Throw Like a Girl

When softball star Liv Rodinsky throws one ill-advised punch during the most important game of the year, she loses her scholarship to her fancy private school, her boyfriend, and her teammates all in one fell swoop. With no other options, Liv is forced to transfer to the nearest public school, Northland, where she’ll have to convince their coach she deserves a spot on the softball team, all while facing both her ex and the teammates of the girl she punched. . . Every. Single. Day.

Enter Grey, the injured star quarterback with amazing hair and a foolproof plan: if Liv joins the football team as his temporary replacement, he’ll make sure she gets a spot on the softball team in the spring. But it will take more than just a flawless spiral for Liv to find acceptance in Northland’s halls, and behind that charismatic smile, Grey may not be so perfect after all. 

Readers will instantly connect with Liv, who is a hard-working, spunky protagonist worthy of admiring. When Liv is forced to change schools, she is determined to prove that she will be an asset to the softball team. Even though Liv joins the football team to impress the softball coach, Liv doesn’t slack or complain. Because of her competitive nature, Liv gives the football team 100% and proves to the players and the coaches that she is an integral part of the team. While Liv’s work ethic and athletic ability are admirable, Liv’s loyalty to her family and friends makes her lovable. However, Liv is not portrayed as a perfect person; teens will relate to Liv’s flaws and insecurities. Plus, Liv’s lively personality makes Throw Like a Girl incredibly fun to read.  

Liv is surrounded by well-developed and likable supporting characters. Liv’s family is an important part of the story and her little brother is adorable. While Liv’s family don’t always agree with each other, they (usually) don’t hide secrets from each other. The family’s healthy dynamics make it easy to fall in love with them. However, Grey steals the show with his winning smile, his charismatic personality, and his confidence in Liv’s football skills. There are plenty of swoon-worthy moments that will have the reader’s hearts melting.  

Throw Like a Girl has the perfect amount of football action, teen drama, and romantic moments. In addition, the story has a positive message because Liv learns that “standing up for yourself doesn’t mean walking away.” Readers will cheer for Liv when she’s on and off the field and by the end of the book, Liv will feel like a favorite friend. Throw Like a Girl is so charming that it will appeal to both sports fans and romance enthusiasts. For more sports and swoon-worthy moments read Defending Taylor by Miranda Kenneally and Better Off Friends by Elizabeth Eulberg .

Sexual Content 

  • When Liv first begins playing football, she is nervous about being a quarterback. During practice, Liv is uncomfortable because “for the eighth time in so many minutes, my hands are hovering near the rear-end seam of his pants. Like, right underneath his junk. Big, bulgy, manly junk.” 
  • Before a football game, Grey meets Liv outside the girl’s locker room. Grey’s “fingertips graze my cheek, moving down until they gently tip up my chin. My pulse stutters. . .” Before they can kiss, a friend interrupts them.  
  • When Liv drives Grey home, they sit in the car and talk. Then, “Grey closes the space between us, his lips warm against mine. They’re softer than I imagined, but the scrape of stubble pressing into my chin is 100 percent rough-and-tumble boy.” They stop when the porch light comes on. 
  • Grey and Liv kiss often. However, most of the kisses are not described. For example, Grey shows up at Liv’s house to check on her and her “arms lock his neck, lips to his.” 
  • During one conversation, between Liv and Grey, she thinks “We’ve made out and I’d love to do it again rightthehellnow. . .” Later in the conversation, Grey asks Liv to be his girlfriend. Liv “answer[ed] him with a kiss. Hard and full.”  
  • When his parents are away for the weekend, Grey invites Liv in and takes her to his bedroom. Then he tells Liv a secret. Liv “close the distance between us, twisting to push up onto my knees, draping my arms over his shoulders. . . I’m looking down on him, my chest touching his, the end of my hair pooling against his collarbone. . . And then I kiss him.” The scene ends here. 
  • Liv and Grey have an argument. A few days later, at football practice, they make up. “Even with the eyes of our teammates on us, he dares to touch my face, his strong hands cupping my cheeks, rough thumbs dusting my mouth in the breath before his lips crash into mine. Immediately, I wrap my arms around his waist. The hard planes of his chest conform to my curves. . . The wolf whistles start. . . It’s only by sheer, indoctrinated willpower that I’m able to pull myself out of the kiss.” 

Violence 

  • Liv’s sister, who is a lesbian, is the softball coach. During a softball game, a member of the opposing team, Kelly, says, “Does it bother you? Your sister being paid to check out your teammates?” When the game is over, Liv attacks Kelly. Liv describes, “The knuckles of my hand smack her straight across the ski jump of her obnoxiously pert nose, and we tumble to the infield dirt. I have her pinned, my butt across her kidneys, knees on either side of her squirming stomach.” When the girls are torn apart, Kelly has a bloody nose and Liv has a black eye. The fight is described over three pages.  
  • During a football game, the opposing team is unnecessarily rough. One of the payers, Jake, gets tackled and afterwards he does not move. The coaches go out to check on him and call for a medic. Liv “exhale[s] as I realize that though they’re keeping him steady, not a single one is gripping him like he’s not moving under his own power. I can see Jake’s mouth moving. Blood streaming down from a cut over his left eye.” Jake is not seriously hurt.  

Drugs and Alcohol 

  • During dinner, Liv’s adult sister drinks wine and her father “pops open a beer.” 
  • Grey takes Tylenol for a headache.  
  • After Liv goes on a date, her dad waits up for her. When she arrives, he has a “beer in hand.” Another time when Liv gets home, her father and sister are waiting for her and they both are drinking beer. 
  • Before the story begins, Grey was driving drunk and crashed into a tree. The accident isn’t described.  

Language 

  • Profanity is used profusely. Profanity includes ass, asshole, bastard, bitch, crap, damn, dick, freaking, goddammit, hell, and shit. 
  • God is frequently used as an exclamation.  
  • Christ and Jesus are used as an exclamation several times. 
  • After fighting the opposing team, Liv thinks, “Maybe all the soccer players in Kansas City are smart enough to know that gay people aren’t pedophiles.” 
  • When a football player flips someone off, the coach says, “Put down that hand, Rogers, or I’m taking that finder as a sacrifice to the god of high school football. Might take that senior captain title, too, for good measure.” 

Supernatural 

  • None 

Spiritual Content 

  • While talking about sports, Liv’s best friend says, “God did not make you a volleyball player, that’s for sure . . .” 

Why We Fly

From the New York Times bestselling authors of I’m Not Dying with You Tonight comes a story about friendship, privilege, sports, and protest. 

With a rocky start to senior year, cheerleaders and lifelong best friends Eleanor and Chanel have a lot on their minds. Eleanor is still in physical therapy months after a serious concussion from a failed cheer stunt. Chanel starts making questionable decisions to deal with the mounting pressure of college applications. But they have each other’s backs—just as always, until Eleanor’s new relationship with star quarterback Three starts a rift between them. 

Then, the cheer squad decides to take a knee at the season’s first football game, and what seemed like a positive show of solidarity suddenly shines a national spotlight on the team—and becomes the reason for a larger fallout between the girls. As Eleanor and Chanel grapple with the weight of the consequences as well as their own problems, can the girls rely on the friendship they’ve always shared? 

Why We Fly was inspired by real people who took a stand against racism. John Carlos and Tommie Smith raised their Black power fist at the Olympics in 1968. Similarly, Collin Kaepernick kneeled during the national anthem in protest of the treatment of Blacks. Why We Fly explores the idea that players should “shut up and play” and the consequences athletes face if they voice their opinions. The story’s message is clear—athletes and others should not be punished for peaceful protest. However, the main characters’ experiences also highlight the importance of having a plan before you protest. In addition, the story reminds readers that no one should be forced to support a cause. By reading, Why We Fly today’s readers will gain insight into effective activism and be encouraged to explore ways they can help others. 

The chapters alternate between Eleanor’s and Chanel’s points of view. Since the girls are of different races, readers will begin to understand how race and wealth affect a person’s experiences. While the story explores important themes, the main characters are difficult to relate to. Even though Eleanor and Chanel have been best friends most of their lives, neither one is a good friend. For example, after Eleanor is voted captain of the cheerleading team, Chanel ghosts her. In addition, Chanel is critical of Eleanor’s relationship with star quarterback, Three. Many readers will dislike Eleanor’s and Chanel’s behavior and thus will have a hard time relating to them. 

On the other hand, Eleanor has a difficult time considering things from other’s point of view. When she is voted cheerleading captain, she accepts the position and never considers how it will affect Chanel. As cheerleading captain, Eleanor doesn’t show positive leadership skills and Chanel eventually has to jump in to unite the team. Then, when Eleanor encourages the cheerleaders to kneel during the national anthem, she doesn’t think about the consequences or how it would affect others. Eventually, she goes to talk to a rabbi who says, “Living up to a legacy doesn’t mean celebrating it. It means we pick up the baton and keep running the race. It also means we need to check ourselves and our assumptions about how far we’ve come, or haven’t.” Eleanor learns that when protesting, having good intentions is not enough—she should have also considered different people’s points of view and the consequences others would face if they protested.  

While many books have imperfect characters, Why We Fly’s characters are unlikable because they are self-centered and have unhealthy relationships. Despite this, readers who are interested in activism can learn important lessons about effective protest. In addition, readers may want to research some of the influential people the story mentions such as Dorothy Buckhanan Wilson, President of Alpha Kappa Alpha Sorority. Readers who want to explore issues of discrimination and wealth should also add these books to their reading list: Jackpot by Nic Stone, The Hate U Give by Angie Thomas, and I’m Not Dying with You Tonight by Kimberly Jones & Gilly Segal. 

Sexual Content 

  • After physical therapy, Three and Eleanor are talking. “He leans closer, and I freeze, dying for him to kiss me and feeling ridiculous that I’m so desperate for him to kiss me that I’m willing for it to happen in this doctor’s office. . . I lift my face, and his lips brush mine gently at first, and then he presses closer, and we fall over a cliff into the kiss.” The doctor interrupts them. 
  • One of the characters wears a shirt that reads, “Woke Up Lesbian Again.” 
  • Eleanor and Chanel go to a BBQ at Three’s house. When Eleanor and Three begin to flirt, Chanel says, “It’s a Planned Parenthood cautionary tale right before our eyes.” 
  • Before a football game, Three and Eleanor have a moment alone. Eleanor kisses him. Three “holds me to him, running that hand all the way up my back and into my hair. His lips part mine, and we kiss until we’re so tangled in each other that the stadium noises fade. . .” They are interrupted by another football player, who yells, “Three! Untangle yourself from that octopus, and let’s go.” 
  • A friend drops Three off at Eleanor’s house. Eleanor wonders, “Why did he have to get a ride to what is obviously going to look like a hook-up?” 
  • Eleanor slept with her previous boyfriend, Roman. Eleanor’s friend said, “Roman was the type to kiss and tell, and she was right. . .” Eleanor isn’t sorry that she slept with Roman, she’s “just mad everyone thought it was cool to slut-shame me for my choice while admiring him for doing the same thing.” Later, Eleanor reveals that Roman is the only person she has had sex with. 
  • Eleanor and Three are hanging out at her house. They begin kissing. Three says that he doesn’t expect her to have sex with him, but Eleanor says she wants to. “Three lies back, taking up my entire bed, leaving me no space and no option other than to press up against him and rest my cheek on his chest. . .” Before they can have sex, they get into an argument, and Three leaves. 
  • On social media, someone posts: “Looks like Chanel Irons will be the next Barack Obama. Anyone know if she’s straight? I’m here for being her Michelle. We can un-hetero that White House together.” 

Violence 

  • Before the book begins, Eleanor falls during cheerleading practice. Eleanor “came down wrong. . . I flailed, trying to save myself too. My head thwacked James’s shoulder on the way down, then hit the mat. One leg bent under me, and my ankle collapsed. . . when I came to, the throbbing in my head blinded me to all the other pain.” Months later, Eleanor is still in physical therapy. 

 Drugs and Alcohol 

  • In order to deal with stress, Chanel sneaks into the school bathroom to vape marijuana. She loads “the cartridge of Runtz, press and release the button, and take a short breath.”  
  • Chanel is suspended from school. Afterwards, she hides in the shed behind her house. “Even though I normally take only one short puff, I find myself taking extra puffs today and holding the vapor longer.”  
  • Because of the pressure of applying to colleges, Chanel is “stoned for nearly two months.” 
  • After a football game, a bunch of teens go to a player’s house. Before his parents leave the room, they padlock the liquor cabinet. 

Language 

  • Profanity is used frequently. Profanity includes ass, bitches, bullshit, crap, damn, hell, piss, and shit. 
  • Fuck is used once. 
  • Oh God and dear God are infrequently used as an exclamation. 
  • Three’s mother dislikes Eleanor and calls her “locker-room lice.” 
  • Eleanor and Chanel kneel during the national anthem at a football game. Afterwards, someone posts a picture with a caption that says, “Now we’ve got a Jew bitch on her knees with the primates.” 

 Supernatural 

  • None 

 Spiritual Content 

  • Eleanor was part of a competition squad that would pray “before every tournament—in Jesus’s name.” Because Eleanor is Jewish, she seeks out her rabi’s advice. “His guidance gave me the guts to ask the team to change the prayer to something more egalitarian.” 
  • Eleanor mentions religious holidays such as the High Holy Days and Rosh Hashanah. 
  • Eleanor goes to synagogue during the High Holidays. Her brother wears a bar mitzvah tallit (a prayer shawl), but Eleanor is upset that she forgot hers. The knots on the tallit represent “the number of commandments in the Torah.” 
  • During the service, the rabbi says, “When I look around, both at our larger world and our own community, I see enormous pain. I see injustice . . . There are those who deny the humanity of people of color. Who asks that they be silent in the face of unequal, hateful, violent treatment. . . We have a moral obligation to bear witness to injustice in society. . . it is our responsibility to protect the marginalized and to partner with other communities to confront the powerful who perpetuate injustice.” The sermon goes on for two pages. 

Ace of Spades

Chiamaka, one of two Black students at the elite Niveus Academy, is more than ready for her senior year. Since her freshman year, everything she’s done at Niveus has been with Yale’s pre-med program in mind – taking the hardest classes, staying on top of her grades, making connections. When she is selected to be one of the senior Prefects at the back-to-school assembly, she is pleased but not surprised. After all, this was the track she meticulously planned for since day one. 

By contrast, Devon, the only other Black student, is ready to fall back into Niveus’s monotony, finish his senior year, and get out. Quiet and shy, the only place he truly feels at ease at Niveus is in the music classroom, where he can escape into building his portfolio for Julliard’s piano performance program. So, when he is also selected to be a senior Prefect, he is taken aback: he is a good student, but not an exceptional one.  

But things never stay quiet at Niveus for long: soon after the semester begins, a mysterious entity who calls themselves Aces begins sending incriminating messages to the entire school, exposing students’ deepest, darkest secrets. After a few texts, Chiamaka and Devon realize something disturbing: Aces seems to be only targeting them. They pair up to try and take Aces down, but the more they dig, the more they uncover about their classmates, teachers, and Niveus’ dark past. It soon becomes clear that they can only trust each other – or can they do even that? 

Ace of Spades is a gripping read from the start. The pacing is a bit off-putting at times– the book starts slow, uncovering the story layer by layer, and then speeds up in the end with several plot twists that are not as developed as they could be. Nevertheless, Chiamaka and Devon are both such smart and compelling narrators that readers will quickly get hooked – the story is told from both of their perspectives, so readers get full insight into both characters’ lives and see both similarities and differences in their experiences. Both Chiamaka and Devon go through a lot of character development throughout the story. Despite their flaws, they are sympathetic characters that readers will root for and be able to relate to.  

While Ace of Spades is a deeply important read, it does handle many difficult topics, such as institutional racism, drug use, incarceration, and death. None of these issues are sugarcoated and they are all integral parts of the story, especially racism. Because these issues are given the gravity they deserve, several parts of the story are rather heavy. While readers should be aware of the heavy subject matter going into this book, it should not deter them from reading it since all of the issues are important to talk about and learn about as they are prevalent in our world today. 

Overall, Ace of Spades is a suspenseful thriller that exposes many systemic injustices prevalent in our world today, sending an important message about how to combat them. It has a multi-layer plot that is slowly and carefully peeled away to reveal a big picture that is truly shocking and thought-provoking. Although parts of this story are uncomfortable to read about, they reflect important issues in our modern society that are vital to address and discuss. Ace of Spades will hook readers from the start, and leave them thinking about it for weeks to come.  

Sexual Content 

  • Chiamaka remembers the first time she and her best friend, Jamie, hooked up at a party. “He told me to meet him in his bedroom, and while that night we only made out, it was the catalyst for what happened the rest of the year: Jamie sneaking kisses, whispering things in my ear, asking me to come over . . . ” 
  • Aces leaks a video of Devon and his ex-boyfriend having sex. Chiamaka (and the rest of the school) get a text notification from Aces, plus the video: “Just in. Porn is easy to come by these days. You either search for it online or it falls right in your lap when you least expected it to.” Chiamaka doesn’t click on it, but she “could hear the sounds of it playing from Jamie’s phone.” 
  • Aces exposes the fact that Chiamaka and Jamie hooked up last year. “Belle Robinson [Jamie’s current girlfriend], you have a problem. I’d ask your boyfriend and his bestie, Chiamaka, what they were doing this summer. Hint, it involves no clothes and a lot of heavy petting.”
  • Devon has sex with an ex-boyfriend. “Dre moves off the bed and goes over to the drawer in his desk, pulling out some condoms. I look away from him now and up at the ceiling, listening to the sound of the rain hitting the windows and the wind angrily crying out, letting it drown my thoughts. His weight tilts the bed as he leans over me and joins our lips together again . . . And then, when we are finally done and I’m in his arms, I let myself cry.” 
  • A poster of Chiamaka is circulated at a party and spreads around Niveus. “Posters of a passed-out Chiamaka in a short silver dress, black tights, black heeled boots, mascara dried on her cheeks, and her hair a tangled mess. Some of the posters have Bitch written in big black bold text, others Slut.” 
  • It’s implied that Chiamaka and her girlfriend make out, or more. “Belle nods, a sly smile on her lips as she reaches up to her shirt and starts to unbutton it. ‘Want to continue not talking?’ she asks, the yellow of her bra making everything inside tingle. ‘Not talking is my favorite thing to do,’ I tell her.” 

Violence 

  • Chiamaka has a flashback to when she was in the car with Jamie behind the wheel, and they hit a girl. “Rain pounds the road as I peer out the window at the body – her body. Through the rivulets, I see her face. Blond curls, pale skin, a dark pool forming a halo around her head. I gag, gripping on to the cold, hard dashboard, closing my eyes. I feel so sick.” This scene is described over two pages. 
  • After a picture of Devon and his ex-boyfriend kissing is leaked, Devon worries about the violence he might face from the homophobic community. “The guys in my neighborhood, the ones I used to go to school with, they’d kill me if they saw that picture. Toss my body into the garbage disposal once they were done with me. These guys watch me on my walk home, staring me down, smirking. Sometimes they yell shit. Other times they push me to the ground, then walk off laughing. The picture would make things in my neighborhood ten times worse.” 
  • Jamie physically attacks Chiamaka, and she defends herself. “I’m cut off by Jamie wrapping his hands around my neck and squeezing. He’s shaking as he strangles me and I’m wheezing, laughing and gasping for air . . . I don’t want Jamie’s face to be the last thing I see before I die, and so I summon all the remaining strength I have, and I kick him in the crotch. Jamie staggers back, releasing me. I cough, throat hurting, chest aching. I don’t give myself time to pause before I kick him again. This time he falls to the ground.” Chiamaka runs away, shaken but uninjured. 
  • The headmaster of Niveus holds a gun to Chiamaka’s forehead to stop her from exposing Niveus’ secrets but doesn’t shoot her. “Before I can do anything else, I feel a large hand grab me, dragging me away through the curtains. I glance back, trying to break out of this powerful grip, and that’s when I feel cold metal pressed to my forehead. A gun.” Chiamaka gets away by “[sticking] something in [the headmaster’s] neck. He freezes up and drops to the ground, the gun dropping with him.” 
  • A fire breaks out at Niveus. Most make it out, but a few people die, including Jamie. These deaths are only mentioned, not described.

Drugs and Alcohol 

  • Chiamaka got drunk at a party with her best friend, Jamie. “We’d both gotten drunk, so drunk I don’t remember much of that night.” 
  • Chiamaka got drunk at a party with her now-ex-boyfriend. “He thrusts his hand out, this time spilling a bit of his drink, before concentrating hard on placing it down straight.” 
  • Devon has sold drugs to support his family. When he asks his mom to let him help with the bills, she “shakes her head. ‘I know what you want to do and I don’t want you doing that ever. I want you off those streets, in that classroom – making your life better, not jeopardizing it.’” 
  • Chiamaka and Devon have some wine in her basement. “I open up one of the liquor cabinets and I take out a bottle of Chardonnay, placing it on the island. I get out two wineglasses and pour some into each, before sliding one over to Devon. I don’t even like the taste of it, but I know it will help me relax a little. I only poured half a glass so that we wouldn’t be too relaxed or out of it, just enough to give us some liquid courage.” 

Language 

  • Shit and fuck are used occasionally. 
  • The n–word is used once. 

Supernatural 

  • None 

Spiritual Content 

  • Devon’s mother is a devout Christian and often prays to God. For example, when the family is struggling financially, she says, “It’ll work itself out, Vonnie. God never falters.” 

The Science of Being Angry

Eleven-year-old Joey is angry. All of the time. And she doesn’t understand why. She has two loving moms, a supportive older half-brother, and, as a triplet, she’s never without company. Her life seems good but sometimes she loses her temper and lashes out, like the time she threw a soccer ball—hard—at a boy in gym class and bruised his collarbone. Or when jealousy made her push her (former) best friend and crush, Layla, a little bit too roughly.

After Joey has a meltdown at her apartment building, the family is evicted and Joey is desperate to figure out why she’s so mad. A new unit in science class makes her wonder if the reason is genetics. Does she lose control because of something she inherited from the donor her mothers chose? 

The Science of Being Angry follows Joey, who is struggling to understand her place in her family. Joey feels different from her brothers because she’s a fraternal triplet and her brothers are identical twins, but they’re only genetically related to one of their moms. When Joey’s class begins a genetics unit, Joey begins to question how her DNA is affected by her mothers’ sperm donor. In addition, Joey wonders if the sperm donor’s DNA is the link to her uncontrollable anger.  

Joey and her friend Layla decide to send Joey’s brother’s DNA to 23 and Me. For some reason, Joey thinks that sending her brother’s DNA will lead to better results Unfortunately, when Joey’s moms discover the 23 and Me account, they have it deactivated before Joey learns anything. This abruptly ends the story thread without answering any of Joey’s questions about the donor.   

In addition to exploring family bonds, The Science of Being Angry also focuses on Joey’s inability to control her anger. Joey’s confusion about her biological father and her insecurities about her moms’ love causes Joey to lash out at others. Joey may have sensory sensitivities that cause her to become irritable, but this thread is left unexplored. To make matters worse, her moms don’t always agree about the best way to help Joey. In the end, Joey and her moms seek help from a therapist, which ends the story on a hopeful note. However, some readers may be disappointed that the story doesn’t include any anger management strategies.  

The Science of Being Angry uses sensitivity as it explores complicated family dynamics. Joey’s feelings are described in detail in kid-friendly language. However, much of the story focuses on Joey’s emotions and inner turmoil so there is little action. In addition, readers will have to pay close attention to the text because Joey’s moms are referred to as Mama and Mom, which may make it difficult for some readers to keep track of who is talking. Readers who have nontraditional families will relate to Joey and can benefit from reading The Science of Being Angry. However, the story will mostly appeal to readers who are interested in exploring Joey’s vast emotions and the genetics that make her unique. Middle-grade readers who want to explore difficult family dynamics may also want to read We Are All Made of Molecules by Susin Nielsen. 

Sexual Content 

  • Joey’s moms occasionally kiss. For example, when Mom “kiss[ed] Mama on the cheek. . . Mom pressed her face against Mama’s cheek to kiss it again and wrapped her arms around Mama, holding tightly.” 
  • Mom explains meeting Mama. “She was such a kind, sweet little dweeb. How could I not fall for her?” Then Mom explains how she knew she liked girls. “I didn’t want to think about it, because I was confused for a long time. I married Luka, because I thought that’s what I wanted. . . But something was missing with Luka. With me. When I met your mama, I found that something.” 
  • Joey is confused about her feelings for her friend, Layla. While at her house, she “suddenly wondered what it would be like to kiss her.” Joey wonders if she is gay. Thinking about her feelings makes Joey angry so she “shoved Layla as hard as she could onto the floor. Layla hit her elbow on the coffee table in front of them. She was okay; she got a small bruise and cried, but she didn’t bleed or anything.”  
  • At a party, Layla sits next to Joey. Layla’s “voice was too soft, her leg felt too good against Joey’s. . . Joey, without thinking, kissed her.” Afterwards, Joey runs out of the house. 
  • Joey is thinking about her moms watching a movie. “She couldn’t see them. . . but she knew what they’d look like, anyway. Mom was probably draped along the couch, Mama lying on top of her between her legs. They were much like that. . .”

Violence 

  • Joey and her brothers sneak out of their apartment and go to the swimming pool. Before they can jump in, a security guard appears, and “Joey responded the way she always did, the way that her moms both begged and yelled at her not to. With her fist. . . Joey turned and punched the security guard square in the belly. He fell directly into the pool. . .”  
  • At hockey practice, Eli calls Joey a bad name, “so Joey used the hook of her stick to pull at Eli’s leg, knocking him off balance and sending him spiraling on the ice. . .” 
  • While watching TV, Joey’s brother Thomas sits on the couch. Joey gets upset that Thomas keeps touching her so she “kicked her leg into Thomas as hard as she could.” 
  • Joey and her brothers go to a Halloween party at their friend Eli’s house. “The second they walked through Eli’s door, Joey found herself getting slammed against the wall, hard, with a loud oof! . . . She shoved Eli, and then backhanded him against his helmet.” 
  • At the Halloween party, Eli’s bullying of Joey continues. He “slapped her across the face with the slice of pizza in his hand.” 
  • While at school, Joey bruised her classmate Danny’s collarbone. “Joey didn’t think she meant to hurt him, but she definitely meant to throw the ball as hard as she could at him.” 
  • During science, Joey gets upset and yells “I don’t care about the stupid project!” Then she threw her “heavy science textbook at the classroom window” breaking it. She is suspended from school. 
  • While playing football, Joey tackles Mama. “Just as the ball flew over Mama’s head, Joey threw her entire weight at Mama’s middle. . . tackling her hard to the grass. Mama’s head hit the ground first. . .” Mom jumps in and “reached behind Mama to find her head and pulled away with some blood on her hand. . . Mama’s eyes opened but they didn’t look right. . .” Mom turns on Joey and yells, “What is wrong with you? What the hell is wrong with you!” Mama goes to the hospital but is released the same day. 
  • At hockey practice, Joey skates past Eli “when suddenly she felt something jerk her back. Eli had his hand gripped tightly into the collar of her shirt and he yanked it.” Joey starts to fall, but “Eli pushed her into the wall of the rink, hard, took the puck back, and scored.” Joey’s mom had talked to the coach about Eli’s bullying. The coach sees Eli’s behavior and sits him on the bench.  

Drugs and Alcohol 

  • Joey’s brother takes ADHD medication. 
  • After dinner, Mama “picked up the bottle of wine and refilled her and Luka’s glass.” 

Language 

  • Several times Joey calls a classmate a rat. 
  • Jesus Christ is used as an exclamation twice. 
  • Oh God and Oh my God are occasionally used as an exclamation.  
  • Heck is used twice. 
  • There is some name-calling including jerk and loser. For example, Joey’s brother says the landlord was a “jerk” for kicking them out.  
  • While playing hockey, Joey tells Eli that he’s being a ball hog. When Eli replied, “he used the B word that had been banned from Joey’s household.” 

Supernatural 

  • None 

Spiritual Content 

  • None 

The Holiday Switch

Lila Santos is ready for her last winter break of high school. The snow in her small town of Holly, New York is plentiful, the mood as cozy as a fuzzy Christmas sweater, and she’s earning extra cash working at the local inn. In other words, it is the setting for the greatest film of all time, Holiday by the Lake—while moonlighting as an anonymous book blogger.

But her perfect holiday plans crash to a halt when her boss’ frustratingly cute nephew, Teddy Rivera, becomes her coworker. Lila is Type A while Teddy is Type “Anything but Lila’s Way,” and the two of them can’t stop butting heads over tangled icicle lights and messy gift shop merch. But when they accidentally switch phones one afternoon, they realize they’ve both been hiding things from each other. Will their secrets—and an unexpected snowstorm—bring these rivals together?

While Lila’s conflict is understandable, her judgmental attitude makes it difficult to connect with her. Even though Lila is the protagonist, Teddy is more likable because he goes out of his way to show Lila that he cares for her. For instance, when Teddy finds Lila’s list of Christmas activities that she wants to do, he plans ways to get Lila to spend time with him by taking her to the different activities on her list. 

The two teens eventually connect because they are both keeping secrets from their parents. Both are afraid their parents won’t understand their passions. Readers will relate to Teddy’s and Lila’s desire to meet their parents’ expectations as well as live their own dreams. In the end, both teens discover their fears are unfounded. While Lila’s parents are upset about her dishonesty, they support her goals. Likewise, Teddy also learns that his family supports his dreams.

Readers who want to snuggle up with a book during the holiday will appreciate The Holiday Switch because of the town’s over-the-top Christmas activities. The winter puns also add to the romance’s cuteness. For example, while ice skating, one of the characters “slipped on the ice and said, ‘Holy night.’” The predictable plot has some sweet moments that will warm readers’ hearts and get them into the holiday spirit. However, if you’re looking for a holiday romance that will be more memorable, grab a hot cocoa and a copy of What Light by Jay Asher.

Sexual Content 

  • Lila babysits for a couple who “party like they’d been caged animals in a zoo. They come home sweaty and red-faced, and the PDA is over the top embarrassing.”
  • While outside, Teddy asks Lila if he can kiss her. She says yes and then, “I rise up to my tiptoes and shut my eyes. When his lips feather against mine, I’m infused with energy and thrill. My hands climb his back, his cup my face, and he kisses me as if I’m another puzzle he has to explore.” 
  • Before Teddy begins a climbing competition, he kisses Lila. “Teddy lifts my chin with a finger and presses a kiss to my lips.” 

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • Oh my God and God are used as exclamations occasionally. 
  • Crap and pissed are used several times.

Supernatural

  • None

Spiritual Content 

  • None

How to Excavate a Heart

Shani Levine needs a break from New York. Following a bad breakup with her girlfriend, Sadie, she would rather be literally anywhere else. So when she snags a highly coveted internship at the Smithsonian Museum of Natural History in Washington, D.C. over winter break, Shani is elated. 

Shani’s high spirits are crushed, however, when she makes an enemy: her mother almost accidentally runs over a girl, May, while moving Shani into her D.C. lodgings. Shani is determined to watch her step from now on, but she keeps crossing paths with May. As they begin to talk, Shani begins to develop feelings for May. Once it becomes clear that May likes her too, the two girls begin to date, and for a short time everything is perfect. But can Shani juggle her new relationship and her internship? And is she really ready to be in a relationship again so soon after a messy breakup?

Readers will fall in love with Shani and May as they try to tackle these big questions together. How to Excavate a Heart is a cute, fun, fluffy romcom guaranteed to elicit smiles and warm feelings, even on the coldest winter days. At times, the pacing is quite slow, so readers looking for action should expect to consume this story in sweet, bite-sized chunks or over one long, lazy day. Because of this pacing, not every scene necessarily drives the plot forward, making some parts of the book less vivid and exciting than others  However, what really ties this book together is its cast of lovable side characters, from Beatrice, the eccentric and surprisingly spry elderly woman who houses Shani during her stay in D.C., to May’s adorable pet corgi, Raphael. Characters like these make even the slow moments delightful, especially for readers who are drawn to character-heavy books.

Teenagers will heavily relate to Shani as she struggles to find her place in a new city while also dealing with complex feelings and relationships. Issues such as love, loss, coming out of the closet, and adjusting to new stages of life are handled in a way that is informative and validating but not too heavy. How to Excavate a Heart features great Jewish and queer representation and is a perfect escape for readers dealing with big changes in their life.

Sexual Content 

  • When Shani reminisces about her failed relationship with Sadie, she explains that their relationship fell apart after having sex for the first time. “I was stressed, because if we were in love, then the next logical step was sex. And I had never done it before, I felt I needed to prepare…We had sex for the first time a couple days after we said ‘I love you,’ and, as it turned out, it was also the last time.”
  • Beatrice tells Shani that she’ll be sleeping in the bedroom Beatrice used to share with her husband. She tells her that “all six of [her] children were conceived in this room.” Later, Shani asks Beatrice where she’ll be sleeping if she’s taking the bedroom. Beatrice replies, “The attic. I haven’t been able to fall asleep in this room since my husband died. But I’m glad it’ll be put to good use.” Shani thinks, “It certainly won’t be ‘put to good use’ in the same way it was when Beatrice and her husband conceived their children here.” 
  • May’s dad, Greg, is the local weatherman. Tasha, another girl staying in Beatrice’s house, describes him as “kind of a DILF.” DIFL is slang for “daddy I’d like to fuck,” or an attractive older man.
  • Shani talks about her relationship problems with her internship supervisor, Mandira, who is also queer and in a committed relationship. Shani tells her about her bad experience with sex and how she doesn’t think she’ll ever have sex again because it ruins relationships. Mandira counters with, “Sex can be amazing. Especially queer sex. And especially if you communicate what you want with your partner.”
  • Shani’s best friend, Taylor, comes to visit her in D.C. on New Year’s. Taylor tells Shani that she was invited to a New Year’s Eve party by Teddy, the ex-boyfriend of their acquaintance Amy from Model UN, and invites Shani to come with her. Shani asks Taylor if she’s trying to hook up with Teddy; Taylor confirms this.
  • After work, Shani goes to May’s house. When Shani gets there, Shani smells badly so she takes a shower. They end up showering together but don’t have sex. “I keep my eyes closed as I press her closer to me, so that as much of our bodies are touching as possible. We explore parts of each other we haven’t before. I kiss down her neck to her chest, marveling at the fact that I get to touch her like this. But after a few minutes, the hot water runs out, and my knees hurt, and we’re kneeling in cold water.”
  • After a dinner date, Shani and May go back to Shani’s place. They start kissing, intending to have sex. Shani starts feeling uncomfortable but doesn’t want to ruin the mood. Shani hears Beatrice scream and goes to check on her. When Shani returns to the bedroom, she tells May she’s tired and doesn’t want to pick up where they left off. When May asks if she can just sleep over, Shani says no and May storms out.
  • Shani and May break up. While Shani is mourning her relationship, she texts her ex, Sadie, asking why she broke up with her. Shani tells the reader that she texted Sadie because she doesn’t actually remember having sex with her. “That Thursday, the day we said ‘I love you,’ we went to a house party and got drunk. Too drunk. Like, so-drunk-I-barely-remember drunk. Then we went back to my room. The only memories I have of that night come in flashes: Sadie grabbing my waist, leading me up to my room. Sadie kissing me. Sadie pulling down my pants, and her own. Me, copying what she did. Being excited to do it, to please her. And then, nothing. My memory goes dark. Until we woke up the next morning, both of us naked. Me with a splitting headache. Sadie grinning.” Sadie wanted to have sex again that morning. Shani told her she wasn’t ready; after pushing some more, Sadie ended it. 

Violence 

  • When moving Shani into her D.C. lodgings during a snowstorm, Shani’s mom almost runs May over with her car. “My mom finally sees her and frantically tries to slam on the brakes. She pumps them over and over, but between the snow and ice the car won’t stop. Then there’s a thud. The bump. Not a hard bump, but still. A bump. We bumped a person with our car.” 

Drugs and Alcohol 

  • Beatrice has a beige quote block at the top of the stairs that says, “Alcohol: because no great story ever started with someone eating a salad.”
  • At a New Year’s Eve party, alcohol is served. Shani pours herself a glass of a mystery drink that is “pink and sparkly and has mint leaves and blueberries and pomegranate seeds floating at the surface.” She says that it is “unbelievably delicious and barely tastes like alcohol.”
  • When Shani remembers the night before she and Sadie broke up, she says that they “went to a house party and got drunk. Too drunk. Like, so-drunk-I-barely-remember drunk.”

Language 

  • Profanity, such as variations of “fuck” and “shit” are used as exclamations often.

Supernatural

  • On her first night in D.C., Shani tries not to think about “the half-century-old sex ghosts haunting the room.”
  • Beatrice’s son, George, comes over to the house. He starts a conversation with Shani, in which he jokes that his dad haunts the room where she sleeps.

Spiritual Content 

  • When driving Shani to D.C., her mom sadly says that Shani won’t be home for Christmas for the first time. Shani reminds her that they don’t even celebrate Christmas. Her mom counters that it’s still the holidays, to which Shani responds, “Is it, though? Like, is it really the holidays? Hanukkah’s over, and it’s complete bullshit anyway. It was invented by American capitalists so that Jewish kids could be included in the Christian hegemony.”
  • After thinking about her failed relationship with Sadie, Shani resolves never to have sex again and be “the Jewish version of a nun.”
  • Beatrice’s house is decorated with “crosses and portraits of saints, along with some Christmas decorations– garlands, candy canes, a couple of wreaths.” Shani initially worries “that she’s really religious and that…she’ll be disappointed that I’m Jewish.”
  • Shani gets breakfast at a café next door, which has Christmas music playing inside. Shani thinks, “I know I complained to my mom about how Hanukkah isn’t a real holiday and how I don’t want to assimilate into mainstream Christian America, but the thing is…I fucking love Christmas music.”
  • Shani comes over to walk May’s dog, Raphael. Shani awkwardly tries to make small talk, and asks if May is Jewish because she saw a menorah in her window. May says, “Yeah, I am. But I’m not really that religious.” She later talks about how much she loves Hanukkah.
  • Mandira, Shani’s internship supervisor, tells her she’s going to a Christmas party later that night with her girlfriend. Shani is initially confused because Mandira doesn’t celebrate Christmas, but Mandira explains that she doesn’t celebrate in a religious way but her girlfriend does.
  • Shani comes over to walk May’s dog despite a blizzard. When May opens the door, she sees Shani shaking from the cold and exclaims, “Jesus Christ.” Shani jokes, “It’s almost His birthday, huh?”
  • Shani and May get snowed in at May’s house on Christmas Eve. On Christmas Day, the snow had stopped and been mostly cleared away, so Shani suggests that they partake in “Jewish Christmas” (watching movies and eating Chinese food). 

Imogen, Obviously

Imogen is straight. She’s the world’s biggest queer ally and is surrounded by queer friends but is a self-described “raging hetero” herself. Her best friend, Gretchen, who has an amazing gaydar, confirms this every day with affectionate nicknames. 

However, Imogen’s world shifts when she visits her childhood best friend, Lili, on Lili’s college campus. Imogen is warmly greeted by Lili and her amazing group of queer friends, and she quickly forgets her anxieties about not fitting in. However, Lili tells Imogen a secret: at the beginning of the school year, she told her friends that she and Imogen briefly dated, to avoid revealing that she’s never been in a relationship before. She apologizes to Imogen and offers to tell her friends she lied, but Imogen tells her not to worry. It’s not a big deal to her if LIli’s friends think Imogen is bi. 

But Imogen can’t stop thinking about Tessa, one of Lili’s friends. And Tessa is constantly flirting with Imogen. Maybe. Imogen isn’t sure. After all, Tessa is flirty with everyone. But she does know that she should probably stop talking to Tessa like this because it’s not fair to lead her on. After all, Imogen is straight. Or. . . is she?

From the author of Simon vs the Homo Sapiens Agenda comes another brilliant journey of self-discovery and acceptance. Imogen, Obviously features a cast of funny, witty, and loveable characters that show that there’s no one way to be queer. Some teens will relate to Imogen’s long journey of discovering her sexuality amidst the rationalizing and denial that comes with the journey. Others will see themselves in her younger sister, Edith, who always knew she was different and proclaimed that she liked girls when she was seven. Still, others will recognize the darker side of this book, which tackles the uglier side of being queer. Biphobia is discussed, specifically, the pressure that many bisexual people face to “pick a side” as well as the downside of having labels be a prerequisite for being “queer enough” to truly belong in queer spaces. These complex issues are handled in a nuanced way, allowing room for discussion and growth.

While these issues are given the gravity they deserve, the book overall is still lighthearted. This atmosphere is kept alive by the characters – Lili’s college friend group and their antics are quintessential. Their warmth and immediate acceptance of Imogen as one of their own will make readers feel as if they themselves can also belong in that group.  Imogen, Obviously is a romcom perfect for teens that are looking for a story that is cute and heartwarming, but also thought-provoking and relatable. Readers who want more books that cast LGBTQ+ characters in a positive light should add the following books to their reading list: All the Invisible Things by Orlagh Collins, Last Night at the Telegraph Club by Malinda Lo, and All Boys Aren’t Blue: A Memoir-Manifesto by George M. Johnson.

Sexual Content 

  • Imogen and Tessa visit a sculpture of the world’s largest scissors and take a few pictures. Imogen posts a picture to Instagram with a scissor emoji for the caption. Gretchen texts her jokingly asking, “Who are you scissoring?” Scissoring is a term used to describe lesbian sex. 
  • Lili’s friends Kayla and Declan have an inside joke where they pass a sausage in a plastic bag back and forth between them. Many sexual innuendos are made with this joke, such as when Imogen texts Gretchen, “I don’t even want to tell you what I’m about to do with a German sausage” with no context and Gretchen responds, “IMOGEN. What are you about to do with a tiny German sausage???”  
  • Imogen and Tessa make out in Tessa’s room while Tessa is partially undressed. Imogen describes, “My words melt away when I see her. Tessa in an undershirt, white with short sleeves, the straps of her sports bra faintly visible underneath. Nothing on bottom but boy shorts.” 

Violence 

  • None 

Drugs and Alcohol 

  • Imogen goes to a party with Lili and her friends. Imogen has an alcoholic drink for the first time.

Language 

  • Profanity such as “fuck” and “shit” are used as exclamations, but rarely.

Supernatural

  • None

Spiritual Content 

  • None

Tristan Strong Keeps Punching

In the final installment of Kwame Mbalia’s series, Tristan’s problems are greater than ever. The gods of Alke are scattered across his world and there are ghosts everywhere  —  good and bad, as it turns out. What a wonderful time to have a Strong family reunion in New Orleans, amidst all the chaos!

Tristan also has another issue: his powers are flaring with his mood swings, causing him to be covered in magical fire. And of course, Cotton, the main antagonist of the series and a powerful and evil spirit is back and ready to put up a fight. This time Cotton has brought even darker moments from American Black history. Tristan just hopes he can find his friends and the gods of Alke – and figure out how to control his temper – before Cotton can enact his plan on Tristan’s world. 

Tristan Strong Keeps Punching wraps up loose ends from the previous two books, includes familiar friends and foes, and introduces new characters in creative ways. For instance, Tristan and his friends encounter the Redliners, a barely disguised reference to the historic practice of redlining in the United States.  However, middle school students may who are not familiar with the historical practice of redlining may be confused by Mbalia’s dialogue. For example, the Redliners tell Tristan and his friends, “We, the Redliners, are the most tolerant and welcoming group you could find! We just don’t think you belong here.” The Tristan Strong Series deals heavily with the injustices that have occurred in American Black history, and Mbalia continues to handle the topic with grace and gravity, balancing historical facts with Tristan’s emotional stake in the issues at hand.

In this book, Tristan finds himself reckoning with his grief and anger, and he learns how to handle his emotions in a productive way. His emotions are validated, but he starts to understand how to conduct himself in a manner that accounts for other people involved. Previously, his actions previously endangered his friends. It is only when his magical animated sticky doll friend, Gum Baby, dies that he realizes his actions directly led to her being put in harm’s way. From that point forward, Tristan reckons with the consequences of his actions without losing the fire that keeps him fighting for justice.

Tristan Strong Keeps Punching is an excellent end to the trilogy. Readers should read the first two installments before tackling this one as this book makes many references to the previous books. Young readers will enjoy the fast-paced action plot and the balance between humor and grave historical fact. This book would appeal to fans of Riordan Reads mythology novels, like Aru Shah and the End of Time by Roshani Chokshi or Percy Jackson and the Olympians by Rick Riordan himself. Tristan’s remarkable gift as a storyteller of the gods of Alke is made more perfect by his perseverance to keep telling these important stories. If these books teach readers anything, it’s to keep dreaming, create a better world, and never forget the stories of those who came before.

Sexual Content 

  • None

Violence 

  • Tristan must fight various magical and evil entities. In one sequence, Tristan fights a haint (an evil spirit). Tristan narrates, “But I was attacking, too. The shadow gloves flashed in and out, jabs and straights, hooks and uppercuts. Gum Baby flipped from my left shoulder to my right and back again, hurling sap balls and insults with equal intensity. I dodged a slicing strike, slipped a bull rush, and turned and fired three punches at the back of the haint.” This sequence lasts for a chapter.
  • There are descriptions of slavery as this series deals heavily with the history of Black Americans and Black American culture. Tristan recounts some of these details, saying, “I read about the barges that had hauled the shackled enslaved north, up the river, to a giant plantation. A free man’s protests were scrawled in the grass of Artillery Park, where he’d been kidnapped and sold into slavery. A family’s prayers were carved into the pillars lining the docks along the Mississippi, where they’d been separated, never to see each other again. These were the hidden narratives Folklore hero and god High John had been talking about. This is what he had meant.” These descriptions come up somewhat frequently throughout the book.
  • Tristan fights coffles (malicious spirits) that have trapped some kids. Tristan “swung again and again, trying to take out the coffle before it could rise. The monster wriggled and writhed on the ground, and I had to hop and dodge its flailing limbs or my legs would’ve been ripped to shreds.” This fight sequence lasts for several pages.
  • Tristan’s friend, Ayanna, tells Tristan about one of her former friends who died in a fight. She says, “He wanted to go out and kill [evil magical creatures, including the fetterlings], and I didn’t, and we argued about it. He flew into a rage, took his raft, and left. We heard fighting and went out after him, but by then it was too late. The fetterlings used his anger against him, and I lost a friend.” 
  • Gum Baby is loudly and badly playing music, and Tristan asks her to stop. Gum Baby responds, “Gum Baby’s gonna tune your face with some sweet chin music if you keep talking,” insinuating that she’d hit him with her banjo if he insulted her again. She does not actually hit him.
  • Tristan says he thinks Cotton is going to Fort Pillow as he’s “raiding places where Black people suffered in large groups…[Fort Pillow] was the site of one of the biggest massacres of Black soldiers in the entire Civil War. People fighting for their freedom were cut down by Confederate soldiers without remorse.”
  • Tristan goes into High John’s memories and sees a town being burned to the ground. “Flames exploded out of broken glass and spread everywhere. More shouts and screams…Flames shot fifteen feet into the air. Every house in the small neighborhood was on fire. I couldn’t see anyone, but the screams…I knew the screams would haunt me for the rest of my life. So many. Old, young. I heard them all.” The memory lasts for a few pages and it is clear that Tristan witnessed the “Memphis Race Riots of 1866. Nearly all of South Memphis was destroyed…Black-owned homes, businesses, restaurants. People were killed. Abused. Beaten. And yet no one was ever brought to justice.”
  • Another magical being, Granny Z, tells Tristan, “My children are kicked, beaten, harassed, stolen, abused, abandoned, forgotten and stripped of their rights every single day. And it’s a sad fact that their abusers are always gonna be afraid that their own sins will be revisited upon them.”
  • Tristan and his friends Gum Baby, Ayanna, and Thandiwe are attacked in a Wig Emporium. “Gum Baby flipped out of nowhere, her hands moving a blur as sap rocketed through the air. Breakers exploded into smoke five at a time. I limped forward to help her, but she disappeared in a crowd of foes. I tried fighting my way free, but there were too many. We were being overwhelmed.” This scene lasts for a page. Gum Baby dies but the death isn’t described. 
  • Tristan helps ghosts save their stories from Cotton, who wants them erased. Tristan hears one ghost say, “I moved here to get away from the lynchings.” This point is not elaborated upon.
  • Tristan fights with many Breakers, magical creatures that can strip people and gods of their spirits, thereby killing them. Tristan describes how the Breakers “rained blows on me, snarled at me, shrieked at me, roared at me, sent wave after wave after wave of pure hatred and malevolence, and it was all I could do to keep my arms raised and defend myself, because I was so tired, incredibly tired, of defending myself, but it wasn’t just me I was defending, now was it?” The scene lasts for several pages.
  • One of the old folk gods, John Henry, fights Cotton. John Henry gripped the ghostly tentacles, “lifted one foot, and then exploded into motion, charging Cotton like a linebacker and planting a shoulder squarely in the haint’s chest. Cotton flew back a dozen yards —  through the air! —  before landing and skipping across the sand like a stone across a pond.” This battle sequence lasts for several chapters.
  • Tristan has one final battle with Cotton that lasts for several pages. Tristan narrates, “Cotton’s momentum carried him past me, and he was off-balance. My right fist, my power fist, knifed through the air and connected flush against Cotton’s chin. Just my fist, not the shadow gloves, because I needed them for what came next…The black flames flared to life one more time, with as much energy as I could muster flowing through them. Just as I’d done on the barge, I willed the gloves together, merging six into two shining beacons of black in the light of the setting sun…I darted forward and grabbed Cotton. He twisted, turned, fought, and struggled, but I didn’t let go. The flames of the akofena [magic] spread to him, devouring the thorns and cotton as if they hungered for the hatred binding the haint together.” Tristan destroys Cotton by turning him to ash.

Drugs and Alcohol 

  • Tristan ends up at an outdoor strip mall. He says, “Shelves are stocked with products you’d never heard of, or weird stuff you’ve seen advertised on TV — all two-a.m. hangover purchases, as my dad called them. I’m not sure what a hangover is, but if it made me buy an automatic toenail clipper that looked like two machetes taped together, I want no part of it.”

Language 

  • Gum Baby, a magical sticky being, loudly and frequently refers to Tristan as “Bumbletongue” or “thistle-head.” As they’re friends, it’s done mostly in jest.
  • Light language is occasionally used. Words include chump, rejects, and doofus.
  • Tristan meets a kid named Memphis, who uses they/them pronouns. 
  • A slave-patroller haint chases Tristan, yelling, “You ungrateful little stain on society, get over here! I will hunt you down, you hear?”

Supernatural

  • Tristan is having issues with his magic. Most notably he keeps bursting into flames when he gets angry. For instance, Tristan notes, “I stared in utter horror at the small silver flame popping out of my knuckles.” This happens frequently throughout the book.
  • As this is the third installment in the series, Tristan gives a quick recap of the last couple books. He says of his summer, “I’d eaten a bunch of key lime pie, done a little boxing, fallen into another world with powerful gods and made a bunch of folk hero friends…You know, the normal summer.” These gods and folk heroes feature throughout the book as Tristan is trying to rescue them.
  • Tristan’s magical smartphone is controlled by Anansi, the trickster god. Tristan says, “He was the Weaver, the owner of all stories, from truths to tall tales, and his name was embedded in my title of Anansesem.”
  • Tristan and his granddad enter Congo Square in New Orleans, where “ghostly apparitions dressed in their Saturday night finest were hitting moves that made my calves cramp as I watched…as if on cue, everybody started doing the Electric Slide.” Ghosts appear frequently in this book; many of them are friendly or give helpful advice.
  • Gum Baby announces that she’s been following a “ghostie” for a while because it was terrorizing everyone. This creature is like the haints, which are malicious spirits. Tristan describes the creature, saying, “I looked up and saw a long, lanky creature scuttling down from the top of the wheelhouse like a monstrous crab.” The group spends a chapter fighting the creature.
  • Tristan discovers that the haint that they’ve encountered is a coffle. His cousin explains its odd appearance, saying, “They were used to fasten slaves together when they were marched from the house to the fields and back.” Tristan describes its appearance, “Two long, wooden, bone-like structures protruded from the opposite sides of a loop, forming what looked like the skull of a hammerhead shark. Its body was a chain, and its four limbs were thorny, viny branches.”
  • Tristan’s magic storyteller abilities occasionally cause him to have visions. In one instance, he describes, “I saw stories — written in French and Spanish and Chitimacha and English — about the birth of jazz and the death of neighborhoods. I saw tales of Fon and the Ewe and the Igbo, and legends of Vodun and Vodou and the spirits within…I read about the slave ports that had dotted the Mississippi River. I read about the glamorous buildings that had been built around the sale of men, women, girls, and boys like me. Some older, some younger.” This description continues for several pages.
  • Cotton is the main antagonist of the series and is a powerful and evil haint. He is a manifestation of the evils of slavery. Tristan describes, “I once again saw the horrific true form of the haint underneath the disguise. Complete with his burning hatred and desire for power.”
  • A god, Mami Wata, rides in a boat that encounters Angola. Tristan notes that “a monstrous, nearly see-through house was superimposed over the prison…The house I was seeing was Old Angola, a long-gone plantation.” In this house and prison reside many trapped spirits and evil haints, including Cotton.
  • Tristan’s usual Ananasem powers (storytelling powers) change when he meets ghosts of former soldiers. He says, “I was inside the story!” In this instance, the sequence lasts for several pages and details the lives of a couple Black soldiers escaping the South to Vicksburg.
  • Tristan teaches some kids magic. When he tells them what he’s going to do so, one kid responds, “Ain’t no wizards ‘round here. That’s movie stuff.” Tristan then demonstrates that all the kids have magic within them. Tristan says, “Each of the kids had a story fragment nestled in their chest, right above their heart. A piece of the story of Alke lived on in each of them.”
  • Tristan meets Granny Z, who tells Tristan about Loa. Granny Z says, “L-O-A. The mysteres. The links between the High God and his people on earth, serviced by the mambos, their priestesses.”
  • Tristan and his friends drive a magic SUV after a magical horse that’s kidnapped a child. Tristan says, “We looked out the front windshield to see Twennymiles (the horse) leaping into the air and disappearing. Old Familiar (the SUV) followed.” They are magically transported through the air and through neighborhoods, and the scene lasts for a couple pages.

Spiritual Content 

  • Tristan encounters many different gods (like Anansi and Mami Wata) on his journey, and they’ve given him powerful artifacts for his magical powers. These gods exist throughout the book, and sometimes Tristan mentions his magical gifts. He says, “I reached for the adinkra bracelet on my right wrist. Dangling from it were my gifts from the gods. The Anansi symbol. The akofena from High John. The Gye Nyame charm. The Amagqirha’s spirit bead from Isihlangu. They gave me strength, power, and right now, all the confidence I needed.”
  • Tristan meets a girl named Hanifa, who “wears a hijab.” 
  • The gods of Alke, due to the events of the previous books, are now scattered in Tristan’s world. Some of them are weakened and some die in nonviolent ways. Tristan often laments that “Gods can’t die,” but the events of the book say otherwise, like when High John passes away beneath a tree. 
  • High John’s ghost tells Tristan, Ayanna, and Thandiwe about his upbringing and the influence of the Church. He says, “some Sundays, his lordship and most honorable, the man who wanted to be called Boss, graciously allowed the people who actually worked the fields to rest.”

The Maze Cutter

Isaac, Sadina, and their friends are living on an isolated island — far from the destruction and terror on the mainland caused by the Flare virus. But when a suspicious ship carrying a woman from the mainland arrives, the friends take this chance to leave the safety of the island for the opportunity to see what life on the mainland holds for them. Isaac and his friends leave their safety and their home behind for a chance at improving the world for future generations. The novel follows Isaac and his friends’ trip to the mainland, as well as two warring groups, both desperate for descendants of a certain bloodline that they hope to use for their respective causes.

Fans of Dashner’s original Maze Runner series (2009) will be thrilled to find a new batch of characters and references to the original series in The Maze Cutter. Though the story is set seventy-three years after the Maze Runner Series, the references to the original series will make it difficult to follow for readers who have not read the original series. The prologue opens with references to the events of the original series and there are interspersed excerpts from the diary of one of the characters in the original series. 

The Maze Cutter’s point of view switches between Alexandria, Isaac, and Minho. Alexandria is a goddess with powers stemming from the Flare virus. Isaac is a young man who joins his friends who return to the dystopian mainland. And Minho is a trained soldier for the Remnant Nation. The varying plots can be hard to follow since the different characters start out in completely different places, hundreds of miles from each other. However, by the halfway point of the novel, a trap set by one of the two warring factions brings them together with a battle scene that keeps readers wanting to know more. 

Minho and Isaac demonstrate the importance of building relationships and embracing “found family.” Isaac struggles to reckon with the loss of his family, as well as his perceived guilt because his family died when they entered stormy ocean waves to save him from drowning. Isaac’s willingness to push through his fear to protect his friends makes him a likable character, and readers will enjoy seeing his realization that “all the crazy people” that survived the battle with him “had made [the loss of his family] a little more bearable.” 

Minho is an orphan who “had no parents, no brothers, no sisters, no friends. Only enemies,” until he meets an older woman named Roxy who offers him food and shelter when he stumbles onto her property. Readers will appreciate how Minho’s mindset changes about having family, as he initially is taught to “follow protocol” and not trust anyone, but eventually, he lets Roxy in and shows his emotional side. During the battle scene at the end of the novel, Roxy saves him. Minho says, “It was kinda cool having a mom.”

Another major theme is humanity, and what happens when humans reach for power. To prevent any spread of the Flare virus, the Remnant Nation trains children, like Minho, to be soldiers that will kill any outsiders in hopes of eradicating the virus. By contrast, the Godhead wants to use the virus to infect all of humanity and cause “The Evolution”—powers they hope to gain from the virus. Minho explains of the Godhead and the Remnant Nation, “You’re talking about two religions here, both in a race to the end. And one won’t rest until the other’s gone.” Readers can take away the message that while sometimes people start out with the intention of protecting and helping people, the opportunity to gain power can cause them to hurt others to achieve their goals.

The conclusion leaves readers wondering what the characters will choose to do—will they stay on the mainland or look for a way to return home? Will Alexandria take complete power over her faction? Readers will be left looking forward to the next book in the series, The Godhead Complex, which shows Alexandria uncovering the most valuable asset in this post-apocalyptic battle—a clue that connects the book back to the original Maze Runner series. Readers who are not put off by violence will enjoy how the end battle brings the characters together and shows the survivors forming tight bonds of friendship. 

Sexual Content 

  • After Sadina is kidnapped, she is reunited with her long-time girlfriend, Trish. “Trish and Sadina had yet to let go of each other. . . kissing and hugging in a loop that might last another day or two.”

Violence 

  • Minho is approached by a man who begs for his life. Minho didn’t have the courage to disobey protocol” so he shot the man. The murder is described in detail, “A single shot rang out” and the man Minho shot is described as having “a small wisp of smoke leaking from the new hole in his head, slumped off the horse and fell into the mud with a wet splat. Another shot, and the animal fell as well.”
  • Alexandria finds out that another member of the Godhead, Mikhail, has been attacking followers in a vicious process called “hollowing.” During hollowing, “they’d been sliced from aft to stern, their very essence of life removed with violent but precise efficiency.”
  • When witnessing a young boy being attacked, Minho grabs the man attacking him and “slammed him against the wall . . . the stranger’s head cracked against the jagged stone.” It is implied that Minho kills him.
  • Sadina and Isaac are threatened by Timon, a follower of the Godhead, who attempts to kidnap them and threatens to kill their friends. Timon yells, “MEET ME OR THEY ALL DIE . . . TELL ANYONE, THEY DIE.” 
  • When Sadina and Isaac are kidnapped, Kletter, a suspicious woman who arrived on a mysterious ship at the beginning of the book, is brutally murdered. “Her neck . . . that was the bad part. The really bad part. It had been slashed with something sharp, from one side to the other like a necklace, and blood poured down the front of her body in gushes.” 
  • In order to protect his newfound friend Roxy, Minho attacks Letti, one of the kidnappers. Minho “swung the club of wood and smashed it against the side of Letti’s head . . . Letti collapsed to the ground in a heap.” She is not killed as, “Her chest moved up and down, still alive, but her bloody head sure didn’t look so good.” 
  • While trying to escape the confines of the Remnant Nation’s “Berg,” Minho’s friend, Skinny, is killed. It is brutal; Skinny’s “head was smashed, the arms and legs twisted at weird angles, blood everywhere.” Several people die, but these deaths are not described in detail. This “Berg” battle is described over ten pages.
  • During the battle scene, “Minho had barely stepped from the wreckage when he saw a man buried beneath a large chunk of the Berg that had fallen off . . . The chest didn’t move at all, and there was blood in all kinds of bad places.” 
  • Roxy saves Minho from being stabbed by a Remnant Nation leader during the battle: “Then a long object swung in from the left of his vision, slamming directly into the face of the priestess. The woman screamed, blood spurted, she dropped the knife, collapsed, and went still.”
  • Alexandria orders her followers to kill Nicholas and bring her his head. Alexandria “slid the box closer to her, lifted its lid . . . The eyes of Nicholas stared back at her. His eyelids removed so that they could never close again. She smiled at him, half-expecting what was left of the dead man to return the kind gesture. He did not.”

Drugs and Alcohol 

  • During a meeting of the Congress of the island, Sadina discovers that her mother and two other congresspeople have put something in the wine so that they can leave the island without resistance. They “spiked the wine. But don’t worry, it only puts them to sleep.”
  • Alexandria meets with Mannus, a wavering follower of the Godhead, who describes how he ended up with “horns sewed upon his head.” He says, “I was young and drunk and there might’ve been a lady involved. She’s dead now and I still got these damn horns.” 

Language 

  • Many of the younger characters frequently use hell and damn.
  • Other profanity is used occasionally. Profanity includes bastard, shit, and bullshit.
  • Characters from the Remnant Nation frequently use “thank the Cure” and “for Flare’s sake” as exclamations.
  • Within the setting of the Godhead, there are frequent exclamations of “Praise to the Maze,” “Glory to the Gladers,” and other expressions of worship towards Alexandria, “the Evolution,” and powers that come with it.
  • Old Man Frypan, one of the original Gladers, often exclaims, “hallelujah” and “amen.”

Supernatural

  • Though there are no direct examples of magic in the book, futuristic technology often appears to fill this type of role. For instance, when Isaac and his friends are reunited once more, they are horrified to discover “at least a dozen dark shapes hovered above the horizon as if by magic,” but “Isaac knew it wasn’t magic,” instead it is gigantic “Bergs” coming to take them away. 

Spiritual Content 

  • Characters with strength and enhanced senses from “The Evolution” are referred to as Gods and Goddesses of “the Godhead.”
  • Timon, one of the kidnappers, asks Sadina and Isaac if they have heard of the Godhead, to which Sadina asks, “Like in the Bible. . . Never read it.” But Timon exclaims, “No I’m not talking about the damn Bible.” 
  • The Remnant Nation forces Minho to go on a forty-day trek. While pretending to be loyal to the Remnant Nation, Minho says, “Long live the Cure . . . May I wander for forty days and nights and return a Bearer of Grief in her service! May the Godhead die, and the Cure rule the earth.” 
  • Jackie, one of Isaac’s friends, worries about her kidnapped friends, explaining, “We’re wandering the wilderness like freaking Moses from the Bible. Or was that Joseph? Paul? Who the hell knows.” 
  • Alexandria is part of “the Godhead”, and her goal is to overtake the other two “Gods” and become “their new God.”

by Elana Koehler

Breaking Time

When a mysterious Scotsman suddenly appears in the middle of the road, Klara thinks the biggest problem is whether she hit him with her car. But, as impossible as it sounds, Callum has stepped out of another time, and it’s just the beginning of a deadly adventure.

Klara will soon learn that she is the last Pillar of Time—an anchor point in the timeline of the world and a hiding place for a rogue goddess’s magic. Callum believes he’s fated to protect her at all costs after being unable to protect the previous Pillar, his best friend, Thomas. For a dark force is hunting the Pillars in order to claim the power of the goddess—and Klara and Callum are the only two people standing in the way.  Thrown together by fate, the two must learn to trust each other and work together. . . but they’ll also need to protect their hearts from one another if they’re going to survive.

Since the death of her mother and moving to Scotland, Klara’s life has been turned upside down. Things only get worse when Callum arrives. At first, Klara doesn’t believe he has traveled from the past nor does she understand the strange powers that have manifested through her. While many readers will relate to Klara’s grief and her inability to be honest with her father, Klara is not a very memorable character. Even after a man steps out of a mist and tries to kill her, Klara is still unwilling to believe Callum’s story. This conflict takes too long to resolve and slows the story’s pacing.

Breaking Time introduces many ancient Gods as well as some lore for the Fair Folk; however, some of the story’s magical elements are inconsistent. For example, while one goddess is only able to appear to Klara at a mystical site, another appears to her through a dream, and demon monsters can appear anywhere. Since Klara doesn’t understand her powers, she goes on a quest to different mystic sites in an attempt to understand them. At each place, she learns more about herself and what it means to be a Pillar. Unfortunately, the story’s worldbuilding is lacking and the magic elements are inconsistent which causes confusion.  In addition, some of the people and events are not clearly connected to the central conflict. To make matters worse, the conclusion is ambiguous and doesn’t wrap up any of the conflicts, which many readers may find frustrating.

Unfortunately, Breaking Time’s unremarkable protagonist and inconsistent worldbuilding make the story difficult to enjoy. Readers who have some previous knowledge of Scottish folklore may still find Breaking Time an interesting read; however, readers who have no previous knowledge of Scottish folklore may want to leave the book on the shelf. If you’re looking for a time-traveling romance, Time Between Us by Tamara Ireland Stone and the Ruby Red Trilogy by Kerstin Gier both have mystery, excitement, and some swoon-worthy scenes.

Sexual Content

  • Klara sees Callum watching for danger. Klara goes to him and Callum “took her waist between his strong hands, pulling her close. In a swift movement, he turned Klara so that her back was against a nearby tree. His body flush against hers. She could feel every inch of him. . . His lips pressed hungrily against hers, and she grasped the nape of his neck, wanting him closer. . . Their lips danced. She willed him to move faster, harder against hers. Her tongue dipped into his mouth and he moaned at the contact.” The two do not go further. The scene is described over a page.
  • After kissing Klara, Callum thinks about how “He had only kissed one girl before.”
  • After a near death experience, Klara tells Callum to kiss her. “His lips descended on hers, slow and meaningful. . . He slid the palm of his hand down to the back of her neck, she shuddered.”
  • Klara told Callum that she could send him back to his own time. He refuses her offer. Then, “his lips found her hairline and lingered there. He felt her palms up his back, felt his muscles tighten in response to her touch. . . Klara wanted him here, too. . . Everything that was fierce and gentle in Callum flowed out of his touch and into her . . .” They stop kissing when they are interrupted. The scene is described over a page.
  • While listening to a band and dancing, Callum “pulled her even closer, lifting her so she was on her toes. . . She pushed her fingers into his hair. He moaned, feeling euphoric. His lips descended to hers.” The kiss is described over half a page.

Violence

  • To pay for their meals, Callum and his friend, Thomas, fought in a local pub. Callum recalls one fight when “Thomas got pummeled. . . Sounds still rang in Callum’s ears: the thud of fist and flesh, the sickening crunch of bone.”
  • One night, Callum comes across Thomas lying in the street. “Thomas lay on the ground, his legs splayed at sickening angles. Blood seeped through his shirt. . . [Callum] pressed his hands against the deep slice that marred his friend’s torso. A knife wound.” 
  • While Callum kneeled next to Thomas, his “world flipped sideways. A blow had hit Callum like a runaway carriage. . . pain exploded along his ribs.” Thomas’s killer steps out of the shadows and “Callum didn’t see the blow coming, only felt the pain searing across his temple as he was thrown to the ground again.” 
  • During the fight, the man stabs Callum. “Callum touched his side, and his fingers came away with blood. He watched as crimson spread across his shirt. . . He tried to take a step, only to crumple to the ground beside Thomas, whose head rested limp against his chest.” Callum passes out. When he awakens, he is in another time period and he assumes Thomas is dead. The fight scene is described over four pages. 
  • A man steps out of a fog and grabs Klara’s throat. “He squeezed tighter, making her sputter. Her lungs worked fruitlessly, burning and straining like her ribs had been welded shut. He was trying to kill her. Was killing her.” Callum jumps to Klara’s aide and “ lunged forward and sunk his dagger into the man’s thigh. . . crying out in pain, the man released his grip slightly, allowing Klara to pull out of his grasp.”
  • While fighting the man, “A powerful burst of energy exploded inside [Klara], moving in electric waves outward from her chest into her limbs. Her fingertips felt like live wires. . . it suddenly sparked into a bright, white light that wiped away everything else.” Klara’s power sends the man into a different realm. The fight scene is described over four pages.
  • A beast appears “standing as tall as a horse and twice as wide, it bore the head of a snake, the form of a panther, and the cloven hooves of a demon.” The beast corners Klara, and Callum comes to her aid. “The creature lunged at Callum. He threw all of his strength at the beast, ducking down and ramming his shoulder into its stomach. . . [Klara] slam[ed] her phone into the beast’s snapping jaws.” 
  • During the fight with the beast, “the monster swung its neck like an unbroken horse, throwing Callum head over heels into the nearest partition wall. . . His body exploded with pain.” While Callum is down, “The monster lumbered toward [Klara], its tongue lashing the air as its hideous head darted and swayed. Its monstrous skull smashed into Klara’s side and sent her sliding along the floor.”
  • As the fight with the beast continues, Callum “slammed the rock into the beast’s spine, the spot on the neck where the scales met fur. The monster shrieked in pain. . . its scaled back, [was] now slick with dark blood as the monster fell on its side.” After being injured, the monster turned into “a pile of dust on the floor.” The bloody fight is described over five pages.
  • While fighting in the pubs, if Callum had a bad fight, his master “would be so mad that the beatings wouldn’t stop until I did better in the next fight.”
  • While in the forest, a god in the shape of a stag appears to Klara. Soon, another monster appears and attacks the stag. “The stag was crumpled before her, his neck in the jaws of another beast. Familiar teeth sunk into the animal’s furred flesh.”
  • Once the stag is out of the way, the monster goes after Klara. The beast “snapped its head up from the stag’s neck, blood dripping from the pearly points of its teeth.” Klara ran, but “spit flew from its mouth and landed with a heavy smack on the tree, acid sizzling where it met the bark—right next to her face.” Eventually, “the leopard-like tail came around and pinned Klara against the tree. Splinters cut through the back of her jacket and into the soft flesh of her skin. She convulsed with a full-body shiver as its jaws opened.” 
  • During the fight, the stag recovers and charges the monster that has Klara pinned against a tree. Once free, “Klara grabbed the broken antler from the forest floor and rammed it into the beast’s eye. The black pupil sunk like putty around the shard, which shuddered violently in her hand the deeper she plunged it in . . . the beast shrieked then collapsed into darkly shimmering dust.” The fight is described over six pages.
  • Aion, a man who Callum has only seen once, follows Callum. When Callum confronts him, Aion refuses to answer any questions. “Callum’s knuckles sunk into Aion’s cheek and nose, glancing off bone. His cry was muffled by Callum’s fist. He drew his hand back, chest heaving. A line of dark blood trickled from Aion’s nostril and over his lip.”
  • While at a mystic site, another monster attacks Klara and Callum. “Callum crouched in front of the beast, sword raised. With a twist of her heart, she noticed the blood splashed across his leg. His limp. . . [Callum] lunged again, this time striking the beast’s neck with the broad side of the sword. Rearing its head, the beast cried out. Then, it swung down in a flash. . . sinking its teeth into Callum’s side.”
  • As Callum and the beast fight, Klara jumps in. “She grabbed the hilt and ran headlong toward the creature. . . leaping as high as she could, Klara bore down and drove the blade into the monster’s open mouth.” When nothing else works, Klara uses her power against the beast, causing the beast to dissolve “until nothing more than a shimmering curtain of gold dust remained.” The scene is described over four pages.
  • Four beasts that “looked as if they were plucked straight from the pits of hell” attack Callum. When the lead beast runs at him, Callum “dropped, flattening his body against the ground to avoid the snarling beast . . . One hand grasped the beast’s muzzle, the other the meat of its neck. Callum felt the crunch of its crooked and uneven teeth under his fingers as he tightened his grip, then used the beast’s own weight to swing it away—and let go.”
  • As the fight continues, “Callum fell to his knee and thrust the dirk upward, catching the creature’s soft belly with his blade. . . The terrible sound of ripping flesh filled his ears. Hot blood splattered in his hair and face. . .” 
  • The beasts almost overtake Callum when one of them “sunk its claw into the front of Callum’s chest. The bite of fang and flesh tore a scream from his lungs.” After Callum fights the beasts, Llaw, a demigod who is trying to kill all of the Pillars, appears and attacks. “Llaw was strong. He stole the remaining breath from Callum’s belly with a sharp kick, sending his body reeling like he had run full force into one of the standing stones. Pain flared in his injured shoulder. Callum fell to his knees. Llaw drove a fist into his chest.”  At the end of the six pages of fighting, Callum’s “vision faded, along with the beat of his heart.”
  • When Klara finds Callum’s body, she pleads to the god Cernunnos. However, Llaw appears. “Llaw’s boot slammed against her chest, pinning her to the ground. The hound by his side. . . crouched. With its sickening sharp claws carving up the earth as it moved, the creature inched toward her until its snapping, snarling jaw was nearly pressed against her throat.” Llaw “pressed his foot down on her chest until a rib snapped.”
  • Klara calls on her powers and is able to distract Llaw. Then, she swung her sword. “The hilt shuddered in her fingers as the blade met resistance—as it cut through the flesh and bone of Llaw’s arm. Then the sword was free again, a swatch of blood on silver the only evidence that she hadn’t missed.”
  • At the end of the fight, Klara stabs Llaw in the chest. “He shuddered violently, like he’d been pushed onto her blade. . . She felt his body go limp.” Klara and Llaw’s fight scene is described over seven pages. 

Drugs and Alcohol

  • Callum thinks back to a time when he had whisky at a pub.     
  • After Callum gets into a fight, Klara calls a doctor. The doctor assumes Callum is drunk. The doctor said, “this young man needs aspirin, water, and perhaps to reconsider his life choices, if he’s already this drunk so early in the morning.” 
  • Klara and Callum go to a bar to listen to a band. Other people are served beer.
  • Klara’s grandmother “smoked a joint every Christmas.”
  • Klara’s father talks about the night before he married Klara’s mother when they had champagne.

Language

  • Profanity is used infrequently. Profanity includes ass, bastard, crap, damn, hell, pissed, and shit.
  • Goddamn is used once.
  • God, oh my God, and Jesus are used as exclamations a few times. 

Supernatural

  • In the woods, Klara and Callum come across an area that looks like a fairy ring. Then, a fog begins to take form. “The air in front of [Klara] began to shimmer as if it was the height of summer—but the air turned suddenly cold. . . The mist grew thicker still with every passing second, until it was a curtain of light and shadow. . . Callum watched in horror as a hand emerged from the mist and reached for her.” A man steps out of the fog. 
  • The story revolves around Samhain, “a Gaelic holiday, similar to Halloween, celebrating the barriers of the human and spirit world thinning out on October 31 through November 1, allowing crossover from both realms.”
  • Callum learns that Thomas was visiting mystical centers. A man tells Callum, “Different centers are thought to be closer to different gods or different locations in the Otherworld. . . Some say energy flows at these sites – at these mystic centers, or thin places— especially at certain times of the year, or with specific celestial events, the power of which is beyond our understanding.”
  • If Klara concentrates, she can feel the “pull of the Otherworld.” While trying to understand her powers, Klara walks into a forest and a stag steps out of the mist. “She watched in awe as the stag fell away, its body transforming until the only thing that remained of the beast were its antlers” that “crowned a man.” The man is Cernunnos, the god of the wilds, of nature, and of life itself. He tells Klara that “my essence is connected to the soil, the leaves, the trees, the ocean.” 
  • Callum wants to find the “bean-nighe” who is part of the Fair Folk. The bean-nighe “appears to those she chooses, and those who will die.” To find a bean-nighe, Callum will need to go to a lake, take part of his shirt, “soak it in your blood, and leave it in the waters. With it, you must swear to leave your life—if the bean-nighe would so choose to take it.” When Callum follows these directions, he asks the bean-nighe for “the strength of ten men” so he can protect Klara.
  • Klara goes to a mystic site. While there, a “pearl of light” appears. “The pearl grew. . . the spin stopped abruptly, and it flattened in the air in front of her, casting her in a blaze of white. . . Klara cried out, at first in shock, then in agony. It felt like she was being scorched alive.” The light takes her through a vision of the past.

Spiritual Content

  • Arianrhod, the Goddess of the Silver Wheel is “a primal figure of female strength—often associated with the moon, she had dominion over the sky, reincarnation, and even time and fate itself.” The goddess appears to Klara and Callum. Arianrhod shows a vision to Callum. “The fog gathered around them again. . . A familiar form took shape in front of Callum’s eyes. His chest wrenched open with disbelief and wonder.” Callum is shown his friend Thomas, and Arianrhod explains that “Thomas’s life was precious—more precious than most of the humans who walk this earth. There was a power in his blood more valuable than any mortal treasure. . .”
  • The Goddess reveals that Callum’s friends, Thomas, and Klara are both “pillars.” Arianrhod divided her powers “amongst ten human souls that would be born into your world. . . Spread across the centuries, each of the ten chosen ones became a Pillar of Time, with my power sealed within their blood.” 
  • Arianrhod’s son, Llaw, is a demigod who is trying to kill all the Pillars so he can gain their power. The goddess explains that “Llaw has already taken the power from the other nine vessels, but my power can all be restored as long as you live past Samhain.” If Llaw isn’t stopped, chaos will reign and time itself will be destroyed.

Check Please!

Eric Bittle may be a former junior figure skating champion, vlogger extraordinaire, and very talented amateur pâtissier, but being a freshman on the Samwell University hockey team is a whole new challenge. It is nothing like co-ed club hockey back in Georgia! First of all, there’s checking (anything that hinders the player with possession of the puck, ranging from a stick check all the way to a physical sweep). And then, there is Jack—the very attractive but moody team captain. 

Check Please! is told from Bittle’s point of view, which allows the reader to connect with him and the other hockey players. Bittle is an extremely likable character who unapologetically loves to bake pies, make gift bags, and vlog. Bittle’s vlog helps keep the reader up to date on the events in his life as well as his emotions. As part of the hockey team, Bittle spends a lot of time on the ice. However, the figure skating champion often faints when someone is close to knocking into him. Despite this, the other hockey players encourage Bittle and reassure him that they’ve got his back. And when Bittle makes his first goal during a game, the reader will cheer right along with the other characters. 

Through Bittle’s experiences, readers will get an intimate view of a college hockey team. While there are many interesting characters, the team captain, Jack, takes center stage. As the son of a famous hockey player, Jack deals with anxiety and family expectations. When Bittle and Jack become friends, Bittle is conflicted because he has fallen for “a straight boy.” It isn’t until Bittle’s sophomore year that he tells anyone that he is gay. Even though Bittle is worried about his teammate’s reactions, they are unfazed by the revelation.   

Each page of the graphic novel has two panels with quote boxes. However, on some pages, there are so many quote boxes that it is difficult to keep track of who is speaking. The illustrations often focus on the “hockey haus,” which is where the hockey team lives and throws parties with lots of alcohol. In addition to the many parties, Check Please! Also has an abundance of profanity and frequent talk of hooking up, which takes away from the reading enjoyment. The story portrays the college experience as one big party with meaningless sex. 

Check Please! is an engaging graphic novel that focuses on Bittle’s unique perspective and gives readers a look into the hockey culture. The teammates’ acceptance of Bittle despite his untraditional behavior is refreshing. While the story’s fun tone will appeal to many readers, the unnecessary profanity is often overwhelming and will definitely turn away some readers. Readers looking for more sports-related books should check out Hazelwood High Trilogy by Sharon M. Draper and Nothing Can Possibly Go Wrong by Prudence Shen & Faith Erin Hicks. 

Sexual Content 

  • Two hockey players talk about a girl’s text message. One boy says, “Then it’s chill—emoticons always equal pussy.” 
  • When Bittle goes to the hockey frat house, one of the guys says, “The decisions you will make in this house will be regretful but glorious. The alcohol you drink will be cheap, but plentiful and the loss of virginity you may experience within these walls will range from reassuring to emotionally damaging.” 
  • Bittle goes to a frat party. While there, he asks the guys where Jack is. Someone says, “Poor guy’s probably up in his room getting sucked off by another Zimmermann puck bunny.” 
  • Some of the guys talk about hooking up with a girl. One of the guys tells Bittle, “Holster and I are very well acquainted with Samwell’s female population, if you know what I mean. I do mean sexually.” 
  • Jack kisses Bittle. The kiss is illustrated over three pages.  

Violence 

  • None 

Drugs and Alcohol 

  • When Bittle sees the frat house’s kitchen stove, he says, “I bet no one’s cooked anything but pot brownies in you.” 
  • While at a frat party, some of the hockey team play a drinking game. 
  • After a game, the guys go out to pizza and some of them drink beer. 
  • As part of a hazing ritual, the new members “will crawl onto the shore of manhood naked, blindfolded, and bitch-ass shitfaced. But not alone!” The hazing is shown over two pages, and the new members are in their boxers. 
  • The book uses a fairytale-like story to show Jack, in the past, taking too many anxiety drugs and “nearly los[ing] everything.”  

Language   

  • Profanity is used on almost every page. Profanity includes bitch, damn, dicks, hell, motherfucker, fuck, shit, pussy, and goddammit. 
  • One of the characters is nicknamed “Shitty.” 
  • A fellow hockey player says, “You know what I like about you, Bittle? You’re a dude from the south and you’re not a bigoted dickfaced cockhole!” 
  • A hockey player says that one of his teammates can “turn into a fucking hockey nazi every once in a while.”  
  • While practicing talking tough, Bittle says, “I’m gonna fuck you up like the fucking pussy midget fucker you are.” 
  • Jesus Christ is used as an exclamation once. 

Supernatural 

  • None 

Spiritual Content 

  • None 

Just Roll With It

As long as Maggie rolls the right number, nothing can go wrong…right?

Maggie just wants to get through her first year of middle school. But between finding the best after-school clubs, trying to make friends, and avoiding the rumored monster on school grounds, she’s having a tough time . . . so she might need a little help from her twenty-sided dice. But what happens if Maggie rolls the wrong number?

Maggie struggles with OCD and feels compelled to roll a dice before she makes any decisions. Soon, Maggie is rolling dice to decide if she should have lunch with a friend, if she should let a friend borrow a book, and other everyday decisions. Maggie’s OCD begins to interfere with her daily life. At the beginning of the story, the reader sees Maggie rolling the dice, but a lack of explanation makes the dice rolling confusing. However, later in the book, OCD is explained in kid-friendly terms that are relatable.

In English class, the students are reading The Crucible, which ties into Maggie’s life. For example, Maggie’s friend, Clara, says, “I think it must be really hard for Sara. She knows she’s not a witch, but when everyone is saying that kind of stuff to you, sometimes it’s hard to remember they are wrong.” Likewise, Maggie wonders if others think she is crazy, because of her OCD.

Maggie’s story unfolds with quick looks at different aspects of her life. While this allows Maggie to be well-developed, the constant change of scene may be confusing for some readers. In addition, part of Maggie’s emotions are shown when she talks to an imaginary dragon. The dragon doesn’t hesitate in making Maggie question her abilities. At one point the dragon tells her, “Every time you forget your homework, or are afraid to ask a question, and even when you’re not sure if you want seconds at dinner? That’s me, reminding you that you’re weak. You’re shy. You’re nothing.”

Just Roll With It has several positive aspects, including Maggie’s relationship with her family and her friend, Clara. Maggie’s sister encourages Maggie that “fear and pain can’t be avoided, no matter how much we try. Coming out to mom and dad was really scary for me. But I’m glad I did it. A lot of the worries I made up in my head ended up not coming true. So I put myself through a lot of heartache for nothing.” With her family’s reassurance, Maggie agrees to see a therapist in order to deal with anxiety. Middle grade readers will relate to Maggie who worries about what other people say about her, forgets to do her homework, and struggles with figuring out what clubs she wants to join.

Maggie’s story comes to life in brightly colored panels. When Maggie is feeling stressed, the pictures use a darker hue to illustrate her anxiety. The illustrations mostly focus on Maggie, her friends, and her family. When Maggie is at school, the students are a diverse group including a girl in a wheelchair and a Muslim. The story also includes Clara’s two moms and Maggie’s sister’s girlfriend. Reluctant readers will enjoy Just Roll With It because it uses easy vocabulary and has a fast pace. Each page has one to seven simple sentences, which make Just Roll With a quick book to read. Readers interested in exploring the theme of anxiety should also read the graphic novel, Guts by Raina Telgemeie.

Sexual Content

  • None

Violence

  • A boy shoves Maggie’s friend Clara twice, knocking her to the ground.
  • When a boy goes to hit Clara, Maggie steps in and hits him across the face with a fat book.

 Drugs and Alcohol

  • None

Language

  • Heck, darn, and OMG are used several times.
  • Crap is used once.
  • There is some name-calling including jerk, snake bait, and babies.

Supernatural

  • None

Spiritual Content

  • None

I am Billie Jean King

Billie Jean King, the world champion tennis player, fought successfully for women’s rights. From a young age, Billie Jean King loved sports—especially tennis! But as she got older, she realized that plenty of people, even respected male athletes, didn’t take female athletes seriously. She set out to prove them wrong and show girls everywhere that sports are for everyone, regardless of gender.

Billie Jean’s story shows the inequity in tennis, which at the time was played mostly by rich, white males. The story focuses on how women were discriminated against. For example, women were paid significantly less. Even though Billy Jean and her partner, Karen Wantze, were the youngest team to ever win Wimbledon, they could not afford to attend the Wimbledon celebration ball.

Right from the start, Bill Jean King’s story begins explaining what “fair play” means. Billie Jean defines fair play, saying, “In sports and in life, it means you respect the rules and treat everyone equally.” Most of Billie Jean’s story focuses on equity in sports, but it leaves out what exactly Billie Jean did to help solve the problem. However, the book’s message is positive: “All of us are powerful in our own ways. So how do you get to be your best self? By practicing, sweating, and giving everything you’ve got. And when you have nothing left, give more.” Later in her life, President Obama awarded Billie Jean the Presidential Medal of Freedom for being “one of the first openly lesbian sports figures, and for using sports to create social change.”

Colorful, full-page illustrations show important aspects of Billie Jean’s life beginning when she was a little girl. The book’s text includes speech bubbles as well as short paragraphs. Throughout the book, Sonia and some of the other characters are cartoonish. The cartoonish figure of Billie Jean does not change throughout the book; when she is an adult, she is pictured with other players who look like adults, yet Billie Jean still looks like a child which is a little disconcerting. When groups of people appear, the people are diverse and include both male and female. The end of the book has a timeline of Billie Jean’s life and six pictures of her. In the last line, Billie Jean says, “Be bold. If you’re going to make an error, make a doozy, and don’t be afraid to hit the ball.”

Younger readers will enjoy I am Billie Jean King’s fun format, conversational text, and positive message. However, the heavy focus on equity may be difficult for younger readers to understand. For these readers, parents may wish to read the book with their child and discuss some of the important achievements Billie Jean made for women. To explore equal rights further, read A Girl Named Rosa: The True Story of Rosa Parks by Denise Lewis Patrick, which is another inspirational book about fighting for equal rights.

Sexual Content

  • Billie Jean realizes that she is gay. “Being gay means that if you’re a girl, you love and have romantic feelings for other girls—and if you’re a boy, you love and have romantic feelings for other boys.”

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Blackout

The sun beats down on the city of New York where there are places to go and people to see. As a heatwave takes over New York City, electricity goes out. This creates the infamous blackouts causing the lights to go off and the trains to stop running. No electricity also means no air conditioners, and that everyone outside is sweating through their clothes from the summer heat and humidity. Amid the blackout, six couples spark a different kind of electricity in the City that Never Sleeps as old loves, and new ones, meet and head to a massive block party in Brooklyn.

Blackout features six short stories following six couples. “The Long Walk” follows two exes named Tammi and Kareem. Kareem needs to get to a block party and Tammi needs to go back home to Brooklyn – coincidentally where the block party is being held. Together, Tammi and Kareem begin a long walk to Brooklyn during the heatwave. “The Long Walk” is also split into 6 parts and scattered throughout the novel instead of being compacted like the rest of the short stories.

“Mask Off” is a queer, MLM (Man Loving Man) love story that follows Tremaine and basketball star JJ. The two of them are riding on the subway before it is shut down by the blackout. “Made to Fit” is another queer, WLW (Woman Loving Woman) love story that follows Nella and Joss at a senior living facility. Nella’s grandfather accidentally loses a picture of his wife, Nella’s grandmother, and Joss offers to help Nella look for it in the dark.

“All the Great Love Stories…and Dust” features two characters named Lana and Tristan, who are trapped in the New York Public Library during the blackout and play a game to see who can find the best book. “No Sleep Till Brooklyn” follows a love triangle on a double decker bus between Kayla, Micah, and Kayla’s boyfriend Tre’Shawn. The final story, “Seymour and Grace,” is a first meeting between Grace and her Ryde driver Seymour. Grace needs to get to the block party in Brooklyn, but the trip gets interrupted by Seymour’s car running out of gas.

All six short stories follow a prose narrative style in the first-person perspective of their respective narrators. Each writer has a different writing style and format. For example, “All the Great Love Stories…and Dust” features footnotes at the bottom of the page to convey Lana’s truth and demonstrate her character. “The truth: I [Lana] just wanted us to have our adventures together away from anyone we might run into. The people we are in Brooklyn aren’t the same people we are in Manhattan or the Bronx or Queens. Do you think you can be a totally different person in a different place? Your insides and outsides transforming into another you?”

There is a sense of consistency between all six authors, allowing the reader to easily grasp the flow of the stories and connect them to the other five. The stories feature romance, and the novel is meant to celebrate young black love. All the characters are teenagers, and most of them are in their late teens. This makes them relatable to a young adult audience as the characters deal with friendships, their identity, and college. For black young adult readers, Blackout provides them the representation they need, and the novel perfectly portrays each character in their own, individual light with their own individual stories and identity.

Blackout is a beautiful novel written by six black authors who bring to life the idea of young love. Each story celebrates young black love and the diversity that occurs in the black community. Queer black teenagers get their own love stories separate from their straight counterparts. Each story provides a small twist on the romance genre due to the authors’ distinct writing style and the story’s format. This book is for readers who are a fan of romance and for Blackout’s targeted audience of black readers. The book is extremely entertaining and will have fans wanting more.

Sexual Content

  • JJ brings up rumors about Tremaine, saying, “there are rumors he “deflowered” both the starting quarterback and his girl.”
  • JJ recounts a sexual encounter he had with a girl on his eighteenth birthday. She “danced me into a corner and started kissing my neck. And I did kiss her back—she was a great kisser, objectively speaking—and when she pushed things a bit further, I rolled with it.”
  • At the queer party, JJ kisses Tremaine without Tremaine knowing it was JJ. “When he turned back to me, I lifted the bottom of my mask, closed the space between us . . . and I kissed him right on the mouth.”
  • Nella was in love with her ex-best friend Bree, who Nella “used to dream about kissing.”
  • In a brief flashback scene, Nella relives the experience of Bree telling Nella that she only kisses other girls when she’s drunk. Nella says, “Twig saw you kissing girls at all those house parties?”
  • Joss puts on some purple lipstick and Nella thinks, “. . . her mouth is suddenly very, very distracting.”
  • In the laundry room, Nella and Joss kiss three times. The scene lasts for two pages. “When we kiss, it’s slow and warm. It’s thickly sweet, like the butterscotch candy we took from Queenie’s bedside table, but there’s something underneath the syrupy flavor that I know must be essentially Joss too.”
  • After Lana confesses her love to Tristan, the two of them make out. “Before I [Lana] could finish, his hands are on my back and his bottom lip brushes against my neck, my ear, then my cheek, before he kisses me.”
  • Tre’Shawn tries to kiss Kayla, but Kayla doesn’t let him. This happens twice.
  • Tre’Shawn tries to kiss Kayla a third time and this time Kayla lets him. “I let him kiss me this time. It’s comforting and familiar.”
  • After having a panic attack on the Brooklyn Bridge, Tammi brings Kareem close to her and kisses him. Tammi grabs “his shirt, pull[s] him close, and kiss[es] him. I kiss my messy, forgetful, silly-ass ex-boyfriend. And as we hover over the water, I forget the world as he kisses me back.”

Violence

  • While at the masquerade party for queer men, JJ gets hit on by an older man against his consent. The man says, “Oh, don’t play coy, now,” as he breathes down JJ’s ear and grabs his arm.

 Drugs and Alcohol

  • None

Language

  • The words “shit” and “ass” are used a variety of times and in a variety of ways. For example, when Tristan is talking to Lana about them going to separate colleges, he says, “I’m supposed to help you and your dads move you into your fancy-ass Columbia dorms before I bounce to Binghamton.”
  • When talking about her ex, Taylor, Joss says, “That bitch missed out too.”
  • During an argument with Kareem over Tammi not trusting him, he says “Fuck it.”
  • Tammi reminisces over a middle school memory where Kareem was bullied. She calls those bullies “assholes.”
  • Kareem says that Tammi called him “a fucking liar” because Tammi thought he lied and cheated on her.
  • Kayla confides in her best friend, Jazmyn, about her issues with her relationship with Tre’Shawn. Jazmyn says, “Is he on some fuck boy shit?”
  • Kayla calls her classmate Micah a “jackass” lightheartedly.

Supernatural

  • None

Spiritual

  • None

by Emma Hua

All the Invisible Things

Helvetica and Peregrine were destined to be friends. Bonding over their strange names, Vetty and Pez became close the moment they met at ten years old. They are used to sharing secrets, supporting one another, and racing their bikes all around London together. However, after Vetty’s mother passed away, her father decided to move the family away from London forcing Vetty to leave Pez to grieve without his support. While Pez made an effort to stay close, the two slowly fell out of touch.

Three years later, Vetty’s father decides it’s time for the family to leave his sister’s home and move back to London. Back in her old home, Vetty encounters a much different Pez. The new Pez is moodier and keeps secrets, and Vetty is unsure where their friendship stands now that they have gotten older. To make the situation worse, Pez has a glamorous new girlfriend, March, who ignites suppressed feelings inside Vetty. As Vetty grows closer to March, she discovers things about herself and her identity that may further complicate her relationship with Pez. To save their friendship, Vetty and Pez must learn to be honest with themselves and each other and live their own truth.

All the Invisible Things is told through Vetty’s perspective as she comes to terms with her identity and the realization that she is bisexual. Pez also opens up about his own experiences with sex, his struggle with a porn addiction, as well as his desire to change. The book’s main theme is honesty and learning how to live a truthful life, even if the truth is difficult to share. Through Vetty and Pez’s friendship, readers will learn how honesty is often met with love and support. The book also gives a voice to teens curious about their own identity and lets them know they are not alone in the potentially scary and confusing emotions that accompany growing up.

While there are some important themes, there are also problems with the writing of the novel. In the novel, Vetty struggles to find resources to help her figure out her sexuality and none of the characters seem aware of the term bisexual despite the novel being set in 2018. This made Vetty’s journey seem a bit inauthentic and forced at times. All the Invisible Things is also very clichéd in its writing. At one point, Pez tells Vetty she is “not like other girls” which confuses Vetty. At times, the novel seems a bit too sexually explicit, which distracts from the more sensitive moments in the book.

Because of the sexually explicit scenes, All the Invisible Things is best suited for older teens. Despite the book’s flaws, the novel will resonate with the LGBTQ+ community because of its representation of bisexual and lesbian characters. The way the story focuses on LGBTQ+ characters as the center of the story truly demonstrates the importance of their identities.

Sexual Content

  • There are frequent conversations about sex, porn, and masturbation throughout the novel.
  • Vetty and her friends are discussing their teacher’s inadequate sex ed program. As Liv recalls, the teacher, “got through our entire sex ed without even uttering the word ‘vagina.’ Not once… she was way more comfortable with the word ‘penis.’”
  • Liv asks Vetty who she thinks about while masturbating. Liv says, “Say you’re at home, alone in your room, and, like . . . testing your batteries or whatever, just say . . . who do you fantasize about?”
  • When Vetty and Pez were twelve, they kissed. Vetty “made him pretend he was George, our new tennis teacher who was twenty-two and from Greece . . . George was a girl, but this didn’t bother either of us much.”
  • Kyle, one of Pez’s friends, makes a comment that implies he wants to sleep with Pez’s mom. Kyle says, “Real talk though, Pez. Your mum—I mean, I would. We all would.”
  • Vetty finds pornographic images on Pez’s computer. The screen is “filled with small squares and inside these squares bodies pump and thrust and flail about; naked bodies, boobs, and bare bums everywhere!”
  • March opens up to Vetty about her abusive ex-boyfriend. March says, “soon as I slept with him, he lost interest.”
  • Vetty searches porn on her laptop and begins masturbating. “I watch one video play out, unsure I like what I’m watching—it’s pretty fake—but I’m inching my hand below the waistband of my pajama bottoms anyway.” Vetty is soon interrupted by her dad knocking on the door.
  • At a party, Vetty and Rob begin to kiss. She describes how “his lips move to my [Vetty’s] cheek and words fly out of my head and I start to imagine where he’ll kiss me next but then his lips are on my lips again . . .” A noise at the party breaks them apart.
  • Pez comes clean to Vetty about his porn addiction and confesses, “I haven’t wanked without it since I was thirteen.”
  • While acting as extras in a film, March kisses Vetty: “I open my mouth and her tongue lightly scoops the space inside.”
  • While thinking about the kiss with March, Vetty tries masturbating again. “I pull my underwear down and tip onto my knees, moving my fingers in small circles until I’m only my body, allowing my mind into places I’ve never really let it linger in before.”
  • Pez and Vetty share a kiss. Vetty describes her “mouth feels small on his and I keep it closed. His lips are fixed and I leave them there and it’s a few seconds before I kiss him back.”

Violence

  • While riding his bike, Pez is hit by a car. Vetty describes “half of him lies hidden under the car and the other half looks up at the night. One eye’s closed, an eyebrow arched in surprise, but his throat is loose and relaxed, peaceful almost, as a tiny trail of blood trickles from the side of his mouth.” Pez is taken to the hospital and survives.

Drugs and Alcohol

  • While with a group of friends, Pez offers Vetty a beer. She thinks, “Normally, I don’t drink beer, but I take a slow sip, hoping it might soothe the hard edges beneath me.”
  • At another gathering, Pez “takes out a cold bottle of Corona and hands it to Lucas, who slickly pops the top without an opener.”
  • Kyle comes to Pez’s party “smoking a large spliff.” Spliff is British slang for cannabis.
  • Amira, March’s friend, pulls “a bottle of Smirnoff out of her bag” and passes it around.

Language

  • Shit is used numerous times. For example, Pez states, “I don’t give a shit,” when asked about his dad’s behavior.
  • Hell is used four times. For example, Vetty says the “motorway was hell” on her way to Camden.
  • The word dick is used five times. After telling the paramedics that Pez has a famous mom, Vetty explains she felt “like a dick for pointing that out, like Luna’s fame is remotely relevant now.”
  • Ass is used a few times. Vetty thinks she’s “being a total ass” for asking Pez’s guy friends to rate her appearance.
  • Fuck is used five times. After an argument, March locks herself in Pez’s room and he demands that she “just fucking open it.”

Supernatural

  • None

Spiritual Content

  • None

by Elena Brown

Chain of Gold

Shadowhunters are angelic humans who are responsible for keeping mundanes (humans) safe from demons and other supernatural threats. For many years, London has had a quiet period, where demons have been rare. However, this changes when a new demon, a Manticore, begins killing shadowhunters. James and his sister Lucie, along with his friends, Cordelia, Matthew, Thomas, and Christopher, hatch a plan to stop the murders of their friends and families. They enlist the help of many others, not just shadowhunters, but also warlocks and ghosts, to heal those who have been injured by the Manticore. The group is determined to defeat the Manticore once and for all.

James is the son of Tessa (a warlock), and Will (a great shadowhunter). Due to the presence of demonic blood in his lineage, James often finds himself jumping between the “shadow world,” and the mortal realm. Lucie, his sister, has an unusual ability to speak to ghosts, as well as to command the dead. Cordelia is a strong, independent woman. Matthew provides comic relief. Thomas and Christopher are wholesome, kind men. Together, this band of self-named “Merry Thieves” provides an interesting cast of characters you can’t help but love.

James has been in love with Grace Blackthorn for years, seeing her every summer when on vacation, and keeping up a relationship in secret. However, when Cordelia moves to London, he finds himself drawn to her in ways that he wasn’t expecting, and is torn between the two women. When Grace breaks it off with James, he and Cordelia begin a relationship; however, it is cut short by Grace reentering James’s life using a bracelet that breeds affection. With James hopelessly in love with Grace once more, Cordelia is in an awkward situation.

In order to finally defeat the Manticore, James must journey to Hell to meet his grandfather, a demon. He and Cordelia enter the realm and kill the Manticore, while those still in the mortal realm find a cure for those who have been injured. Although it seems that the Manticore has been defeated, Belial, a Prince of Hell and James’s grandfather, has not been incapacitated to the same effect. The reader is left with a sort of cliffhanger, knowing that there is more trouble to follow.

The book is told from a third-person omniscient point of view, allowing the reader to get inside the heads of the characters, and better understand their actions and motivations. Clare creates a captivating story that’s impossible to put down, with characters who feel real enough to jump off the page. The novel emphasizes the importance of friendship and relying on those around you for help. Family is also an important theme in the novel, especially recognizing those in your family as people, rather than idols of perfection.

The cast is full of characters who are outsiders in a way, be it through sexuality, race, or gender, and the story showcases the importance of being yourself. Altogether, the novel has a fast-paced plot, characters full of depth, and important messages. All of these aspects come together to create a story that is not only entertaining but meaningful as well.

Sexual Content

  • James kisses Grace at her request, and he feels “the cool, soft press of her lips against his.”
  • Cordelia catches her brother, Alastair, kissing Charles. “It was Alastair’s turn to bury his hands in Charles’s hair, to press against Charles’s body and fumble with his waistcoat. Charles’s hands were flat against Alastair’s chest, and he was kissing Alastair hungrily, over and over—”
  • Grace coerces Matthew into kissing her. Matthew “pressed his hungry mouth against her lips and kissed her, and kissed her. She tasted of sweet tea and oblivion. He felt nothing, no desire, no yearning, only an empty desperate compulsion.”
  • In order to keep from getting recognized at a party, James kisses Cordelia. “She knew he was making it look as if they were Downworlders having an assignation in the Whispering Room—but it didn’t matter, nothing mattered except the way he was kissing her, gloriously kissing her.”

Violence

  • James kills a demon, and “let both of his knives fly. One plunged into the demon’s throat, the other into its forehead.”
  • There is a four-page scene in which the Shadowhunters fight a large demon. Particularly violent parts are when “the demon clawed at [someone’s] throat,” and Cordelia brought “Cortana down in a great curving arc, severing [the demon’s] head.”
  • James saves Cordelia from a demon. “The demon screeched, a high and horrible noise, as the knives plunged into its torso. The creature spasmed—it seemed almost to be crumbling, its leathery seedpods pattering to the ground like rain. It gave a last choking hiss and vanished.”
  • Cordelia describes the fight against the Manticore. Cordelia “whipped Cortana [her sword] forward with a slashing motion, shredding the demon in front of her.” The scene is described over four pages.
  • James and Matthew fight a Khora demon, and James throws knives at it. “The knives sank to their hilts in the demon’s skull. It blew apart; one of the other demons screamed.” Then Christopher gets hurt. “The demon’s great clawed hand raked across Christopher’s chest.”
  • James fights the Manticore in the Hell realm, and the Manticore attacks with his claws, “One raked James’s arm; he spun sideways, blade whipping overhead, slashing across the demon’s torso.” The scene is described over 3 pages.
  • Grace says, “I was eight when [my parents] were killed by demons.”

Drugs and Alcohol

  • Matthew is often portrayed as either drunk or drinking, with eyes that are “suspiciously bright.” He is often holding a flask or alcohol of some kind. Lucie confronts him, saying, “You’re drunk now . . . Matthew, you’re drunk most of the time.”
  • When James is sick with a scalding fever, he is forced to drink a “loathsome potion” to heal.
  • After Grace breaks up with James, he gets drunk. “James unbuttoned the inside pocket and drew out [Matthew’s] silver flask.”
  • Alastair reveals to Cordelia that their father is an alcoholic. Alastair says, “he’s always bloody drunk, Cordelia. The only one of us who didn’t know that is you.”

Language

  • Profanity is rarely used. Profanity includes bloody and hell.

Supernatural

  • When Lucie is exploring the forest outside of her house, she talks about the moss, and how “her father told her it was a pillow for faeries at night, and that the white stars of the flowers that grew only in the hidden country of Idris made bracelets and rings for their delicate hands.”
  • While in the forest, Lucie falls into a pit. Jesse saves her and then says, “This is one of [the faerie’s] pit traps. They usually use them to catch animals, but they’d be very pleased to find a little girl instead.”
  • Jesse tells Lucie that if the faeries catch her, she “could find [her]self serving faerie gentry in the Land Under the Hill for the rest of [her] life.”
  • When James is fighting a demon, “he was suddenly pulled into Hell,” which is often referred to as the “shadow realm,” a dimension James is often taken to without warning.
  • Most of the characters are Shadowhunters/Nephilim, who are “a special race of warriors, descended from an angel, gifted with powers that allowed them to wield weapons of shining adamas and to bear the black Marks of holy runes on their bodies—runes that made them stronger, faster, more deadly than any mundane human; runes that made them burn brightly in the dark.”
  • James fights a demon that is described as having “a ribbed gray body, a curving, sharp beak lined with hooked teeth, and splayed paw-like feet from which ragged claws protruded.”
  • While fighting a demon, James notes something like recognition in its eyes, but goes on to say that “demons, at least the lesser kind, didn’t recognize people. They were vicious animals driven by pure greed and hatred.”
  • Shadowhunters rely on Seraph blades, swords “infused with the energy of angels.”
  • Shadowhunters have runes that allow them to do various things, such as “glamour runes [that] made them invisible to all eyes not gifted with the Sight.”
  • As James and his friends walk through London, “James caught a glimpse of the pale skin and glittering eyes of a vampire.”
  • There are a variety of supernatural beings, referred to as “Downworlders.” One of these groups are warlocks. “Warlocks were the offspring of humans and demons: capable of using magic but not of bearing runes or using adamas, the clear crystalline metal from which steles and seraph blades were carved. They were one of the four branches of Downworlders, along with vampires, werewolves, and the fey.”
  • Both James and Lucie can see ghosts, a trait they note as “not uncommon in the Herondale family.”
  • James describes the shadow realm as having, “charred earth. A similarly scorched sky arced above him. Twisted trees emerged from the ground, ragged claws grasping at the air.”
  • When James is hurt, Matthew draws an “iratze, a healing rune,” on James.
  • Tessa, James’s mother, recalls “attending a vampire frolic once. And some sort of party at Benedict Lightwood’s house, before he got demon pox and turned into a worm, of course—”
  • Cordelia talks about the reason for her father’s arrest, noting that “a nest of Kravyād demons had been discovered just outside the border of Idris,” the home country of Shadowhunters. She notes that her father had been called in to help, but “the Kravyād demons had gone—and the Nephilim had trespassed onto land that a vampire clan believed was theirs.”
  • Matthew talks about a warlock he once knew, “who had three arms. He could duel with one hand, shuffle a deck of cards with the next, and untie a lady’s corset with the third, all at the same time. Now there was a chap to emulate.”
  • Shadowhunters have a light source that they call “witchlight,” which requires no electricity.
  • Jessamine and Jesse, two characters in the book, are ghosts.
  • Cordelia has a sword, Cortana, which her father used when he “slew the great demon Yanluo…They say the blade of Cortana can cut through anything.”
  • While all the young Shadowhunters are at a picnic, “a demon broke the surface” of the lake.
  • A pack of demons are described: “The demons raced like hellhounds across the grass, leaping and surging, utterly silent. Their skin was rough and corrugated, the color of onyx; their eyes flaming black.”
  • Silent Brothers are the healers of the Shadowhunter world, and speak in silent voices, “an echo in [the] head.” They are described in, “Ivory robes marked in red, skin drained of color, scarred with red runes. Most were without hair and worse, had their eyes sewn shut, their sockets sunken and hollow.”
  • Before sneaking into Grace’s house, Lucie and Cordelia “marked themselves carefully with various runes—Strength, Stealth, Night Vision.”
  • Cordelia encounters a demon in the Blackthorn’s greenhouse. “It was a demon, but not like any she had seen before. From a distance it almost seemed a butterfly or moth, pinned to the wall, wings outspread. A second, closer look revealed that its wings were membranous extensions, shot through with pulsing red veins. Where the wings joined together, they rose into a sort of central stalk, crowned by three heads. Each head was like a wolf’s, but with black, insectile eyes.”
  • When the group meets a warlock, Malcolm Fade, Cordelia notes that, “Most warlocks had a mark that set them apart, a physical sign of their demon blood: blue skin, horns, claws made of stone. Malcolm’s eyes were certainly an unearthly shade, like amethysts.”
  • At the Hell Ruelle, a sort of party, Cordelia talks about the guests in attendance: “Vampires stalked by proudly, their faces gleaming in the electric light; werewolves prowled the shadows in elegant evening dress. There was music coming from a string quartet standing on a raised cherrywood stage in the center of the room. Cordelia glimpsed a handsome violin player with the gold-green eyes of a werewolf, and a clarinetist with auburn curls, his calves ending in the hard hooves of a goat.”
  • At a party, Cordelia meets Hypatia Vex, whose pupils “were the shape of stars: her warlock mark.”
  • After Cordelia realizes that someone had tried to poison two warlocks, one of the warlocks confirms this using magic. “Malcolm Fade waved a hand over his own cup. Purple sparks woke and danced in his glass. The red wine stain on the carpet unfurled like a flower and turned to purple smoke.”
  • Ragnor Fell, a warlock, is described as having “an extra joint on each finger,” and Gast, another warlock, has “multiple rows of teeth, like a shark.”
  • At a warlock’s house, a “clearly enchanted fire burned in the grate, the flames silver and blue. The smoke that rose from the fire traced delicate patterns on the air in the shape of acanthus leaves. Its smoke smelled sweet, like attar [a fragrant essential oil] of roses.”
  • The group acquires a Pyxis, used for catching demons, and describes how it works. “When you wish to trap a demon, you first wound or weaken it. Then you place the Pyxis on the ground nearby and speak the words ‘Thaam Tholach Thechembaor,’ and the demon will be sucked into the box.”
  • Cordelia describes the Manticore demon as having “the body of a mangy lion with elongated legs, each one ending in a massive, taloned paw. Its head was snakelike and scaled, with glittering red eyes and a triple row of serrated jaws.”
  • Lucie is revealed to have the power to call the dead, something that Jesse explains to her, saying, “You called the dead, and the dead came. I heard you, across the whole city, calling for someone to help you.”
  • James opens a portal to Hell, which Cordelia describes as “a large archway. It seemed to be made of dark light; it curved with Gothic flourishes, as though it were part of the cemetery, but Cordelia knew it was not. Through it, she could glimpse a swirl of dark chaos, as if she were looking through a Portal into the vastness of black space itself.”
  • Grace is attacked by a demon described as “half-reptilian and half-human, with leathery bat’s wings and a sharply pointed chin like the tip of a knife.”
  • James meets his grandfather, Belial, a Prince of Hell, and he is described as “a Prince of Hell showing himself in his most human form. He looked like a statue carved by a divine hand: his features were ageless, handsome, everything in balance. It was possible to see in his face the terrible beauty of the fallen.”
  • Grace reveals that her “mother invoked black magic to try to bring [her] brother back [from the dead].”
  • Lucie saves James by giving him Jesse Blackthorn’s “last breath,” which had been contained in a locket before he died.

Spiritual Content

  • To enter the Silent City where the Silent Brother’s live, James must answer a riddle. “’Quis ut Deus?’ he said. ‘Who is like God?’ the Angel asks. The answer is ‘No one. No one is like God.’”

by Sara Mansfield

 

Super Fake Love Song

Sunny Dae is a third generation Korean-American and a 17-year-old high school student in Ruby Rancho, one of the richest areas in Southern California—a town that in which a majority of people are white. He calls himself a “super-huge mega-nerd” and a loser. His friends are Milo, a Guatemalan-American boy, and Jamal, a Jamaican-American boy. Together, they form the group DIY Fantasy FX where they create cheap, safe, and cool practical gadgets for all the LARPing (Live Action Roleplay) nerds out there.

Sunny, Milo, and Jamal love D&D (Dungeons & Dragons) and, for the most part, they spend their time making props. Sunny’s room is filled with boxes of props he’s made for DIY Fantasy FX while his brother Gray’s room is filled with guitars, amps, chords, and clothes that are opposite of Sunny’s. Gray hasn’t been home in years since he went off to Hollywood to in hopes of being a rock musician.

A new family in Ruby Rancho arrives and as fate would have it, the parents of said family are friends with Sunny’s parents. Through this connection with family friends, Sunny meets Cirrus Soh. When they first meet, Cirrus mistakes Gray’s room for Sunny’s and assumes that Sunny is a musician. Sunny, who finds Cirrus very pretty and develops a crush on her quickly, decides to play the role of a rock musician to impress Cirrus. He eventually ropes Jamal and Milo into joining him with the ruse, pretending they are a band known as The Immortals. To truly convince Cirrus they are a band, they sign up for the school’s annual talent show to perform one of Gray’s songs. Sunny’s new persona is getting him places with Cirrus, but then Gray comes home and shakes the balance Sunny had created. As Sunny attempts to navigate his relationships, he also struggles to truly understand who he is and wonders if he can ever truly be himself around Cirrus.

Super Fake Love Song is a high school romance told from the perspective of Sunny Dae, who is unapologetically a nerd. The story follows Sunny’s emotions, allowing the readers to feel his sense of division with his identity as he tries to understand himself. The complex relationships Sunny has with his friends, and especially his brother Gray, shape the entire story. Sunny is only able to pretend he is in a band because of Milo and Jamal. He does so convincingly because Gray takes Sunny under his wing. Oftentimes, Sunny reminisces about the better days with him and Gray, such as when they were younger and went on dungeon adventures or stole the spoons from the country club they visited. Then, Sunny returns to the bleak reality that he and Gray are just no longer close. These memories allow the readers to feel just how far apart Sunny and Gray have drifted while also showcasing a natural sibling relationship that’s both turbulent and loving.

Sunny is a nerd who tends to talk about events as though they were a D&D campaign. For readers who are just being introduced to D&D, the specific references to the game may be confusing. Sunny is unique in that he understands things in D&D terms, which is his way of figuring out problems and how he accomplishes building his rock star persona. For example, Sunny understands that performing on stage is just like LARPing which helps him bridge the gap between Rock Star Sunny and Nerdy Sunny. He attributes different kinds of musical performers to the different classes of characters in D&D. To research being cool, Sunny decides to watch videos of rock stars. “As I watched, I became convinced of my hypothesis that music performance was a form of LARPing in itself. Rock performers, after all, hoisted their guitars like heavy axes; their screamsong was a kind of battle cry. Rappers swayed their arms and cast elaborate spells with cryptic finger gestures and fast rhymes. Pop stars danced love dramas, superstar DJs commanded their hordes via mass hypnosis, country crooners sold a pastiche of folklore simplicity long vanished.”

Super Fake Love Song is reaching out to a certain audience: teenagers that play and understand D&D. D&D references are sprinkled throughout the book and show that anyone can participate in D&D. In addition, teens will relate to Sunny’s struggle to understand himself.  The story subverts a traditional romance novel, ending with its own nerdy twist. However, some plot points are wrapped up too quickly and need to be fleshed out. Super Fake Love Song is a book for readers who want a love story and who also love D&D or want to be introduced to it without needing to campaign.

Sexual Content

  • Sunny and Cirrus kiss several times throughout the novel.
  • Cirrus tells Sunny that one of the hottest things a girl can imagine is a guy singing rock and roll to them.
  • At Cirrus’s housewarming party, Sunny takes Cirrus upstairs to her bedroom where they make out. The scene lasts for two pages.
  • Cirrus invites Sunny to a panopticon live. In the virtual world, he and Cirrus become sylphs and kiss using their avatars. “We kiss in that awkward way avatars do: the polygons of our faces glancing off each other, never really touching.”
  • Sunny goes over to Cirrus’s condo where “Cirrus kissed me at her front door.”
  • Cirrus and Sunny have a picnic where they cuddle with each other and kiss.
  • On the way back home, Cirrus and Sunny kiss again. This time, they also confess to each other that they love each other. The kiss is not described.
  • At Fantastic Faire, Sunny and Cirrus reunite after months of missing each other. They “kissed, and the beautiful nerds around us laughed and cheered.”

 Violence

  • Gunner bullies Sunny and his friends. “Gunner would invade my table at lunch to steal chips to feed his illiterate golem of a sidekick and tip our drink bottles and so on, like he had routinely done since the middle school era.”
  • Sunny imagines testing a prop he made on Gunner. “The wires streaked across the stone chamber in a brilliant flash and wrapped Gunner’s steel helm before he could even begin a backswing of his bastard sword. The rest of my party cowered in awe as a nest of lightning enveloped Gunner’s armed torso, turning him into a marionette gone made with jittering death spasms, with absolutely no hope for a saving throw against this: a +9 magical bonus attack.”
  • Gray catches Sunny sitting in his old room with his guitars and friends and doesn’t fall for the ruse of them being a band. Sunny is very frustrated with his brother’s snide behavior. He imagines himself using an FX prop he made against Gray. “I wished I could stun him with Raiden’s Spark for real from one hand, and then cast Esmeralda’s Veil with the other so that I could abscond with the iPod while he choked on clouds of sulfur―no constitution-saving throw, automatic lose-a-turn.”
  • Gunner has bullied Sunny ever since Sunny moved in middle school. Gunner apologizes for being a bully and Sunny thinks about how he “had always fantasized about propelling Gunner with a seventeenth-level Push spell into a fathomless crevice full of lava.”
  • Sunny is practicing how to shred on a guitar and he compares the experience to a D&D campaign experience. “And when I was done, I flung the neck aside like I had just sliced open a charging orc.”
  • Sunny’s anger boils over when his brother hijacks his performance. Sunny pushes Gray into oncoming traffic. “When I shoved him this time, Gray was unprepared. Gray tripped over a pipe jutting from the concrete; He hit the ground backward. . . He found his feet, looked right, and held up a polite hand as tires shrieked. Then he was taken down.” Gray ends up being injured and taken to the hospital. He doesn’t die.

 Drugs and Alcohol

  • When imagining himself as a rock star performing for the first time, Sunny describes the air as “stinking of smoke and sour spilled beer of the ages.”
  • While hosting a housewarming party, Cirrus says that there’s a variety of alcohol to drink such as “chevre, manchego, membrillo for said manchego, mild ojingeo, spicy ojingeo, stuff from my parents’ liquor stash like Aperol and Richard and makgeolli and like six bottles of clara in the fridge if you’re not into makgeolli, which I get, makgeolli’s definitely an acquired taste, ha!”
  • At the talent show, Sunny sees Gray “standing in the underlit glow of the stage wings, he held onto a truss and raised his beer in a swaying toast at me.” Because he is drunk, Gray ends up hijacking Jamal’s mic and ruining Sunny’s performance.

 Language

  • Both Sunny and his friend Milo call Gunner, “Asswipe.”
  • Jamal says that Gray is “kind of a dick.”
  • After learning someone keyed his car, Sunny’s dad goes into a cursing fit. He yells, “What kind of GD MF-ing A-hole SOB would pull this kind of BS on me?”
  • In a text message thread, Jamal says, “So Gray’s gone from garden variety dick to full on douchetube.”
  • Gray has been treating Sunny very poorly which frustrates Sunny. He says, “Why did Gray have to be what he was―the lord of all douchetubes?”
  • Gray mentors his brother and his friends on how to be a band. He describes a certain face to make saying, “Just grit your teeth like this and mouth a bunch of angry stuff like, You ugly guitar with your dumbass frets and your dumbass strings.”
  • Gray confesses to his family that when they moved to Ruby Rancho, someone asked him “if he ate dog.” Sunny also says that happened to him. Asking an Asian person, especially an East or Southeast Asian person, if they eat dogs is a racial microaggression.

 Supernatural

  • None

Spiritual

  • None

by Emma Hua

Instructions for Dancing

High school senior Yvette “Evie” Thomas used to believe in contemporary romance and the power of love; however, this belief has begun to fade. Her parents got divorced when her father cheated; Evie carries the burden of knowing why her parents divorced. Evie has given up on romance altogether, donating her shelves of contemporary romance novels. Then a chance encounter suddenly leaves Evie with the power to see a couple’s past, present, and future romance when she sees them kiss! However, she can only see a couple’s romantic history if they are in love and she only sees it once (it is also possible for Evie to see her own if she keeps her eyes open when she kisses someone).

Then a mysterious woman and a book on how to dance suddenly lead her on a path that she desperately wishes to stray from. Evie finds La Brea Dance Studio, where she learns dance with Xavier Woods, better known as X. He’s exactly like the guys in her romance books: handsome, tall, and a rock musician, the kind of guy Evie needs to stay away from. But X doesn’t hesitate to enter a ballroom dance competition with Evie, even though they just met.

Instructions for Dancing is told from the perspective of Evie and includes the usual narrative style as well as text messages, lists, and small excerpts of dance instructions. In addition, Evie’s visions are separate chapters that use a unique font to indicate that Evie is looking into a couple’s romantic history. The different narrative styles add interest to the story, putting us in the head of Evie. It is realistic to how a teenage girl would think and remember things, such as putting things into lists or remembering funny text messages with her friends. However, the formatting can be a bit jarring for some people and can ruin the pacing of the story.

Evie’s visions have taught her one thing and one thing only: love ends in heartbreak. She believes that love always ends with heartbreak and that all romance novels have lied about their happily ever afters. “What I’ve learned over the last three weeks is that all my old romance novels ended too quickly. Chapters were missing from the end. If they told the real story―the entire story―each couple would’ve eventually broken up, due to neglect or boredom or betrayal or distance or death. Given enough time, all love stories turn into heartbreak stories. Heartbreak = love + time.”

Therefore she approaches love with caution and hesitance, but as she takes ballroom dance lessons and gets to learn more about X, she begins to navigate the world of love around her. Evie learns about love beyond the surface level. Not all love is what it seems on the surface. No one comes out of love unscathed, but Evie learns that it’s not the ending that matters and that love, while hurtful, is worth holding onto.

Instructions for Dancing serves as peak escapism for high school girls who dream of romance. X and Evie are well-developed characters with unique personalities of their own. The novel is filled with sweet moments of romance, friendship, and familial love. Instructions for Dancing is a typical romance that emphasizes the importance of platonic and familial love and shows how it is entwined with romantic love. Regardless, Instructions for Dancing is a must-read, especially for readers who enjoy romance and wish for a fantasy filled with dancing and a diverse cast of characters.

Sexual Content

  • There are times where sex is suggested with vague language such as a portion of Evie’s vision with her and X. “There’s only one bed. He kisses me and my hand slips under his shirt. His lips are on my neck. . . Then we are nothing but hands and lips and wanting and having.”
  • When describing one of her former favorite romance novels, Cupcakes and Kisses, Evie says the best scene is where the leads are covered in flour and icing. “There’s kissing and a lot of dessert related wordplay: sugars lips, sweet buns, sticky situations.”
  • Evie’s mother wears an apron that says, “Kiss the Cook.”
  • There are many moments in the book where kissing is the main gesture of affection between two people in love. It is also the catalyst for Evie having her visions.
  • Evie catches her father “kissing a woman who wasn’t Mom” in his office.
  • Evie and other characters describe X as being hot and/or sexy.
  • When Cassidy tells her friends that she’s thinking of getting breasts implants, the group starts joking about breasts (specifically of Martin, one of Evie’s friends, having never touched a pair).
  • When Fifi says X is good-looking, Maggie asks her “not to undress my grandchild with her eyes.” Fifi retorts, “You prefer I should use my hands?”
  • Many times, groupies are mentioned, particularly in the context that they are fans who have sex with rock musicians. For example, when Evie sees X and his band perform for the first time, she thinks, “I get why groupies are a thing. Because up there onstage with his guitar, X’s sexy is undeniable.”
  • Over a text, X asks, “What are gorgeous mounds of flesh?” Since he’s reading Cupcakes and Kisses, this mostly refers to breasts.
  • When at the Danceball competition, Evie sees X and thinks about undressing him. “But it’s the top two buttons that snag my attention. They’re unbuttoned, and for a second I see my fingers unbuttoning a third and a fourth, until―”
  • Someone compares an opponent’s tango dance to “good sex.”
  • In the final chapter, Evie says, “We’ll have made love.”

 Violence

  • In Evie’s list of (former) favorite romance genres, she lists enemies to lovers as one of her favorites, where she says, “Asking the perennial question will they kill each other or will they kiss each other?”

 Drugs and Alcohol

  • During a bonfire, Evie and her friends drink white wine that was swiped from a parent.
  • When Cassidy says Sophie is so pretty, Sophie asks, “How drunk are you?”
  • At a pool party, Sophie asks, “God, Cassidy, how much did you drink?”
  • After apologizing to Cassidy and Sophie for her sudden outburst, “Cassidy pours herself another glass of wine.”
  • At another bonfire, the group drinks more and they begin to attempt to dance following Evie and X’s instruction.

Language

  • Once when a mysterious woman appears and surprises her, Evie says “Holy fuckballs.” The woman responds, “Though one wonders what a fuckball might be.”
  • Shit is used multiple times.
  • When talking about the death of his friend and bandmate Clay, X says “it was a fucking adult” who killed Clay in a hit and run because the adult was texting and driving.
  • X compliments Evie but is cut off because of his language. “Jesus God, Evie, you look fucking―”
  • When applying Evie’s makeup for the competition, her sister Danica says, “Oh my God, don’t mess up your face!”

 Supernatural

  • Evie has a list of her (former) favorite romance genres. Paranormal romance has its own small list and includes vampires, angels, and shapeshifters.
  • A whole chapter is dedicated to Evie thinking she was a witch and wishing her visions were just “witchy powers.”
  • Evie’s friend Martin explains the general plot of the Tom Hanks movie Big which involves a young boy magically wishing he was big to the fortune teller Zoltar. He does this for Evie to understand what she must do if she wants the visions to end.

Spiritual

  • When talking to her father about her parents’ divorce, Evie exclaims, “You believe in God. Tell me why He would make the world like this. Tell me why He’s so cruel.”

by Emma Hua

All Boys Aren’t Blue: A Memoir-Manifesto

George Johnson grew up as a queer Black man. In his memoir All Boys Aren’t Blue, Johnson reflects on the ways that the intersection of these two identities influenced his childhood, adolescence, and college experiences. Johnson discusses being jumped as a small child, ridiculed at school for being too feminine, being sexually assaulted, and finally accepting his intersecting identities. He also describes the support his family provided for him through these difficult times. Johnson does not brush over any details in this raw memoir.

All Boys Aren’t Blue is presented as a series of essays about various experiences Johnson faced throughout his life. In the first section of the book, Johnson considers his childhood and how being different made growing up difficult. Johnson writes, “When you are a child that is different, there always seems to be ‘something.’ You can’t switch, you can’t say that, you can’t act this way, there is always something that must be erased – and with it, a piece of you. The fear of being that vulnerable again outweighs the happiness that comes with being who you are, and so you agree to erase that something.”

Next, Johnson describes the important familial relationships that helped him grow into himself. He emphasizes his relationship with his grandmother, who made sure he felt safe being fully himself. Johnson’s collection of essays on his teenage years are painful because he is assaulted. Finally, Johnson concludes with his time in college. Even as he begins to fully embrace his identity as a gay black man, he still faced challenges, such as a friend’s suicide.

Johnson wrote his story as a memoir for young adults because he hoped his story would help others. Johnson stated, “This meant going to places and discussing some subjects that are often kept away from teens for fear of them being ‘too heavy.’ But the truth of the matter is, these things happened to me when I was a child, teenager, and young adult. So, as heavy as these subjects may be, it is necessary that they are not only told but also read by teens who may have to navigate many of these same experiences in their own lives.”

This memoir is powerful and heartbreaking. Johnson not only tells painful stories but also reflects on how the experiences still affect him. This book encourages young readers who face similar situations and lets them know they are not alone. All Boys Aren’t Blue is a must-read for any young adult who has gone through painful experiences. Johnson discusses sexual assault, queerness, existing as a black man, and losing his virginity as a gay man. He shares his coming-out story and the support his family provided. While All Boys Aren’t Blue is difficult to read because of the heavy topics, the book gives a voice to anyone who has been victimized by others and stigmatized by society.

Sexual Content

  • Johnson started talking to guys his age in middle school, saying, “It was interesting to finally feel like I was one of the boys. Hearing the conversations they had about girls, the cursing, the tough-guy act. They talked about sex, although none had actually had it.”
  • Johnson describes his family’s fears about his transgender cousin, Hope, going out to the bars. Johnson says, “I remember my mom used to worry because some of the stories covered a little bit of sex and some of the issues you ran into with men. There was always some story about how men wanted to mess with y’all, but only in secret.”
  • When he was a child, Johnson’s older cousin sexually assaulted him. Johnson describes, “You were fully erect at this point . . . You stood fully erect in front of me and said, ‘Taste it’ . . . and You ejaculated in the toilet in front of me.” The scene is described over several pages.
  • Johnson details when he was sexually assaulted in the school bathroom. While he was using the urinal, “I felt someone come up behind me. At first, I froze because I didn’t know what was happening. He put both his hands around me and moved down to touch my genitals.” To end the assault, Johnson proceeded to shove the person.
  • Johnson said now that he is older, he can empathize with his cousin. Johnson said he wishes he could ask him, “Did anyone ever hurt you? Did anyone explore things with you sexually before you were ready? Who taught you about sex in a way that you weren’t ready to understand – in a way that made you think I needed to get it firsthand from you, so I would know who not to trust?”
  • Johnson spends a chapter of the novel discussing losing his virginity “twice.” He discusses in detail his first time penetrating another male. Johnson “eased in, slowly, until I heard him moan.” He also discusses his first time being penetrated by a male saying, “He got on top and slowly inserted himself into me. It was the worst pain I think I have ever felt in my life.”

Violence

  • When he was five years old, Johnson was jumped. He describes the scene: “The third kid swung his leg and kicked me in the face. Then he pulled his leg back again and kicked even harder. My teeth shattered like glass hitting the concrete.”
  • Johnson discusses understanding the world he lives in as a black man. He states, “It wasn’t lost on me how racist the Rodney King beating was.”
  • Johnson discusses the violence of hazing for a few pages. He says, “A person trying to join Alpha Phi Alpha (the same frat I was interested in) was killed in a hazing incident gone wrong.”

Drugs and Alcohol

  • Johnson describes his Aunt Cynthia and his uncle arguing over drugs. He says, “Aunt Cynthia and ‘Uncle’ got into an argument over laundry that I learned much later was really over drugs.”
  • When his extended family came to town, Johnson said, “The Jersey City Crew arrived later that afternoon like they usually did: with a case of beer, money to play cards, and a readiness to shit-talk.”
  • Johnson’s cousins often caused trouble. “We would sneak and drink liquor from the liquor cart and refill the bottles with water.”
  • In college, Johnson frequently drank liquor. For example, when Johnson goes to college, he describes his friends. “They became my crew. We would all get together every night and eat, drink, and do homework. I had a car, so I became the ride for all of us when we needed to get groceries, cigarettes, soda, or something for the munchies.”
  • In college, Johnson relied on smoking weed. He states, “I was smoking up to three blunts a day, working, partying, drinking, and not going to class.”

Language

  • Johnson is very intentional with his choice of language. He uses the term “nigga” as he grew up “with it used as a term of endearment in his household.” However, he makes a point to state, “never with the ‘-er’ at the end.” Whenever he encounters someone who uses the “-er” he types it as “n*****.”
  • Later, Johnson does use the term “nigger.” For example, “I was never called a nigger, but I did deal with weird, racially charged questions.”
  • The word “shit” is used occasionally. For example, Johnson discusses healing from trauma. “It’s necessary that we do the work to unpack our shit.”
  • The word “ass” is occasionally used. Johnson described the look his grandmother gave his cousin in one scene as, “I’m gonna beat your ass when everyone goes home.”
  • “Damn” is used often. Whenever the phone would ring, his grandmother would yell to Johnson and his cousins, “Get the damn phone.”
  • The word fuck is never spelled out in the book, rather it is typed as “f***”. For example, when Johnson was called George in his roll call in high school, he said the students all said, “Who the f**** is George?”
  • Johnson uses the word “faggot” and “fag” often. He said, “A sissy is what the kids used to call me back then, but before they got older and escalated to the word faggot.”

Supernatural

  • Johnson discusses ghosts being in his grandmother’s house. He says, “The house had ghosts, and Grandma liked to bring it up from time to time that she could see them.”

Spiritual Content

  • None

by Paige Smith

Submerge

Lia and Clay’s love has broken the Little Mermaid’s curse, but their ever after may not be as happy as they planned. Lia is adamant about staying on land with Clay for her senior year despite her family’s opportunity to move to the new, sparkling capital city below the waves. But before any decision about the future can be made, her family must endure Melusine and her father’s trial, where new revelations will have far-reaching consequences that threaten what Lia holds most dear.

The verdict will shake Lia’s world, calling into question her future with Clay, her feelings for Caspian, and the fate of all Merkind. As she wonders who to trust, Lia sets out on a treacherous path that will lead her away from her sheltered Malibu home to a remote and mysterious school for Mermaids—Mermaids who may hold the secret to an ancient magic Lia can use to get back all she’s lost.

As a “princess,” Lia must learn about Mer politics. However, much of Lia’s teaching is dry and boring. In class, Lia learns about “magic having unintended political consequences.” Even though the story introduces the Mer world, Lia explores very little of it. Instead, her only focus is on restoring Clay’s memory so they can be together. Lia is so focused on herself that she never notices anyone else’s needs. Unfortunately, Lia’s single-minded focus on Clay becomes tedious.

The first part of Submerge is a retelling of the events from the first book in the series. The repetition is long-winded and readers will quickly lose interest in the court proceedings. In addition, a Mer teacher, Ondine, is introduced. Instead of adding interest to the story, Lia’s trust in Ondine is unbelievable, and Ondine’s betrayal, predictable. To make matters worse, Caspian is suddenly in love with Lia, which adds another unbelievable element to the story. The conclusion doesn’t wrap up any of the story’s threads and reinforces the idea that Lia cannot think past her own wants. Readers who love Disney’s Little Mermaid will want to throw the Mer Chronicles into the ocean and watch it sink to a watery grave.

Sexual Content

  • Mers get their legs during puberty because they need legs “for mating.”
  • Lia and her boyfriend kiss. Lia describes the kiss. “I let my eyes flutter shut. Let myself taste Clay’s lips against mine. Get lost in the richness of every touch, every press of his tongue and graze of his cheek.”
  • When Lia shows Clay her tail, he kisses her. “Slow and sweet and swirling to different depths. I forget everything else.” The kiss is interrupted when Clay’s mother walks in on them.
  • Clay and Lia kiss often. For example, while swimming in the ocean, “strong arms grab me and pull me against him, my wet body pressing against his. . . Droplets of water from his face collide with mine as he takes my mouth in a kiss as sweeping as the sea breeze itself.”
  • Clay and Lia discuss the trial. Then they kiss. “Now he does pull me in, pressing my body flush against his and seizes my mouth violently with his. There’s a wildness, a fervor, in his kiss I’ve never felt before. . . So I push back with equal ferocity.”
  • Clay is preparing to take a potion that will take away some of his memories when Lia and Clay decide to have sex for the first time. “Clay’s eyes close as he bites the bottom of my lip. When he opens them again, desire darkens the hazel. I’ve never seen such naked hunger.” Clay stops kissing her so they can go somewhere private.
  • Before Clay takes the potion, Lea wants to give Clay a memory that he will not forget so they have sex for the first time. Clay’s “palms skim up and down my arms, leaving streaks of exhilarating tingles in their wake from shoulder to wrist. My fingers twine into his hair as our mouths latch together, more lasting and leading than ever before. . . He grabs what he needs from the nightstand (and there’s something that seems both so comforting and so momentous about that small, foil packet), and then he moves toward me. . .Time surges and crests, and we move with it, holding each other close. . .”
  • After Clay loses his memory, Lia’s sister tells her, “A rebound hookup can be totally hot.”
  • In the middle of the night, Lia and Clay show up at Clay’s father’s house, which is on a military base. His father gets upset and says, “I got you security clearance so you could feel at home here, not so you could . . . score with girls.”
  • After Lia fights against ancient magic and wins, Lia and Clay kiss. “Clay’s lips are on mine the instant the door clicks shut. Hands run up my bare arms and tangle in my hair as biceps cloaked in thin cotton press against my eager palms. His tongue welcomes me, drawing me in until I’m utterly lost in his kisses, drowning in the sensations of soft lips and rough stubble. . . ”

Violence

  • A Mermaid describes her mother’s death. When her mom went shopping, raiders “cut her throat. Left her to die.”
  • Someone tells Lia a story about a siren who wanted revenge “so she used the siren bond she shared with him to sense when he was alone and to call him to her so she could murder him in cold blood after making him—”
  • In order to manipulate Lia, Ondine binds Caspian. “The ropes tighten more and more until Caspian, so strong and stoic, can’t help but scream.”

 Drugs and Alcohol

  • Lia’s sisters are looking forward to college keg parties.
  • A mermaid, who was a siren, is given a potion that will not allow her to speak in the human world.
  • The Mer Tribunal gives Clay a potion that takes away all of his memories of Lia. “The potion works by constructing extremely powerful wands that completely block Clay’s mind from accessing certain memories.”
  • Clay is given antidepressants because of his depression; however, he doesn’t know if he should take them.

Language

  • Several different forms of damn are used occasionally.
  • During a trial, Lia watches the defendant and wonders, “What the hell does he have to smile about?”
  • When the Mermaid that tried to kill Clay and Lia testifies, Lia thinks, “That bitch starts talking. I don’t trust myself not to snap.”
  • God is used as an exclamation twice.
  • Pissed is used twice. For example, Lia thinks, “The last thing I want to do is piss off the psycho with raging powers . . .”
  • Clay says “eff that” and later he says, “I was so goddamn helpless and you needed me!”

Supernatural

  • Most Mer do not use ancient magic, but they do utilize potions. Much of the story revolves around Lia learning how to use magic.
  • At the trial, Caspian explains how the defendant used runes. The runes, “mapped out coordinates. It was part of a spell—marking Clay’s bedroom with the place under the sea where he would sleep forever.”
  • Because Lia “sirened” Clay, they have a special bond and can feel each other. Lia “can trace him, feel him, no matter how far away he is.” Lia can also use this bond to tell what Clay is thinking and feeling.
  • In order to perform ancient magic, Lia’s palm is cut and she shares her blood with other Mermaids. “Only through blood magic can we forge new links to fully access new power.” The Mermaids then use their combined power to restore Clay’s memories.
  • Ondine forces Lia to take a potion so she can siren humans.
  • Lia uses magic to break Ondine’s hold on her. “The rope of magic grows impossibly brighter. Blinding! I can feel it sizzle and it scares me. It scares me more than anything that has ever scared me. I grab on to it—and scream. . . Even as her power sears through me, scalding me from the inside, I pull hard.” Lia’s magic is able to overcome Ondine, and Ondine disappears. The scene is described over two pages.
  • Lia releases Ondine’s power into the sea. Lia’s “body tingles with burning ice as the magic picks up speed, cycloning through my chest, down my arms, and out my palms. I crash to my knees as all flows out of me and disappears beneath the waves.”

Spiritual Content

  • Ondine takes Lia to “a sacred space. . . a place where magic itself is worshiped.”

Emerge

Lia Nautilus may be a Mermaid but she’s never lived in the ocean. War has ravaged the seven seas ever since the infamous Little Mermaid unleashed a curse that stripped the Mer of their immortality. Lia has grown up in a secret community of land-dwelling Mer hidden among Malibu’s seaside mansions. Her biggest problems are surviving P.E. and keeping her feelings for Clay Ericson in check. Sure, he’s gorgeous in that cocky leather jacket sort of way and he makes her feel like there’s a school of fish swimming in her stomach, but getting involved with a human could put Lia’s entire community at risk.

So it’s for the best that he’s dating that new girl, right? That is until Lia finds out she isn’t the only one at school keeping a potentially deadly secret. And this new girl? Her eyes are dead set on Clay, who doesn’t realize the danger he’s in. If Lia hopes to save him, she’ll have to get closer to Clay. Lia’s parents would totally flip if they found out she was falling for a human boy, but the more time she spends with him, the harder it is to deny her feelings. After making a horrible mistake, Lia decides to risk everything to stop Clay from falling in love with the wrong girl.

Lia and her family are descendants of the Little Mermaid, which gives the story an interesting connection to the fairy tale. In addition, one of the Mermaids is a siren and her ability to manipulate will leave readers on edge. Much of the dramatic tension in this story is saved for the multi-chapter conclusion that quickly builds suspense and ends with a surprising twist.

The Mers living on land rarely return to the ocean, which keeps the story one-dimensional. While Lia’s desire to do what is right is admirable, her inner struggle is predictable and tedious. Lia fantasizes about kissing Clay but knows it is forbidden for a Mer to love a human. While the story doesn’t describe anyone having sex, there is abundant talk about sex. The Mer world is accepting of promiscuous behavior both in and out of marriage as well as having sexual partners of both sexes.

Emerge starts out strong with many cute sayings from the Mer world. Unfortunately, Emerge uses teenage angst, a love triangle, and ancient potions to create a typical teen romance. The narrator, Lia, is the only well-developed character, but her inner dialogue is tedious. Readers who are looking for an interesting Mermaid story will find Emerge lacking in originality and over-focused on sexual desire. Readers looking for a unique, memorable story may want to leave Emerge on the shelf.

Sexual Content

  • Lia is upset when Clay and Mel, another Mermaid, begin dating. While shopping, “Mel gives me [Lia] a curious look before wrapping her arms around Clay’s neck and kissing him right there in the middle of the store, her hands tangling in his hair.”
  • Because Mermaids used to be immortal, “fidelity was never a requirement” and Mermaids would “roam periodically” and then return to their mate.
  • Lia’s twin sisters have “both had human hookups at parties.”
  • Lia often thinks about kissing Clay. At one point, Lia wonders if she should have dated Clay. “I could have gotten in a few glorious weeks of kissing Clay. What would it be like to be able to hold onto those strong arms . . . kiss that full smirky mouth?”
  • Mermaids need to learn how to make their tails turn into and stay legs. Originally, merfolk only needed legs when they had sex. When a young girl first gets her legs, someone says, “What you need to do is embrace your natural impulses: You don’t need to act on those urges—thinking about them will be enough.” Someone else says, “So, all you have to do is think slutty thoughts, and your legs will stay firmly in place.” The conversation goes on for three pages.
  • After talking to Clay, Lia says her sisters, “hook up with new guys at practically every party, and I’ve never had a real kiss.” As they continue to talk about relationships, Clay says, “When I’m kissing Mel, all I can think about is kissing her more.”
  • Clay’s girlfriend sirens him. Then, she “leans up to kiss him. Hunger gleams in his eyes. . . whatever he’s feeling right now, she’s forcing it on him.”
  • Lia walks Clay home. She “wants to run [her] fingers over the skin, explore his rich mahogany hairline. . . I wanted to know what it would be like to feel him, to taste him.” The scene is described over two pages.
  • While shopping for a bra, two girls talk about what type of bras and underwear their boyfriends like them to wear.
  • Lia’s twin sisters tell her that she can have sex with an underclassman because, “we haven’t tapped anyone younger than us, so the junior class is all yours.”
  • Lia goes to Clay’s house to work on a school project. “A slow kiss covers my shoulder, his lips firm and cool against my heated skin. . . He plants a trail of kisses across my shoulder, toward my throat. As soon as his lips make contact with my neck, a shudder runs through me and I want to grab him to me and hold him there forever.”
  • Lia’s cousin is conflicted because she is attracted to other girls. Lia thinks, “Before the curse, homosexuality. . . was accepted in Mer culture. Most Mermaids mated with Mermen, but Mermaids mating with Mermaids wasn’t uncommon, and neither was Mermen with Mermen.”
  • Lia is preparing to walk away from Clay and never see him again. Her “eyes meet his open, questioning ones, and I stop thinking. Grabbing two fistfuls of his shirt, I yank him up close to me. . . crash my lips against his. . . Then his lips part and I’m tasting him. . . My world becomes a whirlwind of supple lips and exploring tongue, of light stubble and sweet, gasping breath.” The scene is described over a page.

Violence

  • Lia’s family are descendants of the Little Mermaid, so the fairytale is retold. However, in this version, the Mermaids were cursed because of the Little Mermaid’s actions. “Merkind blamed her father the king for her mistake and executed him, throwing our entire society into a state of anarchy and war that’s lasted ever since.”
  • In the past, when a Mermaid “sirened” a man, which put him under a spell, the man was executed because “they couldn’t risk him telling other humans what had happened to him.”
  • Lia researches the history of sirens. One siren “ordered a man under her spell to gouge out his own eyes while she watched in amusement. . . a Mermaid who heard a bard singing on a ship off the coast of Tudor England and used his own song to siren him. . . she commanded him to sing and dance for her until he died of exhaustion.”
  • Before sirening was made illegal in the Mer World, sailors attacked a Mermaid, “in her anger, she screamed for their deaths, and each one of them jumped off the island’s cliff to a watery grave.”
  • A Merman commits suicide because “he couldn’t take the constant reminder that he was aging. That he wasn’t immortal.”
  • In a violent and deadly multi-chapter conclusion, Clay is kidnapped and Lia goes in search of him. Lia goes under the ocean and into Mer territory where she sees dead Mermen. “Permanent agony contorts each lifeless face. . . Bodies battered and bloody, limbs twisted at odd angles, fins hacked off.”
  • When Lia is looking for Clay, “someone grabs me from behind. . . I’m breathing in whatever noxious potion is on the kelp, and I’m growing dizzier by the second.” When Lia awakens, she sees Clay “bound and bloody.”
  • Lia’s captor “drags the tip of the dagger down [her] cheek and neck with just enough pressure that it must leave a line of raised, red skin in its wake.”
  • Lia and her captors fight. “With his other hand, he grabs the top of my fin and folds my tail back up into that painful bent position. I lash out with my arms, twist my torso around so I can hit him with my fists, and try to free my tail, but he stands firm against my attack.”
  • One of Clay’s captors stabs him in the stomach with a knife. Lia’s “eyes fly open in time to see Melusine twist the dagger deeper into Clay’s stomach. . . And now he’s screaming. Covering the wound with his hands.”
  • Lia’s captor tries to kill her. “His cold hands tighten around my throat, pressing both my windpipe and my gills shut. I can’t breathe.”

 Drugs and Alcohol

  • When Mermaids started living on land, there were “a few bar fights” because the Mer “weren’t used to the effects of liquor.”
  • Clay’s ex-girlfriend slips something into his drink. Lia finds Clay. “He convulses, his limbs smacking against the unforgiving pavement. Sweat pours down his face.” Later, Lia discovers Clay was given a love potion. “It would have performed its office successfully if the boy weren’t already under another form of Mer magic.”

Language

  • Damn is used three times. For example, when Lia’s cousin gets her legs, her cousin says, “Those are some damn sexy legs you got there, Aims.”
  • OMG and God are both used as an exclamation once.
  • Bitch is used 4 times. For example, a Mermaid asks, “Father, will it disrupt the ritual if I kill this meddling bitch before I take care of the human?”
  • Clay loses his balance and falls on “his grabbable ass.”
  • Someone tells Lia she will kiss Clay. Lia says, “Like hell I will!”
  • Pissed is used once.

Supernatural

  • Clay’s girlfriend is a siren. She uses her song to control him. When she sings, Clay’s “eyes are glazed over, like he’s lost in some dream world. The spark of intelligence, of awareness, is gone.”
  • Clay is kidnapped. Lia finds “ritualistic symbols line the walls in a translucent, sickly blue ink.” Later, she finds out that the symbols were part of a spell.
  • In order to save Clay’s life, a Merman gives him a potion. “All the blood smeared on Clay’s body slides across his skin and back into the wound! Even the red staining his boxers seeps upward along the fabric, back onto his torso, and into his body.”

Spiritual Content

  • None

 

Breaking the Ice

Sophie Fournier’s first love is hockey. When she’s the first woman drafted into the North American Hockey League (NAHL), she finally gets her chance to play hockey for a living. But being the first woman in the NAHL means she has to be perfect on and off the ice in order to prove that women should have a shot at being drafted. Not meeting that perfection means no playing—not just for her—but for every woman wishing to play.

Breaking the Ice is a hockey-heavy book. Sophie’s love for the sport comes up often because it’s her career, and there are many scenes depicting games and practices. The story starts with Sophie being drafted and ends with the next year’s draft, leading the reader through her first season with the Concord Condors as she battles with opponents and some teammates. Although this story and Sophie are fictitious, most of the scenes are very realistic.

Sophie is a strong protagonist. She’s extremely intelligent and understands how the press and her teammates perceive her is very important to her survival as the first and only woman in the NAHL. Because Sophie is so well-controlled in her behavior, she does occasionally come off as aloof and uptight. As the story progresses, she begins to befriend her teammates and some of her icy exterior thaws. As she allows herself to open up, she becomes friends with some of the other characters, like her opponent Dmitri and teammate Merlin.

Sophie does have issues with a couple of teammates, opponents, and the press because she is a woman and many feel that she doesn’t have a place in the NAHL. Sophie takes these confrontations with as much grace as possible, and she pushes herself to be absolutely perfect on and off the ice. As this is the first book in the series, Sophie’s need for perfection as well as her character growth will most likely continue in the next books as her team vies for the Maple Cup. Sophie wants it all, like any serious athlete, and she’s working hard while knowing that her mark can help or hinder the next woman who wishes to be drafted and taken seriously.

Breaking the Ice has a steady pace throughout as it details Sophie’s first season with the Condors. As a result, those looking for a book with a very exciting ending probably will not find it here, though there is much excitement throughout. Sophie’s story is enlightening for hockey players as well as those who don’t know anything about the sport, and her dedication is admirable. Sophie has a lot of obstacles to overcome in Breaking the Ice, but readers will see she is more than up for the challenge.

Sexual Content

  • Sophie has played on men’s hockey teams for a long time. Sophie mentions that “she’s had teammates hit on her before, a waste of everyone’s time, but that was in high school.”
  • None of Sophie’s teammates are allowed to be alone with her, even if it’s just driving to and from practice, according to the team’s PR person. Sophie says “they don’t want to give any ammunition to the inevitable rumors that she’s sleeping with one, or more, or her teammates.”
  • One of Sophie’s teammates offers Sophie some advice. He says, “If a boy tells you he’s too big for a condom, punch him and run.”
  • Sophie expresses no interest in dating men. Her reason is that “after years of guys slamming her into the boards and trying to break her wrists and listening to what they’d do to her if the officials weren’t there to stop them, she has no desire to get closer.”
  • Sophie has lunch with her former teammate Travis, and Travis’s current teammate. Sophie tells Travis’s teammate not to leave because she’s not allowed to be alone with anyone because of rumors that might be spread, though Sophie and Travis make it clear that they would never try anything like that. Sophie then turns to Travis’s teammate and says, “Of course, maybe Forbes likes to watch.” She says this in jest.
  • Sophie and her teammate Merlin joke about Sophie’s admiration for another player’s hockey abilities. Sophie makes a point to show she can like a player for hockey and not romantically. She says, “You can like someone’s hockey without wanting to see them naked.”
  • A fellow hockey player tells Dimitri that he only scores the pretty goals and needs to score “some dirty ones too.” Dimitri responds by saying, “I score dirty.”  The other hockey player responds with, “Keep it in your pants.”

Violence

  • Dimitri and Sophie are sharing a piece of cake. Jokingly, Sophie “kicks his shins then steals the best bite of cake.”
  • There are a lot of playful slaps and hits between the hockey players on the same team. For instance, one player “slaps Matty’s [another player’s] ass on the way by then laughs all the way down the tunnel.”
  • Sophie has a rival teammate named Hayes with whom she fights for the same position on the ice. They also fight over who gets number 93 on their jersey, then Sophie gets the first pick. Hayes is mad, and “she’s almost to the door when Hayes catches up to her. She looks over her shoulder in time for him to shove her up against the wall . . . She knocks his hands away and shoves him back.”
  • Hockey is a high-contact sport where fighting and checking into the boards are commonplace. Sophie, being the only woman in the league, often gets the brunt of the hits. For instance, “[An opponent] slams her into the glass a second later. He snarls at her, and the fans pound the glass, hoping for a fight.”
  • One of the other incoming players physically threatens Sophie after a game one night. Sophie narrates, “He grabs her by the lapels of her suit jacket and slams her back against her car.” Soon after, he leaves.
  • At a hockey event, Sophie sees someone holding up a “well-drawn, and graphic, image of Sophie on the ground, her limbs bent at awkward angles as a condor picks at her intestines.”

Drugs and Alcohol

  • At the hockey team’s Canadian Thanksgiving party, one of the younger players drinks a beer “even though [he’s] still a few years too young.”
  • At a backyard party, one of Sophie’s teammates says, “Alcohol and painkillers don’t mix.” Another player responds, “I learned that one the hard way.” They don’t explain this story further.
  • Some of the fans show up to games already drunk. Sophie describes how at one game, “Fans, already drunk, pound the glass and shout at her when she skates her two easy laps.”

Language

  • Profanity is included often throughout. Profanity includes: stupid, shit, ass, bullshit, fuck, dick, bitch, and slut.
  • One of Sophie’s opponents makes a nasty comment towards one of her teammates that seems to be racially charged. Sophie notes, “Walker sneers something, all Sophie hears is, ‘The Rez.’ [One of Sophie’s teammates] freezes, shock and disgust on his face.”

Supernatural

  • None.

 

Spiritual Content

  • Sophie celebrates Christmas with the General Manager of her NAHL team, but there are no references to church.

 

by Alli Kestler

 

More Happy Than Not

Aaron struggles with his father’s seemingly meaningless suicide and his own attempted suicide. Through the process of coming to terms with his losses, Aaron leans on the support of his mother, brother, girlfriend, and friends. He has been with his girlfriend, Genevieve, since before his father’s suicide and she supported him after his own suicide attempt, solidifying her role as a central part of Aaron’s support system. Then, Aaron meets a boy from a nearby neighborhood, Thomas, who changes his entire life as he begins to fall in love with him.

Since Aaron can’t stay away from Thomas or turn off his newfound feelings for him, he considers turning to the Leteo Institute’s revolutionary memory-alteration procedure to straighten himself out, even if it means forgetting who he truly is.

More Happy Than Not follows Aaron’s journey of meeting a boy who changes his life in a way he has never experienced before. The story is told from Aaron’s perspective which allows the reader to understand Aaron’s internal struggles as he grapples with his sexuality. The reader follows Aaron’s feelings for his perfect girlfriend, which become complicated with his potential feelings for a new boy, Thomas. Aaron struggles with this internal battle of sexuality, his love and care for others, and internalized homophobia.

Following his regained memories, Aaron is upset that the Leteo procedure did not “fix” his sexuality. He confides in Genevieve, who reveals she was aware of his previous relationship a boy, and had helped him through the Leteo procedure in the hopes that it would help him love her the way she loved him. With the return of painful memories and a rejection by Thomas, the novel ends with Aaron considering whether or not he should undergo an additional Leteo procedure to take the pain away.

This raw novel highlights struggles of sexual identity, mental illness, suicide, grief, homophobia, and hate crimes. Aaron is a likable character with challenges that may be relatable to LGBTQ+ readers. More Happy Than Not is an engaging, suspenseful story that is difficult to put down. Yet Aaron’s experiences may be painful for some readers, especially those who have not yet come out. However, it is important that this story be told for LGBTQ+ youth who have faced discrimination as Aaron’s experiences explore how to move forward after painful experiences.

This sensitive and gruesomely realistic novel takes the reader on a journey of understanding Aaron’s inner conflicts. In the end, Aaron learns an important lesson and he decides, “I will do my best to always find the sun in the darkness because my life isn’t one sad ending – it’s a series of endless happy beginnings.”

Sexual Content

  • Aaron’s girlfriend, Genevieve, insinuates she wants to have sex with Aaron, to which he thinks, “A sexy lightbulb flashes on. . . I remember something very crucial: Fuck, I have no idea how to have sex.”
  • When preparing to have sex with Genevieve, Aaron thinks, “I am so screwed later on. Okay, poor choice of words . . . I was hoping I could watch an unhealthy amount of porn to memorize techniques. . . I’ve considered maybe watching porn in the morning while he’s [his older brother] knocked out, but even naked bodies can’t wake me up.”
  • When preparing to have sex, Aaron consults his friends. A friend states, “Fuck all that. I boned a bunch of girls just so I could get off and get better.”
  • When Aaron has sex with Genevieve, in-depth details aren’t given, but kissing and undressing are discussed. Aaron broke “free from her not-so-tight grip, slide up on her, and kiss her lips and neck…She pulls my shirt off and it sails over my shoulder. . . I take off her shirt and leave her in a bra. She unzips my jeans and I kick them off with much awkward difficulty.”
  • Aaron discusses having sex with Genevieve. “Skinny-Dave wanted to know how many times we did it (twice!) and how long I lasted (not long but I lied).”
  • Aaron thinks back to when his best friend said, “Yo! I just got my first blow job!”
  • In his recovered memories, Aaron recalls a previous romance with his classmate, Collin. As they grew closer Aaron wanted to move forward in their relationship physically. “Collin has already lost both of his virginities. He got it on with this girl Suria when he was fourteen, after she gave him a hand job under the bleachers in the gym. Then he let this guy plow him last year when he was vacationing in the Poconos. I still have both of my virginities to lose. . . I want to take it to the next level with Collin.”
  • Once Aaron recovers his memories, he remembers he had sex with Collin multiple times. Aaron thinks back to when he tackled Collin “against the wall, unbuttoning his shirt, and it’s all condoms and awkward first memories from there.”

Violence

  • The book opens with Aaron thinking of his father’s suicide and his own suicide attempt. “I trace the smiling scar, left to right and right to left, happy to have a reminder to not be such a dumbass again.”
  • Aaron shares a long hug with Thomas. When Aaron’s friends see him, they jump him. During the fight, Aaron thought, “I don’t know where we’re going until we crash through the glass door of my building and I am sprawled across the lobby floor. There’s an explosion in the back of my head, a delayed reaction. Blood fills my mouth. This is what death feels like, I think. I scream like someone is turning a hundred knives inside of me, spitting up blood as I do.”
  • When Aaron recovers his memories, he angrily remembers how his friend’s brother died. “Kenneth was fucking gunned down yesterday and it’s all Kyle’s fucking fault. Kyle couldn’t fucking help himself and just had to fucking fuck Jordan’s fucking sister, even though we all fucking knew Jordan is the kind of fucking guy who would fucking kill someone if you fucking crossed him. Those bullets were fucking meant for fucking Kyle but no, they fucking found their way into fucking Kenneth when he was fucking innocently coming home from his fucking clarinet lessons at school.”
  • When Aaron remembers coming out to his father, he recalls his father’s violence. Aaron’s father said, “ ‘I’ll fucking throw him out myself.’ My mom guards me. Dad wraps his big hands around her throat, shaking her. . . I run over, grab his TV remote, and hit him so hard in the back of his head with it that the batteries pop out. . . My dad – the man who fucking played catch with me – punches me in the back of my head. . .”
  • Aaron was sitting close to Collin in a park and two guys yell, “Yo. You two homos faggots?” Then the two guys jump Aaron and Collin. “One slams my head into the railing, and the other hammers Collin with punches. I try punching the first guy in his nose. . . I have no idea how many times he punches me or at what point I end up on the sticky floor with Collin trying to shield me before he’s kicked to the side. . . His kind brown eyes roll back when he’s kicked in the head.”
  • When Aaron gets home after being jumped, he enters his bathroom to find his dead father. “When I see who’s sitting in the bathtub, I drop the shirt and blood just spills down my face and chest. Holy shit. Dad. His eyes are open but he’s not looking at me. He didn’t take his clothes off before getting into the tub. The water is a deep red, stained by the blood spilling from his slit wrists. He came home to kill himself. He came home to kill himself before I could bring a boy here. He came home to kill himself because of me. All this blood. All this red makes me black out.”

Drugs and Alcohol

  • Aaron and his friends frequently drink together. For example, Aaron and his friends are in high school and sneak onto the roof top of Thomas’s apartment complex to drink and party together. During one of these parties, Genevieve goes to find Thomas and Aaron, who are talking in Thomas’s room, and she shouts, “Is party central happening down here now? Let’s go up and drink! Wooooo!”
  • In addition, Aaron and his friends drink in excess. However, when they drink in excess they make a point to not drive. Aaron noticed Genevieve had been drinking heavily and says, “Genevieve is pretty damn drunk and needs to get home.” Then Aaron calls a taxi to drive her home.

Language

  • Dumbass is used frequently by Aaron and his friends. For example, Aaron uses the word “dumbass” to refer to himself after attempting suicide.
  • When jokingly trying to get his girlfriend to break up with him, Aaron calls her a “bitch.”
  • Profanity is used excessively. Profanity includes ass, fuck, dick, holy shit, and shit. For example, when asking his friends how to properly have sex with his girlfriend, he responds to their remarks by saying, “Thanks, asshole. Help me not fuck this up.”
  • Aaron says, “It feels like a dick move to take a girl’s virginity without some kind of present.”
  • The term “faggot” is routinely used in a derogatory manner. For example, Aaron’s friends call him a “faggot” and Aaron’s dad yells, “I’ll be damned if I’m alive the day you bring a boy home you fucking faggot.”

Supernatural

  • None

Spiritual Content

  • None

by Paige Smith

Komi Can’t Communicate Volume 2

Socially anxious high school student Shoko Komi’s greatest dream is to make some friends, but everyone at school mistakes her crippling social anxiety for cool reserve. Luckily, she meets Tadano, a timid wallflower who decides to step out of his comfort zone in order to help her achieve her goal of making 100 friends.

It’s time for the national health exam at Itan High, and the excitement of eye exams and height measurements has fanned the flames of competition in the heart of Makeru Yadano. She’s determined to beat the class idol, Komi, in the health test. Komi’s total obliviousness to their impassioned duel just feeds Makeru’s determination. As the epic battle heats up, how will Komi handle her first rival when she’s barely made her first friends?

Much of the time Komi seems to be in her own world and doesn’t notice those around her. For example, at the beginning of the story, one classmate wants to compete with Komi on the physical fitness test. However, Komi doesn’t even realize the classmate is trying to beat her during the races and other activities. Even though Komi has social anxieties and doesn’t talk to anyone, many of Komi’s classmates idolize her and consider her a “goddess.”

Several of the characters are odd. For example, one classmate, Agari, acts as if she is Komi’s dog. Another classmate, Yamai, desperately wants to meet Komi, so she threatens Komi’s friend, Osana. After Osana agrees to introduce Komi to Yamai, the situation becomes even stranger. Yamai kidnaps Tadano, binds him to a chair, and puts tape over his mouth. Later that day, Osana and Komi go to Yamai’s house where they discover Tadano trapped in a closet. Despite this, Komi still wants to be friends with Yamai.

Komi Can’t Communicate Volume 2 shows Komi’s growth from a girl with no friends, to one who is beginning to communicate and has two friends. Even though Komi communicates by writing on a piece of paper, she does stand up for Tadano. Tadano is a bright spot in the story because he truly wants Komi to form friendships, and he pushes her to try new things. However, one drawback of Komi’s friends is that they all focus on her beauty.

The black and white illustrations are adorable and portray the socially awkward girl and her interactions with others with humor. Each page has 1 to 11 simple sentences which appear in quote boxes. Square boxes are also used to show characters and general information. The illustrations help show Komi’s nervousness by showing her tremble.

Even though Komi Can’t Communicate Volume 2 has some strange events, the story will resonate with high school students who are insecure. As Komi begins to communicate, she also begins to act like a normal teenager by going to the mall and eating at a restaurant with her friends. Komi Can’t Communicate Volume 2 will entertain readers, even though it lacks the depth of Volume One. Readers will be curious to find out what happens with Komi’s new friend Yamai in Volume Three.

 Sexual Content

  • Yamai has a crush on Komi and is obsessed with Komi’s smell.

Violence

  • Yamai kidnaps Tadano, threatens him with a knife, and binds him to a chair. Yamai thinks, “It’s utterly bizarre for a loser like him to hang around a divinity like you, Komi.” Yamai justifies her actions by saying Komi is “glorious, so it’s psycho for a bottle-feeder like Tadano to hang around you!”
  • Komi doesn’t talk to Yamai, so Yamai threatens to kill herself with a knife. She says, “I have no reason to keep living!”

 Drugs and Alcohol

  • None

Language

  • One of the students says, “F*** you!”

Supernatural

  • None

Spiritual Content

  • None

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