Reading Level: Junior High

Satellite

Named after constellations, Leo, Libra, and Orion have been trapped since birth on Moon 2, a space station orbiting Earth. Not old or strong enough to survive re-entry into Earth’s atmosphere, the teens have been parented by teams of astronauts, training their entire lives to one day return home. Each teen anxiously awaits their sixteenth birthday, the day they would be declared strong enough to return home. They meticulously plan out their bucket lists for Earth while Earth taunts them from outside their windows.

However, after mechanical errors send them hurtling back to Earth earlier than expected, the group of teens soon find their new environment hard to adapt to, despite all its wondrous beauties. To survive, the friends must defy unimaginable odds while facing a dangerous monopoly, a new and strange world, and their own self-identity problems. Their bonds of friendship and their definition of home and family will be put to the test. Going back home will not be as easy as they thought.

With its text-speech writing style, futuristic setting, and an incredible amount of space facts, Nick Lake tells an extraordinary tale. Lake explores the meaning of home and family, the definition of love, and the search for one’s self-identity. Lake’s use of interludes and first-person narration makes Leo come alive on the page, causing readers to empathize with the teenager searching for a place to call home. Riddled with space politics, action, and references to our own modern-day culture, the fast-paced story is a page-turner from start to finish. A diverse set of characters will leave readers crying at the end.

Satellite has a unique plot with the perfect mix of action, space, suspense, and drama. The well-developed characters, who are all distinctly different, act like real people. Even though Leo has a secret crush on Orion, the story does not go overboard on the romance. Instead, the story focuses on Leo’s relationship with his grandfather and his mother as he strives to find out who he really is. Through Leo’s experience, the reader will be forced to look at Earth in a new light. When Leo gets to earth, he is overcome with wonder when he sees birds, fire, and even the simple act of throwing a ping-pong ball for the first time while other characters think of their surroundings as “just Nevada.”

Often called Andy Weir’s The Martian for teens, Satellite is so much more. It explores some of the true moral questions young adults have about life, and it seeks to answer these questions by teaching readers about the value of home and family. However, due to the constant cussing by the characters during stressful times, this book is best suited for older readers. The story’s text-speech, which mimics those of NASA commands, does not demonstrate proper grammatical concepts, which may frustrate some readers. Nevertheless, it is a must-read – not only entertaining young readers but teaching them not to take their everyday lives for granted.

Sexual Content

  • At the beginning of the novel, Leo describes how both he and the twins ended up being born in space and how they were conceived. Leo says, “1 of the results of the experiment was unexpected: if u put male and female astronauts in a confined space for 2 years, they will eventually have sex.” Leo also describes his own conception saying, his mother “had a fling a few nights before she launched.”
  • Throughout the book, Leo has constant feelings for Orion and Soto, which he recounts in detail saying, “he stands still while i get up, & i put a hand on his shoulder. i feel the strength of his muscles thru his shirt. a little electric current goes thru me. i feel something happen, in the center of me.”
  • Just before Orion dies due to his inability to live in 1g, Leo says, “u can’t go anyway u can’t … u can’t because I always thought my first kiss would be with u I always dreamed of it anyway and u can’t go because I haven’t had my first kiss, so u can’t go u can’t go u can’t go.” Orion and Leo kiss while Orion imagines Leo as Leo’s mother.

Violence

  • Wile e Coyote and the Road Runner are mentioned continuously throughout the book along with the various ways the main characters can die during space travel including burning to death, exploding, splattering, and suffocating.
  • When traveling through a ghost town in Sonoma County California, Leo notices that there are long lines at both the bank and multiple gun stores while other businesses have no activity. Leo asks his grandfather why, and Grandpa says, “hard to make a living these days. So people want to keep their money liquid. & they want guns to protect it.”
  • Grandpa is a rancher and during the book, Leo watches as they send cows to slaughter. Although not explicitly stated in the book, Leo ponders how his grandfather’s cows are raised only to die.
  • After discovering Leo’s location, a group of rebels against the Company tries to rescue Leo by attacking the ranch. When Leo’s grandfather walks in and sees one of the mercenaries pointing a gun at Leo, Leos says that his grandfather “doesn’t hesitate for a moment. He fires as easy as breathing, and the man is thrown back against the wall, a spray of blood, an arc of it, his head hitting the wood with a thud.” All three mercenaries die, Leo sprains his wrist, and Leo’s mother dislocates her shoulder during the fight.
  • While escaping Mountain Dome, Leo glances back and sees the muzzle flare and hears the “whistling sound” of a bullet as he notices one of the facilities guards shooting at them. None of them are injured.

Drugs and Alcohol

  • Virginia describes Commander Boutros when she says, “get him drunk, he’s a whole different person.”
  • Before their launch, Grandpa, Yuri, and Leo all drink vodka mixed with rocket fuel for good luck. Yuri, of course, leaves out the vodka for 16-year-old Leo.
  • Medications are used frequently throughout the book, such as acetaminophen used to treat Leo’s fever and painkillers used to relieve the pain in Leo’s mother’s dislocated shoulder.

Language–

  • Profanity is used in the extreme. Almost all the characters at one point in the novel use it. Profanity includes: shit, fuck, fricking, bitch, ass, piss, oh my god, and goddamned.
  • Leo’s grandfather bets Leo that he cannot play catch on Earth because “gravity is a bitch.”
  • After astronaut Brown dies, Virginia responds with “fuck. what went wrong with the program? what did I do?”
  • After realizing that they will place a huge reliance on the boosters of Moon Two to maintain attitude instead of using their gyros, engineer Singh says, “shit.
  • After realizing they will never be able to survive on Earth outside of a hospital, Orion says, “well, this sucks ass, doesn’t it.”
  • Grandpa describes Kazakhstan as “a bit of a shithole.”
  • After seeing a Soyuz rocket, Grandpa says, “holy shit.” Later, he fights with Yuri about the legitimacy of their mission saying, “we can’t fly a Soyuz either! It’s a goddamned rocket.”
  • Former cosmonaut Yuri and former astronaut Freeman are “piss brothers for life” after their many adventures in space together.
  • After the Soyuz rocket fails to detach from Moon 2’s peripheral system, astronaut Sara says “dammit.” Later, astronaut Sara does her first EVA and describes space as “in-fricking-sane.”
  • When Leo saves Sara from dying by using his EVA suit rockets, he says, “I can hear her still in my helmet saying oh my god oh my god like all other words have been wiped from her mind.”

Supernatural

  • None

Spiritual Content

  • Libra loves plants and dreams of being a botanist. While at Mount Dome, she spends most of her time in one of the company’s projects where they attempt to create perfect biodomes for construction on earthlike plants. The project is entitled Creating Eden.
  • The book references an EE cummings poem with the starting line of “I thank You God for most his amazing day.”
  • Throughout the book, Leo, Orion, and Libra are referred to as angels returning to Earth from heaven, and when Leo returns to Moon 2, he is like an angel returning to heaven once more.

by Matthew Perkey

 

Rise of the Dragons

Joss and Allie have always feared the Raptors and the wave of death caused by the vicious beast. When Joss finds a dragon egg, he never imagined the love he could feel for the Silver dragon or the danger the dragon would bring into his life.

The Lennix’s are a cruel and power-hungry family who wish to rule over all dragons and humans. They have trained their Raptors to follow commands and prey on unsuspecting humans. But some of the raptors are questioning the Lennix’s rule. They are convinced that possessing the Silver dragon is the key to their continuing rule.

Sirin lives in the Lost Lands, where dragons no longer live. Most people have forgotten the dragons and no longer believe they existed at all, but Sirin hopes that she will one day meet a dragon. While Sirin dreams of dragons, her real life is full of grief. When her mom is hospitalized, Sirin is forced to live with several different families. Sirin wonders if her life will be filled with grief forever.

Rise of the Dragons weaves together three stories—Joss and Allie, the Lennix family, and Sirin—and eventually ties the stories together. Most of the story focuses on Joss and Allie, the indentured servants who find the Silver’s egg. When the Lennix family tricks Joss and Allie into going to their compound, life only gets worse for the siblings. Readers will be engrossed in the unique, but cruel, dragon world.

Even though the reader knows that Sirin’s story will eventually connect to Joss and Allie’s story, readers may have a hard time connecting with Sirin’s story, which is realistic fiction. The chapters about Sirin pop in at unexpected places and slow down the plot. The conclusion brings Sirin and a dragon together in a fun, unexpected way and clearly sets up a sequel.

The story contains detailed, concise descriptions, as well as short chapters that often focus on one character. However, some readers may struggle with the difficult vocabulary, such as “ensconced,” “undulating,” “lugubriously,” “cantilevered,” and “soporific.” Rise of the Dragons may best suit middle school readers because younger readers may be frightened by the raptors’ cruelty; several of the characters’ parents are killed by raptors, and the characters are then enslaved by the Lennix family.

Sage creates an interesting dragon world, where death and violence are everyday occurrences. Although the characters are not well developed, the story has enough action and suspense to keep the pages turning. Rise of the Dragons has plot twists, truly evil villains, and a protagonist with whom readers will sympathize.

Sexual Content

  • None

Violence

  • Joss thinks about his parents, who died when raptors “dived onto his mother and father, and the shine of their sharpened talons, curved and lethal, as they emerged from their sheaths for the kill.” Later Joss again thinks about his parents and how “they had been attempting to escape a Lennix roundup, and it hadn’t worked. He remembered Raptors diving down, taking his parents hundreds of feet up into the sky, and then dropping them into the sea.”
  • When Joss is riding his dragon, Lysander, they are chased by a group of dragons. As Joss and Lysander try to flee, “Joss felt a burst of heat as a spume of dragonfire hit Lysander’s tail. The flames fell away from Lysander’s silver scales like water from oiled feathers, but the shock of it caused him to shoot rapidly forward. . .” Joss and Lysander fly through a portal and are safe.
  • Lysander frightens a flock of sheep, and they run into an old quarry. Joss tells his sister about how he “climbed down into the quarry and they were piled up. Dead on the quarry floor. Well, they weren’t all dead. Some were injured and bleating. So . . . so I had to hit them on the head. To put them out of their pain. It was. . . Oh, it was horrible.”
  • When Joss trips, D’Mara “Grabbed Joss’s arm and pulled him roughly to his feet, gripping him so hard he could feel her nails digging into skin.” When Joss and Allie try to run, D’Mara “threw herself at Joss and caught his neck in an armlock. Allie hurled herself at the traveler, but a well-aimed kick sent her sprawling to the ground. . . The traveler jerked her arm hard against Joss’s throat, making him gasp for breath.” Armed guards appear and they shoved the sack over Lysander’s head. “At once he lay down upon the ground in defeat. . .They pulled her (Allie) arms behind her back and roughly tied her hands, then threw a net over her and wrapped her up so tightly that she could hardly breathe. Allie began to gasp in panic. . . As Allie took a shuddering gulp of air, Tamara kicked the back of her knees and Allie fell to the ground.” Joss is also tied up, and the two were taken to Fortress Lennix to be prisoners.
  • When Sirin and Ellie are walking home from school, some girls bully them, telling them they must pay a toll to pass. One girl grabs Sirin by the collar. Later, the same girls corner Sirin and her foster mother, Mandy. Mandy tries to help, but “Mandy looked down and saw the point of a jagged knife pressing into her all too thin cardigan. . . but the pressure of the knife point reminded her to keep quiet.” One of the girls “pulled out a knife, drawing the tip of the blade across Sirin’s stomach.”
  • The Lennix twins take Allie to a notoriously violent raptor and have her thrown into his room. They giggle as they hear the dragon roar and they assume Allie is being eaten. However, the dragon does not injure Allie.
  • When the Lennix’s catch a Green dragon, the other dragons punish the Green. “Bellacurx sent a short burst of flame flickering across the ground, so that they curled around the delicate feet of the Green and sent her hopping from one foot to another—much to the amusement of the other Raptors. . . In a sudden movement, the red dragon brought her wings down in such a way that their sharpened barbs gouged deep grooves through the scales of the Green and tore into her wings.” The Green is then imprisoned.
  • The Lennix’s raptors go on a raid, attacking the Greens and “demolished their nest.” D’Mara’s husband tells the raptors, “The free Greens are finished. But the Reds, Yellows, and Blues remain . . . Raptors, tonight we shall go in for the kill. We go to the Islands of the Blues where they hold their eggs deep in caves beneath the ocean. From them we shall take a tribute: a living infant that we shall tear to shreds before their eyes, and then we shall leave them in grief. We shall return again and again and again until the Blues show us their hiding places of their clutches and beg us to take them.”
  • The epic battle between the Lennix’s raptors and other dragons takes place over three chapters. During the fight, “Wave after wave of firestiks rained down from Flight Vengeance. Bellacrux and Lysander ducked and dived. . . And then a firestik found its mark—on Lysander’s left wing tip. Lysander pitched to one side and sent the weapon bouncing off his armored silver scales. The sudden lurch sent Joss sliding out from the rider’s dip.” Joss is able to rebalance, and the fight continues. One aggressive raptor named Valkea goes after Bellacrux. “Valkea let loose a long, focused spume of fire. It caught the tip of Bellacrux’s tail but did little damage, for the tail-thrashing doused the flames and the burn alerted Bellacrux to her pursuer . . . Bellacrux sent a long, thin steam of brilliant orange flame straight into Valkea’s face. The Red wheeled backward and the flames shot down the soft and vulnerable front of her neck. . . In agony from the burn, she thrashed her neck to and fro, trying to cool the burn. . .” During the battle, one dragon is injured when someone throws a firestik, and the raptor’s “tail exploded into flames,” causing the raptor to fall to his death.
  • When a burning raptor falls to his death, he hits a dragon’s wing. When the raptor’s tail hits the dragon, “there was a snap like a pistol shot, and suddenly her wing was hanging down, useless. Herlenna screamed. . . She keeled over to one side, and with a crashing and cracking of branches, she disappeared through the canopy of trees like a drowning swimmer beneath the waves. Lysander and Joss heard a deep thud, and then all was silent.”

Drugs and Alcohol

  • None

Language

  • D’Mara calls her husband a “spineless little liar” and “slick of dragon slime.”
  • D’Mara calls a dragon an “idiot.” Later she calls Joss an “idiot.” Several other characters also call someone an “idiot.”
  • Kaan calls his brother a “dumbo” and then tells him, “Oh, go boil your stupid fat head.”
  • D’Mara tells her husband, “And I always thought that Lock of yours was a bit of a bonehead.”
  • A girl tells Sirin’s foster mom, “Bleedin’ Nora, you’re effing crazy, you are.”

Supernatural

  • Humans can lock with dragons. “Some people were lucky enough to become so close to a dragon that they stayed together for life. They even understood each other’s thoughts.” Once a dragon and human have locked, they can communicate through thought.
  • A silver dragon is able to travel through a portal to the Lost Lands. “All Silvers can travel through the invisible portals that link our two worlds. And if a Silver touches its tail to another dragon, they can both go through. Indeed, you can have a whole chain of dragons going through.”

Spiritual Content

  • None

The Shark Whisperer

Tristan Hunt is known for being clumsy, which is why his parents aren’t surprised when he falls into a pool of sharks. After his strange experience in the shark tank, Tristan is invited to an ocean-themed summer camp in the Florida Keys. But this camp has a secret. All of the campers have a special talent when it comes to the ocean.

While at camp, the ocean animals ask for help figuring out who is finning sharks in the Bahamas. When several of the campers go to investigate, they disappear. With the help of sharks, dolphins, a quick escape-artist octopus, and other sea creatures, can the campers stop the shark-finning, reef-blasting billionaire?

Tristan Hunt and the Sea Guardians takes the reader on an underwater adventure, where sea creatures of all types come to life. As the campers learn about sea life, they discover an array of sea creatures from a toothless shark in a rehabilitation center to chatty seagulls. Several scenes are from a shark’s point of view, which adds interest. Tristian meets several sharks with a Bahamian accent, and one humorous shark laughs at Tristan’s fear of sharks and tells him that humans taste awful. The interaction between humans and sea life, and the variety of sea creatures with their different personalities make the story a lot of fun.

As Tristan and the other campers learn about their skills, their different reactions are interesting. At first, Tristan is a clumsy, insecure boy. However, as the story progresses, Tristan becomes more confident, is able to speak his mind, lead others, and can also laugh at his clumsiness on land. The story connects sea creatures’ behavior to the campers’ behavior and shows the importance of leadership, cooperation, and helping each other.

As a marine scientist, Prager beautifully describes the ocean sea creatures and their habitat as well as highlights the importance of taking care of the ocean. Although the ocean descriptions accurately explain the ocean, some of the long descriptions and advanced vocabulary may make the story difficult for some readers. Tristan Hunt and the Sea Guardians mixes adventure, action, and ocean life to create an exciting, educational fantasy that readers will enjoy. Readers will want to jump into this series, which continues in The Shark Rider.

Sexual Content

  • None

Violence

  • Someone is finning sharks. Tristan explained, “Finning, that’s totally disgusting. It’s when people slice off a shark’s fins and then throw the dying shark back into the water.”
  • The bad guy’s crew kidnapped some of the campers. The kidnapping was not described.
  • The sea life reported that “men from the ship killed and finned ten lemon, two bull, and five bull sharks. Took the fins and dumped the sharks. A few pilot whales were injured by the blasts; hurt their ears and they’re having trouble navigating.”
  • In order to free the kidnapped campers, the sea life attacks the bad guy’s yacht. A group of birds “dove like kamikazes toward the men on the upper deck at the back of the ship.” Then a group of birds poops on the men. When the kids try to escape, “the security man also tried to pull out his gun, but the birds had aimed well. The firearm kept slipping in his grasp due to a heavy coating of poop and slime.” The kids jump off the yacht, and the men tried to start the Jet Skis’ engines. “At that very moment, however, another team was preparing to go on the attack. The flying fish swam fast to build up speed. They leapt out of the water, stretched their fins out wide, and used their tails as rudders. The eight-inch, silvery fish glided low, swift, and silently over the water’s surface. . . They hit their target in quick successions, pummeling one of the men in the face and chest.” The attack happens over four pages.
  • After the campers are rescued, and with the help of humans, the sea creatures put explosives on the ship. Tristan “noticed that the ship was leaning. Its right side was lower in the water than the left. . . Men started yelling. Black smoke began billowing out from inside the ship.” The yacht sinks, but no one is injured.
  • When one of the bad guy’s men finds a group of campers, they trick him into driving his Jet Ski into an ooid sand wave. “The water over the top of the ooid sand wave was too shallow for the heavy Jet Ski. It hit the sand and stopped with a tremendous jolt. Somehow the man was able to stay aboard and upright on his machine. He reached for his gun. Just as he was about to swing his weapon around, a heavyweight rammed him from behind. The man flew off the Jet Ski as if he’d been hit by a dump truck.”

Drugs and Alcohol

  • As the kids were flying over an island, “Coach Fred came on the intercom and told them about a secret navy base there that specialized in capturing drug smugglers.” One of the teens asks if the Navy shoots the drug smugglers. Coach Fred replied, “No, they do not shoot the drugs smugglers. . . well only if necessary.”

Language

  • Darn is used twice.
  • Heck is used once. When a man sees a strange shadow in the ocean, he asks, “What the heck was that?”
  • Oh my God is used twice. Tristan’s father said, “Oh for God’s sake.”
  • Hugh’s family has a chef. He said, “Thank God we do. My mom can’t cook at all.”
  • Someone calls Tristan an idiot.
  • A shark calls Tristan a “lame brain.”
  • A man calls a group of people dorks.
  • frickin’ is used once.

Supernatural

  • All of the kids at camp have different abilities. Ms. Sanchez explains why. “Well, as you and the others know, life on Earth is believed to have started in the ocean. Over hundreds of millions of years, animals evolved and adapted to life in the sea—like dolphins. . . Humans have always lived on land. But since life began in the sea, our very earliest ancestors came from the ocean. In some people there are still traces of the genes that allowed those organisms to adapt to and live in the sea. At the right age and with the right help, these genes can sort of, well, be turned on, at least for a few years.”
  • When the kids at camp drink a pink-colored water, their hands and feet change. After drinking the pink-colored water, “there was a thin sheet of skin between their toes, like the webbing on a duck’s feet.” The effects of the water are temporary.
  • Some of the students can communicate with sea animals. Others have “excellent mucus deployment skills.”
  • When an octopus touches Hugh, “the creature turned brown with blue polka dots. Hugh smiled. Then an even more shocking thing happened. Hugh’s hand also turned brown with blue polka dots.” Hugh discovers he has the ability to camouflage and communicate with animals. Ms. Sanchez explains, “I bet in seawater you’ll be an excellent mimic. Your skin will have the ability to change color and maybe even texture when you’re in the ocean.”
  • Sam discovers that she can echolocate. Sam was swimming in a lagoon, and “after she made the clicking noises she had more than a feeling that the sharks were coming. It was like she had a full-screen 3D image of them in her head.”
  • When the students are in the water, their wounds heal quickly.

Spiritual Content

  • None

Deep Blue

Serafina has always known that she will eventually rule her nation, located deep in the Mediterranean Sea. She needs to prepare for her Dokimí, when she will be introduced to the Mer people as their future ruler and will announce her future husband. But rather than worrying about her Dokimí, Serafina is obsessed with the strange dreams of sea witches that have been haunting her.

Everything changes when, during her Dokimí, a poisoned assassin’s arrow strikes her mother, and her father is killed. Now, Serafina must embark on a quest to find the assassin’s master and prevent a war between the Mer nations. Along the way, Seraphina will meet five other mermaids; will the six mermaids be able to discover who is behind the conspiracy that threatens the Mer world?

Many readers will pick up Deep Blue because of the beautiful cover image of a mermaid; however, the story is not as intriguing as the cover photo. The mermaid world has a complicated history and a confusing number of characters (both gods, humans, and mermaids). Much of the mermaid world is mundanely similar to the human world and there are overly long descriptions of clothing. Another negative aspect of the story is the main character Serafina, as her character is inconsistent. In some scenes, she is fearful and runs from danger. Other times Serafina shows bravery, but that bravery makes her make stupid choices that endanger others. Serafina never takes the advice of more knowledgeable mermaids, even when she should.

Throughout the story, six mermaids must meet and make it to the sea witches’ lair. The six mermaids eventually find each other; however, readers will question how the mermaids come together at exactly the right landmarks that lead to the witches’ lair. The action slows down considerably as the characters talk about the history of the mermaids and much of the dialogue feels stilted.

In the end, Deep Blue is a typical story about a beautiful princess who loses everything including her parents. She takes a difficult journey, which teaches her some important lessons. Serafina must learn not to believe other people’s cruel remarks and that everyone makes mistakes. She also must overcome fear. Vrăja tells her, “You fear you will fail at the very thing you were born for. And your fear torments you, so you try to swim away from it. Instead of shunning your fear, you must let it speak and listen carefully to what it’s trying to tell you. It will give you good counsel.”

Even though the story has some positive messages, Deep Blue will leave readers slightly confused, disappointed, and wondering why anyone would want the whiny Serafina to rule their realm. Readers looking for a good mermaid book may want to try Atlantia by Ally Condie instead.

Sexual Content

  • Serafina overhears a conversation about her fiancé’s girlfriends.
  • When a mean girl tells Serafina that her fiancé has a girlfriend, Serafina says she isn’t upset because “I just hope she’s done a good job with him. Taught him a few dance strokes or how to send a proper love conch. Someone has to. Merboys are like hippokamps, don’t you think? No fun until they’re broken in.”
  • Serafina thinks back to when her fiancé kissed her. “It was lovely, that kiss. Slow and sweet.”
  • She finds her fiancé and one of his friends “lying on their backs. Mahdi had a purple scarf tied around his head and a smudged lipstick kisses on his cheek. . .” Someone had drawn a lipstick smiley face on Mahdi’s friend.
  • A merboy says that “Merl’s so hot, she melts my face off.”
  • Three human girls continue to fight over a boy, even though the girls are dead. Someone explains, “Must be something irresistible about rivers to sad girls. They just have to throw themselves into them. I’ve seen a lot of river ghosts.”

Violence

  • A man grabs an eel and “bit into it. The creature writhed in agony. Its blood dripped down his chin. He swallowed the eel. . .”
  • In the past “Kalumnus had tried to assassinate Merrow and rule in her stead. He’d been captured and beheaded, and his family banished.”
  • During a ceremony, men attack. An arrow “came hurling through the water and lodged in her mother’s chest. . . Her mother’s chest was heaving; the arrow was moving with every breath she took. It had shattered her breastplate and pierced her left side. Isabella touched her fingers to her wound. They came away crimson. . . The assassin, barely visible in the dark waters, fired. The arrow buried itself in Bastian’s chest. He was dead by the time his body hit the seafloor.” Both of Serafina’s parents are killed as well as many merfolk.
  • As the invaders try to capture Serafina, they blow up a wall. Serafina “looked up, still dazed, just in time to see a large chunk of the stateroom’s east wall come crashing down. Courtiers screamed as they rushed to get out of the way. Some didn’t make it and were crushed by falling stones. Others were engulfed by flames ignited by lava pouring from broken heating pipes buried inside the wall.” Serafina is able to run away.
  • The invaders use a dragon in their attack. “The dragon bashed her head against the palace wall and another large chunk of it fell in . . . the dragon knocked more of the wall down. The creature pulled her head out of the hole she’d made, and dozens of soldiers, all clad in black, swam inside. The leader pointed toward the throne . . . Arrows came through the water . . . Isabella spotted a dagger next to the corpse of a fallen Janiҫari. She conjured a vortex in the water, and sent the knife hurtling at the invaders’ leader. The dagger hit home, knocking him to the floor.” The Janiҫari “gurgled, drowning in his own blood.”
  • When Serafina and her friend were hiding in a cave, a merman appeared demanding “rent for staying in his cave. He signaled to the morays. They swam to the mermaids and began divesting them of their jewelry. . . One of the eels had dropped the necklace he’d taken from Serafina and had thrust his head down the front of her gown to retrieve it. Sera, lashing her tail furiously, caught another eel with her fins, and sent him spinning into a wall. He hit the stone hard and fell to the cave’s floor, motionless. The other eels were on her immediately, snarling. Tiberius sank his teeth into her tail fin. Sera screamed again, and tried to pull away.” The mermaids are sold to soldiers.
  • Soldiers capture Serafina and her friend. “They shackled Serafina’s wrists with iron cuffs and blindfolded her. They forced an iron gag into her mouth and wrapped a net around her. Then, one of the soldiers slung her over the back of his hippokamp and rode fast. . . The ride was agony. The net’s filament bit into Sera’s skin. The gag, with its bitter taste of metal, made her retch.” When they arrive at their destination, Serafina and her friend are put in prison with another mermaid. “Her face was bruised. She held her manacled hands close to her chest. Blood swirled above them, pulsing from the stump of bone where her left thumb used to be.”
  • While in prison, Serafina and her friends are immobilized with a metal collar that is padlocked to the wall. Serafina sees her friend, who was “chained to another pole only a few feet away. Her eye was swollen and bruised. Her skin was a sickly gray-blue.”
  • A merman frees Serafina and her friends from prison. During the break-out, “the guard’s throat had been cut. He was arching his back, flailing his tail. His eyes, pleading and desperate, found Sera’s. She gasped and backed away.”
  • While Serafina and her friend are hiding out, men appear and try to capture them. A man points a spear gun at Serafina. “Luckily, the duca lunged at the man and grabbed his arm. The gun went off. Trailing a thin nylon line, the spear hit a wall and fell into the water. . . the duca threw a punch at him, but he deflected it, grabbed the duca, and hurled him against a wall. The duca crashed to the floor, motionless.” Two mako sharks are mortally wounded. A merman who was helping Serafina was shot with a spear gun. The speargun hit “with a sickening thunk and exited his body under his collarbone. His attacker yanked on the line attached to the spear, pulling the cruel, barbed head into his flesh.” Later Serafina learns that several were killed during the fight. The scene takes place over five pages.
  • When Serafina enters the mirror realm, Rorrim tries to keep her there. When Serafina tries to leave, “He grabbed her hair and yanked her back. The pain was electric. She screamed and tried to pull away, but he only tightened his grip.” Serafina cuts off her hair and is able to escape.
  • Serafina’s friend, Ling, gets caught in a fishing net. When she is caught, Seraphina sees Ling’s “eyes wild with terror, mouth open in a scream.” Ling’s friends are able to free her.
  • As Serafina and her friends are traveling, they see “on the seabed below, maybe twenty feet off the ship’s port side, were bodies. At least a dozen of them. . . They were dead. Some were lying on their backs, others facedown. Some had the kind of open, gaping wounds that were made by a spear gun. Others had bruises on their faces.”
  • When Serafina sat against a tree, “she was jerked against the tree roots. She heard a snarl and smelled a gut-wrenching stench. She screamed and tried to pull away, but was pulled back.” Serafina’s friend took out her blade. “The blade came down to the right of Sera’s head. An instant later, she was free. . . and a human arm was lying on the ground. She whirled around to see what had attacked her. It was a terragogg. Or what was left of him. He was dead . . .” Someone had used forbidden magic to “reanimate the human dead and make them do their bidding.”
  • Three river witches are in a circle, casting a spell to keep a monster in his cage. “Blood streaked the lips of one, and dripped from the nose of another. Bruises mottled the face of a third. Sera could see that the magic cost them dearly. . .the monster grabbed the witch by her throat. She screamed in pain as its nails dug into her flesh. It jerked her forward, breaking her grip on the incanti at either side of her. The waterfire went out.” Serafina and her friends try to help the witches. “With a warrior’s roar, she (Astrid) swung her sword at the monster, the muscles in her strong arms rippling. The blade came down on one of its outstretched arms and cut off a hand. The monster shrieked in pain and fled into the depths of its prison.” The scene takes place over five pages.

Drugs and Alcohol

  • Serafina’s fiance, Mahdi, is rumored to be a party boy.

Language

  • “Good gods” and “Oh gods” are used as an exclamation several times throughout the book.
  • The villain and his soldiers are often referred to as sea scum.

Supernatural

  • Some mermaids have magic. “Magic depended on so many things—the depth of one’s gift, experience, dedication, the position of the moon, the rhythm of the tides, the proximity of whales. It didn’t settle until one was fully grown.”
  • Magic is used throughout the story. One spell is a vello spell. The mermaid said, “Waters blue, Hear me cast, Rise behind us, Make us fast!”
  • The story has several human ghost that live inside mirrors. “Ghosts lived inside it—vitrina—souls of beautiful, vain humans who’d spent too much time gazing into it. The mirror had captured them. Their bodies had withered and died, but their spirits lived on, trapped behind the glass forever.”
  • A witch uses a mirror to beckon Serafina. When Serafina looks at the mirror, she raised her hand slowly, as if in a trance.” Someone else enters the mirror, and the witch leaves.
  • Serafina and other mermaids can use songspells. “Canta mirus was a demanding type of magic that called for a powerful voice and a great deal of ability. . . Mirus casters could bind light, wind, water, and sound. The best could embellish existing songspells or create new ones.”
  • A mermaid can cast a bloodsong which shows someone else their memories. When a mermaid causes herself to bleed, “the crimson swirled through the water like smoke in the air, then coalesced into images. As it did, Serafina saw the bloodsong—the memories that lived in her teacher’s heart.”
  • Several times throughout the story mermaids use transparensea pearls. “The songspell of invisibility used shadow and light and was notoriously difficult to cast. Spellbinders—highly skilled artisans—knew how to insert the spell into pearls that a mermaid could carry with her and deploy in an instant.”
  • In order to help Serafina and her friend escape, a mermaid uses magic. “She pulled wind down into the water and spiraled giant vortexes one after another, until she’d raised a wall of spinning typhoons. She was no longer a mere mermaid. She was a storm system, a category five. And she was bearing down on the enemy.”
  • In order to escape, Serafina and her friend go through a mirror, where thousands of ghosts live. Many of the ghosts in the mirror realm are lifeless because they, “craved admiration. They become listless without it.” While in the mirror realm, Serafina meets Rorrim, who feeds off of dankling. Rorrim explains, “It’s a little piece of fear. They burrow into backbones. A few of them will infest a nice strong spine, and then as the bones weaken, more come. . . There’s nothing, absolutely nothing as tasty as fear. Doubt is delectable, of course. Insecurities, anxieties—all delicious, but fear? Oh, fear is exquisite!”
  • One mermaid was omnivoxa and could speak and understand any language.
  • A river witch uses a bloodsong to show Atlantis being destroyed. “People ran shrieking through the streets of Elysia, the capital, as the ground trembled and buildings fell around them. Bodies were everywhere. Smoke and ash filled the air. Lava flowed down a flight of stone steps. A child, too small to walk, sat at the bottom of them, screaming in terror, her mother dead beside her.” The story is retold over four pages.
  • The sea witches teach Serafina and her companions magic. One mermaid cast a spell trying to make waterfire. “Whirl around me/Like a gyre, /This I ask you, /Ancient fire. /Hot blue flames, /Throw your heat, /Cause my enemy/To retreat.”
  • One of the mermaids has the power of prophecy and sees visions of the future.
  • Serafina and her companions perform darksong. “Canta malus was said to have been a poisonous gift to the mer from Morsa, in mockery of Neria’s gifts. The invocation of the malus spells could get the caster imprisoned: the clepio spells, used for stealing; a habeo, which took control of another’s mind or body; the nocérus, used to cause harm; and the nex songspell which was used to kill.” A bloodbind is forever and if a mer breaks it, they die. The mermaids perform the bloodbind. The girls cut themselves and share their blood. “As the last notes of the songspell rose, the blood of all five mermaids spiraled together into a crimson helix and wrapped itself around their hands. Like the sea pulling the tide back to itself, their flesh summoned the blood’s return. It came, flowing back through the waters, back through the wounds. The slashed edges of their palms closed and healed.” The spell is described over four pages.
  • A witch tells the mermaids about silverfish who live in the mirror realm. “Tell it where you need to go, and it will take you.”

Spiritual Content

  • A witch, who is helping cast a spell says, “Gods help me!” As the witches are attempting to cast a spell, a witch says, “Come, devil, come. . . you’re near. . . I feel you.”
  • Serafina must face Alitheia. She is told, “The gods themselves made her. Bellogrim, the smith, forged her, and Neria breathed life into her. . . When Merrow was old and close to death, she wanted to make sure only her descendants ruled Miromara. So she asked the goddess of the sea, Neria, and Bellogrim, the god of fire, to forge a creature of bronze.” The creature must taste a meril’s blood to determine if she is a descendant of Merrow.
  • Serafina “prayed to the gods” that her magic would work.
  • The history of mermaids is told. When Atlantis was falling into the ocean, Merrow “saved the Atlanteans by calling them into the water and beseeching Neria to help them. As the dying island sank beneath the waves, the goddess transformed its terrified people and gave them sea magic. They fought her at first, struggling to keep their heads above water, to breathe air, screaming as their legs knit together and their flesh sprouted fins. As the sea pulled them under, they tried to breath water. It was agony. Some could do it. Others could not, and the waves carried their bodies away.”
  • After Serafina is questioned, the villain tells her, “Gods help you if you’ve lied to me.”
  • When Serafina and her friends are freed from prison, Serafina says, “Oh, thank gods!”
  • Serafina was told a story about the sea goddess, Neria, who “fell in love with Cassio, god of the skies. She made a plan to steal away from her palace and meet him on the horizon. Trykel found out and was jealous. He went to Fragor, the storm god, and asked him to fill the sky with clouds so he could hide in them, pretend to be Cassio, and steal a kiss. . .” The story is not completed.

The Darkest Hour

After the battle with the dogs, the dust settles. There is only one casualty—Bluestar, the leader of ThunderClan. Since Fireheart was the deputy, he must now receive his nine lives and new name from StarClan. Everything seems to be flowing smoothly at the beginning of Firestar’s rule. Prey is good; there have been no fights with other Clans, and Tigerstar has been quiet so far, even though he was the reason the dogs attacked. Firestar works with his apprentice and helps the Clan recover, but he is haunted by a new prophecy.

Soon Tigerstar announces that RiverClan and ShadowClan are merging and that they will be forming TigerClan. When TigerClan attacks WindClan, it becomes clear what will happen if ThunderClan and WindClan don’t accept the new order. Is there any way the clans can work together to bring peace to their home?

As Tigerheart tries to unite the other clans, he shows his cruelty. Unlike previous books, The Darkest Hour doesn’t focus on floods, fires, or storms. Instead, the clans fight each other and the intense battle scenes are often described in detail, which will cause an emotional reaction because of the graphic descriptions.  The book transitions smoothly from the clan’s life to the battles; the battle scenes and the epic climax will leave the readers’ hearts pounding.

The final chapter in the Warrior series, The Darkest Hour, will not disappoint! As the six-story arch ends, readers will feel an emotional connection with the clans’ cats and will be surprised by unexpected and shocking events. Young readers love the Warrior series because of the well-developed characters, the descriptions, and the nonstop action. The Warrior series has turned many youngsters into avid readers because the series takes the reader into the lives of wild cats, who soon feel like friends. Warriors fans will forever remember Fireheart, who will leave his paw marks on their hearts.

Sexual Content

  • None

Violence

  • Tigerstar commanded Stonefur to kill two cats, and when Stonefur refuses, Darkstripe attacks him. “The two warriors were a clawing, screeching knot of fur on the floor of the clearing. The rest of the cats scrambled backward to give them space, still keeping the same eerie silence. . .” They fight for two and a half pages. Stonefur eventually dies in the battle.
  • Firestar was in his camp when he heard wailing. Firestar watched as “limping out of the tunnel was a cat that was almost wounded beyond recognition. Blood dripped from a long gash in his flank. His fur was matted with sand and dust, and one eye was closed . . . The newcomer was Mudclaw, barely able to stand from pain and exhaustion.” Mudclaw announced that TigerClan was attacking their camp. When a patrol goes to their camp, Onewhisker “was lying on his side with deep wounds to his throat and shoulder. Barkface, the WindClan medicine cat, was pressing cobwebs to them, but the blood still oozed out sluggishly.” Onewhisker told them that Gorsepaw had been killed. Onewhisker said that Tigerstar “pinned him down in the center of the clearing, with his warriors around him so none of us could get close enough to stop him. He . . . he said he was going to kill him to show the rest of us what we could expect if we refused to join him.”
  • Tigerstar attacked Scourge. As they were fighting, Tigerstar “fell on his side, exposing his belly, and Scourge’s vicious claws sank into his throat. Blood welled out as the smaller cat ripped him down to the tail with a single slash. A desperate scream of fury erupted from Tigerstar, then broke off with a ghastly choking sound. His body convulsed, limbs jerking and tail flailing . . . The dark red blood kept on flowing, spreading across the ground in a ceaseless tide. Tigerstar let out another shriek.” This fight lasted one page.
  • During a major battle with BloodClan, Scourge attacked Firestar. As Scourge attacked Firestar, “Agony exploded in his (Firestar’s) head as the reinforced claws struck down. Flame washed over his eyes, fading to leave nothing but darkness. A soft, black tide was rising to engulf him; he made one final effort to get up, but his paws would not support him, and he fell back into nothingness.” Firestar died, but because he had nine lives from StarClan, he was brought back to life.  After he was brought back he killed Scourge, and the battle was over. The battle is sixteen pages long, and many lives were lost.

Drugs and Alcohol

  • None

Language

  • Firestar’s friend called him a “Stupid furball.”
  • Firestar called a cat a “mouse-brain” because they jumped into a battle and almost fought the wrong side. The phrase mouse-brain is used six times.
  • Blackfoot called some cats “half-Clan crowfood.”
  • Darkstripe called someone “fox-dung.”

Supernatural

  • None

Spiritual Content

  • Cats that die go to StarClan and can come back in dreams.
  • Cats go to the moonstone, “a gleaming rock, which glittered as if it were made from countless dewdrops,” to share dreams with StarClan and gain answers.
  • StarClan shared a prophecy that said, “only fire can save the Clan.”
  • A clan leader can be granted nine lives from StarClan, which means they can die eight times and return to life.
  • Cats are granted their warrior name, “by the powers of StarClan.”
  • Fireheart said that it was the will of StarClan that Bluestar died, and that she made peace with StarClan before she died.
  • Firestar received a prophecy from StarClan saying, “Four will become two. Lion and tiger will meet in battle, and blood will rule the forest.”
  • Ravenpaw said that StarClan made a good choice making Firestar leader.
  • Firestar tried to reach out to Spottedleaf, the dead medicine cat, in a dream. Firestar wanted help making a decision, but Spottedleaf wouldn’t help him, and she told him that it was his decision.
  •  Firestar said that “Tigerstar behaves as if he’s never heard of StarClan.”
  • Sandstorm said, “It’s in the paws of StarClan.”
  • Tallstar swore on StarClan.
  • Bramblepaw started arguing with his father and he said, “then at least I’ll go to StarClan as a loyal ThunderClan cat.”
  • Right before all the cats went into battle, they said, “And may StarClan be with us all.”
  • Cats think the stars represent each member of StarClan, so when one cat saw some stars at dawn, he thought, “a few early warriors of StarClan looked down at him.”
  • After Firestar was killed, he lost one life, met with StarClan, and then he came back to life.
  • A cat said, “Thank StarClan.”
  • Firestar asked his medicine cat if they had received any messages from StarClan.
  • Firestar said that they are in the forest, “by the will of StarClan.”
  • As Whitestorm died, he said, “I go to hunt with StarClan.”
  • After they won the battle, Firestar said, “Thank you, StarClan.” He then received a vision from Spottedleaf.

The Brooklyn Nine

Baseball is in the Schneider family’s blood. Each member of this family, from family founder Felix Schneider in the 1800s to Snider Flint in the present day, has a strong tie to the game and to Brooklyn. The Brooklyn Nine begins in Manhattan, 1845, with Felix Schneider, a boy who has recently moved to America from Germany and ends up meeting the Knickerbockers. Several years later, Felix’s son Louis plays baseball during the civil war. He serves for the Union but befriends a Confederate soldier and they bond over the game. Louis’s son, Arnold Schneider, also has a love for baseball. He meets the famous King Kelly who has fallen on hard times and gone to drinking and fails to live up to the young boy’s expectations. Arnold’s son Walter tries to get Cyclone Joe Williams onto a team by pretending the man is Native American. Frankie Snider, Walter’s daughter, runs a numbers game for a mob and meets the famous reporter John Kieran, who helps her rig it.

Kat Flint, the first character unrelated to the Schneiders, joins the Grand Rapids Chicks in the first All-American Girls Baseball League. Her son Jimmy is more into baseball cards than actual baseball, but faces the threat of Sputnik and the fear of atomic annihilation during the 1950s. His son, Michael Flint, pitches a perfect game. His son, Snider Flint, helps run a pawnshop with lots of baseball memorabilia.

Each of these experiences, from Felix in 1845 to Snider in 2002, are connected by baseball. Gratz creates characters that are vivid and distinct, each with their own unique traits and personalities. The historical information and timeline of characters allow the reader to glimpse baseball and life during each character’s time period. The conflicts that characters face are realistic, and the ways they overcome them show the advantages of hard work instead of magical solutions.

Gratz also includes a large amount of accurate historical information about baseball in the stories. His main characters are fictional, but they interact with are real, historical people. For example, King Kelly was an actual baseball player who spent his fortune on alcohol, and Cyclone Joe Williams was a real African American who played as one of the world’s greatest pitchers, even though he could never play in the major leagues.

The story is broken up into nine innings, and each inning focuses on one generation. Each inning has an entirely new cast of characters and ends in a cliffhanger. Even though the cliffhanger’s questions are eventually answered, the abrupt endings of each chapter may cause some frustration for readers.

The Brooklyn Nine weaves authentic details about baseball into each fictional character’s life story. Gratz clearly illustrates the idea that baseball is more than just a game or a pastime, and the nine stories he tells are an innovative way to get that idea across. The book is relatively easy to read; none of the words or sentences should be too difficult for the author’s recommended audience of 8+. There is a small amount of violence, but nothing is extremely detailed. More than anything, the author includes powerful themes centered around the importance of perseverance and the powerful impacts that different generations can have on each other.

 Sexual Content

  • None

Violence

  • Kids fight each other in the novel. “Walter got in one good blow before the kid and his two friends ganged up on him and beat the stuffing out of him.”
  • During the civil war, the characters hear “the pop of a rifle” before “Stuart’s leg exploded.”
  • Felix remarks that “shootouts sometimes erupted in the streets” of New York.
  • Felix’s uncle “struck” and “cuffed” Felix when he came home after losing a package in the mud.
  • Walter “clawed and fought” when his hat was stolen, “getting himself bloodier in the process.”
  • Henry is punched, leaning to “blood spurt[ing] from the boy’s busted nose.”
  • Eric “punched [Jimmy] in the stomach.”

Drugs and Alcohol

  • King Kelly walks onto stage, “with a glass of beer” in his hand, and proceeds to take “a long draw” off of his drink.
  • King Kelly says he spent his money on strawberries and ice cream, and a heckler yells that “the bartenders got the rest.”
  • King Kelly gets drunk.
  • King Kelly says his “act goes better when [he’s] had a little something to drink.”
  • Blind pigs and speakeasies, illegal bars during the prohibition era, are the setting for Frankie’s chapter.
  • Kat sees girls sitting on gravestones “sipping beer and smoking cigarettes.”
  • Babe Herman “spit a huge glop of tobacco juice.”

Language

  • Rawney Dutchman, bloody devil, plonker, boat-lickers, dork, are all used by characters to insult each other.
  • Hell, damn, and darn are used as exclamations.
  • During a traffic buildup, men “yelled obscenities at each other.”
  • The “Red-Legged Devils” were said to have gotten their name when they fought with “hell’s fury” during Bull Run.

Supernatural

  • None

Spiritual Content

  • Felix compares his neighbor’s apartment to “preachers who stood on street corners throughout Kleindeutschland yelling warnings of damnation and hell.”
  • Temperance preachers throw whiskey into the sea, saying that “alcohol is an abomination, a plague on our cities and our communities and our families.”

by Dylan Chilcoat

Simon Thorn and the Wolf’s Den

Twelve-year-old Simon Thorn’s best friend is a mouse. The kids at school think Simon’s a freak because he talks to animals. Simon doesn’t think life can get worse, until a herd of rats kidnaps his mom. After his mom’s disappearance, Simon learns that he and his family are Animalgams—people who can change into an animal at will.

The children of the Animalgams attend a secret academy hidden within New York’s Central Park Zoo. Simon sneaks into the academy hoping to find clues to his mother’s whereabouts. While at the academy, Simon learns that the Animalgam world is full of ancient rivalries and feuding kingdoms. Commanding the school is a dangerous foe intent on holding supreme power, and she thinks Simon is the key to gaining it. In an instant, Simon’s world has shifted, and he isn’t sure who he can trust. Simon is determined to find his mother, but he may lose his life in the process.

Simon Thorn and the Wolf’s Den jumps into action right from the start. The plot twists and turns as Simon uncovers family secrets, new friends, and evil villains willing to kill for power. Although the plot is complicated, the author circles back to repeat important information, which helps the reader keep track of key details.

Simon is a relatable character because he wants to fit in, but he refuses to bow to bullies. Even when Simon is under intense pressure, he continues to do what is right, including protecting those around him. Because the story is written in the first person, Simon’s thoughts and feelings allow the reader to understand why Simon puts his life in his enemy’s hands.

The villains in the story are capable of hiding their true intentions, but in the end, their actions show the dangers of desiring power. The story also highlights the themes of friendship, forgiveness, and the pain of loss. Simon’s uncle, Darryl, shows what a good parent figure should act like—he gives encouragement, sets rules, and is willing to die for Simon. At the end of the story, readers will understand that even when people have good intentions, the outcome doesn’t always work out as expected.

The story’s advanced sentence structure and often scary violence make the story more appropriate for older elementary readers. Simon Thorn and the Wolf’s Den is a fast-paced story that takes readers into a fantasy world where unlikely Animalgams band together to defeat evil. This entertaining story will surprise and delight readers, while it teaches that “you are the person you choose to be, not the person others think you are.” Readers will be clamoring to read the next book in the series, Simon Thorn and the Viper’s Pit.

 Sexual Content

  • None

Violence

  • When Bryan is bullying Simon, Winter stands up to the bully. The bully “shoved her backward. Winter hit the chair hard, and the crack of elbow against metal echoed through the cafeteria. Simon didn’t stop to think. By the time he realized what he was doing, he had already tackled Bryan to the ground and socked him in the soft spot below the ribs. Bryan cried out, and Simon pulled away, dumbfounded.” During the fight, “Bryan shoved his arm against Simon’s throat. His fist connected with Simon’s abdomen, and Simon curled into a ball.” When Bryan goes after Winter, “Simon roared. His hand shot out, his fingers curled into claws, and he swiped his nails against Bryan’s face. Bright red lines sprouted across Bryan’s cheek, and he faltered, his mouth opened in shock.” The bullying and fighting scene lasts for five pages.
  • While walking through the park, Bryan and his friends see Simon. Bryan shoves Simon, and then “one of the eighth graders caught him and pushed him forward. Back and forth he went, until he was so jarred that he could barely keep his balance. . . Simon made what was possibly the stupidest move in his life: he kneed Bryan in the stomach. Hard. And as Bryan doubled over, Simon pushed him to the ground, grabbed his backpack, and made a run for it.”
  • While at home, rats attack Simon, Darryl, and Isabel. “Rats—hundreds and hundreds—crowded the hallways and poured into the apartment, surrounding the three of them. Their high-pitched squeaks made Simon’s ears ring and he could see their sharp front teeth. . . A particularly eager one tried to climb up Simon’s leg, its tiny nails scratching his skin, and he kicked hard.” Simon’s mother tries to steal a car, but the rats disable the car. The rats begin throwing bricks at the car. “Another hit the window, and another, and another. . . The window shattered. Shards exploded all over him, clinging to his sweatshirt.” As Simon runs, the rats “descended on him with impossible speed, climbing up his clothes, flinging themselves at him, biting him everywhere they could reach. . . One of them crawled up the knife, and though the blade cut its belly, the rat either didn’t notice or didn’t care.” The rats take Isabel. Simon and Darryl get separated. Simon is safe. The rat scene takes place over ten pages.
  • Winter helps Simon escape a guarded building. Winter “kicked an unexpecting guard. Hard. His cry of pain echoed through the lobby. . .” When Simon and Winter get outside, the rats attack. As Simon tries to run, he feels “the rats’ sharp claws scratching his legs as they tried to climb up his jeans again.” A flock of predatory birds appears, and “before Simon could move, talons ripped the rats off his clothing and more vicious screams echoed in his ears as the birds and rats clashed.” The rats scatter.
  • During an Animalgam training exercise, “the mountain lion snapped at the girl, who wore a stony expression and didn’t take her eyes off her opponent. . . At last the cat attacked. Again the girl was ready for him, and she sprang aside a second time. With impossible speed and strength, she flipped the beast over in midair and pinned him to the ground, her knee against his throat. The mountain lion fought back, his massive paws striking her again and again until—The girl disappeared.” The girl wins the match by turning into a spider.
  • During an Animalgam training exercise, Simon tries to sidestep his opponent, “but she grabbed his sweatshirt and twisted him around, and Simon fell hard on his back. All the air left his lungs, and he gasped. . . He buried his knee in her stomach and pressed his arm across her neck, the same way Bryan had pinned him. . . he held her down as she struggled.” When the opponent changes into a spider, Simon is able to capture her in the palm of his hand. When he threatens to squish her, she gives up.
  • When Nolan denies that he is Simon’s brother, Simon dumps chocolate milk on him. Then, Nolan “lurched forward and tackled Simon to the floor, ripping at his shirt and tearing at his hair.” Simon doesn’t fight back, and their uncle breaks up the fight.
  • Brothers, Malcolm and Darryl, fight. “An inhuman snarl cut through the air, and in a flurry of teeth and fur, Malcolm shifted and leaped at Darryl, knocking him to the grass. Darryl roared. In an instant, he also shifted into his wolf form, and Simon jumped back as they collapsed in a heap of limbs and claws. The wolves snarled and ripped at each other’s fur, pawed each other’s snouts, and rolled over and over again as they each fought to gain control.” Even though the brothers fight, they make sure they do not hurt each other. Their mother breaks up the fight.
  • Winter turns into a snake and attacks a man who is trying to keep Simon from leaving. When the man grabs Simon, Winter “shot toward him, sinking her fangs into Perrin’s ankle. Winter must have been venomous, because instantly his grip loosened enough for Simon to shove him away. . . His eyes rolled back into his head, and his knees buckled as he collapsed to the ground.” The man is given anti-venom serum.
  • An Animalgam turns into a black widow and bites the villain. The venom does not kill her.
  • While in wolf form, Darryl is caged and birds attack him. The attack is not described, but Simon finds Darryl. “The hulking wolf lay inside, his sides heaving and his gray fur matted with blood. Scratch marks lined his belly, and the feathers that clung to him made it obvious what had happened. . . As soon as Darryl was free, he shifted back into a human and staggered against the wall.”
  • When Simon and his friends get to his grandfather’s place, they find the security guard “stooped behind the desk. Simone moved closer. A security guard was slumped in his chair, and dark liquid dripped from his neck.”
  • In an epic battle that lasts for two chapters, the villains fight for control over Simon. During the battle, an eagle “flew after Simon, catching up in seconds. His talons scratched Simon’s neck and shoulders, and he shoved the bird away, using all his might to tear a handful of feathers from Orion’s wing. The eagle screamed and disappeared into the trees.” Hundreds of birds attack Darryl, who is trying to help Simon. Darryl is in wolf form, and he “snapped at the birds, fighting to break free, but there were too many of them. They pecked and scratched at his face, his throat, his paws, every part of him they could reach. . . Orion lunged toward the wolf, sinking the razor-sharp points of the Heart of the Predator into Darryl’s chest . . . Darryl had shifted back into a human, and a pool of blood expanded beside his motionless body.” Darryl dies.
  • During the epic battle, Simon turns into an eagle and “lashed out with his talons, slicing across Orion’s face and grazing his one good eye. . . Orion cried out, and at last he let go. Clawing at the air, he stumbled backward off the roof and fell into an empty sky.” Orion is injured but comes back to grab the scepter.
  • Malcolm is able to pin one of Simon’s enemies to the floor. He tells her, “You will leave the city and all our lands, and you will never return. If I ever see you again, I will rip you limb from limb, as slowly and excruciating as possible. By the time I’m finished, you will be begging me to let you die.”

Drugs and Alcohol

  • None

Language

  • Several times someone calls somebody else a “jerk.” For example, when Simon is being bullied, a girl tells the bullies, “Would you jerks shut up and go back to whatever hole you crawled out of?”
  • A bully, Bryan, calls Simon a “freak” and a “psycho.” He also calls Simon a “fart face.”
  • Simon calls Bryan an “ape face.”
  • A girl calls Nolan a “royal halfwit.”
  • Several times someone calls another person an “idiot.”

Supernatural

  • Simon can talk to animals. “Not only could he understand what they were saying, but they could understand everything he said in return.”
  • The story revolves around Animalgams, humans that can change into an animal. This ability is passed down by family. For example, when Darryl changes, his “fingers shifted into claws, his hands into paws, and his nose into a snout. Gray fur spouted all over his body, engulfing his clothing, and as his torso thinned and lengthened, a tail appeared at the base of his spine. In the time it took Simon to blink, his very human uncle had changed into a real, live, snarling wolf.”
  • Animalgams can only turn into one animal, except for the Beast King. The Beast King ruled hundreds of years ago, and “he killed countless Animalgams who refused to bow down to him.” The Beast King was powerful because “he could shift into any animal he wanted. . . You try defeating an enemy who can suddenly grow venomous fangs or dive underwater or fly away. Not to mention he had thousands of followers willing to fight for him.” Nolan and Simon are the Beast King’s heirs, and many believe one of them will eventually be able to shift into any animal.
  • The villain is trying to find all of the pieces of a scepter, because “when all the pieces are in place, the Predator can absorb the power of everyone it kills and transfer it to the person who holds the scepter.”

Spiritual Content

  • None

Genesis

Noah has died again. Now he is determined to live. After an asteroid destroys the Earth, the planet is left in the hands of Fire Lake’s sophomore class.  After being murdered and uploaded into a simulation, the group of 64 students is left to duke it out and hopefully make it through the Guardian’s game. There are no rules, but repeatedly dying has trained Noah. Now, he plans to lead the strong into the future. At any cost.

Min Wilder knows that survival isn’t enough. In a world where violence is king, Min rebels against allowing others to determine who lives and who dies. She will fight for what is right. She will fight against anyone who stands in her way.

The second book of Project Nemesis follows the same group of kids, alternating perspectives between Min, Tack, and Noah. The kids are told by the Guardian, the one in charge of the computer program, that they must fight each other to make it through the program and eventually return to real life. He claims that the simulation will only allow the strongest and smartest to return to the real world. This spurs the kids to form groups and turn on one another as their existence becomes a fight for survival.

Min, Tack, and Noah all take separate journeys and handle the violence and new reality differently. Min refuses to bow to the moral pits that the violence keeps tugging the students into. Tack completely gives himself over to the violence, willing to do anything to make it out alive. And Noah believes completely in the program’s rules, until Min reminds him of his humanity. All three teenagers’ journeys spotlight different ways of handling grief, trauma, and catastrophe. The students’ struggle with whom to trust and what to believe is both interesting and thought-provoking.

In order to fully understand Genesis, readers need to read Nemesis first. Reichs does an excellent job of incorporating past events from Nemesis into the story; the short reminders help the reader stay engaged. However, what makes the reader keep turning the pages are the intriguing situations the students face—the story has non-stop action and startling surprises.

Genesis is extremely violent and has an outrageous storyline. While it takes some faith from readers, this story does an excellent job navigating this unique plot. Genesis will keep the readers guessing until the very end. Readers who enjoy suspense and adventure will enjoy the plot twists and action sequences. Readers who are fans of Maze Runner will want to pick up the Project Nemesis series.

Sexual Content

  • Tack says Noah is “too busy roasting people like marshmallows, or making out with his hunting knife” to look for him and Min.
  • Toby volunteers to take Min back to the jail in town. Min says, “Screw you, Toby.” He replies, “You offering?” As they start back into town, he “put a hand to the small of my (Min’s) back. He left it there for a few paces, then ran his fingers up and over my bra strap.”
  • Min announces that she’s willing to sacrifice herself so the group can make it to Phase Three. Noah is filled with emotion and insists that she’s their leader. Noah then kisses Min “in front of the others. His touch was electric, and soft, and sad.” Noah insists that he should be the one to sacrifice himself. Min says, “‘Don’t leave me, okay? I forgive you. I . . . I love you.’ I kissed him then, hard on the mouth.”
  • Right before Noah and Min get in their tubes to be regenerated, they share a kiss. “Then Noah’s lips found mine and I wrapped my arms around him, squeezing, losing myself in his warmth. . . I grabbed him again and mashed his face with another kiss.”

Violence

  • A group of kids is ambushed as they are sneaking through the woods. Their rivals who ambushed them start shooting. “Zach dropped like a puppet with its strings cut, a dark stain spreading. . .Morgan’s body jerked . . .Then she slumped onto her butt, blubbering, glossy liquid spilling from her mouth.” Later in the scene, the rest of the group gets away and sets fire to a cabin with the rivals inside. The people inside screamed and were locked inside as the cabin burned down. The people are not described as they are dying.
  • Chris and Mike kill Min by locking her in an elevator and blowing up the cables. “The wall exploded, shards of metal lacerating my arms and legs. Flames licked my skin. . . My legs smashed up into my body. The roof slammed down on top of me.”
  • While on their way to the Silo, Min and Tack run into Neb who is staying at a summer camp with four others. While talking, “Neb spun sideways. . . gasping in confusion as a red bloom spread across his chest.” Two kids are attacking the camp, and one shoots Min and Tack with an assault rifle. It is not depicted in any detail.
  • Min is ambushed. When the three assailants try to capture her, one “caught a fist in his teeth for his trouble.” They put a bag over her head and tie her up.
  • Devin drops some food, and Ethan overreacts. “. . . he raised his gun and shot Devin in the stomach.” Devin doesn’t die immediately, so Ethan shoots him again. This is all done with the understanding that he will revive at one of the reset points.
  • Zach, part of the team trying to ransack a store, gets shot in an ambush. “. . . a line of bullets ripped into his jacket.” Then Noah shoots the sniper who killed Zach. The sniper “toppled forward and fell to the sidewalk with a sickening crunch. . . leaving a wide smear on the icy concrete.”
  • The convenience store is blown up. A couple of kids standing in front of the store were shot and killed. One of them “had been tossed face-first into the gutter and was smoldering with tiny flames. The victim, a girl, lay unnaturally, her neck twisted too far around.”
  • In order to give Min an extra life, Tack tricks her into shooting him and causing him to reset. It is not described in any detail.
  • Noah and another kid use machine guns to shoot a group of kids following them. No details are given.
  • In order to escape the jail and show up at the reset points, Akio and a couple of other kids used a fork to kill themselves. “The most horrifying jailbreak in history—a human murder chain. . . Ran myself into a wall.”
  • Noah and Tack get in a fistfight. Noah’s “left fist flew, striking Tack across the face. . . Punching. Kicking. Clawing. . .” The fight lasts two pages.
  • Tack, Noah, and their team try to ambush Ethan’s group but instead get ambushed themselves. “The barrel hit him chest-high and broke open, covering him in flaming liquid. Richie screamed. . . he collapsed in seconds. . . A tongue of red enveloped Jamie. She made a sickly screaming sound, a red stream leaking from her mouth.” Tack and Noah throw grenades, and “Toby’s left leg was missing. . . Toby put his gun in his mouth and calmly pulled the trigger.”Noah gets ambushed. “The first shot took me in the shin. The second struck my side.”
  • Min must shoot Noah four times to even her life count. Noah “was lying on the ground in a puddle of warm, slick blood. . . I was down again. The drop cloth was soaked through with dark red liquid. . . I closed my eyes as she thrust the gun barrel against my forehead. . . Bang. Bang. Bang.”
  • Ethan’s group and Min’s group attack each other. Over twenty kids are involved in the fighting. “Then Kyle stood over his body, unloading on Chris every time he tried to get up. . . Dropping his gun, he unsheathed a KA-BAR knife from his belt and stabbed Leighton in the chest. . . Before he could fire, Ethan tried to tackle him, but Toby sidestepped in a blink and tripped him, then shot Ethan five times in the back.” The fighting lasts six pages.
  • Tack sacrifices himself to get the group to Phase Three of the program. “Tack put the gun to his head and pulled the trigger.”

Drugs and Alcohol

  • At the beginning of the simulation, Sarah “destroyed the liquor store the first week. I let Cash and Finn get drunk and smash everything.”

Language

  • “Jesus” and “God” are used as exclamations.
  • Profanity is used extensively. Profanity includes: “jackass, “ass,” “fucking,” “fuck,” “hell,” “damn,” “crap,” “freaking,” “assholes,” “pissed,” “bastards,” “shit,” “bullshit,” “bitch,” “bitchin’,” “goddamn,” “douchebag,” and “prick.”
  • Derrick says, “Sarah’s lost her damn mind.”Casey
  • is upset when Noah acts like only the boys are good at fighting. “‘Since when did sex matter?’ Casey shouted. . . ‘Don’t count up penises and assume you know the score.’”
  • Ferris walked across the valley to get to Noah’s house. He says that the lake was, “colder than Santa’s balls with that wind.”
  • Noah asks Tack to eliminate him. “No way, Noah. . . Fuck you, Noah! You want to play Jesus, do it your goddamn self.”

Supernatural

  • In the program, the kids figure out that as they kill each other, they gain strength and powers from the confirmed kill.

Spiritual Content

  • While traveling across the valley to try and unite the groups of kids against Ethan, Tack jokes, “So we’re not seeking converts along the way? . . . This is the worst mission trip ever.”
  • Min is worried she will be captured or killed by those after her. “Pray to God Noah isn’t sitting there waiting for me. Pray to God? Or the Guardian?”
  • Min says a small prayer because she believes that Sarah cannot manipulate the program.
  • Min is nervous when she learns that Sarah actually has the power to manipulate the program on her own. “Sarah was playing God, and there was nothing anyone could do about it.”
  • Sarah discovers how to change the program. Derrick says, “Sarah acting like the voice of God.”
  • To even people’s numbers, Hector needs to shoot someone. He refuses, saying, “My religion forbids it.”

by Hannah Neeley

 

 

Daughters of Steel

Halan was a powerless princess. Now, she’s the queen of the Magi Kingdom, a blazing desert land where magic rules. Without any power, Halan wonders if she can be the queen her people need.

Nalah was a poor girl, from a kingdom that feared magic. Now she’s the Queen’s Sword, standing beside Halan at the helm of the kingdom. The more Nalah’s uncontrolled powers grow, the more dangerous they become. Will Nalah’s fear of her magic’s power cause her to hurt the people she cares about?

Nalah goes on a quest to discover how to control her powers. While she is gone, a friend from her world travels through the Transcendent Mirror asking for help. Halan decides to go through the mirror and help the Thaumas of New Hadar. As a dark threat draws closer, can Nalah and Halan reunite to save both worlds?

The second installment of the Sisters of Glass series continues the saga of Nalah and Halan; both girls need to learn valuable truths that will help them become leaders. Halan wants to be a good queen—one that will “stand up for people, do the hard things when it needs to be done, even if it means putting her own life on the line.” When Halan travels to New Hadar, she highlights the importance of caring for others, no matter their station in life. At one point, she tells her friend Marcus (a market boy), that “Your life and your brother’s and the lives of every single soul being held by the Hokmet are just as valuable as mine. If I were to put my safety above that of others, then I would be a very poor leader indeed.”

Nalah takes her own journey, where she must face several challenges. Throughout her journey, she learns that everything must have balance and that she has to prove her own worth to herself. Even though Nalah learns important lessons during her travels, even younger readers may have a hard time believing some of the unrealistic events. For example, even though no one has ever returned from a journey into the desert, Nalan is able to cross the desert in two days, albeit she gets injured. Nalah is also able to perform advanced magic, with no new instruction; she even successfully performs a healing magic spell that her mother could not control.

Through the sisters’ experiences, readers will explore the qualities of a good leader, as well as think about the nature of good and evil. At one point, Halan thinks about those who care for their own safety and questions, “Or was witnessing evil and doing nothing about it just as bad as doing it yourself?”

 Daughters of Steel has a complicated plot, graphic violence, and a ritual that requires collecting people’s blood. The story jumps back and forth between Nalah’s point of view and Halan’s point of view, which makes the story confusing at times. Although Sisters of Steel gives readers thought-provoking questions to consider, readers who are only interested in reading about sisters in a magical world may want to read The Unicorn Quest, which has less violence.

Sexual Content

  • None

Violence

  • When a beam falls on a man, Nalah uses magic to try to help him. Nalah felt “for the splinters in the wood’s core, she concentrated on them and willed them to open like a wound. The beam split apart under her hands. . . The man trapped underneath let out a pained gasp as the beam was dragged off his lower torso. Blood was flowing freely from the legs of his trousers, where a jagged spur of bone was poking through his skin.”
  • Nalah accidently sets the building on fire. Workers begin throwing water on the fire, but it doesn’t help. “The workers backed up as fast as they could as the whole structure started to topple. It crashed to the ground in a shower of sparks, and there was a scream as part of it flew off and caught a young woman square in the chest. She dropped and rolled, and people ran to help her.
  • When Marcus jumps through the Transcendent Mirror, a soldier follows him. The soldier “lunged, swinging his heavy stick, and Halan had to push Marcus aside as she dived out of the way. Marcus toppled to the ground, quickly scooting away until his back rammed up against a bookshelf. . .” Halan throws a bottle of sleepsand at the soldier, and “he recoiled, staggering, and then crashing to the floor. Halan felt some satisfaction seeing that he landed face down in his own spittle.”
  • When Soren and Nalah begin a journey, a group of people surround them. Someone grabs Soren, and he “was on his knees, his arms twisted behind his back by one of the men, a knife held to his throat by another.” Nalah wonders, “Could she take on twelve armed adults—some possibly wielding Thauma weapons?” Nalah doesn’t fight, but gives herself up. A man makes her put on gloves that will not allow Thauma magic to “transmute skin.”
  • A group of people captures Soren and Nalah, and as the two are being transported a man hits Soren. “The man punched him hard in the stomach and he doubled over, gasping for breath as he was pulled through another door, which slammed with a clang.” Nalah is taken to another room somewhere. “Nalah had not given up, but she was helpless to stop them from dragging her over to a wide wooden table in the center of the workshop. They thrust her against it hard enough that it pushed all the air from her lungs. . . one of the women had leaned over and seized her wrist, pulling it across a table to rest palm up across a shallow metal bowl. The woman snapped a shackle over her arm and another over her other wrist, so that she was pinned down, the edge of the table digging into her stomach.” The capture of Soren and Nalah takes place over ten pages.
  • In order to escape an enforcer, “Marcus lobbed an old kettle across the room, striking the Enforcer on the shoulder. The man tripped over a box and landed on his back on the floor, cursing with words she’d [Halan had] never heard before. . .” Halan and Marcus go through a trap door. Then “the Enforcer burst out from the trapdoor, and by the time he saw the pole coming toward him it was too late. Powered by panic, the blow hit home, and the man dropped like a stone and sprawled there, unconscious.”
  • Trying to get Marcus and Halan to come out of a house, Enforcers throw a smoke bomb into the house. “the smoke tasted foul and bitter, and it snaked into her lungs and began to choke her.” They are able to escape.
  • Nalah is captured and tied up, and her wrist is cut so that her blood will flow into a bowl. She feels pain, “and then there was numbness, and then there was pain again. Nalah’s arm throbbed and her vision swam. Her knees gave out, but the manacles held her in place, still stretched over the table. Her shoulders and her calves ached from the strain.” Nalah tried to focus on other things, but “the stinging agony of the cut on her wrist always brought her back.
  • After some of Nalah’s blood is drained, two men come into the room. One man “was dragging Soren behind him. His hands and legs were bound, and there was a bloom of purple across one side of his face where he’d been struck, but at least he had the right number of eyes.”
  • In order to escape, Soren “grabbed the metal ruler from the bench and held it out in front of him, twirling it in his fingers like a scimitar. . . The man lunged at Soren, clashing his sword so hard against Soren’s ruler that sparks flew from the impact. . . With a flourish of her arm, Nalah sent the glowing chain whipping across the attacker’s back. His clothing sizzled at its touch, and the man cried out in pain. Nalah pulled the chain back in and whipped it again, driving the man into the corner of the room like a lion tamer.” Nalah and Soren get out of the room, but encounter more people. “The nobles rushed at them. Soren parried one blow and got a hard swipe across the shoulders of one of the women, drawing blood. But then he had to duck and roll under the table to avoid the swords of the other three nobles. Nalah spotted a box full of threads and ran over to scoop them up in her hands. Twisting some of the threads around her fingers, she concentrated on imbuing them with magical energy and speed. When the woman vaulted over a table to swing her sword at Soren, Nalah flung out her hands toward her. The threads shot out like arrows, winding around the woman’s wrist and waist, binding her. . . One of the nobles had got under his guard and stuck a short knife right into his belly. Soren choked and doubled up, the ruler dropping from his hand with a clang.” The capture, blood gathering, and escape takes place over two chapters.
  • As part of a test, Nalah must face a wolf. “The flickering light picked out the hundreds of tiny blades that formed its coat, two serrated metal ears, and a jaw that disguised rows of metal teeth. . . Nalah yelped and dived aside as it punted, snapping at the air where her throat had been. . . The creature’s snarling head twisted in midair, and its teeth closed on Nalah’s leg. She screamed. The pain spiked up through her body as the wolf’s fangs sank into her flesh. Half blind with agony, Nalah threw back her head and channeled her breath into a burst of heat that struck the wolf right in the mouth. It yelped and let her go, recoiling, pawing at its face.”
  • Enforcers try to capture Nalah and Marcus. Marcus “struck, stabbing the tip of the knife into the soft exposed flesh where the Enforcer’s show met the bottom of his still trouser.” Marcus uses a magic knife, so the Enforcer cannot speak and call for help. Later, they find other Enforcers, and “Marcus lunged wildly at one of the Enforcers with his knife and then tried to bolt around them, but the other one was too quick and gave him a stunning blow across the back of the neck with his truncheon. He sprawled on the floor and the knife skittered out of his hand. . .” Marcus is captured.
  • A man grabs someone with a glove “made of deep green iridescent fabric, like a beetle’s shell. As soon as he touched the bare skin, the man’s hand spasmed and turned ashen gray, the flesh seeming to sag and shrink away. . . the hand, which continued to wither with each passing second.”
  • Tam grabs Halan and “seized her wrist, twisting it up behind her back. She gasped as he pressed his knife to her chest. . . The pain was worse than what Halan had been prepared for. She let out a sobbing yell as Tam dragged his knife across her arm, holding it out over the crystal bowl. Blood cascaded down the blade and dripped into the black pool in long, viscous strings.” Tam attempts to kill Halan, but before he does Tam is killed when “his back hit the altar with a sickening crunch, and he wheeled away and struck the wall that was peppered with the shards of his crystal bowl. Tam hung there for a second and then slid down the wall and lay still.”
  • A man throws sand into the air. “Most of the soldiers managed to duck and shield their faces, but a few were too slow as the sand melted and twisted into tiny shards of glass and flew at them. Two men fell to the ground, gasping and clutching at their faces, blood beginning to seep from a thousand tiny wounds.” The man “reached out to grasp the branch of a nearby tree. Suddenly, all the trees in the garden began to whip their branches around wildly. Two of the soldiers were knocked on their backs, and three more standing too close let out choking screams as the branches wrapped around them, hugging them tight to the trunks of the trees.”
  • A man grabs Halan’s ankle with a glove. “Something seized Halan’s ankle, feeling like a hundred biting insects were all stinging her skin at once. She screamed and tried to pull away, but the grip tightened. Halan’s vision swam and she reeled, losing her balance and hitting the ground hard. She held up a hand and watched as her skin turned gray and began to wither before her eyes.”

Drugs and Alcohol

  • None

Language

  • In New Hader, several people refer to those who can do magic as “Thauma scum.”
  • “God” is used as an exclamation once. Someone says, “God, I was so worried. . .”
  • A man tells Nalah, “You’re too young, too stupid to have these powers, you see? They should never have come to you—they’re wasted on you. You’re not even from this world! You’re a street rat, a guttersnipe. . .”
  • Several times, someone calls a person an “idiot.”
  • When Marcus encounters a dark figure, he asks, “What the hell do you think you’re doing?”

Supernatural

  • Thaumas have magical powers that allow them to make things with one element—glass, metal, tapestry, wood, etc.
  • In the story, each world has a tawam, which is another version of themselves. When Halan goes to the other world she recognizes Ester. “This girl was New Hadar’s version of Ester—her tawam! Not everybody from the two worlds had a tawam—Ester’s ancestors must have survived the quakes, met and had children, and their children met the same people and had children, and on down the generations, for hundreds of years.”
  • Halan and Nalah have the ability to “communicate through their thoughts, a benefit of their special bond. They’d quickly gotten used to using it, sending each other messages even when they were in the same room.”
  • When Halan finds an orb and looks into it, she sees a vision. Halan wonders, “Is this another vision of the future?”
  • When Nalah looks into an orb, she sees a vision. During the vision, “the eye focused on Nalah, and she felt as if in one glance it had seen her whole life, every moment she’d lived and every moment still to come. You are lost, Child of the Clan, said a deafening voice that seemed to come from the mountains themselves. Take the journey and be found.” Because of the vision, Nalah takes a journey to a shrine.
  • Nalah is given an Aqua Needle. “Nalah was fascinated when she first saw the hollow wooden stake, its end sharpened to a point. Apparently all you needed to do was follow its magnetic pull to a point in the desert and push it into the sand. Within moments, water hidden within the earth would begin flowing from its mouth.”
  • The Transcendent Mirror allows people to travel to the different worlds.
  • A man uses Nalah’s blood to make a blood cloak. An ancient text said, “that the blood of one of these Thaumas, when joined with certain other materials, can make a substance so powerful, it becomes like an extension of the Thauma themselves. It draws power from the Thauma and imbues that power into whoever is wearing it—Fifth Clan or not.”
  • When Nalah is in shackles, Soren puts a silver coin into her mouth. Nalah uses her magic to turn the coin into a key, which allows her to remove the shackles.
  • Halan finds a hold-all bag, which looks normal but holds as many items as one can put into the bag.
  • Nalah is told she must go to a shrine and “find you what the Seer has to tell you. Your destiny be the destiny of all of us, Starchild, and it must not be delayed. Read I this in the stars. . .”
  • Nalah must use her magic to pass a series of tests. When she gets to the shrine, the walls begin to burn, and Nalah must ignore them to focus on opening a box to get a key.
  • Halan is given a magic knife that “will render anyone it cuts unable to speak for at least an hour.” Halan’s traveling companion, Marcus, is given a staff that “strikes with twice the force you put into it and will bear almost any weight without bending.”
  • Tam performs a ceremony. Halan sees him “standing at an altar, his eyes closed and his mouth moving constantly as he muttered incantations. Placed on the altar was a large crystal bowl filled with a liquid so dark it was almost black, and giving off an eerie ghost light that hurt Halan’s eyes to look at. . .” Unconscious prisoners surround the altar, and their wrists had been cut. Tam “dipped the other hand into the bowl and began to write in the air, symbols that seemed to burn on the backs of Halan’s eyelids when she blinked, written with the blood of the innocent Thauma.” Tam is attempting to draw power through using the Thauma’s blood. The ritual is described over two pages.
  • When Tam performs a ritual, New Hadar begins to tear. The ritual is going to cause the end of New Hadar. Halan and Nalah are able to stop the ritual, which creates a permanent portal between the worlds.

Spiritual Content

  • Halan enters a secret meeting. “Thank you, Halan thought, sending out a message to the spirit of Nalah’s father. It looks like your luck even works for me.”
  • Halan meets a prophet, Cyrus, who has been dead for hundreds of years. Cyrus tells her, “I am not alive, Nalah. . . Not quite—not the way you would understand it. I exist here. I have existed here since before I was born, and I will exist here for a long time after you are dead. In my short time as a mortal being, I was a Fifth Clan Thauma named Cyrus, also called the Prophet, the Blind Seer. I was blind, then, although it might be more true to say my eyes were simply . . . elsewhere.” Cyrus tells Nalah, “Since you picked up my prophecy orb, I have not left your side.”
  • Halan prays for a miracle.

Lady Knight

The Chamber of the Ordeal has given Kel a task that could win the war and save countless lives. Kill the Nothing Man, who entraps the souls of children to fuel metal killing machines. But the Chamber is unable to give her any details, leaving her wondering how she can find the Nothing Man. Is there a way to fulfill her mission without breaking her oaths and abandoning her duty? Or will Kel have to sacrifice everything—including her life?

Unfortunately, Kel quickly finds herself trapped in Tortall when Lord Wyldon assigns her to run a refugee camp. Refugees are pouring in due to the war, and Kel worries they may be a target as the Nothing Man needs children to use for his machines. Kel cannot abandon the refugees, so she sets aside the Ordeal’s mission and works to make New Haven the best fort it can be. With constant attacks by Scanran forces, things are never quiet for long. And soon, an unimaginable tragedy will set Kel on a course that will end up with her going head to head against the Nothing Man, his magic, and his army.

Many readers will relate to Kel because she faces her troubles with determination, understanding that her actions have consequences. Kel’s journey was not easy. Throughout her journey, she shows physical and mental strength, but also the strength of conviction. Kel understands the importance of duty and is willing to go to any length to protect others.

Knight is a roller coaster from beginning to end. The story has a slightly darker tone than the previous books because it focuses on war and describes war’s causalities. Kel has become the knight she always wanted to be. She is kind, and brave, and noble—a great example for girls and boys everywhere. The plot will keep readers engaged, as will the wide cast of new characters. From Scanrans to refugees, Tamora Pierce once again has managed to create a wide cast of diverse characters that are as well-developed as they are lovable. The only disappointing thing about Knight is that it is the last book in Kel’s wonderful story.

Sexual Content

  • Kel thinks about how, “She and Cleon had kissed, had yearned for time and privacy in which to become lovers. He’d wanted to marry her, though she was not sure that she wanted marriage.”
  • A man is shocked that a woman is in charge. He calls Kel, “’a shameless girl, a chit who’s no better than she ought to be!’ The insult to Kel, the claim that she was nearly a prostitute, brought the soldiers growling to their feet.”

Violence

  • Kel’s fort is attacked several times. “Three raiders still galloped toward the eastern wall. One of them went down, an arrow in his throat. . . . Numair’s spell had done its work: flames rose from the ground at the enemy’s rear. There was no sign of either shaman in that large blaze. He’d burned them out of existence.”
  • Killing devices attack the fort. “A man went down, gutted by a dagger-hand. A soldier flew off the walkway to the ground twenty feet below . . . One refugee wasn’t quick enough; the device cut him lengthwise from behind as he turned to flee.”
  • When her men don’t want to bury the dead after a battle, she says, “Then, sir, you shall plow the section where the bodies are, two days hence . . . The feel of a plow as it hits rotting flesh and bone must be . . . interesting.”
  • Two men fight over a woman. “Two young men, both larger than Kel, punched, kicked, and rolled on the ground, trying to rip one another apart.”
  • Kel goes to Haven after reports of a battle. She finds, “a few dead sword- or axe-cut animals . . . All had bloody muzzles and, in the case of the cats, bloody claws . . . [there] was a maroon-and-brown pile. There Oluf’s cold, dead face, his eyes wide, seemed to stare right at her. He lay on a stack of dead men, all in army maroon.”
  • Kel finds several dead bodies as she tracks a group of kidnapped refugees. “Though animals had fed on the dead woman, the Stormwings hadn’t touched her. The earth had protected her face. Gently Kel brushed the mud away. Through the dirt, bloat, and darkening of dead flesh, Kel recognized Hildurra.” Later, “A woman lay crumpled at the roadside. Kel thought her skirts were dull maroon until she saw that they were stained with blood.”
  • At a castle, “corpses hung from the walls in iron cages. Some of the bodies were beginning to fall apart. At least two looked fairly recent.”
  • Kel and her troops storm a castle. The fight takes place over a chapter. “The door opened and a man stuck his head out. Kel cut him down. Another man stumbled across his body to die at Connac’s hand. Inside, Kel heard men hammering at the blocked doors and shutters. Here came another soldier, half armed over a nightshirt. Kel rammed her glaive into his unprotected side while Connac chopped at the man’s neck.”
  • When Stenmun attacks her, Kel “hooked her leg around one of his, and jerked, a leg sweep from her studies in hand-to-hand-combat . . . He went down on his back . . . Kel didn’t wait for an invitation. She brought the iron-shod butt of the glaive down with all her strength, striking him right between the eyes, breaking through his skull. That probably finished him, but to be sure, she cut his throat.”
  • Kel finds Blayce. “She caught Blayce at the knees, cutting the muscles behind them. He dropped, turning visible to her unaided eyes, his control over his invisibility spell gone. Kel seized her glaive two-handed and yanked the blade toward her, neatly beheading the Gallan.”

Drugs and Alcohol

  • Tobe thinks Kel was drunk when she bought him. “I don’t care if you was drunk or mad or takin’ poppy or rainbow dream or laugh powder, you bought my bond and signed your name and paid money for me and you can’t return me.”
  • When offered wine or cider, Kel chooses cider. She thinks about how, “recently she had found that wine or liquor gave her ferocious, nauseous headaches. She was happy to give up spirits; she hadn’t liked the loose, careless feeling they gave her.”
  • A woman had been “smuggling poppy” to the children that Blayce chose to kill.

Language

  • Phrases such as Goddess bless and By the gods are used frequently as a part of Tortallian culture.
  • An angry cook calls a dog, “you thankless rat turd.”
  • An innkeeper calls an orphan a “whore’s brat.”

Supernatural

  • Kel lives in Tortall, a world filled with monsters and magic. The monsters include griffins, centaurs, and more. Some are good, some are not. Kel even has a basilisk for a teacher.
  • Several people at court are mages. They have the Gift, which can be used for light, to heal, and more. For example, “Daine, known as the Wildmage, shared a magical bond with animals . . . For three years her eagles, hawks, owls, pigeons, and geese had carried tidings south while the land slept.”
  • Neal puts a spell on an abusive man. Neal says the spell won’t hurt the man, “as long as you don’t hit anyone. When you do, well, you’ll feel the blow as if you struck yourself.”
  • A little girl, “is a seer . . . She prophesied that you would come and save us from the Gallan.”

Spiritual Content

  • Tortall has many gods. They are named differently but are similar to the Greek gods. For example, Mithros is the god of the sun, and there is a god of death. The gods are mentioned often in the Tortallian culture but are not an integral part of the plot.
  • An evil mage captures the spirits of dead children and uses them to fuel killing machines, metal monsters with knife fingers.
  • At one point, Neal asks why the gods don’t stop the killing machines. “All the legends say they loathe necromancy. It interferes with the balance between the mortal realm and that of the dead.”
  • When stopping at an old battleground, Kel “added a soft Yamani prayer . . . It seemed to work with most ghosts. She’d never seen any in the Yamani Islands.”

The Raft

Robie feels lucky living on the small island of Midway which sits in the middle of the Pacific Ocean. But sometimes being the only kid on the island makes her feel like she’s going crazy. To keep Robie sane, she goes to visit her aunt in Hawaii. After her aunt suddenly has to leave the island for work, Robie decides to catch a cargo flight home. When the plane hits a nasty storm, Robie thinks everything will be alright. Robie is wrong.

Suddenly, Robie is submerged in water. She’s fighting for her life. Then Max, the only other survivor, pulls her onto a raft, and that’s when the real terror begins. They have no water. Their only food is a bag of skittles. There are sharks. They have no idea if help is on the way. How long can they survive in the middle of the ocean?

The Raft is a sensational survival story that has several twists that will surprise readers. The story is told from Robie’s point of view, which allows her fears to jump to the surface. When Robie is on the raft, she finds a “Survival at Sea” card that adds irony to the story, as well as helps Robie stay alive. Robie clearly loves nature but also fears nature’s violence. Through Robie’s experiences, the story highlights the dangers humans pose to wildlife by throwing trash into the sea; this aspect of the story will encourage readers to make small changes that can dramatically help ocean creatures survive.

The story doesn’t only focus on survival at sea. Max is dealing with overcoming a tragedy. As his story unfolds, Max retells his story of love and loss. Readers will be pulled into his story and will cry at his loss. Max’s story adds suspense and a unique aspect to the story.

The story has short chapters, and some of the paragraphs are only one sentence; this makes the story easy to read as well as increases the story’s suspense. Robie makes several references to The Hunger Games which adds an interesting element to the story. The Raft is a fast-paced story that pulls the reader in from the very first chapter. Fans of survival stories will absolutely enjoy The Raft. For those who want to dip their toes into other ocean survival stories, add Adrift by Paul Griffin and Surrounded by Sharks by Michael Northrop to your reading list.

Sexual Content

  • None

Violence

  • While walking home, a man thinks Robie is someone he knows. The man attacks Robie. Unexpectedly, “a hand grabbed a chunk of my cornrows and yanked. My food went flying as I whipped around. . . He grabbed my cornrows tighter, forcing my head down so I could only look at the ground . . .” Some men begin yelling at the man, and he lets Robie go.
  • A shark attacks a seal, which is able to escape to the beach. To stop the seal’s suffering, Robie grabbed a board, and “just as I was ready to bring the board down, her head fell my way, both of her eyes looking up at mine. There was no surprised in her gaze. Like she expected me to be there. To help her. . . Then I cried out as I brought the board down as hard as I could.”
  • Max’s journal details how his girlfriend, Brandy, died in a car crash. His truck rolled over, and Max found her body. “Brandy lay where she’d been thrown through the windshield as soon as we’d rolled, just off the road. . . Oh God. Her neck was at an impossible angle, and I held her hand to my chest.”

Drugs and Alcohol

  • None

Language

  • Crap and holy crap are used occasionally.
  • Frickin’ is used five times. For example, when Robie was on an airplane, she “tried not to think about the dark and the water underneath us. Nothing by dark and all that frickin’ water.”
  • Hell is used several times. When a man sees Robie on a deserted island, he asks, “What the hell is she doing out here?”
  • Oh my God and Oh God are used as exclamations six times.
  • Pissed is used four times. Robie is upset when she drops a partial bag of Skittles, she “blubbered, as part of me cursed the carelessness that had just lost us all the food we had, and another part was just pissed that I hadn’t eaten them all when I had the chance.”

Supernatural

  • None

Spiritual Content

  • When Robie is on a plane, an engine stops. She prayed, “God, please please let everything be okay. Please don’t let us crash and please just let me get to Midway. And please let them (the pilots) be calm when I look up there.”
  • The plane crashes, and Robie is pushed out into the ocean. When she is underwater, she prays, “God, please kill me already. This is more than I can take.” As she is still submerged, she prays, “God, please, let me reach the light. I want to live.”
  • Robie found a “Survival at Sea” card in the raft. As she was reading it, the card explained how to escape a fire caused by a plane’s oil slick. Robie thought, “Thank God for small favors. My plane crashed, but at least there wasn’t a fiery oil slick to deal with.”
  • When Robie hears a plane’s engine, Robie “said a silent prayer” hoping that it would find her.
  • When Robie finds a tube of Carmex, she “cradled it to my chest for a moment, thanking Max, thanking God, thanking whoever put that ditty bag on the beach.”
  • When Robie is worried that she is going to die, she says a prayer. Then she thinks, “When I was little, I did say my prayers every night. But when it was just me, and I was older, without Mom and Dad putting me to bed, I stopped. Midway didn’t even have a church. We did have a white cross though, on an edge of the island, overlooking the lagoon. . . Every Easter, the residents of Midway did gather at the cross at sunrise. Sometimes someone read from the Bible or said a few words. Usually we sang a hymn. This year I had slept in.. . I could bargain with God. Isn’t that what people did in these situations?” Robie decides she is too tired to plead her case, and God could make his own decision on what happens to her.
  • When Robie is rescued and calls her mom, her mom says, “thank God.”

Aru Shah and the Song of Death

Aru and Mini are just beginning Pandava training. But then someone steals the god of love’s bow and arrow, and the thief isn’t playing Cupid. Instead, the shape-shifting thief is turning men into heartless, fighting zombies. The Otherworld is in a panic, and they think Aru is the thief. The gods have decided that Aru must find the weapon within ten days, or both she and Mini will be kicked out of the Otherworld—forever!

Aru won’t be alone on her quest. Along with her Pandava sister, Mini, Aru unwillingly teams up with super-strong Brynne and Aiden, the boy who lives across the street. But Brynne and Aiden are keeping secrets, and Aru isn’t sure she wants them on her team. Still, they must find a way to battle demons and travel through the dangerous serpent realm together.

Getting along with Brynne and Aiden isn’t Aru’s only challenge in Aru Shah and the Song of Death. She must also overcome her own mind, where the Sleeper’s words, “You were never meant to be a hero,” still resonate. Will Aru be able to overcome her self-doubt? Can she prove that she has what it takes to be a hero?

This second installment in the Pandava series takes the reader on a wild ride through the Otherworld. Full of action and adventure, the story adds interesting characters including a crab that is angry that his brother can sing, a handsome boy, and another Pandava sister. Still, readers who fell in love with Mini and Boo will miss them in this book; Boo has a tiny appearance, and Mini spends much of the story in the land of the sleep.

This story highlights the complicated nature of people. Although the villain is clearly acting villainous, the villain is shown to have other sides to her nature. As Aru learns more about India’s history, she discovers that just a hero can also be a monster. The theme is reinforced when Aru’s mom says, “sometimes villains can do heroic things and heroes can do villainous things.” The villain’s story shows that there are always two sides to every story; however, the villain’s past does not excuse their bad behavior.

Also threaded throughout the story are strong messages of treating people with respect, as well as putting others before yourself. Since several of the characters can shape-shift, the reader will see that physical appearances can be deceiving. At one point in the story, Aiden says, “I just don’t think people should be mean to someone because they don’t like the way they look.”

Aru Shah and the Song of Death is a highly entertaining story that brings India’s mythology to life. Because the story has many characters based on mythology, readers not familiar with India’s mythology will need to use the glossary that appears at the back of the book. The different realms of the Otherworld are beautifully described, the gods are diverse and interesting, and the battle scenes are often filled with humor. This book will leave readers thinking about the complicated nature of people and the importance of compassion. As one god said, “Just because something is not fair does not mean it is without reason or even compassion.”

Sexual Content

  • There is a brief passage when Aru thinks about Aiden’s parents being divorced. She thinks, “Lots of kids at school had divorced parents, and not all families needed a dad and a mom to be whole. Some had two dads, or two moms, or just one parent, or no parent at all.”
  • Aiden’s mother was an apsara, a heavenly dancer. In order to be with Aiden’s dad, she had to give up her place in the heavens. Aiden’s parents are getting divorced, and Aiden wonders, “What if she regrets her life? She gave up everything for my dad. And then he leaves her to marry a girlfriend he met while he was still with my mom.”
  • Because Aiden’s mother was an apsara, Aiden has the ability to smolder. “In stories, apsaras were the ultimate temptation, because they were unnaturally beautiful and magical. . . apsaras have a kind of hypnotic power. They render themselves impossible to look away from, and even make people follow them.” Aiden uses his power to get past the sage’s waiting room.
  • The god of love gives Aiden an arrow. The god of love says, “an enchanted arrow from my own collection, to do with as you wish. But know that you cannot change someone’s free will. And there is no way magical cure for grief. All this arrow can do is open the pathway for love. It doesn’t make someone smitten, and the love doesn’t necessarily have to be romantic.” Aiden uses the arrow on his mother.
  • When Aiden says, “I like you Shah,” Aru’s “heartbeat jittered and she felt a not unpleasant swoosh low in her stomach, like butterflies taking wing.” Aru is a little upset when Aiden then says that he likes her as a friend.

Violence

  • Zombies attack Aru and Mini. Aru “flung Vajra as if it were a javelin. The lightning bolt zapped the wooden peg out of the zombie’s hand, and he pulled his arm back, stung. . . An enchanted flower stall turned its pumpkin vines into a row of exploding jack-o’-lanterns, and the kitchen appliances section summoned an army of wooden spoons to beat a group of zombies over the head.” The attack ends when “fake Aru sent the Pandava girl-jaguar flying back against a wall, where she slid to the floor, unconscious. In a flash of blue light, the big cat turned back into a girl.” The attack lasts for two chapters.
  • As Aru and another girl are fighting, “a blast of wind shot Aru straight up into the sky. Her arms started pinwheeling. She glanced down—that was a huge mistake. Everyone looked like really tiny ants. As she fell, the last thing she saw before blacking out was a pair of giant hands reaching to snatch her out of the sky.”
  • A giant swan attacks Mini and her friends. Mini uses Dee Dee, and “purple light exploded in a burst in front of them. The swan squawked and stomped back. . . Then Brynne morphed. Blue light blazed around her. Where she had once stood, there was now a blue elephant almost as large as the swan.” Elephant-Brynne “charged at the bird.” The scene takes place over eight pages. No one is injured.
  • When trying to get through customs, “the floor opened beneath Aru plunging her into frigid pitch-black waters.” Then a “cold tendril wrapped around her ankle and dragged her under.” Aru discovers that she can breathe and walk underwater. She can also talk to sea creatures.
  • A giant crab tries to eat Brynne, Aiden, and Mini. “The crab reared up, swinging one of its pincers, and Brynne went flying against the wall. She slid down, shook her head, and then got back to her feet. . .” Mini uses a shield, but “the shield broke. Down came the pincer. The four of them rolled in different directions. The crab rotated, trying to catch them all at the same time. . .” During the attack, the crab eats Brynne, who turns into an elephant, which the crab throws up. The scene takes place over seven pages.
  • The serpent king attacks Aru. He tries to bite her, and “his jaws missed her face by an inch. As she pivoted out of the way, Vajra jumped into her hand, fully expanded. Aru threw the lightning bolt. . .Vajra shot forward like an arrow. But Takshaka was faster. His powerful tail whipped out and knocked the lightning bold aside like it was a toy. . . Takshaka’s tail lashed through the air and caught her in the stomach. She crashed into the wall and slid down, shaking her head.” The fight takes place over six pages. Aru and her friends are able to escape.
  • The serpent king tries to stop Aru and her friends. “he zigged and zagged, his great coils winding way up the shelves and blocking the entrance to the ceiling above. . . Takshaka’s fangs lengthened. They were stained yellow, and one was chipped. Venom dripped onto the ground, hitting the floor with a teaming hiss. . . A rush of air hit Aru just as Takshaka lunged.” The wind blows Takshaka backwards. A boy appears and helps the group escape. The scene takes place over five pages.
  • A group of asuras try to block Aru and her group from passing. Aru’s group uses their celestial weapons. “They herded the attackers with invisible jabs, forcing them into a tight circle. Brynne blasted them with wind, and Aru added the finishing touch: a golden electrical net to catch and pin them in place.” The asuras flee as soon as the net is taken off.
  • Sparky will not allow Aru and his group to go into the Ocean of Milk. He challenged Brynne to an eating contest. As he is eating, “his skin, which had always been a bit ruddy, now reminded her of embers. Even his hair, once a rust color, like a bad dye job, had changed. Now it looked multicolored—blue at the roots, orange in the middle, and yellow at the tips. Like a flame. . . Sparky wasn’t some kid with ugly sunglasses and an appetite that could destroy a city. He was Agni, the god of fire. And he was on the verge of consuming them. . . The fire continued to move closer. Aiden raced back toward them. There were soot marks on his face and he was out of breath. . . Waves of fire skirted around them, nearly blistering their skin and blackening the wooden planks beneath their feet. Agni opened his jaws, getting ready to swallow them whole. All Aru could see were searing flames, “the air in front of her heat-warped and furious.” Aru is able to use a godly gift to defeat Sparky. The scene takes place over ten pages.
  • The story ends in an epic, multi-chapter battle scene. When the villain shoots an arrow at Aru, “Aiden dove in front of her. . . The arrow hit him with full force. Aiden crumpled up on the ground.” Aiden turns into one of the heartless. As the battle continues, “Mini aimed Dee Dee at the first line of Heartless, which included Aiden. A burst of violet light blasted them, and they fell to either side. Almost immediately, they started to get back up. . . Aru steadied herself, preparing for his next blow. When it came, Aru fell to the ground. . . Aiden roared, ready himself to plunge his blades straight through her. At the last second, Aru rolled out of the way. Aiden snarled. He tried to life the scimitars to strike again, but they were stuck in the damp sand.” The villain is defeated.

Drugs and Alcohol

  • When Aru meets Varuni, the goddess changes colors. Aru thinks the goddess is sparkling; “It reminded Aru of champagne. Which was disgusting. The one time she’d sneaked a sip from her mom’s New Year’s Eve glass, it had tasted like rotten soda.”
  • While Varuni is talking to her husband, he implies that Varuni drinks too much. Later in the story, Varuni “sipped on something that looked like tomato juice and had a piece of celery sticking out of it.”

Language

  • “Oh my god” is used as an exclamation once, and “Oh my gods” is used an exclamation twice.
  • “Heck” is used twice.
  • Brynne calls two obnoxious asuras “pigs.”

Supernatural

  • The story focuses on Indian Mythology and includes gods, demigods, monsters, and demons. The back of the book includes a glossary of Indian mythology, so the reader can understand who the mythological characters are.
  • During a fight, a shapeshifter “shifted into a blue world and was carrying a large bow and arrow in her mouth as she ran.” Later the person shifts into the likeness of Aru.
  • Each Pandava has a celestial weapon. Mini has Dee Dee, which can cast a shield of invisibility. Aru has Bajra, which is a bracelet that can turn into a lightning bolt.
  • Aru and the other Pandavas can speak to each other telepathically.
  • When Aru and her group go to see a sage, he is cursing people. One curse is, “May all the chocolate chip cookies you reach for turn out to be cleverly disguised oatmeal raisins.” Another curse is, “May you always fumble with your credit card in Starbucks when there’s a huge line behind you.”
  • When Aru and her group go to the Queen Uloopi’s old palace, they find a cursed place littered with skulls. When Mini touched a skull, “the jaws snapped open. . . nearby another skull—or, honestly little more than a jawbone—laughed and whispered.” Mini goes into a trance which allows her to talk to voices. The voices give Mini the knowledge that she seeks, but then “a serpent tail as thick as a redwood trunk curled around her body and yanked her toward the cave.” Mini is taken to the land of the sleep, “far from the reaches of mortals.”
  • Aru and her group see “huge night-black hounds prowling toward them. Saliva dripping from their jaws. Their eyes looked like round mirrors, but instead of reflections, they reveal moving images.” The hound’s eyes reflect the person’s worst nightmare.
  • When Queen Uloopi is given her heart jewel, “a bright light washed over her, and Uloopi was transformed. . . Her wrinkled skin glowed, and the gray in her hair shone like silver. Her eyes sparkled . . .” When her heart jewel is restored, she is able to catch “up on all the things she hadn’t properly seen.”

Spiritual Content

  • One of the characters is a Rakshasa, which is a “mythological being, like a demigod. Sometimes good and sometimes bad, they are powerful sorcerers, and can change shape to take on any form.”
  • Brynne is part asura, which is why she can shapeshift. She is the daughter of Lord Vayu, the God of the wind, so she never loses her direction.
  • Aru and her friend are looking for someone’s soul song. They find it, and “in the astral plane, the song orb had taken on a strange pulsing glow, reminding Aru that this was actually a part of someone’s soul. Someone had wanted the god of love’s arrow so dearly that they’d been willing to part with their very essence.”
  • Aru has an encounter with the god of waters, who is “known for being as fickle as the sea itself.” She then meets his wife, Varuni, who is the goddess of wine.
  • Aru and the other Pandavas have been reincarnated. However, the reincarnated are not the same person they once were. Aru, who was reincarnated from Arjuna said, “Arjuna and I are completely different people. That’s like expecting Brynne to have the power of ten thousand elephants just because she’s Bhima reincarnated! Or asking Mini to rule a country now just because she’s got Yudhistira’s soul! I’m not Arjuna!”
  • When an enemy of Arjuna appears, he wants revenge. Aru argues, “I mean, that was like a millennium ago. And I’m not Arjuna. We just have the same soul. It’s like getting someone’s hand-me-down socks, honest.”
  • Aru and her friends meet with a sage. “A sage is a very wise person. Aru’s mom had told her that some have special powers, because of their religious focus. Once there was a sage so formidable he put a curse on the gods themselves—he caused them to lose their immortality.”
  • Agni, the god of fire, explains how “I’m a sacred part of every prayer! You know at weddings, that there’s a holy fire for the bride and groom to walk around? That’s me!”

The Wild Robot Escapes

After being repaired, Roz is sent to Hilltop Farm, which is unlike the remote island that Roz considers home. Roz still speaks the language of the animals and is able to make new friends on the farm. She talks to the cows and the farmer’s children and works to help keep the farm in check as wolves and natural disasters assault the small homestead.

Even though Mr. Shareef and his children consider Roz part of the family, Roz still misses home. Eventually, Roz begins to yearn for the friends and family she left behind. Flocks of geese begin migrating and stopping on the farm, reminding her of her son Brightbill. Roz can’t escape due to a tracker installed in her body, but she works with the farmer’s children to research the tracker and remove it.

After Roz escapes for the second time, recovery robots quickly capture her and bring her to her creator. She is destroyed to appease the public, but Roz’s creator gives her a new body with more features than she had before. They travel to the island Roz came from and reunite her with her old friends and Brightbill. Throughout Roz’s journey, she wonders why she isn’t like other robots. Roz questions, “Is being different the same as being defective?”

Like the previous book in the series, The Wild Robot Escapes is a story of a robot trying to fit in with a new crowd. Roz encounters a number of friendly characters while she tries to get back to the home she knows, which shows that we’re never completely on our own. With the help of friends, Roz is able to overcome many obstacles.

Roz’s destruction, reconstruction, and return to her island also show the darker sides of society. Even though she eventually returns to her family, she has to fake her own death to please the world that thinks she is a rogue robot. The Wild Robot Escapes teaches the importance of friends and family, while also considering the realities of death and society. It’s a heartwarming book with unnervingly realistic undertones about judgment and fear.

The story refers to characters and events from the first book in the series, so readers should read The Wild Robot first. Many readers will be able to relate to Roz, who is a hard-working and compassionate robot who questions her purpose in life. The Wild Robot Escapes is an intriguing, illustrated story that is both entertaining and educational.

Sexual Content

  • None

Violence

  • Roz recounts the time from the first book when she, “tumbled off a cliff . . . killed two geese and smashed four of their eggs.”
  • Roz finds the carcass of, “a dear [that] had recently been killed and eaten.”
  • Mr. Shareef, “hand[s] Roz a rifle.” Roz uses it to intimidate wolves, but she doesn’t fire it.
  • Wolves “slash her [Roz’s] chest,” and Annabelle then “land[s] a hard kick” on the wolves.
  • Mr. Shareef says, “sometimes farmers have to kill animals.” Mr. Shareef tells Roz, “I order you to kill those wolves.”
  • During a storm, a tool “hit the back of her [Roz’s] head.”
  • A wolf named Shadow says, “You can eat all the animals you like. . . after we kill the robot.”
  • During a hailstorm, “a stone hit Brightbill’s shoulder, and he fell to the ground.”
  • While hunters are looking for prey, “a gunshot echoed throughout the mountains.”
  • A ram “smashed right into the robot.”
  • When Roz is melted down, “a blazing beam of light filled the picture, and the robot parts turned orange.”

Drugs and Alcohol

  • None

Language

  • Roz, “slipped on cow dung.”
  • Similar to the first book, many animals mistake Roz for a “monster” or “creature” before they get to know her.
  • Annabelle calls a group of wolves “brutes.”

Supernatural

  • None

Spiritual Content

  • A character says a prayer before they eat. “Thank you, God, for this yummy food.”
  • Shadow and Barb say that Roz was, “towering above them, looking like a demon.”

by Dylan Chilcoat

 

Secret in the Stone

Claire and her older sister, Sophie, never imagined that climbing a ladder in a fireplace would take them to another world—Arden. Arden used to be a land of unicorns and magic. Now, the unicorns and the great guardians of magic have disappeared. The sisters, the only descendants of Arden’s royal family, can bring all the unicorns back.

Claire doesn’t think Sophie should be the heir—Sophie is the brave one, but Sophie lacks magic. The two sisters travel to Stonehaven, a Gemmer school on Starscrape Mountain, where Sophie hopes to learn how to be Arden’s heir and harness the magic of stone. The fate of Arden relies on Sophie learning how to wake the legendary moontears and bring back the unicorns. As Claire and Sophie make the treacherous trek to bring back the unicorns, they realize that some allies are traitors in disguise. With danger lurking around every corner, can the sisters unlock the secret of the unicorns before it’s too late?

Secret in the Stone focuses on the complicated sibling relationship between Claire and Sophie. Claire feels inferior to Sophie, who always acts brave, confident, and decisive. Like many siblings, Claire and Sophie do not have a calm relationship, instead they argue and fight. At one point Claire tells Sophie, “I hate you!” However, as soon as Sophie needs her, Claire jumps into danger to help her. The story highlights the girls’ love for each other and their willingness to help each other at all costs.

The story weaves in background information from The Unicorn Quest, which helps the reader keep track of the important events that happened in the previous book. Like the previous book, Secret in the Stone builds an intriguing world that revolves around warring guild villages. The story has a vast cast of characters, many of which only appear for a brief period; this may confuse some readers.

Several themes run throughout the book. Readers will learn the dangers of making assumptions about other people as well as the importance of forgiving each other. Another theme the book reinforces is the importance of thinking about how your actions affect others. Often, even when the characters have good intentions, their actions lead to negative consequences. The story also shows that when evil exists, people must face it. When Claire meets a neutral village, she tells the leader, “It’s not fair—you can’t just keep your eyes shut when the world around you is falling apart! You have to do something! What kind of a safe place is this if you’re ignoring the real problems Arden is facing?”

Secret in the Stone is an engaging story that will keep readers turning the pages. However, the book is a stepping stone to book three. The story doesn’t resolve any of the conflicts but rather sets the story up for the next book. Readers who expect a book about unicorns will be disappointed because unicorns never appear in the story. Secret in the Stone will delight readers who want to enter a world of magic; however, readers must read The Unicorn Quest first. Readers who enjoy Secret in Stone should add the Sisters of Glass series to their reading list because the book also takes readers to a captivating world where magic exists.

Sexual Content

  • None

Violence

  • A stone knight comes to life. When it comes close, Sophie swings a “dagger at the stone leg, sparks flying as the blade scraped rock. The knight paused, as though confused about the tiny thing near its feet making such a big fuss. He gave the nuisance a kick, and the dagger spun through the air as Sophie fell on her side.” Before the girls could run, the knight paused, and “slowly the knight unfolded from his crouched position, and rose to a towering height.” The knight then bows to Claire and Sophie.
  • A scholar tells Claire a story about a father who sacrificed his daughter. The king “took his ailing daughter to a glade, and slipped a dagger into his only daughter’s heart. And as her royal red blood spilled onto the grass, a unicorn did finally appear. . . He placed his horn to the daughter’s heart.” The girl then transformed into a unicorn.
  • Claire and Sophie discover that Anvil and Aquila Malchain have been frozen into statues. “Anvil’s ax was raised above his head, looking as if he were about to chop something, his face snarled in an expression of rage. Aquila’s grandmother’s bun had unraveled, and her gray hair streamed out behind her as if she had been running, one hand gripping a knife while the other was clenched into a fist.” A Gemmer had turned their blood to rubies.
  • When a wraith attacks Claire, “a thick darkness flooded all of Claire’s senses—her ears, eyes, nose, mouth. The cold wasn’t just the cold of a winter’s night or the cold of a northern ocean. It was the cold that belonged to those alien, barren stretches of space. It was a cold that wrapped. That suffocated. That dragged her under.” Sophie helps Claire when she “just poked it [the wraith] and it ran, like shadows before light.”
  • Wraiths attack Claire and Sophie. Before they are hurt, riders appear. “Ropes of light crisscrossed across the night sky then snagged on the monsters, pushing them back, pulling them down. . . Each time a rope hit one, it’d scream and rear back.” The riders take Claire.
  • When Claire is taken to a secret village, a man traps her. The man “snapped his fingers and Claire was swept up into the air. The world swung back and forth as a thick net scooped her up into its valley. Its loose edges wove themselves together quickly, anchoring her to the ceiling above. She was trapped in a rope cage.” Sophie saves Claire.
  • When Claire and Sophie try to leave the hidden city, a tree root captures her. The root “reached for her ankle and wrapped around it. . .” Someone helps Claire escape the root.
  • A girl is found guilty of stealing and is sentenced to death.
  • A water plant “drifts around the lake like an animal. It’s called a Gelatinous Fish.” The Gelatinous Fish grabs Claire. Claire “felt what seemed to be rubbery tentacles, or lake weed, wrapping around her ankle, pulling her back into the deeper waters. . . The pain intensified. Black dots swarmed the edges of her vision. The passageway darkened. . .” Someone uses light to chase the fish away.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Someone gives Claire and Sophie a Kompass that is “a rare magic known only to the Malchain family that always pointed toward the one person or thing it was forged to find. In this particular case, it was Aquila.”
  • Claire and Sophie find a ladder in a fireplace. When they climb the ladder, they end up in Arden—a world where magic is real.
  • In Arden, there are four guilds of magic. Forgers work with metal, Gemmers work with rocks and gems, Spinners weave magic from thread, and Tillers work with all that grows from the earth. “Our magic, guild magic, only extends to what’s around us. . . The magic doesn’t come from within us, but from the things around us—plants, rocks, thread, metal. All we do is encourage the magic that naturally exists in those things, to make plants grow bigger and faster and stronger, for instance.”
  • In Arden, people are able to use magic, but “the only magic we have isn’t really magic at all. It’s just the ability to see the potential in each block of stone, medallion of metal, loop of thread, or seed. If someone doesn’t have magic, I think it’s just because she hasn’t learned enough about herself yet.”
  • Wraiths are dangerous creatures that kill humans. Claire describes a wraith as “big and dark and cold. It kind of looked like a skeleton wrapped in shadows.”
  • When Claire uses her Gemmer magic, it feels like a “buzz in her bones—a slight tingle that felt like her fingers were going asleep.”
  • A group uses magic to hide an entire village.
  • Sophie uses magic to make a cloak fly. Sophie and several others use cloaks to escape.
  • While trying to help a friend, Claire and her group run into Thorn, a boy they know. As they are traveling, Nett falls because “wrapped around his ankle was the thin end of a whip, its handle clutched in Thorn’s fist. Thorn gave a slight tug to the whip, and the first foot or so of the cord broke off on its own, binding Nett’s ankles together. . . He cracked the whip in Claire’s direction. She yelped; she felt the cord rush by her, coiling into a mini-Thornado above her head before dropping down.” Sophie uses her magic to free her friends and bind Thorn. “The whip had wrapped carefully around Thorn, binding him mummy-like from his feet and ending right below his nose—allowing him to breathe, but not giving him a chance to yell for help.”
  • An old fortress has Mesmerizing Opals. If people look at the light of the opals, “they would become entranced by the stone and would be no better than puppets, their minds numb and unable to think for themselves.”

Spiritual Content

  • None

Squire

It was Kel’s proudest moment when she passed her page examinations and was named a squire. But as months pass without any knight taking her onto their service, Kel worries that no knight will want a girl squire. Will she be stuck as a glorified scribe in the palace forever?

That is not her only worry. Now that she is a squire, the Chamber of the Ordeal weighs heavily on her mind. Every squire must enter the Chamber at the end of their squireship. If they survive, they become a knight. But some have been driven mad by the Chamber. Determined to prove herself unafraid, Kel visits the Chamber several times and places her hand on the outside of the door. And each time, the Chamber sends her horrifying nightmares built from her deepest fears.

But Kel cannot dwell on the Chamber too often, because her wildest dreams come true when Raoul asks her to be his squire. As the Knight Commander of the King’s Own, Raoul is a noble warrior that will take Kel on many adventures—not all of them enjoyable. He is a character that readers will fall in love with, as he is good and noble, but also great fun with a solid sense of humor.

Kel is a strong female character who grows and changes throughout the story. Kel has been able to succeed in a male-dominated world because of her hard work and determination. Kel stands up for other women, admires other women rather than becoming jealous, and her behavior highlights the importance of women supporting each other. Kel has a strong moral code that will encourage readers to also stand up for others.

Although Kel is a strong woman, she also has a supportive family and friends. These relationships give the story more depth and show the importance of having positive relationships. As Kel becomes older and begins to think about romantic relationships, Kel discusses sex with her mother, which helps the reader understand Tortall’s sexual morals. Even though Raoul felt uncomfortable talking about sex with Kel, they have a conversation about how it might affect her career, and he gives her advice and information to help Kel make the decision that is right for her. Although Kel never has a sexual relationship, Kel does obtain birth control. Having a sexual relationship is discussed in a nonjudgmental way that allows Kel to make the best decision for herself.

 Squire does not disappoint, with an exciting plot full of monsters, magic, and fun. Raoul and the men of the King’s Own add well-developed new characters to the mix, while Kel’s page friends still make appearances. Readers will feel as though they are squires as they follow Kel on her jousts and into battle. As Kel explores being in a relationship for the first time, readers will relate to her doubts and awkwardness. With a tantalizing ending that sets up the next book, readers should be sure to have Knight handy, because they will not want to wait to read the final book in the Protector of the Small series.

Sexual Content

  • It’s mentioned in passing that Kel’s maid, “put out her clothes, including a fresh breastband and loincloth, and one of the cloth pads Kel wore during her monthly bleeding.”
  • A centaur offers to buy Kel with three slaves, which are horses he owns, and “two more if she breeds successfully within a year.”
  • When Peachblossom gets in a centaur’s way, the centaur “reared to show the geldings his stallion parts, and hissed.”
  • A woman sees bruises on Keladry’s body and thinks she is being abused. She offers Kel protection. “They’ll get the man who did it . . . Even if it’s a noble. After the rapes last winter, they have a new commander.”
  • “Cleon leaned down and pressed his lips gently to [Kel]’s . . . He turned crimson, and strode down the hall.”
  • Cleon kisses Kel a second time. “He lowered his head just a few inches to press his mouth to hers.”
  • Cleon and Kel start secretly dating, and kiss several times. Once, “Cleon pulled her into a corner invisible to passerby and kissed her again. Then he strode out of the tent. Kel pressed her fingers to lips that throbbed from this new and different use.”
  • Raoul warns that if women are in command, they’ll “take Rider men as lovers, and it’s found out, they encounter trouble. Men who dislike their orders offer to work it out in bed. Jealousies spring up.”
  • Twice, when Kel is challenged to a joust, Cleon says a variation of, “Gods protected me, you’re going to die a virgin.”
  • A man confesses to the court. “Two girls of the Lower City were attacked, beaten. A third was—must I say it?—a third was beaten and raped. I did it.”
  • Cleon and Kel almost get carried away twice, but they are interrupted. “That got her another round of very warm kisses. They had each other’s tunics off and were fumbling with shirt lacings when Raoul called outside.”
  • Just in case, Kel “found a midwife-healer traveling with the progress and purchased the charm against pregnancy.” She never uses it, however.

Violence

  • After entering the Chamber of the Ordeal, “a squire went mad there. Five months later he escaped his family and drowned himself.”
  • Kel visits a town shortly after it was attacked. “Bodies were set along the streets, pieces of cloth over their faces. Kel could only glance at those who’d burned; the sight of their swollen black flesh was too much . . . Raoul crouched beside a dead man who clutched a long-handled war-axe. He hadn’t died in a fire: five arrows peppered his corpse.”
  • Keladry knows the bandits she captured are going to be hung. “Kel shuddered: she hated hangings. No matter what the crime was, she saw no malice in those hooded and bound silhouettes dangling against the sky. Worse, to her mind, was the thought that the condemned knew they were to die, that a day and time had been set, that strangers planned each step of their killing.”
  • Centaurs say they have to cull traitorous centaurs and the dumb horses they mated with because, “You don’t want bad blood in the herd, particularly not in the slaves . . . That’s probably what Graystreak’s doing now, culling the slaves that bred with that crowd.” Kel thinks that is “obscene.”
  • Kel fights a centaur. The battle takes place over three pages. “He hurled the axe. Kel dodged left, still between him and escape, and stepped in with a long slash across his middle . . . Kel lunged, sinking the eighteen-inch blade deep below the centaur’s waist and yanking up. His belt dropped, cut in two; his forelegs buckled. Kel pulled her glaive free as her foe went down, clutching his belly. Blood spilled around his hands.”
  • Kel has several nightmares when visiting the Chamber of the Ordeal. “Another centaur clubbed her with a spiked mace. . . They were clubbed down as Kel fought to do something, anything.” Another time, the Chamber gives her a nightmare where, “Men, armed and mounted on horses, galloped down the street . . . she toppled as the man’s sword bit deep into her good shoulder. She lay on her side in the mud, blood pooling under her.”
  • A man “tried to run her through” during a joust. Kel unhorses him, then “flipped up his visor with her sword point and pressed the sharp tip to his nose. ‘Yield,’ she advised, her voice even. ‘Or I carve my initials right there.’”
  • Kel is in a brief fight with bandits. “The man who followed him carried a sword: Kel parried his cut at Peachblossom and ran him through.”
  • Kel fights in a battle. “Kel shot her officer squarely in the throat. He too dropped. . . Her arrow punched into the frothing man’s eye. He dropped like a stone.”

Drugs and Alcohol

  • Kel’s knight master, “doesn’t drink spirits, and he doesn’t serve them. He says he had a problem as a young man, so he doesn’t care to have liquor about. Captain Flyndan likes a glass or two. He serves it in his tent, but only when my lord isn’t there.”
  • The squires serve refreshments at a party, including “liquid refreshments: wine, punch, brandy, and, for the Yamanis, rice wine and tea.”

Language

  • Phrases such as Goddess bless and By the gods are used frequently as a part of Tortallian culture. Once Raoul says, “Gods . . . [she was] green the whole trip, I swear.”
  • Bitch is used three times. An angry knight tells Kel, “One of us will spear you through your bitch’s heart.” Later Joren tells her, “Once I’m a knight, you’d best keep an eye behind you, bitch.”

Supernatural

  • Kel lives in Tortall, a world filled with monsters and magic. The monsters include griffins, centaurs, and more. Some are good, some are not. Kel even has a basilisk for a teacher.
  • Several people at court have the Gift, which can be used for light, to heal, and more. Once, “The king reached a hand toward Vinson and twisted his fingers. The blue fire of his magic settled over the weeping squire. It blazed fiercely white, then vanished. ‘He tells the truth,’ King Jonathan said grimly.”
  • Squires have to spend a night in the Chamber of the Ordeal before they can become knights. “Generations of squires had entered it to experience something. None told what they saw; they were forbidden to speak of it. Whatever it was, it usually let squires return to the chapel to be knighted.”
  • Kel visits the Chamber several times. When she touches the door, she receives nightmarish visions of death and violence.
  • Daine has animal magic; she can speak to animals and shapeshift. “An eagle hurtled from the sky . . . It immediately began to change shape until a small form of Daine’s head perched on the eagle’s body.”

Spiritual Content

  • Tortall has many gods. They are named differently but are similar to the Greek gods. For example, Mithros is the god of the sun, and there is a god of death. The gods are mentioned often in the Tortallian culture but are not an integral part of the plot. After she passes a test, Kel thinks “Thank you, Mithros, for this gift.”
  • Characters often pray before meals or battles. “We ask the guidance of Mithros in these uncertain times, when change threatens all that is time-honored and true. May the god’s light show us a path back to the virtues of our fathers and an end to uncertain times. We ask this of Mithros, god of the sun.”
  • Raoul points out, “Haven’t you ever noticed that people who win say it’s because the gods know they are in the right, but if they lose, it wasn’t the gods who declared them wrong? Their opponent cheated, or their equipment was bad.”
  • Scanrans, from the country up north, sometimes froth “at the mouth as Scanrans did when they claimed war demons had possessed them.”

Apprentice Needed

Ozzy Toffey has had enough adventure. But on a dark and windy night, he gets out of bed, jumps out of the window, and walks into the ocean. After almost drowning, Ozzy sure could use the help of Rin, the wizard he hired to help find his parents. But Rin is missing.

Then Ozzy receives an envelope with an airplane ticket to New York. Ozzy and his friend Sigi are convinced that Rin sent the tickets. The two set out on what they hope will be a quick trip to find Rin. Clark, the mechanical bird Ozzy’s father left him, has a hard time getting through airport security.

When Ozzy, Sigi, and Clark get to New York, they don’t find Rin. Instead, they find a rich and powerful man who wants to capture Ozzy. Will Rin appear and help save the day? Will Ozzy figure out why he keeps walking into the ocean?

The second installment of Wizard for Hire is full of action, adventure, and humor. Clark takes a bigger role in Apprentice Needed. Readers will laugh as Clark continues to fall for metal objects. His fascination with the mailbox, spoons, and other metal objects is humorous, but it also highlights everyone’s need to feel appreciated. Everyone who reads Apprentice Needed will wish they had a metal bird-like Clark.

The villain adds suspense to the story, in a way that is more humorous than scary. Readers will have a hard time not feeling sorry for the villain, who continually is outsmarted by two kids and a wizard. The wizard, Rin, may or may not be magical—much of the magic in the story is questionable. It’s not clear if Rin causes the weather that helps Ozzy and Sigi escape or if it was a coincidence. Plus, Rin finds magic in ordinary events, like an Uber showing up when needed.

As the story progresses, Ozzy learns the importance of letting go of things that he cannot control. Rin also teaches an important lesson about being careful with what you say. Rin says, “You may throw your words around callously, but they leave impressions on all who are struck.” Apprentice Needed has well-developed, interesting characters that readers will love. The pacing of the story leads to one suspenseful event after the other. Instead of ending the story with a satisfactory conclusion, the story ends with many unanswered questions. After reading Apprentice Needed, readers will be eagerly looking for the next book in the series.

Sexual Content

  • Ozzy finds Clark in the bathtub with a flash drive, a set of keys, and Ozzy’s portable CD player. Later, Ozzy says, “Something’s flashing.” Clark replies, “There was none of that. Just talking and listening to music. Yes, the stapler kept sort of glimmering at me, but there wasn’t any flashing. Your dad didn’t build me to be that kind of bird.”

Violence

  • Ozzy thinks back to the past when his parents created a Discipline Serum that gave people “power to control one’s will, and the ultimate power to control the will of others if needed.” Their business partner “kidnapped the doctors. In doing so, they’d left Ozzy for dead. But science demands sacrifice and Ozzy’s demise was a sacrifice that Ray and Charles had been willing to take.” Later, Ray had “done away with” Ozzy’s parents.
  • Ray tries to take Ozzy and Sigi to a private location. “Ozzy and Sigi were so focused on Ray that they failed to notice the two bodyguards slipping up behind them. The men grabbed them and lifted Ozzy and Sigi as if they were made of nothing but feathers . . .” In order to escape, “Ozzy lifted his right leg and threw it back into the knee of the man who was holding him. The man’s leg buckled and they both fell to the snow-covered ground. Sigi went limp and slipped halfway out of the arms of her attacker. He attempted to squeeze her harder, but her teeth connected with his right forearm and she bit down with a sense of purpose.” Rin appears and with the weather’s help, Ozzy and Sigi are able to escape.
  • A man kidnaps Sigi. “One moment she had been standing in the parking lot of the Devil’s Punchbowl and the next she had been picked up and whisked away into the trees. She had kicked and fought as hard as she could, but the man holding her was strong, and something on a cloth near her nose had knocked her out.” Sigi is not hurt.
  • A man sneaks into a house and pulls a gun on Ozzy. The man catches Clark in a net and “then slammed it against the wall.” Rin tells Ozzy and Sigi to drop to the ground, which they do. Then Rin “spun like he was possessed, sending book after book flying with incredible accuracy. Jon’s gun hand was nailed by the M volume of an encyclopedia, and the weapon went flying across the room and up against the wall. Rin kept spinning. Book after book thwacked Jon as he struggled to fend them off and stay standing. . . Rin sent a collegiate dictionary across the room, and it made full contact with Jon’s face. The man dropped onto his stomach and then blacked out.” The group escapes.
  • Ozzy and his friends flee in a car, and Jon follows them. Jon is stuck in a traffic jam, so he “jammed the gears into reverse and flew backward into the sedan. The airbag in the red car went off as Jon gave the vehicle gas and pushed the red car back a foot or so.” Several cars are damaged, but no one is hurt.
  • As Jon is chasing Ozzy and his friends, Clark goes under the car and starts pulling and biting wires and hoses. Clark “just kept biting and tearing. Clark cut the brake lines and when Jon tried to stop, the beige Corollas kept flying straight toward where Ozzy and the others had entered the trees. Jon screamed as the car launched off the side of the road into the forest.”
  • Jon pulls up to Ozzy and his friends, who are stranded on the side of the road, and “with no fight or arguing, Rin dropped his staff and they all spun around and put their hands behind their backs. Jon cautiously bound their hands with a roll of packing tape he’d pulled from the van.” In order to escape, “Rin pushed his feet up against the seat beneath him and with all the strength he had in his legs, he propelled himself forward over the middle seat and up over Jon’s head. . . Most of Jon was smashed beneath him. Rin wriggled and bucked like a fish doing the worm. The surprise caused Jon to drop the gun. . .” Sigi “aimed her legs at Jon’s right side and began kicking wildly.” Ozzy and his friends escape.
  • Ozzy and his friends duct tape Jon to a tree.
  • Jon pulls another gun on Ozzy and his friends. “Ozzy looked up to see Jon holding Sigi, his left arm around her and the gun in his other hand. . . Sigi was putting up a fight, but her captor was strong and held a weapon while she didn’t.” Ozzy points his buzzing finger at Jon, and he “began to tremble as he held onto Sigi. His head shook and his eyes grew wide with fear. He lowered the gun he was holding and then, with one surprising move, he brought his arm up and smashed the gun against the side of his own head. The blow stunned him and caused him to stumble forward.” Sigi hits the man, and “the hired goon fell to the deck, out cold. . .”
  • Rin jumps into the ocean, and then “something exploded out of the water and made contact with the Spell Boat.” The boat is split in two. “Both of the remaining halves were beginning to sink.” Jon is able to swim to the lifeboat.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The wizard casts spells. For example, he says, “Resped unidino,” and “the words caused a small flame to burn in his hand and light the space.”
  • Rin “snapped his fingers” and made someone temporarily mute. The man was “trying to scream obscenities—but no sound came from his mouth.”
  • Someone or something is taking over Ozzy’s mind and causing him to walk to the ocean. The first time this happens, Ozzy crawls out of bed and smashes his bedroom window. “Ozzy just stood there, his mind feeding him messages he didn’t want to obey. Without warning or reason, he ran across the room, barreling directly into the already fractured glass with his right shoulder.” When Ozzy flew through the window, “His body crumpled up as it came to a stop near two large boulders.” Ozzy walked into the ocean and “he moved deeper, as wave after wave came thundering down on top of him. . . Water filled his mouth and blinded his eyes. . . The sea ripped his legs out from under him, and Ozzy sank below the wet and deadly surface.”
  • Someone or something is taking over Ozzy’s mind and causing him to drive his motorcycle too fast through the woods. A branch hits Ozzy’s helmet, causing it to spin and cover his eyes. “The motorcycle was running at top speed, and Ozzy was weaving and maneuvering through the forest like a skilled, blindfolded pilot.” When Ozzy gets to the beach, “the back of the bike flipped up and sent Ozzy sailing straight into the ocean. . .” When Ozzy hits the water, he “instantly came to—his mind was his again.”
  • Ozzy’s finger, which has a strange birthmark, begins to buzz. When a police officer tries to arrest Ozzy, “his finger vibrated, his mind cleared, and electricity shot up through his legs and into his mind. Ozzy reached out and pointed toward Officer Greg, who was sitting in the police car’s driver’s seat with the door open. The officer’s body went rigid and he threw the vehicle into drive. Then, without a moment of hesitation, he slammed his right foot onto the gas pedal.” The officer drives towards a cliff but jumps out before the car crashes into the ocean.
  • When Ozzy goes into the ocean, “a strong rubbery rope of water coiled around his ankle” and pulled him under. “Going limp, his finger buzzed. The thick water gripping his left hand relaxed and was smothered by the ocean. Ozzy reached his free hand over and touched the wet ropes around his right arm. Immediately they unraveled and joined the greater body of water he was sinking in.” Ozzy is able to break the bonds of the water and resurface.

Spiritual Content

  • None

 

Catching Jordan

As a quarterback, senior Jordan Woods dreams to play in the big leagues. The only problem? She’s a girl. That doesn’t stop her from pursuing a football scholarship to the University of Alabama. When a new quarterback comes to town, she realizes that she will have some competition for her position on the field—and for her heart. Ty Green, the new quarterback, is extremely good-looking. Jordan has an instant crush on her competition, but he isn’t her only problem.

Her father, a starting NFL quarterback, won’t come to her games, and she’s under the scrutiny of college recruiters. To make matters worse, her best friend, Sam Henry, is in love with her. But Jordan doesn’t know how Sam feels, and it soon becomes complicated when Sam reveals his feelings. Jordan must figure out how to stand out on the football field and how to navigate dating relationships and young love.

Catching Jordan is a story that pulls readers in with realistic struggles. All her life she has had to fight against the world telling her that a girl could never stand up and play at the college level. Her own dad, a former NFL player, doesn’t want her playing out of fear of injury. She also has trouble trying to navigate dating and love, something she has always avoided out of fear of losing the respect of her teammates.

Although the story has some cliches, Jordan’s character makes reading Catching Jordan worthwhile. Readers will fall in love with Jordan. Even though Jordan is considered “one of the guys,” she has the same emotions as any other girl.  Whether she is venting about her father, or trying to figure out how to kiss, her voice comes across as real, honest, and funny. Readers will be able to connect with Jordan, who will take them on an emotional ride full of laughs and tears.

Even though the story features football, at the heart of the story is fun, flirty romance. However, the story isn’t just about love; it is also about overcoming obstacles and never giving up. Jordan isn’t afraid of standing up for what she believes in and she is willing to reach for her dream, even if it seems unattainable. The strong character development and interwoven football plays make Catching Jordan an excellent read for mature readers. Although the story appeals to sports fans, anyone who wants to read a fabulously fun story should pick up Catching Jordan.

Sexual Content

  • Henry speaks about a cheerleader saying, “I’d never fool around with Kristen—I have standards, you know.”
  • While joking around with some of the players, Henry says, “We’re a package deal.” JJ responds jokingly, saying, “That’s ‘cause all you ever think about is your package.” Just after this joke, JJ starts kissing Lacey, a cheerleader. They “start kissing as if winning the state championship depends on it.”
  • Jordan thinks about how she’s never had a boyfriend or even been kissed when her “friends are off hooking up with cheerleaders.”
  • Jordan asks why Henry is so confused about who he wants to date. He says, “I dunno. . . the sex is okay. . .” She asks him, “Why do you keep sleeping with girls you aren’t dating?”
  • Jordan says that JJ owed her because she covered for him once when “he’d been making out with Lacey and had lost track of time.” Later, Lacey asks Jordan if JJ has mentioned her. Jordan thinks to herself, “You mean, besides to tell me you guys slept together in the back of your mom’s car last night?”
  • Mike’s best friend Jake makes an inappropriate joke, saying, “I can teach you math in bed, Jordan. You know, I’ll add the bed, you subtract the clothes, you divide the legs, and I’ll multiply.” Later, Jake makes another comment saying, “Damn, Jordan. You should play tight end because your ass is wound tighter than a baseball.”
  • After Jordan tells her brother Mike about crushing on Ty, he says, “You might get hungry for his hunk of man meat.”
  • Jordan spends extra time getting ready in the morning to impress Ty. She wears lace underwear saying, “Provided they stay the hell out of my butt crack, they might make me feel sexier later on today.” Speaking of her bra, she says, “It shows off my boobs.”
  • Ty tells Jordan about the night he spent with Henry and some girls. “Henry and Marie made out for, like, an hour. . . Pretty soon I’m the only person still wearing clothes.” He does not describe anything that happened.
  • JJ asks where the fake baby that Jordan and Henry are taking care of for school is, and she replies, “He’s with his father, who’s probably sleeping with Marie Baird right now.” JJ says, “She’s a damn nice piece of ass.” Jordan responds, “Don’t be such a pig.”
  • Jordan is dared to jump in the lake in her underwear. She does, and Ty follows suit and jumps in with her in only his underwear. They start to kiss and become physical. “He drags his hands across my stomach, dipping a fingertip into my belly button, and I feel his mouth on my shoulder. . . I inch my fingertips across his shoulders and elbows as I move my mouth to his throat. . . I shiver when he runs a finger across my bare stomach, right above the elastic of my boy shorts, before exploring my body with his lips.” The scene lasts two pages.
  • Two girls talk badly about Jordan in the bathroom, upset and confused about why Ty would want to be with Jordan instead of them. They say, “Maybe he just wants to screw her because she’s a virgin.” They go on to say, “Maybe she’s a slut.”
  • Jordan is nervous that people will think badly of her when they find out she and Ty are dating. She tells Henry she’s afraid people will call her a “slut.” He responds saying, “Of course not. . . because I think you have to sleep with more than one person, possibly several, to be considered a slut.”
  • Jordan and Ty sleep together. It does not go into any detail. “And I just have to have him. Every bit of him. Now. . . A little while later, we’re still clinging to each other under the covers.”
  • Jordan talks to JJ about how she feels conflicted about dating Ty when she doesn’t know if she loves him. JJ says, “Hey, if the sex is good, what else do you need, eh?” She replies, “Well, um, I bet sex might be better if you’re actually in love.”
  • Jordan and Henry finally decide to become girlfriend and boyfriend. They make out in their hotel room, but don’t do anything else. The scene is not detailed. “We make out for what seems like hours, pausing only for cookies and champagne.”

Violence

  • Jordan gets sacked during a football practice. “I fly backward, slamming to the ground, my head rattling around inside my helmet. Ow.”
  • Jordan says that last year after a game, “JJ punched a guy from Northgate High for grabbing my butt after a game. ‘Show Woods some respect! Or I’ll kick your ass.’”

Drugs and Alcohol

  • Henry and Carter go to a party. The next morning Henry texts Jordan saying, “Carter got trashed and made out with the freshman from lunch.”
  • A cheerleader brings drinks to a hangout at Jordan’s house. “‘Who wants a drink?’ Lacey asks, pulling these lame piña colada wine coolers out of her bag and passing them out to the other girls.”
  • Jordan and Henry drink champagne the night they finally become official. They are underage. “He opens his wallet and pulls out a fake ID, showing it off for me.”

Language

  • There is an extreme amount of foul language in this book. Jordan, the main character and narrator, uses “hell” and “shit” regularly.
  • Profanity is used in extreme. Profanity includes: “hell,” “asshole,” “ass,” “badass,” “idiot,” “shit,” “bullshit,” “shitload,” “damn,” “damned,” “fucking,” “fucked,” “fuck,” “bitch,” “whore,” “tool,” “slut,” “man-slut,” “dyke,” and “skank.” For example, someone says, “If I lose my confidence, I’m going to play like shit, and shitty players don’t get offered spots on Division 1 teams like Alabama.”
  • “Oh my God” and “Jesus” are both used as exclamations.
  • One of the cheerleaders and an opposing player both call Jordan a “dyke.”
  • Jordan calls some of the cheerleaders the “local bimbos” and one of them a “floozy.”

Supernatural

  • None

Spiritual Content

  • Jordan is thinking about the cheerleaders’ lack of knowledge about football. “Especially since he’s been spending time with girls who think a Hail Mary is a prayer to Jesus’s mom.”
  • Henry likes to say that Jordan should start “living life like I’m going to hell tomorrow.”
  • Jordan is thinking about Ty and how he is from Texas. “Texans take their football seriously. It’s practically a religion down there.” Later on, she says, “A Texas football player who doesn’t kneel down and pray to the Cowboys every Sunday?”
  • Jordan and Henry remember when they were younger and they went to Carter’s church Halloween bazaar. “It’s been nine years since Carter invited us to that Halloween bazaar at his church. . . all the booths were Bible-themed. The church had converted this long dark hallway into a replica of the inside of a whale’s stomach, so people could experience what it was like for Jonah after he was swallowed.”
  • Jordan plays poorly at a football game while a scout is watching. She says that she will “pray to the football gods to give” her another chance.

by Hannah Neeley

The First

Byx’s family was killed by soldiers. Now, he fears that he is the last of his kind, the endling. But legends tell of a carnivorous moving island where a hidden dairne colony lives in peace. Byx and his friends embark on a journey to find the island. They travel into the country of Dreyland, where they pass over snow-covered mountains, fight soldiers who wish to enslave them, and face other dangers.

Byx is surrounded by his traveling companions. The loyal Tobble. The brave and resourceful Khara. Gambler, who is wise but deadly. And Renzo, a thief who can perform magic.

But as Byx and his friends travel through Dreyland, they realize that the threat of war grows and their own country will soon be attacked. To make matters worse, there is a treacherous plot that could bring both Byx’s dreams and the creatures of their world to the brink of extinction. Will the unlikely leaders be able to find the last of the dairne? Can they stay safe from the soldiers who wish to kill them?

Tobble plays a larger role in this second book; his well-developed character is not only interesting but also explores the idea of bravery. Tobble and Byx do not feel brave or worthy of being leaders. However, they both use their own talents to protect their friends. At one point, Byx’s friend points out, “We all have our own particular fears, Byx. One can be brave nine times and be a coward the tenth time.”

A major theme that runs throughout the novel is the need to treat all species with respect. Several of the characters must face their fears. For Tobble, he must face worms. Through his experiences, he learns “never to judge a species on the basis of its appearance. . . Every plant, every animal, every insect serves a purpose. . . No matter how annoying, how ugly, how frightening, or how unappetizing it might be.” Through the character’s words and actions, the reader will learn that everything in the natural world is connected.

As the story progresses, the characters are less concerned with finding if there are more dairne and more concerned with a war that is brewing between countries. Khara hopes to unite the exiled families and lead them against the tyrannical leader. But Renzo doubts “that war can ever be waged with honor, mercy, and fairness.” As Byx and his companions travel, they often have to make decisions about morality. For example, when is it acceptable to steal? To kill? To fight? Even though the characters must make difficult life and death choices, they know that “in truth lies strength.”

Beautiful, descriptive language brings Byx’s world to life and takes the reader on an epic journey where friends valiantly risk their lives to help Byx find others of his species. Not only are the characters interesting, but they also grapple with real-life issues such as friendship, fear, and ethics. Although the publisher recommends the book for readers as young as eight, the story hits on some heavy topics and includes bloody violence, death, and war. The First is an amazing, entertaining story that will leave readers contemplating the nature of humans, their desire for power, and the importance of fighting for others.

Sexual Content

  • None

Violence

  • Birds attack Byx and his friends. The birds “hit us like a hailstorm, slamming into chests and heads, striking with the cruel beaks that had given them their name. In seconds, I (Byx) was cut on both arms, narrowly avoiding a slashing attack that would have opened my neck. I heard a dog yelp in pain as a razorgull sliced through his fur.” Trying to protect his friends, Gambler “plowed straight into the bird cloud, slashing and batting with nearly supernatural speed and accuracy. He caught one unfortunate bird which promptly disappeared down Gambler’s gullet. Lunch. Razorgull blood streaked the side of his jaw and the birds swirled away as they considered this new threat.” The attack lasts for four pages.
  • When Renzo was ten years old, he was given twenty lashes for stealing.
  • Renzo tells about his childhood when his master, Draskull, would beat him. “Draskull was not good, and he could be brutal. . . You see the heavier scars on my back? Those were left by Draskull. He liked to use a bamboo stick.”
  • Byx and his friends go into a forest. They discover that the trees are alive, and “the branches were turning into giant worms.” The worms carry the group into a huge hole. “Luca screamed. Tentacles whipped around him with inhuman speed. He cried out again. I heard the horrifying sound of bones crushing. And then I, too, screamed in horror, as Luca’s bloodied body dropped into the pit.” When Tobble sees Luca’s dead body, he “bent over and vomited onto a knot of worms beneath him.”
  • Several of Byx’s friends are captured by bug-like creatures who bury them. Khara’s head “was mounted on the side of the tunnel. Just her head. Sticking out from the dirt wall as if it had grown there naturally.” Later Khara reveals that, “I lay there, buried, helpless, believing I would have to remain there for days, hearing Renzo and Gambler weaken, knowing their hunger, knowing their fear. Knowing that it would take us a long time to die.”
  • When soldiers spot Byx and his friends, Gambler “ran, leapt, let loose a terrifying roar, and hit the nearest man-at-arms while snagging a second with one extended paw. Khara swung her sword at a third soldier. He parried well, but his weapon was no match for the Light of Nedarra. Khara’s sword broke his in half, and with a backhand swipe, she sent him running. . . Renzo smashed the edge of his shield down on the man, who crumpled to the ground. . .I had my knife out, but I’d learned only one move. I shouted a mix of terror and determination and ran straight at the bit man as he aimed his staff toward me. . . I threw myself at the ground between his legs and slashed at a knee. . . Blood soaked his pant leg.” A man is killed when a soldier hits him with an arrow. The scene takes place over four pages.
  • When Byx, his friends, and a group of slaves try to escape on a boat, archers begin firing at them. “One of the rowers was hit in the leg. Grimacing in pain, he kept rowing, despite the shaft sticking out of him.” The group rows into a reef, and the soldiers follow, but the reef breaks up the galley. “Maybe a few would find wreckage to keep them afloat. Maybe a few could swim well enough that they had a chance to reach shore. But most, we feared, would drown.” The escape scene takes place over three pages.
  • As a diversion, Khara and her friends roll burning barrels down a path. As the group tries to pass the soldiers, a soldier stops them. In order to escape, “Khara had drawn her sword. She struck hard and fast, and the man who had questioned her spoke no more. . . We tore after Khara as she pursued the fleeing man. They disappeared from view for a moment, and when we reached them, Khara was panting and I saw a smear of blood on her face. . . A single guard was on duty . . . Khara came up behind him and smashed the hilt of her sword against the base of his skull. He would have a terrible headache when he woke up, but at least he would wake up.”
  • When Khara’s father dies, she must fight in order to be the leader. Tobble is at her side and fights Mountain Morgoono. “Mountain cursed and swatted, slapping himself in an effort to grab the swift wobbyk. But Tobble was already atop Mountain’s head, legs wrapped around his neck, riding him like a child on his father’s back. And then Tobble went berserk. . . Tobble yanked out Mountain’s hair in tufts, tore one of his nostrils, and bit a sizeable hunk out of his right ear. . . Like a toppled tree, Mountain dropped. . . Tobble drew his knife and held it near the man’s throat.” Mountain Morgoono yields and the match ends.
  • After Tobble defeats Mountain Morgoono, Khara faces Albrit. “Albrit dodged right, but as Khara passed, she managed to slice a red line in Albrit’s shoulder. She dropped from the rope at the end of its arc, spun, and faced Albrit, who charged, his own sword swinging horizontally with such force that it could have cut Khara in two. Khara ducked under the swing. . .” Khara defeats Albrit, who becomes her general.
  • When soldiers see Byx and his friends, they chase them, shooting arrows at them. An arrow hits Maxyn’s horse, and Maxyn is captured. Byx and his friends leave Maxyn behind. Later when Byx finds Maxyn, he learns that “he’s been treated badly. . . His hands were wrapped in bloody bandages. His face was swollen. And his eyes, when they opened, seemed empty and lost.” Maxyn also had a swollen jaw, and “a deep cut, from ear to muzzle, oozed pearly blood.”
  • Soldiers in boats surround a village, intending to starve the villagers out so they can capture and enslave them. In order to help the village, Tobble sets a boat on fire and runs it into the soldiers’ ship, which then catches fire. Tobble is able to reach the shore, but “he had singe marks on his fur. His face was smeared with soot. But he was grinning.”
  • When Byx and his friends see soldiers coming their way, Byx decides to attack first. “I stabbed my knife at him, and he knocked it aside easily with his sword. My blade twirled like I was being pursued by a raptidon.” No one is injured.

Drugs and Alcohol

  • Byx and his friends are close to a town. When they enter, “a loud and boisterous party was underway, including many drunk-sounding voices, and music was being played. . .”

Language

  • None

Supernatural

  • Byx is a dairne who can tell if someone is lying because she can “feel the falseness.” Byx explains that when he hears a lie, “there’s something missing, and you hear the wrongness of it. You feel it in your belly. . .”
  • Byx and his friends go into a cave, where natites give them water that speeds the healing process.
  • Some of the characters know “theurgy” which is the “study of spells and incantations.” Renzo sometimes uses magic while cooking. The magic “didn’t amount to much, though: a cold stew turned hot, a bland vegetable seasoned. One night he’d tried to impress us by popping tallin kernels. They’d turned into little fireflies and floated away on the breeze.”
  • A natite has a fishtail and is “vaguely human in shape. . . Green flesh covered its powerful shoulders and chest, and two huge, writhing tentacles rose from the creature’s shoulder blades.”
  • Khara has a magical sword that conceals its true nature until it is drawn in anger.
  • There is a large moving island that is rumored to be carnivorous. Byx discovers that the island rides on Tarok, “a huge ancient water beast. Over thousands of years, the rare creatures accumulated layers of dirt and vegetation until they because, in essence, living islands.”
  • The natite captures Byx and his friends. Their galley “sank with sudden, plunging speed. But even as we all cried out in panic, it became clear that the entire galley was sinking within a massive bubble of air.” The natites question Byx and then let him go.
  • While underwater, a natite casts a spell, “Tamak on maaginen colloitsu, joka trojuu vett’ank antar simulle heng itsken.” When the spell is cast on Byx, he “felt something spreading across my body, as if someone were covering my fur with jelly. It was at once invisible and disturbingly slimy. When the goo made its way to my face, I felt a moment of panic.” The spell allows Byx and his friends to breathe underwater.
  • Khara finds out that a sword has a spell of destiny on it. “A spell of destiny underlies all other magic, a curse and a prophecy. The sword will be drenched in blood in a great war.”
  • Renzo tells Byx that he can “cast spells that confuse the eye, but not invisibility spells.” However, in the story he does not use the spells.
    Spiritual Content
  • A natite tells a story about how “a traitorous band of the Queen’s soldiers tried to abscond with the objects soon after our arrival here. As they escaped, there was a violent volcanic eruption. The gods, no doubt, were angered at their betrayal.”
  • Tobble believes in Hanadru, “the great artist who lives in the clouds and paints the fate of all on her great easel. . .You may not believe in Hanadru, but she is one of the Pure Spirits of people.” To this, his friend replies, “I don’t believe in fate, whether it’s some god named Hanadru or someone else.”
  • When Tobble is able to defeat his enemy, he says, “Hanadru was kind.”

The One

As Maxon’s Selection has been narrowed down to the final four girls, competition between the girls is tight. America has noticed her growing love for Maxon, and her jealousy grows as she watches the other girls get closer to the man she loves. The King, however, will do anything to make sure Maxon doesn’t choose America, since she is from a lower caste, and the king can’t manipulate her. The King has started pressuring her to leave the Selection. Plus, America’s previous love, Aspen, has started working as a castle guard, and his presence threatens to unravel the progress Maxon and America have made in their relationship.

As the Selection wears on, rebels against the monarchy are becoming restless and threaten to overthrow the kingdom along with the caste system. Members of the Northern Rebels sneak into the castle and ask for Maxon and America. The rebels strike a deal with them on the promise that if the caste system is ended once Maxon becomes king, the Northern rebels will keep the Southern, more violent and ruthless rebels, at bay. Can Maxon and America trust the rebels? Or will the rebels overthrow the monarchy before the Selection even ends?

Readers will be kept on the edge of their seats in this final installment of the Selection series. The book’s twists and turns will help to drive the plot as America and Maxon make their way to the end of the Selection. This third and final book of the series picks up in excitement and romance that was lacking in the second book, The Elite. Though this book is very entertaining, readers will want to have read the previous two books of the series to understand the dynamic characters, the competition between the girls, and the Selection process as a whole.

America is once again shown as the headstrong, powerful woman that was introduced in the first book of the series. Entertaining characters from the previous books will make their appearances, along with new, well-developed characters that add excitement and more diversity to the plot. Themes of friendship, family, and standing up for oneself are seen throughout the story and will help to encourage readers to stand up for what they believe in. With the book’s heavy focus on America’s family and friends’ love and support, readers will recognize that with the support of their own friends and family, they can do anything.

The One has many surprises and a satisfying conclusion. Readers will want to have the first book of Cass’s continuation of the Selection series, The Heir, on hand.  The Heir jumps 20 years into the future, where readers learn more about Maxon, America, and their children.

Language

  • Damn is used twice.
  • Darn is used once. When he proposes, Maxon states that he’s had the ring for a long time and, “I’ve been sleeping with that darn thing under my pillow.”
  • After there is a misunderstanding of whether or not America has seen Maxon without his shirt on, Celeste is upset and yells, “‘You slut!’”
  • Hell is used three times.
  • The king threatens Maxon, saying that he will force America to go home. The king says to America, “I’ll give you some time to find out where you stand. If you won’t do this, then rules be damned, I’ll be kicking you out by Christmas Day.”
  • Maxon describes himself as being “an absolute ass.”

Sexual Content

  • Competition is rising between the girls, and in order to get ahead of one another, they begin to make physical advances towards Maxon. America begins to think about what she’s done with Maxon and is concerned that, “According to the king, the other girls were making advances toward Maxon—physical advances—and he’d said I was far too plain to have a chance of matching them in that department.”
  • America attempts to seduce Maxon by dressing in a revealing dress. After dinner, Maxon comes up to her room to talk. As he comes into her room, “he focused on me, his gaze traveling up my exposed leg.” They sit on America’s bed and talk, as America continues her attempt to seduce him. “Sliding my hands down Maxon’s arms, I guided his fingers to the zipper on the back of my dress, hoping it would be enough.” They talk some more and Maxon eventually leaves the room. The encounter lasts for three pages.
  • After coming up with a plan to make the king like her, America and Maxon kiss. “With an impish grin on his face, he (Maxon) came very close and gave me a long, slow kiss.”
  • In an argument between the girls, America focuses the attention on Celeste by bringing up an encounter where she saw Celeste and Maxon together. America says, “Celeste was half-naked up against him in a hallway!”
  • During an argument between the girls, someone mentions how far they have gone with Maxon physically. Kriss then questions, “We need to clear this up. Who has done what with Maxon?’”
  • As she is recounting the argument with the other girls to Maxon, America explains to Maxon why she mentioned that she had seen Maxon without his shirt on. America states that “‘The girls know I saw you without your shirt on…now they just think we were in the middle of some big make-out fest.’” She continues to explain that, “‘They (the other girls) know I was your first kiss. And I know everything you have and haven’t done with them.’”
  • America walks in on Maxon kissing one of the other girls. America sees “the back of Maxon’s head as Kriss’s hand slid just barely into the neck of his suit. Her hair fell to the side as they kissed, and, for her first, it seemed like it was going really well.”
  • Maxon and America sneak out onto the roof of the castle while it’s raining. “I raised my face to Maxon’s, placing a hand on his cheek, pulling him down for a kiss. His lips, wet, met mine with a brush of heat.” They kiss several times and the kiss is described in detail.
  • Celeste and America discuss Maxon. Celeste says Maxon is “cute. And a great kisser.’”
  • While Maxon and America are in the back of a truck, they “went over a pretty jarring bump, and he grabbed me. I felt our noses brush in the dark, and the urge to kiss him came unexpectedly fast.” Their kissing is described for about a page.
  • America meets a girl named Paige who lives on the streets and makes money through prostitution. Paige explains to America that, “Just this week I found a group of girls. We work together and share all the profits. If you can forget what you’re doing, it’s not so bad. I have to cry afterwards.”
  • Maxon is telling America how he feels about her. Maxon begins to describe his feelings, and “a devilish smirk came to his face. He moved his lips to my ear. ‘I can think of a few other ways to show you how you make me feel,’ he whispered…I trembled as he ran his open lips over a tiny patch of skin, his breath so very tempting.” This encounter lasts for two pages.
  • When Maxon proposes to America, she “laughed in shock and started giving him kisses and giggling between each one.” Their intimacy grows more intense as, Maxon’s “lips traveled down my neck as he loosened his tie, throwing it somewhere near our shoes.” During their encounter, kissing is described in detail and they somewhat undress before stopping. This lasts for three and a half pages.
  • Aspen walks in on Maxon and America sleeping next to each other in bed. Aspen is alarmed and America is embarrassed. Maxon says, “Don’t be embarrassed. It’s not as if we were naked. And it’s bound to happen in the future.”
  • Maxon starts to leave America’s room after talking about their future. Maxon stops as he is leaving and “tackled me (America) on the bed, covering me with kisses.” This scene continues for half a page.
  • Aspen finds America and Maxon sleeping next to each other. Aspen says to America that he, “‘just can’t believe you slept with him.’” However, nothing happened between America and Maxon.
  • Maxon and America kiss after Maxon is shot. Then America “bent to kiss him. It was every kiss we’d ever had, all the uncertainty, all the hope.”
  • After the battle, one of America’s maids, Lucy, goes to find the boy she loves. After finding him in the hospital wing, Lucy “fell into his arms, kissing his face over and over.”
  • Maxon finally gives America a ring after the battle is over. Maxon kisses America, and she “felt my life settle into place.”
  • A girl talks about what the night after Maxon and America get married will be like. She jokes, “‘Wait until tonight.’”

Violence

  • Southern rebels attack them while America and Maxon are outside the castle with their Northern rebel allies for a meeting. The Southern rebels pull guns on them and as they are trying to escape, America is shot in the shoulder. America “looked down, and in the faint glow of a streetlight, I saw something wet coming from a rip in my sleeve. I’d been shot.” The scuffle occurs over three pages.
  • A girl name Paige finds America in an alley after she is shot. Paige explains her story of how she ended up on the streets. Paige said, “Two weeks after Dad died, she (her aunt) started hitting me. I had to sneak food because she said I was getting fat and wouldn’t give me anything to eat.”
  • Southern rebels overrun the castle in an attempt of taking over the monarchy. Many people are injured or killed. America recounts the invasion as she “watched in confusion as a red-marked guard walked up behind Celeste and put a bullet squarely through the back of her head. The screaming and gunfire exploded at once. Guttural shouts of pain filled the room, adding to the cacophony of chairs screeching, bodies hitting walls, and the stampede of people trying to escape as fast as they could in their heels and suits.” This battle lasts for seven pages.
  • During the attack on the castle, Maxon jumps in front of a bullet for America, and it hits him in the chest. America “scurried under the table to find Maxon breathing with great labor, a large red stain growing across his shirt. There was a wound below his left shoulder, and it looked very serious.”

Drugs and Alcohol

  • People are drinking alcohol at a Christmas party. America describes her involvement in the party. “As the relatives started getting tipsy on eggnog, I slipped away, not up to pretending to be jolly.”

Spiritual Content

  • America prays to God after Maxon is shot. She “pinched my eyes together, begging God to keep him alive.”

Supernatural Content

  • None

by Kate Kucker

Game of Stars

Twelve-year-old Kiranmala just wants to be normal, despite having been born an Indian princess in the Kingdom Beyond, an alternate dimension. So, when the Demon Queen shows up in her dreams, Kiranmala doesn’t want to listen to the demoness.

After a visit with some all-seeing birds, Kiranmala finally, reluctantly goes to the Kingdom Beyond and finds that the Kingdom Beyond is in danger. A game show reigns supreme, society is fraying, and everyone is running scared or imprisoned. Kiranmala knows her father is behind the game show, but is there any way she can beat him at his own game?

The second installment of the Kiranmala and the Kingdom Beyond Series, Game of Stars takes readers on an action-packed ride through the Kingdom Beyond. The story brings back some beloved characters from the first book and adds new characters as well. This story will be confusing if readers have not read The Serpent’s Secret first!

The story revolves around the Indian culture and mythology, with many of the creatures straight out of Bengali folktales. For those not familiar with the culture, some of the references to Indian food, clothing, and monsters may be confusing as they lack adequate description. The cute black and white illustrations scattered throughout the story help the readers visualize some characters and events, but there needed to be more of them. Although it is exciting to have an Indian heroine, the story may be frustrating to follow for those unfamiliar with the customs.

A drawback to this book is that none of the characters talk like normal people, and much of the dialogue is childish. Some creatures talk in rhymes and riddles, which is fun. However, the characters continually use name calling throughout the story, which adds to the childish tone. For example, someone calls the Serpent King a “scummy snake” and a “pooper-scooper.” Even the Demon Queen’s and the Serpent King’s dialogue makes them seem more like whiny children rather than strong adults.

As Kiranmala travels through the Kingdom Beyond, she considers the nature of good and evil. Through her experiences, she learns that being human or a rakkosh doesn’t define you; instead, it is how people act that makes them good or evil. Throughout the story, Kiranmala worries that she will become evil like her father. A professor tells her, “No one turns good or evil by magic. That’s not how it works. You become evil when you choose to act against your conscience again and again. Being good or evil is about the decisions you make each and every day. It’s not something that just happens to you.

For those who haven’t picked up the Kiranmala and the Kingdom Beyond Series, you may want to try Aru Shah and The End of Time first because it is less confusing but still revolves around India’s mythology. Middle school readers will enjoy the riddles, the funny characters, and the exciting chases.  Overall, Game of Stars is an action-packed story that shows that a strong, smart girl is capable of heroic deeds and saving the prince.

Sexual Content

  • A store vendor tells Kiranmala a story. “Well, when the Raja wasn’t having any heirs, he called upon a rishi, one of those sadhu-sanyasi guys who meditates on the mountaintop and knows all sorts of magic shajik. . . So, anyhoo, this guy gave the ranis a super-magical fertility root to share so they would all have babies.”
  • As part of the contest, there is a promotional poster that shows Kiranmala about to kiss a boy.

Violence

  • Kiranmala sees her imprisoned friend and thinks, “Neel did look terrible. . . he also looked skinny and, weirdly for a half rakkhosh who hardly needed sleep, tired. He had big dark circles under his eyes, a fading bruise on his cheek, and one side of his lip looked puffy, like he’d been on the wrong side of somebody’s fist. . . Both of his wrists were bound in cruel metal shackles. The chain from his wrists led to shackles that bound his ankles too.”
  • When Kiranmala tries to free Neel from prison, Bogli tries to stop her. Kiranmala “let my arrows fly. Unfortunately, about 50 percent bounced right off Bogli’s scales. The other 50 percent that found their mark didn’t’ seem to do much damage, but hung there, kind of boinging” Neel uses a fork to stab “Bogli’s slimy skin.” During the fight, Bogli “smacked Neel hard across the face. Because of his shackles, Neel didn’t have super balance, so he fell hard, unable to use his hands too much to break his fall. . . He got in a blow to the monster’s thigh with both his shackled hands before Bogli flicked him off like a mosquito, then pinned poor Neel under a giant, warty foot.” The fighting continues for nine pages; no one is seriously injured.
  • When Kiranmala takes the Serpent king’s tooth, he tries to get it back by “flinging uneven green bolts of energy at us in between giggles. . . I nocked arrow after arrow in my bow, but they didn’t seem to bother Sesha. And as if the flying bolts of pain weren’t bad enough, at the Serpent King’s cry, the scraggly lawn outside the dentist’s office filled with snakes of all kinds. . . they slithered viciously in our direction, surrounding Ai-Ma in a trice. They hissed and snapped at us.” The scene takes place over two pages.
  • When Kiranmala goes to talk to a professor, he starts throwing fish at her. Kiranmala “found myself being pelted by something wet and slimy. A story of wet of slimy things actually. . . I put my hands up to protect my face, but the onslaught of rapid-fire fish kept flying at me, flapping on my skin with their scaly cold.” The professor stops throwing the fish when he realizes Kiranmala is not a ghost.
  • Soldiers parade Kiranmala past a prison cell, where she sees Neel’s grandmother Ai-Ma, “her shoulders hunched and face grim. There were some disposable teacups hanging from her few strands of hair and little burn marks like someone had thrown hot tea at her. Off her skin hung strange patches of vegetable peels and plastic bags too, like people had been using her as a target for throwing garbage.
  • Kiranmala must pass a test and if she does not, a witch and her sister will “eat you and the prisoner’s livers for a snack! While they’re still in your bodies.”
  • In order to save Neel, Kiranmala must rip off a bee’s wing, but because the bee is the Rakkhosi Queen’s soul, the queen will also die. The Rakkhosi Queen tells Kiranmala, “Do it!” When Kiranmala refuses to rip off the bee’s wing, the Rakkhosi Queen, lunged at me. I screamed. I really thought she’d just had it and was going to kill me, but it wasn’t me she was after. Her sharp talons grabbed the bee out of my hand, and in one swift motion, she tore off its wing. Her scream. . . Deep and horrible, like someone was being cut in two. The demoness dropped the sword and then fell down heavily next to it . . . She writhed now on the floor, her arm at a horrible, unnatural angle.”
  • The Serpent King tells Kiranmala, “I want to kill you and the Rakkhoshi Queen both.” The Serpent King then “shot a bolt at me, encasing me in one of his green orbs of pain and torture. Immediately, I dropped to my knees inside the floating bubble. The sharp, hot pain on my skin and in my bones was so intense, I couldn’t stop from crying out.” Neel charged “at Sesha with his sword raised. They clashed, sword to green bolt, making an enormous explosion of light every time their weapons made contact.” During the fight, Kiranmala must fight a ghost who took Neel’s brothers’ form. The Serpent King uses two stones, and when their power combines, “Neel’s mother was floating up off the ground now, her glowing body losing its form, becoming water and then fire, earth and then air, over and over again.” The battle scene takes place over three chapters. With the help of her friends, Kiranmala is able to free Neel and save his mother.

Drugs and Alcohol

  • None

Language

  • Crapola and crud are used once.
  • Dang and heck are used twice.
  • Darn in used four times. For example, when Kiranmala sees Neel in prison, she yells, “I’ll rescue you if I want to and you’ll be grateful, darn it!”
  • Throughout the story, there is name calling. For example, a demoness calls Kiranmala Loonie-Moonie, pea-brained tree goat, and a pathetic puppy from Parsipppan.” Someone calls the Serpent King a “scummy snake” and a “pooper-scooper.”
  • Several times the skateboarding resistance is referred to as scum.
  • Neel’s mother calls him an idiot.

Supernatural

  • Barngoma and Bangomee, are birds with human heads. When Kiranmala sees them, “they didn’t speak out loud but somehow, their words slipped into my brain. . . their voices floated into my head in a weird, nasal unison.”
  • Barngoma and Bangomee use their power to hypnotize Kiranmala. “They opened their eyes wide, and again, I felt like I was falling into their swirling rainbow irises. Those swirly, whirly birdie eyes somehow pulled me out of myself so much that I actually felt separated from my body and spirit. . . Falling into the giant birds’ eyes was the wackiest, weirdest thing. I felt like I was flying through a movie on super-duper fast forward.” When she is in a trance, she sees her friend imprisoned and can interact with him.
  • Barngoma and Bangomee create a wormhole that takes Kiranmala to the Kingdom Beyond. Kiranmala advises, “If you have never driven an auto rickshaw through a rip in the fabric of space-time created by two giant, hippopotamus-sized birds, I strongly recommend wearing a bike helmet when you do.”
  • Kiranmala learned that “rakkhosh were actually, in some weird, interdimensional way, the same thing as back holes.”
  • Bolga was “born from a well of dark energy.” She has “webs between her toes, gills along her neck, and webbing fanning out beneath her giant arms.”
  • Kiranmala sees the birth of the Chintamoni and Poroshmoni stones. When she enters the wormhole, “the last thing we saw floating by us in space-time were some gods and demons churning an ocean of milk. They pulled on a familiar-looking snake wrapped around a mountain that operated as a churn. Out of the ocean rose medicine and poison, light and dark, good and evil, and then a sparkling white stone and a glowing yellow one.”
  • Kiranmala explains “the power of Chhaya Devi’s vials. They held the shadows of trees inside. Once freed, the shadows reconstituted themselves like expanding sponges. Super-powerful, tree-shaped magic sponges, that is.”
  • Kiranmala is able to understand parkkhiraj horses.
  • Kiranmala and Neel are able to communicate through the moon’s reflection. Neel says, “When I look up at the moon through the cell window, I can see you reflected there.”
  • Kiranmala has to face ghosts, which is dangerous because “looking at a ghost face-to-face while it was calling me would make my soul forfeit for the taking.”
  • Before Kiranmala dives into the ocean, someone “spun some sort of land rakkhosh dryness spell over me so that my clothes, pack, and weapons would stay dry and I dived into the water.”
  • Kiranmala goes to a hotel and sees a ghost, who was carrying its head. Later, she discovers that the hotel is alive.

Spiritual Content

  • The story focuses on Indian mythology, including mythological monsters and demons.

 

Edge of Flight

The boxes are packed. Tuition has been paid. But before Vanisha leaves, she wants to go rock climbing with her friends one last time. So far, she has been unable to complete the Edge of Flight, the toughest rock climbing route Vanisha has ever faced. This time, she’s determined to make it up the cliff.

When Vanisha and her friends, Rusty and Jeb, set up their campsite, they discover an illegal marijuana grow. When Jeb decides to explore the marijuana field, a group of bikers discovers him. When Jeb is shot, he needs immediate help. But the bikers are looking for the kids. In order to save her friend, Vanisha must conquer the Edge of Flight, hike into town, and avoid unexpected dangers. Can Vanisha overcome her fear to save her friend?

Edge of Flight is not only about rock climbing, but also about teens making decisions about their future. Vanisha plans to attend college in the fall; however, she is unsure of what she wants to do. Through her experiences, she learns, “You’ve got to take one road or the other. You’ve got to decide. And no one can decide for you. It’s your decision. Because it’s your road. You’re the one who has to walk it. Not your mom. Not anyone else.” The story has a positive message about discussing your dreams with your parents, but also the importance of making decisions that are best for you.

Vanisha’s college conflict will resonate with many high school students. The easy-to-read language, straightforward plot, and short length will appeal to reluctant readers. However, those not familiar with rock climbing may not understand all of the terminology without the aid of the glossary, which is at the back of the book. Although the story should be suspenseful, the character development is lacking, which makes it difficult to connect with Vanisha and her friends. Confident readers should skip Edge of Flight and instead read Jaimet’s other book, Endangered: A Death on a Deadline Mystery, which is an excellent mystery.

Sexual Content

  • None

Violence

  • Jeb goes to explore an illegal marijuana grow and someone shoots at him. “Another shot rings out. Jeb stumbles and crumbles to the ground.”
  • A group of men is at a campsite drinking beer, and they smash Jeb’s truck with a tire iron.
  • A man grabs Vanisha. “He laughs, his breath hot in my ear, and drags me towards the campsite.” Vanisha’s friend tries to help. A short fight ensues, and someone pulls a hunting rifle on the group. No one is injured.

Drugs and Alcohol

  • Vanisha and her friends come across an illegal marijuana grow. The experience makes Vanisha wonder if she can trust her friend. She wonders, “What if he’s got a stash of weed in his glove compartment, or hidden under a seat? What if he’s got a couple of cans of beer hidden among all of the junk in the back of his trunk?”
  • A woman tries to help Vanisha. In order to get around the men, she tells Vanisha, “Honey, if I know them boys, they’re already drunk and stoned already. They’ll pass out eventually. I’m just gonna help them along with a little home brew and Southern charm.”

Language

  • A boy says “‘scuse my dumb ass for livin.’”
  • “Sweet Lord Jesus” is used as an exclamation once.
  • A boy calls his friend a moron.
  • A man is “pissing against” a truck.

Supernatural

  • None

Spiritual Content

  • None

Aquaman: Undertow

Thirteen-year-old Arthur Curry wonders why his mother left when he was only three years old. He wonders why he doesn’t fit in with the other students at school. Arthur doesn’t like when other students call him freak or fish boy. When Claudia befriends him, Arthur wonders if she’ll decide he’s too weird to be her friend.

Arthur wants to learn about his mother. He also wants to figure out why he seems more comfortable talking to an octopus than kids his own age. When a huge storm strikes Amnesty Bay, Arthur discovers that he has the ability to help others. But should he help the boys who have bullied him for years?

Younger readers will enjoy Aquaman: Undertow because it shows that even superheroes can often be misunderstood. The short chapters and easy vocabulary make the book feasible for reluctant readers. The story does not follow the movie, which might disappoint some readers. The bullying conflict comes to a satisfying end that highlights the importance of helping others, no matter who they are or what they’ve done.

Aquaman: Undertow gives a unique insight into Arthur’s early teenage life. Although the plot is not well developed, readers will be able to relate to Arthur as he struggles with being bullied. The story has rough transitions, and some of the scenes end abruptly. The story jumps from Arthur’s current life to his nightmares, and then to Arthur’s father telling stories about the past. Despite the choppy transitions between scenes, readers will enjoy getting to know the boy who becomes Aquaman.

Sexual Content

  • None

Violence

  • At a school field trip, Arthur is looking at fish. “The next thing Arthur knew, a hand was palming the back of his head, and his face was shoved against the glass tank. Arthur winced.” A friend helps Arthur.
  • At the aquarium, two boys bully Arthur. One of the boys, “grabbed his shirt and banged him up against the glass. Arthur noticed that the crowd of classmates and other aquarium visitors were not staring at him. . . His back was pressed against the glass as Arthur watched Matta and Mike continue their taunting, their name calling, their bullying.”

Drugs and Alcohol

  • None

Language

  • Matt and Mike call Arthur names, including “freak” and “fish boy.”
  • Claudia calls a boy a “jerk” several times.
  • Arthur says “dang” once.
  • A boy says “frickin’” once.
  • A fisherman exclaims, “What the hell?!” Later another person asks the same question.

Supernatural

  • Arthur can understand how fish feel, can swim under water, and has superhuman strength.

Spiritual Content

  • None

The Unicorn Quest

Claire’s great-aunt Diana mysteriously disappeared. As her only family, Claire, Sophie, and her parents plan to spend the summer cleaning out Diana’s house, which is cluttered with her aunt’s collection of strange artifacts. When Claire and Sophie discover a ladder in the fireplace, Sophie leads the way up. . . and up. . . and up. They discover a fantastical land called Arden, filled with castles, magic, and dangerous creatures. Claire makes Sophie promise never to climb the stairs again.

When Sophie disappears, Claire knows she must be brave enough to search for her sister by going up the ladder. When Claire gets to Arden, she discovers a world full of danger. Four guilds of magic no longer trust each other. All of the unicorns have disappeared. Horrible wraiths roam at night. And Sophie is missing. Claire must find the courage to search for her sister, but first she must discover the secret of the unicorns.

Claire is fearful that her sister is in danger, which propels her to team up with two others—Netta and Sena—in order to find Sophie and a stolen unicorn relict. Because Arden’s war happened in the past, the action included in the book is not scary. Instead, readers will be enthralled with Arden’s strange creatures and magic.

The land of Arden is well developed, and the author uses beautiful descriptions to bring the setting to life. Even though the story contains some exciting scenes, the long descriptions slow down the pacing of the plot. The story follows a typical epic format—a girl is forced to go on a quest, teams up with others, and travels from place to place searching for answers. Readers expecting a story about sisters and unicorns will be disappointed, because there is little interaction between Claire and her sister, and the unicorn only appears for a brief flash at the end.

The Unicorn Quest will entertain strong readers who like reading about magical lands and characters going on a quest. Although the story is not unique, Claire is a believable character that overcomes her fear as she searches for her sister. The sweet ending has several surprises and will leave the reader wanting to pick up the next book in the series—Secret in the Stone. The Unicorn Quest will appeal to those who like stories such as The Last, by Katherine Applegate, and Podkin One-Ear, by Kieran Larwood.

Sexual Content

  • None

Violence

  • A wraith tries to attack Claire, but before it does Sophie, “had thrown herself onto the thing’s back and was desperately pounding at its shoulder blades, her fist sinking into the shifting, smoky blackness that hung around it. . . Claire scooted away from the creature, but then there was another shriek—from Sophie this time—and Claire watched in horror as the beast’s clawed hand reached behind and finally peeled Sophie off its back, throwing her to the ground.” With help, the girls are able to escape.
  • When Claire climbs up the ladder to get to Arden, she is attacked. “The air whooshed out of Claire as something—someone—tackled her from behind. She felt a knee land firmly on her lower back, pinning her to the ground. Pain ripped through her shoulders as her arms were yanked behind her. . .Claire coughed, spitting out the dirt that coated her mouth from the fall. Something cold and hard suddenly pressed at her throat: the edge of a knife.” Claire is then taken into the city, where she is put in jail.
  • While stuck in a cave a wyvern appears. Claire uses magic to put the wyvern in a cage. “The wyvern strained, its shoulders pounding against the rock-cage. To Claire’s dismay, the wyvern’s scales seemed to be chipping away at the bars, widening the space little by little.” Claire calms the wyvern, and the group gets out of the cave safely.
  • A man tries to club Claire, so she holds her sword as if it is a baseball bat and, “swung at the club, trying to keep it away from her. Sword and club met with a clang that reverberated through her.” Someone stops the man from hurting Claire.
  • When Sophie is shot with an arrow, “a scream burst out of Claire as her sister’s blood poured over her knees. . . Sophie’s pitiful whisper made Claire grab on to her tighter. . .” A man picks up Sophie and lays her, “at the foot of Queen Rock,” in order to perform a ceremony.
  • A wraith grabs Claire. “As its skeletal hand, smelling of rotten flesh, tightened around her neck, Claire knew, in that horrible way one always knows, that she had made an irrevocable mistake. She gasped for breath as the wraith dragged her slowly back. . . Dark thoughts wrapped around Claire’s mind as she felt herself drowning in the wraith’s cold.” Claire uses magic to save herself.

Drugs and Alcohol

  • Claire is given Sinceri Tea, which is, “distilled from forget-me-not petals for recollection, sunflower seeds for openness, and a blade of hedgehog grass from the beaches of the Sunrise Isles. It will ensure you cannot lie when you answer.”

Language

  • None

Supernatural

  • Claire and Sophie find a ladder in a fireplace. When they climb the ladder, they end up in Arden—a world where magic is real.
  • In Arden, there are four guilds of magic. Forgers work with metal, Gemmers work with rocks and gems, Spinners weave magic from thread, and Tillers work with all that grows from the earth. “Our magic, guild magic, only extends to what’s around us. . . The magic doesn’t come from within us, but from the things around us—plants, rocks, thread, metal. All we do is encourage the magic that naturally exists in those things, to make plants grow bigger and faster and stronger, for instance.”
  • Wraiths are dangerous creatures that kill humans. Claire describes a wraith as “big and dark and cold. It kind of looked like a skeleton wrapped in shadows.”
  • Nett uses Mile High Potion to turn a blade of grass into rope. Nett, “let a drop of something green tumble onto a blade of grass. With his thumb and forefinger, he pinched the blade and gave it a twist . . . The blade of grass was growing longer and larger, going from the length of some floss to shoelace size in a matter of seconds.”
  • While in a shop, Nett finds a revealer, which, “reflects a person’s greatest flaw. . . It’s a horrible thing to have the nastiest, most secret thoughts within you revealed to all.” He also finds an herb that will, “take away the eater’s ability to make decisions for an hour, or four years, depending on the amount consumed.”
  • Claire discovers that she is a Gemmer and can talk to wyverns.
  • A woman uses a magic threat to choke a man. “Francis dropped to his knees as though someone had set a bag of bricks on his shoulders. His arm flailed as he tried to push his Royalist cloak off, but as hard as he tried, he could not lift the garment from his shoulders. There were a few snaps as his ribs cracked.”

Spiritual Content

  • None

The Chupacabras of the Rio Grande

Professor Fauna hears a news report about something that has completely drained the blood from a cow’s body! The professor thinks a chupacabra may be the culprit. Professor Fauna bursts into Elliot and Uchenna’s classroom and flies them to Laredo, Texas.

Once they arrive in Texas, the kids team up with local kids Lupita and Mateo, their brilliant mother Dr. Alejandra Cervantes, and their father Israel. However, helping the chupacabras isn’t the only problem. The people of Laredo are also angry about the building of a border wall. Is there any way to help this divided community? Can the Unicorn Rescue Society save the bloodsucking creature?

As Uchenna and Elliot search for clues that will help them find the chupacabras, they also learn the complicated issue of building a border wall. When talking about the border wall, Professor Fauna said that a border wall is intended to enforce the law, but it is also, “dividing communities and families who have always lived on both sides of the border.”

The kids also meet Andrés, who is having a difficult time because he is separated from his parents. Andrés was born in the United States, but his parents weren’t, so they were taken to a detention center. The story shows that people can disagree about the border wall but still be friends. In the conclusion, the theme is made clear; “Governments create borders. But for families—of chupacabras and people—borders just keep them apart.” The author’s view on immigration is made clear; although it ties into the story, the story only shows one side of the argument.

The Chupacabras of the Rio Grande has a well-developed plot full of suspense and adventure. The addition of the Cervantes family allows readers to learn about the Mexican heritage. Although the story takes a more serious tone than the previous books, readers will enjoy the interaction between the characters. In the end, the story highlights the importance of working together despite differences. The Chupacabras of the Rio Grande is an entertaining story that could be used as a starting point for a good discussion on immigration.

Sexual Content

  • None

Violence

  • The chupacabra runs into a flea market where it, “leaped from the table and slammed into an elote cart, knocking it over. Corncobs and kernels and cream and liquid chili went spraying all over the asphalt.” At one point an, “elderly woman . . . threw a charger at him.”

Drugs and Alcohol

  • None

Language

  • “Heck” is used twice.

Supernatural

  • None

Spiritual Content

  • When Uchenna and Elliot go to the Cervantes’s house, they see a niche that has a statue of the Virgin Mary. The Cervantes’s also have an, “alter to our abuela. . . She was the family matriarch.”
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