Reading Level: Junior High

Ghost Boys

When twelve-year-old Jerome Rogers is shot and killed by a police officer, his ghost watches his family and the world around him shake in the wake of his death. Upset and frustrated, he doesn’t understand why this had to happen–why a police officer would confuse a kid with a toy gun for a grown man, and why no one administered any medical care at the scene. Jerome is mad that this often happens to black folks like him. Then, Jerome meets another ghost boy named Emmett Till, who teaches him about the United States’ long legacy of discrimination against black people, and especially black boys.

Jewell Parker Rhodes’ Ghost Boys is a gripping story about violence, grief, and the devastation caused by systemic racism. Jerome laments about how he’ll never get to grow old, and that he has to leave his family behind. He witnesses the court proceedings deciding the fate of the police officer, and he sees his family’s reaction when the judge decides that there is not enough evidence for a trial. It is wholly unfair, and Jerome struggles with this unfairness throughout much of the novel. It is by Emmett Till’s explanation of history that Jerome learns he can still look after kids who have been wronged and that maybe we can take steps toward change.

A couple of people can see Jerome’s ghost and interact with him. His grandmother has some inkling that he’s there, but Jerome spends most of his time speaking with Sarah, the daughter of the police officer. She grapples with internalized biases, and they help each other understand that they can still create change for the better, even though their worlds are categorically messy. It is through Sarah and Emmett Till that Jerome comes to accept his death and realizes that sharing his story will hopefully help prevent events like this in the future.

Rhodes doesn’t hold back in Ghost Boys. Although this book details violence and tragedy, she does an excellent job using these details to move the plot along and help the characters grow. Her choice to include the historical case of Emmett Till is also well done, and Emmett’s inclusion in the book helps balance out Jerome’s other primary interactions as a ghost. 

Ghost Boys is an emotionally difficult book, and the target audience should be middle-grade readers and older readers who find themselves ready for this intensity. The tragedy of this book is not that it is violent, but rather that this is our unfortunate reality. The names of real-life black people killed by the police are scattered throughout the book, reminding us that this book doesn’t exist in a vacuum. For all the gravitas that Ghost Boys brings, it is an important read for understanding grief and compassion, and by the end, there is still a glimmer of hope that maybe people can change for the better.

There are many great book options for middle-grade readers who want to explore racism in more detail including  The Lions of Little Rock by Kristin Levine, A Good Kind of Trouble by Lisa Moore Ramée, From The Desk of Zoe Washington by Janae Marks, and The Parker Inheritance by Varian Johnson.

Sexual Content 

  • Jerome dreams about what it would be like for him to be able to grow up. On his list of things he would’ve done, he mentions, “Real is me having a girlfriend. (Maybe.)”

Violence 

  • The protagonist, Jerome, is shot and killed by police officers who mistook his toy gun for a real one. As a ghost watching himself outside his body, Jerome describes his body, saying, “Laid out flat, my stomach touching ground. My right knee bent and my brand-new Nikes stained with blood. I stop and stare at my face, my right cheek flattened on concrete. My eyes are wide open.”
  • Jerome’s Ma pokes him while emphasizing that she wants him to be educated. Jerome says, “Sometimes the poke hurts a bit. But I get it.”
  • Jerome is afraid of some bullies at school because they “like to dump [his] backpack. Push [him], pull [his] pants down. Hit [him] upside the head.” This is a common occurrence when Jerome describes his time at school. 
  • Jerome notes that the new kid, Carlos, is going to get a beating from the school bullies. Jerome says, “New students are beat-down magnets.”
  • The bullies attack Carlos in the school bathroom. Jerome describes, “Mike punches Carlos. He falls backwards. Then, Mike and Snap are both kicking Carlos. In the stomach. The head.” This scene continues for two pages. 
  • Jerome stands up to the bullies on behalf of Carlos, and Carlos pulls a gun on the bullies, surprising everyone. Jerome describes, “We all turn. Carlos has a gun.” It turns out later that it’s a plastic toy, and that’s how Carlos got it past school security.
  • Jerome doesn’t like seeing his mom upset. He says, “seeing Ma crying makes me want to crush, slam something into the ground.” He does not act on these impulses.
  • Jerome’s dad is upset over his son’s death at the hands of a policeman. While speaking with the rest of the family about the injustice, Jerome describes, “Pop’s fist slams the wall. The drywall cracks. I’ve never seen Pop violent.”
  • Many references are made to slavery and violence against black people in the United States. Jerome’s dad says, “Tamir Rice, 2014. He died in Cleveland. Another boy shot just because he’s black . . . No justice. No peace. Since slavery, white men been killing blacks.”
  • Sarah, the daughter of the police officer, can see Jerome’s ghost. She tells him that she’s sorry, and Jerome thinks, “If she wasn’t a girl, I’d think about hitting her.”
  • Ever since her dad killed Jerome, Sarah’s parents have been arguing. Jerome and Sarah both hear noise coming from downstairs. “A door slams. Sarah’s mom and dad are shouting. Glass breaks.”
  • Jerome becomes angry, and in his ghost form his “hand connects. Peter Pan flies across the room. The book hits the wall, drops to the floor.”
  • Emmett Till died in 1955. He was lynched by a group of men, and the scene lasts for two pages. Jerome watches Emmett’s memories, describing, “The husband fires the gun, sparks fly. Emmett’s spirit rises. With barbed wire, the men lash Emmett’s body to a large wheel. They drag, shove the wheel into the river. Watch it sink. Blood stains the riverbank.”
  • In one of the final chapters, the reader experiences Jerome’s death in first person. Jerome says, “Pain slams me. Two fire sticks are inside me. Burning, searing my right shoulder and lower back. What happened? What happened to me?” This description goes on for a couple of pages.

Drugs and Alcohol 

  • Jerome says that, “I know Ma will remind [Grandma] to take her blood pressure pill.”
  • Jerome describes a lot a few blocks away from his home. He says, “A meth lab exploded there and two houses burnt.”
  • Jerome describes some drug dealers who happen to deal two blocks away from his school. He says, “drug dealers slip powder or pill packets to customers, stuffing cash into their pockets. Pop says, ‘Not enough jobs, but still it’s wrong. Drugs kill.’”
  • After killing Jerome, Sarah’s dad “drinks, stares at the TV.”

Language 

  • Mild language is used occasionally. Terms included are stupid, dumb, and crazy.

Supernatural

  • Jerome dies and becomes a ghost, watching over his family for much of the book.
  • Jerome meets Emmett Till’s ghost, who was a real-life boy who was killed in 1955.
  • From Sarah’s window, Sarah, Emmett, and Jerome can see “a shadow. Then, another. And another. Another and another. Hundreds, thousands of ghost boys standing, ever still, looking up, through the window into our souls.” It is then clarified that these are the ghosts of thousands of black boys who have been killed.

Spiritual Content 

  • Grandma has “premonitions . . . worries about bad things happening.” She tells Jerome that she receives these premonitions in the form of bad dreams.
  • Grandma has superstitions, and Jerome states that she likes to do things in threes because it’s “Grandma’s special number.”
  • Grandma tells Jerome, “Three means All. Optimism. Joy . . . Heaven, Earth, Water. Three means you’re close to the angels.”
  • For Jerome’s funeral, Reverend Thornton makes an appearance. He says to Jerome’s family, “We should pray.” To this, Jerome’s dad says, “What for? Jerome’s not coming back.”
  • Grandma expresses her belief in spirits and the afterlife, saying, “Every black person in the South knows it’s true. Dead, living, no matter. Both worlds are close. Spirits aren’t gone.” Her words are dismissed by the reverend and by others as mere superstition. 
  • Emmett Till talks about his mother’s beliefs, saying, “‘Family and faith,’ that’s what mattered, she said.”
  • Jerome’s grandma has an altar to her late husband. Jerome describes, “Every Sunday, Grandma lights candles and talks to a picture of Grandpa in a sailor’s uniform.”
  • Carlos tells his dad that he “wants to honor Jerome” on Day of the Dead. The Day of the Dead ceremony goes on for a chapter.

Kat Wolfe Investigates

After a break-in at their London home, Kat Wolfe and her veterinarian mum decide it’s time to move to the country. Dr. Wolfe’s new job on England’s Jurassic Coast comes with a condition: They have to adopt Tiny, a huge Savannah cat who resists Kat’s best attempts at cat whispering.

Kat starts a pet-sitting agency to make pocket money, but then the owner of her first client, an Amazon parrot, vanishes from his gadget-filled mansion. Only one person shares Kat’s conviction that he’s the victim of foul play: Harper Lamb, an American girl laid up with two broken legs thanks to her racehorse.

Kat and Harper team up, but what starts out as mystery-solving fun turns deadly for the duo. When all clues point to a nearby army base, can they count on their unruly animal friends to save the day—and their lives?

Kat Wolfe Investigates is a highly entertaining story that has mystery, suspense, and many other positive aspects that make it perfect for any mystery-loving reader. Readers will fall in love with Kat, who tries to stay out of trouble but gets thrust into the middle of a deadly mystery. At first, Kat tries to do the right thing by taking her concerns to Sergeant Singh, the only policeman in town. However, the Sergeant doesn’t believe Kat. So, Kat and her friend, Harper, begin their own investigation. Even when the two realize that the investigation could be dangerous, they continue their quest to find answers and save Kat’s client.

Not only is Kat a loveable character, but she is also surrounded by a slew of interesting characters – both human and animal – of all ages. Harper is a computer whiz, Kat’s friend Edith is a retired librarian, and Kat’s mother is the town’s only veterinarian. There is also a talking parrot, a Savannah cat, and a racehorse. The animals and humans blend to make a heartwarming story of friendship that has surprising pockets of laugh-out-loud humor. In addition, Kat’s story shows that “you should never rush to judgment—particularly when it comes to people you don’t know.”

Kat Wolfe Investigates is an excellent story that has a large cast of characters and a complex plot that takes the reader on an adventure with several surprises. Middle-grade readers will find themselves admiring Kat’s determination, bravery, and kindness. However, the content may disturb younger readers since the story has a believable villain who is responsible for other people’s deaths and who tries to have Kat and Harper “exterminated.” In the end, Kat catches the culprit and the story concludes on a happy note. For more mystery fun that features a spunky heroin, check out the Friday Barnes Mystery Series by R.A. Spratt and The Curious Cat Spy Club Series by Linda Joy Singleton.

Sexual Content 

  • None

Violence 

  • While pet-sitting, Kat sees a man outside of the house. She thinks the man might be a burglar, so she hits a button to turn on the outside grill. “A towering inferno shot out from the barbeque on the deck. . . The soldier let out an agonized yell and reeled back, clutching his forehead.” Later, Kat finds out that the man’s “left eyebrow is now slightly shorter than the right, but otherwise he was unscathed.” 
  • Darren, an “exterminator” sneaks into Dr. Wolfe’s office. Her desk has so many files on it that all he sees are “her eyebrows.” The man doesn’t realize the eyebrows actually belong to a monkey. “The eyebrows made an excellent target. He aimed his revolver right at them. It was a starting pistol, not a real gun. . .” He threatens the doctor and then leaves. 
  • When the exterminator goes to leave, Eva, the monkey “flew at him and sank her teeth into his ear. Disorientated in the dark reception area, Darren swirled around in agony. Eva bit down harder. . .”
  • Darren breaks into Kat’s house. “As Darren padded across the tiles, starting pistol in hand, Tiny (Kat’s Savannah cat) ambushed him from the top of the kitchen cupboard, crash-landing on his back and sinking his claws and teeth into Darren’s neck.” Darren’s has several injuries, “a scratch had rendered one of his eyes useless. The other was swollen from the bite he’d incurred at the animal clinic.” 
  • While investigating Ramon, the owner of the parrot, Kat finds out that his squad was on a mission, “but someone leaked the plans and the Russians ambushed their unit. Mario was killed and the other five soldiers were killed.” Later, someone starts killing soldiers with an undetectable poison.
  • On a dark, rainy night Kat rides onto a military base. “A harsh beam swept the ground, bathing them in light. A warning shot cracked. A shrub exploded almost at their feet.” The shot scares the horse, who takes off running.
  • When Kat makes it to the gate at the base, a soldier stops her. The next thing Kat knew, “she was staring into the barrel of a rifle.” Kat is taken to the base and given a towel to dry off.
  • At the base, Kat discovers that the villain is the chef. The man captures Kat and threatens to kill her with a gun. Before the villain can kill her, Kat’s grandfather, the Dark Lord, “stepped from the shadows.” To save Kat, the Dark Lord throws his gun down. “The chef clamped an arm around her throat.” Kat reacts by pulling a martial art move. “A short, sharp tug on his chef’s jacket, a lunge, and a twist, and Chef Roley soared over the gymnasium. He crash-landed on the studio floor below and was out cold.” 

Drugs and Alcohol 

  • Harper shows Kat a picture of a group of men in a photograph. The men were on a boat with “beers in hand.”
  • After a monkey bites Darren, he takes “two painkillers with a can of soda.”

Language 

  • Ohmigod is used twice.
  • Oh Lord is used as an exclamation once.
  • Harper tells Kat that someone is a jerk.
  • A man in the military tells a man, “Damn fine job you did.”
  • A soldier says, “My God.”

Supernatural

  • None

Spiritual Content 

  • None

Odder

Meet Odder, the Queen of Play:

Nobody has her moves.

She doesn’t just swim to the bottom,

She dive-bombs.

She doesn’t just somersault,

She triple-doughnuts.

She doesn’t just ride the waves,

She makes them.

Odder spends her days off the coast of central California, practicing her underwater acrobatics and spending time with a good friend. She’s a fearless daredevil, curious to a fault. But when Odder comes face-to-face with a hungry great white shark, her life takes a dramatic turn, one that will challenge everything she believes about herself—and the humans who hope to save her.

Humans love otters because they are adorably cute, but Odder weaves a story that gives the otters personality. Odder is an adventurous otter who readers will quickly fall in love with. Best friends Odder and Kairi are complete opposites. Cautious Kairi is always reminding Odder to be more careful, but Odder gets caught up in the excitement and often forgets.

One day, Odder is so focused on finding a tasty crab to eat that she goes too far out in the bay. A hungry shark sees the otters and takes a bite of Kairi. In order to save her friend, Odder attacks the shark. Later, humans find Odder and she’s taken to an aquarium to get medical attention. Odder is consumed with grief over the loss of her best friend. Later, she learns that Kairi survived the shark attack and she is also at the aquarium!

However, the shark attack has changed Odder, who is no longer fearless. When Odder is reunited with Kairi, she has just lost her pup and has become a surrogate mother. While Kairi has always been careful, she wants the pup to be returned to the ocean. At first, Odder thinks that keeping the pup safe is the most important job for a mother. But when Odder becomes a surrogate, she learns that “teaching and loving are different words for the same thing” and that “the world is not meant to be feared.” 

Odder is inspired by the true story of a Monterey Bay Aquarium program that pairs orphaned otter pups with surrogate mothers. Applegate uses beautiful free verse to bring Odder’s ocean world to life as well as to teach readers interesting facts about the ocean’s biodiversity and otters’ importance in keeping the ocean healthy. The survival of otters is important because they are a “keystone species. . . they are nature’s glue, holding habitats together.” Odder will give readers a deeper appreciation for the beloved otter and for the people who are helping save the species. 

From the start, Applegate weaves a beautiful story about friendship, love, and the gift of freedom. By the story’s end, readers will be able to view the world from an otter’s point of view and will have a new appreciation of ocean life. In addition, through Odder’s experiences, readers will be reminded that all wild animals should have the chance to live in their natural habitat. While Odder is an entertaining and easy-to-read story, it is a must-read because of its educational value.

Sexual Content 

  • None

Violence 

  • One day, Otter and Kairi get too close to the bay and a shark sees them. “Odder sees the terror in her friend’s eyes.” The two try to swim away, but Odder “hears a strangled cry, and turns to see the shark has nipped her friend’s tail, as the awful stench of blood blooms in the water.”
  • In order to save Kairi from the shark, Odder attacks the shark. “As [the shark] moves in for the kill, he’s met with sheer movement, flipping and twisting, an eruption of bubbles, the reek of fear.” Because of Odder, the shark can’t go after Kairi, and “so he veers and there she [Odder] is and his mouth is open wide and waiting and clamp snap gnash she is trapped in his jaws.” When the shark tastes Odder’s fur, he drops Odder.
  • After the shark lets Odder go, she swims to the shore. She has a “gaping wound on her belly” and is “drained of blood and hope.” Humans find her and take her to an aquarium to be cared for. 
  • Odder tells the story of the Fifty, when “humans were killing us for our fur.” The back of the book explains the story in more detail.

Drugs and Alcohol 

  • None

Language   

  • None

Supernatural

  • None

Spiritual Content 

  • None

Now is the Time for Running

In the poor village of Gutu in Zimbabwe, Deo and his family live in one room. The people of his village are starving and struggling. Deo doesn’t even have a proper soccer ball to play with – just a bag of leather and twine – but this village is the only place he’s called home. When government soldiers destroy Gutu for housing “dissidents” suddenly Deo has lost his family, his home, and his happiness all at once. Deo’s mentally disabled older brother, Innocent, is his only remaining relative. Deo must get Innocent to safety in South Africa, but the journey to a better life is harder than he could ever imagine.

First, Deo and Innocent leave Zimbabwe. As they travel, they see a country torn apart by the government’s purge of dissenters. They narrowly escape run-ins with soldiers and travel through dangerous wilderness to cross the border. They spend some time at a farm, but danger arises when the local workers don’t like that refugees have stolen their jobs. The promise of a better, safer life lies in the city of Johannesburg. Once again, Deo and Innocent uproot themselves and travel to the city.

However, Johannesburg doesn’t turn out to be the haven they heard about. Instead of fighting against the government, the people in South Africa are fighting each other. Groups of radicals are calling for “foreigners” – the refugees from other African nations – to go home or be eradicated. They destroy refugee-owned shops and ruin their homes. During one of these raids, Innocent is killed. 

Without his brother, Deo doesn’t know what to feel. In fact, he wants to feel nothing at all. The book resumes almost two years later with Deo addicted to drugs and living on the streets. His life changes by chance when a soccer coach sees Deo’s skill with the ball, and suddenly Deo is given a place to sleep, warm food to eat, and a reason to live: playing soccer.  

At first, his team is a far cry from a family. Deo thinks they come from too many different places to understand each other. However, Deo’s coach convinces them that their strength lies their differences. They play successfully at the Street Soccer World Cup, also known as the Homeless World Cup – a competition that brings refugees and street kids together for the chance to change their lives. The story doesn’t reveal how the final match ends, but for Deo, his new life is just beginning. 

Inspired by true events, Now is the Time for Running is a journey of displacement through the eyes of a young man. Deo tells it like it is – he doesn’t shy away from the situation in Zimbabwe despite how much pain it causes him. It’s necessary to note that this book does not shy away from the horrors of civil war, poverty, and intolerance. While this book is not for the faint of heart, the lessons and truths it brings to light are meaningful and powerful. As a narrator, Deo goes through more in a few years than many people suffer through in their whole lives, but this doesn’t make him less relatable. Deo wants to protect the people he loves and to be happy – goals that anyone can relate to.

The first lesson of this book is clear: Deo never gives up. His unrelenting goal to protect his brother and escape the disastrous situation in Zimbabwe shows that he is continuously determined to have a better life. Even after Innocent dies and Deo struggles with addiction, he gets back on his feet through the soccer program. Despite great odds, Deo shows that people can always make the choice to persevere towards their goals. 

The other main theme of the story is not as apparent, but it’s one of the reasons readers see repeated instances of violence as Deo searches for a new place to call home: The “us vs. them” mentality. While present throughout the whole book, such as when the soldiers massacre the people of Gutu or when Innocent is killed in the anti-refugee riots, this issue comes to a head in Deo’s soccer team. After fighting breaks out amongst the teams, Deo’s coach teaches them that the true strength lies in their differences. The coach says, “Each of you brings something special to this team. Zimbabwe has brought me guts and determination; from Kenya, I get lightness and speed; from Mozambique, superb ball control and agility. . . It is because we are not the same that we are stronger than any other team in this competition! All of you have learned to play soccer in different parts of Africa. Our combined playing style is like no other in the world.” Once the team listens to the stories of their fellow teammates, they understand that they all have suffered, but they can all move forward together. 

Now is the Time for Running is a powerful book that teaches that strength does not lie in forcing everyone to be the same; it comes from accepting that everyone’s differences bring something new and unique to the table. Readers who want to learn about history through the eyes of an athlete should also read The Berlin Boxing Club by Robert Sharenow.

Sexual Content 

  • The guards punish Innocent by taking his clothes away. When Deo rescues him, Innocent throws a fit about being naked, but Deo convinces Innocent to come with him by saying that the soldiers might take both their clothes. “We don’t want the soldiers to come back and take my clothes too. Then we’ll both be naked. . . Can you imagine everyone laughing at our butts and our balls bouncing around?” 
  • One of the women that Deo and Innocent stay with is a sex worker. 
  • Two of the soccer players, T-Jay and Keelan, have a short exchange. When T-Jay says Keelan has a “cute butt,” Keelan gives him the middle finger. 
  • Innocent always carried a condom. Keelan says, “Perhaps your brother knew more about sex than you think.” Deo replies, “Innocent didn’t like girls much. He saw safe-sex ads everywhere, and he thought that condoms would keep him safe from girls.”
  • During a game, Deo describes, “Keelan. . . scored her third goal and headed straight to me. I was sitting on the bench when she threw her arms around me and kissed me on the cheek.”

Violence 

  • Deo punches a kid named Pelo who calls him crazy on the soccer field. “Pelo does not have the chance to finish what he’s saying because he has to deal with my fist in his mouth. . . ” Another kid pulls Deo away before the fight continues.
  • When Deo sees soldiers carrying guns, he thinks about the damage guns can cause. “I have seen a cow cut in half from a burst from one of those guns.” 
  • Deo knows stories about the violence brought by the soldiers. The soldiers “went to Chipinge when the people were angry from hunger, so angry that some of them were killed. Auntie Aurelia told us that her niece was one of those who were hungry. She did not say how she bled to death.”
  • Commander Jesus comes to Deo’s village, Gutu, to kill dissenters of the government. Commander Jesus says, “In the back of my jeep there is a drum filled with blood. The blood came from people who voted wrongly. My life is to drink human blood. My supply is running low. I have come here to kill dissidents. . . You are going to eat eggs, after eggs hens, after hens goats, after goats cattle. . . . Then you are going to eat your children. After that you shall eat your wives. Then the men will remain, and because dissidents have guns, they will kill the men and only dissidents will remain. That’s how we will find who they are, and then we will kill them.” 
  • The soldiers and Commander Jesus hurt Grandpa Longdrop. Deo witnesses “an awful crunch and [I] see Grandpa Longdrop collapse in front of me. His eyes look dazed. He tries to get up, and I try to reach him to tell him to stay down, but then Commander Jesus kicks him. He crumples.” 
  • Deo’s mentally disabled brother, Innocent, comes to defend Grandpa Longdrop. “Innocent runs screaming toward Commander Jesus with a stick raised high above his head. He cracks it down on Commander Jesus’s outstretched hands.” The soldiers attack Innocent. “The soldiers beat Innocent with their rifle butts. What is worse than the sound of wood against the bones of your brother?. . . Innocent does not cry. He lies like a baby, curled up, his hands and arms covering his head. . . Innocent is pulled to his knees. His face is crooked, his eyes black balls. Blood trickles from his broken nose.” Innocent later recovers from these injuries.
  • Commander Jesus has the soldiers beat all the residents of Gutu. “The soldiers beat us as we lie on the ground. . . Useless hands against hard sticks. Elbows cracked. Heads smacked. Screams. Flashes of wood. Soldiers grunting. And pain. Lots of it.” 
  • After the beating, Deo assesses the townspeople’s injuries. “Grandpa Longdrop lies on the ground, his head in my [mother’s] lap. Sometimes he groans, and sometimes he is so quiet that I am afraid that he will never wake up. . . The backs of my legs hurt where the soldiers’ sticks fell, but this is nothing to what others have suffered. One of Lola’s brothers has a broken arm. Bhuku’s [mother] has a split in her head that bleeds and bleeds. Shadrack’s little sister could be dead.”
  • The soldiers pull a truck driver out of his car and kick him before letting him run away.
  • The soldiers take Innocent as punishment for hitting Commander Jesus. Deo finds him later. “A naked body is lying in the middle of the [cattle pen]. The man’s wrists are tied to pegs in the ground. His ankles are tied to the end of a log that stretches his legs wide apart. There is a sack over his head. . . I notice ants crawling all over his body. . . There is dried blood at the side of his mouth, his nose is broken, and his eyes are all puffy.” Innocent says the soldiers also peed on him.
  • The soldiers end up killing everyone in Deo’s village. “Gunshots rat-a-tat-tat across the valley. . .I crawl forward into the noise of people dying. The soldiers are shooting. People are running away. Some are falling. Now the soldiers hold their guns as if they mean business. Their guns bark, come alive in their hands, their bullets rip into the earth, the walls, trees, pots, chairs, and flesh. I watch. I am too afraid to turn away. People scream; their cries are cut in half by bullets.” 
  • Deo finds his mother (or “Amai”)  and Grandpa Longdrop among the dead villagers. “Amai is lying face down. Her arms are thrown out in front of her as if she is trying to grab something out of her reach. Her back is covered with a damp patch of blood. . . I find Grandpa Longdrop. He stares up at the sky. His mouth is open. He does not look like Grandpa Longdrop anymore. I find Shadrack. Dead. There is Lola. Blood where her face should be. Her brothers are lying not far away.” 
  • During a soccer game, Deo gets angry and kicks a boy named Aziz. “I charge [Aziz] from behind and deliberately kick his ankles. He falls, and the players on his team shout at me.. . . Aziz gets up, inspects his knee. It’s bloody.”
  • When crossing the border, two of the men in the group climb an electric fence and are electrocuted. “The two men run ahead, faster than us. They are the first to reach the fence. They start climbing. . . The wire fizzes, crackles, and the men shriek and fall to the ground as the electricity burns them.” The men are dazed but recover. 
  • An anti-refugee gang pulls a shopkeeper named Ahmed from his store and beats him. “Hands grab Ahmed and pull him onto the street. He screams as many sticks fall on him. . . Ahmed’s white robes turn red with blood.” It’s unknown whether he lives or dies.
  • Deo finds Angel, a sex worker, beaten up by one of her clients. “Angel is covered with blood, beaten. She lies on her bed, curled up in a ball. Her face is swollen. . .” Angel explains that her clients “were tired of paying a kwerekwere [a foreigner]. They wanted it for free.”
  • Deo finds Innocent’s dead body on the ground during an anti-immigrant raid. “I see the shape of a human head, lying on its side. The shape of an arm and a hand. . . I reach the body of my brother, facedown on the ground, covered with rubble.”
  • A refugee named Muhammad commits suicide by jumping into the ocean. “Muhammad had had enough of what he called a life without hope and without country. . . so he chose to run to the blue horizon. [The police] sent out a boat to fetch [Muhammad], but they never found him.”
  • While playing soccer, T-Jay and Deo get in a fight. “T-Jay lashed out at me with his elbow. The blow caught me squarely between the eyes, and for a moment I thought I was going to fall down. But instead of taking me down, it was like a switch that flicked on inside me. My fist found its way up T-Jay’s nose and my knee said hello to his balls. . . he got in quite a few good punches before my nose started bleeding. I stopped kicking T-Jay only when I heard [the] whistle bursting my eardrum.”
  • Keelan explains how she ended up in South Africa. Soldiers came to her town to punish the people who had voted wrongly. Her father, the community leader, was killed. Keelan says, “they had chopped off his arms with a machete.” 
  • T-Jay shares his story too. His father lost his foot when he stood on a landmine. T-Jay’s father “couldn’t work anymore, so he stayed at home. He beat the crap out of me until the social services took him away.” 

Drugs and Alcohol 

  • Captain Washington, a family friend of Deo, drinks after he learns Deo’s mother is dead. Captain Washington “brings back a bottle of booze. He pours himself a drink and swallows it quickly…At least when he drinks, he is no longer crying.”
  • After his brother dies, Deo gets addicted to sniffing glue, a common addiction for street kids in South Africa. Deo says, “the glue makes everything weightless.” He also calls it the “magic tube.” Deo talks about getting high off glue and the withdrawal symptoms, which include vomiting and muscle aches. 
  • Deo notices that some of the other kids on his South African soccer team are also “glue-tube heads.”
  • T-Jay’s father was an alcoholic.
  • T-Jay says it’s too late for him to go back to school because he got into drugs.

Language   

  • The story contains some profanity. Shit is used a few times; damn is used three times.
  • Deo says fear smells worse than “dog crap.”
  • A rude man calls Mai Maria, a woman who helps Deo and Innocent cross the border, a “filthy Rasta woman.”
  • Angel calls someone a “bitch.”
  • The slur kwerekwere is used occasionally. It is a derogatory term for foreigners or outsiders. It is used by gangs of people who want to expel the refugees from their country.
  • The guy who sells Deo glue says, “get your ass down here.”

Supernatural 

  • There is a rumor that Mai Maria is a witch who eats children. 

Spiritual Content 

  • The Methodist Church is mentioned throughout the story because they sometimes provide food and shelter for refugees or struggling communities. Once, Deo stays in a shelter set up by the Methodist Church. 
  • Deo talks about Spirits. “Grandpa Longdrop says that there are two kinds of people, those who believe in the Spirits and those who don’t. . . I understand the Spirits of the Wind, the Spirits of the Rocks, and the Spirits of the Trees are all those who have died and live on in other ways. I understand that they watch over us, that they can sometimes be angry because we forget them. And it is said that when they are angry, they can sometimes punish us. But this thing of the beating [by the soldiers] is too big to blame on the Spirits. They would not allow such a painful thing to happen. If I believe in Spirits, why would I believe in something that causes such pain? Surely the Spirits had nothing to do with what has happened in our village.”
  • Deo sings an ancient Spirit song passed down by his family to prompt Innocent into a fit so they can distract a group of soldiers. “It is always terrible to see Innocent when he has one of his fits. . . People are afraid of Innocent when he becomes like this. They think he is possessed. They think that the Spirits have taken over his body.” The lyrics of the song are not included in the story.
  • One of the items that Innocent carried with him was a pocket Bible with a note inside from their father. The note reads: “To Innocent and Deo, This is not a book of laws but a book of love. It will always be your salvation.” 
  • The soccer team from the Philippines at the Homeless World Cup chants, “For God and for country!” 
  • Bishop Desmond Tutu, who has come to oversee the Homeless World Cup, thanks God and says to the players, “God bless you all!” 

The Door in the Dragon’s Throat

A mystery as old as the desert sands . . . 

When teenagers Jay and Lila Cooper and their archaeologist father travel to Nepur, an uninviting land of deserts and danger, they must search to uncover the truth behind an ancient legend. Locals claim that inside a dark cavern called the Dragon’s Throat is a forbidden Door that brings certain death to anyone who tries to open it.

Armed with the knowledge that God is more powerful than any legend or curse, Jay and Lila plunge into the Dragon’s Throat, determined to find what awaits them on the other side of the door. However, danger awaits in unexpected places. Will the Dragon’s Throat claim Jay’s and Lila’s life or will God keep them safe?

The Door in the Dragon’s Throat delivers an exciting, action-packed story that shows the fear that legends and superstitions can cause. As soon as the Coopers arrive at the Dragon’s Throat, strange and frightening things begin to happen. Despite this, the family is positive that God will keep them safe and reveal the secrets of the Dragon’s Throat. This fast-paced story will keep readers guessing what strange event will happen next. Since the story’s focus is the mystery behind the Dragon’s Throat, the characters are not well developed. However, one thing is made clear—the Coopers put their trust in God, even in difficult situations.

The mystery of the Dragon’s Throat is paired with strange events that give the story an eerie tone. Even though several of the characters are terrified of the Dragon’s Throat, the story isn’t frightening. Instead, the events give the story plenty of suspense that will keep readers engaged. The story’s conclusion revolves around the book of Revelations; however, the explanation is so short that it is slightly confusing. Despite this, the story reinforces the importance of trusting God in every aspect of your life.

Readers who want an action-packed book that teaches Biblical principles will enjoy The Door in the Dragon’s Throat. The Coopers’ belief in God helps them navigate difficult situations and leads them to share God’s word. One of the recurring themes is that God is more powerful than any other god. In addition, the story also shows the destructive nature of greed. Readers who enjoy discovering ancient secrets should also read the Secrets of the Seven Series by Sarah L. Thomson or the Pride Wars Series by Matt Laney.

Sexual Content 

  • None

Violence 

  • Jay and Lila accidentally disturb a king cobra. “The snake’s head was only a few inches from the sand when a pebble fell. The head came up again, and the same hawking sound spewed out of the snake’s gaping white mouth. Suddenly the snake’s head disappeared in a spurt of blood.” Dr. Cooper shoots the snake.
  • When opening a shed, an old man grabs Lila. “The old man grabbed her up violently and with powerful strides began to run across the barren circle, his hot breath chugging into her face, his grip strong and steady.” When Lila’s brother and another run towards them, the old man drops Lila. 
  • The old man kidnaps Jay and Lila. “Jay and Lila were huddled on a floor against a very small, dark, musty bungalow hidden deep within the intricate maze of winding streets.” The kids learn that the old man doesn’t want to hurt them, but he wants them to help him get rid of a curse.
  • Gozan, an employee of the country’s president, believes there is a treasure in the Dragon’s Throat and he is convinced the treasure should be his. Gozan pulls a gun on Dr. Cooper and his children. He forces the family to go to the Dragon’s Throat.
  • While in the Dragon’s Throat, a terrible earthquake begins. The Coopers see the country’s president on a ledge. “There was a long, terrible scream, and Jay looked just in time to see the president go tumbling off the ledge, tumbling over and over until he disappeared into a deep crevasse.” The president is presumed dead.
  • Jay runs to lock the door of the Dragon’s Throat. “The Door seemed to know what he was doing. It shot, it heaved, it quaked, and Jay’s body was tossed and whipped about as he hung onto the key. . . His legs and chest slapped against the hot bronze metal of the Door, and he could feel the searing heat scorch his clothes and singe his skin. Terrible pain poured over his body and shot through his aching arms.” Jay locks the door before he is injured.

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • When Gozan sees an old man, he says the man is, “The Shaman! A magician! Immortal! He is part of the legend surrounding the Door. It is said he guards it, and that he has great power to destroy anyone who dares to violate the ancient curse.”

Spiritual Content 

  • Dr. Cooper, his two kids, and the other members of his group are Christians. Throughout the book there are many references to God and the characters pray often. Since the book is Christian fiction, not all the references are mentioned below.
  • The president of a middle eastern country invites Dr. Cooper to investigate the Dragon’s Throat, which has been cursed. However, Dr. Cooper is not afraid of the curse because his group serves “a mighty God who is greater than any curse, and His son died to free us from all curses.”
  • When Dr. Cooper’s kids are in danger of being bitten by a deadly snake, Dr. Cooper prays, “Lord God, grant to me the lives of my two children!” The Cooper kids are unharmed.
  • When Dr. Cooper and his group are overtaken by a strange fear of the Dragon’s Throat, they overcome their fear by remembering that they are God’s children and that, “Greater is HE who is in us than he who is in the world.” The group’s fear dissipates, and they continue their exploration. 
  • Gozan is terrified of the Dragon’s Throat. While following Dr. Cooper’s group into the cavern, Gozan prays, “May the gods protect me. May the spirits of my ancestors protect me.” 
  • An old man has a chest that has been handed down through his family. The man believes that “only Shandago, God of the Earth, can open the chest, and only at the proper time.” The old man says he is a “Chaldean sorcerer, a wizard. All my ancestors and family were Chaldeans and magicians, well-versed in the ancient mystery religions of Babylon. For centuries we have worshiped the spirits of nature, the moon, the stars. . . and Shandago, the God of the Earth.”
  • Jay and Lila tell the old man how to accept Jesus into his life and “be set free from any lying, evil gods that might be controlling your life.”
  • While some believe the Door in the Dragon’s Throat leads to the treasure, it doesn’t. Dr. Cooper explains, “There are demons behind that Door, Gozan, countless demons specially appointed to torture and destroy mankind.” The book connects the demons to Revelations, chapter 9.

Dark Blue: Color Me Lonely

Kara Hendricks and Jordan Ferguson have been best friends since kindergarten. By now—sophomore year—they’re more like sisters, really. Jordan has always been the leader in the friendship, but still she’s the perfect friend. That is until Jordan started hanging out with a new “cool” crowd and decided Kara was a popularity liability. 

Devastated, Kara feels betrayed and abandoned by everyone—even God. How could Jordan do this? Why did God let this happen? Yet for all the hurt and insecurity, these dark blue days contain a life-changing secret. Now that Jordan is gone, Kara has the chance to discover something about herself that she never knew before. But first, she must learn to trust again. It won’t be easy.

Kara’s story deals with universal themes of self-worth, identity, and loneliness that anyone who has suffered a loss will relate to. However, readers may find it difficult to sympathize with Kara because of her self-pitying attitude. When Jordan starts hanging out with the cheerleaders, she tries to include Kara in her new friend group. However, Kara is so uncomfortable that she begins to avoid Jordan. Since Kara’s insecurities drive much of her action, when the friendship finally ends, Kara turns to daydreaming about scenarios that would hurt Jordan. From the start, the girls’ unhealthy relationship is portrayed in a negative manner, so when the friendship ends there is little emotional impact.

Unfortunately, there is nothing unique about Dark Blue’s plot. Instead, it revolves around the typical stereotypes – a goth girl, a nerd, and an academic high achiever. None of the supporting characters are well developed and Kara begins spending time with some of her new friends, not because she truly likes them, but because she’s so desperate not to be alone. The connection between Kara and her new friends feels forced and unauthentic, especially since so many of their conversations are about their belief in God. But through these lunch time discussions, Kara begins to realize that God is the only best friend she needs.

Another negative aspect of Dark Blue is Kara’s long and tedious inner musings. Most of Kara’s interactions with others are short and do little to develop Kara’s personality. Instead, the story has long passages that focus on Kara’s thought process. Because Kara is so caught up in her misery, it is difficult to relate to her. 

Dark Blue reminds readers that God is with us even during difficult times. While it is important to connect with others, only God can fill the emptiness that is inside of us. Once Kara accepts God’s love, she is finally able to look at life in a more positive light. While Dark Blue’s message will resonate with readers, the lack of character development and the typical plot structure are not very memorable. However, readers who are dealing with loss and loneliness will find comfort in the book’s message.

Sexual Content 

  • At school, Kara sees some “couples hanging onto each other like they can’t bear to let go, a few even making out.” 

Violence 

  • Edgar’s mom was up for parole, but it was denied so “she hung herself.”

Drugs and Alcohol 

  • Kara’s friend, Amy, smokes cigarettes and is part of the “pot-smoking Goth group.”
  • When Amy and her friends show up at a school dance, Kara thinks “Some of them are high or drunk or both. Including Amy.” Later, Amy pukes. 
  • Kara’s friend, Edgar, has a father who is a recovering alcoholic and a mother who is in jail for drugs.
  • While talking about Edgar’s home life, Amy says that she’s “used all kinds of lame excuses to get drunk.” 

Language 

  • Freaking, crappy, and crud are used rarely. 

Supernatural

  • None

Spiritual Content 

  • When Jordan becomes part of the cheerleading squad, Kara thinks, “Maybe it’s because I prayed that Jordan did so well. Maybe her success was God’s way of getting even with me for being so hopelessly selfish.” 
  • Kara and her friends often discuss their belief in God. For example, during lunch, some of the kids talk about freedom of religion. A girl says, “I don’t think our government should tell us to pray either. But I don’t think they should tell us that we can’t.” The conversation lasts for a page. 
  • Kara asks her friends, “I mean do you think it’s true that you can really have a close relationship with God?” Two kids in the group discuss their beliefs. A boy who goes to church three days a week says, “God made us all unique people. . . I need to go to church a lot and read a lot and pray a lot.” The conversation lasts for three pages. 
  • Because of Kara’s depression, she thinks about giving “this God-thing a shot.” However, she feels like she wants to make a deal with God so her life will go back to the way it was before Jordan dumped her as a friend. Kara thinks, “And I’ve got to wonder whether it’s worth the risk of blowing it with God just because I think I might be able to swing some sort of deal. . . my life is cruddy enough without going and making it worse by messing with someone like God.” Kara’s inner musings last for a page.
  • One of Kara’s friends, Edgar, says, “I think God is calling me to be a missionary.” He then explains why he believes this. The conversation lasts for about a page. 
  • When Amy offers to give Edgar a makeover, he says, “I’ve been asking God to do something to change me. I’ve been praying to become the kind of guy that other people will listen to.” 
  • Edgar considers Jesus his best friend. 
  • Kara goes to church with Edgar. The youth pastor discusses how “God designed us to feel lonely” and only God can fill the lonely ache inside of us. 
  • After the pastor speaks, Kara isn’t sure how to ask Jesus into her heart. The pastor explains how she needs to “invite Jesus to come inside of you. And once you’ve done that, your life will never be the same.” The church scene is described over five pages.
  • Edgar tells Kara that “God wants us to make good choices. . .But most of all I think he just wants us to love him and to let him into all the ordinary and sometimes gory details of our daily life.”

The Star Dunes

A major discovery forces the Explorer Academy into the limelight in The Star Dunes, but Cruz has much more on his mind than fifteen minutes of fame. A new face on board the ship makes Cruz’s worlds collide. On route to Africa, Team Cousteau is now down a major player, and Cruz can’t help but be preoccupied by the hole in his life. The discovery of his mom’s next clue leads him to the most exotic location yet – a vast desert. With no other information to lead the way, an unlikely ally helps Cruz pursue another piece of the puzzle. Then just as things seem like they might turn out alright, Dr. Fanchon Quills has a technological breakthrough that gives Cruz a glimpse into the past and reveals more about his future than he really may want to know. 

In this adventure, Cruz and several other explorers go to the Bwindi Impenetrable Forest where they learn about how humans have put gorillas in danger. “Habitat loss, war, hunting, disease—they have reduced the entire population of mountain gorillas to two protected areas.” The mission also allows the students to learn about African elephants that are endangered because of. Through the explorers’ experiences, readers will learn about the animals’ loss of habitat and about conservation efforts.  

Cruz’s quest to follow his mother’s clues and find the formula for a lifesaving drug is admirable. However, his single-minded focus and risky behavior continually puts others in danger. In addition, readers may find it difficult to understand Cruz’s unwillingness to be honest about Nebula’s attempt to end his life. Even though Nebula kidnapped Cruz’s father and poisoned Cruz’s friend, Cruz still keeps secrets that could help keep himself and others safe. To make matters worse, none of the adults punish Cruz for repeatedly sneaking off to search for clues. Instead, the adults only focus on Cruz’s positive attributes despite his bad behavior. 

While The Star Dunes is action-packed and the mystery intensifies, this installment of Explorer Academy has many events that are difficult to believe. Nebula has shown that they are smart enough to infiltrate the Academy and repeatedly get access to Cruz’s room, which makes their inability to capture or kill him implausible. In addition, the Academy faculty continually choose Cruz for missions over the other explorers which is unbelievable, especially since Cruz continually breaks the rules.  

Despite The Star Dunes flaws, Cruz’s fast-paced adventure allows readers to experience other cultures as they learn about the importance of wildlife conservation. The well-written story includes illustrations that appear every two to twelve pages. Many of the illustrations are a mix of photographs and drawings, which gives the pictures a touch of realism. The story will appeal to many readers because it includes a diverse cast, interesting technology, and teaches about wildlife. The Star Dunes concludes with Cruz reading a cryptic letter from his mother that will have readers reaching for the next book in the series, The Tiger’s Nest. 

Sexual Content  

  • Before leaving for a mission, Bryndis goes to tell Cruz goodbye. “Cruz found himself looking into her eyes. . . He felt cool lips brush his cheek, and then she was scurrying back down the hall in her polar bear slippers.” 

Violence  

  • While following his mother’s clue, Cruz takes a self-driving car. While on a deserted road, another truck hits them. “They were accelerating, but so was the truck behind them. Cruz could only dig his fingernails into his seat and watch the speedometer rise. . . Suddenly, everything was a blur. Cruz saw white lights and red dust and Dugan’s face and white lights and red rocks and Dugan’s face. . .” After Cruz’s car crashes, the truck takes off. The scene is described over three pages. 
  • While in the desert, two men chase Cruz and Dugan. “Cruz felt a jerk. Someone had a hold of his pack. He tried to pull away but couldn’t. . . Suddenly, his feet were out from under him. He was on his stomach being dragged backward. Cruz was trying not to choke on sand. . .” Both Cruz and Dugan escape. 
  • While on a mission, Cruz and his team see poachers aiming at a pangolin and its pangopups. Cruz “could see the hunter bring the weapon to his shoulder. . . The hunter was lining up the animal in his scope. . .” Cruz orders his mechanical bee, Mell, to attack. Then “the hunters were running in circles, wildly swatting the air around them. . . Mell was still stinging, zipping this way and that to strike her targets. Cruz sprayed the hunters with his octopod. Both cried out, fell to their knees, and threw their hands over their eyes.” The poachers are arrested. 

Drugs and Alcohol  

  • Someone put a deadly toxin in Cruz’s duffle bag, but it was “Bryndis [who] was exposed to the deadly toxin. The poison was absorbed through her skin.” Bryndis is given an antidote, but she is still extremely sick. 

Language    

  • Darn is used once. 
  • After a truck knocks them off the road, Dugan says, “Nothing like some idiot who thinks it’s funny to go around frightening people.”  

Supernatural 

  • None 

Spiritual Content  

  • None 

Minecraft: Mob Squad #1

The village of Cornucopia is practically perfect in every way. Plenty of food, cozy homes, and a huge wall to keep everyone safe from the scary world outside. What more could a kid possibly need?

Well, a lot, actually.

Mal, a fearless girl, needs adventure, and her friends are right there with her. There is Lenna, a dreamer whose family underestimates her every day, and Tok and Chug, two brothers who love to build stuff (Tok) and smash stuff (Chug). They’re best friends, and in a town whose grown-ups value safety over bravery and fitting in over standing out, they’re the bad apples.

But when a mysterious mob sneaks past Cornucopia’s defenses, the village is in huge trouble. And nobody knows what to do. Finally faced with the adventure they’ve always wanted, Mal and her friends defy the rules their elders have always followed and set out beyond the wall for the first time.

On their journey across the Overworld, they discover wonders they’ve never dreamed of and dangers they’ve never imagined. To save the day, they’ll have to prove they’re more than bad apples. They’re the Mob Squad!

Minecraft fans will love Mob Squad’s action and adventure. As the four friends venture out into the unknown, they quickly learn that they aren’t “bad apples” like the people of Cornucopia have labeled them. Instead, they begin to understand how their unique talents are perfectly suited for the world outside of Cornucopia’s wall. As they fight mobs, they discover more about the world as well as themselves. Through their experiences, the kids gain confidence and realize being different is what makes them special. 

The Mob Squad shows the world of Minecraft from the viewpoint of the four friends. Readers will enjoy seeing aspects of the game through their point of view. Each chapter alternates between the four kids; however, the characters’ voices are not very distinct so readers will need to pay attention to the name that appears at the beginning of each chapter. 

Mob Squad’s quick pace will keep readers interested with plenty of action, adventure, and battles against mobs. The battle scenes are suspenseful, but not long or gory. However, what makes The Mob Squad shine is the friendship between the kids. Not only do they learn to survive on their own, but they also learn the importance of teamwork. When the kids save the town, they realize that their destiny doesn’t have to be chosen by their family, but they can choose to do what is best for themselves. Readers will be eager to learn what happens to Mal, Lenna, Tok, and Chug in their next adventure which appears in Mob Squad: Never Say Nether.

Sexual Content 

  • None

Violence 

  • A group of boys corner Tok in an alley. Tok’s brother, Chug, punches the leader of the bullies, Jarro. Then Chug “lands a kick right in Jarro’s backside.”  
  • Tok was running into town when Jarro put his arm out causing him to fall flat on his back. Chug is “just about to give in and woop some rumpus when a shadow looms over us all.” An elder stops the fight. 
  • Once the four friends leave Cornucopia, they fight mobs often; not all fights are listed below. On the first night out of Cornucopia, Tok forgets his cat outside. However, Chug and the others must help because zombies are waiting for them. Chug is “hacking at one monster, but it hits him back, and he grunts in surprise. . .” Lenna shoots arrows and “one of the zombies makes a splattery hiss and flops over dead. . . Lenna aims for the two zombies on the left with her arrows, one after the other, while Chug and Mal hack away at the one with the sword and helmet.” 
  • During the fight, Chug and Mal work together. “Mal swipes at [the Zombie’s] legs with her diamond pickaxe, and the moment it turns to groan angrily at her, Chug deals a massive blow against its back with his sword, and the zombie finally falls over.” The fight is described over three pages.
  • Skeletons start shooting at Lenna. Lenna describes, “On instinct, I throw the torch at the skeleton and use its moment of distraction to reach into my pocket and prepare my own weapon. I fire off two shots before it returns an arrow.” An arrow hits Lenna in the leg. “It feels hot and dull, and I yank it out and shoot it right back at the skeleton, destroying it.” The scene is described over three pages.
  • While in the wilderness, zombies attack the Mob Squad. Lenna takes down a zombie. “We’re all feeling confident, right up until someone runs around the corner and hits Mal with an ax.” Mal “stagger[s] back, seeing stars. . . The monster sprints at me again, axe raised, and my arm feels dead. An arrow lodges in the creature’s chest, and then Chug darts forward and gets in a strike with his new diamond sword.” 
  • The kids have to fight evokers, vindicators, and other mobs. When a vex attacks, Lenna takes “it down with two fiery shots. . .I’ve landed two shots on it when Poppy yelps and something slashes at my legs. I look down and see a spectral fang rolling past. My leg burns with pain, and I stumble.” No one is seriously injured.
  • The story concludes with vexes, vindicators, and other mobs attacking Cornucopia from inside the wall. One of Cornucopia’s members, Krog, is commanding the mobs. As the mobs climb out of an underground cavern, “three vindicators barrel out, axes ready, grunting. Chug and [Mal] engage them, working as a team as Lenna keeps harrying the vexes with flaming arrows. . . More vexes fly out, and one lands a hit on my back before Lenna can nock another arrow. The cry of pain flies out of my mouth before I can stop it.”
  • During the battle, “more vexes swarm out the door of Krog’s house, followed by their evoker. Ghostly white fangs ripple up from the ground, hitting Dawna [a resident of Cornucopia] in the leg and making her scream. . . Dawna reaches for one of Tok’s swords, takes her first swing at a vex, and incredibly, lands a solid hit.”
  • As the battle continues, someone grabs Lenna. Lenna “flail[s] and shout[s] . . My elbow catches someone in the face—I feel the pop of their nose at the solid hit, and they grunt and drop me.” Lenna discovers the person is her sister.
  • Tok is surprised when he hears “a snort and look[s] up to find a huge beast snarling at me. It’s like a cow crossed with the biggest, ugliest rock I’ve ever seen. It paws the ground with an enormous hoof and charges.” Tok runs for his life, leading the beast into a narrow alley. Tok jumps onto the beast’s back. “The creature screams and throws me, and I skid on my back across the cobblestones. It hurts. . . . I look up, and all I see is a ton of stinky beast butt. I raise my sword. . . I stab it.”
  • When the villain, Krog, begins throwing harmful potions at the Mob Squad, Tok hits him on the head with an iron sword. Krog “topples forward.” In the end, Krog is arrested and the mobs are defeated. The village attack is described over 30 pages.

Drugs and Alcohol 

  • A vex puts a potion on all of Cornucopia’s crops, causing them to die.
  • Chug licks a potion off the floor. Afterwards, he describes how he doesn’t “feel every rib when I breathe. I can do cartwheels again.”
  • Someone throws a slowness potion at Mal. The potion makes her do everything “super slowly.”
  • Krog throws a poison at Mal.  Once the poison hits her, “her cheeks are sinking in, there are purple hollow pooling made her eyes, her lips are going dry and cracked.” Mal feels “like being sunburned on the inside, like I’m drying out, all my blood turned to ash.” Mal drinks milk which reverses the effects of the potion.
  • Krog throws a potion of weakness at Chug. Chug’s arms feel like they “are made of noodles. I can barely lift the sword.” When he drinks milk, his strength returns.

Language 

  • Chug insults Jarro by saying, “You’re a thief? You certainly stole all the ugly around town for yourself.” 
  • Because of her imagination, Lenna’s family refers to her as “loony Lenna” and “liar.”
  • Lenna’s sister calls her an idiot.
  • The town people call the Mob Squad “Bad Apples.”
  • An adult calls the Mob Squad kids “rapscallions,” “scalaways,” and “dunderheads.”
  • Darn is used three times.
  • Chug tells his brother to “shut your piehole.”
  • Twice, Chug calls someone a jerk. For example, when thieves steal from Chug and his friends, he calls one of the men a jerk. 

Supernatural

  • None

Spiritual Content 

  • None

Only the Good Spy Young

After the events of last semester, Cammie could use more normal in her life. Well, as normal as the life of a spy-in-training can be. But people are still after Cammie, and she is no closer to finding out why. Even worse, the CIA seems to think Mr. Solomon is working on the side of the enemy. Cammie and her friends struggle to believe it, but true or not, they know it’s long past time for them to find some answers of their own.  

With her mother keeping secrets, an unlikeable new teacher, and Mr. Solomon in question, Cammie doesn’t know who to trust. But she has her roommates, Macey, Bex, and Liz, and the four of them will have to be enough. The stakes are higher than ever as the four friends hack into the booby-trapped sublevels, decode a secret journal, and break into the infamous Blackthorne Institute. There is no room for mistakes. At this level, mistakes are deadly.  

Only the Good Spy Young ramps up the action in an exciting story packed with twists and turns. This installment deepens the mystery and leaves readers wondering why the Circle is trying to kidnap Cammie, if Mr. Solomon is a friend or a foe, and why Zach keeps appearing every time Cammie is in trouble. Cammie feels as if her world is turned upside down and isn’t sure who can be trusted. While the mystery adds suspense, the highlight of Only the Good Spy Young is the relationship between Cammie and her friends—who always have her back. 

Through first-person narration, Carter creates a fun story full of relatable characters and explores teen romance in a wholesome way that is perfect for teens. While the beloved cast is back, this installment gives Zach a prominent role which will leave readers swooning. The moments between Zach and Cammie are adorable. Adding Zach to the spying, action, and danger makes Only the Good Spy Young one of the best books in the series.  

With a strong cast of smart girls, a relatable protagonist, and the perfect blend of humor and suspense, Only the Good Spy Young will keep readers flipping the pages until the very end. Make sure you have the next book, Out of Sight, Out of Time, on hand, because this installment ends on a tantalizing cliffhanger.  

Sexual Content  

  • A teacher “accidentally spilled his latest invisibility concoction over Madame Dabney, and her white blouse was becoming more and more invisible by the second . . . At the front of the room, Madame Dabney (who, by the way, wears way sexier bras than anyone would have guessed) started dabbing at the front of her blouse with an antique tablecloth.”  
  • Zach keeps tabs on Cammie, watching her to make sure she is okay. One time he visits her while ice skating and “pressed his lips hard against my forehead for a split second—nothing more—and when he finally let me go and disappeared back into the trees, I thought that I might fall.”  
  • Before a dangerous mission, Cammie and Zach kiss. Cammie “kissed him—longer and deeper than I ever had before . . . we were just two people kissing as if for the first time, as if it might be the last.”  
  • Zach kisses Cammie goodbye at the start of summer vacation. “And then his arms were around me. When he kissed me it was hungrier somehow, as if this moment was all we had, and we had to taste it, drink it, savor it, and not waste a single drop.” 

Violence  

  • When Cammie finds a stranger in her room, she goes on the defense. Cammie “stepped back and grabbed the arm that grabbed at me, spinning, using my attacker’s own momentum to fling him through the open bathroom door and to the other side of our room. He smashed into a dresser and sent a lamp crashing to the floor . . . before he could say a word, a Louis Vuitton suitcase came flying into our room, struck the man squarely on his face, and dropped him to the floor like a stone.” Macey heard the struggle and threw her suitcase at the man, who turns out to be a new teacher at the school. His face is bruised, but he is okay.  
  • When Cammie meets the man responsible for her father’s death, she “brought my hand up along the side of his face—hard. It was just a slap—nothing special. Hardly something they would ever teach in P&E. And yet I felt like doing it again.” 
  • A member of the Circle interrogates Mr. Solomon. “The woman struck Mr. Solomon’s face so hard that blood sprayed across the room.”  
  • Cammie and Zach fight Zach’s mother, the leader of a splinter group of the Circle, and her henchmen. Their struggle takes place over three pages. Cammie describes, “I parried away another of [Zach’s mother’s] blows, and when I countered, I landed a swift punch to her kidney and another to her face . . . Across the room, Zach had taken an old sword from the wall and was fighting two men at once.” Both Zach and Cammie eventually get away, and are okay.  

Drugs and Alcohol  

  • Cammie and her roommates drug an apple with truth serum, then interrogate their teacher/suspect. “It took four seconds for Liz to take the syringe from her bag. Her hands were shaking as I pulled the apple from my tray and held it beneath the table.” After their teacher eats the apple, they ask him some questions.  

Language    

  • None 

Supernatural  

  • None 

Spiritual Content  

  • None 

The Okay Witch

Thirteen-year-old Moth loves everything witchy. She spends much of her time watching shows and reading books about witches, but she soon discovers that witches are not the stuff of spooky stories, movies, and fantasy. 

After a run-in with some eighth-grade bullies, something strange happens. Moth soon discovers she is a witch and her town, Founder’s Bluff, has a centuries-long drama with witches. If that’s not surprising enough, her family is at the center of it all. When Moth’s powers show up, things get strange. She finds a magic diary, meets a talking cat, and discovers a hidden witch world. Through these, Moth unravels more secrets from generations past, learning more about the town, her family’s history, and herself. 

The graphic novel The Okay Witch focuses on Moth, allowing the readers insight into Founder’s Bluff, the history of the witches, and how Moth acclimates to being a witch. Readers will relate to the seemingly fast and strange changes in Moth’s life. Moth is excitable, passionate, and stubborn. She butts heads with her mother occasionally. Moth’s mother doesn’t want her to get involved with “witch-stuff” because Moth’s mother thinks that “witch-stuff” is dangerous. However, by listening to her mother and her grandmother, Moth realizes her mother was trying to make her more aware of the attention her powers will bring and the weight of the responsibility in learning the history of the witches.

The drawings in this graphic novel are colorful and do an excellent job of portraying the characters’ emotions through their facial expressions. Reluctant readers may like that most pages do not have words but instead tell the story through drawings. Readers will love the switches from soft pastels to saturated colors, which not only makes the characters pop off the page but also makes it easier to tell the difference between the diary entries and the real world. 

Moth learns about her family history, her grandmother’s cohort of witches, and how Moth herself fits into it. Her grandmother and mother have figured out where they feel they belong in terms of being with or without their kind; now Moth gets to find the answer for herself. When Moth’s grandmother tells her about finding solidarity with the witches, Moth decides to watch and think about what she wants to do with her magic. Through this interaction between Moth and her grandmother, The Okay Witch shows the importance of family and legacy as well as the personal choice each person must make in order to make life fulfilling. 

Though many readers will enjoy reading the graphic novel The Okay Witch, the plot is not unique and there is too much focus on Moth’s understanding of the past and not enough focus on the present consequences of being a modern-day witch. While not unique, The Okay Witch is a good story for readers who like stories about the everyday lives of fictional witches. Readers who enjoy graphic novels about friendship should also read Stargazing by Jen Wang. Ravenous by MarcyKate Connolly tells a unique story involving a witch, and readers who want to know more about historical witches should read What Were the Salem Witch Trials by Joan Holub.

Sexual Content 

  • None

Violence 

  • Mayor Kramer kidnapped Moth’s mother. Moth goes to the Kramer residence to get her mother back. However, she badmouths Mayor Kramer’s family’s ancestors and ends up angering the ghosts living in the paintings. The ghosts are depicted grabbing Moth and holding her up against a pillar. 
  • To help her daughter, Moth’s mother distracts the ghosts and is seen whacking them with several objects, including a potted plant and a sword, to no avail. Moth and her mother use magic to eradicate the ghosts. The ghosts are seen disintegrating into tiny, green pieces that eventually disappear. This scene occurs over seven pages.
  • To attempt to defeat Moth and her mother, the ghosts try to possess Moth’s friend but fail. However, they succeed in possessing the mayor. The possessed mayor lifts Moth’s mother up to a broken window to throw her out of it, but Moth, in desperation, uses magic to get rid of the ghosts. The ghosts are seen going up in green smoke. This scene lasts for two pages. 

Drugs and Alcohol 

  • None

Language   

  • Two students call Moth “Mothball.” 
  • A bully calls Moth and her friend “mutants.”
  • A girl says “OMG.”
  • Judge Nathaniel Kramer, one of the mayor’s ancestors, calls the witches “she-devils.”

Supernatural 

  • Moth Hush is a witch, like her mother and grandmother. She spends a lot of time around her mother, who doesn’t want her to practice magic. However, Moth learns a lot of spells when her mother isn’t looking. Throughout the course of the story, she uses a lot of charms and spells. In short, she involves herself with magic whenever she can. As such, not all instances of magic will be listed here. 
  • Witches cast magic spells in many ways. The magic can be done non-verbally with intent behind the spell, incantations, gestures, or a mix of the three. For example, Moth’s grandmother levitates a few photographs by lifting her hand. 
  • There is a realm called Hecate where the witches from Moth’s grandmother’s cohort live. The witches offered a piece of themselves to Hecate, the goddess of magic, in order to seek refuge from the regular humans that were trying to hurt them. 
  • When someone dies, “their spirit may still hang around if they have unfinished business. . . Some ghosts possess bodies and objects and buildings.” For example, Mr. Laszlo is a ghost because he wanted to help Moth be the best witch she can be. He possesses a black cat and shares the body of the cat.   

Spiritual Content 

  • Moth’s grandmother tells a story about how the Sun became good. “Once the Moon was the only light in the world, and there was only night. Until the Moon was called away on business by our dear Hecate. So Moon said to her daughter Sun, ‘Keep watch over the world. Be a good girl and go around the whole thing. But forget not that you are precious, bright and fearful hot. If you get too close to the things below, you’ll burn them up in your fire.’”  

The Tea Dragon Festival

A worthy sequel to the debut graphic novel The Tea Dragon Society, The Tea Dragon Festival immerses readers in a charming fantasy realm where humans and dragons dwell in harmony. Readers may recognize cheerful bounty hunters, Hese and Erik, from the previous installment in the series, but the couple appears noticeably younger and are able-bodied, as this story takes place before Erik’s debilitating injury in battle. 

New characters include Rinn, a young chef learning to use natural ingredients in their recipes with the help of their grandmother, Gramman. While foraging in the woods outside of Silverleaf Village, Rinn stumbles upon a shapeshifting creature named Aedhan who has been asleep for eighty years. Aedhan belongs to the Shining Wing clan of dragons, whose duty it is to oversee the Tea Dragon Festival and protect Silverleaf Village. 

Soon Hese and Erik arrive from their bounty hunting escapades and reveal that they have been tracking a forest spirit that has the power to make its victims sleep for decades without aging. They follow clues to a magical glade and tell the spirit that if it wants to share memories of its flourishing species from thousands of years ago, it should make people dream for a matter of hours rather than decades. The creature bows its head and leaves peacefully. 

When it is time for the Tea Dragon Festival to begin, the village sets up decorations and shares a bounteous feast of home-cooked recipes made from foraged ingredients and tea leaves that will allow Aedhan to glimpse the memories and events during the eighty years he was asleep. Rinn and Aedhan share this meaningful meal and notice their new feelings for one another. Rinn decides that they would rather enjoy cooking as a hobby than as a vocation. Hese and Erik set out on new adventures hinting at the events of the other two books in this lovable trilogy. 

Nonbinary readers will likely identify with Rinn, as well as Aedhan, who remarks that dragons are capable of shifting between male and female forms. Queerness is not called into question or judged in their world. The Tea Dragon Festival also provides positive representation for disabled people, especially the deaf or hard-of-hearing and users of sign language. 

Like in The Tea Dragon Society, O’Neill’s endearing artistic style continues to immerse readers in a flourishing realm that values family, traditions, nature, and following one’s heart. The story is introduced with an author’s note about the depiction of sign language in italicized captions, to distinguish it from verbal dialogue without diminishing its value as a form of communication. 

The Tea Dragon Festival is an adorable companion to its precedent and fluently builds readers’ curiosity about the third installment in the trilogy. Although the premise of making peace with the forest spirit rather than slaying it is appealing, its execution is anticlimactic. The story does not explain how Hese and Erik avoid succumbing to slumber in their encounter with the creature, nor how they manage to communicate with it. Other than this oversight, this graphic novel shows an impressive capacity for storytelling, art, and positive representation. 

Sexual content 

  • None 

Violence 

  • Aedhan fights off a large griffin to protect Rinn and their little sibling, drawing blood from a painful gash. 

Drugs and Alcohol  

  • When brewed into tea, leaves harvested from the small household pets known as tea dragons have the power to send the drinker into a trance and glimpse their own memories or past events experienced by those around them. 

Language  

  • None 

Supernatural 

  • The book includes multiple fantasy creatures, such as shape-shifting dragons, anthropomorphic birds, and humans with features like tails, horns, furred ears, or goat legs. 

Spiritual Content  

  • None 

What We Saw

When best friends Abbi and Skylar witness a clandestine meeting between a mysterious woman and someone in a dark van, they’re thrilled. Finally, a mystery to spice up the summer!

Who could these people be? Why are they meeting? Are they spies? Criminals? The two girls are determined to find out. But then a local woman goes missing and is found dead in the woods. And Abbi and Skylar realize that their detective work could hold the keys to solving her murder. Suddenly, sleuthing isn’t so fun anymore.

As tensions rise and their friendship frays, the girls find themselves in increasing danger, and must choose between keeping a secret or exposing a life-altering truth.

What We Saw is told from Abbi’s point of view and her best friend, Skylar, also plays a significant role. Nevertheless, readers may have a difficult time relating to either of the girls. Of the two, Skylar is more adventurous, but she is also jaded because her father is a “cheater.” On the other hand, Abbi is more fearful and often follows Skylar’s lead, even when she knows she shouldn’t. Both girls are secretive and hide things from their mothers because they don’t want to get into trouble. Even when the girls realize they have information about the missing woman, the girls don’t come forward at first. Both girls are immature and self-absorbed which makes it difficult to connect with them.

When Abbi discovers who killed her teacher, Ms. Sullivan, Abbi’s only concern is not letting her mom find out what she’s been up to. Instead of telling her mother the truth, she keeps quiet because “right now, I need a mom who loves me, not one who’s too mad at me to care if I go to jail. I’ll lie my head off to keep her on my side as long as I can.” First of all, Abbi isn’t thinking clearly since she has done nothing illegal. Secondly, Abbi’s mother is portrayed as a reasonable, caring parent who isn’t going to hate her daughter. In fact, when Abbi’s mother finds out part of the truth, she tells Abbi that she will never hate her.

While What We Saw is supposed to be a thriller, there is very little suspense besides the description of the creepy woods that is close to the girls’ treehouse. Instead, Abbi focuses on the typical boring events of the summer—going to the pool, going to the mall, and hanging out with Skylar. In addition, the story often goes off on an unnecessary tangent such as Abbi thinking about the books she’s reading. Another example is when Abbi sees her art teacher leaving Victoria’s Secret and thinks, “She’s my teacher. I don’t want to know she wears lacy bras or sexy lingerie.” These events slow down the pace and do little to advance the plot. 

To make matters worse, the story’s conclusion doesn’t show any personal growth in Abbi. When Abbi goes to Ms. Sullivan’s funeral, Abbi still focuses on herself. Abbi misses her teacher and thinks about Ms. Sullivan’s paintings, but she’s not concerned about the other people who are affected by her death. After the funeral, Abbi thinks of “Skylar and me and the strange distance that’s opened between us. . . I wonder what eighth grade will be like.” Unfortunately, What We Saw lacks the suspense and mystery that is typical in Mary Downing Hahn’s stories. Mystery-loving fans will want to skip What We Saw and instead explore a book with more depth and insight. For a mystery wrapped up in suspense, you can read The Unexplainable Disappearance of Mars Patel by Sheela Chari or Isabel Feeney, Star Reporter by Beth Fantaskey.

Sexual Content 

  • As the girls are biking through town, a “beat-up red pickup slows down long enough for the driver to bang on his door and yell something gross at us.” Skylar says the person is “a perv.”
  • Skylar’s father is a “cheater” who ran off with a woman. Skylar brings this up often.
  • Skylar and Abbi are in a tree house when they see two cars stop at the end of a dead-end road. Skylar says, “Maybe the woman is married and she’s meeting the man in secret. Or maybe he’s the one who’s married. Or they both could be married—to other people.”
  • Abbi watches a news report on her teacher’s death. “Ms. Sullivan was assaulted and killed in the woods near Marie Drive. A thirteen-year-old boy found her body under a pile of branches and trash near the train tracks.” 
  • Skyler thinks that two of her teachers, Ms. Sullivan and Mr. Boyce, were having an affair. She says, “Ms. Sullivan was a cheater, too. She knew he was married, she knew he had a kid, but all she cared about was breaking up his marriage so he could be with her. In some ways, she’s worse than he is.”

Violence 

  • Two mean boys from Skylar’s school, Carter and Jason, see the girls on their bikes. “Jason tightens his grip on Skylar’s handlebars, and Carter blocks me. . . Carter makes a move to grab my [Abbi’s] backpack, and I duck away. My feet tangle in the pedals and the bike and I topple over.” Abbi has blood “running down my leg from a cut.” 
  • Skylar finds her brother smoking pot with some of his friends. Her brother says, “Calm down, Skylar, it’s just pot. It’s legal in some places now.”
  • While at Dairy Queen, a man named Paul “grabs Jason by the shirt and says, ‘Keep it up and I’ll punch your face in.’” Abbi’s mom’s boyfriend jumps in and calms Paul down. The boyfriend says that Paul “has issues…Drugs and stuff.”
  • Carter and Jason see Skylar and Abbi coming down the treehouse ladder. As Jason goes up the ladder, he grabs Abbi’s backpack and she falls “not far enough to kill me, but it hurt when I landed hard on my butt.”
  • Carter and Jason get into a fight. “Jason punches Carter, and Carter punches him back. They grab each other like wrestlers and grunt and strain and struggle until Jason’s face turns so red I think he’s dying of heatstroke.” Abbi breaks up the fight.
  • Skylar and Abbi follow Carter and Jason into the woods where they see an old trailer house. A drug dealer, Paul, and his dog Diablo appear and when Diablo smells the kids, they all run. Paul shoots at them as they leave. Skylar, Abbi and Jason stay together, but Carter runs off in another direction.
  • Jason tells the girls how Ms. Sullivan died. After Ms. Sullivan wanders into the woods, she finds Paul’s old trailer. Then, Paul sees her. “He must’ve been out of his mind on drugs. . . He accused her of being after his drug money. . . he hit her. And he hit her, and he hit her again, and he just kept hitting her. And she was yelling, fighting back, but, but—”
  • A police officer tells Abbi that Paul is in jail. When the police went to arrest Paul, they found Carter “badly beaten. He’s in the hospital being treated for severe dog bites and fractures.”

Drugs and Alcohol 

  • A boy at school smokes cigarettes.
  • Skylar found pot in her brother’s bedroom. Later, Skylar’s brother tells her, “Buying that stuff was a once-in-a-lifetime mistake.”
  • Twice during dinner, Abbi’s mom and her boyfriend have a beer.
  • Skylar and Abbi go to their teacher’s house to get advice. In his kitchen, “the recycling bin overflows with beer cans.” Later, when they go back to his house, Abbi notices that he “smells like beer and coffee.”
  • Carter and Jason were selling drugs for Paul. 

Language   

  • The kids in the story occasionally call other people names such as moron, jerk, druggie, and idiot.
  • Carter blows cigarette smoke in Abbi’s face and says “Bowwow, ugly dog.” 
  • Hell is used once.
  • Jason says that Paul is a “freaking crazy man. A psycho.” 
  • Oh my God is used as an exclamation twice.

Supernatural

  • None

Spiritual Content 

  • When Abbi finds out her teacher was murdered, she asks, “Why does God allow bad things to happen to people like her? I don’t understand.”

Wild & Chance

When a girl wakes up trapped on a sinking ship with no memory of who she is, she has nothing but her instinct to survive. As she fights her way to freedom, she quickly discovers two incredible facts: she is a dog and she can understand human speech. Soon, she befriends a thirteen-year-old boy named Chance who gives her a name of her own: Wild. 

But Wild and Chance find themselves running for their lives, pursued by relentless Animal Control officers. Joined by a mysterious hacker girl named Junebug, the unlikely trio fight for survival while trying to solve the mystery of Wild’s extraordinary strength, super-intelligence, and high-tech collar.

Wild’s heart-pounding story will grab readers from the very first page when she almost dies in a yacht explosion. After surviving the ocean, a dog fighting ring, and Animal Control, Wild thinks her problems are over. When Chance befriends Wild, the two connect over the discovery that they are both looking for a home. However, the two are forced to flee as they realize that Maelstrom, a secret military organization, will stop at nothing to silence Wild forever.

Readers will instantly get wrapped up in Wild’s fight for survival. Wild’s unique perspective shows her struggle to fight against her breeding—she was genetically engineered to make humans love her and then kill them. Wild has no desire to hurt anyone, but she must constantly fight her instincts. Despite her past, Wild is determined to keep her new friends, Chance and Junebug, safe. However, Wild isn’t completely sure that Junebug can be trusted. Despite this, Wild is determined to keep her promise to Chance and reunite him with his mother.

Even though Wild is a dog, many readers will relate to her desire to understand her past and determine her own future. The fast-paced mystery is full of action-packed chases, several intense dog fights, and a dramatic conclusion that will leave readers in tears. Wild, Chance, and Junebug are complex characters who are thrown together by circumstance but connect through friendship. While Wild & Chance is a heart-stopping, entertaining book, readers who want to avoid violence should instead read the Wild Rescuers Series by Stacy Plays and the Survival Tails Series by Katrina Charman.

Sexual Content 

  • None

Violence 

  • Wild wakes up on a yacht that smells of gasoline. She sees a boat of soldiers off to the side. One soldier shoots a flare. “There’s a loud whoosh as the flare hits the yacht and the fuel ignites. The explosion comes less than a second later, a thunderclap that shakes the entire vessel and causes the deck to tilt at a steep angle.” Wild jumps into the ocean before the yacht sinks.
  • A man captures Wild and takes her to a dog fighting ring. Not wanting to fight, Wild tries to get off the platform. “I try to run between [the bystanders’] legs to get away, but they kick at me, boots connecting with my hindquarters.” 
  • Wild is forced to fight Thunder, a rottweiler. “The moment I turn, he leaps at me, mouth open wide as he springs for my neck. . . It seems there’s no way to escape this fight, but I no longer want to escape. I want this dog’s throat in my teeth.” Wild forces herself not to kill Thunder. Instead, she twists “to the side, flinging Thunder away from me, hearing him yelp as the big dog goes airborne across the pit. . . “. The dog fight is described over three pages before Wild finds a way to escape the fight.
  • Wild comes across a kid who is corned by a group of boys. “Without warning, the older kid punches him in the stomach, doubling him over. The boy tries to get away, but he’s trapped between a brick wall and the three kids hovering over him.” The older boy hits the kid again and Wild jumps in. Wild is “overwhelmed by a desire to protect the skinny boy. . . I bare my teeth and roar at full volume.” The bullies leave. The scene is described over two pages.
  • Chance hides Wild in his closet. The next morning, two men dressed as animal control appear offering money in exchange for the dog. In the exchange, the men reveal that they plan to kill Wild. When Wild runs, “both officers flick open their zappers and sparks fly. . . The small officer points his zapper in my direction, and an arc of electricity shoots out like a lightning bolt.” In order to escape, “I spin and kick him in the chest with my hind legs, hard enough to knock him backward into the small officer and send the two of them crashing to the ground.” Wild and Chance run. The scene is described over four pages.
  • In order to remove a GPS tracking device, Wild uses her teeth to bite it out. Wild bites “down, ignoring my disgust, and get a fang into my skin. I feel a sharp pain as my tooth pierces the flesh. . .” The dog removes the tracker and throws it out the window.
  • Chance, Wild, and Junebug get picked up by a police officer, who puts them in the back of his police car. The kids know they are in trouble when the police officer drives past the police station and begins heading to a remote location. On the way there, a truck intentionally runs into the police car. “The truck hits us at full speed. Metal grinds against metal and glass shatters. For a few seconds, the patrol car is airborne, and then it crashes down hard, rolling over on itself, flinging us violently from side to side.” The kids and Wild wake up with their wounds cleaned and no serious injuries.
  • In order to find out why Wild has special abilities, Wild and her friends go to see Dr. Pao, who lives in a fenced compound. While there, they hear an explosion. “Another explosion knocks us to the ground, and the rear wall of the compound shatters in front of me. . . A wall of electricity floods the compound, beams crisscrossing, smashing whatever they touch.” Dr. Pao shows the kids a way to escape.
  • As the kids try to escape the soldiers that are on the compound, “Junebug rears back and kicks him hard in the groin, cutting off his sentence and doubling him over with a grunt of pain.” Junebug runs, but Chance disappears. Wild finds Chance. “A Maelstrom soldier has an arm around Chance’s throat, holding him tight. He also has a fully charged zapper with sparks flying from the tip.” Wild free Chance and the two escape. The chase scene is described over eight pages.
  • Another specialized Maelstrom dog is sent to kill Wild. Wild describes, “The dog turns to Chance, his eyes red, drool flowing. He charges without warning . . . I howl and attack, my heart pumping, eyes blind with range. I crash into him from the side, catching him off guard, and my jaws close around his neck.” When Wild realizes that the dog will hurt the children, Wild twists “and throw[s] him high into the air, as hard and as far as I can.” The dog falls over a cliff and dies. The scene is described over four pages.
  • Wild has a flashback to before she was on the yacht. Wild was placed with a family so she could spy on the mother. Once Maelstrom had enough information, Wild was ordered to kill the family. Wild refused and instead, she “lunged at my handler, clamping down on his arm, stripping him of the zapper, and attacking him. His screams are the ones I’ve been hearing in my nightmares.”
  • General Rupani, a Maelstrom soldier, holds Chance captive in order to force Wild to kill a family. Instead of killing the family, Wild breaks into the Maelstrom command center. “The soldiers realize what’s going on and come at me, but I’m moving on instinct, arcing in the air and smashing as I go, a whirlwind of legs and body strikes, and take out the entire room in a matter of seconds.”
  • In order to save Chance and Wild from her father, Junebug takes a zapper “using it like a baseball bat and striking the general in the back of the head with a loud smack. General Rupani grunts and his eyes roll back into his head.” The escape scene is described over six pages.

Drugs and Alcohol 

  • A man finds Wild who is thirsty and hungry. In order to capture Wild, the man gives Wild “a little something. . .to relax you.” The drug makes Wild fall asleep.
  • When Wild wakes up, she’s in a warehouse with a bunch of rich people who are drinking cocktails.
  • Chance’s mom is in drug rehab. Chance tells Wild, “She isn’t a bad person, Wild. She’s an addict. The drugs make you do things you wouldn’t do if you were thinking straight.”

Language   

  • Bullcrap is used once.
  • Heck is used twice.
  • Damn and darn are both used once.
  • As Chance and Wild are running from Animal Control, they hear a helicopter. Chance shouts, “Animal Control doesn’t have friggin’ helicopters!”
  • Junebug says, “My dad can be a real jerk sometimes.”

Supernatural

  • None

Spiritual Content 

  • None

Ride On

Victoria has always loved horses. But riding in competitions is high stakes, high stress, and shockingly expensive. And even though Victoria’s best friend Taylor loves competing, Victoria has lost her taste for it.

After a heartbreaking fight with Taylor, Victoria needs a new start—at a new stable. A place where she doesn’t have to worry about anything other than riding. No competition, no drama, no friends. Just horses.

Edgewood Stables seems ideal. There are plenty of horses to ride, and Victoria is perfectly happy giving the other riders the cold shoulder. But can she truly be happy with no friends?

While Ride On will specifically appeal to horse-loving readers, the graphic novel also has a universal theme of friendship which all readers will be drawn to. Victoria’s past is murky and, although it is slowly revealed, she never explains why she has rejected all her friends including her yearbook friends. Despite the fear of rejection, Victoria slowly warms up to Norrie, Hazel, and Sam; while they all share a love of horses, it’s their love of the sci-fi television series, Beyond the Galaxy, that brings them all together. This adds both an interesting twist and some humor to the story.

Many readers will relate to Victoria’s insecurities as well as her desire to have a well-rounded life that doesn’t completely revolve around horse competitions. In a world where competitive sports are the norm, Ride On reminds readers that they do not need to let one thing consume all their time. Instead, they can love horses, cosplay, and hanging out with friends. Along the way, the story explores the importance of friendship as well as getting over fears. These lessons are wrapped up in a good story with interesting, relatable characters who often struggle with being different. Seeing the characters grow and connect is heartwarming as well as entertaining. 

The graphic novel’s artwork uses vivid colors to bring the characters to life. One of the best aspects of the illustrations is the characters’ facial expressions and body language—both of these will help readers understand the characters’ emotions. The horse pictures are wonderful as well. Some pages tell the story only through pictures, while other pages have up to seven sentences per page. This, along with the easy vocabulary, make Ride On accessible to most readers. 

Ride On highlights everyone’s need for companionship and validation. The graphic novel is a character-driven story that doesn’t have a lot of exciting conflicts. However, the characters are interesting enough to keep readers hooked. The conclusion holds several surprises that show the true meaning of friendship. Similar to Ride On, the graphic novel series Eagle Rock by Hope Larson is another coming-of-age story that explores the need to find your passion.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • Crap is used once.

Supernatural

  • None

Spiritual Content 

  • None

A Grimm Warning

While his sister, Alex, decided to stay in the fairy world to become a fairy trainee, Conner hasn’t had any adventures and he’s starting to like it that way. While he misses the Land of Stories and its endless fun, the real world has presented Conner with exciting opportunities, such as a school trip to Europe with his crush, Bree. While Alex busies herself with her upcoming acceptance into the Happily Ever After Assembly – the council of kings, queens, and fairies – Conner travels to Europe for a reading of three recently recovered stories written by The Brothers Grimm that had been sealed away for 200 years. 

But the final story reveals a grave warning for the fairytale world, and Conner knows fate has brought him here to decipher the message. He must warn Alex and his friends that General Marquis, a French officer from Napoleon’s Army, wanted to launch an attack on the Land of Stories centuries ago. The Brothers Grimm were able to delay them until the present time, but very soon a portal will open and the French Army will pour into the fairytale world to wreak havoc. Conner must warn them before the army arrives. 

Bree, who has been suspicious of Conner’s tales, tags along as they travel through Europe with the help of a German boy named Emmerich and search for an entrance to the Land of Stories. Conner warns Alex of the coming threat, but sadly, Alex has news in return: The Fairy Godmother, their grandma, is sick. Despite their grandmother’s impending death, the twins work together to rally the kingdoms and prepare for war. Though the battle is difficult, the fairytale world is able to beat back the French Army, but the victory is bittersweet. The Fairy Godmother passes away and now Alex must step up and take on the role of Fairy Godmother. But at least through everything, the twins still have each other.

Alex and Conner are entertaining and relatable narrators. Alex’s serious and scholarly nature contrasts Conner’s witty and easy-going personality, making them a fun duo. As the twins grow older, this installment of the Land of Stories attempts to deal with more mature themes, such as first love and the death of close family members. However, Alex and Conner always support each other during rough times. The twins’ selflessness is admirable, as is their dedication to doing what’s right even if it interferes with their personal desires.

Though the plot for this novel was a bit more outlandish than the previous stories, the Land of Stories series stays true to its themes of relying on family, protecting one’s friends, and staying brave in the face of evil. Additionally, one of main conflicts in this book is that to defeat General Marquis’ army, all the factions in the fairytale world will need to work together. The kingdoms haven’t always seen eye to eye, and they have also excluded certain groups like the elves and troblins (the name used to refer to the troll and goblin community) due to past grievances. However, everyone is stronger together. Alex says, “Every creature is an individual and we can’t punish an entire race for mistakes made by individuals. As easy as it is to label large groups with the reputation of their ancestors, it isn’t right.” 

With the new council in place, Alex and Conner hope that the Land of Stories can recover from the war and move towards a more united future. However, the book ends by suggesting that the twins’ greatest personal battle is about to begin: a strange, masked prisoner who vows to eliminate all fairies is caught stealing an unknown potion from the twins’ late grandmother’s bedroom. It seems that Alex and Conner will still have plenty of adventures ahead of them. Readers who enjoy epic stories with feats of bravery should also check out the Percy Jackson and the Olympians Series by Rick Riordan and the Kingdom Keepers Series by Ridley Pearson

Sexual Content 

  • Conner makes a joke to Alex about how their personalities are so different. Conner says, “Alex, I’ve been impressed by you since the womb. I’m sure your part of the uterus was much neater and more organized than mine.” Alex replies, “Really, Conner? A uterus joke?”
  • Goldilocks and Jack, members of the Land of Stories, kiss at their wedding. “Jack and Goldilocks locked lips and their crowd of guests cheered wildly.”
  • Rook, a village boy who Alex is crushing on, kisses Alex several times throughout the story. “Rook stepped even closer to [Alex] and placed a hand on the side of her face. He looked into her eyes for a moment and then slowly leaned his head closer to hers. . . Rook kissed her for the first time.” Later, Alex says that her favorite days are the ones that end with a good-night kiss from Rook. 
  • Bree kisses Conner on the cheek. Conner says, “I’ve come to the conclusion that I might – possibly – maybe – do have a crush on you.” Bree replies, “I have a crush on you too.” 

Violence 

  • General Marquis threatens the Brothers Grimm. “. . . The brothers were gagged again, their hands retied behind their backs, and the black sacks placed over their heads. . . “ Then the general says, “Find a portal in two months or I’ll make you watch as I personally kill everyone you love.”
  • The talking lion statue explains how Mother Goose and the Brothers Grimm made the magical portal open. “Mother Goose took a dagger and made a cut in her hand and one in Wilhelm Grimm’s hand . . . they held their hands tightly together and let some of the magic from Mother Goose’s blood flow into his.”
  • When the portal is opened and all the French soldiers fall out, the scene is gruesome. “Hundreds of men and pieces of equipment rained from the sky . . .  many soldiers barely missed being crushed by the carriages or cannons or horses that fell beside them . . . Most of [the soldiers] held their heads in agony or vomited.” 
  • General Marquis executes an old man who helped the soldiers. “‘Unfortunately, you know too much,’ [General Marquis] said. ‘Get rid of him.’ The old man screamed. ‘No! Please! I have a family!’ he pleaded, but it was no use. The general didn’t have an ounce of mercy to spare. [The soldiers] dragged the old man into the foggy woods and his screams echoed through the trees around them. A moment later a gunshot was heard and the woods were silent again.”
  • While Alex and Conner are on the back of one of Mother Goose’s geese—Lester—a cannon shoots him. “A rogue cannonball bolted through the sky and blasted through Lester’s right wing. The gander squawked in pain as he and the twins began rapidly descending toward the trees on the horizon. . . They crashed hard into the ground. . . Alex and Conner were too wounded to get to their feet. They both had broken several bones. They heard Lester squawking in the distance – he was perhaps in even more pain than they were.” Alex and Conner fall unconscious. Their injuries are magically healed by a witch. 
  • A witch describes how she healed Little Bo Peep’s broken heart. “I cut out a small piece of Little Bo’s heart, the part that was full of hurt and longing for the men in her life, and I turned it to stone.”
  • General Marquis shoots two of his soldiers. “General Marquis turned to [the soldiers] and shot them both in the foot. They fell backward and slid down the canyon walls. They moaned as they tried to get to their feet. A low growling noise vibrated up the canyon walls and the [soldiers’] moaning increased. A series of deafening screeches echoed next from the canyon, but they weren’t human. . . the camp heard the [soldiers] scream as they were eaten alive” by a dragon.
  • The battle between General Marquis’s army and the Land of Stories takes place over nearly 40 pages. A few people’s deaths are described. There is some violence, such as when Alex fights back by using magic. “Alex swished her wand through the air at [the soldiers]. Their rifles were transformed into long-stemmed roses that pricked their fingers before they could shoot.” 
  • When Rook betrays Alex, she gets angry and lashes out violently. “Without thinking, Alex took her heartbreak out on the soldiers charging at her. She cracked her wand like a whip and a burst of white light sent the soldiers flying into the air.” 
  • Gator, a troll, dies in the battle. “Gator was too small to fight the soldier off alone and lost his balance. The soldier stabbed him in the stomach and Gator fell to the ground. . . the little troll died before he could say another word.” 
  • Little Bo Peep dies. “Bo Peep clutched the side of her chest. . . [she] collapsed on the ground and became very still. . . Little Bo Peep had died of a broken heart.” 
  • The unicorns help fight the dragon. “The unicorns stabbed their horns into the dragon’s feet and he roared in pain. The dragon picked the unicorns up with his front claws and threw them into the forest. . . The dragon grew impatient and scorched the remaining unicorns with his breath.” 
  • The dragon turns on General Marquis and kills him. “The dragon took a deep breath and exhaled a long and powerful fiery geyser from his lungs. The geyser hit the general and he was consumed in its vicious flames. When the dragon stopped, the ground beneath the general had been scorched black and General Marquis was gone.” 
  • The Fairy Godmother kills the dragon. “A long, silvery trail erupted from the tip of the Fairy Godmother’s wand. She happily waved her wand in the air as if she were conducting an orchestra and the trail slashed through the air like a giant whip. The trail grew longer and longer by the second. The dragon jumped back and forth, trying to avoid it. Eventually, the trail was so long the dragon tangled himself in it when he tried flying away. . . She cracked her wand like a whip again, and the trail that was wrapped around the dragon grew brighter and brighter. The others covered their eyes at the blinding sight and the dragon burst into clumps of ash.” 
  • When defeating the dragon, the Fairy Godmother exhausted her powers. “The Fairy Godmother’s eyes closed for the final time. Her body became weightless in [the twins’] hands, transformed into hundreds of bright sparkling lights.”  

Drugs and Alcohol 

  • Mother Goose gets poisoned while in a tavern. 
  • Mother Goose says, “Last time I officiated a wedding, Puss in Boots drank all my bubbly.” 
  • Mother Goose has a flask hidden in her hat and “takes a swig” from it twice. 
  • Mother Goose talks about a tavern that she went to with her “drinking buddies.” 
  • Mother Goose wakes the unconscious Conner by splashing him in the face with alcohol. “Mother Goose removed her flask from her hat and splashed [Conner’s] face with the liquid inside.”

Language   

  • General Marquis calls Mother Goose an “old lush.” 
  • Mother Goose calls Lester, her goose, “mattress filler”
  • Queen Red Riding Hood refers to her rival Bo Peep as “Little Bo Bimbo” and, “A pain in the shepherdess.” 
  • When the fairies don’t want to join the war, Conner says, “Screw the code.” 
  • Conner calls Rook a “stupid boy who needs a haircut.” 
  • Conner refers to the evil enchantress Ezmia as a “narcissistic wench.” 
  • General Marquis calls Conner a “stupid, pathetic, ignorant little boy.” 

Supernatural 

  • All fairytale stories are true in the Land of Stories . . . there is a portal connecting the Land of Stories to the human world, called the Otherworld.
  • Because Alex and Conner’s mother is from the human world but their father is from the Land of Stories, they have a bit of magic in their blood which brings them good luck.
  • The Fairy Godmother can do magic. She is described by General Marquis as someone who “wears robes that sparkle like the night sky, has white flowers in her hair, and carries a long crystal wand.” She can travel between the fairytale world and the Otherworld as well as transform objects. 
  • Mother Goose is another main character in the story. She can do magic, such as teleport, and she travels on a giant goose named Lester. 
  • Mother Goose escapes the Marquis by using magic. “She reached out an open hand and the golden egg floated straight out of the box and into the wagon where she sat. And, with a blinding flash, Mother Goose and the golden egg disappeared into thin air.”
  • Conner has a magic mirror that allows him to contact the fairy world so he can talk to Alex. He uses it periodically throughout the story.
  • Alex uses magic to transform her clothes. “Alex picked up her crystal wand from her nightstand and waved it around her body. Her plain nightgown was instantly turned into a long, sparkling dress the color of the sky, and a headband of white carnations appeared on her head.” 
  • Alex has a unicorn. Unicorns have silver horns that can guide them to people in need. 
  • As part of Alex’s fairy training, she goes out each day and performs three wishes to townspeople in need.
  • Conner and Bree get information from a talking lion statue. 
  • Conner and Bree open the portal to the fairy world with a magical panpipe.
  • The twins cast a magic spell that teleports all the soldiers of the Land of Stories’ kingdoms to the same place. “The world appeared in slow motion as they raised the wand above their heads. The twins could feel magic rush through their bodies and into the wand in their hands. . . a gigantic blast of white light erupted from the tip and surrounded them… Alex and Conner had turned themselves into a shooting star that bolted across the sky faster than anything had ever traveled before. . . Upon seeing it, every soldier of the armies, on duty or in hiding, turned into his or her own sphere of light and instantly shot through the sky to join the twins.” 
  • General Marquis hatches a dragon, the first of which to be seen in the fairytale world for many years. “The dragon emerged from the trees and landed at the edge of the fairy gardens. He was almost as tall as the fairy palace. Red scales covered his body and a forked tongue slipped in and out of his sharp teeth. He had two horns and sharp spikes covered his head and traveled down his spine. Two large wings grew out of the dragon’s back and a long tail whipped around behind him.” 

Spiritual Content 

  • Mother Goose says, “Thank God.” 
  • Conner sees a painting of Jesus in a castle in Germany. 
  • When the dragon attacks and there is little hope left, Conner says that the only thing they can do is pray. 

Not That Kind of Girl

Natalie Sterling has made one thing clear: nothing will get in the way of her having a successful senior year of high school. She has big plans, such as applying to colleges and becoming Ross Academy’s student council president. Natalie doesn’t have time for distractions, and she certainly is not like the other girls, who get hung up on boys. But the road to success is not easy. On the first day of school, Natalie takes Spencer under her wing – a girl who has grown up considerably since Natalie used to babysit her long ago. Spencer likes getting attention and she’s not afraid to show it. Meanwhile, Mike Domski, a vulgar football player, is running against Natalie in student council. Still, Natalie stands strong: she is not the kind of girl who gets distracted.

Things start to change after Natalie is elected president. She fights with her best friend Autumn, who despite getting bullied over a failed relationship, still wants to go to parties and talk to guys. Autumn is willing to forgive the people who spread rumors about her, but Natalie can’t understand why her best friend would even associate with those people. Not to mention, Natalie’s caught the eye of one of Mike’s friends, Connor, who kisses her one night after school. Worst of all, Natalie starts to like him in return. 

Natalie’s perfect senior year crumbles. She sneaks out to see Connor nightly, letting her grades suffer in exchange for secret kisses. Natalie’s confidence wavers as she thinks about how people would perceive her if they find out. She might have feelings for Connor, but she says that “the realization that other people would judge what I’d done spoiled everything.” Their relationship becomes strained and awkward when Natalie can’t accept Connor outside their private nights. In addition, Natalie doesn’t speak to Autumn for weeks, and constantly butts heads with Spencer over the way she chases male attention. Disaster strikes when a nude photo of Spencer circulates, and Natalie knows that Mike is the culprit. Spencer begs Natalie not to get involved, but in an effort to protect Spencer, Natalie gets Mike in trouble. Retaliation is swift – Mike reveals that Natalie has been seeing Connor, and suddenly the perfect class president is perfect no more.

When Natalie’s whole world crumbles, she decides that her reputation is not as important as her relationships. Natalie has to accept that some part of her does like boys, and that she loved her time with Connor. The book encourages girls to explore their sexuality as long as they’re comfortable and in control of the situation. Natalie learns she’s okay not having perfect grades or being the perfect student council president. She says, “It didn’t matter if I was the kind of girl who had sex, or the kind of girl who had her portrait on the wall in the library, or the kind of girl who got into the best college . . . I just needed to be okay with all the kinds of girl I was.” She reconciles with Spencer and Autumn, and even asks Connor out on a real date. Not That Kind of Girl ends with Natalie accepting that she can be focused on her goals while still having a relationship. 

This story is narrated in the first person and is an interesting take on high school drama. It can be quite vulgar when the students talk about each other and the things they’ve done, but it is not a complicated read. In fact, Not That Kind of Girl is not the kind of book you’re expecting – the narrator, Natalie, is not the typical “hero-like” narrator. Instead, Natalie is incredibly judgmental about people’s actions and concerned about how she’s perceived, which ruins many of her relationships. While readers may find it hard to stomach Natalie’s harsh criticism, this is a story about a character who learns to be more accepting. 

Natalie realizes that she’s been hypocritical and that it’s not possible to know someone by making assumptions. Natalie used to believe getting into a relationship was a girl’s downfall, but she realizes how wonderful it can be. Natalie starts to understand that just because someone likes boys doesn’t mean that they don’t aspire to do other things. Some readers may have trouble relating to Natalie, but a key aspect of the book is learning to accept that everyone has a different idea of success. At the beginning of the story, Natalie believes that a girl can’t have a relationship and be successful, but the events of the story prove her wrong. Readers can learn a lot from Natalie’s willingness to admit her wrongs and her attempts to be more open-minded. Not That Kind of Girl shows how, when confronted with challenges and opportunities that redefine you, you can either run away or face them head-on. Natalie realizes that her fear of how people perceive her is negatively impacting her life. When she accepts the person she always refused to be, Natalie finds freedom and happiness where she least expects it.

Sexual Content 

  • Natalie says guys will have a successful high school experience if they “wear a condom.”
  • Natalie describes an infamous high school couple as people who “fooled around.” According to Natalie, the girl “took things slow, preferring sweet kisses while walking through piles of crispy autumn leaves over half-naked wrestling matches.” 
  • Natalie describes how two students, Autumn and Chad, almost hooked up in the locker room. “Chad greeted [Autumn] with a grin. A moment later, before they’d even said hello, they were kissing. Which quickly turned into groping. . . Chad tried to convince her with words, with kisses. . . He pleaded with her to stay. After all, she’d barely touched him, and he was so turned on. . . [Autumn] leaned in to kiss [Chad]. A cute peck aimed for the tip of his nose, to make it all okay.” Autumn leaves to go back to class and Chad starts to ignore her. 
  • Natalie says that before this incident with Autumn and Chad, Chad’s “inability to get off with a freshman had become a running joke. . . He’d complain of blue balls after he’d drive [Autumn] home, or hump his locker door in mock frustration after [Autumn] hugged him good morning.” Everyone knew that he was going to hook up with Autumn in the locker room, but when it didn’t happen, he needed an excuse, so he started a rumor that Autumn smells bad. He starts to call Autumn “Fish Sticks” and breaks up with her.
  • Natalie says everyone forgets about the “Fish Sticks” incident months later, “when a junior supposedly had a three-way in her parent’s shower.”
  • Spencer bends down in the hallway, accidentally revealing her underwear. Natalie says, “The girl was kneeling on the floor. . . Her pleated uniform skirt tipped forward like a ringing church bell. A small triangle of lavender mesh barely shielded her rear from the entire hallway.” 
  • Natalie tells Spencer that people can see her underwear. “When you bent over before, you could see everything. And a bunch of boys were enjoying the view.” After Natalie leaves, Spencer bends down again, “her butt back on display for everyone. The eyes of the passing football players flitted to the left as if Spencer’s ass gave off a high-pitched noise at a frequency only boys could detect. One of the guys snatched a binder and flapped it furiously toward Spencer’s rear end, trying to make a strong enough breeze so her skirt would flutter up even higher.” 
  • A jock, Mike Domski, runs for student council with a poster “with a cartoon version of [himself], smoking a cigar and flanked by two busty bikini girls.”
  • Natalie says that one day Mike Domski will marry “a pregnant stripper.”
  • Mike vandalizes Natalie’s student council campaign poster. Originally the poster said “Vote For Natalie, a Leader with Experience.” Mike “had taken a marker and done some doodling at my expense. He had given me a mustache, drawn two enormous penises (one for each of my hands), and a bunch of question marks hovering over my head. He’d crossed out Leader and written VIRGIN on top of it. And squeezed the word NO in before Experience.”
  • When Natalie gets mad at Mike, he says, “I have to say Natalie, your level of intensity is pretty hot. . . I’m actually getting a chubby.” When Natalie tells him to stop, Mike says, “I’m only kidding with you. . . You could never give me a hard-on. You’re like. . . dick repellent.”
  • Natalie drives by a house party where the boys from the football team run out in front of her car drunk. “I tried to inch my car forward, but [it was] pinned by the human roadblock, forced to witness their drunken celebration.” 
  • While the football players surrounded Natalie’s car, “Mike Domski tossed aside a beer can and started humping my hood ornament. . . . ‘I’m trying!’ he moaned. ‘Oh, God, I’m trying!’ After Mike pretended to bring my Honda to orgasm, the laughing boys made their way up the front lawn.”
  • Spencer says that Natalie and Mike have “sexual tension.”
  • When Natalie asks Connor to donate wood for a bonfire, Mike says, “Natalie wants your wood. Bad.” Natalie says, “I don’t need anybody’s wood. I can buy my own wood. . . ” She later realizes what she said and “dream[s] about a tragic accident where Mike’s crotch caught fire.”
  • Spencer and her friends wear inappropriate shirts to school. “Each shirt had a pair of bulbous footballs positioned like pasties over their boobs. And above them, the same single word was printed across the chest, curling in a perfect arch. Rosstitute.” This is a combination of Ross Academy and prostitution. When one of the teachers tells Spencer to change, she takes off her shirt in the hallway. “She took off her shirt, right there, in the middle of the hallway. Her bra was a pink gingham number, with a tiny rosette in the center, underwire working overtime to hoist and enhance a modest amount of cleavage.” 
  • Natalie overhears the football boys talking. Mike says, “I’d like to make that Spencer girl’s titties my business. . . Did you see her dancing? I mean, she’s practically a stripper.” One of the players reminds Mike that Spencer isn’t interested in him because she likes Connor. Mike replies, “You think a girl like her will turn celibate because Connor shuts her down? Trust me, man. The Domski will make it happen. And none of you guys better try and cock block me.” 
  • A football player says, “That skinny blond freshman would be cute if she weren’t totally flat. I might as well feel up my little brother.” 
  • Mike says that Natalie is “the kind of chick who’d cut off your balls in the middle of the night. . . I wouldn’t be surprised at all to hear Natalie has a bigger dick than I do.”
  • Spencer says that girls aren’t permitted to have “sexual needs” in the same way guys are. “I won’t be villainized because I happen to like being sexual. . . Forcing girls to be ashamed for doing the things that come naturally to them – it’s a ridiculous double standard, and we should all, frankly, tell anyone who judges us to screw off.” 
  • During an all-girls meeting, one of the girls admits that she gave a guy a hand job to prove that people treat her differently because she experimented with her sexuality, “My brother found out I gave a hand job to one of his friends, and now he won’t even look at me.” Spencer says, “That’s horrible! Because I bet your brother wishes a girl would give him a hand job. But because you’re his sister, you’re dirty.” 
  • Spencer shows Natalie a picture of “a back-to-school pictorial, where a sexed-up vamp of a teacher stood on her desk in fishnets and stilettos, with schoolboys cowering in a pile on the floor.” 
  • Connor kisses Natalie. Connor “took another step. A big step, closing the gap of air between us. And then he kissed me. He grabbed me and kissed me, and his whole body tensed up. . . When I felt him pull away, I leaned forward and kissed him harder. . . This kiss had heat behind it.” 
  • On Halloween, Spencer dresses as a “slutty construction worker.” The outfit “consisted of a skintight little denim minidress cut to look like a pair of overalls. She had a tight white cami on underneath, and the whole thing fit her like a corset, her boobs bubbling up over the top. The skirt stopped right underneath her butt cheeks, and when she dipped and bent to the music, you got flashes of a pair of electric orange booty shorts. . . She really, truly looked like a stripper.”
  • At the Halloween dance, Natalie notices Connor looking at another girl. Natalie says, “Of course guys like Connor were going to notice the scantily clad girls dancing in front of them. . . Immunity to booty and boobs did not occur in teenage boys.”
  • Spencer tells Natalie she looks hot. “Natalie, you have such a good body. Your butt looks totally hot in those pants. Why are you hiding it from everyone?. . . You could get any guy in this room, if you just loosened up a little.”
  • Connor and Natalie meet secretly in a shed behind Connor’s house, where they kiss. Natalie “leaned in and kissed him fast. . . And then he kissed me. This time with lips parted, as if he was whispering into my mouth. . . His hands moved up to my shoulders, pulling me closer to him. He was warm, hot even. I wrapped my arms around his neck, tucked my fingers down into the back of his collar. My whole body folded into his warmth, and then we both lay down. . . We were moving and pressing and shifting all over each other.” They end the kiss after a while. 
  • Spencer tricks Mike into meeting her at a movie theater. Later, she tells the story to Natalie. Spencer says, “I told Mike to whip it out and have it ready for me. He wrote back, You nasty little girl. . . Anyway, a bunch of girls and I were already hiding in the very last row, and we could see him shimmying and wriggling in his seat. I ducked out and found the manager and let him know that there was a boy with his pants down in theater twelve.”
  • While Natalie and Connor kiss, he tries to undo her bra. “Connor pulled me on top of him, and his hands slid up my back again. . . His fingers tucked underneath my bra strap, then he pinched the closure, trying to pop the hook open.” Natalie stops him.
  • Natalie tells Connor that she knows he lost his virginity in eighth grade. She says that everyone knew that Connor had gotten really drunk and had sex with a girl on New Year’s Eve.
  • Natalie gets a splinter in her rear while in the shed. Connor has to help her pull it out. “Suddenly my left butt cheek burned bad enough for me to gasp. . . I rolled over to my knees and stuck my butt up in the air. . . I unzipped my pants and pulled my jeans down. I’d never been undressed in front of a boy before.” 
  • Natalie looks at herself in the mirror and is unhappy with what she sees. “I wished that I had bigger boobs. . . I turned sideways and stared at the dimpled skin on my upper thigh.” Natalie wondered, “Is this the kind of stuff Connor would see if I let him look at me naked?” 
  • Spencer uses the gesture of wiggling a pinky to make fun of Mike. She says, “I invented a hand gesture to make fun of Mike Domski. It means teeny peeny, and it’s caught on like wildfire.” 
  • Spencer asks if Natalie’s guy is “all good down there” to which Natalie replies that she’s a virgin. Spencer says, “Like a total sex virgin? Or a straight-up intercourse virgin? Because I haven’t had complete sex with anyone before, either, though I’ve done lots of other stuff.”
  • Natalie and Connor have sex. “I lifted up my T-shirt and shimmied out of my pants. I unhooked my bra and slid down my underwear. . . I took Connor’s clothes off too. . . I rolled on top of him and let gravity press us together. Lips, chest, abdomen, thighs. I wasn’t planning to have sex with him. Only now it was all I wanted. . . The entire world fell away until it was just me and Connor. Finally.”
  • A naked picture of Spencer starts to circulate at school. Connor shows Natalie the picture. “Nothing could have prepared me for seeing Spencer like this on the tiny pixelated screen. Her curls, her puckered lips, her bare breasts cast forward toward the cameraman.”
  • Connor gets mad at Natalie for defending Spencer. Natalie says, “Mike takes naked photos of a fourteen-year-old girl and spreads them to the whole school, and I’m the one who did something wrong? . . . I wish that Spencer had kept her freaking boobs covered up… I also wish that the whole school didn’t think I’m a slut.”

Violence  

  • When Mike Domski calls Autumn “Fish Sticks” in the cafeteria, Natalie “reached for the closest object and hurled it at Mike. That turned out to be a slice of my pizza, and it hit him square in the chest.” 
  • Spencer says she wants to cut Autumn’s ex-boyfriend’s balls off because he started the “Fish Sticks” rumor.

Drugs and Alcohol 

  • Natalie says there is a “smoker’s tree” at her school.
  • Autumn takes Natalie to a party where there are guys smoking and drinking. “We came upon a big boulder. . . A bunch of guys sat on it, drinking beers and blowing smoke into the night sky.”
  • Natalie says that girls avoid the bathroom by the teacher’s lounge, so they don’t get caught smoking cigarettes. 
  • At the Halloween dance, Natalie smells beer on Connor’s breath.

Language   

  • Curse words like ass, shit, bitch, and damn are used occasionally.
  • Occasionally, the teens call each other names such as asshole, bitch, boners, sluts, and nympho.
  • Spencer says, “Mrs. Dockey was just bitching about Principal Hurley not approving her costume budget for the school musical. She actually said that she ‘can’t put on the Wizard of Oz with fucking bedsheets and a burlap sack.’”
  • A football player calls Connor a “lucky bastard” for getting Spencer’s attention.
  • Spencer says that she’s “not looking to shack up with some pervert.”
  • When Natalie tries to host a girls-only event, Mike wants to sign up. He says, “This girl’s night is more of a vaginathon. No dick allowed.” Spencer steps up and says, “That’s right, Mike. No dicks, no dickheads, no cocks, no penises, no wieners, no weewees, no boners, no dongs, no dill weeds, no scrotums allowed. Which, I think, are all adjectives used to describe you.” Mike gives Spencer the middle finger and leaves. 
  • Natalie and Autumn look at Halloween costumes, which Natalie finds too revealing. She says that she’s not going to be “slutting it up” on Halloween. At the Halloween dance, Natalie calls Spencer a “stripper” and calls another girl “Slutty Sherlock Holmes.”
  • Natalie calls Connor “as big of a dick as Mike Domski.” 
  • “Oh God” or “My God” are both used occasionally. 

Supernatural 

  • None

Spiritual Content 

  • Natalie thinks about a biblical story when things feel awkward between her and Connor. “I thought about Adam and Eve. How they’d been so happy, playing naked in the garden. And then in one moment, it all turned to shame.”

The Lost Treasure of Tuckernuck

Using a unique blend of notes, lists, and classic prose, The Lost Treasure of Tuckernuck tells the story of Bud and Laurie’s quest to find the infamous Tutweiler Treasure. They’re hot (or at least lukewarm) on the trail of scavenger hunt clues, but time is running out as the school board wants to tear down Tuckernuck Hall. Can Bud and Laurie find the treasure before it’s lost forever?

When Bud and Laurie are given gerbil duty at their school, the two accidentally discover the first clue to the Tutweiler Treasure. While the story definitely has some laugh-out-loud funny moments, those are largely overshadowed by subplots that don’t add much to the story. These subplots slow down the action and make it hard to stay engaged in the mystery. For example, the two must avoid an English teacher that wants Laurie to start a poetry club, and, in an effort to find a clue, Bud ends up with a part in the school play. 

Bud and Laurie have relatable conflicts with their parents, their classmates, and each other. While looking for the treasure, Bud (the school outcast) and Laurie (who only has one friend) bond over the clues and the gerbils. The gerbils add an interesting twist to the story that will cause readers to laugh. As the two look for the treasure, Bud and Laurie’s relationship changes from unwilling partners to friends, which adds some heart to the story. However, the two characters are not well-developed which makes them easy to forget. 

The Lost Treasure of Tuckernuck creates a humorous mystery that lacks suspense. The large cast of characters and the many subplots slow the story’s action, which may make it difficult to stay engaged. Because of the nature of the Tuckernuck Treasure, the story contains no violence and instead creates suspense through Bud’s and Laurie’s teachers, classmates, and family. However, readers who are looking for an action-packed mystery should leave The Lost Treasure of Tuckernuck on the shelf. Readers who love the thrill of finding treasure can instead find action and adventure in Addison Cooke and the Treasure of the Incas by Jonathan W. Stokes and Notorious by Gordon Korman.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • Crap is used once.
  • Heck is used frequently.
  • Laurie thinks Bud is a “butt-kisser.”
  • There is some name-calling such as lame, moron, and nitwit. 
  • Laurie thinks that one of the teachers is a “bearded English freak.”
  • Laurie says, “I’m such a dork.”
  • Laurie’s friend calls herself a “goober.”
  • “Holy cow” is used as an exclamation twice; “Omigod” is used as an exclamation once.
  • Laurie writes a list of reasons Bud is an idiot. When he says he wants to say the speech at eighth-grade graduation, Laurie thinks, “Eighth-grade graduation, my butt.”
  • One of Laurie’s lists is titled “Boneheaded Statement of the Day by Bud Wallace.”

Supernatural

  • None

Spiritual Content 

  • None

Deep Down Popular

Jessie Lou Ferguson has loved Conrad Parker Smith since the second grade. Conrad is the most popular boy in school and the star of the soccer team. Jessie Lou, on the other hand, is described by her mother as a “tomboy,” and is an outsider with few friends. She doesn’t like dressing up. She cuts her own hair choppy and short. And she is very smart and loves to write poetry.  

Now, Jessie Lou and Conrad are in sixth grade at Cabanash County Elementary, and things have changed. Conrad is no longer the popular boy he once was. Conrad has developed a limp and wears a leg brace, hindering his performances in soccer, at school dances, and during field trips. When Jessie Lou is asked to help Conrad, they begin to spend more time together. But Jessie Lou is worried that if Conrad’s leg gets better, he’ll no longer want to be her friend. 

Deep Down Popular is a fun and light story that addresses issues such as friendship, self-image, and internal beauty. In the end, Jessie Lou finds the most meaningful friendships in the people she least expected—Conrad and a fourth grader named Quentin. The more they hang out with each other, the closer they become. By the end of the story, Jessie Lou tells Quentin that she, Conrad, and Quentin are “deep down friends, and as far as I’m concerned that’s about better than anything.” 

Additionally, as Jessie Lou’s sister, Melinda, prepares for the Junior Teen Beauty Pageant at the Apple Blossom State Fair, the two become closer. Jessie Lou had always been jealous of her beautiful, perfect older sister. Melinda has luscious long hair while Jessie Lou’s looks like it is buzzed. Melinda is doted on by their grandpa and mother all the time. Towards the end of the book, Jessie Lou and Melinda become closer as they bond through their sadness. Melinda is disappointed that she didn’t win the pageant and Jessie Lou thinks Conrad won’t be her friend anymore after his leg is fixed. They cry together and reassure one another, bringing them closer together.  

Jessie Lou struggles with self-image throughout the story. She compares herself to Melinda a lot and feels like a “stupid ugly old beanpole” next to her. On her self-portrait, she writes that she thinks she’s stupid, ugly, and skinny. Eventually, Jessie Lou realizes that she is her own special person and that internal beauty matters more. On her self-portrait, she writes the word “happy,” and realizes that being happy matters more. Her supportive family helps Jessie Lou realize, “I don’t know how I look on the outside, but I’d like to say that I feel pretty on the inside, and Granddaddy always told me that’s all that really matters.” Deep Down Popular is a sweet story because Jessie Lou’s relationships progress and she grows as a person.  

Stone writes mostly from Jessie’s first-person perspective, allowing readers to have a better sense of how Jessie Lou thinks. Naturally, readers end up rooting for Jessie Lou and hoping that she begins to think positively about herself. Deep Down Popular talks about the meanderings of a small town, and the events are believable. However, it is difficult to tell what is going on sometimes because of how much is happening. While the plot isn’t always entertaining, the characters are enjoyable. The kids and the shenanigans they got into are fun to read about. They are snappy, sarcastic, and silly little kids who are having fun while growing up. 

Sexual Content  

  • In second grade, Jessie Lou was so in love with Conrad Parker Smith that “when he’d go running by, I’d jump out and pull him down and give him a great big kiss on his cheek. He didn’t seem to really mind, but he never kissed me back.” 
  • Quentin, Conrad, and Jessie Lou watch an airplane flying while lying in the grass, “and then they roll over toward me and Conrad kisses my cheek and Quentin kisses my forehead.” 

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language    

  • The word bimbos is used once. 
  • Heck is used four times. 
  • While talking about people’s names, Jessie Lou says you can tell who has hippie parents. She says, “I think I’d feel half stupid to have a name like Moon n’ Stars.” 
  • When Jessie Lou is left alone, she predicts how the rest of the night will go. She predicts she will go to her room and “write me a poem about feeling like a stupid old ugly beanpole, about never being able to be perfect and pretty like my snooty older sister, Melinda.” 
  • Jessie Lou’s teacher assigns a self-portrait where the students draw themselves and write words to describe themselves. When looking at Quentin Duster’s self-portrait, Jessie Lou comments, “I think I would have written on his, PIP-SQUEAKY, BOSSY, TOO BIG FOR HIS BRITCHES.” Around Jessie Lou’s own, she writes “STUPID. UGLY. SKINNY.” 
  • While talking about Tiny Bailey, a supposed fifth-year senior, Quentin says he sleeps a lot because of his size, to which Jessie Lou asks him, “is there anything you don’t have a lamebrain answer for?” 
  • Quentin asks Jessie Lou if she likes Conrad. When she denies it, he says, “Good. Don’t gross me out by liking that idiot.” 
  • Quentin gets a new snorkel set. Jessie Lou says he looks “like an idiot space alien” when running around in the yard with it. 
  • Conrad goes on TV. Jessie Lou says Conrad is still “plain old, stupid Conrad,” and that it won’t change just because he went on TV. 

Supernatural  

  • None 

Spiritual Content  

  • While talking about Pizza Day at school, Jessie Lou says the pizza is so good that “you could just flap your way to heaven.” 

The Second Story

Growing up in an orphanage, Leila was bullied for being different. The other orphans would make fun of her whenever they could, sometimes going so far as to lock her in a closet and get her in trouble. Then Dante Vernon, a renowned magician, adopted her and Leila turned her hardship into a skill. With time, Leila becomes an escape artist, a valuable trait in a group of magical best friends.  

But when one of Dante’s old friends, the famous psychic Sandra Santos, comes to town, Leila and her friends can’t keep away from the mysterious incidents that came upon the psychic’s arrival. Leila especially can’t resist the offer to perform in one of the psychic’s shows, especially because the psychic could provide answers on why Leila was left at an orphanage, who placed her there, and the key they left with her. But trouble disrupts the peace in Mineral Waters. From chasing angry monkeys to banishing ghosts from a hotel, the Magical Misfits do their best to protect the town and to figure out the enigma behind the latest acts of mischief.    

Leila takes center stage in this installment of the Magical Misfits! A limited third-person perspective allows the reader to learn about Leila’s backstory and her struggle to be more open with her friends. Readers will empathize with Leila’s desire to tell her friends about herself and the possible rejection that might follow. This causes Leila to keep secrets and hide her negative emotions behind a smile. 

Leila assumes that her new friends wouldn’t want her around if they knew about her days as an orphan, so she doesn’t confide in her friends about the mystery behind her key. But the group’s friendship deepens because of their collective interest in the magical arts. When Leila finds the courage to tell the group about herself, Ridley, one of Leila’s friends, says, “We know exactly who you are, Leila. And we love all your various parts . . . even the ones you think you keep secret.” This interaction carries an important lesson: friends stick by their friend’s side and accept them for who they are. Because Leila’s friends accept her, she learns to open up to her friends instead of keeping her feelings locked away. 

Occasionally, an omniscient, unnamed narrator chimes in with a summary of the story’s events, which blends seamlessly with the overall narration. As a bonus, black and white pictures are scattered throughout the novel and help readers visualize the setting and the action scenes. 

In order to fully engage the readers, how-to magic tricks are sprinkled throughout the story. These sections contain instructions for performing the magic tricks, along with illustrations to reference. Tricks such as changing a card by shaking it and making a coin vanish out of a glass are easy to do, but adults are encouraged to help their little ones with these activities. Ciphers and Morse code add even more to the book’s visual flare and create opportunities for further involvement. 

The Second Story is a dynamic, dazzling novel that gets its energy from the tension of performers trying to up-stage one another at every opportunity. Combined with excellent narration and evocative descriptions, the striking visuals of various styles complement an eye-catching story. Readers will enjoy reading about the friendship between Leila and her friends, and watching how the characters solve the mystery behind Sandra Santos. If you are looking for stories about magic, friendship, and secrets, then give Magic Misfits: The Second Story a read! 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language    

  • Carter says “crud” when he failed to catch the monkey that had been skulking around the magic shop. 
  • Ridley calls a parrot a “nut-so.”  

Supernatural  

  • Many of the characters use tricks related to illusions or trickery, such as Leila’s escape artist tricks or Dante Vernon’s sleight-of hand. These tricks are in no way similar to supernatural magic.  

Spiritual Content  

  • None 

by Jemima Cooke 

The Astonishing Color of After

After her mother died of suicide, Leigh Chen Sanders is only sure of one thing—when her mother died, she turned into a large, beautiful, red bird.

Days after her mother dies, Leigh feels “colorless, translucent . . . [like] a jellyfish caught up in a tide, forced to go wherever the ocean willed.” She begins sleeping on the downstairs sofa, farthest away from where her mother died. The night before the funeral, Leigh hears a “sharp rap on the front door.” She is greeted by a “red-crowned crane . . . with a long feathery tail” where “every feather [is] a different shade of red, sharp and gleaming.” “Leigh,” the bird cries out, in the voice of her mother. Suddenly, the bird flies away and all Leigh is left with is “a single scarlet feather.”

Leigh tries to explain to her father what she has seen, but he is dismissive of her. After the bird delivers a package and note from Leigh’s maternal grandparents, asking Leigh to visit them in Taiwan, he still doesn’t fully believe her. Eventually, after Leigh’s father is visited by a strange wind and even stranger red feathers, he finally books himself and Leigh two plane tickets to Taiwan.

In Taiwan, Leigh meets her maternal grandparents for the first time. It’s awkward because even though she is half Taiwanese, Leigh does not speak Mandarin Chinese and knows very little about her grandparents. To make matters worse, after an argument with Leigh’s grandparents, her father decides to leave for Hong Kong, leaving Leigh alone with them.

But Leigh decides to take advantage of being in Taiwan. She is determined to find her mother—as the bird—and search for answers about her mother’s death. She asks her grandmother and her grandmother’s friend, Feng, to take her to every place her mother loved, in the hopes of finding traces of her mother and of the bird. On Leigh’s journey, she finds a box of incense. Every time Leigh lights one of the sticks of incense, she is brought through space and time into memories of the past—some are her own memories, but others are her mother’s and grandmother’s memories. As Leigh enters each memory, she learns more about her family history and their secrets, including memories about an aunt that Leigh never knew she had, and memories about her mother’s illness and the pain she went through. Through her search for her mother, Leigh connects with her grandparents and eventually finds comfort in their support and love.

As she grieves, Leigh also comes to terms with her mother’s suicide. While her mother was taking her own life, Leigh was kissing her long-time best friend, Axel. In a way, she not only feels responsible for her mother’s death but also for ruining her friendship with Axel. As Leigh travels through time and memory, she also traces her friendship with Axel, wondering where they went wrong and why their friendship was “crumbling.”

The Astonishing Color of After is a story about loss and grief, but also about love and growing up. In the end, Leigh never truly catches her mother, the bird. Yet as Leigh is grieving, she learns to remember her mother during both her illness and during the happy moments. Leigh realizes that catching the bird will not fix the pain she feels. She learns to accept that, when grieving, it will hurt for a long time.

Since The Astonishing Color of After deals with difficult topics of suicide, depression, and mental health, it is better suited for a high school audience. Leigh explains, “[My mother’s] illness was something I’d been afraid to look at head-on . . . There was also the fiery, lit-up version of my mother. How could a person like her be depressed?” Leigh discusses the stereotypical image she had of a depressed person, that made her “think of this group of kids at school who wore all black and thick eyeliner and listened to angry music and never showed their teeth.” Leigh comes to understand that depression is a disease, and her mother’s illness did not have a singular cause, that no one is to blame for her suicide. Leigh learns, “We can’t change anything about the past. We can only remember. We can only move forward.”

Overall, The Astonishing Color of After is a fantastic book. Though it deals with serious issues, it also works to break down barriers surrounding mental health. Leigh is a great leading character who is a flawed, complex person, who struggles to understand the world around her. But she is also incredibly strong and brave as she works through grief and tragedy. She shows readers that even in one’s darkest times there is hope, not necessarily for things to return to normal, but to move forward. With beautiful prose, terrific characters, and great use of magical realism, The Astonishing Color of After is a must-read.

Sexual Content 

  • Axel, Leigh’s long-time crush and best friend, kisses her. “Instead of bursting into sparks, my body froze.” Then, “Axel’s hands stretched around my back and unlocked me. I was melting, he had released my windup key, and I was kissing back hard, and our lips were everywhere and my body was fluorescent orange – no, royal purple – no. My body was every color in the world, alight.”
  • Caro, Leigh’s good friend, complains to Leigh about her family’s snowboarding trip. Caro exclaims “My grandparents were killing me . . . half the time they sat in the lodge making out.”
  • Leigh and Axel join Caro and her girlfriend Cheslin at a photo shoot. “At one point, Cheslin began to shed her clothes. Off came the shorts, the tank. She unhooked her bra–.” While Axel and Leigh are slightly bothered by her actions, Cheslin shrugs saying, “It is, after all, just a body.” Eventually, Axel and Leigh walk away from the photo shoot. They comment on Caro and Cheslin’s intimacy, saying “It was almost like we were watching them have sex or something.”
  • After almost seeing Axel naked, Leigh is flustered. Thinking about that specific memory, Leigh explains, “My right hand ended up down between my legs and I wondered about sex. I thought of all the skin you saw in R-rated movies and the way bare limbs just slid together like they were made to be entwined. I thought of Axel, imagined us sitting on his couch and taking off our clothes.”
  • During a school dance, Leigh is talking to a senior. He asked her if she had “ever been kissed” and she replied no. He then leans in and Leigh thinks, “I knew what was coming. His face loomed close, his lips first finding the edges of mine before sliding in toward the center. He was eager with his tongue, and he didn’t taste great.” When he leaned in again, Leigh “moved aside before he could make contact,” and walked quickly away.
  • When Leigh asks Caro how her relationship is going, Caro confides in her that she and Cheslin have “decided [they’re] ready to . . . y’know. Go all the way.”
  • After Axel and Leigh discuss their feelings for each other, Leigh does “possibly the bravest thing I’ve ever done: I close the space between us and kiss him hard. He’s surprised for only a fraction of a second. Then my hands are at his face, peeling his glasses up over his head and tossing them on my nightstand. My body, drawing him down onto the bed. His lips, between my teeth. Our legs, sliding against each other.”

Violence 

  • The premise of this book surrounds the topic of suicide, as Leigh’s mother kills herself. The act is not described in great detail, as Leigh “never saw the body up close.” She explains, “All I could see were my mother’s legs on the floor” and a large pool of blood.
  • Suicidal thoughts are briefly mentioned. In a memory, Leigh sees her mother “rising from her bed in the middle of the night. She walks quietly, slowly avoiding the creaks in the floor. Down in the garage, she slides into the sedan and sits in the driver’s seat, car keys biting into her palm. She’s thinking. Debating. If she turns on the car. If she doesn’t open the garage door. If no one in the house wakes, and she falls asleep at the wheel. The vehicle doesn’t even have to move. She could sleep forever.”

Drugs and Alcohol 

  • Before she dies, Leigh’s mother takes “a bottle of sleeping pills.”
  • When searching for a note left by her mom, Leigh and her father find “a pile of capsules. . .  Mom’s antidepressants” in the garbage; they hadn’t been taken in weeks.
  • Leigh’s mom was taking medicine for her depression and Leigh often sees her mom with a yellow pill bottle next to her. At one point, Leigh’s dad explains her mom has “tried so many medications. They work well for a lot of people, but they haven’t really worked on her.”
  • In a memory, Leigh sees her mother “in the basement, holding a bottle of OxyContin and a jug of bleach. She heard once that it takes ten seconds for something swallowed to reach the stomach.” Before Leigh can see more, the memory moves on. 
  • During a school dance, Leigh goes outside for air and sees a senior. He reached into his jacket pocket and pulled out a steel flask, “unscrewed the top and took a swig.” He offers some to Leigh, but she declines. 

Language   

  • Profanity is used sparingly. Profanity includes goddamn, shit, and bullshit.

Supernatural 

  • One visit, the bird delivers a box, saying “The box is from your grandparents . . . bring it with you.” The box contains “yellowed letters, neat in a bundle. A stack of worn photographs, most of them black-and-white . . . [and] an intricately carved [jade] cicada” necklace, the necklace Leigh’s “mother wore every single day of her life.” Later, Leigh finds out her “grandparents put this package together [and] they burned it. . . They burned it so that your mother could have these with her on her next journey.”
  • One night “some strange, unexplainable compulsion makes” Leigh “roll out of bed and walk over to the dresser.” She finds “a curved Winsor red feather. And a slim, rectangular box [she’s] never seen.” Inside are “long sticks smelling of smoke and wreckage and used-up matches . . . incense.” Holding them, Leigh explains, “It’s strangely hot, like it’s been warming in the sun. And then: the whispering. The tiniest, most hushed of voices. It’s coming from the incense.” When lit, “the smoke that rises is inky black, drawing lines through the air . . . The smoke fills the room, until there’s only black.” By lighting each incense stick, Leigh is brought back in time, visiting memories. 
  • One night, as Leigh tries to fall asleep, she begins to see odd things. Leigh explains, “It happens in a flash, in a blink: My eyes close, and when they open again, the room is bright as day, the ceiling so white it’s glowing—except for the inky cracks branching off in all different directions about me. . . The in-between lines so thin, so black – like there’s nothing beyond that layer of ceiling but a gravity-defying abyss.” In the subsequent days, Leigh notices that the cracks on her ceiling are “widening, spreading farther. They’ve stretched across the entire surface and begun fissuring down the walls. An entire corner’s missing, like someone just took out a chunk of it. There’s nothing to be seen there, only oblivion made of the blackest black.” 
  • As Leigh wonders if her mother is a bird, something happens. “It’s as if my thoughts summon some kind of magic. The colors of my room begin to deepen their hues, like flowers blossoming. Crimson in the corners. Cerulean along the southern crack. Indigo by the window. Bioluminescent green tracing the creases of the wall closest to the bed. The things that are already black somehow take on a truer shade, pitch dark and empty.”
  • At a restaurant with her grandmother, Leigh finds a note stuck to the bottom of a dish, it has a few lines of an Emily Dickinson poem on it. Fred, who is helping Leigh, explains “This came from a ghost.” He sends the note back by burning it. Fred tells Leigh that this poem was burned for the wedding. Leigh questions him asking “what wedding?” Fred replies, “When I married the ghost of Chen Jingling. ” Chen Jingling is Leigh’s aunt. Fred married her aunt because Leigh’s grandparents were “grieving. So they could have peaceful hearts if they know their daughter has a husband.” He continues, “It’s like a normal wedding, but they made, like, a doll for her. Using bamboo and paper. She wears real clothing and jewelry. And afterward, everything was burned. We send it all to the spirit world.” Leigh asks Fred if he’s ever seen her ghost or spirit. Fred responds, “I see and hear and feel enough to know she is there.”
  • Fred explains that in Jilong, during Ghost Month, the Ghost Festival “is so big it brings the attention of many ghosts. And because of higher concentration of ghosts, they are more noticeable to the living . . . When ghosts come up here, they become more visible.” 
  • When Feng and Leigh are in a park, they see a young child and her mother. “The girl says she sees their grandfather. Her mother’s saying that’s impossible. . . Children know the truth . . . they hadn’t learned to walk around with a veil over their eyes. That’s a habit that comes with adulthood. Kids always know what they see. That’s why ghosts can’t hide from them.”
  • On the forty-eighth day after her mother dies, Leigh awakens to a weird smell. As she steps into the hall, the “scent gathers . . . [reeling her] in, down the hallway and toward the bathroom . . .”  As she opens the shower curtain, Leigh sees “in the bottom of the tub is a thick layer of feathers, dark and drenched, sticky and shining red.” Leigh calls her grandmother, but her grandmother does not see what Leigh is seeing. 
  • After the final memory Leigh sees, she “land[s] on the moon. Not the whole moon, but just a patch of it.” She is greeted by her mother, the bird. Her mother tells Leigh, “Goodbye.” Then, the “bird rises higher and higher. She turns and arcs. [Leigh] watch[es] as she burst[s] into flames . . . She burns like a star.”
  • Weird things happen to Leigh’s phone. For example, it begins to play music randomly – music Axel made for her. Leigh has been getting emails from Axel, he later explains while he wrote them, he “didn’t send those emails,” but instead kept them in his drafts. But magically they were sent to Leigh, and in their place in his draft inbox is a picture of a bird’s shadow. 
  • Towards the end of the novel, Leigh finds out the true identity of Feng. She was not Leigh’s grandmother’s friend. In fact, no one even remembers Feng’s existence. Feng is revealed to be the ghost of Jingling, Leigh’s aunt. She was there as Leigh’s guide “during the most difficult times,” after Leigh’s mother’s passing.

Spiritual Content 

  • In Taiwan, Leigh, her grandmother, and Feng visit Leigh’s mother’s favorite Taoist temple. Her grandmother explains to Leigh that her mother “would come here when she needed guidance when she was looking for an answer.” In “the heart of the temple, people bow before a crowned statue with a face of black stone, and dressed in imperial reds and gold.” 
  • In the temple, a young man is tossing things into the air. “In Taiwanese they’re called bwabwei. He’s asking his god a question. If one lands faceup and the other lands facedown, the answer is yes. If both land facedown, it means the god doesn’t like what he’s asking. If both land faceup, it means the god is laughing at him.”
  • Leigh, her grandmother, and Feng also visit a Buddhist temple, where Leigh’s mother spent most of her time and “where her spirit is.” There are hundreds of wooden plaques “painted in the color of marigolds. . . [The] yellow tablets bear the names of the dead,” including Leigh’s mother. There is a ceremony and “after a person’s death, they have forty-nine days to process their karma and let go of the things that make them feel tied to this life—things like people and promises and memories.” 

Just Dance

Put on your dancing shoes! Believe it or not, there’s a fairy named Maryrose LIVING in my house. And she’s sending me and my brother, Jonah, through the magic mirror and into the story of The Twelve Dancing Princesses. There, we meet the twelve sisters who sneak out every night to go dancing. But Jonah and I have our own mission. It’s up to us to find the enchanted object that will give Maryrose her fairy powers back.

So now we need to:

-Get our hands on an invisibility cloak

-Follow the twelve princesses to their secret hideout.

-Learn some VERY complicated dance steps.

-Avoid being thrown in the dungeon.

We better wiggle our way out of this magical mess or we’ll never help our fairy friend in time!

Whether you’ve read all the Whatever After books or none, Just Dance will entertain young readers with a fun new version of The Twelve Dancing Princesses. In this version, the prince who is trying to discover the princesses’ secrets is silly and slightly unintelligent. Yet, this doesn’t stop one of the princesses from crushing on the cute prince. In order to have a happy ever after, Abby and Jonah step in. 

When Abby and Jonah get to know the princesses, they realize that each girl has their own hopes and dreams. For example, Ellie loves chess and wants to go to a chess competition, but the twelve princesses have a dance recital at the same time. After taking Abbi’s advice, Ellie decides “that I have to put myself out there. Take risks. Because that’s how I achieve what I want. It’s about having fun and following my heart.” 

Even though Abby is scared to dance, she is determined to help Ellie. So, Abby learns Ellie’s dance steps and takes Ellie’s place on the stage. Through this, Abby realizes that you shouldn’t let your fear keep you from doing things such as dancing. Instead, “you’ve got to aim and hope for things to go right.” 

Just Dance has some silly moments and the conclusion is a bit ridiculous, but the enjoyable story will leave readers with a smile. The fairy tale retelling uses core facts from the original but reimagines them. In the retelling, the princesses, the prince, and the king are given distinct personalities which allow readers to connect with the story. Plus, the fairy tale ties into Abby’s and Jonah’s personal lives, which makes the story’s lesson more memorable. Readers who want to step into a fairy tale with more complexity can find a land of magic by reading The Land of Stories Series by Chris Colfer or the Fairy Tale Reform School Series by Jen Calonita.

Sexual Content 

  • None

Violence 

  • The prince has three days to discover the princess’s secret, or “it’s off with this guy’s head if he fails!”

Drugs and Alcohol 

  • In order to keep their activities secret, one of the twelve dancing princesses puts a sleeping potion in the prince’s wine. The other nights, they put the sleeping potion in something else so the prince won’t catch on to what they are doing.

Language   

  • Abby uses “crumbs” as an exclamation. 
  • OMG is used as an exclamation once.
  • When a soldier begins stealing from the castle, one of the princesses calls the soldier a jerk.

Supernatural

  • The fairy, Maryrose, sends Abby and Jonah into the fairy tale world through a mirror. Abby explains that when it’s time, “I knock three times on the mirror at midnight, the glass starts hissing and then turns purple and my brother and I can jump through the mirror, right into a fairy tale.”
  • A fairy gives Abby and Jonah an invisibility cloak. Later, the fairy gives a soldier an invisibility cloak, but when Abby and the soldier are both under their cloaks, they can see each other.
  • Maryrose is able to get out of the mirror, but she keeps getting weaker. When Abby and Jonah bring a ruby back from a fairy tale, the fairy “puts her hand on the ruby. It sparkles and shines. And then Maryrose sparkles and shines. And then shines brighter. And brighter.” Touching the ruby makes Maryrose “feel so much better. . . But the more I touch the ruby, the stronger I’ll get.”

Spiritual Content 

  • None

Haze

Bram’s friend Jeremy wants to go public with information about a hazing-related student death. The morning after he tells Bram this, he’s injured in a hit-and-run accident. Now Jeremy is in a coma, and Bram is trying to follow the trail that he left. The trouble is that Abby, Jeremy’s sister, is convinced that Bram’s swimming coach is to blame. Bram knows Coach is innocent, but can he prove it? And what will happen if he’s wrong?

Told from Bram’s point of view, Haze is a well-rounded swim story that highlights the dangers of hazing. Bram, who is trying out for the swim team, has always looked up to Jeremy. When Jeremy warns Bram to stay away from the swim team’s initiation party, Bram wants to understand Jeremy’s strange warning. But before the two can meet, Jeremy falls victim to a hit-and-run resulting in a coma. As Bram begins to investigate, he finds that the swim team is known for dangerous hazing, excessive drinking, and other inappropriate behavior. 

Bram’s story will captivate readers from the start because Bram’s desire to fit in is very relatable. In addition, the story quickly increases the danger and suspense. As Bram tries to piece together the clues surrounding Jeremy’s accident, he discovers that no one can be trusted—not the coach or the members of the swim team. The realistic mystery will keep readers guessing until the very end. 

As part of the Orca Sports collection, Haze is a fast-paced story that uses easy-to-read language that will appeal to reluctant readers. The high interest topic and the well-written story will entertain most teens. Plus, Bram’s story reminds readers of the dangers of excessive drinking and shows how hazing can quickly become dangerous. While the story revolves around the swim team, the mystery, and suspense will captivate non-athletic readers as well. If you’re part of a swim team and want more swim-related stories, these books are sure to make a splash: Whale Talk by Chris Crutcher and Breath Like Water by Anna Jarzab.

Sexual Content 

  • Bram and his ex-girlfriend, Abby, are at a party. She tells him that they should go into a room. Teasingly, Abby says, “Relax. I’ll leave your virtue intact. It is still intact, isn’t it?”
  • To get into her brother’s computer, Abby takes it to another student who says, “I warn you. If he has protected files, there’s a ninety-five percent chance they’re porn.” 

Violence 

  • The swim team is known for hazing new teammates. The new teammates are called “pond scum” and forced to wear diapers while swimming. Another time, they had to walk across campus in their Speedos. 
  • Jeremy is hit by a car. Later, it is revealed that the driver was trying to kill Jeremy. Jeremy is in a coma for several days before he wakes up. 
  • Someone locks Bram in the sauna. In order to escape, Bram slams his body “against the door. My left cheekbone smashed the window frame, and my arm hung through the broken window. . . Deep cuts burned along my arm. Blood welled up, then started to pour from a gouge along the inside of my forearm.” Coach finds Bram and takes him to the hospital. 
  • In order to silence Bram, two of the swim team members and an adult put Bram in the trunk of a car. The adult “had a handgun pointed” at Bram.
  • Bram is taken to a boat and a swim team member, Steven, “grabbed my arm and yanked. I fell into the boat face-first, landing half on the floor and half on the rear-facing seats.” Bram is hidden in the boat’s crawl space and, later, Abby is thrown in with Bram. As the boat goes out to sea, Bram and Abby are able to jump into the ocean and swim to shore. Both are hospitalized but recover. 

Drugs and Alcohol 

  • Three years ago, after a swim team party, one of the boys “choked on his own vomit and died.”
  • Bram goes to an off-campus party. When he walks inside, the air is “ripe with beer.” Bram finds a group of swimmers taking shots.
  • Bram finds a picture of a swim party where the coach was “holding up some kind of a large funnel. Marcus was drinking out of it while Coach poured beer in the top. . . And later that night, Marcus died of alcohol poisoning.” 

Language   

  • The new members of the swim team are referred to as “pond scum.”
  • Pissed is used infrequently. 
  • Damn and hell are both used a few times. 
  • Bastard is used twice. For example, while talking about Jeremy’s accident, the coach says, “If I ever get my hands on the bastard who did this. . .”
  • The coach uses Jesus as an exclamation once.

Supernatural

  • None

Spiritual Content 

  • None

The Tryout

When cheerleading tryouts are announced, Christina and her best friend, Megan, literally jump at the chance to join the squad. As two of the only kids of color in the school, they have always yearned to fit in—and the middle school cheerleaders are popular and accepted by everyone. But will the girls survive the terrifying tryouts with their whole grade watching? And will their friendship withstand the pressures of competition?

Middle school readers will relate to Christina, who must navigate the strange world of junior high. However, Christina also faces the added obstacle of racism, especially at the hands of one mean boy who makes snarky comments and calls her “rice girl.” Since Christina is the only Thai girl living in her predominately white town, no one seems to understand her feelings except for Megan, her best friend, who is also seen as different because her father is from Iran. Christina and Megan often feel like outsiders because everyone sees them as “too different, too much on the outside.” 

The Tryout gives readers an inside perspective into Christina’s struggles as well as her Thai culture. Even though Christina often gets upset at being viewed as an outsider, she clearly loves her culture, her family, and her best friend. However, Christina isn’t a perfect protagonist; instead, she says mean things that she later regrets, she worries about losing Megan as a friend, and she wants to fit in and be popular. The Tryout gives an honest look into the author’s middle school experiences and shows the importance of trying new things, even if they might be scary. 

The graphic novel’s illustrations bring Christina’s world into focus and the characters’ facial expressions will help readers understand their varying emotions. Christina’s thoughts appear in cloudlike quote bubbles, which make it easy to distinguish her thoughts from dialogue. Christina’s active imagination takes life since her musings are illustrated like a video game. With three to six sentences per page, The Tryout is accessible to most readers.

The Tryout is an entertaining graphic novel that shows the conflicting emotions of middle school students. Even though Christina and Megan do not make the cheerleading squad, Christina has a positive attitude about the tryout experience. Christina thinks, “Maybe Megan was right about life not giving you something just because you wanted it really badly. But sometimes . . . you got something better.” Not making the cheerleading squad allows Christina to find another extracurricular activity that she loves. 

Since many middle schoolers struggle with self-doubt and the desire to fit in, The Tryout will appeal to a wide range of readers. Plus, the story shows how friendships change, grow, and often stay with you into adulthood. Readers will enjoy seeing the pictures of the author in middle school that appear at the back of the book. Middle school readers can also learn more about dealing with obstacles in the graphic novel, New Kid by Jerry Craft, where the protagonist changes schools and wonders how he can fit in at the new school while still being true to himself.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • A boy at school calls Christina “rice girl” and “China girl.” He also says, “Why don’t you go back to where you came from?” 
  • A boy tells Christina, “Don’t be such a psycho.”  
  • Christina calls a mean boy a “dumbface jock idiot.” 
  • When some kids at school make fun of a girl’s clothes, Christina says, “Yea, Deanna did you get that out of the trash?”
  • When Christina tells Megan about a mean boy, Megan says, “He’s like a walking turd log.” 
  • A boy from school says that Megan’s dad is a “Muslim terrorist” because he’s from Iran. 

Supernatural

  • None

Spiritual Content 

  • Christina goes to the Thai temple where “the Buddha teaches us how to act and think wisely. . . how to handle sorrow. . . and how to live a good life while we are here, so you can think about those things.”
  • Christina and her mom go to the Presbyterian church when they cannot go to the temple. Christina thinks, “Buddhism and Christianity were different in many ways, but I always thought the teachings of Jesus Christ and Buddha had a lot in common. In my mind, I pictured them as good friends.” 
  • A girl at school is upset when she finds out Christina hasn’t been baptized, because she believed “if you’re not baptized, you can’t be saved, and you won’t go to heaven.” Another girl jumps into the conversation and says that Christina won’t go to “you-know-where” because “God cares what’s in your heart, that’s all.” 
  • Before cheerleading tryouts, the coach prays: “Please be with each of our girls today. They have worked hard for this moment, and they’re all good girls. Please keep them safe from injury and give them the strength to do what they need to do.”

Centerville

Basketball-crazy Jake Burnett is thrilled to be leaving home to attend prestigious Centerville Prep. It’s an opportunity to pursue his hoop dreams at the highest level. But things aren’t quite as advertised at his new school, and Jake soon finds himself struggling both on and off the court. At first, Jake is determined to play harder and ignore the warning signs. But then he discovers that his new head coach is a scam artist, putting kids at risk for his own gain. Now Jake has a difficult choice to make—advance his basketball career or do the right thing.

When Jakes upends his life to play basketball for Centerville, he soon realizes that Coach Stone wasn’t honest about the school. Despite this, Jake is pumped about being able to play basketball with other elite players. However, Coach Stone yells disparaging remarks at Jake and doesn’t give him any playing time during games. While Jake’s conflict is unique, readers who play sports will relate to Jake’s desire to play for a winning team.

When Bill Jennings, who works for the State Board of Education, starts asking questions, Jake tries to avoid him. Jake doesn’t want to do anything that might hurt the other players. Jake’s struggle to protect his teammates and please his coach is understandable. However, when Jake realizes that Coach Stone’s scheme has the potential to cause serious harm, Jake knows that keeping the coach’s secrets isn’t the right thing to do. In the end, Jake realizes that “basketball was a great game, but it didn’t define us.”

As part of the Orca Sports Series, Centerville is an engaging book written for middle-schoolers and teens. The story has a fast-paced plot and easy-to-read language that is perfect for reluctant readers. While the book is relatively short with 176 pages, Centerville’s plot and character development is well-developed and doesn’t feel rushed.

Centerville is a fast-paced basketball story that has enough play-by-play basketball to keep sports fans entertained. Because the story focuses on Jake, readers will be able to understand his struggles as well as his thinking process; this will allow readers to connect with Jake and empathize with his conflict. While Jake clearly loves basketball, he learns that basketball isn’t “everything. . . There were more important things in life—like being happy, being a good friend, living up to your word and doing the right thing.” Centerville is an easy-to-read story that will entertain as well as teach important lessons about the importance of honesty. The graphic novels The Crossover  by Kwame Alexander and Nothing Can Possibly Go Wrong by Prudence Shen & Faith Erin Hicks will also be a slam dunk for basketball fans.

Sexual Content 
●      None

Violence 
●      None

Drugs and Alcohol 
●      Billy, one of Jake’s basketball teammates, tries to commit suicide by drinking alcohol and taking pills. A nurse tells Jake that Billy had “been drinking. And it seems he’s taken a lot of pills.” Billy spends a night in the ICU.

Language 
●      Pissed is used occasionally.
●      Crap and damn are both used once.

Supernatural
●      None

Spiritual Content 
●      None

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