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Max: Best Friend. Hero. Marine.

When Justin finds out his older brother, Kyle, has been killed overseas, Justin is devastated. Kyle was a marine, a hero trying to live up to his father’s reputation, yet in an instant his life was over. Now, Kyle’s only connection to Justin is Max, Kyle’s former canine partner and a discharged K-9 marine.

When Max was at Kyle’s side, he was meant to sniff out explosives, search for enemy soldiers and weapons, and keep Kyle and his unit alive. Max, just like Kyle, was trained for war. He was trained to be a hero. While Max’s presence doesn’t make it easy for Justin and his parents to grieve, they soon discover that without a home, Max will be put down. With no home to place Max in, Kyle’s partner is placed in Justin’s care.

After Kyle’s death, it isn’t easy for Justin and his family to see Max alive and well. It isn’t easy for Max to move on from his days on the frontlines. Most people misunderstand Max, believing he is too aggressive. Max isn’t meant to be a pet. He is meant to be a hero. Justin is the only one who understands Max is also grieving for Kyle. Both Justin and Max find it difficult to adjust to each other. Soon the two bond over Kyle’s death, supporting each other and giving each other a purpose.

When Tyler, Kyle’s best friend, is discharged from the marines, Justin begins to ask questions. Justin and Max work together to figure out what really happened to Kyle. Can they find the truth and still protect Justin’s family from the dangerous people Tyler is working with?

Shotz’s novel about a war dog coming home to his handler’s family is a wonderfully wholesome story. Justin and his family are well-written characters that deal with the guilt, shame, and sadness that accompanies a loved one’s death. Max serves as the means to which Justin’s family can work out their emotions surrounding Kyle’s death, as well as the means to which everyone comes together in the end. Max is also a stand in for Kyle; since Kyle is gone, Max helps Justin protect his family and sniff out Tyler’s true intentions, just as Kyle would have done.

Max: Best Friend. Hero. Marine. shows that heroes come in many forms. Kyle is considered a hero because he followed in his father’s footsteps and joined the marines. Justin struggles with his father’s pressure to live up to his brother’s legend. Justin’s father, who was discharged early on from the marines because of a leg injury, struggles to connect with Justin because Justin doesn’t want to be a marine. However, Justin proves himself to be as much of a hero as Kyle. At the end of the story, Justin earns his dad’s trust and lives up to Kyle’s memory.

Unlike Kyle, Tyler chose to lie and deceive his best friend’s family in order to smuggle weapons across the border. Tyler will eliminate anyone that stands in his way. The story emphasizes that someone doesn’t need to go into the military to be a hero, and that not all marines are heroes.

Max: Best Friend. Hero. Marine. is fast-paced, and the suspense builds from the moment Justin’s family is told Kyle has died. The believable twists will keep readers turning the page until they reach the heartwarming conclusion. Max: Best Friend. Hero. Marine. is a must-read because of the realistic characters and wonderful storytelling. For more heroic dog stories, try the G.I. Dogs Series by Laurie Calkhoven.

Sexual Content

  • When Justin meets Carmen, “her dark eyes were still zeroed in on him, making his cheeks feel kind of hot.” Justin thinks Carmen is pretty.
  • When two of Justin’s friends are in his backyard, “they looked up to see Justin framed in his window, shirtless.”
  • When Carmen is invited over to Justin’s house for dinner, Justin feels awkward. “Then again, Justin had never brought a girl home for dinner.”
  • After triumphing over Tyler, Carmen and Chuy meet up with Justin. Then, Carmen “stepped forward and planted her lips on his. Justin was so startled that he didn’t know what to do at first. Then he quickly came to his senses and kissed her back.”

Violence

  • At the beginning of the novel, Justin is playing a military-themed video game. In the game, the “virtual army let out a series of grunts and pumped their fists in the air or fell to the ground.” The game makes Justin think of his brother, Kyle, a soldier overseas. “Sometimes Justin tried to picture Kyle as one of these guys, but it was just too weird. He couldn’t imagine his brother shooting anyone.”
  • Chuy, Justin’s friend, has a cousin named Emilio. Emilio is “pretty hard-core—possibly even in a gang—and he wasn’t going to be happy when he learned that Chuy had misplaced his new  (video) game.”
  • Kyle is never seen in the present day because he dies fighting in Afghanistan. When a solider comes to Justin’s house, “Justin knew for sure: His brother was dead. Kyle was dead.”
  • In a flashback, Justin thinks about the time Kyle picked him up from school. Justin had gotten into a fight. “He didn’t know how to tell Kyle that he’d gotten in a fight over a stupid bike. Or that he’d been sucker-punched. Or that he’d managed not to hit back, because he didn’t think it was worth it.”
  • During another flashback, Justin remembers Tyler, Kyle’s friend, speaking to his parents over video call. “‘We’re making trouble, Mrs. W.,’ Tyler said, ‘For the bad guys, that is.’”
  • When Justin confronts his dad about Kyle, he says, “Being a man and enlisting and getting killed, like Kyle? Or being a man and getting my leg shot up, like you? Tell me what I’m supposed to learn from either of those things.” Later, Justin tells his dad, “‘You’d like me to get myself killed,’ Justin said, holding his dad’s ‘Wouldn’t you?’”
  • Justin’s mom gets a call about Max, Kyle’s dog. She tells the family, “Sergeant Reyes called. They’re going to kill Max.”
  • Tyler tells Justin’s dad that Max is the reason Kyle was killed. Justin sees “his father was standing in front of Max’s crate, his gun drawn and pointed at Max’s”
  • When Justin is hunted by a pair of rottweilers, Max fights one of the dogs. “The two dogs rolled around in the dirt, a frenzy of growls and bites and scratches, battling each other fiercely.” Justin found Max injured later.
  • Justin watches as his dad, Ray, is about to be attacked by Stack, a sheriff deputy and Tyler’s accomplice. “What his dad couldn’t see—which Justin and Max both could see—was that Stack was running at Justin’s dad from behind, holding a giant rock in his fleshy hands, raised high in the air. He was about to slam it down onto Justin’s dad’s” Max saves Ray, “Stack stumbled, and Max flew over Ray and crashed into Stack’s chest, knocking him to the ground.”
  • During the final battle with Tyler’s gang, Justin sees “his dad, who pointed a gun straight at the windshield and fired. The truck swerved and crashed into the side of the hill. The back of the truck exploded in a burst of flame, and suddenly a thousand gunshots pinged around the ravine. The ammunition in Tyler’s truck had ignited.” No one is injured or hurt in the explosion.

Drugs and Alcohol

  • Tyler is given pain medication for a shrapnel injury. Tyler says, “But they got me on so many painkillers, I hardly notice it.”
  • When Tyler comes over to talk to Justin’s dad, “Justin was surprised to see his dad limp over to the mini-fridge under his desk and take out two beers. It was early for him to start drinking.”
  • When Tyler asks Justin’s dad for a favor, Justin’s dad took “another swig of beer, as if for courage.”

Language

  • During a flashback, Justin remembers a time when he and his parents were talking to Kyle over video chat. Justin says, “Kyle’s so awesome even his frickin’ dog is a hero.”
  • When going to see Max at the military kennel, Justin thinks, “He was one pissed-off dog, that was for sure.”
  • When Justin thinks about his dad, he thinks, “His dad cared more about a stupid dog that had once belonged to Kyle than he did about his own living, breathing son.”
  • Someone tells Justin, “Yo, you look like crap.”
  • Before Kyle and Tyler became soldiers, Tyler used to tease Justin. Tyler “would make fun of Justin—calling him a serious loser or computer nerd.”

Supernatural

  • None

Spiritual Content

  • Kyle’s funeral is at a church. At the church, Justin’s “Mother’s sobs carried up and over the singing of the choir.”

by Jonathan Planman

Yo Soy Muslim: A Father’s Letter to His Daughter

Written as a letter from a father to his daughter, Yo Soy Muslim is a celebration of social harmony and multicultural identities. The vivid and elegant verse, accompanied by magical and vibrant illustrations, highlights the diversity of the Muslim community as well as indigenous identities. A literary journey of discovery and wonder, Yo Soy Muslim is sure to inspire adults and children alike.

A beautiful letter, Yo Soy Muslim encourages the daughter to celebrate her Latino heritage and her Muslim faith. The story uses poetic language and focuses on a positive message of having pride in one’s faith. Through both the text and the words, the author points out that some people “will not smile at you.” The illustration shows one woman glaring at the little girl and another woman whispering to someone. The father tells his daughter, “On that day tell them this: Yo soy Muslim. I am from Allah, angels, and a place almost as old as time. I speak Spanish, Arabic, and dreams.” Although the father clearly wants his daughter to feel pride in her heritage, children may not understand the abstract language.

The letter is beautifully illustrated with deep colors and natural scenes. However, the scenes where people look down on the child are darker and have shades of black. The color contrast represents both the negativity of people and the celebration of the child’s culture. Even though Yo Soy Muslim is a picture book, the story should be read with an adult. Although younger readers will love the beautiful pictures, they may need help understanding the message. Some lines will be confusing. For example, “There are questions we will ask when we are learning what it means to be human.”

Any child who has ever felt different will relate to Yo Soy Muslim. Even though the story focuses on a Muslim family, and there are references to God, the story is not an introduction to Islam. Instead, it’s a letter reminding a little girl to “Dance. Smile. Laugh. Pray. Say it with me: Yo Soy Muslim.”

 Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Bird & Squirrel On Ice

After Bird and Squirrel crash land in the South Pole during a raging blizzard, a penguin named Sakari thinks Bird has come to rid her village of a hungry Killer Whale. But when Squirrel finds out that Bird will actually be fed to the Killer Whale as a sacrifice, they hatch a crazy plan to escape. With good timing, a little luck, and help from Sakari, they just might make it out alive. Or they might end up as whale food!

Bird & Squirrel on the Run consisted of funny cat chases and misfortunes. While Bird & Squirrel On Ice has more of a storyline, there is less interaction between Bird and Squirrel. For much of the story, Squirrel is trying to save Bird’s life, while Bird is clueless, convinced that Squirrel is just jealous. The storyline has a darker tone and revolves around Bird being sacrificed to a whale.

The story’s serious tone is offset by the funny chases and the introduction of Sakari’s penguin family. Sakari and her father disagree about sacrificing Bird; in the end, Sakari proves that she has a “mighty spirit and an even mightier heart.” Many readers will enjoy seeing a female character save the day. Because of Sakari’s determination to listen to her heart and Squirrel’s dedication to his friend, Bird is saved in the end.

Interesting characters, slapstick humor, puns, and a fast-paced plot combine to create an entertaining graphic novel. The story is illustrated with brightly colored panels. Much like a cartoon, the illustrations use exaggerated facial expressions to add to the humor. Each page contains one to six simple sentences. Bird & Squirrel On Ice will appeal to even the most reluctant readers. Bird and Squirrel’s silly antics will keep readers interested while they explore family dynamics and jealousy.

Sexual Content

  • None

Violence

  • A penguin stabs Squirrel with a spear. Squirrel takes off running and yells, “Something bit me!!”
  • A seal jumps out of the water and tries to eat a penguin. The penguin attacks the seal with her spear, and the seal jumps back into the water. The scene is illustrated over two pages.
  • Sakari discovers that her father plans to sacrifice Bird to a whale. Sakari tells her father, “It isn’t his sacrifice to make. You have to stop it.”
  • Before Bird can be sacrificed, Sakari jumps into the ocean and attacks the whale with her spear. The whale tries to eat Sakari. She swims out of the bay. While Sakari is leading the whale away, Squirrel tries to break a snow bridge. As Squirrel is working, a seal smacks him. Bird begins throwing rocks at the seal. In the end, everyone is safe from the whale. The scene is illustrated over 14 pages.

Drugs and Alcohol

  • None

Language

  • Squirrel tells Bird, “You’re the most self-centered birdbrain I’ve ever met!”

Supernatural

  • Squirrel goes to see a woman who gives him advice. The woman says, “The fire shall provide the light you seek. One cannot be found until one is lost.” Squirrel looks into a fire’s smoke and sees a vision.

Spiritual Content

  • None

Like a Love Story

Like a Love Story takes place in New York City in the late 1980s. The AIDS crisis is devastating gay communities, and activists are protesting the government’s reluctance to extend research or support to those affected. The narration rotates between three teenagers: Reza, Art, and Judy.

Reza is new in town, having recently immigrated to New York from Iran, where his family escaped a violent revolution. In the closet with a nearly hypochondriac fear of AIDS, Reza starts at a new school and soon meets Judy and Art, who have been best friends since childhood. Both Judy and Art are committed to gay culture and gay activism under the tutelage of Judy’s uncle Stephen, an AIDS patient and well-known member of the gay community. Art is an out-and-proud gay teenager, who is assertive and upfront about his identity. Brash and unafraid, Art is full of anger at the injustice of the AIDS crisis. Judy, a straight girl who shares Art’s love of Madonna and fashion, supports him in everything and shares his love of fashion and film.

A romance develops between Reza and Judy. But Reza, a closeted gay, knows he can only hold out for so long before his secret comes out. The first two acts of the novel largely concern their false relationship, eventual falling-out, and then the ensuing romance between Reza and Art. Each of the three narrators has a fairly equal stake in the plot, and each brings their own narration, perspective, and personality to the story. Like a Love Story is largely a coming-of-age story, but it is really three coming-of-age stories as each character grapples with their sexuality, their future, and their imminent emergence into the adult world.

Like a Love Story is essential reading for anyone who wants to learn about the AIDS crisis or the origins of the modern gay rights movement. Without preaching or lecturing, the narrative paints a rich and engaging portrait of the political climate through its three narrators. Each character in Like a Love Story has a completely unique voice; readers can open the book to any page and immediately know who is speaking.

Regardless of their own identities, readers will see themselves in the characters because of how authentically they are portrayed. Each character has uncertainty about their place in the world, an imperfect relationship with their parents, a faulty understanding of how the world works, and a yearning to belong—and readers get to see them grow as the story progresses.

 Like a Love Story has some of the most compelling adult figures in a genre where adults are often one-dimensional and cast to the side. The relationship that each teen has with their parents is complicated and imperfect, but masterfully written. It is genuinely heart-wrenching to see Art’s interactions with his homophobic parents, and it is genuinely moving to see Judy’s conversations with her mother evolve throughout the story.

Like a Love Story does not shy away from sexual content and depictions of sex acts, but it’s one of the few books that feels justified in its usage. Characters frequently talk of condoms and bodily fluids. The mechanics of AIDS transmission and the effects of the disease are explained as Uncle Stephen succumbs to infections. Readers who pick up this book in 2020 will already know the ending to some extent. Thanks to modern medicine, many people today can live full lives with HIV and new pharmaceuticals can help prevent transmission. However, the characters don’t know this, and they can only grieve the dead and dying members of their community while fighting for rights and recognition. The story highlights the importance of community, activism, and love.

Sexual Content

  • When asked how he knew he was gay, Art says, “I had a wet dream about Morrisey.”
  • During a make-out session, Judy tries to find out if Reza is aroused. “As nonchalant as I can, I move my hand down, feeling his crotch. I feel something hard. Is it him, or is it his zipper? I can’t even tell. I’ve never felt a hard-on before.”
  • Judy thinks, “Art told me once that the subway was the hottest place in the city, as in sexual heat, not physical temperature. He said that all those bodies rubbing against each other basically made it a clothed, co-ed bathhouse.”
  • Reza sees a naked male mannequin in a store window and thinks, “I look at the mannequin’s body and find myself getting a little hard. I cover my crotch with my hands. I imagine that Art is the mannequin, standing in the store window naked. How sick do you have to be to be turned on by a piece of plastic?”
  • After Reza sees a photo of Art, Reza thinks, “I need to stop thinking about him, and I know there’s only one way to do that. I lie back on my bed, close my eyes, and unzip my pants. I see Bartholomew Emerson Grant VI come to life, enter my room, climb into bed with me. He kisses me, undresses me, tells me not to be scared. But then he’s gone, and all I see are images of dying men with lesions.”
  • A big part of the second half of the plot is Reza’s shame and paranoia surrounding his sexual desires. Stephen teaches Art and Reza about safe sex and about how to use condoms safely. Stephen tells them, “If you want a tutorial, we can go home and practice with bananas. . . Lube is lubricant. Men need it, because we don’t naturally get wet down there . . . the jury is out on whether oral sex is safe or not, but my advice is to use a condom for that too.”
  • Stephen says, “The straight world has defined losing your virginity as intercourse. That’s their thing. But we get to define it for ourselves. And you never, ever have to do anything you don’t want to.”
  • Reza thinks, “I hate those words. Oral. Anal. I hate how graphic they are, how hostile they feel.”
  • In a photography darkroom, Art takes off his clothes for Reza. “There’s only one thing to take off. My boxer briefs. I remove them. I stand in front of him, exposed.” They kiss, but don’t do anything else.
  • Judy has an intimate moment with Reza’s brother, Saadi. As Judy makes out him, “It’s furious. Our tongues explore each other. Then his hands are all over me… his breath is heavy, and his hips are thrusting urgently. I feel what I never felt when Reza and I kissed, an erection. Saadi is so hard. He sits up and takes his polo off.” They don’t go all the way. “He wants to have sex, but I tell him I’m not ready.”
  • Art says, “The first time I read porn, I was twelve. I found my dad’s stash of Penthouse and Playboy magazines in the back of his closet. But Penthouse has these sex stories in them, and they were very hot because there were men in them.”
  • The characters all go to a Madonna performance wherein she masturbates onstage. The act is not described in detail.
  • When Art and Reza finally consummate their relationship, they use condoms and lube. Reza wraps “my legs around him, pulling him closer to me, or deeper into me, because he’s in me now. We thrust and grunt and sweat until we almost fall off the bed.” The scene takes up about three pages, but it is mostly dialogue and doesn’t go into more physical detail.

Violence

  • While attending a protest, Art hears bystanders say, “Hose those faggots down. They like that.”
  • During a protest, police officers “yank Art away and handcuff him.” The other police officer “pushes Reza to the ground.”
  • Some bullies begin to taunt Art, and he reacts violently. “My fingers tense into a fist. Before I know it, I leap out of my seat and tackle Darryl to the ground, taking him down like I’m one of the gorgeous ladies of wrestling. ‘Go to hell, you fucking ASSHOLE!’ I scream as he writhes below me, his scared, beefy body stronger than mine but unable to overpower the force of my rage. ‘Get off me, fag!’ he yells. ‘Not until I give you AIDS,’ I say, and I spit on his face.” Art describes later, “I pull Darryl’s foot toward my face. He pushes his leg up, kicking my chin hard in the process. My teeth hit my lips. My head doubles back, hits the wall with a thud… My eyes flicker with the shock of pain. When I open them, I see blood on my hand and on my shirt.”

Drugs and Alcohol

  • At a party with some kids from school, Judy gets “drunk on fruit punch.” Her friend tells her, “You don’t want your parents to see you like this.”
  • When Uncle Stephen is on his deathbed, he asks for a glass of wine. Judy’s mom pours wine for him and a small glass for Judy.
  • Uncle Stephen has been taking morphine for his pain; by the time he dies, his bottle of morphine is empty.

Language

  • Profanity is used frequently. Profanity includes: fuck, shit, hell, ass, and damn.
  • “Oh my God” is often used as an exclamation.
  • Art is determined to reclaim the words “faggot” and “fag,” which is a recurring point throughout the story. Judy’s mom asks Art not to use the word because “I heard that word hissed at my brother like a dagger throughout his childhood, and I don’t want to hear it ever again.” They eventually agree to disagree.
  • After coming out, Reza has “heard every possible word a homosexual could be called . . . Faggot. Pansy. Mary. Butt pirate. Fruit. Turd burglar. Flamer. Nancy. Queen.”

Supernatural

  • Art can see “auras.” Readers might recognize them as a condition called synesthesia, but to Art they take on a spiritual and artistic significance. Art doesn’t “snap a photo unless I see its energy. I know they’re all black-and-white, but they have colors to me. Auras.”

Spiritual Content

  • Art says, “I think that if it weren’t for all the bullshit rules of Catholicism, then there would be no Madonna, because what is she if not a rebellion against all of this?”
  • In a church, Art thinks, “I don’t want to burn this place to the ground. What I want is to make them see that I AM HOLY. These thoughts of me and Reza, they are holy.”
  • A priest’s homily “makes multiple references to protecting ‘the unborn.’” Art thinks, “It’s amazing how gung-ho he is about saving the lives of fetuses, but then he turns a blind eye to all the actual humans DYING right in front of him.”
  • Art lights prayer candles in a church and thinks, “I know that I don’t believe in a God who can grant wishes, but if there’s even a chance that such a God exists, then I have some wishes I’d like granted.” He wishes for AIDS to be cured.

by Caroline Galdi

 

Many Waters

When identical twins Dennis and Sandy accidentally mess with their father’s scientific experiment on faster-than-light travel, they are transported to a desert wasteland. Stranded and confused, the two boys meet the locals—dark-skinned people who are only four feet tall. Between the strange people, the miniature mammoths, unicorns, and manticores, Sandy and Dennis are convinced they’re on a strange planet on the other side of the universe. After nearly dying from heatstroke, they are taken in by Grandfather Lameck. When they meet Grandfather Lameck’s son, Noah, the twins realize they have been thrown back in time and are on Earth in the time right before the Great Flood. But the flood is coming—will the twins find a way home before the rain starts to fall?

To make matters more complicated, humans are not the only intelligent beings to deal with. There are seraphim, a tall and beautiful winged people who know many things—maybe even how to get the twins home—but the seraphim do not like to interfere with the lives of men. Then, there are the nephilim, just as tall and beautiful as the seraphim, but they spend their time seducing women with worldly pleasures and extravagant treasures. The nephilim are suspicious of the twins’ sudden appearance, and they will do anything to find out what they are up to.

Once again, L’Engle spins a magical tale that centers on the battle between good and evil. Yalith and Jephath, two of Noah’s children, are kind people that do all they can to help the twins. But most people who live in the oasis are corrupt and evil, abandoning tradition to pursue pleasure and to get ahead in life. The twins and Yalith are all tempted to give in to worldly pleasures. While conflicted, all three reject temptation in exchange for kindness, unicorns, and listening to the stars.

While there are good and bad characters, several members of Noah’s family and Noah himself are more ambiguous, showing that even godly people are not perfect. While God is mentioned several times as “El,” the story centers more around the twins as they adapt to the time period and try to find a way home. The seraphim and the nephilim are revealed to be angels and fallen angels, respectively. They add intrigue and excitement to the story. Overall, Many Waters is a fun tale with a unique twist on the story of Noah’s Ark that will leave readers satisfied.

Sexual Content

  • In Noah’s time, bothmen and women only wore loincloths. Therefore, Sandy and Dennis see several women’s breasts, but none are described graphically. When meeting Yalith, Sandy notes “the girl, who wore only a loincloth . . . was gently curved, with small rosy breasts.”
  • Yalith kisses Aariel, a seraph, much as a child kisses a parent. “Like a child, she held her face up for a kiss, and Aariel leaned down and pressed his lips gently against hers.”
  • Yalith sees her sister with a nephilim. Her sister was “gazing up at him adoringly, leaning against him so that her rosy breasts touched his pale flesh.”
  • Japheth kisses his wife several times. Once, “Japheth leaned to her and kissed her on the lips. Dennis . . . thought that it was a nice kiss. It was the kind of kiss he had seen his father give his mother. A real kiss. If he lived through this, he would like to kiss someone like that.” Another time, Japheth’s wife “bent toward him to kiss him.”
  • A girl from the oasis flirts with Sandy. She “bent closer and brushed her lips against his.” Later, she tries to seduce him. “He was not prepared to have the light suddenly darkened by Tiglah’s face as she pressed her lips against his . . . he knew what she wanted, and he wanted it, too; he was ready, but not, despite her gorgeousness, with Tiglah . . . her breathing mingled with his. He knew if he did not break this off, he would not be able to. With a deep inward sigh, he pulled away.”
  • Sandy thinks about taking Yalith to the future with him. Sandy “looked at Yalith’s small and perfect body, barely covered by the loincloth, her breasts delicate and rosy, and had a moment’s absurd vision of her in one of the classrooms at the regional high school.”
  • When saying goodbye, “Yalith nodded, then reached up to Sandy and kissed him on the lips. Then Dennis. Full, long kisses.”

Violence

  • Sandy is kidnapped. “He tried to wriggle out of the clutch of whoever was carrying him, and a fish crashed into his belly, winding him, and something sharp pricked his arm.”
  • When Japheth tries to rescue Sandy, “the older man swooped on him with the spear, and despite Japheth’s quick reflex, the spear cut across his ribs, and a trickle of blood slid down his side.”
  • Japheth comes home with “an ugly bruise on his cheek where an angrily thrown stone had hit him.”

Drugs and Alcohol

  • Noah has the “largest and best vineyards on the oasis . . . the fame of his wine had spread to many other oases round about.”
  • A man is sick from drinking too much. Afterward, “the smell of Ham’s sickness mingled with the smell of wine, of meat form the stewpot, of the skins of the tent.”
  • Yalith remembers how her sister had a wedding with “far too much wine, inferior, at that.”
  • When Noah reconciles with his father, he “handed his father a small wineskin. . . The old man held the wineskin to his lips, then smacked them in appreciation.” Sandy also takes a small sip.

Language

  • When a woman’s family kidnaps him, Sandy thinks, “you slut.”
  • An angry man says, “Auk’s nuts to you.”

Supernatural

  • Sandy and Dennis accidentally mess up their father’s scientific experiment and are sent back in time. “Dennis groped through a pervasive mist, his hands touching nothing. Came a great sonic boom. Then absolute silence.”
  • In the past, there were miniature mammoths. “From behind the outcropping of rock came something grey and sinuous which the twins at first thought was a snake. But it was followed by a head with small, bright, black eyes, and great fans of ears, and a chunky body covered with shaggy grey hair.”
  • There are manticores in the past, which try to eat the mammoths several times. The manticore had a “man’s face with filthy hair. . . From the mat of hair came two horns, curved downward, with sharp points like boar’s teeth. . . The rest of the creature pushed into the tent. The head did not belong to a man’s body but to a lion’s . . . the lion did not have a lion’s tail but a scorpion’s.” The manticores can only say the word “hungry!”
  • There are unicorns that flicker in and out of existence. They can flicker out of existence in one place, then be called into existence miles away instantaneously. “On the horizon to the far left, moving toward them, appeared a creature which shimmered in and out of their vision, silvery in color, as large as a goat or a pony, with light flickering out from its forehead.”
  • There are seraphim (angels) and nephilim (fallen angels). Both have “Great wings. Much long hair. . . The seraphim are golden and the nephilim are white, whiter than sand.”
  • Both the seraphim and the nephilim can turn into animals; each has their own animal they transform into. One of the seraphim is a scarab beetle. “Grandfather Lameck took it on his palm, a scarab beetle, glinting bronze in the lamplight. The old man stroked it gently with a trembling forefinger, and closed his palm. Then came a vivid flash of light, similar to that of the unicorn’s horn, and a tall presence stood in the tent, smiling at the old man…Hair the color of wheat with the sun on it, brightly gold, long, and tied back, falling so that it almost concealed tightly furled wings.” One of the nephilim is a giant desert lizard. “As the lizard neared her, it rose straight upward to a height of at least six feet, and suddenly [its] arms were outstretched above the head; the tail forked into two legs, and a man came running toward her, a man of extraordinary beauty, with alabaster-white skin and wings of brilliant purple.”
  • Yalith shows Dennis how to listen to the stars. “He listened, listened, focusing on one bright pattern of stars. Closed his eyes. Listened. Seemed to hear a delicate, crystal chiming. Words. Hush. Heal. Rest. Make peace. Fear not. He laughed in excitement. Opened his eyes to twinkling diamonds.”

Spiritual Content

  • A woman tells the twins, “We don’t have any men on the oasis who are as tall and like gods as you are.”
  • The twins discover that Grandfather Lameck’s son is Noah, from the biblical story of Noah and the Arc.
  • Yalith recounts her family lineage, which includes the biblical figures Methuselah and Enoch. “Methuselah, my great-grandfather, lived for nine hundred and sixty-nine years. And his father was Enoch, who walked with El, and lived three hundred and sixty and five years, and then El took him.”
  • The people in Noah’s time call God “El” and El sometimes speaks to them, though his words are never shared directly in the story. Noah says, “Yesterday, when I was working in the vineyard, the Voice spoke to me. El told me that I must find wives for you.”
  • Japheth mentions a curse on the land. “When our forebears had to leave the Garden, they were told, Accursed shall the ground be on your account. It will grow thorns and thistles for you. You shall gain your bread by the sweat of your brow.”
  • The seraphim mention the pattern. They say the twins “are part of the pattern,” but “the pattern is not set. . . It is fluid, and constantly changing.” They always maintain that the pattern “will be worked out in beauty in the end.”

by Morgan Lynn

All the Pieces Fit

In book five, D.J. and Hilo traveled to Hilo’s home planet. In order to keep their activities secret, they left robot versions of themselves on earth. When government agents appear, they are determined to take D.J. and Hilo into custody. With the help of Gina and Polly, the secret agents end up running from the scene. However, now Gina’s parents discover the truth about D.J. and Hilo.

Being a hero isn’t easy. Hilo had no idea it would be this hard. Hilo came to earth because he was running from Razorwark. He’s done running. Razorwark has come to earth, and the time has come for one final face-to-face showdown. What happens will decide the fate of the robot world…and Hilo’s future. The sacrifice will be great but with Izzy’s help, Hilo finally knows what he has to do because THIS is how all the pieces fit.

Fans of the Hilo series will not be disappointed with the sixth installment of the series, which brings all of the characters together to fight Razorwark. All the Pieces Fit is a fast-paced story that contains many exciting battles. However, the fighting is broken up with humorous scenes, such as a hurricane of hamsters and a force field around the city. However, the philosophy about Hilo’s empatis will confuse some readers. However, the ending is surprising and shows how “we all have a purpose. We have a place we’re supposed to fit.”

All the Pieces Fit uses brightly-colored illustrations that keep the action moving. The detailed illustrations show exaggerated facial expressions, which will help readers understand the characters’ changing emotions. For maximum enjoyment, the stories should be read in order. Even though the first chapter recaps the events in the previous books, the stories’ plots build on each other.

Hilo is the perfect series for all ages. The sci-fi story shows the importance of friendship and sacrifice, and the heartwarming conclusion will leave readers smiling. Even though Hilo’s story is wrapped up, readers will be excited that the actions continues in Gina—The Girl Who Broke the World.

Sexual Content

  • None

Violence

  • Government agents try to take custody of D.J. and Hilo. Gina uses her magic wand to knock “buttface here on his butt.”
  • Polly shoots lasers at the government agents, who jump out of the way. Then Gina uses her magic wand to make vines grow around the agents. Later, Polly makes two agents clothes blow up like balloons. Polly hits the agents with a stick and they go flying.
  • Gina and her friends continue to harass the agents. When one of the agents tasers D.J., they discover that a robot has taken D.J.’s place. The government agent fight is illustrated over eight pages.
  • To chase off the rest of the agents, Polly uses magic to send “a wee hurricane of hamsters” to attack. The agent tasers Gina. When he tasers Hilo, he discovers that Hilo has also been replaced by a robot.
  • When Polly creates a “giant monster hedgehog,” the remaining agents run away. The scene takes place over four pages.
  • As a force field covers a town, a car is split in half, separating the passenger from the driver. No one is injured.
  • While flying in the sky, Razorwark grabs Hilo and throws him to the ground. Hilo is uninjured.
  • Razorwark and Hilo fight. Hilo blasts Razorwark with freezing lasers. Razorwark blasts Hilo with a laser, and Hilo falls to the ground. The battle scene is illustrated over five pages.
  • Hilo destroys the portal so Razorwark cannot escape. Then, Razorwark and Hilo blast each other with lasers. Razorwark tells Hilo he wants revenge because people “wanted me to be the sole fighter of their wars! And I was! They wanted me to be a murderer! And I was!” Razorwark plans to kill all of the humans so the “society” of robots has a world of their own.

 Drugs and Alcohol

  • None

Language

  • Lisa calls a government agent a buttface. When Lisa’s father gets upset, her mom says, “No, she’s not totally wrong. They are kind of buttfaces.”
  • Someone calls the government agents “dirt weasels.”
  • When a force field covers the town, an agent says, “holy mackerel.”

Supernatural

  • Razorwark opens a portal to allow robot pieces to enter Earth’s atmosphere. Then Razorwark uses magic to assemble the pieces.
  • Izzy touches Hilo’s heart with a flower that transfers Izzy’s energy to Hilo. When Izzy’s power is drained, she dies. Hilo explains to his friends, “Razorwark gave me some of his empatis and he gave some to Izzy. It’s the energy that brought us to life. Without it we’re empty. We’re broken machines. Without it we die. Izzy gave me all of hers. She gave me everything.”
  • Gina uses her magic wand to make a tree grow to make magic wands. She tells her friends, “You all have wands that can do stunner spells. These won’t hurt the robots! But it’ll knock them on their cans.” The group uses their wands to stun the robots. During this time, the scene flashes to Hilo and Razorwark fighting.
  • Razorwark surrounds Hilo in a “crystal thing.” When D.J. finds Hilo, he breaks the “crystal thing” freeing Hilo.
  • During the final battle between Razorwark and Hilo, the two appear to blow up and “this rain…it’s energy. It’s what made Razorwark. And Izzy…and Hilo…alive.” The energy falls onto the robots, making them come alive.
  • Polly takes the robots through a portal so they can build an entire society.
  • Hilo falls to the ground in a flash of light. Although it’s not explained how, Hilo is now a human.
  • Gina uses a “magic gem. The orb of fellbeck. It cast a spell that makes the entire world forget everything that’s happened in the last two days.” After the spell, Gina says, “Time is the stone that falls. Time is the river that crawls. Turn back the water and rock. Turn back the sun and the clock.” After Gina uses the spell, only four people remember what happened.

Spiritual Content

  • None

New Moon

Bella always knew Edward was too good to be true, and her worst fears come to fruition when he tells her that he is leaving Forks—and he doesn’t want her to come with him. He promises it will be “like he never existed.” But the hold he has on her heart isn’t something that fades with time. As the months stretch out without Edward, Bella succumbs to a mind-numbing depression where time passes, but she doesn’t really live.

Bella doesn’t expect things will ever change until she runs into Jacob, an old friend from the nearby reservation. Jacob becomes her best friend. He is so warm and kind that she begins to think of Jacob as her own personal sun, burning away the dark clouds that have surrounded Bella for so long. Bella knows that Jacob longs for their relationship to move forward, but is her damaged heart even capable of that kind of healing? To make matters worse, there’s a cult on the reservation that’s sucking in many of the teenage boys. When Jacob suddenly vanished from her life and starts hanging around with the very people he had been scared of before, Bella decides she has to help her friend break free. But the bonds that tie Jacob may be deeper and more permanent than Bella could possibly imagine.

In New Moon, Bella struggles to move on after losing her one true love. At first, she wallows in depression, trying to put on a brave face for the world outside, but eventually she learns that she isn’t fooling anyone. Once Jacob enters her life, she begins to heal, but she also clings to the memory of Edward. Her inability to let go of the past prevents her from moving forward as she grapples with questions such as, is it possible to have more than one love in one lifetime? And is it right to give herself to Jacob, when a part of her still mourns for Edward?

The second installment of the Twilight series takes a shocking turn, but it will not disappoint. Readers need not worry that Edward’s absence for most of the novel will detract from its entertainment factor. Bella’s trauma over the loss of Edward, his family, and her life as a vampire keeps that storyline very much alive, as does the reappearance of an old enemy. Jacob, his father Billy, and Jacob’s friends on the reservation breathe life into the story, bringing new, lovable characters into the mix. These characters are well-developed, and Jacob will steal the heart of all but the strongest Edward supporters. The end of New Moon comes in an exhilarating rush that will either leave readers rejoicing or will break their hearts. Either way, make sure to have the next book, Eclipse, nearby!

Sexual Content

  • Bella and Edward kiss several times. “He leaned closer and pressed his icy lips against mine . . . His mouth lingered on mine, cold and smooth and gentle, until I wrapped my arms around his neck and threw myself into the kiss with a little too much enthusiasm.” Another time, “he sighed, and leaned down to touch his lips to mine. I reached up on my toes to make the kiss last longer when he pulled away.”
  • While in bed, Edward and Bella make out. “The kiss began much the same as usual . . . And then something seemed to change. Suddenly his lips became much more urgent, his free hand twisted into my hair and held my face securely to his . . . His body was cold through the thin quilt, but I crushed myself against him eagerly.”

Violence

  • Bella gets pushed into a table and falls into a pile of broken crystal. “Only now did I feel the searing, stinging pain…Dazed and disoriented, I looked up from the bright red blood pulsing out of my arm.”
  • When Jacob tells Bella that he helped kill “the bloodsucker who was going to kill you,” he says, “I don’t count that towards the whole murder thing . . . Vampires don’t count as people.”
  • Bella gets injured several times while learning to ride a motorcycle.

Drugs and Alcohol

  • None

Language

  • Hell is used several times. Once, Bell says, “How the hell did Mike Newton end up in this conversation?”
  • Crap is used several times. Bella says, “I did drown. Crap, crap, crap! This is gonna kill Charlie.”
  • Pissed off and damn are used a few times. While drowning, Bella hears Edward’s voice yell, “Damn it, Bella, keep fighting.”

Supernatural

  • Edward and his family are vampires, though they choose to survive on animal blood rather than human blood. They are super strong, fast, and several of them have special abilities like Edward’s ability to hear peoples’ thoughts.
  • Jacob and his friends can transform into giant wolves. “With another sharp tearing sound, Jacob exploded, too. He burst out of his skin—one second it was Jacob diving into the air, and then it was the gigantic, russet brown wolf—so enormous that I couldn’t make sense of its mass somehow fitting inside Jacob.”

Spiritual Content

  • Carlisle says, “Never, in the nearly four hundred years now since I was born, have I ever seen anything to make me doubt whether God exists in some form or the other.” Meanwhile, Edward thinks “God and heaven exist . . . and so does hell. But he doesn’t believe there is an afterlife” for vampires. “You see, he thinks we’ve lost our souls.”
  • When Jacob agrees to help Bella, she thinks, “Jacob was a gift from the gods.”
  • When Edward sees Bella, who he thinks has died, he thinks he is dead also. “Maybe this is hell. I don’t care.”

by Morgan Lynn

Hurricane Rescue

A dangerous hurricane is racing towards Ben’s hometown. Ben promises his father that he will stay safe inside their home. Ben doesn’t mean to disobey his father, but when Jack and his puppy, Scout, go missing, Ben knows he has to help. With the help of his friend Noah and retired search-and-rescue dog Hero, Ben sets off into the woods in search of his missing friend.

Ben, Noah, and Hero desperately try to locate Jack. When they find Jack, they soon realize that a raging flash flood has made it impossible to continue their trip. Together, Hero and Ben fight to keep everyone alive. But can Hero battle his way past alligators, mudslides, and raging floods?

With howling winds, angry alligators, and danger hiding in every corner, Hurricane Rescue is a fast-paced story that has surprises around every corner. Hurricane Rescue is told from Ben’s point of view, which allows the reader to understand his thought process and experience Ben’s worry about his missing friend Jack. Through their harrowing ordeal, Hero comes to the rescue time and time again. However, in the end, everyone must work together to make sure that everyone makes it out alive.

Hurricane Rescue is an engaging story that doesn’t only focus on the hurricane. Instead, the story also shows the importance of the father-son bond. While Ben lives in a traditional two-parent household, Jack’s parents are recently divorced, which makes it difficult for Jack to see his father on a regular basis. Jack’s grief over missing his father causes him to make the dangerous decision of sneaking off in order to try to make it to his father’s house, which is in a different town.

Told from Ben’s point of view, the readers understand why Ben isn’t truthful. Ben lies to Jack’s mother, intentionally disobeys his father, and leads his friend into danger. Even though the story ends happily, Ben should have been honest with the adults in his life instead of jumping into a dangerous situation on his own. Ben’s impulsive actions and dishonesty were also portrayed in the first book of the series.

Hero plays a main role in the story, and readers will enjoy seeing how Ben and Hero work together. The suspenseful story has likable, well-developed characters who show bravery and courage. However, some of the rescue scenes are unrealistic. Despite this, Hurricane Rescue will keep readers engaged until the last page while it illustrates the importance of rescue workers, such as the National Guard and police officers. Readers who enjoyed Hurricane Rescue should also try Survival Tails: Endurance in Antarctica by Katrina Charman.

Sexual Content

  • None

Violence

  • An alligator keeps Hero from helping a dog in trouble. Hero distracts the alligator. “The alligator’s front half was on land. His giant jaw stretched open, revealing sharp, angled teeth. . . Ben’s stomach flipped as the alligator snapped his jaw shut with a loud clack.” No one is injured.

Drugs and Alcohol

  • None

Language

  • After a strange encounter, Ben’s friend asks him, “What the heck was that about?”
  • When Ben first met Jack, Ben thought Jack was “kind of a jerk.”
  • While Jack is trapped under a tree, he says, “Well, it kind of feels like it’s all on me, so why don’t you wimps lift this thing off me already?”
  • Jack tells his friend, “I’m sorry, Ben. I’m a total idiot.” Ben replies, “Well, now you’re a total idiot who’s been rescued.”

Supernatural

  • None

Spiritual Content

  • When Ben’s friend is in trouble, Ben thinks that he should “pray that Jack and Scout would be okay.”

Spider-Man: Far from Home: Peter and Ned’s Ultimate Travel Journal

Spider-Man is off to Europe on a science exploration, crime-fighting adventure! While on vacation, Peter Parker and his best friend, Ned Leeds, decide to create a travel journal where they jot down all the exciting things that happened to them during their trip. From St. Mark’s Basilica in Venice to the Globe Theatre in London, Ned tells readers about the most astounding and historic spots to visit in Europe. While web-slinging, Peter introduces readers to European street food, including German pretzels and English toasties. Mary Jane introduces Europe’s most notable, historic women to the boys as she takes them to the weirdest and scariest places in Europe, including Cemetery Island in Venice and the Museum of Communism in Prague. The ultimate, web-shooting travel journal really has it all!

From the Venetian gelato to the London Eye, their international trip seems to be going great until Peter finds himself having to save the world again. As he fights world-threatening monsters, Peter struggles with becoming a big-time superhero and his new crush on his friend, Mary Jane. It’s a big step up from being just the friendly, neighborhood Spider-Man. Will Peter be able to come to terms with his new identity, defeat the monsters, and finish the journal—or will the world fall into chaos?

 Peter and Ned’s Ultimate Travel Journal is a fun, educational read for young readers. Peter, Ned, and Mary Jane’s adventures across Europe, along with their witty humor, make the book fun to read. It introduces young readers to Europe’s many different, historic cultures. Throughout the book, Ned introduces historical buildings to the readers, Peter introduces cultural food, and MJ introduces historic European women. Along the way, the trio even has intellectual debates discussing if Italian pizza is better than American pizza, if Nikola Tesla is smarter than Thomas Edison, and if Michelangelo is more influential than Leonardo Da Vinci.

However, readers should watch the movie Spider-Man: Far from Home before reading the travel journal. The journal makes many references to the crime-fighting antics of Spiderman’s on-screen personality, and the journal could be confusing for readers who have not seen the movie. The camaraderie between Peter, Ned, and MJ is entertaining; however, the characters often go way overboard on teen-talk. Even though the plot is not well-developed, the theme of friendship is portrayed throughout the journal.

Nonetheless, the fun, colorful illustrations will interest readers. The artwork appears much like the Spider-Man comic books with colorful pictures of Spider-Man in action and cartoonish pictures of European landmarks. However, some of the pictures are reused, which may bother some readers. With its mild language, this book is a fun read for superhero fans that are interested in learning about other countries.

Sexual Content

  • None

Violence

  • On the plane, Mr. Hutchinson tells Peter that “his ex-wife faked her own death in the Battle of New York …”
  • Ned thinks he is a great friend because “he will take a tranquilizer dart to the neck courtesy of NICHOLAS FURY and not complain about it.” In the movie, Ned is shot in the neck by Nick Fury.

Drugs and Alcohol

  • None

Language

  • Ned’s “No Lips” face will make Peter “laugh so hard he pees his pants.”
  • While in St. Mark’s Square, “a pigeon pooped on” Peter.
  • Ned thinks that “Betty is going to think I’m so smart when I tell her about these kick-butt ladies tomorrow!”
  • Ned thinks it’s funny to “imagine a baby country peeing in a diaper.”
  • Peter wants to snuggle with Mary Jane during the opera while they share opera glasses, but he wonders if there’s “another word for snuggle so I can just ask her without sounding like a dweeb?”

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

The Dragon Thief

Jaxon had just one job—to return three baby dragons to the realm of magic. When he got there, only two dragons were left in the bag. His best friend’s sister, Kavita, is a dragon thief!

Kavita only wanted what was best for the baby dragon. Now every time she feeds it, the dragon grows and grows! How can she possibly keep it secret? Even worse, stealing the dragon has upset the balance between the worlds, and the gates to the other realm have shut tight! Jaxon needs all the help he can get to find Kavita, outsmart a trickster named Blue, and return the baby dragon to its true home.

The sequel to Dragons in a Bag continues Jaxon’s story; however, many of the characters from the first book only make a very brief appearance. Instead, The Dragon Thief jumps back and forth between Jaxon’s and Kavita’s points of view. Jaxon and Kavita both want to return the dragon to the realm of magic, but they don’t work together until the very end. Much of the story focuses on both Jaxon and Kavita trying to figure out how to return the dragon. With talking animals, magic, and a cast of helpful characters, the story has many interesting elements.

Readers may be disappointed that the dragon rarely appears in the story. However, several new characters add interest to the story. Jaxon meets a feisty fairy and gains the help of a classmate. At one point Jaxon thinks, “A week ago, a talking pigeon would have freaked me out. But over the past few days, I’ve encountered a very determined squirrel, actual dinosaurs, a talking rat, and three baby dragons. I’ve learned to take it all in stride.”

The Dragon Thief hints at some important themes, but they are undeveloped. Several times the story mentions slavery and freedom, but the information is not integrated into the story and seems random. Jaxon’s family only appears at the end of the story, but he thinks, “This is my family. Sure, we’re different from other families. Ma’s a witch, and I’m her apprentice. Mama’s a widow, and Trub’s reformed thief. We’ve all made mistakes—big and small—but we stick together because that’s what you do when you love someone.”

The Dragon Thief has some interesting elements, but the undeveloped plot will leave readers with many questions. One positive aspect of the story is that both Jaxon and Kavita are diverse characters who want what’s best for the dragon. Overall, The Dragon Thief has enough mystery and magic to interest fantasy fans, but the abrupt ending and the many characters may confuse some readers.

 Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • At the end of the story, Ma tells Jaxon, “Then let’s get this party started boy! Bring me a beer!” Ma means a root beer, but readers won’t know that unless they’ve read the first book in the series.”

Language

  • As Jaxon is walking in a park, he almost steps on “a pile of dog crap.”
  • Kavita’s brother tells his friend that Kavita is a brat and a “pain in the butt.”
  • A boy tells Jaxon that “a lot of kids at our school are jerks.” Later, the same boy says Blue is a jerk.
  • While looking for Blue, Jaxon asks a rat for help. The rat tells Jaxon, “Blue’s a nasty piece of work. Trash, really…He hasn’t got a selfless bone in his freaky blue body.”
  • A boy calls Blue a creep.
  • Three times, someone calls the trickster Blue a fool.
  • Blue calls Jaxon and his friends “rotten brats.”

Supernatural

  • Ma is a witch who can travel to another dimension where magic exists.
  • Kavita and Aunty go to see Bejan, an astrologer and psychic. Bejan explains, “Jyotisha, or the science of light, involves the study of the stars and planets.” Bejan uses a dragon’s birthday to give Kavita and Aunty advice.
  • Jaxon can talk to animals.
  • Jeff, a fairy, “raises his arms once more, but this time when he lowers them, a circle of blue light appears. It’s as if the fairy traced a bubble in the air and then willed it into existence.” The bubble allows Jaxon to talk to someone who is in another dimension.
  • Blue takes animals from another dimension and turns them into tattoos. Blue explains, “These are my guests… We share space and show respect… Real tattoos are permanent, but these…are just temporary.” Later, Blue’s tattoos are taken away. “We see movement beneath his clothing and hear a faint clamor as Sis extracts the creatures tattooed on Blue’s skin. One by one the mermaid, parrot, sea serpent, unicorn, and others peel off and float toward Sis. Still in miniature, the creatures huddle together and are soon encased in a clear spear that forms above Sis’s outstretched palm.” The creatures are taken back to the realm of magic.
  • Blue uses the tattoos to give him power. He creates “potions, spells, curses, and hexes. Everything humans most desire—love, wealth, revenge, success. Put it in a bottle and slap on a price tag.”
  • A dragon appears and then changes into a “human form.”
  • Jaxon is given a potion that will wake up Ma. He is instructed to put three drops in a glass of water “before the moon wanes.” When Ma drinks the potion, she awakens.
  • In order to transport the dragon to the proper diminution, “Sis points at the creature and draws a circle around it once, twice, and by the third time another elastic sphere has formed. Unlike Blue’s tattoos, however, the dragon doesn’t accept its fate. It whines and claws against the sphere, but to no avail.”

Spiritual Content

  • None

Brute-Cake

With no monsters to fight, Alexander and his friends have drifted apart. The Super Secret Monster Patrol used to protect the town from monsters. Without monsters, Alexander is dreading summer vacation. In order to keep Alexander busy, his father has signed him up for a summer camp at the library.

But then Alexander starts finding super creepy monster cards. He’s convinced that the monsters are back, but Rip and Nikki don’t believe him. When Rip invites his friends over to see his new house, the kids decide to explore the attic. When a brute-cake jumps out of a can, the friends know that they must fight the monster together.

Fans of The Notebook of Doom Series will look forward to reading about the S.S.M.P.’s return. The same monster-fighting friends come together to fight new, non-scary monsters. Instead of having a Notebook of Doom to explain the monsters, Alexander keeps finding monster cards that have important information about each monster. Each card is illustrated on one page and has pictures of the monsters, their habitat, their diet, and more exciting information.

Even though the brute-cake wants to turn other monsters into statues, the spooky scenes are more funny than scary. Every page has large, black-and-white pictures that bring the action to life. The large text is comprised of short sentences and easy vocabulary. The Binder of Doom is a companion series; however, readers who have not read The Notebook of Doom will be able to understand Brute-Cake’s plot. The story’s dialogue and use of onomatopoeias make Brute-Cake a great book to read aloud. Full of friendship, mystery, and a funny fighting fruitcake, Brute-Cake will be devoured by independent readers. Readers who like monsters and adventure should add The Yeti Files by Kevin Sherry to their reading list.

Sexual Content

  • None

Violence

  • Rip, Alexander, and Nikki find a monster brute-cake. The brute-cake heats up the kitchen and then “the cake swelled up until it was the size of a baby elephant. Then – WHAM – it socked Rip in the jaw with nut-covered fist. . . Nikki jabbed the brute-cake with her spatula. Crumbs flew everywhere. . . The cake shoved Nikki into Alexander and Rip. They stumbled backward into a rack of pots and pans.” The scene is described over two pages.
  • When Nikki charges the brute-cake, the monster “blasted Nikki with a gush of warm glaze. Instantly, she became a shiny white statue.”
  • Rip and Alexander go after the brute-cake. “The monster yanked an enormous candied walnut from its own gut. WHOOMP! It chucked the nut at Rip.” Rip takes an ant out of his pocket. The ant grows to a gigantic size. The brute-cake tries to crush Alexander. “The brute-cake jumped in the air, directly above Alexander. As the monster came down, Alexander rolled sideways. . .”
  • The brute-cake charged towards Alexander. “Alexander dove aside at the last second. The giant cake rammed into the drill-pickle’s pointy drill and—PLOMPFF! The monster crumbled to pieces.” The last battle scene is described over five pages.

Drugs and Alcohol

  • None

Language

  • Rip calls Alexander a “weenie” one time.
  • Crud is used three times. For example, Alexander thought, “This crust crud on my shirt must be icing!”

Supernatural

  • While in Rip’s attic, Alexander opens a tin can. Then, “Plonk! The tin burst open. A small brownish creature leaps out and smacked into Alexander’s shoulder.” The creature runs away.
  • Alexander and his friends find a brute-cake that is “eighty times tougher than a regular fruitcake.” The monster is “bumpy, brown and covered with shiny bits of fruit and nuts.”
  • After the brute-cake falls apart, Nikki comes back to life.

Spiritual Content

  • None

Tumbling

Tumbling takes place over the course of a two-day gymnastics meet, but it’s not just any meet—this meet determines who will represent the United States at the Olympics. The story is told from the perspectives of five different girls, each of whom deals with her own struggles.

Leigh is a closeted lesbian and worries about the implications if her secret gets out. Grace has a distorted view of what a perfect gymnast is and ends up paying the price. Monica is a nobody and feels she isn’t good enough to be there. Wilhelmina’s shot at the Olympics was taken from her four years ago because of a rule change, and now she is determined to prove she deserves to go more than anyone else. Camille was injured four years ago in a car crash and is making a comeback to gymnastics, but she can’t decide if this is what she truly wants. Is the Olympics worth sacrificing her boyfriend and her happiness?

Although each girl’s problem is unique, they all struggle with the complexity of competing against friends. Everyone is paranoid; no one’s words can be trusted. Tumbling explores the enormous pressures that come with gymnastics—on bodies, mental states, friendships, and relationships.

Tumbling is an intense book with routines so detailed that readers will hold their breaths as they read them. Readers will cheer when the girls land their routines perfectly and ache when they make mistakes. Readers who know nothing about gymnastics will be able to understand Tumbling, but there is a glossary in the back of the book to help with the gymnastics terminology if needed. Rather than focusing on the intricacy of the sport, the story focuses more on the girls’ struggles. Readers will relate to the girls’ problems, which include sexuality, eating disorders, confidence, family relationships, and boyfriends.

The characters invoke sympathy, but none of them are truly likable. They are petty and constantly play mind games with each other. Because the story takes place over two days, there isn’t enough time for the girls to develop. The book ends abruptly and leaves the reader with many unanswered questions. Overall, Tumbling is best suited for those looking to read an entertaining book. Readers who want a mix of spots, teenage drama, and intense competition will enjoy Tumbling.

 Sexual Content

  • Leigh has a crush on Camille and fantasizes about her a couple of times. Leigh is distracted at the meet and thinks about “Camille’s cushy lips.” Camille comes to Leigh’s room with the other gymnasts to watch an interview. “It wasn’t going to be like it had been in Leigh’s fantasies last night. When Camille had sat down with Leigh on her bed and told her she was dumping her boyfriend because she’d realized she thought Leigh was so much hotter. And then had laid down next to her and. . . ”
  • After Leigh performs a perfect floor routine, she hugs teammate after teammate until eventually, Camille hugs her. “Camille was hugging her, actually pressed against her body, like Leigh had imagined so many times in the privacy of her own head.”
  • Dylan Patrick, a member of a famous boy band, messages Grace and says she’s “hot.” He, Grace, and Leigh send flirty messages throughout the book, such as, “It means a lot to know someone is watching me. Especially someone as cute as you.”
  • Monica flashes back to when she got waxed “down there.” She describes how “…the wax job from a few days ago had replaced her pubic hair with angry red welts.” She remembers she lay “half-naked” and “her crotch burned like any other fifteen-year-olds.”
  • During the meet, Monica is uncomfortable being “basically naked” and having “every line on her body on display.”
  • A doctor asks Camille, who is sixteen, if she menstruates.
  • Camille lists the things that were different about her before she met her boyfriend. “Different height. Different weight. Different voice. Virgin.”
  • Camille talks about how she has grown since she took a break from gymnastics by saying, “…a woman of five feet and one inch with breasts and hips.”
  • Wilhelmina almost wishes she could be a mean gymnast, someone who would “message Dylan Patrick something suggestive tonight to get under Grace’s skin.”
  • There are several instances of Wilhelmina fantasizing about kissing her boyfriend, such as, “She’d wrap her arms around his and press her lips to his.”
  • Wilhelmina and her boyfriend almost kiss. Wilhelmina’s “lips were just centimeters away from his. She could feel her breath on his mouth.” They don’t kiss because he says he can wait until Wilhelmina is done with the Olympics.
  • Leigh thinks Grace wraps herself in multiple towels because she didn’t want Leigh to see “a bit of skin besides her face and her feet.”

Violence

  • Grace has an eating disorder. She “pared herself down to three hundred or five hundred calories a day just to be a bee to keep up with the skinnies.” She worries Leigh will “see how far my collarbone is sticking out today, afraid you’d notice that my legs are like twigs growing out of the hotel carpet.” She eventually confesses she doesn’t eat to Leigh and Camille, with the intention of confessing to her dad, and promises she will get help.
  • Wilhelmina sees evidence of Grace’s eating disorder a few times throughout the book and is saddened by it, but chooses not to do anything about it. She sees Grace throw away an entire plate of food twice. She notices how skinny her body is a few times. “Wilhelmina swore she could see through Grace’s quadriceps to her femur. Even when Grace was bent over, her hip bones were visible.”
  • In a flashback that takes place four years ago, Camille is ecstatic after making it onto the Olympic team. She is having an out-of-body experience when she gets into a car crash. “…almost like she wasn’t in the car but was instead floating about it, watching and saving the joy for later. And it was good she wasn’t in her body at that moment. Because that’s probably why she didn’t feel her head go through the windshield.” Her doctor says gymnastics caused “‘…the stress fractures in your back that caused it to break in three places during the crash.’”
  • Gymnastics is discussed as being dangerous to your health. Camille’s doctor tells her, “‘It’s gymnastics that almost killed you.’” Camille thinks, “Everyone had some sort of scare when she fell head-first off the bars or whacked her back into the balance beam from three feet in the air.”
  • Grace suggests to the reporters Leigh is a lesbian, and Leigh gets angry. “Leigh was going to slap her. If it weren’t for the cameras still in the vicinity, her hand would be imprinted on Grace’s face.”
  • Grace almost falls off the bar due to her eating disorder. During her routine, “her body almost crumpled off the bar and whacked it before falling 8.2 feet to the floor.”
  • Leigh falls off the beam and gets injured. “A hammer bashed into her forehead just above her right eye. Her body stiffened and her blood was sharp and painful, like razors running through her veins, and her eye was going to fall out and roll on the floor, that floor, which was coming up beneath her limbs much too quickly, and then, thankfully, she blacked out.”

Drugs and Alcohol

  • None

Language

  • Leigh and Grace watch as Monica picks her wedgie. They say she needs to “‘buy better butt glue’” and call her the “Wedgie Queen.” They continue to joke about this a few more times throughout the book.
  • God, Oh God, Oh my God, and For God’s sakes are used frequently as exclamations.
  • Christ is used once as an exclamation.
  • Leigh’s coach calls a reporter an asshole.
  • Leigh worries she is a bitch on the mat.
  • Profanity is used sparingly throughout the book. Profanity includes: shit, bullshit, damn it, damn, badass, freaking, and kick ass.
  • “For the hell of it” is used once.
  • A girl says, “That was some effed-up stuff.”
  • Wilhelmina tells Camille to “cut the crap.”
  • “Get her butt back on the beam” and “Kicking butt” are each used once.

Supernatural

  • None

Spiritual Content

  • Grace meditates before her beam routine. “It would look like she was praying, but Grace didn’t pray…It was her own body she counted on, not some Great Unknown Creature in the Sky.”
  • Camille made the Olympic team four years ago, but she had to withdraw due to a car accident. She describes her moment of happiness in the car as “this hoped for, prayed for moment was almost otherworldly, almost like she wasn’t in the car but was instead floating above it, watching and saving the joy for later.”
  • Leigh is tired of being mean during the gymnastics meet, so she promises to be nice and still win the meet. “So when Leigh had closed her eyes last night, she had made a promise to the Gods of Gymnastics or the Universe or whoever was in charge out there. Tomorrow, I will be me, and I will still win. I will win while being nice.”
  • After Leigh falls, Grace says, “I think I accidentally prayed for it.”
  • After Leigh falls, Monica tells Grace and Ted, “You aren’t gods.”

by Jill Johnson

 

Up for Air

Annabelle is relieved to be finished with seventh grade, and she’s ready to swim the summer away with her two best friends, Jeremy and Mia. In school, Annabelle struggles due to a learning disability, but when it comes to swimming, she’s the fastest girl in middle school. In fact, she is so fast that she is recruited to join the high school summer swim team. She is excited to hang out with her new teammates, especially Conner, a cute sophomore who just can’t seem to take his eyes off her. However, after an accident that leaves her unable to swim, she realizes how fragile her popularity really is. She starts to question if Conner really likes her, who her real friends are, and who she is without swimming.

Morrison addresses difficult topics through the eyes of an incredibly perceptive thirteen-year-old. Annabelle wants to express her sympathy to others, such as Jeremy’s older sister, Kayla, who is recovering from an eating disorder. Although Annabelle has never had an eating disorder, she understands how hard it must be for Kayla to wear a swimsuit or go to an ice cream parlor. She tells Kayla, “I’m sorry you had to go through that. It must have been really hard. And I’m really happy you’re better.”

Annabelle also struggles with the changes in her home life. Annabelle’s parents got divorced four years ago due to her father’s drinking problem. Since then, her father moved away and her mother remarried. Annabelle feels guilty for having a good relationship with her stepfather when she isn’t even sure she wants a relationship with her biological father.

Although Annabelle is a competitive swimmer, Up for Air hardly talks about the sport itself. Instead, it focuses on how being on the high school swim team affects Annabelle, her friends, and her family. Even though Annabelle makes mistakes throughout the book, readers will still love her as she grapples with the changes that come with adolescence. Like many girls, Annabelle struggles with insecurities, anxiety, and the desire to be liked.  Up for Air explores the themes of self-confidence, friendship, and trust, making it the perfect bridge between elementary and young adult books.

Sexual Content

  • Annabelle describes her new swimsuit, which is more revealing than her previous ones. “The straps were thin and the front dipped low enough that she could see the freckle in the middle of her chest – the one most of her shirts covered up. Her other racing suits flattened her out, but this one didn’t. And the leg openings were cut extra high, which meant her legs looked extra long.”
  • At the pool, Annabelle notices she looks more like the high schoolers now that her body has changed. She is excited when Conner looks at her in her swimsuit and tells his friend she is “all grown up.”
  • It is implied that Annabelle cannot buy a shirt because it is too revealing. “When Annabelle had stepped out of the dressing room, Mia’s mom had said, ‘Va-va-voom! Honey, I don’t think you can wear that shirt to school!’”
  • Elisa, an older swimmer, tells Annabelle, “Coach Colette was practically salivating about how she’ll get to coach you once you’re fourteen.” Conner says, “What’s that now? Who’s salivating?” Elisa responds, “If anybody says anything that could in any way be twisted around to sound inappropriate, there you are.”
  • Annabelle admires her swim coach, Colette’s, body. “Annabelle hoped that when she did peak, her body would look a lot like Colette’s. People talked about how hot, pretty, and strong Colette was. Annabelle wanted people to talk about her like that, too.”
  • Annabelle invites Mia to get ice cream, so Mia can see the guy who was flirting with her last time they went.
  • At lunch, Annabelle sits with a few high schoolers. They are playing a game where one person names two people, and the others have to choose one. The high schoolers tell Annabelle the purpose of the game is to choose who they would want to “spend an afternoon alone with.” Annabelle doesn’t understand the underlying meaning.
  • When a guy asks Annabelle to choose between two guys, she says, “I don’t know. Why don’t you choose first?” She feels bad for making this joke. She knows they only laugh because they’re uncomfortable with homosexuality.
  • At a meeting with her principal to discuss her low test scores, Annabelle reflects that while her body is developing earlier than her peers, her brain is developing later than her peers.
  • When someone suggests going swimming, Annabelle notices no one has a swimsuit. “Were they going to swim in their clothes? Or – ack – not in their clothes?” In the end, they don’t swim.

Violence

  • Annabelle and her friends attempt to sneak into the backyard of a famous director. They hoist her up to unlock the gate, but she falls when the alarm goes off. “Her left knee smacked one of the iron bars halfway down, and her right ankle twisted under her weight when her foot hit the ground. But that was nothing compared to the pain that knifed through her right wrist when she put down her hand to stop her fall.”
  • Annabelle looks at her injured wrist a few minutes after falling. Her wrist “had puffed up pretty badly, and the tender skin on the side of her thumb was turning blue.”
  • The morning after she injures her wrist, “her wrist and thumb were even bigger, and the tender skin was pink and purple, like the ugliest sunset imaginable. She couldn’t rotate her hand at all. She could barely even flex her fingers.”

Drugs and Alcohol

  • Annabelle’s biological father had a drinking problem. She flashes back to one day when he came to pick her up from swim practice. He was swaying and talking “funny, as if he had marshmallows inside his cheeks.” Annabelle’s mom drove her home.
  • When Annabelle’s dad still lived with her and her mom, Annabelle would “wake up in the middle of the night and find him sitting on the couch with a glass of amber liquid in his hand.”
  • Annabelle remembers her mom telling her dad, “I’m worried about the drinking. I’m worried you haven’t started looking for another job. I’m worried you don’t seem like your old self.”
  • Annabelle goes to a party where a few high schoolers are drinking beer. Annabelle does not drink.
  • Annabelle has “never been able to forget the way her dad had slurred late at night or the way he swayed and couldn’t focus his eyes on her that terrible day when he showed up drunk at swim practice.”

Language

  • Jeremy tells Annabelle, “I can’t believe those dicks left you!”
  • Mia tells Annabelle, “It sounds like you really treated Jeremy like crap.”

Supernatural

  • None

Spiritual Content

  • None

by Jill Johnson

 

The Legend of Zelda: Twilight Princess Vol 1

Link is a simple boy in a small, peaceful village. However, he lived a very different life before he came to the village less than two years ago. Before, he had been training with the sword to become a border guard. Then, in a tragic accident, Link’s entire town was sucked into the blackness by a Death God and vanished. Link fled in terror and has been hiding ever since, though he hasn’t been able to escape his guilt.

When monsters invade Link’s safe haven, he springs into action to defend his new home. But these strange creatures are nothing like Link has ever seen before. Will he be able to redeem himself and save his new home? Or is Link doomed to watch another town be swallowed by the darkness?

Link himself is an enjoyable and relatable hero. He has a sense of humor despite his tragic past. He tries to be patient with the children of the village, and when he loses his temper, he regrets it later. However, the other supporting characters in the story are undeveloped caricatures.

There are some mild violent and sexual images, though these do not abound. Specifically, the monsters and Death God may be frightening to younger readers, and parents may not appreciate the bikini-clad princess that appears in the first chapter. However, for the 13+ recommended age range, the images in this graphic novel are much less graphic and sexual than other popular teen graphic novels. Still, the graphic novel is noticeably darker than the video game, such as when the Death God is introduced, Link suffers a gruesome injury.

For fans of The Legend of Zelda: Twilight Princess video game, this graphic novel will be an enjoyable read. Though the graphic novel diverges from the video game, there are enough similarities that gamers will recognize and enjoy. Link is given a different backstory in this graphic novel, which provides enough of a difference that it is not simply a repeat of the game. For readers who have not played the video game and are meeting Link for the first time, they may find that the plot drags. While there is plenty of action at the end, the first half of the book meanders around, introducing characters and aspects of Link’s life from the video game. While interesting enough to gamers, there might not be enough action to hook new readers.

Sexual Content

  • The Twilight Princess, who only appears in chapter one, is dressed in a bikini top and sarong skirt that bares most of her legs.
  • When Link gets rammed by a goat, he thinks, “It’s weird for Ordon goats to be so aggressive. Is it mating season?”

Violence

  • The sorcerer Zant attacks the Twilight Princess. There is a giant explosion as he overpowers her.
  • A village girl is shot in the shoulder with an arrow and then kidnapped.
  • Link fights the monster trying to kidnap a village girl. The fight is depicted over 11 pages. At the end of it, Link’s arm is cut off.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Link lives in a world with magic and monsters.
  • The sorcerer, Zant, turns the people who live in the Twilight Realm into monsters to serve his evil plans.
  • When Link pulls a sword from a stone, his village is sucked into darkness by a terrifying Death God, who appears like a skeleton with glowing eyes.
  • There are drawings of goblins, skeletons, and other monsters that invade the realm and terrify the villagers. Most of this attack is not shown. One of the monsters threatens the people who don’t live in the twilight realm, saying, “I will curse them all.”
  • When Link travels to the Twilight Realm, he is transformed into a giant wolf.

Spiritual Content

  • The villagers speak of the spirits that protect them several times. For instance, a village woman tells Link, “The spirits give strength to all manner of things. They bring light and consciousness to all things.”
  • There is a legend that when evil people tried to use magic to take over the land, “the goddesses grew angry at this affront and sent four spirits of light to seal the upstarts’ magical power away in the shadow crystal. Furthermore, the mirror of shadow prevented these wizards from entering the world of light. They were exiled to the twilight realm.”
  • A spirit of light heals Link’s arm after it is cut off in a battle.

by Morgan Lynn

The Storm Dragon

Sophy was picking apples in an orchard when a cute dragon falls from the sky. The injured little dragon, named Cloudy, is in danger. The queen and the captain of the guard don’t like magical creatures. Sir Fitzroy and his guards are searching everywhere for Cloudy. They want to lock him in the dungeon.

With the help of a magical stone, Sophy is able to talk to Cloudy. It will take courage and creativity to keep Cloudy safe. With the help of a friend, Sophy knows how she can help heal Cloudy’s injured wing…but how can Sophy sneak Cloudy out of the castle, find the healing plant, and save her cute purple friends?

The Dragon Storm shows that you don’t have to be royal in order to be special. Sophy is a castle maid, but she is still able to keep Cloudy safe. Sophy’s kind nature shines as she smuggles Cloudy into the castle. Suspense is created as Sir Fitzroy and his guards hunt for the dragon; however, his exploits are silly and will cause readers to giggle. Readers will enjoy seeing Cloudy using his magic to stop Sir Fitzroy from yelling at Sophy. With a cute dragon, a sweet friendship, and a fairy tale setting, The Dragon Storm will delight younger readers.

The story uses easy vocabulary, simple sentence structure, and black and white illustrations to make The Storm Dragon accessible to younger readers. Illustrations appear every 1-3 pages, and they help readers understand the story’s plot. Readers will fall in love with Sophy and will be excited to read the next book in the series, The Sky Unicorn. Much like Harrison’s Rescue Princess Series, The Secret Rescuers will encourage readers to be kind to animals, brave in the face of danger, and ready to help a friend in need.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • Cloudy eats dragonweed. Sophy picks some of the plant and “Cloudy munched those too and then flapped his wings. This time his injured left wing looked as strong as the right one!”

Language

  • When a guard says he doesn’t believe a dragon is near the castle, Sir Fitzroy yells, “It was a dragon, you fool!”

Supernatural

  • Sophy finds a magic “Speaking Stone” that allows her to talk to dragons. A dragon tells Sophy, “A Speaking Stone is very powerful and very precious. Each stone chooses a keeper and will work for the person alone.”
  • When the Queen and Sir Fitzroy yell at Sophy, Cloudy causes a gust of wind. “Then a sheet floated out of the basket, followed by a pair of the queen’s royal bloomers, trimmed with golden thread… More clothes and sheets sailed into the hall as the wind become wilder… Five small whirlwinds were sneaking across the hall, twisting and turning as if they were dancing. The silverware rattled on the banquet table, and the royal tablecloth flew upward, scattering pie crumbs everywhere.”
  • Cloudy is a storm dragon. Storm dragons “bring rain clouds from the ocean and blow them across the dry land. My brother says that’s how the trees and flowers and vegetables get the water they need to grow.”

Spiritual Content

  • None

Star Dreams

Flame meets Jemma Watson in an alley, and this ordinary girl soon realizes that she is dealing with an extraordinary kitten. Flame’s magic powers come in handy as Jemma auditions for dance school while trying to look after her younger siblings. But the fun can’t last forever as Flame senses his enemies close by and must return to his kingdom. . .

Jemma loves having Flame, and she takes him everywhere she goes, including school. Flame often uses his magic to help Jemma out. One time, Flame’s magic is too much, which creates a funny food fight at school. Readers will fall in love with Flame as he uses sparkly magic to help Jemma with everyday problems.

Jemma loves to dance and is excited about trying out for a dance class. When the new girl, Fran, asks Jemma if she can come over, Jemma is nervous. Jemma knows that some kids think Fran is a snob. “But, she [Jemma] hadn’t had the chance to get to know her yet. Anyway, she liked to make up her own mind about people.” Because Fran has new clothes and her mom drives an expensive car, Jemma is worried to invite her over. Jemma doesn’t want Fran to see her run-down house; however, Jemma gets over her fear. When Fran comes over, she doesn’t make a comment on Jemma’s house.

Many readers will relate to Jemma, who worries about her family’s financial situation. However, Jemma doesn’t let this stop her from befriending Fran. Jemma is a positive character who helps her mother by babysitting and helping around the house. The story shows that a person’s character is more important than their financial status.

When Jemma performs, she makes a mistake in the routine, but she keeps going. Jemma was sure that her mistake would disqualify her, but in the end she has a happy surprise. The judges “were impressed because I didn’t let a small mistake get in the way.” Black and white drawings appear every 3-7 pages. Star Dream will engage readers as it teaches positive life lessons. Even though Star Dreams is part of a series, the books do not need to be read in order. Each book introduces a main character as Flame tries to hide from his uncle.

 Sexual Content

  • None

Violence

  • Flame’s uncle is looking for him. His uncle wants to kill Flame so he can keep the throne.
  • When sandwiches and other foods begin spilling out of Jemma’s brother’s lunch box, the kids go crazy and start a food fight. When Mr. Butler comes over and yells at the kids, Jemma’s brother threw a cherry cake at him. “The cherry cake hit Mr. Butler in the chest. Squish! The teacher’s face reddened with anger and he gave a roar of rage. An enormous chocolate éclair torpedoed into his open mouth as one boy with particularly good aim looked very proud of himself.” Flame uses magic to make all the food disappear and everyone forgets what happened.
  • A boy picks up Flame and “pretended to throw Flame over a nearby garden wall. Flame gave a terrified wail. His paws clawed at the air. He seemed too scared to do any magic.” When Jemma offers the boy money, he gives Jemma the kitten.

Drugs and Alcohol

  • None

Language

  • Jemma’s brother “leaped onto the bed and began playing with Flame.” Jemma yells at him and calls him a big jerk.
  • “Oh, heck” is used twice. When Jemma’s brother drops something, he says, “Oh, heck!”

Supernatural

  • Flame uses magic to change into a kitten and jump into a different world. When he changes, “sparks crackled in Flame’s fur and there was a flash of dazzling white light. A silky cream kitten with brown spots sat where the young white lion had stood just a moment ago.”
  • When Flame enters another world, Jemma sees “silver sparkles shot out of Flame’s fur. His green eyes began to glow like coals and his whiskers trembled with electricity. Jemma felt a tingling sensation.”
  • In order to make Jemma’s baby sister stop crying, Flame “raised a paw and a fountain of silver sparks whooshed into the air. Big, shiny, rainbow-colored bubbles appeared. They floated in the air, tinkling like silvery bells when they bumped gently into each other.”
  • Flame makes lunch for Jemma’s brother. Jemma “saw piles of ham and cheese sandwiches, cookies, and lemonade.” However, Flame’s magic was too strong. When Jemma’s brother opens his lunch box, “shooting out of it was a multicolored volcano of sandwiches, potato chips, cookies, and candy?”
  • Flame uses magic to make himself invisible.
  • When Jemma’s brother makes a mess in the kitchen, Flame cleans it up. “A minute later, the vacuum cleaner burst into action. It zoomed around wildly, making clean trails through the flour. . . The vacuum cleaner whizzed back into the closet. Swish! Cushions, carpets, and curtains flicked back into place. Phloop! Flour and sauce disappeared back into bags and jars.”
  • When Jemma is going to be late for tryouts, Flame transports her. “Opening the door, she poked her head outside. There was a long line of people twisting all down the hallway.”
  • Flame transforms Jemma’s backyard. “The flowers were all planted and the lawn had been mowed. The paving stones were in place.”

Spiritual Content

  • None

A Boy Called Bat #1

Bixby Alexander Tam (nicknamed Bat) likes routine. When his mom, who is a veterinarian, is late coming home one day, Bat becomes upset. When Bat’s mom arrives, she has a good surprise. She has brought home a stray baby skunk that needs to be taken care of until they can hand him over to a wild animal shelter.

The minute Bat sees the baby skunk, he decides to become an expert skunk caregiver. Bat hopes his mother will change her mind and allow Bat to keep the baby skunk. Bat names the little skunk Thor and takes care of his needs. Bat even contacts a skunk expert in order to get advice about being a good caregiver. But can Bat convince his mom that Thor belongs with him?

Bat’s story doesn’t only focus on Bat’s love of the baby skunk, but it also shows how Bat doesn’t pick up on social cues. Through Bat’s eyes, the reader sees how Bat struggles to make eye contact, to understand others’ actions, and to make friends. Even though Bat is autistic, his difficulties are a natural extension of the story; Bat’s emotions are explained in a way that young readers will understand.

As Bat cares for Thor, he learns interesting information about skunks. Even though Bat is a good caregiver, the story makes it clear that Thor will need to be returned to the wild. Bat’s mother continually reminds Bat that wild animals should not be pets.

A Boy Named Bat is a sweet story that will appeal to animal lovers. Readers will relate to Bat and understand Bat’s desire to keep Thor as a pet. Adorable black and white illustrations appear every 3-7 pages and help readers visualize the characters. As readers learn about skunks, they will also see how Bat’s life is impacted because of his parent’s divorce. Even though the story focuses on Bat’s perspective, younger readers may have a difficult time with the advanced vocabulary. A Boy Named Bat is an entertaining story that would be an excellent choice for parents to read with their child. The story would lead to a discussion on many topics including animal care, family relationships, autism, and friendship.

 Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

A Court of Mist and Fury

The story continues in this thrilling sequel. Feyre must heal from her torment and learn to control her newfound power. Feyre has saved Prythian from the evil tyrant Amarantha, and she has been reborn as a faerie. As Feyre adjusts to her new faerie body, she uncovers new powers she has been gifted from the high fae. Feyre struggles to overcome trauma causing her relationship with Tamlin to become increasingly strained. As their relationship deteriorates, Tamlin becomes more controlling. Eventually, Tamlin uses magic to trap Feyre inside their home. When Feyre calls for help, Rhysand, the high lord of the night court, hears her plea and saves her. Rhysand takes Feyre to the night court where her next chapter begins.

While Feyre begins to heal from her broken relationship with Tamlin, she finds an unlikely ally in Rhysand. As Feyre heals, her bond with Rhysand grows stronger; however, she must ready herself for an approaching threat. Dark plans are revealed, and Feyre realizes she might be the key to stopping an imminent war against Hyburn, an ancient land that is plotting a war to take over Prythian and the human lands. Will Feyre ever recover from her trauma? Will she let herself have feelings for the beautiful high lord of the night court? Will Feyre be able to master her new powers in time to save Prythian?

 A Court of Mist and Fury is a stunning sequel to A Court of Thorns and Roses. Feyre is a strong female who leads the fighting and demonstrates great powers among the faeries. A Court of Mist and Fury focuses on the inner workings of the night court and introduces new, funny, and vibrant characters. As Feyre’s adventure continues, her new powers begin to make her a target among the high fae. Instead of backing down, she trains to control her powers and to protect herself. Feyre’s powers put a feminist spin on the series because the high lords need Feyre’s help to save Prythian. With this sequel, Maas creates a story that is even better than the first. A Court of Mist and Fury continues to dive into the rich history of the faerie world and the different courts.

Maas develops her characters in a realistic way that allows the readers to relate to her strong characters and fall in love with them. Maas allows her protagonist to have multiple relationships and friendships, showing that a broken heart is not the end of a character’s story. She allows Feyre to have multiple loves, with many highs and lows, to show a more realistic look at what it is to find love. These different love interests and friendships display the true difficulties of relationships and that, ultimately, everyone has to do what is healthiest for themselves when it comes to love. These relationships make the story more genuine and powerful, even though the setting is in a magical world. With Feyre’s heartbreak and her healing from physical trauma, the story touches on her mental health and the effects of depression. While Feyre is healing, she goes through a mourning process and comes out the other side stronger than ever. This novel delves into the raw emotion of heartbreak, depression, and the healing that everyone, human or faerie, must go through in their life.

Sexual Content

  • Feyre and Tamlin have an intimate moment. Feyre “moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered.” The scene is described over two pages.
  • To distract the court, Rhys and Feyre pretend to be a couple. They put their “show” relationship on display and Rhysand’s “hand slid higher up my thigh, the proprietary touch of a male who knew he owned someone’s body and soul. He’d apologized in advance for it- for this game, these roles we’d have to play. But I leaned into that touch, leaned back into his hard, warm body.” This exchange goes on for three pages.
  • Feyre and Rhysand stay in an inn, and they share a bed. “The fingers he’d spread over my stomach began to make idle, lazy strokes. He swirled one around my navel, and I inched imperceptibly closer, grinding up against him, arching a bit more to give that other hand access to my breasts.” They decide to not go any further sexually, as they are in the beginning stage of their relationship. This intimate moment lasts two pages.
  • Feyre and Rhys’s mating bond snaps into place, and they have sex for the first time. Rhys “deepened the kiss, and I wrapped my legs around his back, hooking him closer. He tore his lips from my mouth to my neck, where he dragged his teeth and tongue down my skin as his hands slid under my sweater and went up, up, to cup my breasts. I arched into the touch and lifted my arms as he peeled away my sweater in one easy motion.” The scene is described over three pages.

Violence

  • Rhys tells the story of how Azriel got his scars on his hands. “For the eleven years that Azriel lived in his father’s keep, she [Azriel’s stepmother] saw to it that he was kept in a cell with no window, no light. When he was eight, his brothers decided it’d be fun to see what would happen when you mix Illyrians quick healing gifts with oil and fire. The warriors heard Azriel’s screaming. But not quick enough to save his hands.”
  • Rhys and Feyre are flying when arrows attacked them. Feyre “felt the impact—felt blinding pain through the bond that ripped through my own mental shields, felt the shudder of the dozen places the arrows struck as they shot from bows hidden beneath the forest canopy.”
  • Feyre attacks a camp of faeries that have taken Rhys hostage. “The others around them shouted as I dragged my ash arrows across their throats, deep and vicious, just like I’d done countless times while hunting. One, two—then they were on the ground, whips limp. Before the guards could attack, I winnowed again to the ones nearest. Blood sprayed. Winnow, strike; winnow, strike.”
  • Valerian is attacked, and Feyre witnesses a woman impaled on a light post. The woman’s “body bent, her back arched on the impact.” As the city is being attacked, Feyre hears “screams, the beating wings, the whoosh and thud of arrows erupted in the sudden silence.”
  • Feyre attacks the Attor, a winged monster, before he can escape the attack on Valerian. The Valerian “shrieked, wings curving as I slammed into it. As I plunged those poisoned ash arrows through each wing . . . the Attor could not break free of my flaming grasp.”
  • Jurian “fires an ash bolt through Azriel’s chest” that almost kills him.
  • Feyre, Rhys, and the rest of his court try to infiltrate Hyburn and nullify the Cauldron before it can be used for evil. When they get to Hyburn, they realize it is a trap. Tamlin has sold them out to the king. The king kidnapped Feyre’s human sisters, who were “gagged and bound.”
  • The king forces Feyre’s sisters to go into the cauldron to be transformed into fairies against their will. “Elain was hoisted up between two guards and hoisted up. She began kicking then, weeping while her feet slammed into the sides of the cauldron as if she’d push off it or knock it down. The guards shoved my sister into the cauldron in a single movement.”
  • The king breaks Feyre and Rhys’s bond. “Tamlin gripped my arms as I [Feyre] screamed and screamed at the pain that tore through my chest, my left arm. A crack sounded in my ears. And the world cleaved in two as the bond was broken.”

 Drugs and Alcohol   

  • Feyre mentions drinking wine with most meals.
  • Mor tells Feyre, “come sit with me while the boys drink.”
  • Feyre talks about how Mor “had been out drinking and dancing until the mother knew when.” Feyre eludes that Cassian and Azriel have hangovers, describing them as “grumbling and wincing over breakfast, had looked like they had been run over by wagons.”
  • Feyre goes out to a nightclub with Rhys, Mor, Cassian, and Azriel. She describes “nursing her glass of wine” as Mor and Cassian “danced around the bar.”

 Language

  • Profanity is used occasionally. Profanity includes: shit, damn, ass, and hell.
  • Rhys and Feyre are having an argument and Rhys says, “I don’t give a damn what I have to do.”

Supernatural

  • Feyre asks Rhysand about his winnowing powers and he says, “Winnowing? Think of it as . . . two different points on a piece of cloth. One point is your current place in the world. The other one across the cloth is where you want to go. Winnowing… it’s like folding that cloth so that two spots align. The magic does the folding and all we do is take a step to get from one place to another.”
  • Feyre meets a water-wraith and describes her as wearing “no clothes. Her long, dark hair hung limp and her massive eyes were wholly black.”
  • Feyre uses her powers unknowingly and goes into the mind of Lucien. She describes it as, “still there, still seeing through my eyes, but only half looking through another angle in the room, another person’s vantage point – his head. I had been inside his head, had slid through his mental walls.”
  • Tamlin and Feyre get into a fight, and he gets so enraged that his power “blasted through the room.” The room is destroyed around Feyre, but she isn’t hurt. When Tamlin tries to come to her, he hits an invisible wall around her. “And I realized that the line, that bubble of protection. . . It was from me. A shield. Not just a mental one but a physical one, too.”
  • Feyre starts to feel talons growing on her hands. She describes it as “where my nails were growing, curving. Not into talons of shadow, but claws.” She can also will them away “like blowing out a candle.”
  • Rhysand tells Feyre about her power to look into other people’s minds, which is a power he also shares. “We’re called daemati- those of us who can walk into another person’s mind as if we were going from one room to another. If you were to ever encounter a daemati without those shields up, Feyre, they’d take whatever they wanted.”
  • Feyre describes Amren, one of Rhysand’s inner circle members in the night court, as being an other-worldly being inside a human body. “Her silver eyes were like nothing I had ever seen; a glimpse into the creature that I knew in my bones wasn’t high fae. Or hadn’t been born that way. The silver in Amren’s eyes seemed to swirl like smoke under glass.”
  • Rhys describes the Illyrians, a race of winged faerie warriors, since he is half Illyrian and his closest friends and court members, Cassian and Azriel, are also Illyrian. “The Illyrians are unparalleled warriors, and are rich with stories and traditions. But they are also brutal and backwards.”
  • Rhys and Feyre go to a magical prison inside a rock with “the foulest, most dangerous creatures and criminals you can imagine” to visit a prisoner called the bone carver. The bone carver is a magical creature that may “appear to you as one thing, and I might be standing right beside you and see another.”
  • Feyre sees the weaver, a scary, mythical being. She describes her with “gray skin, wrinkled and sagging and dry. Her lips had withered to nothing but deep, dark lines around a hole full of jagged stumps of teeth.”
  • Amren doesn’t eat human food, and while they are all out to dinner together, the restaurant’s owner brings her “a goblet filled with dark liquid.” After Amren takes a sip, her teeth were “gleaming with blood.”
  • Feyre practices with her water powers by “making water rise from the tub, then shaping little animals and creatures out of it.”
  • The night court celebrates a holiday called Starfall, where stars “cascaded over them filling the world with white and blue light.” Rhys tells her they’re not stars at all, but “spirits on a yearly migration to somewhere. Why they pick this day to appear here, no one knows.”

 Spiritual Content

  • Feyre meets Ianthe, one of the high priestesses of Prythian. “Among the high fae, the priestesses oversaw their ceremonies and rituals, recorded their histories and legends, and advised their lords and ladies in matters great and trivial.”
  • The bone carver tells Feyre about the Cauldron where “all magic was contained inside it and the world was born in it. It could not be destroyed, for it had made all things, and if it were broken, then life would cease to exist.”

by Adeline Garren

Dreams That Sparkle

Belissima is the prettiest pony at the Enchanted Pony Academy — everyone says so. The problem is, no one seems to see what else Belissima is: talented and hardworking. She dreams that someday everyone will see that her magic doesn’t have anything to do with her looks! When the royal children come to the Academy for the selection ceremony, Belissima is determined to show that she’s not just a pretty pony. It’s her last chance to prove that she can be so much more than a show pony.

Belissima is upset that people always make comments about her beauty. She wishes someone would notice that “she had the top grades in her class, or that she was a leader who always tries to be patient and pleasant with all the ponies at school.” Belissima even tries to hide her beauty because she is afraid that a royal child will choose her based on her looks and not on her personality. This story teaches that ponies (and people) have many aspects that make up his/her personality.

The students use the Magic Treats and Eats Cookbook to make some magical treats, which add some humor to the story. However, the story has little action and mostly focuses on Belissima’s attempts to hide her beauty. Some readers may have a hard time understanding Belissima’s conflict. Although Belissima finds her perfect match in the end, the two rarely interact. Unlike the previous books, this story has less action and the message is harder to understand.

Dreams that Sparkle will entertain those who have already transitioned to chapter books. Cute black and white illustrations help break up the text and appear every three to five pages. Although the vocabulary isn’t difficult, the text-heavy pages and long sentences may be overwhelming for beginning readers. Fans of the Enchanted Pony Academy books will enjoy the story. The Enchanted Pony Academy series does not need to be read in order; however, readers new to the series should begin with Let It Glow or Wings That Shine.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Darn is used once.

Supernatural

  • Each pegapony has a different Glitter Gift. The Glitter Gifts include being able to become invisible, being able to talk to winged animals, teleportation, and making flowers bloom. One pegapony can even shoot sparks out of his horn.
  • Belissima’s Glitter Gift is making her coat change color and sparkle. Later she learns that her other Gift is healing magic, which only works on her perfect match.
  • Several times in the story, someone levitates an object. For example, “Daisy galloped into the stable with a tray levitated by her side.” Daisy’s tray has posy pies on it.
  • Trying to make herself less beautiful, Belissima cast a spell by saying, “With these shinny shears, snip my mane shorter than my ears.” When she chants the spell, “the scissors zoomed through the air, and she watched as strands of her mane fell to the barn floor around her.”
  • Belissima casts a spell so she can see what she looks like. She says, “In front of me here, make a mirror appear.” She uses the mirror and sees that her mane grew back.
  • Belissima cast a spell so she can write a message to a friend. She chants, “To Sunny, send this note, so she can see what I wrote.” After Belissima says the spell, “the note folded itself and flew through the air, right out the door.”
  • Daisy finds a book, Magic Treats and Eats Cookbook, and makes posy pie. When Belissima eats the treat, her breath smells like flowers for hours.
  • A pony makes a recipe that allows him to eat a treat and then a rainbow will appear out of his horn. When the pony does this, “a rainbow arched over the arena, and the colorful light enveloped [Belissima]” The rainbow makes Belissima’s Glitter Gift ever stronger.
  • Belissima makes a treat that will make her less beautiful. When she eats the treat, “her soft purple coat was covered in moldy green spots. . . The moldy spots were bigger and fuzzier than she’d expected. They were darker green, too. The rainbow must have really enhanced the power of the recipe.”
  • Headmaster Elegius can teleport through a silvery orb.

Spiritual Content

  • None

Jinxed

Lacey Chu has always dreamed of working as an engineer for MONCHA, the biggest tech firm in the world and the company behind the baku, which is a customizable “pet” with all the capabilities of a smartphone. But when Lacey is rejected by the elite academy that promises that future, she’s crushed.

One night, Lacey comes across the broken form of a highly advanced baku. After Lacey repairs it, the cat-shaped baku she calls Jinx opens its eyes and somehow gets her into her dream school. But Jinx is different than any other baku she’s ever seen. . . he seems real.

As Lacy settles into life at school, competing with the best students in a battle of the bakus that tests her abilities, she learns that Jinx is part of a dangerous secret. Can Lacey hold on to Jinx and her dreams of a future?

Lacey has always been focused on academics, but being successful at Profectus is not going to be easy. When she learns that she has been chosen as part of a baku battling team, Lacey is determined to make friends. Lacey was prepared for Profectus’s academic pressures, but Lacey wasn’t prepared for the challenges of having a baku that has its own opinion and agenda. Lacey soon learns that some of the students will stop at nothing to make it to the top of the class.

Lacey’s world is unique, fascinating, and full of unexpected surprises. Everyone in Lacey’s world depends on their baku, and each baku has the ability to make its owner happy. Whether it’s playing an upbeat song, helping instruct a recipe, or giving directions, each baku is essential for day-to-day life. However, Lacey’s baku, Jinx, is different. He doesn’t follow commands and often leads Lacey into trouble. The interactions between Lacey and Jinx create suspense as well as show Jinx’s unique personality.

Jinxed is an action-packed story that keeps the readers guessing until the very end. Although some of the characters are predictable—the mean kid, the rich cute boy, and the best friend who feels left out—the story never feels cliché. Instead, Lacey’s world gives the reader a realistic view of the future, where everyone is connected to a device 24/7. The end of the story will leave the reader with many unanswered questions, which might frustrate some readers.

Through Lacey’s experiences, the readers will learn important lessons about choosing your own path; it doesn’t matter where you come from, your choices and decisions make you who you are. The message that Jinxed portrays is clear: loving someone doesn’t give you the right to decide what’s best for them.

 Sexual Content

  • Lacey gives Tobias a handshake and “he clasps my hand. I don’t know if he feels it too. A spark. A moment where electricity leaps from my hand to his, where all the neurons in my palm seem to light up. It takes my breath away.”
  • When Tobias winks at Lacey, she feels butterflies in her stomach and feels “my face burning bright red.”
  • After Tobias grabbed Lacey’s hand, her “palm doesn’t stop tingling for the rest of the weekend.”
  • When Tobias holds Lacey’s hand, her “heart pounds, my brain is unable to compute that Tobias Washington is holding my hand.”

Violence

  • A woman holding a “creature” runs from someone with a pulse gun. “She ducked and the shot flew over her head, obliterating the trunk of a beech tree in front of her. . . The next shot hit her shoulder, and she wasn’t sure who screamed louder: her or the creature.” The creature falls over a cliff into a ravine, then “the men turned back to her, gun barrels leveling at her head. She closed her eyes and accepted the inevitable.” The two-and-a-half-page scene ends without saying what happened to the woman or the creature.
  • The school allows teams to battle their bakus. During the battles, some of the bakus are destroyed and cannot be fixed. During a battle, Tobias immediately makes a hit on Dorian’s snarling wolf baku, his eagle stretching his talons out, wing spread wide to keep him hovering—and to enable a quick getaway from the wolf’s surprisingly high jump.” During the battle, one of the girls is upset because she thinks her baku is destroyed and cannot be repaired.
  • When a boy is being rude, Jinx scratches the boy’s hand, which “beads with blood.”
  • During another baku battle, “The cloud leopard is lightning fast, rounding on poor Jupiter with barely a delay. . . Frost swipes out with a sharp paw and part of Jupiter’s surface paneling is torn.” When it looks like Jupiter will be completely torn apart, Jinx jumps into the fight. “The boar falters, twitching and convulsing, as something is destroying him from the inside out.”
  • When Lacey’s baku is stolen, Lacey and her friends go to get it back from Carter. Carter’s panther baku “leap past their bakus and aim their attacks at the people themselves. . . While Tobias is distracted by my screams, he sends hunter up to bring Aero down. There’s a sickening crunch of metal against metal, as Hunter’s tusk pierces Aero’s belly.” Lacey is able to pin Carter to the ground.” Lacey and her friends are able to free Jinx. Tobias has “one arm around Ashley, who is bleeding from a scratch along her hairline, and another arm supporting River, who is getting shakily to his feet.”

Drugs and Alcohol

  • None

Language

  • Jerk is used multiple times. For example, a boy from school is mean to Lacey. Lacey’s friends say, “He’s a jerk. Forget about him.”
  • Lacey’s friend tells her, “You’ve worked hard all friggin’ year. You’re allowed to take a break and relax.”
  • “Holy baku” is used as an exclamation once.
  • Heck is used four times. When Jinx scratches a boy, the boy says, “What the heck?”
  • Darn is used twice. For example, when a teacher tells Lacey that she’s late for class, Lacey thinks, “Darn.”
  • Oh my god is used as an exclamation three times. God is used as an exclamation once.
  • While working on a baku, Jinx’s “paw brushes against a smashed-up printed circuit board—if one of the bakus is missing that, they’re going to be seriously screwed.”
  • When a team captain thinks an opponent isn’t going to show up, he says the girl is a coward.
  • Jinx refers to an opposing team captain, saying “only idiots could have broken what you fixed. I mean, I wouldn’t put it past them to be idiots, but. . .”

Supernatural

  • None

Spiritual Content

  • Lacey and her friend Zora run into a mean boy from school. The boy is rude to Lacey. “Zora doesn’t immediately follow, and I whisper a silent prayer for her to drop it. . .”
  • When Lacey tells her friend that she found her baku, “she responds almost right away with a series of ‘Praise the Lord’ emojis.”
  • Jinx plays loud music and draws attention to Lacey. When the music stops, she thinks, “Thank god.”

Batter Up Wombat

It’s a brand new baseball season, and the Champs are ready to go in their spiffy clean uniforms. Never mind that the previous year they finished last in the North American Wildlife League—this season will be different. But when a Wombat wanders onto the field on opening day, the Champs have no idea just how different the game is about to become.

When the Champs play a team of raccoons, they discover how little Wombat knows about baseball. The Champs decide that Wombat needs “a quick course in the sport.” In order to teach Wombat what baseball is, the Champs begin spouting baseball lingo. Readers will laugh at the baseball wordplay. For example, Wombat is told, “you’ll need a bat.” A thought bubble above Wombat’s head shows a bat flying above his head.

Cartoon-like illustrations show different animals including a bird, a frog, a mouse and raccoons. In order to help younger readers understand the wordplay, each time someone explains an aspect of baseball, a thought bubble appears showing the literal meaning of the word. Even though baseball fans will enjoy the wordplay, the story doesn’t flow well and is confusing at times.

When the Champs actually play a game, Wombat continues to be confused. Soon, the team realizes that despite Wombat’s size, he cannot play well. Wombat becomes “frazzled, exhausted, and very sad.” Then, a black cloud appears. When the animals realize a tornado is speeding toward them, they don’t know where to hide. There isn’t a dugout to hide in so Wombat quickly digs a tunnel big enough for both teams. Wombat wasn’t great at baseball, but he still saves the day.

Even though Batter Up Wombat is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page contains 1-4 sentences. Readers may have difficulty with the compound sentences. Batter Up Wombat’s wordplay is similar to the Amelia Bedelia Series. Young baseball fans will enjoy the wordplay and Wombat’s literal interpretation of the game.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Digging for Dinos

Haggis and Tank go on a dinosaur adventure! They play games with a triceratops and try to hatch a dinosaur. But then, the ground starts shaking and a volcano erupts. Haggis and Tank need to get home fast!

Dino-loving kids will laugh as Haggis and Tank sit on dinosaur eggs and wait for them to hatch. As the two talk, homophones are cleverly weaved into the dialogue. The use of homophones creates some silly confusion. For example, while looking for dino eggs, Tank says, “I’ve been told I have a strong sense of smell!” Haggis replies, “That’s true. But you need a strong sense of smell. You need to be a good smeller.” The homophones will not only cause giggles but will also teach multiple meanings of words.

Anyone who has ever wished they could meet a real dinosaur will love Haggis and Tank’s dino adventure. Haggis and Tank’s adventure is illustrated in brightly colored panels. Much like a graphic novel, some of the pages only have quote bubbles. In order to move the story along, 1-2 sentence narration is included on some of the pages. The illustrated story is funny, imaginative, and full of surprising details.

Younger readers will laugh as Haggis and Tank walk in circles and play games with a triceratops. Digging for Dinos is part of Scholastic’s early chapter book line called Branches which is aimed at newly independent readers. With 1-3 sentences on each page, independent readers can read the story to themselves. The story ends with five questions and gives page numbers to help readers take a closer look at the text. Even though Digging for Dinos is the second book in the series, each book can be read as a stand-alone story.

Digging for Dinos will take young readers on a fun adventure. Readers who love Haggis and Tank and want more dinosaur fun should read The Dino Files by Stacy McAnulty.

Sexual Content

  • None

Violence

  • Haggis and Tank run from a T-rex. “Suddenly, a giant T-rex came crashing through the trees.” A volcano erupts, sending the T-rex running.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Daniel at the Siege of Boston 1776

Twelve-year-old Daniel helps his family in the family tavern. When English tea is dumped into the Boston Harbor to protest taxes, Daniel cheers. Then the British arrive, and soon Redcoats are taking over Boston. Soon everyone must take a side—support the British or join the rebels. Daniel’s family serves the British soldiers in their tavern to try to gain information and pass it on to the rebels.

When Daniel’s father leaves to join the fighting rebels, Daniel must help his mother in the tavern and help keep his sister safe. When Daniel overhears a crucial secret, he knows he has to cross British lines to deliver it to his soldier father and General Washington. He knows that liberty is worth fighting for, but is he brave enough to risk his life?

Daniel at the Siege of Boston 1776 brings the American Revolution to life through the eyes of a twelve-year-old boy. Despite the young narrator, the story is at heart a war story that doesn’t shy away from death. Even though the dead and wounded soldiers are not described in bloody detail, Daniel is deeply disturbed by the battle between the Redcoats and the rebels. Daniel witnesses wounded soldiers dying, which may upset some readers. Although Daniel agrees with Dr. Warren, who said, “Our liberty must be preserved; it is far dearer than life,” watching people die leaves a lasting impact on Daniel.

Even though Daniel at the Siege of Boston 1776 shows the importance of the American Revolution, the book is best suited for history buffs. Even though the story focuses on Daniel’s family, the long list of names may become overwhelming to readers. In addition, many historical figures, like John Hancock and Samuel Adams, are mentioned, but they never appear in the book. Readers who already know some of the key figures in the Revolutionary War will enjoy learning about the Boston Revolution through the eyes of a young boy.

Several times, Daniel acts out of fear, then later feels ashamed of his actions. However, Daniel’s father lets him know that the soldiers all feel fear. Daniel’s father tells him, “only the foolhardy are unafraid, Daniel. That’s not what bravery is. True courage is moving forward when you’re most afraid.” The story shows how the courage and perseverance of colonial men paved the way for America’s freedom. Daniel and the reader both learn that “Perseverance and spirit have done wonders in all ages. They’re far more powerful than even the mightiest of armies.”

Daniel at the Siege of Boston 1776 shows the brave deeds that led men to fight for liberty and allows readers to understand America’s history. The book ends with historical information about children’s roles in the American Revolution, the historical characters, a timeline, and a glossary. Readers who enjoy learning about America’s involvement in wars should add Calkhoven’s G.I. Dogs series to their reading list.

Sexual Content

  • None

Violence

  • Daniel mentions British soldiers trying to desert the military. “General Gave, the military governor of Massachusetts, had threatened to execute all deserters from the British army and any who helped them. More than one soldier was shot on the Common, caught in the act of trying to leave Boston.”
  • Soldiers bring a man into the tavern. The soldiers accuse the man of trying to help soldiers desert the “king’s army.” When the men come in, Daniel’s “father’s hands were underneath the bar, no doubt reaching for the musket that was hidden there.” When Daniel makes a quick move towards his sister, “my sudden movement put one of the soldiers on alert. He swung around and pointed his musket at me. His bayonet was fixed, candle light flickering against the shiny blade.”
  • The soldiers are ordered to tar and feather the man accused of helping soldiers desert. “The soldiers rushed to their task like boys to a game of ringer, only it was a life they played with, not marbles. Some men did not survive such torture.”
  • A man comes into Boston telling people, “‘They’ve done it,’ he said. ‘The Redcoats have fired on the people. . . I’ve seen the dead with my own eyes.’”
  • During a battle, the Patriots seize the hill. Then, HMS Lively began “firing cannonballs in our direction. . . Soon the HMS Somerset and other ships in the squadron joined the warship Lively. . . Cannonball after cannonball pounded into the side of Breed’s Hill and our fort. I’d never seen such a storm of round shot as was poured out us, but our fort stood undamaged.”
  • During the battle, “one soldier became too bold. A private stood tall and raised his arms in the air. The next I saw, his head was gone. I jumped to avoid the smoking six-pound ball that rolled past my feet.” The scene takes place over three pages.
  • The British try to take Breed Hill. “The Redcoats seemed to be upon the very walls of the fort. The solider next to me muttered a prayer. . . Suddenly the Patriots let loose with a burst of fire. Smoke boiled in all directions. The first wave of Redcoats fell. And then the next, and the next. . . When the smoke cleared, I saw just how many bodies they had left behind. Redcoats dotted the hill. Some crawled. Most were still.”
  • Again the Redcoats advanced. “The Redcoats seemed impossibly close to the walls of the fort before there was a burst of fire and smoke and noise. The first wave of Redcoats fell, and then the second. . . A third wave began to fall and once again the king’s men turned and ran. A good many of them were left behind, broken and dead.”
  • When the Redcoats again advance, the Patriots are out of gunpowder. “The first Redcoat mounted the parapet and leaped into the fort. Soon they stormed in from three sides. The Patriots used their muskets as clubs, but they were no match for British bayonets.” Daniel recognizes Dr. Warren as “he defended an exit, making it possible for many of the Patriots to escape. . . I saw a bullet strike his head. Dr. Warren fell.”
  • The Patriots begin to retreat and Daniel finds his father. “It was only then that I noticed my shirt was splattered with blood.” The blood wasn’t Daniel’s, but he watched as “two wounded men hobbled past us, one with a gaping wound in his neck, the other with a gash in his leg.”
  • As Daniel leaves the battle, he “found a man kneeling by the side of the road, moaning. . . Someone had bandaged his wounds, but he was still bleeding fiercely. He opened his eyes, but did not see me. . . He slumped over and fell into me. Dead.” Daniel vomits and runs from the scene.
  • As Daniel tries to get to his father, three men stop him. “I raised my hands to show them I was unarmed and prayed they would not shoot. . . They lowered their guns and after many questions gave me leave to go.”
  • While trying to leave Boston, Daniel runs from soldiers. “A musket fired, and then another, but I kept running. Something hit my shoulder. A bullet whistled past my ear.” Daniel runs and then hides behind a bush. “My shoulder burned. My fingers found a hole in my jacket but no blood. The bullet had only grazed me.” As he was hiding, “Too late, I saw a flash. The next thing I knew, my hat was blown off.” Daniel is frightened, but not injured.
  • The Redcoats hang one of the Patriots. Daniel sees “a man sat on top of a horse with his hands tied in front of him and a noose around his neck. The rope was attached to the strong branch of an oak tree. . . A crowd of soldiers and others jeered at the man. They urged the hangman to hurry, shouting for blood. . . The hangman slapped the horse’s rear and it lurched forward, out from under the barber. His legs dangled and the rope tightened around his throat. . . The barber’s legs danced, searching for purchase.”

Drugs and Alcohol

  • Daniel’s family owns a tavern, which the British soldiers have made their headquarters. Daniel’s family “filled their tankards and their bellies.” While serving the man, “Father quietly surveyed the room while he drew ale and poured rum. . . There was a low rumble of voices, and the occasional call for drinks, but all was peaceful.” The tavern and soldiers are mentioned drinking ale and rum many times throughout the book.
  • When soldiers point a musket at Daniel, his mother says, “There’s no call for any of this. . . Come, finish this nice meal I’ve made for you. A free glass of rum for all.”
  • After the battle, one of the Redcoats “walked into the tavern after camping on the hill for two nights, his breeches splattered with blood, and ordered a glass of rum.”
  • While Daniel was getting water, he sees a couple of Redcoats “laughing so hard they fell into the other. Drunk, I thought, and up all night.”

Language

  • After a battle, one of the Redcoats says, “Kill the sorry cowards! Kill them!”

Supernatural

  • None

Spiritual Content

  • When the men prepare for battle, the Reverend Mr. Langdon says a “long and fervent prayer.”
  • When Daniel leaves the tavern, his mother tells him, “god be with you, Daniel.”
  • When Daniel’s sister becomes ill, “we watched and prayed, hoping for the best.” Later, Daniel “wondered if Father knew of her illness and prayed he did not.” His sister recovers.
  • In order to listen to the Redcoats, Daniel hides and “prayed their voices would reach my ears.”
  • When a man is taken prisoner, Daniel’s mother tells him, “We must remember him in our prayers.”

Geekerella

Elle Whittimer is living in an impossible universe. Her father died, leaving her with her awful stepfamily. Now her only connection to her father is through Starfield, an old science fiction television show that he loved so much he started a fan convention for it. These days ExcelsiCon is one of the biggest cons in the country, but Elle hasn’t been back since her father died. Instead, she finds her solace in late night Starfield reruns, posting on her blog, Rebelgunner, and dreaming of the day when she can escape to California and become a screenwriter. When a movie reboot of Starfield is announced, Elle is afraid that her favorite story is about to be ruined. But this movie just might be the ticket to her dreams because this year, the first-place prize for ExcelsiCon’s cosplay contest is a chance to attend the premiere in Hollywood. With a little help from her coworker Sage, Elle decides to turn her father’s old costume into a prize-winning cosplay.

Darien Freeman just landed the role of a lifetime: Federation Prince Carmindor in the Starfield movie reboot. However, as a lifelong fan, he’s afraid he won’t be able to do the character justice. There are already fans, like the blogger behind Rebelgunner, who are convinced that casting a teen heartthrob was a terrible idea. The last thing Darien wants to do is surround himself with a bunch of angry, hardcore Starfield fans, which means he really needs to get out of judging the ExcelsiCon’s annual cosplay contest. When Darien sends a text hoping to contact someone at ExcelsiCon, he ends up reaching Elle. After connecting through a mutual love of Starfield, their anonymous friendship begins to grow into something more. But what will happen when their paths cross on the convention floor?

Geekerella is part modern-day Cinderella story and part love letter to fandom culture. Poston does a wonderful job exploring the ways in which art can bring together creators and fans alike – across time and distance. Themes of love and acceptance are an integral part of the story. At the same time, some darker topics are addressed, like Elle’s mistreatment by her stepfamily and how Darien has lost his personal life to overzealous fans and toxic paparazzi.

At its heart, Geekerella is an adorable fairytale. Even if readers are unfamiliar with fandom culture, they can still have fun picking out the parallels to the classic Cinderella story. Elle is a charming heroine, whose wit and determination make her easy to root for, while Darien’s sweet optimism makes him an incredibly endearing character. When these two lonely souls find each other through a mutual love of Starfield, it’s nearly impossible not to hope that their budding romance will overcome all the obstacles thrown in their way.

Sexual Content

  • Darien says he doesn’t want to think about the “creepy google searches” that male fans of his costar Jessica Stone make, implying that they might be sexual in nature.
  • Elle describes Darien’s face as “annoyingly beautiful.”
  • When Darien takes off his shirt on live TV, Elle says, “His abs and chest beam across Catherine’s plasma TV, piercing through [her] sleepy brain like a ray of hope in this godless universe.”
  • A fan jumps on stage and forces herself onto Darien. “Her mouth connects with [Darien’s] with such force that it sends them both tumbling over the sofa.”
  • When Darien discusses the kissing incident with his bodyguard, Darien says he thought he’d “choke on her tongue.”
  • Darien and his co-star Jessica must kiss for a scene. When Jessica asks where Darien learned how to kiss, he jokes that he’s had “two hours of practice by now.” In the same scene, Jessica refers to herself as “the best kisser in Hollywood.”
  • Elle daydreams about what life in a better universe would be like. “And maybe at that midnight release, I’d see a guy across the theatre dressed in a federation uniform, and we’d lock eyes and know that this was the good universe. Maybe a guy with dark hair and chocolate eyes and—for a moment Darien Freeman flashes across my mind.”
  • Darien thinks to himself that when he was kissing Jessica, he was really thinking about Elle. “The truth is, it wasn’t just when we’d kissed that I’d thought about Elle. I’d thought about her during every step of that dance.”
  • During a text conversation with Darien, a.k.a. Carmindor, Elle describes an episode of Starfield as “the one with the other Carmindor being sexy in the shower.” She then panics and adds, “Not that YOU couldn’t be sexy too.”
  • Elle worries about what would happen if she met Carmindor, a.k.a. Darien, in real life and thinks to herself, “I hate that I’m falling for someone I don’t even know.”
  • Darien refers to Elle as “ah’blena” during one of their text conversations, in the universe of Starfield this is a phrase meaning “my heart.”
  • Darien’s handler says that whoever wrote the negative blog posts about him “has a serious crush.”
  • After filming the final scene for the movie, Jessica asks Darien if he’s thinking about “the absolute sadness that we didn’t make out more?”
  • When Elle meets Darien for the first time, she describes him as “beautiful in person,” but thinks that his personality is “the biggest turn off.”
  • When she enters the cosplay ball, Darien is captivated by Elle. Darien watches “the top of the stairs, the girl with glowing red hair stares down at the rest of us from behind a sparkling golden mask. Her bowlike lips are painted the flaming color of a red giant. She’s beautiful.”
  • As Darien watches Elle enter the ball, he compares the moment to a meet-cute from a movie scene. “But this isn’t a movie, and I’ve already missed my meet-cute. The sky doesn’t suddenly crash in around us. The world doesn’t lose sound. Because this isn’t where I fall in love. I fell in love across the cell signals and late-night texts with a girl I barely knew.”
  • A rude stranger at the cosplay ball insinuates that Elle is simply a Darien Freeman fangirl, not an actual Starfield fan, and tells her that she is “too cute to play dumb” when she gets offended.
  • Elle and Darien share a dance at the cosplay ball and start to fall into familiar banter. “We’re so close, I can feel his breath on my lips, and my heart is tugging, telling me to kiss him even though I don’t know him. Even though my heart, battered and bandaged and taped together, is still rattling from the text a few hours before. But there’s something familiar in the cadence of his words, the way he phrases sentences, the way he articulates thoughts, like a voice I’ve heard before.”
  • Realizing she’s stayed too long, Elle rushes out of the cosplay ball. Darien, having realized who she is to him, chases after her. “His mask has fallen off and I can see the shiner on his nose, dark as a rainstorm, and the alarm in his eyes. The kind where you’re afraid you’ll never see someone again. ‘Wait, ah’blena!’ Ah’blena? I stumble and one of Mom’s shoes slips off.”
  • One of Elle’s stepsisters tells her friends that Darien is “way sexier in person.”
  • When Darien shows up at the country club looking for Elle, Chloe throws herself at him. Elle thinks that “flirting comes as natural as breathing” to her stepsister.
  • Darien reflects on seeing the real Elle for the very first time. “I won’t say that she is perfect or that she is the most beautiful girl I have ever seen, but the moment her gaze finds mine, she’s the best part of the universe. She’s a person I would love to spend a lifetime with on the observation deck of the Prospero.”
  • Elle and Darien share a kiss upon being reunited. “‘Ah’…,’ he begins, enunciating every syllable, raising his hand to my chin, ‘blen…,’ tilts my face up, slowly drawing toward me, like two supernovas about to collide, ‘…a.’ And somehow, in this impossible universe, his lips find mine.”
  • Elle and Darien kiss a second time and she describes it as “the kind of kiss that creates [possibilities].”
  • Sage and her girlfriend are holding hands in the limousine before the Starfield Elle says, “I don’t think they’ve stopped holding hands since that day at the country club.”
  • Sage’s girlfriend says she loves Jessica Stone, to which Sage responds, “Maybe we can share her.”
  • When a reporter asks if Elle and Darien are a couple, he tells her, “I want you, ah’blena. I want to try this thing with you, whatever this is. I want you to be my copilot. And I want to ask you before the movie, in case you really hate it.”
  • Darien kisses Elle on the red carpet. “He bends close, despite the crowds, despite the cameras, despite Franco’s nose-diving into his suit pocket where he’s probably keeping a snack, and kisses me. Around us, the flashes flare like the thrusters of the good ship Prospero, sending my heart rocketing into the farthest reaches of this impossible universe.”

 Violence

  • During a fight, Elle’s stepmother, Catherine, hits her. “With a crack, Catherine’s manicured hand strikes the side of my face.”
  • Darien films a choreographed fight scene. “There’s an explosion behind us—bright lights, the actual effects to be added later—as half the ship blows. Calvin lunges at me. I dodge left, grab his right hook, but he powers through it and sends me careening backward. I slam against the floor, pulling my weight back, scrambling to get my feet under me. He picks me up by the collar; I grab his hand and wrench it away. Quickly, I reach for my gun. Too slow. He rams his shoulder into my chest, and I stumble into the console. The entire structure shakes. He grabs hold of my neck and pretends to squeeze.”
  • Elle accidentally hits Darien in the face with a door, causing his nose to bleed. He describes the blood as leaking “into my mouth and down my chin and onto my favorite T-shirt.”
  • Darien gets into a physical altercation with his former friend, Brian. “If one good thing has happened over the last few months of preproduction and soulless salads and four A.M. workouts with Arnold Schwarzenegger’s cousin, it’s that I learned to throw a punch. Thumb out, clench fist—swing. Brian stumbles from the force of it.” The fight scene lasts for three pages.
  • Sage tells a dog, “The next time you jump on me I’ll skin you and wear you as a hat!”

Drugs and Alcohol

  • Prior to the beginning of the story, Darien was in an accident that prompted headlines to speculate about his health. When he describes the accident he says, “I wasn’t drunk, or high, or tripping on anything besides my own feet.”
  • Darien describes his former relationship with Brian, a friend who sold him out to the paparazzi, as “shoot-the-shit, drinking beer in the back of pickups friends.”

 Language

  • Elle uses the phrase “Nox’s crack” in place of a curse. The Nox are a race of aliens from the Starfield
  • Anon, the director of the Starfield movie, tells Darien that he has “brass balls” right before he films a stunt sequence.
  • Darien describes one of his lines as a “kiss ass goodbye.”
  • Elle describes sitting inside the food truck on a warm day as “hot as balls.”
  • Sage refers to Elle’s stepsisters as “the hell twins.”
  • Sage describes Princess Amara’s character arc as a “crappy subplot.”
  • When Elle first sees Darien in person, she thinks to herself, “Holy Federation Prince, Batman. It’s Darien effing Freeman.” This is one of three times this phrasing is used as an exclamation.
  • Miss May, one of the people running ExcelsiCon, says that Elle gave Darien “a snowball’s chance in hell.”
  • When Sage enters ExcelsiCon, she says, “Holy shit.”
  • Darien uses the word “fracking” in place of an f-bomb.
  • Darien tells Brian that he’s “not trying to be a dick.”
  • Elle calls the stranger harassing her a “left-testicled Nox.”
  • During his fight with Brian, Darien imagines a headline describing the incident: “DARIEN FIGHTS WITH SLEAZY PAPARAZZO AND MURDERS HIS ASS.”
  • During an argument with his father, Darien asks, “Why the hell insure my abs anyway?”
  • Sage tells Darien that she has been grounded by her mother, adding, “like hell I am.”
  • Elle says that her stepmother got rid of all of her Starfield memorabilia, including “one hella rare Pez dispenser.”
  • Elle tells Darien that she will make his life “a living hell” on her blog if he screws up Carmindor.

 Supernatural

  • None

Spiritual Content

  • Elle describes herself as sending a prayer to “the Lord of Light or Q or whoever is listening.”

by Evalyn Harper

 

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