Guts

Raina wakes up with a terrible stomachache. Because her mom is also sick, no one is really worried. But Raina’s stomach continues to hurt, even after she’s returned to school. Raina worries about throwing up at school. She’s worried about her classmates giving her an illness. She worries about eating something that will make her sick. She’s worried about her best friend moving. Raina’s tummy trouble isn’t going away. All this worrying is making Raina sick. What will it take for Raina to conquer her fears?

Raina doesn’t just have tummy trouble; she is also being bullied by Michelle. Every time Michelle says something mean to Raina, she explodes and ends up in trouble. Raina only talks to her best friend about Michelle’s mean words. Everything gets worse when Raina’s best friend begins talking and giggling with Michelle. Many readers will relate to Raina’s fears and anxiety. In the end, Raina and Michelle learn that they actually have a lot in common, and they might just be able to become friends.

As Raina’s stomach problems become worse, her parents take her to the doctor and eventually to a therapist. Even though Raina is “perfectly healthy,” she learns that her constant worrying is making her sick. With the therapist’s help, Raina learns breathing exercises to calm herself down. When she tells her friends that she is in therapy, Raina thought her friends would freak out, but instead, they think it’s “no big deal.”

Guts deals with the difficult topic of panic attacks, anxiety, and puberty. Using both illustrations and text, Telgemeir tackles the problem with compassion and humor. Each page contains eight or fewer sentences. The easy vocabulary, simple sentences, and bright pictures make Guts accessible to all readers. The brightly colored pictures do an amazing job at showing the facial expressions of the characters, which brings the character’s emotions to the forefront. The engaging story explores feelings and lets readers know that sometimes people need help to conquer their fears.

Readers who enjoyed Guts should pick up Telgemeier’s graphic novel Ghost which shows a healthy sibling relationship and has a positive message. Roller Girl by Victoria Jamieson is also an excellent graphic novel that contains a positive message.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • During a sleepover, the girls share their secrets. One girl says, “my dad gets drunk sometimes. He’s never dangerous, but a couple of times he’s yelled at me and my brother. It’s scary.”

Language

  • A girl at school calls Raina a “poopy diaper baby.”

Supernatural

  • None

Spiritual Content

  • None

Price of Duty

Jake Liddell is a war hero. During a fierce firefight, Jake risked his life to save his comrades. Now, the military is considering awarding him a Silver Star—a huge honor for any soldier. Jake, injured and confused, returns home. His military family is proud of his service and sacrifice, but Jake is beginning to question everything his family brought him up to believe.

The memory of war haunts him. As he recovers from his physical wounds, he wonders what direction his life will take. His famous grandfather wants Jake to return to the battlefield to fight again. Others want him to speak out against the military system. Jake was raised to believe that fighting for one’s country was a moral obligation, but that was before he saw the horrors of war and the death of his friends. Will Jake decide to return to the battlefield or will he fight to get out of the military?

Jake’s story makes it clear that war is nothing like the movies or like playing Call of Duty. Instead, war is brutal, bloody, and deadly. “There’s no heavy metal soundtrack when you’re in a firefight. The terror is real. The pain is real. Death is real.” Price of Duty does not glamorize war, but instead paints a bloody picture of the physical and emotional wounds that soldiers face. Jake’s story shows the gruesome decisions soldiers have to make in order to survive and the hardships that come afterward.

 Jake knows someone has to fight in order to protect America’s freedom, but he is conflicted because the cost of war is so high. His experiences have made him realize that “There is no glory in war. There is no honor in killing. No matter where they send you to fight, innocent people will die.” Even though the cost of war is high, Jake believes that “for all the things that are wrong with the military, we still need and depend on it to protect us.”

Price of Duty explores the tragedy of war as well as the idea of an all-volunteer Army. Even though no one is forced to join, many feel the military recruits children through the ROTC program. “We’ve just changed the method of conscription. We let economic forces compel minorities and have-nots to gamble their bodies and lives for a slim shot at a better financial future.”

Jake’s story is engaging from the very first page. As Jake struggles with his time in the war, the reader will feel the devastation of soldiers making life and death decisions. The events in the story are described in vivid detail and may shock some readers. Price of Duty will definitely stay with readers for a long time. Anyone who is thinking about joining the military should read Price of Duty. It accurately portrays a soldier’s sacrifice and shows the complexity of military service—the honor, the death, the sacrifice, and in the end, the reason why some choose to join.

Sexual Content

  • Jake’s ex-girlfriend, Erin Rose, began dating an older boy. The two “got serious really fast. By the time he enlisted after graduation, Erin Rose (then going into tenth grade) was pregnant.”
  • When Jake and his girlfriend park in a secluded place, he wonders if his girlfriend is thinking about another man. He wonders if she had parked in the same place with someone else.

Violence

  • Jake flashes back to his time in Iraq. An IED hit the Humvee Jake was in. When the soldiers exit the vehicle, the enemy shoots at them. Jake is injured by shrapnel. As he crawls out of the Humvee, he hears “intense machine gun and small arms fire bashing my eardrums. Supersonic lead bees whizzing past. . . The hot air stinks of gasoline and sulfur. A fusillade of bullets rip into the ground, spraying grains of dirt into my face and mixing with the blood in my eyes.” Jake can hear his friend screaming “somewhere to my right, where a lot of enemy fire is coming from.”
  • After a suicide bomber hit a Humvee and “blew the guys inside to smithereens,” Jake’s squad had to go “find the pieces. All of them. He wasn’t talking about the pieces of the Humvee.” Jake and his partner puked. As they were gathering the body parts, Jake found a detached hand.
  • During a firefight, Jake can’t reach his injured friend. Jake throws “a flashbang over the wall, then jumps up and hustle[s] thorough the closest opening. The pain from my wound slows me down, but I’m totally juiced on adrenaline. . .” Jake shoots two men and then, “something smacks into me from behind and knocks me flat on my face. It felt like a sledgehammer. . . Whap! A round slams into the ground inches from my head, kicking dirt into my eyes.”
  • During the battle, Jake has to “toss a smoke grenade around the corner. Instantly there’s rifle fire and rounds slam into the wall near me. . .” When Jake shoots his M-16, “there’s a grunt and a thud. . . I head up the stairs, stepping over the body of a dead sniper. . .” As the firefight continues, Jake wonders how to get to his wounded friend.
  • During a firefight, Jake breaks into a house where shots are coming from. “Inside, a woman screams. . .” Jake discovers that the shooter is “a scrawny kid. Can’t be more than twelve. . . I grab [the rifle] by the forestock and rip it out of his hands. The kid cowers. . . strangely, he’s not looking at me. Instead, he’s staring across the room.” The boy’s father is “soaked with blood” and dying. Jake goes to the window and “I plug the one closest to me, but the other has time to get off two shots. The next thing I know, I’m hurtling backward. The SOB got me.” Jake is injured. When a medic finds Jake, the medic “shoots me full of morphine and dresses my wound with QuickClot, bandage, and tape.”
  • While soldiers cover him, Jake runs to his friend, Skitballs. “His anxious eyes are open, a little glassy. A bubble of blood slowly forms in one nostril, then pops. He’s lying in this open sewer, enveloped in the stink of human waste, the mush around him reddened by his blood.” Skitball dies from his wounds.
  • Jake’s unit is sweeping for landmines when one goes off. “We all flinched, then looked around. A ball of black smoke rose from the next gulley over. ‘Ahh! Ahh! Ahh!’ came the screams…Morpiss’s anguished cries were like shock waves. They blew through you, tearing you up inside…” Morpiss survives but loses both legs and an arm.
  • Insurgents attack the base. “Ka-boom! The explosion was so big and close that the shock waves knocked a few guys out of their beds.” The soldiers go outside and “bullets whizzed and pocked into the walls. Men shouted.” Jake and another man, Brad, need to get to the guard tower. Jake “felt my scrotum contract. Even with suppressive fire, we’d be running right under the insurgents’ noses. . . I followed Brad, running as fast as my legs would carry me, praying I wouldn’t get hit. Lead whizzed past us and kicked up dirt around our feet.” Jake and Brad throw grenades into the guard tower and then went up. “The scene inside the tower was gruesome. Mangled bodies, blood, parts of bodies. The acrid stink of smoke.”
  • During an attack on the base, three children shoot at the soldiers. “They were skinny, all knees and elbows, not even old enough to have whiskers.” None of the soldiers want to shoot them, but “when we still didn’t return fire, the other two jumped to their feet and started towards us again.” A soldier finally shoots the kids, but their death is not described.
  • One of the soldiers, Brad, writes a suicide note. “I was going crazy at home. You knew because you walked into the bathroom and I was sitting there with a gun in my mouth. You have no idea how many times I did that when you didn’t walk it…I’m looking at my rifle right now and wondering for the millionth time what hot brass tastes like.” Later in the story, Brad locks himself in the “crapper.” Jake tries to talk to him. “When the gunshot came, a couple of guys jumped. I felt like the bullet had gone through me, too. Someone ran to get a cutting tool. I sat in the hot, dusty sunlight and sobbed.”
  • While on guard duty, a woman approaches the base. When she refuses to stop, a solider kills her. The woman drops a bundle. When the soldier goes to investigate, they find she was carrying a burned baby that needed medical help.

Drugs and Alcohol

  • When Jake returns home, he takes anti-anxiety meds. When he sees a crowd of people, he gets anxious and explains, “…even with the pills, I’m still wound tight like a spring.”
  • After being in the warzone for months, “more than a few guys were taking pills for sleeplessness, loose bowels, and anxiety.”
  • When he gets back home, Jake goes to a party where beer, tequila, and spiced rum are served.
  • When a soldier’s girlfriend broke up with him, he “sobbed, wiping his eyes and nose on his sleeve.” To calm down, “he washed down a couple of pills because there was no hooch allowed.”
  • Jake and his sister eat a meal with their grandfather. His sister orders “a Long Island iced tea. I have a Patrón on the rocks with a lime wedge. We may be underage, and the General may be a straight arrow, but the one exception is the rule of booze. Real men and women drink.”
  • Some of the soldiers are given pills for night terrors. When Jake was in the hospital, “I tried to stop taking them, but my nightly yelling woke the other patients on the ward. So I started again.”
  • After a soldier steps on a landmine, he is given morphine for the pain.
  • The army gives soldiers sleeping pills. “The Army provides soldiers with a selection. The short-term variety gets you about four hours of shut-eye. The medium-term pill is good for six. And then there’s Sleeping Beauty, a twelve-hour sleep-like-a-baby dose that leaves you feeling the next morning like you’ve been raised from the dead.” Jake discusses the addictive qualities of the pills. “Pretty soon guys had so many meds inside them that they couldn’t think straight, couldn’t feel straight. So what did the docs do? Gave them anti-depressants and anti-psychotics to stop all of the other meds from driving them crazy. After a while, guys were taking seven or eight different pills a day. With no one monitoring them.”
  • To deal with the stress of a parade, a veteran filled his water bottle “from a flask.”
  • When having dinner with his grandfather, Jake thinks, “I’m a tequila man, but in the General’s company, it’s the rule of bourbon. The only choice you have is which brand. . .”

Language

  • Profanity is used often. Profanity includes ass, bastards, bitch, crap, crapper, damn, hell, and pissed.
  • Goddamn is used two times. After Jake returns home, his father asks Jake if he’s okay. Before Jake can reply, his grandfather answers, “Of course he’s okay, he’s a goddamn war hero.”
  • When a soldier is injured, he screams, “Oh Lord, Jake!”
  • While eating in the mess hall, the soldiers hear a “clang!” One of Jake’s friends was “going fucking nuts, ranting like a madman and smashing a metal tray against the edge of the table.”
  • Jake wakes up sweaty from a bad dream and “there’s that split-second fear that I’ve pissed myself in my sleep. But it’s never urine. It’s always sweat.”
  • Oh my god is used several times.
  • Someone tells Jake, “Don’t play dumb white cracker with me. . .”
  • To get the attention of enemy soldiers, Jake yells, “Hey douchebags.”

Supernatural

  • None

Spiritual Content

  • Jake is shot in the back, but is uninjured. He thinks, “Thank Almighty God and ceramic body armor.”
  • When soldiers have to leave the FOB, “we knew it might be the last time. We all had good luck charms. Some soldiers smoked, some joked, some dipped and spat, and some got on their knees and prayed.”
  • Jake thinks the army recruiters lie in order to get people to join the army. Instead of being like a party, “You go in, make a couple of friends, and then pray you’ll all make it out alive.”

 

 

Girl Gone Viral

Girl Gone Viral focuses on Opal Hopper, a bright, technology-loving student who attends a prestigious high school in the future. Social media has become even more ever-present, and the biggest trend is virtual reality. Opal Hopper’s father was a Silicon Valley tech engineer who disappeared mysteriously when she was a girl. She’s determined to win a contest where the prize is a meeting with Howie Mendelsohn, a powerful and reclusive tech mogul who she believes will have answers about her father’s disappearance.

For their contest entry, Opal and her friends make a WAVE, which is a VR performance that functionally resembles a live YouTube video. They go viral for using the audience’s biometric feedback data to reveal that a universally reviled celebrity has more sympathizers than anyone realizes. They call their show “Behind the Scenes” and, despite losing the contest, continue to make videos in the hopes of becoming famous enough to meet Howie Mendelsohn. As their following grows, Opal is exposed to the lives of famous Silicon Valley innovators and has to make decisions about the type of public figure she wants to be.

In the middle of all the drama and stress, the book begins to focus on the US presidential elections. Opal and her friends are shocked to find that a fringe presidential candidate from the “Luddite Party” has won the election. As the name suggests, Luddites want to revert America to its pre-information technology state. Politically savvy readers will recognize the characters’ reactions to the election, as they directly parallel the reactions to America’s November 2016 presidential election. Opal finds that many of her friends and acquaintances hold Luddite sympathies, and she is forced to ask difficult questions: Is there something dehumanizing about information technology? Is there something real life can give her that a computer can’t? These questions form some of the central themes of the book.

The beginning of this book may be difficult for some readers to dig into as the narrative is quick to introduce its multiple fictional technologies. The excitement of social media, technology, and celebrity worship is difficult to portray in a novel, and the story often falters in holding the reader’s attention. Multiple minor characters revolve in and out of the story and these characters become difficult to keep track of. Some readers may find that the slow pacing doesn’t hold their attention, but readers who enjoy political commentary and speculative fiction may find the world-building and details intriguing.

The main character is nuanced and real. She is well-written, but readers may dislike her for her ambition and for the difficult decisions she makes. The story captures the current concerns around Silicon Valley: its reclusive moguls, its high-speed technology, the strain it takes on mental health, and the concern that electronics can’t replace human contact. Readers will recognize their own fears in the book’s treatment of all-consuming social media crazes and out-of-control entrepreneurship.

The most intriguing commentary is the political allegory that takes the name of the “Luddite Party,” a fringe political party whose platform centers around rejecting technology. While Opal is purely pro-technology, many people around her have doubts. The book never gives a defining stance on the matter, and the reader is left to decide for themselves whether a world without human contact is a good thing or not.

Sexual Content

  • In their first year of high school, Opal and Shane had a “drunken awkward kiss.”
  • During her early web broadcasts, Opal is sexually harassed by internet trolls: “Even her boobs are trembling. B or C cup??… Anyone have a tape-measure?”
  • During a virtual web show, a guy “rushes up on stage and gropes” Opal. Even though the entire performance is electronic and virtual, she is shaken and uncomfortable.
  • The characters have access to the biometric feedback of their web show’s viewers. Moyo tells Opal that “There’s a small pool of viewers, mostly men, whose eyes blink rapidly during your performance, their faces shake, and their headsets are zoomed into your—”.
  • Opal’s boyfriend Moyo is the main love interest in the book. In one scene, they are “curled up in his bed, half dressed, half wrapped up in his white sheets.” The book never goes into more detail about their activity.
  • While discussing strategies to gain more viewers for her web show, a Silicon Valley mogul tells Opal to be more open and vulnerable with her audience. He does so by telling her: “Sex sells. I’m not saying you need to get naked or anything. . .Open up a bit more.” Opal ends up telling her audience of millions about her relationship with Moyo.
  • Enthusiastic fans sweep the characters up in what Opal can only describe as a “fangasm” (portmanteau of fan and orgasm).
  • Opal buys a piece of technology called “FondrFoil” for her and her boyfriend to use. It is a technology that allows long-distance couples to simulate physical intimacy. “Slowly, I curve my hand around Moyo’s ribs, squeezing them between his body and my mattress until I land on the small of his back. It’s warm, like real skin. Soft. It gives perfectly. Moyo’s trembling, and naturally I go in to kiss him, but that’s not part of the experience. So instead, I pull him in closer.” They don’t go farther than that, and eventually give up on the technology.

Violence

  • Opal is afraid that her friend Shawn will attempt suicide after having been rejected from his top-choice college. After being unable to find him on campus, she and her friend rush to the nearest train station in fear that he’s thrown himself in front of a train.
  • The Luddite Party “shocks children with electricity for spending too much time on their phones,” which is a pretty clear and clumsy allusion to conversion therapy.
  • Suicide is discussed sometimes, but never in-depth. It’s mentioned in passing that a student at Opal’s school once took his own life after being rejected from an Ivy League.
  • Amber, a character Opal contacts in the hope of finding answers about her dad, reveals that her father committed suicide.
  • A prevailing theory around Opal’s father’s disappearance is that he may have taken his own life. The characters frequently discuss how the high-stakes world of Silicon Valley is extremely damaging to one’s mental health.
  • When Opal finally discovers what happened to her dad, she sees a virtual-reality recreation of his death. A man “rams my dad in the face with his elbow, and I hear a crack as the back of [his] skull smashes into the moss-covered rock.”

Drugs and Alcohol

  • Opal and her friends sneak off campus multiple times to drink alcohol. Opal is scared that her friend Shane may have an alcohol problem.
  • There’s a rumor “that theater department stores booze underneath the soundboard,” which Opal remembers when some students act drunk during a school dance.
  • While experiencing Internet fame, Moyo says, “I think this is what drugs feel like.”
  • A character is described as “drunk on fame.”

Language

  • The characters occasionally say “fuck” during tense moments. Shane says, “I’m fucked” when he doesn’t get into college; Opal occasionally says “what the fuck?” There are twenty-two usages of “fuck” in the book; however, none are sexual in nature.
  • “Freaking” is used four times.
  • “Shit” is used multiple times per chapter.
  • Opal says, “I keep getting screwed by this company,” and, “Karma finds another way to screw you over.”
  • Opal’s classmates note that she is “such a bitch,” and Opal describes this gossip by saying, “I’m the girl our classmates are bitching about.” She also affectionately refers to her friend once as a “son of a bitch.”
  • “Damn” and “goddamn” are both used infrequently.
  • Characters occasionally say “Jesus Christ” or “for Christ’s sake.”
  • Characters say “Oh my God,” “thank God,” “God knows,” “for the love of God,” and “dear God.”

Supernatural

  • None

Spiritual Content

  • Opal’s family celebrates Christmas, but she remarks that her father was Jewish.
  • Howie Mendelsohn references the Bible story of Ahab and Jezebel.

by Caroline Galdi

Survival Tails: Endurance in Antarctica

The sled dog Samson can’t wait to be a part of Ernest Shackleton’s historic voyage to Antarctica. Samson wants the honor and recognition that will come if they complete the dangerous voyage. He is eager to feel the snow under his paws and the wind on his face as he races across the ice fields. Samson wants to be a leader and help the humans survive on the unexplored continent.

While in the kennel waiting for Shackleton to decide which dogs to take, Samson meets Bummer. Unlike Samson, Bummer is scared to go on an ice-filled adventure that may end in death. Bummer knows he isn’t as big or as strong as the other dogs. His only goal is to survive the dangerous icy weather.

Bummer’s worse fears come true when their ship, the Endurance, becomes trapped in sea ice, leaving the dogs and men with no way home. Their journey quickly stops being about glory and becomes about survival. Samson, Bummer, and the other dogs will have to put aside their differences and band together to rescue the humans—and themselves.

Instead of focusing on the human explorers, Survival Tails: Endurance in Antarctica is told from the sled dogs’ point of view. Throughout the journey, Samson, Bummer, and several of the other dogs’ unique personalities come to life. Instead of only focusing on a dog’s good or bad qualities, Charman creates imperfect characters who make mistakes. Much like the humans, the dogs are at times prideful, loyal, hardworking, and heroic.

Survival Tails: Endurance in Antarctica uses historically accurate facts to bring the harsh conditions of the Antarctic voyage to life. Much of the action comes from the rivalry between the dogs and the harsh conditions the animals must face. However, the friendship between Samson and Bummer will keep readers interested until the very end. Readers will fall in love with the dogs and learn about the complicated nature of friendship as well as the importance of forgiveness.

A tale of bravery, friendship, and sacrifice, Survival Tails: Endurance in Antarctica will entertain both animal lovers and history buffs. The story has several surprises that highlight how the smallest dog is capable of heroic deeds. Four black and white pictures are scattered throughout the book and help bring the scenes into sharper focus. At the end of the book, readers will find a glossary, as well as more historical information about the Endurance expedition. Although this story is the second book in the Survival Tails series, each book is an independent story and can be read without the context of the other books. Survival Tails: Endurance in Antarctica will leave readers with new knowledge of history and has a conclusion that will make readers smile.

Sexual Content

  • None

Violence

  • A pack of dogs chases a cat, Mrs. Chippy. Bummer sees “fur and jaws and tails, and Amundsen leading the pack as they closed in on the terrified cat. She hissed at Amundsen as he drew nearer, striking out at his face with extended claws as Amundsen let out a roar of rage and reared back as Mrs. Chippy frantically lashed out again and again, trying to keep him and the other dogs at bay.” The cat is able to jump away from the dogs, but falls into the ocean. Bummer saves the cat.
  • After being caged up too long, the dogs are let off the ship. Some of the dogs begin to fight. “Amundsen launched himself at another dog, going for his throat. The other dogs immediately joined in, using their jaws and claws to bite and scratch, slamming their huge bodies into each other.”
  • When Samson tries to warn the dogs that they are on dangerously think ice, Amundsen thinks Samson is going to attack. When Amundsen sees Samson, “Amundsen leaped into the air, meeting Samson in a tumble of fur and limbs, and they rolled together, sliding to a stop right on the top of the blackening ice. There was a loud crack, and both dogs froze as small fissures snaked across the ice, creeping toward them.” The dogs fall into the ocean, but are rescued.
  • While out on the ice, Bummer sees a leopard seal try to bite a human named Crean. “As if out of nowhere, a leopard seal emerged from the water, launching itself into the air, its mouth open wide, revealing rows of razor-sharp teeth, aiming straight for Crean.” Bummer catches the seal by the neck. The seal, “rolled over, forcing Bummer beneath it, crushing his legs, but Bummer still held on, refusing to let their one chance of a good meal escape them. . . Wolf and Hercules took the seal’s tail and dragged it off Bummer, while Judge and Amundsen circled, blocking any way the seal might have of escaping into the water.” The human “finished the seal off with a single shot from his gun. The sound echoed around the ice, stunning them into silence.”
  • While sleeping, a fissure opens and a man falls into the ocean. “There was a loud splash and a yell as one of the men inside fell into the glacial water below.” One of the dogs pulls the man to safety.
  • When a pup is out in the ocean on a rock, Bummer notices a black shadow and races to the pup. “Bummer roared and leaped from his rock, pushing Roger out of the way as the leopard seal’s huge body connected with his, sending him flying into the water. The back of Bummer’s head slammed onto a rock lying beneath the surface. . . But the leopard seal was much quicker in the water. It bit down hard on Bummer’s paw, and Bummer yelped in agony as he felt the bones in his leg crush. . . There was a sudden bang, and the seal dropped beside Bummer, landing in the water with a loud splash.” Bummer is injured and his foot needs to be amputated.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

I’m Not Dying with You Tonight

Lena and Campbell aren’t friends.

Lena has her killer style, her awesome boyfriend, and a plan. She knows she’s going to make it big. Campbell, on the other hand, is just trying to keep her head down and get through the year at her new school.

When both girls attend the Friday night football game, what neither expects is for everything to descend into sudden, mass chaos. Chaos born from violence and hate. Chaos that unexpectedly throws them together.

They aren’t friends. They hardly understand the other’s point of view. But none of that matters when the city is up in flames, and they only have each other to rely on if they’re going to survive the night.

Told from both Lena’s and Campbell’s point of view, I’m Not Dying with You Tonight will grab readers’ attention right from the start. The chapters go back and forth between each character, which allows the reader to understand both girls’ prejudices and conflicts. Campbell is completely out of her element and has never taken the time to try to understand the people in her neighborhood. On the other hand, Lena has more layers, but talks in a stereotypical manner. As the girls try to survive the riot, each girl makes assumptions based on each other’s race and learns that their assumptions are often wrong.

The fast-paced story takes a look at white privilege and racism from the girls’ point of view. When the fighting first breaks out, Campbell sees the police as helpful, but Lena is fearful of their presence. In the end, both girls face loss because of the riot. Campbell’s father’s store is completely destroyed by looters, and Lena’s cousin is injured and arrested. Although Campbell cannot understand the rioters’ actions, Lena tries to explain “when you push people to their breaking point, and they ain’t got no power, they’ll find a way to take it.”

I’m Not Dying with You Tonight explores modern conflicts in an action-packed story that will keep teens interested. The authors do not leave the reader with any solutions to the problem, but instead, give them many questions that they will want to discuss. The story will cause readers to ponder racial issues, but they will also see how they should try to get to know people that are different than themselves. The story also highlights the importance of choosing friends well. As Lena’s cousin Marcus says, “He can be an eagle, but if he chooses to flock with pigeons, he gone’ have pigeon ways.”

Sexual Content

  • Lena’s boyfriend kisses her. While saying goodbye, Lena leaned “over to hug him, and he smells as good as I expected. I almost don’t want to let go. I lift my face for him to kiss me and melt into him. His soft lips press against mine, and it feels like sun rays warming my skin.”
  • At the end of the night, Black tries to kiss Lena, but “I turn my head and his lips land on my cheek. I’m not feeling it right now.”

Violence

  • While at a school football game, two men begin fighting and start a riot, which continues until the end of the book. When the fight first begins, “The boys clash, chests bumping together, arm swinging. A boy stumbles, and his knee hits the ground. Fists batter downward, pummeling his head, his shoulders. His mouth is open in a cry I can’t hear.”
  • During the fight, Officer Kersey shows up and tries to stop two guys from fighting. One of the guys, Gabriel, goes to throw a Coke on a kid, but hits the officer instead. “Officer Tate, grabs Gabriel by the back of the shirt and yanks him up until his heels leave the ground. The collar of his shirt pulls on his neck. Gabriel’s flapping around.”
  • An officer “elbows a girl in the chest. I didn’t see what she was doing, other than running in his direction. . . He hits her, though, hard and violent, and she falls to the ground a cries out.”
  • During the fight, someone shoots a gun. A police officer is shot, but it is not described.
  • Two girls begin fighting. “They wrestle until one girl scrambles up, her bright yellow tank top now smeared with dirt. The other girl cowers on the ground. Yellow Tank windmills her arms, battering and snatching until she comes away with a fistful of hair.”
  • A car hits a woman and “she goes flying forward and crashes through a group of people in a line for the club. . . The woman’s on the ground. A few people crouch down by her, and the crowd surges . . . Someone grabs the driver and hauls him from the car, flinging him onto the street.”
  • Lena and Campbell walk into an area where there are bars and shops trying to get away from the riot. But soon a riot breaks out in the streets and “a bottle flies through the air right over me. What the hell? I barely duck in time to keep my head on.”
  • Someone “chucks a liquor bottle that smashes through the window of the SUV. . . Someone done lit a T-shirt on fire and threw it at a car.” A fire starts and soon people are looting.
  • The girls hide in a shop and watch as a man uses a cone to break car windows. “Out in the street, someone comes up behind the cone guy and wallops him. They start pushing and shoving. . . Mostly, this seems like a massive crowd fighting and destroying stuff.” The man throws the cone into a bar and grill. “Instant uproar. Tables topple. The trendy fire pit in the middle of the patio falls over. Something catches, maybe a table cloth, and with a whoosh, flames flicker to life.”
  • As the girls try to find a safe place, “people are running everywhere, getting knocked over. Someone bumps us, and we fall on a pile of people. I land on my back. My elbow drags along the pavement, skin ripping open and collecting gravel.”
  • Lena’s cousin Marcus and her boyfriend Black get in a fight. Black “charges Marcus like a bull, headfirst into Marcus’s belly. They both hit the ground. These fools are rolling around on top of each other in the middle of the street, even though people are stampeding like a game of Jumanji started. . . Marcus accidently punches me in the arm.”
  • A cop hits Marcus with a baton. “I see Marcus’s mouth open in a scream, his arms go up, swinging wildly. The baton comes down again. And again. Marcus’s body falls forward, his forehead cracks against the asphalt, so loud I can hear it over all the other noise.”
  • One of Lena’s boyfriend’s friends pulls a gun and points it at them. Black jumps towards the man with a gun. “A gunshot. Me and Campbell drop to the ground. . . Black goes for the steel. Peanut sticks him in the jaw, but Black is still able to knock the pistol away.” Black’s friends drive off without him.

Drugs and Alcohol

  • One of Lena’s friends doesn’t say goodbye because “that’s the last thing her mom said to her before she passed away from a heroin overdose.”
  • A boy who was in the concession stand was selling weed.
  • Before Campbell moved, she used to “like playing foosball in Megan’s parents’ basement and sneaking cans from her dad’s beer fridge.”
  • Lena’s cousin “went to jail because he got caught with a little weed in his car.”

Language

  • Profanity is used often. Profanity includes: ass, bitch, crap, damn, fuck, hell, holy crap, and piss.
  • “God,” “My God,” and, “Jesus” are used as exclamations occasionally.
  • Lena’s cousin warns her against dating Black. He says, “I don’t like to call a black man a nigga, but that’s a nigga.”
  • Someone calls a man a “damn cracker.”
  • While at a football game, Lena goes to the concession stand and thinks, “I damn near have to crawl over the nasty-ass counter to get the attention of the chick hanging out back there.”
  • While trying to find a ride home, Lena and Campbell pass a group of men “passing joints.”

Supernatural

  • None

Spiritual Content

  • Lena “sends up a quick prayer” that her ride hasn’t left without her.

 

 

Shooter

Following the lives of five high school students that were trapped in a horrific high school shooting, Shooter is called the modern-day Breakfast Club. Alice is a shy, introverted writer who spends a lot of time worrying about her autistic big brother, Noah. Isabelle is the perfect egomaniac princess who seems to run the school and have a perfect life. Hogan is the giant, scary ex-football player who gave up on life after his brother’s death. Xander is the awkward student photographer who has a hard time understanding other people. These five students would never, ever be friends with each other.

But when a lockdown drill starts, they are forced to hide in a bathroom, where they realize their pasts are all intertwined in some way. Locked in a room with no way out, they gain an understanding of one another and start to care for each other. However, everything is thrown for a twist when Isabelle receives a text that the lockdown is not a drill—there is a live shooter on campus. When things cannot seem to get worse, they discover the shooter has planted a bomb on campus and plans to blow up the whole student body. They have to stop him before time runs out!

Shooter is about who the main characters really are versus how others perceive them. Isabelle seems to be a perfect princess, but after her trip to the Dominican Republic she hates how materialistic her life has become. Alice may appear like a successful writer with a great future ahead of her, but she worries about leaving her brother when she goes to college. Hogan might seem hateful and violent but deep down he still has not gotten over his brother’s death. Xander does not mean to be awkward, mean, or insensitive, and in actuality is very kind and thoughtful. The author even develops the character of Maxwell, the school shooter, by giving him a backstory and personality—rather than just leaving him as an undeveloped, evil villain. With this, Pignat teaches readers that everyone has a past that has shaped who they are and that we should get to know people before we start to judge them.

Pignat’s use of prose, poetry, text messages, journals, and homework assignments perfectly show the characters’ different points of view. Readers will find they have a lot in common with the characters as they watch them struggle to overcome their problems. However, the book is about a school shooting, a touchy subject in today’s times, and is not an easy read because of the amount of violence in the novel. However, with the engaging characters, it is a good read and may help readers better understand self-identity and social problems. Readers who enjoyed Shooter may also want to read This Is Where It Ends by Marieke Nijkamp.

Sexual Content

  • At the party, Hogan and Izzy kissed. Hogan thinks, “Man, she was beautiful. Hair swept high in a ponytail, firelight glowing on the curve of her neck. Her face warm. And her eyes dark and sparkling as she smiled. I just wanted to kiss her—and the next thing, I did. Isabelle Parks—the girl every guy wanted.”
  • Izzy finds out that her boyfriend, Darren Greene, is cheating on her when she sees an Instagram photo of him making out with her best friend Bri. In the Instagram photo, “he has her up against the doorframe, one hand pulling up her shirt, the other hiking up her leg while she runs her fingers through his hair.”
  • Xander helps Maxwell with one of his pranks. They move Mr. Quigley’s lab skeleton into a sexual position where it was jerking off with a pretend penis made out of a graduated cylinder.

Violence

  • When Isabelle finds Hogan on top of Alice, trying to help with after she bumped her head, Isabelle screams “get off of her! Get off of her right now, you perv!” Isabelle then thrusts her knee hard into his side.
  • As Alice and Hogan leave the safety of the bathroom, an explosive “BANG-BANG-BANGBANG!” causes everyone to cower in fear. The shooter is right outside the bathroom door.
  • In the locker room, Hogan and his brother, Randy, made fun of each other for playing badly during the game. The two brothers wrestle and fight just like they had when they were little kids. Hogan swept Randy’s legs out from under him, and Randy fell back off the bench, back into the lockers, slamming his head against the corner of the one Hogan had left open. “A dark gash on the side of his head oozed red. It ran into a sticky puddle that spilled wider and wider with every second.” Randy dies. The fight takes place over two pages.
  • Noah freaks out from being confined to the bathroom too long. “Like a tornado of fists and spit as his arms windmill around him like crazy propellers. Alice tries to step back, but there isn’t anywhere else to go. The broom wedges under the sink and Noah’s next swing catches her smack in the face, sending her staggering back, and she falls to the ground.” Hogan tackles Noah to the ground where he stops fighting. The scene takes place over two pages.
  • Xander shoots Hogan with a paintball gun, and Noah hits Xander in the head with his broom handle to prevent him from shooting Isabelle and Alice.
  • Maxwell is planting a bomb and is going to use a fake fire to lure everyone to the atrium where he will detonate it. The group of kids discovers Maxwell’s outline for Operation Resolution. It’s a drawing where “the ground isn’t ground exactly, but arms, legs, severed heads with Xs for eyes. Pieces in puddles. Each of them named.”
  • The school police officer grabs Hogan and “wrenches my arms back in some cop-hold.”
  • While everyone is gathered in the atrium, Maxwell uses a drone and paintball gun to shoot people. “CRACK-CRACK-CRACK!” People are hysterical.
  • The police surround Noah who has a broom handle in his hand. The police shoot at Noah, but Hogan pushes him out of the way and takes the bullet himself. Alice puts pressure against the wound. After being shot, Hogan is wounded and “a whole five inches below his collarbone bubbles and oozes a dark red that puddles beside him. Blood–not pain.”
  • Xander finds the bomb suspended on some wires above the atrium. When he climbs on the wire to get it, Maxwell’s drone swats at him, trying to knock him off. Maxwell disables the bomb but when he does the wire snaps. “There is no blast. Just a sickening—CRACK!—as Xander” crashes to the floor.
  • After Maxwell’s bomb is defused, Maxwell kills himself. “On the second floor, in the room above the mural, a light flashes as one final shot rings out. Then all is silent.”

Drugs and Alcohol

  • Isabelle asked if a boy drugged Alice with “roofies or something?”
  • Hogan smokes in the bathroom. “The Hulk yanks off his furry mitt and plucks the smoking cigarette left balanced on the edge of the porcelain urinal.”
  • Isabelle suggests that the secretaries are “probably ‘hiding’ in the staff room cracking open their TGIF wine.”
  • Xander’s “mom’s Matinée cigarette” started the house fire. Xander was woken up by the fire alarm and managed to save some of his mom’s important things such as “her big red purse, her near-empty bottle of Jackson-Triggs wine, her pack of Matinée cigarettes.”

Language

  • Profanity is used frequently. Profanity includes: hell, ass, crap, God, bastard, numbnuts, crotch, and dick.
  • Hogan says its “hotter than hell” in the mascot suit.
  • When Hogan starts to smoke, Isabelle asks, “Still the badass, Hogan?” Hogan replies, “Still the bitch, Izzy?”
  • Hogan doesn’t want to go to the “dumbass pep rally” and is thankful for the lockdown.
  • Hogan says he is “done with that crap. Just so you know” in reference to his smoking.
  • After Hogan’s brother’s death, Coach Dufour tries to kick Hogan “in the ass a few times” in order to get Hogan back in shape.
  • Izzy looks at Hogan with a face that says “God, you’re an idiot.”
  • Izzy says Hogan’s been “an angry ass since Randy died.”
  • Hogan thinks he is a “stone-cold bastard” for not crying over his own brother’s death.
  • On one of Xander’s missions with Maxwell, Maxwell holds one of his smoke bombs “against his crotch and told me to check out his foil dick.”
  • Hogan asks the school shooter, “What do you numbnuts have planned?”

Supernatural

  • None

Spiritual Content

  • Xander knows that “stealing and lying is wrong. That’s even in the Bible.”

by Matthew Perkey

The Drone Pursuit

When your dad funds the Swift Academy of Science and Technology, you’re bound to have a bunch of tech at your disposal. So, no one bats an eye when Tom and his best friend, Noah, test their new virtual reality drone before class. At the academy, once class starts and the drone is parked, their brainiac friends launch into farfetched discussions about the curriculum. When they watch a documentary about the FBI’s most wanted hackers from the eighties, they quickly start speculating that the academy custodian is one of them.

At first, Tom dismisses the idea as another one of his friends’ conspiracy theories. But using their new drone, he spies the custodian acting suspiciously around the school. As Tom and his friends search for evidence that the custodian is the missing hacker, the signs become impossible to ignore when Tom gets threatening messages that warn him away from investigating. When someone releases a virus in the school servers, all bets are off as the adjoining servers at the tech giant Swift Enterprises come under fire. Can Tom and his friends uncover the true culprit before it’s too late?

Although Tom and his friends are not well-developed characters, they are likable kids who aren’t afraid to geek out over technology. As they sneak around trying to discover if the school janitor is a famous hacker in hiding, they cause some innocent havoc—spilled soda in the cafeteria, a drone racing through the halls, and hiding in a closet. Told from Tom’s point of view, the story has an easy-to-read, conversational tone which allows the readers to understand Tom’s motive for keeping the adults in his life in the dark.

Tom’s father only makes a brief appearance in the story; however, Tom’s father makes Tom a priority and doesn’t let work get in the way of spending time with his son. When Tom’s father discovers Tom’s secret sleuthing, he lets Tom know that he “could always come to him about anything; that it won’t matter how crazy or outlandish my theories may seem.” Even though Tom’s father is extremely wealthy, Tom doesn’t try to use his father’s wealth to get out of trouble. Instead, Tom and his friends serve their punishment without arguing or complaining.

The Drone Pursuit incorporates mystery, action, technology, and a touch of humor into an easy-to-read story that younger readers will enjoy. Even though the inventions are not amazing, younger readers will like the fast-paced, entertaining story. Readers who are not ready for the Alex Rider Series or the Theodore Boon Series will find The Drone Pursuit to be the perfect alternative.

Sexual Content

  • None

Violence

  • A man tries to knock a drone down with a broom. When the drone backed into a corner, “the man regained his balance and began stabbing at the drone.” The drone gets away.

Drugs and Alcohol

  • Someone gives a teacher some type of poison. The person “hacked a dating app so she could be matched with Mr. Jenkins. They went on a date and she slipped something into his food.”

Language

  • Heck is used once.

Supernatural

  • None

Spiritual Content

  • None

Boo’s Surprise

Boo is excited to receive a giant egg—and to find out what’s inside! Her brother, Sammy, is not, but he is still willing to help her after the egg hatches into a lovable baby dinosaur. Is it all Boo’s imagination or not? The youngest chapter book reader will want to find out in this wonderfully imaginative sequel to Boo’s Dinosaur.

 Boo’s Surprise focuses on Boo and her growing dinosaur. The simple story portrays Boo’s family in a positive light, and Boo’s brother Sammy demonstrates patience. When Boo raids Sammy’s games, he is clearly annoyed, but he still takes the time to help Boo clean up the mess. The cute story has a simple plot that is easy to understand. However, none of the characters or situations are memorable.

Beginning readers looking for early chapter books will find Boo’s Dinosaur a good bridge between picture books and chapter books. The story has eight or fewer sentences on each page. With seven short chapters and easy-to-read vocabulary, beginning readers will able to read the book independently. Black and white illustrations appear on every page, which breaks up the text as well as shows Boo with her dinosaur. Readers will enjoy seeing a dinosaur dressed up like a cowboy and jumping rope. The conclusion leaves the reader wondering if Boo’s dinosaur was imaginary or real.

Although Boo’s Surprise is the second book about Boo and her dinosaur, readers do not have to read the first book to appreciate Boo’s Surprise. Readers who are interested in a more advanced chapter book may want to try the outrageously silly story Dinosaur Disaster by David Lubar.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

When Elephants Fly

Lillian has a plan. No boys, no stress, and no drinking. In fact, Lillian’s entire life revolves around a plan that avoids any sort of stress that could trigger schizophrenia. Schizophrenia runs in Lillian’s family; it drove her mother to throw Lillian off a roof when she was just a child. While Lillian’s plan to avoid stress seems like a good idea, Lillian’s best friend Sawyer worries she is letting life pass her by.

But Lillian doesn’t mind. That is until her job at a newspaper requires her to cover the birth of a baby elephant. The baby elephant, nicknamed Swifty, is rejected by her mother shortly after the birth and is nearly trampled to death by her mom. Due to their similar plights, Lillian finds herself drawn to Swifty and filled with a need to protect the baby elephant. But will saving Swifty cost Lillian her best friend, her freedom, and her sanity?

Throughout the story, Lillian struggles between taking the easy route to preserve her sanity and risking everything to save Swifty. The bond between Lillian and Swifty allows the reader to become emotionally concerned about Swifty and care about her well-being. The end of the novel suggests that it’s okay and even right for Lillian to risk her health and break the law in order to protect Swifty, despite the fact that she goes against the advice of adults with much more elephant experience than her. In the end, Lillian perseveres due to her unconditional love for Swifty.

When Elephants Fly has a delightfully original plot. It’s filled with facts about both elephants and schizophrenia that are conveyed to the reader in a way that meshes well with the storyline and doesn’t come across as obtrusive. The characters are unique but shallow. The original premise of the story will keep readers turning the pages. The lack of descriptions in When Elephants Fly may disappoint older readers; however, for readers just graduating to the YA level, this story is sure to delight with its many twists and turns.

The story touches on some difficult topics, including mental illness, genetics, family trauma, friendship, and animal rights. Although the author attempts to educate readers about schizophrenia, she unfortunately allows readers to believe that mental illnesses can be prevented–which is not the case. Flashbacks are scattered throughout the story, allowing readers to get a glimpse into Lillian’s thinking process as well as her increasingly unsteady mental health. Although When Elephants Fly has an interesting premise, readers will notice that some of the plot points are unrealistic, the romance is forced, and the characters are underdeveloped. Despite the book’s flaws, anyone interested in mental health or animal abuse should read When Elephants Fly.

Sexual Content

  • Lillian wants “to at least be kissed by someone other than John Jensen in the tunnel of love. We were ten and I let him cop a feel of my nonexistent boobs.”
  • Years ago, Lillian’s grandparents wrote a letter to Lillian’s parents begging them to abort her. Her grandparents were certain the stress of becoming a mother would trigger their daughter’s schizophrenia.
  • Lillian has a plan for a stress-free life to avoid triggering schizophrenia. That includes no sex. At one point, she sees a guy who is “cute in a hipster kind of way. I’ve taken a vow of celibacy for the next twelve years, but I can still look.”
  • Lillian thinks about a schizophrenic girl who “had hallucinations that she was having sex, all the time, day and night, fully clothed. Three years after her first episode, she’d attempted suicide twice, was addicted to cutting and lived in her stepmother’s basement.”
  • Lillian accidentally sees Otis skinny-dipping and remembers skinny-dipping with her best friend Sawyer. “Otis is naked . . . I should look away, but I don’t. It’s not the first time I’ve seen a naked guy. I mean, I’ve seen Sawyer plenty of times. We skinny-dip in his pool late at night when his parents are away or asleep. But it’s the first time I’ve seen a naked guy who doesn’t know I’m watching him. Technically, that’s uncool. But my eyes still travel from his broad shoulders to his lean waist, pretty much perfect butt and muscular legs.”
  • Lillian and Otis almost kiss. “Our lips are inches apart. His fingers drift down to trace my collarbone . . . Our lips brush, soft, fleeting. His mouth travels along my neck. Everywhere he touches comes alive.”
  • Otis says, “When I was seven, one of the workers took an interest in me. I was the kind of kid pedophiles target . . . One night I was sleeping outside Tambor’s pen. I woke up to the guy unbuttoning my jeans. Nothing happened. But it was heading that way.”
  • Lillian and Otis kiss. “It’s my first real kiss . . . Otis pulls back, runs his thumb over my lower lip. My skin is alive for the first time in my life. It’s like being woken up after eighteen years of trying to feel nothing.” They kiss several more times.
  • Lillian and Otis undress, but are interrupted before they can sleep together. “He cups my breasts, his thumbs instantly making my nipples insanely sensitive. He draws me onto his lap so that I’m straddling him, and I can feel how much he wants me. . . He slides me beneath him then bends, lips tasting the curve of my breasts, tongue teasing my nipples until I shiver from the sensation.”

Violence

  • Lillian thinks about examples of schizophrenic behavior often. “I mean like hearing a man’s voice telling you to drive your car into a group of little kids, watching your best friend’s face morph into a monster or people screaming so loudly in your brain that you consider taking a hammer to your own head to crush the voices.”
  • Lillian remembers her schizophrenic mom’s erratic behavior. “If she hit me, five minutes later she’d wonder about a red mark or bruise, then kiss it to make it better.”
  • Lillian watches an elephant give birth. “In a single breath the sac expands then Raki’s calf drops to the ground. There’s a gust of fluid followed by a stream of bright red blood that paints the insides of Raki’s legs crimson.” To make her baby elephant take its first breath, the elephant mother “kicks the newborn with her back leg—hard enough to move it several feet. The calf doesn’t react. Raki kicks it again. . . Finally, its dark eyes blink then remain open.”
  • Lillian thinks about a girl on YouTube with schizophrenia. The girl’s worst hallucinations “included seeing the lower part of her face in bloody tatters each time she caught her reflection in a window or mirror.” Another schizophrenic kid had “voices in his head that told him every single day to kill himself before someone else did it for him. His birthday was March 17 and he didn’t post that day, or ever again.”
  • When Lillian hears that her best friend’s dad is being a jerk, she thinks, “I want to drive over to Cushing Stafford Thompson’s mansion and light it on fire with him inside.”
  • The zoo director tells Lillian about the first orphan elephant she met. “He was found on the Masai Mara standing beside his dead mother. She’d been killed by a poacher’s poison spear. Her tusks had been sawed off, leaving gaping, bloody wounds.”
  • An elephant mother rejects her calf and attacks it. “With an earsplitting trumpet, Raki charges her calf and head-butts her in the torso so hard that Swifty Jones flies several feel through the air, hits the ground, rolls. Raki kicks her repeatedly, her body flipping down the length of the room until she’s ten feet from us. The calf is motionless, her eyes closed.”
  • Otis gets into a fight with his brother. “Howard’s backhand comes out of nowhere, like a bear attack. It catches Otis in the jaw, snaps his head sideways. He doesn’t go down but it’s close. Despite the blood on his lower lip, Otis keeps his hands balled at his sides.”
  • Otis confesses that his brother killed someone. “Howard stabbed the guy twenty-two times. I can still hear the sound of the tines going through skin, muscle, hitting bone.”
  • Lillian’s mother “committed suicide in prison.”

Drugs and Alcohol

  • Jonah, a student at school, “told his dad that there was a keg at a preseason track party. His dad called the principal. Jonah is now a pariah.”
  • Lillian walks in to find her dad “drinking Scotch. By the half-empty bottle on the counter and the bleary look in his eyes, he’s had way too much. I haven’t seen him drunk in a long time, not since the last few months with Violet.”
  • Lillian’s dad leaves a voicemail. “I heard ice cubes in the background. Calvin was drunk again.”
  • It’s mentioned in passing that Sawyer’s mom “eats [Xanax] like candy,” though it’s never shown.
  • A circus worker mentions that he is on probation for “Drugs. Got hooked. Made some stupid choices.” Later it’s revealed that he “got hooked on heroin when he was thirteen, [then] switched to meth because it was cheaper.”
  • Lillian sees a circus worker drunk. “The way he’s moving reminds me of my dad when he’s had too much Scotch. What the hell is going on? Why is Howard working with the elephants when he’s been drinking?”

Language

  • Hell and damn are used frequently. Lillian’s boss tells her, “Get the hell out of my office.” Another time Lillian asks, “What the hell is wrong with you?” During an argument, Lillian’s dad says, “Dammit, how can you even remember?”
  • Ass, pissed, and crap are used often. For example, “Howard stares at his brother like he’s a total ass.” A worker tells his friend to “stop flirting and get your ass in the truck.” Another time, Sawyer’s mom tells her son, “What’d you expect? You pissed him off, dear.” Lillian said her dad “took a massive crap” on one of her ideas.
  • Shit is used frequently. After watching an elephant give birth, the zoo director tells Lillian, “Holy shit! You’re white as a ghost.” Another time, Lillian calls “Bullshit!” during an argument with her dad.
  • Fuck and motherfucking are used several times. Lillian’s best friend tells her “fuck you.” A woman says if a man wants to know if she is single, “he should fucking ask me himself.”
  • Bitching and bastard are both used a few times. “Matthews is bitching about video, though. It better be attached to your next article.”
  • Prick is used once. A man says, “Tiger is willing to risk her future for what she believes in. What we should all believe in, if we’re not callous, inhumane pricks.”

Supernatural

  • None

Spiritual Content

  • None

 

Dream Within a Dream

While her parents are off bird-watching, Louisa and her brother spend time with their grandparents, Jake and Boots. Louisa isn’t looking forward to spending the summer with her grandparents. Louisa dreams of traveling with her globe-trotting parents, whereas her brother would like to find a way to stay on Deer Island forever.

While staying with her grandparents, Louisa worries about her grandfather Jake, whose eyesight is failing. Jake has always driven Boots around, and he loves his car. And Jake’s worsening eyesight isn’t the only that that is changing. This year, twelve-year-old Louisa’s summer takes an unexpected turn when she is introduced to George. Can Louisa find a way to embrace the changes that come with growing up?

George pushes Louisa to move out of her comfort zone, allowing her to see herself in a new light and finally realize that she is beautiful. Louisa and George are friends from the start and soon must navigate growing feelings for each other. George and Louisa go on a “date,” they kiss, and they decide they are in love with each other within a short period of time. The romance is sweet, and the author hints that George and Louisa’s love will last a lifetime.

Most of the story is told through the character’s dialogue, which takes place in short phrases. The majority of the paragraphs are one to two sentences. The dialogue, short paragraphs, and simple vocabulary make the story easy to read. However, Dream Within a Dream will appeal to adults more than children because it revolves around relationships and contains little action. The story portrays healthy, long-term relationships and shows the importance of helping each other.

Louisa is a very likable character who is kind to others. With George’s help, Louisa interviews people in their community and writes poetry about each person she meets. Since the story is so short, readers may have a difficult time keeping track of the many characters. Dream Within a Dream shows the importance of embracing change. Even though Dream Within a Dream has many positive aspects, only readers who enjoy realistic fiction that focuses on relationships should pick up the book. Readers who are eager for action, adventure, or fantasy will find the story difficult to enjoy.

Sexual Content

  • Louisa’s grandfather comes into the room and, “he puts his arms around [his wife] and kisses her for a long, long time. I don’t know if I’ve ever seen such a long kiss.”
  • George says that his parents kiss often. Louisa says her parents “don’t kiss in front of us.” Louisa’s brother jumps into the conversation and says, “My friend Joey says my parents have kissed two times—once for Louisa and once for me.”
  • Louisa’s brother sees George’s parents and says, “They’re kissing now.”
  • Louisa is swimming when she gets a cramp in her leg. George jumps in the water to help her. “And then George kisses me. . . Our bodies are as close as friends can be. And to make him feel better, I kiss him back. And we begin to laugh, our lips together, like Jake and Boots laughing when they kiss.”
  • Louisa’s grandmother tells her, “Jake and I were in the sixth grade when we kissed each other for the first time.”
  • During a storm, Louisa kisses George “too fast for Boots and Jake to see.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

Pirate Pedro

It’s Pirate Day at school, and Pedro and his mates have so much fun pretending to be pirates at school, they take the game home. The only problem? They all want to be captain of the ship.

The chapter book Pirate Pedro is written with simple vocabulary that beginning readers will be able to master. Each page contains four or fewer sentences as well as colorful pictures, which include a diverse cast of characters. The story contains fun pirate facts and new pirate words and sayings like “shiver me timbers!”

After the story ends, readers can continue the pirate fun by reading two pages of pirate jokes. The story also has a glossary, questions, and writing prompts. Pirate Pedro engages young readers by using interesting characters who have relatable problems. Pirate Pedro will help independent readers improve their skills and become confident readers. Although Pirate Pedro is part of a series with many of the same characters, it doe not need to be read in order. Readers who enjoy the Pedro series should also try the Katie Woo series because it has many of the same characters and is written in the same format.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Dig Too Deep

Liberty is an independent teenager. She cooks, cleans, maintains a perfect GPA, plays volleyball, and applies for scholarships all by herself. However, her seemingly perfect life is turned upside down after her political activist mother is arrested on suspicion of being involved in a Washington DC car bombing. Her perfect life and her hopes of attending Georgetown are trashed. When her mother is sent to prison, Liberty is sent to Ebbottsville, a small town in rural Appalachia, to live with her grandmother. Liberty lived in Ebbottsville when she was a child, but now the top of Tanner’s peak is gone and the town’s water is neon orange.

Out of her comfort zone and away from her best friend, Liberty has to live in poverty and help her ailing grandmother suffering from lung cancer. At school, she is mocked as the “new girl” and she has a hard time adjusting to rural life when everyone seems to instantly hate her. However, Liberty quickly learns that her grandmother’s condition may have been caused by the infamous Peabody mining company’s mountaintop mine. Liberty soon finds herself in a fight with an infamous mining tycoon who will stop at nothing to keep his grip on the community. Will Liberty beat Peabody or will he silence her forever?

Poor, run-down, and alone – Allgeyer paints the perfect picture of a troubled girl against an unstoppable corporation in Dig Too Deep. Liberty is a good example for young girls, encouraging them to have a strong moral center and to take a stand when they feel something is wrong or unfair no matter the risk. Liberty takes time away from her own personal goals to care of her sick grandmother, which highlights the importance of loving with all of your heart. Liberty also shows forgiveness when she accepts her mother back into her life.

Dig Too Deep raises questions about modern-day mining practices and shows some harsh consequences of corrupt mining. The book brings environmental issues to young readers, encourages them to think about others, and research other environmental problems affecting our world.

Dig Too Deep has a quick and suspenseful plot with a perfect mix of teenage angst and real-world problems. Readers will not be able to put the book down because of the nonstop suspense. Liberty is a relatable character that readers will root for as she fights a corrupt mining organization. However, Allgeyer does push the extremes of young adult fiction and due to its intense sexual content, violence, and language, this book is best for older readers. Nonetheless, Dig Too Deep is a great book for those looking for a strong female character or for a book that discusses modern-day environmental issues.

Sexual Content

  • Liberty and Cole go to a party and sit by a bonfire where they kiss before being interrupted by Cole’s friend, Dobber. Liberty describes the kiss. “When our lips touch, warmth shoots through my body. I don’t feel the wind. I don’t feel the fire – just Cole’s lips and his tongue, teasing mine. His hands slide up, and I tense, thinking he’s going to grab my boob, but he touches my face instead, the back of my neck, pulling me into him.”
  • Liberty thinks Cole’s “kisses are absolutely the best thing about this place – all soft, warm, and Tic-Tac-y.”
  • Cole invites Liberty over to his house where things get spicy after he spills beer on her lap. After she throws her pants in the dryer and puts on some gym shorts, Liberty “can feel the heat of his body on my skin, his angles, hollows, and points. He’s doing that thing again, that feels so good – but also scary. I’m way, way outside my comfort zone.” This scene takes place over six pages where Liberty becomes partially undressed. Liberty is not comfortable or ready for sex, and they do not have sex. She leaves after her pants are dried.
  • Dobber and Liberty kiss two times in the novel. Once, when trying to avoid suspicion from Peabody, Dobber “leans toward me, puts one hand on the side of my face. . . and the other over my mouth. Then he kisses his hand.”

Violence

  • Cole explains that Dobber’s dad has an ankle bracelet on because he “attacked a guy in town” and “tried to strangle him. It took four men to pull him off.”
  • Liberty’s mother was arrested on suspicion of being involved in a New York car bombing. Liberty says that her mom can “blow up whatever she wants to.”
  • Cole refuses to let her go until she promises she will stay out of the mine’s business, so Liberty makes her free hand into a fist, and punches “Cole square in the face.” Liberty breaks her finger and Cole is bleeding out of his eye.
  • Liberty finds out what a rope dog is when she sees “Patient old Goldie hanging from a noose.”
  • Peabody’s men are hunting Dobber and his dad down with guns. “They’re not after Liberty. They’re after you. Dobber…” Cole stares him in the eye. “They have guns.” Dobber and his dad hide in Liberty’s house and Peabody’s men never find them.
  • After extorting Peabody, Dobber punches him in the face. “Peabody’s head snaps back before I realize Dobber punched him.”

Drugs and Alcohol

  • At a party, Liberty watches as “Three girls sitting at a picnic table pass around a bottle of pink wine.”
  • When Cole invites Liberty to his house, he offers her a beer. Liberty takes “the can Cole hands me and he pops the top, misting me with Wittbrau Light.”
  • When Liberty asks Dobber’s dad questions about the mine, “Mr. Dobber opens the refrigerator and pulls out a beer.” He even offers one to Liberty, who refuses.
  • Dobber’s dad is an alcoholic and meth addict—Dobber tells Liberty that “the first day was the worst. I had to strap him down. But he ain’t had no drugs or alcohol in four days.” Dobber insists that his dad is changing and getting clean because of Liberty’s fight against the mine.

Language

  • Profanity is used in the extreme and is on almost every page. Profanity includes: ass, fuck, motherfuck, shit, hell, bitch, Oh my God, goddam bastard, and donkey balls.
  • Liberty’s cab driver won’t drive her all the way up to her house. She pays “him seven dollars, call him chickenshit under my breath, and haul my backpack and suitcases a quarter mile up the hill.”
  • Granny describes Liberty’s father. “Worthless piece o’ work ran his sorry ass out of town the same night Jess told him the news.”
  • On their way to the party, Cole looks over at Liberty and says “Shit, you’re probably freezing.” Then he hands her a blanket.
  • Dobber’s father calls Dobber a jackass.
  • Cole jokingly says he wants Dobber to go far far away and Dobber replies “Did I ask you, butthead?”
  • A girl warns Liberty about Cole. The girl says “He’ll shit on you just like he shit on every other girl he’s dated.” Liberty thinks the girl is a “bitch.”
  • Liberty calls her Granny an old bat and Granny mumbles “Old bat, my ass.”
  • At lunch, Dobber calls Peabody a ‘special kind of shit’ and Cole thinks that’s “bullcrap.”
  • “Oh my God,” Liberty exclaims when Cole tries to convince her the water is safe to drink.
  • After Granny is diagnosed with stage four lymphoma, Liberty thinks, “But my world’s far from perfect, and my one parent went AWOL, taking all my money and, with it, our only chance to escape this fucking toxic mountain.”
  • “What the hell?” Cole exclaims after Liberty punches him.
  • Dobber’s dad flips Liberty off when she leaves his house.
  • Dobber calls Mr. Peabody a “Mother fucker” when he sees him at the commissioner’s meeting.
  • After her speech to the commissioner did not go so well, Liberty says, “That bastard has the whole commission under his thumb!”
  • Dobber says his dad’s cancer, “sucks donkey balls.”
  • “Goddam Peabody” is a common expression used by Granny and Liberty. Liberty later adds to it, saying, “Fuck you, Peabody.”

Supernatural

  • None

Spiritual Content

  • For Liberty’s first meal in her grandmother’s home, she has to say grace. “God is great. God is good. Let us thank him for our food. By his hands, we are fed. Give us Lord, our daily bread. Amen.”
  • Throughout the book, Liberty goes to church. Liberty describes church saying, “But I like it. Even the sermon, which always lasted forever when I was little, flies by, and before I know it, the preacher is announcing the final song.”
  • Granny tries to calm Liberty during her X-rays, saying “Whatever happens to me, the good Lord says if you build your house on solid rock, you gon’ be okay.”
  • Liberty and her Granny are very poor and have to live off food stamps. She describes grocery shopping as recreating “the miracle of the loaves and fishes at Kroger today.”
  • After she is diagnosed with cancer and she starts experiencing intense pain, Granny “reaches for her Bible. As I close the door, she’s opening the book to random pages and reading whatever her finger lands on. I hope whatever she finds brings her some comfort.”

by Matthew Perkey

Who Needs Glasses?

Pedro needs glasses, but he doesn’t want to wear them. Katie also needs glasses, but she isn’t afraid to wear them. She knows that glasses help her see. She even thinks they look good on her. While working on a class project, Katie finds a way to prove that glasses are great!

Who Needs Glasses? doesn’t only focus on how glasses help Pedro and Katie see better. It also has some fun dino facts that teach new vocabulary. In addition, while working on a school project, each student has to use their talents to complete the project. The diverse group of students demonstrates good teamwork.

Although Who Needs Glasses? is part of a series, and has many of the same characters, the stories do not have to be read in order. To help younger readers build reading fluency, the story has short chapters, easy vocabulary, and four or fewer simple sentences per page.

Cute, full-color illustrations appear on every page, showing Katie and her diverse classmates. The end of the book contains a glossary, questions, writing prompts as well as a craft. Katie Woo is an engaging story that will help beginning readers become confident readers. Readers who enjoy the Katie Woo series should also try the Pedro series because it has many of the same characters and is written in the same format.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Focused

Clea can’t control her thoughts. Some days, her thoughts repeat in an endless loop. Other days, her mind jumps from topic to topic. Either way, she can’t focus on her homework. Even when she tries to focus really, really hard, she still gets distracted. Someone is always chewing their gum too loudly or making annoying noises.

But that’s not her only problem. Everything that Clea thinks pops out of her mouth. She can’t seem to keep the words from jumping out. Clea’s issues are starting to cause problems in other areas of her life—when she’s playing chess, or when she’s hanging out with her best friend. What’s worse is that other kids are starting to notice.

When Clea keeps doing poorly in school, her parents want to have her tested for ADHD. Clea is convinced that she doesn’t have ADHD. If she tried a little harder, everything would be fine. Then, when Clea has an epic fight with her best friend, she knows that something has to change. But how do you change something that is in your head?

Anyone who has struggled in school will be able to relate to Clea. Even when Clea tries her best, she still can’t focus. She constantly berates herself, thinking that she’s just too dumb to do well. Told from Clea’s point of view, Focused allows Clea’s frustration to take center stage. With the assistance of a cast of helpful adults—psychologists, teachers, parents, counselors—Clea gains new time management skills and learns how to speak up for herself.

Even though the story focuses on Clea’s difficulties, the reader will be drawn into the conflict between Clea and other characters in the story. Clea’s best friend is dealing with family problems while one of the chess players constantly puts Clea down. The story also adds a little romance, a little chess, and a host of imperfect characters. Clea’s sister Henley is one of the best parts of the story. The sweet little sister who struggles with talking is always cheering for Clea. Clea realizes that having a person love you unconditionally is amazing. She thinks, “It feels like magic that there’s a person in the world who thinks I’m definitely going to win, no matter what, just because I’m me.”

This easy-to-read story explains how ADHD works and teaches management skills as well. Best of all, it shows that having a learning disability is nothing to be ashamed about. Anyone who reads Focused will come away with a better understanding of ADHD plus empathy for those who struggle with their emotions. The story also highlights the importance of perseverance and forgiveness. Anyone who has ever struggled with feeling inferior or has struggled with school work should read Focused. The story will encourage young readers to ask for help when needed as well as never to give up.

Sexual Content

  • Red’s father moved to Colorado and has a new girlfriend. Red finds out that his dad married his girlfriend and that she is going to have a baby.
  • While talking to Dylan, Clea slips her hand into his, and “he wraps his fingers around mine and squeezes, like he doesn’t want to let go. My stomach flips.”
  • After Dylan asks Clea to be his girlfriend, they kiss. Clea smiles at him, and then “before I know it, his lips are on mine and we’re kissing. It’s soft and sweet and mint chocolate flavored, and I’m not sure what I’m supposed to do with my hands, so I leave them exactly where they are, because I never want the kissing to stop. I want to stay like this forever.”
  • Clea and her friend talk about kissing a boy. It was both of the girl’s first kiss. When Clea’s friend worries that she was bad at kissing, Clea googles “Am I bad at kissing?” Clea then asks her friend, “Okay—did you bump teeth? Or move your head all over the place? Or slobber?” When Clea’s friend says no, the girls laugh and decide they are good at kissing. The conversation takes place over a page.

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Clea thinks she is “an idiot.”
  • Jerk is used four times. Once Clea thinks a boy is a “jerk.” Later she tells the boy that he was acting like “a jerk.”
  • OMG is used six times.

Supernatural

  • None

Spiritual Content

  • None

 

 

Hey, Kiddo

Not everyone’s family is the same. Jarrett learned this at a very young age. Most of his classmates had a mommy and a daddy. But Jarrett’s family life is complicated. His mom is an addict who jumps in and out of his life. His dad is a mystery—Jarrett doesn’t even know his name. Jarett lives with his grandparents. Although his grandparents loved him, they could be very impatient and opinionated.

Now that Jarrett is a teenager, he wishes his life were normal. His grandparents send him to a Catholic high school, where he doesn’t know anyone. Jarrett’s trying to navigate a new high school, a drug-addicted mother, and new adolescent freedoms. Jarrett lives in a home where no one talks about his past, his parents, or his problems. Art is the only thing that brings Jarrett a sense of accomplishment. When Jarrett finally gets his driver’s license, he decides to confront his father and find his own identity.

Hey, Kiddo is a powerful memoir in a graphic novel format that explores the painful effects of drug addiction. Throughout the story, the author shares artifacts from his youth, including original letters from his mother and drawings he created when he was young. The easy-to-read format shows Jarrett’s narration and thoughts in burnt orange boxes to distinguish them from the conversation bubbles. The drawings appear in shades of gray with splashes of burnt orange. Although the drawings are not beautiful, they perfectly convey the dark tone, Jarrett’s hectic life, as well as show the array of negative emotions the characters feel.

Although Jarrett’s grandparents clearly love him, they are far from perfect. His foul-mouthed grandmother is often more concerned with her television shows than Jarrett. Jarrett’s grandfather is emotionally unavailable but teaches Jarrett about the value of hard work. The one constantly good thing in Jarrett’s life is his next-door neighbor and best friend. The two boys are completely different but stick by each other through difficult times. The story highlights that people do not have to be perfect to have a positive impact on someone’s life.

Many readers will be able to relate to Jarrett’s complicated relationship with his family. When it comes to his mother, Jarrett feels anger, hate, resentment, and love. One example of Jarrett’s conflicting emotions is when he has a hard time picking out a Mother’s Day card for his mom because no cards fit their relationship. Jarrett thinks, “Hallmark didn’t make cards that said, ‘Even though you did all of those drugs, you’re still a swell mom!’ or cards that read, ‘Hey, remember all that time you spent in jail and missed, like, every aspect of my childhood.’”

Even though Hey, Kid is a graphic novel, it contains mature themes and language. While the sentences on each page are short and simple, the words have an impact and highlight the harsh environment in which Jarrett lived, as well as the often frightening events in Jarrett’s life. The book ends with a detailed author’s note explaining more about his life. In the author’s note, Jarrett says, “Your childhood realities do not have to perpetuate themselves into adulthood, not if you don’t let them.” Hey, Kid is an impactful story that will make readers think about the true definition of family. Jarrett’s memoir is both heartbreaking and hopeful because it proves that circumstances do not have to define you.

Sexual Content

  • When Joe went on his first date with Shirley, they kiss.
  • Jarrett explains how his birth parents met. His mother met a man at “my father’s family’s bar. . . However they found each other, they did, and they managed to hide it from my father’s girlfriend. And then my mother got pregnant. . .My father backed off, claiming that the baby wasn’t his. Supposedly, his girlfriend started spreading stories about how my mother had been sleeping around, so the baby could belong to anybody. And sure, she had been sleeping around, but my mom knew he was the father as soon as I was born—I was white. All of her other boyfriends hadn’t been.”
  • When Jarrett was little, he walked into his mother’s room when she was in bed with a man. His mother yelled at him, “I told you not to come barging in here! Get back to your room!”
  • While watching the Price is Right, Jarrett’s grandmother watches a contestant go to the front, and she says, “Well this one looks like a tramp with her tits all flapping about.”
  • When Jarrett is getting dressed in the locker room, a boy laughs at Jarrett’s chest hair and says, “Nice chest vagina.”
  • A comic that Jarrett drew was printed in the newspaper. The comic shows two people getting ready to go into a dance. One boy’s quote bubble says, “Hey man, you got any protection?” The other boy’s quote bubble says, “What kind? Guns, knives, or condoms?”
  • Jarrett paints a mural of Napoleon, the school mascot. The light switch is on Napoleon’s private area.
  • Jarrett goes to a party where kids are drinking alcohol and one couple is making out. Someone yells, “Dude! Get a room!”

Violence

  • Two men show up at Jarrett’s mom’s house covered in blood and holding a knife. Although there are no words, the pictures show Jarrett’s mom helping the men clean up and dispose of the bloody clothing.
  • Jarrett’s hand gets stuck in an escalator, and someone pulls it out. The picture illustrates Jarrett’s bloody hand. His grandmother asks him, “What the hell were you thinking?” When he goes to school, Jarrett’s middle finger is sticking up in a huge bandage.
  • At a pool party, Jarrett and his friends put a flame to hairspray and accidently catch a stuffed animal on fire. They throw the stuffed animal in the pool.
  • Jarrett’s mother introduces Jarrett to her boyfriend. She tells Jarrett, “He had a tough childhood, watched his mother burn to death.”
  • After the cops show up at a party, Jarrett runs. Several boys see him walking and beat him up. A boy said, “You were looking at my girlfriend?” The fight is drawn over two pages. One boy holds Jarrett’s friend so he can’t help. Three other boys start punching Jarrett.” When Jarrett gets home, his grandfather tells him, “I told you nothing good happens after 11. . . This is what happens when you go ‘out.’ Now go to bed.”

Drugs and Alcohol

  • Often when Jarrett’s grandfather came home from work, “the front door would open and the smell of alcohol would fill the house.”
  • When Jarrett’s grandmother “was rally drunk” she used “foul language.” Once she tells Jarrett and his grandfather, “You are all a bunch of fecking assholes!
  • Jarrett’s mother was an addict, and “she’d steal anything to sell it for heroin.” Once, Jarrett’s grandfather sees a notice in the newspaper. After reading it, he tells Jarrett, “Well, if you were wondering where your mother has been, her name is here in the paper. They found her O.D.’d face down on the pavement.”
  • Jarrett and his grandparents go to a restaurant. Jarrett jokingly tries to order a “Southern Comfort Manhattan, gray with a twist, rocks on the side.” Jarrett says, “I had my grandparents’ drink order memorized. Ice on the side so they could fit more liquor in the glass.”

Language

  • Profanity is used often throughout the book. Although most of the characters use profanity occasionally, Jarrett’s grandmother uses it to the extreme. Profanity includes assholes, bitch, bastard, damn, goddamn, hell, holy crap, piss, fuck, son of a bitch, and shit.
  • When Jarrett’s mother found out she was pregnant, his grandmother “called her some terrible names.” Jarrett’s grandmother’s words are in large, orange letters and include: “goddamn mulatto baby! slut! You whore! prostitute! Hussy! Tramp!”
  • Jarrett’s grandmother calls her husband a “son of a bitch and a bastard.”
  • Oh dear God, for Christ’s sake, Jesus Christ, and Jesus, Mary and Joseph are used as exclamations often.
  • Jarrett’s mother was caught stealing, and she and Jarrett are taken to the police station. Jarrett’s grandfather tells her, “Les, you stay on this track and you’re gonna fuck up so bad that he’ll be taken into custody.”
  • A boy calls Jarrett a “wussy.” A different boy calls Jarrett a “faggot.”
  • While at the cemetery, Jarrett’s grandmother tells him, “And when I’m gone, I’m sure everyone will be saying ‘Thank god that bitch is dead.’”

Supernatural

  • None

Spiritual Content

  • Jarrett’s grandfather would go by the cemetery to see his parents, and “he always makes sure we stop and say a prayer for them whenever we are here.”
  • When Joe and Shirley married, their parents weren’t happy about the union. “It was a controversial union—Joe’s parents were Catholics who’d immigrated to the U.S. from Poland, while Shirley’s parents were Protestants who’d immigrated from Sweden.
  • Jarrett attends Holy Name, a Catholic high school. While at the Catholic School Jarrett is bullied by older boys. Jarrett tells his grandfather that “Holy Name is filled with a bunch of assholes.”
  • Jarrett’s half-sister asks if Jarrett will be at her first communion.

Far From the Tree

Grace always thought she was going to attend homecoming with her boyfriend, Max. All the pictures, suits, dresses, makeup, heels—it was supposed to be one of the happiest, most memorable nights of her life. However, after Grace gives birth to Peach, her and Max’s baby—Grace finds herself giving Peach away to adopted parents on homecoming night. After giving Peach away, Grace is desperately alone and decides to find her own biological mother.

As Grace searches through adoption paperwork for any information on her birth mother, she learns she has a biological sister and brother. Maya lives close by, but in a family where she feels she does not belong. After years of group homes Grace’s brother, Joaquin, now lives with foster parents. After a few awkward encounters at a local coffee shop, the three teenagers find out they have more in common with each other than they first thought. Together, they search for their mother, and along the way, they learn what truly defines a family.

Three diverse characters. Three diverse families. Three diverse storylines wrapped up into one magnificent book. Grace, Maya, and Joaquin are unique, well-developed characters each with their own problems. Grace feels alone in the world and finds it difficult to love. Maya feels as if she does not fit into her adopted family because her parents love their biological child more. Joaquin loves his foster parents but is scared to be adopted by them. Together, the three friends help each other cope with their problems. Their combined effort will show readers just how strong the ties of family and friendship are.

Although best suited for older readers, Far from the Tree paints a perfect picture of teenagers in modern-day society. Readers will feel as if they are one with Maya, Grace, and Joaquin and will empathize with them as they struggle against their inner demons. The siblings deal with a multitude of problems including racism, bullying, teen pregnancy, substance abuse, and mental health issues. The dilemmas the siblings face are authentic and will have readers in tears. Benway also dives into the problems that adopted children face and the bullying and torment they often encounter in school and foster homes.

Although the story is easy to read, the heavy topics, profanity, and sexual content make this book more appropriate for older readers. The three main characters each have a different perspective on the issues they encounter throughout the story, so every reader will be able to identify and relate to at least one of the characters and their struggles. Altogether, Benway creates a story of three teenagers against the world. Far from the Tree will tug on readers’ heartstrings and leave them with a new world perspective.

Sexual Content

  • Maya asks Grace if she had a boyfriend. Grace answered “yes,” and “Maya wondered if Grace was lying. Grace seemed like the kind of girl who would wait her whole life so she could lose her virginity on her wedding night, who would read Cosmo articles about How to give him the best blow job of his life! but never actually say the word blow job.”
  • Joaquin reminisces about the first time he kissed his girlfriend. He thinks, “The very first time she had kissed him, he had panicked at how soft she was, how hot her mouth felt, and he didn’t understand how someone with such cold hands could have such a warm heart.”
  • While eating in a sandwich shop, Rafe and Grace sit close to each other. Grace thinks that “no boy had been this close to Grace since the night she and Max had the sex that produced Peach, but she didn’t scoot away from him.”
  • After fighting, Maya and her girlfriend Claire decide to make out. “Maya smiled again, her teeth bumping against Claire’s mouth.” Maya says, “Because nothing’s more hot than making out behind the gym at school.”
  • When Grace accidentally falls in Rafe’s arms, “Grace knew what she was supposed to do in the TV-show version of this moment: kiss him. She knew what she wanted to do: kiss him. And she knew what she couldn’t do, not just yet.”
  • Maya asks Grace if intercourse with Max was good. Grace says, “At least tell me the sex was good. If you have to get pregnant and have a baby, the sex should be mind-blowing.”
  • After breaking up with his girlfriend, Joaquin sees her kissing Colin. Joaquin describes this encounter in detail saying, “They were kissing, Birdie’s long arm wrapped around Colin’s neck the same way that she used to wrap it around Joaquin’s. If he thought about it too much, Joaquin could almost feel the warmth of her skin, the heat of her mouth, the way she always smelled good, like soap and shampoo.” One of Birdie’s friends runs up to Joaquin after the encounter and insists that she is doing it to make him jealous.

Violence

  • When Maya was in third grade, Emily Whitmore explained how Maya’s sister would always be loved more than her because she is a biological child. Maya could still remember “Emily’s face as she explained the ‘facts’ to her, could still remember the sharp, cutting way she’d wanted to put her eight-year-old fist right through Emily’s smug little mug.”
  • After being harassed about having a baby with Adam, “Grace didn’t know what moved first, her body or her hand, but then she was flying over her desk like she was running the hurdles in gym class, her fist out so it could make clean contact with Adam’s face. He made a sound like someone had let the air out of him, and when he fell backward, his desk trapping him against the floor, Grace pinned him and punched him again. She hadn’t had this much adrenaline since Peach had been born. It felt good. She even smiled when she punched Adam for the third time.” Grace and Adam are both taken to the office, and Grace has to be homeschooled for the rest of the year. This scene takes place over two pages.
  • After going out for dinner, Maya finds her mom on the bathroom floor, “crumpled like a baby bird that had fallen out of its nest, and there was blood coming from her head, staining the marble floor that was freezing cold under Maya’s bare feet.” Maya’s mom had fallen after drinking too much.
  • The siblings are meeting at a coffee shop when Adam appears and harasses Grace yet again for having a baby. “Maya was about to do something, say something, anything to release the pressure that she felt exploding her chest, when suddenly Joaquin was up and moving so fast that no one saw him coming. In one smooth motion, he had Adam up against the wall, his forearm pressed across his chest, and Adam looked wide-eyed and scared, a fish out of water.” Joaquin threatens Adam, and Adam never hurts Grace again. This scene takes place over two pages.
  • Joaquin discusses his anger management issues. During one of his temper tantrums when he was younger, Joaquin threw a metal stapler at Natalie, a toddler that Joaquin’s former foster parents, the Buchanan’s, loved. After it hit her in the head and knocked her unconscious, Mr. Buchanan let out a roar and grabbed Joaquin and threw him against a bookshelf, breaking Joaquin’s arm. “Joaquin could still hear the crack of bone, one white-hot pain replacing another, but nothing was as loud as the sound of Natalie falling to the floor.” This scene takes place over two pages.
  • Aunt Jessica describes a truck accident. The woman “was twenty-one, crossing the street, and she got hit by a trucker who ran a red light. He said he didn’t even see her. She died instantly, they said. She didn’t suffer. I worried about that, but that’s what they told us.”

Drugs and Alcohol

  • The night Maya got caught sneaking out with her girlfriend, Maya “had met up with Claire in the park, smoking a joint that Claire had stolen from her older brother, Caleb.”
  • Maya’s mom is an alcoholic, and Maya finds her hidden wine while looking for some costume materials. When Maya pulls boots from the closet, she thinks that “they were heavy when she pulled them out, though, way heavier than any boots should have been, and by the time she’d wrestled them out of the closet and into the bedroom, the bottle of merlot had fallen out. Maya looked at it for a long minute before reaching into the other boot and pulling out a half-full bottle of red zinfandel.”
  • Maya and Grace smoke a joint, much to Joaquin’s surprise. He asks, “Are you supposed to be smoking weed?”

Language

  • Profanity is used frequently. Profanity includes asshole, boobs, slut, idiot, damn, and variations of shit and fuck.
  • Oh My god is used as an exclamation often.
  • After Maya reminisces about being bullied for being adopted, Maya says, “Other kids could be real assholes.”
  • When they pulled up to Maya’s house, Grace’s dad whistled under his breath, and her mom said, “Oh my God, I knew you should have worn a suit.”
  • Joaquin realizes that he has two sisters and exclaims, “Holy shit.”
  • After breaking up with Birdie, Birdie’s friend Marjorie says, “You’re a real asshole you know that?” to Joaquin.
  • At school, Grace was called, “Slut, baby mama, Shamu – the list went on.”
  • When Grace sits down at her desk on her first day back, “Someone had carved SLUT into the fake wood desk, but she wasn’t sure if that was for her, some other girl, or just the product of some bored junior who had a limited vocabulary.”
  • Adam makes fun of Grace by saying, “Grace! Hey, are your boobs all saggy now?”
  • Rafe finds Grace crying in the bathroom after her fight with Adam and says, “Shit, I’m sorry, I’m so bad when people cry.”
  • When Grace asks Maya how school is going, Maya answers, “Sucks donkey balls.”
  • Joaquin likes “Ana’s no-bullshit approach to therapy.”
  • Joaquin thinks that his younger self was “a fucking idiot who fucked everything up.”
  • Maya says, “Everything is so fucking fucked up.”
  • Joaquin was scared of being adopted because he thought his birth mom would come back for him. He says, “It’s stupid, I know, it’s so fucking stupid. I was such an idiot.”
  • Claire freaks out after her parents question her about her relationship with Rafe, and says “If I can’t move forward and like someone and make friends and, God forbid, fall in love again, then I don’t understand why I gave up my baby in the first place!” She ends the argument by saying, “And you can tell Elaine from down the street that what I do is none of her damn business.”
  • After Maya continues to annoy Grace while driving, Grace says, “Maya, I swear to God.”

Supernatural

  • None

Spiritual Content

  • Maya jokes with Grace about why she got grounded, saying “I snuck out last week to practice devil worship with these kids I met in a cornfield.”
  • Maya remembers how Lauren cried after her fish died. Maya “would still swear on a stack of Bibles that she hadn’t touched that creepy, scaly thing. Lauren was paranoid and a terrible fish parent, that was all.”
  • When Grace dips her fries in mayonnaise, Rafe says, “Mayonnaise, it’s the devil’s condiment.”
  • Jessica says, “Oh. Thank God ” after she learns that Grace has great parents.

by Matthew Perkey

Every Moment After

After the gunshots were silenced. After the victims were buried. After the place of terror was torn down. Eleven years after the tragedy, survivors still grapple with the effects. Recent high school graduates Matt and Cole still deal with the guilt and questions. Everywhere they go, there are reminders of those who died. It is impossible for them not to ask, why didn’t I die? How can I move on?

Matt was not at school on the fateful day that his classmates were massacred. The fact that he was spared from witnessing the events has caused guilt to consume him. Matt obsesses over what would have happened if he had been at school that day. Did he cheat death? Was he actually meant to die? Caught in a downward spiral, Matt’s rash actions temp fate to take his life.

Meanwhile, after the shooting, Cole became the face of the tragedy because a photo of him being carried from the scene went viral. Cole would prefer to hide in the shadows, but now everyone recognizes his face. When people ask him about the shooting, Cole cannot give them answers. Even though he survived, he cannot remember what happened that day. On top of his amnesia, Cole is dealing with the recent death of his father and his mother’s depression.

Every Moment After is a gripping story that focuses on the survivors of a mass shooting. The story alternates between Matt’s and Cole’s points of view, which allows readers to feel the emotions of both victims. Written by a clinical psychologist, Every Moment After accurately explores topics of survivor’s guilt, grief, and changing relationships. As the two friends struggle to cope, they learn that “you don’t have to do it all at once. You just have to get through one breath at a time. One moment at a time.” However, both Matt and Cole sometimes find it difficult to move on, even one breath at a time.

In a time where mass shootings frequent the nightly news, Every Moment After explores a topic that many teens may have questions about. Matt and Cole are relatable characters struggling with questions about the past as well as their futures. As the boys take their first steps towards adulthood, their long-term friendship with each other is a crucial component in their journey. The boys’ friendship highlights the importance of having at least one person who has and will always love you, just as you are.

Every Moment After will leave readers thinking about gun control and the effects of mass shootings. It will take readers on an emotional, tearful journey, providing new insight and empathy for anyone who has suffered a great loss. In the end, the story makes it clear that “there are some things you can’t leave behind. They cling to you like cobwebs. They leave you with empty spaces. And the only thing you can do is to keep on going, as well and as gracefully as you can, without your missing parts.”

Sexual Content

  • Matt trades drugs with a boy. In exchange for the stories, the boy wants Matt to tell him stories about sex. Matt tells the boy about when he had sex with his girlfriend. Matt begins, “The first time, we were at her house. In her, uh, well, in her parents’ bedroom.” The description ends here.
  • Cole finds condoms under his father’s bed and wonders who they could belong to. He knows they don’t belong to the nurse because “she was pretty open about liking other girls and telling us all about her girlfriend.”
  • Cole uses a pseudonym when he submits poetry to be published. When he tells his friend, she says his pseudonym “sounds like the name of a porn star.”
  • Matt and Sarah go to the lake. Sarah “steps toward me, and before I can say anything or move or even take a breath, her lips are on mine. She still tastes like lemonade. . . before I can think of something to say, she kisses me again and pulls my shirt off and reaches for my belt, and by the time she’s pulling the Red Sox shirt off over her head and wriggling out of her shorts, I’m self-conscious that I’ve never been naked before. Even with Rosie, I kept a surprising amount of my clothing on. . .” Matt compares Sarah and Rosie and thinks, “I never wanted Rosie the way I want Sarah now.” Although it is clear that Matt and Sarah have a sexual relationship, the sex is not described. The scene is described over two pages.
  • After Matt stays the night at Sarah’s house, “I bend over and kiss one perfect nipple.”
  • A girl that Cole likes tells her about a conversation she had with an ex-boyfriend. She says, “It’s just that it’s a bit hard to really be comfortable with someone when they’ve seen you naked, isn’t it?”
  • Cole thinks about a girl. “I wonder where her bedroom is. I wonder how I could see her naked.”
  • Matt tries to figure out what story to tell about his ex-girlfriend. He thinks, “I mean, I only have so many of them. It’s not like Rosie and I were screwing every single day.”
  • Someone asks Cole, “Are you telling me that Matt Simpson is boning the daughter of the cop who’s carrying you in the picture?”
  • Matt goes into a bar and yells at an off-duty police officer. Matt says, “You want me to tell you what it’s like with her, Lucas? I know you think about it all the time. Because it’s nuts dude. I’ve seriously got scratch marks all up and down my back. You should fucking hear her. . . She always likes it on the living room floor, Lucas.”
  • Cole walks into his house and “the smell of weed overwhelms me.” When he goes into the living room, he sees two people. “One of them is my mother, and the other is a man with longish white hair. She’s leaning back, and he’s sort of half on top of her, kissing her.” When they see Cole, they are upset. The man leaves, while Cole and his mother have a talk.
  • Cole kisses the girl he likes. Cole takes “the final step, and before I have time to think about the blood in my mouth or about any of those other reasons that this is an unreasonable thing to do, I kiss her. . . I kiss her with my broken lip, and when I stop and step back, her eyes are closed.”

Violence

  • When a dog bites Cole, he yells, “Fuck you, you stupid little bastard. Fuuuuuuck you.” Cole is not seriously injured.
  • While at the lake, Matt and Cole come across some boys that are shooting garden gnomes. When one boy talks badly about Cole, Matt defends him. “Matt brings his left hand around in a wide, perfect swing. His fist arcs through the air, and in the moment before he strikes Ponytail’s face, I see the kid’s expression: surprise and fear, like a little boy’s. . . And then there’s a smack; I should be able to come up with a better way to describe the sound, but that’s exactly what it is, a loud smack of flesh-on-flesh, of Matt’s fist driving into the side of the guy’s face. . .” Ponytail boy falls down and the fight ends.
  • Later in the book, Matt thinks about the fight. “. . . Before I could even realize what I was doing, my hand had come around and made solid contact with Ponytail’s face, dropping him to the ground. I would have kicked him, too. Standing over him, I was lining myself up. I was going to break his fucking ribs. Crack them all. I wanted to kick him in the balls so hard they’d bust.” Matt didn’t do any of these things because Cole stops him.
  • When Matt yells at an off-duty police officer, the man hits him. “I’m on the ground before I know it; he drives down and I can feel the floorboards shudder as I hit them. My head snaps back, and there’s a burst of light in front of my eyes. He’s on top of me, his knee grinding into my groin, a flurry of punches to my chest and face.” The fight continues until Matt is knocked out.
  • When Cole gives his contact a bag of useless pills, the man hits him. “I never see Eddie’s fist coming; it catches me on my lower lip, and then I’m on my back in the grass, looking up at him, dazed.”

Drugs and Alcohol

  • Matt’s parents have a party where wine is served.
  • Matt wakes up in his truck hungover, and sees an “empty bottle of vodka is on the floor on the passenger side.”
  • Cole talks to a student who “reeks of pot.”
  • Someone offers Cole a bottle with vodka in it. Cole declines because “I don’t feel like vodka.”
  • Cole and Matt collect prescription pills in order to trade them. Cole collects his dead father’s pills and also fills an outdated prescription. Matt is able to get pills from someone he knows.
  • Matt injures his arm during baseball and the doctor gives him a prescription. Instead of taking the pills, he uses them to trade.
  • When Matt and Cole give their contact the drugs, there is a prescription for Percocet as well as other “good shit.” Later, Matt gives their contact another bag of pills. The contact gets angry because the drugs are “generic erectile dysfunction drug that was discontinued three years ago because it put people in the hospital with boners that wouldn’t stop.” The other pills in the bag are ibuprofen.
  • Cole’s mother is prescribed antidepressants after her husband dies.
  • When Matt goes to see a friend, he talks to the father and “can smell the liquor on him now.” Later when Matt goes to pick up the friend, the father’s “eyes are red-rimmed, and I can smell that the drink in the mug isn’t coffee.”
  • Cole and Matt drink a couple of beers while they are at the lake. Cole explains, “Dad left lots of beer in the garage. I doubt that Mom even remembers it’s out there, and she definitely has no idea exactly what and how much he had, so I can drink some whenever I want.”
  • Matt sneaks into Cole’s garage and gets drunk. When Cole finds him, Matt says, “It is your dad’s beer, Cole, and I apologize for drinking it.”
  • Cole has lunch with some people from school. One boy talks about a party where people were drinking and smoking pot.

Language

  • Profanity is used excessively and appears on almost every page. Profanity includes bitch, crap, crappy, damn, damnit, fuck, motherfucking, pissed, goddamn, hell, and shit.
  • My god, Christ, and Jesus are used as exclamations often.
  • A boy flips off a group of reporters.
  • When a boy is shooting garden gnomes, he yells “I’m gonna do it this time faggots.”
  • When Cole sees an ex-girlfriend, he acknowledges her because “there’s no point in being an asshole.”
  • While working on a class project, a girl tells Cole, “Holy fucking Christ, Cole, do I love Eliot.”
  • Cole says, “I’m sorry for being a dick.”
  • Matt calls someone a dick. Later Matt thinks he is being a “pussy.”
  • Someone calls Matt a “cocksucker.”

Supernatural

  • None

Spiritual Content

  • Cole thinks that one reason that his mom is having difficulty grieving for his father, is because his parents were atheists. “. . . All of their friends were atheist too. Which is fine, but it’s not very good for dying.”
  • After the school shooting, one of the parents would invite the other kids to a birthday party for her dead daughter. “She says something about how Susie was watching from heaven and that Susie loved all of us.” Cole thinks, “no one’s watching anyone from heaven.”
  • A girl says her father is “an ardent conservative. He’d say that people will kill each other no matter what; you can’t regulate it away. That Cain killed Abel with a rock.”
  • Matt is drunk when Cole finds him. Cole thinks, “I hope to God he was at least a bit sober when he drove here.”

The Friendship War

Grace and Ellie have been best friends since second grade. Grace doesn’t mind that Ellie always gets her way and is always the center of attention. When it comes to Ellie, Grace is used to tagging along and doing what Ellie wants.

Everything changes when Grace shares part of her button collection at school, and accidentally starts a new fad. Soon students in her grade, and then the entire school is trading and fighting over buttons. Grace has always been okay with fading into the background, but when button fever hits her, she just has to have the button with a blue pinwheel. Soon Grace and Ellie argue over a button, and it looks like their friendship might just be over. Button collecting may have cost Grace one friend, but it also leads her to a new one—Hank, the biggest button collector in the sixth grade. Is there any way the two new friends can figure out how to stop the button craze?

Readers will relate to Grace, who connects to the world through math. Grace is always counting, collecting, and overthinking. Her unique flaws and the way she connects with others will give readers a unique perspective as well as show how people with different personalities and interests can still be friends. Throughout the book, readers will learn new words because Grace explains several scientific words and ideas. The vocabulary is so ingrained into the plot that learning new concepts never feels like a school lesson. Learning about science, math, and the history of buttons has never been so much fun!

Another positive aspect of the story is Grace’s strong relationship with her family, who understands her crazy collections. Her family relationships extend to her grandfather, who writes letters and texts to Grace. Scattered throughout the story are conversations about Grace’s recently deceased Gramma, which gives insight into the grieving process.

The Friendship War, which is written by the same author of Frindle, is a fast-paced story that highlights the complicated nature of friendship. Through Grace’s experiences, the reader will learn not only the value of friendship but also how friendship should not be one-sided. At one point, the school principal tells Grace, “It’s a great thing to have one good friend, but to have two looking out for you? That’s nothing short of wonderful.” The story also highlights the importance of forgiveness and taking responsibility for your actions. The Friendship War is a highly entertaining story that not only shows the family in a positive light but is also packed with life lessons that are so ingrained in the story that the message is never preachy.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Grace thinks that her brother is “acting like a jerk today.”

Supernatural

  • None

Spiritual Content

  • Grace and her mom have a two-page conversation about what happens after someone dies. Grace’s mom says, “If you’re asking me if your grandmother is still herself, still somewhere, then I would say yes, I believe she is. But do I know that, the same way I know that the sun comes up every morning? Then, no, I don’t know it like that. . . I believe that Gramma is still herself, still thinking, still loving you and Ben and your dad and me and Grampa. . . And I guess I won’t completely know any of this for sure until that moment when I die, or rather, when I don’t die—when I figure out that I haven’t stopped thinking or stopped being myself. Where I will be at that moment, or what any of that will be like—I have no idea.”

 

 

Paper Girl

Zoe hasn’t left her family’s Denver penthouse in over a year. Doctors continually tell her that her anxiety will get better if she takes little steps, but she knows that she can’t do that. That would mean going outside into the real world, and the thought of that is too terrifying to contemplate. It is much better to stay inside where it is safe, in a world that she constructs out of paper. Nothing can hurt you inside. Nothing can scare you.

Everything changes when her mom decides to hire a tutor for Zoe. But it isn’t just any tutor. . . it’s Jackson, a friend of her older sister Mae. Jackson is the only person from the outside world that Zoe wishes she could see. He’s the boy that she has been thinking about non-stop for a year. How can she let him into her world?

Zoe’s world is flipped upside down as Jackson enters her life and makes her realize that the world outside her door might not be as scary as it seems. The story doesn’t just focus on Zoe, but also shares Jackson’s perspective. Jackson faces many difficulties as he deals with homelessness, an alcoholic father, and the struggle of raising money for college.

Zoe and Jackson don’t realize that they have been communicating while playing online chess together. For over a year, they have been sharing their problems with each other. Online is the only place that they feel free to share their struggle. Will the two ever be able to connect in person? Paper Girl is a captivating read that sheds light on the diverse struggles of adolescence.

Paper Girl discusses mental health at length, as the main character has debilitating anxiety that restricts her from leaving her home. She often meets with therapists and doctors in order to grapple with her illness. Through first-person narration, the audience is able to feel her struggles firsthand, giving a vivid picture of life with a mental illness. Jackson’s father is also depicted as a rampant alcoholic, and although the audience never directly sees him in this state, it is referenced frequently. The characters face realistic hardships, which at times will disturb readers. However, Zoe and Jackson’s story also highlights the importance of having compassion for others who are trying to navigate life. The story does not only focus on the character’s hardships but also adds in a satisfying romantic plot.

Paper Girl is a delightful and easy read, making it an enjoyable experience for the audience despite having some heavy subject matter. The depth and relatability of the characters draw readers in, inviting them to enter Zoe’s paper world. The small details of the characters’ interactions and the sweet romance create an endearing charm that keeps readers on the edge of their seats, eager to see what happens next.

Zoe’s family is an integral part of Zoe’s journey, and although they are not always understanding, they truly want what is best for her. Another positive aspect of this story is that therapy is portrayed in a positive light.

Zoe’s journey is powerful, as she and the audience learn how to battle inner demons to live a fulfilling life. Beautifully written, Paper Girl is a must-read that has relatable characters who struggle with anxiety and are afraid of being judged by others. Paper Girl will evoke emotions of frustration and sadness, as well as give readers a message of hope.

Sexual Content

  • Zoe’s parents kiss in a scene, making her feel mildly uncomfortable. “Dad kissed Mom on the lips long enough to make me cringe.”
  • In Zoe’s fantasy world, she would “flirt with [Jackson] a little.”
  • Zoe’s fear of seeing Jackson was, “the equivalent of the naked dream.”
  • When Jackson’s elbow brushes Zoe’s, he thinks, “her skin was so smooth and warm and I wanted to touch it again.”
  • When Zoe thinks about Jackson wanting to get to know her, it “makes my whole body buzz.”
  • Mae teases Zoe about Jackson and says, “You think he’s hot and you want to kiss him?”
  • Mae kissed her boyfriend, Robert, “all the time, and even though I made faces, she seemed to like it.”
  • Zoe fantasizes about Jackson and thinks, “Jackson’s kisses were probably like his smiles. Overwhelming. Brilliant.”
  • In another fantasy, Zoe imagines that she and Jackson would walk around Denver. “He’d kiss me, right in the middle of the sidewalk. He’d slide his hand down the hem of my shirt, where a sliver of bare skin was exposed and—”
  • Gina, Zoe’s therapist, tells her a story of when she was in college and threw up on a guy’s shoes. “I offered to take him out that weekend, and though he didn’t want new shoes, he still went out with me. And we dated for a year.”
  • There is a scene where Zoe and Jackson stand on a balcony staring out at the night sky. During the entire scene, Jackson has his arms around Zoe’s waist.
  • Mae says that Zoe “has it soooo bad” for the comic book character Mr. Fantastic, and that he has “sexy glasses.”
  • Mae casually asks Zoe if Jackson is a good kisser. When Zoe says that she has yet to kiss him, Mae recommends that she, “pull him over to Mercury and say something about gravity not working or something then kind of fall into him. . . with your lips.”
  • Zoe and Jackson share their first kiss. “His found mine without hesitation. They were warm, like his hands, and softer than I expected. Gentle. My mouth parted, ready to say his name, but he took this as an invitation to step even closer, so his hand slid up my back and the other found my cheek with those same warm fingers.” Later, after trying again, Zoe says, “I was right, Jackson was a great kisser, and I never wanted him to stop.” They kiss several more times throughout the novel.
  • After they kiss, Jackson’s “fingers slid up my spine, making my world tilt.”
  • When Zoe tells Jackson that she wants to make a paper asteroid belt, he says, “Oh God, you make that sound sexy.”
  • While they are making out, Jackson is surprised when Zoe, “shifted in my lap to straddle my legs.” After this, the elevator unexpectedly dings, surprising them, and they hastily get up to look normal. Jackson “yanked down the front hem of my shirt to cover the effect Zoe had on me.”

Violence

  • Mae and her friends play a game when they watch horror movies, where they compete to see who comes closest to guessing the number of people who will die. Some of the movie is described. “She fired off another shot. The killer collapsed in a heap . . . In a last burst of unnatural and bloody vengeance, the Prom Night Slasher jumped on Alisha, using his bare hands to strangle her.”
  • Zoe worries that Jackson’s dad, who is an alcoholic, had “gotten violent.”
  • Zoe’s therapist, Gina, got jumped in college. “‘He had a knife. I tried to fight, but. . .’ She pushed aside her scarf to reveal a jagged scar that ran down her neck to her collarbone. ‘It almost killed me.’”

Drugs and Alcohol

  • Jackson’s dad is referenced many times as being an alcoholic and a drug addict. Eventually, he goes to rehab and gets his life back on track.
  • Jackson is homeless. His father still receives his mail and official paperwork, so he isn’t caught by social services, but “I wasn’t sure how much of that agreement Dad remembered, since he’d made it while working toward an epic high on heroin.”
  • Jackson thought his Dad had sold his clothes “for drug money.”
  • When Jackson’s Dad calls him for the first time in months, he grows suspicious and thinks of his schedule. His dad, “didn’t typically start the party until two a.m. First, a few beers, then tequila, and if that didn’t get him where he wanted, he’d hit the heroin.”

Language

  • Profanity is used frequently throughout the book. Profanity includes: damn, hell, crap, bastard, shit, holy shit, and dammit.
  • Jackson’s online chess partner was “kicking my ass.”
  • Zoe calls her math makeup homework “crappy.”
  • Jackson said that he’d been, “riding a ship through the shit storm of life with my father at the helm.”
  • Oh my God, God, and oh God are used as exclamations several times.
  • Jackson calls Zoe a “badass.”

Supernatural

  • None

Spiritual Content

  • None

by Morgan Filgas

Sweeping Up the Heart

For spring break, Amelia wants to go on a vacation to Florida. But Amelia’s father doesn’t like to travel. He’d rather spent his time peacefully at home. Amelia wants adventure. Amelia already feels like a freak at school, and she isn’t thrilled about being the only seventh grader sitting at home, doing nothing over spring break.

Amelia plans to spend as much time as possible at Louise’s art studio. When she works with clay, she forgets all about her quiet, lonely house. When Amelia goes to the art studio, she meets Casey. Amelia is looking forward to the break now that she has a new friend to spend time with. While sitting in a cafe, Casey begins a game where he and Amelia make up names and stories for those who are passing by. Casey sees a woman, who looks similar to Amelia, and thinks the woman could be Amelia’s dead mother. Amelia begins to imagine that the woman is her mother and all of the ways that would impact her life.

Sweeping Up the Heart is a simple, beautiful story that deals with the complicated nature of family life. Amelia is insecure and often lonely. Although she has outgrown sleeping with her stuffed lamb, Dr. Cotton, she still tells him her secrets. Amelia, like many younger kids, wants a more exciting life. She doesn’t understand why she doesn’t have more friends. When she meets Casey, she is eager to have a friend to talk to. Like herself, Casey’s family life is not perfect. Casey has been on a campaign to keep his parent’s marriage from falling apart.

Although Amelia and Casey are relatable characters, who deal with grief, some readers may not like the slow pace of Sweeping Up the Heart. Much of the story focuses on the characters’ interactions, as well as Amelia’s struggle with her often silent father. The story is creative, interesting, and heartfelt, but lacks action. Amelia struggles with missing a mother she doesn’t remember, as well as wishing for more adventure in her life. Amelia relies heavily on Mrs. O’Brien, who takes care of the house and meals. Amelia’s loneliness is described in lovely language that allows the reader to understand Amelia’s longing for something more. However, the conclusion comes too soon and there are so many unanswered questions that will leave the readers with mixed emotions. Although Sweeping Up the Heart is an easy-to-read story, younger audiences may have a difficult time finishing the quiet story that focuses on Amelia who is dealing with the changes that come with adolescence. The story will resonate with anyone who feels like an outcast, has family problems, or just longs for more adventure in life.

 Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • Amelia has a stuffed animal that she talks to. She thinks, “she talked to him the way she supposed some people talked to God.”
  • Amelia’s mother wanted to name her Epiphany because “I was born on January sixth, the Feat of Epiphany. . . It’s the day the Three Kings supposedly visited Baby Jesus with their gifts. But we’re not very religious and my father thought it was an odd, trendy name.”

Star of the Show

Katie Woo is excited when her teacher announced that the class would be performing The Princess and the Frog. She wanted to be the princess who was the star of the show. Katie’s upset when she finds out she is going to be a worm. How can a worm be a star?

Any child who likes to be the center of attention will relate to Katie Woo. Katie is disappointed that she is a worm, but she tries to help her classmates be the best they can be. Even though she is a worm, Katie still practices the part and does her very best.

The book has three short chapters and is written with simple vocabulary that beginning readers will be able to master. Each page contains four or fewer sentences as well as colorful pictures, which include a diverse cast of characters. The story focuses on one vocabulary word—crafty—and uses it in a variety of ways.

Star of the Show also has a glossary, questions, and writing prompts. The story engages young readers by using interesting characters who have relatable problems. Katie Woo will help independent readers improve their skills and become confident readers. Although Star of the Show is part of a series with many of the same characters, it does not need to be read in order.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Losing the Field

Tallulah has always been the overweight girl no one wants to spend time with. She focuses on her studies, ignores the teasing, and bides her time until graduation. But when Nash, the boy she’s had a crush on for years, makes a joke about her weight, she becomes bent on revenge. Tallulah thought she and Nash were friends because Nash was the only person who seemed to be genuinely nice to her. After his teasing, Tallulah walks and walks all summer, losing weight and increasing her anger towards Nash, the boy who broke her heart. When her senior year starts, she’s the most attractive and revenge-bent girl in school.

Tallulah’s year isn’t what she expects though. Once Nash realizes his mistake, he and Tallulah become friends. Then they become more than friends. He is a brand-new person this year too, after a football accident leaves him with a permanent limp and he can’t play anymore. They find understanding and friendship in each other. They have to cling to this new relationship as car accidents, rumors, and inappropriate teachers all threaten to destroy their feelings for each other.

Losing the Field is a dramatic take on a tumultuous senior year of high school. The characters are easy to connect with, but at some points the plot and dialogue are overly dramatic. However, the plot does bring up important topics such as body image, bullying, substance abuse, and friendship. The main character Tallulah teaches readers that your outside appearance doesn’t matter as much as what’s on the inside, and she stands up for herself by telling the truth, even in a difficult situation.

This story is entertaining but predictable. The characters get themselves into hard situations because of misunderstandings and eventually come back together when they have learned the truth. Profanity is used often and is used to differentiate between the voices of Tallulah and Nash. The chapters are written in alternating perspectives and Nash uses expletives and coarse language in his narration.

The story does deal with a teacher who makes inappropriate advances on a student (Tallulah). Nothing beyond a kiss and words are exchanged, but it is presented as a serious issue. Tallulah does the right thing by telling the truth to the administration and voicing her objections to the teacher’s advances. The teacher is fired, though Tallulah decides to not press charges.

Readers looking for an easy-to-read book about teenagers in love will find Losing the Field a good read. Although Tallulah lost weight, she did it for the wrong reason—to get a guy. The story does hint that in order to be beautiful, you must be thin. Another negative aspect of the story is that the non-stop drama becomes hard to believe. While the book was about Tallulah and Nash’s relationship, this part of the storyline should have been better developed. It is also a misleading novel in its presentation; this book is not about sports. Nash did play football, but that is a minor plot point. Overall, Losing the Field is a quick, easy read for someone looking for a dramatic and action-packed plot. While Losing the Field is the fourth in a series, readers do not need to read the others in order to understand the plot of this book.

Sexual Content

  • Tallulah says to Nash that she can’t be late to class because she doesn’t want it to affect her college acceptance. Nash thinks, “Jesus she was serious. And it was sexy as hell.”
  • Nash’s ex-girlfriend sees him and Tallulah together at a restaurant only days after they officially broke up. Nash’s ex-girlfriend accuses him of being a player, and Tallulah gets upset and defends Nash. She says, “Oh, y’all just broke up on Tuesday? Was Hunter aware of that? Because the groping session that was going on in the hallway during second period Monday between the two of you made it seem you were perfectly available.”
  • Tallulah tells Nash that she knew Blakely, his ex-girlfriend, wasn’t right for him, but that his love life wasn’t her business. He corrects her and says, “Sex life, Tallulah. There was no love there.” Tallulah is embarrassed he said “sex” and when he realizes this, he says, “What if I say ‘blow job’?” He says this just to embarrass her. They share a first kiss after this conversation that is not described in any detail.
  • Before Nash heads to the sidelines of the football game, he kisses Tallulah. “Closing the distance between us, I slid a hand around her waist and tugged her close before placing my mouth firmly on hers. Just enough pressure to taste her.”
  • When Nash meets a famous YouTube vlogger the day after the football game, he asks him why he’s moving to Lawton. The vlogger says, “When your mother catches your father fucking your little brother’s college-age nanny in the pool, then shit happens.”
  • Tallulah and Nash go to his house to make out while his parents are at work. They kiss and take their tops off, but don’t go any further. “His eyes were locked on my chest. My breathing making it heave with each deep intake. . . He tugged me down on top of him, and I felt the rigidness under his pants as it pressed into my stomach.” Tallulah is nervous, and Nash says, “Tallulah, my pants are staying on. This is all I want. To hold you. I promise.” The scene lasts two pages.
  • A teacher and coach at school named Mr. Dace develops an inappropriate relationship with Tallulah. He asks her to help him with grading after school one day because she is his teacher’s assistant. While she’s helping him, he leans in and kisses her. “Coach D leaned in closer. . . (Coach D) closed the space between them.” Tallulah is shocked. “I jumped up, tripping. . . I had no words and wanted to leave just as his mouth covered mine. This was definitely not okay.” She runs away to the girl’s bathroom. Mr. Dace follows her to tell her how much she means to him and how much he loves her. Nothing else physical happens. This scene lasts four pages.
  • Nash’s ex-girlfriend is suspended from school. Nash “even told me about Blakely being suspended for being caught in the guys’ restroom giving Hunter a blow job in one of the stalls.” The guy was also suspended.
  • Dace makes advances on Tallulah again when she comes in early to help enter grades. She is uncomfortable being in his classroom with him alone. He invades her personal space. “It had moved past inappropriate now. . . He turned his head, and our faces were inches apart. . . He leaned in like he was going to kiss me again. . . I jerked my head to the side to miss his mouth and it landed on my cheek.” Tallulah runs out of the classroom, and the principal walks in to confront Mr. Dace after being alerted of the situation by a student who saw what happened. The scene lasts three pages.
  • Nash and Tallulah kiss after they reconcile at the end of the novel. “His palm touched my back and he pressed me closer. . . Then his lips touched mine.”

Violence

  • At school, a couple of girls get in a fight over the new superstar vlogger Haegan Baylor. The fight lasts two pages, is not described in detail, and is more drama than actual violence. “Pam had a handful of Julie’s red curly hair, and Julie was slapping the shit out of Pam’s face.”
  • Nash is in a car accident with Haegan. They are both extremely high after smoking weed. Their car collides with another car. Nash “heard the horn then. It was loud, the tires screeching almost sounded like screams. . . the clash of the vehicles slammed so hard my body jerked violently against the seat belt. . . His head was turned the other way, and he seemed limp. . . I shook his arm and his head fell forward, but not before I saw his eyes. Open and vacant. No life there.” Haegan dies in the crash. The scene lasts four pages.

Drugs and Alcohol

  • Nash’s cousin brings Nash to a party after school because Nash has been feeling sorry for himself. It’s an effort to cheer him up, but all Nash thinks is how irresponsible it is to be drinking on a school night during the football season. Nash tells his cousin, “Stay focused. Get rest. Not drink beer for God’s sake.” Later during the party, the football coach shows up. He says, “if I call the cops, they’ll only care about the teens consuming alcohol and the smell of weed in the air.”
  • While walking towards the football field, Nash runs into a stranger smoking weed. The stranger throws his joint on the ground. Nash tells him, “This is Alabama, man. Pot’s not fucking legal.”
  • After seeing Coach Dace kiss Tallulah, Nash is very upset. He tells Haegan, “I need to get smoked.” They go to Haegan’s car to smoke pot when the chapter ends. In a following chapter, the scene picks back up. “Getting lit was probably the worst idea I’d had in a long time. . . We’d go to fucking jail if we were pulled over.” They continue to drive somewhere while high. It ends in a deadly accident.
  • While visiting Nash after the car accident, his cousin asks him if he has any beer. Nash doesn’t, saying, “My parents are being strict with that shit. Mom is worried I have a drug problem.”

Language

  • Profanity is used frequently. Profanity includes Holy shit, shit, fucking, fuck, fucked, bullshit, ass, hell, dick, damn, asshole, shit, shitty, bitch, helluva, bastard, dammit, douche, douchebag, and motherfucking.
  • Ryker, a kid at school, said, “Damn, I hope she don’t wear swimsuits in the summer. No one needs to see that.”
  • After Nash calls himself a cripple, Ryker says, “Jesus, Nash, don’t call yourself that.”
  • After it surfaces that Mr. Dace and Tallulah were involved, a girl says, “You deserve this, you little whore.”
  • Tallulah is viciously bullied after the school finds out about Mr. Dace and her being involved intimately. Students write “SLUT” in red lipstick on her locker and call her various names. People tell her. “Go home, you whore,” “No one wants you here, slut,” and various other insults.
  • Jesus, goddamn, and God are all used as exclamations a couple of times.

Supernatural

  • None

Spiritual Content

  • None

by Hannah Neeley

When Zachary Beaver Came to Town

Nothing ever happens in Toby’s small Texas town. When Zachary Beaver comes to town, almost everyone is willing to give up their money to see the “fattest boy in the world” who weighs over 600 pounds. Toby and his best friend Cal try to befriend the boy, who says he’s been everywhere including Paris. Toby realizes that most people only see Zachary’s large size, not the sad boy underneath.

Zachary isn’t the only thing on Toby’s mind. Everyone seems to be leaving. His mother leaves home to chase her dream of being a country singer. His best friend Cal’s older brother is fighting in the Vietnam war. Toby doesn’t want anyone to know that his mom isn’t coming back, so he makes up a crazy tale. It is then that Toby realizes that he and Zachary might not be so different after all.

Set during the Vietnam era, When Zachary Beaver Came to Town gives the reader a glimpse into life in a small Texas town, where everyone knows everyone. Although Zachary Beaver is the main focus of the story, there are other subplots that weave their way into the story. Toby is dealing with teen love, his mother leaving, as well as his best friend fighting in a war and eventually being killed.

Even though all of the events are told in a kid-friendly manner, many younger readers will find the character-driven story less than exciting. The beginning of the story introduces many, many characters who are difficult to remember. Toby, who tells his story, is interesting and brings humor to the story. Even though the story is told by a 12-year-old narrator, the story deals with some heavy topics including feelings of abandonment, death, dementia, and forgiveness.

Readers will eventually fall in love with Toby and the community; however, readers who are looking for an action-packed adventure will be disappointed in When Zachary Beaver Came to Town. The story highlights the importance of not judging others and forgiveness. The ending of the story will leave readers in tears as it highlights the importance of striving to make your dreams come true. There is a reason When Zachary Beaver Came to Town is taught in schools—it gives readers a picture of the time period as well as teaches important life lessons.

Sexual Content

  • Toby makes a joke about Miss Myrtie Mae who wears a “wide-brim straw hat.” Toby says it’s to “protect her virgin skin.” Cal laughs, “That ain’t the only thing virgin about her.”
  • Toby talks to a girl he has a crush on. He thinks, “I want to reach for her, pull her toward me, and tell her it will be all right. I want to smooth her hair, massage her neck, kiss her toes. Instead, I wrap my arms around my knees.” They dance and then she “kisses me on the cheek.”
  • After Toby accidentally sprays himself with a girl’s perfume, someone tells him, “You smell like a French prostitute.”

Violence

  • Some kids start hitting Zachary’s trailing and yelling insults, so Cal and Toby throw rocks at them.  Toby’s “rock sails through the air and hits a perfect target. Mason’s hands fly to his porky bottom. ‘Ow!’ When Cal hits Simon Davis’s leg, Simon takes off crying, his hand pressed against his thigh.” Toby and Cal accidentally break a window.
  • Cal rides his bike to the lake, hoping to outrun Toby. When Toby appears, Cal kicked water in his face. When Toby doesn’t leave, Cal “slugs me on the arm. I still don’t move and he punches me again. My arm throbs in pain.” The two friends make peace.

Drugs and Alcohol

  • One of the adult characters, Ferris, got a tattoo when he was drunk. “He said he got them the night he met Jim Beam. Cal thought he was talking about a real person until I explained that Jim Beam was whiskey and Ferris was drunk as a skunk when he got the tattoos. That was before Ferris met Jesus and got religion.”
  • While the townspeople are at a funeral, Ferris stays in his restaurant and gets drunk. He tells Toby, “Don’t ever start drinking, Toby. Next to money, it’s the root of all evil.”
  • Cal gets a letter from his brother who is fighting in the Vietnam war. His brother writes, “it doesn’t seem like anyone wants us here. Not even the people we’re protecting. They just want to sell us cigarettes, booze, and anything else we’re willing to put down our money for.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • Before Ferris was hurt, he “wanted to be a preacher. He even went a semester to a Bible college in Oklahoma. Now he never goes to church, but Mom says he knows the Bible from Genesis to Revelation.”
  • Ferris owns a restraint and his “chalkboard hangs near the kitchen window behind the counter. . . Beneath the menu is the daily Bible verse. ‘It is an honor for a man to cease from strife: but every fool will be meddling.’ Proverbs 20:3. Mom says some people wear their religion on their sleeves. Ferris posts his on the chalkboard.”
  • Toby includes Wayne, a boy who is fighting in the Vietnam War, in his nightly prayers.
  • Toby asks about baptism. Miss Myrtie Mae tells him, “The good Lord knows what state our mind is in when we make such a commitment. But it’s a wonderful commitment, Tobias. The Christian life is not an easy life, but it brings such joy. And of course, there is the gift of eternal life.” She then tells him the steps involved and hands him a paper with John 3:16 written on it.
  • Toby prepares to baptize Zachary, in case Ferris doesn’t show up to perform the ceremony. Toby reads the Bible looking for a verse. “But as I read the story, I forget about searching for verses. I read that Jesus goes to John the Baptist and asks to be baptized, but John doesn’t think he’s worthy enough to baptize Jesus. Then Jesus says, ‘Suffer it to be so now: for thus it becometh us to fulfill all righteousness.’ So, John baptizes him.” Toby calls Ferris and tells him to read the verse.
  • Zachary is baptized. As part of the ceremony, he must agree to “take the Lord Jesus Christ as your savior.”

Caterpillar Summer

Eleven-year-old Cat is used to taking care of her younger brother, Chicken. She knows that he isn’t like other seven-year-olds. Cat understands that Chicken gets upset easily; He doesn’t like loud noises, tags in his shirt, or being called Henry. Sometimes he acts out, and Cat has become an expert at calming him.

Cat is looking forward to spending three weeks in Atlanta. Unexpectedly their plans change, and Cat and Chicken go to stay with their grandparent that they have never met. She isn’t excited about spending time with her mother’s estranged parents, Lily and Malcon. She doesn’t think they can take care of Chicken as well as she can. But as she adjusts to her grandparents and life on an island, Cat realizes it has been a long time since she has been able to be a kid. The more that she learns about her grandparents, the more she wonders why her grandparents haven’t been a part of her life.

Beautifully written, Caterpillar Summer is written from Cat’s point of view and does an excellent job putting Cat’s emotions into language that younger readers can understand. Her mother works hard to provide for the family, and her father has died, which leaves Cat in charge of her brother. Cat is a remarkably relatable character, who clearly loves her brother, but gets frustrated that she must always watch him. As Cat learns to trust her grandparents to care for Chicken, she is given more freedom and becomes aware of her own needs. Because of her newfound independence, she learns the importance of advocating for herself.

Readers will also love Chicken, who loves sharks and who wants to do things his way. Cat soon learns that her overprotective nature has not allowed Chicken to solve his own problems. And although Chicken needs to be watched over, he also needs to be able to interact with others and solve conflicts on his own. In addition to the lovable characters, the story also has cute black and white illustrations of a chicken and a caterpillar that connect to the characters and help the reader understand the conflict between the two siblings.

The story focuses on family relationships and the misunderstandings that can lead to lasting hurt. The story also hints at the difficulties biracial children encounter. The story is realistic and shows the complicated nature of family relationships. Themes of family love, forgiveness, and friendship are woven through the story. As Cat meets new people, she learns that people are “good and bad, at the same time.” Readers will come away understanding that all people have good qualities and bad qualities.

McDunn uses beautiful language and well-developed realistic characters to create an honest story about families. There are several scenes that are funny, some scenes that are heartwarming, and some that will make readers grab a tissue. Even though the story is written using easy vocabulary and simple sentences, many younger readers may not connect with the story because of the lack of action. If you are interested in action, adventure or fantasy, Caterpillar Summer will not appeal to you. Readers interested in realistic fiction will definitely find Caterpillar Summer worth reading. If you like Caterpillar Summer, you may also want to read Bob by Wendy Mass & Rebecca Stead.

Sexual Content

  • None

Violence

  • While at the library, Chicken and another boy get in an argument. The boy’s sister says, “Neddie told me he grabbed Chicken’s book, but Chicken wouldn’t let go. When Neddie lost his grip he smacked himself in the nose with his own hand.”
  • While on the merry-go-round, Chicken falls off and “then a foot thwacked him in the eye. He rolled onto his back.”
  • Cat sees two boys kicking their brother.

Drugs and Alcohol

  • None

Language

  • Cat’s grandfather tells her, “My plan for your mom’s life did not include a husband and a child, living on the other side of the dadgum country.”
  • Heck is used twice.

Supernatural

  • None

Spiritual Content

  • None

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