Reading Level: Junior High

Almost Home

Sugar’s life isn’t perfect, but she’s content. She has a best friend, a teacher who encourages her to write, and a home to go to. When life throws difficulties her way, Sugar looks at the bright side. But when Sugar becomes homeless, she had a hard time finding the good in life.

Then Sugar’s mother Reba decides to move to Chicago hoping for a fresh start, but when Reba doesn’t get the job she had hoped for, she has a nervous breakdown. Sugar and her puppy Shush are moved into foster care. Throughout the story, Sugar holds on to her dreams and learns that life can be good, despite her circumstances.

Sugar is as sweet as her name. She is an engaging character that the reader will fall in love with. She pours out her feelings of fear, loneliness, and confusion through poetry, which allows the reader to understand Sugar’s thoughts and emotions. Sugar’s cute, fearful puppy is added to the mix which makes Almost Home even more enjoyable. As Sugar narrators her own story, the reader gets a glimpse of what it feels like to be homeless. Because Sugar is a sixth-grader, the story is told in a manner that is age-appropriate for younger readers.

There is much to like about Almost Home. Sugar meets interesting characters of all ages who add delight to the book. The majority of the adults in the book are shown to be kind people who only want to help. And even though Sugar’s mother Reba has a nervous breakdown, in the end, Reba shows that despite her imperfections, she truly is trying to be a better person because she loves her daughter.

Much of Sugar’s life lessons came from her grandfather, King Cole, who imparted much wisdom about not giving up. Even though her grandfather is dead, his character still shines through. Through sharing Sugar’s story, the reader will learn that sometimes taking one step takes great courage, but it’s necessary to keep moving if you are going to keep your dreams alive.

Sexual Content

  • One of the character’s dad cheated on her mother and went into hiding. Later the character discovers that after her father disappeared, he married another woman and had a son.
  • Mr. Leeland “gives Reba a too-long kiss.”

Violence

  • A boy tells Sugar, “I had a dog—it died. It keep barking, so my uncle shot it.”
  • When Mr. Leeland shows up drunk, one of the children “makes a big run at him from behind, shouts a war cry, and pushes him down. Mr. Leeland is on his face moaning.” Reba then stands on him. “She digs her heels into his back.” And then she kicks him out of the house.

Drugs and Alcohol

  • Sugar’s father, who she calls Mr. Leeland, comes and goes, but never stays long. “He only cared if there was food and beer in the refrigeration. . .” Later Sugar talks about when Mr. Leeland got drunk. At the end of the book, he reappears drunk.
  • Sugar is living in a shelter that does not allow drinking. Her mother, “normally doesn’t drink, except when Mr. Leeland is around, but she and this lady Evie, who lives at the shelter, they have a drink now and then in Evie’s room.”
  • One of the characters talks about her foster daughter who was on and off drugs and ended up dying of an overdose. The character tells Sugar, “Drugs are out there, and they’re looking for kids to destroy . . . You’ll never feel worse than you do on drugs. You could end up like Tonya—stone cold dead.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • Sugar was born in the back seat of a car. In the narration, Sugar explains, “When I popped out and Reba saw the Sugar Shack sign, she felt it was a sign from God; right there I got my name. At least God told her to stop at Sugar. Sugar Shack Cole would have been a chore to live with.”
  • Sugar writes prayers to God. When she is in a difficult situation, Sugar “tried to pray like King Cole told me, but I couldn’t. I felt like the earth had opened up and swallowed us into a dark place—a place no prayers ever got answered.”
  • Sugar wonders, “If King Cole can see me from heaven. I wonder if God is paying attention, or if he’s off helping people who have places to live.”

 

Close to Famous

Twelve-year-old Foster dreams of having her own cooking show on the Food network. When she and her mother flee Nashville and end up in the tiny town of Culpepper, Foster worries that her dream is over. When Lester, a tow truck driver, offers to let them live in the Airstream trailer in his backyard, they take him up on his offer because they have nowhere else to go.

Foster begins to feel at home as she makes friends and gets herself a job baking for the local coffee shop. When she meets Charleena Hendley, a once-famous actress, Foster is forced to face her biggest challenge—learning to read. Close to Famous has a string of loveable characters, who each have their own challenges. Although the story does not have a fairy tale ending, the ending is surprisingly heart-warming.

In Close to Famous Joan Bauer tackles the difficult issue of domestic abuse and losing a loved one in an age-appropriate way. In the end, Foster learns the importance of never giving up, and how true friends help a person overcome their challenges. As Foster tells her story, she brings the small town of Culpepper and its residents to life. Close to Famous is an easy-to-read, engaging story that has humor, and heart.

Sexual Content

  • One of the character’s husbands had an affair and left her. “Mike Tuller was my husband, and he started seeing a supermodel while we were married . . . I was devastated, humiliated.”

Violence

  • When Foster’s mother, Ryka, tells her boyfriend that the relationship is over, he becomes violent. “Huck was shaking her by the shoulders . . . That’s when he hauled off and punched her in the eye. I did a flying leap toward him; he pushed me away.” Foster screams and the neighbors begin yelling. Foster and her mother leave.
  • Foster’s mother returns to Nashville to get some belongings. While she is there, she sees her x-boyfriend. When she returns to Culpepper, her arm has a big bruise on it. “I only saw him for an hour, and when I was heading out the door, he grabbed my arm and yanked it back hard, but I left anyway. That’s how I got the bruise.”
  • Ryka’s father was abusive. She tells Foster, “. . . he hit my mother. . . Once she called the police on him, but his cousin was on the force and he covered the whole thing up.”
  • While checking out at the grocery store, someone mentions that “Zeke got jumped at the prison. Wasn’t paying attention.”
  • A prisoner escapes and goes to the house where his family was staying, and begins yelling. The confrontation is described over several pages. In the end, the prisoner ends up leaving. When he leaves Foster says, “I heard a noise outside, sounds of a fight, then shouting, ‘I’m making a citizen’s arrest.’”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • Foster and her mother acknowledge God’s existence and pray to him. While she was in a difficult situation she thinks, “I hope that God can see us through the fog. Because if he can’t, we’re in big trouble.”
  • When Foster asks if memorizing is cheating, she is told that “You use whatever God’s give you.”

5 to 1

Women rule the land. Women are respected. Women built Koyanagar into a country where women could do anything. But to accomplish this, they had to put men into their place.

If they want chance at having a better life, the boys of Koyanagar must compete for a wife. Those who do not have a wife—and do not give their wife a female child—will be forced to guard the wall. Everyone knows once you’re sent to guard the wall, it’s only a matter of time until you end up dead.

Sudasa should feel excited about having young men compete for her hand in marriage. As she watches the test though, she realizes her cousin is among the contestants and has been given an unfair advantage over the others. Someone wants to make sure her cousin is the clear winner of the test.

The only boy who could possibly beat Sudasa’s cousin is Kiren. But there’s a slight problem, as Kiren hopes to gain his freedom by losing the test. Sudasa knows that Kiren may be her only hope in avoiding a marriage to a cousin who she despises. Yet, she also knows that Kiren doesn’t want to win the test and be forced to marry her.  As she wrestles with the right thing to do—for herself and for Kiren—she discovers Koyanagar isn’t based on fairness at all.

5 to 1 is written from both Sudasa’s and Kiren’s point of view. Sudasa’s story is written in verse; however after reading the first page, the reader will be so engrossed in the story that they forget that they are reading poetry. Because Kiren’s point of view is in prose, it is easy to keep track of which character is speaking.

The world of Koyanagar is mesmerizing and unique. The characters come to life and add interest to the story. The two main characters drive the action. Both characters are struggling to do the right thing, and in doing so they capture the reader’s heart.

The only down side of 5 to 1 is the story ended without having the conflict completely resolved. The end of the book is frustrating because Kiran and Sudasa’s fates are unclear.

Sexual Content

  • In a speech, the president talks about when girls were sold, “to the highest bidder.” And some were, “raped, fated for ruin.”
  • One of the contestants tells a guard, “I bet you wish it was still the old country, huh? A man should be able to stick it to his wife whenever he wants, and if she doesn’t like it, he should be able to slap her senseless.”
  • A contestant tells Sudasa, “You’ll be the one sweating in our marriage bed.” When she slaps him, he laughs at her.

Violence

  • Abortion is talked about throughout the book. Before Koyanagar became a country, many families aborted girl children. Now women abort boy children.
  • The president of the country tells the people, “The people took their money and spent it on illegal ultrasounds. If they didn’t hear the words ‘It’s a boy,’ they spent more money on doctors who could quietly made the problem go away. If they couldn’t afford these luxuries, they waited nine months and then took care of things themselves. Some abandoned their baby girls in a park, knowing they would be sold to lands far away. Other used a towel. A pail. And a grave.”
  • There are several references to Agnimar Cliff where young men go to jump off the wall and end their life. Boys who are weak or do not want to be trained to guard the wall jump off Agnimar Cliff.
  • A boy was killed because he, “refused to tell the State where his girlfriend was hiding.”
  • Sudasa’s sister says that she would abort a baby if it was a boy. She would do this even if abortion is illegal. When Sudasa protest, her sister says, “You saw that disabled boy competing for you. Do you think a mother would want a boy like that in her belly?”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • People wanted boy children because they could, “attend their funeral pyres and release their souls to heaven.” A character gives a boy a proper funeral pyre to “free the boy’s soul for rebirth.”
  • Being invited to be a part of the marriage test is supposed to be an honor. “That’s what she keeps saying, as if the mere act of being invited to fight for one’s life is a gift from the gods we’re not supposed to believe in anymore. I don’t believe in them, but not because religion has been banned . . . I just don’t think a being that’s good and fair would lie a place like Koyanagar exist.”

Strange Star

In 1816 Switzerland, Lordy Byron and his guests have gathered around the fire to tell ghost stories. A pounding on the door reveals a strange girl covered in unusual scars, and she tells a chilling tale of her sister being snatched by Mary Shelley, one of the guests at the party.

The girl, Lizzie, tells her story of losing her mother, and almost losing her life to the experiments of an ambitious scientist. This scientist wants to use the power of electricity to bring the dead back to life. And she wants to use Lizzie in one of her experiments. Lizzie’s story was inspired by the book Frankenstein.  Although the story has been adapted for a younger audience, the story will still give the audience a frightful chill. For the younger reader who likes to be frightened Strange Star is a creepy good horror story.

Sexual Content

  • Miss Goodwin’s father comes looking for her when she “runs away” with a man. “He’s come to bring her home before she brings shame on the family.”

Violence

  • A scientist orders her servant to kidnap Peg, who is locked in a cellar. As Lizzie tries to save her, they enter a room that has specimens, “like baby animals and birds and toads with two heads!”
  • After his employer scolds Mr. Walton, he takes out his humiliation on a servant. “Next came the thud of a fist hitting flesh. . . It was about his own humiliation. And like all bullies, he had to inflict it on someone else.”
  • Miss Stine and others grab Lizzie . “. . . More hands seized me, pulling my arms behind my back. I twisted. Shouted. Kicked out with my feet. I was no match for the two, maybe three sets of hands. They yanked me and turned me till I was sure my arms would be torn from their sockets.” She is tied to a chair, and wires are put on her. “She pressed cold metal against those places on my head, neck and feet. Wires crisscrossed my face.” Lizzie is let go when a dead wolf is brought in and Miss Stine decides to experiment on it instead of Lizzie.
  • When Lizzie tries to leave Miss Stien’s house, she is stopped. “We grappled our way down the passage like a pair of fighting village boys, all arms and elbows and kicking feet. Once or twice I slipped in something wet. Something oily. I didn’t want to think what it means . . . With my arms now pinned behind my back by his hand, I couldn’t wriggle free.”
  • A wolf attacks a man. “There was frenzy of claws. Snarling. Snapping. Something sounding horribly wet. Then came a rip, a tearing noise like a rabbit being skinned. And gurgling and gasping that was definitely human.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Mercy believes that Lizzie and her mom are going to die because she saw their spirits in the cemetery on Midwinter’s Eve. “Pass by a church at midnight on Midwinter’s Eve and you’d see an entering it the souls of those who’d face death within the year. Those who came out again would survive. And those who didn’t . . .” Later in the year, lightning strikes Lizzie and her mom. Her mom dies.
  • Miss Stine believes the dead can be brought back to life with electricity. Miss Stine attaches wires to a wolf’s head, paws, and chest. When electricity surges through the wolf, he comes back to life.

Spiritual Content

  • None

Girl Detective

Friday has perfected the art of going unnoticed. She has spent her life learning how to blend into her surroundings. After receiving a monetary award for solving a crime, she decides to go to an exclusive boarding school to better her education. To her dismay, a series of unexpected events cause Friday to become the center of attention time and time again.

Soon Friday is busy solving the school’s mysteries, which include lost homework and stolen desserts. To add to the drama, Friday begins to unravel the secret behind the yeti that is haunting the school’s swamp.

Outrageous teachers, teen bullies, and a cute boy add to the plot of Friday Barnes Girl Detective and will intrigue readers. Friday is a delight because while she is amazingly smart, she is clueless when it comes to picking up on social cues. When Friday and her roommate work together to solve mysteries, their relationship will cause giggles.

Friday Barns Girl Detective is a humorous story that will captivate younger readers. A Yeti brings suspense to the story. A cute boy brings a light touch of romance that shows the confusion caused by girl-boy relationships. Although the story ties up all loose ends, there is a surprise at the end that will make readers want to pick up the next book.

Sexual Content

  • It is rumored that the gardener has a crush on a teacher. “. . . Diego the gardener, who was hiding in the bushes staring at Miss Harrow because he is so deeply in love with her but doesn’t speak English so he can’t tell her so.”
  • Friday sees a cute boy and has a surprising reaction. “I didn’t realize seeing someone so good-looking could have such a disconcerting effect on my respiratory system.”
  • A teacher flirts with the school secretary. “Miss Priddock giggled and smiled her own less practiced yet equally nauseating smile back.”

Violence

  • A car accidently hits Friday, but she is not seriously hurt. “. . . she heard screeching rubber and slipping breaks, and looked to see the SUV right before it slammed into her suitcase, which slammed into her, causing her to stumble and bang her head on an ornamental statue of Socrates.”
  • Binky is challenged to a fight. Binky doesn’t want to fight but feels as if he has to. During the fight, Binky, “leaped onto his left foot and swung his right foot forward to knock the other boy’s foot from underneath him.” The other boy’s knee is hurt, and he “appeared to be crying.”
  • While being chased by a Yeti Friday, “whipped her autographed baseball bat out of her backpack, held it high above her head, and did what the book on kendo had instructed. She screamed with a terrifying vehemence, “Hiiiiiyaaaahhhh!!!!!” Then the yeti stumbled and Friday discovers it was not a yeti after all, but a person in disguise.
  • Friday and another student were, “grabbed from behind and had sacks roughly shoved over their heads.” Then they are tied to chairs with plastic zip ties.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • When someone steals clothes out of Friday’s room and hides them in the swamp, Melanie tells her, “You should trust in fate to lead you to your clothes . . . if you are meant to have them back, then you will find them.”

Spiritual Content

  • None

One Dead Spy

Nathan Hale is standing on the gallows, waiting to die. As he awaits death, he tells the story of the Revolutionary War. Nathan explains how the rebels were able to defeat an army that was bigger than they were. His story is full of narrow escapes with danger and acts of heroism. Nathan, a teacher who turned into a spy, tells how the British were able to capture and execute him.

The Revolutionary War and America’s fight for independence comes to life in the form of a graphic novel. Although the story revolves around war and the death of soldiers, the pictures are not graphic or gory. As Nathan tells his story, the image of the rope hanging from a tree appears repeatedly. The executioner and the British soldier seem excited to end Nathan’s life. However, at the end of the book, Nathan lives to tell another story in book two.

One Dead Spy turns history into an easy to read, entertaining format. The book ends with short biographies of other important historical people.

Sexual Content

  • None

Violence

  • The narrator of the story, Nathan Hale, is sentenced to death. “The prisoner, Captain Nathan Hale, was caught spying . . . he is sentenced to hang by the neck until he is dead.”
  • The story includes facts about the Boston Massacre, when the British killed men for throwing rocks. “They shouldn’t have thrown rocks at armed soldiers!”
  • When 2,000 British soldiers charge, “there were 1,000 rebels sniping at them from the hilltop.” The rebels flee when they run out of ammo.
  • The rebels are starving. When they see a cow, they are excited. But the cow is killed by the enemy.
  • Through the novel, Nathan Hale describes the Revolutionary War battels. Although there are pictures of the armies and the dead soldiers, the pictures are not bloody. Sound effects are added. “BLAM CRACK BOOM POW POW FWAM.”
  • Nathan Hale and another man are on a scouting mission when the enemy’s scouts shoot at them. Nathan gets a “little war tattoo” when he holds his musket too close to his face. Nathan’s companion then explains that a red badge is a bullet hole.
  • When the British capture enemy soldiers, many are hung. Others are put on prison ships.  The prisoners, “spend months chained, floating in New York Harbor. Many die there from disease and starvation.”

Drugs and Alcohol

  • After a battle, the soldiers “liberated the fort, they found the liquor storage and liberated that too.”

Language

  • Damn is used. Ethan Allen tells someone, “Go now and complain to that damn scoundrel, your governor!”
  • Several times someone calls the enemy, “Damn dirty rats.”
  • One of the characters yells, “Poppycock!”

Supernatural

  • None

Spiritual Content

  • None

 

Alamo All Stars

Nathan Hale tells the tale of the Texas Revolution. In the early 1800s, Texas was a dangerous place. The Mexican government, Native Americans, and settlers from the United States fought over the land.  The tale begins when “land pirates” began moving to Texas. It also covers the Alamo and the victory over Santa Anna at the Battle of San Jacinto.

The tale includes Stephen F. Austin, who led the charge to settle the frontier. Other interesting characters who make an appearance include the following: Patrick Jack, William Barret Travis, Jim Bowie, and David Crockett. Readers will learn about politics, military action, and prominent people. At the end of the book, maps and biographies give more historical insight.

Designed for reluctant readers, Alamo All-Stars brings history to life. Because Texas history is complex and full of battles, readers may have a difficult time keeping all of the names straight. Alamo All-Stars details many different battles. Although the pictures are not graphic, there are many battle scenes and a lot of death.

Sexual Content

  • None

Violence

  • James Long travels to Texas in the hopes of making Texas its own republic. He is killed. “He was shot dead by a prison guard.” A picture of Long lying in a pool of blood is shown.
  • Mexico goes through a string of emperors. One is killed by a firing squad.
  • Jim Bowie and Norris Wright get into a fight. “Wright blasted him square in the face.” The pistol misfires, so Bowie is uninjured.
  • During a duel, a fight breaks out and several people are killed. Jim Bowie is injured. “I see two bullet holes, one in the leg, one in the lung, seven sword slashes, one through the left hand, and a serious bludgeon wound on the scalp.”
  • Jim Bowie and a group of men get in a battle with Indians. Several people are injured.
  • General Santa Anna takes an army of 3,500 to attack and slaughter rebels in the town of Zacatecas. After the battle, Santa Anna tells the soldiers, “Do whatever you want. Take whatever you want. Kill whomever you want.”
  • The people of Texas do not want Santa Anna’s soldiers to be in Texas, so they resist. The end of the book tells of battle after battle. One picture illustrates a sharpshooter falling out of a tree after being shot. In other battles, dead soldiers are shown but not in gory detail.

Drugs and Alcohol

  • After being captured and then released, Travis says, “Bring me a barrel of whisky. . . . whisky for everyone! Even the soldiers who held me prisoner!”
  • David Bowie is drunk in a bar.

Language

  • During a pistol fight, one of the men says, “Damned rascals killed me.”
  • David Crockett goes to the Alamo. When he introduces himself he says, “I was knocked down and dragged out in the world of politics . . . so I told them all to go to hell and I would go to Texas.”

Supernatural

  • None

Spiritual Content

  • During a fight someone tells Jim Bowie, “you better start makin’ yer Catholic prayers if you want to get home to that purdy wife of yours.”

 

Have Sword, Will Travel

Odo never dreamed of leaving his small town. His best friend, Eleanor, longs for adventure. Everything changes for the two of them when Odo pulls an enchanted sword, Biter, from the river.

Even though Odo doesn’t want adventure, Biter knights him and demands that Odo go on a quest to discover why the town’s river has dried up. Eleanor goes along, excited for the chance to explore the unknown. Along the way, Odo and Eleanor discover that life outside of their village is full of both good and evil and that danger often lurks in unexpected places.

A fast-paced story full of interesting characters—human and non-human— Have Sword, Will Travel takes the reader on an epic adventure. Eleanor is a feisty heroine and Odo is a reluctant hero that children will love. Written with humor, the story teaches lessons such as not bending the truth, fighting for what is right, and defending those in need.

Sexual Content

  • None

Violence

  • When two boys make fun of Odo, the sword attempts to attack them. The sword slices “a figure-eight through the air despite Odo’s efforts to keep him grounded.” Odo manages to stop the sword, and the boys run off.
  • Odo must fight Fyrennian, a cruel smith. When Biter attempts to kill Fyrennian, Odo “managed to pull back on the sword at the last moment, deflecting the sword from a killing thrust.”
  • Eleanor is corned by a huge dog. She flings hot coals on the floor, trapping the dog.
  • Someone hits Fyrennian on the head, and “the smith toppled forward like a stone.”
  • A refugee tells a story about “corpses drifting down the river, the bodies of people cooked to death in boiling water.”
  • Sir Saskia challenges Odo to a duel to keep the citizens entertained. The battle is described over several pages. Odo is outmatched, and Sir Saskia strikes Odo’s shoulder twice. “His shoulder felt like it was swelling up inside the armor.” She hits Odo in the same spot a third time, “on his shoulder again, jarring it so much he lost feeling all the way down his arm. His nerveless fingers could no longer hold the sword, and the grip on his left hand was too weak.” Odo is forced to yield.
  • A dragon attacks Odo and Eleanor. Odo strikes the dragon. “The blade scored a vivid line in the blackened hide, exposing softer bone-white flesh beneath . . . he stabbed forward and pierced one wing right up to the cross-guard.” An older woman comes and helps the children escape.
  • A group of Sir Saskia’s troops attacks Eleanor. A person trips and “impaled himself” on the sword. In the end, there is, “one wounded, one dying . . . maybe . . . and one surrendered.”
  • Odo and Eleanor blow up a dam that has been built to stop the river from flowing. When they do, Odo almost drowns. “Odo lay weakly on his stomach, coughing up dirty water while Eleanor pounded his back.”
  • Odo and Eleanor get into a battle with bandits. The battle lasts over several pages. “Biter came down point-first on Mannix’s shoulder, shearing through his armor as if it were no more than river mud. Mannix screamed and swore and clutched at the wound with his left hand, his right arm now useless.” During the fight, Eleanor is kicked with steel-clad boots, and “the pain was like fire.”

Drugs and Alcohol

  • At home, Eleanor drinks weak ale because water isn’t always clean.
  • Odo and Eleanor find a group of men passing around mugs. One of the men is telling a story. In the middle of the story he stops, and they see his “eyes suddenly rolling back into his head and his falling backward, unconscious. Fortunately, the arms of his friends were ready to catch him . . .”

Language

  • None

Supernatural

  • Biter, an enchanted sword, is able to talk and control his own movements. He teaches Odo how to wield a sword and act like a knight. Later in the story, the children find Biter’s sister, who believes she is cursed and will bring death to those who wield her.
  • A smith has a firestarter that came from a dragon. He uses it to terrorize others into working for him.
  • A dragon appears to judge several of the characters in the book. The dragon looks at Odo, “really looked at him. He felt her ancient, knowing gaze penetrate into the very depths of his being.” Mannix is found guilty and the “dragon’s tail moved again, whipping around like a scorpion’s, the long spike on the end stabbing Mannix right through the middle and then flipping him back into the dragon’s mouth. It happened so quickly he didn’t even have time to scream.” Another person is cursed and forced to do as the dragon commands.
  • Urthkin, “pale-skinned, reed-slender demi-humans” that have “paws like a mole’s, with digging claws,” only come out at night because light hurts their eyes. They believe that “wisdom comes from closer to the ground.”

Spiritual Content

  • None

 

Liesl & Po

Liesl’s cruel stepmother keeps her locked away in an attic. With nothing to do, Liesl spends her time looking out a tiny window and drawing. One lonely night, a ghost named Po appears from the Other Side. Both Liesl and Po are less lonely when they are together. When Liesl’s father dies, she is determined to take his ashes to a special place. With Po’s help, Liesl is able to escape and the two embark on a dangerous adventure to bury her father.

The alchemist’s apprentice, Will, leads a miserable life. His one joy is to look at the small girl in the attic window. Late one night, Will accidentally mixes up a major delivery. Now, the person who ordered the most powerful magic in the world will stop at nothing to get her potion that Will failed to send to her.

The lives of the children—Will, Leisl, and Po—intersect as they help each other avoid the adults who would like to capture them.

Lauren Oliver writes a beautiful story that shows the power of friendship. Although Liesl & Po is age-appropriate, the story shows a frightening version of the Other Side—a place where the dead lose their shape and their memories. Another aspect that may frighten younger readers is the terrible actions of the adults in the story. The alchemist verbally abuses Will. Liesl’s stepmother plots the murder of Liesl’s father and attempts to kill Liesl. The other adults (except one) in the story are just as vile. However, the story ends in a satisfying way, leaving the reader with hope.

Sexual Content

  • None

Violence

  • One of the alchemist’s apprentices was accidentally turned into a mouse, “just as the alchemist’s scrawny, always hungry tabby cat had come swishing in through the cat door.”
  • Augusta wants to kill her husband and stepdaughter, but she is afraid to kill both at the same time. Therefore, she uses poison to kill her husband because “the slow death of a middle-aged man is hardly likely to be attributed to poison, especially when the poison is administered teaspoon by teaspoon, a bit in the soup every day, over the course of a year.”
  • Will overhears a conversation when a factory worker says, “The problem is the boys. We’re running through ‘em! We’re running out! Boys are losing limbs, fingers, toes. One of the boys had his head chopped off last month.”
  • Someone tries to grab Liesl. “During her frantic struggles against the Lady Premiere, she had smacked her head against the door jam and gone as limp as a lettuce leaf.” Lady Premiere then locks Liesl in a room.
  • Augusta tries to feed Liesl soup that she has poisoned. When Liesl refuses to eat it, “Augusta, enraged, sprang to her feet. She grabbed Liesl by the shoulders and shook her . . . Augusta shook Liesl so hard that her teeth knocked together.” Augusta then tells Liesl she can eat the soup and die slowly or she can starve to death.
  • Two siblings are seen “hopping and twisting and slapping each other.”

Drugs and Alcohol

  • Po meets a ghost who died in a bar brawl.
  • Augusta kills her husband with poison.
  • Augusta says that her maid was, “dropped on her head quite frequently as a baby. Her mother was a hopeless drunk.”
  • An innkeeper thinks about a time when she served her customers “weak wine.”

Language

  • None

Supernatural

  • Po is a ghost who explains how death works. Some people go “straight on,” and others go to the Other Side. The Other Side is “vast and filled with ghosts.” When new people cross over to the “dark and twisting corridors,” people lose their shape and memories. When people first get to the Other Side, “they become a part of darkness, of the vast spaces between starts.”
  • When people die, they blend and become part of the Everything. “The ghost reminded itself that losing form was natural, and good, and the way things were in the universe.”
  • Po takes Liesl to the Other Side. “. . . She was aware of the sensation of Po inside her, urging her forward, like suddenly feeling a division down your middle and being two people . . .” Po leads Liesl through the Other Side, and then opens a passage so Liesl can go back to the living world.
  • When people first get to the Other Side they are often confused because they do not understand where they are. “All those new ghosts: All they wanted was to go back to the Living Side.” In order to help Liesl, Po tells the new ghost to follow him because the path would lead them home. Instead, they go to the Living World. “Because they were very new ghosts, they had not started to blend yet, and so were quite visible. . . Some had holes in their faces, or were missing arms or legs, where their physical selves had begun to dissipate and merge with the rest of the universe.”
  • Liesl’s father returns from the Other Side and accuses his wife, Augusta, of killing him. Augusta then reveals that the alchemist gave her “Pernicious Poison: Dead as a Doorknob, or Your Money Back.”
  • After helping Liesl, Po and Bundle appear as solid shapes. “They were golden—they’d been dipped in gold—no—they were made of gold. And then the golden Po-shape turned into tan brown arms and shoulders, a ring of curly yellow hair, and a laughing smile. . . ” Then he disappeared “to Beyond.”
  • Will works for an alchemist who makes spells. For one spell, Will “spent the whole day grinding up cow eyes, and measuring the blood of lizards into different-sized vials . . .”
  • The alchemist can make spells that “turned frogs into goats and goats into mugs of tea. He made people grow wings or third legs. Recently he had mastered a tincture that would make a person disappear entirely.”

 Spiritual Content

  • None

The Stone Child

Eddie has a lot on his plate. A new town, a new school, and a missing author. The missing man happens to be Eddie’s favorite author, a man famous for his scary stories. A man who hasn’t been seen for thirteen years. A man whose monsters seem to be walking right off the pages of his best-selling novels.

When Eddie finds an unfinished novel with the worst monster yet, he knows he cannot let that monster, The Woman, into his world. He and his friends set off to figure out what happened to the monsters’ author and to discover how his stories are coming to life. What they find is more terrifying and more dangerous than they ever imagined. Soon the fate of the world relies on three kids racing against time. For once The Woman’s story is complete, she will be able to torment our world.

The Stone Child is a spooky story with loads of suspense. It is written for younger readers with an appetite for mysteries, but may not be the best choice for children who scare easily.  Eddie has creepy encounters with supernatural beings. Although monsters chase Eddie and his friends, the scenes are not graphic.

Eddie does get into a bit of trouble for the sake of the mystery. He trespasses, cuts class, and lies to his parents about where he is and what he is doing. But the whole time he is trying to stop The Woman, he is working to keep his parents and the rest of the world safe.

Sexual Content

  • Harris warns Eddie, “‘She’s a real witch…Be careful. She probably put a spell on you. You might fall in love with her and have little witch babies.’ Then he started kissing his own hand in a really gross way.”

Violence

  • Eddie and his family crash into a strange creature. “His father smashed his foot against the brake pedal. The car began to fishtail; the tires squealed. Eddie felt himself jerk forward against the seat belt . . Then came the horrible crunch as the front of the car crashed into the creature, sending it flying into the greenish darkness of the woods.”
  • Eddie says a creepy guy was “sort of cool.” His mother jokes, “If serial killers are cool, then sure.”

Drugs and Alcohol

  • None

Language

  • Hell is said twice. For example, Harris screams, “You scared the hell out of us!”

Supernatural

  • People believe in the Olmstead Curse. They think characters that Olmstead wrote about have come alive in the town of Gatesweed.
  • People say a ghost haunts the woods behind Olmstead’s old house.

Spiritual Content

  • The Garden of Eden becomes a central part of the mystery. According to what Eddie discovers, two statues guarded the garden against “creatures…doomed to exile.” These creatures are the ones haunting Gatesweed. Lilith, Adam’s first wife, was banished from the garden. “Lilith’s only companions in her new home were the Exiled – the most vile wretched creatures.” Those creatures have escaped from another world into ours, and now Lilith is trying to follow suit.

by Morgan Lynn

Better Off Undead

Adrian Lazarus has always felt like an outcast. But now that he’s dead, life gets even worse. Even though Adrian does not have a beating heart, he still feels the pain of people talking behind his back. When the school bully, Daryl, decides to target him, Adrian isn’t sure what to do. Then a mysterious girl, a beekeeping boy, and a seventh-grade sleuth enter his life. Can his friends help Adrian stay safe?

Now that Adrian is a zombie, he notices that the world is changing. Forest fires burn, super-flues spread, and bees vanish. While advertisements claim everyone is safe, Adrian and his friends are worried. Is there anything they can do to help the earth?

Better of Undead takes a humorous look at the inside of a junior high school and explores the need to fit in. When the school bully targets Adrian, he and his friends come up with an interesting way to stop the bullying. As Adrian suffers through junior high, he learns that being beautiful isn’t important. It’s what inside that matters. He also realizes that he does not have to let his zombie instincts take over.

Adrian tells his story in a humorous way that will make readers laugh. At the end of the story, the action slows as the author reinforces the messages. One message is that the environment is changing and you should do something about it. The danger of having personal data mined is also shown.

Sexual Content

  • None

Violence

  • Daryl, the school bully, pushes a girl and then hits Adrian in the face. “He turned away from me, head ducking down, then turned back and landed a sharp, compact punch to my face.”
  • Gia talks about all of the bad things that have happened. “Outside Quebec, massive fireballs incinerated part of a town. Thirty buildings melted into a thick greasy mass. Cars burned like crumpled paper. Forty-seven people died, and five of those bodies were never found. They were vaporized by the sudden blast of radiant heat.”
  • Adrian found a dead squirrel outside of his house and ate it. “A fresh kill, blood still leaking from its nose, but otherwise not too shabby.”
  • Adrian is taken to see a man who is interested in learning about Adrian’s condition. When a bodyguard tries to block his path, he thinks about biting him. “I felt a surge of power inside me that was beyond myself. It was something other, and greater, than my ordinary being . . . My eyes locked on the vein in the bodyguard’s neck. As I was about to attack, teeth bared. . . “
  • In order to trick the school bully, Adrian and his friend stage a fight at a school dance. “Adrian grabbed Zander by the shoulder, spun him around, and landed a right cross to his face. Zander fell backwards . . .” The two are kicked out of the dance and meet in the woods. “Zander charged forward, tackling me to the ground. . . Zander gained the advantage and viciously kicked me in the stomach . . . I leaped on Zander’s fallen body . . . I burst a large packet of fake blood that had been planted inside Zander’s shirt. While Zander shrieked in agony, my two hands tore up the string of sausage that had been hidden in the hollow. They dripped with bloody sauce.”
  • A doctor wants to run experiments on Adrian. In order to get him to agree, Adrian’s little brother and Adrian’s friends are kidnapped and held hostage. In order to escape, Zander “was punching the bodyguard on the head . . . The guard shrugged him off and with one backhanded blow swatted Zander to the ground . . . He snarled and gave me a two-handed shove that propelled me into the window. My forehead cracked against the thick pane.” When the house catches on fire, everyone is able to escape.

Drugs and Alcohol

  • Pretty Pillz are mentioned several times. The Pillz claim to make everyone beautiful. “It’s as easy as swallowing a pill.”

Language

  • Profanity is used rarely, but includes: jerkwads, school butt, hell, and damn.
  • A kids at the smells the air near Adrian and says, “Stinks in here, don’t it? I mean, crap, it’s totally disgusting.”
  • A kid at school threatens to kick Adrian’s butt. When someone tells him to stop, the kid says, “Who. . . in the hell . . . are you?”
  • After being hit, Adrian yells, “Get out of here now or I’ll fire-trucking eat your brains! Only I didn’t say ‘fire-trucking.’ Because, like, who would? Is it even a word? No, I said a different f-word, one that I have heard before, plenty of times (I used to ride the school bus, after all).”
  • “Oh my God” is said several times. When told a story, Adrian replies, “Oh my God.”

Supernatural

  • Adrian dies when hit by a car. He describes himself as a “shuffler, ankle-dragger, shape-shifter, howler, freak. I am a living dad, soulless corpse, brain-sucker, crawler, spitter, wraith, wuss, dumb butt, flailer, mutant, haunt.”
  • Gia, who is allergic to bees, was stung by a swarm of them. “I woke up. I was alive, and I wasn’t supposed to be alive. . . That’s when I saw her, the queen bee. She sat on my chest, and I swear, Adrian, we regarded each other in perfect silence, like equals. . . And she spoke.”  The queen bee told Gia, “It all connects.”

Spiritual Content

  • None

 

The Lightning Queen

Eleven-year-old Teo lives in the Hills of Dust, where not much happens. His life is dull and there is not much hope of things changing in the future. Then a gypsy caravan arrives. The caravan’s Mistress of Destiny tells Teo his fortune–Esma, Queen of the Lightening, will be his lifelong friend. Once Teo and Esma know their fortune, they band together to make it come true.

Teo tells his own story in The Lighting Queen. Teo and his companions, a duck, a blind goat, and a three-legged skunk, bring the story of rural Mexico to life. However, what ultimately drives the story is Esma. She is a plucky heroine who believes that anything is possible, and her optimistic attitude brings inspiration to both Teo and the reader.

The Lightning Queen has plenty to love for readers of all ages. The characters (including the animals) are loveable. The story is engaging and sprinkled with humor. The storyline shows the harshness of life without going into graphic detail or adding unneeded violence. Through the story, the reader sees the importance of looking beyond the physical appearance of people and finding friendship in unlikely places.

Sexual Content

  • Teo and Esma kiss goodbye once. “Our lips touched like two bird wings brushing against each other for the tiniest of moments, then flying apart on their own separate journeys.”

Violence

  • Teo tells the story of when his father was hit by a car. “There was a screech and a thump . . .I remember blood and tears on his eyelashes . . . I remember the driver standing over my father, talking to another driver. Calmly. Too calmly. And most of all I remember their words . . . ‘It’s just an indio.’ Then the other man shrugged and said, ‘What’s one less indio?’ They dragged my father to the side of the road. They wiped his blood from their shirts with handkerchiefs. Then they got back into their cars and drove off.”
  • When Teo’s uncle sees the gypsies giving fortunes, he becomes angry and, “flipped the table over. Cards scattered . . . other Romani woman gasped and skittered backwards with the toddlers. My aunts pulled away, against the wall, holding their own children. My uncle lunged toward Uncle Paco, trying to restrain him.”
  • The schoolteacher hits a boy’s hand with a ruler. “Tears streamed down his cheeks and he cried out. Twice. Now the boy was sobbing, trembling. Three times. Snot and tears covered his face, and his eyes were wide with fear.”
  • The schoolteacher hits Teo’s hand with a ruler. “There was a crack, a bolt of pain like fire that shot through my entire body. My hand wanted, more than anything, to pull away.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The gypsies tell fortunes. At the beginning of the story, a gypsy tells Teo’s fortune—that he and Esma were destined to be friends for life. The two decided to do everything they can to make the fortune come true.
  • Esma puts a “pretend” curse on the schoolteacher in order to make the teacher kinder to the students. Teo’s grandfather tells the two that he doesn’t like curses, even pretend ones.
  • Teo dies. In death, he sees his sister, father, and grandfather. Esma comes and sings to Teo’s dead body. Teo, “felt the strain of the silvery thread pulling me towards my body. At the same time, I felt the tug of the other world, so easy and glittering and colorful, the promise of an eternity playing with Lucita [his sister], basking in the warmth of Grandfather and Father . . . My soul string was stretched to a single, quivering delicate strand.” When Esma sings, Teo “floated downward” and comes back to life.
  • When Esma sings, people say they can feel their dead loved ones. “I can almost feel my grandmother here with me, as though Esma’s song has opened a path to somewhere hidden.”

Spiritual Content

  • Teo and Esma find a statue that looked like, “a raccoon wearing a giant crown of corncobs.” Teo tells Esma, “We call them diositos—little gods. People say they’re good luck. Most of us have one or two at home. But don’t tell the priest about it.”
  • Teo’s grandfather gives his uncle a “limpia to clean his spirit. That meant spitting on him with cactus liquor and beating him with bundles of herbs.”

 

The Lightning Thief

Percy’s life consists of him being moved from boarding school, to military school, to private school. Pretty much any school that will take him. Because no matter where he goes, or how good he tries to be, something always goes wrong.

At the end of sixth grade, Percy figures out why is life has always been so difficult. He is the son of the Greek god Poseidon, which makes him a half-blood. A demi-god. Monsters are attracted to him. To protect himself, Percy goes to Camp Half-blood, where he learns sword fighting, archery, and a myriad of other skills that he will need to survive. He soon learns that his father is on the brink of war with Zeus and that he may be the only one who can stop it. The Lightning Thief is an enjoyable adventure that will keep readers engaged. There is a lot of fighting with monsters, but asides from that this book is friendly to younger readers.

Sexual Content

  • Dionysus is on probation because he, “took a fancy to a wood nymph who had been declared off-limits.”

Violence

  • Percy is taught in class how Kronos ate his children “And later, when Zeus grew up, he tricked his dad, Kronos, into barfing up his brothers and sisters.”
  • It turns out Percy’s teacher is a monster in disguise. “She snarled, ‘Die, honey!’ And she flew right at me . . . I did the only thing that came naturally: I swung the sword. The metal blade hit her shoulder and passed clean through her body as if she were made of water. Hisss!”
  • Percy is in a car crash. “There was a blinding flash, a jaw-rattling boom!, and our car exploded. I remember feeling weightless, like I was being crushed, fried and hosed down all at the same time.”
  • Percy loses his mother. “Then, with an angry roar, the monster closed his fists around my mother’s neck, and she dissolved before my eyes, melting into light, a shimmering golden form . . . A blinding flash, and she was simply . . . gone.”
  • Furies attack Percy. “I turned and sliced the Fury on the right. As soon as the blade connected with her neck, she screamed and exploded into dust.”
  • Percy kills Medusa. “I slashed up with my sword, heard a sickening shlock!, then a hiss like wind rushing out of a cavern – the sound of a monster disintegrating . . . I could feel warm ooze soaking into my sock.”
  • A Chimera attacks Percy. “Before I could swing my sword, it opened its mouth, emitting a stench like the world’s largest barbecue pit, and shot a column of flame straight at me. I dove through the explosion. The carpet burst into flames; the heat was so intense, it nearly seared off my eyebrows.”
  • Percy kills a monster. “The ropes readjusted themselves at my command. Crusty’s whole head struck out the top. His feet stuck out the bottom . . . I had no qualms about what I was about to do . . . I swung the sword. Crusty stopped making offers.”
  • Percy goes to the Underworld. “Even from far away, I could see people being chased by hellhounds, burned at the stake, forced to run naked through cactus patches or listen to opera music. I could just make out a tiny hill, with the ant-size figure of Sisyphus struggling to move his boulder to the top. And I saw worse tortures, too – things I don’t want to describe.”
  • Percy kills a wild boar in self-defense. “I slashed upward. The boar’s severed right tusk fell at my feet, while the disoriented animal charged into the sea . . . a wave surged up from nowhere and engulfed the boar, wrapping around it like a blanket. The beast squealed once in terror. Then it was gone, swallowed by the sea.”
  • Percy’s mother turns her abusive husband to stone with Medusa’s head.

Drugs and Alcohol

  • The director of Camp Half-Blood is Dionysus, the god of wine. “He waved his hand and a goblet appeared . . . The goblet filled itself with red wine.”

Language

  • None

Supernatural

  • Percy Jackson is a demi-god, the son of Poseidon. He goes to Camp Half-Blood, where there are demi-gods, satyrs, nymphs, a centaur, and even a minor god. All the monsters of Greek mythology are real too.

 

Spiritual Content

  • Percy and Chiron discuss the existence of the Greek gods. Percy said, “You’re telling me there’s such a thing as God.” Chiron replies, “God – capital G, God. That’s a different matter altogether. We shan’t deal with the metaphysical . . . gods, plural, as in, great beings that control the forces of nature and human endeavors: the immortal gods of Olympus. That’s a smaller matter.”
  • Percy visits the Underworld, ruled by Hades.
  • After every meal at camp, “everyone was taking a portion of their meal and dropping it into the fire, the ripest strawberry, the juiciest slice of beef, the warmest, most buttery roll . . . Burnt offerings for the gods.”

The Battle of the Labyrinth

The inevitable fight with Kronos is still building, and this time Percy must travel with his friends into the depths of the ever-changing Labyrinth. No one knows who to trust, as Kronos continues to convert monsters, half-bloods, and demons to his side of the war. Percy finds himself battling monsters he has never seen, all while dealing with his confusing relationship with Annabeth and helping Grover finally track down the lost god Pan.

The setting is full of tension and excitement.  New characters arrive on the scene, adding intrigue and mystery. The ending will leave the reader gasping in surprise as they reach for the next book in the series.

Percy has finally reached high school, and begins to notice the opposite sex; however, there is no romantic relationship. There is a burgeoning physical attraction between him and Annabeth. The Battle of the Labyrinth is a little more mature, and the fight scenes become slightly more graphic. Despite this, the novel is appropriate for younger readers.

 Sexual Content

  • When Percy meets two empousai (monsters similar to vampires) they use their powers to charm him. One asks Percy for a kiss. He thinks, “She smelled like roses and clean animal fur–a weird but somehow intoxicating smell.”
  • Sea demons watch a video about puberty. “As a young sea demon matures, the narrator said, changes happen in the monster’s body. You may notice your fangs getting longer and you may have a sudden desire to devour human beings. These changes are perfectly normal.”
  • Annabeth kisses Percy. “Annabeth glared at me like she was going to punch me. And then she did something that surprised me even more. She kissed me.”

Violence

  • An empousai attacks Percy and Rachel. “I slashed with Riptide. Tammi tried to dodge my blade, but I sliced straight through her cheerleader uniform, and with a horrible wail she exploded into dust all over Rachel.”
  • Percy meets flesh-eating horses. “Come inside! Eat you! Tasty half-blood! . . . Poseidon can come in, too! We will eat you both! Seafood!”
  • Percy fights a monster called Geryon. “I went on the attack. Geryon parried my first strike with a pair of red-hot tongs and lunged at my face with a barbecue fork. I got inside his next thrust and stabbed him right through the middle chest.”
  • Daedalus kills his nephew. “Somehow he managed to grab the rim of the tower with his fingers as he fell. ‘Uncle!’ He screamed. ‘Help me!’ The old man’s face was a mask. He did not move from his spot.”
  • Percy meets Antaus, who decorates his court with skulls. “They grinned from pikes at the back of the stands and hung on chains from the ceiling like horrible chandeliers. Some of them looked very old–nothing but bleached-white bone. Others looked a lot fresher. I’m not going to describe them. Believe me, you don’t want to know.”
  • Percy kills Antaus. “I stabbed the giant in the stomach. He bellowed, and sand poured out, but he was too far up to touch the earth, and the dirt did not rise to help him. Antaeus just dissolved, pouring out bit by bit, until there was nothing left.”
  • During a battle, Nico summons the dead to help him. “The earth trembled. A fissure opened in front of the dracaenae, and a dozen undead warriors crawled from the earth.”

Drugs and Alcohol

  • Half-bloods drink nectar when they are injured. The nectar heals and strengths them.

Language

  • None

Supernatural

  • Nico, son of Hades, summons the dead. ” ‘In my day, we used animal blood,’ the ghost mumbled . . . The grave started to bubble. Frothy brown liquid rose to the top like the whole thing was filling with soda . . . Nico had summoned the dead with Coke and cheeseburgers.”
  • Percy meets many monsters, such as giants, hundred-handed ones, and Kampe. “It was sort of like a centaur, with a woman’s body from the waist up. But instead of a horse’s lower body, it had the body of a dragon–at least twenty feet long, black and scaly with enormous claws and a barbed tail.”
  • Kronos possesses Luke’s body. “Luke sat bolt upright. His eyes opened, and they were no longer blue. They were golden, the same color as the coffin. The hole in his chest was gone. He was complete.”

Spiritual Content

  • Percy and his friends discuss how immortal gods and monsters can still die. “Even immortality has limits. Sometimes . . . sometimes monsters get forgotten and they lose their will to stay immortal.”
  • Daedalus, who has cheated death for two millennia, decides to pass on. ” ‘Whoa,’ I said. ‘Pass on? But you can’t just kill yourself. That’s wrong!’ He shook his head. ‘Not as wrong as hiding from my crimes for two thousand years . . . My time has come.’ “

 

 

The Last Olympian

Percy has reached sixteen, the age at which the Great Prophecy will be revealed. Percy can’t spend time worrying about what the prophecy means because Kronos has stepped out of the shadows and has declared war against Olympus. It will take all the Olympians and demigods that Percy can muster to stop Kronos, and that might not even be enough.

The Last Olympian’s content grows with Percy, who must deal with death and war. The entire second half of the book spans a series of battles that take place in New York City. This is by far the most action-packed book in the series. While a couple of deaths are intense, the majority are monsters simply disintegrated into dust and the war is not graphically described.

Sexual Content

  • Rachel hints that she wants Percy to kiss her. Rachel says, “And so . . . hypothetically, if these two people liked each other, what would it take to get the stupid guy to kiss the girl, huh?”
  • Percy thinks about how demigods aren’t related to the children of other gods. “A demigod would never think about dating someone who had the same godly parent . . . But a daughter of Aphrodite and a son of Hephaestus? They’re not related. So it’s no problem.”
  • Annabeth kisses Percy. “Then she laughed for real, and she put her hands around my neck . . . When she kissed me, I had the feeling my brain was melting right through my body.”

Violence

  • Percy kills a giant crab monster. “I jabbed Riptide into the chink in its armor . . . The monster shuddered and hissed. Its eyes dissolved. Its shell turned bright red as its insides evaporated.”
  • Percy and Beckendorf blow up an enemy ship, but Beckendorf doesn’t make it out. “The Princess Andromeda blew up from both sides, a massive fireball of green flame roiling into the dark sky, consuming everything. Beckendorf, I thought. Then I blacked out.”
  • Percy gets frustrated with a stubborn satyr. “I grabbed him by the shirt, which seriously wasn’t like me, but the stupid old goat was making me mad.”
  • Percy fights an army of the dead. “There was nothing left of them but weapons in the sand and piles of smoking, empty uniforms. I had destroyed them all . . . I looked down at my clothes. They were slashed to pieces and full of bullet holes, but I was fine. Not a mark on me.”
  • Conner thinks about looting a candy store when everyone in New York City is asleep.
  • Luke destroys Kronos by killing himself. “He stabbed himself. It wasn’t a deep cut, but Luke howled. His eyes glowed like lava. The throne room shook.”
  • The last half of this book is a giant war that takes place in New York City. There is a lot of violence and some deaths, but most of it is not graphically described.
  • “An entire phalanx of dracaenae marched in the lead, their shields locked together, spear tips bristling over the top. An occasional arrow would connect with their snaky trunks, or a neck, or a chink in their armor, and the unlucky snake woman would disintegrate.”
  • “I tossed [the Minotaur] over the side of the bridge. Even as he fell, he was disintegrating.”
  • “Annabeth and I raced from block to block, trying to shore up our defenses. Too many of our friends lay wounded in the streets. Too many were missing.”
  • “Her features, once beautiful, were badly burned from poison. I could tell that no amount of nectar or ambrosia would save her.”

Drugs and Alcohol

  • None

Language

  • Percy says “Oh, gods” once or twice.

Supernatural

  • The Oracle gives prophecies about the future that always come true.
  • Percy rides on a hellhound, who can travel through shadows.
  • Luke’s mother sees horrible visions of the future. “My child . . . Must protect him! Hermes, help! Not my child! Not his fate – no!”
  • Morpheus puts the city of New York to sleep.
  • Percy is dipped in the River Styx and becomes invincible.
  • Kronos resides in Luke’s body because Kronos has no form of his own.
  • Percy is a half-blood, the son of Poseidon. The Greek gods, monsters, and most things from the old Greek tales are all true.

Spiritual Content

  • Percy feels guilty for the deaths of the demigods who were killed when he blew up the enemy ship. Poseidon tells Percy, “They all chose to battle for Kronos . . . they chose their path.”

by Morgan Lynn

The Titan’s Curse

Percy, Annabeth, and Thalia are working together to save a pair of half-bloods from the monster who kidnapped them. But when Annabeth is lost, Percy will stop at nothing to save her. Meanwhile, Kronos bides his time, forever scheming to take over the world. His General has escaped eternal punishment and is amassing an army to take down Olympus.  A prophecy tells of a quest to stop the upcoming terror, and Percy joins despite not being chosen to go. Soon he is traveling across the country with Thalia and three of Artemis’ Hunters on a journey to save Annabeth, a goddess, and the world itself.

This installment of the Percy Jackson and the Olympians series is riveting and full of suspense. As Percy grows he comes into his own as a powerful son of Poseidon. New characters keep this book fresh, while the constant action keeps readers on the edge of their seats. Aside from the frequent, non-graphic violence, there is little in this book that would exclude younger readers.

Sexual Content

  • None

Violence

  • When Apollo’s sun bus crashes into a lake, “steam billowed up . . . ‘Well,’ said Apollo with a brave smile . . . ‘Let’s go see if we boiled anyone important, shall we?'”
  • Thalia and Percy get into a fight. “Thalia pushed me, and a shock went through my body that blew me backward ten feet into the water . . . Anger roared in my ears. A wave erupted from the creek, blasting into Thalia’s face and dousing her from head to toe . . . Thalia yelled, and a blast of lightning came down from the sky, hit her spear like a lightning rod, and slammed into my chest.”
  • Percy fights a lion with his friends. “Immediately, arrows pierced the lion’s maw—two, four, six. The lion thrashed wildly, turned, and fell backward. And then it was still.”
  • Percy fights skeleton creatures. “I thought I was doing pretty well, until the other two skeletons shot me in the back . . . I landed face down in the street. Then I realized something . . . I wasn’t dead. The impact of the bullets had been dull, like a push from behind, but they hadn’t hurt me.”
  • Bianca climbs into a giant robot to stop it from killing her and her friends. When Bianca stops the robot, it collapses, and Bianca “was gone.” Bianca’s friends assumed she died.
  • Dionysus, the god of wine, saves Percy from a manticore (a flying monster) and skeletons. “SNAP! It was the sound of many minds breaking at the same time. The sound of madness. One guard put his pistol between his teeth like it was a bone and ran around on all fours . . . the planks under his paws erupted into grape wines, which immediately began wrapping around the monster’s body . . . until he was engulfed in a huge mass of vines, leaves, and full clusters of purple grapes. Finally the grapes stopped shivering, and I had the feeling that somewhere inside there, the manticore was no more.”
  • Zoe is wounded in a fight. “She leaped between her father and Artemis and shot an arrow straight into the Titan’s forehead, where it lodged like a unicorn’s horn. Atlas bellowed in rage. He swept aside his daughter with the back of his hand, sending her flying into the black rocks.”
  • Luke is mortally wounded. “Talia kicked Luke away. He lost his balance, terror on his face, and then he fell . . . We rushed to the cliff’s edge . . . They were staring at Luke’s broken form on the rocks.”
  • The Olympians debate whether to smite Percy and his friends. Poseidon says, “They are worthy heroes. We will not blast my son to bits.”
  • While fighting a monster, Percy is injured. “My coat and shirt were pinned to the wall by some kind of spike—a black dagger-like projectile about a foot long. It had grazed the skin of my shoulder as it passed through my clothes, and the cut burned. I’d felt something like this before. Poison.”

Drugs and Alcohol

  • Thalia’s mother died. Someone explains her death: “heavy drinker, and apparently she was out driving late one night about two years ago, and . . . “
  • Dionysus mentions wine several times and procures it once or twice. “He glanced up innocently from the pages of Wine Connoisseur He said, ‘Ah, pinot noir is making a comeback.'”

Language

  • Percy and his friends visit Hoover Dam and start making jokes about “the dam snack bar” and “some dam French fries” and “the dam restroom.”

Supernatural

  • The ancient Greek gods, heroes, and monsters are all real.
  • Bianca pledges herself to Artemis, and when she becomes one of Artemis’ maidens, she is granted immortality.
  • Zeus brings a pair of angel statues to life, so they can help his daughter.

Spiritual Content

  • After a battle, Artemis thinks the monsters are stirring. She says, “Let us pray I am wrong.” Percy asks, “Can goddesses pray?”

by Morgan Lynn

The Sea of Monsters

Percy is a year older, but much remains the same. Once again, Percy is expelled from school when attacked by monsters, and he must flee to Camp Half-Blood. But Camp Half-Blood is not the safe haven Percy was looking for. The camp’s magical boundaries are dying, and soon Percy is on another quest. Joined by Annabeth and his new half-brother Tyson, Percy traverses the Sea of Monsters to both rescue Grover and save the future of Camp Half-Blood.

A wonderfully engaging story, Percy takes readers on an epic journey of strength and heroism. The reader will learn about acceptance alongside Percy because one of the themes is not to judge someone based on his or her looks.  The Sea of Monsters has many, well, monsters. As a result, there is much fighting, but the violence is not portrayed in a bloody manner.

Sexual Content

  • When they win a race, “Annabeth planted a kiss on [Percy’s] cheek.”

Violence

  • Percy plays dodgeball with cannibals. One cannibal says, “We Laistrygonians aren’t just playing for your death. We want lunch!” Then the cannibal “waved his hand and a new batch of dodgeballs appeared on the center line . . . They were bronze, the size of cannon balls, perforated like wiffle balls with fire bubbling out the holes.”
  • Annabeth kills one of the cannibals. “Suddenly the giant’s body went rigid. His expression changed from gloating to surprise. Right where his belly button should’ve been, his T-shirt ripped open and he grew something like a horn—no, not a horn—the glowing tip of a blade.”
  • Tantalus tells the story of why he was punished. “No one noticed that his children were missing. And when he served the gods dinner, my dear campers, can you guess what was in the stew?”
  • Percy is attacked by a Hydra. “There was a flash of light, a column of smoke, and the Hydra exploded right in front of us, showering us with nasty green slime that vaporized as soon as it hit, the way monster guts tend to do.”
  • Percy’s boat explodes. “I spun in the air, got clonked on the head by something hard, and hit the water with a crash . . . The last thing I remembered was sinking in a burning sea, knowing that Tyson was gone forever, and wishing I were able to drown.”
  • Percy runs into piranha sheep. “The deer stumbled and was lost in a sea of wool and trampling hooves. Grass and tufts of fur flew into the air. A second later, the sheep all moved away, back to their regular peaceful wanderings. Where the deer had been was a pile of clean white bones.”
  • Percy and Clarisse fight the Cyclops. “She charged the Cyclops again and again. He pounded the ground, stomped at her, grabbed at her, but she was too quick. And as soon as she made an attack, I followed up by stabbing the monster in the toe or the ankle or the hand.”

Drugs and Alcohol

  • Percy drinks a potion that turns him into a guinea pig.

Language

  • None

Supernatural

  • Percy is a half-blood, the son of Poseidon. The Greek gods, monsters, and most things from the old Greek tales are all true.

Spiritual Content

  • None

by Morgan Lynn

Theodore Boone: Kid Lawyer

Theodore Boone is the son of two well-respected lawyers in the town of Strattenburg. He aspires to be a lawyer himself. In fact, he prides himself on providing legal advice to classmates, and even some adults. But when a murder is committed and the trial commences in the otherwise peaceful town, Theo discovers that there is a witness to the crime that no one knows about. But the witness, an illegal immigrant, is hesitant to come forward. Theo must decide how to carefully work around the delicate issue that could result in someone getting away with murder.

This pre-teen novel has a well-developed and interesting plot. While there is mention of a murder, there are few gory details, making it pre-teen friendly. There are many positive role models in the book, including lawyers, judges, policemen, and teachers. Theodore explains the basics of the judicial system in a way that young readers can easily understand. Although an illegal immigrant is one of the main characters in the book, there are very few political influences that affect his treatment. There are several references to drugs and alcohol, but in no instances are they glorified. Overall, this book is educational, exciting, and well-suited for pre-teens.

Sexual Content

  • Theodore lacks any romantic interest for his friend, April. “It wasn’t a romance; they were too young for that. Theo did not know of a single thirteen-year-old boy in his class who admitted to having a girlfriend. Just the opposite. They wanted nothing to do with them. And the girls felt the same way. Theo had been warned that things would change, and dramatically, but that seemed unlikely.”
  • Because girls and boys were split into different classes, there was flirting in the hallways. “There was some awkward flirting between the rooms as the boys mixed with the girls. During classes, they were ‘gender separated,’ according to a new policy adopted by the smart people in charge of educating all the children in town. The genders were free to mingle at all other times.”
  • Theo has a romantic interest in a woman who works as a court clerk. “Jenny, the beautiful, was waiting. ‘Well, hello, Theo,’ she said with a big smile as she looked up from her computer at the long counter. ‘Hello, Jenny,’ he said. She was very pretty and young and Theo was in love. He would marry Jenny tomorrow if he could, but his age and her husband complicated things. Plus, she was pregnant, and this bothered Theo, though he mentioned it to no one.”
  • The narrator mentions the prettiest, most popular girl in Theo’s class; “The most popular girl in the eighth grade was a curly-haired brunette named Hallie. She was very cute and outgoing and loved to flirt.”
  • When Hallie tells Theo to call her, Theo gives an excuse related to her flirtatiousness; ‘“Why don’t you call me sometime?’ she asked. Why? Now that was a good question. Probably because he assumed she was too busy talking to all the other boys. She changed boyfriends every month. He’d never even thought of calling her. ‘I’ll do that,’ he said. But he knew he wouldn’t. He wasn’t exactly looking for a girlfriend, and besides, April would be devastated if he began chasing a flirt like Hallie.”

 

Violence

  • Theo has a hatred for April’s parents because they treat April poorly. “He despised her parents for the way they treated her. He despised them for the chaos of their lives, for their neglect of April, for their cruelty to her.”
  • Murder is mentioned frequently throughout the book. ‘“About eighty percent of those indicted for murder eventually plead guilty, because they are in fact guilty. The other twenty percent go to trial, and ninety percent of those are found guilty. So, it’s rare for a murder defendant to be found not guilty.”’
  • Theo considers the likelihood that Mr. Duffy will commit another murder. “Why would the real killer be a security risk if he showed up to watch the trial? What’s he gonna do? Kill somebody else? In open court? In front of dozens of witnesses?”
  • Ike, Theo’s uncle, gives him details on how the murder was committed. “’He choked her?’ Theo had read every newspaper story about the murder and knew the cause of death. ‘That’s the theory. She died of strangulation. The prosecutor will claim that Mr. Duffy choked her, then ransacked the house, took her jewelry, tried to make it look as if she had walked in on a burglar.’”
  • In the prosecutor’s opening statement, he says how the body was found. “When the body was found, the front door of their home was unlocked and slightly open.”
  • In the prosecutor’s opening statement, he mentions what Mrs. Duffy’s dead body looked like. “The cause of death was strangulation. With the approval of Judge Gantry, Mr. Hogan stepped to a projector, hit a button, and a large color photo appeared on the screen opposite the jury. It showed Mrs. Duffy lying on the carpeted floor, well-dressed, seemingly untouched, her high-heeled shoes still on her feet… Apparently she was ready to leave the house when she was attacked and killed.”
  • The prosecutor gives further, more detailed information as to how Mrs. Duffy was killed. “An autopsy revealed the true cause of death. The person who killed Mrs. Duffy grabbed her from behind and pressed firmly on her carotid artery. Mr. Hogan placed his fingers on his own carotid artery, on the right side of his neck. ‘Ten seconds of firm pressure in just the right place and you lose consciousness,’ he said, then waited while everyone else waited to see if he might just collapse himself right there in open court. He did not. He continued, ‘Once Mrs. Duffy passed out, her killer kept pressing, firmer and firmer, and sixty seconds later she was dead. There are no signs of a struggle—no broken fingernails, no scratches, nothing. Why? Because Mrs. Duffy knew the man who killed her.”’
  • The narrator mentions Mrs. Duffy’s time of death. “The autopsy placed her time of death around eleven forty-five.”
  • The prosecutor reiterates that Mr. Duffy did in fact kill his wife. “The mere fact that a good lawyer kept saying that Mr. Duffy killed his wife made his theory sound believable.”
  • The prosecutor mentions Mrs. Duffy’s death once more at the end of his opening statement. ‘“This was a cold-blooded murder, ladies and gentlemen. Perfectly planned and carefully executed. Not a hitch. No witnesses, no evidence left behind. Nothing but a lovely young woman brutally chocked to death.’”
  • In pet court, someone demands to have a snake destroyed. ‘“Can’t you order it destroyed?’ ‘You want the death penalty for Herman?’ ‘Why not? There are children in our building.’ ‘Seems kind of harsh,’ Judge Yeck said. It was obvious he was not going to order the death of Herman.”
  • In pet court, Judge Yeck threatens to destroy all of the defendant’s pet snakes if they escape again. ‘“If Herman escapes again, or if your snakes are caught outside of your apartment, then I have no choice but to order them destroyed. All of them. Clear enough?'”
  • In pet court, tempers fly and a pet snake is threatened. “‘I swear I’ll kill him. Should’ve killed him this time, but I wasn’t thinking. And, I didn’t have an ax.'”
  • Theo thinks about the blood, or lack thereof, at the murder scene. “There was no blood at the scene, right? So there would be no traces of blood on the gloves.”
  • Theo thinks about hair possibly being the proof that he needs to prove Mr. Duffy’s guilt. “A strand of hair would be even more proof that her husband killed her.”

Drugs and Alcohol

  • Mr. Boone smokes. “Mr. Boone smoked a pipe, and preferred to do so with the windows closed and the ceiling fan off so that their air was thick with the rich aroma of whatever flavored tobacco he happened to favor that day. The smoke didn’t bother Theo either, though he did worry about his father’s health.”
  • April’s parents were arrested on drug charges. “Both her parents had been arrested on drug charges, though neither had served time.”
  • Theo’s father mentions the consequences that would result from him missing school to watch the trial and makes a reference to alcohol. ‘“I will not bail you out of jail. You’ll sit there for days with common drunks and gang members.”’
  • Theo mentions how dangerous the neighborhood is where his friend’s brother lives. “The Quarry was a rough part of town where the lower income people lived. Strattenburg was a safe city, but there was an occasional shooting or a drug bust, and these always seemed to happen around The Quarry.”
  • Theo’s uncle has a drinking problem. “Ike drank too much, and this unfortunate habit made for slow mornings. Over the years, Theo had heard adults whispering about Ike’s drinking. Elsa had once asked Vince a question dealing with Ike, and Vince replied with a curt, ‘maybe if he’s sober.’”
  • Theo jokingly asks his uncle for a beer; “Ike opened a small refrigerator on the floor behind his desk. ‘I have Budweiser and Sprite.’ ‘Budweiser,’ Theo said. Ike gave him a Sprite and popped the top of a can of Bud for himself.”
  • Theo’s classmate, Woody, has a brother who was arrested for drug possession and distribution. “‘What’s the charge?’ ‘Drugs. Possession of pot, maybe distribution.’ ‘There’s a big difference between possession and distribution.’ ‘Can you help us?’ ‘I doubt it. How old is he?’ ‘Seventeen.’ Theo knew the brother by reputation, and it was not a good one. ‘First offense?’ Theo asked, though he suspected the answer was no. ‘He got busted for possession last year, his first. Slap on the wrist.’ ‘Your parents need to hire a lawyer, Woody. It’s that simple.’ ‘Nothing’s simple. My parents don’t have the money, and if they did they wouldn’t spend it on a lawyer. There’s a war in my house, Theo. Kids against parents, and nobody’s taking prisoners. My stepfather has been fighting with my brother over the drug thing, and he’s promised a thousand times he will not get involved when the cops bust him.’”
  • Theo is watching the trial from a secret spot when he sees someone smoking. “Theo froze and got a whiff of something burning. The man was smoking a cigarette, which was against the rules because they were still inside the building. He blew a huge cloud, then stepped onto the landing. It was Omar Cheepe, visible now with his massive slick head and black eyes. He looked up at Theo, said nothing, then turned and walked away. Theo did not know if he had been followed, or if the stairwell was one of Omar’s smoking places. There were cigarettes everywhere. Maybe others sneaked down there for a smoke.”
  • A group of teenagers is seen smoking. “A gang of young teenagers loitered about, all smoking and trying to look tough.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • God is mentioned at the beginning of the trial. ‘“Let all who have matters come forth. May God bless this court.”’
  • Theo’s friend, Julio, tells Theo how his cousin prays for his family; ‘“He finished his lunch and was saying his prayers for his family when the man came out of the same door.”’
  • Once again, Julio’s cousin is said to pray for his family. ‘“Our man liked to sneak away from the others, eat by himself, say his prayers, and look at a photo of his family back home.”’

13 Treasures

Tanya can see fairies—evil fairies who want to keep their existence secret. When Tanya writes about the fairies in her diary, they come to punish her. They pinch her, rouse her from her sleep, and cast spells on her. Tanya’s strange behavior can’t be ignored or explained, and her mother isn’t sure what to do. In an effort to get Tanya to behave, her mother sends her to Elvesden Manor, her grandmother’s secluded estate.

In the hopes of learning more about how to protect herself from the fairies, Tanya sneaks into her grandmother’s library. Soon Tanya is mixed up in a fifty-year-old mystery of a missing girl. But as Tanya tries to unravel the mysteries of her second sight, she soon discovers that there is more to the fairy realm that she first believed. And if she is not careful, she may be pulled into the fairy world and never be able to return home.

Right from the start, 13 Treasures creates suspense as the fairies attack Tanya. Tanya struggles to keep the fairies secret (or they will seek revenge) but also explain her strange behavior. When Tanya is sent to her grandmother’s house, no one is particularly glad to see her, except Fabian the care keeper’s son. The tension in the house creates suspense. The evil fairies, the unwelcoming grandmother, and the string of missing children all lead to a creepy mystery. However, Tanya proves to be a compassionate, plucky heroine that befriends a goblin.

13 Treasures is full of fairy lore, strange creatures, and complicated characters who add interest to the story. Younger children will enjoy having a few scares that don’t leave them frightened. Even though the story is written for 8-12-year-olds, the language and the long descriptive passages may be difficult for some children.

Sexual Content

  • None

Violence

  • When Tanya writes about the fairies in her diary, they come into her room and warn her to stop.  One fairy makes Tanya float in the air and turn somersaults. Then, she is dropped and crashes to the floor.
  • When a goblin tells Tanya too much information, the other goblins beat him. “The goblin howled as Toadface drove a heavy fist into his stomach . . . The bruised goblin was left weeping in a heap on the ground. He had sustained several cuts to his face and was bleeding profusely, his lower lip split and swollen.”
  • When Warwick sneaks up and grabs Tanya’s shoulder, she kicks him in the shin.
  • When Tanya and Fabian try to go into the woods, a raven attacks Fabian. “It hooked onto the back of Fabian’s mud-drenched clothes with long, black talons, and began a frenzied attack on the back of his head.”
  • A drain dweller grabs Tanya’s wrist, trying to rip off a bracelet. As Tanya struggles to get the drain dweller to let go of her, it bites her. “She felt, rather than saw, the blood running down her arm and dripping from her elbow.” When the drain dweller gets the bracelet, it runs out the door and is eaten by the cat. “The creature did not scream when the cat’s claws found their target, or even whimper as the broken, aged teeth clamped down on its windpipe for the kill.”
  • In order for a human to escape the fairy realm, they must have another to take their place. Tanya is tied to a tree with spider twine so she can be forced to go into the fairy realm.

Drugs and Alcohol

  • None

Language

  • When Fabian sees a drain dweller he yells, “And what the hell is that?”

Supernatural

  • There are fairies, goblins, and other creatures.
  • Tanya has the second sight because someone in her family was switched with a changeling. “The second sight comes from having fairy blood.”
  • A gypsy who lives in the woods is said to be able to see into the past. The gypsy gives Tanya a compass that will show the direction of her home.
  • The fairies threaten to use rosemary that grows in the piskies’ domains to wipe Tanya’s memory.
  • Fabian believes that a girl he saw in the woods could be a ghost. “Maybe she’s trying to tell us that he did kill her all those years ago. Maybe she can’t move on until justice is done.”
  • The fairies use a glamour to disguise a fairy child that was switched with a human child. One of the characters is afraid the glamour will wear off and the baby would be, “put under observation in a laboratory somewhere—analyzed, poked, prodded, and experimented on.”
  • Tanya is told that she must destroy anything that the fairies could use to control her. “Blood. Saliva. Fingernail and toenail clippings. Teeth. All the stories of witchcraft, of people being controlled by a witch in possession of a lock of their hair or a tooth—it all stems from the truth. You don’t leave anything to chance.”
  • Tanya is given a potion to rub on Fabian’s eyes so he can see the fairies.

Spiritual Content

  • None

 

Five Epic Disasters

Five Epic Disasters brings five epic disasters to life through the eyes of young survivors. Blending an informational and story format, the series gives young readers a glimpse into historical disasters without scary details.  As Five Epic Disasters unfolds, readers learn about a tsunami, a tornado, a flood, the Titanic, and a blizzard. Each section begins with a story of a young person who survived the tragedy. The end of each section ends with facts and statistics about the disaster.

Because the author tells each story in a matter-of-fact tone, the stories are not frightening. The stories have plenty of pictures and illustrations to enhance each story. Each story is just a small glimpse into the disaster, which may spark the readers’ interest to read more about the events. The end of the book gives other titles about the same topics, so children can easily find additional material to add to their reading list.

Five Epic Disasters presents historical events in a simple, kid-friendly way that will spark readers’ interest and make them want to read more in the I Survived True Stories Series.

Sexual Content

  • None

Violence

  • Nature’s violence is shown, but there is no human violence.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • “Native Americans told stories of whirlwinds created by the Thunderbird, a powerful god who created swirling winds by flapping his gigantic wings.”

 

A Plague of Bogles

Bogles don’t hide in closets; they hide in small, dark places where they lie in wait for children they can devour.  Many adults don’t believe bogles exist, but Jem has seen a bogle.  When a child is sent to fetch some sherry from a basement and never returns, Mable goes in search of help and finds Jem.  Jem searches out the only person who can help, a bogler named Alfred.

In order to catch a bogle, Alfred needs some bait—a singing child.  In order to get off of the streets, Jem agrees to be bogle bait.  Jem and Alfred meet several interesting characters who have bogles that need eradicating. Soon they discover they need the help of Birdie, a gutsy girl with a beautiful voice.

To complicate the story, Jem is also trying to hide a secret.  As Jem tries to help solve the mystery of why there are so many bogles in one area, he is also trying to find Sarah Pickles, the woman who sold him as bogle food.

The story begins with suspense and mystery that make it more interesting for readers, but the language may be difficult for younger audiences.  For example, Jem says, “I never prigged a thing, save for that morsel o’ cheese.” The book also mentions debtors’ prisoners and homeless children.  The complicated themes and adult nature of some scenes may not be suitable for all children.

Jem is frightened of going to prison because of his past misdeeds, and he thinks about this often. Even though Jem does not want to end up in prison, he does not feel bad about stealing. Instead, Jem seems to think thievery is acceptable.  Jem, “had always favored the idea of bogling, because bogling was such a flash occupation, like smuggling or highway robbery.” As Alfred and Jem go about the city, they spend time in a tavern, where alcohol is served. (Although Jem would like some, Alfred won’t allow it.)

Sexual Content

  • None

Violence

  • When Jem picks a morsel o’ cheese off the floor and eats it, he is beaten.
  • Jem is in a circle of salt when a bogle puts its two viscous arms around him. Then he jumps out of the way when he hears “a cry and a loud hissing noise. The air filled with foul-smelling steam,” and the bogle is dead. (In total there are three bogles that are killed, in a similar fashion.)
  • Jem thinks about Newgate prison, a place he fears, because he knew “several people who had been hanged there.”
  • At one point in the story, Jem remembers a time when he “once helped to rob a woman’s house while she was making her regular weekly visit to her dead child’s grave.”

Drugs and Alcohol

  • A child was working for a tavern. She was sent to fetch some sherry when she disappeared; she’s presumed to be eaten by a bogle.
  • Jem sings the following song: “There is a nook in the boozing ken,/Where many a mug I fog,/and the smoke curls gently, while cousin Ben/keeps filling the pots again and again,/ if the covers have stumped their hogs./The liquors around is diamond bright,/And the diddle is best of all;/ But I never in liquors took much delight,/For liquors I think is all bite.”
  • After Alfred and Jem dispose of a bogle, they go to a tavern where Alfred was jostled by “loud men in dirty clothes, many of whom were so drunk that only the press of bodies kept them upright.  Jem noticed at least two gaping pockets just asking to be picked-pockets belonging to men who would never know, by morning, whether they had spent their missing money or been fleeced of it.”
  • The following is another song Jem sings: “The heavy wet in a pewter quart/ As brown as a badger’s hue, More than Bristol milk or gin,/ Brandy or rum I tipple in, With me darling blown, Sue.”

Language

  • None

Supernatural

  • To catch a bogle, Alfred must lay out a circle of salt with a gap in the ring so the boggle can enter it. In order to kill a bogle, it must be hit with a spear.
  • When a bogle is near, a child feels a sense of despair.

Spiritual Content

  • None

 

 

The Last Bogler

Alfred Bunce is out to rid Victorian London of bogles. In order to reach his goal, Alfred needs all the help he can get. Alfred and his apprentice, Ned, work with the Sewers Office to find and eliminate bogles. However, the bogles are acting unpredictably and Ned wonders if he has enough skill to become the next bogler.

To add to the suspense, an old enemy is out for revenge, and Ned’s life is in danger. Can Ned survive long enough to help Alfred rid London of bogles?

Ned is thankful that Alfred has taken him off the street, but Ned doesn’t think he wants to take Alfred’s place as the last bogler. The Last Bogler focuses more on Ned and his internal conflict, which makes the book less interesting than the previous two.

Although new characters are added, none of them are particularly memorable. The Last Bogler is not a stand-alone book; if the first two books haven’t been read, it may be hard to follow the plot. Additionally, much like the first two books, the language may be difficult for some readers.

Sexual Content

  • None

Violence

  • Alfred and Ned kill bogles. None of the deaths are described in detail. When one bogle is killed, it “reared up, frothing and hissing, its tentacles writhing, caught in the glittering trap—Bang! It exploded like a giant grape, releasing a geyser of black liquid.”
  • Alfred kills another bogle. “Suddenly there was no bogle. Nothing remained except a rapidly deflating, crusty black thing that looked like an oversized boil. Alfred’s spear was sticking out of it.”
  • Mr. Harwood is attacked, but it is not described. “By the time Alfred and Ned rounded the next corner, Mr. Harwood was already on his back in the middle of the alley, with both hands clamped over his nose.”
  • Someone tries to kill Ned, but the attack is not described. Ned’s “hair was ruffled, his knuckles were grazed, and there was a rip in the knee of his trousers.” Later, the attacker confesses that he was paid to kill Ned.
  • Jack Gammon tries to kill Ned and Alfred. Jack threatens to “chop him into pieces.” In the end, Jack falls to his death. Ned “would never forget the horror of shouting for help . . . with Jack Gammon’s shattered body lying in a pool of blood at his feet.”

Drugs and Alcohol

  • Alfred and another man talk about a missing person. They are unsure if he was taken by a bogle or “he’s tucked away in the Nell Gwynne public house, drinking himself witless.”

Language

  • When a newsboy is seen following Ned, someone says, “Why, what a damnable cheek!”
  • Alfred tells someone that a lady only cares about “that hoard o’ coins in her piss pot.”

Supernatural

  • Alfred is called a “Go-Devil Man.”
  • To catch a bogle, Alfred must lay out a circle of salt with a gap in the ring so the bogle can enter it. In order to kill a bogle, it must be hit with a spear.
  • When a bogle is near, a child feels a sense of despair.
  • Alfred visits a lady known for making potions and curses. She also talks about types of herbs that are “for deathwork” and others that drive away the devil, or attack magic.
  • Alfred learns that his spear is made from “blackthorn with a consecrated point on it” and that it has herbs that are “used for cursing.”

Spiritual Content

  • None

You Go First

Charlotte has had the same best friend since elementary school. Charlotte wants to be a geologist and understand facts. When Charlotte starts middle school, she doesn’t understand why her best friend no longer wants to spend time with her. She doesn’t understand how to fit into middle school.

Ben doesn’t have any friends. He isn’t going to let that stop him from making an impact on his middle school. He’s determined to run for a student body office. But Ben isn’t prepared for a high school bully.  And life only gets worse when his parents announce that they are getting a divorce.

On the outside, Charlotte and Ben’s lives are completely different. Charlotte lives in Pennsylvania. Ben lives in Louisiana. But internally, both are smart, and both are struggling to fit into middle school. An online game of Scrabble brings the two together, but can a game break up their loneliness?

Beautifully written in easy to understand language, You Go First shows the power of having a friend. At first, Charlotte and Ben’s struggle seems stereotypical—smart kids enter junior high and realize they have no one to sit with at lunch. However, the characters are so unique and well-developed that the readers will feel their confusion, pain, and desire for someone to talk to.

Unlike many stories, You Go First looks at not only how mean middle school students can be, but Charlotte also begins to see how she is similar to the mean kids. Through the story, the reader will come to a better understanding of what friendship should look like. You Go First does not end with a happily-ever-after ending; however, the story does show how one friend can make a difference in a person’s life.

Sexual Content

  • Charlotte’s friend said that she “didn’t want to graduate from middle school as the only girl who’d never been kissed.”

Violence

  • A boy shoves Ben’s head against a wall and later smears ketchup on Ben’s shirt.
  • A boy trips Ben in the school hallway. “He did tumble. It just happened to be over Theo Barrett’s sneaker.”
  • Just as Ben is beginning his speech, a group of kids throws firecrackers at him.

Drugs and Alcohol

  • Charlotte’s father takes pills for his heart.

Language

  • Two girls are talking about a boy. When he walks in, a girl says, “Oh, God. Speak of the devil.”
  • A girl calls her brother Dorko and tells him, “God, you’re such an idiot.”
  • When Charlotte trips and drops her lunch, someone says, “Well done, Lock-nerd.”

Supernatural

  • None

Spiritual Content

  • Ben was in his bedroom preparing for an oncoming speech. He really wanted his dad to leave the bedroom, and “then the gods gave him an unexpected gift: His phone buzzed. . . ”

 

The Hypnotists

Jax’s eyes have always changed colors. And when people begin doing exactly what Jax tells them, he wonders if there is more to his color-changing eyes than he knows. Soon, Jax finds himself invited to meet Dr. Mako. Dr. Mako promises to teach Jax to harness the power to hypnotize people.

Excited by the prospect of learning more about his powers, Jax falls under Dr. Mako’s spell. However, Jax begins to wonder why Dr. Mako is so interested in his powers. Jax isn’t sure if Dr. Mako can be trusted. Soon Jax is tangled in a web of deception. Jax must figure out how to save his best friend, his parents, and the United States from Dr. Mako’s evil plan.

Jax’s newly emerging power adds humor and suspense to The Hypnotist. Younger readers will enjoy watching Jax learn to use his power and struggle with the responsibility of being able to hypnotize others. Jax works through many of his problems by talking to his best friend Tommy. This allows the reader to understand Jax’s emotions. The relationship between Jax and Tommy adds to the story’s plot and helps keep the story’s tone kid friendly. Even though much of the conflict revolves around Dr. Mako, who turns out to be an evil villain, the violence is age appropriate for children because it is not described in detail or in a scary manner.

Sexual Content

  • None

Violence

  • A man is hypnotized and ordered to jump off a bridge. Jax, “could hear the sound of someone in terrible distress, sobbing as if the end of the world were at hand . . . they watched in horror as the young man hoisted himself over the barrier and stood poised, trembling, on the narrow ledge.” Jax re-hypnotizes the man and saves his life.
  • Dr. Mako puts a post-hypnotic suggestion on Jax’s parents. If Jax doesn’t do what Dr. Mako wants, he will tell Jax’s parents to kill themselves. Dr. Mako tells Jax, “I won’t mention the trigger word yet. It’s too dangerous. When they hear it, both your parents will proceed to the nearest subway station and throw themselves in front of an uptown train.”
  • Jax parents throw themselves in front of a train. No one is injured.
  • Dr. Mako hypnotizes Jax and has him jump off a building. A mob of people hold up curtains and catch Jax, which prevents him from being killed.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Many of the characters in the book can hypnotize others. One of the character’s specialties is, “A series of post-hypnotic suggestions that could be activated later.”
  • Throughout the story, many characters are hypnotized without their knowledge.
  • When Jax is learning to hypnotize others, he learns that, “the mesmeric connection is a powerful coupling of two minds. . . When you ‘see’ through your subject’s eyes, you’ve admitted a stranger’s consciousness into your head.”

Spiritual Content

  • None

 

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