Topic: Friendship

Expelled

Theo Foster’s secret Twitter account just went viral. Now he and three other teens are expelled and Theo is determined to find out who is guilty and who is innocent.

Theo forms an unlikely allegiance with the three others who have been expelled. There is Sasha, the girl he’s been secretly crushing on, Jude, the school mascot and Theo’s best friend, and lastly Parker, the quarterback. Everyone seems to have a secret that they want to hide. Can Theo discover the truth? And will the truth bring these unlikely teens together?

James Paterson creates a first-person narrative that makes the reader fall in love with Theo and his unlikely friends. Although Theo is all about saving himself, he is completely relatable and loveable. The characters in Expelled jump off the page with humor, anger, and an array of teen emotions.

Expelled explores several deep issues include steroid use and incest without going into graphic detail. In the end, the reader will learn that other people’s lives are not as perfect as we imagine them to be.  Despite the engaging story, there are several drawbacks to Expelled. There is frequent and creative use of profanity as well as sexually crude remarks. Because of this, Expelled should be enjoyed by older readers.

Sexual Content

  • Someone posted a picture on social media. The picture was of the quarterback, “drunk and shirtless . . . He’s got a bottle of Jack Daniels in his right hand and the bare breasts of an unidentified female in very close proximity to his left.”
  • Jude is a “sixteen-year-old-bisexual virgin in a Hello Kitty T-shirt.” He is bullied even though his school has a Gay-Straight Alliance club and “the rainbow flag over the counselor’s office.”
  • Parker’s friend has a dog that humps a pink pig stuffed animal. “He’s always horny in the morning,” Jude says. “Also, he and Sex Pig are in love.”
  • Jude wants to go to art school. When talking about it, he tells Parker, “RISD’s school mascot is a giant penis named Scrotie.”
  • Parker asks a computer nerd if his porn isn’t downloading fast enough.
  • When Parker is looking at Sasha’s ears, he has, “an almost overwhelming desire to kiss them.”
  • Sasha said that she has a “dick pic” that the quarterback sent her.
  • Parker kisses Sasha. “Sasha’s mouth is soft and warm, and it opens to mine. I’m going to die of how good this feels. I let go of her with one hand, and twist my fingers into her dark hair, hot and silky in the sun.”
  • Sasha tells Parker that her dad molests her. “. . .he pressed me up against the refrigerator and he kissed me. . .” When her father tries to convince Sasha that incest is okay, he said, “Greek nobles used to kidnap young boys, take them into the forest, and rape them, and no one had any problem with that.”

Violence

  • Parker thinks about someone who killed themselves from jumping off a water tower. “. . . I can’t help wondering how he did it. How he coaxed himself to the edge and then leapt into the air.”
  • Parker’s father committed suicide because he had ALS. Parker thinks of finding the body. “There was still the blood. The gun. The shattered back window of the car.”

Drugs and Alcohol

  • Someone dressed as the school mascot. When trying to find out who it was, the quarterback said, “I was so drunk it could have been Tinkerbell under that head.” Later the quarterback tells Parker, “I was torn up that night, bro. I did six Jager shots and woke up under the bleachers.”
  • The Shell station is where “you can shoulder-tap for beer if your fake ID sucks.” However, Parker has never tried to use his fake ID.
  • Sasha’s dad is seen drinking whiskey and often seems drunk.
  • Parker has a secret social media account where he likes to post “harmless gossip.” In one post he said someone was, “drunk enough last weekend to introduce self to own dad.”
  • When talking about the picture, Parker asks his friend if he knows who was wearing the mascot head, “and then whoever that was go so wasted he whipped his dick out in front of an iPhone.”
  • Feeling sorry for himself, Parker drinks half a bottle of Knob Creek whiskey.
  • Parker talks about how fishing usually involves beer because all you do is sit and wait for a fish to bite the bait.
  • A computer smart boy tells Parker, that if he wanted to he could, “have six pounds of heroin sent to his mother at her office.” The boy then admits it would be “tricky.”
  • Parker goes to a baseball game and one of his friends is drinking a Michelob Ultra “she bummed off a guy coming out of the 7-Eleven.” Her water bottle is also filled with vodka.
  • Sasha said her mom was into the art scene and would go to, “really fancy restaurants and snort lines off the porcelain in the ladies’ room.”
  • Parker throws a prom for those who are expelled from school. The kids that attend drink. Someone brings a keg to the party. One boy brings a case of Tecate.
  • The quarterback reveals that the coach has been giving steroids to the players. “They shot me full of chemicals like I was a prize-winning steer!” He takes his jeans down, “so I can see half of his left ass cheek, where the skin is puckered and red—a big, angry scar.”

Language

  • Profanity is used often throughout the book. The profanity includes ass, bitch, dick, fuck, goddamn, hell, piss, pussies, shit, and wiseass.
  • Parker thinks waking his friend up early was a “dick move.” He often thinks of other people as a “dick.”
  • Sasha said, “Oh, my God I don’t know why I called you a nerd.”
  • Several times Parker uses Jesus as an exclamation. For example, he said, “Jesus, you scared me!”
  • While at an expulsion hearing, the narrator thinks, “I’ve heard that some kids show up to expulsion hearings with lawyers. Probably, at the very least, they bring a pissed-off parent or two.”
  • Parker is upset that people think he posted the picture, and he would like to “kick the ass of whoever’s trying to make me take the fall for it.” Later he yells that he will “tell my side of the story. And I will make my own goddamn ending!”
  • When Parker starts asking questions about the picture, someone jokes that “Those are my tits in the picture.”
  • Parker’s mom leaves him a note not to eat all the ice cream “or there’ll be hell to pay.”
  • Parker sees graffiti that reads, “fuck school.”
  • When leaving, someone says, “later bitches.”
  • Parker thinks to himself that he is an “asshat.”
  • Parker yells at the quarterback, “You were too much of a pussy to admit you hated it (football).”
  • When Parker tells Mr. Palmieri, the school administrator, about the steroid, Mr. Palmieri says, “God fucking damn it.”

Spiritual Content

  • When talking to his mom, Parker asks her “if she felt hypocritical, seeing as how she’d been a socialist atheist at UCLA.”
  • Sasha, an atheist, tells Parker that, “my grandma used to make prayer shawls . . . with each stitch, she’d say a little prayer for the person she was making it for.”

I Never

Janey King’s life revolves around school, friends, and her family. When Luke Hallstrom, a hot senior, notices her, Janey finds that navigating her first serious relationship can be tricky. Janey is trying to add Luke to her life, but not all of her friends are happy about their relationship. Janey isn’t completely sure that Luke will stay true to her. To complicate matters her parents are getting a divorce.

With Janey’s new relationship comes new complications. She must decide if she is ready to have sex, and if Luke is the person to give herself to. I Never gives readers graphic details of Janey’s experimentation with sex. The book’s message is “sometimes people need sex with no strings attached.” However, the story doesn’t address any of the negative and potentially dangerous sides of sex. The story seems to forget that not every boy is as respectful as Luke, and not every sexual encounter is satisfying. Because of the graphic descriptions of sex, this book should be picked up with caution.

Sexual Content

  • The story begins with the narrator contemplating her love life and thinking how other teens have already had sex, but she thinks, “sex should mean something.” Throughout the rest of the story, there are numerous hook-ups. The narrator talks about her friend’s sex life and her own sexual experiences in some very detailed scenes. Not all of the sex descriptions are recounted below.
  • As Janey is trying to figure out if she should have sex with her boyfriend, she and her friends discuss how sex should work, how to let a person know when you are ready to have sex, and about their own experiences.
  • Janey’s friend, Danielle, has a boyfriend who is always making out with her at school. After a two-week school break, Danielle’s boyfriend sees her. “Charlie turns her around, backs her up against the lockers, and starts kissing her with unbridled desire . . . It’s as though Danielle and Charlie are totally unaware of where they are and who’s nearby.”
  • Janey and another character discuss Danielle’s sex life. “I know they did it in her dad’s car while it was in the garage and her parents were watching a movie upstairs. . . They did it after school in the multipurpose room . . . they went to town on the table.”
  • Janey’s friend Sloan, “is the girl some parents would refer to as fast. She’s a virgin but loves to go to parties to ‘hook up’ with guys. In fact, her mantra is everything but.” Sloan went to a party and made out with two different boys.
  • Janey’s boyfriend Luke tells her that his parents bought him condoms, “and put them in my bathroom, but we never discussed it.” Luke also talks about how his brother “came out when he was a senior in high school.”
  • Janey and Luke kiss frequently. During their first kiss, “His tongue ever so gently finds mine, and our two tongues do a little dance. I am lost in him, in his soft lips, his smooth tongue, his yummy smells.”
  • After track practice, Janey and Luke make out on the pull vault mat. As they kiss, he takes her shirt off.  “. . . He’s lying on me, his legs between mine. . . I feel his whole body pushing against me. I can tell how much he wants me.”
  • Janey and Luke make out often. Once when they were making out, Janey describes Luke in his “black boxer briefs that hug his body and make his erection beyond obvious . . . It’s an entirely different matter to see a huge boner underneath a thin layer of back cotton. And that boner is pointed at me. It’s a turn-on, but also a little scary . . . My legs separate slightly and he fits snugly between them. I can feel the warmth beneath our underwear.”
  • Janey and Danielle go condom shopping. They discuss what type to use. When Janie asks why they are shopping for condoms, Danielle said, “Because if you show up for protection, he’ll know you’re ready . . . And trust me, it’ll be the biggest turn-on ever.”
  • Janey and Luke are kissing in the car.  “. . . I feel wetness between my legs the second his tongue enters my mouth . . . I feel weak, I moan, I get wet. . . it’s clear my body wants him desperately . . . I need to have sex with him. The same way I need food, water, and shelter.”
  • Janey and Luke make out naked in a hot tub. “His hands move down my back and explore my butt and my waist as he pulls me closer to him, pushing me against him. The kissing is constant, while I drop my hand to feel him. It’s smooth and the skin is soft, but the whole thing is so incredibly hard, much harder than I would have thought possible.” They stop when Janey decides she’s not ready to have sex.
  • Janey and Luke go back to her father’s house. Janey has decided she is ready to have sex, which is described over approximately five pages. “I put my hand on him feeling his hardness, knowing that it will soon be inside me . . . He spends significant time tickling and rubbing my boobs. . . sucking on my breast and flicking his tongue against my nipples . . . I wrap one hand firmly around the base and use the other to tickle the rest. I keep both hands moving, working in a rhythm. . . The moisture between my legs gets more obvious, allowing him to enter me push by push, millimenter by millimenter. . . My hands find his ass and squeeze while he moves up and down, in and out. . .”
  • Luke tells Janey she should masturbate so she knows what she likes. “Because if you know what you like, I can do it for you.”
  • While in the car parked outside of Janey’s house, Luke makes out with Janey and they make each other climax.
  • Janey walks in on her newly separated mom having sex with a man. “My mother is on her back amid her throw pillows, her legs splayed. An unknown man is on top of her, his back slightly hairy . . . His ass, also slightly hairy, knocks repeatedly against my mother, and with each knock, she lets out a little grunt . . . my mom is having raucous, furious, daytime sex in my parents’ bed with a man who most definitely is not my father.”
  • Danielle finds out her boyfriend is cheating on her and sexting. “He told her he wanted to squirt whipped cream all over her and lick it off . . . Charlie and I did that on Valentine’s Day.” Later in the story, Janey tries it with Luke. “. . . He delicately uses his tongue to make little waves in the white stream. I can barely stand it. I practically beg him to have sex with me.”

Violence

  • None

Drugs and Alcohol

  • Janey’s parents take her out and order champagne. “I know my mom will give me a sip of her champagne and it will tickle my nose and taste bitter. . . “
  • When Janey goes to Luke’s house for dinner, his parents have wine, but they won’t let Luke drink any.
  • Luke tells Janey about how his brother went out and drank beer and sang eighties pop songs.

Language

  • Profanity is scattered throughout the story. Damn is used six times which is the most.  Profanity includes, “ass, bitch, bitchy, crap, bullshit, holy crap, damn, dumbass, holy moly, hell, pissed shit, shitty, oh my god, and Oh my f-ing god.”
  • When Janey’s friend sees her kissing Luke in an empty classroom, he says, “what the hell. . . Maybe you didn’t tell me because you’re wasting your time with a worthless, arrogant guy who’s going to treat you like shit.”
  • “Charlie often sits with us because god forbid he miss an opportunity to put his hand on Danielle’s ass.”
  • Janey said her dad, “never seemed to notice a hot piece of ass nearby.”

Supernatural

  • None

Spiritual Content

  • None

Perfect Ruin

The edge calls.  Life on Internment should be enough, but for some it is not. They seek the edge. They brave the hypnotizing winds.  They hope for a glimpse of the ground.  They want more.

For Morgan, life on Internment has been enough.  Then a young girl is murdered and everything changes.  Danger is in the air.  But it’s not the murder that worries Morgan.  She wonders if she can resist the call of the edge.  She wonders if Internment is what it appears. She wonders.  She daydreams.  She questions.  And her questions can be dangerous.

 Perfect Ruin creates a world that is a utopia for most.  The author creates a world that is interesting in the fact that it is not perfect, but it is not evil.  However, what makes Perfect Ruin a great read is the characters. From the start, the reader can easily fall in love with Morgan as well as her friends and family.  Morgan’s best friend Pen is full of contradictions and surprises.  Basil, Morgan’s betrothed, is a solid character who clearly understands Morgan and loves her anyway.  The interaction between the characters is heart-warming and believable.

The storyline is full of twists and surprises.  And when the readers get to the end, they are going to want to pick up the second book in the series, Burning Kingdoms.

 Sexual Content

  • In Morgan’s narration, she says, “. . . I’ve heard it isn’t uncommon for girls my age to be intimate with their betrothed, but the idea still embarrasses me.”
  • Morgan and her friend are caught sneaking out of the academy. When asked by the headmaster why they left, Morgan’s friend says they were talking about “female matters, sir.  I’m a little more—seasoned—than Morgan and she was asking me for advice regarding a private conundrum with her betrothed.”
  • Morgan and her betrothed kiss. “We move our faces at the same time, and then our lips are touching.  I’ve lost my worries.  Traded them in for the sun and the taste of his tongue and the thought that in sixty years we’ll be ashes—we’ll be tossed into the air and after a moment of weightlessness we’ll be everywhere and nowhere.”
  • Morgan describes when she kisses her betrothed. “It roots me to the place, makes me feel at home.”
  • One of the characters mentions that her brother is “more interested in my betrothed than I am.” At that time Morgan thinks, “I am still thinking about the prince being attracted to his sister’s betrothed…the prince isn’t the first to be attracted to his own gender; although it isn’t talked about, I remember my brother denouncing the serum and the surgery purported to treat this kind of attraction.”
  • When Morgan kisses her betrothed, “he’s touching the side of my face, his hands are soft as air. His eyes have changed, gone hazy the way they do when bodies are close. I like that I’m the only one that does this with him; I’m the only one who gets to see him this way.”

Violence

  • Morgan and several of her classmates are on their way home from the academy when the train backs up because a young girl has been murdered. Morgan finds out that the girl’s throat and wrist were slashed. “Everything indicates that she bled to death.”
  • Morgan thinks back to a murder that happened when her parents were young. Two men were fighting and one pushed the other one into the swallows, an area much like quicksand. The murderer “had been driven mad by a tainted elixir that should have been discarded by the pharmacists.  He was feverish and deranged when they found him, and the king had no choice but to have him dispatched.”
  • A flower shop burns down, which is highly unusual in this world.
  • When a specialist asks about her sister-in-law’s “procedure”, Morgan thinks, “Procedures. Like ‘incident,’ this is another word that covers a broad range of unpleasant things.  There is the termination procedure.  The dispatch procedure.  The dusting procedure that reduces bodies to ash.  The mercy procedure that dispatches the infants who are born unwell.”
  • Morgan narrates a story about two twins. The one twin, Olive, killed her sister and assumed her identity.  All of Olive’s children were born dead, “Convinced that she was being punished by the god in the sky, and driven mad by grief, Olive confessed what she had done.”
  • Morgan and her friend are kidnapped, have their hands tied behind their backs, and are put into a dark room. One of the attackers says, “We’ve decided to let you live . . . for now. If we killed you tonight, it would be an awful lot of blood; we’d be up until dawn with the cleaning. . .”
  • Morgan and her friend plan an escape. At this time, Morgan’s friend hits one of the attackers with a brick, and he falls to the ground bleeding.

Drugs and Alcohol

  • Morgan’s mother regularly takes a prescription. When Morgan sees a murdered girl, she doesn’t want her mother to worry.  “She’s been doing so well lately.  It has been a while since she’s gone through an entire prescription.” Later in the story, Morgan’s mom sleeps a lot because of the headache elixir.
  • Morgan’s sister-in-law becomes pregnant “out of turn.” She has to have the pregnancy terminated.   As part of the narration, Morgan also tells a story about another woman: “A woman decided she’d rather smother her child than allow it to belong to someone else.”
  • When Morgan and her betrothed go to her bedroom, Morgan’s mother asks her if she took her “sterility pill.”
  • One of the character’s mothers has a tonic addiction that is referred to several times. The addiction prevented her mother from working for a while.
  • One character is given a pill so she doesn’t “have a fit.”
  • One of the characters says, “I’m going to get drunk now, I think . . . you’re welcome to join me.” However, Morgan talks her friend out of getting drunk when she says, “We promised to sneak tonic bottle only when we’re looking to have fun. This wouldn’t be fun.  It would just be sad.”

Language

  • A character tells Morgan she’s lucky because “You aren’t doomed to marry a complete ass.”

Supernatural

  • None

Spiritual Content

  • The book revolves around The History of Interment that tells of the first humans who the god of the ground wanted to destroy because they were ungrateful. The god of the sky “thought they were too clever to waste, and he agreed to keep them in the sky with the promise that they would never again interfere with the ground.”  Because of this belief, the god of the sky is referred to often.
  • There is a festival of stars, which is a month-long celebration. At the end of the festival, people ask the god of the sky for gifts and requests.
  • On the train ride home, Morgan sees a pregnant woman. “Her lips are moving.  It takes me a few seconds to realize that she’s talking to the god in the sky, something the people of Internment do only when they are desperate.”
  • In Daphne Leander’s essay, she wrote, “Up until someone I loved approached the edge, I had no reason to question the hand of any god, much less my own god’s hand. But to see that no amount of love or will on my part could make that little girl open her eyes as she lay unconscious in a sterile room—How could I not question this god that watches over us?”
  • Some think that the swallows, an area much like quicksand, were created because the god in the sky was angry.
  • Daphne Leander’s also wrote, “Every moment is a gift, from the frivolous to the dire. The taste of sweetgold, and the rough paper of our favorite books.  I find a god in these things—which god, I cannot say, but I’m grateful to it.”
  • When Morgan meets the person accused of Daphne’s murder, she wonders, “If he asked for Daphne to return to him, his request would certainly be rejected. There are some things that even a god can’t do.”
  • In Daphne Leander’s essay, she wrote, “Each of us has a betrothed so that we won’t have to spend our lives alone. It leads me to wonder to whom the gods are married. The elements, perhaps.  Or do they know something we don’t know about solitude?”
  • When Morgan and a friend sneak out of the academy during lunch, Morgan thinks, “It seems as though something should stop us. The god of the sky himself should send a gust of wind in warning. But nothing happens at all.”
  • Daphne Leander wrote, “Our bodies are burned when we die. All the good in our soul lives on in the tributary, while all the bad in us burns away forever.  This frightens me.  Who decides what is good and what is bad?  Who decides what is saved and what is lost from our souls?”
  • People are dispatched when they are seventy-five. “To live beyond our useful years would be selfish.  That’s how we show our gratitude to the god in the sky . . . We send our ashes up for the sky god to collect.  The ashes become part of a current, a force, instead of just one body.  It’s called the tributary—a perfect harmony of souls.”
  • When Morgan asks her friend if the gods are a myth, her friend replies, “It goes against everything we’ve been taught. We’re living on a big rock floating in the sky.  How many explanations can there be for that? . . . What kind of science could explain how we got here or even why we exist? Of course there are gods.”
  • In Daphne Leander’s essay, she wrote, “We accept gods that don’t speak to us. We accept gods that would place us in a world filled with injustices and do nothing as we struggle.  It’s easier than accepting that there’s nothing out there at all, and that, in our darkest moments, we are truly alone.”
  • In one scene Morgan’s brother prays to the god of the sky and she thinks, “He doesn’t even believe there is a god anymore.”
  • There are several characters who wonder if the gods exist.

Invisible

Doug Hanson is not normal and the kids at school know it. But that doesn’t stop Doug from having a crush on Melissa or from being best friends with Andy, a popular football player.

Doug spends his spare time creating a bridge out of matchsticks for the model railroad in his basement. The one thing that Doug looks forward to is when his neighbor Andy comes home, and they talk out of their bedroom window. It doesn’t matter that Doug and Andy don’t spend much time together; Doug knows that Andy will always be there for them.

When Doug gets caught watching Melissa undress in her bedroom, things take a turn for the worse.  Now Doug is a target of the football players, the police are watching him, and the principal is on his tail.  To make matters worse, his parents are thinking about putting him into a private school for students with emotional problems.

Invisible is an easy-to-read story that focuses on Doug’s difficulties. Towards the end of the story, mystery is added because Doug keeps alluding to something that happened in the past. In the end, this mysterious event gives the reader a surprise ending.

The author adds drama through Doug’s difficulties, but because Doug obviously has problems, it is sometimes hard to empathize with him. Even though Doug knows it is wrong, he spies on his crush, Melissa. Because of Doug’s actions and his disturbing thoughts, the reader can understand why other students do not like Doug.

Sexual Content 

  • Doug has a crush on Melissa. While at school he stares at her. During one scene he thinks about her body. “I wonder what her breasts look like? I happen to know that girls’ nipples come in different sizes and colors. I imagine Melissa’s being the small, pink variety.”
  • Doug likes to climb up a tree and watch Melissa in her bedroom. He watches her begin to undress, but does not see much. Melissa’s father catches Doug and runs him off the property.

Violence 

  • Doug thinks about, “some Buddhist monks who poured gasoline over themselves and set themselves on fire. They did it to protest a war.”
  • Although there is no actual violence, Doug thinks about a conversation he had with Andy.  “Would you rather be strangled by a serial killer or devoured by rats? We both went with a serial killer.”
  • A group of “football goons” beat up Doug. “Freddie draws back on enormous foot and kicks me hard in the ribs, I curl up and try to roll way, but they are on me, three of them, kicking me from every side . . . One of them stomps on my chest; air hisses from my lungs.” Doug ends up in the hospital, but the boys are not punished.
  • While Doug is in the hospital he thinks about getting revenge. He wants to catch a rat and, “put it in a steel box with a hole against his body so that the only way for the rat to get out is to chew its way through Freddie’s’ stomach. Or I could soak his Nikes in gasoline and light them on fire while they are on his feet.”
  • Doug fills his railroad cars with the phosphorous and then watches them crash and catch on fire.  “I look up at the sky and see flames spreading across the basement ceiling . . . I am burning and I am blind and I can’t find the stairs . . .” Doug ends up in the burn unit.

Drugs and Alcohol 

  • There is one reference to “stoners” who attend school with the narrator.
  •  Doug takes Proloftin (or is supposed to). He doesn’t like the pills because they make him sleepy, but they help, “me being locked up at home and not being able to see Andy.” His psychiatrist and his parents keep asking him to take the pills, but he doesn’t.   

Language 

  • When the boys are beating Doug, he is called an “asshole,” a “perv” and a “goddamn peeper.”
  • Dough thinks about beating the “crap” out of someone.

Supernatural 

  • None

Spiritual Content 

  • None

Stone in the Sky

Years ago, Tula was left for dead on a remote space station. During her time on the space station, she has made a home for herself. When a spacecraft crashes on the abandoned planet below, the pilot discovers a rare and valuable plant. Soon others flock to the planet and the space station in hopes of becoming rich. Along with masses of aliens, Tula’s old enemy Brother Blue appears on the space station. And he hasn’t forgotten that Tula knows too much about his past.

Soon Tula must flee the Space Station in hopes of proving that Brother Blue is not who he claims. As Tula travels, the reader is taken on an incredible adventure through space. Away from the space station, Tula soon discovers that there are some who can be trusted and some who need to be feared. And in order to help the people she loves, she will have to take risks that may lead to her own death.

Stone is the Sky is an exciting and well-written story. The story brings back some of the same loveable characters that appeared in Tin Star. The story contains several surprises that make Stone in the Sky worth reading. Like the first book, the violence and sexual content is relatively mild.

Sexual Content 

  • Tula kisses two different characters.
  • Tula is thinking about a rush on the planet below the space station. “The rabble had come first, but when the truth of it had spread out to other systems, more sophisticated types came to the Yertina Feray with dreams of making a fortune down on Quint. And with them, came the people who saw a fortune to be made in the supporting of those heartier types. Gigolos and whores. Seedy merchants. Con artists. False prophets. Robot vendors.”
  • Tula has a romantic relationship with an alien, Tournour. In one scene, Tula, “cupped his hand and took the moment in. . .his arms encircled me, and I leaned my head on his shoulder. This was as close as we got, and it felt good. But I couldn’t deny that it was different than being physically with Reza. That was what my body longed for now that Reza was so close. I wanted to talk to him with my body.”
  • In one scene Tula describes a romantic moment. “Then he put his arms around me and pulled me to him. I could feel my body tense and then relax until I leaned my head on his strong chest and slowly slid my arms around him. He held me all night, and I marveled at the pure astonishment of skin and heart.”
  • Tula and Tournour are having a discussion when “my mouth was so close to his antenna that my lips brushed them. He shuddered. I couldn’t tell if it was with pleasure or disgust, but he held me tighter.”
  • At the end of the story, “Bitty and Myfanwy were closer than ever, and I knew by the way that Myfanwy gently rubbed Bitty’s back, or the way that they would whisper to each other, that something was growing between them. One day they would be more than friends. It made me feel better that the reason why Myfanwy had never cared for Caleb was a matter of attraction and not the fact that she had never seen what a good-hearted person he was.”

Violence

  • Tula and a group of humans are kidnapped on a spaceship. While on the ship, pirates invade and a fight ensues. “Bitty jumped in front of me and slashed a Hort’s appendage off. The Hort screamed at a pitch that I couldn’t hear, but I could feel. Dark liquid spilled to the floor, making it slippery. Bitty shoved the Hort to the ground and with a battle cry sunk her knife into its chest.”
  • Brother Blue shoots a character who crumples to the floor dead.
  • At the space station, two people can fight in a hotch. This is a way to settle disagreements.  During a hocht, Brother Blue pulls a knife and stabs Bitty. “There was blood everywhere, and the blood was not mine…/Bitty was clutching her side, holding the stab wound to staunch the blood.”
  • Tula finally gets her revenge on Brother Blue. They fight and then Tula sets the self-destruct button on a robot. “Sparks shot out of Trevor (the robot) arcing towards anything that could conduct electricity, including Brother Blue who crackled and lit as he was surrounded by light. He convulsed and his skin turned from pink to gray. His eyes bulged. His lips burst. His body swelled . . . Brother Blue fell in a heap to the floor, a mess of charred, melted skin. He was dead.”

Drugs and Alcohol 

  • Kitsch Rutsok’s bar is a popular hangout place on the space station. Tula thinks, “If people wanted the hard stuff, to get intoxicated, or to find comfort in the arms of someone for the night, they went to Kitsch Rutsok’s.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Tin Star

Left for dead at a space station far from Earth, Tula is focused on getting revenge. Revenge for the beating Brother Blue gave her. Revenge for the death of her family and the other members of the group who had hoped to colonize a planet. In order to get revenge, Tula must first learn to survive in the underguts of the space station.

Luckily, an alien named Heckleck befriends Tula. Heckleck teaches her how to trade with the natives and gives her a desperately needed friend. Just when life on the space station began to seem normal, three humans crash land on the station, and Tula wants to use this opportunity to get her revenge. She soon discovers that taking down Brother Blue may mean the end of Earth. Should she take this opportunity to destroy her greatest enemy or protect the planet that she loves?

Tula and Heckleck are loveable characters that show that friendships can grow despite physical differences. Even though Tula trades with questionable people, she has an honorable code of ethics that she lives by. This code allows other characters to trust and respect her.

Because the story is written from Tula’s point of view, the reader has the opportunity to feel her pain, understand her desire for revenge, as well as see her desire to do what is right. The author uses vivid description to bring Tula to life and make the reader care for her.

Although the book has some violence and sexual content, these scenes are not described in detail, and they are in the book to advance the plot, not merely to add to the entertainment factor of the book.

Overall Tin Star is an entertaining book that gives readers a glimpse into a believable space world, where different species learn to care for each other despite the harshness of life.

Sexual Content

  • At the space station, two people can fight in a hotch. This is a way to settle disagreements.  Tula is forced to fight one of the humans in a hocht. During the hocht, Tula thinks, “I had never been this close to a man . . . his mouth was near my ear, his breath hot. He had some stubble on his cheek. His skin was warmed. His smell filled me . . . I wanted to both pull away and also pull in closer but my eyes kept going over to Reza, who was watching from the side. I stumbled backward. Wishing that I was doing this dance with him.”
  • When Tula is talking to an Earth boy, she describes, “His lips were just inches away from mine. I was on fire. As Reza spoke, I could feel his breath on my face, and I opened my lips hoping to catch his words in my mouth.” Later in the same scene, Tula thinks, “Every part of me reached for him. I ran my hands through his hair. He smelled kind. I had no words for pain, for despair, for loneliness. I put my lips on his. Our hands found each others’ skin. My body trembled. I had to stop before I exploded . . . I had gone hungry at times during my time here, but truly I had been ravenous for touch. I knew that I would not be able to survive without it anymore. It was nourishing, intoxicating, and addictive.”
  • When a female Earth girl is trying to manipulate Tula, the girl uses physical touch. “She put her hands on my shoulders. She kissed me. It was a warm kiss. Full of affection and softness. But it was so different from Reza . . . She kissed me again. The kiss was electric, but had no warmth to it. No love. She was trying to manipulate me, and to get what I wanted I would have to go with it . . . After a while we stopped kissing. I held her in my arms the way that I held Reza, but it was far from the same.”

Violence 

  • Brother Blue punches Tula in the face. “He hit me again, and now I was too stunned to scream. He did not stop until I was limp . . . It was only when he thought that I was dead that he moved away from me. . .”
  • Heckleck, a bug-like alien, uses his tongue that, “looked like a sharp pointy bard” to injected Tula with nanites, which gave her the ability to understand Universal Galactic as well as breathe the air on the space station. After Heckleck injects her, she feels ill and wonders if he was, “calmly waiting to finish me off at his leisure, picking off parts of me when needed.” She then goes on to think, “Maybe this insect-like alien had done me a kindness. After all, I had just thought about killing myself and had been too cowardly to do it.”
  • Heckleck gives Tula a cloth that contained a digit from someone’s crew member. Tula is instructed to, “tell him to give you the item, or I’ll send the rest of the crew member to him in pieces.” He then threatens to kill Tula if she betrays him.
  • Tula thinks back to her childhood fights. “There was hair pulling with my friend over a doll we both wanted. There was a slap and a push I gave to my sister, Bitty, when we were fighting.  There was a kick to the groin I’d given a boy at school who had tried to paw me at a party.  Then I turned my thoughts to the fights I’d witnessed. My father, drunk over the holidays, fists in front of him, always jabbing at my equally drunk uncle, face covered with his arms but his stomach getting pummeled. I remembered the bully from school, Mika, fighting the scrawny Stan: Mika moving quick from side to side while Stan crouched low, always hitting Mika’s spleen. And of course Brother Blue, standing over me and kicking in my ribs.”
  • Tula and an Earth boy fight in a hotch. They push and hit each other, and at one point Tula, “brought my knee up to his groin.” In the end, Caleb allows Tula to beat him.

Drugs and Alcohol 

  • Kitsch Rutsok’s bar is a popular hangout place on the space station.

Language 

  • None

Supernatural 

  • None

Spiritual Content 

  • While discussing the dead, Heckleck said, “But the dead, they have ghosts. Ghosts are very useful for haunting. Never forget the dead, Tula. They have their function. They sometimes speak at the most useful or inopportune times.”
  • Tula likes to go to the Gej temple. The Gej were a highly spiritual race who are no longer at the space station. When Tula had an item that she did not know how to trade she would, “bring it to one of the shrines and place it as an offering. I liked making offerings to gods I did not know. It seemed somehow more pure. Did the Gej have one god or many? Were they even gods at all?  I wasn’t certain. But when I put a cracked gem down or a burned a sole stick of incense, it called me as if I was wishing on fallen and forgotten stars. Perhaps I’d given a gift to a deity who cared only for love. Perhaps I’d placed a trinket on a devil. I couldn’t be sure, and I didn’t care.”

How to Say I Love You Out Loud

Jordyn has a secret to keep. When she moves to an elite new school, Jordyn knows that her secret cannot get out. When charming Alex Colby kisses her, Jordyn demands that they remain “just friends.”  When her best friend tries to get Jordyn to open up, Jordyn pushes her away.

Suddenly, Jordyn’s life takes a turn for the worse when her autistic brother is forced to attend the same school as Jordyn. Can Jordyn keep everyone from knowing that the crazy new kid is her brother? And if her friends find out the truth about her brother, will they alienate her?

Jordyn must decide if she should show others her true self and risk revealing the truth about her complicated family life. If she decides to let others in, will she lose Alex and her best friend?

Jordyn’s fear of rejection is something that every teen can understand. Jordyn struggles with the conflicting emotions of loving her brother but being embarrassed by his behavior. Even though Jordyn’s family life is messy, how to say I love you out loud portrays a loving, two-parent home that sticks together and does the best they can; this is rare in teen literature today.

Another positive aspect of the book is that although it deals with teen issues, there is nothing that is too shocking. Even though the teens in the book cuss often, it is nothing that a typical teen isn’t exposed to in a high school hallway. How to say I love you out loud is an enjoyable romance that shows the importance of showing people your true self and realizing that no one’s life is perfect.

Sexual Content

  • There are several references to people hooking up. The term is used, but not explained.
  • Alex’s girlfriend gives him a “quick, flirty kiss.”
  • In the school hallway, “Leighton’s back is against the wall and Alex has one arm above her head, keeping her in place, his body pressed against hers . . . their mouths mashed together.”
  • During a swim party, Jordyn and Alex go into a supply closet looking for bug repellent and end up kissing. The kissing scene lasts for about a page. “. . . We had no trouble finding each other. His hands fell to my hips like they belonged there. I felt myself being pressed against the rickety wooden shelves, the firm, warm heat of his bare chest against my damp skin.” After the kiss, Alex apologizes, “Didn’t mean to be a dick.”
  • Jordyn thinks about Alex. “I want to hold his hand. I want to touch his face. I want to memorize his expressions when he’s sleeping, all over again. I want to feel the pressure of his lips against mine. I just want him.”
  • Jordyn and Alex hide in a coat closet and kiss. “Alex raises his head, finding the other side of my neck with his lips. He plants the smallest of kisses there and I hear my breath vibrating in the air between us . . . my hands running over the planes of his strong back as I claim his body with no fear of the consequences. We fumble in our attempts to get close enough, determined to close the distance that never should have existed in the first place.”

 

Violence 

  • Jordyn’s autistic brother gets upset and takes off running, taking off his clothes as he runs. It takes three staff members to control him.

Drugs and Alcohol 

  • When Jordyn goes to a staff party, her friend asks, “Did Petersen show up really drunk again? Hit on any of the lifeguards who aren’t even legal yet.”
  • Jordyn and some kids from school go to a party where they drink alcohol and some of the kids smoke pot. Jordyn drinks, “hot chocolate that has been spiked with a liberal dose of peppermint schnapps.”

Language 

  • Profanity is scattered throughout the story on a regular basis. The profanity includes crap, pissed, hell, and bullshit.
  • Most of it appears in the teens’ conversations. For example, “. . . it would have been really nice to actually feel like I have my shit together before walking in there.”
  • Jordyn thinks that she, “sure as hell is not trying to steal anyone’s spotlight.” Later she describes her day as “long-assed.”
  • Jordyn’s in Advanced Placement U.S. History and, “the essay tests are rumored to be a bitch.”
  • A teen boy describes Jordyn’s brother’s behavior and said, “Dude, it was fucking nuts.”
  • When Jordyn and her mom get into an argument, Jordyn thinks, “I can feel the acid in the pit of my stomach . . . when I’m being a bitch.”
  • Alex asks Jordyn, “Jesus Christ, Jordyn, can we please have an honest conversation for once? My God, don’t act like you don’t know.”
  • A girl calls Jordyn a “slut.”

Supernatural 

  • None

Spiritual Content 

  • None

 

See How They Run

Finding the truth about her mother’s murder was supposed to bring Grace peace. But the past still haunts her. Grace realizes that her mother carried secrets of her own, but there are those who want those secrets to stay buried. And there is someone who is willing to kill to make sure the truth never comes out.

Grace knows there are century-old secrets surrounding her family. The only thing she doesn’t know is who to trust in her search for the truth. And when a U.S. citizen is murdered on Adria soil, Grace realizes that death is just a tool that a powerful person isn’t afraid to use.

Full of suspense and intrigue, the second installment of the Embassy Row series will captivate readers and pull them into the mystery surrounding Grace. See How They Run focuses less on Grace’s friends, and their absence makes the story less interesting. Grace doesn’t trust her own decision-making skills, and often refers to her “crazy” nature. Her complicated character adds suspense to the story. The addition of Adria’s history and the murder of a royal family creates an eerie atmosphere.

For those who enjoyed the Gallagher Girls series, See How They Run will not disappoint. However, See How They Run focuses on the death of a royal family and the murder of a young man. Even though the violence is not described in detail, the story makes it clear that someone is willing to kill innocent people.

Sexual Content

  • At a party, a boy kisses Grace. “He is leaning closer and closer. I close my eyes and feel his lips brush mine.” The kiss ends when she shoves him back.
  • Alexei and Grace kiss. The first time they kiss, Grace thinks, “Spence kissed me. But this is more. More intimate. More gentle. More emotion pounds through my veins than anything any boy has ever made me feel.”

Violence

  • An integral part of the plot revolves around a revolt that happened 200 years ago. During the revolt, “The king, the queen, two princes and a baby girl who wasn’t even a month old yet. Five of them. They pulled them from their bed, and they killed them.” The family was murdered and their bodies were hung from the palace.
  • When Alexei finds out that Spence kissed Grace, Alexei “turns and pulls back his arm in one smooth motion, dropping Spence to the ground with a single blow. . . They tumble and twist and brawl closer and closer to the party.” The fight lasts over several pages, but no one is seriously hurt.
  • When Jamie finds out that his friend kissed Grace, he “doesn’t say a word of warning. He just hits him.” Spence’s head jerks but he stays on his feet. The boy doesn’t hit back and Jamie leaves him with a warning to leave his sister alone.
  • During the festival, a drunk man recognizes Alexei. Then a mob of people attacks him and Grace. “The first fist that hits Alexei knocks him nearly off his feet. He doesn’t see it coming. . . I can feel myself getting pushed, almost knocked to the ground. I lash out, kicking a man in the knee as he lunges at Alexei. But two other men are already upon him.” During the attack, Grace is stabbed in the side.
  • Someone bombs a car. It is unclear if the driver was killed in the explosion or if the vehicle was unoccupied.
  • Someone stabs Jamie. “. . . I see blood that covers Jamie’s shirt. He’s trying to press against the wound with his free hand, but it’s not working. My brother is going to bleed to death, die right in front of me.” A helicopter arrives to take him to an Army hospital in Germany. It is unclear if he will survive his wounds.

Drugs and Alcohol

  • In the past, Grace has been given medication for anxiety. When she has a bad dream, she blames it on “the meds that I’m not taking.”
  • During a festival, a man walks by Grace and her friends. She comments that the drunk’s “breath smells like liquor.”
  • When Grace is stabbed, someone tends to the wound and then gives her “a small glass bottle” with medicine in it to help with the pain.
  • Grace does not want Alexei to turn himself into the authorities, so she drugs him. “His hand goes limp . . . His legs wobble. But thankfully we are out of view of the street by the time he passes out completely and falls, sprawling on the weeds.”

Language

  • A character, “mumbles something that I think must be the Russian equivalent to Oh my freaking goodness.”

Supernatural

  • None

Spiritual Content

  • None

Goddess

Ares was just the beginning of Helen’s problems. The rest of the gods are free, and they have gone right back to wreaking havoc on mortals. Helen might be the only one who can stop them, but in order to do so, she must do the unthinkable. She must become a goddess.

Becoming blood brothers with Orion and Lucas has changed everything. The four Scion houses are united, yet Atlantis is nowhere to be found. Helen scrambles to keep the people she loves safe, while also searching for a way to defeat literal gods. She begins to realize that she can’t keep everyone alive. The only question is, who will die in this war against the gods?

Helen comes into her own in Goddess. She is a powerful character who drives the story forward. Lucas also narrates a bit of the story, allowing the reader to see Helen’s strength from an outside perspective. There is a decent amount of sex and violence in this story. Goddess twists and turns in a way that will keep readers on the edge of their seats until the very end.

Sexual Content

  • Aphrodite curses a city. She says, “I abandon this place. No man shall feel desire, and no woman shall bear fruit. You will all die unloved and childless.”
  • The Greek gods return to Earth. They rape and kill several mortal women. “A terrified woman was struggling against a massive claw that was wrapped around her waist. Enormous wings . . . beat the air as the giant bird hauled her into the night sky.”
  • Andy is part siren, which means all men and even some women are incredibly attracted to her. Andy “had run away from every man who’d pursued her, but that didn’t stop them from chasing. She’d run away from the girls who had pursued her, too, and there had been plenty of those.”
  • When Helen and Orion are talking, Hector yells, “Hey, Orion? Put some pants on, toss her over your shoulder, and carry her off like a man, for the love of Pete!” He’s mostly
  • Helen and Orion kiss a few times. “He lowered his head and kissed her . . . she slid her hands across his shoulders and the back of his neck. The only thing that she could think was how amazing Orion felt. Amazing.”
  • Matt “turned his head and stared at the wall as [Ariadne] tossed something silky and lace-trimmed in her closet.” Ariadne tells him, “My lingerie isn’t going to strike you blind, you know.”
  • Helen sees a vision of Guinevere and Lancelot. “His hands dug into her hair, sending her hairpins flying and her tresses tumbling down around his calloused fingers in messy locks. His lips nudged hers apart. Guinevere fell back against the flagstones and pulled Lancelot down on top of her. He slid his knee between her thighs, pushing her many-layered skirts up until his hand could reach the bare skin underneath.”
  • Orion warns Cassandra that Phaon, “only goes for little girls.”
  • Ariadne and Matt have sex. “As Matt picked her up and carried her over to his bed, he marveled at how simple a gesture it was.”
  • In one of Helen’s visions, she “woke with Paris’ naked body tangled up with hers . . . Helen joined the memory as Paris was slipping into a deep sleep shortly after they had made love for the last time.”
  • When Phaon is about to die, he says to Orion, “Why so frustrated? I already told you, you can have the little one, Orion. You know she wants it from you.”
  • Cassandra, who hasn’t hit puberty yet, “turned her mouth up to his like a shy flower opening for the first time. In a daze, Orion lowered his lips and kissed her. Lucas’s foot connected with the side of Orion’s head . . . ‘She’s just a child!’ Lucas growled . . . ‘I know!’ Orion hollered. ‘I shouldn’t have–I’m sorry!’ “

Violence

  • It was feared that Helen of Troy was pregnant with the prophesized Tyrant, so Menelaus said, “I will beat the child out of you and love you still.” Then a mob tries to stone her. “When the first stone struck her, she did not cower or try to cover herself. More stones followed, battering her from all sides, until the mob ran out of stones to throw.” Helen still does not die, so the crowd says, “Behead her. It’s the only way.” To which Helen responds, “Yes, get a sword . . . I beg you.”
  • When Helen of Troy first discovered she was pregnant, she tried to kill herself and her baby. She says, “I tried, but I couldn’t do it. I couldn’t kill us myself.”
  • When Phaon tries to kill Orion, Helen springs to his defense. Lucas “held on to her, even though in that moment she was hotter than the surface of the sun . . . She switched off the current immediately, and he fell down with a scream . . . His hands, chest, and cheek were black and bloody, burned down to the bone by the ball of lightning she had created. He writhed on the ground in agony.”
  • When Daedalus duels Phaon, they realize, “He’s going to bleed Phaon to death . . . A cut here, a bone-breaking blow there, and on and on it went.”
  • Matt and Hector duel. “Matt’s sword was buried up to the hilt in his chest . . . Hector held onto his side, still clutching the thick blade that had run him clean through the heart. He hit the ground and his head turned upward, his eyes staring directly at the clouded sun.”
  • When Lucas challenges Achilles to a duel, his brother wonders, “Are you trying to kill yourself?”

Drugs and Alcohol

  • Helen finds out that Daphne has been drugging her father to keep him asleep.

Language

  • When Helen finds out her mother has been drugging her father, she plans, “to kick that no-hearted bitch’s ass.”
  • The words crap, moron, dickhead, and jackass are used once or twice.
  • The words hell and damn are used often.

Supernatural

  • Helen and her friends have many powers. These include controlling hearts, flying, breathing underwater, super strength, super hearing, and the ability to sense lies.
  • When Helen starts being able to see emotions, she says, “It’s as if everything that everyone is feeling is splashed across their insides, and I can see it!”
  • The Greek gods are real.
  • The people from the Trojan War, such as Achilles, Hector, Paris, and Helen, are real and have been reincarnated.

Spiritual Content

  • None

Dreamless

Helen’s world is turned upside down when she discovers that Lucas, her beloved, is her cousin. Tormented by the guilt of being in love with someone she is related to, and unable to banish her feelings for him, her despair begins to affect her time in the Underworld. Her experiences in the Underworld are so grueling that her friends and family begin to worry Helen is going insane, or even dying.

Despite her failing health, Helen can’t avoid the Underworld. She is the Descender. She must wander through Hades’ world, and search for a way to stop the Furies from tormenting her family. But her strength is fading. Even a demi-god can only survive so much before the trip to the Underworld stops being a visit, and becomes permanent.

Dreamless keeps the stakes high. Helen is plagued with incestuous thoughts and tries to avoid those by falling in love with her friend Orion. However, that only brings about a love triangle. Lucas burns with jealousy, and Helen is still unable to let go of her feelings for her cousin. This book has adult themes and conversations, as well as a smattering of language and a decent amount of violence. Most violence isn’t extremely graphic, aside from the final battle, which will leave readers dying to get their hands on the third and final book in this beautifully written trilogy.

Sexual Content

  • Castor tells Lucas, “Scions have been plagued with incest since Oedipus. And there have been others in this House who have fallen in love with their first cousins, like you and Helen . . . the children born to related Scions always suffer our greatest curse. Insanity.”
  • Orion and Helen kiss. “His head fell listlessly toward Helen, inch by inch, until his lips grazed lightly against her own. His mouth was very warm and soft. Like a new flavor she couldn’t quite place but that she wanted to swallow whole, Helen pulled his lower lip into her mouth to take a bigger sip of him. Catching his face in one of her hands so she could tilt his wilting mouth towards her . . . “
  • Morpheus, the god of dreams, tries to seduce Helen. “Helen ran her hands across his chest and allowed him to kiss her lightly as he spoke . . . [he] slid her hands up over her head, pinning her under him.”
  • Orion and Helen make out. “He lowered his mouth to hers and kissed her. Her knees melted. This guy was that good a kisser . . . He guided her down to the ground, careful not to crush her underneath him.”

Violence 

  • When Castor tries to stop his son from yelling at Helen, Lucas, “spun around and hit his father. The blow was so hard it sent Castor flying halfway across the kitchen and into a cabinet of glasses and mugs over the sink. Noel screamed, covering her face as shards of broken dishes went flying in every direction.”
  • The Furies make Orion and Helen try to kill each other. “There was blood on her hands. Stunned out of her trance, Helen looked down and saw a dark, wet circle expanding across Orion’s shirt . . . She had stabbed him. And then she kept pushing the tip of the blade into him a tiny bit at a time.”
  • Zach’s master abuses him. “Zach crumpled onto his knees, all the air rushing out of his lungs. Automedon had punched him in the gut so fast he’d never seen it coming.”
  • When a child is born with the ability to cause earthquakes, the child is “left on a mountainside to die of exposure to the elements.”
  • Ares tortured Helen. “Ares hit her face again and then stood up so he could kick her in the stomach. The wind came out between the seized-up muscles . . . He kicked her again and again. If she tried to avoid the blows by curling up and turning her back to him, he stomped rather than kicked. She felt her forearm snap and tried to bring her leg up to protect her side, but that only made him attack her more viciously.”
  • Automedon stabs Zach in the chest, killing him.

Drugs and Alcohol

  • None

Language

  • The words hell, ass and damn are used frequently.
  • Other profanity is used rarely. The profanity includes crap, bitch, dick, asshole, bastard, son of a bitch, bullshit, and dickhead.

Supernatural 

  • There are Greek gods, demi-gods, and myrmidons in Dreamless. These beings have an assortment of powers, from super-strength to the control of hearts.

Spiritual Content   

  • None

Starcrossed

Helen has always been odd. Her biggest fear growing up was that someone would find out how much of a freak she really was. It’s not until a strange new family moves to her hometown on the island of Nantucket that she begins to realize just how different she is from the average teenager.

When the Delos family arrives, they open Helen’s eyes to another world. One where the ancient Greek stories of Troy, Tartarus, and Mount Olympus are true. Helen is more closely tied to this world than she could ever have dreamed. She is a Scion, a demigod, and with that knowledge comes the awakening of a myriad of powers she must learn to control.

But along with the Delos family arrives a curse. Scions have been tormented by the Furies for millenniums; three sisters who demand a blood debt be paid. This tortuous debt has cost countless lives, divided families, and driven Scions insane. Yet if that debt were to ever be paid in full, it would bring the end of the world.

Starcrossed is a page-turner that creates a world so wonderful one can’t help but wish it was real. Ancient Greek myths mesh with modern times in a delicious way, creating vivid characters and a whirlwind of action.

The Starcrossed series is best suited for more mature readers because the fight scenes add suspense, but also violence and blood.  There are few kisses but a plethora of sexual tension because Helen cannot be with the man she is falling in love with.

Sexual Content

  • While injured, Helen sleeps in the same bed as Lucas. “She gasped involuntarily as one of Lucas’s hands ran up the length of her thigh and latched on to the sloping dip from her hip to her waist. Then she felt him tense, as if he’d just realized that pillows weren’t shaped like hourglasses. His head jerked up and he looked around.”
  • When discussing Lucas with Helen, Kate says, “He’s like . . . wow! I could go to jail for even thinking what I’m thinking . . . But we’re not talking about me. We’re talking about you and Lucas and the importance of condoms.”
  • Creon lusts after Helen. “She was powerful, and yet so unaware of her potential she was nearly helpless. His hands shook at the thought of conquering her.”
  • Helen thinks she accidentally killed a child molester with her lighting. “That creepy guy . . . remember how he kept ‘accidentally’ bumping up against you and stroking your hair?”
  • When Helen is learning jujitsu Hector cracks a joke about Helen’s, “prone body and open legs.” Then Claire teases, “I would have thought it would be harder to get between your legs, but Hector doesn’t seem to be having any trouble at all.”
  • Helen and Lucas experience a lot of sexual longing while trying to stay away from each other. Helen asks Lucas, “Why are you sleeping on my roof and not in my bed?” Later she realizes that “There was a part of Helen that knew exactly how to seduce Lucas whether he wanted to be seduced or not, and that freaked her out.”
  • Helen wears the cestus, a mythical object that protects her. It looks different to everyone, because it turns into what most attracts them. When testing it, Helen “looked at Hector, focusing on him alone, and she felt her necklace change shape in her hand . . . Helen looked down and saw that she was holding a tiny scrap of lace that more closely resembled diamond-encrusted dental floss than underpants.”
  • Helen and Lucas kiss. “Lucas caught her and supported her as they tumbled on the wind, holding and kissing each other as he guided them safely back down to the catwalk.”
  • Lucas and Helen try to find a way to be together without being considered married. Helen suggests, “What if I wasn’t a virgin?” Lucas responds, “We’d be considered a married couple in the eyes of the gods, regardless of who took your virginity.”
  • When Lucas sees Helen in her pajamas he says, “since you apparently sleep in the most ridiculously transparent tank top I’ve ever seen, I’m going to have to ask you to get under the covers before I do something stupid.”

Violence

  • Helen attacks Lucas when she first sees him. “Lucas was holding her by the wrists to keep her hands away from his neck . . . if she could get her fingers half an inch closer, she could reach his throat. And then what? a little voice in her head asked. Choke the life out of him! answered another.”
  • Helen is attacked by a mysterious woman. “A wiry arm wrapped around her neck, simultaneously pulling back and pressing down until Helen fell to her knees . . . white and blue blobs bloomed across her field of vision . . . Helen crooked her arm and rammed her elbow into her attacker’s solar plexus with every bit of juice she had in her tank. She heard the person suck wind and then felt herself get dropped.”
  • Helen gets beat up when trying to learn how to fight. “Helen swallowed a mouthful of spit and blood and instantly regretted it when she choked on one of her own teeth.”
  • A reporter is murdered by a Scion. “She was lovely in terror–a perfect, pleading mast of alabaster white skin . . . Creon wanted to hold her like that for days, but a split second of enjoyment later he heard a snap. Like a switched-off TV, the light in her eyes contracted to pinpricks, and then went completely dark.”
  • It turns out that Helen is impervious to all weapons. “He started hacking away at her. Four strokes in, and the blade was ruined . . . The rain of blows ended abruptly when the sword fell apart.”
  • Creon tries to kill Helen. “He brought it down directly over her heart. Creon’s knife made a dozen pinging noises as it shattered and scattered off her skin . . . Lucas jumped on Creon with a vicious snarl, and the two of them began to fight so fast Helen could barely see their hands move. They punched and grabbed and gouged at each other, both of them changing from claw-handed boxing to some kind of strange wrestling in which they tried to bend each other’s joins in the wrong direction.”
  • Helen’s mother wakes up after being abducted. “There were deep vertical slashes on both her forearms that were still leaking fast-pumping blood even as they healed.”
  • A Scion, “drew a small bronze blade from his belt and slit Pandora’s neck so deeply he nearly cut off her head. She was dead before her blood had a chance to soak into the sand.”

Drugs and Alcohol

  • Helen’s mom, “Jabbed a needle into [Helen’s] neck . . . Helen felt her muscles go limp and refuse to follow her commands. The world faded into a pale gray haze.”
  • Helen’s mother is drugged with her own syringe.

Language

  • The words hell and ass are used frequently. Such as, “What the hell are you wearing?”
  • Crap and damn are said several times. For instance, when Claire sees Helen fly she says “Oh, damn it. You are a vampire.”
  • Jackass and shit are said once or twice.
  • Helen thinks, “I’m not usually a bitch–I’m just super-grouchy because I’m being stalked by three blood-crying ghosts who won’t let me sleep.”
  • When Helen is learning to fight with Hector, Jason yells, “She’s never fought before, you dickhead!”

Supernatural

  • Many of the characters in the books are demi-gods and have powers such as super-strength, super-speed, lightning bolts, flight, power over water, etc. In the book, “most of the ancient myths and great dramas are based on real people. The gods are real, and they had children with mortals. Half human, half god. We are their descendants. Their Scions.”
  • Scions are plagued by the Furies who force Scions from other houses to attack and try to kill each other. “For the first time in Helen’s life she knew what pure, heart-poisoning hatred was. She was not aware of the fact that she was running toward him, but she could hear the voices of the three sobbing sisters rise into a keening wail . . . The sisters were tearing at their hair until it came out of their scalps in bloody hanks.”
  • When Claire finds out what Helen is, she admits that she, “was a little worried [Helen] might try to drag me off to hell and drain my essence at some point.”
  • Cassandra is the Oracle. “The voices coming out of her were old and young and everything in between, all speaking in harmony . . . Cassandra’s mouth was glowing, and her hair was writhing around her head like snakes.”

Spiritual Content  

  • Helen and Orion spend much of their time in the Underworld, where all spirits go. They meet Hades and Persephone, and the god of death is mentioned.

The Rosemary Spell

As Rosemary is moving into a new bedroom, she discovers a mysterious book hidden in a locked cabinet.  The book used to belong to the town’s famous poet Constance, an elderly poet who has lost most of her memory. With her best friend, Rosemary tries to unravel the secret of the words. However, when they read what is written within, Shelby suddenly disappears—no one remembers her, not even her own parents.

Rosemary and Adam desperately try to figure out how to keep Shelby’s memory alive and how to bring her back. As they embark on their quest, they need Constance’s help, but her memory is fleeting. The two aren’t sure how to get the answers they need to break the spell. And as each minute passes, memories of Shelby are harder and harder to remember.

Right from the start, The Rosemary Spell will capture readers’ hearts with the characters. The mystery of the old book adds just a bit of creepiness without being scary. The Rosemary Spell is full of suspense, but what really drives the book is the close relationship between the three characters. Throughout the story, the reader will also gain insight into Rosemary’s feels of being abandoned by her father, as well as how Alzheimer’s affects the elderly. In the end, Rosemary learns that “There is loss in life, and the best we can do is face it head-on and meet it with grace and remembrance.”

Sexual Content

  • None

Violence

  • During a storm, Adam and Rosemary take a small boat across a swollen river. Rosemary injures her arm. “Swearwords I have never spoken, that I didn’t even know I knew, rise up inside me, but I keep my mouth shut. If I open my mouth, I’ll throw up.”
  • Adam, Rosemary, and Shelby try to cross back over the swollen river, and the three almost drown.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Adam and Rosemary find an ancient book that has writing that appears and disappears. The book also has a spell, which when read out loud makes whoever hears it no longer exist. Not knowing it is a spell, Adam and Rosemary say it, and Adam’s sister, Shelby disappears.
  • When Adam and Rosemary repeat a line from Shakespeare, “Rosemary, that’s for remembrance. Pray, love, remember,” they remember Shelby.

Spiritual Content

  • None

The Serpent’s Secret

Kiran’s parents are just a bit odd, and she has never really fit in. Even so, she thought she was just a regular sixth grader living in New Jersey. Then, on her twelfth birthday, her parents disappear and a rakkhosh demon crashes through her house to try to eat her.

When two princes show up, trying to rescue her, she realizes that her parents’ stories are really true—she really is a princess that comes from another world. With the help of the two princes, Kiran is taken to another dominion, one with magic, winged horses, moving maps, and annoying talking birds. Before she can save her parents, she must fight demons, unlock riddles, and avoid the Serpent King of the Underworld.

The Serpent’s Secret is an interesting and action-packed retelling of Indian mythology. Filled with riddles, jokes, and a talking bird, the story will entertain middle school readers. Black and white illustrations will help readers visualize the characters. As Kiran learns about her cultural background, she also learns to accept herself. Although there is violence, the scenes are appropriate for younger readers because they are not described in detail and much of the action is running away from demons instead of battling them.

Kiran and the two princes talk like stereotypical teenagers. The main character’s dialogue is filled with slang and idioms such as when Kiran looks at the prince and thinks, “While I got my fill of Lal-flavored eye candy.” There is a lot of creative name-calling throughout the story, which does not involve cursing.

A dynamic story with a strong heroine, The Serpent’s Secret will delight those who like a good adventure story.  For readers interested in adventure stories or India’s mythology, Aru Shah and the End of Time is a must-read.

Sexual Content

  • The king has multiple wives.

Violence

  • A rakkhosh, or demon, swallows Kiran’s parents and then tries to swallow her. When Lal tries to help, the rakkhosh knocks him out. “I shrieked as the monster’s fist managed to connect with Lal’s head. The prince slumped forward, unconscious, and then began to slip off the rakkhosh’s neck.” The fighting takes place over several chapters.
  • A teenager spits at Lal. “The goober hung on a lone blade of grass, shimmering like a disgusting jewel.”
  • The Demon Queen attacks Kiran. “. . . The rakkhoshi ripped a handful of her own hair from her head and threw it at me . . . As soon as the magical hair hit me, I couldn’t move at all.” Neel saves Kiran, but not before the Demon Queen turns Neel’s brother and friend into spheres. The battle lasts over several pages.
  • When Kiran and Neel try to steal a stone that is being protected by a python, the “snake grabbed a hold of Neel, wrapped itself around him, and began to squeeze. . . Neel’s face got redder as the snake squeezed.” The battle scene takes place over a chapter. In the end, the python is defeated. “The python’s giant body lay still, oozing dark blood on the cavern floor. Trying to reach the jewel, it had instead split itself in two on Neel’s sword.”
  • A baby rakkhosh wants to eat Kiran, her parents, and Neel. “That snot-nosed newborn demon transformed himself into a whirlpool.” When the rakkhosh “eats” them, they end up in a cave with a seven-headed snake, who “wrapped Ma, Baba, and even poor terrified Tuntuni in his coils. As a last flourish, he slapped his nasty tail over all their mouths.”
  • The serpent king imprisoned Neel in a flaming sphere. “The prince screamed in pain—a sound that made my blood run cold. He writhed around within the glowing orb, his body twisting in unnatural contortions, as if he were being tortured.”
  • Kiran and the Serpent King battle. “He shot bolt after bolt of green fire, but I met them all with the shimmering, diamond light of my own.” Kiran’s moon mother shows up, and “as he launched the cracking lightning from his hands, the moon shot a white-hot beam at the Serpent King. He glowed an incandescent green, but then began to writhe and decay, his energy going from green to brown to gray to black.” The Serpent King disappears and everyone is safe.

Drugs and Alcohol

  • A rakkhosh sings a song, “Hob, gum, goom, geer! Pass the blood! Pass the beer!”
  • A “band of drunken demons” chase Kiran and Neel.
  • Kiran sees a warning sign that reads, “After whisky, fighting demons risky.”

Language

  • A bangle seller says her bracelets are for “generously proportioned and the skinny-butt offspring of slimy snake creatures alike.”
  • The Demon Queen calls Kiran a “snake in the grass” and “cobra dropping.
  • When Kiran is fighting a python, she thinks, “Holy serpent poop.”
  • Kiran thinks that Neel’s “Granny still had some chutzpah left in her.”
  • Kiran calls Neel a “Royal Pain-in-the- Heinie.”
  • Crap is used twice and heck is used once.

Supernatural

  • The story focuses on Indian mythology, including mythological monsters and demons.
  • Kiran’s parents are “swallowed by a rakkhosh and whisked away to another galactic dimension.”
  • Kiran’s father was a serpent king and her mother was a moon maiden. Her adoptive parents found her “in a clay pot floating down the River of Dreams.”
  • Kiran’s biological mother exiled her to New Jersey and put a protection spell over her and her adoptive parents. “Anyway, an expired spell also makes everything around it unstable—in this situation, the boundaries between the various dimensions . . . which is how the rakkhosh came into your world.”
  • Kiran’s tears have healing properties. “I remembered how Tuni had seemed dead, but how he’d come to life in my arms.”
  • Kiran can understand horses. “And then, as clearly as if the horse were speaking to me, I heard his voice in my mind.”

Spiritual Content

  • Kiran explains that her “Baba always tells me we’re all connected by energy—trees, wind, animals, people, everything. . . He says that life energy is a kind of river flowing through the universe.” Neel continues the thought and says, “When our bodies give out, that’s just the pitcher breaking, pouring what’s inside back into the original stream of universal souls . . . so no one’s soul is ever really gone.”

The Rose Legacy

Since the death of her parents, Anthea has never felt wanted. Her family shuffles her from relative to relative. Her life is uprooted when she receives a letter from an uncle who lives in the exiled lands. Anthea dreams of being a Rose Maiden to the queen like her mother, but she fears that being sent to live beyond the wall will end her dream. Feeling scared of living beyond the wall, Anthea’s nightmare becomes worse when she learns that her uncle breeds horses—animals thought to be extinct after bringing a plague to Corona.

Anthea questions everything that she has been taught as she learns more about her family, her country’s political history, and herself. When Anthea tries to flee, she meets Florian, a horse from her childhood. For years, Florian has dreamed of being reunited with Anthea. With the help of Florian and a mix of interesting characters, Anthea learns that things are not always what they seem.  When danger threatens her new family, Anthea learns to trust others as well as herself in order to save the horse that she has come to love.

Jessica Day George’s cast of characters in The Rose Legacy is diverse, interesting, and captivating. The story is told from both Anthea’s and Florian’s points of view. This allows the readers to understand Anthea’s confusion, fear, and her desire to be wanted. The connection between Anthea and Florian is remarkably sweet and shows the true meaning of love.

Anyone who loves a good story should add The Rose Legacy to their reading list. Full of suspense, emotion, and surprises, the story will captivate readers of all ages. The story isn’t just about horses, but the power of friendship and overcoming one’s fears as well.

Sexual Content

  • As part of the narration, Anthea mentions that a man had “gotten fresh” with her teacher.
  • A boy gives Anthea a necklace for her birthday and “kissed her on the cheek and then fled.”  Anthea thinks, “It had been a very nice kiss. . . . His lips had been very warm and soft.”

Violence

  • When Anthea tries to save an owl, a horse named Constantine gets angry and tries to trample her. Another horse, Florian, intervenes, and the stallions fight. “Constantine bit Florian’s neck with his yellow teeth. . . . Constantine came thundering toward them, seeing that Anthea was about to escape . . . lashed the boards, trying to break through to get to them.”
  • One of the horses gets caught in a hunter’s snare. When Anthea tries to free him, “the wires that were still wrapped around his legs arced through the air with a singing noise. . . . A wire slashed open her face just below the left eyebrow, narrowly missing her eye, and a rivulet of blood obscured her vision.”
  • A hunter shoots and hits a horse and Anthea. “When the bullet ripped through her side, Anthea honestly didn’t understand what had happened.”

Drugs and Alcohol

  • A train conductor offers Anthea’s uncle a glass of whiskey.

Language

  • None

Supernatural

  • People who have “the Way” can communicate with horses and feel the horse’s emotions.

Spiritual Content

  • One of the characters says, “Then they’ll probably find some long-lost sacred tablet that says that horses are the devil’s pets and we have to destroy them all or burn in hell!”

Pegasus: The Flame of Olympus

Manhattan is thrown into darkness during the worst storm in history, so when Emily hears a crash on the top of her apartment, she is reluctant to go investigate. However, her curiosity gets the best of her, and what she finds changes her life forever.

Pegasus has fallen from Olympus during a terrifying fight against the Nirads, stone warriors who are out to destroy everything in their path. In an effort to help Pegasus, Emily teams up with Joel. Along the way, the two are greeted with danger from both the Olympian world and the Earth world. Fighting monsters isn’t Emily’s only worry. She must also learn how to avoid a government agency that wants to capture Pegasus. In the end, will Emily and Joel be strong enough to protect Pegasus and themselves?

Pegasus is a fast-paced story with a lovable heroine, Roman gods, and plenty of action. Because the story is told from Emily’s point of view, the reader is able to connect with not only Emily, but with the other characters as well. Even though the story has violence, the descriptions are mild and allow the reader to imagine the details. O’Hearn weaves the Roman myths into a modern setting that will leave readers wanting more.

Sexual Content

  • None

Violence

  • When Nirads fight to destroy Olympus, many of the Roman gods are hurt. Mercury was, “lying on his side, a spear sticking out of his chest. Blood matted his fair hair, and his face was covered with bruisers.”
  • Paelen, an Olympian thief, was captured by a government agency. They put him in a secret government facility and restrain him with chains. “. . . Two men in white overalls rushed forward and caught hold of his hands to restrain him. But when Paelen proved too strong for them, more men arrived. They wrestled his hands down until he was finally handcuffed to the sides of the bed.”
  • The Nirads try to kill Pegasus and Emily. The fight lasts several pages. “Emily lunged forward and jammed the points of the pitchfork into its black eyes. Howling in rage, the creature fell to the ground and raised two hands to its face. Black liquid oozed between its fingers and dripped onto the tarmac.”
  • Paelen will not answer Agent J’s questions. “Driven to fury, the older man started to slap Paelen violently across the face.” When Agent J leaves, someone said, “If he keeps pressing Agent J like that, the man will have him sliced and diced and poured into Mason jars.”
  • Paelen finds a dead Nirad at the prison. “Instead his eyes were drawn to a deep scar burned on the folded-back skin of the Nirad’s open chest. Closer inspection revealed several other similar scars along its exposed body.”
  • When Paelen is trying to escape, he is shot with a tranquilizer gun. He, “felt the sharp stinging of bees. He looked down at his chest and saw darts sticking into him.”
  • In order to get Emily to talk, an agent grabs her wounded leg. “The pain was blinding. Emily had never known such agony. It stole the screams from her throat and drove the wind from her lungs. Stars appeared before her eyes as the sound of water rushed in her ears. A moment later she passed out.”
  • When a guard calls Pegasus a horse, Diana (Roman Goddess) shoves the agents against the wall. “The wind was driven from their chest with such strength that they were instantly knocked out and crumbled to the floor.”
  • When the government’s agents try to stop Pegasus and others from escaping, Pegasus fights. “The stallion rose on his hind legs and lunged forward. One golden hoof struck Agent O, leaving a deep horseshow impression on his chest. The other hoof hit Agent J in the head with a lethal impact.”

Drugs and Alcohol

  • Joel’s parents were killed when “a drunk driver lost control of his car and crashed into us.”
  • While being held captive, Paelen is given a truth drug. “As the drug took effect, Paelen started to feel what it must have been like to be Medusa. His head was full of writhing, angry snakes; his veins were coursing with fire.”
  • One of the guards at the government agency said, “Want to join me and the boys for a beer later?”

Language

  • None

Supernatural

  • When Emily looks into Pegasus’ eyes images appear. “. . . Strange images suddenly flooded her mind. She saw Pegasus in a dark room, storm-filled sky with lightning flashed all around him.  She felt his determination, his fear. . .”
  • Emily must sacrifice herself to relight the flame of Olympus. “The flames were coming from each part of her, consuming her and spilling out of her every pore. As she stood in the center of the flames, the pain slowly ebbed and finally disappeared completely.”
  • When Emily doesn’t die in the flames, Vesta (Roman Goddess) explains, “You have been reborn.”

Spiritual Content

  • None

Soar

Jeremiah loves baseball.  When his father gets a new job in Ohio, instead of being upset at having to leave his best friend, Jeremiah is excited to go to a town that is known for its winning baseball team, The Hornets. However, soon after they arrive, the Hornets are caught up in a scandal and the town is left wondering if they would be better without baseball.

Although Jeremiah can’t play baseball because of his heart transplant, he knows that baseball is too important to give up. So when he discovers that the junior high baseball team was disbanded when the coach was fired, Jeremiah takes it upon himself to coach the few who are willing to come out. However, some parents don’t want their kids on the team, some schools don’t want to play a town that is in the middle of a scandal, and some of the players think they are destined to be losers. Can Jeremiah’s can-do-attitude overcome the obstacles to bring the team together or is baseball going to die in this Ohio town?

Right from the start, Jeremiah’s voice jumps off of the page. Baseball and Jeremiah aren’t the only things to love in Soar. There are many interesting characters ranging from a nosy neighbor who peaks through the bushes to the wise coach who lives next door. There is also a little bit of mystery because the story focuses on Jeremiah’s neighbor, Franny, who has a dark secret that is keeping her from picking up a baseball.

Even though the story talks about the steroid scandal, the topic is handled in an appropriate way for younger children. Throughout the story, the reader will learn the importance of having a positive attitude as well as the fact that winning isn’t what defines a winner. Soar is an entertaining book that has “humor, heart and baseball lore.”

Sexual Content

  • A nurse tells about “her cheating ex-boyfriend.” But no other details are given.
  • Jeremiah’s father becomes engaged. Jeremiah sees his father and fiance kiss a couple of times.

Violence

  • None

Drugs and Alcohol

  • When a baseball player dies there are rumors about the cause of his death. People wonder if he was drunk or on drugs.
  • The story revolves around the high school’s baseball team whose coach gave some of the players steroids.

Language

  • None

Supernatural

  • None

Spiritual Content

  • Before Jeremiah has heart surgery, he prays with his father. “The Lord is my shepherd; I shall not want. He makes me lie down in green pastures; He leads me beside the still waters; He restores my soul.”
  • At one baseball game, a priest and a nun are part of the team’s fans. One of the players is upset that “They’ve [the team] got God on their side!” Another player points out the Rabbi who cheers for their team and says, “Look, we’ve got God, too.”
  • Before the game, the Rabbi prays. “May the Source of All Life bless these players with wisdom and strength, swiftness and skill, patience and power . . . And for the umpires—blessed is the Source of Arcane Baseball rules and those who tend them.”

Almost Home

Sugar’s life isn’t perfect, but she’s content. She has a best friend, a teacher who encourages her to write, and a home to go to. When life throws difficulties her way, Sugar looks at the bright side. But when Sugar becomes homeless, she had a hard time finding the good in life.

Then Sugar’s mother Reba decides to move to Chicago hoping for a fresh start, but when Reba doesn’t get the job she had hoped for, she has a nervous breakdown. Sugar and her puppy Shush are moved into foster care. Throughout the story, Sugar holds on to her dreams and learns that life can be good, despite her circumstances.

Sugar is as sweet as her name. She is an engaging character that the reader will fall in love with. She pours out her feelings of fear, loneliness, and confusion through poetry, which allows the reader to understand Sugar’s thoughts and emotions. Sugar’s cute, fearful puppy is added to the mix which makes Almost Home even more enjoyable. As Sugar narrators her own story, the reader gets a glimpse of what it feels like to be homeless. Because Sugar is a sixth-grader, the story is told in a manner that is age-appropriate for younger readers.

There is much to like about Almost Home. Sugar meets interesting characters of all ages who add delight to the book. The majority of the adults in the book are shown to be kind people who only want to help. And even though Sugar’s mother Reba has a nervous breakdown, in the end, Reba shows that despite her imperfections, she truly is trying to be a better person because she loves her daughter.

Much of Sugar’s life lessons came from her grandfather, King Cole, who imparted much wisdom about not giving up. Even though her grandfather is dead, his character still shines through. Through sharing Sugar’s story, the reader will learn that sometimes taking one step takes great courage, but it’s necessary to keep moving if you are going to keep your dreams alive.

Sexual Content

  • One of the character’s dad cheated on her mother and went into hiding. Later the character discovers that after her father disappeared, he married another woman and had a son.
  • Mr. Leeland “gives Reba a too-long kiss.”

Violence

  • A boy tells Sugar, “I had a dog—it died. It keep barking, so my uncle shot it.”
  • When Mr. Leeland shows up drunk, one of the children “makes a big run at him from behind, shouts a war cry, and pushes him down. Mr. Leeland is on his face moaning.” Reba then stands on him. “She digs her heels into his back.” And then she kicks him out of the house.

Drugs and Alcohol

  • Sugar’s father, who she calls Mr. Leeland, comes and goes, but never stays long. “He only cared if there was food and beer in the refrigeration. . .” Later Sugar talks about when Mr. Leeland got drunk. At the end of the book, he reappears drunk.
  • Sugar is living in a shelter that does not allow drinking. Her mother, “normally doesn’t drink, except when Mr. Leeland is around, but she and this lady Evie, who lives at the shelter, they have a drink now and then in Evie’s room.”
  • One of the characters talks about her foster daughter who was on and off drugs and ended up dying of an overdose. The character tells Sugar, “Drugs are out there, and they’re looking for kids to destroy . . . You’ll never feel worse than you do on drugs. You could end up like Tonya—stone cold dead.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • Sugar was born in the back seat of a car. In the narration, Sugar explains, “When I popped out and Reba saw the Sugar Shack sign, she felt it was a sign from God; right there I got my name. At least God told her to stop at Sugar. Sugar Shack Cole would have been a chore to live with.”
  • Sugar writes prayers to God. When she is in a difficult situation, Sugar “tried to pray like King Cole told me, but I couldn’t. I felt like the earth had opened up and swallowed us into a dark place—a place no prayers ever got answered.”
  • Sugar wonders, “If King Cole can see me from heaven. I wonder if God is paying attention, or if he’s off helping people who have places to live.”

 

Dragonbreath: Nightmare of the Iguana

Horrifying dream monsters are keeping Wendell awake. In an attempt to help his friend, Danny Dragonbreath and Suki the Salamander go in search of advice from Danny’s wise mythological great-grandfather Dragonbreath. Danny and Suki must defeat the Dream Wasp before it can lay eggs in Wendell’s dreams, which would cause Wendell to go crazy. So Danny, Suki, and a sleepy dream eater enter the “dark horrors of Wendell’s subconscious.” They climb mounds of healthy food, run from a school bully, and search a massive library before they find the Dream Wasp and smash her eggs.

Nightmare of the Iguana is hilarious, action-packed, fun. Wendell’s dreams are the frightening things that kids can relate to—not doing well on a pop quiz, a mother who is a health food nut, and a girl finding out that he likes her. Danny’s wise mythological great-grandfather Dragonbreath’s hearing problems lead to humorous statements. As Danny and Suki enter Wendell’s subconscious and fight dream monsters, the battles involve more running than actual fighting.

Green and black illustrations add to the allure of the book. Drawing with dialogue balloons helps break up the text and keep the action moving. Dragonbreath shows the value of friendship and will get even the most reluctant readers engaged in the story. Although Night of the Iguana is the eighth book of the Dragonbreath series, the story can be enjoyed as a stand-alone story.

Sexual Content

  • Suki kisses Wendell on the cheek.

Violence

  • Monsters chase Danny and Suki, yelling “We will crush their bones and then give them pop quizzes!” They hide in the library, and when a monster finds them, “the monster with the battle-ax swung and hit the weakened bookcase. It collapsed slowly. Books slid off in a waterfall of paper.” They find a staircase in a book and are able to escape unharmed.
  • The dream eater (baku)  fights the Dream Wasp. “The floor shook as the two collided. The Wasp slashed with its bladed forearms, but the baku’s hide was thick and knobby . . .” Danny and Suki began throwing it’s eggs at the Wasp. The battle is described over a chapter and with the dream eater killing the Wasp.

Drugs and Alcohol

  • None

Language

  • When being chased by monsters, Suki says, “Oh, crud.”
  • While squishing the Wasp’s eggs, Suki says, “Oh god, this is disgusting.”

Supernatural

  • Danny and Suki enter Wendell’s dream world and see the “dark horrors of Wendell’s subconscious.”
  • Dream monsters enter Wendell’s dreams. The main one, the Dream Wasp, lays its eggs in Wendell’s mind. “The Dream Wasp was the size of a house . . . Its stinger was as long as a car and tapered to a wickedly sharp point. Its jaws were serrated and meshed together like a bone zipper. Its forelegs looked like steak knives, assuming that by ‘steak’ you meant ‘the entire cow.’”

Spiritual Content

  • Danny’s great-grandfather is helping Suki. “He’s teaching me meditative techniques. To help with being a ninja in a past life.”

 

Liesl & Po

Liesl’s cruel stepmother keeps her locked away in an attic. With nothing to do, Liesl spends her time looking out a tiny window and drawing. One lonely night, a ghost named Po appears from the Other Side. Both Liesl and Po are less lonely when they are together. When Liesl’s father dies, she is determined to take his ashes to a special place. With Po’s help, Liesl is able to escape and the two embark on a dangerous adventure to bury her father.

The alchemist’s apprentice, Will, leads a miserable life. His one joy is to look at the small girl in the attic window. Late one night, Will accidentally mixes up a major delivery. Now, the person who ordered the most powerful magic in the world will stop at nothing to get her potion that Will failed to send to her.

The lives of the children—Will, Leisl, and Po—intersect as they help each other avoid the adults who would like to capture them.

Lauren Oliver writes a beautiful story that shows the power of friendship. Although Liesl & Po is age-appropriate, the story shows a frightening version of the Other Side—a place where the dead lose their shape and their memories. Another aspect that may frighten younger readers is the terrible actions of the adults in the story. The alchemist verbally abuses Will. Liesl’s stepmother plots the murder of Liesl’s father and attempts to kill Liesl. The other adults (except one) in the story are just as vile. However, the story ends in a satisfying way, leaving the reader with hope.

Sexual Content

  • None

Violence

  • One of the alchemist’s apprentices was accidentally turned into a mouse, “just as the alchemist’s scrawny, always hungry tabby cat had come swishing in through the cat door.”
  • Augusta wants to kill her husband and stepdaughter, but she is afraid to kill both at the same time. Therefore, she uses poison to kill her husband because “the slow death of a middle-aged man is hardly likely to be attributed to poison, especially when the poison is administered teaspoon by teaspoon, a bit in the soup every day, over the course of a year.”
  • Will overhears a conversation when a factory worker says, “The problem is the boys. We’re running through ‘em! We’re running out! Boys are losing limbs, fingers, toes. One of the boys had his head chopped off last month.”
  • Someone tries to grab Liesl. “During her frantic struggles against the Lady Premiere, she had smacked her head against the door jam and gone as limp as a lettuce leaf.” Lady Premiere then locks Liesl in a room.
  • Augusta tries to feed Liesl soup that she has poisoned. When Liesl refuses to eat it, “Augusta, enraged, sprang to her feet. She grabbed Liesl by the shoulders and shook her . . . Augusta shook Liesl so hard that her teeth knocked together.” Augusta then tells Liesl she can eat the soup and die slowly or she can starve to death.
  • Two siblings are seen “hopping and twisting and slapping each other.”

Drugs and Alcohol

  • Po meets a ghost who died in a bar brawl.
  • Augusta kills her husband with poison.
  • Augusta says that her maid was, “dropped on her head quite frequently as a baby. Her mother was a hopeless drunk.”
  • An innkeeper thinks about a time when she served her customers “weak wine.”

Language

  • None

Supernatural

  • Po is a ghost who explains how death works. Some people go “straight on,” and others go to the Other Side. The Other Side is “vast and filled with ghosts.” When new people cross over to the “dark and twisting corridors,” people lose their shape and memories. When people first get to the Other Side, “they become a part of darkness, of the vast spaces between starts.”
  • When people die, they blend and become part of the Everything. “The ghost reminded itself that losing form was natural, and good, and the way things were in the universe.”
  • Po takes Liesl to the Other Side. “. . . She was aware of the sensation of Po inside her, urging her forward, like suddenly feeling a division down your middle and being two people . . .” Po leads Liesl through the Other Side, and then opens a passage so Liesl can go back to the living world.
  • When people first get to the Other Side they are often confused because they do not understand where they are. “All those new ghosts: All they wanted was to go back to the Living Side.” In order to help Liesl, Po tells the new ghost to follow him because the path would lead them home. Instead, they go to the Living World. “Because they were very new ghosts, they had not started to blend yet, and so were quite visible. . . Some had holes in their faces, or were missing arms or legs, where their physical selves had begun to dissipate and merge with the rest of the universe.”
  • Liesl’s father returns from the Other Side and accuses his wife, Augusta, of killing him. Augusta then reveals that the alchemist gave her “Pernicious Poison: Dead as a Doorknob, or Your Money Back.”
  • After helping Liesl, Po and Bundle appear as solid shapes. “They were golden—they’d been dipped in gold—no—they were made of gold. And then the golden Po-shape turned into tan brown arms and shoulders, a ring of curly yellow hair, and a laughing smile. . . ” Then he disappeared “to Beyond.”
  • Will works for an alchemist who makes spells. For one spell, Will “spent the whole day grinding up cow eyes, and measuring the blood of lizards into different-sized vials . . .”
  • The alchemist can make spells that “turned frogs into goats and goats into mugs of tea. He made people grow wings or third legs. Recently he had mastered a tincture that would make a person disappear entirely.”

 Spiritual Content

  • None

Shark Bait

Sam expected to view sea life while on vacation at the Great Barrier Reef. What he didn’t expect was to become shark prey. But when a huge wave hits Sam and another boy, they are swept into the open ocean. Sam must keep himself and his new friend, Michi, from drowning. He also has to worry about the predators that lurk underwater.

When Sam and Michi finally see land, their troubles are far from over. Michi’s foot gets stuck in a giant clam and when Sam goes for help, smugglers throw him in a cage with an angry bird. Sam must figure out a way to escape in time to help Michi get to shore before the tide comes in.

Action-packed suspense will keep readers turning the pages of Shark Bait. Because Sam tells his own story, the reader will be able to relate to his fear and determination. Although Sam seems to have the worst luck in the world, his story is believable. Shark Bait is an easy-to-read story that is sure to entertain.

Sexual Content

  • None

Violence

  • A shark attacks Sam. “I felt myself knocked head over heels. The next moment I was upside down, looking back through the inverted V of my splayed white legs . . . I couldn’t believe a real live shark had just head-butted me and then swum away.” When a shark bites the cast on Sam’s foot, Sam “hit my attacker in the eye” and the shark lets go.
  • During the night, a boat hits Sam. “It spun me around, rolling me helplessly along the hull beneath the water line . . . The hull wacked me again, on the shoulder this time.”
  • Sam wrestles with a sea snake. “Grabbing its neck with my other hand, I yanked it off my watch . . . It coiled itself into a writhing green football around my wrist and arm, its mouth biting and snapping in my tightly clenched fingers.”
  • Michi attacks a smuggler, who is holding Sam captive. “Michi darted forward and tripped the smuggler with his stick . . .” Then Michi uses a karate kick. “The toe of Michi’s heavy leather shoe struck him squarely in the temple. Whomp! Baldy went down like a sack of wet cement.”
  • A smuggler throws a spear at Michi, but no one is injured. Later Michi kicks the smuggler and the man “fell in a heap.”
  • A smuggler shoots a gun at the boys.
  • A smuggler tries to stab Sam with a bowie knife. Sam “formed a karate ridge-hand and struck him with all my strength right on the point of his elbow . . . he screamed, dropped the knife, and slid from view.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

You Go First

Charlotte has had the same best friend since elementary school. Charlotte wants to be a geologist and understand facts. When Charlotte starts middle school, she doesn’t understand why her best friend no longer wants to spend time with her. She doesn’t understand how to fit into middle school.

Ben doesn’t have any friends. He isn’t going to let that stop him from making an impact on his middle school. He’s determined to run for a student body office. But Ben isn’t prepared for a high school bully.  And life only gets worse when his parents announce that they are getting a divorce.

On the outside, Charlotte and Ben’s lives are completely different. Charlotte lives in Pennsylvania. Ben lives in Louisiana. But internally, both are smart, and both are struggling to fit into middle school. An online game of Scrabble brings the two together, but can a game break up their loneliness?

Beautifully written in easy to understand language, You Go First shows the power of having a friend. At first, Charlotte and Ben’s struggle seems stereotypical—smart kids enter junior high and realize they have no one to sit with at lunch. However, the characters are so unique and well-developed that the readers will feel their confusion, pain, and desire for someone to talk to.

Unlike many stories, You Go First looks at not only how mean middle school students can be, but Charlotte also begins to see how she is similar to the mean kids. Through the story, the reader will come to a better understanding of what friendship should look like. You Go First does not end with a happily-ever-after ending; however, the story does show how one friend can make a difference in a person’s life.

Sexual Content

  • Charlotte’s friend said that she “didn’t want to graduate from middle school as the only girl who’d never been kissed.”

Violence

  • A boy shoves Ben’s head against a wall and later smears ketchup on Ben’s shirt.
  • A boy trips Ben in the school hallway. “He did tumble. It just happened to be over Theo Barrett’s sneaker.”
  • Just as Ben is beginning his speech, a group of kids throws firecrackers at him.

Drugs and Alcohol

  • Charlotte’s father takes pills for his heart.

Language

  • Two girls are talking about a boy. When he walks in, a girl says, “Oh, God. Speak of the devil.”
  • A girl calls her brother Dorko and tells him, “God, you’re such an idiot.”
  • When Charlotte trips and drops her lunch, someone says, “Well done, Lock-nerd.”

Supernatural

  • None

Spiritual Content

  • Ben was in his bedroom preparing for an oncoming speech. He really wanted his dad to leave the bedroom, and “then the gods gave him an unexpected gift: His phone buzzed. . . ”

 

The Hypnotists

Jax’s eyes have always changed colors. And when people begin doing exactly what Jax tells them, he wonders if there is more to his color-changing eyes than he knows. Soon, Jax finds himself invited to meet Dr. Mako. Dr. Mako promises to teach Jax to harness the power to hypnotize people.

Excited by the prospect of learning more about his powers, Jax falls under Dr. Mako’s spell. However, Jax begins to wonder why Dr. Mako is so interested in his powers. Jax isn’t sure if Dr. Mako can be trusted. Soon Jax is tangled in a web of deception. Jax must figure out how to save his best friend, his parents, and the United States from Dr. Mako’s evil plan.

Jax’s newly emerging power adds humor and suspense to The Hypnotist. Younger readers will enjoy watching Jax learn to use his power and struggle with the responsibility of being able to hypnotize others. Jax works through many of his problems by talking to his best friend Tommy. This allows the reader to understand Jax’s emotions. The relationship between Jax and Tommy adds to the story’s plot and helps keep the story’s tone kid friendly. Even though much of the conflict revolves around Dr. Mako, who turns out to be an evil villain, the violence is age appropriate for children because it is not described in detail or in a scary manner.

Sexual Content

  • None

Violence

  • A man is hypnotized and ordered to jump off a bridge. Jax, “could hear the sound of someone in terrible distress, sobbing as if the end of the world were at hand . . . they watched in horror as the young man hoisted himself over the barrier and stood poised, trembling, on the narrow ledge.” Jax re-hypnotizes the man and saves his life.
  • Dr. Mako puts a post-hypnotic suggestion on Jax’s parents. If Jax doesn’t do what Dr. Mako wants, he will tell Jax’s parents to kill themselves. Dr. Mako tells Jax, “I won’t mention the trigger word yet. It’s too dangerous. When they hear it, both your parents will proceed to the nearest subway station and throw themselves in front of an uptown train.”
  • Jax parents throw themselves in front of a train. No one is injured.
  • Dr. Mako hypnotizes Jax and has him jump off a building. A mob of people hold up curtains and catch Jax, which prevents him from being killed.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Many of the characters in the book can hypnotize others. One of the character’s specialties is, “A series of post-hypnotic suggestions that could be activated later.”
  • Throughout the story, many characters are hypnotized without their knowledge.
  • When Jax is learning to hypnotize others, he learns that, “the mesmeric connection is a powerful coupling of two minds. . . When you ‘see’ through your subject’s eyes, you’ve admitted a stranger’s consciousness into your head.”

Spiritual Content

  • None

 

The Dragonfly Effect

Jax is unsure if the military is protecting him or keeping him prisoner. The military promised to protect Jax and his family from Mako, a hypnotic mastermind who wants Jax dead.

Soon Jax learns that the military’s protection comes at a price. They want to use Jax’s hypnotic powers as a military weapon. The military wants to figure out how to use Jax’s ability to control people through video broadcast, but Jax only wants to use his powers for good. Soon Jax is using his hypnotic power in military experiments that could cost people their lives.

Then Mako escapes from prison. With the help of a young boy with hypnotic powers, Mako plans to put the entire world into a hypnotic state, which will not allow people to move as the world falls apart without them. Jax, with the help of two friends, must avoid being captured by the military or Mako in order to save the world.

The Dragonfly Effect is filled with suspense and adventure. Jax is stuck between following the orders of the adults around him and doing what he knows is right. Although there is violence in the book, it is not described in detail and is age-appropriate for children.

One likable aspect of the story is Jax’s parents. They know about Jax’s hypnotic powers, and even when Jax uses his skills to hypnotize them, they are smart enough to know that Jax is trying to manipulate them. Even though Jax is the main focus of the story, his parents come across as a smart, loving couple, which is rare in today’s books.

Sexual Content

  • None

Violence

  • Jax puts a pilot into a hypnotic state. While in the hypnotic state, the pilot crashes his plane. “The fireball lasted only a split second before the video went blank.” Jax becomes upset that “You made me kill him!” It is only then that Jax finds out the pilot was in a simulator and is fine.
  • When Jax breaks into a military facility, he is caught. “MPs stormed the room. Rough hands grabbed him, threw him to the floor, and flipped him over on his face. He felt his arms pinned behind him as cuffs were slapped on his wrist.”
  • In an experiment, Jax puts an entire town under a hypnotic state. The people are given an order to stop moving. As the people are frozen in place, disaster happens around them. Cars crash, houses burn, and other disasters begin, but the people never move.
  • Jax’s friend drives a Bobcat into a police station to free his friends.
  • Jax is kidnapped and put into a “chokehold. A knee in the small of his back lifted his heels slightly off the floor . . . He hung there paralyzed with pain.”
  • There is a fight between boys, which is described over a page. “Jax charged his enemy, grabbed him around the midsection, and drove forward like a wrestler.” In the end, no one is injured.
  • Under a hypnotic state, Jax is told, “The only thing that will make you feel more wonderful . . . is to take the pistol from that security man, hold it to your temple, and squeeze the trigger.”
  • A plane carrying Jax’s parents almost crashes when the pilot is put into a hypnotic state and freezes, unable to move.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

 

Timeless: Diego and the Rangers of the Vastlantic

Time collided. Now dinosaurs roam with robots. Humans from three different time periods now live on Earth. Diego’s parents come from two different time periods and hope to make their home, New Chicago, a better place.

In Diego’s world, conflict is ever-present. Not everyone believes that kids from different eras of history and from different cultures should interact. Some still wish for the world that they came from before time collided.

When Diego’s father, a New Chicago’s top engineer, is taken by rebels, Diego vows to help free his father. Diego thinks the key is to build bigger, stronger weapons. However, when he and three others accidentally end up on a pirate ship, Diego’s beliefs are challenged.

Diego and the Rangers of the Vastlantic gives the reader a glimpse of the struggles others faced during different eras, which gives the story interest. The story doesn’t just focus on how boys and girls often do not understand each other, but also how people from different cultures can also have conflict.

Although the story is full of action and has an epic battle scene, the violence is not described in great detail. Instead, sights and sounds are left to the reader’s imagination. Stunning illustrations enhance the story and help bring the new world to life. Diego and the Rangers of the Vastlantic is a story about friendship, family, and seeing others in a new way. In the end, Diego learns that powerful weapons are not the key to keeping his world safe.

Sexual Content

  • Two boys have a sparring match and the winner gets a kiss from Paige. One of the boys says, “Sadly for you, only one lovely lady will get to know the thrill of these lips.” Later the winner describes the kiss, “But it wasn’t exactly a kiss. More like an attack on my face. Her lips were, like, strong.”

Violence

  • Diego and a group are cornered by a bully and his gang. Diego “Slammed Fish across the face with it (skateboard) and a girl ‘judo flipped’ a boy to the floor.”
  • A rebel group attacks a power plant and kidnap about a dozen engineers. “A marine lay on the floor nearby, unmoving . . . Shots. More gunshots. Fists colliding, the thump of bodies hitting the floor.” During the attack, a man holds a sword against Diego’s father’s throat.
  • Rebels attack a boat carrying some of the engineers’ families. “More pops. Splintering cracks. . . The gunfire seemed to come from everywhere . . . Bullets zinged past Diego’s head.” Diego’s mother shoots the rebel’s boat and it explodes.
  • When trying to escape from dinosaurs, Diego crashes his gravity board on a cliff. “The beast began to throw their massive bodies against the wall, trying to dislodge him.” Diego is rescued.
  • The rebels attack the pirate ship and the battle plays out over an entire chapter. The battle is not described in graphic detail.
  • The pirates, trying to save the engineers, attack the rebel’s base. The attack happens over several chapters. Diego shoots at one of the bad guys. When someone is injured, the description jumps in time, which allows the reader to imagine what happened. One of the characters is killed, but his death is not described.
  • When someone calls Diego a “clock mongrel,” Diego’s father hits him. “George spun and crumpled to the floor.”

Drugs and Alcohol

  • A boy “sucked on his cigarette, the end glowing. . .”
  • The pirate captain is seen asleep with a half-empty bottle of vodka and Diego assumes he is drunk.

Language

  • Profanity is used rarely, but includes bastards, crap, crud, damn, hell, holy crap, and pisses.
  • When Lucy is saved from a dinosaur, she said, “Oh my God, I thought I was done for!” She uses this phrase twice.
  • When Diego finds out that pirates have been hired to find his father and the other engineers, Diego said, “Hell, I should be allowed to go before some hired guns.”
  • When Diego tells his friend about the pirates, his friend replies, “bloody hell!”
  • The rebel group is referred to as “bastards.”
  • When Paige makes a meal, the available food is referred to as “nasty crap.”
  • According to Diego, one of the girls acts like “everything I do pisses her off.”

Supernatural

  • Diego and his father have “the Maker’s Sight,” which allows them to see how different machine parts work together. “It shows me a series of images that allow me to make or fix anything.”
  • Diego wills baby turtles to surround Lucy. He explains how he did it. “It’s more like I can send them a thought, feeling, or image, and they seem to . . . act on it. It’s like hypnosis, I think.”
  • When describing “the Maker’s Sight,” Diego’s friend said, “You sound like one of those spiritual mediums we have back in London, communicating with the dead through their crystal balls.”

Spiritual Content

  • During a battle, the pirate captain said, “A prayer to your god of choice might also be helpful.”
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