Reading Level: Junior High

The Penderwicks at Last

The Penderwicks are back for the final installment of Jeanne Birdsall’s beloved series about family, friendship, and adventure. The entire family is coming together once again for a wedding, and it just so happens to be at their favorite place in the world, the Arundel estate. Lydia, the youngest Penderwick sister, is now eleven years old and is a boundless ball of dancing energy, excited to experience the wonderful place that she has heard so many stories about. New surprises await as the charming family returns to the estate where it all began.

Following the same simple, yet charming style of the first four books, The Penderwicks at Last is a delightful read. However, it is the least interesting of the series. Although it has the trademark humor and wonder that captivated readers from the beginning, this book tends to drag and lose momentum. Curious readers excited to discover the fate of the family that they have grown to love may find that part of the magic has faded.

The best elements of the book include when Lydia interacts with her family, rather than what the majority of the book focuses on–her relationship with her new friend Alice. As Lydia becomes a better person over the course of her stay at the enormous estate, she learns important lessons about kindness, friendship, and familial bonds.

The story revolves around Lydia as she navigates and discovers Arundel for the first time. She begins to understand the secrets of what makes the Berkshire estate so magical to her family, from the gardens to the rolling fields, allowing the reader to feel the wonder and excitement along with her. Since Lydia was only in the last two books of the series, she is less fascinating than her siblings are. Readers willing to overlook this will find it an enjoyable tale of weddings, space alien movies, and new friendships.

Although The Penderwicks at Last can be read as a stand-alone novel, readers will find the story more amusing if they have read the previous books. Younger readers may find the diction difficult and may not be interested in the older characters and their adult problems.

Despite disappointments for long-time fans of the series, Birdsall uses her trademark style to create a story that is still pleasant to read. Mimicking the mood and story arc of Louisa May Alcott’s Little Women, The Penderwicks at Last is a feel-good story for readers of all ages.

Sexual Content

  • Batty has a boyfriend from college named Wesley who is a dedicated art student. “Lydia liked him more than any of Batty’s boyfriends from high school. Indeed, he was among her top four or five picks of all her sisters’ boyfriends put together.”
  • Jane has distinctive views about love in her life. “She cared only about becoming a great novelist. Everything else was secondary, including love and romance. Those she’d sworn off after a few heartbreaks had used too much of her writing time.”
  • When they were young, Enam promised to marry Lydia when they grew up. When Enam gets a girlfriend when he is older, Lydia “wasn’t awfully upset, but was also comforted when Aunt Claire told her that boys–even her own two sons–can be dopes when it comes to love, and then took Lydia out for ice cream and a movie.”
  • Tifton perpetually is getting married, divorced, and remarried.
  • Alice tells Lydia the story of how her parents fell in love. “Dad met her when they both started teaching . . . and fell in love with her because of how talented she was, but then he had to beat out the math teacher, the gym teacher, and also Mom’s boyfriend from college before he could win her heart.”
  • When Lydia is trying to stage a procession rehearsal for the wedding, Rosalind, “sneaked off with Tommy to hide behind the pavilion, where they thought they couldn’t be seen.” Alice laments that they are kissing again.

Violence

  • Lydia dislikes a girl in her dance class. Lydia wishes that she could, “do something dramatic about her dislike–shout it to the world or kick Deborah in the shins.”
  • Alice has a conspiracy theory about Mrs. Tifton murdering her husbands in her giant mansion. “She could have poisoned them and used the ax to chop them into pieces. Look right there….I bet that’s blood.”
  • In a tragic scene of Ben’s sci-fi movie, Alice acts out the part of a dying alien who gets murdered. They shoot this scene several times and Alice is regarded as being very good at it.

Drugs and Alcohol

  • None

Language

  • Jeffrey comes back home to Arundel. “He spotted me at the tunnel and thought, What the heck is that, and do I need to protect my friends from it–”

Supernatural

  • Arundel is described as a magical place. “Jane had said that the stone pillars were a magical boundary that kept out the real world.”
  • Alice believes that all of Mrs. Tifton’s husbands became ghosts after she allegedly killed them. “The husbands could now be ghosts, waiting for their revenge.” These ghosts make Lydia reluctant to sleep alone in the mansion.

Spiritual Content

  • None

by Morgan Filgas

 

 

The Last Kids on Earth and the Cosmic Beyond

Jack and his friends are looking forward to their first Christmas celebration since the monster apocalypse. Jack wants to show the monsters the joy of sledding, snowball battles, and gift giving. But their winter plans are put on hold when an evil human villainess begins hunting them.

The villainess hopes to create a portal to bring Ghazt, the general of the undead, to Earth. But first she needs Jack’s monster-slaying tool, the Louisville Slicer. When his prized weapon is stolen, will Jack and his friends be able to get it back? Will they be able to stop the villainess’s evil plan?

The Last Kids on Earth and the Cosmic Beyond takes a step back from monster fighting and focuses more on the kids’ winter activities. In order to show the monsters that snow is fun, the kids do a series of snow activities including ice fishing and snowball fights. But the activities make the “monsters extra freaked out. They’ve become afraid of snow in both flake form and ball form.” Readers will laugh as Jack and his friends try to show the monsters their traditions. Through these humorous scenes, readers will learn the importance of understanding different cultures. The story shows that some people may find different traditions strange because they have never heard of them.

Like the previous books, the story will keep readers entertained with its fast pace, funny scenes, and epic battles. The easy-to-read text contains dialogue bubbles, alliteration, and onomatopoeias that make reading the story a joy. The black and white illustrations that appear on almost every page bring the kids’ world to life as well as add humor.

At first, The Last Kids on Earth and the Cosmic Beyond may look like just another graphic novel. But the characters are surprisingly well developed and readers will come away with a valuable lesson about the importance of community. When Jack and the kids seek out a Warg, Jack realizes that “maybe she was watching because she felt that feeling, that’s the worst of all feelings. That feeling of being, like, left out?”

This story can be understood without reading the previous books in the series, but for maximum enjoyment readers should read the books in order. Readers will enjoy The Last Kids on Earth and the Cosmic Beyond. The story keeps the same humorous, non-frightening format as the previous books.

Sexual Content

  • Jack has a crush on June. At one point, June “looks deep into my (Jack’s) eyes. I’m wondering if this might be sort of a romantic moment or something. . .” It’s not.
  • When Dirk is bitten by a zombie, he is “stretched out on the poker table. . . I expected it to be like a scene from one of those TB shows with doctors running around emergency rooms. You know the ones, where they spend like half their time saving lives and the other half making out in the hospital closets?”
  • Meathook grabs Jack, and his “gray-purple tongue snaps and smacks me across the face. I half expect it to follow that with a French kiss of death.” Meathook grabs Jack’s weapon and then lets him go.

Violence

  • While catapulting in a sled, the kids jump out of the sled before they slam into a monster. “There’s a gulp—and the great beast’s belly rumbles. The sled has been swallowed.”
  • An “above ground-like octopus” attacks Jack. Before the monster can hurt him, “a rolling library cart slams into the monster. There’s a wet SPLAT and the monster is suddenly airborne, sailing across the library.”
  • A zombie tries to bite Jack, but June stops the zombie by putting her gum in its mouth.
  • An evil human villainess captures the kids. In order to escape, Jack throws “a handful of dry, shredded gum into her face.”
  • Meathook tries to smash the kids, but they use a string of lights to try to trip him. Jack “sees the string of lights snapping in the air and then—THWACK!—the harpoon slams into Meathook’s scaly hide.” The trick does not work, but “the string of lights circle around me (Jack). My butt’s jerked from the seat.” During this battle, a zombie bites Dirk. Evie grabs Jack, but then, “a pair of zombies soars past our heads. Like, airborne undead. . .Another zombie sails past us. Its pinwheeling arms nearly take Evie’s head off. . . ” The scene is described over seven pages.
  • Meathook grabs Dirk. Jack sees Dirk, “sagging, spinning, hanging from the monster’s tongue.” The two disappear.
  • In an epic battle that takes place over several chapters, Meathook tries to stop Jack and the others from helping Dirk. “His one massive paw swipes, slashing the air, engulfing me. . . Quint cries. He’s scooped up, too. Our heads clonk tougher and my world spins.” Meathook captures all three kids.
  • Jack escapes Meathook and jumps on Evie’s back. “It’s a whole hero-villainess piggyback situation. My hands grasp her cloak.”
  • Jack and his friends have been “overrun by the undead. . . the zombies are on us! Quint’s robes are shredded! Teeth sink into June’s shoulder pads! A dripping mouth on Quint’s wrist. Hands tearing open my big white puffy pants. . . The zombies are flung backward on the heels. It’s like they’re being yanked by invisible strings.”

Drugs and Alcohol

  • None

Language

  • Crud is used twice. When a monster goes to hit Quint, Jack yells “crud.”
  • Dirk calls Jack a dork. Later he calls the evil villainess’s zombies “her dork collection.”
  • Freaking is used once.
  • Ghazt tells Evie she is a fool twice.
  • Evie calls Jack an “idiot boy.”

Supernatural

  • A new monster appears called Meathook. His characteristics include, “Big fist! Powerful Paw! Action Arm!”
  • Monsters that look like eyeballs appear. When Jack sees the “goo-ball things” he thinks, “It’s a reminder of just how bizarre the world is now that the sight of a rolling, gooey, eyeball creature only medium weirds us out.”
  • Warg has “spiny bone tentacles, and an outer eyeball layer. When the monster stomps on the floor, “at once the eyeballs roll toward her. They leap up, veering at her like some coat of peeping pupils.”
  • Ghazt is the general of the undead.
  • Dirk begins turning into a zombie. When Dirk moans, “it’s an awful combo cry: a howling human and a groaning zombie, mushed into one awful noise.”
  • Something happens to the Louisville Slicer that makes it “different. It has some new power because of what happened.”

Spiritual Content

  • Evie, an evil human villainess, is a worshiper of the Destructor of Worlds. While trying to understand the villainess, the kids find a book that explains that the worshipers want to build a portal. Quint explains, “Apparently, these worshipers had some success. They called themselves the Cabal of the Cosmic. . . Any creature can be a Servant—they need not be from a specific dimension.”
  • The evil human villainess plans to use a three-step ritual to bring an evil being from another dimension. Part of the ritual is to “capture an undead human being. . . place the artifact in the zombified human’s hands to open a portal, allowing Ghazt to enter the zombified body. Ghazt will then take control of that person’s body. Forever.”

Amber House

Sarah had never seen Amber House, the family estate until her family traveled to Maryland in order to sell it. The house has been in the family for three hundred years, but Sarah doesn’t care – that is, until she starts seeing visions of its past. It turns out the women of Amber House have the gift of seeing the home’s echoes, and not all of them are moments for which the family would like to be remembered.

Despite her fear, the lure of hidden diamonds keeps Sarah at Amber House, digging to uncover its secrets. As her family gets closer to selling the estate, Sarah becomes more attached, desperate to save her family’s heritage. But when her little brother gets trapped in the in-between world of spirits and memories, Sarah realizes her family heritage is darker than she had ever imagined.

Filled with beautiful imagery, Amber House is a delight from beginning to end. The constant unraveling of numerous mysteries is complemented by the troubles of a normal teenage girl—parental discord, family drama, and a sprinkle of romance that complements the story while not becoming overbearing. In a surprising feat, the main and supporting cast of characters are all well-developed, creating a story full of people to root and long for.

While this story has a fair amount of violence, it is not graphically described. For a young adult novel, the sexual content and language are also refreshingly mild. The book is a must-read because of the well-developed cast, beautiful imagery, and a delectably unique storyline. Also, the main character, Sarah, is extremely likable. Overall, Amber House is a joy to read and it leaves readers desperately hoping the sequel can live up to its predecessor’s impressive feat.

Sexual Content

  • Sarah’s dad cheated on her mother before the start of the book. “He’d gotten a little too close to Sammy’s overly friendly pediatrician back in Seattle.”
  • It’s mentioned in passing that the founder of John Hopkins Hospital “fell in love with his first cousin, Elizabeth” and that neither one “of this tragic pair ever got married.”
  • Sarah idly flips through a magazine and sees a Cosmo article titled, “Ten Spicy Ways to Do It in the Summer!”
  • At a party, Sarah follows Kathryn “up the carpeted steps, her nearly naked bottom exactly two steps up and directly in front of my face. No cellulite, I noted.”
  • Sarah and Richard kiss several times. “He leaned over, put his finger under my chin. He hesitated a moment, then gave me the softest kiss. I liked it. I liked it a lot.”
  • Richard’s friends go swimming in their underwear. Sarah sits on the side and watches. “Chad stopped undressing when he got down to his boxers. He took a running jump and cannonballed into the pool. Kathryn—now in nothing but a matching bra and panty set—followed.”
  • Sarah’s mom thinks the senator wants something from her. “He may be looking for a – companion. . . Or maybe he’s more ambitious. He’s single, I’m newly wealthy, and he doesn’t seem to like it much when your father is around.”
  • Sarah sees a man and woman kissing in a vision, but the woman seems to see Sarah too. “‘You’re watching, aren’t you?’ she said. ‘What, honey?’ the man said, not stopping, slipping the shoulder of Fiona’s dress down to reveal bare skin. ‘It’s all right,’ she said to the door—to me. ‘Sometimes I watch too.’”
  • Sarah sends her best friend an email. “You will not believe where I am. . .in the bedroom of the Abercrombie model…and no, we’re not doing anything except picking up some party clothes, you filthy-minded hussy.”
  • Sarah and Richard kiss in the garden. “He kissed me again, harder, more urgently, his hands folding my face, and I found myself kissing him hungrily, my fingers in his hair.”

Violence

  • Jackson tells the story of a “car accident when I was three. Burned me pretty bad all over my left side. . . got a head injury and a few broken ribs, but I survived. My parents didn’t.”
  • Sarah sees a young girl trying to drown a baby in a vision. “Oh, God. Two little fists flailing; the dark curls on the top of a small head submerged under roiling water. A black woman ran up, shoved the girl back, and snatched the baby from the tub.” The girl tells the woman, “You can’t save it, you know. The gypsy told Papa it has to die.”
  • Later Sarah sees the same black woman being whipped. “He stopped in front of a black woman, stripped naked to the waist, bound by her wrists to a low branch of the tree. ‘Where’s the child, you damned witch?’ She did not answer. . . and bleeding welts crisscrossed the white stripes of old scars on both sides of her spine. Dark drops sprayed from the blow, and I could see that the crop’s leather was stained wet brown.”
  • A woman and her husband get in a fight. The woman “screamed, turning and swinging the thing in her hand down in an arc. He saw her at the last second and parried the thing with his forearm. Then he swore, reaching for the gem-set handle suddenly protruding from his shoulder…’Lock her in the nursery,’ he said. ‘I never want to see her again.’”
  • Richard punches Jackson when he catches him dancing with Sarah. “I could smell the sour notes of champagne, and I could hear it in his voice…Richard turned and struck him in the face. ‘Shut up!’ Blood beaded on Jackson’s lip, purple-red in the half light.”

Drugs and Alcohol

  • Sarah overhears someone talking about her deceased grandmother. “I heard her liver failed, but with all poor Ida suffered, it was no wonder she drank.”
  • Sarah’s mother finds “a stash of medical supplies in a narrow cupboard that contained mostly liquor.” She then “came out with a bottle of vodka and poured herself an inch over ice.”
  • Sarah almost falls down after riding a horse for an hour. Richard says, “Woah, Parsons, you look like you’ve been hitting the sauce.”
  • Richard drinks at Sarah’s party. “I noticed a nearly empty champagne flute at his elbow and wondered if it was his. The dealer didn’t seem to question it.”

Language

  • God, hell, and Jesus are used as exclamations.
  • When Sarah bruises her forehead, her mother says, “Oh my God, what the Hell did you do to your face?”
  • Sarah’s mother says, “Jesus, I can’t take this today.”
  • Sarah says that “spending an evening with a hundred strangers is her idea of hell.”
  • A kid says Amber House has “got a damn cemetery right on the property.”
  • When Richard loses a race, Sarah hears him “choking out a few choice four-letter words.”
  • A friend says Sarah made “an ass out of Richard in front of all his friends. . . It was about time someone took him down a peg.”
  • Sarah’s mom says, “You think I’m some kind of conniving bitch because I want to use the senator’s connections?”

Supernatural

  • Sarah sees visions of Amber House’s pasts when she touches certain objects. Some are harmless and fun, but some are frightening. “A woman stood in the shaft of moonlight. . . She might have been carved of stone. A spider ran down a lock of her hair, and air escaped me in the smallest gasp. . . The voice rose almost to a scream. ‘You think you are safe? You think I can’t hurt you? I can. I can get you. I can find you in your dreams.’”
  • Sarah’s visions of Amber House are passed down among the woman of the family. Jackson says, “Ida saw things too. She called them echoes. When she touched certain things, little bits of the past came to life for her. She said they were the house’s memory.”
  • An old woman named Nanga can see visions of the future, allowing her and Sarah to interact on several occasions. “She can see the future. And because I can see the past, we could talk to each other.”
  • A woman in Sarah’s vision tries to stop her husband from burying their dead son. “’He’s not dead,’ she said, horror in her voice. ‘He’s sleeping. I’ve seen him in my dreams. His spirit comes to me. I won’t let you put him in the ground.”
  • Sarah gets her fortune told at her birthday party. She is told, “I have never seen a board that spoke so powerfully of change as this one.”
  • When Sammy goes into a coma, Sarah sees her brother’s face in a mirror. Jackson says, “There’s an old superstition that spirits can be trapped in mirrors.”

Spiritual Content

  • At her grandmother’s funeral, the housekeeper covers all mirrors with black cloths. The housekeeper says it is “just a southern superstition. . . to help the departed’s soul cross over and not get trapped in the looking-glass world. . . People used to believe you could see through to the other side in a mirror. To the place where souls go after death before they move on to their final destination.”
  • Sarah and her mother go to church to socialize. “It had been years since I’d been inside a church. My mother liked religion about as much as she liked anything else supernatural. But she led the way up the steps the next morning.”
  • “I fell asleep still thinking about people watching me, thinking that the eyes in Amber House were kind of like the eyes of God, knowing every failing. Except God could forgive.”

by Morgan Lynn

Shark Wars

Gray is bigger than the other sharks in his clan and when his stomach rumbles, Gray follows the food and gets into trouble. Gray is banished from his reef and is forced to journey into the Big Blue. Luckily, his best friend Barkley goes with him. As they hunt for food, they enter an ocean world where the battle for hunting grounds is fierce. Gray and Barkley must find out which sharks are friends and which sharks are foes. How will the two friends keep from becoming someone else’s dinner?

The action-packed story follows Gray, who struggles with his large size and his hunger. Because the story is written in the third person point of view, the reader knows that sharks are keeping secrets from Gray. The reader knows that Gray should not be so trusting, adding suspense to the story.

Shark Wars creates a believable world where sharks rule the underwater realm. As the shark clans fight for food, Gray struggles to learn fighting skills, as well as to determine which sharks are trustworthy. Gray learns that even though he doesn’t like a fellow shark, that doesn’t mean they cannot work together for the good of the group.

As Gray meets other fish, he wonders if he is “swimming a good current.” In the end, he discovers the importance of loyalty and standing up for his friends. Shark Wars teaches the importance of doing what is right. The author tells Gray’s struggle for survival in an interesting way. Altbacker includes shark language such as landsharks, shiver, chop chop, and greenie. The cover of the book has a picture of each shark, which allows readers to understand the size and physical differences of characters. With 248 pages and no pictures, Shark Wars is a good choice for fluent readers. For those wanting a story that combines sharks, friendship, and fighting, Shark Wars will keep you entertained. But be warned, once you read Gray and Barkley’s story, you will be hooked and want to have the next book of the series waiting on the shelf!

Sexual Content

  • Valenka rubs up against the male sharks when she is trying to convince them to do something. For example, when trying to convince Goblin to do something, Valenka, “rubbed against him and whispered in his ear.”

Violence

  • A tiger shark attacks Gray and Barkley. “Gray heard a satisfying ‘Whufff!’ as he rammed the shark in the soft underbelly by his liver. The tiger tried to turn but was momentarily paralyzed. Barkley hammered the dazed attacker next. Or he tried. Because of his small size, he bounced off like a sea horse against hard coral.”
  • Gray’s clan is attacked and many of them are sent to the Sparkle Blue. The attack is not described, but Gray is upset. “A reddish haze descended over his eyes as he thought of someone eating sharks from his shiver family.”
  • Goblin and other sharks attack Gray and his friends. “Gray swam towards Goblin, who taunted the sawfish by nipping at his tail as his other shiver sharks laughed. Gray picked up his pace by ferociously whipping his tail back and forth. . . Gray hit the great white in the side, doing no real damage but forcing him from Snork.
  • The sharks play a game where they try to eat wahoo, which are really fast fish.
  • A shark, Thrash, taunts a mother turtle and threatens to eat her babies. The shark “lazily slid with the current so he was now facing the turtles and blocking them from the safety of the greenie. He gnashed his teeth together. “ ‘Just swim inside! You won’t feel a thing’ . . . Thrash laughed and then opened his mouth to bite the momma turtle in half with his jagged teeth. She screeched in fear. . .” Another shark appears and stops Thrash.
  • Thrash taunts a beta fish, then gets beat up by it. “Then the little fish caught Thrash by the tip of his tail with its frilly fins and somehow swung him in circles! And fast. . . The little fish threw Thrash into the distance, several body lengths away.”
  • Two shark clans battle. “The cries of bloody victory and death receded until he only heard his heartbeat and the water whisking past his gills. Gray rammed one attacking bull hard, sending it spinning away just before it could bite Thrash. . . Goblin battered a blue shark away from Churn, then bit a dorsal fin off another.” Several sharks die. The battle takes place over four pages.
  • A group of Goblin’s shiver sharks set a trap and attack others. “Ripper barreled into Shell, knocking him senseless. . . Barkley didn’t even feel the tiger’s impact on his side. Suddenly he felt the water cool and sweet, and he was floating by the Coral Shiver reef.” The sharks are put into a cage.
  • In a fit of anger, Gray “whirled and gave Striker a tremendous tail slap to the face. Gray actually felt it all the way up to his spine.”
  • When Gray tries to free his friends, other sharks try to stop him. Thrash “launched himself at Gray, who barely missed losing his left fin. He jammed Thrash as he passed flank side with his dorsal fin, raking the tiger.” The battle is described over three pages.
  • There is an epic multipage fight between Goblin’s clan and another clan. “Everything was flashing teeth, blood, confusion, and above all, the thunderous fin of the Bluefin siege flashing by, a relentless, speeding, silvery mass. . . He [Gray] butted two attacking bulls off the safe area, and both were sucked into the Run as if jerked away by a giant octopus tentacle. . . Striker smashed into Shell’s pursuer, biting him in the gills and forcing the dying shark into the current.”

Drugs and Alcohol

  • None

Language

  • Gray gets stuck. When his friend teases him, Gray yells, “Shut your cod hole and push!”
  • A fish calls other fish “morons.”
  • Heck is used three times. For example, Goblin asks, “Who the heck are you?”

Supernatural

  • None

Spiritual Content

  • Sharks that die go to the “Sparkle Blue.”

The Sword of Summer

Magnus Chase isn’t your average 16-year-old kid. After a terrible incident that killed his mother, Magnus was forced to survive on the harsh streets of Boston for two years. Then everything changes, and not necessarily for the better when Magnus discovers the truth about his parentage. This knowledge is dangerous, and after attempting to outmaneuver his suspicious Uncle Randolph, Magnus lands in more trouble than he ever has before.

Escaping who he believes to be evil, Magnus falls into the hands of his worst enemy, a fire giant named Surt. Magnus dies and his soul is sent to Valhalla, the hall of warriors who will fight with Odin during Ragnarok (the end of the world). This is the beginning of an unlikely story of emotional growth, the development of strength, and the family found in friendship.

Fans of Rick Riordan’s previous works will be pleased as they travel into a fascinating world of Norse mythology. A character from the beloved Percy Jackson and the Olympians series even makes a cameo, making a fun crossover between magical worlds.

This family-friendly adventure is an exciting ride throughout. The characters are well developed and believable, but the sheer amount of characters may become confusing for less attentive readers. Nevertheless, even the timidest readers will enjoy this story as it is filled with well-placed humor. The plot is action-packed, leaving readers excited to turn the next page.

Although this book is entertaining and amusing, there are battles with monsters throughout the book that may upset some readers. The battles are not told in gory detail, but characters are injured and must deal with the consequences of their battles. Ultimately, Magnus Chase and the Gods of Asgard: The Sword of Summer is a delightful read full of humor, action, and magic.

Sexual Content

  • Samirah has an arranged marriage to Amir Fadlan. When Magnus questions her feelings on the matter, Sam responds, “Ugh! You don’t get it. I’ve been in love with Amir since I was twelve.”
  • Every time a giant comes to barter or make a deal with Freya, the goddess of love, sex, beauty, fertility, and gold, they always ask for her hand in marriage.
  • Magnus’s father Frey lost the Sword of Summer because he fell madly in love with a frost giantess. The only way that he could heal his heart was by offering the Sword of Summer to Skirnir.
  • Freya has lots of dwarven children. Every time she wants jewelry made by dwarves, she goes to Nidavellir and marries a dwarf in exchange for their craftsmanship. These one-day marriages each end with a child. This interaction is not described beyond this, but it is acknowledged that Blitzen is a child of Freya and a dwarf.
  • Magnus describes his first kiss when he is involuntarily given mouth-to-mouth by a goat. “My only previous experience with kissing had been with Jackie Molotov in seventh grade, behind the bleachers at a school dance…. Anyway, with apologies to Jackie, getting mouth-to-mouth from a goat reminded me of her.”
  • In the past, a son of Loki was sent to Valhalla and fell in love with the lead Valkyrie, Gunilla, but he “betrayed her. Turned out she was a spy for [Loki]. Broke her heart.”
  • After Halfborn nearly sacrifices his life for Mallory in battle, they are on good terms, and it appears that there may be romance in the future for them. “As my hallmates headed back home, I was happy to see Halfborn Gunderson slip his arm around Mallory Keen’s waist. She didn’t even cut his hand off for doing so.”

Violence

  • Magnus engages in a battle with the fire giant, Surt. “I smacked Surt in the head with my rusty sword. . . The blade didn’t seem to hurt him, but the swirling flames died. . . Then he punched me in the gut.” Later in the battle, “Surt kicked me in the ribs and sent me sprawling. . . Surt must have kicked me hard enough to trigger a near-death hallucination.” After a brief time period, Magnus’s sword begins to act on its own and guides Magnus’s actions. “It spun in an arc, dragging my arm along with it, and hacked into Surt’s right leg. The Black One screamed. The wound in his thigh smoldered, setting his pants on fire . . . Before he could recover, my sword leaped upward and slashed his face. With a howl, Surt stumbled back, cupping his hands over his nose. . . Just as he reached me, my sword leaped up and ran him through.”
  • Magnus describes his death. “I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water…. It hurt. A lot.”
  • When getting a tour of Hotel Valhalla, Magnus is “pushed down as a spear flew past. It impaled a guy sitting on the nearest sofa, killing him instantly.” The guy is already dead, so this is just a temporary “death” as he will regenerate in a few hours.
  • Magnus and all those who inhabit Hotel Valhalla observe how newly inducted einherjar (inhabitants of Hotel Valhalla) died. In one video, a warrior “saved a bunch of kids at her village school when a warlord’s soldiers had tried to kidnap them. She’d flirted with one of the soldiers, tricked him into letting her hold his assault rifle, then turned it on the warlord’s men . . . The video was pretty violent.”
  • Mallory is excited to “see the new boy get dismembered.”
  • The einherjar participate in practice battle exercises to prepare for Ragnarok, when the nine worlds will fall. One of these “battles” is comically described, but each “death” is also shown. Many characters get shot, punched, or stabbed to “death” in the heat of battle.
  • In a dream, Surt threatens Magnus by saying, “When we meet again, you will burn, son of Frey. You and your friends will be my tinder. You will start the fire that burns the nine worlds.”
  • Samirah attacks Magnus after he leaves Valhalla. “She charged from behind the concession building and kicked me in the chest, propelling me backwards into a tree. My lungs imploded like paper sacks.”
  • An eagle drags Magnus away from his friends to convince him to do something for him. “The eagle veered, slamming me into the fire escape. I felt my ribs crack, like vials of acid breaking inside my chest. My empty stomach tried unsuccessfully to hurl.”
  • When Blitzen competes in a dwarf craftsmanship competition, Magnus acts as his bodyguard. “A random dwarf charged me from the side-lines, swinging an axe and screaming, ‘BLOOD!’ I hit him in the head with the hilt of my sword. He collapsed.”
  • Otis, a goat who belongs to Thor, marvels at Magnus’s talking sword. Otis exclaims, “I’ve never been killed by a talking sword before. That’s fine. If you could just make a clean cut right across the throat-”
  • For Odin to learn the secrets of the runes, he sacrificed an eye and “fashioned a noose and hanged himself from a branch of the World Tree for nine days.”
  • Magnus attacks and kills two giantess sisters. Magnus threw a knife and, “The spinning steak knife hit her in the chest. It didn’t impale her . . .She lowered hands, grabbing instinctively for her chest, which allowed Jack full access to her nose. A second later, Gjalp was lying dead on the floor next to her sister.”
  • The book concludes with a giant final battle in which warriors of Valhalla fight fire giants and attempt to rebind Fenris’ wolf. Within this battle, several warriors get hurt and three Valkyries die, including Gunilla. “Blitzen was so angry—between the Wolf gloating about his dad’s death and Surt stealing his fashion ideas—that he howled like Crazy Alice in Chinatown and rammed his harpoon right through the giant’s gut. The fire giant stumbled off, belching flames and taking the harpoon with him.” “Halfborn Gunderson buried his axe in the breastplate of a giant. X picked up another fire-breather and tossed him off the side of the ridge. Mallory and T.J. fought back-to-back, jabbing and slashing and dodging blasts of flame.”
  • Magnus’s Uncle Randolph is poisoned by Loki. “Randolph smelled the poison before he felt it. Acrid steam curled into his nostrils. The side of his face erupted in white-hot pain. He fell to his knees, his throat seizing up in shock.”

Drugs and Alcohol

  • Magnus thinks, “Random police and park rangers I could deal with. Truant officers, community service volunteers, drunken college kids, addicts looking to roll somebody small and weak—all those would’ve been as easy to wake up to as pancakes and orange juice.”
  • The mead of Valhalla doesn’t contain alcohol as it is magical goat milk that tastes like a mixture of delicious flavors. However, this topic makes Magnus share his own experience with alcohol. Magnus says, “Yes, I’ve tried alcohol, thrown up, tried alcohol again, thrown up.”
  • The god Aegir is a brewer who “spends all his time at the hops shop, or going on brewery tours with his buddies…. He’s always talking about microbrews. He has a cauldron a mile wide!”
  • Magnus and his friends go to Nabbi’s tavern and the dwarves that he travels with order mead (not the Valhalla kind).
  • Thor, the thunder god, “loved drinking mead.”
  • When the group comes across giantess sisters, the enormous monsters are drunk. Magnus thinks, “They’d obviously been hitting the mead pretty hard.”

 Language

  • Profanity is used a few times throughout the book. Profanity includes ass, dammit, crap, and idiot.
  • Many characters exclaim, “Gods of Asgard” and “gods” as a form of profanity.
  • When Gunilla introduces a new video system that shows how einherjar die, “the warriors cheered and banged their mugs, drowning out the sound of Sam cursing next to me.”
  • Magnus is angry towards a Valkyrie that he dislikes and thinks, “No, but your dad was apparently a jackass!”
  • While trying to escape Valhalla, “Mallory cursed in what was maybe Gaelic. Our little hallway group was a veritable United Nations of Cussing.”
  • When attempting to arrange his dead body, Magnus’s “hands had come unclasped so I appeared to be giving everybody the finger.”
  • When Blitzen talks about his mother’s requests, he says, “She wants her damnable earrings.”
  • Thor could “cuss like a drunken, creative sailor. ‘Mother-grubbing scum bucket!’ he yelled (or something along those lines. My brain may have filtered the actual language, as it would’ve made my ears bleed.)”
  • Magnus wants to comfort Hearthstone. “I wanted to hug the poor guy, bake him a batch of cookies, and tell him how sorry I was about his crappy childhood, but I knew he wouldn’t want pity.”

Supernatural

  • The story exists in a world where Norse mythology is real, including all of the gods, heroes, and monsters. For example, Magnus is the son of Frey, the god of peace, fertility, rain, sunshine, and summer.
  • In the beginning of the book, Magnus doesn’t understand why Blitzen hates daylight. He says, “Maybe he was the world’s shortest, stoutest homeless vampire.”
  • Two magical, evil wolves broke into Magnus’s apartment and killed his mom when he was fourteen. “From the hallway, two beasts emerged, their pelts the color of dirty snow, their eyes glowing blue.”
  • Surt is a fire god and has powers. “Around Surt, flames began to swirl. The firestorm spiraled outward, melting cars to slag heaps, liquefying the pavement, popping rivets from the bridge like champagne corks.”
  • Due to Magnus being a demigod, he has magical abilities. He doesn’t have a problem in extreme temperatures, can walk through fire, can heal others, and mentally communicates with horses.
  • There is a vala who is a “seer. She can cast spells, read the future, and… other stuff.” She can also read/use the runes, which is a form of non-inherited Norse magic.
  • Hearthstone is an elf, and Blitzen is a dwarf. Their identity gives them special abilities like fashion sense, craftsmanship, and rune magic.
  • As an einherjar, Magus acquires super strength, has more muscles, and has accelerated healing.
  • Heartstone uses rune stones and eventually becomes a runemaster. These stones allow him to perform magic, usually to help his friends on their quest.
  • The group encounters Mimir, a disembodied head who floats in water and knows the secrets of the nine worlds.
  • The Sword of Summer is a magical weapon that Magnus wields. It can speak and fight on its own. Magnus transforms it into a stone on a chain that he wears around his neck. Magnus “could easily pull it off the chain. As soon as I did, the stone grew into a sword. If I wanted it back in pendant form, all I had to do was picture that. The sword shrank into a stone, and I could re-attach it to the necklace.”
  • Valkyries can fly, camouflage magically, and teleport back to Valhalla in a poof of light.

Spiritual Content

  • Norse gods are real, but they are not worshipped. They are treated more like characters than all-knowing deities.
  • Magnus describes the place where his funeral occurs. “It was set up like a chapel: three stained glass windows on the back wall, rows of folding chairs facing an open coffin on a dais. I hated this already. I’d been raised non-religious. I’d always considered myself an atheist.”
  • Magnus says, “If there is an Almighty God up there, a head honcho of the universe, He was totally laughing at me right now.”
  • Samirah is Muslim and wears a hijab. When arguing with Magnus she says, “A good Muslim girl is not supposed to hang out on her own with strange guys.”
  • Thor is described as watching television religiously. Then Magnus says, “Can I say a god did something religiously?”

by Morgan Filgas

Refugee

Three kids. Three different time periods. Three refugee families flee their countries. Each family faces unimaginable dangers. But they have no choice but to press on and hope for a better tomorrow. Although decades separate them, they discover that they are all connected in the end.

Joseph is a Jewish boy living in 1930’s Nazi Germany. His family boards a ship set for Cuba. They hope to avoid the concentration camps and certain death. But will a country on the other side of the world take them in, or will they be sent away?

Isabel is a Cuban girl in 1994. Her family faces hunger, violence, and an uncertain future. But when her father is threatened with jail, the family sets out on a homemade raft. They hope to make it to Miami. Can they make it to America and keep their family together?

Mahmoud is a Syrian boy in 2015. His country is being torn apart by war. Violence, death, and destruction are everyday occurrences. When his family’s neighborhood is destroyed by bombs, they head towards Europe. Can they safely make it to a country that welcomes refugees?

Refugee sheds light on the historical and political aspects of each time period. Readers will learn about Kristallnacht, The Night of the Broken Glass, as well as the history of how the war in Syria began with Assad bombing his own people. Isabel’s story also explains the U.S. policy of “Wet Foot, Dry Foot.” The end of the book has historical information as well as a section on what readers can do to help.

Each section of the story is told from a young person’s point of view. This gives the book a tragic feeling because none of the young people have any control over the events that lead to their need to flee. The harrowing story of each family does not shy away from the harsh realities of the time period. Each family has stories of cruelty, violence, and death, which are often described in graphic and frightening detail.

The goodness of random strangers is seldom. However, in Josef’s story, a Hitler Youth protects Joseph, and the captain and most of the crew of the ship treat the Jews with respect. The story shows how small deeds can make a huge impact. Even though the story shows the kindness of a few, cruelty and violence overshadow the kindness in the book.

As Mahmoud and his family try to escape the violence, he realizes that it was easy for people to forget about the refugees until “refugees did something they didn’t want them to do—when they tried to cross the border into their country, or slept on the front stoops of their shops, or jumped in front of their cars, or prayed on the decks of their ferries—that’s when people couldn’t ignore them any longer.” Mahmoud struggles with wanting to stay invisible but wondering if he needs to be visible. “If you were invisible, the bad people couldn’t hurt you, either. If you stayed invisible here, did everything you were supposed to, and never made waves, you would disappear from the eyes and minds of all the good people out there who could help you get your life back.”

The publisher recommends Refugee for readers as young as nine, but younger readers may be upset by the horrors of war and the tragic decisions the families must make in order to survive. Younger readers who are interested in World War II may want to begin with the books Lifeboat 12 or Resistance, which also tell compelling stories without the graphic violence.

Refugee is an engaging story that brings the suffering of refugees to light. The situations that the characters face are emotional, but the characters could be better developed. Since each chapter focuses on a different family, the story was often disjointed. Some readers may have a difficult time following a story that changes characters every chapter. The book shows the reasons the family left but doesn’t mention the difficulties that countries face when dealing with thousands of refugees coming into their country.

Although the story is easy to read, the book’s emotional impact is hard-hitting. Refugee takes the reader on a harrowing journey where each family must deal with a tragic loss of life and cruelty from others. Refugee shows how families have been impacted in past and current times. The story gives voice to the current refugee crises and shows the desperation of people who want to live without fear of death.

Sexual Content

  • While in Havana, Isabel sees “couples kissing under palm trees.”
  • Isabel’s grandfather flirts with a young girl. He tells her, “Your face must be Summer, because you’re making me sweat!” Isabel knew that “Lito was giving her piropos, the flirtatious compliments Cuban men said to women on the street.”

Violence

  • During WWII, Nazis break into Josef’s home and “threw him to the floor. Another shadow picked up Ruth by the hair and slapped her. ‘Be quiet!” the shadow yelled, and it tossed Ruth down on the floor beside Joseph.” The strangers trash the house, gather his family into the living room, and arrest his father.
  • A group of Hitler Youth attack Josef after school. The group “fell on him, hitting and kicking him for being a Jew, and calling him all kinds of names.”
  • During a medical check, Josef’s father becomes agitated and starts mumbling. Josef “slapped his father across the face. Hard.” Josef tells his father that the medical examiner is “a Nazi in disguise. He decides who goes back to Dachau. He decides who lives or dies. . . .” Josef’s father is scared into silence.
  • Crew members ransack the room of Josef’s family. “They swept Mama’s makeup and perfume off the vanity and smashed the mirror . . . they tore the head off Ruthie’s stuffed bunny.”
  • While in a concentration camp, Josef’s father says how the Nazis choose one man to drown every night. “They would tie his ankles together and his hands behind his back and tie a gag around his mouth, and then they would hang him upside down, with his head in a barrel. Like a fight. . . They would fill the barrel with water. Slowly. So they could enjoy the panic. So they could laugh. . . He would thrash around and breathe water until he drowned. Drowned upside down.
  • Josef’s father jumps into the ocean and when a policeman tries to help him, Josef’s father yells, “Let me die! Let me die!” Josef’s father survives.
  • A group of men tries to take over the ship. One of the passengers slam “the helmsman and sends him tumbling to the floor. The mutineers quickly surrounded the other sailors, threatening them with their makeshift clubs.”
  • When Cuba sends the ship away, a policeman “swept the gun back and forth, and the other policemen drew their pistols and did the same.” The captain is able to convince the passengers not to attack the police.
  • While he is running from Nazis, soldiers shoot at Josef. “A pistol cracked, and a bullet blew the bark off a tree less than a meter away. Josef stumbled again in panic, righted himself, and kept running.” Josef and his mother are caught and taken to a concentration camp.
  • Boys attack Mahmoud’s friend because he is a Shia Muslim. “. . . Khalid had been curled into a ball on the ground, his hands around his head while the other boys kicked him. . . With a battle cry that would have made Wolverine proud, Mahmoud had launched himself at Khalid’s attacker. And he had been beaten up as badly as Khalid.”
  • Mahmoud’s mother was a nurse who came home “every day with horror stories about people she’d helped put back together. Not soldiers—regular people. . . Children with missing limbs.”
  • Mahmoud’s entire neighborhood is bombed. “The walls of his apartment exploded, blasting broken bits of concrete and glass through the room. . . His breath left him all at once and he fell to the floor with a heavy thud in a heap of metal and mortar.” No one in his family is seriously injured.
  • While trying to escape, Syrian armed soldiers stop the car at gunpoint and then pile in the backseat. As they are traveling, “gunfire erupted. .. and bullets pinged into the car.” One of the soldiers is killed. “Mahmoud screamed again and pushed the man away . . .” The scene is described over four pages. The family hides in a ditch until they can escape.
  • The rubber dinghy that Mahmoud and other refugees are in pops. “The cold water was like a slap in Mahmoud’s face. . . He tumbled backward, head down in the murky water, his arms and feet thrashing, trying to right himself. Something else—someone else—fell on top of him, pushing him deeper down into the water.” Later Mahmoud takes a life jacket off of a dead man so that he and his mother do not die.
  • As Mahmoud and his mother tread water, they grab onto a dinghy. A man “reached down and tried to pry Mahmoud’s hand from the dinghy. . . He sobbed with the effort of fighting off the man’s fingers and hanging onto the dinghy.” A woman takes Mahmoud’s baby sister but leaves Mahmoud and his mother behind. They survive.
  • A taxi driver pulls a gun on Mahmoud’s family and demands money.
  • When a group of refugees swarm the Hungarian border, soldiers “hurried to stop them, firing tear gas canisters into the crowd. . . Mahmoud’s eyes burned like someone had sprayed hot pepper juice in them, and mucus poured from his nose. He choked on the gas, his lungs seized up. He couldn’t breathe. . .”  Many of the refugees are arrested and taken to a detention center.
  • While being taken to a detention center, Mahmoud’s dad yells at a soldier, who then “whacked him in the back with his nightstick, and Mahmoud’s father collapsed to the ground. . . He kicked Mahmoud’s father in the back, and another soldier hit Mahmoud’s father again and again with his stick.”
  • While in town in Cuba, people riot in the streets. People “yelled and chanted. They threw rocks and bottles.” Isabel sees her father “just as he reared back and threw a bottle that smashed into the line of police along the seawall.” When the police catch her father, a policeman beats him. The scene plays out over four pages.
  • As a group tries to flee Cuba, “a pistol rang out again over the waves. . . The police were shooting at them.” The boat is hit, but no one is injured.
  • While Iván is cooling off in the ocean, a shark bites him. “The water around Ivan became a dark red cloud, and Isabel screamed. . . Iván’s right leg was a bloody mess. There were small bites all over it, as though a gang of sharks had attacked all at once. Raw, red, gaping wounds exposed the muscle underneath his skin.” Iván dies.
  • Before Iván’s body is pushed into the ocean, someone shoots a shark. “The shark died in a bloody, thrashing spasm, and the other sharks that had been following the boat fell on it in a frenzy.”

Drugs and Alcohol

  • Joseph sees a man, who “staggered a little, bumping into things as he tried to move through the tight little room. Joseph had seen drunk people leaving pubs in Berlin the same way.”
  • When Josef’s mother goes to the doctor to get a sleeping draught for her husband, she “told the doctor the sleeping draught was for me. . . and he made me—made me take it right there.”

Language

  • When the Nazis break into Josef’s house, one of the men laughs because “the boy’s pissed himself.”
  • A group of kids are called “Jewish rats.”
  • At a funeral, Josef’s father says, “At least he didn’t have to be burning in the hell of the Third Reich.”
  • “Oh, God” is used an exclamation once. “Oh, my God” is also used as an exclamation once.

Supernatural

  • None

Spiritual Content

  • Mahmoud and his family practice the Muslim faith. The prayer ritual is described through Mahmoud’s actions.
  • Mahmoud’s father says, “God will guide us.”
  • After taking a lifejacket off a dead man, Mahmoud says a prayer. “Oh God, forgive this man, and have mercy on him and give him strength and pardon him. Be generous to him and cause his entrance to be wide and wash him with water and snow and hail. Cleanse him of his transgressions. . .Take him into Paradise, and protect him from the punishment of the grave and from the punishment of hellfire.”
  • Mahmoud’s family and other refugees pray. Mahmoud “recited the first chapter of the Qur’an, Mahmoud thought about the words. Thee alone we worship, and thee alone we ask for help. Show us the straight path.”
  • After Joseph’s apartment is bombed, his mother cries, “Thank God you’re alive!”
  • During a funeral, a rabbi says a prayer, and “the mourners said together, ‘Remember, God, that we are of dust.’”
  • When Iván dies, his mother wants “to say something. A prayer. Something. I want God to know Iván is coming.”

Lifeboat 12

Life for thirteen-year-old Ken is difficult. His father is out of work. He thinks his step-mum dislikes him. He often gets into trouble, and the Nazis are bombing his city. But when he is given the chance to be evacuated with ninety other boys and girls, Ken isn’t excited. He wants to stay home. However, Ken’s father says he’s lucky to be chosen to go to Canada aboard the SS City of Benares.

When the children board the luxury ship, Ken can’t believe his good luck. He’s making new friends, eating delicious food, and doesn’t have to endure his stepmom’s glares. When the ship is 600 miles from shore, everyone thinks they’re safe. They’re wrong.

Five days after they leave port, an explosion rocks the ship. They’ve been torpedoed. With the

Baranes sinking quickly, Ken rushes to Lifeboat 12. Ken, five other boys, one woman, and 39 men are all crammed onto one lifeboat. Will Lifeboat 12 be rescued? If not, how will they survive lost in the ocean?

Lifeboat 12 is a gripping story that will keep readers turning pages until the very end. Beautifully written in free verse, every word develops the characters and advances the plot. The author uses alliteration, onomatopoeia, and sense words to give a clear, sharp picture of World War II. Hood describes the events of World War II without showing the gory details of death while keeping the intensity of danger at the forefront.

The story is told from Ken’s point of view and is divided into three sections—Escape, Afloat, and Rescue. Each section describes Ken’s day-by-day experiences. Since the story is told from a thirteen-year-old’s perspective, the descriptions remain appropriate for even younger readers. Ken’s thoughts and emotions add to the intensity of the story and allow the reader to understand his conflicting emotions. The conflict will keep readers engaged; they will want to know if Ken survives his harrowing experience.

Although Ken’s story is fictionalized, the events and many of the character’s words are based on Hood’s research. Even though the story is filled with historical information, the book never sounds like a history book. Instead, Ken’s experiences and observations bring history to life in an engaging story that is difficult to put down.

Hood’s research, which appears at the end of the story, includes more information about Lifeboat 12, photos of the children, and a list of survivors. The research also includes information about the Lascars. Seeing the pictures and reading Hood’s interview notes has an emotional impact on the reader as it is impossible to deny the horrors and the kindness of people. For readers who would like more information about the topic, the book contains a list of interesting websites and videos.

Even though the devastation of World War II is clear, Lifeboat 12 shows the courage and kindness of others. Ken said, “I survived thanks to the kindness of people I didn’t know, people who were all different, people who wanted to help.” Lifeboat 12 is a suspenseful, gripping story that everyone should read, not only for the historical value but because it is a captivating story that will leave you gripping the edge of your seat. Ken’s story will remain with readers for a long time to come.

Sexual Content

  • While hiding, Ken hears a woman say, “Sweetheart, of course I love you! But don’t kiss me here! It’s not proper.”

Violence

  • The Nazis bomb England several times; however, the bombing is not described in detail. The first time the bombs drop, Ken hears “Boom!” He knows the bombs are close because “blasts shatter the air. The earth shudders. Margaret wails.” The families “huddle under the table. Blasts flash in the dark, momentarily exposing the fear on our faces as the table jumps and the cutlery rattles.”
  • During one air-raid Ken’s family goes to a shelter. The shelter is “damp and dark inside, lit only by a candle stuck in a flowerpot, casting eerie shadows on the wall. . . My family and I hunker down, listen to the drone of the planes, the ack ack ack of the antiaircraft guns, then the high-pitched whistle and BAM! Of the bombs.”
  • The ship that Ken is on is torpedoed. “BAM! I jolt awake, jumping up in the dark. The floor shudders, the night split with sounds of splintering wood, creaking metal, clattering glass. Then nothing.” As the boat is being evacuated, “two more explosions flash in the night, the light exposing a horror show—people clinging to overturned lifeboats, swimming to overloaded rafts, grabbing at floating deck chairs with flailing arms beseeching hands.” The boat eventually sinks.
  • One of the chaperones tells a story about a fictional character, the hero sees a prisoner who “was bent over in pain, a torture device called a thumbscrew beside the coded papers on the table.” The hero “crashes through the window and knocked over the candle. Bulldog landed a punch; Peterson went down. . . Bulldog slung the prisoner over his shoulder. . . and ran through the door. . .”
  • One of the men jumps into the ocean even though he can’t swim. Some men try to reach him, “but the waves whisk him away. He surfaces again, coughing and calling, but he’s too far gone. . . with a one-two punch from the sea, he goes down, for the last time.”

Drugs and Alcohol

  • One of the chaperones tells a story about a fictional character whose drink had been drugged, causing him to pass out.

Language

  • None

Supernatural

  • When someone tries to catch a seagull to eat, a man says, “harming a seabird is bad luck, is what it is. . . They carry the souls of dead sailors. Kill one and it’ll be an albatross around all of our necks.”

Spiritual Content

  • “As the ship is being evacuated, people pray. Some pray to God. Others pray to Allah.”
  • One of the children’s chaperones is Father O’Sullivan. He tells someone “God be with you.”
  • Father O’Sullivan and the children, “say grace before and after our meal.”
  • One of the men says, “Allah the Compassionate will save us if He so wishes. Or He will send storms if He thinks it best. God is wise.”
  • While on the lifeboat, “my friend prays to Allah, and like many of his fellow crewmen, bows to the east five times a day.” Ken sees “other crewmen crossing themselves as Father does.”
  • When a ship is near, Father O’Sullivan tells the boys to pray. He says, “Come now, we must help the Lord lead that ship this way.”
  • When Ken sees an airplane, he “prayed like I’ve never prayed before.” Others pray as well.

The Impossible Crime

Mac is an ordinary kid who likes to play video games. While at the arcade, the Queen of England’s corgi appears with a note stating, “pick up the phone.” The Queen of England needs Mac’s help. Someone is planning on stealing the Crown Jewels. With the help of beefeater Holcroft, Max tries to keep the Crown Jewels safe. But when they disappear from a locked room, Mac must use all of his knowledge to discover not only who did it, but why.

The Impossible Crime uses humor, riddles, and corgis to teach readers about English history. The fast-paced plot has several of the same interesting characters as Mac Undercover, but isn’t as outrageously funny as Mac Undercover. However, readers will enjoy the silliness of the story, the dialogue between Mac and the Queen, and the surprise ending. As the story unfolds, readers will learn historical facts, geography, and different meanings of words. Each new fact is integrated into the story in a seamless manner, which makes learning fun.

Mac tells his own story with humor and uses lists and reputation to help readers follow the mystery. The Impossible Crime will entertain even the most reluctant readers for many reasons. Short sentences and simple vocabulary will help readers build confidence. Every page contains large black, green, and orange illustrations that add to the humor of the story. The illustrations and text work together to provide clues, create humor, and keep the reader interested to the very end. The Impossible Crime is a fun, easy-to-read book that is a great choice for any reader. It is also a perfect book for parents to read aloud to their children; the short dialogue is a great opportunity to use different voices for the characters.

Sexual Content

  • None

Violence

  • In 1671, Colonel Blood tried to steal England’s crown jewels. When Edward took Colonel Blood to see the jewels, “Colonel Blood threw the cloak over Edwards’s head! The men tied up the god Keeper like a sheep in a sack. Then they hit him with mallets. . . Then they stabbed him.’”
  • Holcroft goes after Mac with an axe. “He turned to me and brandished his axe. . . I backed into a corner of the library as Holcroft slowly came towards me.” Mac orders Holcroft to put the axe down and he does.

Drugs and Alcohol

  • None

Language

  • Mac asks a man, “what the heck are you doing?”

Supernatural

  • None

Spiritual Content

  • None

 

A Royal Guide to Monster Slaying

Twelve-year-old Rowan is destined to be Queen and her twin brother, Rhydd, is to be Royal Monster Hunter. Rowan would give anything to switch places, but the oldest child is always next in line, even if she is only older by two minutes. She resigns herself to admiring her monster-hunting aunt’s glorious sword and joining her queen mother for boring diplomatic teas. But tragedy shatters the longstanding rule, and Rowan finds herself hunting the most dangerous monster of all: a gryphon.

Accompanied by a feisty baby jackalope and a giant wolf that barely tolerates her, Rowan sets off on a journey that will see her join other unlikely allies: a boy with monster-hunting ambitions of his own, and a girl hiding dangerous motives. It will take all of Rowan’s skills, both physical and diplomatic, to keep this adventure on track. The future of her kingdom depends on it.

Rowan and her brother Rhydd follow their aunt on a hunt that ends in a bloody battle and death. The heart-stopping battle is not for the faint of heart. Armstrong uses detailed descriptions of the battle between beast and man. Even though many of the monsters in the story are deadly, Rowan respects the monsters because she has been taught to only kill monsters if there is no other choice.

The story is told from Rowan’s point of view, which allows the reader to understand her concern for others. Rowan often acts overconfident; however, in the end she learns the importance of listening to others and working as a team. The know-it-all princess befriends a baby jackalope and their relationship will make readers long for a jackalope of their own. Through her journeys, Rowan learns that no man or beast should be forced to follow another. People should only follow a leader by choice, not by force.

The cute book cover may give readers a false impression. A Royal Guide to Monster Slaying hits on some heavy themes: the importance of family, duty, conservation, indentured servitude, and political ambition. Rowan is kidnapped, almost killed multiple times, and has a face-to-face encounter with a giant spider and a deadly gryphon. The frightening encounters may leave some readers with nightmares. A Royal Guide to Monster Slaying is full of action, danger, and monsters who aren’t afraid to kill humans. The imaginative world is unique, fascinating, and will keep readers turning the pages. Readers who want an excellent adventure will want to follow Rowan as she learns how to become the next Royal Monster Hunter.

Sexual Content

  • Rowan is sneaking through the castle when she hides from a guard and a maid. Rowan listens to their conversation and learns that “she caught him flirting with the maid of a visiting lady. She’s upset, and he’s trying to tell her it meant nothing, and I’m stuck in a window alcove, wishing they’d just kiss and make up. . . Then the guard and maid do make up. And they do kiss. They don’t stop kissing. I don’t watch them, of course. That’s gross. But I can tell they’re kissing by the noises, which are also gross. They kiss and whisper, and whisper and kiss.”

Violence

  • Even though monster fights are illegal, “people still poach jackalopes for their antlers, which they think can be ground up as a cure for infertility.” Rowan finds a baby jackalope, and finds the dead mother. “The mother jackalope lies on the ground, her body riddled with arrow piercings. The killer took only her antlers.”
  • While in the forest at night, Rowan comes across four older kids. Rowan pulls her sword, and one boy “snorts. One of the other boys takes a slingshot form his pocket. The girl draws a knife.” When Rowan doesn’t flee, “a stone strikes my temple. I spin on the boy with the slingshot, and my sword spins, too. The tip of it catches his sleeve, and he yelps as if I’ve stabbed him.” When the kids realize that Rowan is the princess, they run off.
  • When Rowan gets too close to a unicorn, “the beast bites my butt. . .and the jackalope leaps from my head onto Courtois’s neck and sinks his teeth in right below the unicorn’s horn.”
  • The Royal Monster Hunter and her group find a manticore. As they track the monster, Rowan smells “a coppery one that makes me flinch. I can’t be a monster hunter and not recognize the scent of blood.” They find the manticore in a barn and Rowan “can hear it, making horrible ripping and gulping noises as it devours its prey. I can smell it, too, its dank must overpowering the smell of the livestock.”
  • In order to kill the manticore, Rowan’s aunt Jannah jumps on its back. In order to tire the beast, “she rides the manticore until the beast stops bucking and rearing. . . Jannah didn’t hop on the beast’s back for fun. The position just lets her sink in her dagger in exactly the right spot. One hard thrust and the manticore stiffens. Then before it has time to feel more than a flash of pain, it slumps to the ground.” In order to teach others about the beast, Jannah “opens the beast up… notice the size of the heart, the placement of the internal organs.”
  • While inspecting the manticore, a gryphon grabs Rowan in its talons. Rowan’s brother, Rhydd, tries to help, but “the beast holding me strikes at him. Blood flies. The beast lets out another ear-piercing shriek and slams me into the barn floor, talons pinning me there. . . The beak seizes Rhydd and flips him into the air, then lets go. As he falls, the beak grabs him again, this time by one leg. There’s a sickening crunch. . . The beast drops my brother’s leg. Rhydd falls to the floor.” The gryphon takes flight with Rowan in its beak and hunters shoot arrows at it. “An arrow buries into the underside of the beast. Then another and another. . . An arrow slices the fabric of my trousers, and I let out a cry. . . I grit my teeth and wrench it [the arrow] free. Then I stare at the sharp arrowhead, dripping blood.” Rowan keeps slashing at the gryphon, and then she slashes “the foreleg as hard as I can.” The beast drops Rowan and she hits “the ground. Pain slams through me and then. . . Darkness.” The scene takes place over four pages, but the battle continues.
  • When the gryphon lands, “a figure runs from nowhere. She [Jannah] leaps. Her sword slashes at the beast’s rear flank. . .The gryphon wheels on her. Its beak swings her way. . . she swings the sword, but the gryphon’s beak closes around her sword arm. . . The powerful beak closes with the same sickening crunch I heard when it seized Rhydd. Then it throws Jannah. Before it hits the ground, it grabs her again, this time by the leg, just like it did with Rhydd. . . The gryphon has Jannah by the leg. It lashes back and swings her. . . Swings her at a rock. Jannah’s head hits that rock. There is a crunch. . . She’s on the ground, blood streaming from her arm and her leg and her scalp.” Jannah dies. The battle scene is described over eight pages.
  • As Rowan tries to chase a monster away, “something hits my arm and knocks me off balance. As I stumble, I see an arrow lodged in my sleeve.” Rowan drops to the ground, and “I’m leaping up when another arrow whizzes past. It hits the warakin in the shoulder. The beast squeals in rage.” Rowan is able to drive off the warakin before anyone gets hurt.
  • As a pegasus attacks Rowan, the jackalope jumps on her back. The pegasus “flies up with great flaps of her wings, and Jacko clings to her, squealing. She dives, and he tumbles, and I scream. Then he’s dangling from her mane, his claws tangled in it. The pegasus tosses her head, and Jacko goes flying.”
  • Rowan’s companion Warg is a giant wolf. He hunts at night and “when he returns, the blood on his muzzle tells me he’s eaten.”
  • When Rowan tries to give a pegasus a sedative, the pegasus “wheels and rears. One hoof hits that sore shoulder again. I stumble, and I see another hoof coming straight for my head. My arm flies up. Her foreleg is delicate enough that I knock it off course. As I scramble out of the way, she comes at me again. This time, she grabs my tunic in her teeth and whips me off my feet.” Rowan gives the pegasus the sedative and then “she lies there, legs splayed and bent, her head drooping.” Rowan realizes that giving the sedative to the pegasus was wrong. The scene is described over five pages.
  • Rowan comes across an overturned wagon. A couple says their baby is stuck underneath the wagon. When Rowan crawls under the wagon to help, a man “wrenches me by the hair. I try to swing at his face, but there isn’t enough room. I yank out my dagger and slice his arm instead. He snarls. I slash the blade as I back out. Someone grabs my legs. Hands grapple at me from the wagon wreck. . . The young man shoves a sack over my head. I scream under it. Scream and kick and punch. As he hauls me away, my feet tangle, and I fall. He keeps dragging me, the sack cutting into my throat.” Rowan is captured and put in a cage.
  • After Rowan escapes, she watches a boy talk to Alianor. Rowan thinks that the two worked together to capture her, so Rowan hits “him square in the back, and he lands face-first with an oomph. I try to pin him, but he’s twisting, and he manages to get onto his back and throw me aside. That’s when Jacko attacks. He jumps onto Dain’s face and digs his claws in, legs wrapped around Dain’s head. . . Jacko sails from nowhere. He lands on Dain’s lap and sinks his teeth into the boy’s stomach. Dain yelps. . .”
  • While climbing a tree, Rowan disturbs a spider’s nest. Spiders begin dropping onto Rowan and Dain. A spider gets under Dain’s tunic and Rowan tries to “reach up under the fabric and pull out the spider. As I do, he yelps and bats at the back of his tunic. Another lump scuttles underneath. Then Dain yelps louder, in pain now. . .” Rowan discovers that the spiders are jba-fofi. “According to legend, only baby jba-fofi live in trees. The adults are too big for that. They’re the size of dogs, and they build trapdoors on their burrows. When any unsuspecting prey passes, they jump out and drag it in.” Rowan and Dain are able to get out of the tree.
  • As Alianor walks in the forest, “the ground opens, and a giant spider grabs her leg. . . She falls face-first as the spider drags her into its lair. The ground closes and they’re gone.”
  • In order to save Alianor, Rowan crawls into the spider’s lair. She finds “a fawn wrapped in black spider silk. The corpse is desiccated—drained of blood. I shiver as I shift the carcass aside. . . I  continue along. . . This time when I reach down I’m touching a soft-and-hard bundle that I know is wrapped prey. I try to keep going, crawling over the bundles, flinching as the dried bodies crackle within.” Rowan finds the spider, but before she can do anything, the jba-fofi springs. “It’s on me before I can even free my blade. . . The spider’s two front legs wrap around my chest. It pulls me toward its jaws, and Jacko shrieks, leaping on the beast. . . Jacko jumps onto the spider, sinking his fangs onto its back.” To get away from the spider, Rowan starts a fire and “shoves more mummies into the fire, stretching them in a line between us and the jba-fofi.”
  • Rowan searches for Alianor. “Then I see her head, completely wrapped in black webbing. I grab the webbing and pull. It sticks to my fingers and holds fast, refusing to break. With my trembling hand, I pick up my dropped dagger. I feel for her mouth, find it and slice the webbing as carefully as I can. . . I open her mouth. There’s more webbing in there. I yank it out and then press my hands against her chest and . . . Alianor coughs.”
  • As Rowan and Alianor try to escape, “something wraps around my [Rowan’s] leg. As I fight, it pulls hard, and I’m flipped onto my back. . . I kick as hard as I can. The spider squeals. I crawl back on my elbows and knees. I’m flipping over when powerful fangs grip my leg. . .” Dain is able to pull Rowan out of the spider’s lair and the pegasus attacks the spider. The spider scene is described over sixteen pages.
  • Lanslet, a teenager, attacks Rowan hoping to kill her. “He lunges at me. I leap forward to counter, and that isn’t what he expects. Our swords clang. . . My sword strikes his arm. He never even flinches, just draws his sword back and— An arrow hits his shoulder.” One of Rowan’s companions shoots arrows at Lanslet and “Malric hits Lanslet square in the back. The young man goes down with the Warg on top of him. Malric’s teeth sink into Lanslet’s collarbone, ripping away the leather. Lanslet screeches, and running footsteps sound as someone shouts an alarm.” Rowan is able to escape. The fight is described over three pages.
  • A gryphon comes after Rowan and her companions. “Malric charges. The gryphon rears like a horse, its talons flashing, but Malric feints to the side. When the gryphon twists to parry, Malric leaps, teeth sinking into the beast’s foreleg.” Malric pretends to be injured so the gryphon will attack him and the kids are able to hide in a cave.
  • Malric tries to sneak past the gryphon. Malric is “crouching to jump when the gryphon grabs him around his neck. . . The gryphon throws Malric. Warg hits the cavern wall, and that crunch rings out. That terrible crunch I will never forget—the one I heard when the gryphon pitched my aunt head-first into a rock.” Malric is injured. “Inside the cavern, the gryphon stomps about, shrieking in rage. That’s all I see. The gryphon. . . and a blood-smeared wall.”
  • Dain soaks arrowheads in a sedative and shoots them at the gryphon. “The gryphon lunged. Dain dives to the side. The gryphon’s beak snaps. It catches Dain’s bare foot. He drops the arrow as he falls clear of the beast and rolls across the cavern floor. . . As the beast turns, I see the angry red scabs on the foreleg I injured a week ago. I swing my sword right at the same spot. The blade slices in. The beast lets out a terrible screech of pain and rage.” The beast succumbs to the sedative and goes unconscious. The scene with the gryphon is described on and off for thirty-six pages. No one is seriously injured.

Drugs and Alcohol

  • Someone has to taste the queen’s food and drink to make sure it is not poisoned.
  • Rowan gets angry that the pegasus isn’t friendly, so she gives her a sedative.
  • In order to capture Rowan, her captors drugged Warg.

Language

  • Rowan thinks unicorns are “jerks.”

Supernatural

  • None

Spiritual Content

  • Rowan’s father wrote an inscription on the inside of a book that he gave her as a gift. As she reads the message, Rowan misses her father, but thinks, “he’s watching from the others side, and he’s there every time I add a new page or a new fact or a new sketch.”

Dreaming Dangerous

Brassmere Academy is the only home Plum has ever known. Hidden deep in the woods, Brassmere is home to orphans who have extraordinary abilities. Each night when Plum lays down to sleep, she travels into dream worlds, where her best friends Vien, Gwendle, and Artem meet her. While dreaming, the friends go on exciting journeys and fight dangerous monsters.

During a dream, Artem tells Plum, “They’re coming for us. One by one, until they find the one they need.” When she wakes up, Artem is missing. No one knows where Artem has gone. Plum is convinced that the adults at the school cannot be trusted.

Plum, Vien, and Gwendle search for their friend. As they find clues in both the dreaming and waking worlds, they uncover many secrets. Plum has always considered the director, Dr. Abarrane, a trusted adult, but now she wonders what dark secrets he keeps. Brassmere has always kept the children safe from the outside world, but is the real danger inside Brassmere’s walls? Will Plum and her friends be the next to disappear?

Told from Plum’s point of view, Dreaming Dangerous quickly jumps into the mystery of Brassmere Academy. Right from the start, the reader understands the strong bonds of friendship between the four friends. The friends travel into the dream world, where they encounter imaginative worlds full of monsters. Plum spends an equal amount of time in the real world and the dream world, which adds drama but also may cause some confusion.

Dreaming Dangerous is a compelling story that has the perfect amount of suspense and scare factor for younger readers. Readers will be drawn into the story because of the interesting dream world, the children’s abilities, and the mystery surrounding Brassmere Academy. The ending of the story shows the violent death of Plum’s mother and the evil nature of Dr. Abarrane. However, the death is not described in gory detail. The only negative aspect of the story is the abrupt, confusing conclusion that leaves many questions unanswered.

Many readers will be drawn to Dreaming Dangerous because of the well-develop characters, monsters, and mystery. The fantasy story is at times creepy and frightening. For readers who like Gothic-style mysteries, Dreaming Dangerous is an easy-to-read, fast-paced story that will entertain until the very end.  

Violence

  • While in a dream, Plum falls. “Sword pointed downward, Plum leaned into the momentum of the drop, landing hard on the head of some giant, scaled creature. An alligator, she suspected. She jammed her sword between its eyes and it thrashed and roared. . . Blood stained her sword and her shoes. . . The giant alligator would not die quickly . . . a set of sharp teeth had snared her ankle and pulled her underwater.” Plum’s friend appears and saves her. The battle with the alligator happens over four pages.
  • While in a dream, Plum sees a monster. When she asked the monster a question, “its mouth became so wide that it was big enough to devour a girl like Plum in a single bite. And that’s what it did. . .” She falls down the monster’s throat and lands in a town.
  • The gargoyles that stood guard over Brassmere came to life. The gargoyles flew towards the school. “One of the gargoyles was barreling through the overarching glass window of the grand foyer. The other had scaled the side of the building that housed the dormitory, and its giant swinging tail was shattering the windows. . . All the birds and insects in the wallpaper had escaped and were buzzing and flapping at the ceiling and remaining windows, trying to find a way out.” No one was injured.
  • Plum wakes up Melinda, who was in a trance. When Plum touches her, “Melinda raised her head and looked at Plum, her mouth curled into a vicious snarl. And then, Plum was airborne, flying backward by the metal in her boot buckles and the buttons of her coat, until she hit a wall, hard, and everything went dark.”
  • In a dream, Plum sees the young Dr. Abarrane kill a woman and take her baby. When the woman tries to argue, “Dr. Abarrane didn’t bother to argue. He pulled the trigger . . . the woman had fallen to the ground. Dead. The baby screamed and fell into a fit of tears.”
  • Dr. Abarrane chases after Plum and Artem. He tried to inject Plum with a syringe, but “a metal tray hit him in the side of the head, hard. All it took was one blow and he was down.” The kids were able to escape.

Drugs and Alcohol

  • Plum is given a “strange purple liquid” through an IV. The liquid makes her sleep, and she is unable to wake from her dream.
  • After Artem disappears, Plum finds him in a building that looks like a hospital. When she finds him, he has an IV “that dripped in a bag over his bed. Plum recognized that odd purple liquid; it was the same thing Dr. Abarrane had given to her that morning. . .”
  • Plum overhears a nurse talking about the death of a boy. The boy was given “three doses of blue. . . The immediate effects were an increase in physical strength and energy.” The fluid killed the boy.

Language

  • None

Supernatural

  • The orphans who live at Brassmere Academy all have special abilities. The main characters share their dreams. Some “could bend and move metal if they concentrated.” Others could “charm animals” or “communicate with their thoughts.”
  • While in a dream, Artem “could always breathe underwater.”
  • While in a dream, Plum and the others travel to a town. Plum thinks what they saw “happened in the past, and somehow I was able to see it.”

Spiritual Content

  • None

Bad Mermaids Make Waves

Beattie, Mimi, and Zelda planned to spend the summer on land with temporary legs, but their trip is cut short when they receive a message ordering them to return home. The queen of the Hidden Lagoon, Arabella Cod, has been fishnapped. It’s up to the three friends to figure out what has happened to Arabella. When they return to the Hidden Lagoon, they discover that some seriously bad mermaids have taken over. With the help of a talking seahorse, the three go on a dangerous journey to discover who has fishnapped Arabella. Will the three be able to avoid the bad mermaids and chasing piranhas? Can they discover who the true villain is?

Readers looking for a fast-paced and silly mermaid mystery will be drawn to Bad Mermaids Make Waves because of the beautiful cover and the fun black-and-white illustrations throughout the story. The illustrations bring the magical mermaid world to life and help readers visualize the many crazily outfitted characters.

As Beattie, Mimi, and Zelda swim through the mermaid kingdom looking for clues, they interview those who may have had a hand in Arabella Cod’s disappearance. The mystery solving is more silly than serious and the three spend much of their time being chased. Bad Mermaids Make Waves will satisfy readers who like riddles, puns, and seriously silly fun.

The three main characters and a talking sea-horse, Steve, interact in hilarious ways. Another added bonus is the news-like articles from Clamzine and The Scribbled Squid that are dispersed throughout the story. The Scribbled Squid writes, “gossip and lies and things you should definitely buy,” while Clamzine gives snapshots of important characters in a fun way.

Bad Mermaids Makes Waves weaves mermaids, fashion, and mystery into a silly story that will engage reluctant middle school readers.

Sexual Content

  • None

Violence

  • Arabella Cod is fishnapped by a human.
  • Piranhas chase the three mermaids. Mimi uses fin-fu, which is “a little like human kung fu, only with fins” to battle the piranhas. Mimi “was doing a weird single-finder chopping move and pinging them away.” The piranhas finally swim away.
  • The mermaids chase someone who stole a car. Beattie jumps on a shark and chases the car. “The shark lunged and snapped down. The clam car shot forward . . . the shark lunged and crunched! She opened her eyes just in time to see the robber mermaid shoot out of the car and down the alleyway.”
  • The mermaids sneak into someone’s house to investigate. When they are caught, Beattie gets stuck in the door that was shaped like fish lips. In order to get Beattie unstuck, “Mimi casually turned and fin-fun chopped the fish lips. The entire sandcastle crumbled into a pile in one dusty explosion of sand.” The mermaids then escape.
  • Someone fishnaps Goda Gar. “There on the bow was Goda Gar, being tied up with seaweed streams and carted off by the chomping piranhas.”
  • The three mermaids are captured. When a seahorse tries to help them, a shark “bit down hard on Steve. . . Beattie cried as the wriggling little sea horse went limp and floated down toward the mermaids in a trance below.” The seahorse’s “shell top is ruined,” but he’s okay.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Someone used a “powerful magic, old magic, dark magic” to control the mermaids. Somehow the mermaids’ nails are stamped with piranhas, which allows the piranhas to track them.
  • Someone found the Ruster Shells, which are “two magic shells with crocodiles carved on them.” When mermaids see the shells, they fall into a trance and do everything they are told. Whoever wears the shells can control others.

Spiritual Content

  • None

 

 

Saint Anything

Sydney’s older brother, Peyton, holds the spotlight in their family—first for his charm, and then for his stints in rehab and his poor decision-making skills. When he lands in prison after hitting a young boy while drinking and driving, the spotlight turns on Sydney. With this new scandal, she decides to switch schools, hoping for anonymity and a chance to start over.

She starts over by becoming friends with the Chatham family, a family that shows Sydney what it looks like to have parents who are present and supportive and friends who accept you for you. Dessen does all this without feeling cheesy or unrealistic. Readers will see the lesson shown when Sydney is finally able to stand up for herself and the people she loves. Readers will appreciate the character development of Sydney as well as her parents.

Saint Anything is a heartfelt story that doesn’t only focus on romance but also captures the ups and downs of real life. With just the right amount of romance, suspense, and family drama, Saint Anything explores Sydney’s personal growth as she deals with tragedy.

Sydney’s character is genuine and relatable. Her story explores the complicated nature of family relationships. Readers will walk away feeling satisfied at having read a story that not only had a well-developed plot, but also realistic characters and an engaging conflict. The realistic dialogue and uncomplicated vocabulary make for an easy-to-read, engaging story.

Dessen writes a beautiful story that focuses on dealing with grief, guilt, and loneliness. The heart-warming story, with well-developed characters, shows readers the importance of becoming comfortable in your own skin. Saint Anything is the perfect book for those looking for a sweet romance that focuses on family and friendship.

Sexual Content

  • Margaret says to her friend, “Thank me forever for hooking you up with the guy you’re crazy about?”
  • Margaret walks up the stairs with a boy, implying that they are going to have sex. She asks Sydney what she is doing, and Sydney thinks, “Considering she was alone with the guy Jenn had clearly stated she was crushing on, in Jenn’s house, on her way to where there were only bedrooms, I wanted to ask her the same thing.”
  • While on a walk in the woods, Mac and Layla kiss. “I took my hand from Mac’s, then reached up to touch his cheek. When I did, his fingers moved to my waist, pulling me in closer. It was fluid and easy, like everything had been since we’d met, as I stood on my tiptoes and finally, finally kissed him.”
  • Layla thinks about Mac while reflecting on their new relationship, “Not just that he was a good kisser (very good, actually) and had the tightest set of abs I’d ever seen or touched.”
  • When Layla and Mac say goodbye, “he leaned in, kissing me once on the lips, then on the forehead. I felt safe enough to close my eyes.”
  • Spence and Layla kiss before going downstairs to the recording studio. As Spence is headed towards the studio, Layla “allowed herself to be pulled in for a kiss. To her surprise, not to mention mine, it quickly became open-mouthed and full-on tongue.”
  • Sydney’s mom speaks of Mac, “enunciating his name like you might the word herpes or molestation.”

Violence

  • Sydney’s brother is in jail. He was driving under the influence and hit a young boy riding his bike, “head-on.” The accident is not described.
  • Margaret is speaking to Sydney about her public school and says, “I hear there are fights there every day. And that’s with the girls.”
  • A boy attempts to sexually assault Sydney. “He grabbed my wrists. . . then tightened his grip on my wrists, pushing them back, back, against my ears. That was when I got scared. . . I tried to turn my head as he put his lips on mine, squeezing my eyes shut, but he grabbed my face, jerking me back to face him. I could feel his fingers digging into my chin. . . but then my palm was connecting with his face, the sound of skin to skin loud, a smack, and he stumbled backward. . .” Sydney’s dad stops the attack. “. . . I saw my dad. He had one arm hooked around Ame’s neck, tight, the fist clenched, and was pulling him backward down the hallway, away from me.”

Drugs and Alcohol

  • In the beginning, Sydney explains the backstory of how her brother ended up in jail. She describes a background of breaking and entering, smoking pot, and possession of pills in his locker.
  • Peyton’s friend has a habit of smoking cigarettes. He would “duck out occasionally to the garage to smoke cigarettes, using a sand-bucket ashtray my mom (who abhorred the habit) put out.”
  • Peyton “drank several beers, took a few shots,” and then “got into his car, and headed home.”
  • In the past, Rosie became addicted to Vicodin that the doctor prescribed to her for a knee injury. She got into trouble when she attempted to get more by faking her prescriptions. “She got a bit too fond of the Vicodin they gave her. Tried to pass off some fake prescriptions.”
  • When Jenn’s parents are out of town, Margaret, Jenn, Meredith, and Sydney drink piña coladas. Meredith and Sydney are not fans of alcohol, but they stay to make sure Jenn is okay. Jenn drinks too much and Sydney helps her to bed.
  • A newspaper story speaking about Peyton’s past states, “After a string of arrests for breaking and entering and drug possession, among other things, he’d completed a stay in rehab and had been sober for over a year. But on that February night, after an evening spent drinking and getting high. . .”
  • Layla and her friends go into the woods behind their house and drink one or two beers before coming back home. Irv says, “Beer me, someone.”
  • Layla’s boyfriend has started taking drugs. Layla tells Sydney the extent of it. “Just pot. Some pills. They make him different. But when I nag him, he gets mad, then doesn’t answer my texts.”
  • When Layla’s boyfriend shows up at her house, she “got a strong whiff of alcohol.”
  • While in the recording studio, Spence, “proceeded to drink most of his bottle of vodka.”

Language

  • “Oh, my God” and “My God” are used several times as exclamations.
  • Layla’s dad says, “Blah my ass,” and then apologizes for his language.
  • Rosie flips another character off.
  • Layla speaks about her brother’s ex-girlfriend. “She was a mean hippie. Who even knew such a thing existed? Bitch.”

Supernatural

  • None

Spiritual Content

  • Layla and her brother went to church when they were young. She speaks about meeting a friend “whom I’d known since our days at Trinity Church Preschool.”
  • Mac explains that the pendant he wears around his neck is “actually a pendant of a saint.” He explains further saying it is of “Bathilde. Patron saint of children. I guess she [his mom] figured we’d need all the help we could get.”
  • Sydney thinks about Mac’s mother, “Like my mom, she was that center of the wheel, with everyone connected drawing strength from her. She needed a saint of her own.”
  • Mac and Layla deliver pizza. “At the next stop, we interrupted a teenage Bible study and were greeted at the door by a beaming girl with braces, who invited us in for a slice and some testimony. Even though we declined, she tipped generously. Jesus would have approved.”
  • Mac speaks about saints and the pendant again, saying Mrs. Chatham “always liked the idea of protection, but especially since she got sick. I’m not wholly convinced. But I figure it can’t hurt, you know?”
  • Mac speaks about saints and his mom. “But there are a few that can be applied pretty broadly. Like the saint of wanderers, travelers, the lost. Or whatever. . . My mom’s favorite is Saint Anthony, the finder of lost things.”
  • Sydney speaks about her saint pendant. “My Saint Anything. I liked the thought of someone looking out for me, whoever it might be. We all need protecting, even if we don’t always know what from.”

by Hannah Neely

Refugee 87

Shif has a happy life, unfamiliar with the horrors of his country’s regime. He is one of the smartest boys in school, and feels safe and loved in the home he shares with his mother and little sister, right next door to his best friend, Bini. Both boys dream of going to university. Bini hopes to be a doctor and Shif wants to be an architect.

Both boys’ dreams are shattered the day that soldiers arrive at their door. Soldiers accuse the fourteen-year-olds of trying to flee before they can be drafted into the military. The boys are sent to prison, where they discover the lengths the government will go to silence anyone who is seen as a possible threat. Shif and Bini’s only hope is to escape the prison, sneak across the desert, and enter another country.

Told from Shif’s point of view, Refugee 87 jumps into a hostile country where people face unthinkable cruelty at the hands of their government. Shif and the other prisoners are treated like worthless animals and are given little food. However, once Shif escapes from prison, he discovers many unexpected dangers. A woman tells Shif not to go to the refugee camps because “a tribe in this area kidnaps people who have escaped from our country. . . They have gangs who patrol the camps, waiting for anyone new. Children get good prices. . . Before selling you, they try to get hold of your family’s money.”

Readers will sympathize with Shif as they learn about the modern refugee crisis. Instead of delving into the political situation, Fountain keeps the setting vague and brings Shif’s hardships to life. Even though the story is told from Shif’s point of view, readers may find it difficult to believe that Shif did not understand the reason his mother was so cautious and the dangers people in his country faced. The easy-to-read story doesn’t waste words on detailed descriptions, which sets the fast pace of the story. However, the lack of detail leaves the reader with unanswered questions.

Even though the publisher recommends the story for children eight and older, younger readers may become upset by the story’s mature themes which include war, violence, death, and human slavery. Although the events in the story are not described in graphic detail, Shif faces the death of his best friend and other horrific treatment. The abrupt ending may frustrate readers because the conclusion does not tell readers if Shif eventually made it to the safety of Europe.

As realistic fiction, Refugee 87 will help readers understand why people flee war-torn countries and the dangers that refugees face. The story also touches on themes of friendship, endurance, and the predatory nature of humans. Refugee 87 explores the refugee crisis in a manner that is appropriate for younger audiences and will engage readers of all ages. Readers who enjoyed Refugee 87 or want to learn more about refugees should also read Refugee by Alan Gratz.

Sexual Content

  • None

Violence

  • Shif and other prisoners are walking. One of the guards pushes Shif “in the back with the butt of his rifle and points ahead. He pushes me again. . . ‘eyes down!’ the guard shouts, and pushes me so hard that I fall to my knees on the stone ground.”
  • Shif and Bini try to escape the prison. As they run, the guards shoot at them. “Seconds later, I hear a bullet ricochet from the tree trunk. Another whizzes past my head like a bee. Puffs of dirt jump in the air as more bullets hit the earth around us.” The boys run and hide in a crack in the desert floor.
  • When Shif and Bini walk through the desert trying to escape from the prison’s soldiers, they hear a vehicle coming. As they begin to run, “There is a puff of dust from the ground beside me. Bullets. Which means they are close enough to fire at us. . . Bini shudders and yells out, then falls to his knees in front of me, clutching his arm.” Because of his injury, Bini tells Shif to leave him. As Shif runs, he “hears Bini shouting at the guards. I hear two shots behind me, then silence.” The scene is described over three pages.
  • Shif meets a woman who was injured. She tells him, “A land mine exploded when we were crossing the border. Two people we were crossing with were killed. I was hit with some pieces of shrapnel. We managed to get the pieces out, but the cuts were deep and I wasn’t able to clean them properly so they became infected.”
  • Shif stays with a family, who has a young daughter named Almaz. While shopping in the market, someone steals Almaz’s money. “Almaz darts down a dusty street after the man. I skid to a stop at the top of the street. Halfway down I see the man has stopped too. He is holding Almaz by the waist. She has her back to him and is struggling to kick him or twist around to scratch at his face.” Shif helps Almaz. “I push at his shoulder and try to grab his arm. He pins Almaz against the wall with one hand, then hits me in the face with the other. I fall backward; my cheek and nose explode with a coldness that almost immediately turns to throbbing pain.” Shif and Almaz escape. The scene is described over two pages.
  • While trying to escape the country, the smuggler yells at a woman who needs to pay more money. Shif hears “screaming and shouting in the corridor, and a loud cracking sound, then she is quiet.”

Drugs and Alcohol

  • None

Language

  • When Shif and Bini are shoved into a prison room, one of the men tells them, “Whatever you do, don’t piss on anyone in the night.”

Supernatural

  • None

Spiritual Content

  • When Shif and Bini hide from the soldiers, Shif prays “that we look like nothing more than two rocky bumps in the uneven desert landscape.”

 

 

Boy Bites Bug

Will wasn’t trying to prove a point. He wasn’t trying to put his friend in his place. He just wanted to fix an awkward situation. So, he ate a stink bug. Now, everyone knows him as bug boy. His new popularity brings a host of confusion—he’s feuding with his old best friend and trying to navigate a new friendship. Will wants to do what’s right, but he’s not always sure what that is.

Boy Bites Bug is a fast-paced story that brings the struggles of friendship into focus. The diverse characters are authentic, funny, and bring heart to the story. Will has a hard time figuring out how to deal with his changing friendship with Darryl. Will thinks, “Darryl and he had been friends for a long time, but would a real friend make him feel crappy for trying to be a decent person?”

As Will and Elroy become friends, Will struggles with figuring out what racism is. Even though his new friend Elroy is from Minnesota, others see him only as a Mexican, and Will makes assumptions about Elroy because of his race. Will knows it’s wrong to give someone “crap about who he was,” but wonders if his own behavior and assumptions are racist as well.

The story shows strong positive relationships between Will and his family. Even though Will’s actions have negative consequences for his sister, his sister still stands by his side. Will’s sister is one of the best parts of the book because even though her bug-eating brother causes her problems, in the end, she supports him and even makes up a bug-eating cheer for him.

Boy Bites Bug will appeal to a variety of readers because Will and his friends struggle with real-life issues—friendship, family, and figuring out life. Through Will’s journey, the reader will learn about eating bugs “on purpose” as well as get recipes that include bugs. The gross factor brings humor as well as lessons about different cultures. In the end, Will realizes that making fun of people for eating bugs isn’t funny. He also learns an important lesson about forgiveness. He learns that “some apologies would never fix things, but that didn’t mean they shouldn’t be made. It just meant they’d be harder to get out.”

Sexual Content

  • One of Will’s friends uses his father’s credit card for ridiculous items because, “his dad left Simon’s mom and taken off to Arizona with a girlfriend, leaving Simon behind with a credit card to make up for not calling much or ever visiting.”

Violence

  • Hollie accidentally gives a boy a bloody nose. “Hollie had been putting something on the top shelf of her locker when Jeremy sneaked up behind her and brushed her back. . . He’d surprised her, and when she jerked around, her elbow cracked his nose.”

Drugs and Alcohol

  • During a presentation, Will talks about how many bugs can legally be in food. He said, “If one’s dad had a bear with it (pizza), he would drink twenty-five hundred aphids, too.”

Language

  • Light profanity is used throughout the story. Profanity includes crap, holy crap, holy cow, and heck.
  • Will’s sister said someone is “acting like a jerk.” She also calls her brother a “dork-face” and a “fuzz-butt.”
  • A boy calls the new boy a “cholo.” The boy “knew he’d crossed a line, but his jaw squared too-he wasn’t taking anything back.”
  • The kids in the book call each other names including bonehead, dork, jerk, loser, nerd, idiot and menso (stupid).
  • Will gets upset because his friend is making “the three of them look like prejudiced jerks.”
  • “Oh my gosh” is used as an exclamation.
  • At wrestling practice, Will changes quickly because he didn’t want “his bony butt hanging out in front of these guys any longer than necessary.”
  • Will said his father can cook, “but you only eat his chili if you want to shoot flames out of your butt.”
  • When Will is introducing someone to the sport of wrestling, he said, “If you think it’s gay, you should leave now.”

Supernatural

  • None

Spiritual Content

  • None

 

 

 

 

Nightbooks

Alex is considered a bit odd by the other kids at school because he likes to spend his time writing scary stories. Disheartened by their constant teasing, Alex sneaks out of his apartment one night to burn his notebook. On the way to the boiler room, the elevator mysteriously stops on the fourth floor. Before he knows it, a witch named Natasha has imprisoned him in her magical apartment. Natasha loves stories, and Alex’s storytelling abilities are what got him captured—and what will keep him alive.

The witch has one other prisoner, a girl named Yasmin. She has long given up hope of escape and tells Alex that to stay alive he will have to continue telling Natasha hair-raising tales. But Alex is running out of story ideas, and he can’t focus on writing while consumed with thoughts of escape.

Nightbooks blends the fairy tale elements of Hansel and Gretel into a modern story that readers will love. Unlike Disney’s version of fairy tales, Nightbooks keeps the dark elements alive by delving into how a person becomes evil. This action-packed story is full of frightening elements, interesting characters, and several twisty surprises. As Alex, Yasmin, and a cat named Lenore join together to defeat Natasha, readers will cheer as the three try to stay alive and find a way to escape.

Alex and Yasmin aren’t the only well-developed characters. The witch Natasha is a uniquely interesting character because she is cruel, but she is also clearly frightened of the creepy, ever-changing apartment in which she lives. Although Natasha is obviously evil, her well-developed character gives the reader a glimpse into her history, adding interest to the story.

Throughout the story, Alex reads his own scary tales, adding another interesting element to Nightbooks. His stories do not distract from the main story, but add more frightening elements—dead children, vampires, and an evil teddy bear. Both Alex’s stories and the main narrative are creepy and scary, but the descriptions are not gory.

Many younger readers will relate to Alex, who feels like he is abnormal and does not fit in. A theme of normalcy is integrated into the story through Alex’s struggle with his desire to be like everyone else. In the end, he realizes, “So what if I write scary stories? I might hurt someone with nouns and adjectives, but I would never hurt someone for real.”

Readers will come away from this story with a message about the importance of courage, compassion, friendship, and accepting yourself. For those who like a fast-paced, frightening story, Nightbooks is a superb scary story for middle school readers.

Sexual Content
• None

Violence
• When Yasmin accidentally feeds a magical plant the wrong food, it produces “danglers.” When a dangler opens, a creature comes out. “Two red pinchers burst through the outer layer of the sac and dug into the wood, gaining purchase and dragging the rest of the body to freedom.” The creature shreds anything it touches. A cat named Lenore tries to catch the creature. “More sounds. Hissing. A buzzing noise, like a flying insect. A pot shattering. Lenore screeched in pain.” More creatures are born, and the kids try to fight them off. Alex “felt a sharp pain in his ankle. He kicked his foot and a furry lump sailed across the room. . . something landed on his lower back and immediately began to climb higher, claws tearing through his shirt and into skin.” The attack takes place over the span of a chapter.
• The witch gets angry with Lenore. “The witch opened her hand and a tiny fireball shot at Lenore. It seared the back of her fur, leaving a black streak against the orange. Lenore yowled in pain.”
• When the witch gets upset at the children that she has captured, she turns them into porcelain dolls.
• Alex tells a story about two brothers. The younger brother dies but comes back one night. The older brother, who was sleeping, felt “something jab him again, harder this time. The mattress lifted into the air for a moment before crashing back down onto its frame.” When Keith tried to get out of the bed, “a hand grabbed his ankle. It was cold and small but strong enough to jerk him off his feet. Keith crashed to the floor.” The story implies that the dead child takes over his brother’s body.
• When Alex, his friend, and the cat go into a passage, a creature greets them. “It had the body of a horse, but its black hair was missing in patches, revealing large swatches of oozing skin.” The creature attacks. “Alex screamed, certain that he was about to be impaled in several places, but the sharp tips of the horns fell just short of his body.”
• Aunt Gris and the witch Natasha fight. “Natasha snarled with frustration and unleashed a barrage of spells, one after the other; choking mist, nooses made of flame, twin skeletons brandishing iron swords. . . Aunt Gris leaped across the room and landed on her back. . .” There was a “short scream of pain followed by horrible crunching sounds—and then nothing at all.”
• At one point, the witch, “seemed determined to fit Yasmin’s entire head in her mouth.” When Alex throws a book of stories into the furnace, the witch tries to save the book, and “Yasmin shoved her from behind. [She] fell forward into the flames.”

Drugs and Alcohol
• None

Language
• Yasmin thinks Alex’s brother “sounds like a jerk.”

Supernatural
• A witch lives in a magical apartment that entices children to enter. “The apartment does what it can to get you inside. Different for everyone . . . Traditionally, it’s some sort of food that draws them. Kids are always thinking with their stomachs, you know.”
• The apartment needs dark magic to stay alive. The witch wants Alex to tell scary stories because “the thing about dark magic, though—it thrives on nightmares. . . When you read it a scary story, you soothe its aches and pains. And then it can rest easy again—at least for a little while.”
• The witch has a business that sells “magic-infused oils. . . A hex for that annoying neighbor, extra luck for a weekend getaway to Atlantic City. And love oils.”
• Alex writes a story about a girl who turns into a vampire when her reflection was stolen.
• Alex meets the original witch, Aunt Gris, who “ate children and devoured their youth.” The witch that captured Alex had “slipped a sleeping potion into [Aunt Gris’s] tea.” Natasha keeps Aunt Gris alive, but asleep.
• When Aunt Gris wakes, she is deformed. “Its fingers were candy canes ending in chiseled nails that looked very, very sharp. They twisted and cracked, testing their newfound freedom. . . Her ears and nose were in the expected places, but her face drooped like melted taffy, and her eyes were gold-foiled chocolate coins pressed deeply into malleable flesh.”
• When Aunt Gris dies, her magic dies and the porcelain children come back to life. “They recalled their names and everything about their lives up until the moment they entered apartment 4E. . . some of the children had been missing for a decade or more and hadn’t seemed to age in the intervening years.”

Spiritual Content
• None

The Secret Sheriff of Sixth Grade

Sixth-grader Maverick dreams of being a superhero. The only problem is that he’s weak, friendless, and has a host of problems. His father died in the war in Afghanistan. His alcoholic mother brings home abusive boyfriends. His mother’s love of alcohol and inability to keep a job often leaves Maverick hungry and wearing dirty clothes.

Maverick holds on to a plastic sheriff’s badge that his father gave him. The badge reminds him to fight for those smaller than him—even if it’s hard to find someone that small. However, every time Maverick tries to defend someone else, his efforts always take a wrong turn.

The Secret Sheriff of Sixth Grade quickly pulls readers into the story because it’s told in a first-person point of view and showcases Maverick’s self-deprecating attitude and desire to help others. Even though Maverick has a host of problems, he has the heart of a hero. Readers will laugh out loud at his mishaps, cry at his misfortunes, and root for him every step of the way.

The supporting characters are so well-developed that their unique personalities jump off the page. As Maverick gets to know other people, his perception of them changes as he realizes that their actions are often misinterpreted. For example, the assistant principal who Maverick originally thinks is terrible, turns out to have a kind heart.

Domestic abuse and alcoholism are weaved into the story in a kid-friendly manner, which allows the reader to see the devastation caused by the two without giving frightening details. At one point, Maverick wonders if he will become an abuser like his dad. His aunt tells him that changing the patterns of life is difficult. “It’s hard. Sometimes making the right choices is super hard.”

The Secret Sheriff of Sixth Grade is a fast-paced, powerful story that shows the importance of kindness and standing up for others. In the end, Maverick realizes that he is not just a “shrimpy loser,” but an imperfect boy that can impact others through acts of kindness. Maverick learns that “Maybe I didn’t need webs to be a hero—or rippling muscles, or a bulletproof shield. Maybe, at the end of the day, I could just keep trying to look around for people who needed a hand, and then grab on to theirs with my own.”

Readers will keep turning the pages of The Secret Sheriff of Sixth Grade. Maverick is an unforgettable character that readers will remember for a long time after they finish the book. Maverick’s lessons of kindness and persistence will leave the readers with a sense of optimism. The Secret Sheriff of Sixth Grade is a must-read book for middle school readers.

Sexual Content

  • A girl tells Maverick that he can’t fight Bowen, but she was going to “kick his (Bowen’s) butt.” Then someone said, “Oh, she’s feisty, too! Is that how you like your women, Maverick? Big and spicy?”

Violence

  • Maverick’s mother has a string of “loser” boyfriends, who physically abuse her. Maverick gets home and sees his mom, “clutching at her left eye, and sobbing. Johnny was leaning over her, shouting so loudly that I could see the spit flying out of his mouth into her hair. . . His hand whipped through the air and cracked across my mother’s face so hard her head smashed against the couch cushion and bounced forward again.
  • Maverick sees a kid being picked on in school. In order to help, he “dropped my book bag, put my head down, and charged at Bowen . . . Too late, I dimly realized I had just knocked the little guy into a row of lockers. Oops. A split second later, my head and shoulders slammed into Bowen. . .“ Bowen is knocked into a trash can, and then the principal shows up and ends the fight.
  • Maverick’s father was a “firefighter on an artillery base. A mortar round came in at night, hit some gas cans, and set the barracks on fire.” His father died trying to save the men.
  • A father, who is a police officer, hits his son. “Before Bowen could say another word, his head rocketed sideways toward me and I heard him whimper. . . Bowen’s father had hit him, really hard, on the side of the head.”
  • Maverick comes home and finds his mother, “Holding a bloody towel under her nose . . . Mom looked down at the towel in her hand, and almost seemed surprised to see it there. Maybe she was. I could smell the alcohol rolling off her from across the room.” His mother passes out.
  • Maverick and Bowen meet at the park after school so they can fight. “He punched me, extremely hard, once. . . I felt a crack, and a slicking stab of pain. I stopped swinging, started to reach for my chest with one hand, and bent forward. As I did, Bowen swung his knee up, into that same spot of my chest. The impact jerked me fully upright. . . the entire left side of my sweatshirt was already soaked through with blood.” Bowen calls his father, who races Maverick to the hospital.
  • Maverick’s mother’s ex-boyfriend comes to the house. The ex-boyfriend and his mother argue. Before violence begins, Maverick “squirmed my way between them, and said, ‘hit me, Johnny.’” Johnny leaves. His mother celebrates by drinking “something clear that was not water.”
  • Maverick’s house burns when “your mother fell asleep with a lit cigarette.” Maverick’s pet is killed in the fire. Maverick thinks it’s his fault because, “I check in on her in the morning, and everything looked fine.”
  • Maverick thinks back to when his dad was alive. When Maverick was little, his parents began to argue, and “then I heard a sharp smack and a gasp from the porch. . . My mother had whipped a hand up to cover one side of her face. . .”

Drugs and Alcohol

  • Maverick’s mother has a drinking problem, which Maverick thinks about often. Once he had to “drop out of T-ball when my mom drank up the fifteen-dollar T-shirt fee.”
  • When Maverick gets sent to the principal’s office, he doesn’t want to call his mom because “she didn’t have a car. She was probably hungover. Or still sleeping. Or, worst of all, drunk again.” Maverick calls his aunt and promises to tell his mother about being in trouble. He thinks, “I didn’t say that my plan was to wait until she’d had a bunch of drinks and was about to pass out.”
  • When assigned to make a poster about his life, Maverick thinks, “if I had been totally honest, I would have cut out a pile of vodka bottles. . .”
  • When Maverick’s mom loses her job, she “started drinking. And drinking. And drinking. . . Nothing got my mother up off the couch until the eighth day, when she ran out of alcohol.” His mother sold his father’s military medal of honor to pay for more alcohol.
  • Max is upset because his friend complained about his mom not doing laundry and now “his favorite clothes were dirty.” Maverick’s mother didn’t do his laundry, and Maverick had to worry about “when scary teen gangsters were smoking and drinking in front of the laundry room of our apartment complex, so I was afraid to do my laundry and had to wear dirty stuff to school.”
  • When Maverick’s mother’s ex-boyfriend shows up, he wonders, “Do I let him in? Should I offer him a beer?”
  • When Maverick’s aunt goes to his house, he worries, “What if there were bottles of booze all over the place? What if it reeked of cigarettes and last night’s garbage?”

Language

  • Crud, darn, jerk, and holy cow are all used twice. Freaking is used seven times. Bonehead is also used.
  • “Oh, my god,” is used as an exclamation once.
  • Maverick is upset when the P.E. coach yells at him for not having the money to pay for his P.E. clothes. He thinks, “I don’t freaking have ten dollars.” Later, he thinks that the P.E. teacher had “Been a jerk about my problem.”
  • In a humorous scene, Maverick calls someone a “cheese tool.” Someone tries to explain what a cheese tool is. “A cheese tool is the little plastic rectangle that comes in a packet of cheese and crackers.” The group of kids that heard the comments were confused. “Half the kids seemed to be muttering things like, ‘Cheese tool? What a moron!’ But the other half were like, ‘Dang! Bowen got called a cheese tool!’”
  • Someone yells at a group of boys, “We’re all going to get in trouble, just because you three boneheads couldn’t control yourselves.”
  • Someone calls Maverick a “shrimpy little idiot.”
  • When a teacher talks about having a guest speaker, a student refers to the “special guest” as “special dorks.”

Supernatural

  • None

Spiritual Content

  • None

 

Speak

Instead of looking forward to starting high school, Melinda is dreading it. She attended an end-of-the-summer party, which got busted after she called the cops. Now she is an outcast. Her friends, and even random strangers, hate her. Something terrible happened at the party. And one day, Melinda will speak about the terrible events. And that will change everything.

Because Speak is written in the first person, Melinda’s personality comes to life. Although Melinda often is sarcastic, the pain and uncertainty she feels come through. The reader knows that something terrible has happened to Melinda, and they know it has to do with “IT” and the end-of-the-summer party. However, the reader is left in suspense until the end of the story, when the horrible events of the party are revealed—Melinda was raped.

Melinda is dealing with some heavy issues—parents who only talk to her through sticky notes, feelings of depression, and the overwhelming desire to have someone like her. Speak focuses on Melinda’s struggle to understand what happened to her. At one point she questioned, “Was I raped?” When Melinda finally tells a friend about her experience, Melinda is accused of being a liar. And because no one knows what happened, Melinda’s rapist is able to continue to terrorize her. Although the story is told in a realistic manner and is teen-friendly, the events in the book may still be upsetting to some readers.

Much of the story focuses on Melinda’s inner dialogue, which allows the reader to understand her thoughts and feelings. Many of the adults in the story just don’t know how to deal with Melinda’s problems, which makes it harder for Melinda to talk. Even as Melinda struggles to speak, the message of the story is clear— “don’t expect to make a difference unless you speak up for yourself.” Melinda’s story will have a major impact on readers. Speak will be remembered long after you finish reading it.

Sexual Content

  • The school board decides to change the school mascot because “Home of the Trojans didn’t send a strong abstinence message, so they have transformed us into the Blue Devils. Better the Devil you know than the Trojan you don’t, I guess.”
  • While watching the cheerleaders, Melinda thinks, “the cheerleaders are much better at scoring than the football team is.”
  • Melinda thinks the cheerleaders “have parties wild enough to attract college students. . . They rent beach houses in Cancun during Spring Break and get group-rate abortions before prom.”
  • During biology class, the class laughs when the teacher says the word “reproduce” because “they have figured out it is related to sex.”
  • Melinda’s friend has a model shoot and Melinda thinks that her friend’s, “goosebumps are bigger than her boobs.” During the shoot, “the photographer keeps saying ‘Sexy, sexy, very cute. . . think boys.”
  • At lunch, a group of girls talks about a boy who is gorgeous and dangerous. One of the girls said, “Rumor—he sleeps with anything.”
  • When the school changes the mascot, the cheerleaders come up with a new cheer, “We are the hornets, horny, horny hornets.” During the cheer, they wiggle and shake. When the cheer makes it on the television, “the TV sports guy thought the song was cute, so he did a segment showing the ‘Hornet Hustle,’ with the cheerleaders shaking their stingers, and the crowd bumping and grinding their horny Hornet heinies.”
  • Melinda sees a girl kiss a boy in the hall, the girl “smiles and then she kisses him wet. Not a Girl Scout kiss.”
  • Melinda tells her friend about her experience, “I was stupid and drunk and I didn’t know what was happening and then he hurt . . . he raped me.” Melinda’s friend thinks she is a liar.
  • On the bathroom wall, someone writes that a boy “should get it (diprosomething) every morning in his orange juice I went out with him to the movies—he tried to get his hands down my pants during the PREVIEWS!”
  • When Melinda’s friend goes to the prom with a boy, he “was all over her with his hands and his mouth.” Melinda’s friend ditched the guy.

Violence

  • While on the school bus, someone throws a Ho-Ho and it hits Melinda in the back of the head.
  • During a pep assembly, a girl yells at Melinda, and then “the girl behind me jams her knees into my back. They are as sharp as her fingernails. . . The girl yanks my hair.”
  • While at a party, Melinda meets a boy. When he “pulled me close,” she felt dizzy. “He wrapped one arm around my back. His other hand slid down to my butt. I thought that was a little rude, but my tongue was thick with beer and I couldn’t figure out how to tell him to slow down. . .  He kissed me, man kiss, hard sweet and deep. . . He kissed me again. His teeth ground hard against my lips.” Melinda doesn’t like what is happening but isn’t sure how to stop the boy from continuing. “I can hear myself—I’m mumbling like a deranged drunk. His lips lock on mine and I can’t say anything. I twist my head away. He is so heavy. . . I open my mouth to breathe, to scream, and his hand covers it. . . shirt up, shorts down, and the ground smells wet and dark and NO!. . and he smells like beer and mean and he hurts me hurts me hurts me and gets up and zips his jeans and smiles.”
  • The boy who raped Melinda attacks her at school because “you started spreading lies, and now every girl in school is talking about me like I’m some kind of pervert . . . You are one strange bitch, you know that. A freak.” The boy tries to kiss Melinda, and when she pulls away he, “slams his body against mine. . . He curses and turns, his fist coming, coming. An explosion in my head and blood in my mouth. He hit me.” The attack takes place over three pages. In the end, Melinda breaks a mirror and “wrap my fingers around a triangle of glass. I hold it to Andy Evans’s neck.” Finally, the lacrosse team shows up and helps Melinda.

Drugs and Alcohol

  • While watching television, Melinda’s dad “drops ice cubes in a heavy-bottomed glass and pours in some booze.”
  • Melinda’s ex-friend, “puts a candy cigarette between her lips. Rachelle wants desperately to smoke, but she has asthma.”
  • Melinda friend tells her, “But you just can’t cut classes or not show up to school. What’s next—hanging out with the dopers?”
  • Melinda goes to a party where she and other teens are drinking.
  • During prom season, some kids talk about “which limo company won’t tell if you drink.”

Language

  • Profanity is scattered throughout the book. Profanity includes: bitchy, bullshit, crap, darn, and pissed.
  • “Oh my god” is used as an exclamation several times.
  • A girl calls Malinda an “asshole.”
  • Someone calls a girl a “bitch.”
  • Melinda is upset with a teacher and thinks, “I’m not going to let an idiot teacher jerk me around like this.”
  • According to the writing on the bathroom stall, a girl has pissed off a whole bunch of people. One person wrote in huge letters that she is a whore.
  • Melinda thinks it’s best to stay quiet because “All that crap you hear on TV about communication and expressing feelings is a lie.”
  • When Melinda’s friend tells her they are no longer friends, Melinda tries “to think of something bitchy, something wicked and cruel. I can’t.”

Supernatural

  • None

Spiritual Content

  • Melinda’s “parents didn’t raise me to be religious. The closest we come to worship is the Trinity of Visa, MasterCard, and American Express. I think the Merryweather cheerleaders confuse me because I missed out on Sunday School. It has to be a miracle. There is no other explanation. Howe else could they sleep with the football team on Saturday night and be reincarnated as virginal goddess on Monday?”
  • When Melinda goes to the mall and finds that it is closed, she thinks, “It’s always supposed to be there, like milk in the refrigerator or God.”
  • A girl Melinda knows is “experimenting with Islam. She wears a scarf on her head and some brown-and-red gauzy harem pants.”

The Assassination of Bragwain Spurge

Elf historian Bragwain Spurge accepts a dangerous mission to catapult across the mountains, spy on the goblins, and deliver a peace offering to the goblins’ dark lord. No other elf has returned for the goblins’ land, but Spurge is determined to be the first.

Spurge’s host, goblin archivist Werfel, is excited to show the goblin culture to his guest. Instead of being great friends like Werfel had hoped, Spurge’s snobbish attitude and sneaky ways lead to an international crisis. Soon, the two are fugitives fighting for their lives. But in order to survive, and keep their nations from war, the two will need to put their cultural differences aside and work together.

A unique political story, The Assassination of Bragwain Spurge, is told from three points of view.  Werfel tells his version of events in first-person text; the pride and love he feels for his culture and his people shines throughout the entire story. Lord spymaster Ysoret Clivers writes reports to the elves’ leader, which allows the reader to understand lies that were told to Spurge. Spurge transmits pictures of his side of the story back to the elf kingdom. The beautiful, sometimes hilarious, black-and-white illustrations portray the goblin culture from Spurge’s perspective, often making the goblin world appear frightening.

Spurge’s story begins with illustrations of his travel to the goblin’s city. Because the story is told from three points of view, the same events can be seen through different perspectives, which allows the reader to understand how so many misunderstandings can take place between two people. Spurge portrays the goblins as frightening monsters, who leer at him and have disgusting habits. Despite Spurge’s conceited attitude, Werfel makes an excellent host, who is willing to die for the unlikable, unfriendly guest.

Many readers will relate to Spurge, who was bullied throughout school. Spurge has always been “the weed: unwanted by anyone.” Spurge accepted the dangerous mission because “I thought I would be useful. . . I thought I could be different than I was. I thought I could be one of them.” He is heartbroken when he realizes that he was used. Werfel points out that “just because you’re useful to the wealthy doesn’t mean they’ll reward you. It just means they’ll use you.” Spurge’s heartbreak and hurt make his previous behavior understandable.

Spurge and Werfel are not necessarily heroes, but in the end they band together to help bring peace between their people. The conclusion allows the reader to know that there is always the possibility of peace when two people begin to understand each other’s culture. The action-packed, visually inspiring, and funny tale teaches the value of friendship and understanding others’ perspectives. The Assassination of Bragwain Spurge will draw in readers because of the many illustrations; however, only dedicated readers will make it to the end of the book because of the changing points of views, the complexity of the plot, and the length of the story.

Sexual Content

  • None

Violence

  • While giving the history of the goblin city of Tenebrion, Ysoret Clivers writes about twelve elves who went into the city. Only two came back alive, “but raving mad—unable to explain the horrors they’d seen, and not just because their tongues had been cut out. Their minds had been blasted.”
  • When being introduced to a goblin family, the host tells Spurge, “I, for one, am going to try right now to forget all the elves I killed in all sorts of ways during the war, and I am not going to think of all of my friends you people shot and stabbed and cut apart. Oh, and burned from the air. And imprisoned without food.” Another guest tells Spurge, “When most goblins took elfin prisoners, they cut off their arms at the elbow. Not me, sir. . . I always cut off your people’s hands right at the wrists.”
  • When Spurge was a child, the other boys would tease him. Ysoret Clivers and the other boys, “burned his desk with him tied to it . . . (and) dragged him down to the crypt and forced him to eat grave-worms or have his pale little head kicked in.”
  • When Ysoret Clivers displeases the king, a bodyguard cuts off his finger. “He spread my hand out on my desk and, taking out his ax—” By the end of the book, Ysoret Clivers has lost three fingers.  When the third finger is removed, blood splatters the page, but it is not described.
  • Spurge and Werfel are surrounded by bandits, who make the goblin give up his clothes. The bandit grabs Spurge, and “she spit in the elf’s face, then threw him backward to the floor. . . She kicked Spurge as hard as she could. Spurge writhed in pain.” Werfel stops the bandit from killing Spurge. But then “the goblins surrounded them, jabbing at them with short swords and knives, forcing them back toward the balcony railing and the darkness beyond it. . .” The bandits push the two off the balcony, but they are uninjured. The attack is described over a chapter.
  • A goblin challenges Spurge to a duel. The battle is described in 19 pages’ pictures. The goblin attacks Spurge with a mace, but Spurge is able to defeat him.
  • An elf knight hits Werfel’s pet. “One of the guards swung a sword and hit her with the flat. Werfel heard the crunch. Skardebek went whirling over their heads and hit the ground. She lay there twitching as the knights pulled their two prisoners away.
  • Werfel’s pet helps him and Spurge escape from the elves. “She darted forward and clamped herself angrily over the executioner’s hooded face. He gagged and clutched at her. . . Skardebek flapped away—and Spurge slammed the guard over the head with the pike. The man collapsed.”
  • As Werfel and Spurge are trying to escape, a knight sees them. There is a brief altercation. “Werfel grabbed his weapon. He shoved his hand over the man’s mouth. . . Skardebek flapped in his face and he choked. . .” Spurge hit “the guard in the stomach. The picket guard fell backward, the breath knocked out of him.”
  • When the elves and goblins’ leaders meet, a weapon detonates and explodes. The leaders and their armies disappear into a black hole. The meeting is described in pictures.

Drugs and Alcohol

  • To welcome Spurge, the elfin scholar, to the goblin city, a champagne fountain is prepared.

Language

  • When the goblins consider someone a friend, they insult them by calling them names. Spurge calls a neighbor’s children “little jerks” and “awful spawn.”
  • If the goblin’s find out Werfel is a spy, Ysoret Clivers writes that “we can claim that he was just a nincompoop or a madman.”
  • A goblin challenges Spurge to a duel, calling him a “cowardly, lily-livered, stitch-faced desperado.”

Supernatural

  • Spurge uses a communication spell to send pictures back to the elves. “Werfel could tell it was a spell because the elf was floating several inches above the bed, surrounded by crackling sparks.”

Spiritual Content

  • When a group of angry goblins surrounds Spurge and Werfel, Werfel “clenched his hands and started to say a prayer to Great Rugwith.”

The Roar of the Crowd

Manny has always been a star on the soccer team. This year, he has decided to try football instead. Manny is determined to get in the game even though it’s his first year as part of the Hudson City Hornets. Manny doesn’t want to sit on the bench, but compared to the other guys, Manny isn’t big. When he tries to tackle the offense, he ends up eating dirt. When the team loses, the coach sits Manny on the bench. Manny needs to prove that he is as tough as anyone else out on the field. Can he prove to his coach, his teammates, and himself that he belongs on the field?

Sports lovers will enjoy the play-by-play football action, both during the games and on the practice field. Many boys will relate to Manny because even though he is small, he still wants to make an impact on the field. Manny knows he is fast, but he worries because, “the other players had everything that he didn’t have—strength, height, confidence.” Throughout the story, the football players appreciate Manny’s efforts and even consider him part of the team, even though he sat on the bench for the entire game.

Although the story focuses on football, Manny’s family also appears frequently. Manny’s two-parent family is portrayed in a positive light. Manny’s little brother adores him, which adds depth to the family dynamics. One drawback of the story is a brief conversation in which Manny and another boy talk about a girl who is “short but built.” During the conversation, the boy makes it seem as if every girl in school “is after” the star football player. Because many children model behavior in books, parents may want to have a conversation about this event.

The simple plot and easy-to-understand vocabulary make The Roar of the Crowd an easy read for younger readers. Readers will learn the importance of focusing on an individual’s strength and never giving up. However, there are better sports books for younger readers, such as Soar by Joan Bauer or the Ballpark Mystery series by David A. Kelly.

Sexual Content

  • Another boy tells Manny that a girl is “out of your league.” The boy said that she is “after Firorelli” who is a football player. The boy jokes that the girl “can probably run him down faster than you could.” The boy thinks that “every girl in the school seems to be after him (Fiorelli).”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • When Manny was tackled, he said “crap.”
  • When someone shoved Manny, he said “screw you.”
  • A football player said “crud.”
  • The boys say butt occasionally, such as “Get ready to sprint your butt off, man.” Manny also told his friend that he “ran my butt off.”

Supernatural

  • None

Spiritual Content

  • Manny and his family attend mass on Sunday morning. “But all during the sermon he thought about those kickoffs, how he’d been so overpowered by the blockers.”

 

My Father’s Words

A terrible accident takes the life of Fiona and Finn’s father. Lost in grief, a friend suggests Fiona and Finn volunteer at an animal shelter. They meet two dogs that need their comfort. As Fiona and Finn help the dogs, they reflect on their father’s words.

Beautifully written, My Father’s Words will captivate readers from the beginning. Being told from Fiona’s point of view allows the story to focus on the family’s grief and how each member of the family responds differently to grief. Fiona worries that her brother has lost his ability to laugh. Introducing the two shelter animals adds heart as well as a little bit of humor.

Fiona and Finn’s father’s caring attitude and wisdom come through as Fiona and Finn think about his actions and words. Finn struggles with whom to blame for the accident that killed his father, but in the end, he realizes, “I can’t blame her anymore. I can’t blame her little boy. And I can’t blame my father.” Finn comes to accept that his father’s death was an accident, and no one was at fault. The story imparts another lesson when Fiona recalls how her father taught her that when a problem can’t be solved, you need to be able to let go.

The two siblings face varied emotions—love, anger, blame, and concern for others. As they process their emotions, they learn the importance of helping others. One of Duncan’s patients, Thomas, helps Fiona with her own grief; through their phone calls Fiona reexamines her belief that Thomas was a “nut case.”

Simple words, short sentences, dialogue, and short paragraphs—many are only one sentence—make the story accessible to younger children. However, because of the topic of death, My Father’s Words would be a good book to read with an adult, who can understand the emotional impact of losing a parent. Anyone, regardless of age, would benefit from reading My Father’s Words since it shows how a loved one is never truly gone. This emotionally engaging story will leave readers in tears, but also with the feeling of hope.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • Declan’s will said that he wanted people to “eat cake, drink champagne, and play basketball” at his funeral.

Language

  • Fiona thinks that one of her father’s patients is a “nut case.” Once her father heard her call someone a “nut case” and he “talked to me about the dignity of people.”

Supernatural

  • None

Spiritual Content

  • None

 

 

 

 

 

 

Soof

Aurora knows all the Heidi stories. All of her life, Aurora has heard about Heidi and how Heidi brought her family luck. But sometimes Aurora thinks her mother doesn’t feel so lucky to have her as a daughter. Her mom thinks she’s weird and wants her to have friends. Aurora has her dog, Duck, as a best friend, and Duck’s friendship is enough.

When Aurora’s mom announces that Heidi is coming for a visit, everything changes. Her mom is obsessed with making everything perfect for Heidi’s visit. Right before Heidi’s visit, bad luck hits the family. When a fire damages their house, Duck disappears, and Aurora and her mother begin fighting like alley cats.

Aurora knows her mother believes in Soof, which means love. But she’s left wondering if her mother loves Heidi more than her.

Although Soof is the companion novel to So B. It, Soof can be read as a stand-alone novel. However, reading So B. It will help readers understand the relationship between Aurora’s mother and Heidi. Soof, which is told from Aurora’s point of view, focuses on Aurora’s struggle to feel loved. Aurora doesn’t mind being labeled as “weird” and not having friends; however, her mother has taken her to several doctors to see if she is “on the spectrum.” Aurora sometimes wonders if her mother was hoping to have a daughter like Heidi, not a weird daughter like herself.

Aurora is a complex character who understands herself, yet still feels insecure. The interactions between Aurora and her family drive the story. Her imperfect family is portrayed in a positive light. Even though Aurora’s family loves each other, the reader can understand why Aurora feels threatened by Heidi’s visit.

 So much of the story focuses on Aurora’s internal conflict that the story lacks action. Although Aurora and her parents are interesting characters, the complicated family issues that drive the story may be difficult for younger readers to understand. For readers who are interested in family dynamics, Soof would be a good choice. So much time is spent building suspense around Heidi’s visit that the short interaction between Heidi and Aurora is a disappointment.

Soof teaches the importance of communication as well as accepting yourself, even if others think you are weird. The satisfying conclusion of the story will leave readers with a smile and a feeling of hope. The easy vocabulary and short sentences make Soof an easy read; however, the story will be best suited for readers who are ready to delve into the interpersonal relationships of families.

 Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • On Aurora’s parents’ anniversary, her parents have champagne with dinner and Aurora has sparkling cider. During dinner they, “clinked glasses, and after a few more toasts my parents were both a little tipsy and I was ready for bed.”
  • Aurora and her mom meet a woman who is smoking a cigarette.

Language

  • Aurora’s dad says “darn” once.

Supernatural

  • None

Spiritual Content

  • When Aurora is looking for her dog she says, “Dear Saint Anthony, please come around, something’s lost that must be found.”

 

In Plain Sight

Megan, who has moved all over the country, knows how to make friends. Now living in Las Vegas, Megan “Cause Queen” Caliente organizes a protest, where she is detained by police. When her mother comes to pick her up from jail, the police arrest her mother. Megan discovers that her mother has been living under an assumed name, and her father is a convicted terrorist.

Megan’s life is suddenly turned upside down. Her friends turn against her, and gossip spreads like fire. Megan struggles to understand her mother’s decisions. She also wonders if she will follow in her father’s footsteps.

Written from Megan’s point of view, In Plain Sight focuses on Megan’s journey to understand her mother’s choices as well as how her father’s terrorist act will affect the person she becomes. After people discover who her father is, Megan must deal with gossip, and one student shouts, “Muslim go home!” Suddenly, Megan is stereotyped as an extremist and some of her friends abandon her.

Throughout the story, Megan learns about the impact of choices. Her friend Matt shares his own troubled background and teaches Megan that genetics don’t determine who you become. Matt tells Megan, “Everything in life is a choice . . . You can choose to be you. Or you can let someone else choose for you.” This theme is reinforced when Morgan struggles to deal with her father’s deadly actions and decides to go to a memorial for those who her father killed. While there, a girl whose father died in the bombing, tells Megan, “. . .but if you came here looking for forgiveness, you’re not going to get it. . . It’s not yours to get. . . You didn’t do anything wrong.”

Written as a part of the Orca Soundings books, which are specifically written for teens, In Plain Sight is a fast-paced book that looks at the timely issue of terrorism in a teen-friendly manner. Teens will enjoy this high-interest, easy-to-read story.

Sexual Content

  • Megan is upset when she finds out who her father is. In anger, she yells at her mom, “Well, sharing that [a computer] got you into a shit-load of trouble. And sharing your body got you pregnant.”
  • Megan and Matt go on a road trip. They sleep in the vehicle for the night. When they get out their sleeping bags, Matt suggests, “Why don’t we zip them together?” When Megan declines, Matt said, “Can’t blame a guy for trying.”

Violence

  • None

Drugs and Alcohol

  • During a protest, Megan saw a tourist with a can of Coors Light.
  • Megan’s “big love is current events, not parties and weed.”
  • Megan’s aunt drinks a glass of wine.
  • Matt tells Megan, “I’m the son of a guy who dealt drugs for a living, and you don’t see me selling the white stuff.”

Language

  • Profanity is scattered throughout the book and includes ass, bitch, crap, damn, hell, pissed, and shit.
  • “Oh my god” and “my god” are each used as an exclamation once.
  • Someone calls Megan a “lying hag.”
  • A police officer tells a protester, “Stay where you are and stop being a smart ass. . .”
  • When Megan’s friend is goofing off, she thinks, “He’s such a smart ass.”
  • Megan makes a huge mistake and tells her mom she won’t do it again. Her mom replies, “Damn right you won’t do it again.”
  • When Megan yells at her mother, she thinks, “I know I’m being a bitch. . .”

Supernatural

  • None

Spiritual Content

  • None

Chemistry Lesson

Maya has her summer all planned. She has an internship at MIT and the perfect boyfriend, but before the summer fun can start, Maya’s boyfriend breaks up with her. Maya, who is still grieving her mother’s death, has one thing on her mind—getting Whit back.

When Maya finds her mother’s old notebooks, she thinks she’s discovered the perfect way to get her boyfriend back. With the help of her mother’s lab intern, Ann, Maya makes a love serum. But before Maya can use it on Whit, she needs to test out the serum on two test subjects. Maya embarks on an adventure that leads her to discover the unpredictability of love.

The best part of Chemistry Lesson is the relationship Maya has with her best friend, Brian. Realistic, funny, and kind, Brian shows what true friendship should look like. Another positive relationship in the story is between Maya and her father. Both are trying to deal with the loss of Maya’s mother and struggle with the grieving process.

Although the storyline has an interesting premise, Maya’s willingness to ignore moral codes to get Whit back seems farfetched. Whit’s early disappearance from the story leaves the reader wondering why Whit is worth all of the effort to create a love potion. For a person who is so smart when it comes to science, Maya is completely clueless when it comes to guys. By completing the experiment, Maya does learn about herself and others, but her naivety when it comes to boy-girl relationships comes off as false.

Chemistry Lesson is a quick, easy read that has a diverse cast of characters. Even though the story focuses on a love potion, the love scenes won’t stir up much emotion. For those looking for a fun, unique love story, Chemistry Lesson will hit the mark.

Sexual Content

  • Brian is gay, but the only reference to his sexuality is when Maya asked, “Were you ever this upset about Matt?”
  • Maya’s aunt has a female partner “of more than 20 years.” Pam tells Maya that when she “had crushes on women and men while I was with Pam,” but because she was older, she was “able to ignore the crushes.”
  • Maya’s friend Yael told Maya “how a woman she’d met in undergrad pursued her for months only to dump her for a guy on the rugby team.”
  • Maya and her boyfriend, Whit, decided “we’d have sex in four weeks—once Whit moved into off-campus housing, where he’d have his own room.” Maya was “unable to stop myself from imagining what was going to happen in less than a month.”
  • When Maya’s boyfriend breaks up with her, her friend tells her, “This whole ‘losing my virginity thing is a heteronormative concept anyway.”
  • Maya makes out with Kyle. The scene is described over three pages. As they kiss, “He tipped me back so that my head rested against a couch pillow, and then he was half on top of me, one leg on the couch, one on the floor. . . He shifted so that his knee fell in between my legs.” Maya stops Kyle. Then he said, “This kind of thing happens all the time in college.”
  • Maya thinks back to visiting Whit at college where, “I’d seen students bring strangers back to their rooms and then say goodbye forever the next morning.”
  • One of Maya’s friends “hooked up with one of the techs from next door.”
  • Maya makes out with a boy at a party. “He pulled me close and hugged me, and I reciprocated with my arms around him. Then I felt a tickling wetness on my neck. . . He put one hand on my butt like it was no big deal . . . I couldn’t do much besides keep my mouth open as his tongue began wagging from side to side inside it.” The scene is described over four pages.
  • Someone tells Maya, “sometimes the best way to get over someone is to get under someone else.”
  • When Maya is in Whit’s room, she teases him for having Bananagrams in his nightstand. She says, “You’re supposed to have condoms and drugs in there.”

Violence

  • None

Drugs and Alcohol

  • For an experiment, Maya takes drops. When her friend catches her taking the drops, she tells him, “I’m ingesting a pheromones-masking formula to get Whit back.”
  • Maya thinks back to “the wine that Whit once stole from his parent’s liquor cabinet so we could share it on one of our first real dates.”
  • After dinner, Maya’s aunt poured her a “full glass of sweet wine.”
  • Maya goes to several parties where there was alcohol. At one, “Most of the kids were drinking beer procured by someone’s older brother.”
  • When trying to explain an experiment, one of the characters mentions Viagra.
  • Maya, her father, and her friend go to an outdoor play. Her father brought “water bottles filled with his special juice drink.” Maya’s father said, “I’m teaching her that alcohol isn’t something you consume in excess for the purposes of getting drunk.”
  • Maya goes to a party where teens are drinking and she “could see a pack of adults smoking something in a circle.”
  • When Maya hurts herself, she takes Percocet for the pain.

Language

  • When someone makes fun of Kyle’s singing, he “lifted his middle finger in our direction.”
  • When Maya visits her aunt, her aunt uses profanity including “goddamned.” The aunt’s accent is so thick that the curse words sounded like “fahckin’ or ‘gawhddamned.’”
  • “Oh my god” is used as an exclamation.
  • Profanity is used infrequently but includes bullshit, dammit, hell, and shit.
  • After Maya sings karaoke, her friend says, “you sounded like a fucking robot.”
  • “Jesus” is used once as an exclamation.
  • When Maya falls down, a guy says, “Holy shit, she’s down.

Supernatural

  • None

Spiritual Content

  • None

Since You’ve Been Gone

Emily was ready for summer. She had it all planned out: she and her best friend Sloane would find fun part-time jobs, go on weekend trips, and take everyday adventures together. However, everything changes when Sloane mysteriously disappears, leaving behind a list for Emily to accomplish. Seeing this as the only way to get her best friend back, Emily is determined to finish the list. The list contains thirteen tasks designed to push Emily’s comfort zone like “riding a horse” or, even scarier, “kissing a stranger.”

Emily embarks on a completely unexpected summer filled with risky exploits, play-writing parents, and new friends that allow her to discover who she is as an individual, not just half of a whole.  Since You’ve Been Gone is a delightful novel that makes the reader long for those days of summer that seemed endlessly filled with possibilities. Fans of Morgan Matson’s other books will be thrilled by this adorable adventure that is in her same spellbinding style.

This book is perfectly appropriate for teen readers and is relatable in many aspects through the struggles Emily faces to discover her individual identity. Nonetheless, there is a great deal of romance throughout the book and sexual content is found on several occasions, so parents of younger readers may heed caution. Despite this, Since You’ve Been Gone is a delightful book full of hilarious scenes in which the readers feel as though they are part of a group of friends. The characters and plot make Since You’ve Been Gone well worth reading.

Sexual Content

  • Sloane and Emily make a plan to find “summer boys.”
  • A boy absentmindedly stares at Sloane when she is at a craft fair, and he unknowingly picks up a macaroni necklace during his entrance of her beauty.
  • Items on Sloane’s list include skinny dipping and kissing a stranger.
  • When Emily goes to The Orchard, a popular hangout place, a couple of parks next to her car and “started furiously making out in the front seat.”
  • When Emily sees Frank lift up his shirt to reveal his surprisingly ripped abs, she “felt my feet tingle.”
  • When Emily meets Dawn for the first time, Dawn is crying about the fact that her boyfriend is cheating on her with her best friend.
  • Sloane’s boyfriend, Sam, was “sliding his arms around Sloane’s waist and kissing her cheek.”
  • Emily’s parents’ play has a kissing scene that Emily and Frank almost have to perform.
  • Emily makes out with a stranger in the small pantry of Frank’s house. “His lips were on mine . . . he wrapped his arms around my waist, and started kissing me for real . . . And soon I was kissing him back, my pulse racing and my breath catching in my throat, his hands twined in my hair. It was only when his hands slipped under the hem of my shirt . . . that I came out of the make-out trance.”
  • Emily’s former boyfriend Gideon is a “good kisser.” They kiss a few times in the book.
  • Sam kisses Emily, making Sloane break up with him.
  • Emily and Frank kiss in her car as the rain is pouring down on them through the sunroof. “And it was a kiss that felt like it could stop time . . . We were kissing like it was a long-forgotten language that we’d once been fluent in and we were finding again, kissing like it was the only thing either of us had wanted to do for a long, long time, kissing with the urgency of the rain that was pounding down all around us . . . His hands were tangled in my hair, then touching my bare back, and I was shivering in a way that didn’t have anything to do with the cold.”
  • At the conclusion of the novel, Frank and Emily engage in a passionate kiss that is not described in detail.

Violence

  • When attempting to break into her own house, Sloane falls over the windowsill and lands “with a thump that I could hear even from the ground.”
  • A character commits arson in the play Bug Juice that Emily’s parents wrote.
  • Frank hits Collins on the back affectionately and Emily remarks, “I had no idea why boys, when they become affectionate, got violent.”

Drugs and Alcohol

  • At the apple orchard where many parties are held, there are ladders, and “only the bravest‒or drunkest‒people ventured up them.”
  • The Orchard is described as having, “a small group smoking. There was a keg and a stack of red Solo cups, an open cooler at his feet.”
  • Emily gets a cup of beer that was “mostly. . . a cup of foam.” She “took a tiny sip, wincing at the warm, metallic taste, wondering how much longer I had to stay.”
  • Collins hits on a girl who is, “smoking a cigarette and talking on her phone.”
  • Sloane acquires fake IDs for herself and Emily to go into a bar and hear one of their favorite bands perform. Emily does not go in the first time, but returns after Sloane has gone missing. Within the bar, she sees “the shelves of liquor stretched up almost to the ceiling.” When she orders a diet coke, the bartender asks her if she wants it “with rum,” to which she refuses.
  • At Frank’s birthday party, Emily gets tipsy.
  • When Emily sleeps over at Sloane’s house, she is sent to get a bottle of wine from the fridge for them to drink while they binge watch Psychic Vet Tech.

Language

  • Phrases using the word “god” as an exclamation are used frequently.
  • Profanity is used frequently throughout the novel. Profanity includes holy crap, hell, and damn.
  • Collins jokingly insults Frank and says, “You complete moron. I thought I was going to have to get the ladder and pull you out like a damn cat!”
  • Emily thinks that some people at a party think that she is a “narc.”
  • A girl in a bar says, “Jared has been cheating on me with some skank named Penelope.”
  • Frank says to Emily, “Don’t be stupid.”

Supernatural

  • When thinking of Sloane’s mysterious disappearance, Emily says, “I was negotiating with some cosmic dealer who could guarantee this for me.”
  • An example of the trivial text exchanges between Sloane and Emily is, “Have you noticed it’s been a while since anyone’s seen the Loch Ness monster?”

Spiritual Content

  • None

by Morgan Filgas

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