LGBTQ – Sneak Peek Books

Game Changer

All it takes is one hit on the football field, and suddenly Ash’s life doesn’t look quite the way he remembers it. Impossible though it seems, he’s been hit into another dimension—and keeps on bouncing through worlds that are almost-but-not-really his own.

The changes in his world start small, but quickly spiral out of control as he ends up in universes where he has everything he’s ever wanted, universes where society is stuck in the past, and universes where he finds himself as someone he’s never had to consider before.

And if he isn’t careful, the world he’s learning to see more clearly could blink out of existence . . .

Game Changer follows Ash as he jumps into different worlds, forcing him to take a hard look at his own bias and choices. For example, in one dimension, America is still segregated which makes Ash realize that he had little understanding of what it means to be Black in America. In another world, Ash is a self-centered jerk who sells drugs—a version of himself Ash doesn’t like. Each time Ash’s world changes, he is forced to explore the complicated nature of humans and how small decisions can lead to major consequences.

Ash’s world is everchanging which forces him to face many difficult topics such as racism, sexism, and homophobia. This is accomplished not only through Ash’s own experience but also the experiences of people close to Ash. Before jumping to other realities, Ash had never thought about “the idea of basic human dignity being stripped away. . . people whose lives were so far removed from mine, they might as well been on a different planet.” While Ash doesn’t find a way to fix society’s woes, he does become a better person by realizing how his own biases affect his relationships.

Game Changer explores the idea of having a multiverse; however, the plot is easy to understand because Ash is surrounded by a core group of characters that appear in every world. The fast-paced plot isn’t afraid to take a deep look at complicated issues and forces the reader to question their own biases and choices. Shusterman doesn’t give a cure to the world’s illnesses, but instead reminds us of how little we understand and that “only by being humbled can we ever hope to be great.”

Sexual Content 

Ash’s friend says he’s only interested in “food and sex.”
In one of Ash’s worlds, he “secretly hooked up last spring” with his best friend’s sister. Ash thinks his other self would never “hook up with his best friend’s sister behind his back.”
Ash has a crush on Katie, who is dating someone on the football team. Ash and Katie hid behind the bleachers so they could talk, but then Ash “leaned forward and gave her a gentle kiss.” He apologized afterward, and Katie said, “I didn’t say not to do it again. Just don’t do it now.”
In one of Ash’s worlds, he is gay and has a boyfriend named Paul. When alone, Paul kisses Ash. Ash says, “The kiss pretty much laid waste to my brain.” At first, Ash is conflicted, and then he “kissed Paul with such force, we both stumbled back against the closed front door.”
The gay Ash remembers when he was twelve, “[he] would sometimes get a hard-on in the locker room. [He] was good at hiding it though.” In ninth grade, he “made out with a friend the night before he moved away.”
In the hallway at school, Ash gets everyone’s attention and then “turned to Paul, and planted one on him that was even better than the kiss at my front door.”
In one reality, Ash is a girl named Ashley. It is implied that she had sex with her boyfriend.
A teen says, “Personally, I’d have loved a wide receiver on top of me” before taking off after a guy.
In one universe, Ash is “an all-American vagina-loving straight boy.”

Violence 

The story implies that one of the characters is physically abusive, and he is definitely emotionally abusive to his girlfriend.
Ash decides to stop selling drugs. His drug supplier shows up with two other men, whom Ash calls Thing One and Thing Two. “Thing One was holding me, and Thing Two was swinging away. It was all fist. . . I kicked, swung, and elbowed. . . I was doubled over, and although my knees were buckling from the pain, Thing One kept me on my feet so they could keep hitting me.” Ash shifts, and the drug supplier and his two goons cease to exist. People assume that Ash was beaten up because he is gay.
Ash recounts how “in 2016, nearly fifty people were killed by a gunman armed with semiautomatic weapons at the Pulse gay nightclub in Orlando. In 1998, Matthew Shepard was tortured, beaten, then tied to a fence, and left to die just because he was gay.” Ash lists several others who were killed for being gay and how they died.
While working at a grocery store, Leo, a Black teen, sees a homeless guy who is “not strung out or anything, just wrong in the head.” One of the managers corners the homeless guy. “The guys got a knife, and he’s scared out of his mind. Because my manager’s pulled a gun on him. . . [Leo knows] from the look on [his] manager’s face that he’s gonna pull the trigger. So I take my manager down before he can. . . the gun goes off, shattering the deli case. And the homeless guy gets away.” Leo is arrested and put into jail.
Multidimensional beings try to help Ash. Teddy gives Ash advice, but when things go wrong, the others punish Teddy by putting him in a burned-down church. “Down in the pit. Teddy sat, tied to a chair. He was in bad shape. Bruised, bloody.”
In one dimension, Ash is a female named Ashley. In this world, Ashley’s boyfriend, Layton, bruises her, “but never on my face. They’d appear on my arm when he’d grab me to stop me from storming away.”
While Paul is tutoring Ashley, “out of nowhere . . . I leaned in and kissed him.” Paul gets upset and leaves. When Layton finds out, he beats Paul up.
Layton tells Ashley to meet him at the park. When she gets there, Layton has a baseball bat “smeared with blood and Layton was splattered with it.” Layton confronts Ashley, and then “he brought his arm up across his chest and swung it in a brutal backhanded slam across my face so powerful it spun me around and knocked me to the ground.”
Layton takes out a gun, intending to use it. “In that moment, [Ashley] saw three worlds unfolding: The world where he killed me and ran away. . . the world where he put the gun in his own mouth and blew his brains out in front of me. . . and the world where he did both.”
Paul arrives at the park, takes the bat, and swings it. “The bat connected with the nape of Layton’s neck. I could hear the vertebrae fracture. Layton crumbled to the ground. . .” Layton survives but is paralyzed from the neck down.

Drugs and Alcohol 

In several of Ash’s parallel worlds, he sells drugs from his family’s store. The drugs include “pills, powders, and weed.” The drugs also include steroid powder. He would sell the drugs at “parties, and in school hallways, and out back of various local hangouts.”
Ash “even supplied coke to Mr. Gilbreath, my English teacher, who was an old hippie.”
Ash’s parents don’t notice his side job. Ash thinks, after his mom’s “nightly bottle of merlot, [she] wouldn’t care if a pallet of heroin was airdropped through the living room ceiling.”
Ash doesn’t sell heroin and meth, so he doesn’t think of himself as “a drug dealer—I was a recreational entrepreneur.” However, he does sell ecstasy and oxycodone.

Language 

Profanity is used often. Profanity includes ass, bitch, bastard, crap, damn, dickwad, douchiness, goddamn, fuck, hell, pissed, and shit.
God and My God are used as exclamations once.

Supernatural

During a football game, when Ash gives a power hit, he feels “a sudden surge of phantom cold . . . like my blood had been replaced by ice water, but only for an instant.” Later, he discovers that he has caused a shift in time and is now in another dimension.
When Ash is hit, he goes to “Elsewhere.” Each time he does this, his world changes. “Each time I’m in Elsewhere, I can sense the different realities around me. They feel alive. They feel . . . needy. Like they’re afraid of being left behind.”
Ash meets “multidimensional beings that project into” his world. They try to help Ash navigate his abilities. The beings say there may or may not be a God, but if there is a God, “then the universe would be an it rather than a he/she/they. . .”
The people closest to Ash remember part of the previous world. “It’s called the proximity effect. The closer someone is to the subjective locus, the more likely they, and even people around them, are to have stray memories from other existences.”

Spiritual Content 

Ash describes one of his friends who makes “stupid decisions and say[s] all the wrong things at the wrong times, like maybe he was taking a dump when God was handing out common sense.”
After a time shift, Ash thinks, “Maybe this was the life I was supposed to be living, and the universe, or God, or whatever, decided to fix it.”
Ash tries to understand what is happening. He thinks, “Faith would tell us that we are a spark that exists separate from the drama of our lives.”
To avoid the man who supplies his drugs, Ash closes the store and posts a sign that says “Closed for Religious Reasons.” Ash checks and discovers it is “Yom Kippur—the Jewish day of atonement. The perfect day for my ‘special customers’ to repent from their drug habit.”
After Ash makes three people cease to exist, Ash feels “guilt and shame. Like somehow I had pissed in God’s teacup, and not even he knew.”
Ash wants to change the universe for good. He thinks, “My grandma would say God was working through me, because that’s the way he worked.”

Daughter of Sparta

Seventeen-year-old Daphne has spent her entire life honing her body and mind into that of a warrior, hoping to be accepted by the unyielding people of ancient Sparta. But an unexpected encounter with the goddess Artemis, who holds Daphne’s brother’s fate in her hands, upends the life she’s worked so hard to build. Nine mysterious items have been stolen from Mount Olympus. If Daphne cannot find them, the gods’ waning powers will fade away, the mortal world will descend into chaos, and her brother’s life will be forfeit.

Guided by Artemis’ twin—the handsome and entirely too self-assured god Apollo—Daphne’s journey will take her from the labyrinth of the Minotaur to the riddle-spinning Sphinx of Thebes, team her up with mythological legends such as Theseus and Hippolyta of the Amazons, and pit her against the gods themselves. A reinterpretation of the classic Greek myth of Daphne and Apollo, Daughter of Sparta turns the traditionally male-dominated mythology we know into a female-led adventure.

Daphne desperately wants to fit into the world of Sparta and is willing to jump into battle to keep her family’s honor. She has “strived [her] entire life to be Spartan, to leave behind the Mothakes title hanging over [her] head.” When Artemis threatens to kill her brother, Daphne is forced to go on a perilous adventure. But Daphne isn’t willing to play by the gods’ rules. Instead, Daphne uses her bravery, battle skills, and intelligence to find the missing Muses. Daphne is a heroine worth admiring because she is determined to beat fate and live her life according to her own designs.

Soon after leaving Sparta, Apollo finds Lykou—Daphne’s childhood friend and possible love interest—following them. The untrusting Apollo turns Lykou into a wolf, who becomes Daphne’s faithful companion. Lykou’s determination to help protect Daphne from danger makes him likable and gives the love triangle an interesting twist. And although Lykou cannot talk, readers will still fall in love with him. On the other hand, Apollo clearly loves Daphne, and although he comes across as arrogant—he is a god after all—readers will find Apollo capturing their hearts as well.

Readers not familiar with Greek mythology will find Daughter of Sparta difficult to read because of the Greek words, ginormous cast of characters, and many gods and mythological figures that appear. The book contains a glossary of terms, and readers will have to flip back and forth between the text and the glossary in order to understand the plot and how the characters are interconnected. As with most stories of the Greek gods, there are epic betrayals, bloody and descriptive battles, and supernatural enemies that are suited for more mature readers.

Readers who loved reading the Percy Jackson and the Olympians Series by Rick Riordan and are ready to jump into a more mature book revolving around the Greek gods will enjoy reading Daughter of Sparta. Daphne is a compelling character who isn’t afraid to make her own mark on the world. Plus, the non-stop action, shifting alliances, and mystery behind Daphne’s birth mix into an exciting adventure that shows that women are just as capable as men and are worthy of respect—even from the gods.

Sexual Content 

After sparring with Lykou, Daphne goes to a celebration. Later, Lykou congratulates her on her battle skills. Daphne’s “gaze trails the line of his bicep, my mouth suddenly dry. Maybe I could let myself enjoy Lykou’s plush lips, find out what it feels like to run my fingers through those dark curls. . .”
When Daphne was born, her father said Daphne was “godspawn and a curse.” He accused his wife of being a “whore.” He cursed the gods and said, “Damn the gods. What more can they do to me? They have nothing left to smite me with. They have taken my wife and given me the spawn of Tartarus as a daughter.”
While at a party, Apollo pushes Daphne against a wall. “His gaze is like a tendril of smoke, the arm around my waist the flame, scorching the narrow space between our bodies. My mind and heart do battle. . . It’s hard to focus on anything else but the arm pressing me close.” Finally, Daphne pulls away.
There is sexual tension between Apollo and Daphne. For example, Apollo “takes my chin in his hand, forcing me to meet his gaze. His thumb passes gently over my bottom lip, and my heart skips a beat. . . His face starts to slowly lower itself toward mine, eyes dropping to my lips. His lips are mere inches from my own when Lykou snarls behind us.”
Daphne cleans herself in a river. After she gets out, Apollo steps in her way. “His body is an unyielding mass, scorching against my chilled skin. His hips press against mine. My knees tremble despite my best efforts as he reaches behind my head, fingers running gently through my soaked curls. . .” Despite her attraction to Apollo, Daphne pushes him away.
Daphne and Apollo argue. Then, Apollo’s “eyes dart to my lips, hunger brewing in his gaze. I catch his hand as it travels down my neck, placing it firmly between my own. . . Warm and sweet, our lips fold together in a warm embrace. A fire erupts inside me . . .I moan against his mouth.” Lykou attacks Apollo. The scene is described over a page and a half.
Before Apollo goes into the underworld, Daphne kisses him. “With no reservation, I pour every one of my burgeoning feelings into our kiss. . . feeling stirs inside of me with each pass of his tongue across my lips. He is the sun, and I am the Earth, underling beneath his lips.”
The story mentions that one of the gods had male and female lovers.

Violence 

Since Daughter of Sparta contains excessive and gory violence between humans, gods, goddesses, and mythological creatures, not all violence is described below.
During a celebration, Daphne spars with her friend Lykou. “He leaps across the arena and strikes his dory [spear] wide. . . I barely roll from his reach in time, my shoulder hitting the dirt hard enough to steal the breath from my lungs. Before he can attack again, I swipe for his legs.”
During the fight, Daphne tricks Lykou. “With an exaggerated grimace of pain, I slump my bruised shoulder ever so slightly. . . [Lykou lunges] for my injured shoulder. . . I twist and swing to meet him as he jumps right into my reach. . .my dory has already grazed his side, tearing what little he has of a chiton in a strike of victory.” The fight is described over two pages.
When Apollo turns Daphne’s friend into a wolf, her “fist meets Apollo’s chin with a solid crack. He spins, crumpling to his knees.” Realizing what she had done, Daphne falls to her knees. Apollo doesn’t punish her.
A god leads Daphne into the forest. “Her claws dig into my arms, dragging me to my feet. . . Wrenching from her grasp, I slash my dagger across her pale throat. . . The handle of my dagger is slick with her blood, but I find my grip and plunge the dagger forward. She chokes, cackle cutting off with a gurgled screech as my dagger finds its home in her heart.” The woman falls and transforms. “Apollo is spread-eagle across the ground, a river of red pooling beneath his tangled curls.” Daphne prays to Dionysus, who saves Apollo’s life.
Daphne and Lykou (who has been turned into a wolf) are looking through outdoor stalls. A blacksmith gets upset that Daphne is trying to barter with him. “The blacksmith swings at Lykou’s throat just as the wolf leaps into the air. . .” Daphne steps between the two, and Lykou’s “fangs barely miss my fingers. I slam the blacksmith’s wrist into the brick wall. He yelps, dropping the sword. . . The blacksmith’s meaty fist soars above my head. . .”
During the fight with the blacksmith, his apprentice jumps in. The apprentice “flings a hammer at my head, and I duck just in time to hear it sing past. A fist follows in quick succession. . . I catch his fist a heartbeat before it can pummel my gut.” Daphne outmaneuvers the men and quickly flees.
King Minos wants to end the gods’ reign. He says the gods “have suppressed, stolen from, and murdered us . . . We no longer bow and scrape to their selfish siblings, no more sacrifices of our children to appease their unruly children’s whims.” To weaken the gods’ powers, King Minos throws three Muses into the Minotaur’s lair.
While Daphne is sneaking through King Minos’ palace, guards capture her. As the guards question her, Theseus appears holding weapons. The guards turn their back on Daphne, and she “slip[s] the dagger from beneath my sleeve and ram[s] it deep into the nearest guard’s back. . . angled up to pierce beneath his bottom ribs. He collapses. . .”
When the other guard sees his dead friend, “he swings the sword for [Daphne’s] head, and [she] roll[s] beneath his reach. [Her] dagger slices right through the tendons on his ankles. . . [Theseus] slams a blade through the back of his neck.” Daphne and Theseus hide the bodies.
Daphne and Theseus go into the Minotaur’s lair to save the Muses. When the Minotaur finds Daphne, “It lunges. I leap to the side, narrowly avoiding obsidian claws as they rip through the air. Theseus is not so quick and releases a horrible, anguished yell. His shoulder shreds beneath the Minotaur’s reach. . .I spin and lash out with my sword. . . the blade barely leaves a mark.”
During the fight, the wolf Lykou “leaps and catches the beast’s arm between his teeth. The Minotaur only growls in annoyance, shaking the wolf off. Before Theseus can jump away, it sends him hurtling backward with a solid kick to the gut. . .” At Theseus’ request, Daphne flees. The bloody fight is described over two pages.
Daphne finds the Muses in the Minotaur’s lair. “Amid a ruin of rubble and rotting bodies, a cage sits in the center of the landing. Bones make the bars, the locks and corners held together by circles of stone. . . Three tattered women huddle inside it.” The cage was closed using “magic only a few Olympians can wield.”
Blood is the only thing that can open the cage and free the Muses. Daphne details, “I draw my blade across my palm. Blood pours from my hand, and I slap it against the carvings. My blood runs freely, too quickly, and my vision begins to spin. The bone crumbles beneath my hand. . .”
Daphne leads the Muses through the Minotaur’s maze. The Minotaur “grabs Terpsikhore [a Muse]. His claws dig into her arms. A choked scream escapes her. Lykou snarls, jaws clamping down on the beast’s other arm. He only holds on a moment before the beast flings him across the room.”
While in a large room, Daphne finds a broken statue and grabs the kerykeion, the staff carried by Hermes. Daphne attacks. “I land on the Minotaur’s back again. My legs wrap around the broad torso. My thighs burn with the effort, my battered arm barely keeping its grip. . . With a single stab, the wing of the kerykeion pierces the Minotaur’s eye and pushes deep into his skull. A last shuddering exhalation shakes its entire mass. It collapses and I rocket across the floor.” The Minotaur is dead. Theseus, Daphne, and the Muses escape. The scene is described over three pages.
The god of war and Hermes go to Tartarus and meet an unnamed goddess. Ganymede, a Trojan prince who was abducted by Zeus and taken to Mount Olympus to be his cupbearer and lover, follows Ares. When Ganymede is found, “The herald’s arms are like bands of iron, keeping Ganymede from fleeing. . . Ares’ hand lashes out, catching Ganymede by the throat. . . [Ares] gives the spy a sharp kick in the ribs. The god’s ribs crack audibly . . .” Ganymede is injured but not dead.
Daphne and her companions are sleeping when Minos and his soldiers surround them. A fight ensues. “Lykou snatches [a soldier] and drags him screaming beyond the camp. White teeth flash, the sharp tang of blood hangs heavy on the air. A moment later, Lykou returns to tear another soldier into the dark, his screams snatched from the air by a terrifying snarl.”
Apollo also fights the soldiers, and “blood arcs through the air and screams erupt around me. . . [Apollo] moves through the line of soldiers with deadly efficiency and precision, a warrior when threatened. The sharp song of metal meeting metal echoes into the night. . .”
During the fight, Minos attacks Theseus and “rams a dagger” into him. “Theseus collapses in the dirt, eyes locked on mine. His blood pours into the earth. . . He chokes slightly, his eyes desperate, begging me to reverse this. The warm pool of blood beneath him stains my knees.” Theseus dies.

Drugs and Alcohol 

During a celebration, many people, including Daphne and Lykou, consume alcohol, some to the point of being drunk.
While at a party, Daphne and other guests drink wine. One guest “downs goblet after goblet of the fruity wine.”

Language 

Profanity is used rarely and includes ass, bastard, damn, and shit.
Daphne thinks Apollo is an “arrogant ass.”

Supernatural

When Artemis finds Daphne’s brother Pyrrhus spying on her, she turns him into a stag. “No warning or dramatic fanfare precedes the transformation. One second Pyrrhus is crumbled on his hands and knees at Artemis’s feet, and then in a blink of an eye, a stag stands before me.”
Apollo shapeshifts and makes himself look like King Minos.
After fighting the Minotaur, the Muse Urania uses her power to heal Theseus. She touches him, and “the bruising begins to fade, and his nose reassembles itself. . . Her finder continues down Theseus’s broken body, and the slashes across his legs and chest begin to knit together.” Another Muse heals Daphne’s wounds.
To give Theseus time to heal and to escape Minos’ palace, one of the Muses stops time.

Spiritual Content 

The story occurs in Sparta during King Menelaus’ and Queen Helen’s rule. The Greek gods play a prominent role in the story and intervene in human affairs. Below are just some examples of how the gods play a role in the story.
One man warns, “The drought has left our people with ire. The kings of Greece grow restless, their people hungry, and the gods bored. A reckoning awaits beyond the horizon.”
Each year, Sparta celebrates and makes a sacrifice to the gods. An oracle says, “With this race, we not only ask for Apollo’s divine favor but must also give him our strength. . . [Beyond Sparta] children of the Mesogeios sacrificed each year to beasts lurking beneath cities. . . These ills. . . will reach us, just as they have reached even the gods from the heights of Olympus.” The oracle believes the gods are causing natural disasters.
When Daphne and four men begin a race, Menelaus says, “May the wings of Hermes be beneath your feet.”
Artemis appears to Daphne. Artemis says, “My powers—my family’s powers—are dwindling. Olympus is at its weakest, the love and worship of men long since waning. Soon, I will die, my family will die, and all the gifts that we bestowed upon men will wash away like dust across the stones under a heavy rain.” Artemis forces Daphne to help the gods.
Daphne refuses to leave Sparta and help Artemis, so the god takes an arrow and “slices deep across my skin. I cry out involuntarily as searing heat envelops my chest and spreads to my limbs. . . My blood drips from the weapon. . . The arrow slashes out again, faster than any mortal could react, ripping across the belly of my chiton and driving into my stomach.”
Artemis curses Daphne. Artemis says, “The Midas Curse will envelop you, enslave you, and bind you to me. The gold can spread to your toes, molding you into a tool that I might wield as I choose. Mock me, and the gold will crawl to your neck, choking off any insolent words before they can be uttered.”
Apollo accompanies Daphne on her journey and helps protect her. He carries a golden arrow that can bring someone back to life. At the end of each day, Apollo drinks wine.
When Apollo discovers Lykou following them, Lykou “falls to the ground, thrashing and roaring. He claws at his head, back, legs, and neck, skin rippling and contorting in the firelight.” Lykou turns into a wolf.
Daphne almost falls off a cliff, but she catches herself. “As panic seizes me, I send up a prayer to the goddess Tyche for luck and press close to the rock, clenching my eyes shut.” Daphne is able to drag her body over the ledge and is safe.
Daphne meets Prometheus. He is “spread-eagled between twin stone columns, hangs limp from his chained wrist before us.” Prometheus gives Daphne the gift of knowledge. “My life and a thousand others whip before my eyes, there and gone in a blink. And then they return, upended and awash with blue and gray.”
Hermes plays a role in the story. He is a “trickster and foil to many of Apollo’s schemes. . . The god of heralds and thieves is twice as likely to give with one hand while stealing with the other.”
While in the Minotaur’s lair, Daphne finds the Muses locked in a cage. Pasiphae appears and says, “I thought to return and see what foolish nonsense my husband was up to now. . . And it’s a good thing I did, or else these Muses would be dead, and my powers completely gone.”

Prince of Song & Sea

Before Prince Eric’s mother, the Queen of Vellona, went missing two years ago, she reminded him of the deadly curse that plagued his entire life. The curse? If he were to kiss someone other than his true love, he would die. With a neighboring kingdom looking for any excuse to invade their shores, plus rumors of ghost pirates lurking the seas, Eric is desperate for any information that may help him break his enchantment and bring stability to Vellona. The answers he has been searching for come to him in the form of a letter that reveals Eric must find his true love—the one with a voice pure of heart—or kill the sea witch responsible for cursing him in the first place.

Now, Eric sets off on a quest to find the Isle of Serein, the witch’s legendary home. But after he is rescued by a mysterious young woman with a mesmerizing singing voice, Eric’s heart becomes torn. Does he enter a battle he is almost certain he cannot win, or does he chase a love that might not even exist? Then, when a shipwrecked young woman with flaming red hair and a smile that could calm the seven seas enters his life, Eric discovers true love isn’t something that can be decided by magic.

Prince of Song & Sea retells the story of The Little Mermaid from Prince Eric’s point of view. However, most of the story focuses on Eric’s backstory, allowing Eric’s personality to become fully formed. Eric hasn’t been able to have normal relationships because of the witch’s curse. However, he does have two close friends who follow him in his quest to find the sea witch. His two friends add humor and depth to the story. Although Eric wants to break the sea witch’s curse, his reasons aren’t purely selfish. When he discovers that the sea witch wants to control Vellona, Eric puts the needs of his country above his own. Ultimately, Eric’s quest allows his bravery and compassion to shine.

Anyone who loves The Little Mermaid will find Prince of Song & Sea a fun read. While it stays true to the Disney version of the story, focusing on Eric’s life adds an interesting perspective that allows readers to understand why Ariel was willing to risk her life for Eric’s love. Ariel is not portrayed as a love-sick teenager but as a curious, brave, and selfless woman. While some readers may miss Skuttle and Sabastian in this version of the story, Ariel is still a loveable character.

Fans of fairytales will be swept into Prince Eric’s life and enjoy seeing what the world looks like from his point of view. While Prince of Song & Sea is an enjoyable read, it mirrors The Little Mermaid, which makes the story less suspenseful. Despite this, readers who love fairytales and mermaids will find Prince of Song & Sea entertaining.

Sexual Content 

Eric thinks about kissing Ariel. Eric thinks, “She was wild and beautiful, hair damp with the sea. As they stared at each other, her tongue wet her lips, and Eric couldn’t help wondering what they would feel like against his own. They both leaned closer, her eyes fluttering shut. Eric reached for her, and – the boat tipped.”
One of the female pirates flirts with another girl, and later, the two marry each other.

Violence 

Pirates attack the ship Eric, and his friends are sailing. “A footstep cracked behind Eric. He twisted away, the blade of a short sword piercing the railing where he had been. . . Eric rammed his hilt into [the pirates’] temples.”
Eric’s adviser, Grimsby, fights a pirate named Sauer. “Grimsby plunged his hand into his coat. A shot rang out. Sauer fell backward, blood splattering across the rail. They steadied themselves, blood dripping down their badly grazed cheek, and covered their faces with a hand.” Sauer is injured but doesn’t die.
The pirates tie up the crew. “A purple welt marred Vanni’s cheek, and Gabriella’s bottom lip was busted. Not a single person had died, but neither were they unharmed.” The pirate battle is described over five pages.
After the pirates capture Eric and his crew, they encounter sirens, which can make people see what they most desire. One of Eric’s friends, Gabriella, “lunged toward the edge of the ship…A wide, glassy grief lit her eyes, and she choked back a sob.”
A supernatural storm batters the ship. “Another wave washed over the ship, rocking it to its side, and half the crew vanished in a blink.” The ship breaks up during the storm, and everyone climbs into a rowboat. Eric hears his dog, Max, and climbs back onto the ship. “His foot plunged through the wood, and he tossed Max as hard as he could. The dog vanished over the side of the ship. . . Pain shot through his ankle, and his heart stopped with each clunk of the loose barrels rolling across the fiery deck. . . And the world exploded.” Eric reawakens on the beach.
The crew is attacked by “a malformed tentacle made up of eels. Hundreds of them were knotted together in one monstrous mass, the tangles so tight that blood rained. . . The tentacle curled over the ship, snapping rope and ripping away part of the sails, and gripped two of the masts tight.”
The eels are able to generate electricity. “A terrible crack split the air. . . suddenly the eels along the tentacle bared their teeth. Eric lunged at it, butting through one of the small eels.” When Eric kills the eels’ leaders, “they untangled themselves from the knot of eels, and the electricity fizzled out.” No person is seriously injured. The scene is described over five pages.
Ursula, the sea witch, disguises herself as Vanessa and compels Eric to marry her. But before the wedding, seagulls attack. “The flock swooped again, dropping half-eaten fish and seaweed on the deck. Vanessa shrieked, and the guests scattered. . . the world became a swirl of white feathers. . . A pair of sea lions barreled through the crowd, sliding across the deck and into Vanessa.”
Ursula changes into her true form, grabs Ariel, and jumps into the sea. Eric follows on a dinghy. Ursula “had pinned Ariel against a rock, jabbing the trident at Ariel’s neck. . .[Eric] hauled his arm back before launching the harpoon. It sliced through Ursula’s arm, drawing a hazy cloud of blue blood.” Ariel escapes.
Ursula’s eels grab Eric and “pulled him deeper and deeper, and salt burned in Eric’s eyes. He struggled against his hold, but teeth nipped at his hands every time he tried to break free.” A fish rams into the eels, and Eric gets free.
Ursula causes a whirlpool that “pulled Eric in, sucking him beneath the waves and the holey hull of an old ship passed over him.” Eric pulls himself onto the ship. Before Ursula can kill Ariel, “Eric screamed, muscles aching at the grip it took to keep the ship steady. . . the bowsprit cut through her stomach, impaling her, and the pale waters ran sapphire blue with her blood.” Ursula dies. The battle is described over 14 pages.

Drugs and Alcohol 

None

Language 

When a storm arrives, a crew member asks, “Which one of you pissed off Triton?”

Supernatural

Eric’s mother “saw a body floating in the surf. It was a child, small and chilled to the bone. . .” Eric’s mother saved the child, but a witch claimed that the child was hers. When Eric’s mother refused to hand the child over, the witch cursed her unborn child. The witch said, “If that thing in your belly ever kisses someone without a voice as pure as their spotless soul, someone who isn’t its true love, then it will die, and I will drag its soul to the bottom of the sea.”
Before going on a voyage, Eric’s friend Gabriella “tipped a full bottle of wine into the sea before they left the bay as tribute to King Triton of the Sea, and there had been clear skies since.”
Eric hears rumors of a Blood Tide and a ghost ship. “Once you acknowledge the ghosts are there, they ensnare you and force you to make a deal with them. Used to be they just offered. Now you have no choice.” The ghosts use their voice to control people.
The legend behind the Blood Tide and the witch is explained. People would “make a deal with something in the depths so they could live their wildest dreams. The costs, though, were always souls.”
There is a debate about whether ghosts are people who are dead. The pirates capture a ghost, who is “as translucent as a spiderweb in the wrong light.”
The witch captures souls, and “they require no maintenance other than a space to store them.” The witch turned Eric’s mother, Eleanora, into a ghost. “A ribbon of seagrass burrowed into her chest. Her form spun and shrunk, bones cracking and mouth open in a silent scream. She condensed. . . all that was left in her place was a ragged brown blade of grass with two branches like flailing arms. It shimmered with trapped magic.”
The witch knows how to use magic in various ways, including how to compel people. At one point, the witch changes into a beautiful woman who uses her voice to control Eric. In addition, “the witch can transform people into whatever they want.”
Nora discovers that one of her parents was from the mer world. Because of this, Nora transforms into a mermaid when she goes into the ocean. A merman explains, “You should’ve been taught how to control the transformation so that it became as natural as breathing. Most children who are part human and part merfolk transform every time they leave or enter the sea, but it can very much be controlled.”

Spiritual Content 

None

Mexican WhiteBoy

Danny is tall and skinny. Even though he’s not built, his arms are long enough to give his pitch a power so fierce any college scout would sign him on the spot. He’s got a ninety-five mile an hour fastball, but the boy’s not even on a team. Every time he gets up on the mound, he loses it.

But at his private school, they don’t expect much else from him. Danny is brown. Half-Mexican brown. And growing up in San Diego that close to the border means everyone else knows exactly who he is before he even opens his mouth. Before they find out he can’t speak Spanish, and before they realize his mom has blond hair and blue eyes, they’ve got him pegged. But it works the other way too. And Danny’s convinced it’s his whiteness that sent his father back to Mexico.

That’s why he’s spending the summer with his dad’s family. But to find himself, he may just have to face the demons he refuses to see—the demons that are right in front of his face. He may also have to open up to a friendship he never saw coming.

Danny and his rival-turned-friend Uno become almost inseparable, which allows the reader to see how each teen deals with similar situations. Since they are both biracial, Danny and Uno struggle to fit in. Unlike his Mexican relatives, Danny doesn’t speak Spanish, making him feel as if “he’s not really Mexican. His skin is dark like his grandma’s sweet coffee, but his insides are as pale as the cream she mixes in.” Likewise, Uno struggles with his identity because his mom is Mexican and his dad is Black. Uno feels as if he’s “stuck in the middle.” His parents fight, and “one is pulling his left arm, the other pulling his right. Like it’s some kind of tug-of-war between black and Mexican, and he’s the rope.” The struggle to understand their place in the world is one that many teens will be able to relate to, especially those of mixed race.

Mexican WhiteBoy also shows the difficulties Danny and Uno have because of their absent fathers. Danny hasn’t seen his father in three years and thinks his father is in Mexico. Danny’s emotional trauma is shown when Danny ruminates on his father’s absence. Danny also writes fictitious letters to his father. While the letters aren’t based on reality, they show Danny’s dream life. Unlike Danny, Uno sees his father once a month. Uno’s domineering father, who’s gotten off drugs and out of trouble, often lectures Uno about how finding God has made him a better person. The father-son relationships add to the story’s emotional depth.

Matt de la Peña integrates Danny’s love of baseball and pitching into the story. Despite this, Mexican WhiteBoy is not a typical sports story since no baseball games are ever played. However, readers will empathize with Danny, who is trying to answer the questions: Who am I? Where do I belong? At the beginning of summer, he lacks confidence, is depressed, and self-harms. Danny’s relationship with Uno helps Danny find his footing in life and take his place on the baseball diamond. Danny and Uno’s friendship transforms both boys, and they help each other find hope for the future. Mexican WhiteBoy shines a light on the realities of life for many inner-city teens. The gritty scenes don’t sugarcoat the teens’ struggles. Instead, Mexican WhiteBoy conveys the importance of believing in yourself and shaping your own future. For those who’d like to explore another book that shines a light on the issue of self-acceptance, check out Bruiser by Neal Shusterman. Readers who want a book that focuses more on the game of baseball should read Heat by Mike Lupica and Fast Pitch by Nic Stone.

Sexual Content 

Danny’s cousin Sophia introduces him to her friends. When the girls flirt with Danny, Sophia says, “I see my homegirls gonna try and corrupt you, cuz. Better watch it, though, these heinas got mad STDs.”
Danny has a crush on Liberty. Danny’s cousin and her friends gossip about Liberty. Someone says the girl is “sixteen and already droppin’ her drawers for billetes.”
A man keeps showing up to watch Danny pitch. Uno says, “I thought homey was a molester or some shit.”
Danny’s aunt and uncle come home after a night on the town. “Uncle Tommy and Cecilia stumble in reeking of cigarettes and tequila. . . [Cecilia] extends her neck, but when Tommy’s lips get close she pulls back, giggling some more . . . He kisses her neck, reaches a hand up for his wife’s chest.” They disappear into the bedroom.
Uno, Danny and a group of other teens play truth or dare. Danny “watches Flaca, on a dare. . . saunter over to Raquel, take her face in her hands and kiss her while all the guys cheer and the girls laugh. He watches Sofia, on a dare . . . pull up Uno’s black Dickies shirt and leave a dark brown hickey on his already dark stomach.” On another dare, Danny’s cousin, Sofia, and Uno disappear into the bedroom and don’t return.
Danny comes out of the bathroom half-dressed. His cousin, Sofia, asks, “What were you doing in there so long, beating off?. . . It’s perfectly normal you know. I heard ninety-five percent of guys beat off and the other five percent are lyin’.”
Uno kisses Sofia “on the lips.”
After spending time with his crush, Danny gets up to leave. “She grabs Danny’s face in her hands and kisses him on the lips real quick. When they separate, she stands there giggling. Then Danny takes her face in his hands and kisses her.”

Violence 

During a stickball game, Uno throws the ball at another player, Raul, who has just finished batting. “The ball smacks him right in the ass. Raul trips and falls to the ground, clutching the back of his jeans.”
Danny accidentally hits Uno’s brother, Manny, with a bat. Uno “rushes Danny, shoves him with both hands. . . Danny backs up a couple of steps, surprised.” Danny’s cousin, Sofia, tries to stop the fight. “Uno shoves Sofia out of the way and gets in Danny’s face again, pokes a finger into his forehead.”
Before Danny can try to defend himself, Uno is “already stepping forward with all his weight, delivering an overhead right that smashes flush into Danny’s face. Snaps his head back. Buckles his knees.” When Danny falls, he “knows there was a loud crashing sound in his brain.” There is “warm liquid running down his neck. . . Running into his mouth. . . Salty. Smell of copper.”
Danny goes to the hospital because he has “a nasty gash under his left eye” and a dislocated jaw. He needs “five stitches under his left eye, ten to the back of his head. . .”
Danny and Uno are scamming people out of money. After one incident, three guys, including one named Carmelo, attack Uno. “One of the other guys slugs him in the back of the head. Uno spins around, narrowly avoids a wild right from another kid and punches the kid who hit him in the jaw. . . Uno breaks free and pounces on Carmelo. He gets him in a tight headlock, tries to choke the life off of him. But the other guys pull Uno off, hold his arms while Carmelo punches him twice in the stomach . . .”
Danny jumps into the fight to help Uno, who watches Carmelo “rear back and throw a punch right at [Danny’s] face, but he ducks it and the punch grazes the face of Carmelo’s own guy. . . [Danny] swings a vicious right and hits him on the side of the face, sending him sprawling onto the ground. Blood starts coming from the guy’s nose.” Danny and Uno have bruises but no serious injuries. The fight scene is described over two pages.
While at the beach, a man whistles at Danny’s mom. Her husband gets mad and attacks the man. Danny hears “the sound of punches landing and shouting and then sirens and cops shouting. . . the cops handcuffed his dad and pushed him into the back of their squad car. By his face.” Afterward, his father leaves for Mexico and doesn’t come back.
Uno’s stepdad, Ernesto, comes home smelling of tequila. He yells at Uno. “When Ernesto’s been drinking tequila he’s liable to swing an open hand. ‘Course it ain’t the open hand he’s scared of, it’s what he might do in response to the open hand. So instead of killing this man and getting locked up for real, he nods and nods and nods and nods.”
When a girl starts talking to Danny, her boyfriend, Marzel, gets mad. Marzel “rears back to throw a punch, but out of nowhere Uno steps in and blasts the guy from the side. Puts him flat on his back and then stands over him, glaring down. . . Marzel looks up at Uno, touches his bloody lip and holds his fingers in front of his eyes. He stands up slow, swings wildly at Uno, but Uno ducks it, lands two quick and powerful body blows, doubles Marzel over.” A couple guys break up the fight.
Danny’s parents separated when his father hit his mother, but there are no other details.
Danny, his uncle Ray, and other men were driving when a “big hippie guy came walking down the middle of the road . . . Ray hit the gas and ran smack into the guy, a nasty thumping sound against the hood. The guy’s head whipped all forward, and when Ray hit the brakes, he flew from the Bronco like a rag doll.”
The guy got up and “threw a right at Uncle Ray through the open window, but Uncle Ray ducked it, grabbed the guy by the arm and pulled him halfway into the cab and his boys started whaling on him. . . Rico smacked him in the same part of the face so many times, the sound of the blow actually changed. They became muted. Tim delivered blow after blow to the guy’s ribs and stomach.”
When the guy became limp, “Blood was all over the place, on Danny’s face. . . Uncle Ray flipped the Bronco into reverse and backed up. He turned the wheel slightly and pulled forward, ran over both the guy’s legs. Danny could actually hear and feel the bones crush and snap under the tires. . .” Uncle Ray races away when the “guy was completely still and covered in red.” The scene is described over three pages.
While in prison, “the scout” meets Danny’s dad. The scout tells Danny, “One day I got jumped by a bunch of black guys. . . They tried to kill me. Your dad was the only one who stepped in. He beat two of them real bad and the others backed away . . . And me and your dad turned into friends.”
Danny self-harms when he is upset. He digs “into the inside of his forearm with his nails to remind him he’s a real person.” He “holds his left arm against the sink and runs the sharp part of the tweezers across the inside. Goes back and forth in a straight line. Back and forth again. A thin trickle of blood starts creeping out. . . He drops the tweezers in the sink and turns on the water full blast. Washes the blood off. . . But the line of blood comes back even thicker. It’s all over the sink now, too.”
While at Danny’s school, Barker, a rich white kid, insults Uno. Danny “punches Barker in the face. Spins the kid around. . . He takes a step toward Danny and throws a wild right, but Danny ducks it, hits the kid again. Harder this time, in the eye.” A senior breaks up the fight, which is described over a page.

Drugs and Alcohol 

Both the adults and the teens drink often; thus, not all of the drinking is described below.
A girl tells Danny they can hang out and drink “a little white Zin and shit.”
During stickball, there are some “young bucks, los ratas, hanging out on stolen bikes, pulling drags off stolen cigarettes.”
As Uno is walking, he sees “a broken forty bottle lying at the mouth of the gutter. . . Wonders how much alcohol must be flowing through National City’s gutters after an average Friday night.”
Uno’s father goes on a rant about drugs such as Ritalin, Vicodin, and Zoloft. His father says, “Who benefits more from all these prescriptions? The patient or the doctor?”
Uno’s father used to “smoke anything I could roll up in a Zig-Zag.”
While planning a trip, Sofia asks her friends who will be “sneakin’ in the thermos of jungle juice?”
The last time Danny saw his dad, they were sitting together, and his dad had a “beer dangling” in his hand.
Danny’s mom invites a man to have dinner with her and Danny. The man brings a bottle of champagne.
When Danny goes to family events, the adults “are drinking homemade horchata and Pacifico and Bud Light and tequila with lime—always tequila.”
Several of the teens smoke cigarettes.
Danny gets drunk for the first time. “He learns that jungle juice makes him feel light as a feather. That it makes him feel ten feet tall. . . Makes him feel like smiling and talking to anybody and everybody, at any time—though he hasn’t.”
When Danny was little, he was sick. His father stayed home to take care of Danny. However, his dad spent most of the time watching TV and smoking pot. Danny “remembers thinking [the smoke] looked like a magic carpet. And because he was a little high, took from the secondhand, he started wondering what it would be like to ride a magic carpet?”
Uno gives Danny a beer. “Danny cringes as the cold beer washes past his tastebuds, down his throat. It’s only his third time drinking beer—all summer—and he doubts he’ll ever like the taste.”
At a party, “Lolo puts a shot of tequila into Raquel’s belly button, [a guy] slurps it out and bites into a wedge of lime.”
A girl’s “real mom” died of a supposed overdose.
One of Danny’s uncles “breaks up a bud, rolls the weed in a Zig-Zag and licks. He pulls a lighter from his pocket and, out of pure habit, cups a hand over the fire.”

Language 

Both English and Spanish profanity are used often. Profanity includes ass, bitch, chingado, damn, goddamn, fuck, motherfucker, piss, puta, and shit.
Uno’s parents yell at each other. Uno’s mom calls his father “a good-for-nothing black bastard.” In return, his father says, “Bitch, if I didn’t have the Holy Ghost. . . I swear to God.”
When Uno was young, he got hurt during a baseball game. His father began yelling, “Get up, you little punk-ass bitch! Get your ass up! Ain’t no son of mine gonna lay there crying!”
Jesus, Jesus Christ, God, and oh my God are occasionally used as exclamations.
A rich white kid calls Danny a “wetback.”
When Uno and Danny go to Danny’s school, a rich white boy says, “Now get your black ass outta here.” When Uno threatens him, the boy says, “Bring it, dude! I ain’t afraid of no blacky!”

Supernatural

None

Spiritual Content 

Sofia’s aunt goes to church. One of Sofia’s friends says, “That old broad is too fat to go to church.”
Uno’s father was a gangster and drug addict before he found Jesus. His father says, “I love you! Just like I love Jesus! He felt powerless, too, you know. Like you and me. When he took the most messed-up suckers and died for them, he died for us!”
Uno’s father said that “studying the Bible taught him to love himself. Taught him to look inward for companionship. Taught him to actually look forward to spending time alone with himself.”
Uno’s father says that suicide is “a deadly sin in two books. God’s and mine.”
Uno tells Danny about his father’s religion. “But sometimes I think maybe God’s down here. In regular everyday stuff. Like the power of a train.”
Uno‘s father says that everyone has “a little piece of God.”

And Break the Pretty Kings

Princess Mirae is destined to inherit a dark legacy: Her mother, Queen of the magical city of Seolla, is succumbing to madness, which has stemmed from her connection to the Inconstant Son, a mysterious entity trapped beneath Seolla who threatens to destroy the world. Now, with her mother’s health failing, Mirae must face a trial of the gods, who will decide if she’s worthy to follow in her mother’s footsteps as Queen.

On the night of her trial, disaster strikes. When Mirae obtains the power of horomancy – controlling time – she unwittingly is trapped in a vision of the future. The Inconstant Son attacks the city during the chaos and kidnaps her brother, Minho, to turn him into a slave to govern his army of brainwashed soldiers. Mirae must save her brother, despite the premonition that she must let Minho die. Nevertheless, Mirae sets out on a journey with an unlikely group of companions while her unpredictable magic gives her terrifying visions of a future she must stop at any cost.

After multiple meetings with the Inconstant Son, Mirae learns that Seolla – which only allows women to practice magic – has built their monarchy by branding the men who can do magic with a mark that represses their abilities. The man trapped beneath Seolla is not the Inconstant Son but instead his descendant, who has been trapped for centuries. This man – called the Netherking – wants to use Mirae’s brother to start a male-led revolution. In particular, he wants revenge on Mirae’s mother, who abandoned the Netherking’s beloved wife and daughter to an awful fate. As the story progresses, Mirae’s loyalties are tested as she finds it necessary to ally with the Netherking to get her brother back while also wanting to prevent him from destroying her kingdom. However, she tries to treat her enemies with grace. After stopping the Netherking’s plans, she gives his allies a new chance at life in Seolla despite their past wrongs.

Mirae is a talented and promising young woman who always tries to find the bright side. For example, she professes, “There are two sides to every moon. . . depending on where you’re standing.” Even when she can’t see the path ahead, Mirae boldly forges her own. She is not solely good nor evil but understands both are part of life.

Mirae, the rest of the supporting characters, and the story’s multiple villains all get their time to shine. The villains feature prominently in the story and have well-developed backstories, making the whole cast of characters seem less like villains and heroes and more like individuals trying to do what they think is right. This allows all of the characters to be compelling.

From the beginning, many things are fated to be: The queens of Seolla go mad, men can’t practice magic, the kingdom of Josan is evil, and the Inconstant Son will ruin the world. However, the story’s events slowly convince Mirae that the destiny of her kingdom is not set in stone. She makes her own way forward, offering forgiveness to the misguided and defying the long-standing rivalry between Seolla and Josan. Her main concern is protecting those she loves, but she begins to see merit in uncovering the truth behind the Inconstant Son if it means bringing peace to both kingdoms.

And Break the Pretty Kings is a very difficult read due to the intricate worldbuilding and endless unfamiliar terms. Almost every page references types of magic, types of people, and creatures of legend. Because of its complexities, the book is almost inaccessible to the average reader without a base knowledge of Korean folklore and culture. However, if you already have some knowledge, this book could be an enjoyable challenge as it blends fantasy with history in a unique way. Those who enjoy high fantasy stories with cultural ties and intricate worldbuilding will enjoy reading Mirae’s journey as she tries to change her fate.

Sexual Content 

None

Violence 

Mirae’s mother is afflicted with madness, which causes her to attack her children. “Mirae lowered her damp palms, bidding the elements under her control to disperse. But they didn’t obey. Instead, the water roiled into a whirlpool of rage. . . As the droplets churned each other into chaos, Minho became nothing more than a flailing blur, fast running out of air. . . Mirae whirled towards the palanquin and saw a pale, skeletal arm reaching through the beaded curtains, stretching in Minho’s direction. A second later, her mother’s face pushed past the beads. . .The madness. It had taken hold of her mother, filling her mind with delusions once again. Turning her magic against those she loved. . . Mirae fell to her knees, gasping for air as her mother’s magic crushed her head and neck.” Mirae dispels the magic before she goes unconscious.
Mirae hears the oracles that attended her trial being murdered. “The sound of something whipping through the air, trailing a series of clacking noises behind it. Chattering teeth or guttural clicks deep in the throat. More wet slices. Chokes and gurgles. Then the screams of oracles being murdered.”
Mirae’s mother goes insane and attacks her husband. “Mirae shot one last look at her father. Her mother was sending more violet fireballs at him. . .” Mirae watched as “her father grabbed her face and kissed her, just as her clawlike hands raked red lines down his back, bloodying his blue robe like a smear of a sunset against a perfectly calm sky.”
Minho is kidnapped and drowned in a tub of magical water. “A wide stone room [was] lined with deep basins. Each was filled to the brim with black water. . . The guards lifted [Minho], fighting futilely against them, into one of the tubs. They submerged all but his head, which he kept above the water with all his strength. [They] grabbed Minho’s hair and shoved his head under. Mirae watched, horrified, as the dark water bubbled with air her brother could no longer breathe. Once the ripples stopped altogether and the black water fell still, Minho floated to the surface face-down.” Minho is unconscious until his rescue.
Mirae kills the Netherqueen. “Mirae lifted the sword over her head and struck the Netherqueen’s body with everything she had. As soon as the sword hit flesh, it glowed, slicing through the Netherqueen’s shoulder and lodging in her heart. Sparking, searing, smoking everything it touched except for Mirae’s hand.”

Drugs and Alcohol 

None

Language 

None

Supernatural 

Three types of magic exist and are mentioned frequently. They are known as Sacred Bone Magic. Sacred Bone Daughters are women in Seolla who are blessed by a magical lineage.
The first type of magic is the ability to control the elements (earth, air, fire, and water). This magic is called Jade Witchery, which can be used to summon fire or manipulate the earth. For example, Mirae throws a fireball while training. “Mirae raised a hand to the heavens. . . A small, white-hot orb appeared in her palm; before its sharp heat could blister her skin, Mirae lobbed it with all her strength at her opponent.”
Mirae witnesses someone using Jade Witchery to repair destruction in the palace’s courtyard. “Mirae heard the sound of the grass rustling as it righted itself and the ground rumbling as it stitched itself back together. It would be long before the field looked exactly as it had before, heeding the will of a powerful Jade Witch.”

The second type of magic is illusory, called Ma-eum Magic. Mirae describes it as “the ability to trick an opponent into sensing something that wasn’t actually there.” Mirae uses this magic to change her appearance when she’s in the Josan kingdom so she can’t be recognized. It is used many times in the story to alter a character’s physical appearance, such as making them smell like perfume or altering their facial features.
A general enchantment type of magic is also mentioned frequently, such as when Mirae enchanted a turtle to fly and talk, but the incident is not described.
The third type of magic is called Horomancy, the ability to manipulate time. Mirae describes it: “Of the three magic systems, which exemplified the virtues of cunning, craftsmanship, and foresight, horomancy was the most enigmatic power. Mirae had never seen it used, though she knew that was for good reason. The rules of time were rigid, dangerous things to manipulate.”
Hongbin, Mirae’s younger brother, thinks a visitor to the palace is a “gumiho,” a Korean creature of legend similar to a nine-tailed fox. He previously thought the visitor was a dokkaebi, the Korean name for demons.
There are three powerful relics called the Sacred Bone Relics that correspond to the ancestors of the different branches of magic. They are the dagger of the Silver Star (representing Ma-eum magic), the seong-suk – a stone – of the Deep Deceiver (representing Jade Witchery), and the black bell of the Unnamed Dragon (representing Horomancy). Mirae chooses the black bell to guard her reign.
After picking the bell, Mirae switches to another time period where she sees her brother, whose face looks “like he’d battled monsters and knew that the world held many, many things to fear.” She realizes she has used Horomancy to travel into the future. Several times, she switches time periods, which works like visions of the future that guide her on her journey.
Mirae switches time and sees a festival in the spirit world where people dance and sing in animal masks.
Mirae’s mother gifts a magical necklace with 12 beads depicting the 12 horoscope animals. Each bead contains a different power, which Mirae uses. For example, she uses an ox bead to gain strength. “She picked up the ox bead and put it on her tongue. The powers of the bead made her stumble back almost immediately with vertigo, trembles, goosebumps, and a crashing headache all at once. But the symptoms faded in seconds. As the bead warmed on her tongue, Mirae felt its power swell within her, roping around her muscles and making them bulge. Just then, the door to the room she was hiding in flew open, and Mirae reacted on instinct; she punched her opponent right in the chest with all the strength of an ox, throwing him through the door and into the wall behind him.”
Mirae and her companions encounter a gwisin, the evil spirit of a woman who has suffered. This gwisin, the haggard moon gwisin, is described as having “hair dark and long enough to blend in with the spaces between trees. There was a starry paleness to her sleeveless knee-length dress, which wasn’t long enough to hide the fact that she didn’t have any legs – nor did she have a face. . . Gwisin lingered because they, or someone they loved, had been wronged. . . according to legend, the haggard moon gwisin [was] abandoned by a friend, left to die alone and in pain, and subsequently drowned anyone who showed her any kindness, before they had the chance to betray her too.”
Mirae summons a dragon with Sacred Bone Magic.

Spiritual Content 

The book frequently references mudang, the name for Korean shamans. These women are known for performing rituals in which gods possess them. When Mirae and her companions are traveling, she pretends to be one of these shamans, triggering her “switching” power instead of actually becoming possessed.
The book also references “gods” or praying to the gods, but no gods are named in particular.
Mirae’s family are known as the “gods-touched” guardians of Seolla. The gods are beings that are respected, and are often mentioned in the context of fate and destiny, such as “I could only do something like that with permission from the gods” or “I hope the gods are on our side.”

Notable Native People

This beautifully illustrated collection celebrates the lives, stories, and contributions of Indigenous artists, activists, scientists, athletes, and other changemakers. From luminaries of the past—like nineteenth-century sculptor Edmonia Lewis, the first Black and Native American female artist to achieve international fame—to contemporary figures—like linguist Jessie Little Doe Baird, who revived the Wampanoag language—Notable Native People highlights the vital impact Indigenous dreamers and leaders have made on the world.

This powerful and informative collection also offers accessible primers on important Indigenous issues, from the legacy of colonialism and cultural appropriation to food sovereignty, land and water rights, and more. Notable Native People is an indispensable read for people of all backgrounds who are seeking to learn about Native American heritage, histories, and cultures.

Notable Native People highlights native people who use their talents to improve the world. The book showcases native people from North America—including Hawaii and Alaska—and introduces artists, activists, authors, engineers, public speakers, etc. Readers will see how each person contributes to their tribe and positively impacts others.

The book’s format is visually appealing. Each two-page spread features a full-page illustration of a person with a one-page passage. The illustration also includes an item important to the person. For example, Edmonia Lewis (a sculptor) is pictured with one of her sculptures and while Tallchief (a ballerina) appears in a ballet costume. While most people featured are still living, some lived during the 1800s.

Anyone who wants to learn more about native history will be inspired by reading Notable Native People. Each person explains how their culture shaped them and discusses why keeping their traditions and ancestorial knowledge intact is important. Navigator Nainoa Thompson said, “Our people and those who come here should know the richness of our heritage. And not only know that but respect it.”

Notable Native People will appeal to a wide range of readers, especially those interested in native history and the effects of colonization. Each person featured is inspiring because they are dedicated to a cause close to their heart, and they use their skills and passion to honor their tribe. Notable Native People will help dispel stereotypes surrounding native people and give readers a better understanding of native cultures. In addition, the stories will motivate people to positively impact their community.

Sexual Content 

None

Violence 

None

Drugs and Alcohol 

None

Language 

None

Supernatural

None

Spiritual Content 

Jordan Marie Brings Three White Horses Daniel is a professional runner who participates in prayer runs. “These runs raise awareness for specific Native causes, and the participants use the runs as a ceremonial space to pray. . . You’re giving up that time and space . . . for your loved ones, for your relatives, for your communities, and staying in prayer and praying for them.”
Kanaka Maoli, wife of a Hawaiian ruler and co-regent to the king, converted to Christianity in 1824.

Rez Ball

These days, Tre Brun is happiest when he is playing basketball on the Red Lake Reservation high school team—even though he can’t help but be constantly gut-punched with memories of his big brother, Jaxon, who died in an accident.

When Jaxon’s former teammates on the varsity team offer to take Tre under their wing, he sees this as his shot to represent his Ojibwe rez all the way to their first state championship. This is the first step toward his dream of playing in the NBA, no matter how much the odds are stacked against him.

But stepping into his brother’s shoes as a star player means that Tre can’t mess up. Not on the court, not at school, and not with his new friend, gamer Khiana, who he is definitely not falling in love with. After decades of rez teams almost making it, Tre needs to take his team to state. Because if he can live up to Jaxon’s dreams, their story isn’t over yet. 

Anyone who feels as if their siblings overshadow them will relate to Tre, who often feels like he is walking in his brother’s shadow, even after his brother dies. As a sophomore, Tre is excited when he’s called up to the varsity team, hoping to prove his worth, but he struggles to fit in with Jaxon’s old teammates. In addition, the team likes to party with drugs and alcohol. Tre jumps into the party scene because he wants his teammates to think he is cool. Even though Tre’s parents know he is partying, they ignore the behavior. When Tre’s drinking begins to affect his basketball-playing ability, he finally confronts his teammates and asks them to make a pact to stop drinking until after the playoffs.

Tre is a well-rounded person who loves basketball, superheroes, and hanging out with his best friend. Readers will relate to Tre’s struggle to fit in with his teammates and his desire to prove his worth on the basketball court. Tre exercises and practices during the summer to prepare for the basketball season. His motivation and determination are admirable qualities. Tre’s struggle to adjust to playing varsity and to fit in with his teammates is realistic and authentic. Through Tre’s experiences, readers will see the importance of friendship and forgiveness.

Rez Ball shows the unique challenges that come with growing up on an Ojibwe reservation. Tre and his friends experience discrimination and police harassment. In addition, Tre must overcome the belief that, as an Indian, he isn’t capable of making it to the NBA. Rez Ball is first and foremost a book about basketball and there are many play-by-play basketball scenes. Yet, Tre’s family and school life is interspersed throughout the book, allowing the reader to understand how all aspects of Tre’s life affect him. Readers will also appreciate the references to comic books, superheroes, and Star Wars.

By writing Rez Ball, Graves wanted to encourage other Native athletes to “Keep your heads up; keep your dreams alive. Have fun. Be grateful for what we do have, but don’t be afraid to go after more.” Ultimately, Tre’s team doesn’t win state, but their winning streak helps bring their community together. In addition, the story ends on a hopeful note—Tre gets his first recruitment letter from a university and his future looks bright. Sports enthusiasts should also read the true story Undefeated: Jim Thorpe and the Carlisle Indian School Football Team by Steve Sheinkin. To learn more about the conflicts unique to indigenous people, read Powwow Summer by Nahanni Shingoose.

Sexual Content 

Tre and his friend Khiana are standing by Tre’s locker. When Tre’s friends sees them, he asks, “Are you two banging now or what?” They are interrupted before Tre or Khiana has time to answer.
Khiana tells Tre about a past relationship with another girl. Khiana says, “I’m two-spirit, which among other things means I date boys and girls.”
Tre is getting ready to leave to pick up Khiana. His uncle “Ricky reaches for his wallet in his pocket. ‘You need protection. I might have some in my wallet.’” Tre’s dad gets upset and replies, “He’s not a hornball like you were in high school.”
Khiana shows up at Tre’s house wearing pajamas, which “turns on” Tre. Later, when Khiana sees Tre’s expressions, she says, “I know that look. . . The doe-eyed, falling-in-love look.” She tells Tre that she only likes him as a friend.

Violence 

Tre tells a new girl about the gangs by the reservation. “They’re here. Once in a while something messed up happens. Someone will get stabbed or shot. But I think they mainly sell drugs.”
At a party, Tre gets drunk and starts yelling at his best friend, Wes. Tre says, “What the fuck ever. Fuck you, Wes. Fake-ass friend. Get the fuck out of here.” The partygoers encourage Tre and Wes to fight. Tre describes, “I finish my beer, crush it in one hand, then throw it at Wes. It smacks his forehead. He punches me. I grab my lower jaw; the pain is instant and sharp. . . I shove him down, jump on top of him, and throw wild punches at his face. People try to pull me off, but I keep slipping free to punch again. . .” Someone finally pulls Tre off of Wes.

Drugs and Alcohol 

Tre’s dad smokes cigarettes and drinks beer often. In addition, when Tre’s uncles come over, they also drink beer.
Tre and the other basketball players often party where there is alcohol and weed. For example, Tre and his friend go to a party at a basketball player’s house where there is alcohol and a “cloud of weed.” Tre takes a drink of vodka. “I almost die coughing it up.” Tre doesn’t drink anymore.
At one party, Tre worries about what his teammate, Mason, will do. “I worry that he’s drunk and going to be even more ballsy than normal.” To look cool, Tre drinks beer and tequila shots. “I lose track of how many drinks I’ve had. But my lips feel numb, and I’m no longer steady on my feet.” Most of the people get drunk.
At one party, Tre gets really drunk. “The next morning, I struggle to walk, still feeling dizzy and a little drunk.” Another time, Tre gets so drunk that he goes home and “collapse onto my bed. . . When I close my eyes, the room spins. My tongue feels sandy. I’m dying for water or Gatorade, but if I drink anything, it’s coming right back up.”
One of the basketball player’s dads is known as “the guy who brings the drugs in.”
When Tre goes to his friend’s house, the basement smells like weed.
Tre goes to a school dance and one of his friends takes out a flask. Tre and a few other guys take a swig and then chew gum to cover the smell. Later, two of the guys get suspended from basketball because they got caught drinking.
One of the basketball players tells Tre that after high school, they will “go to work at the casino, or sling weed, or end up alcoholics, hooked on drugs, or dead.”
Tre and his teammates often party and get drunk. Tre’s friend, Dallas, often drives Tre to the parties. Even though Dallas drinks and drives, Tre doesn’t say anything because he’s “trying to be cool.”
When Tre’s dad was in high school, his team spent days “partying nonstop. They were so hungover that they got their asses handed to them in the regional tournament.”

Language 

Profanity is used excessively among teens and adults. Profanity includes ass, bitch, damn, fuck, goddamn, hell, pissed, and shit.
Christ, Jesus Christ, oh my God, holy and holy shit are used as exclamations frequently.
During a game, Tre’s basketball coach yells at him. “You’re running around out there like a goddamn crackhead on the first of the month.”
Infrequently, there is name calling such as bastard, bitch, and dick.

Supernatural

None

Spiritual Content 

At a tournament game, “some of the older white fans have their hands clasped in nervous prayer as they stare up at the scoreboard.” When a player sees the fans, he says, “Jesus was Black.”
At dinner, Tre’s parents often talk about his brother Jaxon. “I swear to the Creator, almost every dinner, he’s all they talk about.”
Tre isn’t sure what to do at a game until Dallas, one of the basketball players, waves Tre over. Tre thinks, “Thank the Creator for Dallas.”
While at a party, Tre gets drunk and still drinks Jose Cuervo. “I throw back my shot and almost put it up. . . I’m holding a balled fist up to my mouth, praying to the Creator I don’t hurl all over the table.”
After getting into a fight and getting a black eye, Tre prays “to the Creator that my mom can do something” to help cover his bruise.
After Tre gets into a fight with his best friend, Tre’s mom says, “We need to smudge you down before you leave.” Then she takes a “shell with sage burning in it [and]. . . waves the smoke around me, I close my eyes, instantly feeling a bit better about everything.” Afterward, his mom says, “There’s a pouch of tobacco on the kitchen table. You need to put some out before you leave. Talk to the Creator. Thank him for today, for everything you have, and ask him to give you the courage to make things right.”
Before a tournament game, the coach smudges the team. “Coach comes out from a back office with sage burning in a shell. We stand as he walks by us, one by one. We wave the smoke closer, carrying it up and over the back of our heads.” Afterward, the coach shows the guys footage of the team they are about to play.

Here’s To Us

Two years after his first New York summer and his breakup with Ben, Arthur’s life is everything he could have wished for. His college classes are going really well, and his new boyfriend, Mikey, is amazing. He has finally moved on from that New York summer and couldn’t be happier with where he is right now.

Ben, too, has moved on, although his life isn’t quite as dreamy as Arthur’s. He spent his first year of college finishing his novel manuscript he’s hoping to get published while working part-time at his dad’s store. He is casually dating a boy from his creative writing class, Mario, who is cute and a great Spanish tutor but not quite ready for the “boyfriend” commitment. Ben is content to be where he is, and yet he has this nagging feeling that there is more out there.

When Arthur scores a dream internship at a Broadway theater, he is back in New York for the summer. Although he lost contact with Ben over those few years, they begin writing to each other, and soon both of them are excited to reunite as friends. They begin hanging out again in their New York friend group and even go on double dates when Mikey visits Arthur for a few days. But as they become closer, each of them realizes that they’re not quite over each other; it’s harder for them to see each other with other people, even though they’ve both moved on. Will they find their way back to each other again? Or has something broken forever between them, leaving each wishing for the other’s familiarity but unable to reconcile their feelings?

This sequel to What If It’s Us is a delight from start to finish. It features all of the characters that readers know and love from the original book, plus a few new characters that readers will love meeting. This story moves at a consistent pace, keeping readers engaged while also allowing for slower moments that develop the characters and their relationships. The point of view alternates between Ben’s and Arthur’s, letting both voices and stories shine.

A central theme in Here’s To Us is the importance of compromise in a relationship – both parties must put in an equal amount of effort for the relationship to be happy and healthy. Arthur and Ben learn this through trial and error, the way that all humans do. They don’t always make the best decisions and they hurt people they care about along the way, but they learn from their mistakes and do their best to make amends. Ben’s and Arthur’s growth makes them easy to sympathize with and subsequently learn from, even while being frustrated with decisions that we, as readers, can tell are not the best.

Unlike, young adult stories, Here’s To Us is considered new adult fiction because the characters are in the 18–29 age bracket and deal with more mature topics. Here’s To Us tackles many questions that many teens and young adults have to navigate, especially when it comes to relationships. How do you know that you’re truly in love with someone? What is the best way to navigate complicated feelings in a relationship? How do your decisions affect your partner, and how do you act in a way that takes both parties’ feelings and best interests into account?

Overall, Here’s to Us is a cute, funny, and satisfying sequel to What If It’s Us. At its core, it is a story about second chances and learning how to recover the people you may have lost touch with. Despite its drama, it has a happy ending, reminding readers that the universe always has a plan.

Sexual Content 

Ben remembers a time when his father “was doing laundry and found a condom sleeve in my jeans pocket. It led to this big conversation where he asked if I was sexually active or not. He was shocked when I told him that I’d had sex with Hudson, Arthur, and Mario.”
Arthur texts Jessie that he’s having trouble getting a fitted sheet on his mattress. Jessie texts back: “It’s probably turned the wrong way, check and see if it has one of those top or bottom labels.” Arthur replies: “My bedsheet has its own grindr profile now??”
When Ben wonders what Arthur was doing all day before finally texting him, Ben thinks, “Maybe [Arthur and Mikey] were chilling. Let’s call it what it is– maybe they were having sex.”
Arthur describes Ben as someone who “once turned down a blow job in favor of beating Dylan’s high score on Candy Crush. A blow job from Hudson, for the record. Ben’s never turned down a blow job from me.”
When coming across a very overpriced shirt at a designer store, Ben asks, “Why is this better than, like, Marshalls? Is it threaded with diamonds? Does wearing it give you an orgasm?”
Ben and Arthur have sex. Ben describes, “I fall back into bed first, kicking off my sneakers and unbuttoning Arthur’s shirt while he’s kissing me. We’re finding our way back to each other with every touch, both of us more experienced than last time, and without meaning to, we’re bringing those histories on top of the sheets. Even though I’m so damn ready to be naked with him again, I take my time undressing him.”
Ben and Arthur kiss in a public place but away from a crowd. “[Ben] kisses me, his hands running down the sleeves of my jacket, leaving fields of goosebumps in their wake, even through layers of fabric. My arms hook beneath his, hugging him closer, holding his lips against mine, because air is good, but Ben’s breath is better. His hands change course, trailing back up to my shoulders, to the back of my neck, and I can’t stop thinking about how many stories these hands have told on tiny square keys. His fingertips find the skin just above my collar and just beneath it, tracing around the tag of my shirt – didn’t even know that was a move, but it definitely is. The way his touch lights me up, leans me forward. I think he’s italicizing me.”

Violence 

None

Drugs and Alcohol 

Arthur drinks a spoonful of chocolate liqueur. This is the first time he’s tried alcohol. “I swirl it around in my mouth for a moment, and at first I think it tastes like chocolate, but worse. But the more I sit with it, the more I like it, and by the time I finish the spoonful, I’m sold.”

Language 

“Fuck” and “shit” are used often as exclamations.

Supernatural

None

Spiritual Content 

None

Wrath of the Exiles

Coop Cooperson thought he was settling into life as the only human at Dungeoneer Academy, but no one will even remember his Mushroom Maze victory if he keeps failing Riddles and Runes class. Adding insult to injury is the new kid, Kody, who everyone—including Coop’s best friends on the Green Team—thinks is so great…but Coop is convinced there’s more to Kody than meets the eye.

But it’s not just the arrival of Kody; other things seem off at the Academy. After a serious incident at the school dance, Coop, Oggie, Daz, and Mindy, plus a few other students new and old, realize they must step up to try and stop whoever’s wreaking havoc. But the villains are even more dangerous than anyone realizes . . . and they have a serious vendetta against Dungeoneer Academy.

Coop and his friends put their best junior dungeoneer skills to the test, but their foes are always one step ahead. Can they figure out how to stop them and save Dungeoneer Academy before it’s too late?

The second installment of the Dungeoneer Adventures will quickly capture readers’ attention with a new twist—Coop wants to ask Daz to the homecoming dance, but the task seems more difficult than facing monsters. Mixed into the story is a little jealousy when the new kid, Kody, dominates Daz’s and Oggie’s attention. Middle school readers will relate to Coop’s insecurities and conflicts, which are presented humorously.

Despite the drama of the homecoming dance, the action never takes a break. Soon, Coop and his friends—the Green Team—are off on a wild adventure trying to stop the villain, Rake, from acquiring a piece of the wishing stone. As the friends travel into an icy abyss, they meet a robot named Victor Seven. The robot wants to be a hero; this thread allows the book to explore the theme of heroism. In the end, Victor learns that “Being a hero isn’t about never failing. It is about always trying.”

Wrath of the Exiles’ rich language adds to the story’s fun tone. The book is wonderful to read aloud because it’s filled with alliteration, onomatopoeias, silly names, and made-up words. However, some readers will struggle with the liberal use of idioms such as knock you down a peg, a walk in the park, etc. In addition, the story uses difficult vocabulary such as cacophonous, surmises, perpetual, precipitous, extrapolate, and gobsmacked. Despite this, there are context clues that will assist readers in understanding the story. The story’s black-and-white illustrations also help readers understand the text and visualize the imaginative world. The Dungeoneers Adventures Series must be read in order because each book builds on the same story thread.

While Wrath of the Exiles has many of the stereotypical characters—a bully, an evil villain, a bookworm, an awkward boy, etc.—each character has unique qualities that make them loveable and, at times, surprising. The magical world, fast-paced battle scenes, and fight against evil make Wrath of the Exiles hard to put down. The story’s message about friendship, trust, and listening gives the story heart. The Dungeoneer Adventures books will have readers laughing out loud one moment, and biting their nails the next. Additionally, the conclusion reinforces important lessons about friendship that will leave readers with a smile as they reach for the next book in the series.

Sexual Content 

After Coop shows Daz his support, she “gives me a peck on the cheek. My brain short-circuits for a second, and I suddenly feel like doing somersaults.”

Violence 

Zeek, the school bully, purposely trips Coop in the cafeteria. Afterward, Coop describes, “I stand up amidst the crowd, dripping with slime, and as I stumble out of the cafeteria, their scolding turns into laughing. Needless to say, it doesn’t feel so good.”
At the homecoming dance, someone puts a potion into the punch and it turns everyone into stone.
While trying to figure out who turned everyone into stone, Coop and his friends go into the school’s vaults and discover a “mechanical behemoth” which is “a sputter-guardian. . . the newest sputter-spark technology that the realm of Shyrm has to offer.” The sputter-guardian attacks Coop. “A barrage of arrows peppers the ground behind my feet as I hop, skip, and jump out of the way. The machine lurches after me.”
Oggie jumps into the fight and “the sputter-guardian spins like a top, striking out with limbs, like each has a mind of its own. One swats Oggie, and he goes crashing into the stone slab that Ingrid’s hiding behind. With a swift tug, she pulls him clear of another blow.” Ingrid is another member of the Green Team.
The sputter-guardian tries to zap the kids with a laser blast. Coop attacks with his sword. “With a clamorous BOOM the sputter-guardian falls to the ground, missing a leg. . . Angerly its red eye heats up and starts rapid-firing in all directions.” Daz pushes Coop out of the way and “with both of her daggers drawn, she dives spectacularly for the glowing eye and shatters it.” The battle is described over six pages. No one is injured.
As Coop and his friends enter further into the vault, they find Zeek and his friend Axel trying to steal an answer key. Then, Coop explains, “I dive as a wrecking ball swooshes past me, tousling my hair. Then a bunch of buzz saws spring at me from the floor and walls.” Daz pushes Coop out of the way.
Axel “tries to avoid a whizzing buzz saw, a wrecking ball clips him from behind and he tumbles to the ground. Zeek scrambles like a cockroach to save himself.” Oggie saves Axel. No one is injured.
A group of students jump into “a black vortex,” which is a portal to the underworld. When they come out of the other side, an exile, Dorian Rider, puts them in chains.
Coop goes after Dorian Rider and another exile. Before he can attack, “everything turns dark as I crumble to the floor. What just happened? The last thing I see is Zeek standing over me with a wooden club in his hand.”
Coop and the Green Team run from a “mutant troggle” that is a “sentient ape” that has been “lobotomized. Turned into a machine.” Coop explains, “With alarming speed, the monster’s giant axe-hand swipes towards me . . . . All I can do is duck and wince. But when I look up, I see the force field from Mindy’s ring repel the attack.”
The ape grabs Oggie and starts to squeeze him. Oggie yells, “You’ll have to do better than that, banana breath!” The angry ape “flings Oggie at the wall, where he clatters into a rack of weapons. . . Oggie looks up in fright as the mutant troggle raises its cruel axe. . .”
In an attempt to stop the ape, the Green Team lets a nether bharg loose, but unfortunately it goes after them. “The nether bharg’s jaws are mere inches away from gnashing at us when Daz steps forward, raising her arms, revealing the strange eye patterns on her cloak. . . the nether bharg freezes in its track, recoiling in fear.” The Green Team escapes. The scene is described over five pages.
The Green Team enters a tomb and faces a group of ghosts who “are her loyal servants. . . even in death.” A ghost asks the group what they wish for and Oggie thinks about food. An avalanche of food begins to fall. Daz is “pelted with a carton of Nork’s Noodles. . . Mindy shouts as she uses her magic ring to conjure a force field above us like an umbrella. A giant tube steak falls like a wiggly tree trunk and bounces off the shield.”
When the kids are about to be smothered in food, their robot friend Victor “leaps clear of a titanic cupcake, carrying Daz, Mindy, and Ingrid over his shoulders.” Victor forces the door open and everyone gets out except for him.
In a multi-chapter battle, Coop and his friends battle for their lives. As the Green Team enters the next level of the maze, the exiles surround them. “In seconds, their weapons are pointed at us from all sides. . . The exiles waste no time and charge us, weapons drawn and magic items humming to maximum power. [Coop] fall[s] back, barely avoiding a swipe from Kodar’s [an exile] axe.”
During the fight, “Mindy shouts, firing bolts into the hanging icicles. A few razor-sharp shards of ice crash down to the floor, keeping Kodar and the others at bay.”
Coop is caught when Dorian’s “grappling gun entangles me. The squeeze is so strong that I can’t move my arms. . .”
The leader of the exiles, Rake, goes after Oggie. Rake “strikes Oggie so hard with his augmented arm that the blow sends my friend sprawling. Oggie slams against a gagged stone, magic armor crumpling.” Someone gives Oggie a Courage Potion and he wakes up.
A trap is set off unleashing “Audrastica’s ice golems” that attack the exiles. Then a huge “behemoth” ice golem appears, but Victor runs to the rescue.

Drugs and Alcohol 

Coop and his class are learning how to make a courage potion that includes “doohagenberry plant,” which has extraordinary healing properties.

Language 

There is often name calling such as jerk, goon, turncoat, loser, and scumbag.
Kodar mocks Coop by calling him little guy.
Heck and dang are both used several times.
Zeek overhears Oggie (who has fur) talking about asking a girl to the homecoming dance. Zeek scoffs and says, “She’d never go to the dance with an overgrown hairball like you!” Oggie’s friend jumps in and says, “Oh yeah, and who would ever want to go to a dance with a couple of puke-breath bullies like you two.”
Zeek calls Coop “Pooperson.”
While learning about a famous dungeoneer, Shane Shandar, Coop thinks, “I, Coop Cooperson, Junior Dungeoneer, am going to the same school as Shane flippin’ Shadar.”
Zeek accuses the new girl of being an evil witch.
“Holy cats” is used as an exclamation twice.

Supernatural

The dungeoneers must take a Riddles and Runes class. Their teacher explains that, “Runes are magic. Specifically, magic words, or strings of words. And they have many complete meanings pertaining to spells, enchantments, or curses.”
Someone steals the Arkimunda Coagudex, a book of spells, from the library. “Supposedly the Arkimunda Coagudex was written by a powerful sorcerer hundreds of years ago. . . It is full of recipes to create things like curse potions, corrosive acids, and dangerous poisons.” The book also has “hexes, boons, enchantments, and curses.”
Ingrid, uses the Arkimunda Coagudex to make a Campfire Potion. She says, “We can grind up frostfoil and mix it with melding powder and water to create a potion that wards off the cold.”
Kodar, who is an exile, uses an amulet of focused “trasnsmogrification” to disguise his identity.

Spiritual Content 

None

The Godhead Complex

Sadina and the islanders are up against both man and nature as they navigate their way to Alaska. There, they hope to meet the mysterious Godhead, unsure of what separates myth from truth. But the Godhead, now led by Alexandra, is fractured. Within the cracks of their sacred trinity, secrets are revealed that blur the lines of good and evil forever.

After a devastating discovery, Isaac and Sadina are forced to split up. Minho holds the rest of the group together, but it’s his beliefs that are slowly falling apart. What once drove Minho to join his sworn enemies is causing him to question everything. When Sadina finds a clue in The Book of Newt, her mission to meet the Godhead becomes even stronger. Isaac and Old Man Frypan come across an enigmatic traveler and learn that the cure isn’t what it once was. They are shaken to the core when they realize that the immunes aren’t as immune as they should be, and the world as a whole is evolving in a dangerous new direction.

In Alaska, The Godhead and the sacred site of the Maze face something that no generation of Pilgrims before them has ever witnessed. Beliefs will change, futures will be rewritten, and not even the Godhead knows what will happen next.

Isaac’s best friend, Sadina, has been told that there is a chance her blood may be the Cure to the Flare virus. The Remnant Nation and The Godhead each offers their own plan for a cure for the Flare. Isaac and Sadina feel that “they needed to help end the Flare for good” by “taking Sadina’s blood” and creating a Cure, but Isaac and Sadina don’t know who to trust—The Remnant Nation or the Godhead.

An important theme in The Godhead Complex is how people in positions of power can manipulate those who are desperate for answers. The Godhead claims to offer a “cure” for the Flare virus that will reshape humankind as we know it: “For the non-infected, the Cure sequenced DNA structures that had been left abandoned in humankind, opening new pathways and abilities whose potential had been lost or never discovered.” These abilities include perfect memory, strength beyond normal human capacity, and even telepathy. Alexandra, a powerful leader in the Godhead, calls herself a goddess and is even willing to kill her counterparts in the Godhead to gain more power for herself. Alexandra tells the public that she has found a cure for the Flare virus and that, “You all will become Gods and Goddesses, if you accept the Cure.”

One important character is Old Man Frypan, a man who was a test subject in the original Maze experiments decades ago. Frypan is a character from the original Maze Runner Series, set seventy years before this novel, and he constantly offers Isaac and his friends sage advice. For instance, Frypan says, “You trust yourself first, and after that you trust those who trust you.” Frypan explains a main theme in the novel: sometimes people who begin with good intentions can become dangerous. For example, Sadina, Isaac’s best friend, asks, “If [the Godhead] really wants to cure the Flare, that can only be good, right?” Old Man Frypan tells Sadina, “People are manipulative, motivated by power, greed, and things you and I aren’t capable of.”

The theme of people turning on each other for power is pertinent. The major war that happens centers around two leaders of the Godhead, Alexandra and Mikhail, and their attempts to secretly gain power over each other. For example, Mikhail says, “It was Alexandra’s war within her own mind that made it possible for Mikhail to sneak away so often to the Remnant Nation. To build an army of Orphans solely to defeat her and wipe the Flare from the earth for good.” Both characters are set on destroying each other, even though in the previous novel it appeared that they were both on the same side, with the Godhead.

Readers who enjoy switching between the points of view of several characters will enjoy the way this book builds suspense by focusing on multiple characters’ perspectives. Readers who enjoy science fiction and action will find this book thrilling, as long as they are not put off by occasional instances of violence. The ending will have readers on the edge of their seats. Isaac and his friends discover that “something about the sequencing that blocks the Flare also blocks reproduction . . . The Evolution [from taking the Cure] will cause our extinction.” The end of book two leaves Isaac struggling to reckon with the truth: “How can [the Cure] save the population while ensuring it ceases to exist. How could both realities be true?” Isaac and his friends decide they only have one option, to go to Alaska and confront the Godhead.

Sexual Content 

Sadina and her long-time girlfriend, Trish, kiss. “They kissed, and Sadina squeezed Trish even tighter, and the cheese-fest might have lasted forever if Dominic didn’t race up to the deck.”

Violence 

In a prologue, the widespread effects of the Flare virus are described: “screams of death” like “souls being cooked from the inside out.”
Isaac’s friend, Sadina, recalls an event from the first book in the series, The Maze Cutter, where Kletter was murdered by two strangers. “Kletter got her throat slit open.”
Mikhail discovers that a fellow member of the Godhead has been murdered: “It took [Mikhail] a handful of seconds to realize what he was looking at—not because his brain was confused, but because he had never before this moment seen a body without a head.”
While sneaking into the Remnant Nation, Mikhail is stabbed. “Before [Mikhail] could even wonder who was behind him, he felt the screaming stab of a knife in his lower back.” However, Mikhail does not die from this wound.
Alexandra witnesses an arrow kill her assistant. “Alexandra stopped at the sight of her faithful servant’s expression, crooked with pain . . . His knees hit the ground, a single red arrow jutting from his neck.”
Mikhail witnesses a group of cranks, people infected with the Flare that turn into zombie-like creatures, “chewing at their own limbs” to escape chains.
When a crank escapes the chains, Mikhail kills it. “[Mikhail] then stabbed the crank in the neck. Right in the artery.”
To protect her friends, Sadina kills a crank. “[Sadina] steadied the gun in both hands then blew a bullet through the crank’s head.”

Drugs and Alcohol 

None

Language 

Occasionally characters will use profanity such as ass, damn, and shit.

Supernatural

None

Spiritual Content 

Nicholas, a member of the Godhead, says the Cure will make humans into gods. He says, “God is nothing but a complex, we are all gods.”
Alexandra, a leader of the Godhead, refers to herself as “Goddess.”
Alexandra tells the public, “You all will become Gods and Goddesses, if you accept the Cure.”
Roxy, a wise woman who joins Isaac and his friends on their mission tells stories of “the God with the Angels and the Devil.” Roxy says, “Hell is a place you go to after you die, where the Devil rules his little scary kingdom. I don’t believe in it, not literally anyway, but some people do.”

What If It’s Us

When Arthur found out he was going to spend the summer in New York doing an internship at a branch of his mom’s law firm, he was thrilled. As a theatre fanatic, he was excited at the prospect of living right at the heart of where everything happens. But when he gets there, he realizes that life in New York is no Broadway show. He misses his friends back home, Jessie and Ethan, and there are no other high schoolers at the firm to hang out with. The two people closest in age to him, Juliet and Namrata, are in college and treat him like a little brother, not a friend. And on top of it all, his parents have been bickering nonstop since they landed, and their New York apartment is too small for Arthur to get away from it.

Ben’s summer isn’t going much better. During the school year, he spent so much time with his then-boyfriend, Hudson, that his grades suffered. Now, to graduate on time, Ben has to spend his break in summer school. To add insult to injury, he and Hudson broke up shortly before the end of the school year after Hudson cheated on him, causing a rift in their friend group as their mutual friends took different sides. Ben still has his best friend, Dylan, but his other friend Harriet only hangs out with Hudson now. Summer school is bad enough, but his broken friendships are really starting to take a toll on him.

When Ben and Arthur first meet in the post office, they hit it off right away, but forget to exchange names or contact information. When they find each other again, they call it New York City magic, a sign from the universe that they should be together. After a few rocky starts, they begin to date. But Arthur has never been in a relationship before, and Ben has way too much on his plate. And, of course, there’s the fact that at the end of the summer, Arthur will have to leave New York. Can they make their relationship work despite all of these challenges, or are they simply not meant to be together?

What If It’s Us is a humorous, cute, and cozy teen rom-com that’s easy and fun to read. It is full of references, particularly to contemporary Broadway musicals and Harry Potter, for fans to enjoy; however, knowledge of these references isn’t necessary to enjoy the book as a whole. All of the characters, particularly Arthur and Ben, are well-developed and fleshed-out, making them easy to relate to and sympathize with. The chapters alternate between both Ben’s and Arthur’s perspectives, giving readers a glimpse into both characters’ thoughts. Although they both make mistakes and have problems, they work through them together, making them an easy couple for readers to root for.

Fans of Becky Albertalli and Adam Silvera will love their collaboration on this book. The novel flows well, without major style shifts, something that is difficult to achieve in a collaborative project. Each of their distinctive styles shines through while still working with the other, not overpowering it. Overall, What If It’s Us is an adorable teen rom-com, perfect for readers who want a simple story about the power of love. Its main lesson is to live in the moment; even if love and friendship may not last forever, they can still be beautiful and are worth pursuing. Fans of What If It’s Us should also read They Both Die at the End by Adam Silvera and Yes No Maybe So by Becky Albertalli.

Sexual Content 

When Ben goes to his best friend Dylan’s house, Ben knocks on Dylan’s bedroom door before going in because a few months ago “[Ben] walked in and he was really going at it with himself. ‘Hand out of your pants?’ [Ben] ask[s]. ‘Unfortunately,’ Dylan responds from the other side.”
On Ben and Arthur’s first date, Ben mentions, “My best friend, Dylan, once sent me a link to some Harry Potter porn. You can never read those books the same after you’ve seen Hermione, Harry, and Ron in a potions lab shouting Erectus Penis.”
Ben and Arthur have their first kiss. Arthur’s “eyes are closed, and [Ben’s] lips move against mine, and WOW, I don’t know what the rules are around the appropriateness of getting a boner in this sort of moment, but– oh. I should kiss him back.”

When Arthur brings Ben to his apartment to meet his parents, Arthur worries about how he should introduce Ben. “If he’s not my boyfriend, what do I call him? My friend? My gentleman caller? The guy with whom I think about having sex with 99 percent of my waking hours? And yes, I mean that both ways. I spend 99 percent of my waking hours thinking about how I’d like to spend 99 percent of my waking hours having sex with Ben.”
During a dinner with Ben’s parents, Ben and Arthur go to Ben’s bedroom. They sit on top of Ben’s bed together (the door is open) and Ben thinks about sex. “I sit beside him and think about sex because that’s what happens when your beautiful boyfriend is in bed with you. If we make a move to have sex while he’s still in New York, it’s going to be his first time. That’s wild pressure. I want to prove myself to him so that no matter what happens between us, he won’t ever look back at me and regret our choice.”
When Ben and Arthur are home alone, they mess around in Ben’s room. “And for a moment, we just stay like that– chest to chest, cheek to cheek. And then, slowly, [Ben’s] fingers trail closer to my boxers, slipping under their waistband. ‘This still okay?’ Holy shit. I laugh breathlessly. ‘Yup.’ So this is actually happening. It’s happening. It’s happening, and my whole body knows it. His hand slides down another inch. I don’t think I’ll ever not be hard again. His eyes never leave mine. He looks nervous. And he holds me like I’m breakable.” They do not end up having sex.
Ben and Arthur kiss in Arthur’s apartment when they are home alone. “I just love this. Every part of it. The hitch in [Ben’s] breath and his slightly swollen lips and knowing I’m the one who made both of those things happen. I love the way the spaces between our bodies vanish, like we can’t be close enough. I love the feeling of my hands in his hair. I love the softness of the nape of his neck. And most of all, I love it when our lips are touching and our mouths slide open and my heart’s a mile a minute, and breath becomes something we share.”
Ben and Arthur have sex for the first time in Arthur’s room. Ben describes, “We get going and we go slow . . . I kiss him and I call him beautiful and I tell him I love him and we go on past that finish line. We laugh and we catch our breaths.”
When Arthur helps Ben study for his chemistry exam on Arthur’s last night in New York, Ben says, “I can’t believe we’re spending your last night studying for my fucking exam.” Then, Adam details the following exchange: “‘I love studying with you for your fucking exam.’ ‘I’d rather forget the exam part and go straight to–’ I clap my hand over his mouth. ‘Don’t say ‘fucking.’ Don’t you dare.’”
Arthur comes up with the following mnemonic device for remembering the first nine elements on the periodic table: “Happy Hudson loves boners but can never overcome flaccidity.”

Violence 

None

Drugs and Alcohol 

Ben, Arthur, and their friends go to a karaoke night, and someone asks one of their friends to “go use your beard to get us some alcohol.” This doesn’t work, and the four drink Coke instead.

Language 

“Fuck” is used often as an intensifier, and once as a synonym for “have sex with.”
“Shit” is sometimes used as an exclamation.

Supernatural

None

Spiritual Content 

Ben and his parents say grace before dinner. “This evening Ma is thanking God for the food on the table, for my abuelita who fell getting out of the car and my aunt who’s taking care of her, for Pa’s modest pay raise kicking in at Duane Reade, and for everyone’s well-being.”

Dungeon Academy: No Humans Allowed!

Welcome to Dungeon Academy, where monsters and creatures train for the dark world that awaits just beyond the dungeon walls! But Zellidora “Zelli” Stormclash is a bit—different. She’s the one thing monsters and creatures of the Forgotten Realms fear the most: Zelli is a human!

Knowing she’ll never be accepted, Zelli’s parents disguise her as a minotaur in hopes she’ll blend with the academy’s monstrous surroundings. Zelli does her work, keeps to herself, and becomes “invisible” to everyone. 

While in History of Horrible Humans class, Zelli learns of the great human adventurer, Allidora Steelstrike, who oddly resembles her. Could Zelli also be a Steelstrike? Seeking answers to her true lineage, Zelli embarks on a dangerous adventure.

But she won’t be alone. A vegan owlbear, a cowardly kobold, and a shapeshifting mimic will join Zelli on her quest for truth in a world that holds no place for them. And who knows? Perhaps these monstrous misfits may discover some truths of their own.

Dungeon Academy: No Humans Allowed! is told from Zelli’s point of view. Like many middle-grade readers, Zelli wonders where she belongs. At first, she tries to isolate herself from others. But when she stops a bully, Zelli gains a group of unlikely friends. Each creature in the friend group goes against the usual stereotype for their species. For example, Hugo is an owlbear who is kind and has no desire to use his strength to defeat others. This allows the author to reinforce the importance of embracing each other’s differences.

Readers who are not familiar with the world of Dungeons & Dragons may have difficulty understanding Zelli’s world. In addition, some readers will struggle with the book’s advanced vocabulary such as rudimentary, vambrace, begrudgingly, baldric, surreptitiously, and necromancy. The book also uses made-up words which at times can be confusing. For example, “The goblins ate with goblins, the oozes slorped with the oozes, and the myconids multiplied with the other myconids.”

Since the story takes place in a fantasy world full of strange monsters and creatures, the book includes illustrations that are black and white with pops of orange. The illustrations, which appear every two to five pages, give readers a visual of all of the strange creatures as well as the battle scenes. Even though the battle scenes are described in detail, the illustrations do not show any gory details.

Dungeon Academy: No Humans Allowed! is best suited for readers who are already familiar with Dungeons & Dragons. The unique characters highlight the importance of accepting yourself, even if you’re different than others. In addition, the story makes it clear that everyone makes mistakes—the important part is to learn from those mistakes. While the story has positive life lessons, the book’s long descriptions slow down the book’s pacing which breaks up the action and suspense. In addition, most of the action begins in chapter 11, which makes some of the adventure unexciting. Despite this, readers who are familiar with Dungeons & Dragons will enjoy entering the world where monsters, creatures, and humans come together to defeat evil. Readers who enjoy Dungeon Academy: No Humans Allowed! should also read the Dungeoneer Adventures Series by Ben Costa & James Parks.

Sexual Content 

None

Violence 

While in the forest, Zelli and her friends are surrounded by a pack of wolves. The group believes they are doomed, but Zelli’s friend Bauble transforms into a tambourine. “Zelli couldn’t believe what she was seeing—the banging and the noise actually worked. The wolves shied, showing their teeth, yellow eyes glowing with hungry intent, but gradually their shaggy gray heads bowed. . .slinking back toward the edge of the forest. . .”
Zelli’s classmates are put under a spell and walk mindlessly into a deep cave. Zelli and her friends follow and discover a human, Allidora Steelstrike, fighting a necromancer. Steelstrike is cornered and “five skeletal warriors dove at Allidora Steelstike, overwhelming her, slamming her to the ground . . . Steelstrike’s sword tumbled out of her grip, spinning away uselessly, lost under a tide of skeletal feet.” The battle is described over four chapters.
Zelli and her friends jump in to help Steelstrike. Zelli’s “sword collided with the nearest skeleton, and the impact hit her not as a human, but as a minotaur. Swinging her weapon, throwing her weight around, she felt strong and sturdy. . . she bowled [the skeletons] over easily while [Zelli’s friend] lashed out with his shield at any that managed to get by.”
Soon, Zelli and her friends are surrounded by skeletons. Then Bauble [a mimic] turns into a ball and bounces through the skeletons. “Flash [a blink dog] popped out of Hugo’s bag, appearing the next instant inside the rib cage of the skeleton. . . making the skeletal minion explode in a shower of bone fragments.” The fight against the skeletons continues for a page.
A necromancer, Lord Carrion, creates a fire, but Zelli’s friend, Snabla, who is a kobold, uses his shield to get through the flames. “Lord Carrion turned on the kobold, striking with the end of his staff. . . the heavy wooden weapon connected hard with Snabla’s shield, sending him flying to the floor. Dazed, Snabla tried to rise again, but Lord Carrion’s skeletons descended. . .”
Lord Carrion uses a spell to freeze Steelstrike and others. Then, Lord Carrion puts the owlbear, Hugo, under his spell. Hugo’s eyes, “Suddenly filled with hatred. . . Hugo gnashed his beak and lashed out at [Nelli and her friends] with lethal claws, gouging a long scratch into Snabla’s mighty shield. His eyes flashed purple, his claws elongating, glowing like otherworldly dangers. . . Again and again, Hugo’s glowing claws beat against the shield, and Snabla did his best, but he was just a young kobold . . .”
Zelli attacks Hugo with her sword, but “the owlbear’s crushing grip landed around her upper arm and with ease, he hoisted her into the air, opening his beak wide to tear out her throat. Zelli kicked and punched but to no avail . . . She thrashed and hoped he would at least miss her neck and land somewhere less vital.”
When Hugo attacks Zelli, his “sharpened beak came down with a snap on her shoulder joint, and she heard the crunch of bones and felt the hot splatter of blood against her chin as the owlbear took the first bite.” The taste of flesh brings Hugo to his senses and he stops his attack on Zelli.
The fight with the skeletons continues. “Hugo, now enraged in his own right, bashed [the skeletons] with his heavy fists . . . Minion after minion flew across the cave, crumbling as their frail bodies hit the stone.” The blink dog “popped up just in time to catch a broken leg bone before it could reach the floor.”
Once the skeletons are defeated, Snabla goes after the necromancer. “Snabla slammed right into his legs, sending the necromancer end over end and into a dusty, musty corner. . .” The necromancer begins a speech, “But Bauble had heard enough. . . The mimic changed rapidly into an iron pan, and Zelli had the strength left. . . knocking the necromancer out of his wits before he could finish his vile spew.”

Drugs and Alcohol 

None

Language 

There is some name calling including sneak, slimeball, fart breaths, dummy dumb, fiend, and witless worm.
“By Bane’s Black Hand” is used as an exclamation once.
After Zelli and her friends leave the school without permission, one of the teachers says, “By all the gods and oaths, what were you four thinking?”

Supernatural

The world has magic and many monsters and other creatures.
Bauble is a mimic that can change shapes. For example, when it gets scared, “the mimic shrank down into a small box with a lid and enameled handles, a miniature dancer turning behind a glass pane, gentle, tinkling music drifting out into the icy cold dungeon. Then it transformed again, this time into a quill; then it returned to its initial book form.”
One of the instructors is “undead” and he is “merely a floating bespectacled skull engulfed in blue flames.”
When Zelli and her friends run away from the school, they go through the Endless Forest. “The forest recognizes those who are welcome and allows us passage but anyone else will wander and wander for days until, well. . .”
Part of the story deals with necromancy, which is communicating with the dead.
Zelli and her friends find a blink dog, which can disappear and reappear someplace else.
The necromancer opens a portal and sends monsters and creatures through it where his master will turn them into his army.
Zelli is given a Steelstrike emblem that is “enchanted with powerful magic. They call to each other. . .” Her biological mother says, “Should you need me, simply hold the emblem tight and speak the words, ‘By sword and by light, Talos guide my sight, summon my kin, call the Steelstrike.’”

Spiritual Content 

None

Throw Like a Girl

When softball star Liv Rodinsky throws one ill-advised punch during the most important game of the year, she loses her scholarship to her fancy private school, her boyfriend, and her teammates all in one fell swoop. With no other options, Liv is forced to transfer to the nearest public school, Northland, where she’ll have to convince their coach she deserves a spot on the softball team, all while facing both her ex and the teammates of the girl she punched. . . Every. Single. Day.

Enter Grey, the injured star quarterback with amazing hair and a foolproof plan: if Liv joins the football team as his temporary replacement, he’ll make sure she gets a spot on the softball team in the spring. But it will take more than just a flawless spiral for Liv to find acceptance in Northland’s halls, and behind that charismatic smile, Grey may not be so perfect after all.

Readers will instantly connect with Liv, who is a hard-working, spunky protagonist worthy of admiring. When Liv is forced to change schools, she is determined to prove that she will be an asset to the softball team. Even though Liv joins the football team to impress the softball coach, Liv doesn’t slack or complain. Because of her competitive nature, Liv gives the football team 100% and proves to the players and the coaches that she is an integral part of the team. While Liv’s work ethic and athletic ability are admirable, Liv’s loyalty to her family and friends makes her lovable. However, Liv is not portrayed as a perfect person; teens will relate to Liv’s flaws and insecurities. Plus, Liv’s lively personality makes Throw Like a Girl incredibly fun to read.

Liv is surrounded by well-developed and likable supporting characters. Liv’s family is an important part of the story and her little brother is adorable. While Liv’s family don’t always agree with each other, they (usually) don’t hide secrets from each other. The family’s healthy dynamics make it easy to fall in love with them. However, Grey steals the show with his winning smile, his charismatic personality, and his confidence in Liv’s football skills. There are plenty of swoon-worthy moments that will have the reader’s hearts melting.

Throw Like a Girl has the perfect amount of football action, teen drama, and romantic moments. In addition, the story has a positive message because Liv learns that “standing up for yourself doesn’t mean walking away.” Readers will cheer for Liv when she’s on and off the field and by the end of the book, Liv will feel like a favorite friend. Throw Like a Girl is so charming that it will appeal to both sports fans and romance enthusiasts. For more sports and swoon-worthy moments read Defending Taylor by Miranda Kenneally and Better Off Friends by Elizabeth Eulberg .

Sexual Content 

When Liv first begins playing football, she is nervous about being a quarterback. During practice, Liv is uncomfortable because “for the eighth time in so many minutes, my hands are hovering near the rear-end seam of his pants. Like, right underneath his junk. Big, bulgy, manly junk.”
Before a football game, Grey meets Liv outside the girl’s locker room. Grey’s “fingertips graze my cheek, moving down until they gently tip up my chin. My pulse stutters. . .” Before they can kiss, a friend interrupts them.
When Liv drives Grey home, they sit in the car and talk. Then, “Grey closes the space between us, his lips warm against mine. They’re softer than I imagined, but the scrape of stubble pressing into my chin is 100 percent rough-and-tumble boy.” They stop when the porch light comes on.
Grey and Liv kiss often. However, most of the kisses are not described. For example, Grey shows up at Liv’s house to check on her and her “arms lock his neck, lips to his.”
During one conversation, between Liv and Grey, she thinks “We’ve made out and I’d love to do it again rightthehellnow. . .” Later in the conversation, Grey asks Liv to be his girlfriend. Liv “answer[ed] him with a kiss. Hard and full.”
When his parents are away for the weekend, Grey invites Liv in and takes her to his bedroom. Then he tells Liv a secret. Liv “close the distance between us, twisting to push up onto my knees, draping my arms over his shoulders. . . I’m looking down on him, my chest touching his, the end of my hair pooling against his collarbone. . . And then I kiss him.” The scene ends here.
Liv and Grey have an argument. A few days later, at football practice, they make up. “Even with the eyes of our teammates on us, he dares to touch my face, his strong hands cupping my cheeks, rough thumbs dusting my mouth in the breath before his lips crash into mine. Immediately, I wrap my arms around his waist. The hard planes of his chest conform to my curves. . . The wolf whistles start. . . It’s only by sheer, indoctrinated willpower that I’m able to pull myself out of the kiss.”

Violence 

Liv’s sister, who is a lesbian, is the softball coach. During a softball game, a member of the opposing team, Kelly, says, “Does it bother you? Your sister being paid to check out your teammates?” When the game is over, Liv attacks Kelly. Liv describes, “The knuckles of my hand smack her straight across the ski jump of her obnoxiously pert nose, and we tumble to the infield dirt. I have her pinned, my butt across her kidneys, knees on either side of her squirming stomach.” When the girls are torn apart, Kelly has a bloody nose and Liv has a black eye. The fight is described over three pages.
During a football game, the opposing team is unnecessarily rough. One of the payers, Jake, gets tackled and afterwards he does not move. The coaches go out to check on him and call for a medic. Liv “exhale[s] as I realize that though they’re keeping him steady, not a single one is gripping him like he’s not moving under his own power. I can see Jake’s mouth moving. Blood streaming down from a cut over his left eye.” Jake is not seriously hurt.

Drugs and Alcohol 

During dinner, Liv’s adult sister drinks wine and her father “pops open a beer.”
Grey takes Tylenol for a headache.
After Liv goes on a date, her dad waits up for her. When she arrives, he has a “beer in hand.” Another time when Liv gets home, her father and sister are waiting for her and they both are drinking beer.
Before the story begins, Grey was driving drunk and crashed into a tree. The accident isn’t described.

Language 

Profanity is used profusely. Profanity includes ass, asshole, bastard, bitch, crap, damn, dick, freaking, goddammit, hell, and shit.
God is frequently used as an exclamation.
Christ and Jesus are used as an exclamation several times.
After fighting the opposing team, Liv thinks, “Maybe all the soccer players in Kansas City are smart enough to know that gay people aren’t pedophiles.”
When a football player flips someone off, the coach says, “Put down that hand, Rogers, or I’m taking that finder as a sacrifice to the god of high school football. Might take that senior captain title, too, for good measure.”

Supernatural

None

Spiritual Content 

While talking about sports, Liv’s best friend says, “God did not make you a volleyball player, that’s for sure . . .”

Why We Fly

From the New York Times bestselling authors of I’m Not Dying with You Tonight comes a story about friendship, privilege, sports, and protest.

With a rocky start to senior year, cheerleaders and lifelong best friends Eleanor and Chanel have a lot on their minds. Eleanor is still in physical therapy months after a serious concussion from a failed cheer stunt. Chanel starts making questionable decisions to deal with the mounting pressure of college applications. But they have each other’s backs—just as always, until Eleanor’s new relationship with star quarterback Three starts a rift between them.

Then, the cheer squad decides to take a knee at the season’s first football game, and what seemed like a positive show of solidarity suddenly shines a national spotlight on the team—and becomes the reason for a larger fallout between the girls. As Eleanor and Chanel grapple with the weight of the consequences as well as their own problems, can the girls rely on the friendship they’ve always shared?

Why We Fly was inspired by real people who took a stand against racism. John Carlos and Tommie Smith raised their Black power fist at the Olympics in 1968. Similarly, Collin Kaepernick kneeled during the national anthem in protest of the treatment of Blacks. Why We Fly explores the idea that players should “shut up and play” and the consequences athletes face if they voice their opinions. The story’s message is clear—athletes and others should not be punished for peaceful protest. However, the main characters’ experiences also highlight the importance of having a plan before you protest. In addition, the story reminds readers that no one should be forced to support a cause. By reading, Why We Fly today’s readers will gain insight into effective activism and be encouraged to explore ways they can help others.

The chapters alternate between Eleanor’s and Chanel’s points of view. Since the girls are of different races, readers will begin to understand how race and wealth affect a person’s experiences. While the story explores important themes, the main characters are difficult to relate to. Even though Eleanor and Chanel have been best friends most of their lives, neither one is a good friend. For example, after Eleanor is voted captain of the cheerleading team, Chanel ghosts her. In addition, Chanel is critical of Eleanor’s relationship with star quarterback, Three. Many readers will dislike Eleanor’s and Chanel’s behavior and thus will have a hard time relating to them.

On the other hand, Eleanor has a difficult time considering things from other’s point of view. When she is voted cheerleading captain, she accepts the position and never considers how it will affect Chanel. As cheerleading captain, Eleanor doesn’t show positive leadership skills and Chanel eventually has to jump in to unite the team. Then, when Eleanor encourages the cheerleaders to kneel during the national anthem, she doesn’t think about the consequences or how it would affect others. Eventually, she goes to talk to a rabbi who says, “Living up to a legacy doesn’t mean celebrating it. It means we pick up the baton and keep running the race. It also means we need to check ourselves and our assumptions about how far we’ve come, or haven’t.” Eleanor learns that when protesting, having good intentions is not enough—she should have also considered different people’s points of view and the consequences others would face if they protested.

While many books have imperfect characters, Why We Fly’s characters are unlikable because they are self-centered and have unhealthy relationships. Despite this, readers who are interested in activism can learn important lessons about effective protest. In addition, readers may want to research some of the influential people the story mentions such as Dorothy Buckhanan Wilson, President of Alpha Kappa Alpha Sorority. Readers who want to explore issues of discrimination and wealth should also add these books to their reading list: Jackpot by Nic Stone, The Hate U Give by Angie Thomas, and I’m Not Dying with You Tonight by Kimberly Jones & Gilly Segal.

Sexual Content 

After physical therapy, Three and Eleanor are talking. “He leans closer, and I freeze, dying for him to kiss me and feeling ridiculous that I’m so desperate for him to kiss me that I’m willing for it to happen in this doctor’s office. . . I lift my face, and his lips brush mine gently at first, and then he presses closer, and we fall over a cliff into the kiss.” The doctor interrupts them.
One of the characters wears a shirt that reads, “Woke Up Lesbian Again.”
Eleanor and Chanel go to a BBQ at Three’s house. When Eleanor and Three begin to flirt, Chanel says, “It’s a Planned Parenthood cautionary tale right before our eyes.”
Before a football game, Three and Eleanor have a moment alone. Eleanor kisses him. Three “holds me to him, running that hand all the way up my back and into my hair. His lips part mine, and we kiss until we’re so tangled in each other that the stadium noises fade. . .” They are interrupted by another football player, who yells, “Three! Untangle yourself from that octopus, and let’s go.”
A friend drops Three off at Eleanor’s house. Eleanor wonders, “Why did he have to get a ride to what is obviously going to look like a hook-up?”
Eleanor slept with her previous boyfriend, Roman. Eleanor’s friend said, “Roman was the type to kiss and tell, and she was right. . .” Eleanor isn’t sorry that she slept with Roman, she’s “just mad everyone thought it was cool to slut-shame me for my choice while admiring him for doing the same thing.” Later, Eleanor reveals that Roman is the only person she has had sex with.
Eleanor and Three are hanging out at her house. They begin kissing. Three says that he doesn’t expect her to have sex with him, but Eleanor says she wants to. “Three lies back, taking up my entire bed, leaving me no space and no option other than to press up against him and rest my cheek on his chest. . .” Before they can have sex, they get into an argument, and Three leaves.
On social media, someone posts: “Looks like Chanel Irons will be the next Barack Obama. Anyone know if she’s straight? I’m here for being her Michelle. We can un-hetero that White House together.”

Violence 

Before the book begins, Eleanor falls during cheerleading practice. Eleanor “came down wrong. . . I flailed, trying to save myself too. My head thwacked James’s shoulder on the way down, then hit the mat. One leg bent under me, and my ankle collapsed. . . when I came to, the throbbing in my head blinded me to all the other pain.” Months later, Eleanor is still in physical therapy.

Drugs and Alcohol 

In order to deal with stress, Chanel sneaks into the school bathroom to vape marijuana. She loads “the cartridge of Runtz, press and release the button, and take a short breath.”
Chanel is suspended from school. Afterwards, she hides in the shed behind her house. “Even though I normally take only one short puff, I find myself taking extra puffs today and holding the vapor longer.”
Because of the pressure of applying to colleges, Chanel is “stoned for nearly two months.”
After a football game, a bunch of teens go to a player’s house. Before his parents leave the room, they padlock the liquor cabinet.

Language 

Profanity is used frequently. Profanity includes ass, bitches, bullshit, crap, damn, hell, piss, and shit.
Fuck is used once.
Oh God and dear God are infrequently used as an exclamation.
Three’s mother dislikes Eleanor and calls her “locker-room lice.”
Eleanor and Chanel kneel during the national anthem at a football game. Afterwards, someone posts a picture with a caption that says, “Now we’ve got a Jew bitch on her knees with the primates.”

Supernatural

None

Spiritual Content 

Eleanor was part of a competition squad that would pray “before every tournament—in Jesus’s name.” Because Eleanor is Jewish, she seeks out her rabi’s advice. “His guidance gave me the guts to ask the team to change the prayer to something more egalitarian.”
Eleanor mentions religious holidays such as the High Holy Days and Rosh Hashanah.
Eleanor goes to synagogue during the High Holidays. Her brother wears a bar mitzvah tallit (a prayer shawl), but Eleanor is upset that she forgot hers. The knots on the tallit represent “the number of commandments in the Torah.”
During the service, the rabbi says, “When I look around, both at our larger world and our own community, I see enormous pain. I see injustice . . . There are those who deny the humanity of people of color. Who asks that they be silent in the face of unequal, hateful, violent treatment. . . We have a moral obligation to bear witness to injustice in society. . . it is our responsibility to protect the marginalized and to partner with other communities to confront the powerful who perpetuate injustice.” The sermon goes on for two pages.

Ace of Spades

Chiamaka, one of two Black students at the elite Niveus Academy, is more than ready for her senior year. Since her freshman year, everything she’s done at Niveus has been with Yale’s pre-med program in mind – taking the hardest classes, staying on top of her grades, making connections. When she is selected to be one of the senior Prefects at the back-to-school assembly, she is pleased but not surprised. After all, this was the track she meticulously planned for since day one.

By contrast, Devon, the only other Black student, is ready to fall back into Niveus’s monotony, finish his senior year, and get out. Quiet and shy, the only place he truly feels at ease at Niveus is in the music classroom, where he can escape into building his portfolio for Julliard’s piano performance program. So, when he is also selected to be a senior Prefect, he is taken aback: he is a good student, but not an exceptional one.

But things never stay quiet at Niveus for long: soon after the semester begins, a mysterious entity who calls themselves Aces begins sending incriminating messages to the entire school, exposing students’ deepest, darkest secrets. After a few texts, Chiamaka and Devon realize something disturbing: Aces seems to be only targeting them. They pair up to try and take Aces down, but the more they dig, the more they uncover about their classmates, teachers, and Niveus’ dark past. It soon becomes clear that they can only trust each other – or can they do even that?

Ace of Spades is a gripping read from the start. The pacing is a bit off-putting at times– the book starts slow, uncovering the story layer by layer, and then speeds up in the end with several plot twists that are not as developed as they could be. Nevertheless, Chiamaka and Devon are both such smart and compelling narrators that readers will quickly get hooked – the story is told from both of their perspectives, so readers get full insight into both characters’ lives and see both similarities and differences in their experiences. Both Chiamaka and Devon go through a lot of character development throughout the story. Despite their flaws, they are sympathetic characters that readers will root for and be able to relate to.

While Ace of Spades is a deeply important read, it does handle many difficult topics, such as institutional racism, drug use, incarceration, and death. None of these issues are sugarcoated and they are all integral parts of the story, especially racism. Because these issues are given the gravity they deserve, several parts of the story are rather heavy. While readers should be aware of the heavy subject matter going into this book, it should not deter them from reading it since all of the issues are important to talk about and learn about as they are prevalent in our world today.

Overall, Ace of Spades is a suspenseful thriller that exposes many systemic injustices prevalent in our world today, sending an important message about how to combat them. It has a multi-layer plot that is slowly and carefully peeled away to reveal a big picture that is truly shocking and thought-provoking. Although parts of this story are uncomfortable to read about, they reflect important issues in our modern society that are vital to address and discuss. Ace of Spades will hook readers from the start, and leave them thinking about it for weeks to come.

Sexual Content 

Chiamaka remembers the first time she and her best friend, Jamie, hooked up at a party. “He told me to meet him in his bedroom, and while that night we only made out, it was the catalyst for what happened the rest of the year: Jamie sneaking kisses, whispering things in my ear, asking me to come over . . . ”
Aces leaks a video of Devon and his ex-boyfriend having sex. Chiamaka (and the rest of the school) get a text notification from Aces, plus the video: “Just in. Porn is easy to come by these days. You either search for it online or it falls right in your lap when you least expected it to.” Chiamaka doesn’t click on it, but she “could hear the sounds of it playing from Jamie’s phone.”
Aces exposes the fact that Chiamaka and Jamie hooked up last year. “Belle Robinson [Jamie’s current girlfriend], you have a problem. I’d ask your boyfriend and his bestie, Chiamaka, what they were doing this summer. Hint, it involves no clothes and a lot of heavy petting.”
Devon has sex with an ex-boyfriend. “Dre moves off the bed and goes over to the drawer in his desk, pulling out some condoms. I look away from him now and up at the ceiling, listening to the sound of the rain hitting the windows and the wind angrily crying out, letting it drown my thoughts. His weight tilts the bed as he leans over me and joins our lips together again . . . And then, when we are finally done and I’m in his arms, I let myself cry.”
A poster of Chiamaka is circulated at a party and spreads around Niveus. “Posters of a passed-out Chiamaka in a short silver dress, black tights, black heeled boots, mascara dried on her cheeks, and her hair a tangled mess. Some of the posters have Bitch written in big black bold text, others Slut.”
It’s implied that Chiamaka and her girlfriend make out, or more. “Belle nods, a sly smile on her lips as she reaches up to her shirt and starts to unbutton it. ‘Want to continue not talking?’ she asks, the yellow of her bra making everything inside tingle. ‘Not talking is my favorite thing to do,’ I tell her.”

Violence 

Chiamaka has a flashback to when she was in the car with Jamie behind the wheel, and they hit a girl. “Rain pounds the road as I peer out the window at the body – her body. Through the rivulets, I see her face. Blond curls, pale skin, a dark pool forming a halo around her head. I gag, gripping on to the cold, hard dashboard, closing my eyes. I feel so sick.” This scene is described over two pages.
After a picture of Devon and his ex-boyfriend kissing is leaked, Devon worries about the violence he might face from the homophobic community. “The guys in my neighborhood, the ones I used to go to school with, they’d kill me if they saw that picture. Toss my body into the garbage disposal once they were done with me. These guys watch me on my walk home, staring me down, smirking. Sometimes they yell shit. Other times they push me to the ground, then walk off laughing. The picture would make things in my neighborhood ten times worse.”
Jamie physically attacks Chiamaka, and she defends herself. “I’m cut off by Jamie wrapping his hands around my neck and squeezing. He’s shaking as he strangles me and I’m wheezing, laughing and gasping for air . . . I don’t want Jamie’s face to be the last thing I see before I die, and so I summon all the remaining strength I have, and I kick him in the crotch. Jamie staggers back, releasing me. I cough, throat hurting, chest aching. I don’t give myself time to pause before I kick him again. This time he falls to the ground.” Chiamaka runs away, shaken but uninjured.
The headmaster of Niveus holds a gun to Chiamaka’s forehead to stop her from exposing Niveus’ secrets but doesn’t shoot her. “Before I can do anything else, I feel a large hand grab me, dragging me away through the curtains. I glance back, trying to break out of this powerful grip, and that’s when I feel cold metal pressed to my forehead. A gun.” Chiamaka gets away by “[sticking] something in [the headmaster’s] neck. He freezes up and drops to the ground, the gun dropping with him.”
A fire breaks out at Niveus. Most make it out, but a few people die, including Jamie. These deaths are only mentioned, not described.

Drugs and Alcohol 

Chiamaka got drunk at a party with her best friend, Jamie. “We’d both gotten drunk, so drunk I don’t remember much of that night.”
Chiamaka got drunk at a party with her now-ex-boyfriend. “He thrusts his hand out, this time spilling a bit of his drink, before concentrating hard on placing it down straight.”
Devon has sold drugs to support his family. When he asks his mom to let him help with the bills, she “shakes her head. ‘I know what you want to do and I don’t want you doing that ever. I want you off those streets, in that classroom – making your life better, not jeopardizing it.’”
Chiamaka and Devon have some wine in her basement. “I open up one of the liquor cabinets and I take out a bottle of Chardonnay, placing it on the island. I get out two wineglasses and pour some into each, before sliding one over to Devon. I don’t even like the taste of it, but I know it will help me relax a little. I only poured half a glass so that we wouldn’t be too relaxed or out of it, just enough to give us some liquid courage.”

Language 

Shit and fuck are used occasionally.
The n–word is used once.

Supernatural

None

Spiritual Content 

Devon’s mother is a devout Christian and often prays to God. For example, when the family is struggling financially, she says, “It’ll work itself out, Vonnie. God never falters.”

The Science of Being Angry

Eleven-year-old Joey is angry. All of the time. And she doesn’t understand why. She has two loving moms, a supportive older half-brother, and, as a triplet, she’s never without company. Her life seems good but sometimes she loses her temper and lashes out, like the time she threw a soccer ball—hard—at a boy in gym class and bruised his collarbone. Or when jealousy made her push her (former) best friend and crush, Layla, a little bit too roughly.

After Joey has a meltdown at her apartment building, the family is evicted and Joey is desperate to figure out why she’s so mad. A new unit in science class makes her wonder if the reason is genetics. Does she lose control because of something she inherited from the donor her mothers chose?

The Science of Being Angry follows Joey, who is struggling to understand her place in her family. Joey feels different from her brothers because she’s a fraternal triplet and her brothers are identical twins, but they’re only genetically related to one of their moms. When Joey’s class begins a genetics unit, Joey begins to question how her DNA is affected by her mothers’ sperm donor. In addition, Joey wonders if the sperm donor’s DNA is the link to her uncontrollable anger.

Joey and her friend Layla decide to send Joey’s brother’s DNA to 23 and Me. For some reason, Joey thinks that sending her brother’s DNA will lead to better results Unfortunately, when Joey’s moms discover the 23 and Me account, they have it deactivated before Joey learns anything. This abruptly ends the story thread without answering any of Joey’s questions about the donor.

In addition to exploring family bonds, The Science of Being Angry also focuses on Joey’s inability to control her anger. Joey’s confusion about her biological father and her insecurities about her moms’ love causes Joey to lash out at others. Joey may have sensory sensitivities that cause her to become irritable, but this thread is left unexplored. To make matters worse, her moms don’t always agree about the best way to help Joey. In the end, Joey and her moms seek help from a therapist, which ends the story on a hopeful note. However, some readers may be disappointed that the story doesn’t include any anger management strategies.

The Science of Being Angry uses sensitivity as it explores complicated family dynamics. Joey’s feelings are described in detail in kid-friendly language. However, much of the story focuses on Joey’s emotions and inner turmoil so there is little action. In addition, readers will have to pay close attention to the text because Joey’s moms are referred to as Mama and Mom, which may make it difficult for some readers to keep track of who is talking. Readers who have nontraditional families will relate to Joey and can benefit from reading The Science of Being Angry. However, the story will mostly appeal to readers who are interested in exploring Joey’s vast emotions and the genetics that make her unique. Middle-grade readers who want to explore difficult family dynamics may also want to read We Are All Made of Molecules by Susin Nielsen.

Sexual Content 

Joey’s moms occasionally kiss. For example, when Mom “kiss[ed] Mama on the cheek. . . Mom pressed her face against Mama’s cheek to kiss it again and wrapped her arms around Mama, holding tightly.”
Mom explains meeting Mama. “She was such a kind, sweet little dweeb. How could I not fall for her?” Then Mom explains how she knew she liked girls. “I didn’t want to think about it, because I was confused for a long time. I married Luka, because I thought that’s what I wanted. . . But something was missing with Luka. With me. When I met your mama, I found that something.”
Joey is confused about her feelings for her friend, Layla. While at her house, she “suddenly wondered what it would be like to kiss her.” Joey wonders if she is gay. Thinking about her feelings makes Joey angry so she “shoved Layla as hard as she could onto the floor. Layla hit her elbow on the coffee table in front of them. She was okay; she got a small bruise and cried, but she didn’t bleed or anything.”
At a party, Layla sits next to Joey. Layla’s “voice was too soft, her leg felt too good against Joey’s. . . Joey, without thinking, kissed her.” Afterwards, Joey runs out of the house.
Joey is thinking about her moms watching a movie. “She couldn’t see them. . . but she knew what they’d look like, anyway. Mom was probably draped along the couch, Mama lying on top of her between her legs. They were much like that. . .”

Violence 

Joey and her brothers sneak out of their apartment and go to the swimming pool. Before they can jump in, a security guard appears, and “Joey responded the way she always did, the way that her moms both begged and yelled at her not to. With her fist. . . Joey turned and punched the security guard square in the belly. He fell directly into the pool. . .”
At hockey practice, Eli calls Joey a bad name, “so Joey used the hook of her stick to pull at Eli’s leg, knocking him off balance and sending him spiraling on the ice. . .”
While watching TV, Joey’s brother Thomas sits on the couch. Joey gets upset that Thomas keeps touching her so she “kicked her leg into Thomas as hard as she could.”
Joey and her brothers go to a Halloween party at their friend Eli’s house. “The second they walked through Eli’s door, Joey found herself getting slammed against the wall, hard, with a loud oof! . . . She shoved Eli, and then backhanded him against his helmet.”
At the Halloween party, Eli’s bullying of Joey continues. He “slapped her across the face with the slice of pizza in his hand.”
While at school, Joey bruised her classmate Danny’s collarbone. “Joey didn’t think she meant to hurt him, but she definitely meant to throw the ball as hard as she could at him.”
During science, Joey gets upset and yells “I don’t care about the stupid project!” Then she threw her “heavy science textbook at the classroom window” breaking it. She is suspended from school.
While playing football, Joey tackles Mama. “Just as the ball flew over Mama’s head, Joey threw her entire weight at Mama’s middle. . . tackling her hard to the grass. Mama’s head hit the ground first. . .” Mom jumps in and “reached behind Mama to find her head and pulled away with some blood on her hand. . . Mama’s eyes opened but they didn’t look right. . .” Mom turns on Joey and yells, “What is wrong with you? What the hell is wrong with you!” Mama goes to the hospital but is released the same day.
At hockey practice, Joey skates past Eli “when suddenly she felt something jerk her back. Eli had his hand gripped tightly into the collar of her shirt and he yanked it.” Joey starts to fall, but “Eli pushed her into the wall of the rink, hard, took the puck back, and scored.” Joey’s mom had talked to the coach about Eli’s bullying. The coach sees Eli’s behavior and sits him on the bench.

Drugs and Alcohol 

Joey’s brother takes ADHD medication.
After dinner, Mama “picked up the bottle of wine and refilled her and Luka’s glass.”

Language 

Several times Joey calls a classmate a rat.

Jesus Christ is used as an exclamation twice.
Oh God and Oh my God are occasionally used as an exclamation.
Heck is used twice.
There is some name-calling including jerk and loser. For example, Joey’s brother says the landlord was a “jerk” for kicking them out.
While playing hockey, Joey tells Eli that he’s being a ball hog. When Eli replied, “he used the B word that had been banned from Joey’s household.”

Supernatural

None

Spiritual Content 

None

Lupe Wong Won’t Dance

Lupe Wong wants to be the first female pitcher in the Major Leagues.

She’s also championed causes her whole young life. Some worthy . . . like expanding the options for race on school tests beyond just a few bubbles. And some not so much . . . like complaining to the BBC about the length between Doctor Who seasons.

Lupe needs an A in all her classes in order to meet her favorite pitcher, Fu Li Hernandez, who’s Chinacan/Mexinese just like her. So when the horror that is square dancing rears its head in gym? Obviously, she’s not gonna let that slide.

Lupe Wong Won’t Dance examines middle school drama by focusing on Lupe’s struggles. Middle-grade readers will empathize with Lupe as she tries to navigate the complexities of a middle school’s social hierarchy. Even though Lupe doesn’t mean to make enemies, she often does because she doesn’t always think about the consequences of her actions. For instance, Lupe gets upset and makes hurtful comments to her best friend, Andy. In response, Andy begins hanging out with the popular soccer girls and stops talking to Lupe. The two eventually work out their differences, and Lupe learns that she needs to “try to listen to people more instead of worrying about myself and my own goals.”

Lupe’s family life is an integral part of the story. Lupe misses her father, who died in an accident. She also questions her father’s decision to quit playing baseball to care for his family. Lupe is desperate to meet Fu Li Hernandez because he reminds Lupe of her father, and many of Lupe’s actions are based on her need to earn straight A’s in order to meet Fu Li Hernandez. However, Lupe Wong Won’t Dance doesn’t include any baseball action other than one short practice and when Lupe finally meets Fu Li Hernandez. Still, meeting Fu Li Hernandez makes Lupe realize, “My dad was no quitter. Fu Li’s smile was like Dad’s the first time I whistled. The same smile when I finger-painted my entire face and body. . . And it’s the same smile he had when I hit my first baseball.”

Lupe Wong Won’t Dance uses humor and middle school drama to highlight the importance of being inclusive. While the story explores the discrimination of the past, it does so in a nonjudgmental way that reminds readers that it’s important to take this advice: “I did then what I knew how to do. Now that I know better, I do better.” Another important lesson the story imparts is the importance of self-acceptance. As Lupe’s friend says, “I shouldn’t change just so people will like me.”

Lupe’s story is perfect for middle schoolers, especially those who often feel out of place. Lupe Wong Won’t Dance acknowledges that others can be cruel while challenging readers to overcome their difficulties. In the end, the story encourages readers to be kind and inclusive to others, even those who are different than you. For more middle school reads featuring a protagonist who feels out of place, read Out of Place by Jennifer Blecher, Efrén Divided by Ernesto Cisneros, and A Thousand Questions by Saadia Faruqi.

Sexual Content 

In order to get out of square dancing, Lupe researches the song “Cotton-Eyed Joe” and discovers the song’s origins. A YouTube video explains that the song refers “to a man making his rounds with the ladies. . . Why are his eyes white as cotton?. . . if one listens carefully to the words, poor ol’ Cotton-Eyed Joe’s eyes were whited out by chlamydia or syphilis—”
After watching the YouTube video, Lupe looks up chlamydia and discovers it’s “a widespread, often asymptomatic sexually transmitted disease caused by chlamydia trachomatis” and syphilis is “a sexually transmitted disease caused by the spirochete bacterium treponema pallidum.”
Lupe’s mom asks her if she’s gay. Lupe replies, “I don’t know. I’m only twelve. I thought I’d figure it out in a few years.”
On an online forum discussing students being forced to learn how to square dance, someone writes, “Outrageous! Should we bring back petticoats and chastity belts?”

Violence 

When Lupe was in second grade, she saw her classmate Zola picking her nose. Lupe began calling Zola “the Green Goblin” and the name stuck. “She eventually found out I was the one who started the Green Goblin nickname and hasn’t spoken a word to me since.”
While practicing her pitching, Lupe’s brother Paolo “takes me out at the knees. The wind is knocked out of me a little. He hoisted me back up by the waist of my jeans, giving me a wedgie.”
When Paolo learned how to square dance, he was partnered with a popular girl. And at the time, his mom was making the kids take “Crock-Pot leftovers for lunch” which caused Paolo to fart a lot. “It’s hard to hide a fart when you do-si-do and spin around. . . between hand sweats and farting. . . she told everyone. . . It’s taken two years for everyone to stop calling me Flutterbutt.”
In the PE locker room, Lupe finds her locker decorated in shaving cream that reads Guadapoopy. When Coach Solden sees it, she goes to wipe it off the locker. “Coach spins back around and one foot slips on remnant shaving cream. Her foot flies up in the air, and she tries to catch herself with one arm. She falls to the floor with a thump and a small crack. Lips pursed together, noises burble from her mouth that sound like cusswords in an alien language.” The coach broke her arm in the fall.
Lupe’s mom tells her about Coach Becky Solden’s square dancing experience. “One by one, as a joke, the boys approached her and then passed her by for other girls. She was the only girl left. . . Just like the rest, [Bruce] walked up to her, but he stopped and bowed. . . Just before Becky touched his hand, Bruce jumped back and ran towards the boys’ locker room screaming. . . For the entire two weeks, we danced, every time a boy danced with Becky, he made monkey noises under his breath. . . Even some of the girls made monkey noises and pretended to scratch their armpits.”

Drugs and Alcohol 

When researching the song Cotton-Eyed Joe, one article says “he could have gotten his cloudy eyes from alcohol poisoning.”

Language 

Variations of crap are used frequently.
Heck is used occasionally.
There is frequent name-calling such as jerk, dorks, doofus, idiot, nimrod, whiner, klutz, and others.
When Lupe shows the school principal pictures of a “cropped, magged-up version” of an eye, the principal says, “Oh, gawd.”
Samantha, a mean girl, calls Lupe “Guadaloopy.” Samantha also calls Lupe’s friend Andy, “Anda-loser.” In return, Lupe calls Samantha “Sam-o-nella.”
During PE, Samantha whispers loudly, “Word is [Lupe’s] parents found her at the dump. That’s why she smells like a blowout diaper.”
Lupe comments on “Skanky Potato Head.”

Supernatural

None

Spiritual Content 

Before dinner, Lupe’s family prays. Her brother says, “Thank you God, for all that we have. Bless this interesting food to our bodies. And please help Lupe with her cleanliness so she can be next to you . . .”
Before dinner, Paolo prays, “God, thank you for our grandparents who can cook. . . And thank you for giving Mr. Montgomery pinkeye so my algebra test is postponed. And help Lupe through puberty and bless this food.”
Lupe thinks about her father. During Qingming, “the Chinese version of Dia de los Muertos . . . Grandma Wong takes us to the cemetery to burn paper things that represent what she thinks Dad needs in the afterlife. This year she burned a paper house and fake money. [Lupe] snuck in a paper baseball and bat.”

The Holiday Switch

Lila Santos is ready for her last winter break of high school. The snow in her small town of Holly, New York is plentiful, the mood as cozy as a fuzzy Christmas sweater, and she’s earning extra cash working at the local inn. In other words, it is the setting for the greatest film of all time, Holiday by the Lake—while moonlighting as an anonymous book blogger.

But her perfect holiday plans crash to a halt when her boss’ frustratingly cute nephew, Teddy Rivera, becomes her coworker. Lila is Type A while Teddy is Type “Anything but Lila’s Way,” and the two of them can’t stop butting heads over tangled icicle lights and messy gift shop merch. But when they accidentally switch phones one afternoon, they realize they’ve both been hiding things from each other. Will their secrets—and an unexpected snowstorm—bring these rivals together?

While Lila’s conflict is understandable, her judgmental attitude makes it difficult to connect with her. Even though Lila is the protagonist, Teddy is more likable because he goes out of his way to show Lila that he cares for her. For instance, when Teddy finds Lila’s list of Christmas activities that she wants to do, he plans ways to get Lila to spend time with him by taking her to the different activities on her list.

The two teens eventually connect because they are both keeping secrets from their parents. Both are afraid their parents won’t understand their passions. Readers will relate to Teddy’s and Lila’s desire to meet their parents’ expectations as well as live their own dreams. In the end, both teens discover their fears are unfounded. While Lila’s parents are upset about her dishonesty, they support her goals. Likewise, Teddy also learns that his family supports his dreams.

Readers who want to snuggle up with a book during the holiday will appreciate The Holiday Switch because of the town’s over-the-top Christmas activities. The winter puns also add to the romance’s cuteness. For example, while ice skating, one of the characters “slipped on the ice and said, ‘Holy night.’” The predictable plot has some sweet moments that will warm readers’ hearts and get them into the holiday spirit. However, if you’re looking for a holiday romance that will be more memorable, grab a hot cocoa and a copy of What Light by Jay Asher.

Sexual Content

Lila babysits for a couple who “party like they’d been caged animals in a zoo. They come home sweaty and red-faced, and the PDA is over the top embarrassing.”
While outside, Teddy asks Lila if he can kiss her. She says yes and then, “I rise up to my tiptoes and shut my eyes. When his lips feather against mine, I’m infused with energy and thrill. My hands climb his back, his cup my face, and he kisses me as if I’m another puzzle he has to explore.”
Before Teddy begins a climbing competition, he kisses Lila. “Teddy lifts my chin with a finger and presses a kiss to my lips.”

Violence

None

Drugs and Alcohol

None

Language

Oh my God and God are used as exclamations occasionally.
Crap and pissed are used several times.

Supernatural

None

Spiritual Content

None

How to Excavate a Heart

Shani Levine needs a break from New York. Following a bad breakup with her girlfriend, Sadie, she would rather be literally anywhere else. So when she snags a highly coveted internship at the Smithsonian Museum of Natural History in Washington, D.C. over winter break, Shani is elated.

Shani’s high spirits are crushed, however, when she makes an enemy: her mother almost accidentally runs over a girl, May, while moving Shani into her D.C. lodgings. Shani is determined to watch her step from now on, but she keeps crossing paths with May. As they begin to talk, Shani begins to develop feelings for May. Once it becomes clear that May likes her too, the two girls begin to date, and for a short time everything is perfect. But can Shani juggle her new relationship and her internship? And is she really ready to be in a relationship again so soon after a messy breakup?

Readers will fall in love with Shani and May as they try to tackle these big questions together. How to Excavate a Heart is a cute, fun, fluffy romcom guaranteed to elicit smiles and warm feelings, even on the coldest winter days. At times, the pacing is quite slow, so readers looking for action should expect to consume this story in sweet, bite-sized chunks or over one long, lazy day. Because of this pacing, not every scene necessarily drives the plot forward, making some parts of the book less vivid and exciting than others However, what really ties this book together is its cast of lovable side characters, from Beatrice, the eccentric and surprisingly spry elderly woman who houses Shani during her stay in D.C., to May’s adorable pet corgi, Raphael. Characters like these make even the slow moments delightful, especially for readers who are drawn to character-heavy books.

Teenagers will heavily relate to Shani as she struggles to find her place in a new city while also dealing with complex feelings and relationships. Issues such as love, loss, coming out of the closet, and adjusting to new stages of life are handled in a way that is informative and validating but not too heavy. How to Excavate a Heart features great Jewish and queer representation and is a perfect escape for readers dealing with big changes in their life.

Sexual Content

When Shani reminisces about her failed relationship with Sadie, she explains that their relationship fell apart after having sex for the first time. “I was stressed, because if we were in love, then the next logical step was sex. And I had never done it before, I felt I needed to prepare…We had sex for the first time a couple days after we said ‘I love you,’ and, as it turned out, it was also the last time.”
Beatrice tells Shani that she’ll be sleeping in the bedroom Beatrice used to share with her husband. She tells her that “all six of [her] children were conceived in this room.” Later, Shani asks Beatrice where she’ll be sleeping if she’s taking the bedroom. Beatrice replies, “The attic. I haven’t been able to fall asleep in this room since my husband died. But I’m glad it’ll be put to good use.” Shani thinks, “It certainly won’t be ‘put to good use’ in the same way it was when Beatrice and her husband conceived their children here.”
May’s dad, Greg, is the local weatherman. Tasha, another girl staying in Beatrice’s house, describes him as “kind of a DILF.” DIFL is slang for “daddy I’d like to fuck,” or an attractive older man.
Shani talks about her relationship problems with her internship supervisor, Mandira, who is also queer and in a committed relationship. Shani tells her about her bad experience with sex and how she doesn’t think she’ll ever have sex again because it ruins relationships. Mandira counters with, “Sex can be amazing. Especially queer sex. And especially if you communicate what you want with your partner.”
Shani’s best friend, Taylor, comes to visit her in D.C. on New Year’s. Taylor tells Shani that she was invited to a New Year’s Eve party by Teddy, the ex-boyfriend of their acquaintance Amy from Model UN, and invites Shani to come with her. Shani asks Taylor if she’s trying to hook up with Teddy; Taylor confirms this.
After work, Shani goes to May’s house. When Shani gets there, Shani smells badly so she takes a shower. They end up showering together but don’t have sex. “I keep my eyes closed as I press her closer to me, so that as much of our bodies are touching as possible. We explore parts of each other we haven’t before. I kiss down her neck to her chest, marveling at the fact that I get to touch her like this. But after a few minutes, the hot water runs out, and my knees hurt, and we’re kneeling in cold water.”
After a dinner date, Shani and May go back to Shani’s place. They start kissing, intending to have sex. Shani starts feeling uncomfortable but doesn’t want to ruin the mood. Shani hears Beatrice scream and goes to check on her. When Shani returns to the bedroom, she tells May she’s tired and doesn’t want to pick up where they left off. When May asks if she can just sleep over, Shani says no and May storms out.
Shani and May break up. While Shani is mourning her relationship, she texts her ex, Sadie, asking why she broke up with her. Shani tells the reader that she texted Sadie because she doesn’t actually remember having sex with her. “That Thursday, the day we said ‘I love you,’ we went to a house party and got drunk. Too drunk. Like, so-drunk-I-barely-remember drunk. Then we went back to my room. The only memories I have of that night come in flashes: Sadie grabbing my waist, leading me up to my room. Sadie kissing me. Sadie pulling down my pants, and her own. Me, copying what she did. Being excited to do it, to please her. And then, nothing. My memory goes dark. Until we woke up the next morning, both of us naked. Me with a splitting headache. Sadie grinning.” Sadie wanted to have sex again that morning. Shani told her she wasn’t ready; after pushing some more, Sadie ended it.

Violence

When moving Shani into her D.C. lodgings during a snowstorm, Shani’s mom almost runs May over with her car. “My mom finally sees her and frantically tries to slam on the brakes. She pumps them over and over, but between the snow and ice the car won’t stop. Then there’s a thud. The bump. Not a hard bump, but still. A bump. We bumped a person with our car.”

Drugs and Alcohol

Beatrice has a beige quote block at the top of the stairs that says, “Alcohol: because no great story ever started with someone eating a salad.”
At a New Year’s Eve party, alcohol is served. Shani pours herself a glass of a mystery drink that is “pink and sparkly and has mint leaves and blueberries and pomegranate seeds floating at the surface.” She says that it is “unbelievably delicious and barely tastes like alcohol.”
When Shani remembers the night before she and Sadie broke up, she says that they “went to a house party and got drunk. Too drunk. Like, so-drunk-I-barely-remember drunk.”

Language

Profanity, such as variations of “fuck” and “shit” are used as exclamations often.

Supernatural

On her first night in D.C., Shani tries not to think about “the half-century-old sex ghosts haunting the room.”
Beatrice’s son, George, comes over to the house. He starts a conversation with Shani, in which he jokes that his dad haunts the room where she sleeps.

Spiritual Content

When driving Shani to D.C., her mom sadly says that Shani won’t be home for Christmas for the first time. Shani reminds her that they don’t even celebrate Christmas. Her mom counters that it’s still the holidays, to which Shani responds, “Is it, though? Like, is it really the holidays? Hanukkah’s over, and it’s complete bullshit anyway. It was invented by American capitalists so that Jewish kids could be included in the Christian hegemony.”
After thinking about her failed relationship with Sadie, Shani resolves never to have sex again and be “the Jewish version of a nun.”
Beatrice’s house is decorated with “crosses and portraits of saints, along with some Christmas decorations– garlands, candy canes, a couple of wreaths.” Shani initially worries “that she’s really religious and that…she’ll be disappointed that I’m Jewish.”
Shani gets breakfast at a café next door, which has Christmas music playing inside. Shani thinks, “I know I complained to my mom about how Hanukkah isn’t a real holiday and how I don’t want to assimilate into mainstream Christian America, but the thing is…I fucking love Christmas music.”
Shani comes over to walk May’s dog, Raphael. Shani awkwardly tries to make small talk, and asks if May is Jewish because she saw a menorah in her window. May says, “Yeah, I am. But I’m not really that religious.” She later talks about how much she loves Hanukkah.
Mandira, Shani’s internship supervisor, tells her she’s going to a Christmas party later that night with her girlfriend. Shani is initially confused because Mandira doesn’t celebrate Christmas, but Mandira explains that she doesn’t celebrate in a religious way but her girlfriend does.
Shani comes over to walk May’s dog despite a blizzard. When May opens the door, she sees Shani shaking from the cold and exclaims, “Jesus Christ.” Shani jokes, “It’s almost His birthday, huh?”
Shani and May get snowed in at May’s house on Christmas Eve. On Christmas Day, the snow had stopped and been mostly cleared away, so Shani suggests that they partake in “Jewish Christmas” (watching movies and eating Chinese food).

I Kissed Shara Wheeler

Chloe Green wants nothing more than the title of valedictorian, and she’s almost got it in the bag. There’s just one little problem and her name is Shara Wheeler, who happens to be Chloe’s greatest competition and school sweetheart. Chloe and Shara have been competing forces since Chloe arrived at Willowgrove Christian Academy during her freshman year of high school. They have a completely normal academic rivalry, until Shara corners Chloe and kisses her, leaving Chloe angry and bewildered.

Then, Shara goes missing after prom night and the whole school is enraptured by the perfect Christian girl’s disappearance. Chloe is unfazed, however; she knows there’s more to Shara than meets the eye. Chloe discovers that she isn’t the only person Shara kissed before magically disappearing. Right before disappearing, Shara also kissed Rory, Shara’s next-door neighbor, and Smith, Shara’s boyfriend. Thrown into an unlikely alliance, chasing a ghost through parties, break-ins, puzzles, and secrets revealed on monogrammed stationery, Chloe starts to suspect there might be more to this small town than she thought. And maybe—probably not, but maybe—more to Shara, too.

I Kissed Shara Wheeler takes the reader on a journey through the rigid conservative Christian values of False Beach, Alabama. Readers will get an in-depth look through the eyes of the residents who have a myriad of complicated feelings about their town and the places they occupy within it. The book is narrated by Chloe, whose perspective is strongly influenced by her liberal, southern California roots, but most of the other characters don’t know life outside of False Beach and their staunchly religious private school. As much as Chloe’s strong-willed opinions drive change, the other characters teach her about the complicated love they have for their home, even when it strives to suppress various aspects of their identities.

Much of the book’s content discusses sexuality as the characters grow and learn to accept themselves for who they are. The story opens with Shara kissing Chloe, though at this point Shara has never appeared as more than just a conservative Christian girl. In contrast, Chloe is openly bisexual and anti-religious, but it takes both girls most of the book to realize that they have genuine feelings and attraction for each other. Many of the other characters also go through their own reckonings in the book, including Smith and Rory, who discover that their feelings for each other are more than just that of childhood best friends.

Fans of Casey McQuiston’s other books Red, White, and Royal Blue and One Last Stop will likely enjoy the fun energy in I Kissed Shara Wheeler. McQuiston balances the serious moments with the characters’ sense of humor. Some readers may find Chloe to be a bit single-minded in her quest to triumph over Shara, but this doesn’t draw away from the story. Ultimately, readers will be able to take away that there is always more than meets the eye, and there is always room to change and grow into the person you want to be. Readers who enjoy I Kissed Shara Wheeler can find more romance by reading Instructions for Dancing by Nicola Yoon or The Statistical Probability of Love at First Sight by Jennifer E. Smith.

Sexual Content

Chloe explains why she’s looking for Shara Wheeler. Chloe says, “Because two days ago, Shara found her alone in the B Building elevator before fifth hour, pulled her in by the elbow, and kissed her until she forgot an entire semester of French.” It then comes to light that Shara has kissed Smith (her boyfriend) and Rory (her neighbor) as well.
No one knows where Shara is, and Chloe comes up with unlikely theories – one being that Shara has “some sugar daddy she’s holed up with or something.”
Chloe writes a letter to her friend about being kissed by Shara. Chloe starts by telling her not to react while reading the letter because “if Madame Clark picks this one up and reads it out loud like she did with Tanner’s ranking of girls’ butt’s I will literally kill you.”
Chloe notes that when she first moved to False Beach, Alabama, she was in freshman bio and noted that “the chapter on sexual reproduction was taped shut.”
Chloe, Rory, and Smith go into Rory’s room to use his computer. Chloe “counts at least three different hand-drawn penises” on Rory’s bedroom wall.
There is a joke school code of conduct that is presumably written by Chloe. Among other details, it includes, “No student may smoke, drink, dance, or have sex, which means half the students are smoking, drinking, dancing, having sex, and lying about it. Pills are fine. If you’re on the football team, just ask Emma Grace’s dad to write you a prescription.” This list lasts for a page.
Chloe notes that once at a party, she “almost got French-kissed by Tucker Price from the Quiz Bowl team in his parents’ saltwater jacuzzi.”
After a trip, Chloe’s two moms kiss. Chloe jokes that they kiss “like they’re on the bow of the freaking Titanic.”
Chloe briefly mentions a situation where “a sophomore sent her boyfriend nudes and he forwarded them to all his friends.” This comes up on chapel day at school and the administration then gave “a very shame-y talk on modesty.”
Chloe’s friend tells Chloe that he’s “a make-out hobbyist . . . I’ve kissed like, all my homies.” He doesn’t go into details.
Shara’s neighbor, Rory, expresses his repressed feelings for Smith to Chloe. He says, “maybe I talked myself into [Shara], because when I looked at her and Smith together, I was so jealous, and she seemed like the right place to put it.” Chloe validates his feelings, telling him, “It would be okay. If you didn’t like Shara. If you didn’t like girls at all.” It is revealed later that Smith has similar feelings for Rory as well.
Chloe finds Shara and Shara kisses Chloe. Chloe thinks that Shara “knows exactly what she’s doing when [Chloe] twists her fingers into the loose wisps of hair at the nape of Shara’s neck and kisses her back, hard. Her other hand grips the tulle where it fans out from Shara’s waist and holds Shara’s body up against hers like see, we’re a match, and it works — Shara sighs and lets go of the rail to slide her palm over Chloe’s cheek.” The description lasts for half a page.
Chloe’s classmate Georgia gets caught “making out in the B Building bathroom” with their other classmate, Summer, and Georgia gets reported to the principal’s office. No other description is given for that kiss. It’s only said that Georgia has been dating Summer and Summer has “known she was bi since last year.”
Smith and Rory kiss and Chloe walks in on their moment. She’s hiding and she describes only what she can hear, saying, “Then, after a few seconds, just long enough for a nervous first kiss, Smith laughs.”
Two of Chloe’s classmates are arguing, and one tells the other that “if she wanted people to believe things she says, she shouldn’t have lied about giving her best friend’s crush a handjob at her birthday party.”
Chloe and Shara kiss in Shara’s bedroom. Chloe describes, “She tips her head forward, and Shara kisses her. Chloe puts her arms around Shara’s neck and kisses her back.” The description lasts for a page.
Chloe and Shara make out. “Chloe doesn’t know how long. It felt like a long time.” The page before, they have a conversation on how they both want to take it slow. Chloe says, “Shara’s hand drops from Chloe’s neck to her shoulder, and then she’s pushing Chloe down on the bed and kissing her, one hand pinning her to the mattress and the other on her waist.”
Chloe fights against the school administration’s policies. For instance, she says, “Freshman year, she adjusted to Willowgrove by making problems on purpose, but nobody showed up to her GSA meeting, and she got suspended for bringing free condoms to school in protest of the abstinence-only sex ed policy.”
Chloe’s classmate Dixon makes a rude sexual comment towards Chloe at the party, citing something he calls the Rachel Rule. He says, “‘It’s a rule the seniors made last year for Rachel Kennedy, who was a huge bitch but still got to come to parties because she had huge boobs.’ He’s looking down now. At her chest, and her wet shirt. He hands clench into firsts at her sides — ever since she sprouted D-cups in tenth grade, a guy staring at her chest has never ended well. ‘So, as long as you keep wearing that, the Rachel Rule says you can stay.’” Chloe does not like this, and she expresses her discontent by telling him that he peaked in high school and, even now, she “still wouldn’t sleep with him.”

Violence

Chloe finally finds Shara, and Chloe is furious. In her anger, she shoves Shara into a lake. Chloe describes, “with one solid shove, she pushes Shara — prom dress and all — over the railing and into Lake Martin.”
Chloe “punched a mall Santa when [she] was five.”

Drugs and Alcohol

Chloe refers to her classmate, Jake Stone, as “Stone the Stoner.”
Jake Stone was suspended once because he “was caught vaping” in the school bathroom.
Every teacher at Willowgrove has to “sign a morality clause saying they won’t drink, express political opinions or be gay.”
Chloe says that False Beach, Alabama has “the aura of a Mountain Dew bottle filled with dip spit.”
Chloe goes to a high school party and is annoyed that she has to watch a classmate “slobber all over a beer bong.” There is plenty of drinking at this party, including something referred to as an “upside down margarita,” which is a drinking game. The party’s descriptions last for a couple of chapters.
The Willowgrove school district hired a cop to scare the students about drugs, but instead, Chloe notes that the cop “ended up telling us exactly how many ounces of weed you can carry without getting arrested.”
Chloe stays up too late thinking about Shara and has a massive headache the next day. She says, “This must be what a hangover feels like.”

Language

Chloe notes that Shara’s disappearance is odd. Chloe thinks to herself, “That’s the thing about popular kids: They don’t have the type of bond forged in the fire of being weird and queer in small-to-medium-town Alabama. If Chloe tried to ghost like this, there’d be a militia of Shakespeare gays kicking down every door in False Beach.”
Strong language is used frequently. Profanity includes ass, fuck, idiot, d-bags, shit, megabitch, crap, dick, hell, and douchebag.
Chloe says “Shara Wheeler is the most tragic heterosexual to ever cram herself into a Brandy Melville crop top.”
Chloe describes her classmate’s understanding of her as “the weird queer girl from LA with two lesbian moms.”
Chloe’s friend Georgia has a collection of books at her parents’ bookstore just for Chloe, and she “affectionately calls it Chloe’s Monster Fucker Collection” due to the fact that Chloe likes stories where the headstrong main female protagonist falls in love with the villain, which sometimes happens to be a literal nonhuman entity.
Chloe and her friends identify as LGTBQ+, and they reference their sexualities somewhat often in-text. For instance, Chloe’s friend Benjy is worried about his future college roommate. He says, “My new fear is that he’ll be a hot straight guy. I cannot spend my first year away from home with an unrequited crush on a guy who wears neckties to football games…I don’t have high hopes for the gays of Tuscaloosa.”
Chloe’s classmate is an unpleasant person by all counts. She details why, saying he’s “the type who insists it’s okay for him to make offensive jokes because he’s not actually racist/sexist/homophobic/transphobic/whatever so he doesn’t actually mean them, but aren’t the jokes so funny.”
Smith asks Ash, a nonbinary student, to “explain the whole nonbinary thing” to him. Ash explains to Smith it’s, “Like if someone yelled your first name [William] at you. You might answer to it, but it wouldn’t feel right, because that’s not you.” Ash and Smith have this conversation for several pages.
Chloe doesn’t want another student named Drew Taylor to be her salutatorian because “he has a YouTube channel about why girls at Willowgrove are sluts for taking birth control pills.”
Chloe’s mom exclaims “Jesus Christ” when she finds out that Chloe has Shara’s expensive crucifix necklace.

Supernatural

Chloe sometimes wishes she lived in another place and time. An example of this is that she wishes she “were a vampire hunter in Edwardian England.”

Spiritual Content

The book opens with a service at the Willowgrove Christian Church, “where the Wheelers are spending their morning pretending to be nice, normal folks whose nice, normal daughter didn’t stage a disappearing act at prom twelve hours ago.”
Chloe finds the spare key to the Wheeler’s house under a rock with “Joshua 24:15 engraved on it. As for me and my house, we will serve the Lord.” Bible quotes are scattered throughout the book.
The students in this book attend “Willowgrove Christian Academy.” Chloe describes a billboard for the academy reading, “Jesus Loves Geometry! A Christ-Centered Education At Willowgrove Christian Academy!” The school also has “chapel days” where the students are required to attend service.
Chloe greatly dislikes her religious school, but she attends the school because of its academics and theater program. She says, “If this was her only option, she could put up with the Jesus stuff.”
Shara wore a somewhat revealing dress at homecoming. Chloe describes, “It was only a blue silk slip with a modest neckline, but it stuck to her like water, and she wasn’t wearing a bra . . . God’s favorite daughter shows one hint of nip.”
Chloe half-jokes that Shara Wheeler’s family “has more money than God.”
Mr. Wheeler is the principal at Willowgrove, and he has a reputation for “telling teenagers they’re going to hell.” He says many religious things to the students, including telling Chloe that “gossip is against God’s will.” This is how many teachers and much of the curriculum work at this school.
Shara expresses in her journal entry that “the loudest Christians I’ve ever met were the worst ones.”
Shara and Chloe go through their notes for their AP European History exam, which involves a lot of religious history. For instance, they reference the “Defenestration of Prague” where “Protestants threw a bunch of Catholic officials out of a castle window in Bohemia. Started the Thirty Years War.” There is a series of notes like this for a couple of pages.
Georgia explains to Chloe that Summer’s church “is more into Jesus the brown socialist than the whole eternal damnation thing.”
Chloe explains that her understanding of Christianity is based on Willowgrove’s variety – “judgmental, sanctimonious hypocrites hiding hate behind Bible verses, twenty-four-karat crucifix necklaces, and charismatic white pastors with all the horrible secrets that money can protect.”
The school finds out that there’s been an admissions scam at Willowgrove, and Benjy sees all the fliers with the information and exclaims, “Jesus wept.”

Imogen, Obviously

Imogen is straight. She’s the world’s biggest queer ally and is surrounded by queer friends but is a self-described “raging hetero” herself. Her best friend, Gretchen, who has an amazing gaydar, confirms this every day with affectionate nicknames.

However, Imogen’s world shifts when she visits her childhood best friend, Lili, on Lili’s college campus. Imogen is warmly greeted by Lili and her amazing group of queer friends, and she quickly forgets her anxieties about not fitting in. However, Lili tells Imogen a secret: at the beginning of the school year, she told her friends that she and Imogen briefly dated, to avoid revealing that she’s never been in a relationship before. She apologizes to Imogen and offers to tell her friends she lied, but Imogen tells her not to worry. It’s not a big deal to her if LIli’s friends think Imogen is bi.

But Imogen can’t stop thinking about Tessa, one of Lili’s friends. And Tessa is constantly flirting with Imogen. Maybe. Imogen isn’t sure. After all, Tessa is flirty with everyone. But she does know that she should probably stop talking to Tessa like this because it’s not fair to lead her on. After all, Imogen is straight. Or. . . is she?

From the author of Simon vs the Homo Sapiens Agenda comes another brilliant journey of self-discovery and acceptance. Imogen, Obviously features a cast of funny, witty, and loveable characters that show that there’s no one way to be queer. Some teens will relate to Imogen’s long journey of discovering her sexuality amidst the rationalizing and denial that comes with the journey. Others will see themselves in her younger sister, Edith, who always knew she was different and proclaimed that she liked girls when she was seven. Still, others will recognize the darker side of this book, which tackles the uglier side of being queer. Biphobia is discussed, specifically, the pressure that many bisexual people face to “pick a side” as well as the downside of having labels be a prerequisite for being “queer enough” to truly belong in queer spaces. These complex issues are handled in a nuanced way, allowing room for discussion and growth.

While these issues are given the gravity they deserve, the book overall is still lighthearted. This atmosphere is kept alive by the characters – Lili’s college friend group and their antics are quintessential. Their warmth and immediate acceptance of Imogen as one of their own will make readers feel as if they themselves can also belong in that group. Imogen, Obviously is a romcom perfect for teens that are looking for a story that is cute and heartwarming, but also thought-provoking and relatable. Readers who want more books that cast LGBTQ+ characters in a positive light should add the following books to their reading list: All the Invisible Things by Orlagh Collins, Last Night at the Telegraph Club by Malinda Lo, and All Boys Aren’t Blue: A Memoir-Manifesto by George M. Johnson.

Sexual Content

Imogen and Tessa visit a sculpture of the world’s largest scissors and take a few pictures. Imogen posts a picture to Instagram with a scissor emoji for the caption. Gretchen texts her jokingly asking, “Who are you scissoring?” Scissoring is a term used to describe lesbian sex.
Lili’s friends Kayla and Declan have an inside joke where they pass a sausage in a plastic bag back and forth between them. Many sexual innuendos are made with this joke, such as when Imogen texts Gretchen, “I don’t even want to tell you what I’m about to do with a German sausage” with no context and Gretchen responds, “IMOGEN. What are you about to do with a tiny German sausage???”
Imogen and Tessa make out in Tessa’s room while Tessa is partially undressed. Imogen describes, “My words melt away when I see her. Tessa in an undershirt, white with short sleeves, the straps of her sports bra faintly visible underneath. Nothing on bottom but boy shorts.”

Violence

None

Drugs and Alcohol

Imogen goes to a party with Lili and her friends. Imogen has an alcoholic drink for the first time.

Language

Profanity such as “fuck” and “shit” are used as exclamations, but rarely.

Supernatural

None

Spiritual Content

None

The Tea Dragon Tapestry

The final installment in the Tea Dragon Trilogy, The Tea Dragon Tapestry, is a soothing synthesis of characters from the previous books who come together to celebrate their culture in a charming fantasy realm. In the opening pages, readers are reunited with Greta, a teenage villager training to be a blacksmith, and her love interest Minette, a young prophetess healing from traumatic memory loss.

When Minette receives an illustrious tapestry from the monastery she used to call home, she is reimmersed in a culture she left behind. She begins to have strange dreams about the Ancestor – the sacred creature depicted on the tapestry. Meanwhile, Greta is preparing to study under Kleitos, a master blacksmith. She also fosters pet tea dragons, one of whom is grieving over a former owner.

Greta and Minette meet Rinn and Aedhan, who have traveled from a mountain village to visit Rinn’s uncle, Erik, and his partner, Hesekiel. Readers will recognize these older characters from the previous books. Greta and Minette learn important life lessons from their role models, such as how to belong in a new place and reconnect with one’s origins and identity.

Greta completes a project to demonstrate her skill to Kleitos, and Minette weaves more details onto the tapestry to contribute to her culture. The graphic novel concludes with an epilogue in the form of a letter written by Hesekiel. The letter details how his generation has passed on their legacy to the younger generation, and how the cycle of life and death gives him hope for the future.

Nonbinary readers will likely identify with Rinn and Aedhan, as well as the elusive Ancestor, all of whom use they/them pronouns. Queerness is not called into question or judged in this world. The Tea Dragon Tapestry also provides positive representation for physically disabled people, as Erik lives a fulfilling life regardless of being confined to a wheelchair.

O’Neill’s endearing artistic style continues to immerse readers in a flourishing realm that values family, traditions, nature, and following one’s heart. Their choice of colors is more vibrant and pastel than the previous books. The Tea Dragon Tapestry brings satisfying closure and momentous hope to the series. Like previous installments, this book shows an impressive capacity for storytelling, art, and positive representation.

Sexual Content

None

Violence

Erik and Kleitos playfully duel with swords in a field, but nobody is injured.

Drugs and Alcohol

When brewed into tea, leaves harvested from the small household pets known as tea dragons have the power to send the drinker into a trance and allow them to glimpse their own memories or past events experienced by those around them.

Language

None

Supernatural

The book includes multiple fantasy creatures, such as shapeshifting dragons, anthropomorphic birds, and humans with features like tails, horns, furred ears, or goat legs.

Spiritual Content

Minette’s culture performs rituals and prayers to a being known as the Ancestor. Minette formerly lived at a monastery dedicated to this primordial creature.

Tristan Strong Keeps Punching

In the final installment of Kwame Mbalia’s series, Tristan’s problems are greater than ever. The gods of Alke are scattered across his world and there are ghosts everywhere — good and bad, as it turns out. What a wonderful time to have a Strong family reunion in New Orleans, amidst all the chaos!

Tristan also has another issue: his powers are flaring with his mood swings, causing him to be covered in magical fire. And of course, Cotton, the main antagonist of the series and a powerful and evil spirit is back and ready to put up a fight. This time Cotton has brought even darker moments from American Black history. Tristan just hopes he can find his friends and the gods of Alke – and figure out how to control his temper – before Cotton can enact his plan on Tristan’s world.

Tristan Strong Keeps Punching wraps up loose ends from the previous two books, includes familiar friends and foes, and introduces new characters in creative ways. For instance, Tristan and his friends encounter the Redliners, a barely disguised reference to the historic practice of redlining in the United States. However, middle school students may who are not familiar with the historical practice of redlining may be confused by Mbalia’s dialogue. For example, the Redliners tell Tristan and his friends, “We, the Redliners, are the most tolerant and welcoming group you could find! We just don’t think you belong here.” The Tristan Strong Series deals heavily with the injustices that have occurred in American Black history, and Mbalia continues to handle the topic with grace and gravity, balancing historical facts with Tristan’s emotional stake in the issues at hand.

In this book, Tristan finds himself reckoning with his grief and anger, and he learns how to handle his emotions in a productive way. His emotions are validated, but he starts to understand how to conduct himself in a manner that accounts for other people involved. Previously, his actions previously endangered his friends. It is only when his magical animated sticky doll friend, Gum Baby, dies that he realizes his actions directly led to her being put in harm’s way. From that point forward, Tristan reckons with the consequences of his actions without losing the fire that keeps him fighting for justice.

Tristan Strong Keeps Punching is an excellent end to the trilogy. Readers should read the first two installments before tackling this one as this book makes many references to the previous books. Young readers will enjoy the fast-paced action plot and the balance between humor and grave historical fact. This book would appeal to fans of Riordan Reads mythology novels, like Aru Shah and the End of Time by Roshani Chokshi or Percy Jackson and the Olympians by Rick Riordan himself. Tristan’s remarkable gift as a storyteller of the gods of Alke is made more perfect by his perseverance to keep telling these important stories. If these books teach readers anything, it’s to keep dreaming, create a better world, and never forget the stories of those who came before.

Sexual Content

None

Violence

Tristan must fight various magical and evil entities. In one sequence, Tristan fights a haint (an evil spirit). Tristan narrates, “But I was attacking, too. The shadow gloves flashed in and out, jabs and straights, hooks and uppercuts. Gum Baby flipped from my left shoulder to my right and back again, hurling sap balls and insults with equal intensity. I dodged a slicing strike, slipped a bull rush, and turned and fired three punches at the back of the haint.” This sequence lasts for a chapter.
There are descriptions of slavery as this series deals heavily with the history of Black Americans and Black American culture. Tristan recounts some of these details, saying, “I read about the barges that had hauled the shackled enslaved north, up the river, to a giant plantation. A free man’s protests were scrawled in the grass of Artillery Park, where he’d been kidnapped and sold into slavery. A family’s prayers were carved into the pillars lining the docks along the Mississippi, where they’d been separated, never to see each other again. These were the hidden narratives Folklore hero and god High John had been talking about. This is what he had meant.” These descriptions come up somewhat frequently throughout the book.
Tristan fights coffles (malicious spirits) that have trapped some kids. Tristan “swung again and again, trying to take out the coffle before it could rise. The monster wriggled and writhed on the ground, and I had to hop and dodge its flailing limbs or my legs would’ve been ripped to shreds.” This fight sequence lasts for several pages.
Tristan’s friend, Ayanna, tells Tristan about one of her former friends who died in a fight. She says, “He wanted to go out and kill [evil magical creatures, including the fetterlings], and I didn’t, and we argued about it. He flew into a rage, took his raft, and left. We heard fighting and went out after him, but by then it was too late. The fetterlings used his anger against him, and I lost a friend.”
Gum Baby is loudly and badly playing music, and Tristan asks her to stop. Gum Baby responds, “Gum Baby’s gonna tune your face with some sweet chin music if you keep talking,” insinuating that she’d hit him with her banjo if he insulted her again. She does not actually hit him.
Tristan says he thinks Cotton is going to Fort Pillow as he’s “raiding places where Black people suffered in large groups…[Fort Pillow] was the site of one of the biggest massacres of Black soldiers in the entire Civil War. People fighting for their freedom were cut down by Confederate soldiers without remorse.”
Tristan goes into High John’s memories and sees a town being burned to the ground. “Flames exploded out of broken glass and spread everywhere. More shouts and screams…Flames shot fifteen feet into the air. Every house in the small neighborhood was on fire. I couldn’t see anyone, but the screams…I knew the screams would haunt me for the rest of my life. So many. Old, young. I heard them all.” The memory lasts for a few pages and it is clear that Tristan witnessed the “Memphis Race Riots of 1866. Nearly all of South Memphis was destroyed…Black-owned homes, businesses, restaurants. People were killed. Abused. Beaten. And yet no one was ever brought to justice.”
Another magical being, Granny Z, tells Tristan, “My children are kicked, beaten, harassed, stolen, abused, abandoned, forgotten and stripped of their rights every single day. And it’s a sad fact that their abusers are always gonna be afraid that their own sins will be revisited upon them.”
Tristan and his friends Gum Baby, Ayanna, and Thandiwe are attacked in a Wig Emporium. “Gum Baby flipped out of nowhere, her hands moving a blur as sap rocketed through the air. Breakers exploded into smoke five at a time. I limped forward to help her, but she disappeared in a crowd of foes. I tried fighting my way free, but there were too many. We were being overwhelmed.” This scene lasts for a page. Gum Baby dies but the death isn’t described.
Tristan helps ghosts save their stories from Cotton, who wants them erased. Tristan hears one ghost say, “I moved here to get away from the lynchings.” This point is not elaborated upon.
Tristan fights with many Breakers, magical creatures that can strip people and gods of their spirits, thereby killing them. Tristan describes how the Breakers “rained blows on me, snarled at me, shrieked at me, roared at me, sent wave after wave after wave of pure hatred and malevolence, and it was all I could do to keep my arms raised and defend myself, because I was so tired, incredibly tired, of defending myself, but it wasn’t just me I was defending, now was it?” The scene lasts for several pages.
One of the old folk gods, John Henry, fights Cotton. John Henry gripped the ghostly tentacles, “lifted one foot, and then exploded into motion, charging Cotton like a linebacker and planting a shoulder squarely in the haint’s chest. Cotton flew back a dozen yards — through the air! — before landing and skipping across the sand like a stone across a pond.” This battle sequence lasts for several chapters.
Tristan has one final battle with Cotton that lasts for several pages. Tristan narrates, “Cotton’s momentum carried him past me, and he was off-balance. My right fist, my power fist, knifed through the air and connected flush against Cotton’s chin. Just my fist, not the shadow gloves, because I needed them for what came next…The black flames flared to life one more time, with as much energy as I could muster flowing through them. Just as I’d done on the barge, I willed the gloves together, merging six into two shining beacons of black in the light of the setting sun…I darted forward and grabbed Cotton. He twisted, turned, fought, and struggled, but I didn’t let go. The flames of the akofena [magic] spread to him, devouring the thorns and cotton as if they hungered for the hatred binding the haint together.” Tristan destroys Cotton by turning him to ash.

Drugs and Alcohol

Tristan ends up at an outdoor strip mall. He says, “Shelves are stocked with products you’d never heard of, or weird stuff you’ve seen advertised on TV — all two-a.m. hangover purchases, as my dad called them. I’m not sure what a hangover is, but if it made me buy an automatic toenail clipper that looked like two machetes taped together, I want no part of it.”

Language

Gum Baby, a magical sticky being, loudly and frequently refers to Tristan as “Bumbletongue” or “thistle-head.” As they’re friends, it’s done mostly in jest.
Light language is occasionally used. Words include chump, rejects, and doofus.
Tristan meets a kid named Memphis, who uses they/them pronouns.
A slave-patroller haint chases Tristan, yelling, “You ungrateful little stain on society, get over here! I will hunt you down, you hear?”

Supernatural

Tristan is having issues with his magic. Most notably he keeps bursting into flames when he gets angry. For instance, Tristan notes, “I stared in utter horror at the small silver flame popping out of my knuckles.” This happens frequently throughout the book.
As this is the third installment in the series, Tristan gives a quick recap of the last couple books. He says of his summer, “I’d eaten a bunch of key lime pie, done a little boxing, fallen into another world with powerful gods and made a bunch of folk hero friends…You know, the normal summer.” These gods and folk heroes feature throughout the book as Tristan is trying to rescue them.
Tristan’s magical smartphone is controlled by Anansi, the trickster god. Tristan says, “He was the Weaver, the owner of all stories, from truths to tall tales, and his name was embedded in my title of Anansesem.”
Tristan and his granddad enter Congo Square in New Orleans, where “ghostly apparitions dressed in their Saturday night finest were hitting moves that made my calves cramp as I watched…as if on cue, everybody started doing the Electric Slide.” Ghosts appear frequently in this book; many of them are friendly or give helpful advice.
Gum Baby announces that she’s been following a “ghostie” for a while because it was terrorizing everyone. This creature is like the haints, which are malicious spirits. Tristan describes the creature, saying, “I looked up and saw a long, lanky creature scuttling down from the top of the wheelhouse like a monstrous crab.” The group spends a chapter fighting the creature.
Tristan discovers that the haint that they’ve encountered is a coffle. His cousin explains its odd appearance, saying, “They were used to fasten slaves together when they were marched from the house to the fields and back.” Tristan describes its appearance, “Two long, wooden, bone-like structures protruded from the opposite sides of a loop, forming what looked like the skull of a hammerhead shark. Its body was a chain, and its four limbs were thorny, viny branches.”
Tristan’s magic storyteller abilities occasionally cause him to have visions. In one instance, he describes, “I saw stories — written in French and Spanish and Chitimacha and English — about the birth of jazz and the death of neighborhoods. I saw tales of Fon and the Ewe and the Igbo, and legends of Vodun and Vodou and the spirits within…I read about the slave ports that had dotted the Mississippi River. I read about the glamorous buildings that had been built around the sale of men, women, girls, and boys like me. Some older, some younger.” This description continues for several pages.
Cotton is the main antagonist of the series and is a powerful and evil haint. He is a manifestation of the evils of slavery. Tristan describes, “I once again saw the horrific true form of the haint underneath the disguise. Complete with his burning hatred and desire for power.”
A god, Mami Wata, rides in a boat that encounters Angola. Tristan notes that “a monstrous, nearly see-through house was superimposed over the prison…The house I was seeing was Old Angola, a long-gone plantation.” In this house and prison reside many trapped spirits and evil haints, including Cotton.
Tristan’s usual Ananasem powers (storytelling powers) change when he meets ghosts of former soldiers. He says, “I was inside the story!” In this instance, the sequence lasts for several pages and details the lives of a couple Black soldiers escaping the South to Vicksburg.
Tristan teaches some kids magic. When he tells them what he’s going to do so, one kid responds, “Ain’t no wizards ‘round here. That’s movie stuff.” Tristan then demonstrates that all the kids have magic within them. Tristan says, “Each of the kids had a story fragment nestled in their chest, right above their heart. A piece of the story of Alke lived on in each of them.”
Tristan meets Granny Z, who tells Tristan about Loa. Granny Z says, “L-O-A. The mysteres. The links between the High God and his people on earth, serviced by the mambos, their priestesses.”
Tristan and his friends drive a magic SUV after a magical horse that’s kidnapped a child. Tristan says, “We looked out the front windshield to see Twennymiles (the horse) leaping into the air and disappearing. Old Familiar (the SUV) followed.” They are magically transported through the air and through neighborhoods, and the scene lasts for a couple pages.

Spiritual Content

Tristan encounters many different gods (like Anansi and Mami Wata) on his journey, and they’ve given him powerful artifacts for his magical powers. These gods exist throughout the book, and sometimes Tristan mentions his magical gifts. He says, “I reached for the adinkra bracelet on my right wrist. Dangling from it were my gifts from the gods. The Anansi symbol. The akofena from High John. The Gye Nyame charm. The Amagqirha’s spirit bead from Isihlangu. They gave me strength, power, and right now, all the confidence I needed.”
Tristan meets a girl named Hanifa, who “wears a hijab.”
The gods of Alke, due to the events of the previous books, are now scattered in Tristan’s world. Some of them are weakened and some die in nonviolent ways. Tristan often laments that “Gods can’t die,” but the events of the book say otherwise, like when High John passes away beneath a tree.
High John’s ghost tells Tristan, Ayanna, and Thandiwe about his upbringing and the influence of the Church. He says, “some Sundays, his lordship and most honorable, the man who wanted to be called Boss, graciously allowed the people who actually worked the fields to rest.”

The Maze Cutter

Isaac, Sadina, and their friends are living on an isolated island — far from the destruction and terror on the mainland caused by the Flare virus. But when a suspicious ship carrying a woman from the mainland arrives, the friends take this chance to leave the safety of the island for the opportunity to see what life on the mainland holds for them. Isaac and his friends leave their safety and their home behind for a chance at improving the world for future generations. The novel follows Isaac and his friends’ trip to the mainland, as well as two warring groups, both desperate for descendants of a certain bloodline that they hope to use for their respective causes.

Fans of Dashner’s original Maze Runner series (2009) will be thrilled to find a new batch of characters and references to the original series in The Maze Cutter. Though the story is set seventy-three years after the Maze Runner Series, the references to the original series will make it difficult to follow for readers who have not read the original series. The prologue opens with references to the events of the original series and there are interspersed excerpts from the diary of one of the characters in the original series.

The Maze Cutter’s point of view switches between Alexandria, Isaac, and Minho. Alexandria is a goddess with powers stemming from the Flare virus. Isaac is a young man who joins his friends who return to the dystopian mainland. And Minho is a trained soldier for the Remnant Nation. The varying plots can be hard to follow since the different characters start out in completely different places, hundreds of miles from each other. However, by the halfway point of the novel, a trap set by one of the two warring factions brings them together with a battle scene that keeps readers wanting to know more.

Minho and Isaac demonstrate the importance of building relationships and embracing “found family.” Isaac struggles to reckon with the loss of his family, as well as his perceived guilt because his family died when they entered stormy ocean waves to save him from drowning. Isaac’s willingness to push through his fear to protect his friends makes him a likable character, and readers will enjoy seeing his realization that “all the crazy people” that survived the battle with him “had made [the loss of his family] a little more bearable.”

Minho is an orphan who “had no parents, no brothers, no sisters, no friends. Only enemies,” until he meets an older woman named Roxy who offers him food and shelter when he stumbles onto her property. Readers will appreciate how Minho’s mindset changes about having family, as he initially is taught to “follow protocol” and not trust anyone, but eventually, he lets Roxy in and shows his emotional side. During the battle scene at the end of the novel, Roxy saves him. Minho says, “It was kinda cool having a mom.”

Another major theme is humanity, and what happens when humans reach for power. To prevent any spread of the Flare virus, the Remnant Nation trains children, like Minho, to be soldiers that will kill any outsiders in hopes of eradicating the virus. By contrast, the Godhead wants to use the virus to infect all of humanity and cause “The Evolution”—powers they hope to gain from the virus. Minho explains of the Godhead and the Remnant Nation, “You’re talking about two religions here, both in a race to the end. And one won’t rest until the other’s gone.” Readers can take away the message that while sometimes people start out with the intention of protecting and helping people, the opportunity to gain power can cause them to hurt others to achieve their goals.

The conclusion leaves readers wondering what the characters will choose to do—will they stay on the mainland or look for a way to return home? Will Alexandria take complete power over her faction? Readers will be left looking forward to the next book in the series, The Godhead Complex, which shows Alexandria uncovering the most valuable asset in this post-apocalyptic battle—a clue that connects the book back to the original Maze Runner series. Readers who are not put off by violence will enjoy how the end battle brings the characters together and shows the survivors forming tight bonds of friendship.

Sexual Content

After Sadina is kidnapped, she is reunited with her long-time girlfriend, Trish. “Trish and Sadina had yet to let go of each other. . . kissing and hugging in a loop that might last another day or two.”

Violence

Minho is approached by a man who begs for his life. Minho didn’t have the courage to disobey protocol” so he shot the man. The murder is described in detail, “A single shot rang out” and the man Minho shot is described as having “a small wisp of smoke leaking from the new hole in his head, slumped off the horse and fell into the mud with a wet splat. Another shot, and the animal fell as well.”
Alexandria finds out that another member of the Godhead, Mikhail, has been attacking followers in a vicious process called “hollowing.” During hollowing, “they’d been sliced from aft to stern, their very essence of life removed with violent but precise efficiency.”
When witnessing a young boy being attacked, Minho grabs the man attacking him and “slammed him against the wall . . . the stranger’s head cracked against the jagged stone.” It is implied that Minho kills him.
Sadina and Isaac are threatened by Timon, a follower of the Godhead, who attempts to kidnap them and threatens to kill their friends. Timon yells, “MEET ME OR THEY ALL DIE . . . TELL ANYONE, THEY DIE.”
When Sadina and Isaac are kidnapped, Kletter, a suspicious woman who arrived on a mysterious ship at the beginning of the book, is brutally murdered. “Her neck . . . that was the bad part. The really bad part. It had been slashed with something sharp, from one side to the other like a necklace, and blood poured down the front of her body in gushes.”
In order to protect his newfound friend Roxy, Minho attacks Letti, one of the kidnappers. Minho “swung the club of wood and smashed it against the side of Letti’s head . . . Letti collapsed to the ground in a heap.” She is not killed as, “Her chest moved up and down, still alive, but her bloody head sure didn’t look so good.”
While trying to escape the confines of the Remnant Nation’s “Berg,” Minho’s friend, Skinny, is killed. It is brutal; Skinny’s “head was smashed, the arms and legs twisted at weird angles, blood everywhere.” Several people die, but these deaths are not described in detail. This “Berg” battle is described over ten pages.
During the battle scene, “Minho had barely stepped from the wreckage when he saw a man buried beneath a large chunk of the Berg that had fallen off . . . The chest didn’t move at all, and there was blood in all kinds of bad places.”
Roxy saves Minho from being stabbed by a Remnant Nation leader during the battle: “Then a long object swung in from the left of his vision, slamming directly into the face of the priestess. The woman screamed, blood spurted, she dropped the knife, collapsed, and went still.”
Alexandria orders her followers to kill Nicholas and bring her his head. Alexandria “slid the box closer to her, lifted its lid . . . The eyes of Nicholas stared back at her. His eyelids removed so that they could never close again. She smiled at him, half-expecting what was left of the dead man to return the kind gesture. He did not.”

Drugs and Alcohol

During a meeting of the Congress of the island, Sadina discovers that her mother and two other congresspeople have put something in the wine so that they can leave the island without resistance. They “spiked the wine. But don’t worry, it only puts them to sleep.”
Alexandria meets with Mannus, a wavering follower of the Godhead, who describes how he ended up with “horns sewed upon his head.” He says, “I was young and drunk and there might’ve been a lady involved. She’s dead now and I still got these damn horns.”

Language

Many of the younger characters frequently use hell and damn.
Other profanity is used occasionally. Profanity includes bastard, shit, and bullshit.
Characters from the Remnant Nation frequently use “thank the Cure” and “for Flare’s sake” as exclamations.
Within the setting of the Godhead, there are frequent exclamations of “Praise to the Maze,” “Glory to the Gladers,” and other expressions of worship towards Alexandria, “the Evolution,” and powers that come with it.
Old Man Frypan, one of the original Gladers, often exclaims, “hallelujah” and “amen.”

Supernatural

Though there are no direct examples of magic in the book, futuristic technology often appears to fill this type of role. For instance, when Isaac and his friends are reunited once more, they are horrified to discover “at least a dozen dark shapes hovered above the horizon as if by magic,” but “Isaac knew it wasn’t magic,” instead it is gigantic “Bergs” coming to take them away.

Spiritual Content

Characters with strength and enhanced senses from “The Evolution” are referred to as Gods and Goddesses of “the Godhead.”
Timon, one of the kidnappers, asks Sadina and Isaac if they have heard of the Godhead, to which Sadina asks, “Like in the Bible. . . Never read it.” But Timon exclaims, “No I’m not talking about the damn Bible.”
The Remnant Nation forces Minho to go on a forty-day trek. While pretending to be loyal to the Remnant Nation, Minho says, “Long live the Cure . . . May I wander for forty days and nights and return a Bearer of Grief in her service! May the Godhead die, and the Cure rule the earth.”
Jackie, one of Isaac’s friends, worries about her kidnapped friends, explaining, “We’re wandering the wilderness like freaking Moses from the Bible. Or was that Joseph? Paul? Who the hell knows.”
Alexandria is part of “the Godhead”, and her goal is to overtake the other two “Gods” and become “their new God.”

by Elana Koehler