The Vikings Revenge

Travel back to the days of Vikings with time-traveling brothers Arthur and Finn to retrieve the stolen sword called Blood Hunter and rewrite the past. The two brothers plan to help the Viking leader Hallvard and his village from being killed by raiders. However, Arthur and Finn are accused of being spies. Some of the villagers want to kill the two boys immediately, while Hallvard wants to give the boys a chance to prove themselves. Will the boys escape the grip of the powerful Vikings and succeed in changing the course of history?  

Arthur’s impulsive behavior led to his capture twice. Luckily, Finn is an intelligent, quick thinker who pays attention to history and is used to getting Arthur out of difficult situations. The two brothers are forced apart when Viking raiders take Arthur and Hallvard’s son prisoner. Arthur is absent for much of the action, which allows Finn’s loyalty and bravery to shine. Despite the risk, Finn doesn’t hesitate to fearlessly fight with the Vikings. While readers won’t relate to Finn’s dilemma, they will cheer when he frees his brother and helps return Blood Hunter to its rightful owner. 

Short sections are interspersed throughout the book, giving more historical information, such as how Viking longships were used, the Vikings’ belief in many gods, the types of Viking weapons, and how raiders and berserkers fought. The detailed information explains the Vikings’ views of crime and punishment. If you stole from someone, “the person you had stolen from had every right to kill you.” The Vikings often trafficked slaves, who they called thralls. “They captured thralls in battles, kidnapped them on raids, or created them by condemning criminals to slavery . . . If you escape and get caught, you’ll be killed instantly.” While historically accurate, the descriptions of battles and death may upset younger readers. 

Even though The Viking’s Revenge is part of a series, the books do not have to be read in order because each book focuses on Arthur and Finn going back to a different time period and each book wraps up the storyline. 

In The Viking’s Revenge, danger in the first chapter and the non-stop action makes the book impossible to put down. Readers will instantly be drawn into the Viking’s world, where they will learn many interesting facts about the time period. Even though the focus is on Finn, he is surrounded by fascinating characters, including a Viking leader and a slave girl. The combination of diverse characters, fierce battles, and nail-biting danger make The Viking’s Revenge perfect for readers who hunger for adventure.  

Sexual Content 

  • None 

Violence 

  • When Arthur travels back in time, he appears in the woods. Brand, a Viking boy, decides to capture Arthur and turn him into a slave. Brand shoots arrows at Arthur.   
  • Brand’s friend, Olaf, tries to grab Arthur. Olaf “clenched his fists and pulled his arm back to punch Arthur in the stomach. . . Arthur stepped back, and Olaf staggered forward with the force of the punch. . . Arthur dropped his shoulders and crunched it into Olaf’s chest driving him back.” 
  • Brand shoots another arrow at Arthur, but it hits Olaf instead. “Olaf screamed in pain and stumbled backwards clutching at the arrow that was now lodged in his arm, spilling blood onto the forest floor.”
  • Brand and Arthur begin to circle each other, “and then Arthur felt an explosion of pain in the back of his head. The world tipped over as his head erupted into tiny points of light and his legs gave way from beneath him.” Arthur wakes up locked in a room. 
  • A warrior’s ghost appears and tells his story. The warrior says, “They came in the night. They killed us and they took Blood Hunter. My sword . . .” The warrior needs help returning Blood Hunter to his family. 
  • Finn opens the shed that Arthur is locked in. “Without warning, a fist connected with [Finn’s] chin, and he fell to the ground. Somebody jumped on him and grabbed his throat.” 
  • When the Vikings find Arthur and Finn, some want to kill them, and others want to wait. The boys are tied to a tree. A Viking says, “Well, you have a dangerous night ahead of you boys. You will need Odin’s protection from the bears and wolves tonight. . .” 
  • In the middle of the night, Viking raiders crept closer to the longhouse. “Two of the men at the back of the group fell to the ground with arrows sticking out of their necks. Finn fired his first arrow and a third raider went down.” 
  • The Viking leader Hallvard “smashed the edge of a shield into the raider’s face and lunged forward with his sword, burying it in the man and then kicking him backward. . .” 
  • To save Hallvard, Finn “fired another arrow, and it whistled past Hallvard and into the chest of one of his attackers, who fell to the ground.”  
  • A raider throws an ax at Finn but misses. As the raider advances, “his body slapped face first into the ground once again just as the raider reached him. . . the huge man tripped and fell directly on top of Finn. . . Just as the raider began to lift his weight off Finn he grunted and collapsed back on top of the boy. Finn felt a warm liquid flowing down his neck.” Two of Hallvard’s men die. The battle is described over five pages. 
  • Thorfinna, a teenage girl, tells the story of how she became a slave. A man who wanted power, Moldof, murdered one of her kinsmen. “Moldof stabbed the man in the back—it was no honorable fight—it was murder.” 
  • When Thorfinna’s father sent men to arrest Moldof, “Moldof overpowered them. He bound their hands and feet and tortured them horribly. . . their bodies were unrecognizable.” 
  • Later that night, Moldof and his men attack Thorfinna’s village. “They killed everyone except for those they could sell as slaves. . . I saw the men kill my father and mother. . .” 
  • Hallvard takes a group of Vikings, Thorfinna, and Finn, to attack the raider’s village. While looking for movement in the village, Moldof captures Finn. “a cloth was stuffed into Finn’s mouth to gag him, his hands were tied behind his back, and a rope was looped around his waist.” 
  • Finn is forced to watch the battle in the village. “There were . . . huge warriors slaughtering and being slaughtered. . . Men that Finn did not recognize began to turn and run, pursued by men he did recognize from the ship.”   
  • When Hallvard sees his son in Moldof’s grasp, he cries out. “As he stood staring up at his son, his axe and shield fell from his hands. His legs crumbled and he fell to his knees. He did not see the injured man beside him bring out the knife. He did not feel it as it slid into his back. . .” Hallvard eventually dies from his wound. 
  • Finn sees Maldof “grinning insanely as he put his hands around Brand’s neck and lifted him off his feet to dangle over the drop. Brand kicked frantically. . .” Brand is not injured. 
  • One of Maldof’s men, “Ulf staggered forward and toppled over the edge of the cliff with an axe protruding from his back.” 
  • Thorfinna surprises Moldof when she attacks him. He drops his sword. “Thorfinna drove her sword into Moldof’s chest and let go. With a look of shock, Moldof fell backwards off the cliff and plunged down to the rocks below.” 
  • After Hallvard’s men win the battle, “Moldof’s men had either fled or been killed, while several of Hallvard’s men lay dead also.”  

Drugs and Alcohol 

  • During a meal, ale is served. 

Language 

  • Several times, someone is called a coward. 

Supernatural 

  • Arthur and Finn’s grandfather created a museum about warriors throughout history. The museum is haunted, and when the grandfather died, “he started haunting the place too. He felt guilty about the trapped ghost warriors and vowed he would not rest in peace until all the other ghosts were laid to rest first.” 
  • When one of the ghost warriors touches the boys, “we get transported to the time and place where the ghost lived and died. And we can’t get back until we’ve fixed whatever it is that keeps the ghost from resting in peace.” 
  • The ghost of a Viking warrior appears, and he “will only be laid to rest when his sword is returned to him or his son. Find the sword, and he will find peace.”

Spiritual Content 

  • When Arthur hears a noise in the forest, he prays “that he will see Finn.”  
  • To explain how he knows a raid will happen, Finn tells the Vikings, “Odin is our mater. He shows me things—he showed me your sword, Blood Hunter, and he showed me the raid that is coming.” 
  • Two and a half pages explain the Vikings’ belief in gods and goddesses, but the passage mainly focuses on Odin, the God of magic, poetry, and war, and his son Thor, the god of thunder. 
  • After the raiders attack, Hallvard tells Finn, “Odin gave an eye to gain knowledge and see the truth. Maybe if his boy gives an eye he too will see the truth. Call to Odin. Speak to him. Do whatever it is you have to do, and tell me who these men are!” Luckily, someone else recognizes the raider’s leader. 
  • Hallvard tells someone, “None of us know what the Gods have in store for us.” 
  • When Hallvard goes to save his son, Hallvard’s wife says, “May Thor give you strength in battle. And may Odin guide you to victory.”   
  • The Vikings believed anyone who died in battle would “be taken by the Valkyries to feast in Valhalla.” 
  • After his father is fatally wounded, Hallvard’s son prays, “Odin, hear me! Give me the strength to wield his sword and bring these men victory in his name and yours. Give me the wisdom to lead as he did.”  
  • Some believed that Viking warriors known as berserkers were “Odin’s own warriors and that he gives them this superhuman strength.” 

Hunt for the Devil’s Dragon

If you’re brave, follow cousins Beth and Patrick to Libya in the 13th century. The town of Silene is being terrorized by a vicious animal that is eating livestock. The townspeople believe it’s a dragon sent by the devil. In order to appease the beast, the people believe they must offer a human sacrifice—a young girl named Sabra. When Beth tries to help Sabra escape, she too is tied up as an offering for the dragon. Meanwhile, Patrick and a new friend named Hazi join Georgius, a Roman knight who is serving in Africa to keep peace. Georgius decides to find the dragon and kill it. Georgius’s plans go awry when Beth and Sabra beg him not to kill the dragon. The girls know the true secret of Silene—the dragon isn’t its worst enemy. 

Hunt for the Devil’s Dragon begins with Beth being afraid to stand up for a friend wrongly accused of cheating on a test. Beth says, “I should have done something to stick up for Rachel. But I didn’t. I was . . . afraid.” This conflict shapes the rest of the book. Unlike Beth, the Roman Knight Georgius does what is right even when it is difficult. Georgius relies on God to help him in dangerous times. When Beth goes back in time, Georgius’ example gives Beth the strength to stand up for her new friend, Sabra, even though it means facing a dragon. Beth’s experiences with the dragon are tied back into her daily life. Beth had “trusted God and tried to defend Sabra. That decision almost cost her life. But God had taken care of her. He even used a dragon to save her!” 

Beth’s and Patrick’s adventures are full of suspense and high-action scenes. The story has a surprising twist because, in the end, the dragon isn’t a bloodthirsty beast but a mother defending her children. Some readers will find the scenes with the dragon frightening, but they will cheer when the dragon is safe. However, readers may be terrified at the idea of adults being willing to sacrifice children to appease the beast. In the end, several people are injured, but no one dies, which allows the book to reinforce the idea of trusting God. 

In Hunt for the Devil’s Dragon, Georgius bravely faces danger because he trusts God. Georgius does what is right because he believes God will protect him. He is even willing to fight a dragon and a saber-tooth cat! Intermixed with the action are lessons about trusting God, even when it is difficult. The conclusion reinforces the message when Beth discusses standing up to bullies. She says, “We don’t have to stand alone. Georgius helped me remember that God is my help when I face trouble.”   

The Imagination Station Series books can be read as individual stories because each book focuses on a new adventure. Hunt for the Devil’s Dragon has many characters and a complicated plot that may confuse younger readers. However, black-and-white illustrations are scattered throughout the book to help readers visualize the events.  

Hunt for the Devil’s Dragon is an exciting book that will engage readers and teach biblical principles that can be applied to children’s daily lives. The story focuses on Beth, a likable protagonist and a good friend. Whit, the man who sends the children on their time-traveling adventure, helps Beth connect her experiences in the past with her daily life. This helps reinforce the message and allows Beth to discuss how she will treat the bullies when she returns to school. For more exciting time-traveling adventures that teach biblical truth, check out The Secret of the Hidden Scrolls Series by M.J. Thomas. Readers longing for adventure should also read the Dragon Slayers’ Academy Series by Kate McMullan and the Time Jumpers Series by Wendy Mass. 

Sexual Content 

  • None 

Violence 

  • A young shepherd disappears, and the villagers believe a dragon has killed him. To appease the dragon, “The village people are upset. They are demanding more sacrifices.” The village had been sacrificing sheep, but now they want to sacrifice human children. 
  • The villagers decide to sacrifice Tarek’s daughter, Sabra. “Tarek leaped in front of his daughter. But his efforts failed. Three strong men held him off.” Sabra is captured and Tarek is thrown in a jail cell. 
  • Beth jumps in and tries to help Sabra. “Sabra screamed and kicked at the men. Beth hurled herself toward Sabra. But her foot caught a tone. And she tripped. She tumbled headfirst into the stomach of one of the men. He gasped, and he fell down.” Sabra and Beth are tied together and left for the dragon to eat. 
  • When Beth and Sabra are tied to a post, a saber-toothed cat “roars in [Beth’s] face. The beast opened its mouth wide. Its fangs were as long as her forearm.” A dragon appears and fights the cat. 
  • When the dragon appears, the saber-toothed cat “sprang at the dragon’s neck. The dragon swung its head like a hammer. The blow knocked the saber-tooth cat into the air. It hit the ground with a hard thud. . . The dragon opened its mouth wide and let out a loud cough. Once, twice. . . and then a burst of flames shot forward.” The cat runs away, leaving the dragon with three bold streaks across its snout. 
  • Beth and Sabra break their bonds and hide in the dragon’s cave. Georgius arrives and believes the girls are in mortal danger. “Georgius stood in battle position. His sword and spear were ready. The dragon charged forward. It swiped at Georgius. The soldier knocked away its sharp claws with his spear. . . Georgius raised his sword and faked to one side. Then he jabbed at the dragon’s neck.”  
  • During the fight, Georgius’s blade slices sales off the dragon. “The dragon spun violently. Its mighty tail whipped around. It slammed into Georgius. The soldier was thrown like a rag doll.” The battle is described over five pages and ends when Beth and Sabra intervene on the dragon’s behalf. 
  • Lucius, a soldier, tricks others into believing Georgius left his post without permission. Lucius, along with other soldiers, travels to the village to kill Georgius. “One moment, Prefect Lucius was about to charge at Georgius again. The next moment his saddle was empty . . .” The saber-tooth cat had knocked Lucius off his horse, and “the beast raked its claws across Lucius’s shoulder. It tore his armor free.” 
  • When it becomes clear that Lucius will lose the fight against the saber-tooth cat, Georgius “threw himself forward. He trusts his sword in front of him. He reached down and grabbed Lucius’ sword . . . Georgius thrust the swords at the animal. . . he lost his balance. The saber-tooth slashed its claws across Georgius’s upper arm. . .” Georgius eventually kills the cat. The fight is described over three pages.

Drugs and Alcohol 

  • None 

Language 

  • A soldier calls Beth and Patrick “castoffs, throwaways, dogs.”  
  • A man calls his horses cowards because they ran away from the saber-toothed cat.  
  • A soldier calls his horse a stupid animal.

Supernatural 

  • With Whit’s help, Beth and Patrick use the imagination station to travel back in time. “The red button on the dashboard began to blink. Beth pushed it. The machine began to shake. There was a loud hum. Then everything went black.” 

Spiritual Content 

  • Since the book is Christian fiction, not all references to God are listed below.  
  • There is a contrast between two soldiers—one who is a Christian and one who is not. 
  • Georgius, a Christian soldier, says, “Christos [Jesus] showed me mercy. He paid my debt of sin. So I show mercy by paying the debts of others. . . You have the means to pay your debts. These children don’t. Just as we can’t pay our debt to God. Only Christos can—”  
  • Georgius tells Beth and Patrick that he does not fear others because “Christos told us not to fear those who can kill our bodies. Instead, we’re to fear those who can destroy our souls.” 
  • The villagers believe a dragon has been killing people. One man says, “The dragon is from the devil.”  
  • When Beth’s friend Sabra is taken captive, Beth prays, “God, please help me and Sabra.” Later, when Beth and Sabra are tied up as a sacrifice, Beth whispers, “My help comes from the Lord.” 
  • When Georgius finds out that Tarek is in danger, he goes to help without anyone else. Georgius says, “I’m not alone. Christos goes with me.” 
  • When Beth thinks she is about to die, she reminds herself Jesus “promised Christians life after death.” 
  • A soldier Lucius prepares to fight Georgius, but Georgius refuses to draw his sword, saying, “My God will be my protector.” 

The Defiant

Be brave, gladiatrix. . .And be wary. Once you win Caesar’s love, you’ll earn his enemies’ hate. Fallon was warned. Now she is about to pay the price for winning the love of the Roman people as Caesar’s victorious gladiatrix.

In this sequel to The Valiant, Fallon and her warrior sisters find themselves thrust into a vicious conflict with a rival gladiator academy, one that will threaten not only Fallon’s heart—and her love for Roman soldier Cai—but the very heart of the ancient Roman Empire.

When dark treachery and vicious power struggles threaten her hard-won freedom, the only thing that might help the girl known as Victrix save herself and her sisters is a tribe of long-forgotten mythic Amazon warriors. The only trouble is, they might just kill her themselves first. 

Fallon’s story continues in The Defiant, but the setting is given more scope as Fallon and her companions rush to save Fallon’s sister, Sorcha, from being sacrificed by the Amazon warriors. When the gladiatrices are given a chance to choose their fate, many follow Fallon because of her bravery and fierce dedication to returning to Rome to save the gladiatrices who were taken prisoner. During the journey, Fallon must grapple with the fact that she cannot save everyone—some will be taken prisoner, some will change sides, and some will lose their lives.  

The Defiant does an excellent job of recapping the main events from the first book in the series; however, the series is best read in order. The Defiant features many of the same characters as The Valiant and introduces several new characters. Even though Fallon is surrounded by her sister gladiatrices and several Roman soldiers, she is the leader who makes decisions for everyone. Fallon’s inability to trust others leads to a lack of teamwork, which takes away some of the enjoyment of each battle won. In addition, focusing solely on Fallon keeps the other characters stagnant. Readers who love character-driven stories may be disappointed with the lack of character development.  

Like the first book in the series, The Defiant includes adventure, action, and several surprises. However, some of the story drags because Fallon and her companions travel a long distance. Despite this, Fallon’s adventure is both entertaining and exciting. Readers who get squeamish during bloody battles should avoid reading The Valiant Series because each battle ends in bloodshed, and Fallon’s enemies include a group of men who eat people’s hearts. The Defiant is best suited for mature readers who enjoy political intrigue, bloody battles, and the fight against evil.  

Sexual Content 

  • Fallon and Cai kiss occasionally. However, only some of them are described. For instance, Cai returns to Rome after being in a battle. When Fallon sees him, “It took every last infinitesimal amount of self-control I could muster not to throw myself into Cai’s arms and devour him with kisses, right there in front of the whole academy. . .” 
  • Later, when they are alone, Fallon “lunged at him, reaching up to pull his head down toward me, and silencing him with the kiss I’d been waiting on for months. . . his mouth opened hungrily on mine. His arms wrapped around me and he lifted me off the ground.” 
  • In the evening, Fallon and Cai go to the garden. “Cai lowered his face to mine and kissed me on the mouth. I felt myself melting into his embrace as my arms circled around his neck. . .[they] sank slowly to the soft grass. . .”  
  • Later that night, they show each other their battle scars and kiss them. Cai kisses her again. “A long, slow, teasing kiss that made my lips tingle and turned my skin to fireflies and feathers.” At this time, Fallon wished she was still a princess who should “be sleeping where—and with whom—she damned well pleased.” 
  • While in a Roman bath, Cai and Fallon kiss. Fallon “lost myself to the sensation of his skin sliding against mine as he stopped swimming and, together, we sank beneath the surface of the water, breathing only each other’s air.” 
  • Before a battle, one of the gladiatrices “leaned in and kissed [a Roman soldier], full on his open, astonished mouth.” 

Violence 

  • One night, the Amazona, a rival gladiatrix academy, attacks Fallon’s academy, the Ludus Achillea. First, they kill the guards and set the barn on fire. As the Ludus Achillea women are being rounded up, a Roman soldier “lunged for one of the guard’s weapons. . . an archer up on the sentry walk spun and aimed, loosing an arrow. . . [the arrow] lodged in the breast of legionnaire Tullis . . . he sank to his knees and toppled forward motionless onto the ground.”  
  • During the attack, the Amazona leader, Nyx, uses her whip to attack one of the Ludus Achillea girls, Lydian. “The crack of leather echoed across the yard. Lydia screamed and dropped to the ground a Nyx’s whip caught her on the side of her face, and blood poured onto the sand from between her fingers. . . the whip cracked again as it sliced across Lydian’s shoulder. . . drawing an arch of bright blood. She shrieked again in agony. . .” Later, Lydia is in the infirmary, and “the skin on the right side of her face, where the lash of Nyx’s whip had scored, was split to the bone.” 
  • To stop the abuse, Fallon attacks Nyx. Nyx “brandished the heavy butt end of the whip like a club and caught me on the side of the head with it. Stars burst in front of my eyes. . . Nyx slammed the whip across my back like a truncheon. Then again. And again. . . A kick from her hobnailed boot lifted me off the ground.” Nyx stabs Fallon and then puts her in a dark cell. 
  • To escape Nyx, Fallon has to kill Ixion (an Amazon warrior) from behind. “Ixion’s heavy dead body sagged away from me. . .Never mind that my hands were shaking as I wiped clean my blade on the dead man’s tunic.” 
  • When Fallon and her companions are escaping from Nyx, a guard is killed. “The blade sliced through the rain, spinning end over end, and the man toppled soundlessly over the Ludus wall.”  
  • One of Fallon’s friends tells her a story. “When I was a girl, I came across what was left of one of those captives. . . He’d been blood-eagled. Split open and strung up between the branches of a tree as an offering to our god and a warning to our enemies.” 
  • Fallon and her companions flee from Rome. While sneaking onto a ship, guards called vigiles see Fallon and her fellow gladiatrix, Meriel. The girls attack the guards. “And two of them went down like sacks of grain the instant they attacked. I didn’t have time to think about how it felt to have to wrench my sword out of human flesh again, twisting as I did to avoid slipping in the hot, red rush of blood. . .”  
  • A guard attacks, and Fallon “raised an axe over his head, screaming as he swung the weapon back for a killing blow. He screamed louder when he realized that he no longer had an axe—or an arm—to swing.” Fallon escapes, but Meriel doesn’t. It is unclear what Meriel’s fate is. 
  • One of Fallon’s friends questions the goddess Morrigan’s kindness. He says, “Your fearsome war goddess. She who—as I’ve been led to understand—bathes in the blood of her enemies and feasts on their eyes after the battle’s done. She would not be so cruel?” 
  • To free Fallon’s sister, Sorcha, some of the gladiatrices from the Ludus Achillea go to the island the Amazons inhabit. When they get there, Thalestris—who had kidnapped Sorcha—was to sacrifice Socha. Thalestris tied Sorcha to a menhir and called out to her god. “Cybele! Black stone mother! Guardian of the boundaries between the living and the dead! Accept this blood sacrifice that we may wash the shame of our sister Orithyia’s disgrace and defeat from our skins and our souls.” 
  • Fallon and her group attack the Amazons. “The flaming iron cage balls soared out of the darkness like stones hurled from catapults, slamming into the protective shell made from our wall of shields, and the darkness exploded knot showers of sparks. . . Our blades darted out like serpents’ tongues, sometimes tagging flesh.”  
  • An older Amazon woman “swung an oak staff at [Fallon’s] head. . .and I caught the blow at an angle.” Fallon head-butted the woman in the face. “I felt her nose break. Blood gushed and she reeled backward, pain-blind . . .” The fight ends when Fallon repeatedly yells stop. Fallon gives the Amazons a speech, and both sides put down their weapons.  
  • As the Ludus Achillea leaves the island, Thalestris throws a fishing spear, killing a man. “His body stiffened and jerked, chest thrust forward, and the glistening red tip of a spear blade appeared as if by some evil magic, sticking out of the center of his tunic. . . When he opened his mouth to say something, all that came out was a gout of bright blood.” 
  • While at Cai’s father’s home, the guards try to attack Fallon and her friends. When the guard tries to punch Fallon, she “blocked the blow with my sword. He didn’t have time to scream in pain before I circled my blade through the air and lunged forward, burying the point in his chest.” 
  • When all the guards are dead, “the blood pooled beneath our feet, seeping from the mortal wounds of the seven dead vigils.” 
  • Cai’s father, Varro, attacks Fallon, who “took the length of a pitchfork shaft in the stomach. I dropped to the ground, wheezing, and my sword fell from my hands. . . Varro turned and threw me through the air. . . It felt as though my head had been torn half off.” 
  • To protect Fallon, “without the slightest hesitation, Cai thrust the blade between his father’s ribs. Right to the hilt.” As Varro took his last breaths, Cai said, “I renounce you, and your name, and your blood. I will not perform the rites for you, old man. I will not put coins for the Ferryman on your eyes. You go to Hades with no issue, no legacy, and no hope to ever walk the fields of Elysium beside my mother’s shade.” 
  • The Amazon and the Achillea gladiatrices battle. Sorcha fights Nyx. As Thalestris goes to kill Fallon, Sorcha “brought her blade up and around. . . and thrust into the space beneath Thalestris’s arm as she tore my sword out of my grasp. . . Thalestris was dead before she hit the ground.” 
  • Nyx joins the fight, wielding a fire chain. Nyx “swung the thing back and attacked again. And again. . . In her enthusiasm to spill my brains, it seemed she’d forgotten that I had a second sword. And she’d left herself wide open. . . I buried it between her ribs.” 
  • From the stands, someone shot an arrow at Fallon. “It dented on impact, and I felt like I’d been hit by a catapult stone, but I was alive.” 
  • Another arrow was let loose, but “Aeddan leaped in front . . .taking the second arrow that was meant for [Fallon] square in the chest. . . He spun around in a grotesque dance. . . toppled off the wall and hit the ground below.” The Achillea gladiatrices win the battle, but there are many deaths.

Drugs and Alcohol 

  • Often, Fallon and other adults drink wine. For example, after a practice battle, a drunk man asks Fallon for a kiss. She “snatched the cup from his hands and drank the wine in one gulp.” She left without kissing him. 
  • At night, Fallon and the other gladiatrices sit around the fire with “mugs of beer.” Some of the girls get drunk. 
  • When injured, Fallon is given a “potion” to stop the pain. Another gladiatrix is given “poppy draughts” when injured in a battle. 
  • Fallon’s sister is rescued and given a sleeping draught. 
  • To give Fallon and Cai time alone, Cai’s friend gets the guards drunk. 
  • Fallon thinks a “potent soporific” made her have bad dreams. 
  • One of the Sons of Dis put hemlock, a sedative, in Fallon’s wine. However, Fallon says, “The senator’s physician sent a cup of wine to my room every night to help me sleep. But I had such terrible dreams the first night; I just kept pouring the stuff out the window.”

Language 

  • Profanity is used occasionally. Profanity includes arse, ass, bloody, damn, and hell. 
  • There is some name-calling, including bitch, bastard and whore. 
  • “Lugh’s teeth” is used as an exclamation several times. 
  • “Morrigan’s bloody teeth” and “sweet Juno” are used as exclamations once. 

Supernatural 

  • When Fallon is delirious with fever, she’s forced to flee the Ludus Achillea; she prays to her goddess. Afterward, she sees a vision of a warrior she knows. She follows the warrior, who leads her to safety. Fallon believes, “The Morrigan had sent his shade back from the Lands of the Blessed Dead to lead my friends and me.”

Spiritual Content 

  • The conflict revolves around “the Sons of Dis, a depraved and cultish secret society dedicated to the sacrificial worship of a god of the Underworld.” Fallon saw a group of men “in feathered masks crowding around [a gladiator’s] split-open carcass, greedily devouring the heart that had beat so strongly within his chest only a handful of moments earlier.”  
  • Dis is “the dark incarnation of the Roman god Saturn—ruler of the Underworld, a pitiless deity who could grant his worshippers strength and power but would only be placated with blood.”
  • The Egyptians believed that “when we die, Anubis, the god of the dead, carves out our heart and weighs it against Ma’at, the feather of truth.” 
  • Fallon often refers to her goddess. Her father promised her hand in marriage to a man Fallon didn’t love. After a time, Fallon wonders, “if my father’s decision hadn’t been a part of the goddess Morrigan’s plan for me all along.” 
  • Before the gladiatrices are attacked, Fallon dreams of Morrigan appearing. “Her cloak was made of dagger blades. . .” Morrigan whispers the word “vengeance,” and Fallon wakes to find the stables on fire. Later, Morrigan tells Fallon to “Run! Live! Return to fight another day!” 
  • When Fallon is seriously injured, she wonders, “Had the Morrigan forsaken me because I’d pledged my warrior’s gifts in service to Caesar?” 
  • When Fallon’s enemy has captured her, he says, “Don’t you see, Fallon. Your goddess has laid out your fate’s path to lead right to the doorstep of my god. Dis and Morrigan are kindred.” 
  • When Fallon is in danger, she prays to Morrigan. Later, she believes “the Morrigan had heard my prayers and given me this chance.” When Fallon is finally safe, she offers “a silent prayer of gratitude to the Morrigan.”  
  • When Fallon’s sister, Sorcha, is kidnapped, a friend “made sacrifices to the goddess for her safe journey.” 
  • Sorcha was kidnapped so she could be sacrificed “to the goddess of the Amazons under the light of the Huntress Moon. How spilling of her blood would make their tribe mighty again.”  
  • Fallon’s tribe believes that after a person dies, they go to the Blessed Isles of the afterlife. 
  • When a man in Fallon’s group dies, she “whispered a prayer for the Morrigan to guide his soul’s flight.” 
  • Cleopatra tells Fallon that she can’t join the fight because “I am the daughter of the gods and, as such, should probably leave such robust bloodshed to you who are trained in those arts.”  
  • For protection, Cleopatra gives Fallon a pendant with Sekhmet on it. “One of the goddesses, and much like—if I understand what your sister has told me—your goddess, the Morrigan.” 

The Knight’s Enemies

Travel back in time with brothers Arthur and Finn to help stop the castle of Sir William Malory falling and prevent the death of his daughter Eleanor. The brothers arrive just as John the Withered attacks Wroxley Castle. With the castle under attack, Arthur and Finn must help defend the castle walls. When it becomes clear that Wroxley Castle will fall into enemy hands, the brothers must find a way to save Eleanor’s life by sneaking her out of the castle. But then Arthur and Finn are accused of being spies and thrown into a medieval dungeon. Will the boys escape after being imprisoned, save Eleanor, and succeed in changing the course of history?  

The Knight’s Enemies is told from the third-person point of view, allowing the story to switch between the two brothers’ perspectives. Including both brothers’ experiences gives a broader view of castle life. When called upon, the brothers show bravery by helping defend the castle. Between battles, Arthur and Finn try to figure out how to find and save Eleanor. The action-packed scenes create a gripping adventure that highlights the brothers’ bravery and shows the importance of friendship and loyalty.  

When Arthur and Finn travel to medieval times, the brothers land at different places. This helps build background knowledge of the castle and introduces various characters. At the beginning of the book, so many characters are introduced that readers will have to pay close attention to keep track of all of them. Even though one of the story’s villains is obvious from the start, readers will be surprised when the spy is revealed.  

Short sections are interspersed throughout the book, giving more historical information, such as how to defend a castle, steps to becoming a knight, and medical weapons. The information is detailed and includes how soldiers “poured boiling water over the enemy’s heads.” Another section describes the way an enemy tried to enter the castle, including “shooting dead animal corpses over the walls to spread disease [and] shoot the heads of dead enemy soldiers over the walls to terrify the poor souls inside the castle.” Defending a castle can be brutal, and the book doesn’t shy away from describing the battles, which may upset younger readers. 

Readers will hold their breath in anticipation, wondering how Arthur and Finn will fulfill Sir William Malory’s dying wish to save his daughter. The Knight’s Enemies weaves a compelling story with a typical damsel in distress trope. However, Eleanor is not a weak woman who needs to be saved. Although her appearance is short, Eleanor helps the wounded, cares deeply for her father, and bravely escapes certain death. The exciting battle scenes and the drama surrounding Eleanor perfectly blend to create a gripping adventure. But be advised, at 160 pages The Knight’s Enemies is a quick read that will leave readers excited to read the second book in the series, The Viking’s Revenge.  

Sexual Content 

  • None 

Violence 

  • The ghost of Sir William describes the siege of Wroxley Castle. John the Withered attacked the castle and kidnapped Sir William’s daughter, Eleanor. “They sent Eleanor’s head back to me the following morning.” 
  • When Finn travels back in time, he appears along the road to Wroxley Castle. He meets Thomas Shipton. Finn saves Thomas’ life by warning him about archers hiding in the forest. “Romas hunched down into the horse’s mane as an arrow hissed between the two boys and thudded into a tree.” 
  • Finn jumps onto the horse and “Thomas kicked the horse’s side to speed them away, but as he did so, the horse screamed and reared up.” Finn falls off the horse “while Thomas shouted in alarm as his horse staggered sideways on its hind legs and then toppled heavily to the ground, an arrow protruding from its flank. . .” The horse pins Thomas to the ground. 
  • Two men run towards the boys. To save his life, “Finn drew the string back, took aim at the bigger of the two men, and released. The man collapsed to the floor, gurgling horribly as he clutched at the arrow lodged in his throat.” The man presumably dies.  
  • The remaining man shoots more arrows at Finn and Thomas. Finn shoots another arrow. “The archer gave a shout of pain.” When Finn stands up, he sees “his enemy lay[ing] motionless on his back, an arrow buried deep in his chest.” The scene is described over four pages. 
  • Sir Ralph bullies Thomas. When Arthur defends Thomas, “Sir Ralph’s eyes widened in shock. . . He sprang forward and grabbed Arthur roughly by the throat. Arthur struggled, coughing and choking, pulling at Ralph’s hands in a desperate bid to free himself.” Another man breaks up the fight. 
  • John the Withered’s men use a catapult to attack the castle. “Something shot up from the catapult, and sailed high through the air across the divide between attackers and defenders. Finn noted with a sick feeling in his stomach that whatever it was appeared to have arms and legs. . . the first missile from the attacking army had been a horribly misshapen corpse.” 
  • Pots full of burning tar are catapulted over the castle wall. “One poor soul was running around in bigger and bigger circles, wrapped from head to toe in the flickering fire. Eventually someone managed to wrestle him to the ground with a blanket and extinguished the fire.” 
  • The castle archers release arrows. “Some men dropped to the ground, but their comrades did not falter and stepped across the bodies, marching inexorably on.” The soldier next to Arthur “screamed in pain and toppled backwards off the wall spouting blood from an arrow wound to the neck.”  
  • The castle soldiers began pouring boiling water “to burn any who tried to place ladders against the outer wall.”  
  • During the battle, Finn is hit with an arrow. “He lost his footing and with a cry for help he tumbled off the wall, his helmet knocked off his head as he fell. He landed on something soft, hit his head on something hard, and lost consciousness.” 
  • As the soldiers battled, the enemy used a battering ram to break the castle’s door. “The archers above kept up a relentless shower of arrows” and flung pots filled with burning tar at the enemy. 
  • Sir Ralph accused Arthur and Finn of being spies. When Arthur tries to defend himself, Ralph yells at him, “striking Arthur savagely across the face with the back of his hand and knocking Arthur’s helmet off as he did so. Arthur stumbled backwards, clutching his stinging face. . . “ 
  • When Arthur is thrown in the dungeon, he thinks about oubliettes. “An oubliette was a deep shaft in the ground with a lid on the top. The shaft was often so narrow that there was only room to stand and breathe . . . If they really wanted someone to suffer, they would lower the poor wretch into the oubliette, stick the lid on, leave them in total darkness, and forget about them.”  
  • During the battle, Sir William Malory receives a killing blow. As he lay dying, “he broke off and coughed more blood onto his chin.”  

Drugs and Alcohol 

  • A spy plans to give Eleanor a potion to make her “sleep like the dead.” 

Language 

  • Several times a character calls someone a name, including calling people devils, insolent dogs, little rats, and smug fools. 
  • Sir Godfrey, receives a message that John the Withered wants the castle surrendered to him. Sir Godfrey says, “John has no claim to this castle save that he is a thieving, shriveled up rogue who bullies the weak. Leave now, scoundrel or I will have you killed.”  
  • During the battle, “all hell broke loose.” 
  • Several times, the characters “curse.” No profanity is used. 

Supernatural 

  • Arthur and Finn’s grandfather created a museum about warriors throughout history. The museum is haunted and when the grandfather died, “he started haunting the place too. He felt guilty about the trapped ghost warriors and vowed he would not rest in peace until all the other ghosts were laid to rest first.” 
  • When one of the ghost warriors touches the boys, “we get transported to the time and place where the ghost lived and died. And we can’t get back until we’ve fixed whatever it is that keeps the ghost from resting in peace.” 
  • The ghost of Sir William appears in the museum. “His scar face was smeared with blood that seeped down from under his chain mail hood, and the expression he wore as he cast his stare around the room was one of pure anguish.” A picture of the knight shows blood dripping down his face. 
  • Sir William wants Arthur and Finn to travel back in time to save his daughter. “A ghostly hand gripped each boy by the neck. The air filled with mist so thick that nothing of the room could be seen, the handle flickered and died, and the boys saw only darkness.” The boys travel back to Sir William’s time. 
  • When Eleanor is safe, a “mist enveloped [Arthur and Finn], growing thicker and thicker. . . the castle and their friends vanished completely.” When they see the mist, the boys know they are going home. 

Spiritual Content 

  • As Finn climbs down the castle wall using a ladder, he must jump into a river. He was “praying that he would clear the river bank and land in the water.”  

The Thieves of Ostia

Flavia Gemina is a natural at solving mysteries. The daughter of a ship’s captain living in Ostia, the port of Rome, in AD79, she and her three friends, Jonathan, a Jewish boy (and secretly a Christian); Nubia, an African slave girl; and Lupus, a mute beggar boy, must work together to discover who is beheading the watchdogs that guard people’s homes, and why.

One of the best qualities of The Thieves of Ostia is the interesting and diverse characters. While Flavia is the main protagonist, the addition of Jonathan, Nubia, and Lupus adds interest and allows the reader to see how people in different social groups interact. Despite coming from different backgrounds, Flavia, her father, and her friends treat Jonathan, Nubia, and Lupus equally. This highlights the importance of treating all people kindly and allows the reader to see Flavia’s compassion.  

When Flavia first sees Nubia, who is naked and chained, Flavia decides to purchase Nubia instead of buying an expensive book. From the start, Flavia treats Nubia like a friend instead of a servant. Likewise, when Lupus enters the scene, he’s in filthy, threadbare clothes and is unable to talk because his tongue has been cut out. Despite this, Lupus is treated with care and quickly joins Flavia’s friend group. Flavia’s friend Jonathan is also well-developed, and through him and his family, readers learn how Christian Jews are discriminated against. This topic isn’t explored in detail. Instead, the story affirms the importance of treating everyone with respect. Flavia’s father explains how Jonathan’s family has different customs that must be respected. Flavia and her father accept each other’s differences and create a welcoming atmosphere that allows friendships to bloom.  

In addition to the interesting characters, The Thieves of Ostia revolves around a fast-paced mystery with Flavia and her friends roaming different parts of Rome. This gives a glimpse into the harsh realities of life, including slavery and death, which were common during this period. These scenes are often graphic and may upset some readers. One character who is especially cruel is Venalicius, a slave trader who is rumored to kidnap children to sell as slaves. In one terrifying scene, Venalicius sends his men to capture Flavia and her friends. This heart-pounding scene shows the perils of children who live in Rome. 

The Thieves of Ostia has many positive aspects, including interesting characters, a compelling mystery, and several positive life lessons. Through Flavia and her friends’ adventures, readers will learn the importance of forgiveness. In addition, the story’s conclusion shows the dangers of judging people based on their appearance. One reason people did not suspect the culprit was because he was attractive. Flavia says the criminal was “polite and handsome. . . It just never occurred to me that he might be bad.” Readers who get squeamish by graphic descriptions will want to avoid reading The Thieves of Ostia. However, readers who are ready to delve into the hard topics of death and slavery will enjoy The Thieves of Ostia because of the exciting action and adventure.  

Sexual Content 

  • None 

Violence 

  • A pack of dogs chases Flavia into a tree. While she’s trying to figure out how to move to safety, “One of the yellow dogs yelped and leaped to his feet, as if stung by a bee. Then the leader snarled and writhed in pain. A stone had struck him!” A boy slung rocks at the dogs until they “slunk off.”  
  • When Flavia goes into town, she sees “terrifying men with broken noses, mangled ears, and meaty arms. Some had lost arms or hands or legs.” It is unclear how the men were injured. 
  • \While by the port, Flavia hears “the crack of a whip and clink of chains. Out of the mist emerged a pitiful sight, a line of women, naked and chained at the neck. . . Some had open sores.” The women were naked and wore “wooden tags with prices scrawled on them.” 
  • Venalicius is known to kidnap children and sell them into slavery. It was rumored “that he had kidnapped a nine-year-old girl named Sapphira and sold her to a Syrian merchant.” 
  • Venalicius had one ear “bitten off by a slave he had afterward crucified, if the rumor was true.” 
  • Flavia sees a young girl who is being sold by Venalicius. Flavia asks her father what will happen to the girl, and he says, “She may become a lady’s maid. Or a cook’s assistant. Or perhaps someone will buy her for a wife. . . You know that eleven or twelve is not too young for slaves to marry.”  
  • When Shanakda, a slave girl, was too afraid to walk the gangplank, “without warning, Venalicius had furiously unlocked her collar and pushed her into the water, though her hands had still been tied. . . Nubia would never forget the sight of bitter seawater filling Shanakda’s screaming mouth and silencing her forever.” 
  • Flavia’s family’s cook “had died shopping for leeks in the forum when a donkey kicked him in the head.”  
  • Flavia’s neighbor, Cordius, was an officer in Germania, and “his whole family had been slaughtered by barbarians. A lovely wife, three fine young sons, and a baby girl, now all gone to the underworld. . .” 
  • Jonathan’s family’s watchdog is killed. Jonathan tells Flavia not to look because “someone has cut off his head and taken it away.” Later, another dog is found with its head cut off.  
  • Avita, a young girl, “died horribly, in great pain, of hydrophobia. . . The disease is also known as rabies.” Avita’s mom says, “Avita lost her appetite, and then she began to be terrified of the sight of water. She even refused to drink. Finally, she began to see things that weren’t there. But the end, when it came, was peaceful.” 
  • Avita’s father goes to several taverns, gets drunk, then travels to a lighthouse and jumps off. “There was a cry from the onlookers as the figure struck the edge of the first tier, bounced, and tumbled like a rag doll down to the concrete below.” 
  • A young boy climbed a tree to get away from a pack of dogs. Someone begins shooting arrows at the dogs. “One of the dogs yelped, leaped into the air, then fell back with a shaft in his gut. . . the second arrow struck the leader. . . Two dogs with arrows in them lay writhing on the ground.” Jonathan’s father, Mordecai, grabs a sword and “cut the dog’s throat with a single stroke, putting her out of her misery.”  
  • The other dog “leapt directly at Mordecai’s face. Jonathan’s father reacted by instinct. The bloody sword flashed again, and the dog’s head and body fell in two separate places.”  
  • Flavia befriends an orphan boy who cannot talk because “someone has cut out his tongue.” The reason for this is never stated. 
  • Flavia’s dog begins to whine. Then, Flavia sees “a trident, the kind fishermen use to catch fish. Its base was wedged tight between paving stones, and its three prongs pointed up toward the cold stars. On each of the three points was planted a severed dog’s head.” Flavia faints. 

Drugs and Alcohol 

  • Jonathan uses marjoram oil for his asthma.  
  • When Flavia hurts her ankle, an adult applies ointment to help it heal. 
  • Flavia and her father purchased a young slave. Flavia “bathed the sores on her neck with a sea sponge and applied some of Mordecai’s soothing aloe balm.”  
  • At Flavia’s birthday dinner, the adults drink wine, and the children drink “well watered” wine. Jonathan becomes “slightly tipsy.”  
  • Flavia lives close to the graveyard. “She often went there with her father to honor her mother and twin brothers. . . Wind could be poured into [amphora] necks to refresh the ashes of the dead below.” 
  • A boy follows Avita’s father to several taverns, where he sees men drinking and gambling.  
  • Flavia’s family has friends over for dinner, and they drink wine. Flavia notices that her father has drunk too much wine. 

Language 

  • An adult exclaims, “Great Neptune’s beard!”  
  • “By Hercules” is used as an exclamation twice. 
  • Flavia and Jonathan both exclaim, “by Pollux” one time. 

Supernatural 

  • A boy overhears a soothsayer talking to Avita’s father. The boy “guessed the soothsayer was poking at chicken entrails or staring into a sacred bauble.” The soothsayer tells the father, “Unless you offer a sacrifice to the god Anubis, your daughter’s spirit will never be at rest. . . May the gods curse you!” 

Spiritual Content 

  • Flavia wears an amulet. “One day, when she married, she would dedicate this bulla to the gods of the crossroad.” 
  • When Flavia finds her father’s signet ring, she says “a silent prayer of thanks to Castor and Pollux,” who are deities and the patrons of athletes. 
  • Jonathan’s family is Jewish. When Flavia meets his father, he is reading the Torah. Jonathan says the family moved after “our old neighbors wrote things on the wall of our house, and once they threw rotten eggs at Father.” 
  • Jonathan’s family are Christians who aren’t allowed in the synagogue. The Rabbi tells Jonathan, “I suppose you can’t be blamed for your father’s misguided beliefs. Besides, the Master of the Universe, blessed be He, tells us to act justly and to love mercy. . .” 
  • Flavia tells Jonathan, “I’ve heard that Christians eat their God, and my father says they burned Rome.” Jonathan defends Christianity. He says, “Christians are peaceful. We are taught to love our enemies and pray for them.” 
  • Jonathan’s father, Mordecai, encourages the children to forgive. He says, “Our faith teaches that if you say sorry to God for the wrong things you have done, and if you forgive the people who have done wrong things to you, you will be forgiven.” 
  • When eating at Flavia’s house, snails are served. When Jonathan asks if he can eat them, his father says, “God has made all things clean.” After a discussion that lasted a page, “Flavia closed her eyes and tried to imagine which god she was speaking to. Finally, she settled on the beardless shepherd with a lamb over his shoulder.” 
  • While discussing the criminal who killed the dogs, Mordecai says, “Man looks at the outward appearance, but the Lord looks at the heart.”   
  • Flavia’s father sets off on a journey after he “visited the temple of Castor and Pollux, to make sacrifices for a good and profitable journey.”  
  • Avita’s mom says, “I believe that after we die, we will go to a place more wonderful than we can imagine. Not the cold, dark underworld, but a sunny garden, a paradise. I trust Avita is there now. She was also a believer.” This implies that Avita’s mother is a Christian.  
  • Flavia and her friends talk to a sea captain who sailed through a terrible story. The captain says, “All of us are thanking whatever gods we believe in that we’re alive . . .” 
  • When the slave dealer sends his men to capture Jonathan and his friends, Jonathan prays that they reach safety. 
  • When Emperor Vespasian dies, he says, “Oh, dear, I think I’m becoming a god.”  

Danger in Ancient Rome

Ranger is a golden retriever who has been trained as a search-and-rescue dog. In this adventure, Ranger travels to the Colosseum in ancient Rome, where there are gladiator fights and wild animal hunts! Ranger befriends the young boy Marcus after saving him from a runaway lion. Ranger also befriends Quintus, a new volunteer gladiator who must prove himself in the arena. Can Ranger help Marcus and Quintus escape the brutal world of the Colosseum?  

Told in third-person, Danger in Ancient Rome includes the inner thoughts of Ranger, Marcus, and Quintus. This increases the suspense by focusing on both Marcus’s and Quintus’s fear of being killed. Their point of view also allows them to explain Ancient Rome’s beliefs and practices. Since Marcus is young, he explains his master’s cruelty in kid-friendly language that is suspenseful, but not terrifying.   

Adding Ranger’s point of view allows the reader to understand Ranger’s thought process, which often includes comparing a situation in Rome to something similar in his family’s situation. For example, when trying to save a boy from a burning building, Ranger barks but doesn’t leave the building. The dog thinks, “He never had to bark this long practicing with Dad and Luke. When Ranger found the person and barked, Luke came.”  

Life in Ancient Rome was difficult and slaves were often treated cruelly. The descriptions are not graphic or gory, however, sensitive readers may get upset when Quintus is forced to fight in the Colosseum. The fight ends in a realistic but surprising way. Ranger and Marcus help Quintus fight and the emperor frees Marcus, Quintus, and the gladiator. A servant tells them, “But today, you and your dog gave [the audience] the one thing they love more than blood. . . You gave them a story. One they will tell for a long time to come.”  

The Ranger in Time Series format will appeal to young readers. The book has large text and full-page, black-and-white illustrations that appear approximately every six pages. The author’s note includes information about the historical people and places in the book, including information about Pompeii. Plus, there is a list of resources for readers who want to learn more about Ancient Rome.  

Danger in Ancient Rome is a suspenseful story that allows readers to learn about Ancient Rome. The story focuses on Marcus, a servant raised in a gladiator school. Since he has watched gladiators train, he is very knowledgeable and helps Quintus survive his first battle. The heartwarming conclusion shows Marcus and Quintus being given their freedom and becoming a family. Ranger uses his ability to smell to help others. Readers who want to learn more about amazing dogs should read The Dog That Dug for Dinosaurs by Shirley Raye Redmond, Dog Heroes by Mary Pope Osborne & Natalie Pope Boyce, and Sniffer Dogs by Nancy F. Castaldo. 

Sexual Content 

  • None 

Violence 

  • The emperor Domitian “had a reputation for being cruel. Some people even said he had killed the former emperor, Titus, his own brother.”  
  • A lion jumps on Marcus. “The lion knocked him to the stone floor. He hit his head on the edge of a stair. . . [the lion] pinned Marcus down with a fat, heavy paw.” Ranger helps and Marcus is uninjured. A one-page illustration shows the lion pinning Marcus to the ground. 
  • When help arrives for Marcus, “Ranger jumped to the side just as the animal trainer jabbed the lion with his stick. The huge cat roared and reared to face him. Then, four more men came running with sticks and swords and nets. They snared the big cat and tied it tight with thick ropes.” 
  • When a trainee disappears, Marcus’ owner tells Marcus, “You will find him. And you will bring him back. Or you will pay with your life.” Later, Marcus thinks that his owner “could have had him beaten or even killed for failing to do his job.”  
  • Ranger goes into a fire to rescue a boy. When he finds the boy, Ranger barks until Marcus comes to help. “Pieces of ceiling fell in burning scraps around them. Marcus couldn’t see anyone. . . He could only feel the dog under his hand, leading him.”  
  • Quintus is a “retiarius,” which means he is “the lowest of all the gladiators, that he almost always fought a heavily armored sector in the arena.” A retiarius usually dies in battle. 
  • Quintus, a gladiator in training, tries to run away. When his owner finds him, he shackles Quintus “with a thick iron cuff around his ankle and locked him into the barracks. . .” 
  • Men who committed crimes are “tied together with ropes and wearing nothing but rags.” They are executed, but their deaths are not described. 
  • Quintus is forced to fight Cleto, who is much bigger than him. During the fight, “Cleto slashed with his sword. Quintus fell back, clutching his upper arm. . . Marcus could see blood seeping from between [Quintus’] fingers.” 
  • During the fight, Quintus throws a net over Cleto. “Cleto cut through the net with his sword. He slashed at Quintus’s arm again, and this time, a bigger gash opened, spilling blood into the sand.” 
  • Ranger jumps in to help Quintus. Ranger “tackled Cleto, the way he tackled Luke when they were roughhousing in the yard at home. . . Even through the dark holes of the metal mask, Ranger could sense the anger in [Cletos’s] eyes.” 
  • Quintus again puts the net over Cleto. “. . . Cleto freed himself from the net. He struggled to untangle his sword and shield. . . [Cleto] rushed at Quintus, and slammed his body against him.” The emperor stops the fight and allows everyone to live. The fight is described over ten pages. There are two illustrations, but they do not show any of the wounds or actual fighting. 
  • After the fight, Quintus’s “face is smeared with sweat and drying blood.”

Drugs and Alcohol 

  • None

Language 

  • None 

Supernatural 

  • Ranger can time travel. When it is time for him to travel, a first-aid kit begins to hum. When Ranger picks up the first-aid kit, “Bright light spilled from the cracks in the old metal box. . . The light beamed brighter and brighter. . . Ranger’s skin prickled under his fur.” When he opens his eyes, he’s in Rome.

Spiritual Content 

  • When Quintus sees animals being led into the Colosseum, he whispers, “May the gods have mercy.” 
  • When Quintus fights in the Colosseum, Marcus “clenched his hands together and prayed to the gods for help.” 

Vacation Under the Volcano

Who wants to vacation next to a volcano? Jack and Annie are about to find out when the Magic Tree House whisks them back to the days of the Roman Empire. They arrive in Pompeii and discover they’ve arrived on the day the city is going to be destroyed. Now Jack and Annie must race against time to find an ancient library before it is buried in ash!  

Suspense is created because Annie worries about being in Pompeii and thinks it “feels wrong.” In addition, the ground shakes and rumbles, and then Jack and Annie meet a soothsayer who warns them that the end is near. When the kids finally find the library, they don’t realize it at first because they are looking for modern books, while the Roman books are written on scrolls. Ultimately, Hercules saves the kids, and they return home safely. 

During their adventure, Jack and Annie learn about Roman culture. Jack uses a book to define unfamiliar words and look up facts about Pompeii, which allows the reader to learn more about its history. This information appears in a different font to give readers a visual cue that the information is factual. The back of the book contains more information about Roman culture. Readers who want to learn even more about Pompeii should read The Magic Tree House Fact Tracker: Ancient Rome and Pompeii. 

When reading Vacation Under the Volcano, children will learn about Roman culture and the destruction of Pompeii. Unfortunately, the siblings only have brief interactions with other people. Most of their knowledge comes from observation, so readers do not understand how Romans lived.  

Proficient readers ready for chapter books will enjoy jumping back into time with Jack and Annie. The story is accessible to young readers because of the large text and black-and-white illustrations every two to seven pages. The large, detailed illustrations help bring the characters to life and show how the Romans dressed and constructed their buildings. Even though Vacation Under the Volcano is part of a series, the books do not need to be read to be enjoyed.  

Vacation Under the Volcano gives readers a brief glimpse of what Pompeii was like before a volcano destroyed the city. This exciting book creates suspense using kid-friendly descriptions of the erupting volcano. In the conclusion, Jack and Annie are helped by a surprising hero—Hercules! For another exciting time travel adventure into ancient Rome, jump into the Imagination Station and read Attack at the Arena by Marianne Hering and Paul McCusker. Also, be sure to check out Wendy Mass’s The Time Jumpers Series, which also takes readers on exciting adventures in the past.  

Sexual Content 

  • None 

Violence 

  • Jack and Annie see gladiators. “The warriors’ feet [were] chained together, and guards walked with them.” Jack looks up information in a book: “They were forced to fight each other or wild animals like lions or bears.”
  • Jack and Annie feel the beginning of the volcanic eruption. “Everything was shaking and crashing down around them—pots, plants, the mermaid fountain. Water from the goldfish pond sloshed onto the patio.” 
  • When pumice, ash, and burning rock began falling, Jack and Annie used cushions to protect their heads. 

Drugs and Alcohol 

  • None 

Language 

  • When Annie gets to Rome, she wants to go home immediately. Jack asks her, “Are you nuts?” 

Supernatural 

  • The magic tree house can travel through time. When Jack and Annie travel, the tree house “spun faster and faster and faster. Then everything was still. Absolutely still.” When they arrive in Pompeii, they are dressed appropriately for the time period. 
  • One of the characters is a soothsayer “who could see into the future and warn others about what they saw.”  
  • Hercules helps Jack and Annie escape Pompeii. After the siblings return, they discuss whether Hercules is real or mythical. Annie says, “Hercules is a myth to people in this time. But in Roman times, lots of people believed he was real. So since we were in Roman times, he was real to us.” 

Spiritual Content 

  • Jack and Annie see a Roman temple. Romans “believed that many gods and goddesses ruled the world. This is the Temple of Jupiter, their chief god. In this temple, they prayed to Jupiter and offered him gifts. 

The Valiant #1

Princess. Captive. Gladiator. Always a Warrior. 

Fallon is the daughter of a proud Celtic king and the younger sister of the legendary fighter Sorcha. When Fallon was just a child, Sorcha was killed by the armies of Julius Caesar.

On the eve of her seventeenth birthday, Fallon is excited to follow in her sister’s footsteps and earn her place in her father’s war band. She never gets the chance.

Fallon is captured and sold to an elite training school for female gladiators—owned by none other than Julius Caesar himself. In a cruel twist of fate, the man who destroyed Fallon’s family might be her only hope of survival.

Now, Fallon must overcome vicious rivalries, deadly fights in and out of the arena, and perhaps the most dangerous threat of all: her irresistible feelings for Cai, a young Roman soldier and her sworn enemy.  The Valiant recounts Fallon’s gripping journey from fierce Celtic princess to legendary gladiator and darling of the Roman empire.  

The Valiant jumps right into the action and proceeds at a breathtaking pace until the very end. Overnight, Fallon’s dreams are obliterated, and her life falls apart. As a captive, Fallon’s fierce determination to free herself is admirable. While Fallon’s pain is understandable, her strength and bravery never falter. Fallon takes the reader on her adventure, which leads her to several eye-popping surprises and forces her to question her beliefs while retaining her strength of character. 

Told in first person, The Valliant focuses on Fallon, who must learn about Rome’s culture and politics. At one point, Fallon meets both Julius Caesar and Cleopatra. This adds an extra layer of interest. As a strong woman, Cleopatra reinforces one of the book’s themes: “A woman ought to be able to chart her own course in life.” In addition to Caesar and Cleopatra, the book has many characters that play a significant role in the story but are not well developed. Despite being underdeveloped, Fallon’s romantic interest, Cai, has several swoon-worthy scenes that break up the battle scenes. 

The Valiant is an entertaining book that follows a brave protagonist worthy of rooting for. However, the book deals with dark topics, including slavery, murder, and worshiping the Greek god of death. And while the gladiatrix fights bravely, war is not glorified. Cai reminds Fallon, “Honor is nothing but a dangerous lie, Fallon. In battle, there is no honor, not really. Caesar never won because he was honorable. He isn’t. He won because he was clever and tenacious and used whatever means necessary. . .” Mature readers who aren’t squeamish about violence will enjoy following Fallon’s adventure into the Roman empire. For a less bloody adventure, read the Protector of the Small Series by Tamora Pierce and The Royal Ranger Series by John Flanagan. 

Sexual Content 

  • Fallon and Mael hope to one day get married. After practicing for battle, Mael kisses her. “His lips on mine silence my apology, muffling words with his sudden, hungry kiss. My eyes went wide. . . then drifted shut, plunging me into a red-lit darkness. . . My pulse surged loudly in my ears, and my fingers tangled in his long hair as I drew him down to me again.” The kiss is described over a page.  
  • Fallon’s father betrothed her to Mael’s brother, Aeddan. After the announcement, Aeddan “spun me around and kissed me hard on the lips.” Fallon does not kiss him back. Later that night, he brings wine to Fallon’s house to celebrate. 
  • When Aeddan tries to kiss Fallon again, she “jammed my knee into his groin, shoving him away as he gasped in pain and staggered back.” Before Aeddan can try to kiss her again, Mael appears and uses his sword to push Aeddan out of the house. 
  • A Roman officer, Cai, meets Fallon, who wanders the gladiator school’s grounds. “He took me again by the shoulders, drawing me toward him. . . Cai’s hands lightly moved up my arms, over my shoulders and down my back to my waist, tracing my body through the thin material. . .” Fallon flees before Cai can kiss her.  
  • After Fallon breaks Cai’s ribs, she goes to the infirmary to apologize. “Cai pulled me tightly to his bandaged chest and held me there. . . and he kissed me with a hungry desperation that tore the breath from my lungs. His hands tangled in my hair, and my arms tightened around him. . . he didn’t stop kissing me. Not for a long, dizzying while.” 
  • When Fallon goes to have a slave collar removed, Cai goes with her. Afterward, “Cai reached up and ran his fingertips along my skin, and I shivered at this touch. . . his hand shifted to slide into my hair, and he brought his face down to mine and kissed me. The kiss thrilled me all the way to my toes.” 
  • After professing his love for Fallon, Cai kisses her. “His mouth was nectar-sweet as he kissed me, and we fell back together into the soft, cool grass beside the stream.” 

Violence 

  • Mael and Aeddan fight over Fallon. “Suddenly, Aeddan reared back and head-butted his brother sharply. Mael reeled away in pain, blood running down his face. . .” Aeddan stabs Mael with a blade, and Mael “opened his mouth, and a dark gout of blood bubbled up and spilled down his chin. Aeddan wrenched the dagger out of his brother’s flesh, and Mael collapsed.” Fallon assumes Mael dies.  
  • Fallon was lost in the forest at night when “a broad-shouldered man swung his fist like a mallet at my head. I fell, consumed by a dark red tide.” When Fallon wakes, she tries to scream, but the man “pressed a knife blade up under my left ear. The scream building in my throat died instantly.” Fallon is kidnapped and sold to a slave trader. 
  • The man who kidnapped Fallon hit her. “A short, sharp jab to my stomach. . . his thick fingers fumbling at the lacing of my tunic. I kicked and swore at him, but I was chained, and he was much stronger.” The man intended to rape her, but the slave master stops him.  
  • The Varnini are a tribe of fierce women fighters. Fallon and Varini girl are put into a wagon and chained together. They get into a fight. Fallon describes, “She lashed out at me with one long leg, the leather sole of her sandal slapped painfully against my thigh. . .” The girl hit Fallon’s face, and “pain exploded from my left cheek, and a red mist descended in front of my eyes. . . I howled in fury and swung my clenched fist in a double blow that caught the Varini on the temple and sent her reeling.” The fight is described over three pages. 
  • Because of Fallon and the Varini’s fight, the wagon tips over. The slave driver’s “head was bent at an unnatural angle, and his mouth was frozen open in a silent cry of shock. A slick of dark blood painted the sides of his face, and his eyes were empty and staring.” 
  • When the Varini was first captured, she attacked the slave trader. She said, “I bit off half his ear and kicked him in the balls so hard he still limps.” 
  • Fallon and the Varini girl, Elka, run, but they are still chained together. They try to hide, but a group of men find them. “The man reared back again, and while his attention was focused on Elka, I sprang forward with a low, darting thrust that tagged him solidly on the upper thigh. . . I pulled my sword and blood spilled down the front of his leg.” The fight is described over two pages. 
  • Charon, the slave master, finds the girls who are being attacked. “With one swift motion, Charon had grabbed the brigand by the shoulder and yanked him around. Two moves and the man lost first his sword hand. . . and then his head. . . The man’s head toppled from his neck and bounced away into the undergrowth, the whites of his eyes glittering in the moonlight.” 
  • Pirates attack the ship that the slaves are in. The slaves are locked below deck. Fallon watched as “the body of a man fell across the grate. His mouth and eyes were frozen open in a horrible death grimace. Wind-dark blood flowed from a gaping wound to his chest. . .”  
  • Fallon breaks out of the ship’s hold and enters the fighting. “A legionnaire gutted one of the pirates not three strides in front of me, and the man twisted in a horrid dance as his guts spilled. . . Legionnaires in their uniforms [were] hacking and slashing and killing.” 
  • When being sold as a slave, Fallon and Elka are chained together. Two other slaves are given weapons and told they will be freed if they can kill the two women. When one of the men attacks Fallon with a pike, “with a powerful thrust of [Elka’s] long legs, Elka had launched herself toward us, howling with battle madness. The point of her sword blade disappeared up under the man’s helmet chinstrap. . . then the man’s chest bloomed suddenly with a dark crimson that flooded down over his painted skin.” 
  • During the attack, Fallon “swung up at a sharp angle and met my attacker’s weapon, screeching up its length in a flash of sparks. . . I brought the sword back around and down in a vicious slash across the man’s extended forearm. Blood spurted, crimson, and sparkling in the sunlight.” The fight is described over three pages. One man dies. 
  • While being trained to be a gladiatrix, a group of women attack Fallon. “Another crack of the whip and a line of fire licked across the backs of my legs. I fell to my hands and knees with a grunt. . .” When Fallon falls, “the girls kicked and punched at me in the darkness, and I curled into a ball to try to avoid the worst of it. . .”  
  • Enraged at her attackers, Fallon grabs two torches. “I spun circles of flames in the dark air, batting the whip away from me and almost setting the retiarius net aflame. . . One girl screamed in alarm as my torch set her tunic hem smoldering.” The next day, Fallon “hobbled out to the practice yard, where the throbbing, livid bruises on my legs and arms went glaringly unremarked upon.” The attack is described over three pages. 
  • After the swearing-in ceremony, two women were eager to use their weapons. One woman accidentally injures her sparring partner. Fallon sees “the crumpled body of a girl lying in a pool of blood, shockingly red against the white-gold sand. . .” The girl, Lion, lost her hand. Someone “was on her knees, tearing linen into strips and wrapping Lion’s arm tightly as she could while crimson spurted in time with the beating of the girl’s heart. . .” While in the infirmary, the doctor, Heron, “and his assistant worked to stanch the flow of blood. . . He returned with a bronze brazier full of angry red coals and a metal bell-shaped tool that had been heated until it glowed.” The woman survives. 
  • Cai is angry that Fallon will not allow him to buy her. He spars with her. “He was relentless, he was humorless. . .” Fallon tricks Cai, who looks away. “I wound up with all the strength that I could muster and delivered a slashing blow to his exposed flank. I heard his rib crack like a slap of a hard-shot arrow. Cai dropped to one knee in the sand. . .” Cai’s rib is broken.  
  • The end of the book has several gladiator tournaments described in long, bloody detail. Not all of the battles are described here. During one fight, “one gladiator’s trident had gone straight through the guts of his opponent. Two of the tines stuck out obscenely from his back, dripping wet. . .” The wounded gladiator’s “face [was] rigid with pain, and gestured for the mercy blow”. . . his opponent picked up his sword and “thrust the point through the other man’s neck.” 
  • During Fallon’s first gladiatrix battle, she is knocked down by the Fury. Fallon is “down on all fours in an instant, sucking sand-gritty air through my teeth. . . In the very last instant before her attack, I slammed the hilts of my twin swords together and thrust them out before me. . .” The swords went into the Fury’s ribs. The Fury’s “body slammed into me, throwing me back down to the ground. . . I thrashed and struggled and heaved her off me.” Fallon watches as “blood bubbled up and spilled out the sides of her mouth, staining my fingers.” The Fury dies. 
  • At a party, two gladiators fight. One of the men, Ajax, “looked down to see two blades protruding from his chest, the points red with his own blood.” Later, Fallon sees a group of men huddled around the body. “They had split Ajax’s torso open like the roasting carcass of a wild boar. I glimpsed the white gleam of his rib cage grasping like rigid fingers at the shadows, and I could hear the wet, gluttonous sounds of feasting.” 
  • A fellow gladiatrix named Nyx tricks Fallon and Elka into drinking spiked wine, Elka is flogged. Afterward, Fallon finds Nyx in the laundry. Fallon “went straight for trying to drown her in the tub. I used my shoulder to hit her from behind square in the middle of her back, and she fell face-first into the water. . . I grabbed a length of sodden linen and slapped it hard across her torso, knocking her over.”  
  • Fallon and Nyx are in a reenactment of one of Julius Caesar’s battles. However, they are on opposite sides. During the battle, Fallon attacks Aeddan. Fallon “rammed the butt of my spear into his side. The breath left his lungs in a whoof as he stumbled sideways, and I followed up with a series of swift, vicious jabs.”  
  • Fallon gets into a chariot and demands that Aeddan drive it. “Aeddan steered so that we would pass within arm’s length of Nyx’s chariot on our right. . . Nyx’s whip cracked, and I ducked instinctively . . . The wasp-kiss of the whip left a crimson welt on my upper arm.”  
  • After several passes, Fallon tells Elka to send a spear into Nyx’s chariot. “The chariot shot upward, arching through air like it had been unleashed from a legion catapult. . . Nyx screamed, arms and legs flailing frantically as she sailed up and over her horses’ heads.” Nyx is injured but not killed. The final battle is described over ten pages.  

Drugs and Alcohol 

  • Every two years, the tribes come together to feast and drink alcohol, and many become drunk. 
  • Alcohol, usually wine, is often served with dinner. 
  • Fallon confronts her sister, Sorcha, who “strode over to a side table that held a wind jug and goblets. She sloshed a generous measure of dark red wine into one of the goblets and took a long drink.” 
  • After drinking the spiked wine, Fallon passes out on the side of the road. A group of girls finds her and takes her to their house. When Fallon awakes, she is at “a house of whores.”

Language 

  • Profanity is used rarely. Profanity includes arse, bitch, damn, and bastard. 
  • “Oh dear goddess” and “Lugh’s teeth” are used as exclamations once. 
  • Another gladiatrix convinces Fallon and Elka to go to a party. As they walk to it, they consume wine. Fallon “took another swallow, and my urge to run faded as the liquid heat from the wine coursed through my limbs.” Later, she discovers the wine was spiked with mandragora, “a powerful intoxicant.”  

Supernatural 

  • Fallon’s tribe has both men and women warriors. “The legions thought of the Island of the Mighty were demons, aberrations whose corpses they burned in heaps after battles so that their black souls could never escape to inhabit another body.”  
  • When Fallon’s sister, Sorcha, was alive, she spent “time with the chief druid. . .The druiddyn were sages and mystics of our tribe. They dealt with portents and prophecies. . .” 
  • After Fallon kills a woman in battle, she is shaken. Her friend, who has killed before, tells her, “His shadow visits me almost nightly in my sleep. We’re so familiar with each other now, he’s almost a friend.” Later, Fallon “said a silent prayer for the Fury and thanked her for giving me the fight that would send me hurtling toward my destiny.”  
  • To frighten Fallon, someone nails a raven to her door. Some think it is an omen of “ill luck.”

Spiritual Content 

  • Fallon often refers to Morrigan, “goddess of death and battles.” Fallon had a dream that Morrigan visited her and called her daughter.  
  • Sorcha explains why she allowed her family to believe she was dead. Afterwards, Fallon “heard the sound of wings beating overhead. I looked up, the sky was clear. Empty. But in my mind, a throaty voice whispered, ‘Daughter’ and ‘Victory.’” Morrigan’s voice reassures Fallon.  
  • After being taken captive, Fallon prays to Morrigan, the triple goddess of blood and battles. “Mach. Red Nemain. Badb Catha . . . hear me. Wind, carry my words. Shadows and darkness, see my plight. Let the Morrigan hear my pleas. Give me strength to vanquish my enemies and wreak my vengeance.” 
  • After someone vandalizes Fallon’s room, “I whispered a prayer of thanks to Morrigan that I’d had the foresight to take the box of Charon’s armor directly to the quartermaster.” 
  • A woman died in a gladiator fight. During her funeral, someone says, “Last night the goddess Nemesis, she of the midnight brow, in her great wisdom called Ismene to the realm of heroes and sent forth Mercury to guide her there. She feasts now in the halls of Dis, she spars with Minerva. . .” 
  • When a gladiator is killed in battle, “the gladiator’s body was dragged from the arena by hook-wielding men dressed in outlandish headdresses meant to resemble long-eared desert dogs. . . the men were playing the ritual part of an Egyptian god of the dead called Anubis.”  
  • Fallon tells her friend, “Morrigan hates me.” Her friend replies, “Your goddess has brought you this far. Maybe this is her way of telling you she thinks you’re worth the effort.” 
  • During a battle, Fallon realizes that “The Morrigan had not forsaken me. She wasn’t against me. The true Morrigan had shown herself to lead me to victory.”  

The 13th Floor: A Ghost Story

When Buddy Stebbins stumbles onto the thirteenth floor of a shabby old building, he finds himself suddenly transported aboard a leaking pirate ship in a howling storm—three hundred years in the past! Cast adrift with Captain John Crackstone, Buddy washes up in New England, where his plucky ancestor, Abigail, is caught up in the witchcraft mania. In an adventure filled with ghosts, witches, pirates, and razzle-dazzle treasure, Buddy might be able to save his wayward ancestors. But will he find his way back to the thirteenth floor—and home? 

The 13th Floor’s conflict is introduced when Buddy learns that his sister may have to sell the family home. Buddy looks to his dead ancestors for help. For if he can find Captain John Crackstone’s treasure, their home will be saved! But Buddy never expected that he’d go back in time and become part of Captain Crackstone’s crew. Soon, Buddy is climbing the ship’s rigging in a storm and rescuing his sister from death by creating a pirate’s ghost out of a codfish and a Walkman.  

The 13th Floor doesn’t waste words, which creates a fast-paced story that not only includes pirate fights but also fascinating facts about the Salem witch trials. With the help of his sister, Buddy defends Abigail—one of Buddy’s ancestors—against accusations of being a witch. Readers will instantly like Buddy, who is humorous and shows his bravery time after time. And the court scenes are just as interesting as the pirate fights as they shed light on life in the 1690s.  

Along the way, readers are introduced to Buddy’s relatives, Captain Crackstone and Abigail, who are both interesting characters. Captain Crackstone’s cheerful and unflappable nature makes him extremely likable. The captain quickly takes Buddy under his wing and introduces him to pirate life. Once on land, Buddy also meets Abigail, who tries to run away before she can stand trial for witchcraft. Readers will understand Abigail’s desire to hide and admire her trust in Liz and Buddy’s promise to defend her in court. Captain Crackstone and Abigail give two unique views that blend together to make a truly captivating story. 

The 13th Floor is a fast-paced adventure that will captivate readers. By using a thirteen-year-old as a narrator, readers get a unique perspective of the past. In addition, Buddy’s willingness to jump into danger to help his relatives is admirable. Even though The 13th Floor is “a ghost story,” there are no actual ghosts; however, humor is added when Buddy is mistaken as a ghost.  

Anyone who likes a good pirate story will enjoy the blend of humor, action, and adventure found in The 13th Floor. And if The 13th Floor sparks your interest in the Salem Witch Trials, you can learn more about the historical event by reading What Were the Salem Witch Trials? by Joan Holub. 

Sexual Content 

  • None 

Violence 

  • The crew of the Bloody Hand board Captain Crackstone’s ship. Captain Crackstone “came bursting out of the chart house. He was flashing a cutlass in one hand and a knife in the other. He leaped down the stairs and into the invaders. . . [Buddy] could see sparks fly as the blades met and clashed. . . He kept charging one and all, yelling insults as he went.”  
  • As the fight continues, the pirates “kept backing [Captain Crackstone] higher and higher toward the crow’s nest. . .” Captain Crackstone negotiates with the Captain of the Bloody Hand and Captain Crackstone’s men are spared. Captain Crackstone and Buddy are put adrift in a small dinghy.  
  • Buddy and his sister Liz travel to the past just before the Salem Witch Trials began. Liz explains, “The judges were hanging harmless Pilgrims as witches—mostly frail old grandmothers. . . In a week the judges are going to hang their first witch from an oak tree—an innocent old lady named Bridget Bishop.”  
  • Captain Crackstone and his wife, Mrs. Stebbins, are arrested for kissing on a Sunday. As punishment, “The captain and Mrs. Stebbins were outside in plain sight. It was as if their heads and hands had been thrust through an unpainted signboard. They had been clamped in stocks!” 
  • When Abigail is on trial for witchcraft, the judge tells the jury to “decide whether or not this child has by wicked and detestable acts shown familiarity with the devil. Should she be hanged and buried with a stake driven through her heart?” 
  • An unnamed pirate was caught by a Navy ship. “They caught a pirate off New York and hanged him from the mainmast.”  
  • When Liz is accused of witchcraft, the justice plans to make her do the water test. Liz says, “They’re going to tie me up and throw me in the bay. If I drown, it’ll prove I’m innocent. If I float, it will prove I’m a witch.” If she doesn’t drown, they will then hang her. Liz escapes before the test.  
  • Buddy and Liz are trying to find the portal home. They go into the bowels of a ship. A sailor sees them and “drew his knife.” To scare the sailor away, Buddy “jammed the flashlight all the way into my mouth and bared my teeth as if it were Halloween.” The sailor “went clattering up the ladder.”  

Drugs and Alcohol 

  • While in court, a drunk man is sentenced to wear the letter D.  
  • A man claims Abigail turned him into a cat. However, Abigail said when she saw the man, he was “ale drunk as usual.” 

Language 

  • Buddy wants to know if his ancestor was a “nutcake” or “balmy.” 
  • There is some name-calling. For example, Buddy sees himself in the mirror and shouts, “Stebbins, you look like a nitwit! You’re balmy! You’re a nutcake! Your porch light has gone dim.”  
  • Captain Crackstone calls other people names often. For example, Crackstone calls another ship captain “pirate scum” and “that seagoing oaf.”  
  • During a battle at sea, men board Captain Crackstone’s ship. He calls the men, “snorting cockroaches, potbellied muckworms, and puny sea maggots.” 
  • When Liz travels to the past, she meets Abigail, who is being accused of witchcraft. Liz says, “I hope she doesn’t sound off in court and call her neighbors nitwits and jackasses.”  
  • Heck is used once. 

Supernatural 

  • One of Buddy’s ancestors held seances where “he’d lift a ship’s old copper speaking trumpet to his lips and command the dead to talk. He claimed that sometimes they answered back—once through the spout of a brass teakettle in the kitchen.” 
  • A relative who lived 300 years ago calls and leaves a message on Buddy’s family’s answering machine. 
  • Buddy goes into a building and takes the elevator to the thirteenth floor. “I had found the thirteenth floor, and it was a ship at sea.” 
  • When Buddy suddenly appears on a pirate ship, one of the sailors thinks Buddy is a ghost because his shoes glow. The sailor says, “Save me, wretched soul! It’s a ghost crawling up from the bilge! An unholy spirit!” 
  • Liz goes to the thirteenth floor and finds herself in a barn “full of wool and cider barrels.”  
  • According to witnesses, Abigail has performed witchcraft, including spoiling a pail of milk and changing a man into a cat. 
  • Liz is arrested for telling the future. 

Spiritual Content 

  • A Captain of a ship believes Buddy is a ghost and says, “God preserve us all in our right wits.” 
  • When Captain Crackstone makes it home, he sees his wife and says, “God bless my eyesight!” Then he “leaped up the wharf stairs. They fell into each other’s arms, and he kissed her loud.”  
  • Abigail is accused of being an “imp o’ the devil.” 
  • One of Abigail’s neighbors says she saw Abigail with “the devil’s own book. . . Old Beelzebub’s secret book with names of his witches and wizards writ down in his own hand.”  
  • Liz talks about a news story. “Some clods out on the desert burned a pile of green library books. . . They believe it’s the devil’s favorite color.”  

Stone Fox

Based on a Rocky Mountain legend, Stone Fox tells the story of Little Willy, a young boy who lives with his grandfather in Wyoming. Little Willy loves living on the farm with his Grandfather, but one day Grandfather falls ill and is no longer able to work the farm. Little Willy tries to work the farm himself, but then he learns their farm is in danger of foreclosure. If they cannot come up with the money in time, the government is going to take away their home and break up their family.   

Little Willy is determined not to let this happen. Then one day, he discovers a solution. He is going to enter and win the National Dogsled Race, because the prize money will be enough for Little Willy to save the farm and his grandfather! But he isn’t the only one who desperately wants to win. Willy and his brave dog, Searchlight, must face off against experienced racers, including a man named Stone Fox who has never lost a race.  

Stone Fox will keep readers up late into the night because once they start the book, they will not want to put it down. While most readers may not want to read about a potato farmer, Stone Fox makes the protagonist so relatable that his life becomes interesting. Readers will connect with Little Willy because all readers can understand wanting to save someone they love. While Little Willy’s love for his grandfather is admirable, it is his persistence and hard work that make Willy a compelling protagonist.  

Since Stone Fox has never lost a dogsled race, many townspeople tell Willy that he is foolish for entering the race. But this doesn’t deter Little Willy! Instead, he works harder. Readers will root for Little Willy and his dog, Searchlight, but the unexpected tragic ending may leave readers in tears.  

Stone Fox is a compelling story about the love of family and Little Willy’s refusal to give up. When his grandfather becomes sick, Little Willy takes on the responsibility of caring for his grandfather and the farm. Through it all, Little Willy treats others with respect even when he disagrees with them. Little Willy’s action-packed adventure shows that “there are some things in this world worth dying for.”  

When Stone Fox was published in the 1980s, it was well-received and was taught in many classrooms. However, the book describes Stone Fox, a Native American man as “an Indian—dressed in furs and leather, with moccasins all the way up to his knees. His skin was dark, his hair was dark . . . His eyes sparkled in the sunlight, but the rest of his face was as hard as stone.” Due to Stone Fox’s portrayal, some, such as American Indians in Children’s Literature, now believe the book uses stereotypes and should not be read in schools, while others disagree.  

One thing is certain: Stone Fox is an exciting book that adults can discuss with their children. If you’re looking for a book that portrays Indigenous people in a more diverse light, you can read Rez Dogs by Joseph Bruchac and Mary and the Trail of Tears: A Cherokee Removal Survival Story by Andrea L. Rogers. If you’re interested in Navajo mythology, read Race to the Sun by Rebecca Roanhorse. 

Sexual Content 

  • None 

Violence 

  • When little Willy gets home, a man is standing at the door, “holding a small derringer and pointing it at Searchlight. His hand was shaking.” An illustration shows the silhouette of the man holding the gun. 
  • The town drunk tells a story about Stone Fox. There “was this time in Denver he snapped a man’s back with two fingers.” But people don’t believe the story.  
  • Willy hears dogs barking in an abandoned barn. He goes in and sees Stone Fox’s dogs. When Willy “held out his hand to pet them. . . There was a movement through the darkness to Little Willy’s right. A sweeping motion. . . A hand hit Little Willy right in the face, sending him over backward.” That night, “Little Willy couldn’t sleep—his eye was killing him.” The next day, Little Willy’s eye is swollen shut. 
  • Little Willy thinks about how he killed a bird with a slingshot. He never killed another animal again. 
  • At the end of the race, Searchlight “gave it everything she had. She was a hundred feet from the finish line when her heart burst. She died instantly. There was no suffering.” 
  • To allow Little Willy time to carry Searchlight across the finish line, Stone Fox draws a line in the snow. When the other racers appeared, “Stone Fox fired his rifle into the air. They came to a stop. Stone Fox spoke. ‘Anyone crosses this line—I shoot.’”

Drugs and Alcohol 

  • While at Little Willy’s house, Clifford Snyder, a tax collector, “lit up a long, thin cigar and blew smoke toward the ceiling.”  
  • Little Willy goes to the bank to see Mr. Foster, the president of the bank. “Mr. Foster was a big man with a big cigar stuck right in the center of his big mouth.”  
  • Before the race, Little Willy sees Mr. Foster “chewing his cigar” and the town drunk, “took a powerful swig from a whiskey bottle.” 
  • The town drunk is mentioned several times. 

Language 

  • Doc Smith tells Willy, “I think you’re a darn fool for using your college money to enter that race.” 

Supernatural 

  • None 

Spiritual Content 

  • None 

In the Footsteps of Crazy Horse

Jimmy McClean is a Lakota boy, though you wouldn’t guess it by his name. His mother is Lakota; his father is half white and half Lakota. Over summer break, Jimmy embarks on a journey with his grandfather, Nyles High Eagle. While on the road, his grandfather tells him the story of Crazy Horse, one of the most important figures in Lakota and American history. Through his grandfather’s tales about the famous warrior, Jimmy learns about his Lakota heritage and, ultimately, himself. 

Expertly intertwining fiction and non-fiction, author Marshall chronicles the many heroic deeds of Crazy Horse. Crazy Horse took up arms against the U.S. government. He fiercely fought against encroachments on the Lakota’s territories and to save the Lakota’s way of life. Crazy Horse led a war party to victory at the Battle of the Greasy Grass (the Battle of Little Big Horn), and he played a major and dangerous role as a decoy at the Battle of the Hundred in the Hands (the Fetterman Battle). Alongside Sitting Bull, Crazy Horse was the last of the Lakota to surrender his people to the U.S. Army.  

By drawing references and inspiration from the oral stories of the Lakota tradition, Marshall gives readers an inside perspective of the life of Tasunke Witko, better known as Crazy Horse. Jimmy and his grandfather follow in the footsteps of Crazy Horse, which allows Jimmy to better understand his heritage and to learn lessons from Crazy Horse’s life. For instance, Crazy Horse conveys the importance of generosity when he uses his hunting skills to “take care of the helpless ones.” Crazy Horse didn’t help others “because he wanted people to notice. He didn’t even want people to thank him. He just didn’t want anyone to go hungry.”  

When Crazy Horse’s best friend and his daughter died, Crazy Horse wasn’t afraid to show his grief. Crazy Horse openly cried, and his tears demonstrate that “even tough guys cry.” Many times, Crazy Horse proves his bravery when he puts his life on the line to help others. The Lakota believed that “courage was a warrior’s best weapon, and that it was the highest honor to give your life for your people. . . That’s what being a warrior was all about: facing the scary things no matter how afraid you were. That’s what courage is. And what’s more, it doesn’t only happen on the battlefield. You can have courage and face the tough things that happen to you anywhere.”  

While many warriors wanted to continue fighting the U.S. army, Crazy Horse ultimately surrendered for the tribe’s well-being. “He did it for the helpless ones, the old people, the women, and the children.” Surrendering was courageous because it meant acknowledging defeat and giving up his people’s freedom. In the end, Crazy Horse’s decisions emphasize the importance of bravery, generosity, and putting others’ needs first.  

Most of In the Footsteps of Crazy Horse focuses on Crazy Horse’s life. Since the story is being told to Jimmy by his grandfather, this allows Jimmy to ask questions and connect Crazy Horse’s experiences to his own life. In the Footsteps of Crazy Horse is an engaging story that teaches the importance of storytelling and remembering the past. The story allows readers to see history from the Lakota’s point of view and examines the reasons that Crazy Horse fought to keep his people free. To learn more about Native American’s culture and their unique struggles, you can also read Rez Dogs by Joseph Bruchac. 

Sexual Content 

  • None 

Violence 

  • The Lakota called the American soldiers Long Knives. “Long Knives were known to attack any Lakota—man, woman, or child. They were mean people—if they were people at all.” 
  • When Light Hair [Crazy Horse] was a boy, his village was attacked and set on fire. “The ground was scorch black where the flames had passed. Every buffalo-hide lodge was burning or had already been turned into a pile of ash. . . Light Hair saw that the bundles on the ground were people.” As Light Hair walked through the village, he saw many bodies. “Some of the bodies were small children.” 
  • After the attack, Light Hair finds a woman hiding. She says, “They shot people. My husband is . . . He’s gone. . . So is my baby.” The Long Knives took some of the people captive. The battle is described over four pages.  
  • A cow wanders into the Lakota’s village and is “butchered and the meat given away to old people.” Soon, soldiers appear, wanting the cow. The Lakota offered payment, but the man wanted his cow. Soon, Long Knives had gathered at the village. A soldier “demanded that the man who had killed the cow be brought to him.” 
  • When the Lakota can’t turn over the cow, a soldier fires a cannon into the village. “Conquering Bear was one of the first to fall, severely wounded. The waiting warriors attacked, charging the Long Knives. . . Many soldiers fell, and some ran away. Those fleeing were chased and cut down.”  
  • When the Long Knives were away from the fort, the warriors attacked. “Crazy Horse could hear the screams and shouts of the soldiers. Frightened horses were screaming too. . . Many of the soldiers were running, crowding together in the narrowest part of the ridge, and warriors on both slopes were firing arrows at them.” The soldiers tried to hide “but many had already fallen, struck down by bullets and arrows.”  
  • The warriors flanked the soldiers. “At a signal from Crazy Horse, the flanking warriors charged the remaining soldiers. Crazy Horse struck down with his war club.” Eighty soldiers were killed, and “some say forty warriors were killed.” 
  • During the fight, Crazy Horse’s best friend, Lone Bear, was killed. “Lone Bear had been shot through the chest. But it was so cold, the blood froze around the wound and stopped the bleeding.” Crazy Horse “held his friend in his arms until he died.”  
  • A Cheyenne woman dressed like a man and followed the warriors into battle. “When her brother’s horse was shot down, she raced in to rescue him. Soldiers were shooting at her from two sides, but she still managed to save him.” 
  • During a battle, “firing from the soldiers and the [enemy] warriors was constant. Every moment was filled with the sound of gunshots.” Some soldiers tried to take cover, but the Lakota “fired guns and bows and started fires.” The soldiers tried to cross the river, but “soldiers were falling, hit by bullets and arrows.” The scene is described over six pages. 
  • Later that day, the warriors attacked the soldiers who made a barricade. “Custer’s soldiers, his five companies, began to suffer casualties. That is, soldiers were being hit by bullets and falling. . . The sad fact is that Custer lost all his men, including himself. Every man in the five companies he led was killed in this second part of the battle.” The second part of the battle is described over three pages. 
  • After a battle, people from the Lakota village sought their loved ones. “Many of them were angry at the Long Knives . . . Then someone took a knife and cut a soldier’s body. All that anger was hard to hold back. So they began stripping bodies, taking things, and then mutilating them. . . Cutting arms and legs.” Grandpa Nyles says, “I personally think it’s a bad thing no matter who does it. But that’s the way it was then.”  
  • Soldiers and jealous warriors tried to capture Crazy Horse to imprison him. “When the Indian policemen saw [Crazy Horse’s] knife, they surrounded him. [An Indian leader] Little Big Man grabbed his arms from behind.” A soldier came and saw “a Lakota fighting with the Indian policemen, so he thrust his rifle with a long bayonet on the end of the barrel, at Crazy Horse.” The wound killed Crazy Horse. 

Drugs and Alcohol 

  • None 

Language 

  • None 

Supernatural 

  • None 

Spiritual Content 

  • None 

Code Talker

The United States is at war, and sixteen-year-old Ned Begay wants to join the cause—especially when he hears that Navajos are being specifically recruited by the Marine Corps. So he claims he’s old enough to enlist, breezes his way through boot camp, and suddenly finds himself involved in a top-secret task, one that’s exclusively performed by Navajos. He has become a code talker. Now, Ned must brave some of the heaviest fighting of the war, and with his native Navajo language as code, send crucial messages back and forth to aid in the conflict against Japan. His experiences in the Pacific—from Guadalcanal to Iwo Jima and beyond—will leave him changed forever.

Throughout World War II, in the conflict fought against Japan, Navajo code talkers were a crucial part of the U.S. effort, sending messages back and forth in an unbreakable code that used their native language. They braved some of the heaviest fighting of the war, and with their code, they saved countless American lives. Yet their story remained classified for more than twenty years. But now, Joseph Bruchac brings their stories to life for young adults through the fictional tale of Ned Begay.

While Code Talker includes pieces of Ned’s early life, most of the story focuses on Ned’s experiences in the war. While at the mission school, Ned and the other Indians were taught that “it was no good to speak Navajo or be Navajo. Everything about us that was Indian had to be forgotten.” This is one reason why Ned was eager to join the Marines. He wanted to use his “sacred language” to help the United States win the war. While in battle, the code talkers proved their worth by becoming an integral part of their battalions.

Ned and his battalion fought through the Pacific and often endured heavy fighting. Ned describes the battles without using gory details; however, many people were killed and wounded, and these scenes may upset sensitive readers. Since the story includes Ned fighting many battles, the fight scenes become repetitious, and the story begins to drag. Another downside of the book is that none of the supporting characters are well-developed, and they lack unique personalities. Nevertheless, the supporting characters help readers understand that on the battlefield, Ned was able to make lasting friendships that helped him through this difficult time.

When Ned returned home after the war, he still faced discrimination. “It didn’t matter that I had fought for America. It didn’t matter that I had made white friends who would have sacrificed their lives for me when we were at war.” Some people only saw Ned as “another stupid Navajo.” Despite this, Ned learned to be “self-confident as a Marine, to believe that I could succeed in even the hardest battle.” Ned’s self-confidence and pride in his culture are inspiring, and Code Talker shines a light on how the Navajos were a critical component of winning the war. Anyone interested in history will find Code Talker a worthwhile read, especially because the Navajo code talkers’ role was kept a secret. In fact, it wasn’t until 2001 that Congressional Gold Medals were given to the Navajo and other code talkers.

Sexual Content

  • None

Violence

  • When the Americans came to the Navajos’ territory, “the Americans made war on all of the Navajos. They burned our crops, killed our livestock, and cut down our peach trees. They drove our people into exile. They sent us on the Long Walk.”
  • At the mission school, the principal heard Ned speak Navajo. The principal “slapped his hand over my mouth and picked me up under his arm like I was a little puppy who had done something bad. He carried me inside to the sink where there was a bar of brown soap. . . forced me to open my mouth, and then shoved that big, wet bar of soap into it. . . I choked and coughed and thought I was going to die.”
  • The children who refused to give up Navajo “were beaten with heavy sticks. . . Sometimes [the principal] would beat the boys and girls so badly that they would not be able to walk the next day.” One boy who refused to speak English was “taken into the cold stone basement and chained in a dark corner. He was kept there for a week with nothing to eat but pieces of stale bread and nothing to drink but water.”
  • When Ned goes into battle, he often describes the violence he witnesses so not all of the violence is listed below.
  • When Ned and his unit got to Guadalcanal, “shells landed all around [the American soldiers] . . . They heard the crack of the .25 caliber rifles of hidden snipers. . . There were plenty of bodies. Taking care of the American dead was the first priority in combat and as a result, the bodies of the Japanese soldiers were often left unburied for days.”
  • In Guadalcanal, “although the Japanese said they were liberating the island, they used the native people like slaves, beating or killing them if they tried to escape. . . [One man] had terrible scars all over his chest from when the Japanese had tied him to a tree and tortured him by stabbing him with bayonets.”
  • The American soldiers waded through the water to get to the beach. “The noise of hostile fire, the sound of men crying out as they were hit by shrapnel and bullets, we kept pushing forward.” Ned’s friend was injured by shrapnel, and Ned knotted a bandage around the wound. Ned learned that “seventy Marines [were] killed or missing. Another 124 wounded.”
  • The Japanese set up booby traps. “Two Marines had just been wounded in their arms and legs by shrapnel when they tried to retrieve a seemingly discarded .35 caliber Japanese machine pistol.”
  • Ned took a message to the Second Battalion, but they thought he was a Japanese soldier. An American soldier “stuck me right in the back with a bayonet. Before it could sink in, I rolled headfirst into a foxhole.” Someone recognized Ned and saved him from further attack.
  • Ned’s battalion was sent to the Mariana Islands to fight the Japanese. “The Marines stopped them with machine gun fire. The enemies fell like tall grass cut by a scythe. . . The Japanese women and children ran from the Marines in terror. They’d been told that Americans were devils who would kill and torture them.” The people were so afraid of the Americans that “they didn’t allow themselves to be captured. They blew themselves up with grenades. They climbed to the tops of cliffs and threw their children off before hurling themselves into the rocks below.”
  • Ned walked through one town that looked “broken.” “No living people were to be seen, but there were many bodies of native people, who’d been slaughtered by the angry Japanese as they pulled back.”
  • When night came, the Japanese attacked. “Many of those attackers were killed by our machine guns, but others fought through. Each time a wave of attackers was wiped out, another human wave came screaming in . . . Thirty-five hundred enemy soldiers had died, including many of their high officers.”
  • Ned was out in the jungle and described, “One moment I had been walking along. The next I heard a sound like the buzzing of an angry bee just as something slapped me on my shoulder. . . when I looked at my shoulder I saw blood welling out and felt my knees getting weaker.” Ned recovers from his injuries.
  • During a battle, “tracer bullets stitched the air above our heads. Once again I heard the sound. . . the dull thud, between the sound of a slap and a bunch, of a bullet hitting the body of a human being. I heard it again and again, followed by cries of pain from those who were not killed when burning pieces of lead struck them.”
  • While in the thick of battle, Ned heard a cry from his friend Georgia Boy who was “holding his own throat. Blood was spurting through his fingers, and his helmet had been knocked off . . . Someone was yelling for a medic. It took me a moment to realize that the person was yelling in Navajo. . . Then I realized I was the one doing the yelling.” Georgia Boy survived.

 Drugs and Alcohol

  • When some of the men had free time, they drank heavily. “When they were drunk, they no longer could think of those things. Some of our Navajo code talkers joined in the heavy drinking. After the war, they still kept on with that drinking to try to keep that terrible world of war out of their minds”
  • On New Year’s Eve, some of the men drank beer. Ned and his friend poured beer over each other.

Language

  • Some of the soldiers called the Navajo code talkers “Chief.” Ned “knew that my own white friends who called me Chief didn’t mean to insult me and I didn’t want to hurt their feelings by correcting them.”
  • A General said, “We’ll catch seven kinds of hell on the beaches and that will be just the beginning. The fighting will be fierce and the casualties will be awful, but my Marines will take the damned island.”

Supernatural

  • Some American soldiers wore cotton waistbands called sennimbari, or Cloth of a Thousand Stitches. “They believed that those sennimbaris had the power to protect their wearer from being hit by enemy bullets.” Ned doesn’t believe the sennimbaris can save people.

Spiritual Content

  • After the Navajos were forced on the Long Walk, “Our people prayed. They did a special ceremony.” Afterward, the Navajos were allowed to return home.
  • Before Ned went to the reservation school, his uncle “had been praying life would not be as hard for me at school as it had been for him…”
  • The Navajo “men and women always kept their hair long. It was a sacred thing. Cutting your hair was believed to bring misfortune to you.” Despite this, when the Indians got to the mission school, their hair was cut off.
  • Since the school was a mission school, some Navajos belonged to the Catholic church. Ned’s parents “had been baptized and went with us when we attended church. But being Catholic did not mean we would forget the Holy People and our Navajo Way.”
  • A Marine said, “You know. . . That Golden Rule and those other things that Jesus Christ said people needed to live by? Well, that Golden Rule and those other things he did makes me believe that maybe Jesus was a Navajo.”
  • Before Ned goes off to war, he is given a Blessingway. During a Blessingway “many family members and friends and well-wishers gathered around the hogan, all of them putting their minds together to wish success and goodness for you.” Corn pollen is “sprinkled on the earth into crosses where you kneel. Then you, too, are blessed with that pollen. . .”
  • Before Ned is shipped out, he “rose before dawn and prayed with my corn pollen. I asked the Holy People to remember me and help keep me safe on the ocean from the monsters that hid beneath its surface.”
  • Before going out to battle, Ned “reached down to touch my buckskin pouch filled with corn pollen. I had prayed earlier that morning, but now I whispered the words again in our sacred language, asking the Holy People for protection.”
  • The Navajo “tradition tells us that we must avoid the bodies of those who have died. A bad spirit sometimes remains around the corpse. To even look upon the body of a dead person may make you sick.”
  • Ned’s parents sent him a letter saying, “We are continually praying in church for your safety and for our other Navajo boys over there. We are praying for your quick return home.”
  • Ned sent his unwashed battle fatigues home “to stand for me in a protection ceremony. . . On the day when prayers and songs would be offered to ask help for me, my clothes would be there, in the hands of my family. On that day I would feel the presence of the Holy People.”
  • When Ned got to Iwo Jima, “I faced the east, took a pinch of pollen from my pouch, and placed it on my tongue. I put a little dab of pollen on top of my head and spoke to the Holy People. ‘Let me have clear thoughts, clear speech, and a good path to walk this day,’ I prayed.”
  • When the atomic bomb was dropped on Japan, Emperor Hirohito talked over the radio. “It was a shock to those people in many ways, grandchildren. None of them ever expected to personally hear their emperor. Remember that Hirohito was a distant god to them. They had never heard a god’s voice before.”
  • When the atomic bomb was dropped on Japan, Ned prayed “that such bombs would never fall on human beings again.”

Missing in Action

Dirty. Lazy. Good-for-nothing.

Jay Thacker is used to being called names because his dad is half Navajo. But he gets a chance at a new life and a new identity when he and his mom move to the small town of Delta, Utah to live with Jay’s grandfather. In Delta, Jay can convince everyone, and maybe even himself, that his dad—who is missing in action as he fights in WWII—is really a POW and military hero, and not gone forever.

As the summer wears on and Jay finds himself growing up a little faster than he expected, he learns to look at some truths that had previously been impossible to face. Truths about his father; about Ken, his new friend from the Japanese internment camp nearby; and about himself, too. 

Jay, a ten-year-old boy, is an interesting character; however, readers may struggle to connect with him. Jay believes that people will look down on him because he looks like his father, who is half Navajo. To make matters worse, Jay wrestles with conflicting emotions about his abusive father. Jay pretends that his father is a war hero, but this doesn’t stop bad memories from invading his thoughts. Jay also refuses to believe his father is dead, even though there is no way his father could have survived the bombing of his ship. In the end, Jay accepts his father’s death but he never deals with the negative emotions associated with his father. 

Jay feels self-conscious because he looks like an Indian, and this affects how he interacts with others, especially Ken, a teen farmworker who lives in the Japanese Internment Camp. At first, Jay tries to keep his distance from Ken, but Ken’s humor and honesty make it difficult for Jay to dislike him. When others are around, Jay tries to pretend that he doesn’t know Ken. Jay thinks, “Gordy [his friend] didn’t seem to care if he was part Indian, but what would he say if he found out he worked with a Jap? Then he’d probably be a dirty Indian, not a Chief.” 

Because Jay struggles with accepting himself, he often makes decisions based on how others might perceive him. Instead of standing up for himself and being honest about Ken’s friendship, Jay allows Gordy to push him around. Jay wants to fit in and make friends, but Gordy is mean and doesn’t respect Jay or the other boys. For instance, Gordy often uses derogatory names such as calling Jay “Chief” and Ken a “Jap.” Both Jay and Gordy are unlikable characters without healthy boundaries which makes it hard to become emotionally invested in their conflicts.   

Missing in Action explores several serious topics including prejudice against Native Americans and Japanese Americans. It also explores family violence and Japanese-American internment camps. However, Jay never fully embraces his Navajo heritage and he only has one brief experience at the internment camp. While the book is an accurate depiction of the time, it doesn’t do enough to dispel the harmful perceptions of Native Americans and Japanese Americans. The multiple themes are wrapped up in an unrealistic and unsatisfactory conclusion that doesn’t shine a light on Jay’s character growth.  

If you’re interested in learning more about the history of World War II, Missing in Action is worth reading. However, if you want to learn more about internment camps, the picture book Baseball Saved Us by Ken Mochizuki would be an excellent addition to your reading list. If you’d like a book that mixes history with baseball action, read the Baseball Card Adventure Series by Dan Gutman. 

Sexual Content 

  • One of Jay’s new friends, Gordy, tells a story about how him and another kid “snuck up on some girls skinny-dipping down at the canal. We watched ‘em for a while, and then we started hollering that would could see ‘em and they about drowned trying to stay under the water. It didn’t matter. They didn’t have much of anything anyway.” 
  • Gordy says he knows what a girl’s body should look like because he accidentally saw his sister naked. “I know it ain’t like those flat-chested girls we seen down at the canal.” 
  • Gordy wants to be a professional baseball player so “all the girls want to smooch with him after the games.” Gordy asks Jay if he has kissed anyone. Then Gordy says, “I kissed Elaine Gleed one time. I chased her down at recess, back in fifth grade, and I tried to kiss her on the lips, but she turned her head.” 
  • Gordy wants to learn how to dance so he can “take old Elaine to a dance sometime, and she’ll wear a dress. . . all low in the front—and I’ll take a look right down her neck while I’m dancing with her.” 
  • When Gordy was in fourth grade, he and a friend “tried to hide under the stairs, over at D. Stevens department store, and look up girls’ dresses. . . But the only thing we seen was a big old lady wearing a girdle with all those straps to hold up her stockings. It made us both want to puke.” 
  • Jay’s father was unfaithful and “went out with other women.” Jay remembers him bringing home a woman. “Dad put him to bed early, but he hadn’t gone to sleep. . . He had heard his dad talking to someone, heard his voice all slurry, the way it was when he drank, and he’d heard a woman laugh.” 

Violence 

  • While talking about Jay’s father, Jay tells Gordy that his father may be a prisoner of war. Gordy replies, “The Japs starve people and torture ‘em. They pull out their fingernails with pliers—all kinds of stuff.” 
  • Gordy says that Japs are “about the worst people in the world—except for Nazis. They bombed Pearl Harbor . . . for no reason at all. . . They were ugly little yellow guys with glasses.” In the war, they “kept coming and coming, dying until they were stacked up like cordwood. They like to torture people too.”  
  • Gordy says he heard on the radio that, “Our air corps guys shot down fifty Jap planes yesterday. Something like that. I think they said more than fifty. If it keeps going like that, we’ll wipe out every plane the Japs have.” 
  • Gordy, Jay, and some other guys go out into the desert to hunt. Gordy shoots a horny toad. “Jay watched the lizard, still twitching. Its legs were working, like it was trying to run, but it was on its back and most of its middle was torn away.” 
  • Because of peer pressure, Jay kills a bird. Jay “was surprised when he saw a puff of feathers. The sparrow leaped up, like it was going to fly, but then it rolled in the air and dropped behind the brush.” 
  • One boy repeats his father’s words about the people living in the internment camp. The Japanese “don’t have guns out there at the camp. . . but some of those guys hide away knives and stuff like that. Japs are sneaky, and if they can, they’ll figure out a way to crawl into your bedroom and cut your throat.” 
  • Gordy starts talking about girls and Jay gets upset. Gordy says, “‘You better watch it, Chief. You mess with me and I’ll scalp you.’ He jumped up and got him in a headlock, grabbing some of his hair, and pretending that he was hacking away at some of it.” Jay “threw him off” and the fight ended. 
  • Ken, a Japanese American, wants to join the war to prove that he’s “somebody.” Ken plans to join the war and “kill about a thousand Krauts.” 
  • Jay’s father was abusive. Jay remembered that, “His dad had spanked him a lot, had slapped him hard across his legs, his back. And he had screamed at Jay, calling him filthy names, accused him of things, called him ‘worthless.’ Always that word.”  
  • Jay gets upset and begins yelling at Ken. Ken tries to get him to calm down, but “Jay charged him, thrust his hands into Ken’s chest, sent him flying backward. Ken struck the table as he went down, shoving him in the back. The plate and the glass of milk flew. . .” After Ken falls, Jay runs away.  
  • During a baseball game, “a tall kid who had been on first was barreling in hard. He slid with his foot high, caught Jay in the chest, and sent him flying. Jay landed on his side and rolled over in a puff of dirt, like smoke. His vision was swimming.” Gordy hits the kid’s jaw, “then rolling over on top of him. . . He popped Gordy in the eye, and went down again.” Ken breaks up the fight.

Drugs and Alcohol 

  • Jay’s dad would go out at night to dance. When he came home, he smelled of smoke and beer. 
  • When Jay was younger, he wanted to play baseball with his father but, “his dad had been drinking beer.” 
  • Jay’s dad used to smoke and sometimes his mom would drink with his father.  
  • Jay jumps into a train car and discovers three men. One man is a drunk. The men begin arguing, and one says, “I ain’t like these two. I may take a drink now and then, but I ain’t no wino. Jak here, he’s feebleminded now, his brain all burnt up from drinking anything he can find with alcohol in it.”

Language 

  • The book contains many microaggressions and derogatory language towards both Native Americans and Japanese people. 
  • There is some name-calling. For example, one of the kids calls the other team’s baseball players “sad sacks” and “boneheads.”  
  • Most of the name-calling is said by Gordy. For example, Gordy calls Jay “Chief” because Jay, “Look[s] like an Indian.” He also refers to a Japanese person as a “Jap” and says the Japs are “chicken.”   
  • Gordy tells one of his friends that his face “looks just like my butt.” He calls another person “four-eyes.” 
  • Gordy says, “A lot of Navajos are drunks. And they’ll steal anything that ain’t tied down.” 
  • While living in Salt Lake, some boys “had called [Jay] ‘Injun,’ and they ‘d made Indian noises, slapping their mouths and whooping.” 
  • Ken, a Japanese American, refers to Germans as Krauts. 
  • Jay’s grandfather uses darn and heck once. He says, “I was a heck of a ballplayer when I was a boy.”  

Supernatural 

  • None

Spiritual Content 

  • Jay’s grandfather, a patriarch in the Mormon church, encourages Jay to pray that his father will come home. Jay’s grandfather believes “God did answer prayers.” 
  • Jay’s mother wants him to go to church and “she wanted him to be a missionary someday. She wanted him to do everything right. . . and be careful about the kind of kids he ran around with.” 
  • When talking about Jay’s father being missing, his grandpa says “They had to trust God and have faith, and pray to God that his dad would come home. . . [Jay] prayed every night.” 
  • When Jay tells his mom that he has been praying for his father to come home, she replies, “But people die in war. That’s just the way it is. Every family prays, but Heavenly Father can’t bring all the boys home.” 
  • Jay tells his mom that his father isn’t dead, “but if you don’t pray and have faith he will be.”  
  • Jay and his grandfather discuss prayer. Jay’s grandfather says, “We have to trust the Lord. He knows what’s best.”  
  • Jay often prays that his father will come home. But neither his mom nor grandfather believe that Jay’s father is alive. Jay wonders, “What good did it do to pray, if they had given up? 
  • When Jay’s friend kills a horny toad, Jay says, “Navajos don’t kill anything unless there’s a reason. For food, or something like that.” Jay wonders “if the horny toad felt pain. He wondered if there was a heaven for animals. His grandpa Reid had told him that every life had a spirit. Maybe that was the same thing that Navajos believed.”  
  • Jay goes to a church-sponsored dance. 
  • Ken wants to join the war to prove himself loyal to America. Jay’s grandfather says, “What God wants is for us to stop shooting each other. That’s what I hope for you, that you never have to go to war.”  

Ground Zero

September 11, 2001, New York City: Brandon is visiting his dad at work, on the 107th floor of the World Trade Center. Out of nowhere, an airplane slams into the tower, creating a fiery nightmare of terror and confusion. And Brandon is in the middle of it all. Can he survive — and escape? 

September 11, 2019, Afghanistan: Reshmina has grown up in the shadow of war, but she dreams of peace and progress. When a battle erupts in her village, Reshmina stumbles upon a wounded American soldier named Taz. Should she help Taz — and put herself and her family in mortal danger? 

Two kids. One devastating day. Nothing will ever be the same. 

Ground Zero focuses on Brandon and Reshmina’s perspectives. Although the protagonists’ time periods are different, the chapters switch perspectives every other chapter. This makes both characters’ conflicts feel immediate and allows readers to see the parallels between Brandon and Reshmina’s stories. Even though both protagonists are young, they are forced into life-and-death situations that show the evils of terrorism. In addition, both Brandon and Reshmina lose an innocent family member who is killed due to no fault of their own.  

Brandon’s and Reshmina’s stories explore the complicated relations between Afghanistan and America. Neither of the protagonists understands why the violence is happening to them. All they know is that violence has caused death and destruction for those around them. One issue that is briefly discussed is how “big countries made money selling weapons to little countries [Afghanistan]. Who they killed with those weapons wasn’t any of the big countries’ concerns.” In the end, Ground Zero leaves the reader wondering if the United States has become a “bully” to Afghanistan. 

Readers will feel compassion for Reshmina and come away with a new understanding of how the Taliban treats girls. Even though Reshmina lives in a village where girls have few rights, she still dreams of becoming an interpreter. This dream propels her to study hard and gives her hope for the future. When Reshmina sees a wounded American soldier, she is reluctant to help. But when the soldier asks for assistance, Reshmina takes him home, and her family agrees to give him refuge. This causes a myriad of problems for Reshmina’s family and village. Afterward, Reshmina wonders if helping the soldier is the right thing to do. This experience helps her realize that “Moving forward was scary. Sometimes you make mistakes. Sometimes you take the wrong path. And sometimes, even when you take the right path, things could go wrong. But Reshmina realized that she wanted—needed—to keep moving forward, no matter what.”  

Ground Zero helps readers understand the events of 9/11 and the lasting impact 9/11 had on Afghanistan. While both Brandon’s and Reshmina’s stories are compelling, Reshmina’s side of the story makes readers question the nature of war. Both protagonists describe violence, and some of the descriptions are graphic and disturbing. After reading Ground Zero, readers will be able to visualize what happened in the Twin Towers after the planes crashed into them as well as the destruction of Reshmina’s village. Since Ground Zero explores how 9/11 changed America and Afghanistan, younger readers may have difficulty processing the difficult topic.  

Mature readers will find Ground Zero compelling and thought-provoking. However, readers who are interested in learning more about 9/11 without the graphic images may want to read Towers Falling by Jewell Parker Rhodes, Molly and the Twin Towers: A 9/11 Survival Story by Jessika Fleck or I Survived the Attacks of September 11, 2001 by Lauren Tarshis. 

Sexual Content 

  • None 

Violence 

  • Because the story focuses on the terror attacks and a war, not all of the book’s violence is described below. 
  • A boy at school brought “these Wolverine gloves to school, like from the X-Men movie. And Stuart Pendleton stole them and wouldn’t give them back!” Brandon hits Stuart Pendleton in the nose. Brandon said, “Once I saw his nose was bleeding, I helped him up and took him to the nurse’s office.” 

World Trade Center, 2001 

  • A group of people are stuck on an elevator that keeps sliding down the shaft. A woman decides to run through a fire to get out of the elevator. “The woman burst into flames. She screamed and beat at her burning hair as she collapsed to the floor. . .” The woman rolled, and a man “beat the last of the flames with the wet shirt he carried.” The woman’s “hair was gone, and her hands and arms were burned. Badly. . . The burned woman wept. Blisters were forming all over her body.” The scene is described over two pages.  
  • After the woman gets out of the elevator, it falls. “The four people in it were surely dead.” 
  • Brandon watches as an airplane flies into the South Tower. “Suddenly a bright orange fireball erupted from the side of the South Tower facing them.” This is when people began to realize that it wasn’t an accident, that instead the planes had purposely flown into the towers. 
  • Several times, Brandon mentions people falling to their death. As Brandon is leaving the tower, “Out on the plaza between the North Tower and the South Tower were bodies. And parts of bodies. Broken, bloody things too awful to think about. . . A piece of metal crashed into the plaza—SHANG!—and Brandon flinched. The big beam was immediately followed by something white and blue and brown plummeting down from above, and it hit the ground with a sickening THUMP!” 
  • In the lobby of the tower, Brandon saw “dozens, hundreds of bodies were lined up in rows across the floor. Some of them were missing limbs. Others had open wounds. Paramedics moved the burned, broken, and dying people, doing what they could.”  
  • When the tower falls, “with a roar like a garbage truck, a blast of smoke and dust lifted Brandon off his feet and hurled him into darkness.” 
  • When Brandon gets out of the tower, he sees people falling from the North Tower. “People were still jumping from the tower, falling ninety floors to their deaths. They dropped out of the thick black smoke that engulfed the top of the building with alarming speed, arms and legs flailing. Brandon saw one man reaching, grabbing as he fell, too far from anything to stop himself, his tie sticking straight up in the air above him.”  

Afghanistan, 2019  

  • When the Taliban ruled Afghanistan, “the Taliban beat men for not growing beards, massacred families, burned down schools, and put on public executions in the soccer stadium in Afghanistan’s capital, Kabul. . . [they] beat women who left their houses without a male family member, and sold girls into slavery.”  
  • Reshmina’s sister, who was only 16, is killed on her wedding day by an American drone. Reshmina watched as “something small and black detached from the drone and streaked out toward the front of the parade. Toward her sister in her beautiful wedding dress, surrounded by all her friends. Reshmina remembered the whoosh of the missile, the gray trail of smoke behind it and then—” 
  • The Taliban lures the American army into Reshmina’s village. When the army attacks, Reshmina runs home. “THOOM. The ground rocked from a nearby explosion, and dirt rained down from the ceiling. . . Gunfire erupted close enough nearby to rattle the dishes, and Reshmina and Marizia huddled together against the wall. . . The shooting and explosions didn’t seem to bother the baby. He was already used to it.”  
  • Reshmina gets into an argument with her mother. Afterward, Reshmina’s grandmother explains: “When your mother was six, her father was killed by a missile while he was praying in his backyard. When she was your age, her older brother was killed by the Taliban for no reason that has ever been explained to her. Her husband—your father and my son—had his leg mangled by an old Soviet mine right after they were married. . . . Hila was killed by an American bomb.”  
  • After a battle between the Taliban and the Americans, Reshmina finds an injured American soldier. “His face was charred like a scorched pot, and there were dark, wet spots on his uniform. Blood, Reshmina realized. . .”  
  • When Reshmina’s brother decides to join the Taliban, she follows him in order to stop him. While they are arguing, a helicopter appears. “A rocket streaked from one of the Apache’s wings straight toward the ridge where the Taliban had been standing moments before, and F-THOOM!—the hillside exploded. Boulders broke loose from the mountain and tumbled down toward Reshmina.”  
  • The Taliban shoots at the helicopter. “The helicopter descended, getting closer and closer, and the sound of bullets hitting the hillside got louder and louder. . .” The attack is described over seven pages. It is unclear if anyone died.   
  • Reshmina tries to physically stop her brother, Pasoon, from leaving to join the Taliban. “Pasoon hit her hard on the side of her face with his open palm. The blow was so sudden, so brutal, it sent Reshmina to her hands and knees. Rocks cut into her palm. . . Reshmina tasted blood where she’d bitten her own tongue, and her face burned. . .” Pasoon leaves. 
  • The Taliban and Americans battle in Reshmina’s village. “An assault rifle barked, and another fired back. The villagers screamed. . . Taliban bullets struck the guard, and he fell to the ground, dead. . . Huge blasts rocked the village above them, and three more houses exploded in clouds of rock and splinter.” The villagers hide in a cave while their homes are completely destroyed. The battle is described over six pages.  
  • The Taliban dropped a bomb on the cave and “the whole ceiling fell in . . . Reshmina explored the rockfall, looking for a way through. She stopped when she saw the legs of some poor soul sticking out from under a boulder, the rest of the woman’s body crushed in the cave-in.” Later, Reshmina learns that “a few died,” but most of the village survived the cave-in.   

Drugs and Alcohol 

  • Reshmina discovers a field of Poppies. “People didn’t grow poppies for their pretty pink colors. Poopy seeds had a gummy substance that was the raw material for heroin. . . For many Afghans hurt by decades of war, it was the only kind of medicine they could find to erase the suffering—and their awful memories.” 

Language 

  • When the elevator swings back and forth, a man says, “What the hell—.” 
  • When Brandon is trying to find his father, his path is blocked by debris. Brandon repeats “crap” six times. Later, a man says, “Holy crap.” 
  • Oh my God and Good God are used as exclamations several times. 
  • Jesus, damn, and dang are all used once. 
  • Reshmina calls her brother a snake, an idiot, a cowardly worm, stupid, and son of a donkey. 
  • An American soldier has a tattoo that says, “Damn the Valley.” He explains, “This valley [where Reshmina lives]—it kills our friends and ruins our lives.” 
  • An American soldier says, “Dadgum.”  

Supernatural 

  • None 

Spiritual Content 

  • While leaving the Twin Towers, a woman says, “God bless you,” to a firefighter. 
  • When the Taliban and Americans fight near Reshmina’s village, Reshmina prays, “Dear God, please keep Baba and Pasoon safe out there.”   
  • When Reshmina finds an injured American soldier, she thinks about leaving him to die. But when the soldier “specifically asked her for help,” Reshmina is conflicted. “Just as Pashtunwali gave her the right for revenge, it also said that when a person asked for help or protection, no Pashtun could refuse—no matter who was asking, friend or foe.” Pashtunwali is the tribal code of the Pushtan people from Afghanistan, which Reshmina follows. Reshmina allows the soldier to follow her home.  
  • A textbook from Reshmina’s school said: “J is for Jihad. Jihad is the kind of war that Muslims fight in the name of God to free Muslims and Muslim lands from the enemies of Islam.” 
  • While hiding from a battle, Reshmina and her brother hide with a group of Nomads called the Kochi. When the Kochi pray, “Reshmina and her brother felt obligated to join them. . . God was forgiving and merciful and would still accept their prayers if He willed it. Better to pray than to not pray, their father always told them.” 
  • As Reshmina prays, she asks, “Please help turn my brother’s heart from revenge. Please show him another path.” 
  • Reshmina asks God for a du’a. “A special request in a time of need. . . God promised to answer a du’a in one of three ways. The first. . . was when God gave you what you asked for. . .The second was to give you what you prayed for, but at some later date. The third was to not give you what you asked for at all, but instead to prevent some other hardship or injury from happening to you.”  
  • After several villagers die, Reshmina’s father says, “To God we belong, and to God we return.”  

Breaking Stalin’s Nose

Ten-year-old Sasha Zaichik wants nothing more than to join the Soviet Young Pioneers. After all, he has had their laws memorized since he was six years old: 

  • A Young Pioneer is devoted to Comrade Stalin, the Communist Party, and Communism.  
  • A Young Pioneer is a reliable comrade and always acts according to conscience.  
  • A Young Pioneer has a right to criticize shortcomings.  

But the night before Sasha is to join the Young Pioneers, his father is arrested. Sasha knows this is a mistake. His father, after all, is a devoted communist. But as bad turns to worse and events spin out of control, Sasha begins to realize that not everyone’s life is full of faith in Comrade Stalin.  

As Sasha begins to see how the Soviet Union treats those who are not in favor—those with family who have been arrested, those who refuse to be a snitch and give the Secret Police names or those who simply do not obey fast enough or fervently enough—Sasha begins to doubt that he wants to join the Young Pioneers after all.  

Eugene Yelchin’s first-hand experience living in the Soviet Union shines through in this intimate and heart-breaking story about Sasha. The details of daily life in the Soviet Union will fascinate readers: from living in a communal apartment to admiring pictures of Stalin and singing Communist songs. But the heart of the story comes from Sasha’s relationship with his father and his emotional journey once his father is arrested.  

Readers will relate to the deep love and trust Sasha has with his father. When he is arrested, Sasha does not doubt his father for a moment. Sasha knows the arrest was a mistake, and trusts Stalin will soon realize this and release his father. It’s only as events continue to unfold—and new facts come to light—that Sasha begins to lose the rose-colored glasses with which he has been taught to view the world.  

Breaking Stalin’s Nose is a wonderful story that will help readers understand life in the Soviet Union. It provides a glimpse into how fear, propaganda, and glorification of Stalin led so many people to obey the Communist reign. Sasha’s authentic voice and deep love for his father make him a relatable narrator. While Sasha fully believes in Stalin at the beginning of the book, his emotional journey to deciding for himself if it’s right to join the Young Pioneers emphasizes the importance of thinking for oneself and not blindly accepting people in authority.  

In the end, Sasha chooses to follow the path that he feels is right. While the future seems bleak, Sasha is at peace with his decision and has hope that one day there will come a better future for the Russian people. For anyone interested in the Soviet Union, this story is a must-read. Its plot takes place over two days yet is packed with cultural and emotional punch that will stay with readers long after they turn the final page.  

Sexual Content 

  • None 

Violence 

  • State Security comes to arrest Sasha’s father in the middle of the night. “When I get to the room, Dad is sitting on the floor, holding his ear. The officer’s leather belt creaks as he turns to look at me . . . this close, I see [my father’s] ear is bleeding.”  
  • Sasha tries to get into the Kremlin to ask Stalin to release his father. When the guards see him, one “swears, steam bursts out of his mouth, and he plunges his enormous mitten into my face. I duck under and run. The guard blows a whistle and the other whistles join in. Suddenly, guards are everywhere. One slips and falls, and his pistol goes off like a whip crack.” Sasha is unharmed.  
  • At school, the students gang up on a kid they call “Four-Eyes” during a snowball fight. “Vovka is lifting a snowball, but he doesn’t throw it at me. He throws it at Four-Eyes. Several kids join Vovka and line up into a firing squad. They hurl snowballs at Four-Eyes and he covers his face to protect his glasses.”  
  • Sasha doesn’t feel like throwing snowballs at Four-Eyes, but other kids cry, “Traitor! Enemy of the people!” Vovka declares that “Who’s not with us is against us.” Sasha gives into the pressure and “before I know what I’m doing, I grab the snowball from Vovka’s hand and throw it at Four-Eyes. There’s a loud pop as it hits him in the face. The eyeglasses snap, glass splinters and one shard cuts his cheek.”  
  • Vovka takes a banner from Sasha and “jabs me in the stomach.”  
  • To quiet a crowd, a man “pulls out his pistol, and points it at the ceiling.” He does not fire the weapon.  
  • When the students are walking in a line, Sasha stops and “someone punches me in the back” so that Sasha will “fall in with everybody again.”  
  • After being repeatedly taunted by his teacher—Nina Patrovna—Vovka “flies at Nina Patrovna, grips her by the throat, and begins strangling her. Nina Petrovna’s face turns red and her eyes bulge. She makes gurgling noises and starts kicking up her legs. Nina Petrovna and Vovka knock things to the floor and bump into desks.” Vovka is dragged off to the principal’s office.  
  • While at the principal’s office, Vovka “bumps into Nina Petrovna, who is walking out; she shrieks and leaps back. Vovka gives her a nasty grin and goes in.”  
  • Sasha climbs on a desk with a banner and sings “A Bright Future Is Open to Us.” The teacher chases him, trying to get him to stop. The teacher “tries to grab my foot, but I’m faster. I hop from desk to desk, shouting the song and waving the banner. Nina Petrovna chases after me. Everyone’s laughing. Then I miss a desktop and go down, and right away she’s on top of me, screeching and wrestling the banner out of my hands.”  
  • When the teacher is accused of breaking Stalin’s statue, State Security guards “twist Nina Petrovna’s arms and drag her to the door. She screams and kicks and tries to hold on to nearby kids. They duck under her arms, laughing.”  
  • When Sasha goes to visit his father in prison, a guard yells “Step back!” The guard “aims the rifle at me. He looks like he’d shoot a kid, so I stop.” The guard directs Sasha to get in a line. 

Drugs and Alcohol 

  • The nose is accidentally broken off of a Stalin statue; Sasha imagines the nose is talking to him. “By the window hangs a cloud of tobacco smoke so thick, I can’t see who is talking . . . the smoke drifts away, and now I see who’s sitting in that chair—Comrade Stalin’s plaster nose, and it’s smoking a pipe!”  
  • When speaking to a State Security Senior Lieutenant, Sasha thinks “this close, I can smell him. Tobacco, sweat, and something else. Gunpowder, I decide.”  

Language 

  • When Sasha’s father is awarded the order of the Red Banner, Comrade Stalin calls him “an iron broom purging the vermin from our midst.”  
  • Sasha is called an “Amerikanetz” because his mother was American. The term is considered an insult.  
  • A Jewish kid is mocked and called Four-Eyes. “Four-Eyes is Borka Finkelstein, the only Jewish kid in our class . . .we call him Four-Eyes because he wears eyeglasses. Anybody who’s not a worker or a peasant and reads a lot, we call Four-Eyes.”  

Supernatural 

  • None 

Spiritual Content 

  • None 

Our Violent Ends

The year is 1927. The chaos of the previous year has done nothing to quell the blood feud between the Scarlet Gang and the White Flowers, and the streets of Shanghai are still rife with death and violence. But this is not only the work of the blood feud—foreign powers have increasingly become intertwined with the rival gangs, leading to talk of a brewing civil war. The possibility of peace feels further away than ever.  

The madness no longer sweeps through the streets like a contagion, infecting everyone it comes across, but that does not mean the madness has left the city for good. Monsters disguised as ordinary people still prowl through the streets, launching targeted attacks in crowded areas that cause everyone in the vicinity to rip their own throats out. It may no longer spread, but it is no less deadly.  

Betrayal, heartbreak, and death make all hope of reconciliation between Roma and Juliette seem impossibly far away. They miss each other terribly, but at the same time cannot forgive each other’s terrible actions. But when their fathers, in a rare show of cooperation between the Scarlets and the White Flowers, order Roma and Juliette to work together to find a cure for the new madness, they are once again thrown together and forced to cooperate. Their reconciliation is a relief to both of them as they realize how powerful they are together. But are they enough to save their city? The universe is never kind to star-crossed lovers, and they may just have to choose between saving Shanghai or themselves. 

Our Violent Ends is a dazzling conclusion to Roma and Juliette’s story. The prose is vivid, rich, and imaginative, and it fully immerses readers in Roma and Juliette’s world. While Our Violent Ends is on the longer side, there is never a dull moment – scenes packed with action transition smoothly into heartfelt confessions that will leave readers on the edge of their seats. Several subplots create many moving parts that all work together to culminate in a grand finale.  

The rich cast of characters is another factor that makes this novel a thrilling read. The narration switches between many points of view, allowing readers to inhabit many of the characters’ heads and get to know them and their motivations. The relationship between Roma and Juliette is an extremely complicated one, and these nuances are fully explored; neither character is perfect, and their circumstances often force them to hurt each other, but they ultimately work through their flaws to find a middle ground. 

Our Violent Ends is a great modern retelling of Shakespeare’s classic Romeo and Juliet. Like the play, this novel emphasizes the immense harm that hatred causes and reminds readers that unfounded hate leads to dreadful violence. Teens who enjoy intricate plots and cutthroat characters will love this book and think about Roma and Juliette’s story long after they close the final page. It is a satisfying conclusion to the duology begun by These Violent Delights. Fans of Romeo and Juliet may also want to read Crossing the Line by Simone Elkeles and Prince of Shadows by Rachel Caine. 

Sexual Content 

  • Roma and Juliette kiss in a safe house. “Roma pressed his lips to hers with such ferocity that Juliette gasped, the sound immediately muffled when she pushed herself up and drew closer. Despite his burning energy, Juliette felt Roma’s mouth move with sincerity, felt his adoration while he trailed kisses all down her neck. ‘Juliette,’ he whispered. Both of their coats came off. Roma had the zip of her dress pulled in seconds too, and Juliette lifted her arms to accommodate. ‘My darling, darling Juliette.’ The dress fell to the floor. With some disbelief, Roma suddenly blinked, his eyes clearing for the briefest moment while she worked at his shirt buttons.” It is implied that they have sex, but not explicitly. 

Violence 

  • Juliette shoots a White Flower, wounding but not killing him. “Her pistol kicked. Juliette pressed back into her seat, her jaw hard as the man below dropped his weapon, his shoulder wounded.” 
  • During an altercation between the Scarlets and the White Flowers, Roma shoots, aiming for Juliette. “Roma reached into his jacket pocket and drew his gun, and Juliette had no choice but to jolt herself out of her daze. Instead of combating the would-be assassin, he had decided to shoot at her. Three bullets whizzed by her ear. Gasping, Juliette struck the floor, her knees grazing the carpet hard as she threw herself down.” The shot misses Juliette.  
  • Roma attacks Juliette. “He slammed her into the pipes. The effort was so forceful that Juliette tasted blood inside her lip, sliced by her own sharp teeth. She stifled a gasp and then another when Roma’s hand tightened around her throat, his eyes murderous.” Juliette defends herself: “Just as Roma shifted forward, perhaps intent on his kill, her hand closed around the sheath beneath her dress and pulled her blade free, slicing down on whatever she came in contact with first. Roma hissed, releasing his hold. It was only a surface cut, but he cradled his arm to his chest, and Juliette followed close, leveling the blade to his throat.” The fight stops when they call a truce and agree to talk. 
  • A monster attacks unnamed patrons at a bar. “The cabaret becomes enswathed in black, an ever-moving blanket of infection, and in seconds, the first succumbs, hands flying to throats and clutching, clutching, clutching, trying to squeeze the insects out. Nails break into skin, skin splits for muscle, muscle parts for bone. As soon as blood spurts from one victim, inner flesh exposed and veins pumping red, the next is already tearing before they have a moment to feel the visceral disgust that comes with being soaked in hot, sticky gore.” All of the patrons die. 
  • Benedikt, Roma’s cousin, is attacked by Scarlets. “He didn’t even have the chance to pull a weapon. A blow came to the side of his face out of nowhere, then Benedikt was reeling, crushed to the ground amid shouting and cursing and someone calling for the death of his whole family. His arms were bent back and his head was pushed hard into the cement, before something ice cold, something that felt like the butt of a gun, jammed up against his temple.” He escapes uninjured when the Scarlets are all shot by a third-party sniper. 
  • Tyler, Juliette’s cousin, shoots and kills two White Flowers. “Tyler pulled the trigger twice in rapid succession, two White Flower heads cracking with an explosion of red, crashing to the ground. Chenghuangmiao [the market] erupted with a wave of screaming, but most shoppers reacted quickly and hurried out of the way, in no mood to be caught in a gangster dispute. They didn’t have to worry. This was no dispute; there were no other White Flowers nearby to retaliate.” 
  • Marshall, Roma’s best friend, kills a Scarlet who recognizes him. “The bullet landed true. With a harsh clatter, the Scarlet’s weapon fell to the floor. It might have been a gun. It might have been a dagger. It might have even been a throwing star, for all the consequence it held. But in the hazy dark, all Marshall cared about was it being out of reach, and then the Scarlet collapsed too, a hand clasped over the hole studded into his breastbone.” 
  • Tyler sets fire to a building full of White Flowers as a targeted attack because of the blood feud. “Juliette could see him, holding a plank of wood swirling with flames. Behind him, the building’s roaring inferno drowned out the screams, drowned out the whole occupancy burning to death. Juliette heard nothing save that they were pleading–women in nightgowns and elderly banging on the closed windows, muffled Russian crying to stop! Please stop! 
  • Juliette kills a White Flower who is attacking Tyler. “Without slowing her run, Juliette jumped over the threshold of the temple entrance and pulled the knife sheathed at her thigh. When she threw, the blade pierced into the White Flower’s neck smoothly, striking its target with nary a sound before the White Flower pitched sideways and fell.” 
  • During a fight, Roma throws a knife at Juliette, wounding her shoulder. “The pain did not come at first. It never did: a blade entering always felt cold and then foreign. Only seconds later, as if her nerve endings had finally registered what happened, did intense, sharp agony reverberate outward from the wound. . . Juliette managed, turning to look at the blade half-embedded in her shoulder, then at Roma. His jaw was slack, face drained of color. The wound, meanwhile, immediately started to bleed, a steady stream of red running its way down her dress.” Roma and his younger sister, Alisa, help stop the bleeding. Juliette is left with a scar. 
  • An unnamed foreman in a factory is killed by revolutionaries. “One slash, that’s all it takes. A knife over [the foreman’s] throat and he’s twitching on the floor, hands clasped around the wound in a futile attempt at holding the blood in. The red seeps regardless. It does not stop until he is naught but a body lying in a scarlet pool. It soaks the shoes of his workers, his killers. It is carried from street to street, the faintest red print pressed upon crumbling pavement and into the roads of the Concessions, marring stains upon the clean white sidewalks. This is what revolution is, after all. The trailing of blood from door to door, loud and violent until the rich cannot look away.” 
  • Lord Cai has Rosalind, Juliette’s cousin, whipped after finding out that she was spying for the White Flowers. “The lash came down again on her back, and Rosalind cried out, her whole body shuddering. They didn’t allow her to crumple to the floor: there were four Scarlets around her, two to hold her upright, one with the whip, and one standing just to the side.” Juliette defends her by “striking her fist across the guard’s face.” 
  • In a duel between Roma and Tyler, Juliette shoots Tyler, killing him. “Both her hands came around her smoking pistol. There was no room for regret now. She had done it. She had done it, and she could not stop there. She turned, and with a sob choked on her tongue, she shot each and every one of Tyler’s men before they had even comprehended what was happening, bullets studding their temples, their necks, their chests.” 
  • A Scarlet shoots a man named Da Nao because he is helping Roma and Juliette escape the city. “The Scarlet fired, and Da Nao fell with a spray of red, the bullet in his head killing him instantly.” 
  • Dimitri, a White Flower, shoots a group of Scarlets who are holding Roma hostage. “The Scarlets didn’t have a chance to fight back. Some managed to retrieve weapons, some managed one shot. But the workers had them surrounded, rifles already aimed, and with a pop-pop-pop! reverberating along the whole street, the Scarlets all dropped, eyes blank and glazed, fleshy wounds studded into their chests. The blood splashed generously.” 
  • The madness infects a crowd of people. “Destruction tore through the scene: a bloodbath, infecting those who hadn’t run fast enough. Juliette’s eyes swiveled to the side. A woman: dropping to her knees, fingers sinking into her neck and pulling without any hesitation. A scream–a figure, running to her. Her husband: cradled over her corpse and keening a loud, desolate noise. then he too gouged at his own throat and fell to the ground.”

Drugs and Alcohol 

  • None

Language 

  • “Shit” is used a few times as an exclamation. 

Supernatural 

  • None 

Spiritual Content 

  • None

City of Magic

In the third installment of Avi’s Midnight Magic series, Fabrizio and Mangus the Magician are back for a final adventure. It is Pergamontio, Italy in 1492, and King Claudio and the tax collector call the elderly Mangus to them. As Pergamontio is losing money, Mangus must find the “magical” book about numbers written by Franciscan monk Luca Pacioli. If Mangus and Fabrizio don’t succeed in their mission, they risk death. The biggest issue: the book – and the monk – are in Venice. 

City of Magic mirrors the first book, Murder at Midnight, in a few ways. The king is especially superstitious and requires Mangus to sort out any foreign entities that may enter the kingdom. In this case, accounting has become Mangus’s new domain, which Fabrizio and Mangus realize is not something they understand. Since Mangus is elderly and in poor health, they are reluctant to take a long and arduous journey to Venice. The tax collector, like the other villains of the series, is obviously evil. The similarities to the first book did make certain plot elements, like the villains, feel a bit repetitive. 

In this installment, Fabrizio is less wide-eyed than in previous ones. However, he has become more interested in earning respect for using his illusions and tricks. As a servant and a child, he doesn’t have the same access to power that Mangus the Magician or King Claudio have, so he sometimes makes bad choices because he’s looking after his interests – in this case, being respected and honored by others. Fabrizio pressures Mangus into traveling to Venice. While there, Fabrizio realizes that he’s made a series of horrible mistakes and tries to atone for them by saving Mangus.  

As the characters enter Venice, the reader learns that Venice values secrets and money more than anything else. In many ways, it is a different world than Pergamontio, including the secret Black Hoods who act as an undercover police force and take people to prison. As Fabrizio is liable to give away excess information to strangers, he inadvertently gets Mangus arrested. Fabrizio also gets several other characters wrapped up in his adventure. The difference in location adds interest but also shifts the tone in a slightly darker direction. 

Similar to the first book, City of Magic has many historical references, including the Franciscan monk Brother Luca Pacioli, who during his lifetime was a philosopher and friend of Leonardo Da Vinci. Avi provides further historical notes at the end of the book. As usual, the story’s pacing is fast and upbeat, which moves the characters along at breakneck speed through the mystery, weaving in and around the narrow Venetian streets. Fans of the previous two books will enjoy this one as well, and they’ll find  

Fabrizio’s journey into maturity is compelling. Young readers will identify with Fabrizio’s desire to be respected for his intelligence and ultimately prove himself useful, even if it sometimes gets him into  trouble. Learning how to gain this respect is something readers and Fabrizio can learn through the course of the book. This was a solid new installment to the series, even if it reuses some key ideas from the previous books. Readers who want to be drawn into another magical series should read The Magic Misfits Series by Neil Patrick Harris.

Sexual Content  

  • None

Violence  

  • Fabrizio and Mangus enter Venice and are not greeted very kindly at the immigration port. A man warns them of another man lying at the base of one of the columns, saying, “he’s dead. Executed for breaking our laws.” Fabrizio looks at the man initially and only thinks that he’s sleeping. Other details of this body are not given. 

Drugs and Alcohol  

  • None 

Language  

  • The tax collector shows up at Mangus’s home and demands that he come to see King Claudio immediately. Fabrizio comments to the tax collector that his master no longer practices magic, which is illegal, and the tax collector responds, “I don’t give a fig what Mangus does.” 
  • Light language is used throughout. Terms include fool and stupid. 

Supernatural 

  • Mangus the Magician no longer practices his magic, but Fabrizio does. Fabrizio notes that Mangus refuses to teach him magic. Fabrizio says, “[Mangus] claimed he didn’t know any. How exasperating. How annoying. How regrettable. If I’d known even a bit of magic, I would have done all manner of marvelous things.” 
  • Fabrizio says he once learned that “if you don’t cover your mouth when you yawn, evil spirits can slip into your body.” He believes in many superstitions like this and occasionally brings them up. 

Spiritual Content  

  • City of Magic is set in 1492 Italy, in the Kingdom of Pergamontio. All the characters are Catholic and will frequently make exclamations of God’s name or saints’ names, and they will pray in times of fear. Mangus’s wife Sophia, for instance, exclaims “Dearest Saint Monica” and crosses herself when the king summons her husband. 
  • Fabrizio and his new Venetian friend Bianca hide out in a church during what Fabrizio notices is “Midnight Mass.” Bianca notes, “I come here often and pray…I like to be alone with Saint Antonio.” She prays for her father’s return. 

The Hero Two Doors Down

This book is based on the true story of a boy in Brooklyn who became neighbors and friends with his hero, Jackie Robinson. 

Stephen “Steve” Satlow is an eight-year-old boy living in Brooklyn, New York who cares about only one thing: the Dodgers. Steve and his father spend hours reading the sports pages and listening to games on the radio. Aside from an occasional run-in with his teacher, life is pretty simple for Steve. 

But then Steve hears a rumor that an African-American family is moving to his all-Jewish neighborhood. It’s 1948 and some of his neighbors are against it. Steve knows this is wrong. After all, his hero Jackie Robinson broke the color barrier in baseball the year before. 

Then it happens — Steve’s new neighbor is none other than Jackie Robinson! Steve is beyond excited about living two doors down from the Robinson family. He can’t wait to meet Jackie. This is going to be the best baseball season yet! How many kids ever get to become friends with their hero? 

Steve’s childhood is chronicled in the first five chapters of The Hero Two Doors Down. While this allows readers to understand Steve’s behavior, the story has a slow start. Much of the story focuses on Steve’s inner thoughts and lacks actions. Despite that, anyone who admires Jackie Robinson will enjoy the story.  

Since Jackie Robinson is the main character in The Hero Two Doors Down, readers might expect a story about baseball. However, there is little baseball action because the story focuses on Steve’s relationship with Jackie. This gives readers an inside look into Jackie’s personal life and highlights his positive attributes. Jackie’s influence changed Steve from an angry boy who used his fist to solve problems to a boy who understood that “punching someone who has verbally attacked you will only make things worse.” 

The Hero Two Doors Down illustrates important life lessons including the importance of self-control. At times the adults are preachy, but this makes the message impossible to miss. By reading the book, readers will learn positive ways to interact with others, even when they both disagree. Jackie helped Steve learn that “You’ll become your best self if you stay focused, set goals, and don’t let anyone stop you from making your dreams come true.” While the story lacks baseball action and has a slow pace, the book’s message makes it worth reading. Readers who want to learn more about Jackie Robinson should also read Play Ball, Jackie! by Stephen Krensky. Readers looking for more baseball action can find it in The Contract Series by Derek Jeter and Prime-Time Pitcher by Matt Christopher. 

Sexual Content 

  • None 

Violence 

  • Steve gets into trouble after school. He hears that his teacher, Miss Maliken, plans to make a home visit. Steve and his best friend, Sena, try to stop her. “Sena’s hand reached toward Miss Maliken, but I followed her lead. Together we pushed Miss Maliken, then watched in shock as she toppled over the hedge. The air filled with her screams. . . Women scrambled to help her.” Steve is suspended from school. 
  • Steve’s grandparents “fled Russia, along with two million other Jewish families, hoping to find freedom to practice their religion . . . In Russia, Jews were treated very badly. . . There was a lot of violence against them, and many men, women, and children were hurt or killed simply because they were Jewish.” 
  • Some players are upset that Jackie is playing baseball. “He’s been hit six times by pitchers and been insulted plenty just because he’s a black man in a previously all-white game.” Some of the players also tried to “slide into second base with their cleats pointing forward. It was dangerous and could lead to a serious injury for the second baseman.”  
  • When Jackie was in school, he joined a gang. He said, “We didn’t do anything really bad. . . stole some golf balls and sold them back to the golfers. . . took fruit from stands.”  
  • During a pick-up game, Steve drops a ball. Afterwards, “Several boys on our team ran over to me.” When they started calling Steve names, he “jumped up from the ground. . . and got in their faces. . .” Sena tried to drag Steve away, but Steve “pulled [his] arm away and jammed it into the belly of one of [his] attackers instead of retreating. The boy punched [him] hard in the gut. [He] dove into the other boys.” Sena and Steve finally run away. 
  • Steve has some anger issues and he “was sent to the principal’s office because [he] bloodied a classmate.”  

Drugs and Alcohol 

  • None 

Language 

  • Some boys call Steve a sissy and a liar. 
  • Someone calls Steve a chicken. 

Supernatural 

  • None 

Spiritual Content 

  • Steve and his family are Jewish and occasionally pray, but no actual prayers are included. 
  • Steve’s family celebrates Hanukkah. On the first night, “when your father lights the first candle, he will say a special prayer asking for peace in Israel . . .” 
  • Jackie gives Steve a Christmas tree. Steve’s parents want to return the tree because “it is a symbol of a Christian holiday. Like Hanukkah, Christmas is part religious holiday and part tradition.” 
  • Steve’s favorite part of Hanukkah is “watching my father pray for peace, understanding, and friendship . . . I learned that whether you are Christian or Jewish, we both pray to God.” 

The Rhino in Right Field

Nick wants to change his life. For twelve years, he’s done what his hard-working, immigrant parents want him to do. Now he’s looking for his own American dream and he thinks he’s found it. The local baseball team is having a batboy contest, and Nick wants to win.

But the contest is on a Saturday—the day Nick has to work in his father’s shop. There’s one other tiny—well, not so tiny—problem. A 2,000-pound rhinoceros named Tank. Nick and his friends play ball in the city zoo—and Tank lives just beyond the right field fence. Nick’s experience getting the ball out of Tank’s pen has left him frozen with fear whenever a fly ball comes his way. How’s a lousy fielder going to win the contest?

Nick practices every day with his best friend, Ace, and a new girl who has an impressive throwing arm! But that’s not enough—to get to the contest, Nick has to lie to his parents and blackmail his uncle. All while dodging the school bully, who’s determined to win even by playing dirty. Nick will need to keep his eye on the ball in this fast, funny story about a game that can throw you some curveballs—just like life! 

Nick, the protagonist in The Rhino in Right Field, is a likable and relatable protagonist, who deals with relatable conflicts. Like many middle-grade readers, Nick is frustrated with his mother who still treats him like a baby. Nick is also upset that his father makes him work in the family shop, every Saturday. His father’s uncompromising ways lead Nick to lie to his family in order to participate in a baseball contest. Even though Nick wins the contest, his joy is tampered because he can’t share the news with his parents. In the end, everyone in the family—Nick, his mother, and his father—sneak off to watch the same baseball game. While the scene is funny, Nick and his family come to a new understanding—that fun should also be a regular part of their life.

Although baseball plays a major part in the story, no actual baseball games are described. Despite this, The Rhino in Right Field is still engaging enough to please sports fans. Nick and his friends play baseball at the zoo, which adds interest and humor to the book. A batboy contest, a bully, and an unusual baseball-throwing girl help propel the story to an unexpected conclusion that shows the importance of hard work and having fun.  

Dekeyser takes readers back to the 1940s when both women and men played professional baseball.  However, the time period is a little fuzzy because there are few context clues as to the time period. The use of terms such as “holy cow” and “knucklehead” are clues that the story takes place in the past. In addition, Nick occasionally mentions the price of items. For example, Nick says a baseball cost ninety-eight cents which is three weeks’ worth of tip money. While these give clues that the story doesn’t take place in the present, readers likely will not be able to identify the time period.   

The Rhino in Right Field has many positive aspects that will appeal to middle-grade readers including a well-intentioned, humorous protagonist. While the supporting characters are not well-developed, they add suspense and interest. In addition, the book’s short chapters and fast pace keep the action hopping until the very end. Readers will also be introduced to the All-American Girls Professional Baseball League and can learn more about girls in baseball by reading Out of Left Field by Ellen Klages. Readers interested in more humorous middle-grade stories should also read The Secret Sheriff of Sixth Grade by Jordan Sonnenblick. 

Sexual Content 

  • Penny’s sister, Josie, played professional baseball. Penny says, “One lady told Josie that if she kept playing ball, she’d never be able to have babies.” 
  • After talking to Penny, Nick thinks “I’m not too swift on the female anatomy, though you can’t say I haven’t tried. One time I happened to find a cheesecake magazine in Uncle Spiro’s room, but I only got a peek at a leg and some garters before he walked in and hollered at me to get out of his room forever.”

Violence 

  • While in second grade, Pete, the school bully, “actually punched a kid for calling him Taki to his face.” Taki is a nickname for Pete’s Greek name which is Panagiotakis. 
  • Nick sees one of his classmates, Penny, crying. She wasn’t able to enter the contest because she is a girl. While at the contest, Pete yells, “How did that hairy monkey get in here, anyway? That’s right—go back to the zoo!” 
  • While at church, Pete tries to punch Nick. Pete “swung at me. . . My survival skills kicked in, and I ducked out of the way just in time. With nothing for his fist to land on, Pete was thrown off balance. He spun around on his heels, and when his face came into view again. . . I punched him right in the nose.” The punch caused a “trickle of blood” to drip from Pete’s nose. 
  • When the doorbell rings, Nick opens the door and sees Pete. “And before I knew it, he [Pete] hauled off and slugged me. I dropped to the floor like a sack of marbles. . . Then he stomped down the porch steps and out into the night.” After being hit, Nick’s “left eye was throbbing, and it was already hard to see out of it.” Nick’s mom puts a cold piece of liver on Nick’s eye and the swelling goes down. 
  • The zoo puts some animals in cages and they ride in a parade. A zookeeper has an elephant gun with him that has tranquilizers in it. The gun is never used.

Drugs and Alcohol 

  • A secretary who works at the ballfield smokes. When her boss sees her with a cigarette, he says, “Miss Garble, how many times have I told you? That stuff’ll kill you.”  

Language 

  • Heck and darn are used occasionally. 
  • Dang is used a few times. For example, when Pete threatens Nick, Nick says something to him in Greek. When Pete replies, Nick explains, “But I wasn’t going to explain what I’d said, and I dang well knew Peter wouldn’t either.” 
  • Frequently, the kids call each other names such as chicken, idiot, punk, and weasel.  
  • Both the children and the adults frequently call people knuckleheads.  
  • Holy cow, holy moly, holy smokes, and similar exclamations are used frequently. 
  • Nick is mad at his uncle so he calls him a “shifty freeloader.” 

Supernatural 

  • None 

Spiritual Content 

  • Nick and his family go to church. During service, Pete “kept giving [Nick] the stink eye which I hope is a sin if you do it in church.”  
  • While at church, Nick falls asleep. When he wakes up, his mother “gave [him] the stink eye, which probably isn’t a sin if your mother does it, even in church.” 
  • After the church service ends, Nick is impatient to leave. He thinks, “I’d already spent two hours in church. Not even God could expect me to hang around longer than that.” 
  • After church, a woman asks Nick’s uncle. Nick thinks, “I happened to know that Uncle Spiro was a shameless heathen who avoided church religiously.” 

Shoeless Joe & Me

When Joe Stoshack (“Stosh”) hears about Shoeless Joe Jackson — and the gambling scandal that destroyed the star player’s career — he knows what he has to do. If he travels back in time with a 1919 baseball card in his hand, he just might be able to prevent the infamous Black Sox Scandal from ever taking place. And if he could do that, Shoeless Joe Jackson would finally take his rightful place in the Baseball Hall of Fame. 

But can Stosh prevent that tempting envelope full of money from making its way to Shoeless Joe’s hotel room before the big game? 

Shoeless Joe & Me describes historical baseball events in an interesting story that baseball fans will love. Readers will not only learn about Shoeless Joe and the Red Sox scandal of 1919, but they will also get a glimpse of Shoeless Joe’s everyday life. Shoeless Joe hated that people believed he was stupid because he couldn’t read or write; however, this didn’t stop Shoeless Joe from living his baseball dream. Even though Shoeless Joe’s dream came to an end when he was banned from baseball because of his part in the scandal, Shoeless Joe & Me presents evidence that proves that Shoeless Joe was not part of the gambling scheme. In addition, the back of the book encourages readers to write letters asking that Shoeless Joe be inducted into the Hall of Fame. 

The story is told from Stosh’s point of view. Many readers will relate to Stosh, who loves baseball and travels back in time to help a friend. While in the past, his behavior is not always likable. Stosh is impulsive and doesn’t think about his words or actions. Plus, he’s not always respectful of others. Despite this, Stosh’s motivation for traveling to 1919 is honorable – he’s hoping to save Shoeless Joe from being banned from baseball. 

One negative aspect of the book is that Stosh and some of the adults show unsportsmanlike behavior. Stosh yells at an umpire for making a bad call. In addition, when one of his teammates misses catching a ball, Stosh yells, “C’mon, Barton! What do you think you’ve got a glove for?” After a game, the losing team’s “players and parents were all over Mr. Kane [the umpire], screaming at him, cursing him out, threatening him, and telling him that he was blind as a bat.” 

Scattered throughout the book are historical news clippings and pictures, such as an advertisement that Shoeless Joe posed for. Not all of the pictures are historical, but the back of the book explains which photographs aren’t the actual people described in the book. In addition, the back of the book includes other facts and myths regarding Shoeless Joe. 

Baseball fans and history fans alike will enjoy Shoeless Joe & Me because the story gives a new perspective of the Red Sox scandal. Many people know about the Red Sox scandal but Shoeless Joe & Me focuses on one player’s version of the events which allows readers to understand how the gamblers impacted everyone—players, coaches, and fans. For more engaging baseball stories that will be a hit with readers, check out The Brooklyn Nine by Alan Gratz, Babe Ruth and the Baseball Curse by David A. Kelly, and Out Of Left Field by Ellen Klages. 

Sexual Content 

  • When Stosh is stuck in a closet, he unscrews the backing and enters another hotel room. “A woman, about twenty-five, was standing in front of me. She was totally naked.” When she screamed, a man appeared and “waved the bat around menacingly.” The man yells, “Just say the word, Katie, and Ah’ll split his head like a melon!” Stosh ends up befriending the man and woman. 

Violence 

  • When a group of gamblers discover Stosh spying on them, two men grab him. After they interrogate Stosh, the thugs take him to a hotel and lock him in a closet. 
  • A teammate, Chick Gandil, tries to convince Shoeless Joe to purposely lose the World Series. “Joe took a swing at Chick with Black Betsy [Joe’s bat]. Gandil bailed out like it was a high, inside fastball. The bat missed his head by less than an inch.” Chick throws money on the bed and leaves. 
  • When Eddie Cicotte pitches badly, he is taken out of the game. “The Cincinnati fans hooted and threw fruit at him.”  
  • After losing the first World Series game, Gleason (another player) and Gandil were laughing. “Even though Gandil was about six inches taller and fifty pounds heavier, Gleason suddenly leaped toward the first baseman and wrapped his hands around his throat.” The two are broken apart, but then “Ray Schalk, the catcher, attacked Eddie Cicotte and had to be pulled off him.”  
  • While leaving the World Series, two men grab Stosh. “Another guy grabbed my arms and twisted them behind my back. It hurt, and I was scared.” The men drag Stosh to a billiard parlor where he meets two thugs, Abe and Billy, and their boss, gambler Rothstein. 
  • Stosh is pushed onto a chair by the thugs. Abe and Billy “wrapped the rope around me again and again until I was just about covered to my chest, arms, and legs. Then they pulled tight and knotted it in several places.” Stosh is interrogated. “Billy pulled a revolver out of his belt and started sliding bullets into it.” Stosh jumps back to his current time period before he can be shot. The scene is described over five pages.  

Drugs and Alcohol 

  • When explaining the Red Sox scandal, Stosh’s mom says, “But gambling is like cigarettes, alcohol, and drugs. It can be addictive. Some people – like your father — start doing it and they can’t stop.”  
  • Several times, adults smoke cigars and cigarettes.  
  • When Stosh goes back in time, he appears in a basement. When he peeks through a hole in the wall, he sees three men counting cash. Stosh thinks, “I didn’t think these guys were drug dealers. I wasn’t even sure if there were drugs in 1919. They must be crooks. . .” 
  • When Stosh goes to the World Series, “near the ticket booths, six men wearing army uniforms were standing in a group, drinking whiskey. . . Everyone, it seemed, was holding a bottle in their hand. A lot of them looked like they were already drunk.”  
  • Wilber, a thirteen-year-old boy, smokes cigarettes.  
  • After getting sick, Stosh takes Tamiflu. While in the past, he gave Tamiflu to a boy, which saved the boy’s life. 

Language 

  • When Stosh dresses in 1919 clothes, he protests because “I’ll look like a doofus.” 
  • Heck is used several times. 

Supernatural 

  • Stosh holds a baseball card and thinks about going into the past. “It wasn’t long until I began to feel the tingling sensation in my finger. . . I closed my eyes and thought about Cincinnati in early October 1919. . . The tingling moved from my fingertips to my hands and then up my arms. . . And then, like a movie screen fading into white, I felt my body slipping away.” 

Treasure Island: Runaway Gold

Three kids. One dog. And the island of Manhattan laid out in an old treasure map.  

Zane is itching for an adventure that will take him away from his family’s boarding house in Rockaway, Queens—and from the memory of his dad’s recent death. Some days it seems like the most exciting part of his life is listening to his favorite boarder, Captain Maddie, recount her tales of sailing the seven seas. 

But when a threatening crew of skater kids crashes the boardinghouse, a dying Captain Maddie entrusts Zane with a secret: a real treasure map, leading to a spot somewhere in Manhattan. Zane wastes no time in riding the ferry over to the city to start the search with his friends Kiko and Jack, and his dog, Hip-Hop.  

Through strange coincidence, they meet a man who is eager to help them find the treasure: John, a sailor who knows all about the buried history of Black New Yorkers of centuries past—and the gold that is hidden somewhere in those stories. But as a vicious rival skateboard crew follows them around the city, Zane and his friends begin to wonder who they can trust. And soon it becomes clear that treasure hunting is a dangerous business . . . 

Treasure Island: Runaway Gold reimagines Robert Louis Stevenson’s iconic book Treasure Island. While the books have a similar plot line, many of the original story’s details are changed. Treasure Island: Runaway Gold revolves around Zane and his three friends, who are searching for a lost pirate treasure. Along the way, they meet Captain John, who claims that he wants to help the kids find the treasure but doesn’t want a share of the prize for himself. Right from the start, many red flags show that Captain John cannot be trusted, and Captain John eventually betrays Zane’s trust. However, Captain John was clearly a villain from the start, so his betrayal feels anticlimactic.  

The first chapter jumps right into action and there is never any lull. Fast-paced action scenes dominate the book. Despite this, the book finds time to shine a light on how Black slaves were used to build Wall Street and other important Manhattan buildings. In death, many were buried in a graveyard. However, “colonists didn’t care about a Black cemetery. For centuries, folks kept building over and through their graves.” This historical information blends seamlessly into the story, creating a cohesive mystery that is tied to the pirate treasure.  

Readers who want a story with plenty of action and suspense will quickly be swept away by Treasure Island: Runaway Gold. However, the story’s fast pace doesn’t leave a lot of room for character development, the ending is rushed, and readers will be left with many questions. Despite these flaws, Treasure Island: Runaway Gold uses an interesting premise to teach about Black history.  

A few black-and-white illustrations are scattered throughout the book, which helps bring the events to life. In addition, the back of the book has a glossary of Zane’s skateboarding tricks and an Afterword that explains “how the [enslaved] Black people contributed to New York becoming the economic heart of the world,” as well as how “Thomas Downing, the son of enslaved people,” used his wealth to fund the Underground Railroad. Readers who want to learn more about the Underground Railroad should also read The Underground Abductor: An Abolitionist Tale about Harriet Tubman by Nathan Hale and Some Places More Than Others by Renée Watson. 

Sexual Content 

  • None 

Violence 

  • Zane has a friend named Jack, who has an abusive father. Zane explains, “Since second grade, I’ve known the pattern. Dad home, Jack had accidents. Bruises, sprains. A black eye.” Later it is revealed that his father once broke Jack’s arm. 
  • Jack shows up at the skate park with “his body tilting left while his hand holds his side. Kiko says, ‘His dad still thinks he’s a punching bag.’ ” The conversation stops there. 
  • Zane gets home and finds, “it looks like a bomb has hit the dining room. Broken plates, shattered glasses, oatmeal, soft eggs, and crushed toast are on the floor. . .” Zane runs upstairs to find Captain Maddie “passed out cold.” Zane’s mother explains that skater kids and “that nasty boy came in frightening our guests, tearing up the place. Demanding to see Captain Maddie.” 
  • When the doctor comes, Captain Maddie, “is upright, flailing a small knife, slick with blood.” Captain Maddie dies. The doctor says, “The shock was too much for her. Probably an aneurysm.”  
  • During the night, the skater kids come back to Zane’s house. “Six skaters dressed in black, canvassing the house . . . Hip-Hop dives, racing across the grass, and bites someone. A scream. Jack is right behind Hip-Hop, punching right, left. . . Zane and his friends begin throwing baseballs at them . . . Some boys try blocking with their skateboards. Others limp away. Another runs. . .” 
  • Zane, Jack, and Kiko go to Manhattan to look for treasure. The skater crew swarms them. “Brave, ready for a fight, Jack sails into the gang, his board sideswiping other boards, his hands shoving, unbalancing the skater. . . A kid pulls Jack’s arms behind his back. . . [Zane] pull[s] the kid off Jack while Jack punches back at three kids trying to get a hit.” 
  • As the fight continues, “Jack gets pinned, his face against asphalt. I tug one kid off before I’m pounded in the gut and taken down.” At the end of the fight, “bloodred bruises cover his [Jack’s] face and arms. More, I know, are hidden beneath his shirt. He took the brunt of the beating. . .” The fight is described over five pages. No one is seriously injured.   
  • Zane and his friends are on a boat driven by John when the skater boys begin to “tail our boat, edging closer and closer, gunning, then leveling the engine. Almost like he’s going to ram us.” The skater boys’ boat gets so close that “a wall of water rises, slaps, and [Zane] topple[s] overboard.” 
  • John, Zane, and his friends sneak under a restaurant that was used to hide slaves. When men hear them, the men give chase. Zane describes, “The men are closer. Close. I’m not going to make it. . . I kick. The man grunts, stumbles back. . . Jack, beside John, is furiously pitching oyster shells. With a grunt, he throws his weight against a shelf filled with dusty jars, and jugs. The shelf falls, crashing, shattering glass and ceramic.” John, Zane, and his friends slip under the restaurant and escape. 
  • Zane and Kiko sneak into the old Woolworth’s building. A guard sees them entering an elevator and the guard gives chase. Zane shouts, “startling the guard, using my skateboard to whack his hand away.”  
  • One of the skater boys, Findley, grabs Hip-Hop and puts him in a sack. Matt, another boy, grabs Zane. Zane describes how Matt “twist[s] my arm. My knees buckle. He punches, kicks me. I crumple.”  
  • Kiko tries to help Zane. She grabs a cane and “like lightening, the cane flashes down on his arm, swings sideways—whack—slamming into [Matt’s] side. . . [Matt] dashing forward and back. Hopping left, then right. Feigning a punch. . .” Kiko uses the cane to smack Matt who “gasps, drops to his knees. He’s not unconscious, but it’s still a knockout . . .” The scene is described over three pages. 
  • In a multi-chapter conclusion, Jack reveals that when his father beats him, his mother “doesn’t defend me. Never did. Even when I was little, she said, ‘A boy needs to learn how to defend himself.’ When Dad started whaling on me, she left the mobile home.” 
  • John reveals that he is the lead of the skater boys’ gang, and takes Zane and Kiko to his secret hideout. John’s “first mate” Rattler makes sure Zane and Kido can’t escape. “Taunting, Rattler faces me as two pirates pin my arms beneath my back, roping my hands together.” Kiko is also tied up. Afterwards, Zane is hit occasionally. 
  • John’s secret hideout is under the city in an old, abandoned tunnel system. To search for treasure, John has his crew begin dynamiting the ceiling of a tunnel. “Gunpowder with wicks are driven into the tunnel’s sides, its unfinished ceiling.” Petey, who is about eight years old, is tasked with lighting the dynamite. When the dynamite goes off, “Petey tumbles. The torch arcs, twirls like a giant sparkler, landing on Petey’s back. . . Jack’s on it. Kicking aside the torch, he drops, patting Petey’s shirt, smothering flames. . . Petey groans. Beneath his shirt’s jagged burnouts, his skin is red, blistering.” Petey passes out and Kiko administers first aid. 
  • As the skater crew continues to set off explosions, the bones of the people buried there begin to fall. The kids are “tossing skeletons like ordinary sticks. . . ‘Look at this.’ A kid holds a skull and happily throws it to his mate.” Zane is upset that John and his crew are “disturbing graves.” 
  • John taunts Zane by saying, “Zane, a mama’s boy. Worse, a weak, whiny boy missing his dad.” Zane goes “berserk. I’m hitting, kicking, punching John. . . I fall flat, seeing stars. John slapped, shoved me.” When Zane and Kiko refuse to join John’s crew, they make them “walk the plank.”  
  • While in an underground abandoned subway, Zane and Kiko are forced to “walk the plank” which is an old pipe that is dangerously high. Kiko goes first and the crew begin throwing bones at her. “Findley lets a rib bone fly. Others throw rocks. Kiko wabbles, tries to duck low. Arms protecting her head, she shifts forward and back, side to side.” Kiko makes it across the pipe. 
  • As Zane walks the plank, “stones, skeletons fly. Rocks sail wide, especially from younger boys. Others bruise my shoulder and arm.” Zane makes it across the pipe. 
  • Zane and Rattler, one of the skater boys, duel it out by skating. After Zane has a good run, “Rattler leaps toward me, swinging his board at my head.” Kiko jumps in, “Knocking it out of his hands.” The fight ends. 
  • While in an underground tunnel, Zane, Kiko, and Hip-Hop find “hundreds of rats. Rats squeaking, running, crawling over one another. . . In his jaws, Hip-Hop snaps rat after rat. Shaking his head, he breaks their necks. He’s an efficient, killing machine. . . Hip-Hop has made a path—but it’s gross. Limp rats, blood. . .” 

Drugs and Alcohol 

  • Jack’s father spends his money on alcohol instead of food and bills. 
  • John tells Zane that his “best mate” was a woman who would “drink gallons of rum and never spend a day hungover.” 
  • While talking about the history of slaves being used to build Wall Street, John says, “I need a swig. . .Rum helps set the mind straight.”  
  • Jack says, “Alcohol turns my dad into a wild man. . .” 
  • At one point, John is “sauntering off-balance” because he’s drunk. He offers Zane a flask and says, “Rum cures a lot of ills.” 
  • When a young boy is burned, Kiko gives him ibuprofen. 

Language 

  • Occasionally, there is name-calling such as brat, loser, failure, jerk, and traitor. 
  • John opens an old trunk expecting to see treasure. When the trunk is empty, he yells, “Aargh. Damnation.” 
  • John calls one of the skater boys a “gutless swine.” 

Supernatural 

  • Zane sees visions of the past. “Images like photographs. Now they seem like a silent movie. Figures move, stumble. I see a long line of shackled people, some stumbling, some wailing . . .” During the three-page vision, Captain Maddie shows Zane how slaves were used to build Wall Street.  
  • Occasionally Captain Maddie appears, but Zane is the only person who can see her ghost.  
  • Zane has a vision of Thomas Downing, a wealthy Black man who helped hide people who were escaping slavery. The vision guides Zane to the underground room where Thomas hid slaves.

Spiritual Content 

  • None 

These Violent Delights

The year is 1926. Shanghai is a city torn apart by violence and bloodshed. Two rival gangs–the Chinese Scarlet Gang and the Russian White Flowers–have long been engaged in a blood feud that leads to perpetual chaos in the streets. Nobody knows exactly how this feud started, but neither side shows signs of stopping, preferring instead to fan the flames by continuing to match action for action. 

Not only that, but new, much more obscure powers are also slowly seeping in, threatening to divide Shanghai even further. Growing numbers of Europeans are arriving, attempting to reform the ways of the city in the name of “progress.” There’s also a monster that now lives in the Huangpu River, identified only by its massive form and glittering eyes. In addition, a madness is sweeping through the city like a contagion, possessing ordinary civilians and causing them to suddenly rip their own throats out. 

Caught in all this chaos are Juliette Cai and Roma Montagov. Juliette has just returned from her four years abroad in America. Now, she must assume her rightful place as the heir to the Scarlet Gang. Roma, on the other hand, has been performing his duties as heir to the White Flowers. Despite the feud between their families, and their own complicated history, Roma and Juliette come to realize that everything plaguing Shanghai is interconnected. They must combine powers–secretly, of course–to save their city. After all, they had been lovers once, before betrayal on both sides sent Juliette away. But is their former relationship enough of a buffer between their families’ complicated history to allow them to work together? As the deaths stack up, Juliette and Roma must set their guns—and grudges—aside and work together, for if they can’t stop this mayhem, then there will be no city left for either to rule. 

These Violent Delights is a stunning fantasy retelling of Shakespeare’s Romeo and Juliet. This novel takes a familiar story in wildly unfamiliar directions, transposing it onto a landscape that is closer to our modern world while retaining a historical element. This is not the Shakespeare you read in English class – the fantastical elements and action-packed scenes are sure to hook readers from the start. The characters themselves are also compelling because the point of view shifts between characters, allowing readers to get to know both Roma and Juliette and sympathize with them despite their cutthroat actions.  

Because this story has many moving parts to it, with several subplots and historical commentary woven throughout, the pacing of the plot feels off at times – too slow in some parts and not nearly slow enough in others. The prose, too, often oscillates between lush and imaginative, and clunky and awkward. However, the wide array of characters in this book greatly redeems its lacking qualities, and readers will root for Roma and Juliette in their quest to fix both the problems in their city and in their relationship. 

Overall, These Violent Delights is a fantastic debut novel, perfect for teenagers who want a fresh spin on a classic tale. It ends in a dramatic cliffhanger, setting the scene perfectly for its sequel, Our Violent Ends. 

Sexual Content 

  • Several passing references to brothels are made. For example, Juliette comments that, “In Shanghai, it was easier to count the establishments that didn’t double as brothels than the ones that did.”  
  • Roma and Juliette accidentally walk in on a couple who are implied to be having sex. “Juliette opened the first door she came upon. Two distinct yelps of surprise sounded as light seeped into the tiny room. Juliette squinted and saw a man with his pants down. ‘Get out,’ she demanded. ‘This is my room,’ the woman on the bed protested.”  
  • Roma and Juliette kiss in a private room. “Juliette hooked her legs around his and twisted her hips until Roma was the one flat on his back and she loomed over him, kneeling on the sheets . . . his hand was moving higher and higher, brushing her calf, her knee, her thigh. Juliette’s palm sank lower, until it was gripping the space underneath the smooth collar of his white shirt . . . They both gave in at once. Roma’s kiss was just as she remembered. It filled her with so much adrenaline and exuberance that she could burst. It made her feel too ethereal for her own body, as if she could tear out of her own skin.”  

Violence 

  • A group of Scarlets and White Flowers get ready to fight. “In a blink: guns upon guns. Each arm raised and steady and trigger-happy, ready to pull.” The police stop them before any further violence ensues. 
  • Juliette watches a man possessed by the madness kill himself. Juliette “saw the man thrashing on the ground, his own fingers clawing at his thick neck. . . most of his nails were already buried deep into muscle. The man was digging with an animal-like intensity–as if there was something there, something no one else could see crawling under his skin. Deeper, deeper, deeper, until his fingers were wholly buried and he was pulling free tendons and veins and arteries. In the next second, the club had fallen silent completely. Nothing was audible save the labored breathing of the short and stout man who had collapsed on the floor, his throat torn into pieces and his hands dripping with blood.” Many similar scenes occur throughout the novel. 
  • Juliette verbally provokes her cousin, Tyler, who physically attacks her. “Quick as a flash, Tyler slammed her into the wall. He kept one hand scrunched against her left sleeve and the rest of his arm splayed against her clavicle, pushing just enough to make a threat.” Juliette retaliates in self-defense. “Her right hand jerked up–fist clenched, wrist hard, knuckles braced – and made centered, perfect contact with her cousin’s cheek . . . Then Tyler stumbled, letting go of Juliette and whipping his head to look at her, hatred stamped into the hollows of his eyes. A red slash buried the line of his cheekbone, the result of Juliette’s glittering ring scraping through skin.”  
  • Juliette remembers an explosion caused by the White Flowers that killed many of her family members. “Her ears were screeching – first with the remnants of that awful, loud sound, then with the shouting, the panic, the cries wafting over from the back, where the servants’ house was. When she hurried over, she saw rubble. She saw a leg. A pool of blood. Someone had been standing right at the threshold of the front door when the ceiling caved in.” 
  • Juliette has a cutthroat reputation. “[The Scarlets] were killers and extortionists and raging forces of violence, but as the rumors went, Juliette Cai was the girl who had strangled and killed her American lover with a string of pearls. Juliette Cai was the heiress who, on her second day back in Shanghai, had stepped into a brawl between four White Flowers and two Scarlets and killed all four White Flowers with only three bullets. Only one of those rumors was true.”  
  • Roma tries to accost Juliette with a gun to her forehead, and Juliette defends herself. “Before Roma could so much as blink, her right hand came down hard on his right wrist, twisting his gun-wielding hand outward until his fingers were unnaturally bent. She slapped down at the gun with her left hand. The weapon skittered to the ground. Her jaw gritted to brace for impact, Juliette twisted her foot out from behind Roma’s and jerked it against his ankles–until he was falling backward and she followed, one hand locked on his neck and the other reaching into her dress pocket to retrieve a needle-thin knife.” Roma surrenders, stopping the fight. 
  • To get information, Juliette physically attacks someone with a garrote. “Madame squawked when Juliette pulled the garrote wire tight, her fingers flying up to scrabble at the pressure digging into her skin. By then the wire was already wrapped around her neck, the micro-blades piercing in.” Madame survives this, left with a bleeding cut on her throat. 
  • Roma participates in a sparring match that starts out as a game, but takes a turn when he realizes that his opponent, Dimitri, has a blade. “Dimitri kicked out and Roma took the hit. A fist flashed in his periphery, and in his haste to get away, Roma dodged too hard, overjudging his balance and stumbling. Dimitri struck again. A flash of the blade: a slit opened on Roma’s jaw.” The match ends when Roma is declared the winner after he “[reaches] out and [grabs] a fistful of Dimitri’s shoulder length black hair…[slams] a knee right into his nose, [takes] his arm and twists backwards until Roma [has] a grip on his neck and a foot stomping down on the back of his knees.”  
  • A British soldier draws his gun on Roma and Juliette, and Roma shoots him in self-defense. “A bang sounded from the space between them. Juliette immediately whirled around to catch the British tail collapsing where he stood, a bright-red spot blooming on his chest.”  
  • Marshall, Roma’s friend, hits Juliette, and she attacks him back. “From his seat, Roma bolted up and shouted, ‘Mars!’ but Juliette was already pushing Marshall back, her throbbing jaw giving way to anger and her anger intensifying the pulsating pain making its way to her lip.” The match ends abruptly when Marshall starts laughing, and Juliette helps him to his feet; this altercation ends as quickly as it began, and Marshall and Juliette work together for the remainder of this scene. Neither is seriously injured.  
  • Juliette shoots the man she and Roma believe to be the cause of the madness, Zhang Gutai. “Juliette fired. Zhang Gutai looked down, looked at the blotch of red blooming on his white shirt.” Zhang Gutai dies as a result of this wound. 
  • Juliette attempts to shoot the monster in the Huangpu River. “Juliette aimed her gun and fired – again and again and again in hopes that it could kill the monster, or, at the very least, slow it down – but the bullets bounced off its back like she had shot at steel.” 
  • Paul, a British man, tries to drown Juliette when she discovers a secret. Paul “grabbed a fistful of her hair and stuck her head in the water . . . Juliette bucked and kicked, harder and harder with no avail.” She gets away by stabbing a needle into his wrist.  
  • Juliette kills the river monster’s human host, Qi Ren. “Juliette raised the pistol. Her hands were shaking. ‘I’m sorry,’ she said. Once again, she pulled the trigger. The bullet struck his heart. The bullet was as loud as the bang at the end of the world. But Qi Ren’s sigh was soft. His hand came up to his chest gingerly, as if the bullet were nothing but a heartfelt compliment. Rivulets of red ran down his fingers and onto the wharf, tinting his surroundings a deep color.” 
  • Juliette shoots Marshall and his “head lolled back. He was motionless. Motionless.” It is later revealed that Juliette and Marshall staged this “murder” and Marshall is alive.   

Drugs and Alcohol 

  • Several references to opium are made: for example, the narrator describes fighting between the Scarlet Gang and the White flowers as “more commonplace in heady Shanghai than the smoke of opium wafting from a thick pipe.”  
  • One key plot point is that the British supply lernicrom, a fictional opiate, to various groups. 
  • Benedikt, Roma’s cousin, drinks vodka at a bar. “Roma lifted the cup in front of Benedikt and took a cautionary sniff. His cousin snatched it from his hands. ‘Don’t drink that,’ Benedikt warned.” 
  • Roma and Juliette play a drinking game with someone they want to get information from: one shot in exchange for one question. Roma gets drunk enough to fall down; Juliette gets “woozy enough to see in doubles but not enough to lose balance.” 

Language 

  • None 

Supernatural 

  • None 

Spiritual Content 

  • None 

Murder at Midnight

Murder at Midnight presents the story of Mangus the Magician and his newest servant, Fabrizio. The story takes place in the kingdom of Pergamontio, Italy in 1490. Pergamontio is behind the times, and the hapless King Claudio is terribly superstitious in this traditionally Catholic kingdom. When hundreds of identical papers calling for treason against the crown appear overnight, the royal advisor accuses Mangus of witchcraft. Desperate to save his new master’s life, Fabrizio sets out to help prove Mangus’s innocence and discover what created these documents. 

The main protagonist, Fabrizio, is a delightful mix of naïve and brash – he’s never quite sure how he’s going to help Mangus, but he’s determined to try even though he’s likely to make many life-threatening mistakes along the way. In some other characters, this might be trite or annoying, but Fabrizio is ten years old and genuinely doesn’t know any better. He believes in magic wholeheartedly despite Mangus’s repeated explanations about how he’s an illusionist, not a magician. Fabrizio wants nothing more than to save Mangus from certain death – except, maybe, learn magic himself. 

At the start of the novel, Mangus is curmudgeonly and deeply uninterested in Fabrizio, but by the end when Fabrizio and his friend Maria help save his life, he’s just curmudgeonly. Their dynamic involves plenty of Mangus demeaning Fabrizio for not being smart enough, which motivates Fabrizio to want to be a better servant. Mangus is a self-proclaimed philosopher, and he relies on reasoning to make decisions. He serves as a counterweight to Fabrizio whose decisions are motivated entirely by his heart. Although these two never quite see eye-to-eye, they grow a close bond. 

These two characters are well-developed for future installments, and the mystery plot of this first book works well. Fabrizio meets Maria, the daughter of immigrants who bring a printing press to Pergamontio. As the kingdom is somewhat backward, this situation is slowly unveiled through the course of the novel, eventually showing that the scandal runs right to the heart of the king’s inner circle. The plot is interesting with semi-historical elements, and it’s action-packed enough to keep the attention of younger readers. 

Murder at Midnight deals with some light violence as the story is set in 1490s Italy with plenty of intrigue and quite literally backstabbing. The main conflict revolves around Mangus, whose life is threatened since he’s accused of witchcraft and the punishment is death. The book also deals with some Catholic-related themes since Italy is a historically Catholic nation, though the book doesn’t take any stance on religion. Murder at Midnight is a fun introduction to the printing press and censorship. In addition, the dynamic between reason and emotion comes through, showing readers that a balance of the two ideas leads to better outcomes than just reason or emotion separate from each other. Through cooperation and patience, Fabrizio and his various companions can save Mangus and go on with living their peaceful lives – that is, until the next book, Midnight Magic.  

Sexual Content  

  • None 

Violence  

  • When the other servants, Benito and Giuseppe, speak to Fabrizio, they often take swings at him because they don’t like him. For instance, Fabrizio is coerced into telling them secrets from Mangus. When he’s trying to run off, Fabrizio notes that he is “trying to dodge a flurry of blows.” This happens somewhat often. Fabrizio notes that from this particular altercation, he receives bruises from them and nothing more. 
  • The king’s officials, DeLaBina and Scarazoni, threaten to “burn [Mangus] at the stake” and “cut out his heart” if he truly is a magician. Mangus, of course, is not a magician but an illusionist, but the other characters don’t necessarily understand this. 
  • Fabrizio is falsely accused of distributing treasonous papers, and he is taken down to the dungeon to be executed. While there, he nearly trips over a corpse. A soldier asks if the body is dead, and the executioner says, “I hope so. I broke his neck three days ago.”  Fabrizio is not executed, and there is no further discussion about the corpse. 
  • Fabrizio and his new friend Maria find DeLaBina dead in the dungeons. Fabrizio notes, “Beneath lay a man with his head twisted to one side. A ruby-encrusted dagger was sticking out of his back. On the ground, a pool of wet blood was spreading.” This is the extent of the description. 

Drugs and Alcohol  

  • None 

Language  

  • Light language is used frequently. Terms include: fool, stupid, ignorant, blockhead, nasty, ugly, and fat. 

Supernatural 

  • Fabrizio works and lives with Mangus the Magician, who performs, as far as Fabrizio is concerned, “real magic” as well as sleight-of-hand tricks. Much of the book’s main plot deals with how the Kingdom of Pergamontio feels about magic that is rooted in anything other than Christian miracles. Mangus notes that the king “is deeply superstitious” and that he has “outlawed magic.” 
  • One night, Fabrizio watches Mangus perform and decides what is real magic and what is fake, saying that when “a burning candle was pulled from an ear” and “a box changed into a hat” it was for sure “true magic.” 
  • The king of Pergamontio expresses his true fears as to who made the identical treasonous papers that have been distributed throughout the kingdom. He says, “Ghosts? Is that who made the papers? Ghosts can do anything they wish, you know.” DeLaBina expresses that it’s instead magic and someone who “is in league with the devil.” 

Spiritual Content  

  • Since the book is set in 1490 Italy, the characters are notably Catholic. For instance, Mangus notes that “God gave us the gift of reason.” 
  • The kingdom has a curfew, and Mangus tells the crowd that there’s a curfew because “the king loves us and wishes to keep us safe from devils.” 
  • Fabrizio makes an astute comment that catches Mangus’s attention, and Fabrizio attributes it to living on the streets. Fabrizio says, “When you are a homeless orphan – as I was – the teachers God provides are one’s own eyes and ears.” 
  • After seeing a treasonous document, Mangus exclaims, “God protect us!” 
  • Mangus is accused of using magic to make treasonous documents to overthrow the king. As this is 1490 Italy, the king is uncomfortable with modern inventions like the printing press, and identical documents are outside the bounds of imagination. The top prosecutor for the kingdom says, “Such identical replication is impossible for human hands! Not even God – in all his greatness – makes two things alike.” 
  • Fabrizio refers to the treasonous papers against the king as “the devil’s work.” Mangus corrects him that the papers were definitely done by human hands. 
  • The executioner, Agrippa, explains his profession to Fabrizio. Agrippa says that he wanted to be a stonemason, but “the good God willed it otherwise, didn’t he?” 
  • A knock sounds at the door of the execution room, and Fabrizio, who thinks he’s about to be executed, “fell to his knees and began to murmur frantic prayers.”  
  • Fabrizio meets Maria, the daughter of immigrants from Milan who own a printing business and use a printing press. Maria introduces herself as a “printer’s devil” because she’s covered in the black ink she works with, and it’s incredibly hard to scrub off. 
  • When Mangus’s wife, Sophia, learns that her husband has been arrested, she “clasped her hands in brief prayer.” 

The Dreamer

The Dreamer follows eleven-year-old Neftalí, a young boy who struggles to live up to the strict expectations of his father. Neftalí explains that he enjoys daydreaming and nature; he “collected twisted sticks, liked to read, and was not good at mathematics.”  

Neftalí’s father does not want his son to daydream. In fact, Neftalí’s father says, “Stop that incessant daydreaming!” and warns Neftalí that his “mother was the same, scribbling on bits of paper, her mind was always in another world.” Neftalí’s father also implies that this may have caused Neftalí’s mother’s death. Neftalí reveals his mother “had died two months after [Neftalí] was born.”  Neftalí wonders, “Was Father right? Could daydreaming make you weak? Had it made his mother so weak that she had died?”  

Neftalí’s father’s extremely negative mentality towards creative arts also affects his older brother, Rodolfo, who dreams of attending a conservatory to study music. Rodolfo explains, “My teacher and headmaster say . . . that if I study music, I might be able to get a scholarship to the conservatory.” Their father responds to this by aggressively “slamming his fist on the table” and yelling at Rodolfo, “There will be no more wasting time on music.” Because Neftalí’s father ridicules him for his love of reading and writing, Neftalí tries to conceal his writing projects from his father.  

Neftalí is an extremely sympathetic character that readers will appreciate because of his constant determination to do what he loves. Neftalí does not let his father’s constant tirades about his writing stop him. For instance, even when Father tries to make Neftalí stop daydreaming, Neftalí still “wrote words everywhere: on fence posts, on bleached driftwood, and on the old boats near the shore.” 

Another character that will capture readers’ hearts is Neftalí’s Uncle Orlando, who owns a local newspaper called La Mañana and encourages Neftalí’s writing abilities. It is Uncle Orlando who advocates for Neftalí to come work at his newspaper office, even though Father calls Neftalí’s essays “frivolity, nothing more.” Uncle Orlando advocates for the local indigenous people, the Mapuche, who are being pushed off of their land by developers by offering up his newspaper shop as a meeting place for organizing protests. Neftalí is inspired by “Uncle Orlando’s sincere voice as he talked about the rights of the Mapuche, the plans for a peaceful protest, the common outcry for respect for all humanity.” 

Readers who enjoy exploring nature will enjoy the way each chapter continues the story of Neftalí’s growth as a writer alongside drawings reflecting Neftalí’s surroundings. Each chapter is named after an element of nature, such as “ocean,” “rain,” or “mud.” Neftalí often discusses the beauty of Chile, where he lives, and this inspires him as he writes. For instance, Neftalí “looked up at the Andes mountains, hovering like a white-robed choir . . . He closed his eyes and wondered what lay beyond, past the places of Labranza, Boroa, and Ranquilco, where the sea plucked at the rugged land.” 

This book occasionally uses Spanish words in reference to the beauty of Chile and its nature; however, readers will be able to easily understand these words based on the text’s context clues. Because the book follows Neftalí—who is revealed at the end of the book to be the poet, Pablo Neruda—readers will likely want to flip back through the book to reread the sections of poetry and will likely feel inspired by Neftalí’s journey. Overall, this fictionalized retelling of the life of Pablo Neruda encourages readers to persevere, to reach for their dreams, and to appreciate the beauty of life around them.  

Sexual Content 

  • None 

Violence 

  • When Neftalí’s brother, Rodolfo, tells Father he wants to study music, Father “slammed his fist on the table.” 
  • Rodolfo did not hear his father’s whistle to come back to the agreed meeting place. “When [Father] found me, I was disobeying him . . . I still have the bruises. Do you understand? You do not want Father to catch you doing something . . . wrong.” 
  • Neftalí’s father wants his children to grow physically stronger. Because of this, Father forces Neftalí and his little sister, Laurita, into the choppy waves of the ocean even though they are both terrified of the waves, as “the swells rose higher than their heads.” Father argues, “It will make you strong. And if you do not wade out far enough, I will make you stay in longer.”  
  • Father forces Neftalí and Laurita to stay in the water, even when “a wave broke against their chests. Laurita slipped under the dark water. Neftalí jerked her up. She choked and sputtered and began to cry.” Neftalí says, “Surely now they could come in,” but Father “shot an arm forward and pointed to the waves again.” 
  • After Father forces Neftalí and Laurita into the ocean, Neftalí has frequent nightmares that “Laurita was drowning, and he could not save her because he was drowning, too.” 
  • Neftalí encounters a hurt swan. “In the muddy reeds, the male swan wobbled. Blood pooled beneath him.” Sadly, the swan quietly passes away in Neftalí’s arms. Neftalí does not understand what happened as the swan’s wounds appeared to be healed, but suddenly, “the life disappeared from [the swan’s] body.” 
  • Uncle Orlando worries about what the developers will do if they find out where people are protesting. The developers “have killed so many already . . .” 
  • Uncle Orlando hosts a meeting to protest on behalf of the Mapuche, so the angry developers set Uncle Orlando’s newspaper office on fire. Neftalí explains, “When he turned the corner to the main road, he saw the ball of fire rising into the night.” His uncle’s shop is destroyed, but Uncle Orlando tells Neftalí he will not give up, “There are editors who will hire me.” 
  • When Father discovers that Neftalí’s essay advocating for the rights of the Mapuche has been published in a college magazine, he is furious. Father lashes out and “grabbed a notebook and flung it out the window . . . Father flung another notebook and another.” Then Father sets Neftalí’s writings on fire.  

Drugs and Alcohol 

  • None 

Language 

  • Neftalí’s Father insults Neftalí and his siblings when they disobey him. For example, he calls Neftalí “a skinny weakling” that will “amount to nothing.” 
  • Rodolfo, Neftalí’s brother, is frustrated that Neftalí likes to stop and examine small things in nature as they walk to school. Rodolfo calls Neftalí “dim-witted” and asks Neftalí, “Can you not walk like other boys?” 
  • When Neftalí struggles to respond to one of his father’s coworkers, Father calls Neftalí “absentminded” and says, “There’s no telling what will become of [Neftalí].” 
  • Father calls Neftalí a “scatterbrain” for reading. He also tells Neftalí, “You are nothing more than a brittle twig . . . And this obsession with books will not make you vigorous!” 

Supernatural 

  • Rodolfo tells Neftalí a legend about the “chucao bird,” which Father says, “is a bird in the forest that tells the future.” Rodolfo reveals to Neftalí, “If you hear it call on your right side, it is a good omen and means fortune and happiness. If you hear it on your left, it is a warning and means bad luck and disappointment.” 
  • As Neftalí explores a nearby forest, he finds a large rhinoceros beetle and stares at it. Neftalí recounts, “As he marveled at the beetle, the shell contorted and bulged, growing bigger and bigger. Its legs elongated until it was as tall as a pony.” Neftalí then describes riding the giant beetle, “Oddly unafraid, Neftalí climbed onto its sturdy back, and rode it through the forest.” 

Spiritual Content 

  • When Neftalí asks Laurita for help trying to heal a hurt swan, “Laurita put her hands together, in prayer, ‘He must get better.’” 

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