Topic: Life and Death

A Tale Dark & Grimm

Hansel and Gretel were once children who had to run away from their own scary story, but when they flee, they find eight other scary fairy tales that they must endure. As the children run, they encounter witches and warlocks, hunters with deadly aim, and a baker with ovens that are just right for baking children. . .

Gidwitz retells the fairy tale of Hansel and Gretel, plus expertly weaves pieces of other fairy tales into Hansel’s and Gretel’s story. Like the title suggests, Gidwitz’s version of Hansel and Gretel is both dark and grim. Many scenes are described in bloody detail, and there is no shortage of scary characters, including an evil witch, the moon, and the Devil. Parents and many adults are portrayed in a negative light, which is the main reason Hansel and Gretel continue to run away. They just can’t seem to find a family that has caring parents.

A Tale of Dark and Grimm describes a world full of terrible monsters, evil humans, and violent death. Readers who enjoy being frightened will want to jump into Hansel and Gretel’s fairy tale story. However, younger readers may be so frightened that they will crawl into their parents’ beds for many nights to come. This unique look at Hansel and Gretel will give readers a better understanding of the original fairy tales as well as add some surprising twists.

In the story, Johannes, a faithful servant, explains the importance of understanding others. He understood the king and queen in the “ancient sense. I understood. . . I planted my feet beneath them and took upon my shoulders their burden—their choice, their mistake, and their pain.” The story highlights the importance of forgiveness, but also acknowledges that a person may not be ready to forgive.

Throughout the story, the narrator breaks in and warns the reader about parts that may be upsetting. For example, Gidwitz writes, “if you’re feeling sick to your stomach because of all the blood, now’s a great time to stop.” The narrator’s voice adds humor as well as breaks up tense scenes. A Tale of Dark and Grimm is broken up into short, easy-to-read sections. A Tale of Dark and Grimm is highly entertaining, frightening, and at times humorous. Readers looking for a scary story will enjoy the Hansel and Gretel retelling and will cheer when the two children are able to defeat evil and finally return home.

Sexual Content

  • The king sees his servant, Johannes, bent over the unconscious queen, “and with his two rotten teeth, bit her lip until he drew blood. Then ever so tenderly, the unhandsome man sucked three drops of blood from her lips with his mouth.” Johannes did this because a prophecy told him it was the only way to save the queen’s life, but the king didn’t know this and sentences Johannes to death.

Violence

  • Johannes kills a horse because of a prophecy. Before the king could mount the horse, “Johannes slipped onto its back, drew a blade, and cut the horse’s throat, soaking its silken coat with warm, red blood. It collapsed to the ground in a heap.”
  • The king sentences Johannes to death. “The executioner lit his torch and brought it to the pyre, its sparks leaping eagerly at the dry timer. . .” Before the king can kill Johannes, Johannes reveals the prophecy and “when he had, he turned to stone, from the core of his heart to the top of his head. And he died.”
  • The king “beckoned Hansel and Gretel to his side, drew a sword from its place on the wall, and cut off their heads. Their lifeless bodies dropped to the floor.”
  • A woman tries to cook Hansel. She puts him in the oven. “He was cooking. And he did smell just like a chocolate cake, because he had eaten so much of it since coming to the baker woman’s house.” Hansel tricks the woman into coming into the oven, and he is able to escape and lock the woman inside. “The baker woman began to sweat more. Her face was burning.” Hansel ignores her pleas and leaves with his sister.
  • In order to open a door, Gretel “picked up a sliver of ice, as sharp as a knife, and brought it down on her middle finger, severing it from her hand. . . Gretel’s face was white and her voice trembled. . . She was bleeding swiftly from where the finger used to be, but she stood and walked, resolute and grim, to the door of the mountain.” She uses her finger to open the door.
  • While living in the wild, Hansel acts like a wild beast. One day after killing a dove, he returned home. “Blood covered his arms and his face, and he carried in his hands the broken, eviscerated carcass of the white dove. . . Then he looked down at the dead bird. He noticed that his arms were covered in blood, and his shirt was stained with a mix of blood and berry juice.”
  • A hunter sees Hansel, who looks like an animal-boy. The two stare at each other, and “there was a snap and a hiss like a snake. An arrow flew through the air—a straight, simple harbinger of death. Hansel watched it all the way to his chest, to exactly where his heart was. It buried itself there. He felt a searing bolt of pain and fell to the forest floor.” The hunter takes the beast-boy to town. “The huntsmen dug their knives into the beast’s skin just below the jaw and began to run their blades between the fur and flesh. Their hunting knives shone red as clumps of meat and animal hair stuck to their blades. . .” When they peel the skin back, they discover, “The blood-soaked form of a boy.” Gretel was freed from the body and given to a lord and a lady to care for.
  • A man was playfully throwing Gretel in the air, when she hit a branch. “She cried out in pain. When he lowered her to the ground, red blood was running in a narrow rivulet down her face. Her forehead had struck the branch and left a deep cut just above the eyebrow. She was having trouble seeing out of her left eye through the steady stream of blood. . .” Gretel meets a man who, “Invites girls to his house, and he reaches down their throats and rips their souls from their bodies, and he traps the souls in cages in the form of doves, to let them rot under his eaves. Then he hacks the girls’ bodies to pieces to make our supper.” She watches as the man, “threw the girl on the oaken table, and from a nearby cupboard produced a filthy iron cage. Then he reached his hand into the girl’s mouth until his arm was buried deep in her throat. Slowly, painfully, and with great struggle from the girl, he pulled forth a beautiful white dove. . .” Gretel watched the man “hack the girl’s body into bits and toss each piece in the boiling cauldron. The blunt butcher’s knife rose and fell, rose and fell. He licked the blood from his hands and sent piece after piece sailing into the pot.”
  • When Gretel tells the towns folk about a murder, “the young man leaped from his chair and began to chant the words of a dark curse, but before he could finish someone came up behind him and knocked him unconscious with a tray of sausages.”
  • A dragon attacks a village. “At the end of that first day, one town was utterly gone, and hundreds and hundreds of people were dead.”
  • The dragon comes back and attacks. “Its mouth opened wide and snapped down on a woman with a bow. She hadn’t even moved to defend herself. There hadn’t been time.” The dragon drinks wine that Hansel and Gretel left for him. When the dragon is drunk, Gretel hit it with an ax. “The dragon screamed. . . It pierced Gretel’s head like a spear.” The dragon chases Gretel, who scurries up a tree. “The dragon flew closer to Gretel. It snapped at her feet. Gretel could smell its hot, horrible breath; see the blood and the foam mingling between its long, sharp teeth; hear the beating of its enormous heart out of time with the beat of its enormous wings.” During a chase, Gretel “plunged the dagger into the dragon’s neck with all her might.” The dragon scene, which includes descriptions of the dead bodies, is described over 15 pages.
  • Gretel discovers that her father was the dragon, and chops off his head. “Hansel’s sword took off their father’s head at the neck and sent it rolling across the floor and into a corner of the room. The king’s headless body fell on top of Gretel.” A baby dragon climbs out of the king’s body, and “Hansel flung himself at it, striking its skeletal body with his sword. One furious blow broke its back. The next decapitated it completely. . . He raised the sword and brought it down again and again and again, until the evil little creature was nothing more than a mess of black, pulpy pieces on the floor.”

Drugs and Alcohol

  • Gretel sees a man who “Stood with the other men, drinking beer from a great mug and laughing about this and that.”
  • A lord had a secret weakness—gambling. “At night, he would sneak out of the house and go to alehouses to gamble.”
  • A village gives Hansel a gift—a cart filled with barrels of wine.

Language

  • A raven said, “good god, that’s terrible!”
  • The devil uses hell as a curse word three times. For example, when the Devil loses his glasses he asks, “Where the hell did I put them?” Another time Hansel, disguised as the Devil’s grandmother, pulls out a strand of the Devil’s hair. The Devil yells, “What in hell was that?”
  • The Devil yells at his grandmother, “Damn it, Grandmother! Can you stop your infernal singing for one bloody instant?”

Supernatural

  • Johannes’s stone statue tells the king how to save him. Johannes says, “You must cut off the heads of your children, and smear my statue with their blood. And then, and only then, will I return to life.”
  • After the king smeared Johannes’s statue with blood, Johannes came alive. Then he, “placed little Hansel’s head back on his body, and little Gretel’s head on hers, and instantly they began to leap and play as if nothing had happened, and as if they were not covered in blood.”
  • A man is upset with his sons and wishes “they would all just turn into birds and fly away” and they do. Later, they turn back into boys and return home.
  • When Hansel is injured, a man uses a piece of magical twine to heal the wound. He took the twine, and “wrapped it around her head, so that it ran crosswise over the cut. . . And when he took the twine away and wiped the blood form Gretel’s face, she saw that the bleeding had stopped and that her head no longer hurt at all.” Later in the story Gretel uses the twine to heal someone else.
  • Hansel travels to hell and jumps into the fire. “Pain. Greater pain than he could have imagined. Burning so terrible and unnatural that every inch of Hansel’s body screamed to get out of the fire. . .”
  • The moon is alive and likes to eat children.

Spiritual Content

  • The queen goes to church to pray. When she goes back to the castle, she told the king, “I can barely pray. I think only of Johannes and how we killed him.” After the queen agrees to kill their children, the king exclaimed, “Thank God you said that!”
  • When Hansel and Gretel meet a woman who lives in a candy house and feeds them well, Hansel asks, “Do you think this is Heaven?” Gretel replies, “It must be Heaven.”
  • A lord gambles with the devil. “If you gambled away to the devil. . . you are damned to excruciating pain for all eternity, no matter what you do, no matter how good you are, or how many times you ask, ‘Please pretty please with a cherry on top?’ the Devil will never, ever, let you out.”
  • When a dragon attacks a village, a woman says, “My priest said it was once a man, but now he’s possessed by a dragon-spirit.”
  • After the dragon attacks, the queen sees Hansel and Gretel. She runs to them and says, “Oh, thank God you’re safe!”
  • The queen goes to the church to pray. When she returns, she tells her children, “Oh, I can barely pray. I think only of the dragon, and of our poor kingdom.”

 

Anger is a Gift

Moss Jeffries is anything but an average teenager. Ever since his father was shot by the Oakland police outside their home, Moss has dealt with intense anger issues and constant panic attacks. In addition, Moss has a difficult time going outside because of the kinks of the homosexual community, his popularity amongst protesting groups, and his constant fear of the local police. After meeting Javier on a metro train and falling in love, it seems everything is finally coming together for Moss. He is happy; his friend Esperanza is going to a great school; his mother just received a promotion–life is good.

However, when school starts things begin to change. Due to a lack of school funds and the influence of the local police, Moss and his friends encounter more troubles as they are harassed and berated by the school’s administration. However, after a school cop brutalizes one of Moss’s friends, police-patrolled metal detectors cripple another, and his organized school-wide walkout turns chaotic and deadly, Moss personally takes the fight to the police, gathering a city-wide protest that will change the city, and leave readers with a new sense of community and self-determination.

With its diverse characters, Mark Oshiro paints a brutal yet beautiful picture of problems today’s teens face. The well-developed characters each have their own individual type of problems. Esperanza is adopted and struggles to keep in tune with her own culture. Reg was crippled by a car accident when he was younger. Moss struggles with his anxiety. But Oshiro makes them appear to be real people with their own type of language, jokes, and emotions. Readers will fall in love with these realistic characters and root for them.

Moss has a huge group of friends, and the large cast of supporting characters may confuse some readers. The diverse group of characters gives a wide range of people a voice—the story focuses on minorities and also includes the following: gay characters, non-binary characters, bisexual characters, asexual characters, Muslim characters, undocumented characters, and disabled characters. The one thing that brings these groups together is the social injustice they face.

Anger is a Gift has a rapid and suspenseful plot with a perfect mix of teen society and real-world problems. However, Oshiro pushes the extremes of some of the moral problems today’s young adults face. Told from Moss’s point of view, it allows the reader to get a glimpse of what a person feels when they are faced with PTSD and panic attacks. Moss’s descriptions of his grief and anger, in addition to the brutal descriptions of the senseless acts of violence, can, at times, be hard to read.

Besides detailing the oppression minorities face, Anger is a Gift has a hint of romance. Issues of sexuality, race, ethnicity and class affect each of the characters, while senseless anger and violence threaten them all, killing some and injuring others. This book is not for the faint of heart and is intended for older readers. Nonetheless, Anger is a Gift is a book for those wishing for a new perspective on how police brutality, oppression, and racism affects poor people of color from the author’s perspective. The character development mixed with the book’s brutal, bloody action scenes will leave readers with a different perspective of racism in America.

Sexual Content

  • Ever since they started to date, Javier and Moss make a game out of kissing each other when they see each other. When they see each other, they will peck each other on the cheek. For instance, “Moss kissed him back for just a little bit longer, pushing back against the awkwardness that tried to conquer him. He had never kissed anyone in front of his friends, but he focused on how it made him feel. Warm. Secure. Admired.”
  • Before Moss’s first date with Javier, his mom asks, “You have any condoms?”
  • On their first date at Javier’s apartment, Moss and Javier get intimate. “But Javier pulled Moss to him again, only this time they faced each other, and Javier brought them back down on the couch. He wrapped his leg around Moss’s and squeezed his hand. Moss felt moisture and thought his palms had started sweating again, but it was Javier’s sweat this time. Moss went still, and he could feel Javier’s heart beating against his chest. It was racing even faster than Moss’s was. The two enjoyed the warmth of each other’s bodies. . .” They do not have intercourse.
  • On a brunch date, Moss asks Javier, “Maybe you just wanted me for sex. We’re gay men. That’s not exactly an unbelievable suggestion.”
  • While escaping the chaos after the school walkout, Moss suggests that they escape out the back of the school through the hallway down by the science labs “where the football players always take their girlfriends to make out.”
  • After Javier’s death, Moss remembers him, thinking about how much he loved Javier, “The way you kissed my jaw. The way sweat ran down your chest. The feel of the muscles in your arm, the scent of your breath, the blackness of your hair, the curled smile.”

Violence

  • Wanda tells Moss that she stopped protesting after she saw a cop that had previously threatened her “standing over your father’s body.”
  • After finding drugs in Shawna’s locker, “Hull’s arm shot out, hard, and his forearm hit the spot just below Shawna’s throat, and the man pinned Shawna against a locker, her back hitting the metal so hard that it buckled. Moss dropped his lock on the ground, heard it clatter against the tile, and Shawna tried to yelp.” Shawna is epileptic and falls to the ground, shaking, as students gather around them. This scene takes place over four pages.
  • After the metal detectors are installed in the school, Reg refuses to go through due to the six metallic pins in his knee. One of the officers shoves him through, and “Reg didn’t make it through. His right knee jerked to the side and the metal detector seemed to respond to Reg. Thrum! His body hit the frame hard, hard enough that it made a hollow ringing like a steel drum, and Moss saw that Reg’s breath had been knocked out of him. As his hands went to his chest, Njemile and Kaisha shouted, scrambling to reach their friend as he doubled over, his arms shooting out to the ground to catch himself.” Reg goes to the hospital and has to go through surgery and physical therapy. This scene takes place over eight pages.
  • After their school-wide student walk-out turns chaotic, Moss and his friends seek shelter in a nearby room to plan their escape. A cop finds them and uses the infamous Mosquito weapon – a weaponized sonic sound used to disperse crowds of teenagers. After being blasted by the sound, “Chandra threw up. It was violent, loud, and her wrenching caused Sam to do the same, and it was in their hair, all over the floor.” Moss and some of his friends remain uninjured while Chandra and Sam go unconscious. This scene lasts over two pages.
  • During the same walkout, Javier is shot by Officer James Daley. “The beet-faced cop had a gun trained on Javier. And then he fired. it wasn’t the first time Moss had heard the pop of a gunshot. Nor was it the first time he’d heard the sickening sound of the air leaving someone’s body. The sound that meant the worst. Javier curled into himself; his brown hands jerked up to his chest, and blood squirted out between his fingers. Moss screamed, again and again, and pitched himself forward as Javier crumpled to the ground, the life too quickly draining out of him.” Javier dies, Mr. Jacobs and Moss are beaten, and many of the students are sent to the hospital. This scene takes place over three pages.
  • Moss’s city-wide protest turns chaotic after the militarized Oakland PD uses a Silent Guardian, an infamous heat ray, against the protestors. The narrator describes the Silent Guardian in action saying, “The antenna on the top of the box would move sluggishly, and as soon as it seemed to be pointing at someone, that person would drop to the ground. Hands scraped at skin. People clawed at their faces, into the side of a car, trying to escape the sensation that Martin had described to him, and she lay still on the ground.” Many protestors are sent to the hospital, Haley dies, and Moss’s mother almost dies. Moss and his friends’ wounds are described later. “He watched Kaisha and Reg sit as still as they could, saw the sweat on Reg’s bloody face, felt his own pulse pounding in his head.” This scene takes place over fourteen pages.

Drugs and Alcohol

  • During Shawna’s locker check, Officer Hull finds drugs in her locker. Moss describes the encounter saying, “Hull held a Ziplock bag up in the air, and Moss’s heart dropped. White pills. Lots of them.” They are Shawna’s epilepsy medication.

Language

  • Typically, characters use profanity in the heat of the moment. Profanity is used infrequently but includes phrases like “dickwad,” “piss,” “jerk,” “ass,” every variation of “shit,” derogatory terms, and “assholes.”
  • When Reg is trying to go through the metal detectors for the first time, someone shouts “Hurry up, dickwad!”
  • Before shooting Javier, James Daley snarls, “You little shits never learn.”
  • After Javier’s death, Moss gets angry and yells at Esperanza, “I hate your mother, and if her nosy, white savior ass hadn’t called Mr. Elliot, Javier might be alive today.”
  • During the Oakland Police Department’s press conference at the end, somewhere near the back of the crowd, someone yells out “Bullshit!”
  • Afnan describes Mr. Jacobs when he says, “That man was a smug asshole…I bet no one has ever told him otherwise”.
  • During Moss’s protest, Martin hands him an empty bottle and says, “You’re gonna have to take a mean piss eventually.”
  • After slipping on a canister, James Daley falls and Reg shouts out, “Did you see that jerk hit the ground?”
  • During the discussion amongst friends after Javier’s death, Kaisha suggests, “Do you think the cops aren’t capable of just making shit up?”
  • Moss reflects on his father’s death when he says, “Months of those Piedmont assholes teasing me at school, telling me he deserved it because he was a thug and the streets were cleaner without him.”
  • Racist terms are used throughout the book, and the characters’ skin colors come up a lot. One time during a discussion about what to do about the metal detectors, a man in the audience steps up and says, “You call a spade a spade.” Another time, when thinking about Javier, Moss thought to himself, “Oh god, he thought, that makes me sound so white.”
  • “Oh my god” and “Oh god” are used as exclamations.

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

Trapped

When the snow started falling, students were excited to be released from school early. Scotty and his friends Pete and Jason are among the last seven kids at their high school waiting to get picked up. But as the snow continues to fall, they realize that no one is coming for them. The boys aren’t too upset about staying the night at the school, especially because there are two pretty girls who are stuck with them.

At first, being trapped in the school doesn’t seem so terrible. After all, they are safe from the snow, and there’s enough food to feed 400 students for a week. But then the power goes out, then the heat, and then the pipes freeze. The students watch as the snow continues to fall. As the days pass, the snow inches higher and higher. Suddenly, the roof shudders and begins to cave in. How will they survive in a freezing school that is in danger of crushing them? Should someone set out for help?

Told from Scotty’s point of view, the story uses a matter-of-fact tone to discuss the disastrous blizzard. Although Scotty is clearly worried about the snow, he also worries about typical teen issues—missing basketball, talking to a pretty girl, getting rid of a big zit, and keeping the peace. Readers will be drawn into the suspenseful story not only because of the impending disaster, but also because Scotty is a relatable teen.

Scotty is trapped in the school with several people that he considers stereotypical teens. He thinks that one boy is a trouble maker and the other is an emotionally disturbed goth. However, when Scotty is forced to spend time with the two boys, he realizes that his perception of them was incorrect.

The ending is abrupt, and although the reader learns what happens to many of the characters, the conclusion does not answer all of the questions about who lives or dies. The story will make readers question why the characters withheld information that may have led to the death of another. The quick read will leave readers wondering what they would do in a similar situation. Trapped is an engaging story that both reluctant and strong readers will enjoy.

Sexual Content

  • A boy said that he was going to go to the dance “‘cause I’m going to get me some.” The boy was planning on going to the dance with a girl with whom he had, “gotten his hands up her shirt just last week.”
  • Scotty thinks that his friend snuck off to make out with a girl. “It just kind of bothered me that he didn’t feel like he couldn’t tell his friends about it.”
  • When Scotty is alone with a girl, he thinks about “making a move, try to kiss her.”

Violence

  • After a misunderstanding with a girl, Pete hits Les. Pete “took the first swing, which I guess is how he landed it. Then Les had just dismantled him. He hurt practically every part of him. . . Pete was lying on his side on the floor, holding his hand up to his nose or high right eye or maybe both.” Pete is not seriously hurt.
  • A boy flips a snow-kart and the cart lands on him, killing him. Scotty finds his body. “I saw it all: the soft horrible blue that had crept into his face, the way his hands were frozen stiff, like the curled talons of a bird.”

Drugs and Alcohol

  • A boy talks about a blizzard that happened in the ’60s. Scotty said the blizzard probably lasted a day. “Those people were stoned.”

Language

  • Profanity is used occasionally. Profanity includes crap, piss, frickin’.
  • When the electricity went out, kids were upset, and there were “F-bombs going off like fireworks.”
  • A group of boys plans on working on a “crappy go-kart.”
  • Someone calls a boy a jerk. Later someone calls a boy a moron.
  • “Screw you” is used several times.

Supernatural

  • None

Spiritual Content

  • When a girl stops two boys from fighting, someone thinks, “Thank God there are girls around.”
  • After being stuck in the school for several days, Scotty prays. “I prayed for myself. I prayed for my mom. I prayed for all of us. . . I just curled up tight in the scratchy wool and whispered.” Soon, his friend Jason joins in the prayer. Scotty thinks, “It was probably the ten-thousandth time I’d heard Jason say ‘Jesus,’ but it was the first time I’d heard him mean it.”
  • Scotty and several others pray. Someone calls them “Bible thumpers.” When Scotty prays, he decided to pray to “the archangel Gabriel. He’s the one with the trumpet, the one that made the announcement.”
  • Scotty “prayed to Gabriel again. I figured God and Jesus were hearing from a lot of people at this time of night. But who else was praying to the less glamorous of the two archangels. . . I prayed for him to keep my mom safe instead, though if I’m being honest, I was sort of hoping he’d be impressed by my selflessness. . . I’m pretty sure they (angels) don’t fall for dumb tricks like that.”

The Wild Robot

ROZZUM unit 7134, more frequently referred to as Roz, is the sole surviving robot of a shipwreck that lost nearly two hundred other robots. The island Roz is stranded on is devoid of any human life, but there are a wide variety of wild animals who all see Roz as a monster. Eventually, Roz begins to blend in with the animals, and she even learns how to speak like them. Roz soon becomes a part of the island.

The harmony Roz and the animals enjoy does not last very long. A ship spots Roz, and three “RECO” robots are deployed to bring her back to society. The RECO units will use force to get Roz to leave, but she wants to stay with the animals she has grown so attached to. In addition to raising a gosling, surviving winter, and almost becoming an animal, Roz now has to survive an encounter with her own kind.

The Wild Robot is, at first glance, a seemingly lighthearted book about a robot learning to live alongside animals. Even though Roz has many human qualities, she is not entirely relatable due to her robotic nature. However, readers will relate to Roz being in a new environment and not knowing what to do.  Like many people, Roz must adapt and overcome obstacles. Through her struggles, Roz receives help from the animals on the island and learns the value of friendship. They endure numerous hardships together, including death and violence between animals. Death is presented in the book, but the characters die in relatively tame ways and learn to cope with the loss of their friends and even parents in a healthy way.

Even though the story focus on a robot, it provides themes that can easily be related to the real world. The Wild Robot explores the difficulties of integrating into a new setting, as well as an adopted family between a robot and a gosling. Roz and the animals have to trust each other when outsiders threaten their home, and they become closer as a result. The Wild Robot creates an environment of diverse characters that cooperate for a common good.

The Wild Robot tells its story through short chapters that describe events at a rapid pace. With short sentences, chapters, and simple vocabulary, the book is very easy to read. The pictures in the book are sprinkled throughout the chapters, and they are drawn in a cute comic style depicting the events that Roz and the animals experience.

Peter Brown has created a story of an outsider overcoming prejudice, and he has done so in both a tranquil and thrilling way. The Wild Robot introduces characters who are not humans but think and act like humans. Although the story isn’t full of excitement, Brown keeps the reader’s attention through beautiful descriptions of the island, diverse characters, and a unique plot, ultimately creating a powerful story. Instead of having a happy ending, the conclusion is open-ended which allows the reader to come to their own conclusions as to what Roz will do. Roz’s next adventure continues in the second book in the series, The Wild Robot Escapes.

Sexual Content

  • None

Violence

  • There is no violence between humans, but there are multiple instances of violence occurring with robots described in a human way. For example, during a shipwreck, “Robot limbs and torsos were flung onto ledges. A robot head splashed into a tide pool. A robot foot skittered into the waves.”
  • The protagonist of the story observes “vultures hunched over carcasses.”
  • A fox recounts his attack of a porcupine, “I didn’t think that porcupine could see me in the bushes, but when I went for his throat, suddenly there were quills in my face.”
  • The main character falls into a goose nest, leaving “two dead geese and four smashed eggs among the carnage.”
  • Again, the main character is a robot with human attributes but still faces violence. Two bears “slashed at Roz’s body” at one point.
  • In the aftermath of a harsh winter, Roz finds “A frozen mouse. A frozen bird. A frozen deer,” as well as several other animals that have frozen to death.
  • After the snow from the aforementioned winter melts away, the frozen creatures become visible, and “their corpses were slowly revealed.”
  • A farmer with a rifle shoots a goose, described from the animals’ perspective as “a bright beam of light [shooting] out from the rifle, and Longneck slumped to the floor.”
  • A goose is “plucked by her foot and flung to the ground” by a robot.
  • A rifle is pulled apart, and a “blinding explosion” results in “Roz’s arms and legs… completely blown off.”
  • Geese surround a rifle and pick it up, then use it to shoot a robot, creating “a beam of light” that left the robot’s chest “glowing brilliant orange… melting and oozing down his front.”
  • An opossum “rolled onto her back, stuck out her tongue, and died,” although it was only faking its death.

Drugs and Alcohol

  • None

Language

  • There are numerous instances of animals defecating, such as a robin “splatter[ing] her droppings across the robot’s face.”
  • Roz is called a “monster” and a “creature” by the animals multiple times.
  • Mr. Beaver is called “rude and stubborn.”

Supernatural

  • None

Spiritual Content

  • None

by Dylan Chilcoat

Paper Valentine

In the last six months, Hannah’s life has been turned upside down because Hannah’s best friend Lillian died and is now haunting her. Not only is Hannah struggling to understand the self-destructive behavior that led to Lillian’s death, but she is also grappling with changes in her elite friend group. When Hannah runs into bad boy Finny, she can’t decide if she should stay away from the boy with a bad reputation or if she should explore her growing attraction to him.

Then, when someone begins murdering young girls and leaving behind paper valentines, Lilian’s ghost encourages Hannah to look into the crimes. As Hannah discovers gruesome details about the murders, the ghosts of the dead girls begin appearing. But why do they appear when Finny is near? And by investigating, is Hannah making herself a target for the murderer?

Over the course of the book, Hannah struggles with depression and dealing with the death of Lillian. To make matters worse, Lillian has changed in death. Lillian criticizes Hannah for spending time with her friends, even though they were Lillian’s friends when she was alive. Lillian is mean to Hannah and says things like, “Hannah doesn’t like to live in real life. Hannah just wants to pretend that we all live in happy fairy-land, where everyone is super-best friends and no one is a heinous bitch and nothing bad is ever going to happen.” Although much of Hannah’s behavior seems week, she is like many teenagers who struggle with wanting to fit in.

Paper Valentine does an excellent job showing the complexities of people. Although most people think Finny is just a delinquent, he also has a streak of kindness. Hannah is able to look past Finny’s ‘bad boy’ image and see his good side. In addition, Hannah realizes that she and Lillian, “were always trying so hard to be perfect . . . when the funny thing was, we didn’t have to.”

Paper Valentine bounces from topic to topic, including the desire to be perfect, depression, eating disorders, child abuse, and ghosts. None of the topics are dealt with in detail and will leave the readers with unanswered questions. The conclusion was predictable, typical, and lacks insight into the mind of the killer. Those looking for an excellent murder mystery may want to bypass Paper Valentine. Despite its flaws, Paper Valentine is an enjoyable, unique story that junior high readers will enjoy. Paper Valentine is a fast-paced story that has a bit of a scare factor due to the ghosts. Readers will enjoy looking for clues to discover the murderer, and Hannah and Finny have some sweet moments.

Sexual Content

  • While watching the news, someone makes a comment about the news correspondents. “I bet they make out like hyenas as soon as Jim Dean starts giving the weather report.”
  • A boy that Hannah knows “used to go out with Lillian in junior high and now sometimes made out with Angelie.”
  • A boy at school would “grab girls around the waist when they walked by his table in the cafeteria last year and say things like, ’Want to sit on my lap and talk about the next thing that pops up.’”
  • When Hannah picks out some lipstick, she’s afraid her friend will think the “colors are perfect for a disco-clown hooker.”
  • When Hannah thinks of pressing her hips against Finny, “the thought of this is electric, beating in my chest like a birthday wish, dark and warm and secret.”
  • Finny and Hannah kiss several times. The first time, Finny “bends his head and kisses me, just once, then lets me go. When Connor would kiss Angelie in the halls last spring, he did it like he was trying to suck the chocolate off the outside of a Klondike bar. It could last hours. This is more like seeing a star fall—thrilling and soundless and then over.”
  • When Finny kisses Hannah a second time, “his tongue brushes the curve of my bottom lip, grazing the hollow underneath, and something leaps and fidgets in my chest. . . I want him to never stop.”
  • When Hannah goes to Dairy Queen, a girl she knows was “leaning against the side of the little brick building, frantically kissing Austin Dean.”
  • A boy asks, “Hey, do you think if I bleached my hair and started vandalizing street signs or something, Carmen would let me near those exquisite titties?”
  • While in a public place, Hannah kisses Finny so that her friends will see. “He doesn’t react right away, but then his hands move to my hips.”

Violence

  • When someone was bothering Hannah, Finny came to her aid. “Finny had Connor by the collar of his shirt and was holding him so their foreheads were almost touching, but he didn’t say anything. He just leaned over me while Connor yanked on Finny’s wrist, trying to get loose. . . With his hand on the back of Connor’s neck, Finny held Connor away from me. . .”
  • Hannah talks about the murder of Monica Harris. “One of the city garbage collectors found her out in the parking lot behind the Bowl-A-Rama in her pink polyester jacket, beaten dead with a piece of two-by-four and her own ice skates.”
  • Hannah looks at the crime scene photos and sees, “Her face is shockingly white—dead white—and there are dark finger-shaped bruises all over one shoulder. In the blue evening light, the bruises look black. Almost as black as the blood that’s splashed in the weedy grass around her.” The photo is described over five paragraphs.
  • When Finny was younger, a dog bit off his finger. He also has cigarette burns on his back. The abuse is not described.
  • While in elementary school, Hannah was mean to Finny, and he washed her face with snow. “The snow was weeks old, crusty with ice, and when he scrubbed my face with it, the crystals were so sharp they made me bleed.”
  • A boy is in foster care because “his dad was using him for a punching bag.”
  • Hannah and a group of people find a dead body. “I’m looking into the face of a girl, and there’s blood in her hair and splashed down the side of her neck. There’s a smell. . . Her face is pale blue in the light. . .” The scene is described over three paragraphs.
  • The murderer tries to kill Hannah. “He turns and grabs me by the shoulders, slamming me hard against the wall of the bridge. . . When I try to squirm away, prying at his fingers with my free hand, he gives me a shake that nearly pops my shoulder out of its socket. . . That’s when he slaps me. . .” The murderer hits Hannah’s head with something heavy. She is injured but survives. The scene takes place over a chapter.

Drugs and Alcohol

  • A shop owner “runs off prints of scowling tattooed drug dealers and drunk, disorderly frat boys standing against a dirty wall outside one of the college bars.”
  • The Qwick-mart has “smashed beer bottles” on the ground outside.
  • Hannah remembers when Lillian was younger and “took that bottle of Sour Apple Pucker from her mom’s liquor cabinet, and we drank it in the back of her garage.”
  • Lillian thinks her mother, “spent the last three years drinking a perfectly decent chardonnay on the couch and waiting for me to stop being so dramatic.”

Language

  • Profanity is used often. Profanity includes ass, asshole, bastard, bitch, crappiest, damn, fuck, goddamn, pussies, hell, shit, shitty.
  • Thank god, Jesus, and God are used as exclamations. For example, Hannah’s friends tell her, “God, you’re such a weenie sometimes.”
  • Finny tells someone, “Don’t be a douche.”
  • Ghost Lillian calls a boy a pervert.
  • When a girl’s thong is showing, someone says, “Damn! That is just too much ass for those jeans!”
  • Finny took a stolen bracelet away from a boy and gave it back to Hannah. When she asks if the boy was mad, Finny replies, “Do I give a shit? He can fucking deal with it! I told him that maybe he’s free to act like a total dick any other time, but not to girls and little kids. Not when he’s with me.”

Supernatural

  • Hannah’s friend is a ghost. Hannah narrates, “Ghosts are the kind of thing you go your whole life with everyone telling you they aren’t real. I believe in them anyways, because the world is full of things that no one actually understands. Mostly though, I believe in them because my best friend died six months ago and now she’s with me all the time, materializing silently out of the shadows, creeping closer, reaching out.”
  • Several times, Hannah uses an Ouija board to talk to the spirits of the murdered girls.

Spiritual Content

  • The murderer tells Hannah, “As far as those little bitches knew, I was God.”

 

 

 

A Royal Guide to Monster Slaying

Twelve-year-old Rowan is destined to be Queen and her twin brother, Rhydd, is to be Royal Monster Hunter. Rowan would give anything to switch places, but the oldest child is always next in line, even if she is only older by two minutes. She resigns herself to admiring her monster-hunting aunt’s glorious sword and joining her queen mother for boring diplomatic teas. But tragedy shatters the longstanding rule, and Rowan finds herself hunting the most dangerous monster of all: a gryphon.

Accompanied by a feisty baby jackalope and a giant wolf that barely tolerates her, Rowan sets off on a journey that will see her join other unlikely allies: a boy with monster-hunting ambitions of his own, and a girl hiding dangerous motives. It will take all of Rowan’s skills, both physical and diplomatic, to keep this adventure on track. The future of her kingdom depends on it.

Rowan and her brother Rhydd follow their aunt on a hunt that ends in a bloody battle and death. The heart-stopping battle is not for the faint of heart. Armstrong uses detailed descriptions of the battle between beast and man. Even though many of the monsters in the story are deadly, Rowan respects the monsters because she has been taught to only kill monsters if there is no other choice.

The story is told from Rowan’s point of view, which allows the reader to understand her concern for others. Rowan often acts overconfident; however, in the end she learns the importance of listening to others and working as a team. The know-it-all princess befriends a baby jackalope and their relationship will make readers long for a jackalope of their own. Through her journeys, Rowan learns that no man or beast should be forced to follow another. People should only follow a leader by choice, not by force.

The cute book cover may give readers a false impression. A Royal Guide to Monster Slaying hits on some heavy themes: the importance of family, duty, conservation, indentured servitude, and political ambition. Rowan is kidnapped, almost killed multiple times, and has a face-to-face encounter with a giant spider and a deadly gryphon. The frightening encounters may leave some readers with nightmares. A Royal Guide to Monster Slaying is full of action, danger, and monsters who aren’t afraid to kill humans. The imaginative world is unique, fascinating, and will keep readers turning the pages. Readers who want an excellent adventure will want to follow Rowan as she learns how to become the next Royal Monster Hunter.

Sexual Content

  • Rowan is sneaking through the castle when she hides from a guard and a maid. Rowan listens to their conversation and learns that “she caught him flirting with the maid of a visiting lady. She’s upset, and he’s trying to tell her it meant nothing, and I’m stuck in a window alcove, wishing they’d just kiss and make up. . . Then the guard and maid do make up. And they do kiss. They don’t stop kissing. I don’t watch them, of course. That’s gross. But I can tell they’re kissing by the noises, which are also gross. They kiss and whisper, and whisper and kiss.”

Violence

  • Even though monster fights are illegal, “people still poach jackalopes for their antlers, which they think can be ground up as a cure for infertility.” Rowan finds a baby jackalope, and finds the dead mother. “The mother jackalope lies on the ground, her body riddled with arrow piercings. The killer took only her antlers.”
  • While in the forest at night, Rowan comes across four older kids. Rowan pulls her sword, and one boy “snorts. One of the other boys takes a slingshot form his pocket. The girl draws a knife.” When Rowan doesn’t flee, “a stone strikes my temple. I spin on the boy with the slingshot, and my sword spins, too. The tip of it catches his sleeve, and he yelps as if I’ve stabbed him.” When the kids realize that Rowan is the princess, they run off.
  • When Rowan gets too close to a unicorn, “the beast bites my butt. . .and the jackalope leaps from my head onto Courtois’s neck and sinks his teeth in right below the unicorn’s horn.”
  • The Royal Monster Hunter and her group find a manticore. As they track the monster, Rowan smells “a coppery one that makes me flinch. I can’t be a monster hunter and not recognize the scent of blood.” They find the manticore in a barn and Rowan “can hear it, making horrible ripping and gulping noises as it devours its prey. I can smell it, too, its dank must overpowering the smell of the livestock.”
  • In order to kill the manticore, Rowan’s aunt Jannah jumps on its back. In order to tire the beast, “she rides the manticore until the beast stops bucking and rearing. . . Jannah didn’t hop on the beast’s back for fun. The position just lets her sink in her dagger in exactly the right spot. One hard thrust and the manticore stiffens. Then before it has time to feel more than a flash of pain, it slumps to the ground.” In order to teach others about the beast, Jannah “opens the beast up… notice the size of the heart, the placement of the internal organs.”
  • While inspecting the manticore, a gryphon grabs Rowan in its talons. Rowan’s brother, Rhydd, tries to help, but “the beast holding me strikes at him. Blood flies. The beast lets out another ear-piercing shriek and slams me into the barn floor, talons pinning me there. . . The beak seizes Rhydd and flips him into the air, then lets go. As he falls, the beak grabs him again, this time by one leg. There’s a sickening crunch. . . The beast drops my brother’s leg. Rhydd falls to the floor.” The gryphon takes flight with Rowan in its beak and hunters shoot arrows at it. “An arrow buries into the underside of the beast. Then another and another. . . An arrow slices the fabric of my trousers, and I let out a cry. . . I grit my teeth and wrench it [the arrow] free. Then I stare at the sharp arrowhead, dripping blood.” Rowan keeps slashing at the gryphon, and then she slashes “the foreleg as hard as I can.” The beast drops Rowan and she hits “the ground. Pain slams through me and then. . . Darkness.” The scene takes place over four pages, but the battle continues.
  • When the gryphon lands, “a figure runs from nowhere. She [Jannah] leaps. Her sword slashes at the beast’s rear flank. . .The gryphon wheels on her. Its beak swings her way. . . she swings the sword, but the gryphon’s beak closes around her sword arm. . . The powerful beak closes with the same sickening crunch I heard when it seized Rhydd. Then it throws Jannah. Before it hits the ground, it grabs her again, this time by the leg, just like it did with Rhydd. . . The gryphon has Jannah by the leg. It lashes back and swings her. . . Swings her at a rock. Jannah’s head hits that rock. There is a crunch. . . She’s on the ground, blood streaming from her arm and her leg and her scalp.” Jannah dies. The battle scene is described over eight pages.
  • As Rowan tries to chase a monster away, “something hits my arm and knocks me off balance. As I stumble, I see an arrow lodged in my sleeve.” Rowan drops to the ground, and “I’m leaping up when another arrow whizzes past. It hits the warakin in the shoulder. The beast squeals in rage.” Rowan is able to drive off the warakin before anyone gets hurt.
  • As a pegasus attacks Rowan, the jackalope jumps on her back. The pegasus “flies up with great flaps of her wings, and Jacko clings to her, squealing. She dives, and he tumbles, and I scream. Then he’s dangling from her mane, his claws tangled in it. The pegasus tosses her head, and Jacko goes flying.”
  • Rowan’s companion Warg is a giant wolf. He hunts at night and “when he returns, the blood on his muzzle tells me he’s eaten.”
  • When Rowan tries to give a pegasus a sedative, the pegasus “wheels and rears. One hoof hits that sore shoulder again. I stumble, and I see another hoof coming straight for my head. My arm flies up. Her foreleg is delicate enough that I knock it off course. As I scramble out of the way, she comes at me again. This time, she grabs my tunic in her teeth and whips me off my feet.” Rowan gives the pegasus the sedative and then “she lies there, legs splayed and bent, her head drooping.” Rowan realizes that giving the sedative to the pegasus was wrong. The scene is described over five pages.
  • Rowan comes across an overturned wagon. A couple says their baby is stuck underneath the wagon. When Rowan crawls under the wagon to help, a man “wrenches me by the hair. I try to swing at his face, but there isn’t enough room. I yank out my dagger and slice his arm instead. He snarls. I slash the blade as I back out. Someone grabs my legs. Hands grapple at me from the wagon wreck. . . The young man shoves a sack over my head. I scream under it. Scream and kick and punch. As he hauls me away, my feet tangle, and I fall. He keeps dragging me, the sack cutting into my throat.” Rowan is captured and put in a cage.
  • After Rowan escapes, she watches a boy talk to Alianor. Rowan thinks that the two worked together to capture her, so Rowan hits “him square in the back, and he lands face-first with an oomph. I try to pin him, but he’s twisting, and he manages to get onto his back and throw me aside. That’s when Jacko attacks. He jumps onto Dain’s face and digs his claws in, legs wrapped around Dain’s head. . . Jacko sails from nowhere. He lands on Dain’s lap and sinks his teeth into the boy’s stomach. Dain yelps. . .”
  • While climbing a tree, Rowan disturbs a spider’s nest. Spiders begin dropping onto Rowan and Dain. A spider gets under Dain’s tunic and Rowan tries to “reach up under the fabric and pull out the spider. As I do, he yelps and bats at the back of his tunic. Another lump scuttles underneath. Then Dain yelps louder, in pain now. . .” Rowan discovers that the spiders are jba-fofi. “According to legend, only baby jba-fofi live in trees. The adults are too big for that. They’re the size of dogs, and they build trapdoors on their burrows. When any unsuspecting prey passes, they jump out and drag it in.” Rowan and Dain are able to get out of the tree.
  • As Alianor walks in the forest, “the ground opens, and a giant spider grabs her leg. . . She falls face-first as the spider drags her into its lair. The ground closes and they’re gone.”
  • In order to save Alianor, Rowan crawls into the spider’s lair. She finds “a fawn wrapped in black spider silk. The corpse is desiccated—drained of blood. I shiver as I shift the carcass aside. . . I  continue along. . . This time when I reach down I’m touching a soft-and-hard bundle that I know is wrapped prey. I try to keep going, crawling over the bundles, flinching as the dried bodies crackle within.” Rowan finds the spider, but before she can do anything, the jba-fofi springs. “It’s on me before I can even free my blade. . . The spider’s two front legs wrap around my chest. It pulls me toward its jaws, and Jacko shrieks, leaping on the beast. . . Jacko jumps onto the spider, sinking his fangs onto its back.” To get away from the spider, Rowan starts a fire and “shoves more mummies into the fire, stretching them in a line between us and the jba-fofi.”
  • Rowan searches for Alianor. “Then I see her head, completely wrapped in black webbing. I grab the webbing and pull. It sticks to my fingers and holds fast, refusing to break. With my trembling hand, I pick up my dropped dagger. I feel for her mouth, find it and slice the webbing as carefully as I can. . . I open her mouth. There’s more webbing in there. I yank it out and then press my hands against her chest and . . . Alianor coughs.”
  • As Rowan and Alianor try to escape, “something wraps around my [Rowan’s] leg. As I fight, it pulls hard, and I’m flipped onto my back. . . I kick as hard as I can. The spider squeals. I crawl back on my elbows and knees. I’m flipping over when powerful fangs grip my leg. . .” Dain is able to pull Rowan out of the spider’s lair and the pegasus attacks the spider. The spider scene is described over sixteen pages.
  • Lanslet, a teenager, attacks Rowan hoping to kill her. “He lunges at me. I leap forward to counter, and that isn’t what he expects. Our swords clang. . . My sword strikes his arm. He never even flinches, just draws his sword back and— An arrow hits his shoulder.” One of Rowan’s companions shoots arrows at Lanslet and “Malric hits Lanslet square in the back. The young man goes down with the Warg on top of him. Malric’s teeth sink into Lanslet’s collarbone, ripping away the leather. Lanslet screeches, and running footsteps sound as someone shouts an alarm.” Rowan is able to escape. The fight is described over three pages.
  • A gryphon comes after Rowan and her companions. “Malric charges. The gryphon rears like a horse, its talons flashing, but Malric feints to the side. When the gryphon twists to parry, Malric leaps, teeth sinking into the beast’s foreleg.” Malric pretends to be injured so the gryphon will attack him and the kids are able to hide in a cave.
  • Malric tries to sneak past the gryphon. Malric is “crouching to jump when the gryphon grabs him around his neck. . . The gryphon throws Malric. Warg hits the cavern wall, and that crunch rings out. That terrible crunch I will never forget—the one I heard when the gryphon pitched my aunt head-first into a rock.” Malric is injured. “Inside the cavern, the gryphon stomps about, shrieking in rage. That’s all I see. The gryphon. . . and a blood-smeared wall.”
  • Dain soaks arrowheads in a sedative and shoots them at the gryphon. “The gryphon lunged. Dain dives to the side. The gryphon’s beak snaps. It catches Dain’s bare foot. He drops the arrow as he falls clear of the beast and rolls across the cavern floor. . . As the beast turns, I see the angry red scabs on the foreleg I injured a week ago. I swing my sword right at the same spot. The blade slices in. The beast lets out a terrible screech of pain and rage.” The beast succumbs to the sedative and goes unconscious. The scene with the gryphon is described on and off for thirty-six pages. No one is seriously injured.

Drugs and Alcohol

  • Someone has to taste the queen’s food and drink to make sure it is not poisoned.
  • Rowan gets angry that the pegasus isn’t friendly, so she gives her a sedative.
  • In order to capture Rowan, her captors drugged Warg.

Language

  • Rowan thinks unicorns are “jerks.”

Supernatural

  • None

Spiritual Content

  • Rowan’s father wrote an inscription on the inside of a book that he gave her as a gift. As she reads the message, Rowan misses her father, but thinks, “he’s watching from the others side, and he’s there every time I add a new page or a new fact or a new sketch.”

Refugee 87

Shif has a happy life, unfamiliar with the horrors of his country’s regime. He is one of the smartest boys in school, and feels safe and loved in the home he shares with his mother and little sister, right next door to his best friend, Bini. Both boys dream of going to university. Bini hopes to be a doctor and Shif wants to be an architect.

Both boys’ dreams are shattered the day that soldiers arrive at their door. Soldiers accuse the fourteen-year-olds of trying to flee before they can be drafted into the military. The boys are sent to prison, where they discover the lengths the government will go to silence anyone who is seen as a possible threat. Shif and Bini’s only hope is to escape the prison, sneak across the desert, and enter another country.

Told from Shif’s point of view, Refugee 87 jumps into a hostile country where people face unthinkable cruelty at the hands of their government. Shif and the other prisoners are treated like worthless animals and are given little food. However, once Shif escapes from prison, he discovers many unexpected dangers. A woman tells Shif not to go to the refugee camps because “a tribe in this area kidnaps people who have escaped from our country. . . They have gangs who patrol the camps, waiting for anyone new. Children get good prices. . . Before selling you, they try to get hold of your family’s money.”

Readers will sympathize with Shif as they learn about the modern refugee crisis. Instead of delving into the political situation, Fountain keeps the setting vague and brings Shif’s hardships to life. Even though the story is told from Shif’s point of view, readers may find it difficult to believe that Shif did not understand the reason his mother was so cautious and the dangers people in his country faced. The easy-to-read story doesn’t waste words on detailed descriptions, which sets the fast pace of the story. However, the lack of detail leaves the reader with unanswered questions.

Even though the publisher recommends the story for children eight and older, younger readers may become upset by the story’s mature themes which include war, violence, death, and human slavery. Although the events in the story are not described in graphic detail, Shif faces the death of his best friend and other horrific treatment. The abrupt ending may frustrate readers because the conclusion does not tell readers if Shif eventually made it to the safety of Europe.

As realistic fiction, Refugee 87 will help readers understand why people flee war-torn countries and the dangers that refugees face. The story also touches on themes of friendship, endurance, and the predatory nature of humans. Refugee 87 explores the refugee crisis in a manner that is appropriate for younger audiences and will engage readers of all ages. Readers who enjoyed Refugee 87 or want to learn more about refugees should also read Refugee by Alan Gratz.

Sexual Content

  • None

Violence

  • Shif and other prisoners are walking. One of the guards pushes Shif “in the back with the butt of his rifle and points ahead. He pushes me again. . . ‘eyes down!’ the guard shouts, and pushes me so hard that I fall to my knees on the stone ground.”
  • Shif and Bini try to escape the prison. As they run, the guards shoot at them. “Seconds later, I hear a bullet ricochet from the tree trunk. Another whizzes past my head like a bee. Puffs of dirt jump in the air as more bullets hit the earth around us.” The boys run and hide in a crack in the desert floor.
  • When Shif and Bini walk through the desert trying to escape from the prison’s soldiers, they hear a vehicle coming. As they begin to run, “There is a puff of dust from the ground beside me. Bullets. Which means they are close enough to fire at us. . . Bini shudders and yells out, then falls to his knees in front of me, clutching his arm.” Because of his injury, Bini tells Shif to leave him. As Shif runs, he “hears Bini shouting at the guards. I hear two shots behind me, then silence.” The scene is described over three pages.
  • Shif meets a woman who was injured. She tells him, “A land mine exploded when we were crossing the border. Two people we were crossing with were killed. I was hit with some pieces of shrapnel. We managed to get the pieces out, but the cuts were deep and I wasn’t able to clean them properly so they became infected.”
  • Shif stays with a family, who has a young daughter named Almaz. While shopping in the market, someone steals Almaz’s money. “Almaz darts down a dusty street after the man. I skid to a stop at the top of the street. Halfway down I see the man has stopped too. He is holding Almaz by the waist. She has her back to him and is struggling to kick him or twist around to scratch at his face.” Shif helps Almaz. “I push at his shoulder and try to grab his arm. He pins Almaz against the wall with one hand, then hits me in the face with the other. I fall backward; my cheek and nose explode with a coldness that almost immediately turns to throbbing pain.” Shif and Almaz escape. The scene is described over two pages.
  • While trying to escape the country, the smuggler yells at a woman who needs to pay more money. Shif hears “screaming and shouting in the corridor, and a loud cracking sound, then she is quiet.”

Drugs and Alcohol

  • None

Language

  • When Shif and Bini are shoved into a prison room, one of the men tells them, “Whatever you do, don’t piss on anyone in the night.”

Supernatural

  • None

Spiritual Content

  • When Shif and Bini hide from the soldiers, Shif prays “that we look like nothing more than two rocky bumps in the uneven desert landscape.”

 

 

ME and ME

The bright sun greeted Lark as she planned for her day. She smiled as she thought of having a perfect date with Alec. A perfect birthday. Enjoying the blue skies and calm lake water would be the perfect way for Lark and Alec to get to know each other. Then screams pierce the silence.

Annabelle, a girl Lark used to babysit, is in danger. Alec jumps in to help, but when he enters the lake, his head hits a rock. Now both Annabelle and Alec are in trouble, and Lark doesn’t know what to do. It only takes Lark seconds to react, but in those seconds everything changes. Her world is torn into two parallel lives, reflecting her two choices of who to save, and afterward, we see Lark live out the result of each choice.

The concept of living a parallel life is interesting; however, the storyline of Me and Me is confusing. Lark changes from one parallel life to the other without warning, making the transition jarring. Instead of focusing solely on Lark’s parallel lives, the author also delves into other heavy topics, including the loss of a parent, domestic abuse, shoplifting, and sexual peer pressure. The addition of so many topics adds to the confusion of the story and because so many subject matters are thrown in, none of the topics are well developed.

Lark’s world is filled with many friends but instead of adding interest, the number of minor characters piles onto the confusion. None of the friends are well developed, making it hard for readers to feel invested in the story. Even though Alec is a major character, there is little to like about him. Even though Alec talks about his abusive father, he doesn’t act to protect himself or his mother because he doesn’t want to see his father in jail. The only reason Lark seems invested in Alec is because the two have a physical attraction for each other. Right from the start, the two have hot, steamy make-out sessions that get in the way of the story’s action.

The end of the story highlights the dangers of shoplifting and how it can destroy a person’s future. Lark realizes her “tendency to take risks was out of control” so she goes to therapy. Afterward, she “felt brave for dealing with my issues.”

Unless someone is extremely interested in parallel lives, Me and Me would best be left on the shelf. The confusing story will leave readers wondering why Lark’s story was worth their time.

Sexual Content

  • Once Lark and Alec begin dating, they kiss often. Additional, less graphic kissing scenes have been left out of this review.
  • Alec kisses Lark, and “his kiss is quick and gentle, and his lips taste of sunshine and honey. My whole body turns molten. . . He slides his hand into my hair, and hot sparks shoot down my neck and spine.”
  • Lark thinks about her time with Alec during the past week. “Kisses against the gym wall. Hand holding at lunch. Long conversations. . .”
  • While on a date, Lark and Alec kiss. “His tongue is rough, and his hand slides over my shirt, then underneath it to graze my belly button, then slowly upward. My body responds, and I hear a groan escape my lips as he kisses my collarbone.”
  • Alec “kisses me hard, his tongue warm and wet, and our knees press together. Something shoots through me—I haven’t felt like this before. God, I want him to kiss me more, kiss me harder. I become liquid.”
  • Alec and Lark go to his house when his parents are out. They partially undress. “His toned abs flex as he leans forward to kiss the point of my chin, then the place where my collarbones meet, then the top of my breast.” Alec tells Lark that he has been with “a few others. Only one who—I guess that meant anything.” Alec’s parents come home and interrupt the two.
  • Lark and her friend talk about how they are “not getting it.”
  • Lark questions her friend. She asks if he’s been to his boyfriend’s house to meet the parents, and  “not just for a hookup with their son.” They have a conversation about how hard it might be for his boyfriend and his parents to come to terms with a gay relationship.
  • Lark and Alec kiss and “his tongue slipped into my mouth, opening me up. Things get heavy fast, and we’re both breathing quickly. . . He lifts my shirt out of the way to kiss the skin of my stomach.” They stop because they are in too public of a place to do more.
  • While at a public park, Lark and Alec make out. “. . . He pulls me onto his lap, my legs astride him. . . he lies on top of me. He’s breathing warmly into my neck, kissing me just at the base of my ear, and every pore is opening, ice trickling down my spine, as I help him tug at my jeans.”  A text interrupts them.
  • While at Lark’s house, Alec “pushes me down onto the bed. Before I can take a breath, he climbs on top of me, tongue and hands exploring my face, my body. I want this—I want him. . .” Lark stops him from doing more.
  • While outside, Alec pushes Lark to the ground and he “slides a hand up my skirt and beneath my underwear. I moan as he touches me.” They stop and don’t go to either one of their houses because their parents are home.
  • Lark skipped school so Alec could come to her house. “Alec and I are in my bed, and he has pinned my arms above my head, our hands entwined in my long hair, the covers over our almost-naked bodies. . . Alec slides my underwear down. . . He runs his hand up my inner thigh. . . I arch my body toward him, my breast and stomach against his hard chest and abs. He opens my legs with his and pushes me into the bed. . .” They have sex, but it is not described.

Violence

  • Alec has bruises and tells Lark that his dad hits him. Alec says, “Mom gets the worst of it, but when I’m around, I try to keep him off her. Sometimes I win. Sometimes he does.”
  • When Lark gets a text from a friend, Alec gets angry, and “he grabs my arm, and his grip is hard. Hard enough to bruise me.” He threatens Lark and she leaves.

Drugs and Alcohol

  • When Lark said she was rebellious, her friend replies, “You seem like a good student. Into nature and stuff, not drugs and parties.” Lark agrees.
  • Lark’s friend smokes clove cigarettes. Another one of her friends smokes an e-cigarette.
  • Lark and her friend use a fake ID so they can drink vodka cranberry.

Language

  • Profanity is scattered throughout the story and includes bullshit, bitch, crap, damn, holy crap, fricking, hell, and shit.
  • “Thank god” is used often. For instance, when Lark takes off her shirt and shorts so she can swim, she thinks, “Thank God I’m wearing a decent bra.”
  • Jesus is used as an exclamation once.
  • Lark flips her friend off.
  • A character thinks his boyfriend’s parents are “bigots.”
  • When a friend catches Lark stealing, the friend calls Lark a “bonehead.”

Supernatural

  • Someone tells Lark that she is a channel for her dead mother’s spirit.
  • Lark has a parallel life, which she can see sometimes. She receives texts and videos from her parallel life. She also has visions of her other life. “There is a static flicker in the air—I sense something before I see the shimmery shapes of a room. It’s as if I’m looking through a window. . .” Lark discovers there is a portal between the two worlds and travels to the other world to talk to her other self.
  • Lark and a friend discuss parallel lives. Her friend says that the number two “represents your soul number. Your divinity. If you’re open to receiving the message, angels will guide you.”
  • Lark wonders if having a parallel life is genetic.

Spiritual Content

  • When Lark gets to work, her friend says, “Thank the Great Spirit you’re on with me tonight.”

 

 

 

 

 

Resistance

Chaya Linder is living in Nazi-occupied Poland. Her Jewish family is in danger. Her sister is deported to one of the camps and her brother disappears. After losing their two children, Chaya’s parents have given up hope. In an effort to make a difference, Chaya becomes a courier and travels between the ghettos of Poland. She takes lifesaving supplies like forged papers and food. Sometimes, she even smuggles out children.

When Chaya joins a resistance cell, she hopes to use the Nazis’ supplies to help her people. When a mission goes wrong, most of Chaya’s network is killed or captured. Alone, with nowhere to go, Chaya isn’t sure what to do. When Esther, a former member of her cell, appears, Chaya begins a journey to the Warsaw Ghetto where a large uprising is being planned. Chaya is determined to save as many lives as possible, even if she loses her own life. Her only desire is to live or die with honor.

Told from Chaya’s point of view, Resistance gives the reader a grim picture of the persecution Jews received during World War II. The story begins with suspense, which continually builds as Chaya survives her ordeals, while many of the other resistance members are killed. Many of the events are violent, and although they are not described in bloody detail, death is common. Although the publisher recommends the book for ages 8-12, the descriptions of death and torture would make this a difficult book for younger readers.

As Chaya’s world crumbles around her, the reader gets a better understanding of why some Jews did not fight back. Some of the Jewish people were so overcome by fear, or some didn’t believe the stories of the death camps, so they didn’t fight back. Others refused to fight because they believed that killing was wrong—even if they were fighting to save their own life. Several times in the story, the characters discuss the morality of killing the Nazi soldiers. In the end, the story makes it clear that leaving the Ghetto in order to survive, or staying in the Ghetto are both valid choices. “We’ll all die one day, no one escapes that fate. Our only decision is how we live before that day comes. Our path requires courage, but so does theirs. Both paths are ways to resist.”

As Chaya and Esther travel to Warsaw, they meet people from all lifestyles and religions. This helps the reader understand people’s different responses to the Jews. Some of the Poles ignored the problem, while others took advantage of the Jewish people, and even physically attacked them. Yet, there were still many Poles that risked their lives to help save the Jews. In the end, the story shows that there were evil people as well as good people who were willing to die fighting.

Resistance ends with the events of the Warsaw Uprising, which gives the reader a vivid description of the death of many civilians, and resistance fighters. The cruelty of the Nazis and the heroic deeds of the Jews are depicted. Although the story gives a historic perspective, sensitive readers may be upset by the death the surrounds Chaya and the Jewish people. Resistance ends with a list of the historical resistance fighters who fought for their people and should be considered heroes.

Sexual Content

  • None

Violence

  • Chaya’s father is stopped by a Polish police officer who, “ripped out pieces of my father’s beard, one fistful at a time. With every tear, my father grunted with pain, but he said nothing and offered no form of resistance. The crowd that had gathered pointed at him and laughed, as if humiliation and pain were some kind of joke.”
  • Chaya and some others were stealing provisions from a train car when “a gunshot rang through the night and Jukub yelped with pain.” Charya shot a Nazi soldier who was “running toward us with his pistol out, shouting for his comrades.”
  • The resistant fighters attack a café. One threw a grenade through the window. Soldiers, “began to emerge, many with obvious cuts on their faces or uniforms. They became the target of my first grenade. . . My third went inside the café and exploded with enough force to blow some of the bricks off the building.” The surviving Nazis began shooting, and Chaya “saw bodies in civilian clothes fall.”
  • Some of the resistance fighters who survived were sent to Montelupich Prison were, “If the Draengers were there, then they had experienced torture worse than anything I could imagine, and even what I could picture turned my stomach. They would be kept at the edge of death in an attempt to make them talk.”
  • While in a ghetto, Esther drops potatoes, and “two desperate women suddenly became five, and then all of them fought for anything that was left. To get it off Esther’s shoulders, one woman knelt on her back. They were suffocating Esther, but the only thing that seemed to be in their vision was the bag.”
  • When Chaya and Esther are trying to escape from a ghetto, a boy who is helping them is shot. “Henryk hadn’t yet shut the window before a bullet caught him from behind. He fell forward across the windowsill. . .”
  • When Esther is hiding in a barn, the Gestapo finds her. “Ester was hit again and probably knocked unconscious, because she made no other sounds.”
  • In order to create a distraction and save Esther, Chaya cuts the gas line to the Nazi’s trucks and then lights the gas on fire. The gas, “immediately ignited a booming fire that popped the truck’s hood open and set the engine aflame . . . The last truck exploded into the air with a booming sound that would be heard for kilometers around.”
  • When Chaya found Esther, she was tied to a tree’s trunk. When Chaya got closer, “I noticed the bruise was even worse than it appeared from a distance. There was a cut on her cheek too, and other smaller bruises on her neck and probably elsewhere that I couldn’t see.” Esther’s arm was injured as well.
  • Esther recounts what the Gestapo did to her. She was put in a dark room, and “someone slapped me or hit me to get my attention, and they were telling me what would happen if I didn’t talk.”
  • The end of the story focuses on the Warsaw uprising, the description of the battle is told over ten chapters. The resistance fighters throw Molotov Cocktails on the soldiers. When the first explosives were thrown, “bodies fell, and the troops who survived it scattered.” During the battle, Esther threw a “fuel-filled wine bottle” onto a tank, and “the top hatch burst open like a popped cork. Flames shot from within the tank.”
  • During the battle, the Nazis “found the hospital. . . They killed everyone inside. Revenge for our fighting.” How the patients died was not described, but Chaya thinks, “I didn’t want to know, or think about it.”
  • The Nazis have a long-barrel machine gun that they use to kill the Jews. A sniper killed the gunner, “who kneeled over his gun, dead.” Chaya throws a grenade at the vehicle and “the explosion knocked me off my feet.”
  • The Germans escorted civilians and “each was placed on their knees, row by row by row. . . A fighter rose from her knees with a gun. . . She took aim at one of the commanding officers and fired, hitting him squarely in the chest.” Then an officer “gave the order to shoot and every Jew on the street was killed.”
  • Chaya is shot in the leg. When she looks at the wound, she “saw blood spurting from my thigh, almost like everything was happening in sudden slow motion.”
  • When a SS officer sees Chaya, “his hand unfolded, revealing a grenade. . . He pulled the pin and raised his arm to throw it. Then a bullet whizzed past my ear, hitting the grenade itself, which exploded in his hand.”
  • German soldiers would throw poison gas grenades into the sewer system, just in case Jews were hiding in there. As Chaya and a group were trying to escape, poisoned gas was thrown into the sewer, and “Then I heard a splash, and in the light beneath the manhole, I saw Mr. Pilzer’s body go down. He didn’t fall like a dead body would. Instead, he used himself as a shield from the gas, deliberately spreading out his clothes to contain as much of the smoke as possible.”
  • Esther intentionally leads a soldier away from a group of Jews. “A few minutes later, the silent darkness was broken by a single shot fired inside the sewer line.”

Drugs and Alcohol

  • Several times during religious services, people passed around wine.
  • Chaya thinks that on Adolf Hitler’s birthday, he probably had, “a hearty slice of birthday cake to go with a glass of wine.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • As Chaya and Esther were hiding from Nazi soldiers, Chaya was upset that Esther did not do a better job as a lookout. Chaya thought, “Even God wouldn’t expect me to forgive her.”
  • During Shabbat, Chaya, “covered my eyes with my hands, giving myself a private moment with God to ask for healing, happiness, and prosperity.”
  • Chaya and Esther are about to take a trip, and Esther thinks the snow is a warning. Esther said, “Maybe God is telling us to wait one more evening.” Chaya replies, “Maybe God is offering to cover our tracks if we hurry.”
  • One of the characters tells Chaya, “The greater our need, the nearer our God, no?” A boy replies, “And God is very near now.”
  • Chaya asks a group of teens if they will try to escape the ghetto. A boy tells her, they will remain because “We’ve given our lives to God. Whatever happens to us now is alright.” The group discusses the moral implications of staying or trying to escape to fight. One of the group members tells Chaya, “The highest honor we can give God is to die in His name.” Another character said, “Defending one’s life in the moment is allowed. But killing them is different. That’s murder!”
  • Chaya and Esther discuss their belief in God and his promises. Chaya said, “I believe in God’s promises. . . But I’ve run out of patience waiting for them. I believe in God’s laws, but. . .” They also discuss if killing Nazis is murder. One of Chaya’s friends believed that “God has given us the right to defend ourselves.”
  • When Chaya and Esther miss Shabbat, Ester is upset. Chaya tells her, “God will understand, Esther! He understands why we missed Shabbat, and why I wear the crucifix. He understands the gun inside my bag, and if I have to use it again, then I hope He will understand that too . . .”
  • The evening before Passover, a group discussed God. One of the men, Tamir, gave encouraging words, “Didn’t Moses once say to our people, ‘Be strong and courageous! God is the one Who goes with you.”  Chaya thinks that Tamir was “giving praise and honor to a God who might not save him from his fate. But he did so, confident that this coming fight was worthy of God’s blessings.”
  • Esther found a belt buckle in one of the Nazi soldier’s bags. The buckle had an “eagle standing on top of the Nazi swastika” with the words “God With Us.” Chaya thinks about how the Christians are beginning to prepare for Easter. She thinks, “how could these soldiers commit such atrocities on this day, all while wearing an emblem that suggested God supported their actions?”
  • An escaped prisoner tells Chaya, “Hitler wants no Gods other than himself.”

 

Crossing the Line

Dalila Sandoval, the daughter of one of the wealthiest lawyers in Mexico, is focused on her future. She is turning 18, but she already knows exactly what she wants from life—until she meets Ryan Hess. He is a “bad boy” who doesn’t fit into her life, but when she looks into his blue eyes, a flame of desire comes alive.

Ryan Hess has one goal—to prove he can become a great boxer. He flees an unhappy family life and travels to Mexico in the hope of convincing a famous retired boxer to train him. He does not want to be pulled into Dalila’s life or her problems, but he can’t stop himself from falling for her. Despite their immediate attraction, forces outside of their control quickly rise to conspire against them. Is there any way their love can survive?

Dalila and Ryan are two star-crossed lovers who, like Romeo and Juliet, fall in love quickly. Each chapter flip-flops between Ryan and Dalila’s point of view, allowing readers to understand both character’s thoughts and feelings. The beginning of the story is predictable, and the supporting characters are underdeveloped. Despite these drawbacks, readers who enjoy a good love story will be drawn into the couple’s drama and enjoy the unique angle of a rich girl from Mexico falling for a poor American.

Crossing the Line is not a book for those wanting a plausible story based in reality. Ryan spends all his time thinking about proving himself in the boxing ring, but once Dalila steals his heart, he quickly forgets about his dream. Dalila has no qualms about lying or using her body to beguile Ryan. Even though Ryan knows that Dalila is manipulating him, he overlooks her flaws and vows to stay by her side as she tries to figure out if her father is involved in the Mexican Mafia.

Crossing the Line is full of mystery and has a whirlwind ending full of surprises. The story follows the typical story line—boy and girl don’t want to fall in love, but are forced together by outside forces. For older readers who want a steamy, action packed romance, Crossing the Line will keep you entertained.

Sexual Content

  • When Ryan was new to town, a girl and he “hooked up at a party.”
  • After Ryan’s mom found out she was pregnant, her boyfriend, “ran off with some bimbo stripper he’d met at a dive bar.”
  • When Ryan was younger, his mom “had a history of bringing random guys to the trailer, but she wasn’t a whore. She was hoping one of them would stick around enough to take care of her.”
  • While at a concert, Ryan’s friend said, “I think that girl over there with the spider tattoo on her face just grabbed my ass. I feel violated.”
  • Dalila’s friend “might be a flirt, but she’s not into one-night stands or hookups.”
  • Dalila tries to convince a police officer that she is Ryan’s girlfriend. “I bury my hands in his thick hair and touch my lips to his. I’m determined to make this make-out session look convincing. . . the touch of his soft but firm lips against mine sends delicious sensations zinging up my spine. I’ve kissed boys before, but I’ve never felt goose bumps all over like this.”
  • The day after Ryan’s fight, Dalila tends to Ryan’s wounds. “And when she bends over to tend to the cut on my cheek, her cleavage makes my groin twitch.”
  • At Dalila’s birthday party, she and a friend take a walk in the gardens. “Before I can pull back, he presses his lips to mine and wraps his arms around my waist, pulling me close. I’m not ready for this. . . I push him away, glad when our lips separate.” The boy thinks she is playing games and “presses his body to mine again, so close that I can feel how much of a distraction he wants to be.” Ryan sees the two and the boy leaves.
  • Ryan and Dalila kiss several times. Once when they kiss, Ryan’s “breath hitches as she steps so close, I can feel the heat of her skin against mine. Without hesitation, she reaches up on her toes and her sexy, full lips meet mine. They’re soft and wet and full of passion. I hate myself as I take hungry possession of her mouth . . . My lips are still on hers as my tongue instinctively darts out, taking this kiss to the next level. . . her tongue darts out and meets mine.”
  • Ryan tells a story about when he, “got an erection during the swim unit freshman year. One of the girls noticed and screamed it out to the entire class.” He tells another story about his mom’s boyfriend. Ryan did not like him so he took a girl’s phone and “text[ed] the guy all this sexual stuff hoping my mom would see it.” Ryan’s mom broke up with the man.
  • Dalila goes to where Ryan is staying and takes a shower. Thinking about her in the shower, Ryan’s “body is reacting, willing and ready to be called into action.” The shower scene takes place over four pages and the two end up in the shower together. Dalila’s “breath hitches as he leans down and gently licks my wet skin, the sensation sending shock waves through my veins. . . His hot, wet tongue graces my earlobe and then his lips place tiny, light kisses on my mouth. A fire burns within me that I’ve never experienced before. . . This feeling is like a drug and I want more.” They do not have sex, but “we both explored and experimented and drove each other insane. . .”
  • Ryan and Dalila’s truck breaks down in the middle of the desert. Alone at night, they kiss and Dalila, “still straddling me, lifts my T-shirt that she’s been wearing all day over her head. Her fingers go to the front hook of her sexy lace bra and she releases the material, making me feel like the luckiest guy on the planet. It falls down her shoulders revealing her full, perfect breasts. I swallow and my breathing gets ragged as her hands reach for my zipper.” They then have sex, but it is not described in this scene.
  • Later, Ryan and Dalila have sex again, and it is described over two and a half pages. “She steps closer and reaches out, touching my chest with her soft, delicate fingers. . . I close my eyes and feel the brush of her gentle kisses on each bruise, starting with my shoulders and moving down to my chest and lower. . .When her panties and shorts fall to the floor, she focuses her gaze on the ground. . . My fingers trace a path from her taunt stomach to those perfectly shaped hips and I settle my palms on her amazing backside. I pick her up by her bottom.”

Violence

  • Ryan thought about committing suicide, but someone saw him, “sitting on a park bench with a pocketknife it my hand,” and talked him out of it.
  • Ryan thinks back to a time when he got in a fight at school. When the boy talked badly about him, he “whacked willie with a solid left hook. Willie fell and I was immediately on top of him, punching him repeatedly as frustrated tears streamed down my face. My fist kept flying until three lunch supervisors hauled me away.”
  • Ryan sees a boy slip something into a girl’s drink and he confronts the boy. When the boy goes to give the girl a drink, Ryan’s “fist connects with Skyler’s jaw. The guy stumbles backward and falls to the floor.”
  • Ryan’s stepfather tells Ryan that his father “killed someone, shot him in a bar fight.”
  • Ryan goes to an underground bar and fights other men, but the fighting is not described.
  • At Dalila’s birthday party, someone shoots at her family’s compound. Ryan shields Dalila. “Another pop pop pop fills the air and I suck in a horrified breath. . . Fresh blood drops from Ryan’s side onto the floor.” Ryan only has a flesh wound.
  • After spending the night together, Ryan takes Dalila home. Her father’s bodyguards beat up Ryan. “Without a word or grunt, he punches me in the gut. His fist feels like a steel mallet. Fuck, that hurt. . . Gerardo punches me in the gut with that mallet fist of his two more times. I don’t want to crumple to the ground when the clowns release me, but the pain takes over my resolve and all of a sudden I’m eating dirt.”
  • A man and his gang attack Ryan. “I take a few of them out before I’m surrounded. I’m not giving up, not even when someone whacks me on the back with something other than a fist. The punches and kicks don’t stop, and slowly my body gives up.” Ryan blacks out and is dumped in an alley.
  • Dalila hears a gun shot. When she runs towards the sound, “my entire body goes numb as I see Papa holding a gun. He’s standing over a body lying in a pool of blood.” Later she finds out that her father did not kill the man.
  • Someone kills Dalila’s abuela as revenge. Ryan and Dalila find “Abuela Carmela, who’s lying on the floor, soaking in her own blood. . . Dalila’s hand flies to her mouth and a helpless cry pierces the air at the sight of her grandmother riddled with stab wounds.”
  • At the end, several cartel members surround Ryan and Dalila. Ryan threatens them and “I see the fire flash out of the barrel of his gun.” Ryan is shot. “Something cold pierces my gut and my shoulder. I know I’ve been hit.” Someone grabs Dalila “and attempts to run out with her as his shield. . .” Before he can do that, “shots ring out” and the man “falls to the ground, his body riddled with bullets. He’s dead.”

Drugs and Alcohol

  • Ryan’s mother is an alcoholic. At a funeral Ryan wonders, “how much alcohol she downed before she showed up here.” Ryan refers to his mother’s drinking often.
  • Ryan smokes a cigarette at a funeral.
  • At a dinner party, the guests are served “some kind of amber-colored brandy.”
  • At a concert, people are able to order a drink from the bar. A boy offers to buy a girl a beer, but she just wants a soda. The boy buys the girl a soda, but slips something into it.
  • Ryan meets a man in a bar; the guy has a “half-empty bottle of beer in front of him.”
  • Ryan’s mother said she heard, “you were running drugs across the border.”
  • Dalila goes out with her friends and sees a boy she knows. The boy is with his friends. “One of them is laughing loudly and the other has bloodshot eyes. They’ve definitely been drinking.”
  • Ryan goes to an underground bar where “there’s a big dude at the door who looks like a poster child for the overuse of steroids. In lethal doses.” The people in the bar are also drinking.
  • Dalila’s parents throw her a birthday party and one of the boys was holding a beer.

Language

  • Profanity is used in the extreme. Profanity includes: ass, bastard, bitch, crap, dick, damn, douch-bag, fuck, hell, motherfucker, piss, pendejo, puta, and shit.
  • When Ryan sees a girl, he flips her off.
  • Ryan’s motto in life is “fuck being a hero.”
  • Ryan’s stepfather calls him a bastard several times.
  • When Ryan stops a boy from kissing someone, the boy says, “Oh, and the next time you cock-block me like that, I’m gonna make sure you never get hired in Mexico again. By anyone.”
  • After Ryan is shot, he stays the night at Dalila’s family home. His friend tells Ryan, “I’ll bet my left nut that sleepin’ on an expensive mattress will make you crave the good life, especially if the rich chick finds her way into it.”

 

Supernatural

  • None

 

Spiritual Content

  • When Ryan reminds his stepfather that they are not family, his stepfather says, “Thank the mighty Lord for that.”
  • The story talks about the Day of the Dead.

80 Days or Die

Jules Verne’s left behind an unpublished manuscript, The Lost Treasure. When Max and his cousin, Alex, follow the clues and end up rich, they think all of their problems are solved. But when Max’s friend becomes gravely ill and Max’s mother’s illness returns, Max and his cousin take a deeper look into Verne’s history.

They discover that Verne miraculously recovered from a near-fatal gunshot wound. The Lost Treasure hints that Verne discovered magical healing elements that allowed him to recover from his wounds. Using clues from Around the World in 80 days, Max and Alex set out on a daring adventure to learn more of Verne’s secrets and heal Max’s mom and friend.

80 Days or Die begins with fun riddles that readers will enjoy trying to figure out. When Max and Alex head out on their journey, they meet several new people who they bring on their trip. Although Max seems fascinated by facts, he doesn’t take the time to do any research on the people who travel with him. Can these new friends be trusted? The question adds to the suspense, but the blind faith in random strangers doesn’t ring true.

Like the first installment of the Max Tilt series, 80 Days or Die jumps from location to location in a rush against time. Younger readers will enjoy seeing a fascinating underground cavern, strange wolf people, the icy Antarctica and a glimpse of the desert. Several times throughout the story, Max and Alex just happen to run into the perfect person to assist them. Although the additional characters were needed to advance the plot, their appearance and willingness to help is unrealistic.

Lerangis writes a solid adventure, sprinkled with surprises and interesting landscapes. However, having a cast of untrustworthy supporting characters made the story less fun. After all of the hardships Max and Alex endured in Fire the Depths, their trusting nature seemed misplaced. Max and Alex’s blind trust in other people will bother some readers, especially when one of the characters they trust ruins a perfectly happy ending.

Sexual Content

  • When looking for someone, Max and his friend “stopped at a booth where a couple in matching black leather jackets were in the middle of a long kiss.”

Violence

  • When Max takes an object, the natives threw a rock at a man in the group. “With a soft thud, the rock hit the back of Sergei’s head, and he dropped to the ground. The wolf people were surrounding him now. . . With a leap, he decked one of the wolf people with a solid martial-arts kick to the jaw. . . The wolf people backed away.” During the fight, a kid is pushed into a hole, where her arm is injured.
  • Max and another man race toward a house. They jump on yaks, but when Max pulls ahead, Nigel grabs him. Max “hit the ground hard, the pain shot up his spine . . . The pain came in waves.” Later, someone causes a yak to collide into Nigel and the man falls, and “he moaned, writhing in agony.”
  • A woman holds a gun on Max and is friends. There is a struggle for the gun, and the woman falls into a crevice. Max also falls into the crevice. “He was panting. Sweating. Achy.” His friends save him and help the woman.
  • Two people are arguing when a man with a gun approaches. Max jumps at the man, “With a cry, they both fell to the ground. The gun flew out of the man’s hand and slid off.” After a short scuffle, the man “Lifted Max off the ground. Mag struggled against the man’s grip, but his fists were like stone.” Someone helps Max by hitting the man on the head, and the attacker “fell to the ground, limp.”

Drugs and Alcohol

  • None

Language

  • In a moment of excitement, a character says, “Good God, what is it?”
  • Someone says, “I’ll be darned.”
  • One of the characters asks Max if “Plan B stands for ‘boneheaded’?”
  • “Oh dear Lord” is used as an exclamation once.

Supernatural

  • Wolf people watch over coils. The coils “fell from the sky one day, like holy rain. They do things—make people sick, punish for bad hunting season . . . the usual local superstitions.” The coils changed the people, making them look like wolf people. The people believe the coils are sacred and “they must protect holy coils from intruders.”

Spiritual Content

  • Max, who likes facts, said, “God is in the factoids.”

 

Fire the Depths

Thirteen-year-old Max Tilt’s life changes in a moment. When his mother becomes ill, his cousin Alex comes to care for him. When Max discovers his parents are in danger of losing their home, Alex and Max want to find a way to help. They head to the attic to find items to sell and discover Max’s great-great-great-grandfather Jules Verne’s unfinished manuscript The Lost Treasures. What begins as a quest for artic items becomes a treasure hunt as Alex and Max learn that everything Jules Verne wrote in Twenty Thousand Leagues Under the Sea was true.

As Alex and Max begin their journey, a strange skunk-haired man named Spencer Niemand appears. He’s determined to steal The Lost Treasures’ manuscript and claim the treasure as his own. However, he needs the kids’ help. Can Max and Alex outwit the devious man who is willing to use violence to gain the treasure?

There is a lot to like in Max Tilt: Fire the Depths. Right from the start, the story is fast-paced and interesting. Although the story is a bit far-fetched, especially the part where his parents leave knowing the electricity will be turned off and the house repossessed, these events explain why Max and Alex are willing to go on a dangerous treasure hunt in order to help.

As the two cousins begin their journey, they don’t realize the danger that follows. As the two follow Jules Verne’s path, they use clues he left behind, but they are soon trapped in a submarine with a villain. As they struggle against an evil villain, they dive to a city beneath the ocean, explore an ice cave in Greenland, and fight a giant squid. This page-turner keeps readers engaged using suspense, adventure, and a bit of humor.

The interplay between Alex and Max helps readers engage in the story. Throughout the story, the two cousins build a friendship and learn to rely on each other in dire situations. Each shows their bravery in different ways. Alex is unique in that he has synesthesia (where one sense substitutes for another) and the effects of synesthesia are shown in a simple, unique way.

Although this adventurous story is written for the ages of eight and up, the story is more appropriate for middle school students because of the violence and the truly evil villain. Although the violence is not described in graphic detail, the villain kills others in order to satisfy his greed. The action-packed plot takes Max and Alex on a submarine ride to an epic adventure that will engage students and teach that, “Sometimes you can’t be ready to do the things you really need to do. You just do them. And that makes you ready.”

Sexual Content

  • None

Violence

  • When a man grabs Niemand’s wrist, Niemand, “drew a knife from his pocket, and slammed it downward. As the man yanked his hand back, the blade sank into the tabletop.”
  • In order to eliminate witnesses, Niemand locks people into a warehouse and then sets off explosives. Niemand tells the event from his point of view, “on four, he heard sudden shouting and frantic footsteps inside the building. They finally realized. Good. Let them know there was no escape . . . On seven, the warehouse exploded.”
  • Niemand throws hot coffee in someone’s face. The man, “was squirming in pain on the worship floor.”
  • When bullies steal Max’s lunch, he uses a drone to get his lunch back. The drone hovers over the bullies’ heads and Max hits the release button. “The apple conked Dugan in the head. As he screamed and jumped aside, Max guided Vulturon downward, where Claw #3 grabbed onto his lunch bag.”
  • When a bad man tries to grab Alex, she hits him. The man, “recoiled with a howl of pain. But his reflexes were quick enough to wrap one beefy hand around Max’s throat.” Someone grabs the man’s foot and he lost his balance, “falling to the floor. His head smacked against the solid-steel edge of the Tilts’ coffee table.”
  • A man shoots at Alex and Max, but someone stops him before anyone is hurt.
  • In a letter, Verne writes about how Captain No One destroys an underwater civilization. “With a flash of fire, the carapace was breached. A hole shattered the thick material, jagged and mean as a lightning bolt. An explosion turned the sea to red.” Captain No One looted the city, and when two crew members tried to steal, they “were shot for their greed.”
  • A man falls from an icy ledge, “and then came the scream—deep, raw, animal-like—as Basile fell off the ledge and into the teeming white mass below.” Later, he is discovered alive.
  • Niemand ties Alex and Max to a snowmobile. “He circled it around each of them individually. He tied it down to various places on the snowmobile . . . Niemand flipped the lever to Drive. And he walked away.” The kids then fall into the frozen ocean, but they do not die. When the squid grabs Alex, Basile “swung the ax at the appendage that held Alex . . . The blade split it in two, the top part skirting upward in a violent spray of milky liquid.” The squid finally retreats.
  • A giant squid attacks the submarine and is able to get inside. Basile, Alex, and Max fight the squid in a battle that lasts eight pages.
  • When Niemand tries to capture Alex and Max, Max fights back. “As André approached, Max thrust himself off with his hands and kicked upwards, landing a solid hit on André’s chin. The scraggle-haired man fell backwards, arms flailing.” André grabs Alex and tosses her “like a bale of hay. Max saw her body fly over a thick copse and smack against a tree trunk. He heard her head thump and saw her limp body drop down to the forest floor.”
  • Niemand tells Alex to dig his own grave, but before he can get the work done, Alex hits Niemand on the head with a shovel. The kids are able to get away.

Drugs and Alcohol

  • None

Language

  • “Crap!” is used once.
  • Max tells someone that they are about to feel like “asses.”
  • Someone yells at a bad driver, “Watch where you’re going, idiot!”

Supernatural

  • None

Spiritual Content

  • While hiking, a character thinks “if God had meant for humans to live among hills, he would have made them goats.”
  • After defeating the squid, Alex said, “Thank God it’s over.”

Polaris

During the 1830s, the Polaris sets sail on a scientific mission to the Amazon jungle. The crew is excited to bring back new discoveries, but when the landing party returns, only half are alive. After an argument, the crew loads a chest into the bowels of the ship. After they begin their trip home, a bloody mutiny leaves most of the adult crew dead. Those who live, flee the ship, leaving six children—none of whom are older than twelve. The captain’s 12-year-old nephew Owen, a botanist’s assistant, and other deckhands struggle for survival. Soon they realize that the sea isn’t their only worry. Something else is lurking below deck, and it’s growing.

From the first page, Polaris will capture reader’s attention and they will not want to put the book down. With just the right mix of suspense and action, Polaris makes the fight for survival come to life. Full of realistic detail and nautical facts, readers will be pulled into the frightening atmosphere of Polaris. The story is appropriate for younger readers with tame battle scenes. This fast-paced story has well-developed characters that show the importance of working together despite the fact that they do not like each other. With a diverse cast of characters, an engaging plotline, and an epic battle scene, Polaris will not disappoint those looking for an excellent horror story. But be warned, the creepy creature may make its way into the nightmares of readers.

Sexual Content

  • None

Violence

  • A character thinks about a boy, who “had blown up trying to carry two cartridges (of gun powder) at once.”
  • A mutiny begins among the adult crew. The children listen to the fighting through a locked door and hear gunshots as well as someone being thrown into the sea. Then the boys hear, “three shots rang out in quick succession—the officer’s pistols. Shrieks of pain mixed with the shouts of rage, telling Owen that the rest of the work would be done with blades and hands.”
  • Owen shoots the creature. “Owen heard a quick sound behind him—tik-taclik! —like metal on bone.” Then, the boys pour boiling water on him. When the creature flees, someone stabs it with a spear.
  • When the creature snatches one of the boys, someone shoots the creature. “Per-KRACK went the pistol. A flash of flame and a billowing plume of smoke shot forth.”
  • A boy hits Owen over the head with a hatchet. Owen is not seriously injured.
  • When the creature tries to snatch another person, there is a fight that takes place over several pages. When someone shoots it, “the lead ball ricocheted off the thick armor plating of its thorax.” When Owen throws the pistol at it, “the butt of the pistol smacked heavily into what had been Obed’s forehead. The creature staggered backwards. . .” No one is injured.
  • The creature attacks the boys. The battle takes place over several chapters. During the battle, “A dark red rat-like creature emerged from the hatch, then a second, and then they all began to pour out. One dozen, two dozen.” The kids rig a device to blow up the ship after they have jumped off.

Drugs and Alcohol

  • Owen thinks about his uncle and father. “His uncle had taken him in after his mother’s death and his father’s descent into sorrow—and the bottle.”

Language

  • When the crewmembers discuss being infected with spores, someone thinks, “Oh God. . . What if it’s me?”

Supernatural

  • The children believe the ghost of Obed Macy is haunting the lower deck of the ship. They discuss if a Bible and cross will ward off the ghost.

Spiritual Content

  • During a storm, a character begins “the Lord’s prayer.”
  • A character prays, “Lord help us all.”

 

Sweep: The Story of a Girl and Her Monster

Orphaned as a child, Nan Sparrow is forced to work for a cruel chimney sweep named Wilkie Crudd. She and several other children toil day after day, sweeping out chimneys for nasty Mr. Crudd.

Cleaning chimneys is a dangerous job, and when Nan gets stuck in a chimney fire she thinks death is near. Instead, she wakes up in the house’s attic—and she’s not alone. A small piece of char has somehow come to life and needs Nan’s help to survive. Since everyone believes Nan died in the chimney fire, she takes advantage of her misfortune and decides to create a new life for herself and her monster, who she names Charlie.

From the very first page, Sweep captivates readers with beautiful writing that vividly displays the horrors of being a Victorian London chimney sweep. The story seamlessly flows back and forth between Nan’s life before she was orphaned, and her life afterward, when the man who took her in mysteriously disappears. Even though life with him was difficult, her life was full of love. The connection between Nan and the man (who is referred to as “the Sweep”) is deep and vibrant, and will leave readers curious to discover why the Sweep disappears.

The characters in this story are so well developed that every character’s unique personality shines through. As Nan begins to create a new life for Charlie and herself, she learns important life lessons. For example, while Nan would like to stay hidden from others, she eventually discovers that “We save ourselves by saving others.” Sweep’s suspenseful, surprising conclusion will leave readers in tears as they realize that cruelty and kindness are locked in a never-ending battle.

This story focuses on difficult topics such as poverty, child labor, and anti-Semitism. As Nan’s story unfolds, the difficult life of a child sweep in described in detail. Children faced harsh masters who fed them little, beat them, and sent them up chimneys where they were injured and sometimes died horrific deaths. One of the characters, Roger, became a sweep when his parents sold him. He turns into an unpleasant boy who dreams of becoming rich enough to buy his parents’ house so he can “raise the rent. Raise it so high, they’re put out on the streets.”

The publisher recommends Sweep for children as young as eight years old. However, this book contains long passages, difficult vocabulary, and shows humanity’s cruelty, which could be quite difficult for younger readers to handle. The book ends with historical information on sweeps, Victorian London, and a list of suggested books for readers curious to learn more. In this section, the author points out that, “today over 160 million children worldwide are forced into child labor. The battle is far from won.”

Sexual Content
• Master Crudd attends weddings. When Crudd said he wouldn’t be home for dinner, one of the kids teased, “Too busy kissing the brides for luck, eh, sir?”
• Nan tries to get other sweeps to march for a cause. One of the boys says, “Hammie’s just hopin’ to get a kiss from the flower girl on Hastings!”

Violence
• When Nan tries to grab her bowl of gruel, “a wooden spoon came down on her hand. She shrieked, clutching her fingers.” The woman caring for her told her she would not eat that day because she was late for breakfast.
• While cleaning a chimney, Nan gets stuck. In an attempt to get her out, Roger sets a fire. Nan shouted, “ ‘Roger, no—’ Her cries were cut off by a hollow whoof as the match hit the coals. Air sucked down through the chimney, like a beast drawing a deep breath. First came the smoke, a thick black tendril that slid up the flue and snaked around her neck. . . Next came the heat. It started as a prickling sensation on her back and heels, then spread up her legs. Within seconds, the warmth had turned to a blistering heat. . . Her entire body felt as if it were burning from the inside out.”
• Nan and the Sweep see “a pack of boys who were beating a smaller boy, calling him a ‘Jew.’” The Sweep chases the boys away.
• When Nan was little, she had a doll. A group of “young ladies” teased Nan and “one of the younger ladies snatched Charlotte (the doll) and waved her in the air . . . the doll circled and spun and then struck the ground with a sickening CRACK!”
• When a small boy drops a bag of soot, Roger “stomped up to Newt and struck him hard with the butt end of his broom.”
• Nan throws a snowball at Roger. “Perhaps it was her form, or perhaps it was her ire, but the snowball hit Roger with such force that the boy was knocked right off his feet and landed—splat—in the slushy gutter.”
• Master Crudd threatens to kill Nan and Charlie protects her. “Crudd gave a feral cry and lunged at Charlie, swinging the poker at his head. It connected with a dull crunch. Bits of sooty rubble feel to the floor.” Charlie grabs Crudd’s head and “Crudd screamed at the scorching touch. The room filled with acrid smell of burning hair, burning flesh. Charlie hoisted the man up and hurled him through the air . . . Crudd’s body smashed clear through the shuttered windows and into the frozen street.”
• When Nan was little, some men tried to put her in an orphanage. “The men grabbed the girl and locked her in a carriage. She had kicked out a loose board from the roof and climbed out to escape.”
• When the sweeps protest their work conditions, the master hits the kids. “The crowd gasped as the man brought the brush down on the boy with a thwap.” When people try to help the kids, “The sweeps—drunk and enraged—attacked anyone who touched them.” A riot breaks out.
• Master Crudd grabs Nan, and her friend tries to help, but “Whap! Crudd struck Toby in the face with his fist. The boy fell backwards and collapsed to the ground, unconscious.” In order to get away Nan, “threw her head forward—striking him straight in the nose.” Crudd chases her up a tower. “He reached out and snatched her ankle. . . She felt her grip break loose from the monument—And then Nan Sparrow fell . . . They struck the ground with tremendous force. The man died instantly.” Nan lays “bleeding on the street, moaning in pitiful agony, her body shattered beyond repair.” Charlie finds Nan and carries her away.

Drugs and Alcohol
• During a parade, the “master sweeps were already deep in their cups, enjoying free drinks in public houses all across the city.”
• A sweep “sounded drunk” when he yelled at his climbers. He said, “What do you ungrateful rats think yer doin?”

Language
• Roger calls a boy a “lazy maggot.”

Supernatural
• Master Crudd attends weddings because “everyone knew that paying a sweep to attend your wedding guaranteed years of happiness.”
• A piece of char comes to life. “Whatever happened inside that chimney must have changed the char—brought it to life.” The char, named Charlie, isn’t sure what it is, but he’s not a monster. Nan thinks Charlie is a golem, which is a “gabled monster in the Jewish tradition, a homunculus crafted from mud or clay and animated through Kabalistic ritual.” A teacher tells Nan that a golem is made when “a sage or rabbi–that is, a Jewish priest—forms a body out of mud or clay and then brings that creature to life with a sort of magic word called shem.” The teacher explains shem “is kind of like a spark. . . Some say the word is a true name of God.”
• Charlie accidentally breaks a bird’s egg. Charlie holds the egg and his hands, “were smoldering. His dark fingers crackled and began to glow red and then white. Smoke billowed from his open hands. . . And then Nan saw something that snatched the breath from her breast—The egg moved.” The bird pecks its way out of the egg, and although the bird’s wing is damaged, it’s alive.
• Charlie holds an acorn and “there was a smell of cracking embers. Charlie’s hands began to smolder, just as they had done with Dent’s eggs.” The acorn grows into a tree. After he makes the tree grow, his fingers, “did not bend. They did not crumble. It was like touching a statue.”
• Charlie holds Nan, injured and bleeding, in his arms. “Nan could feel a flicker of warmth spreading through her broken body, bringing her back. . . She could feel his arms turning rigid around her.” Charlie uses his magic to save Nan.
• When Nan buries an ember from Charlie’s body, “the snow beneath her boots melted to reveal black soil. And there, pushing up from the earth, were little shoots of green grass.”

Spiritual Content
• Nan befriends a Jewish teacher. Nan sees a Jewish prayer book in the teacher’s room. Nan tells the teacher what she has heard about Jewish people. “The way some folks talked about Jews, it seemed as if all the pains of the world were because of what they had done. She knew that wasn’t true though; she’d suffered plenty at the hands of God-fearing Christians.”
• Nan reads a poem about sweeps. In the poem, the sweeps, “rise upon clouds, and sport in the wind. And the Angel told Tom if he’d be a good boy, He’d have God for his father and never want joy.”
• Nan tells Charlie the story of baby Jesus, who was “born in a basket and how a wicked king tried to kidnap him but then a big bearded angel named Father Christmas fought the king. ‘And then he tossed the baby Jesus down the chimney of a girl named Mary, and that was the first Christmas present.’ ”
• The teacher celebrates Passover. She explains that “the Jewish people eat these things to remember when God delivered us from slavery in Egypt. . . Before the Jews escaped from Egypt, God sent an angel of death to the city. The angel visited the homes of the Egyptians and killed every firstborn child as they slept. It was punishment for the wickedness of their parents. The angled passed over the homes of the Jews and spared their children.”
• When the teacher meets Charlie, Nan asks, “Does it make you believe in God?” The teacher replies, “It makes me believe that the world is full of wonders that I can scarcely imagine. Perhaps that is the same thing.”

This is Where It Ends

No one ever thought this could actually happen to them. Not here. Not in Opportunity, Alabama.

It is just a normal morning at Opportunity High School when a frightening series of events forever alters the lives of all who are inside. At the conclusion of Principal Trenton’s back-to-term speech in the auditorium, the exit doors fail to open as thousands of students frantically attempt to exit. Two minutes later, someone starts shooting.

Lasting only fifty-four minutes, this harrowing story is told from the perspectives of four different students, each of who have personal connections with the shooter. Those minutes are packed with enough action and tension to feel like a year. This suspense-filled novel dives deep into the emotions of high schoolers and examines the complexities of a murderer’s personality. Riddled with guilt and fear, the characters of this novel make the tragic and once so seemingly impossible situation relatable for the average teen reader.

As the subject matter of this book is very mature, it is not recommended for younger readers. It deals with content such as a school shooting, the passing of a parent, violent deaths, and homosexuality. The author suggests it for readers 14 and above, but some teens may still be disturbed by the novel’s contents. Nevertheless, This is Where it Ends is a well-written and compelling book that examines a topic that has become increasingly important in modern teens’ lives. It allows readers to ponder the intricacy of teen relationships and the value that we place on social acceptance.

Sexual Content

  • There are several references to a romantic relationship between Claire and Tyler, the shooter.
  • Autumn and Sylv are dating secretly. They often hold hands and Sylv, “wanted nothing more than to kiss her, but instead, we held hands.” In another scene, they kiss, “I leaned in, cupped her cheek in my hand, and kissed her,” but as Autumn is afraid of what people will think, she does not “come out.” Facing death, the two admit their feelings in front of the entire school.
  • One of the murdered characters is “Kevin Rolland, one of Opportunity High School’s only out-and-proud students.”
  • At junior prom, Tyler corners his sister’s girlfriend, Sylv, and attempts to kiss her. This experience is traumatic for Sylv and leads to the breakup of Claire and Tyler.
  • During the shooting, Claire and her track teammates are locked out of the school, and they try to get help. As the crisis continues and deaths are discovered, Claire realizes that she is in love with her best friend, Chris, and acts on her feelings. It begins as “I curl my fingers around Chris’s and lean into him” and escalates to, “I look up and touch my lips to Chris’s . . . It’s as if I don’t know where he ends and I start . . . He leans in and kisses me again as if the world were ending. And actually, it has.”
  • Sylv mentions that Tyler raped her. It is not described.

Violence

  • Autumn’s father abuses her. She mentions that he hits her and shows her bruises.
  • Tomás constantly beats up and bullies Tyler for threatening his sister. Tomás thinks, “The one time his eyes weren’t glossed over with contempt was when I slammed his head into a locker. My fingers itch to do it again.”
  • Tyler enters the auditorium and shoots many people; he “picks them off methodically.” He shoots the principal first. “All I can see is Principal Trenton’s surprised smile as she was shot and the horror of the people around who rushed to help her . . . There’s death, there’s dying, and there’s blood everywhere.”
  • The bodies of two victims are described. “Two students . . . are splayed across the chairs in front of Tyler. The boy still has his bag half slung over his shoulder as his blood mixes with hers.”
  • Tomás is frustrated with his inability to be helpful during the shooting, and “I turn on my heels and ram my fist into one of the supply cabinets. The thin board splinters on impact, cutting my knuckles, but the pain offers no relief.”
  • During the shooting, Tyler threatens Sylv. “He placed his hands on my shoulders again, his thumbs digging into my neck . . . When I tried to roll over and crawl away from him, his boot found my stomach, and I doubled over. He pinned me, his knees on my arms and his hands on my shirt.”
  • When attempting to find the janitor to help unlock the auditorium doors, Tomás and Fareed find him dead in the supply closet. “His hands are bound together with a cable tie pulled so tight his fingers have gone black. Cable ties circle his neck, and he is gagged. His eyes are empty; his face is as discolored as his hands. Bloody scratches mark his neck, as if he tried to rip through the plastic with his bare hands.”
  • The shooting of students and teachers is described in detail. “The first bullet buries itself in the teacher’s arm. The second bullet drills a hole through his chest.” In another scene, “A freshman beside us stumbles and trips, sliding against the seat when a bullet perforates her neck. I almost join the screaming as blood splatters my face.”
  • Some bullying boys set fire to a student’s locker. Another student’s tires are slashed for revenge.
  • Because her brother is the shooter, Autumn feels grief and responsibility for the deaths of others. She thinks, “Every time I blink, I see Nyah’s face being torn apart by the bullet . . . Ty is my only brother, but right now, I want him to die. To take the gun and shoot himself.”
  • Autumn gets hit with the barrel of the gun while she is trying to stop Tyler. “His arm snaps back and the barrel of the gun bashes my cheek. Spots of light burst in my vision. Pain blossoms over my face. Blood pools in my mouth.”
  • Near the conclusion of the novel, Tyler shoots Autumn and then kills himself, “When he pulls the trigger, I feel the shot rather than hear it. Pain overwhelms me. The floor opens up around me. The last thing I see before I fade is Ty turning the gun on himself . . . Then he blows his brains out.”

Drugs and Alcohol

  • Tyler and Autumn’s father is an abusive alcoholic. “Mr. Browne drowned his sorrows in alcohol.”
  • Tomás describes what usually follows an assembly as, “So everyone pushes to leave, then strolls, dawdles, sneaks out for a smoke and some air (the two aren’t mutually exclusive, thank you very much).”
  • Claire thinks of the track runners’ get-together at the end of the school year. The event has “no alcohol until the JV athletes are asleep, but then we’ll drink. We’ll toast our four years together.”

Language

  • Profanity is used fairly often throughout the novel. This includes: dammit, hell, fuck, and fuck off.
  • Claire describes the re-built version of Opportunity High School as, “state of the art—larger sports fields, fancy equipment, right in the middle of fuck all.”
  • “Oh my God” is said once and “God” is said once.
  • The people who are around Autumn in the auditorium are described as, “no longer pitiful, no longer worried about my poor, fucked-up home.”
  • Tyler rants to Autumn in between shooting people. “You know how much it hurt to find out about you and that—that slut?”

Supernatural

  • None

Spiritual Content

  • After hearing the sound of the first bullet rip through the air, Claire and Chris decide to run for help. Before running, she chooses to “whisper a prayer to anyone who might listen.”
  • Upon seeing the mutilated body of the dead janitor, Fareed, “mutters something, but I can’t make out the words. It sounds like a prayer of sorts in the language of his parents.”
  • When Sylv comes out to her family as gay, she mentions that “Father Jones preaches about sin, hell, and damnation.”

by Morgan Filgas

Shark Bait

Sam expected to view sea life while on vacation at the Great Barrier Reef. What he didn’t expect was to become shark prey. But when a huge wave hits Sam and another boy, they are swept into the open ocean. Sam must keep himself and his new friend, Michi, from drowning. He also has to worry about the predators that lurk underwater.

When Sam and Michi finally see land, their troubles are far from over. Michi’s foot gets stuck in a giant clam and when Sam goes for help, smugglers throw him in a cage with an angry bird. Sam must figure out a way to escape in time to help Michi get to shore before the tide comes in.

Action-packed suspense will keep readers turning the pages of Shark Bait. Because Sam tells his own story, the reader will be able to relate to his fear and determination. Although Sam seems to have the worst luck in the world, his story is believable. Shark Bait is an easy-to-read story that is sure to entertain.

Sexual Content

  • None

Violence

  • A shark attacks Sam. “I felt myself knocked head over heels. The next moment I was upside down, looking back through the inverted V of my splayed white legs . . . I couldn’t believe a real live shark had just head-butted me and then swum away.” When a shark bites the cast on Sam’s foot, Sam “hit my attacker in the eye” and the shark lets go.
  • During the night, a boat hits Sam. “It spun me around, rolling me helplessly along the hull beneath the water line . . . The hull wacked me again, on the shoulder this time.”
  • Sam wrestles with a sea snake. “Grabbing its neck with my other hand, I yanked it off my watch . . . It coiled itself into a writhing green football around my wrist and arm, its mouth biting and snapping in my tightly clenched fingers.”
  • Michi attacks a smuggler, who is holding Sam captive. “Michi darted forward and tripped the smuggler with his stick . . .” Then Michi uses a karate kick. “The toe of Michi’s heavy leather shoe struck him squarely in the temple. Whomp! Baldy went down like a sack of wet cement.”
  • A smuggler throws a spear at Michi, but no one is injured. Later Michi kicks the smuggler and the man “fell in a heap.”
  • A smuggler shoots a gun at the boys.
  • A smuggler tries to stab Sam with a bowie knife. Sam “formed a karate ridge-hand and struck him with all my strength right on the point of his elbow . . . he screamed, dropped the knife, and slid from view.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Scorpion Sting

When Sam and his brother, Nathan, go on a caving expedition, the cave roof suddenly collapses, trapping Nathan. Nathan needs medical help in a hurry, and Sam is his only hope. When Sam reaches the cave’s entrance, he’s trapped by angry scorpions. But that’s just the first obstacle he must overcome in order to save his brother.

Once out of the cave, Sam must survive the desert heat and avoid terrorists, all while trying to figure out which direction to go to find help. On his way, he must remain calm and use all of the skills his brother taught him just to stay alive—because staying alive is the only way Nathan will get the help he needs.

Told from Sam’s point of view, Scorpion Sting is full of suspense right from the start. Sam is a likable character, who relies on his brother’s advice to get him through each obstacle. Full of kid-friendly adventure, readers won’t want to put this book down until they reach the exciting and surprising ending.

Although Sam is in danger of being killed several times, the scenes are not described in detail which allows the reader to use their imagination. Even though Sam faces several near-death experiences, the events are not scary because of Sam’s bravery and the lack of graphic detail.

The ending of the book will give the reader several unexpected surprises, including that the terrorists weren’t terrorists at all. A fast-paced adventure, Scorpion Sting will be enjoyed by children, especially boys, of all ages.

Sexual Content

  • None

Violence

  • While lost in the desert, Sam comes across a pack of dingoes. The dingo tries to eat a joey, so Sam wants to prevent the joey from becoming lunch. “I caught the dingo in a flying tackle, knocking it to one side. I landed on top . . . There was a whoosh of air being driven from its lungs and the horrible sound of a rib cracking. It let out a yowl of pain and bit me on the shoulder.”
  • Someone shoots at Sam. He believes that the shots came from terrorists, who are conducting a training exercise.
  • Sam and another boy hide from tanks. The boys inadvertently hide behind billboards that the tanks are firing at. “One of the tanks belched a yellow ball of flame. There was a whistling sound, followed by a loud crack. The billboard next to ours shuddered as a spray of wood chips and debris flew out of the back of it.” The boys are able to move and hide before they are hurt.
  • Twice, a shell almost hits the boys. “A huge shock wave drove me face down into the sand with the force of a pile driver. All the wind was knocked out of me. I saw stars. For a few seconds I was completely out of it.”
  • In order to save the Prime Minister, Sam tackles him. “The Prime Minister went down like a bag of cement, with me on top of him. As we hit the ground, there was an ear-splitting boom. I felt a blast of hot air and saw the jeep’s door spinning overhead like a Frisbee.”

Drugs and Alcohol

  • None

Language

  • When Sam is surprised or upset he yells, “Holy guacamole!”

Supernatural

  • Sam follows Min Min lights, which are part of Australian folklore. The lights appear and disappear quickly, but the source is unknown.

Spiritual Content

  • None

 

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