Reading Level: Junior High

The Chalice of the Gods

Rick Riordan’s newest installment in the Percy Jackson and the Olympians series follows Percy as he navigates applying to college — a college for demigods of course. Percy is a demigod child of Poseidon, which makes him “a child of one of the Big Three” — Zeus, Poseidon, and Hades. These three gods were not supposed to “sire any more demigod children.” This means Percy has a “debt . . . for existing” and the Olympian Council of Gods wants Percy to work off this “debt” before he can attend the demigod university, New Rome University. How can he do this? Well, Percy finds out that he needs “three [recommendation letters]. From three different gods.” Percy is frustrated, saying, “I have to do new quests, don’t I?”  

Percy’s first quest for the “divine recommendation letters,” is to help Ganymede, the “cupbearer of the gods,” find his missing chalice. Even though Percy’s quest to find Ganymede’s godly chalice is the ostensible plotline of the book, the novel explores the themes of changing friendship dynamics through the characters of Percy, his girlfriend Annabeth, and his best friend Grover. As Percy and Annabeth begin applying to New Rome University, Grover realizes that he feels left behind. Grover explains to Percy, “I’m worried about you and Annabeth leaving me next summer.” On top of this, Percy discovers that his mom is having a baby, and Percy will be leaving for college soon after his sibling is born. Percy is excited for his mom and stepdad, but he describes, “I was thrilled for mom and Paul . . . But also, it made my own departure seem even more real. I would be leaving just as Mom and Paul were starting a new chapter. I wasn’t sure how I felt about that. . . ”  

Percy ultimately decides that he is ready for this next chapter of his life and that leaving for university does not necessarily mean he won’t be able to stay connected with his family and friends back home. Percy reassures Grover that he intends to always keep his best friend in his life. Percy explains to Grover about his dream of growing old: “I told him about the daydream that got me through the wrestling match — of Annabeth and me and him, dozing in the sunshine at a cottage on the seashore.” Percy realizes that, as Annabeth says, “[You’re] never alone . . . We’ll always be here to help you,” even when he ultimately goes away for school. Though Percy is applying to a college specifically for demigods, many readers, especially those in high school, will be able to relate to Percy as he worries about his relationship with his family and friends changing when he goes away for college.  

Overall, The Chalice of the Gods will thrill fans of the original Olympians series, but could also be read alone without confusion. Riordan explains the references to Percy’s previous adventures in a way that allows The Chalice of the Gods to make sense to new readers. For example, Percy references earlier books as he explains how his relationship with his demigod powers has changed. Percy says, “Back when I was ten or eleven, things just happened, and I didn’t understand why. Fountains would come alive. Toilets would explode . . . As I’ve grown older, I’ve learned to control my powers, more or less.” 

The Chalice of the Gods emphasizes the importance of acceptance of life’s changes. For instance, Percy and his friends confront Geras, the god of old age, and in order to get back the chalice, Geras tells Percy he must defeat him. Instead of fighting back against Geras, Percy is able to end the battle by hugging Geras instead, explaining, “Getting old might be scary and difficult. It involved things I didn’t want to think about, like arthritis varicose veins, and hearing aids. But if you grew old with people you loved, wasn’t that better than the alternative?” 

Sexual Content  

  • After successfully escaping a dangerous river, Percy kisses Annabeth. Percy explains, “I tried to give [Annabeth] a kiss, but it was difficult, because she started laughing . . . She kissed me back. ‘I love you, too, Seaweed Brain.’” 
  • After Percy obtains the Chalice from Geras, the god of old age, Annabeth “marched up and kissed [Percy].” 
  • At the brunch for the gods at Mount Olympus, Zeus comments while watching Ganymede distribute food and beverages, “I do love watching [Ganymede] walk away . . . ” Hera, a goddess and Zeus’ wife, exclaims, “Could you not at the brunch table?” 

Violence  

  • Percy explains that demigods under eighteen can’t use cellphones because “they attract monsters” who then “show up and eat them.” 
  • Percy sneaks into a river belonging to the river god Elisson and is nearly drowned by the angry god for swimming in his sacred river without permission. Percy explains, “there’s a river god tossing me around at the bottom of his grotto, flushing gunk through my nostrils and mouth, it’s like trying to breathe in a sandstorm. I was blind and disoriented, slamming into rocks, unable to concentrate.” Percy is able to escape by causing the river to shoot him out like a geyser.  
  • Geras, the god of old age and the god who has stolen the chalice, tells Percy that he must “defeat [Geras] in wrestling” or be turned into “a pile of powdered bone.” Percy escapes this fate by embracing Geras and surprising the god.  
  • During the battle, Geras punches Percy. “With his free hand, he punched me in the ribs . . . At least he wasn’t smashing my face into the pavement yet.”

Drugs and Alcohol  

  • Percy’s mom explains, “Why I’m not drinking [wine] tonight.” Then, she reveals that she is pregnant. 

Language  

  • Occasionally, characters exclaim, “Oh, my gods.” 

Supernatural 

  • The ancient Greek gods, heroes, and monsters are all real.  
  • Percy meets the new guidance counselor at his school and realizes she is actually a sea spirit called a nereid. Percy says, “I studied her more closely. Her curled hair was in fact a bed of oysters. Her dress shimmered like a jellyfish membrane.” 
  • Percy explains what is known as “the Mist.” He describes, “It’s weird how the Mist works. Even for demigods who see supernatural stuff all the time, you have to concentrate to pierce the barrier between the human world and the godly one. Otherwise, the Mist kind of just plasters over what you see, making ogres look like pedestrians or a giant drakon look like the N train.” 
  • Percy’s quest is to find a stolen chalice belonging to Ganymede, the cup bearer to the gods. Ganymede explains that the cup cannot fall into the wrong hands because “the goblet makes drinks taste good to the gods. But if a mortal got hold of it . . . one sip from it would grant them immortality.” 
  • Percy and Annabeth communicate through Iris-messages as opposed to using cellphones. Percy explains, “You shine a light through the water vapor to make yourself a rainbow. You throw a coin into it, say a prayer, and voila — you’ve got a shimmering Annabeth sitting next to you.” 
  • Percy uses his demigod abilities as the son of Poseidon. For example, Percy explains how he blasts himself out of a river god’s dangerous river. “My tidal wave had swept the cliff walls right up to Annabeth’s feet, leaving the rock sparkling clean . . . I had apparently given the River Elisson my super-deluxe Poseidon Wash package.”  
  • Percy uses a magical staff from the goddess Iris to fly. Percy explains that the staff can fly him to deliver a message. “Just before the staff had started pulling me upward, I’d been thinking how much I wanted to tell Annabeth I loved her. That was the message.” Percy describes flying via the magical staff: “I wasn’t just flying inside of the rainbow . . . I was becoming part of it, which sounds a lot cooler than it felt. All the molecules in my body dissolved into energy.” 

Spiritual Content  

  • There are references to the gods and goddesses of Greek mythology throughout the book.  

Murder at Midnight

Murder at Midnight presents the story of Mangus the Magician and his newest servant, Fabrizio. The story takes place in the kingdom of Pergamontio, Italy in 1490. Pergamontio is behind the times, and the hapless King Claudio is terribly superstitious in this traditionally Catholic kingdom. When hundreds of identical papers calling for treason against the crown appear overnight, the royal advisor accuses Mangus of witchcraft. Desperate to save his new master’s life, Fabrizio sets out to help prove Mangus’s innocence and discover what created these documents. 

The main protagonist, Fabrizio, is a delightful mix of naïve and brash – he’s never quite sure how he’s going to help Mangus, but he’s determined to try even though he’s likely to make many life-threatening mistakes along the way. In some other characters, this might be trite or annoying, but Fabrizio is ten years old and genuinely doesn’t know any better. He believes in magic wholeheartedly despite Mangus’s repeated explanations about how he’s an illusionist, not a magician. Fabrizio wants nothing more than to save Mangus from certain death – except, maybe, learn magic himself. 

At the start of the novel, Mangus is curmudgeonly and deeply uninterested in Fabrizio, but by the end when Fabrizio and his friend Maria help save his life, he’s just curmudgeonly. Their dynamic involves plenty of Mangus demeaning Fabrizio for not being smart enough, which motivates Fabrizio to want to be a better servant. Mangus is a self-proclaimed philosopher, and he relies on reasoning to make decisions. He serves as a counterweight to Fabrizio whose decisions are motivated entirely by his heart. Although these two never quite see eye-to-eye, they grow a close bond. 

These two characters are well-developed for future installments, and the mystery plot of this first book works well. Fabrizio meets Maria, the daughter of immigrants who bring a printing press to Pergamontio. As the kingdom is somewhat backward, this situation is slowly unveiled through the course of the novel, eventually showing that the scandal runs right to the heart of the king’s inner circle. The plot is interesting with semi-historical elements, and it’s action-packed enough to keep the attention of younger readers. 

Murder at Midnight deals with some light violence as the story is set in 1490s Italy with plenty of intrigue and quite literally backstabbing. The main conflict revolves around Mangus, whose life is threatened since he’s accused of witchcraft and the punishment is death. The book also deals with some Catholic-related themes since Italy is a historically Catholic nation, though the book doesn’t take any stance on religion. Murder at Midnight is a fun introduction to the printing press and censorship. In addition, the dynamic between reason and emotion comes through, showing readers that a balance of the two ideas leads to better outcomes than just reason or emotion separate from each other. Through cooperation and patience, Fabrizio and his various companions can save Mangus and go on with living their peaceful lives – that is, until the next book, Midnight Magic.  

Sexual Content  

  • None 

Violence  

  • When the other servants, Benito and Giuseppe, speak to Fabrizio, they often take swings at him because they don’t like him. For instance, Fabrizio is coerced into telling them secrets from Mangus. When he’s trying to run off, Fabrizio notes that he is “trying to dodge a flurry of blows.” This happens somewhat often. Fabrizio notes that from this particular altercation, he receives bruises from them and nothing more. 
  • The king’s officials, DeLaBina and Scarazoni, threaten to “burn [Mangus] at the stake” and “cut out his heart” if he truly is a magician. Mangus, of course, is not a magician but an illusionist, but the other characters don’t necessarily understand this. 
  • Fabrizio is falsely accused of distributing treasonous papers, and he is taken down to the dungeon to be executed. While there, he nearly trips over a corpse. A soldier asks if the body is dead, and the executioner says, “I hope so. I broke his neck three days ago.”  Fabrizio is not executed, and there is no further discussion about the corpse. 
  • Fabrizio and his new friend Maria find DeLaBina dead in the dungeons. Fabrizio notes, “Beneath lay a man with his head twisted to one side. A ruby-encrusted dagger was sticking out of his back. On the ground, a pool of wet blood was spreading.” This is the extent of the description. 

Drugs and Alcohol  

  • None 

Language  

  • Light language is used frequently. Terms include: fool, stupid, ignorant, blockhead, nasty, ugly, and fat. 

Supernatural 

  • Fabrizio works and lives with Mangus the Magician, who performs, as far as Fabrizio is concerned, “real magic” as well as sleight-of-hand tricks. Much of the book’s main plot deals with how the Kingdom of Pergamontio feels about magic that is rooted in anything other than Christian miracles. Mangus notes that the king “is deeply superstitious” and that he has “outlawed magic.” 
  • One night, Fabrizio watches Mangus perform and decides what is real magic and what is fake, saying that when “a burning candle was pulled from an ear” and “a box changed into a hat” it was for sure “true magic.” 
  • The king of Pergamontio expresses his true fears as to who made the identical treasonous papers that have been distributed throughout the kingdom. He says, “Ghosts? Is that who made the papers? Ghosts can do anything they wish, you know.” DeLaBina expresses that it’s instead magic and someone who “is in league with the devil.” 

Spiritual Content  

  • Since the book is set in 1490 Italy, the characters are notably Catholic. For instance, Mangus notes that “God gave us the gift of reason.” 
  • The kingdom has a curfew, and Mangus tells the crowd that there’s a curfew because “the king loves us and wishes to keep us safe from devils.” 
  • Fabrizio makes an astute comment that catches Mangus’s attention, and Fabrizio attributes it to living on the streets. Fabrizio says, “When you are a homeless orphan – as I was – the teachers God provides are one’s own eyes and ears.” 
  • After seeing a treasonous document, Mangus exclaims, “God protect us!” 
  • Mangus is accused of using magic to make treasonous documents to overthrow the king. As this is 1490 Italy, the king is uncomfortable with modern inventions like the printing press, and identical documents are outside the bounds of imagination. The top prosecutor for the kingdom says, “Such identical replication is impossible for human hands! Not even God – in all his greatness – makes two things alike.” 
  • Fabrizio refers to the treasonous papers against the king as “the devil’s work.” Mangus corrects him that the papers were definitely done by human hands. 
  • The executioner, Agrippa, explains his profession to Fabrizio. Agrippa says that he wanted to be a stonemason, but “the good God willed it otherwise, didn’t he?” 
  • A knock sounds at the door of the execution room, and Fabrizio, who thinks he’s about to be executed, “fell to his knees and began to murmur frantic prayers.”  
  • Fabrizio meets Maria, the daughter of immigrants from Milan who own a printing business and use a printing press. Maria introduces herself as a “printer’s devil” because she’s covered in the black ink she works with, and it’s incredibly hard to scrub off. 
  • When Mangus’s wife, Sophia, learns that her husband has been arrested, she “clasped her hands in brief prayer.” 

The Holiday Switch

Lila Santos is ready for her last winter break of high school. The snow in her small town of Holly, New York is plentiful, the mood as cozy as a fuzzy Christmas sweater, and she’s earning extra cash working at the local inn. In other words, it is the setting for the greatest film of all time, Holiday by the Lake—while moonlighting as an anonymous book blogger.

But her perfect holiday plans crash to a halt when her boss’ frustratingly cute nephew, Teddy Rivera, becomes her coworker. Lila is Type A while Teddy is Type “Anything but Lila’s Way,” and the two of them can’t stop butting heads over tangled icicle lights and messy gift shop merch. But when they accidentally switch phones one afternoon, they realize they’ve both been hiding things from each other. Will their secrets—and an unexpected snowstorm—bring these rivals together?

While Lila’s conflict is understandable, her judgmental attitude makes it difficult to connect with her. Even though Lila is the protagonist, Teddy is more likable because he goes out of his way to show Lila that he cares for her. For instance, when Teddy finds Lila’s list of Christmas activities that she wants to do, he plans ways to get Lila to spend time with him by taking her to the different activities on her list. 

The two teens eventually connect because they are both keeping secrets from their parents. Both are afraid their parents won’t understand their passions. Readers will relate to Teddy’s and Lila’s desire to meet their parents’ expectations as well as live their own dreams. In the end, both teens discover their fears are unfounded. While Lila’s parents are upset about her dishonesty, they support her goals. Likewise, Teddy also learns that his family supports his dreams.

Readers who want to snuggle up with a book during the holiday will appreciate The Holiday Switch because of the town’s over-the-top Christmas activities. The winter puns also add to the romance’s cuteness. For example, while ice skating, one of the characters “slipped on the ice and said, ‘Holy night.’” The predictable plot has some sweet moments that will warm readers’ hearts and get them into the holiday spirit. However, if you’re looking for a holiday romance that will be more memorable, grab a hot cocoa and a copy of What Light by Jay Asher.

Sexual Content 

  • Lila babysits for a couple who “party like they’d been caged animals in a zoo. They come home sweaty and red-faced, and the PDA is over the top embarrassing.”
  • While outside, Teddy asks Lila if he can kiss her. She says yes and then, “I rise up to my tiptoes and shut my eyes. When his lips feather against mine, I’m infused with energy and thrill. My hands climb his back, his cup my face, and he kisses me as if I’m another puzzle he has to explore.” 
  • Before Teddy begins a climbing competition, he kisses Lila. “Teddy lifts my chin with a finger and presses a kiss to my lips.” 

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • Oh my God and God are used as exclamations occasionally. 
  • Crap and pissed are used several times.

Supernatural

  • None

Spiritual Content 

  • None

Don’t Fear the Creeper

The Mob Squad are the greatest heroes the town of Cornucopia has produced since it was founded: Mal the bold, Lenna the strong, Tok the wise, and Chug the steadfast. And Jarro, who’s renounced his bullying ways to reveal a truly kind heart. Together they’ve journeyed across the Overworld, delved into the Nether, and saved the day for Cornucopia again and again.

So why can’t they get any respect from the adults who run the town? The only one who understands is Nan, Mal’s great-great-great-grandmother, who trained them to be as resourceful and adventurous as she was in her day.

So when Nan gets sick and isn’t getting any better, the kids refuse to just sit by and do nothing. There’s something out there that can help her—an enchanted golden apple that can cure just about anything. And the Mob Squad will stop at nothing to get it.

But as they venture outside the walls of Cornucopia, they aren’t counting on being followed. The kids soon discover a mysterious foe whose motives are as unknown as the face that hides behind a Creeper’s head. If the Mob Squad wants to rescue Nan, they’re going to have to save themselves first.

Don’t Fear the Creeper is a fast-paced adventure with plenty of near-death experiences to keep readers’ hearts racing. As the Mob Squad searches for the golden apple, they travel into the unknown and often end up in unexpected danger. Through it all, each member of the mob squad plays an important role as the kids work together to reach their goal. Their determination and persistence are admirable, even if their actions are often imprudent. The book’s chapters change point of view which allows each member of the Mob Squad to give their perspective. However, the alternating points of view add little to the story and the characters’ voices are not unique, which makes it difficult to keep track of who is telling the story.

While most of the events stay true to the Minecraft game, some readers may be frustrated by the Mob Squad’s careless actions. For example, when going through a cave system, the Mob Squad comes across dark green blocks. Every time someone makes noise, something shrieks. Despite this, the kids are not quiet and end up waking a monster that chases them. While they make it out of the cave safely, they nearly died because they couldn’t stop talking. 

The book’s ending also becomes a little preachy as it focuses on the Elders’ attempt to close off the town. However, Lenna thinks, “There’s value in teaching children they’re not invincible. . . There’s nothing wrong with running away when it’s the best choice.” The ending contains several epilogues that drag on. Still, fans of Minecraft will enjoy the story’s action, adventure, and the Mob Squad’s friendship. If you’re ready to delve into another Minecraft adventure, grab a copy of Minecraft: The Crash by Tracey Baptiste. 

Sexual Content 

  • None

Violence 

  • When the Mob Squad sees a goat, Chug approaches it. Jarro sees “the horns lower into position, and I see the horror on Chug’s face, and then Chug is flying through the air like a bird. . .Chug flops onto the ground, his armor clanking. . . [Lenna] takes the goat out with a few shots.” Chug isn’t injured.
  • While underwater, the Mob Squad is attacked by a “drowned” which is an underwater zombie. “When the drowned throws its next weapon, Chug bats it away and goes in for a slice with his sword.” When Chug screams, Jarro draws “my own sword and kick[s] down towards Chug, who’s hurt and having trouble continuing the fight.” The drowned bites Jarro and “the bite burns my arm, and Chug lands a hit while I struggle. . .” Finally, Chug “takes it down.” The scene is described over three pages. 
  • Fish attack the Mob Squad. When Tok sees the first one, he screams and “paddle[s] backward with my hand, but the gigantic fish is right in front of me, and it slams into me, and it feels like getting run over by a horse covered in knives, and I thrash and squeal in panic. . .” When the fish attacks, Tok describes, “a wired beam of purple wavy light burst out of its giant eye and straight for me, and I flail and dodge.” The kids escape. The fish attack is described over four pages. No one is seriously injured.
  • The fish again attacks the Mob Squad. Chug beats “the fish down with my sword, but it gets a few slams in. . . Someone screams behind me and I spin to find Mal being targeted by a fish-eye bubble ray. . . I hit it with my sword from behind, and it spins and comes after me. As I keep fighting it, trying to dodge the spikes, it suddenly feels like my entire body is on fire.”
  • As the fish surround the kids, Chug is “beating on the guardians (the fish) while they’re focused on Lenna. . . I double down on my onslaught, even when one of the guardians turns to face me, spikes out and bristling and big eye shaking like he’s going to start blowing bubbles at me again. . .” The kids escape. The attack is described over six pages.
  • In a previous book, Jarro was kidnapped. When an unknown enemy taunts Jarro, he thinks, “I’m going to end up just the way I did last time, tied up and blindfolded, abandoned in the middle of nowhere. They tied me to a tree and left me to die, alone and without weapons. . .” 
  • While on an island, a zombie appears and “Efram dispatches the zombie in a few quick slashes and moves on. Then an arrow tangs at us from the left, and Lenna takes it down with a few arrows of her own. . .”
  • A man wearing a Creeperhead attacks Tok. Tok explains, “He just hit me, again and again. . . he didn’t say a single word.” Tok was seriously injured and needed a Potion of Healing. 
  • Tok takes a Potion of Swiftness that makes him run super-fast. Lenna thinks he is a Creeper, so she “takes careful aim and lets her arrow fly. . .Tok stands before us, an arrow in his shoulder.”
  • In a multi-chapter battle, a Wither (a three headed skeleton) attacks the kids. Tok jumps into the fight when the Whiter is “headed right for Lenna, and without telling my body to do anything, it’s sprinting toward her, sword out. As the skull nears us, I swing my sword, and it swooshes right past my blade and smacks me in the chest, and the world explodes around me in a flash of white against the dark sky.” Tok is seriously injured. Tok exclaims, “my body doesn’t seem to want to work. My arms are weak, my legs exhausted like I’ve already run a mile.” 
  • The Wither and the Creeperhead appear at the same time and the Creeperhead begins throwing TNT at the kids. The Wither skull hits Mal. “She’s almost limp” and Chug carries her “like a baby back toward the open cave mouth.” 
  • As the Mob Squad fights the Wither and the Creeperhead, the Creeperhead holds a block of TNT over his head. Then, “The TNT block he was holding over his head explodes, throwing him back against the mountain.” He is knocked out and the kids tie him up, but the Creeperhead is not seriously injured.
  • The Wither follows the kids into the cave. Chug sprints “right at the Wither, running it through with my sword. I hit it again and again, so fast that it can’t seem to launch a skull. . .” Then, Tok joins in the fight. “Tok lands hit after hit. It’s perfect for him, really— [the Wither] can’t move and it can’t fight back.” The Wither explodes and its skeletons run away. 

Drugs and Alcohol 

  • Potions are often used. For example, when someone is sick or injured, they are given a Potion of Healing. 
  • In order to breathe underwater, the Mob Squad uses the Potion of Water Breathing. When Jarro drinks the potion, “the funniest feeling comes over me—like I’m inside a bubble and as light as air.”
  • After being attacked by fish, Tok gives his friends “Potions of Regeneration. They should help us heal faster, if we get hurt.” The ingredients include “a ghast tear and some Nether wart.” 
  • One of Tok’s potions uses “fermented spider eye.”
  • When given a golden apple, an elderly lady’s health is restored.

Language   

  • Poppeycock is used once.
  • The town’s people call Lenna “Loony Lenna.”
  • Heck is used once; darn is used twice. 
  • One of the Mob Squad calls someone a jerk four times. 
  • After almost dying in the fish attack, an old man saves the kids. He calls the kids “fools” and “morons.”
  • Tok is injured, but he’s still trying to talk, so Lenna says, “Shut your piehole.” 
  • Lenna calls the guards who won’t open the gates “creeps.”
  • An elderly woman calls one of the town’s elders “the little nincompoop.” 

Supernatural

  • None

Spiritual Content 

  • None

The Clockwork Crow

A magical story of snow and stars, The Clockwork Crow is a mysterious gothic tale set in a frost-bound Victorian country mansion. On her way to her new home, orphaned Seren Rhys is given a mysterious package by a strange and frightened man; she reluctantly takes the package with her. The package contains miscellaneous gears and parts that build a small, metal crow. As Seren adapts to her new life at Plas-y-Fran, she is thrust into a mystery about a young boy who vanished on Christmas Eve a year before. The mansion servants refuse to answer Seren’s questions, so she decides to investigate on her own. Who are the family who must not be spoken of, and can Seren find the boy, Tomos, before time runs out? 

Twelve-year-old Seren Rhys has lived in an orphanage for most of her life. After the death of her great-aunt, Seren discovers that she will be moving in with her godparents who have a mansion in Wales. She dreams of a fabulous life with lots of joy and warmth, but that is not the reality awaiting her. The servants of the house speak about the family in hushed whispers, and Seren’s curiosity gets the better of her. With the help of her magical Clockwork Crow, she uncovers a great mystery regarding the youngest boy of the family and decides it’s up to her to save him. Despite being afraid, Seren decides, “I’m not going to let that stop me.” 

The author crafts an elaborate fantasy from deceptively simple language. The book is written in third person and follows Seren’s journey throughout. Many readers will relate to Seren’s curiosity and her desire to learn more about the household’s secrecy. The supporting characters are fascinating yet ambiguous, likely from being poorly revealed. This is perhaps a casualty of the quick pace that the book has. The deadened manor provides the perfect backdrop for magical forces. Together, these elements create an engaging story that draws readers to try to solve the mystery with Seren. 

The importance of belonging is highlighted since Seren has been alone for most of her life and dreams of the “traditional” family that others have. When she arrives at Plas-y-Fran, she discovers that the family has been torn apart following the disappearance of their son, Tomos. Seren reflects that saving him at her expense would be acceptable, because “[Tomos’] mother and father were longing for him. But no one was longing for her. No one would care if she never went back.” She has always felt like an outsider, after living in an orphanage for the beginning of her life and then joining a family that already had a child. Through her adventure, Seren learns the value of belonging and discovers that she is loved.

The Clockwork Crow is enjoyable to read, although the story is a bit rushed. The novel consistently moves forward and never feels stagnated. At the beginning of every chapter, there is a short riddle that is relevant to the chapter, although it is not one that readers can solve. An example riddle is “Beak and wing and eye and claw. I’m not who I was before.” Fans of fantasy and mystery will enjoy The Clockwork Crow, but it can be enjoyed by all readers thanks to its message about self-discovery and found family. Seren feels lonely at times but manages to establish a family with her godparents after finding their son and reuniting the family. This book is the first in the Clockwork Crow trilogy; if readers are interested in continuing the story, they can read The Velvet Fox to follow Seren’s journey.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • The housekeeper consistently calls Seren an “impudent little girl.” She also puts Seren down frequently. For example, the housekeeper says Seren has “appalling manners.”

Supernatural

  • The Clockwork Crow is able to talk and move independently once the key is cranked. The Crow claims to be “as real as [Seren]” when asked if the events were just a dream.
  • The Crow was confined to clockwork when a witch cursed him by saying, “until you give up the one thing that means the most to you, you’ll be a black crow forever and ever.” Prior to the curse, the Crow used to be human.
  • There is a fairy family of “magic, secret creatures, who can never get older, can be beautiful or ugly and twisted.” Every character in the book is afraid of the Fair Family and speaks about them in hushed whispers.

Spiritual Content 

  • The household attends church sermons every Sunday, and the housekeeper tells Seren “this is the Day of the Lord and we must be respectful” regarding the tasks and activities expected of her for the day.

Today Tonight Tomorrow

Rowan Roth and Neil McNair have been rivals since their freshman year of high school when Neil (very narrowly!) beat Rowan in their school’s essay contest. Rowan, an overachiever all her life, simply cannot let this slide. Now in their senior year, Rowan and Neil have earned a reputation as ruthless opponents– every grade, project, standardized test score, and even pull-up contest in gym class is compared and argued over. As soon as she realizes that Neil will not back down, Rowan has one goal for high school: to take him down. 

However, at the end of their senior year, Neil is named valedictorian. Rowan is salutatorian, still way ahead of the rest of her grade, but it’s not enough. She is devastated until she realizes that she has one last chance to come out on top: there is still Howl, a scavenger hunt that takes graduating seniors hunting for clues all over Seattle. This is a Westfield High tradition that Rowan has been looking forward to since her freshman year, but now she knows she absolutely has to win.  

After she learns that a group of seniors is teaming up to take them down, Rowan ends up forming an alliance with Neil – having someone else beat him will bring her no satisfaction. But the more time they spend together and the more they learn about each other, Rowan begins to find Neil isn’t as annoying as she thought. In fact, as much as she hates to admit it, Rowan realizes she might actually have feelings for him. And is it possible that Neil feels the same way about her, despite their brutal rivalry? 

Part romcom, part thriller, Today Tonight Tomorrow is a YA lover’s dream. The scavenger hunt subplot makes the story relatively fast-paced, with plenty of friendly (and not-so-friendly) banter woven in to balance out the action. The romance subplot is equally well done. Rowan is an engaging narrator, and readers will enjoy going on her journey of self-discovery with her. Her character is easy to relate to because of how realistic her arc is; throughout this story, Rowan realizes that real life is nothing like the novels she holds dear, but that isn’t necessarily wrong or disappointing. Life doesn’t have to be perfect to be enjoyable. 

Today Tonight Tomorrow also beautifully handles difficult topics. For example, Rowan is Jewish; the subtle yet impactful antisemitism she experiences and the way she reacts to it is a strikingly accurate depiction of what many Jewish teenagers experience in high school. Another major issue woven throughout the story is the downsides of intense academic pressure. Rowan regrets putting all of her time into academics because it meant she didn’t truly experience the social aspect of high school, which is also important. For readers in early high school, this can serve as a wake-up call to carve out time for friendships and other relationships; for readers who have the same regrets as Rowan, it is comforting to know that they are not alone in feeling this way. 

Overall, Today Tonight Tomorrow is an absolute delight. It is a love letter to adolescence and high school. Although this book can be enjoyed by everyone, it is especially perfect for graduating seniors who are nervous about leaving everything they know behind when they leave for college. Fall in love with more romance novels such as A Pho Love Story by Loan Le and American Royals by Katharine McGee. 

Sexual Content  

  • When Rowan reminisces about her ex-boyfriend, Spencer, she mentions they had sex. “The first time we had sex, he held me for so long afterward, convinced me I was a precious, special thing.” 
  • Rowan and Neil bicker in front of a wall of plaques recognizing past valedictorians, and Rowan makes a sexual joke to annoy him. “‘If you’re trying to impress me with your knowledge of past valedictorians, it’s working.’ I step closer to him, batting my eyelashes. ‘I am so turned on right now.’” 
  • Rowan finds a high school bucket list she created at the very beginning of her freshman year. One of the entries details prom night: “The night will culminate in a hotel room, where you and Perfect High School Boyfriend will declare your love for each other and lose your virginities in a tender, romantic way that you’ll remember for the rest of your life.” 
  • Rowan tells the reader about her love for romance novels, and she brings up how they informed her idea of sex. “Especially as I got older, my heart would race during the sex scenes, most of which I read in bed with my door locked, after I’d said good night to my parents and was sure I wouldn’t be interrupted. They were thrilling and educational, if occasionally unrealistic. (Can a guy really have five orgasms in a single night? I’m still not sure.) Not all romance novels had sex scenes, but they made me comfortable talking about sex and consent and birth control with my parents and with my friends…Most movies and shows I watched with my friends showed me that women were sex objects, accessories, plot points. The books I read proved they were wrong.” 
  • Rowan points out a spot where she hooked up with one of her ex-boyfriends for the first time. Neil mock-gasps and says, “Rowan Roth, I thought you were a good girl.” Rowan gets annoyed at Neil for assuming that girls who get straight As are automatically virgins. Rowan says, “You realize how wrong and outdated that is, right? Good girls aren’t supposed to have sex, but if they don’t, they’re prudes, and if they do, they’re sluts.” They have a conversation about double standards for men and women when it comes to sex. 
  • Rowan and Neil kiss in an empty room in a museum. “This has to be the earth-shattering feeling he was talking about. This: his hands sliding down the sides of my body. This: his teeth grazing my clavicle. And this: the way, when he moves back to my lips, he kisses like I’m alternately something he can’t get enough of and something he wants to savor. Fast, then slow, I love it all. Since we’re the same height, our bodies line up perfectly, and–oh. The proof of how much he’s enjoying this makes me feverish. I rock my hips against his because the pressure feels amazing, and the way he groans when I do this sounds amazing too.” 
  • Rowan and Neil make out in Rowan’s room. “I leave invisible handprints all over his chest, learning exactly where he’s ticklish. He skims his hands up to my knees, my hips, beneath the dress that has suddenly become a straightjacket. I twist on his lap, trying to reach the zipper. He has to help me with it, and together we tug it off . . . Losing my dress makes me miss him with even more urgency.  I run my hand over the front of his jeans, and he sucks in a breath through his teeth. It’s maybe the best sound I’ve ever heard, at least until I unzip and unbuckle and cast his jeans aside completely, pressing him deeper into the bed, and he releases another breathy groan again.” 
  • Shortly after, Rowan and Neil have sex. “It doesn’t last extremely long, because we’re tired or because it’s his first time or some combination of both. Every so often, he checks in with me, asking if it’s still good, if I’m still good. And yes. Yes. We try our best to be quiet, but we can’t stop whispering to each other. He finishes first, and then his fingers drift down between us and he gets me there for the second time tonight. Then we’re quiet, quieter than my sleeping, darkened house. I burrow close to him, resting my cheek against his heartbeat while he plays with my hair.” 

Violence  

  • Neil confesses that his father is in prison for nearly killing someone who was stealing from his store. Neil’s father “was so furious . . . he beat one of them unconscious. The kid–he was in a coma for a month.” 
  • Rowan and Neil are both Jewish. When sharing antisemitic microaggressions they’ve experienced, Rowan brings up that people usually make comments like that because they think it’s harmless, but then “there are security threats at your synagogue because someone called in a bomb threat. It’s harmless, and you’re terrified to get out of bed Saturday morning and go to services.” This happened right before her bat mitzvah. 

Drugs and Alcohol  

  • Rowan invites Neil over for Shabbat dinner. One Shabbat ritual is kiddush, a blessing over wine. Rowan describes, “We pass around the kiddush cup that belonged to my dad’s grandparents, silver and ornately designed. Neil takes a small sip, then hands it to me. My sip is tiny too.”  
  • Neil suggests getting high, and Rowan is not opposed. They both take edibles with the lowest possible dosage of THC. “‘Do you feel anything yet?’ ‘Not really,’ I say, but even as the words leave my mouth, I’m aware something has changed. A laugh bubbles out of me, though nothing’s funny. ‘I– wait. I might be feeling something.’ My annoyance with him seems to float away.” 

Language  

  • “Fuck” is occasionally used as an exclamation or intensifier. 

Supernatural 

  • None 

Spiritual Content  

  • Rowan and Neil are both Jewish. Rowan invites Neil over to her house for Shabbat dinner, and the book vaguely describes the Shabbat rituals. For example, Rowan’s mother “lights the candles with a hand over her eyes,” and they all “recite the blessing over the challah.” 

Kat Wolfe On Thin Ice

Best friends Kat Wolfe and Harper Lamb can’t wait to travel from England’s Bluebell Bay to New York’s Adirondacks for a fall vacation with their parents. But misadventure plagues them from the start, leaving them in the wrong place at the wrong time. Alone! As the weather turns wild, Kat discovers she may have been the last person to cross paths with Riley, a girl who is a star witness in a criminal trial making headlines across the country. When the witness vanishes, Kat and Harper race to piece together the clues that might save Riley from a notorious gang, but soon Kat and Harper are targets too. With an early snowstorm moving in and no way out, detectives Wolfe & Lamb will need all their wits, skills, and the help of some wayward animals if they’re to survive.

In the past installment of the series, Harper was a minor character who let Kat take center stage. However, in Kat Wolfe on Thin Ice, Harper takes a starring role and her fun-loving personality shines. Although Kat is still the story’s focus, readers will enjoy getting to know Harper and seeing how the two girls work together to solve the case. Their relationship adds interest and readers will enjoy seeing Kat and Harper interact.

Even though the girls spend much of their time snowed in, there is still plenty of action and adventure because they end up in the wrong cabin, alone except for a pack of huskies and a pet raccoon. Mystery is added when the girls investigate Riley’s disappearance and risk their lives to search for clues before a major blizzard hits the area. Along the way, they must use all their survival skills as they attract the attention of a bear, get lost in the wilderness, and are saved by huskies. 

Kat and Harper put the pieces together to solve the mystery and, along the way, the case highlights how stereotypes are hurtful. In the end, the girls keep many secrets from their families, including their accidental stay in a stranger’s cabin and they don’t reveal the culprits that committed the crimes. Despite this, Kat and Harper have many positive attributes including being brave, considerate, and showing kindness to strangers. 

Kat Wolfe on Thin Ice is a wonderfully entertaining book that has the perfect blend of suspense, surprises, and silliness. Plus, the book teaches that “We’re all human. Every one of us makes mistakes. The real test is what we do about it.” For those who love mysteries and animals, not picking up the Kat and Lamb Mystery Series would be a mistake since each book in the series is full of suspenseful mysteries and loveable animals.

Sexual Content 

  • None

Violence 

  • Riley, “a star witness in an upcoming trial,” is kidnapped. The two officers who were protecting her “were both wounded in an ambush” and are “critically ill.”
  • A police officer shows up at the cabin where Harper and Kat are staying. When Harper answers the door, the man begins to question her. When he realizes Harper is lying, “he lunged at her and clutched her arm.” When she refuses to answer the questions, the man “squeezed even harder.”
  • As the police officer manhandles Harper, a racoon jumps on him. The policeman “reeled away, blood streaming from two punctures on his neck. Chittering in terror, the raccoon jumped from his shoulder onto the kitchen cabinet.” This gives Harper time to run. Later, the police officer is also bit by one of the huskies. 
  • A rich family earned their fortune through blood diamonds. “Diamonds mined using child and other slave labor in conditions of unimaginable hardship and wickedness.”

Drugs and Alcohol 

  • None

Language 

  • When Harper’s dad forgets his passport, he says, “What a bone-headed peanut brained dingbat I am.”
  • When a husky injures his foot, Kat tells it, “I’m going to disinfect and tape up your paw. It’ll hurt like hell.”

Supernatural

  • When Kat meets Riley, she gives Riley a picture of her Savanna Cat, Tiny. When Riley says the cat photo helped save her life, Kat explains that Tiny’s “spirit kept her going when she was lost in a blizzard.”

Spiritual Content 

  • None

Hot Cocoa Hearts

‘Tis the season. . . for heartbreak? Emery Mason is not a fan of the holidays. She’s so over the tinsel, the shopping, and all the other trappings of the season. Unfortunately, this year, Emery is forced to work — as an elf! — at her parents’ Santa photo booth at the mall. There, Emery meets Alejandro Perez, who works at the hot cocoa shop next door and is always full of holiday spirit. Alex is cute, but he’s nothing like Emery’s real crush — the brooding and artistic Sawyer Kade. 

But the more time Emery spends with Alex, the more she realizes that she may not be the Grinch she always thought she was. Soon a blizzard, a Secret Santa surprise, and a family disagreement throw Emery’s world upside down. Can Emery embrace the magic of the holidays and find the perfect boy to kiss under the mistletoe?

Like Scrooge, Emery doesn’t believe in Christmas and she isn’t afraid to kill other people’s Christmas joy. Because of Emery’s bah-humbug attitude, readers may find it difficult to connect to her. Emery’s hatred of all things Christmas is connected to her grandmother’s death. Despite this, it’s hard to sympathize with a character who makes young children cry. Like Scrooge, Emery eventually finds the true meaning of Christmas and the happy ending shows that the holidays are about “the magic of believing. The sheer fun of giving the gift of that to other people, of sharing it with them.” Even though the story has a happy ending, the book’s negative tone takes much of the joy out of reading it.

Emery’s bad attitude isn’t the book’s only negative aspect. Emery idolizes her crush Sawyer and is ecstatic when he finally notices her. However, she soon finds that it’s difficult to be honest with Sawyer. To make matters worse, Sawyer doesn’t seem to understand Emery at all. As Emery spends more time with Alex, she begins to question what she really believes. The love triangle adds suspense to the story, but Sawyer acts more like a confident adult than a preteen which makes some of the scenes unbelievable. However, the scenes between Emery and Alex are full of sweet moments that middle-grade readers will enjoy.

Unfortunately, readers may have a difficult time connecting with Emery. While her grief over her grandmother’s death is understandable, Emery’s bad attitude hurts others. Despite this, Hot Cocoa Hearts teaches the importance of not making assumptions about others. In addition, the conclusion is super sweet not only because Emery finds the joy of Christmas, but also because Emery finds an unexpected community that jumps in to help her when needed. Readers who are looking for a more joyful holiday book to curl up with should read the Celebrate the Season Series by Taylor Garland. However, if you’re feeling a bit like Scrooge, Young Scrooge: A Very Scary Christmas Story by R.L. Stine gives the typical Christmas story a new twist.

Sexual Content 

  • Emery and Alex are at a spice store and suddenly she “wasn’t focused on the beans. I was looking at Alex’s mouth, at how soft and full his lips looked. And then a thought flashed through my head. What might it be like to kiss Alex?”
  • Emery goes on a date with Sawyer. Afterward, “he leaned toward me, and my eyes closed instinctively as my heart pummeled my chest. . . But at the last second, when we were so close I felt the warmth of his breath, I panicked and turned my face to the side. His lips brushed against my cheek.”
  • While at a holiday party, Emery finds Alex and puts mistletoe over her head. Then, she “stood on my toes and kissed him. The kiss was breathtaking and sweet.”
  • While at the mall, Alex “leaned close and gave [Emery] another sweet, lingering kiss.”

Violence 

  • None

Drugs and Alcohol 

  • When Alex gets sick, his grandfather had him “take a temazcal herb steam treatment.”

Language 

  • Omigod is used occasionally. 
  • Crud and darn are each used once. 

Supernatural

  • None

Spiritual Content 

  • While working at the mall, Emery prays that none of her friends see her.
  • Alex’s grandfather has a sign on the wall that says, “Oh divine chocolate. . . we beat it with our hands in prayer, and we drink it with our eyes lifted to the heavens.”

Arazan’s Wolves

When Maddie and Will get a message that dire wolves—huge misshapen changelings, much larger than regular wolves—have been marauding and attacking through the hills and valleys of Celtica, the Rangers are sent on a mission to unravel just who or what is behind these dangerous creatures.

Will isn’t anxious to return to Celtica, especially approaching the Rift. And as they travel, Maddie must grapple with their growing dealings with the spiritual and supernatural. But they are Rangers—and they will do whatever it takes to accomplish their mission.  

After they receive some offers of help from locals, Will and Maddie learn the name of the sorceress behind these strange and dangerous attacks: Arazan. On the way to take her down once and for all, the Rangers must face dire wolves, Wargals, dark magic, and more. As Arazan’s desires have led her to the most evil of powers, Will and Maddie must form a plan of action that can outwit not just the sorceress, but the darkest forces from the beyond. 

Arazan’s Wolves takes Will back to Celtica, where Will battled evil in The Burning Bridge. However, Will has no personal reflections about the previous events nor does he explain the significance of the places he returns to. Thus, the book misses an opportunity to show Will’s personal growth from a young man to a seasoned Ranger. Because of this, readers unfamiliar with The Burning Bridge will not understand how the two books—Arazan’s Wolves and The Burning Bridge—connect.  

Readers who love The Royal Ranger Series because of the action and adventure will be disappointed. Much of the book describes Will and Maddie’s travel to Celtica, which lacks excitement. Along the way, they don’t interact with anyone of significance other than Eveningstar, whose character lacks depth. Eveningstar, despite having magical powers, does little to aid Will and Maddie. Instead of adding interest to the story, Eveningstar leaves the reader questioning her motives and why she didn’t try to defeat Arazan herself. 

Unlike the previous books in The Royal Ranger Series, Arazan’s Wolves includes acts of magic such as summoning demons, pentagrams, and telepathic conversations. This deviation from the action and adventure may take readers by surprise. To make matters worse, for the first time, Will kills a Wargal, not out of necessity, but in order to instill fear in the other Wargals. This is so out of character for Will that some readers may be upset by the events.  

Unfortunately, Arazan’s Wolves has too many plot holes, lacks character development, and includes random supernatural elements. All of this adds up to a story that will disappoint many fans of The Rangers Apprentice Series. Readers ready to move on to another epic adventure should read Rise of the Dragon Moon by Gabrille K. Byrne, The Explorer Academy Series by Trudi Trueit, and The Underland Chronicles by Suzanne Collins. 

Sexual Content  

  • None 

Violence  

  • A direwolf attacks three brothers. The two younger brothers run, but Owen—the oldest—has difficulties. “His joints were stiff. His muscles were sore and weary after a day of hard labor in the fields. He heard the quick rush of the dread creature behind him as it bounded in pursuit, heard its feet growing closer, claws scrapping and rasping . . . Ahead of him Dai and Gryff heard a long, drawn-out scream from their older brother as the direwolf ran him down, dragging him to the ground. Then the screaming stopped.” 
  • A group of thieves block a road in order to steal from people passing by. They try to stop Will and Maddie, so Maddie uses her sling. “The self-styled guardians of the road heard a brief whizzing sound, then a loud CLANG! as the lead slug slammed into the center of the helmet, just above the nasal. The swordsman staggered back . . . then fell.” Will makes the thieves take off their shoes and clothes before they flee. 
  • A Celtic minder who speaks out against Arazan (a suspected sorceress), ends up dead. “One morning he was found in his cottage, sitting at his table, eyes wide-open and dead as a stone. There wasn’t a mark on him.” The villagers assumed Arazan killed the man. 
  • As Will and Maddie are traveling, a direwolf attacks. “A huge shape appeared at the top of the rock wall to their left and launched itself at Will, snarling and snapping as it came. . .” Will’s horse, Tug, doesn’t panic and instead, “he swerved and bounded sideways toward the attacker, moving under its leap. . . Its jaws, ready to tear Will’s throat and upper body, snapped harmlessly at empty space. . .” 
  • During the attack, Tug fights back. The horse “swung around and delivered a thundering kick with his hind legs. . . His iron shod hooves crashed into the wolf’s side, cracking three ribs and hurling the huge animal across the clearing to smash into the rough rock wall behind it.” The wolf tries to flee, but the horse Bumper “smashed into the wolf’s muzzle, lacerating the skin and breaking bone beneath it.” The fight between the direwolf and the horses is described over three pages. 
  • While searching for Arazan, Will and Maddie are surprised by Wargals. “As the three beasts began to charge forward. . . the two bows came up and each of them snapped off a shot. . . Both shots went home, and the two Wargals tumbled onto the sand track.” 
  • The third Wargal tries to run, but “he screamed in pain as Will’s second shot struck home on the lower leg, causing him to stumble.” The Wargal runs but is followed by Will and Maddie.  
  • At one point, the Wargal “switched tactics and he turns to attack Maddie with his spear. He lunges at Maddie several times and is able to disarm her. The Wargal “bared his fangs again and uttered another blood-chilling snarl. . . He drew his spear back for one final lunge. Then jerked forward, a look of surprise replacing the triumphant snarl on his face as Will’s arrow slammed into his back. . .” The Wargal dies, but Maddie is uninjured. The scene is described over three pages. 
  • Will and Maddie hide from a group of Wargals. As they pass by, Will “drew back and released, before freezing to the side of the rock once more. . . The speeding arrow slammed into the rearmost Wargal, sending him staggering forward with a cry of pain and shock.” The Wargal dies, but the others flee for their lives. Will lets them go because, “I want them frightened. I want them reluctant to search for us and ready to disobey Arazan.” 
  • As Will and Maddie get closer to Arazan’s hideout, they see direwolves. Will shoots one with an arrow. The arrow “slammed into the creature’s chest a second before Maddie’s shot reached its target. The massive impact threw the direwolf back onto its rear legs, rising its body off the ground and laid it open for Maddie’s arrow. . .” The two rangers look at the wolf’s body. “Its eyes were open and glazed, and its tongue lolled out of its mouth over the long, yellow canines.”  
  • Arazan calls up a demon named Krakotomal. The demon had “the body of a serpent, with huge, batlike wings covered in scales. And that dreadful, horrifying face, jaws open to reveal fangs like knives.” When the pentacle becomes broken, Krakotomal is able to attack Arazan. “She cowered back, but there was nowhere for her to go. Krakotomal was upon her in one sudden leap, folding his scaly wings around her and tearing her with the cruel claws on his powerful hind legs. . . Blood was flowing from several deep wounds in her legs . . .” 
  • After Arazan is injured, the demon tries to convince Will to allow him to go through the pentacle. However, Will shoots an arrow that “covered the few meters to Krakotomal in a heartbeat and struck the demon high on his body, punching through the scales that protected him and burying the silver warhead deep in his flesh.” As Will continues to chant the banishing spell, both the demon and Arazan disappear “leaving only a swirl of green smoke and the smell of burned sulfur behind them.” 
  • After Arazan disappears, her minion Marko attacks Will. During the fight, Will’s saxe knife “bit into the hard leather. . . penetrating easily through the leather and then the flesh behind it. Marko felt a savage flare of agony as the saxe went home. . .” Marko dies. The fight is described over two and a half pages. 
  • The last direwolf ambushes Will. “Then the wolf was upon him, driving him back with the force of the huge leap from the rocks, snarling and snapping in rage. . . Using the strength of both arms, Will pushed back against the wolf, forcing its head back away from him. . . It pulled back. . . and provided Maddie with a near-perfect target.” Maddie shoots and the arrow penetrates “deep into its mouth, then reaching further still, severing the spinal column where it reached the brain, killing the wolf instantly.”  

Drugs and Alcohol   

  • Maddie and Will go into a tavern that serves ale. However, the two do not drink any. 
  • After seeing a demon, Maddie is upset and is given an herbal sleeping draft so she can sleep through the night.

Language  

  • When Will and Maddie kill two direwolfs, Will says Arazan will “only have one left, and thank Gorlog for that.” Gorlog is a Scandian god that is referred to in the Brotherband Series. 

Supernatural 

  • Arazan is a necromancer who tries to make contact with the dead. According to rumor, Arazan “was conducting unholy rituals late at night. They said she was trying to raise the spirit of the Lord of Rain and Night.”  
  • Arazan uses dark magic to try to make contact with a demon.  
  • Eveningstar is a healer who knows how to use herbs, potions, spells, and the black arts. “For the past year or so, she’s been trying to keep Arazan and her vile creatures in check.” Eveningstar can also “conjure up a fog to confuse” others. 
  • Eveningstar uses magic to show Arazan’s behavior to Will and Maddie. Eveningstar “drew a circle in chalk on the flagstone floor . . . Then she handed each of them a bunch of fresh rosemary on a long leather cord, which she instructed them to place around their necks.” Eveningstar sets up a brazier and heats stones. Then she begins chanting, “Ikab bledsr rimanatof. Ibak nimendir bledsr.”  
  • As Maddie stares at the hot coals, “shapes began to appear inside the cloud.” Maddie sees a demon. “The serpent body is black, along with the scale-covered, batlike wings. . . [Its face] was black-green, with glowing, evil eyes and a fringe of broad, triangular spikes around its neck. As she watched in horror, it opened its mouth to reveal huge, blackened fangs set in multiple rows inside its jaw.” 
  • Eveningstar writes down incantations and gives them to Will. “One is a spell of banishment . . . and this one is a shielding spell, to conceal you. . .” Later, Will chants the spell, “Ikab jandlar remko. Ikab jandlar simet. Ikab jandlar, jandlar ikabl” and banishes the demon. 
  • In order for Arazan to control the demons, she needs silver. Eveningstar explains, “Ordinary weapons won’t harm him. But weapons made from silver will be deadly to him.” 
  • Rangers have a unique connection with their horses. This connection lets them communicate. Will explains, “If it’s in my mind, he knows.” 
  • When Will concentrates, he can contact Eveningstar (a sorceress) with his mind. The first time he tried, “he felt, rather than heard, a voice in his mind, like the silken touch of a spider’s web. . .”  
  • Eveningstar gives Will and Maddie rosemary to hang around their necks to ward off evil and to keep Arazan from using her mind to watch them. 

Spiritual Content 

  • None

The Dreamer

The Dreamer follows eleven-year-old Neftalí, a young boy who struggles to live up to the strict expectations of his father. Neftalí explains that he enjoys daydreaming and nature; he “collected twisted sticks, liked to read, and was not good at mathematics.”  

Neftalí’s father does not want his son to daydream. In fact, Neftalí’s father says, “Stop that incessant daydreaming!” and warns Neftalí that his “mother was the same, scribbling on bits of paper, her mind was always in another world.” Neftalí’s father also implies that this may have caused Neftalí’s mother’s death. Neftalí reveals his mother “had died two months after [Neftalí] was born.”  Neftalí wonders, “Was Father right? Could daydreaming make you weak? Had it made his mother so weak that she had died?”  

Neftalí’s father’s extremely negative mentality towards creative arts also affects his older brother, Rodolfo, who dreams of attending a conservatory to study music. Rodolfo explains, “My teacher and headmaster say . . . that if I study music, I might be able to get a scholarship to the conservatory.” Their father responds to this by aggressively “slamming his fist on the table” and yelling at Rodolfo, “There will be no more wasting time on music.” Because Neftalí’s father ridicules him for his love of reading and writing, Neftalí tries to conceal his writing projects from his father.  

Neftalí is an extremely sympathetic character that readers will appreciate because of his constant determination to do what he loves. Neftalí does not let his father’s constant tirades about his writing stop him. For instance, even when Father tries to make Neftalí stop daydreaming, Neftalí still “wrote words everywhere: on fence posts, on bleached driftwood, and on the old boats near the shore.” 

Another character that will capture readers’ hearts is Neftalí’s Uncle Orlando, who owns a local newspaper called La Mañana and encourages Neftalí’s writing abilities. It is Uncle Orlando who advocates for Neftalí to come work at his newspaper office, even though Father calls Neftalí’s essays “frivolity, nothing more.” Uncle Orlando advocates for the local indigenous people, the Mapuche, who are being pushed off of their land by developers by offering up his newspaper shop as a meeting place for organizing protests. Neftalí is inspired by “Uncle Orlando’s sincere voice as he talked about the rights of the Mapuche, the plans for a peaceful protest, the common outcry for respect for all humanity.” 

Readers who enjoy exploring nature will enjoy the way each chapter continues the story of Neftalí’s growth as a writer alongside drawings reflecting Neftalí’s surroundings. Each chapter is named after an element of nature, such as “ocean,” “rain,” or “mud.” Neftalí often discusses the beauty of Chile, where he lives, and this inspires him as he writes. For instance, Neftalí “looked up at the Andes mountains, hovering like a white-robed choir . . . He closed his eyes and wondered what lay beyond, past the places of Labranza, Boroa, and Ranquilco, where the sea plucked at the rugged land.” 

This book occasionally uses Spanish words in reference to the beauty of Chile and its nature; however, readers will be able to easily understand these words based on the text’s context clues. Because the book follows Neftalí—who is revealed at the end of the book to be the poet, Pablo Neruda—readers will likely want to flip back through the book to reread the sections of poetry and will likely feel inspired by Neftalí’s journey. Overall, this fictionalized retelling of the life of Pablo Neruda encourages readers to persevere, to reach for their dreams, and to appreciate the beauty of life around them.  

Sexual Content  

  • None 

Violence  

  • When Neftalí’s brother, Rodolfo, tells Father he wants to study music, Father “slammed his fist on the table.” 
  • Rodolfo did not hear his father’s whistle to come back to the agreed meeting place. “When [Father] found me, I was disobeying him . . . I still have the bruises. Do you understand? You do not want Father to catch you doing something . . . wrong.” 
  • Neftalí’s father wants his children to grow physically stronger. Because of this, Father forces Neftalí and his little sister, Laurita, into the choppy waves of the ocean even though they are both terrified of the waves, as “the swells rose higher than their heads.” Father argues, “It will make you strong. And if you do not wade out far enough, I will make you stay in longer.”  
  • Father forces Neftalí and Laurita to stay in the water, even when “a wave broke against their chests. Laurita slipped under the dark water. Neftalí jerked her up. She choked and sputtered and began to cry.” Neftalí says, “Surely now they could come in,” but Father “shot an arm forward and pointed to the waves again.” 
  • After Father forces Neftalí and Laurita into the ocean, Neftalí has frequent nightmares that “Laurita was drowning, and he could not save her because he was drowning, too.” 
  • Neftalí encounters a hurt swan. “In the muddy reeds, the male swan wobbled. Blood pooled beneath him.” Sadly, the swan quietly passes away in Neftalí’s arms. Neftalí does not understand what happened as the swan’s wounds appeared to be healed, but suddenly, “the life disappeared from [the swan’s] body.” 
  • Uncle Orlando worries about what the developers will do if they find out where people are protesting. The developers “have killed so many already . . .” 
  • Uncle Orlando hosts a meeting to protest on behalf of the Mapuche, so the angry developers set Uncle Orlando’s newspaper office on fire. Neftalí explains, “When he turned the corner to the main road, he saw the ball of fire rising into the night.” His uncle’s shop is destroyed, but Uncle Orlando tells Neftalí he will not give up, “There are editors who will hire me.” 
  • When Father discovers that Neftalí’s essay advocating for the rights of the Mapuche has been published in a college magazine, he is furious. Father lashes out and “grabbed a notebook and flung it out the window . . . Father flung another notebook and another.” Then Father sets Neftalí’s writings on fire.  

Drugs and Alcohol  

  • None 

Language  

  • Neftalí’s Father insults Neftalí and his siblings when they disobey him. For example, he calls Neftalí “a skinny weakling” that will “amount to nothing.” 
  • Rodolfo, Neftalí’s brother, is frustrated that Neftalí likes to stop and examine small things in nature as they walk to school. Rodolfo calls Neftalí “dim-witted” and asks Neftalí, “Can you not walk like other boys?” 
  • When Neftalí struggles to respond to one of his father’s coworkers, Father calls Neftalí “absentminded” and says, “There’s no telling what will become of [Neftalí].” 
  • Father calls Neftalí a “scatterbrain” for reading. He also tells Neftalí, “You are nothing more than a brittle twig . . . And this obsession with books will not make you vigorous!” 

Supernatural 

  • Rodolfo tells Neftalí a legend about the “chucao bird,” which Father says, “is a bird in the forest that tells the future.” Rodolfo reveals to Neftalí, “If you hear it call on your right side, it is a good omen and means fortune and happiness. If you hear it on your left, it is a warning and means bad luck and disappointment.” 
  • As Neftalí explores a nearby forest, he finds a large rhinoceros beetle and stares at it. Neftalí recounts, “As he marveled at the beetle, the shell contorted and bulged, growing bigger and bigger. Its legs elongated until it was as tall as a pony.” Neftalí then describes riding the giant beetle, “Oddly unafraid, Neftalí climbed onto its sturdy back, and rode it through the forest.” 

Spiritual Content  

  • When Neftalí asks Laurita for help trying to heal a hurt swan, “Laurita put her hands together, in prayer, ‘He must get better.’” 

Truly, Madly, Royally

Zora Emerson’s summer plans are simple: to attend the pre-university program at Halstead U and continue her community work in her hometown of Appleton. Zora is Black and from a modest background, which doesn’t fit the typical picture of students at Halsted U nor the royal family of Landerel – a small country in Europe. Dodging reporters, dating a prince, and attending a royal wedding were not part of the plan.  

After meeting a mystery boy in the library, Zora falls for his charm, only to discover that she’s fallen for Owen Whittelsey, the son of the Queen of Landerel. Soon, Zora’s studies and volunteering is split between dates with Owen. However great Zora’s dates with her Prince Charming are in private, the royal life is not as glamorous as it seems. Owen is constantly monitored by his security team, and the budding relationship between Zora and Owen is investigated by the press. When Zora wins a grant to bolster her after-school program, the award is taken away when outsiders hint that her connections to the royal family give her an unfair advantage.  

Despite the setbacks and scrutiny, Zora persists in growing her after-school program through different means while managing her relationship with Owen. Eventually, he invites Zora to attend the wedding of his brother as a guest of honor. During the trip of a lifetime, Zora learns how to be confident in herself and embrace her heritage.  

Truly, Madly, Royally is a romance story mixed with a unique narrator whose heart lies with helping her community. Despite the majority of students at Halstead being from rich, white families, Zora is determined to embrace her African heritage and prove that she has a place among them by excelling in the classroom and her community work. Zora’s confidence is admirable even as she’s faced with large setbacks, such as grant money for her community work being taken away. Instead of giving up, Zora runs her own fundraiser, earning the money on her own. At the end of the story, African culture is highlighted as the royal wedding is between Owen’s brother and a Black woman named Sadie. However, the romance plot takes center stage, so the book doesn’t teach much about African culture beyond these basic issues. 

Truly, Madly, Royally is an easy, quick read. However, there’s not much to learn or gain from this story due to its simplistic and predictable plot. Readers who typically enjoy the romance genre will be disappointed by the development of Zora and Owen. While the romance is underwhelming, the story of Zora’s relationship she has with kids from her after-school program is heartwarming. Beyond that, however, the story highlights the importance of community. Zora truly wants to make a difference in her community and works hard to achieve her goals. Zora’s caring nature, confidence, and African heritage bring a unique element to this common romance trope.  

Sexual Content  

  • Skye, Zora’s friend, admits that she and Zora’s brother Zach kissed. 
  • Owen invites Zora to the royal ball. Then, “Owen bows his head and kisses my hand.” Afterwards, he asks, “Am I welcome to kiss you?” Zora says yes, and Owen kisses Zora for the first time. Zora describes, “Owen closes the distance between us and bows his head closer. It’s a kiss that starts with one soft, sweet peck, quickly followed by another. We look at each other and smile before taking a deeper dive with a tender kiss that lingers. We stay holding hands the whole time. A few seconds later, we pull back slowly.” 
  • Owen kisses Zora in a lecture hall at Halstead. “He pulls me in closer for a quick, wonderful kiss.”  
  • Owen hugs and kisses Zora while dancing in a friend’s dorm. “[Owen] lifts me off the floor. He lowers my feet with a quick kiss.”  
  • When Zora shows up at a wedding, Owen greets her. “[Owen] wraps his arms around me and kisses my forehead.”  

Violence  

  • Owen’s sister, Emily, committed suicide, which Zora learns from an article that provides the details of her death. “Apparently, when [Emily] was younger, a royal biographer dubbed her the ‘redheaded stepchild.’ Sadly, the unfortunate moniker stuck. . . [Emily] was considered chubby. The body shaming, the merciless trolling, the unflattering memes everywhere all threw her down a self-destructive path that ultimately led to her tragic death. Her body was found off a cliff in a mountain range along the southern coast of Landerel.” 

Drugs and Alcohol  

  • When Owen’s sister died, there was “a high level of alcohol in her system.” 

Language  

  • Zora’s mother claims that her ex-husband, Zora’s dad, is always “showing his ass.”  

Supernatural  

  • None 

Spiritual Content  

  • Zora’s mother is religious and occasionally mentions God and praying. She says, “I’m gonna pray you find a friend there you can relate to. You know God always listens to a mother’s prayer.”  
  • Zora’s father says “the only person ruling this house is Jesus.” 
  • Zora is at a community event where she feels like she has to keep standing up to greet people. “I stand up, sit down, and then stand up and sit down again. You would think I am at a Catholic church service.” 
  • The royal wedding is held in a chapel in Landerel. 

Hoops

Judi Wilson, a senior in high school, loves basketball. It’s been her childhood dream to play on a basketball team. However, Judi doesn’t have a lot of options because it’s 1975. When her high school announces they’re creating their first-ever women’s basketball team, Judi joins seven other girls to begin their rookie season. However, Judi quickly learns that the girls’ team is very different from the boys’ team. They have no jerseys, transportation, or gym to host home games. Their school’s athletic director refuses to treat them as equals to the boys’ team unless they can fill the gym with fans. Can Judi and her teammates bring a championship to their school and prove that they are just as important as the boys’ team? 

Hoops is an exciting graphic novel based on the true story of the 1976 Warsaw High School girls’ basketball team. It focuses on the life of Judi Wilson, the story’s main protagonist, whose encouraging and kind personality brings her basketball team together despite the inequality in the sport. Many readers will admire Judi’s ability to see the positive side of her team’s circumstances. For example, when one of her teammates, Lisa Vincent, thinks about quitting, Judi tells her “We might as well play, right?” Judi’s conflict is relatable because Judi and her team struggle due to inequality. Despite this, Judi advocates for change by proving her worth on the basketball court. 

Hoops brings history to life in a delightful graphic novel format. The panels and characters feature a simple art style with lots of colors and shapes. The simplicity of the art enhances the action sequences during basketball games, where each panel recreates the intensity and skill of each player with clear, fluid transitions. Meanwhile, the text appears in a large, capitalized format, and the big quote bubbles help easily identify speakers. Easy vocabulary and short sentences allow seamless movement between panels and pages. Hoops will appeal to reluctant readers because of the format and easy vocabulary. In addition, each page only has three to ten sentences with the occasional paragraph mixed in. Several pages also feature no words and let the illustrations tell the story instead.  

The story highlights the historical aspects of women’s inequality in sports. Although the characters aren’t very complex, they experience dramatic development by learning that their advocacy for equality does create change in their community. Judi’s teammate, Lisa Vincent, epitomizes this lesson when she realizes that she’s “sick of being treated like I don’t matter just because I’m a girl,” and joins the team’s effort to create change by succeeding on the basketball court. 

The end of the book features a small two-page section that connects the fictional tale with its historical inspirations. The author explains that each character is based on real-life people and reiterates their story about “regular kids who play hard and stand up for what they believe is right.” With the combination of exciting characters, a heartwarming story, and engaging art, Hoops is the perfect story for basketball fans who appreciate young people fighting for equality. Readers looking for more basketball stories should also read The Fifth Quarter by Mike Dawson and Zayd Saleem Chasing the Dream by Hena Khan. However, if you’d like to learn more about women’s fight for equality, check out She Persisted: Claudette Colvin by Lesa Cline-Ransome. 

Sexual Content 

  • Cindy Randall, Judi Wilson’s friend on the basketball team, kisses her boyfriend, Mark, in front of the basketball team. 

Violence 

  • Judi’s friend, Lisa Vincent, tells a story about her time sledding on the neighborhood boys’ hill. She explains that she “made it about halfway down and then a bunch of boys knocked me off my sled and broke it.” Lisa wasn’t hurt. 

Drugs and Alcohol 

  • None 

Language 

  • Judi Wilson calls a customer at the hardware store a “jerk.” Judi also utters “jeez” at an obnoxious customer. 
  • Judi and her teammate, Cindy, say “holy moly” multiple times. 
  • Judi and Cindy repeatedly say, “Oh my god” when surprised or excited. 
  • Heck is used twice.  
  • A spectator watching a basketball game says darn. 

Supernatural 

  • None 

Spiritual Content 

  • None 

The Lost Girl

When you’re an identical twin, your story always starts with someone else. For Iris, that means her story starts with Lark. The twins have always had each other’s back and their bond was so strong that they never felt alone. They shared their looks as well as their thoughts and feelings. Lark was the extension of Iris and vice versa, and they were always better off together. 

However, things change when they are put in separate classes in fifth grade. They are in unfamiliar surroundings without their other half. For the first time, they have to make new friends and acquaint themselves with new teachers, new routines, and new challenges. Despite the grownups telling them that this is the best decision, Iris and Lark do not agree.  

Iris’s heart aches because she misses her sister’s constant presence. She had always been confident with Lark by her side, but now she has to navigate the scary and unfamiliar world of fifth grade alone. Lark, on the other hand, finds herself hiding in a world of her own as she struggles to adapt to the changes. The once inseparable twins now feel the weight of their individuality. 

At the same time, something strange is happening in the city around them. Things both great and small go missing. The girls can’t help but feel a sense of unease as they notice their world changing. When Iris begins to understand that anything can be lost in the blink of an eye, she decides it is up to her to find a way to keep her sister safe. Iris starts paying attention to her surroundings and taking note of suspicious activities. With each passing day, Iris becomes more determined to protect her sister and unravel the mystery of the missing things. 

The Lost Girl is an incredibly touching story that celebrates the unbreakable bond of sisterhood, and the beauty of individuality. The story follows two sisters, Iris and Lark, as they navigate the challenges of life, and come out on the other side stronger and more resilient. The reader experiences the twins’ journey and is drawn into the world of Iris and Lark by their intricate relationship. Since the story is told from the third-person perspective, the narrative style creates a sense of mystery around the identity of the speaker, which adds an intriguing element. While this narrative style has its benefits, it can also be confusing at times. For instance, the speaker seems to have knowledge of the girls’ internal thoughts, which can sometimes make it difficult to discern who is thinking or talking. However, black and white pictures appear once each chapter and provide a visual element that helps readers fully immerse themselves in the story. 

Throughout The Lost Girl the reader is reminded of the transformative power of change, and how even the most difficult situations can lead to personal growth and a greater understanding of yourself. However, The Lost Girl could benefit from a more developed and connected plot. The mystery and magic elements are not clearly explained which may cause confusion and disconnect readers. While the beginning seems to crawl along at a snail’s pace, the imbalance between the explanation behind the mystery and the deep development of the main characters leaves the ending feeling rushed.  

The Lost Girl presents a heartwarming tale about the bond of sisterhood and the journey towards self-discovery. While the plot development has some flaws, specifically with the integration of mystery and magic, the novel still offers wonderful life lessons.  Additionally, the themes of individuality, family connection, and the power of friendship are sure to strike a chord with many readers. Readers longing for books similar to The Lost Girl should also read the Legend of Eerie-on-Sea Series by Thomas Taylor and Inside Out & Back Again by Thanhha Lai. 

Sexual Content  

  • None 

Violence  

  • Mr. Green, the man who owns the antique shop, invites Iris to stay with him. When she refuses, Mr. Green tries to force Iris to stay. Before anything can occur, Duchess, Mr. Green’s cat, comes to Iris’s aid. “A yowling sound—then Mr. Green yelled, ‘Ow!’ Duchess was at his ankle, biting. Iris wrenched free from his grasp and ran forward, and then heard another yowl, this time in pain. Mr. Green kicked the cat. Then his hand wrapped around her shoulder again, and the next thing she knew, she was being thrown into the doorway marked office.” Duchess and Mr. Green remain mostly unharmed, but Iris is left trapped in the room. 
  •  Mr. Green attempts to get close to Iris because he plans to use magic to transform her into a doll. Iris “dove over to the shelves with the jars of magic, grabbed one, and hurled it at Mr. Green. He yelled and ducked out of the way. The jar exploded on the wall, and the magic inside splattered and oozed and steamed and hissed, and Mr. Green slapped his hands over his face and screamed.” Iris temporarily halts the attack, but wounds Mr. Green with a magic substance.  
  • The girls from Camp Awesome, the after-school camp Iris attends, attempt to save Iris from Mr. Green. Unfortunately, the girls are no match for the size and strength Mr. Green possesses. Mr. Green “swore, then threw Hannah across the room and kicked Lark in the stomach. She stumbled backwards. Iris dove to her.” Hannah and Lark are wounded slightly. The girls are left trapped listening to the demands of Mr. Green. 
  • Iris agrees to go with Mr. Green as long as he allows the other girls to go free. To ensure she doesn’t leave, he binds her to a chair. Mr. Green “growled at her. And then he duct-taped one arm to the chair. Then the other. Then he bound her ankles. And then her mouth.”  
  • The girls continue to fight Mr. Green and they use their intelligence to outwit him. They formulate a plan to shove him into the magic well. “Then several things happened at once. Mr. Green pushed the door open. As he did, Lark jumped backward. A crow let out a cry and dove toward him. He whirled around, and out of nowhere Duchess came barreling forward, right toward his ankles. He bobbled. Lark thrust out her hands and pushed. He slipped backward. And he fell.” The girls defeat Mr. Green and escape. After he falls into the well, it is presumed that he is dead and unable to come back up from the magic water within. 

Drugs and Alcohol  

  • None 

Language  

  • Tommy Whedon, Lark’s sworn enemy, makes fun of Iris in the hallway. “You’re a psycho, you know that?” Iris retaliates by calling him a mole rat and blowfish.  
  • Tommy Whedon became Lark’s enemy when he called her crow girl. “And at recess, Tommy told Iris she was nasty and ugly and bossy and no one liked her, and Lark didn’t talk for the rest of the day. Somehow their parents got wind of the ‘mole rat’ comment and Iris got a talking-to about name calling. Meanwhile people whispered Freak and Crow Girl at Lark for the rest of the year.” This nickname pops up a couple of times.  

Supernatural  

  • Lark is imaginative and believes there is magic in even the most mundane things. Lark believes her teacher to be an ogre because he made fun of her and seems out of place as a fifth-grade teacher. “‘I am pretty sure,’ [Lark] said, voice intent, ‘that Mr. Hunt is an ogre’…To Lark an ogre took great pride in his collection of children’s hearts and when the other ogres would come over for dinner (usually ogres serve yak to guests) he would show his treasure, boasting about how he had the finest collection in the land. He’d take the jar off the shelf and tell the great and glorious story of the capture of the child the heart once belonged to.” This is a thought Lark brings up repeatedly throughout the text and she continues to theorize about why she believes Mr. Hunt is an ogre. 
  • Iris sees a cat, Duchess, travel thorough a clock.  
  • Duchess leads Iris behind a curtain where Iris discovers a whole house. Not only is it almost the size of a mansion, but there are remarkable pieces of art scattered throughout. Mr. Green says, “I told you I had magic. You kept saying it was science.”  
  • Mr. Green use magic to make a compass using water and create a battery out of a potato.  
  • Mr. Green gains power by accessing wells of magic. He shows Iris a new well that is hidden inside his mansion. “Iris shook her head slightly as if to clear it. It was a well of magic. Magic was a thing, something you could scoop up like water.” Iris has a hard time comprehending the magic.  
  • Inside Mr. Green’s office, Iris discovers more magic. “One wall of shelving was lined with wooden carvings, and perched right in front of it was a big shiny black-and-gold sewing machine with a foot pedal. Another was filled with sealed jam jars of shimmering magic.”  
  • Mr. Green explains magic’s power. “The magic is hard to work with, but it does excel at one thing in particular . . . It excels at transformation. This is very useful when you need to walk out of a museum with a painting or take a sculpture the size of a semi-truck out of a public garden. It can also be useful in other ways. And I think, Miss Maguire, I know the best way to keep you. . . Perhaps I can give you as a gift to [my lost sister] after all.” He explains to Iris that he could use the magic to transform Iris into a doll for his sister.  
  • The explanation behind who the narrator is brought full circle and revealed as Mr. Green’s lost sister, Alice. It is learned that Alice turned herself into a crow and that she’s the giant crow following the girls throughout the story. “Iris was right — I did run from you. You locked me in a room, you said it was for my own good, and I pulled all the magic I could from the room and turned myself into a crow. I made a tool to open the latch and flew out the window. Crows are very good with tools. Magic has a cost. You gave your humanity willingly for it. I gave mine, too, but in a different way. I like my way better.”  

Spiritual Content  

  • None 

The Academy

Young Leo Doyle is the best soccer player in his small town of Middleton, Ohio. He dominates his YMCA soccer league and dreams of becoming a professional soccer player for the Premier League in England. His dream becomes a reality when Philip Niles, a London Dragons FC scout, invites him to try out for the Academy: the Dragon’s prestigious professional youth development program. With an opportunity to achieve his dream, Leo agrees to go to London for the summer. But he quickly learns one thing: he isn’t the only soccer star at the Academy Camp. 

Things grow dicey when Leo learns that only the best eleven players from the camp’s group of 220 join the Academy. With the pressure mounting, Leo struggles to perform up to expectations, and he fears being cut before the summer ends. Can Leo overcome the odds, the intense workouts, and the mean bullies to prove he’s worthy of being a London Dragon? 

The Academy is an exciting novel about a young boy working to become a professional soccer player. The book focuses on the life of the main protagonist, Leo Doyle, and follows a journal-like style where Leo’s first-person narration is told as journal entries. Leo is an exciting and energetic character to follow. The in-depth descriptions of his changing feelings toward the camp are vivid and genuine, and many readers will relate to Leo’s challenging experience in a new place with new faces. However, the book does recognize that Leo is also a middle-school boy, and it makes Leo’s personality very authentic by highlighting not only his strengths but also his weaknesses, such as his ignorance, quick temper, and childish passions. Leo’s scene with the bully Brock during their one-on-one soccer duel emphasizes his temper when he rashly states, “I’ll quit and go home, whether I make the World Cup or not.” 

The story’s plot and surrounding characters also enhance Leo’s character development. Many of them point out Leo’s weaknesses and encourage him to rise above the summer camp challenges. As a result, the book teaches the valuable lesson of trusting in one’s strengths and not allowing competition to ruin the fun. Leo learns to relieve himself of the pressure of perfection during soccer games and understands “in order to succeed, I had to be myself.”  

The Academy includes plenty of high-paced soccer scenes, where concrete descriptions and detailed play-by-plays will keep the readers hooked during each game, scrimmage, or drill. Although some game descriptions and plays can become too complex for those with little soccer knowledge, the story keeps things interesting by incorporating plenty of internal reflections, blossoming friendships, and courageous victories during its game-time sequences. Overall, The Academy presents an engaging tale about a young kid seeking to overcome the odds to join a prestigious youth development program. With its combination of a compelling protagonist, lovable side characters, and a moving lesson about trusting in one’s talents, The Academy is the perfect book for young and old soccer fans. 

Sexual Content 

  • None 

Violence 

  • A soccer player on the Columbus Tigers, Ronnie Lewis, trips Leo during a soccer game. Leo falls hard “and gets a face full of grass. It was a dirty, dirty play. My knees and elbows were bleeding.” Leo was not hurt badly. 
  • Brock, a burly kid with a blond crew cut, bullies Leo by making fun of his clothes and his favorite MLS league. Brock says “How lame [his] trackies are” and “We call it Major League Suck over here.” This scene is described over four pages. 
  • Brock jeers at Leo during a soccer game by taunting, “Why don’t you go back to America? That’s where the amateurs play.” 
  • Julian and Brock bully Leo during a soccer drill where Julian “offered [Leo] a hand” and then “retracted it” while Brock sneers, “Loser Yank. Your turn in the pot.” 
  • During a soccer drill, Brock smacked Leo in the stomach as a mean joke by “hitting [Leo] so hard with his hips that it knocked the wind out of [him].” Leo wasn’t hurt. 
  • Brock nearly drowns Leo at a local pool. Brock “yanked [Leo] down from behind and held [him] underwater with a hand on [his] neck.” Although Leo wasn’t hurt, it caused other boys, like Leo’s friend Alejandro, to “shove Brock hard in the chest, causing him to fall on his back in the water.” This scene is described over five pages. 
  • Brock trips Leo during a soccer scrimmage, and “the fall knocked the breath out of [him] and left [his] mouth full of grass.” 
  • When Brock finds himself on the losing side of a soccer match with Leo, he shouts, “I’m gonna kill you, Yank,” toward Leo. 
  • Brock and Leo engage in a soccer match where there’s constant shoving, tripping, shirt tugging, teasing, and slide tackling. At one point, Leo acknowledges that he didn’t “know how long we fought for that last goal. It seemed like hours. Both of us heaved with exertion, bleeding in half a dozen places from hard falls.” This scene is described over eleven pages. 

Drugs and Alcohol 

  • Robbie, Leo’s roommate at the soccer academy, gives Leo some ointment called “Icy Hot” for his cramps to “rub on [his] legs tonight and in the morning.” Leo uses Icy Hot repeatedly throughout the story. 

Language 

  • There is some name calling including idiots, jerks, doofus, and loser. For example, Leo calls the kids on the Columbus Tigers soccer team “rich jerks.” 
  • On three occasions, someone is told to shut up. For example, Leo tells his sister, Ginny, to “shut up” when she gives him a command. In addition, Brock tells his friend Julian to “shut up” after his rude remark toward Leo.  
  • Leo’s friend, Carlos, utters “what the crap” and calls Leo a “fart-breath.”  
  • Leo mutters, “geez” because of Robbie’s poor attitude. 
  • Brock calls Leo a “Yank” throughout the story because Leo is from the United States. 

Supernatural 

  • None 

Spiritual Content 

  • When Leo gets to participate in a FIFA tournament, he exclaims, “Have I died and gone to heaven?” 

When the Butterflies Came

Tara Doucet is a twelve-year old who seems to have everything going for her. She comes from one of the oldest families in New Iberia Parish and is a descendant of the original Paris Doucet Family. However, beneath the surface, Tara is struggling with a number of challenges. Her beloved Grammy Claire recently passed away, leaving a void in Tara’s life. Additionally, her mother has become reclusive and is unable to deal with her recent divorce or the looming foreclosure of their family plantation, leaving Tara to shoulder much of the burden. To make matters worse, Tara and her sister have never seen eye-to-eye, causing further tension and conflict within the family. 

Despite these difficulties, Tara’s life takes an unexpected turn for the better when she has a remarkable experience. After Tara’s grandmother’s funeral, a beautiful, velvety purple butterfly visits her, almost as if it were sent by her grandmother. Moments later, Tara receives a letter that sets her on a quest to unlock the mystery surrounding her Grammy Claire’s research with butterflies. As she delves deeper into her grandmother’s past, Tara must confront her own fears and insecurities and learn to embrace the beauty and complexity of life. 

The letter Tara receives from her grandmother leads her on an unexpected adventure to protect the butterflies that her grandmother discovered. Tara’s journey takes her to her grandmother’s house where she finds 10 keys and more letters with cryptic clues; the letters urge Tara to protect the butterflies and trust no one. As Tara progresses from clue to clue, she learns of her grandmother’s amazing scientific discovery. However, the discovery is what put her grandmother’s life and the existence of the butterflies in peril. 

The suspense builds as Tara relies on her wits and follows her heart to find the clues. She risks everything to save her grandmother’s butterflies. Tara’s wondrous tale is narrated in a gripping first-person, present tense, which allows readers to experience the intense range of emotions Tara goes through, including emotions from the depths of grief to the heights of wonder, from gripping fear to overwhelming surprise. As the reader follows Tara’s journey, they will be drawn into the vivid and enchanting landscape that is painted, where the rules of reality are suspended and anything is possible.  

Throughout Tara’s journey, she encounters various obstacles and challenges that she must overcome to succeed in her mission to protect the butterflies. Tara learns more about her grandmother’s life and the scientific discoveries she made. She also uncovers a sinister plot to destroy the butterflies and their habitat. Tara must use all of her skills and intelligence to stop the plot and protect the butterflies.  

However, figuring out who is behind all the danger is not an easy task. Tara must travel to the island of Chuuk, where her grandmother lived and her research began five years ago. There, she dives deep into her grandmother’s research, searching for clues that will help her uncover the truth of who is behind the plot to destroy the butterflies. Her journey to Chuuk reveals a world full of secrets and dangers that Tara never imagined. But with each new challenge, she grows stronger and more determined to complete her mission and protect the butterflies. 

Overall, Tara’s adventure is a thrilling and exciting story that teaches readers about the importance of protecting the environment and the creatures that inhabit it. When the Butterflies Came highlights the importance of perseverance, courage, and intelligence in overcoming obstacles and achieving goals. The story also emphasizes the power of family, even in the face of adversity, and the importance of cherishing the memories of those who have passed on. Tara’s journey is a story of growth and discovery, of facing one’s fears and finding the strength to overcome them, and of the enduring power of love. 

Sexual Content  

  • None 

Violence  

  • Tara is up at two in the morning trying to determine what the seventh key, that her grandmother leaves as a clue towards her secrets of the butterflies, unlocks when she hears someone moving around upstairs. She goes to her Grammy Claire’s laboratory that should have been locked shut. Instead, she finds it unlocked and one of the precious butterflies, crushed on a desk. Tara wonders, “‘What happened here? How did she die?’ And then I started to cry even harder because I know deep in my heart that the Giant Pink butterfly didn’t die of old age. It didn’t have an accident. Its life span didn’t just run out. It was murdered.”  
  • In a letter following the seventh key, Grammy Claire outlines that there is someone who is willing to put their lives in danger for the butterflies. “Someone wants to hurt the [butterflies]. To steal them, and destroy them. I cannot allow that to happen. They are precious. They hold a secret the world is not ready for, but which someone is willing to kill for. I often make myself crazy thinking about each person I know on the island and wondering who wants the butterflies. And who might want me dead.” The letter makes Tara question how her grandmother died. She begins to wonder if her grandmother’s car accident, wasn’t truly an accident.  
  • Tara finds her sister, Riley, splayed out at the bottom of the stairs, which are covered in water and oil. Riley begins to draw conclusions of her own that she shares with Tara. Riley says, “These stairs were just fine last night . . . I think somebody tried to hurt me. Or you.” 
  • While Tara and Riley are attending a barbecue, two gunshots go off. “A second later, there’s two ear-splitting pops that rupture the air. Instantly, the bark of the palm tree I’m sitting next to spurts a shower of splinters. My cheeks sting from flying, razor-like slivers, and then shredded bark sprays over my hair, my lap, and clothes. I’m screaming as I fall to the ground.” Tara is okay, but they find a bullet missed her head by inches. Riley and Tara run to escape. 
  • After finding the final last chest that unlocks the secrets of the butterflies, Riley and Tara try to leave the island when they are intercepted by the individuals who have been after their family the whole time. Tara is suddenly “tackled from behind and flung to the ground. The treasure chest launches out of my arms and I get a mouthful of sand. Then someone huge and strong reaches around and clasps their hand around my mouth.” Tara remains pinned in the sand.  
  • Tara and Riley’s captors talk about how to dispose of them. “‘Rope.’ ‘Nope. Grotto.’ ‘Hmm . . . might be easiest’ ‘. . . found Claire’s hidden chest. Look like they drowned getting it.’” 
  • As Tara and Riley’s captors held their heads over the water, Riley screams out to Tara. Riley’s “voice is instantly muffled as a hand roughly shoves my head under the water. I never get a chance to take a decent breath. Almost immediately, bubbles escape my nose. After twenty more seconds, my eyes bulge, trying to see in the dark water, staring up at the cavern roof. Beams of light flash here and there, squiggly and hazy . . . Now I’m bursting. I am truly drowning. My lungs are on fire. I’m going to die! Die!” Right before Tara’s body can completely give out, the men release because people show up. 

Drugs and Alcohol   

  • None 

Language  

  • In Grammy Claire’s third note, she mentions the importance of nipwisipwis, but Tara doesn’t quite understand what it means. It isn’t until her sister Riley looks up that it is written in another language –Chuukese. “I can barely choke out the words. ‘Nipwisipwis means butterfly!’” Nipwisipwis is utilized frequently for the rest of the book.  
  • ‘Kinnisow’ means ‘thank you’ in Chuukese. Eloni, Grammy Claire’s research assistant, teaches this to Tara so that she may use it while on the island.  

Supernatural   

  • The first butterfly to visit Tara is a small, purple one that floats into her room. It sits and stares into her eyes, making Tara question if there is something special about the butterfly. “This butterfly ain’t no regular butterfly. ‘Are you magic?’ I say real quiet, because I don’t want it to fly away and disappear.” 
  • In Grammy Claire’s second note, she talks about her dear friend who used to help Tara’s mom come out of her bouts of melancholy. To do so, she utilized herbal practices to create a concoction. Tara says, “’I’ll bet Grammy Claire’s talking about the mother of Miz Mirage, the woman who lives in the swamp. The one all the kids at school call a swamp witch. . . Maybe what she does ain’t bad magic at all.’ Words dance in front of my eyes. Herbs. Healing. Prayers. Love.” 
  • Someone shows Tara the magic of the butterflies. Tara begins to realize that the purple ones with a yellow outline can make music of their own.  
  • Upon finding the last chest, Tara and Riley begin to read some of the curious findings that make their grandmother’s work with butterflies so dangerous. “I stare inside the thick envelope, trying to focus. Words jump out at me. Nipwisipwis is written over and over again on every sheet. Giant Pink. Experiments. Turn back time.” 

Spiritual Content   

  • After Grammy Claire dies, Tara receives a letter from her that was written in the event of her death. The letter says, “What does gone mean, after all? Am I six feet under? Floating in the air or dancing on a cloud? Maybe I am having tea with God and making Him answer the long list of questions I’ve been hungering after for decades . . . even if that means I’ll wake up in heaven next time I see you. You can bet I’ll be the first in line to hug you and smother you with kisses.” 
  • In a letter, Grammy Claire tells Tara how she is looking down on her from heaven. “In Chuukese, they call heaven naangenu, the place we came from and the place we return after death. Where I am, I will be with you in spirit. Always” 
  • Eloni, Grammy Claire’s research assistant, tries to comfort Tara. Eloni says Grammy Claire is still looking over them and that Grammy Claire, “is right now watching. From naangenu. . . It means heaven. Where the gods live. And one day, we live there, too.” 

United We Spy

Cammie has finally discovered why the Circle wanted her dead. Once upon a time, she had seen a list of the Circle founders. Now that Cammie’s mother has the list, she and her most trusted allies are determined to track down the masterminds of the Circle and arrest them. But they are not the only ones hunting them. A splinter group of the Circle is also tracking the founders down; their goal is not to arrest, but to kill. One by one, members of the Circle arebeing picked off. But before one dies, he warns Cammie that the Circle is planning something big, and the wheels are already in motion.  

To make matters even worse, the Winters are one of the names on the list of Circle founders. Macey swears Preston Winters can’t know that his father is in the Circle, but with tensions as high as they are, Preston may be guilty by association. When he and his father are whisked off to a secret, high-security prison, Macey fears Preston isn’t safe even there. Those worries are proved right when his father is killed by a mole while in prison. Cammie and her friends are left with no choice—they must break Preston out before it’s too late. 

The mysteries of the Circle are being solved one by one, yet Cammie continually feels one step behind the Circle’s plot. As the dominoes begin to topple, Liz warns that the building tension will lead to World War III. Cammie will do anything—even give her own life—to stop the cascade before it’s too late. 

United We Spy is full of action, tension, and the satisfaction of a long-brewing mystery resolved. Cammie and her usual cast of friends and family will stop at nothing to prevent the Circle from starting World War III. The question is, can they stop the chain of events before they reach a critical mass? And even if they can, what will be the price they have to pay? Through first-person narration, Carter creates an exciting story full of relatable characters and action-packed sequences. Readers may want to have a box of tissues handy as they close the final chapter of this epic saga.   

Sexual Content  

  • Cammie sees her aunt Abby kiss Agent Townsend. “On the Tarmac, Agent Townsend whispered something to Abby, then squeezed her hand and kissed her softly when he didn’t think we were watching.”  
  • Zach and Cammie kiss several times. Most kisses are described in one to three sentences. For example, “Zach’s hand was warm in mind, and I didn’t feel the chill, even when he stopped me on the stairs, pressed me against the wall, and kissed me. Softly at first, then more urgently, hungrily. It was like he hadn’t eaten in weeks.”  
  • Another time, Zach and Cammie kiss. “I brushed my lips across his mouth, lightly at first, teasing. Tasting. And then his lips parted and the moment was over.”  

Violence  

  • When Cammie and Bex go to arrest Sir Walker, a member of the Circle, Zach’s mom beats them there and kills him. Cammie gets there and she “heard the hiss of the bullet, saw the dark spot that grew on Sir Walter’s chest, and watched him fall to his knees . . . A drop of blood ran from his lips. As the life drained out of him, he toppled over onto the floor, never to defy us—or anyone—again.”  
  • A member of the Circle launches a grenade at Cammie. Cammie describes, “Blood ran into my eyes. The grenade must have struck a gas line, because smoke swirled all around me and I could feel the heat of the explosion at my back.”  
  • Cammie and her friends are in a car crash during a getaway chase. “The crash came too fast—too hard. One second we were careening along the Roman streets, and the next there was nothing but the screech of tires and the crunch of metal. I felt myself falling, tumbling in the back of the truck as it flipped onto its side. Sparks and scraping metal.”  
  • Cammie hears Preston’s dad get shot in the next room. Cammie “jumped over the partition and into the other room . . . blood stained the concrete. His face looked almost peaceful as he stared up at me and gave me one last smile. ‘Save Preston,’ he whispered, eyelids fluttering. And then he died.”  
  • When outsiders come for Cammie, the Grand Hall of the Gallagher Academy breaks out into chaos. “Seventh graders jumped onto the backs of FBI agents. Seniors squared off against the CIA. It wasn’t cat versus mouse; it was spy versus spy.” No one was seriously injured. The fight takes place over two pages.
  • While infiltrating a prison, Zach attacks a guard. Cammie “stepped into the hall just in time to see Zach haul back and head-butt the guard, knocking him to the floor.” Later on the way out of the prison, Macey takes out some guards. “A guard rounded the corner and Macey dropped to the ground, knocking the man’s feet out from beneath him. Another guard followed so closely behind that they became tangled together, falling.”  
  • After escaping from the prison, Cammie realizes Bex has been shot. Cammie “looked at Bex just as she unzipped her heavy down jacket. Blood stained her shirt spreading across her shoulder and dripping down her side.” Bex survives.  
  • Cammie and her friends are close to a bomb that detonates. “There was nothing but a cloud of smoke and terror. People screamed . . . The force of the blow had knocked [Cammie] to the ground, and my side ached . . . A man stumbled through the crowd, his face so covered in blood that I couldn’t even tell what damaged had been done.”  
  • When Zach’s mother turns herself in, Cammie hits her because she is angry. Cammie “pulled back my fist and punched with all my might.”  
  • Cammie lunges at a man with a gun and is shot. “He fired. Once. Twice. Blinding pain coursed through me, but I didn’t stop. I just kept running toward him, catching his gun hand in my arms and spinning.” 
  • While rescuing Amirah, a fellow Gallagher girl, Cammie is shot. Cammie then kills the man who attacked her and Amirah. “Pain seared through me again—a hot, burning stab . . . I took aim at the very place Amirah had been just seconds before and pulled the trigger . . . [Amirah] crawled away from the man who was falling to the ground. His blood was on her shirt, but she didn’t seem to be in any pain.” 

Drugs and Alcohol  

  • When taken to a top-secret prison, Cammie is drugged so that she cannot reveal its location. “In the next second a syringe was in Agent Edward’s hand, and the needle was in my arm, and just that quickly my mother’s office began to spin, the whole world spiraling quickly into black.”  
  • A teacher at the Gallagher Academy developed Napotine patches, which knock a person out. These are used several times. Once, Bex “slapped [a guard] hard across the face . . . the man looked almost amused for a moment before the strength slipped out of his limbs and he crumbled to the floor. The other guard was struggling to his feet, but Macey was already on him, attaching yet another Napotine patch to the back of his neck.”  
  • Liz drugs Zach’s mother with a concoction stronger than truth serum. “Liz’s concoction entered her bloodstream. It was like she was growing drunk and sleepy. Her eyelids were heavy.”  

Language    

  • None 

Supernatural  

  • None 

Spiritual Content  

  • None 

Light it Up

Told in a series of vignettes from a myriad of points of view, Light it Up details a community’s reaction to a police officer killing a thirteen-year-old Black girl. An outraged city demands change, but quickly the outside world, and some white nationalists, take notice. As tensions escalate between the citizens of Underhill, and as the white nationalist group White Out arrives in the city ready to counterprotest, the lives of the residents are thrown into further disarray. 

Light it Up is the second book in her series, coming after How it Went Down, which is also about the killing of an unarmed Black teenager in the same community. It is not necessary to read How it Went Down first, but there are overlaps between the fictional setting and the characters. Each book makes sense on its own, as the focus is on different tragedies that happen to different characters. 

Magoon’s book takes place in a fictional city, but the unarmed killing of Black people in the United States is real, and she heavily borrows from real-life situations to bring her narrative to life. Magoon mentions the names of Black people killed by police in the United States including Michael Brown, Freddie Gray, and Martin Luther King Jr. She also includes a fictional white nationalist group, White Out, that is heavily based on real-life groups, and the KKK also makes a brief appearance. These moments serve to show how close her narrative runs along our reality.

Light it Up primarily tackles conversations about race relations in the United States from a variety of perspectives. Magoon addresses the nuances through many different points of view, including from a little girl who only speaks in simple poems, the daughter of a police officer, local nonprofit organizers, a gang leader, and many more. Each piece tells part of a larger story about the Black girl who was killed, but the lives of the other characters also shine through. Although this story is a tragedy at its core, it’s also about a community fighting the same fight day after day, and doing as much as they can to live somewhat normal lives. 

There are also segments of the book that show the scripts from news broadcasts and social media comments, which brings in extra context from outside the city of Underhill and paints an even broader picture of the conversations surrounding police brutality and racialized violence. Light it Up takes a stance that is clearly shown in one news segment in particular. A guest tries to justify the viewpoints of white supremacists, saying that their views are equally valid, and the news commentator points out, “The minute you accept the premise that intolerance is a valid point of view, you lose freedom.” This is a succinct look at one of the book’s main themes. 

Light it Up has mature content, including heavier language usage, violence, and sexual suggestions than some other young adult novels; however, its themes about race relations and community are powerful and certainly worth reading about. Additionally, most of the characters, unless otherwise specified, are college students or adults. Readers should take note that extreme bigoted language is used, but in context, the language shows the reality of white nationalists in the United States. This book is important to read because it helps illustrate the many facets of racism, and it does so in an intelligent and empathetic manner. There is not a happy ending after a child is killed, and the community can only do its best to grieve and continue the fight for a better home, despite the terrible obstacles. This is not a joyful occasion and the only way out is through. 

Sexual Content  

  • The characters in this book engaging in sexual content are exclusively adults. 
  • One character, Jennica, used to be in a relationship with a man named Noodle, and he still comes around her place sometimes. Jennica describes how Noodle says, “‘Hey, gurrrrrl.’ He drags the word out so long it sounds dirty.” When she rebuffs him, he says, “I wanna keep doing you.” Jennica also mentions that what she misses about him “has nothing to do with sex.”  
  • At another point, Noodle texts Jennica, “You look hella sexy in that apron.” Jennica is not amused. 
  • While drunk at a party, Noodle sexually assaults Jennica. Jennica narrates, “My back is against the wall and Noodle presses up against me with his whole body. His hands push up my skirt. His mouth is on my neck, my chest. When I try to wriggle away, he takes hold of my wrists, pinning them beside my head.” After a page, he is stopped by a man named Brick, whom Jennica then kisses despite Brick saying no several times. Jennica notes, “When our mouths meet, I taste salt and beer and breath. It’s one quick moment, or it lasts a hundred years. He tears his face away.” 
  • While she is drunk, Jennica makes a sexual pass at Brick. Jennica notes that Brick pushes her back a step, but she also notes, “But his eyes say different. His fly says different.” Nothing happens between them. Later, she articulates her attraction, saying, “[Brick’s] muscles. I’m kinda turned on and I hate it because it reminds me of last night. Of Noodle’s hand going between my legs.” 
  • Brick notes that he can have “any woman [he] wants.” He says, “I could lose myself in [the party], find some honey to wriggle against me, soft and warm. The one in the hot-pink mini skirt. Damn. The one with the shaved head and earrings like Olympic rings.” This is the extent of his detailing of his sexual desires. 
  • Community organizer Zeke is talking to community volunteer Kimberly at the community center as folks are seeking shelter from the police outside. Zeke gives Kimberly a blanket and notes, “She smiles up at me. So pretty. Sleepy eyes are kinda sexy, I guess.” 
  • It is insinuated that a character named Melody has sex with Brick. The only description of this is from Melody, who remembers, “my memory rings with the sensation of his muscles against me. His breath on my cheek. The quick, hard rhythm as we rise together. The way his arms wrap me tight as we lay together. His sweet whispers.”  
  • Brick and Melody have sex again. Brick’s usual dating method is: “We screw, we snuggle, then we go our separate ways. No hang-ups. I sleep careful. I sleep smart. No drama.” He says this as Melody wakes up in his bed. Brick sees Melody, “her shirt is off and the covers are pulled up right underneath her excellent rack…She’s right there, and willing, and it feels good.” They have sex again that morning, though no further details are given. 
  • Kimberly and Zeke are attracted to each other. Kimberly mentions that Zeke “is fine.” Zeke mentions that Kimberly “is fine. Can’t tear [his] eyes from that big, sexy behind of hers. Why is she wearing cute pants like that to the office? Nobody needs to look that good while filing correspondence.”  
  • Kimberly likes Zeke, but she insinuates that she may have had a relationship with another man that they mutually know. Kimberly says, “Zeke can’t ever know what happened between me and Al. Reverend Sloan. The senator.” She doesn’t elaborate about what happened further. 
  • Senator Al Sloan has a history with Kimberly, and she doesn’t like how he seems to speak in double-entendres. Kimberly notes that when he says, “I still think about that week,” she understands it as him saying, “I wouldn’t mind getting in your pants this time, if you’ll let me.” Kimberly manages to rebuff him at each opportunity. 
  • Kimberly and Zeke kiss. Kimberly describes, “His lips are soft. It’s not unpleasant. But I don’t know what to do… My hands find his fingers. His tongue plunges in and out and I try to move mine in response.” Kimberly explains to Zeke that she’s never had sex before, and after a couple of pages of discussion, it is insinuated that they do have sex, but nothing is shown. The sequence lasts for several pages. 

Violence  

  • The book’s central discussion is about police officers killing unarmed Black people. The characters reference real life examples listing, “Look at Watts in ‘65, look at LA after Rodney King, Ferguson after Michael Brown, Baltimore after Freddie Gray.” Later, students at a demonstration at their college campus, named other victims like “Emmett Till, Martin Luther King Jr., Sandra Bland,” and many others. 
  • One day, walking home from school, an unarmed Black girl, Shae Tatum, is shot and killed by a police officer. Descriptions throughout the book detail her death. For instance, after she’s shot, “the curb is dewy with blood.” Later, a police statement notes that “the child was running away and got shot in the back.” 
  • Shae’sdad comes running to the crime scene, and another character, Brick, stops him because, as Brick notes, “The next five minutes play out in my mind in sped-up slo-mo fashion: He’ll run at them. Try to bring them down with his own hands. Then he’ll be laid out beside her and they will feel justified.” Brick stops him, but the grieving father “pummels [Brick].” With the cops pointing guns at them, Brick requests that a paramedic “sedate [Shae’s dad]” and they do as he asks. The scene is described over a couple of pages. 
  • At a crime scene, the police tear gas the crowd. One cop notes, “The line we held firm for hours is shattered. So long, tenuous peace. The string of yellow tape bursts and drifts to the ground as people run and scream.” 
  • Brick seriously considers and plans to organize his gang against the cops, and he tells part of his plan to one of the women who’s attracted to him. She tells others that, “He’s talking it. Panther-level action, taking guns against the cops.” 
  • The young daughter of the police officer who killed Shae is being abused by other students at school. She notes, “When I am not looking, other kids reach out and pinch me as hard as they can. I say nothing. Like I’m supposed to.” 
  • The daughter of the police officer has a classmate who says to her, “I bet [your dad] beats your mom. All cops are beaters.” The classmate then “pounds his knuckles into the other palm,” and the daughter has flashes of what are presumably memories. She thinks, “The smack of skin on skin. Beer bottle against the wall. The boxing bag hanging from the garage ceiling… I know how to throw a good punch.” It is insinuated that she punches this classmate. 
  • It is insinuated that the police officer who killed Shae Tatum beats his wife. Their daughter notes, “[Mom’s] shirtsleeves taper smoothly to her wrists such that everything is covered.” 
  • Much of the book details the actions of the white supremacist group called White Out, but the book also details the history of white supremacist groups. One author on a news program explains, “The image of white people marching with torches by night evokes more than a belief. It evokes intent. Historically such images are associated with lynchings. The Klan and its members passed extra-legal judgment on any black people they had it in for. The image evokes hatred and represents an absence of due process. Forces that this country has been working for a century to overturn.”  Historical explanations of violence like this are explained throughout the book, but this is the end of this description. 
  • One college student, Tyrell, is having a conversation with his white classmate, Robb. Robb doesn’t understand that white supremacists and racism have always existed, and he asks Tyrell if there are white supremacists in his neighborhood. Tyrell thinks, “You mean like the cops who put us into walls, the teachers who tell us we won’t amount to anything, the cabbies who won’t stop for us, the bankers inside their bulletproof glass cages? You mean like the guy who shot my best friend?” Robb doesn’t understand that this is a system that he, as a white man, benefits from. 
  • One police officer watches the White Out rioters descend upon the city. He thinks to himself, “There is no one I hate enough to bring a torch to a park and chant in the dead middle of winter. I think hard about it. There’s no one. Well, terrorists, I guess. The kind of man who straps a bomb to his chest and walks into a school to set it off. I hate guys like that enough to set them on fire.”  
  • One white college student is driving his two black classmates to the protests, and he’s driving over the speed limit. The other two are worried about getting pulled over, and their white driver refuses to slow down. One of them then reaches “up from behind and takes his shoulder. Pinches his fingers as hard as he can into his soft tissue.” This convinces the white driver to slow down and be serious. 
  • The college students in the fray see a cop beat a young Black woman who tripped and fell during the protest. The cop’s “baton, already raised and ready, comes down hard on her. Crack! She screams as the cruel metal tube strikes her shoulder. She falls to the ground. The cop spins, putting his back to us, and brings the baton down on her again.” The white college student tries to stop the cop. The student’s “hand goes out, grabs the officer by the collar with one hand. His other hand knocks the baton aside and away from the woman on the ground.” This scene lasts for a couple of pages. 

Drugs and Alcohol  

  • Shae’s parents bring out the mulled wine, presumably for the people who are of-age. Mr. Tatum says, “My sister-in-law’s been making it like no tomorrow.”  
  • After police-mandated curfew hours, Brick considers staging a protest. Noodle tells him it’s a bad idea, saying, “The whole point is they come after us for nothing now. We can get high and forget about it.” 
  • Zeke is on a date with Kimberly and he offers her beer as “it looks like we’re out of wine.” 
  • A character notes that Brick’s parties involve a lot of “dancing and drinking and being all loud.” 
  • Jennica shows up to one of Brick’s parties angry. She says, “I came anyway. In time to see Kimberly and Zeke sitting right up where I used to sit. Holding court with Brick. I’m holding court with Jose Cuervo.” It is confirmed that Jennica is drunk. 
  • One college student, DeVante, checks his white classmate’s car he’s in for “errant weed,” as DeVante knows full well that he and Tyrell would be the ones that the cops would blame for it being in the car. 
  • DeVante and his white classmate Robb have been friends since the start of college. DeVante notes that, “We’ve talked about girls and kept each other from getting too drunk, or walked each other home when we’ve occasionally missed the mark.” It is implied that they are in their first year of college, but nothing else is described. 

Language  

  • Profanity is used frequently. Terms include hell, ass, God, goddammit, shit, fuck, and bitch.  
  • One character known for being insensitive reads about the murder. He tells his roommate, “Cops shot a girl. Only thirteen, and retarded or something.” His roommate responds, “Don’t say retarded.” This is the extent of the conversation. 
  • Robb refers to a woman news anchor as “the hot chick with the big lips.” He later says, “Can we get a scroll bar with her number?” The other people around berate his rudeness. 
  • Robb regularly makes microaggressions against Black people. For example, he notes that there are mostly white people at his college. He says, “Everyone in the room is white, except DeVante and two Asians. I mean, a Filipino and a … I forget. Chinese, maybe. Whatever — he grew up in Portland.” These comments come up semi-regularly. 
  • In one of the online forum posts, a presumably white person uses the N-word. The comment reads, “Fuck these n—-. We’re gonna take it to them where they live.”  In another post, the same commenter says, “You n— can’t keep a good cop down.” The term is written out in the book. 
  • White supremacists show up at Shae Tatum’s funeral, declaring that she deserved to be shot and that this incident was a “war on cops.” Zeke notes a photo that he sees at the funeral, describing, “The focus is on a small girl, not more than ten, standing at the front of the group. Her long blond pigtails fall over her shoulders, framing the hand-lettered sign at her chest: SHE HAD IT COMING.” Many more incidents like this occur throughout the book. Another sign at this event reads, “[The cop who killed Shae] DESERVES A MEDAL, NOT A PUBLIC LYNCHING.” 
  • A guest activist on a television program discusses the phenomenon of counterprotests. They say, “There’s a history of counterprotest. Remember, the ‘God Hates Fags’ contingent showed up at Matthew Shepard’s funeral.” This is the extent that this term is used. 
  • One newscaster notes that on social media the counter-protesters were trending the phrase, “The only good n– is a dead n–.” The newscaster doesn’t say the word but instead indicates it with the n– instead. 
  • Another person on a social media thread comments about the black protesters, “Like monkeys in the zoo. Making sounds and throwing feces. Ooh Ooh. Fenced in! Tear gas! Tase their asses!” 
  • Brick sees that his friends are being arrested for protesting. He thinks to himself, “Cops and n–s in a game of chicken- who’s more afraid of the dark?” The word is spelled out in the book. 
  • Jennica and Melody stand with the protestors against White Out. One of the white supremacists yells at the group, “Oooh oooh ooh! Go back to Africa, you motherfucking apes!”  
  • After getting Shae’s dad away from the police officers, he is sedated and lying in the back of a car. Another man is trying to keep him upright but is struggling, and he says, “Fuckin’ Christ.” 
  • Brick swears in surprise at Jennica when she’s drunk and she kisses him. He says, “Jesus, fuck.” 
  • One of the cops is complaining about paperwork. He says, “Christ, look at all these arrest reports.” His co-cop says, “Don’t take the Lord’s name in vain, for God’s sake.” They both laugh at his joke. 

Supernatural 

  • None 

Spiritual Content  

  • Someone on a news forum comments saying, “Why r u up here talkin bout blessings? Ain’t no GOD in this mess.” Many other people give their “thoughts and prayers” to the community. Another comment states, “You trippin. Prayers aint enough.” 
  • Shae Tatum’s funeral is held at a church. One little girl notes, “Ladies, ladies / loud ladies / big ladies / chewing ladies / sipping ladies / humming, Lord Jesus / humming, my baby / humming all the way to the cathedral sky.” 
  • The cop who killed Shae Tatum sits with his family at their home, holding a vigil for Shae. His wife lights a bunch of candles and says to her family, “Let’s pray.” The scene lasts for half a page. 
  • A news show discusses the intersection of faith, liberty, and rights. The guest on the program notes, “When a serial killer says God made him do it, we don’t let him off the hook for his crimes. Are we supposed to accept murder as a protected aspect of faith?” This discussion lasts for several pages. 
  • A commenter on a social media forum says about the verdict, “Life and death, reward and punishment, is the purview of God Almighty. Righteousness has been on our side from day one. #HeroCop.” 
  • One of the college students is deeply upset and is thinking of his friend who was killed by police. He thinks, “Don’t know what to make of a world without justice, of a God who turns our best intentions into the dark.” This point is not elaborated on more. 

The Troubled Girls of Dragomir Academy

Illyria, a land shrouded in mystery and magic, is home to a kingdom full of potential sorcerers, witches’ curses, and a mysterious mist called “the Dread.” Marya Lupu has always known her place in the kingdom. Her role is to stay quiet and make sure her brother Luka gets the title his family feels he deserves, which is to be a powerful sorcerer. However, on the day that the sorcerer’s guild comes to test Luka’s magical capabilities, Marya finds herself at the root of a chaotic mistake that will change her life forever. As it turns out, Marya’s brother is not a sorcerer after all, and the guild finds Marya to be unfit for the norms of society. Upon the king’s wishes, Marya is sent away to Dragomir Academy, a prestigious school for troubled girls. Although initially hesitant and fearful, Marya soon finds that Dragomir Academy is a place of great opportunity and learning. 

At the academy, Marya is introduced to the values and practices necessary for a lady of Illyria. In the eyes of the kingdom, Marya needs to know etiquette, needlework, music, and literature in order to have value. But Marya also discovers that Dragomir Academy is a place of secrets and intrigue. As she delves deeper into the mysteries surrounding the academy, Marya realizes that her fate is intertwined with Illyria’s fate. And as Marya uncovers the secrets of Dragomir Academy, she realizes her true destiny may be far greater than she ever imagined. 

The Troubled Girls of Dragomir Academy is a captivating and thought-provoking novel that delves into the lives of young girls dealing with personal issues such as what their role is inside a patriarchal society and what power they hold. Although the story starts off slowly, it gradually builds momentum as it explores the complexities of Marya’s and the other girls at the academy’s lives. Unlocking the mysteries will leave readers on the edge of their seats. 

As Marya arrives at Dragomir Academy, she is introduced to an entirely new world, one full of challenges and untold secrets. Her journey to unravel these secrets makes the book compelling.  Readers’ hearts will break as they follow Marya through the difficult challenges the ladies of Illyria face. Marya is a character that readers will want to give a hug. She is extremely relatable, especially for young girls who are learning to navigate their way in the world. She is curious, intelligent, and admirable, with a deep sense of empathy that makes her all the more endearing. Readers will find themselves rooting for Marya at every turn, as she overcomes obstacles both big and small on her journey of self-discovery. Her steadfast determination to succeed and strive to find out the truth makes her an inspiration to anyone who has ever faced adversity. Whether she’s exploring new horizons or facing down a challenge head-on, Marya’s spirit and resilience are sure to leave a lasting impression on readers of all ages. 

The Troubled Girls of Dragomir Academy is a powerful book that tells the story of girls who have been told that they are powerless. They have been told to calm down, be proper, and be quiet. This book is about finding strength, friendship, and the power within yourself. It’s about choosing to be strong despite the obstacles in your path. With vivid descriptions of the academy and the girls, the author paints a picture that is both whimsical and heart-wrenching. This is a must-read for anyone looking for an empowering story about young women who refuse to be silenced. However, it is not a read for the faint of heart, as it shows the gravity of how heavy life can be for a woman.  

Sexual Content  

  • None 

Violence  

  • The Dread is a mysterious monster affiliated with the kingdom that causes villages to be lost overnight. The Dread leaves the villagers dead, which is described several times as the Dread leaving corpses without blood or souls. 
  • Marya reflects on the loss of her baby brother, Pieter. “The fever came during the day and he died during the night. She was eight, then. It happened while she was sleeping. She’d tried to stay up to watch him, but she was so tired from the day of trying to get the fever down.” She was heartbroken over the loss of her brother, after his passing her family pretended he didn’t exist.  
  • Two significant girls at Dragomir Academy get “mountain madness.” When the onset occurs, the girls start shrieking and crying because they either see things or feel that there are bugs crawling underneath their skin. Simona, the sixth year in charge of her class, tells Marya of her experience. “Nothing was there. But then it kept happening. Or it would feel like spiders were underneath my skin, scuttling in my veins… I tried to hide it, pretended everything was fine. And then one night when I was sleeping, I dreamed a giant spider was on my chest, tying me up. But it felt so real. So I started screaming and fighting, trying to get it off me.” Mountain madness then becomes a topic of interest for Marya as she feels there is something more to it that the adults are hiding.  
  • A girl’s aunt accidentally harmed a village boy. The girl says her aunt “was practicing witchcraft. Like, some boy who had been pestering her while she was walking, suddenly his hair lit on fire.” The child was okay, but her aunt was sent to an asylum for witches.  
  • High Count Arev, a member of the Sorcerer’s Guild, answers questions about witches. “During the early days of the Witching Wars, we simply put them to death. But of course, that ultimately added to our troubles, for reasons we understand now . . . All the magic of the witches we killed during the Witching Wars either transferred to new witches or appeared somewhere else in the kingdom as an uncontrollable entity and would wreak havoc.”  
  • The headmaster, Headmaster Iagar, of the school, locks Marya in a quarantined cottage. Then, he corners her in the great hall, but Elana, Marya’s friend, helps protect her. “Elana was at the top of the stairs, out of breath, Madame Rosetti, the other teacher at the academy, behind her. The headmaster whirled around, but before he could say anything, Elana lifted her hands and pushed them towards him, the air shimmering with power. He flew backwards, slammed into the wall, and fell to the ground.” He is left unharmed but remains unconscious for several minutes after the blow. 

Drugs and Alcohol  

  • Elana was taken into isolation by the headmaster. “Then I fell asleep again and woke up and I couldn’t remember if it even happened at all, or I’d dreamt it . . . At least, I think that’s what happened. I slept so much. It must have been an enchantment. Or a potion. So I can’t really tell what was a dream and what was real.” Anyone who has “mountain madness” is taken to a quarantined cottage and given a potion that creates a drug-like effect on the user.  

Language  

  • None 

Supernatural  

  • Sorcerers and witches are discussed throughout the entirety of the text as they are the protagonists and antagonists of the society. The Sorcerer’s Guild is made up of the young men of the kingdom who possess the talent to harness magic, while the witches are the enemy that they face. The Sorcerer’s Guild and high-ranking officials repeatedly assure the people of the kingdom that any woman who possesses a witch’s talents are harmful beings and must be stopped at all costs.  
  • The Dread is a monster that attacks the villages. It is “the monstrous force that lived in the forest and roamed to nearby towns to devour them.” The Dread is a misty, purple monster that kills an entire village in one night. It is explained that it is brought on by a curse set forth by the witches.  
  • A letter arrives at the Lupu home about Luka’s upcoming sorcerer’s test. “Representatives from the Council of Magical Protection of Illyria, serving the Sorcerer’s Guild, will be at your home in fifteen days, at noon, to evaluate your son, Luka Lupu, for potential giftedness in the art of sorcery.” Upon the day the guild arrives, Luka, like several other young boys throughout the kingdom, will be tested to see if he possesses the ability to harness magic. If he does, his family will be sent to a rich estate and he will join the Sorcerer’s Guild. If he does not, they will continue to live as they do and work hard to build their way up in society.  
  • Madame Bandu, a local village woman, explains how the magical testing will work for Luka. “The Sorcerer’s Guild has always been able to detect potential sorcerers through some kind of spell. It used to be that all boys would be sent to the estates so that they could be mentored when their time did come in. It’s only in the last few decades that they developed a test that could — with reasonable accuracy — predict which boys would actually come to wield magic.” 
  • Marya is learning about the history of Dragomir Academy and the beliefs many individuals hold about females. “Did people think education would somehow turn these girls into witches?” She believes this to be a ridiculous thought and one that makes her sad for the girls who do not get an opportunity for education. 
  • Madame Szabo, Marya’s teacher at Dragomir, asks them about their knowledge of witches. Marya answers, “Well, they cast spells. Like everyone else in the area would lose their vision at once, or sleep through a harvesting season, or plant catnip instead of turnips . . . Or they would all get fevers that lasted for months and months.” 

Spiritual Content  

  • None 

Valley of Kings

If Alex and Ren are going to stop the Death Walkers, they must find the powerful Lost Spells. So, they head to the Valley of the Kings, deep in the Egyptian desert — where they discover that Egypt is in the grips of madness. Voices in the air whisper dark secrets and flashes of light burn across the night sky. Plus, their hunt for the Spells keeps getting sabotaged. Every step they take, The Order is hot on their trail. There’s no dodging, no hiding. Is someone leaking their secrets? Is there anyone they can trust?

With the help of his best friend, Ren, and his cousin, Luke, Alex continues his search for his mother. When they get to Egypt, The Order – “a criminal cult that had haunted Egypt for thousands of years” – is on their trail, leading to many action-packed chase scenes. Soon, the three kids are heading to the Valley of Kings. While there, their search for clues proves fruitless.

Along the way, the kids meet King Tut, who is looking for his heart. King Tut’s appearance adds some much-needed humor and teaches about ancient Egyptians. While the kids do fight a Death Walker, most of the story is focused on keeping away from The Order. In the end, the Death Walker’s demise is anticlimactic because he rarely appears and his strange powers are never explained. 

Valley of Kings is a disappointing installment in the TombQuest Series. Alex and his companions spend too much time running away from thugs and not enough time investigating his mother’s disappearance. The Order ramps up the violence and shows that they are willing to kill innocent people to gain power. But by the end of the story, Alex is no wiser and has no new information about his mother or the Order. In addition, there is a shocking betrayal that will leave readers confused and heartbroken. King Tut is the one bright spot in the story. However, readers interested in learning about King Tut and Ancient Egypt’s culture would do better to wrap their hands around The Curse of King Tut’s Mummy by Kathleen Weidner Zoehfeld. 

Sexual Content 

  • None

Violence 

  • A man who works for The Order takes a new employee named Abdel to a warehouse. Abdel opens a door, “releasing a rush of stinking air and a swarm of dark whispers so strong that Abdel could feel them, like snake tongues on his skin.” Abdel sees an “abomination.” The other man pushes Abdel into the room and locks the door.
  • After being locked in a room, Abdel hears “ten thousand whispers combined. . . Unleashed, the heavy whispers cut into him, no longer tongues but teeth! Each one grabbed a piece, tore it off, gobbled it down. It wasn’t his body they were devouring; it was his soul.” The man dies as his body “was torn to bits, devoured.”
  • When Alex and his friends get to Egypt, a cab driver tells them about a doctor who “heard voices and then attacked a patient with a metal crutch.” 
  • When Alex sees an Order thug, he “gripped his amulet tighter with his left hand as his right shot up and unleashed a spear of concentrated wind that knocked the man back against the wall. . . his head hit the bricks and his eyes fluttered closed.” Then, “a flash of crimson light lit the Egyptian dusk and people began to fall to the ground.” Alex and his group run and hide.
  • The Order tries to find Alex and his group. They break down a door and Alex “turned just in time to see the last figure in line glide silently into the house: a very thin woman wearing a pale white mask — the skull of a lioness. . . As she disappeared inside, the doorway lit up red. The Order had followed the wrong trail and someone else had just paid the price.”
  • Peshwar and other members of The Order break into a museum to kidnap Alex and his friends. Tired of running, Alex grabs his amulet and “his right hand shot up, his fingers spread slightly. . . a column of desert air rose up and rushed forward. . . the lioness [Peshwar] staggered backward a few steps. . . A heavy main door slammed shut. A thick crunch and a pitiable wail could just be heard over the shipping winds as the forearm of the man about to enter was pinned in place. . .”
  • Peshwar goes on the offensive. “Alex looked up in time to see a red glow sprout from Peshwar’s closed right hand and form itself into something like an icicle: A jagged, uneven shard of crimson light. . . The glowing energy dagger flew through the air.” To save Ren, Alex jumps in front of her. “The blood-red slice of light pierced the elbow of Alex’s outstretched left arm.” The light causes pain, but no lasting damage. 
  • As Alex and his group flee, Alex hears “the thick whisper of a silencer — Frummp! — and then a bullet plinked off the heavy stone sarcophagus.” No one is hit.
  • Hessan, the museum curator, helps Alex and his friends escape. As a diversion, he goes to fight Peshwar and her group. Alex “heard the sharp sound of a pistol handle to the skull and the dull thump of Hessan’s stocky body hitting the floor.” Alex and his friends escape through a secret tunnel. The chase scene is described over seven pages. 
  • While on a train, The Order drugs Alex and tries to kidnap him. When a man tries to zip tie Alex, Luke “clocked the intruder in the head with a shiny new ten-pound dumbbell . . . the man collapsed heavily to the floor.” The two boys “dragged the guy out into the hall” and push him off the train. “They watched the man tumble limp-limbed down a sandy bank.”
  • Alex and his friends discuss King Tut. “A lot of people think he was murdered. His heart was missing when they found him. And my mom says there was a hole in his head.”
  • Alex and his friends go into an Egyptian tomb and find grave robbers. When Alex questions them, he hears the cock of a gun. The grave robbers threaten them but then leave.
  • In King Tut’s tomb, Alex finds human bones and “scraps of scorched uniforms; the remains of a pistol, its melted barrel drooping down like a water faucet; two skulls, two large rib cages.”
  • While in the Valley of Kings, a Death Walker tries to kill Alex and his friends. “A pulse of pure white light flashed out from the man’s eyes. All three friends called out in pain and surprise. Every inch of exposed skin had been suddenly and severely sunburned. . .” 
  • The kids run from the Death Walker, who creates a “rolling ball of fire” and prepares to throw it at Ren. Alex uses his amulet. “A wind more powerful than Alex expected rose instantly and swept across the floor of the valley. . . Alex saw the glow of the flaming orb smothered completely. . .” The kids escape. The scene is described over eight pages.
  • Peshwar and her goons steal ancient sacred stones. “A few men tried to get in front of the truck as it pulled away. A warning shot was fired in the air. There were angry shouts, but in the end the men moved. . .. “
  • While walking at night, an adult friend of Alex is attacked when by a random man. The man stepped out and “Todtman saw a kitchen knife in his hand. The blade flashed out fast—but not fast enough. The man was already spinning up and away, tossed through the air like a Frisbee. He hit the pole of the streetlight. . .” The man dies.
  • The story ends with a multi-chapter face-off between Alex, his friends, and the Death Walker. The Death Walker, Akhenotra, creates a fire ball. “Alex swung his head back around and flame filled his vision. The Walker had released his fire ball, and it was rocketing toward him. . .” Alex holds up a book which the fire hits. “Alex was left shaking his burned fingers.” 
  • The Death Walker tries to destroy Alex and his friends so he can eat their souls. “Akhenotra’s jaw suddenly dropped open. Flame poured from his open mouth. Alex lurched to the side and tried to fall back out of the way. . .he screamed as he felt the searing flames burn through his shirt and bite into the soft flesh of his left shoulder.”
  • Akhenotra tries to kill Tut by throwing a fire ball at him. “But Tut merely pressed both hands together in front of him as if praying. The flames broke on his hands like a wave splitting against a pier. Tut was shrouded in fire, but uninjured.”
  • During his life, Akhenotra stole Tut’s heart in order to use it as an offering to the sun God. Now, Tut attacks to take his heart back. Tut brought “his sword down hard only to have it blocked by the thick handle of the mace. He brought his sword up and down four more times in quick succession, each blow blocked. . . The heavy curved blade of Tut’s khopesh [sword] cut clean through the handle of the mace and sunk deep into the Death Walker’s chest. Both halves of the mace thunked to the floor.” However, the Death Walker cannot be killed because he’s already dead. 
  • Alex reads a spell from the Book of the Dead. Afterwards, Alex looks up to see “Tut was standing with his own bronze sword buried deep in [Akhenotra’s] chest, the blade no longer aflame but still sizzling slightly. . . And Akhenotra—Alex gazed at the space in front of Tut—Akhenotra wasn’t standing at all.” 
  • When Alex is in Tut’s tomb, “the crack of a rifle and the ping of a bullet jarred him back to brutal reality. . . An energy dagger exploded into the sandy ground at Alex’s feet with a vicious crackle. . . A chorus of rifle fire followed, and the two remaining friends dove for cover.” 
  • Alex and Ren try to hide. Ren sees “the toe of a boot poke out from the side of the altar. One of the gunmen had reached them. . . [Ren] brought the sword up and down. . . blood rushing out the chopped-off end of his boot.”
  • To escape The Order, Luke runs into the desert. “The valley floor in front of him lit up rose-red. . . The energy dagger sank into his back with a dull crackling sound and a pain more intense than he’d ever imagined possible. He fell to the hard desert ground, full-speed and face-first, like a gazelle gunned down mid stride.” Luke dies.

Drugs and Alcohol 

  • None

Language 

  • The Order drugs Alex, who “tried to get up but his body felt so heavy that the best he could do was roll out of his bunk. . . his numb body barely registered the impact.” Both his mind and body become numb.
  • When asked to use her amulet, Ren thinks that it isn’t like “freaking Google!”
  • Luke calls Ren and Alex “nerds” and “Goofball-ese.”
  • The Death Walker calls Alex a “little heretic.”

Supernatural

  • Alex’s amulet “was a symbol of resurrection in ancient Egypt, and his amulet dealt with life, death, and rebirth.” It gives Alex the ability to control wind.
  • While walking in the Valley of Kings, Ren sees a man change. “His loose clothing shimmered and faded away, gone just like the heat haze that had surrounded him. In its place, an ancient outfit: a white tunic laced with golden thread. . . the face beneath it was dark tan . . . and horribly blistered.” The man was a Death Walker. Later, the Death Walker changes shape again.
  • “The ancient Egyptians believed that if they had a statue of themselves built before they died, they could, like, inhabit it in the afterlife. Their spirit could take on its shape.”
  • The Death Walker has the ability to create fire balls.
  • Alex and Ren run through a false doorway that leads into the afterlife and then pop out in some unknown location.

Spiritual Content 

  • The Egyptians believed that after someone dies, they must pass the weighing of the heart ceremony — “a test to get into the afterlife.” The Death Walkers were “beings evil enough that they knew they would fail the test. . . they had clung to the edge of the afterlife, in between life and death, waiting for an opportunity to escape.” 
  • During the heart ceremony “the god Thorth stood by to record the result: Would the heart be weighed down by guilt or Ibe destroyed forever?”
  • After meeting King Tut, Luke describes him as a “total dive.” Alex explains Tut’s behavior: “Pharaohs were told they were living gods. I could see that going to your head.” 
  • King Tut appears in the Valley of Kings. He tries to pet Pai, but when the cat hisses, Tut said, “Fine, you little beast, flea receptacle. All I did was restore the worship of the old gods, your master included. All I did was rebuild their temples.” Later Tut explains that his father “banned the old gods, worshiped the sun — my whole childhood I was sunburned from praying to the thing.”
  • Inside a tomb, the chamber has the Aten on the walls. “The sun disk—the symbol of the pure light religion imposed by Tut’s father.”
  • During mummification, the Ancient Egyptians always left the heart in the body. “Tut was the only pharaoh ever discovered without one. . . Without the heart, Tut couldn’t go through the heart ceremony to gain entrance into the afterlife. He would be forever between worlds.”

The Secret of White Stone Gate

After the events of The Mystery of Black Hollow Lane, Emmy goes home to Connecticut for summer break. Now she has returned to England for the new semester at Wellsworth, but there’s a catch—her mom wants her to spend time with and be under the strict rules of her mom’s cousin, Lucy. On top of this, upon returning to Wellsworth, Emmy begins receiving threats from Jonas, a leader in the Order of Black Hollow Lane, who tried to kill her in the previous book. Jonas wants information about her father and the medallions that she stole from the Order and he is willing to do anything to get what he wants. Emmy realizes the reality of her situation when her friend, Lola, is framed for stealing money from a charity fundraiser causing her to be expelled. Emmy must navigate dealing with the constant threats from the Order. Should she give them what they want so that they stop hurting her friends? Or is there another way?

A major theme in The Secret of White Stone Gate is betrayal. Emmy’s favorite teacher, John Barlowe, discusses betrayal in his class. He says, “Brutus betrayed Caesar during the Golden Age of Rome, Henry the Second betrayed Thomas Becket in the twelfth century, and it goes on and on. Sometimes greed and power become stronger than friendship.” This theme is reflected in Emmy’s discovery that her dad had been friends with Jonas, the leader of the Order, but Jonas betrayed him and now is part of the group of people trying to find and kill her dad. 

Desperation to get what one wants is also a topic since the Order demonstrates they are willing to manipulate children. For example, it is revealed that Emmy’s friend, Jack, has a younger brother named Oliver who the Order forced to frame Lola. Isolation and struggling to make friends, combined with the Order’s manipulation, forced Oliver to frame Lola. However, Emmy and her friends do not get angry or act cruelly toward Oliver because they realize an important lesson, “We’re your friends, and you need to know that the Order isn’t your only option.” Emmy and her friends demonstrate true friendship which in turn teaches Oliver that he doesn’t need the Order for a sense of community. 

At long last, Emmy is able to reconnect with her dad. He reveals that he has been secretly watching her, maintaining disguises all along. He explains, “I knew Jonas would be following you. I had to be there. I had to make sure you were safe. I tried to help [Lola] too, but it wasn’t easy to get to her.” Her dad is able to explain why he left her and her mom all those years ago. He says, “[the Order] knew I had a twelve-year-old American daughter. [The Order] found out I was alive and had a family, but [they] didn’t know your name or where you were. I had to run to keep you safe.” Though at first, Emmy struggles to overcome her anger that her dad left, she realizes that what matters most is that her dad is alive and loves her. 

The story neatly wraps up with the Order believing that Emmy’s father is dead. Emmy finally feels that she and her family are free “since you [Emmy] cannot get what [the leader of the Order] wants, we have decided to pursue other avenues. You are no longer of any interest to the Order.” Knowing that Emmy and her friends are safe leaves Emmy feeling happy that she will finally get a chance to “do all the things normal kids got to do . . . Well, maybe they’d never be totally normal.” 

Readers who enjoyed the first book in this two-part series, The Mystery of Black Hollow Lane, will enjoy the strengthening friendship between Emmy, Lola, and Jack. Overall, The Secret of White Stone Gate will keep readers on the edge of their seats as it shows the importance of enjoying the little moments with your friends and loved ones. Readers who are eager for more fun mysteries should also read Saving Montgomery Sole by Mariko Tamaki and Jada Sly Artist & Spy by Sherri Winston.

Sexual Content 

  • Emmy notices Sam, a new student at Wellsworth. “He pushed some floppy blond hair out of his eyes and smiled at something he was reading. Emmy’s stomach fluttered in a way that it usually only did for famous, good-looking soccer players.”
  • When Sam says hi to Emmy, “Emmy prayed no one would notice her cheeks getting hot.”
  • Emmy and Sam work together to help set up a school charity event. “Every once in a while, if Sam made her laugh or accidentally brushed her hand, she’d feel a giant swoop behind her belly button. Those swoops seemed to have a direct connection to her ears, making them hot and flushed. Thank goodness she could hide her ears behind her hair.”
  • Emmy appreciates that “[Sam] was sacrificing a lot for Lola, even though he barely knew her. She imagined being with Sam, Lola, and Jack, sitting around the fire, just being normal friends. And maybe being more than friends with Sam.”

Violence 

  • Reflecting on events from the previous book in the series, “Emmy shivered. She always did that when talking about the old head of security, Jonas. She had trusted him, but he was the one who had caught her in the tunnels, chased her into the belfry of an old church, and tried to kill her.”
  • Emmy finds a threatening note in her room from Brother Loyola, the head of the group that attempted to kill Emmy in the previous book, “In case you were wondering, I’m always keeping an eye on you.”
  • Emmy’s friend Lola is framed for stealing money from the school’s charity fundraiser. Then Emmy receives a threatening video message from a member of the Order. He says, “Tell us where your father is, or your friend will get far worse than expulsion.”
  • At her new school, Emmy’s best friend Lola is attacked by two students. Lola says, “My face is hurting pretty bad, and my hand is killing me from trying to hit them back . . . I managed to stay off the ground, though, otherwise, it would have been a lot worse.”
  • While Emmy is visiting Lola, Jonas, the leader of the Order, suddenly appears and threatens her and her friends. Emmy is afraid so “her hands started to shake. Should she run? Should she scream? Jonas wouldn’t try to hurt her in broad daylight with all these people around . . . would he?”
  • Jonas threatens Emmy’s friend, Lola. Jonas says, “Such a shame about what happened this week. I hope [Lola] isn’t too banged up. You don’t think that’ll be the end of it, do you . . . we’d always find [Lola].”
  • Jonas tells Emmy, “If you value your dear friend’s life, I’d suggest you try a little harder to find your dear old dad.”
  • When Emmy still refuses to tell Jonas where her dad and the medallions are, he says, “It doesn’t seem like you’re getting the message, so let me make it clear. I hurt [Lola]. I hurt your roommate. Here’s the next person on my list.” He then pulls out a photograph of him with Emmy’s mom and says, “Get me what I want, or I’ll bury her.” 
  • Emmy and her dad are chased by several cars carrying members of the Order. The Order is trying to kill them, and her dad decides the only way for them to escape is for him to fake his own death. He grabs an air tank, “It will let me breathe underwater.” Then as they approach a bridge over a large body of water, “the door flew open and her dad leapt onto the railing. Emmy screamed. He didn’t look back. He just disappeared over the edge.” After he landed in the water, Emmy’s dad was able to safely get away, convincing the Order that he is really dead. 

Drugs and Alcohol 

  • None

Language 

  • The characters occasionally use mild insults like git, prat, or stupid.

Supernatural

  • None

Spiritual Content 

  • The leader of the malicious group threatening Emmy and her dad is referred to as “Brother Loyola,” as one would refer to a priest. 

Breadcrumbs

Hazel Anderson and Jack Campbell were inseparable best friends. They shared a unique and magical world of their own creation, filled with wonder and imagination, that no one else could fully understand. It was only together that they found their place within the world. 

But one day, without any warning or explanation, Jack suddenly ceased all communication. Hazel feels bewildered, hurt, and alone, and she’s unable to comprehend why her closest companion had seemingly abandoned her.  

Hazel is devastated and can’t understand why her best friend left without a word. Hazel ponders over Jack’s mysterious behavior until Tyler, a close friend of Jack’s, shares what he believes to be impossible. Jack had been taken into the woods by a white witch on a sled. 

Determined to find out the truth and rescue her friend, Hazel embarks on a perilous journey through the mystical woods, using all of her wits and bravery to navigate the treacherous terrain and overcome many obstacles. Her only hope lies in finding the white witch who is rumored to dwell deep within the woods – the same witch who Hazel believes holds Jack captive. 

Hazel can’t help but wonder if Jack truly wants to be rescued or if he has intentionally chosen to leave her behind. The closer she gets to the truth, the more Hazel’s doubts and uncertainties begin to consume her. She wonders if she’s truly prepared for what she might find and if the truth behind Jack’s disappearance might be more than she can handle. 

Hazel is a character that is easily relatable due to her simple and down-to-earth personality. She has a warm and welcoming demeanor that allows people to feel at ease around her. Additionally, Hazel’s experiences are ones that many can relate to, such as the ups and downs of relationships, the struggles of balancing school and friendships, and the journey of self-discovery. In essence, Hazel is a character that embodies the human experience, making her a truly multi-dimensional and interesting character to explore. As she relies on her wits, bravery, and unspeakable determination to uncover the truth and rescue her friend, readers will be rooting for her the entire way. 

The whimsical story includes fifteen black–and–white illustrations that are scattered throughout the text. The illustrations are detailed, yet soft and cartoon-like. It helps bring the reader fully into the world within Breadcrumbs. 

Breadcrumbs is a captivating and enchanting story that takes readers on a journey of self-discovery, friendship, and resilience. The story demonstrates that no matter how lost one may feel, it is never too late to find oneself and embrace who you truly are. Hazel, the protagonist, is a shining example of this. She discovers her true worth and identity. Through her journey, Hazel learns the value of true friends who support and encourage one another, even during the most challenging of times. Breadcrumbs also highlights the importance of perseverance and determination in overcoming obstacles and achieving our dreams. Overall, Breadcrumbs is a heartwarming tale that reminds readers of the power of friendship and the resilience of the human spirit. 

Sexual Content  

  • None 

Violence  

  • After getting upset, Hazel throws a snowball at Jack. A few seconds later, unhurt by the snowball, something else causes him to cry out in pain. “’Ow!’ He yelled. ‘Ow!’ His voice cracked into the sky. His other hand flew to his chest and he fell to his knees.” A snowflake with a shard of cursed glass fell into his eye.  
  • Two classmates, Tyler and Bobby, taunt Hazel as they do most days, but this time she has had enough. She retaliates by throwing a pencil case at Tyler. “In one motion Hazel stood up, grabbed the hard pencil case from her desk, and hurled it at Tyler. There were some yelps, some gasps, and then absolute quiet.” Tyler is hit in the head and left with a large, painful bump. 
  • Hazel meets a woman who stole a swan’s skin. Hazel accidentally discards the skin. The woman scratches  Hazel for throwing away the skin. “‘I see,’ the woman said, running a cold finger down Hazel’s cheek. ‘Actions have consequences, little girl.’ And then there was pain. Stinging, and then searing. The woman had stuck a nail into Hazel’s cheek, and it was like a talon. She dragged her finger down, splitting the skin on Hazel’s face. It traveled down her cheek to her neck.” Hazel is left with a gash that bleeds profusely until a young man comes to aid the wound. She is left with a horrible scar. 
  • The white witch gives Jack a puzzle of broken shards that continually cut his fingers as he moves them. “He looked down at the puzzle shards. They were made of old, jagged angles. He reached a finger out to touch one of the points. He felt nothing, but a small dome of red blood rose out of his finger pad.” 

Drugs and Alcohol  

  • None

Language   

  • When Jack abandon’s Tyler and Bobby as friends they blame Hazel. They taunt her with different names such as Crazy Hazy, psycho, and baby. 

Supernatural  

  • The narrator gives background on a goblin, who is only prevalent to the beginning part of the story.  “Mal looks nothing like you can imagine, neither goblin nor troll nor imp nor demon. But neither the goblins nor trolls nor imps nor demons know what Mal is either. For Mal is not any of those one things, but all of them . . .” This character only exists to create an entryway into the magic that exists throughout the rest of the story. 
  • The narrator takes a moment to provide context about the glass that made its way into Jack’s eye. This piece of glass is not anything ordinary, because it is a shard from a cursed mirror. “Mal had just invented something delightful – or at least something he found delightful, for that is an altogether different prospect. On the surface, it looked like an ordinary mirror . . . For the mirror took beautiful things and made them ugly, and took ugly things and made them hideous . . . the mirror shattered into the sky. . . one landed in the eye of a boy.”  
  • After Hazel notices the change in Jack’s behavior, she asks an adult what supernatural options there could be for Jack’s sudden change in personality. The adult says, “There are a few options. Possession is one. Not by a demon, but by something a little more harmless, like a goblin or imp. . . Or an evil disembodied brain thing.  Or there could be some sort of enchantment. By a witch or wizard. Or by a magical item, something that was given to them, or something they acquired, maybe by accident. Or something that’s infected them that causes them to see the world in a skewed way.’” 
  • Tyler tells Hazel about the impossible thing he saw right before Jack’s disappearance. Tyler says, “He wasn’t alone. There was a woman there. She was . . . she wasn’t right. She was tall and weirdly thin. She wasn’t real. She was all white and silver and made of snow . . . like an elf or a witch . . . like a movie.” 
  • Hazel encounters three women in the woods that promise to help her. “[The first woman] picked a long gray string out of the box. It had a puff of wool attached at one end. She passed the string down, puff end first, and the three hooded women stared at it as if it were the most fascinating thing in the world.” The string the women look at represents Hazel’s life. The three women are supposed to represent the Fates who are in charge of the lives of those inside the world. They can see that her fate is yet undetermined and promise to help her if she asks a question. Although upon hearing her questions about the white witch, they send Hazel on her way.  
  • Hazel meets a young boy who lives in a cabin in the woods. His sister has been changed into a bird. The boy explains that a couple “‘said she’d run away. But I saw the bird and I knew. . . ‘ He glanced at the gold cage behind him. ‘It’s just like her. And you always know your sister.’”  
  • As Hazel walks through the woods, she thinks, “There were witches in the woods, they stole beauty from swans and then rotted from the inside. There were couples who wanted to turn girls into pretty little birds. The woods do strange things to people.” 
  • Hazel meets a kind couple that says they want to help, but upon walking Hazel listens to the stories of the flowers. She finds out that the couple has changed the girls into flowers. Hazel runs back into the woods before they can turn her into a rose.  

Spiritual Content  

  • None

Who was Edgar Allan Poe?

Filled with broken hearts and black ravens, Edgar Allan Poe’s ghastly tales have delighted readers for centuries. Born in Boston in 1809, Poe was orphaned at age two. He was soon adopted by a Virginia family who worked as tombstone merchants. In 1827 he enlisted in the Army and subsequently failed out of West Point. His first published story, The Raven, was a huge success, but his joy was overshadowed by the death of his wife. Poe devoted his life to writing and his tragic life often inspired his work. He is considered to be the inventor of detective fiction and the father of American mystery writers. His work continues to influence popular culture through films, music, literature, and television.

Who was Edgar Allan Poe? begins with his early childhood which was filled with hardships. Edgar’s father abandoned the family. Soon after, his mother died of tuberculosis. Edgar and his siblings were sent to live with different foster parents. In his early years, several women influenced Edgar—his mother, his foster mother, and one of his friend’s mother, Jane Standard. Unfortunately, all of the women’s lives were cut short by tuberculosis. The grief over the women’s deaths affected Edgar’s writing throughout his life.

Who was Edgar Allan Poe? has an easy-to-read format with large font. Large black-and-white illustrations appear on almost every page. Many of the illustrations include people and places that were important to Edgar. While the wide array of illustrations and the short chapters will help keep readers interested, some may have difficulties with the book’s advanced vocabulary. The text does explain some of the terms readers may be unfamiliar with. In addition, some pages explain historical information such as West Point’s background, important people in Poe’s life, as well as tuberculosis, and the development of a vaccine. The back of the book also includes a timeline of Edgar’s life and a timeline of the 1800s.

Because of the many hardships in Edgar Allan Poe’s life, many of his poems and stories are gloomy and discuss death. Even though some of Edgar’s stories were popular during his time, Edgar didn’t live long enough to see how his writings influenced many other writers. Learning about Edgar’s life will give readers a better understanding of the man and his literary work. Plus, the book would be a good starting point for those who want to research Edgar. 

While many readers will recognize Edgar Allan Poe because of his short and often scary stories, the book explains that he “was a complex man who struggled to overcome a series of sad events to become a major American writer. He influenced so many writers after him that his work is still studied in high schools, colleges, and universities more than 165 years after his death.” Who was Edgar Allan Poe? will entertain and educate readers who want to learn more about the author who created the first gothic, gloomy stories and poems.

Sexual Content 

  • None

Violence 

  • Poe wrote a novel that “told tales of suffering and death, and even cannibalism.” 

Drugs and Alcohol 

  • As an adult, Edgar had a drinking problem. “When he had a good job at a magazine, he lost it by drinking too much.” Edgar’s drinking was a habit which caused him to switch jobs frequently. “Sometimes he didn’t get along with his bosses. Other times, he was fired for drinking.” 
  • Edgar’s father, David “began drinking too much and quarreling with [his wife].” David eventually abandoned his family.
  • Edgar’s foster father was a successful merchant. “The company bought and sold tobacco. . . but it also sold a variety of other goods, including books, frying pans, wine, and even tombstones!”
  • In his stories, Poe “sometimes wrote from the point of view of a crazy person. Some of the characters in his stories were drug addicts.”

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • None

Shadow and Bone

Alina Starkov never expected to be anything but ordinary. An orphan from Keramzin, a small village in Ravka, she is a mapmaker in Ravka’s First Army. Her best friend, Mal, is also in the army as a tracker. Alina wants nothing more from life. 

But that changes when her regiment attempts to cross the Fold, a swath of deadly darkness created 400 years ago by the Black Heretic that splits Ravka in half. Alina discovers that she can summon light, making her a Grisha – someone with the ability to practice the Small Science. But Alina is no ordinary Grisha – she is a Sun Summoner, who is prophesied to destroy the Fold for good. 

Now Alina will enter a lavish world of royalty and intrigue as she trains with the Grisha, her country’s magical military elite—and falls under the spell of their notorious leader, the Darkling. He believes Alina can summon a force capable of destroying the Shadow Fold and reuniting their war-ravaged country, but only if she can master her untamed gift. 

Alina begins working with the mysterious Darkling, the only Shadow Summoner and leader of the Grisha. He tells Alina that he seeks to rectify his ancestor’s mistake and unite Ravka once more. The Darkling says Alina is Ravka’s only hope. But the more Alina learns about the Grisha world, and about the Darkling himself, the more she realizes that things are even more complicated than she previously thought. With Ravka’s future on her shoulders, Alina must figure out who her allies are and possibly prevent a catastrophe bigger than the creation of the Fold itself. 

As the first book in a fantasy trilogy, Shadow and Bone has the difficult task of setting up its characters, setting, and plot in an engaging way while still leaving room for the story to develop in subsequent books, and it does not disappoint. The world-building is excellent as it introduces just the right amount of information so that the reader is not confused but is still intrigued to learn more.  Throughout the story, Bardugo expertly weaves in more details as needed. Ravka comes to life through Bardugo’s lush prose that provides just enough description without distracting from the plot so that even the most plot-driven readers will not be able to walk away from this book. 

Another positive aspect of Shadow and Bone is its vast cast of characters. Even minor characters have multiple layers of depth which keeps readers on their toes and makes them constantly examine the characters’ decisions. Alina is an easy character to relate to for anyone who has ever struggled to fit into an unfamiliar environment, and her strength and perseverance make her an admirable protagonist. This is especially evident in her struggle to merge her new life with her old dreams for her and Mal, and readers will root for her as she searches for ways to combine her ordinary past with her extraordinary present. Readers will eagerly devour Shadow and Bone, and delight in learning about the world of the Grisha alongside Alina. 

Sexual Content  

  • A beautiful Grisha girl smiles flirtatiously at Mal. His friends tease him. “‘You know she’ll be staying at camp,’ Mikhael said with a leer. ‘I hear the Grisha tent’s as big as a cathedral,’ added Dubrov. ‘Lots of nice shadowy nooks,’ said Mikhael, and actually waggled his brows.”  
  • Mal taps on Alina’s tent after hours. One of her fellow soldiers hears the knock and giggles, “If it’s that tracker, tell him to come inside and keep me warm.” 
  • The night before their regiment crosses the Fold, Alina and Mal reminisce about their childhoods. They are interrupted and when Mal gets up to leave, he tells Alina to wish him luck. She does, and then thinks sarcastically, “Good luck? Have a lovely time, Mal. Hope you find a pretty Grisha, fall deeply in love, and make lots of gorgeous, disgustingly talented babies together.”  
  • Alina’s friend Genya usually spends her time at the Grand Palace because the Queen and especially the King like to keep her close. It is insinuated that the King treats Genya as if she is a prostitute. Genya later confirms this to Alina, telling her that “the King has his way with lots of servants.” 
  • The Darkling kisses Alina in an empty room at the Little Palace. “I’d been kissed before, drunken mistakes, awkward fumblings. This was nothing like that. It was sure and powerful and like my whole body had just come awake. I could feel my pounding heart, the press of silk against my skin, the strength of his arms around me, one hand buried deep in my hair, the other at my back, pulling me closer.” This scene occurs over two pages. 
  • As Alina wanders the outskirts of the city, a drunk man stumbles out of an inn and grabs Alina by the coat. He says, “Hello, pretty! Have you come to keep me warm?” He makes a few more comments in the same vein; Alina quickly gets away by blinding him with her light powers. 

Violence  

  • When Alina’s regiment attempts to cross the Fold, they are attacked by volcra, deadly creatures who live in the Fold and feed on humans. There are many injuries and casualties, including Alina’s friend Alexei. Alina “gasped as Alexei’s arm was yanked from mine. In a spurt of flame, I saw him clutching at the railing with one hand. I saw his howling mouth, his wide, terrified eyes, and the monstrous thing that held him in its glistening gray arms, its wings beating the air as it lifted him from his feet, its thick claws sunk deep into this back, its talons already wet with his blood. Alexei’s fingers slipped on the railing . . . His screams faded into the sounds of battle as the volcra carried him into the dark. Another burst of flame lit the sky, but he was gone.” This scene occurs over four pages. 
  • When Alina is being taken to the Little Palace by Grisha guards, they are attacked by Fjerdan assassins. Alina “huddled on the floor [of the carriage], clutching the knife’s heavy hilt, my knees to my chest, my back pressed against the base of the seat. Outside, I could hear the sounds of fighting, metal on metal, grunts and shouts, horses whinnying. The coach shook as a body slammed against the glass of the window. I saw with horror that it was one of my guards. His body left a red smear against the glass as he slid from view.” This scene occurs over four pages. Many unnamed people die, and a few are injured.  
  • Alina has a nightmare where she “threw open the door . . . and screamed. There was blood everywhere. The volcra was perched on the window seat and, as it turned on me and opened its horrible jaws, I saw it had gray quartz eyes.”  
  • During a combat training session, Alina spars with Zoya, one of the most powerful Grisha. Zoya “pressed her advantage and lunged forward. That was her mistake . . . I [Alina] stepped to the side, and as she came in close, I hooked my leg around her ankle. Zoya went down hard. . . But before I had a chance to even register my victory, Zoya sat up, her expression furious, her arm slashing through the air. I felt myself lifted off my feet as I sailed backward through the air and slammed into the training room’s wooden wall. I heard something crack, and all the breath went out of my body as I slid to the ground.” 
  • In the woods, thieves attack Alina and Mal. Alina’s training saves them. “Before he could recover, I [Alina] slammed a knee into his groin. As he bent double, I put my hands on the back of his head and brought my knee up hard. There was a disgusting crunch, and I stepped backward as he fell to the ground clutching his nose, blood spurting between his fingers.”  
  • The Darkling kills Morozova’s stag in order to use its antlers to make an amplifier for Alina. The Darkling “strode forward and without hesitating slit the stag’s throat. Blood gushed into the snow, pooling around the stag’s body. I watched as the life left his dark eyes, and a sob broke from my chest.” 
  • Alina has a nightmare. “That night, I dreamed of the stag. I saw the Darkling cut his throat again and again. I saw the life fading from his dark eyes. But when I looked down, it was my blood that spilled red into the snow.” 

Drugs and Alcohol  

  • Alina watches a friend “take a swig from the bottle [of kvas] and then lurch forward.” Kvas is the Ravkan equivalent of beer. 
  • While en route to the Little Palace, Alina, the Darkling, and the rest of the Grisha guards sit around a fire and “pass a flask back and forth.”  
  • Genya, Alina’s best friend at the Little Palace and a Grisha servant to the Ravkan King and Queen, describes the King as “probably drunk” and says that he “devotes all his time to hunting, horses, and imbibing.”  

Language  

  • None 

Supernatural 

  • This book involves a magic system known as the Small Science, which is a way of manipulating matter. Those who can wield the Small Science are known as Grisha. The Grisha are split into three orders: Corporalki (the Order of the Living and the Dead), Etherialki (the Order of Summoners), and Materialki (the Order of Fabrikators).  
  • The Darkling and Baghra, Alina’s tutor, are Shadow Summoners, while Alina is a Sun Summoner; these are unique abilities that no other known Grisha possess. For example, here is a description of when Alina summons light for the first time on purpose and by herself: “I called and the light answered. I felt it rushing toward me from every direction, skimming over the lake, skittering over the golden domes of the Little Palace, under the door and through the walls of Baghra’s cottage. I felt it everywhere. I opened my hands and the light bloomed right through me, filling the room, illuminating the stone walls, the old tile oven, and every angle of Baghra’s strange face. It surrounded me, blazing with heat, more powerful and more pure than ever before because it was all mine. I wanted to laugh, to sing, to shout. At last, there was something that belonged wholly and completely to me.” The Darkling’s power works in a similar way: “He brought his hands together and there was a sound like a thunderclap. I gasped as undulating darkness spread from his clasped hands, spilling in a black wave over me and the crowd.” 

Spiritual Content  

  • Many Ravkans worship Saints, and consider Alina to be a living Saint because she is the Sun Summoner. 
  • The Apparat, the King’s spiritual advisor, tells Alina, “There is something more powerful than any army. Something strong enough to topple kings, and even Darklings . . . Faith.”  
  • Alina checks the casualty lists every week, looking for Mal’s name, and each time she doesn’t see his name she “gives thanks to all the Saints that Mal was safe and alive.” 
  • When Alina is on the run, she can’t resist slipping into a tiny church to hear the priest say Mass. The priest “offered prayers for the congregation: for a woman’s son who had been wounded in battle, for an infant who was ill with fever, and for the health of Alina Starkov. ‘Let the Saints protect the Sun Summoner,’ intoned the priest, ‘she who was sent to deliver us from the evils of the Shadow Fold and make this nation whole again.’” 
  • Alina describes Genya as “a painted icon of a Saint, her hair a burnished copper halo.” 

Mystery of the Egyptian Amulet

When the Nile town of Thebes is threatened by a scarab-amulet eating ghost, Zet is determined to uncover the truth. Meanwhile, Zet’s best friend, a jeweler’s apprentice, is in trouble. Could the ghost and his best friend’s ominous master be connected somehow?

As if he didn’t have enough trouble, special orders have gone missing at Zet’s family pottery stall. With angry customers on his hands, his family’s reputation is going downhill fast. Soon the investigation becomes a race against time. Zet and his sister, Kat, must solve the ever-twisting puzzle before it destroys the people they love. 

Zet is an extremely likable protagonist who isn’t afraid to face danger to help the people around him. When Zet suspects that his best friend, Hui, is in danger, he does what comes to him naturally—he investigates the jeweler’s compound where Hui works. When he investigates, Zet is often impulsive; however, his intentions are always honorable. Zet’s fun personality, his mystery-solving skills, and his bravery make him shine. By the end of the book, readers will be wishing Zet was their best friend.

Mystery of the Egyptian Amulet is an engaging story that will appeal to anyone who likes a fast-paced mystery. Readers will also enjoy learning what life was like in ancient Egypt. Even though Zet is only twelve years old, he is responsible for running his family’s pottery stall as well as providing for his mother and younger brother. Zet takes this responsibility seriously, and while he worries about not being able to care for his family, he never complains about his lot in life. Likewise, even though his sister can be annoying, he treats her kindly and even appreciates her knowledge (although, he doesn’t let her know this!). 

The Mystery of the Egyptian Amulet’s danger and mystery will captivate readers. While they will enjoy trying to solve the clues, the best part of the Kid Detective Zet Series is Zet, an interesting character who has many positive character traits despite being impulsive enough to get into some sticky situations. Even though Zet often runs from thugs, the story is kid-friendly with plenty of suspense without being scary. The story’s short chapters and easy vocabulary also make the book perfect for reluctant readers. The Kid Detective Zet Series is a highly entertaining series that will hook kids on reading. 

Sexual Content 

  • None

Violence 

  • Zet’s best friend, Hui, is an apprentice for a jeweler. When Zet tries to see Hui, a guard tells Zet to leave. When Zet “didn’t move, the man cracked his meaty fingers. . . . the man grabbed his arm and twisted Zet into a headlock.” The guard says, “Makes a funny noise when your neck breaks. Crunch-like.” The next day Zet shows his sisters the bruises the guard gave him.
  • Hui says he must be careful of the jeweler or, “He’ll make me disappear. I know that’s what happened to his partner.” 
  • The police chief tells Zet to be careful because “a servant was attacked in Khonsu Street and almost killed. He was found unconscious, his head bleeding.” 
  • Zet tries to sneak into the jeweler’s house. When he jumps over a fence, “three large hounds crouched at the open door to the house. The snarling dog bared its teeth. . . They bore down on him in a flash of teeth and fur. . . Teeth caught hold of his ankle. He felt skin tear. He wrenched his leg free. . .” Zet got free and ran. His wound is not described. 
  • Zet knows the jeweler is planning on hiding stolen jewels in bread. To catch the jeweler stealing, Zet dresses like a demon. When he went into town, “people fell back in shock.” People began running which allowed Zet to get close to the cart with the hidden jewels.
  • When Zet begins throwing bread out of the cart, the jeweler’s guard, Snaggletooth, “snatched Zet’s ankle. Meaty fingers took hold of Zet’s oiled skin. Zet wrenched backward. . .” 
  • When Zet crawls into the cart, “someone shoved him hard. . . He flew forward. . . he saw Sanaggletooth’s sword chop down.” Zet is uninjured. The scene is described over three pages. 
  • Another one of the jeweler’s guards tries to get Zet. “The henchman landed a glancing blow against Zet’s leg with his club. Nails scraped down his shin. If it had been any closer, it would have broken Zet’s leg. . .” The injury is not described. 
  • When the jeweler’s guards are detained, Zet finds Hui hidden at the bottom of the bread cart. “Hui’s arms and legs were bound tightly to his side. The medjay [police chief] whipped out his blade and cut the bindings free.” Hui is uninjured.

Drugs and Alcohol 

  • When the police chief went to investigate a man’s residence, the man “sat back drinking wine while we turned the place upside-down.” 

Language 

  • Zet sneaks into the jewelry apprentice shop with Kat. When she makes a loud noise, Zet thinks, “Wormsnot and bettledung! He was a complete idiot. . .”
  • Kat uses “by the gods” as an exclamation once. 
  • When surprised, Zet yells, “What in the name of the gods?”

Supernatural

  • There is a rumor that an evil army of spirits is coming to town. A shopkeeper says, “They’re creeping into town. Stirring up trouble. Casting dark dreams.” The spirits are accused of stealing scarab amulets. The man explains, “And you know how important scarabs are to Egypt. They ensure long life. They ensure birth. Creation. Balance.”
  • Kat worries that the rumors are true because of the war. She says, “The Hyksos spirits probably are mad. And you know they can’t be burying the enemy Hyksos soldiers properly, with the war going on.” 
  • When Hui acts strangely, Kat thinks he has been “hypnotized, or worse, possessed.” 

Spiritual Content 

  • When giving the time of day, the text refers to the sun god. For example, when Zet walked to work, “the sun god spilled his rays over the rooftops.” 
  • When splurging on a litter to carry her, Hui’s mom says, “The gods know I don’t indulge in luxury much.”
  • Because of the strange things happening, some people were frightened. While walking, Zet “passed a man painting a protection symbol on his front door, and chanting what sounded like a spell.”
  •  A man opened a new shop. “Protection amulets of every kind swung from his awning. There were oil lamps with strange symbols, Hyksos spirits probably; heady, acrid-smelling incense burned, and he was stirring liquid in a pot and chanting.” 
  • When Zet’s mom travels down river to find out about a missing shipment, Zet prays, “Please, let her have found out about the shipment.” 
  • Hui made his mother “a tiny gold statue of Maat, Goddess of Truth. The goddess looked ready to do her job – to greet people when they arrived in the afterlife.”
  • In his room, Hui had a statue of “Bes – Hui’s family God. . . Sure he protected their household, like all family gods did, but Bes also loved to stir up trouble. Generally of the entertaining kind.”  
  • Zet passes a temple that had a pool of water in front of the doors. Hui thinks, “Everyone knew the temple pools were doorways into the underworld.” He hurries past the temple.
  • When Zet’s mom doesn’t return home as expected, he prays. “Zet went straight to the household shrine. He knelt in front of the statue of Bastet. The cat goddess regarded him with her gold-rimmed eyes. He lit one of the incense for her . . . ‘Please bring Mother and Apu home safe,’ he whispered.” 
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