The Art Show Attacks!

The students at Eerie Elementary are preparing for their school’s art show. Sam decides to make a dinosaur from clay, but before he can finish his project, Sam and his friends start seeing Orson Eerie everywhere. That creepy mad scientist is determined to spread his power outside of the school, and he is determined to get Sam and his friends out of the way. Orson uses the students’ art to try to stop Sam, and also brings Sam’s clay T. rex to life! Can Sam and his friends stop Orson’s evil plan?

The Art Show Attacks follows the same fun format as the previous books, as Orson uses his supernatural power to throw art-filled obstacles in Sam’s way. Though this story is the ninth installment of the Eerie Elementary series, the story can be enjoyed even if the previous books have not been read. In The Art Show Attacks, Sam and his friends work together to defeat Orson Eerie. Even though the ending is predictable, readers will enjoy the action-packed story. However, the conclusion is unsatisfying and may leave readers questioning Sam’s actions.

Even though the school comes alive and tries to stop the kids from ruining Orson’s plan, the story isn’t scary. While it is said that the school feeds on kids, no kids have actually been eaten. The abnormal occurrences in the book are exciting and contain onomatopoeias that enhance the storytelling. The story contains simple sentence structures, an easy-to-follow plot, and discussion questions at the end that will add to the learning value of the book.

The Art Show Attacks is an entertaining story that continues Sam’s struggle to defeat Orson Eerie. As each book in the Eerie Elementary series follows the same basic format, readers progressing through the series may become less entertained with the predictable sequences. Younger readers who enjoy the Eerie Elementary series should also add The Notebook of Doom series to their reading list. The Yeti Files by Kevin Sherry is another humor-filled series that fans of Eerie Elementary should try.

Sexual Content

  • None

Violence

  • While in art class, Sam’s clay “reached out and grabbed him! It yanked Sam’s face SMACK down into the clay. Sam couldn’t escape! His clay project had grabbed hold of his face! Sam whacked at the clay until—POP! He burst from the blob, gasping for air.”
  • A painting of Orson Eerie comes alive and tries to capture Lucy. “The hand yanked Lucy’s backpack off her shoulder and hurled it onto the floor. . .” The hands then try to grab Sam, but he “leapt back as the hand swatted at him. Lucky ducked as the other hand swiped at her. . . The fist pounded the floor. . . Antonio swung a long brush through the air like a ninja with a sword but—WHACK! One fist smacked the brush away!” The kids fall through the ceiling, but are not hurt. The scene takes place over seven pages.
  • Sam’s clay dinosaur comes to life. “The T. rex was as big as the real thing! Its giant jaws chomped as the dinosaur stomped toward the hall monitors. . . The T. rex’s tail snapped in the air. Its tiny clay eyes looked right at Sam . . . The monster roared.” The dinosaur begins throwing coins at the kids. “The three friends ducked as the T. rex’s tail slapped against the floor. SMACK! Its tail whipped the change toward them. Nickels and quarters pounded the walls . . . Quarters smacked into Antonio’s shoulder.” In order to stop the dinosaur, the kids use hair dryers to dry the clay. The scene takes place over 13 pages.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Orson Eerie founded Eerie Elementary 100 years ago. The school is alive. “It was a living, breathing thing that fed on students. And Sam, the hall monitor, was the school protector. . . He could feel when something was wrong. . . Orson Eerie found a way to live forever—he became the school. He was Eerie Elementary. And Eerie Elementary was a monster. . .”
  • Sam’s hall monitor sash drags him down the hall and into a secret room. “The sash pulled so hard, it jerked Sam off his feet. . . Sam soared past the computer lab, and then the sash flung him down the hall.”
  • A school wall begins to weaken. “The three friends stepped back as the bricks began to move and slide on their own. . . Suddenly, the sash yanked Sam forward. . .” The three friends find a picture of Orson Eerie.
  • The students’ art comes to life and tries to steal a jar of money from Sam. Sam, Lucy, and Antonio “could not believe what they were seeing. The stick figure slowly peeled itself off the paper. It landed on the floor and began trotting toward them. . . A painting of a tree flung the jar up a flight of stairs. It was caught by a doodle of an elderly woman.” The scene takes place over five pages.
  • The paint from students’ artwork begins to flow and a river of paint rushes towards Sam, Lucy, and Antonio. “. . .The friends were swept up in a flood of thick, wet, multicolored paint. . . The instant Sam had the jar in his hands, the rushing river of paint began to dry up. Globs of paint leapt up onto the wall and back into their paintings. Blank canvases were full of color again!”
  • Gray ooze begins coming out of the cracks in the school, and the people have to leave the auditorium.

Spiritual Content

  • None

 

 

Ice Wolves

Twelve-year-old orphans Anders and Rayna don’t know who their parents are, and they have always relied on each other to get through each day. The pair know all of the back streets of Vallen and they know to avoid the Wolf Guard as much as possible. When Anders is almost caught stealing, the twins join a group of twelve-year-olds who are in line to discover if they are elementals—humans that can transform into wolves.

When Anders takes the form of a wolf and his sister Rayna takes the form of a dragon, Anders wonders if they are related at all. Everyone knows that a wolf and a dragon cannot come from the same family. Even worse, after Rayna transforms two dragons appear and claim her as one of them. The only thing that Anders knows for certain is that Ice Wolves and Scorch Dragons are enemies. But despite the feud between the wolves and dragons, Anders is determined to find his sister.

To rescue Rayna, Anders must find the dragon’s hidden capital city. The only way to get the information he needs is to enlist at the foreboding Ulfar Academy, a school for young wolves. Anders only wants to find the dragons and save his sister; he wasn’t expecting to find friends. Will Anders have to betray his new friends in order to save his sister? And what will Anders do if he finds his sister only to discover that Rayna has become just like the cruel dragons that took her?

Ice Wolves begins with a heart-stopping surprise and plenty of action, but the story starts to drag when the main character enters Ulfar Academy to learn about Ice Wolves. Because Anders doesn’t understand the elementals or the Ice Wolves, the reader gets to learn along with him. However, when the story ends there are still many unanswered questions that will nag readers.

Anders is not a unique character, but middle school readers may relate to his insecurities and his desire to find a place to fit in. As the story progresses, Ander not only builds confidence in his abilities, he also begins to understand what it means to have friends “who’d back you up without needing to know the reason why.” Even though Anders clearly cares for his pack, he never loses sight of his ultimate goal to find his sister.

Amie Kaufman has created a world with multicultural, diverse people who live in peace—people who fear the Scorch Dragons, but the reason for this fear is never explained. Although the threat of dragons brings suspense, the dragons only appear at the very beginning and end of the book. Kaufman includes many diverse characters in the story, however, at times it felt as if she was trying too hard to incorporate every type of person. One character is referred to using the pronoun “they.” The use of the pronoun is never explained, which may cause readers some confusion. One positive aspect of the story is Lisbeth, a strong female who isn’t content with following orders. Lisbeth spends much of her time engrossed in books, and it is through her that Anders begins to understand friendship. Lisbeth is curious, loyal, and determined to do the right thing no matter what.

Fans of fantasy will enjoy Ice Wolves even though the plot is not fast-paced. Even though the characters are not unique, the story of friendship and family will entertain strong readers. The conclusion contains a surprise, a battle, and a cliffhanger that sets up the second book in the series—Scorch Dragons. Readers will love how Anders learns that bravery is “doing what you must” even when you are afraid. Readers interested in Ice Wolves will also want to read the Simon Thorn series, which also has shape-shifting characters, but has much more action.

Sexual Content

  • While telling Anders about a female professor, a girl says that the professor has a wife.
  • Lisbeth’s father “was a mercher from Baseyda who was back on a ship before I was born. I’m not sure he even knows I exist.”

Violence

  • During a celebration, a dragon appears in Holbard. The dragon “had breathed fire as it circled above the city, then vanished into the darkness. An hour later, a set of stables in the north of the city was ablaze with the ferocious, white-and-gold dragonfire that was almost impossible to put out. . .” No one was injured.
  • When Rayna turns into a dragon, the Wolf Guard attacks her. An ice wolf “reared onto its hind legs, then crashed back down to earth. As its front paws hit the cobblestone, two long spears of ice burst from the ground, sharp and jagged, flying straight at the dragon’s gleaming side. They were like huge, deadly icicles with razor-sharp points. . . When they struck Rayna, her scales instantly turned gray with cold. She screamed, spreading her wings, and more wolves brought down their front paws on the ground, launching ice spears at her. . .” When Anders tries to help her, he grabs the staff and turns into a wolf.
  • Rayna again turns into a dragon and “when she thrashed her tail, a shop front flew to pieces like a house of cards.” Ice wolves run towards Rayna, while “everyone else in the street was turning to run now.” When the wolves attack Rayna, two other dragons appear and lead her out of the city. The scene takes place over three pages.
  • The wolves believe that the dragons take children and “sacrifice them on the day of the equinox.”
  • A fire begins in the city and the Wolf Guard helps put out the fire. “With a great hissing the spears immediately began to melt, sending up steam, creating billows of white smoke against the night sky as golden sparks rained down on the cobblestone of the square. . . Many people have to escape through windows and some of the street children are trapped on a roof. A scream came from above as the flames licked higher, clouds of smoke enveloping the children.” Anders helps the children and everyone escapes unharmed. The fire scene takes place over three pages.
  • When Lisbeth and Anders go to the dragons’ city, the wolves follow them and attack. “Those dragons in human form were fighting however they could, swinging chairs, a few brandishing knives—they had overturned the huge table, which must have been the crash he heard, and some were fighting from behind it. The wolves were fighting with teeth and ice spears, his classmates acting with trained precision.” Several dragons and wolves are injured. Ander’s friend pauses, and “it was all the chance the human he was fighting needed—she swung the pastry pole hard at him, connecting with his head and shoulders and sending him flying backward.” Ander’s sister is hit with an ice spear that “caught her shoulder, knocking her back into the crowd, and she hit the ground.” The wolves eventually retreat. No one is seriously injured. The battle scene takes place over ten pages.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • One of the characters explains how elementals change. “Essence is the magic that’s found all around us. In nature, in the earth itself. When we transform from human to wolf, we channel it instinctively so we can make the change. Wherever they’re from in the wolf, elementals always have gifts linked to nature, because nature is where we find the essence that gives us our power.”
  • When elementals touch the Staff of Hadda, they turn into wolves or dragons. When Rayna touched the staff, “Rayna rolled onto her back, arms out flung. Her face darkened to a deep, unnatural burgundy, then shifted to shades of bright crimson, as if all her skin was bleeding at once. . . her arms and legs seemed to stretch impossibly long, and the arms of her coat stretched and slit. . . The fabric shredded and vanished in seconds as Rayna’s body grew, doubling in size, then tripling, her neck lengthening, her mouth open in a hoarse, unending scream.” Rayna turns into a fifteen-foot-long dragon and flies away.
  • The first time Anders transforms into a wolf, his clothes are shredded. The Ice Wolves use an amulet that keep makes the clothes transform with them. The amulet “helps your shirt stay where it belongs when you change. Helps you control when you change at all.”
  • In the past, dragons and wolves crafted magical objects with runes. Many of the objects are magical and the “runes are what channeled the essence—the power that came from nature, from the earth itself—into artifacts.” For example, “high above the entrance to the port were the huge, metal arches of the wind guards, the biggest artifacts in all of Vallen. . . The arches were marked with runes forged all along their length—the runes were the sign of an artifact—and were big enough for even the largest ship to pass under it.” The arches keep out the wind, making the harbor always peaceful.
  • While picking pockets, Anders almost “reached for a thiefcatcher. If he’d laid his hands on the zips to open her pockets, the charms would have started blaring a quick, high alarm, turning every face in the square toward him.”
  • One of the wolves has a mirror that “allows two-way communication.”
  • Anders discovers that he can create icefire—blue-and-silver fire. When he uses the fire, “the white fire and the ice spear both vanished into nothing as they connected with his blue-and-silver flames.”

Spiritual Content

  • None

 

Stealing the Sword

Chase and Ava buy an old suitcase at a flea market. Even though the lady who sold it to them said that it was broken and would not open, Chase and Ava want it. Soon, they discover that they can open the suitcase and it is filled with strange objects. One of the objects looks like a dragon-headed doorknob. When the object jumps out of the suitcase, Chase grabs it. Suddenly Chase and Ava jump back in time and end up in King Arthur’s castle.

Chase and Ava overhear two knights plotting King Arthur’s death. They have to find a way to help King Arthur. As they sneak around the castle, they meet the king’s wizard Merlin. Merlin tells them the dragon-headed object is really a piece of Excalibur. Chase and Ava have to figure out how to fix the king’s sword and get it back to him. But a man with two different colored eyes wants the dragon-head object for himself. How can they help King Arthur? Will they ever make it back home?

Siblings Chase and Ava not only enjoy spending time together, but they also work together to help King Arthur. Although the two easily find the clues they need to solve the mystery, younger readers will appreciate the non-scary suspense and the glimpse of King Arthur’s time period. Even though Chase and Ava go back in time, the story focuses on the two sibling’s dilemma and has few historical facts. Even though the story contains few historical facts, Stealing the Sword combines non-stop action, mystery, and a little bit of history to create a story that independent readers will enjoy.

Stealing the Sword is part of Scholastic’s Branches early chapter books, which have easy-to-read text and illustrations on every page. The story uses short descriptions and dialogue to keep the story moving at a fast pace. The black and white illustrations appear on every page and help break up the text into manageable sections. The villain Randall, who has two colored eyes, pops in and out of the story which keeps the suspense high. Stealing the Sword introduces several characters that reappear in later books, which requires the Time Jumpers series to be read in order. Stealing the Sword focuses on a positive sibling relationship and will entertain readers who are ready for chapter books.

Sexual Content

  • None

Violence

  • Someone plots King Arthur’s death and hires Big Bob to kill him during a tournament. King Arthur and Big Bob fight, and when Big Bob swings his sword, “Arthur raises his shield to protect himself.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • When Chase opens a suitcase and touches one of the objects, “the ground begins to rumble and shake. . . Ava clings to her brother as they begin to spin. . . Faster and faster they spin! Images blur in front of their eyes—mountains, oceans, cities, faces!” When they stop spinning, they discover they went back in time. When they return home, they discover that “even though they were at the castle all day, it’s still late afternoon here.”
  • Because the suitcase will only open for Chase and Ava, Chase compares to it King Author’s sword. Chase “loves the story of how King Arthur got his sword. Excalibur’s blade was stuck in a rock and no one could pull it out until King Arthur came.”
  • A man chases Chase and Ava, trying to steal an object. Merlin throws his hands into the sky, “a loud thunderclap fills the air, followed by a plume of smoke.” When the crowd begins to run, Chase and Ava are able to escape.
  • Merlin tries to fix Excalibur, but cannot. When Chase and Ava work together, they are able to fix the sword. “Chase brings the end of the blade down onto the hilt. . . They hold their breath as the hilt and the blade knit together, strands of steel twisting and bending into one. For an instant the whole sword glows red, then hardens. Excalibur is whole again.”

Spiritual Content

  • None

 

The Magic Mirror

The Enchanted Kingdom is in a heatwave until the Ice Princess uses her magic mirror to make winter come—no wonder Kara and Zed are too hot. But the magic mirror is broken! And no one else wants to help the princess. Can Kara and Zed find out how to fix the mirror and bring back winter? Or will it be summer forever?

Kara, the shoemaker’s daughter, loves books and adventure. When she reads Princess Aspen’s letter, Kara is ready to jump to the rescue. Her best friend, Zed, is reluctant to travel to the Ice Princess’s castle, but his love of food gets the best of him. In the hopes of getting ice cream, Zed takes the journey with Kara. Although Zed goes along for the trip, Kara is definitely the lead character who comes up with all of the plans to save the day. Despite that Zed’s main focus is food, he is a kind friend who adds humor to the story.

Younger readers will enjoy the mischievous monkey, the hardworking winter troll, and the ice palace. Princess Aspen is stereotypically cold and mean until the very end of the story. In the end, both princesses apologize and make peace with each other. The story focuses on relatable conflicts that highlight the importance of sharing and forgiveness.

The Magic Mirror is part of Scholastic’s Branches early chapter books, which have easy-to-read text and illustrations on every page. The story uses short descriptions and dialogue to keep the story moving at a fast pace. Black and white illustrations appear on every page and help break up the text into manageable sections. The engaging pictures will help readers follow the plot. In order to help readers understand a character’s thought process, numerous pictures contain a thought bubble with an illustration above the character’s head.

As Kara and Zed rush to solve the mystery of the broken mirror, they take the reader on a fun adventure where frozen fish slush is served for dinner, guards can be frozen into statues, and a crow can solve a mystery. The fast-paced story includes a page of comprehension and critical thinking questions. Readers who are transitioning to chapter books will enjoy the fun adventure. Readers who enjoy The Magic Mirror may also want to try the Tales of Sasha Series by Alexa Pearl.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Princess Aspen’s magical mirror broke, and “she can’t make it snow without her mirror.” Princess Aspen says she tried to fix it, “But one piece of glass is missing. Without it, I can’t use the mirror to call the cold and snow to the Enchanted Kingdom.”
  • Princess Aspen thinks her sister broke the mirror because “This room is protected with a magic spell. Only Sola is powerful enough to get inside.”
  • Princess Sola uses her magic mirror to fix Princess Aspen’s broken mirror. “As Kara watched, the gold mirror grew bright and brighter, and then — flash! — a golden beam of golden light shot out. It hit the silver mirror, and the broken glass started to glow.”

Spiritual Content

  • None

Cloaked in Red

So you think you know the story of Little Red Riding Hood, the girl with the unfortunate name and the inability to tell the difference between her grandmother and a member of a different species? Well, then, try your hand at answering these questions: Which character (not including Little Red herself) is the most fashion challenged? Who (not including the wolf) is the scariest? Who (not including Granny) is the most easily scared? Who is the strangest (notice we’re not “not including” anyone, because they’re all a little off.)? Who (no fair saying “the author”) has stuffing for brains?

Vivian Vande Velde retells the story of Little Red Riding Hood and gives the story eight new endings. The stories aren’t truly a retelling because they take a small portion of the original story and weave it into a new and often strange story. The author makes fun of the original fairy tale, but her own versions of Little Red Riding Hood are flat and unexciting. Instead of digging deeper into Little Red Riding Hood’s life and character, the author doesn’t add any new insight or meaning to the original fairy tale.

The beginning of the story makes fun of the Grimm’s vision of Little Red Riding Hood, and the author seems to go out of her way to portray Little Red Riding Hood in a negative light. In all of the stories, Little Red’s name changes, which is not only confusing but also makes it hard for the reader to connect with the character. In addition, Little Red is an unlikeable character in all of the stories. She is either stupid, self-absorbed, or a witch.

Readers who love fairy tales, both the original and retelling, should leave Cloaked in Red on the shelf. Vivian Vande Velde’s versions of Little Red Riding Hood are uninteresting, strange, and difficult to read. Instead of reading Cloaked in Red, grab a copy of Seeing Red by Sarah Mlynowski or Misfit by Jen Calonita; both books are excellent retellings that have a strong female character.

 Sexual Content

  • A girl was wandering in the woods when a group of boys sees her. One boy asks, “Care to give us a kiss?” Then the boys formed a line and the girl kisses each boy. The girl then rides away with one of the boys.

Violence

  • When a wolf attacks Little Red Riding Hood, she “realized that the wolf’s sharp nails had not only pulled the cloak off her, they had ripped the fabric. She smacked the wolf’s muzzle, hard. . . The wolf backed away, his muzzle stinging.”

Drugs and Alcohol

  • A woodcutter finds a girl sleeping in the woods. The woodcutter assumes that the girl had “too much to drink.”

Language

  • Little Red Riding Hood repeatedly calls the wolf stupid and then says, “I bet your own mother was sorry she ever had a stupid excuse of a lunkbrain like you.” Later she calls him a “stupid clod.”

Supernatural

  • A woman makes a doll. When the woman wishes for a daughter, the doll comes alive.
  • In one story, Little Red Riding Hood is a witch and her grandmother is a werewolf.
  • When a vampire appears, Little Red Riding Hood “uttered a magic spell and transformed him into a frog—a pale, sickly-looking frog.”
  • A fairy godmother accidentally cast a spell on a cloak making it smart. The cloak can think, repair itself, as well as adjust its size.

Spiritual Content

  • None

 

Escape to the Mesa

Stacy and her wolf family know it’s important to protect each other and the animals of the taiga. After a fire rages through the forest, Stacy and the wolves try to avoid humans at all costs. But when a reporter takes a picture of one of the wolves, animal researchers begin searching for intelligent wolves that raised Stacy. Stacy and her pack know they must leave the forest and escape to a place where no arctic wolf has ever gone before: the desert.

The mesa is unlike anything the wolves have ever seen. With no source of freshwater, the group knows they must find a place to hide. Even though they are in unfamiliar territory, the group still finds animals in need of rescue. When the wolves find themselves in new situations, Stacy discovers that the wolves have hidden abilities. As Stacy tries to help keep her pack safe, she must enter the human world, which makes her wonder—where does she belong?

Stacy is a relatable character who loves her wolf family and the wilderness. Stacy and the wolves learn about the mesa, including what plants are safe to eat as well as some of the dangers that lurk in the desert. Although the plot is similar to the first book, the new setting helps keep the story interesting. Stacy tries to avoid humans, but she has several encounters with people that show them in a positive light.

Like the first book of the series, Escape to the Mesa has non-stop action, danger, and a unique plotline that will keep readers turning pages until the very end. Parents and teachers will appreciate Escape to the Mesa because of the educational value. Not only does the story highlight the need to care for nature, but it also helps readers gain new vocabulary skills. The book contains some difficult vocabulary such as cacophony, cladode, hoodoo, and podzol; however, these words appear in the glossary at the back of the book. Another positive aspect of the story is the black-and-white pictures that are scattered throughout the book.

Escape to the Mesa’s conclusion has a hopeful tone that highlights the importance of preserving nature. Because the story is the second book in the series, readers should read Guardians of the Taiga first because there are several characters and plot points that are introduced in book one. The book ends with a selection of other reading material—the inspiration for one of the characters and an interview with an animal expert.

Escape to the Mesa will appeal to a wide range of readers including those who love animals, daring characters, and action. Readers who enjoy this series should add the Simon Thorn Series to their list of must-read books.

Sexual Content

  • None

Violence

  • When a wolf is trying to help a porcupine, the porcupine shoots quills at it. “The wolf turned toward her [Stacy] with a face full of quills and whined softly, crouched down in the long grass.
  • Stacy finds a crashed helicopter that had “a few white bones among the ashes, and Stacy felt sick at the sight. Humans had died here.”
  • A researcher shoots a wolf with a tranquilizer dart.
  • Stacy and the wolves are swept away by a flash flood. “Stacy tumbled over and over, losing track of which direction was the surface. Her arm scraped stingingly along the side of the canyon. Stacy’s chest felt like it was burning. She needed to breathe, soon.” Everyone survives.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Stacy and the wolves are able to communicate, and the wolves can perform some human-like tasks.
  • A dog can communicate with bats through echolocation and is also able to understand Stacy’s words.
  • Some of the wolves have supernatural abilities. Basil has “superwolf speed” and can run “incredibly, unnaturally fast.” Noah can breathe underwater and Addison can read.

Spiritual Content

  • None

Seasick Sea Horse

Shelly always has to share everything. At home, she shares with her sister. At school, she shares with her best friends, but sometimes she just does not want to share. When Ms. Harbor shows the class the new class pet, a sea horse, the students are excited to take care of it. When Shelly is chosen to take the sea horse home, she is excited that the pet will be her responsibility. But Shelly’s two friends also want to help take care of the sea horse. Shelly tells her friends that they can’t help, but taking care of a sea horse is harder than Shelly thought it would be. Will Shelly’s friends be angry with her? Can she take care of the class pet without any help?

A fun and entertaining story, Seasick Sea Horse focuses on the importance of taking care of the ocean and the creatures that make the ocean their home. Ms. Harbor tells the class, “It is important for purrmaids to learn how to treat the creatures we encounter in our ocean.” Throughout the story, the reader will learn several interesting facts about sea creatures as well as the importance of picking up trash so it does not end up hurting sea life. When the purrmaids need more information about sea horses, they go to the library and check out books so they can research sea horses.

Seasick Sea Horse also reinforces the idea that something does not always need to be done the same way. For example, when Shelly’s friend cuts salad ingredients differently than Shelly, the salad still tastes good. Shelly needs to learn that “you can be in charge and let other purrmaids help you.” The story highlights that purrmaids often need help in order to get everything done.

Seasick Sea Horse is perfect for readers who are able to read chapter books. The story has easy vocabulary, short sentences, and cute black-and-white illustrations approximately every three pages. Younger readers will enjoy the cat puns and sea similes that are incorporated into the story, like “fin-tastic,” “cat-tastrophe,” and “big as an orca.” Even though Seasick Sea Horse is part of a series, the stories do not have to be read in order. The Purrmaid series takes readers on an underwater swim that teaches valuable lessons as well as entertains.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Catfish Club

Coral, Shelly, and Angel love to do everything together. They are excited to be in the same class. When their teacher assigns an art project, the girls know they will be partners. When they go to an art museum, they get in an argument with three other girls—the members of the Catfish Club. Coral, Shelly, and Angel, and the Catfish Club both think they can create a purr-fect project that their teacher will love.

Angel lets anger get the best of her and makes a bet. If the teacher likes her group’s project the best, the Catfish Club has to give her their purple pearl necklaces, and if the teacher likes the Catfish Club’s project best, Angel has to give them her purple pearl earrings. Angel is afraid that she will lose the earrings that were a special present. Will Angel and her friends be able to find a way out of this mess?

The Catfish Club uses a relatable conflict—mean girls and wanting to be first—in a story that will captivate younger readers. Angel, who cares about fashion, also gets angry easily. Angel loves her friends and thinks they are “fin-tastic friends.” However, her group of friends doesn’t get along with the Catfish Club, a group of three friends. At one point, Angel thinks, “I wish I hadn’t lost my temper and made that bet.” As the story progresses, the reader will learn about the importance of working together and the dangers of anger.

Readers will also learn about art. The story teaches that art can be found in unlikely places. The author takes some famous artists and changes their names to fit the purrmaid world. For example, the teacher talks about Pablo Picatso, and Vincent Fang Gogh. The story shows that when it comes to art, it’s important to try new things. Ms. Harbor explains, “The artist didn’t worry about what others told them to do. They didn’t follow the rules. They followed their hearts!”

The Catfish Club uses relatable conflicts to teach about the importance of being kind and working together. The story shows that purrmaids do not have to have the same qualities in order to be friends. Besides the relatable conflicts, younger readers will also enjoy the cat puns and sea similes that are incorporated into the story. For example, purr-ty, cat-tastrophe, and big as a blue whale. The puns are a little bit over the top, and although younger readers may enjoy them, parents might want to avoid reading The Catfish Club aloud.

The Catfish Club is perfect for readers who are able to read chapter books. The story has easy vocabulary, short sentences, and cute black-and-white illustrations approximately every three pages. The Catfish Club is part of a series, but the stories do not need to be read in order even though the story has some of the same characters and a similar conclusion to the previous books. Readers who like the Pet Fairies series will also find the Purrmaid series purr-fect. The Catfish Club uses adorable purrmaids to teach younger readers that, “If we work together, I know we can create a masterpiece.”

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Guardians of the Taiga

Stacy doesn’t remember her human family. She has been raised by wolves who taught her how to survive in the wild. Stacy and her wolf family rely on each other for all their needs. The powerful, playful wolves—Addison, Basil, Everest, Noah, Tucker, and Wink—are the only family Stacy has ever needed.

As much as possible, Stacy and her pack avoid humans and try to keep the other forest animals safe. Full of courage, Stacy and the wolves are able to accomplish risky rescue missions. But Stacy soon finds that humans pose a risk to their home. Developers want to change the landscape, destroying the animal’s habitat and forcing them to leave the forest. Powerful businessmen are determined to make their resort a reality. How can Stacy and her pack face the dangers that threaten them?

Stacy takes precarious risks to care for animals in need. From the first page, readers see Stacy jumping into danger and relying on her wolf family to protect her. The Guardians of the Taiga’s non-stop action will have readers eager to turn each page. The story is not only entertaining, but it also teaches about animals, the dangers that humans pose to wildlife, and how developers can encroach on animal’s habitats. The story never feels like a lecture or a textbook, but instead teaches lessons through the characters’ experiences. For example, Stacy talks about an electric company that destroyed the beauty of nature when they “leveled a great swath of the forest for the electrical substation, and then shot at the wild creatures for trespassing on ‘their land.’ And the worst part was they acted entitled—as if the forest belonged to them more than it did to the wolves and the deer and the rabbits and even the bats.”

Even though Stacy is a unique character, readers will relate to her daring attitude, her concern for her wolf family, and her awkwardness around humans. Each wolf has a distinct personality, and although they do not talk, the reader is still able to connect with the animals. Even though Stacy is being raised by wolves, the wolves make sure Stacy has an education. For example, Stacy reads books such as Physics for Dummies, and at one point, Stacy uses physics in order to save a dog’s life. The physics is described in kid-friendly terms.

Readers will love the story because of the non-stop action, the danger, and the unique plot. Parents and teachers will appreciate Guardians of the Taiga because of the educational value. Not only does the story highlight the need to care for nature, but it also helps readers gain new vocabulary skills. The book contains some difficult vocabulary such as pelage, crepuscular, biomes, and satiated; however, many of these words appear in the glossary in the back of the book. Another positive aspect of the story is the black and white pictures that are scattered throughout the book.

The only negative aspect of the story is the abrupt conclusion that leaves many unanswered questions. Instead of wrapping up the story, the author sets up the sequel—Escape to the Mesa. The book ends with a selection of other reading material—an author interview, the inspiration for one of the characters, and an interview with a wolf researcher. Guardians of the Taiga will appeal to a wide range of readers including those who love animals, daring characters, and action. Readers who enjoy this series should add the Simon Thorn series to their list of must-read books.

Sexual Content

  • None

Violence

  • During a fire, a tree “cracked in two and toppled over, flames licking at its branches. It fell right in the middle of the wild pack, crushing several of its members. Stacy screamed, unsure of how many wolves had just been killed right in front of her.” Stacy tries to convince the wolves to follow her but Dusty, who was the alpha, wouldn’t move. Dusty “was illuminated by the flames, and Stacy could see a large patch of dark red on the wolf’s hindquarters. . . blood. Dusty wasn’t placing any weight on her back left leg. She’d been shot!” Stacy couldn’t help Dusty and eventually “the flames enveloped what was left of the den and consumed Dusty.”
  • Lightning strikes a wolf. “The wolf had a jagged, bloody strike down the left side of her body. . . Basil was stunned but alive.”

Drugs and Alcohol

  • None

Language

  • Stacy wonders, “why are there so many dang bats here?”

Supernatural

  • Stacy and the wolves are able to communicate, and the wolves can perform some human-like tasks.
  • A dog can communicate with bats through echolocation and is also able to understand Stacy’s words.

Spiritual Content

  • None

Kitty the Tiger Fairy

Rachel and Kirsty are spending a week of their summer vacation volunteering at the Wild Woods Nature Reserve. While the girls want to help others, Jack Frost is up to no good. He has stolen the Baby Animal Rescue Fairies’ magic key chains and is planning on kidnapping baby animals for his icy zoo.

The girls have to help the fairies keep the zoo animals safe. When Jack Frost’s goblins try to capture Sheba the tiger cub, Rachel and Kirsty have to keep the tiger cub safe. Can they keep Sheba safe or will the cute tiger cub end up in Jack Frost’s zoo?

The Baby Animal Rescue Fairies follows the same format as the Pet Fairies series. Both series combine fairies, animals, and Jack Frost’s goblins to create an entertaining story that younger readers will enjoy. While the goblins spend most of their time running away from the tiger cub, younger readers will enjoy guessing what the goblins will do next. The story highlights the importance of volunteering and taking care of the environment.

Rachel and Kirsty are likable characters who use their time to help others. The characters are not well developed and the plot structure is repetitive of the previous books. Despite the predictable plot, readers of The Baby Animal Rescue Fairies will enjoy seeing Rachel and Kirsty defeat Jack Frost’s goblins. Black-and-white illustrations help readers visualize the plot while illustrations of the animals’ lives add to the story’s cuteness.

This book has easy vocabulary and short sentences, which make it perfect for readers just transitioning to chapter books. Younger readers will be able to read The Baby Animal Rescue Fairies without assistance, and the stories will help them build confidence and a joy for reading. There are seven books in The Baby Animal Rescue Fairies series in addition to a Sports Fairies series, the Fairy Tale Fairies series, and Special Editions.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Jack Frost uses a magic ice bolt to steal the Baby Animal Rescue Fairies’ charms—“the tiny furry animal key chains that helped them care for the wildlife. Jack Frost then gave the key chains to his goblins, and ordered them to hurry away to the human world and bring him some animals for his zoo.”
  • The fairies use their magic and “granted Rachel and Kirsty the power to talk to animals.”
  • A fairy shakes her wand, “conjuring up a cloud of glittering fairy dust. The girls were whisked gently away and, in the blink of an eye, Rachel and Kirsty found themselves thousands of miles from the nature reserve.”
  • With a flick of her wand, a fairy “scattered magic sparkles around the girls, turning them both into fairies.”
  • Rachel and Kirsty use fairy dust to go to the fairy world.
  • A fairy puts fairy dust on a log. “The log immediately rose up out of the water, floated through the air, and came to a rest on the bank of the stream.”

Spiritual Content

  • None

 

 

Spark

In Algorria, storm beasts and their guardians create perfect weather every day, bringing prosperity and peace to Algorria. Twelve-year-old Mina has been carefully tending a storm beast egg, and is eager for the egg to hatch. Everyone is surprised when a lightning beast hatches from Mina’s egg. Mina’s family thinks that their quiet, shy daughter should not be paired up with a lightning beast, a creature of fire and chaos.

Unlike her family, Mina is sure that she, her storm beast, and Pixit are perfect for each other. Mina and Pixit are enrolled in lightning school and begin to learn the skills of lightning guardians. Even though Mina has always dreamed of completing daring acts, she struggles at school. She is unable to learn the basic skills and often feels as if she doesn’t fit in anywhere.

When Mina accidentally learns that Alorria’s perfect weather comes at a devastating cost, she discovers that powerful people are willing to do anything to hide the truth. Mina has never been able to speak out, but now without her help people will die. Mina and Pixit both dream of being like storybook heroes that change the world for the better. Is there any way that Mina can find her voice?

Readers will pick up Spark because of the beautiful cover of a storm beast, but they will keep turning the pages until the very end because of the beautiful relationship between Mina and Pixit. Anyone who has been afraid to speak up will relate to Mina, who is happy to let others take over the conversation. Yet within the quiet girl’s heart is the dream of making a positive impact in the world. Mina often struggles with feelings of insecurity, but with Pixit’s help Mina learns that being “different isn’t wrong.” In order to help others, Mina does not need to change herself. Instead, she only needs to use her own unique talents.

This engaging story uses a unique setting to bring modern-day problems to the forefront. As part of Mina’s studies, she is introduced to the idea of isolationism which is explained as follows: “Isolationism—defined as caring only about your own country—had the benefit of limiting the area that the early storm beast and guardians had to protect. Here’s the important bit to understand: all the world’s weather is connected, and more complex than you can comprehend.”

As Mina learns more about her country, she gets a lesson in false propaganda and how the political leaders are willing to suppress the truth because they fear change. However, the message is clear: “you can’t dismiss the facts just because you don’t like where they lead.” Even though Mina is quiet, she finds a way to become a leader. However, becoming a leader was not an easy choice for Mina. Her self-doubt and worry come through because Pixit can hear Mina’s thoughts. The relationship between Mina and her storm beast is so endearing that it will leave readers wishing they had a storm beast of their own.

Not only is Spark an exceptional story, but it also teaches readers that it is possible to change the world for the better. By the end of the story, Mina and Pixit feel like friends who have made a positive impact on you. Spark is an unforgettable story that will resonate with children and leave them wanting to be kinder, better people who do good in the world.

Sexual Content

  • None

Violence

  • A fight broke out in the school’s dining hall. A student “launched herself across the tables, and dozens of her friends joined her. . . dozens of other students threw themselves into the battle. . . Mina, unable to run, unable to move, stared as students and beasts fought in front of her, over the tables, and up on the metal ladders, chains, and other obstacles.” Pixit joins the fight, and Mina “felt pain shoot through her arm as another beast bit into him.” Some students began throwing potatoes. A teacher breaks up the fight, which lasts for two pages.

Drugs and Alcohol

  • None

Language

  • One of the students tells Min, “Mina, tell him he’s an idiot. He doesn’t believe me when I say it.”

Supernatural

  • Storm beasts and their guardians create perfect weather every day. Wind beasts blow the clouds away, sun beasts produce balmy temperatures, rain beasts water the crops, and so on.
  • When a person is chosen to care for a storm beast’s egg, the person must spend time each day with skin-to-egg contact. When the egg hatches, the person and the storm beast are linked. Mina’s brother “Gaton had told her what it felt like to be linked mind-to-mind to a storm beast: he couldn’t hear all of Arde’s thoughts the way he heard his own, and Arde couldn’t always hear his, but he could always feel Arde’s emotions like a constant hum in the back of his mind. . . And when he wanted to talk to Arde, all he had to do was concentrate on both the words and his beast. It was like shouting. But quietly.”
  • Mina and Pixit can feel each other’s emotions. For example, when Mina and Pixit were about to fly into a storm, Mina “felt Pixit’s nervousness, like bubbles in her veins.”
  • Lightning beasts can store lightning, and the guardians can then discharge the lightning’s energy. During a storm, Mina “rose in her seat, and she reached her arms up, hands high over her head, fingers spread. . . Roaring, Pixit flew into the lightning. Mina felt it hit her fingers and rattle down her arms. She brought her hands together, holding the lightning steady above her. . . Mina opened her hands and released the electricity. Some of it spread through the air and slammed down, harmlessly, on the blackened hills below. But most of the energy was absorbed into Pixit, causing him to glow an even more brilliant yellow.”

Spiritual Content

  • None

The Scaredy Cat

Coral, Shelly, and Angel are best friends. They are excited about meeting their new teacher on the first day of school. Their teacher asks the kids to bring something special to share with the class. The three friends decide that they need to search Tortoise-shell Reef to find something special enough to share. Coral is anxious about going to the reef because it is on the edge of the cove. However, she agrees to go because it’s important to her friends.

When the purrmaids get to the reef, Coral’s friends discover that she doesn’t know how to complete flips. Angel and Shelly are eager to teach Coral a new skill, but soon they have flipped so many times that they don’t know where they are! Can the three friends find their way home? Can Coral learn to be brave?

The Scaredy Cat mixes kittens and mermaids in a story about friendship that will have younger readers enthralled. The unique idea and the adorably cute black-and-white illustrations will draw readers to the book. The story focuses on the purrmaids’ homework assignment as well as Coral’s cautious attitude. When the group goes to Tortoise-shell Reef, Coral shows bravery several times; each time her friends are in danger, Coral jumps in to protect them. The story highlights the importance of trying new things, but also of being cautious.

As part of the adventure, Coral meets a misunderstood catshark named Chomp. The shark gives the story an added dose of danger. After she gets to know him, she learns that he isn’t dangerous. Chomp complains that “Catsharks always get a bad rap. Everyone in the ocean thinks we’re out to eat them!” Coral is able to learn that it is wrong to judge a shark just because he’s a shark.

The Scaredy Cat is perfect for readers who are able to read chapter books. The story has easy vocabulary, short sentences, and cute black-and-white illustrations approximately every three pages. Younger readers will enjoy the cat puns that appear often, like “cat-tastrophe,” “paw-sitive,” and “purr-omise.” The puns are a little bit over the top, and although younger readers may enjoy them, parents might want to avoid reading The Scaredy Cat aloud.

Readers who like the Pet Fairies series will also find the Purrmaid series purr-fect. While the Pet Fairies series has a non-scary villain, the Purrmaid series focuses more on friendship and the quest for the perfect item to share with the class. The Scaredy Cat will delight younger readers, who will want to read every book in the series because the stories are so much fun. The satisfying conclusion will have readers squealing in joy as the story shows that friendship is the best gift of all.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Simon Thorn and the Shark’s Cave

Simon Thorn is just learning the rules of the Animalgam, a secret race of people who can shift into animals. After years of being bullied, he has finally found a group of friends. They attend the secret Animalgam academy, which is hidden beneath New York’s Central Park Zoo. Simon and his friends are looking for the pieces of a terrible weapon—the predator. They are determined to destroy the weapon before Simon’s grandfather, Orion, can use it to take over the Animalgam kingdom.

When Simon’s dolphin friend Jam is summoned home to the underwater kingdom, Simon decides it is the perfect time for him to search for a missing piece of the predator. Simon soon discovers that finding the piece will be harder than he thinks. There is a traitor among the underwater kingdom and Jam’s family has strict rules that cannot be broken. Can Simon and his friends find the piece before Orion?

The third book in the Simon Thorn series takes the reader on a fast-paced ride through the underwater world where sharks rule. Even though Simon is still looking for a piece of the predator, Simon Thorn and the Shark’s Cave doesn’t simply repeat the events of previous books. Instead, the story focuses on Jam’s strict, military family and the dangers that lurk underwater. Even though the story has many of the same characters, Jam’s family is introduced, and with that come new complications.

Simon Thorn’s world is unique, dangerous, and utterly captivating. The characters are distinct, well-developed, and interesting. Simon is surrounded by a host of Animalgam with questionable intentions as well as two villains who are willing to kill him to gain power. The story highlights the dangers of one person having too much power. Simon thinks that even if someone wants peace, tyranny is not the way to gain it because “there will always be good people who rise up against tyrants and murderers regardless of what it cost them.”

The story highlights the importance of learning from mistakes as well as forgiveness. While in the underwater world, Simon gets a glimpse of the negative aspects of sexism, especially how it affects Jam’s sisters. Simon’s friend Felix points out that Simon is unique because, “You meet someone and you see who they are, not what they are. You got any idea how rare that is, kid?”

The Simon Thorn series must be read in order because the plot builds on previous books. However, readers who have read the first two books in the series will not be disappointed in this installment. New characters, new adventures, and new dangers arise in Simon Thorn and the Shark’s Cave. The fast-paced action and plot twists will keep readers engaged until the very end. The Simon Thorn series gives readers a relatable hero who will do whatever it takes to keep his family and friends safe.

Sexual Content

  • None

Violence

  • A group of falcons chases after Nolan and Simon, who were flying in bird form. A falcon catches Simon’s wing and “Burning pain tore through his shoulder, and Simon cried out as his body spun wildly, careening toward a nearby window. . .” Simon “pushed his wing directly into the falcon’s path, throwing his opponent off balance as it tried to avoid a direct collision. Simon caught the falcon by the tail feathers and, using the golden eagle’s strength to his advantage, he spun the falcon toward the nearest roof as hard as he could.” When a falcon goes after Nolan, Simon “Caught up to it, and he grabbed it by the wings and pulled up with all his strength, throwing the smaller bird into the empty sky and away from the struggling golden eagle.”
  • Winter and another girl, Nixie, get into a fight. “Nixie let out a shriek that echoed throughout the cavern, and she shoved Winter backward. Simon caught her before she could fall. . . Winter screeched and charged straight for Nixie, tackling her.” The girls fall into shallow water.
  • Sharks attack a group of dolphin Animalgams. Simon watched as “a tiger shark nearly took a chunk out of Jam’s tail, and only then did he pull himself out of his stupor and rush toward the action, letting out a fierce cry. . .” Simon barreled “though a group of sharks like a bowling ball crashing through pins. . . He chomped down on a bull shark first, and while he’d only grabbed a fin, the shark squealed and swam out of the fight.” A great white goes after Jam, and the General enters the fight. “The great white’s teeth sank into the General’s dolphin body instead, and the General let out a scream that chilled Simon to the bode.” A jellyfish squirts ink into the water, and the fight ends. The fight lasts three pages.
  • An underwater soldier arrests Simon and “in one swift motion, she caught Simon’s wrists and bound them together with a zip tie. . .” Jam helps Simon escape. “One second she was slipping the zip tie over Jam’s wrists, and the next, he lurched forward, shoving her into the wall. . . when Jam backed away, her hands were bound together, not his. . .” Simon and Nolan escape.
  • When Simon tries to leave the underwater compound, the sharks Al and Floyd decide Simon will make a good snack and try to eat him. “Al rammed into him, knocking his smaller dolphin body off course. Simon’s side exploded in pain, and he spun around wildly until he wasn’t sure which way was up . . .” Floyd caught “Simon by the tail and flinging him back toward Al. His sharp teeth dug into Simon’s dolphin skin, but it was a scratch at best. . . Al’s tail made contact with his head. Dizzy and disoriented, Simon floated in water without moving, his thoughts scrambled and pain pouring through him in every direction.” Simon begins sinking to the seafloor unconscious, and then someone rescues him. The shark fight scene takes place over two pages.
  • While scuba diving in the ocean, a shark Animalgam sees Simon and hits him. “Simon flew backwards. His mouthpiece fell out, and he tried to reach for it, only to be yanked back by his oxygen tank a second time.” A second great white shark appears and helps Simon when “It chomped down on the first shark’s tail, and she let out a bloodcurdling shriek. . . the second shark sinking its teeth into her twice more, and during those precious seconds while she wasn’t paying attention, Simone used the last of his energy to propel himself toward the mouthpiece.” The attacking shark is chased away.
  • Orion killed an Animalgam, but the death is not described. Simon sees Orion with “his hands clasped around the delicate neck of a dead peregrine falcon.”
  • Simon snuck into Orion’s camp to talk to his mother. While he was there, “suddenly two large human hands grabbed him, pinning his wings to his side. Instinctively Simon struggled against the grip, squawking and snapping his beak at the strong fingers around his feathered body, but there was no give.” Orion threatens to kill Simon’s mother, who is chained up so she can’t escape. At one point, Orion lifts “the knife threateningly, the tip pointed toward Simon’s mother.” Ariana in spider form bites Orion, and they are able to escape. Before they leave, Ariana gives Orion an antidote so he doesn’t die. The scene takes place over five pages.

Drugs and Alcohol

  • None

Language

  • Simon tells his brother, “You’re an idiot.”
  • Simon calls shouts at some falcons, “Hey, birdbrains!” Later a student called Simon “birdbrain.”
  • Winter calls the general of the underwater kingdom a jerk. Later Simon tells one of Jam’s sisters that “You should think about not being such a jerk to him all of the time.”

Supernatural

  • None

Spiritual Content

  • The story revolves around Animalgams, “human[s] who could not only talk to animals, but developed the ability to turn into one, too.” This ability is passed down by family. “Nearly all Animalgams could only shift into a single animal, and they belonged to one of the five Animalgam kingdoms: mammals, birds, insects, reptiles, or underwater creatures.” Nolan and Simon are special; they can shift into any animal.

Bella the Bunny Fairy

Rachel and Kirsty hide Easter eggs for a neighbor’s party. When the party guests arrive and start looking for eggs, they keep seeing a bunny that changes colors. Rachel and Kristy think the bunny is one of the fairy’s pets. Jack Frost was upset that he didn’t have a pet, and he kidnapped several magical animals that belonged to the Pet Fairies. Can Rachel and Kirsty save the bunny from Jack Frost’s goblins?

Bella the Bunny Fairy combines fairies, animals, and a villain to create an easy-to-read story that will engage young readers. Although the stories are formulaic, younger readers will enjoy the cute fairies, and guessing what the goblins will do next. Rachel and Kirsty are good role models because they are kind to others, help their neighbors, and are able to save the day.

Bella the Bunny Fairy is perfect for readers who are just beginning to read chapter books. The story has easy vocabulary, short sentences, and cute black and white illustrations on every page. The story has a simple storyline with a non-frightening villain. There are seven books in the Pet Fairies series as well as a Sports Fairies series, the Fairy Tale Fairies series, and Special Editions. Although the stories have some of the same characters, the books do not have to be read in sequence. Bella the Bunny Fairy will delight younger readers, who will want to read every book in the series because the stories are so much fun.

Sexual Content

  • None

Violence

  • Goblins make a hole and cover it with leaves to trap Rachel and Kirsty. The girls fall into the trap.
  • The goblins fall into their own trap. “They fell on top of the twigs and leaves in a heap. A second later, the covering gave way. Yelping, the goblins all tumbled into the hole.”

Drugs and Alcohol

  • None

Language

  • The goblins argue and call each other names, including, “coward,” “scaredy-cat,” and “klutz.”

Supernatural

  • A fairy uses magic dust. “She lifted her wand, and a shower of golden sparkles floated down onto the girls. Rachel and Kirsty held their breath as they shrank to fairy size, and glittering wings appeared on their backs.”
  • A fairy uses her wand to send a message to a bunny. “Lifting her wand, she began to write in the air. Like a sparkler, the wand left a glittering trail of bright blue letters.”
  • A fairy wants to fix a box so a rabbit can’t escape. “Then Bella waved her wand. A cloud of dazzling sparkles swirled around the box, making it whole again.”

Spiritual Content

  • None

Neverwas

Neverwas continues the story of Sarah and Jackson in Amber House, who are not quite the same people. History has shifted thanks to Sarah’s successful rescue of her brother and aunt. As a result, this Sarah’s parents are happily married. There are other changes too, some good and some bad. Jackson’s aunt Ruth is dying. Hathaway’s mother never left him. Sarah’s best friend no longer exists.

The small changes Sarah understands, but there are deeper changes as well from farther back in history. The American Revolution failed. Nazi Germany won the war. North America is split into three countries, with Amber House located in the Confederate-like country where slavery has only recently been abolished.

How could saving her brother and aunt have caused such large changes to history? It makes no sense, and Sarah doesn’t want to fix it. She doesn’t believe that she can fix it. Together, she and Jackson start to unravel what happened—Jackson eagerly, Sarah unwillingly. Together they realize where history went wrong, and that it’s up to them to fix it, again.

Neverwas is a strong second book in the Amber House series. Though it lacks the beautiful imagery that made the first book a delight, Neverwas is based on an interesting “what-if” concept that will hook readers. The story explores what might have happened if the American Revolution failed, and the ripple effects it would have on world history; these changes keep the story interesting enough to keep the pages turning. The authors also did a wonderful job developing the alternate-Sarah. Sarah is still clearly herself, yet there are changes to her personality and how she views the world, changes that are there due to the fact that her parents are happily married, her aunt is alive, and other small alterations to her past.

This Sarah is not as likable as the Sarah in book one. The Neverwas Sarah is not as strong, she can be frivolous and clueless, and she would rather bury her head in the sand than try to change history again. But with Jackson and her brother urging her on, she does a commendable job of pulling herself up by her bootstraps, and in the end, she does all she can to rectify history and bring a better future. Overall, Neverwas has a theme of helping others, even when the cost to yourself may be great.

 Sexual Content

  • When a boy sees that he and Sarah are under the mistletoe, “his lips softly brushed my cheek.”
  • In an echo of the past, Sarah sees two people whose “lips met in a kiss that made me look away.”
  • In another echo, “A man had Maeve pinned against the wall. She was struggling to get away from him, but he had her arm twisted up behind her back. He kissed her. Hard. A possessive, violent gesture.” She is rescued, and tells him, “I should kill you, Ramsay. Just know if I ever see you on my property again, I will shoot first and swear you tried to rape me later.”
  • Jackson kisses Sarah once. “His lips met mine. Gently—so gently—but also fiercely. As if this belonged to him. As if he had waited for it. As if there was nothing in the world but that kiss. It could have lasted forever and it would have ended too soon. My first kiss.”

Violence

  • Deirdre finds a female slave who was “a tumble of limbs, her face battered and bloody.”
  • Sarah lives in an alternate world where Nazi Germany won the war and still exists. She is furious when a Nazi comes to her family’s Christmas party. “In seventy-five years, the Nazis had wiped out all the Jews, Gypsies, homosexuals, and disabled people in Europe.”
  • Jackson hits his head and has a seizure as a result. “He got to his feet abruptly, bumping his head hard against the mantel. He lifted his hand to his temple and brought away fingers wet with blood. Then his head jerked backward as he crumpled to the floor…his left arm and leg began to shake, and a trickle of blood oozed from his nose.”
  • A racist man asks Jackson, “What happened to you, boy? Half a lynching?”
  • Jackson and Sarah are attacked. “Jaeger raised a hand, and a blade into view. He stabbed it into Jackson. I saw the crimson of blood spreading all around the wound.” Sarah later shoots Jaeger. “Jaeger staggered back, sinking to one knee, his hand clapped to his shoulder. He brought his hand away to see; it was covered with blood.”
  • When a Nazi tries to stab a Jew, another man’s “hand came up and slammed into the Reichsleiter’s face…then [the Reichsleiter’s] face sank into the circle of backs surrounding him. The crowd seemed to swallow him. His protests ceased. The thud of blows continued.”
  • A man tries to kill Nyangu. “She reached out with claws and slashed his face…She grabbed the door frame and leapt up, jamming her bent legs forward to hit the Captain’s midsection with her heels. He doubled over, gasping, and she jerked loose, scrabbling up and away.”
  • When the Captain tries to kill her, Nyangu throws a sack of poisonous spider eggs at him. The spiders hatch, and “I saw tiny spiders swarming his face. Hundreds of them. More. They filled the claw marks down the cheek. They crawled along the lashes of his staring eyes.”

Drugs and Alcohol

  • Sarah describes a bow of hers as, “hanging drunkenly to one side.”
  • A boy teasingly asks Sarah if she has “been sampling too much eggnog” when she spaces off.
  • In an echo, Sarah sees a man who “wavered slightly on his feet, and I understood he was drunk.”

Language

  • “God,” “Good Lord,” and other variations are used as exclamations frequently. For example, Sarah’s mother says, “Oh, my God.” Another time Rose exclaims, “Lordy, child.”
  • “Holy Jesus” is used once. A man says, “Holy Jesus, I just about lost my lunch looking at you.”
  • A boy calls himself a “git.”
  • “Damn it” is used twice. A sheriff yells, “Stop, dammit! You come back here.”
  • Sarah’s brother tells her, “You always get the crappy fortunes.”
  • “Bitch” is used in a poem once, referring to a dog. “A restless hound intent to make her bed…one chance there is to bring this bitch to heel.”
  • When a Jew calls a Nazi a murderer and grabs his arm, the Nazi says, “Unhand me, you filthy Jew.”
  • A news report in a Confederate-like state says, “The only known casualty is a negro youth who is presumed to have set the blaze.”

Supernatural

  • Sarah can see visions of things that happened in Amber House’s past when she touches items from its past, such as a doorknob or Christmas ornament. They are called echoes.
  • Jackson can see pieces of the future and different possible futures.
  • Sarah can feel where Jackson is, even when she cannot see him. She can use this strange sense of “Hotter, Colder” to find him.
  • Sarah finds an evil coin that a man used to change the future. “It seemed almost to squirm. My mind’s eye exploded with telescoping images…I felt possessed, attacked…violence surrounded them, every form of corruption, every kind of death, and I was drowning in it.”

Spiritual Content

  • Sarah’s family goes to a Catholic church service. The service itself is described very briefly; the morning is treated more like a social outing.
  • A girl says, “Merciful Lord” and “crossed myself to ward off evil,” when she finds a nearly dead woman.
  • A little girl says she doesn’t like the story of Pandora or of Eve from the Bible. Her grandmother says, “I used to think that too, Annie. But then I thought, what if we should be grateful to Pandora and Eve instead of blaming them? What if they did exactly what God wanted them to do—to choose choice itself? To bring change and chance into an orderly world.”
  • Sarah has her fortune told by a woman who says she is Catholic. The woman owns The New Dawn Metaphysical Bookshop and says, “Person can’t help it if she can see things other people can’t.”
  • Sarah’s aunt says, “Maybe God is an artist. He saw something deeper. And you must be here to help Him lay it bare.”

by Morgan Lynn

The Prince Problem

Prince Telmund loves to read fables. But in every fable, the oldest children are always bullies. That’s why Telmund was just a little upset when his youngest brother was born. One day, Telmund was racing around, trying to keep his little brother out of trouble, when a nasty witch accused Telmund of being a bully. In an effort to teach Telmund a lesson, the witch cursed him. Now, every time he falls asleep, he will transform into a different type of animal.

Princess Amelia doesn’t care for fairy tales, but she loves facts. The practical princess has a wide range of skills, but none of them will help her escape the ball her parents have planned. Her idealistic parents want Amelia to choose her future husband. Amelia’s parents believe in love at first sight and happily ever after’s. Amelia knows that bad things happen. That’s why she isn’t surprised when Prince Sheridan has her kidnapped.

When Prince Telmund discovers that Princess Amelia is in trouble, he vows to save the princess. But how can a dreamer prince with no skills save the day? Is there any way the two can work together and defeat the dangerous Prince Sheridan?

The Prince’s Problem is a fun, imaginative twist on a fairy tale that has interesting, well-developed characters. When Telmund changes into different animals, he understands that he has the instinct of the animal, and although he understands this, he cannot ignore the animal instincts. Seeing the world through the animal’s point of view adds interest and humor to the story. When Telmund discovers a princess in trouble, he’s determined to help despite his transformations. Telmund wanted to be “like the heroes in stories, who do brave deeds, who help those in need, who keep trying and never give up, and who are unmindful of what danger they might get into if they do the right thing.”

Amelia is not a typical princess. Instead of dresses and jewels, she’s interested in learning about facts. Although she is unconscious for the first part of the story, when she finally awakens, she comes across as a bit bossy. However, as the story progresses, she learns to respect Telmund despite his idealistic nature. When Amelia and Telmund interact, comical misunderstandings and mayhem arise.

In the end, both Amelia and Telmund learn the importance of understanding others, and that “it is unfair to make judgments based on appearance.” Unlike most fairy tales, the prince and the princess must work together. They must use both facts and fairy tale bravery in order to save each other. Although the story is a bit predictable, reading The Prince’s Problem is enjoyable because of the unique aspects of Amelia and Telmund. For those wanting a fresh look at a fairy tale, The Prince’s Problem will entertain and delight.

Sexual Content

  • A prince that wants to marry Princess Amelia, “gave her a light kiss on the throat as though to seal the bargain. She knew that—in the way of marriages arranged for diplomacy and alliances—there often was a big difference in the ages between the partners. The knowledge didn’t help. Prince Sheridan was her parents’ age, and his intentionally menacing yet flirtatious manner was unsettling. She rubbed her wrist over the spot as though she could wipe the kiss away.”

Violence

  • When Telmund is a rat, floating down a river, a boy begins throwing stones at him.
  • When Telmund is a rabbit, a cat chases him, but Telmund is able to hide under a log. “Telmund pressed his back to the space where ground and log met, and ducked his head. The claws touched his whiskers, but not enough to catch hold of him. The cat hissed and scratched at the dirt.” A fairy saves Telmund.
  • Amelia is outside the castle when “she heard the crunch of a footstep behind her. Before she could turn, someone had one arm around her waist and the other around her neck, with his hand over her so that she couldn’t scream—his dirty, foul-smelling hand. No, it was a dirty, foul-smelling cloth that someone was holding over her face.” The cloth had Henbane on it, which caused Amelia’s, “senses swirled dizzying, and the last thing she was aware of was her legs collapsing under her.”
  • While riding in the back of a wagon, Amelia sees Telmund, and she assumes he is a villain. “She shoved, and he toppled off the edge of the wagon and onto the road, headfirst. He didn’t get back up. Amelia hoped, in a fuzzy sort of way, that she hadn’t killed him—even if he was a villain.”
  • When Telmund is a chicken, someone “slipped a sack over his head” intending to eat him.
  • Amelia smacked Telmund on the arm.
  • Amelia is able to escape her captors, but when she is in the forest, she saw a man and began to run. “The man ran after her. Still hiding in the water, Telmund could hear the scuffle. It was short-lived. The man came back into view, holding Princess Amelia under his arm as though she were a sack of onions. Amelia kicked and slapped at his arms and legs, and used words most princesses would not.”
  • One of Amelia’s captors “took hold of her by the hair, not exactly yanking, but not gently, either, and pulled her head back.”
  • As Amelia and Telmund are trying to find their way back to the castle, a person catches Telmund. The man clapped “a hand over his mouth as though to prevent him from calling out . . . in another moment Telmund’s senses swam—probably something to do with the fact that it wasn’t an empty hand held over his mouth but a cloth with a familiar smell.”
  • Amelia’s captor “grabbed hold of her by the hair, and this time it could only be called roughly.”
  • When a dragon appears, Amelia’s captor lets go of her and “shoved Amelia at the dragon. She stumbled to her knees, sliding forward on the ground, her outstretched and still-bound hands making contact with the dragon scales. . .” Everyone runs off. Amelia is not injured.

Drugs and Alcohol

  • Several times, Henbane was used to make someone unconscious.

Language

  • A man calls Telmund’s brother a “clumsy oaf.”
  • A villain calls his companion a “dunderhead,” a “dolt,” a “twit,” and “pudding head.”
  • A villain calls his companion “mush-for-brains.”
  • Amelia says Telmund has “porridge for brains.”
  • A lord calls someone an “incompetent fool.”

Supernatural

  • A witch puts a spell on Telmund, which causes him to transform into different animals. A fairy tells him, “I can see the spell you’re under. Every time you fall asleep, you’ll wake up as something else. Every other time, it’s your natural form.”

Spiritual Content

  • When Telmund changes into a chicken, someone captures him. “Telmund wondered if it was God saying to him, Tell ME the only thing chickens are good for is eating. I spent time creating them, you know, same as I created you.”
  • A cook tells Amelia, “God be with you.”

Two Dogs in a Trench Coat Go on a Class Trip

Every day Sassy and Waldo put on a trench coat so that everyone thinks they are a human kid named Salty. Then they go to school with their boy, Stewart. When their teacher announces that the class will go on a field trip to a museum, Sassy and Waldo are excited. They love trips!

Stewart isn’t so excited about the field trip. Steward says everyone will have to learn facts. When Sassy and Waldo have to fill out the permission slip that says lunch on it, they wonder how can a trip to a place with lunch be bad?

Sassy and Waldo will entertain readers with its comical, easy-to-read writing style and hilarious black and white illustrations. Much of the humor comes from the fact that it is absolutely obvious that Waldo and Sassy are dogs, but no one notices. The font changes each time Sassy and Waldo talk, making it easy for readers to follow along with the conversation. Many of the words appear in large, bold font, which adds interest to the page and also highlights the dog’s obsession with food.

Two Dogs in a Trench Coat Go on a Class Trip is silly enough to entertain even the most reluctant readers. Even though the third book in the series does not have the educational value of the previous book, readers will enjoy watching Sassy and Waldo chomp on a dinosaur bone, run from the guards, and lead students on their own version of a museum tour.

The story ends with a short lesson on the importance of trying new things as well as getting to know new people. The guards and the tour guide have a rivalry, which causes them to avoid each other. They just make up nicknames for each other. With the help of food, the guards and tour guides begin to build a friendship.

If you’re looking for a fun series that will engage readers and encourage them to read for enjoyment, then pick up any of the Two Dogs in a Trench Coat books, which do not need to be read in order. The silly story Two Dogs in a Trench Coat Go on a Class Trip will have readers giggling through the entire book. Look for the fourth installment of the series, Two Dogs in a Trench Coat Enter Stage Left.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Darn is used twice by a museum tour guide.

Supernatural

  • None

Spiritual Content

  • None

 Rogue Wave

Four thousand years ago an ancient evil destroyed Atlantis. This evil is stirring again, and it will take six mermaids—Serafina, Neela, Ling, Ava, Becca, and Astrid—to defeat it. The mermaids are descendants of the Six Who Ruled—powerful mages who once governed Atlantis. In order to defeat this evil, the mermaids must find the magical talismans that belonged to the six.

Serafina mourns the loss of her betrothed—the traitor who is working for the man who destroyed her realm. But Serafina doesn’t have time to mourn; she must research the location of the talisman and discover its hidden location before anyone else can. While following leads, she must avoid death riders, who have been ordered to capture her.

Neela travels to her home realm, Matali, to warn her parents of the impending danger. However, her parents don’t believe her outlandish story and confine her to her chamber so she can rest and recover. Neela needs to escape so she can find a talisman, which is in the possession of the fierce razor mouth dragons. As they hunt for the talismans, both Serafina and Neela need to rely on courage, cunning, and their allies. Can they endure danger, defeat death, and discover the secret locations of the talismans?

Rogue Wave, the second book in the Waterfire Saga, is full of action, intrigue, and a hint of romance. Even though the first book, Deep Blue, focuses on bringing the six mermaids together, none of the mermaids work together in the second book. Instead, Rogue Wave jumps back and forth between Serafina and Neela, as they both look for a talisman. Often one mermaid’s experience would end with a cliffhanger, and then jump to the other mermaid’s story.

Despite the interesting mermaid world, many of the events were extremely unrealistic. One minute Serafina is a strong, brave girl ready to face down evil, and the next minute, she makes rash decisions that make no sense. Instead of connecting with Serafina, some readers may find the whinny, impulsive mermaid hard to relate to. On the other hand, many readers will relate to Neela, who tries to cope with difficulties with eating sweets. Neela’s parents are more concerned with Neela’s appearance than anything else. Neela has been taught that as royalty, she must always look pretty wearing jewels. Readers will root for Neela as she tries to break out of her parents’ mold.

Rogue Wave continues the intrigue that began in book one. As Serafina travels looking for the talisman, she meets an interesting Spanish princess and is reunited with her betrothed. Serafina hopes to defeat evil and help her realm; however, she is unwilling to accept the obvious and naively ignores clues that prove some people plotted against her mother. Younger readers may enjoy the mermaid world and the intrigue, but more advanced readers will have a difficult time believing Serafina can become a strong leader. The conclusion of Rogue Wave reveals an important plot twist, and readers will want to read the third book in the series, Dark Tide, to discover how the other mermaids fit into the complicated plan of saving the mermaid realm.

Sexual Content

  • As part of a disguise, Serafina uses a spell to give her an enormous bosom. Serafina complained, “It looks like I have two sea mounts stuck on the front of me. . . All I can see is my chest.” Her friend says the goal is to make the soldiers focus on her bosom, “not the face.”
  • Mahdi and Serafina kiss. “And then she was in his arms and his lips were on hers, silently telling her who he was. Hers. Always. And for a moment there was no safe house, no danger, no grief. All she knew was the heat of his kiss and the feel of his heart beating under her hand.”
  • The ghost of a Spanish princess tells Serafina about a pirate trying to capture her. The ghost says, “I vowed I would not be taken. I was a princess of Spain, meant to be wife to a French prince, not a wench to warm a pirate’s bed.”
  • Mahdi tells Serafina that he has kissed another girl but that it meant nothing.
  • Serafina and Mahdi get married, and Mahdi “cupped Sera’s face in his hands and kissed her, and Sera kissed him back, forgetting there were others nearby.”
  • After Sera and Mahdi are married, as part of his secrete identity, he becomes betrothed to another.

Violence

  • Serafina goes to Atlantis, where the Opafango live. Someone warns her, “The Opafango eat their victims alive. . . while their hearts are still beating and their blood’s still pumping.”
  • Serafina ties a man up.
  • When a soldier comes into a room, Serafina threw a dagger at him. His arm was “immobilized because her dagger had pinned his sleeve to the door.” The soldier is uninjured.
  • A villain tortures people to get information. “Four days ago, he cut a finger off a child—a child, Sera—to make her mother tell him where her father was hiding. I saw him do it.”
  • Someone tells Serafina about the raids that have been taking place. “Some of the villagers must’ve tried to fight. There were bloodstains on the wall and floors of the houses. They scribbled notes and left them behind. Please tell my wife . . . Please help us . . . They’ve got my children. . .”
  • Death riders attack a safe house. Serafina uses a spell and “the explosion was instantaneous. The concussive force was so great, it shook the ground. . . she heard the impact of debris as it was flung against the iron and the bubbling and hissing of lava.” Someone tells her, “No one could survive a blast like that.” The scene takes place over two chapters. Most of the scene is running from the death riders.
  • Someone captures Serafina in a net, but lets her go when they discover she is one of them.
  • Someone tells Serafina about a man’s experiences with soldiers. “Traho’s soldiers beat him so badly, he lost consciousness. They left him for dead.” Someone found the man and took him to safety, but the soldiers “were rounding everyone up. . . My dad tried to fight them off, but they beat him up.”
  • The ghost of a Spanish princess explains how she died. A pirate “locked me in my cabin. He boarded his ship and gave orders to bombard my vessel. . . I can still hear the cannon shot. I can smell the gunpowder. I faced death bravely, as a princess of Spain must. . . Drowning is not an easy death.”
  • Neela and several others try to take a moonstone from a dragon’s nest. A baby dragon clawed her. “A swipe of pain across her back, sudden and blinding, made her scream. She dropped the moonstone. . . Blood rose from the jagged tears in Neela’s skin, curling through the water.” When Neela and the others try to leave the dragon’s lair, a baby dragon screeches and the father comes after them. The dragon knocks a girl down and “was advancing on her now, lashing his tail, baring his horrible teeth.” The group flees, and when the dragons follow, the mermaids lead dragons to a bloom of jellyfish. The scene takes place over 7 pages.
  • A woman “nodded at two of her guards and they sized the grand vizier. She drew a crimson-tipped finger across her throat and they dragged him away.”
  • During the introduction of the new regime, goblins patrol the crowds. A merman was “cheering halfheartedly. A goblin noticed, and punched him.”A human captures a mermaid and wants information. “His right hand was bloodied. Across from him was a mermaid bound to a chair with a rope. Blood dripped off her chin. Her head lolled on her chest. . . The mermaid lifted her head and spat out a mouthful of blood. Her lip was split. One of her eyes was swollen shut.” The man tells her, “I’d like to kill you, I’d like that very much. . . Unfortunately, I can’t. You’re valuable to me and you know it.”

Drugs and Alcohol

  • Serafina uses a potion to put a group of men to sleep.
  • Mahdi tells Seraphina about his partying and playing a beer game.

Language

  • Someone calls Serafina an “idiot girl.”
  • Serafina calls a man a “lumpsucker.”
  • Several times, someone is referred to as “sea scum.”
  • “My gods” is used as an exclamation several times.
  • Hell is used twice. Someone tells Serafina death riders are coming and to “Get the hell out of here.”
  • A death rider calls his companion a “dumbwrasse.”

Supernatural

  • Some mermaids have magic. “Magic depended on so many things—the depth of one’s gift, experience, dedication, the position of the moon, the rhythm of the tides, the proximity of whales. It didn’t settle until one was fully grown.”
  • Serafina and several other mermaids cast a bloodbind spell, which required them to mix their blood. The mermaids now share each other’s powers. For example, Serafina can now understand other ocean creatures’ languages.
  • Some ghosts live in mirrors. An unknown evil man tries to use the mirror to get to Serafina. He watches Serafina through a mirror, but “Long, jagged cracks, running through the glass like a network of veins, held him back now. The spaces between the cracks were too small to fit his body through but large enough for his hand. Slowly, silently, they pushed through the mirror, hovering only inches from the mermaid. It would be so easy to wrap them around her slender neck and end what the Iele had started. But, no, the man thought, drawing back.”
  • The ghosts, vitrine, that live in mirrors “stayed within the bounds of their own mirrors; others wandered through the realm. Some spoke to the living, others refused to. There was, however, one all were bound by: when a vitrina’s own mirror was broken, the soul was released from the glass.”
  • While in the mirror realm, Serafina meets Rorrim, who feeds off of dankling. Rorrim explains, “It’s a little piece of fear. They burrow into backbones. A few of them will infest a nice strong spine, and then as the bones weaken, more come. . . There’s nothing, absolutely nothing, as tasty as fear. Doubt is delectable, of course. Insecurities, anxieties—all delicious, but fear? Oh, fear is exquisite!”
  • Serafina uses a bloodsong, and “even after four thousand years, the blood came to life under Sera’s hand. It brightened as if newly spilled, then spun up from the floor in a violent crimson vortex. The mermaids heard a voice. And then another. And more. Until there were dozens of them. Screaming. Sobbing. Pleading. Shrieking.”
  • In order to create an escape route, Serafina uses a vortex spell to make pikes burst.
  • Several times throughout the story mermaids use transparensea pearls. “The songspell of invisibility used shadow and light and was notoriously difficult to cast. Spellbinders—highly skilled artisans—knew how to insert the spell into pearls that a mermaid could carry with her and deploy in an instant.”
  • Serafina meets the ghost of a Spanish princess. Serafina agrees to take the princess back to Spain. The princess took Serafina’s hand “and Serafina arched her back, gasping. It was as if the ghost had reached inside her and wrapped a cold hand around her heart.” When the princess got to an island off of Spain, “Her body glittered now, became a million points of silver light, and then crumbled into a fine, shimmering dust. As Serafina watched, the warm Spanish winds swept her away, until all that remained was the echo of her laughter.” However, Serafina was exhausted because “the ghost had taken too much from her.” Serafina’s friends find her and help her recover.
  • Orfeo appears even though he has been dead for four thousand years.

Spiritual Content

  • Morsa, the scavenger goddess of the dead, can change forms and practices necromancy, “the forbidden art of conjuring the dead.”
  • When someone dies, a priest places a white pearl under the person’s tongue to catch the soul as it left the body. Horok—the ancient coelacanth, the Keeper of the Soul—would take the pearl and carry it to the underworld.
  • When Orfeo’s wife died, he built a temple for Morsa and summoned the goddess. Morsa gave Orfeo power, and he sacrificed people for Morsa. At first, he sacrificed “those without families in Atlantis, those who wouldn’t be missed. Then he came for us. He came at night. . . Orfeo gave her death, and in return, she gave him her forbidden knowledge. It made him so powerful that he created Abbadon and declared he would use the monster to march on the underworld” and take his wife back.
  • When Neela finds a sweet, she says, “Oh, thank gods!”

The Queen’s Secret

Horses have been banned in the country for centuries, and most people believe that horses were carriers of disease. Anthea and her family know the truth—horses are majestic creatures who can share their thoughts with people through the Way. The queen wants to reintroduce horses into the kingdom, but the king has demanded that horses and riders with the Way follow his every command.

When a deadly plague breaks out, people believe that horses are the cause. People’s fear of horses rises as more fall ill and the death toll increases. Anthea and her friends are asked to transport a lifesaving vaccine, but the people fear the medicine that can save their lives. To complicate matters, Anthea learns the queen’s secret—but will revealing the queen’s secret help or hurt their cause?

The second installment of The Rose Legacy series continues to focus on Anthea, who is an extremely likable and strong protagonist. The story introduces a group of all-female scientists that are struggling to understand the disease that is rapidly infecting people. Although the scientists discover a vaccine, the discovery comes because of a chance encounter instead of through their hard work and research. In the end, the story shows women in a variety of roles—the queen, mothers, young girls, and a villain.

Much of the plot revolves around the spread of the disease and people’s fear of both horses and vaccines. Although the plot takes an unexpected direction, the story is fast-paced, interesting, and enjoyable. The story highlights the dangers of allowing fear and misconceptions to overtake reason. Readers will appreciate seeing girls take action and face danger in order to help, even when others doubt their ability. Readers will be eager to read the next book in the series to find out why the villain has kidnapped horses and why the villain seems eager to start a war.

The Queen’s Secret is full of conspiracy theories and intrigue, but what makes the story even more enjoyable is the relationship between horses and their riders, as well as the friendships that Anthea makes. Jessica Day George creates a unique world that builds suspense without graphic violence, romance, or using cliché characters. Anyone who wants to read an engaging horse-related adventure should pick up the Rose Legacy series.

Sexual Content

  • Finn grabs Anthea’s “gloved hands. . . Now both of their faces were red, but it was not from the cold. . . Greatly daring, Anthea leaned forward and gave him a peck on the cheek, then pulled her hand away.”
  • After not hearing from Finn, Anthea finds him and, “she wasn’t even embarrassed to hug him tightly and kiss his cheek. Then she pushed herself away just as he tried to hug her.”
  • Jilly gives an account of her relatives. One relative’s “second wife ran away with a blacksmith.”

Violence

  • The queen tells others about an incident with the Kronenhofers. When two Kronenhofer ships entered the river, the Knonenhofer’s refused to answer guards who “hailed the ship to ask their intent. But the guards didn’t get an answer. Instead, the ship went into battle mode. . . The garrison disabled the Kronenhofer ship. One of them sank, and the other burned almost to the waterline, and there were only a handful of survivors.”
  • An injured man shows up at the farm, and “Anthea nearly fainted at the sight of the flesh underneath: bruised, bloodied, and with a large round hole that seeped more blood with every one of the major’s breaths. The blood looked dark and thick. . .” The man survives.
  • Men shoot at Anthea and two other girls, but they are able to escape unharmed.
  • A strange vehicle enters a village and attacks. “The man was destroyed. The front was simply gone. A gaping hole had been blasted in the beautiful stone façade, and there were flames pouring out of it. . .” During the attack, a princess and some horses were kidnapped.

Drugs and Alcohol

  • Sometimes smugglers bring in alcohol. “There are Coronami who enjoy Leanan ale. . . And many Leanans prefer the Coronami wines to their own ale.”
  • Anthea says, “Liquor really is the root of all evil, as Miss Miniver said.”
  • An injured man is given an injection. “Morphine probably.”
  • Anthea is given a glass, “and she tossed back the water like it was whisky and slammed the glass down for emphasis.”

Language

  • Anthea calls a horse a “big idiot.”

Supernatural

  • People who have “the Way” can communicate with horses and feel the horse’s emotions.
  • A village is surrounded by stones that guard the place and helps it stay hidden. People and horses are not able to use the Way to communicate with others outside the village.

Spiritual Content

  • None

Katie the Kitten Fairy

The pet fairies and their special pets help all animals find safe homes. But Jack Frost has stolen the special pets, who were able to escape to the human world. When Rachel and Kirsty go to the park, they see a dog chasing a kitten. When they go to help the kitten, it changes into a tiger and then back into a kitten. Rachel and Kirsty know they must help the kitten get back to the fairy world, but Jack Frost’s goblins appear; they want the kitten for themselves. Can Rachel and Kirsty find the purr-fect solution to their problem?

Younger readers will enjoy Katie the Kitten Fairy because it combines fairies, animals, and goblins. The easy-to-read story has cute black-and-white illustrations on every page. The goblins add non-scary suspense, and readers will enjoy guessing what the goblins will do next. The story highlights the importance of being a good pet owner. For example, when James finds a kitten in the park, his dad won’t allow him to keep it until they call the animal shelter to make sure it doesn’t belong to someone else.

Katie the Kitten Fairy has likable characters who are kind to others. The story has easy vocabulary and short sentences, which make it perfect for readers transitioning to chapter books. Even though the story and characters are not well developed, younger readers will want to read every book in the series because the stories are so much fun. Younger readers will be able to read Katie the Kitten Fairy without assistance, and the stories will help them not only build confidence, but a joy for reading as well. There are seven books in the Pet Fairies series as well as the Sports Fairies series, the Fairy Tale Fairies series, and Special Editions.

Sexual Content

  • None

Violence

  • Goblins try to capture the kitten. “With angry cries, two of the goblins dropped their butterfly nets and dove toward the girls. They stretched their gnarled green hands out to grab the kitten.” Rachel and Kirsty use fairy dust to escape.
  • The fairy queen tells Rachel and Kirsty that Jack Frost stole the fairies’ pets and, “He took them to his ice castle, and then sent out a ransom note.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • A fairy’s kitten pet is in the human world. When a dog chases it, the kitten changes form. “A sudden flash of light flickered through the air. A cloud of amber-colored sparkles swirled around the kitten. Seconds later, the kitten had vanished—and an enormous striped tiger had appeared in its place!”
  • The kitten uses magic to knock a man’s plate on the ground. The kitten then eats the food.
  • The kitten uses magic, so Rachel and Kirsty can understand it. “Sparkles streamed out of its mouth and swirled around in the air! The kitten meowed again, but this time the girls could hear words in its meows.”
  • Rachel and Kirsty use fairy dust to go to the fairy world.

Spiritual Content

  • None

Satellite

Named after constellations, Leo, Libra, and Orion have been trapped since birth on Moon 2, a space station orbiting Earth. Not old or strong enough to survive re-entry into Earth’s atmosphere, the teens have been parented by teams of astronauts, training their entire lives to one day return home. Each teen anxiously awaits their sixteenth birthday, the day they would be declared strong enough to return home. They meticulously plan out their bucket lists for Earth while Earth taunts them from outside their windows.

However, after mechanical errors send them hurtling back to Earth earlier than expected, the group of teens soon find their new environment hard to adapt to, despite all its wondrous beauties. To survive, the friends must defy unimaginable odds while facing a dangerous monopoly, a new and strange world, and their own self-identity problems. Their bonds of friendship and their definition of home and family will be put to the test. Going back home will not be as easy as they thought.

With its text-speech writing style, futuristic setting, and an incredible amount of space facts, Nick Lake tells an extraordinary tale. Lake explores the meaning of home and family, the definition of love, and the search for one’s self-identity. Lake’s use of interludes and first-person narration makes Leo come alive on the page, causing readers to empathize with the teenager searching for a place to call home. Riddled with space politics, action, and references to our own modern-day culture, the fast-paced story is a page-turner from start to finish. A diverse set of characters will leave readers crying at the end.

Satellite has a unique plot with the perfect mix of action, space, suspense, and drama. The well-developed characters, who are all distinctly different, act like real people. Even though Leo has a secret crush on Orion, the story does not go overboard on the romance. Instead, the story focuses on Leo’s relationship with his grandfather and his mother as he strives to find out who he really is. Through Leo’s experience, the reader will be forced to look at Earth in a new light. When Leo gets to earth, he is overcome with wonder when he sees birds, fire, and even the simple act of throwing a ping-pong ball for the first time while other characters think of their surroundings as “just Nevada.”

Often called Andy Weir’s The Martian for teens, Satellite is so much more. It explores some of the true moral questions young adults have about life, and it seeks to answer these questions by teaching readers about the value of home and family. However, due to the constant cussing by the characters during stressful times, this book is best suited for older readers. The story’s text-speech, which mimics those of NASA commands, does not demonstrate proper grammatical concepts, which may frustrate some readers. Nevertheless, it is a must-read – not only entertaining young readers but teaching them not to take their everyday lives for granted.

Sexual Content

  • At the beginning of the novel, Leo describes how both he and the twins ended up being born in space and how they were conceived. Leo says, “1 of the results of the experiment was unexpected: if u put male and female astronauts in a confined space for 2 years, they will eventually have sex.” Leo also describes his own conception saying, his mother “had a fling a few nights before she launched.”
  • Throughout the book, Leo has constant feelings for Orion and Soto, which he recounts in detail saying, “he stands still while i get up, & i put a hand on his shoulder. i feel the strength of his muscles thru his shirt. a little electric current goes thru me. i feel something happen, in the center of me.”
  • Just before Orion dies due to his inability to live in 1g, Leo says, “u can’t go anyway u can’t … u can’t because I always thought my first kiss would be with u I always dreamed of it anyway and u can’t go because I haven’t had my first kiss, so u can’t go u can’t go u can’t go.” Orion and Leo kiss while Orion imagines Leo as Leo’s mother.

Violence

  • Wile e Coyote and the Road Runner are mentioned continuously throughout the book along with the various ways the main characters can die during space travel including burning to death, exploding, splattering, and suffocating.
  • When traveling through a ghost town in Sonoma County California, Leo notices that there are long lines at both the bank and multiple gun stores while other businesses have no activity. Leo asks his grandfather why, and Grandpa says, “hard to make a living these days. So people want to keep their money liquid. & they want guns to protect it.”
  • Grandpa is a rancher and during the book, Leo watches as they send cows to slaughter. Although not explicitly stated in the book, Leo ponders how his grandfather’s cows are raised only to die.
  • After discovering Leo’s location, a group of rebels against the Company tries to rescue Leo by attacking the ranch. When Leo’s grandfather walks in and sees one of the mercenaries pointing a gun at Leo, Leos says that his grandfather “doesn’t hesitate for a moment. He fires as easy as breathing, and the man is thrown back against the wall, a spray of blood, an arc of it, his head hitting the wood with a thud.” All three mercenaries die, Leo sprains his wrist, and Leo’s mother dislocates her shoulder during the fight.
  • While escaping Mountain Dome, Leo glances back and sees the muzzle flare and hears the “whistling sound” of a bullet as he notices one of the facilities guards shooting at them. None of them are injured.

Drugs and Alcohol

  • Virginia describes Commander Boutros when she says, “get him drunk, he’s a whole different person.”
  • Before their launch, Grandpa, Yuri, and Leo all drink vodka mixed with rocket fuel for good luck. Yuri, of course, leaves out the vodka for 16-year-old Leo.
  • Medications are used frequently throughout the book, such as acetaminophen used to treat Leo’s fever and painkillers used to relieve the pain in Leo’s mother’s dislocated shoulder.

Language

  • Profanity is used in the extreme. Almost all the characters at one point in the novel use it. Profanity includes: shit, fuck, fricking, bitch, ass, piss, oh my god, and goddamned.
  • Leo’s grandfather bets Leo that he cannot play catch on Earth because “gravity is a bitch.”
  • After astronaut Brown dies, Virginia responds with “fuck. what went wrong with the program? what did I do?”
  • After realizing that they will place a huge reliance on the boosters of Moon Two to maintain attitude instead of using their gyros, engineer Singh says, “shit.
  • After realizing they will never be able to survive on Earth outside of a hospital, Orion says, “well, this sucks ass, doesn’t it.”
  • Grandpa describes Kazakhstan as “a bit of a shithole.”
  • After seeing a Soyuz rocket, Grandpa says, “holy shit.” Later, he fights with Yuri about the legitimacy of their mission saying, “we can’t fly a Soyuz either! It’s a goddamned rocket.”
  • Former cosmonaut Yuri and former astronaut Freeman are “piss brothers for life” after their many adventures in space together.
  • After the Soyuz rocket fails to detach from Moon 2’s peripheral system, astronaut Sara says “dammit.” Later, astronaut Sara does her first EVA and describes space as “in-fricking-sane.”
  • When Leo saves Sara from dying by using his EVA suit rockets, he says, “I can hear her still in my helmet saying oh my god oh my god like all other words have been wiped from her mind.”

Supernatural

  • None

Spiritual Content

  • Libra loves plants and dreams of being a botanist. While at Mount Dome, she spends most of her time in one of the company’s projects where they attempt to create perfect biodomes for construction on earthlike plants. The project is entitled Creating Eden.
  • The book references an EE cummings poem with the starting line of “I thank You God for most his amazing day.”
  • Throughout the book, Leo, Orion, and Libra are referred to as angels returning to Earth from heaven, and when Leo returns to Moon 2, he is like an angel returning to heaven once more.

by Matthew Perkey

 

Rise of the Dragons

Joss and Allie have always feared the Raptors and the wave of death caused by the vicious beast. When Joss finds a dragon egg, he never imagined the love he could feel for the Silver dragon or the danger the dragon would bring into his life.

The Lennix’s are a cruel and power-hungry family who wish to rule over all dragons and humans. They have trained their Raptors to follow commands and prey on unsuspecting humans. But some of the raptors are questioning the Lennix’s rule. They are convinced that possessing the Silver dragon is the key to their continuing rule.

Sirin lives in the Lost Lands, where dragons no longer live. Most people have forgotten the dragons and no longer believe they existed at all, but Sirin hopes that she will one day meet a dragon. While Sirin dreams of dragons, her real life is full of grief. When her mom is hospitalized, Sirin is forced to live with several different families. Sirin wonders if her life will be filled with grief forever.

Rise of the Dragons weaves together three stories—Joss and Allie, the Lennix family, and Sirin—and eventually ties the stories together. Most of the story focuses on Joss and Allie, the indentured servants who find the Silver’s egg. When the Lennix family tricks Joss and Allie into going to their compound, life only gets worse for the siblings. Readers will be engrossed in the unique, but cruel, dragon world.

Even though the reader knows that Sirin’s story will eventually connect to Joss and Allie’s story, readers may have a hard time connecting with Sirin’s story, which is realistic fiction. The chapters about Sirin pop in at unexpected places and slow down the plot. The conclusion brings Sirin and a dragon together in a fun, unexpected way and clearly sets up a sequel.

The story contains detailed, concise descriptions, as well as short chapters that often focus on one character. However, some readers may struggle with the difficult vocabulary, such as “ensconced,” “undulating,” “lugubriously,” “cantilevered,” and “soporific.” Rise of the Dragons may best suit middle school readers because younger readers may be frightened by the raptors’ cruelty; several of the characters’ parents are killed by raptors, and the characters are then enslaved by the Lennix family.

Sage creates an interesting dragon world, where death and violence are everyday occurrences. Although the characters are not well developed, the story has enough action and suspense to keep the pages turning. Rise of the Dragons has plot twists, truly evil villains, and a protagonist with whom readers will sympathize.

Sexual Content

  • None

Violence

  • Joss thinks about his parents, who died when raptors “dived onto his mother and father, and the shine of their sharpened talons, curved and lethal, as they emerged from their sheaths for the kill.” Later Joss again thinks about his parents and how “they had been attempting to escape a Lennix roundup, and it hadn’t worked. He remembered Raptors diving down, taking his parents hundreds of feet up into the sky, and then dropping them into the sea.”
  • When Joss is riding his dragon, Lysander, they are chased by a group of dragons. As Joss and Lysander try to flee, “Joss felt a burst of heat as a spume of dragonfire hit Lysander’s tail. The flames fell away from Lysander’s silver scales like water from oiled feathers, but the shock of it caused him to shoot rapidly forward. . .” Joss and Lysander fly through a portal and are safe.
  • Lysander frightens a flock of sheep, and they run into an old quarry. Joss tells his sister about how he “climbed down into the quarry and they were piled up. Dead on the quarry floor. Well, they weren’t all dead. Some were injured and bleating. So . . . so I had to hit them on the head. To put them out of their pain. It was. . . Oh, it was horrible.”
  • When Joss trips, D’Mara “Grabbed Joss’s arm and pulled him roughly to his feet, gripping him so hard he could feel her nails digging into skin.” When Joss and Allie try to run, D’Mara “threw herself at Joss and caught his neck in an armlock. Allie hurled herself at the traveler, but a well-aimed kick sent her sprawling to the ground. . . The traveler jerked her arm hard against Joss’s throat, making him gasp for breath.” Armed guards appear and they shoved the sack over Lysander’s head. “At once he lay down upon the ground in defeat. . .They pulled her (Allie) arms behind her back and roughly tied her hands, then threw a net over her and wrapped her up so tightly that she could hardly breathe. Allie began to gasp in panic. . . As Allie took a shuddering gulp of air, Tamara kicked the back of her knees and Allie fell to the ground.” Joss is also tied up, and the two were taken to Fortress Lennix to be prisoners.
  • When Sirin and Ellie are walking home from school, some girls bully them, telling them they must pay a toll to pass. One girl grabs Sirin by the collar. Later, the same girls corner Sirin and her foster mother, Mandy. Mandy tries to help, but “Mandy looked down and saw the point of a jagged knife pressing into her all too thin cardigan. . . but the pressure of the knife point reminded her to keep quiet.” One of the girls “pulled out a knife, drawing the tip of the blade across Sirin’s stomach.”
  • The Lennix twins take Allie to a notoriously violent raptor and have her thrown into his room. They giggle as they hear the dragon roar and they assume Allie is being eaten. However, the dragon does not injure Allie.
  • When the Lennix’s catch a Green dragon, the other dragons punish the Green. “Bellacurx sent a short burst of flame flickering across the ground, so that they curled around the delicate feet of the Green and sent her hopping from one foot to another—much to the amusement of the other Raptors. . . In a sudden movement, the red dragon brought her wings down in such a way that their sharpened barbs gouged deep grooves through the scales of the Green and tore into her wings.” The Green is then imprisoned.
  • The Lennix’s raptors go on a raid, attacking the Greens and “demolished their nest.” D’Mara’s husband tells the raptors, “The free Greens are finished. But the Reds, Yellows, and Blues remain . . . Raptors, tonight we shall go in for the kill. We go to the Islands of the Blues where they hold their eggs deep in caves beneath the ocean. From them we shall take a tribute: a living infant that we shall tear to shreds before their eyes, and then we shall leave them in grief. We shall return again and again and again until the Blues show us their hiding places of their clutches and beg us to take them.”
  • The epic battle between the Lennix’s raptors and other dragons takes place over three chapters. During the fight, “Wave after wave of firestiks rained down from Flight Vengeance. Bellacrux and Lysander ducked and dived. . . And then a firestik found its mark—on Lysander’s left wing tip. Lysander pitched to one side and sent the weapon bouncing off his armored silver scales. The sudden lurch sent Joss sliding out from the rider’s dip.” Joss is able to rebalance, and the fight continues. One aggressive raptor named Valkea goes after Bellacrux. “Valkea let loose a long, focused spume of fire. It caught the tip of Bellacrux’s tail but did little damage, for the tail-thrashing doused the flames and the burn alerted Bellacrux to her pursuer . . . Bellacrux sent a long, thin steam of brilliant orange flame straight into Valkea’s face. The Red wheeled backward and the flames shot down the soft and vulnerable front of her neck. . . In agony from the burn, she thrashed her neck to and fro, trying to cool the burn. . .” During the battle, one dragon is injured when someone throws a firestik, and the raptor’s “tail exploded into flames,” causing the raptor to fall to his death.
  • When a burning raptor falls to his death, he hits a dragon’s wing. When the raptor’s tail hits the dragon, “there was a snap like a pistol shot, and suddenly her wing was hanging down, useless. Herlenna screamed. . . She keeled over to one side, and with a crashing and cracking of branches, she disappeared through the canopy of trees like a drowning swimmer beneath the waves. Lysander and Joss heard a deep thud, and then all was silent.”

Drugs and Alcohol

  • None

Language

  • D’Mara calls her husband a “spineless little liar” and “slick of dragon slime.”
  • D’Mara calls a dragon an “idiot.” Later she calls Joss an “idiot.” Several other characters also call someone an “idiot.”
  • Kaan calls his brother a “dumbo” and then tells him, “Oh, go boil your stupid fat head.”
  • D’Mara tells her husband, “And I always thought that Lock of yours was a bit of a bonehead.”
  • A girl tells Sirin’s foster mom, “Bleedin’ Nora, you’re effing crazy, you are.”

Supernatural

  • Humans can lock with dragons. “Some people were lucky enough to become so close to a dragon that they stayed together for life. They even understood each other’s thoughts.” Once a dragon and human have locked, they can communicate through thought.
  • A silver dragon is able to travel through a portal to the Lost Lands. “All Silvers can travel through the invisible portals that link our two worlds. And if a Silver touches its tail to another dragon, they can both go through. Indeed, you can have a whole chain of dragons going through.”

Spiritual Content

  • None

Ender’s Game

Earth has been attacked twice by the Buggers—aliens attempting to colonize Earth’s solar system. The whole world waits with bated breath for the Third Invasion and sends its best and brightest children to Battle School when they are six years old to be trained in strategy and warfare. Eventually, these children will become the pilots, commanders, and soldiers that will save the human race from extinction.

Ender is a governmentally approved Third child in a world with a strict two-child rule. He was allowed to be born in the hopes that he will be a genius like his two older siblings, but with the correct temperament for Battle School. The experiment succeeds, but Ender doesn’t want to go to Battle School. He doesn’t want to hurt anyone. He especially doesn’t want to leave behind his beloved sister Valentine, though he will not miss his psychopathic brother Peter. But Colonel Graff tells Ender that the world needs him, and Ender believes him.

What follows is Ender’s journey through Battle School, where his brilliance generates both respect and hatred from the other children. As the children study how to fight, Ender finds himself at the center of an immense web of manipulations, all designed to turn him into the Commander that Earth needs to defend itself. It doesn’t matter that Ender doesn’t want to kill anyone; it’s what he is good at and will become great at with the right push. And push him, they do.

Ender’s Game is a masterpiece, which is why it is required reading at many high schools. There is heavy content that is inappropriate for younger and sensitive readers: profanity and name-calling are used often, there are bouts of violence (including attempted murder), and there is a thematic question of whether cruel, immoral means are justified by an end that benefits humanity.

These masterfully woven questions will keep readers up at night, and readers will relate to Ender and his struggle to define himself. Is he a monster like his brother Peter? Is he a killer like the teachers want him to be? It is Ender’s emotional turmoil of self-loathing, loneliness, and despair that will haunt readers long after they read the last page—more than the aliens, the fights, and even the theological questions. Ender’s Game will leave readers desperately wishing that Ender’s life had not been so hard. Readers will forget that Ender is just an ink-and-paper boy from a story, and not the son, brother, or friend that they have fondly come to know him as.

Sexual Content

  • When Valentine says she has an oral exam at school, her brother says it could be worse. “It could be an anal exam.”
  • Dink says, “Hey, look! Salamander’s getting babies now! Look at this! He could walk between my legs without touching my balls!”
  • When Valentine is offered a weekly column in a newspaper, she says, “I can’t do a weekly column…I don’t even have a monthly period yet.” Later in the same argument, Peter asks her, “Are you sure you’re not having a period, little woman?”
  • When Peter is also asked to write a column, he says, “Not bad for two kids who’ve only got about eight pubic hairs between them.”
  • After a bully makes fun of another boy’s butt, “Look how he shimmies his butt when he walks,” the other boys start calling the bully, “Buttwatcher.”
  • One of the commanders “had programmed his desk to display and animate a bigger-than-lifesize picture of male genitals, which waggled back and forth as Rose held the desk on his naked lap.”
  • Ender jokingly calls his friend, “you circumcised dog.”
  • When the Buggers procreate, “each male in turn penetrated the larval queen, shuddered in ecstasy, and died, dropping to the tunnel floor and shriveling.”

Violence

  • Ender is attacked, and he beats the main bully thoroughly, to make sure no one is ever bold enough to attack him again. “Ender walked to Stilson’s supine body and kicked him again, viciously, in the ribs. Stilson groaned and rolled away from him. Ender walked around him and kicked him again, in the crotch.”
  • Ender’s older brother threatens to kill him. Peter “knelt on Ender, his knee pressing into Ender’s belly just below the breastbone. He put more and more of his weight on Ender. It became hard to breathe. ‘I could kill you like this,’ Peter whispered. ‘Just press and press until you’re dead. And I could say that I didn’t know it would hurt you, that we were just playing, and they’d believe me, and everything would be fine. And you’d be dead.’”
  • A boy hits Ender repeatedly when they are on a space shuttle. “Just as the next blow was coming, Ender reached up with both hands, snatched the boy by the wrist, and then pulled down on the arm, hard…The boy sailed through the air, bouncing against the ceiling, then down against another boy in his seat, then out into the aisle, his arms flailing until he screamed as his body slammed into the bulkhead at the front of the compartment, his left arm twisted under him.”
  • Two teachers mention a prior student’s suicide in passing. “Everybody looks like Pinual at one time or another. But he’s the only one who killed himself.”
  • Ender plays a computer game that sometimes has gruesome deaths. One time, “the Giant cut him open along the spine, deboned him like a fish, and began to eat while his arms and legs quivered.” Another time, “He jumped at the Giant’s face, clambered up his lip and nose, and began to dig in the Giant’s eye. The stuff came away like cottage cheese, and as the Giant screamed, Ender’s figure burrowed into the eye.”
  • A commander slaps one of his soldiers. “Madrid stepped closer to the girl and slapped her across the face with the back of his hand. It made little sound, for only his fingernails had hit her. But there were bright red marks, four of them, on her cheek, and little pricks of blood marked where the tips of his fingernails had struck.”
  • Ender’s commander hits him after Ender disobeys orders. “Suddenly Bonzo swung at him, caught his jaw with a vicious open-handed slap. It knocked Ender sideways, into his bunk, and he almost fell. Then Bonzo slugged him, hard, in the stomach. Ender dropped to his knees.”
  • Ender and his friends are attacked by an older group of guys in the Battle Room. “Someone caught Ender by the foot. The tight grip gave Ender some leverage; he was able to stamp firmly on the other boy’s ear and shoulder, making him cry out and let go. . . the boy had hung on too well; his ear was torn and scattering blood in the air, and Ender was drifting even more slowly. I’m doing it again, thought Ender. I’m hurting people again, just to save myself. Why don’t they leave me alone, so I don’t have to hurt them?
  • Ender gets picked on several times during Battle School. “So Ender got knocked down in the shower that morning. One of Bernard’s boys pretended to trip over him and managed to plant a knee in his belly.”
  • Valentine, “had seen a squirrel half-skinned, spiked by its little hands and feet with twigs pushed into the dirt. She pictured Peter trapping it, staking it, then carefully parting and peeling back the skin without breaking into the abdomen, watching the muscles twist and ripple.”
  • Bonzo tries to kill Ender. “Bonzo’s tight, hard ribs came against Ender’s face, and his hands slapped against his back, trying to grip him…instead of kicking, he lunged upward off the floor, with a powerful lunge of the soldier bounding from the wall, and jammed his head into Bonzo’s face. Ender whirled in time to see Bonzo stagger backward, his nose bleeding.” The fight takes place over two pages.
  • “Late one night [Ender] woke up in pain…He saw that in his sleep he had been gnawing on his own fist. The blood was still flowing smoothly.”

Drugs and Alcohol

  • None

Language

  • “Bastard” is used often. Peter tells his brother, “No, no, I don’t want your help. I can do it on my own, you little bastard.” Another time Colonel Graff says, “We promise gingerbread, but we eat the little bastards alive.”
  • “Hell,” “asshole,” and “ass” are used several times. Valentine says her older brother is “The biggest asshole.” Graff tells a teacher, “your ass is covered, go to hell.”
  • “Damn” is used a few times. Graff tells Ender, “I told them you were the best. Now you damn well better be.” Another time a student says, “I be the best soldier I can, and any commander worth a damn, he take me.”
  • Another student tells Ender to “kiss butts if you’ve got to.”
  • Variants of “piss” are used several times. One boy in the Game Room tells Ender, “Beating you…would be as easy as pissing in the shower.”
  • At Battle School, the boys’ slang includes frequent name calling. For example, Graff says, “Scumbrains, that’s what we’ve got in this launch. Pinheaded little morons.” Other variants include pisshead, fartface, etc.
  • “Son of a bitch” is used once. “I’m a pilot, you son of a bitch, and you got no right to lock me up on a rock!”
  • “There was a myth that Jewish generals didn’t lose wars.” The commander of Rat Army is Jewish, so it, “was often called the Kike Force, half in praise, half in parody of Mazer Rackham’s Strike Force.”

Supernatural

  • An alien race, called “Buggers,” invaded Earth’s solar system twice before. All of Earth is preparing for the Third Invasion.

Spiritual Content

  • When talking about how humans won the last war, Graff says, “Call it fate, call it God, call it damnfool luck, we had Mazer Rackham.”
  • Graff says if Ender is not the one, “then in my opinion God is a bugger. You can quote me on that.”
  • After a battle, Ender saw that some people “knelt or lay prostrate, and Ender knew they were caught up in prayer.”
  • An admiral says piloting is “a god. And a religion. Even those of us who command by ansible know the majesty of flight among the stars.”
  • Speaker for the Dead is a book that became “a religion among many religions” on Earth. “But for those who traveled the great cave of space and lived their lives in the hive queen’s tunnels and harvested the hive queen’s fields, it was the only religion.”

by Morgan Lynn

 

 

The Host

Earth has been invaded and successfully conquered by tiny, worm-like aliens called “souls,” who invade the bodies of humans and take over their minds. The invasion is over, the souls have won, and only a handful of wild humans are left in hiding.

When one of those humans is captured, Wanderer is inserted into its body to report to the other souls what life this wild human led, and to discover if there were other wild humans with her. But when Wanderer enters Melanie’s body, Wanderer is shocked to find Melanie still conscious and resisting. This is Wanderer’s body now; Melanie should have faded away.

Melanie’s presence frightens and shames Wanderer, who feels weak at not being able to control her host body. But then Melanie’s memories start to seep in, memories of a human brother and a lover who are still in hiding, memories of what it means to be human. Wanderer starts to love these people who she has never met and longs for them. When the opportunity arises, will Wanderer destroy Melanie and sell out her family to the other souls? Or will Wanderer turn her back on her fellow souls and attempt to find Melanie’s family to taste just what makes humanity so special?

Many readers will want to pick up The Host because Stephenie Myers is the author. Even though The Host is considered an adult novel and has more advanced vocabulary than the Twilight series, the content level is similar to Stephenie Meyer’s Twilight series. One area that may be controversial is that Melanie has a romantic relationship with a slightly older man; during The Host Melanie is 21 and her love interest is 29. However, there are many flashbacks to when Melanie is 17 and first met Jared, who was then 26. When she wants to be intimate, Jared initially says no because he does not want to take advantage of her. They do get together at some point after that, though their ages are not specified.

The Host is an emotional story that explores the bounds of love and examines what it means to be human. Wanderer is a kind, gentle soul who hates her host at first, but then grows to love her; Melanie is a spirited and sometimes violent girl who has learned to survive in the world the souls have created. Both Melanie and Wanderer have to set aside their preconceived ideas about the other species and find common ground. There is an array of characters who are all richly drawn and satisfyingly complex. The story contains enough danger to constantly keep readers on their toes. For readers looking for love, adventure, and an emotionally wrenching story, The Host is sure to delight.

Sexual Content

  • Jared kisses Melanie. “He kisses me again, and this time I feel it. His lips are softer than his hands, and hot, even in the hot desert night.”
  • When Melanie says she wants to share a room with Jared, he says that’s a bad idea because when he was stocking his place, “birth control was pretty much the last thing on my mind.”
  • Jared kisses Wanderer to test her reaction. “I think he just meant to touch his lips to mine, to be soft, but things changed when our skin met. His mouth was abruptly hard and rough, his hands trapped my face to his while his lips moved mine in urgent, unfamiliar patterns.”
  • The first time Ian kisses Wanderer, he “ducked in and touched his lips to my forehead.” The second time, “His lips were soft and warm. He pressed them lightly to mine, and then brushed them back and forth across my mouth. . . He caught my lower lip between his and pulled on it gently.”
  • After a soccer game, two friends are playing around. “She laughed, tugging away, but Wes reeled her in and planted a solid kiss on her laughing mouth.”
  • Wanderer and Ian kiss twice more, both described in similar fashion. When they kissed, Wanderer “shoved my mouth against his, gripping his neck tighter with my arms…Remembering how his mouth had moved with mine before, I tried to mimic that movement now. His lips opened with mine, and I felt an odd thrill of triumph at my success. I caught his lower lip between my teeth and heard a low, wild sound break free from his throat in surprise.”
  • When Wanderer and Jared kiss, “My hands knotted in his hair, pulling him to me as if there were any possible way for us to be closer. My legs wrapped around his waist, the wall giving me the leverage I needed. His tongue twisted with mine, and there was no part of my mind that was not invaded by the insane desire that possessed me. . . My hands fisted around the fabric of Jared’s T-shirt, yanking it up.”
  • When they agree to move into the same room, Wanderer thinks, “Ian and I would be together, partners in the truest sense.”

Violence

  • When Melanie is robbing a house, a man grabs her. “‘One sound and you die,’ he threatens gruffly. I am shocked to feel a thin, sharp edge pushing into the skin under my jaw.”
  • When Jared first kisses Melanie, “his lips come hard on mine…I jerk my knee up in a sharp thrust.”
  • Wanderer reads the headlines of an old human newspaper. There are stories including “Man Burns Three-Year-Old Daughter to Death” and “beneath this was the face of a man wanted for the murders of his wife and two children.”
  • When Jared first sees Wanderer, “his arm shot out and the back of his hand smashed into the side of my face. The blow was so hard that my feet left the ground before my head slammed into the rock floor. I heard the rest of my body hit the floor with dull thumps, but I didn’t feel it. My eyes rolled back in my head.”
  • A group of humans try to kill Wanderer. The struggle takes place over two pages. “His hands wrapped around my throat, choking off my air. I clawed at his hands with my useless, stubby nails. He gripped me tighter, dragging my feet off the floor.”
  • Jamie hits Jared. “There was a sharp crack, and someone gasped…Jared had one hand over his nose, and something dark was oozing down over his lips. His eyes were wide with surprise.”
  • Kyle tries to kill Wanderer; the fight is described over eight pages. “His hand locked on the back of my neck, forcing my face into the shallow stream…He fought to push me back into the stream, but I wriggled and wedged myself under him so that this own weight was working against his goal…He jumped over the smaller stream with a bound and carried me toward the closest sinkhole. The steam from the hot spring washed my face. He was going to throw me into the dark, hot hole and let the boiling water pull me into the ground as it burned me.”
  • Wanderer discovers that the humans tried to cut out one of the alien souls. “Brighter than these were other silver things. Shimmering segments of silver stretched in twisted, tortured pieces across the table…tiny silver strands plucked and naked and scattered…splatters of silver liquid smeared on the table, the blankets, the walls.”
  • Wanderer asks Jared to hit her face with a rock, to cover a scar. “It made a squishing sound and a thud—that was the first thing I noticed—and then the shock of the blow wore off, and I felt it, too.”
  • To fake an injury, Wanderer deliberately stabs herself with a knife. “I jammed the knife into my arm. The headrest muffled my scream, but it was still loud. The knife fell from my hand—jerking sickeningly out from the muscle—and then clunked against the floor.”
  • Ian punches Jared. “Ian’s fist struck Jared so fast that I missed the blow—I just felt the lurch in his body and saw Jared reel back into the dark hall.”
  • Melanie attacks Jared when she thinks he killed Wanderer. “He’s got my right hand, so instead of punching, I throw out a vicious backhand with my left, catching his face across the cheekbone. The force of the blow stings in the bones of my hand.”

Drugs and Alcohol

  • None.

Language

  • “Hell” is used a few times. When Wanderer remembers her host body’s death, she was, “sucked into the hell that was the last minute of her life.” Another time Jeb says, “How the hell would I know?”
  • “Damn” is used several times. One time Jared says, “Damn it, Jeb! We agreed not to—”?”

Supernatural

  • Earth has been overrun with aliens called souls, which take over the body of their human hosts. “The soul shone in the brilliant lights of the operating room, brighter than the reflective silver instrument in his hand. Like a living ribbon, she twisted and rippled…her thin, feathery attachments, nearly a thousand of them, billowed softly like pale silver hair.”

Spiritual Content

  • When Melanie asks Wanderer if souls believe in an afterlife, Wanderer says, “There’s a reason we call it the final death…We have so many lives. Anything more would be…too much to expect…When I die here, that will be the end.”
  • When a friend dies, Wanderer says at his funeral, “I hope your fairytales are true. I hope you find your Gladdie.”
  • A soul commits suicide. “Then his face went blank, and his body slumped, unresisting, to the cot. Two trails of blood flowed from his nostrils.”

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