Genre: Fiction

Rez Dogs

Malian loves spending time with her grandparents at their home on a Wabanaki reservation—she’s there for a visit when, suddenly, all travel shuts down. There’s a new virus making people sick, and Malian will have to stay with her grandparents for the duration. 

Everyone is worried about the pandemic, but Malian knows how to keep her family safe: She protects her grandparents, and they protect her. She doesn’t go out to play with friends, she helps her grandparents use video chat, and she listens to and learns from their stories. And when Malsum, one of the dogs living on the rez, shows up at their door, Malian’s family knows that he’ll protect them too. 

Rez Dogs gives an overview of the pandemic through the eyes of a child on a reservation. Both her grandparents and her new dog, Malsum, help her understand indigenous history and her ancestor’s Wabanaki/Penacook stories. Malian also encounters other facets of modern indigenous life, like the issues with Wifi reception on the reservation. In addition, her grandparents receive an unannounced visit from a social services employee who doesn’t have a valid reason to question the family. These pieces help highlight the rampant inequality that still exists today. In the same breath, Malian brings up other examples of community and indigenous life. For example, during the pandemic, Ireland raised money to send to the Navajo and Hopi people in their time of need.  

The story is written in verse, which gives this quiet story a nice, even pacing. Although not high in action and adventure, there is a lot of good historical information in the book. For instance, Malian’s grandparents help Malian with a school assignment about the US government’s treatment of indigenous peoples. One story includes information about how the US government used to sterilize indigenous women. Although the nature of this conversation is difficult, Bruchac explains it in kid-friendly language, without including graphic details.  Historical events come up often, and it provides a great starting point for readers who may not have any prior knowledge of indigenous history. 

Rez Dogs demonstrates the importance of culture, family, and storytelling. Malian’s grandparents tell Malian many stories about the Wabanaki/Penacook people; many of the stories have been passed down through generations. Malian’s experiences make her feel more connected to her grandparents and her heritage.  

The dog, Malsum, is a symbol for indigenous folks generally, as he embodies community and protects Malian. Her grandpa says, “Some of the most loyal folks I’ve ever known have been dogs. They always find some way to come back home.” In the end, Malsum disappears when Malian leaves the reservation. Malian and her grandparents conclude that they’re all rez dogs, coming and going, but always returning home when they need to.  

Rez Dogs is a straightforward story that highlights the importance of storytelling as part of one’s culture. Bruchac uses both past and present stories to present information about indigenous people’s culture. The stories are delivered in a simple, yet powerful manner. While young readers will be unfamiliar with Malian and her family’s experiences, the overarching themes will resonate with all readers and may spark readers’ curiosity so they will want to learn more about indigenous histories and cultures. Other books that feature indigenous characters include The Sea in Winter by Christine Day and The Girl Who Loved Wild Horses by Paul Goble. 

Sexual Content  

  • None 

Violence  

  • There are discussions about the violence that occurred in native boarding schools in North America. For example, Grandpa Roy talks about how one of the nuns at his school left him a “gift.”  He says, “Every knuckle on/ both my hands/ got broken one time/ or another/ from being hit/ with that heavy ruler/ Sister Anna Louise/ always kept in her pocket.” 
  • Malian’s grandma explains how on reservations, doctors hired by the US government used to sterilize indigenous women. Grandma says, “Whenever a woman/ went into a free clinic,/ they’d offer to do/ a full health check-up./ And when she woke,/ they would not tell her/ what they’d done—/ an operation/ to prevent her from/ ever having more kids.” This is a historically accurate statement that leads Malian to research the Eugenics Project, which details many of the same atrocities in similar terms. 
  • Malian has to do a genealogy project, and she considers sharing about how “the colonial government/ offered bounties for Indian scalps.” No more detail is given. 

Drugs and Alcohol  

  • None 

Language  

  • Grandpa Roy expresses that they’re “god darn lucky” that the coronavirus hasn’t reached their home and that Malian and her grandparents haven’t encountered it yet. 
  • Malian explains that her reservation friends call her Macintosh, like the apple, because it’s “a name for someone/ who looks Indian/ but acts more/ like a white person—/ red on the outside/ and white within./ An insult to say/ to somebody Native.” Malian says she doesn’t mind that they say it because they don’t say it in a mean way. 
  • Grandpa Roy laughs about the various misinformed beliefs white people have about indigenous people, including the Wabanakis. He notes that one belief about Wabanakis is that they are “anal-retentive, whatever that means.” This is not explained further. 

Supernatural 

  • None 

Spiritual Content  

  • The characters in this book are members of one of the Wabanaki nations who reside in modern-day Maine as well as in Canada. As such, there are discussions about stories and beliefs in the Wabanaki nations. For instance, Grandpa Roy tells Malian a story about how his Grandpa Red Hawk once saw the dogs acting like people. Red Hawk says, “They’d put on clothes/ we left behind/ and some of them/ were walking around/ on their hind legs./ Some were sitting/ around the fire/ and drinking soup/ from wooden cups…/ one of them was even/ smoking a pipe.” These stories pop up often throughout the book. 
  • Malian mentions that she had a “Catholic school uniform,” presumably because she went to Catholic school. 
  • Malian and her grandma break off the fry bread and put it under a tree for “Manogies,/ the little people/ who are the guardians/ of the natural world.”  
  • As a child, Malian’s mother was in foster care. She describes foster care to Malian, saying it “was like purgatory,/ someplace with no address/ and stuck/ in between/ heaven and hell.” 
  • Malian notes that her grandparent’s old dog died and “her spirit took the Sky Road.” 

The Magical Reality of Nadia

Nadia loves fun facts. Here are a few facts about her: 

  • She collects bobbleheads — she has 77 so far.
  • She moved from Egypt to America when she was six years old.
  • The hippo amulet she wears is ancient…as in it’s literally from ancient Egypt.
  • She’s going to win the contest to design a new exhibit at the local museum. Because how cool would that be?!

Okay, so that last one isn’t a fact just yet, but Nadia has plans to make it one. But then a new kid shows up and teases Nadia about her Egyptian heritage. It’s totally unexpected and totally throws her off her game. 

Then something else happens that Nadia can’t explain: Her amulet starts glowing! She soon discovers that the hippo is holding a hilarious — and helpful — secret. Can she use it to confront the new kid and win the contest? 

Nadia often acts like a know-it-all who loves telling people interesting facts about random subjects. Despite this, Nadia is a likable protagonist who learns that “being a leader didn’t mean telling people what to do or doing it all yourself. It was about guiding everyone else to come to a solution together.” Nadia’s quirky personality will draw readers into the story, but it is Titi who is the star of the story.  

While living in Ancient Egypt, a magician curses Titi by sending him into a hippo amulet. When Nadia purchases the amulet, she discovers the secret to breaking the curse—Titi can only be set free by helping Nadia six times. Titi is energetic, optimistic, and funny. And as a teacher, he has plenty of wisdom to impart. For instance, Nadia and Titi jump into the parable of “The Eloquent Peasant.” The parable comes to life in comic-style panels that educate about Egyptian history in a unique and entertaining way. While in the comic, Nadia learns a powerful lesson about how to deal with a bully. Even though Titi lived in a different time period, he is still able to help Nadia with her friendship problems.  

One of Nadia’s problems is that the new kid, Jason, is very vocal about his dislike of Nadia’s Egyptian heritage. For example, he makes fun of Nadia’s lunch because “it smells weird.” In addition, he says he only eats “American food. . . not desert people food.” However, Jason’s mean comments are not just confined to school. While at the fall fair, Jason asks the DJ to play the song “Walk Like an Egyptian.” Then, Jason “took a couple of staggering steps forward with his arms in the awkward position. He moved his head forward and back like a pigeon, too, a huge grin on his face.” In this situation, Nadia uses the parable of “The Eloquent Peasant” to find a solution, but not everything goes as she planned. 

At first, Jason’s behavior makes Nadia want to hide her Egyptian heritage, but her parents explain how they handle microaggressions. When a cashier at the local supermarket made rude comments, Nadia’s Mama began talking about things they had in common. Mama said, “It showed her that we aren’t so different after all. . . Getting to know me has allowed her view to shift.”  

The Magical Reality of Nadia uses humor to highlight the importance of finding common ground with others. Nadia points out that, “Unless you are Native American, we all have an immigrant story in our past. Each of us is here today because one of our ancestors came to America and started a life for their family.” While most of the story is in traditional text, the book includes sections of black-and-white comics as well as lively black-and-white illustrations throughout.  

While The Magical Reality of Nadia is humorous and entertaining, the story hits on topics of prejudice, friendship, and courage. Nadia’s story will help readers have empathy for people who are different from them and in the end, the lessons from The Magical Reality of Nadia will stay with readers long after they put the book down.  

Readers looking for another book about immigrating to another country should also read Other Words for Home by Jasmine Warga and Efrén Divided by Ernesto Cisneros. However, if you’d like to learn more about Ancient Egypt’s culture, check out the Kid Detective Zet Series by Scott Peters and the TombQuest Series by Michael Northrop. 

Sexual Content  

  • None 

Violence  

  • During summer vacation, one of Nadia’s friends went to London. Afterward, Nadia asks, “Did you know they used to display chopped-off heads on the original London Bridge?”  
  • Jason goes to the museum and destroys Nadia and her friends’ project. 
  • While at an ice cream shop, Jason starts making fun of Nadia’s heritage. Nadia gets upset with “her hands balling into fists. She’d never hit anyone before, but there was a first time for everything. She lunged at Jason . . . and tripped over her backpack. Jason laughed, but as Nadia fell, she knocked into him and he lost his balance falling backwards onto the table.” Jason falls onto an ice cream sundae. One of Jason’s friends says, “It looks like you pooped your pants!”  
  • Nadia’s parents left Egypt during the Arab Spring. Her mom says, “People who opposed the government were still being imprisoned, and tortured, and killed. We realized we did not want to raise you in that kind of environment.”  

Drugs and Alcohol  

  • None 

Language  

  • A teacher teases a magician. Afterwards, the magician calls the teacher a fool. 
  • Titi tells Nadia to “close your mouth. You look like Hatmehit’s hat! Hatmehit was an ancient Egyptian fish goddess.”  
  • Freakin’ and heck are both used once. 
  • After reading a parable, Nadia says one of the characters is a doofus and a fool. 
  • When Nadia tells her friend they “can’t toss a football in a museum,” her friend tells her to “Calm down, Grandma.” 
  • Jason calls one of his friends an idiot. 
  • Jason calls Nadia an “Egyptian Queen.” Then he says, “You don’t even belong here. Why don’t you just go back where you came from?!”  

Supernatural 

  • A teacher is cursed by an angry magician. “The next thing the teacher knew, there was a great wind and a loud sucking noise. Then everything turned black.” The teacher is confined to an Egyptian necklace.  
  • “Ancient Egyptians wore hippo amulets to ward off evil.” 
  • Nadia held her hippo amulet and asked for help. Then, “Nadia went over to the desk . . . There, on the college-ruled pages of what was to be her math notebook, a little animated man was jumping up and down, waving wildly at her.”  
  • At first, Nadia is confused when she discovers “a little animated man [Titi] haunting her math notebook!” But then she realizes that if she shuts the notebook, the man disappears. However, Titi and Nadia soon set boundaries that allow the two to communicate when appropriate.  

Spiritual Content   

  • One of Nadia’s fun facts revolves around the Ancient Egyptian’s beliefs about death. The Book of the Dead says “When a person died and was judged by the ancient gods, they had to swear to two things: that they had not lied, or cheated, or killed, or harmed others; and that they preserved the Nile River and kept it pure. . .” 

Heroes of the Water Monster

Edward isn’t sure about this whole “step-brother” thing, especially now that his dad is moving in with his girlfriend and her preteen son, Nathan. Their new place in Arizona may be nice, but relocating is already hard enough due to their family’s Navajo—also known as Diné—heritage. According to the Diné, children lose communication with the Holy Beings once they hit puberty, and Nathan’s already started the process of becoming a man. For most people, this is part of growing older, but Nathan has become the guardian of a young water monster named Dew. Nathan’s ability to see her is fading, so he quickly has to entrust Dew’s care to Edward.  

To make matters more complicated, Dew’s older sister, a powerful water monster named Yitoo, is coming to The Fourth World—Earth—to teach Dew the traditional songs of the water monsters. Having been away in the Third World for nearly 150 years, Yitoo’s return is ruined when she discovers that something is wrong in the Fourth World. The waters from her river are depleted and the environment is suffering. Alongside Dew, Edward, and Nathan, Yitoo travels the length of her river to find the source of the cutoff. To her dismay, the city of Pheonix, Arizona has redirected her river to service the population’s waterparks, golf courses, and sprinkler systems. This frivolous use of her precious resource prompts her to vow revenge on humankind. 

Together, Dew, Edward, and Nathan team up to stop Yitoo from using her water monster power to unleash a massive hurricane on the Phoenix area. They meet other creatures and people from Diné creation stories who give them advice and special gear for their final confrontation. Eventually, the team of friends is able to stop Yitoo before she can punish humanity. As Nathan sees Dew, Yitoo, and the other Holy Beings for the last time before growing up, he and Edward promise to keep their Diné heritage alive and work towards a future where humans treat the natural world with respect.  

Heroes of the Water Monster’s plot is a straightforward save-the-world type of story, but the traveling between different worlds and mythical creatures can be confusing at times. As for the narrators, the story switches between the perspectives of Nathan and Edward. Nathan’s point of view is more mature and forgiving towards others, while Edward is more impulsive and childish. Edward is also half Diné, half white, which creates interesting tension as he struggles with his mixed identity. The difference between the narrators gives a unique perspective on the events of the story, especially when Edward and Nathan disagree on whether or not to help Yitoo. Because Edward and Nathan are both likable and thoughtful narrators, the reader understands why each boy feels the way they do. Despite their different ages, both Edward and Nathan had valuable input and opinions on the story’s events. 

Heroes of the Water Monster is an interesting tale filled with many cultural references. If readers have no prior experience with Navajo/Diné culture, this story may be a bit difficult to read. However, in order to understand the story, some readers may need to use the glossary provided at the end of the book.  

The main theme of Heroes of the Water Monster is generational trauma, which is showcased through the water monster Yitoo. While Yitoo is the villain in the end of the story, she is also Edward and Nathan’s friend. She has lived for hundreds of years, which means that she lived through the forced relocation of the Diné. She exhibits the rage that displaced people experience when they are horribly mistreatment and the destruction of the sacred environment they once called home.  

At first, Edward and Nathan don’t know if they have a right to stop Yitoo, but they realize that they have a shared history, and a shared future, too. While they may not be the legendary Twin Heroes who defeated fearsome creatures of legend in Diné stories, they do have the power to impact the world their descendants will inherit. A Holy Being advises Nathan and Edward that, “It stands to reason that a Modern Enemy would surrender to Modern Heroes.” 

Thus, the modern heroes, Edward and Nathan, work to convince Yitoo and themselves that they can’t hold the current population responsible for what their ancestors did. A better future isn’t achieved through revenge, but by educating and making changes for the better. Edward, Nathan, Yitoo, and Dew all have to grapple with their identity and the painful past that comes with it. In order to heal, they have to accept the past as part of their identity and use their grief in constructive ways. Edward’s father says, “We Diné, like all Indigenous Nations, have a past filled with heartbreak and devastation. But we also have a brilliant, shining future.” 

Sexual Content  

  • Janet, Nathan’s Mom, and Ted, Edward’s Dad, greet each other. “Janet . . . walked into [Ted’s] arms. They kissed.”   

Violence  

  • Occasionally, the Diné’s forced relocation is discussed. These stories mention some of the abuse, murder, torture, and death of the Diné at the hands of the U.S. government. One story mentions two brothers whose parents were killed in front of them. “From the cornfield, the boys saw their dad arguing with a soldier. The other solider pointed their rifles at the mom and dad. . . [They] covered their eyes but still heard the loud shots.”  
  • After killing their parents, the soldiers kill all their livestock and force the boys to walk to Fort Defiance, Arizona where they are imprisoned. They were almost fed poison, but were saved by a handful of nurses who tossed their food on the ground. “[Those] who had eaten the rations became deathly ill. . . The sick were left to die. . . The rest were forced to march in many long lines eastward. . .” 
  • On the trail, there was more hardship and death. Those who fell behind were killed. Elderly, young kids, and even pregnant women. The Diné were also forced to swim across a river, and one of the brothers drowns. “The elderly and the young people around them struggled against the strong current. . . A sound more disturbing than the screaming of the drowning grew. It was silence. Many bodies sank beneath, did not rise again, and drifted downriver. Halfway across, the river took [the] younger brother.” 
  • Yitoo describes her perspective of the aforementioned story: the forced relocation of the Diné crossing her river. “One by one, the Diné walked down the hill and into the river. The elderly and youth struggled around the strong current. Blankets of water smothered them. I did my best to calm the waters. But I couldn’t sing. I was too shocked at everything around me. . . A curtain of bubbles arose from all the violent thrashing of the drowning. Their screams quieted. Their bodies became cold. When I’m alone, I still hear their screams. When I sleep, I dream of the faces of those who sank beneath the river and did not rise again.” 
  • When Nathan and Drew try to stop Yitto from attacking Phoenix, Yitoo attacks them with her water. “A rope of water wrapped around [Nathan’s] waist and Dew’s neck and pulled them into the crater. Warm water invaded every atom of Nathan’s being. . . He couldn’t stop the invisible force yanking his waist. . . Just then, Dew appeared in front of him. With a mighty jaw snap near his belly button, she severed the pull.”  
  • Edward, Nathan, and Dew are attacked by a Guardian when visiting a sacred mountain that takes the shape of a mountain lion. The Guardians are creatures meant to protect the mountains from intruders. “Edward yelled in horror as in seconds a mountain lion with velvet fur, the color of sunflower petals, had already snuck up on them. It leaped into the air and landed in front of them with an earthquaking thud. . .  Its tree-thick tail slammed into Nathan’s chest, sending him flying yards away from them. The Guardian lifted a paw and slapped Dew across her jaw. Dew dizzily walked forward and then was pinned under the Guardian’s other paw. . . Then the most horrifying thing happened. The Guardian bit down into the back of Dew’s neck. Dew squealed a blood-curdling wail that made Edward nauseous. Dew’s body went completely silent and limp.” Dew survives.  
  • The final fight between Edward, Dew, Nathan, and Yitoo lasts nearly 30 pages. Much of the confrontation is conversation, but it does get violent when Yitoo fights back against Edward, Nathan, and Dew. Yitoo has impenetrable armor that protects her for the majority of the fight, but the armor is weakened when the boys use one of the Sacred Arrows against her, and it breaks open a spot in Yitoo’s armor that Edward stabs. “Edward jabbed the tip of the knife against Yitoo. Immediately, ribbons of lightning raced across Yitoo’s body. They covered her entire body from head to tail, shoulders to toes, and entered her throat as she howled in pain. Even if she wasn’t his favorite Holy Being, [Edward] hated hearing how much pain she was in. Still, he held the knife on to her. More and more bolts of lightning raced from the tip of the knife throughout her massive body. But finally, after a few seconds that felt like an hour of seeing Yitoo squirm and spasm, the lightning disappeared and her entire body fell against the ocean, creating one last final wave. . . Yitoo lay limp, and smoke emerged from her mouth.” This does not kill Yitoo, and she is exiled to the Fifth World.  

Drugs and Alcohol  

  • Nathan’s Uncle Jet, who is briefly mentioned, deals with PTSD which led to his alcoholism and depression. He is not shown drinking during the story. 

Language    

  • Yitoo calls the behavior of “The Pale People,” a term for white colonists, “damnable.” 

Supernatural  

  • Water monsters are a type of Holy Being that play a large role in the story. They are creatures of legend that inhabit bodies of water. They have many powers, including controlling water, turning it to ice, using it to travel long distances and more. They use these powers frequently, which is done by singing.  
  • Yitoo and Dew are both water monsters. Water monsters look like lizards. Edward describes Dew as “a tiny Komodo dragon” with “diamond designs like a Diné rug” on her back and stomach. They can also speak.  
  • Nathan learns water monster songs, which gives him some control over water. Water monsters are also able to control their size by taking in or expelling water, such as when Yitoo grows herself into a massive size to create the hurricane.  
  • Yitoo can keep her water as jewelry and unleash it at will.  
  • Nathan has a ring made of turquoise that allows him to communicate with all beings. He uses it to speak to the water monsters. Later, Edward gets one too. 
  • Two Holy Beings called Jet Stone Boy and Jet Stone Girl meet Nathan. They have crystal-like skin and travel on a rainbow. 

Spiritual Content  

  • There are countless references to Diné beliefs. The main ones include creation stories, Holy Beings, and the water monsters. The Diné language is also used frequently, which can be translated using a glossary in the back of the book.  
  • Some of the Holy Beings include Spider Woman, a legendary weaver, Father Sun, who created the universe, Mother Earth, Moon Lady, and Tall Woman. 
  • In addition to the Holy Beings, which are typically good or neutral beings, there are evil beings called Enemies who, in Diné legend, are defeated by the Twin Heroes, two Holy Being brothers who fought the Enemies. Edward gives examples of the Enemies: “Thunderbird, who could summon dangerous lightning storms; and Wild Boar, who could run at unheard-of speeds to hunt humans for hundreds of years.”  
  • One of the references in the story is to the Third World, Fourth World, Fifth World, and Celestial Realm. The Third World is a realm where Holy Beings, such as the water monsters, come from.  
  • Yitoo came from the Third World. She was the first water monster to come into the Fourth World, Earth. “Yitoo was the first one. She’s so powerful that she bit into the ocean of the Third World and brought that water [to the Fourth World].” The Fifth world is a mystical land beyond these worlds that Yitoo travels to when she is exiled. 
  • Diné Bikéyah is the term for the holy land of the Diné, located between the Four Sacred Mountains.  
  • Three times in the story, sweetgrass is discussed. The burning of sweetgrass is a native ritual practice used to purify the spirit. “Nathan asked Yitoo for some of her energizing sweetgrass. She happily provided some from her medicine bag. . . Nathan lit the tips of the sweetgrass and then immediately blew them out. A thin trail of smoke wafted in the air. Both Nathan and Edward inhaled. The delicious smoke flowed into their nostrils. . . The dark shadows underneath Edward’s eyelids disappear[ed] and his posture straighten[ed]” 
  • Edward and Nathan climb one of the sacred mountains, Tsoodził. After sprinkling corn pollen on the ground as a sign of respect, Edward says, “Ted had said that only medicine folk were allowed to set foot on the mountains to gather sacred medicine and sands. The medicine folk had to sing ceremonial songs the entire time they were on the mountain to protect themselves and as a gesture of respect.” Each of the scared mountains are protected by a Guardian, a powerful creature meant to kill intruders.  
  • Edward and Nathan obtain two objects when visiting the Celestial Realm, the Obsidian Armor and Sacred Arrows. The arrows can create various magical effects, such as a bright light or a rainbow, and the Obsidian Armor will protect the wearer against Holy Beings and fit them perfectly.  

Hot Cocoa Hearts

‘Tis the season. . . for heartbreak? Emery Mason is not a fan of the holidays. She’s so over the tinsel, the shopping, and all the other trappings of the season. Unfortunately, this year, Emery is forced to work — as an elf! — at her parents’ Santa photo booth at the mall. There, Emery meets Alejandro Perez, who works at the hot cocoa shop next door and is always full of holiday spirit. Alex is cute, but he’s nothing like Emery’s real crush — the brooding and artistic Sawyer Kade. 

But the more time Emery spends with Alex, the more she realizes that she may not be the Grinch she always thought she was. Soon a blizzard, a Secret Santa surprise, and a family disagreement throw Emery’s world upside down. Can Emery embrace the magic of the holidays and find the perfect boy to kiss under the mistletoe?

Like Scrooge, Emery doesn’t believe in Christmas and she isn’t afraid to kill other people’s Christmas joy. Because of Emery’s bah-humbug attitude, readers may find it difficult to connect to her. Emery’s hatred of all things Christmas is connected to her grandmother’s death. Despite this, it’s hard to sympathize with a character who makes young children cry. Like Scrooge, Emery eventually finds the true meaning of Christmas and the happy ending shows that the holidays are about “the magic of believing. The sheer fun of giving the gift of that to other people, of sharing it with them.” Even though the story has a happy ending, the book’s negative tone takes much of the joy out of reading it.

Emery’s bad attitude isn’t the book’s only negative aspect. Emery idolizes her crush Sawyer and is ecstatic when he finally notices her. However, she soon finds that it’s difficult to be honest with Sawyer. To make matters worse, Sawyer doesn’t seem to understand Emery at all. As Emery spends more time with Alex, she begins to question what she really believes. The love triangle adds suspense to the story, but Sawyer acts more like a confident adult than a preteen which makes some of the scenes unbelievable. However, the scenes between Emery and Alex are full of sweet moments that middle-grade readers will enjoy.

Unfortunately, readers may have a difficult time connecting with Emery. While her grief over her grandmother’s death is understandable, Emery’s bad attitude hurts others. Despite this, Hot Cocoa Hearts teaches the importance of not making assumptions about others. In addition, the conclusion is super sweet not only because Emery finds the joy of Christmas, but also because Emery finds an unexpected community that jumps in to help her when needed. Readers who are looking for a more joyful holiday book to curl up with should read the Celebrate the Season Series by Taylor Garland. However, if you’re feeling a bit like Scrooge, Young Scrooge: A Very Scary Christmas Story by R.L. Stine gives the typical Christmas story a new twist.

Sexual Content 

  • Emery and Alex are at a spice store and suddenly she “wasn’t focused on the beans. I was looking at Alex’s mouth, at how soft and full his lips looked. And then a thought flashed through my head. What might it be like to kiss Alex?”
  • Emery goes on a date with Sawyer. Afterward, “he leaned toward me, and my eyes closed instinctively as my heart pummeled my chest. . . But at the last second, when we were so close I felt the warmth of his breath, I panicked and turned my face to the side. His lips brushed against my cheek.”
  • While at a holiday party, Emery finds Alex and puts mistletoe over her head. Then, she “stood on my toes and kissed him. The kiss was breathtaking and sweet.”
  • While at the mall, Alex “leaned close and gave [Emery] another sweet, lingering kiss.”

Violence 

  • None

Drugs and Alcohol 

  • When Alex gets sick, his grandfather had him “take a temazcal herb steam treatment.”

Language 

  • Omigod is used occasionally. 
  • Crud and darn are each used once. 

Supernatural

  • None

Spiritual Content 

  • While working at the mall, Emery prays that none of her friends see her.
  • Alex’s grandfather has a sign on the wall that says, “Oh divine chocolate. . . we beat it with our hands in prayer, and we drink it with our eyes lifted to the heavens.”

Saints of the Household

Max and Jay have always depended on one another for their survival. Growing up with a physically abusive father, the two Bribri (indigenous Puerto Rican) American brothers have learned that the only way to protect themselves and their mother is to stick to a schedule and keep their heads down.

But when they hear a classmate in trouble in the woods, instinct takes over and they intervene, breaking up a fight and beating their high school’s star soccer player to a pulp. This act of violence threatens the brothers’ dreams for the future and their beliefs about who they are. As the true details of that fateful afternoon unfold over the course of the novel, Max and Jay grapple with the weight of their actions, their shifting relationship as brothers, and the realization that they may be more like their father than they thought. They’ll have to reach back to their Bribri roots to find their way forward. 

Told in alternating perspectives, Saints of the Household outlines Jay’s and Max’s stress as they enter their final year of high school. Ari Tison is Bribri herself and brings Bribri stories and language into the text. She integrates these elements seamlessly. It gives insight into Bribri culture and provides a contrast to rural Minnesota. The boys’ connections with their home and their mother’s family are deeply important to the story, as it provides a sense of normalcy and peace in an environment that is otherwise uncertain. 

Jay and Max’s relationship drives the tone of the story. The brothers have different personalities, which causes conflict. Max wants to escape his home situation and often pulls away from Jay, who is always preoccupied with family and school matters. The brother’s bond fluctuates; the more Jay and Max exist in harmony, the more hopeful the story becomes. Both Jay and Max are sympathetic characters, and readers will find it easy to connect with them. 

Since Jay and Max are familiar with domestic violence, Saints of the Household includes violent scenes. In addition, when their classmate Luca physically abuses Nicole – his then-girlfriend – the brothers beat up Luca in order to protect Nicole. Some readers may find the abuse troubling as Tison’s remarkably succinct writing style makes the descriptions of these scenes short, yet powerful. Despite this, in the quiet moments, Jay and Max find solace in each other and in their Bribri traditions even though they live in the tundra of Minnesota. Jay also seeks comfort in his friend Nicole, while Max finds it in his art. 

In order to help readers distinguish between the brothers, Max’s chapters are all written in wandering verse, which is in stark contrast to Jay, who writes his thoughts in prose. The changing points of view illustrate the differences between the brothers as well as highlights how differently they understand their current situations. Another factor that affects the story is that religion plays a significant role in the story as the boys’ beliefs balance between Christianity and Bribri traditions. As with other elements of the book, these are integrated seamlessly into the story and there aren’t any strong stances taken on the topic itself. Religion is as much a part of Jay and Max’s life as Bribri culture, or their mom’s hot chocolate: it just is. 

Despite the darkness that cloaks the events in Saints of the Household, the ending is uplifting. The brothers have witnessed violence and have even stooped to physically fighting each other. Despite this, the conclusion hints that Max and Jay will make it through these difficult times through their family’s and friends’ love. Saints of the Household will appeal to readers looking for a more literary and thoughtful text rather than an action-packed adventure. The story ends on a hopeful note and shows that the characters will make it through to the next stages of their lives. It also reminds readers that life can get better. For more perspective from indigenous authors, read The Marrow Thieves by Cherie Dimaline and Powwow Summer by Nahanni Shingoose. 

Sexual Content  

  • Jay finds one of his dad’s porn magazines. The magazine has “a woman with a low-cut shirt lean[ing] forward on the cover.”  
  • Nicole used to date Aaron, but she “think[s] Aaron was hooking up with someone else right after we broke up because of something I saw online. They were flirting in the comments somewhere.”  
  • Max and his girlfriend, Melody, kiss. Max describes, “She leans over and kisses me./ We kiss hard, and I cry.” 
  • Max mentions that he says “no to [Melody] when she asks about sex” because he’s worried he’ll hurt her. 
  • At a school dance, Max and Melody kiss. Max describes, “Before we get to the hall,/ she turns off the lights,/ and then I kiss her, and we kiss, and we kiss,/ by the dark door.” 
  • Max and Melody “mess around, pulling clothes;/ she’s musk, honey, stomach,/ ochre colors filling my mind/ with every kiss and touch/ we unfurl on the bed,/ until she’s over me.” Max stops before things can go any further. 
  • After an absence, Nicole sees Aaron again. “Before Aaron can say anything, they hug each other, and hug and hug. She kisses him on the cheek. He kisses her back, and they start really kissing.”  

Violence  

  • The narrator asks God for forgiveness for “kicking the neighbor’s dog, for shouting at the sky, for beating up that boy.” The event where the boy, Luca, is beaten up is explained later in the book as the book’s plot follows the aftermath. 
  • After they beat up Luca, Jay and Max see a counselor. The counselor asks, “Why didn’t you stop? Why did you kick him in the face? You broke his nose…His face is severely injured.” 
  • Jay explains what happened the day they beat up Luca. Jay says, “Luca was pulling at [Nicole’s] jacket, and she pushed his hands away. Then Luca’s hands were on her shoulders while she swore at him. . . She pushed him off, then he grabbed her hand and yanked it down and then leaned forward to say something in her ear. And we snapped. We were on him, pulling him away from Nicole, and he swore at us. He shoved Max, and I shoved him back, then he shoved me back, and then we beat the heck out of him.” This description lasts for one page. 
  • Jay describes the first time his dad hit him. Jay says, “Dad opened the door and caught me listening. I saw his usual hard anger turned hot, but hotter this time. I can still feel it. That first time he swung. My body crumpled onto the wooden floor.” The description ends after a page, but it is established that this happens regularly. 
  • Jay explains his father’s domestic violence further. Jay says, “After Max’s fourteenth birthday, he took to hitting me whenever I did anything that upset him…Then he started on Max. He made us swear never to tell Mom, because she wouldn’t understand that it was what we deserved for acting like fools, for not doing what he asked, for looking at him the wrong way and how it showed him disrespect. That didn’t last long, because his anger turned to her soon.”  
  • The brother’s mom tells a story about two young men who have to stop mystical eagles from stealing children from a tribe. They lull the eagles to sleep and, while they slept, the two men “swiftly took a knife to [the eagle’s] throat and cut [them] to pieces.”  
  • Max and Jay come home and see their mom crying and holding her shoulder. Their dad is yelling. Jay reacts: “With two long strides, I am right up to him, him and his sour breath. I send my fist right to his face.” Their dad ends up leaving the house without taking a swing at Jay.  
  • Jay’s dad tries to be nice to Jay’s mom, but then Jay says, “I lay him out when he drinks too much and goes after Mom again.” It is insinuated later that his dad hit his mom in the face. 
  • After an absence, Jay and Max’s dad comes home. Jay details: “Late at night, I hear a loud bang at the back door. Mom opens it, like she does. And I hear it, the lick of fist to skin. I see Dad’s hands go hard to her neck. Max jumps on Dad.” Their dad is arrested. 
  • Jay has dreams about his dad physically abusing him. He has “dreams where Dad’s hands hit me across the face, harder for calling the authorities on him…I see the time he decked me for taking it out and how he marched me out to the alley and pushed my face into the can so hard the plastic edge cut into my skin.” His descriptions last for a page. 
  • Jay’s grandpa, Grandpa Fernando, talks to Jay about depression. He says, “I used to get sad, too. You know your great-uncle? It was so much he took his own life. I don’t want that for you.”  
  • Max and Jay fight. Max says, “I go for you first./ I go for your ankles,/ and your back cracks/ against the wood./ I’m on you,/ swinging and swearing.” The fight ends when Grandpa Fernando hits Max over the head with “a big book in his hands.” The description of the fight lasts for a few pages. Jay sustains bruises on his face, but both brothers are otherwise fine. 

Drugs and Alcohol  

  • The brother’s dad physically abuses his family, “especially when he drinks.” Jay elaborates that his dad “likes rum and Coke.” 
  • Max paints Melody’s portrait at a park next to a trailer park. Max notes, “there, a smoking empty bean can/ with cigarette butts on the steps.” 

Language  

  • Profanity is used somewhat infrequently. Profanity includes: shitty, asshole, damn, hell, jackass, and fuck. 

Supernatural 

  • None 

Spiritual Content  

  • The book opens with a passage about communion and Christian church service. An unnamed narrator says, “I keep crying at the time of the reflection, asking God for forgiveness. I can’t stop thinking about it —  before I am told to eat the cracker and drink the two-inch cup of black-red wine.” The passage lasts for half a page, and God’s name is invoked frequently throughout the book. Jay and Max’s family does attend church. 
  • Max and Jay are indigenous Costa Rican, and Jay notes that the ocean is traditionally sacred and revered. He says that they’d “have to pray to even get close” to the ocean. 
  • Grandpa Fernando would tell Max and Jay stories about their ancestors, who were the first indigenous peoples of Costa Rica – the Bribri. He would tell them “of tricksters, the Creator Sibö, and men who were cursed after selfishness.” There are short chapters dedicated to various Bribri stories, and they each last for a couple of pages. One story is about the birth of Creator Sibö. 
  • Jay references an Old Testament story where “Jonathan risks his life for King David, and a verse says that David loved Jonathan with more love than a man had for a woman — and Max and I are like that. Brothers born eleven months apart.” 
  • Max and Jay’s mom tells them a story about mystical eagles. She explains that “the mystical eagles were the dragons of Talamanca…They’d come down from the mountains, tearing children from their mothers’ arms, snatching those who went out in the day from the pathways.” The story lasts for a page. 
  • Max says that he remembers him and Jay “laughing at the sex-garden references in the Bible—Eden, then the gardens in the Song of Solomon.” 

When the Butterflies Came

Tara Doucet is a twelve-year old who seems to have everything going for her. She comes from one of the oldest families in New Iberia Parish and is a descendant of the original Paris Doucet Family. However, beneath the surface, Tara is struggling with a number of challenges. Her beloved Grammy Claire recently passed away, leaving a void in Tara’s life. Additionally, her mother has become reclusive and is unable to deal with her recent divorce or the looming foreclosure of their family plantation, leaving Tara to shoulder much of the burden. To make matters worse, Tara and her sister have never seen eye-to-eye, causing further tension and conflict within the family. 

Despite these difficulties, Tara’s life takes an unexpected turn for the better when she has a remarkable experience. After Tara’s grandmother’s funeral, a beautiful, velvety purple butterfly visits her, almost as if it were sent by her grandmother. Moments later, Tara receives a letter that sets her on a quest to unlock the mystery surrounding her Grammy Claire’s research with butterflies. As she delves deeper into her grandmother’s past, Tara must confront her own fears and insecurities and learn to embrace the beauty and complexity of life. 

The letter Tara receives from her grandmother leads her on an unexpected adventure to protect the butterflies that her grandmother discovered. Tara’s journey takes her to her grandmother’s house where she finds 10 keys and more letters with cryptic clues; the letters urge Tara to protect the butterflies and trust no one. As Tara progresses from clue to clue, she learns of her grandmother’s amazing scientific discovery. However, the discovery is what put her grandmother’s life and the existence of the butterflies in peril. 

The suspense builds as Tara relies on her wits and follows her heart to find the clues. She risks everything to save her grandmother’s butterflies. Tara’s wondrous tale is narrated in a gripping first-person, present tense, which allows readers to experience the intense range of emotions Tara goes through, including emotions from the depths of grief to the heights of wonder, from gripping fear to overwhelming surprise. As the reader follows Tara’s journey, they will be drawn into the vivid and enchanting landscape that is painted, where the rules of reality are suspended and anything is possible.  

Throughout Tara’s journey, she encounters various obstacles and challenges that she must overcome to succeed in her mission to protect the butterflies. Tara learns more about her grandmother’s life and the scientific discoveries she made. She also uncovers a sinister plot to destroy the butterflies and their habitat. Tara must use all of her skills and intelligence to stop the plot and protect the butterflies.  

However, figuring out who is behind all the danger is not an easy task. Tara must travel to the island of Chuuk, where her grandmother lived and her research began five years ago. There, she dives deep into her grandmother’s research, searching for clues that will help her uncover the truth of who is behind the plot to destroy the butterflies. Her journey to Chuuk reveals a world full of secrets and dangers that Tara never imagined. But with each new challenge, she grows stronger and more determined to complete her mission and protect the butterflies. 

Overall, Tara’s adventure is a thrilling and exciting story that teaches readers about the importance of protecting the environment and the creatures that inhabit it. When the Butterflies Came highlights the importance of perseverance, courage, and intelligence in overcoming obstacles and achieving goals. The story also emphasizes the power of family, even in the face of adversity, and the importance of cherishing the memories of those who have passed on. Tara’s journey is a story of growth and discovery, of facing one’s fears and finding the strength to overcome them, and of the enduring power of love. 

Sexual Content  

  • None 

Violence  

  • Tara is up at two in the morning trying to determine what the seventh key, that her grandmother leaves as a clue towards her secrets of the butterflies, unlocks when she hears someone moving around upstairs. She goes to her Grammy Claire’s laboratory that should have been locked shut. Instead, she finds it unlocked and one of the precious butterflies, crushed on a desk. Tara wonders, “‘What happened here? How did she die?’ And then I started to cry even harder because I know deep in my heart that the Giant Pink butterfly didn’t die of old age. It didn’t have an accident. Its life span didn’t just run out. It was murdered.”  
  • In a letter following the seventh key, Grammy Claire outlines that there is someone who is willing to put their lives in danger for the butterflies. “Someone wants to hurt the [butterflies]. To steal them, and destroy them. I cannot allow that to happen. They are precious. They hold a secret the world is not ready for, but which someone is willing to kill for. I often make myself crazy thinking about each person I know on the island and wondering who wants the butterflies. And who might want me dead.” The letter makes Tara question how her grandmother died. She begins to wonder if her grandmother’s car accident, wasn’t truly an accident.  
  • Tara finds her sister, Riley, splayed out at the bottom of the stairs, which are covered in water and oil. Riley begins to draw conclusions of her own that she shares with Tara. Riley says, “These stairs were just fine last night . . . I think somebody tried to hurt me. Or you.” 
  • While Tara and Riley are attending a barbecue, two gunshots go off. “A second later, there’s two ear-splitting pops that rupture the air. Instantly, the bark of the palm tree I’m sitting next to spurts a shower of splinters. My cheeks sting from flying, razor-like slivers, and then shredded bark sprays over my hair, my lap, and clothes. I’m screaming as I fall to the ground.” Tara is okay, but they find a bullet missed her head by inches. Riley and Tara run to escape. 
  • After finding the final last chest that unlocks the secrets of the butterflies, Riley and Tara try to leave the island when they are intercepted by the individuals who have been after their family the whole time. Tara is suddenly “tackled from behind and flung to the ground. The treasure chest launches out of my arms and I get a mouthful of sand. Then someone huge and strong reaches around and clasps their hand around my mouth.” Tara remains pinned in the sand.  
  • Tara and Riley’s captors talk about how to dispose of them. “‘Rope.’ ‘Nope. Grotto.’ ‘Hmm . . . might be easiest’ ‘. . . found Claire’s hidden chest. Look like they drowned getting it.’” 
  • As Tara and Riley’s captors held their heads over the water, Riley screams out to Tara. Riley’s “voice is instantly muffled as a hand roughly shoves my head under the water. I never get a chance to take a decent breath. Almost immediately, bubbles escape my nose. After twenty more seconds, my eyes bulge, trying to see in the dark water, staring up at the cavern roof. Beams of light flash here and there, squiggly and hazy . . . Now I’m bursting. I am truly drowning. My lungs are on fire. I’m going to die! Die!” Right before Tara’s body can completely give out, the men release because people show up. 

Drugs and Alcohol   

  • None 

Language  

  • In Grammy Claire’s third note, she mentions the importance of nipwisipwis, but Tara doesn’t quite understand what it means. It isn’t until her sister Riley looks up that it is written in another language –Chuukese. “I can barely choke out the words. ‘Nipwisipwis means butterfly!’” Nipwisipwis is utilized frequently for the rest of the book.  
  • ‘Kinnisow’ means ‘thank you’ in Chuukese. Eloni, Grammy Claire’s research assistant, teaches this to Tara so that she may use it while on the island.  

Supernatural   

  • The first butterfly to visit Tara is a small, purple one that floats into her room. It sits and stares into her eyes, making Tara question if there is something special about the butterfly. “This butterfly ain’t no regular butterfly. ‘Are you magic?’ I say real quiet, because I don’t want it to fly away and disappear.” 
  • In Grammy Claire’s second note, she talks about her dear friend who used to help Tara’s mom come out of her bouts of melancholy. To do so, she utilized herbal practices to create a concoction. Tara says, “’I’ll bet Grammy Claire’s talking about the mother of Miz Mirage, the woman who lives in the swamp. The one all the kids at school call a swamp witch. . . Maybe what she does ain’t bad magic at all.’ Words dance in front of my eyes. Herbs. Healing. Prayers. Love.” 
  • Someone shows Tara the magic of the butterflies. Tara begins to realize that the purple ones with a yellow outline can make music of their own.  
  • Upon finding the last chest, Tara and Riley begin to read some of the curious findings that make their grandmother’s work with butterflies so dangerous. “I stare inside the thick envelope, trying to focus. Words jump out at me. Nipwisipwis is written over and over again on every sheet. Giant Pink. Experiments. Turn back time.” 

Spiritual Content   

  • After Grammy Claire dies, Tara receives a letter from her that was written in the event of her death. The letter says, “What does gone mean, after all? Am I six feet under? Floating in the air or dancing on a cloud? Maybe I am having tea with God and making Him answer the long list of questions I’ve been hungering after for decades . . . even if that means I’ll wake up in heaven next time I see you. You can bet I’ll be the first in line to hug you and smother you with kisses.” 
  • In a letter, Grammy Claire tells Tara how she is looking down on her from heaven. “In Chuukese, they call heaven naangenu, the place we came from and the place we return after death. Where I am, I will be with you in spirit. Always” 
  • Eloni, Grammy Claire’s research assistant, tries to comfort Tara. Eloni says Grammy Claire is still looking over them and that Grammy Claire, “is right now watching. From naangenu. . . It means heaven. Where the gods live. And one day, we live there, too.” 

United We Spy

Cammie has finally discovered why the Circle wanted her dead. Once upon a time, she had seen a list of the Circle founders. Now that Cammie’s mother has the list, she and her most trusted allies are determined to track down the masterminds of the Circle and arrest them. But they are not the only ones hunting them. A splinter group of the Circle is also tracking the founders down; their goal is not to arrest, but to kill. One by one, members of the Circle arebeing picked off. But before one dies, he warns Cammie that the Circle is planning something big, and the wheels are already in motion.  

To make matters even worse, the Winters are one of the names on the list of Circle founders. Macey swears Preston Winters can’t know that his father is in the Circle, but with tensions as high as they are, Preston may be guilty by association. When he and his father are whisked off to a secret, high-security prison, Macey fears Preston isn’t safe even there. Those worries are proved right when his father is killed by a mole while in prison. Cammie and her friends are left with no choice—they must break Preston out before it’s too late. 

The mysteries of the Circle are being solved one by one, yet Cammie continually feels one step behind the Circle’s plot. As the dominoes begin to topple, Liz warns that the building tension will lead to World War III. Cammie will do anything—even give her own life—to stop the cascade before it’s too late. 

United We Spy is full of action, tension, and the satisfaction of a long-brewing mystery resolved. Cammie and her usual cast of friends and family will stop at nothing to prevent the Circle from starting World War III. The question is, can they stop the chain of events before they reach a critical mass? And even if they can, what will be the price they have to pay? Through first-person narration, Carter creates an exciting story full of relatable characters and action-packed sequences. Readers may want to have a box of tissues handy as they close the final chapter of this epic saga.   

Sexual Content  

  • Cammie sees her aunt Abby kiss Agent Townsend. “On the Tarmac, Agent Townsend whispered something to Abby, then squeezed her hand and kissed her softly when he didn’t think we were watching.”  
  • Zach and Cammie kiss several times. Most kisses are described in one to three sentences. For example, “Zach’s hand was warm in mind, and I didn’t feel the chill, even when he stopped me on the stairs, pressed me against the wall, and kissed me. Softly at first, then more urgently, hungrily. It was like he hadn’t eaten in weeks.”  
  • Another time, Zach and Cammie kiss. “I brushed my lips across his mouth, lightly at first, teasing. Tasting. And then his lips parted and the moment was over.”  

Violence  

  • When Cammie and Bex go to arrest Sir Walker, a member of the Circle, Zach’s mom beats them there and kills him. Cammie gets there and she “heard the hiss of the bullet, saw the dark spot that grew on Sir Walter’s chest, and watched him fall to his knees . . . A drop of blood ran from his lips. As the life drained out of him, he toppled over onto the floor, never to defy us—or anyone—again.”  
  • A member of the Circle launches a grenade at Cammie. Cammie describes, “Blood ran into my eyes. The grenade must have struck a gas line, because smoke swirled all around me and I could feel the heat of the explosion at my back.”  
  • Cammie and her friends are in a car crash during a getaway chase. “The crash came too fast—too hard. One second we were careening along the Roman streets, and the next there was nothing but the screech of tires and the crunch of metal. I felt myself falling, tumbling in the back of the truck as it flipped onto its side. Sparks and scraping metal.”  
  • Cammie hears Preston’s dad get shot in the next room. Cammie “jumped over the partition and into the other room . . . blood stained the concrete. His face looked almost peaceful as he stared up at me and gave me one last smile. ‘Save Preston,’ he whispered, eyelids fluttering. And then he died.”  
  • When outsiders come for Cammie, the Grand Hall of the Gallagher Academy breaks out into chaos. “Seventh graders jumped onto the backs of FBI agents. Seniors squared off against the CIA. It wasn’t cat versus mouse; it was spy versus spy.” No one was seriously injured. The fight takes place over two pages.
  • While infiltrating a prison, Zach attacks a guard. Cammie “stepped into the hall just in time to see Zach haul back and head-butt the guard, knocking him to the floor.” Later on the way out of the prison, Macey takes out some guards. “A guard rounded the corner and Macey dropped to the ground, knocking the man’s feet out from beneath him. Another guard followed so closely behind that they became tangled together, falling.”  
  • After escaping from the prison, Cammie realizes Bex has been shot. Cammie “looked at Bex just as she unzipped her heavy down jacket. Blood stained her shirt spreading across her shoulder and dripping down her side.” Bex survives.  
  • Cammie and her friends are close to a bomb that detonates. “There was nothing but a cloud of smoke and terror. People screamed . . . The force of the blow had knocked [Cammie] to the ground, and my side ached . . . A man stumbled through the crowd, his face so covered in blood that I couldn’t even tell what damaged had been done.”  
  • When Zach’s mother turns herself in, Cammie hits her because she is angry. Cammie “pulled back my fist and punched with all my might.”  
  • Cammie lunges at a man with a gun and is shot. “He fired. Once. Twice. Blinding pain coursed through me, but I didn’t stop. I just kept running toward him, catching his gun hand in my arms and spinning.” 
  • While rescuing Amirah, a fellow Gallagher girl, Cammie is shot. Cammie then kills the man who attacked her and Amirah. “Pain seared through me again—a hot, burning stab . . . I took aim at the very place Amirah had been just seconds before and pulled the trigger . . . [Amirah] crawled away from the man who was falling to the ground. His blood was on her shirt, but she didn’t seem to be in any pain.” 

Drugs and Alcohol  

  • When taken to a top-secret prison, Cammie is drugged so that she cannot reveal its location. “In the next second a syringe was in Agent Edward’s hand, and the needle was in my arm, and just that quickly my mother’s office began to spin, the whole world spiraling quickly into black.”  
  • A teacher at the Gallagher Academy developed Napotine patches, which knock a person out. These are used several times. Once, Bex “slapped [a guard] hard across the face . . . the man looked almost amused for a moment before the strength slipped out of his limbs and he crumbled to the floor. The other guard was struggling to his feet, but Macey was already on him, attaching yet another Napotine patch to the back of his neck.”  
  • Liz drugs Zach’s mother with a concoction stronger than truth serum. “Liz’s concoction entered her bloodstream. It was like she was growing drunk and sleepy. Her eyelids were heavy.”  

Language    

  • None 

Supernatural  

  • None 

Spiritual Content  

  • None 

Light it Up

Told in a series of vignettes from a myriad of points of view, Light it Up details a community’s reaction to a police officer killing a thirteen-year-old Black girl. An outraged city demands change, but quickly the outside world, and some white nationalists, take notice. As tensions escalate between the citizens of Underhill, and as the white nationalist group White Out arrives in the city ready to counterprotest, the lives of the residents are thrown into further disarray. 

Light it Up is the second book in her series, coming after How it Went Down, which is also about the killing of an unarmed Black teenager in the same community. It is not necessary to read How it Went Down first, but there are overlaps between the fictional setting and the characters. Each book makes sense on its own, as the focus is on different tragedies that happen to different characters. 

Magoon’s book takes place in a fictional city, but the unarmed killing of Black people in the United States is real, and she heavily borrows from real-life situations to bring her narrative to life. Magoon mentions the names of Black people killed by police in the United States including Michael Brown, Freddie Gray, and Martin Luther King Jr. She also includes a fictional white nationalist group, White Out, that is heavily based on real-life groups, and the KKK also makes a brief appearance. These moments serve to show how close her narrative runs along our reality.

Light it Up primarily tackles conversations about race relations in the United States from a variety of perspectives. Magoon addresses the nuances through many different points of view, including from a little girl who only speaks in simple poems, the daughter of a police officer, local nonprofit organizers, a gang leader, and many more. Each piece tells part of a larger story about the Black girl who was killed, but the lives of the other characters also shine through. Although this story is a tragedy at its core, it’s also about a community fighting the same fight day after day, and doing as much as they can to live somewhat normal lives. 

There are also segments of the book that show the scripts from news broadcasts and social media comments, which brings in extra context from outside the city of Underhill and paints an even broader picture of the conversations surrounding police brutality and racialized violence. Light it Up takes a stance that is clearly shown in one news segment in particular. A guest tries to justify the viewpoints of white supremacists, saying that their views are equally valid, and the news commentator points out, “The minute you accept the premise that intolerance is a valid point of view, you lose freedom.” This is a succinct look at one of the book’s main themes. 

Light it Up has mature content, including heavier language usage, violence, and sexual suggestions than some other young adult novels; however, its themes about race relations and community are powerful and certainly worth reading about. Additionally, most of the characters, unless otherwise specified, are college students or adults. Readers should take note that extreme bigoted language is used, but in context, the language shows the reality of white nationalists in the United States. This book is important to read because it helps illustrate the many facets of racism, and it does so in an intelligent and empathetic manner. There is not a happy ending after a child is killed, and the community can only do its best to grieve and continue the fight for a better home, despite the terrible obstacles. This is not a joyful occasion and the only way out is through. 

Sexual Content  

  • The characters in this book engaging in sexual content are exclusively adults. 
  • One character, Jennica, used to be in a relationship with a man named Noodle, and he still comes around her place sometimes. Jennica describes how Noodle says, “‘Hey, gurrrrrl.’ He drags the word out so long it sounds dirty.” When she rebuffs him, he says, “I wanna keep doing you.” Jennica also mentions that what she misses about him “has nothing to do with sex.”  
  • At another point, Noodle texts Jennica, “You look hella sexy in that apron.” Jennica is not amused. 
  • While drunk at a party, Noodle sexually assaults Jennica. Jennica narrates, “My back is against the wall and Noodle presses up against me with his whole body. His hands push up my skirt. His mouth is on my neck, my chest. When I try to wriggle away, he takes hold of my wrists, pinning them beside my head.” After a page, he is stopped by a man named Brick, whom Jennica then kisses despite Brick saying no several times. Jennica notes, “When our mouths meet, I taste salt and beer and breath. It’s one quick moment, or it lasts a hundred years. He tears his face away.” 
  • While she is drunk, Jennica makes a sexual pass at Brick. Jennica notes that Brick pushes her back a step, but she also notes, “But his eyes say different. His fly says different.” Nothing happens between them. Later, she articulates her attraction, saying, “[Brick’s] muscles. I’m kinda turned on and I hate it because it reminds me of last night. Of Noodle’s hand going between my legs.” 
  • Brick notes that he can have “any woman [he] wants.” He says, “I could lose myself in [the party], find some honey to wriggle against me, soft and warm. The one in the hot-pink mini skirt. Damn. The one with the shaved head and earrings like Olympic rings.” This is the extent of his detailing of his sexual desires. 
  • Community organizer Zeke is talking to community volunteer Kimberly at the community center as folks are seeking shelter from the police outside. Zeke gives Kimberly a blanket and notes, “She smiles up at me. So pretty. Sleepy eyes are kinda sexy, I guess.” 
  • It is insinuated that a character named Melody has sex with Brick. The only description of this is from Melody, who remembers, “my memory rings with the sensation of his muscles against me. His breath on my cheek. The quick, hard rhythm as we rise together. The way his arms wrap me tight as we lay together. His sweet whispers.”  
  • Brick and Melody have sex again. Brick’s usual dating method is: “We screw, we snuggle, then we go our separate ways. No hang-ups. I sleep careful. I sleep smart. No drama.” He says this as Melody wakes up in his bed. Brick sees Melody, “her shirt is off and the covers are pulled up right underneath her excellent rack…She’s right there, and willing, and it feels good.” They have sex again that morning, though no further details are given. 
  • Kimberly and Zeke are attracted to each other. Kimberly mentions that Zeke “is fine.” Zeke mentions that Kimberly “is fine. Can’t tear [his] eyes from that big, sexy behind of hers. Why is she wearing cute pants like that to the office? Nobody needs to look that good while filing correspondence.”  
  • Kimberly likes Zeke, but she insinuates that she may have had a relationship with another man that they mutually know. Kimberly says, “Zeke can’t ever know what happened between me and Al. Reverend Sloan. The senator.” She doesn’t elaborate about what happened further. 
  • Senator Al Sloan has a history with Kimberly, and she doesn’t like how he seems to speak in double-entendres. Kimberly notes that when he says, “I still think about that week,” she understands it as him saying, “I wouldn’t mind getting in your pants this time, if you’ll let me.” Kimberly manages to rebuff him at each opportunity. 
  • Kimberly and Zeke kiss. Kimberly describes, “His lips are soft. It’s not unpleasant. But I don’t know what to do… My hands find his fingers. His tongue plunges in and out and I try to move mine in response.” Kimberly explains to Zeke that she’s never had sex before, and after a couple of pages of discussion, it is insinuated that they do have sex, but nothing is shown. The sequence lasts for several pages. 

Violence  

  • The book’s central discussion is about police officers killing unarmed Black people. The characters reference real life examples listing, “Look at Watts in ‘65, look at LA after Rodney King, Ferguson after Michael Brown, Baltimore after Freddie Gray.” Later, students at a demonstration at their college campus, named other victims like “Emmett Till, Martin Luther King Jr., Sandra Bland,” and many others. 
  • One day, walking home from school, an unarmed Black girl, Shae Tatum, is shot and killed by a police officer. Descriptions throughout the book detail her death. For instance, after she’s shot, “the curb is dewy with blood.” Later, a police statement notes that “the child was running away and got shot in the back.” 
  • Shae’sdad comes running to the crime scene, and another character, Brick, stops him because, as Brick notes, “The next five minutes play out in my mind in sped-up slo-mo fashion: He’ll run at them. Try to bring them down with his own hands. Then he’ll be laid out beside her and they will feel justified.” Brick stops him, but the grieving father “pummels [Brick].” With the cops pointing guns at them, Brick requests that a paramedic “sedate [Shae’s dad]” and they do as he asks. The scene is described over a couple of pages. 
  • At a crime scene, the police tear gas the crowd. One cop notes, “The line we held firm for hours is shattered. So long, tenuous peace. The string of yellow tape bursts and drifts to the ground as people run and scream.” 
  • Brick seriously considers and plans to organize his gang against the cops, and he tells part of his plan to one of the women who’s attracted to him. She tells others that, “He’s talking it. Panther-level action, taking guns against the cops.” 
  • The young daughter of the police officer who killed Shae is being abused by other students at school. She notes, “When I am not looking, other kids reach out and pinch me as hard as they can. I say nothing. Like I’m supposed to.” 
  • The daughter of the police officer has a classmate who says to her, “I bet [your dad] beats your mom. All cops are beaters.” The classmate then “pounds his knuckles into the other palm,” and the daughter has flashes of what are presumably memories. She thinks, “The smack of skin on skin. Beer bottle against the wall. The boxing bag hanging from the garage ceiling… I know how to throw a good punch.” It is insinuated that she punches this classmate. 
  • It is insinuated that the police officer who killed Shae Tatum beats his wife. Their daughter notes, “[Mom’s] shirtsleeves taper smoothly to her wrists such that everything is covered.” 
  • Much of the book details the actions of the white supremacist group called White Out, but the book also details the history of white supremacist groups. One author on a news program explains, “The image of white people marching with torches by night evokes more than a belief. It evokes intent. Historically such images are associated with lynchings. The Klan and its members passed extra-legal judgment on any black people they had it in for. The image evokes hatred and represents an absence of due process. Forces that this country has been working for a century to overturn.”  Historical explanations of violence like this are explained throughout the book, but this is the end of this description. 
  • One college student, Tyrell, is having a conversation with his white classmate, Robb. Robb doesn’t understand that white supremacists and racism have always existed, and he asks Tyrell if there are white supremacists in his neighborhood. Tyrell thinks, “You mean like the cops who put us into walls, the teachers who tell us we won’t amount to anything, the cabbies who won’t stop for us, the bankers inside their bulletproof glass cages? You mean like the guy who shot my best friend?” Robb doesn’t understand that this is a system that he, as a white man, benefits from. 
  • One police officer watches the White Out rioters descend upon the city. He thinks to himself, “There is no one I hate enough to bring a torch to a park and chant in the dead middle of winter. I think hard about it. There’s no one. Well, terrorists, I guess. The kind of man who straps a bomb to his chest and walks into a school to set it off. I hate guys like that enough to set them on fire.”  
  • One white college student is driving his two black classmates to the protests, and he’s driving over the speed limit. The other two are worried about getting pulled over, and their white driver refuses to slow down. One of them then reaches “up from behind and takes his shoulder. Pinches his fingers as hard as he can into his soft tissue.” This convinces the white driver to slow down and be serious. 
  • The college students in the fray see a cop beat a young Black woman who tripped and fell during the protest. The cop’s “baton, already raised and ready, comes down hard on her. Crack! She screams as the cruel metal tube strikes her shoulder. She falls to the ground. The cop spins, putting his back to us, and brings the baton down on her again.” The white college student tries to stop the cop. The student’s “hand goes out, grabs the officer by the collar with one hand. His other hand knocks the baton aside and away from the woman on the ground.” This scene lasts for a couple of pages. 

Drugs and Alcohol  

  • Shae’s parents bring out the mulled wine, presumably for the people who are of-age. Mr. Tatum says, “My sister-in-law’s been making it like no tomorrow.”  
  • After police-mandated curfew hours, Brick considers staging a protest. Noodle tells him it’s a bad idea, saying, “The whole point is they come after us for nothing now. We can get high and forget about it.” 
  • Zeke is on a date with Kimberly and he offers her beer as “it looks like we’re out of wine.” 
  • A character notes that Brick’s parties involve a lot of “dancing and drinking and being all loud.” 
  • Jennica shows up to one of Brick’s parties angry. She says, “I came anyway. In time to see Kimberly and Zeke sitting right up where I used to sit. Holding court with Brick. I’m holding court with Jose Cuervo.” It is confirmed that Jennica is drunk. 
  • One college student, DeVante, checks his white classmate’s car he’s in for “errant weed,” as DeVante knows full well that he and Tyrell would be the ones that the cops would blame for it being in the car. 
  • DeVante and his white classmate Robb have been friends since the start of college. DeVante notes that, “We’ve talked about girls and kept each other from getting too drunk, or walked each other home when we’ve occasionally missed the mark.” It is implied that they are in their first year of college, but nothing else is described. 

Language  

  • Profanity is used frequently. Terms include hell, ass, God, goddammit, shit, fuck, and bitch.  
  • One character known for being insensitive reads about the murder. He tells his roommate, “Cops shot a girl. Only thirteen, and retarded or something.” His roommate responds, “Don’t say retarded.” This is the extent of the conversation. 
  • Robb refers to a woman news anchor as “the hot chick with the big lips.” He later says, “Can we get a scroll bar with her number?” The other people around berate his rudeness. 
  • Robb regularly makes microaggressions against Black people. For example, he notes that there are mostly white people at his college. He says, “Everyone in the room is white, except DeVante and two Asians. I mean, a Filipino and a … I forget. Chinese, maybe. Whatever — he grew up in Portland.” These comments come up semi-regularly. 
  • In one of the online forum posts, a presumably white person uses the N-word. The comment reads, “Fuck these n—-. We’re gonna take it to them where they live.”  In another post, the same commenter says, “You n— can’t keep a good cop down.” The term is written out in the book. 
  • White supremacists show up at Shae Tatum’s funeral, declaring that she deserved to be shot and that this incident was a “war on cops.” Zeke notes a photo that he sees at the funeral, describing, “The focus is on a small girl, not more than ten, standing at the front of the group. Her long blond pigtails fall over her shoulders, framing the hand-lettered sign at her chest: SHE HAD IT COMING.” Many more incidents like this occur throughout the book. Another sign at this event reads, “[The cop who killed Shae] DESERVES A MEDAL, NOT A PUBLIC LYNCHING.” 
  • A guest activist on a television program discusses the phenomenon of counterprotests. They say, “There’s a history of counterprotest. Remember, the ‘God Hates Fags’ contingent showed up at Matthew Shepard’s funeral.” This is the extent that this term is used. 
  • One newscaster notes that on social media the counter-protesters were trending the phrase, “The only good n– is a dead n–.” The newscaster doesn’t say the word but instead indicates it with the n– instead. 
  • Another person on a social media thread comments about the black protesters, “Like monkeys in the zoo. Making sounds and throwing feces. Ooh Ooh. Fenced in! Tear gas! Tase their asses!” 
  • Brick sees that his friends are being arrested for protesting. He thinks to himself, “Cops and n–s in a game of chicken- who’s more afraid of the dark?” The word is spelled out in the book. 
  • Jennica and Melody stand with the protestors against White Out. One of the white supremacists yells at the group, “Oooh oooh ooh! Go back to Africa, you motherfucking apes!”  
  • After getting Shae’s dad away from the police officers, he is sedated and lying in the back of a car. Another man is trying to keep him upright but is struggling, and he says, “Fuckin’ Christ.” 
  • Brick swears in surprise at Jennica when she’s drunk and she kisses him. He says, “Jesus, fuck.” 
  • One of the cops is complaining about paperwork. He says, “Christ, look at all these arrest reports.” His co-cop says, “Don’t take the Lord’s name in vain, for God’s sake.” They both laugh at his joke. 

Supernatural 

  • None 

Spiritual Content  

  • Someone on a news forum comments saying, “Why r u up here talkin bout blessings? Ain’t no GOD in this mess.” Many other people give their “thoughts and prayers” to the community. Another comment states, “You trippin. Prayers aint enough.” 
  • Shae Tatum’s funeral is held at a church. One little girl notes, “Ladies, ladies / loud ladies / big ladies / chewing ladies / sipping ladies / humming, Lord Jesus / humming, my baby / humming all the way to the cathedral sky.” 
  • The cop who killed Shae Tatum sits with his family at their home, holding a vigil for Shae. His wife lights a bunch of candles and says to her family, “Let’s pray.” The scene lasts for half a page. 
  • A news show discusses the intersection of faith, liberty, and rights. The guest on the program notes, “When a serial killer says God made him do it, we don’t let him off the hook for his crimes. Are we supposed to accept murder as a protected aspect of faith?” This discussion lasts for several pages. 
  • A commenter on a social media forum says about the verdict, “Life and death, reward and punishment, is the purview of God Almighty. Righteousness has been on our side from day one. #HeroCop.” 
  • One of the college students is deeply upset and is thinking of his friend who was killed by police. He thinks, “Don’t know what to make of a world without justice, of a God who turns our best intentions into the dark.” This point is not elaborated on more. 

The Door at the End of the World

Lucy Eberslee is a thirteen-year-old girl working as the Gatekeeper’s deputy, a job which she takes very seriously. As the gatekeeper’s deputy, Lucy stamps passports and files travel forms for travelers as they pass through the doorway to another world; her world, Southeast, is one of eight worlds visitors can travel to. One seemingly normal Thursday turns into a chaotic journey when Lucy’s boss disappears.

On top of this, a boy from the Eastern world, Arthur, accidentally leaves his world and enters Lucy’s. Upon trying to open the door to Arthur’s world, Lucy realizes that the door is stuck and that something bigger is going wrong. Lucy and Arthur decide they need to get professionals involved, and so they begin their journey to the Interworld Travel Center to talk to its chief, Mrs. Bracknell.  

Lucy is a sympathetic character who struggles with being overshadowed by the rest of her family. Lucy reveals that her parents work in high positions in The House of Governors, and her older brother, Thomas, “is a member of the Interworld Travel Commission.” Lucy’s job as the Deputy gatekeeper makes her feel less invisible, as she explains, “I’d done well enough in school, but I’d never really stood out. Even my teachers had a habit of not quite remembering I was there unless they read about [my brother] in the news or needed a favor or advice from my father.” By the end of the novel, Lucy’s older brother, Thomas, tells Lucy that she has proven herself to be very brave and inspired him to speak out when something seems wrong.  

Arthur is an equally sympathetic character because of his willingness to help Lucy, even though he has just met her. Arthur and Lucy bond over their feelings of being invisible. When Lucy asks him if his family will notice he is missing, Arthur says, “After a month or so it might occur to my father that I haven’t come downstairs for dinner in a while. He’s got eight sons, though, so he won’t mind misplacing one.” Arthur’s perspective allows the reader to feel that they are learning about all the worlds right alongside him and they will enjoy Arthur’s excitement when experiencing new things as he explores all eight of the worlds. 

As Lucy and Arthur investigate who is really behind the closing of the worldgates, they realize they need respected adults to help. The conclusion involves an extremely chaotic, but entertaining, scene in which the villain is revealed. Because of her adventure, Lucy demonstrates personal growth, especially when it comes to speaking her mind and standing up for herself. In the exciting conclusion, Lucy is put in charge of “the team that’s opening up all of the worldgates again.” Lucy begins to recognize her own talents and abilities, as she says, “It’s going to be total chaos to organize . . . but I think I’ll be good at it.”  

Readers who enjoy fantasy, magical creatures, and reading about different universes will love The Door at the End of the World. Overall, the story highlights important messages like having confidence in yourself, appreciating what makes you special, and speaking up when something is wrong. Readers looking for more magical adventures should also read the Explorer Academy Series by Trudi Trueit and the Wizard for Hire Series by Obert Skye. 

Sexual Content  

  • None 

Violence  

  • Lucy’s boss, the Gatekeeper, does not enjoy spending time with another gatekeeper called Bernard. The Gatekeeper explains, “I’d rather have my ears nibbled off by a thistle-backed thrunt [a spiky, destructive, dangerous creature that tears everything it encounters to shreds] than have to spend the day with Bernard.” 
  • When a man, Mr. Silos, finds out that Lucy is affiliated with Interworld Travel, he feels that he is being threatened for his illegal interworld smuggling deals. Lucy notices, “Mr. Silos turned back to look at me and Arthur, studying us . . . His right hand crept towards his gun.” He does not actually shoot at them.  
  • The thrunt “munched the floorboards” in front of Lucy and Arthur. Lucy says, “There was no point in trying to escape; I couldn’t sprint half as fast as the thrunt could move. What would it feel like, I thought in a panic, to be eaten from the toes up?” Luckily, Arthur and Lucy are rescued.  
  • Rosemary, a girl who at first pretends to be another deputy gatekeeper like Lucy, but later admits she is a smuggler of interworld goods, kills the thrunt; “a beam of golden light shot out from the doorway, there was a loud sizzling noise, and the thistle-backed thrunt split neatly in two.” 
  • Rosemary offers Arthur and Lucy her “InterCom cards” to use as communication. Rosemary threatens them about losing the devices, saying, “You’d better not lose them, or Pa will sell your ears on the black market to make up for it.” Rosemary later admits that she’s joking.  
  • Lucy and Arthur are horrified to discover that when they left their room at Interworld Travel, someone poisoned their magical bees. “[Lucy] heard a thin, frantic hum. The floor of the closet was carpeted in bees. They were moving, but barely; some crawled listlessly toward my feet . . . I wasn’t any sort of an expert when it came to bees, but even I could tell something was badly wrong.” 
  • The bees spell out “FLOWERS,” indicating that someone brought poisonous flowers into their room to kill them. Sadly, some have died. “The [bees] who died must have come closest to the flowers; the rest were still doing poorly, but when I placed a little saucer of sugar water on the floor, they perked up enough to shuffle over and taste it.” Rosemary tells Lucy she thinks someone poisoned the bees as “a warning.” 
  • Lucy worries that the head of Interworld Travel, Mrs. Bracknell, has killed all the gatekeepers. Lucy explains, “If Mrs. Bracknell had harmed my own frizzy-haired, heavy-footed Gatekeeper, I didn’t want to think about it.” 
  • Mrs. Bracknell tries to flee, but the kids discover her plan. Rosemary explains, “[Mrs. Bracknell] cut that awful hole in the ground and said that if I tried to warn [Lucy and Arthur] to stay away, she’d push me through it.”  

Drugs and Alcohol  

  • None 

Language  

  • Characters occasionally exclaim, “Oh, worlds!” 

Supernatural 

  • A swarm of bees follows Lucy. The bees can spell out words. Lucy explains to the bees that she thinks the Gatekeeper has gone missing. “The bees huddled together over my head, humming to each other. After a minute or so, they spread out to form foot-high letters against the backdrop of the sky. SPARE KEY?” 
  • While researching the magical gatecutters that are able to cut open entrances to other worlds, Lucy and Arthur are attacked by a “thistle backed thrunt.” The “thrunt” “can chew through almost any substance and travel as fast as an automobile. It has four rows of teeth, a powerful jaw, and an insatiable appetite. If an unprepared traveler stumbled across a thrunt, however, he will surely be devoured.” 

Spiritual Content  

  • None 

My Flawless Life

Hana Yang Lerner seems to have it all. She excels academically and attends St. Francis, the most elite private school in Washington, D.C. Plus, her position as the daughter of a prominent senator means she is popular and has a bright, shining future ahead of her. 

However, Hana’s reputation is ruined when her father is arrested for a car accident that left a woman seriously injured. Unable to fix her own life, she becomes the school’s unofficial “fixer” – the fixer of other people’s problems. Now, her fellow students contact her, knowing she will be able to bury their secrets. With her friends gone and a deep knowledge of how to make and use connections to her advantage, Hana is well up to the task. 

Until one day, when Hana is contacted by an anonymous student, called Three. Three asks Hana to trail her ex-best friend, Luce Herrera. Hana agrees, thinking this is how she gets her old life back. But the deeper she digs, the more she finds out about her classmates – more than she ever wanted to know. Along the way, she is also forced to confront a deep secret of her own. 

The redeeming qualities of My Flawless Life mostly have to do with its discussion of complex issues such as the “money fixes everything” mentality, parental expectations, and the value that teens place on popularity and reputation. Because Hana and her classmates come from prominent families, they are expected to be perfect and do great things with their lives. Through Hana’s thoughts and emotions, readers will get a glimpse into how that pressure affects teens. They will also see how that pressure is reflected in Hana’s actions, and to a lesser extent the actions of her classmates.  

The overlap between money and reputation is also discussed, bringing to light how important money is in elite circles. Hana’s family’s reputation shatters after her father loses his job and they are forced to move into a smaller home, showing how quickly status can be lost. At the same time, this book examines how money can make a lot of problems go away. For example, Hana is paid well to keep her classmates’ secrets in the dark. My Flawless Life seeks to examine how teens growing up in wealthy elite circles are essentially encouraged to use money in this way. The story condemns this, while simultaneously showing the pressure and expectations that leads teens to accept this way of life despite its ethical concerns. 

However, My Flawless Life is lacking in many aspects. Despite its marketing as a thriller, the book is slow-paced until over halfway through the story. The first half is mostly background information that could have been woven throughout the story to make the pacing more even. Once the mystery actually begins to unfold, the pacing feels too quick – there are so many twists and turns in such a short amount of time that the plot becomes confusing and overwhelming. Furthermore, although Hana is an interesting and well-developed character, most of the side characters feel flat and underdeveloped.  

In spite of the book’s drawbacks, My Flawless Life is interesting and worth a try for readers who enjoy mysteries, unreliable narrators, and discussions about issues such as money, parental expectations, and academic pressure. If you’d like another engaging story that touches on topics such as wealth and parental expectations, American Royals by Katharine McGee would make an excellent choice. Readers should also pick up Amber House by Kelly Moore, a fast-paced story that focuses on family drama. 

Sexual Content  

  • None 

Violence  

  • In a flashback, a car accident is described: “Through the beam of our headlights, I saw a flash of a person in front of us, one arm raised to her face as if bracing for impact. Then darkness. A grotesque thud on the front of the car. A sickening crunch as we skidded through the grass. Then stillness.” 

Drugs and Alcohol  

  • At a party, Hana sees one of her classmates, Tiffany, snort a line of what Hana assumes is Adderall. 
  • At another party, Hana and her classmates play a drinking game. Some drink alcohol, while others drink nonalcoholic soda, but those who do drink get slightly tipsy. 

Language  

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

Magical Imperfect

Etan is a twelve-year-old boy whose life is full of silence, earthquakes, and a bit of magic. He lives in a world that is both familiar and unfamiliar. The ground beneath his feet is constantly shaking, threatening to upend everything he knows. But despite the danger, Etan finds solace in the game of baseball, a sport that has been a part of his life since he was old enough to hold a bat.

However, Etan’s world is turned upside down when his mother is admitted to a mental institution. He suddenly finds himself unable to express his thoughts and feelings because his words are trapped inside his head. Without the ability to communicate, Etan feels isolated from the other kids his age since he is unable to reach out and connect with them.

But there is one person who understands him better than anyone else: his grandfather. Raised in a close-knit community of immigrants, Etan’s grandfather knows the value of acceptance and understanding. He doesn’t judge Etan for his silence, but instead offers him the comfort and support he needs to navigate this difficult time.

Not everyone in the community is as kind-hearted as Etan’s grandfather. When a local shopkeeper asks Etan to run an errand for him, this sets off a chain of events that will change Etan’s life forever. While running the errand, Ethan Meets Malia Agbayani, whom the boys at school have nicknamed “the creature.” At first, Etan is hesitant to approach her, but when he finally does, he discovers a kindred spirit. Despite her nickname, Malia’s voice is like music to Etan’s ears. She sees the world in a unique way, and her perspective helps Etan to find his own voice. As they spend time together, Etan realizes that outside of his community, there is a world full of people who are different but just as valuable. With this newfound understanding, Etan’s world begins to open in ways he never thought possible.

Etan is a truly endearing main character that will captivate the reader’s imagination. His journey through the obstacle of selective mutism is truly inspiring, as he learns how to overcome his personal struggles and create new friendships. As the reader follows his journey, they are taken on a fascinating exploration of his family’s rich Jewish history, with all of its intricate traditions and customs. Through Etan’s eyes, the reader is transported to a world full of magic and wonder, where anything is possible if you believe in yourself. With each passing chapter, the reader will feel more and more invested in Etan’s story, eagerly anticipating what will happen next and how he will continue to grow as a person.

Readers will also be captivated not only by the wisdom and mysticism displayed by Etan’s grandfather but also by the rich cultural context he provides. Through his tales from his homeland in Prague, the grandfather shares his deep knowledge of the Jewish religion and the Hebrew language. Moreover, his character serves as a powerful reminder that everyone has the ability to create magic in the world – all that is required is a strong belief and a heart full of love. The reader cannot help but be inspired by the grandfather’s teachings, and they will come away with a renewed appreciation for the beauty and diversity of world cultures.

The Magical Imperfect is a heartwarming tale that emphasizes the value of embracing diversity and the true meaning of unity. The author beautifully showcases the power of empathy and compassion, and how they have the ability to bring people together. Through vivid descriptions and relatable characters, The Magical Imperfect teaches us that our differences should be celebrated rather than feared and that we should strive to build bridges of understanding and respect. Overall, this book is an excellent reminder of the importance of kindness and acceptance in our increasingly diverse world. This is a rich, rewarding, and deeply moving story that is sure to touch the hearts of readers of all ages.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural

  • Malia, Etan’s friend, introduces Etan to a spot that is full of magic. “These are the Sitting Stones. This is where the trees listen the most. The pool is magical . . . But this water is magic.”
  • During an earthquake, Ethan gets a small cut on his arm. His grandfather sees the cut and decides to show him the power of the clay. Grandfather pulls Ethan close “presses down his two clay fingers on the cut on my arm . . . The cut is gone. I search with my fingers, trace my skin up and down, and back and forth . . . Then it feels like the world starts to spin cold and warm all at once. . .” Ethan’s grandfather explains, “Your body, Etan, it’s experienced something from another time, an ancient thing giving its power to something new right now.”
  • Etan and Malia visit the Sitting Stones and he begins to wonder if the clay inside the pool could heal. He wonders if it would help heal Malia’s eczema issues.
  • Another object that is considered magical is a small green stone that Etan is given. The stone helps give him the strength to find words to speak. His grandfather explains,  “This, he says, is a bareket, an emerald, an ancient, powerful stone, like from the breastplate of Aaron . . . When you feel afraid to speak, hold the stone in your hand, tight tight tight, and it will bring you courage.” 
  • In order to heal Malia’s eczema, Etan and Malia combine his grandfather’s clay and the clay from the Sitting Stones pool. Ethan puts “clay on two fingers, dab it onto her face, around her eye. I [Ethan] pray, think of the trees, the pool, my green bareket, somewhere in the water . . . When most of the clay is off my hands, Malia starts humming, her voice like light. ‘Look!’ she cries. Her red, swollen arms are smooth, clear, like the red was never there.” To both of their amazement, the clay makes the redness disappear. 

Spiritual Content 

  • Etan’s family holds religion near and dear to their heart. His grandfather is a Jewish immigrant that uses his religion and the magic associated with it to teach Etan different lessons about life. He often reminds Etan how important it is to remember his heritage and the different objects that help represent them. When Etan’s grandfather leaves his workshop early, it is usually for a specific religious activity, like lighting the Shabbat Candles. “When he leaves extra early so he can be home to light the Shabbat candles. The candles, he says, they make us Jews.”
  • Etan’s grandfather has a small box full of valuables from his life in Prague. He believes that the objects within hold a magical power that each represents a different thing. The object most talked about in the book is the clay. “This is the last of the clay taken from the Vlata River by your ancestor, the Maharal himself . . . It’s the clay of the golem; it once made a terrible monster that defended the Jewish people in their time of great need.”
  • There are mentions of aspects of the Jewish religion throughout the text, but it isn’t until Etan begins to pray when using the clay on Malia, that there is a full string of Hebrew language used. “Baruch ata Adonaim Eloheinu Melech ha-olam, hamotzi lechem min ha’aretz.” This is the prayer that they say for bread at Shabbat.

The Undercover Book List

Jane McDonald is a self-professed book nerd. When her best friend, Sienna, a fellow reader, moves away, she plans an “Undercover Book Club” to ease Jane’s loneliness. The idea is to leave an anonymous note in a designated library book and strike up a friendship with whoever finds it. Tyson Flamand is a video game-loving jokester whose antics tend to land him in the principal’s office. By accident, he sees Jane slipping her note into the library book, and he leaves an anonymous response. As Jane and Tyson become closer though the Book Club, they both discover their own resilience and ability to overcome seemingly overwhelming obstacles. 

Jane is an avid reader and a driven student, consistently impressing her teachers and other adults in her life. Her father is deployed in the Middle East on a military assignment, so her grandparents spend a lot of time supporting Jane’s mom with childcare. Her best friend, Sienna, recently moved away and Jane has to learn how to honor her friend while still moving on with her own life. Jane is a likable character due to her efforts to support others and make everyone feel appreciated. Despite her positive personality, Jane is dealing with a lot of loss, from missing her dad and best friend, and the threat of losing her after-school club, Kid Lit Quiz. This gives her another layer of character development, which makes her relatable to readers. 

Tyson’s nonchalant attitude has given him many friends but poor grades. Everybody in Tyson’s life believes he is a troublemaker. When he tells his mom he’s reading, she scoffs and says “Yeah, right,” which hurts Tyson. When Tyson joins the Kid Lit Quiz team Stefan, another member, asks Jane, “Are you sure he didn’t join as a prank? I didn’t even know he could read, never mind liked it.” Readers will appreciate Tyson’s efforts to change his reputation despite everyone in his life discouraging him – he shows that everyone is capable of greatness despite their past. 

Each chapter of The Undercover Book List alternates between Jane’s and Tyson’s perspectives. Jane’s chapters are in the first person, while Tyson’s chapters are in the third person. At first, the shifting points of view are confusing; however, as the teens grow closer, their perspectives overlap and build off each other. As part of The Undercover Book Club, Jane and Tyson write anonymous letters to each other. The novel periodically includes the letters between Jane and Tyson, which allows readers to see the perspectives of each character and watch their growth throughout the novel.  

The Undercover Book List highlights the importance of having the strength to embrace change. Jane learns that she is a fantastic leader who can accomplish lofty goals. Tyson manages to transform his reputation from a troublemaker to a successful student. He eventually decides he would rather be kind than popular. The obstacles that the teens face, including vandalism and illness, are handled in a straightforward manner but without sacrificing emotion. By the book’s gratifying conclusion at the Kid Lit Quiz regional competition, both Jane and Tyson prove to be excellent role models. 

Sexual Content  

  • Tyson’s friends, Andrew and Affan, “drew penises all over the poster” that Jane made to recruit more students to join. Tyson created “the penis game” several weeks before, where “the goal was to draw as many penises as possible before the risk of discovery forced the vandal to walk away.” This is the only instance of the penis game. 

Violence  

  • Tyson and his friends have a reputation as bullies. The pranks these teens pull on others can be mean and targeted, often at a student named Connor. At the beginning of the book, Tyson “ruined [Connor’s] jersey” after dropping it in the lunchroom trash can and “accidentally threw [his] hat on the roof.” As Tyson begins to repair his reputation, he distances himself from the bullying. 
  • Andrew and Affan want to “put [all Connor’s stuff] where it belongs – in the toilet.”  Nothing happens because Connor walks into the locker room while the teens are debating their course of action. 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural 

  • Tyson frequently plays a video game called “Mutant-Z.” It is about “a group of mutants who want to take over the Earth. They battle humans for control over key sites.” Tyson has a character named Lizardo who can “spin his head almost 360 degrees and crawl like a lizard up buildings and across ceilings.” The video game does not have a major role in the novel, but it is mentioned a few times. 

Spiritual Content  

  • None 

Fast Pitch

Twelve-year-old Shenice Lockwood is the captain of her 12U softball team, the Fulton Firebirds, and she has only one goal this season: to win the DYSA 12U World Championship title. Not only would a championship reaffirm the obvious talent of her teammates, but it would also send a bigger, more important message to the softball world. That message would be that her all-black softball team belonged in their all-white league and deserved recognition and respect. 

However, when Shenice learns that her great grandpa JonJon’s baseball career was ruined by a crime he didn’t commit, she seeks the help of her Uncle Jack to uncover the truth of her family’s past. Faced with the pressure and the impossible decision between clearing her family’s name or leading her team to victory, Shenice must make a fateful choice that will forever change the game of softball.

From the start, readers will fall in love with the spunky, energetic Shenice Lockwood, who tells this story in her own humorous, yet authentic manner. Many readers will find Shenice’s heart to lead, love, and serve admirable. Her actions and decisions reveal a protagonist who’s determined to seek the truth and fight for equality. Whether it’s leading her teammates on a championship run, clearing an incident that put her great grandfather JonJon in jail, or admitting her feelings for her best friend Scoob, Shenice portrays the realistic struggles of a twelve-year-old girl amidst a topsy-turvy life.

Alongside Shenice, the book features several exciting side characters that push Shenice toward action and reflection. Whether it’s Shenice’s Uncle Jack, her hot-headed best friend Britt-Marie Hogan, or her teammates, Shenice’s interactions with these characters will keep the readers engaged with their quippy dialogue, profound revelations, and heartfelt conversations. Although Shenice doesn’t display drastic character growth, her view of softball does change, and she learns that some things, like winning a championship trophy, aren’t so important in the grand scheme of things. One of her teammates highlights this lesson by telling Shenice that “I did want to win, even just to make my dad proud. But what you were doing felt super important. And I think he would’ve been proud of me helping with that, too.”

Of course, the sport of softball plays a major role in the book, and readers will enjoy the frequent, fast-paced game scenes that break up the surrounding plotline. Thanks to the realistic plays, descriptions, and lingo, readers will feel completely immersed in the game of softball. The story also uses these game sequences as an important motivator for Shenice by reminding her of her great grandpa JonJon and her vow to clear his name.

By exploring the fractured relationship between the white and black communities, Fast Pitch addresses deeper topics such as discrimination in sports and the present-day struggles of the black community. Throughout its short eighteen chapters, the story captures the problem of inequality from a very mature perspective. Shenice’s troublesome experiences teach her to not ignore the past but to “dust [herself] off and get [her] head back in the game” despite the difficulties and hardships. As a result, she learns to overcome the various ways of discrimination in her life, like hurtful insults and Confederate flags. She chooses to pave her own future through the inclusion, recognition, and love for others on her softball team. Overall, Fast Pitch is more than just a softball story — it’s a tale that emphasizes the importance of love, family, and equality through a young girl’s quest to win a championship trophy.

Sexual Content

  • Shenice Lockwood’s parents listen to their favorite song and then, “they’re just smoochin’ away like nobody else lives here.”
  • Shenice develops feelings for a friend named Scoob. Her “face gets warm” and “palms go damp” when she’s around him.
  • On multiple occasions, Shenice says something about Scoob and how he makes her feel. For example, she wonders, “has he always had that cute mole under his eye . . . which for some reason is making my heart beat faster [and] which sparks all these swirly-tummy feelings?”

Violence

  • Shenice relays a memory where a girl slid into her ankle during a game. When Shenice tried to block home plate during a close play, the girl slid into her and “ripped through my tall socks and took out two large (for a nine-year-old, at least) chunks of my flesh. There was blood everywhere.” Her ankle is fractured.
  • Shenice slices her arm open on a shard of wood sticking out from a damaged door. She falls unconscious and finds herself in the hospital for treatment. “My right shoulder hits something that causes a snap, and then there’s a searing pain in my left forearm.”

Drugs and Alcohol

  • None

Language

  • When surprised, Shenice exclaims, “oh my god.” She does this several times. 
  • Shenice tells her best friend to “shut up.” 
  • Once, Shenice utters, “dang it,” in frustration.
  • One of Shenice’s teammates calls an opposing team’s girl an “apple-haired she-devil.”
  • “Idiot” is used once.
  • Once, the coach calls an opposing team “bigots.”
  • Several characters in Shenice’s team create creative nicknames for others, like “sour green-with-too-much-envy white dude.”

Supernatural

  • None

Spiritual Content

  • Shenice’s mom begins one breakfast with a prayer: “Let’s say grace and get to eating before Li’l Man inhales the table.”
  • Shenice’s mom says “A-MEN” to affirm that Shenice’s grandparents are watching Shenice up from heaven.
  • Shenice acknowledges that “divine intervention” has helped everything fall into place.
  • Shenice visits her Uncle Jack at the hospital. Shenice “did something I don’t typically do: I prayed.”
  • Shenice believes that her great grandpa JonJon and great uncle Jack are “together again in whatever nice place we go after we’re not in our Earth bodies anymore.”

Random Acts of Kittens

When Natalia Flores finds a lost cat with a litter of newborn kittens, she is desperate to keep one of them. Whether or not her mami says yes to a new pet, the rest of the kitties will need homes — and Natalia has the purrfect plan. With help from her friend Reuben, Natalia starts an anonymous online account to find each cat the right owner. But as her classmates apply, her matchmaking scheme gets more complicated. And when her former best friend Meera applies for a kitten, Natalia doesn’t know what to do. Will her attempt to spread kindness help heal their friendship, or simply tear her and Meera further apart? 

Random Acts of Kittens has a slow start because a lot of kitten facts are introduced. While the facts will be helpful for readers who don’t know a lot about cats, others may find the fact-heavy pages boring. In addition to the slow start, readers may have a difficult time connecting with Natalia because at first, she is very unlikable. She complains about not having any friends; however, it’s hard to sympathize with her because she tries to manipulate people and situations to get others to like her. Her main concern is how other people perceive her. Despite this, she does learn and grow through her experiences. 

Random Acts of Kittens has several positive aspects, including teaching the importance of finding animals a loving forever home. It also highlights the difficulty in finding families to adopt older animals. In addition, Natalia connects what she learned about kittens to her life. By taking care of the kittens, Natalia realizes that “I didn’t have to divide my love up between [the kittens]—I would always have more than enough to go around.” Natalia applies this lesson to her life because now she understands that her mother loves both her and her sister equally, even if she gives one more attention when needed. 

Many middle-grade readers will relate to Natalia’s conflicts with her family and friends. Even though Natalia’s life is full of conflict, in the end, she learns the importance of communication and forgiveness. The heartfelt conclusion shows Natalia’s personal growth when she makes amends with a former friend and prioritizes the kitten’s needs.  

The back of the book also explains how readers can help animals in need. The story’s positive message makes Random Acts of Kittens a book worth reading. Younger kitten-loving readers will find the Pet Rescue Adventures Series by Holly Webb an engaging series with plenty of cat cuteness. Cat lovers will also find plenty of action and adventure by reading the Warriors Series by Erin Hunter. 

Sexual Content  

  • Natalia’s gets a ride to school with her sister, Julieta, and her boyfriend, Hayden. “. . . Julieta got in the shotgun seat and kissed Hayden on the lips. Fireworks and sparkles were exploding in his eyes.” 

Violence  

  • At school, Natalia overhears two boys talking. One, Brigham, says, “My older brother used to shoot at cats up in the canyon. It’s a lot of fun.”  
  • The boy’s conversation reminds Natalia that, “Brigham had been kind of a bully when we were in kindergarten. Whenever I complained about him, the teacher said he was like a puppy that didn’t know his own strength. One day, he pushed me off the swing. I turned around and jabbed him with a one-two-three to the stomach. He never bothered me again.” 

Drugs and Alcohol  

  • None 

Language  

  • Brigham calls Natalia a weirdo and a loser several times.  

Supernatural 

  • None 

Spiritual Content  

  • When Gigi, the momma cat, gets out of the house and can’t be found, Natalia prays. “In a desperate move, I closed my eyes right there in the middle of the sidewalk and sent a prayer to the universe for forgiveness, and for help.”  

The Stern Chase

The Herons are home in Skandia—preparing to celebrate two of their own and working on sea trials in the newly constructed Heron. But during a short excursion, they encounter an Iberian pirate ship raiding the coast of Sonderland, so Hal and his crew take action.

Though the Herons quickly triumph, the Iberians voice their fury at the Herons, vowing to take revenge. And soon they do—raiding the harbor and stealing or destroying as many ships as they can. Though there is little proof the Iberians are behind it, the Herons take their ship—the only one that survived the raid—and race after their enemy in hot pursuit. They will take down these pirates and get justice, no matter what.  

The Stern Chase lives up to its name since the majority of the story focuses on the Skandians chasing the pirate ship. At first, Hal and his crew, The Brotherband, are trying to discover what country the pirates come from. Then, they need to figure out which direction the pirates went. And then, they must find the pirate’s secret hiding spot. Unfortunately, the search lacks action and readers may quickly become bored with the chase. Another of the book’s flaws is that The Stern Chase follows the same format as all the other books in the series, which doesn’t allow any surprises to unfold.  

While the previous books in the Brotherband Chronicle are action-packed and interesting, The Stern Chase is stale. There is little interaction between the characters and none of the characters show any personal growth. The story begins with Invgar and Lydia’s engagement party, however, once the party is interrupted there are few scenes that feature the couple. The Skandian Oberjarl, Erik, also joins the expedition, but he only has a small role. Overall, none of the characters are given a chance to shine.    

One of the best aspects of the Brotherband Chronicles is the sense of comradery among the crew and the action-packed scenes. However, The Stern Chase is missing both of these elements, which will leave readers disappointed. If you’ve sailed through all the Brotherband books, you can find additional excitement and adventure by reading the Starcatchers Series by Dave Barry & Ridley Pearson and Lintang and the Pirate Queen by Tamara Moss. 

Sexual Content  

  • When a member of the Brotherband, Thorn, is about to leave to search for pirates, he says goodbye to his girlfriend and kisses “her on the lips. It was a long kiss . . .” 

Violence  

  • Iberians attack a trading ship and the Brotherband jumps in to help. “Thorn charged into the rank of the Iberian crew. His massive club smashed into one man, hurling him to one side, then he swung back again and took another in the chest as the startled pirate turned to face him.” 
  • The battle continues and the ship’s captain “leapt forward, bringing his long-bladed sword down onto the helmet of the pirate captain who had faced him. . . The sword blade sank deep into his helmet, cleaving a deep cut in the metal. The pirate’s last conscious thought was that he had dropped his own sword and was now unarmed and at the mercy of his former prey.” It is implied that the pirate dies. The scene takes place over four pages. 
  • The Brotherband captures the remaining pirates, who are closest to the harbormaster. “The pirates, their hands bound behind them and secured in a line by a rope around their necks, were marched down the quay by the trader’s crew. . . Piracy was a capital crime, and they had been caught red handed.” 
  • Pirates sneak into the Skandia harbor and damage their ships. In the morning, the Skandia guards are discovered dead. One of the guards is, “lying on his back, staring unseeingly up at the sky. . .he had been stabbed.” 
  • The pirates anger a bear that attacks them. “One massive, claw-laden paw swiped at him before he could bring his sword forward. The huge claws opened four red weals across his face. . .” The bear struck the pirate who smashed “into the rock wall behind him. His limp body slid slowly to the ground. The pirates run from the bear, but “the terrible bear snapped and smashed at those nearest it, leaving a trail of broken bodies.” Six men “paid the ultimate price, their bodies hurled to the rocks on either side, or lying still where they fell.”  
  • A sailor describes a pirate attack. His men were outnumbered and were quickly killed and “their bodies thrown overboard.”  
  • The Brotherband meet the pirates on the open sea. The pirates began shooting arrows towards the Brotherband. “An arrow flashed down at Thorn, grazing his arm and leaving a bloody welt.” Thorn “hurled the grapnel overhand back toward the ship behind them. . . Thorn’s blind throw had been effective. A man tumbled off the bow of the big ship, falling into the sea and being driven under by her plunging forefoot.” During the short confrontation, men on both sides are injured. 
  • Several members of the Brotherband spy on the pirates. The Brotherband hears a small party of pirates approaching. Lydia, a member of the Brotherband, throws a dart, and a pirate “felt a jolting impact in his right shoulder. The force of it spun him half around and the impact jarred the sword from his grasp. He staggered. . . then his legs gave way and he sank to the ground, gasping as he felt the first waves of pain seizing his upper body.” The man dies. 
  • The Brotherband tricks the pirates into following them. The Brotherband’s ship, Heron, purposely runs into the other ship’s oars. “The air was filled with the splintering, cracking sound of the oars being smashed and shattered. Lethal splinters of white oak flew above the two ships. . .” Several of the pirates “fell, struck by sharp daggers of white oak. . . Within seconds, a good half of the rowing crew were injured or disabled, lying groaning or unconscious on the rowing benches. . .” 
  • One of the Brotherband sets off “the Mangler,” which throws a giant bolt ball at the pirates’ ship. “It smashed into the men crowded around the mast, cleaving a deadly path through them, throwing bodies left and right before it sailed clear over the side into the sea.”  
  • The Brotherband boards the ship. “Thorn led the way. . . His massive club-hand smashed out to left and right, shattering shields, breaking limbs and fracturing ribs among those who opposed him.” 
  • During the battle, the Skandian Oberjarl, Erik, was wounded “but he seemed impervious to them, ignoring the blood streaking his arms and legs, dealing out quick vengeance to any who struck him. The pile of fallen pirates grew around him as he shattered and smashed his way along the blood-streaked deck.” The bloody battle is described over 12 pages. The pirates started with a crew of forty. After the battle there are “fewer than a dozen left standing.”   

Drugs and Alcohol  

  • The Skandians throw an engagement party. During the party, alcohol is put out “so that revelers could fill and refill their tankards as they pleased.” Many of the adults get drunk. 
  • The Brotherband finds a sinking ship that had been attacked by pirates. One of the wounded men is given a “painkilling draft.” 

Language  

  • Oh my Lord and Oh God are both used as an exclamation once. 
  • “Gorlog’s beard” and “Gorlog bite him” are both used as an exclamation once.  

Supernatural 

  • None 

Spiritual Content  

  • The Brotherband gives a sailor from another ship a funeral. Hal wonders how to perform the ceremony because he “wasn’t familiar with whatever gods the Gallicans might pray too, and Skandians weren’t a particularly religious group, regarding their own gods with a kind of affectionate disdain.”  
  • The pirates hear a “low rumbling sound, full of threat and menace, and wonder if such an unearthly sound might come from a djinn or a demon.” A djinn is an intelligent spirit of lower rank than the angels, able to appear in both human and animal forms, that can also possess humans. 
  • When the pirates see a bear, “one of the men. . . let out a yelp of fear, calling on his gods to protect him.”  

Big Time

Gerri waits outside all night to audition for Big Time, her favorite TV singing competition. She believes she has a shot at success, but when she’s insulted by one of the judges and kicked out of the competition, she thinks she’ll probably never sing again. 

After a teacher at her school asks her to join a choral club, Gerri reluctantly gets involved. Even though she can’t read music and she doesn’t know the other kids, she finds herself enjoying the group and learning a lot about music. A cute guy she met at the Big Time auditions joins the group, and when they perform their unique mashups at an open-mic night, Gerri realizes there’s more than one way to be a successful—and happy—singer!

Anyone who’s ever faced rejection will relate to Gerri’s conflict and empathize with her feelings of insecurity. Since much of Gerri’s self-doubt and personal growth revolves around her musical ability, the story lacks action. Nevertheless, readers who are interested in music will enjoy learning how being part of a group helps Gerri understand music and herself better. While much of the story revolves around Gerri’s choral group, her guitar-playing granddad also plays a positive and significant role in Gerri’s musical growth. Gerri’s granddad helps her see that people should sing for their own personal enjoyment because music “helps us bring a little bit of happiness into other people’s lives.”

When Gerri tries out for Big Time, she meets Poppy, a confident singer who has some success on the reality show. Even though Poppy doesn’t play a large role in the story, her experiences help reinforce the importance of singing for enjoyment. While she was competing, Poppy began to focus on beating the other contestants, which caused a lot of stress and unhappiness. When she was cut from the competition, Poppy was relieved because being on Big Time took the joy out of singing. 

One of the best aspects of the book is Gerri’s personal growth. She changes from a downtrodden girl who doesn’t want to sing, to a more confident musician who is thankful that she was rejected from Big Time. Gerri thinks, “It turns out that getting rejected from Big Time was one of the best things that could have happened to me. . . because it helped me understand what being a musician is really all about. . . It’s about learning and practicing and making music wherever and whenever you feel like it.”

As part of the Orca Limelights collection, Big Time is specifically aimed at middle schoolers and teens with an interest in the performing arts who want to read a short, high-interest novel. The story’s straightforward plot, easy vocabulary, and interesting characters make Big Time the perfect fit for music-loving readers. 

Big Time has many positive aspects including teaching the importance of overcoming obstacles. In addition, the story portrays Gerri’s family in a positive light, and the supporting characters, while not perfect, unite over their love of singing. If you’re looking for a quick read, Big Time is a short, but solid story that will please anyone who loves music. Readers who want to read more music-themed books should grab a copy of Ace’s Basement by Ted Staunton and the graphic novel series Eagle Rock by Hope Larson.

Sexual Content 

  • None

Violence 

  • A woman calls one of the Big Time judges a jackass.

Drugs and Alcohol 

  • One of the Big Time contestants says that Adele drinks whiskey before every performance.

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • None

The Puppy War

Wild has been on the run—jumping from one family to the next—ever since she left Chance almost a year ago. But when a mysterious canine corporation, C.A.T., abducts her and threatens to hurt Chance, she will stop at nothing to escape and find her old friend.

Together again, Wild and Chance must enlist the help of Junebug to hack into C.A.T.’s computer to discover what they really want. Along the way, the group is reunited with an old friend and introduced to the Puppio puppies, which are love-at-first-sight cute, with massive eyes, and smell like apple pie. Yet even though they look cute on the outside, Wild is convinced everything isn’t as it seems.

When Wild finds out a shocking discovery about her past, she must decide who is more important to protect—her past, her best friend, or the greater Los Angeles area that is in incredible Puppio danger.

The second installment in the Wild & Chance Series has just as many heart-stopping moments as the first book. However, in this installment, Wild isn’t sure who the real threat is. Is it the Russian men in suits that tried to dognap him, or is it Dr. Pao the woman who invented the technology that created Wild? Unlike the previous book, Wild, Chance, and Junebug aren’t working together. Instead, the three have gone their separate ways, leaving Wild to find out what the puppy war is all about.

Readers will fall in love with Wild, who wants to protect her friends. However, when she realizes that Dr. Pao has used her DNA to create puppies, Wild is torn between protecting her children or protecting the humans she loves. To make matters even more difficult, Chance is given one of Dr. Pao’s genetically altered puppies, and the two instantly bond. Wild must use her stealth to discover Dr. Pao’s real reason for creating the puppies.

The Puppy War uses the unique perspective of Wild to create a suspenseful story that is also full of heart. The story combines intense chase scenes, friendship difficulties, and two separate groups who want to make Wild their property. Plus, an old nemesis appears and showcases that dogs (and people) can change for the better. However, the true gem of the story is the relationship between Wild and her two human friends, Chance and Junebug.

While The Puppy War is a solid story, the conclusion is rushed and unrealistic. In order to allow room for a third book, Zadoff leaves several threads untied which is frustrating. Despite this, The Puppy War uses a unique concept that will have readers on the edge of their seats—and contemplating the ethics behind manipulating DNA. Dog-loving readers who want to view life through a heroic dog’s point of view should also read the Pawtriot Dogs Series by Samuel P. Fortsch and the Hero Series by Jennifer Li Shotz. If you’re in the mood for a less serious, humorous dog series, check out Two Dogs in a Trench Coat by Julie Falatko.

Sexual Content 

  • None

Violence 

  • After being kidnapped, Wild wakes up in an airplane. In order to escape, Wild knocks a man off his feet. “I seize the opportunity to dart toward the skinny man, avoiding his attempt to kick me by biting down on his arm. He howls in pain and tries to get away from me, but I clamp harder.”
  • Wild drags the man out of the flying plane. “A second later we’re falling into open air, my jaws firmly attached to the skinny man’s arm.” The man tries to detach Wild from his arm, but Wild twists and “bite[s] down on his calf.” As the two fall, the man deploys a parachute. When they land, the man “is alive and breathing, but it looks like he’s going to be out for a while.”  
  • Men go to Chance’s home with the intent to kidnap him. Wild jumps out and “I hit the first man like a bowling ball, sending him careening into his friend, the two of them stumbling into the wall. . . I land and spin in place, instantly jumping towards the third man. I kick him in the throat and he falls, breathless and clutching his chest.”
  • The men in suits find Wild and Chance again. Wild sees “one of the men in suits coming toward us, a can of knockout spray in his hands. . . I roar and leap at the man, knocking the can from his hands and striking him dead center in the chest.” They escape.
  • The men in suits drag Chance, Wild, and Junebug into a car. In order to get Wild to talk, “the man puts a hand on Chance’s shoulder, squeezing in a claw motion. Chance grits his teeth against the pain as the man’s fingers turn white with effort.”
  • Someone drives a vehicle into the men in suits’ SUV. Wild hears “brakes screaming around us and the sound of multiple crashes.” Wild sees one of the men “stumbling out of the car, a trickle of blood on his forehead where he injured himself during the crash.”
  • During a training exercise, Wild attacks several men. “I leap from the sidewalk into the first man’s chest, knocking him back into his friend . . . I snatch his paint leg, ripping it with my teeth and knocking him to the ground.”
  • Two puppies, Sebastian and Scarlett, get into a fight. “Sebastian tries to dominate her, two paws slapping down hard on Scarlett’s face. Her head bounces off the floor with a crack.” Wild stops the fight.
  • An animal control officer tries to capture Wild. “Suddenly, a Taser hits me, the electric shock passing down my spine and through my nerves. My muscles contract and release in rapid succession, freezing me in place. . . A needle goes under my skin. It burns when the injection goes in and the tranquilizer enters my bloodstream.” Wild wakes up in a cage.
  • The head of the puppy project, Dr. Pao, orders her men to euthanize Wild. When Wild wakes up, she’s on a medical table. Wild kicks “the medical tray to the floor, then I use a paw to whip off my muzzle.” One of the men goes for a weapon and Wild races “toward him, vaulting over the table and smashing his head into the side of the cabinet . . . He groans and goes down, unconscious.” The other man passes out from fright and Wild escapes.
  • On the puppy release day, Dr. Pao holds Junebug and Chance as hostages. Wild confronts Dr. Pao and then Wild “leap[s] at her from across the room, smashing against her chest and sending the two of us sprawling backward.” A struggle ensues and is stopped when the men in suits take Dr. Pao away. It is unclear who the men work for.

Drugs and Alcohol 

  • Men kidnap Wild and drug him with something that makes him go to sleep.
  • Wild and Chance go to a secret Ukrainian hangout spot where Wild smells “food, combined with alcohol.”  

Language   

  • None

Supernatural

  • None

Spiritual Content 

  • None

The Sister Switch

Addie Asante of Columbus, Ohio, feels stuck in the middle. Her big sister, Sophie, bosses her around while her little sister, Camille, gets whatever she wants.

When Addie receives a mysterious package with a magic bracelet, she makes a wish to no longer be in the middle and—POOF—she’s transformed into her big sister!

Being Sophie is amazing: Addie can hang out at the café after school, have her own room, and sing in the talent show. But as her friend Becca warns her, having a wish come true can get really messy. Plus, in a twist of magical chaos, Addie’s big sister has become the baby sister, and the baby sister has become Addie!

With friendships—and grades—on the line, plus a sneaky stranger determined to get her hands on the magic bracelet, can Addie and her sisters find a way to switch back before it’s too late?

The Sister Switch is told from Addie’s point of view which allows the reader to understand her frustration at being the middle child. However, Addie isn’t a very likable character because she is self-centered and doesn’t think about the consequences of her actions. When Addie is in Sophie’s body, Addie thinks about how she can use the situation to her advantage. She never thinks about how her actions will affect Sophie. In the end, the sister switch brings all three sisters closer together, but there is no large character growth. 

Addie’s sisters, Sophie and Camille, aren’t very likable either. When Sophie enters Camille’s body, she acts like a bratty child who throws temper tantrums, refuses to do schoolwork, and causes havoc. Meanwhile, Camille’s cheerful attitude and focus on having fun isn’t realistic. Plus, her terrible behavior causes trouble. For example, she begins a food fight in the cafeteria. While some of the scenes are supposed to be funny, it’s difficult to ignore that when the three sisters interact, there is little kindness between them. 

Anyone who has a sibling will be able to understand Addie’s difficulties and find humor in some of the situations. In the end, Addie learns that she should stay true to herself and embrace what causes her joy. However, the story glosses over Addie’s selfishness. While The Sister Switch is a book that younger readers will likely enjoy, parents won’t want their child to copy Addie’s behavior. Overall, the sisters’ bad behavior, the tired plot, and the lack of character growth make The Sister Switch a book that is best left on the shelf. If you’re looking for an entertaining book that reinforces positive sister behavior, read Disney Frozen Polar Nights: Cast Into Darkness by Mari Mancus and Jen Calonita. If you want another dash of magic to add sparkle to your day, check out Love Sugar Magic: A Dash of Trouble by Anna Meriano.

Sexual Content 

  • None

Violence 

  • Addie’s twelve-year-old sister, Sophie, is “stuck in Camille’s five-year-old body.” When Sophie goes to school, she “apparently threw a fit. And a chair? Plus, she refused to do any of the activities.”
  • When Camille is stuck in Addie’s body, she goes to lunch with Addie’s friends. Camille and Addie get into an argument and then Camille “smiled wickedly. . . she’d picked up her leftover sandwich and tossed it at my face.” A food fight ensues. 

Drugs and Alcohol 

  • None

Language 

  • OMG is used as an exclamation often.

Supernatural

  • While at school, Addie makes a wish. “Suddenly, I felt something tighten around my wrist. The lights in the hallway flickered. . . My skin felt weird. Like it was being tickled by a million tiny feathers.” The bracelet’s magic switches Addie’s and her sister’s bodies. 
  • After the wish, Addie’s “fingers looked different. . . And then I looked into the mirror. Sophie’s face stared back at me.” Meanwhile Addie’s twelve-year-old sister, Sophie, “was stuck in Camille’s five-year-old body.”
  • A blond woman wants Addie to give her the magical bracelet. The woman can track the bracelet and has a gold bead that “warms up and glows when the magic is working.” It’s similar to a “radar.”

Spiritual Content 

  • When Addie’s sister takes over her body, Addie prays that her friends don’t laugh at her. 

Unscripted

Zelda Bailey-Cho is an incredibly talented and ambitious seventeen-year-old comedian who dreams of making it big before she turns 25. She is a young woman with a sharp wit, impeccable timing, and a passion for making people laugh. Zelda has always known comedy is her calling, and she is willing to work hard and persevere until she achieves her dreams.

As Zelda prepares to attend the Rocky Mountain Theater Arts camp, she is excited about the opportunities that lie ahead. She sees the camp as the perfect place to start her journey and is determined to take full advantage of every opportunity that comes her way. At RMTA, Zelda has the chance to learn from some of the most experienced and skilled comedians and improvisers. She is eager to absorb as much knowledge and experience as possible. She believes that making the varsity improv team is the first step towards achieving her goal of being on Saturday Night Live. However, the reality of being on the varsity team at the camp is not everything Zelda expected. 

It turns out, the camp is plagued by toxic masculinity, sexual harassment, and misogyny, all of which make it difficult for Zelda to accomplish her goals. She faces many obstacles, including being the first female in fifteen years to make the varsity squad on top of being one of only five female campers that summer. She wants to make her other female campers proud, but it becomes increasingly difficult as she becomes the target for humiliation on her male-only team.

As Zelda struggles to navigate the obstacles at camp, her relationship with her coach, Ben, becomes increasingly complicated. While Ben reassures Zelda that he will stop the humiliation, he still allows the guys to tear her down during rehearsals. His sweet smiles and endearing touches leave Zelda’s head spinning. As the rehearsals become more and more heartbreaking for Zelda, so does her relationship with Ben. It all comes to a head one day when he pins her against a tree and unclasps her bra. 

Zelda feels betrayed and violated because she thought she could trust Ben. The incident leaves her questioning her own judgment, as well as the intentions of those around her. But despite the trauma she experiences, Zelda refuses to let it define her. Her fellow female campers — Paloma, Sirena, Emily, and Hanna — help Zelda learn the difference between abuse and affection. They help Zelda realize that she is a survivor who will not be silenced. Zelda finds the strength to speak out about what happened to her, hoping that her story will inspire others to do the same. 

Zelda’s journey is one of resilience, determination, and strength. She faces numerous challenges, including toxic masculinity, sexual harassment, and misogyny, but refuses to let them hold her back. She is a role model for young women everywhere, showing them that they too can achieve their dreams, no matter what obstacles they may face. 

Unscripted is a captivating and thought-provoking book that is sure to resonate with young women. In a where misogyny and sexual harassment are still prevalent, it is important for young women to be aware of these societal issues and learn how to navigate them. The book does an excellent job of exploring these themes through the experiences of its strong and inspiring female lead character. Furthermore, Unscripted is not limited to themes of misogyny and sexual harassment. It also delves into various other issues that young women may face, such as gender stereotypes, body image, and self-esteem. The author does a great job weaving together these themes in a way that is both informative and engaging. Overall, Unscripted is a great read for young women who want to empower themselves and learn how to overcome the challenges they may face in today’s society. It provides a positive role model and valuable insights that can help them navigate the complexities of the world. Readers who enjoy Unscripted should also read Ana’s Story: A Journey of Hope by Jenna Bush Hager.

Sexual Content 

  • During Zelda’s first rehearsal with her male counterparts, she plays a nurse. One of the boys opens her office door and says, “Well, hello there, lady doctor. How lucky am I? Should I drop my pants now, or now and later?” Zelda stays in character, looks at his chart, and says, “Ah! I see you’ve had a series of brain injuries that make you say inappropriate things. Well. We should get you some heavy drugs to suppress that.”
  • In another scene, there were some allusions to Zelda’s character being a porn actress, but it wasn’t the focus of the scene so she “let it go.”
  • In another scene, one of the males in Zelda’s group forces her to be a prostitute in the woods. “‘Oh, look! A woods hooker! I think I’d like to see a dance,’ Xander said. ‘I’ll be the pole.’” 
  • Xander tries to make Zelda uncomfortable by making sexual comments. Xander began grinding on Jake and pitched his voice into a falsetto. “’Oh, Jakey!’ he tittered, apparently imitating me. ‘You’re so funny! I love it when you do me!’ The grunting sounds increased, reaching a fever pitch.”
  • The girls at the camp tell Zelda that guys look at her as a sexual object. Hanna says, “See—you do that leaning in thing and your boobs just—” Hanna makes jazz hands.
  • Ben utilizes his power as a coach to get Zelda alone for a one-on-one rehearsal. He makes her act out a scene in which he kisses her. “And then he was kissing me. A real, live boy was kissing me. Kissing ME. I hardly knew what was happening. He wrapped an arm around my back and pulled me closer.”  The kissing stops as Ben pulls away and calls the rehearsal to a close. It is the only scene that they “rehearse.”
  • Another time Zelda is put in a demeaning position. “It was happening again. And Ben was doing nothing to stop it. I was numb as Xander marched with me over his shoulder and set me down off stage. ‘Woo! Quick, but satisfying!’ He mimed zipping up his pants. Bile rose up in my esophagus.”
  • Ben sexually violates Zelda outside the cabins against a tree. “Before I had a chance to make a decision, the fingers of his right hand unclasped my bra and his left hand grabbed my boob. The moment he made contact, I knew I didn’t want it. I tried to step back, but I was still pushed up against the tree.” Zelda says, “‘Don’t. Please, Ben. Just—’” Zelda “tried to push him away with my hands, but he ground into me. ‘It’s okay,’ he murmured. ‘You’re so sexy. I can’t help myself.’” He only stops because Zelda knees him in the crotch and runs away. 

Violence 

  • Before Zelda goes to camp, her father tries to teach her about life. He recounts the story of what led them to this point, but this time he includes a part Zelda had never heard. He loves his new wife and stepson, Will, but they were not deterring him from the negative thoughts inside his head. It was Zelda that ultimately saved him. “‘Zelda-belle.’ He exhaled sharply, folded and unfolded his arms, then took my hands. ‘Your mom loved Will, and I . . . I couldn’t take the sadness anymore. I was thinking about . . .’ He raised his eyebrows, willing me to fill in the blanks . . . Did he mean . . . he was thinking about killing himself?” He lets Zelda know it was her birth that brought light back into his life. She was the one to pull him out of his depression.
  • The owners of RMTA, Paul Paulsen and Paul Deluca (P1 and P2), lay out the ground rules upon everyone arriving at the camp. “’Lastly, we have a very strict physical violence policy. If you get in a physical altercation, you will be sent home. No exceptions.’ Paul Paulsen said . . . ‘Well,’ Paul DeLuca drawled, ‘unless it’s in a scene.’”
  • There is a scene in which Jake 2 and Trey, other members of the varsity improv team, fake punch one another. “‘A punch in the face for not freeing the slaves earlier!’ Jake 2 called. He turned to Donovan and clapped him on the back. ‘Right, my brother?’ My eyes grew huge. Anger flashed in Donovan’s eyes, but it was gone so quickly, I thought I might have imagined it.” This scene upsets Donovan as a biracial individual. It is one of the first times Zelda realizes that it isn’t just sexual comments that are being made and hurting someone.
  • Zelda knees Ben in the crotch to avoid him going further in his sexual advances. “A switch flipped in my head. A message flashed in my mind with lightning speed and clarity: Ben was not what love looked like. He was what danger looked like. And that’s when Dad’s voice shouted in my head, Prime attack zones: spectacles and testicles! I jerked up my knee as hard as I could and rammed it into his crotch.”
  • Ben, the varsity coach, punches a Boy Scout that Zelda is hiking with, Jesse, in the face which causes a fight to break out between the three of them. Most of the violence comes from Ben. “But it took a cracking sound, blood pouring out of Jesse’s nose, and Ben shaking out the hand that had punched Jesse to set off a bomb inside my body…Ben charged at me, and I barreled toward the steps…’How dare I?’ He caught up with me in two strides and grabbed my arms. ‘How dare you?’ He spun me to him. Fury contorted his face. ‘I let you onto Varsity and this is how you repay me?’ His hands dug into my upper arms, and he shook my body…I tried to break out of his grasp, but he growled, ‘Shut up!’ and shook me again…I twisted around, but still gripping my arms, Ben kicked Jesse in the knee as he lurched toward us, which sent him stumbling back down into the gravel. Jesse’s nose was bleeding so freely, the front of his shirt was a lake of blood…’Stand UP, bitch,’ he demanded, digging his fingers even deeper into my forearms. Whimpering from the pain, I listened…Turning around in shock, Ben dropped my arms, so I grabbed his shoulder to force him back to face me, then spectacles-testicled him, and he collapsed to the ground.”

Drugs and Alcohol 

  • None

Language 

  • Zelda is in a conversation with two girls who are discussing how the males on their improv team tend to stereotype them just because they are female. For example, “Then when guys do a scene together, do they call it ‘Dick-prov’?”
  • Sexism and misogyny are heavily discussed throughout the book.
  • The terminology surrounding the LGBTQ+ community is brought up multiple times as both Zelda’s brother and bunkmates are a part of the community. In one scene, the two bunkmates, Sirena and Emily, are telling the girls what they feel comfortable being called. “Sirena says, ‘We like ‘gay.’ And ‘lesbian’ is fine, too. In certain contexts, ‘queer’ makes the most sense. Right, Em?’”’
  • Emily, one of the few females at the camp,  brings up her weight multiple times on her own volition and discusses the stereotypes she faces because of it. This scene is a wonderful example of the adversity she faces daily due to her weight. “Unfortunately, Emily was too anxious to be her best self. At one point, she played a really funny newscaster who was so nervous, she couldn’t remember any of the news, and later managed a spot-on Irish accent, but the guys she was performing with mostly sidelined her. After the third scene, where she played someone’s mom, a guy behind me whispered, ‘That fat girl is really bombing.’”
  • The terminology “asshats” is used several times. 
  • There are also multiple instances of the males making derogatory symbols and expressions towards the girls. When Zelda glares at a group of boys, they “flipped me off. I looked to the coaches to see if anyone was paying attention to the cretins, but the coaches were spread around the room, eyes on the stage.”
  • Zelda’s varsity group is called up to the stage for one of the improv games, but she is joined by the two guys who continue to humiliate her. “I took a deep breath and trotted up on stage. Unfortunately, Crotch-grabber and Finger-flipper stood on either side of me. My weakest aspect of improv next to two sexist body-shamers. Awesome.”
  • The word damn is used several times.
  • The words prostitute and hooker are used multiple times, often in improvisational scenes where they are forcing Zelda to be one.
  • Zelda stands up to some of the negative comments being made towards her during rehearsal. Zelda says, “You know, improv has always made me feel good. Like I was strong and funny and smart. I was a part of something. But you guys — What you do isn’t improv. It’s a lot of one-upmanship and dick waving and you don’t need me for that.” 
  • Ben, the varsity improv coach, calls Zelda a bitch multiple times. Zelda thinks, “It took a long time to fall asleep, but when I woke the next morning, I was sure about two things: 1) Ben was never getting me alone again. And 2) If I was a bitch, I was going to be the funniest bitch that asshole had ever seen.”
  • Ben calls Zelda a whore one time.
  • Nina Knightley, Zelda’s idol, says, “There’s a lot of crap out there. . . and I’ve seen my fair share of it. But the way you get through it is together. Find your people. And then keep helping people up. It’s the only way. Got it?”

Supernatural

  • None

Spiritual Content 

  • None

The Green Glass Sea

Young Dewey Kerrigan and Suze Gordon live in a time ravaged by World War II. When their families are moved to a secret location in the New Mexican desert called Los Alamos, the girls’ lives become filled with military personnel and top-secret information. Their parents are the nation’s finest scientists and have been enlisted to build a powerful weapon to end the war. However, with their parents on this mission, the girls are left with many questions and choices about the war, their families, and their futures. 

Dewey’s and Suze’s worlds collide when Dewey’s father goes on an important business trip and leaves Dewey in the hands of the Gordon family. Although Suze’s parents are friendly and hospitable, there’s one massive problem: Suze and Dewey are very different people and don’t like each other. As the war grows more dire and tragedy strikes the Gordon family, problems erupt between the girls that could jeopardize their present and future lives. Can Suze and Dewey settle their differences in time? 

The Green Glass Sea features two main protagonists — Dewey Kerrigan and Suze Gordon. Each chapter alternates between the two girls’ points of view which showcases their drastically different voices and personalities. For example, Dewey prefers to work on her gadgets and gizmos in solitude. On the other hand, Suze enjoys her social network and creates beautiful collages filled with old, discarded objects. The girls’ differing personalities keep each of their chapters fresh and exciting. Their realistic views and worries about the war, their family, and the future ground them as authentic, enjoyable characters. While most readers may find it difficult to relate to these girls’ experiences, they can admire the girls’ motivation, strength, and optimism during this tough period. 

Dewey and Suze are surrounded by a wonderful cast of supporting characters who emphasize the story’s lesson about family and loving one another. Dewey and Suze learn to love each other’s differences, and Dewey finds a home with the Gordons when Suze explains, “You’re coming too . . . Daddy said the whole family’s going.” Alongside this heartwarming plot and engaging characters, the story also features a realistic portrayal of history, matching the story’s scenes with the real-life events of World War II. 

The Green Glass Sea addresses the difficulty of World War II and includes sensitive topics like the Nazis, concentration camps, and the ethical usage of the atomic bomb. This information may be hard to digest for certain readers, but it only makes up a small portion of the story. Overall, The Green Glass Sea is a moving story about two girls’ worlds colliding because of World War II. With the combination of exciting characters and historical events, this book is a must-read for history buffs who appreciate the impacts that big-scale events have on normal people. Readers who want to learn more about World War II should also read Survival Tails: World War II by Katrina Charman and Lifeboat 12 by Susan Hood. 

Sexual Content 

  • Suze and Dewey sing a song about the war, where they sing, “Hitler has only got one ball. Goering has two but they are small. Himmler has something sim’lar, but poor old Goebbels has no balls at all!” 

Violence 

  • Suze escapes some military police (MPs) while taking a shortcut through a restricted area.  As she climbs over a fence, she scrapes her knee, causing “a little rivulet of blood [to trickle] slowly down her dirt-covered leg . . . ” This scene is described over two pages. 
  • Suze bullies Dewey by drawing “a straight yellow line down the middle” of their room and saying, “You and your stuff stay on your side. Got it?” 
  • When Suze and Dewey go to school. Suze says, “You better not walk with me,” and, “Don’t even think about eating lunch with me.” 
  • While at school, Suze purposely hits the edge of Dewey’s radio “sending it flying,” which causes “a loud crack and a clatter like hailstones as its lid popped open and its contents scattered.” 
  • Suze and Dewey encounter a mean girl, Joyce. After Joyce insults Dewey and her, Suze “took a step forward, grabbed Joyce by the knot of her yellow Girl Scout neckerchief, and pushed her away. Hard.” Joyce lands in a muddy puddle. 
  • Dewey’s father, Jimmy Kerrigan, dies in a car accident. The accident isn’t described.   
  • Dewey angrily smashes a record that reminds her of her father’s death. Dewey “lifts the record off the turntable with both hands and smashes it with all her strength across her upraised knee.” 

Drugs and Alcohol 

  • While on a train, Dewey sees people “smoking cigarettes and drinking cocktails and talking very loud.” 
  • Dewey keeps her home-built radio inside a “wooden cigar box.” 
  • Throughout the story, Suze’s mom repeatedly smokes cigarettes in the house.  
  • Suze’s father regularly drinks beer and whiskey during and after work. While at home, “he reached up and opened the cupboard, putting two glasses and the bottle of whiskey on the counter.” 
  • Suze’s dad, Phillip, also regularly smokes his pipe. As he smokes, “the smoke blew over her head, smelling like sweetish-sour burning leaves.” 
  • Dewey’s dad, Jimmy, offers Suze’s mother, Terry, “an inch of brown liquid.” Terry exclaims, “It’s Bushmills [whiskey]. How heavenly.” 
  • Jimmy gets drunk after a couple of drinks at an after-work party. He didn’t realize that “the boys were just dumping liquor bottles willy-nilly into the bowl.” 
  • Jimmy once pulled out “a pack of Camels, and lit one.” 
  • After they had completed their gadget, many scientists “held whiskey bottles” in celebration. 

Language 

  • Mrs. Kovack, Dewey’s neighbor, yells, “For the love of Pete, will you just come inside?” 
  • The book references the black community as “negros.”   
  • Dewey’s friend, Jack, uses the word “bitch” to describe the fighting and atrocities of World War II. 
  • Throughout the story, the kids repeatedly call Dewey, “Screwy Dewey.” 
  • Suze’s mother says both “damned” and “goddamn” once. 
  • Suze’s father says “goddamn” and “oh, Jesus” once.  
  •  “Oh god” and “My god” are both used as an exclamation once. 
  • Throughout the story, kids call Suze “Truck” because she’s a “big fat pushy steamroller truck.” 
  • Suze once utters that something is “a bunch of bushwa.” 
  • Suze and Dewey repeatedly use the acronym “FUBAR,” which means “fucked up beyond all recognition.” 
  • “Hell,” “crissakes,” and “jeez Louise” are all used once. 

Supernatural 

  • None 

Spiritual Content 

  • Mrs. Kovack does “her good Christian duty by taking Dewey in.” 
  • Suze mentions that her family celebrates Hanukkah. 
  • Dewey’s father once exclaims that he hopes “to god the war doesn’t go on longer. . . ”

Masterpiece

Marvin is not your average beetle; he has unique characteristics that set him apart from others. He is an excellent swimmer, has an accurate sense of human time, and most remarkably, he has an incredible ability to draw with ink. Marvin discovered this talent when he decided to create the perfect birthday gift for James Pompaday, the eleven-year-old boy who lives in the apartment where Marvin’s family resides. Marvin and James are an unlikely duo, but their friendship is unbreakable. 

James Pompaday is not your average human either. He is a quiet and careful individual who doesn’t immediately squash Marvin upon finding him. In fact, James is curious about Marvin’s abilities, and he takes the time to observe and understand the beetle’s artistic skills. Little did they know that Marvin’s talent would catch the eye of not only James but also the entire art world. 

James gets the credit for the beetle’s ink drawing. Soon, James finds himself covering for his pint-sized friend. But this is just the beginning of their journey. The duo soon becomes embroiled in a crazy plot that involves replicating a masterpiece created by a 14th-century artist named Albrecht Dürer. In order to save the masterpiece, James and Marvin must work together in ways they never imagined.  

The friends’ adventure leaves them with a newfound appreciation for the power of art and the importance of standing by those you love. Despite their differences, Marvin and James know that they can count on each other no matter what. They learn that sometimes unexpected alliances can lead to incredible adventures and lifelong friendships. In the end, Marvin and James prove that even the smallest creatures can make a big impact on the world, and that true friendship knows no boundaries. 

The charming story, Masterpiece, is about an unlikely friendship. The adventure within the art world is depicted through thin-lined artwork that appears every two to three pages. The black and white drawings play a crucial role in emphasizing the world from Marvin’s perspective, as well as portraying the true intensity of the journey he goes on. The intricate details of the drawings allow the reader to fully immerse themselves in the story and experience the same emotions as Marvin, making it a truly captivating read. From the way Marvin sees the world to the obstacles he faces, the drawings bring the story to life in a way that words alone cannot. The artistry of the illustrations is truly remarkable and will evoke a sense of wonder and awe in the reader. 

Masterpiece is a heartwarming tale that explores the power of friendship and human connection.  The author paints a vivid picture of the character’s emotions and thoughts, making the reader feel fully immersed in their world. The story progresses as Marvin and James develop a strong bond that helps them overcome the challenges they face. Along the way, the reader witnesses how their friendship grows, how they learn from each other, and how they support one another.  One of the most wonderful moments is when Marvin realizes what he feels when looking at James, “It was more than happiness. More than affection or gratitude. It was something deeper. It was the sense of being seen and loved exactly for who he is.” It shows the true connection and extent of the friendship between James and himself. The story comes to a satisfying conclusion that will leave the reader feeling uplifted and inspired. Masterpiece is a beautifully crafted story that celebrates the power of friendship and reminds us of the importance of human connection in our lives. Readers who enjoy Marvin and James’s unlikely friendship should also read Firefly Hollow by Alison McGhee. 

Sexual Content  

  • None 

Violence  

  • After Marvin completes his test piece of a Dürer drawing, he attempts to hide on James’ shirt collar. Then Christina, the lady in charge of the art exhibit, sees Marvin and swats him off of James. “Marvin tried to dive out of sight, but before he could even register what was happening, he felt a blow so forceful that it sent his entire body hurtling through space. He was upside down, turning in midair, the room around him a blur. He bounced off something hard – a wall? A bookshelf? Who could tell? – and crashed to the floor, where he lay on his back, legs waving.” Marvin is unharmed. 
  • After Marvin and James leave the art gallery to return home from their adventures, James closes his hand in the trunk. “He saw James’ right hand reach toward the open trunk at the same time the cabbie slammed the trunk closed. There was a sickening, thwarted clunk as the metal trunk crashed down onto something that wasn’t meant to be there. And an anguished cry.” James ultimately ends up needing a cast for a broken hand. Instead of being upset, James almost seems relieved about the injury because it means he will no longer have to keep pretending to be the one who created Marvin’s artwork. 

Drugs and Alcohol  

  • None 

Language  

  • None 

Supernatural  

  • None 

Spiritual Content  

  • None 

Unleashed

One month after the events of Jinxed, Lacey wakes up in a hospital room with no memory of how she got there. With Jinx missing and MONCHA, the company behind the pet robot, threatening her family, Lacey doesn’t know who to turn to for answers.

After Lacey gets expelled and her mother acts strangely from the latest update from MONCHA, Lacey and her friends must get to the bottom of a sinister plot at the heart of the company, one that would ruin the interactions between bakus (pet robots) and their owners. Lacey must use all her skills to stop the corporation from carrying out their plan. But how can she take on the biggest tech company in North America with just a level one baku? 

Without the resources from her school, Lacey relies on her ingenuity and smarts to modify her baku. However, she hadn’t prepared for the company to remove public access to any information about the customization of bakus. Lacey soon learns that MONCHA, now headed by a temporary CEO, wants absolute control over the look and function of all their products, including the beloved pet robots. 

Departing from the action-packed baku battles of the previous book, Unleashed delves into Lacey’s world, which is fascinating and distinctive. Everyone relies on their baku, and each baku can make its owner happy. From copying hairstyles of famous celebrities to competing in races alongside similarly modeled species, bakus give a positive spin on day-to-day life. Yet, Jinx is different than the other bakus. He can feel and perceive things, which allows him and Lacey to converse. Jinx’s standoffish behavior adds tension to their relationship while furthering the suspense. 

Unleashed builds upon the action of the previous novel. In place of the well-known baku battles of the previous book, Lacey’s encounters with MONCHA will keep the reader engaged. Though a few characters are predictable—the incompetent adults; the spoiled rich boy; the corrupt CEO of a tech company—the story never feels stale. On top of that, Lacey’s story gives the reader a realistic look into a world in which everyone is on a device 24/7. The story has a satisfying end, answering any lingering questions the previous book left unresolved. 

Through Lacey’s experiences, readers learn an important lesson about following your dreams. You don’t have to go on a predetermined, well-trodden path to achieve your goals. The message in Unleashed is clear: going a different way doesn’t mean you will fail to reach your destination. If you’d like to go on another adventure with a mechanical animal and an unlikely hero, check out Wizard for Hire by Obert Skye.

Sexual Content 

  • Lacey blushes when Tobias, her crush, touches the back of her arm. 

Violence 

  • None

Drugs and Alcohol 

  • While hospitalized, Lacey receives some medication.  

Language   

  • One of Lacey’s classmates texts “OMG” on a group school messaging board.
  • Lacey says “Oh my god” twice.
  • Jinx exclaims “Holy bakus.”
  • One of Lacey’s friends calls Tobias’s brother a jerk

Supernatural 

  • None

Spiritual Content 

  • None

Pilfer Academy: A School So Bad It’s Criminal

George Beckett is a natural-born thief, or at least, that’s what the teachers at Pilfer Academy think. 

When a mysterious individual recognizes George’s talent for sneaking around unnoticed and taking things he shouldn’t, he is kidnapped and brought to the mysterious and captivating Pilfer Academy. At Pilfer Academy everything, including the students, has been stolen.

At first, George is excited to have the opportunity to escape his family and play with thief gadgets. However, he soon realizes that applying the lessons he learns at Pilfer Academy to real-life situations is a lot harder than he imagined. George doubts his abilities and wonders if he can keep up with the other students. Despite his doubts, George dives right in and works to become one of the best thieves to attend Pilfer Academy. Along the way, he makes new friends and discovers that there’s more to being a thief than just stealing things. George also learns the importance of loyalty and making difficult moral decisions.

Dean Dean Deanbugle, the goofy antagonist that runs Pilfer Academy, views George as a prospective top pupil. He has a unique way of grooming his students, using praise and rewards to encourage them to engage in mischief and thievery. While George is initially enthralled by the new way of life, the pressure to adjust to the school’s expectations becomes overwhelming. His peers become jealous of the favoritism Deanbugle shows George, creating tension and conflict in the classroom.

As George becomes more involved in the school’s culture, he begins to question the morality of his actions. Is it right to steal from others, even if an adult tells you to? He wrestles with these ethical dilemmas as he navigates his way through Pilfer Academy, trying to balance the desire to impress his teachers with his own sense of right and wrong.

Despite his misgivings, George continues to thrive in the school’s environment. He becomes more skilled at thievery and mischief, earning high marks from his teachers and the admiration of his classmates. However, as the stakes get higher and the tasks more dangerous, he begins to wonder if the price of success is worth the cost. Will he continue to follow Deanbugle’s lead, or will he find the courage to forge his own path? This all comes to a head when he is forced to steal a teddy bear from a baby for his midterm grade. The depravity of the task is enough to tell George all he needs to know about his future at Pilfer Academy. 

Pilfer Academy: A School So Bad It’s Criminal is perfect for middle-grade readers who enjoy adventure, mystery, and humor. The world-building is creative and unique, and the characters are well-developed and relatable. One primary example of this is Tabitha Crawford, George’s partner in crime. Tabitha is intelligent, sweet, and honest. Her humility and loyalty towards George make her a loveable sidekick, but Magaziner does a beautiful job of including her flaws as a friend as well. This makes the friendship between George and Tabitha highly relatable. Pilfer Academy is a fun and entertaining read with has a positive message about the importance of doing the right thing, even when it’s difficult. Additionally, the plot is engaging and will keep readers hooked from the first page to the last.

In summary, Pilfer Academy: A School So Bad It’s Criminal is an excellent book for young readers who enjoy a thrilling adventure with a positive message. The story follows a young protagonist as he navigates an unexpected kidnapping, a school full of criminals, discovering what a true friend really is and where the lines are drawn morally. It teaches readers that friendship is about trusting and supporting someone else and that it is okay to have disagreements sometimes. It also covers the topic of when it is okay to question an authoritative figure and what is morally right or wrong. These themes are presented in a palatable and humorous way that will have readers hooked on every page.

Sexual Content 

  • When touring Pilfer, George is brought through many exhibits including “big ones and small ones, portraying Greek gods and naked people and cupid babies. One even squirted yellow liquid out of its mouth, which George thought looked positively disgusting.”

Violence 

  • One of the opening scenes displays George being stolen from outside his home when he attempts to buy ice cream from a van. George “screamed and tried to bite [the kidnapper], but the netting was small and thick, and George ended up with a mouthful of mesh . . . The woman fastened him down with some heavy-duty duct tape. . . George pushed her—she tumbled back and hit the wall of the truck.” The kidnappers drape George in a net and secure him with duct tape which holds him for several hours.
  • Students repeatedly exhibit bullying behaviors. Pilfer doesn’t just accept bad behavior but encourages some of these interactions between students. This causes a lot of fights and antics to occur amongst classmates. “But the class would have been a lot better if he didn’t feel like he was being hazed by Milo and his friends.” These incidents of “hazing” include George’s roommate, Milo, stealing his bedding, sabotaging his class assignments, and convincing the Dean that George should be sent to the whirlyberg.
  • There are many instances when the “whirlyberg” is brought up. It is a broken-down carousel the Dean uses as a torture device when students are not listening. “I’m going to take these children down to the whirlyblerg for ETERNITY.” Deanbugle tells this to the staff after finding George and Tabitha attempting to escape Pilfer. 
  • Trying to escape, George and Tabitha encounter a set of lasers. “ZZzzzzzzzt!!! came the sound from across the room. ‘What’s that?’ George shouted. He was stuck between three lasers and couldn’t see her. ‘Tabitha! Did you get hit?’” Tabitha is okay, but her hair is burnt by the lasers. They continue to move because they know their options are to escape and get help or spend eternity in the whirlyberg.
  • The rightful owner of the mansion that Pilfer Academy resides in comes to try to airlift it off the ground. He needs it to be airlifted is because the rightful owner of the mansion is the Duke Valois of France, the sworn enemy of Dean Dean Deanbugle. “There came sounds of glass shattering and students screaming. A wave of lemonade from the fountain in the foyer spilled over and drenched a bunch of third years, who ran into the hall, shrieking.” The mansion is successfully airlifted off the ground with a majority of students and teaching staff having jumped out of the building. George, Tabitha, and the rest of the staff are carried all the way to France where they are greeted by the Duke.
  • When Deanbugle is close to being captured by the Duke, he shouts and jumps out the window. “Then he began to kick his legs and throw the biggest temper tantrum George had ever seen. His wails echoed into the night sky. He beat his fists and pulled at his eyebrows. He sneezed onto his sleeve. He punched the living stuffing out of a scarecrow. He ran around like a rabid dog, cursing the day that George and Tabitha had been born and vowing for revenge.” He is apprehended by police cars while throwing his temper tantrum.

Drugs and Alcohol 

  • None

Language 

  • Browbeat is a teacher who utilizes goofy acronyms to teach her lessons, but one acronym creates the curse word “piss.”  “Browbeat lectured for an hour and fifteen minutes on the basic principles of stealthiness, which he called the P-I-S-S method: Patience, Imperturbability, Silence, and Surprise.”

Supernatural

  • None

Spiritual Content 

  • None

The Taken

Isla and her family are foxes who have always lived in the Graylands, not too far from the furless. She and her brother, Pirie, being young cubs, are slowly learning to survive the many dangers that face them. Suddenly, Isla returns to her family’s home to discover the smell of fire and strange newcomers – and no trace of her family.

Alone and afraid, Isla plunges deep into the world of the furless to search for her family. While dodging danger at every turn, she meets Siffrin, another fox who knows magic and can shapeshift. More importantly, Siffrin is also looking for her brother, but Siffrin won’t explain why. Shrouded in mystery, Isla begins to learn about the world beyond that of the Graylands and seeks to find her brother before the foxes who caused the disappearance find him.

The Taken is the first in the Foxcraft Series and it is an action-packed start to the series. As this is a fantasy world with foxes and other supernatural forces, there are plenty of new terms for readers to take in while reading. For instance, the characters refer to humans as “the furless” and roads as “the deathway.” Fortunately, if readers are confused, there is a glossary of terms at the back and a map of the near the front of the book.

Isla, much like the reader, does not know anything about foxcraft or foxlore, much to Siffrin’s chagrin. The Taken sets up what will follow in the coming books, continuing the mysterious disappearance of Isla’s brother, Pirie. Importantly, it introduces the reader to Isla, whose self-confidence and compassion for others grow as the book progresses. Despite not knowing if her family is alive, she will do anything to get them back and she learns to confront foxes and any other creatures who get in her way. 

Isla, Siffrin, and Pirie are hunted by a dark magical force living in the aptly-named Darklands that can seemingly control foxes that it captures. Iserles is one of the authors from the Warriors Series, and there are similar amounts of fighting in both series. Fans of the Warriors Series will not find the violence upsetting, but some young readers may be upset by the descriptions. For instance, there is a scene in which Isla describes death in gruesome detail, saying, “From where we were perched, I couldn’t see the impact, and the rain distorted the cracking limbs. I was spared the mangle of her broken body.” However, those familiar with other Erin Hunter Series will feel at home in this world and will enjoy the high-octane plot. 

Foxcraft: The Taken is a solid start to this exciting series, which leaves plenty of unanswered questions to stir readers’ excitement for the second book, The Elders. Despite many new terms, it’s relatively easy to fall into the world and understand the various plot points. Isla’s resilience and love for her family drive this book and nicely sets up the character that will lead the rest of this series. Those ready for a fun adventure should absolutely read the Foxcraft Series. 

Sexual Content 

  • None

Violence 

  • The dangers of cars and roads are always present. Isla’s grandmother says, “The death river claims more foxes than all other assassins.”
  • A dog attacks Isla, but at the last second, she manages to free herself from the trap she’s in. Isla “flailed and bucked, desperate to free my trapped foreleg. The creature’s great jaws gaped above me; I felt the dampness of his breath.”
  • Some human children throw rocks at Isla. “One of them grabbed a rock and flung it at me. It struck the stone ground by my hind paw, and I sprang back in confusion.”
  • A guard dog announces that she “killed a cat the other night.” 
  • Ilsa’s grandmother, Greatma, tells how foxes have historically been treated, especially by humans. She says, “Our kind has been hunted, tortured, attacked, and turned into pelts to warm the necks of the furless. They have shot us for fun and chased us as a game –  they do not even eat those they kill. By the death river or their casual cruelty; by gas, or dogs, or simple starvation. The land of the furless is full of deaths and each one whispers a fox’s name.”
  • Isla attacks Siffrin, a messenger of the Elders, because he’s been following her. She “bit him hard on his wiry tail. The dog yelped in surprise.”
  • Siffrin shapeshifts to fight the foxes that are hunting him and Isla. Isla “heard the scrape of their claws as they scrambled on stone, and I craned to see what was going on. With a snarl, Siffrin broke free, this time in the form of the mongrel dog. He vaulted into the air, at least at full brush-length, slamming down on the fox that was snapping at his paws. He sent her tumbling onto the deathway.” This fight scene lasts for several pages.
  • Isla learns how to catch a mouse. Isla pounces on it, and “with a bite and a jerk of [her] head, it was dead.”
  • A fot named Karka orders her cronies to capture Isla and Siffrin. Karka says, “Get them or I’ll tear out your filthy throats!”
  • One of Karka’s minions (known as The Taken) jumps across the buildings to chase Isla and Siffrin, but misses the building and lands on the street below. Isla describes, “From where we were perched, I couldn’t see the impact, and the rain distorted the cracking limbs. I was spared the mangle of her broken body.” The description lasts for a paragraph.
  • Siffrin reveals that he watched Karka kill Isla’s family. “When [Siffrin] arrived, it was almost over. Your ma and fa, they were already dead…Your greatma was courageous. She fought hard. [She] was already falling, was already wounded.” The description lasts for around a page and doesn’t describe the specifics of their deaths.
  • Animal control captures Isla and she is scheduled to be euthanized. She talks with another captured fox as they watch an animal be taken to another room by humans. The other fox says, “Another one taken to be killed.” This scene lasts for a chapter.
  • The wolf that Isla freed saves her life by attacking Karka and the Taken. “The great wolf opened his jaws. Karka stayed frozen, held in his thrall. He sprang upon her and threw her down, fastening his deadly fangs around her neck. With a brutal snap he shook her and then dropped her, letting her head roll on the graystone. She stared at him with her single gray eye. Would stare like that forever.” This scene lasts for a couple pages.

Drugs and Alcohol 

  • None

Language 

  • Isla has a confrontation with a wolf. Isla tells the wolf that she eats rats, and the wolf says to Isla, “A thing that eats rats has no right to exist!” He also calls her a “rat-munching coward.”
  • Light language is used often. Terms include: idiot and stupid.

Supernatural

  • The book details the story of Isla and Pirie, who are foxes who think and talk like humans, as do some other animals in the book. Isla meets a wolf who speaks the same language as her, and she’s surprised. Isla says, “He must have been a cub of Canista –  a creature like me – though I could hardly imagine how we might be related.” Canista is the name for the Fox deity from which they come from.
  • Isla has a vision of her brother being captured, being led into the world of the humans. Isla describes her vision, saying, “I was moving with difficulty, my flank throbbing with pain. Up ahead there was a row of tall furless dens. In the front of them was a huge stone yard with a lone furless standing at the center. Her skin was cool gray, her eyes stared blindly, and great wings unfolded from her back. I gazed at her in fear and wonder.” Siffrin explains that this is a rare kind of foxcraft called “gerra-sharm” that can happen between cubs of the same litter.
  • Isla meets a small dog who “cast no shadow.” As Isla learns, he is a “messenger of Jana, one of the Elder Foxes from the Wildlands.” When Isla asks why he is a dog, he says, “I am in wa’akkir. I have assumed a disguise.” It is explained later that wa’akkir is an ancient fox magic called foxcraft.
  • Siffrin, the magic fox messenger, explains foxlore to Isla. He explains how foxes, wolves, and dogs are “cubs of Canista” and that, “Only Fox had the courage to live without rules, without the hierarchies of others – to hunt and survive in freedom and peace. For while Wolf and Dog are so brutalized that they will gladly kill their own kind, Fox avoids conflict at all costs. She does not yearn to control others –  only to live by her own wits.” The history lesson lasts for several pages, as he explains the magical powers they possess, like imitating other animals (“karak”) and invisibility (“slimmering”). These magic powers are used by Siffrin throughout the book, and he teaches Isla to use them as well.
  • Siffrin uses his powers to heal Isla. Siffrin says, “With my touch, I sense you; with my eyes, I heal you. By Canista’s Lights, I share what I have; we are knit together and you are whole.” During this, Isla has a vision of Siffrin as a cub where he was “desperate and starving.” The scene lasts for a page.

Spiritual Content 

  • Siffrin heals Isla using his Maa. He describes to Isla that the Maa is the “essence of every fox,” or the spirit.
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