The Princess and the Fangirl

Everyone knows that Jessica Stone hates everything to do with the beloved sci-fi franchise Starfield. When she signed on to play the beloved Princess Amara, Jess was expecting to use the role as a springboard into bigger and better films. But being an actress in a sci-fi universe comes with an overwhelming amount of criticism. Jess can barely handle the hatred she gets from fans on the internet, and she certainly isn’t looking forward to being surrounded by them at the annual ExcelsiCon.

Starfield fangirl, Imogen Lovelace, practically grew up on the convention floor. Every year her family runs a booth at ExcelsiCon, but this year Imogen has her own mission. She wants to #SaveAmara from being killed off, and she’s got thousands of signatures on an online petition to prove she’s not the only one. When an unfortunate case of mistaken identity leaves Imogen onstage at a panel in Jessica’s place, Imogen takes the opportunity to speak out in favor of saving the Princess.

Jessica is furious, telling Imogen she will ruin her if she even attempts such a thing again. But when an incredibly confidential script to the Starfield sequel leaks online, and Jessica’s script is nowhere to be found, she’s afraid the blame will fall to her. Jess needs to expose the real culprit before the end of the Con or risk losing her career. The solution? Trade places with Imogen so she can scope out the Con herself, a plan that turns out to be much easier said than done.

The Princess and the Fangirl is a modern-day Prince and the Pauper with a fandom twist. Both Jessica and Imogen think they can gain something by stepping into each other’s shoes, but they both end up with an unexpected perspective. Jess is longing for anonymity and an escape from the harsh gaze of the Starfield fandom. She finds herself dropped right into the middle of it all, getting a first-hand look at how the stories she always viewed as inconsequential can bring people together. Meanwhile, Imogen, who is searching for a sense of purpose, is eager to use her newfound influence to right a few wrongs. But her peek behind the scenes reveals a disturbing darker side of Starfield that only Jessica Stone gets to see.

This story is technically a sequel to Geekerella, bringing readers back to ExcelsiCon one year later. There are a few cameos from familiar faces, but Geekerella can still stand on its own. Fans of romance will enjoy the fact that each of the girls has an adorable love interest, while the mystery of the leaked script will keep readers on their toes. Both Jessica and Imogen struggle with self-image issues that teen readers will find very relatable. And, like in Geekerella, Poston’s commentary on fandom is clever and meaningful: behind every Princess, there is a normal girl.

Sexual Content

  • Jess contemplates her role as Princess Amara, thinking about how she’d accepted the role expecting it to launch her career into more meaningful roles that wouldn’t require her to look “hot in a suffocating dress while running in heels.”
  • Imogen makes several sci-fi references, including a mention of “sexy David Tennant,” the actor who played the Tenth Doctor on the television series Doctor Who.
  • While onstage next to Darien, the actor who plays Prince Carmindor in the Starfield movie, Imogen thinks of him as “the love of [her] Tumblr life.”
  • Jess is jealous of how the Starfield fandom has grown to love Darien while they continue to harass her. “Darien sort of got the same blowback when he was announced to play Federation Prince Carmindor—which is how he met his girlfriend, btw—but it died off as the fandom embraced him. Now they write love letters about his inky-black eyelashes and immaculate abs while I get dissertations on how the small mole on the left side of my mouth has ruined the beauty of Princess Amara.”
  • Imogen tosses a #SaveAmara pin to a cosplayer in a “sexy Xenomorph” costume.
  • When one of Imogen’s moms asks the other to put a Captain America figurine on the top shelf of their display, she makes a joke that could be taken sexually. She says, “I could’ve sworn he belonged on the bottom.”
  • Imogen says that her little brother met his boyfriend in the astronomy lab. Although she thinks they probably “spent more time studying each other’s astrological compatibility than learning solar physics.”
  • Imogen doesn’t look like either of her moms. Imogen says, “…although Kathy carried both Milo and me. I look like the sperm donor apparently.”
  • Ethan, Jessica’s best friend, changes his shirt in front of her. Jessica thinks, “Sure he’s pretty cute, but my eyes don’t really linger. He’d be a catch if someone burns all of his nerd shirts and puts him in some jeans that actually show he has a butt.”
  • When Jessica looks through the comments on her social media, they include, “I can tell her where she can put those pretty lips” and “fixed her chest with small kitties lol [censored photo].”
  • Imogen literally runs into Ethan, spilling coffee all over him. Before she recognizes him as Jessica Stone’s rude assistant, she thinks that he’s hot. “He’s very very Hot like I-want-to-be-stuck-in-an-elevator-with-you hot, not we-are-now-mortal-enemies-because-I-just-spilled-my-coffee-on-you-while-not-paying-attention hot.”
  • Before trading places, Jessica makes a list of rules for Imogen to follow. Rule number four is, “Don’t flirt with anyone.”
  • Jessica doesn’t give her number out freely because someone “put it on an unsavory message board.”
  • Imogen thinks that contact lenses feel like “condoms for [her] eyeballs.”
  • Harper, Imogen’s friend, is selling her fan art out of a booth next to someone “hawking sexy pin ups of burly men.”
  • When Jess first sees Harper, her mind blanks because Harper “is very pretty, with delicate features, brown skin, and natural hair pulled into twin puffs on the sides of her head.”
  • Harper’s artwork is displayed on a board in the boot. Jessica describes it as a “copious amount of fan art of Princess Amara in the arms of various characters—men and women.”
  • Actor Vance Reigns is introduced as the villain for the Starfield Imogen finds him very attractive. “He is face meltingly hot. His shoulders and chest are broad, his torso tapers down to thin hips and sturdy legs. I mean, not that his legs wouldn’t be sturdy, but you know the kind of legs where you just know, under the molten-golden trousers, that he can basically smash watermelons between them? Yeah that’s the kind of thighs I’m picturing, and I think my knees have gone numb and dear god he’s too close.”
  • When Jess sees a picture of Princess Amara embracing a female Starfield character, she says, “I can’t help but blush seeing a girl with my likeness kissing the likeness of Fiona Oro who plays Zorine.”
  • Imogen notices that Ethan is wearing Captain America-themed shoes, “And then I’m just thinking of Ethan punching Nazis, and that’s kinda hot, actually.”
  • When Ethan heads off to watch a panel, Imogen says, “Have fun with the tres horny bois.”
  • Imogen thinks she can tell that Ethan likes Jess “by the way I caught him looking at me while I was posing for pictures with a seven-year-old Carmindor, the softness of his gaze, the curl of his lips upward ever so slightly. He must’ve forgotten for a second that I wasn’t the real Jess. Those looks are probably only for her.”
  • At the Stellar party, Jess sees two girls kiss goodbye. She thinks, “I don’t mean to stare but their kiss is so simple and easy, like saying see you later, that I don’t think any thought was put into it, I wish I knew what that was like.”
  • Harper and Jess tell each other about their first kisses. Harper says, “My first kiss was a seven-minutes-in-heaven thing. I was at a birthday party in middle school. It was…terrible.” Jess’s first kiss was on a movie set. Jess says, “He was older and I was, like, fifteen. His stubble was scratchy and it gave me a rash—and he smelled like weed. He’d been smoking all day.”
  • Jess realizes she has feelings for Harper. Jess thinks, “I have a crush on this girl with curly dark hair and ink smudges on her brown fingers and trouble tucked into her maroon-colored lips.”
  • Imogen, overwhelmed by her feelings, jumps on Ethan in the pool. “Turns out he’s a lot heavier than I thought, especially for a beanpole. And his torso is very solid. Are those abs I feel? Oh sweet baby Daleks, please don’t tell me Ethan actually has a nice bod.”
  • While in the pool, Imogen and Ethan are very close. Imogen thinks, “I have to remind myself that I can’t like him, but it’s hard when a droplet of water beads at the end of a lock of raven hair in front of his face, and falls on his cheek, and rolls down his cheek slowly, languidly, like I want to run my finger down his jawline. It’s like there’s no one else but us in the world, and his eyes navigate steadily to my lips.” They almost kiss, but Imogen pulls away at the last second.
  • After having spent the night talking to Harper, Jess thinks, “I am not a serial dater. I simply never cared… I’m not built to take a random person into a bedroom, I’m not wired to want those things, and so it made all those dates and chaste kisses with celebrities so easy.”
  • Jess dislikes the internet because it makes it easy for fans to forget about the people behind the characters. “Your hot take shouldn’t dehumanize me, or tell me that I’m wrong, or that I’m worthless, or a slut who slept on some casting couch for the role.”
  • Imogen’s ex-boyfriend shows up at a meet-and-greet. When they hug, “his hands slip low.”
  • While at dinner with Vance Reign, Imogen (disguised as Jess) discovers Vince has been trying to get the real Jess to go on a publicity date with him for a long time. He tries to kiss her, but she pushes him away.
  • Jess crashes the final Starfield panel. When she starts to leave, the director asks her where she’s going. Jess responds, “The horizon is wide, and I have a girl to kiss.”
  • Jess apologizes to Harper very publicly, and when the two of them are reunited, they kiss. Jessica says, “I give her the Starfield salute—You and I are made of stars—and I hope that’s enough. She smiles and presses her hands to mine in the same pose, and then slowly, finger by finger, they fall together—And she kisses me.” The description of the kiss is about half a page.
  • Imogen kisses Ethan. She takes “his face in my hands and pull him down to kiss me. He tastes like Cheerwine, his hands rising to cup the sides of my face.” The description lasts about half a page.
  • Jess and Harper meet to get coffee and kiss again. Jessica says, “I kiss her in front of the entire world, the first word on the first page of the rest of my life.”

Violence

  • When Jess discovers Imogen has taken her place on stage, she has some murderous thoughts. “I am going to kill her. I don’t even know her name but I don’t need her name to put her in an unmarked grave. I am going to chop her up into so many pieces that when alien archeologists find her bones in a thousand years they won’t even realize she was once human.”
  • Imogen’s younger brother calls her an embarrassing nickname. She tells him, “If you weren’t my brother and I didn’t love you, I’d strangle you with your own jockstrap.”
  • In a leaked scene from the Starfield sequel script, “A group of soldiers push CARMINDOR, tied up and beaten, into the middle of the council. CARMINDOR stumbles and collapses onto the dais. Blood drips from his mouth where he has been punched repeatedly.”
  • Imogen tells Ethan a story. “When I had to debate a guy over women’s reproduction he told me that women are too fragile to have control over their own bodies. I got kicked out of the club for kneeing him in the nards.”
  • Imogen’s ex-boyfriend, Jasper, shows up at a Jessica Stone meet and greet, causing trouble. Ethan steps in to get him to leave. “Jasper whirls around, fists clinched, ready to swing. I don’t have time to shout to Ethan that a punch is coming before he raises a hand and deflects the blow with his lower arm, grabbing Jasper by the shirt and pull-throwing him out through the nearest curtain.”

Drugs and Alcohol

  • Imogen claims to always be in the wrong place at the wrong time, like “delivering someone’s homework to a frat party when the cops show up.”
  • Harper invites Jess to join her at the Stellar Party, a space-themed party that her friends throw every year, where they “drink a little, sing some karaoke, stuff like that.”
  • In the hotel room where the Stellar Party is held, “on the kitchenette bar is a wall of liquor bottles and sodas.”
  • There is a drink at the Stellar Party called “Oh No.” Harper says, “Oh No is way more vodka than common sense.”
  • Imogen hugs her brother and notices that he smells like Stellar Party, “vape juice and Oh No.”

Language

  • Imogen uses the phrase “Starflame” in place of curse words frequently. “‘Starflame!’ I curse. ‘I’m so sorry.’”
  • When Imogen and Ethan run into each other a third time, she calls him a “nerfherder,” an insult from the Star Wars “‘He is possibly the worst nerfherder in the—’ I say, while at the same time he says, ‘She’s that monster of a girl I was telling you—’ We both stop mid-sentence.”
  • When Imogen puts on a wig in order to pass as Jess, she thinks “the whole bit about long hair being more feminine is Noxballs.”
  • Ethan gets upset at Imogen and calls her a “Rapscallion look-alike.”
  • After the incident with her ex-boyfriend, Imogen appreciates that the remaining fans in line are decent people, but she thinks, “I hate that some of the dickwads in their midst are not.”
  • Natalia Ford, the actress who originally played Amara, rescues Jess from a crowd of angry fans. Jess notices that she’s wearing a shirt “covered in a pattern of tiny, artistically rendered middle-fingers.”
  • Right before the final panel, the director is looking for Darien, who is busy helping enact the girl’s plan to reveal who stole the script. Imogen tells him, “He went to take a piss.”

Supernatural

  • None

Spiritual Content

  • When Imogen runs into her ex-boyfriend, she asks herself, “God why do I feel so horrible?”

by Evalyn Harper

 

Tumbling

Tumbling takes place over the course of a two-day gymnastics meet, but it’s not just any meet—this meet determines who will represent the United States at the Olympics. The story is told from the perspectives of five different girls, each of whom deals with her own struggles.

Leigh is a closeted lesbian and worries about the implications if her secret gets out. Grace has a distorted view of what a perfect gymnast is and ends up paying the price. Monica is a nobody and feels she isn’t good enough to be there. Wilhelmina’s shot at the Olympics was taken from her four years ago because of a rule change, and now she is determined to prove she deserves to go more than anyone else. Camille was injured four years ago in a car crash and is making a comeback to gymnastics, but she can’t decide if this is what she truly wants. Is the Olympics worth sacrificing her boyfriend and her happiness?

Although each girl’s problem is unique, they all struggle with the complexity of competing against friends. Everyone is paranoid; no one’s words can be trusted. Tumbling explores the enormous pressures that come with gymnastics—on bodies, mental states, friendships, and relationships.

Tumbling is an intense book with routines so detailed that readers will hold their breaths as they read them. Readers will cheer when the girls land their routines perfectly and ache when they make mistakes. Readers who know nothing about gymnastics will be able to understand Tumbling, but there is a glossary in the back of the book to help with the gymnastics terminology if needed. Rather than focusing on the intricacy of the sport, the story focuses more on the girls’ struggles. Readers will relate to the girls’ problems, which include sexuality, eating disorders, confidence, family relationships, and boyfriends.

The characters invoke sympathy, but none of them are truly likable. They are petty and constantly play mind games with each other. Because the story takes place over two days, there isn’t enough time for the girls to develop. The book ends abruptly and leaves the reader with many unanswered questions. Overall, Tumbling is best suited for those looking to read an entertaining book. Readers who want a mix of spots, teenage drama, and intense competition will enjoy Tumbling.

 Sexual Content

  • Leigh has a crush on Camille and fantasizes about her a couple of times. Leigh is distracted at the meet and thinks about “Camille’s cushy lips.” Camille comes to Leigh’s room with the other gymnasts to watch an interview. “It wasn’t going to be like it had been in Leigh’s fantasies last night. When Camille had sat down with Leigh on her bed and told her she was dumping her boyfriend because she’d realized she thought Leigh was so much hotter. And then had laid down next to her and. . . ”
  • After Leigh performs a perfect floor routine, she hugs teammate after teammate until eventually, Camille hugs her. “Camille was hugging her, actually pressed against her body, like Leigh had imagined so many times in the privacy of her own head.”
  • Dylan Patrick, a member of a famous boy band, messages Grace and says she’s “hot.” He, Grace, and Leigh send flirty messages throughout the book, such as, “It means a lot to know someone is watching me. Especially someone as cute as you.”
  • Monica flashes back to when she got waxed “down there.” She describes how “…the wax job from a few days ago had replaced her pubic hair with angry red welts.” She remembers she lay “half-naked” and “her crotch burned like any other fifteen-year-olds.”
  • During the meet, Monica is uncomfortable being “basically naked” and having “every line on her body on display.”
  • A doctor asks Camille, who is sixteen, if she menstruates.
  • Camille lists the things that were different about her before she met her boyfriend. “Different height. Different weight. Different voice. Virgin.”
  • Camille talks about how she has grown since she took a break from gymnastics by saying, “…a woman of five feet and one inch with breasts and hips.”
  • Wilhelmina almost wishes she could be a mean gymnast, someone who would “message Dylan Patrick something suggestive tonight to get under Grace’s skin.”
  • There are several instances of Wilhelmina fantasizing about kissing her boyfriend, such as, “She’d wrap her arms around his and press her lips to his.”
  • Wilhelmina and her boyfriend almost kiss. Wilhelmina’s “lips were just centimeters away from his. She could feel her breath on his mouth.” They don’t kiss because he says he can wait until Wilhelmina is done with the Olympics.
  • Leigh thinks Grace wraps herself in multiple towels because she didn’t want Leigh to see “a bit of skin besides her face and her feet.”

Violence

  • Grace has an eating disorder. She “pared herself down to three hundred or five hundred calories a day just to be a bee to keep up with the skinnies.” She worries Leigh will “see how far my collarbone is sticking out today, afraid you’d notice that my legs are like twigs growing out of the hotel carpet.” She eventually confesses she doesn’t eat to Leigh and Camille, with the intention of confessing to her dad, and promises she will get help.
  • Wilhelmina sees evidence of Grace’s eating disorder a few times throughout the book and is saddened by it, but chooses not to do anything about it. She sees Grace throw away an entire plate of food twice. She notices how skinny her body is a few times. “Wilhelmina swore she could see through Grace’s quadriceps to her femur. Even when Grace was bent over, her hip bones were visible.”
  • In a flashback that takes place four years ago, Camille is ecstatic after making it onto the Olympic team. She is having an out-of-body experience when she gets into a car crash. “…almost like she wasn’t in the car but was instead floating about it, watching and saving the joy for later. And it was good she wasn’t in her body at that moment. Because that’s probably why she didn’t feel her head go through the windshield.” Her doctor says gymnastics caused “‘…the stress fractures in your back that caused it to break in three places during the crash.’”
  • Gymnastics is discussed as being dangerous to your health. Camille’s doctor tells her, “‘It’s gymnastics that almost killed you.’” Camille thinks, “Everyone had some sort of scare when she fell head-first off the bars or whacked her back into the balance beam from three feet in the air.”
  • Grace suggests to the reporters Leigh is a lesbian, and Leigh gets angry. “Leigh was going to slap her. If it weren’t for the cameras still in the vicinity, her hand would be imprinted on Grace’s face.”
  • Grace almost falls off the bar due to her eating disorder. During her routine, “her body almost crumpled off the bar and whacked it before falling 8.2 feet to the floor.”
  • Leigh falls off the beam and gets injured. “A hammer bashed into her forehead just above her right eye. Her body stiffened and her blood was sharp and painful, like razors running through her veins, and her eye was going to fall out and roll on the floor, that floor, which was coming up beneath her limbs much too quickly, and then, thankfully, she blacked out.”

Drugs and Alcohol

  • None

Language

  • Leigh and Grace watch as Monica picks her wedgie. They say she needs to “‘buy better butt glue’” and call her the “Wedgie Queen.” They continue to joke about this a few more times throughout the book.
  • God, Oh God, Oh my God, and For God’s sakes are used frequently as exclamations.
  • Christ is used once as an exclamation.
  • Leigh’s coach calls a reporter an asshole.
  • Leigh worries she is a bitch on the mat.
  • Profanity is used sparingly throughout the book. Profanity includes: shit, bullshit, damn it, damn, badass, freaking, and kick ass.
  • “For the hell of it” is used once.
  • A girl says, “That was some effed-up stuff.”
  • Wilhelmina tells Camille to “cut the crap.”
  • “Get her butt back on the beam” and “Kicking butt” are each used once.

Supernatural

  • None

Spiritual Content

  • Grace meditates before her beam routine. “It would look like she was praying, but Grace didn’t pray…It was her own body she counted on, not some Great Unknown Creature in the Sky.”
  • Camille made the Olympic team four years ago, but she had to withdraw due to a car accident. She describes her moment of happiness in the car as “this hoped for, prayed for moment was almost otherworldly, almost like she wasn’t in the car but was instead floating above it, watching and saving the joy for later.”
  • Leigh is tired of being mean during the gymnastics meet, so she promises to be nice and still win the meet. “So when Leigh had closed her eyes last night, she had made a promise to the Gods of Gymnastics or the Universe or whoever was in charge out there. Tomorrow, I will be me, and I will still win. I will win while being nice.
  • After Leigh falls, Grace says, “I think I accidentally prayed for it.”
  • After Leigh falls, Monica tells Grace and Ted, “You aren’t gods.”

by Jill Johnson

 

Geekerella

Elle Whittimer is living in an impossible universe. Her father died, leaving her with her awful stepfamily. Now her only connection to her father is through Starfield, an old science fiction television show that he loved so much he started a fan convention for it. These days ExcelsiCon is one of the biggest cons in the country, but Elle hasn’t been back since her father died. Instead, she finds her solace in late night Starfield reruns, posting on her blog, Rebelgunner, and dreaming of the day when she can escape to California and become a screenwriter. When a movie reboot of Starfield is announced, Elle is afraid that her favorite story is about to be ruined. But this movie just might be the ticket to her dreams because this year, the first-place prize for ExcelsiCon’s cosplay contest is a chance to attend the premiere in Hollywood. With a little help from her coworker Sage, Elle decides to turn her father’s old costume into a prize-winning cosplay.

Darien Freeman just landed the role of a lifetime: Federation Prince Carmindor in the Starfield movie reboot. However, as a lifelong fan, he’s afraid he won’t be able to do the character justice. There are already fans, like the blogger behind Rebelgunner, who are convinced that casting a teen heartthrob was a terrible idea. The last thing Darien wants to do is surround himself with a bunch of angry, hardcore Starfield fans, which means he really needs to get out of judging the ExcelsiCon’s annual cosplay contest. When Darien sends a text hoping to contact someone at ExcelsiCon, he ends up reaching Elle. After connecting through a mutual love of Starfield, their anonymous friendship begins to grow into something more. But what will happen when their paths cross on the convention floor?

Geekerella is part modern-day Cinderella story and part love letter to fandom culture. Poston does a wonderful job exploring the ways in which art can bring together creators and fans alike – across time and distance. Themes of love and acceptance are an integral part of the story. At the same time, some darker topics are addressed, like Elle’s mistreatment by her stepfamily and how Darien has lost his personal life to overzealous fans and toxic paparazzi.

At its heart, Geekerella is an adorable fairytale. Even if readers are unfamiliar with fandom culture, they can still have fun picking out the parallels to the classic Cinderella story. Elle is a charming heroine, whose wit and determination make her easy to root for, while Darien’s sweet optimism makes him an incredibly endearing character. When these two lonely souls find each other through a mutual love of Starfield, it’s nearly impossible not to hope that their budding romance will overcome all the obstacles thrown in their way.

Sexual Content

  • Darien says he doesn’t want to think about the “creepy google searches” that male fans of his costar Jessica Stone make, implying that they might be sexual in nature.
  • Elle describes Darien’s face as “annoyingly beautiful.”
  • When Darien takes off his shirt on live TV, Elle says, “His abs and chest beam across Catherine’s plasma TV, piercing through [her] sleepy brain like a ray of hope in this godless universe.”
  • A fan jumps on stage and forces herself onto Darien. “Her mouth connects with [Darien’s] with such force that it sends them both tumbling over the sofa.”
  • When Darien discusses the kissing incident with his bodyguard, Darien says he thought he’d “choke on her tongue.”
  • Darien and his co-star Jessica must kiss for a scene. When Jessica asks where Darien learned how to kiss, he jokes that he’s had “two hours of practice by now.” In the same scene, Jessica refers to herself as “the best kisser in Hollywood.”
  • Elle daydreams about what life in a better universe would be like. “And maybe at that midnight release, I’d see a guy across the theatre dressed in a federation uniform, and we’d lock eyes and know that this was the good universe. Maybe a guy with dark hair and chocolate eyes and—for a moment Darien Freeman flashes across my mind.”
  • Darien thinks to himself that when he was kissing Jessica, he was really thinking about Elle. “The truth is, it wasn’t just when we’d kissed that I’d thought about Elle. I’d thought about her during every step of that dance.”
  • During a text conversation with Darien, a.k.a. Carmindor, Elle describes an episode of Starfield as “the one with the other Carmindor being sexy in the shower.” She then panics and adds, “Not that YOU couldn’t be sexy too.”
  • Elle worries about what would happen if she met Carmindor, a.k.a. Darien, in real life and thinks to herself, “I hate that I’m falling for someone I don’t even know.”
  • Darien refers to Elle as “ah’blena” during one of their text conversations, in the universe of Starfield this is a phrase meaning “my heart.”
  • Darien’s handler says that whoever wrote the negative blog posts about him “has a serious crush.”
  • After filming the final scene for the movie, Jessica asks Darien if he’s thinking about “the absolute sadness that we didn’t make out more?”
  • When Elle meets Darien for the first time, she describes him as “beautiful in person,” but thinks that his personality is “the biggest turn off.”
  • When she enters the cosplay ball, Darien is captivated by Elle. Darien watches “the top of the stairs, the girl with glowing red hair stares down at the rest of us from behind a sparkling golden mask. Her bowlike lips are painted the flaming color of a red giant. She’s beautiful.”
  • As Darien watches Elle enter the ball, he compares the moment to a meet-cute from a movie scene. “But this isn’t a movie, and I’ve already missed my meet-cute. The sky doesn’t suddenly crash in around us. The world doesn’t lose sound. Because this isn’t where I fall in love. I fell in love across the cell signals and late-night texts with a girl I barely knew.”
  • A rude stranger at the cosplay ball insinuates that Elle is simply a Darien Freeman fangirl, not an actual Starfield fan, and tells her that she is “too cute to play dumb” when she gets offended.
  • Elle and Darien share a dance at the cosplay ball and start to fall into familiar banter. “We’re so close, I can feel his breath on my lips, and my heart is tugging, telling me to kiss him even though I don’t know him. Even though my heart, battered and bandaged and taped together, is still rattling from the text a few hours before. But there’s something familiar in the cadence of his words, the way he phrases sentences, the way he articulates thoughts, like a voice I’ve heard before.”
  • Realizing she’s stayed too long, Elle rushes out of the cosplay ball. Darien, having realized who she is to him, chases after her. “His mask has fallen off and I can see the shiner on his nose, dark as a rainstorm, and the alarm in his eyes. The kind where you’re afraid you’ll never see someone again. ‘Wait, ah’blena!’ Ah’blena? I stumble and one of Mom’s shoes slips off.
  • One of Elle’s stepsisters tells her friends that Darien is “way sexier in person.”
  • When Darien shows up at the country club looking for Elle, Chloe throws herself at him. Elle thinks that “flirting comes as natural as breathing” to her stepsister.
  • Darien reflects on seeing the real Elle for the very first time. “I won’t say that she is perfect or that she is the most beautiful girl I have ever seen, but the moment her gaze finds mine, she’s the best part of the universe. She’s a person I would love to spend a lifetime with on the observation deck of the Prospero.”
  • Elle and Darien share a kiss upon being reunited. “‘Ah’…,’ he begins, enunciating every syllable, raising his hand to my chin, ‘blen…,’ tilts my face up, slowly drawing toward me, like two supernovas about to collide, ‘…a.’ And somehow, in this impossible universe, his lips find mine.”
  • Elle and Darien kiss a second time and she describes it as “the kind of kiss that creates [possibilities].”
  • Sage and her girlfriend are holding hands in the limousine before the Starfield Elle says, “I don’t think they’ve stopped holding hands since that day at the country club.”
  • Sage’s girlfriend says she loves Jessica Stone, to which Sage responds, “Maybe we can share her.”
  • When a reporter asks if Elle and Darien are a couple, he tells her, “I want you, ah’blena. I want to try this thing with you, whatever this is. I want you to be my copilot. And I want to ask you before the movie, in case you really hate it.”
  • Darien kisses Elle on the red carpet. “He bends close, despite the crowds, despite the cameras, despite Franco’s nose-diving into his suit pocket where he’s probably keeping a snack, and kisses me. Around us, the flashes flare like the thrusters of the good ship Prospero, sending my heart rocketing into the farthest reaches of this impossible universe.”

 Violence

  • During a fight, Elle’s stepmother, Catherine, hits her. “With a crack, Catherine’s manicured hand strikes the side of my face.”
  • Darien films a choreographed fight scene. “There’s an explosion behind us—bright lights, the actual effects to be added later—as half the ship blows. Calvin lunges at me. I dodge left, grab his right hook, but he powers through it and sends me careening backward. I slam against the floor, pulling my weight back, scrambling to get my feet under me. He picks me up by the collar; I grab his hand and wrench it away. Quickly, I reach for my gun. Too slow. He rams his shoulder into my chest, and I stumble into the console. The entire structure shakes. He grabs hold of my neck and pretends to squeeze.”
  • Elle accidentally hits Darien in the face with a door, causing his nose to bleed. He describes the blood as leaking “into my mouth and down my chin and onto my favorite T-shirt.”
  • Darien gets into a physical altercation with his former friend, Brian. “If one good thing has happened over the last few months of preproduction and soulless salads and four A.M. workouts with Arnold Schwarzenegger’s cousin, it’s that I learned to throw a punch. Thumb out, clench fist—swing. Brian stumbles from the force of it.” The fight scene lasts for three pages.
  • Sage tells a dog, “The next time you jump on me I’ll skin you and wear you as a hat!”

Drugs and Alcohol

  • Prior to the beginning of the story, Darien was in an accident that prompted headlines to speculate about his health. When he describes the accident he says, “I wasn’t drunk, or high, or tripping on anything besides my own feet.”
  • Darien describes his former relationship with Brian, a friend who sold him out to the paparazzi, as “shoot-the-shit, drinking beer in the back of pickups friends.”

 Language

  • Elle uses the phrase “Nox’s crack” in place of a curse. The Nox are a race of aliens from the Starfield
  • Anon, the director of the Starfield movie, tells Darien that he has “brass balls” right before he films a stunt sequence.
  • Darien describes one of his lines as a “kiss ass goodbye.”
  • Elle describes sitting inside the food truck on a warm day as “hot as balls.”
  • Sage refers to Elle’s stepsisters as “the hell twins.”
  • Sage describes Princess Amara’s character arc as a “crappy subplot.”
  • When Elle first sees Darien in person, she thinks to herself, “Holy Federation Prince, Batman. It’s Darien effing Freeman.” This is one of three times this phrasing is used as an exclamation.
  • Miss May, one of the people running ExcelsiCon, says that Elle gave Darien “a snowball’s chance in hell.”
  • When Sage enters ExcelsiCon, she says, “Holy shit.”
  • Darien uses the word “fracking” in place of an f-bomb.
  • Darien tells Brian that he’s “not trying to be a dick.”
  • Elle calls the stranger harassing her a “left-testicled Nox.”
  • During his fight with Brian, Darien imagines a headline describing the incident: “DARIEN FIGHTS WITH SLEAZY PAPARAZZO AND MURDERS HIS ASS.”
  • During an argument with his father, Darien asks, “Why the hell insure my abs anyway?”
  • Sage tells Darien that she has been grounded by her mother, adding, “like hell I am.”
  • Elle says that her stepmother got rid of all of her Starfield memorabilia, including “one hella rare Pez dispenser.”
  • Elle tells Darien that she will make his life “a living hell” on her blog if he screws up Carmindor.

 Supernatural

  • None

Spiritual Content

  • Elle describes herself as sending a prayer to “the Lord of Light or Q or whoever is listening.”

by Evalyn Harper

 

Crooked Kingdom

When Jan Van Eck, a member the Merchant Council of Kerch, hired Kaz Brekker and his team to infiltrate the infamous Ice Court to extract the maker of the drug jurda parem, no one believed they really stood a chance. Yet Kaz, Inej, Wylan, Jesper, Matthias and Nina pulled it off, even if it was just barely. They extracted the drug maker’s son, Kuwei Yul-Bo, and were ready to receive the money that would make all their dreams come true. At least, until Van Eck betrayed them all and kidnapped Inej.

And the problems don’t stop there. Ketterdam has become a dangerous city, one that sees old and new enemies stream in to get a hold of Kuwei’s knowledge of jurda parem. To corner Kaz and his team, Van Eck will force the group to test their loyalties and use up all the wit they have to offer. With nowhere to run, there’s only one option available to Kaz: fight back.

While wanted posters display Kaz and his crew, the six are busy planning and plotting to find a way to get everything they’re owed. They’ll save Inej, get Kuwei out of the city, and make Ketterdam theirs again. One way or another, they’ll even the score.

Bardugo’s Crooked Kingdom is just as fun and exciting as the first novel. Building off their trip into the Ice Court, Crooked Kingdom delves deeper into the main conflict between Kaz’s crew and Jan Van Eck. From the very beginning, the claustrophobia of Ketterdam, its sense of despair, and its dwindling hope take center stage, laying the foundation for the story to push the main characters into finding their own way out of the hole they’ve found themselves in.

That’s where the main theme of standing up for yourself comes in. Learning to fight for yourself in a cruel, greedy world comes across easily through Kaz’s determination to see his crew properly rewarded for helping stop the production of jurda parem, the drug that enhances Grisha power. This theme also comes through with the other five main characters, like Inej’s desire to hire a ship and go after slavers or Wylan’s realization that he needs to overcome his father. It’s safe to say that each member of Kaz’s crew is a role model in their own right. Each person grows stronger from the trials they encounter.

Overall, Crooked Kingdom is a wonderful follow-up to Six of Crows. This sequel is definitely a must-read. The book is chock full of action, suspense, and plot twists from beginning to end. The main cast of characters really shine in the hectic moments of the plot. While the pacing can feel relentless at times, that only raises the stakes.

Sexual Content

  • When going over the plan to con Smeet, one of Kaz’s targets, Kaz tells the others, “Smeet never cheats on his wife.” During the job, Wylan thinks when he sees Nina, a member of Kaz’s group, “She was dressed in a sheer lavender gown rigged with some kind of corset that pushed her cleavage to alarming heights, and though she’d lost weight since her battle with parem, there was still plenty of her for Smeet to grab onto.” And, again later on, Smeet “was ogling those guns almost as much as Nina’s cleavage.”
  • When thinking about her past as a working girl, Inej, Kaz’s love interest, thinks, “The man with sharp teeth like a kitten who had bitten at her breast until she’d bled.” Later, when thinking about the worst client she had, Inej thinks, “because when the man who smelled of vanilla had begun to kiss her neck and peel away her silks, she hadn’t been able to leave her body behind.” Finally, when her thoughts stray to Kaz, Inej thinks, “What if he had come to her, laid his gloves aside, drawn her to him, kissed her mouth?”
  • When Inej is attacked by Dunyasha, an assassin, Dunyasha says, “I hear you whored for the Peacock.”
  • When confronted by a group of thugs, Nina tells the leader, “‘I’m fast enough to make sure you never’ —her eyes gave a meaningful slide below his belt buckle—‘raise a flag on West Stave again.’”
  • When thinking about his first few nights in the Barrel, Wylan remembers, “The couple in the room above him were fighting. The couple in the room below him were definitely doing something else.”
  • Later, Wylan remembers how a man told him, “Young dollop of cream like you should be able to make fine coin on West Stave.” When Wylan thinks about getting help from his father, he thinks, “But he would sell himself in the pleasure houses of West Stave before he’d ask for his father’s mercy.”
  • When Wylan first met Jesper, his “first thought was that this boy had the most perfectly shaped lips he’d ever seen.”
  • When waiting to meet Ravkan Grisha, Matthias is alone with Nina and thinks, “It was too easy to imagine himself kneeling like a penitent before her, letting his hands slide up the white curves of her calves, pushing those skirts higher, past her knees to the warm skin of her thighs.”
  • When Jesper meets Wylan in the music room of a hotel, he “moved slowly, deliberately, kept the kiss quiet, the barest brush of his lips, giving Wylan the chance to pull away if he wanted to.” Then later, when Jesper sees Kuwei standing in the doorway, he asks, “Do the Shu not kiss before noon?”

Violence

  • When Retvenko, a Grisha, thinks about his previous employment, he thinks, “After Hoede had died, the Kerch Merchant Council had let Retvenko take on sea voyages to pay his way out of the indenture.” Later on, Retvenko thinks about his role in a former war. “He’d murdered former comrades, civilians, even children.” When Retvenko is later attacked, he “peeked around the desk in time to see the shotgun blast strike the woman directly in the chest.”
  • When thinking about a past conversation with Kaz about a working girl, Wylan remembers that Kaz said, “Tante Heleen beat her to death.” After that, Wylan remembers, “They were the last words he’d spoken. If he’d talked less, he might have lived.”
  • When speaking to a little girl who could give Kaz and Wylan away, Kaz tells her, “Because if you do, I’ll slit your mother’s throat and then your father’s, and then I’ll cut out the hearts of all these sweet slobbering hounds.” Afterwards, Kaz justifies what he said by saying, “It was that or snap her neck and make it look like she fell down the stairs, Wylan.”
  • When Inej is detained by Van Eck, she thinks about her friend Nina “squeezing the life from a man with the flick of a wrist.” Later, Inej is trying to free her wrists “After what seemed like a lifetime of sawing and scraping and bloodying her fingertips on the shard’s edge.” And, when Inej is about to be tortured, Van Eck tells the torturer, “I don’t want it to be a clean break. Use the mallet. Shatter the bone.”
  • When Jesper and Wylan go to meet Colm, Jesper’s father, “A shot rang out against the walls of the courtyard. Jesper shoved his father behind him as a bullet pinged off the stones at their feet, sending up a cloud of dust.” Later, Wylan tells Jesper, “I’ve got two flash bombs and something new I rigged up with a little more, um, wallop.” When someone sees Jesper, Wylan and Colm fleeing through a library, he says, “I won’t go with you! I’ll kill myself first!”
  • When Nina realizes Kaz has the jurda parem, she tells Matthias that Kaz would “slit my throat” if she tried to take some from him. Later, Nina’s Grisha power doesn’t work. After she killed a guard, she says, “I didn’t mean to kill him.”
  • After the panic about a plague, Wylan muses over how “people were bruised and concussed, and Wylan had heard that one woman’s hand had been crushed when she’d gotten knocked to the floor.”
  • When Matthias is confronted by a Fjredan drüskelle warrior, the warrior says, “You killed my friends. In the raid on the Ice Court.” After that same warrior shoots Matthias, he passes away. “The light vanished from his eyes. His chest stilled beneath her hands.”
  • When threatening Pekka Rollins, the former King of the Barrel, Inej tells him, “I left pretty Dunyasha’s brains dashed all over the Ketterdam cobblestones.”
  • When Kaz threatens Pekka Rollins, he says, “‘I buried your son,’ he crooned, savoring the words. ‘I buried him alive, six feet beneath the earth in a field of rocky soil.’” Later Kaz says, “‘Inej, I could only kill Pekka’s son once.’ He pushed the door open with his cane. ‘he can imagine his death a thousand times.’”

Drugs and Alcohol

  • As with the first book, alcohol is mentioned frequently in the novel.
  • Retvenko, a minor character, is drunk at the very start of the book. At a bar in the Barrel, where the thugs and cheats of the city live, Retvenko realized, “The whiskey had failed to warm him.” Later, when speaking to a barman he thinks, “His Kerch wasn’t good to begin with, and it was worse after a few drinks.”
  • Wylan, a member of the Dregs, has to pretend to be a waiter at a gambling hall. When signaled to serve champagne, he thinks, “He at least knew how to pour a proper glass of champagne without it foaming over.”
  • When thinking about Wylan’s change in appearance, Jesper thinks, “It always left him feeling a little off-kilter, like he’d thought he was reaching for a cup of wine and gotten a mouthful of water instead.” Later Jesper says to Wylan, “I mean, just think of the heights of debauchery we could reach if no one kept this city in check. Champagne for breakfast.” When Jesper and Wylan later speak with Jesper’s father, Jesper thinks, “They’d eat. They’d talk. Maybe they’d drink. Please let them drink.”
  • As with the first book, jurda parem, a harmful drug that enhances a Grisha’s (magic user’s) powers, is a main plot device in the story. Kuwei, the son of the creator of jurda parem, says that he can discover “An antidote for parem.”
  • Nina, a member of the Dregs, comments that she could “masquerade as a jurda parem dealer” as a joke when going over Jesper’s role in a job. Later in the story, Nina thinks about the aftereffects of jurda parem on her body. “She’d still been trying to purge the parem from her body, caught in the haze of suffering that had begun on the voyage from Djerholm. She told herself to be grateful for the memory of that misery, every shaking, aching, vomiting minute of it.” Later, she remembers how she acted towards Matthias, her boyfriend, while dealing with the aftereffects. “The shame of Matthias witnessing it all, holding back her hair, dabbing her brow, restraining her as gently as he could as she argued, cajoled, screamed at him for more parem. She made herself remember every terrible thing she’d said, every wild pleasure offered, each insult or accusation she’d hurled at him.”
  • When trying to use her Grisha power, Nina remembers how her jurda parem addiction affected her. “She’d broken into a sweat from the effort, and as soon as the bruised color faded, the hunger for parem hit, a swift, hard kick to her chest. She’d bent double, clutching the sink, her mind filled with breakneck thoughts of how she could get away, who might have a supply, what she could trade.” Later on, when Nina asks Kuwei about whether the drug affects Grisha power, Kuwei responds, “I don’t know. You took the drug only once. You survived the withdrawal. You are a rarity.”
  • When sneaking into someone’s home, “Nina had suggested drugging the dog’s food.”

Language

  • Profanity is used frequently in the novel. Profanity includes words like: ass, hell, bastards, damn, bitch, and fuck.
  • When telling his team about his plan to con a man named Smeet, Kaz says, “So you all need to do everything you can to keep his ass firmly planted at that table.”
  • When debating with Matthias about whether one of their targets will invite Nina back to her room, Nina says, “Like hell he won’t.” When speaking to Wylan about the Smeet job, Kaz says, “We can’t be here when he gets back or the whole plan goes to hell.”
  • When Kaz is musing over a certain type of lock, he thinks, “They were complicated little bastards.”
  • When Jesper talks to Kuwei, he says, “You have that damn travel pack.” Soon after that Jesper says, “There’s only one way out of the tomb, and we’re on a damn island.”
  • When Nina is attacked by a group of thugs, one of them yells, “They’re coming for the Grisha bitch!”
  • When Nina demanded Matthias get her more jurda parem, she tells him, “Then break the fucking door down, you useless skiv.”

Supernatural

  • The Grisha, AKA the magic users, are an integral part of the world of Crooked Kingdom, just like in Six of Crows.
  • Like in the first book, the Grisha are categorized into groups based on their powers. The Corporalki, also known as the Order of the Living and the Dead, include Heartrenders and Healers. The Etherrealki, who are the Order of the Summoners, include Squallers, Inferni, and Tidemakers. The Materialki, who are the Order of Fabrikators, include Durasts and Alkemi. For instance, “A Corporalki could manipulate the human body, not inorganic matter.”
  • Many Grisha are brought into the city of Ketterdam to work “As a treasured Grisha indenture,” though this is more often than not just a masked form of Grisha slavery. Retvenko, a Squaller, thinks about how dangerous it is to be a Grisha. “But when you were a Grisha, even staying still could mean courting trouble.
  • Retvenko, a Squaller, thinks about how his powers will help his job. He thinks, “so the crew would rely on Retvenko to master the air currents and guide the ship calmly to whatever port they needed to reach.”
  • At one point in the past, there was an army of Grisha that fought for the nation of Ravka, called the Second Army. The “young king was said to be handing out pardons like penny candy, eager to rebuild the Second Army, the Grisha military that had been decimated by war.”
  • The Council of Tides, the ruling council of Grisha in Ketterdam, are a very mysterious group of people. “They were supposedly Grisha, but had they ever lifted a finger to help the other Grisha in the city?”
  • Kuwei, the son of the man who made the drug, jurda parem, says at one point, “My father was a Fabrikator. I am just an Inferni.” When Kuwei asks Kaz to get a Grisha to change his appearance, Kaz says, “The only Tailors powerful enough to make you look like someone else are in Ravka, unless Nina wants to take another dose of parem.”
  • Nina is a Corporalki Grisha. When thinking about her jurda parem addiction, she thinks, “They needed her to be a Corporalki, not an addict with the shakes who wore herself out with the barest bit of tailoring.” Later on, when she needs to use her power, she thinks, “Slow their pulses. Send them quietly into unconsciousness without ever letting an alarm sound.” Immediately after that, Nina’s power doesn’t work, “It was like stumbling blind through the dark…Dimly, she was aware of the suggestion of their frames, a trace of knowing, but that was all.”

Spiritual Content

  • Like in the first book, the most mentioned god in the novel is Ghezen, the God of Commerce in Ketterdam.
  • When Retvenko goes to a work assignment aboard a ship, the first mate says, “Ghezen, Retvenko. Have you been drinking?” When Kaz bumps into one of his targets accidentally, he pretends to be a humble young man saying, “Too kind, sir. Too kind. May Ghezen be as generous.” Later, Van Eck talks about his future fortune by saying, “When I leave this world, the greatest shipping empire ever known will remain, an engine of wealth, a tribute to Ghezen and a sign of his favor.”
  • When speaking about Van Eck’s illegal practices, Jesper says, “Isn’t not paying your taxes…I don’t know, sacrilegious? I thought he was all about serving Ghezen.”
  • Like in the first book, the Suli Saints are mentioned again. Inej thinks, when she’s still in the villain Van Eck’s custody, “Saints, what if she was in Van Eck’s mansion?” When Inej thinks about her sins, she muses, “Would her Saints sanction such a thing? Could forgiveness come if she killed not to survive but because she burned with a living, luminous hatred?” Just as she’s about to be tortured by Van Eck, Inej thinks, “Saints protect me. Saints protect me.”
  • The Church of Saint Hilde is a famous sight in Ketterdam. When Kaz tells Wylan where the latter can find his mother, he says, “Well, he’s been making donations to the Church of Saint Hilde for the last eight years. If you want to pay respects to your mother, that’s probably the place to start.”
  • On Black Veil, an island full of graves, some of the graves “bore the stamp of Ghezen’s Coins of Favor… A few were watched over by Ravkan Saints in flowing marble robes. There was no sign of Djel or his ash tree.”
  • Djel, the Fjerdan god, is also mentioned a few times in the novel. When Matthias is reflecting over his past actions, he comes to a revelation. “Now he was sure of nothing but his faith in Djel and the vow he’d made to Nina.”
  • Colm tells Kaz, “You haven’t been Alice long enough to rack up your share of sin.”

by Jonathan Planman

EndGames

Blue arrives in the capital city of Altalus, where she is determined to find her friend Crow, the boy who was created to be a flying war machine, and Jack, the engineer who built him. But soon she is inadvertently kidnapped by Snow and Red, twins from the enemy side of their ten-year war. They set off on a dangerous adventure that brings them to the front lines of the war, and eventually realize that they must work together to help end it. But with larger, more powerful forces at work, the fight for peace and survival will be more difficult than they ever imagined.

The majority of EndGames’ plot focuses on the war between Goswish and Grimmaea. However, readers may have a difficult time following the story because of the abrupt transitions. The story jumps from scene to scene causing readers to struggle with keeping up with the new characters and all of the new information. While NewsPrints focused on Blue and Crow’s relationship, in EndGames the two are separated and have little contact. Readers will miss the interaction between the two.

Even though the story is recommended for readers eight and up, younger readers may not be able to understand the more mature themes that appear in the book. The story is very anti-war and shows the dangers of using children to fight an adult’s war. EndGames also shows how governments only print news that is beneficial to them. Instead of being concerned with the truth, many newspapers only spread the government’s propaganda. The newspaper only runs an important true story when “the truth happens to sell even better for the Bugle.”

Unfortunately, EndGames tries to accomplish too much. The story has themes of imperialism, gender roles, and discrimination as well as an anti-war message. EndGames features both a blind character and a transgender character. A female aviator tells Blue, “Oh I’ve always knon I was a boy. . . Other people just didn’t know it yet.” However, the transgender reference is brief and awkward.

Although the artwork is stunning, younger readers may be confused because of the quick transitions. Even though the illustrations help tell the story, some scenes are still confusing. The frantic pacing allows the story to skip over information that may have made the scene’s action clear.

Sexual Content

  • None

Violence

  • While flying, two airplanes shoot at each other. A plane is knocked out of the sky by “friendly fire.” No one is injured. The scene is illustrated over six pages.
  • When another country’s Navy appears, a soldier uses a weapon in an attempt to “destroy that machine before your Goswish troops can get it back.” The weapon hits a target and starts a fire. The soldier is shown celebrating the destruction. The scene is illustrated over six pages.
  • As airplanes approach, the army is told “to protect Goswing, we must destroy Grimmaea!” Airplanes are shot down and fall into the ocean. The scene is illustrated over four pages.
  • Blue is left on unstable land that is being consumed by lava. Blue falls into a crack in the ground, but is saved.

Drugs and Alcohol

  • None

Language

  • “Goose Butts!” is occasionally used as an exclamation.
  • Heck is used once.
  • Someone calls Blue an “idiot.”

Supernatural

  • None

Spiritual Content

  • None

We Set the Dark on Fire

We Set the Dark on Fire takes place on the fictional island of Medio, where a wall separates the poverty-stricken coast and the wealthy inland. Medio has rich mythology about a complicated love triangle between the Sun God, the Moon Goddess, and a human woman. The myth ends with the three entities marrying each other in a holy trifecta. Because of this myth, wealthy inland families customarily marry their sons off to two wives: a “Primera” and a “Segunda.” The Primera functions as a “political” wife who manages her husband’s social appearances and accompanies him at public functions. The Segunda is the mistress who is responsible for bearing and raising the husband’s children.

The story centers around Dani, a seventeen-year-old girl who is graduating from finishing school and is about to start her life as a wife. Despite graduating at the top of her class, Dani is worried about taking her place in the household. Political riots have made the police paranoid, and she is worried that the increased security will reveal that her identification papers are forged. Her parents are from the coast and have risked everything to put her in finishing school.

Dani is soon married off to a powerful political figure in one of the richest families in the Capital. She is the Primera and her school rival, Carmen, is the Segunda. She has little time to settle into household life before being approached by a rebel spy group, La Voz. The spies give her fresh papers so that she can pass a checkpoint, but in return, Dani is dragged into a world of political tensions and intrigue. Soon, she finds herself steeped too deep in her husband’s family’s corruption and is forced to confront ugly truths about the family she has married into. While dealing with espionage and lies, Dani must use all her wits to conceal her own secrets, which include her forged identity, her alliance with La Voz, and a budding romance with Carmen.

We Set the Dark on Fire is an original, well-written story. Mejia navigates a complicated political plot deftly. The story’s twists and turns may become confusing at times, but the narration avoids losing its thread. The prose is poetic and brings Dani’s character to life. The reader will soon be invested in the world of Medio’s aristocratic gender politics where Primeras are expected to show no emotion. Dani, who has been training for years to assume the role of Primera, is well-accustomed to showing no emotion. The layers of composure beneath that she hides add texture and detail to the narrative. She is excellently characterized.

The emotional core of the novel is formed from two main elements. The first is Dani’s relationship—and eventual romance—with Carmen. The tension and forbidden love between the two wives is excellently written, and readers will root for the couple as the stakes get higher and the lies get thicker. The second element is Dani’s love for her hometown. Although she was sent away to school at age twelve and never returned, Dani has a strong love for Polvo, the simple town where she spent her childhood. Upon entering the aristocracy, Dani discovers that she is disgusted by the excess and wealth that her new family can afford. Although she looks back fondly on her time in Polvo and wishes she could live there, she knows that Polvo is racked with poverty and that the police terrorize its citizens.

American readers may notice that the world of Medio draws certain parallels to events on the news. The island is divided by a wall meant to keep certain people out; the police are brutal towards the poor; the culture features Spanish words and foods. The narrative never makes the allegory overly obvious, but the book is deeply political. In one scene, Dani feels regret that she can have fun at all when so many people are suffering. Her guilt and class consciousness will strike a chord with many readers. While the book puts strong moral themes into conflict, the reader likely will not feel patronized or preached to; rather, they will simply want to know what happens next.

Sexual Content

  • Dani and Carmen’s new husband frequently looks at Carmen in suggestive ways, “raking his eyes over her body in a greedy way.”
  • Carmen wears revealing clothing. “Carmen was never underdressed—unless you counted too much bare skin. Today’s dress was plunging.”
  • A seamstress measures Dani and Carmen for new clothes, and Dani is nervous about undressing in front of another person. There are moments of uncomfortable sexual tension. “Carmen in clothes was ridiculous, but in nothing but her underwear she was, objectively, a work of art. She was all circles and curves, all dark amber and soft edges.”
  • In a lie to cover up her communication with La Voz, Dani tells Carmen that she fired a gardener. Dani says, “I heard him talking about you. About your figure in your dress and how he’d like to . . .  well, you get the point . . . I let him go for saying inappropriate things.”
  • In the shower, Dani fantasizes about Carmen. “There was a heat building deep within her. Deeper than her muscles or her bones or her pounding pulse. It was a primal, secret ache that she’d never allowed herself to feel before this moment. Her fingers knew where to find the source of that feeling, and when they went wandering, Dani didn’t stop them. . . In only a few moments, she was lost to the sensations.”
  • After being attracted to each other for a long time, Dani and Carmen finally kiss. “Their lips met like swords sometimes do, clashing and impatient and bent on destruction, and Dani thought her heart might burst if she didn’t stop, but it would surely burst if she did.”
  • Dani and Carmen’s husband are accused by his parents of having an affair. “If you’re going to have an affair, at least be discreet, for Sun’s sake. The years between marriage and moving your Segunda into your room are long, but . . .”
  • Dani and Carmen’s husband kisses Carmen “longer than he should have been allowed, especially when they weren’t alone.” Dani imagines “the places a kiss like this could lead. The places they would necessarily lead, if Dani was still here when it was time for them to produce a child. But would Mateo really wait that long?”
  • Dani and Carmen spend an intimate night together, and Dani is nervous about what Carmen expects. “She was a Segunda, of course; maybe kissing wasn’t enough. Dani tried not to balk at the thought of clothing coming off, of touching someone else the way she’d barely touched herself . . . she wasn’t ready. Not yet.” Carmen reassures her that she doesn’t expect anything sexual. “Don’t worry about that, okay? If we want to . . . when we’re ready . . . we’ll talk about it. But for now, I just want to do this until I get dizzy.” The narration skips over the rest of the night but implies that they continue making out until morning.
  • After their night together, Dani observes herself in the mirror. “She didn’t look like a Primera anymore. She looked like a girl who knew the taste of lips and tongues. A girl who had wondered what was next.”
  • Dani spies on two minor characters, José and Mama Garcia. “Whatever José had been about to say, it was swallowed by Mama Garcia as she claimed his mouth in a passionate kiss. One that clearly wasn’t a first between the two.”

Violence

  • The police use firearms and deadly force. During one chapter, Dani and Carmen have to navigate through a market where a confrontation is taking place between the police and La Voz. The police fire several times and create havoc, but the “long, shallow scratches on her neck were the least of Dani’s worries. There had been blood on the pavement as they’d left the marketplace…” Later, she learns that her main contact within La Voz was shot. “‘Just a scratch,’ he said, but a complicated web of bandages spread across his chest and down his left arm, telling a more sinister story.”
  • Members of La Voz gather in the market with torches to burn it down. Dani barely escapes in time and suffers severe burns. “The figure watched, mask expressionless, as she rolled on the stone stage, trying desperately to put out the fire that had taken over her every thought and feeling. When the flames finally died, the fabric of her expensive dress had become one with her skin, and when she tugged at it her vision went black in spots, coming back slowly to reveal an inferno where she had just been standing.”
  • A member of La Voz holds a knife to Dani’s throat and threatens her life. “The knife pressed harder against her throat, kissing her skin until it broke.”
  • Dani is pulled away from a car that explodes with people inside of it. “Carmen slammed into her from behind, knocking the wind out of her. She didn’t say a word as she scooped Dani up into her arms and flat-out ran back to the car. The whining was deafening now. Above them, the air seemed to grow thinner, the stars too bright. Carmen threw her painfully to the ground behind the hired car, barely covering Dani’s ears with her hands before the darkness exploded all around them.”
  • A member of La Voz holds a gun to Dani’s head, but then empties her clip into a burning car instead of shooting her.

Drugs and Alcohol

  • Playing cards only come out “when the men at a party got too deep in their expensive liquor and one of them had something to prove.”
  • Dani recalls her school roommate “dizzy with drink from the Segundas’ legendary last-night party. She’d been loose and smiling, drunk on her own triumph as much as the rose wine.”
  • The women of the aristocracy frequently drink sangria together, though never to the point of impropriety.
  • When Dani’s husband catches her in his private study, he has her sit down and drink “a clear liquid that smelled like an open flame.” He is already drunk and slurring his words. Dani gets a “pleasant buzz” and stumbles a little while leaving.

Language

  • Occasionally, characters will swear on the Sun and Moon gods and say, “For Sun’s Sake.”

Supernatural

  • Dani recalls her mother’s proficiency in telling fortunes with a deck of cards. “Her mama told the women of the town of small illnesses that were coming: a jealous eye on a child; a husband growing too fond of the fermented pineapple rind most families brewed in the dirt patches beside their houses.”

Spiritual Content

  • Dani views the world through her own religion, which differs from the religion of the inner island. While the inner island focuses on “large gods,” such as the Sun God and Moon Goddess, Dani sees small gods everywhere.
  • For example, during a tense moment, “Dani closed her eyes and muttered a half-forgotten prayer to the god in the air, to the goddess in the flames. Keep calm, she beseeched them. No one around her would understand. Her parents’ gods weren’t in fashion—only the bearded visage of the Sun God, who ruled masculine ambitions and financial prosperity.”
  • These invocations of small, unnamed gods appear throughout the narration and often serve to illustrate what Dani is thinking or feeling.

by Caroline Galdi

 

 

A Match Made in Mehendi

Fifteen-year-old Simran “Simi” Sangha comes from a long line of Indian vichole – matchmakers — with a rich history of helping parents find good matches for their grown children. When Simi accidentally sets up her cousin and a soon-to-be lawyer, her family is thrilled that she has the “gift.”

But Simi is an artist, and she doesn’t want anything to do with relationships, helicopter parents, and family drama. That is until she realizes this might be just the thing to improve her and her best friend Noah’s social status. Armed with her family’s ancient guide to finding love, Simi starts a matchmaking service via an app.

But when she helps connect a wallflower of a girl with the star of the boys’ soccer team, she turns the high school hierarchy topsy-turvy, making herself public enemy number one.

Simi starts her sophomore year with the intent of standing out and being her true self. As she tells her own story, the reader gets an inside scoop on her thought process. Simi’s story bounces between her home life, her love life, and her school life. Simi is surrounded by a large and loving family. She also relies on her best friend, Noah, to help her through the day-to-day struggle of school.

The story’s large cast of characters doesn’t allow the author to give each person a unique personality, and many of the characters are not well-developed. Simi’s best friend Noah is struggling with his sexual identity, but his thoughts and feelings are never expressed, which makes it hard for the reader to connect with him. Readers may also have a difficult time because Simi’s family is from India, and they often use their native language; however, there are few context clues to help the reader understand the word’s meaning.

A Match Made in Mehendi gives the reader a look into Indian culture as well as the matchmaking process. The action slows down when Noah, Simi, and her brother work on the app. The matchmaking app is an interesting twist, but Simi seems more concerned with the app’s functionality than the couples the app matches.

Like many teens, Simi is trying to find her voice and stand up for herself. Simi’s story is unique and follows several couples as they try to navigate romance. However, the character-driven story does not contain a lot of action or conflict. Although the story has several interesting facets, A Match Made in Mehendi will easily be forgotten.

Sexual Content

  • While working on an art project at a boy’s house, the two take a break. “He leans close, picking a blade of grass from my hair, and for a second, I think he might kiss me.” But then the dog jumps between the two and the moment is over.
  • After a date, Simi’s “heart rate kicks up as he ducks his head and moves closer.” She thought he was going to kiss her and thinks, “I want him to. I have for so long.” But then, the boy “veers towards my cheek, laying the softest kiss there. It’s innocent and sweet, but all the same, shivers fan out over my arms.”
  • Simi’s friend Noah has a crush on a boy, but he isn’t sure how to handle it.
  • While at a gathering, Simi is talking to a boy. The boy “gently pulls me in toward him for a kiss. Except I’m so surprised, I knock over my cup of ginger ale before our lips can connect.” Simi tells him to try again, which he does. Simi thinks the kiss is “slow. Delicious. Sweet like ate-ki-pinni.”

Violence

  • A mean girl tricks Simi, then “as I crash onto my hands and knees, my phone careens through the air and smashes face down on the concrete.” The girl stomped on the phone, then “she laughs, does a haughty pageant wave, and keeps moving.”

Drugs and Alcohol

  • During a dinner at Simi’s house, her dad “keeps everyone happy with drinks ranging from lassi and lemonade to Patiala pegs of his favorite single malt whiskey.”

Language

  • Profanity is used sparingly. Crap is used three times; holy crap and shit are both used once.
  • When Simi draws a picture of two people with hearts over their head, her sister says, “Good God.”
  • God, OMG, and dear God are all used as an exclamation once or twice.
  • Freaking is used five times.
  • Badass and kickass are both used once.
  • When someone takes credit for Simi’s artwork, she says, “They call it bullshit. Are you gonna tell her [the teacher] or am I?” Later she thinks the person is an “ass.”

Supernatural

  • None

Spiritual Content

  • When Simi’s grandparents got married, they were from different religions, but it wasn’t “a big deal.” Her grandparents “lit a lamp for both Wahe Guru and Mata Rani in our home after we got married and called ourselves doubly blessed.”

With the Fire on High

Emoni, a Philadelphia teenager, has aspirations of being a chef. Through her cooking, she is able to explore her identity as an African-American, as well as her Puerto Rican ancestry. Emoni’s family also forms a central role in her life. Her dad is a Puerto Rican activist and community organizer, but he is often absent. Emoni lives with her Puerto Rican abuela and her two-year-old daughter, who she conceived during her first year of high school. Now a senior, Emoni is learning to juggle her family, her academics, her personal life, her job, and her love of cooking.

At the beginning of the school year, Emoni learns that her school is introducing a culinary arts class. She is unsure if she will be able to balance it with her other commitments, and has a hard time warming up to the chef who teaches the class. Though they get off to a rough start, the chef soon becomes an important mentor for Emoni. She learns the importance of following directions in the kitchen, which is a place where she is used to doing whatever she wants.

Meanwhile, Emoni meets Malachi, a new student. She is hesitant to become friends, but they soon become close. Malachi becomes Emoni’s romantic interest. He is a sensitive boy who respects and cares for Emoni. Their relationship develops slowly through the course of the book. Malachi courts Emoni by showing that he is willing to accommodate her family situation: he is respectful towards her abuela and daughter.

With the Fire on High is heartfelt and expertly written. Readers will relate to Emoni’s struggle to decide whether she will go to college, and what shape her future will take. Readers will quickly find themselves rooting for Emoni and her family. They will cheer at her victories and feel distressed at her losses. The first-person narration paints a vivid picture of Emoni’s culture, her family, her personality, and how food plays an emotional role in her life.

With the Fire on High has mature themes and sexual content, but it is handled maturely. Sex is not glorified or demonized. When Emoni and Malachi become intimate, they do so because both of them feel emotionally ready. Emoni also struggles with the decision to date because of her many responsibilities. Emoni only brings Malachi around her child when she is certain that he’ll be a good influence.

With the Fire on High uses a unique character voice and vivid descriptions of food to draw the readers into the setting. The description of every character is strong, but especially Emoni’s. Her stubborn personality, her love for her daughter, and her unique narration all help her to come alive on the page. Readers will be able to relate to some piece of Emoni, but she is, by and large, her own distinct personality. The lessons she learns throughout the story will resonate with any reader. This is a coming-of-age story, and Emoni’s maturity is marked by her ability to make choices that will let her support her family while still caring for herself.

Sexual Content

  • The main character, Emoni, is a teen mother. She describes her first sexual experience—with her child’s father—as something “a lot more technical” than she expected and indicates that the experience was disappointing and confusing because she wasn’t ready. “When he finally shoved into me, it stung. For a second, I wasn’t sure if I wanted to push him away or pull him closer, and then he was panting and sweating on my chest and apologizing. . . I cleaned my own self up, put on my pants, and left. He didn’t even say goodbye.”
  • The chef encourages the cooking class to “come eat Emoni’s chocolate pudding.” Many of the boys take this as an innuendo and tease Emoni about it, but the double entendre is never explained.
  • When Emoni and Malachi kiss for the first time, “His hand moves down to my butt and curves around it.”
  • Emoni and Malachi make out on a couch and make the decision to be intimate. Emoni’s “legs straddling his lap, arms wound around his back. Kissing him back. . . I never saw what the big deal was about it, outside of how nice it was to be touched. But this is different. . . He keeps kissing my neck. And then my hands are everywhere. I need to touch his skin, his shoulders, his back. I kiss his ear and he moans into my neck. ‘This feels too good.’ And this was new, too. This power of making a boy jump or moan.” The scene continues for about three pages, and while it’s implied that they become sexually intimate, the narration does not describe the rest of their encounter.
  • Emoni’s best friend Angelica, a lesbian, has an anniversary dinner with her girlfriend and is nervous about having sex for the first time. She has had sex with guys before, but “this is less about exploring, and more about expressing.” Emoni tells her, “You don’t have to do anything you aren’t comfortable doing.”

Violence

  • Malachi tells Emoni that his brother “was killed last February. Some beef in the neighborhood back home and he was shot. It’s unclear if it was a stray bullet or meant for him.”
  • In Spain, when a child steals Emoni’s purse, Malachi runs after the child and grabs him “by the back of his coat.” Emoni is concerned that Malachi will hurt the child, but he lets him go.

Drugs and Alcohol

  • During their trip to Spain, Emoni chooses to abstain, but some of her classmates get drunk. This ends in her classmate getting so drunk that she throws up. The next day, the student can’t remember what happened.
  • Emoni makes herself a meal and pours herself a glass of wine. She thinks, “I know [my grandmother will] raise an eyebrow when she sees I had some, but she won’t reprimand me; growing up, she was allowed to drink from the time she was fourteen and she finds the alcohol rules on the mainland excessive.”
  • Malachi jokingly asks a flight attendant for a glass of wine.
  • Emoni cooks with beer; the book includes a recipe for beer bread.

Language

  • Throughout the book, Emoni and her friend Angelica try to curb their language so they won’t be a bad influence on Emoni’s daughter. Slips like “shit—I mean, shoot” and “damn—I mean, darn” are frequent.
  • Emoni’s first-person narration has similar slips: “Tyrone is still being a dick—an ass—a prick. Who uses the word prick?” She later notes about him: “Damn, he smells good as fu—hell… heck.”
  • Damn, hell, and shit are used frequently.
  • Characters occasionally say “Jesus” and “oh my God.”
  • “Ass” is often used as a suffix in phrases such as “grown-ass woman” and “greasy-ass job.”
  • Angelica describes Malachi’s smile “as if you’re choosing to give a sunlit middle finger to this fucked-up world.”
  • Emoni’s classmate gets vulgar when she’s drunk and says “fuck” multiple times, including when she accuses Emoni of “fucking Malachi.”
  • Angelica says that she’s “nervous as fuck.”
  • Leslie’s classmate says the chef she’s working with “sounds like a crackhead.”

Supernatural

  • None

Spiritual Content

  • Emoni’s grandmother is “a soft Catholic. She believes in the teachings of God, but she doesn’t push her religion on people. I went to church with her on Sundays, but she didn’t force me to do communion or confirmation. And she didn’t force me to keep the baby. She just held my hand and told me to think about what it would mean.”
  • Emoni’s grandmother goes to church several times in the book and has a circle of church friends.
  • While dealing with her dishonest boss, Emoni says, “You’re a nice man, Steve. . . I’m going to tell my grandmother to pray for you.” She then thinks, “I hope he can see in my face that I just sprinkled the juju of a spiteful Puerto Rican grandmother all over his life.”
  • Emoni jokingly describes water ice (a frozen treat) as “a direct gift from the gods.”
  • Emoni’s father says that Puerto Rico is “where I’ll die, whenever God decides that should be.”
  • Malachi jokes that “My cuts of jamón ibérico would make you believe in God.”

by Caroline Galdi

Don’t Date Rosa Santos

Everyone in Port Coral knows that the Santos family is cursed by the sea. After all, two generations of Santos women have loved men who were lost to the ocean. Which is why, even though she’s lived in a coastal Florida town for most of her life, eighteen-year-old Rosa Santos has never even stepped foot in the ocean.

Rosa has the next few years of her life all planned out. In a few months, she’ll be graduating from high school with both her diploma and a two-year degree from the local community college. Then it’s off to a four-year university where she’s been accepted in a study abroad program at the University of Havana. She’ll finally be fulfilling her lifelong dream of traveling to Cuba, the island of her ancestors. She just hasn’t quite figured out how to tell her Grandmother. It won’t be an easy feat. After all, Mimi Santos has always refused to talk about Cuba.

But when an offer to buy the Marina threatens to destroy Port Coral, Rosa must set her plan aside and help put together a fundraiser to save her beloved hometown. It might be more difficult than expected, considering she’ll be working side by side with the distressingly cute Alex Aquino. Her growing crush wouldn’t be that bad, except Alex happens to be the one thing that ought to be strictly off limits to a Santos girl like her: a boy with a boat.

Rosa struggles with some uniquely heavy issues like inherited grief and the immigrant experience of feeling like she doesn’t quite fit into her own culture. Although these issues might be difficult for some readers to fully comprehend, they are important, especially for Latinx teens looking to find themselves in a story. These tough themes are balanced out by the more “everyday” issues Rosa deals with, including the college application process and harboring a secret crush.

Although there are plenty of adorable and romantic moments, the story itself goes beyond the typical rom com. Moreno makes a beautiful exploration into the many ways that love can manifest itself; from the years of love and loss that bind the Santos women together, to the thrill of a relationship just beginning, to the overarching love that creates a community. The characters are all well developed and both Port Coral and Cuba come alive on the page.

Readers are sure to fall in love with the complex story of the Santos women, which is equal parts heart wrenching and hopeful. Don’t Date Rosa Santos is a wonderfully diverse story about family, identity, and finding your place in the world.

Sexual Content

  • Mimi tells Rosa that if she could go anywhere in the world, she would go to Hawaii because “I like The Rock. He is very handsome.”
  • Jonas kisses his fiancee hand.
  • When Rosa is being teased about boys, she thinks “There had been kisses at parties and group movie things, but nothing to write home about.”
  • Rosa’s mother says, “You haven’t had a crush in forever.” This prompts Rosa to reflect on her recent crushes: “An older guy in my calculus class at Port Coral Community who always held the door open for me, and a girl from the ice cream shop who never wore the same name tag and told me I smelled like strawberries.”
  • Rosa’s friend Mike teases her about “running away with an Argentinian sailor.”
  • Rosa asks Mike if he would date her. She says, “I was just curious if you’d ever think of me like that.”
  • Rosa describes Alex, the love interest, as “a very cute sailor tattooed with the sea.”
  • Rosa runs into Alex at the dock. He asks her to sit, and she decides to stay because “I needed a moment and this little seed of a crush really wanted me to sit with him.”
  • Alex runs a hand over his beard, and Rosa finds herself “wondering how it might feel to run my fingers across his beard and maybe press my face to his neck. I frowned, surprised at myself. Talking by moonlight softened a lot of edges.”
  • Rosa and her friend have a conversation about Alex in which her friend describes him as “super hot.”
  • While stuck on the side of the highway, Alex and Rosa kiss for the first time. “He smiled and ducked his head. He captured my lips in a kiss that already tasted bittersweet.” The kiss is described for about half a page.
  • Rosa’s friend tells the boys that they missed their chance with Rosa because she is “out here getting kissed by cute boys with man beards and baked goods.”
  • When Rosa is getting ready for her first date with Alex, she is advised to “Scoop him up and throw some sprinkles on that. Drizzle the caramel. You get me. Doodle his name in that little journal of yours. Doodle it hard.”
  • At the end of their date Alex tells Rosa, “I like you like you.” The two kiss briefly at the end of the scene.
  • When Rosa agrees to be Alex’s second for the regatta, he kisses her “quickly.”
  • When Alex and Rosa win the regatta, he “pulled me against him and dropped a hard, grateful kiss on my lips.”

Violence

  • During an argument, Rosa’s mother opens up about the death of Rosa’s father. “Tell [Rosa] that my love killed him. . . I loved him too much, so the sea took him. When this whole town cried for the lost boy at sea, you looked at your own daughter and her growing middle and said it was the cures. That it was me.”

Drugs and Alcohol

  • Rosa says that the vejitos, a group of old Cuban men living in Port Coral, act “like a person could live forever on coffee, rum, and cigars.” She later describes them as smelling like “sharp aftershave and cigars.”
  • Rosa says that Junior, one of the Peña Cousins, “used to sell weed, but now he was focused on getting his mixtape to go viral.”
  • Rosa’s mother returns home drunk after she “bought a bottle of wine and sat at the end of the dock where I drank the whole thing before slipping a note inside and chucking it into the water.”

Language

  • Oh my God, God, Dios mio, Por dios, and Jesus are all used frequently as exclamations. For example, when Mrs. Peña mentions jazz band, Ana replies “God, don’t say that so loud.”
  • Profanity is used frequently. Profanity includes: damn, hell, crap, and asshole.
  • Ana tells her brother that her drums “cost more than your shitty car.”
  • Ana tells Junior not to be “a dick.”
  • Mimi gets angry about the current state of Cuba and exclaims “Carajo qué mierda.”
  • Rosa’s mother says “Come mierda,” a phrase that literally translates to “shit eater” which Cubans often use to mean “dumbass.”

Supernatural

  • The Santos Women believe that they are cursed. The men they love are destined to die at sea. Rosa explains, “The lullaby of my life is that to know the sea is to know love, but to love us is to lose everything. We’re cursed, they still whisper, but whether it’s by an island, the sea, or our own stubborn hearts, I don’t know.”
  • Rosa’s grandmother acts as the neighborhood curandera. According to Rosa “The neighborhood curandera oversaw concerns about struggling gardens, bad dreams, career changes, and terrible luck, and she brewed hope frothier window that smelled like herbs and dryer sheets.”
  • Mimi owns a magical wind chime. “There was a wood and steel wind chime that was steady when the day was nice, a little wilder with the rain, and as agitated as a scared kid when bad luck was coming.”
  • Rosa owns a magical backpack. “Mimi had sewn it before I started high school, enchanting it with powerful words so it would always carry whatever I needed and never get lost.”
  • Rosa’s mother coming home has interesting consequences. “She and the house were like warring siblings, and it always knew when she returned, because it stopped working. Food burned, candles wouldn’t stay lit, and worst of all, my laptop always struggled to find the Wi-Fi signal.”
  • Rosa’s mother practices tarot. “Sometimes there was a knock at the door, late at night when she was home, and a sad eyed soul waiting on the other side. Mom would sit with them, cards spread across the old wood table. My mother was a storyteller fluent in spells and heartache.”
  • Mimi keeps a notebook that has “ingredients listed for different oils and potions,” as well as accounts of miracle helpings back in Cuba.
  • Rosa says that she puts acorns on windowsills “so lighting won’t strike my house.”
  • When Ana loses her drum sticks, she asks Rosa to “Give me some brujeria, Rosa. Throw down some shells, fire up some smoke! I need that tracking-lost-things spell!”
  • Mimi uses magic to create a replica of Havana in the middle of Port Coral.
  • When Mimi is describing Cuba, she says that Tia Nela warned her not to leave. “She warned me our land was bleeding and the sea would demand a sacrifice.”
  • Rosa knows something is wrong because the wind chime “was wild with panic.”
  • Rosa and her mother participate in a ritual where they see and hear Mimi and Alvaro’s spirits. The description lasts for about three pages.

Spiritual Content

  • When Rosa asks if Mimi would ever return Cuba Mimi responds, “My spirit will, mi amor.”
  • Rosa has an altar set up in her room, which includes, “a couple of pastel candles and fresh flowers sat beside a faded sepia picture of my grandfather and the single Polaroid I had of my father.”
  • When he sees Rosa, a sailor makes an old warding sign, “To keep evil away.”
  • After Rosa’s mother returns home, Mimi cleanses the house. Rosa’s mother claims it’s because of her “bad juju.”
  • Mimi and Rosa both pray to saints and ancestors throughout the story. For example, when Rosa’s mother comes home drunk, “Mimi reached for the saint medallion on her nightstand and muttered a prayer.”
  • Rosa and Ana perform a cleansing spell. “[Rosa] exhaled a shaky breath before asking for protection and guidance. Anna dimmed the lights, watching me. With the swipe of a match, I lit the wick and held the egg over the flickering candle light for a few seconds before closing my eyes and mindfully holding it to the top of my head.” The description of the full ritual is spread out over about six pages.
  • Rosa cleans off her altar and asks her deceased father and grandfather for advice. She says, “I could really use some help with college. Can you see the future? Yeah, it probably doesn’t work like that. But maybe you can get together with my other ancestors and let me know what you think? Some clarity on this would really help.”
  • Rosa listens to one of Mimi’s patients talking about a healing miracle. The patient says that it was “like listening to someone describe a version of la Virgen.”
  • When Mimi is describing Cuba, she says “If her cities fall, if we’re all gone, may God watch after her.”
  • While at the hospital, Ana and her mother pray silently.
  • When Alex offers to spend the night, Rosa says that she needs to lose herself in “inherited rituals.”

by Evalyn Harper

The Darkest Part of the Forest

Fairfold is just like any normal, small-town—except for the faeries. The people of Fairfold have always lived alongside the Faerie Folk and have grown accustomed to their way of life. They live alongside each other by appeasing the faeries. They thread flower garlands for the Alderking. They don’t go to the forest hills at night. They don’t even bat an eye when a tourist goes missing after a visit to the forest to try and catch a glimpse of the Folk.

Even among all this strangeness, the biggest mystery of all is the horned boy in the glass coffin. In the woods, for as long as anyone can remember, a glass box has sat on the forest floor with a sleeping boy inside. Tourists come from across the world to see the boy, but no one can explain his existence or his ageless body. Anyone that attempts to break open this glass coffin has been met with explainable injuries, so the boy has stayed in his resting place for centuries.

Hazel and her brother, Ben, have lived in Fairfold all their lives and have always been drawn to the Folk. As children, Hazel and Ben secretly would go to the forest at night to hunt the Folk. Ben used his unearthly gift of music to lure creatures to them, while Hazel used her strength and sword to cut down the Folk. A near-death experience caused them both to retire from hunting, but they always had an internal pull to the Folk and to the boy in the glass coffin. They grew up fantasizing about who the boy in the glass coffin truly was. They knew they would never get the real answer . . . until the day the boy woke up.

The Darkest Part of the Forest is an adventure through a mystical town that exists in the human world. Magic and humans coexist in Fairfold, and Hazel and Ben have always thrown themselves into the dangerous faerie world. When the mysterious boy in the glass coffin awakens, they are caught on a mission to help save the boy and get him back to his home.

Hazel wants to help the boy, but she also has a secret to keep. As a child, Hazel made a bargain with the Alderking and now owes him her services. She now must choose between helping the horned boy and fulfilling her bargain to the Alderking. As Hazel, Ben, and the horned boy become friends, mysteries unravel, friendships blossom and love awakens. Will Hazel choose to help the boy or fulfill her bargain? Will Hazel and Ben be able to save the horned boy? Will they survive the journey to bring the boy home?

Fans of Holly Black will not be disappointed with this gripping story of faeries and young love. The Darkest Part of the Forest takes the reader through a fantasy world filled with betrayal, trickery, and most of all, love. The Darkest Part of the Forest is well-written, but the story can be confusing because of the intricate world stuffed into one novel. This story features unique characters and different points of view, but the excessive background information slows the plot. Readers will enjoy the relatable characters in a mystical world filled with mystery, romance, fantasy, and a satisfying ending.

Sexual Content

  • Hazel is known for kissing many boys “for all kinds of reasons.”
  • Hazel regrets kissing Robbie Delmonico because “ever since they’d made out at a party, he’d follow her around as though he was heartbroken.”
  • Hazel also shares a kiss with her brother’s boyfriend. “His mouth was soft and warm, and while she didn’t kiss him back, she didn’t exactly squirm away.”
  • In order to trick Hazel into drinking the faerie wine, a faerie girl kisses her “full and deep with soft lips and a cool tongue.”
  • Hazel asks a boy to “distract her.” So, “leaning over, not speaking, he brought his mouth to hers. She rolled toward him, and his arm came around her, pressing her closer, his fingers against the small of her back.” She removes his shirt and they continue to kiss on the ground until interrupted. This scene lasts about one page.
  • The horned boy, Severin, kisses Ben. “It was a searching, hungry kiss. His hand wrapped around Ben’s head and Ben’s hands fisted in Severin’s hair, bushed over horn, rough and cold as the back of a seashell.”

Violence

  • Hazel talks about some of the tourists’ disappearances. “Some got dragged down into Wright Lake by the water hags. Some would be run down at twilight by horses with ringing bells tied to their manes and members of the Shining Folk on their backs. Some would be found strung upside down in trees, bled out and chewed upon.”
  • There’s violence in Hazel’s stories of them hunting faeries. “Ben lulled faeries with his music, while Hazel struck them down with her sword.”
  • A water hag kills Hazel and Ben’s dog by “slamming him on the ground as if he weighed nothing.” Hazel avenges her dog by killing the hag, doing so by “hefting a large sword like a baseball bat and brought it down, bashing the edge against the monster’s head. Her skull split like a rotten melon.”
  • Hazel goes hunting alone one night and finds her classmate, Natalie “hanging upside down with her throat cut.”

 Drugs and Alcohol

  • Hazel and Ben attend parties in the forest where people often “looked flush with alcohol and good cheer.”
  • At these parties, different characters, including Hazel and Ben, drink alcohol. For example, “Leonie Wallace lifting her beer high over her head” and “Stephen drank moonshine from a flask.” There are multiple parties described throughout the book in flashbacks, and the novel begins at a party that Hazel is attending.

Language

  • Profanity is used sparingly. Profanity includes: hell, shit, damn, asshole, and bastard.
  • A mother tells the faerie woman, “damn the consequences and damn you, too.” Then she tells the faerie to “get the hell out.”

Supernatural

  • Supernatural events are a huge part of the plot since the town of Fairfold coexists with faeries and deals with them every day.
  • There’s a glass coffin in the woods and “in it slept a boy with horns on his head and ears as pointed as knives.”
  • The town of Fairfold lives alongside the Folk. In the forest “it wasn’t odd to see a black hare swimming in the creek or spot a deer that became a sprinting girl in the blink of an eye.”
  • The townsfolk feared a creature in the forest that “lured tourists with a cry that sounded like a women weeping, with fingers of sticks and hair of moss.”
  • People can go to a tree in the forest to “bargain for your heart’s desire.” A local girl had gone to the tree “and wished herself into Princeton, promising to pay anything the faeries wanted. She’d gotten in, too, but her mother had a stroke and died the same day the letter came.”
  • Townfolk tell a story about Carter’s parents and how their child was taken and replaced with a changeling. Carter’s mother had “gathered the neighbor ladies” and “baked bread and chopped wood and filled an old earthenware bowl with salt.” Carter’s mother then heated a poker and pressed it against the changeling’s shoulder because “burning a changeling summons its mother.” The faerie mother arrived carrying a bundle and Carter’s mother confronts her. The faerie woman gives back Carter and “reached out her arms for her own wailing child, but Carter’s mother blocked the way.” Carter’s mother states as a punishment for taking her child, she would be keeping both boys to raise as her own.
  • When Ben was a baby, his mother took him into the forest for a picnic. His mother was painting the scenery when a faerie woman comes out of the forest and compliments the drawing. The faerie woman asked the mother to draw her a picture. When she was done, the faerie woman gifted her with a “boon.” The faerie touched Ben and said, “I can’t change his nature, but I can give him the gift of our music. He will play music so sweet that no one will be able to think of anything else when they hear it, music that contains the magic of faeries.” Ben uses his musical talent later to save Hazel and to lure faeries to them.
  • Hazel makes a bargain with the Folk to get her brother a full scholarship to a music school. In exchange, Hazel must serve the Alderking for ten years.
  • Something possesses a classmate’s body. “Hazel knew that she might be looking at Molly’s body, but Molly was no longer looking out through her eyes.”
  • At one point, Hazel is hiding in the bathroom and sees a monster that is “easily over seven feet in height and looked roughly human shaped, if a human could be made from branch and vine and soil.”
  • To get into the faerie’s realm, Hazel must “stomp three times,” make up a rhyme, and then step through a moss-covered archway.

Spiritual Content

  • None

by Adeline Garren

Far From the Tree

Grace always thought she was going to attend homecoming with her boyfriend, Max. All the pictures, suits, dresses, makeup, heels—it was supposed to be one of the happiest, most memorable nights of her life. However, after Grace gives birth to Peach, her and Max’s baby—Grace finds herself giving Peach away to adopted parents on homecoming night. After giving Peach away, Grace is desperately alone and decides to find her own biological mother.

As Grace searches through adoption paperwork for any information on her birth mother, she learns she has a biological sister and brother. Maya lives close by, but in a family where she feels she does not belong. After years of group homes Grace’s brother, Joaquin, now lives with foster parents. After a few awkward encounters at a local coffee shop, the three teenagers find out they have more in common with each other than they first thought. Together, they search for their mother, and along the way, they learn what truly defines a family.

Three diverse characters. Three diverse families. Three diverse storylines wrapped up into one magnificent book. Grace, Maya, and Joaquin are unique, well-developed characters each with their own problems. Grace feels alone in the world and finds it difficult to love. Maya feels as if she does not fit into her adopted family because her parents love their biological child more. Joaquin loves his foster parents but is scared to be adopted by them. Together, the three friends help each other cope with their problems. Their combined effort will show readers just how strong the ties of family and friendship are.

Although best suited for older readers, Far from the Tree paints a perfect picture of teenagers in modern-day society. Readers will feel as if they are one with Maya, Grace, and Joaquin and will empathize with them as they struggle against their inner demons. The siblings deal with a multitude of problems including racism, bullying, teen pregnancy, substance abuse, and mental health issues. The dilemmas the siblings face are authentic and will have readers in tears. Benway also dives into the problems that adopted children face and the bullying and torment they often encounter in school and foster homes.

Although the story is easy to read, the heavy topics, profanity, and sexual content make this book more appropriate for older readers. The three main characters each have a different perspective on the issues they encounter throughout the story, so every reader will be able to identify and relate to at least one of the characters and their struggles. Altogether, Benway creates a story of three teenagers against the world. Far from the Tree will tug on readers’ heartstrings and leave them with a new world perspective.

Sexual Content

  • Maya asks Grace if she had a boyfriend. Grace answered “yes,” and “Maya wondered if Grace was lying. Grace seemed like the kind of girl who would wait her whole life so she could lose her virginity on her wedding night, who would read Cosmo articles about How to give him the best blow job of his life! but never actually say the word blow job.”
  • Joaquin reminisces about the first time he kissed his girlfriend. He thinks, “The very first time she had kissed him, he had panicked at how soft she was, how hot her mouth felt, and he didn’t understand how someone with such cold hands could have such a warm heart.”
  • While eating in a sandwich shop, Rafe and Grace sit close to each other. Grace thinks that “no boy had been this close to Grace since the night she and Max had the sex that produced Peach, but she didn’t scoot away from him.”
  • After fighting, Maya and her girlfriend Claire decide to make out. “Maya smiled again, her teeth bumping against Claire’s mouth.” Maya says, “Because nothing’s more hot than making out behind the gym at school.”
  • When Grace accidentally falls in Rafe’s arms, “Grace knew what she was supposed to do in the TV-show version of this moment: kiss him. She knew what she wanted to do: kiss him. And she knew what she couldn’t do, not just yet.”
  • Maya asks Grace if intercourse with Max was good. Grace says, “At least tell me the sex was good. If you have to get pregnant and have a baby, the sex should be mind-blowing.”
  • After breaking up with his girlfriend, Joaquin sees her kissing Colin. Joaquin describes this encounter in detail saying, “They were kissing, Birdie’s long arm wrapped around Colin’s neck the same way that she used to wrap it around Joaquin’s. If he thought about it too much, Joaquin could almost feel the warmth of her skin, the heat of her mouth, the way she always smelled good, like soap and shampoo.” One of Birdie’s friends runs up to Joaquin after the encounter and insists that she is doing it to make him jealous.

Violence

  • When Maya was in third grade, Emily Whitmore explained how Maya’s sister would always be loved more than her because she is a biological child. Maya could still remember “Emily’s face as she explained the ‘facts’ to her, could still remember the sharp, cutting way she’d wanted to put her eight-year-old fist right through Emily’s smug little mug.”
  • After being harassed about having a baby with Adam, “Grace didn’t know what moved first, her body or her hand, but then she was flying over her desk like she was running the hurdles in gym class, her fist out so it could make clean contact with Adam’s face. He made a sound like someone had let the air out of him, and when he fell backward, his desk trapping him against the floor, Grace pinned him and punched him again. She hadn’t had this much adrenaline since Peach had been born. It felt good. She even smiled when she punched Adam for the third time.” Grace and Adam are both taken to the office, and Grace has to be homeschooled for the rest of the year. This scene takes place over two pages.
  • After going out for dinner, Maya finds her mom on the bathroom floor, “crumpled like a baby bird that had fallen out of its nest, and there was blood coming from her head, staining the marble floor that was freezing cold under Maya’s bare feet.” Maya’s mom had fallen after drinking too much.
  • The siblings are meeting at a coffee shop when Adam appears and harasses Grace yet again for having a baby. “Maya was about to do something, say something, anything to release the pressure that she felt exploding her chest, when suddenly Joaquin was up and moving so fast that no one saw him coming. In one smooth motion, he had Adam up against the wall, his forearm pressed across his chest, and Adam looked wide-eyed and scared, a fish out of water.” Joaquin threatens Adam, and Adam never hurts Grace again. This scene takes place over two pages.
  • Joaquin discusses his anger management issues. During one of his temper tantrums when he was younger, Joaquin threw a metal stapler at Natalie, a toddler that Joaquin’s former foster parents, the Buchanan’s, loved. After it hit her in the head and knocked her unconscious, Mr. Buchanan let out a roar and grabbed Joaquin and threw him against a bookshelf, breaking Joaquin’s arm. “Joaquin could still hear the crack of bone, one white-hot pain replacing another, but nothing was as loud as the sound of Natalie falling to the floor.” This scene takes place over two pages.
  • Aunt Jessica describes a truck accident. The woman “was twenty-one, crossing the street, and she got hit by a trucker who ran a red light. He said he didn’t even see her. She died instantly, they said. She didn’t suffer. I worried about that, but that’s what they told us.”

Drugs and Alcohol

  • The night Maya got caught sneaking out with her girlfriend, Maya “had met up with Claire in the park, smoking a joint that Claire had stolen from her older brother, Caleb.”
  • Maya’s mom is an alcoholic, and Maya finds her hidden wine while looking for some costume materials. When Maya pulls boots from the closet, she thinks that “they were heavy when she pulled them out, though, way heavier than any boots should have been, and by the time she’d wrestled them out of the closet and into the bedroom, the bottle of merlot had fallen out. Maya looked at it for a long minute before reaching into the other boot and pulling out a half-full bottle of red zinfandel.”
  • Maya and Grace smoke a joint, much to Joaquin’s surprise. He asks, “Are you supposed to be smoking weed?”

Language

  • Profanity is used frequently. Profanity includes asshole, boobs, slut, idiot, damn, and variations of shit and fuck.
  • Oh My god is used as an exclamation often.
  • After Maya reminisces about being bullied for being adopted, Maya says, “Other kids could be real assholes.”
  • When they pulled up to Maya’s house, Grace’s dad whistled under his breath, and her mom said, “Oh my God, I knew you should have worn a suit.”
  • Joaquin realizes that he has two sisters and exclaims, “Holy shit.”
  • After breaking up with Birdie, Birdie’s friend Marjorie says, “You’re a real asshole you know that?” to Joaquin.
  • At school, Grace was called, “Slut, baby mama, Shamu – the list went on.”
  • When Grace sits down at her desk on her first day back, “Someone had carved SLUT into the fake wood desk, but she wasn’t sure if that was for her, some other girl, or just the product of some bored junior who had a limited vocabulary.”
  • Adam makes fun of Grace by saying, “Grace! Hey, are your boobs all saggy now?”
  • Rafe finds Grace crying in the bathroom after her fight with Adam and says, “Shit, I’m sorry, I’m so bad when people cry.”
  • When Grace asks Maya how school is going, Maya answers, “Sucks donkey balls.”
  • Joaquin likes “Ana’s no-bullshit approach to therapy.”
  • Joaquin thinks that his younger self was “a fucking idiot who fucked everything up.”
  • Maya says, “Everything is so fucking fucked up.”
  • Joaquin was scared of being adopted because he thought his birth mom would come back for him. He says, “It’s stupid, I know, it’s so fucking stupid. I was such an idiot.”
  • Claire freaks out after her parents question her about her relationship with Rafe, and says “If I can’t move forward and like someone and make friends and, God forbid, fall in love again, then I don’t understand why I gave up my baby in the first place!” She ends the argument by saying, “And you can tell Elaine from down the street that what I do is none of her damn business.”
  • After Maya continues to annoy Grace while driving, Grace says, “Maya, I swear to God.”

Supernatural

  • None

Spiritual Content

  • Maya jokes with Grace about why she got grounded, saying “I snuck out last week to practice devil worship with these kids I met in a cornfield.”
  • Maya remembers how Lauren cried after her fish died. Maya “would still swear on a stack of Bibles that she hadn’t touched that creepy, scaly thing. Lauren was paranoid and a terrible fish parent, that was all.”
  • When Grace dips her fries in mayonnaise, Rafe says, “Mayonnaise, it’s the devil’s condiment.”
  • Jessica says, “Oh. Thank God ” after she learns that Grace has great parents.

by Matthew Perkey

Drama

When Callie’s middle school decides to produce Moon over Mississippi, Callie doesn’t want to be on stage. She loves theater, and as part of the stage crew, she wants to create a set worthy of Broadway. But bringing her big ideas to life won’t be easy with a middle school budget and her lack of carpentry knowledge.

Once the actors are chosen, Callie finds herself in the middle of drama onstage and offstage. The actors don’t all get along, and Callie has a confusing crush on an eighth-grader. When two cute brothers enter the picture, things get even crazier.

Drama focuses mostly on the stage crew, which gives the readers a unique look at the hard work that takes place behind the scenes. Told from Callie’s point of view, many fans will be able to relate to Callie as she deals with the confusing world of middle school. Callie is naive, cheerful, and obsessed with having a boyfriend. Callie seems to fall in love with any boy that is nice to her, which causes her heartache. However, Callie does seem to finally realize that having a boyfriend isn’t necessary.

The drawings are colorful and do an excellent job of showing the character’s emotions through their facial expressions. Reluctant readers will appreciate that many of the pages do not have words, but instead tell the story through drawings. Readers will love the manga-infused art, which shows the jealousies and misunderstandings of the cast members.

Although Drama does revolve around the students’ production of Moon Over Mississippi, a majority of the story focuses on the characters trying to discover themselves and their sexual orientation. Like a soap opera, the characters in the book are very interested in who likes who, and who broke up with who. When Callie’s friend tells her that he is gay, Callie easily accepts it and promises to keep the information secret. Drama highlights the importance of being accepting and open-minded, and not judging those who are exploring their sexuality—whether they are straight, gay, or bisexual. Although many readers will enjoy the graphic novel Drama, Callie and the plot are not unique or memorable. There is too much romantic angst and not enough action focusing on the production of the play.

Sexual Content

  • Callie has a crush on Greg. When Greg tells her that he broke up with his girlfriend, she kisses him on the cheek. Greg asks, “What was that for?” Callie tells him, “Oh, I don’t know. Just something I’ve been wanting to do for a while.” They have a short conversation, and then Greg kisses her on the lips. The next day at school, Greg ignores her.
  • In order to make Greg jealous, Callie walks by the baseball field with two of her guy friends.
  • One of Callie’s guy friends tells her that he’s gay. Later, when they discuss the eighth grade dance, the boy says he won’t ask another guy because “my dad would probably flip out, and I’m not sure if he’s ready for that. I’m not sure if I’m ready.” The boy says his parents suspect he’s gay, but “we don’t discuss it.”
  • Callie and a group of theatre kids go into the school’s basement to look at the costumes. They find a girl and a boy hiding behind a rack of clothes, kissing.
  • During the school production, a boy breaks up with the lead girl right before the play is about to begin. The girl melts down and refuses to continue acting in the play. In an act of desperation, one of the boys dresses in an evening gown and steps in for the missing girl. During the kissing scene, two boys kiss. There is an illustration of the shocked expressions of the audience.
  • A boy likes another boy, but he’s unsure if they will become a couple because “West still doesn’t know if he’s really gay. Or, I dunno, Bi, or whatever.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Callie calls her brother a “fuzzbrain.”
  • Callie’s friend calls Greg a “dork.”
  • A boy calls his brother a “jerk-face.”
  • “Heck” is used twice. “Darn” is used once.

Supernatural

  • None

Spiritual Content

  • None

Anger is a Gift

Moss Jeffries is anything but an average teenager. Ever since his father was shot by the Oakland police outside their home, Moss has dealt with intense anger issues and constant panic attacks. In addition, Moss has a difficult time going outside because of the kinks of the homosexual community, his popularity amongst protesting groups, and his constant fear of the local police. After meeting Javier on a metro train and falling in love, it seems everything is finally coming together for Moss. He is happy; his friend Esperanza is going to a great school; his mother just received a promotion–life is good.

However, when school starts things begin to change. Due to a lack of school funds and the influence of the local police, Moss and his friends encounter more troubles as they are harassed and berated by the school’s administration. However, after a school cop brutalizes one of Moss’s friends, police-patrolled metal detectors cripple another, and his organized school-wide walkout turns chaotic and deadly, Moss personally takes the fight to the police, gathering a city-wide protest that will change the city, and leave readers with a new sense of community and self-determination.

With its diverse characters, Mark Oshiro paints a brutal yet beautiful picture of problems today’s teens face. The well-developed characters each have their own individual type of problems. Esperanza is adopted and struggles to keep in tune with her own culture. Reg was crippled by a car accident when he was younger. Moss struggles with his anxiety. But Oshiro makes them appear to be real people with their own type of language, jokes, and emotions. Readers will fall in love with these realistic characters and root for them.

Moss has a huge group of friends, and the large cast of supporting characters may confuse some readers. The diverse group of characters gives a wide range of people a voice—the story focuses on minorities and also includes the following: gay characters, non-binary characters, bisexual characters, asexual characters, Muslim characters, undocumented characters, and disabled characters. The one thing that brings these groups together is the social injustice they face.

Anger is a Gift has a rapid and suspenseful plot with a perfect mix of teen society and real-world problems. However, Oshiro pushes the extremes of some of the moral problems today’s young adults face. Told from Moss’s point of view, it allows the reader to get a glimpse of what a person feels when they are faced with PTSD and panic attacks. Moss’s descriptions of his grief and anger, in addition to the brutal descriptions of the senseless acts of violence, can, at times, be hard to read.

Besides detailing the oppression minorities face, Anger is a Gift has a hint of romance. Issues of sexuality, race, ethnicity and class affect each of the characters, while senseless anger and violence threaten them all, killing some and injuring others. This book is not for the faint of heart and is intended for older readers. Nonetheless, Anger is a Gift is a book for those wishing for a new perspective on how police brutality, oppression, and racism affects poor people of color from the author’s perspective. The character development mixed with the book’s brutal, bloody action scenes will leave readers with a different perspective of racism in America.

Sexual Content

  • Ever since they started to date, Javier and Moss make a game out of kissing each other when they see each other. When they see each other, they will peck each other on the cheek. For instance, “Moss kissed him back for just a little bit longer, pushing back against the awkwardness that tried to conquer him. He had never kissed anyone in front of his friends, but he focused on how it made him feel. Warm. Secure. Admired.”
  • Before Moss’s first date with Javier, his mom asks, “You have any condoms?”
  • On their first date at Javier’s apartment, Moss and Javier get intimate. “But Javier pulled Moss to him again, only this time they faced each other, and Javier brought them back down on the couch. He wrapped his leg around Moss’s and squeezed his hand. Moss felt moisture and thought his palms had started sweating again, but it was Javier’s sweat this time. Moss went still, and he could feel Javier’s heart beating against his chest. It was racing even faster than Moss’s was. The two enjoyed the warmth of each other’s bodies. . .” They do not have intercourse.
  • On a brunch date, Moss asks Javier, “Maybe you just wanted me for sex. We’re gay men. That’s not exactly an unbelievable suggestion.”
  • While escaping the chaos after the school walkout, Moss suggests that they escape out the back of the school through the hallway down by the science labs “where the football players always take their girlfriends to make out.”
  • After Javier’s death, Moss remembers him, thinking about how much he loved Javier, “The way you kissed my jaw. The way sweat ran down your chest. The feel of the muscles in your arm, the scent of your breath, the blackness of your hair, the curled smile.”

Violence

  • Wanda tells Moss that she stopped protesting after she saw a cop that had previously threatened her “standing over your father’s body.”
  • After finding drugs in Shawna’s locker, “Hull’s arm shot out, hard, and his forearm hit the spot just below Shawna’s throat, and the man pinned Shawna against a locker, her back hitting the metal so hard that it buckled. Moss dropped his lock on the ground, heard it clatter against the tile, and Shawna tried to yelp.” Shawna is epileptic and falls to the ground, shaking, as students gather around them. This scene takes place over four pages.
  • After the metal detectors are installed in the school, Reg refuses to go through due to the six metallic pins in his knee. One of the officers shoves him through, and “Reg didn’t make it through. His right knee jerked to the side and the metal detector seemed to respond to Reg. Thrum! His body hit the frame hard, hard enough that it made a hollow ringing like a steel drum, and Moss saw that Reg’s breath had been knocked out of him. As his hands went to his chest, Njemile and Kaisha shouted, scrambling to reach their friend as he doubled over, his arms shooting out to the ground to catch himself.” Reg goes to the hospital and has to go through surgery and physical therapy. This scene takes place over eight pages.
  • After their school-wide student walk-out turns chaotic, Moss and his friends seek shelter in a nearby room to plan their escape. A cop finds them and uses the infamous Mosquito weapon – a weaponized sonic sound used to disperse crowds of teenagers. After being blasted by the sound, “Chandra threw up. It was violent, loud, and her wrenching caused Sam to do the same, and it was in their hair, all over the floor.” Moss and some of his friends remain uninjured while Chandra and Sam go unconscious. This scene lasts over two pages.
  • During the same walkout, Javier is shot by Officer James Daley. “The beet-faced cop had a gun trained on Javier. And then he fired. it wasn’t the first time Moss had heard the pop of a gunshot. Nor was it the first time he’d heard the sickening sound of the air leaving someone’s body. The sound that meant the worst. Javier curled into himself; his brown hands jerked up to his chest, and blood squirted out between his fingers. Moss screamed, again and again, and pitched himself forward as Javier crumpled to the ground, the life too quickly draining out of him.” Javier dies, Mr. Jacobs and Moss are beaten, and many of the students are sent to the hospital. This scene takes place over three pages.
  • Moss’s city-wide protest turns chaotic after the militarized Oakland PD uses a Silent Guardian, an infamous heat ray, against the protestors. The narrator describes the Silent Guardian in action saying, “The antenna on the top of the box would move sluggishly, and as soon as it seemed to be pointing at someone, that person would drop to the ground. Hands scraped at skin. People clawed at their faces, into the side of a car, trying to escape the sensation that Martin had described to him, and she lay still on the ground.” Many protestors are sent to the hospital, Haley dies, and Moss’s mother almost dies. Moss and his friends’ wounds are described later. “He watched Kaisha and Reg sit as still as they could, saw the sweat on Reg’s bloody face, felt his own pulse pounding in his head.” This scene takes place over fourteen pages.

Drugs and Alcohol

  • During Shawna’s locker check, Officer Hull finds drugs in her locker. Moss describes the encounter saying, “Hull held a Ziplock bag up in the air, and Moss’s heart dropped. White pills. Lots of them.” They are Shawna’s epilepsy medication.

Language

  • Typically, characters use profanity in the heat of the moment. Profanity is used infrequently but includes phrases like “dickwad,” “piss,” “jerk,” “ass,” every variation of “shit,” derogatory terms, and “assholes.”
  • When Reg is trying to go through the metal detectors for the first time, someone shouts “Hurry up, dickwad!”
  • Before shooting Javier, James Daley snarls, “You little shits never learn.”
  • After Javier’s death, Moss gets angry and yells at Esperanza, “I hate your mother, and if her nosy, white savior ass hadn’t called Mr. Elliot, Javier might be alive today.”
  • During the Oakland Police Department’s press conference at the end, somewhere near the back of the crowd, someone yells out “Bullshit!”
  • Afnan describes Mr. Jacobs when he says, “That man was a smug asshole…I bet no one has ever told him otherwise”.
  • During Moss’s protest, Martin hands him an empty bottle and says, “You’re gonna have to take a mean piss eventually.”
  • After slipping on a canister, James Daley falls and Reg shouts out, “Did you see that jerk hit the ground?”
  • During the discussion amongst friends after Javier’s death, Kaisha suggests, “Do you think the cops aren’t capable of just making shit up?”
  • Moss reflects on his father’s death when he says, “Months of those Piedmont assholes teasing me at school, telling me he deserved it because he was a thug and the streets were cleaner without him.”
  • Racist terms are used throughout the book, and the characters’ skin colors come up a lot. One time during a discussion about what to do about the metal detectors, a man in the audience steps up and says, “You call a spade a spade.” Another time, when thinking about Javier, Moss thought to himself, “Oh god, he thought, that makes me sound so white.
  • “Oh my god” and “Oh god” are used as exclamations.

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

Satellite

Named after constellations, Leo, Libra, and Orion have been trapped since birth on Moon 2, a space station orbiting Earth. Not old or strong enough to survive re-entry into Earth’s atmosphere, the teens have been parented by teams of astronauts, training their entire lives to one day return home. Each teen anxiously awaits their sixteenth birthday, the day they would be declared strong enough to return home. They meticulously plan out their bucket lists for Earth while Earth taunts them from outside their windows.

However, after mechanical errors send them hurtling back to Earth earlier than expected, the group of teens soon find their new environment hard to adapt to, despite all its wondrous beauties. To survive, the friends must defy unimaginable odds while facing a dangerous monopoly, a new and strange world, and their own self-identity problems. Their bonds of friendship and their definition of home and family will be put to the test. Going back home will not be as easy as they thought.

With its text-speech writing style, futuristic setting, and an incredible amount of space facts, Nick Lake tells an extraordinary tale. Lake explores the meaning of home and family, the definition of love, and the search for one’s self-identity. Lake’s use of interludes and first-person narration makes Leo come alive on the page, causing readers to empathize with the teenager searching for a place to call home. Riddled with space politics, action, and references to our own modern-day culture, the fast-paced story is a page-turner from start to finish. A diverse set of characters will leave readers crying at the end.

Satellite has a unique plot with the perfect mix of action, space, suspense, and drama. The well-developed characters, who are all distinctly different, act like real people. Even though Leo has a secret crush on Orion, the story does not go overboard on the romance. Instead, the story focuses on Leo’s relationship with his grandfather and his mother as he strives to find out who he really is. Through Leo’s experience, the reader will be forced to look at Earth in a new light. When Leo gets to earth, he is overcome with wonder when he sees birds, fire, and even the simple act of throwing a ping-pong ball for the first time while other characters think of their surroundings as “just Nevada.”

Often called Andy Weir’s The Martian for teens, Satellite is so much more. It explores some of the true moral questions young adults have about life, and it seeks to answer these questions by teaching readers about the value of home and family. However, due to the constant cussing by the characters during stressful times, this book is best suited for older readers. The story’s text-speech, which mimics those of NASA commands, does not demonstrate proper grammatical concepts, which may frustrate some readers. Nevertheless, it is a must-read – not only entertaining young readers but teaching them not to take their everyday lives for granted.

Sexual Content

  • At the beginning of the novel, Leo describes how both he and the twins ended up being born in space and how they were conceived. Leo says, “1 of the results of the experiment was unexpected: if u put male and female astronauts in a confined space for 2 years, they will eventually have sex.” Leo also describes his own conception saying, his mother “had a fling a few nights before she launched.”
  • Throughout the book, Leo has constant feelings for Orion and Soto, which he recounts in detail saying, “he stands still while i get up, & i put a hand on his shoulder. i feel the strength of his muscles thru his shirt. a little electric current goes thru me. i feel something happen, in the center of me.”
  • Just before Orion dies due to his inability to live in 1g, Leo says, “u can’t go anyway u can’t … u can’t because I always thought my first kiss would be with u I always dreamed of it anyway and u can’t go because I haven’t had my first kiss, so u can’t go u can’t go u can’t go.” Orion and Leo kiss while Orion imagines Leo as Leo’s mother.

Violence

  • Wile e Coyote and the Road Runner are mentioned continuously throughout the book along with the various ways the main characters can die during space travel including burning to death, exploding, splattering, and suffocating.
  • When traveling through a ghost town in Sonoma County California, Leo notices that there are long lines at both the bank and multiple gun stores while other businesses have no activity. Leo asks his grandfather why, and Grandpa says, “hard to make a living these days. So people want to keep their money liquid. & they want guns to protect it.”
  • Grandpa is a rancher and during the book, Leo watches as they send cows to slaughter. Although not explicitly stated in the book, Leo ponders how his grandfather’s cows are raised only to die.
  • After discovering Leo’s location, a group of rebels against the Company tries to rescue Leo by attacking the ranch. When Leo’s grandfather walks in and sees one of the mercenaries pointing a gun at Leo, Leos says that his grandfather “doesn’t hesitate for a moment. He fires as easy as breathing, and the man is thrown back against the wall, a spray of blood, an arc of it, his head hitting the wood with a thud.” All three mercenaries die, Leo sprains his wrist, and Leo’s mother dislocates her shoulder during the fight.
  • While escaping Mountain Dome, Leo glances back and sees the muzzle flare and hears the “whistling sound” of a bullet as he notices one of the facilities guards shooting at them. None of them are injured.

Drugs and Alcohol

  • Virginia describes Commander Boutros when she says, “get him drunk, he’s a whole different person.”
  • Before their launch, Grandpa, Yuri, and Leo all drink vodka mixed with rocket fuel for good luck. Yuri, of course, leaves out the vodka for 16-year-old Leo.
  • Medications are used frequently throughout the book, such as acetaminophen used to treat Leo’s fever and painkillers used to relieve the pain in Leo’s mother’s dislocated shoulder.

Language

  • Profanity is used in the extreme. Almost all the characters at one point in the novel use it. Profanity includes: shit, fuck, fricking, bitch, ass, piss, oh my god, and goddamned.
  • Leo’s grandfather bets Leo that he cannot play catch on Earth because “gravity is a bitch.”
  • After astronaut Brown dies, Virginia responds with “fuck. what went wrong with the program? what did I do?”
  • After realizing that they will place a huge reliance on the boosters of Moon Two to maintain attitude instead of using their gyros, engineer Singh says, “shit.
  • After realizing they will never be able to survive on Earth outside of a hospital, Orion says, “well, this sucks ass, doesn’t it.”
  • Grandpa describes Kazakhstan as “a bit of a shithole.”
  • After seeing a Soyuz rocket, Grandpa says, “holy shit.” Later, he fights with Yuri about the legitimacy of their mission saying, “we can’t fly a Soyuz either! It’s a goddamned rocket.”
  • Former cosmonaut Yuri and former astronaut Freeman are “piss brothers for life” after their many adventures in space together.
  • After the Soyuz rocket fails to detach from Moon 2’s peripheral system, astronaut Sara says “dammit.” Later, astronaut Sara does her first EVA and describes space as “in-fricking-sane.”
  • When Leo saves Sara from dying by using his EVA suit rockets, he says, “I can hear her still in my helmet saying oh my god oh my god like all other words have been wiped from her mind.”

Supernatural

  • None

Spiritual Content

  • Libra loves plants and dreams of being a botanist. While at Mount Dome, she spends most of her time in one of the company’s projects where they attempt to create perfect biodomes for construction on earthlike plants. The project is entitled Creating Eden.
  • The book references an EE cummings poem with the starting line of “I thank You God for most his amazing day.”
  • Throughout the book, Leo, Orion, and Libra are referred to as angels returning to Earth from heaven, and when Leo returns to Moon 2, he is like an angel returning to heaven once more.

by Matthew Perkey

 

I Believe in A Thing Called Love

Desi has a plan for everything. With a plan, anything is possible. That’s how she became the student body president and a soccer star. That’s how she’ll get into Stanford. Desi knows how to plan. She knows how to study. But, when it comes to boys, Desi is a flailure. “Flirt + failure = flailure.”

Desi is a disaster at romance. But when a hot art student moves to her school, Desi decides she wants to capture his attention. After watching Korean dramas, Desi realizes that love is, “like a freaking equation!” Desi is determined to be like the K drama’s unlucky heroine, who always ends up with her true love. Desi follows her, “K Drama steps to True Love,” and goes after the moody, elusive artist Luca Drakos. After a boat rescue, love triangle, and staged car crash, will Desi end up in the arms of Luca?

I Believe in A Thing Called Love will capture the reader’s heart from the first chapter. Told from Desi’s point of view, readers will laugh at Desi’s crazy antics, understand her insecurities, and root for her as she goes after the guy of her dreams. Desi wants to control everything, but this smart nerdy girl is hilariously clueless when it comes to boys. Desi isn’t portrayed as a stereotypical smart girl; she also isn’t perfect, and Desi’s imperfections make her even more lovable.

Desi has a strong and warm relationship with her father. Despite the fact that he is a mechanic and often has grease-stained hands, despite his imperfect English, and his love for watching K dramas, Desi is never embarrassed by her father. Desi’s father isn’t just a background character, but a well-developed part of the story. Desi’s father understands her quirks but doesn’t try to change her. The readers will appreciate the scenes with Desi and her father just as much as the failed romance scenes.

I Believe in A Thing Called Love isn’t just a typical teen romance. Through Desi’s experiences, readers will learn valuable lessons. When Desi is afraid that she is acting weird, Luca tells her, “Everyone’s weird, though. If you’re not even a little weird, you are truly weird. In a bad way. Not in the good way.” When Desi thinks about giving up on love, her father tells her, “You cannot control who you love, Desi, but you can always control how hard you fight, okay?” In the end, not all of Desi’s plans work out and despite the pain of failure, Desi knows life can still be good.

Do not pick up I Believe in A Thing Called Love unless you have time to finish the book because once you pick it up, you will not want to put it down. I Believe in A Thing Called Love takes a humorous look at first love and will leave readers with a smile. Desi is a heroine that will not be forgotten easily. The story ends with a list of K dramas that readers may want to watch. And after seeing Desi put the K drama’s love formula to the test, readers may also become hooked on K drama’s themselves.

Sexual Content

  • Desi thinks back to fourth grade when “a boy asked me if I want to look at his ‘special’ books and I told him I wasn’t allowed to look at pornography. Turns out it was comic books and he didn’t even know how boys were made yet. I was the fourth grade perv.”
  • Desi thinks about how Korean romantic comedies are different than in America. One difference is that “in American shows, the leads would barely blink twice before jumping into bed.”
  • Desi tells her friend, “I’m not an experienced seductress who like, has men drinking champagne from her high heels.”
  • Desi’s friend tells her, “I, too, think one should get laid before entering college.”
  • When Desi talks about her crush, a friend says, “I don’t want to see flailure heartbreak. I was hoping it was just you needing to round out your high school years with a good old-fashioned devirginizing.”
  • Desi goes to a “sex party” that was, “fertile ground for hooking up. . . there were rooms for spin the bottle and seven minutes in heaven.” Desi goes into the seven minutes in heaven closet with a friend. They just sit around and look at their phones.
  • Desi wonders, “Was everyone having sex but me? God.”
  • Desi’s friend Fiona is a lesbian, who has dates with a lot of girls. “Girls lined up for Fiona every year. Sometimes it was the classic bad-girl type and they’d make out rebelliously in the hallway at school.” The story talks about how her family reacted when she came out. “Her family eventually recovered, although they still weren’t thrilled with her active love life. I’m pretty sure that would have applied to boyfriends, too, however.”
  • Desi and another girl see Luca kissing a girl.
  • Desi thinks Luca is going to kiss her. “His eyes met mine and suddenly. . . suddenly it felt real . . . This was it. Kiss time. Holy crap. A wave of heat passed between us—the vibrations of our bodies’ atoms and molecules transferring heat. . . And then he blinked.”
  • Luca and Desi kiss. “Lips met mine, soft, a little chapped, and warm. My eyes were open in true K drama heroine fashion.”
  • Desi, “brushed my lips against his. Soft and a bit hesitant. And he kissed me back just as softly, with a little pressure at the very end.”
  • When Luca picks Desi up, he quickly kisses her. “My skin buzzed, every part of me awake and alive.”
  • When Luca finds out he got a scholarship, Desi and he begin jumping around. “Then suddenly we weren’t jumping anymore—just a whole lot of kissing.”
  • Desi and Luca kiss. “He strode over, pulled me into his arms, and kissed me. Not a gentle, sweet kiss—but an urgent one.”

Violence

  • Desi thinks back to first grade when, “I kicked my first crush, Jefferson, in the nuts during taekwondo class, and he had to be taken to the ER.”
  • Luca covers Desi’s mouth so she will be quiet. She, “responded by biting his gloved hand. I tasted rubber. He yelped and let go of me. . .”

Drugs and Alcohol

  • After binge watching television series all weekend long, someone asks Desi, “What! Are you on speed?”
  • When Desi is at home, her dad took, “a sip of beer.”
  • Desi and her friends go to a “sex party” where there is alcohol.
  • Someone asks Desi, “Are you high?”
  • Someone is upset that Desi didn’t want to be her friend. The girl says, “You would never talk to art freaks who smoked pot.”
  • Desi and her friends go to the beach and her friend, “took a swig of beer.”

Language

  • Profanity is used often. Profanity includes ass, bitch, bitchiness, badass, bullshit, crap, dang, damn, douche, f-ing, hell, holy shit, freaking and shit.
  • Pissed, motherf-ing and fuck are all used once.
  • Oh my god, God, Oh Lord, Oh Sweet Jesus, and Jesus are often used as exclamations.
  • Desi thinks, “I might be a flailure in love, but I was the motherf-ing boss of studying.”
  • Someone asks a boy, “Why do you even hang out with a bunch of girls, anyway, you caveman douche.”
  • When someone suggested getting a hummer limo for prom, Fiona says, “I’d rather eat dick.”

Supernatural

  • None

Spiritual Content

  • None

Star-Crossed

Matti has never wanted to be on stage before, but when her teacher announces that the eighth-grade play is Romeo and Juliet, Matti wants a part. Everyone expects Matti to be on the sidelines, but can she convince her teacher she deserves to be on the stage?

Matti had a crush on Elijah, but when the play begins everything changes. Gemma—a smart, pretty, British girl—gets the part of Juliet. Matti starts to wonder why she feels fluttery whenever she is near Gemma. If Matti was crushing on Elijah—a boy—could she also have a crush on a girl?

Many middle schoolers will relate to Matti as she struggles to understand her feelings. She also must figure out who she can trust with her secret. Even though she loves her friends, can they be trusted to not only accept that she has a crush on a girl, but can they also be trusted to keep Matti’s secret until she’s ready to reveal it?

Matti struggles with telling people she has a crush on a girl. When she tells her best friend and her sister, they both accept the news without shock and encourage her to pursue her crush. The story never delves into the negative reactions that others may have to her news.

Star-Crossed has plenty of dialogue and drama to keep readers engaged until the end. Throughout the story, the characters discuss Romeo’s and Juliet’s behavior and feelings of love. Although Matti’s story parallels Romeo and Juliet, the discussion of the play slows down the plot.

Middle school readers will fall in love with Matti and her friends. The characters include the typical mean girl, but also adds some unique characters. Tessa and her Shakespearean insults add humor. Matti’s inner thoughts add depth to the story. In the end, Matti’s story contains drama, crushes, family, and friendship conflict that will keep readers entertained. Star-Crossed is a romance appropriate for younger readers who want to learn about Romeo and Juliet.

Sexual Content

  • When Matti thinks about the play, she thinks, “All I could think about was Gemma kissing Liam, Liam kissing Gemma—and wondering why that image made my insides knot up.”
  • During play practice, the kids are teasing a boy about having to kiss Gemma. When the boys are talking, Gemma “marched over to Liam and smooched him on the lips.”
  • Matti wonders if she has a crush on a girl. If she did have a crush on a girl, “would it mean that you were gay, or a lesbian, or whatever word you were supposed to call it, if you liked only one particular girl?”
  • When Matti sees Gemma, her “heart zoomed.”
  • Matti reveals that she has a crush on a girl. Her sister responds by asking, “Have you ever kissed a boy?” When Matti says no, Cara replies, “Too bad. Because kissing a girl works the same way.”
  • Matti thinks that she can crush on boys, even though she currently has a crush on a girl.
  • During play practice, Gemma “smooched” Matti’s mouth. Then the two practice the scene that requires the two to kiss. When they have to kiss at play practice, “it made me (Matti) swimmy-headed.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • When talking about others or to others, often there is name-calling including dirtbag, moron, malt-worm, and doofus. For example, some said, “in my opinion Elijah’s a stuck-up dirtbag.”
  • Tessa went to a Shakespeare camp and learned Shakespearean insults that she uses throughout the story. A list of the Shakespearean insults is included at the back of the book.
  • When someone calls Tessa ugly, Tessa says, “I’m ugly? You’re like a toad; ugly and venomous. Thy face is not worth sunburning.”
  • One of the characters says “bollocks” several times. The character also calls someone a “prat” and a “dimwit.”
  • Dang is used three times.
  • Oh My God, OMIGOD, and God are often used as exclamations.
  • Holy Crap is said once.
  • While discussing Romeo and Juliet, a student asks, “Isn’t that kind of gay?” The teacher explains, “People may choose to identify themselves as gay, and it’s a word of pride. But the way you’re using the word, it’s just an insult, and there’s no room for that in this production, or in this school. “

Supernatural

  • None

Spiritual Content

  • None

 

The War Outside

Margot’s German-American family lived in a small Iowa community. After attending a rally, her father is detained in the family internment camp in Crystal City. In order to keep the family together, Margot and her mother follow him. Since being in the internment camp, her mother’s health is deteriorating and her father is changing. Instead of being a loving father, he is spending time with Nazis and learning how to hate.

Haruko wants to pretend that Crystal City is just another town. She’s made friends and goes to school. On the outside, she looks calm, but on the inside, she is stricken by fear. She questions her father’s innocence and wants to know what he is hiding. Her soldier brother, who is fighting in the Japanese-American unit of the US Army, is also keeping secrets. Haruko wants to know the truth, but will the truth help her family or destroy it?

A dust storm throws Haruko and Margot together. Despite being of different ethnicities, the two start a secret friendship. The two begin to trust and rely on each other. Can this fragile friendship last in the desert prison camp or will the two discover that hate is stronger?

The War Outside gives readers a glimpse of the fear caused by World War II and explains why the internment camps came to exist. Margot’s family highlights how being imprisoned in an internment camp begins to change everyone. Margot’s father’s anger begins to control his actions, and he begins spending time with Nazi sympathizers. Margot struggles with the fact that she loves her father, but doesn’t approve of his actions. Margot knows that “marching with a Nazi swastika is not like algebra, where you can get the wrong answer but be right some of the time. This is all wrong.”

The story is told from the perspectives of both Haruko and Margot, which allows the reader to understand the motivation of both characters. The struggles of the internment camp bring Haruko and Margot together, and they both have romantic feelings for each other. While the girls’ attraction is hinted at, the topic is not explored in depth which makes it hard to relate to the girls’ strong feelings for each other. In the end, Haruko wonders how she can make a decision based on a moment, “for a person I have known barely a month? For a feeling that was so fast and so strong, and that I can barely even describe?” The reader is left wondering the same thing—why are the two girls so devastated by the other’s actions?

There are several family conflicts that should have been explored in more detail. Even though it is clear that the girls love their families, the story lacks family interaction that would have brought their relationships into focus. In the end, the characters lack development, the ending seems rushed, and the conclusion falls flat. Although the story is an interesting read, it will be easily forgotten.

Sexual Content

  • Margot and Haruko hide so they can talk. As they are talking, “I (Haruko) press my index and middle finger to my own mouth, which suddenly feels hot and swollen, and hold them there for a minute, and then I take those same fingers and press them against Margot’s. Her lips are chapped. She closes her eyes. . . I feel my pulse, very faintly, in the tips of my fingers, pressing against the cool of Margot’s lips, and slowing so that every beat crashes in my ears.” The two are interrupted.
  • While talking to Haruko, Margot “has a sudden urge to touch her nose, her hair, to go with her to the icehouse where it’s dark and private. There is throbbing, deep in the pit of my stomach.”

Violence

  • Haruko accidentally hit her sister. Her sister’s “mouth falls open and she reaches to where there are four white finger-shaped lines appearing on the side of her face.”
  • Haruko thinks back to when “a car drove past and the window rolled down and the driver threw a bottle of soda at us that splashed all over our clothes.”
  • While in the internment camp, Margot finds out that someone “painted swastikas on the barn and burned the house to the ground.” Her family has no home to return to.
  • Margot’s father tries to hit his pregnant wife. When Margo stops him, she “reached for his hand and he pulls away from me, and then I’m off balance and spilling to the ground. My mother rushed towards me, but she’s forgotten about the fallen chair. Her foot twists around the rung, and instead of shooting her hands out in front of herself for support the way I did, she’s kept them wrapped around her midsection, protecting her baby.” Her mom ends up with a bruised face.
  • There is news that at another internment camp, a riot began and, “guards fired into the crowd with a machine gun. . . Two people died.”
  • Two girls drown in the swimming pool. They are “pulled out of the pool, limp as rag dolls.” When people get upset, a guard points a rifle at the people.

Drugs and Alcohol

  • The general store sells cigarettes and German beer.
  • Some of the men at the internment camp are “building secret distilleries to get drunk on grain alcohol.” This is discussed several times.

Language

  • Thank God, for God’s sake, and Oh God are used as exclamations several times.
  • Someone calls Haruko a “yellow bitch.”
  • A man tells Margot that she would like his son because he’s “not an ass like me.”

Supernatural

  • None

Spiritual Content

  • During a funeral, the mourners “sing hymns that most of us know by rote. We recite the Apostles’ Creed, we recite the lord’s prayer.”

 

Spotlight on Coding Club!

Erin loves being on stage. When the school announces an upcoming talent show, Erin knows she can come up with a winning performance. Erin also agrees to help the coding club with developing an app to help score the contestants. Erin knows she’s taking on a lot, but she’s determined to distract herself. Erin doesn’t want to think about her father’s deployment and staying busy is her solution.

With operation distraction in full force, Erin’s anxiety gets the best of her. She wants to pretend that everything is okay, but her stress levels keep increasing. Her friends from the coding club have always been there for her, but Erin doesn’t want to tell them what’s really going on in her life. Will Erin be able to handle the pressure? If she tells her friends the truth, will they still like her?

The fourth installment of the Girls Who Code series has the same lovable characters but is told from Erin’s point of view, which allows the story to focus on a new conflict. Readers will get a look at Erin’s thought process as she tries to use humor to diffuse stressful situations. Erin tries to hide her true feelings from her friends. Readers will relate to Erin’s struggle with anxiety and her fear of telling others. The story makes it clear that having anxiety should not be viewed as an embarrassment. Erin is told, “I think it’s really cool that you talked to a therapist about this. Getting professional help was definitely the mature way to handle it.”

Spotlight on Coding Club uses texting bubbles, emojis, and simple vocabulary, which makes the story easy to read and assessable to younger readers. The fourth book in the series focuses less on the girls’ friendship and more on Erin’s personal struggle. Although Erin’s struggle is real, the story contains less action than previous books. Along with Erin’s personal struggle, Maya struggles with asking a girl on a date. Although dating is a topic many preteens are interested in, Maya’s romantic interests seemed forced and added little to the plot. In the end, Spotlight on Coding Club teaches a valuable lesson about friendship and anxiety but lacks action and suspense.

Sexual Content

  • There is a short conversation about Maya asking another girl out on a date. Later in the story, Maya asks the girl to the movies and it is “definitely a date.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • “Oh my god” is used as an exclamation three times.

Supernatural

  • None

Spiritual Content

  • None

Chemistry Lesson

Maya has her summer all planned. She has an internship at MIT and the perfect boyfriend, but before the summer fun can start, Maya’s boyfriend breaks up with her. Maya, who is still grieving her mother’s death, has one thing on her mind—getting Whit back.

When Maya finds her mother’s old notebooks, she thinks she’s discovered the perfect way to get her boyfriend back. With the help of her mother’s lab intern, Ann, Maya makes a love serum. But before Maya can use it on Whit, she needs to test out the serum on two test subjects. Maya embarks on an adventure that leads her to discover the unpredictability of love.

The best part of Chemistry Lesson is the relationship Maya has with her best friend, Brian. Realistic, funny, and kind, Brian shows what true friendship should look like. Another positive relationship in the story is between Maya and her father. Both are trying to deal with the loss of Maya’s mother and struggle with the grieving process.

Although the storyline has an interesting premise, Maya’s willingness to ignore moral codes to get Whit back seems farfetched. Whit’s early disappearance from the story leaves the reader wondering why Whit is worth all of the effort to create a love potion. For a person who is so smart when it comes to science, Maya is completely clueless when it comes to guys. By completing the experiment, Maya does learn about herself and others, but her naivety when it comes to boy-girl relationships comes off as false.

Chemistry Lesson is a quick, easy read that has a diverse cast of characters. Even though the story focuses on a love potion, the love scenes won’t stir up much emotion. For those looking for a fun, unique love story, Chemistry Lesson will hit the mark.

Sexual Content

  • Brian is gay, but the only reference to his sexuality is when Maya asked, “Were you ever this upset about Matt?”
  • Maya’s aunt has a female partner “of more than 20 years.” Pam tells Maya that when she “had crushes on women and men while I was with Pam,” but because she was older, she was “able to ignore the crushes.”
  • Maya’s friend Yael told Maya “how a woman she’d met in undergrad pursued her for months only to dump her for a guy on the rugby team.”
  • Maya and her boyfriend, Whit, decided “we’d have sex in four weeks—once Whit moved into off-campus housing, where he’d have his own room.” Maya was “unable to stop myself from imagining what was going to happen in less than a month.”
  • When Maya’s boyfriend breaks up with her, her friend tells her, “This whole ‘losing my virginity thing is a heteronormative concept anyway.”
  • Maya makes out with Kyle. The scene is described over three pages. As they kiss, “He tipped me back so that my head rested against a couch pillow, and then he was half on top of me, one leg on the couch, one on the floor. . . He shifted so that his knee fell in between my legs.” Maya stops Kyle. Then he said, “This kind of thing happens all the time in college.”
  • Maya thinks back to visiting Whit at college where, “I’d seen students bring strangers back to their rooms and then say goodbye forever the next morning.”
  • One of Maya’s friends “hooked up with one of the techs from next door.”
  • Maya makes out with a boy at a party. “He pulled me close and hugged me, and I reciprocated with my arms around him. Then I felt a tickling wetness on my neck. . . He put one hand on my butt like it was no big deal . . . I couldn’t do much besides keep my mouth open as his tongue began wagging from side to side inside it.” The scene is described over four pages.
  • Someone tells Maya, “sometimes the best way to get over someone is to get under someone else.”
  • When Maya is in Whit’s room, she teases him for having Bananagrams in his nightstand. She says, “You’re supposed to have condoms and drugs in there.”

Violence

  • None

Drugs and Alcohol

  • For an experiment, Maya takes drops. When her friend catches her taking the drops, she tells him, “I’m ingesting a pheromones-masking formula to get Whit back.”
  • Maya thinks back to “the wine that Whit once stole from his parent’s liquor cabinet so we could share it on one of our first real dates.”
  • After dinner, Maya’s aunt poured her a “full glass of sweet wine.”
  • Maya goes to several parties where there was alcohol. At one, “Most of the kids were drinking beer procured by someone’s older brother.”
  • When trying to explain an experiment, one of the characters mentions Viagra.
  • Maya, her father, and her friend go to an outdoor play. Her father brought “water bottles filled with his special juice drink.” Maya’s father said, “I’m teaching her that alcohol isn’t something you consume in excess for the purposes of getting drunk.”
  • Maya goes to a party where teens are drinking and she “could see a pack of adults smoking something in a circle.”
  • When Maya hurts herself, she takes Percocet for the pain.

Language

  • When someone makes fun of Kyle’s singing, he “lifted his middle finger in our direction.”
  • When Maya visits her aunt, her aunt uses profanity including “goddamned.” The aunt’s accent is so thick that the curse words sounded like “fahckin’ or ‘gawhddamned.’”
  • “Oh my god” is used as an exclamation.
  • Profanity is used infrequently but includes bullshit, dammit, hell, and shit.
  • After Maya sings karaoke, her friend says, “you sounded like a fucking robot.”
  • “Jesus” is used once as an exclamation.
  • When Maya falls down, a guy says, “Holy shit, she’s down.

Supernatural

  • None

Spiritual Content

  • None

Stealing Parker

Parker loves her family, her church, and her life. But all that changes when her mother divorces her father and leaves with her new lover—a woman. When Parker’s church and best friend turn their back on her, Parker sets out to prove that she likes boys. But when the boys’ assistant coach catches her eye, Parker’s life spirals out of control.

As Parker struggles with how to deal with her secret relationship, she is besieged with more problems. Parker’s father is in denial. Her brother is always high. And her best friend, Drew, is hiding the fact that he is gay.

Parker works through her insecurities and frustration through a prayer journal, which gives the reader insight into Parker’s emotional state. The reader will be able to understand Parker’s desire to be loved and how that leads her to kiss so many boys, although the illegal relationship between Parker and the boys’ baseball coach leads to frequent and steamy sex scenes and ends with an investigation.

 Finding Parker hits on difficult topics relevant in today’s world. Parker explores her faith in God and how that faith impacts those who are gay. The story also tackles the difficulties of high school friendships; most of Parker’s friends abandoned her after her mother came out, classmates that don’t even know her talk trash her, and even her best friend stops talking to her. Finding Parker brings realistic problems to light and shows the dangers of being promiscuous. In the end, Parker learns to love herself and accept her mother’s new lifestyle.

Although Parker is a well-developed and relatable character, her sexual relationship with the adult coach contains graphic sexual details. The story contains mature content, which some readers may want to avoid.

 Sexual Content

  • Parker’s mom “announced she’s a lesbian and ran off with her friend who was more than a friend.”
  • Parker has kissed many boys, trying to prove that she isn’t a lesbian like her mother. She lost weight so she wouldn’t look “butch.” “All the guys know I look good. They know I want them and I love kissing and sometimes rounding a couple of bases (I never go further than second).”
  • Parker thinks about when, after church she, “let him kiss me beside the turtle sandbox thing, so people will know I like boys.”
  • When Parker decides to manage the boy’s baseball team, the coach tells her not to date or “mess around” with team members. The coach said, “the girl who managed the team last year, uh, well, we had some incidents on the bus and in the locker room.”
  • Parker and her friend talk about her “one-night thing” with Matt Higgins. She thinks, “I didn’t enjoy kissing Matt Higgins very much. He kept trying to go up my shirt.”
  • A boy said, “Everyone knows she (Parker) puts out.” Parker gets upset and thinks, “I’m still a virgin.” She then thinks about how she can’t insert a tampon.
  • At last year’s prom, Parker’s date “kept trying to feel me up in the middle of the gym.”
  • Parker has a few minutes, “before we need to leave for church, so I unzip my dress. . . lie down on my bed, and slip my fingers under the elastic of my underwear, wondering what it would feel like if a guy touched me there.”
  • Parker thinks that Seth likes a girl but “he’s too embarrassed to get involved with her, considering the whole scandal with her dad, the district attorney, screwing his secretary and all.”
  • Parker has a crush on the baseball assistant coach. During class Parker lets out a moan when she, “picture(s) myself tangled up in his crumpled sheets, our legs knotted. The idea scares me a little because I’ve never gotten naked with anybody.”
  • While at practice, someone yells, “Corndog’s got a hard-on for Coach!”
  • When a group of boys try to get Corndog to tell them how far he’s gone with his girlfriend, Corndog said, “Hell, no. I can’t tell you. She’d rip my balls off.”
  • A boy tells a story about, “how he saw a hot pink dildo laying on the concrete behind the cafeteria . . . ”
  • Parker and Corndog write notes back and forth discussing someone’s penis size.
  • At a party, a girl “French kisses” a boy she doesn’t know.
  • Parker has a sexual relationship with the assistant coach, who is an adult. The first time they kiss, “He digs fingers into my hip. . . My mouth found his, and I wrap my arms around his neck. . . I deepen the kiss. His tongue explores the inside of my mouth. My knees go wobbly.”
  • Parker and the assistant coach begin making out in the parking lot of the laundromat, behind the dumpsters. The first time they meet there, they make out. “He tastes like mint toothpaste. My hands are on his neck and his are in my hair, and I can tell he’s experienced. . . He pushes me backward and climbs on top, his weight heavy, yet comforting.”
  • Parker gets a hall pass and goes to the assistant coach’s office. “Then his lips were on mine and he lifted me onto his desk. He pulled my hips to his and kissed me until I was so dizzy I could barely breathe. Brian began to grind against me and I was so drunk on him, I couldn’t think at all.” They stop because someone knocks on the door. Parker then thinks about a couple nights before when, Brian went up my shirt again and unsnapped my bra, and ran his hands over my bare breast. Him running his calloused fingers over my skin . . . I couldn’t stop trembling. . . His teeth sank into my shoulder.”
  • One night when Parker and Brain were making out, “he kissed my breast and felt me through my jeans. I wasn’t comfortable enough to touch him yet. But he took my fingers and put my hand there anyway.” They stopped when a “cop knocked on the truck window and told us to move along.”
  • Brian asks Parker to give him a blow job, but she doesn’t. Instead, he “pushes my panties aside, making me moan softly as he works a finger inside of me. . . Later I straddle him and he wraps his hands around my waist and we kiss and kiss. . .”
  • Brian and Parker park behind the dumpsters and, Parker “felt him too. He shut his eyes and leaned his head back against the seat while my fingers moved up and down. I could tell by the noises he made that he liked how I made him feel, but it was almost as if I could be anybody. It didn’t matter who I was, it was only that somebody was giving him pleasure.”

Violence

  • None

Drugs and Alcohol

  • At a party, a boy gets drunk and falls in a ditch. “. . . He was so drunk he started screaming about how he’d broken his leg. And Marie Baird had to convince him that his leg was already broken.”
  • The assistance baseball coach takes Parker out to eat and orders a beer.
  • Parker’s brother, Ryan, has a drug problem. She makes him eggs to “hopefully clean out whatever he drank/ate/snorted/shot-up last night.”
  • Parker goes to a party where teens are drinking beer. Some play beer pong and someone “takes a shot directly out of a Smirnoff bottle and wipes his mouth, then does another shot.”
  • Parker finds her brother passed out with “an empty bottle of Robitussin in his fist.” Parker and her friend take him to the hospital.
  • Parker’s mom tells her she needs to get on birth control.
  • Parker’s best friend is gay but hasn’t told anyone. Parker attempts to get him and another guy together. Later, Parker finds out that her best friend likes the same boy she does.

Language

  • Profanity is used often and includes ass, bitch, dick, fucking, hell, pissed, and shit.
  • When Parker and her friend look at a book of Kama Sutra, the friend said, “Jesus Christ, is that move physically possible?”
  • God is used as an exclamation often.
  • Someone lectures Parker on “how I screw over his friends.”
  • After being mean to Parker, Corndog apologizes, “Last night I heard my mom crying, and I got upset. That’s why I was a dick today. I’m sorry.”

Supernatural

  • None

Spiritual Content

  • The story contains entries from Parker’s prayer journal beginning when she was little. In the first entry, she writes, “as I prayed, I didn’t ask you for anything. I only thanked you for giving me Mom.”
  • Parker blames God for ruining her family. She often asks, “Why did God let this happen to my family?”
  • When Parker’s mother came out as a lesbian, members of the church began ignoring the family. However, Parker’s dad makes her attend church. They have a conversation about if the Bible says, “thou shalt not become a lesbian?” Her father replies “no.”
  • When the pastor’s daughter spreads rumors that Parker is “a butch softball player who probably likes girls,” Parker wonders where God went.
  • Parker makes a list of “Reasons Why I’m the Worst Christian of All Time.” Her list includes, “I don’t see how a loving God would split a family up like he did mine.”
  • When Parker was little, the pastor accuses her of lying and, “gave me a lecture on how lying is a straight path to Hell.”
  • When Parker flirts with the assistant coach, she thinks, “When God created the Earth, he had such a sick wicked sense of humor. He made everything that’s wrong feel really, really good.”
  • Parker’s dad breaks up with his girlfriend because his church friends tell him to. Parker prays, “Please help my family. Hasn’t our church taken enough from us?”
  • Parker and her mom have a conversation about God and church. Parker’s mom said, “God still loves me and he loves you too . . . All that matters is your personal relationship with God.”  Parker’s mom tells her that she doesn’t need to go to church because “I can talk to God while I’m walking the dog or running in the woods just the same as if I’m at church.”

 

This is Where It Ends

No one ever thought this could actually happen to them. Not here. Not in Opportunity, Alabama.

It is just a normal morning at Opportunity High School when a frightening series of events forever alters the lives of all who are inside. At the conclusion of Principal Trenton’s back-to-term speech in the auditorium, the exit doors fail to open as thousands of students frantically attempt to exit. Two minutes later, someone starts shooting.

Lasting only fifty-four minutes, this harrowing story is told from the perspectives of four different students, each of who have personal connections with the shooter. Those minutes are packed with enough action and tension to feel like a year. This suspense-filled novel dives deep into the emotions of high schoolers and examines the complexities of a murderer’s personality. Riddled with guilt and fear, the characters of this novel make the tragic and once so seemingly impossible situation relatable for the average teen reader.

As the subject matter of this book is very mature, it is not recommended for younger readers. It deals with content such as a school shooting, the passing of a parent, violent deaths, and homosexuality. The author suggests it for readers 14 and above, but some teens may still be disturbed by the novel’s contents. Nevertheless, This is Where it Ends is a well-written and compelling book that examines a topic that has become increasingly important in modern teens’ lives. It allows readers to ponder the intricacy of teen relationships and the value that we place on social acceptance.

Sexual Content

  • There are several references to a romantic relationship between Claire and Tyler, the shooter.
  • Autumn and Sylv are dating secretly. They often hold hands and Sylv, “wanted nothing more than to kiss her, but instead, we held hands.” In another scene, they kiss, “I leaned in, cupped her cheek in my hand, and kissed her,” but as Autumn is afraid of what people will think, she does not “come out.” Facing death, the two admit their feelings in front of the entire school.
  • One of the murdered characters is “Kevin Rolland, one of Opportunity High School’s only out-and-proud students.”
  • At junior prom, Tyler corners his sister’s girlfriend, Sylv, and attempts to kiss her. This experience is traumatic for Sylv and leads to the breakup of Claire and Tyler.
  • During the shooting, Claire and her track teammates are locked out of the school, and they try to get help. As the crisis continues and deaths are discovered, Claire realizes that she is in love with her best friend, Chris, and acts on her feelings. It begins as “I curl my fingers around Chris’s and lean into him” and escalates to, “I look up and touch my lips to Chris’s . . . It’s as if I don’t know where he ends and I start . . . He leans in and kisses me again as if the world were ending. And actually, it has.”
  • Sylv mentions that Tyler raped her. It is not described.

Violence

  • Autumn’s father abuses her. She mentions that he hits her and shows her bruises.
  • Tomás constantly beats up and bullies Tyler for threatening his sister. Tomás thinks, “The one time his eyes weren’t glossed over with contempt was when I slammed his head into a locker. My fingers itch to do it again.”
  • Tyler enters the auditorium and shoots many people; he “picks them off methodically.” He shoots the principal first. “All I can see is Principal Trenton’s surprised smile as she was shot and the horror of the people around who rushed to help her . . . There’s death, there’s dying, and there’s blood everywhere.”
  • The bodies of two victims are described. “Two students . . . are splayed across the chairs in front of Tyler. The boy still has his bag half slung over his shoulder as his blood mixes with hers.”
  • Tomás is frustrated with his inability to be helpful during the shooting, and “I turn on my heels and ram my fist into one of the supply cabinets. The thin board splinters on impact, cutting my knuckles, but the pain offers no relief.”
  • During the shooting, Tyler threatens Sylv. “He placed his hands on my shoulders again, his thumbs digging into my neck . . . When I tried to roll over and crawl away from him, his boot found my stomach, and I doubled over. He pinned me, his knees on my arms and his hands on my shirt.”
  • When attempting to find the janitor to help unlock the auditorium doors, Tomás and Fareed find him dead in the supply closet. “His hands are bound together with a cable tie pulled so tight his fingers have gone black. Cable ties circle his neck, and he is gagged. His eyes are empty; his face is as discolored as his hands. Bloody scratches mark his neck, as if he tried to rip through the plastic with his bare hands.”
  • The shooting of students and teachers is described in detail. “The first bullet buries itself in the teacher’s arm. The second bullet drills a hole through his chest.” In another scene, “A freshman beside us stumbles and trips, sliding against the seat when a bullet perforates her neck. I almost join the screaming as blood splatters my face.”
  • Some bullying boys set fire to a student’s locker. Another student’s tires are slashed for revenge.
  • Because her brother is the shooter, Autumn feels grief and responsibility for the deaths of others. She thinks, “Every time I blink, I see Nyah’s face being torn apart by the bullet . . . Ty is my only brother, but right now, I want him to die. To take the gun and shoot himself.”
  • Autumn gets hit with the barrel of the gun while she is trying to stop Tyler. “His arm snaps back and the barrel of the gun bashes my cheek. Spots of light burst in my vision. Pain blossoms over my face. Blood pools in my mouth.”
  • Near the conclusion of the novel, Tyler shoots Autumn and then kills himself, “When he pulls the trigger, I feel the shot rather than hear it. Pain overwhelms me. The floor opens up around me. The last thing I see before I fade is Ty turning the gun on himself . . . Then he blows his brains out.”

Drugs and Alcohol

  • Tyler and Autumn’s father is an abusive alcoholic. “Mr. Browne drowned his sorrows in alcohol.”
  • Tomás describes what usually follows an assembly as, “So everyone pushes to leave, then strolls, dawdles, sneaks out for a smoke and some air (the two aren’t mutually exclusive, thank you very much).”
  • Claire thinks of the track runners’ get-together at the end of the school year. The event has “no alcohol until the JV athletes are asleep, but then we’ll drink. We’ll toast our four years together.”

Language

  • Profanity is used fairly often throughout the novel. This includes: dammit, hell, fuck, and fuck off.
  • Claire describes the re-built version of Opportunity High School as, “state of the art—larger sports fields, fancy equipment, right in the middle of fuck all.”
  • “Oh my God” is said once and “God” is said once.
  • The people who are around Autumn in the auditorium are described as, “no longer pitiful, no longer worried about my poor, fucked-up home.”
  • Tyler rants to Autumn in between shooting people. “You know how much it hurt to find out about you and that—that slut?”

Supernatural

  • None

Spiritual Content

  • After hearing the sound of the first bullet rip through the air, Claire and Chris decide to run for help. Before running, she chooses to “whisper a prayer to anyone who might listen.”
  • Upon seeing the mutilated body of the dead janitor, Fareed, “mutters something, but I can’t make out the words. It sounds like a prayer of sorts in the language of his parents.”
  • When Sylv comes out to her family as gay, she mentions that “Father Jones preaches about sin, hell, and damnation.”

by Morgan Filgas

We Are All Made Of Molecules

Stewart always wanted a sister. However, he never imagined that it would take his mother’s death, and his father moving in with his girlfriend before he got his wish. Plus Ashley isn’t anything close to being the sister of his dreams. She’s one year older than Stewart, and they have nothing in common.

Ashley is a typical mean girl whose only concern is staying at the top of the social ladder. So when her father announces that he is moving out because he is gay, Ashley fears that if any of her friends find out about her father’s gayness, it will ruin her social standing. Then when her mother’s boyfriend and son move in, Ashley’s anger ramps up even more. After all, Stewart is a total nerd.

We are all made of molecules is told from the points of view of Stewart and Ashley, who are both loveable in their own way. Stewart is a logical nerd who just wants to fit in. Ashley is a self-centered, angry teen who is trying to deal with the upheaval in her life. Having the story told by both Stewart and Ashley gives the book an interesting twist, because not only can the reader see each character’s thoughts and feelings, but the reader also sees how the two view each other.

Through Ashely’s experiences, the reader learns about the danger of drinking as well as the sexual dangers girls may face. In the end, Ashley realizes that outward appearances are not as important as she thought, and that nerdy Stewart may just know a thing or two about friendship.

We are all made of molecules is an easy-to-read, fun story that explores the messy relationships of parents. Ashley’s father reveals that he is gay, and his gay boyfriend appears. Ashley’s mother has her boyfriend and son move in. In the story, the group of five is shown becoming a unique family unit.

Sexual Content

  • A subplot of the story is about Ashley’s divorced father, Phil, who has revealed that he is gay. In one scene, Phil tells Stewart, “I didn’t decide to be gay. It’s not something you choose.” They then discuss why Phil married Ashley’s mother and didn’t tell people he was gay until two years ago. Phil says, “I didn’t want to be gay. I grew up in a very conservative and strict religious family . . . I made myself believe I was straight.”
  • Ashley sees her father kiss another man.
  • In the locker room, Stewart, “sat quietly on one of the benches and tried not to stare, but it was impossible not to notice that almost every single guy in my class was well into puberty. They had hair in all the right places, and their you-know-whats actually dangled. . . Mine does not dangle. Mine is more like a protruding belly button.”
  • Ashley watches an episode on TV about a guy that found out that, “he wasn’t the father of his girlfriend’s baby, and that the real father was the guy’s own brother.”
  • Jared says to Stewart, “You have the hots for your stepsister, don’t you? Gross, Stewie, that’s verging on incest.”
  • Ashley goes to Jared’s house and while there he pushed her onto the bed and tried to take her shirt off. “I grabbed his hands, but he kept yanking . . . I tried to move, but he pinned my arms down. When I looked at his face, it was as if he’d gone somewhere else. It was like I wasn’t even there . . .He was pulling at my shirt and my skirt at the same time.” Then the housekeeper comes in and Ashley leaves.
  • At a party, Ashley is passed out on her bed. After Jared and his friend make sure Ashely was completely out of it, Jared pulls up her shirt and takes a picture of her in her bra. Jared then pulls up her skirt and takes a picture of her underwear.” Then Stewart shows up and runs off with Jared’s phone and calls the police.
  • When some of the students at school find out that Ashely’s father is gay, one of the characters says, “I think it’s so cool that your dad is gay. It’s so . . . twenty-first century. Very cutting-edge. Ashley is then invited to the LGBT club. Ashley says, “But I’m not gay. Or lesbian, or bi, or transatlantic.”

Violence

  • Stewart tries to hide in the locker room because he doesn’t want to take a shower with the other boys. When Jared notices him, he “grabbed my gym shorts and yanked them down around my ankles . . .Then suddenly he grabbed hold of my boxers and I realized with sphincter-tightening horror that he was about to pull them down.” Then the teacher walks in and Jared leaves.
  • When Jared sees Stewart in the locker room, he again tries to pull his pants down. Stewart was prepared and wearing a wrestling uniform. Then Jared, “Yanked my T-shirt up and over my head. I couldn’t see a thing. I felt his hand grab one of the straps of my wrestling uniform and pull it down . . .” Before Jared can get the uniform off Stewart, Steward reveals that he is Ashley’s brother and Jared stops.
  • Stewart is wearing the school bulldog mascot costume and scares Ashley. “She started pummeling me . . . She started kicking me. I tried to shout, but my voice was muffled, and her screams drowned me out.”
  • Jared was kicked out of a private school. He said he, “dealt with someone who needed dealing with. Guy was a colossal turd, and everyone knew it.” Later in the story, it is revealed that in the locker room, Jared beat up the guy because he was gay. “Then I saw him looking at my junk after our final game, so I punched him . . . stupid faggot.”
  • Jared said that Ashley was a, “total tease. All she’s let me do is squeeze her tits a few times. Outside her clothes . . . I’ll break that bitch down.”
  • Stewart remembers a time when a little boy was throwing rocks at him. The little boy’s mom and Stewart’s mom got into an argument. “That’s when my mom picked up a stone and threw it at [the kid]. Not hard, but still; I couldn’t believe my eyes . . . Then she threw a second stone.”
  • Stewart is dressed up as the school mascot when Jared comes up to him and talks badly about Ashley. When Jared walks onto the basketball court, Steward, “was working on pure fury when I ran onto the court and plowed my dog-head into Jared’s stomach . . . I ran behind him and pulled his gym shorts, along with his underwear, down to his ankles.”

Drugs and Alcohol

  • Jared invites Ashely over to his house. Jared drinks a beer and Ashley has a wine spritzer.
  • Ashley has a party. Some of Jared’s friends show up. “They were carrying bottles of vodka and rum and stuff, probably stolen from their parents’ liquor cabinets.”

Language

  • One of the characters describes her family as FUBER. Then she explains the term is a military term that means, “’Effed Up Beyond All Recognition,’ but in the military, they don’t say ‘effed.’”
  • Ashley called a girl’s mother a “skank.”
  • When her mother’s boyfriend compliments the pasta, Ashley thinks, “which was a total butt-kiss because the pasta was just so-so.”
  • Ashley describes her mom’s boyfriend as having, “MPAL (Male Pattern Ass Loss, a tragic and devastating syndrome in aging men.”
  • When Ashley finds out Stewart is in the same English class as her, she thinks, “OH MY GOD . . . This cannot be happening.”
  • Ashley said she had a “crappy day.” She also tells her friend that a pair of jeans makes her “ass look fat.”
  • Profanity is not used frequently, but it is scattered throughout the book. The profanity includes: hell, ass, bitch, pissed, slut, faggot, shit.

Supernatural

  • None

Spiritual Content

  • Stewart thinks about his dead mother. “Even though the scientific part of my brain tells me she probably isn’t looking down on me from heaven, and that all that is left of her is random molecules, I feel a deep need to do this for her.”

Bang

Fear:  that’s what Sawyer feels. And Jules can understand why. After all, she is the one who gave the vision curse to Sawyer.  Now Sawyer and Jules must decide if they are going to risk their lives trying to stop a tragedy.

Book II of the Visions series adds more involvement from Jule’s brother Trey.  Jules loves her brother, and it’s easy to see why.  He’s good-natured, loyal, and teases his sister about her love life. The relationship between Trey and his sister adds depth and delight to bang.  However, both Sawyer’s and Jules’ relationship with their parents is dysfunctional and full of distrust.  Sawyer’s grandfather hits him, in the past, his mother had an affair, and Sawyer lies to his parent so he can spend time with Jules and try to solve the mystery of the vision.

At the beginning of the book, the language is mild with words like “crap” and “friggin.’” However, it doesn’t take long until the cursing (and the make-out scenes) increase in frequency and intensity. Another troubling aspect of the book is Jules’ sisters’ romantic relationship. Her sister decides to fly to New York to stay with a boy she met at soccer camp, all without her parents knowing about the trip until she’s left.

bang loses a lot of the suspense that was contained in the first book, crash.  Instead of focusing on the mystery of the vision, bang delves into Jules’ relationship with Sawyer as well as their family relationships.  Although Jules cares deeply about her siblings, she is disrespectful and deceitful to her parents.  None of the characters consider confiding in the adults in their life.  Instead, Sawyer, Jules, and Trey band together to try to stop a tragedy from happening.

 Sexual Content

  • Jules sneaks out of the house where she receives her first kiss which was the, “most weirdly amazing feeling.”
  • When Jules sees her boyfriend, he tells her that he’d like to kiss her but only, “runs his thumb across my lips and looks at me so longingly it hurts.” Later Jules presses, “a finger to his lips and watch his eyes droop halfway in response,” and, “his gaze lingers and burns.”  When her boyfriend leaves she thinks, “At this rate, we’ll have, like, nine babies by the end of our senior year.”
  • There are many scenes where Jules and her boyfriend make out, which involves kissing and caresses each other. In one scene Jules thinks, “I really want to see that chest once more.”
  • In another scene, the two make out and they are, “kissing and panting and touching each other, starving and lusty and steamy hot . . . he presses against me, his chest against my chest, our feet finding spaces every other, and his thighs squeezing mine. And suddenly, I realize that what’s pressing against me is not all thigh, and I am secretly amazed and a little shocked by it being there, doing that.”  She describes being, “intoxicated by his fervor and the overwhelming electric, psychedelic aching in my loins.”
  • While joking with his sister and her boyfriend, Trey says, “I’m not into incest, thank you. However…If you ever, you know, want to experiment.” Sawyer replies, “Maybe I could bang all the Demarco siblings.”
  • At school, a girl who likes Sawyer comes up to him and, “sticks her boobs out.” She asks him to Spring Fling and promises they can, “make out behind the bleachers like when we were a couple.” Sawyer tells the girl he is gay, and she gets upset and asks, “I made out with a gay?” and “Were you gay when we made out?”
  • Jules father asks her, “What do you want to say that I don’t already know? That you’re pregnant?”  Jules is angry that her father, “thinks I’m out there banging people left and right.”
  • Jules thinks about her father’s past affair, and she talks about it with others.

 Violence

  • Jules boyfriend talks about how his grandfather used to hit him.
  • Sawyer has a gruesome vision of a school shooting where eleven people are shot. He describes the scene of the shooting and how the “faces are blown into bits.”
  • A college campus was vandalized and someone spray paints a stop sign so that it reads, “Stop fags.”
  • The college campus shooting is describe in detail over four pages. Several people are shot.  One of the shooters jabs a gun between a boy’s eyes.  There is a fight between the gunman and several others, which is described.  “I kick the crap out of her arm that holds the gun, and I whack the shit out of her face with my cast . . . I kneel on her fucking head as she screams.”  Trey shows up and is shot.  Jules watches as he sinks, “to the floor, leaving s streak of red on the wall behind him.”
  • Trey says, “All I can remember is someone screaming ‘Die, fag!’ in my face, which really, you know, sucked. Then I took one look at the blood spurting out of my arm” and he passed out.
  • In the hospital, several characters discuss the events of the shooting and the injuries of the victims.

 Drugs and Alcohol

  • While in the hospital, Trey is given morphine for his pain. He acts goofy and, “a little drunk on morphine.”  Later when Trey talks about going to a pricey private school that she knows her family can’t afford,  Jules thinks, “there’s always the power of morphine to make your forget about the minor details of your life.”
  • Jules, “scared the hell out of Trey when I tell him that he totally threw himself at a college boy while under the influence of morphine.”

Language

  • Cursing is frequent. The cursing includes crap, dang, shit, damn it, fucking and pissed.
  • Jules uses Oh my God and Oh Christ as profanity.
  • Jules wonders when she became an “insecure loser” and thinks, “back when I accepted the fact that I was a total psycho.”
  • A character says jokingly, “tell the two-timing lunch whore I said hey.”
  • When Trey is frustrated, he says, “for shit’s sake, Jules.”
  • Jules brother, Trey, is jealous that both of his sisters have a boyfriend and he doesn’t. When his sister talks about sneaking out of the house and flying to New York to see him, Trey says, “Fuck…Why the hell not.  Why the hell not.”
  • Jules’ sister jokingly tells her, “You ruin this for me, and I will ruin your face, bitch.”

Supernatural

  • Jules talks about, “the vision isn’t a total fix; it’s a chance to change a bad thing to something less bad . . . the vision’s gone. You did what you were supposed to do. Maybe . . . maybe those people needed to go through that experience in order to become the people they’re meant to be, you know?  Maybe the experience triggers something inside of them that will help them become great.”   Sawyer replies, “And maybe it’ll make them dependent on prescription drugs, or want to kill themselves.”
  • Jules asks Sawyer, “You think the vision gods, or whoever, gave us these changes so we can end up watching the people we save turn into drug addicts?”

Spiritual Content

  • One of Jules favorite sayings is, “thank dog for that.”
  • Jules finds a newspaper article that reports about a protest lead by a cult preacher who’s been, “shouting about gays taking over the government, and he’s been ragging on U of C lately because their rights group have been picketing the guy.” The preacher has been getting his followers and, “saying God wants his cult to rid the country of homosexuality.”  Sawyer asks, “So you think our shooters are some outsider cult followers of the raving lunatic, coming to campus to . . . do God’s will?”
  • When Jules talks about the news article she asks, “Who would want to believe in a God like that? If God is not, like, totally in love with all the people he created, why would anybody want to believe in him?  Five things a real God should be:   Not a hater.  2. That about sums it up.

Crash

Jules wonders if she is going insane.  After all, she sees a truck smashing into a building, exploding, and then nine body bags in the snow.  And one of the bodies is that of her childhood friend, with who she is in love.  As the vision comes more frequently, life gets complicated. Jules can’t warn her friend because of a long-standing family rivalry.  And even if she did tell him about the visions, would he think she was crazy?  After all, that’s exactly what Jules wonders.

 Crash is a fast-paced book that throws the reader into suspense from the beginning until the end.  The story is full of drama-family drama, school drama, and boy drama.  Jules doesn’t think she can trust her family with her fear about the visions so she lies and sneaks around.  And it turns out that secrecy is normal in her family; after all, her sister has a secret boyfriend, her father had a secret affair, and Jules secretly tries to figure out the meaning of her visions.

To add to the drama, Jules has been banned from taking to her childhood friend, who may end up in a body bag.  In order to save her friend, Jules is willing to do whatever it takes.

 Crash is an entertaining mystery with lots of unexpected turns.  Jules is a likable character who is easy to relate to because her life is so messy.   Her relationship with her brother adds to the book’s enjoyment.

One downside of the book is the cursing, which is common throughout the book, both in dialogue and the character’s thoughts.  Although the book is entertaining, it also contains some heavy topics such as hoarding, depression, dishonesty, and homosexuality.  Although the topics are not discussed in detail, it is clear that Jules does not respect her father because of his depression and his hoarding.  Also, there are so many characters keeping secrets from each other that honesty seems to be a trait that is not highly valued.

Sexual Content

  • Jules’ brother is gay. There are several times that Jules and her brother tease each other about liking the same boy.
  • When Jules begins acting strange, her brother asks, “You’re not pregnant, are you?” Her brother then tells Jules that he only asked because that’s what their father said.  During this conversation, Jules says she is, “the poster child for purity” because she still has her… Her brother finishes the thought with the words “cheery, and hymen.”  They also mention a chastity belt. During the same conversation, Jules’ brother asks, “You’re not having an alien Antichrist baby for the seed of Angotti?”
  • Jules’ sister is having a long-distance relationship with a boy she met at camp. When Jules asks about meeting him online, her sister replies, “. . . his online user name is Child Predator77.  I sent him pictures of my naked budding bazooms and he wants to meet me behind the Dumpster at Pete’s Liquor to give me candy.  Jeez, Jules!  Of course not.  I’m not stupid.”
  • When Jules’ crush walks into the room, he, “ducks his head in a shy sort of way, which makes my thighs ache, and not because of the bruises” and later when he smiles Jules’ “stomach flips.”
  • Jules’ mother tells her that her father had an affair.
  • Jules’ crush gives her an anxious, “hungry look” before he, “slips his fingers gently into her hair.” Then he leans her against a wall and traces her lips with his fingers. He kisses Jules, “but soon he’s pressing harder and I’m reaching for him and I can’t be bothered to think or remember anything at all.  I just need to be in it and try to breathe . . . “
  • During the kissing scene, Jules describes feeling the warmth of his back and how “his tongue finds mine.”

Violence

  • Jules describes a time when she was delivering a pizza and a guy came up behind her, grabbed her by the neck, and stole her money belt before he shoved her into a snowy bush. The thief held a knife by her ear.   Luckily a stranger tackled the guy and the mugger got away.  The police tell Jules the man was, “probably some meth addict who needed money for supplies.”

Drugs and Alcohol

  • The narrator thinks about her grandfather who, “killed himself with I was little. ”  Although the grandfather’s death is mentioned several times, how he committed suicide is never described.
  • One of the character’s cousins, “takes a drag and drops her cigarette butt to the ground.”

Language

  • One of the Jules’ favorite sayings is, “Oh my dogs.”
  • The narrator describes a character as a “douche” and another as an “asshole.” Her car is a “piece of crap.”
  • The words dammit, hell, crap, fucking, son-of-a-bitch, and shit are used in dialogue as well as in Jules’ thoughts.
  • Several times when Jules is having a difficult conversation, she says, “Oh my God.”
  • In an argument, Jules says, “mother-fuh-lovin’ crap.”
  • In one scene, the narrator describes her feelings as “pissed.”
  • One of the characters yells, “Get your asses out there!” Another time she says, “Where’s the fucking phone book?  God!  I hate this stupid place.”
  • While talking to a friend, Jules yells, “But goddammit, Sawyer, despite all that, I’m going to save your fucking life anyway, because I love you, and one day you’d better fucking appreciate it.” After she hangs up the phone, she thinks, “You? Are bumblefucking nuts, Demarco.”
  • As two characters discuss a family member, one says, “He’ll bring out his whole tradition and honor bullshit and use that as an excuse to be a bastard.”
  • Jules’ mother tells her husband, “act your age once, will you.  We’re in a hospital, for Christ’s sake.”

Supernatural

  • Jules sees visions in billboards, television screens, and in windows. When she begins to get clues and figure out the pieces of the puzzle, the visions let up. However, when she is getting the meaning of the clues wrong, the visions become more frequent.

Spiritual Content

  • Jules’ parents will not discuss the fact that their son is gay. Jules and her brother don’t go to church because, “if their church won’t accept my brother, they can’t have me either.  Plus her parents, “religious fear runs deep.”

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