The Knight Who Took All Day

The Knight wants to impress the golden-haired princess. He wants to show the princess his skill with a shield and a sword. The Knight searches for a dragon, but doesn’t find one. When a dragon suddenly appears in the village breathing fire, the knight is worried more about his appearance than slaying the dragon. The Knight sends his squire up and down the stairs, getting his fashionable armor. The princess takes matters into her own hands, but will she be able to conquer the dragon?

The illustrations show the dragon in and around the village in soft water-colored illustrations, which do not portray the dragon’s destruction in a scary manner. The princess is in many of the illustrations, but because the illustrations are busy, readers may miss the princess’s reaction to the knight, which is important to the knight. Parents may want to make a game out of finding the princess and talking about her facial expressions. Although the illustrations are interesting and engaging, the character’s lack diversity and the two main characters—the squire and the princess—are blonde.

The Knight Who Took All Day is a cautionary tale that highlights the danger of pride and showing off. The Knight is more concerned with having the perfect outfit than saving the town from destruction. The story may lead to a great discussion on gender roles and stereotypes. In the end, the princess finds a way to tame the dragon. The blond-haired beauty marries the squire and lives happily ever after. In the end, the princess shows her bravery and doesn’t have to rely on someone else to save her.

The story’s text has repetition and different types of font to highlight important words and add interest to the page. Even though The Knight Who Took All Day is a picture book, the story will need to be read aloud, because the text is too difficult for a child to read independently. The Knight Who Took All Day takes a humorous, unique look at the traditional fairy tale that is best suited for those who are interested in knights, dragons, and princesses.

Sexual Content

  • None

Violence

  • A dragon “rampaged across farms, scattering cows and sheep.”

Drugs and Alcohol

  • None

Language

  • The knight calls his squire a fool.

Supernatural

  • None

Spiritual Content

  • None

Pretend She’s Here

Emily can’t believe that her best friend Lizzie is gone. Every day she misses Lizzie now that she’s dead and her family has moved away. When Lizzy’s parents and her sister come back to town to visit Lizzie’s grave, Emily is happy to see them. Emily thinks that they are the only people who can understand her pain.

Emily doesn’t think twice about getting into the vehicle with them. After all, they are her second family. But soon, Emily realizes that Lizzie’s parents aren’t in town for a quick visit. Instead, they have come on a desperate attempt to bring Lizzie back to life. Soon Emily is trapped by the desperate parents, and she’s afraid there is no escape.

Pretend She’s Here is a unique story that has a major creep factor to keep the pages turning. The story focuses on Emily, who is kidnapped at the beginning of the book. Much of the story is told through Emily’s memory, which unfortunately eliminates much of the suspense. Emily’s large Catholic family is difficult to keep track of, and the many flashbacks of the seven siblings become confusing. There are simply too many characters to keep track of and many of them do not have a distinct personality.

Lizzie’s mom, Mrs. Porter, clearly wants to turn Emily into a replacement for Lizzie. The fact that Mrs. Porter’s family goes along with the plot allows the reader to see how desperate Mrs. Porter has become. However, Mr. Porter fades into the background, and readers will miss seeing how he fits into the family dynamic. The ending of the story is also a bit frustrating because Emily has so many chances to tell people who she really is, and yet she stays silent. At one point, she faints and is taken to the doctor, who sees many clues that Emily is in a desperate situation, but the doctor doesn’t act on her suspicions. Even though the author manages to make this unlikely scenario with the doctor believable, the ending of the book stretches the imagination too far.

Pretend She’s Here isn’t just a frightening kidnapping story; it also has themes of alcoholism, grief, friendship, and the power of forgiveness. While some readers may enjoy the kidnapping story, others may be frightened by it, especially because Emily is taken by someone who she considered her second family. Readers looking for a frightening story that examines the desperation that grief can cause will enjoy Pretend She’s Here. However, readers who are easily frightened should leave this book on the shelf.

Sexual Content

  • Emily’s friend says that she sees “stars” when she kisses her boyfriend.
  • Emily thinks back to her sister who would go up to the church steeple with her boyfriend “to kiss.”
  • Emily thinks about Casey and imagines “the feeling of his lips on mine.”
  • While at school, Emily sees Casey, and “all I wanted was for him to kiss me right there, that exact moment.”
  • While sledding, Emily and Casey’s sled crashes. They started laughing. “Then all at once the laughter stopped, I looked into his eyes, and he kissed me. The world fell out from under me, and I was floating in space, held up by Casey’s arms. . . His lips were soft and the kiss was hot, and I forgot I had a body and a life—and I was part of Casey and he was part of me.”

Violence

  • Emily is kidnapped and her hands are bound behind her back. She tries to escape. Emily “crouched as if about to bar, then used my legs as springs and smashed into Mrs. Porter, knocking her down, making her cry out. I turned and ran as fast as I could into the trees.”
  • In order to get Emily to behave, Mrs. Porter videotapes herself walking with Emily’s mom. Emily sees, “Mrs. Porter’s red plaid jacket and then, in her other hand, a knife with a thick, sharp silver blade. She made a jabbing motion.” After she watches the video, Emily “slapped her in the face as hard as I could, fumbled for the phone. Cloe (Mrs. Porter’s daughter) charged at me, clawed the phone out of my hand. We kept fighting for it, but then she shoved me.”
  • Emily sees her family and tries to get out of the car, but “Mrs. Porter wriggled between the two front seats and pulled my hair so hard my head smashed the headrest. She slapped my face. . . Mrs. Porter had now wriggled her way into the back seat beside me. Fingers still tangled in my hair, she tightened her grip, shaking my head, making every nerve in my scalp scream with pain.” Emily stops struggling when Mrs. Porter tells her, “I’ll kill your mother here and now.”
  • Mrs. Porter stops Emily from leaving. “I started to jump up. But she clawed my wrist, nails digging into my skin, pulling me back down. . . Then I saw the other hand. Her fingers were closed around the knife with the silver blade. . .” Mrs. Porter tries to kill Emily, but Emily “fought her. I hit her as hard as I could, heard my fist crack her cheekbone. I tried to kick her, but she’d leapt up from the bed, gripping my wrist, and my foot missed. She was waving the knife, stabbing the air, but I kept ducking, trying to pull away.” Mrs. Porter stabs Emily, who is rushed to the hospital in critical condition.

Drugs and Alcohol

  • Someone kidnaps Emily and gives her drugs so she will sleep. “A bottle clinked. I turned my head, saw her lift a small vial in front of her face, insert a syringe into the rubber cap to withdraw liquid, and lightly pump the plunger so a tiny clear stream squirted into the air. . . I felt the needle prick, then a slow ache in my bicep. Almost instantly, I felt light-headed.” Emily falls asleep.
  • Emily’s mother is an alcoholic, and Emily thinks back to a time when her mother missed her play because she was drunk. Emily’s mother, “had been sober over a year now. Since the last horrible fight that had sent her to rehab. . .” Emily thinks about her mom not being at the play, and when she got home, “I found my mother passed out in bed. The fumes left no doubt that there’d been alcohol involved.”
  • Casey’s mom was prescribed oxycodone. She became addicted and died of an overdose. Casey says, “One day she took too many. She never woke up.”
  • A doctor gives Mrs. Porter a prescription for Xanax.
  • While Emily is in the hospital, she is given Morphine which puts her in a “sick, sleepy twilight state.” She is also given opioids.

Language

  • Oh god is used as an exclamation twice; oh my God and OMG are used as an exclamation once.
  • Damn is used once.

Supernatural

  • None

Spiritual Content

  • Emily’s family is Catholic and attends church. Emily thinks about all of her siblings’ names and how they were “Catholic to the max. My mom had gone to St. Joseph’s College; my dad had gone to Holy Cross.” She and her siblings were given saint’s names and were baptized. Emily thinks, “even though we skipped Mass a lot, we did our best. We believed in the sacraments and had all made our first communion and confirmations.”
  • Emily’s mother says, “By the grace of God, I haven’t picked up a drink since.”
  • Casey, who was blind, tells Emily about his mother. “. . . She never stopped hoping I’d be able to see better someday. . .I had the best doctors, but her real faith was in St. Anthony.”
  • When Emily is in the hospital, she thinks about her mother. “I prayed you wouldn’t drink. I just wanted everything to be okay.”
  • While Emily was missing her mother, she “tried to pray, but I felt there was no one listening. I couldn’t hear God talking back to me. The priest from All Souls Church came, but I told your father not to let him in.”

Losing the Field

Tallulah has always been the overweight girl no one wants to spend time with. She focuses on her studies, ignores the teasing, and bides her time until graduation. But when Nash, the boy she’s had a crush on for years, makes a joke about her weight, she becomes bent on revenge. Tallulah thought she and Nash were friends because Nash was the only person who seemed to be genuinely nice to her. After his teasing, Tallulah walks and walks all summer, losing weight and increasing her anger towards Nash, the boy who broke her heart. When her senior year starts, she’s the most attractive and revenge-bent girl in school.

Tallulah’s year isn’t what she expects though. Once Nash realizes his mistake, he and Tallulah become friends. Then they become more than friends. He is a brand-new person this year too, after a football accident leaves him with a permanent limp and he can’t play anymore. They find understanding and friendship in each other. They have to cling to this new relationship as car accidents, rumors, and inappropriate teachers all threaten to destroy their feelings for each other.

Losing the Field is a dramatic take on a tumultuous senior year of high school. The characters are easy to connect with, but at some points the plot and dialogue are overly dramatic. However, the plot does bring up important topics such as body image, bullying, substance abuse, and friendship. The main character Tallulah teaches readers that your outside appearance doesn’t matter as much as what’s on the inside, and she stands up for herself by telling the truth, even in a difficult situation.

This story is entertaining but predictable. The characters get themselves into hard situations because of misunderstandings and eventually come back together when they have learned the truth. Profanity is used often and is used to differentiate between the voices of Tallulah and Nash. The chapters are written in alternating perspectives and Nash uses expletives and coarse language in his narration.

The story does deal with a teacher who makes inappropriate advances on a student (Tallulah). Nothing beyond a kiss and words are exchanged, but it is presented as a serious issue. Tallulah does the right thing by telling the truth to the administration and voicing her objections to the teacher’s advances. The teacher is fired, though Tallulah decides to not press charges.

Readers looking for an easy-to-read book about teenagers in love will find Losing the Field a good read. Although Tallulah lost weight, she did it for the wrong reason—to get a guy. The story does hint that in order to be beautiful, you must be thin. Another negative aspect of the story is that the non-stop drama becomes hard to believe. While the book was about Tallulah and Nash’s relationship, this part of the storyline should have been better developed. It is also a misleading novel in its presentation; this book is not about sports. Nash did play football, but that is a minor plot point. Overall, Losing the Field is a quick, easy read for someone looking for a dramatic and action-packed plot. While Losing the Field is the fourth in a series, readers do not need to read the others in order to understand the plot of this book.

Sexual Content

  • Tallulah says to Nash that she can’t be late to class because she doesn’t want it to affect her college acceptance. Nash thinks, “Jesus she was serious. And it was sexy as hell.”
  • Nash’s ex-girlfriend sees him and Tallulah together at a restaurant only days after they officially broke up. Nash’s ex-girlfriend accuses him of being a player, and Tallulah gets upset and defends Nash. She says, “Oh, y’all just broke up on Tuesday? Was Hunter aware of that? Because the groping session that was going on in the hallway during second period Monday between the two of you made it seem you were perfectly available.”
  • Tallulah tells Nash that she knew Blakely, his ex-girlfriend, wasn’t right for him, but that his love life wasn’t her business. He corrects her and says, “Sex life, Tallulah. There was no love there.” Tallulah is embarrassed he said “sex” and when he realizes this, he says, “What if I say ‘blow job’?” He says this just to embarrass her. They share a first kiss after this conversation that is not described in any detail.
  • Before Nash heads to the sidelines of the football game, he kisses Tallulah. “Closing the distance between us, I slid a hand around her waist and tugged her close before placing my mouth firmly on hers. Just enough pressure to taste her.”
  • When Nash meets a famous YouTube vlogger the day after the football game, he asks him why he’s moving to Lawton. The vlogger says, “When your mother catches your father fucking your little brother’s college-age nanny in the pool, then shit happens.”
  • Tallulah and Nash go to his house to make out while his parents are at work. They kiss and take their tops off, but don’t go any further. “His eyes were locked on my chest. My breathing making it heave with each deep intake. . . He tugged me down on top of him, and I felt the rigidness under his pants as it pressed into my stomach.” Tallulah is nervous, and Nash says, “Tallulah, my pants are staying on. This is all I want. To hold you. I promise.” The scene lasts two pages.
  • A teacher and coach at school named Mr. Dace develops an inappropriate relationship with Tallulah. He asks her to help him with grading after school one day because she is his teacher’s assistant. While she’s helping him, he leans in and kisses her. “Coach D leaned in closer. . . (Coach D) closed the space between them.” Tallulah is shocked. “I jumped up, tripping. . . I had no words and wanted to leave just as his mouth covered mine. This was definitely not okay.” She runs away to the girl’s bathroom. Mr. Dace follows her to tell her how much she means to him and how much he loves her. Nothing else physical happens. This scene lasts four pages.
  • Nash’s ex-girlfriend is suspended from school. Nash “even told me about Blakely being suspended for being caught in the guys’ restroom giving Hunter a blow job in one of the stalls.” The guy was also suspended.
  • Dace makes advances on Tallulah again when she comes in early to help enter grades. She is uncomfortable being in his classroom with him alone. He invades her personal space. “It had moved past inappropriate now. . . He turned his head, and our faces were inches apart. . . He leaned in like he was going to kiss me again. . . I jerked my head to the side to miss his mouth and it landed on my cheek.” Tallulah runs out of the classroom, and the principal walks in to confront Mr. Dace after being alerted of the situation by a student who saw what happened. The scene lasts three pages.
  • Nash and Tallulah kiss after they reconcile at the end of the novel. “His palm touched my back and he pressed me closer. . . Then his lips touched mine.”

Violence

  • At school, a couple of girls get in a fight over the new superstar vlogger Haegan Baylor. The fight lasts two pages, is not described in detail, and is more drama than actual violence. “Pam had a handful of Julie’s red curly hair, and Julie was slapping the shit out of Pam’s face.”
  • Nash is in a car accident with Haegan. They are both extremely high after smoking weed. Their car collides with another car. Nash “heard the horn then. It was loud, the tires screeching almost sounded like screams. . . the clash of the vehicles slammed so hard my body jerked violently against the seat belt. . . His head was turned the other way, and he seemed limp. . . I shook his arm and his head fell forward, but not before I saw his eyes. Open and vacant. No life there.” Haegan dies in the crash. The scene lasts four pages.

Drugs and Alcohol

  • Nash’s cousin brings Nash to a party after school because Nash has been feeling sorry for himself. It’s an effort to cheer him up, but all Nash thinks is how irresponsible it is to be drinking on a school night during the football season. Nash tells his cousin, “Stay focused. Get rest. Not drink beer for God’s sake.” Later during the party, the football coach shows up. He says, “if I call the cops, they’ll only care about the teens consuming alcohol and the smell of weed in the air.”
  • While walking towards the football field, Nash runs into a stranger smoking weed. The stranger throws his joint on the ground. Nash tells him, “This is Alabama, man. Pot’s not fucking legal.”
  • After seeing Coach Dace kiss Tallulah, Nash is very upset. He tells Haegan, “I need to get smoked.” They go to Haegan’s car to smoke pot when the chapter ends. In a following chapter, the scene picks back up. “Getting lit was probably the worst idea I’d had in a long time. . . We’d go to fucking jail if we were pulled over.” They continue to drive somewhere while high. It ends in a deadly accident.
  • While visiting Nash after the car accident, his cousin asks him if he has any beer. Nash doesn’t, saying, “My parents are being strict with that shit. Mom is worried I have a drug problem.”

Language

  • Profanity is used frequently. Profanity includes Holy shit, shit, fucking, fuck, fucked, bullshit, ass, hell, dick, damn, asshole, shit, shitty, bitch, helluva, bastard, dammit, douche, douchebag, and motherfucking.
  • Ryker, a kid at school, said, “Damn, I hope she don’t wear swimsuits in the summer. No one needs to see that.”
  • After Nash calls himself a cripple, Ryker says, “Jesus, Nash, don’t call yourself that.”
  • After it surfaces that Mr. Dace and Tallulah were involved, a girl says, “You deserve this, you little whore.”
  • Tallulah is viciously bullied after the school finds out about Mr. Dace and her being involved intimately. Students write “SLUT” in red lipstick on her locker and call her various names. People tell her. “Go home, you whore,” “No one wants you here, slut,” and various other insults.
  • Jesus, goddamn, and God are all used as exclamations a couple of times.

Supernatural

  • None

Spiritual Content

  • None

by Hannah Neeley

Knights vs. Monsters

A group of knights has fought dinosaurs, but now they are searching for the holy grail. Sirs Erec, Bors, Hector, the fearsome Black Knight Magdalena, and Mel the archer are all ready for a real adventure. So, when an enchanted ship appears, they do the only thing that makes sense—they board it.

The ship takes them to the Orkney Isles, where Queen Morgause plans their demise. Once the knights are out of the way, she can dethrone King Arthur. With the help of her children, Queen Morgause puts her plan into action. Each night when the sun sets, a mist will bring a hoard of monsters. As the knights face the monsters and try to keep the village safe, they must defeat a vampire, werewolves, ogres, and a host of other strange and terrible creatures.

The exploits of the knights began in Knights vs. Dinosaurs, but the tone of Knights vs. Monster is darker and more sinister. In order to kill the knights, Queen Morgause uses her black magic to conjure deadly monsters. While the first book in the series focused on the knights learning the importance of working together, Knights vs. Monster highlights the gloomy Scottish island, and a mother who is willing to sacrifice her children in order to gain more power. Adding Queen Morgause to the plot kills the humorous banter of the knights which helped make Knights vs. Dinosaurs so enjoyable.

Like the first book in the series, Knights vs. Dinosaurs blends graphic-style illustrations with a unique adventure. Black-and-white illustrations are scattered throughout the pages, and there are several graphic-novel style battles that are illustrated over multiple pages. The story is fast-paced, gloomy, and full of surprises. However, some of the monsters seem out of place. For example, a vampire appears and bites a woman and Erec then conveniently steps in a sunbeam and disintegrates. Once the vampire disappears, there is no mention of what happens to the people who were bitten. The story arch ends abruptly, leaving the reader to wonder how the scenes fit into the overall story.

The knights engage in battle after battle, but unlike Knights vs. Dinosaurs, the characters do not learn from their experiences. The story ends with an epic battle that brings the villagers, the knights, and most of Queen Morgause’s children together to defeat evil. The introduction of the Scottish mythological creature the nuggle adds interest to the end battle. Knights vs. Dinosaurs should be read first, because it introduces all of the main characters, and understanding the characters’ backgrounds will increase the reader’s enjoyment. Even though Knights vs. Monsters has a darker tone, readers will still enjoy the action-packed scenes and the fight between good and evil. Anyone interested in King Arthur or the battle between good and evil should pick up Knights vs. Monsters; the unique story will not disappoint.

Sexual Content

  • None

Violence

  • While on a boat looking for the holy grail, monsters appear out of the mist. “An enormous hairy arm with fiendish claws burst from the mist and sliced Erec’s garment. . .”
  • As the Black Knight was searching, “an enormous tentacle whipped through the mist and wrapped around her legs, knocking her to the ground. She dropped her sword but still held the knife. The Black Knight slashed at the tentacle but could not quite reach it. . . An arrow pierced the tentacle. The mysterious beast roared.”
  • While at sea, a kraken attacks the ship. “The crew held on to whatever they could grab as the kraken pitched the ship through the air. It landed hard in the water, splintering on impact.”
  • After landing on an island, a brute kicked Erec.
  • Monsters attack a village, and the group of knights go to the village to help. “Screams, yells, gasps, and various breaking noises filled the thick air. They approached the village gate, and the strange mist swallowed them. Cries for help seemed to come from every direction.”
  • When Mordred tries to stop Mel from joining her friend in the fight, she shoots an arrow at him. “Mel’s arrow pinned Mordred’s sleeve to the oak wardrobe behind him.”
  • While helping the village, “Hundreds of small, big-eyed, biting creatures swarmed Erec, pulling his clothes, nibbling his ears, and dragging him backwards until he tumbled over the wall. . . Erec thrashed, tossing several beasties against the wall. But more came. More always came.”
  • A monster attacks Magdalena. “The monster growled, struggled to its feet, and swung its ax.” Bors joins the fight and “he buried his sword in the monster a second before its ax reached the Black Knight.”
  • During a conversation, Gareth calls Magdalena a traitor. Then, “Magdalena’s leg swiped out so fast no one was sure what happened. But Gareth was flat on his back in the road with Magdalena standing over him.”
  • Monsters take over the village at nighttime, and the knights try to defend the city. “Erec chased a nasty-looking goblin through the village, finally cornering it by a wall and slaying it. . .” As Erec walked towards a house with a lit candle, he saw Greer sleeping. “And a rail-thin, pale figure with a bald high-domed head, pointed ears, and wide eyes was leaning over her. Its lips parted, exposing two long, sharp fangs. With a rat-like squeak, the fiend bit Greer on the neck. . . Erec lunged, but the monster held up one hand, its long, spidery fingers outstretched. An invisible force threw Erec back.” The monster uses his magic to drag Erec around until Eric is able to break the spell. “It squealed as they scuffled. Erec got a few good punches in.” The fiend changed into a bat, bit Erec, and was eventually defeated when a sunbeam touched it. “The fiend disintegrated into a small pile of dust.” The scene takes place over five pages.
  • A man pressed a dagger against Erec’s throat.
  • The bi-clops wakes up and “its mighty hand shot out and grabbed Bors by the throat. Mel rolled out of the way as the bi-clops tossed Bors against the rocks. It stood and the monstrous head roared. . . The bi-clops lifted Bors off the ground, held him high above its heads, and prepared to throw him over the cliffs.” Mel shoots the bi-clops, and “the creature gasped, dropping Bors to the ground. For a moment it wavered, then fell by the rocks.” The battle takes place over three pages and when it is finished, Bors is back to himself.
  • A giant appears and threw a man over a hill. “More monsters came. They were all sizes and shapes. Some had flaming heads. Some had no heads at all. . . All stood frozen as the colossal, unspeakable horror oozed out of the rubble, tentacles flailing, the din of a thousand screams blasting out. . . The Horror rose to full height and then paused suddenly. . .The blade of a sword slicked out from inside the belly of the beast. The Black Knight emerged, covered in slime but victorious.” The battle takes place over three pages.
  • Using magic Queen Morgause “pointed at Gorp and flicked her wrist. Mist engulfed him in an instant, lifted him from the ground, and blew him over the cliff’s edge to the sea below. . . Morgause snapped her fingers. A galloping sound echoed from the moors. . .” Nuggles appear and when Queen Morgause runs, the knights climb on the nuggles’ backs and give chase. The scene takes place over seven pages.
  • When the knights chase Queen Morgause, a ship appears. When Mel tried to board the ship, “the nuggle dove under the waves. Mel slipped from its back, but the nuggle’s seaweed tail wrapped around her leg and dragged her down into the darkness.” Merlin appears and helps the knights.
  • Morgause creates a whirlpool, but Merlin “leapt from the boat. A great whale surfaced and Merlin landed upon its back, riding the whale toward Morgause and the whirlpool. . . the whale’s mighty tail slapping the water and knocking the nuggle over. Morgause and Mordred hung on. Merlin and the whale attacked again. As they fought, both the nuggle and the whale were sucked into the center of the whirlpool. It swirled and churned around them.”

Drugs and Alcohol

  • None

Language

  • Bors calls one of his companions a “dunderhead.”
  • Bors tells Erec, “But you’re out as leader if you make any boneheaded decisions.”

Supernatural

  • The group of knights takes a ride on an enchanted ship.
  • A man transforms into a beast. “The man’s tunic was, in fact, ripping open, his body contorting, fur sprouting all over him. His nose had grown long like a snout, his eyes turned golden, his teeth sharpened into fangs.”
  • Some of the monsters include a vampire, sword-wielding skeletons, and winged harpies. Mordred makes a potion that turns Hector into a bi-clops, which is a two-headed cyclops.
  • Queen Morgause goes into the center of the circle of stones and uses magic. “She raised her arms slightly, and the stones began to glow with a sickly green light. Mist swirled at her feet, rising slowly from the ground.”
  • Queen Morgause conjured nuggles, which are like horses but “its hooves were webbed and clawed. But it was the eyes that most set the creature apart. The eyes of the beast were not at all the kind, thoughtful eyes of a horse. They were black, empty, remorseless eyes of a shark.”

Spiritual Content

  • None

 

Friends Forever

Croc and Ally make an appearance in three short chapters that focus on their unique friendship. Croc is pessimistic and grumpy, but Allie has a positive outlook. In the first chapter, “Move Over,” the two friends argue over sharing the sofa. Ally wants to sit close to Croc, but Croc wants more space, so they go looking for two chairs. In the second chapter, “Mr. Grumpy Pants,” Ally wants Croc to know what a grumpy person looks like, so she pretends to be grumpy. In the last chapter, “The Mood is Hiding,” Ally can’t sleep without the moon, so the two sleepy friends try to find it. They don’t find the moon, but they do find a solution to Ally’s sleeplessness.

Beginning readers will enjoy the funny, cartoonish illustrations that appear on every page of Friends Forever. In one illustration, a frightened Croc holds a teddy bear. Friends Forever is written with simple vocabulary that beginning readers will be able to master. Each page has three or fewer simple sentences per page. The small word count will allow beginning readers to feel proud that they were able to read a chapter book. However, more fluent readers may be bored by the story and want a book with a more developed plot.

Croc and Ally highlight the idea that friends do not have to be exactly alike. Readers will enjoy the friendship between the two and want to spend time looking at the detailed illustrations. Readers will want to see what other adventures Croc and Ally go on. Friends Forever will help beginning readers become confident readers.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Spy Runner

Jake McCauley is proud to be an American. He’s proud of his country because America is a country where liberty, justice, and truth prevail. Everyone must do their part to keep America free from communists. Everyone—his classmates, his teachers, and the adults around him—are on the lookout for communist and Russian spies.

But Jake has another reason to fear Russia. His father went missing 12 years ago during World War II. Jake is convinced that the Russians took his dad to a secret facility. Every morning, when his class says the pledge of allegiance, Jake secretly says another pledge— “I pledge to save my dad from the Russians and bring him home so my dad and mom and I can be a regular family like we’re supposed to be in America.”

From the very first page, Spy Runner captures the reader’s attention and takes them on a heart-stopping, action-packed journey where no one can be trusted—not even those closest to Jake. When Jake’s mom takes in a Russian boarder, Jake is determined to prove the man is a spy. Jake uses all the knowledge he’s gained from the Spy Runner comic books to stalk his target and accidentally finds himself caught up in a world of intrigue—a world he doesn’t understand. Soon the Russian spy, G-men, and a fat man with gold teeth are all hot on Jake’s trail. Jake must face unexpected enemies, men who are willing to kill, and even his own classmates.

Through Jake’s eyes, readers will gain a new understanding of the Cold War and the paranoia that surrounded communism. As Jake is persecuted by his own classmates, he comes to understand that anyone can be considered a communist; even those who have the audacity to discuss the constitution. Although Spy Runner shows the atmosphere of the time, the story is light on historical details that would help younger readers fully understand the Cold War. Though a highly entertaining story, Yelchin’s story parallels the current political climate and highlights the dangers of having a divided country.

Spy Runner moves quickly, and throughout Jake’s journey, he is beaten, battered, and almost killed several times. Jake continues to run from the adults who are trying to help him—mostly because he believes everything that he has read in spy comics and he had no idea who to trust. Younger readers will relate to Jake’s inability to know what to do, and his desire to do what is right. Spy Runner is an action-packed story that has more suspense than violence and will keep readers guessing until the very end. Because the story details the paranoia and propaganda of the cold war, Spy Runner is best suited for middle-grade readers.

 Sexual Content

  • None

Violence

  • After a Russian man moves into Jake’s house, his classmates think Jake is a “dirty communist” and beat him up. “Duane was on his back, flailing his arms, and Jake straddling his chest, leaned away so as not to be hit in the face. . . Duane yanked his hand from Jake and when he let it go, Duane’s fist bounced back, whacking himself hard on the nose.” During the fight, “Jake thrashed under the blows of the boys’ sharp fists and knees and elbows. . . The boys scattered, leaving Jake rolled into a quivering ball in the aisle.”
  • When the Russian man, Shubin, leans back in a rocking chair, Jake “slid his foot below the rocker blade nearer to him, and gave it a slight push upward. He missed seeing Shubin go down because he was shooting back to where he sat before, but he did hear the crash.
  • Men in a Buick chase Jake. When Jake hides in an alley, someone “yanked him toward the wall. A large hand slapped over his mouth, stifling his scream. The Buick burst into the alley. The person squashed Jake against his body and stepped into the shadows. The Buick roared by.”
  • Jake snatches an envelope from a man named Bull. “Then all at once a sharp pain shot through Jake’s chest. Somehow he was not standing anymore but lying on the sidewalk, and Bull was looming over him, and the envelope was under his arm again.” The contents of the envelope fall out and both Jake and Bull tried to pick them up. “Bull’s left hand did something to Jake again. Sharp pain shooting through Jake’s chest made him blackout, and when he opened his eyes, he was ten feet way from Bull, flat on his back, wedged between the trash can and the lamppost.”
  • While his friend is in a parade, Jake tries to get his attention, but “a trombone slide bashed him from behind and he dropped the baton and went down. . .” A float almost runs over him, but he isn’t injured.
  • After a man overhears Shubin talking about the constitution, the man “accidentally” shoves a hot bowl of beans into his lap.
  • Someone smacks Jake over the head and kidnaps him. When Jake wakes up, “The left side of his face was throbbing with pain. He tried to rub at his temple, but could not lift his arms. A thick rope twined around his arms, chest, thighs, and shins, bounding them to the folding chair.” When agents arrive, shots are fired, and “Jake’s eyes darted from the window toward Bull’s thick, stubby fingers, bleeding from the shattered glass, and watched in horror as they closed around [Jake’s] neck. Bull’s thumbs kneaded the front of Jake’s throat, feeling for something, found it, and began pressing down on his windpipe, first lightly then harder and harder.” There are more gunshots before the agents are able to free Jake.
  • Jake causes the car he’s riding in to crash. “The Cadillac careened across the center lane. . . The windshield buckled, sagged inward, and exploded into a million sparking fragments. Another vehicle smashed into the Cadillac from the rear. The Cadillac spun in place, flinging shards of glass in all directions.” When help arrives, Jake sees the man’s body being passed through the gaping windshield.”
  • While at his house, Bull breaks in. “Startled, Jake peered at the enormous white potbelly sagging over the handle of a gun stuck behind the trousers’ belt. Before he could scream, Bull snatched Jake by the shirtfront, yanked him into the room, whooshed him round, and squashed his neck in the crook of his arm. . . Jake thrashed wildly in Bull’s iron grip. A flash. A loud blast. The ceiling globe exploded. Bull crushed Jake’s neck harder. . . Choking, Jake grasped Bull’s forearm with both hands, trying to push the gun away from his mother. The gun went off again.” As others try to help Jake, “rapid gunfire popped from several directions. A bullet whizzed by and slugged into the wall above Jake’s head, spraying plaster in all directions.” Bull is eventually handcuffed and taken away. No one is seriously injured. The scene takes place over five pages.

Drugs and Alcohol

  • When Jake is kidnapped, he sees “drained beer bottles” in the place he is being held.
  • A person tells Jake about a conversation he had with Jake’s father “over a cold beer.”

Language

  • Heck is used three times; damn, darn, and crap are all used once.
  • Jake’s mom and a man were carrying a trunk. When the trunk slips out of Jake’s mom’s hand, the man says, “What the hell?”
  • Jake thinks the Russian man is “clearly a jerk.” Later, the Russian says that some of the kids that hit Jake were “jerks.”
  • Jake calls his friend a fool.
  • When Jake’s mom sees Jake injured, she asks, “My God, who did this to you?”
  • A man tells Jake, “aircrafts are better than people. Better than those morons who are supposed to protect them, that’s for damn sure.”

Supernatural

  • None

Spiritual Content

  • None

 

Fragments of the Lost

People blame Jessa for her boyfriend Caleb’s death, but most of them don’t know about the breakup. Instead, they focus on the day he died. The last time Jessa saw Caleb was standing in the bleachers during a track meet. When her good luck dragonfly necklace broke, she ran to him, handed him the necklace. And then he left.

Jessa knows that the teens at school aren’t the only ones who blame her for Caleb’s death. His mother thinks the accident was Jessa’s fault. But when Caleb’s mother asks Jessa to pack up his things, Jessa agrees. She’s hoping that it will help her work through her grief, take away her guilt, and lessen her depression.

But as Jessa begins to box up the pieces of Caleb’s life, every item she touches brings back memories. As the memories flood over her, she thinks that maybe she didn’t know Caleb at all. Each fragment of his life reveals a new clue that propels Jessa to search for the truth about Caleb’s accident. Can she put the pieces together to reveal what really happened on the day he died?

Fragments of the Lost, which is told from Jessa’s point of view, gives a unique perspective on the life of a person. As Jessa reflects on Caleb, her memories are mixed with other people’s memories of Caleb. Each person, each object, each memory shows a different fragment of Caleb, which adds mystery. The story is broken into two parts, with the second part ramping up the action. Although the ending of the story is action-packed, the beginning of the story is character-driven and readers must emotionally connect to Jessa or they will not enjoy the story.

The main part of the story is about Caleb’s death; however, Fragments of the Lost also gives a glimpse into Jessa’s home life, where she often feels overshadowed by her older brother. As Jessa recounts the past, she learns valuable lessons about love, life, and the importance of being honest with others. Although the story has mystery, the clues fall into place too easily which allows the readers to correctly guess what will happen next. This will not make the story less enjoyable for those who enjoy character-driven stories such as E. Lockhart’s We Were Liars. Fragments of the Lost will leave readers wondering what fragments they leave behind.  

Sexual Content

  • Jessa and her boyfriend kiss. The first time they kiss, Caleb “stepped even closer, so his body brushed up against mine. I could feel his breath, the tremble of his hand, smell the salt and sunscreen and summer air as he leaned in to kiss me. I kissed him back, my hands sliding around his waist. . .”
  • After a dance, Caleb and Jessa sit in the car. “My fingers on the buttons of his white button-down shirt. His hands on my bare shoulders when he kissed me.” Nothing else happens. Jessa and Caleb kiss 4 more times, but it is not described.
  • Once Mia’s sister walked into Caleb’s room and saw Jessa and Caleb. Caleb “was easing my shirt over the sunburn when the door opened. . . I yanked my shirt back down.”
  • The story implies that Jessa and Caleb had sex. Someone finds condoms hidden in Caleb’s room.
  • Someone catches Caleb in Jessa’s room when “Caleb wasn’t supposed to be in my room. We were only doing homework. And okay, his hand was on the small of my back, under my shirt, but still. Homework.”
  • Jessa wonders if Caleb talks about their sex life. “I had always thought Caleb was like me, keeping those details to himself. But suddenly I wasn’t sure, and I couldn’t stand the thought—that I might be a secret, to be shared.”
  • As part of school spirit week, someone wrote on the school flag and “they’d added a line in black marker about their opponent. Specifically referring to how badly, and what, they sucked.”
  • While at school, Caleb and Jessa sneak into the “locker room to fool around in the ten minutes before their pregame warm-up.”
  • Jessa kisses a boy that is not her boyfriend. When he “finally lowers his lips to my own, I think I have never felt something so real.” Jessa contrasts how the two boys kiss. One boy’s “kisses more tentative, unsure. My first thought down by the riverbank, when he finally lowered his lips to mine, was frustration that he was pulling away and stepping back, until something tipped and he pulled me closer, our clothes cold and clinging to our skin, my body trembling against his. . . where Caleb was all anticipation and surprise.”
  • Jessa kisses Mas. “I close the gap between us, and I kiss him. I feel him smiling in the second before he kisses me back. His hand at the side of my face, his fingers in my hair.”

Violence

  • Caleb and his step-father had a fight. Caleb said, “Sean was hurting me. He was choking me.” Caleb’s mother pushes a man out the window, and he falls to his death.
  • While in a forest, Caleb’s mother finds Jessa and pushes her over a waterfall.

Drugs and Alcohol

  • When Caleb doesn’t answer Jessa’s calls she wonders if he had a hangover.
  • At a graduation party, “an ice bucket of cheap beer” went missing. The teens play beer games with it.

Language

  • Badass is used once.
  • Ass and damn are used twice. Jessa’s friends Hailey “could transform from ‘girl in a dress with red lipstick’ to ‘girl who can kick your ass in red lipstick’ in the time it took to slip on running shoes.”
  • Crap is used occasionally.
  • Oh God and oh my God are occasionally used as an exclamation. Jesus is used as an exclamation once.
  • Hell is used four times. For example, when someone grabs a paper out of Jessa’s hands, she gets a paper cut and says, “What the hell?”
  • “Dick move” is used twice. Jessa thinks about telling someone something “just to watch him squirm, but that would be a dick move too, so I don’t.”
  • A girl calls someone a jerk.

Supernatural

  • None

Spiritual Content

  • None

 

 

When Zachary Beaver Came to Town

Nothing ever happens in Toby’s small Texas town. When Zachary Beaver comes to town, almost everyone is willing to give up their money to see the “fattest boy in the world” who weighs over 600 pounds. Toby and his best friend Cal try to befriend the boy, who says he’s been everywhere including Paris. Toby realizes that most people only see Zachary’s large size, not the sad boy underneath.

Zachary isn’t the only thing on Toby’s mind. Everyone seems to be leaving. His mother leaves home to chase her dream of being a country singer. His best friend Cal’s older brother is fighting in the Vietnam war. Toby doesn’t want anyone to know that his mom isn’t coming back, so he makes up a crazy tale. It is then that Toby realizes that he and Zachary might not be so different after all.

Set during the Vietnam era, When Zachary Beaver Came to Town gives the reader a glimpse into life in a small Texas town, where everyone knows everyone. Although Zachary Beaver is the main focus of the story, there are other subplots that weave their way into the story. Toby is dealing with teen love, his mother leaving, as well as his best friend fighting in a war and eventually being killed.

Even though all of the events are told in a kid-friendly manner, many younger readers will find the character-driven story less than exciting. The beginning of the story introduces many, many characters who are difficult to remember. Toby, who tells his story, is interesting and brings humor to the story. Even though the story is told by a 12-year-old narrator, the story deals with some heavy topics including feelings of abandonment, death, dementia, and forgiveness.

Readers will eventually fall in love with Toby and the community; however, readers who are looking for an action-packed adventure will be disappointed in When Zachary Beaver Came to Town. The story highlights the importance of not judging others and forgiveness. The ending of the story will leave readers in tears as it highlights the importance of striving to make your dreams come true. There is a reason When Zachary Beaver Came to Town is taught in schools—it gives readers a picture of the time period as well as teaches important life lessons.

Sexual Content

  • Toby makes a joke about Miss Myrtie Mae who wears a “wide-brim straw hat.” Toby says it’s to “protect her virgin skin.” Cal laughs, “That ain’t the only thing virgin about her.”
  • Toby talks to a girl he has a crush on. He thinks, “I want to reach for her, pull her toward me, and tell her it will be all right. I want to smooth her hair, massage her neck, kiss her toes. Instead, I wrap my arms around my knees.” They dance and then she “kisses me on the cheek.”
  • After Toby accidentally sprays himself with a girl’s perfume, someone tells him, “You smell like a French prostitute.”

Violence

  • Some kids start hitting Zachary’s trailing and yelling insults, so Cal and Toby throw rocks at them.  Toby’s “rock sails through the air and hits a perfect target. Mason’s hands fly to his porky bottom. ‘Ow!’ When Cal hits Simon Davis’s leg, Simon takes off crying, his hand pressed against his thigh.” Toby and Cal accidentally break a window.
  • Cal rides his bike to the lake, hoping to outrun Toby. When Toby appears, Cal kicked water in his face. When Toby doesn’t leave, Cal “slugs me on the arm. I still don’t move and he punches me again. My arm throbs in pain.” The two friends make peace.

Drugs and Alcohol

  • One of the adult characters, Ferris, got a tattoo when he was drunk. “He said he got them the night he met Jim Beam. Cal thought he was talking about a real person until I explained that Jim Beam was whiskey and Ferris was drunk as a skunk when he got the tattoos. That was before Ferris met Jesus and got religion.”
  • While the townspeople are at a funeral, Ferris stays in his restaurant and gets drunk. He tells Toby, “Don’t ever start drinking, Toby. Next to money, it’s the root of all evil.”
  • Cal gets a letter from his brother who is fighting in the Vietnam war. His brother writes, “it doesn’t seem like anyone wants us here. Not even the people we’re protecting. They just want to sell us cigarettes, booze, and anything else we’re willing to put down our money for.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • Before Ferris was hurt, he “wanted to be a preacher. He even went a semester to a Bible college in Oklahoma. Now he never goes to church, but Mom says he knows the Bible from Genesis to Revelation.”
  • Ferris owns a restraint and his “chalkboard hangs near the kitchen window behind the counter. . . Beneath the menu is the daily Bible verse. ‘It is an honor for a man to cease from strife: but every fool will be meddling.’ Proverbs 20:3. Mom says some people wear their religion on their sleeves. Ferris posts his on the chalkboard.”
  • Toby includes Wayne, a boy who is fighting in the Vietnam War, in his nightly prayers.
  • Toby asks about baptism. Miss Myrtie Mae tells him, “The good Lord knows what state our mind is in when we make such a commitment. But it’s a wonderful commitment, Tobias. The Christian life is not an easy life, but it brings such joy. And of course, there is the gift of eternal life.” She then tells him the steps involved and hands him a paper with John 3:16 written on it.
  • Toby prepares to baptize Zachary, in case Ferris doesn’t show up to perform the ceremony. Toby reads the Bible looking for a verse. “But as I read the story, I forget about searching for verses. I read that Jesus goes to John the Baptist and asks to be baptized, but John doesn’t think he’s worthy enough to baptize Jesus. Then Jesus says, ‘Suffer it to be so now: for thus it becometh us to fulfill all righteousness.’ So, John baptizes him.” Toby calls Ferris and tells him to read the verse.
  • Zachary is baptized. As part of the ceremony, he must agree to “take the Lord Jesus Christ as your savior.”

Bella the Bunny Fairy

Rachel and Kirsty hide Easter eggs for a neighbor’s party. When the party guests arrive and start looking for eggs, they keep seeing a bunny that changes colors. Rachel and Kristy think the bunny is one of the fairy’s pets. Jack Frost was upset that he didn’t have a pet, and he kidnapped several magical animals that belonged to the Pet Fairies. Can Rachel and Kirsty save the bunny from Jack Frost’s goblins?

Bella the Bunny Fairy combines fairies, animals, and a villain to create an easy-to-read story that will engage young readers. Although the stories are formulaic, younger readers will enjoy the cute fairies, and guessing what the goblins will do next. Rachel and Kirsty are good role models because they are kind to others, help their neighbors, and are able to save the day.

Bella the Bunny Fairy is perfect for readers who are just beginning to read chapter books. The story has easy vocabulary, short sentences, and cute black and white illustrations on every page. The story has a simple storyline with a non-frightening villain. There are seven books in the Pet Fairies series as well as a Sports Fairies series, the Fairy Tale Fairies series, and Special Editions. Although the stories have some of the same characters, the books do not have to be read in sequence. Bella the Bunny Fairy will delight younger readers, who will want to read every book in the series because the stories are so much fun.

Sexual Content

  • None

Violence

  • Goblins make a hole and cover it with leaves to trap Rachel and Kirsty. The girls fall into the trap.
  • The goblins fall into their own trap. “They fell on top of the twigs and leaves in a heap. A second later, the covering gave way. Yelping, the goblins all tumbled into the hole.”

Drugs and Alcohol

  • None

Language

  • The goblins argue and call each other names, including, “coward,” “scaredy-cat,” and “klutz.”

Supernatural

  • A fairy uses magic dust. “She lifted her wand, and a shower of golden sparkles floated down onto the girls. Rachel and Kirsty held their breath as they shrank to fairy size, and glittering wings appeared on their backs.”
  • A fairy uses her wand to send a message to a bunny. “Lifting her wand, she began to write in the air. Like a sparkler, the wand left a glittering trail of bright blue letters.”
  • A fairy wants to fix a box so a rabbit can’t escape. “Then Bella waved her wand. A cloud of dazzling sparkles swirled around the box, making it whole again.”

Spiritual Content

  • None

A Friend for Dragon

At the beginning of the story, Dragon is looking for a friend. When an apple falls from a tree, landing on the lonely dragon, a snake decides to play a trick on Dragon. The snake makes Dragon believe that the apple can talk, but when Dragon takes the apple home, the apple stops talking. The apple’s silence worries dragon who takes him to the doctor. The doctor eats the apple, leaving behind a core that soon rots. Dragon must bury his friend, who he misses deeply. But in the spring, dragon goes for a walk and finds a new apple to be friends with.

Written using simple sentences, with easy vocabulary, A Friend for Dragon is perfect for those transitioning to chapter books. Seven or fewer sentences appear on every page, and every page has colorful pictures that will help readers visualize the plot and bring Dragon’s friendship with the apple into sharp focus. Dragon tells his friend stories, jokes, and even makes him a midnight snack. Dragon also talks about the qualities that make a good friend.

Readers may find A Friend for Dragon entertaining or heartbreaking depending on their unique personalities and experiences. Some readers may think that the snake’s joke is funny because obviously, an apple would not make a good friend. But other readers may walk away saddened by the snake’s joke, especially because Dragon is so lonely. The snake’s joke is never revealed and in the end, Dragon finds a new apple to take his friend’s place. Dragon deeply mourns the loss of the apple and even buries him. An illustration shows Dragon grieving over the apple’s tombstone.

While Dragon is a lovable character, some may find A Friend for Dragon upsetting. Dragon demonstrates the qualities of a true friend, as well as highlights the fact that it is okay to mourn the loss of a friend. The story definitely brings up topics that parents should discuss with their children. A Friend for Dragon has an easy-to-understand plot that many readers will find enjoyable, while others may become saddened by Dragon’s experiences.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Hello, Crabby!

Crabby is NOT happy. Sun is in Crabby’s eyes. Salt is in Crabby’s teeth. Sand is in Crabby’s shell. Plankton tries again and again to cheer Crabby up — with laugh-out-loud results! Will Crabby ever crack a smile? Or will Crabby always be crabby?

Hello, Crabby! is perfect for children who are learning to read. Crabby—the crabby crab—will have readers giggling with his over-the-top grumpiness. Bright colorful artwork appears on every page, showing the character’s emotions through their expressions. Pages are broken into colorful panels, which make it easy for readers to follow along with the plot.

Readers will be drawn to the story because of the bright color and the humorous pictures. But they will also enjoy the storyline as well as the rhyming words that appear throughout the text. The text uses simple sentences and easy vocabulary, and the speech bubbles are color-coded to distinguish each speaker. Each page contains five or fewer sentences, which makes the story assessable to new readers.

Hello, Crabby is not only full of humor, but it also introduces a word with different meanings. The dialogue is full of humor and includes a joke as well as several puns. Readers will fall in love with the cranky crab and laugh as Plankton tries, unsuccessfully, to make Crabby smile. Hello, Crabby! will help beginning readers build confidence as well as instill a love of reading.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Caterpillar Summer

Eleven-year-old Cat is used to taking care of her younger brother, Chicken. She knows that he isn’t like other seven-year-olds. Cat understands that Chicken gets upset easily; He doesn’t like loud noises, tags in his shirt, or being called Henry. Sometimes he acts out, and Cat has become an expert at calming him.

Cat is looking forward to spending three weeks in Atlanta. Unexpectedly their plans change, and Cat and Chicken go to stay with their grandparent that they have never met. She isn’t excited about spending time with her mother’s estranged parents, Lily and Malcon. She doesn’t think they can take care of Chicken as well as she can. But as she adjusts to her grandparents and life on an island, Cat realizes it has been a long time since she has been able to be a kid. The more that she learns about her grandparents, the more she wonders why her grandparents haven’t been a part of her life.

Beautifully written, Caterpillar Summer is written from Cat’s point of view and does an excellent job putting Cat’s emotions into language that younger readers can understand. Her mother works hard to provide for the family, and her father has died, which leaves Cat in charge of her brother. Cat is a remarkably relatable character, who clearly loves her brother, but gets frustrated that she must always watch him. As Cat learns to trust her grandparents to care for Chicken, she is given more freedom and becomes aware of her own needs. Because of her newfound independence, she learns the importance of advocating for herself.

Readers will also love Chicken, who loves sharks and who wants to do things his way. Cat soon learns that her overprotective nature has not allowed Chicken to solve his own problems. And although Chicken needs to be watched over, he also needs to be able to interact with others and solve conflicts on his own. In addition to the lovable characters, the story also has cute black and white illustrations of a chicken and a caterpillar that connect to the characters and help the reader understand the conflict between the two siblings.

The story focuses on family relationships and the misunderstandings that can lead to lasting hurt. The story also hints at the difficulties biracial children encounter. The story is realistic and shows the complicated nature of family relationships. Themes of family love, forgiveness, and friendship are woven through the story. As Cat meets new people, she learns that people are “good and bad, at the same time.” Readers will come away understanding that all people have good qualities and bad qualities.

McDunn uses beautiful language and well-developed realistic characters to create an honest story about families. There are several scenes that are funny, some scenes that are heartwarming, and some that will make readers grab a tissue. Even though the story is written using easy vocabulary and simple sentences, many younger readers may not connect with the story because of the lack of action. If you are interested in action, adventure or fantasy, Caterpillar Summer will not appeal to you. Readers interested in realistic fiction will definitely find Caterpillar Summer worth reading. If you like Caterpillar Summer, you may also want to read Bob by Wendy Mass & Rebecca Stead.

Sexual Content

  • None

Violence

  • While at the library, Chicken and another boy get in an argument. The boy’s sister says, “Neddie told me he grabbed Chicken’s book, but Chicken wouldn’t let go. When Neddie lost his grip he smacked himself in the nose with his own hand.”
  • While on the merry-go-round, Chicken falls off and “then a foot thwacked him in the eye. He rolled onto his back.”
  • Cat sees two boys kicking their brother.

Drugs and Alcohol

  • None

Language

  • Cat’s grandfather tells her, “My plan for your mom’s life did not include a husband and a child, living on the other side of the dadgum country.”
  • Heck is used twice.

Supernatural

  • None

Spiritual Content

  • None

Anger is a Gift

Moss Jeffries is anything but an average teenager. Ever since his father was shot by the Oakland police outside their home, Moss has dealt with intense anger issues and constant panic attacks. In addition, Moss has a difficult time going outside because of the kinks of the homosexual community, his popularity amongst protesting groups, and his constant fear of the local police. After meeting Javier on a metro train and falling in love, it seems everything is finally coming together for Moss. He is happy; his friend Esperanza is going to a great school; his mother just received a promotion–life is good.

However, when school starts things begin to change. Due to a lack of school funds and the influence of the local police, Moss and his friends encounter more troubles as they are harassed and berated by the school’s administration. However, after a school cop brutalizes one of Moss’s friends, police-patrolled metal detectors cripple another, and his organized school-wide walkout turns chaotic and deadly, Moss personally takes the fight to the police, gathering a city-wide protest that will change the city, and leave readers with a new sense of community and self-determination.

With its diverse characters, Mark Oshiro paints a brutal yet beautiful picture of problems today’s teens face. The well-developed characters each have their own individual type of problems. Esperanza is adopted and struggles to keep in tune with her own culture. Reg was crippled by a car accident when he was younger. Moss struggles with his anxiety. But Oshiro makes them appear to be real people with their own type of language, jokes, and emotions. Readers will fall in love with these realistic characters and root for them.

Moss has a huge group of friends, and the large cast of supporting characters may confuse some readers. The diverse group of characters gives a wide range of people a voice—the story focuses on minorities and also includes the following: gay characters, non-binary characters, bisexual characters, asexual characters, Muslim characters, undocumented characters, and disabled characters. The one thing that brings these groups together is the social injustice they face.

Anger is a Gift has a rapid and suspenseful plot with a perfect mix of teen society and real-world problems. However, Oshiro pushes the extremes of some of the moral problems today’s young adults face. Told from Moss’s point of view, it allows the reader to get a glimpse of what a person feels when they are faced with PTSD and panic attacks. Moss’s descriptions of his grief and anger, in addition to the brutal descriptions of the senseless acts of violence, can, at times, be hard to read.

Besides detailing the oppression minorities face, Anger is a Gift has a hint of romance. Issues of sexuality, race, ethnicity and class affect each of the characters, while senseless anger and violence threaten them all, killing some and injuring others. This book is not for the faint of heart and is intended for older readers. Nonetheless, Anger is a Gift is a book for those wishing for a new perspective on how police brutality, oppression, and racism affects poor people of color from the author’s perspective. The character development mixed with the book’s brutal, bloody action scenes will leave readers with a different perspective of racism in America.

Sexual Content

  • Ever since they started to date, Javier and Moss make a game out of kissing each other when they see each other. When they see each other, they will peck each other on the cheek. For instance, “Moss kissed him back for just a little bit longer, pushing back against the awkwardness that tried to conquer him. He had never kissed anyone in front of his friends, but he focused on how it made him feel. Warm. Secure. Admired.”
  • Before Moss’s first date with Javier, his mom asks, “You have any condoms?”
  • On their first date at Javier’s apartment, Moss and Javier get intimate. “But Javier pulled Moss to him again, only this time they faced each other, and Javier brought them back down on the couch. He wrapped his leg around Moss’s and squeezed his hand. Moss felt moisture and thought his palms had started sweating again, but it was Javier’s sweat this time. Moss went still, and he could feel Javier’s heart beating against his chest. It was racing even faster than Moss’s was. The two enjoyed the warmth of each other’s bodies. . .” They do not have intercourse.
  • On a brunch date, Moss asks Javier, “Maybe you just wanted me for sex. We’re gay men. That’s not exactly an unbelievable suggestion.”
  • While escaping the chaos after the school walkout, Moss suggests that they escape out the back of the school through the hallway down by the science labs “where the football players always take their girlfriends to make out.”
  • After Javier’s death, Moss remembers him, thinking about how much he loved Javier, “The way you kissed my jaw. The way sweat ran down your chest. The feel of the muscles in your arm, the scent of your breath, the blackness of your hair, the curled smile.”

Violence

  • Wanda tells Moss that she stopped protesting after she saw a cop that had previously threatened her “standing over your father’s body.”
  • After finding drugs in Shawna’s locker, “Hull’s arm shot out, hard, and his forearm hit the spot just below Shawna’s throat, and the man pinned Shawna against a locker, her back hitting the metal so hard that it buckled. Moss dropped his lock on the ground, heard it clatter against the tile, and Shawna tried to yelp.” Shawna is epileptic and falls to the ground, shaking, as students gather around them. This scene takes place over four pages.
  • After the metal detectors are installed in the school, Reg refuses to go through due to the six metallic pins in his knee. One of the officers shoves him through, and “Reg didn’t make it through. His right knee jerked to the side and the metal detector seemed to respond to Reg. Thrum! His body hit the frame hard, hard enough that it made a hollow ringing like a steel drum, and Moss saw that Reg’s breath had been knocked out of him. As his hands went to his chest, Njemile and Kaisha shouted, scrambling to reach their friend as he doubled over, his arms shooting out to the ground to catch himself.” Reg goes to the hospital and has to go through surgery and physical therapy. This scene takes place over eight pages.
  • After their school-wide student walk-out turns chaotic, Moss and his friends seek shelter in a nearby room to plan their escape. A cop finds them and uses the infamous Mosquito weapon – a weaponized sonic sound used to disperse crowds of teenagers. After being blasted by the sound, “Chandra threw up. It was violent, loud, and her wrenching caused Sam to do the same, and it was in their hair, all over the floor.” Moss and some of his friends remain uninjured while Chandra and Sam go unconscious. This scene lasts over two pages.
  • During the same walkout, Javier is shot by Officer James Daley. “The beet-faced cop had a gun trained on Javier. And then he fired. it wasn’t the first time Moss had heard the pop of a gunshot. Nor was it the first time he’d heard the sickening sound of the air leaving someone’s body. The sound that meant the worst. Javier curled into himself; his brown hands jerked up to his chest, and blood squirted out between his fingers. Moss screamed, again and again, and pitched himself forward as Javier crumpled to the ground, the life too quickly draining out of him.” Javier dies, Mr. Jacobs and Moss are beaten, and many of the students are sent to the hospital. This scene takes place over three pages.
  • Moss’s city-wide protest turns chaotic after the militarized Oakland PD uses a Silent Guardian, an infamous heat ray, against the protestors. The narrator describes the Silent Guardian in action saying, “The antenna on the top of the box would move sluggishly, and as soon as it seemed to be pointing at someone, that person would drop to the ground. Hands scraped at skin. People clawed at their faces, into the side of a car, trying to escape the sensation that Martin had described to him, and she lay still on the ground.” Many protestors are sent to the hospital, Haley dies, and Moss’s mother almost dies. Moss and his friends’ wounds are described later. “He watched Kaisha and Reg sit as still as they could, saw the sweat on Reg’s bloody face, felt his own pulse pounding in his head.” This scene takes place over fourteen pages.

Drugs and Alcohol

  • During Shawna’s locker check, Officer Hull finds drugs in her locker. Moss describes the encounter saying, “Hull held a Ziplock bag up in the air, and Moss’s heart dropped. White pills. Lots of them.” They are Shawna’s epilepsy medication.

Language

  • Typically, characters use profanity in the heat of the moment. Profanity is used infrequently but includes phrases like “dickwad,” “piss,” “jerk,” “ass,” every variation of “shit,” derogatory terms, and “assholes.”
  • When Reg is trying to go through the metal detectors for the first time, someone shouts “Hurry up, dickwad!”
  • Before shooting Javier, James Daley snarls, “You little shits never learn.”
  • After Javier’s death, Moss gets angry and yells at Esperanza, “I hate your mother, and if her nosy, white savior ass hadn’t called Mr. Elliot, Javier might be alive today.”
  • During the Oakland Police Department’s press conference at the end, somewhere near the back of the crowd, someone yells out “Bullshit!”
  • Afnan describes Mr. Jacobs when he says, “That man was a smug asshole…I bet no one has ever told him otherwise”.
  • During Moss’s protest, Martin hands him an empty bottle and says, “You’re gonna have to take a mean piss eventually.”
  • After slipping on a canister, James Daley falls and Reg shouts out, “Did you see that jerk hit the ground?”
  • During the discussion amongst friends after Javier’s death, Kaisha suggests, “Do you think the cops aren’t capable of just making shit up?”
  • Moss reflects on his father’s death when he says, “Months of those Piedmont assholes teasing me at school, telling me he deserved it because he was a thug and the streets were cleaner without him.”
  • Racist terms are used throughout the book, and the characters’ skin colors come up a lot. One time during a discussion about what to do about the metal detectors, a man in the audience steps up and says, “You call a spade a spade.” Another time, when thinking about Javier, Moss thought to himself, “Oh god, he thought, that makes me sound so white.
  • “Oh my god” and “Oh god” are used as exclamations.

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

Night of the Zombie Zookeeper

Welcome to Kersville, a town with a spooky history and a collection of ghosts and spirits who are major mischief-makers. Most kids spend their days without ever seeing or dealing with a ghost, but some kids get stuck with a haunt. When that happens, they call Desmond Cole Ghost Patrol. There’s no job too spooky, icky, or risky for Desmond.

Andres Miedoso is not like that at all. He’s Desmond’s best friend and ghost patrol partner. Desmond Cole and he are excited to go on a field trip to the zoo. They have planned out each and every exhibit they want to go to. They want to make sure they see all the animals. When the field trip day comes, they head to the back of the zoo. But when they see a zombie feeding the giraffes, their plan goes out the window. Instead of enjoying the animals, they’re chasing a zombie.

When it comes to Desmond Cole and Andres, they are opposites. Desmond wants to chase after the zombie, while Andres wants to run in the other direction. Readers will love the two boys who chase the zombie around the zoo. The story has suspense, humor, and a little bit of gross factor—the zombie accidentally dumps goo on Andres. Even though the story features a zombie, it is not scary. Instead, Desmond and Andres discover that zombies make great zookeepers. After all, zombies “don’t mind cleaning up the really stinky number twos! Also, zombies are never grossed out by the slimy, icky food they have to feed the animals.”

Night of the Zombie Zookeeper is the fourth installment in the Desmond Cole series, however, none of the books need to be read in order. The story is told in nine short chapters with easy-to-read vocabulary which is perfect for emerging readers. A black-and-white illustration appears on almost every page. The often humorous illustrations use exaggerated facial expressions so readers can tell what the characters are feeling. Readers will laugh as Desmond and Andres find themselves in unexpected situations. Readers who enjoy Night of the Zombie Zookeeper should also try the Notebook of Doom series by Troy Cummings.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • A zombie goes underneath water without scuba gear.

Spiritual Content

  • None

Simon Thorn and the Viper’s Pit

Simon Thorn recently discovered that he is an Animalgam, a secret race of people who can change into animals. Now Simon is going to school at a secret Animalgam academy, which is hidden under the Central Park Zoo. Even though Simon does not get along with his newly discovered Animalgam brother, he makes some true friends as he learns about his new power and learns how to fight.

But life still has challenges. Simon’s evil grandfather, Orion, killed Simon’s uncle and took his mother captive. Orion wants to rule over all Animalgams, but to do so, he needs to find all of the pieces of the predator—a terrible weapon that will change the Animalgam world forever. In order to stop this, Simon is determined to find his mother and the pieces of the predator. Simon and his friends head across the country, battling not only the bird kingdom but rogue Animalgams as well. Can Simon and his friends work together to overcome dangerous enemies, torn loyalties, and unexpected setbacks?

Simon Thorn and the Viper’s Pit has the same cast of characters as the first book in the series and adds a few interesting new characters. Each character has their own unique ability, which allows them to work as a team to get out of dangerous situations. As the kids race across the country, they must avoid the bird kingdom as well as other mammals. This conflict adds non-stop action that involves more running away than actual fighting. At one point along the way, Simon is told, “Life is hard, and it changes in ways we don’t want or expect. Running away isn’t the answer. We have to find the good in what we have, and we have to appreciate it. Otherwise you’re never going to be happy no matter where you are.”

Simon and Winter, who are the most developed characters, add an interesting contrast. Simon is an extremely likable character, who has compassion for others and wants to do what is right. On the other hand, Winter’s prickly personality and insecurities are more consistent with a rebellious teenager. Simon and the others stick by Winter’s side even though she is at times difficult to deal with. The friends’ interactions highlight the importance of individuality and accepting yourself. After all, “When it comes to you, the only opinion that matters is your own.”

Aimee Carter brings the complex Animalgam’s world into sharp focus as she creates well-developed characters that are unique. The action-packed sequel to Simon Thorn and the Wolf’s Den is just as amazing as the first book. Readers will enjoy the non-stop action and will root for Simon and his friends as they try to defeat an evil villain. Simon Thorn and the Viper’s Pit takes the reader on an exciting adventure that focuses on friendship, loyalty, and family. Readers will not be able to stop turning the pages of the Simon Thorn series, so make sure you have the next book in the series, Simon Thorn and the Shark’s Cave.

Sexual Content

  • None

Violence

  • After a boy makes mean remarks, Simon “launched himself at the bigger boy with a feral cry. Garrett fell, his elbows knocking against the wooden floor with a hard crack. Simone scrambled over him trying to pin his legs and arms, but before he could get any kid of grip, Garrett began to shift.” Garrett turns into a mountain lion, shoves Simon, and taunts him. “Simon wheezed, struggling to breathe as his vision went red.” Simon’s uncle, in wolf form, appears and, “tackled the mountain lion, sending Garrett flying.” The fight then ends. The fight scene takes place over three pages.
  • During a school match, Nolan changes into a wolf, and “in a flurry of fur and teeth, Nolan snarled and jumped, his paws landing against Jam’s chest as they fell to the ground. Jam’s glasses flew off into the sand, and Nolan bared his teeth an inch from Jam’s throat. While he didn’t bite him, Jam winced with pain, and Simon noticed the wolf’s claws digging deep into Jam’s black uniform.” Jam’s shirt is ripped, but he is not injured. Simon jumps in and stops the fight.
  • When a man tries to capture Simon, he aimed “a swift kick at Perrin’s knee before taking a sharp turn into the park. Perrin howled with pain.” Simon is able to run away.
  • When Perrin grabs Simon, Simon’s mouse, Felix, helps him. “Simon turned his head just in time to see Felix sink his teeth into the soft space between Perrin’s thumb and finger. With a cry, Perrin released his grip, snatching his hand away.” One of Simon’s friends turns into a snake, and Perrin “snatched the snake out of the air and hurled her against the wall. She hit the brick with a sick crack, and there was a loud ringing in Simon’s ears as panic overtook him.” Simon is able to escape, and he takes the unconscious snake with him.
  • Simon is on a train that makes a stop. While Simon is walking, “he was pulled through the door and off the train, spilling out onto the cold, dark platform. Simon fought his abductor with all his might, kicking and yelling into the warm palm stifling his cries for help. He struggled against the unyielding grip that held him in place on the platform, but it was no use.”
  • When Perrin again tries to capture Simon, “the humans formed a ring around Simon and his friends, and the adults began to shift. . . Talons clawed at fur, teeth ripped out feathers, and in the midst of it all, Simon saw the woman leap from the dusty street toward Perrin, shifting into a red fox in midair.” Perrin is able to escape uninjured, but when he comes back, Simon turns into an eagle and attacks. Simon “caught Perrin’s wing and dragged him back toward the brawl in town. . . he flung Perrin’s delicate bird body toward a waiting coyote. . . But at last Perrin spread his wings, catching a current before the coyote could take a bite out of him.” Perrin flees and Simon is safe.
  • When Malcom goes to get Simon and his friends, some of the mammals try to stop them. Malcom shifts into a wolf, and a man pulls a gun. “But before his fingers could curl into claws, Jam appeared behind Keval and kicked him between the legs. Hard. Keval cried out and dropped the gun. . .a cottonmouth snake struck Keval’s exposed ankle with a hiss, and a shiny black spider appeared on his collar and sank her fangs into his neck.” Keval collapses, and the kids are able to escape.
  • When a man catches Simon, he “pulled a long knife with a jagged edge and rested it against Simon’s throat. . . He could feel the sharp edge of the blade pressing against his skin, only a slip away from opening an artery, and the fiery knot in his chest constricted.”
  • Simon’s mother tries to keep Orion from hurting Simon. “His mother slammed into Orion, and together they tangled as they half flew, half fell. . . Simone spotted a figure he thought might be a golden eagle crumpled on the ground.”
  • Malcom finds the reptiles that are holding Simon and his friends captive. The reptiles hand the kids over to Celeste, and “In a flurry of howls and growls, the mammals shifted and launched themselves at the reptiles. . . Celeste yanked Simon backward toward the elevators. He stumbled and tried to grab hold of a nearby couch to resist, but Celeste dragged him to the doors and jabbed the button. . . an armadillo and a badger raced towards them, and they too jumped onto the wolf’s back. Celest screamed, and Simon darted past her and down the corridor.”
  • A man turns into a poisonous snake and bites Simon’s friends. When he corners Simon, someone hits the man, whose “expression went blank, and seemingly in slow motion, crumpled to the floor.” Simon’s friends are given the antidote.

Drugs and Alcohol

  • None

Language

  • Another student calls Simon a “birdbrain.”
  • Twice someone is called a “jerk.”

Supernatural

  • The story revolves around Animalgams, “a human who could not only talk to animals, but developed the ability to turn into one, too.” This ability is passed down by family. “Nearly all Animalgams could only shift into a single animal, and they belonged to one of the five Animalgam kingdoms: mammals, birds, insects, reptiles, or underwater creatures.” Nolan and Simon are special, they can shift into any animal.

Spiritual Content

  • None

 

 

 

Neverwas

Neverwas continues the story of Sarah and Jackson in Amber House, who are not quite the same people. History has shifted thanks to Sarah’s successful rescue of her brother and aunt. As a result, this Sarah’s parents are happily married. There are other changes too, some good and some bad. Jackson’s aunt Ruth is dying. Hathaway’s mother never left him. Sarah’s best friend no longer exists.

The small changes Sarah understands, but there are deeper changes as well from farther back in history. The American Revolution failed. Nazi Germany won the war. North America is split into three countries, with Amber House located in the Confederate-like country where slavery has only recently been abolished.

How could saving her brother and aunt have caused such large changes to history? It makes no sense, and Sarah doesn’t want to fix it. She doesn’t believe that she can fix it. Together, she and Jackson start to unravel what happened—Jackson eagerly, Sarah unwillingly. Together they realize where history went wrong, and that it’s up to them to fix it, again.

Neverwas is a strong second book in the Amber House series. Though it lacks the beautiful imagery that made the first book a delight, Neverwas is based on an interesting “what-if” concept that will hook readers. The story explores what might have happened if the American Revolution failed, and the ripple effects it would have on world history; these changes keep the story interesting enough to keep the pages turning. The authors also did a wonderful job developing the alternate-Sarah. Sarah is still clearly herself, yet there are changes to her personality and how she views the world, changes that are there due to the fact that her parents are happily married, her aunt is alive, and other small alterations to her past.

This Sarah is not as likable as the Sarah in book one. The Neverwas Sarah is not as strong, she can be frivolous and clueless, and she would rather bury her head in the sand than try to change history again. But with Jackson and her brother urging her on, she does a commendable job of pulling herself up by her bootstraps, and in the end, she does all she can to rectify history and bring a better future. Overall, Neverwas has a theme of helping others, even when the cost to yourself may be great.

 Sexual Content

  • When a boy sees that he and Sarah are under the mistletoe, “his lips softly brushed my cheek.”
  • In an echo of the past, Sarah sees two people whose “lips met in a kiss that made me look away.”
  • In another echo, “A man had Maeve pinned against the wall. She was struggling to get away from him, but he had her arm twisted up behind her back. He kissed her. Hard. A possessive, violent gesture.” She is rescued, and tells him, “I should kill you, Ramsay. Just know if I ever see you on my property again, I will shoot first and swear you tried to rape me later.”
  • Jackson kisses Sarah once. “His lips met mine. Gently—so gently—but also fiercely. As if this belonged to him. As if he had waited for it. As if there was nothing in the world but that kiss. It could have lasted forever and it would have ended too soon. My first kiss.”

Violence

  • Deirdre finds a female slave who was “a tumble of limbs, her face battered and bloody.”
  • Sarah lives in an alternate world where Nazi Germany won the war and still exists. She is furious when a Nazi comes to her family’s Christmas party. “In seventy-five years, the Nazis had wiped out all the Jews, Gypsies, homosexuals, and disabled people in Europe.”
  • Jackson hits his head and has a seizure as a result. “He got to his feet abruptly, bumping his head hard against the mantel. He lifted his hand to his temple and brought away fingers wet with blood. Then his head jerked backward as he crumpled to the floor…his left arm and leg began to shake, and a trickle of blood oozed from his nose.”
  • A racist man asks Jackson, “What happened to you, boy? Half a lynching?”
  • Jackson and Sarah are attacked. “Jaeger raised a hand, and a blade into view. He stabbed it into Jackson. I saw the crimson of blood spreading all around the wound.” Sarah later shoots Jaeger. “Jaeger staggered back, sinking to one knee, his hand clapped to his shoulder. He brought his hand away to see; it was covered with blood.”
  • When a Nazi tries to stab a Jew, another man’s “hand came up and slammed into the Reichsleiter’s face…then [the Reichsleiter’s] face sank into the circle of backs surrounding him. The crowd seemed to swallow him. His protests ceased. The thud of blows continued.”
  • A man tries to kill Nyangu. “She reached out with claws and slashed his face…She grabbed the door frame and leapt up, jamming her bent legs forward to hit the Captain’s midsection with her heels. He doubled over, gasping, and she jerked loose, scrabbling up and away.”
  • When the Captain tries to kill her, Nyangu throws a sack of poisonous spider eggs at him. The spiders hatch, and “I saw tiny spiders swarming his face. Hundreds of them. More. They filled the claw marks down the cheek. They crawled along the lashes of his staring eyes.”

Drugs and Alcohol

  • Sarah describes a bow of hers as, “hanging drunkenly to one side.”
  • A boy teasingly asks Sarah if she has “been sampling too much eggnog” when she spaces off.
  • In an echo, Sarah sees a man who “wavered slightly on his feet, and I understood he was drunk.”

Language

  • “God,” “Good Lord,” and other variations are used as exclamations frequently. For example, Sarah’s mother says, “Oh, my God.” Another time Rose exclaims, “Lordy, child.”
  • “Holy Jesus” is used once. A man says, “Holy Jesus, I just about lost my lunch looking at you.”
  • A boy calls himself a “git.”
  • “Damn it” is used twice. A sheriff yells, “Stop, dammit! You come back here.”
  • Sarah’s brother tells her, “You always get the crappy fortunes.”
  • “Bitch” is used in a poem once, referring to a dog. “A restless hound intent to make her bed…one chance there is to bring this bitch to heel.”
  • When a Jew calls a Nazi a murderer and grabs his arm, the Nazi says, “Unhand me, you filthy Jew.”
  • A news report in a Confederate-like state says, “The only known casualty is a negro youth who is presumed to have set the blaze.”

Supernatural

  • Sarah can see visions of things that happened in Amber House’s past when she touches items from its past, such as a doorknob or Christmas ornament. They are called echoes.
  • Jackson can see pieces of the future and different possible futures.
  • Sarah can feel where Jackson is, even when she cannot see him. She can use this strange sense of “Hotter, Colder” to find him.
  • Sarah finds an evil coin that a man used to change the future. “It seemed almost to squirm. My mind’s eye exploded with telescoping images…I felt possessed, attacked…violence surrounded them, every form of corruption, every kind of death, and I was drowning in it.”

Spiritual Content

  • Sarah’s family goes to a Catholic church service. The service itself is described very briefly; the morning is treated more like a social outing.
  • A girl says, “Merciful Lord” and “crossed myself to ward off evil,” when she finds a nearly dead woman.
  • A little girl says she doesn’t like the story of Pandora or of Eve from the Bible. Her grandmother says, “I used to think that too, Annie. But then I thought, what if we should be grateful to Pandora and Eve instead of blaming them? What if they did exactly what God wanted them to do—to choose choice itself? To bring change and chance into an orderly world.”
  • Sarah has her fortune told by a woman who says she is Catholic. The woman owns The New Dawn Metaphysical Bookshop and says, “Person can’t help it if she can see things other people can’t.”
  • Sarah’s aunt says, “Maybe God is an artist. He saw something deeper. And you must be here to help Him lay it bare.”

by Morgan Lynn

The Prince Problem

Prince Telmund loves to read fables. But in every fable, the oldest children are always bullies. That’s why Telmund was just a little upset when his youngest brother was born. One day, Telmund was racing around, trying to keep his little brother out of trouble, when a nasty witch accused Telmund of being a bully. In an effort to teach Telmund a lesson, the witch cursed him. Now, every time he falls asleep, he will transform into a different type of animal.

Princess Amelia doesn’t care for fairy tales, but she loves facts. The practical princess has a wide range of skills, but none of them will help her escape the ball her parents have planned. Her idealistic parents want Amelia to choose her future husband. Amelia’s parents believe in love at first sight and happily ever after’s. Amelia knows that bad things happen. That’s why she isn’t surprised when Prince Sheridan has her kidnapped.

When Prince Telmund discovers that Princess Amelia is in trouble, he vows to save the princess. But how can a dreamer prince with no skills save the day? Is there any way the two can work together and defeat the dangerous Prince Sheridan?

The Prince’s Problem is a fun, imaginative twist on a fairy tale that has interesting, well-developed characters. When Telmund changes into different animals, he understands that he has the instinct of the animal, and although he understands this, he cannot ignore the animal instincts. Seeing the world through the animal’s point of view adds interest and humor to the story. When Telmund discovers a princess in trouble, he’s determined to help despite his transformations. Telmund wanted to be “like the heroes in stories, who do brave deeds, who help those in need, who keep trying and never give up, and who are unmindful of what danger they might get into if they do the right thing.”

Amelia is not a typical princess. Instead of dresses and jewels, she’s interested in learning about facts. Although she is unconscious for the first part of the story, when she finally awakens, she comes across as a bit bossy. However, as the story progresses, she learns to respect Telmund despite his idealistic nature. When Amelia and Telmund interact, comical misunderstandings and mayhem arise.

In the end, both Amelia and Telmund learn the importance of understanding others, and that “it is unfair to make judgments based on appearance.” Unlike most fairy tales, the prince and the princess must work together. They must use both facts and fairy tale bravery in order to save each other. Although the story is a bit predictable, reading The Prince’s Problem is enjoyable because of the unique aspects of Amelia and Telmund. For those wanting a fresh look at a fairy tale, The Prince’s Problem will entertain and delight.

Sexual Content

  • A prince that wants to marry Princess Amelia, “gave her a light kiss on the throat as though to seal the bargain. She knew that—in the way of marriages arranged for diplomacy and alliances—there often was a big difference in the ages between the partners. The knowledge didn’t help. Prince Sheridan was her parents’ age, and his intentionally menacing yet flirtatious manner was unsettling. She rubbed her wrist over the spot as though she could wipe the kiss away.”

Violence

  • When Telmund is a rat, floating down a river, a boy begins throwing stones at him.
  • When Telmund is a rabbit, a cat chases him, but Telmund is able to hide under a log. “Telmund pressed his back to the space where ground and log met, and ducked his head. The claws touched his whiskers, but not enough to catch hold of him. The cat hissed and scratched at the dirt.” A fairy saves Telmund.
  • Amelia is outside the castle when “she heard the crunch of a footstep behind her. Before she could turn, someone had one arm around her waist and the other around her neck, with his hand over her so that she couldn’t scream—his dirty, foul-smelling hand. No, it was a dirty, foul-smelling cloth that someone was holding over her face.” The cloth had Henbane on it, which caused Amelia’s, “senses swirled dizzying, and the last thing she was aware of was her legs collapsing under her.”
  • While riding in the back of a wagon, Amelia sees Telmund, and she assumes he is a villain. “She shoved, and he toppled off the edge of the wagon and onto the road, headfirst. He didn’t get back up. Amelia hoped, in a fuzzy sort of way, that she hadn’t killed him—even if he was a villain.”
  • When Telmund is a chicken, someone “slipped a sack over his head” intending to eat him.
  • Amelia smacked Telmund on the arm.
  • Amelia is able to escape her captors, but when she is in the forest, she saw a man and began to run. “The man ran after her. Still hiding in the water, Telmund could hear the scuffle. It was short-lived. The man came back into view, holding Princess Amelia under his arm as though she were a sack of onions. Amelia kicked and slapped at his arms and legs, and used words most princesses would not.”
  • One of Amelia’s captors “took hold of her by the hair, not exactly yanking, but not gently, either, and pulled her head back.”
  • As Amelia and Telmund are trying to find their way back to the castle, a person catches Telmund. The man clapped “a hand over his mouth as though to prevent him from calling out . . . in another moment Telmund’s senses swam—probably something to do with the fact that it wasn’t an empty hand held over his mouth but a cloth with a familiar smell.”
  • Amelia’s captor “grabbed hold of her by the hair, and this time it could only be called roughly.”
  • When a dragon appears, Amelia’s captor lets go of her and “shoved Amelia at the dragon. She stumbled to her knees, sliding forward on the ground, her outstretched and still-bound hands making contact with the dragon scales. . .” Everyone runs off. Amelia is not injured.

Drugs and Alcohol

  • Several times, Henbane was used to make someone unconscious.

Language

  • A man calls Telmund’s brother a “clumsy oaf.”
  • A villain calls his companion a “dunderhead,” a “dolt,” a “twit,” and “pudding head.”
  • A villain calls his companion “mush-for-brains.”
  • Amelia says Telmund has “porridge for brains.”
  • A lord calls someone an “incompetent fool.”

Supernatural

  • A witch puts a spell on Telmund, which causes him to transform into different animals. A fairy tells him, “I can see the spell you’re under. Every time you fall asleep, you’ll wake up as something else. Every other time, it’s your natural form.”

Spiritual Content

  • When Telmund changes into a chicken, someone captures him. “Telmund wondered if it was God saying to him, Tell ME the only thing chickens are good for is eating. I spent time creating them, you know, same as I created you.”
  • A cook tells Amelia, “God be with you.”

The Escapades of Clint McCool

Walter wants everyone to call him Clint McCool. He’s always thinking of new ideas. Clint McCool tries to stay out of trouble, but some days trouble seems to find him. Clink McCool’s two friends Marco and ML are coming over after school. As they are walking home, Clink McCool and his friends stumble across a sci-fi movie set. Clink McCool is determined to find a way to be the star of the show. With Clink McCool’s six-button hat, which brings him special pretend powers, Clint McCool knows he can help make the Octo-Man’s movie even better. But he ends up ruining some of the movie props and angering his friends. Is there any way Clint McCool can still save the day?

Readers will relate to Clint McCool as he goes on his escapades. Clint McCool always has new ideas. “Zing, zong, zing. Brain Flash!” But other people don’t always appreciate his great ideas. Clint McCool seems to get into trouble even when he’s trying to help. In one afternoon, he upsets his teacher, his mother, his two best friends, and the crew of the Octo-Man movie. As he goes on his adventures, blue and white comic-style illustrations bring the story to life.

Clint McCool has a hard time concentrating and focusing on one idea. A member of the film crew tells Clint McCool that if he doesn’t focus on one idea, “You won’t get anything done. Don’t let your ideas run wild. Be their boss.”

The story also highlights the importance of forgiving each other. Even though readers will find humor in Clint McCool’s outrageous escapades, parents may find his behavior obnoxious. Clint McCool is self-centered, doesn’t listen to anyone, and has a habit of destroying things (film props and his friend’s shirt). Even though he repeatedly sneaks onto the movie set and destroys props, in the end, he is forgiven and given a small role in the movie. The end of the story illustrates how everyone wants people to like them, even when they make a mistake, as well as the importance of apologizing.

Emerging readers who are transitioning to chapter books will enjoy the engaging art as well as the mischief Clint McCool gets into. Even though some pages only have text, the text uses simple sentences with easy vocabulary. Reading the story is fun because of the dialogue, onomatopoeias, and pictures that are scattered throughout the story. Octo-Man and the Headless Monster is an entertaining story with relatable characters that teach positive lessons. However, parents will not want their children to emulate Clint McCool’s behaviors.

Sexual Content

  • None

Violence

  • Trying to keep Clint McCool off of the movie set, a guard grabs him. “I try to pull away. I have to get to Octo-Man. The shirt rips. I fall forward. I crash into Octo-Man. He drops the jar. Glass breaks. His brains ooze all over the sidewalk.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

The Wonky Donkey

A bird was walking down the road and saw a donkey. The donkey only had three legs. The story builds, until the end when the donkey is a spunky, hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey. Each page repeats a portion of the story and then adds more funny facts about the wonky donkey.

Younger readers will enjoy the repetition, rhyming story that has funny pictures of the bird and the donkey. The bird snatches an eye from the donkey and carries it away, which may scare some readers. The Wonky Donkey will cause giggles if it is read aloud because the main phrase becomes a tongue twister. The Wonky Donkey, which is a picture book, is intended to be read aloud to a child, rather than for the child to read it for the first time independently.

Readers will either love or hate The Wonky Donkey. Some may find the illustrations and the rhyming words used to describe the donkey funny, while others may think the donkey and his many defects a bit creepy. The snappy rhyming words and the repetition of the donkey saying, “Hee Haw,” make The Wonky Donkey a fun book to read aloud; however, the story has no educational value.

.Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Two Dogs in a Trench Coat Go on a Class Trip

Every day Sassy and Waldo put on a trench coat so that everyone thinks they are a human kid named Salty. Then they go to school with their boy, Stewart. When their teacher announces that the class will go on a field trip to a museum, Sassy and Waldo are excited. They love trips!

Stewart isn’t so excited about the field trip. Steward says everyone will have to learn facts. When Sassy and Waldo have to fill out the permission slip that says lunch on it, they wonder how can a trip to a place with lunch be bad?

Sassy and Waldo will entertain readers with its comical, easy-to-read writing style and hilarious black and white illustrations. Much of the humor comes from the fact that it is absolutely obvious that Waldo and Sassy are dogs, but no one notices. The font changes each time Sassy and Waldo talk, making it easy for readers to follow along with the conversation. Many of the words appear in large, bold font, which adds interest to the page and also highlights the dog’s obsession with food.

Two Dogs in a Trench Coat Go on a Class Trip is silly enough to entertain even the most reluctant readers. Even though the third book in the series does not have the educational value of the previous book, readers will enjoy watching Sassy and Waldo chomp on a dinosaur bone, run from the guards, and lead students on their own version of a museum tour.

The story ends with a short lesson on the importance of trying new things as well as getting to know new people. The guards and the tour guide have a rivalry, which causes them to avoid each other. They just make up nicknames for each other. With the help of food, the guards and tour guides begin to build a friendship.

If you’re looking for a fun series that will engage readers and encourage them to read for enjoyment, then pick up any of the Two Dogs in a Trench Coat books, which do not need to be read in order. The silly story Two Dogs in a Trench Coat Go on a Class Trip will have readers giggling through the entire book. Look for the fourth installment of the series, Two Dogs in a Trench Coat Enter Stage Left.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Darn is used twice by a museum tour guide.

Supernatural

  • None

Spiritual Content

  • None

 Rogue Wave

Four thousand years ago an ancient evil destroyed Atlantis. This evil is stirring again, and it will take six mermaids—Serafina, Neela, Ling, Ava, Becca, and Astrid—to defeat it. The mermaids are descendants of the Six Who Ruled—powerful mages who once governed Atlantis. In order to defeat this evil, the mermaids must find the magical talismans that belonged to the six.

Serafina mourns the loss of her betrothed—the traitor who is working for the man who destroyed her realm. But Serafina doesn’t have time to mourn; she must research the location of the talisman and discover its hidden location before anyone else can. While following leads, she must avoid death riders, who have been ordered to capture her.

Neela travels to her home realm, Matali, to warn her parents of the impending danger. However, her parents don’t believe her outlandish story and confine her to her chamber so she can rest and recover. Neela needs to escape so she can find a talisman, which is in the possession of the fierce razor mouth dragons. As they hunt for the talismans, both Serafina and Neela need to rely on courage, cunning, and their allies. Can they endure danger, defeat death, and discover the secret locations of the talismans?

Rogue Wave, the second book in the Waterfire Saga, is full of action, intrigue, and a hint of romance. Even though the first book, Deep Blue, focuses on bringing the six mermaids together, none of the mermaids work together in the second book. Instead, Rogue Wave jumps back and forth between Serafina and Neela, as they both look for a talisman. Often one mermaid’s experience would end with a cliffhanger, and then jump to the other mermaid’s story.

Despite the interesting mermaid world, many of the events were extremely unrealistic. One minute Serafina is a strong, brave girl ready to face down evil, and the next minute, she makes rash decisions that make no sense. Instead of connecting with Serafina, some readers may find the whinny, impulsive mermaid hard to relate to. On the other hand, many readers will relate to Neela, who tries to cope with difficulties with eating sweets. Neela’s parents are more concerned with Neela’s appearance than anything else. Neela has been taught that as royalty, she must always look pretty wearing jewels. Readers will root for Neela as she tries to break out of her parents’ mold.

Rogue Wave continues the intrigue that began in book one. As Serafina travels looking for the talisman, she meets an interesting Spanish princess and is reunited with her betrothed. Serafina hopes to defeat evil and help her realm; however, she is unwilling to accept the obvious and naively ignores clues that prove some people plotted against her mother. Younger readers may enjoy the mermaid world and the intrigue, but more advanced readers will have a difficult time believing Serafina can become a strong leader. The conclusion of Rogue Wave reveals an important plot twist, and readers will want to read the third book in the series, Dark Tide, to discover how the other mermaids fit into the complicated plan of saving the mermaid realm.

Sexual Content

  • As part of a disguise, Serafina uses a spell to give her an enormous bosom. Serafina complained, “It looks like I have two sea mounts stuck on the front of me. . . All I can see is my chest.” Her friend says the goal is to make the soldiers focus on her bosom, “not the face.”
  • Mahdi and Serafina kiss. “And then she was in his arms and his lips were on hers, silently telling her who he was. Hers. Always. And for a moment there was no safe house, no danger, no grief. All she knew was the heat of his kiss and the feel of his heart beating under her hand.”
  • The ghost of a Spanish princess tells Serafina about a pirate trying to capture her. The ghost says, “I vowed I would not be taken. I was a princess of Spain, meant to be wife to a French prince, not a wench to warm a pirate’s bed.”
  • Mahdi tells Serafina that he has kissed another girl but that it meant nothing.
  • Serafina and Mahdi get married, and Mahdi “cupped Sera’s face in his hands and kissed her, and Sera kissed him back, forgetting there were others nearby.”
  • After Sera and Mahdi are married, as part of his secrete identity, he becomes betrothed to another.

Violence

  • Serafina goes to Atlantis, where the Opafango live. Someone warns her, “The Opafango eat their victims alive. . . while their hearts are still beating and their blood’s still pumping.”
  • Serafina ties a man up.
  • When a soldier comes into a room, Serafina threw a dagger at him. His arm was “immobilized because her dagger had pinned his sleeve to the door.” The soldier is uninjured.
  • A villain tortures people to get information. “Four days ago, he cut a finger off a child—a child, Sera—to make her mother tell him where her father was hiding. I saw him do it.”
  • Someone tells Serafina about the raids that have been taking place. “Some of the villagers must’ve tried to fight. There were bloodstains on the wall and floors of the houses. They scribbled notes and left them behind. Please tell my wife . . . Please help us . . . They’ve got my children. . .”
  • Death riders attack a safe house. Serafina uses a spell and “the explosion was instantaneous. The concussive force was so great, it shook the ground. . . she heard the impact of debris as it was flung against the iron and the bubbling and hissing of lava.” Someone tells her, “No one could survive a blast like that.” The scene takes place over two chapters. Most of the scene is running from the death riders.
  • Someone captures Serafina in a net, but lets her go when they discover she is one of them.
  • Someone tells Serafina about a man’s experiences with soldiers. “Traho’s soldiers beat him so badly, he lost consciousness. They left him for dead.” Someone found the man and took him to safety, but the soldiers “were rounding everyone up. . . My dad tried to fight them off, but they beat him up.”
  • The ghost of a Spanish princess explains how she died. A pirate “locked me in my cabin. He boarded his ship and gave orders to bombard my vessel. . . I can still hear the cannon shot. I can smell the gunpowder. I faced death bravely, as a princess of Spain must. . . Drowning is not an easy death.”
  • Neela and several others try to take a moonstone from a dragon’s nest. A baby dragon clawed her. “A swipe of pain across her back, sudden and blinding, made her scream. She dropped the moonstone. . . Blood rose from the jagged tears in Neela’s skin, curling through the water.” When Neela and the others try to leave the dragon’s lair, a baby dragon screeches and the father comes after them. The dragon knocks a girl down and “was advancing on her now, lashing his tail, baring his horrible teeth.” The group flees, and when the dragons follow, the mermaids lead dragons to a bloom of jellyfish. The scene takes place over 7 pages.
  • A woman “nodded at two of her guards and they sized the grand vizier. She drew a crimson-tipped finger across her throat and they dragged him away.”
  • During the introduction of the new regime, goblins patrol the crowds. A merman was “cheering halfheartedly. A goblin noticed, and punched him.”A human captures a mermaid and wants information. “His right hand was bloodied. Across from him was a mermaid bound to a chair with a rope. Blood dripped off her chin. Her head lolled on her chest. . . The mermaid lifted her head and spat out a mouthful of blood. Her lip was split. One of her eyes was swollen shut.” The man tells her, “I’d like to kill you, I’d like that very much. . . Unfortunately, I can’t. You’re valuable to me and you know it.”

Drugs and Alcohol

  • Serafina uses a potion to put a group of men to sleep.
  • Mahdi tells Seraphina about his partying and playing a beer game.

Language

  • Someone calls Serafina an “idiot girl.”
  • Serafina calls a man a “lumpsucker.”
  • Several times, someone is referred to as “sea scum.”
  • “My gods” is used as an exclamation several times.
  • Hell is used twice. Someone tells Serafina death riders are coming and to “Get the hell out of here.”
  • A death rider calls his companion a “dumbwrasse.”

Supernatural

  • Some mermaids have magic. “Magic depended on so many things—the depth of one’s gift, experience, dedication, the position of the moon, the rhythm of the tides, the proximity of whales. It didn’t settle until one was fully grown.”
  • Serafina and several other mermaids cast a bloodbind spell, which required them to mix their blood. The mermaids now share each other’s powers. For example, Serafina can now understand other ocean creatures’ languages.
  • Some ghosts live in mirrors. An unknown evil man tries to use the mirror to get to Serafina. He watches Serafina through a mirror, but “Long, jagged cracks, running through the glass like a network of veins, held him back now. The spaces between the cracks were too small to fit his body through but large enough for his hand. Slowly, silently, they pushed through the mirror, hovering only inches from the mermaid. It would be so easy to wrap them around her slender neck and end what the Iele had started. But, no, the man thought, drawing back.”
  • The ghosts, vitrine, that live in mirrors “stayed within the bounds of their own mirrors; others wandered through the realm. Some spoke to the living, others refused to. There was, however, one all were bound by: when a vitrina’s own mirror was broken, the soul was released from the glass.”
  • While in the mirror realm, Serafina meets Rorrim, who feeds off of dankling. Rorrim explains, “It’s a little piece of fear. They burrow into backbones. A few of them will infest a nice strong spine, and then as the bones weaken, more come. . . There’s nothing, absolutely nothing, as tasty as fear. Doubt is delectable, of course. Insecurities, anxieties—all delicious, but fear? Oh, fear is exquisite!”
  • Serafina uses a bloodsong, and “even after four thousand years, the blood came to life under Sera’s hand. It brightened as if newly spilled, then spun up from the floor in a violent crimson vortex. The mermaids heard a voice. And then another. And more. Until there were dozens of them. Screaming. Sobbing. Pleading. Shrieking.”
  • In order to create an escape route, Serafina uses a vortex spell to make pikes burst.
  • Several times throughout the story mermaids use transparensea pearls. “The songspell of invisibility used shadow and light and was notoriously difficult to cast. Spellbinders—highly skilled artisans—knew how to insert the spell into pearls that a mermaid could carry with her and deploy in an instant.”
  • Serafina meets the ghost of a Spanish princess. Serafina agrees to take the princess back to Spain. The princess took Serafina’s hand “and Serafina arched her back, gasping. It was as if the ghost had reached inside her and wrapped a cold hand around her heart.” When the princess got to an island off of Spain, “Her body glittered now, became a million points of silver light, and then crumbled into a fine, shimmering dust. As Serafina watched, the warm Spanish winds swept her away, until all that remained was the echo of her laughter.” However, Serafina was exhausted because “the ghost had taken too much from her.” Serafina’s friends find her and help her recover.
  • Orfeo appears even though he has been dead for four thousand years.

Spiritual Content

  • Morsa, the scavenger goddess of the dead, can change forms and practices necromancy, “the forbidden art of conjuring the dead.”
  • When someone dies, a priest places a white pearl under the person’s tongue to catch the soul as it left the body. Horok—the ancient coelacanth, the Keeper of the Soul—would take the pearl and carry it to the underworld.
  • When Orfeo’s wife died, he built a temple for Morsa and summoned the goddess. Morsa gave Orfeo power, and he sacrificed people for Morsa. At first, he sacrificed “those without families in Atlantis, those who wouldn’t be missed. Then he came for us. He came at night. . . Orfeo gave her death, and in return, she gave him her forbidden knowledge. It made him so powerful that he created Abbadon and declared he would use the monster to march on the underworld” and take his wife back.
  • When Neela finds a sweet, she says, “Oh, thank gods!”

The Queen’s Secret

Horses have been banned in the country for centuries, and most people believe that horses were carriers of disease. Anthea and her family know the truth—horses are majestic creatures who can share their thoughts with people through the Way. The queen wants to reintroduce horses into the kingdom, but the king has demanded that horses and riders with the Way follow his every command.

When a deadly plague breaks out, people believe that horses are the cause. People’s fear of horses rises as more fall ill and the death toll increases. Anthea and her friends are asked to transport a lifesaving vaccine, but the people fear the medicine that can save their lives. To complicate matters, Anthea learns the queen’s secret—but will revealing the queen’s secret help or hurt their cause?

The second installment of The Rose Legacy series continues to focus on Anthea, who is an extremely likable and strong protagonist. The story introduces a group of all-female scientists that are struggling to understand the disease that is rapidly infecting people. Although the scientists discover a vaccine, the discovery comes because of a chance encounter instead of through their hard work and research. In the end, the story shows women in a variety of roles—the queen, mothers, young girls, and a villain.

Much of the plot revolves around the spread of the disease and people’s fear of both horses and vaccines. Although the plot takes an unexpected direction, the story is fast-paced, interesting, and enjoyable. The story highlights the dangers of allowing fear and misconceptions to overtake reason. Readers will appreciate seeing girls take action and face danger in order to help, even when others doubt their ability. Readers will be eager to read the next book in the series to find out why the villain has kidnapped horses and why the villain seems eager to start a war.

The Queen’s Secret is full of conspiracy theories and intrigue, but what makes the story even more enjoyable is the relationship between horses and their riders, as well as the friendships that Anthea makes. Jessica Day George creates a unique world that builds suspense without graphic violence, romance, or using cliché characters. Anyone who wants to read an engaging horse-related adventure should pick up the Rose Legacy series.

Sexual Content

  • Finn grabs Anthea’s “gloved hands. . . Now both of their faces were red, but it was not from the cold. . . Greatly daring, Anthea leaned forward and gave him a peck on the cheek, then pulled her hand away.”
  • After not hearing from Finn, Anthea finds him and, “she wasn’t even embarrassed to hug him tightly and kiss his cheek. Then she pushed herself away just as he tried to hug her.”
  • Jilly gives an account of her relatives. One relative’s “second wife ran away with a blacksmith.”

Violence

  • The queen tells others about an incident with the Kronenhofers. When two Kronenhofer ships entered the river, the Knonenhofer’s refused to answer guards who “hailed the ship to ask their intent. But the guards didn’t get an answer. Instead, the ship went into battle mode. . . The garrison disabled the Kronenhofer ship. One of them sank, and the other burned almost to the waterline, and there were only a handful of survivors.”
  • An injured man shows up at the farm, and “Anthea nearly fainted at the sight of the flesh underneath: bruised, bloodied, and with a large round hole that seeped more blood with every one of the major’s breaths. The blood looked dark and thick. . .” The man survives.
  • Men shoot at Anthea and two other girls, but they are able to escape unharmed.
  • A strange vehicle enters a village and attacks. “The man was destroyed. The front was simply gone. A gaping hole had been blasted in the beautiful stone façade, and there were flames pouring out of it. . .” During the attack, a princess and some horses were kidnapped.

Drugs and Alcohol

  • Sometimes smugglers bring in alcohol. “There are Coronami who enjoy Leanan ale. . . And many Leanans prefer the Coronami wines to their own ale.”
  • Anthea says, “Liquor really is the root of all evil, as Miss Miniver said.”
  • An injured man is given an injection. “Morphine probably.”
  • Anthea is given a glass, “and she tossed back the water like it was whisky and slammed the glass down for emphasis.”

Language

  • Anthea calls a horse a “big idiot.”

Supernatural

  • People who have “the Way” can communicate with horses and feel the horse’s emotions.
  • A village is surrounded by stones that guard the place and helps it stay hidden. People and horses are not able to use the Way to communicate with others outside the village.

Spiritual Content

  • None

Pedro for President

Pedro is running for class president against Katie Woo. He has to write a speech about what he would do as president. But Pedro is stuck! He can’t even write one word. Will anyone vote for Pedro?

In Pedro for President, Pedro and Katie Woo show that they can still be friends even though only one of them can win. As Pedro goes through his day, he helps others and encourages them. Even though the ending is a bit predictable—Pedro wins—younger readers will still enjoy the story which is written with simple vocabulary that beginning readers will be able to master. Although Pedro for President is part of a series with many of the same characters, it does not need to be read in order.

Full-color illustrations appear on every page, showing Pedro and his diverse classmates. Short chapters that only have four or fewer sentences make the story accessible to independent readers. The end of the book contains a glossary, questions, writing prompts as well as two pages of jokes. Pedro for President wins the vote—it’s an engaging story for young readers! Readers who enjoy the Pedro series should also try the Katie Woo series because it has many of the same characters and is written in the same format.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

 

Katie the Kitten Fairy

The pet fairies and their special pets help all animals find safe homes. But Jack Frost has stolen the special pets, who were able to escape to the human world. When Rachel and Kirsty go to the park, they see a dog chasing a kitten. When they go to help the kitten, it changes into a tiger and then back into a kitten. Rachel and Kirsty know they must help the kitten get back to the fairy world, but Jack Frost’s goblins appear; they want the kitten for themselves. Can Rachel and Kirsty find the purr-fect solution to their problem?

Younger readers will enjoy Katie the Kitten Fairy because it combines fairies, animals, and goblins. The easy-to-read story has cute black-and-white illustrations on every page. The goblins add non-scary suspense, and readers will enjoy guessing what the goblins will do next. The story highlights the importance of being a good pet owner. For example, when James finds a kitten in the park, his dad won’t allow him to keep it until they call the animal shelter to make sure it doesn’t belong to someone else.

Katie the Kitten Fairy has likable characters who are kind to others. The story has easy vocabulary and short sentences, which make it perfect for readers transitioning to chapter books. Even though the story and characters are not well developed, younger readers will want to read every book in the series because the stories are so much fun. Younger readers will be able to read Katie the Kitten Fairy without assistance, and the stories will help them not only build confidence, but a joy for reading as well. There are seven books in the Pet Fairies series as well as the Sports Fairies series, the Fairy Tale Fairies series, and Special Editions.

Sexual Content

  • None

Violence

  • Goblins try to capture the kitten. “With angry cries, two of the goblins dropped their butterfly nets and dove toward the girls. They stretched their gnarled green hands out to grab the kitten.” Rachel and Kirsty use fairy dust to escape.
  • The fairy queen tells Rachel and Kirsty that Jack Frost stole the fairies’ pets and, “He took them to his ice castle, and then sent out a ransom note.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • A fairy’s kitten pet is in the human world. When a dog chases it, the kitten changes form. “A sudden flash of light flickered through the air. A cloud of amber-colored sparkles swirled around the kitten. Seconds later, the kitten had vanished—and an enormous striped tiger had appeared in its place!”
  • The kitten uses magic to knock a man’s plate on the ground. The kitten then eats the food.
  • The kitten uses magic, so Rachel and Kirsty can understand it. “Sparkles streamed out of its mouth and swirled around in the air! The kitten meowed again, but this time the girls could hear words in its meows.”
  • Rachel and Kirsty use fairy dust to go to the fairy world.

Spiritual Content

  • None

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