Oh, Rats!

Phoenix has always been lucky: he’s the largest in his litter, he has the most lustrous fur, and he’s the most sought-after squirrel in his part of New Jersey. All of this makes him being kidnapped by a hawk seem all the more unlucky.

Luckily, the hawk doesn’t have the best grip; however, he drops Phoenix on a freshly tarred street in downtown Manhattan. Stripped of his gorgeous golden-brown coat, Phoenix now looks like . . . like . . . a common sewer rat! Enormously unlucky!

But his luck changes once again when it isn’t sewer rats that find him, but rather Lucy and Beckett, wharf rats living in an abandoned pier on the Hudson River. Just as Phoenix starts to adjust to city life, the rats discover that humans (an unobservant and furless species) plan to tear down the pier and build a tennis complex. Can Phoenix save his new friends’ home? Or has his luck finally run out?

At first, Phoenix is a vain rat who wants to win Giselle’s attention. As Phoenix is admiring his reflection in a pond, a red-tail hawk grabs him. The hawk eventually drops him over Manhattan. Two rats, Lucy and Beckett, drag Phoenix back to their crate and nurse him back to health. After Phoenix sees his battered reflection, he stops eating in the hopes that he will die. However, he soon is caught up in the plight of the rats, whose home is about to be demolished. The rats decide to sabotage an electrical substation to stop the gentrification of their pier.

The rats’ diverse community has many characters that are interesting and well-developed. Phoenix has to overcome his dislike of rats and learn to appreciate of his own looks. Beckett, a bookish rat, would rather hide in his crate reading than join the other rats swimming. The red-tail hawk adds humor. However, the rats’ world also has several villains that also add interest to the story.

Oh, Rats! has some exciting moments, but the plot drags in many places. The focus on Lucy and Beckett’s alcoholic father seems out of place because his appearance does nothing to advance the plot. Although readers may find the rats’ way of life interesting, readers may struggle with the vocabulary. The story uses difficult vocabulary such as ignominious, appalled, piqued, lugubrious, and curmudgeonly. However, black and white illustrations appear occasionally, which helps break up the text.

Phoenix is a relatable character, who has a mix of good luck and bad luck. In the end, Phoenix realizes that friendship is more important than one’s looks. Even though Phoenix’s story is interesting, many readers will have a difficult time wading through the slow plot and difficult vocabulary. With a vast selection of animal books out there, Oh Rats! may be best left on the library shelf.

 Sexual Content

  • Phoenix has a crush on a squirrel and they brush whiskers. Later, Phoenix thinks, “Giselle! Phoenix hadn’t thought of her in days. He wondered if she’d gone back to the pond from time to time to think about him. It didn’t seem likely. She’d switched from Tyrone to him so easily, she would probably have switched to another squirrel by now. Though she had seemed to like him.”

Violence

  • Tyrone, a squirrel, is electrocuted. Even though his death is not described, Phoenix carries Tyrone on his back so Tyrone can have a proper funeral.
  • A hawk grabs Phoenix. “He was in the clutches of a bird of prey. He tried to wretch himself free, but the bird tightened its grip, and the terrible pain in his shoulder redoubled—a talon was piercing it. The bird’s other claw had a vicelike hold on his hindquarters.”
  • The hawk drops Phoenix, who “finally dropped out of the tree and hit the street, the pavement wasn’t as unforgiving as pavement usually is. This particular crew had just laid down a new layer of hot tar, which was still soft and doughy.” The tar burned Phoenix. “His whole front side was instantly scalded. . . When he leaped to his feet, the tar scalded his footpads.” As Phoenix escaped the tar, dogs chased him. A bird finally helps Phoenix find water.
  • An alley cat chases Lucy and Beckett. Lucy runs into a pipe. “Her less agile brother dove and hit the pipe snout-on. For an instant he saw stars. The stars cleared up just as the alley cat pounced. A claw grazed Beckett’s back, but he darted to the other end of the pipe and squirmed in before the cat could grab him.” Lucy and Beckett hide in the hot pipe until it’s safe to leave.
  • When humans place dynamite by the rats’ home, Mrs. P moved some under the bulldozer. “After lighting both fuses, she dropped the match and waddled away as fast as she could. But the dynamite was only meant for weakening beams, and the blast wasn’t much louder than a car backfiring.”
  • Beckett reads an article about the rats causing the electricity to go out. “The headline was: SUICIDE BOMBER?” When a rat asks what that is, “Beckett squirmed. ‘I’m not sure,’ he said at last. But of course he knew, and by the aghast look on Lucy’s face he could tell that she did too.”
  • In an electrical substation, Phoenix lights dynamite. “The dynamite exploded just as he stepped onto the balcony. The detonation wasn’t all that powerful. The balcony didn’t tremble under his paws or anything. Nevertheless, he watched one neighborhood after another blink out, till the entire city was dark again.”
  • When a hawk lands by the rats, the rats flee. “In his rush to protect Lucy, Beckett had knocked her over, and they lay tangled on the ground, while their father was pressed flat behind his beer can.”

Drugs and Alcohol

  • When a construction crew put poison out, four rats eat it and end up dying.
  • In order to gain an inheritance, a rat tries to poison Mrs. P. Mrs. P is given an antidote and doesn’t die.
  • Lucy and Beckett’s father, Mortimer, is an alcoholic. Lucy “loved their father Mortimer, but since the death of their mother he’d taken to drink, which brought out his temper.” When Mortimer comes home, he smells bad. Beckett asks him, “Sucking old beer cans again?”
  • Lucy worries about her father because “once, when he’d staggered home alone after one of his binges, a cab on the West Side Highway had hit his tail, which was why half of it was missing.”
  • Lucy and Becket go to look for her father. “She knew the neighborhood bars on the other side, as well as the alleys behind them where her father liked to drain the dregs from toss-out beer and wine bottles.” As she looked for her father, Lucy saw “a sour-smelling human was passed out in front of the first bar they checked. . .”
  • Beckett isn’t sad that his father isn’t at home because “Mortimer was particularly nasty when he drank.”
  • Lucy and Beckett find their father at a bar. “Mortimer grabbed a paper cup. . . the bartender was filling four mugs with draft beer. He held the mug handles in one hand and left the spigot open as he filled them, some trickles of beer spilled down onto the rubber mat. Or would have, if Mortimer hadn’t been there with his cup. When it was full, he carried it back to his hideaway with great care.”
  • Lucy and Beckett are able to leave the bar because humans are not observant creatures, “especially when guzzling beer and watching baseball.”
  • When the electricity goes out, Mortimer decides to come home. “Indeed, it was Mortimer, rolling an unopened can of New Amsterdam ale in their direction.”

Language

  • Someone asks Phoenix, “What the heck are you doing here?”
  • A construction worker says, “I’ll be darned if I’m going to set the charges.”
  • When humans yell at the construction workers, someone calls them “wackos.”

Supernatural

  • None

Spiritual Content

  • None

Wicked Saints

The war between gods-fearing Kalyazin and heretical Tranavia has gone on for a hundred years. The war began over differing views on the pantheon of gods that once ruled over the two countries: for Kalyazin, the gods are still meant to be revered and feared, while the Tranavia believe they are nothing more than myths or at the very least demons fooling the silly humans that worship them. While the gods and divine magic reign supreme in Kalyazin, blood magic takes hold of Tranavia.

Nadya Lapteva is the last Kalyazin cleric, the last of her kind able to speak with the gods and use their power. When her home is destroyed by Tranavia’s army, she makes it her mission to turn the tide of war and bring the gods back into the heart of Tranavia. Yet she can’t bring the gods back to a heretical country all on her own. Serefin Melesku, High Prince of Tranavia, may have been the one to destroy Nadya’s home and thrust her into a desperate decision, but he has his own part to play in Tranavia’s future. As a general on the war front, Serefin has become renowned for his magical prowess, highlighting his father’s weak abilities. But once the King calls Serefin home to choose a bride, he knows his father is up to something – something that could very well put him in mortal danger.

As Nadya and Serefin contend with the burdens placed on their shoulders, they get closer and closer to changing the world indefinitely. Magic swirls, monsters come out of the shadows, and neither mage will be able to stop what’s coming to shape the world.

Told from a first-person point of view from Nadya’s and Serefin’s separate journeys, the story explores themes of worship, religious skepticism, and hunger for power. Nadya and her companions are constantly debating whether the gods are worth the effort of worship and whether they’re truly gods. The idea of power revolves around this constant discussion; Nadya and Serefin question where their power comes from and why it’s even needed in the first place.

Both Nadya and Serefin are excellent main characters that carry the bulk of the story. Both are believable and relatable. They make decisions that will cause the reader to root for them during their journeys. The overall plot is full of action. While that action can often get bloody, it’s not overly complicated, and it’s full of discourse about the way religion and magic play into both countries. Religion and magic are tied to each other, and when the final twist of the story is revealed, it leads to a satisfying conclusion.

Kalyazin could be easily seen as a picturesque, pagan Russia with its more rigid religious culture. Tranavia could be viewed as inspired by the Polish warrior spirit that fights for its own power and glory. While the book is recommended for ages 13 and up, some younger readers may be disturbed by the many images of blood, whether that blood comes from violent fights or from the simple fact that mages in Tranavia use their own blood to use their magic. However, readers interested in religion and magic will find that Wicked Saints is a great story from start to finish.

Sexual Content

  • During a battle at the monastery where Nadya grew up, her friend Kostya tries to lead her to safety. Once he does, Kostya “kissed her forehead, lips warm, slipping something cold and metallic against her palm.”
  • Serefin, the High Prince of Tranavia, thinks about the old woman that binds his spellbooks. “He could never figure out if she treated him like a long dead son or lover. He was disturbed he couldn’t tell the difference.”
  • Nadya, the main heroine of the novel, meets Malachiasz, who is a runaway Tranavian soldier. Malachiasz “reached down and took Nadya’s hand, pressing it to his lips as if he were a court nobleman and not a renegade blood mage out in the middle of enemy territory.” Later when the two escape, Nadya notices him more. “He had a soft mouth and his nose was stately. His face was lovely, all the feral, unsettling qualities absent when he wasn’t awake. She wasn’t pleased with herself for noticing, especially not now.” Nadya starts to fall in love with Malachiasz. “Why—after being so furious with him—did she find herself desperately yearning to kiss him?”
  • When Serefin is summoned home from the war front, it’s because of the Rawalyk, which is “the ceremony to choose a royal consort.” As Serefin puts it, “I have to go home and get married.” Later when Serefin is waking from a hangover, his friend Kacper tells him, “You promised Felicíja Krywicka the entire western reaches as a wedding gift.”
  • When Nadya admits her love to Malachiasz, despite it being heresy, they make out. Malachiasz’s “hands gripped her waist as he pulled her closer. He broke away, his breath ragged and hot. His pale eyes were dark and dangerous as they searched her face.”

Violence

  • When Nadya is still at the monastery where she grew up, she thinks, “Cannons were a sound every child of Kalyazin knew intimately. It was what they grew up with, their lullabies mixed with firing in the distance.”
  • Nadya’s home, the monastery, is attacked by Serefin’s army. Nadya fights back with her magic, “[catching a soldier’s] arm, but like a poison, the light blackened his flesh at the point of contact. It spread up his arm to his face, choking his eyes with darkness before he toppled over, dead.” Just after that, Nadya is attacked by another mage. “Flames engulfed her, licking underneath her skin, her blood boiling . . . It was like being burned alive from the inside out.”
  • Serefin thinks about how he got his eyepatch. “The assassins had gone for their eyes first. Perhaps blinding the children of the enemy before murdering them was a religious thing.”
  • When Serefin realizes he must torture a prisoner, he thinks, “It didn’t really matter that he was tired of torturing prisoners, tired of this tour.” Just after that, Serefin uses his magic to kill someone. Serefin “tore a third page out of his spellbook and crumpled it in his hands. Ostyia took a step back as the younger boy fell over, dead.”
  • When Nadya attacks a group of Tranavian soldiers, she kills two of them. “She caught up to one of the figures, stabbing her voryen into his skull just underneath his ear.” Later, when Nadya meets Rashid and Parijahan, two assassins, Nadya says, “We have a clear and obvious reason to be killing Tranavians, in general.” Just moments later, when she meets Malachiasz for the first time, Nadya thinks, “She couldn’t put a name to it, but she knew—intrinsically—he would not hesitate to kill her if she made any indication of hostility.”
  • When Nadya talks to her patron god Marzenya, Marzenya says, “You will dispose of him soon, yes?”
  • When talking to Malachiasz, Nadya asks, “And is your destiny worth the torture and mutilation of a century of innocents to reach the means for your magic? Hundreds upon thousands of people.”

Drugs and Alcohol

  • Serefin, the High Prince of Tranavia and one of the main characters, regularly drinks whatever alcohol he can get his hands on throughout the novel, like wine and ale.
  • After Serefin’s army takes control of a monastery, Serefin tells his friend Kacper, “Perfect. I want to be blind drunk before the night is out. . . The next morning, Serefin woke with a raging hangover and a prisoner to interrogate.” When Serefin is trying to wake up from another hangover, “He turned back, regretting the motion immediately as the room spun. He pressed a hand to his face, slouching against the doorframe.”
  • When traveling, Serefin, while drunk, tries to avoid meeting a nobleman. “It wasn’t until Serefin was on his fourth—maybe fifth? It was hard to keep track—tankard of dzalustek that the uncomfortable meeting he had been so ardently avoiding finally came into being.”
  • Serefin thinks about his hangovers often. For example, “This was worse than any hangover Serefin had ever experienced. And he always kept track of his hangovers and how badly they hurt. He had a list.”

Language

  • Profanity is sometimes used. Profanity includes hell and damn.
  • When Serefin and his friend Ostyia speak, Ostyia says, “Yeah, and leave me to work my ass off, keeping you safe.”
  • When pushing Serefin back to his bedroom, Ostyia tells him, “Well, welcome home, Your Highness, you don’t have a damn choice.”
  • When Malachiasz leads Nadya through the Tranavian palace, Nadya thinks, “he was leading her farther down into hell, a new level with every door he opened.”

Supernatural

  • Magic is a backdrop to the story, and it’s intertwined with religion. Kalyazin’s magic is divine and only clerics are allowed to use the power directly bestowed to them by the gods.
  • Tranavia has blood magic, where a mage will cut themselves to make their blood flow to then use their blood to conjure their magic through a spellbook.
  • When Nadya is running from Serefin, he attacks her with his magic. “Something brushed Nadya’s ear, heat coming off it in waves. It slammed into the curve of the tunnel before her, bursting into a shower of sparks.”
  • Magic can be used to communicate over long distances. For example, “The king generally sent messages via courier instead of with magic in an effort to mask the disappointing reality that he was a less than impressive blood mage.”
  • Tranavian spells come from spellbooks. Serefin “sighed and nodded, picking up the book and riffling through it. He was running out of spells.” When Malachiasz tells Nadya about his Tranavian magic, he says, “I know what you believe about my magic. It’s easy to spread the rumor that blood mages use human sacrifices.”
  • When Nadya uses her holy magic to blot out the stars in the night sky, her friend Anna says, “We’ll be hearing prophesies about the end of the world for the next twenty years now!”
  • Nadya uses her magic by touching specific prayer beads and praying to the various gods. Nadya “yanked her glove off and thumbed at her necklace until she found Zlatek’s bead. The god of silence loathed granting Nadya power; he’d once voiced they should revoke her magic completely.”
  • Only clerics who speak to the gods can use magic in Kalyazin, Nadya’s homeland. “Using [Nadya’s] power was inevitable, and the minute she did, people would know Kalyazin had clerics again after a thirty-year absence.”
  • In Tranavia, there are people known as Vultures that use so much blood magic they transform into monstrous creatures. “Woven into the darkest of Kalyazin nightmares were the Vultures of Tranavia. Blood mages so twisted by their heretical magic they were no longer human, nothing more than violent monsters.”
  • Nadya and Malachiasz fight a few Vultures. “The blood moved as if it had a life of its own until it formed into the shape of a girl, materializing in the center of the room. Iron spikes wove through an auburn braid. A thick black book hung from straps on her hip. Her face was covered by a crimson mask crafted in strips.”

Spiritual Content

  • Religion is a backdrop to the story and intertwined with magic, and the war between the two main nations of Kalyazin and Tranavia. Basically, Kalyazin still believes in the gods, while Tranavia does not. Dozens of gods are worshipped in Kalyazin.
  • Tranavia is viewed as heretical to most, if not all, devout Kalyazins. “The idea of the High Prince anywhere near the monastery made her shiver. He was rumored to be an extremely powerful blood mage, one of the most terrifying in all of Tranavia, a land rife with heretics.”
  • When the monastery where Nadya used to live is attacked, Nadya notes, “blood magic meant Tranavians. For a century a holy war had raged between Kalyazin and Tranavia. Tranavians didn’t care that their blood magic profaned the gods.”
  • Nadya prays to a wide variety of gods during the novel. For example, “She sent a simple prayer to Bozidarka, the goddess of vision. A vivid image took over her sight.”
  • Another god Nadya prays to is “Horz, the god of the heavens and the stars, who had woken her. Horz had a tendency to be obnoxious but generally left Nadya alone, as a rule.”
  • When a Kalyazin priest tells Serefin off, the High Prince responds, “Yes, yes, we’re nasty heretics that need to be eradicated from the earth and you’re just doing what’s right.”

by Jonathan Planman

Legends of the Sky

Milla has heard the dragon legends. She has seen the dragon murals. But everyone says the dragons who used to rule the skies are gone forever.

Servant girl Milla witnesses a murder and finds herself caring for the last four dragon eggs. She tries to keep the eggs’ existence a secret, but soon, the eggs are in Duke Olvar’s possession. When the dragons hatch, Milla and her friends vow to stay with the dragons and protect them from harm. Milla and her friends try to learn how to care for their dragons, but it soon becomes clear that the dragons must belong to the city, not to the Duke.

Tensions in the city are growing due to Duke Olvar’s dislike of anyone who isn’t a Norlander, like him. The Duke wants to control the city and continues to put restrictions on those of Sartolans descent. In order to protect the Norlanders, the Duke decides that “anyone of Norlander descent got to wear a black dragon badge on their clothes—the Duke’s own symbol. Everyone else had to wear a badge in the shape of a ship, to show they were newly arrived.”

Soon Milla and her friends find themselves in the middle of a battle between the Duke’s soldiers and the Sartolans. How can Milla and her friends keep the dragons safe? Should they join the battle or stay safely tucked away in the Duke’s mansion?

Flanagan builds a complicated island city that is under the Duke’s tight control. As Milla learns more about dragons, she also discovers that the Duke will do anything to bond with one. The Duke wants control of the dragons, so he keeps Milla, her three friends, and the dragons in the dragonhall. While under the Duke’s watchful eyes, Milla’s friendships begin to fracture.

Told from Milla’s point of view, readers will fall in love with Milla and her dragons. Milla is a complex character who struggles to do what is right. Milla struggles with her inability to help her Sartolans friends. Readers will understand Milla’s problems with her friends, her hope for the future, and her desire to keep her dragons safe.

Politics, deadly intrigue, and dragons combine to make a fast-paced story where danger hides in the shadows. The story’s complex plot and the violent conclusion make Legends of the Sky the perfect book for confident readers. With shifting loyalties, new friendships, and the struggle for power, The Legends of the Sky explores the topics of power, discrimination, and friendship. Through Milla’s point of view, the reader will come to understand that discrimination hurts everyone. Legends of the Sky is a beautifully written, action-packed story that will leave readers wanting a dragon of their own.

 Sexual Content

  • Tayra is upset when she finds out that her father has arranged her marriage to Vigo. After she gets to know him, the two are playing when Taya “reached up and kissed Vigo.”

Violence

  • Milla is hiding in a tree when she sees a man killed. “A gloved hand pressed a knife against the cloaked man’s throat. . . His knife dug into the flesh of the man’s neck. A thin trickle of blood ran down the blade. . . Afterward, she [Milla] still saw the sudden spray of scarlet against a terracotta pot. She heard the heavy slump as the body hit the ground.”
  • When the dragon eggs begin to hatch, the duke “lifted the egg, and broke it against the surface of polished wood . . . the egg shattered with a damp crunch. The duke pulled it apart, flicking away pieces of shell with his fingers. He lifted up a limp body streaked with blood. . . The dragon didn’t move.”
  • A woman tells a story about the past when “Rufus murdered his cousin Silvano. . .” The murder is not described.
  • An “idiot” soldier accidently started a fire in the prison. The guards flee without trying to help the prisoners escape. Milla and others try to help the prisoners escape. The prison “was ablaze, sending plumes of smoke and fire shooting high into the night sky. . . There were bodies scattered across the dockside. Some were moving. A few were not. . .Six people had died that night.”
  • When a dragon named Heral flies over the city, a soldier shoots an arrow at it. “One arrow buried itself in Heral’s side. He screamed. A plume of fire shot from his open mouth.” The dragon blows fire towards the soldiers. “Now the archers screamed, arms raised in feeble defense. Milla saw bows burning, arrows torched in midair. A man leapt into the sea, ablaze.” Tayra is able to help her dragon. “Tayra pulled the arrow cleanly from the flank: a shallow wound, but a bloody one.”
  • During an argument, the duke “struck his wife across the face.”
  • A riot breaks out. During the fighting, Milla “almost stepped on a dead soldier. A man in the duke’s livery, on his back, staring sightlessly at the gray sky.” Milla takes a shield from a dead soldier. As Milla tries to reach her friends, “A sword crashed down on her shield with such force that she fell, winded, then rolled to avoid the next blow. . . She struck back, catching the soldier low, in his thigh. She slammed her shield in his face and he fell, lost under feet that danced and stamped and leapt to stay alive.” During the fight, the duchess is killed and Milla is injured. The riot is described over three pages.
  • Milla and her friends try to flee the island. Soldiers try to stop them. When Milla got onto the boat, she heard “the clashing of steel, followed by a scream of pain. She twisted to look. One man lay on the floor. Nestan was upright, clutching his sword arm, dark red blood seeping through his fingers.” Another one of Milla’s friends, Simon, “had his wooden staff that he used to parry and block. With a grunt, he twisted it around and landed a hard blow in the man’s gut with one end. . . Simon slammed the broadside into his chin. He slumped to the ground, unconscious.”
  • The book ends with an epic battle. Tayra “let her arrows fly faster than ever. . .” Tayra, her dragon, and Vigo fight side by side. “They cut through the duke’s forces, leaving a trail of ash and black-clad bodies so that Carlo’s army found their way clear.”
  • During the battle, someone grabs Milla, and “her injured ribs burned in agony. . . Black dots danced before her eyes, and she struggled not to pass out.” Milla is able to get away, and she “grabbed a chair and flung it at Richal Finn, aiming for his sword arm. He stumbled but didn’t fall.” Milla’s dragon used his bulk to pin Richal Finn down. Richal Finn fights back and “he kicked out viciously, catching Iggie square on his leg wound. The wound gaped open, right down to the bone: it gleamed palely through, making Milla feel sick.”
  • The duke grabs his sword and threatens to smash the dragon eggs. Isak “threw his whole body weight at Olvar [the duke] and pushed him aside. Duke Olvar pushed Isak away, sending him staggering backward.” In order to protect her eggs, the dragon “blasted Duke Olivar with a massive stream of fire. Olvar caught the worst of it, but Finn’s clothes also burst into flame. He fell to the floor with a hideous shriek.” The battle is described over 13 pages. The duke dies.
  • The story alludes to the fact that the duke used to hit his wife, Serina. After Serina is injured, Milla “watched his [Serina’s son] work, remembering what Serina had said about all the times her son had tended to her injuries. She didn’t ask how Serina had gotten those inures. She didn’t need to.”

Drugs and Alcohol

  • An angry boy yells at his father, “You’re not even a soldier, not anymore. We only have your word that you ever were. You probably hurt your leg falling down drunk outside a tavern.”
  • Milla sees a man on his way to teach fighting skills to a girl. She tells him, “I’ll have a skin of ale cooling in the well for you afterward, shall I?”
  • A girl plans to go to a party. She was “planning to borrow a bottle of sweet Sartolan wine from her parents’ stall for the street party.” Later, the girl tells Milla that the wine helped her make some friends.
  • A woman tells Milla a story from the past, when the dragonriders had a disagreement. A dragonrider named Rufus “laced their evening meal with poison: just enough to send Karys and her cousin Silvano into a deep sleep. They awoke in the dragonhall to find themselves in chains.”
  • When Milla goes to visit a friend, the woman poured them “a small measure of sweet Arcosi wine.”
  • Someone gives Milla gifts, which include wine.
  • When Milla is put in jail, her friends poison the guards. “We baked treats for the guards—a special reward for their hard work. . . they’ll sleep all day, sore head tomorrow. Josi knows her poisons. . .”
  • The duke poisoned a dragon, but “the poison wore off after half a day.” However, when the dragon awoke, she was “in chains.”

Language

  • A soldier calls a group of prisoners “Sartolan scum.”
  • A woman calls recent arrivals “filthy dock rats.” Later someone says, “Dock rats! Throw them into the sea.”
  • When the duke orders soldiers to clear the docks of people, Milla yelled, “Where the hell are you going to clear them to?”

Supernatural

  • None

Spiritual Content

  • The duke talks about the past, when his people fled their home country. He says it had been “Fifty years since our prayers were answered and we found Arcosi waiting for us.”
  • Occasionally, Milla sends out a prayer, but she never mentions a specific god. For example, when she sneaks out of the house, she “sent a prayer out into the pale morning. . .” Later Milla “prayed that Nestan would listen to his daughter now.” Milla prays twelve times throughout the story.

Crooked Kingdom

When Jan Van Eck, a member the Merchant Council of Kerch, hired Kaz Brekker and his team to infiltrate the infamous Ice Court to extract the maker of the drug jurda parem, no one believed they really stood a chance. Yet Kaz, Inej, Wylan, Jesper, Matthias and Nina pulled it off, even if it was just barely. They extracted the drug maker’s son, Kuwei Yul-Bo, and were ready to receive the money that would make all their dreams come true. At least, until Van Eck betrayed them all and kidnapped Inej.

And the problems don’t stop there. Ketterdam has become a dangerous city, one that sees old and new enemies stream in to get a hold of Kuwei’s knowledge of jurda parem. To corner Kaz and his team, Van Eck will force the group to test their loyalties and use up all the wit they have to offer. With nowhere to run, there’s only one option available to Kaz: fight back.

While wanted posters display Kaz and his crew, the six are busy planning and plotting to find a way to get everything they’re owed. They’ll save Inej, get Kuwei out of the city, and make Ketterdam theirs again. One way or another, they’ll even the score.

Bardugo’s Crooked Kingdom is just as fun and exciting as the first novel. Building off their trip into the Ice Court, Crooked Kingdom delves deeper into the main conflict between Kaz’s crew and Jan Van Eck. From the very beginning, the claustrophobia of Ketterdam, its sense of despair, and its dwindling hope take center stage, laying the foundation for the story to push the main characters into finding their own way out of the hole they’ve found themselves in.

That’s where the main theme of standing up for yourself comes in. Learning to fight for yourself in a cruel, greedy world comes across easily through Kaz’s determination to see his crew properly rewarded for helping stop the production of jurda parem, the drug that enhances Grisha power. This theme also comes through with the other five main characters, like Inej’s desire to hire a ship and go after slavers or Wylan’s realization that he needs to overcome his father. It’s safe to say that each member of Kaz’s crew is a role model in their own right. Each person grows stronger from the trials they encounter.

Overall, Crooked Kingdom is a wonderful follow-up to Six of Crows. This sequel is definitely a must-read. The book is chock full of action, suspense, and plot twists from beginning to end. The main cast of characters really shine in the hectic moments of the plot. While the pacing can feel relentless at times, that only raises the stakes.

Sexual Content

  • When going over the plan to con Smeet, one of Kaz’s targets, Kaz tells the others, “Smeet never cheats on his wife.” During the job, Wylan thinks when he sees Nina, a member of Kaz’s group, “She was dressed in a sheer lavender gown rigged with some kind of corset that pushed her cleavage to alarming heights, and though she’d lost weight since her battle with parem, there was still plenty of her for Smeet to grab onto.” And, again later on, Smeet “was ogling those guns almost as much as Nina’s cleavage.”
  • When thinking about her past as a working girl, Inej, Kaz’s love interest, thinks, “The man with sharp teeth like a kitten who had bitten at her breast until she’d bled.” Later, when thinking about the worst client she had, Inej thinks, “because when the man who smelled of vanilla had begun to kiss her neck and peel away her silks, she hadn’t been able to leave her body behind.” Finally, when her thoughts stray to Kaz, Inej thinks, “What if he had come to her, laid his gloves aside, drawn her to him, kissed her mouth?”
  • When Inej is attacked by Dunyasha, an assassin, Dunyasha says, “I hear you whored for the Peacock.”
  • When confronted by a group of thugs, Nina tells the leader, “‘I’m fast enough to make sure you never’ —her eyes gave a meaningful slide below his belt buckle—‘raise a flag on West Stave again.’”
  • When thinking about his first few nights in the Barrel, Wylan remembers, “The couple in the room above him were fighting. The couple in the room below him were definitely doing something else.”
  • Later, Wylan remembers how a man told him, “Young dollop of cream like you should be able to make fine coin on West Stave.” When Wylan thinks about getting help from his father, he thinks, “But he would sell himself in the pleasure houses of West Stave before he’d ask for his father’s mercy.”
  • When Wylan first met Jesper, his “first thought was that this boy had the most perfectly shaped lips he’d ever seen.”
  • When waiting to meet Ravkan Grisha, Matthias is alone with Nina and thinks, “It was too easy to imagine himself kneeling like a penitent before her, letting his hands slide up the white curves of her calves, pushing those skirts higher, past her knees to the warm skin of her thighs.”
  • When Jesper meets Wylan in the music room of a hotel, he “moved slowly, deliberately, kept the kiss quiet, the barest brush of his lips, giving Wylan the chance to pull away if he wanted to.” Then later, when Jesper sees Kuwei standing in the doorway, he asks, “Do the Shu not kiss before noon?”

Violence

  • When Retvenko, a Grisha, thinks about his previous employment, he thinks, “After Hoede had died, the Kerch Merchant Council had let Retvenko take on sea voyages to pay his way out of the indenture.” Later on, Retvenko thinks about his role in a former war. “He’d murdered former comrades, civilians, even children.” When Retvenko is later attacked, he “peeked around the desk in time to see the shotgun blast strike the woman directly in the chest.”
  • When thinking about a past conversation with Kaz about a working girl, Wylan remembers that Kaz said, “Tante Heleen beat her to death.” After that, Wylan remembers, “They were the last words he’d spoken. If he’d talked less, he might have lived.”
  • When speaking to a little girl who could give Kaz and Wylan away, Kaz tells her, “Because if you do, I’ll slit your mother’s throat and then your father’s, and then I’ll cut out the hearts of all these sweet slobbering hounds.” Afterwards, Kaz justifies what he said by saying, “It was that or snap her neck and make it look like she fell down the stairs, Wylan.”
  • When Inej is detained by Van Eck, she thinks about her friend Nina “squeezing the life from a man with the flick of a wrist.” Later, Inej is trying to free her wrists “After what seemed like a lifetime of sawing and scraping and bloodying her fingertips on the shard’s edge.” And, when Inej is about to be tortured, Van Eck tells the torturer, “I don’t want it to be a clean break. Use the mallet. Shatter the bone.”
  • When Jesper and Wylan go to meet Colm, Jesper’s father, “A shot rang out against the walls of the courtyard. Jesper shoved his father behind him as a bullet pinged off the stones at their feet, sending up a cloud of dust.” Later, Wylan tells Jesper, “I’ve got two flash bombs and something new I rigged up with a little more, um, wallop.” When someone sees Jesper, Wylan and Colm fleeing through a library, he says, “I won’t go with you! I’ll kill myself first!”
  • When Nina realizes Kaz has the jurda parem, she tells Matthias that Kaz would “slit my throat” if she tried to take some from him. Later, Nina’s Grisha power doesn’t work. After she killed a guard, she says, “I didn’t mean to kill him.”
  • After the panic about a plague, Wylan muses over how “people were bruised and concussed, and Wylan had heard that one woman’s hand had been crushed when she’d gotten knocked to the floor.”
  • When Matthias is confronted by a Fjredan drüskelle warrior, the warrior says, “You killed my friends. In the raid on the Ice Court.” After that same warrior shoots Matthias, he passes away. “The light vanished from his eyes. His chest stilled beneath her hands.”
  • When threatening Pekka Rollins, the former King of the Barrel, Inej tells him, “I left pretty Dunyasha’s brains dashed all over the Ketterdam cobblestones.”
  • When Kaz threatens Pekka Rollins, he says, “‘I buried your son,’ he crooned, savoring the words. ‘I buried him alive, six feet beneath the earth in a field of rocky soil.’” Later Kaz says, “‘Inej, I could only kill Pekka’s son once.’ He pushed the door open with his cane. ‘he can imagine his death a thousand times.’”

Drugs and Alcohol

  • As with the first book, alcohol is mentioned frequently in the novel.
  • Retvenko, a minor character, is drunk at the very start of the book. At a bar in the Barrel, where the thugs and cheats of the city live, Retvenko realized, “The whiskey had failed to warm him.” Later, when speaking to a barman he thinks, “His Kerch wasn’t good to begin with, and it was worse after a few drinks.”
  • Wylan, a member of the Dregs, has to pretend to be a waiter at a gambling hall. When signaled to serve champagne, he thinks, “He at least knew how to pour a proper glass of champagne without it foaming over.”
  • When thinking about Wylan’s change in appearance, Jesper thinks, “It always left him feeling a little off-kilter, like he’d thought he was reaching for a cup of wine and gotten a mouthful of water instead.” Later Jesper says to Wylan, “I mean, just think of the heights of debauchery we could reach if no one kept this city in check. Champagne for breakfast.” When Jesper and Wylan later speak with Jesper’s father, Jesper thinks, “They’d eat. They’d talk. Maybe they’d drink. Please let them drink.”
  • As with the first book, jurda parem, a harmful drug that enhances a Grisha’s (magic user’s) powers, is a main plot device in the story. Kuwei, the son of the creator of jurda parem, says that he can discover “An antidote for parem.”
  • Nina, a member of the Dregs, comments that she could “masquerade as a jurda parem dealer” as a joke when going over Jesper’s role in a job. Later in the story, Nina thinks about the aftereffects of jurda parem on her body. “She’d still been trying to purge the parem from her body, caught in the haze of suffering that had begun on the voyage from Djerholm. She told herself to be grateful for the memory of that misery, every shaking, aching, vomiting minute of it.” Later, she remembers how she acted towards Matthias, her boyfriend, while dealing with the aftereffects. “The shame of Matthias witnessing it all, holding back her hair, dabbing her brow, restraining her as gently as he could as she argued, cajoled, screamed at him for more parem. She made herself remember every terrible thing she’d said, every wild pleasure offered, each insult or accusation she’d hurled at him.”
  • When trying to use her Grisha power, Nina remembers how her jurda parem addiction affected her. “She’d broken into a sweat from the effort, and as soon as the bruised color faded, the hunger for parem hit, a swift, hard kick to her chest. She’d bent double, clutching the sink, her mind filled with breakneck thoughts of how she could get away, who might have a supply, what she could trade.” Later on, when Nina asks Kuwei about whether the drug affects Grisha power, Kuwei responds, “I don’t know. You took the drug only once. You survived the withdrawal. You are a rarity.”
  • When sneaking into someone’s home, “Nina had suggested drugging the dog’s food.”

Language

  • Profanity is used frequently in the novel. Profanity includes words like: ass, hell, bastards, damn, bitch, and fuck.
  • When telling his team about his plan to con a man named Smeet, Kaz says, “So you all need to do everything you can to keep his ass firmly planted at that table.”
  • When debating with Matthias about whether one of their targets will invite Nina back to her room, Nina says, “Like hell he won’t.” When speaking to Wylan about the Smeet job, Kaz says, “We can’t be here when he gets back or the whole plan goes to hell.”
  • When Kaz is musing over a certain type of lock, he thinks, “They were complicated little bastards.”
  • When Jesper talks to Kuwei, he says, “You have that damn travel pack.” Soon after that Jesper says, “There’s only one way out of the tomb, and we’re on a damn island.”
  • When Nina is attacked by a group of thugs, one of them yells, “They’re coming for the Grisha bitch!”
  • When Nina demanded Matthias get her more jurda parem, she tells him, “Then break the fucking door down, you useless skiv.”

Supernatural

  • The Grisha, AKA the magic users, are an integral part of the world of Crooked Kingdom, just like in Six of Crows.
  • Like in the first book, the Grisha are categorized into groups based on their powers. The Corporalki, also known as the Order of the Living and the Dead, include Heartrenders and Healers. The Etherrealki, who are the Order of the Summoners, include Squallers, Inferni, and Tidemakers. The Materialki, who are the Order of Fabrikators, include Durasts and Alkemi. For instance, “A Corporalki could manipulate the human body, not inorganic matter.”
  • Many Grisha are brought into the city of Ketterdam to work “As a treasured Grisha indenture,” though this is more often than not just a masked form of Grisha slavery. Retvenko, a Squaller, thinks about how dangerous it is to be a Grisha. “But when you were a Grisha, even staying still could mean courting trouble.
  • Retvenko, a Squaller, thinks about how his powers will help his job. He thinks, “so the crew would rely on Retvenko to master the air currents and guide the ship calmly to whatever port they needed to reach.”
  • At one point in the past, there was an army of Grisha that fought for the nation of Ravka, called the Second Army. The “young king was said to be handing out pardons like penny candy, eager to rebuild the Second Army, the Grisha military that had been decimated by war.”
  • The Council of Tides, the ruling council of Grisha in Ketterdam, are a very mysterious group of people. “They were supposedly Grisha, but had they ever lifted a finger to help the other Grisha in the city?”
  • Kuwei, the son of the man who made the drug, jurda parem, says at one point, “My father was a Fabrikator. I am just an Inferni.” When Kuwei asks Kaz to get a Grisha to change his appearance, Kaz says, “The only Tailors powerful enough to make you look like someone else are in Ravka, unless Nina wants to take another dose of parem.”
  • Nina is a Corporalki Grisha. When thinking about her jurda parem addiction, she thinks, “They needed her to be a Corporalki, not an addict with the shakes who wore herself out with the barest bit of tailoring.” Later on, when she needs to use her power, she thinks, “Slow their pulses. Send them quietly into unconsciousness without ever letting an alarm sound.” Immediately after that, Nina’s power doesn’t work, “It was like stumbling blind through the dark…Dimly, she was aware of the suggestion of their frames, a trace of knowing, but that was all.”

Spiritual Content

  • Like in the first book, the most mentioned god in the novel is Ghezen, the God of Commerce in Ketterdam.
  • When Retvenko goes to a work assignment aboard a ship, the first mate says, “Ghezen, Retvenko. Have you been drinking?” When Kaz bumps into one of his targets accidentally, he pretends to be a humble young man saying, “Too kind, sir. Too kind. May Ghezen be as generous.” Later, Van Eck talks about his future fortune by saying, “When I leave this world, the greatest shipping empire ever known will remain, an engine of wealth, a tribute to Ghezen and a sign of his favor.”
  • When speaking about Van Eck’s illegal practices, Jesper says, “Isn’t not paying your taxes…I don’t know, sacrilegious? I thought he was all about serving Ghezen.”
  • Like in the first book, the Suli Saints are mentioned again. Inej thinks, when she’s still in the villain Van Eck’s custody, “Saints, what if she was in Van Eck’s mansion?” When Inej thinks about her sins, she muses, “Would her Saints sanction such a thing? Could forgiveness come if she killed not to survive but because she burned with a living, luminous hatred?” Just as she’s about to be tortured by Van Eck, Inej thinks, “Saints protect me. Saints protect me.”
  • The Church of Saint Hilde is a famous sight in Ketterdam. When Kaz tells Wylan where the latter can find his mother, he says, “Well, he’s been making donations to the Church of Saint Hilde for the last eight years. If you want to pay respects to your mother, that’s probably the place to start.”
  • On Black Veil, an island full of graves, some of the graves “bore the stamp of Ghezen’s Coins of Favor… A few were watched over by Ravkan Saints in flowing marble robes. There was no sign of Djel or his ash tree.”
  • Djel, the Fjerdan god, is also mentioned a few times in the novel. When Matthias is reflecting over his past actions, he comes to a revelation. “Now he was sure of nothing but his faith in Djel and the vow he’d made to Nina.”
  • Colm tells Kaz, “You haven’t been Alice long enough to rack up your share of sin.”

by Jonathan Planman

Granted

Everyone who wishes upon a star, a candle, or a penny thrown into a fountain knows that you’re not allowed to tell anyone what you’ve wished for. But even so, rest assured there is someone out there who hears it.

Ophelia Delphinium Fidgets is no ordinary fairy—she is a Granter: one of the select few whose job it is to venture beyond the boundaries of the Haven and grant the wishes of unsuspecting humans every day. Ophelia has never traveled into the humans’ world to grant a wish. The fairies are low on magic, so they only grant a few wishes a day.

When Ophelia is given a wish to grant, she’s excited about the adventure. She has planned for everything. With her gear packed, Ophelia ventures out in search of the coin that was wished upon. Before she makes it to her destination, an airplane smacks her, injuring her wing. Unable to fly, Ophelia befriends a dog who promises to help Ophelia chase down the coin. Will Ophelia be able to grant the wish or will she fail at her mission?

The story starts out slowly with the author giving too much detail about the fairy world. Although some of the world-building is interesting, much of the description is on minute details that did not advance the story. Unfortunately, the story doesn’t get interesting until Ophelia meets a dog halfway through the book. The curious dog offers comic relief. One of the first things the dog says is, “so since I don’t know what you are I am hoping to sniff your butt. . . I will let you sniff mine, too.”

When Ophelia first sets out for her mission, she is overconfident and has problem after problem. After several negative encounters, Ophelia realizes that following rules and being perfect are not attributes to admire. After watching a human boy, Ophelia realizes that some wishes are more important to grant than others. When it comes time for Ophelia to grant one wish, she breaks a rule in order to bring a father back to his son.

Strong readers interested in fairy lore will have to wade through heavy descriptions in Granted. However, readers will be glad they continued reading. Ophelia and the dog’s interactions are heartwarming and hilarious. The conclusion is sweet and satisfying. The advanced vocabulary, detailed descriptions, and slow-moving plot will make Granted difficult for some readers. Readers who want a peek into the fairy world may want to read 13 Treasures by Michelle Harrison or The Spiderwick Chronicles by Holly Black and Tony DiTerlizzi instead.

Sexual Content

  • When Ophelia is sent to grant her first wish, she is glad the wisher asked for a bike instead of “a new car or something smarmy like for a sweaty boy with skater bangs and pouty lips to kiss her.”

Violence

  • Ophelia is hit by an airplane and her wing is broken.
  • When a man comes into the fairy haven, the fairies “had to dispatch a containment team to knock the poor fellow unconscious and drag him twenty miles to the nearest hint of civilization, depositing him outside a bar.”
  • Thinking that Ophelia was a bug, a man swats her. “Ophelia’s world somersaulted around her and she fought to catch her breath, her body stinging from the sudden blow. Something had knocked her, sent her soaring off the fountain and tumbling down to the cement walkway, where she landed in a heap.”
  • Ophelia goes into a café and a woman tries to swat her with a broom. “Swoosh. The head of the broom passed overhead. . .” Ophelia tries to hide in a woman’s hair when a man tries to hit her with a newspaper. Someone gets a fire extinguisher, then “a blast of white foam shot from its one giant nostril, dousing her in something like soap but thicker. . .” Ophelia “saw the giant paw of straw sweeping toward her just in time to duck out of the way.” Finally, the humans shoo Ophelia outside. The scene is described over two pages.
  • The coin Ophelia needs is taken by a man. She tries to get him to stop his car, “but he didn’t slam on the brakes as she’d hoped, and Ophelia smacked into the windshield, her face mashed, cheek to glass, one eye looking right at the man. . .” The man squirted windshield wiper fluid on Ophelia. “Instantly a stream of burring blue liquid struck Ophelia, soaking her suit and stinging her nostrils.” The windshield wipers knock Ophelia off the car’s window.
  • Ophelia is hit by a truck. “The impact sent her soaring, landing amid a pile of trash bags that had been set along the curb. . . Her wing was broken. Part of it was crushed and crumbled, a long tear working its way halfway down from the tip. . .”
  • A red-tailed hawk grabs Ophelia in his mouth and plans to turn her into a meal. Ophelia was eighteen hundred feet above the ground, “turned face up so that she could see the patch of grey on the hawk’s broad chest. . . Ophelia’s chest burned with each breath her arms struggling to get free, her legs kicked out, but it was no use—the raptor held her tight.” The bird drops her into a pond, and Ophelia almost drowns.
  • The story hints that the dog was abused. “Ophelia opened both of her arms and took a step towards him. Sam flinched. Something he’d undoubtedly learned from his master.” Later, Ophelia asks the dog to scare a man. The dog asks, “But what if he scares me back?”
  • Ophelia has to wrestle the coin out of a fairy’s hand. When she does, “the move sent her tumbling backward, out of control. She heard her already ragged wing snap once more, a final blow that rendered it completely useless. . .”

Drugs and Alcohol

  • One of Ophelia’s friends asks her, “When’s the last time you spent the day in your pajamas sitting on your porch, drinking wine, burping out loud, and watching the clouds slink by?”
  • Ophelia is given a container that is “fully weaponized fairy dust extract, chemically restructured in aerosol form. . .” When sprayed on a human or animal, they will fall asleep.
  • Ophelia names the dog Sam after she sees an empty crate of Samuel Adams Boston Lager.
  • Ophelia thinks about having a chance to open a bottle of dandelion wine.

Language

  • A girl wishes for a new bike “because some jerkface stole my last one.”
  • When Ophelia is injured and angry, she yells, “If this isn’t the biggest, boot-up-the-back-end piece of fist-sucking, pig-nosed, turkey-flapped, snotwad, vomit-crusted, wart-eating, other-punching, kitten-kicking pile of rotten, wrinkled monkey dung in the whole wide WORLD!”
  • The dog tells Ophelia that she can call him “Useless. Or Mangy Mutt. Or Worthless-Son-of-a-“
  • Ophelia is upset that a dog is following her. She says, “Of all the wood-headed, dim-witted creatures I could have possibly run into. . .”
  • A cat asks Ophelia, “Who the heck are you?”
  • A boy complains that he was outside “for three freaking hours!”

Supernatural

  • The story has fairy magic, but no spells are given.
  • In order to grant a spell, a fairy must find the object that was wished upon. When Ophelia gets close to the item, “she’d be able to hear the wish whispering in the girl’s own singsong voice.”
  • Ophelia tries to explain how a wish is embedded into an object. She says, “it’s attached to something. An object. This particular wish was made on a coin. I need the coin if I’m going to make the wish come true.”
  • Fairies can create a magical song. “For many fairies, singing had an enchanting effect, capable of making the listener dreamy eyed and woozy and warm, as if they’d polished off the last of the wine. For others it was the opposite.”

Spiritual Content

  • When a fairy dies, “her spirit takes to the sky, where it is sponged up by the clouds, mixed with rain that falls back to the earth, feeding the plants that would someday produce fairies of their own.”

Children of Blood and Bone

Children of Blood and Bone takes place in Orïsha, a rich fantasy landscape where magic users are born with white hair, signaling the powers they will inherit at thirteen. However, an evil king has wiped magic from the land in a genocide of all magic users and severed the people’s connection to the gods. The book alternates between the perspectives of the characters Zélie, Amari, and Inan.

Zélie is a seventeen-year-old girl from a small village, who has been called “maggot” most of her life because of her white hair. After her mother was killed in the slaughter of maji, survivors with white hair became second-class citizens. Bitter and stubborn, Zélie has been taking lessons to fight with a staff while trying to care for her ailing father.

Inan and Amari are the king’s children—the prince and princess of Orïsha. Amari sets off the story’s chain of events when she spies on her father, discovering a scroll that has the power to return magic to the land. Determined not to let it fall into her father’s hands, she runs away with it, and meets Zélie and her brother, Tzain. The three soon find themselves hunted by the king’s army, headed by Inan, who is haunted by an inner conflict over whether the king’s cause is just.

The majority of the narrative follows Zélie, Amari, and Tzain’s journey through Orïsha. While evading capture, they also embark on a quest to reunite the scroll with other ancient artifacts. Their goal is to perform a ritual that can restore the magical connection between the gods and the people of Orïsha.

Children of Blood and Bone includes unique worldbuilding and a magic system that proves central to the plot. Although the switches between narrators are almost dizzying, each character has a unique personality that comes alive on the page. Readers will find themselves sympathizing with the gentle Amari, the stubborn Zélie, and the conflicted Inan in equal measure.

The plot takes a few chapters to get off the ground, and the first act contains an unavoidable amount of worldbuilding. Still, it is packed with action, and the pacing will likely keep the attention of even easily bored readers. As the plot progresses, readers slowly get to see Orïshan’s magic firsthand. Each demonstration of magic will leave readers eager for more.

The story contains two central romances: Tzain and Amari, and Zélie and Inan. Both work rather well: their dynamics complement each other, and a decent amount of chemistry builds up between the two couples. In addition, readers will enjoy watching the friendship between Zélie and Amari develop from hatred into a deep mutual respect.

Fans of fantasy and magic will enjoy Children of Blood and Bone. Despite the fresh new look it gives to its magical land and teenage heroes, Children of Blood and Bone relies on the typical structure of a young adult fantasy. Seasoned readers of the genre will likely recognize the tropes of the “evil king,” the “chosen one,” and the “perilous quest.” These tropes are ubiquitous for a reason, though, and many readers won’t mind. The action, suspense, and intensity will make it irresistible.

Sexual Content

  • Amari’s complexion “makes the nobility gossip that [her mother] slept with a servant.”
  • Amari sees Tzain undress and lowers her eyes, thinking, “the last time I saw a boy’s bare body my nannies were giving Inan and me baths.”
  • Zélie and Tzain meet in a dream. Zélie thinks, “My gods, is he even wearing clothes? My eyes comb over his broad chest, the curves of each muscle. But before I catch sight of anything under the water, I jerk my eyes up.”
  • Tzain talks about Inan to Zélie, saying that he “doesn’t care about you, Zél. He just wants to get in between your legs.” A moment later, he calls her “the prince’s whore.”
  • Inan describes kissing Zélie. Inan’s “mouth presses against her neck. She gasps as I run my hands up her back. A small moan escapes her lips. . . Her fingers dig into my back, pulling me closer. Everything in me wants her. Wants this. All the time.”
  • Zélie and Inan kiss. “Inan presses his lips to mine and everything fades. His kiss is tender yet forceful, gently pushing into me. And his lips . . . soft . . . When he finally pulls away, my heart is beating so fast it feels like I’ve just finished a fight.” Before they are interrupted, they intend on going further. Zélie narrates, “I grab his head and force his lips back onto mine. Restraint can wait for tomorrow. Tonight I want him.”
  • Amari watches Zélie and Inan kiss. “The tender way he holds her, the way his hands roam, pulling her into him… an embrace like this is far too intimate to watch.”
  • Some drunken guards make a veiled insinuation that Zélie is a prostitute, and one “wraps his pudgy hands around [her] neck and presses [her] against the wooden wall.” Zélie remarks that it’s against the law for maji and non-magic users “to so much as kiss . . . but it doesn’t keep the guards from pawing at us like animals.” Zélie wants to fight back, but forces herself to remain calm until the guard unhands her.
  • Later Zélie says, “The guards grope me whenever they have a chance,” and refers to them as “rapists.”

Violence

  • During a childhood training session, Amari and Inan’s father (the king) commanded Inan to strike Amari. She still carries around the massive scar.
  • Amari watches her father kill her servant Binta, who was her best friend, after seeing her demonstrate magical ability. “One moment Binta stands. In the next, Father’s sword plunges through her chest.”
  • Zélie watches a man hit a boy with a cane that burns his skin. “The acrid smell of burning flesh hits me as the stocker presses the cane into the boy’s back. Smoke rises from his skin as he struggles to crawl to his knees.”
  • Zélie frequently fights with her staff. She hits a man in the head so hard he collapses. She kicks a man in the jaw. She smashes the bones in a boy’s hand. All of these actions are for survival or self-defense.
  • Inan destroys a village and watches a young child try to revive his dead father. “A small child hurls his body to the ground. His cries out through the night. It’s only then I discover the sand-covered corpse at his feet.”
  • A woman wearing sharp rings on her fingers smacks a servant, and “the rings cut into his skin.”
  • A man is stabbed in the chest, and “his eyes bulge and his mouth falls open. His staff drops from his hand. His blood splatters as it hits the ground.”
  • Zélie, Tzain, and Amari compete in a battle to the death. The arena is flooded, and thirty boats are launched out onto the water. A team cannot win until every other competitor has been killed. Zélie narrates, “Chaos surrounds me, pulsing through every breath and heartbeat. It sings as blood splatters through the air, screams as boats explode into oblivion… My insides lurch as a cannonball rips through the deck of another boat. Injured cries hit my ears like shattered glass. The stench of blood stains the air.”  The competition lasts for twelve pages.
  • Inan accidentally kills a military leader with his magic. “Kaea’s cries of agony grow. Her eyes turn red. Blood trickles from her ears, trailing down her neck . . . A shuddered gasp escapes her lips. Her eyes roll back.”
  • Amari beats someone up. Amari pulls “my fist back, twisting from my hips as my fist collides with her jaw. Her head snaps with a lurch. Her eyes roll before she blacks out.”
  • A mercenary explains the twenty-three scars on his arm. An unspecified enemy “killed one of my crew members in front of me, each time they carved a new one.”
  • When Zélie is captured, the king has the word “maggot” (a hateful slur) carved into her back with a knife.  In the same scene, a physician “cuts a shallow X into Zélie’s neck . . . and pushes a thick, hollowed-out needle into the exposed vein . . . removes a small vial of black liquid and prepares to pour the serum down the needle.”
  • A Burner (maji of fire) demonstrates his powers in battle. “A fire explodes from his skin. Smoldering embers rain from his body. Flames blaze around his form. The fire erupts from every limb, shooting out of his mouth, his arms, his legs.”
  • A Cancer (maji of disease) uses her power in battle. “She leaks dark green energy from her hands, trapping the men in a malignant cloud. The moment it touches the guards, they crumble, skin yellowing as disease rages through them.”
  • Zélie watches a young girl get shot with an arrow. “An arrow pierces through her gut… [she] looks down, small hands gripping the arrow’s shaft.”

Drugs and Alcohol

  • A mercenary takes “a long drag off a hand-rolled cigarette.”
  • When Zélie encounters a palace guard, “the pungent smell of alcohol wafts into the air with his unwelcome presence.”
  • The characters drink palm wine during a festival. Later, during an intimate moment with Inan, Zélie thinks, “His words make my head spin. His words or the alcohol.”

Language

  • Profanity is used infrequently. Profanity includes: damn and hell.
  • Royals and nobles say “Skies!” as an invective.
  • Characters say, “Gods” or “Oh my gods.”
  • Zélie thinks, “Dammit.”
  • Tzain says, “I don’t give a damn.”
  • Tzain says, “What the hell are you doing?”
  • Amari describes a place as a “hell.”
  • Tzain tells Zélie, “You’re always screwing everything up.”

Supernatural

  • This book tightly blends the supernatural and the spiritual. The magic system in Orïsha encompasses ideas like higher powers, gods, prayer, human souls, and the afterlife.
  • Magic in Orïsha is tied to the Sky Mother, a deity who reigns over all the gods.
  • While sleeping, Zélie and Inan use magic to meet in a “dreamscape.”
  • As a Reaper, Zélie can sense spirits of the dead, and she can summon them in physical form to do her bidding.

Spiritual Content

  • Zélie believes that the gods control her fate. “No matter how much I crave peace, the gods have other plans.”
  • Amari and Inan are from nobility and have different beliefs. Amari thinks, “Gods don’t exist. Everyone in the palace knows that.”
  • The beliefs held by the Orïshan people also play a bigger part in the plot. In one scene, Zélie enlists the help of mercenaries by telling them, “[the gods] have chosen you because they want your help.”
  • Orïshan legend speaks of an afterlife. After a fire in her village claims four lives, Zélie thinks, “If their spirits have ascended to the peace of alâfia, death would be almost a gift. But if they suffered too much before they died . . . If the trauma of their deaths was too much, their spirits won’t rise to the afterlife. They’ll stay in apâdi, an eternal hell, reliving the worst of their pain.”
  • Zélie’s narration often uses the word “pray” interchangeably with “wish” and “hope.”
  • Zélie can sense people’s souls leaving their bodies as they die.
  • Zélie remembers that after the raid, she “cursed the gods for making us this way.”
  • During the climax of the book, Zélie has a near-death experience and sees her dead mother’s spirit. Her mother says, “You are a sister of Oya [a goddess], my love. You know our spirits never die.”

by Caroline Galdi

A Court of Thorns and Roses #1

In her quiet village, 19-year-old Feyre has become the sole provider for her family. After her father’s fortune was squandered, Feyre was forced to step up and take care of her father and two older sisters. Miles away from Feyre’s home, there is an invisible wall separating the human world from the faerie world, Prythian. This wall has been in place for hundreds of years under a treaty to keep humans and faeries segregated and safe from each other.

One day while hunting in the forest near the invisible wall, Feyre unknowingly shoots down a faerie that took the form of a large wolf. When a shapeshifting high fae bursts into her home to claim vengeance for his fallen soldier, Feyre is taken as payment for killing the faerie wolf and brought into the faerie world to serve for the remainder of her life. As Tamlin, her captor takes her to the spring court, she begins to unravel the dark secrets hidden in the faerie world.

Feyre soon learns that Tamlin is the High Lord of the spring court and one of the most powerful faeries in Prythian. While living in Tamlin’s home, Feyre becomes more of a friend than a prisoner, then soon learns the treacherous pasts of the faerie courts, which includes the spring, summer, autumn, winter, day, and night court. While the spring court is filled with cursed masks, mystery predators, and a hidden tyrant terrorizing the faerie lands, Feyre must come to understand her new home and accept her growing feelings for Tamlin.

As Feyre’s feelings begin to soften for Tamlin, a mystery curse creeps closer to the spring court. When an evil tyrant takes Tamlin and his court from their home, it is up to Feyre to save her newfound home from the curse. Now Feyre must decide: does she go home to her father and sisters or go after Tamlin?

A Court of Thorns and Roses is full of twists and turns; Maas takes the readers to the fresh faerie world of Prythian and lays out the groundwork for a magical series filled with adventure and romance. Feyre must dive into the faerie world of deadly politics, deceit, and vengeance in this thrilling tale of fantasy, family, and love.

The novel focuses on setting up the fantasy world of Prythian, which is filled with fairies and mythical creatures, but it is also a true look at the power of family and survival. Feyre sacrifices herself, her dreams, and her safety every step of the way for her family, friends, and ultimately, for love. A Court of Thorns and Roses dives into a new universe of faeries and courts with rich, memorable characters. The story focuses on the characters’ relationships and how people from different worlds can come together to fight a common evil. A Court of Thorns and Roses shines a light on the most unlikely of people becoming friends in a divided world.

However, the politics of the faerie world and the different courts can get tiresome. Feyre compares every new character to how she could paint them, which becomes repetitive and unnecessary. A Court of Thorns and Roses is a slow burn, and it gets better as it goes on. As the story continues, this book is hard to put down and becomes a nail-biter. This story highlights the true strength of women through Feyre’s character, who becomes an unlikely hero in the faerie world. Feyre comes to the rescue of Tamlin, which reverses the generic “damsel in distress” trope readers have seen time and time again. Fans of Holly Black and Cassandra Clare will fall in love with Sarah J. Maas’s fantasy as she introduces the world of Prythian.

Sexual Content

  • Feyre discusses her two-year love affair with a boy from the village. She describes all of their encounters as “a rush of shedding clothes and shared breaths and tongues and teeth.”
  • Tamlin and Feyre have an encounter in the hallway after Tamlin has been involved in a faerie ritual that makes him act more predatory than human. He ends up biting her, then “the bite lightened, and his tongue caressed the places his teeth had been. He didn’t move – he just remained in that spot, kissing my neck. Heat pounded in my head, and as he ground his body against me, a moan slipped past my lips.” Feyre’s moan causes Tamlin to come back to reality.
  • Tamlin and Feyre have their first kiss. “He brushed his lips to mine – soft and warm. My hands went around his neck, pulling him closer, crushing myself against him. His hands roved my back, playing in my hair, grasping my waist, as if he couldn’t touch enough of me at once.”
  • Tamlin and Feyre have sex for the first time. “We were a tangle of limbs and teeth, and I tore at his clothes, and then tore at his skin until I marked him down his back, his arms. His hands were devastatingly gentle on my hips as he slid down in between my thighs and feasted on me, stopping only after I shuddered and fractured. I was moaning his name when he sheathed himself inside me in a powerful, slow thrust that had me splintering around him.”

Violence

  • Feyre kills a wolf, that has just killed a deer, and then skins the wolf. The wolf “didn’t try to dodge the arrow as it went clean through his wide yellow eye.” Feyre describes “wrapping the bloody side of his pelt around the doe’s death wound” before she takes it home with her.
  • Feyre describes a memory of when thugs beat up her father for losing investment money. “That creditor and his thugs had burst into the cottage and smashed his knee again and again. I had stayed, begging and weeping through every scream of my father, every crunch of bone.”
  • Feyre fights off the naga, or “faeries made of shadow and hate and rot.” She shoots one with her bow and arrow and it “struck home and blood sprayed.” Tamlin comes to help her and “shredded through his companion’s neck, flesh and blood ripped away.” The scene is described over two pages.
  • An injured faerie comes to Tamlin’s home with “blood oozing from black velvety stumps on the faerie’s back . . . as if his wings had been sawed off.”
  • Some faerie men try to attack Feyre and “herd and push me towards the line of trees” before Rhysand steps in to save her.
  • Feyre sees the body of a girl, who had been mistaken for herself and tortured by Amarantha as a result. “Her skin was burned in places, her fingers were bent at odd angles, and garish red lines criss-crossed her naked body.”
  • Rhysand is forced to “shatter the mind” of a traitor faerie and kills him with only his mind. “The faerie male’s eyes went wide – then glazed as he slumped to the floor. Blood leaked from his nose, from his ears, pooling on the floor.”

Drugs and Alcohol

  • Feyre talked too much because of “the wine she had at dinner.”
  • Feyre drinks faerie wine and “it was like a million fireworks exploded inside me, filling my veins with starlight.” This makes her giddy and she dances a lot.
  • Feyre is forced to drink magical faerie wine that makes her “memory a dark blur of wild music.” After she drinks the wine, she has no control over her actions and is forced to dance for hours in front of the faeries.

Language

  • Townspeople call the Children of the Blessed “faerie-loving whores.”
  • Profanity is used occasionally. Profanity includes: shit, damn, and hell.

Supernatural

  • On their journey into the faerie world, Tamlin uses magic to put Feyre to sleep and to “keep my limbs tucked in to prevent me going for my knife.”
  • Feyre describes Tamlin changing from his beast form into his faerie form. “The beast plopped into the chair, and, in a flash of white light, turned into a golden-haired man.”
  • Tamlin tells the story of the curse on his lands and the “blight that caused a magical surge during a masquerade ball forty-nine years ago” that left the spring court permanently stuck in masks.
  • Feyre encounters an evil faerie creature in the forest called the Bogge. It gets inside her head and tries to make her look at it because “when you acknowledge it, that’s when it becomes real. That’s when it can kill you.”
  • Another faerie creature tricks Feyre into seeing an apparition of her father “near the open gate, beckoning me to hurry.”
  • Feyre traps a Suriel that has “a face that looked like it had been crafted from dried, weatherworn bone, its skin either forgotten or discarded, a lipless mouth and too-long teeth held by blackened gums, slitted holes for nostrils, and milky white eyes.”
  • Feyre encounters a “giant worm, or what might have once been a worm had its front end not become an enormous mouth filled with ring after ring of razor-sharp teeth.”

Spiritual Content

  • Feyre describes villagers “praying to the long-forgotten gods” to not encounter faeries on their hunts.
  • Feyre and her sisters run into the “Children of the Blessed,” who are missionaries that worship the high fae as gods.

by Adeline Garren

 

A Wind in the Door

When six-year-old Charles Wallace tells his sister he’s found dragons in the pasture, Meg doesn’t want to believe him. But lo and behold, Meg and her friend Calvin discover the enormous creature with hundreds of wings and thousands of eyes. A giant man claiming to be their Teacher tells them the dragons—which are really one creature, a cherubim—is one of their classmates. They’ve been brought together because evil creatures called Echthroi are trying to destroy creation—from the largest stars down to the tiny mitochondria in Charles Wallace’s cells. With her brother’s life on the line, Meg must learn how to love even her enemies or the Echthroi will succeed in destroying her brother and perhaps all of creation.

What follows is a fantastical conflict between the forces of good and evil; a struggle of life and love against hatred and destruction. Meg, Calvin, and the cherubim must work together to save Charles Wallace’s mitochondria from the Echthroi that would destroy. They are transported into Charles Wallace’s cells and meet the farandolae that lives inside his mitochondria. The farandolae have been led astray by the Echthroi and are refusing to grow up, killing the mitochondria. Meg and her classmates have to show the farandolae a better way and rescue them from the Echthroi, before the misguided farandolae kill the mitochondria, Charles Wallace and themselves.

Once again Meg complains and resists the tasks that are given her, but she rises in the end and learns how to look for the good in people even if she doesn’t like them. A Wind in the Door is more complex than A Wrinkle in Time and may be confusing for younger readers as it deals with mitochondria and the relativity of space and size. Still, for readers able to grasps its more complex topics, A Wind in the Door is a fun read that imparts the importance of loving your enemies and looking for the good in everyone. While A Wind in the Door doesn’t discuss religion directly, its storyline and themes are allegorical. For instance, the cherubim and Teacher explain that there is a battle between life and darkness, and to save Charles Wallace the children must protect the ‘song of creation’ from evil forces that would disrupt it.

A Wind in the Door is not a science book, but it does combine quantum physicals and biology to show that people are galaxies unto themselves. In order to accomplish this, the main character is reduced to the molecular level, which is made believable through L’Engle’s use of imagery. Besides being an interesting story, the reader learns about the importance of compassion, friendship, and love. Anyone who is interested in learning more about the nature of human relationships should read A Wind in the Door.

Sexual Content

  • None

Violence

  • The farandolae don’t want to grow up so they suck the nutrients from adult farandolae, called fara, killing them in the process. “A group of farandolae whirled about a fara; fronds drooped; color drained. The dance was a scream of laughter, ugly laughter.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Meg has a run in with an Echthroi impersonating Mr. Jenkins. Mr. Jenkins, “rose up into the night like a great, flapping bird, flew, screaming across the sky, became a rent, an emptiness, a slash of nothingness.”
  • Meg meets a cherubim. “Wings, it seemed like hundreds of wings, spreading, folding, stretching—and eyes how many eyes can a drive of dragons have? and small jets of flame.”
  • Meg’s teacher is a “huge” man whose “long robe seemed chiseled out of granite.”
  • A large black garden snake acts strangely human, bowing to Meg’s new teacher. While the snake never speaks, it’s said that she too is a “Teacher.”
  • Meg is shown how the Echthroi destroy matter; how they turn it into nothingness. “Across the sky, where the stars were clustered as thickly as in the Milky Way, a crack shivered, slivered, became a line of nothing-ness.”
  • Meg learns how to kythe, a form of mind-to-mind communication. “It’s how cherubim talk. It’s talking without words, just the same way that I can be myself and not be enfleshed.”
  • Farandolae, things that live inside mitochondria, are depicted as “a small, silver-blue mouse…[that] spoke, but with neither a mouse’s squeak nor a human voice. The sound was like harp strings being plucked under water.” Meg and her friends are transported inside a mitochondria, to help the farandolae.

Spiritual Content

  • What Charles Wallace thought were dragons turns out to be a cherubim.
  • The cherubim tries to explain exactly what the Echthroi are. “I think your mythology would call them fallen angels. War and hate are their business, and one of their chief weapons is un-Naming—making people not know who they are. If someone knows who he is, really knows, then he doesn’t need to hate.”
  • When Meg tries to stop the Echthroi, she sings the song of creation, “Sing for the glory of the living and the loving the flaming of creation sing with us dance with us be with us Be! They were not her words only. They were the words of Senex, of the Deepening Sporos…the cherubim and seraphim, wind and fire, the words of the Glory.”

by Morgan Lynn

The Spacedog Cometh

Klawde is not an average cat. He’s an exiled emperor from across the universe. Klawde spends his days plotting his revenge. He will use any means possible to return to his homeland. Klawde is cruel. He’s cunning. He’s also his human’s best friend.

As Klawde plots his cosmic revenge, the space dog Barx arrives on Earth. Barx plans to take Klawde back to his home planet, where Klawde will be punished for his crimes. Unlike Klawde, Barx is loyal and an overall good boy. He also loves to play catch. Barx is determined to bring Klawde to justice. Will the ferocious feline be able to avoid justice?

While Klawde is focused on evading Barx, Raj is faced with his own out-of-town visitor. Although his grandmother is from Earth, she may be even more formidable than Klawde. When Raj’s grandmother plans a birthday party for Raj, he is convinced that the party will lead to the ultimate embarrassment.

Klawde: The Spacedog Cometh brings in two new characters—Barx and Raj’s grandmother. Raj’s grandmother showers Raj with love. She not only begins packing him traditional Indian lunches, but she also invites his entire class to a birthday party that will feature traditional Indian food. Raj loves his grandmother enough not to complain, but he still worries about being different than his classmates. Raj’s relationship with his grandmother leads to some funny, awkward, and surprising situations.

As Raj is trying to survive his grandmother’s visit, Klawde is up to no good. He is convinced that torturing Barx is the key to returning to his home planet. The contrast between Klawde and Barx is amusing and leads to many fight-and-chase scenes. As Klawde and Barx create chaos, Raj doesn’t know if Klawde is being honest or not. After all, Klawde has told him, “Lies are the sharpest arrows in the warrior’s quiver” and “The truth is whatever I say it is.”

Klawde: The Spacedog Cometh continues the engaging, comical story of Klawde. The new characters keep the plot fresh and exciting. Although Klawde’s plans don’t turn out as he had hoped, the conclusion is heartwarming and proves that Klawde will never change. The story continues in the same action-packed format as the previous books. The engaging story has short paragraphs, easy vocabulary, and hilarious blue-and-black illustrations. Not only do the illustrations help the reader imagine the story’s events, but they also highlight Klawde’s various emotions of misery, distaste, and disgust.

Sexual Content

  • None

Violence

  • When Raj brings a dog home, Klawde attacks him. “SLASH! I struck the dog’s nose, claws fully extended. The beast’s eyes snapped open as it yelped in shock and pain. When it saw me, it began to growl, a low rumble that sounded like thunder. Then it charged! Only my superior feline reflexes kept me from the death trap of its snapping jaws.” Klawde hides in his litter box. When the dog follows, “I began to kick up sand with my back paws, creating such a flurry that the canine was blinded.” Klawde eventually races away from the dog, and jumps on Raj’s grandmother’s head. The fight is described over three pages.
  • Klawde calls the dog a “slobbering moron.” In response, the dog bites Klawde’s tail. “The pain—it was like my tail had been blasted by a Zzaxxannian laser torpedo! Fortunately, my cry of agony so surprised Barx that he loosened his grip.” Klawde gets away by climbing a tree.
  • When Klawde finds the dog sleeping, he “bit him on the leg.” The dog doesn’t respond; instead, “Barx merely yawned.”
  • Klawde hides in the bathroom. When Barx comes into the bathroom to drink from the toilet, Klawde attacks. Klawde “sprang from my hiding place, claws fully extended! My left paw slashed Barx’s nose, my right his ear. Barx stumbled backwards in shock.” The dog chases Klawde, who climbs onto the mantel and “flung down a stack of books that the father-ogre kept there. They hit Barx on the shoulder, and he yelped in anger.” Raj’s grandmother shows up and stops the fighting. The fight is described over four pages.
  • Klawde demands that Barx returns to his home planet. When Barx refuses, Klawde calls him a bad dog. “A low growl started in Barx’s throat, and the fur along his spine began to rise. . . ‘Don’t you growl at me!’ I said, slashing him across his hideous snout. Barx bared every single one of his deadly teeth.” Then, Klawde ran from Barx.
  • When Klawde returns to his home planet, the other cats attack. “Just then, the escape pod started to rock. We were being swarmed by the infuriated mob. . .The mob was clawing at the hatch, trying to pry it open.” Klawde makes a desperate last-minute call to Raj, who comes and saves him.

Drugs and Alcohol

  • None

Language

  • In his thoughts, Klawde often calls others names. The characters also call each other names, including moron, idiot, jerk, dimwit, imbecile, fool, cowardly scoundrel, dolt, fraud, sniveling charlatan, vile flatterer, and two-faced mongrel.
  • Heck is used three times. For example, when Raj takes a traditional Indian meal to school, someone asks him, “What the heck is that?”
  • When Klawde keeps saying “sit,” Barx says, “Dang it!”
  • Darn is used once. Barx says, “Klawde did something pretty darn awful in my solar system. . .”
  • When Raj sees the lights from a spaceship he thinks, “No. . . freaking. . .way.”

Supernatural

  • None

Spiritual Content

  • None

 

The Bone Houses

Deep in the mountains lies Annvyn, a land once populated by fairy folk and filled with magic. Hundreds of years ago, Arawn, the king of the Otherfolk, was betrayed by humankind. The Otherfolk abandoned their stronghold at Castell Sidi, but they left dangerous magic behind.

Ryn is proud to be the gravedigger of the village of Colbren, just like her father before her. But her job is becoming harder as the dead keep coming back as sinister magical creatures known as bone houses. Ellis is an apprentice mapmaker searching for his long-lost family. Together they must travel into the heart of Annvyn to seek the answers to both of their issues.

The Bone Houses focuses heavily on the bone houses. These magically reanimated human corpses are essential to the plot and are often described in great detail both in and out of battle. These descriptions have the potential to scare younger readers and, as they often include gory details about the human body, should be approached with caution by readers with weaker stomachs.

The Bone Houses is a fast-paced, Polish-inspired fantasy with a uniquely post-magical setting. The quest-based plot keeps the story moving forward, with quieter world-building and character moments balanced out by exciting, fast-paced battles. Strong, fierce Aderyn and gentle, intelligent Ellis make such a good team that readers will find it easy to root for them to succeed, both on their quest and as a couple. It is easy to get lost in the mysterious allure of Annyvn, which Lloyd-Jones describes beautifully. The story certainly has a darker edge to it, exploring the unintended consequences that magic can have, even when controlled by the most well-meaning of people.

Sexual Content

  • Ellis asks Ryn if the innkeeper is “trying to find [her] a spouse.”
  • After a conversation with a young boy, Ellis tells Ryn, “I’m pretty sure he thinks we’re having an illicit romance and your family disapproves of me.”
  • Ellis describes Ryn. “The firelight burnished her red-brown hair to a blazing crimson, and something about the angle of her chin and jaw made his heart clench painfully.”
  • When Ryn smiles at Ellis he experiences a feeling “like the times he slipped on a patch of ice or a slick rock—weightlessness in his belly and anticipation of the fall.”
  • Ellis gets embarrassed when Ryn strips to bathe in a creek. When he turns to give her privacy, she says, “I’m not naked. There’s cloth covering all the relevant bits.”
  • Ryn asks if Ellis is “not one for the ladies?” She then tells him, “If you prefer the lads that’s fine.”
  • Ellis covers Ryn with his cloak as she sleeps, describing it as “A moment of sentimentality that he could ill afford. . . But he would allow himself this foolishness, if only because no one else would see it.”
  • After Ryn is attacked by a bone house, she and Ellis have a moment. “He wanted to kiss her. He felt half sick with yearning. . . It was her surety, her fierce sense of purpose; he wanted to draw it into himself. Her eyes were steady on his, and she did not pull away.” They do not kiss.
  • Ryn contemplates her growing feelings for Ellis. “She wasn’t sure when she’d begun to regard him as hers. Her friend, her ally, and one of those few people she wanted to keep safe. And if she liked the way his dark hair fell across his eye or how his voice rasped when he said her name—well. That was beside the point.”
  • When Ellis saves Ryn from drowning, she “wanted to throw her arms around him, hold on until she was sure they were both alright, until she’d worked up the nerve to press her face into the hollow of his shoulder.”
  • When Ryn looks at him, Ellis says he can feel her gaze “like being pierced through: the sharpest, sweetest pain he could imagine,” and describes her as “truly lovely.”
  • Ellis says that he “wanted to touch the hollow of [Ryn’s] throat, feel her heart beating beneath his fingertips. He wanted to push the hair behind her ears and kiss the freckles scattered across her shoulders. He wanted to tell her that he wouldn’t leave—not like the others.”
  • Ryn and Ellis finally discuss their feelings for one another and Ryn kisses Ellis, “with a determined ferocity.” Their conversation is about three pages long, and the description of the actual kiss lasts for about a page.

Violence

  • Ryn encounters a bone house and grapples with it. “The woman staggered, reaching out for Ryn. Ryn ducked back, but the woman’s brittle fingers caught her on the shoulder. She felt the rake of nails, the fingers stiffen in death. Ryn tore the axe free, and there was another nauseating wrenching sound, like tissues being torn apart. The dead woman fell to the ground.”
  • While sleeping in the woods, Ellis is attacked by a bone house. “[Ellis] reached for the only weapon he possessed: a walking stick. He jabbed it toward the man, trying to hit him around the shoulders and head. But it was little use.”
  • Ceri, Ryn’s younger sister, jokingly suggests getting rid of someone with, “a few poisonous berries slipped into a jar of blackberry preserves.”
  • Ryn and Ellis are attacked by three armed bone houses that were soldiers before they died. Ryn “threw the axe. It flung wildly through the air, and only its handle hit the bone house in the chest. The chain mail slowed the blow but could not halt it. Ryn rushed the creature, seizing her axe from the ground and aiming another blow at the bone house’s unprotected throat. Its head dropped to the undergrowth.” The fight is described over four pages.
  • A villager is killed by a bone house. The villager “did not beg. Nor did he raise an arm to defend himself when the bone house brought the sword down across his throat.”
  • A large number of bone houses attack the village. “Distantly [Ellis] heard the sounds of shouting and the clash of metal upon metal. The bone houses weren’t only attacking the house. They must be everywhere.” Preparations for the battle and the fight itself are described over about eight pages.
  • Ryn’s younger sister is attacked by the bone house of their uncle. “This bone house stank of rotted flesh, and his white hair trailed from his skull. He did not speak, but a terrible noise emanated from his chest—a rusty groan. His fingers were blackened with rot, and they were tangled in Ceridwen’s hair. And in his other hand was a dirty knife.”
  • Ryn’s family owns an overprotective goat, who attacks several bone houses. She uses “her horns gouging one’s hip.” She is ultimately outnumbered and killed.
  • An incident from Ellis’s past is described in which a girl “kicked him to the ground and kept him there with a foot on his left shoulder.” Ellis suffers from an injury to that shoulder that never properly healed and causes him great pain.
  • Ryn leaves her brother with instructions to “brain” the Lord in charge of their village if he tries to send them to a workhouse.
  • Ryn and Ellis discover a community of people living with the bone houses of their dead relatives. When one of the residents finds out about their quest, she attacks Ryn. “Aderyn was on her back, legs kicking wildly as Catrin pressed her to the floor. The woman’s hands were on Aderyn’s shoulders, gripping with bruising force, and she was saying, “—can’t, you can’t—,” as if this were a conversation.”
  • As they pass through the mine, Ryn and Ellis are attacked by bone houses, and Ellis is pulled underwater. Ellis “tried to push himself upright, but something hung to him tightly. He struck out at the thing, bubbles emerging from his lips. He blinked and the water stung his eyes, but there was nothing to see, nothing to hear. His elbow connected with something hard and he felt it give, snapping beneath the blow.” The fight is described for six pages.
  • While crossing the Llyn Mawr, a large enchanted lake, Ryn and Ellis are attacked by a creature called an Alfac. “It had small scales that glittered in the sunlight like small opals. Its teeth were sharp as daggers, angled inward. Meant for ripping and tearing.” The creature capsizes their boat and pulls Ryn under. “[Ryn] touched a stone that seemed larger than the rest. Her fingers curled around its rough exterior, and before she could hesitate, she drove the rock into one of the fancy’s golden eyes.” The description of the fight lasts for three pages.
  • A group of bone houses emerge from the lake and attack Ryn and Ellis. “The bone houses dragged Ellis through the door and into the courtyard. One of his hands seized the frame, fingers straining, but then he was jerked free. He vanished into the darkness.” The fight is described over ten pages.
  • Ryn and Ellis discover the bone house of Ellis’s mother, who attacks Ryn. “Ellis knew that sound would follow him into his nightmares—the resounding crack of the cauldron striking Ryn, and then the thud of her body hitting the floor. She was so still that she might have been dead. And for one terrible heartbeat, he thought she was. Then her fingers twitched and she made this noise. A whimper in the back of his throat.”

Drugs and Alcohol

  • Hywel, one of the villagers in Colbern, suggests he and Ryn “stop by the Red Mare” for a drink.
  • Ryn describes her uncle as having been “soused” when he died.
  • Ryn gives Ellis feverfew to help with the pain in his shoulder. He jokingly asks if she is planning to keep him “in a slightly drugged state of good cheer.”
  • Ryn and Ellis find an old bottle of wine and get drunk. “The liquid was thick in [Ellis’s] mouth. He swallowed hastily, but even in its absence the wine lingered on his tongue. It tasted of burnt honey and orange rinds. Warmth bloomed in his chest.”

Language

  • Both “Bloody” and “Fallen Kings” are used as curses a few times.
  • Ellis describes Ryn’s uncle as an “ass.”

 Supernatural

  • As a child, Ryn encounters a bone house for the first time. “She had seen bodies before, but they were always gently wrapped in clean clothes and then lowered into the ground. They were peaceful. This thing moved slowly under the weight of armor, and a sword jutted from its belt. And it stank.”
  • While keeping watch for bone houses, Ryn describes the night as “dark enough for magic.”
  • After Ryn saves Ellis from a bone house, she asks if he “[spoke] the name of the Otherking three times” or “dabbled in magic.”
  • Ellis is surprised to see an iron gate surrounding the village of Colbren, to which Ryn replies, “Cities took down their iron protection when the Otherfolk left. But you’ll find us countryfolk a little more wary.”
  • Ryn recalls a story her mother told her about how Colbren came to be protected by the fairies. “One day, a woman had ventured into the mountain forests with a basket of her finest wares. She carried golden churned butter, and fresh loaves of bread studded with dried fruits, and apples that tasted of autumn sunlight. . . If you let us be, she said, we will bring offerings again.”
  • Ryn describes Annvyn, the destination she and Ellis seek, as “The land of the Otherfolk. The birthplace of monsters, of magic, and where Arawn used to rule.”
  • Chapter six consists of Ryn telling Ellis several stories about Annvyn. “It was the king of the Otherfolk, Arwan, who made his home there. Castell Sidi, a fortress of granite and enchantment, rose up beside a clear mountain lake, the Llyn Mawr. It is said he brought magic with him—for he was immortal and lovely, and he could weave enchantments as easily as we spin wool. And where he went, other magical creatures followed.” She also describes how a magical artifact left behind in Castell Sidi caused the bone houses.
  • Ryn asks Ellis to accompany her to Castell Sidi, saying “All of this began when the cauldron of rebirth was cracked. It must have made the magic go awry—I thought, if I could destroy the cauldron altogether, the magic would vanish.”
  • The family goat comes back to life as a bone house. “For one moment, Ellis wondered if perhaps it had been asleep this whole time. But that couldn’t be—it had a gaping wound in its side. It had died. They had all heard it being killed.”
  • Ryn and Ellis come upon a community where people are living with the bone houses of their deceased loved ones. Ryn discovers this fact when she meets the dead mother of their host. “She’d been dead long enough for her skin to stretch tight, for desiccation to set into the flesh, yet not long enough so that her hair had lost its shine. It had been recently brushed, and it was that detail that stuck in Ryn’s mind.”
  • Ryn describes different stories she has heard about Annvyn. “How it was the otherworld, the Not-Place, where Arawn had ruled over his court at Castell Sidi, where red-eyed hounds caught game for their master, where men vanished for a decade only to reappear not a day older.”
  • Ryn is visited by the bone house of her father who guides her to Castell Sidi. “They walked through the forest, dead man and living girl . . . They walked in silence—that was one thing Ryn had always liked about the dead. There was no need to talk.”
  • Ryn and Ellis are attacked by the Alfan, an ancient lake creature that lives in the Llyn Mawr. “This creature was untouched by time and blades. It was a remnant of another age, and she could not kill it.”
  • When Ryn breaks the cauldron the bone houses die. “[Ellis’s] mother sank to the floor; Ellis sought to keep her upright, his arms locked around her, but it was to no avail. His mother was fading, the magic slipping away. Her fingers traced his cheek, and then clattered to the floor.”

Spiritual Content

  • Ryn says that she “retreated to the forest the way some people took refuge in chapels.”
  • While thinking about her father’s disappearance, Ryn mentions that her family had no burial rituals without his body. “No draping of white cloth, no placement of fresh flowers, no building a mound of stones.”
  • Ryn says that her father believed in “respect due to the dead,” and that’s why in the graveyard “the little rituals were always observed.”

by Evalyn Harper

Then Everything Went Wrong

Hilo can’t remember his past, so he decides to go back to his home planet. But D.J. won’t let Hilo return to his home alone and jumps through the portal before anyone can stop him. In order to hide their disappearance, Izzy makes a fake Hilo and a fake D.J. robot. The two friends need time to explore Hilo’s home planet. Will D.J.’s parents figure out that D.J. is missing?

Hilo knows he is supposed to save everyone, but what happens if danger appears when he is gone. As Hilo discovers his past, the military is quickly narrowing their search for him. Will Hilo discover the answers he needs before it’s too late?

With Hilo and D.J. on another planet, Izzy and Gina are forced to take drastic measures to hide their missing friends. Gina creates a fake Hilo and a fake D.J., but it’s impossible for her to make them act “normal.” Even though Izzy and the robots are supposed to blend in, they keep getting into fights at school. Polly appears on earth, which adds to the comical conflict. Despite the fights and the misunderstanding, it is clear that the friends will do anything to keep each other safe.

Then Everything Went Wrong is full of humor and heart. Izzy and Polly clearly don’t understand earth’s customs, and their well-intentioned mistakes will keep readers giggling. Izzy keeps telling everyone that she “knows how all of the pieces fit,” but does she know what’s best for everyone?

Brightly colored illustrations will capture readers’ attention, but readers will want to keep turning the pages because of the engaging story and the likable characters. The detailed illustrations show exaggerated facial expressions which will help readers understand the characters’ changing emotions.   For maximum enjoyment, the stories should be read in order. Even though the first chapter recaps the events in the previous books, the story’s plots build on each other.

The story hits on themes of friendship, fitting in, and the dangers of war. The book ends with a shocking cliff-hanger that will leave readers in suspense. Even though Then Everything Went Wrong is the fifth installment of the series, the plot continues to build and keep readers engaged. Hilo is a boy robot that readers will love.

Sexual Content

  • None

Violence

  • Hilo decides to go back to his home planet, and D.J. refuses to be left behind. D.J. puts on Hilo’s spacesuit and goes through a portal. Hilo follows. They see space pigs and D.J. almost gets eaten by a space frog.
  • When Hilo and D.J. find Dr. Horizon’s secret lab, Hilo hits a button that begins a self-destruct countdown. Hilo creates a shield around himself and D.J. that protects them from the blast.
  • When a boy calls Polly a weirdo, she hits him. The boy falls on the ground and Polly jumps on his back and pulls his arm back.
  • When a group of girls yells at Polly, Polly says, “I won’t be fighting anyone.” A girl pushes Polly and fake Hilo and fake D.J. jump in to protect Polly. The fight is not described.
  • A woman tells Hilo a story about Tamir, who said, “I was a creature of rage and greed. I sought only to hurt and to conquer and to rule my world. . . I was born enslaved, beaten, starved, abused, and forced to work until the day I was strong enough to fight back.” Tamir changed when he felt love.
  • When the army shows up and wants to take Hilo, Gina shoots a beam of light out of her wand. It hits a man in the stomach and knocks him down, but doesn’t seriously injure him.

Drugs and Alcohol

  • None

Language

  • For show and tell, Izzy says, “So, when I armpit fart—it attacks pigeons. . . If I cup my hand too much, it sounds too high and the pigeons don’t come. . . When I do my right armpit I can call seagulls.”
  • In the space void, D.J. asks, “does this place always smell like a gorilla’s armpit?”
  • Gina waves her wand at the portal and two big dogs come through. The dogs chase Izzy and Gina.
  • Polly says that the Furback Clan was “forced to make weapons for those dirt-snaking vermin.” Then he calls them, “Lizard poop.”
  • A military man says, “Dang it” three times.
  • Polly, disguised as a human girl, tells the class about “hippopotamus bees” that “weigh three tons, and carry twenty gallons of nectar in their pouches which are attached to their rather gigantic butts.” Polly then points to her butt.
  • A boy calls Polly a weirdo.

Supernatural

  • Gina sends a communication spell across dimensions.
  • Polly uses a “masking spell. It’ll change my appearance. I’ll look human.”
  • When Tamir went through a dimensional portal, the creature said, “In my world we call a door like that magic. Here you call it science. It’s mostly the same.”
  • Robots “don’t have emotions . . .But they feel. They’re so afraid.”

Spiritual Content

  • None

Landscape with Invisible Hand

After the first vuvv landed, everything was supposed to change for the better. With the promises of health and prosperity, humans greeted the technologically advanced alien race with open arms. But when Adam’s parents’ jobs are replaced by alien technology, Adam realizes that only the wealthy class is able to thrive. Earthlings start to go hungry as food, water, and medicine become scarce. Earth becomes a wasteland of diseases where the poor suffer, while the rich and vuvv in the skies live a life of luxury.

With no money and barely enough food to survive, Adam Costello—an 18-year-old American artist—must get creative. Adam and his girlfriend, Chloe, sign up for a 1950s style dating program where they record “traditional human love” for the vuvv to watch. The vuvv watch as Adam and Chloe fall in love and act out scenes, including dates. But as the money rolls in for their pay-per-view program and their subscriber count goes up, Adam and Chloe start to hate each other. After they break up, the vuvv threaten to sue them for promoting their “fake love.”

With the threat of a lawsuit and food running low, there is only one way out—a global youth art competition. After Adam’s art teacher, Mr. Dave Reilly, entered some of Adam’s artwork in a “traditional human” art contest, Adam makes the first cut and is invited to a huge party at a galleria where the winner will be announced. The winner will have everlasting fame and fortune with their art pieces sold throughout the universe. Will Adam win and move into the clouds or will he be stuck living on the desolate Earth forever?

In Landscape with Invisible Hand, Anderson draws many parallels between Adam’s art contest, the vuvv’s colonization, and social media. He asks the question: how much should we shape ourselves to fit the criteria of others? Adam constantly has to decide whether to become the type of human the vuvv want or stay true to himself. In the beginning, Adam desperately tries to fit the vuvv’s mold in order to survive. But as Adam’s health starts to deteriorate, Adam throws away this mold and submits “nontraditional” art to the vuvv contest, teaching readers to be themselves no matter what.

Even though at its core the book has a positive, self-empowering message, Landscape with Invisible Hand is intended for older readers. Reader’s hearts will be torn apart as nothing goes right for Adam’s family—food runs out, they can’t find a job, and Adam’s medical problems worsen. The story is extremely dark, saddening, and has no happy ending. The novel also makes many parallels with African colonization and enslavement with Adam’s situation. This motif will make it hard for some readers to understand the story’s true meaning. Along with the plot and themes, the novel’s sexual content and language is also intended for older readers. The character’s frequently “neck” and kiss, and Adam constantly cusses throughout his narration. Landscape with Invisible Hand contains a powerful message that can be used to start a conversation about our world’s self-identity crisis and social media.

Sexual Content

  • The book begins with a drive-in movie theater showing a 1950s alien film where a girlfriend and boyfriend are making out. Then, an alien approaches from the nearby woods. “Boyfriends and girlfriends squeal and lean into each other. Couples grin. They’re parked in fifties tin cars and ‘necking.’ The movie screen above the field of parked cars is reflected in their windshields.”
  • “‘Gee, Chloe,’ I say, and turn to kiss her cheek.” Adam and his girlfriend Chloe take part in a 1950s dating job, where they record themselves in love and upload it for vuvv enjoyment. Usually, it involves slight kissing and flirtatious conversation.
  • After doing the 1950s dating job and filming their love for so long, Adam and Chloe fall out of love. Adam recalls how “once when we were pretending to kiss – our mouths stuck together uncomfortably like fried onion rings – just pressed against each other, not moving, trying not to breathe each other’s breath – suddenly a word popped into my head: intimacy.”
  • Chloe brings another boyfriend, Buddy Gui, to the house where she and Adam’s family live. Adam thinks to himself, “Once they disappear, I hear the ruckus from some buddy-cop holo show they’re watching, or else they’ve just turned the volume up real loud to hide the sound of them fucking.”

Violence

  • After trying to apply for a soup kitchen job, Adam’s mother starts talking to a guy in a suit. Suddenly, he throws her against the wall and says, “You’re not applying for that soup job. It’s mine. I have your fucking address now, and if I see you working there next week, I’m going to come over and burn your motherfucking house down.” After watching it all unfold, Adam says that he “should’ve punched him.”
  • Adam and his mother have nothing to do, “So we watch the news, and there has been a race riot in Central Falls. Security cameras show a bunch of white guys rampaging through a bodega, lifting up the Coke fridge, and tipping it through the window, attacking the owner and his family with a baseball bat, screaming shit like go back to Mexico and leave us our jobs. They’re stomping on the chips in the snack food aisle and showing their teeth like an animal pack. Some white woman standing outside on the street in a terry-cloth hoodie tells a reporter that if it weren’t for those goddamn people, the censored censored censored illegals, everybody wouldn’t be eating the grass in our yards on all fours.”

Drugs and Alcohol

  • None

Language

  • Profanity is used in the extreme. Almost all the characters cuss and profanity is on almost every page. Profanity includes: douche, shit, fuck, goddam, ass, idiot, Jesus, hell, jerk, and piss.
  • Adam recounts the vuvv landing and says, “A few years ago, some guy in cargo pants was caught tipping over one of the monument’s pillars. At first, everyone thought he was doing it as an anti-vuvv protest. Later, it turned out he was just a douche.”
  • Adam hates how his house looks. “The shingles look okay, but all the brown panels look like hell. The paint is cracked and flaking off in long strips. What kind of dipshit would design a house half shingled and half painted?”
  • Adam’s mother asks if he includes “the piles of bullshit you heap in every direction” in his paintings.
  • Adam calls his dad a “fucker” and a “fucking coward” for running off and abandoning them. Adam’s mother calls Adam’s dad a “jackass” after he suggests they try to rent out part of the house.
  • Someone sold a million-dollar estate for a “goddamn dollar” to the vuvv.
  • Adam suffers from Merrick’s Disease, which causes him to have the “shits” constantly.
  • Adam lied to a group of rich kids, claiming he damaged his Achilles tendon “when I was kneeing a complete idiot in the gut.”
  • Adam’s sister, Nattie, makes a pun. Her mother lets out a long sigh and responds, “Jesus, Nattie. I don’t know what to say to that.”
  • Adam hates school because “The school day seems to stretch forever, especially because my last couple of classes are taught by vuvv tech, which just shows us stuff floating in the air and then tells us off when we act like jerks.”
  • Adam watches Thallium Dogs II: Assassin’s Blade where the main character “opens up a noisy barrel of whoop-ass.”
  • In celebration of getting to the art competition shuttle, Adam urinates. “While I’m still in the shadows, I piss a smiley face into the snow.”

Supernatural

  • None

Spiritual Content

  • The winner of the art competition makes a crude, wooden chainsaw construction of the Virgin Mary and a combination of baby Jesus and the Hindu god Ganesh. “My painting faded. In its place is the 3-D image of rough-hewn Virgin Mary and Child, except the Virgin Mary is swaddling on her lap (silent night, holy night) an infant with the head of an elephant.”

by Matthew Perkey

Let It Glow

Pegapony Electra loves to be outside, running as fast as she can—and she’s fast! Now that it’s time to learn to ride with the children at the Enchanted Pony Academy, Electra couldn’t be more excited. But riding is a lot harder than it looks. When Electra accidentally throws a prince onto the dirt, the other children are afraid to get in the saddle. Can she find her perfect match and keep working toward becoming a royal pony—before time runs out?

Readers will relate to Electra as she struggles to learn a new skill and worries that no one will like her. Electra is the fastest pegapony in her class, and she desperately wants a royal child to choose her as a pet. But during her first lesson, she doesn’t understand what the boy wants and accidently throws him off off the saddle. Soon Electra’s self-doubt causes her to wonder if she will be rejected during the choosing ceremony.

Let It Glow focuses on Electra’s struggle and connects it to Alana, who is afraid to try new things. Alana, who is in a wheelchair, wonders if her disability means that she cannot become her kingdom’s queen. Even though Electra is struggling with her own problems, she continues to encourage Alana. Electra’s willingness to help Alana is heartwarming and will show readers the power of kindness.

The story also highlights the importance of being careful with your words. When the children talk badly about Electra, Alana says, “Didn’t we talk about the importance of kindness in our class? Royal children are supposed to set a good example. Are you doing that by saying such nasty things to this nice pony?”

Let It Glow is the third book in the series. However, Enchanted Pony Academy books do not need to be read in order. Let It Glow will entertain those who have already transitioned to chapter books. Cute black and white illustrations help break up the text and appear every three to five pages. Although the vocabulary isn’t difficult, the text-heavy pages and long sentences may be overwhelming for beginning readers. Let It Glow will entertain readers as it teaches important life lessons about perseverance and kindness.

Sexual Content

  • None

Violence

  • Electra comes to a sudden stop and “the boy flew forward, tumbling off the saddle onto the ground.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Each pegapony has a different Glitter Gift. The Glitter Gifts include being able to become invisible, being able to talk to winged animals, teleportation, and making flowers bloom. One pegapony can even shoot sparks out of his horn.
  • Electra’s Glitter Gift is making her horn and hooves glow. When she used her Gift, “she could feel a warm tingle whenever they started to light up.”
  • Several times in the story, someone levitates an object, which is usually the pegapony’s riding gear. For example, when Electra is getting ready for riding class, “Mulligan levitated the saddle onto her back and tightened the straps around her.”
  • Electra tries to go to the hundred kingdoms, but the stairs aren’t there. “Only the headmaster and headmistress could enchant the rainbow to form stairs.”

Spiritual Content

  • None

 

 

 

Search for the Mermicorn

Coral, Angel, and Shelly can’t wait to work on their school project about creatures in the ocean. There are so many animals to choose from! How do you pick just one? Then Angel remembers something she read about in a book–a mermicorn! It’s perfect…but are mermicorns real? Angel thinks so! And a student at the Science Center just might help her prove it!

The three purrmaid friends clearly love school and the library. As part of a class project, the purrmaids research sea animals and go to a science center to learn more. The purrmaids learn important sea creature facts that come into play later. The story reinforces the importance of learning about the natural world and respecting sea creatures.

As the friends research sea animals, they find a pod of narwhals and a lost mermicorn. The mermicorn tells the purrmaids, “Mermicorns like to stay out of sight. Our horns are just here to be pretty. We can’t use them to defend ourselves. So staying hidden is how we keep ourselves safe.” Even though the friends are excited to tell everyone that they met a mermicorn, they decide to keep the information secret so they do not endanger their new friend.

Search for the Mermicorn is perfect for readers who are able to read chapter books. The story has easy vocabulary, short sentences, and cute black-and-white illustrations approximately every three pages. Young readers will enjoy the puns such as “fin-tastic,” “shell-ivision,” “fin-teresting,” and “perr-fect.”

Even though Search for the Mermicorn is part of a series, the stories do not have to be read in order. The Purrmaid series takes readers on an underwater swim that teaches fin-tastic lessons as well as entertains. Readers who love animals should also add The Critter Club Series by Callie Barkley to their reading list.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Enemies

Klawde and Raj are back! As summer turns to fall, our favorite warlord cat remains in his pitiful, exiled existence. But Raj has an even scarier prospect than cosmic exile: starting at a new school. And if things didn’t seem complicated enough, both cat and human are confronted with two figures from their past they did not expect to pop up in Elba, Oregon.

While Klawde trains three kittens to become warriors, Raj is trying to make new friends and win a robotics contest. The tense story atmosphere chronicles Klawde and Raj as they both seek revenge on an enemy. When Klawde feels depressed and hides out in his bunker, Raj cheers him up with Klawde’s own words: “Revenge is a dish best served as often as possible! Revenge is the best medicine!” Klawde is truly an evil alien warlord who believes “an excellent lie is better than an inconvenient truth.” Even though Raj realizes that revenge isn’t the best medicine, the story has some bullying and gives no advice on how to conquer the problem.

Klawde: Evil Alien Warlord Cat #2 jumps back and forth between Klawde’s and Raj’s points of view. The story focuses on the drama of middle school, using humor and fun illustrations that are washed in blue. Klawde’s violent behavior is often outrageous and humorous, and he perfectly captures cats’ disdain for others. The conclusion shows Raj learning that revenge isn’t the right course of action because it hurts others.

Readers will enjoy the fast-paced story but may have difficulty with some of the advanced vocabulary, such as perfidious, malevolence, nefarious, and exponentially. However, readers will be able to use context clues to understand the meaning of the difficult words. Short chapters, large font, and pictures that are scattered throughout the story will keep even reluctant readers interested. Even though Klawde: Evil Alien Warlord Cat #2 doesn’t have an anti-bullying message, the highly entertaining story will keep readers flipping the pages until the very end.

Sexual Content

  • None

Violence

  • Klawde teaches kittens to be warriors. As they train, the calico kitten “dispatched each of her brothers so quickly that, for the final match, I paired both girls against her. The fight was even, until on one the grays caught the calico with a strike to the head that sent her sliding across the floor. She crouched in a corner, meowing pitifully… The boys went to check on the state of their sister. Once they were near, the girl sprang forward with a leap so lightning-fast, they had no time to react. She landed on their backs, slashing and biting and yowling with glee.”
  • The calico pretended to be heading towards a nap and then, “she turned, rose up behind her brothers on her hind legs, and crashed their skulls together.”
  • Klawde finds his enemy, who was “finished slurping up the innards of whatever creature he had captured, and crunched its bones between his teeth.”
  • Klawde and his sworn enemy fight. Klawde “cuffed him on his cheek as an answer to his insolence. Then I reached with my other paw to strike at his shoulder. I ducked his next swing, and at the same time used my right hind leg as a surprised cudgel, jackhammering him with a blurred series of blows.” The fight is described over two pages.
  • Klawde is upset, so he attacks a human by “grabbing at his leg. His hideous bare skin now bore four perfectly parallel scratch lines.”
  • After Klawde tampers with Raj’s robot, the robot goes crazy during an assembly, and “it shot the coffee out of Miss Natasha’s hand, and next it sprayed water at Principal Brownepoint, nailing him right in the crotch of his pants. It looked like he’d peed himself!”

Drugs and Alcohol

  • Klawde gets high on catnip.

Language

  • On the human side, there is some name-calling, including jerk and dork.
  • Klawde has many funny names that he calls both humans and cats alike. For example, he calls a cat an ignorant imbecile, a dim-witted dolt, and a moron.
  • Heck is used twice.

Supernatural

  • None

Spiritual Content

  • When Klawde challenges his enemy to a duel to the death, his enemy “looked like he’d just seen the ghost of King Si-uh-meez, whose spirit is known to appear to cats on their deathbed.”

We Set the Dark on Fire

We Set the Dark on Fire takes place on the fictional island of Medio, where a wall separates the poverty-stricken coast and the wealthy inland. Medio has rich mythology about a complicated love triangle between the Sun God, the Moon Goddess, and a human woman. The myth ends with the three entities marrying each other in a holy trifecta. Because of this myth, wealthy inland families customarily marry their sons off to two wives: a “Primera” and a “Segunda.” The Primera functions as a “political” wife who manages her husband’s social appearances and accompanies him at public functions. The Segunda is the mistress who is responsible for bearing and raising the husband’s children.

The story centers around Dani, a seventeen-year-old girl who is graduating from finishing school and is about to start her life as a wife. Despite graduating at the top of her class, Dani is worried about taking her place in the household. Political riots have made the police paranoid, and she is worried that the increased security will reveal that her identification papers are forged. Her parents are from the coast and have risked everything to put her in finishing school.

Dani is soon married off to a powerful political figure in one of the richest families in the Capital. She is the Primera and her school rival, Carmen, is the Segunda. She has little time to settle into household life before being approached by a rebel spy group, La Voz. The spies give her fresh papers so that she can pass a checkpoint, but in return, Dani is dragged into a world of political tensions and intrigue. Soon, she finds herself steeped too deep in her husband’s family’s corruption and is forced to confront ugly truths about the family she has married into. While dealing with espionage and lies, Dani must use all her wits to conceal her own secrets, which include her forged identity, her alliance with La Voz, and a budding romance with Carmen.

We Set the Dark on Fire is an original, well-written story. Mejia navigates a complicated political plot deftly. The story’s twists and turns may become confusing at times, but the narration avoids losing its thread. The prose is poetic and brings Dani’s character to life. The reader will soon be invested in the world of Medio’s aristocratic gender politics where Primeras are expected to show no emotion. Dani, who has been training for years to assume the role of Primera, is well-accustomed to showing no emotion. The layers of composure beneath that she hides add texture and detail to the narrative. She is excellently characterized.

The emotional core of the novel is formed from two main elements. The first is Dani’s relationship—and eventual romance—with Carmen. The tension and forbidden love between the two wives is excellently written, and readers will root for the couple as the stakes get higher and the lies get thicker. The second element is Dani’s love for her hometown. Although she was sent away to school at age twelve and never returned, Dani has a strong love for Polvo, the simple town where she spent her childhood. Upon entering the aristocracy, Dani discovers that she is disgusted by the excess and wealth that her new family can afford. Although she looks back fondly on her time in Polvo and wishes she could live there, she knows that Polvo is racked with poverty and that the police terrorize its citizens.

American readers may notice that the world of Medio draws certain parallels to events on the news. The island is divided by a wall meant to keep certain people out; the police are brutal towards the poor; the culture features Spanish words and foods. The narrative never makes the allegory overly obvious, but the book is deeply political. In one scene, Dani feels regret that she can have fun at all when so many people are suffering. Her guilt and class consciousness will strike a chord with many readers. While the book puts strong moral themes into conflict, the reader likely will not feel patronized or preached to; rather, they will simply want to know what happens next.

Sexual Content

  • Dani and Carmen’s new husband frequently looks at Carmen in suggestive ways, “raking his eyes over her body in a greedy way.”
  • Carmen wears revealing clothing. “Carmen was never underdressed—unless you counted too much bare skin. Today’s dress was plunging.”
  • A seamstress measures Dani and Carmen for new clothes, and Dani is nervous about undressing in front of another person. There are moments of uncomfortable sexual tension. “Carmen in clothes was ridiculous, but in nothing but her underwear she was, objectively, a work of art. She was all circles and curves, all dark amber and soft edges.”
  • In a lie to cover up her communication with La Voz, Dani tells Carmen that she fired a gardener. Dani says, “I heard him talking about you. About your figure in your dress and how he’d like to . . .  well, you get the point . . . I let him go for saying inappropriate things.”
  • In the shower, Dani fantasizes about Carmen. “There was a heat building deep within her. Deeper than her muscles or her bones or her pounding pulse. It was a primal, secret ache that she’d never allowed herself to feel before this moment. Her fingers knew where to find the source of that feeling, and when they went wandering, Dani didn’t stop them. . . In only a few moments, she was lost to the sensations.”
  • After being attracted to each other for a long time, Dani and Carmen finally kiss. “Their lips met like swords sometimes do, clashing and impatient and bent on destruction, and Dani thought her heart might burst if she didn’t stop, but it would surely burst if she did.”
  • Dani and Carmen’s husband are accused by his parents of having an affair. “If you’re going to have an affair, at least be discreet, for Sun’s sake. The years between marriage and moving your Segunda into your room are long, but . . .”
  • Dani and Carmen’s husband kisses Carmen “longer than he should have been allowed, especially when they weren’t alone.” Dani imagines “the places a kiss like this could lead. The places they would necessarily lead, if Dani was still here when it was time for them to produce a child. But would Mateo really wait that long?”
  • Dani and Carmen spend an intimate night together, and Dani is nervous about what Carmen expects. “She was a Segunda, of course; maybe kissing wasn’t enough. Dani tried not to balk at the thought of clothing coming off, of touching someone else the way she’d barely touched herself . . . she wasn’t ready. Not yet.” Carmen reassures her that she doesn’t expect anything sexual. “Don’t worry about that, okay? If we want to . . . when we’re ready . . . we’ll talk about it. But for now, I just want to do this until I get dizzy.” The narration skips over the rest of the night but implies that they continue making out until morning.
  • After their night together, Dani observes herself in the mirror. “She didn’t look like a Primera anymore. She looked like a girl who knew the taste of lips and tongues. A girl who had wondered what was next.”
  • Dani spies on two minor characters, José and Mama Garcia. “Whatever José had been about to say, it was swallowed by Mama Garcia as she claimed his mouth in a passionate kiss. One that clearly wasn’t a first between the two.”

Violence

  • The police use firearms and deadly force. During one chapter, Dani and Carmen have to navigate through a market where a confrontation is taking place between the police and La Voz. The police fire several times and create havoc, but the “long, shallow scratches on her neck were the least of Dani’s worries. There had been blood on the pavement as they’d left the marketplace…” Later, she learns that her main contact within La Voz was shot. “‘Just a scratch,’ he said, but a complicated web of bandages spread across his chest and down his left arm, telling a more sinister story.”
  • Members of La Voz gather in the market with torches to burn it down. Dani barely escapes in time and suffers severe burns. “The figure watched, mask expressionless, as she rolled on the stone stage, trying desperately to put out the fire that had taken over her every thought and feeling. When the flames finally died, the fabric of her expensive dress had become one with her skin, and when she tugged at it her vision went black in spots, coming back slowly to reveal an inferno where she had just been standing.”
  • A member of La Voz holds a knife to Dani’s throat and threatens her life. “The knife pressed harder against her throat, kissing her skin until it broke.”
  • Dani is pulled away from a car that explodes with people inside of it. “Carmen slammed into her from behind, knocking the wind out of her. She didn’t say a word as she scooped Dani up into her arms and flat-out ran back to the car. The whining was deafening now. Above them, the air seemed to grow thinner, the stars too bright. Carmen threw her painfully to the ground behind the hired car, barely covering Dani’s ears with her hands before the darkness exploded all around them.”
  • A member of La Voz holds a gun to Dani’s head, but then empties her clip into a burning car instead of shooting her.

Drugs and Alcohol

  • Playing cards only come out “when the men at a party got too deep in their expensive liquor and one of them had something to prove.”
  • Dani recalls her school roommate “dizzy with drink from the Segundas’ legendary last-night party. She’d been loose and smiling, drunk on her own triumph as much as the rose wine.”
  • The women of the aristocracy frequently drink sangria together, though never to the point of impropriety.
  • When Dani’s husband catches her in his private study, he has her sit down and drink “a clear liquid that smelled like an open flame.” He is already drunk and slurring his words. Dani gets a “pleasant buzz” and stumbles a little while leaving.

Language

  • Occasionally, characters will swear on the Sun and Moon gods and say, “For Sun’s Sake.”

Supernatural

  • Dani recalls her mother’s proficiency in telling fortunes with a deck of cards. “Her mama told the women of the town of small illnesses that were coming: a jealous eye on a child; a husband growing too fond of the fermented pineapple rind most families brewed in the dirt patches beside their houses.”

Spiritual Content

  • Dani views the world through her own religion, which differs from the religion of the inner island. While the inner island focuses on “large gods,” such as the Sun God and Moon Goddess, Dani sees small gods everywhere.
  • For example, during a tense moment, “Dani closed her eyes and muttered a half-forgotten prayer to the god in the air, to the goddess in the flames. Keep calm, she beseeched them. No one around her would understand. Her parents’ gods weren’t in fashion—only the bearded visage of the Sun God, who ruled masculine ambitions and financial prosperity.”
  • These invocations of small, unnamed gods appear throughout the narration and often serve to illustrate what Dani is thinking or feeling.

by Caroline Galdi

 

 

Waking the Monsters

Mega robot monsters are popping up from the ground, and they’re too big for Hilo to battle on his own. Luckily, Gina can use her magic to help fight the battle. But the closer Hilo and Gina get to the secret behind the monsters, the closer they get to the secret of Hilo’s past. Do they really want to know what happened in the past?

Gina needs to help Hilo, but that means missing cheerleading practice and keeping her activities hidden from her mother. D.J. and Izzy are determined to keep their two friends safe, but every time a monster is powered down another one appears. With all of the unusual events, Hilo is now on the military’s radar. Can Hilo avoid being captured by the army? Is there any way that Hilo and his friend can stop the monster invasion?

The fourth installment of the Hilo Series has the same characters, but a host of new mechanical monsters that need to be defeated. Unlike the previous books, Waking the Monsters focuses on battle scenes. It takes Hilo and all of his friends working together to stop the creatures. Gina is allowed to shine by using her magical ability to help Hilo. Gina’s excitement at being Hilo’s “sidekick” brings humor to the fighting. During the battles, no one is seriously injured and the mechanical monsters are powered down instead of destroyed.

Hilo’s lost memory, the long battles, and the military joining the battle give Waking the Monsters a slightly darker tone than the previous books. However, Hilo’s desire to help others in creative ways will leave readers with a smile. The story has some humor based on farting and butts. For example, Izzy makes an owl that “farts roses” and she shows her friends how it works. Izzy also makes a chicken that speaks Portuguese and “when she gets mad, her butt falls off.”

Brightly colored illustrations will capture readers’ attention, but readers will want to keep turning the pages because of the engaging story and the likable characters. The detailed illustrations show exaggerated facial expressions which will help readers understand the characters’ changing emotions.  For maximum enjoyment, the stories should be read in order. Even though the first chapter recaps the events in the previous books, the story’s plots build on each other.

Readers will be endlessly curious about Hilo’s forgotten memory. The action-packed scenes, the friendships, and the mystery will keep readers turning the pages to the very end. If you’re looking for a story full of action and humor, the Hilo Series is a perfect choice.

Sexual Content

  • None

Violence

  • Giant mechanical animals begin appearing from out of the ground. The first one, a giant turtle that breathes fire, is going to “smash a town.” Hilo and the turtle fight; Hilo blasts the turtle with an ice blast, and then the turtle hits Hilo who falls to the ground. The turtle then stomps on Hilo. Izzy does a “diagnostic scan” and figures out how to power down the turtle. The fight takes place over eight pages.
  • Over the next several days, other mechanical monsters pop up from the ground and Hilo fights them. One creature looks like an alligator. The fights take place over two pages.
  • A giant mechanical ape appears. The ape is able to detach his hand and grab Hilo. People run screaming as the ape gets closer to the town. Hilo’s suit is damaged and “his audio link in his helmet got bonked. He can’t hear [his friends].” A mechanical monkey and the army show up. Izzy makes a suit for Gina, who joins in the battle and she’s “fighting a giant robot monkey with magical wands.” The monkey learns how to “calibrate your blast and build up a resistance.” Gina uses magic to grow twine that wraps up the monkey. During the battle Hilo gets confused. Izzy is afraid that Hilo is “not in control and he might destroy the other robot.” Gina is able to create vines that go through the ape’s body; the vine takes down the ape by popping its arms off. The battle takes place over 21 pages.
  • While in a military institution, the scientist fixes the mechanical animal that then attacks. The scientist made the creature nine times stronger. Hilo shoots lasers at the creature’s head. Two army men shoot at the creature, but it deflects the shot and blows up the army men’s vehicle. Hilo saves the men and eventually takes the creature down with an ice blast. Hilo goes to sleep and falls to the ground. The scene takes place over eight pages.
  • While Hilo is injured a mechanical creature knocks over the military doctors and tries to communicate with Hilo. When the creature touches Hilo’s hand, it causes Hilo to remember the past. The creature shows Hilo’s home planet being destroyed and the creature says, “They made me into a weapon. They made me destroy my own kind. I asked them to let me stop. But they kept sending me back to destroy more. And more. And more. Just robots like you and me. Robots who were only doing what humans made them do.” Gina appears and uses magic against the creature. The scene takes place over two chapters.

Drugs and Alcohol

  • None

Language

  • “Holy Mackerel” is used as an expression occasionally.

Supernatural

  • Polly is a magical warrior cat and an “apprentice sorceress third class.”

Spiritual Content

  • None

The Bad Guys in Do-You-Think-He-Saurus?!

The Bad Guys have flown through outer space, made it back to Earth, and managed to land in exactly the right place… but at exactly the wrong TIME. Who knew alien escape pods were capable of time travel?!? And now that they’re 65 million years in the past, they must avoid being eaten by dinosaurs and fix their broken time machine if they ever want to get back home before an evil alien destroys the whole world!

The seventh installment of the Bad Guys Series has the group hopping back in time. Hilarity ensues as Wolf, Snake, and Shark try to hide from the dinosaurs. Unfortunately, the story lacks plot—the group run around avoiding the dinosaurs and eventually make their way home. Although the black-and-white illustrations are comical, even younger readers will wish that the Bad Guys stayed in the past longer and learned about the dinosaurs.

One interesting development is that Snake acts like a leader. Even though Snake acts bravely, he tells Wolf, “I don’t want your job, you hair-brained lunatic. Who needs THAT kind of responsibility? I’m just your wingman. Your vastly superior wingman.” The Bad Guys’ time-traveling ends with each character having a new superhero power. After the story ends, “Broadcast was picked up by satellite, while being beamed from Earth into dark space.” The story transitions to a weird and random, “pilot episode [of] The Glamorous Life of Dr. Rupert Marmalade,” a “Bad Guys Tryout” quiz, and “Hiss-terically Funny” jokes.

Despite the story’s lack of development, Bad Guys fans will enjoy the familiar characters, the non-stop action, and the surprising conclusion. The Bad Guys in Do-You-Think-He-Saurus?! uses the same format as the previous books. The story pulls readers into the text in various ways. The large text has nine or fewer sentences per page, and many of the words are huge and bold. In addition to the large text, black-and-white illustrations appear on every page. Some of the illustrations are full-page, while others appear in panels. The illustrations show the story’s action as well as the characters’ facial expressions.

As always, the Bad Guys will continue to entertain readers with a unique cast of characters, an action-packed plot, and fun friendships.

Sexual Content

  • None

Violence

  • A giant robot appears on earth. The robot tells Fox, “You have been identified as an enemy. Prepare to be terminated.” There is a “Zap!” and Fox disappears.
  • A velociraptor grabs Wolf’s tie and begins flinging him around.
  • A T-rex chases Piranha. At first, Piranha is totally frightened, but then he thinks, “MY Bolivian brothers would be ashamed to see me running away like. . . a jellyfish with tiny little baby hands.” Piranha tries to attack the T-rex, but gets stuck in the dinosaur’s nostril.
  • Two T-rexes chase Wolf and Snake. The three friends run into Shark, and the group forms a tumbling ball that “DONKs” onto a dinosaur’s head, causing Piranha to shoot out the dinosaur’s nose.
  • The Bad Guys travel through time. When they shoot out of the time “circle,” they “smack” into a robot, causing him to fall into a river.

Drugs and Alcohol

  • None

Language

  • The story has some name-calling, including coward and nutjobs.
  • The are several references to butts. For example, Piranha tells Wolf, “Well, amigos. . . In Bolivia we have an old saying—It’s better to be eaten by dinosaurs than it is to be eaten by aliens with butts for hands.”
  • “OMG” is used as an exclamation once.

Supernatural

  • The Bad Guys accidentally travel back in time. As Spider tries to figure out how to return to their time period, Piranha shoots out of a dinosaur’s nose and accidentally hits the “Do Not Press” button, which causes a “swirly circle” to appear in the sky. The Bad Guys and a velociraptor jump into the circle and return to present-day earth.
  • After time traveling, the Bad Guys have new “superpowers.” Mr. Shark can shape-shift; he turns into a tree, a skateboard, and a donut. Snake can now move things with his mind. “Guys, I think Mr. Snake is lifting a car. . . with his MIND.”

Spiritual Content

  • None

Guest: A Changeling Tale

Mollie knows that it’s dangerous to praise a baby. The Kinde Folke, who are anything but kind, may overhear and snatch the beautiful child away. Mollie loves her baby brother Thomas and somehow flattering words escape. She knows her baby brother could be snatched, but she isn’t expecting a hideous changeling to take his place. When her brother disappears, her father leaves town and her mother tries to keep the changeling alive. Mollie’s mother hopes that the Kinde Folke will take the changeling home and return Thomas.

Mollie watches the joy and strength leave her mother. In the hopes of saving her family, Mollie decides to sneak away and return Guest (the changeling) to the Kinde Folke. But the Kinde Folke do not want Guest back, and they will do everything in their power to keep Mollie from finding them. Determined, Mollie journeys over mountains and through forests filled with otherworldly foes. Can Mollie find the treacherous Kinde Folke and convince them to let go of her brother?

Mary Downing Hahn weaves a tale of frightening fairies who use trickery and violence to keep Mollie from finding her brother. Although the Irish folklore is interesting, none of the characters in the story are likable. Mollie is spoiled, mean, and says hateful words. The story hints that Guest’s father cares about him, but the man only steps in to help when Mollie and Guest are in danger. Even though Guest is described as a disgustingly ugly changeling, he grows as a person and realizes that his previous actions were wrong. Readers may be put off by the host of unlikeable characters.

As Mollie searches for her brother, she continues to make the same mistakes over and over again. If it wasn’t for the help of the traveler and sympathetic Kinde Folke, Mollie would have surely met her demise. In the end, Mollie is reunited with her brother; however, he is so mean and ill-tempered that the reader will wish that the fairy queen had sacrificed him as she had planned.

Mollie travels through the forest and has to overcome many difficulties. The changing relationship between Mollie and Guest will give readers hope. Throughout the story, several people ask Mollie, “Why must you speak your mind without giving a thought to what you say?” By reading Mollie’s story, readers will understand the need to think before they talk. Readers who are interested in folklore and the darker side of fairies will enjoy Guest: A Changeling Tale. Readers interested in folklore with mischievous and often dangerous characters should try better alternatives, such as 13 Treasures by Michelle Harrison or The Spiderwick Chronicles by Tony DiTerlizzi and Holly Black.

 Sexual Content

  • Mollie finds out that Guest’s father is Madog. Guest’s half-brother says that Guest’s mother “should not have lain with Madog.”

Violence

  • Mollie’s mother thinks about taking the changeling baby to the crossroads. “Those who’d killed themselves were buried in this place. Murderers, too, and thieves, all those who weren’t allowed to lie in the churchyard. Changelings and unwanted babies had both been left here to die.”
  • A Stallion horse takes Mollie into the sky. When she asks to be returned, “I understood that the horse meant to dive into the lake and drown me. I lunged to one side, but the black threads of his mane wrapped themselves around me and held me fast. Into the water we plunged, going so deep, I thought I’d never see the sky again. . . I used all of my strength to push the silver heart against the horse’s neck. With a shudder, the stallion threw me from his back.” Mollie is able to swim to the surface, but the Stallion races after her. “And then, though I scarce believed what I saw, the horse changed to a man as beautiful and wild as the horse.” With the help of the traveler, Mollie is saved.
  • Guest tells Mollie that his birth mother does “not like me. Scream, hit, hurt me.”
  • Creatures “wearing tattered leaves and cobwebs” try to get Mollie to follow them. When she doesn’t, “they surrounded us, hundreds of them, no bigger than wasps. . . No longer pretending to be friendly, they pinched us, they bit. They pulled our hair as if they meant to yank it out. They tore our clothes as if they wished to strip us to our bare skin.” Mollie thrust the locket at the Tinies and “at its touch, the creatures shrieked in pain and spiraled upward.”
  • The Kinde Folke tricked Mollie into believing a wolf was her brother Thomas. The wolf “struggled to escape, and when I tightened my hold on him, he snarled and sunk his teeth into my arm. Shocked, I let him go. His lips drew back and exposed long, sharp teeth. Fur covered his body. . . As he leaned over me, poised to attack, I pulled out the locket and pressed it as hard as I could against one of his eyes. With a savage howl, he leapt backwards, one eye gone, nothing left of it but a smoking hole and the stench of burned flesh.”
  • One of the Kinde Folke appears to Mollie and her companions. When they go into a circle, “Green flames raced across the ground toward us. My skin tingled and my hair crackled. Guest and Aidan glowed as if they were burning from within. The flames vanished as quickly as they’d come, and a terrible silence fell.” When Aidan approached the woman, “the lady struck his face with her open hand. Aidan’s head snapped back and he raised an arm to protect himself from the second blow.” When the woman asks Mollie a question, Mollie stays quiet. “The air stirred before I felt the blow. Stumbling backwards, I almost knocked Guest down. He whimpered and held my skirt tightly.”
  • When Madog tries to keep Mollie from following the Kinde Folke, she “yanked the locket from around my neck and thrust it into Madog’s face. With a cry of pain, he sprang back.” When the Kinde Folke try to convince Mollie to go with them, she lifted “the locket high, I thrust it against their shoulders, their faces, their arms, their hands. The dancers screamed in pain.” The Kinde Folke flee.
  • The Kinde Folke plan on sacrificing Mollie’s brother. One of the Kinde Folke tells her, “Every seven years, we are sworn to give the Dark Lord of these lands a tithe. That’s the price we pay to roam the world as free as the wind.”
  • When a girl spills wine, the Kinde Folke’s queen called her a “stupid, clumsy girl.” The queen then “slapped Aislinn’s face so hard, the girl nearly fell from her chair.”
  • When Mollie steals her sleeping brother from the Kinde Folke, the Kinde Folke try to get him back. “The hounds were upon us, dark, long and lean, red-eyed and sharp-toothed, more like shadows than actual dogs. They ripped at the horses’ legs, leapt at their throats, and tried to pull us to the ground.” In order to escape, someone gives Mollie a pouch. Mollie “fumbled with the cord and then hurled the sack at the Kinde Folke. Its contents exploded in a flash of lighting. Small iron balls shot into the Kinde Folke crowded around us. They screamed in pain and tried to shield themselves.” Mollie and her companions are able to flee.
  • While Mollie and her companions are fleeing, “a strange darkness fell upon us. . . Thunder crashed so loudly the earth seemed to shake. Lightning exploded across the sky with a force that split the clouds.” The Dark Lord speaks, then he “destroyed the Kinde Folke just as he said he would.”
  • When Mollie brings her brother home, their father is afraid the Kinde Folke will seek vengeance. He says, “Remember what they did to the Millers’ barn and house—burned them both to the ground just because Mistress Miller refused to call them kind.”

Drugs and Alcohol

  • A shapeshifter gives Mollie a “pretty little blue bottle.” The shapeshifter said the bottle contained “my elixir of health.” But Guest hit the bottle, which poured onto the ground. When a butterfly drank the elixir, “in a moment, it lay still and the ferns around it withered.”
  • During a ceremony, the Kinde Folke drinks wine. When a girl drops a glass of wine, someone says, “Bring more wine. But give none to this one. She’s had more than enough already.”
  • Mollie’s brother is given a potion that puts him to sleep.

Language

  • None

Supernatural

  • Mollie has an iron necklace that is covered in silver. When the necklace touches a Kinde Folke, the necklace hurts them.
  • The story centers around the Kinde Folke, who have magical powers. “Worst of all, if the Kinde Folke learned of a beautiful baby boy’s birth, they’d steal him away and leave one of their own sickly creatures in his place.”
  • Pookas, which are ghosts, “live in dark lakes and take lasses.” A Pooka turns into a stallion and tries to keep Mollie from entering the Kinde Folke’s Dark Lands.
  • Tinies lead people into the swamp and drown them.
  • The Kinde Folke try to trick Mollie. Two of them “glamorized to look like” her parents.
  • Mollie is given a cloak that had invisibility woven into every thread.
  • Some of the characters can shapeshift.

 

Spiritual Content

  • None

Mercy Watson Goes for a Ride

Mr. Watson and Mrs. Watson adore their porcine wonder named Mercy. Every Saturday, Mercy and Mr. Watson go for a ride in Mr. Watson’s convertible. Every Saturday, Mr. Watson has to push Mercy out of the driver’s seat. Everyone knows that a pig can’t drive a convertible. But one Saturday, Mr. Watson and Mercy find a stowaway hiding in the car. While Mr. Watson is distracted, Mercy takes the opportunity to get behind the wheel.

Even though Mercy Watson Goes for a Ride has the same unique, loveable characters as the first book in the series, each book can be read as a standalone. Eugenia Lincoln still finds fault in taking a pig for a ride in an automobile, but Eugenia’s sister Baby surprises everyone by taking a chance to add a little “folly” to her day. Readers familiar with Mercy Watson and new readers will enjoy the hilarious adventure. The conclusion shows how a pig and buttered toast can bring people together.

The wholesome, silly story will have readers clamoring to read and reread Mercy’s adventures. The illustrations bring the human’s emotions to the forefront with comical, exaggerated facial expressions.

Readers who are transitioning to chapter books will appreciate the large font, easy vocabulary, and illustrations that appear on almost every page. With lots of dialogue and onomatopoeias, Mercy Watson Goes for a Ride would also make an excellent book to read aloud. Anyone who has ever watched Charlotte’s Web and wished to have their very own pig will enjoy the Mercy Watson Series.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Klawde

Klawde is not your average cat. He’s an emperor from another planet, exiled to Earth. He’s cruel. He’s cunning. He’s brilliant… and he’s about to become Raj Banerjee’s best friend. Whether he likes it or not.

Klawde had everything. Sharp claws. Fine fur. And, being the High Commander of the planet Lyttyrboks, an entire world of warlike cats at his command. But when he is stripped of his feline throne, he is sentenced to the worst possible punishment: exile to a small planet in a quiet corner of the universe… named Earth.

Raj had everything. A cool apartment in Brooklyn. Three friends who lived in his building. And pizza and comics within walking distance. But when his mom gets a job in Elba, Oregon and he is forced to move, all of that changes. It’s now the beginning of summer, he has no friends, and because of his mother’s urgings, he has joined a nature camp.

It’s only when his doorbell rings and he meets a fur ball of a cat that Raj begins to think maybe his luck is turning around.

Klawde does not like Earth. He doesn’t like humans. He doesn’t even like his human boy Raj. In order to leave Earth and get revenge on his home planet, Klawde has no choice but to reveal his real Identity to Raj. In order to get Raj to help him, Klawde tries to hide his true nature. He is hateful, evil, and continuously plotting and manipulating. On the other hand, Raj is completely ordinary and relatable. He is unhappy about moving and afraid that he will never make friends. Readers get an inside view of both Klawde’s and Raj’s thought processes because each chapter switches between the two characters’ points of view.

Klawde: Evil Alien Warlord Cat is exceptionally engaging, humorous, and fun to read. Readers will appreciate the short paragraphs, the easy vocabulary, and the hilarious blue-and-black illustrations. Not only do the illustrations help the reader imagine the story’s events, but they also highlight Klawde’s various emotions of misery, distaste, and disgust. Readers will fall in love with the evil alien cat, understand Raj’s conflicts, and cringe when Raj’s mother expertly wields her power over the household.

Despite the humorous tone of the story, readers will learn the importance of friendship and working together. Klawde: Evil Alien Warlord Cat mixes realistic human conflicts with an outlandish alien warlord cat to create an action-packed story that readers will love. Readers will be eager to pick up the next book in the series, Enemies.

Sexual Content

  • None

Violence

  • When Klawde was napping, his enemies came for him. “Before I could even unsheathe my claws, they pounced atop me. They tied me up and chained my paws, and then they dragged me from my holding cell into the Supremest Court of All Galactic Order.” When Klawde’s minion speaks up for Klawde, “someone smacked him on the back of the head.”
  • Klawde is taken to the veterinarian for vaccinations. When the veterinarian tried to give him a shot, “with a bloodcurdling yowl, Klawde flew at the vet’s face and latched on. The vet started screaming and flailing his arms around.” Later, Klawde explains how he attacked. “First, my claws ripped at its hands. Next, its face. Oh, how sweet the feeling! I left long red scratch marks all over its vile, furless cheeks. When I was but seconds away from murdering it, my Humans pulled me off.”
  • While at camp, Raj meets some kids that are bullies. When they were playing nature tag, “Scorpion and his pals took the kill-or-get-killed concept way too seriously. Their idea of tag was to shove the younger kids into the mud and try to step on us.”
  • When Raj’s father tries to give Klawde “dried food pellets,” Klawde bites him. Then Raj’s father put “the finger I’d just bitten into his mouth.”
  • While at camp, a group of bullies throws rocks at Raj and his group.
  • When Klawde goes to scratch Raj’s mother, she tells him, “If you try it, I’ll skin you alive and turn you into a fur hat.”
  • Klawde sneaks to Raj’s camp. During a game, Klawde thinks the camp’s counselor is “planning to devour my human—or worse!” In order to help Raj, Klawde “paused, took aim, and launched myself into the air. . . My aim was true, and I made a direct hit on the plant-monster’s head. My claws made quick work of its face. . . I showed the monster no mercy, but its strength was that of ten thousand cats. It grasped me by the neck and tore me off itself. Then it dangled me from its hideous leafy paws.” When the counselor grabs Klawde, Raj gets angry and jumps out of the tree. Raj lands on the counselor and Klawde runs away. The fight is described over five pages.
  • When Raj and Klawde return home, Raj calls Klawde “kitty.” Klawde tells him, “Don’t ever call me that again or I will vaporize you across ten galactic quadrants!” Then Klawde swipes at Raj, “leaving a bloody scratch on my finger. It hurt a little, but I didn’t care.”

Drugs and Alcohol

  • None

Language

  • In his thoughts, Klawde often calls others names. The characters also call each other names often, including losers, morons, idiot, fool, jerk, little babies, and rodent.
  • When a cat crouches in attack mode, Klawde thinks, “At least these Earth cats were not all meek morons!”
  • Klawde is given a mouse with catnip inside of it. In order to get another one, Klawde says, “Mrow,” and then he wonders, “What had become of me? I had said it! The idiot Earth cat word! These mouse dolls—this was how the Humans controlled felines. This was how they made Earth cats stupid! The fiends!”
  • When the TV remote is broken, Raj’s dad says, “Darn it!”
  • As part of a contest, Raj climbs up a tree. When he gets to the top, he wonders, “How the heck was I going to get back down?”

Supernatural

  • None

Spiritual Content

  • None

The Story Web

When Alice was little, she found a gigantic spider web deep in the forest. Her dad called it the Story Web and told her how its strands were woven from the stories that hold our world together.

Years later, Alice’s dad has gone away for reasons Alice is sure are her fault. Now she won’t even talk about her dad—and definitely no longer believes his far-fetched stories. But when animals in town start acting strangely, she can’t ignore them. The Story Web is in danger—and the fabric of their world is breaking. The only way to mend it is to tell honest tales from the heart, even if they are difficult to share.

The Story Web tackles some heavy issues including friendship, hurtful rumors, and PTSD. The story focuses on Alice; however, the story is told from a third-person point of view and often shifts; it includes both human and animal points of view. The always-changing points of view break up the story’s action and may confuse some readers.

Although the story has an interesting premise, the storyline tries to do too much and lacks action. Alice’s father was in the military and has PTSD. Despite this, Alice feels like she is responsible for making her father go away. Throughout the story, Alice reads letters from her father that have many references to The Odyssey by Homer. Greek gods and the theme of the hero’s journey are also incorporated into the story. Readers who are unfamiliar with the Greek references will be confused. Readers may also have difficulties with the advanced vocabulary, such as precocity, coalition, and reprobate.

The story highlights the importance of teamwork and discusses what makes a person heroic. Alice thinks, “Some superheroes want to be heroes. Like Batman or Captain America. They make it happen. Other ones don’t really have a choice.” Alice learns that being a hero isn’t like in the movies, instead “it’s showing up, doing your job—that’s what makes a hero.” Despite the positive messages, The Story Web may be difficult for readers to slog through.

 Sexual Content

  • None

Violence

  • There is a rumor that Melanie’s aunt is a witch. People say, “She’d cut off your toes and feed them to her birds. She’d cast a spell on you and turn you into a crow.”
  • When a boy sees Lewis, he talks badly about Alice in order to start a fight. A boy tells Lewis, “Are you going to punch me? Go on, do it! I can’t believe wimpy Lewis Marble is actually going to punch someone!” An adult intervenes before anything happens.
  • When the smoke alarm goes off, Alice’s father thinks he is back in the war. “He lunged toward her, grabbed her around the shoulder, and pulled her roughly to the floor. . . He pressed her into the floor. She felt the ridges of the linoleum on her cheek. ‘Dad,’ she said, struggling to breathe under the weight of his body.” When Alice’s father realizes what he did, he runs to his bedroom and locks the door.
  • While in a crowded room, a man accidentally shoots a gun. “The gunshot reverberated round the old room. It rattled the metal folding chairs. It echoed off the huge lights that hung like bells above them. . . Mr. Sykes stared at the gun, mystified. . . He’d dropped it, and it went off. The bullet flew the length of the room just above the floor and left a small hole in the cinder-block wall.”

Drugs and Alcohol

  • Alice goes to a restaurant with her family and sees a man she knows. “Alan Sykes sat there, a golden-hued beer and a plate of cheese fries in front of him.”
  • Alice goes to the hospital to see her father, who is taking medication. Alice’s mother tells her, “I’ve been talking to the doctors the whole time, honey. They are being careful. It can be hard to get the dosage right, but what they have now seems good. . . I know that meds that work on your personality can seem weird and scary, but some people really need them. Like you wouldn’t look down on someone for taking acetaminophen for a headache, right? These meds are the same.”

Language

  • “What the—” is used twice.
  • “Oh my g—” is used once.
  • A boy calls Alice “Dingaling.”
  • Someone asks, “What kind of idiot would do that?”
  • Darn is used once.
  • Heck is used twice.

Supernatural

  • The story revolves around the Story Web, which is created when “the people tell their stories out loud or on paper, and the spiders weave them into the web. We’re always making and remaking it. It’s a very fragile thing.” The spiders gather the stories, weave them, and “the strands lace together, crisscrossing one another to make the fabric that ties the whole world together.”

Spiritual Content

  • Someone says that a true miracle is “when the supernatural world comes into the human world and helps out.”
  • Alice’s father taught her that “the constellations were set in the sky by the Greek gods whose stories he loved to tell.” The gods and constellations are described.

Idun and the Apples of Youth

Twelve-year-old Idun is confident that she can take care of the apples of youth–the magical and delicious golden apples that keep all of Asgard Academy’s gods and goddesses healthy and young. But when it comes to sharing her thoughts, Idun feels insecure. Instead, Idun keeps her feelings hidden inside.

When Loki makes a deal with a giant disguised as an eagle, Idun must figure out how to save herself and her magical orchards. How can Idun save the apples of youth so the gods and goddesses don’t age?

Readers will relate to Idun’s conflict: she isn’t sure when it’s best to share her thoughts or keep them secret. Instead of telling others what she thinks, she often stays silent, which causes her to feel hurt and unhappy. Although the conflict is relatable, the story’s plot is choppy and follows the same format as the previous book. Predictably, Loki is “a worm in a rotten apple” and causes the disappearance of the apples of youth. The only surprise is that any goddessgirl would trust Loki not to betray her.

Idun and the Apples of Youth is full of fun apple puns, surprising shapeshifting, and a crush-worthy boy-god. When the apples of youth disappear, everyone begins to age, which brings in some silly situations that will make readers smile. Through her experiences, Idun learns that “speaking up for yourself isn’t necessarily selfish.”

The Thunder Girls series does not need to be read in order; however, readers who are unfamiliar with Norse mythology will want to read the glossary first. The easy-to-read story will keep younger readers entertained as a new villain flies into the picture and traps Idun. Even when Idun is in a perilous situation, she doesn’t sit around waiting for someone to save her.

Readers interested in mythology but who aren’t ready to tackle the Percy Jackson series will enjoy the Thunder Girls series. Interesting characters, fashion, and just the right amount of blush-worthy scenes will keep readers interested until the very end.

Sexual Content

  • A boy might like Idun. “As far as she knew, no boy had ever crushed on her before. The idea that Bragi might like-like her sent a jumble of emotions surging through her—shyness and panic, but also a little thrill of excitement.”
  • Bragi tells Idun, “It’s kind of true that I like you. I mean, like-like you. . .You don’t have to say anything. I just wanted you to know, that’s all.” Idun tells Bragi, “I like you, too.” Then she thinks that she “needed to think about what he’d told her for a while. If a crush was destined to happen between them, it would unfold in its own good time. No rush.”

Violence

  • While walking from a mall in the human world to the school, Idun stops to help a creature. “The creature whipped around to stare at her with its tiny eyes. . . ‘I’ve already found what I was looking for!’ it crowed. ‘Four tasty students! Ringy-ding-ding! And rooty-toot-toots! I’ll grind your bones and steal your boots!’” The girls run from the creature.
  • The large painted friezes that covered a wall come to life. The warriors in the friezes begin to attack. “With resounding battle cries, sculpted warriors hurled food across the room at foes on opposite walls. They grabbed turnips, carrots, potatoes, apples, bread rolls, and whatever else they found for ammo within their paintings.” The food fight lasts for three pages.
  • While on a skiing tip, Loki meets a giant eagle that is fixing a pot of soup. When the eagle begins drinking the soup, Loki yells at him to stop. Loki grabs a ladle and swings it at the eagle. “With one clawed foot, he [the eagle] grabbed the bowl end of the ladle as Loki swung it at him again. As Loki held fast to the handle end, the eagle chanted some sort of magic spell that went like this: ‘Deaked leadked geak!’’’ Loki is unable to drop the ladle, and the eagle flies off with Loki hanging off the ladle. Bragi and Honir ran outside and “they scooped up rocks from the ground and threw them at the eagle, trying to make it let loose of Loki. . . Much to Bragi’s surprise, as he was pondering various schemes, the eagle suddenly released Loki. Oomph! Loki fell flat on his back in the powdery snow.”
  • Loki and Idun plant apple seeds in Midgard. While planting, an eagle “came swooping from the trees toward them. ‘Whoa! Wait!’ yelled Idun as it seized her, hooking one of its claws in the back of her hangerock. At the same time, it lifted the handle of her half-full eski with its other claws.” When Idun yells for help, Loki runs away. The eagle takes Idun captive and locks her in a pantry.
  • Loki, who shapeshifted into a falcon, tries to fly Idun back to the school. When they are close, they see that the students pile sticks and shavings outside the wall. “Luckily, someone managed to strike flint and spark a fire just as she and the falcon dove over the wall. Whoosh! Flames shot up the very instant they were safely past. Hot on their tail, Thiazi the eagle-giant tried to pull back in time to dodge the fire. But without success. Pzzt!” When the eagle-giant saw Thor on the wall, he flew away.

Drugs and Alcohol

  • None

Language

  • “Ymir’s eyeballs,” “Ymir’s nose,” and “Ymir’s elbows” are used as an exclamation. “Ymir was a frost giant who’d lived at the beginning of time. Slain by gods, his various body parts had been used to grown the nine worlds. And for some reason, everyone spoke of those body parts as slang.”
  • Loki calls a boy a loser.

Supernatural

  • Idun and her roommates go into a shop that has clothes that talk. When Freya puts on a cloak, she shapeshifts into a bird. When Freya puts the cloak on, “the new cloak tightened around her. Wings opened up from its sides. . . Freya took to the sky, her legs and booted feet becoming claws, and her head becoming that of a falcon with a sharp hooked beak.”
  • While planting apple seeds, he says a spell to help them grow. “Grow, little seeds. Sprout and blossom. May whatever you bear be healthy and awesome.”
  • When Idun is kidnapped, the students at the school no longer have the magical apples to keep them young. The students begin aging; this includes getting wrinkles, losing their hearing, and other problems that come with age. For example, “Once the most awe-inspiring, powerful god of all, Odin was now bent and frail.”
  • Idun was turned into an acorn that could speak. Eventually, “Loki murmured some magic words and poof. . . Idun was instantly her girlgoddess self again.”
  • The large painted friezes that cover a wall come to life. “These painted friezes cover all of the V’s walls and were peopled with heroic warriors who had died in battle. The warriors had been brought into the friezes by Odin’s Valkyries as painted figures that magically came to life toward the end of every meal.”
  • Freya has a marble that contains cats and a cart. When Freya says, “catnap,” the cats and cart grow. The first time Freya uses the marble she thinks, “if anyone had been watching at that moment, the cats and cart would’ve seemed to instantly disappear. However, in reality, they had only shrunk down to a single cat’s-eye marble.”
  • Freya has a necklace that has a “walnut-size, teardrop-shaped amber jewel dangling from its center. It gave her the power of prophecy.”
  • Loki can shapeshift. He has shoes that “were magic and allowed him to race like the wind, skimming over land and water.”
  • Idun sees Mimir, who “was bobbing up and down atop his water slide. Mimir had become detached from his body sometime in the past. But he—or rather, his head—had been magically brought back to life by Odin. And now that’s all he was—a head.”

Spiritual Content

  • The story focuses on Norse mythology and includes Norse gods and goddesses as characters.
  • The story focuses on Idun, who is the “girlgoddess of youth, and her magical and deliciously sweet golden apples were what kept all of the academy’s goddesses and gods healthy and youthful.” Every day Idun must pick the magical apples. “Plucking them from the trees was a task that only she could do. Because if anyone else—even Odin himself—were to so much as just touch one of the apples while it still clung to a tree, the apple would shrivel and disappear in a puff of smoke.”
  • Idun has a magic cart. “Idun pulled a tiny wooden box called an eski from the pocket of hangerock. When she gave her eski a shake and set it on the ground, it quickly expanded from the size of a single ice cube into a box large enough to hold today’s crop of apples.”
  • According to Norse mythology, “Long ago, the giant Ymir’s bones had become mountains; his hair, trees; his skull, the sky. Even his eyelashes became a wall that encircled the human world of Midgard.”

The Bad Guys in Alien vs Bad Guys

The Bad Guys are stuck on the moon and an alien villain is trying to trap them! One by one, the Bad Guys vanish. An alien creature with tons of teeth and way too many butts is stealing them one by one. Snake is afraid he will be the next victim. Snake leaves his friends behind and blasts off in an escape pod. What will happen to The Bad Guys? Will this be the end of their story?

The sixth installment of The Bad Guys continues the story of the alien Marmalade who hopes to control the earth. The humor continues as The Bad Guys try to figure out how to defeat Marmalade and return to Earth. With non-stop action, a surprising plot twist, and an unexpected hero, readers will not be able to stop flipping the pages of The Bad Guys in Alien vs. Bad Guys. The story contains many comical events, and also uses humor that refers to butts.

Readers will relate to The Bad Guys, who argue with each other, but in the end always try to do what is right. The unique characters show bravery in the face of danger, even as they run from it. The Bad Guys Series will engage readers and help them build reading confidence. Each book begins with news reporter Tiffany Fluffit recapping the previous book’s events; however, readers will get maximum enjoyment if the books are read in order.

The Bad Guys in Alien vs. Bad Guys pulls readers into the text in various ways. The large text has nine or fewer sentences per page, and many of the words are huge and bold. In addition to the large text, black-and-white illustrations appear on every page. Some of the illustrations are full-page, while others appear in panels. The illustrations show the story’s actions as well as the characters’ facial expressions.

The Bad Guys in Alien vs. Bad Guys is a highly entertaining story that highlights the importance of helping your friends. Readers who enjoy the silly humor of The Bad Guys Series may also want to try the Fly Guy Series by Tedd Arnold. Both series focus on unexpected heroes in a comical way.

 Sexual Content

  • None

Violence

  • In order to save his friends, Snake drives a robot and attacks the villain. The battle is illustrated over nine pages. At the end of the battle, Snake yells, “I just kicked your butts!”
  • Wolf and his friends run to the escape pod. The alien and his friends chase the group. Wolf and his friends slip in slippery drool, but are able to escape.

Drugs and Alcohol

  • None

Language

  • The villain Marmalade is an alien and he has tentacles with butts at the end. The story has many references to the butts. For example, Piranha yells, “We have to go! It has too many butts! Too many butts!” Later Snake asks, “You really want to go looking for a creature with great, big, poopy butt hands?!”
  • The story has some name-calling, such as “Mr. Farty-Pants”, “rotten little diablo”, and “butt handed monster.”
  • Piranha yells at someone, “You are the most selfish, mean-hearted, son of a worm I’ve ever. . .”

Supernatural

  • None

Spiritual Content

  • None

Latest Reviews