Reading Level: Junior High

The Academy

Young Leo Doyle is the best soccer player in his small town of Middleton, Ohio. He dominates his YMCA soccer league and dreams of becoming a professional soccer player for the Premier League in England. His dream becomes a reality when Philip Niles, a London Dragons FC scout, invites him to try out for the Academy: the Dragon’s prestigious professional youth development program. With an opportunity to achieve his dream, Leo agrees to go to London for the summer. But he quickly learns one thing: he isn’t the only soccer star at the Academy Camp. 

Things grow dicey when Leo learns that only the best eleven players from the camp’s group of 220 join the Academy. With the pressure mounting, Leo struggles to perform up to expectations, and he fears being cut before the summer ends. Can Leo overcome the odds, the intense workouts, and the mean bullies to prove he’s worthy of being a London Dragon? 

The Academy is an exciting novel about a young boy working to become a professional soccer player. The book focuses on the life of the main protagonist, Leo Doyle, and follows a journal-like style where Leo’s first-person narration is told as journal entries. Leo is an exciting and energetic character to follow. The in-depth descriptions of his changing feelings toward the camp are vivid and genuine, and many readers will relate to Leo’s challenging experience in a new place with new faces. However, the book does recognize that Leo is also a middle-school boy, and it makes Leo’s personality very authentic by highlighting not only his strengths but also his weaknesses, such as his ignorance, quick temper, and childish passions. Leo’s scene with the bully Brock during their one-on-one soccer duel emphasizes his temper when he rashly states, “I’ll quit and go home, whether I make the World Cup or not.” 

The story’s plot and surrounding characters also enhance Leo’s character development. Many of them point out Leo’s weaknesses and encourage him to rise above the summer camp challenges. As a result, the book teaches the valuable lesson of trusting in one’s strengths and not allowing competition to ruin the fun. Leo learns to relieve himself of the pressure of perfection during soccer games and understands “in order to succeed, I had to be myself.”  

The Academy includes plenty of high-paced soccer scenes, where concrete descriptions and detailed play-by-plays will keep the readers hooked during each game, scrimmage, or drill. Although some game descriptions and plays can become too complex for those with little soccer knowledge, the story keeps things interesting by incorporating plenty of internal reflections, blossoming friendships, and courageous victories during its game-time sequences. Overall, The Academy presents an engaging tale about a young kid seeking to overcome the odds to join a prestigious youth development program. With its combination of a compelling protagonist, lovable side characters, and a moving lesson about trusting in one’s talents, The Academy is the perfect book for young and old soccer fans. 

Sexual Content 

  • None 

Violence 

  • A soccer player on the Columbus Tigers, Ronnie Lewis, trips Leo during a soccer game. Leo falls hard “and gets a face full of grass. It was a dirty, dirty play. My knees and elbows were bleeding.” Leo was not hurt badly. 
  • Brock, a burly kid with a blond crew cut, bullies Leo by making fun of his clothes and his favorite MLS league. Brock says “How lame [his] trackies are” and “We call it Major League Suck over here.” This scene is described over four pages. 
  • Brock jeers at Leo during a soccer game by taunting, “Why don’t you go back to America? That’s where the amateurs play.” 
  • Julian and Brock bully Leo during a soccer drill where Julian “offered [Leo] a hand” and then “retracted it” while Brock sneers, “Loser Yank. Your turn in the pot.” 
  • During a soccer drill, Brock smacked Leo in the stomach as a mean joke by “hitting [Leo] so hard with his hips that it knocked the wind out of [him].” Leo wasn’t hurt. 
  • Brock nearly drowns Leo at a local pool. Brock “yanked [Leo] down from behind and held [him] underwater with a hand on [his] neck.” Although Leo wasn’t hurt, it caused other boys, like Leo’s friend Alejandro, to “shove Brock hard in the chest, causing him to fall on his back in the water.” This scene is described over five pages. 
  • Brock trips Leo during a soccer scrimmage, and “the fall knocked the breath out of [him] and left [his] mouth full of grass.” 
  • When Brock finds himself on the losing side of a soccer match with Leo, he shouts, “I’m gonna kill you, Yank,” toward Leo. 
  • Brock and Leo engage in a soccer match where there’s constant shoving, tripping, shirt tugging, teasing, and slide tackling. At one point, Leo acknowledges that he didn’t “know how long we fought for that last goal. It seemed like hours. Both of us heaved with exertion, bleeding in half a dozen places from hard falls.” This scene is described over eleven pages. 

Drugs and Alcohol 

  • Robbie, Leo’s roommate at the soccer academy, gives Leo some ointment called “Icy Hot” for his cramps to “rub on [his] legs tonight and in the morning.” Leo uses Icy Hot repeatedly throughout the story. 

Language 

  • There is some name calling including idiots, jerks, doofus, and loser. For example, Leo calls the kids on the Columbus Tigers soccer team “rich jerks.” 
  • On three occasions, someone is told to shut up. For example, Leo tells his sister, Ginny, to “shut up” when she gives him a command. In addition, Brock tells his friend Julian to “shut up” after his rude remark toward Leo.  
  • Leo’s friend, Carlos, utters “what the crap” and calls Leo a “fart-breath.”  
  • Leo mutters, “geez” because of Robbie’s poor attitude. 
  • Brock calls Leo a “Yank” throughout the story because Leo is from the United States. 

Supernatural 

  • None 

Spiritual Content 

  • When Leo gets to participate in a FIFA tournament, he exclaims, “Have I died and gone to heaven?” 

When the Butterflies Came

Tara Doucet is a twelve-year old who seems to have everything going for her. She comes from one of the oldest families in New Iberia Parish and is a descendant of the original Paris Doucet Family. However, beneath the surface, Tara is struggling with a number of challenges. Her beloved Grammy Claire recently passed away, leaving a void in Tara’s life. Additionally, her mother has become reclusive and is unable to deal with her recent divorce or the looming foreclosure of their family plantation, leaving Tara to shoulder much of the burden. To make matters worse, Tara and her sister have never seen eye-to-eye, causing further tension and conflict within the family. 

Despite these difficulties, Tara’s life takes an unexpected turn for the better when she has a remarkable experience. After Tara’s grandmother’s funeral, a beautiful, velvety purple butterfly visits her, almost as if it were sent by her grandmother. Moments later, Tara receives a letter that sets her on a quest to unlock the mystery surrounding her Grammy Claire’s research with butterflies. As she delves deeper into her grandmother’s past, Tara must confront her own fears and insecurities and learn to embrace the beauty and complexity of life. 

The letter Tara receives from her grandmother leads her on an unexpected adventure to protect the butterflies that her grandmother discovered. Tara’s journey takes her to her grandmother’s house where she finds 10 keys and more letters with cryptic clues; the letters urge Tara to protect the butterflies and trust no one. As Tara progresses from clue to clue, she learns of her grandmother’s amazing scientific discovery. However, the discovery is what put her grandmother’s life and the existence of the butterflies in peril. 

The suspense builds as Tara relies on her wits and follows her heart to find the clues. She risks everything to save her grandmother’s butterflies. Tara’s wondrous tale is narrated in a gripping first-person, present tense, which allows readers to experience the intense range of emotions Tara goes through, including emotions from the depths of grief to the heights of wonder, from gripping fear to overwhelming surprise. As the reader follows Tara’s journey, they will be drawn into the vivid and enchanting landscape that is painted, where the rules of reality are suspended and anything is possible.  

Throughout Tara’s journey, she encounters various obstacles and challenges that she must overcome to succeed in her mission to protect the butterflies. Tara learns more about her grandmother’s life and the scientific discoveries she made. She also uncovers a sinister plot to destroy the butterflies and their habitat. Tara must use all of her skills and intelligence to stop the plot and protect the butterflies.  

However, figuring out who is behind all the danger is not an easy task. Tara must travel to the island of Chuuk, where her grandmother lived and her research began five years ago. There, she dives deep into her grandmother’s research, searching for clues that will help her uncover the truth of who is behind the plot to destroy the butterflies. Her journey to Chuuk reveals a world full of secrets and dangers that Tara never imagined. But with each new challenge, she grows stronger and more determined to complete her mission and protect the butterflies. 

Overall, Tara’s adventure is a thrilling and exciting story that teaches readers about the importance of protecting the environment and the creatures that inhabit it. When the Butterflies Came highlights the importance of perseverance, courage, and intelligence in overcoming obstacles and achieving goals. The story also emphasizes the power of family, even in the face of adversity, and the importance of cherishing the memories of those who have passed on. Tara’s journey is a story of growth and discovery, of facing one’s fears and finding the strength to overcome them, and of the enduring power of love. 

Sexual Content  

  • None 

Violence  

  • Tara is up at two in the morning trying to determine what the seventh key, that her grandmother leaves as a clue towards her secrets of the butterflies, unlocks when she hears someone moving around upstairs. She goes to her Grammy Claire’s laboratory that should have been locked shut. Instead, she finds it unlocked and one of the precious butterflies, crushed on a desk. Tara wonders, “‘What happened here? How did she die?’ And then I started to cry even harder because I know deep in my heart that the Giant Pink butterfly didn’t die of old age. It didn’t have an accident. Its life span didn’t just run out. It was murdered.”  
  • In a letter following the seventh key, Grammy Claire outlines that there is someone who is willing to put their lives in danger for the butterflies. “Someone wants to hurt the [butterflies]. To steal them, and destroy them. I cannot allow that to happen. They are precious. They hold a secret the world is not ready for, but which someone is willing to kill for. I often make myself crazy thinking about each person I know on the island and wondering who wants the butterflies. And who might want me dead.” The letter makes Tara question how her grandmother died. She begins to wonder if her grandmother’s car accident, wasn’t truly an accident.  
  • Tara finds her sister, Riley, splayed out at the bottom of the stairs, which are covered in water and oil. Riley begins to draw conclusions of her own that she shares with Tara. Riley says, “These stairs were just fine last night . . . I think somebody tried to hurt me. Or you.” 
  • While Tara and Riley are attending a barbecue, two gunshots go off. “A second later, there’s two ear-splitting pops that rupture the air. Instantly, the bark of the palm tree I’m sitting next to spurts a shower of splinters. My cheeks sting from flying, razor-like slivers, and then shredded bark sprays over my hair, my lap, and clothes. I’m screaming as I fall to the ground.” Tara is okay, but they find a bullet missed her head by inches. Riley and Tara run to escape. 
  • After finding the final last chest that unlocks the secrets of the butterflies, Riley and Tara try to leave the island when they are intercepted by the individuals who have been after their family the whole time. Tara is suddenly “tackled from behind and flung to the ground. The treasure chest launches out of my arms and I get a mouthful of sand. Then someone huge and strong reaches around and clasps their hand around my mouth.” Tara remains pinned in the sand.  
  • Tara and Riley’s captors talk about how to dispose of them. “‘Rope.’ ‘Nope. Grotto.’ ‘Hmm . . . might be easiest’ ‘. . . found Claire’s hidden chest. Look like they drowned getting it.’” 
  • As Tara and Riley’s captors held their heads over the water, Riley screams out to Tara. Riley’s “voice is instantly muffled as a hand roughly shoves my head under the water. I never get a chance to take a decent breath. Almost immediately, bubbles escape my nose. After twenty more seconds, my eyes bulge, trying to see in the dark water, staring up at the cavern roof. Beams of light flash here and there, squiggly and hazy . . . Now I’m bursting. I am truly drowning. My lungs are on fire. I’m going to die! Die!” Right before Tara’s body can completely give out, the men release because people show up. 

Drugs and Alcohol   

  • None 

Language  

  • In Grammy Claire’s third note, she mentions the importance of nipwisipwis, but Tara doesn’t quite understand what it means. It isn’t until her sister Riley looks up that it is written in another language –Chuukese. “I can barely choke out the words. ‘Nipwisipwis means butterfly!’” Nipwisipwis is utilized frequently for the rest of the book.  
  • ‘Kinnisow’ means ‘thank you’ in Chuukese. Eloni, Grammy Claire’s research assistant, teaches this to Tara so that she may use it while on the island.  

Supernatural   

  • The first butterfly to visit Tara is a small, purple one that floats into her room. It sits and stares into her eyes, making Tara question if there is something special about the butterfly. “This butterfly ain’t no regular butterfly. ‘Are you magic?’ I say real quiet, because I don’t want it to fly away and disappear.” 
  • In Grammy Claire’s second note, she talks about her dear friend who used to help Tara’s mom come out of her bouts of melancholy. To do so, she utilized herbal practices to create a concoction. Tara says, “’I’ll bet Grammy Claire’s talking about the mother of Miz Mirage, the woman who lives in the swamp. The one all the kids at school call a swamp witch. . . Maybe what she does ain’t bad magic at all.’ Words dance in front of my eyes. Herbs. Healing. Prayers. Love.” 
  • Someone shows Tara the magic of the butterflies. Tara begins to realize that the purple ones with a yellow outline can make music of their own.  
  • Upon finding the last chest, Tara and Riley begin to read some of the curious findings that make their grandmother’s work with butterflies so dangerous. “I stare inside the thick envelope, trying to focus. Words jump out at me. Nipwisipwis is written over and over again on every sheet. Giant Pink. Experiments. Turn back time.” 

Spiritual Content   

  • After Grammy Claire dies, Tara receives a letter from her that was written in the event of her death. The letter says, “What does gone mean, after all? Am I six feet under? Floating in the air or dancing on a cloud? Maybe I am having tea with God and making Him answer the long list of questions I’ve been hungering after for decades . . . even if that means I’ll wake up in heaven next time I see you. You can bet I’ll be the first in line to hug you and smother you with kisses.” 
  • In a letter, Grammy Claire tells Tara how she is looking down on her from heaven. “In Chuukese, they call heaven naangenu, the place we came from and the place we return after death. Where I am, I will be with you in spirit. Always” 
  • Eloni, Grammy Claire’s research assistant, tries to comfort Tara. Eloni says Grammy Claire is still looking over them and that Grammy Claire, “is right now watching. From naangenu. . . It means heaven. Where the gods live. And one day, we live there, too.” 

United We Spy

Cammie has finally discovered why the Circle wanted her dead. Once upon a time, she had seen a list of the Circle founders. Now that Cammie’s mother has the list, she and her most trusted allies are determined to track down the masterminds of the Circle and arrest them. But they are not the only ones hunting them. A splinter group of the Circle is also tracking the founders down; their goal is not to arrest, but to kill. One by one, members of the Circle arebeing picked off. But before one dies, he warns Cammie that the Circle is planning something big, and the wheels are already in motion.  

To make matters even worse, the Winters are one of the names on the list of Circle founders. Macey swears Preston Winters can’t know that his father is in the Circle, but with tensions as high as they are, Preston may be guilty by association. When he and his father are whisked off to a secret, high-security prison, Macey fears Preston isn’t safe even there. Those worries are proved right when his father is killed by a mole while in prison. Cammie and her friends are left with no choice—they must break Preston out before it’s too late. 

The mysteries of the Circle are being solved one by one, yet Cammie continually feels one step behind the Circle’s plot. As the dominoes begin to topple, Liz warns that the building tension will lead to World War III. Cammie will do anything—even give her own life—to stop the cascade before it’s too late. 

United We Spy is full of action, tension, and the satisfaction of a long-brewing mystery resolved. Cammie and her usual cast of friends and family will stop at nothing to prevent the Circle from starting World War III. The question is, can they stop the chain of events before they reach a critical mass? And even if they can, what will be the price they have to pay? Through first-person narration, Carter creates an exciting story full of relatable characters and action-packed sequences. Readers may want to have a box of tissues handy as they close the final chapter of this epic saga.   

Sexual Content  

  • Cammie sees her aunt Abby kiss Agent Townsend. “On the Tarmac, Agent Townsend whispered something to Abby, then squeezed her hand and kissed her softly when he didn’t think we were watching.”  
  • Zach and Cammie kiss several times. Most kisses are described in one to three sentences. For example, “Zach’s hand was warm in mind, and I didn’t feel the chill, even when he stopped me on the stairs, pressed me against the wall, and kissed me. Softly at first, then more urgently, hungrily. It was like he hadn’t eaten in weeks.”  
  • Another time, Zach and Cammie kiss. “I brushed my lips across his mouth, lightly at first, teasing. Tasting. And then his lips parted and the moment was over.”  

Violence  

  • When Cammie and Bex go to arrest Sir Walker, a member of the Circle, Zach’s mom beats them there and kills him. Cammie gets there and she “heard the hiss of the bullet, saw the dark spot that grew on Sir Walter’s chest, and watched him fall to his knees . . . A drop of blood ran from his lips. As the life drained out of him, he toppled over onto the floor, never to defy us—or anyone—again.”  
  • A member of the Circle launches a grenade at Cammie. Cammie describes, “Blood ran into my eyes. The grenade must have struck a gas line, because smoke swirled all around me and I could feel the heat of the explosion at my back.”  
  • Cammie and her friends are in a car crash during a getaway chase. “The crash came too fast—too hard. One second we were careening along the Roman streets, and the next there was nothing but the screech of tires and the crunch of metal. I felt myself falling, tumbling in the back of the truck as it flipped onto its side. Sparks and scraping metal.”  
  • Cammie hears Preston’s dad get shot in the next room. Cammie “jumped over the partition and into the other room . . . blood stained the concrete. His face looked almost peaceful as he stared up at me and gave me one last smile. ‘Save Preston,’ he whispered, eyelids fluttering. And then he died.”  
  • When outsiders come for Cammie, the Grand Hall of the Gallagher Academy breaks out into chaos. “Seventh graders jumped onto the backs of FBI agents. Seniors squared off against the CIA. It wasn’t cat versus mouse; it was spy versus spy.” No one was seriously injured. The fight takes place over two pages.
  • While infiltrating a prison, Zach attacks a guard. Cammie “stepped into the hall just in time to see Zach haul back and head-butt the guard, knocking him to the floor.” Later on the way out of the prison, Macey takes out some guards. “A guard rounded the corner and Macey dropped to the ground, knocking the man’s feet out from beneath him. Another guard followed so closely behind that they became tangled together, falling.”  
  • After escaping from the prison, Cammie realizes Bex has been shot. Cammie “looked at Bex just as she unzipped her heavy down jacket. Blood stained her shirt spreading across her shoulder and dripping down her side.” Bex survives.  
  • Cammie and her friends are close to a bomb that detonates. “There was nothing but a cloud of smoke and terror. People screamed . . . The force of the blow had knocked [Cammie] to the ground, and my side ached . . . A man stumbled through the crowd, his face so covered in blood that I couldn’t even tell what damaged had been done.”  
  • When Zach’s mother turns herself in, Cammie hits her because she is angry. Cammie “pulled back my fist and punched with all my might.”  
  • Cammie lunges at a man with a gun and is shot. “He fired. Once. Twice. Blinding pain coursed through me, but I didn’t stop. I just kept running toward him, catching his gun hand in my arms and spinning.” 
  • While rescuing Amirah, a fellow Gallagher girl, Cammie is shot. Cammie then kills the man who attacked her and Amirah. “Pain seared through me again—a hot, burning stab . . . I took aim at the very place Amirah had been just seconds before and pulled the trigger . . . [Amirah] crawled away from the man who was falling to the ground. His blood was on her shirt, but she didn’t seem to be in any pain.” 

Drugs and Alcohol  

  • When taken to a top-secret prison, Cammie is drugged so that she cannot reveal its location. “In the next second a syringe was in Agent Edward’s hand, and the needle was in my arm, and just that quickly my mother’s office began to spin, the whole world spiraling quickly into black.”  
  • A teacher at the Gallagher Academy developed Napotine patches, which knock a person out. These are used several times. Once, Bex “slapped [a guard] hard across the face . . . the man looked almost amused for a moment before the strength slipped out of his limbs and he crumbled to the floor. The other guard was struggling to his feet, but Macey was already on him, attaching yet another Napotine patch to the back of his neck.”  
  • Liz drugs Zach’s mother with a concoction stronger than truth serum. “Liz’s concoction entered her bloodstream. It was like she was growing drunk and sleepy. Her eyelids were heavy.”  

Language    

  • None 

Supernatural  

  • None 

Spiritual Content  

  • None 

Light it Up

Told in a series of vignettes from a myriad of points of view, Light it Up details a community’s reaction to a police officer killing a thirteen-year-old Black girl. An outraged city demands change, but quickly the outside world, and some white nationalists, take notice. As tensions escalate between the citizens of Underhill, and as the white nationalist group White Out arrives in the city ready to counterprotest, the lives of the residents are thrown into further disarray. 

Light it Up is the second book in her series, coming after How it Went Down, which is also about the killing of an unarmed Black teenager in the same community. It is not necessary to read How it Went Down first, but there are overlaps between the fictional setting and the characters. Each book makes sense on its own, as the focus is on different tragedies that happen to different characters. 

Magoon’s book takes place in a fictional city, but the unarmed killing of Black people in the United States is real, and she heavily borrows from real-life situations to bring her narrative to life. Magoon mentions the names of Black people killed by police in the United States including Michael Brown, Freddie Gray, and Martin Luther King Jr. She also includes a fictional white nationalist group, White Out, that is heavily based on real-life groups, and the KKK also makes a brief appearance. These moments serve to show how close her narrative runs along our reality.

Light it Up primarily tackles conversations about race relations in the United States from a variety of perspectives. Magoon addresses the nuances through many different points of view, including from a little girl who only speaks in simple poems, the daughter of a police officer, local nonprofit organizers, a gang leader, and many more. Each piece tells part of a larger story about the Black girl who was killed, but the lives of the other characters also shine through. Although this story is a tragedy at its core, it’s also about a community fighting the same fight day after day, and doing as much as they can to live somewhat normal lives. 

There are also segments of the book that show the scripts from news broadcasts and social media comments, which brings in extra context from outside the city of Underhill and paints an even broader picture of the conversations surrounding police brutality and racialized violence. Light it Up takes a stance that is clearly shown in one news segment in particular. A guest tries to justify the viewpoints of white supremacists, saying that their views are equally valid, and the news commentator points out, “The minute you accept the premise that intolerance is a valid point of view, you lose freedom.” This is a succinct look at one of the book’s main themes. 

Light it Up has mature content, including heavier language usage, violence, and sexual suggestions than some other young adult novels; however, its themes about race relations and community are powerful and certainly worth reading about. Additionally, most of the characters, unless otherwise specified, are college students or adults. Readers should take note that extreme bigoted language is used, but in context, the language shows the reality of white nationalists in the United States. This book is important to read because it helps illustrate the many facets of racism, and it does so in an intelligent and empathetic manner. There is not a happy ending after a child is killed, and the community can only do its best to grieve and continue the fight for a better home, despite the terrible obstacles. This is not a joyful occasion and the only way out is through. 

Sexual Content  

  • The characters in this book engaging in sexual content are exclusively adults. 
  • One character, Jennica, used to be in a relationship with a man named Noodle, and he still comes around her place sometimes. Jennica describes how Noodle says, “‘Hey, gurrrrrl.’ He drags the word out so long it sounds dirty.” When she rebuffs him, he says, “I wanna keep doing you.” Jennica also mentions that what she misses about him “has nothing to do with sex.”  
  • At another point, Noodle texts Jennica, “You look hella sexy in that apron.” Jennica is not amused. 
  • While drunk at a party, Noodle sexually assaults Jennica. Jennica narrates, “My back is against the wall and Noodle presses up against me with his whole body. His hands push up my skirt. His mouth is on my neck, my chest. When I try to wriggle away, he takes hold of my wrists, pinning them beside my head.” After a page, he is stopped by a man named Brick, whom Jennica then kisses despite Brick saying no several times. Jennica notes, “When our mouths meet, I taste salt and beer and breath. It’s one quick moment, or it lasts a hundred years. He tears his face away.” 
  • While she is drunk, Jennica makes a sexual pass at Brick. Jennica notes that Brick pushes her back a step, but she also notes, “But his eyes say different. His fly says different.” Nothing happens between them. Later, she articulates her attraction, saying, “[Brick’s] muscles. I’m kinda turned on and I hate it because it reminds me of last night. Of Noodle’s hand going between my legs.” 
  • Brick notes that he can have “any woman [he] wants.” He says, “I could lose myself in [the party], find some honey to wriggle against me, soft and warm. The one in the hot-pink mini skirt. Damn. The one with the shaved head and earrings like Olympic rings.” This is the extent of his detailing of his sexual desires. 
  • Community organizer Zeke is talking to community volunteer Kimberly at the community center as folks are seeking shelter from the police outside. Zeke gives Kimberly a blanket and notes, “She smiles up at me. So pretty. Sleepy eyes are kinda sexy, I guess.” 
  • It is insinuated that a character named Melody has sex with Brick. The only description of this is from Melody, who remembers, “my memory rings with the sensation of his muscles against me. His breath on my cheek. The quick, hard rhythm as we rise together. The way his arms wrap me tight as we lay together. His sweet whispers.”  
  • Brick and Melody have sex again. Brick’s usual dating method is: “We screw, we snuggle, then we go our separate ways. No hang-ups. I sleep careful. I sleep smart. No drama.” He says this as Melody wakes up in his bed. Brick sees Melody, “her shirt is off and the covers are pulled up right underneath her excellent rack…She’s right there, and willing, and it feels good.” They have sex again that morning, though no further details are given. 
  • Kimberly and Zeke are attracted to each other. Kimberly mentions that Zeke “is fine.” Zeke mentions that Kimberly “is fine. Can’t tear [his] eyes from that big, sexy behind of hers. Why is she wearing cute pants like that to the office? Nobody needs to look that good while filing correspondence.”  
  • Kimberly likes Zeke, but she insinuates that she may have had a relationship with another man that they mutually know. Kimberly says, “Zeke can’t ever know what happened between me and Al. Reverend Sloan. The senator.” She doesn’t elaborate about what happened further. 
  • Senator Al Sloan has a history with Kimberly, and she doesn’t like how he seems to speak in double-entendres. Kimberly notes that when he says, “I still think about that week,” she understands it as him saying, “I wouldn’t mind getting in your pants this time, if you’ll let me.” Kimberly manages to rebuff him at each opportunity. 
  • Kimberly and Zeke kiss. Kimberly describes, “His lips are soft. It’s not unpleasant. But I don’t know what to do… My hands find his fingers. His tongue plunges in and out and I try to move mine in response.” Kimberly explains to Zeke that she’s never had sex before, and after a couple of pages of discussion, it is insinuated that they do have sex, but nothing is shown. The sequence lasts for several pages. 

Violence  

  • The book’s central discussion is about police officers killing unarmed Black people. The characters reference real life examples listing, “Look at Watts in ‘65, look at LA after Rodney King, Ferguson after Michael Brown, Baltimore after Freddie Gray.” Later, students at a demonstration at their college campus, named other victims like “Emmett Till, Martin Luther King Jr., Sandra Bland,” and many others. 
  • One day, walking home from school, an unarmed Black girl, Shae Tatum, is shot and killed by a police officer. Descriptions throughout the book detail her death. For instance, after she’s shot, “the curb is dewy with blood.” Later, a police statement notes that “the child was running away and got shot in the back.” 
  • Shae’sdad comes running to the crime scene, and another character, Brick, stops him because, as Brick notes, “The next five minutes play out in my mind in sped-up slo-mo fashion: He’ll run at them. Try to bring them down with his own hands. Then he’ll be laid out beside her and they will feel justified.” Brick stops him, but the grieving father “pummels [Brick].” With the cops pointing guns at them, Brick requests that a paramedic “sedate [Shae’s dad]” and they do as he asks. The scene is described over a couple of pages. 
  • At a crime scene, the police tear gas the crowd. One cop notes, “The line we held firm for hours is shattered. So long, tenuous peace. The string of yellow tape bursts and drifts to the ground as people run and scream.” 
  • Brick seriously considers and plans to organize his gang against the cops, and he tells part of his plan to one of the women who’s attracted to him. She tells others that, “He’s talking it. Panther-level action, taking guns against the cops.” 
  • The young daughter of the police officer who killed Shae is being abused by other students at school. She notes, “When I am not looking, other kids reach out and pinch me as hard as they can. I say nothing. Like I’m supposed to.” 
  • The daughter of the police officer has a classmate who says to her, “I bet [your dad] beats your mom. All cops are beaters.” The classmate then “pounds his knuckles into the other palm,” and the daughter has flashes of what are presumably memories. She thinks, “The smack of skin on skin. Beer bottle against the wall. The boxing bag hanging from the garage ceiling… I know how to throw a good punch.” It is insinuated that she punches this classmate. 
  • It is insinuated that the police officer who killed Shae Tatum beats his wife. Their daughter notes, “[Mom’s] shirtsleeves taper smoothly to her wrists such that everything is covered.” 
  • Much of the book details the actions of the white supremacist group called White Out, but the book also details the history of white supremacist groups. One author on a news program explains, “The image of white people marching with torches by night evokes more than a belief. It evokes intent. Historically such images are associated with lynchings. The Klan and its members passed extra-legal judgment on any black people they had it in for. The image evokes hatred and represents an absence of due process. Forces that this country has been working for a century to overturn.”  Historical explanations of violence like this are explained throughout the book, but this is the end of this description. 
  • One college student, Tyrell, is having a conversation with his white classmate, Robb. Robb doesn’t understand that white supremacists and racism have always existed, and he asks Tyrell if there are white supremacists in his neighborhood. Tyrell thinks, “You mean like the cops who put us into walls, the teachers who tell us we won’t amount to anything, the cabbies who won’t stop for us, the bankers inside their bulletproof glass cages? You mean like the guy who shot my best friend?” Robb doesn’t understand that this is a system that he, as a white man, benefits from. 
  • One police officer watches the White Out rioters descend upon the city. He thinks to himself, “There is no one I hate enough to bring a torch to a park and chant in the dead middle of winter. I think hard about it. There’s no one. Well, terrorists, I guess. The kind of man who straps a bomb to his chest and walks into a school to set it off. I hate guys like that enough to set them on fire.”  
  • One white college student is driving his two black classmates to the protests, and he’s driving over the speed limit. The other two are worried about getting pulled over, and their white driver refuses to slow down. One of them then reaches “up from behind and takes his shoulder. Pinches his fingers as hard as he can into his soft tissue.” This convinces the white driver to slow down and be serious. 
  • The college students in the fray see a cop beat a young Black woman who tripped and fell during the protest. The cop’s “baton, already raised and ready, comes down hard on her. Crack! She screams as the cruel metal tube strikes her shoulder. She falls to the ground. The cop spins, putting his back to us, and brings the baton down on her again.” The white college student tries to stop the cop. The student’s “hand goes out, grabs the officer by the collar with one hand. His other hand knocks the baton aside and away from the woman on the ground.” This scene lasts for a couple of pages. 

Drugs and Alcohol  

  • Shae’s parents bring out the mulled wine, presumably for the people who are of-age. Mr. Tatum says, “My sister-in-law’s been making it like no tomorrow.”  
  • After police-mandated curfew hours, Brick considers staging a protest. Noodle tells him it’s a bad idea, saying, “The whole point is they come after us for nothing now. We can get high and forget about it.” 
  • Zeke is on a date with Kimberly and he offers her beer as “it looks like we’re out of wine.” 
  • A character notes that Brick’s parties involve a lot of “dancing and drinking and being all loud.” 
  • Jennica shows up to one of Brick’s parties angry. She says, “I came anyway. In time to see Kimberly and Zeke sitting right up where I used to sit. Holding court with Brick. I’m holding court with Jose Cuervo.” It is confirmed that Jennica is drunk. 
  • One college student, DeVante, checks his white classmate’s car he’s in for “errant weed,” as DeVante knows full well that he and Tyrell would be the ones that the cops would blame for it being in the car. 
  • DeVante and his white classmate Robb have been friends since the start of college. DeVante notes that, “We’ve talked about girls and kept each other from getting too drunk, or walked each other home when we’ve occasionally missed the mark.” It is implied that they are in their first year of college, but nothing else is described. 

Language  

  • Profanity is used frequently. Terms include hell, ass, God, goddammit, shit, fuck, and bitch.  
  • One character known for being insensitive reads about the murder. He tells his roommate, “Cops shot a girl. Only thirteen, and retarded or something.” His roommate responds, “Don’t say retarded.” This is the extent of the conversation. 
  • Robb refers to a woman news anchor as “the hot chick with the big lips.” He later says, “Can we get a scroll bar with her number?” The other people around berate his rudeness. 
  • Robb regularly makes microaggressions against Black people. For example, he notes that there are mostly white people at his college. He says, “Everyone in the room is white, except DeVante and two Asians. I mean, a Filipino and a … I forget. Chinese, maybe. Whatever — he grew up in Portland.” These comments come up semi-regularly. 
  • In one of the online forum posts, a presumably white person uses the N-word. The comment reads, “Fuck these n—-. We’re gonna take it to them where they live.”  In another post, the same commenter says, “You n— can’t keep a good cop down.” The term is written out in the book. 
  • White supremacists show up at Shae Tatum’s funeral, declaring that she deserved to be shot and that this incident was a “war on cops.” Zeke notes a photo that he sees at the funeral, describing, “The focus is on a small girl, not more than ten, standing at the front of the group. Her long blond pigtails fall over her shoulders, framing the hand-lettered sign at her chest: SHE HAD IT COMING.” Many more incidents like this occur throughout the book. Another sign at this event reads, “[The cop who killed Shae] DESERVES A MEDAL, NOT A PUBLIC LYNCHING.” 
  • A guest activist on a television program discusses the phenomenon of counterprotests. They say, “There’s a history of counterprotest. Remember, the ‘God Hates Fags’ contingent showed up at Matthew Shepard’s funeral.” This is the extent that this term is used. 
  • One newscaster notes that on social media the counter-protesters were trending the phrase, “The only good n– is a dead n–.” The newscaster doesn’t say the word but instead indicates it with the n– instead. 
  • Another person on a social media thread comments about the black protesters, “Like monkeys in the zoo. Making sounds and throwing feces. Ooh Ooh. Fenced in! Tear gas! Tase their asses!” 
  • Brick sees that his friends are being arrested for protesting. He thinks to himself, “Cops and n–s in a game of chicken- who’s more afraid of the dark?” The word is spelled out in the book. 
  • Jennica and Melody stand with the protestors against White Out. One of the white supremacists yells at the group, “Oooh oooh ooh! Go back to Africa, you motherfucking apes!”  
  • After getting Shae’s dad away from the police officers, he is sedated and lying in the back of a car. Another man is trying to keep him upright but is struggling, and he says, “Fuckin’ Christ.” 
  • Brick swears in surprise at Jennica when she’s drunk and she kisses him. He says, “Jesus, fuck.” 
  • One of the cops is complaining about paperwork. He says, “Christ, look at all these arrest reports.” His co-cop says, “Don’t take the Lord’s name in vain, for God’s sake.” They both laugh at his joke. 

Supernatural 

  • None 

Spiritual Content  

  • Someone on a news forum comments saying, “Why r u up here talkin bout blessings? Ain’t no GOD in this mess.” Many other people give their “thoughts and prayers” to the community. Another comment states, “You trippin. Prayers aint enough.” 
  • Shae Tatum’s funeral is held at a church. One little girl notes, “Ladies, ladies / loud ladies / big ladies / chewing ladies / sipping ladies / humming, Lord Jesus / humming, my baby / humming all the way to the cathedral sky.” 
  • The cop who killed Shae Tatum sits with his family at their home, holding a vigil for Shae. His wife lights a bunch of candles and says to her family, “Let’s pray.” The scene lasts for half a page. 
  • A news show discusses the intersection of faith, liberty, and rights. The guest on the program notes, “When a serial killer says God made him do it, we don’t let him off the hook for his crimes. Are we supposed to accept murder as a protected aspect of faith?” This discussion lasts for several pages. 
  • A commenter on a social media forum says about the verdict, “Life and death, reward and punishment, is the purview of God Almighty. Righteousness has been on our side from day one. #HeroCop.” 
  • One of the college students is deeply upset and is thinking of his friend who was killed by police. He thinks, “Don’t know what to make of a world without justice, of a God who turns our best intentions into the dark.” This point is not elaborated on more. 

The Troubled Girls of Dragomir Academy

Illyria, a land shrouded in mystery and magic, is home to a kingdom full of potential sorcerers, witches’ curses, and a mysterious mist called “the Dread.” Marya Lupu has always known her place in the kingdom. Her role is to stay quiet and make sure her brother Luka gets the title his family feels he deserves, which is to be a powerful sorcerer. However, on the day that the sorcerer’s guild comes to test Luka’s magical capabilities, Marya finds herself at the root of a chaotic mistake that will change her life forever. As it turns out, Marya’s brother is not a sorcerer after all, and the guild finds Marya to be unfit for the norms of society. Upon the king’s wishes, Marya is sent away to Dragomir Academy, a prestigious school for troubled girls. Although initially hesitant and fearful, Marya soon finds that Dragomir Academy is a place of great opportunity and learning. 

At the academy, Marya is introduced to the values and practices necessary for a lady of Illyria. In the eyes of the kingdom, Marya needs to know etiquette, needlework, music, and literature in order to have value. But Marya also discovers that Dragomir Academy is a place of secrets and intrigue. As she delves deeper into the mysteries surrounding the academy, Marya realizes that her fate is intertwined with Illyria’s fate. And as Marya uncovers the secrets of Dragomir Academy, she realizes her true destiny may be far greater than she ever imagined. 

The Troubled Girls of Dragomir Academy is a captivating and thought-provoking novel that delves into the lives of young girls dealing with personal issues such as what their role is inside a patriarchal society and what power they hold. Although the story starts off slowly, it gradually builds momentum as it explores the complexities of Marya’s and the other girls at the academy’s lives. Unlocking the mysteries will leave readers on the edge of their seats. 

As Marya arrives at Dragomir Academy, she is introduced to an entirely new world, one full of challenges and untold secrets. Her journey to unravel these secrets makes the book compelling.  Readers’ hearts will break as they follow Marya through the difficult challenges the ladies of Illyria face. Marya is a character that readers will want to give a hug. She is extremely relatable, especially for young girls who are learning to navigate their way in the world. She is curious, intelligent, and admirable, with a deep sense of empathy that makes her all the more endearing. Readers will find themselves rooting for Marya at every turn, as she overcomes obstacles both big and small on her journey of self-discovery. Her steadfast determination to succeed and strive to find out the truth makes her an inspiration to anyone who has ever faced adversity. Whether she’s exploring new horizons or facing down a challenge head-on, Marya’s spirit and resilience are sure to leave a lasting impression on readers of all ages. 

The Troubled Girls of Dragomir Academy is a powerful book that tells the story of girls who have been told that they are powerless. They have been told to calm down, be proper, and be quiet. This book is about finding strength, friendship, and the power within yourself. It’s about choosing to be strong despite the obstacles in your path. With vivid descriptions of the academy and the girls, the author paints a picture that is both whimsical and heart-wrenching. This is a must-read for anyone looking for an empowering story about young women who refuse to be silenced. However, it is not a read for the faint of heart, as it shows the gravity of how heavy life can be for a woman.  

Sexual Content  

  • None 

Violence  

  • The Dread is a mysterious monster affiliated with the kingdom that causes villages to be lost overnight. The Dread leaves the villagers dead, which is described several times as the Dread leaving corpses without blood or souls. 
  • Marya reflects on the loss of her baby brother, Pieter. “The fever came during the day and he died during the night. She was eight, then. It happened while she was sleeping. She’d tried to stay up to watch him, but she was so tired from the day of trying to get the fever down.” She was heartbroken over the loss of her brother, after his passing her family pretended he didn’t exist.  
  • Two significant girls at Dragomir Academy get “mountain madness.” When the onset occurs, the girls start shrieking and crying because they either see things or feel that there are bugs crawling underneath their skin. Simona, the sixth year in charge of her class, tells Marya of her experience. “Nothing was there. But then it kept happening. Or it would feel like spiders were underneath my skin, scuttling in my veins… I tried to hide it, pretended everything was fine. And then one night when I was sleeping, I dreamed a giant spider was on my chest, tying me up. But it felt so real. So I started screaming and fighting, trying to get it off me.” Mountain madness then becomes a topic of interest for Marya as she feels there is something more to it that the adults are hiding.  
  • A girl’s aunt accidentally harmed a village boy. The girl says her aunt “was practicing witchcraft. Like, some boy who had been pestering her while she was walking, suddenly his hair lit on fire.” The child was okay, but her aunt was sent to an asylum for witches.  
  • High Count Arev, a member of the Sorcerer’s Guild, answers questions about witches. “During the early days of the Witching Wars, we simply put them to death. But of course, that ultimately added to our troubles, for reasons we understand now . . . All the magic of the witches we killed during the Witching Wars either transferred to new witches or appeared somewhere else in the kingdom as an uncontrollable entity and would wreak havoc.”  
  • The headmaster, Headmaster Iagar, of the school, locks Marya in a quarantined cottage. Then, he corners her in the great hall, but Elana, Marya’s friend, helps protect her. “Elana was at the top of the stairs, out of breath, Madame Rosetti, the other teacher at the academy, behind her. The headmaster whirled around, but before he could say anything, Elana lifted her hands and pushed them towards him, the air shimmering with power. He flew backwards, slammed into the wall, and fell to the ground.” He is left unharmed but remains unconscious for several minutes after the blow. 

Drugs and Alcohol  

  • Elana was taken into isolation by the headmaster. “Then I fell asleep again and woke up and I couldn’t remember if it even happened at all, or I’d dreamt it . . . At least, I think that’s what happened. I slept so much. It must have been an enchantment. Or a potion. So I can’t really tell what was a dream and what was real.” Anyone who has “mountain madness” is taken to a quarantined cottage and given a potion that creates a drug-like effect on the user.  

Language  

  • None 

Supernatural  

  • Sorcerers and witches are discussed throughout the entirety of the text as they are the protagonists and antagonists of the society. The Sorcerer’s Guild is made up of the young men of the kingdom who possess the talent to harness magic, while the witches are the enemy that they face. The Sorcerer’s Guild and high-ranking officials repeatedly assure the people of the kingdom that any woman who possesses a witch’s talents are harmful beings and must be stopped at all costs.  
  • The Dread is a monster that attacks the villages. It is “the monstrous force that lived in the forest and roamed to nearby towns to devour them.” The Dread is a misty, purple monster that kills an entire village in one night. It is explained that it is brought on by a curse set forth by the witches.  
  • A letter arrives at the Lupu home about Luka’s upcoming sorcerer’s test. “Representatives from the Council of Magical Protection of Illyria, serving the Sorcerer’s Guild, will be at your home in fifteen days, at noon, to evaluate your son, Luka Lupu, for potential giftedness in the art of sorcery.” Upon the day the guild arrives, Luka, like several other young boys throughout the kingdom, will be tested to see if he possesses the ability to harness magic. If he does, his family will be sent to a rich estate and he will join the Sorcerer’s Guild. If he does not, they will continue to live as they do and work hard to build their way up in society.  
  • Madame Bandu, a local village woman, explains how the magical testing will work for Luka. “The Sorcerer’s Guild has always been able to detect potential sorcerers through some kind of spell. It used to be that all boys would be sent to the estates so that they could be mentored when their time did come in. It’s only in the last few decades that they developed a test that could — with reasonable accuracy — predict which boys would actually come to wield magic.” 
  • Marya is learning about the history of Dragomir Academy and the beliefs many individuals hold about females. “Did people think education would somehow turn these girls into witches?” She believes this to be a ridiculous thought and one that makes her sad for the girls who do not get an opportunity for education. 
  • Madame Szabo, Marya’s teacher at Dragomir, asks them about their knowledge of witches. Marya answers, “Well, they cast spells. Like everyone else in the area would lose their vision at once, or sleep through a harvesting season, or plant catnip instead of turnips . . . Or they would all get fevers that lasted for months and months.” 

Spiritual Content  

  • None 

Valley of Kings

If Alex and Ren are going to stop the Death Walkers, they must find the powerful Lost Spells. So, they head to the Valley of the Kings, deep in the Egyptian desert — where they discover that Egypt is in the grips of madness. Voices in the air whisper dark secrets and flashes of light burn across the night sky. Plus, their hunt for the Spells keeps getting sabotaged. Every step they take, The Order is hot on their trail. There’s no dodging, no hiding. Is someone leaking their secrets? Is there anyone they can trust?

With the help of his best friend, Ren, and his cousin, Luke, Alex continues his search for his mother. When they get to Egypt, The Order – “a criminal cult that had haunted Egypt for thousands of years” – is on their trail, leading to many action-packed chase scenes. Soon, the three kids are heading to the Valley of Kings. While there, their search for clues proves fruitless.

Along the way, the kids meet King Tut, who is looking for his heart. King Tut’s appearance adds some much-needed humor and teaches about ancient Egyptians. While the kids do fight a Death Walker, most of the story is focused on keeping away from The Order. In the end, the Death Walker’s demise is anticlimactic because he rarely appears and his strange powers are never explained. 

Valley of Kings is a disappointing installment in the TombQuest Series. Alex and his companions spend too much time running away from thugs and not enough time investigating his mother’s disappearance. The Order ramps up the violence and shows that they are willing to kill innocent people to gain power. But by the end of the story, Alex is no wiser and has no new information about his mother or the Order. In addition, there is a shocking betrayal that will leave readers confused and heartbroken. King Tut is the one bright spot in the story. However, readers interested in learning about King Tut and Ancient Egypt’s culture would do better to wrap their hands around The Curse of King Tut’s Mummy by Kathleen Weidner Zoehfeld. 

Sexual Content 

  • None

Violence 

  • A man who works for The Order takes a new employee named Abdel to a warehouse. Abdel opens a door, “releasing a rush of stinking air and a swarm of dark whispers so strong that Abdel could feel them, like snake tongues on his skin.” Abdel sees an “abomination.” The other man pushes Abdel into the room and locks the door.
  • After being locked in a room, Abdel hears “ten thousand whispers combined. . . Unleashed, the heavy whispers cut into him, no longer tongues but teeth! Each one grabbed a piece, tore it off, gobbled it down. It wasn’t his body they were devouring; it was his soul.” The man dies as his body “was torn to bits, devoured.”
  • When Alex and his friends get to Egypt, a cab driver tells them about a doctor who “heard voices and then attacked a patient with a metal crutch.” 
  • When Alex sees an Order thug, he “gripped his amulet tighter with his left hand as his right shot up and unleashed a spear of concentrated wind that knocked the man back against the wall. . . his head hit the bricks and his eyes fluttered closed.” Then, “a flash of crimson light lit the Egyptian dusk and people began to fall to the ground.” Alex and his group run and hide.
  • The Order tries to find Alex and his group. They break down a door and Alex “turned just in time to see the last figure in line glide silently into the house: a very thin woman wearing a pale white mask — the skull of a lioness. . . As she disappeared inside, the doorway lit up red. The Order had followed the wrong trail and someone else had just paid the price.”
  • Peshwar and other members of The Order break into a museum to kidnap Alex and his friends. Tired of running, Alex grabs his amulet and “his right hand shot up, his fingers spread slightly. . . a column of desert air rose up and rushed forward. . . the lioness [Peshwar] staggered backward a few steps. . . A heavy main door slammed shut. A thick crunch and a pitiable wail could just be heard over the shipping winds as the forearm of the man about to enter was pinned in place. . .”
  • Peshwar goes on the offensive. “Alex looked up in time to see a red glow sprout from Peshwar’s closed right hand and form itself into something like an icicle: A jagged, uneven shard of crimson light. . . The glowing energy dagger flew through the air.” To save Ren, Alex jumps in front of her. “The blood-red slice of light pierced the elbow of Alex’s outstretched left arm.” The light causes pain, but no lasting damage. 
  • As Alex and his group flee, Alex hears “the thick whisper of a silencer — Frummp! — and then a bullet plinked off the heavy stone sarcophagus.” No one is hit.
  • Hessan, the museum curator, helps Alex and his friends escape. As a diversion, he goes to fight Peshwar and her group. Alex “heard the sharp sound of a pistol handle to the skull and the dull thump of Hessan’s stocky body hitting the floor.” Alex and his friends escape through a secret tunnel. The chase scene is described over seven pages. 
  • While on a train, The Order drugs Alex and tries to kidnap him. When a man tries to zip tie Alex, Luke “clocked the intruder in the head with a shiny new ten-pound dumbbell . . . the man collapsed heavily to the floor.” The two boys “dragged the guy out into the hall” and push him off the train. “They watched the man tumble limp-limbed down a sandy bank.”
  • Alex and his friends discuss King Tut. “A lot of people think he was murdered. His heart was missing when they found him. And my mom says there was a hole in his head.”
  • Alex and his friends go into an Egyptian tomb and find grave robbers. When Alex questions them, he hears the cock of a gun. The grave robbers threaten them but then leave.
  • In King Tut’s tomb, Alex finds human bones and “scraps of scorched uniforms; the remains of a pistol, its melted barrel drooping down like a water faucet; two skulls, two large rib cages.”
  • While in the Valley of Kings, a Death Walker tries to kill Alex and his friends. “A pulse of pure white light flashed out from the man’s eyes. All three friends called out in pain and surprise. Every inch of exposed skin had been suddenly and severely sunburned. . .” 
  • The kids run from the Death Walker, who creates a “rolling ball of fire” and prepares to throw it at Ren. Alex uses his amulet. “A wind more powerful than Alex expected rose instantly and swept across the floor of the valley. . . Alex saw the glow of the flaming orb smothered completely. . .” The kids escape. The scene is described over eight pages.
  • Peshwar and her goons steal ancient sacred stones. “A few men tried to get in front of the truck as it pulled away. A warning shot was fired in the air. There were angry shouts, but in the end the men moved. . .. “
  • While walking at night, an adult friend of Alex is attacked when by a random man. The man stepped out and “Todtman saw a kitchen knife in his hand. The blade flashed out fast—but not fast enough. The man was already spinning up and away, tossed through the air like a Frisbee. He hit the pole of the streetlight. . .” The man dies.
  • The story ends with a multi-chapter face-off between Alex, his friends, and the Death Walker. The Death Walker, Akhenotra, creates a fire ball. “Alex swung his head back around and flame filled his vision. The Walker had released his fire ball, and it was rocketing toward him. . .” Alex holds up a book which the fire hits. “Alex was left shaking his burned fingers.” 
  • The Death Walker tries to destroy Alex and his friends so he can eat their souls. “Akhenotra’s jaw suddenly dropped open. Flame poured from his open mouth. Alex lurched to the side and tried to fall back out of the way. . .he screamed as he felt the searing flames burn through his shirt and bite into the soft flesh of his left shoulder.”
  • Akhenotra tries to kill Tut by throwing a fire ball at him. “But Tut merely pressed both hands together in front of him as if praying. The flames broke on his hands like a wave splitting against a pier. Tut was shrouded in fire, but uninjured.”
  • During his life, Akhenotra stole Tut’s heart in order to use it as an offering to the sun God. Now, Tut attacks to take his heart back. Tut brought “his sword down hard only to have it blocked by the thick handle of the mace. He brought his sword up and down four more times in quick succession, each blow blocked. . . The heavy curved blade of Tut’s khopesh [sword] cut clean through the handle of the mace and sunk deep into the Death Walker’s chest. Both halves of the mace thunked to the floor.” However, the Death Walker cannot be killed because he’s already dead. 
  • Alex reads a spell from the Book of the Dead. Afterwards, Alex looks up to see “Tut was standing with his own bronze sword buried deep in [Akhenotra’s] chest, the blade no longer aflame but still sizzling slightly. . . And Akhenotra—Alex gazed at the space in front of Tut—Akhenotra wasn’t standing at all.” 
  • When Alex is in Tut’s tomb, “the crack of a rifle and the ping of a bullet jarred him back to brutal reality. . . An energy dagger exploded into the sandy ground at Alex’s feet with a vicious crackle. . . A chorus of rifle fire followed, and the two remaining friends dove for cover.” 
  • Alex and Ren try to hide. Ren sees “the toe of a boot poke out from the side of the altar. One of the gunmen had reached them. . . [Ren] brought the sword up and down. . . blood rushing out the chopped-off end of his boot.”
  • To escape The Order, Luke runs into the desert. “The valley floor in front of him lit up rose-red. . . The energy dagger sank into his back with a dull crackling sound and a pain more intense than he’d ever imagined possible. He fell to the hard desert ground, full-speed and face-first, like a gazelle gunned down mid stride.” Luke dies.

Drugs and Alcohol 

  • None

Language 

  • The Order drugs Alex, who “tried to get up but his body felt so heavy that the best he could do was roll out of his bunk. . . his numb body barely registered the impact.” Both his mind and body become numb.
  • When asked to use her amulet, Ren thinks that it isn’t like “freaking Google!”
  • Luke calls Ren and Alex “nerds” and “Goofball-ese.”
  • The Death Walker calls Alex a “little heretic.”

Supernatural

  • Alex’s amulet “was a symbol of resurrection in ancient Egypt, and his amulet dealt with life, death, and rebirth.” It gives Alex the ability to control wind.
  • While walking in the Valley of Kings, Ren sees a man change. “His loose clothing shimmered and faded away, gone just like the heat haze that had surrounded him. In its place, an ancient outfit: a white tunic laced with golden thread. . . the face beneath it was dark tan . . . and horribly blistered.” The man was a Death Walker. Later, the Death Walker changes shape again.
  • “The ancient Egyptians believed that if they had a statue of themselves built before they died, they could, like, inhabit it in the afterlife. Their spirit could take on its shape.”
  • The Death Walker has the ability to create fire balls.
  • Alex and Ren run through a false doorway that leads into the afterlife and then pop out in some unknown location.

Spiritual Content 

  • The Egyptians believed that after someone dies, they must pass the weighing of the heart ceremony — “a test to get into the afterlife.” The Death Walkers were “beings evil enough that they knew they would fail the test. . . they had clung to the edge of the afterlife, in between life and death, waiting for an opportunity to escape.” 
  • During the heart ceremony “the god Thorth stood by to record the result: Would the heart be weighed down by guilt or Ibe destroyed forever?”
  • After meeting King Tut, Luke describes him as a “total dive.” Alex explains Tut’s behavior: “Pharaohs were told they were living gods. I could see that going to your head.” 
  • King Tut appears in the Valley of Kings. He tries to pet Pai, but when the cat hisses, Tut said, “Fine, you little beast, flea receptacle. All I did was restore the worship of the old gods, your master included. All I did was rebuild their temples.” Later Tut explains that his father “banned the old gods, worshiped the sun — my whole childhood I was sunburned from praying to the thing.”
  • Inside a tomb, the chamber has the Aten on the walls. “The sun disk—the symbol of the pure light religion imposed by Tut’s father.”
  • During mummification, the Ancient Egyptians always left the heart in the body. “Tut was the only pharaoh ever discovered without one. . . Without the heart, Tut couldn’t go through the heart ceremony to gain entrance into the afterlife. He would be forever between worlds.”

The Secret of White Stone Gate

After the events of The Mystery of Black Hollow Lane, Emmy goes home to Connecticut for summer break. Now she has returned to England for the new semester at Wellsworth, but there’s a catch—her mom wants her to spend time with and be under the strict rules of her mom’s cousin, Lucy. On top of this, upon returning to Wellsworth, Emmy begins receiving threats from Jonas, a leader in the Order of Black Hollow Lane, who tried to kill her in the previous book. Jonas wants information about her father and the medallions that she stole from the Order and he is willing to do anything to get what he wants. Emmy realizes the reality of her situation when her friend, Lola, is framed for stealing money from a charity fundraiser causing her to be expelled. Emmy must navigate dealing with the constant threats from the Order. Should she give them what they want so that they stop hurting her friends? Or is there another way?

A major theme in The Secret of White Stone Gate is betrayal. Emmy’s favorite teacher, John Barlowe, discusses betrayal in his class. He says, “Brutus betrayed Caesar during the Golden Age of Rome, Henry the Second betrayed Thomas Becket in the twelfth century, and it goes on and on. Sometimes greed and power become stronger than friendship.” This theme is reflected in Emmy’s discovery that her dad had been friends with Jonas, the leader of the Order, but Jonas betrayed him and now is part of the group of people trying to find and kill her dad. 

Desperation to get what one wants is also a topic since the Order demonstrates they are willing to manipulate children. For example, it is revealed that Emmy’s friend, Jack, has a younger brother named Oliver who the Order forced to frame Lola. Isolation and struggling to make friends, combined with the Order’s manipulation, forced Oliver to frame Lola. However, Emmy and her friends do not get angry or act cruelly toward Oliver because they realize an important lesson, “We’re your friends, and you need to know that the Order isn’t your only option.” Emmy and her friends demonstrate true friendship which in turn teaches Oliver that he doesn’t need the Order for a sense of community. 

At long last, Emmy is able to reconnect with her dad. He reveals that he has been secretly watching her, maintaining disguises all along. He explains, “I knew Jonas would be following you. I had to be there. I had to make sure you were safe. I tried to help [Lola] too, but it wasn’t easy to get to her.” Her dad is able to explain why he left her and her mom all those years ago. He says, “[the Order] knew I had a twelve-year-old American daughter. [The Order] found out I was alive and had a family, but [they] didn’t know your name or where you were. I had to run to keep you safe.” Though at first, Emmy struggles to overcome her anger that her dad left, she realizes that what matters most is that her dad is alive and loves her. 

The story neatly wraps up with the Order believing that Emmy’s father is dead. Emmy finally feels that she and her family are free “since you [Emmy] cannot get what [the leader of the Order] wants, we have decided to pursue other avenues. You are no longer of any interest to the Order.” Knowing that Emmy and her friends are safe leaves Emmy feeling happy that she will finally get a chance to “do all the things normal kids got to do . . . Well, maybe they’d never be totally normal.” 

Readers who enjoyed the first book in this two-part series, The Mystery of Black Hollow Lane, will enjoy the strengthening friendship between Emmy, Lola, and Jack. Overall, The Secret of White Stone Gate will keep readers on the edge of their seats as it shows the importance of enjoying the little moments with your friends and loved ones. Readers who are eager for more fun mysteries should also read Saving Montgomery Sole by Mariko Tamaki and Jada Sly Artist & Spy by Sherri Winston.

Sexual Content 

  • Emmy notices Sam, a new student at Wellsworth. “He pushed some floppy blond hair out of his eyes and smiled at something he was reading. Emmy’s stomach fluttered in a way that it usually only did for famous, good-looking soccer players.”
  • When Sam says hi to Emmy, “Emmy prayed no one would notice her cheeks getting hot.”
  • Emmy and Sam work together to help set up a school charity event. “Every once in a while, if Sam made her laugh or accidentally brushed her hand, she’d feel a giant swoop behind her belly button. Those swoops seemed to have a direct connection to her ears, making them hot and flushed. Thank goodness she could hide her ears behind her hair.”
  • Emmy appreciates that “[Sam] was sacrificing a lot for Lola, even though he barely knew her. She imagined being with Sam, Lola, and Jack, sitting around the fire, just being normal friends. And maybe being more than friends with Sam.”

Violence 

  • Reflecting on events from the previous book in the series, “Emmy shivered. She always did that when talking about the old head of security, Jonas. She had trusted him, but he was the one who had caught her in the tunnels, chased her into the belfry of an old church, and tried to kill her.”
  • Emmy finds a threatening note in her room from Brother Loyola, the head of the group that attempted to kill Emmy in the previous book, “In case you were wondering, I’m always keeping an eye on you.”
  • Emmy’s friend Lola is framed for stealing money from the school’s charity fundraiser. Then Emmy receives a threatening video message from a member of the Order. He says, “Tell us where your father is, or your friend will get far worse than expulsion.”
  • At her new school, Emmy’s best friend Lola is attacked by two students. Lola says, “My face is hurting pretty bad, and my hand is killing me from trying to hit them back . . . I managed to stay off the ground, though, otherwise, it would have been a lot worse.”
  • While Emmy is visiting Lola, Jonas, the leader of the Order, suddenly appears and threatens her and her friends. Emmy is afraid so “her hands started to shake. Should she run? Should she scream? Jonas wouldn’t try to hurt her in broad daylight with all these people around . . . would he?”
  • Jonas threatens Emmy’s friend, Lola. Jonas says, “Such a shame about what happened this week. I hope [Lola] isn’t too banged up. You don’t think that’ll be the end of it, do you . . . we’d always find [Lola].”
  • Jonas tells Emmy, “If you value your dear friend’s life, I’d suggest you try a little harder to find your dear old dad.”
  • When Emmy still refuses to tell Jonas where her dad and the medallions are, he says, “It doesn’t seem like you’re getting the message, so let me make it clear. I hurt [Lola]. I hurt your roommate. Here’s the next person on my list.” He then pulls out a photograph of him with Emmy’s mom and says, “Get me what I want, or I’ll bury her.” 
  • Emmy and her dad are chased by several cars carrying members of the Order. The Order is trying to kill them, and her dad decides the only way for them to escape is for him to fake his own death. He grabs an air tank, “It will let me breathe underwater.” Then as they approach a bridge over a large body of water, “the door flew open and her dad leapt onto the railing. Emmy screamed. He didn’t look back. He just disappeared over the edge.” After he landed in the water, Emmy’s dad was able to safely get away, convincing the Order that he is really dead. 

Drugs and Alcohol 

  • None

Language 

  • The characters occasionally use mild insults like git, prat, or stupid.

Supernatural

  • None

Spiritual Content 

  • The leader of the malicious group threatening Emmy and her dad is referred to as “Brother Loyola,” as one would refer to a priest. 

Breadcrumbs

Hazel Anderson and Jack Campbell were inseparable best friends. They shared a unique and magical world of their own creation, filled with wonder and imagination, that no one else could fully understand. It was only together that they found their place within the world. 

But one day, without any warning or explanation, Jack suddenly ceased all communication. Hazel feels bewildered, hurt, and alone, and she’s unable to comprehend why her closest companion had seemingly abandoned her.  

Hazel is devastated and can’t understand why her best friend left without a word. Hazel ponders over Jack’s mysterious behavior until Tyler, a close friend of Jack’s, shares what he believes to be impossible. Jack had been taken into the woods by a white witch on a sled. 

Determined to find out the truth and rescue her friend, Hazel embarks on a perilous journey through the mystical woods, using all of her wits and bravery to navigate the treacherous terrain and overcome many obstacles. Her only hope lies in finding the white witch who is rumored to dwell deep within the woods – the same witch who Hazel believes holds Jack captive. 

Hazel can’t help but wonder if Jack truly wants to be rescued or if he has intentionally chosen to leave her behind. The closer she gets to the truth, the more Hazel’s doubts and uncertainties begin to consume her. She wonders if she’s truly prepared for what she might find and if the truth behind Jack’s disappearance might be more than she can handle. 

Hazel is a character that is easily relatable due to her simple and down-to-earth personality. She has a warm and welcoming demeanor that allows people to feel at ease around her. Additionally, Hazel’s experiences are ones that many can relate to, such as the ups and downs of relationships, the struggles of balancing school and friendships, and the journey of self-discovery. In essence, Hazel is a character that embodies the human experience, making her a truly multi-dimensional and interesting character to explore. As she relies on her wits, bravery, and unspeakable determination to uncover the truth and rescue her friend, readers will be rooting for her the entire way. 

The whimsical story includes fifteen black–and–white illustrations that are scattered throughout the text. The illustrations are detailed, yet soft and cartoon-like. It helps bring the reader fully into the world within Breadcrumbs. 

Breadcrumbs is a captivating and enchanting story that takes readers on a journey of self-discovery, friendship, and resilience. The story demonstrates that no matter how lost one may feel, it is never too late to find oneself and embrace who you truly are. Hazel, the protagonist, is a shining example of this. She discovers her true worth and identity. Through her journey, Hazel learns the value of true friends who support and encourage one another, even during the most challenging of times. Breadcrumbs also highlights the importance of perseverance and determination in overcoming obstacles and achieving our dreams. Overall, Breadcrumbs is a heartwarming tale that reminds readers of the power of friendship and the resilience of the human spirit. 

Sexual Content  

  • None 

Violence  

  • After getting upset, Hazel throws a snowball at Jack. A few seconds later, unhurt by the snowball, something else causes him to cry out in pain. “’Ow!’ He yelled. ‘Ow!’ His voice cracked into the sky. His other hand flew to his chest and he fell to his knees.” A snowflake with a shard of cursed glass fell into his eye.  
  • Two classmates, Tyler and Bobby, taunt Hazel as they do most days, but this time she has had enough. She retaliates by throwing a pencil case at Tyler. “In one motion Hazel stood up, grabbed the hard pencil case from her desk, and hurled it at Tyler. There were some yelps, some gasps, and then absolute quiet.” Tyler is hit in the head and left with a large, painful bump. 
  • Hazel meets a woman who stole a swan’s skin. Hazel accidentally discards the skin. The woman scratches  Hazel for throwing away the skin. “‘I see,’ the woman said, running a cold finger down Hazel’s cheek. ‘Actions have consequences, little girl.’ And then there was pain. Stinging, and then searing. The woman had stuck a nail into Hazel’s cheek, and it was like a talon. She dragged her finger down, splitting the skin on Hazel’s face. It traveled down her cheek to her neck.” Hazel is left with a gash that bleeds profusely until a young man comes to aid the wound. She is left with a horrible scar. 
  • The white witch gives Jack a puzzle of broken shards that continually cut his fingers as he moves them. “He looked down at the puzzle shards. They were made of old, jagged angles. He reached a finger out to touch one of the points. He felt nothing, but a small dome of red blood rose out of his finger pad.” 

Drugs and Alcohol  

  • None

Language   

  • When Jack abandon’s Tyler and Bobby as friends they blame Hazel. They taunt her with different names such as Crazy Hazy, psycho, and baby. 

Supernatural  

  • The narrator gives background on a goblin, who is only prevalent to the beginning part of the story.  “Mal looks nothing like you can imagine, neither goblin nor troll nor imp nor demon. But neither the goblins nor trolls nor imps nor demons know what Mal is either. For Mal is not any of those one things, but all of them . . .” This character only exists to create an entryway into the magic that exists throughout the rest of the story. 
  • The narrator takes a moment to provide context about the glass that made its way into Jack’s eye. This piece of glass is not anything ordinary, because it is a shard from a cursed mirror. “Mal had just invented something delightful – or at least something he found delightful, for that is an altogether different prospect. On the surface, it looked like an ordinary mirror . . . For the mirror took beautiful things and made them ugly, and took ugly things and made them hideous . . . the mirror shattered into the sky. . . one landed in the eye of a boy.”  
  • After Hazel notices the change in Jack’s behavior, she asks an adult what supernatural options there could be for Jack’s sudden change in personality. The adult says, “There are a few options. Possession is one. Not by a demon, but by something a little more harmless, like a goblin or imp. . . Or an evil disembodied brain thing.  Or there could be some sort of enchantment. By a witch or wizard. Or by a magical item, something that was given to them, or something they acquired, maybe by accident. Or something that’s infected them that causes them to see the world in a skewed way.’” 
  • Tyler tells Hazel about the impossible thing he saw right before Jack’s disappearance. Tyler says, “He wasn’t alone. There was a woman there. She was . . . she wasn’t right. She was tall and weirdly thin. She wasn’t real. She was all white and silver and made of snow . . . like an elf or a witch . . . like a movie.” 
  • Hazel encounters three women in the woods that promise to help her. “[The first woman] picked a long gray string out of the box. It had a puff of wool attached at one end. She passed the string down, puff end first, and the three hooded women stared at it as if it were the most fascinating thing in the world.” The string the women look at represents Hazel’s life. The three women are supposed to represent the Fates who are in charge of the lives of those inside the world. They can see that her fate is yet undetermined and promise to help her if she asks a question. Although upon hearing her questions about the white witch, they send Hazel on her way.  
  • Hazel meets a young boy who lives in a cabin in the woods. His sister has been changed into a bird. The boy explains that a couple “‘said she’d run away. But I saw the bird and I knew. . . ‘ He glanced at the gold cage behind him. ‘It’s just like her. And you always know your sister.’”  
  • As Hazel walks through the woods, she thinks, “There were witches in the woods, they stole beauty from swans and then rotted from the inside. There were couples who wanted to turn girls into pretty little birds. The woods do strange things to people.” 
  • Hazel meets a kind couple that says they want to help, but upon walking Hazel listens to the stories of the flowers. She finds out that the couple has changed the girls into flowers. Hazel runs back into the woods before they can turn her into a rose.  

Spiritual Content  

  • None

Who was Edgar Allan Poe?

Filled with broken hearts and black ravens, Edgar Allan Poe’s ghastly tales have delighted readers for centuries. Born in Boston in 1809, Poe was orphaned at age two. He was soon adopted by a Virginia family who worked as tombstone merchants. In 1827 he enlisted in the Army and subsequently failed out of West Point. His first published story, The Raven, was a huge success, but his joy was overshadowed by the death of his wife. Poe devoted his life to writing and his tragic life often inspired his work. He is considered to be the inventor of detective fiction and the father of American mystery writers. His work continues to influence popular culture through films, music, literature, and television.

Who was Edgar Allan Poe? begins with his early childhood which was filled with hardships. Edgar’s father abandoned the family. Soon after, his mother died of tuberculosis. Edgar and his siblings were sent to live with different foster parents. In his early years, several women influenced Edgar—his mother, his foster mother, and one of his friend’s mother, Jane Standard. Unfortunately, all of the women’s lives were cut short by tuberculosis. The grief over the women’s deaths affected Edgar’s writing throughout his life.

Who was Edgar Allan Poe? has an easy-to-read format with large font. Large black-and-white illustrations appear on almost every page. Many of the illustrations include people and places that were important to Edgar. While the wide array of illustrations and the short chapters will help keep readers interested, some may have difficulties with the book’s advanced vocabulary. The text does explain some of the terms readers may be unfamiliar with. In addition, some pages explain historical information such as West Point’s background, important people in Poe’s life, as well as tuberculosis, and the development of a vaccine. The back of the book also includes a timeline of Edgar’s life and a timeline of the 1800s.

Because of the many hardships in Edgar Allan Poe’s life, many of his poems and stories are gloomy and discuss death. Even though some of Edgar’s stories were popular during his time, Edgar didn’t live long enough to see how his writings influenced many other writers. Learning about Edgar’s life will give readers a better understanding of the man and his literary work. Plus, the book would be a good starting point for those who want to research Edgar. 

While many readers will recognize Edgar Allan Poe because of his short and often scary stories, the book explains that he “was a complex man who struggled to overcome a series of sad events to become a major American writer. He influenced so many writers after him that his work is still studied in high schools, colleges, and universities more than 165 years after his death.” Who was Edgar Allan Poe? will entertain and educate readers who want to learn more about the author who created the first gothic, gloomy stories and poems.

Sexual Content 

  • None

Violence 

  • Poe wrote a novel that “told tales of suffering and death, and even cannibalism.” 

Drugs and Alcohol 

  • As an adult, Edgar had a drinking problem. “When he had a good job at a magazine, he lost it by drinking too much.” Edgar’s drinking was a habit which caused him to switch jobs frequently. “Sometimes he didn’t get along with his bosses. Other times, he was fired for drinking.” 
  • Edgar’s father, David “began drinking too much and quarreling with [his wife].” David eventually abandoned his family.
  • Edgar’s foster father was a successful merchant. “The company bought and sold tobacco. . . but it also sold a variety of other goods, including books, frying pans, wine, and even tombstones!”
  • In his stories, Poe “sometimes wrote from the point of view of a crazy person. Some of the characters in his stories were drug addicts.”

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • None

Shadow and Bone

Alina Starkov never expected to be anything but ordinary. An orphan from Keramzin, a small village in Ravka, she is a mapmaker in Ravka’s First Army. Her best friend, Mal, is also in the army as a tracker. Alina wants nothing more from life. 

But that changes when her regiment attempts to cross the Fold, a swath of deadly darkness created 400 years ago by the Black Heretic that splits Ravka in half. Alina discovers that she can summon light, making her a Grisha – someone with the ability to practice the Small Science. But Alina is no ordinary Grisha – she is a Sun Summoner, who is prophesied to destroy the Fold for good. 

Now Alina will enter a lavish world of royalty and intrigue as she trains with the Grisha, her country’s magical military elite—and falls under the spell of their notorious leader, the Darkling. He believes Alina can summon a force capable of destroying the Shadow Fold and reuniting their war-ravaged country, but only if she can master her untamed gift. 

Alina begins working with the mysterious Darkling, the only Shadow Summoner and leader of the Grisha. He tells Alina that he seeks to rectify his ancestor’s mistake and unite Ravka once more. The Darkling says Alina is Ravka’s only hope. But the more Alina learns about the Grisha world, and about the Darkling himself, the more she realizes that things are even more complicated than she previously thought. With Ravka’s future on her shoulders, Alina must figure out who her allies are and possibly prevent a catastrophe bigger than the creation of the Fold itself. 

As the first book in a fantasy trilogy, Shadow and Bone has the difficult task of setting up its characters, setting, and plot in an engaging way while still leaving room for the story to develop in subsequent books, and it does not disappoint. The world-building is excellent as it introduces just the right amount of information so that the reader is not confused but is still intrigued to learn more.  Throughout the story, Bardugo expertly weaves in more details as needed. Ravka comes to life through Bardugo’s lush prose that provides just enough description without distracting from the plot so that even the most plot-driven readers will not be able to walk away from this book. 

Another positive aspect of Shadow and Bone is its vast cast of characters. Even minor characters have multiple layers of depth which keeps readers on their toes and makes them constantly examine the characters’ decisions. Alina is an easy character to relate to for anyone who has ever struggled to fit into an unfamiliar environment, and her strength and perseverance make her an admirable protagonist. This is especially evident in her struggle to merge her new life with her old dreams for her and Mal, and readers will root for her as she searches for ways to combine her ordinary past with her extraordinary present. Readers will eagerly devour Shadow and Bone, and delight in learning about the world of the Grisha alongside Alina. 

Sexual Content  

  • A beautiful Grisha girl smiles flirtatiously at Mal. His friends tease him. “‘You know she’ll be staying at camp,’ Mikhael said with a leer. ‘I hear the Grisha tent’s as big as a cathedral,’ added Dubrov. ‘Lots of nice shadowy nooks,’ said Mikhael, and actually waggled his brows.”  
  • Mal taps on Alina’s tent after hours. One of her fellow soldiers hears the knock and giggles, “If it’s that tracker, tell him to come inside and keep me warm.” 
  • The night before their regiment crosses the Fold, Alina and Mal reminisce about their childhoods. They are interrupted and when Mal gets up to leave, he tells Alina to wish him luck. She does, and then thinks sarcastically, “Good luck? Have a lovely time, Mal. Hope you find a pretty Grisha, fall deeply in love, and make lots of gorgeous, disgustingly talented babies together.”  
  • Alina’s friend Genya usually spends her time at the Grand Palace because the Queen and especially the King like to keep her close. It is insinuated that the King treats Genya as if she is a prostitute. Genya later confirms this to Alina, telling her that “the King has his way with lots of servants.” 
  • The Darkling kisses Alina in an empty room at the Little Palace. “I’d been kissed before, drunken mistakes, awkward fumblings. This was nothing like that. It was sure and powerful and like my whole body had just come awake. I could feel my pounding heart, the press of silk against my skin, the strength of his arms around me, one hand buried deep in my hair, the other at my back, pulling me closer.” This scene occurs over two pages. 
  • As Alina wanders the outskirts of the city, a drunk man stumbles out of an inn and grabs Alina by the coat. He says, “Hello, pretty! Have you come to keep me warm?” He makes a few more comments in the same vein; Alina quickly gets away by blinding him with her light powers. 

Violence  

  • When Alina’s regiment attempts to cross the Fold, they are attacked by volcra, deadly creatures who live in the Fold and feed on humans. There are many injuries and casualties, including Alina’s friend Alexei. Alina “gasped as Alexei’s arm was yanked from mine. In a spurt of flame, I saw him clutching at the railing with one hand. I saw his howling mouth, his wide, terrified eyes, and the monstrous thing that held him in its glistening gray arms, its wings beating the air as it lifted him from his feet, its thick claws sunk deep into this back, its talons already wet with his blood. Alexei’s fingers slipped on the railing . . . His screams faded into the sounds of battle as the volcra carried him into the dark. Another burst of flame lit the sky, but he was gone.” This scene occurs over four pages. 
  • When Alina is being taken to the Little Palace by Grisha guards, they are attacked by Fjerdan assassins. Alina “huddled on the floor [of the carriage], clutching the knife’s heavy hilt, my knees to my chest, my back pressed against the base of the seat. Outside, I could hear the sounds of fighting, metal on metal, grunts and shouts, horses whinnying. The coach shook as a body slammed against the glass of the window. I saw with horror that it was one of my guards. His body left a red smear against the glass as he slid from view.” This scene occurs over four pages. Many unnamed people die, and a few are injured.  
  • Alina has a nightmare where she “threw open the door . . . and screamed. There was blood everywhere. The volcra was perched on the window seat and, as it turned on me and opened its horrible jaws, I saw it had gray quartz eyes.”  
  • During a combat training session, Alina spars with Zoya, one of the most powerful Grisha. Zoya “pressed her advantage and lunged forward. That was her mistake . . . I [Alina] stepped to the side, and as she came in close, I hooked my leg around her ankle. Zoya went down hard. . . But before I had a chance to even register my victory, Zoya sat up, her expression furious, her arm slashing through the air. I felt myself lifted off my feet as I sailed backward through the air and slammed into the training room’s wooden wall. I heard something crack, and all the breath went out of my body as I slid to the ground.” 
  • In the woods, thieves attack Alina and Mal. Alina’s training saves them. “Before he could recover, I [Alina] slammed a knee into his groin. As he bent double, I put my hands on the back of his head and brought my knee up hard. There was a disgusting crunch, and I stepped backward as he fell to the ground clutching his nose, blood spurting between his fingers.”  
  • The Darkling kills Morozova’s stag in order to use its antlers to make an amplifier for Alina. The Darkling “strode forward and without hesitating slit the stag’s throat. Blood gushed into the snow, pooling around the stag’s body. I watched as the life left his dark eyes, and a sob broke from my chest.” 
  • Alina has a nightmare. “That night, I dreamed of the stag. I saw the Darkling cut his throat again and again. I saw the life fading from his dark eyes. But when I looked down, it was my blood that spilled red into the snow.” 

Drugs and Alcohol  

  • Alina watches a friend “take a swig from the bottle [of kvas] and then lurch forward.” Kvas is the Ravkan equivalent of beer. 
  • While en route to the Little Palace, Alina, the Darkling, and the rest of the Grisha guards sit around a fire and “pass a flask back and forth.”  
  • Genya, Alina’s best friend at the Little Palace and a Grisha servant to the Ravkan King and Queen, describes the King as “probably drunk” and says that he “devotes all his time to hunting, horses, and imbibing.”  

Language  

  • None 

Supernatural 

  • This book involves a magic system known as the Small Science, which is a way of manipulating matter. Those who can wield the Small Science are known as Grisha. The Grisha are split into three orders: Corporalki (the Order of the Living and the Dead), Etherialki (the Order of Summoners), and Materialki (the Order of Fabrikators).  
  • The Darkling and Baghra, Alina’s tutor, are Shadow Summoners, while Alina is a Sun Summoner; these are unique abilities that no other known Grisha possess. For example, here is a description of when Alina summons light for the first time on purpose and by herself: “I called and the light answered. I felt it rushing toward me from every direction, skimming over the lake, skittering over the golden domes of the Little Palace, under the door and through the walls of Baghra’s cottage. I felt it everywhere. I opened my hands and the light bloomed right through me, filling the room, illuminating the stone walls, the old tile oven, and every angle of Baghra’s strange face. It surrounded me, blazing with heat, more powerful and more pure than ever before because it was all mine. I wanted to laugh, to sing, to shout. At last, there was something that belonged wholly and completely to me.” The Darkling’s power works in a similar way: “He brought his hands together and there was a sound like a thunderclap. I gasped as undulating darkness spread from his clasped hands, spilling in a black wave over me and the crowd.” 

Spiritual Content  

  • Many Ravkans worship Saints, and consider Alina to be a living Saint because she is the Sun Summoner. 
  • The Apparat, the King’s spiritual advisor, tells Alina, “There is something more powerful than any army. Something strong enough to topple kings, and even Darklings . . . Faith.”  
  • Alina checks the casualty lists every week, looking for Mal’s name, and each time she doesn’t see his name she “gives thanks to all the Saints that Mal was safe and alive.” 
  • When Alina is on the run, she can’t resist slipping into a tiny church to hear the priest say Mass. The priest “offered prayers for the congregation: for a woman’s son who had been wounded in battle, for an infant who was ill with fever, and for the health of Alina Starkov. ‘Let the Saints protect the Sun Summoner,’ intoned the priest, ‘she who was sent to deliver us from the evils of the Shadow Fold and make this nation whole again.’” 
  • Alina describes Genya as “a painted icon of a Saint, her hair a burnished copper halo.” 

Mystery of the Egyptian Amulet

When the Nile town of Thebes is threatened by a scarab-amulet eating ghost, Zet is determined to uncover the truth. Meanwhile, Zet’s best friend, a jeweler’s apprentice, is in trouble. Could the ghost and his best friend’s ominous master be connected somehow?

As if he didn’t have enough trouble, special orders have gone missing at Zet’s family pottery stall. With angry customers on his hands, his family’s reputation is going downhill fast. Soon the investigation becomes a race against time. Zet and his sister, Kat, must solve the ever-twisting puzzle before it destroys the people they love. 

Zet is an extremely likable protagonist who isn’t afraid to face danger to help the people around him. When Zet suspects that his best friend, Hui, is in danger, he does what comes to him naturally—he investigates the jeweler’s compound where Hui works. When he investigates, Zet is often impulsive; however, his intentions are always honorable. Zet’s fun personality, his mystery-solving skills, and his bravery make him shine. By the end of the book, readers will be wishing Zet was their best friend.

Mystery of the Egyptian Amulet is an engaging story that will appeal to anyone who likes a fast-paced mystery. Readers will also enjoy learning what life was like in ancient Egypt. Even though Zet is only twelve years old, he is responsible for running his family’s pottery stall as well as providing for his mother and younger brother. Zet takes this responsibility seriously, and while he worries about not being able to care for his family, he never complains about his lot in life. Likewise, even though his sister can be annoying, he treats her kindly and even appreciates her knowledge (although, he doesn’t let her know this!). 

The Mystery of the Egyptian Amulet’s danger and mystery will captivate readers. While they will enjoy trying to solve the clues, the best part of the Kid Detective Zet Series is Zet, an interesting character who has many positive character traits despite being impulsive enough to get into some sticky situations. Even though Zet often runs from thugs, the story is kid-friendly with plenty of suspense without being scary. The story’s short chapters and easy vocabulary also make the book perfect for reluctant readers. The Kid Detective Zet Series is a highly entertaining series that will hook kids on reading. 

Sexual Content 

  • None

Violence 

  • Zet’s best friend, Hui, is an apprentice for a jeweler. When Zet tries to see Hui, a guard tells Zet to leave. When Zet “didn’t move, the man cracked his meaty fingers. . . . the man grabbed his arm and twisted Zet into a headlock.” The guard says, “Makes a funny noise when your neck breaks. Crunch-like.” The next day Zet shows his sisters the bruises the guard gave him.
  • Hui says he must be careful of the jeweler or, “He’ll make me disappear. I know that’s what happened to his partner.” 
  • The police chief tells Zet to be careful because “a servant was attacked in Khonsu Street and almost killed. He was found unconscious, his head bleeding.” 
  • Zet tries to sneak into the jeweler’s house. When he jumps over a fence, “three large hounds crouched at the open door to the house. The snarling dog bared its teeth. . . They bore down on him in a flash of teeth and fur. . . Teeth caught hold of his ankle. He felt skin tear. He wrenched his leg free. . .” Zet got free and ran. His wound is not described. 
  • Zet knows the jeweler is planning on hiding stolen jewels in bread. To catch the jeweler stealing, Zet dresses like a demon. When he went into town, “people fell back in shock.” People began running which allowed Zet to get close to the cart with the hidden jewels.
  • When Zet begins throwing bread out of the cart, the jeweler’s guard, Snaggletooth, “snatched Zet’s ankle. Meaty fingers took hold of Zet’s oiled skin. Zet wrenched backward. . .” 
  • When Zet crawls into the cart, “someone shoved him hard. . . He flew forward. . . he saw Sanaggletooth’s sword chop down.” Zet is uninjured. The scene is described over three pages. 
  • Another one of the jeweler’s guards tries to get Zet. “The henchman landed a glancing blow against Zet’s leg with his club. Nails scraped down his shin. If it had been any closer, it would have broken Zet’s leg. . .” The injury is not described. 
  • When the jeweler’s guards are detained, Zet finds Hui hidden at the bottom of the bread cart. “Hui’s arms and legs were bound tightly to his side. The medjay [police chief] whipped out his blade and cut the bindings free.” Hui is uninjured.

Drugs and Alcohol 

  • When the police chief went to investigate a man’s residence, the man “sat back drinking wine while we turned the place upside-down.” 

Language 

  • Zet sneaks into the jewelry apprentice shop with Kat. When she makes a loud noise, Zet thinks, “Wormsnot and bettledung! He was a complete idiot. . .”
  • Kat uses “by the gods” as an exclamation once. 
  • When surprised, Zet yells, “What in the name of the gods?”

Supernatural

  • There is a rumor that an evil army of spirits is coming to town. A shopkeeper says, “They’re creeping into town. Stirring up trouble. Casting dark dreams.” The spirits are accused of stealing scarab amulets. The man explains, “And you know how important scarabs are to Egypt. They ensure long life. They ensure birth. Creation. Balance.”
  • Kat worries that the rumors are true because of the war. She says, “The Hyksos spirits probably are mad. And you know they can’t be burying the enemy Hyksos soldiers properly, with the war going on.” 
  • When Hui acts strangely, Kat thinks he has been “hypnotized, or worse, possessed.” 

Spiritual Content 

  • When giving the time of day, the text refers to the sun god. For example, when Zet walked to work, “the sun god spilled his rays over the rooftops.” 
  • When splurging on a litter to carry her, Hui’s mom says, “The gods know I don’t indulge in luxury much.”
  • Because of the strange things happening, some people were frightened. While walking, Zet “passed a man painting a protection symbol on his front door, and chanting what sounded like a spell.”
  •  A man opened a new shop. “Protection amulets of every kind swung from his awning. There were oil lamps with strange symbols, Hyksos spirits probably; heady, acrid-smelling incense burned, and he was stirring liquid in a pot and chanting.” 
  • When Zet’s mom travels down river to find out about a missing shipment, Zet prays, “Please, let her have found out about the shipment.” 
  • Hui made his mother “a tiny gold statue of Maat, Goddess of Truth. The goddess looked ready to do her job – to greet people when they arrived in the afterlife.”
  • In his room, Hui had a statue of “Bes – Hui’s family God. . . Sure he protected their household, like all family gods did, but Bes also loved to stir up trouble. Generally of the entertaining kind.”  
  • Zet passes a temple that had a pool of water in front of the doors. Hui thinks, “Everyone knew the temple pools were doorways into the underworld.” He hurries past the temple.
  • When Zet’s mom doesn’t return home as expected, he prays. “Zet went straight to the household shrine. He knelt in front of the statue of Bastet. The cat goddess regarded him with her gold-rimmed eyes. He lit one of the incense for her . . . ‘Please bring Mother and Apu home safe,’ he whispered.” 

Revenge of the Beast

Once upon a very badly behaved time, 511-year-old Ebenezer kept a beast in his attic. He would feed the beast all manner of objects and creatures and in return the beast would vomit him up expensive presents. But then, Bethany arrived.

Now, Ebenezer and Bethany are on track to become do-gooders. Bethany wants to get rid of anything in their 15-story house that was vomited out by the beast. Although Bethany is ready to “de-beastify” the house, Ebenezer is much more hesitant. With every magical object Bethany and Claudette sell in a yard-sale, Ebenezer cringes. From gold-plated cutlery to scooters to pianos, they are all sold. Ebenezer has a hard time letting go as he watches the gifts he has acquired over the past 512 years being taken away. 

Bethany goes to every place in town in hopes of volunteering, however, she finds her search disappointing when no one trusts her. Since her reputation includes pranks like putting animals in Miss Muddles’ candy shop, the town people believe Bethany’s act of “volunteering” is a sneaky way for her to pull pranks. On top of that, the items Ebenezer and Bethany sold are going rogue. The dinnerware turns food moldy, and the scooter throws anyone off who tries to ride it. Bethany feels hopeless, but she is wants to go into the community and right her wrongs. Yet how can she do good if no one gives her a chance? 

Revenge of the Beast is a great sequel. Meggitt-Phillips does a great job foreshadowing. Plus, the beast is brought back in an interesting way that avoids repetition. The reader sees that Bethany and Ebenezer’s previous trials truly impacted their aspirations and values–Bethany more than Ebenezer. Lastly, the ending is a perfect cliff-hanger for the next book. 

Friendship is a theme in Revenge of the Beast due to the gained closeness of Bethany and Ebenezer. Ebenezer even offers to be the beast’s servant without any gifts or request if it meant Bethany would be safe. Ebenezer said, “The thought of not seeing [Bethany] again makes me want to cry, because I’ll miss everything about her.” By letting go of the opportunity to use the beast’s powers, Ebenezer shows how much Bethany’s friendship means to him. The story also teaches that it is better to turn the other cheek. Bethany highlights this when she says, “Being cruel to one’s enemies is like chopping off your arm just so you can hit them with it – in the end, all you do is cause more damage to yourself.”  

Revenge of the Beast has black and white illustrations, which is a fun way for the reader to see settings and characters’ emotions. However, there are more acts of violence in this book than in The Beast and The Bethany, so a more mature audience may be needed. Plus, the plot lines are more complex due to of each characters’ adventures. Still, readers who enjoyed the previous book will not be disappointed because they will enjoy Bethany’s tough attitude and Ebenezer’s protectiveness over Bethany.  

Sexual Content 

  • None

Violence 

  • When Ebenezer calls the boys in his neighborhood his friends, they respond with, “We’re not your friends, Ebeloooser. I thought we showed you last time what happens when you call us that.” Ebenezer says “Oh yes, that game where you chase me whilst throwing sticks and stones is great fun . . . ”
  • Because of the removal of his beastly gifts, Ebenezer asks Bethany, “Are you trying to kill me or something?” 
  • The boys were throwing rocks at Ebenezer and the beast. Ebenezer’s “pleasure was interrupted by a rock which sailed through the air, whacked his shoulder, and ripped his ruffled shirt.”
  • One of the boys, Nicholas, throws a mud ball at Ebenezer. The ball leaves a mark on his shirt. 
  • After a group of boys throw rocks at Ebenezer, the beast “spread its mouth wide open and vomited out a blaze of fire.” The beast then tells Ebenezer to, “throw me at the one with the unpleasant face if you want to have some fun.” After Ebenezer does this, the beast vomits itching powder on Nicholas. 
  • The beast asks Ebenezer if Ebenezer wants him to “puddle” the bully, Nicholas. “Its three eyes were hungry for revenge” when he said “watch as I melt this child into a puddle. It’s my way of saying thank you.” Ebenezer declines the beast’s offer. 
  • The beast suggests “puddling” Ebenezer’s mother after Ebenezer informs the beast that his mother said Ebenezer will make friends after he stops being annoying. The beast says, “your mother’s a fool. Would you like me to melt her into a puddle?” Ebenezer denies the beast’s request of puddling his mother. 
  • Ebenezer is reluctant to sell diamond cheese boards to a man named Eduardo. Ebenezer “was about to tell Eduardo to take his nostrils elsewhere when he was treated to a furious kick from Bethany – and it was the sort of kick that told him he shouldn’t push his luck any further.”
  • After the children in the orphanage are forced to sew a sequin jacket, they have injuries to their hands. One boy’s hands “were covered with cuts and bandages.” 
  • Gloria is the new girl at the orphanage. She has taken over Bethany’s spot in being the one everyone fears. She loves attention and praise. So, many of her acts of violence are to receive more. After Gloria performs, she “started pulling Harold Chicken’s hair and telling him off for giving Claudette bigger claps.”
  • In one of his flashbacks, Ebenezer returns from Nicholas’ funeral. The beast describes why he died, saying, “my dear boy, I think he would have been a lot more pleased if he hadn’t accidentally impaled himself on his own point stick.”
  • Gloria “aimed the mushed apple at Geoffrey” with a  catapult. Gloria calls this her “acting method” for her show at the theater. Because Geoffrey is the first friend Bethany made in the last book, Bethany suggests Gloria use her catapult for Timothy, the new orphanage director, instead. However, Gloria launches the apple at Geoffrey anyway. 
  • After buying a shirt from Ebenezer, a boy says, “every time I put it on, it either tries to strangle me with an overly tight neckline, or the sleeves make me beat myself up.”
  • As Ebenezer tries to tell Bethany important news, she gets angry about being interrupted. “Bethany picked up one of the forks and threw it at him.” She told him, “If you don’t leave right now, then I’m going to have to start throwing the knives.”
  • Bethany receives a disturbing phone call. “Bethany looked at the phone receiver as if it had just tried to bite her ear off. Then she smashed it against the wall. . .smashing and smashing until there was nothing left but a wire in her hand.”
  • The beast eats a parrot named Claudette. “First, I ate all that was in her belly– that took me a while; she was a fat parrot. At the moment, I’m destroying her kind, hopeful personality by showing her that the world is truly a cruel place. After that, it won’t take me long to gobble through the rest of her.” He then says, “I’ve never eaten someone through their insides before – I should do it more often.”
  • As the beast controls Claudette’s body, he takes Ebenezer to the attic. He keeps Ebenezer there so Ebenezer does not ruin the beast’s plan of eating Bethany and Gloria at the theater. The injuries the beast gives Ebenezer to take him to the attic and keep him there are described. “There were talon marks on his ankles from where the beast had dragged him upstairs, and his neck was swollen with bruises because the shirt had strangled him every time he had tried to call for help or warn Bethany.”
  • The shirt the beast puts on Ebenezer forces him to stay awake. “Every time you close your eyes, the shirt will strangle and squeeze you awake.”
  • Bethany becomes angry with Ebenezer and starts beating up muffins. “As she beat up the muffins, she imagined she was beating him up too.”
  • The beast says Gloria, “even tried strangling me with this silver rope.” The beast then suggests to Bethany that they should “eat her.”
  • The beast uses Claudette’s wings to fly Bethany across town. He drops her but pretends it is a game. However, “the beast likes thinking that Bethany could smash into the ground at any moment.”
  • Two of the children in the audience are “puddled” because they were talking.  The beast “vomited out a large yellow umbrella and sent it flying above Geoffrey’s head. . . The umbrella opened above Geoffrey’s head, sucked up his wriggling body, and closed itself again. A few moments later, it spat out a puddle through its handle.” Then, “The beast wiggled its fingers and brought the big yellow umbrella hovering over the best seat in the house – which happened to be occupied by Eduardo Barnacle. The beast puddled Eduardo right in between his screaming parents.” Luckily, the umbrella brings them both back in the end. 

Drugs and Alcohol 

  • The man from D.O.R.R.I.S, the undercover agency that captures magical creatures like the beast, puts a special smoke into the air at the theater that allows the audience to fall asleep. The smoke then alters the audience’s memories. 
  • At the prank shop, the owner suggests Bethany use the “demonic dream-lolly.” He describes, “One lick and your victim will have nightmares for weeks.”

Language 

  • The boys Ebenezer knew when he was younger called him “Mr. Ebenoozer Loser.”
  • Bethany calls people “gitface,” “stupid gitface,” and “selfish gits” many times. She also tells others to “bog off.” 
  • Bethany uses “flipping” and “freaking” frequently throughout the book. For example, she calls some people “total flipping Idiots.” She also says, “You’re flipping amazing!” 
  • The beast tells the boys picking on Ebenezer that, “If you or your snotty little friends tell anyone about me, then I will hunt you down.”
  • There is frequent name-calling including calling someone a “beastly brat,” a “weak fart,” a “twit,” an “idiot,” and an “unpleasant blip.”
  • After Nicholas’ funeral, the beast calls Nicholas “a moron, unworthy of mourning.”
  • The words on Claudette’s poster for her performance at the theater says, “Anyone who didn’t buy a ticket would be an ‘UTTER MORON WHO DOESN’T DESERVE TO LIVE.’”

Supernatural

  • Just like in the first book, the beast is told to vomit out special gifts for Ebenezer. Ebenezer thinks of a gift the beast gave: a gold-button shirt that fit whoever wore it perfectly. It was self-cleaning and self-tailoring. 
  • In a flashback, the beast vomits out a memory book for Ebenezer. It shows Ebenezer the person he misses most. In the present day, Ebenezer looks at this memory book often to see the life he used to have with the beast. 
  • The gold-buttoned shirt Ebenezer sold to Eduardo was pulling Eduardo. “He was walking very strangely – with two outstretched arms and a pair of feet dragging along the ground, as if he were being pulled toward Ebenezer’s house by an invisible thread.”
  • Claudette can lay eggs that have any food a person desires. For example, “Claudette laid an egg filled with pains au chocolat for Bethany.”
  • The scooter Bethany uses is controlled by the beast. The scooter drives itself and can go as fast as it pleases. 
  • The silver rope that was vomited out by the beast is used to drag Gloria to the theater. The beast wants her to go to the theater so he can eat her. The rope drags her to the front of the stage where the beast sits. 

Spiritual Content 

  • None

The Door at the End of the World

Lucy Eberslee is a thirteen-year-old girl working as the Gatekeeper’s deputy, a job which she takes very seriously. As the gatekeeper’s deputy, Lucy stamps passports and files travel forms for travelers as they pass through the doorway to another world; her world, Southeast, is one of eight worlds visitors can travel to. One seemingly normal Thursday turns into a chaotic journey when Lucy’s boss disappears.

On top of this, a boy from the Eastern world, Arthur, accidentally leaves his world and enters Lucy’s. Upon trying to open the door to Arthur’s world, Lucy realizes that the door is stuck and that something bigger is going wrong. Lucy and Arthur decide they need to get professionals involved, and so they begin their journey to the Interworld Travel Center to talk to its chief, Mrs. Bracknell.  

Lucy is a sympathetic character who struggles with being overshadowed by the rest of her family. Lucy reveals that her parents work in high positions in The House of Governors, and her older brother, Thomas, “is a member of the Interworld Travel Commission.” Lucy’s job as the Deputy gatekeeper makes her feel less invisible, as she explains, “I’d done well enough in school, but I’d never really stood out. Even my teachers had a habit of not quite remembering I was there unless they read about [my brother] in the news or needed a favor or advice from my father.” By the end of the novel, Lucy’s older brother, Thomas, tells Lucy that she has proven herself to be very brave and inspired him to speak out when something seems wrong.  

Arthur is an equally sympathetic character because of his willingness to help Lucy, even though he has just met her. Arthur and Lucy bond over their feelings of being invisible. When Lucy asks him if his family will notice he is missing, Arthur says, “After a month or so it might occur to my father that I haven’t come downstairs for dinner in a while. He’s got eight sons, though, so he won’t mind misplacing one.” Arthur’s perspective allows the reader to feel that they are learning about all the worlds right alongside him and they will enjoy Arthur’s excitement when experiencing new things as he explores all eight of the worlds. 

As Lucy and Arthur investigate who is really behind the closing of the worldgates, they realize they need respected adults to help. The conclusion involves an extremely chaotic, but entertaining, scene in which the villain is revealed. Because of her adventure, Lucy demonstrates personal growth, especially when it comes to speaking her mind and standing up for herself. In the exciting conclusion, Lucy is put in charge of “the team that’s opening up all of the worldgates again.” Lucy begins to recognize her own talents and abilities, as she says, “It’s going to be total chaos to organize . . . but I think I’ll be good at it.”  

Readers who enjoy fantasy, magical creatures, and reading about different universes will love The Door at the End of the World. Overall, the story highlights important messages like having confidence in yourself, appreciating what makes you special, and speaking up when something is wrong. Readers looking for more magical adventures should also read the Explorer Academy Series by Trudi Trueit and the Wizard for Hire Series by Obert Skye. 

Sexual Content  

  • None 

Violence  

  • Lucy’s boss, the Gatekeeper, does not enjoy spending time with another gatekeeper called Bernard. The Gatekeeper explains, “I’d rather have my ears nibbled off by a thistle-backed thrunt [a spiky, destructive, dangerous creature that tears everything it encounters to shreds] than have to spend the day with Bernard.” 
  • When a man, Mr. Silos, finds out that Lucy is affiliated with Interworld Travel, he feels that he is being threatened for his illegal interworld smuggling deals. Lucy notices, “Mr. Silos turned back to look at me and Arthur, studying us . . . His right hand crept towards his gun.” He does not actually shoot at them.  
  • The thrunt “munched the floorboards” in front of Lucy and Arthur. Lucy says, “There was no point in trying to escape; I couldn’t sprint half as fast as the thrunt could move. What would it feel like, I thought in a panic, to be eaten from the toes up?” Luckily, Arthur and Lucy are rescued.  
  • Rosemary, a girl who at first pretends to be another deputy gatekeeper like Lucy, but later admits she is a smuggler of interworld goods, kills the thrunt; “a beam of golden light shot out from the doorway, there was a loud sizzling noise, and the thistle-backed thrunt split neatly in two.” 
  • Rosemary offers Arthur and Lucy her “InterCom cards” to use as communication. Rosemary threatens them about losing the devices, saying, “You’d better not lose them, or Pa will sell your ears on the black market to make up for it.” Rosemary later admits that she’s joking.  
  • Lucy and Arthur are horrified to discover that when they left their room at Interworld Travel, someone poisoned their magical bees. “[Lucy] heard a thin, frantic hum. The floor of the closet was carpeted in bees. They were moving, but barely; some crawled listlessly toward my feet . . . I wasn’t any sort of an expert when it came to bees, but even I could tell something was badly wrong.” 
  • The bees spell out “FLOWERS,” indicating that someone brought poisonous flowers into their room to kill them. Sadly, some have died. “The [bees] who died must have come closest to the flowers; the rest were still doing poorly, but when I placed a little saucer of sugar water on the floor, they perked up enough to shuffle over and taste it.” Rosemary tells Lucy she thinks someone poisoned the bees as “a warning.” 
  • Lucy worries that the head of Interworld Travel, Mrs. Bracknell, has killed all the gatekeepers. Lucy explains, “If Mrs. Bracknell had harmed my own frizzy-haired, heavy-footed Gatekeeper, I didn’t want to think about it.” 
  • Mrs. Bracknell tries to flee, but the kids discover her plan. Rosemary explains, “[Mrs. Bracknell] cut that awful hole in the ground and said that if I tried to warn [Lucy and Arthur] to stay away, she’d push me through it.”  

Drugs and Alcohol  

  • None 

Language  

  • Characters occasionally exclaim, “Oh, worlds!” 

Supernatural 

  • A swarm of bees follows Lucy. The bees can spell out words. Lucy explains to the bees that she thinks the Gatekeeper has gone missing. “The bees huddled together over my head, humming to each other. After a minute or so, they spread out to form foot-high letters against the backdrop of the sky. SPARE KEY?” 
  • While researching the magical gatecutters that are able to cut open entrances to other worlds, Lucy and Arthur are attacked by a “thistle backed thrunt.” The “thrunt” “can chew through almost any substance and travel as fast as an automobile. It has four rows of teeth, a powerful jaw, and an insatiable appetite. If an unprepared traveler stumbled across a thrunt, however, he will surely be devoured.” 

Spiritual Content  

  • None 

The Tombs of Anak

An angry terror lurks at the bottom of a dark pit . . . 

Jay and Lila Cooper are back for another adventure, this time in search of a young treasure-seeker whose ambitions drove him to the bottom of a pit, never to return. In their struggle to understand what happened to him, the Coopers learn of a greedy, man-eating creature known as Ha-Raphah, who terrorizes the locals into worshiping him. Although they are certain he is extremely dangerous, Jay and Lila are determined to uncover the truth.

When an ancient Philistine tomb is discovered, the archeologists enter a vast system of chambers with deadly traps. This setting gives The Tombs of Anak a similar tone to Indiana Jones and the Temple of Doom. Along the way, Dr. Cooper, his team, and his children meet the Yahrim people, who worship the cruel god named Ha-Raphah. Dr. Cooper also meets Ben-Arab, a local man who knows more about the Yahrim people than he is willing to admit. As the group investigates, danger lurks around every corner, and much of the action occurs in the dead of the night when Ha-Raphah stalks his prey. 

Even in the face of danger, the Coopers rely on God and refuse to bow down and worship Ha-Raphah. The concept of only worshiping Jesus Christ is reinforced. The story also teaches the dangers of power and greed. Dr. Cooper explains, “Greed is a sin, and lust for power is a sin. . . We might start with just a little bit of greed or just a little bit of power, but that greed and that power just keep growing, and we keep wanting more and more, until finally we can’t control them anymore—they control us.” Even though The Tombs of Anak teaches biblical principles, the lessons are integrated into the story and never seem forced.

In The Tombs of Anak the mystery of the Yahrim, the interesting characters, and the heart-stopping chases will capture readers’ attention from the start and keep them flipping the pages until the very end. In the exciting conclusion, one man steps up to become the Yahrim’s leader and—unlike his predecessor—the man knows his people “need a God who is real, who is loving, who truly cares for them and does not use them for his own gain.” 

Sexual Content 

  • None

Violence 

  • One of Cooper’s men is lowered into a pit in an ancient tomb. He screams and then disappears. Later, they discover the man was killed.
  • While on a trail, the Coopers see a goatherder. “Before Jay and Lila knew what was happening, a tangled blur of skins, rags, hair, and flailing arms dropped on their father, knocking him to the ground . . . The little man swung the staff, and Dr. Cooper ducked it as it whistled over his head once, then twice. On the third try, he was able to grab it, give it a yank, and then trip the little man with a well-placed foot.” The man warns them that his god, Ha-Raphah, eats men “when he is angry.” 
  • While exploring the tomb, the Coopers and a local man named Ben-Arab are chased by the Yahrim holy men, who are dressed as animals and carrying spears. “The Wolf was near the door. He reached up with his spear and threw a lever on the wall. There was a grinding sound. . an immense slab of stone began to drop into the opening. The room would soon be sealed shut. . .” The group escapes the room but is chased. 
  • As the Coopers run from the strange men, they get lost in the tomb. They run into a room. “They had fallen right at the feet of the Hawk, the horned demon, and the Wolf. Hideous, living idols stood all around them, and the points of a dozen deadly spears were right under their noses. . . They were surrounded.” The Coopers are taken to the Yahrim’s leader, Mara the Sorceress. The chase scene is described over four pages.
  • After a brief discussion between Mara the Sorceress and Dr. Cooper, “Sudden terror filled the room like an explosion. With stony indifference and one deadly move, the Hawk grabbed Jay by his hair and held him in his chair with an iron grip. Just as quickly, the Wolf did the same to Lila. . . Then with a droning, metallic ring, the Hawk and the Wolf each drew out a glimmering, razor-sharp sword and brought the edge right up to each child’s throat.” After Dr. Cooper solves two riddles, the kids are set free.
  • While Dr. Cooper is talking to Mara the Sorceress, he “notices the faint nod of the woman’s head and the shadow of the Wolf falling across his chair. The Wolf’s powerful arm took hold of Dr. Cooper’s head as the beast’s sword came at his throat, but Dr. Cooper’s legs flipped up in a flash and clamped around the Wolf’s neck. . . The Wolf sailed over the chair.” No one is injured. 
  • As Lila is gathering firewood, she follows a cry and finds a lamb in a ravine. As she climbs up the ravine, Ben-Arab and Dr. Cooper “saw Lila far below, scrambling up the rocks, fleeing for her life. They could see a huge, black, hideous thing right behind her. . .” The Yahrim “surged like angry waves all around them. Dr. Cooper hurried up the trail, ducking spears and arrows as he carried Lila.” Ben-Arab “fired his rifle this direction, then that, in front, behind, spinning and looking about.” The Yahrim flee. No one is injured. 
  • After Lila saves the sacrificial lamb, Ha-Raphah punishes the shepherd. “Ben-Arab took a look inside the house, and his face immediately twisted with horror and disgust. Jeff [an archeologist working for Dr. Cooper], shocked, slumped against the wall, taking deep breaths to recover. . . Jeff shook his head in horror and amazement. ‘I’ve hunted grizzlies and Kodiaks and never seen any of them that can do this.’”
  • One night, while waiting for Ha-Raphah to appear, Mara the Sorceress is attacked. When Dr. Cooper finds her, she says, “Anak Ha-Raphah. . . He is silent, invisible. . . He carried me like the wind.” Mara the Sorceress dies, but her injuries are not described.
  • As Dr. Cooper and his men search for Ha-Raphah, the Yahrim attack. “Arrows ricocheted off the rocks and skipped end over end along the ground. From above came the angry war cries of the Yahrim archers. . . [Dr. Cooper] scrambled down the trail, crouching, dodging, dashing from cover to cover. . an arrow just nicked his sleeve. Jeff must have seen the archer—his rifle shot echoed and rumbled through the hills.”
  • In a multi-chapter conclusion, Ha-Raphah traps the kids in the underground tunnels of the tombs. Ha-Raphah chases them. “They rose from their hiding place and started quickly and silently down the tunnel in the dark. . . Lila went down hard, and her flashlight clattered across the floor. Jay groped in the dark, trying to find her. She was kicking, crying out, struggling.” Ha-Raphah tries to grab her, but Lila escapes.
  • Ha-Raphah corners Jay and Lila. Jay knocks Lila to the ground right before “the sword came down in a flashing arc. . . They dashed across the room as the sword rose high in the air, held by a menacing, unthinkably huge hand. . . They leaped aside just in time as the sword came down like a bolt from a thundercloud and sparks flew from the rocks.”
  • The Cooper kids trick Ha-Raphah into setting off one of his own traps, and then they climb up a narrow ledge, trying to reach a ventilation shaft. “The monster burst into the room like an angry bull, still wielding that huge sword, but his wound was still bleeding. . . The beast came at them with footsteps that shook the whole room.” The kids slide down the shaft and escape.
  • Ha-Raphah finds the kids in another room. Jay and Lila set off a trip lever that closes the door. “With a sudden roar of ropes and a grinding of stone, the huge slab dropped like an avalanche on the giant’s shoulder driving him to the floor and pinning him there as the big sword clattered out of his hand. . . Anak’s roaming hand found a large rock. . . Jay didn’t see the rock coming. It struck him in the right shoulder and he went tumbling like a tenpin, stunned and senseless, unable to see anything but a spinning blur. . .”
  • When Dr. Cooper finds Ha-Raphah and his kids, he throws a ruby at Ha-Raphah. The giant lunges for the precious stone and “Anak let out a horrible scream and dove headlong after the flying ruby, catching it in his outstretched hand. The pit was waiting for him. His huge body came down like a giant tree. . . .” Ha-Raphah “dropped into the chasm with a final roar of hate.” He is presumed dead.

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • Dr. Cooper, his two kids, and the other members of his group are Christians. Throughout the book there are many references to God and the characters pray often. Since the book is Christian fiction, not all the references are mentioned below.
  • The Yahrim people worship Anak Ha-Raphah. Their leader, Mara the Sorceress, explains, “The tombs belong to Anak Ha-Raphah himself, and we are the Yahrim, who fear Anak as one fears death and who worship him in his tombs. He is our fearsome god.” 
  • Mara the Sorceress is a direct descendant of Anak and “his High Priestess, appointed by Ha-Raphah himself . . . As such, my power and rule over the Yahrim is limitless. Ha-Raphah says it is to be, and it is so.” According to Mara the Sorceress, no one is as mighty as Anak. “His spirit is everywhere. . . silent, cunning, more vicious than you can possibly imagine. He watches us all, but is never seen; he kills, and not a sound is heard. We always know where he has been, but never where he will be.”
  • The Coopers go into an ancient Philistine tomb where they unearth “an ancient temple of Dagon, the bizarre half-fish god of the Philistines” where they see “the eerie stone image of Dagon himself, staring down at them with a fiery expression.” 
  • When the Coopers learn about the locals’ belief in a God named Ha-Raphah, Dr. Cooper discusses the biblical story of Joshua. “The lord commanded Joshua to drive out all the ungodly inhabitants of the land. He didn’t want His people coming into contact with this kind of moral and spiritual pollution.” 
  • During the exploration of the tomb, the Coopers find a “ceremonial room. A place for pagan rituals.” On the walls were idols. “They were man-sized images of birds, beasts, pagan gods, and monsters, and every one of them was holding a very deadly-looking spear in their Ha-Raphah hands.”
  • The Yahrim holy men dress like idols. “Their costumes evidently portray different qualities of their god: fierceness, cunning, bravery, terror, those sort of things.”
  • When the Coopers are taken to the Yahrim’s leader, Mara the Sorceress, they refuse to bow to her. Dr. Cooper says, “We bow only before the one true God and His Son, Jesus Christ.” When Ha-Raphah threatens the kids with death if they do not worship him, the kids pray: “Lord Jesus, You’re the only God we’ll ever serve. Please help us out of this mess. Help us to think.” Afterward, the kids come up with an escape plan.

Solimar: The Sword of the Monarchs

Solimar, a soon-to-be princess of the kingdom of San Gregorio, is about to celebrate her fifteenth birthday. “After the quinceañera, she would be considered a princess of the world. And she would also officially be crowned Princess Solimar Socorro Reyes Guadalupe of San Gregorio.” 

Solimar’s home is known for its oyamel forest, a sacred place for the monarch butterflies that migrate each year. Solimar decides to watch the new generation of monarchs arrive in the oyamel forest. When Solimar goes to oyamel, she is surrounded by butterflies, who completely cover her arms and her rebozo, or shawl. Afterwards, Solimar notices that her rebozo looks as if it has “butterfly wings embedded in the fabric . . . and they’re shimmering.” The encounter with the monarchs gives Solimar the ability to predict the near future while she is wearing the rebozo and standing in sunlight. 

But then, on the eve of the kingdom’s annual supply trip, Solimar’s brother tells her, “He’s running away from home to join a ship because he doesn’t want to be king anytime soon, or possibly ever.” On top of this, when her father and brother set off on the trip, a neighboring king and his guards invade Solimar’s kingdom and take her mother and abuela hostage. The invading king plans to use Solimar’s mother and the rest of their family as a bargaining tool to force Solimar’s father to give him a thousand acres of their oyamel forest. Solimar hides just in time to escape the notice of the invaders and realizes it is up to her to find a way to warn her father of the invaders and their plans. Solimar, her bird Lázaro, and an enchanted talking doll set off on their quest down the river, in an attempt to “warn her father in time and change the destiny of her kingdom.”

Solimar is a sympathetic and strong female character that readers will connect with due to her determination and willingness to go against the mold. Though she is a soon-to-be princess, Solimar does not believe she needs to look a specific way to be considered royal. She explains that she prefers her hair short, and says, “Where does it say what a princess must look like?” She even argues with her brother and father for reform within the kingdom. She explains, “I wanted to change things in my kingdom. I have ideas about forming a council of men and women who advise the king and allowing everyone in the kingdom to vote,” instead of just men. 

Readers who enjoy fantasy and heroic journeys will love Solimar’s adventure to rescue her kingdom. This book occasionally showcases Spanish words, which can expand readers’ exposure to new vocabulary. The first time the Spanish words are used, they are typically explained in English, but readers will also be able to use context clues to identify the meanings. There is also a map of all the different locations Solimar visits as she journeys through the kingdom of San Gregorio at the front of the novel. 

Readers will sympathize with Solimar as she learns to appreciate her responsibilities to the kingdom. Solimar’s family also shows growth, as they ultimately decide to let their son, the prince, pursue the life of a sailor and “creat[e] a transport fleet for [their kingdom].” Another example of growth is when Solimar is hesitant to put on a crown, fancy shoes, and a gown for her quinceañera. Her dislike of these formalities symbolizes that she is afraid that in becoming a princess she will still not have a voice in making decisions that impact the kingdom. However, by the end of the novel, Solimar grows to appreciate her family, who trust her input and ideas and even appreciate the quinceañera’s formal ceremony. Overall, this book showcases the importance of family, friendship, and finding trustworthy people in tough situations. Readers eager to explore more books about friendship should also read A Thousand Questions by Saadia Faruqi and A Hundred Horses by Sarah Lean.

Sexual Content 

  • None

Violence 

  • Abuela’s friend who practices enchantments, Doña Flor, tells Solimar what will happen if someone tries to steal the magical rebozo from her. Doña Flor says, “Anyone who tries to break the bond would suffer the wrath of the ancestral spirits,” which means, “Rage, madness, impending doom.”
  • A leader of a rival kingdom breaks into Solimar’s family home. “Mothers called for their daughters. Girls cried. Footsteps scuffled. Chairs tipped over. A man’s booming voice ordered, ‘Be quiet!’” Solimar’s mother, grandmother, and friends are trapped and kept as hostages. “Abuela glanced over her shoulder and caught sight of Solimar. Her eyes filled with alarm, and almost imperceptibly . . .Abuela waved for Solimar to go away.” Solimar stays hidden and escapes.
  • The guards from the rival kingdom surround Solimar’s mother, abuela, and their advisors. “One stepped forward and announced, ‘By order of King Aveno, you all are under house arrest and may not leave the castle.’” When King Aveno enters, he reveals he is holding hostages to “gain the advantage I needed to negotiate for the land I wish to buy” from Solimar’s father, King Sebastián. 
  • Solimar’s friend, Berto, talks about his father who “died five years ago.” Berto does not describe the event in detail. 
  • King Aveno snatches the rebozo from Solimar and suddenly “the sky darkened, and a wind stirred and steadily grew . . . From the forest, a dark, tornado-like cloud raced toward the stage. [The king’s spy] and King Aveno held on to each other in an attempt to withstand the fierce gale. The wind roared.” The tornado “lifted away, growing smaller and smaller until it vanished. When the wind and world quieted, King Aveno and [his spy] were nowhere to be seen. All that remained were their boots and Solimar’s crumpled rebozo.”

Drugs and Alcohol 

  • None

Language 

  • Occasionally, Solimar’s Abuela proclaims “for heaven’s sake.”

Supernatural

  • When Solimar goes to watch the migration of the monarch butterflies, she suddenly is surrounded by them: “A swarm of monarchs descended and swirled around her—a blur of black, orange, and coral—creating an iridescent mist as if she was swaddled in the softest and nicest blanket.” She starts to hear “a rhythmic humming” and is not sure where it is coming from as, “The song persisted, though, and grew louder and louder until it reached a crescendo of haunting voices.”
  • After her encounter with the monarchs, Solimar notices a mystical substance around her. “Glittery specks lingered in the air like suspended jewels” and her shawl, or rebozo, is covered in the magical substance. “One side looks as if the butterfly wings are embedded in the fabric . . . and they’re shimmering.”
  • After Solimar’s encounter with the butterflies, she can predict things, such as when her abuela is about to fall down a hill while searching for a specific herb. Solimar explains, “I’ve never seen that herb before. I just knew where it was and that she would fall. But I don’t know how I knew.”
  • Solimar’s friend Josefina tells Solimar, “[My boyfriend] asked to meet me tonight, but he was so serious and standoffish that I am worried his feelings for me have changed. What will he tell me?” Solimar instantly begins to predict a proposal, “Only that he loves you…” And sure enough, this prediction does come true. 
  • To see if her predictions are only lucky guesses, Solimar asks her friend Maria to, “Ask me something else. Maybe about the expedition. Something I couldn’t already know.” Maria says, “When I talked to [the stable hand] only an hour ago, he mentioned your father had just decided on the horse he would ride in the lead tomorrow. Which stallion will have the honor of wearing the king’s colors?” Solimar answers correctly, confirming she can make predictions while wearing the magical shawl. 
  • Abuela takes Solimar to see a folk healer, “where few dared to travel unless they needed to be rid of a curse or cleansed of evil spirits.”
  • The folk healer, Doña Flor, taught Solimar’s grandma how to use herbs to help heal ailments. Abuela says, “Her enchantment is for good . . . some things at Doña Flor’s house are charmed. Just . . . be accepting. That’s all I ask. Embrace the mystery and the peculiarities.”
  • Doña Flor tells Solimar, “Your rebozo is the swaddle for the butterflies. You are now their protector and inseparably connected to them.” Because of this, Doña Flor reveals that the magic of the butterflies in the shawl “are safely embedded. It’s part of the magic, as is the ability for [Solimar] alone to bear their intuition about the near future and what lies ahead.”
  • Though Solimar is now able to access the magical intuition of the monarchs, she knows “each day that it is sunny, [Solimar] must open the rebozo to warm and strengthen those you carry. Otherwise [the monarchs] will never have the stamina to take leave and cluster in the trees.” In addition, Solimar must avoid people asking her questions in the sun because, “For every question you answer, it drains a little of [the butterflies’] strength. If they lose too much they will surely die.”
  • Doña Flor has enchanted dolls that “begin to chatter.” Doña Flor tells Solimar that “their enchantment is strong, yet they are generous souls and very helpful.”
  • Abuela has tried to use spells. She says, “I tried to make a love potion on [my cat] and the stable cat, hoping to make them compatible. But I wasn’t exactly successful . . . But instead of falling in love with each other, they fell in love with the first inanimate object they touched. In [her cat’s] case, it happened to be that green woolen sock she carries everywhere.”
  • Solimar uses magic to figure out which way to go in the dangerous devil’s river. Solimar “heard the chorus again — mystical and ancient and with such harmony that her arms prickled and tears filled her eyes. A clutch of monarchs lifted from the rebozo, their wings beating in time to the rhythmic song, and trailed after the swarm toward the waterway on the right.”
  • The magic of the monarchs can move a canoe without Solimar paddling it at all. “The canoe glided to the right, following the monarchs’ path.”
  • Solimar uses her predictive abilities to help navigate a perilous labyrinth of caves. She reveals, “The tunnel on the right is navigable, but there is no through passage. The water is stagnant, and the air is foul-smelling. The one in the middle has a rock ceiling that eventually becomes so low that the only way to pass is by swimming beneath it, underwater. The tunnel on the left leads to a long corridor and a bat-filled chamber.” She makes it safely out of the caves. 
  • Solimar and her abuela plan to distract the invading guards with an enchantment. As the invaders sit in the middle of the room waiting for the greedy king’s decision about his hostages, “The awnings above the audience collapsed, spilling all manner of household items into the audience: feather dusters, wooden spoons, tea towels. . . Everyone who had been forewarned about the pastries and had not eaten them laughed as each guard picked up an inanimate object — and immediately fell hopelessly in love with it. At least for a few weeks, they would be as lovestruck and preoccupied as [Abuela’s cat], whose sweetheart was a green woolen sock.”
  • Solimar carries the rebozo and protects the monarchs that are magically embedded inside until they are strong enough to leave. At that point, “A wave of butterflies erupted from the oyamel forest. They dove and swooped around Solimar. . . The ancient song began, beautiful and melodic. The butterflies lifted the fabric, turning it around and around in the sun, and waving it so that it rippled until the creases fell away.” The last butterfly “emerged . . . the last one she protected landed on [Solimar’s] finger, then flew away to join the others in the oyamel forest.”      

Spiritual Content 

  • Solimar’s kingdom is home to “the oyamel forest,” a forest that draws in monarch butterflies. She explains, “Like everyone in the kingdom, Solimar believed that the ancestors of the monarch butterflies inhabited the oyamel forest, and that year after year, their spirits lured a new generation of butterflies to this spot during their migrations.”
  • In Solimar’s kingdom of San Gregorio, “the forest and the monarchs were revered and protected,” and the forest is often referred to as “the sacred place.”
  • Solimar ponders what draws the butterflies to the forest each year. “Isn’t it amazing that the butterflies, that have never been here before, arrive season after season at the same spot as their ancestors? Is it the magnetic pull of the earth or the position of the sun as the scientists suggest? Or do the spirits of their fathers and mothers whisper directions to them in a dream? Is it some magical intuition that allows them to know what lies ahead? . . . it’s a miracle.”
  • The dangerous river that prevents Solimar’s kingdom from trading goods is referred to as “Río Diablo,” or the devil’s river. 
  • When Solimar and her abuela visit Doña Flor for advice on Solimar’s ability to predict things, Doña Flor uses scents and vapors to help her. Doña Flor “stopped and picked a few leaves from one of the dried bouquets hanging from the ceiling and tossed them on the fire. A crisp fragrance, like a muddle of pine and mint, filled the room. Doña Flor waved the vapors toward her and inhaled deeply.” Abuela explains, “The strong scent of eucalyptus helps with remembering.”
  • Doña Flor explains that when any of the monarchs of the oyamel forest are weak, “on those occasions, the ancestral sprits of the monarchs choose a benevolent courier to protect the stragglers until they are strong enough to join the others” on their migration.

Squad Goals

Energetic seventh-grader Magic Poindexter wants nothing more than to join the cheerleading squad for the Valentine Middle School Honeybees. After all, cheerleading runs deep in her family’s blood, and Magic wants to continue her family’s legacy, especially since her Grammy Mae was the first Black cheerleader on the Honeybees squad.  

But Magic is different. She isn’t coordinated, has zero athletic ability, and she struggles to stay on beat. Her only chance lies with Planet Pom-Poms, the summer cheer camp where she’ll audition for a spot on the cheerleading squad. However, cheer camp brings more than strenuous practice routines, and Magic struggles to balance the interweaving plotlines of summer romances, friendship trouble, and mean bullies. Can Magic survive Planet Pom-Poms and earn herself a spot on the Valentine Middle School Honeybees? 

From the start, Magic’s bubbly, quirky personality enriches the story’s plot and surrounding characters. Readers will enjoy experiencing Planet Pom-Poms through Magic’s point of view, and her mixture of excitement and anxiety for the cheerleading audition makes her a very relatable character. Yet, Magic’s strength lies in her positive view of herself and others. Despite what others say about her, Magic remains upbeat and optimistic which is why she becomes an admirable figure for both the readers and the other characters. 

Magic is a dynamic character, who shows personal growth; at first, she fears her lack of cheerleading talent but she learns to love herself. This change highlights the book’s message of loving and believing in yourself. This message extends past Magic to her friends, who find beauty in their differences. Magic exemplifies this by saying, “With all of our differences . . . we’re like a cool bag of Skittles. Each of us has our own unique flavor. Without one of us, the rest of the bag would be boring.” While Squad Goals primarily focuses on Magic’s development, the book also includes plenty of cheerleading action. Readers can expect many action sequences with in-depth descriptions of real cheerleading moves. 

Overall, Squad Goals is a heartfelt story about a young girl learning to love herself and her differences. The combination of fast cheerleading scenes with slower introspection scenes mix well and provide an authentic experience for the characters to learn and grow from. The book pleasantly wraps up the different plotlines and leaves the readers with a satisfying conclusion. Although the characters may act overly cheesy, the book explodes with enough charm that it will elicit a smile from all readers who love positivity and cheerleading. Readers who want more cheerleading action should also read The Tryout by Christina Soontornvat. 

Sexual Content 

  • When Magic talks to her crush, Dallas Chase, Dallas’ “cheeks turn red when he smiles this time.” 
  • Whenever Magic thinks about Dallas, it “makes her heart turn into a drum major and beat against my chest. Then my hands get sweaty and I don’t want to touch anything.” 
  • When Magic talks about Dallas, she “swipe[s] at my brows and try to shake off the red. But when I glance in the mirror, my entire face is still flushed. I shake my head. Now it’s even redder. But that’s my story and I’m sticking to it . . . even though I can’t deny that he makes me feel like a hot cup of cocoa topped with squishy marshmallows, all caramel excitement and chocolate nerves.” 
  • Magic’s and Dallas’ eyes lock, and Magic loses “all focus, my mouth opening and closing like a fish as I try to figure out what to say.” 
  • Magic watches Dallas and Gia, the captain of the cheerleading squad, interact from afar, and she “can feel [her] legs turning to limp taffy” out of fear and disgust. This scene is described over three pages. 
  • Magic sees Dallas in a crowd and her “palms go sticky and I start losing my grip on my pom-poms.” 
  • Dallas meets up with Magic outside her cabin. Magic explains, “he looks up at me and a powerful surge of mushy feelings rushes through my nervous system, making me . . . nervous. They start in my toes and sizzle up to the ends of my big, long braids.” 
  • Magic and Dallas hold hands as they walk. “We turn to head back to the dorm, hand in hand, and I’m so content that I don’t even bother to count the Mississippis.” 
  • When Dallas invites Magic to a birthday party, she “can’t hold back the mega-blush that’s turning my face a solid Crayola red.” 

Violence 

  • Magic falls off the steps of the bus, and “an obnoxiously loud thud echoes behind my fall and everyone turns to look right at me and my face, which is now buried in the dirt.” Magic hurts her arm and has to go to the nurse’s station later on. 
  • Magic’s friend, Brooklyn, explains that the cheerleader captains “will be covered in that chalky calamine lotion” after she spreads poison ivy on Gia and Yves’ pillows. 
  • Gia and Yves, the two cheerleading captains, sabotage Magic’s introduction video during the Midsummer performances. They switch out Magic’s original video with a video of her professing her love for Dallas Chase for the entire audience to see: “The audio skips. I try to keep dancing to my background music, mainly because Coach force-fed us that the show must always go on, even if disaster strikes. The audio skips again. ‘—and I’m in love with Dallas Chase. And I’m in love with Dallas Chase. I’m—I’m—I’m in love with Dallas Chase.’” This scene is described over three pages. 
  • Gia and Yves sabotage Magic and her friends’ performance at the Finale by dropping a bucket of water on Magic’s friends during their performance. Magic decides to “cut the string” to save her friends’ performance, “but the bucket is still teetering back and forth, and while I’m looking up at the rafter, watching the bucket with my mouth wide open, I feel a few droplets just before the entire bucket of water splatters right over my head. And I’m soaked.” Magic sacrifices herself to allow her friends to finish their performance. This scene is described over three pages. 
  • Magic and her friends cover Gia and Yves bedsheets with poison ivy in revenge for the Midsummer disaster: “’I’ll do the honors,’ I say to Winnie, taking the tissue with the poison ivy in it from her. I lean over the other bed and follow Winnie’s fingertip as it guides me across and then down the pillowcase.” 

Drugs and Alcohol 

  • Magic mentions that her grandfather “takes medication” when his “heart is beating dangerously fast.” 
  • Magic’s mom mentions that “children’s Motrin will help” with Magic’s throbbing head. 

Language 

  • Magic exclaims “ohmahgawd” multiple times. 
  • Two cheerleaders regularly call Magic, “Tragic Magic.” They also call another cheerleader, Capricorn, “Kettle Corn.”  
  • Magic’s friend, Lulu, screams “ohmygosh” once. 
  • Magic repeatedly exclaims “fan-fricking-tastic.”   
  • A mean cheerleader taunts Capricorn by telling her that she “sucks.” 
  • A mean cheerleader tells Magic that “she looks like a raccoon.” 

Supernatural 

  • When Magic holds her Grammy Mae’s pom-poms before the Finale, she sees Grammy Mae encouraging her. “It’s Grammy Mae’s voice, and I’m not sure if I’m imagining it, because it feels so real. And when I open my eyes, I can see her, smiling sweetly, even though I know she’s not there.” 
  • Grammy Mae’s initials on her pom-poms change to Magic’s initials at the end of the story. “And when I do, Grammy’s initials aren’t there anymore. Instead, that same golden glow is swirling around the initials MOP.” 

Spiritual Content 

  • Magic’s big sister, Fortune, compliments Magic by saying, “God was having a good day when he made [you].” 

Baseball Genius

Twelve-year-old Jalen DeLuca is an aspiring baseball player who dreams of playing in the Major Leagues. He knows he can jump-start his career by playing for the travel team Rockton Little League Rockets, but he runs into a massive problem: his father can’t afford the travel team expenses. Desperate to find the money, Jalen attempts to sell some stolen baseballs from famous Yankee ballplayer James Yager. However, when Yager catches Jalen with the baseballs their worlds collide. More importantly, they realize that they need each other when Yager learns that Jalen is more than just a misfit criminal—he’s a baseball genius. 

Just like Jalen, James Yager is in a tough situation. His job is on the line because of his poor performance, and he needs a miracle to prove that he deserves his spot on the Yankees roster. Luckily, Jalen’s ability to perfectly predict pitches from opposing pitchers offers a glimpse of hope, and he embarks on a riveting adventure to save not only his chances of playing baseball but Yager’s entire career. With many people counting on him, Jalen feels the pressure as he struggles to balance the travel team, friendships, his father’s business, and Yager’s career. Can Jalen’s genius save his family, friends, and Yager? 

Told from Jalen’s perspective, the story portrays the complex circumstances in Jalen’s life and explores how Jalen views and feels about these events. As a result, Jalen comes across as a realistic character with authentic joys, anxieties, and dreams. Many readers will relate to how Jalen reacts to the pressure of helping his family, friends, and Yager. Jalen’s brave demeanor leads him to frequently help others, trust the people he loves, and believe that things will work out in the end. They will also admire Jalen’s fortitude in the face of overwhelming adversities. After getting caught stealing, Jalen knows that “Even though he was alone, imprisoned in the Yankees manager’s office, he knew everything was going to work out.” 

Baseball Genius balances the interconnected plotlines within Jalen’s life and gives each storyline proper development with a distinct solution. The constant twists and turns will keep the pages turning and readers will enjoy the quirky side characters who surround Jalen. The story also features several action-packed baseball sequences, where readers will experience detailed play-by-play scenes of actual baseball games, complete with real-life players and settings. For example, during a Yankees game against the White Sox, Jalen watched as “Hutt struck out in four, and then Joe Ros knocked one in the 5-6 hole on his first pitch, putting runners on first and third. Quintana had thrown a total of eighteen pitches.” 

While Baseball Genius has an intriguing plot, it struggles to develop the many characters. Outside of Jalen, most of the supporting characters are flat and don’t show a massive shift in perspective or feelings. As a result, the story’s lesson of trusting in your talents at times feels half-baked and incomplete. Luckily, Baseball Genius’ action-packed narrative overshadows this flaw and presents an engaging story that will capture even the imagination of non-sports fans. With this combination of exciting baseball scenes and page-turning cliffhangers, Baseball Genius is a must-read for sports fanatics. 

Sexual Content 

  • After Jalen successfully predicts the next pitch from a Yankee baseball pitcher, Cat, Jalen’s friend, “kissed [Jalen’s] cheek” in celebration. 

Violence 

  • When Jalen grabs Cat by the arm to talk to her, she “dug her heels in and cuffed him in the back of the head.” Jalen wanted to talk with Cat privately because she was upset with him over his new baseball skills. 

Drugs and Alcohol 

  • None 

Language 

  • Throughout the story, Jalen’s father says the Italian curse word “mannaggia,” which translates to “darn” in English. 
  • Chris, a school bully, calls Jalen “mutt,” which means “biracial, half white and half black.” 
  • Yager says, “Holy crow” once. Yager also mutters, “Good God” during a stressful moment. 
  • Yager calls the radio sports analyzers “idiots” because they believe that his career is dying.  
  • Jalen calls Chris a “jerk” and a “rat” once. 
  • Chris calls Jalen a “sandwich” because Jalen’s dad has to make sandwiches for the baseball team to pay for Jalen’s travel team expenses. 
  • Chris calls Jalen the “Calamari Kid” after news spreads that Jalen’s dad’s calamari gave Yager good luck in his baseball game. 

Supernatural 

  • None 

Spiritual Content 

  • Yager helps Jalen’s father out during a busy time at the diner. Afterwards, his father asks, “Jalen, did you bring me an angel from above?” 
  • The travel-ball coach, Coach Gambles, explains to his players that “those of you who are new to this team need to understand that what I say is like the word of God.” 
  • When Jalen’s late for baseball practice, “Jalen flung the door open and took off, praying Coach Gamble’s watch was slow.” 
  • Jalen’s friend describes his feelings when entering Yankee Stadium as if “[he] died and went to heaven.”

Wait Till Helen Comes

Molly and her brother, Michael, agree that their new stepsister, Heather, is a spoiled brat. Mom wants Molly to watch out for Heather, since she’s only seven. But Heather only wants to make trouble for Molly and Michael. She lies and tattles and misbehaves, and somehow they get the blame. They know she’s trying to drive a wedge between her father and their mother, who recently married, so she can have her father all to herself—and it seems to be working. To top it off, Heather starts talking to a ghost named Helen, and Heather warns Molly and Michael that Helen is going to come for them. 

It appears that things can’t get any worse—but they do when Helen comes. 

The story focuses on Molly, the only person other than Heather who can see the ghost of Helen. No one believes Heather has made friends with a ghost—not even after Heather almost dies. Death is often mentioned and at one point, Molly worries what will happen after she dies. She’s afraid that when she dies, “My skeleton. My bones. Someday they would be all that was left of me. They would lie all alone in the dark and the cold while the years spun past, years I would never see. . . All my memories would die with me, all my thoughts and ideas.” The morbid thoughts about death may terrify some readers. 

Wait Till Helen Comes has plenty of scare factors that could give readers nightmares. The ghost of Helen is truly frightening, especially because she has led several children to their deaths. It turns out that Heather has been alone for a century, and the lonely ghost longs to have a friend in the spirit world. While Heather’s situation is understandable, the idea that a person can get stuck in the spirit world is frightening. When Helen tries to lead Heather to her death, Molly jumps in to save her bratty stepsister.  

A scary ghost, a near-death experience, and a spooky graveyard combine to create a chilling ghost story that readers will devour. While the story focuses on the ghost of Helen, many will relate to Molly’s struggles to get along with her stepsister. To make matters worse, no one believes Molly when she tries to warn them about Helen. One negative aspect of the book is the dysfunctional family dynamics. Molly’s brother, Michael, is allowed to roam the wilderness unaccompanied, the parents only appear when they are scolding the kids, and Molly is tasked with the responsibility of watching Heather, who is a pro at disappearing. Readers will empathize with Molly, who struggles with the conflicts that her dysfunctional family cause. 

Wait Till Helen Comes is a scary tale that will leave readers contemplating what happens when someone dies. Readers will find a lot to like about Wait Till Helen Comes, including plenty of heart-thumping scenes, a fast-paced plot, and an unexpectedly happy ending. Readers who love a good scare will enjoy Wait Till Helen Comes. For more frightening tales, check out the Small Spaces Quartet by Katherine Arden.  

Sexual Content  

  • None 

Violence  

  • When Heather was three, she saw “her mother die in a fire.”  
  • Helen destroys Michael, Molly, and their mom’s belongings. “Everything that Michael cherished lay in a heap of rubble in the middle of the floor. His books, his specimen cases, his fossils and rocks, his microscope, his aquarium—all were smashed, ruined.” The adults think a robber broke in and ransacked everything. 
  • After finding his room destroyed, Michael grabs Heather and “shook her.” He also calls her a little creep. 
  • Helen leads Heather into the pond, in the hopes that Heather would join her in death. When Molly jumps into the pond to save Heather, Helen is “sobbing and moaning, clutching at Heather with icy fingers, she begged me to give her back. . . I felt a terrible chill as her fingers seized my ankles.” Molly drags Heather out of the pond. 
  • After nearly drowning, Heather wakes up and runs back toward the pond. Molly describes, “Catching up with her at the water’s edge, I tackled her and threw her flat on her face in the weeds. She fought me, her wet clothes and skin making it hard to hold on to her.” Heather stops fighting Molly, who takes her into an abandoned house to warm up.

Drugs and Alcohol  

  • None 

Language    

  • Michael tells Molly, “Don’t let that brat [Heather] scare you with make-believe, Molly. You’re acting like a real dope.” 
  • Molly calls Michael an idiot. Later, she calls Heather a little monster. 
  • Heather tells Molly, “Your mother is a witch. . . I wish she were dead, and you and Michael, too!” 
  • Heather’s father calls Molly a little monster. 
  • Heather’s father says “good God” once. 
  • Molly’s mother says, “Oh, my God.” 

Supernatural 

  • A ghost befriends Heather. When Heather calls to Helen, Molly sees “the glimmer of blue light shape itself into the figure of a girl . . . She wore a white dress, and her hair, dark as Heather’s, tumbled in waves down her back.” 
  • Molly and Michael go to the library to research ghosts. Michael reads about poltergeists who “throw furniture and destroy stuff, and scientists don’t have an explanation for them.” 
  • The man who cares for the graveyard is the only person who believes Molly has seen a ghost. The man tells her, “But my own sister was convinced that our cousin Rose was led to her death in Harper Pond by the very spirit you’ve described to me. . . my sister went to her grave convinced that Rose was possessed by Helen Harper.” 
  • Heather and Molly fall through the rotting floor of an abandoned house. In the old cellar, they see the skeletons of Helen’s parents. Helen kneels by the skeletons. “Another figure appeared in the cellar. From mist it seemed to form itself into a woman. . . smiling, she drew Helen to her feet and embraced her, comforting her, stroking her hair, rocking her gently.” The ghosts shimmer and then disappear.  

Spiritual Content  

  • None 

The Last Leopard

Martine, her grandmother, and her best friend, Ben, are off to Zimbabwe to help her grandmother’s friend, Sadie, run her hotel in the Matobo Hills. But when they arrive, Martine realizes that someone wants to run Sadie off her land. Not only that, but hunters and treasure seekers are trying to capture Khan—a legendary giant leopard, rumored to be the rarest in the world. Can Martine help before it’s too late?

Martine is surprised when her grandmother announces they are going to Zimbabwe to help her friend Sadie. When they arrive at the isolated hotel, Martine discovers that Sadie is hiding something. Sadie eventually reveals that Mr. Ratcliffe has been trying to run Sadie out of business so he can hunt the legendary leopard, Khan. When the police unexpectedly arrest Martine’s grandmother and Sadie, Martine, and Ben vow to keep Khan safe even if it means putting themselves in danger. 

The third installment of the Legend of the Animal Healer Series has a darker mood than the previous books because it focuses on Mr. Ratcliffe’s greed and his “canned” hunting business. In order to keep his illegal business in operation, Mr. Ratcliffe bribes corrupt police officers. Mr. Ratcliffe is not content with hunting lions and other dangerous animals. Instead, he is also determined to kill the legendary leopard Khan—even if it means hurting others to obtain his goal.

When Martine’s grandmother and Sadie are arrested, Ngwenya, a local, helps Martine and Ben hide in a local village. This situation gives readers an inside look at the indigenous people who live in the bush. While the Zimbabwe culture is completely different from the United States, the communities shine with beauty even though, like any society, not everyone has pure intentions. The mix of characters that Martine and Ben meet adds interest to the story as well as highlights the negative aspects of greed. In the end, the story clearly shows that money is not important; instead, people only need “love, freedom, and enough to eat.”

The Last Leopard is a fast-paced story that teaches readers the horrors of canned hunting and the need for people to take action to save endangered animals. In the author’s note, St. John explains that illegal hunters have caused “cheetahs, lions, and hippos, animals we thought would be around forever, [to be moved] onto the endangered list, and the leopard, one of the world’s most elusive and beautiful creatures, [to be] in danger of being wiped out. Unless we act soon, we’ll wake up to discover that there is only one last leopard.”

Sexual Content 

  • None

Violence

  • According to legend, the tribe elders, including Lobengula, hid a treasure. Lobengula was suspected of “having several of his own brothers murdered.” After the treasure was hidden, “Lobengula ordered all who had buried the treasure to be killed in case they had thoughts of stealing it.”
  • When others went to search for the treasure, their expedition “was cursed. Men were struck down with illness none had ever seen before; charged by elephants or murdered by rivals; one even had his nose licked by a lion just before he was disemboweled.”
  • The story revolves around the practice of canned hunting which is “the wicked and widespread practice of putting lions, leopards, and other dangerous and hard-to-hunt animals in small enclosures so that ‘hunters’ are guaranteed a ‘kill’ or a trophy to hang on their walls.” Mr. Ratcliffe owns the Lazy J [?] which captures animals to be hunted.
  • Martine hears a shot. When she looks through binoculars, she sees “the lion lay dead on the ground. The hunter had one foot on its chest and one hand on his rifle, and he was smiling and posing for photographs. The lion’s blood was leaking out onto his boot, but he didn’t seem to notice.”
  • While in the wilderness, the leopard Khan knocks Martine to the ground. “His great paws thudded against her chest and his claws pierced her skin. She was winded and in pain. She could feel blood trickling down her armpit.” Martine can feel Khan’s hatred and fear as well as his exhaustion “from the endless struggle to survive.” When Khan hears others coming, he runs into the desert.
  • Martine and Ben sneak onto Mr. Ratcliffe’s property, where they find animals ready to be canned hunted. When the owner sees them, Martine and Ben run. As they ran, Khan “jumped from the sky” saving Martine and Ben. A man who witnessed the events says, “There was no shooting. One of the guides went to get his rifle and Khan opened up his chest with a swipe of his paw. That man will be spending many months in the hospital.”
  • To keep Martine and Ben out of the way, Mr. Ratcliffe pays a man named Griffin to kidnap the kids. “They’d been kidnapped at about nine o’clock in the morning and denied food or water until six in the evening because Martine refused to give Griffin any information on her gift.” After Martine pretends to tell the future, Griffin allows the kids to eat. Then, he locks them “in a dusty, windowless storeroom with nothing but a bottle of water, a wooden crate, and a couple of snacks.”
  • To escape from Griffin, Martine and Ben hatch a plan to have the “Enemy of Lions” ants bite Griffin. When the ants begin climbing up Griffin’s legs, he “let out a tormented scream. . . He was leaping, twisting, and screeching like a madman.” Griffin’s friends jump up to detain the kids but “Martine and Ben were ready with the sacks. A single swish sent showers of biting ants all over the men.” The kids escape.
  • Martine and Ben go in search of Khan. While searching, “a hand was clamped over [Martine’s] mouth.” Martine is able to flee, but Griffin follows her. “Griffin grabbed at her ankle and missed. Martine scooped a rock as she dodged him and threw it with all her might. The rock hit the bees’ nest square on.” The bees attack Griffin who “fled down the mountainside.” Later, Martine discovers that police found “a comatose figure by the roadside. . . he was so swollen that one of the constables described him as looking as if he’d been blown up with a bicycle pump.”
  • A guide pulls a gun on Ben, so Ben pretends that he will lead the guides to the leopard. Ben is uninjured. 

Language

  • An adult asks Martine, “What the heck do you think you’re doing?”

Drugs and Alcohol 

  • A young adult and his friends are looking for the location of the legendary treasure. They want to find the treasure so they can buy luxuries including cigarettes and whiskey. 
  • When a witch doctor is called to help a sick child, he chanted and “took a swig from a brown bottle at his side. . . In between chants, the witch doctor had continued to take long swallows from his brown bottle.” Before the end of the ceremony, the witch doctor passes out drunk.
  • Martine carries a survival kit that contains “three small brown bottles: one for headaches and pain, one to treat Bilharzia, a disease found in Zimbabwean rivers, and one for stomach ailments.” Martine gives the stomach medicine to the sick baby, who recovers.
  • One of Sadie’s workers discovers that the owner of the Lazy J. paid someone to poison the water tank for the cattle on Sadie’s property.

Supernatural

  • There are several witch doctors who use bones and other items to tell the future. One witch doctor tells Martine, “I will throw the bones and tell you what you need to know. . . what you call destiny is written in sand and not in stone.” During the ceremony, the witch doctor “scattered the bones onto the dry earth.”
  • The witch doctor tells Martine and Ben, “You are bound together, but you will be torn apart. When that happens, look to the House of Bees.”
  • Martine has a gift that allows her to feel the emotions of animals as well as heal them. When she finds Khan, who is injured, Martine uses her magic. When Martine uses her gift, she has a vision of “the ancients, the San Bushman. . . and they were chanting with her, encouraging her. . .  a magical energy came from them and passed through her as if she were a lightning conductor.”
  • When Martine’s hands heat up, she puts them on Khan’s wound. “At first the leopard writhed beneath her touch as if her hands were so hot they were singeing him but gradually his muscles relaxed and a peace came over him.” Afterward, Martine uses moss, honey, and super glue to treat Khan’s wound. 

Spiritual Content

  • The people of the Matobo Hills created shrines to worship “Mwali, the High God. Each shrine had its own guardian and they are looked after to this day.”
  • After Martine and Ben are kidnapped, Martine pretends to be ill. When Griffin sees her pale skin, he prays, “Mwali, don’t desert us now.” 

The Dragon’s Blood

The dense, steamy rainforests of Northern Borne are some of the oldest and most magical in the world. Under the shade of the towering tree canopies majestic elephants and orangutans roam. However, Cruz Coronado is more focused on a tiny leech with a surprisingly painful, slow-healing bite. As the leech inches closer and closer, Cruz wonders if what he discovered at the top-secret Archive is true.   

In The Dragon’s Blood, the sixth installment in the Explorer Academy series, Cruz is still reeling from an explosive revelation. But with Emmett, Sailor, and Lani by his side, he is more determined than ever to track down the next-to-last piece of his mother’s cipher. Nebula is close on their heels, though, and the global hunt for the world-changing serum is riskier than ever. The daring explorers follow clues to an emperor’s tomb, and their studies take them to a rugged island in search of a mysterious animal once thought to be extinct. Just as Cruz feels hopeful about the survival of the species—and his own survival—a voice threatens to make sure his mission hits a dead end. 

The explorers travel to Borneo’s Kinabatangan River Basin in Malaysia where they learn about proboscis monkeys and other animals. Soon after, the explorers travel to the Tasmanian wilderness to place cameras that will capture pictures of the wildlife. However, the wildlife adventures end quickly and the story shifts to focus on Cruz’s search for his mother’s cipher. While Cruz’s travels are full of suspense and surprises, some readers may miss learning more about animals and conservation efforts. 

To find the next piece of the cipher, Cruz and his friends travel to China to search the terracotta soldiers. Similar to the other book, in The Dragon’s Blood the episode with the terracotta soldiers happens too quickly to give readers an in-depth view of China or the history behind the terracotta soldiers. While the travel creates suspense and moves the plot forward, the fast pace doesn’t allow readers to soak up all the places Cruz and his friends travel to. 

The Dragon’s Blood pushes the limit on what readers will find believable. Most of the ciphers have been hidden in elaborate ways that have remarkably remained unfound despite their proximity to heavily visited tourist locations. Some of the ciphers have many layers of protection. Because of this, the speed with which Cruz and his friends find the hidden ciphers does not ring true.  

The Dragon’s Blood begins to reveal some of the pivotal pieces of the plot in an effort to bring the series to an end. Through Cruz’s experiences, the reader will learn valuable lessons. For example, when one of the spies is revealed, readers get a close look at how “hate destroys the hater.” In addition, as Cruz and the other explorers travel the world, their instructors encourage them to face their fears and push their limits. This allows them to work as a team, create new technology, and face difficult. While the Explorer Academy Series is not perfect, it is entertaining and encourages readers to risk making mistakes in the quest to learn. 

Sexual Content  

  • Bryndis “planted a kiss” on Cruz’s cheek. 

Violence  

  • Someone tampered with a rotating room, making it spin uncontrollably while Dr. Fanchon and Cruz were inside. “Cruz tried to get up but couldn’t get his feet under him on the slick floor. Stumbling, he hit his knee on the cabinet and went down. Pain shot down his leg.”  
  • As the room continues to spin, Dr Fanchon falls. “Cruz heard a sharp crack a second before he saw her crumple to the floor next to the wall. . . Cruz knew if he let go of the drawer, like Fanchon, he would be flung into the wall with a force violent enough to break bones. . . Everything was a blur. His ears hurt. His stomach churned.” The scene is described over seven pages. No one is seriously injured. 
  • Two men corner Cruz and his friends in a pit where there are terracotta soldiers. One man threatens them with a laser. “There was a cry. A burst of laser fire. . . Next to Cruz, Scorpion’s partner was out cold. Sailor stood over him, the clay arm of a warrior clutched in her hand.” The kids are able to escape.  
  • While in the lab, Dr. Vanderwick grabs Cruz from behind. “‘Don’t move,’ a digitized voice said into his left ear as icy fingers clamped on to him. . . His back was still to her. Next to his shoulder appeared the end of a metal poker, its rounded tip glowing scarlet. . . Suddenly, a jawbreaker-size orb of flames shot out! Cruz ducked as the fireball whizzed past his ear.” 
  • Dr. Vanderwick tries to shoot Cruz with the laser. Luckily, the lab contained sensotivia gel, which reacts to people’s emotions. When Dr. Vanderwick becomes upset “like two bear paws, the sensotivia gel stretched toward her. . . wrapping its gooey claws around her neck, the sensotivia gel began to cover Dr. Vanderwick.” 
  • Despite being captured by the sensotivia gel, Dr. Vanderwick shoots at Cruz. “Suddenly, a ball of flames was soaring toward him. . . Cruz dropped to the floor, and the fiery orb hit the corner of the wall. In a matter of seconds, the blaze spread. The cabinets were on fire.” The scene is described over seven pages. 
  • Another faculty member, Nyomie, appears to help Cruz. Dr. Vanderwick tells them she planted a “liquid compound I’ve been working on. A few drops did the trick. Once the detonator triggers, it’ll blow a hole in the ship big enough to sink her.”  
  • Nyomie finds the helmet containing the explosive and throws it overboard. “The helmet exploded mere seconds before it would have splashed into the sea. . . [Cruz] felt a wave of heat as the shock rocked the ship.” The scene with Dr. Vanderwick takes place over several chapters. 

Drugs and Alcohol  

  • A scientist is working on creating an emotion potion. “A cream to improve your mood. Say you’re feeling a bit sad, you rub a little of it into your skin and it’ll help cheer you up. If you’re scared, it’ll give you a boost of confidence.” 
  • Cruz’s mother (and others) use animal toxins to create medicine. 

Language    

  • One of the bad men calls Cruz and his friends “dumb kids.” 
  • Darn is used once. 

Supernatural 

  • None 

Spiritual Content  

  • None 

Deadman’s Castle

A twelve-year-old boy has a simple desire: to have friends, go to school, keep his name, and stop “bugging out.” Unfortunately, his life has been far from simple ever since his dad witnessed something he shouldn’t have. In order to protect themselves, his family abandoned their identities and went into hiding. Currently, the young boy hides under the name Igor.  For the past seven years, they have had to live under different names and in new houses. Now they’re always on the run, hiding from the mysterious and dangerous Lizard Man.

Despite the constant danger and the fear of being discovered, Igor clings to the hope of a normal life. He yearns to have a routine. Igor longs to be able to discover his real name, the one that connects him to his past and his family. But as he grows older and more restless, Igor starts testing the limits of his dad’s strict rules, hoping to find a way to break free from the never-ending cycle of running and hiding. But the more Igor uncovers, the more he realizes that the danger is real, and the Lizard Man is closer than ever. The Lizard Man is getting closer, and Igor’s father’s past is catching up with them. But Igor is determined to find a way out of this life of fear, to discover the truth about his father’s past and his family’s connection to it.

Despite the odds, Igor clings to the hope of a normal life, and his determination to find a way out of the cycle of hiding and running makes him a hero in his own right. Will he be able to uncover the truth about his family’s past and put an end to the never-ending cycle of hiding and running? Only time will tell.

Deadman’s Castle is a gripping tale of adventure and mystery that promises to keep readers on the edge of their seats. From the very first page, readers will be transported to a world of danger and intrigue, where every turn of the page brings a new revelation and a new challenge for the protagonist, Igor. As the story unfolds, Igor finds himself embroiled in a web of lies and deceit that threatens to destroy not only his own life but the lives of those he loves most.

The plot of Deadman’s Castle is both intricate and compelling with a rich and immersive world that readers won’t want to leave. There are heart-stopping action scenes that will leave readers breathless with fear and suspense, as well as heart-warming moments of tenderness and compassion that will bring a tear to the eye. 

But it’s not just the plot that makes Deadman’s Castle such a captivating read. The characters are fully fleshed-out and multi-dimensional, with their hopes, fears, and motivations making them feel like real people. Readers will find themselves cheering for Igor as he struggles to uncover the truth about his family’s past and break free from the never-ending cycle of hiding. They’ll also be drawn to the other characters, such as Zoe and Angelo, Igor’s two new friends, who each have their own unique story to tell. Zoe, if that even is her real name, is a mysterious orphan struggling to find her sense of identity. Constantly changing her entire style and name without warning, she still knows how to remain true and honest to those she keeps closest to her. Angelo, on the other hand, is a rough and tumble boy with a hard exterior but a soft inside. Zoe and Angelo make for loveable and relatable sidekicks to Igor’s adventures.

In short, Deadman’s Castle is a must-read for anyone who loves a good adventure story. The book masterfully explores the theme of living a life of constant movement, while recognizing and empathizing with the struggles of adolescents. It addresses the themes of identity, family, and the lengths taken to protect loved ones. It’s a novel that will keep readers on the edge of their seats from beginning to end and leave them longing for more.  Readers who want more suspenseful stories should also read The Forgotten Girl by India Hill Brown and Dreaming Dangerous by Lauren DeStefano.

Sexual Content 

  • None

Violence 

  • On the first day of school, the other kids treat Igor like an outcast. A group of three boys threatens to harm Igor. One of the bullies, Angelo, “turned to [Igor]. He pointed a finger like a stabbing knife. ‘I’m going to kill you,’ he said.” At this point, Igor becomes worried that his dad may have been right; starting school so suddenly with a strange name would make him an easy target for being picked on.
  • Igor decides he must face Angelo and he goes outside with Angelo and his posse. “The others held my arms and pinned me there, one on each side . . . his hand swept up again,  and in his fist was — snow. He had a handful of snow, and he squashed it into my mouth and my eyes. He forced it between my lips, against my teeth; he pushed it up my nose.” The boys only stop their torture when Igor starts laughing because it wasn’t as bad as the things he imagined in his head.
  • Trevis, Angelo’s former best friend, likes to make up bizarre stories instead of answering questions truthfully. Igor asks about Zoe, one of Igor’s new friends, and Trevis tells Igor, “Both of her parents were killed. Zoe grew up as an orphan. . . It was a 747. A jumbo jet . . . Three hundred and forty people were killed.”
  • Angelo, Zoe, and Igor decide to go to Deadman’s Castle. Igor inquires why it is named Deadman’s Castle. “‘Cause there’s dead men in it,’ said Angelo. ‘There were bodies sealed in the walls.’” Although they never confirm what the actual story behind the name is. 
  •  While at Deadman’s Castle, Igor faces the Lizard Man. Igor “didn’t know what to tell him. [The Lizard Man] swung his foot and kicked me in the ribs.” Igor lay on the ground, unable to get out of reach of the Lizard Man. He ultimately joins Angelo, who has already been placed in a cell in the basement. 
  • The Lizard Man corners Angelo and Igor who use their video game skills to defend themselves. Igor describes how Angelo was “suddenly Johnny Shiloh, and I was Colt Cabana. We leapt from the floor and tackled the Lizard Man. The whip fell from his hand; his hat went rolling into a corner . . . With fists and feet we attacked the Lizard Man.” It deters the man for a few seconds but doesn’t take long for him to get back up and chase after the boys, before recapturing them.
  • Angelo’s dog, Smasher, tries to protect the boys from the Lizard Man. Unfortunately, it doesn’t take much for the Lizard Man to fend off the dog. “Either way, it didn’t matter. The door slammed against her. There was a thud and a cry that came together, the most terrible sound I’d ever heard.”
  • The Lizard Man chases Angelo and Igor when they try to break free. To escape, the kids must cross a very deep pit that is only crossable by planks of wood. “With a scream, he fell. The lantern dropped from [the Lizard Man’s] hand and went tumbling down in a whorl of light. It hit the walls and went out, and we heard the thudding of the planks as they boomed from the sides of the pit. Everything landed at once, what seemed a long time later: the light, the Lizard Man, and the planks of the bridge.” The kids presume he has died and run for help.

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • None

The Girl who Speaks Bear

Yanka, a twelve-year-old girl, lives in a small village with her foster mother, Mamochka. Yanka isn’t exactly sure of where she came from, but “Mamochka says I was about two years old when she found me outside the bear cave,” at which point, Mamocka took Yanka home and raised her as her own. Yanka has distinct memories of living in the bear cave and memories of “the bear who raised [her].” One day, a family friend, Anatoly, visits and tells Yanka about the Story of the Lime Tree’s Curse. In the story, Yanka recalls, “It was about an enchanted tree, and a woodsman and his family who were cursed to be bears” after the woodsman became too greedy while making demands of the magical lime tree. Yanka wonders if there may be a connection between this story and her past, as “that story was about people turning into bears and now my legs have become bear legs.” 

Yanka notices that she is different than the other children in her village. She says, “I tower above all the other twelve-year-olds, and most of the grown-ups too. And I’m stronger than everyone. Even the ice cutters and woodchoppers.” Yanka takes a great tumble at the village’s festival, and when she awakes, she realizes “My legs are enormous. Thick and muscular. And covered in fur . . . I have bear legs.” Yanka takes her new legs as a sign that she should explore her birthplace. She goes into the forest, hoping to discover more about her memories. 

Yanka is a very sympathetic character as she struggles to feel a sense of belonging that many readers may relate to. She explains, “But if I don’t know where I came from, how can I be sure where I belong?” Ultimately, When Yanka’s journeys to find her birth mother, Yanka discovers that her mother passed away, when she “was trying to rescue [Yanka’s] father. He was trapped in Smey’s [a fiery dragon] cavern.” Though her mother has died, Yanka learns that her mother left her with her grandmother, “The bear Tsarina.” Incredibly, Yanka realizes that her family has been cursed to turn into bears, but in some cases, they can periodically transform into humans. This makes Yanka wonder, “Am I meant to be a bear or a human?”  

Throughout her journey, Yanka shows immense growth, and she especially grows to appreciate the village people who love her. As she goes further into the forest to learn about her birth mother, Yanka begins to fully transform into a bear. However, once this happens, Yanka comes to understand “I’ve been so focused on where I don’t fit into the village that I’ve lost sight of where I do. I have a mother, Mamochka, who loves me. A best friend in Sasha . . . There is a place for me in the village.” This realization pushes Yanka to try to break her family’s curse so that she might return to her village once and for all.  

The folktale style of The Girl Who Speaks Bear will keep readers on their toes, as each chapter is set up as its own separate tale within the story. The chapters flow together in a way that helps readers understand Yanka and her family better. Readers will be interested in the use of many Russian words like “sbiten,” a hot honey drink, and they can find the meaning of each of these words in the glossary at the back of the book. 

Yanka ultimately finds that even the magic of the Lime Tree cannot undo “old curses,” such as the one placed on her family. However, Yanka learns to embrace the differences that make her stand out. She says, “I don’t want the curse to be broken. I don’t want to be only a human forever. I like being a bear too . . . I want to keep this gift and learn how to control it.” 

Overall, this story will capture readers’ hearts as Yanka embraces her love for the forest, as well as her love for her family in the village. The author employs folktales that connect with her grandmother’s Prussian heritage. This novel emphasizes the importance of appreciating the people who love you for who you are. Yanka explains, “I’ve seen so many amazing things on this journey . . . But above all, I’ve learned the importance of going home to the people you love.” 

Sexual Content  

  • None 

Violence  

  • Yanka decides to go into the forest to look for clues about the bears who raised her. She remembers the dangers that lie within the forest. “Fire dragons who would burn your life away and Yaga [people who collect souls of the dead] who would steal your soul.” 
  • In the forest, Yanka is attacked by a wolf called Ivan the Grey as she tries to cross through an area of the forest that is guarded by his pack of wolves. Yanka says, “I drop the lantern and raise my arms to protect myself. Ivan the Grey bites down on my elbow, crushing it between his powerful jaws, I yell in pain and fall back.” Yanka escapes further violence by telling Ivan the Grey that she knows about his missing claw and how it was stolen. 
  • Yanka and her pet weasel, Mousetrap, befriend a young elk who is being attacked by wolves. Suddenly, Yuri [the elk] screams… [Yanka] frowns at him, confused—then [makes] out a writhing dark creature on top of him. A wolf. Teeth flash as they bite into Yuri’s rump.” Yuri s escapes as Yanka and Mousetrap distract the wolf.  
  • Some animals in the forest explain how dangerous the fire dragon, Smey, is. The animals tell Yanka, “[Smey] poisons the air with his sulfurous breath and heats soil into bubbling mud . . . [Smey] sends fires through our forest, burning our trees, charring our den.” 
  • Yanka’s newfound ally, Ivan the Grey, attacks the dangerous dragon, Smey, “Ivan lets out a blood-chilling snarl and tears straight through the center of the dragon.” However, this does not kill the dragon, instead it exposes its heart, “a pulsing, beating heart made of fire.” 
  • Ivan the Grey is hurt after attacking Smey, “Ivan whimpers in pain as he lands awkwardly” after the dragon causes another explosion. Fortunately, Ivan is able to recover. 

Drugs and Alcohol  

  • Mamochka is a healer who uses herbs. “People say Mamochka can cure anything — that if she wanted to, she could cure the sky from bleeding at sunset — because she has the wisdom of the Snow Forest inside her.” Mamochka’s healing skills are paralleled by her caring personality, as she truly loves to help others.  
  • Mamochka makes Yanka remedies when she is ill. Yanka explains, “Whenever I’m unwell, [Mamochka] has a tonic or a tea to make me feel better. This winter she even made a special ointment, just for me, when I complained that my feet ached from growing too fast.” 
  • When Yanka wakes up to find that she has bear legs, Mamokchka tries applying various herbs to help fix it. Yanka says, “Through [Mamochka] said her remedies weren’t working, [Mamochka] still covers my legs with so many different herbs that I end up smelling like her medicine-mixing corner.” 

Language  

  • None 

Supernatural 

  • Yanka is able to talk to all the animals in the forest. For example, while she passes by the edge of the Snow Forest a bird speaks to her saying, “Yanka the Bear! Come back to the forest!” 
  • Yanka believes Anatoly, a friend of Yanka and Mamochka who frequently visits their home, and his stories about the forest. Yanka explains, “There’s a forest filled with creatures . . . A fiery dragon flies across the night sky and regal bears dance in a crumbling castle overgrown with vines. A house with chicken legs sprints along a riverbank and a pack of wolves hunt beneath a silver moon.” 
  • Yanka recalls, “The villagers tell stories about Yaga—witches who live in houses with chicken legs surrounded by skull-and-bone fences. In their stories, Yaga eat lost children and steal their souls.” However, Yanka’s encounter with the Yaga prove that they are not dangerous to the living, as they help Yanka find her lost family.  
  • The Yaga that Yanka meets live in a house that is animated and able to walk and move about on its legs. Yanka notices, “The porch balustrades curl around my back, helping to support me.’ 
  • Yanka grandparents were curses and turned into bears, which happened overnight. “But all too soon, [Yanka’s grandfather] came home pale and trembeling, and everything changed. [Yanka’s grandfather] would not tell [Yanka’s grandmother] what had happened and fell asleep with his head on her lap . . . And when they awoke, [Yanka’s grandparents] were bears.” 
  • The Yaga bring one particular fisherman back to life. “The Yaga grabbed the fisherman’s soul and ran to his bosy. ‘Get back in!’ she ordered with such fierceness that the fisherman dared not refuse. He lay down in his body and breath surged into his lungs.” The fisherman was actually Yanka’s father.  

Spiritual Content  

  • As part of her village’s annual festival to celebrate the start of spring, Yanka is “chosen to carry Winter,” as “every year at the festival, a big straw doll called Winter is burned, to symbolize the end of winter and the coming of spring. Carrying Winter is a real honor, usually given to one of the grown-ups who has contributed most to village life over the season.” Yanka’s strength is central to her being chosen for this role.  
  • Occasionally, some characters exclaim, “for spirit’s sake.” 

Magical Imperfect

Etan is a twelve-year-old boy whose life is full of silence, earthquakes, and a bit of magic. He lives in a world that is both familiar and unfamiliar. The ground beneath his feet is constantly shaking, threatening to upend everything he knows. But despite the danger, Etan finds solace in the game of baseball, a sport that has been a part of his life since he was old enough to hold a bat.

However, Etan’s world is turned upside down when his mother is admitted to a mental institution. He suddenly finds himself unable to express his thoughts and feelings because his words are trapped inside his head. Without the ability to communicate, Etan feels isolated from the other kids his age since he is unable to reach out and connect with them.

But there is one person who understands him better than anyone else: his grandfather. Raised in a close-knit community of immigrants, Etan’s grandfather knows the value of acceptance and understanding. He doesn’t judge Etan for his silence, but instead offers him the comfort and support he needs to navigate this difficult time.

Not everyone in the community is as kind-hearted as Etan’s grandfather. When a local shopkeeper asks Etan to run an errand for him, this sets off a chain of events that will change Etan’s life forever. While running the errand, Ethan Meets Malia Agbayani, whom the boys at school have nicknamed “the creature.” At first, Etan is hesitant to approach her, but when he finally does, he discovers a kindred spirit. Despite her nickname, Malia’s voice is like music to Etan’s ears. She sees the world in a unique way, and her perspective helps Etan to find his own voice. As they spend time together, Etan realizes that outside of his community, there is a world full of people who are different but just as valuable. With this newfound understanding, Etan’s world begins to open in ways he never thought possible.

Etan is a truly endearing main character that will captivate the reader’s imagination. His journey through the obstacle of selective mutism is truly inspiring, as he learns how to overcome his personal struggles and create new friendships. As the reader follows his journey, they are taken on a fascinating exploration of his family’s rich Jewish history, with all of its intricate traditions and customs. Through Etan’s eyes, the reader is transported to a world full of magic and wonder, where anything is possible if you believe in yourself. With each passing chapter, the reader will feel more and more invested in Etan’s story, eagerly anticipating what will happen next and how he will continue to grow as a person.

Readers will also be captivated not only by the wisdom and mysticism displayed by Etan’s grandfather but also by the rich cultural context he provides. Through his tales from his homeland in Prague, the grandfather shares his deep knowledge of the Jewish religion and the Hebrew language. Moreover, his character serves as a powerful reminder that everyone has the ability to create magic in the world – all that is required is a strong belief and a heart full of love. The reader cannot help but be inspired by the grandfather’s teachings, and they will come away with a renewed appreciation for the beauty and diversity of world cultures.

The Magical Imperfect is a heartwarming tale that emphasizes the value of embracing diversity and the true meaning of unity. The author beautifully showcases the power of empathy and compassion, and how they have the ability to bring people together. Through vivid descriptions and relatable characters, The Magical Imperfect teaches us that our differences should be celebrated rather than feared and that we should strive to build bridges of understanding and respect. Overall, this book is an excellent reminder of the importance of kindness and acceptance in our increasingly diverse world. This is a rich, rewarding, and deeply moving story that is sure to touch the hearts of readers of all ages.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • Malia, Etan’s friend, introduces Etan to a spot that is full of magic. “These are the Sitting Stones. This is where the trees listen the most. The pool is magical . . . But this water is magic.”
  • During an earthquake, Ethan gets a small cut on his arm. His grandfather sees the cut and decides to show him the power of the clay. Grandfather pulls Ethan close “presses down his two clay fingers on the cut on my arm . . . The cut is gone. I search with my fingers, trace my skin up and down, and back and forth . . . Then it feels like the world starts to spin cold and warm all at once. . .” Ethan’s grandfather explains, “Your body, Etan, it’s experienced something from another time, an ancient thing giving its power to something new right now.”
  • Etan and Malia visit the Sitting Stones and he begins to wonder if the clay inside the pool could heal. He wonders if it would help heal Malia’s eczema issues.
  • Another object that is considered magical is a small green stone that Etan is given. The stone helps give him the strength to find words to speak. His grandfather explains,  “This, he says, is a bareket, an emerald, an ancient, powerful stone, like from the breastplate of Aaron . . . When you feel afraid to speak, hold the stone in your hand, tight tight tight, and it will bring you courage.” 
  • In order to heal Malia’s eczema, Etan and Malia combine his grandfather’s clay and the clay from the Sitting Stones pool. Ethan puts “clay on two fingers, dab it onto her face, around her eye. I [Ethan] pray, think of the trees, the pool, my green bareket, somewhere in the water . . . When most of the clay is off my hands, Malia starts humming, her voice like light. ‘Look!’ she cries. Her red, swollen arms are smooth, clear, like the red was never there.” To both of their amazement, the clay makes the redness disappear. 

Spiritual Content 

  • Etan’s family holds religion near and dear to their heart. His grandfather is a Jewish immigrant that uses his religion and the magic associated with it to teach Etan different lessons about life. He often reminds Etan how important it is to remember his heritage and the different objects that help represent them. When Etan’s grandfather leaves his workshop early, it is usually for a specific religious activity, like lighting the Shabbat Candles. “When he leaves extra early so he can be home to light the Shabbat candles. The candles, he says, they make us Jews.”
  • Etan’s grandfather has a small box full of valuables from his life in Prague. He believes that the objects within hold a magical power that each represents a different thing. The object most talked about in the book is the clay. “This is the last of the clay taken from the Vlata River by your ancestor, the Maharal himself . . . It’s the clay of the golem; it once made a terrible monster that defended the Jewish people in their time of great need.”
  • There are mentions of aspects of the Jewish religion throughout the text, but it isn’t until Etan begins to pray when using the clay on Malia, that there is a full string of Hebrew language used. “Baruch ata Adonaim Eloheinu Melech ha-olam, hamotzi lechem min ha’aretz.” This is the prayer that they say for bread at Shabbat.

The Big Game

Danny Owens is the son of the legendary Super Bowl champion, Daniel Owens, and the next rising football star in his small town of Crooked Creek. Wanting to follow his father’s footsteps to the NFL, Danny knows that his football career depends on the big championship game, where an impressive performance could earn him a spot on the high school varsity football team.

However, his entire season takes an ugly turn when his father suffers a tragic death. To make matters worse, Danny’s teacher, Ms. Rait, threatens to fail him in English which would make him ineligible for the big game. With the pressure of emulating his father’s success weighing heavily on his shoulders, Danny must decide to improve his academics or risk losing his entire football future.

Danny is your typical seventh-grade football player who believes his entire future hinges on his football talent. Thanks to his dad’s presence and fame in Crooked Creek, Danny acts with humble arrogance and believes that his family’s name and football abilities alone can exempt him from his school’s challenging studies. However, Ms. Rait proves to be a direct foil to Danny’s intentions, and her refusal to ignore Danny’s poor reading skills because of his family’s fame creates tension between her and Danny. While neither character is perfect, they offer opportunities for each other to grow by exposing their strengths and shortcomings. For example, Ms. Rait acknowledges that “[Danny’s] a star athlete whose dad won the Super Bowl so when Danny struggled, [other teachers] ‘helped’ him. They passed him on. Let him cheat. And now he’s twelve and he can’t read.”

Unfortunately, readers will have a difficult time connecting with Danny and Ms. Rait. Danny is an unlikeable, angry character who refuses to shift from his football goals. Ms. Rait isn’t much better. Despite her position as his English teacher, her teaching methods seem overly strict and unforgiving, while her good-natured intentions for Danny don’t forgive her ill-tempered attitude. The only admirable character is the school counselor, Mr. Crenshaw, whose quiet personality and soft voice act as an oasis to the others’ noise. 

Despite the troubling main characters, the story attempts to offer a positive message on paving one’s own path. For one, the book identifies Danny’s issues by exploring how his father placed too much pressure on him and his future. In addition, Danny’s improvement in his reading skills appears to move toward a lesson about finding the strength to choose a destiny apart from his father’s. However, the story’s ending dashes this character development by completely restoring Danny’s dreams as a young football star without any consequences. 

The Big Game has the pieces for a good sports story with a lesson. It creates an engaging plot, sheds new light on mental issues, and keeps the reader hooked until the end. However, its unlikeable characters, unsatisfying ending, and wasted character development ultimately make it a frustrating read. Similar to The Big Game,  Before the Ever After by Jacqueline Woodson uses football to show the complicated nature of fathers and sons. However, Before the Ever After is a more engaging story.

Sexual Content

  • Danny and his friend, Janey, ride together on a lawnmower. Danny remarks that “he could feel the back of her head against his own and her shoulder blades cutting into his back. He liked the way that felt, rumbling down the shoulder of Route 222.”
  • Danny and Janey have a brief interaction where Danny mistakenly believes that Janey is about to kiss him. “She parted her lips, maybe to say something, but he was afraid she might try to kiss him, or that he might try to kiss her, and that scared him silent.”
  • When Ms. Rait, Danny’s English teacher, mentions Danny and Janey,  Danny notices that Janey’s “freckles on her round cheeks stood out from her blush and [that] she cast her brown eyes at the floor.” 

Violence

  • During an early morning run, Danny’s father suffers a heart attack and dies in front of Danny. Danny’s father “suddenly gasped and straightened. He clutched his chest and staggered sideways just off the road . . . his father winced like he’d hammered his thumb, and then he pitched forward and collapsed in the dust.”
  • Two teammates on Danny’s team, Gabriel and Cupcake, engage in a fight during practice. They fight because Cupcake took Gabriel’s spot on the field, but nobody gets hurt. Coach Kinen breaks up the fight: “Cupcake shoved the monster, Gabriel, out of his spot at right tackle before stepping in. . . fists quickly began to fly.”
  • Markle, one of Danny’s teammates, punches Cupcake: “Markle sidestepped Cupcake, threw a roundhouse punch into his gut, and shoved him into the dirt. Cupcake lay gasping for breath.”
  • Danny beats up Markle for insulting his father: “Danny spun around and launched himself at Markle’s throat. He grabbed his mask, twisted it, and yanked his teammate to the ground with a war cry. Danny gripped the mask with both hands and shook and twisted until it came free. He flung it aside. The helmet flew through the air, and before it hit the ground Danny was pummeling Markle’s face . . . the older boy’s nose and cheeks were bloody and swollen. His eyes were two slits in the bruised fruit of his face.” This scene is described over two pages.
  • Throughout the story, Danny repeatedly kills his teammates on an X-box video game: “He laughed a crazy laugh, and when the round began, he systematically killed his own team, then pulled out a grenade and dropped it at his feet.”
  • In anger, Danny swings his crutch. “He swung his crutch like a flipper. The lamp on the stand next to the couch shattered. The light bulb popped in a blue flash.”
  • Danny attempts to save kittens from a chicken coop that was on fire. “Danny turned his head, took a deep breath, held it, and leapt into the coop. When his foot hit, it went straight through the floor, scraping his leg. Pain rocketed through his brain, but that was the least of his problems.” This scene is described over two pages.

Drugs and Alcohol

  • Danny’s mother and father frequently drink beer or smoke cigarettes. For example, his mother “lit one of her long, thin cigarettes and surrounded herself in a halo of smoke.”
  • Danny walks in on his mom drinking vodka and worries about her mental health. “His mom had the TV on and a glass of strawberry vodka in her hand . . . Danny knew she’d get mad if he said she was drinking too much.”
  • Cupcake’s brother, Herman, mentions using Advil when he was hurt. He says, “Nothin’ they could do, so I taped it up, took some Advil, and just kept milkin’ the cows.”
  • A couple of Markle’s friends “smoked cigarettes in the woods behind the school.”

Language

  • Markle calls Danny’s father, Daniel Owens, a “freeloading fat-butt has-been.”
  • Danny’s friend, Cupcake, calls Janey “Miss Fancy Pants.”
  • One of Danny’s video game buddies calls him an “idiot.”
  • Danny calls Ms. Rait “stupid.”
  • Danny yells at his mom “to shut up” in an outburst of anger.
  • Danny calls Ms. Rait “the devil.”

Supernatural

  • During a football game, Danny believes he hears his father’s spirit shouting instructions to him.
  • Danny finds himself in a dream sequence where he meets with his dead father. During the dream, his father talks to Danny about his life. “Danny, Danny, Danny. We don’t choose. You’re gonna be fine. I told you, I’m with you, and we will be together. I promise.”

Spiritual Content

  • During a counseling session, Danny asks Mr. Crenshaw if he believes “in heaven and the other place.”
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