Topic: Life and Death

Scene of the Crime: Tracking Down Criminals with Forensic Science

From the critically acclaimed author of The Book of Chocolate, The Human Body, and From Here to There, comes an all new nonfiction deep dive into forensic science. What is evidence and how do investigators gather it? How do you determine how long a body has been dead? Do fingerprints differ from person to person? How did some of the world’s great fictional detectives, like Sherlock Holmes, further the study of forensics? Packed with lively photos, classroom activities, and engaging prose, budding private eyes and scientists will be eager to find the answers to these and other questions in HP Newquist’s latest, and to learn about everything from the world’s first autopsy in Ancient Rome to the role that DNA plays in solving crimes along the way. 

Scene of the Crime is a fascinating book that takes a deep dive into the science of forensics. From the beginning of time, crime has been a part of the world. This is where Scene of the Crime begins. However, the information is presented in short chapters, making it easy to understand. In addition, the use of illustrations, photography, and other graphic elements break up the oversized text. In order to make the book easier to understand, whole pages are devoted to crime scene vocabulary, and other information such as different eras of society. To engage readers, the book encourages readers to act like a detective by completing activities such as identifying a footprint. The visual elements include illustrations, vocabulary, and activities that will appeal to a large number of readers. 

While much of the book discusses murder investigations, it also includes interesting information about the first detective story written by Edgar Allen Poe as well as Sir Arthur Conan Doyle’s fictional character Sherlock Holmes. Readers will be fascinated by how Sherlock Holmes helped shape forensic science. For example, because of Sherlock Holmes, police “attempted to reconstruct the crime based on all evidence.”  

Using real crime, Scene of the Crime explains that some crime investigators found ways to process evidence by accident, and other’s used ways to determine guilt and innocence in unconventional ways. For example, Cesare Lombroso was a doctor who believed that “physical features—such as an unusual forehead or large hands—could tell if people were going to be criminals or not.” Readers will recognize many of the scientist mentioned in the book and be surprised at how the scientist helped shape today’s investigations.   

When it comes to forensic science, new methods are still being discovered which causes ethical debates. For example, DNA from genealogy websites was used to catch the Golden State Killer. Even though DNA can be used to identify murders, there is debate about the ethical use of DNA. “If we leave our DNA everywhere—including on door handles and tissues—does that mean the police are free to collect it no matter what? Even if we’re not suspected of committing a crime?” Scene of the Crime also leaves the reader with this question: How will artificial intelligence affect how crimes scenes are investigated?  

Although Scene of the Crime is fascinating, it is not for the faint of heart. While the deaths are not described in gory detail, victims’ wounds are discussed. This includes a segment on how the body decomposes, which is gruesome and disturbing even though it’s described scientifically. There are also several pictures that show decomposing bodies that are being researched at a body farm—facilities that use corpses to study decomposition of the body. Despite this, anyone who is interested in the law enforcement field should read Scene of the Crime. 

Sexual Content  

  • None

Violence  

  • Because the book is about solving murders and gives examples of real crime scenes, including the condition of the bodies, not all examples from the book are included below.  
  • In the 1500s, torture was used to “get suspects to admit to crimes. . . Speaking out against God, not going to church, or practicing witchcraft were considered among the worst crimes one could commit.” This caused the Spanish Inquisition which used “trial by ordeal” to determine guilt or innocence. “For example, one version of the trial by ordeal was known as the ‘drowning of witches.’ The way to find out if a woman was a witch was to tie her up and throw her in the river. . . If she floated, she was guilty.” Several other examples are given. 
  • When Ceasar died, people wanted to know the cause of death. “Ceasar’s physician examined the ruler’s corpse. . . He made a report. It stated, very succinctly, that ‘Ceasar had been brutally stabbed twenty-three times, but only one of these proved fatal, and that was to his heart.”  
  • In 1784, a man named Edward Culshaw was murdered. “Someone shot him in the head. . . The doctor who examined Culshaw’s corpse removed the bullet from his head. Along with the bullet, the doctor found something strange. Pressed against the bullet—inside Culshaw’s skull—was a small piece of wadded-up newspaper.” The newspaper helped convict the killer and the killer was “taken away to be hanged.”  
  • In 1892, two children “had been stabbed in their beds. [Their mother] accused her neighbor Ramon Velasquez. . . The police—using a technique many police departments did at the time—beat Velasquez in the hopes he would confess. He would not.” They locked him in a jail cell with the bloody corpses of the two children overnight.” He still didn’t confess. 
  • Later, police discovered that the children’s mother, Francisca, killed them. “Francisca had done it because she wanted to be free of the boys in order to marry her new boyfriend, who did not like children.” 
  • A chapter is dedicated to Jack the Ripper, who killed five women. “The five women had their necks cut by a large knife. The killer then opened one of his victims up, as if preparing them for surgery, and removed their internal organs. These were placed around the victim’s body.”  
  • One chapter discusses how Al Capone’s gang violence advanced ballistics testing. Capone’s gang and George “Bugs” Moran’s gang were causing havoc in the streets. Then on Valentine’s Day 1929, “seven of Moran’s men were rounded up and taken to a garage. They were lined up against a wall and shot to death by four gunmen who sprayed them with machine-gun bullets.”  
  • In 1983, “the body of fifteen-year-old Lynda Mann was found raped and strangled in the woods in the rural country. . . There were bodily fluids on her corpse, but no fingerprints.” Three years later another fifteen-year-old was discovered “murdered in a similar fashion.”  
  • The book explains the crimes of the Golden State Killer who “killed at least thirteen people, sexually assaulted more than fifty women, and committed over a hundred burglaries. He killed men and women, broke into their homes, stole their jewelry, and sometimes paused to eat the food in their kitchen.” DNA was used to find the Golden State Killer and he was sentenced to prison.  

Drugs and Alcohol  

  • Mathieu Orfila “was fascinated by chemistry, especially the chemical mysteries that lurked in poison.” Mathieu wrote several books on poison and how to tell if a dead person was killed by poison. In 1840, Marie Lafarge’s husband died after he became sick. “The Lafarges’ maid told police that she had seen Marie mixing arsenic in Charles’ food. . . It came to light that Marie had bought so much arsenic that the local pharmacist stopped selling it to her.” During the trial, Mathieu Orfila used a test and discovered arsenic was “in the body. Charles had been poisoned to death.” 

Language  

  • None 

Supernatural 

  • In the 1500s, spectral evidence was used. “Witnesses claimed they saw visions of dead people—ghosts. The ghosts helped witnesses identify the criminal.”  

Spiritual Content  

  • None

Ground Zero

September 11, 2001, New York City: Brandon is visiting his dad at work, on the 107th floor of the World Trade Center. Out of nowhere, an airplane slams into the tower, creating a fiery nightmare of terror and confusion. And Brandon is in the middle of it all. Can he survive — and escape? 

September 11, 2019, Afghanistan: Reshmina has grown up in the shadow of war, but she dreams of peace and progress. When a battle erupts in her village, Reshmina stumbles upon a wounded American soldier named Taz. Should she help Taz — and put herself and her family in mortal danger? 

Two kids. One devastating day. Nothing will ever be the same. 

Ground Zero focuses on Brandon and Reshmina’s perspectives. Although the time period is different for the protagonists, the chapters switch perspectives every other chapter. This makes both characters’ conflicts feel immediate and allows readers to see the parallels between Brandon and Reshmina’s stories. Even though both of the protagonists are young, they are forced into life-and-death situations that show the evils of terrorism. In addition, both Brandon and Reshmina lose an innocent family member who is killed due to no fault of their own.  

Brandon’s and Reshmina’s stories explore the complicated relations between Afghanistan and America. Neither of the protagonists understands why the violence is happening to them. All they know is that violence has caused death and destruction for those around them. One issue that is briefly discussed is how “big countries made money selling weapons to little countries [Afghanistan]. Who they killed with those weapons wasn’t any of the big countries’ concerns.” In the end, Ground Zero leaves the reader wondering if the United States has become a “bully” to Afghanistan. 

Readers will feel compassion for Reshmina and come away with a new understanding of how girls are treated by the Taliban. Even though Reshmina lives in a village where girls have few rights, she still dreams of becoming an interpreter. This dream propels her to study hard and gives her hope for the future. When Reshmina sees a wounded American soldier, she is reluctant to help. But when the soldier asks for assistance, Reshmina takes him home and her family agrees to give him refuge. This causes a myriad of problems for Reshmina’s family and village. Afterward, Reshmina wonders if helping the soldier is the right thing to do. This experience helps her realize that, “Moving forward was scary. Sometimes you make mistakes. Sometimes you take the wrong path. And sometimes, even when you take the right path, things could go wrong. But Reshmina realized that she wanted—needed—to keep moving forward, no matter what.”  

Ground Zero helps readers understand the events of 9/11 and the lasting impact 9/11 had on Afghanistan. While both Brandon’s and Reshmina’s stories are compelling, Reshmina’s side of the story makes readers question the nature of war. Both protagonists describe violence, and some of the descriptions are graphic and disturbing. After reading Ground Zero, readers will be able to visualize what happened in the Twin Towers after the planes crashed into them as well as the destruction of Reshmina’s village. Since Ground Zero explores how 9/11 changed America and Afghanistan, younger readers may have difficulty processing the difficult topic.  

Mature readers will find Ground Zero compelling and thought-provoking. However, readers who are interested in learning more about 9/11 without the graphic images may want to read Towers Falling by Jewell Parker Rhodes, Molly and the Twin Towers: A 9/11 Survival Story by Jessika Fleck or I Survived the Attacks of September 11, 2001 by Lauren Tarshis. 

Sexual Content  

  • None 

Violence  

  • Because the story focuses on the terror attacks and a war, not all of the book’s violence is described below. 
  • A boy at school brought “these Wolverine gloves to school, like from the X-Men movie. And Stuart Pendleton stole them and wouldn’t give them back!” Brandon hits Stuart Pendleton in the nose. Brandon said, “Once I saw his nose was bleeding, I helped him up and took him to the nurse’s office.” 

World Trade Center, 2001 

  • A group of people are stuck on an elevator that keeps sliding down the shaft. A woman decides to run through a fire to get out of the elevator. “The woman burst into flames. She screamed and beat at her burning hair as she collapsed to the floor. . .” The woman rolled and a man “beat the last of the flames with the wet shirt he carried.” The woman’s “hair was gone, and her hands and arms were burned. Badly. . . The burned woman wept. Blisters were forming all over her body.” The scene is described over two pages.  
  • After the woman gets out of the elevator, it falls. “The four people in it were surely dead.” 
  • Brandon watches as an airplane flies into the South Tower. “Suddenly a bright orange fireball erupted from the side of the South Tower facing them.” This is when people began to realize that it wasn’t an accident, that instead the planes had purposely flown into the towers. 
  • Several times, Brandon mentions people falling to their death. As Brandon is leaving the tower, “Out on the plaza between the North Tower and the South Tower were bodies. And parts of bodies. Broken, bloody things too awful to think about. . . A piece of metal crashed into the plaza—SHANG!—and Brandon flinched. The big beam was immediately followed by something white and blue and brown plummeting down from above, and it hit the ground with a sickening THUMP!” 
  • In the lobby of the tower, Brandon saw “dozens, hundreds of bodies were lined up in rows across the floor. Some of them were missing limbs. Others had open wounds. Paramedics moved the burned, broken, and dying people, doing what they could.”  
  • When the tower falls, “with a roar like a garbage truck, a blast of smoke and dust lifted Brandon off his feet and hurled him into darkness.” 
  • When Brandon gets out of the tower, he sees people falling from the North Tower. “People were still jumping from the tower, falling ninety floors to their deaths. They dropped out of the thick black smoke that engulfed the top of the building with alarming speed, arms and legs flailing. Brandon saw one man reaching, grabbing as he fell, too far from anything to stop himself, his tie sticking straight up in the air above him.”  

Afghanistan, 2019  

  • When the Taliban ruled Afghanistan, “the Taliban beat men for not growing beards, massacred families, burned down schools, and put on public executions in the soccer stadium in Afghanistan’s capital, Kabul. . . [they] beat women who left their houses without a male family member, and sold girls into slavery.”  
  • Reshmina’s sister, who was only 16, is killed on her wedding day by an American drone. Reshmina watched as “something small and black detached from the drone and streaked out toward the front of the parade. Toward her sister in her beautiful wedding dress, surrounded by all her friends. Reshmina remembered the whoosh of the missile, the gray trail of smoke behind it and then—” 
  • The Taliban lures the American army into Reshmina’s village. When the army attacks, Reshmina runs home. “THOOM. The ground rocked from a nearby explosion, and dirt rained down from the ceiling. . . Gunfire erupted close enough nearby to rattle the dishes, and Reshmina and Marizia huddled together against the wall. . . The shooting and explosions didn’t seem to bother the baby. He was already used to it.”  
  • Reshmina gets into an argument with her mother. Afterward, Reshmina’s grandmother explains: “When your mother was six, her father was killed by a missile while he was praying in his backyard. When she was your age, her older brother was killed by the Taliban for no reason that has ever been explained to her. Her husband—your father and my son—had his leg mangled by an old Soviet mine right after they were married. . . . Hila was killed by an American bomb.”  
  • After a battle between the Taliban and the Americans, Reshmina finds an injured American soldier. “His face was charred like a scorched pot, and there were dark, wet spots on his uniform. Blood, Reshmina realized. . .”  
  • When Reshmina’s brother decides to join the Taliban, she follows him in order to stop him. While they are arguing, a helicopter appears. “A rocket streaked from one of the Apache’s wings straight toward the ridge where the Taliban had been standing moments before, and F-THOOM!—the hillside exploded. Boulders broke loose from the mountain and tumbled down toward Reshmina.”  
  • The Taliban shoots at the helicopter. “The helicopter descended, getting closer and closer, and the sound of bullets hitting the hillside got louder and louder. . .” The attack is described over seven pages. It is unclear if anyone died.   
  • Reshmina tries to physically stop her brother, Pasoon, from leaving to join the Taliban. “Pasoon hit her hard on the side of her face with his open palm. The blow was so sudden, so brutal, it sent Reshmina to her hands and knees. Rocks cut into her palm. . . Reshmina tasted blood where she’d bitten her own tongue, and her face burned. . .” Pasoon leaves. 
  • The Taliban and Americans battle in Reshmina’s village. “An assault rifle barked, and another fired back. The villagers screamed. . . Taliban bullets struck the guard, and he fell to the ground, dead. . . Huge blasts rocked the village above them, and three more houses exploded in clouds of rock and splinter.” The villagers hide in a cave while their homes are completely destroyed. The battle is described over six pages.  
  • The Taliban dropped a bomb on the cave and “the whole ceiling fell in . . . Reshmina explored the rockfall, looking for a way through. She stopped when she saw the legs of some poor soul sticking out from under a boulder, the rest of the woman’s body crushed in the cave-in.” Later, Reshmina learns that “a few died,” but most of the village survived the cave-in.   

Drugs and Alcohol  

  • Reshmina discovers a field of Poppies. “People didn’t grow poppies for their pretty pink colors. Poopy seeds had a gummy substance that was the raw material for heroin. . . For many Afghans hurt by decades of war, it was the only kind of medicine they could find to erase the suffering—and their awful memories.” 

Language  

  • When the elevator swings back and forth, a man says, “What the hell—.” 
  • When Brandon was trying to find his father, his path is blocked by debris. Brandon repeats “crap” six times. Later, a man says, “Holy crap.” 
  • Oh my God and Good God are used as exclamations several times. 
  • Jesus, damn, and dang are all used once. 
  • Reshmina calls her brother a snake, an idiot, a cowardly worm, stupid, and son of a donkey. 
  • An American soldier has a tattoo that says, “Damn the Valley.” He explains, “This valley [where Reshmina lives]—it kills our friends and ruins our lives.” 
  • An American soldier says, “Dadgum.”  

Supernatural 

  • None 

Spiritual Content  

  • While leaving the Twin Towers, a woman says, “God bless you,” to a firefighter. 
  • When the Taliban and Americans fight near Reshmina’s village, Reshmina prays, “Dear God, please keep Baba and Pasoon safe out there.”   
  • When Reshmina finds an injured American soldier, she thinks about leaving him to die. But when the soldier “specifically asked her for help,” Reshmina is conflicted. “Just as Pashtunwali gave her the right for revenge, it also said that when a person asked for help or protection, no Pashtun could refuse—no matter who was asking, friend or foe.” Pashtunwali is the tribal code of the Pushtan people from Afghanistan, which Reshmina follows. Reshmina allows the soldier to follow her home.  
  • A textbook from Reshmina’s school said: “J is for Jihad. Jihad is the kind of war that Muslims fight in the name of God to free Muslims and Muslim lands from the enemies of Islam.” 
  • While hiding from a battle, Reshmina and her brother hide with a group of Nomads called the Kochi. When the Kochi pray, “Reshmina and her brother felt obligated to join them. . . God was forgiving and merciful and would still accept their prayers if He willed it. Better to pray than to not pray, their father always told them.” 
  • As Reshmina prays, she asks, “Please help turn my brother’s heart from revenge. Please show him another path.” 
  • Reshmina asks God for a du’a. “A special request in a time of need. . . God promised to answer a du’a in one of three ways. The first. . . was when God gave you what you asked for. . .The second was to give you what you prayed for, but at some later date. The third was to not give you what you asked for at all, but instead to prevent some other hardship or injury from happening to you.”  
  • After several villagers die, Reshmina’s father says, “To God we belong, and to God we return.”  

Breaking Stalin’s Nose

Ten-year-old Sasha Zaichik wants nothing more than to join the Soviet Young Pioneers. After all, he has had their laws memorized since he was six years old: 

  • A Young Pioneer is devoted to Comrade Stalin, the Communist Party, and Communism.  
  • A Young Pioneer is a reliable comrade and always acts according to conscience.  
  • A Young Pioneer has a right to criticize shortcomings.  

But the night before Sasha is to join the Young Pioneers, his father is arrested. Sasha knows this is a mistake. His father, after all, is a devoted communist. But as bad turns to worse and events spin out of control, Sasha begins to realize that not everyone’s life is full of faith in Comrade Stalin.  

As Sasha begins to see how the Soviet Union treats those who are not in favor—those with family who have been arrested, those who refuse to be a snitch and give the Secret Police names or those who simply do not obey fast enough or fervently enough—Sasha begins to doubt that he wants to join the Young Pioneers after all.  

Eugene Yelchin’s first-hand experience living in the Soviet Union shines through in this intimate and heart-breaking story about Sasha. The details of daily life in the Soviet Union will fascinate readers: from living in a communal apartment to admiring pictures of Stalin and singing Communist songs. But the heart of the story comes from Sasha’s relationship with his father and his emotional journey once his father is arrested.  

Readers will relate to the deep love and trust Sasha has with his father. When he is arrested, Sasha does not doubt his father for a moment. Sasha knows the arrest was a mistake, and trusts Stalin will soon realize this and release his father. It’s only as events continue to unfold—and new facts come to light—that Sasha begins to lose the rose-colored glasses with which he has been taught to view the world.  

Breaking Stalin’s Nose is a wonderful story that will help readers understand life in the Soviet Union. It provides a glimpse into how fear, propaganda, and glorification of Stalin led so many people to obey the Communist reign. Sasha’s authentic voice and deep love for his father make him a relatable narrator. While Sasha fully believes in Stalin at the beginning of the book, his emotional journey to deciding for himself if it’s right to join the Young Pioneers emphasizes the importance of thinking for oneself and not blindly accepting people in authority.  

In the end, Sasha chooses to follow the path that he feels is right. While the future seems bleak, Sasha is at peace with his decision and has hope that one day there will come a better future for the Russian people. For anyone interested in the Soviet Union, this story is a must-read. Its plot takes place over two days yet is packed with cultural and emotional punch that will stay with readers long after they turn the final page.  

Sexual Content  

  • None 

Violence  

  • State Security comes to arrest Sasha’s father in the middle of the night. “When I get to the room, Dad is sitting on the floor, holding his ear. The officer’s leather belt creaks as he turns to look at me . . . this close, I see [my father’s] ear is bleeding.”  
  • Sasha tries to get into the Kremlin to ask Stalin to release his father. When the guards see him, one “swears, steam bursts out of his mouth, and he plunges his enormous mitten into my face. I duck under and run. The guard blows a whistle and the other whistles join in. Suddenly, guards are everywhere. One slips and falls, and his pistol goes off like a whip crack.” Sasha is unharmed.  
  • At school, the students gang up on a kid they call “Four-Eyes” during a snowball fight. “Vovka is lifting a snowball, but he doesn’t throw it at me. He throws it at Four-Eyes. Several kids join Vovka and line up into a firing squad. They hurl snowballs at Four-Eyes and he covers his face to protect his glasses.”  
  • Sasha doesn’t feel like throwing snowballs at Four-Eyes, but other kids cry, “Traitor! Enemy of the people!” Vovka declares that “Who’s not with us is against us.” Sasha gives into the pressure and “before I know what I’m doing, I grab the snowball from Vovka’s hand and throw it at Four-Eyes. There’s a loud pop as it hits him in the face. The eyeglasses snap, glass splinters and one shard cuts his cheek.”  
  • Vovka takes a banner from Sasha and “jabs me in the stomach.”  
  • To quiet a crowd, a man “pulls out his pistol, and points it at the ceiling.” He does not fire the weapon.  
  • When the students are walking in a line, Sasha stops and “someone punches me in the back” so that Sasha will “fall in with everybody again.”  
  • After being repeatedly taunted by his teacher—Nina Patrovna—Vovka “flies at Nina Patrovna, grips her by the throat, and begins strangling her. Nina Petrovna’s face turns red and her eyes bulge. She makes gurgling noises and starts kicking up her legs. Nina Petrovna and Vovka knock things to the floor and bump into desks.” Vovka is dragged off to the principal’s office.  
  • While at the principal’s office, Vovka “bumps into Nina Petrovna, who is walking out; she shrieks and leaps back. Vovka gives her a nasty grin and goes in.”  
  • Sasha climbs on a desk with a banner and sings “A Bright Future Is Open to Us.” The teacher chases him, trying to get him to stop. The teacher “tries to grab my foot, but I’m faster. I hop from desk to desk, shouting the song and waving the banner. Nina Petrovna chases after me. Everyone’s laughing. Then I miss a desktop and go down, and right away she’s on top of me, screeching and wrestling the banner out of my hands.”  
  • When the teacher is accused of breaking Stalin’s statue, State Security guards “twist Nina Petrovna’s arms and drag her to the door. She screams and kicks and tries to hold on to nearby kids. They duck under her arms, laughing.”  
  • When Sasha goes to visit his father in prison, a guard yells “Step back!” The guard “aims the rifle at me. He looks like he’d shoot a kid, so I stop.” The guard directs Sasha to get in a line. 

Drugs and Alcohol  

  • The nose is accidentally broken off of a Stalin statue; Sasha imagines the nose is talking to him. “By the window hangs a cloud of tobacco smoke so thick, I can’t see who is talking . . . the smoke drifts away, and now I see who’s sitting in that chair—Comrade Stalin’s plaster nose, and it’s smoking a pipe!”  
  • When speaking to a State Security Senior Lieutenant, Sasha thinks “this close, I can smell him. Tobacco, sweat, and something else. Gunpowder, I decide.”  

Language  

  • When Sasha’s father is awarded the order of the Red Banner, Comrade Stalin calls him “an iron broom purging the vermin from our midst.”  
  • Sasha is called an “Amerikanetz” because his mother was American. The term is considered an insult.  
  • A Jewish kid is mocked and called Four-Eyes. “Four-Eyes is Borka Finkelstein, the only Jewish kid in our class . . .we call him Four-Eyes because he wears eyeglasses. Anybody who’s not a worker or a peasant and reads a lot, we call Four-Eyes.”  

Supernatural  

  • None 

Spiritual Content  

  • None 

The Vicious Deep

One crashing wave and Tristan Hart was gone for three days. Sucked out to sea in a tidal wave and spit back ashore at Coney Island with no memory of what happened. Now his dreams are haunted by a terrifying silver mermaid with razor-sharp teeth. 

His best friend Layla is convinced something is wrong. But how can he explain that he can sense emotions like never before? How can he explain he’s the heir to a kingdom he never knew existed? That he’s suddenly a pawn in a battle as ancient as the gods? Something happened to him in those three days. He was claimed by the sea . . . and now it wants him back. 

The Vicious Deep’s protagonist Tristan is an interesting if somewhat self-centered character who doesn’t consider the long-term consequence of his actions and is hyper-aware of his sexuality, even in difficult situations. For example, when Tristan discovers he is half-human and half-merman, one of his first thoughts is what happens to his penis when he’s a merman. In addition, Tristan believes that his best friend Layla is the only girl for him, but that doesn’t stop him from appreciating other girls and crudely commenting on his sexual desires. Teens will connect with Tristan because he’s not a typical hero; instead, he is a teenage boy who struggles to accept the changes in his life. For instance, though the world’s fate is in Tristan’s hands, he is slow to take action and has a hard time coming up with a plan to complete his mission of finding the oracle.  

When Tristan travels to the floating island of the Sea King, he learns about the merfolk’s imperfect world. Much like the human world, the merfolk’s world is full of problems. Because Tristan did not grow up in the merworld, his grandfather, the Sea King, decides to have a competition to see who will become the next ruler. The Sea King breaks a trident into three pieces and eligible princes must find the pieces in order to become the next heir to the throne. While the merworld’s island is beautiful and has some surprising aspects, Tristan isn’t at the island long enough for readers to understand the merworld. 

Once Tristan returns to New York City, he relies on the help of two merpeople—Kurt and Thaila. Kurt’s serious nature is contrasted by Thaila’s curious and enthusiastic behavior. Readers will enjoy seeing a typical New York high school from the merpeople’s perspective. In addition, Kurt and Thaila help Tristan—and the reader—understand the merworld’s political structure and problems.  

The Vicious Deep’s conclusion has some action-packed scenes; however, the conclusion would have had more impact if some scenes were cut out. It’s unbelievable that Tristan, Kurt, and Thaila would spend time at the high school and even go to swim practice when evil creatures keep appearing in New York. In addition, the high school scenes reinforce the idea that Tristan is a “man-slut” who had sexual encounters with several girls whose names he can’t even remember.  

Readers who love mermaid books will enjoy watching Tristan learn about the merworld even though he lacks heroic qualities. Tristan’s interactions with the merpeople are interesting and often suspenseful. The large cast of characters gives readers a peek into the merworld, which will leave readers with a sense of wonder and fear. While Tristan finds one piece of the trident, readers will have to read the second book in the series, The Savage Blue, to see if Tristan has the bravery and leadership qualities to become the next Sea King. Readers who love books with rich world-building should also read the Starcrossed Trilogy by Josephine Angelini. 

Sexual Content  

  • During a storm, Tristan jumps into the ocean to save someone, but he gets swept away. When his friend, Layla, finds him in the ocean, she jumps in and starts mouth-to-mouth resuscitation. However, Tristian is not dead. He presses “her down against me. I touch my tongue against hers and taste the salt on her bottom lip.” Layla hits him.  
  • Tristan goes to a party with his girlfriend, Maddie. After she confesses her love, Tristan goes and kisses another girl. Maddie breaks up with him.  
  • Tristan thinks about his mom reading fairy tales to him. “Sometimes I’d tell her she and Dad should’ve tried for a daughter, and then I realized I was telling my parents to keep having sex.” 
  • After the storm, Layla goes into Tristan’s room to check on him. He wakes up to find Layla watching him. Tristian takes “an extra pillow and uses it as a buffer between my erection and the world.”  
  • One of Tristan’s friends likes to “smack girls on their asses.” 
  • When Tristan turns into a merman, he thinks, “I wonder where my feet go? I wonder where my dick goes!” He makes several references to this. 
  • When Tristan goes to his class, his teacher is wearing a dress “that fits every single curve.” When she talks to him, Tristan “start[s] to get an erection.”  
  • When Layla goes in front of the King of the Seas, someone asks her, “Do you have anything to offer the king, besides your virtue?” 
  • Tristan has a reputation as a man-slut. At one point, he thinks back to when he was thirteen and “put my hand under Catherine Valdorama’s bikini top.”  
  • Thaila, Tristan’s mermaid friend, meets a human boy named Ryan. While at school, Ryan “gets down on his knees, and kisses Thalia on her sweet full mouth. . . Thalia rests her hands around Ryan’s face, bringing him in, and neither of them seems to notice the crowds.” Afterwards, they kiss several more times.  
  • Tristan and his ex-girlfriend are talking and she states, “I blew you.”  
  • Because of strange mermaid magic, the students at Tristan’s school begin making out and “grinding against each other.” As Tristan walks through the hall, he meets two angry girls he hooked up with. He is surprised by their anger.  
  • Tristan transforms into a merman and takes Layla out into the ocean. “I part my lips and lean down at the same time she lifts her face up. The force of her mouth on mine pushes us back. . . She runs her hands all along my arms, and I trace the soft length of her spine.” Layla pushes Tristan away and is upset because she thinks Tristan is using magic to seduce her. 

Violence  

  • While in the merworld, Layla challenges Elias, a merman, to a swimming contest. After she wins, Elias goes after Layla, and Tristan jumps in. “I have my arms around him. One under the right arm and one over his left shoulder. I squeeze him and he pushes hard against me, so we sink into the water. . . We’re locked in a wrestler’s grip, forearm to forearm.” Suddenly, Elias’s “grip loosens, and his eyes roll back into his head.” He sinks into the ocean and dies. 
  • Tristan’s grandfather talks about his sister, Nieve. His grandfather says, “When we were young, she killed my mother’s newest babe out of jealousy. She was banished. . . When Father made me king in her stead as eldest, she killed him.”  
  • While outside the school, creatures called merrows attack. “The tallest one has the head of a hammerhead shark on the body of a human.” The creature’s “eyes are dirty yellow. His permanent smile reveals bloody gums. He raises his fist in the air and brings them down hard on the ground, shaking the field right under me. I swing and catch him on the side, and he winces. . .Layla runs around us as she brings the dagger down through his back.” 
  • One creature tries to run, but “the guys let their arrows fly up at the fence . . . He charges at me [Tristan] . . .I punch him with all my strength, my knuckles come away bloody from the sharp scales on his cheekbones. I slash my dagger out with both hands, but he jumps back from every swing.” Kurt sends an arrow right through the creature’s throat, saving Tristan. The scene is described over five pages.  
  • During the fight, Layla is injured when a creature sprays her with poisonous needles. Tristan takes his “dagger, and as gently as I can, rip the thin cotton of her T-shirt. The needles go right through it, and I can’t take the shirt off without hurting her. . . Thalia is pulling out the spikes and sobbing at the same time.” Layla would have died, but magic saves her life.  
  • A merrow with the head of a shark bites a boy. “A heap of tattered bloody clothes. . . The boy hits the ground with a wet thump. The corners of his lips are white and cracked. His eyes open, staring at the sky. . . Down where the boy’s leg used to be is a mess of sand and bone and loose skin.” The boy dies. 
  • Tristan learns that vampires secretly exist in the human world. The vampires “might bite, but they don’t kill. Vampire killings are easy to find, because after they feed on human blood they’re basically euphoric and are pretty sloppy about cleaning up the bodies.” 
  • Tristan and his friends go to a party. While at a party, a window shatters, and “kids race past us out of the house. . . Outside, anyone who couldn’t run away is hiding behind lawn chairs, bushes, and garbage cans. . . Princess Violet is lying with her hand against her chest. There’s a shard of glass sticking out of it. The girl’s green eyes are full of tears.” 
  • The merrows appear. “Kurt wrestles with a hammerhead merrow who looks like nothing but sinewy strength.” One of Tristan’s friends kills a merrow with a baseball bat. “Their rotting flesh and black blood cover the ground.” 
  • Tristan looks up and sees “the yellow-scaled merrow wrestles with someone on the balcony. . . I can only hear the loud snap of a neck. . . The heave of the body over the merrow’s head. He throws the limp body over the balcony.” Tristan’s friend, Ryan, dies. 
  • When a merrow goes after Maddie, Tristan’s ex-girlfriend, Tristan throws his dagger, and “it pierces the merrow’s spine. The merrow stumbles once, deteriorating into mush as he does.” The full battle occurs over six pages.  
  • While in Central Park with Gwen (a mermaid engaged to Elias), Elias attacks her. “Elias’s hand holds her at the neck. Her pale fingers hold his wrist. . . Gwen kicks at the air as he raises her up with one arm.”  
  • Tristan mocks Elias and he “tosses Gwen to the side. . . Elias charges at me, all arms and bare chest . . . Now with Elias’s face bloody and tender under my fist, I don’t feel any pity for him. . . Elias stops moving. I can feel his body go limp under me.”  
  • As Tristan and Elias fight, Gwen throws a dagger at Elias. “Then Elias goes stiff. He falls on top of me. . . He lands sideways with my dagger in his back. Smoke fumes around the golden hilt.” The scene is described over four pages. 

Drugs and Alcohol  

  • After being pulled out of the ocean, Tristan is taken to the hospital and given sedatives.  
  • There are many references to people drinking alcohol. For example, at dinner, Tristan sees his parents “sip on red wine, and Coach Bellini, whose mustache is tipped in beer foam.” 
  • Tristan usually doesn’t drink alcohol. Instead, “I nurse the same bottle the entire night and pretend like it’s always a new one.” 
  • At one point, Layla gets drunk.  
  • While in the merworld, Tristan drinks seaweed ale.  
  • Tristan convinces his friend, Ryan, to throw a party. When Tristan shows up, there is a keg and other alcohol for the teens to drink.  

Language  

  • Profanity is used often. Profanity includes ass, damn, pissed, goddamn, fuck, holy crap, and shit.  
  • Ohmigod is used as an exclamation occasionally.  
  • There is some name-calling. Names include bastard, bitch, douche, dumbass, creeper, and jerk.

Supernatural 

  • Tristan discovers that he is part human and part merman. He is a descendent of Triton, Son of Poseidon, god of the sea. 
  • In the story, most humans don’t know that they share their world with mermaids, fairies, vampires, and other mythical creatures.  
  • Tristan gets a tattoo with “ink that allows us to shift whenever we want. It is the blood of the abyss, primordial and, of course, painfully difficult to extract.” 
  • When Kurt and his sister come on land to help Tristan, they use a glamour. “It’s a light spell to tone down our natural colors. We are no longer achingly beautiful. Now we’re just exceptionally beautiful.” 
  • One of Tristan’s teachers is a seer. “She can see the future, but only when she’s entranced in the words of others. For instance, when she had us read those poems, she was probably seeing at the same time.”  
  • Kurt and Thalia have the power to “shift into fish form.” Thalia can also speak to her sea horses. 
  • The creatures that attack Tristan and his friends are merrows. “Sometimes a mermaid gives birth to a deformed child, not fully human or mer-kin. It has no reason, no sense of speech.” One Sea King decided that “merrows born at court would be killed instantly. King Karonos thought it was too cruel, so instead he had a prison built for them . . .”

Spiritual Content  

  • While having a bad dream, Tristan prays “to every god that has ever or will ever exist that is not a shark.” 
  • When Tristan asks if there is a mermaid heaven, his friend Kurt says, “We are of the sea, and to the sea we return. An ancient merman like the king, would become a great coral reef, no matter what the climate. Someone like me, like my parents, would turn to surf.”  
  • Tristan’s friend Ryan reveals that he has only had sex with one girl. He begs them not to tell anyone. Ryan says, “I don’t even know what god you pray to, but swear on him, please.”  
  • When Tristan speaks to an old and ugly oracle, he prays “to whatever gods are out there” that the oracle isn’t trying to seduce him. 

Our Violent Ends

The year is 1927. The chaos of the previous year has done nothing to quell the blood feud between the Scarlet Gang and the White Flowers, and the streets of Shanghai are still rife with death and violence. But this is not only the work of the blood feud—foreign powers have increasingly become intertwined with the rival gangs, leading to talk of a brewing civil war. The possibility of peace feels further away than ever.  

The madness no longer sweeps through the streets like a contagion, infecting everyone it comes across, but that does not mean the madness has left the city for good. Monsters disguised as ordinary people still prowl through the streets, launching targeted attacks in crowded areas that cause everyone in the vicinity to rip their own throats out. It may no longer spread, but it is no less deadly.  

Betrayal, heartbreak, and death make all hope of reconciliation between Roma and Juliette seem impossibly far away. They miss each other terribly, but at the same time cannot forgive each other’s terrible actions. But when their fathers, in a rare show of cooperation between the Scarlets and the White Flowers, order Roma and Juliette to work together to find a cure for the new madness, they are once again thrown together and forced to cooperate. Their reconciliation is a relief to both of them as they realize how powerful they are together. But are they enough to save their city? The universe is never kind to star-crossed lovers, and they may just have to choose between saving Shanghai or themselves. 

Our Violent Ends is a dazzling conclusion to Roma and Juliette’s story. The prose is vivid, rich, and imaginative, and it fully immerses readers in Roma and Juliette’s world. While Our Violent Ends is on the longer side, there is never a dull moment – scenes packed with action transition smoothly into heartfelt confessions that will leave readers on the edge of their seats. Several subplots create many moving parts that all work together to culminate in a grand finale.  

The rich cast of characters is another factor that makes this novel a thrilling read. The narration switches between many points of view, allowing readers to inhabit many of the characters’ heads and get to know them and their motivations. The relationship between Roma and Juliette is an extremely complicated one, and these nuances are fully explored; neither character is perfect, and their circumstances often force them to hurt each other, but they ultimately work through their flaws to find a middle ground. 

Our Violent Ends is a great modern retelling of Shakespeare’s classic Romeo and Juliet. Like the play, this novel emphasizes the immense harm that hatred causes and reminds readers that unfounded hate leads to dreadful violence. Teens who enjoy intricate plots and cutthroat characters will love this book and think about Roma and Juliette’s story long after they close the final page. It is a satisfying conclusion to the duology begun by These Violent Delights. Fans of Romeo and Juliet may also want to read Crossing the Line by Simone Elkeles and Prince of Shadows by Rachel Caine. 

Sexual Content  

  • Roma and Juliette kiss in a safe house. “Roma pressed his lips to hers with such ferocity that Juliette gasped, the sound immediately muffled when she pushed herself up and drew closer. Despite his burning energy, Juliette felt Roma’s mouth move with sincerity, felt his adoration while he trailed kisses all down her neck. ‘Juliette,’ he whispered. Both of their coats came off. Roma had the zip of her dress pulled in seconds too, and Juliette lifted her arms to accommodate. ‘My darling, darling Juliette.’ The dress fell to the floor. With some disbelief, Roma suddenly blinked, his eyes clearing for the briefest moment while she worked at his shirt buttons.” It is implied that they have sex, but not explicitly. 

Violence  

  • Juliette shoots a White Flower, wounding but not killing him. “Her pistol kicked. Juliette pressed back into her seat, her jaw hard as the man below dropped his weapon, his shoulder wounded.” 
  • During an altercation between the Scarlets and the White Flowers, Roma shoots, aiming for Juliette. “Roma reached into his jacket pocket and drew his gun, and Juliette had no choice but to jolt herself out of her daze. Instead of combating the would-be assassin, he had decided to shoot at her. Three bullets whizzed by her ear. Gasping, Juliette struck the floor, her knees grazing the carpet hard as she threw herself down.” The shot misses Juliette.  
  • Roma attacks Juliette. “He slammed her into the pipes. The effort was so forceful that Juliette tasted blood inside her lip, sliced by her own sharp teeth. She stifled a gasp and then another when Roma’s hand tightened around her throat, his eyes murderous.” Juliette defends herself: “Just as Roma shifted forward, perhaps intent on his kill, her hand closed around the sheath beneath her dress and pulled her blade free, slicing down on whatever she came in contact with first. Roma hissed, releasing his hold. It was only a surface cut, but he cradled his arm to his chest, and Juliette followed close, leveling the blade to his throat.” The fight stops when they call a truce and agree to talk. 
  • A monster attacks unnamed patrons at a bar. “The cabaret becomes enswathed in black, an ever-moving blanket of infection, and in seconds, the first succumbs, hands flying to throats and clutching, clutching, clutching, trying to squeeze the insects out. Nails break into skin, skin splits for muscle, muscle parts for bone. As soon as blood spurts from one victim, inner flesh exposed and veins pumping red, the next is already tearing before they have a moment to feel the visceral disgust that comes with being soaked in hot, sticky gore.” All of the patrons die. 
  • Benedikt, Roma’s cousin, is attacked by Scarlets. “He didn’t even have the chance to pull a weapon. A blow came to the side of his face out of nowhere, then Benedikt was reeling, crushed to the ground amid shouting and cursing and someone calling for the death of his whole family. His arms were bent back and his head was pushed hard into the cement, before something ice cold, something that felt like the butt of a gun, jammed up against his temple.” He escapes uninjured when the Scarlets are all shot by a third-party sniper. 
  • Tyler, Juliette’s cousin, shoots and kills two White Flowers. “Tyler pulled the trigger twice in rapid succession, two White Flower heads cracking with an explosion of red, crashing to the ground. Chenghuangmiao [the market] erupted with a wave of screaming, but most shoppers reacted quickly and hurried out of the way, in no mood to be caught in a gangster dispute. They didn’t have to worry. This was no dispute; there were no other White Flowers nearby to retaliate.” 
  • Marshall, Roma’s best friend, kills a Scarlet who recognizes him. “The bullet landed true. With a harsh clatter, the Scarlet’s weapon fell to the floor. It might have been a gun. It might have been a dagger. It might have even been a throwing star, for all the consequence it held. But in the hazy dark, all Marshall cared about was it being out of reach, and then the Scarlet collapsed too, a hand clasped over the hole studded into his breastbone.” 
  • Tyler sets fire to a building full of White Flowers as a targeted attack because of the blood feud. “Juliette could see him, holding a plank of wood swirling with flames. Behind him, the building’s roaring inferno drowned out the screams, drowned out the whole occupancy burning to death. Juliette heard nothing save that they were pleading–women in nightgowns and elderly banging on the closed windows, muffled Russian crying to stop! Please stop!” 
  • Juliette kills a White Flower who is attacking Tyler. “Without slowing her run, Juliette jumped over the threshold of the temple entrance and pulled the knife sheathed at her thigh. When she threw, the blade pierced into the White Flower’s neck smoothly, striking its target with nary a sound before the White Flower pitched sideways and fell.” 
  • During a fight, Roma throws a knife at Juliette, wounding her shoulder. “The pain did not come at first. It never did: a blade entering always felt cold and then foreign. Only seconds later, as if her nerve endings had finally registered what happened, did intense, sharp agony reverberate outward from the wound. . . Juliette managed, turning to look at the blade half-embedded in her shoulder, then at Roma. His jaw was slack, face drained of color. The wound, meanwhile, immediately started to bleed, a steady stream of red running its way down her dress.” Roma and his younger sister, Alisa, help stop the bleeding. Juliette is left with a scar. 
  • An unnamed foreman in a factory is killed by revolutionaries. “One slash, that’s all it takes. A knife over [the foreman’s] throat and he’s twitching on the floor, hands clasped around the wound in a futile attempt at holding the blood in. The red seeps regardless. It does not stop until he is naught but a body lying in a scarlet pool. It soaks the shoes of his workers, his killers. It is carried from street to street, the faintest red print pressed upon crumbling pavement and into the roads of the Concessions, marring stains upon the clean white sidewalks. This is what revolution is, after all. The trailing of blood from door to door, loud and violent until the rich cannot look away.” 
  • Lord Cai has Rosalind, Juliette’s cousin, whipped after finding out that she was spying for the White Flowers. “The lash came down again on her back, and Rosalind cried out, her whole body shuddering. They didn’t allow her to crumple to the floor: there were four Scarlets around her, two to hold her upright, one with the whip, and one standing just to the side.” Juliette defends her by “striking her fist across the guard’s face.” 
  • In a duel between Roma and Tyler, Juliette shoots Tyler, killing him. “Both her hands came around her smoking pistol. There was no room for regret now. She had done it. She had done it, and she could not stop there. She turned, and with a sob choked on her tongue, she shot each and every one of Tyler’s men before they had even comprehended what was happening, bullets studding their temples, their necks, their chests.” 
  • A Scarlet shoots a man named Da Nao because he is helping Roma and Juliette escape the city. “The Scarlet fired, and Da Nao fell with a spray of red, the bullet in his head killing him instantly.” 
  • Dimitri, a White Flower, shoots a group of Scarlets who are holding Roma hostage. “The Scarlets didn’t have a chance to fight back. Some managed to retrieve weapons, some managed one shot. But the workers had them surrounded, rifles already aimed, and with a pop-pop-pop! reverberating along the whole street, the Scarlets all dropped, eyes blank and glazed, fleshy wounds studded into their chests. The blood splashed generously.” 
  • The madness infects a crowd of people. “Destruction tore through the scene: a bloodbath, infecting those who hadn’t run fast enough. Juliette’s eyes swiveled to the side. A woman: dropping to her knees, fingers sinking into her neck and pulling without any hesitation. A scream–a figure, running to her. Her husband: cradled over her corpse and keening a loud, desolate noise. then he too gouged at his own throat and fell to the ground.”

Drugs and Alcohol  

  • None

Language  

  • “Shit” is used a few times as an exclamation. 

Supernatural 

  • None 

Spiritual Content  

  • None

You’ll Be the Death of Me

Ivy, Mateo, and Cal were once a tight-knit trio. Their first adventure, which they nicknamed The Greatest Day Ever, involved skipping a particularly boring class trip to wander around Boston. They vowed that their friendship would last forever—which lasted until the end of eighth grade. There was no big falling out; they merely drifted apart, as friends tend to do. 

Now, they are seniors in high school. Before school, they run into each other by chance but none of them are particularly excited to start the school day. Ivy, straight-A student and perfectionist, had just lost the senior class president election and is dreading her classmates’ reactions; Mateo is burnt out from working two jobs on top of doing school work and he just needs a break; and Cal just got stood up for a breakfast date with his girlfriend and is itching to do something reckless. They decide to skip school and recreate The Greatest Day Ever. What’s the worst that can happen from missing one day? 

But their lighthearted adventure takes a turn when they discover the body of one of their classmates, Brian (nicknamed Boney) Mahoney, in an abandoned studio in Boston. They begin to investigate, determined to find the murderer and the motive. But in doing so, they uncover many secrets—about their classmates, their school, their town, and even about themselves. 

Ferris Bueller’s Day Off meets an Agatha Christie-worthy mystery in You’ll Be the Death of Me. The high stakes, plot twists, and quick pacing—the entire story takes place over one day—create a thrilling novel that will captivate readers and leave them unable to put the book down. The mystery continues to be solved until the last page. In the last chapter, clues are still being uncovered, and the book ends with yet another twist; this cliffhanger ending, particularly in a stand-alone novel, may not leave every reader satisfied. 

This book features three main protagonists, each with distinct personalities. Each chapter switches between Ivy’s, Mateo’s, and Cal’s point of view, allowing all three to share the spotlight equally. Because their personalities are so distinct, readers will easily be able to relate to at least one of them consistently and recognize their friends in others. The protagonists’ stories, emotions, and interactions with each other feel very real despite their current situation, making them easy to sympathize with even when they fight and make mistakes.  

You’ll Be the Death of Me is perfect for readers who enjoy secrets, fast-paced mysteries, and rekindled friendships. It’s the kind of book that can be read and enjoyed in a day, thrilling enough to be captivating while being easy to understand. Readers who enjoy You’ll Be the Death of Me may also like Five Survive by Holly Jackson and We Were Liars by E. Lockhart.  

Sexual Content  

  • Ivy remembers when her brother, Daniel, replaced her notes for a speech at her school’s junior talent show with a page from their aunt’s latest erotic novel. She panicked and ended up reading the page out loud, and “a teacher had to rush to the stage and stop me, right around the time I was describing the hero in full anatomical detail.” 
  • Ivy describes Mateo’s cousin’s boyfriend as someone “who took particular delight in grabbing his crotch every time I walked past him in the hallway after my meltdown at the junior talent show.” 
  • Mateo and Ivy kiss in private. Mateo describes, “Ivy shivers, leaning forward until her soft lips graze mine. It’s not enough though; it’s nowhere near enough. I tangle my fingers in her hair and pull her closer for a long, lingering kiss. Any questions that might’ve been floating around my brain about whether this is a bad idea—and yeah, there were more than a few—disappear at the sensation of her mouth against mine. Kissing Ivy is both familiar and exhilarating, like coming back to a place I wish I hadn’t left and finding it’s even better than I remember.” 

Violence  

  • Mateo gets into a fight with Charlie, a friend from school, because Mateo thinks that Charlie was involved in the murder. “For a few seconds we’re a tangle of twisted limbs and flailing fists, throwing punches that don’t land hard enough to do damage as we grapple on the floor.” Ivy breaks up the fight. Mateo and Charlie are both left with minor injuries. 
  • Ivy is lured onto an abandoned street and put into a car by a mysterious figure. “His hand reaches out, lightning-quick, yanking the cables so hard I go sprawling at his feet. . .Sharp pieces of gravel bite into my palms and knees. . . I try to stand out then, but a hand reaches out, shoving me back down, and I realize I shouldn’t be angry. I should be scared. I open my mouth to scream, and a hand clamps over the bottom half of my face. Suddenly it’s hard to breathe, and panic floods my entire body as I’m hauled roughly to my feet.” 
  • Mateo gets into a fight with his cousin’s boyfriend, Gabe. Mateo ducks “all of his badly aimed punches and throw[s] him flat on his back, straddling him and pinning his hands until all he can do is struggle helplessly like a trapped bug.’” Mateo lets Gabe go when he tells him the information he needs. 
  • Cal and Ivy fight the people behind Brian’s death after being captured by them. Cal details, “I’m flat on my back, the entire right side of my head on fire from the impact of Coach Kendall’s fist. The element of surprise ended way too fast. Out of the corner of my eye, I see Lara scrambling on the floor, going for the gun, until Ivy leaps at her and drags her back. They’re a tangle of motion, all blond hair and flailing limbs.” This scene lasts for three pages, and police arrive before anyone is killed. Cal is left with a minor concussion. 

Drugs and Alcohol  

  • Ivy faints after seeing a syringe on the ground, and Mateo thinks, “Maybe it’s some tortured artist who overdosed and . . .” 
  • Ivy drinks a few sips of whiskey to calm down. “When Mateo returns with a single shot glass, amber liquid barely covers the bottom.” 
  • Charlie, the trio’s friend, gets drunk in his house. “‘He was freaked about Boney, and then freaked about his house getting torn apart, so his solution was to break into his parents’ vodka.’ Cal clears his throat and adds, ‘Which, I guess, beats overdosing on the Oxycontin that he stole.’”  
  • A major plot point is drug deals. Charlie sells drugs, as does Mateo’s cousin Autumn. 

Language  

  • Profanity is used sometimes. Profanity includes shit, dick, and fuck.  

Supernatural 

  • None 

Spiritual Content  

  • None 

Ruin and Rising

Following his successful attack on the Grand Palace, the Darkling now rules Ravka from his shadowy throne. Alina, Mal, and what remains of the Second Army escape through Ravka’s underground tunnels, which are controlled by the Apparat. The Apparat, formerly the King’s spiritual advisor, now leads the cult that has formed around those who consider Alina the Sun Saint. But Alina’s light summoning powers are useless so far underground, and she fears the Apparat will attempt to use her as a puppet for his own gain. Even though Alina and her friends are safe, Alina feels uneasy, and is determined to escape the Apparat’s clutches and return aboveground to defeat the Darkling. 

Eventually, Alina and her friends manage to make it out. They reunite with old allies and set off on a harrowing journey to obtain a powerful tool that just might be the key to finally defeating the Darkling: the firebird, the third and final of Morozova’s legendary creatures that, once killed, can serve as powerful amplifiers. Although Alina already possesses two of Morozova’s amplifiers, more than any other Grisha has, it has not been enough to match the ancient Darkling, who has had centuries to hone his powers. 

But nothing in the world of Grisha is ever straightforward. Alina is entering completely uncharted territory and attempting to stretch her powers to unprecedented lengths. The more she discovers about the firebird and Morozova’s history, the more she begins to doubt her plan. In the end, Alina must decide if saving her beloved country is worth the immense sacrifices she would have to make. Only one thing is certain – no matter what Alina does, neither she nor Ravka will ever be the same. 

Ruin and Rising is a stunning conclusion to the Shadow and Bone Trilogy. This book is full of twists and turns and epic battles that will have readers on the edge of their seats. Nothing and nobody are ever what they seem to be, and the surprises will elicit plenty of gasps throughout the story. There will be tears, too – the losses and anxiety of war lead to heartbreaking revelations between characters who had fought as one. Betrayals abound and rivalries form, and nobody emerges from battle quite the same person they were before. 

Between the action-packed scenes, there are plenty of heartwarming interactions between characters that keep Ruin and Rising from getting too dark and remind readers of the humanity behind these otherwise ruthless soldiers. Every single character is complex and experiences tremendous character growth. Alina is by no means a perfect heroine, but it is in how she addresses her mistakes and strives to fix them that makes it impossible for readers not to root for her. Even the Darkling, by the end, is not meant to be looked at as pure evil, but rather as an overambitious child who let his hunger for power get the best of him in adulthood. This story, and these characters, will stay with readers long after they finish the last page. Readers interested in exploring another unique world with magic should also read the Legacy of Orïsha Series by Tomi Adeyemi and the Something Dark and Holy Series by Emily A. Duncan. 

Sexual Content  

  • When Nikolai, Alina’s friend and ally, asks Alina about her time underground, Alina says, “There’s not much to do underground besides train.” Nikolai jokes, “I can think of a few more interesting ways to spend one’s time.” 
  • Genya, Alina’s friend and former servant to the Ravkan King and Queen, describes how she poisoned the King. “‘I poisoned my skin, my lips. So that every time he touched me–’  She shuddered slightly and glanced at David. ‘Every time he kissed me, he took sickness into his body.’” In the first book, Genya confirmed that the King treated her as if she was a prostitute.  
  • The Darkling and Alina visit each other in dreams due to the connection between their powers. During one of these dream scenes, the Darkling kisses Alina. “He leaned in. I felt his breath against my neck, then the press of his mouth against my skin just above the collar, almost a sigh. ‘Don’t,’ I said. I drew back, but he held me tighter. His hand went to the nape of my neck, long fingers twining in my hair, easing my head back. I closed my eyes. ‘Let me,’ he murmured against my throat. His heel hooked around my leg, bringing me closer. I felt the heat of his tongue, the flex of hard muscle beneath bare skin as he guided my hands around his waist. ‘It isn’t real,’ he said. ‘Let me.’” Alina pushes him away soon after. 
  • When Alina goes to wake up David, she opens the door to David’s room to find “a very bleary Genya and David [blinking] up at [her] from beneath the covers of a single narrow cot.” 
  • When Alina and Mal talk to each other about their shared childhoods in the Keramzin orphanage, Mal sheepishly tells Alina, “‘I had some very . . . distracting thoughts about you. And I felt guilty for each one of them. You were supposed to be my best friend, not . . . ’ He shrugged and turned even redder.”  
  • Alina and Mal sleep together for the first time. “I drew him to me, felt him shudder as our bodies came together, skin against skin, felt the heat of his lips, his tongue, hands moving until the need between us drew taut and anxious as a bowstring waiting for release. He clasped his hand to my wrist and my mind filled with light. All I saw was Mal’s face, all I felt was his body –  above me, around me, an awkward rhythm at first, then slow and steady as the beat of the rain.”  

Violence  

  • In order to escape the underground tunnels, Alina and her friends fight the Apparat and his followers. “Mal had gotten hold of a sword, and his blade flashed as he cut through one guard, then the other. They toppled like trees. Two more advanced, but Tolya and Tamar were there to stop them. David ran to Genya’s side. Nadia and Zoya flipped another guard in the air. I saw Priestguards on the periphery raising their rifles to open fire.” This scene occurs over four pages. Several people are injured, but the only deaths are described above.  
  • Alina and her friends are ambushed by members of the First Army who want to take Alina back to the Darkling. Nikolai and his flying ship come to Alina’s aid, and they manage to escape, but Nikolai claims all the First Army soldiers have to die; he doesn’t want information of Alina’s whereabouts or allies to return to the Darkling. “Tolya and Tamar followed, cutting through the remaining ranks of militia while Nikolai and his crew tried to lend cover from above. I saw one of the militiamen break free and run for the woods. Tolya put a bullet through his victim’s back, and before the body had even hit the ground, the giant was turning, his hand forming a fist as he crushed the heart of another knife-wielding soldier looming up behind him.” This scene occurs over two pages. 
  • Baghra, Alina’s tutor, explains her family history and connection to Ilya Morozova, the famous Grisha who created the amplifiers Alina seeks. When she was a child, Baghra accidentally killed her sister using the Cut, a special power that severs anything in two, after she broke Baghra’s favorite toy. “Remember, if you can, that I was just a child, a lonely child, with so few treasures of my own. I lashed out at my sister. With the Cut. I tore her in two.”  
  • The Darkling kills Sergei, one of Alina’s allies. “In one movement, the nichevo’ya ripped Sergei’s limbs from his body and severed his head from his neck. [Alina] had the briefest glimpse of the shock on his face, his mouth open in a silent scream, then the pieces disappeared beneath the cloud bank.” 
  • Although Ravka is a safe haven for Grisha, other countries view Grisha as abominations. Harshaw, one of Alina’s allies who did not grow up in Ravka, says that “when [his] brother’s power showed itself, they cut his throat and hung him upside down to drain like a pig in a slaughterhouse.”  
  • Alina and her team attack the Darkling and his army. “The first shot struck one of the Darkling’s oprichniki [personal guard soldiers]. He toppled over the skiff’s railing. Then the shots came in a rapid patter, like raindrops on a rooftop at the start of a storm. Grisha and oprichniki slumped and fell against one another as confusion broke out aboard the glass skiff. I saw more bodies fall.” Many of the Darkling’s soldiers die or are injured, but Alina’s team remains unharmed.  
  • The Darkling brings in reinforcements, turning the tide of the battle. Alina describes, “I heard screams, shouting, our soldiers returning fire. A red stain appeared in the sand and with a lurch I realized that one of our people was bleeding.” Several, including Alina, are injured.  
  • When it becomes clear that the Darkling’s forces are too powerful, Mal convinces Alina to sacrifice him in order to take down the Darkling. “With Mal’s fingers guiding mine, I shoved the knife up and into his chest. The momentum jerked me forward, and I stumbled. I pulled back, the knife falling from both our hands, blood spilling from the wound, but he kept his hold on my wrist. ‘Mal,’ I sobbed. He coughed and blood burbled from his lips. He swayed forward . . . He gasped, a wet rattle. His full weight slumped against me, dragging me down, fingers still clenched, pressed against my skin as if he were taking my pulse.” 
  • Alina stabs and kills the Darkling. “With one swift movement, I drove the shadow-wrapped blade deep into the Darkling’s heart. He made a soft sound, little more than an exhalation. He looked down at the hilt protruding from his chest, then back up at me. He frowned, took a step, tottered slightly. He righted himself. A single laugh burst from his lips, and a fine spray of blood settled over his chin. ‘Like this?’ His legs faltered. He tried to stop his descent, but his arm gave way and he crumpled, rolling to his back.” 

Drugs and Alcohol  

  • Alina and her allies occasionally chew jurda, a stimulant used to stay awake (its effects are similar to coffee).  

Language  

  • “Saints” is used frequently as an exclamation, much like “Oh God.” 

Supernatural 

  • This book involves a magic system known as the Small Science, a way of manipulating matter in a way that appears supernatural or magical. Those who can wield the Small Science are known as Grisha; many of the main characters in this novel are Grisha.  
  • The Grisha are split into three orders: Corporalki (the Order of the Living and the Dead), Etherialki (the Order of Summoners), and Materialki (the Order of Fabrikators).  
  • The Darkling and Baghra are Shadow Summoners, while Alina is a Sun Summoner; these are unique abilities that no other known Grisha possesses. For example, Alina summons light for the first time since going underground. Alina “felt the light, miles above me – so tentative, barely a whisper. Panic gripped me. The distance was too great. I’d been foolish to hope. Then it was as if something within me rose and stretched, like a creature that had lain idle for too long. Its muscles had gone soft from disuse, but it was still there, waiting. I called and the light answered with the strength of the antlers at my throat, the scales at my wrist. It came to me in a rush, triumphant and eager . . . The light slammed through me and burst over the room in a blinding cascade that illuminated the almost comical expression on the Apparat’s face.” 
  • Alina describes some of the contents of Morozova’s journals. Ilya Morozova was one of the first known Grisha, famous for his inventions, his dedication to studying the Small Science, and his creation of the three amplifiers. “His early journals chronicled his experiments: the blacked-out formula for liquid fire, a means of preventing organic decay, the trials that had led to the creation of Grisha steel, a method for restoring oxygen to the blood, the endless year he’d spent finding a way to create unbreakable glass. His skills extended beyond those of an ordinary Fabrikator, and he was well aware of it.”  

Spiritual Content  

  • Many Ravkans worship Saints, and some consider Alina a living Saint, and call her Sankta Alina (Saint Alina) or Sol Koroleva (Sun Queen). 

Tyrannosaurus Rex vs. Velociraptor

What would happen if a Tyrannosaurus rex and a velociraptor met each other? What if they had a fight? Who do you think would win? 

Even though Tyrannosaurus Rex vs. Velociraptor ends with a battle scene between the two dinosaurs, the book also has several pages discussing fossils as well as the reasons dinosaurs may have become extinct. Throughout the book, interesting facts are included such as “a newborn T. rex skeleton has never been discovered. Maybe you will be the person who unearths it.” Each page has large pictures as well as fun facts including dino trivia, gross facts, and definitions. For example, one gross fact is “A raptor’s arms and hands seem perfect for a dinosaur that is an aggressive hunter—quick, long, and strong. A raptor could easily rip apart its prey.”   

The nonfiction reader is packed full of interesting information about the two bear species. The book also has two pages devoted to funny bear stories. Similar to a picture book, each page has a full-page illustration. With 6 to 11 simple sentences per page, Tyrannosaurus Rex vs. Velociraptor is accessible to most readers. However, younger readers may need help with some of the vocabulary such as excavation, articulated, paleontologist, and proportionally.  

Tyrannosaurus Rex vs. Velociraptor fun format will appeal to most readers. Each two-page spread has large illustrations and explains the characteristics of each bear. Readers may be surprised by the ending battle the T. Rex dies. However, the text also explains why the outcome could have been different.  

The box is jam-packed with interesting facts, photos, and illustrations. The nonfiction text will spark reader’s attention as it teaches readers about dinosaurs. To learn more about dinosaurs, read about famous fossil hunters in Barnum Brown Dinosaur Hunter by David Sheldon and The Dog that Dug for Dinosaurs by Shirley Raye Redmond. Dinosaur-loving readers would also enjoy these fictional books: the Dino Files Series by Stacy McAnulty and Don’t Disturb the Dinosaurs by Ada Hopper.  

Sexual Content  

  • None 

Violence  

  • One illustration shows a T. Rex eating a smaller dinosaur. The illustration shows some blood.   
  • The end battle between the T. rex and the raptor is illustrated and includes some blood. While fighting, “the raptor slices the T. rex with its sickles. The angry R. rex bucks, and the raptor gets flung into the air. . .” The raptor calls to its pack and the pack appears. “The raptor pack slashes and cuts the T. rex. It’s over The T. rex crashes to the ground. . .” The fight is illustrated over six pages. 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

That Weekend

Three best friends. A lake house. And a secret trip—what could possibly go wrong?  

It was supposed to be the perfect prom weekend getaway. But it’s clear that something terrible has happened when Claire wakes up alone and covered with blood on a hiking trail with no memory of the past forty-eight hours. Now everyone wants answers—most of all, Claire. She remembers Friday night, but after that . . . nothing. And now Kat and Jesse—her best friends—are missing.

What happened on that mountain? And where are Kat and Jesse? Claire knows the answers are buried somewhere in her memory. But as she’s quickly finding out, everyone has secrets—even her best friends. And she’s pretty sure she’s not going to like what she finds out. 

That Weekend begins by following Claire, who wakes up in the middle of the woods and cannot remember anything. Right from the start, suspense is created due to Claire’s missing friends.  

Although readers may sympathize with Claire’s situation, Claire is so wrapped up in herself and her romantic feelings for Jesse that it is often difficult to feel sorry for her. This makes her an unreliable narrator, leaving readers wondering if she is telling the whole truth. All of this creates a character that readers may struggle to like. 

The book’s timeline isn’t consistent, which causes confusion. For example, the first chapter begins in the present, but then jumps to a flashback from three days earlier, then two days earlier, and then one day earlier. Later, the second half of the book jumps from the present to flashbacks, while also changing to another character’s perspective. Keeping track of the narrator and various flashbacks means the reader has to pay close attention to the titles at the beginning of each chapter in order to understand what is happening.  

Another flaw is that the conclusion of the story isn’t very convincing. For instance, the FBI is unable to find Kat and Jesse, however Claire is able to locate her missing friends without difficulty. To make matters worse, the reader discovers that Kat and Jesse planned their own kidnapping because Kat’s father was abusive and Kat’s grandmother demanded that Kat break up with Jesse. However, in the end, Kat and Jesse part ways and Kat returns to her controlling family. Plus, it can be hard to sympathize with Kat because her actions are responsible for three deaths.  

Because of the forgettable characters, the complicated timeline, and the strange plot twists, That Weekend is a confusing story that readers may want to leave on the shelf. If you’re looking for a suspenseful book that is more entertaining, read Six Months Later by Natalie D. Richards or We Were Liars by E. Lockhart 

Sexual Content  

  • There is a rumor that Jesse “had hooked up with some girl from Westhampton beach after Battle of the Bands.” 
  • After breaking up with Ben, Claire tells Jesse that sex “doesn’t have to be a big deal. Ben turned out to be an asshole, but I don’t regret that he was my first.” Jesse is surprised that Ben was Claire’s first.  
  • At school, Jesse gets into a fight with “some asshole sophomore who’d been teasing him. Jesse was white in the face when a teacher pulled the other kid off him. When Jesse looked down at his hands, drenched in the blood spurting from his nose, he’d started to tremble . . .” 
  • When Claire was fifteen, she went to a party and met up with Amos, who “at seventeen, was practically a man to me.” Amos “runs his hands down my sides, tugs the waist of my jeans. I’m in my brand-new red bra. . . Amos flipped me onto his bed. The Captain Morgan shots roiled in my gut; his sheets, too cool . . .” When Amos tries to undo the zipper of Claire’s jeans, she stops him and says she wants to go home. 
  • On New Year’s Eve, Claire goes home with her ex-boyfriend, Ben. They’re sitting on the couch when Claire notices Ben watching her. “I feel my lips part as he reaches. . . I climb onto Ben so I’m facing him. He pulls my face to his and kisses me. . . he flips me over, pushing my shirt up to kiss my belly button. He moves lower, and I close my eyes. . .” It is implied that they have sex. The scene is described over one and a half pages.  
  • Ben drives Claire home. Before she leaves, Claire is “brushing my lips over his. . . but the urgency in Ben’s body as he kisses me back makes it clear. This time, things will be on my own terms.” 
  • After Claire and Kat have a fight, Amos tells Claire, “[The fight] almost made me pop a boner.” 
  • Kat babysits for a woman who “disappears so fast there’s no doubt she’s off to get laid.”  

Violence  

  • At a party, Claire sees her boyfriend walking up the stairs with another girl. Claire assumes he is cheating on her. When he chases after her, she “slap[s] him across the face.” Claire then leaves the party. 
  • A television personality, Brenda Dean, has a show about real crime. “Twenty years ago, Brenda Dean’s younger sister was abducted off her bike and murdered, the killer never caught. Brenda dedicated her life to justice—first as a lawyer, then with her own cable show.” 
  • Brenda interviewed a woman whose toddler disappeared. Brenda “accused the mom of knowing more than she was saying about what happened to the baby; the woman left the set a sobbing mess, and went home to slit her wrists in the bathtub.” 
  • While at a ransom drop, Kat’s father tries to stop the getaway car and he is dragged behind it. He has surgery but never awakens from his coma. He dies several months afterward. 
  • An FBI agent interviews Claire. During the interview, the agent says, “You ever hear of the plane crash in Queens after September eleventh? . . . My mother and aunt were on that flight.”  
  • Kat comes home late and her dad grabs her. Kat yells, “Get the fuck off me!” Then Kat’s father grabs her and “the world went black when my head smacked against the wall. For a moment I thought I might not come back, that I was dying— when I woke to him shaking me, fear replacing the rage on his face, my mother in the doorway whimpering. . .”  
  • Kat, Jesse, Amos, and another accomplice, Mike, plan a fake kidnapping. However, many things go wrong. Claire, who didn’t know about the plan, gets angry and leaves. She runs into Mike, who panics and attacks Claire, who stabs him with a knife. Afterward, “Mike winced as he lifted the sleeve of his T-shirt . . . Blood poured from an angry slash on his shoulder.” He cleans the wound with Vodka.  
  • Claire is canvassing a house where she thinks Amos is hiding out. “I’m changing gears when my car lurks forward. My forehead knocks into the steering wheel . . . A scream catches in my throat as Amos Fornier pulls me from the car and throws me to the ground, my spine numbing as it hits snow and ice. I see the shovel in his hands at the same moment he brings it down on my head.” Amos takes Claire hostage. 
  • Claire tries to leave, but Kat “blocks my escape through the doorway. When she grabs my arm, something snaps in me. . . I grab a handful of her hair and pull until she’s struggling beneath me like a cat. . . She’s clawing at me; I yank her hair until she’s falls to her knees, smashing her face into the edge of the dresser.” Amos holds a gun to Claire’s head and she stops fighting. 
  • Amos tells Claire about an incident with Kat’s father. Kat’s father found Amos playing with a cigar torch. He “picked me and Kat up by the backs of our shirts. Dragged us outside and held me over the deck railing. He stuck the flame right in my face. He kept saying, ‘You want to see what fire does to a body?’” 
  • Amos, who is drinking heavily, tries to convince Kat to allow him to kill Claire. His plan was to, “Get some booze in her, slip [a fentanyl patch] on while she’s passed out, and bam, overdose.” Kat refuses to let Amos kill Claire, but later Claire puts the fentanyl patch on Amos and he dies. 

Drugs and Alcohol  

  • Both the adults and the teens in the story drink alcohol, so not all instances of alcohol consumption are listed below.  
  • Claire goes to a party and sees her boyfriend in a hot tub sitting on a girl’s lap. In response, she goes inside. Claire’s friend pours her a “few inches of rum into a cup and tops it off with a splash of Coke.” Claire gets drunk. Other teens at the party are also drinking alcohol.  
  • When lost, Claire goes into a bar where a man “raises his beer bottle to his lips, his eyes raking over me.”  
  • When Claire and Kat are alone in the lake house, Kat breaks out a bottle of wine and the two share it and get “giggly-tipsy.” 
  • While in the hospital for a head injury, Claire is given morphine, ibuprofen, and Ambien to help her sleep. Claire is also given a prescription for Ativan, which is supposed to help her with anxiety; however, she is soon taking Ativan in larger doses than recommended.  
  • Claire’s cousin, Amos, smokes weed and eventually becomes a drunk.  
  • Claire finds out that Amos was kicked out of school for selling drugs on campus but he continues to sell drugs afterward.  
  • Someone posts a picture of Claire at a party. “Jamie Liu and I knocking back shots. My eyes are glazed, my head tilted back. Jamie is laughing at me . . . I barely recognize the girl in the picture. She looks like the sloppy chick at the party you never talk to, who hangs on your neck like a spider monkey, crooning into your ear that she’s so wasted.” 
  • A few days after Clarie gets home from the hospital, she sees her mom, “cradling a glass of seltzer that I’d wager has vodka in it.” 
  • Claire is working at a restaurant on New Year’s Eve. One of the customers is her ex-boyfriend’s mother, who is drinking champagne.

Language  

  • Profanity is used often and includes ass, crap, damn, goddamn, fuck, hell, piss, and shit. 
  • OMG, Oh God, and Jesus are used several times. 
  • There is some name-calling such as asshole, bitch, bastard, and douchebag.

Supernatural 

  • None 

Spiritual Content  

  • Occasionally, Claire quickly prays. For example, after leaving a party, Claire is “praying I won’t cry in front of Jesse . . . I am not religious, but I say a silent prayer to whoever. . . [that] I had the presence of mind to keep my goddamn mouth shut. . .” 
  • When her friends disappear, Claire thinks, “I wasn’t raised with religion, but I don’t know if I accept that it’s all random, that we’re not accountable to anyone. I make a silent bargain with whoever is listening: . . . I’ll be a better friend, if only they come home and be okay.” 
  • Claire is home alone when the doorbell rings. She says “a silent prayer that whoever is at my front door is selling something . . .” and is not someone she knows.

Siege and Storm

After narrowly escaping the Darkling and his army, Alina and Mal are on the run. They try to make a new life for themselves in Novyi Zem, but they have to be careful. Alina, the Sun Summoner, is hardly inconspicuous wearing her amplifier made from Morozova’s stag as a collar, and the Darkling has spies everywhere. 

But she and Mal can’t outrun their enemies. They aren’t in Novyi Zem long before the Darkling finds them. He captures them and brings them on a ship led by Sturmhond, a famous privateer. The Darkling intends to drag Alina and Mal back to Ravka and continue expanding the Fold. But first, he is determined to hunt down the sea whip – the second in the triad of Morozova’s legendary creatures that can be used as powerful amplifiers – and force Alina to kill it and claim its scales as a second amplifier. This would magnify her summoning abilities and give the Darkling access to even more of Alina’s power.  

But Sturmhond and his crew are not what they seem. When they turn on the Darkling, Alina finds herself with powerful allies and renewed hope. Her new alliance with Nikolai Lantsov, the ever-witty and incredibly charming second-born prince of Ravka, throws her into Ravkan political dealings. Ravka’s precarious position in world politics means the country cannot be saved with Grisha power alone. Alina begins accompanying Nikolai to war council meetings as Ravka attempts to broker peace treaties with its neighboring countries, and she quickly realizes that Ravka was in much greater danger than she ever imagined. But will all of Alina’s efforts be enough to stand against the Darkling, who remains Ravka’s greatest domestic threat? And can Alina and Mal’s strained relationship survive Alina’s growing power and importance? 

If writing a good first book in a trilogy is hard, then writing a good sequel is even more strenuous. But Siege and Storm electrically picks up Alina’s story right where it left off and keeps the momentum going all the way to the end. The plot involves many twists and turns and never lets readers be lulled into a false sense of security. From heart-stopping action scenes to breathtaking exchanges between characters, there is never a dull moment. 

In Siege and Storm, Bardugo fleshes out her world even more, expanding on Ravka’s function as a country by placing it into a larger “world” context. Readers learn about this complicated history along with Alina, so the new information is masterfully woven throughout the story. Alina is a fascinating narrator, and readers get to experience her thought process and understand how and why she makes her decisions. Alina is not a perfect heroine by any means, but her flaws are what make her relatable. Even when she makes mistakes, she strives to fix them, and her self-awareness, compassion, and perseverance are traits that make her an admirable protagonist.  

Siege and Storm brings back all of the fan-favorite characters from the first book in the series, Shadow and Bone. Plus, several new characters are introduced that are equally quotable and loveable. Bardugo delves even deeper into her characters, forcing them to confront their darkest demons and complicating their relationships with each other. As tensions rise and power dynamics shift, Alina and her friends and allies must fight to remain united in the face of the real threats instead of turning against each other and letting their jealousies and vulnerabilities win. Siege and Storm ends on a dramatic cliffhanger that will leave readers excited beyond measure to get their hands on the next (and final) book in the series, Ruin and Rising.  

Sexual Content  

  • Mal kisses Alina harder than usual when they are in private. “His tone was light, but when his lips met mine, there was nothing playful in his kiss. He tasted of heat and newly ripe pears from the Duke’s garden. I sensed hunger in the slant of his mouth, an unfamiliar edge to his need that sent restless sparks burning through me. I came up on my toes, circling my arms around his neck, feeling the length of my body melt into his. He had a soldier’s strength, and I felt it in the hard bands of his arms, the pressure of his fingers as his fist bunched in the silk at the small of my back and he drew me against him. There was something fierce and almost desperate in the way he held me, as if he could not have me close enough.” 
  • During a fight, Mal tells Alina that he distances himself from her to protect her position as a leader. “‘Why do you think people asked me on the royal hunt? The first thing? They wanted to know about me and you.’ He turned on me, and when he spoke his voice was cruel, mocking. ‘Is it true that you’re tumbling the Sun Summoner? What’s it like with a Saint? Does she have a taste for trackers, or does she take all of her servants to her bed?’” 

Violence  

  • Alina has nightmares. “Sometimes she dreamed of broken skiffs with black sails and decks slick with blood, of people crying out in the darkness. But worse were the dreams of a pale prince who pressed his lips to her neck, who placed his hands on the collar that circled her throat and called forth her power in a blaze of bright sunlight.” 
  • The Darkling describes how he will punish Alina if Mal refuses to track the sea whip [a dragon]. “Because every day we don’t find the sea whip, I’ll peel away a piece of her skin. Slowly. Then Ivan will heal her, and the next day, we’ll do it all over again.”
  • The Darkling and Sturmhond’s crew capture and kill the sea whip. “Beads of water flew from [the sea whip’s] mane, and its massive jaws opened, revealing a pink tongue and rows of gleaming teeth. It came down on the nearest boat with a loud crash of splintering wood. The slender craft split in two, and men poured into the sea. The dragon’s maw snapped closer over a sailor’s legs and he vanished, screaming, beneath the waves.” This scene is described over three pages. 
  • After Sturmhond’s crew turn on the Darkling and become Alina’s allies, the Darkling and his army attack them. “Pistol shots rang out. The air came alive with Inferni fire. ‘To me, hounds!’ Sturmhond shouted, and plunged into action, a saber in his hands.” This scene occurs over 10 pages. The following two bullet points happen during this scene. 
  • Ivan, the Darkling’s right-hand man, is killed by Tolya, one of Sturmhond’s crew members: “The fingers of Tolya’s outstretched hand curled into a fist. Ivan convulsed. His eyes rolled up in his head. A bubble of blood blossomed and burst on his lips. He collapsed onto the deck.”  
  • The Darkling unleashes his nichevo’ya, or shadow monsters, on Alina and her allies. “The nichevo’ya reached the masts of the schooner, whirling around the sails, plucking sailors from the rigging like fruit. Then they were skittering down onto the deck. Mal fired again and again as the crewmen drew their sabers, but bullets and blades seemed only to slow the monsters. Their shadow bodies wavered and re-formed, and they just kept coming.” Sturmhond’s crew manages to confuse the nichevo’ya long enough to escape. 
  • Sturmhond tells Alina she needs to be more ruthless, and tells her how he earned the respect of his crew. The first time he ever tried to board an enemy ship, the captain laughed at him and mocked him, so Sturmhond “cut off his fingers and fed them to [his] dog while [the captain] watched.” 
  • Mal spars with other Grisha soldiers in practice fighting matches. “Eskil [a minor character who is Grisha] let out a loud oof as Mal clamped his arms around him, keeping the Grisha’s limbs pinned so that he couldn’t summon his power. The big Fjerdan snarled, muscles straining, teeth bared as he tried to break Mal’s hold. . . Mal tightened his grip. He shifted, then drove his forehead into [Eskil’s] nose with a nauseating crunch. Before I could blink, he’d released Eskil and hammered a flurry of punches into [Eskil]’s gut and sides.” This scene occurs over three pages. 
  • Alina wanders outside the city and encounters the Ravkan peasants who congregate outside, hoping to catch a glimpse of Sankta (or Saint) Alina. They crowd around her, trying to get close to her and touch her. “The bodies pressed tighter, pushing and shoving, shouting at each other, each wanting to be nearer. My feet lost contact with the ground. I cried out as a chunk of my hair was ripped from my scalp. They were going to tear me apart.” Tolya and Tamar, Alina’s bodyguards, rescue her before it’s too late, and Alina is left shaken but uninjured.  
  • The Darkling and his nichevo’ya attack the Grand Palace after Vasily, Ravka’s lazy and arrogant crown prince, double-crosses his brother, Nikolai. Nikolai is Alina’s ally and friend, and he had plans to save both Alina and Ravka. However, many people die in this nichevo’ya attack. Vasily, Alina, and many others are injured. This scene occurs over 13 pages, with several interludes for dialogue.  
  • During the fight, “Vasily lifted his saber high and charged, bellowing with rage. Mal stepped in front of me, raising his sword to block the blow. But before Vasily could bring down his weapon, a nichevo’ya grabbed hold of him and tore his arm from its socket, sword and all. He stood for a moment, swaying, blood pumping from his wound, then dropped to the floor in a lifeless heap.” 
  • Alina attacks the nichevo’ya to save her friends. “Another pack of nichevo’ya descended from the windows, clawing their way toward Nikolai and his mother. I had to take a chance. I brought the light down in two blazing arcs, cutting through one monster after another, barely missing one of the generals who crouched cowering on the floor. People were screaming and weeping as the nichevo’ya fell upon them.” Alina and many of her friends, including Mal, escape, but they don’t know whether or not Nikolai was able to get to safety. 

Drugs and Alcohol  

  • Novyi Zem is the center of the jurda trade. Jurda is a stimulant people use to stay awake. For example, “Zemeni men liked to tuck the dried [jurda] blooms between lip and gum, and even the women carried them in embroidered pouches that dangled from their wrists. Each store window [Alina] passed advertised different brands: Brightleaf, Shade, Dhoka, the Burly.” 
  • When Mal returns from a hunt, he tells Alina about how he and the other Grisha who went on the hunt entertained themselves. “We spent more time every day playing cards and drinking kvas [an alcoholic beverage analogous to beer] than anything else. And some duke got so drunk he passed out in the river. He almost drowned. His servants hauled him out by his boots, but he kept wading back in, slurring something about the best way to catch trout.” 
  • Alina complains about how boring war council meetings are, and Nikolai jokes, “Next time, bring a flask. Every time [Vasily] changes his mind, take a sip.” Alina replies, “I’d be passed out on the floor before the hour was up.” 
  • After missing his guard shift, Mal is found hungover. Alina and Tolya find him the next morning. “[Mal] hadn’t changed his clothes from last night. There was stubble on his chin, and the smell of blood and kvas hung on him like a dirty coat.” 

Language  

  • None 

Supernatural 

  • Siege and Storm involves a magic system known as the Small Science, which is a way of manipulating matter that appears supernatural or magical. Those who can wield the Small Science are known as Grisha; many of the main characters in this novel are Grisha.  
  • The Grisha are split into three orders: Corporalki (the Order of the Living and the Dead), Etherialki (the Order of Summoners), and Materialki (the Order of Fabrikators).  
  • The Darkling and Baghra, Alina’s tutor, are Shadow Summoners, while Alina is a Sun Summoner. These are unique abilities that no other known Grisha possesses. For example, Alina uses her power when Sturmhond steers his ship through the Fold: “Hurriedly, I braced my feet against the deck and threw up my hands, casting a wide golden swath of sunlight around the [ship].” 

Spiritual Content  

  • When she and Mal reach Novyi Zem, Alina prays, “Let us be safe here. Let us be home.” 
  • Ravkans worship Saints, and some have started to worship Alina as a living Saint, calling her Sankta Alina (Saint Alina) and Sol Koroleva (Sun Queen). 
  • Some Ravkan peasants sell relics of Saints, such as fake bones supposedly once belonging to different Saints. Nikolai tells Alina, “There are rumors that you died on the Fold. People have been selling off parts of you all over Ravka and West Ravka for months. You’re quite the good luck charm.” 

Mayday at Two Thousand Five Hundred

Fourteen-year-old Jay Cooper is enjoying the view from his Uncle Rex’s Cessna when a low-flying 757 speeds past them. Caught in its wind turbulence, their small plane is shaken violently, knocking Rex unconscious and leaving Jay blind from a head injury.

With fuel running out fast, Jay drifting in and out of consciousness, and the plane heading straight for a mountain range, this high-flying adventure shows the importance of faith as Jay faces numerous unseen dangers.

Mayday at Two Thousand Five Hundred is an exciting survival story that shows how one teen’s bravery allows him to survive a dangerous situation. The story focuses on Jay, who is blinded when his plane is caught up in wind turbulence. Despite his injury, Jay stays calm. When Jay is instructed to crash land the plane into Puget Sound, he realizes that he is unlikely to survive, and his uncle will surely die. Despite this, Jay believes that God “knows what’s best. We just have to put ourselves in His hands and let Him take it where He wants to take it.” Jay is only able to succeed because his trust in God allows him to focus on the situation at hand, and not be consumed by what-if questions. Jay’s determination to safely land the plane and save his uncle’s life is admirable.

Even though much of the story focuses on Jay’s conflict, there are many people who guide Jay. When another pilot witnesses the accident, the pilot follows Jay’s plane to give Jay directions, so he does not crash. Jay is also in contact with air traffic control, his father, and other members of his family. The media also appears and broadcasts Jay’s dilemma. The varying points of view create suspense as well as highlight the unknown dangers that Jay must face. Readers will get caught up in the story’s drama and will root for Jay to successfully land the plane. 

Mayday at Two Thousand Five Hundred is a suspenseful story that will capture the reader’s attention from the very start. While the story highlights Jay’s trust in God, the lesson is integrated into the story and never feels preachy. Readers will be biting their nails wondering what new difficulty Jay will have to overcome. Fans of survival stories should put Mayday at Two Thousand Five Hundred at the top of their reading list. Readers who are eager to read more survival stories should also read the classic book, Hatchet by Gary Paulsen and The Raft by S.A. Bodeen.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • Several of the characters pray short prayers. For example, when Chuck sees his friend’s plane begin to spiral, he prays, “Dear Lord, please wake him up, nudge him, get him on the controls.”

Polar Bear vs. Grizzly Bear

What would happen if a polar bear and a grizzly bear met each other? What if they had a fight? Who do you think would win? In this nonfiction read, two ferocious bear species are compared and contrasted.  

Polar Bear vs. Grizzly Bear’s fun format will appeal to most readers. Each page has large pictures of bears as well as fun facts, true stories, language facts, and definitions. For example, one fun fact is that “a grizzly is faster on land. A polar bear is probably faster on ice.” Each two-page spread compares the characteristics of the bears. Readers may be surprised by the ending battle because “the polar bear sees no point in fighting anymore. There is no reason to fight to the death. The polar bear runs away.” The battle between the two bears is illustrated over two pages; however, no blood is shown.  

The nonfiction read is packed with interesting information about the two bear species. The book also has two pages devoted to funny bear stories. Similar to a picture book, each page has a full-page illustration. With six to eleven simple sentences per page, Polar Bear vs. Grizzly Bear is accessible to most readers. However, younger readers may need help with some of the vocabulary such as translucent, apex predator, and carnivore. 

Polar Bear vs. Grizzly Bear will spark readers’ attention and make them want to learn more about bears. It is part of the Who Would Win? Series, which has 20+ books that will satisfy all kinds of animal fans. Readers looking for more bear humor should also read the graphic novel, Bird & Squirrel on The Edge by James Burks. 

Sexual Content  

  • None

Violence  

  • Polar bears can eat humans, “but it hardly ever happens.” However, “each year grizzlies eat a few people.” 
  • When the polar bear and the grizzly bear see each other, “the grizzly charges at the polar bear, growing and showing his teeth. . . [The polar bear] fights back. Whap! He smacks the grizzly in the face. Ouch! They claw, scratch, and bite.” The polar bear eventually walks away from the fight.  

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

Shadow and Bone

Alina Starkov never expected to be anything but ordinary. An orphan from Keramzin, a small village in Ravka, she is a mapmaker in Ravka’s First Army. Her best friend, Mal, is also in the army as a tracker. Alina wants nothing more from life. 

But that changes when her regiment attempts to cross the Fold, a swath of deadly darkness created 400 years ago by the Black Heretic that splits Ravka in half. Alina discovers that she can summon light, making her a Grisha – someone with the ability to practice the Small Science. But Alina is no ordinary Grisha – she is a Sun Summoner, who is prophesied to destroy the Fold for good. 

Now Alina will enter a lavish world of royalty and intrigue as she trains with the Grisha, her country’s magical military elite—and falls under the spell of their notorious leader, the Darkling. He believes Alina can summon a force capable of destroying the Shadow Fold and reuniting their war-ravaged country, but only if she can master her untamed gift. 

Alina begins working with the mysterious Darkling, the only Shadow Summoner and leader of the Grisha. He tells Alina that he seeks to rectify his ancestor’s mistake and unite Ravka once more. The Darkling says Alina is Ravka’s only hope. But the more Alina learns about the Grisha world, and about the Darkling himself, the more she realizes that things are even more complicated than she previously thought. With Ravka’s future on her shoulders, Alina must figure out who her allies are and possibly prevent a catastrophe bigger than the creation of the Fold itself. 

As the first book in a fantasy trilogy, Shadow and Bone has the difficult task of setting up its characters, setting, and plot in an engaging way while still leaving room for the story to develop in subsequent books, and it does not disappoint. The world-building is excellent as it introduces just the right amount of information so that the reader is not confused but is still intrigued to learn more.  Throughout the story, Bardugo expertly weaves in more details as needed. Ravka comes to life through Bardugo’s lush prose that provides just enough description without distracting from the plot so that even the most plot-driven readers will not be able to walk away from this book. 

Another positive aspect of Shadow and Bone is its vast cast of characters. Even minor characters have multiple layers of depth which keeps readers on their toes and makes them constantly examine the characters’ decisions. Alina is an easy character to relate to for anyone who has ever struggled to fit into an unfamiliar environment, and her strength and perseverance make her an admirable protagonist. This is especially evident in her struggle to merge her new life with her old dreams for her and Mal, and readers will root for her as she searches for ways to combine her ordinary past with her extraordinary present. Readers will eagerly devour Shadow and Bone, and delight in learning about the world of the Grisha alongside Alina. 

Sexual Content  

  • A beautiful Grisha girl smiles flirtatiously at Mal. His friends tease him. “‘You know she’ll be staying at camp,’ Mikhael said with a leer. ‘I hear the Grisha tent’s as big as a cathedral,’ added Dubrov. ‘Lots of nice shadowy nooks,’ said Mikhael, and actually waggled his brows.”  
  • Mal taps on Alina’s tent after hours. One of her fellow soldiers hears the knock and giggles, “If it’s that tracker, tell him to come inside and keep me warm.” 
  • The night before their regiment crosses the Fold, Alina and Mal reminisce about their childhoods. They are interrupted and when Mal gets up to leave, he tells Alina to wish him luck. She does, and then thinks sarcastically, “Good luck? Have a lovely time, Mal. Hope you find a pretty Grisha, fall deeply in love, and make lots of gorgeous, disgustingly talented babies together.”  
  • Alina’s friend Genya usually spends her time at the Grand Palace because the Queen and especially the King like to keep her close. It is insinuated that the King treats Genya as if she is a prostitute. Genya later confirms this to Alina, telling her that “the King has his way with lots of servants.” 
  • The Darkling kisses Alina in an empty room at the Little Palace. “I’d been kissed before, drunken mistakes, awkward fumblings. This was nothing like that. It was sure and powerful and like my whole body had just come awake. I could feel my pounding heart, the press of silk against my skin, the strength of his arms around me, one hand buried deep in my hair, the other at my back, pulling me closer.” This scene occurs over two pages. 
  • As Alina wanders the outskirts of the city, a drunk man stumbles out of an inn and grabs Alina by the coat. He says, “Hello, pretty! Have you come to keep me warm?” He makes a few more comments in the same vein; Alina quickly gets away by blinding him with her light powers. 

Violence  

  • When Alina’s regiment attempts to cross the Fold, they are attacked by volcra, deadly creatures who live in the Fold and feed on humans. There are many injuries and casualties, including Alina’s friend Alexei. Alina “gasped as Alexei’s arm was yanked from mine. In a spurt of flame, I saw him clutching at the railing with one hand. I saw his howling mouth, his wide, terrified eyes, and the monstrous thing that held him in its glistening gray arms, its wings beating the air as it lifted him from his feet, its thick claws sunk deep into this back, its talons already wet with his blood. Alexei’s fingers slipped on the railing . . . His screams faded into the sounds of battle as the volcra carried him into the dark. Another burst of flame lit the sky, but he was gone.” This scene occurs over four pages. 
  • When Alina is being taken to the Little Palace by Grisha guards, they are attacked by Fjerdan assassins. Alina “huddled on the floor [of the carriage], clutching the knife’s heavy hilt, my knees to my chest, my back pressed against the base of the seat. Outside, I could hear the sounds of fighting, metal on metal, grunts and shouts, horses whinnying. The coach shook as a body slammed against the glass of the window. I saw with horror that it was one of my guards. His body left a red smear against the glass as he slid from view.” This scene occurs over four pages. Many unnamed people die, and a few are injured.  
  • Alina has a nightmare where she “threw open the door . . . and screamed. There was blood everywhere. The volcra was perched on the window seat and, as it turned on me and opened its horrible jaws, I saw it had gray quartz eyes.”  
  • During a combat training session, Alina spars with Zoya, one of the most powerful Grisha. Zoya “pressed her advantage and lunged forward. That was her mistake . . . I [Alina] stepped to the side, and as she came in close, I hooked my leg around her ankle. Zoya went down hard. . . But before I had a chance to even register my victory, Zoya sat up, her expression furious, her arm slashing through the air. I felt myself lifted off my feet as I sailed backward through the air and slammed into the training room’s wooden wall. I heard something crack, and all the breath went out of my body as I slid to the ground.” 
  • In the woods, thieves attack Alina and Mal. Alina’s training saves them. “Before he could recover, I [Alina] slammed a knee into his groin. As he bent double, I put my hands on the back of his head and brought my knee up hard. There was a disgusting crunch, and I stepped backward as he fell to the ground clutching his nose, blood spurting between his fingers.”  
  • The Darkling kills Morozova’s stag in order to use its antlers to make an amplifier for Alina. The Darkling “strode forward and without hesitating slit the stag’s throat. Blood gushed into the snow, pooling around the stag’s body. I watched as the life left his dark eyes, and a sob broke from my chest.” 
  • Alina has a nightmare. “That night, I dreamed of the stag. I saw the Darkling cut his throat again and again. I saw the life fading from his dark eyes. But when I looked down, it was my blood that spilled red into the snow.” 

Drugs and Alcohol  

  • Alina watches a friend “take a swig from the bottle [of kvas] and then lurch forward.” Kvas is the Ravkan equivalent of beer. 
  • While en route to the Little Palace, Alina, the Darkling, and the rest of the Grisha guards sit around a fire and “pass a flask back and forth.”  
  • Genya, Alina’s best friend at the Little Palace and a Grisha servant to the Ravkan King and Queen, describes the King as “probably drunk” and says that he “devotes all his time to hunting, horses, and imbibing.”  

Language  

  • None 

Supernatural 

  • This book involves a magic system known as the Small Science, which is a way of manipulating matter. Those who can wield the Small Science are known as Grisha. The Grisha are split into three orders: Corporalki (the Order of the Living and the Dead), Etherialki (the Order of Summoners), and Materialki (the Order of Fabrikators).  
  • The Darkling and Baghra, Alina’s tutor, are Shadow Summoners, while Alina is a Sun Summoner; these are unique abilities that no other known Grisha possess. For example, here is a description of when Alina summons light for the first time on purpose and by herself: “I called and the light answered. I felt it rushing toward me from every direction, skimming over the lake, skittering over the golden domes of the Little Palace, under the door and through the walls of Baghra’s cottage. I felt it everywhere. I opened my hands and the light bloomed right through me, filling the room, illuminating the stone walls, the old tile oven, and every angle of Baghra’s strange face. It surrounded me, blazing with heat, more powerful and more pure than ever before because it was all mine. I wanted to laugh, to sing, to shout. At last, there was something that belonged wholly and completely to me.” The Darkling’s power works in a similar way: “He brought his hands together and there was a sound like a thunderclap. I gasped as undulating darkness spread from his clasped hands, spilling in a black wave over me and the crowd.” 

Spiritual Content  

  • Many Ravkans worship Saints, and consider Alina to be a living Saint because she is the Sun Summoner. 
  • The Apparat, the King’s spiritual advisor, tells Alina, “There is something more powerful than any army. Something strong enough to topple kings, and even Darklings . . . Faith.”  
  • Alina checks the casualty lists every week, looking for Mal’s name, and each time she doesn’t see his name she “gives thanks to all the Saints that Mal was safe and alive.” 
  • When Alina is on the run, she can’t resist slipping into a tiny church to hear the priest say Mass. The priest “offered prayers for the congregation: for a woman’s son who had been wounded in battle, for an infant who was ill with fever, and for the health of Alina Starkov. ‘Let the Saints protect the Sun Summoner,’ intoned the priest, ‘she who was sent to deliver us from the evils of the Shadow Fold and make this nation whole again.’” 
  • Alina describes Genya as “a painted icon of a Saint, her hair a burnished copper halo.” 

Mummies and Pyramids

When Jack and Annie got back from their adventure in Magic Tree House #3: Mummies in the Morning, they had lots of questions. Why did people make mummies? What was the mysterious writing on mummy cases? How did most ancient Egyptians spend their days? How were the pyramids built? Find out the answers to these questions and more as Jack and Annie track the facts.

Filled with up-to-date information, photos, illustrations, and fun tidbits from Jack and Annie, Magic Tree House Fact Trackers are the perfect way for kids to find out more about the topics they discover in their favorite Magic Tree House adventures. Teachers can use Fact Trackers alongside their Magic Tree House fiction companions to meet common core text pairing needs. Mummies and Pyramids pairs with Magic Tree House #3: Mummies in the Morning.

Mummies and Pyramids is broken into small sections. Almost every page has a black-and-white illustration. Because readers may not be familiar with some of the vocabulary, unfamiliar words are explained in the book’s margins. Pictures of Jack and Annie are also scattered throughout the book. 

Those interested in mummies should read Mummies and Pyramids. The easy-to-read text is packed full of interesting facts about mummies, pyramids, and Ancient Egyptians. Even though the book includes information about how mummies are made, the matter-of-fact tone and non-gory descriptions will put readers at ease. There is only one drawing of a body being mummified, but the person is mostly wrapped in linen. Because the book explains the Ancient Egyptians’ belief in the afterlife, parents may want to discuss their beliefs with their children. 

Mummies and Pyramids is an engaging nonfiction book that brings Ancient Egypt alive. Readers who want to learn more should also read the nonfiction book The Curse of King Tut’s Mummy by Kathleen Weidner Zoehfel. To take a step back in time while learning more about Egypt, read Escape from Egypt by Wendy Mass and Secret of the Prince’s Tomb by Marianne Hering.

Sexual Content 

  • None

Violence 

  • Tomb robbers would steal from mummies. “Sometimes tomb robbers even burned the mummy to light the tomb while they worked. . . Ancient Egyptians thought tomb robbers were committing crimes against the gods. If they were caught, they were beaten and often put to death.”

Drugs and Alcohol 

  • Food and jugs of beer have been found in mummies’ tombs.

Language 

  • None

Supernatural

  • While a body was being mummified, “the priest wrapped magic charms in the mummy’s linen strips. The Egyptians believed these charms would bring good luck and protect the person in the Next Life.”
  • Before a mummy was laid in its tomb, there was a ceremony called The Opening of the Mouth. “Egyptians believed the Opening of the Mouth ceremony made it possible for the dead person to eat, drink, and speak in the Next Life.”
  • To help a mummy make the journey to the Next Life, “mummies were buried with prayers, magic spells, and maps of the underworld.”

Spiritual Content 

  • Ancient Egyptians believed in many Gods and these beliefs are explored throughout the book. There is one chapter dedicated to the different Gods. Because of this, not every reference to the Gods is listed below. 
  • Egyptian rulers, called Pharaohs, “had total power over their people. . . Egyptians thought their pharaoh was more than a person. They worshipped him as a god.” 
  • Some of the Egyptian Gods “were like ordinary men and women. Some were like animals. Many were half-human and half-animal. The Egyptians believed the gods and goddesses watched over everything they did.”
  • Egyptians created statues that were cared for by priests. The priest “washed and dressed them. They even served them meals. . . At home, they prayed to their own statues of their favorite gods and goddesses.” 
  • When taking a mummy to be buried, the “priest said prayers and recited magic spells.” 

Very Bad People

Six years ago, when Calliope was in middle school, her mother lost control of a minivan and plunged into a lake. Calliope and her two sisters, Lorelai and Serafina, survived the crash, but their mother died. The investigation into why the car crashed was inconclusive. Despite the pain of losing their mother, Calliope’s sisters and father were able to move forward. But Calliope has never been satisfied. She suspects that something else is at work behind her mother’s death, and she’s determined to find out what it is.  

Now a junior in high school, Calliope has earned a spot at Tipton Academy – the school her mother once attended. For the first time, she is separating from her family in order to get closer to her mother’s past, hoping that it will bring closure. While Calliope struggles to adjust, she joins Haunt and Rail, a secret society that is responsible for influencing important decisions at the academy. After attending the initiation, Calliope is wary of the society’s role and motives. She also learns that her mother was once a member of Haunt and Rail, or a “Ghost,” too. Feeling that she is closer than ever to discovering her mother’s past, Calliope’s doubts subside as Haunt and Rail secretly – and successfully – launch a campaign to increase pay for the food staff at Tipton. Calliope plunges headfirst into her responsibilities as a Ghost, and she finally feels like she belongs and is inspiring change at Tipton.  

Things start to go awry for Calliope when rumors arise that one of Tipton’s English teachers, Mr. Ellis, is having inappropriate relationships with female students. At first, Haunt and Rail seek to vindicate the affected women, but soon their desire for change becomes more ambitious. Calliope becomes caught up in a crime she never expected as the truth behind her mother’s death comes to light.    

Very Bad People lives up to its title. Readers may pick up this book expecting a boarding school mystery, but they may not be ready for the story’s twists and deceptions. As for the narrator, Calliope is a curious, driven character, who often reflects on her choices. At times, Calliope realizes that she is a bad friend and tries to be better. Plus, she struggles with her allegiance to Haunt and Rail. Even though Calliope is trying to be a good person, she is often complacent even though she knows something is wrong.  

Unfortunately, Very Bad People has many flaws. For example, while Calliope’s complexity makes her more interesting, readers may be surprised by the story’s dark nature. In the end, Calliope’s story feels secondary to the mystery and setting. In addition, her romance with Nico is almost unnecessary. The plot is bogged down with lots of detailed information about the school and a long list of characters that can be difficult to keep track of. Very Bad People is a story for an experienced reader of the mystery genre – not for someone looking for a romance or a detective tale.   

Sexual assault and murder are the main conflicts of this story, and it is very dark at the end. The conclusion shows that Calliope can’t trust anyone—not even her family. The events in the story are traumatic for Calliope and she will never be the same. Regardless, the story has a somewhat happy ending. The conclusion is satisfying because Calliope is finally brave enough to make the right choice.  

Very Bad People is a page-turning thriller. The betrayal between friends and family is shocking to the core and Calliope’s investigation of her mother’s death is thorough – too thorough for her own good, leaving her entangled in a secret society whose motives are questionable. Overall, readers who want a mystery full of twists and turns in an intricate setting should give this story a try, particularly those who enjoy dark academic themes. Readers who aren’t afraid to jump into an exciting book with complicated characters who face evil should read the Truly Devious Series by Maureen Johnson. Readers who want an excellent mystery that isn’t as graphic should grab a copy of Endangered: A Death on a Deadline Mystery by Kate Jaimet. 

Sexual Content  

  • A few weeks after starting school, Calliope begins dating another student, Nico. They hold hands occasionally. 
  • Calliope and Nico kiss. Nico “leans forward and tilts his chin just slightly to the left. Our lips brush lightly once, then come together, and I am falling, falling, and I don’t have to think anymore.” They kiss a second time but it is not described. 
  • Calliope’s aunt, Mave, is bisexual. She uses the words “bisexual” and “queer” to refer to herself, and she is also married to a woman, Teya.  
  • At a Haunt and Rail celebration, Calliope sees two students kiss. “Akari and Lucas finish their dance and collapse onto the couch to a round of applause and hoots. Her body drapes across his, and he presses his lips to hers.”  
  • Calliope’s sister, Lorelai, says that she kissed a boy.  
  • Mr. Ellis, a teacher at Tipton, is accused of being a predator. It is revealed that he “watches teen porn” on his tablet and that he converses with female students via inappropriate text messages. According to a student, Ellis is responsible for, “Inappropriate touching, sexually explicit speech, and private invitations to visit his faculty apartment without other students or teachers present.” Multiple victims are mentioned in the story, including a girl named Lacy, who committed suicide after what he did to her. In addition, Brit, a member of Haunt and Rail, reveals that Mr. Ellis made sexual advances toward her.  
  • After a student, Aymée, is kicked out of Haunt and Rail, the group retaliates against her by sending pictures to the school. The pictures include depictions of Aymée’s past relationship with a teenage boy while she was in middle school along with a note that suggests she had a relationship with Mr. Ellis. In one of the pictures, Aymée is kissing the teenage boy. 
  • Aunt Mave admits she slept with Kathy (Calliope’s mother’s) ex named Danny. 
  • Calliope’s sister, Lorelai, admits that she knew that Kathy was having an affair with Danny. “I saw them together. . . When I walked into the house. . . Momma wasn’t inside. I went around back, looking for her, and she was in the woods behind the house with some stranger. They were half-naked, rolling around in the pine needles. . . Momma said Danny was her special friend and tried to sell me some bullshit story about what they’d been doing. I didn’t fully get what was happening, but I knew it was bad. I knew what kissing was, obviously.” 

Violence  

  • Calliope’s mother, Kathy, died in a car accident. Kathy, Calliope, and her two sisters, Lorelai and Serafina, were in the car. Calliope frequently remembers this moment and her memory of the incident is crucial to the story’s plot. It is described in detail when Calliope says, “I woke to cold water – rushing in, filling the van, dragging us under. Screams and screams. Only our mother was silent in the front, slumped over the steering wheel . . . ” Calliope continues to describe how she and her sisters were able to escape the van, but had to leave their mother behind.  
  • Aunt Mave tells Calliope a story about a student who died when she went to Tipton. The student, Adam, died on campus and there were rumors that his death may have been a murder and that Haunt and Rail were involved. Mave says, “[Adam] died on campus, right in one of the dorms. Tripped down a flight of stairs in the middle of the night, and no one found him until the next morning.”  
  • Calliope finds out that Haunt and Rail members killed Mr. Ellis by poisoning his food. Calliope sees his dead body. “Mr. Ellis is slumped over in a wooden chair, head, chest, and arms draped across the top of his kitchen table. His eyes are open, empty bowls. A dark pool halos his head and drops down onto the tile. Blood – no, vomit.”  
  • Lorelai admits that she was the one who caused her mom’s car accident. “I never planned for it to happen. . . I just needed the car to stop, and I kept asking Momma, and she told me to be quiet. . . Momma still wouldn’t pull over, so I grabbed the wheel. I just wanted us to turn around, go home, but the van spun out, off the road. Then we were in the lake, and Momma wouldn’t wake up.” 

Drugs and Alcohol  

  • At a Haunt and Rail party, someone brings champagne. No one gets drunk. Calliope takes a sip of it. 
  • Calliope’s classmate carries a flask and drinks from it when she visits Calliope’s room.  

Language  

  • Lucas calls Adam a “douchecanoe” and an “ass.” He curses while he describes Adam’s behavior. “Adam was a total daddy’s boy. He was this uber-privileged asshole. . . Adam was partying on campus… [After curfew] he kept the party going in his room, getting shitfaced by himself.”  
  • Students says “fuck” a few times. For example, one student says, “fuck this meeting” and calls Mr. Ellis a “fucker.”  
  • Akari (another student) says, “Damned if we do, damned if we don’t.” 
  • “Shit” and “bullshit” are said once.  
  • When the senior Haunt and Rail students accuse Aymée of sabotaging their plan, Aymée says, “I’m not putting my ass on the line,” and, “You’re all fucking brainwashed.” 
  • “Jesus,” “Christ,” and “Oh my God” are all used several times.  

Supernatural  

  • None 

Spiritual Content  

  • None 

Deadman’s Castle

A twelve-year-old boy has a simple desire: to have friends, go to school, keep his name, and stop “bugging out.” Unfortunately, his life has been far from simple ever since his dad witnessed something he shouldn’t have. In order to protect themselves, his family abandoned their identities and went into hiding. Currently, the young boy hides under the name Igor.  For the past seven years, they have had to live under different names and in new houses. Now they’re always on the run, hiding from the mysterious and dangerous Lizard Man.

Despite the constant danger and the fear of being discovered, Igor clings to the hope of a normal life. He yearns to have a routine. Igor longs to be able to discover his real name, the one that connects him to his past and his family. But as he grows older and more restless, Igor starts testing the limits of his dad’s strict rules, hoping to find a way to break free from the never-ending cycle of running and hiding. But the more Igor uncovers, the more he realizes that the danger is real, and the Lizard Man is closer than ever. The Lizard Man is getting closer, and Igor’s father’s past is catching up with them. But Igor is determined to find a way out of this life of fear, to discover the truth about his father’s past and his family’s connection to it.

Despite the odds, Igor clings to the hope of a normal life, and his determination to find a way out of the cycle of hiding and running makes him a hero in his own right. Will he be able to uncover the truth about his family’s past and put an end to the never-ending cycle of hiding and running? Only time will tell.

Deadman’s Castle is a gripping tale of adventure and mystery that promises to keep readers on the edge of their seats. From the very first page, readers will be transported to a world of danger and intrigue, where every turn of the page brings a new revelation and a new challenge for the protagonist, Igor. As the story unfolds, Igor finds himself embroiled in a web of lies and deceit that threatens to destroy not only his own life but the lives of those he loves most.

The plot of Deadman’s Castle is both intricate and compelling with a rich and immersive world that readers won’t want to leave. There are heart-stopping action scenes that will leave readers breathless with fear and suspense, as well as heart-warming moments of tenderness and compassion that will bring a tear to the eye. 

But it’s not just the plot that makes Deadman’s Castle such a captivating read. The characters are fully fleshed-out and multi-dimensional, with their hopes, fears, and motivations making them feel like real people. Readers will find themselves cheering for Igor as he struggles to uncover the truth about his family’s past and break free from the never-ending cycle of hiding. They’ll also be drawn to the other characters, such as Zoe and Angelo, Igor’s two new friends, who each have their own unique story to tell. Zoe, if that even is her real name, is a mysterious orphan struggling to find her sense of identity. Constantly changing her entire style and name without warning, she still knows how to remain true and honest to those she keeps closest to her. Angelo, on the other hand, is a rough and tumble boy with a hard exterior but a soft inside. Zoe and Angelo make for loveable and relatable sidekicks to Igor’s adventures.

In short, Deadman’s Castle is a must-read for anyone who loves a good adventure story. The book masterfully explores the theme of living a life of constant movement, while recognizing and empathizing with the struggles of adolescents. It addresses the themes of identity, family, and the lengths taken to protect loved ones. It’s a novel that will keep readers on the edge of their seats from beginning to end and leave them longing for more.  Readers who want more suspenseful stories should also read The Forgotten Girl by India Hill Brown and Dreaming Dangerous by Lauren DeStefano.

Sexual Content 

  • None

Violence 

  • On the first day of school, the other kids treat Igor like an outcast. A group of three boys threatens to harm Igor. One of the bullies, Angelo, “turned to [Igor]. He pointed a finger like a stabbing knife. ‘I’m going to kill you,’ he said.” At this point, Igor becomes worried that his dad may have been right; starting school so suddenly with a strange name would make him an easy target for being picked on.
  • Igor decides he must face Angelo and he goes outside with Angelo and his posse. “The others held my arms and pinned me there, one on each side . . . his hand swept up again,  and in his fist was — snow. He had a handful of snow, and he squashed it into my mouth and my eyes. He forced it between my lips, against my teeth; he pushed it up my nose.” The boys only stop their torture when Igor starts laughing because it wasn’t as bad as the things he imagined in his head.
  • Trevis, Angelo’s former best friend, likes to make up bizarre stories instead of answering questions truthfully. Igor asks about Zoe, one of Igor’s new friends, and Trevis tells Igor, “Both of her parents were killed. Zoe grew up as an orphan. . . It was a 747. A jumbo jet . . . Three hundred and forty people were killed.”
  • Angelo, Zoe, and Igor decide to go to Deadman’s Castle. Igor inquires why it is named Deadman’s Castle. “‘Cause there’s dead men in it,’ said Angelo. ‘There were bodies sealed in the walls.’” Although they never confirm what the actual story behind the name is. 
  •  While at Deadman’s Castle, Igor faces the Lizard Man. Igor “didn’t know what to tell him. [The Lizard Man] swung his foot and kicked me in the ribs.” Igor lay on the ground, unable to get out of reach of the Lizard Man. He ultimately joins Angelo, who has already been placed in a cell in the basement. 
  • The Lizard Man corners Angelo and Igor who use their video game skills to defend themselves. Igor describes how Angelo was “suddenly Johnny Shiloh, and I was Colt Cabana. We leapt from the floor and tackled the Lizard Man. The whip fell from his hand; his hat went rolling into a corner . . . With fists and feet we attacked the Lizard Man.” It deters the man for a few seconds but doesn’t take long for him to get back up and chase after the boys, before recapturing them.
  • Angelo’s dog, Smasher, tries to protect the boys from the Lizard Man. Unfortunately, it doesn’t take much for the Lizard Man to fend off the dog. “Either way, it didn’t matter. The door slammed against her. There was a thud and a cry that came together, the most terrible sound I’d ever heard.”
  • The Lizard Man chases Angelo and Igor when they try to break free. To escape, the kids must cross a very deep pit that is only crossable by planks of wood. “With a scream, he fell. The lantern dropped from [the Lizard Man’s] hand and went tumbling down in a whorl of light. It hit the walls and went out, and we heard the thudding of the planks as they boomed from the sides of the pit. Everything landed at once, what seemed a long time later: the light, the Lizard Man, and the planks of the bridge.” The kids presume he has died and run for help.

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • None

Ultimate Shark Rumble

Sixteen different sharks battle it out in a huge underwater fight! Who will be the champion? 

This nonfiction read compares and contrasts 16 ferocious sharks. Readers will learn about each animal’s anatomy, behavior, and more. Then, they’ll the animals will compete before finally revealing the winner!  

Ultimate Shark Rumble’s fun format will appeal to most readers. Each page has large pictures of sharks as well as shark facts, true stories, language facts, and definitions. For example, one fun fact is that “some Native Hawaiians believe that tiger sharks are the spirits of their ancestors.” Each “shark rumble” explains the characteristics of each shark as well as which shark would win in a battle. The pictures show the battles, including a shark’s sharp teeth biting another shark; while not gory, some blood is shown.  

Anyone who wants to learn more about sharks needs to read Ultimate Shark Rumble. Similar to a picture book, each page has a full-page illustration. With six to eleven simple sentences per page, Ultimate Shark Rumble is accessible to most readers. However, younger readers may need help with some of the vocabulary such as cartilage, positioned, caudal fins, and remoras.  

Ultimate Shark Rumble is jam-packed with interesting shark information. The nonfiction book will spark readers’ attention and make them want to learn more about sharks. The Who Would Win? Series has 20+ books that will satisfy all kinds of animal fans. Readers who want to take a bite out of more shark-related books should add The Great Shark Escape by Jennifer Johnston and Shark Lady by Jess Keating. 

Sexual Content  

  • None 

Violence  

  • In each shark rumble, the text explains which shark would win and why. For example, in a fight between a hammerhead shark and a tiger shark, “the tiger shark glides to the side and bites off one of the hammerhead’s eyes. The hammerhead is in trouble. The tiger shark then bites it in the back. Tiger shark wins!”

Drugs and Alcohol  

  • None

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

Kat Wolfe Investigates

After a break-in at their London home, Kat Wolfe and her veterinarian mum decide it’s time to move to the country. Dr. Wolfe’s new job on England’s Jurassic Coast comes with a condition: They have to adopt Tiny, a huge Savannah cat who resists Kat’s best attempts at cat whispering.

Kat starts a pet-sitting agency to make pocket money, but then the owner of her first client, an Amazon parrot, vanishes from his gadget-filled mansion. Only one person shares Kat’s conviction that he’s the victim of foul play: Harper Lamb, an American girl laid up with two broken legs thanks to her racehorse.

Kat and Harper team up, but what starts out as mystery-solving fun turns deadly for the duo. When all clues point to a nearby army base, can they count on their unruly animal friends to save the day—and their lives?

Kat Wolfe Investigates is a highly entertaining story that has mystery, suspense, and many other positive aspects that make it perfect for any mystery-loving reader. Readers will fall in love with Kat, who tries to stay out of trouble but gets thrust into the middle of a deadly mystery. At first, Kat tries to do the right thing by taking her concerns to Sergeant Singh, the only policeman in town. However, the Sergeant doesn’t believe Kat. So, Kat and her friend, Harper, begin their own investigation. Even when the two realize that the investigation could be dangerous, they continue their quest to find answers and save Kat’s client.

Not only is Kat a loveable character, but she is also surrounded by a slew of interesting characters – both human and animal – of all ages. Harper is a computer whiz, Kat’s friend Edith is a retired librarian, and Kat’s mother is the town’s only veterinarian. There is also a talking parrot, a Savannah cat, and a racehorse. The animals and humans blend to make a heartwarming story of friendship that has surprising pockets of laugh-out-loud humor. In addition, Kat’s story shows that “you should never rush to judgment—particularly when it comes to people you don’t know.”

Kat Wolfe Investigates is an excellent story that has a large cast of characters and a complex plot that takes the reader on an adventure with several surprises. Middle-grade readers will find themselves admiring Kat’s determination, bravery, and kindness. However, the content may disturb younger readers since the story has a believable villain who is responsible for other people’s deaths and who tries to have Kat and Harper “exterminated.” In the end, Kat catches the culprit and the story concludes on a happy note. For more mystery fun that features a spunky heroin, check out the Friday Barnes Mystery Series by R.A. Spratt and The Curious Cat Spy Club Series by Linda Joy Singleton.

Sexual Content 

  • None

Violence 

  • While pet-sitting, Kat sees a man outside of the house. She thinks the man might be a burglar, so she hits a button to turn on the outside grill. “A towering inferno shot out from the barbeque on the deck. . . The soldier let out an agonized yell and reeled back, clutching his forehead.” Later, Kat finds out that the man’s “left eyebrow is now slightly shorter than the right, but otherwise he was unscathed.” 
  • Darren, an “exterminator” sneaks into Dr. Wolfe’s office. Her desk has so many files on it that all he sees are “her eyebrows.” The man doesn’t realize the eyebrows actually belong to a monkey. “The eyebrows made an excellent target. He aimed his revolver right at them. It was a starting pistol, not a real gun. . .” He threatens the doctor and then leaves. 
  • When the exterminator goes to leave, Eva, the monkey “flew at him and sank her teeth into his ear. Disorientated in the dark reception area, Darren swirled around in agony. Eva bit down harder. . .”
  • Darren breaks into Kat’s house. “As Darren padded across the tiles, starting pistol in hand, Tiny (Kat’s Savannah cat) ambushed him from the top of the kitchen cupboard, crash-landing on his back and sinking his claws and teeth into Darren’s neck.” Darren’s has several injuries, “a scratch had rendered one of his eyes useless. The other was swollen from the bite he’d incurred at the animal clinic.” 
  • While investigating Ramon, the owner of the parrot, Kat finds out that his squad was on a mission, “but someone leaked the plans and the Russians ambushed their unit. Mario was killed and the other five soldiers were killed.” Later, someone starts killing soldiers with an undetectable poison.
  • On a dark, rainy night Kat rides onto a military base. “A harsh beam swept the ground, bathing them in light. A warning shot cracked. A shrub exploded almost at their feet.” The shot scares the horse, who takes off running.
  • When Kat makes it to the gate at the base, a soldier stops her. The next thing Kat knew, “she was staring into the barrel of a rifle.” Kat is taken to the base and given a towel to dry off.
  • At the base, Kat discovers that the villain is the chef. The man captures Kat and threatens to kill her with a gun. Before the villain can kill her, Kat’s grandfather, the Dark Lord, “stepped from the shadows.” To save Kat, the Dark Lord throws his gun down. “The chef clamped an arm around her throat.” Kat reacts by pulling a martial art move. “A short, sharp tug on his chef’s jacket, a lunge, and a twist, and Chef Roley soared over the gymnasium. He crash-landed on the studio floor below and was out cold.” 

Drugs and Alcohol 

  • Harper shows Kat a picture of a group of men in a photograph. The men were on a boat with “beers in hand.”
  • After a monkey bites Darren, he takes “two painkillers with a can of soda.”

Language 

  • Ohmigod is used twice.
  • Oh Lord is used as an exclamation once.
  • Harper tells Kat that someone is a jerk.
  • A man in the military tells a man, “Damn fine job you did.”
  • A soldier says, “My God.”

Supernatural

  • None

Spiritual Content 

  • None

The Star Dunes

A major discovery forces the Explorer Academy into the limelight in The Star Dunes, but Cruz has much more on his mind than fifteen minutes of fame. A new face on board the ship makes Cruz’s worlds collide. On route to Africa, Team Cousteau is now down a major player, and Cruz can’t help but be preoccupied by the hole in his life. The discovery of his mom’s next clue leads him to the most exotic location yet – a vast desert. With no other information to lead the way, an unlikely ally helps Cruz pursue another piece of the puzzle. Then just as things seem like they might turn out alright, Dr. Fanchon Quills has a technological breakthrough that gives Cruz a glimpse into the past and reveals more about his future than he really may want to know. 

In this adventure, Cruz and several other explorers go to the Bwindi Impenetrable Forest where they learn about how humans have put gorillas in danger. “Habitat loss, war, hunting, disease—they have reduced the entire population of mountain gorillas to two protected areas.” The mission also allows the students to learn about African elephants that are endangered because of. Through the explorers’ experiences, readers will learn about the animals’ loss of habitat and about conservation efforts.  

Cruz’s quest to follow his mother’s clues and find the formula for a lifesaving drug is admirable. However, his single-minded focus and risky behavior continually puts others in danger. In addition, readers may find it difficult to understand Cruz’s unwillingness to be honest about Nebula’s attempt to end his life. Even though Nebula kidnapped Cruz’s father and poisoned Cruz’s friend, Cruz still keeps secrets that could help keep himself and others safe. To make matters worse, none of the adults punish Cruz for repeatedly sneaking off to search for clues. Instead, the adults only focus on Cruz’s positive attributes despite his bad behavior. 

While The Star Dunes is action-packed and the mystery intensifies, this installment of Explorer Academy has many events that are difficult to believe. Nebula has shown that they are smart enough to infiltrate the Academy and repeatedly get access to Cruz’s room, which makes their inability to capture or kill him implausible. In addition, the Academy faculty continually choose Cruz for missions over the other explorers which is unbelievable, especially since Cruz continually breaks the rules.  

Despite The Star Dunes flaws, Cruz’s fast-paced adventure allows readers to experience other cultures as they learn about the importance of wildlife conservation. The well-written story includes illustrations that appear every two to twelve pages. Many of the illustrations are a mix of photographs and drawings, which gives the pictures a touch of realism. The story will appeal to many readers because it includes a diverse cast, interesting technology, and teaches about wildlife. The Star Dunes concludes with Cruz reading a cryptic letter from his mother that will have readers reaching for the next book in the series, The Tiger’s Nest. 

Sexual Content  

  • Before leaving for a mission, Bryndis goes to tell Cruz goodbye. “Cruz found himself looking into her eyes. . . He felt cool lips brush his cheek, and then she was scurrying back down the hall in her polar bear slippers.” 

Violence  

  • While following his mother’s clue, Cruz takes a self-driving car. While on a deserted road, another truck hits them. “They were accelerating, but so was the truck behind them. Cruz could only dig his fingernails into his seat and watch the speedometer rise. . . Suddenly, everything was a blur. Cruz saw white lights and red dust and Dugan’s face and white lights and red rocks and Dugan’s face. . .” After Cruz’s car crashes, the truck takes off. The scene is described over three pages. 
  • While in the desert, two men chase Cruz and Dugan. “Cruz felt a jerk. Someone had a hold of his pack. He tried to pull away but couldn’t. . . Suddenly, his feet were out from under him. He was on his stomach being dragged backward. Cruz was trying not to choke on sand. . .” Both Cruz and Dugan escape. 
  • While on a mission, Cruz and his team see poachers aiming at a pangolin and its pangopups. Cruz “could see the hunter bring the weapon to his shoulder. . . The hunter was lining up the animal in his scope. . .” Cruz orders his mechanical bee, Mell, to attack. Then “the hunters were running in circles, wildly swatting the air around them. . . Mell was still stinging, zipping this way and that to strike her targets. Cruz sprayed the hunters with his octopod. Both cried out, fell to their knees, and threw their hands over their eyes.” The poachers are arrested. 

Drugs and Alcohol  

  • Someone put a deadly toxin in Cruz’s duffle bag, but it was “Bryndis [who] was exposed to the deadly toxin. The poison was absorbed through her skin.” Bryndis is given an antidote, but she is still extremely sick. 

Language    

  • Darn is used once. 
  • After a truck knocks them off the road, Dugan says, “Nothing like some idiot who thinks it’s funny to go around frightening people.”  

Supernatural 

  • None 

Spiritual Content  

  • None 

Spy Files: Spy School

Do you have what it takes to go undercover and discover the secret world of espionage?    

Spy Files: Spy School stealthily slips into the shadows, exposing different types of spies, the training techniques of the secret service, and the fake identities and disguises they use. Discover the grisliest methods of interrogation and the greatest tales of escape. Unmask the celebrity with vital information in World War II. Reveal how a CIA disguise expert helped six diplomats escape from a hostage crisis.    

Packed with case studies, photographic evidence, and mug shots, readers will learn about shaking a tail, spy training, double agents, identity exchange surveillance, black-bag operations, and more.   

Spy School uses a fun format that breaks up information into small, manageable parts. Each two-page spread changes topics and each page has only one to three short paragraphs, plus photo captions. Each page has illustrations such as historical photos, drawings, and mug shots. Plus, some pages have an infographic titled “Top Secret” that gives additional information on spying. While the format will appeal to many readers, the large font and short paragraphs don’t allow each topic to be explored in detail. 

Spy School will whet the reader’s appetites with a wide range of spy-related topics. However, some readers may be disappointed by the book’s brevity, since each topic is covered in seven or fewer sentences. However, if you want to get a quick look into the spy world to see if it is truly like a James Bond movie, then Spy School is the book for you. Because of the wide range of topics, Spy School would also be good if you’re browsing for a more specific topic for a research paper. Readers who want a fictional book on cracking codes, stealing secrets, and dodging bullets should also sneak into the library and grab a copy of Spy School #1 by Stuart Gibbs.  

Sexual Content  

  • None 

Violence  

  • Oleg Penkovsky was a double agent who was “interrogated and shot by the KGB.” 
  • KGB agent Ramon Mercader killed Joseph Stalin’s rival “with an ice pick.”  
  • An anti-Soviet Ukrainian was poisoned with “gas spray hidden in a newspaper.” 
  • During World War II, some spies were tricked. “One prisoner would be taken behind a truck and a shot fired. The other prisoner would become scared and talk. The trick was that the gun had only been fired at the ground.” 

Drugs and Alcohol  

  • In order to avoid being interrogated, “some spies carry deadly cyanide pills, to be used to prevent them breaking down under torture.” 

Language    

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

Code Name Badass: The True Story of Virginia Hall

When James Bond was still in diapers, Virginia Hall was behind enemy lines, playing a dangerous game of cat and mouse with Hitler’s henchmen. Did she have second thoughts after a terrible accident left her needing a wooden leg? Please. Virginia Hall was the baddest broad in any room she walked into. When the State Department proved to be a sexist boys’ club that wouldn’t let her in, she gave the finger to society’s expectations of women and became a spy for the British. This boss lady helped arm and train the French Resistance and organized sabotage missions. There was just one problem: the Butcher of Lyon, a notorious Gestapo commander, was after her. But, hey—Virginia’s classmates didn’t call her the Fighting Blade for nothing.

So how does a girl who was a pirate in the school play, spent her childhood summers milking goats, and rocked it on the hockey field end up becoming the Gestapo’s most wanted spy? Audacious, irreverent, and fiercely feminist, Code Name Badass is for anyone who doesn’t take no for an answer. 

Code Name Badass chronicles Virginia Hall’s fight against societal norms and the Nazis. Hall’s experience highlights the amazing power of perseverance, bravery, and never taking no for an answer. As part of the French Resistance movement, Hall faced constant danger. However, she never stopped fighting.  

With historical photos and excerpts from historical documents, Code Name Badass brings the women who helped win World War II to light. A list of other exceptional women spies appears at the back of the book along with a long list of resources that Demetrios utilized. While Hall’s story is motivating, Demetrios’ tone and constant reminders of sexism become a little off-putting. For example, Demetrios writes, “Dindy (Hall’s nickname) had a lot of luck. Buckets of it. She had a lot of bad luck, too, but, with one major exception, that bad luck stemmed only from the fact that she had a vagina.” 

Readers who love history, especially World War II history, will find Code Name Badass full of little-known facts. While Hall’s story is interesting, it is not for the weak of heart. The brutality of the Germans is repeatedly described, and many of Hall’s contacts lost their lives because of the Germans’ cruelty. Because of the book’s difficult vocabulary and detailed descriptions, Code Name Badass is not the book for readers looking for a light, entertaining historical fiction book. However, anyone interested in spycraft, World War II, or the women who have impacted our world will find Code Name Badass informative and interesting.  

Sexual Content  

  • While discussing Dindy’s “badassery,” Demetrios writes: “Never take no for an answer. (Unless someone says they don’t want to have sex with you, kiss you, be touched by you, etc. Then no means no.)” 
  • During wartime, women were sexually assaulted and raped as “a key strategy” to breaking down “civilians and combatants alike.”  
  • During the French occupation, Germans visited brothels. 
  • One double agent was known to keep mistresses. 
  • One female agent “got knocked up in the field” by another agent. 
  • Another female agent “drove one agent so batty with love that he literally threw himself into the Danube, intending suicide.” The agent was known to cheat on her husband with “sexy spy guys.” 

Violence  

  • During a hunting expedition, Dindy accidentally shot herself. “The shell ripped into her left foot, tearing past the skin and driving through cartilage and bone. Virginia collapsed, staring down at what had once been called a foot.” Dindy’s foot is amputated. 
  • During the Battle of France, “Bullets started flying, bombs began to drop, and shit got real. . .” Dindy helped by becoming an ambulance driver, who “saw men dying around her every day in the most horrible of ways, the soil once again being soaked with French blood.”  
  • During the battle, roads were bombed, “caring little that the dusty streets and highways and country lanes were filled with refugees who were desperate to get away from the fighting.” 
  • During World War II, “the French government would cut off your head if you had an abortion.” 
  • During the war, William Simpson was “shot down” and sustained “terrible burns and los[t] both hands.”  
  • Resistance fighters “killed a Gestapo agent, then dumped the body on the steps of [the Germans’] headquarters with a note: ‘With the compliments of British Intelligence.’”  
  • Dindy has dinner with Olivier, another spy. The restaurant’s “door crashes open, and a dozen gendarmes swam in, guns, batons, or haughty chins raised. Screams fill the café, and glass shatters as tables are overturned and precious rationed food and drink fall to the floor. . .” With help, both spies escape.
  • The Gestapo was cruel to prisoners: “Dogs let loose on prisoners, fingernails pried off, prisoners tied up with spiked handcuffs. . . Agents and Resistance fighters were often tortured for information.”  
  • Dindy’s supervisors told Dindy that a “dangerous man” had infiltrated her group. The supervisor told Dindy “she was fully authorized to have him disposed of as neatly as possible.” 
  • Two men put their family on a ship heading to England. “Their parents, wives, and Alfred’s three children all drowned when their ship . . . was torpedoed by the Germans.”  
  • The book mentions people who were killed by the Germans. Most accounts are not graphic. For example, according to Dindy, “the Germans had gotten all ancient Rome on the Resistance, skewering their bodies on iron posts as a warning to all.” 
  • Several agents were “brutally murdered in the Dachau concentration camp. . . all three were shot in the back of the head, then their bodies shoved into the camp’s crematoriums.”   
  • One man refused to do the Germans’ biddings. The man “tried to cut his throat rather than bend his will.”   
  • If Dindy and her crew saw Germans lurking around, they would kill the Germans. “One story has it that Dindy’s boys would drop German bodies in the Lignon River after they’d done away with them.” 
  • One spy was captured and “he was beaten, tortured, and then shipped off to Buchenwald, where he suffocated and died in a cattle car stuffed with more than 150 prisoners.” Another captured spy “had her front teeth knocked out and her arm broken.” 
  • Gestapo agent Klaus Barbie was brutal. “His accusers testified about Barbie raping female inmates in the presence of not only other guards, but also of the Resistance members waiting in the hallway to get tortured . . . Barbie encouraged German shepherds to chase naked women around their cells; each time the women were viciously bitten, Barbie would laugh maniacally. He beat children.” 
  • Spy Odette Sanson “underwent fourteen Gestapo interrogations. . . was held captive by the Germans for two years. . . they branded her back with a hot iron and pulled out all her toenails.” 

Drugs and Alcohol  

  • Occasionally, the book mentions adults drinking alcohol. For example, during prohibition, Dindy traveled to Europe where she could “enjoy oodles of wine.” 
  • After accidentally shooting herself, Dindy was given morphine in the hospital. 
  • Spies were given cyanide pills to use “on themselves or others.”  
  • To help agents’ stamina, they were issued amphetamines. “For Dindy, popping those bitter-tasting blue Benzedrine pills was sometimes the only way she could juggle the revolving door of agents, Resistance workers. . . who knocked on her door, day and night.” 
  • Dindy loved to drink “gin and Italians, a mix of gin and vermouth.”

Language    

  • Profanity is used often. Profanity includes ass, bastard, bitch, dumbass, damn, dicked, pussy, fuck, hell, and shit. 
  • When Dindy was nineteen, she “became engaged to a complete douchebag.”  
  • Gaulle was a “total dick when it came to how he treated the foreign agents.”  
  • Klaus Barbie, an evil Gestapo agent, “was a real motherfucker.” 

Supernatural 

  • After accidentally shooting herself, Dindy “insisted until her dying day that on ‘several occasions’ her deceased father, Edwin Hall, came to visit.” 

Spiritual Content  

  • None 

Charlotte Spies For Justice: A Civil War Survival Story

Twelve-year-old Charlotte lives on a plantation in Richmond, Virginia, where the American Civil War is raging. All around her, citizens and the Confederate army are fighting to protect slavery — the very thing Charlotte wishes would end. When she overhears the plantation owner conspiring against the Confederates, Charlotte knows she must help. Maybe together they can help the Union win the war and end slavery. Helping a spy is dangerous work, but Charlotte is willing to risk everything to fight for what is right — justice for all people.  

Charlotte Spies For Freedom is full of action and suspense that focuses on the heroic deeds of many historical events. While Charlotte is fictional, she is a relatable character who shows bravery despite her fear. Several times, Charlotte visits Libby prison. Even though the story shows the harsh conditions of Libby prison and includes the death of several Union soldiers, no gruesome details are given. However, the story highlights Charlotte’s fear of being caught and harmed. Despite her fear, Charlotte is willing to risk her life to help the Union cause. She says, “I’m willing to give my life away if it helps free my people.”  

Even though Charlotte is a fictional character, many of the book’s characters are based on real people. This includes Elizabeth Van Lew, who gathered important information to pass along to the Union Army. Readers will be fascinated with the different ways Elizabeth Van Lew used to send messages, including using invisible ink and ciphers. She also hides messages in hollowed-out eggs, the heels of boots, and loaves of bread. Several times, Charlotte comments on Elizabeth Van Lew’s “odd” behavior; the author’s note explains that Elizabeth Van Lew’s strange behavior was another way she disguised her activities.  

Another historical spy is Mister McNiven. Despite being surrounded by war, Mister McNiven greets Charlotte each morning by saying, “It’s a good day to be alive.” At first, Charlotte doesn’t understand his optimism. However, she soon realizes Mister McNiven believes this because “he knew he was doing something important. He hoped for a better tomorrow and he was doing his part.” 

To make the story easy to follow, each chapter begins with Charlotte’s location and the date. Every ten to seventeen pages there is a black-and-white illustration that focuses on Charlotte’s activities. One illustration shows a Confederate soldier hitting Charlotte. The back of the book contains an author’s note that goes into more detail about the historical facts of Elizabeth Van Lew, a glossary, and three response questions to help readers connect to the reading material. 

Charlotte Spies For Freedom is an engaging story that shows how ordinary people were willing to lay down their lives to fight for the freedom of all people. The story, which uses kid-friendly descriptions, is both educational and entertaining. Since the story is full of danger and action, it will appeal to a wide audience. Readers interested in historical fiction can also learn about the Underground Railroad by reading Long Road to Freedom by Kate Messner. 

Sexual Content  

  • None

Violence  

  • Charlotte goes to a prison holding Union prisoners. While there, she sees “a dead Union soldier. . . I caught a glimpse of his face. I could tell he had been beaten.” 
  • While delivering food to the prisoners, a Confederate soldier named Robert points a gun at Charlotte. Robert “walked toward me, put the barrel of his gun in my face, and cocked it.”  Another soldier, Erasmus Ross appears and grabs Charlotte’s face. “He squeezed even harder, and a sharp pain shot through my jaw.” Ross drags Charlotte outside. 
  • In order to protect Charlotte, Ross takes her outside and tells her, “I’m going to get you out of here, but I have to hit you.” He proceeds to backhand her. “It hurt, but not nearly as much as it should have. . . Mister Ross gave me a shove so hard it sent me to my knees.” As she was leaving, “a shot rang out behind me. I could only hope that Mister Ross had fired into the air.” 
  • After a prison break, Confederate soldiers “recaptured forty-eight Union soldiers. . . Two of them drowned.” 

Drugs and Alcohol  

  • None 

Language    

  • Some people called Elizabeth Van Lew “Crazy Bet.” 

Supernatural 

  • None 

Spiritual Content  

  • None 

Before Takeoff

This is an evening like any other in the Atlanta airport. Sixteen-year-old James and eighteen-year-old Michelle are both on a layover when their paths cross. They are drawn to something nobody else seems to notice: “a blinking green light that will soon cause all hell to break loose.” While James is hesitant to do anything, an impulsive Michelle reaches her hand toward it. When she realizes that “it’s not just a light, but a button,” she presses down.  

Impossible events begin almost immediately. One end of the airport jumps to ninety degrees while snow falls at the other. Explosions, tornados, and rushing rivers spring out of nowhere. To make matters worse, nobody can locate an exit, glass windows refuse to break, cell phone calls aren’t going through, and anytime someone tries to text “something about the events at the airport, [their] words turn into a string of emojis” that are indecipherable.  

As James and Michelle search for their families inside the airport, the mayhem keeps getting worse, and people are quick to form groups and turn on one another. Michelle realizes that she caused this—that the green button must be responsible for this madness—and that she needs to destroy it before it’s too late. 

Before Takeoff is told in omniscient third person, taking the reader inside the minds of James, Michelle, and countless people throughout the airport. Occasionally, the story will make references to things that will happen after the narrative is over. These tactics allow for a better understanding of the grand scope of this situation, as readers are privy to knowledge and events that the main characters are not. The narrative occasionally makes remarks that are informal and playful, at one point describing a series of fights that break out as a “Hunger Games-esque/Battle Royale fiasco.” This is a way of demonstrating an awareness of the absurdity of the plot and inviting the reader to just go along with it.  

Unfortunately, Before Takeoff ‘s perspective makes it difficult for the reader to get an intimate understanding of James and Michelle. There are so many glimpses into the heads of so many people that it becomes easy to feel detached from the two main characters. Readers may find it difficult to care about them. In addition, as their ordeal stretches on, the plot drags because readers are not given much incentive to be invested in the characters or the outcome. 

From the start, readers know that James and Michelle will reunite with their families and successfully put an end to what is going on. Their romantic connection is also predictable. The narrative tries to make a point about human nature. Particularly, it focuses on how quick people are to grow hostile towards each other in chaotic situations, how they “succumb to their biases . . . blame the people they know the least about.” However, it fails to set itself apart in any way from countless other stories that have made comments about the same phenomena. Unfortunately, Before Takeoff’s enticing premise falls flat. Since the characters are hard to care for and the storyline is so predictable, the book is not worth reading unless the reader is an avid fan of fantastical survival stories. While the writing is often witty, getting through the whole story ultimately feels like a chore.  

Sexual Content 

  • Michelle remembers an old boyfriend and how they snuck around “finding places to make out, finding new places to press their bodies together.” 
  • During a conversation with James about love, Michelle muses, “‘I’d be content with something simpler than love… A perfect sexual relationship, sure.’” 
  • James has not cried in a long time, but  “he came close a few times during those weeks when [a classmate] refused to talk to him after they’d hooked up.” Later, the book implies that they did not have sex, as James lists it as something he would like to do before he dies. 
  • Michelle and James enter an airport shop to get dry clothes to change into. Michelle tells James not to look, and “reaches back to unclip her bra right as James forces himself to stare at a wall.” 
  • Michelle tells James,‘“the boy’s I’ve been with . . . forget gradients of sexuality; we’re talking intimacy here, lie-in-the-dark-and-talk-about-deep-shit intimacy—they’ve all asked some sort of question related to numbers. . . How many other times did you do this.” James reiterates that “sex or making out or whatever” shouldn’t be quantified by how many people you’ve done those things with. 
  • James and Michelle kiss passionately in a closet. There is a skip in time and the two are described as still being in the closet and “still clothed and mostly chaste . . . closely attuned to the joys of the physical.” 
  • An airline employee named Rosa remembers going to a frat party where guys were “walking around shirtless, thinking that the display alone would get them laid.” 
  • James and Michelle dance at one point, and “it doesn’t take long for sex to enter [their] minds.” Their bodies are pressed together and James wonders if Michelle “can feel him start to harden.” 
  • While dancing, Michelle “can feel [James’] erection any time their hips meet. Her hand dips below the waistband of his jeans.” A new commotion interrupts them before they can go further. 
  • A woman reminisces over a lost love, and how “every now and then, during, sex, she’ll still picture [his] face instead of her husband’s.”  

Violence 

  • Two men have a confrontation, and a man named Taha attempts to diffuse the situation. When one man attempts to hit the other, Taha instead “catches the blow directly on the nose, and that sound carries towards James, as does the sound of the back of Taha’s head when it lands against the floor. . . There’s a splatter of blood on the tile.” This leaves Taha unconscious. This whole altercation takes place over two pages. 
  • There are two explosions of ambiguous cause. The first one “ripples the air and shakes the walls, sending several people to the ground.” The second is described as “knocking a few more things to the ground, handing out another dozen concussions or so.” 
  • James and his family lived in Humboldt Park “when the shootings were bad.”  
  • The narrative states that in Concourse A, “A Hunger Games-esque/Battle Royale fiasco has broken out, and since we have weak constitutions . . . we shall pass over the events that take place there for the remainder of this narration.” 
  • A man named Joseph accuses Taha of knowing something about what’s going on at the airport. Joseph intimidates him and jabs a finger at his chest. Before it makes contact, “Taha has grabbed it with one hand and Joseph’s wrist with his other hand, then twisted so that Joseph’s arm is behind his back and his finger is some slight pressure away from breaking.” Taha lets Joseph go after insisting he has no right to accuse him of anything. 
  • An airline employee unsuccessfully attempts to break through a window to escape, swinging a chair at it and punching it in frustration. The narrative notes a stream of blood leaking “from between his clenched knuckles, his skin cracked from the efforts to break free.” 
  • A vaguely described curse passes through the airport causing many people to “merely stop breathing, quietly passing from this life without a bang or a whimper.” 
  • During a commotion, “fistfights [start] to merge, an almost cartoon-like cloud of punches and kicks and curses.” 
  • It is stated at one point that “a handful of other people die in the unspoken battles of the A gates” due to the violence that has broken out there. 
  • People are trampled in stampedes. At one point, people who are unable to get out of the way are “[bracing] themselves for uncaring boots. They curl up in balls and protect their heads.” 

Drugs and Alcohol 

  • James recalls that he often gets stuck looking at mirrors “in the midst of anxiety-ridden afternoons and drug-addled nights.” 
  • “Two white twentysomethings named Brad and Chad, buzzing off their earlier choice to pair shots of Jameson with twenty ounce beers” run around the airport during the chaos. 
  • “The smell of filth and alcohol” is described as coming from stranded passengers. 
  • At one point, a couple of people are noted to be smoking cigars. 
  • James and Michelle get drunk on unspecified alcoholic beverages during a salsa party that breaks out. 

Language 

  • Profanity is used rather frequently, both in the narration and dialogue.  Profanity includes ass, asshole, fuck, shit, bullshit, damn, and goddamn.  
  • Michelle often uses the French swear word “putain,” which translates to whore, bitch, and slut. 

Supernatural 

  • None 

Spiritual 

  • James recalls being pulled over for not using a blinker and how the cop made him and his friend get out of the car and “only because he found nothing else, and they deferred to him like he was God, did they get back in.” 
  • A woman was “begging the God she stopped believing in when she was fourteen that she’ll see her kids again.” 
  • James thinks about God and going to church with his friend Marcus. James at one point “believed in God even though he never saw evidence of Him, other than what the preacher at church would say.”  
  • A congregation of people gather on their knees, “whispering their prayers in a dozen languages.” 

The Falcon’s Feather

In the exciting follow-up to The Nebula Secret in the seven-book Explorer Academy Series, Cruz, Sailor, and Emmett, along with their new ally Bryndis, embark on their first globe-trotting mission aboard the ship Orion. Cruz jumps right back into school and starts using the latest technology in submersible underwater dives, but is soon reminded of the dangers of exploration when his equipment fails and he almost drowns. Determined to keep his eyes on the prize, Cruz sneaks away to find answers but unknowingly lures his friends into bigger trouble. When a friend of Cruz’s mom meets an untimely end, Cruz’s luck seems about to run out and the questions multiply. What does his mother’s message mean? Where will it lead? Who is following him? And why?  

Cruz’s adventure takes him and his friends to the land of the Norse gods. While there, Cruz and his classmates are introduced to amazing technology that is prominently featured. The technology is interesting and gives The Falcon’s Feather the opportunity to educate readers on several different global threats facing our world, including melting glaciers, endangered whales, and the lack of biodiversity in crops. For example, Cruz and his team go on a mission to save whales trapped in fishing nets. Before they leave, they learn “it’s not uncommon for larger marine animals to get snagged in lines and nets. . . More than three hundred thousand whales, dolphins, and porpoises die this way every year—that’s one every two minutes.” The facts are well-integrated into the story and never feel like a lecture or an encyclopedia. 

The Falcon’s Feather combines a well-written story with maps and illustrations that appear every two to twelve pages. Many of the illustrations are a mix of photographs and drawings, which gives the pictures a touch of realism. Another positive aspect of the book is that the academy encourages cooperation, respect, and honor. While all the students do not necessarily like each other, they are still expected to work together to reach a common goal. Plus, the book includes a section titled The Truth Behind the Fiction, which combines pictures and short blurbs on people featured in the book who have interesting jobs. While this story recaps important plot points from the first book, the series should definitely be read in order. 

As the second installment of the Explorer Academy Series, The Falcon’s Feather ramps up the action and gives readers more insight into the different characters. The large cast of characters that appeared in The Nebula Secret are beginning to feel like friends. Plus, suspense is created because the reader knows there is someone inside the academy who wants Cruz dead. The Explorer Academy Series will appeal to many readers because it has mystery, technology, animals, and an interesting cast of characters. The Falcon’s Feather ends on a cliff-hanger, so readers will be eager to begin the next book in the series, The Double Helix.  

Sexual Content  

  • None 

Violence  

  • Cruz and his friends help whales who are trapped in nets. The group learns that if whales are “unable to break free in time, it can lead to serious injury or even death. The ropes can slice through their skin and cause infection. They can deform bones, cut off part of a tail, and restrict breathing, swimming, and eating.” Many whales die due to nets. 
  • A friend of Cruz’s mom, Nóri, was planning to meet Cruz at a hot spring. When Cruz arrives, he discovers that Nóri was pushed into the hot pools and “badly burned…From the chest down, Nóri was wet and violently shivering.” Nóri dies from his injuries. 
  • While looking for an artifact in an ice cave, Cruz and his friends are cornered. “Cruz was facing two men. One was Officer Wardincorn. The other was Tripp Scarlatos. Both were holding guns.” The two men question the kids and then “Tripp tossed something round and green into the air. . . a massive boom rocked the cave. Ice began raining. Cruz could feel the sting of hundreds of shards pelting his head, neck, shoulders, and back.” No one is seriously injured. 
  • During a phone conversation, one of the villains reveals that his henchman “is dead. Fell into a crevasse.” 

Drugs and Alcohol  

  • None 

Language    

  • Dang is used once.  
  • One of Cruz’s friends calls Tripp a jerk. 

Supernatural 

  • None 

Spiritual Content  

  • When someone knocks on the door to Cruz’s room, his roommate quickly hides a vacuum. Cruz says “a silent prayer of thanks that [his aunt] insisted he bring it.” 
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