Reading Level: Junior High

Terrier

Beka lives in the Lower City, the roughest part of Corus. She is a Puppy, training to be one of the Dogs, those who police the streets and try to keep the Rats from causing too much hurt. The job is a deadly one and undesirable to most. But being a Dog is in Beka’s blood, and she will do everything in her power to protect the people of the Lower City–her people.

Terrier is the beginning of a trilogy, but each book is self-sufficient. This series is not like Pierce’s other books. It is an excellent and entertaining story, with heaps of action and convoluted plots that will reveal an unexpected ending. However, this series is meant for a more mature audience than the majority of Pierce’s novels. There is a decent amount of profanity as well as more sexual content. As Beka is a guardswoman, the majority of her job involves her capturing and fighting with criminals. While the fights and sexual content are not graphically described, they are plentiful.

Sexual Content

  • Beka sees a woman and notes that “there was a twitch to her hips. I’d wager she’d give her husband an extra-warm night, thinking of the tall Dog who had flirted with her.”
  • Beka calls her breasts peaches. When describing herself, she says, “My peaches are well enough. Doubtless they would be larger if I put on more pounds, but as I have no sweetheart and am not wishful of one for now, my peaches are fine as they are.”
  • There is a mage who works at the Kennel, who has “roaming hands, with their pinching and stroking fingers . . . Quick as a snake, Fulk grabbed my wrist. He smiled into my eyes, his fingers rubbing my arm.”
  • Beka accidentally lets her neighbor see her half-dressed. “I blinked at Rosto. Trouble has just moved in, I thought. Then I remembered I stood there in no more than breastband and breeches. I shrieked and slammed my door.”
  • Beka sees a male prostitute. “He beckoned to me, flexing hard chest muscles. I looked away. It was a very tight loincloth.”
  • Rostro has two girls he is intimate with at one point, which Beka and Ersken discuss briefly. “‘And he’s got Aniki or Kora.’ ‘I’d say both.’ ‘That’s his business, Ersken.'”
  • While Beka says she will never get involved with Rosto, she admits, “He makes my skin, my peaches, and my other parts tingle in an agreeable way. Naught will come of it.”
  • Beka goes to a tavern while pursuing a case. “That same knight beckoned to a serving maid as the two noblemen seated themselves. She thrust the neck of her dress lower, when it already did little enough to cover her peaches.” Later some men “made a game of looking under tables, benches, and the mots’ skirts. More than a few earned cuffs and boxed ears from the mots who objected.”
  • A knight notices a prostitute at a tavern. “The wench who’d gotten his attention was one of the higher-priced doxies there, wearing a dress and earrings that did not come from Cheappretty Row.” His friend says he “is all kinds of fat in the purse, and he loves to pay double when he’s happy.”
  • Beka finds her neighbor in “only her shift, though the day was cool and rainy. Moreover, I saw Ersken pulling on his breeches behind her . . . ‘I’m my own mot and can say who shares my bed,’ Kora told me. ‘Rosto knows.’ She smiled. ‘We’re still friends, just not bed friends.'”
  • Goodwin finds a coil of wire hidden in a codpiece. “She reached around the rusher and grabbed his metal codpiece. “‘Oh, sweet one,’ the cove said with a moan, ‘my lovey, my–’ ‘Shut up.’ Goodwin yanked the codpiece hard.”
  • A criminal tells Tunstall, “Pox on yer privates if ye think I’ve a word for ye.”
  • Kora kisses her boyfriend. “Then she kissed him again for a goodlytime. I grabbed the ham, as it seemed they would be occupied for a while.”
  • Rosto kisses Beka. He “grabbed me by the back of the neck, and kissed me on the mouth. I should have punched him, but his mouth was sweet and soft. I will punch him next time.”

 

Violence

  • Goodwin is attacked while trying to make an arrest. “Orva struck backhand, her fist turned sideways. She caught Goodwin with the butt of the hilt square on the hinge of the jaw. Goodwin dropped, her eyes rolled up in her head.”
  • Goodwin tells Beka they can’t catch every Rat. “Do you know how many robberies there are in a day in the Lower City, how many burglaries, how many purse cuttings, rapes, brawls . . . Do you know how many mothers drown newborns and tots in privies or rain barrels? How many fathers and uncles toss them into the rear yard with broken skulls?”
  • Beka has to break up a tavern brawl while on duty. “Someone pushed me against a table. I smashed him across the head hard, then shoved him behind me. I heard him smack into furniture . . . I finally remembered Ahuda’s teaching and fought my way to a wall.”
  • Beka and her partners break up a fight. “He roared and charged Tunstall, head down. Tunstall turned to the side and swung up his bent knee. He caught the charging Parks brother on the chin . . . He never saw me smack his wrist with my baton. When he dropped the weapon, he bent to grab it. I hit him on the spine, praying I hadn’t done it too hard.”
  • The Rogue mentions he will give his guards “a choice between death and life as a maimed beggar” after they failed him.
  • Beka sees a woman being abused by her brother. “He knocked her sideways, sending her sprawling on the floor. Now I knew where her bruises came from.” Beka stops him from hitting her, too. “I blocked his swing with my forearm, though it jarred my teeth. While he gaped, I grabbed that wrist with my free left hand and yanked him toward me over the counter . . . When he grabbed at me with his free hand, I seized it and twisted so he’d stop thrashing.”
  • A woman confesses that “I tried to get my man to move in . . . but he wouldn’t allow for it. Said he wasn’t meant to live with little ones. So one night I took the blanket and I put it over my boy’s face until he stopped breathin’.”
  • Beka and her team stop a robbery. “I scooped my own kick forward and up, between his legs, and slammed a metal codpiece with my foot. Had it been solid metal, not pieces, I might’ve hurt myself. Instead it gave way under my kick. The rusher groaned, his eyes rolling up in his head. I hadn’t seen him draw a dagger with his free hand. It slid just past my right side, slicing my loose tunic and shirt.”
  • When Beka deals with a criminal, “He slapped me. I didn’t try to stop him this time. I wasn’t sure I would break his arm. I had to be better than him.” The criminal tells her, “I’ll see you raped and your body left in a midden, your throat cut in two.”
  • Beka and a team of Dogs storm a house. “The cove didn’t even see Goodwin lunge in under his strike. She struck him full in the belly with her baton. He doubled over, retching. She knocked him out.”
  • Beka and her Dogs find multiple mass graves. “Half of the cellar was under a huge mound of dirt. I gagged. The smell was dreadful, like a Cesspool butcher’s dump in the summer heat . . . We worked gently, fearing what we might hit. I’d just felt the tip of my shovel touch sommat when we heard wings in that hot space . . . We found eight dead there.”
  • When Beka and her Dogs corner a criminal, “He thrust the dagger into his throat under his jaw. He did it before we could move, and no amount of healing could have saved him. He bled to death fast, making a frightful mess.”

Drugs and Alcohol

  • Tunstall goes out to dinner with some other adults. “So the wine was flowing well, and there was brandy after supper.”
  • While Beka does not usually partake, her partners and friends often drink ale with their suppers.
  • Beka writes once, “I fere I broke my rule and Dranke more wine thann I shud.”
  • A Puppy dies, and it is said that one of her trainers was drunk on duty when it happened.

Language

  • The words “piss,” “piddle,” and “scummer” are used often.
  • Insults such as “pig scummer,” “cracknob” and other impolite, but not profane, words are used. Beka calls a group of lazy Dogs, “scummernobs.” When particularly angry, she once says “pox-rotted pus-leaking mumper bags.”
  • Beka tells her friend that she is “making an ass of yourself.”
  • A violent woman that Beka arrested shouts at her. “You bitch! . . . You puttock, you trollop, you trull . . . I’ll cut your liver out, you poxied leech! Why wouldn’t you let me go! You ruined my life!”
  • The words “bitch” and “bastard” are used a few times. A criminal calls Goodwin a “mangy bitch,” and Beka thinks “I needed to catch up with the old bastard” when she’s following a criminal.
  • A criminal calls her daughter a “slut.”

Supernatural

  • Beka has a magical cat. ” ‘We’re not even sure he’s a cat,’ Tunstall muttered to Goodwin. ‘I say he’s a god shape-changed.’ Pounce meowed, Do I look as stupid as a god to you?
  • Beka has the magical Gift. Many people have this magic, which can be used for fighting, controlling the weather, or healing. Beka’s brand of magic lets her hear voices picked up by wind spinners, and allows her to hear unhappy spirits that are carried on the backs of pigeons before they go to the Black God’s realm.
  • Beka helps a mother speak to her son and aid him in crossing over. “‘Sweetheart, of course the Black God has birds,’ Tansy whispered, straightening. ‘Beautiful ones. But you won’t see them if you stay where it’s dark. You have to go to the Peaceful Realms.'”

Spiritual Content

  • There are many gods in Tortall, such as the Crooked God, Mithros and the Black God. Different people honor different gods. Their names are often invoked in daily conversation as exclamations of surprise or relief. One woman, when exhausted, exclaims “Thank the Goddess . . . I’m weary to death!” When Beka brings in a Rat, Ahuda exclaims, “Great Mithros bless us, you actually caught “
  • Goodwin tells Beka to toughen up “before you jump into the Olorun or slice your wrists. We lose five Dogs a year to the Black God’s Option. Don’t you be one.”
  • Farewells sometimes have the name of the gods in them. ” ‘Mithros and the Crone watch over you.’ I curtsied as he went inside. ‘Gods all bless and keep you, my lord.’ I whispered.”
  • A friend of Beka’s deceased mother asks if she “burn(s) the incense for Ilony’s ghost?” Beka says she does.

by Morgan Lynn

 

Mastiff

Pierce once again expands Beka’s world by bringing her into the exclusive circle of royalty. Caught up in intrigues and politics, the royal family experiences a tragedy of unparalleled circumstances and reaches out to Beka for help. Along with Tunstall and Achoo, the weight of the realm is on Beka’s shoulders. Struggling against enraged mages and ambitious nobles, Beka and her team are all that might prevent the end of Tortall. While success may save the kingdom, it will cost Beka more than she could imagine.

Mastiff leaps into an interesting scenario, dropping hints about Beka’s personal life that will intrigue readers. Achoo is a sweet hound and Pounce, a talking cat, is delightfully sassy. However, what starts off as an interesting and exciting story quickly lapses into a long journey, with little to break up the monotony. While the middle of the book has readers turning pages out of loyalty to Beka, and little else, the final chapters arrive with a startling twist and heartwarming ending.

Sexual Content

  • Beka “went to him and kissed his cheek. ‘Thank you, Rosto. You’re a good friend.’”
  • When Beka meets the king, “all I could think as I stood there was the jokes from the days before his second marriage. ‘Randy Roger,’ ‘Roger the Rigid,’ stories of merchants’ daughters, soldiers’ daughters, noble daughters . . . Sabine, had earned herself a spell of patrol in the gods-forsaken eastern hills when she offered her king physical violence if he didn’t keep his hands to himself.”
  • Farmer complains that Iceblade only “talk(s) about his skill as a lover and his last woman. Beka overhears Iceblade talking about a woman with, “‘—nice, firm peaches,’ Iceblade was saying, his hands shaping the womanfruit he meant. ‘No pestiferous husband in the way, either.’”
  • A servant says she is safe from reprimand because “Master Niccols has taken his pleasures in my bed.”
  • After joining the Hunt, Lady Sabine talks to some silly noblewomen, who think her “travels with the three of you . . . though gods forbid they would say it! –are one long orgy.”
  • Beka mentions her ex-fiancé. “The best thing about Holborn was our time in bed. I missed the bedding, though not the man, and I deeply envied Sabine and Tunstall that night.
  • Farmer kisses Beka. “He caught me by surprise when he leaned down and kissed me softly. His lips parted from mine gently, he stroked a lock of my hair away from my face.”
  • When Farmer sees Beka dressed in a long shirt but no pants, he says, “It’s just that I’ve, I’ve never, well, you look different. Good. Very good.”
  • An evil mage says, “Sabine’s just a crude brawler, mad for sex and fighting.”
  • After being captured, Beka and Farmer admit they love each other, and kiss several times after that. “This time he held me carefully while kissing me in a most satisfying way . . . he sat on a bench and pulled me onto his lap. Then, with most of him around me, and me around a good bit of him, I was content to hold him.”
  • When Beka won’t stop laughing, “Farmer resorted to wanton kissing. That worked. I am much in favor of wanton kissing and other things.”
  • Farmer hides a ribbon that holds magic in his bum. When captured, he asks Beka, “Did they look in your bum, or in your coyne? . . . you could have a weapon in either place. A strangling cord at the very least.” Beka doesn’t watch as he removes the object from his bum.

Violence

  • Beka is slapped by a mother that blames her son’s death on Beka’s involvement with him. “I saw her slap coming, but I did naught to stop it. Only when she went for a second blow did I grab her wrist. ‘You cold, Cesspit trull!’ she screamed. ‘My poor lad was forever trying to impress you. He wouldn’t be here if he hadn’t been trying to prove himself as good as you.’ ”
  • Beka rides to a palace after there has been an attack. “Bodies lay among the flowers. Here were the missing Palace Guards, as well as men of the King’s Own, and the Black God knew how many servants, all burned, sword-hacked, or stabbed.”
  • The kidnapped prince is disguised as a slave and travels with a slave train. In Tortall, it is legal to own and sell slaves.
  • Beka finds a Dog that has been murdered. “The Dog lay half in the water, half out, just ten feet from the road. Animals had been at her legs. When we pulled her from the water, we saw fishes had been at the rest of her.”
  • Beka and her team discover a grave. Farmer digs the bodies up with magic, to discover what killed them. “With the other hand, he beckoned the dead forward. When they were but a foot away, he gently let them settle on the grass . . . The worms and beetles had been at them already. They were black and swollen with rot, their scant ragged clothes cutting into their flesh.”
  • Beka finds a young slave girl who was strangled. “The gixie Linnet was sprawled naked atop heaped slops from the kitchens. Her face was purple and swollen . . . I used my fingertips to push her up on her side. The blood in her body had flowed down into her back and bum, pooling there, turning that part of her skin purple.”
  • Beka and her friends are attacked. “I screamed as one hacked at Achoo. She danced out of the way and leaped for his throat, snarling. Pounce went for the eyes of the cove beside that one . . . A Rat came at me on my right. I swung my baton hard into his knees, hearing bone shatter as he pitched face-first toward the fire. He threw himself to the side, away from the flames, but didn’t remember I was still there with my dagger. I killed him and hunkered by his corpse, keeping low.”
  • Beka kills a mage who is trying to kill Farmer. “I reached the road just as lightning struck the ground in front of Farmer . . . I looked for the solid form inside the wavering illusion and struck as hard as I could . . . The image vanished. The mage lay in the road, a dent in her head from my blow.”
  • An inn catches on fire. “I could hear no voices, but I saw a burning body fallen on the steps . . . Three people stood by the well . . . their magics combined to draw up water into a great snakelike column that rose all the way to the attic.”
  • Achoo finds a pile of dead bodies. “Her face was bloated and black from the time she had lain here in the sun. She crawled with maggots. They all did.”
  • An evil mage insinuates that Beka slept with her foster father. “[Lady Teodorie] never struck me as the sort to let her man keep his child mistress under her roof.” Beka spits on him. The man then “slapped me hard, rocking my head back on my neck.”
  • Sabine slaps her cousin when she realizes she was involved in a plot to kill the King. “Sabine strode up to her and slapped her across the face. Nomalla let her do it, to my shock.”
  • Tunstall and Beka get in a fight. “I drew a long, flat knife from my arm guard and shoved the blade clean through the heavy muscle of his left forearm. Gritting my teeth, I wrenched it all the way around . . . he grabbed my braid at the end this time. I lifted myself as high as I could go, raising my arms as I gripped my baton two-handed. With all my strength I slammed my lead-cored baton down on Tunstall’s oft-broken knees.”
  • When his plot for power fails, “[Thanen] leaped from the tallest height in the castle. The coward left his family and remaining allies to face the royal courts.”
  • There are many executions after the plot to take over the throne is revealed. “When the day was done and the dead were left swinging or smoking, depending upon the magistrates’ judgment . . . since Prince Baird had not led the conspiracy based on the evidence, he would not be forced to endure being hanged, drawn, and quartered, as the other nobles had. Once it was done, his head was placed over the main palace gat as a warning to others with ambition.”

 

Drugs and Alcohol

  • Beka gives the queen a bit of wine to calm her after she suffers a fright.
  • Beka will consume alcohol on occasion, but she turns it down most of the time. “Tunstall offered me the small bottle of mead he always carries in case someone needs warming up, but I shook my head. I don’t like to drink at all when I’m on duty, even when it might warm me.” Another time, Beka “decided the wine was light enough that a cup wouldn’t addle me too badly, if I had some of the bread and cheese first.”
  • Farmer checks some water for sickness and poison. Beka is grateful and thinks, “I would have hated to slow us down while I shit my tripes out because someone had dumped offal upstream—or while I died of poison or spells.”
  • Beka drinks a bit while undercover. She “took a seemingly deep drink from my tankard. It was filled with strong ale. I sipped and let the rest stay where it was. The last thing I needed tonight was a gut full of spirits.”

Language

  •  “Piss” and “scummer” are used often, typically in regards to the smells that Beka’s hound can track, but occasionally they are used as profanity as well. “Just now I felt like an unmade bed, while the sky continued to piss on me.”
  • Phrases and words such as “cracknob,” “cracked mumper,” “doxy,” “guttersnipe,” and “pox rot it” are used often.
  • “Ass” and “arse” are used often. Tunstall says, “We’re wasting time here, standing about with our thumbs up our asses.” Beka once says, “Craven canker-licking sarden arseworms,” when she discovers the kidnappers have burned a bridge so she can’t follow.
  • “Bastard” is said a few times. Achoo is called a bastard dog, and a ghost tells Beka, “Well, he’ll soon learn I won’t do as some randy bastard with a title bids. He’ll rue the day he crossed by friends and me!”
  • When Beka is strict, a man says, “I bet she sets the Corus Rats to kissing the mules’ arses . . . Stricter than their old mams!”
  • “Bitch” is said once, when a mage tells Beka, “We were only a day behind you, stupid bitch, riding hard. We passed you by night.”

Supernatural

  • Some people in Beka’s world have the Magical Gift, as it is called. This varies widely, and can be used from anything from healing and fighting to predicting or controlling the weather. A pair of mages manages to raise two sunken ships from the bottom of the sea after another mage senses them and projects an image of the ships above the water. “Two ships drawn in fire floated over the middle of the cove.”
  • Beka travels with a mage who calls himself Farmer. He is a powerful mage, who practices magic often. Sometimes his magic isn’t visible; sometimes it is very flashy. Once he sets a trap for another mage. “The blue sheath that covered him sent power flowing out over the little river to its opposite bank. An image formed over the water, bright against the dark and the magic. It was that of a woman in dull olive silk . . . The mixed-color fires rose from the river and flowed into the image of the Viper, swirling around until they swallowed her.”
  • Beka and some companions travel “under magical sleep, trapped onto their bunks to keep from flying off of them” because the ship is blow by mage-winds and are so fast “they don’t sail over the waves, they bounce off of them.”
  • Beka has a magicked mirror that “seemed to show me all manner of magics, whatever they were for and no matter what their strength.”
  • Beka’s cat is a constellation visiting the human world. After a nasty sea voyage, the cat says “I went to the Realms of the Gods once Achoo was under the sleep spell . . . Why should I remain for such an abysmal voyage if I don’t have to?” The constellation is not supposed to meddle in the human world, so he does so at the risk of angering the gods.
  • Beka can hear unhappy souls that ride on pidgeonbacks until they go to meet the Black God in his realm. As such, Beka is considered to be in the Black God’s service, and she often says prayers for the dead. “I closed the big cove’s open eyes with my fingers and set two copers from my purse on them . . . ‘Black God take you gentle, brave defender,’ I whispered. ‘The living will carry your duty now. Find the Peaceful Realms and rest.’ ”
  • An evil mage melts people who get in her way. “We both raised our lamps so we could better see the nastiness that was before us. It was a great soup that lay on the grass, trickling slowly into the river. I stared at it, fascinated. I recognized pieces of metal from horses’ tack, metal amulets and jewelry, and swords and daggers, but naught that was leather, cloth, or skin.”
  • Pounce steps in to stop Achoo from dying, even though he knows the gods will be angry. “Pounce set a forepaw on Achoo’s bleeding wound. Achoo shuddered all over and whined, but held still. Pounce kept his paw there a moment longer, then took it away . . . The wound closed and shrank, until it looked like an old scar.”

Spiritual Content

  • There are many gods in Tortall, though most rarely interact with mankind. The Mother, the Black God, Mithros, and the Drowned God are a few. Their most-often appearance in Tortall culture is their names being used as profanity, or exclamations of surprise. Tunstall says, “Mithros’s spear, what kind of cracknob picks a mage name like Farmer?”
  • The gods’ names are also invoked in greetings and blessings. One man tells Beka and her team, “I’ll make sacrifice to Great Mithros in your names, in hopes he’ll keep guiding you.” Another time Beka writes, “Gods all aid me and my Hunting team, I beg,” in her journal.
  • Beka and her cat can talk silently during hunts and when they are bored. “Pounce and I had entertained each other through prayers at Lord Gershom’s for years, and had begun again when our Hunts took us to noble houses.”
  • When Beka almost cries because they don’t have time to bury the bodies they discover, the Black God appears and buries them for her. This is the first time she has seen the Black God, the god of death. “You need not try to bury them, my finest priestess. I will do so . . . The god I’d been taught to call black reached out hands gloved in ever-changing colors, holding them over the murdered slaves, the guards, and the Viper. Suddenly green tendrils sprouted from the earth, twining around limbs and bodies like so many agile snakes . . . By the time they had stopped, the ground where the dead had lain was sunken. It looked as if their remains had been placed there decades ago and only flowers remained.”

by Morgan Lynn

Melting Stones

Evvy is a young stone mage; someone who can communicate with and control stone. Her mentor is a nature mage, and their less-than-welcome traveling companion is a water mage. These three have powers that frighten and impress most people they meet, but they might not be enough to stop what’s coming to the island of Starns. Strange deaths and earth shakes are only a hint of what is to come, and Evvy will need all the help she can get if she is to survive.

Melting Stones is a wonderful stand-alone novel. Evvy is not a people person. She would rather be alone with her rocks than talking to people, but she has a beautiful soul. This is a story of a traumatized girl learning to be a better and more caring person. Placed in an intriguing world of mages and spirits, this story will be enjoyed by kids of many ages.

Sexual Content

  • ” ‘Bored is the last thing we’ll be!’ The man laughed. I suppose they were talking about fooling around. People always think they have to discuss it like I don’t know what it is. That’s grown-ups for you. I let them do their sideways joking about sex, while I let my power trail along the ocean floor.”

Violence

  • Evvy disarms and beats up a couple of boys. “I had a problem with some rich boys . . . They were bothering some of my friends. I said I would hit them with my staff if they didn’t stop, and they drew swords and daggers on me. It wasn’t as if I actually broke any of their bones.”
  • Evvy has a flashback from a war she was in. She panics and accidentally hurts a companion. “Terror flooded me. I forgot where I was. I thought I was a captive . . . Was I back in Gyongxe? . . . They beat me last time! They’d beat me again to make me tell on my friends. I screamed and slammed my head forward, hard, into the soldier’s nose. Then I lashed sideways and bit deep into his arm.”
  • Evvy talks about a war she was in. She says, “I knew where people were hiding. The soldiers tried to make me tell by hitting the bottoms of my feet with a cane.”
  • Jayat confesses that his master used to beat him, and Evvy thinks, “My owner had beaten me when I was a slave, after all. Joobe-Hooba . . . would have beaten me. I bet he would have smiled as he did it.”
  • Nory is upset and hits Evvy. “Even if I could have moved, I wouldn’t have been fast enough to escape the hard slap she landed on my cheek. Then she slapped me again. She was crying . . . Then she punched me in the eye and walked off.”

Drugs and Alcohol

  • Evvy’s mentor drinks a medicinal tea, though it is not said why. ” ‘Did you drink your medicine tea?’ I asked her. ‘The kind that smells like boiled mule urine?’ “

Language

  • Evvy complains that people aren’t grateful for mage services. “They should half-kill themselves in the service of this, this beetle-spit village next to its chicken-piddle lake on its donkey-dung island.”

Supernatural

  • Mages can commune with certain elements of nature, like growing things, rocks or water. “Alongside the ship came a long arm of seawater with Rosethorn’s hat on top of it. It passed the hat to Myrrhtide, who patted the tentacle as he’d pet a good dog.”
  • Luvo is the heart of a mountain. He appears as a small crystal bear who can talk and walk.
  • Evvy has a spirit self that can travel through stone. “In my magical shape I swooped through a vein of rock-water, the indigo crystal cooling me as I passed . . . My magical body was all ideas and power, controlled by my mind, but I was certain that if my magical self burned to ashes, my real body would die, too.”
  • Evvy senses magma spirits. Their energy is so enticing Evvy appears as though possessed while pursuing it.
  • Evvy meets magma spirits. “When they’d first grabbed me they were like a pair of comets, gripping me with long, molten stone tails. Now they were shifting, their bodies getting shorter . . . Flare was sapphire blue, still with his trailing flame of hair. He had blacked-rimmed eyeholes around flame eyes.”
  • Local mages can’t control nature, but they can do some small spells. “Jayat and Tahar drew spell designs on the floor. Their lips moved as they called on the rocks to show where they came from.”
  • Luvo makes contact with the spirits of several islands. “I didn’t know this great, female voice, but it was familiar. I knew the stones in it, from mica to obsidian to basalt. It sounded like . . . Starns. It sounded like the island.”

Spiritual Content

  • Slavery is looked down on, but is legal in some places. Evvy says, “my mother sold me as a slave when I was six. It was because I was one mouth too many, and only a girl.”
  • Evvy says she would leave the villagers to deal with the volcano. “It’s their island, they have to solve getting off. They’re lucky I could warn them.” Her mentor asks, “You would abandon even the babies, Evvy?”
  • Evvy says, “Heibei, take this bad luck and bury it . . . Heibei’s the god of luck back home in Yanjing. I asked him for help. He’s a good god, not undependable, like your Lakik.” She mentions a few other gods as well, for example, “Kanzan the Merciful smile on me.”
  • After the volcanic incident is resolved, Evvy says crossing the island, “was like a journey through the hell of those who defy the Yanjing will of heaven. I thought I’d stopped believing in those hells, but they hadn’t stopped believing in me. They had followed me all the way here. This one had, anyway.”
  • “Gods of all stones be praised,” Luvo says. “We are not too late.”
  • A young boy tells Evvy that, “You mages is god-touched.”

by Morgan Lynn

Alanna, The First Adventure

Alanna may look like her brother, but where Thom is timid and studies magic, she is reckless and filled with a desire to learn how to wield a bow and sword. When Alanna is to be sent to a convent and Thom to become a knight, the twins take their lives into their own hands. By forging their father’s letters, Alanna becomes Alan, a page in training to be a knight, and her brother goes to learn sorcery. Training to be a knight would have been difficult without hiding her true sex; with that secret on her shoulders, it becomes almost impossible. But Alanna isn’t one to quit, and being a knight is all she’s ever wanted.

The first book in a quartet, this novel is a wonderful introduction into a richly drawn world of knights and magic. Alanna is a noble and stubborn girl who will sweep readers along on her adventures and will have you rooting for her every step of the way. While there is much fighting in her story, the lack of gory descriptions and clean language will make this story entertaining for teenagers and younger readers alike.

Sexual Content

  • When Alanna begins to grow, she has to bind her breasts to keep them hidden. “Watching the glass closely, she bounced up and down. Her chest moved. It wasn’t much, but she had definitely jiggled. Over the winter her breasts had gotten larger.”
  • Alanna doesn’t know what is happening when she has her first period. “She got out of bed–and gasped in horror to find her things and sheets smeared with blood.” A woman healer asks her, “Did no one ever tell you of a woman’s monthly cycle? The fertility cycle? . . . It happens to us all. We can’t bear children until it begins.”
  • Alana is given a pregnancy charm, which she claims she’ll never use. The healing woman asks, ” ‘Do you know what happens when you lie with a man?’ Alanna blushed. ‘Of course.’ “
  • When Alanna visits George, “he wasn’t dressed–he always slept bare.” When Alanna reveals that she is a girl, George orders her to turn around while he gets dressed. She does, but she says “That’s silly. I’ve seen you naked before.”
  • Alanna and Jon fight beings of power who are nearly immortal. They expose her secret by vanishing her clothes. “Her clothes were gone. All she wore was her belt and scabbard . . . She looked at Jonathan. Her friend was openly staring . . . [Jon] pulled off his tunic and handed it to her.”

Violence

  • George hints that he killed the last Rogue and took his place. “Who knows when some young buck will do for me what I did for the king before me, just six months back.”
  • When the bully Ralon tries to force Alanna to swim, she “rammed herself into Ralon’s stomach. The older boy yelped as he tumbled into the pool . . . When Ralon finally surfaced, he was half blind and three-quarters drowned.”
  • A boy bullies Alanna mercilessly, and as a result they get into several fights. “She hit low and hard. Ralon doubled over, clutching his lower belly.” During another fight, “She bloodied Ralon’s nose. Ralon broke her arm.” When Alanna finally beats the bully, “She slammed a fist up and under, into his stomach again, knocking the breath from his body. Swiftly she broke his nose with the other hand. Ralon collapsed, crying like a small child. ‘Never touch me again. If you do, I swear–I swear by Mithros and the Goddess–I’ll kill you,’ ” Alanna tells him.
  • In an attempt to protect Alan, her friends “beat Ralon thoroughly.” When Ralon doesn’t stop the bullying, “Gary held Ralon. Raoul administered the beating, his face impossible to read.”

Drugs and Alcohol

  • George gives Alanna a tankard of ale, and he and his (adult) friends often drink at his inn.

Language

  • A bully tells Alanna, “If I say you’re the goatherd’s son, you say, ‘Yes, Lord Ralon.’ ” Alanna responds, “I’d as soon kiss a pig! Is that what you’ve been doing–kissing pigs?”
  • Ralon calls Alanna “dunghill trash.”

Supernatural

  • Some are born with The Gift, which can manifest in different ways. Some are great healers, while others use their Gift to control the weather or to fight.
  • Alanna threatens to make a man see things that aren’t there, unless he helps her become a knight. She also admits that she has made people see things in the past. “Coram turned pale. The afternoon the tarts were discovered missing, Cook started to see large, hungry lions following him around the kitchens… When the twins’ godmother came to Trebond to snare Lord Alan as her next husband, she had fled after only three days, claiming the castle was haunted.”
  • Magic is used to send a fever to the palace, in an attempt on the prince’s life. “The fever continued, drying Jon’s lips till they cracked and bled.”
  • Alanna uses her magic to heal. “She reached inside herself. It was there: a purple, tiny ball of fire that grew as she nudged it with her mind. Her nose started to itch, as it always did when she first called on her magic.”
  • Alanna asks the Goddess for aid, and the Goddess tells her to call her friend back from edge of death. Alanna has to go through the Black God to get to her friend. “She was twisting in a black, writhing well . . . Shrieks and cackling and the screams of doomed souls sounded all around her. She was on the edge, between the world of the living and the Underworld . . . A huge, dark shadow shaped like a hooded man came between them . . . This must be the Dark God, the Master of all death.”
  • Alanna and Jon fight powerful beings who say, “We are gods and the children of gods . . . We were here before your Old Ones, and we laughed when their cities fell.”

Spiritual Content

  • There are many gods in Tortall, such as the Black God and the Crooked God. Some gods guide mortals, while most never interfere directly.
  • Alanna discusses whether or not she should use her magical Gift. She says, “If a person has power–something that can be used for good or evil, either way–should they use it?” Her mentor tells her, “Magic isn’t good or evil by itself. I believe you should only use it when you are absolutely certain your cause is just.”

by Morgan Lynn

In the Hand of the Goddess

Few know that tiny Alan, who is squire to none other than the prince himself, is actually a girl named Alanna. In order to become a knight, Alanna has been forced to disguise herself for years. Despite this secret, she has managed to become one of the greatest squires of her year. Squire Alan is admired for his skill with the bow and sword, and he’ll need those skills for what’s coming. Dark magic and treachery surround the crown and Alanna’s friend, Prince Jon. Alanna might be the only one capable of bringing such plots to light.

While this book has slightly more adult content, the descriptions are not gory and the writing is discreet. During the course of the book, Alanna kisses two men and takes one for her lover, but there are no descriptions of her having intercourse. This book continues the exciting adventures found in the first installment, and Alanna remains a strong and likable female heroine.

Sexual Content

  • The Goddess asks why Alanna fears love. “Yet what is there for you to fear? Warmth? Trust? A man’s touch?” Alanna replies, “I don’t want a man’s touch!”
  • George and Alanna kiss. ” ‘Alanna,’ he whispered, ‘I’m takin’ advantage of you now, because I may never catch you with your hands full again.’ He kissed her softly and carefully. Alanna trembled, too shocked to do anything but let it happen.”
  • Alanna thinks about Jon’s relationship with Delia. “The girl would convince Jon one day that she was his alone, and ignore him the next. Soon they were sleeping together–”
  • George kisses Alanna goodbye. “George kissed her, pulling her close. His mouth was warm and comforting. Alanna had not forgotten the last time, and she had discovered that she liked his kisses. Relaxing, she let her friend hold her tightly.”
  • Jon kisses Alanna. “Suddenly he was very close. Alanna discovered she was afraid to breathe. Carefully, almost timidly, Jonathan kissed her mouth.”
  • Alanna is walking in a garden. “A night for lovers, she thought, then bit her lip. She had no lover, and she didn’t want one.”
  • Jon kisses Alanna again. “Swiftly he kissed her again and again . . . She was scared. She suddenly realized she wanted to be the one in his bed tonight. Jonathan stopped kissing her, only to start unlacing her bodice. Alanna shoved him away, terrified.”
  • Alanna and Jon start sleeping together, though it is not described further than “At night, Jonathan taught her about loving.”
  • When joking about bathing, Alanna says, “You just don’t want Gary to see me bare.” Jon replies, ” ‘You’re right I don’t! Do you?’ . . . When Alanna only giggled, Jonathan repeated, ‘Do you?’ “
  • Jon kisses her goodbye. “He kissed her fiercely before letting her go.”

Violence

  • When Alanna duels, her partner breaks the rules. “She stepped back too slowly, and the tip of Dain’s sword sank deep into her right arm below the elbow… According to the rules, Dain had won… He lunged for her chest, his eyes wide and crazy. Alanna jumped aside, just missing dying on the Tusaine’s sword.”
  • Alanna gets into a border skirmish. “Swiftly Alanna slid Lightning into the opening between the knight’s arm and chest armor, thrusting deep. With a gasp of surprise, her enemy fell from his horse, dead.”
  • Alanna is attacked by a wolf. “She saw nothing but the wolf, who was doing his best to fling her off his back. She held on, desperately striking again and again with her knife. Suddenly the wolf shuddered and howled; her blade had entered his side. He fell, his paws twitching. She had stabbed him to the heart.”
  • Alanna and George are attacked. “She rode Moonlight straight at a man who was putting an arrow to his bow. The mare trampled him ruthlessly as Alanna drew Lightning, slashing at a third attacker.”
  • Alex tries to kill Alanna when they are practicing their swordplay. “The blunt edge struck her collarbone rather than her skull. Bone cracked in her shoulder as she fell to her knees with a cry of pain. Helplessly she watched the sword swing up and down, unable to stop its slicing toward her throat.”
  • Alanna kills Roger after he tries to kill the Queen. ” ‘The Goddess!’ She yelled, leaping forward. Lightning struck the cloud, slicing it open to find Roger at its heart . . . The sword cut even deeper this time as Alanna opened her eyes, blinking to clear her vision. Roger stood, trying to pull her sword out of his body.”

Drugs and Alcohol

  • George and his other friends, all in adulthood or their late teens, drink ale.
  • George offers Alanna brandy in celebration. Alanna says, “Normally I just drink this stuff to clear my head, but–this is quite pleasant.”
  • George knows Alanna will worry herself silly before her Ordeal of Knighthood, so he sneaks something into her drink that makes her sleep.

Language

  • When captured, Alanna distracts a man so her fellow captives can escape. “Behavior I’d expect from the goatherd’s bastard, not a nobleman . . . Perhaps your mother tricked your father?”
  • Alanna occasionally curses with the gods’ names when surprised or upset. ” ‘Great Merciful Mother!’ Alanna gasped.”
  • Damn is said once or twice. “Myles said he was damned if he would get up at this hour . . . “

Supernatural

  • Alanna is blessed by the Mother, also known as the Goddess, who is one of Tortall’s many deities. The Goddess visits Alanna occasionally, bestowing advice and sometimes gifts.
  • Someone tries to kill Alanna with sorcery. “When an ugly, cloven hoof burst through the beaten snow over the tent opening, Alanna thrust upward with all her strength. She burst from the snow, shaking clumps from her face, to feel her sword wrenched from her hand… Gripping her sword hilt to pull it free, she stopped; the boar’s eyes were a demonic red. Suddenly he shuddered one last time–and vanished.”

Spiritual Content

  • There are many gods in Tortall, such as the Dark God, the Goddess, and the Crooked God. Different people honor different gods, and Alanna has glimpses of them because she is god-touched. “A huge shadow figure was bending over her. ‘Thor,’ she sighed, recognizing the Dark God. ‘You want Thor.’ Reaching out a hand that was blacker than night, the God touched Alanna’s eyes.”
  • Alanna’s partner cheats during a duel. Afterward, her friend says, “he gave you every excuse to kill him . . . even his Ambassador would have understood if you had.” Alanna replies that “Just because he behaved badly is no excuse for me to behave badly.”
  • Alanna thinks that soldiers, “only cared about pain and the Dark God’s arrival.”
  • When Alanna finds a dying friend, he asks for her help. ” ‘I’d just like to . . . go to sleep. I’m that tired.’ Alanna trembled. Healing was natural for her, but she had never killed a human being with her Gift. She didn’t think she could . . . Alanna pressed her good hand to Thor’s forehead, her Gift lighting the clearing with a deep violet fire. ‘Sleep, Thor,’ she whispered. She felt him falling away gently, slipping into a long, dark well. Alanna rose. Thor’s chest was still.”

by Morgan Lynn

Lioness Rampant

Alanna is restless. She has already accomplished the impossible by becoming a female knight, but that is not enough. She craves the sort of adventure that can only be found in legends. Luckily for Alanna, her life is quickly making her story legendary. Lioness Rampant introduces enjoyable and richly developed characters. Along with the reappearance of an old evil, Alanna must decide where she fits in. Will she ever be welcomed back at court, or will she spend the rest of her life wandering along the edge of the world?

There is slightly less fighting in this book than the others, but still plenty of excitement to keep readers engaged. Alanna takes a lover, as she did in book three, but there are no graphic descriptions and her relationship is not the main plot. Alanna continues to be a likable heroine and a fun character to follow.

Sexual Content

  • Coram tries to warn Liam off, but Liam assures him that his interest in Alanna is because he likes her, not because she is famous. “I’m not a village lad wanting to boast of having the Lioness’s pelt in my hut, Master Smythesson. I like her.”
  • When Alanna tells Coram that Liam didn’t touch her, Coram says, “maybe he’s plannin’ to.” Alanna responds, “Nothing wrong with that.”
  • Alanna gets involved with Liam, who is a Shang Dragon, a great warrior. She sleeps with him, but nothing more than kissing is ever described. “He kissed her gently, then passionately, and Alanna surrendered. Any misgivings she had were put away for thought at another, less interesting time.” Another time, “His first kiss was gentle, the second passionate. Alanna let him pull her into his arms, thinking, We should talk some more about why he was angry. I don’t think lovemaking will settle anything. The Dragon was so determined, however, that once again she put her questions aside to be dealt with later.”
  • Alanna kisses Liam a few times. “He jumped down and held his hands up to her. She slid into his grasp, and they kissed.”
  • A background check is run on a man called Claw. It is discovered that “He was disinherited after the attempted rape of the second daughter of the bailiff… The girl’s maid threw acid in his face, thereby leaving the purple scars of which you spoke.”
  • George kisses Alanna awhile after she breaks up with Liam. “He cupped Alanna’s face, his grave hazel eyes searching out her own. He nodded, liking what he saw, and kissed her gently.”

Violence

  • A group of rogues tries to kill Alanna and her man-at-arms. “The thieves understood simultaneous attack. Alanna and Coram blocked automatically . . . One of the staffmen swung and missed–she ran him through. Coram shouted fiercely, and someone screamed. When a swordsman looked to see the screamer’s fate, Alanna slashed his leg.”
  • Alanna finds a pile of dead bodies, the aftermath of a war. “Here the dead had been piled up and left, until only skeletons remained . . . Bone hands still clutched weapons. Kneeling, Alanna slid a lowland sword out of the pile.”
  • Buri tells a story of a queen who killed herself in protest of how her people were being treated. “Lowlanders take us for slaves; they steal our horses . . . She and Thayet tried to make the Warlord stop . . . Kalasin stood at her window and sang her death chant, about her shame at jin Wilima’s laws. A crowd was there to witness: nobles, commonborn, and slaves. My mother and brother were killed, but they held the door until it was too late for the Warlord’s men to stop her from jumping.”
  • An assassin shoots an arrow at a princess, then jumps off a roof to escape capture. “She lifted the assassin’s headcloth. The face, sickeningly misshapen after the fall, was male and coarse, the cheeks filled with a drunkard’s broken veins.”
  • Alanna battles an elemental for the Dominion Jewel. When she decides she does not want to kill the beast, it gives her the jewel. “She ducked and dodged. When he gave her an opening, she executed one of the jump kicks Liam had taught her, slamming into the ape’s shoulder and making him roar. When he swung to chop her down, she was away and circling. She sought her chance and flew in again, hitting the same shoulder . . . “
  • After the Queen dies, the King kills himself by jumping into a ravine. This act is not described, and the reader only learns about it when the Prince tells his friend.
  • A man is attacked. We don’t see the fight, but Alanna finds him afterward. “The old man staggered in, clutching a bloody right arm. Alanna grabbed a towel and swiftly bandaged the priest before he lost more blood, fighting brief nausea. Si-cham’s right hand was gone.”
  • Alanna is attacked by her once-friend, Alex. “He lurched once more, cross-cutting with a speed she could not dodge, slashing across her cheek and her bare right hand. In the split-second opening in the path of his sword she rammed forward, crushing his windpipe with one fist as she struck his nose with the other, thrusting bone splinters deep into his brain.”
  • Alanna kills the evil sorcerer who tries to destroy Tortall. “The effect was like loosing a bolt from a crossbow. Released from her pull, the sword shrieked as it flew . . . He didn’t even seem to know what she’d done until Lightning buried itself in his chest. Roger grabbed the hilt. Amazingly, he laughed. He laughed until his dying lungs ran out of air.”

 

Drugs and Alcohol

  • A man buys a glass of wine for Alanna, who is now an adult.
  • Alanna’s man-at-arms, Coram, drinks regularly. His worst behavior while drinking, is singing raucous songs that are not described. “Coram awoke late, with a head he would not wish on his worst enemy. For a long time he waited for his knight-mistress to arrive with her hangover cure.”

Language

  • A jealous girl calls Alanna a slut.

Supernatural

  • Many people in Alanna’s world have the magical Gift. Some use this Gift for fighting, while others use it for healing or to control the weather.
  • Alanna searches for the Dominion Jewel, which “may be more directly used, in healing and war, for fertility and death. A knowledgeable ruler, knowing fully the creation of magical formulae, may create new land from ocean deeps, or return the breath of a dead child.”
  • Alanna has a magical cat who can talk.
  • Thom’s magic is stolen by an evil sorcerer.

Spiritual Content

  • Tortall has many gods, such as the Crooked God, Mithros, and the Black God. Alanna was chosen by the Great Mother, also known as the Goddess. The Goddess visits Alanna occasionally, to bestow advice.

by Morgan Lynn

The Woman Who Rides Like a Man

Alanna has revealed to the world that she is a woman; the first woman knight in hundreds of years. Thanks to the less-than-warm welcome she received at court, Alanna decides to travel south in search of adventure. After a violent conflict with some hillmen, Alanna is set on a course that leads to her being adopted by a tribe of Bazhir. After becoming the tribe’s shaman, Alanna must train the young Gifted children in the tribe how to control their magic. As she begins to learn what life is like in the Southern desert, she finds herself the student as often as the teacher.

Alanna has become a knight, a duty that she takes seriously. She is a kind and honorable woman; a strong role model. Her story is packed with fighting, magic and adventure. The fighting is exciting but not gory, making it appropriate for a wide range of readers.

Sexual Content

  • Alanna and Jon are lovers. “He kissed her fiercely. She returned the kiss, feeling heat rush through her at his touch. He bore down to her sleeping mat; in the time that followed, they knew they still desired each other.”
  • Alanna tells Jon that, ” ‘women of bad reputation’ go without veils among the Bazhir . . . All this time I haven’t worn a veil, but it took me until tonight to get a bad reputation.”
  • Jon proposes to Alanna, then asks. ” ‘Do you still wear that charm Mistress Cooper gave you to keep you from getting pregnant?’ She showed it to him, hanging half-hidden on the same chain that suspended her ember-stone. ‘I never go without it.’ ‘I trust you’ll leave it off after we’re married,’ he said with a yawn.”
  • Alanna and Jon get into a fight. ” ‘What about all those women at the palace and the way they look at you?’ Alanna demanded. ‘And I know you’ve had affairs with some of them! They’ve made you into a conceited–’ “
  • After Alanna breaks up with Jon, she asks George to kiss her, but he says, ” ‘Oh, no . . . If I kiss you again now, one thing will lead to another, and this isn’t the proper place for that sort of carryin’-on.’ ‘Then take me to a place that is,’ she suggested.”

Violence

  • Alanna and Coram fight with hillmen. Coram is, “trying to fend off three at once. He yelled in pain as one of them opened a deep gash on his sword arm. He swore and attacked again, dropping his shield and switching his sword to his good left hand . . . Alanna caught another blow from the crystal blade on her shield, feeling the shock through her entire body.”
  • Alanna duels a Bazhir to prove her worth. “He feinted high and then drove in, his knife coming up from beneath. Alanna turned her side toward him; as his arm shot past her, she seized it and wrenched him over her hip . . . Twisting, Alanna stabbed through the web of muscle on the bottom of his upper arm. She yanked her knife free just as one of his fists struck the middle of her spine, driving the wind from her lungs.”
  • Alanna is forced to fight a shaman. “Violet fire sprang into being, whirling to encircle Ibn Nazzir. He shrieked and swept the sword around him; the wall vanished. He charged; Alanna jumped, kicking him to the ground. With a roll she was on him, wrestling for the sword.”
  • Alanna tries to tame an evil sword. “She ducked under the swing of the axe-man and came up inside, running him through. For an instant sick, black triumph roared into her mind. She froze, knowing the sword’s magic was turning her fierce pride in being the better fighter into an ugly joy at killing.”
  • Alanna helps her tribe fight off another tribe with her Magic. “She sent a whip of violet fire at the shamans, determined to end the problem at its source. One dropped to the ground when her magic reached him, screeching in agony. A second streak of fire, red in color, picked off another shaman–Ishak had seen her purpose, and was helping.”
  • A boy is destroyed by a magical sword. “The sword’s magic reflected back from her protection, enveloping Ishak in a ball of flame. He screamed, once. Then he was gone.”

Drugs and Alcohol

  • The Voice of the Tribes smokes a “long pipe.”
  • Alanna gives a girl wine to calm her down.
  • George tells Alanna’s brother that he, “Best have a shot of brandy to steady your nerves.”

Language

  • None

Supernatural

  • Some people have the magical Gift, which manifests differently in different people. Some are able to heal, while others use their Gift to fight or control the weather. In the Bazhir, people with the Gift are trained to be shaman. Alanna eventually starts a school for magic.
  • Alanna is adopted by a Bazhir tribe. “In a swift movement the man opened a low shallow cut on the inside of her forearm. Holding out his own wrist, he did the same to himself, then pressed his wound to Alanna’s . . . Alanna shuddered as an alien magic flooded into her body. She knew without being told that Halaf Seif was only a pathway for this sorcery, that its origins were as old as the Bazhir tribes.”
  • A shaman attacks Alanna’s pet. “Frantically he drew shimmering yellow magical symbols in the air . . . A wall of purple magic streaked from her fingers to surround Faithful, just as yellow fire left the shaman’s hands. It shattered against the wall protecting Faithful.”

Spiritual Content

  • There are many deities in Tortall, such as the Dark God and the Crooked God. Different people honor different gods. Alanna is watched over by the Goddess, who has visited her and given her a token. ” ‘It is a token given me by the Great Mother Goddess, from Her own hand!’ Those listening drew back, awed and frightened. The Mother was as well known and worshipped here as she was in the North; none of them would use Her name lightly.”

by Morgan Lynn

The Rosemary Spell

As Rosemary is moving into a new bedroom, she discovers a mysterious book hidden in a locked cabinet.  The book used to belong to the town’s famous poet Constance, an elderly poet who has lost most of her memory. With her best friend, Rosemary tries to unravel the secret of the words. However, when they read what is written within, Shelby suddenly disappears—no one remembers her, not even her own parents.

Rosemary and Adam desperately try to figure out how to keep Shelby’s memory alive and how to bring her back. As they embark on their quest, they need Constance’s help, but her memory is fleeting. The two aren’t sure how to get the answers they need to break the spell. And as each minute passes, memories of Shelby are harder and harder to remember.

Right from the start, The Rosemary Spell will capture readers’ hearts with the characters. The mystery of the old book adds just a bit of creepiness without being scary. The Rosemary Spell is full of suspense, but what really drives the book is the close relationship between the three characters. Throughout the story, the reader will also gain insight into Rosemary’s feels of being abandoned by her father, as well as how Alzheimer’s affects the elderly. In the end, Rosemary learns that “There is loss in life, and the best we can do is face it head-on and meet it with grace and remembrance.”

Sexual Content

  • None

Violence

  • During a storm, Adam and Rosemary take a small boat across a swollen river. Rosemary injures her arm. “Swearwords I have never spoken, that I didn’t even know I knew, rise up inside me, but I keep my mouth shut. If I open my mouth, I’ll throw up.”
  • Adam, Rosemary, and Shelby try to cross back over the swollen river, and the three almost drown.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Adam and Rosemary find an ancient book that has writing that appears and disappears. The book also has a spell, which when read out loud makes whoever hears it no longer exist. Not knowing it is a spell, Adam and Rosemary say it, and Adam’s sister, Shelby disappears.
  • When Adam and Rosemary repeat a line from Shakespeare, “Rosemary, that’s for remembrance. Pray, love, remember,” they remember Shelby.

Spiritual Content

  • None

Aru Shah and the End of Time

Aru makes up stories such as having a fancy chauffeur and traveling to Paris. She doesn’t mean to tell lies, she just wants to fit in at her private middle school. While her classmates are vacationing in exotic places, Aru is stuck at home, which just happens to be connected to the Museum of Ancient Indian Art and Culture.

Not all of Aru’s classmates believe her stories. One day, three students show up at Aru’s home hoping to catch her in a lie. Aru told them that the museum’s Lamp of Bharata is cursed. When they dare her to light the lamp, Aru doesn’t really believe anything bad will happen.

Aru doesn’t know that lighting the lamp will change her life forever. When the fire touches the wick, it awakens the Sleeper, an ancient demon, who is intent on awakening the God of Destruction.  Now Aru’s mother and her classmates are frozen. Aru must do something to save them, but how is a young girl supposed to defeat an ancient evil?

Aru Shah and the End of Time will captivate readers from the first page. Action, adventure, humor, and interesting places in Indian Mythology come to life. The beautiful descriptions and interesting characters (including a pigeon sidekick) are just some of the reasons readers will fall in love with Aru’s world. Although the story contains many Indian words, the reader can figure out most of them through the story’s context. The back of the book contains a glossary that helps explain the Indian Mythology and terms.

Told from Aru’s point of view, readers will relate to her desire to fit in and her struggle with being truthful. Aru and her companion, Mini, are unlikely, lovable heroines. As the two girls fight to defeat the Sleeper, they discover that one doesn’t have to be perfect in order to accomplish great things, such as saving the world.

Told with compassion and humor, Aru Shah and the End of Time is a must-read for middle school girls. Not only will the story take readers on an amazing adventure, but it also teaches the importance of friendship, working together, and honesty. Because of Aru’s experiences, she realizes the importance of looking at situations from different perspectives. The many lessons in the book are seamlessly integrated into the plot and never feel forced. Once you open the pages of Aru Shah and the End of Time, you will not want to put the book down.

Sexual Content

  • At a school dance, the chaperone yells, “Leave enough room between you for Jesus.” As the dance progressed, she begins yelling, “LEAVING ROOM FOR THE HOLY TRINITY.”
  • When Aru looks into the Pool of the Past, she sees her mother and father. “They were strolling along the banks of a river, laughing. And occasionally stopping to . . . kiss.”

Violence

  • Aru and Mini trick a demon to make herself turn into ash. “The demon’s palm landed with a loud thunk on her own scalp. A horrible shriek ripped through the air. Flames burst around Brahmasura’s hand… Aru covered her face. Her ears rang with the sound of Madam Bee’s screams.”
  • Boo attacks the Sleeper and poops on him. The Sleeper “growled and threw Boo across the room. The pigeon hit a shelf with a loud smack and slumped to the floor.”
  • Shukra becomes consumed with his beauty. Because he spends so much time focusing on himself, his wife stops loving him. Shukra’s wife tells him, “How can I love someone I no longer know?” In anger, he kills her. “I do not remember doing what I did. . . It was only when the red had cleared from my eyes that I saw her corpse.”
  • Memory-stealing snow falls on Aru and Mini. “This time, when the snow landed on Aru, it stung. Because it (the snow) was taking. With every flake another memory was ripped from her.” Later Aru causes someone to lose his memories.
  • Aru, Mini, and the godly mounts plan an ambush. The ambush is described over a chapter. When the Sleeper arrives, he brings demons with him. “Aru ducked under the guest sign-in table as someone’s head (literally) flew past her . . . The seven-headed horse shook its head. Blood and spit flew over the walls . . . Boo acted quickly, and bird droppings rained across the demon’s eyes and forehead.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The story focuses on Indian Mythology and includes gods, demigods, monsters, and demons.  The back of the book includes a glossary of Indian mythology, so the reader can understand who the mythological characters are.
  • Aru lights the Lamp of Bharata and awakens the “Sleeper, a demon who will summon Lord Shiva, the fearsome Lord of Destruction, who will dance upon the world and bring an end to Time.”  When Aru lights the lamp, people are “suspended in time… Their skin was warm. A pulse leaped at each of their throats. But they didn’t move.” The Sleeper is a demon that can take many forms.
  • In order to save Time, Aru and Mini must find the keys to the Kingdom of Death. The first one is found in the hair of a demon—anything that touches the demon turns to ashes.
  • Aru discovers that her mother is a part of a sisterhood. “Five women who are reincarnations of legendary queens from the ancient stories. These days their job is to raise and protect us.”
  • Aru and Mini meat the Seasons, who are tailors. Winter explains, “We dress the world itself. I embroider the earth with ice and frost, the most delicate in the world.” The Seasons give the girls magical gifts that will help them on their journey.
  • Aru and Mini go to a market that has a library of living books.
  • The Sleeper turns the “mounts of the gods” into clay and puts them in a birdcage. Aru uses a magical ball to free them.

 Spiritual Content

  • Aru and Mini are “siblings because you share divinity. You’re a child of the gods because one of them helped forge your soul.”
  • When trying to explain the Otherworld, a character explains, “Many things can coexist. Several gods can live in one universe. It’s like fingers on a hand. They’re all different, but still part of a hand.”
  • Aru’s mother said, “the Hindu gods were numerous, but they don’t stay as one person all the time. Sometimes they were reincarnated—their souls were reborn in someone else.”
  • Aru and Mini go to the Halls of the Dead, where Aru can “hear the final words of people who have died: No, and not yet. . . And I hope someone clears my internet browser. But mostly, Aru heard love. Tell my family I love them. Tell my wife I love her.”
  •  After leaving the Hall of the Dead, Mini remembers, “in Hinduism, death wasn’t a place where you were stuck forever. It was where you waited to be reincarnated. Your soul could live hundreds—maybe even thousands—of lives before you got out of the loop of life and death by achieving enlightenment.” Later in the story, Aru and Mini visit that place where reincarnation takes place. The sign says, “REMAKE, REBUILD, RELIVE! REINCARNATION MANUFACTURING SERVICES.”
  • Aru and Mini go to an office where a character explains karma. The story talks about Chitrigupta, who “kept a record of everything a soul had ever done, both good and bad. This was why karma mattered.” Later, someone explains, “As you live, your good deeds and bad deeds are extracted from karma . . .”

A Nearer Moon

Luna’s world revolves around her little sister, Willow. Willow is happiness and sunshine, and she brings the family together. When Willow becomes sick with the mysterious river sickness, everyone tells Luna there is no way to save her sister. They say she will be dead in three weeks. Luna refuses to sit by her sister’s side and watch her die. Luna and her friend Benny embark on a series of adventures to find a cure for Willow.

Interwoven into Luna’s story is the story of Perdita, a spunky river sprite. The fairies moved to a new world, far from humans. But in a devastating twist of fate, Perdita was left behind when the fairies went through the magical door to a new home. All alone, Perdita flees to the bottom of a swamp and hates anything that shows joy.

Luna offers herself to Perdita in exchange for Willow’s life. Luna hopes the sprite can save Willow but has Perdita’s grief made her blind to others’ needs? Can Perdita find hope again?

A Nearer Moon is a beautifully written story about the love of sisters. The parallel stories about Luna and Perdita add interest. Luna is a plucky character who younger readers will love. The story has beautiful, vivid descriptions of Luna’s world. The only downside to this story are the long descriptions that slow the action.

Sexual Content

  • None

 

Violence

  • While riding in a boat, Willow’s laughter disturbs Perdita, who goes up and tips the boat. When Willow is dunked into the water, she “sputtered and coughed the filthy swamp water off her tongue . . . Willow leaned over the side of the boat, her stomach heaving as she retched, her eyes teary and her nose running . . . The creature slid, unseen, back to its cave, the silence, smothering its aching heart like a damp blanket over hot coals.” Both Willow and Luna know the water will give Willow the river sickness.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The sprites used magic to build a door to take them to another world because humans poisoned the sprites’ world. “Only a hazy wrinkle of air betrayed that any magic had been done in that place or that anyone had passed through at that spot, passed through from one world into another.”
  • A girl’s grandmother “told us a story about a wood sprite that lived in her rafters when she was little. They never once saw it, but if they so much as dusted the beam where its bundle-of-sticks house was, the milk would turn sour and vegetables would rot overnight.”
  • Gia, a sprite, makes two lockets, one for herself and one for her sister. “These, when opened, would be like doors of their own. Private doors through which to call a lost thing home.” If both lockets were open, Gia could speak a word and her sister would be magically transported to wherever she was.
  • When Willow becomes sick, Luna tries to discover how to cure her. Some people “call it a sickness. Call it a curse . . . Maybe it was all the same thing, only different words used by different people struggling to understand the sort of thing no one can comprehend.”
  • Luna finds a book that has fairy recipes in it. Luna makes “a dram of flower essence for use in the purification of soured water.” When she uses the potion, she whispers a phrase. “She didn’t know if this was magic. It was pleading. It was hoping. It was speaking the deepest wish of her soul and asking the air to hear her.”

Spiritual Content

  • When Willow becomes sick, her mother “sank to her knees beside her own bed, clicking her prayer beads around and around again.” Willow’s mother goes to the chapel often to “click” her prayer beads.

The Serpent’s Secret

Kiran’s parents are just a bit odd, and she has never really fit in. Even so, she thought she was just a regular sixth grader living in New Jersey. Then, on her twelfth birthday, her parents disappear and a rakkhosh demon crashes through her house to try to eat her.

When two princes show up, trying to rescue her, she realizes that her parents’ stories are really true—she really is a princess that comes from another world. With the help of the two princes, Kiran is taken to another dominion, one with magic, winged horses, moving maps, and annoying talking birds. Before she can save her parents, she must fight demons, unlock riddles, and avoid the Serpent King of the Underworld.

The Serpent’s Secret is an interesting and action-packed retelling of Indian mythology. Filled with riddles, jokes, and a talking bird, the story will entertain middle school readers. Black and white illustrations will help readers visualize the characters. As Kiran learns about her cultural background, she also learns to accept herself. Although there is violence, the scenes are appropriate for younger readers because they are not described in detail and much of the action is running away from demons instead of battling them.

Kiran and the two princes talk like stereotypical teenagers. The main character’s dialogue is filled with slang and idioms such as when Kiran looks at the prince and thinks, “While I got my fill of Lal-flavored eye candy.” There is a lot of creative name-calling throughout the story, which does not involve cursing.

A dynamic story with a strong heroine, The Serpent’s Secret will delight those who like a good adventure story.  For readers interested in adventure stories or India’s mythology, Aru Shah and the End of Time is a must-read.

Sexual Content

  • The king has multiple wives.

Violence

  • A rakkhosh, or demon, swallows Kiran’s parents and then tries to swallow her. When Lal tries to help, the rakkhosh knocks him out. “I shrieked as the monster’s fist managed to connect with Lal’s head. The prince slumped forward, unconscious, and then began to slip off the rakkhosh’s neck.” The fighting takes place over several chapters.
  • A teenager spits at Lal. “The goober hung on a lone blade of grass, shimmering like a disgusting jewel.”
  • The Demon Queen attacks Kiran. “. . . The rakkhoshi ripped a handful of her own hair from her head and threw it at me . . . As soon as the magical hair hit me, I couldn’t move at all.” Neel saves Kiran, but not before the Demon Queen turns Neel’s brother and friend into spheres. The battle lasts over several pages.
  • When Kiran and Neel try to steal a stone that is being protected by a python, the “snake grabbed a hold of Neel, wrapped itself around him, and began to squeeze. . . Neel’s face got redder as the snake squeezed.” The battle scene takes place over a chapter. In the end, the python is defeated. “The python’s giant body lay still, oozing dark blood on the cavern floor. Trying to reach the jewel, it had instead split itself in two on Neel’s sword.”
  • A baby rakkhosh wants to eat Kiran, her parents, and Neel. “That snot-nosed newborn demon transformed himself into a whirlpool.” When the rakkhosh “eats” them, they end up in a cave with a seven-headed snake, who “wrapped Ma, Baba, and even poor terrified Tuntuni in his coils. As a last flourish, he slapped his nasty tail over all their mouths.”
  • The serpent king imprisoned Neel in a flaming sphere. “The prince screamed in pain—a sound that made my blood run cold. He writhed around within the glowing orb, his body twisting in unnatural contortions, as if he were being tortured.”
  • Kiran and the Serpent King battle. “He shot bolt after bolt of green fire, but I met them all with the shimmering, diamond light of my own.” Kiran’s moon mother shows up, and “as he launched the cracking lightning from his hands, the moon shot a white-hot beam at the Serpent King. He glowed an incandescent green, but then began to writhe and decay, his energy going from green to brown to gray to black.” The Serpent King disappears and everyone is safe.

Drugs and Alcohol

  • A rakkhosh sings a song, “Hob, gum, goom, geer! Pass the blood! Pass the beer!”
  • A “band of drunken demons” chase Kiran and Neel.
  • Kiran sees a warning sign that reads, “After whisky, fighting demons risky.”

Language

  • A bangle seller says her bracelets are for “generously proportioned and the skinny-butt offspring of slimy snake creatures alike.”
  • The Demon Queen calls Kiran a “snake in the grass” and “cobra dropping.
  • When Kiran is fighting a python, she thinks, “Holy serpent poop.”
  • Kiran thinks that Neel’s “Granny still had some chutzpah left in her.”
  • Kiran calls Neel a “Royal Pain-in-the- Heinie.”
  • Crap is used twice and heck is used once.

Supernatural

  • The story focuses on Indian mythology, including mythological monsters and demons.
  • Kiran’s parents are “swallowed by a rakkhosh and whisked away to another galactic dimension.”
  • Kiran’s father was a serpent king and her mother was a moon maiden. Her adoptive parents found her “in a clay pot floating down the River of Dreams.”
  • Kiran’s biological mother exiled her to New Jersey and put a protection spell over her and her adoptive parents. “Anyway, an expired spell also makes everything around it unstable—in this situation, the boundaries between the various dimensions . . . which is how the rakkhosh came into your world.”
  • Kiran’s tears have healing properties. “I remembered how Tuni had seemed dead, but how he’d come to life in my arms.”
  • Kiran can understand horses. “And then, as clearly as if the horse were speaking to me, I heard his voice in my mind.”

Spiritual Content

  • Kiran explains that her “Baba always tells me we’re all connected by energy—trees, wind, animals, people, everything. . . He says that life energy is a kind of river flowing through the universe.” Neel continues the thought and says, “When our bodies give out, that’s just the pitcher breaking, pouring what’s inside back into the original stream of universal souls . . . so no one’s soul is ever really gone.”

Took

When Daniel and his sister move to rural West Virginia, Daniel doesn’t think things can get any worse.  The students at his new school torment him. The teachers are indifferent. He has no friends. His parents are unhappy. And to make matters worse, his sister spends all of her time talking to her doll.

When Daniel hears stories of Old Auntie, who kidnaps a girl every 50 years, he thinks it’s just an old tale used to frighten children. But then he feels someone watching him. He sees strange shadows. And when his sister suddenly disappears, Daniel is convinced Old Auntie isn’t just a story.

As Daniel’s parents lose themselves in grief, Daniel decides he must face his fears and bring his sister home. With the help of his neighbor and one of Old Auntie’s descendants, Daniel fights for his sister’s freedom.

Right from the start, Took: A Ghost Story will capture the reader’s attention. Young readers will be able to relate to Daniel, who feels as if all of life’s decisions are out of his control. Although Daniel clearly cares for his parents and sister, his frustration with them is understandable. Daniel is a likable character, who faces his fears and in the end, brings his family back together.

The story is primarily told from Daniel’s point of view but has several chapters told from Old Auntie’s point of view. This adds suspense to the story and helps develop the creepy mood. This is not a book to read with the lights out. Because Old Auntie and Bloody Bones are described in such realistic, vivid detail, readers will be entertained and frightened.

Sexual Content

  • None

Violence

  • Bloody Bones kills someone. “Tore him clean apart with the panther’s teeth and ate him up. Then he dug his grave with the bear’s claws and brushed the ground smooth with the raccoon’s tail.”
  • The kids at school are mean to Daniel. They “accidentally” hit him and kick the back of his seat on the bus.
  • When Daniel and his sister, Erica, are in the woods, Daniel sees something and forces Erica to leave with him. They get into a fight. “. . . She struggled harder to get away from me, crying and screaming . . . she managed to bite me twice and scratch my face.”
  • Bloody Bones is going to throw Daniel off of a cliff, so Eric throws rocks at him. “Bloody Bones plunged over the edge of the cliff, screaming as he bounced from rock to rock, his bones flying apart and scattering as he went.”

Drugs and Alcohol

  • Daniel and Erica’s parents are seen drinking wine. When Erica is “took,” their parents drink even more. “There was an empty wine bottle on the table and an ashtray full of cigarette butts and ashes.”
  • When Daniel goes to a friend’s house, his friend’s father smells of beer and cigarette smoke.

Language

  • None

Supernatural

  • The story revolves around Old Auntie, a “conjure woman” who takes a girl every 50 years. When she takes a girl, she returns the one that was “took;” however, the girl is the same age as she was when she was first “took” and has no memory of her former life. Auntie weaves spells to influence people’s decisions.
  • One character describes Old Auntie as “a haunt come back from her grave.”
  • Old Auntie takes the form of a girl, so she can talk to Erica without scaring her. Auntie also uses a doll to convince Erica that no one loves her except Auntie.
  • Auntie has a razorback hog, called Bloody Bones, which she called back from the dead. “His bones put themselves together and rose up on their hind feet. His skull jumped on top of the bones, and off he danced.”

Spiritual Content

  • The townspeople are mean to the new family because they do not join the only church in town. “We weren’t only outsiders, we were godless outsiders.”

The Rose Legacy

Since the death of her parents, Anthea has never felt wanted. Her family shuffles her from relative to relative. Her life is uprooted when she receives a letter from an uncle who lives in the exiled lands. Anthea dreams of being a Rose Maiden to the queen like her mother, but she fears that being sent to live beyond the wall will end her dream. Feeling scared of living beyond the wall, Anthea’s nightmare becomes worse when she learns that her uncle breeds horses—animals thought to be extinct after bringing a plague to Corona.

Anthea questions everything that she has been taught as she learns more about her family, her country’s political history, and herself. When Anthea tries to flee, she meets Florian, a horse from her childhood. For years, Florian has dreamed of being reunited with Anthea. With the help of Florian and a mix of interesting characters, Anthea learns that things are not always what they seem.  When danger threatens her new family, Anthea learns to trust others as well as herself in order to save the horse that she has come to love.

Jessica Day George’s cast of characters in The Rose Legacy is diverse, interesting, and captivating. The story is told from both Anthea’s and Florian’s points of view. This allows the readers to understand Anthea’s confusion, fear, and her desire to be wanted. The connection between Anthea and Florian is remarkably sweet and shows the true meaning of love.

Anyone who loves a good story should add The Rose Legacy to their reading list. Full of suspense, emotion, and surprises, the story will captivate readers of all ages. The story isn’t just about horses, but the power of friendship and overcoming one’s fears as well.

Sexual Content

  • As part of the narration, Anthea mentions that a man had “gotten fresh” with her teacher.
  • A boy gives Anthea a necklace for her birthday and “kissed her on the cheek and then fled.”  Anthea thinks, “It had been a very nice kiss. . . . His lips had been very warm and soft.”

Violence

  • When Anthea tries to save an owl, a horse named Constantine gets angry and tries to trample her. Another horse, Florian, intervenes, and the stallions fight. “Constantine bit Florian’s neck with his yellow teeth. . . . Constantine came thundering toward them, seeing that Anthea was about to escape . . . lashed the boards, trying to break through to get to them.”
  • One of the horses gets caught in a hunter’s snare. When Anthea tries to free him, “the wires that were still wrapped around his legs arced through the air with a singing noise. . . . A wire slashed open her face just below the left eyebrow, narrowly missing her eye, and a rivulet of blood obscured her vision.”
  • A hunter shoots and hits a horse and Anthea. “When the bullet ripped through her side, Anthea honestly didn’t understand what had happened.”

Drugs and Alcohol

  • A train conductor offers Anthea’s uncle a glass of whiskey.

Language

  • None

Supernatural

  • People who have “the Way” can communicate with horses and feel the horse’s emotions.

Spiritual Content

  • One of the characters says, “Then they’ll probably find some long-lost sacred tablet that says that horses are the devil’s pets and we have to destroy them all or burn in hell!”

Pieces of Why

Twelve-year-old Tia dreams of changing the world with her voice. That all changes when a carjacking occurs outside of the church where she practices with the Rainbow Choir. When the carjacker kills an infant, people begin gossiping about Tia’s father who is in prison.

As Tia tries to understand the death of an infant, it makes her wonder why her father is in prison. Her mother refuses to go to any of Tia’s activities, and she also refuses to talk about Tia’s father. As Tia struggles with the question of why bad things happen, she discovers that sometimes the answers don’t bring understanding, but there can still be healing.

Pieces of Why is an excellently written book that brings the New Orleans streets alive. New Orleans is depicted as having a rich community with diverse people that are not always kind. Despite the fact that Tia is surrounded by her best friend’s family, the story shows life as it really is–twelve-year-olds can be cruel, adults’ gossip can hurt, and not everyone is accepting. Despite this, Tia learns that understanding and accepting the past is essential.

Pieces of Why is an easy-to-read, compelling story. Although the story revolves around the death of two children, the violence is not described in detail; however, the content of the story may upset young readers. Pieces of Why explores the beginning stages of finding a boyfriend and the feelings of liking the opposite sex. It is one of the few stories that show that not all boy-girl relationships end with a happily ever after, but that some end with hurt.

The story shows how all aspects of life are not clearly defined. People cannot be classified as all good or all evil. Even Tia’s father, who is a murderer, isn’t shown to be evil, but a man who made a tragic mistake. Pieces of Why does an excellent job of showing life as it is—messy, confusing, but good.

Sexual Content

  • When Tia and a boy are talking, another choir member sees them and asks, “You dog! Down here makin’ out with your girlfriend?”
  • Tia’s friend Keisha tells her, “We’ve made out before rehearsal. Twice . . . We were in the adult choir room and no one saw us.” Her friend said it was “nice.”
  • Keisha finds out that her boyfriend was cheating on her. “I let that boy touch me like he had some right to, and now . . . Do you think I’m not a good enough kisser?” She tells Mia, “Why did I ever trust him? I let him talk me into—.”  Tia then wonders if Keisha had done more than she was telling.
  • After singing a song together, Tia looked at Kenny. “. . . he looked handsome, so before I could chicken out, I leaned over and kissed him.”

Violence

  • During a carjacking, an infant is killed. After hearing the shots, the pastor goes out to investigate. Tia thinks, “. . . I knew that someone must have died. There was blood on his right hand, a thin streak from the thumb to the wrist, and I couldn’t stop staring at it. He wiped it off right away, but the image was branded in my brain.”
  • When Tia was four years old, her father was sent to prison. “My father had been out drinking.  He’d broken into the Mortons’ house late at night, shot their only daughter during the course of a robbery, narrowly escaped through a back window, and then hid from police before being caught.”
  • Tia’s mother describes the night that Tia’s father shot a girl. He, “came home with blood on his hands. It dripped onto the floor right where you’re standing, and when he told me what he’d done, I screamed so loud, you hid in the closet behind the brooms and dust mop . . . I got on my hands and knees and scrubbed that girl’s blood off the floor. Took me days.”
  • When Tia gets angry and yells at her mother, her mother slaps her.
  • Tia’s father tries to explain why he killed the girl. “It was a whole bunch of stupid decisions one right after the other. Shouldn’t have been drinking, shouldn’t have been in that house, and shouldn’t have had my gun. Shouldn’t have bought the damn thing in the first place.”

Drugs and Alcohol

  • Tia has to walk by a group of gang men that are, “Hanging out on the steps of a boarded-up building drinking beer.”
  • Tia’s father said he was drunk when he broke into the house and shot the girl. “I wish I would’ve thought it through some more, but I didn’t and some things . . . you can’t take ‘em back.”

Language

  • When Tia was four she visited her father in jail, and he said it wasn’t her fault that she had a “trucker” for a dad. “Years later I’d realized my dad hadn’t said trucker after all. He’d said a real bad word instead . . .”
  • Tia’s friend said she felt “crappy” that she didn’t know about something.
  • Tia’s father uses the word damn.

Supernatural

  • None

Spiritual Content

  • The Rainbow Choir practices in a church and there are often references to God. After the carjacking the pastor said, “the devil is roaming.”
  • As the Rainbow Choir begins to sing, the director said, “That’s right. Lift it up to the Lord.”
  • After the carjacking, the director is upset that half of the choir doesn’t show up, and she blames the devil for stealing half of the choir. “I guess God never said He was going to make things easy, now did He?”
  • Tia sees a picture of the baby’s mother. “Her face was turned up to the sky as if she were sending God an ocean of fury. Maybe God deserved her anger. Or maybe the person who did the carjacking deserved it and God was getting a raw deal. I don’t know.”
  • Tia asks the choir director, “Do you believe in the stuff we sing about? I mean, about God being good and people going to heaven when they die?” The director tells Tia about where gospel music came from and told Tia, “But what matters is what you believe.”

Alex Rider: Never Say Die

Alex is now living in San Francisco, trying to recover from the tragic death of his caregiver, Jack Starbright. Alex was forced to watch Jack’s murder at the hands of terrorists working for SCORPIA.  With Jack gone, Alex struggles to find his place. When he gets an unexpected and cryptic email, he’s sure it’s from Jack. In an attempt to prove that Jack is alive, Alex boards a flight to Egypt and begins searching for clues to Jack’s whereabouts.

Alex’s story jumps from Egypt to France to Wales. As Alex searches for Jack, he comes face to face with twin brothers, who plan to kidnap the children of the wealthiest citizens of the world. Soon Alex is caught up in a tangle of intrigue that may lead to his death.

Packed with action, unexpected twists, and a mystery, Never Say Die will catch readers’ interest from the very first page. Alex is a strong character, who uses his brains to get out of difficult situations. The story descriptions will carry the reader into Alex’s world—a world that is often filled with fear. The evil twins and the people who help them are vicious criminals who have no problem murdering anyone that is perceived as a threat. Their willingness to kill and the violent descriptions of the creative ways they murder may cause some readers to have nightmares. Anthony Horowitz tells an engaging story that deals with terrorists, murder, and kidnapping.

Sexual Content

  • None

Violence

  • A woman kills two pilots by using tetrodotoxin. It “is extremely fast-acting, shutting down a person’s nervous system in minutes. Brad struggled to his feet but died before he was halfway there . . . Sergeant Brad Perkins stared up at her with empty eyes.”
  • Later in the story, the same woman tries to poison Alex. “The deadly poison, tetrodotoxin, shot silently across the room and penetrated his jacket. Alex jerked backward, his shoulders slamming into the door. . . Slowly, he slid down to the floor and lay still.” Luckily, the poisonous dart only hits his wallet. Alex and the woman scuffle. “She was strangling him. The pupils were dancing in her eyes, and her lips were stretched in a smile as she used her weight to press him down, her hands gripping tighter and tighter.” Alex is able to grab a bedside light. “With the very last of his strength, he swung it into the side of the woman’s head. He felt metal connect with bone . . . Dragana keeled over and lay still.”
  • Alex has nightmares about his past when two men tied him to a chair and force him watch a video of “the person he most loves” die. “The car drove out of the fort and into the desert. And then, as it had done the night before and every night after . . .it blew up.”
  • Alex stops two boys from harassing a young boy. The boys retaliate. “Colin swung the knife, aiming for Alex’s chest . . . Alex took hold of his wrist with one hand and his elbow with the other . . . Colin’s hand with the knife rushed past him.” The knife accidentally “sliced across Clayton’s arm.” Colin then tries to hit Alex, who avoids the punch. “Alex was standing next to a lamppost. Colin’s fist slammed into the metal. Alex actually heard his fingers break.”
  • A man tries to capture Alex. The man with a gun tries to get out of a car when “Alex kicked out, slamming the door. The man shouted and fell back . . .” Alex is able to escape.
  • A group of men try to kill Alex. During the scene, which takes place over approximately six pages, Alex is forced to defend himself. One man is knocked unconscious when Alex drops a cannonball “on the side of his head.” Alex makes a cactus bomb and throws it at a man, hitting him in the face.  “It didn’t bounce off. . . Instead it stuck there, with at least a dozen spikes piercing his lips, his cheeks, the side of his nose and one of his eyes, each barb injecting its poison into his nervous system.” One of the men tries to stab Alex, but the man is shot. “. . . His hand became a splash of red and the knife spun away. A second shot, and he was thrown onto his back. Alex knew at once that he wouldn’t be getting up again.”
  • In order to escape from bad men, Alex makes a trap that causes an explosion. The men “both screamed and reeled backwards, crashing into each other. The whole of the bald man’s head seemed to catch fire for a few seconds . . . The other man had thrown himself down. He was rolling over and over on the carpet, his clothes blazing.” As Alex tries to escape, one of the men shoots a woman.
  • Two brothers have their father killed. “. . . Carlo was gunned down in his Jacuzzi by his own bodyguard . . . With Carlo gone, the brothers took control of the family, and the next few years were bloodier and more violent than any that had gone before.”
  • The two brothers go to the hospital to kill a woman by using a trick. “It was one of their favorite tricks, and they would take turns—one watching, one doing the actual work. The wire went straight up her nose and into the medulla oblongata, the nerve mass located at the lower base of the brain . . . she was dead before she knew what had happened.”
  • Two brothers catch Alex spying and tie him to a chair, “his hands tied behind him, the rope so tight that it was cutting into his flesh.” The brothers intend to kill him by using “cement shoes.” A man padlocks a cement block around Alex’s ankle and throws him into the ocean. Alex is saved by a scuba diver.
  • In an attempt to escape, Alex attacks a man with a nail. Alex “smiled with satisfaction as the point drove into Stallone’s neck. Stallone howled and fell back, blood spurting out between his fingers.”
  • The two brothers give a woman cyanide. “She had suddenly become very still. In fact she was staring at the ceiling with empty eyes. Her tongue was sticking out of the corner of her mouth. Her face had gone mauve.”
  • The two brothers kidnap a van full of children and hold them for ransom. When the parents try to negotiate, the brothers discuss killing one of the children. “The important thing is to make sure it’s one of the poorer children. We don’t want to upset any of the billionaires.”
  • When attempting to save the children, a woman takes out one of the bad guys. She hits him with a chisel. “But it was the wooden handle that slammed into his skull, and with a grunt, he fell to one side . . . He was out cold.”
  • As Alex and his friend lead the children to safety, the bad guys try to recapture them. The scene takes place over about a chapter and a half. A security guard dies saving Alex’s life. “Alex saw spatters of blood appear across Philby’s back, forming hideous red stains that spread through his shirt.” During the escape, Alex sets fire to a structure. “Several of the guards had been caught in the blaze. He had heard them screaming.”
  • During the escape scene, Alex puts a thermos in a train’s chimney causing an explosion. The brothers “didn’t even know it had happened. They simply felt a jolt as if some gigantic gust of wind, coming out of nowhere, had hit the Midnight Flyer on its side.” They crash into the face of a mountain. One of the men on the train knows he is going to die. “His face, already badly burned, distorted one last time in sheer terror as the steam locomotive smashed into a solid wall of rock.”

Drugs and Alcohol

  • One of the character’s “career had ended following a drunken fight with another pilot. She was twice his size, but even so, she had put him into the hospital. In fact, he was still there.”
  • A character had “drunk too much wine. The third bottle was definitely a mistake, and she had felt quite giddy as she had climbed into the taxi. . .”
  • Two of the characters help in their father’s business. “Even as teenagers, they loved the idea of becoming gangsters and had actually helped their father on occasion—for example, carry drugs inside their teddy bears on international flights.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Listen, Slowly

The beach. Friends. Boys. Mia planned her summer around fun. Then her father drags her to a small village in Vietnam where Mia is to watch over Bá (her grandmother). However, Mia doesn’t want to learn about her roots—she’s a California girl, who has no desire to meet relatives, travel to Vietnam, or give up the comforts of her life.

As Mia struggles with mosquitoes, lack of privacy, and a language barrier, she learns about her family heritage as well as what is really important in life. However, the story isn’t just about Mia; it’s also about Bá and her need to find out what happened to her husband in the Vietnam War.

As Mia tells her story in Listen, Slowly, the reader is entertained with funny stories as well as introduced to Vietnamese culture. Another positive aspect of the book is Mia who is a realistic and likable character. She worries about regular teenage things, but also comes to realize that the people in her life are more important than things, cell phone included. This book is suitable for younger readers because the story is told from a teen’s point of view. Although the story contains some adult issues, they are adjusted to fit the maturity level of a younger audience.

Sexual Content 

  • Mia thinks about her best friend who has large breasts and a bow on the butt of her bikini.  Mia is afraid a boy that she likes will be interested in her best friend because of the bikini. When Mia goes on Facebook, she sees a photo of her friend in a bikini. She thinks, “Did she Photoshop to make her boobs look extra big? How big do they need to be? I don’t want her boobs, but I have to confess I do want the attention they get her . . . There HE is, just as I suspected, standing right behind her butt bow.”

Violence 

  • A soldier recounts a story about when he was in the war. The soldier and a prisoner, who viewed each other as equals, spent time digging a tunnel. Then helicopters came and dropped bombs.  The prisoner died. When the soldier recounts the story, Bá slaps him because the prisoner was Bá’s husband.
  • Mia’s father tells her about when he left Vietnam. “I looked out my airplane window and saw a boy not much older than I was dangling from a helicopter. I watched him hang, then drop into the sky.”

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural 

  • None

Spiritual Content 

  • None

Whippoorwill

Wally had become just another piece of junk that littered Danny’s yard until Clair took notice of the old dog and her life began to change in more ways than she could have imagined. As Clair and Danny begin to train Wally with the help of a book written by Father Jasper, Clair learns a lot about people too.

Whippoorwill explores the idea that everyone needs someone in their pack. When Clair gets a glimpse of Danny’s home life, she realizes that people as well as dogs need love and guidance. Still, Clair struggles with her feelings towards Danny. She is at times flattered by his attention, but uneasy with the fact that Danny is needy.

When Danny asks Clair to spend the day with him, she looks forward to the adventure. However, when the day ends with a police chase and Danny ends up in jail, Clair realizes that sometimes you can’t fix other people’s problems.

Dog lovers will enjoy reading Whippoorwill. Most of the action in the story takes place with Wally, a neglected dog who, with some training, turns into a wonderful dog. Clair leans much about caring for dogs—and people—throughout the story.

One of the best parts of this book is the relationship between Clair and her father. Although their life is far from perfect, they accept each other how they are. Because the story is told from Clair’s point of view, the reader gets to see her thought process and her confusion about how to navigate her first boy/girl relationship. Even though Clair is not a particularly remarkable character, dog lovers will like following Clair’s journey as she learns about Wally and about life.

Sexual Content

  • Clair’s father tries to explain teenage boys to her. He compares boys to wild ponies. “Not ponies, maybe, but something wild and just bent on . . . procreation. On moving their gene pool further into the future . . . What I mean is, girls sometimes think about love, or friendship, while guys. . .”
  • Clair kisses Danny several times. After he kisses her the first time, she thinks, “I did feel good, or curious about what was going on, and I kind of liked kissing Danny. His lips had been thin and even, not wet or sloppy at all, and his shoulders had been good when I put my hands on them.”
  • In one scene Danny pulls Clair onto his lap and kisses her. “It felt clumsy and awkward, and I wanted to get up and get away from him, but his arms went around me and then something melted in me and I gave in a little . . . His tongue flicked into my mouth and I wasn’t sure if that was something I wanted or understood, but then it started to feel natural and exciting and real.”
  • When Danny kisses Clair, “up against the wall of the bowling alley,” she begins to analyze it. “So this is what it means to kiss a boy, and this is how they do it, and this is where his arms go, and this is how he breathes through his nose.”
  • Clair’s friend tells her a story of a girl, “whose boyfriend broke up by sending a picture of himself in bed with another girl.”
  • Clair’s friend likes a guy and wonders if the guy is over his old girlfriend and, “if they had had sex.”

Violence

  • When police officers begin following Danny’s car, Danny begins speeding. When Clair gets scared, Danny stops the car, jumps out, and begins running. Some police officers chase Danny down and pin him to the ground, while another officer yells at Clair to, “get out of the car.” Clair didn’t know what was going on, and she didn’t realize the cop was yelling at her, “and that a cop I had never met had a gun pointed at me and he seemed ready to use it . . . He knelt in the center of my back. Hard. He deliberately put his full weight on me, and I felt my face go into the dirt.”
  • The book implies that Danny’s father abused Danny and his mother.
  • Danny was arrested because he, “crashed a car battery into his father’s head . . . It looked like a heck of a fight, but I’m guessing most of that was the father’s blood. From the looks of it, the father didn’t manage to bruise Danny much.”
  • Danny described the fight between him and his dad. “He came up to my room and he grabbed me by the ear. I was in bed and half asleep and he kind of lifted me out of bed by the ear. . .he’d been drinking. . .He kept flicking spoonfuls of hot water at me, so I tried to go past, to go to bed, and he grabbed me by the ear again and I swing at him.”

Drugs and Alcohol

  • Clair’s father’s friend drinks a Budweiser and at dinner, Clair’s father drinks a beer.
  • When Danny’s phone keeps ringing, Clair asks him, “What are you, a drug pusher?”

Language

  • Clair’s neighbor, “pumped the bird at me.”
  • When Clair asks her neighbor if she could walk his dog, he replied, “You can take the effing dog.”
  • One of the characters calls his dad a “jackass.”

Supernatural

  • None

Spiritual Content

  • None

Listen to the Moon

Twelve-year-old Merry will never forget the day a German U-boat shot down the Lusitania. That was the day her life took a tragic turn as most of the passengers on the ship died, including Merry’s mother. In an amazing turn of events, Merry is saved, only to be abandoned on the uninhabited St. Helen’s Island.

When fisherman Jim Wheatcroft and his son find Merry, she is injured, ill, and unable to talk or remember who she is. Wheatcroft’s family tries to help Merry, who they call Lucy, heal from her physical and emotional wounds. However, the family had no idea how cruel their community would become when they believed Lucy was German.

Listen to the Moon chronicles the true story of a young girl who left for England to be with her injured father and ended up on a small island during World War II. It is a story of bravery, friendship, and kindness.

The story is amazing; however, the slow pace and topic of war may make it difficult for younger readers to get through the story. Although the violence is nothing shocking, the story shows what happens to those who go to war; it also highlights the injuries and hopelessness of a boy who comes back from the war.  The reader will see the death of the people on the Lusitania, but they will also see the kindness of German soldiers as they help the young girl survive.

Sexual Content

  • None

Violence

  • Alfie and a boy get into a fight at school. “Alfie was on his feet, grabbing Zeb and pinning him against the wall, shouting in his face, nose to nose.”
  • The school teacher hits students on the knuckles with the edge of the ruler when they misbehave. The teacher also “grabs [Lucy] by the arm and jerked her to her feet . . . In his fury he took her by the shoulders now, and shook her.”
  • The passenger ship Lusitania is bombed by a German U-boat and sinks. The sinking of the ship is described as well as the lifeboats leaving people to die. “The ocean was littered with wreckage as far as the eye could see, and among it were hundreds of people, swimming for their lives, many of them losing their lives as I watched.”
  • A crowd of school children closes in around Alfie. Then Lucy jumps on one of the boys. Lucy was, “hanging on to him, her forehead pressed into his back . . . Alfie was knocked over from behind to the ground. Then punching and kicking began. As he curled himself into a ball, he saw Lucy sitting astride Zeb and pummeling him, but then the others pulled her off and began kicking her to . . .”
  • A German sailor talks about sinking ships. He talks about the men who die. “You can hear them shout, hear them scream. For a sailor to kill a sailor is like killing a brother.”

Drugs and Alcohol

  • The doctor smokes a pike and washes his fish pie down with a glass of beer.

Language

  • None

Supernatural

  • None

Spiritual Content

  • As the people are dying, Lucy describes the dying people, who cries were, “begging for help from God, from anyone, help that I knew neither God nor I could give.”
  • During a sermon, a pastor talks about the German enemy. “He lost no opportunity to remind everyone of the barbaric atrocities committed by the German enemy, the bayoneting of little children in brave little Belgium, and the shameful torpedoing of the Lusitania. . . Always remember we are fighting for God and our country, against the forces of evil. Did not the Angel appear to our troops at Mons? Is not God on our side, on the side of freedom and right?”
  • Jim, the man who took Lucy in, tells his wife, “. . . there is a God in heaven, which you know I have my doubts about. Then that God of yours will look after Lucy, won’t he, even if it turns out she speaks German? God helps those who help themselves, don’t he?”
  • When Lucy thinks about her father, “I thank God I did not know much then of the dangers he was in, nor of the horrors of that dreadful war.”

Pegasus: Olympus at War

Olympus is under attack, which gives Emily the chance to save her father from the clutches of a dangerous government organization. In order to find her father, she returns to New York with Paelen and Joel. Unbeknownst to the three, Cupid follows them in an attempt to help Emily.

While the Olympian gods fight for their survival, Emily and her friends try to free Emily’s father.  However, they soon discover that Olympus’s fight has followed them to New York. Soon Emily is captured by the Nirads and has to decide how far she will go to save the people she loves.

Pegasus: Olympus at War will capture the reader’s interest from the beginning. The suspense begins on the first page and doesn’t let up until the end of the story. Cupid is a welcome addition to the cast of characters. The Roman gods are not seen as perfect individuals but as complex characters. As the group tries to save Emily’s father, Cupid learns to overcome his fear in order to help his friends.

Emily is an interesting heroine who is a good role model for young readers. As she fights to control her powers, she realizes that there are some things that can never be done, even if that means sacrificing those she loves. Another positive aspect of Pegasus: Olympus at War is that Emily learns to take a look at the Nirads as individuals, and as she does this, she learns the real power of understanding others.

Sexual Content

  • When Cupid travels to New York, he is attacked by a mob of women. He says, “Women used to worship me. They were shy and needed coaxing. But tonight those girls were mad.  They were ripping at me . . . It was as if they were trying to steal a piece of me.”
  • Emily has a crush on Cupid. When she looks at him, her heart flutters. “He bent down and gave her the softest kiss on the lips.”

Violence

  • Emily is shot. “She flew backwards and fell to the floor. It felt as if she had been hit by a baseball bat. Her chest was on fire, and the blood was rushing in her ears.” Because she is now an Olympian, she does not die.
  • Emily and her friends are attacked by the government agents. The fighting takes place over several pages. “As the fight intensified, Cupid was struck by Agent T’s plank of wood. The force of the blow sent him hurtling across the restaurant. He landed on his wings and cried out in pain.”
  • When Emily’s father escapes from his cell, he attacks an agent. “. . . He launched himself at the agent. Knocking him to the floor, he started to pound him.”
  • While trying to escape from the government compound, there is a fight between the Nirads, the agents, and the Olympians. The fighting continues for several pages. “Howling in pain, the creature swung a brutal fist and knocked the golden blade out of Joel’s hand, sending it flying. The creature roared and lunged at him.” The Nirads capture Cupid, Paelen, Joel, and Emily’s father.
  • During a fight, Emily’s dad is accidentally shot.
  • Emily cannot control her power. As Emily and her friends try to escape being captured, Emily ends up wounding many Nirads. “The red beam struck the ferocious nightmare and burned right through the creature, cutting it in half. The air filled with howls of pain as it fell to the floor and died.”
  • In order to control the Nirads and Emily, the Gordons turn Nirad children to stone. They also turn several Olympians to stone. “The child’s frightened wails turned to howls of pain as its skin darkened slowly and became solid . . . With a final agonized cry from the child, it was done.”
  • Paelen was turned into stone. “Already he could feel his blood slowing as each cell in his body turned to stone. Paelen experienced pain he’d never known before. It was like freezing and burning at the same time. He could no longer move. All he knew was pain and then . . . black nothingness.”
  • There is a final battle between the Nirad, the Gordons, and the Olympians. During the battle, Emily is turned to stone, and then she ends up killing the Gordons. “Unlike Euryale, who had burned, Stheno simply disappeared in a soft, soundless puff. Black ash filled the air and rained down where the Gordon had been standing.”

Drugs and Alcohol

  • A character in the book tells about a government worker who disappeared. “A few months back we were all out at a bar. He was drunk as a skunk and spoutin’ stories of them bringin’ in these big, four-armed gray aliens.”

Language

  • None

Supernatural

  • Emily has the power to heal others as well as to harness the power of the sun. Cupid explains Emily’s transformation. “Emily, the human in you died in the Flames back in Olympus. Your other life ended that day. Now you are as we are. You can no longer be killed.”
  • Cupid unwillingly uses his charms to put people under his control.

Spiritual Content

  • None

Pegasus: The Flame of Olympus

Manhattan is thrown into darkness during the worst storm in history, so when Emily hears a crash on the top of her apartment, she is reluctant to go investigate. However, her curiosity gets the best of her, and what she finds changes her life forever.

Pegasus has fallen from Olympus during a terrifying fight against the Nirads, stone warriors who are out to destroy everything in their path. In an effort to help Pegasus, Emily teams up with Joel. Along the way, the two are greeted with danger from both the Olympian world and the Earth world. Fighting monsters isn’t Emily’s only worry. She must also learn how to avoid a government agency that wants to capture Pegasus. In the end, will Emily and Joel be strong enough to protect Pegasus and themselves?

Pegasus is a fast-paced story with a lovable heroine, Roman gods, and plenty of action. Because the story is told from Emily’s point of view, the reader is able to connect with not only Emily, but with the other characters as well. Even though the story has violence, the descriptions are mild and allow the reader to imagine the details. O’Hearn weaves the Roman myths into a modern setting that will leave readers wanting more.

Sexual Content

  • None

Violence

  • When Nirads fight to destroy Olympus, many of the Roman gods are hurt. Mercury was, “lying on his side, a spear sticking out of his chest. Blood matted his fair hair, and his face was covered with bruisers.”
  • Paelen, an Olympian thief, was captured by a government agency. They put him in a secret government facility and restrain him with chains. “. . . Two men in white overalls rushed forward and caught hold of his hands to restrain him. But when Paelen proved too strong for them, more men arrived. They wrestled his hands down until he was finally handcuffed to the sides of the bed.”
  • The Nirads try to kill Pegasus and Emily. The fight lasts several pages. “Emily lunged forward and jammed the points of the pitchfork into its black eyes. Howling in rage, the creature fell to the ground and raised two hands to its face. Black liquid oozed between its fingers and dripped onto the tarmac.”
  • Paelen will not answer Agent J’s questions. “Driven to fury, the older man started to slap Paelen violently across the face.” When Agent J leaves, someone said, “If he keeps pressing Agent J like that, the man will have him sliced and diced and poured into Mason jars.”
  • Paelen finds a dead Nirad at the prison. “Instead his eyes were drawn to a deep scar burned on the folded-back skin of the Nirad’s open chest. Closer inspection revealed several other similar scars along its exposed body.”
  • When Paelen is trying to escape, he is shot with a tranquilizer gun. He, “felt the sharp stinging of bees. He looked down at his chest and saw darts sticking into him.”
  • In order to get Emily to talk, an agent grabs her wounded leg. “The pain was blinding. Emily had never known such agony. It stole the screams from her throat and drove the wind from her lungs. Stars appeared before her eyes as the sound of water rushed in her ears. A moment later she passed out.”
  • When a guard calls Pegasus a horse, Diana (Roman Goddess) shoves the agents against the wall. “The wind was driven from their chest with such strength that they were instantly knocked out and crumbled to the floor.”
  • When the government’s agents try to stop Pegasus and others from escaping, Pegasus fights. “The stallion rose on his hind legs and lunged forward. One golden hoof struck Agent O, leaving a deep horseshow impression on his chest. The other hoof hit Agent J in the head with a lethal impact.”

Drugs and Alcohol

  • Joel’s parents were killed when “a drunk driver lost control of his car and crashed into us.”
  • While being held captive, Paelen is given a truth drug. “As the drug took effect, Paelen started to feel what it must have been like to be Medusa. His head was full of writhing, angry snakes; his veins were coursing with fire.”
  • One of the guards at the government agency said, “Want to join me and the boys for a beer later?”

Language

  • None

Supernatural

  • When Emily looks into Pegasus’ eyes images appear. “. . . Strange images suddenly flooded her mind. She saw Pegasus in a dark room, storm-filled sky with lightning flashed all around him.  She felt his determination, his fear. . .”
  • Emily must sacrifice herself to relight the flame of Olympus. “The flames were coming from each part of her, consuming her and spilling out of her every pore. As she stood in the center of the flames, the pain slowly ebbed and finally disappeared completely.”
  • When Emily doesn’t die in the flames, Vesta (Roman Goddess) explains, “You have been reborn.”

Spiritual Content

  • None

Eragon

Dragons are all but extinct in Alagaesia, which is why Eragon is confounded when a blue rock mysteriously appears in the woods. Hoping to make a profit, he tries to sell the pretty stone. But the dragon inside has chosen a different path for the boy who found her.

Eragon is an exciting story that will enthrall readers. Although it is written at a junior high reading level, it contains much violence and alludes to some sexual content. If your junior higher is mature this tale will no doubt delight them. But if your child has not yet been exposed to adult content such as the brutality of war, this series may not be the best fit.

Sexual Content

  • Eragon asks his friend, “Did you kill someone important or bed the wrong woman?”
  • The elf reveals that while in captivity, “His methods were . . . harsh. When torture failed, he ordered his soldiers to use me as they would.”

Violence

  • In the opening chapter, an elf is ambushed by a Shade. The Shade “saw three of his charges fall in a pile, mortally wounded…Black Urgal blood dripped from her sword, staining the pouch in her hand.”
  • Eragon finds his uncle wounded. “His skin was gray, lifeless, and dry…Deep, ragged burns covered most of his body. They were chalky white and oozed clear liquid. A cloying, sickening smell hung over him—the odor of rotting fruit. His breath came in short jerks, each one sounding like a death rattle.”
  • Eragon and his friend Brom steal food, money, and supplies several times while on the run. “The thievery made him feel guilty, but he reasoned, It’s not really stealing. I’ll pay Gedric back someday.” “Brom pocketed the money with a wink. ‘Anyone who gulls innocent travelers for a living ought to know better than to carry such a large sum on his person.’”
  • Eragon comes across much slaughter on his travels. Once an entire village is killed. “A mountain of bodies rose above them, the corpses stiff and grimacing. Their clothes were soaked in blood, and the churned ground was stained with it. Slaughtered men lay over the women they had tried to protect, mothers still clasped their children, and lovers who had tried to shield each other rested in death’s cold embrace. Black arrows stuck out of them all. Neither young nor old had been spared. But worst of all was the barbed spear that rose out of the peak of the pile, impaling the white body of a baby.”
  • Eragon learns to fight with magic. “He shot, yelling, ‘Brisingr!’ The arrow hissed through the air, glowing with a crackling blue light. It struck the lead Urgal on the forehead, and the air resounded with an explosion.”
  • Eragon’s dragon fights on several occasions. “Saphira whirled on the monster, roaring savagely. Her talons slashed with blinding speed. Blood spurted everywhere as the Urgal was rent in two.”
  • Slavery exists. “He watched helplessly as the slave was sold to a tall, hawk-nosed man. The next slave was a tiny girl, no more than six years old, wrenched from the arms of her crying mother.”
  • There are many times where Eragon and his companions are attacked and fight to defend themselves. “An angry snarl from behind made Eragon spin around, sword held high…’Brisignr!’ barked Eragon, stabbing out with magic. The Urgal’s face contorted with terror as he exploded in a flash of blue light. Blood splattered Eragon, and a brown mass flew through the air…He caught a second one in the throat with Zar’roc, wheeled wildly, and slashed a third through the heart.”
  • Eragon threatens a soldier to get him to talk. “Do you know how much pain a grain of sand can cause you when it’s embedded red hot in your stomach? Especially when it doesn’t cool off for the next twenty years and slowly burns its way down to your toes! By the time it gets out of you, you’ll be an old man…Unless you tell me what I want.”
  • Murtagh kills a Shade. “The next arrow caught him between the eyes. The Shade howled with agony and writhed, covering his face. His skin turned gray. Mist formed in the air around him, obscuring his figure. There was a shattering cry; then the cloud vanished.”
  • Eragon rescues an elf who had been imprisoned and tortured. “The elf’s back was strong and muscled, but it was covered with scabs that made her skin look like dry, cracked mud. She had been whipped mercilessly and branded with hot irons in the shape of claws. Where her skin was still intact, it was purple and black from numerous beatings…Eragon silently swore an oath that he would kill whoever was responsible.”
  • Eragon and Murtagh argue over killing a man who attacked them. “Murtagh gazed at him coldly, then swung his blade at Torkenbran’s neck. ‘No!’ shouted Eragon, but it was too late. Torkenbrand’s decapitated trunk crumpled to the ground in a puff of dirk. His head landed with a hard thump.” Eragon says they should have let him run, Murtagh says “I’m only trying to stay alive…No stranger’s life is more important than my own.”
  • Angela says, “I loathe Shades – they practice the most unholy magic, after necromancy. I’d like to dig his heart out with a dull hairpin and feed it to a pig!”
  • There is a great battle. “At a command, the cauldrons of pitch were tilted on their sides, pouring the scalding liquid into the tunnel’s hungry throat. The monsters howled in pain, arms flailing. A torch was thrown onto the bubbling pitch, and an orange pillar of greasy flames roared up into the opening, engulfing the Urgals in an inferno.

Drugs and Alcohol

  • Eragon drinks alcohol a few times. “The inn’s food was barely adequate, but its beer was excellent. By the time they stumbled back to the room, Eragon’s head was buzzing pleasantly…What was I thinking? wondered Eragon in the morning. His head was pounding and his tongue felt thick and fuzzy.”

Language

  • Variations of damn are used several times. “I won’t deal with anything you bring back from those damned mountains!” “Damnation! It’s not locked.”
  • Bastard is used a few times. “I find that I prefer them when they’re greedy bastards.” “There’s only one reason for the king to gather such a force – to forge a bastard army of humans and monsters to destroy us.”

Supernatural

  • There are many races in Alagaesia. They include elves, dwarves, dragons, and Urgals.
  • Shades are created when a human tried to control spirits in order to practice magic but is overpowered. The spirits take over the human body and control it.
  • Many people can use different types of magic, whether speaking words from the ancient language or by harnessing spirits.
  • Eragon can communicate with animals by touching their minds. He can speak to people in the same way, hear their thoughts, and attack their minds using magic.
  • Eragon meets a were-cat. They can see the future, speak using their minds, and transform into small humanoid figures.
  • An herbalist uses bones to tell Eragon’s future.

Spiritual Content

  • Eragon and his friend Brom lie often since they are fugitives on the run. “Eragon knew he had to lie.”
  • When Eragon’s adopted father dies, he shouts “What god would do this? Show yourself! He didn’t deserve this!”
  • Eragon comes across a town that has been slaughtered and wonders, “What does our existence mean when it can end like this?”
  • Brom describes the religion of the city Dras-Leona. “Their prayers go to Helgrind. It’s a cruel religion they practice. They drink human blood and make flesh offerings. Their priests often lack body parts because they believe that the more bone and sinew you give up, the less you’re attached to the mortal world.”

by Morgan Lynn

Eldest

Eragon has accepted the responsibility that comes with being a Rider. As the only one who can stop the evil King Galbatorix, Eragon travels to Ellesmera to finish his training among the elves. He studies fighting, magic, and history. He grows stronger, but also weaker as the Shade’s dark magic continues to course through his veins. As its evil festers, Eragon begins to wonder if Saphira was wrong to choose him. For if he fails, all hope will be lost.

The second installment in the Eragon series, Eldest could have been cut in half and not lost anything necessary to the story. Eragon’s journey to the elves dragged on too long, as did his training. A good chunk of the book is told from the point of view of Eragon’s cousin, but his personality is flat and unengaging. There were, however, very interesting moments during Eragon’s time with the elves and the book ended with plenty of action. As with the first novel, this story has a lot of gory violence that might be too frightening for some readers.

Sexual Content

  • Eragon and his teacher wash in a stream after working out. “Going to the stream by the house, they quickly disrobed. Eragon surreptitiously watched the elf, curious as to what he looked like without his clothes…No hair grew upon his chest or legs, not even around his groin.”
  • During a festival, “the two elves raised their hands to the brooches at their throats, unclasped them, and allowed their white robes to fall away. Though they wore no garments, the women were clad in an iridescent tattoo of a dragon…Slowly at first, but with gathering speed, [they] began to dance, marking time with the stamp of their feet on the dirt and undulating so that it was not they who seemed to move but the dragon upon them.”
  • A woman “even went so far as to insinuate that one of his grandparents had mated with an Urgal.”

Violence

  • Eragon remembers a great battle he fought in. “Beyond that, he no longer believed that life possessed inherent meaning—not after seeing men torn apart by the Kull…and the ground a bed of thrashing limbs and the dirt so wet with blood it soaked through the soles of his boots. If any honor existed in war, he concluded, it was in fighting to protect others from harm. He bent and plucked a tooth, a molar, from the dirt.”
  • Eragon’s cousin, Roran, gets in many fights, lies, cheats, and kills many people with his friends. Some are in self-defense, some are initiated by him. “Sloan howled like an enraged beast, threw his cleaver, and split one of the men’s helms, crushing his skull…Sloan yanked him closer and gored him through the eye with a carving knife from his belt…almost prancing with a terrible, bloody glee.”
  • After a fight, “The boy, Nolfavrell, was kneeling by the body of a soldier, methodically stabbing him in the chest as tears slid down his chin.”
  • Ayra tells the story of a woman who murdered the man who spurned her. “She found him with the woman and, in her fury, she stabbed him to death.”
  • Eragon learns how to kill with magic. “All it takes is for a single artery in the brain to be pinched off, or for certain nerves to be severed. With the right spell, you could obliterate an army.”
  • When the braying of a donkey almost reveals his hiding place, “Without hesitation, Roran dropped to one knee, fit arrow to string, and shot the ass between the ribs.”
  • When a man finds out Roran is a fugitive, he “jabbed forward with his spear, catching the white-haired soldier in the throat. Scarlet blood fountained. Releasing the spear, Roran drew his hammer and twisted round as he blocked the second soldier’s poleax with his shield. Swinging his hammer up and around, Roran crushed the man’s helm.”
  • Before a battle, a woman poisons the soldiers on the other side. “Not a very honorable way to fight, I suppose, but I’d rather do this than be killed.”
  • There is a great and lengthy battle. “Eragon could not tell from whose mouth emanated the ravenous jet of flame that consumed a dozen soldiers, cooking them in their mail, nor whose arm it was that brought Zar’roc down in an arc, cleaving a soldier’s helm in half.”

Drugs and Alcohol

  • Wine/mead is consumed at many meals, by Eragon as well as Saphira.
  • Eragon and Saphira get drunk. “They abandoned their food and filled their stone tankards with beer and mead…Even Saphira took a sip of mead, and finding that she liked it, the dwarves rolled out a whole barrel for her.” They both wake up hungover the next morning.
  • A trapper says, “After a few steins of ale—to lubricate my speaking, you understand…”
  • During a feast, Eragon “drank the cup’s clear liqueur and gasped as it blazed down his throat. It tasted like mulled cider mixed with mead.”
  • Orik gets drunk on Faelnirv, “A mosht wonderful, ticklish potion. The besht and greatest of the elves’ tricksty inventions.”
  • After a battle Eragon, “took a small sip of the liqueur to revitalize himself and gasped as it raced down his throat, making his nerves tingle with cold fire.”

Language

  • Bastard is used a few times. When Roran sees the men who killed his father, he says “That’s…they’re the bastards…”
  • Ass is used to describe a donkey.

Supernatural

  • Elves, dwarves, dragons, Urgals, and many other creatures live in Eragon’s world.
  • Eragon has a premonition about a battle. When he asks his friend about premonitions, she tells him, “The elf Maerzadi had a premonition that he would accidentally kill his son in battle. Rather than live to see it happen, he committed suicide, saving his son, and at the same time proving that the future isn’t set. Short of killing yourself, however, you can do little to change your destiny.”
  • Eragon tries to bless a child in the ancient language, but accidentally curses her. His teacher tells him, “Instead of protecting this child from the vagaries of fate, you condemned her to be a sacrifice for others, to absorb their misery and suffering so that they might live in peace.”

Spiritual Content

  • An elf argues with a dwarf over their religion, since “elves do not hold with ‘muttering into the air for help.’ “
  • When Eragon learns to hear the thoughts of living creatures, he finds he can no longer stomach the idea of eating meat. “Gripped by revulsion, Eragon thrust the meat away, as appalled by the fact that he had killed the rabbits as if he had murdered two people. His stomach churned and threatened to make him purge himself.”
  • Eragon’s teacher tells him that his and Saphira’s “souls, your identities—call it what you will—have been welded on a primal level…Do you believe that a person’s soul is separate from his body?” Eragon replies, “I don’t know.”
  • When Eragon says an animal isn’t a person his teacher says, “‘Do you truly believe that any of us are so different from a woodrat? That we are gifted with a miraculous quality that other creatures do not enjoy and that somehow preserves our being after death?’ ‘No,’ muttered Eragon.”
  • The elves, “do not worship at all…if gods exist, have they been good custodians of Alagaesia? Death, sickness, poverty, tyranny, and countless other miseries stalk the land. If this is the handiwork of divine beings, then they are to be rebelled against and overthrown, not given obeisance, obedience, and reverence.”
  • Murtagh is under a spell. Eragon asks Murtagh for permission to kill him, as it is the only way to stop him. “‘It would free you from Galbatorix’s control. And it would save the lives of hundreds, if not thousands, of people. Isn’t that a noble enough cause to sacrifice yourself for?’ Murtagh shook his head. ‘Maybe for you, but life is still too sweet for me to part with it so easily. No stranger’s life is more important than Thorn’s or my own.’ ”

by Morgan Lynn

The Player King

Young Lambert Simnel, a penniless orphan, slaves away in a tavern. He’s a nobody who is treated badly by his master. Lambert spends his time working in the kitchen and trying to avoid his master’s fist. Lambert’s life suddenly changes when a mysterious friar, Brother Simonds, purchases Lambert and hides him in a guarded house. Scared and uncertain of his future, Lambert’s only desire is to return to the tavern.

King Henry VII stole the crown and pronounced himself King of England. The true heir to the throne, Prince Edward has disappeared. With the help of an Earl, Brother Simonds sets out to make Lambert the player king—Lambert must learn to become Prince Edward. Lambert doesn’t trust those around him; however, he has learned one lesson well: do as you are told. Lambert is in a dangerous game where everything is at stake; Lambert wonders if he will survive as those around him battle for power.

Told from Lamber’s point of view, The Player King is a captivating story that brings 1486 history to life.  Lambert is a well-rounded character whose emotional turmoil pulls the reader into the story. The vivid imagery and dialogue bring medieval England to life. Readers will not only learn what life was like for royalty, but also for the poorest serfs.

According to the publisher, The Player King’s is written for readers as young as eight. Even though the chapters are short, the dialogue of the characters may be challenging because of the realistic use of time period language. Avi’s use of more complex sentence structure may also be difficult for some readers. The violence is appropriate for the age group, but there are several descriptions that are gory and could be upsetting. Overall The Player King is an intriguing historical fiction that is an excellent story for more advanced readers.

Sexual Content

  • None

Violence

  • As part of the narration, Lambert said that his master was “more than happy to pound on me.”  Lambert talked back to his master’s wife and she, “pulled my hair, call me a sluggish skelllum, and predicted a quick hanging.”
  • When Lambert falls asleep during his lessons, the friar slaps him. Later in the story, when Lambert tries to run away, the friar, “Struck me hard across the face.”
  • The friar explains to Lambert what would happen if Lambert was accused of being a traitor. ”You would be hanged, but before you’d fully die, your guts would be stripped out through your stomach wall and burned before you, while your beating heart would be removed and stuffed into your bloody mouth. Finally, your body would be cut into four quarters and nailed about the town.
  • When a servant does not bow to the future king, “a soldier went and struck the man so that he tumbled to the ground.”
  • A battle is described over a chapter. When men with crossbows begin the battle, Lambert “saw some of Henry’s men fall.” During the battle, “some shields were raised. Even as they were raised, many men fell, pierced mortally by arrows.”
  • At the end of the battle, “Henry’s army pursued, chasing and hacking down my soldiers by the hundreds. Arms broken, severed. Guts tumbled. Heads rolled down to the bottom of deep gullies, where they lay forever still.”

Drugs and Alcohol

  • Lambert is a kitchen boy in a tavern, where customers are served drinks. The narrator tells about when friars and priests come and drink. Lambert was told to be respectful “even if they had drowned in their cups.”
  • During a play, an actor “acted drunk.”
  • During a dinner, Lambert listens to two lords talking, “. . . The way they slurred their words told me they had already drunk too much.”

Language

  • Actors perform a version of the Noah story; however, in this story, Noah was a drunk, and “God dumped a filled piss-pot over him.”
  • Master Tackery calls Lambert a “boiled bootlicker” and a “want-wit.”

Supernatural

  • None

Spiritual Content

  • Actors perform the story of King Solomon with two women who both claim a child as their own.
  • Actors perform a version of the Noah story; however, in this story, Noah was a drunk. “Though God warned him a great flood would come unless he stopped drinking, this Noah drank anyway, so God dumped a filled piss-pot over him.”
  • One of the main characters is a friar who prays to God.
  • Lambert prays to Mary and asks, “that she would be by my side in times to come.”
  • Lambert feels the need to pray and thinks that Brother Simons, “had not taught me how to save my soul.”
  • Before going into battle a character said, “the Lord’s will shall be done.”

Soar

Jeremiah loves baseball.  When his father gets a new job in Ohio, instead of being upset at having to leave his best friend, Jeremiah is excited to go to a town that is known for its winning baseball team, The Hornets. However, soon after they arrive, the Hornets are caught up in a scandal and the town is left wondering if they would be better without baseball.

Although Jeremiah can’t play baseball because of his heart transplant, he knows that baseball is too important to give up. So when he discovers that the junior high baseball team was disbanded when the coach was fired, Jeremiah takes it upon himself to coach the few who are willing to come out. However, some parents don’t want their kids on the team, some schools don’t want to play a town that is in the middle of a scandal, and some of the players think they are destined to be losers. Can Jeremiah’s can-do-attitude overcome the obstacles to bring the team together or is baseball going to die in this Ohio town?

Right from the start, Jeremiah’s voice jumps off of the page. Baseball and Jeremiah aren’t the only things to love in Soar. There are many interesting characters ranging from a nosy neighbor who peaks through the bushes to the wise coach who lives next door. There is also a little bit of mystery because the story focuses on Jeremiah’s neighbor, Franny, who has a dark secret that is keeping her from picking up a baseball.

Even though the story talks about the steroid scandal, the topic is handled in an appropriate way for younger children. Throughout the story, the reader will learn the importance of having a positive attitude as well as the fact that winning isn’t what defines a winner. Soar is an entertaining book that has “humor, heart and baseball lore.”

Sexual Content

  • A nurse tells about “her cheating ex-boyfriend.” But no other details are given.
  • Jeremiah’s father becomes engaged. Jeremiah sees his father and fiance kiss a couple of times.

Violence

  • None

Drugs and Alcohol

  • When a baseball player dies there are rumors about the cause of his death. People wonder if he was drunk or on drugs.
  • The story revolves around the high school’s baseball team whose coach gave some of the players steroids.

Language

  • None

Supernatural

  • None

Spiritual Content

  • Before Jeremiah has heart surgery, he prays with his father. “The Lord is my shepherd; I shall not want. He makes me lie down in green pastures; He leads me beside the still waters; He restores my soul.”
  • At one baseball game, a priest and a nun are part of the team’s fans. One of the players is upset that “They’ve [the team] got God on their side!” Another player points out the Rabbi who cheers for their team and says, “Look, we’ve got God, too.”
  • Before the game, the Rabbi prays. “May the Source of All Life bless these players with wisdom and strength, swiftness and skill, patience and power . . . And for the umpires—blessed is the Source of Arcane Baseball rules and those who tend them.”
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