Icon: Teaches About Culture

Written in the Stars

Naila’s fate always seems to be under her parents’ control, especially when it comes to boys. Following Pakistani tradition, Naila’s parents will choose a husband for her when the time comes. Naila, however, did not grow up in Pakistan and the idea of an arranged marriage seems very old fashioned. Besides, she has fallen in love with a boy named Saif—of whom her parents do not approve– so she must keep him a secret. However, after lying to her parents to attend her senior prom, Naila is caught with Saif and her parents ignore her apologies and explanations.

Believing their daughter has gone astray living in America, Naila’s parents take the family to Pakistan for the summer, causing Naila to miss her high school graduation. At first, Naila enjoys spending time with her family, but she still looks forward to starting college in America where she will finally be with Saif and her best friend, Carla. However, Naila soon discovers her parents are planning a much longer trip. Her cousin, Selma, informs Naila that her parents are planning an arranged marriage. To escape this fate, Naila contacts Saif and plans her escape, which is thwarted by her uncle. Afraid their daughter will try to run away again, Naila’s parents force her into a marriage with Amin without Naila’s knowledge or consent. Naila is met with a choice: accept fate and try to find happiness with her new husband or continue to fight for her true love, Saif.

Despite everything she must endure in Pakistan, Naila is a strong character who never gives up on the possibility of love. While multiple aspects of Pakistani culture are represented in the book, the tradition of arranged marriage is especially prominent. The intent of the novel is to demonstrate that while some arranged marriages have been successful, others can trap men and women into loveless marriages that are more harmful than beneficial. Through Naila’s experience, the novel reveals the importance of having a choice, especially when it comes to love and marriage.

The novel, which takes place mostly in Pakistan, gives poignant depictions of Pakistani culture. Urdu words are used throughout to help capture the setting and culture, and a glossary is provided in the back of the book to aid understanding. The novel also includes mature themes of violence, inter-marital rape, and pregnancy.

Naila is an easy character to root for because, despite the situation she is in, Naila stays true to herself and her beliefs. In addition, Naila discovers that honesty, no matter how hard it can be, is always best. Naila’s conflict is relatable because she wants what anyone else would want—the freedom to have a choice. Although the limitations of her situation sometimes slow the pace of the novel, the tension consistently builds as readers anxiously wait for Naila to be freed and reunited with Saif. If you’re interested in how women are treated in the Middle East, add A Thousand Splendid Suns by Khaled Hosseini to your must-read list.

Sexual Content

  • Amin, Naila’s husband, forces her to have sex with him. In an attempt to stop him, Naila tries “to sit up, to reach for the light on the nightstand, but his hands press against my shoulders, pushing me down. I twist my body, trying to wrench free, but I can’t move.” Amin continues to force himself onto Naila. He whispers to Naila to forgive him and “suddenly, I [Naila] scream. Pain envelops me. The world is white, illuminated with pain.” This is all that is described.
  • Naila discovers she is pregnant with Amin’s child. “I tried denying it, I made excuses for my growing fatigue, my delayed period. But when the first wave of nausea overtook me shortly after, I could deny it no more. I’m pregnant.” Later, Naila explains that she lost her baby.
  • When they are reunited in Pakistan, Saif and Naila share a passionate kiss. “Suddenly, he leans down; his lips press against mine. Pull away. But no part of me knows how. . . I run my fingers through his hair, trace the outline of his face—And then I kiss him back.”

Violence

  • When Naila tries to run away, she is caught by her uncle. Her uncle gets on the bus and Naila is “yanked from [her] seat, dragged down the aisle, down the rough metal steps.” To defend herself, Naila tries to “kick, twist [her] wrists to pry [her]self away from him. I bite his arm. He does not let go.”
  • Furious with his daughter for trying to run away, Naila’s father slaps her across the face. She describes the “metallic taste of blood in [her] mouth.”
  • After Amin’s mother, Nasim, discovers Naila is still in love with Saif, she attacks Naila. “Nasim seems possessed by a demon. I try covering myself from Nasim’s feet—she kicks me with each curse.”
  • When Saif arrives to defend Naila, “Amin shoves Saif to the ground.” Amin punches Saif until Saif’s uncle arrives.

Drugs and Alcohol

  • Naila’s uncle forces water down her throat and “almost instantly, I [Naila] feel hazy. The drink. He’s drugging me, I realize.” Naila is drugged and her parents force her to sign the marriage papers.

Language

  • None

Supernatural

  • None

Spiritual Content

  • In Pakistan, Naila hears a “melodic sound” she recognizes to be “the call to prayer.”

by Elena Brown

Super Fake Love Song

Sunny Dae is a third generation Korean-American and a 17-year-old high school student in Ruby Rancho, one of the richest areas in Southern California—a town that in which a majority of people are white. He calls himself a “super-huge mega-nerd” and a loser. His friends are Milo, a Guatemalan-American boy, and Jamal, a Jamaican-American boy. Together, they form the group DIY Fantasy FX where they create cheap, safe, and cool practical gadgets for all the LARPing (Live Action Roleplay) nerds out there.

Sunny, Milo, and Jamal love D&D (Dungeons & Dragons) and, for the most part, they spend their time making props. Sunny’s room is filled with boxes of props he’s made for DIY Fantasy FX while his brother Gray’s room is filled with guitars, amps, chords, and clothes that are opposite of Sunny’s. Gray hasn’t been home in years since he went off to Hollywood to in hopes of being a rock musician.

A new family in Ruby Rancho arrives and as fate would have it, the parents of said family are friends with Sunny’s parents. Through this connection with family friends, Sunny meets Cirrus Soh. When they first meet, Cirrus mistakes Gray’s room for Sunny’s and assumes that Sunny is a musician. Sunny, who finds Cirrus very pretty and develops a crush on her quickly, decides to play the role of a rock musician to impress Cirrus. He eventually ropes Jamal and Milo into joining him with the ruse, pretending they are a band known as The Immortals. To truly convince Cirrus they are a band, they sign up for the school’s annual talent show to perform one of Gray’s songs. Sunny’s new persona is getting him places with Cirrus, but then Gray comes home and shakes the balance Sunny had created. As Sunny attempts to navigate his relationships, he also struggles to truly understand who he is and wonders if he can ever truly be himself around Cirrus.

Super Fake Love Song is a high school romance told from the perspective of Sunny Dae, who is unapologetically a nerd. The story follows Sunny’s emotions, allowing the readers to feel his sense of division with his identity as he tries to understand himself. The complex relationships Sunny has with his friends, and especially his brother Gray, shape the entire story. Sunny is only able to pretend he is in a band because of Milo and Jamal. He does so convincingly because Gray takes Sunny under his wing. Oftentimes, Sunny reminisces about the better days with him and Gray, such as when they were younger and went on dungeon adventures or stole the spoons from the country club they visited. Then, Sunny returns to the bleak reality that he and Gray are just no longer close. These memories allow the readers to feel just how far apart Sunny and Gray have drifted while also showcasing a natural sibling relationship that’s both turbulent and loving.

Sunny is a nerd who tends to talk about events as though they were a D&D campaign. For readers who are just being introduced to D&D, the specific references to the game may be confusing. Sunny is unique in that he understands things in D&D terms, which is his way of figuring out problems and how he accomplishes building his rock star persona. For example, Sunny understands that performing on stage is just like LARPing which helps him bridge the gap between Rock Star Sunny and Nerdy Sunny. He attributes different kinds of musical performers to the different classes of characters in D&D. To research being cool, Sunny decides to watch videos of rock stars. “As I watched, I became convinced of my hypothesis that music performance was a form of LARPing in itself. Rock performers, after all, hoisted their guitars like heavy axes; their screamsong was a kind of battle cry. Rappers swayed their arms and cast elaborate spells with cryptic finger gestures and fast rhymes. Pop stars danced love dramas, superstar DJs commanded their hordes via mass hypnosis, country crooners sold a pastiche of folklore simplicity long vanished.”

Super Fake Love Song is reaching out to a certain audience: teenagers that play and understand D&D. D&D references are sprinkled throughout the book and show that anyone can participate in D&D. In addition, teens will relate to Sunny’s struggle to understand himself.  The story subverts a traditional romance novel, ending with its own nerdy twist. However, some plot points are wrapped up too quickly and need to be fleshed out. Super Fake Love Song is a book for readers who want a love story and who also love D&D or want to be introduced to it without needing to campaign.

Sexual Content

  • Sunny and Cirrus kiss several times throughout the novel.
  • Cirrus tells Sunny that one of the hottest things a girl can imagine is a guy singing rock and roll to them.
  • At Cirrus’s housewarming party, Sunny takes Cirrus upstairs to her bedroom where they make out. The scene lasts for two pages.
  • Cirrus invites Sunny to a panopticon live. In the virtual world, he and Cirrus become sylphs and kiss using their avatars. “We kiss in that awkward way avatars do: the polygons of our faces glancing off each other, never really touching.”
  • Sunny goes over to Cirrus’s condo where “Cirrus kissed me at her front door.”
  • Cirrus and Sunny have a picnic where they cuddle with each other and kiss.
  • On the way back home, Cirrus and Sunny kiss again. This time, they also confess to each other that they love each other. The kiss is not described.
  • At Fantastic Faire, Sunny and Cirrus reunite after months of missing each other. They “kissed, and the beautiful nerds around us laughed and cheered.”

 Violence

  • Gunner bullies Sunny and his friends. “Gunner would invade my table at lunch to steal chips to feed his illiterate golem of a sidekick and tip our drink bottles and so on, like he had routinely done since the middle school era.”
  • Sunny imagines testing a prop he made on Gunner. “The wires streaked across the stone chamber in a brilliant flash and wrapped Gunner’s steel helm before he could even begin a backswing of his bastard sword. The rest of my party cowered in awe as a nest of lightning enveloped Gunner’s armed torso, turning him into a marionette gone made with jittering death spasms, with absolutely no hope for a saving throw against this: a +9 magical bonus attack.”
  • Gray catches Sunny sitting in his old room with his guitars and friends and doesn’t fall for the ruse of them being a band. Sunny is very frustrated with his brother’s snide behavior. He imagines himself using an FX prop he made against Gray. “I wished I could stun him with Raiden’s Spark for real from one hand, and then cast Esmeralda’s Veil with the other so that I could abscond with the iPod while he choked on clouds of sulfur―no constitution-saving throw, automatic lose-a-turn.”
  • Gunner has bullied Sunny ever since Sunny moved in middle school. Gunner apologizes for being a bully and Sunny thinks about how he “had always fantasized about propelling Gunner with a seventeenth-level Push spell into a fathomless crevice full of lava.”
  • Sunny is practicing how to shred on a guitar and he compares the experience to a D&D campaign experience. “And when I was done, I flung the neck aside like I had just sliced open a charging orc.”
  • Sunny’s anger boils over when his brother hijacks his performance. Sunny pushes Gray into oncoming traffic. “When I shoved him this time, Gray was unprepared. Gray tripped over a pipe jutting from the concrete; He hit the ground backward. . . He found his feet, looked right, and held up a polite hand as tires shrieked. Then he was taken down.” Gray ends up being injured and taken to the hospital. He doesn’t die.

 Drugs and Alcohol

  • When imagining himself as a rock star performing for the first time, Sunny describes the air as “stinking of smoke and sour spilled beer of the ages.”
  • While hosting a housewarming party, Cirrus says that there’s a variety of alcohol to drink such as “chevre, manchego, membrillo for said manchego, mild ojingeo, spicy ojingeo, stuff from my parents’ liquor stash like Aperol and Richard and makgeolli and like six bottles of clara in the fridge if you’re not into makgeolli, which I get, makgeolli’s definitely an acquired taste, ha!”
  • At the talent show, Sunny sees Gray “standing in the underlit glow of the stage wings, he held onto a truss and raised his beer in a swaying toast at me.” Because he is drunk, Gray ends up hijacking Jamal’s mic and ruining Sunny’s performance.

 Language

  • Both Sunny and his friend Milo call Gunner, “Asswipe.”
  • Jamal says that Gray is “kind of a dick.”
  • After learning someone keyed his car, Sunny’s dad goes into a cursing fit. He yells, “What kind of GD MF-ing A-hole SOB would pull this kind of BS on me?”
  • In a text message thread, Jamal says, “So Gray’s gone from garden variety dick to full on douchetube.”
  • Gray has been treating Sunny very poorly which frustrates Sunny. He says, “Why did Gray have to be what he was―the lord of all douchetubes?”
  • Gray mentors his brother and his friends on how to be a band. He describes a certain face to make saying, “Just grit your teeth like this and mouth a bunch of angry stuff like, You ugly guitar with your dumbass frets and your dumbass strings.”
  • Gray confesses to his family that when they moved to Ruby Rancho, someone asked him “if he ate dog.” Sunny also says that happened to him. Asking an Asian person, especially an East or Southeast Asian person, if they eat dogs is a racial microaggression.

 Supernatural

  • None

Spiritual

  • None

by Emma Hua

The Girl Who Loved Wild Horses

The Girl Who Loves Horses is a Navajo folktale about a plains girl who loves horses. During a storm, the horses become frightened. The girl grabbed a horse’s mane and jumped on its back. The horses galloped until the storm disappeared. But when the horses stopped, the girl knew they were lost. Despite this, the girl is happy living with the horses.

After a year, some hunters see the girl and the horses. They try to catch them. When the girl’s horse stumbles, the hunters catch the girl and take her home. Both the girl and the horses are sad because they miss each other. In the end, the girl returns to live with the horses. “Once again the girl rode beside the spotted stallion. They were proud and happy together. But she did not forget her people. Each year she would come back.”

The Girl Who Loved Horses was awarded the Caldecott Medal to the artist of the most distinguished American picture book for children. The illustrations highlight the relationship between nature and the Native Americans. Goble creates beautiful images using rich, earth-toned colors. The illustrations use intricate details that include flora and fauna. Plus, the detailed pictures will help young readers understand the story and highlight the girl’s love of horses.

Even though The Girl Who Loved Horses is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page has 4 to 9 complex sentences. Because some of the pages are text-heavy and have advanced vocabulary, younger readers may have a hard time getting through the story.

The girl’s story reinforces the idea that humanity and nature are connected. While the story may be difficult for younger readers to understand, parents and teachers can use the story to discuss the importance of protecting the earth. The Girl Who Loved Horses would be an excellent book for readers who want to learn more about Native American culture and their love of horses.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • When the hunters could not find the girl, they believed “the girl had surely become one of the wild horses at last.”

Spiritual Content

  • None

I Am Not Your Perfect Mexican Daughter

An ambitious and fiercely independent teenager, Julia Reyes never seemed to fit in with her family’s traditional Mexican values. Her sister, Olga, was who her mother considered a “perfect Mexican daughter.” Olga was content with living at home, helped her mother cook and clean, and never got into trouble. However, after Olga’s sudden and tragic death, Julia feels pressure to fill the gap in her family, despite not being able to live up to her mother’s expectations.

Dealing with grief and conflicting personalities, Julia and her mother “Amá” struggle to mend their relationship. Amá, who grew up in Mexico, wants an obedient and responsible daughter, while Julia, who was raised in America, wants to explore the world and dreams of being a famous writer. Eventually, the pressure from her mom becomes too much for Julia to handle. Julia struggles with her mental health and feels misunderstood by her parents and friends. To make matters worse, after exploring her sister’s room, Julia discovers that Olga may not have been a perfect daughter after all.

Julia is a very realistic and relatable protagonist. She works hard to figure out her place in the world even though she makes mistakes along the way. As the child of Mexican immigrants, Julia experiences both generational and cultural conflicts with Amá and her father “Apá” who, while physically present, is often emotionally absent from Julia’s life. Although she has her friend, Lorena, and a new attentive boyfriend, Connor, Julia realizes grief is a difficult experience and it can take a lot of time to heal.

The book has a strong theme of self-acceptance and acceptance of others. Although Amá has difficulty understanding Julia, she learns to see what makes Julia unique and different from Olga. Julia also must learn to stop comparing herself to her sister and accept who she is and what she wants to be: a writer.

I Am Not Your Perfect Mexican Daughter tackles mature themes of death, suicide, abortion, and rape. The novel also contains Spanish words which are used naturally in the dialogue to better represent Julia’s culture, and most words and phrases are understandable within the context of the scene.  If you want to explore another book with these themes, Loveboat, Taipei by Abigail Hing Wen should be on your reading list.

Overall, the poignant story explores the challenges of youth, especially the cultural and generational boundaries between first-generation immigrants and their children. Eventually, Julia and her mother must learn to see things from each other’s perspectives. Julia also begins to understand a lot about her mental health and how to heal from painful situations to become a stronger and more balanced young woman.

Sexual Content

  • After searching through Olga’s bedroom, Julia finds “five pairs of silk-and-lace thongs. Sexy lady underwear I imagine a very expensive hooker might buy.”
  • Julia describes a time Olga’s friend Angie came over and Julia “walked in on her touching Olga’s boobs.”
  • Julia feels uncomfortable around her friend Lorena’s stepdad. “Every time I know he’s going to be home, I wear my baggiest shirts and sweaters so he can’t gawk at my boobs. Sometimes it feels like he’s undressing us with his eyes.”
  • Julia falls asleep at Lorena’s house. When she wakes up, she sees Lorena’s stepdad, José Luis, crouched in front of her. “He looks like he’s doing something with his phone, but I’m not sure.” Julia is too exhausted to process what is happening. It is unclear what José Luis’ exact intentions were.
  • Julia and Lorena visit the lake with two boys. Julia wonders where Lorena has gone and assumes she and Carlos are “probably fucking somewhere, even in this cold, and most likely without a condom.”
  • Ramiro, a boy Lorena sets Julia up with, kisses Julia, but she doesn’t really enjoy it. “At first the kisses are soft and feel all right, but after a while, he spirals his tongue against mine.” Julia and Ramiro soon stop kissing. She feels uncomfortable kissing someone she barely knows.
  • Julia states that her tío Cayetano “used to stick his finger in my [Julia’s] mouth when no one was looking.”
  • During a party, Julia notices people “dancing so close they’re practically dry-humping.”
  • Julia watches a couple make out in public. “Their kisses are wet and sloppy, and you can see their tongues going in and out of each other’s mouths.”
  • Lorena’s friend, Juanga, starts to describe different penis shapes he has seen. “The craziest one, he says, was long and pointy.”
  • A man harassing Julia on the street says he has something to show her “’cause you have nice tits.” When an adult helps Julia, the harassers eventually drive away.
  • After her first kiss with Connor, her first boyfriend, Julia describes how “Connor is gentle with his tongue, and something about the way he touches me makes me feel so wanted.”
  • Lorena tells Julia she’ll have to “shave [her] pussy” before having sex with Connor.
  • Julia and Connor have sex. Julia looks away while Connor puts a condom on. She states, “it hurts more than I imagined, but I pretend it doesn’t.” This is all that is described.
  • Julia discovers Olga was “having sex with an old married dude, hoping he would one day leave his wife.”
  • After taking a pregnancy test with fuzzy results, Lorena believes she might be pregnant.

Violence

  • Julia describes the appearance of her dead sister at the funeral stating, “the top half of her face is angry—like she’s ready to stab someone—and the bottom half is almost smug.”
  • Julia explains how Olga was “hit by a semi. Not just hit, though—smashed.”
  • It is implied that Julia tried to kill herself by cutting. The scene is not described.
  • In a support group, Julia meets a boy who is “here because his stepdad beat him with cords and hangers when he was a kid.”
  • On the journey to America, it is implied El Coyote raped Amá and “held [Apá] down with a gun.”
  • While visiting Mexico, Julia hears gunshots in the street and sees “two dead bodies are lying in the middle of the street.”

Drugs and Alcohol

  • Julia’s uncle once teased Olga’s boyfriend, Pedro, for being innocent. Julia remembers “tío Cayetano trying to give him a shot of tequila once, and Pedro just shaking his head no.”
  • Lorena and Julia smoke weed at Lorena’s house. Julia explains she has smoked weed “a total of five times now.”
  • At a birthday party, Julia’s father, and her uncles drink tequila.
  • At a party, Lorena and Juanga take shots while Julia opens a beer, “which [Julia] regret[s] immediately.”
  • At another party, “the girls all choose Malibu rum,” while Julia drinks “Hennessy and Coke.”

Language

  • Profanity is used in the extreme. Profanity includes ass, crap, fuck, hell, shit, and bitch. For example, after Olga’s death, Julia’s mom was screaming and “telling the driver and God to fuck their mothers and themselves.”
  • Lorena calls Julia a “bitch” for underestimating her intelligence. When Julia is on a bus after skipping school, she believes “the school has already called [her] parents and [she’s] in some deep shit again.”
  • Lorena tells Julia to give papers about a college tour to her “crazy-ass mom.”
  • Pissed is used often. At Olga’s funeral, Julia decides “it’s easier to be pissed,” rather than sentimental.

Supernatural

  • None

Spiritual Content

  • Julia shares that she and her mom argue about religion often. Julia “told her that the Catholic church hates women because it wants us to be weak and ignorant. It was right after the time our priest said—I swear to God—that women should obey their husbands.”
  • Amá forces Julia to attend church meetings. Julia wonders “who in the world would want to spend their Saturday night talking about God?”

by Elena Brown

The Marrow Thieves

The world has been ruined by global warming. In the destitute landscape of North America, the Indigenous people are being hunted by Recruiters, truancy agents who bring any person of Indigenous descent to the schools where their marrow is extracted at the cost of their lives. Why are they being hunted? Because people of Indigenous descent still have the ability to dream when the rest of the population has lost it. To survive, people have begun to move periodically, to prevent themselves from being sent to the schools where their bone marrow is to be extracted in exchange for their dreams. However, some have taken up the opportunity to betray their own people and turn them in to the Recruiters in order to receive a large sum of money for survival.

Frenchie has escaped from Recruiters after they kidnapped his brother. His father and mother were also taken by Recruiters, thus leaving him as the only one left in his family. In the woods, he is saved by a group of fellow Indigenous survivors. Among them are Miigwans, an older gay man who has escaped from the schools, Minerva, a woman elder who teaches the kids her native Indigenous tongue, Rose, a Black-Indigenous girl who becomes Frenchie’s girlfriend, Wab, a girl with a large scar on her face, and RiRi, a young Indigenous girl whose mother was kidnapped by Recruiters. Each member of the group carries their own story of trauma tied to their Indigenous identity. However, as the years progress and the losses continue to pile up, Frenchie learns that there may be a way to stop the marrow thieves and end this genocide.

The Marrow Thieves is told in a prose narrative style written in the first person. Much of the novel is told from the perspective of Frenchie, an Indigenous boy. This allows for readers to empathize with his emotions of loss and anger as well as demonstrate the horror of Indigenous genocide through the lens of an Indigenous protagonist. Some chapters shift in perspective to provide backstory of certain characters, such as Miigwans and how he lost his husband, or Wab telling the group about her violent backstory. This shift in the narrative style gives the reader the illusion of the character telling the entire group their backstory.

The novel heavily deals with themes about Indigenous genocide and the trauma Indigenous people continue to endure. The story makes many references to past genocides, such as the residential schools run by the Roman Catholic Church whose goal was “to kill the Indian, save the man.” These residential schools killed thousands of Indigenous children during their operations and traumatized millions more when the Church stole their children. While telling the story of how the marrow thieves came about, Miigwans says, “Soon, they needed too many bodies, and they turned to history to show them how to best keep us warehoused, how to best position the culling. That’s when the new residential schools started growing up from the dirt like poisonous brick mushrooms.” The characters in the novel even call the institutions where Indigenous marrow is extracted, the “new residential schools,” following the theme of the cycle of genocide and intergenerational trauma that Indigenous people go through, proving that history is constantly repeating itself.

The Marrow Thieves is a novel with which teenage audiences will empathize. For Indigenous readers, it provides well needed representation with a variety of characters who have unique personalities and identities and validates the trauma they feel. For non-Indigenous readers, it exposes the part of history that is often left out in many countries, particularly in America and Canada. The novel teaches non-Indigenous readers about the genocides Indigenous people have faced and, despite what the school curriculum makes it seem like, they are still facing. They survived.

Some readers may struggle with the flow of the plot as it jumps around between the past and the present, such as the story shifting from Miigwans’s backstory to a chapter jumping forward about 3 years. However, it should be known that many Indigenous writers tell stories in a way that doesn’t fit into the typical Western/European formula most books are written in. The ending of the novel is heartwarming and provides a sense of hope and catharsis for its characters and its Indigenous readers. In its entirety, it validates the feelings of its Indigenous characters and its Indigenous audience, who have, historically, constantly faced invalidation. Non-Indigenous readers who want to learn more about Indigenous history and start diversifying their library, as well as readers who like science fiction, should read The Marrow Thieves.

Sexual Content

  • Frenchie and Rose kiss for the first time after he asks Rose how she knows an Indigenous language when he doesn’t. “She pushed her face into mine, and for the first time I didn’t think about kissing her.”
  • While sleeping in a bed together, Frenchie and Rose kiss before being interrupted by RiRi. Rose “moved her face forward, just a few centimeters and I took her lip between mine. She slid a knee over my thighs and pressed close.”
  • Upon realizing that Frenchie loves Rose, he kisses her. “And I kissed her and I kissed her and I didn’t stop.”
  • Frenchie expresses that he “wanted so badly to kiss [Rose] again.” On the next page, he proceeds to kiss Rose.
  • Before Rose throws Frenchie’s cut hair into the fire, she kisses him. Rose “kissed me when she was finished, tossing the rough edges of my cut hair into the fire.”

Violence

  • The entirety of The Marrow Thieves covers the multiple genocides Indigenous peoples have faced throughout history. There are references to residential schools and colonial expansion when Europeans discovered the New World. Kidnappings, that are implied to be violent, are common as it’s how real-world genocides operated. For example, Frenchie’s brother, Mitch, is kidnapped by Recruiters and taken to the schools. “Mitch was carrying on like a madman in the tree house. Yelling while they dragged him down the ladder and onto the grass. I heard a bone snap like a young branch. He yelled around the house, into the front yard, and into the van, covering all sounds of a small escape in the trees.”
  • When recalling why she ran away, Wab discloses that some men her mother brought home would sexually assault her. “Sometimes they came after me, waking me up from my sleep when they tried to jam their rough hands in my pajamas. Sometimes they got more than just a feel before I could fend them off and lock myself in the bathroom.”
  • In Wab’s backstory, a man slices her face and it is heavily implied he also raped her. “He moved fast, too quickly for me to do anything but close my eyes again. I didn’t feel the slice. Just the wet on my cheek, and neck, and chest. Then he was pulling off my pants. Then I stopped feeling all together.” The scene lasts for a page.
  • Miig, the leader of the group, tells Frenchie about Minerva’s backstory. “‘Minerva was feeding her new grandson when the Recruiters burst into her home. They took the baby, raped her, and left her for dead. They answered to no one but the Pope himself, back then.’”
  • In the same chapter, Miig also tells Frenchie about twins, Tree and Zheegwon’s, backstory in which they were tortured by a colony of townspeople who wanted to extract their dreams. “‘We found them tied up in a barn, dangling like scarecrows from a rope thrown over a beam.’ He sighed, paused for another breath. ‘They were full of holes that’d been stitched up with rough thread, all up and down their sides. And with a pinky missing on each hand. They were seven then.’”
  • Frenchie wakes up to a traitor Indigenous person named Lincoln choking RiRi. “But then he turned and I saw RiRi, her throat grasped under [Lincoln’s] thick arm, legs kicking the air. She was grabbing at his forearm with her little hands, her face bright red.”
  • The group fights back against the traitors and then Lincoln runs off into the woods holding RiRi hostage. “[Chi-Boy] jumped from his crouch on the group, the knife out of his arm and back into his hand. He lunged at Travis, driving the blade into the man’s leg, just above the knee.” The scene lasts for two pages.
  • After Lincoln kills RiRi, Frenchie, infuriated and grieving, kills Travis. Frenchie thinks, “I heard him whine a little at the end of his plea. But then, maybe, it was just the wind. I pulled the trigger and the wind stopped blowing.”
  • When attempting to save Minerva, an Indigenous soldier named Derrick shoots the van driver transporting Minerva. “The driver was hit. I looked up in time to see Derrick lower his gun.”

Drugs and Alcohol

  • In Wab’s backstory, she tells the group that her mother was an alcoholic and eventually became addicted to drugs. “My mom traded favors for booze since food wasn’t really her priority . . . She’d started smoking crack, which was plentiful, to replace the booze, which was scarce.”
  • When Frenchie’s listening to his dad talk about the relationship between him and Frenchie’s mom, he recounts the following: “‘Your mom, she was always smarter than me. One day she found me drinking bootleg with a couple of the boys in Chinatown.’”

Language

  • The words “shit” and “assholes” are used throughout the novel along with their variations.
  • Upon learning that Rose knows more about the Indigenous language than Frenchie, he exclaims, “Bullshit!”
  • During Wab’s backstory, she says, “fuck” when she realizes she’s been tricked into a trap with a man who wants to hurt her.
  • Wab calls the man who lured her into the trap a “dick.”
  • Travis says, “Lincoln, for fucksakes, put [RiRi] down!” as an attempt to reason with Lincoln to stop him from killing RiRi.

Supernatural

  • None

Spiritual Content

  • Minerva performs a prayer that the campers perform later in the book too. “Minerva made her hands into shallow cups and pulled the air over her head and face, making prayers out of ashes and smoke. Real old-timey, that Minerva.”
  • Because hair is sacred in most Indigenous religions and is kept long, many of the characters wear their hair in braids. There are multiple scenes in the book where a character braids another character’s hair as an act of intimacy.
  • After Minerva dies, Rose and Frenchie perform a ritual for mourning the loss of a loved one. This involves cutting their hair, which is extremely important as hair is sacred in most Indigenous religions. “We buried Minerva the day after, the Council holding ceremony and prayer, even in the midst of our escape. Before I could stop her, Rose took scissors to her curls . . . I picked up the scissors when she put them down and cut my own braid off to send with Minerva.”

by Emma Hua

Somewhere Among

Ema is used to spending her summers in California with Bob and Nana, her mother’s parents. But this year, she and her mother are staying with her father’s parents in Japan, as they expect the arrival of a baby. Her mother’s pregnancy has been shaky, making everyone anxious for her health. Despite her mother’s physical wellbeing, Ema is happy because, finally, there will be someone in her immediate family who understands what it is like to fit in and not fit in at the same time.

Ema’s happiness is dashed when Obaachan, her Japanese grandmother, scolds her for the smallest mistakes. When she and her mother must stay in Japan longer than anticipated, and Ema has to attend a new school, her concerns about not fitting in become bigger. And when the tragedy of 9/11 strikes the United States, Ema and her parents watch the Twin Towers fall and the aftermath of the attack.

Her mother grieves for the United States, her home country. Ema also worries about her mother’s health, which threatens the safety of the baby. Alongside the grief, Jiichan gets ill, which worries Ema. Ema feels lonely, but then Obaachan shows a kinder side of herself and reveals the reason for her sternness—she had done so to prepare for her family for the worst.

As a whole, the story occurs from June 2001 to December 2001. Each month has an illustration relevant to a seasonal theme. Each chapter is told from Ema’s perspective, which helps the reader understand her solitude and the Japanese culture from her point of view. The story is written in free verse and portrays a detailed and orderly environment, with the descriptions grounding the reader in Ema’s headspace and forestalling confusion about Japanese folklore, language, and cultural norms. Though Ema is lonely, she is a happy and optimistic child, always taking part in traditional holidays or outings with her parents.

Since Ema lives with a lot of adults, the story details a lot of current events and the repercussions of historical events. Somewhere Among portrays the Japanese perspective on domestic tragedies, such as the bombing of Hiroshima and Nagasaki, and the observance of abroad tragedies, such as the attack on Pearl Harbor. However, the incidents are a backdrop in Ema’s life and the weight of the tragedy is with the adults in the room. Through these incidences, the story reinforces the importance of having “peace among nations/ peace among peoples/ peace in the heart.”

The story also hits on Ema’s identity as a “hafu,” or a person who is half-Japanese. Middle grade readers will relate to Ema, who is struggling to exist in a foreign country. For example, Ema’s classmates scrutinize her because of her mixed heritage. They make fun of her facial features and her name, and ignore it when Masa, a boy in her class, bullies her. In the end, Ema stands up for herself and feels like she has a place in Japan. The story ends on a light note and shows Ema’s family after the end of their struggles. Readers who would like to read more about historical events in Japan would enjoy reading Somewhere Among.

 Sexual Content

  • None

Violence

  • When Obaachan insists Ema’s mother should bathe in warm water, Ema’s mother, tells Ema’s father that “Obaachan is trying to kill us [her and the baby].”
  • Throughout most of the novel, Maribeth “vomits” frequently due to her pregnancy.
  • Updates about the Ehime Maru, “a Japanese fishing ship/ struck and sunk/ by an American submarine” are shown throughout the novel. In July, “its mast will be dynamited/ girded/ and lifted/ from the sea.” Later, US Navy officials explained their “plans to bring/ nine boys and men. . . up from the sea.” After searching for the sunken fishing ship and failing to rescue the crew members, “one hundred and twenty boxes/ of personal items/recovered from victims…are given to their families…to the principal [of Uwajima Fisheries High School]/ the school flag from the ship/ to the captain/ a bell from the steering room.”
  • Five people die from “mudslides/in Japan” after two typhoons go through Japan.
  • Masa, one of Ema’s classmates, “rams [her] thigh with his broom.” At first, her grandparents do nothing, but then Obaachan calls the teacher. Her teacher apologizes for Masa’s behavior but says asking Masa’s mother for an apology “is not possible. . . it cannot be helped.”
  • When they are in the classroom, Masa bullies Ema aggressively. He asks Ema if she “knows how to use a futon” as if she was a baby. Later, he “grabs, crumples and tosses my math homework.” Masa’s bullying occurs six more times throughout the book.
  • On September 11, 2001, Ema and her family watch the attack on the Twin Towers and the Pentagon. “We watch the towers go down/ over and over and over…a plane went down in Pennsylvania/ and/ the war department of the United/ States of America/ in Washington, DC is in flames.” Ema’s mother would not believe the attack happened “until the TV is turned on.” The aftermath and the rescue efforts continue for four pages.
  • After 9/11, Nana and Grandpa Bob were scared when they considered traveling to Japan from the United States. “Nana and Grandpa Bob are worried/ about flying./ They don’t say so/ but I know so./ Everyone is/ after seeing planes go through/ buildings/ and down in a field/ on September 11.”
  • Ema’s father mentions that George Harrison, a member of the Beatles, a British rock band, has died. “’He was a man of peace,’ Papa/ says./ ‘He knew how to treat people.’”

Drugs and Alcohol

  • None

Language

  • When Ema’s mother began speaking Japanese, she thought she was saying “Great-Grandfather” to Obaachan’s father, but she was saying “honorable old fart,” because she made a mistake with a vowel.
  • Ema’s classmates say she “looks weird” because of her “upside-down crescent-moon eyes” and her skin color, as Ema is half-white and half-Japanese.
  • Masa teases Ema with a common mispronunciation of her name. Her name, pronounced Eh-ma, sounds like the word “for wishes and prayers” in Japanese, but most foreigners miscall her as Em-ma, which means “God of Hell.”

Supernatural

  • None

Spiritual Content

  • Ema’s name “sounds like the name for shrine prayers”
  • “Tanabata” is a Japanese holiday on July 7, a day that celebrates the meeting of the deities Orihime and Hikoboshi. The traditions for this holiday are described over eight pages.
  • Ema describes her mother as “calm as Buddha.”
  • Obaachan goes to a shrine to “pray for Little Sister and Mom.”
  • On December 7th, the anniversary of the attack on Pearl Harbor, “Prayers are said/ on all shores.”
  • Maribeth goes to a church with Ema, who has “never been in a church,” to light a candle for the lost lives on 9/11. Jiichan prays for “the dead and the living without incense.”
  • Obaachan and Ema go to a shrine gate. Obaasan shows her the proper way to pray at a gate. “She bows twice, throws a coin,/ pulls the thick rope with two hands,/ claps twice/…bows once.”
  • Ema states that the Americans use the “jack-o’-lanterns/ from pumpkins/ to scare away spirits” during Halloween.

by Jemima Cooke

The Forest of Stolen Girls

1426, Joseon (Korea). Hwani’s family has never been the same since she and her younger sister Maewol went missing and were later found unconscious in the forest near a gruesome crime scene.

After five years, Hwani reunites with Maewol on Jeju island. Hwani has crossed the sea to find her father, Detective Jeewoo Min, after he has disappeared while investigating the disappearance of thirteen other girls. She is the older sister whose life plans—to get married and bear children—have come to a halt.

Maewol was called to be a shaman and train under Shaman Nokyung. Unlike Hwani, Maewol despises their father and does not wish for him to be found. When the body of one of the girls is discovered, Maewol and Hwani get sucked into the mystery of the disappearance of the young girls. The sisters realize there’s a possible correlation between the disappearances and their own Forest Incident, an event that left Hwani and Maewol completely changed. As Hwani and Maewol investigate further into the disappearances of the missing girls, they encounter a formidable enemy, the Mask, and the sisters learn that evil comes in different forms.

The entire story of The Forest of Stolen Girls is told in a prose narrative style, in the first person point of view. The story follows Hwani and her turbulent investigation into her father’s disappearance and, into the disappearance of thirteen young girls between the ages of eleven and eighteen. As the reader follows Hwani’s investigation, they will feel what Hwani feels and suspect who Hwani suspects.

The story displays a realistic sisterly relationship. The two sisters they, but are also kind to one another. A majority of the story is spent on the obstacles Hwani and Maewol face as sisters. Hwani is more logical and calculated while Maewol is impulsive and acts upon instinct. Maewol despises her father while Hwani idolizes him; this creates the central conflict. Hwani discovers her father is not as good as he seems and learns to be there for Maewol. Maewol, in turn, learns to forgive her sister even when Hwani has wronged her. At the end of the story, their sisterly bond is what saves Maewol and Hwani.

The Forest of Stolen Girls deals with the brutal history of China’s imperialism over the Korean peninsula. The core of the story relies on the historical fact that in Joseon, Korea, over 2,000 girls were kidnapped from their homes and sent to China as “tribute girls.” The story deals with this intergenerational trauma gracefully and brings to light atrocities committed by both Chinese and Joseon officials alike. The taking of tribute girls results in characters committing heinous actions for the sake of their own daughters. In order to prevent Gahee from being taken as a tribute girl, her father sliced up her face. Though her father did it to protect her, this actions permanently disfigured her and made her an outcast among her own people.

The Forest of Stolen Girls shows class strife and how it correlates with the missing girls. Rich officials of the Joseon government use bribes to keep their daughters from becoming tribute girls. But because the officials need new girls to take the place of their spared daughters, they kidnap girls from poverty.

The story shows the desperation of the poor, such as Convict Baek aiding in the kidnapping of girls in order to feed his daughter. The Forest of Stolen Girls shows readers that no one is truly bad and no one is truly good. It is the system in place that pressures people into continuing this cycle of grief and trauma.

The Forest of Stolen Girls is a beautiful novel that centers around a story of Asian women and the trauma they’ve endured for centuries. The mystery is beautifully woven, with every event, fight and conversation is meant to either aid the investigation, provide a red flag, or add to the characters’ stakes in the mystery. The twist is pulled off excellently and shows realistic motives that reveal the monster in people. The Forest of Stolen Girls is for readers who like murder mysteries, historical fiction, or would like to learn more about East Asian history.

Sexual Content

  • None

Violence

  • After discovering the body of one of the missing girls, Hwani asks the victim’s older sister, Iseul, some questions. Iseul implies that Hyunok was not raped while captured. Iseul says, “The midwife is my aunt. We knew Magistrate Hong would have her buried without an examination; he is like that. We examined Hyunok, and my aunt concluded that my sister hadn’t been harmed in…that”
  • While exploring the forest, Hwani is chased by a man in a white. “The blade flashed as he swung the sword, and I squeezed my eyes, waiting for the slash of pain.” Maewol saves her.
  • While treating her wounds, Hwani recounts how her aunt used to beat her with a stick, thus leaving thin scars on her legs. Her aunt uses corporal punishment as a form of discipline. Her wounds “stung, yet the pain was a mere inch compared to Aunt Min’s beatings. When she was upset, she would wait for Father to leave before striking my calves with a thin stick, and the humiliation of it had made the cuts all the more excruciating.”
  • Maewol tells Hwani that one of their possible suspects, Convict Baek, “ sliced up his daughter’s face when she was only twelve, and no one knows why.”
  • Hwani confronts Convict Baek. Convict Baek shoves Hwani, causing her to fall and hit her head against a low-legged table, hard enough to draw blood. “He took another step and with his large hand he shoved at my shoulder with such strength that I went toppling. My head hit the corner of the low-legged table, my hair coming undone and falling over my face.”
  • After Hwani finds her father, Inspector Yu tells her his cause of death was not poison. “He was stabbed.”
  • Seohyun wants to kill the person who forced her to become a tribute girl. “There was murder in my daughter’s eyes. She told me in riddles what had happened. She and many other girls had been given to Emperor Xuande for her imperial harem. She also told me she was going to kill the person responsible, that she’d found out who it was but she wouldn’t give me a name.”
  • Hwani fights Village Elder Moon in a cave where he was keeping all of the stolen girls. The scene lasts for about three pages. “With all my strength, I continued to cling to the village elder’s robe as we thrashed in a blackness that seemed to leak through my eyes, surging fear into my soul. The village elder’s hands, too, turned desperate. Fingers grappling for anything, grabbing strands of my hair, wrapping tight around my throat as I struggled to hold on. My limbs felt numb and frozen, about to shatter as the cold deepened.”
  • Convict Baek and Village Elder Moon are sentenced to be executed. “Weeks later, when the verdict was made in accordance to the Great Ming Code, Village Elder Moon accepted his fate with a stare as blank as that of the dead. He was to be decapitated for having committed murder. Convict Baek, his accomplice, was to be punished by strangulation.”

 Drugs and Alcohol

  • There are multiple mentions of poison, as well as incidents of poisoning. Poisoning was a common method of execution in Joseon, Korea.
  • Hwani gets poisoned twice, once with a poison called kyeong-po buja that Hwani ingested herself, and the second time with arsenic from Village Elder Moon.
  • Hwani’s father is revealed to have been poisoned with arsenic as well. The poison did not kill him.
  • Village Elder Moon’s daughter, Chaewon, commits suicide by poisoning herself because she cannot live with her father’s actions.
  • Hwani pours a bowl full of rice wine onto her father’s grave.

 Language

  • None

 Supernatural

  • None

 

Spiritual

  • There are multiple mentions of spirits and the spirit world. For instance, Maewol describes what she sees when Hwani asks her if she can really communicate with the spirits from the spirit world. “I can’t hear what they say…I can’t really see or hear anything clearly. It’s like seeing shadows through the fog. A very thick ”
  • Maewol is a shaman, someone who communicates with the spirits.
  • Hwani and Maewol say “gods” rather than God because their religion is polytheistic.
  • There’s a brief mention of witchcraft when the body of Detective Min was discovered in a pristine condition. Village Elder Moon said, “No corpse could be in such a condition, not with the humidity of Jeju. It has to be witchcraft.”

by Emma Hua

 

Annie John

Annie John is a young, genius schoolgirl who wants to grow up to be just like her mother. Annie finds her mother beautiful – physically and internally – and her greatest wish is to stay forever with her, in their matching dresses, repeating their familiar daily routine of preparing dinner and washing clothes. They even share the same name: Annie. However, as young Annie starts to come of age, she is hit with the realization that she and her mother are not so similar after all.  When Annie points out a fabric to make a pair of dresses for them both, her mother replies, “You are getting too old for that . . . You just cannot go around the rest of your life looking like a little me.”

Annie’s world crumbles. As she advances to a new school, the differences between Annie and her mother become more apparent. Annie likes girls – especially those who don’t have to bathe and comb their hair every day like Annie is forced to. She likes to play marbles – even though her mother forbids it, since it isn’t ladylike. And Annie steals. To have what she wants, Annie is forced to steal things like trinkets, money, and marbles. She begins to resent her mother’s strict ways and desires her own, free existence.

When Annie falls ill for a long time, she is nursed back to health by her mother. After which, she leaves her family in Antigua behind to go to England to become a nurse, since she “would have chosen going off to live in a cavern and keeping house for seven unruly men rather than go on with [her] life as it stood.”

While Annie’s young teenage rebelliousness sounds familiar to many, she struggles deeply with the divide between the life she wants and the life her mother wants for her. Annie says, “In the year I turned fifteen, I felt more unhappy than I had ever imagined anyone could be. My unhappiness was something deep inside me, and when I closed my eyes, I could even see it . . . It took the shape of a small black ball, all wrapped up in cobwebs. I would look at it and look at it until I had burned the cobwebs away, and then I would see the ball was no bigger than a thimble, even though it weighed worlds.”

Annie John is not a difficult story to read in terms of language or length, but as a story it is tough to swallow since it is about growing up, which comes with the heavy realization that you must become your own being. Mostly, the story focuses on events from Annie’s life that are narrated rather than her depression and related illness. These topics are not discussed in detail, rather left open for the reader to think about.

Annie John is not told chronologically, which can be confusing at times. This story is historical fiction and showcases some of the culture of Antigua, an island in the Caribbean, whose native population has been impacted by colonization. This is most apparent in the strict gender norms emphasized by Annie’s mother and the teachings in Annie’s school. This story is wonderfully crafted. While these issues seem like major ones, they are carefully blended into Annie’s life so subtly that the reader can fully understand what it’s like to live as Annie John. The events of the story are personal to Annie’s life, however, the sadness that comes with growing older is universal. Because of that, this story is timeless and a must-read for those who seek to understand a genuine, flawed character, as she escapes from her restrictive past and sails to a new future.

Sexual Content

  • The schoolgirls wonder when their breasts will grow larger. Annie tells the reader, “On our minds every day were our breasts and their refusal to budge out of our chests. On hearing somewhere that if a boy rubbed your breasts they would quickly swell up, I passed along this news. Since in the world we occupied and hoped to forever occupy boys were banished, we had to make do with ourselves.”
  • Later, Annie thinks about spending time with her friend, Gwen, who she is in love with: “Oh, how it would have pleased us to press and rub our knees together as we sat in our pew . . . and how it would have pleased us even more to walk home together, alone in the early dusk. . . stopping where there was a full moon, to lie down in a pasture and expose our bosoms in the moonlight. We had heard that full moonlight would make our breasts grow to a size we would like.”
  • The Red Girl, one of Annie’s crushes, pinches her, then kisses her. “She pinched hard, picking up pieces of my flesh and twisting it around. At first, I vowed not to cry, but it went on for so long that tears I could not control streamed down my face. I cried so much that my chest began to heave, and then, as if my heaving chest caused her to have some pity on me, she stopped pinching and began to kiss me on the same spots where shortly before I had felt the pain of her pinch. Oh, the sensation was delicious – the combination of pinches and kisses. And so wonderful we found it that, almost every time we met, pinches by her, followed by tears from me, followed by kisses from her, were the order of the day.”

Violence

  • Annie torments a girl she likes. “I loved very much – and used to torment until she cried – a girl named Sonia . . . I would pull at the hair on her arms and legs – gently at first, and then awfully hard, holding it up taut with the tips of my fingers until she cried out.”
  • Annie recounts an incident with one of her friends. “In a game we were making up on the spot, I took off all my clothes and he led me to a spot under a tree, where I was to sit until he told me what to do next. It was long before I realized that the spot he had picked out was a red ants’ nest. Soon the angry ants were all over me, stinging me in my private parts, and as I cried and scratched, trying to get the ants off me, he fell down on the ground laughing, his feet kicking the air with happiness.”

Drugs and Alcohol

  • None

Language

  • After Annie’s mother sees her talking to boys, she calls Annie a slut. Annie narrates the event like this: “My mother said it had pained her to see me behave in the manner of a slut in the street and that just to see me had caused her to feel shame. The word ‘slut’ was repeated over and over until suddenly I felt as if I were drowning in a well but instead of the well being filled with water it was filled with the word ‘slut,’ and it was pouring in through my eyes, my ears, my nostrils, my mouth. As if to save myself, I turned to her and said, ‘Well like father like son, like mother like daughter.’”

Supernatural

  • None

Spiritual Content

  • The kids sometimes go to choir and church on Sunday, and carry bibles, but this is rarely described, only referenced. For example, Annie’s mother “checked my bag to make sure that I had my passport, the money she had given me, and a sheet of paper placed between some pages in my Bible on which were written the names of the relatives with whom I would live in England.” Annie does not discuss God or her beliefs.
  • When Annie is sick, an obeah woman from her family tries to help her by giving her herbs and using other remedies, although Annie is too sick to note them.
  • The obeah women of Annie’s town believe that Annie falls ill because of a “scorned woman” from her father’s past. There is no further elaboration on this topic.

by Madison Shooter

 

The Sun is Also a Star

Natasha Kingsley, a lover of science, believes in facts and evidence. According to Natasha, nothing lasts forever. There is no “meant to be,” and there is no such thing as love.

Daniel Jae Ho Bae, a poet, believes in love and destiny. He trusts that the specific amount of circumstances required to bring two strangers together has meaning, even if it can’t be scientifically explained. On his way to a Yale interview, Daniel sees a beautiful girl with large pink headphones walk into a record store. Obeying what he believes are signs from the Universe, Daniel follows her and finds his world colliding with Natasha’s.

Compelled by the inexplicable feeling that they are meant to be, Daniel postpones his interview in order to prove that love is real by making Natasha fall in love with him in one day. Natasha reluctantly agrees to this plan. However, Natasha is almost certain they are not meant to be a couple because it is likely her last day in America. Natasha and her family, who are Jamaican immigrants, have been asked to leave the country and return to Jamaica following her father’s DUI.

Despite the impending threat to her life in America and her aversion to love, Natasha finds herself falling for Daniel. Eventually, the secret of Natasha’s deportation is revealed and the two vow to make the most of their time together by condensing a whole relationship into one day. Despite their respective responsibilities for the day, they always find their way back to one another, proving their destiny is to be in each other’s lives.

However, in the end, Natasha cannot change her fate and must return to Jamaica with her family, while Daniel remains in America to pursue his dreams of becoming a poet. Due to the distance, Natasha and Daniel grow apart. But chance brings them together years later, making the readers wonder if they are meant to be after all.

The novel mainly switches between Daniel and Natasha’s perspectives, with brief interruptions to feature the perspective of supporting characters or to explain scientific concepts relevant to the story. Other chapters also provide historical context for relationships between racial groups in America. For example, the historical connection between Korean immigrants and the black-hair care industry.

The novel also depicts the experiences of young first and second-generation immigrants. Although Daniel was born in America, his parents view American culture as a threat to their Korean values. On the other hand, Natasha was not born in the United States but still views America as her home. Despite the history of racial tension between their cultures, Daniel and Natasha bond over their shared identity as Americans.

Overall, The Sun is Also a Star is an irresistible love story that explores the connection between art and science. Through beautiful metaphors and complex characters, Nicola Yoon exposes the poetic nature of science, which ultimately brings people together.

 Sexual Content

  • Natasha finds herself attracted to Daniel and assumes his “sexy ponytail may be addling my [Natasha’s] brain.”
  • The science behind love and attraction is explained. “Oxytocin is released during orgasm and makes you feel closer to the person you’ve had sex with.”
  • When Natasha says, “I like it big” in reference to her hair, Daniel’s brother makes a crude joke that she “better get a different boyfriend.”
  • Daniel gets a glimpse of Natasha’s thighs when her dress shifts. “They have little crease marks from the couch. I want to wrap my hand around them and smooth the marks with my thumb.”
  • Daniel and Natasha start kissing in the norebang, a Korean karaoke place. “We start out chaste, just lips touching, tasting, but soon we can’t get enough…She’s making little moaning sounds that make me want to kiss her even more.” Daniel and Natasha move to the couch and continue to kiss passionately. Eventually, they stop; there is no sex or nudity.
  • Daniel stares at Natasha “because I’m picturing her in a candy striper outfit and then picturing her out of it.”

Violence

  • Daniel and his brother, Charlie, get into a fight over Charlie’s racist and sexist comments regarding Natasha. Daniel’s “fist catches him [Charlie] around the eye socket area, so my knuckles hit mostly bone.”

 Drugs and Alcohol

  • Natasha’s father gets a DUI.

Language

  • Ass/asshole is used numerous times by Daniel. For example, Daniel calls his brother an “overachieving asshole.”
  • Pissed is used three times. For example, Daniel states his brother “was so pissed that his voice cracked a little.”
  • Shit is used repeatedly.
  • Daniel explains his brother’s anger after his mother’s disapproval of him. Daniel’s mom “could’ve called him an epic douche bag, an animatronic dick complete with ball sac, and it would’ve been better than telling me not to be like him.”
  • Goddamn is used five times. For example, Daniel’s parents believe America has made him soft and Daniel thinks, “If I had a brain cell for every time I heard this, I’d be a goddamn genius.”
  • Profanity is used in the extreme. Profanity includes fuck, dick, shit, ass, pissed, damn, bastard, and douche-bag. For example, a passenger on Daniel’s train tells the conductor to “shut the fuck up and drive the train.” Also, after a fight, Daniel explains his lip “split open on the outside because the bastard [Charlie] hit me while wearing some giant-ass secret society ring.”

 Supernatural

  • None

 Spiritual Content

  • Charlie hears a hurtful comment from his mother “because of God or Fate or Sheer Rotten Luck.”
  • Natasha’s father believes their deportation is part of God’s plan, but Natasha thinks “he shouldn’t leave everything up to God.”
  • On the train, Daniel hears the conductor give his testimony. “God HIMself came down from HEAven and he saved me.”
  • Daniel believes when people are born, “they (God or little aliens or whoever) should send you into the world with a bunch of free passes.”
  • Natasha’s father is sure “God wouldn’t have gifted him with all this talent with no place to display it.”
  • While entering the subway, Daniel decides to “say a prayer to the subway gods (yes, multiple gods).”
  • Daniel explains if he could invite anyone for dinner, it would be God.

by Elena Brown

American Panda

Mei Lu is a 17-year old freshman at MIT and a first-generation Taiwanese-American. She skipped fourth grade because of her parents’ master plan for her: Go to a prestigious school. Get into med school and become a doctor. Marry a parent-approved Taiwanese man. Have children with said man, and be the obedient, submissive wife she was always meant to be. Mei, however, has a secret. Well, multiple secrets: She can’t stand germs. She’s falling asleep during her biology lectures. She loves dance, and she develops a crush on a Japanese peer named Darren Takahashi. Because her mother tends to be overbearing and her father is stuck to the traditional Chinese customs, Mei feels suffocated. She doesn’t know how to cope with her parents and the traditions that keep her chained down.

Despite her challenges, Mei decides to take a leap of faith and teach dance classes. Plus, she gets into a relationship with Darren, and reunites with her estranged brother Xing, who was disowned because he dated a woman his parents did not approve of. Mei begins a web of lies to keep up the facade of medical school, but ultimately she learns that there is no one way to be an Asian-American. She defies her parents’ expectations and strays from their planned path. Mei also brings her mother along in the journey, helping her learn to break free from the traditions that bind both of them.

American Panda is written from the perspective of Mei, who takes the readers through the ups and downs of being a freshman college student. Every chapter ends with a voice mail, usually from Mei’s mother, or a text message thread with Darren, which allows the reader to hear Mei’s inner monologue and listen to her thoughts on being a doctor, her distaste for germs, and her crush on Darren. This allows the reader to feel more empathy for her when her parents eventually disown her. The story unlocks a new perspective through Mei and teaches about Chinese culture. For example, a Chinese tradition is to eat with the family and order large dishes for the family to share. “We ordered so much another table had to be dragged over. After dishing food to Nǎinai, Yilong stacked her plate five layers high. A few bāos and pork balls tumbled off and she hurried to scoop them back on top.”

American Panda also exposes the American audience to the Chinese-American experience, such as Mei knowing specific proverbs and words in Chinese. Mei does not speak Chinese fluently but some objects come to her in Chinese. For insance, instead of calling her mom her mother, she calls her mǔqīn. The dialect is also very specific, as the author states she based it on her family’s own dialect. Mei calls her paternal grandparents Nǎinai (grandma) and Yéye (grandpa), her mother is called mǔqīn. The book even features Mei creating her own Chinglish (Chinese and English) words, something many Chinese-Americans may have done in their youth. “For the first eight years of my life, I was not Mei, only bǎobèi to my father, his treasure. And for those same years, he was my bábǐ, the Chinglish word I made up for ‘daddy.’”

American Panda tackles the challenge of keeping traditions alive while also attempting to follow your dreams and passions. Mei struggles to appease both herself, a first-gen Taiwanese-American, and her parents, who are both immigrants. American Panda gives Mei the space to explore her creativity and love for the arts, and to break away from the harmful Model Minority Myth that often stereotypes Asians into being emotionless, backwards thinking, and only into STEM. The story shows a diverse cast of Asian characters. Darren, for example, is in STEM but expresses a desire to go into research or academia. Ying-Na, the cautionary tale of Mei’s local Chinese community, becomes a comedian. Nicolette, her roommate, is sexually active and confident in her sexuality but isn’t submissive like the Lotus Flower stereotype.

While American Panda allows for diversity within the Asian culture, it does not accurately capture the Chinese-American experience. It leaves out the reality of being in a country that has a history of anti-Asian racism and also focuses solely on East Asians. Despite this, the story validates Mei’s feelings of suffocation by her culture and ultimately gives her an ending where she can meet in the middle while getting everything she wants. Readers who want a cute love story, a story about college antics, and/or want to learn more about the Chinese-American experience should read American Panda.

Sexual Content

  • Reproductive health is mentioned many times, such as Mei’s sister-in-law suffering from endometriosis, Mei’s bully getting chlamydia, and Mei getting herpes from her unwashed jeans. One of the characters, Dr. Tina Chang, is also a gynecologist and Mei shadows her. There is also a large emphasis on women’s reproductive health due to Chinese traditions emphasizing on bearing a son to pass on the family name.
  • Mei refers to Darren as being yummy because he’s attractive. “Being at MIT Medical post-rash-investigation was the one situation in which I didn’t want to see the spiky outline I was constantly searching for. . . so of course there he was, in all his six-foot-something glory. And when I say glory, I mean yumminess.”
  • Mei sees one of Darren’s dimples and says, “I wanted to touch it. Kiss it. Memorize it.”
  • On the way back from her date with Darren, Mei says “we had held hands the entire way [back to the dorm].”
  • Mei and Darren make out. After their make out session, Darren kisses Mei again. “His hands pressed the small of my back, pulling my lips to his.” This scene lasts for two pages.
  • On their way to a wedding, Mei and Darren kiss. “He gently lifted my chin with his finger, then closed the distance between us and kissed me where the whipped cream had been.”
  • Mei says she wants to kiss Darren’s pouted lips. “I wanted to kiss it so bad.”
  • Before meeting with Mei’s mother, her and Darren kiss. “He wrapped his hand around the small of my back and pulled me to his lips. . . And then it was just us. I sank into him. Melted into his kiss.”

 Violence

  • After meeting Darren for the first time, Mei’s mom comments on the fact that he is Japanese. “He’s Japanese, Mei. . . They murdered our family. Orphaned my mother.” This is a direct reference to the Japanese occupation of China, which resulted in thousands of deaths.
  • When Mei meets her roommate Nicolette, who is also Taiwanese, Nicolette says, “Your family came to Taiwan in 1949, during the Communist Revolution. Your family killed my family.” There were already Chinese people who fled to Taiwan in the 1800s, before the Communist Revolution.

 Drugs and Alcohol

  • In many of Ying-Na’s rumors, it’s mentioned that she “had one sip of alcohol and flunked out of college.” This rumor is later proven to be false. At Ying-Na’s stand-up comedy show, she says she tried alcohol one time.
  • Ying-Na makes jokes about the rumors she’s heard about her being a failure. “Did you know that I was giving head in the public-school bathroom yesterday at the same time I was peddling heroin on the other side of town?”

Language

  • Fuck, and all of its variations, are used frequently. For example, Mei screams, “No fucking way!” when asked if she wants to look through the leg muscles of a cadaver. In addition, Nicolette told Mei, “You look hot as fuck.”
  • Shit is also used multiple times. For example, when Mei uses Nicolette’s soap, Nicolette says, “That shit’s expensive!”
  • When Mei learns about someone’s coming out story and the negative reception she got from her family. Mei says, “That’s bullshit.”
  • During a movie screening, someone says, “C’mon projector guy! Get your shit together.” According to Darren, it’s part of tradition though.
  • Nicolette calls a guy she hooked up with an asshole. “What the fuck Arthur! You made my roommate hit her head. You’re such an asshole!” The guy, Arthur, responds by saying, “You’re the asshole!”
  • During her stand-up show, Ying-Na makes a joke about the Chinese Farmer’s Calendar and wishing it would tell her “when [her] period would actually come, and which cycles would be an uber-bitch.”
  • Ying-Na jokes about how she became the Chinese community’s cautionary tale. “I turned into the local Chinese community’s cautionary tale: whore, spinster, homeless, whatever Asian parent’s biggest fear was.”

 Supernatural

  • None

Spiritual

  • Mei and her family are Buddhist and Mei refers to many Buddhist traditions, such as making an altar for her family’s deceased members, praying at the altar, and letting the door open so her Nainai’s spirit can come into the funeral parlor.
  • Mei’s brother, Xing, and his fiancée Esther have a Christian wedding.

by Emma Hua

Don’t Call the Wolf

Lukasz has lived the life of a nomad ever since he and his nine older brothers were forced from their mountain homes. As the last of the famous Wolf-Lords, a group of dragon slayers, they’ve roamed the country hunting dragons, falling in love and being put on display as a distinct race. But one by one, Lukasz’s brothers are called back to their mountain home to slay the beast that forced them out in the first place: the Golden Dragon. Now, two decades later, Lukasz finds himself following the same path, searching for his brother, Franciszek. But when Lukasz starts his journey he encounters a girl that will change everything for him.

That girl is Ren, the queen of the forest. Ren is a shapeshifter, who is able to change into a lynx whenever she needs to. Since monsters have begun to spread throughout the woods, Ren has offered safe haven to all the animals of the forest. Though young, she’s determined to protect her home, no matter what it takes. But, when the Golden Dragon shows up to burn her forest, Ren realizes she can’t fight alone anymore. When she meets Lukasz, she strikes a deal with him: slay the Golden Dragon and she’ll help find Franciszek.

However, that may not be as simple as it sounds. Unlike his brothers, Lukasz has no desire to slay the Golden Dragon. He just wants to find Franciszek and leave. Even if Ren and Lukasz have begun to fall in love with each other, he may very well break her heart in the end.

Don’t Call the Wolf is a standalone novel that’s well-written and well thought out. It’s a story about two worlds, the human world, and the fairy tale world, colliding unexpectedly. Lukasz is a Wolf-Lord, a dragon slayer, both an ally and enemy to Ren and her animal family. Throughout the novel, the disparity between humans and the rest of the natural and magical world is constantly shown, especially the distrust between the two groups. Through this, the novel explores how people can be too quick to judge or be wary of anything different or unfamiliar.

The story’s message of prejudice is where the novel is the strongest, as it weaves together characters that come from a variety of backgrounds and that overcome those prejudices to not only continue their journey but to become friends. A few even go so far as to sacrifice themselves for others. These characters, while not as fleshed out as they could be, are endearing because of this. The main characters, Ren and Lukasz, are the strongest of the cast; each character has flaws as well as realistic fears and desires. For instance, Lukasz can’t read, but this is an endearing flaw that he tries to overcome. Ren deals with being called a monster by the humans that live in her forest, and she must fight against that label.

Don’t Call the Wolf is a retelling of the Polish fairy tale The Glass Mountain. The story is full of adventures in the magical forest, and romance that is excellently paced. The character development is similarly strong, and Ren is fabulously fierce. Don’t Call the Wolf is a great read for anyone looking for a touch of magic in a novel. With a strong setting, elements of a fairy tale, and a theme of overcoming prejudice, fantasy lovers will want to pick up this novel.

Sexual Content

  • Ren watches as Lukasz kisses a monster. “Eyes still locked on Ren, it kissed him [Lukasz]. His arms came up, encircling it. And to Ren’s disgust, he kissed it back.” When thinking about the kiss later, Lukasz thinks it should have been Ren kissing him. “He wished she had been the one to kiss him.”
  • Ren and Lukasz develop a romance. While camping in a forest, Ren “felt a stab of jealousy as Lukasz lowered himself beside Felka to talk. His eye caught hers across the clearing, and Ren turned quickly back to Czarn.” Felka is a human from the only village in Ren’s forest. Later, when Ren is watching Lukasz, she thinks, “Then she ran a hand over the stubble edge of his jaw. She loved his face. She loved that crooked tooth. Ren wondered, suddenly, if she loved more than that.”
  • Lukasz’s older brother, Franciszek, asks Lukasz, “You love this girl [Ren], right?”
  • At the end of the novel, Ren and Lukasz plan to marry. When Lukasz jokes about going to propose to her, Ren says, “No. I think I will.” Then, they kiss. “He leaned down and kissed her. She ran a hand over his cheek, through his hair.”

Violence

  • Throughout the novel, the main characters fight monsters. The first time Lukasz sees one, he notes, “Some were burned beyond recognition, others had whole limbs hacked off. Some had parts of their skulls cleaved away, bits of gray brain and viscous blood spattering their shoulders. Their faces, frozen, still stretched into the tooth-baring, agonized grimaces of death.”
  • While fighting a dragon, Lukasz’s hand is badly burned. “Lukasz screamed. He was on his knees, screaming. Coughing. Tears streaming down his cheeks, dripping off his chin.”
  • As a lynx, Ren attacks a strzygoń, a monster, “Its re-formed limbs could not match the strength of her forelegs. She bit down. Hot blood splashed over her face.” Just after this, Czarn, a wolf loyal to Ren, attacks another strzygoń. “The fight was short. And bloody. One of the bulkier strzygi managed to take a chunk out of Czarn’s ear before the wolf’s powerful jaws closed around its throat and severed its head.”
  • When Ren meets a human girl named Felka, Felka tells Ren, “You ripped his face off!”
  • Koszmar, a soldier that accompanies Lukasz, is startled and shoots a tree branch. “Koszmar shrieked and fired an entire round of bullets into it before realizing it wasn’t another monster.”
  • After Koszmar is killed by a strzygoń, a strzygoń spawns from his corpse, “Then a chest and shoulders emerged, tearing the ribs wide. A head unfurled, with hair congealed in clots. Slick rivers of blood coated naked spine.”

Drugs and Alcohol

  • After getting his hand burned by a dragon, Lukasz is put in a hospital. He’s given opium for the pain. Doctors “kept him knocked out with opium for a full two weeks. For the pain, the doctor had explained.”
  • When thinking about his brothers, Lukasz thinks, “Rafał lay upon the beds of Miasto tattoo parlors, Eryk bought a vodka distillery, and Anzelm drank most of it.” Later, Lukasz thinks of himself, “Lukasz was twenty, bored, and a little tipsy.”

Language

  • Bastard and bullshit are used a few times. For example, Lukasz talks to a dragon he’s fighting. He says, “Come on, you feathery bastard.”
  • Damn is used frequently. For example, while fighting another dragon, Lukasz thinks, “Where is the damn sword?”
  • Lukasz constantly says “God.” When he is talking with his older brother, he says, “My God, Rafał.”

Supernatural

  • This novel is filled with magical creatures from old European legends.
  • Dragons are all over Lukasz’s country. When Lukasz is hunting a dragon, he sees, “It was huge, orange, covered in feathers and scales. It had a curved beak and a quizzical, birdy look in its eye. It chirped again.”
  • Lukasz is a Wolf-Lord, a famous dragon slayer. During a lecture, a professor describes the Wolf-Lords, “By tooth or by claw, they promised. The Brygada Smoka. The last of the Wolf-Lords, and the greatest dragon slayers in the world.”
  • Ren’s forest is filled with strzygoń, a type of monster that was once human. When Ren encounters one in the forest, she sees, “It stood on all fours, joints locked. With the bulging eyes of a goat, oblong pupils in slate gray, it considered her. It put its head to the side, feathery brows jutting over those terrible eyes. It looked almost like an enormous moth, and again, Ren trembled.” When strzygoń appears in the forest, they crawl out of pits. “A pit opened up, earth crumbling away in its center, ringed with orange flames and twisting roots. It gaped wide in the forest floor.”
  • Ren can shapeshift into a lynx. When she goes to fight a monster, she shifts. While shifting Ren’s “knees shot to her chest and her spine curled up. Her muscles expanded, snapping into place around her limbs. Power tore across her shoulders. Fur raced over her skin.”

Spiritual Content

  • Ren has the power to baptize strzygoń, monsters that were once human. When she encounters a group of strzygoń, she says, “Your time here is finished. I. . . I baptize you.” Once that is said, the strzygoń all crumple and their souls go to either heaven or hell.

by Jonathan Planman

Shine

What would you give for a chance to live your dreams?

For seventeen-year-old Korean American Rachel Kim, the answer is almost everything. Six years ago, she was recruited by DB Entertainment—one of Seoul’s largest K-pop labels, known for churning out some of the world’s most popular stars. The rules are simple: train 24/7, be perfect, don’t date. Easy right?

Not so much. As the dark scandals of an industry bent on controlling and commodifying beautiful girls begin to bubble up, Rachel wonders if she’s strong enough to be a winner or if she’ll end up crushed…especially when she begins to develop feelings for K-pop star and DB golden boy, Jason Lee. It’s not just that he’s charming, sexy, and ridiculously talented. He’s also the first person who really understands how badly she wants her star to rise.

Get ready as Jessica Jung, K-pop legend and former lead singer of Korea’s most famous girl group (Girls’ Generation) takes us inside the luxe, hyper-color world of K-pop. The stakes are high, but for one girl the cost of success—and love—might be even higher. It’s time for the world to see: this is what it takes to SHINE.

Life as a trainee is not glamorous. Instead, the girls’ daily weight checks are belittled and they are treated harshly. For example, one of the trainers yells at Rachel. “Look, if this is too hard for you, go home. You think giving me attitude will make you a better dancer? Get your head out of your ass and try harder. If you can’t even get these dance steps, you’ll never get anywhere.” All of the girls take the abuse because they are afraid that speaking up will cause them to be kicked out of the training program.

In the K-pop world, men and women have different standards. Women get lower pay, aren’t supposed to date and are treated badly. One K-Pop singer says, “All they [her agents] care about is making us into perfect K-pop machines that will do everything they say and rake in the money for them.” Shine puts a spotlight on the sexism in the K-pop world as well as in the girls’ families. Even though women are treated differently than men, the women never come together to work to improve their situation.

Even though the narrator, Jessica, is self-centered, acts rashly, and is sometimes mean, readers will get caught up in the drama of the K-Pop world. Jessica’s erratic behavior keeps readers on the edge of their seats. Unfortunately, all of the characters have flaws that will leave readers wondering why anyone would subject themselves to the abuse of training. Jessica leaves the reader with one thought, “When we feel like we cannot do this any longer, we remember that we already have, and we will again.” If you’re up for a fun, romance-based Korean comedy, add I Believe in A Thing Called Love by Maurene Goo to your must-read list.

 Sexual Content

  • Rachel sees two people she knows with their “lips locked.”
  • Right before a concert, Jason “cups one hand gently against my face, and I let my eyes close as I lean in. I feel his lips press softly against mine. Warmth floods through my entire body as he moves his hand to the back of my neck, sparking in my stomach and out to my fingertips.”
  • While at a party, Jason kisses Rachel. “When he finally turns toward me, his face lit up in the familiar Jason way, it feels like a thousand tiny fireworks going off in my heart. . . I throw my arms around him and kiss him.”
  • Rachel overhears trainees talking about a love triangle between a K-pop star and two girls. The girl says, “I heard she’s [Rachel’s] pregnant with Minjun’s love child. . .”
  • A boy comes over to Hyeri’s house, one of Rachel’s friends. “Hyeri throws her arm around him and presses her lips against his. Juhyn and I cheer as Daeho wraps his arms around her and kisses her passionately back. . .”

Violence

  • Rachel sees Akari, a trainee, being yelled at by her trainer. “Her voice cracks on the high note and the trainer bends over, slapping her hard in the gut. Akari winces through the blow but doesn’t stop singing. . . the trainer hits her again. Harder.”

 Drugs and Alcohol

  • When a trainee was let go “rumors had run rampant that she had a drug problem and she owed thousands of dollars to her dealers.”
  • Rachel goes to a party at the trainee house. “I trip over more than a few empty beer cans as I march toward what looks like the bar area. . .”
  • Rachel and other people at the party drink. “People are dropping shows of grapefruit soju into beer glasses and downing the whole drink.”
  • While at the party, Rachel gets drunk and then one of the trainees puts something in Rachel’s champagne. Later, Rachel wonders, “What the fuck did Mina put in that drink?”
  • Rachel goes to a hotel buffet and sees “a young couple sharing a bottle of wine with their salmon dinner.”
  • Jason and Rachel go to a restaurant for dinner. While there, they see three girls. “One of them is clearly wasted, chugging soju straight from the bottle.”
  • Rachel and Jason go to dinner with Jason’s aunts, who order wine.
  • Rachel and Jason go to a party, where alcohol is served to minors.
  • Rachel goes to her friend’s house and they have “alcohol bottles lined up neatly on the table, all ready for the twin’s predrink.” Upset, Rachel grabs “the bottle of tequila and pop[s] it open. . . I take a big gulp straight from the bottle.” All three of the girls get drunk.

Language

  • “Omg,” “God,” and “ohmygod” are occasionally used as exclamations.
  • Profanity is used often. Profanity includes ass, asshole, badass, bitch, crap, damn, fuck, hell, holy shit, piss, and shit.
  • Rachel says “thank god” several times.

Supernatural

  • None

Spiritual Content

  • None

 

Octopus Stew

Ramsey loves to wear his superhero cape, but he never thought he’d ever become an actual superhero. That all changes one afternoon when Ramsey is at his grandma’s house and his grandma decides to make pulpo guisado, octopus stew. When Ramsey and his grandma go to the supermarket, Grandma chooses the biggest octopus in the store. Grandma scrubs the octopus and puts it in the pot, and that’s when the trouble begins.

The octopus grows and grows. When it grows out of the pot, the octopus grabs Grandma and refuses to let her go. Determined to save his grandma, Ramsey grabs his superhero cape. Will Ramsey be able to save his grandma? Or will the octopus have her for dinner?

Ramsey’s tale comes to life in full-colored illustrations that are at times humorous. The oil-painted illustrations pop with bright colors. Young readers will relate to Ramsey, who gets stern looks from the adults in the story. Readers will also appreciate Ramsey’s facial expressions which are full of emotion. The family dog gets a starring role in the illustrations, and readers will love looking for him in each of the story’s pictures. Even though the octopus grabs Grandma in his huge arms, his appearance adds suspense without much little fear factor. The conclusion is surprisingly sweet.

Ramsey’s family is Afro-Latino and the family’s love of telling stories is apparent. The story includes a central foldout that contains a humorous surprise. Octopus Stew would be the perfect introduction to tall tales and will encourage readers to tell their own family stories.

Octopus Stew makes a wonderful read-aloud book because it’s packed full of sound words such as bloop, kerchunk, and thum! The English text intertwines with Spanish phrases and reflects the author’s family, who spoke non-standard Spanish at home. A glossary provides definitions and pronunciations of the Spanish phrases. However, the story’s context clues are sufficient to understand the Spanish words’ meanings.

Even though Octopus Stew is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page of the picture book has 1 to 3 complex sentences. A recipe for octopus stew is included at the end of the book.

Octopus Stew shows how oral storytelling can be fun for families, and the story will encourage readers to create a tall tale of their own. The wonderful illustrations and the unique plot make Octopus Stew an entertaining story that kids will love. In addition, the illustrations have enough detail to capture readers’ attention. Octopus Stew is a family-oriented story that will appeal to a wide range of readers who enjoy the humor, suspense, and surprising conclusions.

Sexual Content

  • None

Violence

  • A huge octopus grabs Grandma and holds her in the air.
  • The octopus “attacked, spraying ink all over my [Ramsey’s] drawing.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

 

All Thirteen: The Incredible Cave Rescue of the Thai Boys’ Soccer Team

The Wild Boars soccer team is made up of explorers. The 12 members ventured deep into the caves at Tham Luang, further than even some seasoned cavers. They were bold with their exploring, looked out for one another, and worked well as a team. However, their adventurous spirit was met with bad luck when the team and their assistant coach became trapped in the cave. With the wet season approaching in Thailand, the mountain where the cave was located was saturated with water and when it started to rain, the caverns began to flood.

When the team went missing, rescuers and problem-solvers were called to action to rescue the team. In order to save the soccer team, rescuers would need a well-thought-out, coordinated plan. It was going to be a huge undertaking. The book takes the reader through the timeline of the rescue mission and dives into broader topics that color the event. Soontornvat highlights the importance of STEM in the mission and goes into the scientific details about the cave and how the water and sediment affected the mission. At the same time, there are subsections in the book that go into the historical and cultural context of the local community.

Buddhism and meditation is an important piece of this nonfiction story. Part of what made the mission successful was that the soccer team did not panic and they were able to focus their energy with meditation. “When thoughts of hunger, pain or shame come in through one window, you can notice them, and then let them float right out the other window, keeping the room of your mind clear from all that clutter.” The Wild Boars were trapped in the cave for 18 days and they needed to look within to ease their pain. The subsections on Buddhism and meditation are a great introduction to Eastern religion and meditation practices. Without overwhelming the reader with specifics, the book takes these concepts and displays them in a way that is relatable to a younger audience.

Soontornvat also touches on geopolitical issues that are present in Thailand, such as immigration and religious persecution in neighboring countries. While the story is focused on the rescue mission, Soontornvat uses the experiences of the Wild Boars’ assistant coach, Coach Ek, to understand asylum-seekers. Coach Ek was forced to migrate to Thailand from Myanmar to escape the armed conflict. Migrant children face tough odds as they often do not have the necessary support systems to help them. Coach Ek considers himself lucky to have found the Wild Boars because he was able to find community and serve as a mentor to the soccer players.

The photographs in the book bring humanity and a sense of urgency to the story, as well as highlight the scale of the rescue mission. Many of the pictures were taken during the mission. The massive undertaking of bringing the Wild Boars to safety is captured with photographs of heavy machinery, the elaborate sump systems, and camo-wearing Navy SEALs. The book has a cinematic feel to it and the fast-paced life-or-death story keeps the reader turning pages. With loads of first-hand accounts, artifacts, and photos, the reader will feel immersed in the rescue mission.

One of the underlying themes of the book is that collaboration and teamwork can accomplish amazing things. There is no shortage of heroism in this story as people from all over the globe pitch in to save the boys. Donations are made, scuba experts consulted, farmers help with the sump system and the soccer team supports each other during the trying times. For the team, their support for each other was paralleled through the lens of soccer, helping to make it relatable to young readers. “Through their time on the soccer field, they know what it feels like to work as a team to tackle something that seems impossible.” Despite the danger of being trapped and impossible odds, through collaboration and sheer willpower, the boys are brought to safety.

Sexual Content

  • None

Violence

  • Tham Luang has a mythology of the Sleeping Lady which visitors pay their respects to at a shrine. In the story, “he [a servant who loved the princess] was captured and killed by the king’s soldiers. The heartbroken princess killed herself. Her blood became the water flowing in the cave and her body became the mountain.”
  • When discussing the probability of the soccer team’s survival, Major Hodges says, “if they are in there, they’re probably dead, and if we’re lucky, we will find their remains.”
  • When contextualizing the background of Coach Ek, it is said that “groups such as the Rohingya of Myanmar, have fled their ancestral land because they are persecuted and murdered by their own government.”
  • While making plans for a recovery, there is a reminder that “a dead body requires a recovery. Rick’s experience as a firefighter has trained him to be unemotional about such things, but trying to maneuver a lifeless body through the twists and turns of a sump is a grim and dangerous task.”
  • One of the Navy SEALs dies during the rescue effort. “When Saman’s partner finally emerges, he is pulling a lifeless Saman behind him. The other SEALs rush to revive him, but it’s too late.

Drugs and Alcohol

  • The soccer team is sedated during the rescue mission. “Dr. Harris has finally decided to give the boys a sedative called ketamine. Ketamine is a common drug used during surgeries when the patient needs to be unconscious.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • The caves at Tham Luang “house giants who were defeated by the Buddha himself.”
  • Before the Wild Boars go to bed, Coach Ek “tells them all to pray together.”
  • When discussing meditation, a background on Buddhism is given. “It was through meditation that the Buddha arrived at the pillars of his great teachings that guide all Buddhists today. The Buddha taught people how to free themselves from the suffering that is a natural part of life.”
  • The Thai variety of Buddhism is often intertwined with other spiritual beliefs. It is written that “spirits are everywhere; they can be gentle and protective, or moody and vengeful. Either way, spirits should be treated as respectfully as the living.”

by Paul Gordon

Yasmin The Explorer

Every explorer needs a map! Baba encourages Yasmin to make a map of her own neighborhood. When Yasmin and Mama go to the farmer’s market, Yasmin adds the different booths to her map. When she sees a playground, Yasmin gets excited and goes to play on the swings. Soon Yasmin realizes that she isn’t sure where Mama is. Can her map bring them back together?

The story has three short chapters and each page has large illustrations that will help readers understand the plot. The full-color illustrations use cheerful colors and show Yasmin’s map. Yasmin is Pakistani and her mother wears a hijab. Yasmin’s mother also uses Urdu words, which are defined in a glossary that appears at the back of the book.

Yasmin The Explorer will help emerging readers feel confident with their reading. Each page has 1 to 4 short sentences which are printed in oversized text. At the end of the book, there are questions that will help students connect to the text, some fun facts about Pakistan, and a recipe to make Mango Lassi, a traditional Pakistani dish.

Yasmin’s curiosity and enthusiasm are contagious; however, the story lacks conflict because the plot focuses on the places that Yasmin puts on her map. However, readers will relate to Yasmin when she is lost. Yasmin The Explorer would make a good conversation starter about the importance of telling your parents where you are going, as well as what to do if you are lost.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

 

Spiritual Content

  • None

The Only Black Girls in Town

For over a decade, Alberta and her fathers, Elliott and Kadeem, have been the only Black people on their street in the town of Ewing Beach, California. That is, until a new family moves into the bed and breakfast across the street: Calliope Whitman and her daughter Edie. On the surface, it appears Edie and Alberta are opposites. Alberta has grown up in Ewing Beach for most of her life with her two very present dads. While Alberta grew up in a community dominated by White people, Edie grew up in the diverse county of Brooklyn. But these two girls have something they can strictly bond over: their Blackness and being 12, a time when bodies are going through intense and sudden change.

Alberta’s best friend is Laramie, a White girl, but Alberta and Edie share something special. One day while hanging out at the bed and breakfast, the pair discover a series of journals that were written from 1955 to 1968. They decide to uncover the mystery behind the journals and their writer, Constance. While unraveling the mystery, Alberta goes through many crises that center around her femininity, her Blackness, puberty, and friendships that seem to change way too fast.

Each girl in the main cast (Alberta, Edie, and Laramie) has their own issues and these issues are fleshed out with concise writing, giving the story a good pace while upholding the mystery of Constance. Laramie is dealing with the social hierarchy of middle school and her rapidly changing body, even to the extent of getting her first period and growing three inches in one summer. Edie is dealing with her parents separating and her father’s absence alongside his broken promises to see her. Alberta is exploring the complexities of change and confronting her Blackness and the Blackness of other characters such as Constance.

The Only Black Girls in Town is written from the perspective of Alberta, thus making the reader more sympathetic to her struggles as a 12-year-old girl coming of age. It is an amazing story that speaks on the complexities of race and puberty. Many readers will relate to the idea that hitting puberty means learning more about your own race. Colbert does an excellent job weaving themes of Blackness in her characters along with their changing bodies. The author tells readers that they are not alone in their journey of self-discovery, and she provides a diverse look at Black people.

The Only Black Girls in Town explores the theme that the experience with one’s Blackness is not uniform. For example, Black people do not dress uniformly as seen with Edie and Alberta’s clashing fashion sense. Black people come in a variety of shades: dark, light, medium brown, and even fair-skinned. Black people have different hair ranging from kinky curls to dreadlocks to straight. The story emphasizes that there is no mold for the Black experience. The Only Black Girls In Town also explores the subtlety of racism, often hidden in casual language like when the residential mean girl, Nicolette, demeans Alberta’s achievement as the best surfer in surf camp down to being Black or Laramie says Edie is “faking” her goth and punk self because she believes Black people to be monolithic in experience and appearance. While the White characters are not explicitly racist, their implicit bias is shown in dialogue such as Laramie not caring about the fact that Alberta’s new neighbor is Black and not understanding why Alberta is so excited. The book validates Alberta’s feelings of unease and that feeling of “this isn’t racist but feels racist.”

The Only Black Girls in Town is an amazing story that weaves the trials of middle school with the intricacies of race. The story balances lighthearted tones with a suspenseful mystery that heightens the drama between the characters. During a time where race relations have gradually become more complex and subtle, The Only Black Girls in Town is an important novel for all readers regardless of their race. This novel is for readers who would like a fun mystery and who want to learn about/explore the relationship between Blackness and coming of age.

Sexual Content

  • Laramie says, “Gavin tried to kiss me the other day. After school.” This kiss is mentioned two more times.
  • Laramie mentions that Gavin “would look at me different from how he looked at everyone else.”

 Violence

  • In a journal entry, Constance wrote about how she overheard her employers talking about the death of a boy. “They were speaking about the Negro boy who was killed down South.” Edie infers it’s about the historic murder of Emmett Till, who was lynched in 1955.
  • When Laramie talks about the party she went to, she mentions that Gavin “was going to kill Davis for bumping into a table with a sculpture of some old dude.”

 Drugs and Alcohol

  • None

Language

  • Because of her goth and punk fashion sense, Edie is called “Wednesday Addams” in reference to the popular character.
  • “Brat” is used a few times. For example, “Stephan McKee. He’s a total spoiled brat . . .”
  • In the journal entries discovered by the girls, the word “Negro(es)” is used multiple times.
  • The word “mulatto” is used once in a journal entry where Constance recalls an interaction with her colleague May who says, “I’m mulatto, Constance.” The term is used in reference to those who are half Black and half White.
  • In a journal entry, the reader can infer that Constance’s employer, Mrs. Ogden, uses a racial slur to describe Black people. “Mrs. Ogden said the Negroes were getting uppity since they won the Supreme Court case to desegregate the schools. But she didn’t use the word Negroes.”
  • There is a lot of language used to emphasize Alberta and Edie’s “otherness” due to being Black. For example, Nicolette tells Alberta, “It’s just that you’re like, different here and different there, but Irene tries to make it special for you. That’s cute.” in order to demean her achievement of being the best surfer in surf camp, given to her personally by their instructor.
  • The school’s vice-principal assumes Edie and Alberta are cousins because they are both Black.
  • Someone says Edie is a “poser” because, as Laramie puts it, they “don’t know a lot of Black people who dress like that.”
  • Weird is used to describe a lot of situations in the novel. For example, Laramie calls Edie’s black lipstick weird.
  • Constance writes “Lord have mercy on me” once.
  • Alberta says, “Oh my god!” once.
  • Alberta calls Nicolette a “barney” (“someone who’s not very good at surfing”).
  • Nicolette spreads a rumor about Laramie having an accident. Alberta says, “She told people you wet the bed?” Laramie reveals it’s about leaking during her period.
  • Edie tells Alberta about how she feels about her father not coming to visit her or call her when he says he would. Alberta says, “That really sucks Edie.”
  • Alberta and Laramie make a pact to never speak Nicolette’s name for the whole year, so Alberta refers to Nicolette as “She-Who-Must-Not-Be-Named.”
  • Nicolette says, “You know, Alberta, you could’ve just worn your regular clothes if you wanted to dress like a dork” when she tries to crash the Halloween party next door.
  • Laramie calls Nicolette a jerk while at Edie’s Halloween party. “Alberta is right. You’ve always been a jerk to her, and we should’ve called you on it a long time ago.”
  • Many times, Nicolette is referred to as “mean” and other varying superlatives.

 Supernatural

  • None

 Spiritual Content

  • None

by Emma Hua

A Thousand Splendid Suns

A Thousand Splendid Suns is set against the volatile events of Afghanistan’s last thirty years—from the Soviet invasion to the reign of the Taliban to post-Taliban rebuilding. It puts the violence, fear, hope, and faith of the country in intimate, human terms. It is a tale of two generations brought jarringly together by the tragic sweep of war. In war, personal lives—the struggle to survive, raise a family, and find happiness—are inextricable from the history playing out around them.

Mariam and her mother live as outcasts. With little contact with the outside world, Mariam dreams of a time when her father will accept her. When Mariam’s mother dies, Mariam has no choice but to show up at her father’s house. Her father quickly arranges for Mariam to marry Rasheed. At first, Mariam is hopeful that living in a new city with a new husband will be the beginning of something good. But after a string of miscarriages, Rasheed becomes violent and forbids Mariam from seeking friendship.

Meanwhile, Laila grew up with parents that believe everyone deserves an education, including girls. While Laila’s childhood is far from perfect, she is surrounded by loving people. Then, just when her family plans to leave their war-torn city, Laila’s parents are killed. With no family or friends left, Laila isn’t sure where to turn. When Rasheed offers marriage, Laila reluctantly agrees to become his second wife. However, she wasn’t prepared for his first wife’s hate or Rasheed’s violence.

A Thousand Splendid Suns has worked its way onto many schools’ required reading lists because the story helps readers understand Afghan history. More importantly, it is a story of family, friendship, and hope. Mariam and Laila’s friendship gives them strength to live in a brutal environment, where their husband is cruel and abusive. Through their plight, readers will begin to understand the role women play in Afghanistan and how the Taliban changed their world overnight.

Readers will be deeply moved by the story’s events. However, the brutality of war, the massacre of innocent people, and the harsh physical abuse of both Mariam and Laila is graphic and disturbing. Hosseini paints a realistic picture of living in a war-torn country, and the images of death will remain with readers for a long time after they close the cover of the book. Even though A Thousand Splendid Suns has a positive message, sensitive readers will find the descriptions of Rasheed’s abusive behavior and the constant death upsetting.

Before you read A Thousand Splendid Suns, grab a box of tissues because the story will bring you to tears. Because of Laila’s friendship, Mariam makes a decision that will forever alter both of their lives. Through Mariam’s experiences, readers will come to understand how powerless women were under the Taliban’s rule, but they will also see how friendship and kindness have the power to change one’s life.

Sexual Content

  • After Mariam’s mother got pregnant, the baby’s father told his wives that her mother had “forced” herself on him.
  • Mariam is forced to marry a much older man. Before the marriage, Mariam thinks about her mother’s words. “It was the thought of these intimacies in particular, which she [Mariam] imagined as painful acts of perversity, that filled her with dread and made her break out in a sweat.”
  • One night, Mariam’s husband comes into her room. “His hand was on her right breast now, squeezing it hard through the blouse. . . He rolled on top of her, wriggled and shifted, and she let out a whimper. . .The pain was sudden and astonishing. . . When it was done, he rolled off her, panting.”
  • Mariam finds pornography in her husband’s room. The women in the pictures, “their legs were apart, and Mariam had a full view of the dark place between.”
  • Mariam’s husband desires intimacy. “His appetite, on the other hand, was fierce, sometimes boarding on violent. The way he pinned her down, his hand squeezes at her breast, how furiously his hips worked.”
  • Laila’s feelings for her best friend, Tariq, begin to change. She wonders “what would it be like to kiss him, to feel the fuzzy hair about his lips tickling her own lips?” Later, they have sex. “Laila thought of Tariq’s hands, squeezing her breast, sliding down the small of her back, as the two of them kissed and kissed.”
  • Laila hears a story about three sisters who were raped and then “their throats slashed.”
  • After Laila’s parents die, an older man asks Laila to marry him. He implies that if she says no, she may have to work in a brothel. Laila agrees to marry him because she is pregnant.
  • After Laila and the man are married, he has sex with her. “Laila had a full view of his sagging breast, his protruding belly button. . . she felt his eyes crawling all over her.” They have sex several times, but the action is not described in detail.

Violence

  • The book often describes the violence of war. For example, someone says that the Mujahideen forces boys to fight. “And when soldiers from a rival militia capture these boys, they torture them. I heard they electrocute them. . . then they crush their balls with pliers. They make the boys lead them to their homes. Then they break in, kill their fathers, rape their sisters and mothers.”
  • After Mariam goes into town, she comes back and sees “the straight-backed chair, overturned. The rope dropping from a high branch. Nana dangling at the end of it.”
  • After Mariam has a miscarriage, her husband becomes different. It wasn’t easy tolerating him talking this way to her, to bear his scorn, his ridicule, his insults. . . [Mariam] lived in fear of his shifting moods, his volatile temperament, his insistence on steering even mundane exchanges down a confrontational path that, on occasion, he would resolve with punches, slaps, kicks. . .”
  • Russians took over Afghanistan and people talked about “eyes gouged and genitals electrocuted in Pol-e-Charkhi Prison. Mariam would hear of the slaughter that had taken place at the Presidential Palace.” The president was killed after he watched the “massacre of his family.”
  • Mariam’s husband was angry because of her cooking. “His powerful hands clasped her jaw. He shoved two fingers into her mouth and pried it open, then forced the cold, hard pebbles into it. Mariam struggled against him, mumbling, but he kept pushing the pebbles in, his upper lip curled in a sneer . . . Then he was gone, leaving Mariam to spit out pebbles, blood, and the fragments of two broken molars.”
  • A teacher would slap students. “Palm, then back of the hand, back and forth, like a painter working a brush.”
  • A boy shoots a water gun, spraying a girl with urine.
  • After a girl is bullied, her friend fights the bully. “Then it was all dust and fists and kicks and yelps.”
  • A rocket hits one of Laila’s friend’s houses. “Giti’s mother had run up and down the street where Giti was killed, collecting pieces of her daughter’s flesh in her apron, screeching hysterically. Giti’s decomposing right foot, still in in its nylon sock and purple sneaker, would be found on a rooftop two weeks later.”
  • A rocket hits Laila’s house. “Something hot and powerful slammed into her from behind. It knocked her out of her sandals. Lifted her up. And now she was flying, twisting and rotating in the air. . . Then Laila struck the wall. Crashed to the ground.” Laila sees her dead parents.
  • Laila hears a story about soldiers “raping Pashtun girls, shelling Pashtun neighborhoods, and killing indiscriminately. Every day, bodies were found tied to trees, sometimes burned beyond recognition. Often, they’d been shot in the head, had their eyes gouged out, their tongues cut out.”
  • Rasheed, Laila’s husband, hits both of his wives often. “One moment [Laila] was talking and the next she was on all fours, wide-eyed and red-faced, trying to draw a breath. . .” She drops the baby she was carrying. “Then she was being dragged by her hair.” Her husband locks her in a room and then goes to beat his other wife. “To Laila, the sounds she heard were those of a methodical, familiar proceeding. . . there was no cussing, no screaming, no pleading. . . only the systematic business of beating and being beaten, the thump, thump of something solid repeatedly striking flesh.”
  • When the Taliban take over Afghanistan, they kill the Afghanistan leader. The Taliban “had tortured him for hours, then tied his legs to a truck and dragged his lifeless body through the streets.”
  • After Rasheed hits Laila, she “punched him . . . The impact actually made him stagger two steps backward. . . He went on kicking, kicking Mariam now, spittle flying from his mouth. . .” At one point Rasheed put the barrel of a gun in Laila’s mouth.
  • Rasheed gets upset at Laila and begins “pummeling her, her head, her belly with fists, tearing at her hair, throwing her to the wall.” Mariam tries to help Laila but Rasheed hits her too.
  • After an old friend comes to see Laila, Rasheed gets angry. “Without saying a word, he swung the belt at Laila. . . Laila touched her fingers to her temple, looked at the blood, looked at Rasheed, with astonishment. Rasheed swung the belt again.” Rasheed begins to strangle Laila. “Laila’s face was turning blue now, and her eyes had rolled back.”
  • In order to save Laila, Mariam hits Rasheed with a shovel. “And so Mariam raised the shovel high, raised it as high as she could, arching it so it touched the small of her back. She turned it so the sharp edge was vertical . . . Mariam brought down the shovel. This time, she gave it everything she had.” Rasheed dies from his wounds.
  • When an Afghanistan leader is killed, Laila thinks about some of the violence that he caused. “She remembers too well the neighborhoods razed under his watch, the bodies dragged from the rubble, the hands and feet of children discovered on rooftops or the high branches of some tree days after their funeral. . . “

 Drugs and Alcohol

  • Someone is given morphine after being injured.
  • Laila overhears a story about her husband. He was drunk when his son “went into the water unnoticed. They spotted him a while later, floating face down.” The boy died. Someone says, “This is why the Holy Koran forbids sharab. Because it always falls on the sober to pay for the sins of the drunk.”

Language

  • Profanity is rarely used. Profanity includes ass, piss, shit, and damn.
  • As a child, Mariam’s mother reminds her that she is a bastard because she was born out of wedlock.
  • Mariam yells at her half-brother, saying “he had a mouth shaped like a lizard’s ass.”
  • Mariam pleads with her father, asking him not to make her marry a stranger. He yells, “Goddamn it, Mariam, don’t do this to me.”
  • A child yells at a bully, saying, “Your mother eats cock!” The child does not know what the words mean.
  • Someone calls Laila a whore. Later, Laila’s husband also calls her a whore.

Supernatural

  • None

Spiritual Content

  • The story focuses on characters who are Muslim. They often pray.
  • Mariam’s mom said she had a difficult labor. She said, “I didn’t eat or sleep, all I did was push and pray that you would come out.”
  • Mullah Faizullah teaches Mariam about the Koran’s words. He tells her, “You can summon them [God’s words] in your time of need, and they won’t fail you. God’s words will never betray you, my girl.” During difficult times, Mariam thinks about verses from the Koran.
  • Mariam asks Mullah Faizullah to convince Mariam’s mother to let her go to school. He replies, “God, in His wisdom has given us each weaknesses, and foremost among my many is that I am powerless to refuse you, Mariam.”
  • Mariam’s mother tells her, “Of all the daughters I could have had, why did God give me an ungrateful one like you?” Later that day, her mother commits suicide.
  • After Mariam’s mother commits suicide, Mullah Faizullah says, “The Koran speaks the truth, my girl. Behind every trial and every sorrow that He makes us shoulder, God has a reason.” Later, he tells Mariam that Allah “will forgive her, for He is all-forgiving, but Allah is saddened by what she did.”
  • After Mariam’s father forces her to marry, her father says he will come to visit her. She tells him, “I used to pray that you’d live to be a hundred years old. . . I didn’t know that you were ashamed of me.”
  • When Mariam learns that she will have a baby, she thinks about a verse from the Koran. “And Allah is the East and the West, therefore wherever you turn there is Allah’s purpose.”
  • When Mariam has a miscarriage, she gets angry, but thinks, “Allah was not spiteful. He was not a petty God. . . Blessed is He in Whose hand is the kingdom, and He Who has power over all things, Who created death and life that He may try out.”
  • When the Taliban took over Afghanistan, flyers were passed out with new rules including “all citizens must pray five times a day. . . If you are not Muslim, do not worship where you can be seen by Muslims. If you do, you will be beaten and imprisoned. If you are caught trying to convert a Muslim to your faith, you will be executed.”
  • A man tells Mariam, “God has made us differently, you women and us men. Our brains are different. You are not able to think like we can.”

A Thousand Questions

Mimi has a lot of questions, like why is her mother taking her to Pakistan to meet her grandparents? Why did her father leave Mimi and her mom? Where is Mimi’s dad now? Visiting Mimi’s grandparents in Pakistan might not answer all her questions, but she’s determined to figure some of them out.

Sakina wants nothing more than to attend school. Unfortunately, she has to help her father clean Mimi’s grandparents’ lavish house to make ends meet, so going to school for Sakina feels like a pipe dream. Plus she must pass the English language exam to even attend, and Sakina has no one to practice with. That is, until Mimi and her mother arrive from America.

In a meeting of cultures, Mimi and Sakina learn much from each other and eventually become friends. The family and class dynamics surrounding their lives present new ways of looking at the world and their places within it.

Split between Mimi and Sakina’s perspectives, A Thousand Questions tackles topics like class struggles, family relations, and cultural barriers. Mimi is from Houston, and although she and her mother don’t have a lot in the States, Mimi’s grandparents are wealthy in the Pakistani city of Karachi. Sakina is employed, along with her father (Abba), as a servant in Mimi’s grandparents’ household. The friendship between Mimi and Sakina isn’t encouraged at first, and often the differences in class come up when Mimi has more freedom (both financially and socially) than Sakina. Instead of fostering dislike between the two, Sakina is motivated to improve her English and attend school however she can.

Language is a large part of the book. Many of the characters speak Urdu, and Urdu and Arabic words are used throughout. Faruqi does an excellent job of giving contextual clues, so the language-hopping never feels confusing. A glossary is also included at the end of the book to help aid readers. Language is also used as a plot point. Mimi’s Urdu isn’t great, and Sakina’s English is ok, so the two teach each other. In this exchange of languages, there is also an exchange in cultures. The bond that Sakina and Mimi form is heartwarming, even if they don’t always see eye to eye.

Mimi also has a journal where she writes questions to her father. She misses him, and her letters are part of the narrative. Much of the book details her emotional journey as she learns about her parents’ lives and why her father left. At the end of the book, Mimi is able to reach a resolution and seems to make peace with her father’s leaving.

A Thousand Questions tackles important topics regarding culture, friendship, and family, and both Mimi and Sakina grow as people as they learn about each other. This book will appeal to people who are already familiar with Pakistan as well as to people who want to read about a strong friendship and culturally nuanced book. In A Thousand Questions, Mimi and Sakina’s friendship opens their eyes to the world around them, and it will certainly do the same for the reader. This book is a must-read for its diverse content and its ability to tell a moving story about friendship and family.

Sexual Content

  • None

Violence

  • When Mimi was little, she “crashed [her] bike in the street outside [their] Houston apartment . . . and broke her leg in three places.”
  • When Mimi was five, she writes letters to her father who left her and her mother. Mimi never sends them. One day she writes, “Do you ever get angry? Not annoyed or irritated, like most people, but a deep angry that makes you throw something at the wall and watch it crack.” Mimi has not actually done this.
  • Sakina’s Abba has diabetes and collapses in the kitchen one day. Sakina, Mimi, and Nani hear “a loud crash” and they rush to get him to the hospital.
  • Sakina explains that Raheem, her neighborhood “goonda” or “gangster,” is “going around ordering people to vote for his candidate. Screaming, destroying things.”
  • Raheem broke into a neighbor’s house with his stick and broke things inside. Sakina describes, “Broken chairs and tables, a cracked mirror on the wall. Clothes strewn about on the floor.”
  • The goondas in Sakina’s neighborhood rob Sakina’s family. They don’t physically hurt anyone, but Raheem threatens to “tear [the house] down” if they don’t hand the money over.

Drugs and Alcohol

  • Mimi’s family’s driver smokes. Sakina explains in English that the smoke “makes [her] eyes water.”
  • Mimi’s great-uncle smokes a cigar, and Mimi “wrinkles her nose at the smell.”

Language

  • Words like dumb, stupid, nuts, shut up, and weird are occasionally used.
  • Mimi’s grandmother, Nani, screams at one of the gardeners and accuses him of killing her rose bushes. She calls him a “ulloo-ka-patha.” Mimi doesn’t know what this means, and it isn’t explained further. The glossary in the back explains that it means “son of an owl; used as an insult” in Urdu.
  • Mimi’s mom calls Mimi’s father a “deadbeat.”
  • Mimi’s grandmother calls Sakina a “lazy oaf” and “fool.”
  • Mimi sometimes refers to Nani as “the dragon lady” because of Nani’s fierce temper.

Supernatural

  • None

Spiritual Content

  • Mimi has a traditional Pakistani dress that she wore twice for “the two Eid celebrations.”
  • Eid al-Adha and Eid al-Fitr are two major Islamic holidays.
  • When things go wrong, Sakina’s father never gets worried. He always says, “It’ll be all right. God will provide.” Sakina doesn’t buy this, saying “God listens to rich people, not to people like Abba [her father] and [her].”
  • Abba frequently thanks God for the good things in their life.
  • The mosque down the street from Mimi’s grandparents’ house uses a loudspeaker to announce prayer times. Mimi describes, “a loudspeaker crackles to life, and a melodious sound fills the air around us. Allahu akbar. Allahu akbar. God is great. God is great.” This happens a few times throughout the book.
  • Mimi thinks to herself, “Maybe if I help Sakina with her admission test, God will reward me by bringing my dad back. And maybe pigs will fly.”
  • Mimi and Sakina talk about why poverty exists. Sakina says, “Abba says it is the will of God.” To this, Mimi replies, “How can God allow some people to have everything and others to have nothing? How can He be the Creator of both Pakistan and America? The two are like day and night. God is supposed to love us equally. Isn’t He?”
  • Malik, the family driver, joins in Mimi and Sakina’s conversation about God. He says, “God gives each of us free will to do whatever we want. Sometimes human beings are bad to each other. They steal and hurt and lie. They don’t take care of the less fortunate.”
  • Malik goes to do the “maghrib prayer” one evening.
  • Sakina and Mimi also attend the maghrib prayer. Mimi describes the scene, saying, “I wrap my scarf around my head and follow [Sakina’s] actions. Standing, sitting, prostrating. It’s familiar and strange at the same time, as if I’ve done this a thousand times in a dream. Oh God, if you’re there, send Dad to me. Please. Just for a few minutes, so I can hug him one time.” Mimi finds that she enjoys prayer time.
  • Sakina admits to Mimi that she hasn’t prayed “in a long time” because she finds “it hard to believe in God these days.”
  • Sakina lies to gain access to Mimi’s father’s workplace. Sakina thinks “the God that Abba believes in—the God I felt around me in that marketplace mosque—will forgive me.”
  • Mimi insists that her mom should be looking for Mimi’s father. Mimi’s mother replies, “He left us . . . Why would I go chasing after him? Why would I ever want to find him for God’s sake?”
  • Various characters make comments using “God” and “Allah” throughout.
  • Sakina’s mother, Amma, sees the money that Mimi and her mother have left for them. Amma says, “Mimi and her mother are angels of God.” Sakina isn’t as certain about this but does see the money as “a miracle.”
  • Before her exam, Sakina says “a quick little prayer under [her] breath.”
  • Occasionally, characters will say, “Alhamdolillah,” which means, “All praise to God” in Arabic. They also sometimes say “Inshallah,” which means, “God willing” in Arabic.

by Alli Kestler

 

Yasmin The Writer

Ms. Alex has assigned Yasmin’s class to write about their heroes. Yasmin loves to write, but she can’t decide who her hero is. After tossing out lots of ideas, could it be that Yasmin’s hero has been right beside her all along?

 Yasmin is a relatable character who struggles with choosing a topic for her writing assignment. At first, Yasmin looks at famous athletes, music stars, queens, presidents, and other leaders. But it’s the day-to-day events that make her choose her topic—her mother. While her mother is not famous, she cooks dinner, helps Yasmin find her pajamas, and comforts her when she has a bad dream.

Even though the story’s plot is predictable, young readers will enjoy the story as it shows both Yasmin’s home life and her school life. The story has three short chapters and each page has large illustrations that will help readers understand the plot. The full-color illustrations use cheerful colors and Yasmin’s class has diverse students. Yasmin is Pakistani and her mother wears a hijab. Yasmin’s mother also uses Urdu words, which are defined in a glossary that appears at the back of the book.

Yasmin the Writer will help emerging readers feel confident with their reading. Each page has 1 to 4 short sentences which are printed with oversized text. The conclusion has an illustration of a piece of paper that shows Yasmin’s writing assignment. At the end of the book, there are questions that will help students connect to the text, some fun facts about Pakistani, and directions to make your own journal.

Yasmin the Writer uses an everyday situation that will make young readers think about the definition of a hero. The story will also remind readers that mothers are heroes because they care for their children. Readers who enjoy the Yasmin Series should put the Sofia Martinez Series by Jacqueline Jules on their reading list.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

See You in the Cosmos

Alex is a brilliant eleven-year-old, fascinated by space and astronomy. He has been working on building a rocket to launch his “Golden iPod” into space. After working at a local gas station sorting magazines in Rockview, Colorado, he saves enough money to attend SHARF, a rocket festival in Albuquerque, New Mexico.

On the way to SHARF, Alex meets Zeb who is an author that frequently meditates and has taken a vow of silence. By using a chalkboard to communicate, Zeb becomes friends with Alex and accompanies him to the rocket festival. On the day of the rocket launches, Alex’s rocket does not end up in space but crashes into the ground. While crying in disappointment, Alex is comforted by a fellow attendee who encourages Alex by telling him how his team went through many failures before finally succeeding. Alex learns, “Right now is the most important moment – how they react to failure. They could either let it stop them or they could redouble their efforts, figure out what went wrong, and fix their mistakes so they can make the next try a success.”

From Colorado to New Mexico, Las Vegas to L.A., Alex records a journey on his iPod to show other lifeforms what life on earth, his earth, is like. But his destination keeps changing. And the funny, lost, remarkable people he meets along the way can only partially prepare him for the secrets he’ll uncover—from the truth about his long-dead dad to the fact that, for a kid with a troubled mom and a mostly absent brother, he has way more family than he ever knew.

See You in the Cosmos is a heartbreaking and touching story of a child following his dreams and his unconditional love for his family. The story is told as a transcript of the recordings Alex makes on his “Golden iPod,” which he is determined to launch into space someday so extraterrestrials will know what life on Earth is like. The reader is given an opportunity to look at the world through the eyes of an eleven-year-old, which provides a new perspective on life’s challenging issues.

The novel follows Alex as he learns to cope with difficult family situations as a young child with a limited view of the world. Upon returning from his adventure, his mother gets diagnosed with schizophrenia, and Child Protective Services gets involved to determine Alex’s future. The reader forms an emotional connection to Alex, feeling empathy for the experiences Alex is facing while providing the reader a deeper understanding of how children interpret life’s events.

See You in the Cosmos provides an innovative story that will pull at the hearts of readers of all ages. Younger readers may miss the deeper meanings behind Alex’s journey. However, since this book is told from the perspective of an eleven-year-old boy, this novel could serve as a new way for children to learn to cope with difficult situations in life or help children understand situations that others, such as classmates, might be going through. This book will teach readers how to be themselves, what it means to be brave, and how to follow your big dreams.

 Sexual Content

  • Alex records the story of how his parents met saying, “They went to the top of Mount Sam on the tramway and when they got up there they looked out over all of Rockview and up at the stars and that’s when they have their first kiss.”
  • Alex’s half-sister, Terra, tells him about a guy she is seeing. Alex asks her if she French-kissed him, and she responds, “Yes. We French-kissed.”
  • Terra and Zed’s roommate, Nathaniel, were alone in Nathaniel’s bedroom and Alex sneaks in with his iPod saying, “I thought maybe they were French-kissing and I thought you guys might want to know what that sounds like.”
  • Alex asks Terra what being in love means asking, “Is it wanting to French-kiss somebody?”

Violence

  • Steve has a crush on Terra, and when he sees Terra and Nathaniel alone together, he punches Nathaniel. Terra says, “Oh god, he’s bleed–.”
  • While climbing up a roof, Alex falls off the ladder and is impaled on a fence. Terra records on the iPod saying, “Just hearing his voice– I kept seeing him hanging over that fence.”
  • Ronnie tells Alex the truth about their father. “Deep down he was selfish and abusive.” Alex responds, “Did he hit Mom with a hockey stick like Benji’s dad hit his mom?”
  • Later in the conversation, Ronnie says, “Dad never hit Mom, at least that I know of. He never hit me either but he came really close once. . . He started yelling and undoing his belt and Mom was trying to shield me. . . Just ‘cause he never hit us doesn’t mean he wasn’t abusive in other ways.”

Drugs and Alcohol

  • Terra explains why she did not attend college. She says, “Why go hundreds of thousands of dollars in debt when you’re competing against other people on an artificial standard or even worse, drinking and partying away four years of your life only to come out with a piece of paper that isn’t worth sh–.”
  • Terra, Zed, and Zed’s two roommates all drink beer and vodka. Alex says, “I don’t know how you guys can drink that stuff because I tried a sip of one of Benji’s dad’s beers once and it was so gross.”
  • Alex reflects on a party. Alex stayed in his room all night but he had to use the restroom, and he ran into a girl drinking from a red cup. He asked her what she was drinking and she responded, “Coke and vodka.”

Language

  • Alex occasionally says “bleep” where individuals would normally curse in a sentence. For example, when he is at SHARF and sees the Southwest High-Altitude Rock Festival Banner and registration desk, he says, “HOLY bleep!”
  • Terra and Alex discuss swear words, and Alex says, “One time in school, Justin Peterson who’s on the basketball team and his locker’s next to mine asked me, Do you even know any swear words? And I said, Of course, I do, DUH! and then I told him all the swear words and I said sometimes Benji and I even combine them into sentences like, Bleep the bleep bleep who bleeped on my bleep bleep bleeping bleeper.”
  • Alex speaks into his recording saying, “Venice Beach was so huge, guys. I could see it even as we were driving up, and I said, Son of a beach! B-E-A-C-H.”
  • Steve gets into an argument with Terra and yells, “You think I’m an idiot, don’t you? Well maybe I AM. Maybe it takes an IDIOT like me to tell Alex here how things work in the real world. An IDIOT who’s not just going to feed him a bunch of false hopes!”
  • After the argument, Terra tells Alex, “Steve’s a jerk.”

Supernatural

  • None

Spiritual Content

  • None

by Paige Smith

 

 

 

 

Yasmin The Superhero

Yasmin loves superheroes and wants to be like them. She’s got the cape. She’s got the mask. Now, she just needs a villain to defeat! While she’s looking for one, she meets lots of people who need her help, but no villains.

Instead of fighting villains, Yasmin helps a neighbor pick up groceries, helps a girl get a ball off of a roof, and helps someone solve a math problem. When at the end of the day Yasmin is upset that she didn’t meet any villains, Baba tells her, “Evil villains are only in storybooks. In real life, superheroes are the ones that go out of their way to be kind and helpful.” Yasmin discovers that she might not need a villain to use her superpowers after all!

The story has three short chapters. Each page has large illustrations that will help readers understand the plot. The full-color illustrations use cheerful colors. Yasmin is Pakistani and her mother wears a hijab. The people in Yasmin’s neighborhood are a diverse group. Yasmin’s mother also uses Urdu words, which are defined in a glossary that appears at the back of the book.

Yasmin The Superhero will help emerging readers feel confident with their reading. Each page has 1 to 4 short sentences which are printed with oversized text. At the end of the book, there are questions that will help students connect to the text, some fun facts about Pakistani, and directions to make a paper bag superhero.

Yasmin The Superhero is a super cute story that encourages readers to be kind and helpful. Every superhero fan will relate to Yasmin’s desire to catch a villain and save someone. Nani and Nana help Yasmin create a brightly colored superhero costume, which includes a mask. In addition, both of Yasmin’s parents are supportive of her superhero activities. Yasmin The Superhero is a cute story that will encourage readers to make a cape and help someone in need.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Mare’s War

Mare’s War is a Coretta Scott King Award honoree and a tale of family, history, and resistance. Told in alternating “then” and “now” perspectives, the book follows Mare’s time in the Women’s Army Corps during World War II and as well as a road trip she takes back home to Bay Slough, Louisiana with her grandchildren in the present day.

The “now” sections are told from the perspective of Octavia, who is 15 and struggling to learn how to drive and fit in as a teenager. She tells about her conflicts with her older sister, Talitha.  Both sisters’ perspectives are given through postcards they write home to their mom and friends. Octavia does come to appreciate Talitha, at one point saying, “I’m actually kind of proud of my evil sister.”  Talitha is nearing her 18th birthday, and (through Octavia’s eyes) the readers see her struggles with boys, friendships, and growing up. Both sisters are reluctant to go on this road trip with their grandmother, thinking it will be boring, but the trip eventually brings the three women together, all with a greater appreciation for each other and their stories.

The “then” sections are told from Mare’s perspective. The story follows her from basic training all the way to Birmingham, England, and Paris, France. After an incident with Toby, a man her mother is involved with, Mare lies about her age to join the Women’s Army Corps. While she worries about her younger sister Josephine, Mare finds freedom and agency through her time in the army. She is relegated to some unsavory jobs as a member of a Black women’s unit.  In addition, Mare compares the discrimination she faces in the Southern U.S. to what she experiences in the military. When she returns home to Bay Slough, she sees how much has changed.

Mare’s War includes themes of family, growing up, and the importance of history. These themes teach readers to understand Talitha, Octavia, and Mare as they learn from each other. The reader sees the various forms of discrimination Black women experience at all ages, from the 1940s to the present day.

Mare’s War is an engaging story and one of the few books that address Black women’s role in World War II. However, the difficult scenes with Mare and Toby may upset younger readers even though these scenes are sexually charged, but not explicit. Mare’s sections use a form of African American Vernacular English, which could be confusing to readers who are unfamiliar with the dialect. At times, the easy-to-follow plot is slow. However, the characters make the story interesting and worth reading.

Sexual Content

  • When introducing Mare, Talitha and Octavia talk about finding her “panties” in the bathroom that have a “fake butt” attached. They describe them as “fanny pants”
  • There are two scenes where Toby, a character from Mare’s arc, makes unwanted sexual advances on Mare and other young women. “Toby been bumping me, touching me, cutting his eyes at Mama when he thinks she don’t see. He’s been talkin’ filth to Josephine…”

Violence

  • Mare’s younger sister Josephine (“Feen”) hides under the bed while Mare and Toby interact. Mare knows she must keep Josephine safe, so she defends herself with a hatchet. “[Toby] smacks me in the mouth before I can get my hand up. Feen hasn’t stopped screaming, but I have. I tighten my hands on the hatchet.” Mama eventually saves Mare and Josephine by shooting Toby, but he survives.

Drugs and Alcohol

  • Present-day Mare is a smoker, so there are many scenes that involve her and cigarettes.
  • Toby drinks and smokes in ways that impact his personality, character, and actions. Mare describes Toby. “I can smell that nasty pipe Toby always be smoking… his voice is slurred.”
  • While out at dinner, seventeen-year-old Octavia drinks an alcoholic beverage with Kahlua in it.
  • While out in London, Mare and her friends go to a cafe and a club where Mare drinks for the first time. She is 18, so it is legal, but the scenes do depict her enjoying drinking. When she first drinks, Mare says “when I take a sip, it’s not too bad at all.”

Language

  • Dad says Mare drives “like a bat out of hell”
  • When Mare goes out in London, she is racially targeted. Someone says “forgot who you are, n——found out you can get a white girl here. Been seeing you and them other c—ns of yours stepping out with them English whores.” Some of these words appear more than once in this section.

Supernatural

  • None

Spiritual Content

  • When Toby attacks Mare and Josephine, Josephine prays to Jesus asking him save her.
  • While Mare is in service, she communicates with Sister Dials, a religious figure.

by Talia Marshall

 

Tales from Shakespeare

Tales from Shakespeare takes a trip through 10 of Shakespeare’s plays covering the gamut of plots. From lighter stories such as A Midsummer Night’s Dream to stormier plots like Macbeth, Packer does a thorough job portraying the range that Shakespeare had with his pen.

Shakespeare is often cautioned when given to readers as it can be hard to get through, but this book helps to break down that barrier. Packer tells Shakespeare’s stories in her own words while seamlessly weaving excerpts into the process. This method of storytelling removes the intimidation factor that Shakespeare can sometimes have with new readers without forfeiting the ingenious wordsmithing that the Bard is known for.

Perhaps as enticing as the beautiful stories are the incredible artwork that sits between the pages. Packer recruits a different illustrator for each of the plays, and each has vastly different styles. The variety of artwork is all too fitting for stories with vastly different plots. The illustrations serve as milestones when flipping through the book urging one to continue reading to reach the next scene. With highly detailed illustrations in high resolution, one finds themselves looking at the portrayed landscapes and characters and feeling a sense of escape. Illustrations appear every 10-15 pages, often at the beginning of a new story. Having such detailed imagery only seems fitting for literature that was intended to have a visual aspect as well. Originally, one would be listening to these stories while watching it unfold in the spotlight. This book simulates that feeling with the interplay of visual art and literature. Tales from Shakespeare feeds one’s fictitious hunger and lets one’s imagination roam.

It is a known fact that some of the topics covered in Shakespeare’s plays could be harsh for a younger audience. The original stories have sexual innuendos, violence, and strong language, and Tales of Shakespeare does not remove those topics. Packer does not alter the stories, but she does not dwell on graphic details that are portrayed in a matter-of-fact way. If someone dies, she mentions it, but she does not use the moment to leverage a reaction from the reader. The focus of this book is to welcome as many readers into the “Shakespearean fold” as possible by introducing his command of the human experience. The theme that ties these stories together is the timelessness of these plays, and how they have the power to cause one’s eyes to well up hundreds of years later.

Tales of Shakespeare is the perfect introduction to Elizabethan England, 17th-century English dialect, and Shakespeare’s stories. Shakespeare’s stories are timeless, and they have spoken to people throughout the ages. This book would serve as an excellent resource as an introduction to how plays are read and how they are formatted. The book includes the plays A Midsummer Night’s Dream, Hamlet, Much Ado About Nothing, Macbeth, The Tempest, Othello, As You Like It, Romeo and Juliet, Twelfth Night, and King Lear. Tales of Shakespeare covers some of Shakespeare’s greatest works and the prowess of the Bard is made accessible through this book.

Sexual Content

  • Don Pedro and Claudio see, “A woman leaning out of Hero’s window kissing another man.” They believe Hero is cheating.
  • Romeo and Juliet are “laying in each other’s arms” and he is “sealing her lips with a kiss.”
  • Othello thought his wife looked so beautiful sleeping. “He could not resist giving her one last kiss . . . and then another . . . and then another.”

Violence

  • Hermia’s father threatens her with death if she doesn’t marry the Duke.
  • After Hamlet has slain Polonius, “the bloody corpse of old Polonius slumped forward.”
  • After being weighed down by her dress, Ophelia drowns in the river.
  • Hamlet and Laertes duel and at the end “both men now bleed.”
  • Hero fakes his death in order to test the love of Claudio.
  • Beatrice orders Claudio’s death and that Benedick should duel him. They do not duel and Claudio is unharmed.
  • Macbeth goes into Duncan’s chambers when he is sleeping and “plunged both daggers into the king’s chest” and fled “still clutching the gory blades.”
  • After Macbeth kills Duncan, Lady Macbeth is unsuccessfully trying to wash the stain of a bloody spot. “Here’s the smell of blood still.”
  • Macduff and Macbeth duel and Macbeth is slain. Macbeth realizes he was the king to fall and dies in regret after “blade met flesh.”
  • In an ambush, “Roderigo leaped from the shadows and jabbed a knife in the back of Cassio’s chest.”
  • Othello “pressed a cushion over his wife’s face, smothering her.”
  • Oliver offers a blood-soaked rag to Rosalind. Rosalind faints at the sight of it.
  • Mercutio “stumbles backward” and is slain by Tybalt. Tybalt is then slain by Romeo in revenge. “He wildly fought and the sword found its mark.”
  • Romeo drinks poison given to him by the friar. He believes Juliet to be dead and kills himself. Juliet wakes up to see her lover dead and says, “Oh happy dagger! This is thy sheath. There rust and let me die.” She proceeds to stab herself in the heart and falls next to her husband, Romeo.
  • Cornwall plucks out Gloucester’s eye saying “out, vile jelly” and then proceeds to pluck the other one out. Regan then “leaned over Gloucester’s bloody, unseeing face.”
  • Gloucester tries to take his own life by jumping off a cliff, but is unsuccessful. He swears to never do it again. He later dies from grief and from having his eyes taken out.
  • Goneril’s steward is “struck down” by Edgar after turning on him.
  • Regan dies from being poisoned by Goneril, and Goneril, who is overcome with grief, stabs herself.
  • Edmund orders both King Lear and Cordelia to die. Although it is not described, he is successful in killing Cordelia. When Lear sees his daughter dead, he is overcome with grief and dies as well.

Drugs and Alcohol

  • Claudius promised to serve Hamlet a “goblet of poisoned wine for good measure.”
  • Queen Gertrude, the king, and Laertes are poisoned by wine.
  • Stephano, the king’s butler, “washed ashore with a case of wine and had spent the last hour swigging from a bottle.” He meets Caliban and he gets drunk as well.
  • Cassio gets drunk and gets into a fight with Roderigo.
  • Toby makes a drunken effort to draw his sword, but Maria crafts a plan to distract him.

Language

  • Polonius says to Ophelia, “You speak like an immature girl.”
  • “Get thee to a nunnery!” Hamlet says to Ophelia
  • Lady Macbeth yells “out damned spot” when trying to clean the blood from her hands.
  • Macduff shouts, “Turn hellhound, turn!”
  • Caliban says to Stephano, “What a thrice-double ass was I to take this drunkard for a god.”
  • Iago says to Roderigo “after all, it’s only natural that she tire of that ugly moor.”
  • In a rage against Desdemona, Othello says to kill her. “No, damn her, lewd minx.”
  • “Oh dishonorable, vile submission!… Wretched boy.” Tybalt exclaimed to Mercutio.
  • King Lear calls Goneril and Regan “unnatural hags.”

Supernatural

  • Puck gives Bottom a Donkey head.
  • Demetrius has a love potion cast upon him that makes him love Hermia.
  • Hamlet sees his father’s ghost and says that his father was murdered. His ghostly father makes him swear to avenge his murder and kill his uncle.
  • The three witches in Macbeth predict the future and the eventual demise of Macbeth. They create a potion and finish each other’s sentences.
  • Macbeth sees the ghost of Duncan at the dinner table, and others believe Macbeth is mad.
  • Caliban is an enslaved, scaled creature and the son of the witch Sycorax.
  • Prospero has strong magical powers, a book of charms, and creates the Tempest.
  • “’My daughter, O my daughter,’ Brabantio wailed. ‘Stolen from me and corrupted by spells.’” Brabantio goes on to accuse Othello of witchcraft.

Spiritual Content

  • Beatrice says, “God give you joy.”
  • As Hamlet dies, Horatio says, “Flights of angels sing to thy rest.”
  • “Oh let me not be mad, sweet heaven,” said King Lear who feared for his sanity.
  • After seeing Cordelia dead, the distraught King Lear says, “The Heaven’s vault should crack.”

by Paul Gordon

 

Loveboat, Taipei

Ever Wong’s parents came to America with little, but they were determined to make a better life for their children. Ever’s father, a talented doctor, was unable to obtain a medical license in the US and the family is barely scraping by. The Wongs are determined to see their daughter become a doctor. The only problem is that Ever has very little talent for medicine and would much rather go to dance school.

Ever wants to spend her summer dancing with her friends, but her parents have different plans for her. Ever’s mother pawns her most valuable jewelry to pay to send Ever to a rigorous pre-med program. Then Ever’s mother sends her to Chien Tan, a summer program designed for Chinese-American high school students learn about their culture through eight weeks in Taipei, Taiwan.

In Taipei, Ever finds herself among a Chinese-American majority for the first time in her life, but she also discovers that many of her peers have grown up quite differently from her. Most of the Chien Tan students have enormously wealthy parents, and nobody else has had to pawn jewelry to pay for their airfare. Many of Ever’s peers are fluent or near-fluent in Mandarin, which Ever never learned.

Sophie, Ever’s roommate, tells her that Chien Tan has the nickname “Loveboat.” It’s the status quo for students to sneak out at night, go clubbing, and abandon their boyfriends and girlfriends back in the States for intense, short-lived love affairs. Away from her family for the first time, Ever begins to break all of her parents’ strict rules: she drinks, dresses immodestly, and kisses boys. She finds herself caught in an intense love triangle between golden-boy Rick and mysterious bad-boy Xavier.

Loveboat, Taipei addresses many issues that readers may find relatable: the pressure of overbearing parents, the pressure to get drunk or have sex for the first time, and the complicated feelings one can have over cultural identity. The romance is well-written and the love triangle is cute, but readers may find it hard to believe that the two most popular boys in Loveboat are both so smitten with the likable, but unassuming, Ever.

Much of the book’s plot concerns the drama around Ever’s love triangle. Through Ever’s perspective, readers see background characters work through their own drama, too. The cast of characters is large to start with, and it gets confusing when the book names too many extra characters who aren’t part of the plot and only exist to populate the background.  Chien Tan gives unbridled freedom to kids on the cusp of adulthood. They form hasty relationships, hurt themselves, and hurt each other—emotionally and sometimes physically. For example, Sophie spreads nude photos of Ever out of spite. Readers may think this was unforgivable, but they eventually make up.

Ever’s frustration with her parents is a major theme; despite their disagreements, the family clearly loves each other. The narrative reflects the nature of this complicated relationship. Ever learns to stand up for herself and exercise her new freedom staying true to her own values. Loveboat, Taipei will be a compelling choice for readers looking to read about culture, class differences, and “leaving the nest”.

Sexual Content

  • The official rules at Chien Tan say, “No boys and girls in a room with the door closed.” However, this rule is often broken.
  • Ever says that her mother believes that “sex is a by-product of marriage to be endured, preferably through a hole in the blanket.”
  • Later, after having sex for the first time, Ever says, “Sex isn’t the barely tolerable duty of procreation, like Mom always insinuated. It’s two human beings fitting seamlessly together.” However, she still feels guilty, because she “wanted to wait for love.”
  • Ever sees a boy she once kissed and remembers, “those big hands on my hips. His tongue pressing my lips apart. He taught me everything I know about kissing that I didn’t learn from practicing on oranges” with her best friend in middle school.
  • At the Chien Tan dormitories, a couple is ousted from their room. The girl is “clutching her pink dress to her bra.” Ever says that the boy “grabs his shorts–but not before I catch a glimpse of his . . . equipment.” Ever says she is “too stunned to close my eyes.”
  • Ever says that a girl enjoying a meal makes “moaning noises straight out of a scene I wouldn’t be allowed to watch on TV.”
  • Someone asks Rick if he and his long-distance girlfriend have been “having phone sex.”
  • At a club, Ever sees “middle-aged men who line the walls, eyeing girls on the dance floor.”
  • Ever dances with a boy from Chien Tan. “His eyes sweep my body. His neck gleams with sweat. My hair’s damp. I writhe with him, matching thrust for thrust. His hip wedges against mine as he pulls me deeper, deeper–and then I feel him. Oh my God. Oh my God. Is that what I think it is?” She realizes he has an erection and backs off. Later she thinks, “I’ll have to see him in class every single day, knowing I gave him a boner, and him knowing I know.”
  • Sophie tells Ever, “Xavier and I hooked up. Last night. We did it.” She tells Ever “far more detail than I need or want: how they’d made out the whole cab ride home, fumbled down the darkened hallway, tumbled into a spare bedroom on the first floor.” Ever notices that Sophie has “a pink, quarter-sized hickey” on her neck. Ever says, “I can’t imagine sleeping with a guy after knowing him only a week.”
  • Sophie and Ever go to take “glamour shots.” The photos get more and more risqué until Sophie takes a photo naked. “Her bikini lies in a silky, white heap on the floor. She’s naked. Not practically. Actually. Yannie’s lights shine off her golden skin, illuminating bikini patches.” Sophie tells Ever, “This is art, not porn.”
  • While taking photos, Ever remembers how she always felt “the grip of shame” about her body, especially when she “developed more parts to feel ashamed of flaunting.” She decides to follow Sophie’s lead and pose for her own nude shots.
  • Later, someone makes copies of Ever’s nude photos and distributes them to everyone. Ever sees the photos, which show “A girl. She’s back-dropped in white, the only object in her rectangular world. Her hands open like fans at her sides. She gazes out at me, chin raised boldly, dark-red lips parted with a seductive intake of breath, coils of black hair swept up to show off every curve of skin from the slope of her neck to her coyly cocked ankle–and everything in between.” The photos get her into a lot of trouble. The Chien Tan students and staff all see the photos, and Ever is mortified and almost expelled.
  • Ever recalls that some men have “Asian fetishes.” She remembers explaining to a white friend why attracting men’s interest simply because she’s Asian is “not flattering, why it’s based on stereotypes that have nothing to do with who you are.”
  • A girl in the bathroom seems very embarrassed while she scrubs at a blood stain on her sheets. Ever blushes when she realizes that they’re “not period stains” (The implication is that the girl bled during sex).
  • Later, after having sex for the first time, Ever sees “a red smear, like a smudge of calligraphy ink,” on the bedsheet. She’s embarrassed and hopes she’ll never have to see the boy again.
  • Ever passes a couple’s room and hears “soft little moans and kissing sounds.”
  • Xavier kisses Ever. “His mouth is soft, sweetened by wine. He tucks his fingers into my hair and cradles the curve of my neck. Under his lips, my back arches slightly… His mouth silences me, parting my lips, making me gasp with the unexpected pleasure of his tongue.” They stop a few moments later.
  • Ever has sex with Xavier, but the scene isn’t depicted. The next morning, “I lie on my side on a cloud of down feathers, nude between cotton sheets and a blue duvet and the weight of Xavier’s arm over my waist. His naked body presses against my back from shoulder to thighs. Last night returns like a dream: Xavier’s hand on my back, guiding me to this room as our mouths moved together, the click of the door sealing our privacy, then his mouth on my eyelids, my cheeks, the hollow of my neck, his hands exploring . . . my fingernails in his shoulders. My body is sore in places I didn’t know could feel sore.”
  • Ever and Rick bathe in a hot spring together and become intimate. The scene takes place over several pages and concludes with, “His mouth burns a line down to my belly button. It makes my body quiver like a tightly strung instrument. The splash of water echoes as he slips back into the pool. My stomach dips as his hands part my knees. He slides his shoulders between them, and his hands tuck under my thighs and take hold of my hips. He kisses a trail along the inside of each thigh, his breath warm on my skin, so near and intimate. My pals press the stones, all my body throbbing, unbelieving, as he asks permission to continue, and my whisper yes blends with the gurgle of the hot waters. He takes his time. A slow burn that builds and builds, until I am clawing at the stones and my back arches and my toes splash and my body ripens under his grip.” Later, Ever says, “Who knew Boy Wonder was so good with his tongue?”
  • During Chien Tan’s talent show, one of the boys dresses in drag. A character sees the drag queen and says, “Whoa, she’s stacked.” The drag queen’s “red lace bra is covered only by the middle button of her coat.”

Violence

  • Ever remembers hearing about a child prodigy who “died by suicide.”
  • Ever resents Rick and says, “I indulge a fantasy of me using that big, hard body as a punching bag.”
  • When Xavier gets out of his dad’s car, Ever notices that “a reddish blotch shines on his cheek–a bruise? Did his dad hit him?”
  • During a conversation with Ever, Xavier reveals that his dad said “[he] should’ve beat me harder to beat [the dyslexia] out of me.” Ever is horrified that Xavier was abused over his dyslexia. Xavier says, “My dad gave me a new set of trophies and told me I was a disgrace to nine generations.” Ever realizes that by “trophies” he means “bruises.”
  • Ever remembers “Mom with the chopsticks, hitting the inside of my bare thigh once, twice, three times. I don’t even remember what I’d done. The chopsticks only came out occasionally, and left no scars, but the shame has lingered.”
  • A man making ‘snake-blood sake’ cuts the head off of a snake. “His hatchet bangs down. The snake’s fanged head flies” at one of Ever’s friends. “Its severed end spurts dark red blood . . . Into one vial after another, the man squeezes the snake’s cut end. Dark red blood pulses out, pinking the liquor.”
  • At a bar, Ever is accosted by “two hundred pounds of meaty guy.” Ever says he “crushes me against the bar. He reeks of alcohol and sweat. I shove back, but it’s like trying to move a brick wall.” A boy from Chien Tan comes along and rescues her by telling the man, “She’s with me.”
  • A Chien Tan couple has arguments that “usually ended with something broken—a bulletin board, a lamp, his toe.”
  • When he’s angry, Rick “slams his fist through the center of his rice sack.”
  • Ever becomes interested in the choreography of fighting with staffs and sticks. She and Rick often mock-duel, but never with the intention to hurt. There are several pages of scenes where they ‘fight’. For example, “The crack of wood on wood punctuates the air, reverberating in my hands. I swing again. Again. Force him back until his foot hits a brick wall. And then he’s shoving me back, stick flying. . . swing a blow at his head. He ducks.”
  • During one fight, Ever says, “I instinctively whip my stick down—and slam his knuckles.” Ever apologizes immediately, because she didn’t mean to hurt Rick.
  • Someone tells Ever about “samurai of feudal Japan, soldiers who didn’t fall on their swords like the Romans did, but disemboweled themselves.”
  • Rick and Xavier get into a fight. “Xavier’s arms are locked around Rick’s neck, both bent double as they lurch into Marc, who grabs at them, earning himself a punch in the stomach . . . They’re inseparable, a force of muscled arms and legs and rage, knocking over everyone in their path.” Chien Tan counselors break up the fight and send them to the infirmary to clean up their bloody noses.
  • Sophie arrives home with a black eye and claims she “walked into a wall.” Later, Ever discovers that Sophie’s boyfriend Matteo has been violent with her. Ever sees Matteo “in a drunken stupor,” chasing after Sophie. Sophie locks herself in her room and Ever hears Matteo “spewing curses. The door shakes under his weight. I jam the door in place, then hang on tight. Under me, the door convulses as he pounds and pounds.” Later Sophie says that Matteo was mad because she “bit him.” Sophie agrees to let Ever tell the Chien Tan counselors about the incident, and Matteo is expelled and sent home.
  • Someone talks about how their mom struggled to find employment. “My mom went to work in a hotel and then some asshole manager slapped her butt and she shoved him onto his . . . now she’s cleaning toilets.”
  • Rick speaks about the tense relationship he has with his girlfriend, who suffers from severe depression and relies on him for emotional support. “We were in her kitchen. Cutting a loaf of bread we’d picked up. And she started crying and saying she couldn’t anymore, couldn’t take her parents, school, life, without me. She grabbed the knife, and I grabbed hold.” He “opens his palm to sunlight. Under its harsh yellow rays, the four inch-long scars line up in their row.” He admits that he eventually only stayed with her because he was afraid she would harm herself. The book later explores how this relationship has harmed Rick.

Drugs and Alcohol

  • When trying to navigate the airport, Ever runs into a man who stinks of “cilantro and cigarettes.”
  • Ever soon learns that the drinking age in Taiwan is eighteen—making her legally able to drink. Still, it’s against Chien Tan rules. She says she’s “never even tried alcohol,” and that the last time she went to a wedding, her mom “whisked [my] champagne glasses from under the waiter’s bottle.”
  • During a study group, some boys “are passing a steel bottle around.” Ever declines the first time, but partakes at later meetings.
  • Ever breaks her parents’ “no-alcohol” rule by drinking ‘snake-blood sake’. After watching a man chop off a snake’s head and squeeze the blood into the alcohol, she drinks it. “I throw back my head. The warm, salty blood and sake set my throat on fire. It tastes bitter. Like metal. Heat sears my chest, opening up a pipe there I’ve never felt before . . . My head feels stuffed with rice, then it explodes in a million directions. Kaleidoscopic tingles dance through my body.” Later in the evening, she throws up on the street and has to be carried home.
  • After being in Chien Tan for several weeks, guava cocktails are Ever’s “new favorite.”
  • Xavier hands Ever “a bottle of . . . a French wine with a white label. I fit its glass top to my lips and take a long pull. Dark cherry, rich and strong. I take a second pull, a third, letting its smoothness warm my body.”
  • In her messy room, Ever notices that some clothing lying on the floor “has soaked up a can of stale beer.”
  • After Ever sprains her ankle, a paramedic gives her “a white pill—prescription-strength ibuprofen.”

Language

  • Profanity is used infrequently. Profanity includes crap, ass, asshole, hell, damn, shit, bastard, bitch.
  • Oh my God and Jesus are occasionally used as exclamations.
  • Fuck is used four times.
  • Ever calls Rick a brown-noser.
  • Someone calls Ever a slut.
  • Someone calls Sophie “fucking bitch” and “cocktease.”
  • Ever remembers seeing a store clerk call her dad a “stupid chink.”

Supernatural

  • A hotel “has no fourth floor—the Chinese equivalent of unlucky thirteen, because four sounds like death in Mandarin.”

Spiritual Content

  • Ever describes her parents as “Chinese-Baptist.”
  • When dancing, Ever says she feels like “a goddess.”
  • Ever recalls “sorting I Ching sticks with a fortune-teller” while touring Taipei.
  • One girl at Chien Tan is “really involved with the weekly Bible study she started.”

by Caroline Galdi

 

 

 

 

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