

Sif and the Dwarfs’ Treasures

Twelve-year-old Sif attends Asgard Academy, but she’s keeping important secrets from her podmates. No one knows that her magical hair allows the wheat crop to grow. When mischievous Loki cuts her hair in a horrible prank, Sif must rely on her podmates and Loki for help.

Sif has a prophetic dream that gives her a hint on how to solve the problem. Sif and Freya must convince Loki to go to Ivaldi’s sons, dwarves who are skilled blacksmiths. Loki must strike a bargain with them to help Sif get her hair back. An overconfident Loki strikes a deal with the blacksmiths, and as part of the deal he could lose his head—literally.

To make things worse, there are rumors of a looming attack that could hit Asgard Academy. Sif is afraid that Ragnarok, or doomsday, might be about to begin. Is there any way Sif can save the wheat crops and her beloved school?

Fans of Goddess Girls will enjoy this new series which focuses on Norse Mythology. Sif is a relatable character who has a difficult time overcoming her embarrassing insecurities. She doesn’t want anyone to know that she is a seer—or that she has a difficult time reading. As Sif gets to know her podmates better, she realizes that no one, not even a goddess girl, is perfect.

Sif and the Dwarfs’ Treasures has many positive messages that pertain to younger readers. Odin has created the school in order to get people from different worlds to interact. “[He] wished them to understand and appreciate everyone’s differences.” As Sif learns more about her roommates, she realizes the importance of working together. Sif also knows that looks do not define a person’s (or a god’s) character. Even though “many girls found Loki cute,” Sif knows that “a person’s behavior, not his appearance, was what made him attractive.”

Readers will enjoy learning about Sif, who is a well-rounded and caring goddess. Sif and the Dwarfs’ Treasures has interesting characters and actions, humorous puns, and a sprinkle of crushing moments that will entertain readers. Although many of the characters appeared in Freya and the Magic Jewel, the stories do not need to be read in order. Each book is told from a different goddess’s point of view and allows the reader to see that even goddesses need help from others.

Readers who are unfamiliar with Norse mythology will want to read the glossary first. The story introduces Norse mythology in a kid-friendly way, while still staying true to the original stories. Sif and the Dwarfs’ Treasures uses a relatable character to embed important life lessons in an entertaining story that readers will love. Readers will eagerly look for the next book in the series, Idun and the Apples of Youth.

Sexual Content

  • Freya has noticed Sif and Thor looking at each other and thinks the two are “crushing on each other” because “crushes often start with just looking.”
  • After Sif and Thor have several conversations, Sif thinks, “She likes him, too. As a friend anyway. As far as crushing. . . well. . . time would tell.”

Violence

  • The large painted friezes that covered a wall come to life. When Sif and her friends are eating, “all four girls studied the nearby frieze, [and] an armor-clad warrior reached out of it to grab a dish of lemon-flavored snow pudding from a Valkyrie rushed by with a tray of desserts. With a wide grin on his face, the warrior took aim and then flung the snow pudding at a painting of heroes directly across the room.” A food fight begins. Most of the food being thrown “was directed at warriors occupying friezes on opposite walls, but occasionally the thrown food accidentally hit students, too!” They start a food fight several times in the story.
  • When Loki says a mean joke, Thor gets angry. “In an instant Thor was across the room, his fists balled to punch Loki out. Before he could follow through[;] however, Loki shape-shifted into fire. ‘‘Yow!’ Thor leaped back, blowing on his singed fingers to cool them.”
  • Loki changed into an eagle and stole an apple, “even though he could eat them anytime he wanted in the Valhallateria.” When Loki stole the apple from Idum, she scraped her knee and it was bleeding.

Drugs and Alcohol

  • None

Language

  • After Loki plays a mean trick, someone calls him a bonehead.
  • Loki says, “It’s easy to predict events that have already happened. Even a dummy like Thor could do that!”
  • Someone calls Loki a rat.
  • Loki calls a group of students idiots.

Supernatural

  • Sif takes a class on how to read Runes and the students share their “‘rune-words’ meanings and suggest[ed] prophecies that might be connected to them.”
  • In order to hide from Thor, Sif “transformed into a rowan tree. It was one of only two forms she could take, the other being a swan.”
  • When Sif was younger, she was “proud” of her talent at prophecy and tried to use her talent at school. However, soon people started calling her “fortune-tattler instead of fortune-teller.” She also lost her best friend. Sif was trying to help her friend by carving the rune word for brave, but Sif made an error and wrote the rune word for poison instead. When Sif’s friend became ill, the friend’s parents wouldn’t allow them to spend time together.
  • A dwarf chanted a spell, “For one whole day, you’ll zip your lip. Nothing will you say. Nothing will you sip.” The spell makes it so the Loki cannot speak or eat for a day.
  • The large painted friezes that cover a wall come to life. “These painted friezes cover all of the V’s walls and were peopled with heroic warriors who had died in battle. The warriors had been brought into the friezes by Odin’s Valkyries as painted figures that magically came to life toward the end of every meal.”
  • Freya has a marble that contains cats and a cart. When Freya says, “catnap,” the cats and cart grow. The first time Freya uses the marble, she thinks, “if anyone had been watching at that moment, the cats and cart would’ve seemed to instantly disappear. However, in reality, they had only shrunk down to a single cat’s-eye marble.”
  • Freya drinks juice that won’t make her immortal, but will make her “stay the same age.”
  • Several characters are shapeshifters.
  • Mimir, an oracle, only has a head. When Sifi sees him, “suddenly a column of bright-blue water shot through one of the tubular slides to bubble up in a tall, fountain-like spout at eye level. Atop the spout sat a disembodied bald head!”
  • Sif goes to the library to learn about rune spells and charms. One of the things she learns is that “difficult rune interpretations can sometimes be solved through dreams.” Later in the story, she uses the book’s advice and has a prophetic dream.
  • Talking acorns can give students a message. Odin uses one to deliver a message to Sif.

Spiritual Content

  • The story focuses on Norse mythology and includes Norse gods and goddesses as characters.
  • Sif is a seer, a shapeshifter, and also the “girl goddess of bountiful harvest.” Her power comes from her hair; however, how her hair helps the harvest is never explained. When Sif’s hair is cut, the humans’ wheat fields begin to wither.
  • Freya is the goddess of love and beauty. She is also a seer. Another character, Odin, was “the leader of the Asgard gods and the supreme ruler of all the worlds.” (This is not a complete list of the Norse gods that appear in the book.)

The Bad Guys in Intergalactic Gas

The bad news? The world is ending. The good news? The Bad Guys are back to save it! But, they might have to “borrow” a rocket, there might be something nasty in one of the spacesuits, and Mr. Piranha might have eaten too many bean burritos. Surviving this mission may only be one small step for man, but it’s one giant leap for the Bad Guys.

Younger readers will giggle their way through The Bad Guys in Intergalactic Gas. Wolf and his friends head into space in order to track down the villain Marmalade. The Bad Guys are convinced that they can keep Earth safe, but readers will never expect how bean burritos and farts help save the day. The story contains many humorous events, but also uses body humor. For example, when Wolf finds Piranha in a spacesuit, Piranha is embarrassed to admit that “I needed somewhere to poop out my burritos and I decided to do it in the spacesuit.”

The Bad Guys in Intergalactic Gas pulls readers into the text in various ways. The large text has nine or fewer sentences per page, and many of the words are huge and bold. In addition to the large text, black-and-white illustrations appear on every page. Some of the illustrations are full-page, while others appear in panels. The illustrations add to the humor by showing the story’s actions as well as the characters’ facial expressions.

Even though The Bad Guys in Intergalactic Gas is not great literature, the story will engage readers and help them build reading confidence. Readers will enjoy the silly situations, plot twists, and unique characters, including the character Piranha, who sprinkles Spanish words into his dialogue. Each book begins with news reporter Tiffany Fluffit recapping the previous book’s events; however, readers will get maximum enjoyment if the books are read in order.

The Bad Guys Series will introduce the joy of reading to younger readers and have them clamoring for the next book in the series—The Bad Guys in Aliens vs. Bad Guys. Readers who enjoy the silly humor of The Bad Guys Series may also want to try the Inspector Flytrap Series by Tom Angleberger and Cece Bell. Both series use humor and an unexpected character to show children that reading can be fun.

Sexual Content

  • Snake yells at Wolf, “If we survive, your precious Agent Fox will give you a kiss.” Shark accuses Snake of being jealous. Snake says, “What?! You think I’m jealous that Agent Fox thinks this numbskull is ‘sweet’?”

Violence

  • Wolf and his friends steal a spaceship. When they get close to the moon, beams shoot the ship, “ZAP! ZAP!” The spaceship is “trapped in some kind of tractor beam” and gets pulled to the moon’s surface.
  • Legs, Snake, and Shark are tied to the wall after the ship is pulled to the moon’s surface.
  • The villain threatens Legs, saying, “Keep quiet, Legs, or I’ll pull off all your furry little digits and they’ll have to start calling you Body instead.”
  • Piranha’s farts touch the flames from a jetpack and cause an explosion. After the explosion, the “poisonous gas” causes the villain to faint.

Drugs and Alcohol

  • None

Language

  • Snake gets upset and begins yelling, “I get the feeling the international league of heroes is just a big load of . . .”
  • Characters call each other names, including idiot, monster, coward, poop burglar, and maniac.
  • Shark calls the villain an “evil lunatic.”
  • The villain turns into an alien that has tentacles “with a butt on the end of it.” There are several illustrations and references to the tentacles’ butts.

Supernatural

  • None

Spiritual Content

  • None

Flunked

For the royals, Enchantasia is a grand place to live. But for Gilly’s family, life is difficult. Gilly and her five little brothers and sisters live in a run-down boot. Gilly doesn’t want her family to go hungry, so she gets creative. Gilly doesn’t think it’s wicked to steal from the royals. She just doesn’t want her family to suffer.

When Gilly gets caught stealing for the third time, she’s sentenced to three months at Fairy Tale Reform School—where all of the teachers are former villains. The Big Bad Wolf, the Evil Queen, and Cinderella’s Wicked Stepmother have all changed. When Gilly meets fellow students Jax and Kayla, she learns there is more to this school than its heroic mission. When strange events begin to happen, Gilly wonders if the bad guys have truly turned good.

Told from Gilly’s point of view, Flunked takes a fun, fresh look at fairytale villains. Fans of fairy tales will enjoy seeing the evil villains in a new light. Although the story had several interesting characters, Gilly is the only character that is well-developed. Gilly’s roommate, Kayla, plays an important role in the story; however, she quickly disappears and only makes a brief appearance at the end. The princesses and the villains also only appear for a brief time, which may disappoint some readers.

Flunked breaks up the chapters and recaps some events by using Happily Ever After Scrolls—tabloid-like news articles. The interesting setting and fast-paced plot will keep readers entertained. The ending of the story has several twists, but the climactic end scene is over too quickly. Although middle school readers may wish for more depth of character, younger readers will enjoy the fun trip into Enchantasia. All readers will benefit from the theme—everyone, no matter how villainous, can change their evil ways and find a new, better path.

Sexual Content

  • None

Violence

  • Gargoyles attack Gilly and Jax. The gargoyles “are wrinkly and dark grey with red eyes and long wings that fold under themselves, but the long, sharp claws on their hands and feet frighten me the most. One lets out a long wail when he sees us and Jax shoves me forward again, shaking me from my trance…” A Gargoyle grabs Jax, and his “face twists in pain and he begins sliding backward into the tunnel… I drop the grate and grab Jax’s hands, pulling as hard as I can and getting nowhere. It’s like we’re locked in a tug-of-war and Jax is the rope.” Jax is able to get free. Kayla uses a mirror that shoots bolts. A bolt hits the gargoyles and the kids are able to escape. The scene is described over four pages.
  • A student makes a loud noise that causes Madame Cleo, a Sea Siren, to “scream so loudly that bubbles take over the tank and the floor actually begins to quake…  And that’s when the tank begins to crack.” Jax uses his watch to break the lock. As they are leaving, the student “continues to chant, a smug smile on her face. When I look back Madame Cleo has passed out and is just floating in the middle of the tank.” Gilly jumps on the girl in order to get her to stop chanting. No one is injured.
  • One of the students lists some of the black magic that has been causing problems. “The crack in the tank, the swarm of pernicious peony ants that were accidently released in the botany lab, the poisoned fruit found in the cafeteria at the breakfast buffet.”
  • During a class, the students hear “the sound of a crash from above that sends glass raining down on the room.” Then gargoyles appear and a “thick, purple fog fills the room.”
  • As the students try to escape the gargoyles, “a gargoyle grabs hold of one of the Ladies-in-Waiting and takes off again. She screams and kicks, but it’s no use. She’s a goner…” The students try to hide, but Jocelyn gets picked up by a gargoyle. “I watch as she swings wildly with her sword and nicks one of the gargoyle’s legs. The gargoyle drops Jocelyn like a hot potato. She falls to the ground and bumps her head as the fog evaporates. We stare at her as she lies there motionless.”
  • During the gargoyle attack, teachers and students are sucked into a bubble. Harlow, a teacher, “throws her sword through the air. Maxine screams as the sword hits the bubble and bounces off of it. The gargoyles jump up and down excitedly as Harlow picks up a few of the discarded swords on the ground and aims another one at the bubble… This sword pierces the bubble and hits Princess Snow in the arm… Harlow throws another sword, and it pierces the bottom of the bubble, hitting a student in the shoe.” Gilly runs towards Harlow and slides as “hard as I can into Harlow, knocking her straight off her feet. I cover my head as swords rain down on me, and then the world goes black.” The scene is described over seven pages.
  • Later Gilly finds out that “Professor Harlow lost her pinkie in the mess and had to charm it back on.”
  • The villain shoots purple bolts from her hands and locks a student, Jocelyn, in a cell. When Jocelyn starts a chant, the villain “notices and flings bolts toward the bars, Jocelyn goes flying back…”
  • In order to break the students out of a cell, “Professor Wolfington transforms… Wolfington’s clothes begin to tear, his hair begins to grow, and he falls to all fours before letting out a wolf howl…” He is able to break the cell bars and free the students.
  • Gilly points a magic mirror at the villain. When two mirrors are pointed at each other, “the connection causes an explosion that sends us both flying backwards. The ground shakes, and large chunks of the ceiling begin to cave in…” The villain runs away.

Drugs and Alcohol

  • None

Language

  • Someone says, “God, no!”
  • “Oh God” and “Oh My God” are both used once.
  • Heck is used twice.
  • “What the—” is used once.

Supernatural

  • Mira lives in a mirror, but can “come and go between mirrors as I please.”
  • Some of the characters can perform magic and cast spells. Kayla’s mother was upset when she “caught me flying over Royal Manor. I was already grounded for casting a spell on my sister that made her nose as big as her face.”
  • One of the teachers “snaps her fingers” and makes Gilly’s boots disappear. In the boot’s place are the school shoes.
  • Gilly is given a quill. “I dip the quill in the ink, and nothing happens. Then I try putting the quill to paper. That’s when things get weird. I know what I want to write, but instead, different words come out.” Using the magic quill allowed Gilly’s roommate to secretly leave Gilly a note.
  • The school’s hallways are always shifting and making new ones.
  • A student casts a spell “on Maxine that made her right ear as big as her head.”
  • While dancing, a girl gets upset, and “her lips begin to move, and a glow emits from her eyes…  Gayle lets out an ear-piercing scream, and her troll partner flies backward, hitting one of the torches on the wall, which falls and causes a small fire that short-circuits the music.”
  • Kayla was sent to reform school after “[she]’d been busted for flying without a license, illegal use of magic, and casting love spells on people who hate each other.”
  • The villain is revealed when “a purple cloud of smoke surrounds her, and within seconds, Gottie’s ragged clothes, wart-covered face, and white frizzy hair have disappeared.” The villain’s appearance drastically changes.
  • Rumpelstiltskin made Kayla’s family forget her and “turned them all into hollow trees.”

Spiritual Content

  • None

Home Court

Eleven-year-old Amar’e Stoudemire has a lot going on. He loves to go skateboarding in the park. He takes his school work very seriously. He helps out with his dad’s landscaping company. He also likes to play basketball with his best friends – but just for fun.

When a group of older kids starts disrespecting his boys on their neighborhood basketball court, there is only one solution. Amar’e must step in and use his athletic ability and intelligence to save the day. This experience leads Amar’e to realize that basketball is his true passion. This story is based on the life of All-Star NBA sensation Amar’e Stoudemire who overcame many obstacles to become one of the most popular figures in sports today.

Like many readers, Amar’e is interested in a wide range of activities—skateboarding, basketball, and hanging out with his friends. When his friends need him, Amar’e isn’t afraid to take on some trash-talking older kids. Anyone who has been mistreated will relate to Amar’e’s difficulties. Amar’e’s struggles are illustrated with simple black and white drawings which are scattered throughout the book. Amar’e tells his story using easy vocabulary and short paragraphs to create an easy-to-read, entertaining story.

Sports fans will enjoy the play-by-play basketball action. However, the story doesn’t just focus on sports. Amar’e also enjoys learning tricks on his skateboard, helping his father, and doing well in school. Amar’e worries about his history writing assignment on Dr. King. In the end, Amar’e is able to connect Dr. King’s message to his life. He writes, “One person could do a lot, but the more people you have behind you, the more you could accomplish.”

Amar’e’s diverse interests give additional intrigue to the story, but also make the story choppy. One positive aspect of the story is Amar’e’s strong connection with his family and friends. Because the story is written from Amar’e’s point of view, readers will understand why Amar’e believes it’s important to be a good student, a good friend, and a hard worker. Younger sports fans will enjoy Home Court because of the positive message that is delivered by a relatable character. Readers who are looking for similar books should try the Zayd Saleem Chasing the Dream Series by Hena Khan.

Sexual Content

  • While playing a basketball game, Amar’e and his friends huddle up. An older boy tells them to hurry up “unless y’all are making out in there.”

Violence

  • While playing basketball with some older kids, Carlos intentionally tripped Amar’e. “My eyes were on the ball, so I didn’t see Carlos stick out his leg. I sure felt it, though. His shin banged into mine just above my ankle and I tumbled hard onto the pavement.”
  • While playing basketball with some older kids, “Yeti clobbered Duece on a moving pick. It was the bigger player on the court taking out the smallest, and it was hard to miss the foul.”
  • While playing basketball, an older boy “jammed his elbow hard into his lower back. Mike grimaced in pain and lost his dribble.”

Drugs and Alcohol

  • None

Language

  • Some older kids trash-talk Amar’e and his friends. Afterward, one of Amar’e’s friends calls the boys “jerks.” Later Amar’e thinks, “Yeti was hanging on the rim again like a jerk.”
  • When an older boy throws trash on the ground, Amar’e asks, “Shouldn’t you go back to the garbage dump you came from?”
  • An older boy calls Amar’e and his friends “losers.”
  • “What the—” is used once.

Supernatural

  • None

Spiritual Content

  • None

Tunnel of Bones

Cassidy isn’t excited to be in one of the most haunted cities in the world—Paris. While her parents are filming their TV shows about haunted cities, Cassidy doesn’t plan on attracting danger. But when her parents take her to the creepy underground Catacombs, Cassidy finds danger lurking in the shadows.

When Cassidy accidentally awakens a frightening, strong spirit, she must rely on her still-growing skills as a ghost hunter and her friends, both old and new, to help her unravel a mystery. As the spirit grows strong, Cassidy realizes that she’s not the only one in trouble. Soon the ghost causes disaster after disaster, which endangers the people Cassidy loves. Can Cassidy stop the angry spirit, or will he haunt her city forever?

The second installment of the City of Ghost series will not disappoint. As Cassidy follows her parents through Paris, Cassidy gets a firsthand look at some of Paris’s ghostly stories. While many of the ghostly encounters could be deadly, Cassidy’s best friend (and ghost), Jacob, is always waiting in the shadows in order to keep Cassidy out of trouble. Readers will enjoy Cassidy’s inquisitive mind and courage.

Cassidy’s adventures take her into Paris’s underground as well as to several of Paris’s landmarks. The adventure is at times creepy and suspenseful, but always interesting. Tunnel of Bones adds several new and interesting twists. As Cassidy tries to help a young ghost remember his past, she begins to wonder if Jacob will also begin to lose his memory of his earthly life. The parallel between the two ghosts adds an interesting dimension to the story.

Tunnel of Bones will entertain readers with a good ghost story. The easy-to-read text contains short sentences and offers action, description, and dialogue. Although several ghosts make a short appearance that does not enhance the plot, a little boy ghost continues to reappear which gives the story an air of mystery and unexpected danger. Cassidy’s faithful friends and encounters with frightening ghosts mixed with a dash of humor creates a highly entertaining ghost story. Although Tunnel of Bones can be read as a stand-alone novel, readers will not want to miss the first book of the series, City of Ghost.

Sexual Content

  • None

Violence

  • When Cassidy goes into the Veil, she drops a necklace and begins to look for it. “But before I can reach it, the ghost grabs me by the collar and pushes me back against a tree. I try to twist free, but even though he’s a ghost and I’m not, the Veil levels the playing field.” Cassidy’s friend Jacob comes to her aid. “The ghost looks sideways just as Jacob swings the bucket at his head. The man staggers, black tar dripping down his face, and I gasp, dropping to the ground.” Cassidy uses her mirror to send the man on. The scene is described over three pages.
  • In order to see a ghost, Cassidy climbs onto a roof. When the ghost sees her, he pushes her off the roof. Cassidy is “falling, and somewhere between the edge of the roof and the lawn below, I cross back through the Veil and land hard on the ground beside the crypt. The fall knocks all the air from my lungs and sends pain jolting up through my right arm, and for a second all I can do is blink away the stars and hope I didn’t break anything.” Cassidy’s arm “zings” but she isn’t seriously injured.
  • When Cassidy opens the Veil, she sees a man “in an old-fashioned suit. He lifts an old-fashioned pistol and aims it straight at me, and Jacob wrenches me back out of the Veil before the shot goes off.”
  • The poltergeist opens the back door of a truck and “the contents begin to spill out. Boxes and crates smash into the street, followed by a massive golden frame that hurtles straight towards me.”
  • When Cassidy goes into the Veil, she is on a train car. When she changes train cars, she sees a ghost. “And as he turns, I see the knife buried in his stomach. His own hand curled around the blade as if to keep it from falling out. The sheen of blood running down his front.” Jacob drags Cassidy out of the train car and slams the door.
  • While looking for the poltergeist, Cassidy runs into a man. “The man snarls and grabs me, shoving me against a wall of bones that rattle as they dig into my back. I gasp, but I manage to swipe the cap from his head before Jacob lunges at the spirit from behind, hauling him backwards. . . Jacob slams the other ghost into a pillar of skulls. The bones topple with a crash, and the man drips, dazed, to his hands and knees.” Cassidy and Jacob run away.
  • In order to help the poltergeist remember his past, Jacob grabs ahold of the boy. The boy “thrashes, trying to twist free. The air around him ripples and glows red, and the whole tunnel begins to shake as the crimson light spreads over everything, splitting across the floor, the ceiling and the walls of bone. . . The whole ground begins to shake with the force of Thomas’s displeasure. Even the wall of bones to my left begins to tremble and shift.”

Drugs and Alcohol

  • Someone tells a story about a man that was invited to a party. When the man goes to the party, “he found a party in full swing, and passed the night with music and wine and excellent company. . . And then something hits me. Not the frame, but a pair of hands. They plant themselves against my back and shove, and I stumbled forward to the pavement, scraping my palm as the frame crashes into the stone wall and rains glass onto the street behind me.”
  • Cassidy’s parents are in their hotel room “sharing a bottle of red wine.”

Language

  • None

Supernatural

  • Cassidy’s best friend, Jacob, is a ghost and can read her mind.
  • Cassidy can travel through the Veil and the in-between where ghosts live. Cassidy explains, “That’s the thing about the Veil: It only exists where there’s a ghost. It’s like a stage where spirits act out their final moments, whatever happened that won’t let them move on.”
  • When Cassidy goes into the Veil, “the world around me—vanishes. The carnival lights, the crowds, the sounds and smells of the summer night. Gone. For a second, I’m falling. And then I’m back on my feet.”
  • In order to get a ghost to move beyond the Veil, Cassidy holds up a mirror for the ghost to look into. Then she says, “Watch and listen, see and know. This is what you are.” When Cassidy says the words, “the whole Veil ripples around us, and the ghost thins until I can see through him, see the dark thread coiled inside his chest. Lightless, lifeless. I reach out and take hold of the thread, the last thing binding him here, to this world. It feels cold and dry under my fingers, like dead leaves in the fall. As I pull the cord from his chest, it crumbles in my palm. Vanishes in a plume of smoke. And then, so does the ghost.” Cassidy completes the same pattern on two other ghosts, and the ghosts disappear.
  • Cassidy awakens a poltergeist. Cassidy’s friend tells her, “It’s a spirit drawn to spectral energy… It was probably dormant until it sensed yours, Cassidy. . . That cold sensation you’ve been feeling, it is a kind of intuition, a warning that strong spirits are near. . . Poltergeists are wanderers. They’re not stuck in a loop or a memory, and they’re not tied to the place they died.”
  • While trying to understand ghosts, Cassidy calls a friend that tells her “the Veil is tailored to fit the ghost, [and] the place they died, which means it’s essentially tied to the ghost’s memory—that’s what binds it there. So if a poltergeist isn’t bound to the Veil, it’s because—they don’t remember.”

Spiritual Content

  • None

Jada Jones Sleepover Scientist

Jada is hosting her first sleepover and she has lots of cool scientific activities planned: kitchen chemistry, creating invisible ink, and even making slime! But when her friends get tired of the lessons and just want to hang out, can Jada figure out the formula for fun and save the sleepover?

Jada wants to combine her favorite things: science and her friends. She’s even more excited when her best friend who moved away shows up for the sleepover. But in her excitement to plan her perfect party, Jada forgets that not everyone loves the same thing. Soon all of the girls want to go home and Jada, with the help of her mother, learns to listen to other’s opinions.

Anyone who loves science will love Jada Jones Sleepover Scientist, which has kid-friendly science experiments as part of the story. Throughout the story, Jada’s family plays a positive role and Jada includes her brother, even when she doesn’t want to. When Jada’s brother accidentally makes a mess, Jada’s friends don’t throw a fit—instead, they pitch in and help clean up the mess. Like the previous books in the series, Jada Jones Sleepover Scientist has relatable characters, realistic conflicts, and reinforces real-life lessons.

Jada’s struggle comes to life with black and white pictures that have a pop of purple. Jada Jones Sleepover Scientist is intended for readers who are transitioning to chapter books. The story has seven short chapters, easy vocabulary, and illustrations on almost every page. The story does have several pages with only text and some complicated sentence structure. Overall, Jada Jones Sleepover Scientist is an entertaining story that has positive life lessons. Readers who enjoyed Katie Woo by Fran Manushkin or Sofia Martinez by Jacqueline Jules will also enjoy Jada Jones.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

Somewhere Only We Know

10:00 p.m.: Lucky is the biggest K-pop star on the scene, and she’s just performed her hit song “Heartbeat” in Hong Kong to thousands of adoring fans. She’s about to debut on The Later Tonight Show in America, which will hopefully be a breakout performance for her career. But right now? She’s in her fancy hotel trying to fall asleep, but dying for a hamburger.

11:00 p.m.: Jack is sneaking into a fancy hotel, on assignment for his tabloid job that he keeps secret from his parents. On his way out of the hotel, he runs into a girl wearing slippers who is single-mindedly determined to find a hamburger. She looks kind of familiar. She’s very cute. He’s maybe curious.

12:00 a.m.: Nothing will ever be the same.

Somewhere Only We Know switches back and forth between Lucky and Jack’s point of view, which gives the reader a fun insight into each person’s thought process. Each character has a secret, and the multiple points of view allow the reader to understand the fear behind the secret. Another interesting aspect of the story is the insight into both character’s heritage—both are American-born Koreans, who see Korea in a unique light. Lucky often compares America and Korea’s differences, but one thing that is similar in both countries is the idea that “women need to be pretty more than anything.”

Even though Lucky is a K-pop artist, she is just like many young adults: she desires freedom, wonders what path her life should take, and worries about letting others down. Even though the story takes place over a 24-hour period, Lucky’s joy at being able to explore the world is contagious. Her protective partner in crime, Jack, is not only insanely attractive, but is also struggling to figure out his future as he explores the narrow definitions of right and wrong.

Somewhere Only We Know is a fast-paced, funny romance that readers will not be able to put down. The story will make readers laugh while also exploring the idea of “living a life of quality.” In the end, Jack realizes that a “quality life involved caring for people. Being good to them. Being a good person for them in addition to yourself.” Somewhere Only We Know doesn’t gloss over the hard work that is involved in having a quality life. Lucky finally receives therapy to help her with her anxiety, and Jack has to be honest with his parents about his fears and dreams.

Somewhere Only We Know has two characters that fall in love in a day. Readers will enjoy watching the two stumble their way through that day. In the end, Lucky and Jack go their separate ways because they need to figure out their own issues, but the story leaves the reader with the hopeful thought that maybe love can grow when the time is right.

Sexual Content

  • When Lucky and Jack are walking on a city street, they pass “a couple making out in a dark corner.”
  • When an older man starts flirting with Lucky, she kicked him “in the shin, lightly” and told him, “And you need to stop creeping on me!”
  • When Lucky wakes up in a man’s bed, she states, “I was relieved, but I couldn’t quite figure out if it was from not having been despoiled, or if it was from knowing that if I had been despoiled, I would have wanted to remember it.”
  • When Lucky is leaving Jack’s apartment early in the morning, his landlady sees her and says, “You. Don’t sleep with bad boys like Jack.”
  • In order to avoid talking to a fan, Lucky kisses Jack. She “slipped my hand onto the soft skin on the back of his neck and pressed my body to his. Hips bumping, torsos grazing. . . I squeezed my eyes shut and pressed my lips to his.” Even though Jack knew Lucky was creating a diversion, he “reached up and grazed her jaw with my fingertips. Her eyelashes fluttered before I pressed my lips to hers again, softly. Moving over them slowly. Her mouth matched mine in response, with a gentle intake of breath.” The kiss is described over three pages.
  • Jack asks, “Why is it that in rom-coms people always go from hating each other to like, ripping each other’s clothes off?”
  • None of the K-pop stars were supposed to date, “but there were hookups and covert dating.” However, Lucky had never dated.
  • Lucky tells Jack that she likes him. Then she says, “Isn’t it interesting that Koreans have a specific word for that? Because we understand that even saying you like someone is meaningful. In America, the moment is sealed by like, sex or some dramatic love confession. But in Korea, ‘I like you.’ That’s a big deal.”
  • When Jack changes his shirt, Lucky thinks, “good gravy, he was pleasing to look at. All lean, corded muscles and smooth, tanned skin.”
  • Jack kisses Lucky and she thinks, “Jack was good at this. Truly, he was too masterful. The head tilt was perfect. The soft touch of his hands on my face. The pressure of his lips. . . All that existed was Jack in front of me. Jack kissing me. This delicate and hungry exchange of breath.”
  • At a club, Jack and Lucky dance. As they danced, Lucky “shamelessly ran my hands through Jack’s hair, over his arms and chest. . . kissing him now and again.”
  • As Lucky walks, she has to go around “a couple making out against a lamppost.”
  • After a long absence, Lucky sees Jack, and “she reached up and kissed me. Hard. It was the kiss of an outlaw, of a soldier back from war. I gladly submitted, letting her wrap her arms around me, feeling her body lift as she stood on her toes to reach me.”

Violence

  • Lucky tells Jack about the time her sister was injured by a mob of fans. “A fan grabbed at her and she fell forward, onto her chin. She needed stitches. . . Seeing Vivian’s startled face before she hit the ground was the worst moment of my life. Spending a car ride with her while she cried, clutching Ren’s rolled up jacket to her bloody chin, was the second worst.”

Drugs and Alcohol

  • Every night, Lucky is “given two sleeping pills and one Arivan. The sleeping pills were standard, everyone took them. But the Arivan—that was top secret. Mental illness was still taboo in South Korea. . .”
  • When Jack first sees Lucky, he assumes she is “passed out” drunk; however, she is sleeping because of the pills she took earlier. Later she doesn’t want to tell him that she was “completely out of it from sleeping pills mixed with anxiety meds.”
  • A man asks Lucky if she would like a drink. When they sit down, he orders a gin and tonic.
  • At a karaoke bar, two women announce that they got married, then “the bartender uncorked a bottle of champagne.”
  • As Lucky goes through an area of town with bars and restaurants, she passes “drunk dudes.”
  • Jack’s parents didn’t want him to go on a “backpacking trip of discovery.” Jack’s sister thinks that the rich boys who do are just “discovering weed.”

Language

  • Profanity used: ass, bitch, damn, crap, holy crap, bloody hell, shit.
  • “Dear Lord,” “Oh God,” “Oh my God,” “Jesus,” and “Christ” are used as exclamations frequently.
  • Jack sneaks a girl into a party and dictates, “using some phony contact name that didn’t exist, combined with dickish entitlements, I got us upstairs.”
  • When Lucky goes into a bar, Jack says, “There are cooler places to go that aren’t full of douchebags.”
  • After Jack hurts Lucky’s feelings, he feels like a “jackass.” She thinks he is a “bastard.”
  • A “drunk loser” called Lucky a “bitch.”
  • Jack sends photos of Lucky to his boss, the manager of a tabloid magazine. The man likes “an ass shot” and refers to Lucky as a “bitch.”

Supernatural

  • None

Spiritual Content

  • Lucky and Jack go into a Buddhist temple. Lucky says she is not religious, but she lights incense. Lucky said, “I’m not actually praying. I’m being respectful of other cultures.” Lucky and Jack have a brief conversation about prayer. During the conversation, Lucky says, “Buddhism is pretty interesting. It’s all about the path to liberation—to be free of things like early desires, to be free of cravings.” This comment leads to a short conversation about living life selflessly.

 

 

Unravel Me

Juliette has escaped from The Reestablishment, who wanted to use her as a weapon. She no longer has to hide her love for Adam. But even though Juliette can now make plans, she can never be free from her lethal touch. And even though she doesn’t want to hurt people, she cannot contain her power, and others continue to suffer at her hand.

Juliette doesn’t decide if she wants to join the resistance until Warner threatens her friends. When her friends are taken captive, Juliette knows she must join the fight. But she is haunted by her past and terrified of her future. In the end, Juliette may have to choose between her heart or saving lives—including Adam’s.

Although Unravel Me has an interesting premise, readers will find it difficult to connect with Juliette because she cannot look past her own needs. Not only is Juliette whiny, but she also constantly berates herself and apologizes for her actions. Instead of focusing on understanding her power, Juliette allows her powers to take control, which leads her to hurt others. Instead of taking action, Juliette repeatedly says she’s sorry, but the apologies lack depth because she does nothing to learn how to control her power and prevent further harm.

The evil leader, Warner, reappears in the second installment of the series. Although Warner is self-centered and craves power, Unravel Me tries to paint him in a more positive light. Soon Juliette is confused by her growing attraction to the man who tried to kill Adam. Even though Juliette is trying to understand Warner, the three-way romance just doesn’t work. Juliette was so devastated when she hurts others, but she is somehow willing to overlook Warner’s killing nature. Instead of feeling sorry for Warner, the reader will be left confused. How can Juliette have intense romantic feelings for a power-hungry man who is willing to kill to get what he wants?

Unfortunately, Unravel Me spends so much time delving into Juliette’s emotional pain and indecision that other characters never have the opportunity to make more than a quick appearance. Instead, readers will have a difficult time caring about what happens. Although the story is unique, there are just too many plot twists that don’t make sense. Readers may want to consider leaving Unravel Me on the shelf. If you’re looking for a fast-paced story with a sprinkle of romance, try A Little in Love by Susan E. Fletcher or the Matched trilogy by Ally Condie.

Sexual Content

  • Adam kisses Juliette. “His left hand is cupping the back of my head, his right tightening around my waist, pressing me hard against him and destroying every rational thought I’ve ever had . . . Somehow I end up on top of him. He reaches up only to pull me down and he’s kissing me, my throat, my cheeks, and my hands are searching his body, exploring the lines, the planes, the muscle . . . This moment. These lips. This strong body pressed against me and these firm hands finding a way to bring me closer and I know I want so much of him. I want all of him. . .” The two only stop kissing when Juliette’s power begins to hurt Adam. The scene is described over five pages.
  • Juliette asks a man if he spied on her when she was changing. He replies, “. . .you are definitely not my type. And more importantly, I’m not some perverted asshole.”
  • Warner shows Juliette a tattoo on his lower back. She thinks, “I want to study the secrets tucked between his elbows and the whispers caught behind his knees. I want to follow the lines of his silhouette with my eyes and the tips of my fingers. I want to trace rivers and valleys along the curved muscles on his body.”
  • Warner asks Juliette to run away with him. Then he grabs her, and she feels “his skin against my skin and I’m holding my breath. . . I don’t say a word as his hands drop to my waist, to the thin material making a poor attempt to cover my body. His fingers graze the soft skin of my lower back, right underneath the hem of my shirt and I’m losing count of the number of times my heart skips a beat.” Then he kisses her and “he traces the shape of my mouth, the curves the seam the dip and my lips part even though I asked them not to. . .” When he kisses her, she thinks, “His lips are softer than anything I’ve ever known, soft like a first snowfall, like biting into cotton candy, like melting and floating and being weightless in water. . . He kisses me again, this time stronger, desperate . . . His lips touch my bare stomach. . . He’s leaving a trail of fire along my torso, one kiss after another, and I don’t think I can take much more of this. . .” Juliette freaks out and Warner leaves. The scene is described over ten pages.

Violence

  • When Juliette sees Adam being experimented on, she freaks out. She punches “my fist right through the floor. The earth fissures under my fingers and the reverberations surge through my being, ricocheting through my bones until my skull is spinning and my heart is a pendulum slamming into my rib cage.” After her anger is spent, Juliette sees that her “skin is torn and blood is everywhere and I can’t move my fingers. I realize I’m in agony.”
  • After taking hostages, the supreme commander demands to see Juliette. When she arrives, “He’s pinned me against the wall by the throat, his hands carefully sheathed in a pair of leather gloves, already prepared to touch my skin to cut off my oxygen, choke me to death and I’m sure I’m dying, I’m so sure that this is what it feels like to die, to be utterly immobilized, limp from the neck down. . . He lets go of me.”
  • Later, the supreme commander tells his son, Warner, to kill Juliette. When Warner points the gun at his father, his father says, “Shoot me. . . So much talk and never enough follow-through. You embarrass me.” Warner’s father “backhands Warner in the face so hard Warner actually sways for a moment. . .”  Then Juliette grabs Warner’s father’s neck and thinks, “I’ve pinned him to the wall, so overcome by a blind, burning, all-consuming rage that I think my brain has already been caught on fire and dissolved into ash.” Juliette shoots the man in both legs and she is “entertained by the horror in his eyes. The blood ruining the expensive fabric of his clothes. I want to tell him he doesn’t look very attractive with his mouth open like that but then I think he probably wouldn’t care about my opinion anyway.” One of Juliette’s friends pulls her away before she can kill Warner’s father. The scene is described over four pages.
  • In Juliette’s diary, she talks about the day she was taken to the prison. The guards “handcuffed my hands behind my back, the one who strapped me to my seat. They stuck Tasers to my skin over and over for no other reason than to hear me scream but I wouldn’t. . . They slapped me awake even though my eyes were opened when we arrived. Someone unstrapped me without removing my handcuffs and kicked me in both kneecaps before ordering me to rise. . . I really can’t remember the part when they dragged me inside.”
  • In a skirmish between the resistance and the Reestablishment, the Reestablishment’s soldiers “are unloading round after round, shooting at anything that could be a target. . . One man has his hands to the ground, freezing the earth beneath the soldier’s feet, causing them to lose balance. . .” One of the men collects a whirlwind of particles and forms a cyclone. When he lets go, “the soldiers are shouting, screaming, running back and ducking for cover but most are too slow to escape the reach of so much destruction and they’re down, impaled by shards of glass and stone and wood and broken metal but I know this defense won’t last for long.” Juliette uses her powers to cause an earthquake, which allows the resistance fighter to escape. The scene is described over six pages.
  • The Reestablishment gathers a group of citizens together to kill them. In order to try to help the citizens, Juliette and her friends discuss their options. While they talk, they see “27 people lined up, standing side by side in the middle of a big, barren field. Men and women and children of all different ages. . . One of the soldiers fires a shot. The first man crumples to the ground. . .” During the scene, Juliette’s “eyes are locked on a little girl who can’t be much older than James, her eyes so wide, so terrified, the front of her pants already wet from fear and it rips me to pieces. . .” Juliette and her friends shoot at the soldiers and they “see one [bullet] find its mark in a soldier’s neck. . . We’re dodging the bullets aimed in our direction and I see Adam dropping to the ground, I see him shooting with perfect precision and still failing to find a target. . . 3 soldiers go down almost instantly.”
  • During the fight, Juliette sees “dead dead dead is everywhere. So many bodies mixed and meshed into the earth that I have no idea if they’re ours or theirs. . . I’m tackled from behind. Someone pins me down and my face is buried in the ground and I’m kicking, trying to scream but I feel the gun wrenched out of my grip. I feel an elbow in my spine. . .” A soldier points a gun at Juliette, and “I’m only clawing at his covered arm, at the muscle he’s bound around my neck and he shakes me, shouts at me to stop squirming and pulls me tighter to cut off my air supply and my fingers are clenched around his forearm, trying to fight the viselike grip he has around me and I can’t breathe and I’m panicked. . . I’ve crushed all the bones in his arm. . .” Someone hits Juliette on the head, making her “almost entirely unconscious.” The scene is described over 10 pages.
  • Warner’s father shoots Juliette in the chest. She thinks, “My heart has exploded. I’m thrown backward, tripping over my own feet until I hit the floor, my head slamming into the carpeted ground, my arms doing little to break my fall. It’s pain never thought I could feel, never would have even imagined.” Juliette doesn’t die from the wound.

Drugs and Alcohol

  • Adam talks about his father, who would only come around “to get drunk and beat the crap out of someone.” After Adam’s mother died, his father would “come by just to get piss-drunk. He used to force me to stand in front of him so he could throw his empty bottles at me.”

Language

  • Profanity is used often. Towards the end of the book, the profanity ramps up and appears on almost every page. Profanity includes ass, asshole, bullshit, bastards, crap, damn, dumbass, goddamn, hell, holy shit, jackass, and shit.
  • “Oh God,” “God,” and “Jesus” are used as exclamations often.
  • Juliette remembers the world before the Reestablishment took over. She “remembers the pissed-off skies and the sequence of sunsets collapsing beneath the moon.”
  • When Adam tries to tell Juliette how he feels, he ends up saying, “Jesus. What the hell am I saying. Shit. Shit. I’m sorry—forget that – forget I said anything. . .”
  • One of Juliette’s friends yells at her. “And I should kick my own ass for it, but I feel sorry for you. So I tell him I’ll help. I rearrange my entire goddamn schedule just to help you deal with your issues.”
  • One of Juliette’s friends says, “Jesus. How early is it? I would kick a soldier in the crotch for a cup of coffee right now.”
  • When someone calls a man a “fetus,” the man gets angry and says, “I am mad. I’m pissed off. And I’m cranky as hell because I’m tired. And hungry. And I need more coffee.”
  • Someone says Adam’s father was being a “dick.”

Supernatural

  • Many characters have special powers. Juliette is trying to learn how to harness her energy. “Our gifts are different forms of Energy. Matter is never created or destroyed. . . as our world changed, so did the Energy within it. Our abilities are taken from the universe, from other matter, from other Energies.”
  • When Juliette touches someone, she drains the life out of them.
  • The first book in the series explains how Juliette goes to a compound where she meets a man who can move things with his mind. There is also a man who tells her, “Sometimes I electrocute people by accident” and another who is really flexible. He “loops one arm around his waist. Twice.”
  • At the compound, two women are healers—one heals the physical body and the other heals emotional wounds. The healers “can set broken bones and repair bullet wounds and revive collapsed lungs and mend even the worst kinds of cuts.”
  • Another person can “blend into the background of any space. Shift myself to match my surroundings.”
  • Adam discovers that he can project his ability and can disable others’ abilities.
  • Adam’s brother can heal quickly.
  • Warner can sense other people’s emotions, which allows him to know when someone is lying. He can also be a conduit to transfer other people’s energy.

Spiritual Content

  • None

 

The Sonic Breach

Tom gets to take all sorts of cool classes at the Swift Academy of Science and Technology, but robotics may be the one excites him the most. His teacher is holding a battling robot tournament, and Tom and his friends have to build a machine that will come out on top.

With the final battle coming up, Tom and his friends need as much time as possible to refine their masterpiece. But the rest of their teachers have been giving so many pop quizzes that they can barely focus in class, never mind concentrate on the tournament. Naturally, everyone is frustrated with the trend. . . until a mysterious new phone app appears. If students get pop quizzes during first period, they can warn everyone else about it by getting their phones to emit a high-pitched sound—a mosquito alarm—that adults can’t hear.

Tom is unsure about the whole thing, but it technically isn’t cheating, right? But when someone changes the app to break all the rules, the ethics aren’t debatable anymore. The longer the perpetrator remains unknown, the more harshly teachers treat all the students, and the pressure won’t stop until Tom and his friends track down the person behind the app takeover.

Like the first book in the series, The Sonic Breach incorporates mystery and technology. However, unlike The Drone Pursuit, The Sonic Breach doesn’t have as much interaction between Tom and his friends, which takes some of the enjoyment out of the story. Book two is also told from Tom’s point of view, and the story has an easy-to-read, conversational tone which allows the readers to understand Tom’s thinking process.

As Tom and his friends solve the mystery of who hacked the Pop Chop app, the readers will learn the importance of perseverance and helping others. At one point, Tom thinks, “Mistakes are ways to learn, overcome, and move forward. I would much rather have had our robot fail during a sparring match than during the final battle. This way we can learn from our design mistakes and make it better than it was before.”

The cover of The Sonic Breach shows two students battling their robots. However, the battle bots take backstage to the moral question of using a new app—Pop Chop. The story focuses on Tom’s moral dilemma: is using Pop Chop a form of cheating? Although the topic is relevant to students, readers may quickly become bored with the lack of action. In the end, Tom and his friends discover who hacked the Pop Chop app, but the mystery’s solution is unrealistic and comes too easily.

Readers looking for non-stop action and an in-depth mystery may want to leave The Sonic Breach on the shelf. However, readers who enjoyed the first Tom Swift book and are interested in technology will find The Sonic Breach entertaining. Tom Swift is an intelligent, likable character who models good communication skills. Plus, parents will appreciate the story’s positive relationships and messages.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Tom and his friends build a robot that says the phrase, “Get to za Choppa.” The phrase comes from an Arnold Schwarznegger movie, and the kids at the school often repeat it. One of the students “was creative with his altered Arnold phrase, ‘Get to the crappa.’”
  • When a news crew shows up at the Swift Academy, the reporter walks over to the fencing team. A student wonders why the reporter is covering the fencing team when there “are two perfectly good robots over there beating the crap out of each other.”

Supernatural

  • None

Spiritual Content

  • None

Dragon Captives

Identical twins Fifer and Thisbe have amazing, uncontrollable magical abilities. They want to learn more about magic, but their brother Alex is the head mage of Artimé and he doesn’t think the girls are ready. Alex knows the girls are more gifted than anyone else, including himself. In order to keep the girls from learning any magical spells, Alex orders everyone in Artimé not to do magic in front of Fifer and Thisbe.

On the Day of Remembrance, an ice blue dragon named Hux shows up with terrible news. His siblings have been enslaved by the notoriously evil Revinir, the ruler of the dragon land. In order to survive, Hux needs someone to return to the dragon’s land to make the dragons new wings. Without Alex’s help, Hux’s sibling will die. Although Alex feels bad for Hux, Alex refuses to leave Artimé.

When Thisbe and Fifer discover Hux’s need, they decide to help the dragons themselves. The girls want to show Alex they are ready to be taught how to use their magic. Thisbe, Fifer, and their friend Seth sneak away to rescue the dragons. Will their untrained abilities be enough to save the dragons—and themselves—when they come face-to-face with Revinir?

Readers will quickly connect to Thisbe, Fifer, and Seth, who want to prove that they can do something good. When the children take off on their journey, they don’t expect to find a hostile land where they will be imprisoned. Despite being in a strange new land, the three spend most of their time trapped in a prison. Because of their plight, each of the characters discover the importance of perseverance.

Dragon Captives is set ten years after the great battle that left Thisbe and Fifer without parents, which will cause confusion for those who haven’t read The Unwanteds Series. The first part of Dragon Captives has many of the same characters as The Unwanteds Series. Even though the story tries to recount the important events from the previous series, readers will have an extremely tough time learning about the magical world and keeping track of the many characters that were developed in The Unwanteds Series.

Even though readers may struggle with the beginning of the book, readers will not regret staying with the story. Once the children make it to the dragon’s land, the story shows interesting cultural differences between the two worlds. Magical spells, chase scenes, and betrayal all come together to make Dragon Captives a fast-paced, exciting story. The action-packed scenes are not gory; however, some readers may be upset by the idea of humans being sold to the highest bidder. Dragon Captives does not have a feel good ending. Instead, the story ends with a scary cliffhanger that will have readers reaching for the next book in the series, Dragon Ghost.

Sexual Content

  • None

Violence

  • A magical creature in the shape of a scorpion chases Thisbe and Fifer. The girls try to escape by climbing a tree, but “the scorpion slid to a stop below them. It gripped the tree with one of its pinchers. Then it snapped the trunk in two, sending the top portion with the girls in it falling through the air and crashing to the jungle floor.” Thisbe’s ankle is caught under the tree, and the “scorpion, moving steadily towards her with its poisonous tail raised, knocked her flat with its pincher. Then it pinned both girls to the ground with its spindly front legs.” A magical Panther appears, and the frightened Thisbe uses a magic spell. “Sparks flew from the girl’s fingertips and slammed into Panther’s flank. The creature’s scream stopped abruptly. With a loud crack and a horrible thud, the black stone beast hit the ground. Slit completely in two.” The girls escape and someone is able to fix the Panther. The scene is described over five pages.
  • Thisbe has strong, uncontrollable magic. When she was two years old, she killed someone—“an actual human.” “She’s also nearly killed others in her younger years, including Alex, with almost effortless magic that was beyond her control.”
  • Fifer and Thisbe go into a town when a man grabs them. “Thisbe whirled around in surprise, she felt a strong calloused hand reaching over her mouth, then a scratchy cloth placed over her nose that had a sickly sweet smell. She tried to scream. . . She gasped for breath, the horrible sweetness from the cloth permeating her nose and throat, and traveling to her brain. She felt a strange fuzziness creep in and take over her. . .” She passes out and wakes up a captive.
  • A snake tries to bite a boy named Dev. “Thisbe pointed at it (the snake). ‘Boom!’ she cried. As Dev twisted and spun around, trying to get away, the snake’s head froze in midair. For a split second it hung there. Everyone held their breath. And then the snake exploded into dozens of pieces that went flying far and wide.”
  • When Thisbe, Fifer, Seth, and the dragon Hux get to the castle, they are taken prisoner. “The soldiers forced the children to one side, taking their supplies for the wings and throwing them to the ground. Then they whipped poor Hux until he backed into the empty stall and they continued whipping him even though he was doing exactly what they told him to do.”
  • Thisbe yells at a guard, and “immediately the soldier pushed Thisbe against the wall. He pulled a dagger from his belt and pressed the point to Thisbe’s chest.” Seth and Fifer try to help, but “the other soldier grabbed Fifer and Seth and pulled them back while the two holding Thisbe dragged her to the ramp and began to ascend it.” Thisbe is taken deeper into the prison and locked in a cell.
  • As the soldiers were forcing Thisbe to leave her friends, Thisbe “flicked her fingers the best she could, hoping something else would happen. Fiery sparks flew out of them, hitting the soldiers in the face. . . the head soldier held her, kicking and screaming. Next to her, Seth landed a well-placed kick and managed to break loose from his captor. . . He pulled out a few scatterclips and sent them flying. They snagged one soldier, dragging him backward and stacking another behind the first, and pinned them to the wall.” In the end, Seth and Fifer are separated from Thisbe.
  • Seth tries to look for Thisbe, but a soldier “stuck out his leg, tripping the boy. Seth went sprawling hands first and landed on his stomach. The head soldier grabbed him by the back of his vest and brought him to his feet, then pulled his dagger and held the point to Seth’s neck.”
  • While trying to escape, one of the dragons “torched anyone who got in his way.” When the dragons got close to the door, “the dragons roared and dove for the exit, dodging spears and swords, spewing fire from their mouths with reckless abandon, caring only about their freedom now. . .”
  • Simber and Seth try to find Thisbe, but soldiers stop them. “A valiant soldier stood fast in front of Simber, holding a spear pointed at the cheetah’s eye. Simber ducked and plowed into him. The soldier and his spear flew up in the air and landed hard in the path of dust and rubble Simber left behind him. One by one Simber clobbered all the men and women who stood in his way.”
  • Seth uses the glass spell. “This time a sheet of glass appeared between him and the soldiers, cutting them off. They slammed into it. The last thing Seth saw was four faces pressing against it before he turned and vaulted onto Simber’s back once more.
  • When Simba and his friends were trying to escape the prison, “soldiers charged, but Simber batted at them with his wings or butted them with his head and didn’t slow down. Before long, he was trampling the ones who wouldn’t get out of the way. As soon as the Artiméans came to the entryway, Simber spread his wings wide, knocking more soldiers down, and began flapping.”
  • When Simber and his friends were running from the guards, someone began lowering the gate. One of the stakes “caught the collar of Thatcher’s shirt. Thatcher was violently yanked off Simber’s back and thrown to the ground under the portcullis. . . The sharp iron points were about to run him through. He screamed and rolled away, his shirt ripping down the back.” Thatcher is able to escape unharmed.
  • Thisbe and Fifer were tied up and taken to the market to be sold. During the ride, “their wrists were tied down.” When they arrive at the market, the soldiers “shackled the girls to two wooden posts.”
  • Simber tries to save Thisbe and Fifer, but he didn’t notice the glass barrier. “Before anyone could warn him, Simber smashed right through the invisible glass barrier that Thisbe had cast in front of Fifer. The girls screamed. Shards of glass flew everywhere. . . Fifer’s face, at first joyous at seeing Simber coming toward them, turned to shock at the impact, and then horror afterwards as she glanced down at her body. Bright red bloodstains spread over her clothing. And then, without a word, she slumped unconscious, only her shackles keeping her from falling face-first to the stage.” Fifer is wounded and Thisbe is kidnapped.

Drugs and Alcohol

  • None

Language

  • Crud is used six times. Seth tells a dragon, “go up the ramp and torch the crud out of any soldiers who come this way.”
  • Thisbe says someone is “kind of a jerk.”

Supernatural

  • Artemé is a magical island that has “creations carved from stone or molded from clay and brought to life with strong magic.”
  • People can travel through a large glass tube. When Thisbe and Fifer press the button, “the girls’ world went dark for a second or two. When it became light again, they were looking upon a completely different landscape. Indeed, they were on a completely different island, far from home—it would take several days’ journey by ship to get here.”
  • One of the characters is an octogaor, “who had an alligator head and an octopus body.”
  • When Fifer lets out a whoop, glass breaks. Fifer can also make glass disappear and reappear.
  • In the past, Artemé’s mage was killed and “Artemé had disappeared because the world couldn’t exist without a head mage running it. Every last one of the living statues and creatures. . . had immediately ceased to be alive.”
  • Alex “rarely did magic anymore, other than simple spells like flicking on a highlighter in a dark corner of the Museum of Large or sending a seek spell whenever he couldn’t find his sisters and wanted them to come home. A seek spell merely required him to hold an artistic item created by the person he was seeking.”
  • A dragon, Hux, goes to Artemé hoping someone can make him new wings so he can fly again. Later, Thisbe and Fifer sneak in to see Alex turn vines, flowers, and cloth into dragon wings. Alex “closed his eyes and concentrated for several moments, imaging the wing taking flight. He pictured it sparkling in the sun, flowing with ease, as light and free as the petals that adorned it… And finally he spoke a single wood. ‘Live.’ The wings began to move.”
  • In Artemé, “a blackboard was like a magical host in the living area of each apartment. Each personality delivered messages, kept an eye on the residence, offered help, guidance, and sometimes attitude, and some even shared gossip from the other blackboards.”
  • Thisbe can make invisible hooks. “Thisbe quirked her finger away and pointed at a wall. A spark shot out and supposedly an invisible hook attacked itself to the wall, though neither girl felt like going to feel around for it.”
  • In order to get out of a locked cell, Thisbe uses magic to make the bamboo grid come to life. “The bamboo grid began to billow, and suddenly the top right corner of it worked its way out of the stone. It waved this way and that, and with a series of little pops, the grid came loose one bar at time. . .People in the market noticed what was happening. A wave of panic spread through the area. . .the people in the marketplace ran away screaming, and the grid, filled with exuberant magical life, wiggled and tumbled and chased after them.” The girls are able to escape. As they flee, the prison door chases Seth. “A moment later one corner of the bars hooked Seth by his shirt and took him on a ride into the air. Then it slammed him into the ground and dragged him around again in the same manner as it rolled through the square.” Eventually, the girls are able to pull Seth free and “he hit the ground with a sickening thump, his face slamming into the pavement. Luckily some squashed tomatoes kept him from hitting it too hard.”

Spiritual Content

  • None

 

 

 

Odd Gods

Oddonis may be the son of Zeus, but he’s a little bit odd for a God. He’s so odd, in fact, that he’s not sure if he has any powers at all. And if that isn’t enough, his twin brother Adonis is the most popular, most athletic, and most otherworldly handsome God of them all.

Oddonis’s future at Mount Olympus Middle isn’t looking bright, especially when he makes the last-minute decision to run against Adonis to be class president. With the help of his friends Mathena (Goddess of math and poultry), Germes (God of all things sniffling and snotty), Puneous (the smallest God of them all), and Gaseous (enough said?), Oddonis is determined to win the race, prove that his friends are as good as any Greek God, and maybe, just maybe, find out what his true powers really are.

Anyone who has ever felt like an outsider will relate to Oddonis, who is not handsome, strong, or amazing like his brother, Adonis. Oddonis’s tale features other misfits, including Gaseous, who farts his way through the story. Unfortunately, Gaseous’s farts smell like “feta cheese, a wet ferret, and feet.” Later at an assembly “Gaseous lets out one of those loud, long, air-going-out-of-a-balloon farts, and the auditorium goes crazy.” In the end, Gaseous uses his fart-power to help Oddonis.

Odd Gods has easy vocabulary, short paragraphs, and humorous black-and-white illustrations on every page. Despite the juvenile humor, Odd Gods has several positive messages about the importance of liking yourself (flaws and all). Even though Oddonis was bullied and called names, he realizes that it’s okay not to be perfect. In the end, Oddonis looks at his reflection and thinks, “I maybe even like what I see. . . And that makes me smile.”

Throughout the story, Oddonis finds a unique group of friends, who were often criticized by others. When Oddonis decides to run against his brother, his friends use their unique talents to help Oddonis. Through their experiences, the reader will learn the importance of friendship, forgiveness, and working together. The message is clear: people who are different should be proud of their differences. Even though Odd Gods has gross humor, readers will enjoy the ridiculously humorous story as well as learn some valuable lessons.

Sexual Content

  • Adonis is the “God of beauty and desire.”

Violence

  • On the school chariot, Poseidon “opens his mouth, a tidal wave comes out” and drenches Oddonis and his friend. The illustration shows Oddonis and his friend swimming with fish and crabs, while other gods laugh at them.
  • On the first day of school, Oddonis, Gaseous, and Puneous are in the hall when “Ares and Apollo pick the three of us up, stuff us in an open locker, and slam the door shut.”
  • When Oddonis sticks up for another kid, “Hercules slams his mighty fists down on our table, and before I can say, ‘Where are we going’ –I’m FLYING UP IN THE AIR!” And it’s not just me—Gaseous, Puneous, Mathena, and Clucky and Ducky are flying, too!” The group ends up in the dumpster.
  • While in the dumpster, Gaseous farts and “Boom!!! WHAM!!! Back we land, right at our table, right where we were sitting before.”
  • Adonis, Poseidon, and Hercules are racing towards Oddonis in a chariot. When the chariot gets close, one of Oddonis’s friends “grabs a level next to the steering wheel and pulls hard. One side of the dumpster drops down and empties its putrid payload. . . right on Adonis’s chariot!” The three gods are “coated with stinky slimy slop! (The cafeteria’s ‘Tuna Surprise’ never looked better!)”
  • Oddonis looks in his brother’s backpack and sees a picture of himself being hung on a noose.

Drugs and Alcohol

  • None

Language

  • Someone calls Gaseous “Fire Butt.”
  • “Oh My Gods” is used as an exclamation twice and also OMG is used twice.
  • The story contains a lot of name calling, including apes, birdbrain, fish face, jerk, weirdos, idiot, dummy, doofus, bonehead, stupid, halfwit, dimwhit, blockhead, and nincompoop.
  • “What the—” is used twice.
  • Heck is used three times.
  • When Oddonis tells Echo, “But now what do I do, do, do?” Echo giggles and says, “You said doo-doo, doo-doo, doo-doo.”

Supernatural

  • None

Spiritual Content

  • When Puneous comes back from a spying mission, Oddonis says, “Thank Gods you’re okay!”

The Last Kids on Earth and the Midnight Blade

Surviving their first winter after the Monster Apocalypse was no easy feat, yet Jack and his buddies waste no time springing to action against some of the nastiest, most evil monsters around. When Jack discovers his Louisville Slicer has new otherworldly powers, he’s thrown into epic training to find out what kind of destruction the blade can wield. But between fighting off zombies, fleeing from strange, glowy Vine-Thingies erupting from the ground, and squeezing in a video game session or two, there’s barely time left to figure out what’s wrong with their buddy, Dirk. Dirk has been acting weird any time he’s around the undead. When an unexpected villain appears, can Jack and his friends save themselves—and the rest of the world—from cosmic domination?

The fifth installment of The Last Kids on Earth brings back some old friends and enemies. The action-packed sequences begin with Jack and his friends trying to help Dirk get over his depressed state. Younger readers will enjoy the entertaining activities that Jack plans to help Dirk. However, the fight scenes with the Vine-Thingies may be slightly confusing. In the end, Jack learns that “being different and not fitting in—that’s good sometimes.”

Like the previous books, the story will keep readers entertained with its fast pace, funny scenes, and epic battles. The easy-to-read text contains dialogue bubbles, alliteration, and onomatopoeias that make reading the story a joy. The black and white illustrations that appear on almost every page bring the kids’ world to life as well as adds humor.

At first, The Last Kids on Earth and the Midnight Blade may look like just another graphic novel. However, the characters are surprisingly well-developed and readers will come away with a valuable lesson about working together. Both the human kids and the monsters work together to defeat evil. Throughout the story, Jack realizes he has to do what’s best for his friends, even when it may be painful for him.

This story can be understood without reading the previous books in the series, but for maximum enjoyment readers should read the books in order. Readers will like The Last Kids on Earth and the Midnight Blade because the story keeps the same humorous, non-frightening format as the previous books. The story ends with a conclusion that makes it clear that Thrull will return, and it gives the possibility that Jack’s friends just might find their parents.

Sexual Content

  • Jack and Bardle need a place to keep a group of zombies. They ask a monster if the zombies can stay on her property. Warg gives her permission, but says, “there is one condition.” Jack replies, “I don’t have to watch you guys make out, do I?”

Violence

  • Jack and his friends sneak into Ghazt’s lair and are discovered. Biggun tries to help Jack and his friends by “hurling zombies right and left. June and Quint are back-to-back, battling the Cabal of the Cosmic. Crack! Ghazt’s tail smacks me, and I’m hurled across the room. I land against a half-inflated pile of bowling lane bumpers.” During the fight, “Skaelka’s razor-sharp blade slices through Ghazt’s tail! The creature SHRIEKS. His eyes go wide and his face contorts into an ‘oh no now my tail is just a nub’ face.” Ghazt eventually falls through the floor and disappears. The fight scene is described over seven pages.
  • A huge eyeball is attacked by vines. Jack and his friends try to help the eyeball by attacking the vnes. Dirk screams “MALLET MELEE!!!” and the fight begins. “Each goo-slime-covered swing melts, slices, and tears through the vines! Soon, only one titanically thick Vine-Thingy still chokes it.” The group try to help but, “Vine-Thingies burst through the pavement, like hundreds of spindly branches. They clutch Hairy Eyeball monster. The monster shrieks and struggles, but it’s no use. An instant later, the eyeball is gone—pulled, howling, into the crumbling pavement.” The battle is described over ten pages.
  • The vines try to capture Jack and his friends. Someone “uses the Gift’s Wolverine-style blade to slice through vines. Green goo splatters the ground.” The kids run for their lives.
  • In an effort to take control of the zombies, Thrull appears. When Bardle raises his sword, “Thrull lifts the war hammer and it seems to hang in the air, defying gravity, then he swings. A crashing boom. A flash of energy. And then metal crunching—Bardle slamming into a nearby car. Thrull’s blow catapulting him out of the wreckage and across the street.” After a ten page battle, Bardle dies.

Drugs and Alcohol

  • None

Language

  • Freaking is used occasionally.
  • Crud is used seven times. When June makes a joke, Jack thinks, “the teasing—it makes it all feel normal again. And I appreciate the crud out of June for it.”
  • When Bardle is hurt, Jack says, “Holy crud, that scared me!”
  • Jack calls Thrull a “DOOF! WAD!”

Supernatural

  • When Jack swings the Slicer at a zombie, Jack feels “the Slicer catch—like the blade and the zombie are connected by some strange magnetism.” Everything freezes, then “the hovering zombie is thrust down, too. Its knees buckled and it crumples to the floor in a drooling, groaning heap.”
  • A Scrapken, which is an octopus-like creature, grabs Jack’s hand, causing him pain. Jack uses the Slicer to cut off the Scrapken’s tentacle. “The Scrapken howling. Dirk stammering. Me clutching my arm and shouting up at the monster.” Jack apologizes and “the severed tentacle waves in front of me, leaking thick blue-green ooze.” The tentacle acts like a glove and allows Jack to hold the burning hot Slicer.
  • Thrull and the kids fight to get Ghazt’s tail because of its ability to control zombies. When Jack touches the tail a “big mass” of “dark other-dimension energy” courses through his glove. The “rat tail’s skin begins to bubble. It’s being pulled into the glove. . . I smell burning and I see the last bit of energy extracted from the tail. After the process is complete, Thrull’s left with a long, winding, skeletal appendage.”

Spiritual Content

  • None

Dodging Dinosaurs

Get ready for Chase and Ava’s newest adventure! When they touch a dinosaur egg inside their magical suitcase, Chase and Ava jump back to prehistoric times. They’ll need to work to return the egg to its rightful nesting place before they become dinosaur dinner. How will they find the right nest to put the dinosaur egg in? Will they run into the bad guy, Randall, who keeps following them?

Siblings Chase and Ava jump back into the dinosaur age. As they search for the right nest to place the egg, the two befriend a baby dinosaur as well as run from giant stinging bugs. The story contains some interesting dinosaur facts and begins to answer the mystery of the suitcase. Even though the storyline is not completely believable, readers will enjoy the non-stop action, mystery, and dinosaur facts.

Dodging Dinosaurs is part of Scholastic’s Branches early chapter books, which have easy-to-read text and illustrations on every page. The story uses short descriptions and dialogue to keep the story moving at a fast pace. Black and white illustrations appear on every page and help break up the text into manageable sections. Dodging Dinosaurs introduces several characters that appeared in previous books, which requires the Time Jumpers series to be read in order.

In Dodging Dinosaurs, the villain Randall jumps in to save the kids. Randall tells the kids, “As of right now, I officially quit stealing things from history. The Collector isn’t going to like it.” Even though Dodging Dinosaurs solves one mystery, readers will be eager to discover who the Collector is and why he wants historical artifacts. Dodging Dinosaurs focuses on a positive sibling relationship and will entertain readers who are ready for chapter books.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Chase and Ava are time jumpers. When they go back in time, they meet another man from their time period. Chase tells the man, “You’re definitely a time jumper. You could open the suitcase, which regular people can’t. You traveled when you touched one of the objects inside. And you remember both timelines—the one where the brontosaurus was in the museum, and the one where it wasn’t. We’re pretty sure only time jumpers can do those things.”

Spiritual Content

  • None

 

Frost Friends Forever

Lina has never had a sleepover before. She’s excited that Claudia is coming up to the clouds for the first time. Lina always has fun at Claudia’s sleepovers, and Lina wants her sleepover to be extra special and fun. Lina has everything planned—snow cones, pizza, and staying up late.

When Lina’s Great-Aunt Eastia visits, everything that Lina has planned must be changed. Instead of pizza for dinner, they’re eating turnip soup. There also won’t be snow cones, snow fun, or staying up late. Instead, Great-Aunt Eastia wants Lina to act like a proper princess. Lina doesn’t want Great-Aunt Eastia to ruin her fun. How will Lina and Claudia have a snowingly perfect sleepover without following Lina’s plan?

Readers don’t have to be princesses to understand Lina’s conflict—Lina just wants to have a good time with her best friend. Even though Lina really loves her great-aunt, Lina doesn’t want to follow her advice. The magical princess has been banned from creating snow. In an attempt to have some snow fun, Lina and Claudia sneak onto Lina’s father’s airplane. Once the plane has landed, the girls head to a snow hill for some amazing sledding. When an unexpected blizzard arrives, the girls discover that they are lost.

Like a Disney princess, Lina is sweet, but not perfect. Lina tells her own story in a diary format, which allows readers to understand Lina’s conflicting emotions. In the end, Lina learns that she didn’t need exciting plans to have a fun sleepover with her best friend. Even though Lina doesn’t follow instructions, she still shows her great-aunt respect. Lina knows she can’t talk back to her aunt “because it would be rude.” Readers will understand Lina’s frustration and her mischievous side, but also see the dangers of sneaking away from her home.

Adorable blue-and-black illustrations appear on almost every page, showing Lina’s adventures. Some of the illustrations look like a piece of blue binder paper and have a list that helps reinforce the story’s ideas. For example, after Lina realizes that she and Claudia are lost in the snow, she makes a list of “Why I felt, really, really awful.” Readers will enjoy seeing Lina and Claudia’s fun sleepover, Lina’s house in the clouds, and her cute husky puppy.

Frost Friends Forever is not only a magical princess story, but also introduces the science of friction through an easy-to-understand explanation. The story also gives a practical example—Lina and her friend use ice friction to turn the ballroom floor into a sledding rink. The end of the book also explains how to make an ice lantern like the one Lina and Claudia made.

Readers will want to read about Lina’s adventures again and again as they learn important lessons about friendship and appreciating people’s differences. Readers do not have to be princesses to apply the story’s message to their life—being a princess is acting honorably as well as thinking about others, and keeping promises.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Lina is a Winterheart, “which means that I have magic powers over ice and snow.”
  • Most of Lina’s family members are Windtamers, which means “they can control the wind and weather.”
  • Lina and her family live on a magic cloud. “Otherwise we’d all be dropping out of the sky right now.”
  • When Lina and Claudia are lost, “Great-Aunt Eastia swooped through the clouds. She was using her Windtamer powers to warm the air and blow the blizzard away.”

Spiritual Content

  • None

The Merciful Crow

In the world of Sabor, the Phoenix Caste reigns supreme, the Hawk Caste does their best to maintain the peace, and the Crow Caste are scorned by all. Fie, a future Crow chief, is a teenage girl who’s roped into helping the Crown Prince Jasimir and his body-double Tavin. Together, all three must outrun Queen Rhusana’s expert trackers and killers.

But what’s supposed to be an easy journey to deliver the Prince into an allied governor’s hands quickly turns into much more than Fie or the rest of her Crows ever expected. Hunted by Queen Rhusana’s handpicked trackers, the Vultures, Fie must summon everything she has to outwit and outrun her pursuers. The conflicts only get harder as she begins to fall in love with Tavin, a love that shouldn’t be possible.

From the moment the book begins, it’s an endless adventure that never fails to deliver on the harrowing journey Fie must undertake. With the class-based society Sabor revolves around, the Crows (Fie’s caste) are universally snubbed and hated by the other castes. This is a theme that hits the reader on the head throughout the story. Despite this, Fie, Jasimir, and Tavin are likable protagonists that help to anchor the story.

While the story is similar to Romeo and Juliet, Owen manages to keep The Merciful Crow fresh. The easy-to-read story is written with wonderful pacing that will keep the reader gliding through each chapter. With a good blend of fast-paced action and romance, the book will hook the reader from the beginning until the very end. The Merciful Crow has several surprises and fun twists that add to the quick scenes. Fie’s relationship with Tavin is also a highlight as the two use the journey to grow both as people and as lovers. While the characters feel underdeveloped at times, they are still fun assets to the story.

The Merciful Crow will delight those who want an action-based adventure story set in a troubled fantasy world. The story features a strong female protagonist and has a theme of fighting against prejudice in a hateful world. Even though the plot is not unique—the main protagonists are forced to journey together and eventually fall in love—The Merciful Crow is a fun tale because of the mix of action and love. The Merciful Crow would be a great addition to any young reader’s bookshelf.

Sexual Content

  • Madcap, a Crow, belted “another lewd and anatomically improbable verse of ‘The Lad from Across the Sea’” when dancing with Fie. Madcap is the only Crow with lewd songs, and he sings them another 2-3 times. The actual words of the song itself are never specified.
  • When Fie uses her magic and sees visions of the past. She sees “a lover waiting in the amber-pod gardens”.
  • Fie reminisces about the past when she thinks, “She might have softened her tongue for Hangdog long ago, when the two of them slipped away to more private groves.”
  • When Tavin is trying to distinguish Fie’s preferences, “Madcap made a crude gesture that suggested exactly what they thought Fie trucked with.”
  • When bantering with Tavin, Fie says, “Wager I’ve spent more nights ready to die for my kin than you’ve spent rolling palace girls.” She uses this against Tavin a few more times, often to catch him off guard.
  • Hangdog gets angry at Fie’s relationship with Tavin: “Just because he can’t rut his own women out here doesn’t mean he’s welcome to ours.” Hangdog consistently berates Fie and Tavin in this way. He confronts Fie again: “You’re only good to his kind on your knees.”
  • Another Crow asks of Fie (when it’s only her, Jasimir, and Tavin), “You a-feared of getting with child, too?”
  • Speaking about the Swan Caste: “Swans don’t rut inside the caste…At least, not to conceive.”
  • While wanting to take a bath in a river, Fie thinks, “stripping down in front of lordlings didn’t sit right.”
  • When waking up to find Tavin had gone to wash up in a hot spring, Fie thinks, “The notion of Tavin washing up in a hot spring had an entirely different effect on her.” Jasimir notices Fie’s obvious desire, and says, “I’m not utterly oblivious…But you’re only going to get hurt.”
  • On watch duty with Tavin, Fie kisses him. “He didn’t kiss her back so much as drown himself in her.” She reminisces, as she and Tavin strip down to sleep with each other, that “Before, when she’d lain with Hangdog, it had been matters of urgency, a hasty exchange of services.” She goes on to say, “Tavin too moved with urgency, but it was a curious kind, a need to discover every place that made her shiver…” Afterward, Tavin explains why he never wanted to get anyone pregnant, saying, “Gender’s never mattered to me, but I-I didn’t want to get anyone with child.” This scene takes place over multiple pages.
  • When tempers flare between Jasimir and Tavin as they’re being chased, Jasimir says in regards to Fie, “My condolences if that conflicts with who you want in your bed this week!”
  • Tavin kisses Fie before sacrificing himself to become a decoy. “He pulled Fie to him and pressed a swift, soft kiss to her mouth.”
  • When traveling with only Jasimir, Jas says, “Don’t tell me you’re worried that I’ll get you with child.”
  • When Tavin’s mother asks if anyone has something to say, Fie says, “Tavin and I slept together…Since you’re asking.”
  • When speaking about his father and mother to Fie, Tavin says, “…he’d been drunk enough to command Mother to his bed while Aunt Jasindra was still at the reception.”
  • After coming to terms with each other, Fie says to Tavin, “If I’d known I’d rutted a half prince, probably I would’ve bragged about it more.” Once made up, Tavin “kissed her back, careful at first, then spiraling into dizzy, feverish glee…” Eventually, Fie manages to say, “My room,” telling Tavin to sleep with her again. This scene happens in two pages.
  • When Tavin and Fie are say goodbye to each other at the end, Tavin “opened his mouth, shut it again, and, without a word, pulled her into a long, hard kiss.”

Violence

  • The very first line of the book is, “Pa was taking too long to cut the boy’s throats.” Because of a plague running rampant in Sabor, the Crow Caste – being the only caste immune to the disease – end up being called to mercy kill the plague victims before the plague overcomes the victim. This type of scene is brought up again. In another scene, Fie thinks about what would happen if they didn’t kill the victims. “Two weeks in, the dead would be piled up, the crops blackening in the fields.” When Pa proceeds to kill a plague victim, “There was a savage jerk. The sinner died smiling.”
  • The sight of blood is frequently shown. For example, “Damp red streaked down the front of Pa’s robes. He’d dealt a mercy killing, then.”
  • After bringing the supposedly dead prince out to the cart, Fie wonders “if Phoenix boys burned like any other sinner.” Fie then notices, “Death-stink hadn’t settled on the boys yet, but she still flinched at the crimson stains on their shrouds.” Fie “didn’t intend to punch the boy, but she did all the same.”
  • When Hangdog tries to touch Tavin, he found himself “standing stone-still as a sword point strummed the skin beneath his chin.”
  • When discussing the Crow’s mercy killings, Pa asks Jasimir, “You ever listen to a child die by fire?”
  • When Hangdog, Fie’s former lover and a fellow Crow, attempts to betray the Princes, “An arrow sank, soft and immediate, into Hangdog’s eye.” Hangdog dies, and the Crows (not including Fie, Tavin, and Jasimir) are taken hostage. A Vulture witch tells Fie, “Oldest woman in your kin, caught a few too many arrows from us on the bridge.” That woman is Wretch, and she survives the wounds. After Viimo, the witch, tells Fie about Wretch, Fie destroys Viimo’s hands. “One moment Viimo’s hands were hands; the next they were a tangle of raw red flesh and tattered skin.”
  • When dealing with more hate from a Sparrow butcher, Tavin uses his magic to boil the man. “The butcher crumpled, screaming, as blisters boiled over his blackening flesh.”
  • As Fie, Tavin, and Jas are ambushed, “The rest was a frenzy of noise, steel, and blood. One body fell, then another—”
  • Fie gets angry with Jasimir, “Then she slapped the prince.” To stop Jasimir from giving their position away, Fie tackles Jasimir to the ground and “Fie flipped the broken sword and leveled its jagged, trembling point to Jasimir’s right eye.”
  • When attacked by ghasts, Fie attacked the creature with the broken sword: “It sank to the hilt without a sound, but the flesh round her throat stayed iron-solid.” When Jasimir kills an Oleander in the same scene, “Steel flashed, a thorn darting through torchlight.”
  • While fleeing the Vultures sent by the Queen, Fie and Jasimir are shot at, “Then an arrow sailed over her head and into the trunk of a ghost tree.” Another arrow later hits Fie. “She didn’t feel the arrow when it buried itself in her thigh.”
  • When Fie confronts Tatterhelm and the Vultures chasing after her and Jasimir, they fight. “He slammed her into another wall.” This scene takes place over several pages.

Drugs and Alcohol

  • Fie “smirked up at him, a little jump-drunk from swinging betwixt fear and relief.”
  • When Jas teaches Fie to write letters, she thinks “hers were overlarge and tilting like a drunk.”
  • After hiding from an ambush, Fie and the others find “The supplies they’d abandoned were knocked about the clearing as if a drunkard had bumbled into them…”

Language

  • At the very beginning, Fie says, “Twelve hells,” a saying that pops up very frequently throughout the story.
  • When finding the stray cat, Pa says, “Covenant’s crap she is, Fie, but we’ll talk your share later.”
  • When they first meet, Wretch calls Tavin and Jasimir “royal louts.”
  • Tavin says, early on, “The damn patchouli, that’s what she called it.” Damn pops up occasionally in the book.
  • Hangdog calls Prince Jasimir a “piss-baby.”
  • Jasimir calls Fie a “bone-thief,” a slur aimed at Crow witches. This pops up occasionally in the book.
  • Hangdog, getting mad at Jasimir, says, “When was the last time your powdered ass set foot off the palace grounds?” Ass is used occasionally in the book.
  • An Oleander, a hunter of Crows, calls Fie’s band “filth.”
  • Fie calls Tavin a “bastard boy.” Bastard is used occasionally in the book. Part Three is titled: “Bastards and Gods.” Soon after, as Tavin tries to help her down from a tree, Fie tells him to “get scummed!”
  • Master-General Draga called King Surimir, “gilded dung.”
  • Viimo tells Tavin to “Choke on horseshit.”
  • Jasimir tells Fie after they lose Tavin, “Fuck the oath!”

Supernatural

  • War-witches are witches meant specifically for battle. Fie thinks, “King Surimir fancied the war-witches as his palace guards, warriors who healed wounds just as easily as they tore their foes apart from within.” Tavin is considered a war-witch due to his Hawk caste standing and his job as Jasimir’s bodyguard.
  • Fie thinks about how she and Hangdog had “both been born witches, and for Crows, that meant they were born to be chiefs.” There are only as many witches as there are dead gods, meaning only a thousand are spread throughout Sabor. Witches and magic pop up as the main premise throughout this book, and come in and out of the story very fluidly. Characters like Fie, Hangdog, Pa, Tavin, Viimo, and others unnamed use magic.
  • Fie and other Crow witches use people’s teeth to produce their magic. The teeth allow the Crows to access the Birthrights of the other castes – the special abilities the thousand dead gods once handed down to the people of Sabor. This happens frequently throughout the book, mostly through Fie.
  • Birthrights aren’t specifically mentioned as magic, but they are used in the same way. For instance, the Vulture caste members that are after Fie, Tavin, and Jasimir use their Birthrights alongside their own magic to track the trio. Birthrights are a major theme in the novel, as they call back to the caste system present in Sabor.
  • The Vultures use their magic at some point to create ghasts. Ghasts are essentially the undead. Hangdog’s corpse is eventually used against Fie in the final part of the book.

Spiritual Content

  • Throughout Sabor, a plague is present. People who come down with the plague are called “sinners.” For example, when Fie and Hangdog go to bring out the sinners at the beginning of the book, Fie thinks, “The steward had called the sinner ‘boys’ when he led the Crows in.” This happens frequently, whenever a plague victim is seen of mentioned.
  • The “thousand dead gods,” (or just “dead gods”) are mentioned frequently throughout the book. An early example: “But by the thousand dead gods of Sabor, Fie wagered they were starting to catch on now.” Fie thinks of a saying, “Dead gods be kind.” Very few of these dead gods are mentioned by name.
  • There are shrines the Crow Caste stops at throughout Sabor. These shrines are dedicated to their gods. For example, “The scattering of huts and god-grave shrines by the road eventually yielded to the twist-trunked, lichen-shawled forest.” These shrines pop up frequently, both literally and in conversation.
  • The dead gods gave out the Birthrights – special abilities given to each Caste. For instance, the Phoenix Caste (the ruling caste) was given the Birthright of fire, which allows them immunity to burning or fire-based injuries. Each Caste’s gods handed out Birthrights to their Caste, save for the Crow Gods. “She wondered, too much, why the Crow’s gods had left them no Birthright at all.” Birthrights come up frequently throughout the book.
  • Some Crow Gods are named early on when Fie and her Crows stop at a shrine. “Loyal Star Hama guarding sleeping crows, Crossroads Eyes leading them away from treacherous roads, Dena Wrathful and her hundred-hundred teeth.” Wretch, a Crow, “set on a new walking song, a marching hymn to the dead god Crossroads-eyes.”
  • A Phoenix dead god is named “Ambra, Queen of Day and Night, stood astride the sun, wreathed in gold Phoenix fire.” Fie uses her name against Jasimir saying, “But Ambra help me, you leave who’s bedding out of it, or I swear to every dead god—”
  • It’s mentioned that the “Swan caste had only three dead gods.”
  • It’s thought that every witch in Sabor is the reincarnation of a dead god. Madcap called Fie, “Little Witness: the dead Crow god,” when she was younger.

by Jonathan Planman

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