Reading Level: Young Adult

Polaris

During the 1830s, the Polaris sets sail on a scientific mission to the Amazon jungle. The crew is excited to bring back new discoveries, but when the landing party returns, only half are alive. After an argument, the crew loads a chest into the bowels of the ship. After they begin their trip home, a bloody mutiny leaves most of the adult crew dead. Those who live, flee the ship, leaving six children—none of whom are older than twelve. The captain’s 12-year-old nephew Owen, a botanist’s assistant, and other deckhands struggle for survival. Soon they realize that the sea isn’t their only worry. Something else is lurking below deck, and it’s growing.

From the first page, Polaris will capture reader’s attention and they will not want to put the book down. With just the right mix of suspense and action, Polaris makes the fight for survival come to life. Full of realistic detail and nautical facts, readers will be pulled into the frightening atmosphere of Polaris. The story is appropriate for younger readers with tame battle scenes. This fast-paced story has well-developed characters that show the importance of working together despite the fact that they do not like each other. With a diverse cast of characters, an engaging plotline, and an epic battle scene, Polaris will not disappoint those looking for an excellent horror story. But be warned, the creepy creature may make its way into the nightmares of readers.

Sexual Content

  • None

Violence

  • A character thinks about a boy, who “had blown up trying to carry two cartridges (of gun powder) at once.”
  • A mutiny begins among the adult crew. The children listen to the fighting through a locked door and hear gunshots as well as someone being thrown into the sea. Then the boys hear, “three shots rang out in quick succession—the officer’s pistols. Shrieks of pain mixed with the shouts of rage, telling Owen that the rest of the work would be done with blades and hands.”
  • Owen shoots the creature. “Owen heard a quick sound behind him—tik-taclik! —like metal on bone.” Then, the boys pour boiling water on him. When the creature flees, someone stabs it with a spear.
  • When the creature snatches one of the boys, someone shoots the creature. “Per-KRACK went the pistol. A flash of flame and a billowing plume of smoke shot forth.”
  • A boy hits Owen over the head with a hatchet. Owen is not seriously injured.
  • When the creature tries to snatch another person, there is a fight that takes place over several pages. When someone shoots it, “the lead ball ricocheted off the thick armor plating of its thorax.” When Owen throws the pistol at it, “the butt of the pistol smacked heavily into what had been Obed’s forehead. The creature staggered backwards. . .” No one is injured.
  • The creature attacks the boys. The battle takes place over several chapters. During the battle, “A dark red rat-like creature emerged from the hatch, then a second, and then they all began to pour out. One dozen, two dozen.” The kids rig a device to blow up the ship after they have jumped off.

Drugs and Alcohol

  • Owen thinks about his uncle and father. “His uncle had taken him in after his mother’s death and his father’s descent into sorrow—and the bottle.”

Language

  • When the crewmembers discuss being infected with spores, someone thinks, “Oh God. . . What if it’s me?”

Supernatural

  • The children believe the ghost of Obed Macy is haunting the lower deck of the ship. They discuss if a Bible and cross will ward off the ghost.

Spiritual Content

  • During a storm, a character begins “the Lord’s prayer.”
  • A character prays, “Lord help us all.”

 

Sweep: The Story of a Girl and Her Monster

Orphaned as a child, Nan Sparrow is forced to work for a cruel chimney sweep named Wilkie Crudd. She and several other children toil day after day, sweeping out chimneys for nasty Mr. Crudd.

Cleaning chimneys is a dangerous job, and when Nan gets stuck in a chimney fire she thinks death is near. Instead, she wakes up in the house’s attic—and she’s not alone. A small piece of char has somehow come to life and needs Nan’s help to survive. Since everyone believes Nan died in the chimney fire, she takes advantage of her misfortune and decides to create a new life for herself and her monster, who she names Charlie.

From the very first page, Sweep captivates readers with beautiful writing that vividly displays the horrors of being a Victorian London chimney sweep. The story seamlessly flows back and forth between Nan’s life before she was orphaned, and her life afterward, when the man who took her in mysteriously disappears. Even though life with him was difficult, her life was full of love. The connection between Nan and the man (who is referred to as “the Sweep”) is deep and vibrant, and will leave readers curious to discover why the Sweep disappears.

The characters in this story are so well developed that every character’s unique personality shines through. As Nan begins to create a new life for Charlie and herself, she learns important life lessons. For example, while Nan would like to stay hidden from others, she eventually discovers that “We save ourselves by saving others.” Sweep’s suspenseful, surprising conclusion will leave readers in tears as they realize that cruelty and kindness are locked in a never-ending battle.

This story focuses on difficult topics such as poverty, child labor, and anti-Semitism. As Nan’s story unfolds, the difficult life of a child sweep in described in detail. Children faced harsh masters who fed them little, beat them, and sent them up chimneys where they were injured and sometimes died horrific deaths. One of the characters, Roger, became a sweep when his parents sold him. He turns into an unpleasant boy who dreams of becoming rich enough to buy his parents’ house so he can “raise the rent. Raise it so high, they’re put out on the streets.”

The publisher recommends Sweep for children as young as eight years old. However, this book contains long passages, difficult vocabulary, and shows humanity’s cruelty, which could be quite difficult for younger readers to handle. The book ends with historical information on sweeps, Victorian London, and a list of suggested books for readers curious to learn more. In this section, the author points out that, “today over 160 million children worldwide are forced into child labor. The battle is far from won.”

Sexual Content
• Master Crudd attends weddings. When Crudd said he wouldn’t be home for dinner, one of the kids teased, “Too busy kissing the brides for luck, eh, sir?”
• Nan tries to get other sweeps to march for a cause. One of the boys says, “Hammie’s just hopin’ to get a kiss from the flower girl on Hastings!”

Violence
• When Nan tries to grab her bowl of gruel, “a wooden spoon came down on her hand. She shrieked, clutching her fingers.” The woman caring for her told her she would not eat that day because she was late for breakfast.
• While cleaning a chimney, Nan gets stuck. In an attempt to get her out, Roger sets a fire. Nan shouted, “ ‘Roger, no—’ Her cries were cut off by a hollow whoof as the match hit the coals. Air sucked down through the chimney, like a beast drawing a deep breath. First came the smoke, a thick black tendril that slid up the flue and snaked around her neck. . . Next came the heat. It started as a prickling sensation on her back and heels, then spread up her legs. Within seconds, the warmth had turned to a blistering heat. . . Her entire body felt as if it were burning from the inside out.”
• Nan and the Sweep see “a pack of boys who were beating a smaller boy, calling him a ‘Jew.’” The Sweep chases the boys away.
• When Nan was little, she had a doll. A group of “young ladies” teased Nan and “one of the younger ladies snatched Charlotte (the doll) and waved her in the air . . . the doll circled and spun and then struck the ground with a sickening CRACK!”
• When a small boy drops a bag of soot, Roger “stomped up to Newt and struck him hard with the butt end of his broom.”
• Nan throws a snowball at Roger. “Perhaps it was her form, or perhaps it was her ire, but the snowball hit Roger with such force that the boy was knocked right off his feet and landed—splat—in the slushy gutter.”
• Master Crudd threatens to kill Nan and Charlie protects her. “Crudd gave a feral cry and lunged at Charlie, swinging the poker at his head. It connected with a dull crunch. Bits of sooty rubble feel to the floor.” Charlie grabs Crudd’s head and “Crudd screamed at the scorching touch. The room filled with acrid smell of burning hair, burning flesh. Charlie hoisted the man up and hurled him through the air . . . Crudd’s body smashed clear through the shuttered windows and into the frozen street.”
• When Nan was little, some men tried to put her in an orphanage. “The men grabbed the girl and locked her in a carriage. She had kicked out a loose board from the roof and climbed out to escape.”
• When the sweeps protest their work conditions, the master hits the kids. “The crowd gasped as the man brought the brush down on the boy with a thwap.” When people try to help the kids, “The sweeps—drunk and enraged—attacked anyone who touched them.” A riot breaks out.
• Master Crudd grabs Nan, and her friend tries to help, but “Whap! Crudd struck Toby in the face with his fist. The boy fell backwards and collapsed to the ground, unconscious.” In order to get away Nan, “threw her head forward—striking him straight in the nose.” Crudd chases her up a tower. “He reached out and snatched her ankle. . . She felt her grip break loose from the monument—And then Nan Sparrow fell . . . They struck the ground with tremendous force. The man died instantly.” Nan lays “bleeding on the street, moaning in pitiful agony, her body shattered beyond repair.” Charlie finds Nan and carries her away.

Drugs and Alcohol
• During a parade, the “master sweeps were already deep in their cups, enjoying free drinks in public houses all across the city.”
• A sweep “sounded drunk” when he yelled at his climbers. He said, “What do you ungrateful rats think yer doin?”

Language
• Roger calls a boy a “lazy maggot.”

Supernatural
• Master Crudd attends weddings because “everyone knew that paying a sweep to attend your wedding guaranteed years of happiness.”
• A piece of char comes to life. “Whatever happened inside that chimney must have changed the char—brought it to life.” The char, named Charlie, isn’t sure what it is, but he’s not a monster. Nan thinks Charlie is a golem, which is a “gabled monster in the Jewish tradition, a homunculus crafted from mud or clay and animated through Kabalistic ritual.” A teacher tells Nan that a golem is made when “a sage or rabbi–that is, a Jewish priest—forms a body out of mud or clay and then brings that creature to life with a sort of magic word called shem.” The teacher explains shem “is kind of like a spark. . . Some say the word is a true name of God.”
• Charlie accidentally breaks a bird’s egg. Charlie holds the egg and his hands, “were smoldering. His dark fingers crackled and began to glow red and then white. Smoke billowed from his open hands. . . And then Nan saw something that snatched the breath from her breast—The egg moved.” The bird pecks its way out of the egg, and although the bird’s wing is damaged, it’s alive.
• Charlie holds an acorn and “there was a smell of cracking embers. Charlie’s hands began to smolder, just as they had done with Dent’s eggs.” The acorn grows into a tree. After he makes the tree grow, his fingers, “did not bend. They did not crumble. It was like touching a statue.”
• Charlie holds Nan, injured and bleeding, in his arms. “Nan could feel a flicker of warmth spreading through her broken body, bringing her back. . . She could feel his arms turning rigid around her.” Charlie uses his magic to save Nan.
• When Nan buries an ember from Charlie’s body, “the snow beneath her boots melted to reveal black soil. And there, pushing up from the earth, were little shoots of green grass.”

Spiritual Content
• Nan befriends a Jewish teacher. Nan sees a Jewish prayer book in the teacher’s room. Nan tells the teacher what she has heard about Jewish people. “The way some folks talked about Jews, it seemed as if all the pains of the world were because of what they had done. She knew that wasn’t true though; she’d suffered plenty at the hands of God-fearing Christians.”
• Nan reads a poem about sweeps. In the poem, the sweeps, “rise upon clouds, and sport in the wind. And the Angel told Tom if he’d be a good boy, He’d have God for his father and never want joy.”
• Nan tells Charlie the story of baby Jesus, who was “born in a basket and how a wicked king tried to kidnap him but then a big bearded angel named Father Christmas fought the king. ‘And then he tossed the baby Jesus down the chimney of a girl named Mary, and that was the first Christmas present.’ ”
• The teacher celebrates Passover. She explains that “the Jewish people eat these things to remember when God delivered us from slavery in Egypt. . . Before the Jews escaped from Egypt, God sent an angel of death to the city. The angel visited the homes of the Egyptians and killed every firstborn child as they slept. It was punishment for the wickedness of their parents. The angled passed over the homes of the Jews and spared their children.”
• When the teacher meets Charlie, Nan asks, “Does it make you believe in God?” The teacher replies, “It makes me believe that the world is full of wonders that I can scarcely imagine. Perhaps that is the same thing.”

The Hidden Oracle

There is no way to punish an immortal god, right? That is what almighty Apollo, god of the sun, thought, but he is quickly proven wrong as his father, Zeus, casts him down to the mortal world as a powerless, friendless, and—even worse—ugly sixteen-year-old boy named Lester Papadopoulos. As if it can’t get any worse, Apollo (now Lester) can’t even remember how he incurred Zeus’s mighty wrath.

With nowhere and no one to turn to, Apollo lays his trust in a runty twelve-year-old girl named Meg and the teenage demigods that reside in Camp Half-Blood. There he seeks help from the campers, including some of his own children, and begins to discover disturbing secrets that may endanger those he grows close to.

Fast-paced and witty, The Hidden Oracle is a humorous read for younger and older readers alike. Fans of Percy Jackson and the Olympians and Heroes of Olympus series will rejoice as Riordan once again paints a world of mystery and mythology that enthralls readers. However, the book touches on sensitive topics such as sexuality and battle violence that may be of concern for some parents. Nevertheless, it is an entertaining novel that is well worth the read.

Sexual Content

  • Apollo mentions his hope that Meg does not develop a crush on Percy Jackson.
  • Apollo has two loves of his life that he mentions several times throughout the novel. Both of his relationships ended in tragedy. One of his loves was Hyacinthus, a strong hero who happened to be a man. The other love was Daphne, whom he dreams of and describes as having, “those lips I had never kissed but never stopped dreaming of.” Due to losing these loves, he swears off marriage as others “had never possessed my heart” as his true loves once had.
  • Apollo encounters some of his demigod children at camp Half-Blood. When he meets each of them, he remembers the romantic relationships that he had with their parents. “To my teenage self, our romance felt like something that I’d watched in a movie a long time ago—a movie my parents wouldn’t have allowed me to see.”
  • Apollo is embarrassed by the attention of some female campers, and he says, “My face burned. Me—the manly paragon of romance—reduced to a gawky, inexperienced boy!”
  • Nico di Angelo and Apollo’s son, Will Solace, are dating. Apollo has no problems with their relationship because he has had “thirty-three mortal girlfriends and eleven mortal boyfriends? I’ve lost count.”
  • Apollo once created a child with another man.
  • Apollo “accidentally saw Ares naked in the gymnasium.”
  • One of Apollo’s former girlfriends, Cyrene, got together with Ares to get revenge on Apollo.
  • Apollo argues that gods are almost always “depicted as nude, because we are flawless beings. Why would you ever cover up perfection?”

Violence

  • When Apollo crashes on Earth, a group of hoodlums beat him up. “My ribs throbbed. My stomach clenched . . . I toppled out and landed on my shoulder, which made a cracking sound against the asphalt.” His opponents pull out a knife, but it is not used. One of the boys “kicked me in the back. I fell on my divine face. . . I curled into a ball, trying to protect my ribs and head. The pain was intolerable. I retched and shuddered. I blacked out and came to, my vision swimming with red splotches.”
  • A lightning wielding cyclops kills one of Apollo’s sons. The death is not described.
  • Percy, Meg, and Apollo get into a car crash in which their car is totaled. No one is seriously injured.
  • A mythical grain spirit called a karpoi bites the head of a nosos clean off in one chomp.
  • Meg slaps Apollo’s face to wake him from a dangerous trance. He promptly vomits afterward.
  • Meg “poked Connor Stoll in the eyes and kicked Sherman Yang in the crotch.”
  • There is a famous story about Apollo in which he slays the mighty monster Python. He “killed Python without breaking a sweat. I flew into the mouth of the cave, called him out, unleashed an arrow, and BOOM!”
  • There is a legend about Apollo “skinning the satyr Marsyas alive after he challenged me to a music contest.”
  • After a dangerous camp activity, “Chiara had a mild concussion. Billie Ng had come down with a case of Irish step dancing. Holly and Laurel needed pieces of shrapnel removed from their backs, thanks to a close encounter with an exploding chainsaw Frisbee.”
  • Two satyrs die attempting to retrieve and bring the Oracle of Delphi back to Camp Half-Blood. Their deaths are not described.
  • Apollo wishes that he could have “picked a nice group of heroes and sent them to their deaths.”
  • Apollo and Meg battle killer ants who attack in groups, snap through Celestial bronze, and spit acid. “Meg’s swords whirled in golden arcs of destruction, lopping off leg segments, slicing antennae.”
  • The pair meet a geyser god that suggests that they do not jump in his water unless they “fancy boiling to death in a pit of scalding water.”
  • A man almost stabs himself to obey the orders of his master, Emperor Nero.
  • Apollo attempts to fight Nero and “let out a guttural howl and charged the emperor, intending to wring his hairy excuse for a neck.” Later, he fights one of the emperor’s bodyguards and “spun Vince like a discus, tossing him skyward with such force that he punched a Germanus-shaped hole in the tree canopy and sailed out of sight.”
  • There is a large battle near the conclusion of the novel in which many characters fight a giant mechanical statue. It is described over several chapters and many are hurt in the process, but the ending is victorious for the heroes.
  • Nyssa slaps Leo in the face because he was missing for several months.

Drugs and Alcohol

  • Ambrosia is the food of the gods and their immortal bodies allow them to eat it as their normal food. Demigods eat ambrosia if they are sick or injured because it instantly heals them. However, if mortals attempt to eat it, they burn up inside and possibly combust.

Language

  • “Crud” and “darned” are each used once.
  • Meg tells Apollo that he has landed in Hell’s kitchen and he thinks, “It seemed wrong for a child to say Hell’s Kitchen.”
  • Apollo is dragged across a river, “scolding and cursing.”
  • Many demigods mutter ancient Greek curses when they are angry.
  • A demigod calls a friend, “Idiota,” when she does something wrong.
  • Many characters use the expressions, “thank the gods!” and “oh, gods.”
  • Percy “yelped a curse that would have made any Phoenician sailor proud.”

Supernatural

  • Most of the characters are demigods and have magical powers that they have inherited from their godly parent. For instance, Meg can control elements of nature (plants, soil, grain spirits, etc.) because her mother is Demeter, the goddess of agriculture.
  • Many Greek mythological creatures and monsters appear in the story.
  • Nico, the son of Hades, uses his powers to sit with his boyfriend by saying that the “zombies stay away” if he is seated near him.
  • It is mentioned that Leo died and then came back to life. The details of this event are found in one of Riordan’s previous books.
  • When a demigod is claimed at Camp Half-Blood, a glowing symbol appears above their head to show their parentage.  This happens to Meg during the campfire ceremony.
  • Some trees in the woods of Camp Half-Blood are the ancient Grove in Dodona, which is a powerful force that whispers prophecies. Finding this grove is the catalyst for the majority of the novel’s plot. The wood from these trees was used for the mast of the Argo, which could “speak to the Argonauts and give them guidance.”
  • Meg tells Apollo about a looming threat to which he responds, “I had been hoping she would say something else: giants, Titans, ancient killing machines, aliens.”
  • Magical creatures emerge from the woods to aid Apollo in his quest to stop the evil Emperor Nero. “The shimmering forms of dryads emerged from their trees—a legion of Daphne’s in green gossamer dresses . . . They raised their arms and the earth erupted at their feet.”

Spiritual Content

  • In this book, the Greek gods are real and have a presence in the world. All of the legends about them are true, and they are immortal. The main character is a god who has been turned mortal.
  • The source of the gods’ powers is their presence in the minds of humankind, and if they are forgotten they will eventually fade. “Gods know about fading. They know about being forgotten over the centuries. The idea of ceasing to exist altogether terrifies us.”
  • It is discussed how in ancient Greece, priests tended and cared for the sacred Grove of Dodona.
  • When the character of evil Emperor Nero is introduced, Christians are mentioned as being scapegoated by him. In response to these accusations, he says, “But the Christians were terrorists, you see. Perhaps they didn’t start the fire, but they were causing all sorts of trouble.” A terrifying event is then mentioned in which Nero had “strung up Christians all over his backyard and burned them to illuminate his garden party.”

by Morgan Filgas

 

Not If I Save You First

When they were ten, Maddie and Logan were best friends. Maddie thought they’d be friends forever. Maddie never cared that Logan was the president’s son. But fate dealt their friendship a deadly blow. When her Secret Service Agent father almost dies trying to save the president’s son, everything changes.

After he almost dies, Maddie’s father exchanges the White House for a cabin in the middle of the Alaskan wilderness. Maddie had no phone. No internet. No friends. And no Logan. When she first moved to Alaska, Maddie wrote letter after letter to Logan, but he never replied.

Six years later, Logan appears outside of her cabin and Maddie wants to kill him. Before she can take action, an assailant appears, almost killing Maddie and dragging Logan off into the wilderness. Maddie could go back for help, but the weather is treacherous and getting worse. Maddie goes after Logan, but she’s not sure if she’s going to save him or kill him.

In typical Ally Carter style, Not If I Save You First begins with suspense and leaves the reader turning pages until the very end. Maddie is a strong heroine who doesn’t need to rely on a guy—not even the Secret Service men—to save the day. She hides her strength and smarts behind a girly persona, which makes her incredibly likable. Her conflicting emotions regarding Logan add interest and suspense to an action-packed story.

Unlike her other books, Not If I Save You First contains violence that is often described in bloody, but not gory, detail. The storyline revolves around a kidnapping, which is a more realistic storyline than Carter’s previous books. Because of this, readers can put themselves in the character’s situation. The story has several plot twists that will surprise readers and the ends with an epic fight between good and evil. When readers finish Not If I Save You First, they will feel as though Maddie is a new friend.

Sexual Content

  • When Maddie kisses Logan, he wishes he wasn’t in handcuffs because he “couldn’t hold her, touch her, pull her close and keep her near and never, ever let her go.” He’s disappointed when he discovers that she kissed him, so she could give him the keys to the cuffs.
  • Logan and Maddie kiss several times. One time, “he was growing closer and closer and then her lips were on his again, warmer now. She tasted like snow and berries and it was the sweetest thing that Logan and ever known.”
  • When Maddie and Logan are at school, Logan kisses her, “right there in front of their school and his Secret Service detail—right in front of the world. So she kissed him back again. And again. And again.”

Violence

  • Russian terrorists attempt to kidnap the president’s wife. In the process, one of the terrorists shoots at the president’s son. Maddie’s father jumps between the man and the president’s son and shoots at the terrorist. The terrorist, “looked down at his chest, at the place where blood was starting to ooze from beneath his ugly tie, and he dropped to his knees. Then the floor. He didn’t move again.”
  • While trying to protect the president’s wife and son, Maddie’s father is shot. Even though he is hurt, he tries to go help the first lady, and “he was still dragging himself toward the box. Blood trailed behind him. . .” During the altercation, the president’s son was shot too.
  • A man kidnaps Logan and in the process, hurts Maddie. “And Maddie spun just in time to see the butt of a gun slicing towards her. She actually felt the rush of air just before the sharp pain echoed through her face, reverberating down to her spine.” When she tries to get up, the man kicks her, “a sharp pain slammed into her stomach.” The man then pushes her off a cliff and leaves her to die.
  • Logan attempts to escape, knocking the man to the ground. “The two of them rolled, kicked and tangled together. Logan managed to strike the man in the stomach, but it was like he didn’t even feel it.” Logan stops fighting when the man has him pinned down.
  • Logan attempts to escape again. Even though his hands were cuffed, “he slammed them into the man’s gut, pounding like a hammer with both fists. . .” The man pulls a knife and begins “cutting into the soft flesh between his pinkie finger and its neighbor. . . then he saw the bright red drop of blood that bubbled up from his too-white skin.”
  • Logan tries to take a satellite phone from the man. “Logan elbowed him in the ribs, but a moment later he was pinned against the ground. . . Facedown in the mud, the cold seeped up from the ground and into Logan’s bones. . .” When Logan’s face is pushed into the mud, Maddie appears and the fight stops.
  • To prove that he doesn’t value Maddie’s life, the man, “pulled back his hand, and hit her hard across the face. Her head snapped and Logan actually heard the blow. . . His hand was around her throat, fingers not quite squeezing, but close.”
  • The man shoots a ranger. “He fired. Once. Twice. And the ranger fell.”
  • In a plot to escape, Maddie blows up a bridge. “. . . the old ropes and wood exploded in a wave of color and fire and heat. . .”
  • The man recaptures Maddie and, he “jerked Maddie against him, sliding the barrel of the gun along the smooth skin of her cheek like she needed a shave.” Logan tries to help her and the two men fight, so Maddie “kicked Stefan’s shin, right where the bear trap must have caught him, because he howled in pain, dropping the gun and bringing both hands to his legs.”
  • Another bad guy surprises Maddie by grabbing her and “the man pulled her back against him and squeezed her tight, his own gun suddenly pressed to her temple.” Later Maddie, “dropped to the icy ground and kicked at his legs, knocking him off balance. . .” She shoots at the trees causing limbs to break and fall on the man. “. . .When the ice-covered limb landed atop him, he didn’t move again.”
  • The climax takes place over several chapters in which punches are thrown, people are shot, and Maddie’s father has a knife held against his throat. In order to save a life, Maddie throws a knife at a man, and, “he looked from the knife in his own hand to the blade that was stuck hilt-deep in his chest, right where his heart would have been if he had one.” The man dies.

Drugs and Alcohol

  • None

Language

  • Freaking is used twice.

Supernatural

  • None

Spiritual Content

  • None

 

The Unexpected Everything

Andie has her life carefully planned out, beginning with this summer. She is going to attend John Hopkins University’s prestigious young scholars program, giving her a one-way ticket to one of the best colleges in the country for pre-med. This all changes when a scandal rocks her world and she must deal with her father, ranking Congressman Alexander Walker, being home for the first time in five years.

Her summer plans quickly change as she finds out that her crucial benefactor removed his letter of recommendation from her young scholars application due to her father’s circumstance. Now she’s stuck walking dogs all summer, leaving a tragic gap in her transcript.

Much to her surprise, her summer takes a turn for the better and her life is irrevocably changed by the adventures that ensue. She finds herself having the best three months of her life as she spends time with her friends, grows closer to her formerly distant father, and meets Clark, a cute teenage author. Her unexpected summer leads her to discover her true self and what’s important in life.

The Unexpected Everything is a delightful read that makes audiences yearn for those warm summer days spent with friends. This book is satisfying like drinking lemonade on a porch on a hot July day. The characters are endearing and their little charms will draw readers into this cute, though slightly predictable tale. The Unexpected Everything is a romance novel in which the main characters discuss sex. The abundance of sexual content may not be appropriate for some readers. For readers ready for a steamy romance, this enjoyable book is well worth the read.

Sexual Content

  • Andie is perpetually in cycles of dating boys for three weeks. She develops a crush, dates them, and then sets them free. Her friends nickname her a “serial heartbreaker.” Her dates are “a formality before we got to the making out part at the end.”
  • Toby believes that she is cursed to never have a boyfriend and constantly begs her friends to be her “wingwomen.”
  • At a party, Andie sees two people, “standing in the shadows of the living room, talking close, only minutes away from starting to hook up.”
  • Andie makes out with the same guy, Topher, at parties when they are both available. They never go beyond making out because Andie continually says that she is not comfortable with that. “Sometimes making out with Topher was like quenching a thirst, and sometimes it made me thirstier.”
  • Andie describes the diner as a place where she’d “made out with guys in the darkness of the parking lot, guys who tasted like milkshakes and French fries. And it was where we’d all gathered the morning after Palmer slept with Tom for the first time.”
  • Palmer is upset that being a stage manager, “means watching your boyfriend macking on some random college freshman.”
  • Bri thinks Andie saying, “I’ve got dogs to walk” sounds “vaguely dirty.”
  • After getting asked out by Clark, Andie “found my eyes drifting down to his mouth. By the end of tonight, we might have kissed.”
  • When Clark and Andie hold hands for the first time, Clark’s hand, “sent a spark through me that I felt all the way in my toes.”
  • On her kissing philosophy, Andie says, “Normally, I kissed first. I liked to take matters into my own hands, squash that moment, and get right into the make-out session.”
  • Make-out scenes between Andie and Clark are described in vivid detail. “We lingered there, our lips brushing gently. And then he raised his hand and cupped it under my chin, drawing me closer toward him, and we started kissing for real.”
  • In the world of Clark’s novels, an elder says, “Believing that such a thing—just a kiss—has ever, for even a second, existed in this world.”
  • During a pool party, Palmer and Tom make out on the diving board.
  • Over the course of her relationship with Clark, Andie’s “formerly rigid boundaries—just kissing and nothing more—had gotten a little fuzzier… everything was just feeling so good and so right that I was having more and more trouble remembering why I’d decided that was all I could do… And as I started to care very little for anything that wasn’t the two of us, alone in the darkness, it fell to Clark to pick up the slack.”
  • Before a scavenger hunt, Clark, “pulled me [Andie] in close to him, dipping me into a Hollywood-style kiss.” He then takes her keys to try to have an advantage in the competition.
  • Clark and Andie’s relationship becomes very serious. When they decide to watch a movie, they wouldn’t actually watch it. “Even if there were a movie playing, it would simply be in the background, a pretense for fooling around.”
  • In one instance, Andie and Clark are passionately making out and it escalates. “He leaned down to kiss me, and I kissed him back, and then we were kiss-walking across the room, until we fell down onto the bed together, and then there was only his lips and his hands and our breath, falling into a rhythm until I couldn’t think about anything except him, and us, and now.” They don’t actually have sex in this scene or any scene in the book.
  • Clark and Andie block off a certain date on which they decide to have sex. There is much anticipation as each prepares in their own separate ways, but the night is called off when they get into a fight.
  • Andie walks in on her two friends, Wyatt and Bri, making out with each other. This was a dramatic revelation as Bri’s best friend, Toby, had a huge crush on Wyatt. This event is the stimulus for the destruction of their friend group as they know it. It is later revealed that Wyatt and Bri were “hooking up.”
  • When Andie reconnects with Topher after breaking up with Clark, she forgets her former policy and slips her hand under his shirt. Topher goes along with it, which makes her realize that she is in love with Clark.
  • In the final scene, Andie and Clark reunite in a bookshop. “Clark was picking me up, and I wrapped my legs around his waist and we kissed, and it was like I was blocking out the commotion all around us.”

Violence

  • When Wyatt greets Tom, he always hits him in the back. Tom always says that “it hurts.”
  • Andie’s parents met when her dad was a public defender and her mom was a police sketch artist. They bonded over the sketch of a murderer they nicknamed “Stabby Bob.”
  • In Clark’s books, the main character, Tamsin, dies “a terrible death in the highest tower.”
  • When on top of a roof, Bri kicks Toby’s legs in a petty argument. Palmer throws a Sprite bottle at them to stop their bickering and to keep them from falling off.
  • In a fictional story that Andie and Clark make up in a silly game, the main characters kill each other.

Drugs and Alcohol

  • At a party as a freshman, Andie was, “drinking a beer from a red Solo cup, like an idiot.”
  • Following the prom, Toby and Wyatt “tipsily made out.”
  • At parties, Andie brings a soda bottle and fills it with “anything but brandy.” “It was the only way I let myself drink at parties.”
  • At a party, “the kitchen counter was covered with bottles and mixers and a half-filled blender, and through the open doors to the patio, I could see a keg. The people who always headed to the edges of people’s yards to smoke were smoking.”
  • Palmer is described as being amazing at “manly stuff” and had been “the one who taught us how to tap a keg, pack a bowl, and play quarters, beirut, and beer pong.”
  • At a place called the Orchard, teenagers congregate to party and drink alcohol because it is on the border of two towns and neither side’s police force wants to interfere. The characters go here often and drink. It is described as having “someone selling overpriced keg beer or cans from a cooler that never seemed to get very cold.”
  • After Wyatt has had beer, he annoyingly plays acoustic guitar.
  • During an argument with her father, Andie “could feel the anger coursing through me like a drug.”

Language

  • At a party, the host was, “telling people that the party was over and to either help him clean up or get the hell out.”
  • Toby says, “This Dr. Rizzoli guy sounds like a dick.”
  • Andie thinks a dog is saying, “get the hell away from me and the girl with the leash.”
  • Profanity is used a few times throughout the book. This includes “goddamn,” “shit,” “damn,” and “heck.”
  • While watching play rehearsal, Andie asks Palmer, “What the hell was going on.”
  • “Oh God,” “Oh my god,” “god,” “thank god,” and “swear to god” are said frequently as curses.
  • Andie’s father asks her, “Where the hell have you been?”
  • In an excerpt from Clark’s book, “Tamsin cursed under her breath.”
  • When Andie talks about the seriousness of her relationship, Toby says, “I didn’t read anything about hell freezing over today.”
  • Andie calls Bri’s cat a “jerk” and Clark’s dog “stupid.”

Supernatural

  • A vocal warm-up that the actors in the play practice makes a reference to ghosts.
  • Clark writes fantasy novels that have magic spells, dragons, and curses.

Spiritual Content

  • None

by Morgan Filgas

 

Heat

Twelve-year-old Michael Arroya dreams of playing in the Little League World Series. His pitching arm has some serious heat, but so does his day-to-day life. Michael must pretend that everything is all right, even though his father has died, and his seventeen-year-old brother is trying to take care of their needs. Michael and his brother keep their father’s death a secret from almost everyone. But then a man from social services gets curious and begins asking questions. Fear fills Michael because he’s afraid if anyone finds out the truth he’ll be separated from his brother or sent back to Cuba.

To make matters worse, some of the coaches wonder how a twelve-year-old boy can throw with so much power. When the league demands a birth certificate, Michael becomes ineligible. With no birth certificate, no parent, and no way to prove his age, how will Michael be able to make his baseball dreams come true?

Heat is not just a book about baseball; it is a book about family, friendship, and never giving up on your dreams. The story integrates play-by-play baseball action, with the suspense of Michael’s home life and the secrets he is trying to keep. The relationships between Michael’s friend, Manny, and his brother, Carlos, add interest and heart to the story. Even though Michael’s father has died, his voice still rings through his sons’ memories. This allows the father to voice important life lessons to his sons even after his death.

The story deals with the difficult theme of losing a parent, maintaining secrets, and the struggles immigrant families face. Carlos struggles to become the man of the house and keep Michael focused on his dream. The characters’ conflict has just enough detail to add suspense to the story while staying kid-friendly. By watching the characters struggle, the reader will learn the importance of staying positive and never giving up. Heat is an easy-to-read story that will appeal to sports lovers. Because the story has a lot of play-by-play baseball action, this book will not appeal to those who do not enjoy sports.

Sexual Content
• None

Violence
• When a boy steals a purse from Mrs. Cora, she “hit the ground hard, rolled on her side, feeling dizzy. . .”
• Papi watched an argument and then, “he saw the man raise a hand to the woman, knock her down to the ground.” When Papi told the man to stop, the man, “took one swing before Papi put him down . . . The man got up, tried to charge Papi like a bull. But Papi put him down again.”
• A pitcher “went into his full wind-up and threw a fastball that hit Michael in the head.” The story implies the pitcher hit Michael on purpose.

Drugs and Alcohol
• None

Language
• One of the characters is referred to as “Justin the Jerk” throughout the story.
• When a pitcher throws a ball and hits Michael, someone says, “I can’t believe they didn’t throw that puss out of the game.”
• Michael’s friend calls him “jerkwad” and later a “jerkball.”

Supernatural
• None

Spiritual Content
• Michael’s Papi told him that, “You cannot teach somebody to have an arm like yours . . . It’s something you are born with, a gift from the gods, like a singer’s voice.”
• When Michael has a baseball in his hand, he doesn’t “have a list of questions he wants to ask God.”
• Michael’s Papi would say, “If you only ask God ‘why’? when bad things happen, how come you don’t ask him the same questions about all the good?”
• Michael’s brother reminds him that, “Papi said if we had all the answers we wouldn’t have anything to ask God later.”
• Michael tells his friend to stop talking because “the baseball gods you’re always telling me about? They’re hanging on every word right now.”
• On the wall of the Yankee Stadium clubhouse a sign read, “I want to thank the Good Lord for making me a Yankee. Joe DiMaggio.”

Perfect Scoundrels

Katarina Bishop grew up in a family of criminal masterminds. Her family knows how to stay under the radar. They know how to steal. And Katarina knows that her family has her back. Although Kat’s family welcomes Hale into their lives, Kat was never meant to enter Hale’s ultra-rich world. When Hale’s grandmother dies leaving her billion-dollar corporation to Hale, everything begins to change.

With the death of Hale’s grandmother, Hale’s family gathers around to fight for the family fortune. In Hale’s family, when money is on the line, all bets are off. Everyone wants a piece of the family dynasty. As Hale becomes more entangled in the family drama, Kat realizes that there is no place for her in Hale’s world. When Kat learns that someone might have tampered with his grandmother’s will, she comes up with an elaborate plan to learn the truth. But first, she has to decide if learning the truth is more important than keeping her boyfriend.

Through Katarina’s eyes, Perfect Scoundrels brings Hale’s extremely wealthy world to life. From the outside, Hale’s life seems to be full of freedom that only money can buy, but in reality glamourous, greedy people surround him. Right from the start, the reader will be pulled into Kat’s struggle, as she keeps secrets from Hale in order to help him. As Kat and her family rally around each other to find the truth, their ambitious plot brings intrigue, suspense, and surprises around every corner.

The third installment in the Heist Society series will not disappoint readers. However, this is not a stand-alone novel. Those who have read the first two books in the series will be invested in the lives of the characters, which makes the conclusion even more surprising and satisfying. In typical Ally Carter style, Perfect Scoundrels is appropriate and will be enjoyed by both junior high and high school readers.

Sexual Content

  • After an argument, Kat and Hale are alone, and “Hale’s breath was warm on Kat’s skin. She could feel the rise and fall of his chest, and she wanted to kiss him, hold him, breathe him in . . . For a split second, he looked down at her, and she knew he was feeling that way too.” The moment is lost when Kat apologizes.
  • In order to hide, Kat and Hale go into a closet. While there, “Kat felt Hale’s mouth press against hers. His fingers wove into her hair, holding her close, gripping her tightly. It was the hungriest kiss she’d ever known, and Kat let herself get lost in it.” Hale then apologizes for kissing her.
  • Kat and Hale kiss several times, but the kisses are not described.

Violence

  • Hale’s family lawyer confronts Katarina, and he traps her against a wall. When he grabs her, Kat notices that “his breath was acrid and hot on her cheek. He brushed a finger down the side of her face until his hand rested on her throat. He squeezed gently at first. Then harder.” He then lets her go.
  • Kat and her Uncle Eddie meet up with the family lawyer to make a deal. When the deal goes wrong, Eddie ran at the lawyer and, “in a flash, Eddie was on the lawyer, the lawyer was spinning, striking the old man across the head with the metal briefcase. Blood rushed from Eddie’s mouth and he stumbled, disorient, too close to the edge. . .” Eddie falls over the barrier and a bystander says, “The man’s dead.”

Drugs and Alcohol

  • While at a corporate event, Hale and another character “got into the liquor cabinet” and got drunk.

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Uncommon Criminals

Katarina Bishop and her crew robbed the greatest museum in the world, which is why someone has asked her to steal the Cleopatra Emerald. Despite the curse of the Emerald, Katarina decides to take the job and return the jewel to its rightful owner. But when Kat and her crew go after the Cleopatra Emerald, they soon learn that the emerald is connected to their family in unexpected ways. Is there any con that can help Kat steal a treasure that has cursed all those who have tried before her?

The second installment of the Heist Society series has the same suspense and thrill as the first book. The characters’ personalities are described in more depth, which makes the book more enjoyable. Kat’s family secrets keep readers is suspense. The story’s intriguing, fast-paced plot ends with a satisfying conclusion. With plenty of plot twists, surprises, and a little bit of romance, Ally Carter’s Uncommon Criminals will delight readers of all ages.

Sexual Content

  • After a heist, Kat falls into Hale’s lap. “She didn’t think twice about the way her arms feel around his neck. When her lips found his, she didn’t pull back, she just pressed against him, sinking into the kiss and the moment until . . .” She then realizes that “Hale didn’t kiss me back.”
  • Kat kisses Hale. “She kissed him, quick and feather soft.” She tells him she kissed him “for luck.”

Violence

  • As a distraction, Nick and Hale argue over a girl. Hale hits Nick. Hale’s “fist was suddenly flying through the air. It struck Nick on the jaw, and sent the smaller boy spinning, the sound echoing in the empty hallway.” Security guards break up the fight.

Drugs and Alcohol

  • Someone offers Kat a drink, and then changes her mind because Kat is a “child.”

Language

  • None

 Spiritual Content

  • None

 

Heist Society

Katarina Bishop knows how to steal. She knows how to lie. After all, at the age of three, her parents took her to the Louvre to case it. Katarina’s family—all of her family—is made up of masters at thievery. She had hoped to leave the family business. She had hoped to live a normal life. But when Kat’s friend, Hale, appears, Kat realizes that walking away from her old life and her family may not be possible.

Hale wants Kat to return to her life of crime, and he has a good reason. A powerful mobster’s priceless art collection has been stolen. The mobster is convinced that only one thief could have taken his priceless paintings—Katarina’s father. In order to help her father, Kat goes on a hunt to find the missing paintings. The job would be risky for even the most seasoned thief. Kat is determined to find the paintings. She has two weeks, a teenage crew, and hopefully enough talent to pull off the biggest heist in her family’s history. And in the end, she hopes she can steal back the normal life she left behind.

Is there any way a fifteen-year-old girl can pull off this con?

For a story that revolves around a mobster and the threat of death, Heist Society tells a suspenseful story that will have readers engrossed in Kat’s story. The plot contains twists and turns that will have readers guessing what characters can be trusted. The interplay between the diverse characters makes the story interesting and enjoyable. By the end of the story, readers will wish they could join Kat’s family at the kitchen table and plan a heist of their own.

Similar to Carter’s Gallagher Girls series, Heist Society is appropriate for younger readers but will engage readers of all ages. Heist Society delves into the themes of family, loyalty, and good versus evil.  Fast-paced, easy to read, and just plain fun, Heist Society will allow readers to fall into the world of the super-rich and leave with lessons on artwork stolen during the Holocaust.

Sexual Content

  • Gabrielle’s beauty and short skirts are mentioned several times. When she goes into a museum, “there was something about her that simply demanded the guards’ attention. Some said later it was her short skirt. Others wisely observed that it was more likely the legs that protruded beneath it.”
  • As a distraction, Nick kisses Kat. “. . . She was in Nick’s arms and he was kissing her right there in the middle of the Henley’s hallway.”
  • When Kat dresses for an event, her cousins notice her boobs. Her cousin asks, “Seriously, Kat . . . when did you get boobs?” The conversation about her boobs takes place over two pages.

Violence

  • None

Drugs and Alcohol

  • One of the characters pretends to be drunk to distract the museum guards.

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Stealing Parker

Parker loves her family, her church, and her life. But all that changes when her mother divorces her father and leaves with her new lover—a woman. When Parker’s church and best friend turn their back on her, Parker sets out to prove that she likes boys. But when the boys’ assistant coach catches her eye, Parker’s life spirals out of control.

As Parker struggles with how to deal with her secret relationship, she is besieged with more problems. Parker’s father is in denial. Her brother is always high. And her best friend, Drew, is hiding the fact that he is gay.

Parker works through her insecurities and frustration through a prayer journal, which gives the reader insight into Parker’s emotional state. The reader will be able to understand Parker’s desire to be loved and how that leads her to kiss so many boys, although the illegal relationship between Parker and the boys’ baseball coach leads to frequent and steamy sex scenes and ends with an investigation.

 Finding Parker hits on difficult topics relevant in today’s world. Parker explores her faith in God and how that faith impacts those who are gay. The story also tackles the difficulties of high school friendships; most of Parker’s friends abandoned her after her mother came out, classmates that don’t even know her talk trash her, and even her best friend stops talking to her. Finding Parker brings realistic problems to light and shows the dangers of being promiscuous. In the end, Parker learns to love herself and accept her mother’s new lifestyle.

Although Parker is a well-developed and relatable character, her sexual relationship with the adult coach contains graphic sexual details. The story contains mature content, which some readers may want to avoid.

 Sexual Content

  • Parker’s mom “announced she’s a lesbian and ran off with her friend who was more than a friend.”
  • Parker has kissed many boys, trying to prove that she isn’t a lesbian like her mother. She lost weight so she wouldn’t look “butch.” “All the guys know I look good. They know I want them and I love kissing and sometimes rounding a couple of bases (I never go further than second).”
  • Parker thinks about when, after church she, “let him kiss me beside the turtle sandbox thing, so people will know I like boys.”
  • When Parker decides to manage the boy’s baseball team, the coach tells her not to date or “mess around” with team members. The coach said, “the girl who managed the team last year, uh, well, we had some incidents on the bus and in the locker room.”
  • Parker and her friend talk about her “one-night thing” with Matt Higgins. She thinks, “I didn’t enjoy kissing Matt Higgins very much. He kept trying to go up my shirt.”
  • A boy said, “Everyone knows she (Parker) puts out.” Parker gets upset and thinks, “I’m still a virgin.” She then thinks about how she can’t insert a tampon.
  • At last year’s prom, Parker’s date “kept trying to feel me up in the middle of the gym.”
  • Parker has a few minutes, “before we need to leave for church, so I unzip my dress. . . lie down on my bed, and slip my fingers under the elastic of my underwear, wondering what it would feel like if a guy touched me there.”
  • Parker thinks that Seth likes a girl but “he’s too embarrassed to get involved with her, considering the whole scandal with her dad, the district attorney, screwing his secretary and all.”
  • Parker has a crush on the baseball assistant coach. During class Parker lets out a moan when she, “picture(s) myself tangled up in his crumpled sheets, our legs knotted. The idea scares me a little because I’ve never gotten naked with anybody.”
  • While at practice, someone yells, “Corndog’s got a hard-on for Coach!”
  • When a group of boys try to get Corndog to tell them how far he’s gone with his girlfriend, Corndog said, “Hell, no. I can’t tell you. She’d rip my balls off.”
  • A boy tells a story about, “how he saw a hot pink dildo laying on the concrete behind the cafeteria . . . ”
  • Parker and Corndog write notes back and forth discussing someone’s penis size.
  • At a party, a girl “French kisses” a boy she doesn’t know.
  • Parker has a sexual relationship with the assistant coach, who is an adult. The first time they kiss, “He digs fingers into my hip. . . My mouth found his, and I wrap my arms around his neck. . . I deepen the kiss. His tongue explores the inside of my mouth. My knees go wobbly.”
  • Parker and the assistant coach begin making out in the parking lot of the laundromat, behind the dumpsters. The first time they meet there, they make out. “He tastes like mint toothpaste. My hands are on his neck and his are in my hair, and I can tell he’s experienced. . . He pushes me backward and climbs on top, his weight heavy, yet comforting.”
  • Parker gets a hall pass and goes to the assistant coach’s office. “Then his lips were on mine and he lifted me onto his desk. He pulled my hips to his and kissed me until I was so dizzy I could barely breathe. Brian began to grind against me and I was so drunk on him, I couldn’t think at all.” They stop because someone knocks on the door. Parker then thinks about a couple nights before when, Brian went up my shirt again and unsnapped my bra, and ran his hands over my bare breast. Him running his calloused fingers over my skin . . . I couldn’t stop trembling. . . His teeth sank into my shoulder.”
  • One night when Parker and Brain were making out, “he kissed my breast and felt me through my jeans. I wasn’t comfortable enough to touch him yet. But he took my fingers and put my hand there anyway.” They stopped when a “cop knocked on the truck window and told us to move along.”
  • Brian asks Parker to give him a blow job, but she doesn’t. Instead, he “pushes my panties aside, making me moan softly as he works a finger inside of me. . . Later I straddle him and he wraps his hands around my waist and we kiss and kiss. . .”
  • Brian and Parker park behind the dumpsters and, Parker “felt him too. He shut his eyes and leaned his head back against the seat while my fingers moved up and down. I could tell by the noises he made that he liked how I made him feel, but it was almost as if I could be anybody. It didn’t matter who I was, it was only that somebody was giving him pleasure.”

Violence

  • None

Drugs and Alcohol

  • At a party, a boy gets drunk and falls in a ditch. “. . . He was so drunk he started screaming about how he’d broken his leg. And Marie Baird had to convince him that his leg was already broken.”
  • The assistance baseball coach takes Parker out to eat and orders a beer.
  • Parker’s brother, Ryan, has a drug problem. She makes him eggs to “hopefully clean out whatever he drank/ate/snorted/shot-up last night.”
  • Parker goes to a party where teens are drinking beer. Some play beer pong and someone “takes a shot directly out of a Smirnoff bottle and wipes his mouth, then does another shot.”
  • Parker finds her brother passed out with “an empty bottle of Robitussin in his fist.” Parker and her friend take him to the hospital.
  • Parker’s mom tells her she needs to get on birth control.
  • Parker’s best friend is gay but hasn’t told anyone. Parker attempts to get him and another guy together. Later, Parker finds out that her best friend likes the same boy she does.

Language

  • Profanity is used often and includes ass, bitch, dick, fucking, hell, pissed, and shit.
  • When Parker and her friend look at a book of Kama Sutra, the friend said, “Jesus Christ, is that move physically possible?”
  • God is used as an exclamation often.
  • Someone lectures Parker on “how I screw over his friends.”
  • After being mean to Parker, Corndog apologizes, “Last night I heard my mom crying, and I got upset. That’s why I was a dick today. I’m sorry.”

Supernatural

  • None

Spiritual Content

  • The story contains entries from Parker’s prayer journal beginning when she was little. In the first entry, she writes, “as I prayed, I didn’t ask you for anything. I only thanked you for giving me Mom.”
  • Parker blames God for ruining her family. She often asks, “Why did God let this happen to my family?”
  • When Parker’s mother came out as a lesbian, members of the church began ignoring the family. However, Parker’s dad makes her attend church. They have a conversation about if the Bible says, “thou shalt not become a lesbian?” Her father replies “no.”
  • When the pastor’s daughter spreads rumors that Parker is “a butch softball player who probably likes girls,” Parker wonders where God went.
  • Parker makes a list of “Reasons Why I’m the Worst Christian of All Time.” Her list includes, “I don’t see how a loving God would split a family up like he did mine.”
  • When Parker was little, the pastor accuses her of lying and, “gave me a lecture on how lying is a straight path to Hell.”
  • When Parker flirts with the assistant coach, she thinks, “When God created the Earth, he had such a sick wicked sense of humor. He made everything that’s wrong feel really, really good.”
  • Parker’s dad breaks up with his girlfriend because his church friends tell him to. Parker prays, “Please help my family. Hasn’t our church taken enough from us?”
  • Parker and her mom have a conversation about God and church. Parker’s mom said, “God still loves me and he loves you too . . . All that matters is your personal relationship with God.”  Parker’s mom tells her that she doesn’t need to go to church because “I can talk to God while I’m walking the dog or running in the woods just the same as if I’m at church.”

 

A Little in Love

Thenardiers are strong. They are cruel. They steal. Eponine is a Thenardier. But she longs for more than a life of heartlessness. She dreams of a world filled with kindness and love.

When Eponine tries to show kindness, Mamam punishes her. When Eponine tries to show her mother affection, Mamam flinches. Mamam wants her daughters to be cruel and steal—from anyone. The only thing that Eponine’s parents care about is money and getting it any way they can.

When Eponine’s father kills a bishop, the family must flee. The family ends up in Paris, where Eponine desperately searches for goodness in the world. However, when her family ends up cold, starving, and out of options, Eponine wonders if being cruel is the only way to live.

A Little in Love captures the reader’s attention in the first few sentences and remains captivating until the end. The world Eponine lives in is described in wonderful detail and the characters are believable.

The story is told from Eponine’s point of view which allows the reader to feel her emotions and understand her struggles. Her personality drives the book. By the end of the story, the reader will fall in love with Eponine and cry when her story ends.

This story is based around Les Miserables; however, no background information is needed. Those who have a tender heart may want to avoid reading A Little in Love. Although the story is entertaining, the content is very dark and cruelty runs rampant in Eponine’s world.

Sexual Content

  • Eponine sees women that, “had pained their faces and they lolled in doorways. . .” Her father says the “harlots” are their kind of people.
  • A character in the book tells Eponine, “Love? It’s a myth. But there’s money in it. You’re not ugly. You could sell a kiss or two.”
  • A man kisses Eponine. But it was not a gentle kiss. “Montparnasse pressed his lips against mine and clutched at my dress and he pushed me against the gravestone very roughly and his tongue filled my mouth so I couldn’t breathe.” She then breaks free and runs away from him.
  • Eponine meets a woman who is in prison. The woman said, “I sold what no woman should ever have to sell.”
  • When Eponine realizes her sister likes Montparnasse, she wonders, “Perhaps she hadn’t run away from his mouth, as I had done. Perhaps she actually wanted to feel those hands. . .”

Violence

  • When Maman has a boy baby, she tells the family to leave the baby to die because she has always hated boys. Eponine thinks her mother hates boys because “she had two brothers and they used to beat her. Her father beat her too.”
  • When Eponine’s father tries to steal from a bishop, her father kills the man and runs from the law.
  • Eponine’s father talks about the law finding him. “They’ll put shackles on me, if they find me!  They will hang me or take me to the guillotine—and you too.”
  • Several of the characters talk about the executioner, “who works the blade—and he gets to keep the silver crosses or gold rings that the jabbering fools bring out with them. Once the blade drops, he pries these treasures out of their still-warm hands.”
  • One of the characters talks about murdering people. “If they’re very old, then what harm have you done? They’d have died soon anyway.”
  • At the end of the story, there is a rebellion. People die. Eponine sees a body. “His eyes were open. His chest was open too—like a red, wet cave.”
  • When a soldier points his weapon at Marius, Eponine, “threw my right hand across the end of the musket and pulled it toward myself.”

Drugs and Alcohol

  • The family in the book runs a tavern. The patrons as well as the adult family members drink.  There are several references to drunks throughout the book.

Language

  • Eponine’s father calls her a “bitch.”

Supernatural

  • None

Spiritual Content

  • Eponine wonders about intuition. “Some people think it’s the voice of God—but what about the people who say there isn’t a God at all?”

This is Where It Ends

No one ever thought this could actually happen to them. Not here. Not in Opportunity, Alabama.

It is just a normal morning at Opportunity High School when a frightening series of events forever alters the lives of all who are inside. At the conclusion of Principal Trenton’s back-to-term speech in the auditorium, the exit doors fail to open as thousands of students frantically attempt to exit. Two minutes later, someone starts shooting.

Lasting only fifty-four minutes, this harrowing story is told from the perspectives of four different students, each of who have personal connections with the shooter. Those minutes are packed with enough action and tension to feel like a year. This suspense-filled novel dives deep into the emotions of high schoolers and examines the complexities of a murderer’s personality. Riddled with guilt and fear, the characters of this novel make the tragic and once so seemingly impossible situation relatable for the average teen reader.

As the subject matter of this book is very mature, it is not recommended for younger readers. It deals with content such as a school shooting, the passing of a parent, violent deaths, and homosexuality. The author suggests it for readers 14 and above, but some teens may still be disturbed by the novel’s contents. Nevertheless, This is Where it Ends is a well-written and compelling book that examines a topic that has become increasingly important in modern teens’ lives. It allows readers to ponder the intricacy of teen relationships and the value that we place on social acceptance.

Sexual Content

  • There are several references to a romantic relationship between Claire and Tyler, the shooter.
  • Autumn and Sylv are dating secretly. They often hold hands and Sylv, “wanted nothing more than to kiss her, but instead, we held hands.” In another scene, they kiss, “I leaned in, cupped her cheek in my hand, and kissed her,” but as Autumn is afraid of what people will think, she does not “come out.” Facing death, the two admit their feelings in front of the entire school.
  • One of the murdered characters is “Kevin Rolland, one of Opportunity High School’s only out-and-proud students.”
  • At junior prom, Tyler corners his sister’s girlfriend, Sylv, and attempts to kiss her. This experience is traumatic for Sylv and leads to the breakup of Claire and Tyler.
  • During the shooting, Claire and her track teammates are locked out of the school, and they try to get help. As the crisis continues and deaths are discovered, Claire realizes that she is in love with her best friend, Chris, and acts on her feelings. It begins as “I curl my fingers around Chris’s and lean into him” and escalates to, “I look up and touch my lips to Chris’s . . . It’s as if I don’t know where he ends and I start . . . He leans in and kisses me again as if the world were ending. And actually, it has.”
  • Sylv mentions that Tyler raped her. It is not described.

Violence

  • Autumn’s father abuses her. She mentions that he hits her and shows her bruises.
  • Tomás constantly beats up and bullies Tyler for threatening his sister. Tomás thinks, “The one time his eyes weren’t glossed over with contempt was when I slammed his head into a locker. My fingers itch to do it again.”
  • Tyler enters the auditorium and shoots many people; he “picks them off methodically.” He shoots the principal first. “All I can see is Principal Trenton’s surprised smile as she was shot and the horror of the people around who rushed to help her . . . There’s death, there’s dying, and there’s blood everywhere.”
  • The bodies of two victims are described. “Two students . . . are splayed across the chairs in front of Tyler. The boy still has his bag half slung over his shoulder as his blood mixes with hers.”
  • Tomás is frustrated with his inability to be helpful during the shooting, and “I turn on my heels and ram my fist into one of the supply cabinets. The thin board splinters on impact, cutting my knuckles, but the pain offers no relief.”
  • During the shooting, Tyler threatens Sylv. “He placed his hands on my shoulders again, his thumbs digging into my neck . . . When I tried to roll over and crawl away from him, his boot found my stomach, and I doubled over. He pinned me, his knees on my arms and his hands on my shirt.”
  • When attempting to find the janitor to help unlock the auditorium doors, Tomás and Fareed find him dead in the supply closet. “His hands are bound together with a cable tie pulled so tight his fingers have gone black. Cable ties circle his neck, and he is gagged. His eyes are empty; his face is as discolored as his hands. Bloody scratches mark his neck, as if he tried to rip through the plastic with his bare hands.”
  • The shooting of students and teachers is described in detail. “The first bullet buries itself in the teacher’s arm. The second bullet drills a hole through his chest.” In another scene, “A freshman beside us stumbles and trips, sliding against the seat when a bullet perforates her neck. I almost join the screaming as blood splatters my face.”
  • Some bullying boys set fire to a student’s locker. Another student’s tires are slashed for revenge.
  • Because her brother is the shooter, Autumn feels grief and responsibility for the deaths of others. She thinks, “Every time I blink, I see Nyah’s face being torn apart by the bullet . . . Ty is my only brother, but right now, I want him to die. To take the gun and shoot himself.”
  • Autumn gets hit with the barrel of the gun while she is trying to stop Tyler. “His arm snaps back and the barrel of the gun bashes my cheek. Spots of light burst in my vision. Pain blossoms over my face. Blood pools in my mouth.”
  • Near the conclusion of the novel, Tyler shoots Autumn and then kills himself, “When he pulls the trigger, I feel the shot rather than hear it. Pain overwhelms me. The floor opens up around me. The last thing I see before I fade is Ty turning the gun on himself . . . Then he blows his brains out.”

Drugs and Alcohol

  • Tyler and Autumn’s father is an abusive alcoholic. “Mr. Browne drowned his sorrows in alcohol.”
  • Tomás describes what usually follows an assembly as, “So everyone pushes to leave, then strolls, dawdles, sneaks out for a smoke and some air (the two aren’t mutually exclusive, thank you very much).”
  • Claire thinks of the track runners’ get-together at the end of the school year. The event has “no alcohol until the JV athletes are asleep, but then we’ll drink. We’ll toast our four years together.”

Language

  • Profanity is used fairly often throughout the novel. This includes: dammit, hell, fuck, and fuck off.
  • Claire describes the re-built version of Opportunity High School as, “state of the art—larger sports fields, fancy equipment, right in the middle of fuck all.”
  • “Oh my God” is said once and “God” is said once.
  • The people who are around Autumn in the auditorium are described as, “no longer pitiful, no longer worried about my poor, fucked-up home.”
  • Tyler rants to Autumn in between shooting people. “You know how much it hurt to find out about you and that—that slut?”

Supernatural

  • None

Spiritual Content

  • After hearing the sound of the first bullet rip through the air, Claire and Chris decide to run for help. Before running, she chooses to “whisper a prayer to anyone who might listen.”
  • Upon seeing the mutilated body of the dead janitor, Fareed, “mutters something, but I can’t make out the words. It sounds like a prayer of sorts in the language of his parents.”
  • When Sylv comes out to her family as gay, she mentions that “Father Jones preaches about sin, hell, and damnation.”

by Morgan Filgas

The House on Stone’s Throw Island

Eli isn’t happy when he boards the ferry to go to Stone Throw’s Island. He’s not looking forward to his sister’s wedding. Even though groom’s sister, Josie, is his age, he doesn’t want to meet her.  In fact, Eli can think of a million things he’d rather do than spend the weekend on a remote island.

Josie feels the same; she doesn’t want to spend time with her soon-to-be brother-in-law. But when a ghost girl enters her room, Josie decides that Eli might be the best person to help figure out who the ghost is and what she wants. As the two try to figure out the secrets of the island, they soon discover that when the dead want revenge, there is little anyone can do to stop them from getting their ghostly desire.

The House on Stone’s Throw Island grabs its readers’ attention in the very beginning and captivate them until the end. Poblocki weaves a wonderful mystery using suspense and vivid descriptions to keep readers wanting more.

Though the story deals with the ghost of a World War II German spy, most of the violence is hinted at rather than described in detail. This allows readers to use their imagination to create their own images of what happened. The story is well crafted and the two main characters, Josie and Eli, are compelling. The House on Stone’s Throw Island is a perfect book for both older and younger readers who want a good scare.

Sexual Content

  • None

Violence

  • Someone tries to kill Margo while she is asleep. “A hand came down over her face. It covered her nose and her mouth with a sweat-slick grip and squeezed . . . She pushed at the figures’ chest, but the attacker managed to slap her hands away before pressing against her face even harder.” She hits the person with a lamp and he runs off.
  • Josie reads a diary entry that describes how a German spy was, “standing over my brother with a rifle.  He used it to strike Frankie in the face.”
  • A possessed wedding guest hits someone across the face.
  • A ghost explains how he and his friends died. They were locked in a cavern and, “a storm rose up and flooded the cavern. Despite our cries for mercy, the savage siblings allowed the seawater to fill our lungs.”
  • A possessed wedding guest captures Josie. “But Bruno squeezed her tight.  Tighter. So tight, she could no longer move. So tight, she could barely breathe.”  Josie, “snapped her head forward as hard as she could, making contact with his sternum . . . She wasn’t sure if she had broken something in him or herself.” As she tries to escape his grasp, they fall down the stairs and he is knocked unconscious.
  • The skeletal remains of a German spy try to get Josie and Eli to help him.  “Here was the sallow skin, the collapsed nose, the empty eye sockets.” The ghost wants them to give them a wedding guest in exchange for Eli’s father.
  • A U-boat rams the Sea Witch. The Sea Witch crashes, but everyone survives.

Drugs and Alcohol

  • None

Language

  • When discussing WWII, one of the wedding guests says, “Screw Hitler.”
  • Before one of the guest reveals a secret, she says, “I think now is the time to tell it. And I don’t give a good-gosh-darn about the repercussions.”
  • When being accused of being negative, one of the guests says, “Negative? Are you freaking kidding me?

Supernatural

  • Three dead German soldiers from World War II take over the bodies of the wedding guest.  The ghosts want revenge for their deaths.
  • The ghost explains what happened to him. “Our souls have been trapped here. Trapped until you arrived on this island, Madame Lintel. Your presence woke us up, and we slipped inside the skins of these men.”
  • An old U-boat and a ghost crew come up and claim three of the wedding guest.  “The three reached up, claiming the help that was being offered to them. . .the men climbed aboard the sub and stood with their compatriots, reunited in spirit at long last.”
  • Eli thinks that, “each of their souls must have been cracked just enough to let in the bad spirits. Or maybe it hadn’t been anything like that. Maybe Eli had merely been lucky they hadn’t crept inside his own head too.”

Spiritual Content

  • None

I’d Tell You I Love You, But Then I’d Have To Kill You

Cammie doesn’t just feel invisible, she is trained to be invisible. After all, when a girl goes to spy school, blending into a crowd is an art as well as a talent. However, when Cammie catches the eye of a gorgeous boy—a normal, not-spy boy—being invisible isn’t an option anymore. Cammie quickly discovers that navigating the world of romance and relationships is much harder than mastering fourteen different languages and advanced encryption at school.

Cammie puts all her spy skills to the test as she tries to keep her true identity hidden from her boyfriend and her boyfriend a secret from her spy school. She knows that she will never be able to reveal that the Gallagher Academy, which most people think is a school for rich snobs, is really a school for spies. Yet for the first time in her life, Cammie is getting a glimpse of what it means to be normal.

Although Cammie and her friends are geniuses when it comes to chemical warfare and breaking CIA codes in computer class, they are completely clueless when it comes to boys.  A new roommate, a new teacher, and a covert operation class lead to laugh-out-loud situations that are simultaneously filled with suspense. Through first-person narration, Carter creates a fun, sweet story and a unique setting in which to explore the well-known troubles teens have in understanding the opposite sex.

Carter successfully creates a believable world where girls can accomplish just about anything. The characters are lovable while still being grounded in reality. Additionally, the story is full of action and explores teen romance in a wholesome way that is perfect for younger readers.

 Sexual Content

  • When talking about an attractive teacher’s tone of voice, the narrator said, “We all heard, I think you’re the most beautiful woman in the world, and I’d be honored if you’d bear my children.”
  • A CIA member, “once sweet-talked a Russian dignitary into dressing in drag and carrying a beach ball full of liquid nitrogen under his shirt like a pregnant lady.”
  • The girls wonder if the gorgeous guy is a “honey pot” and then struggle to explain what a honey pot is.
  • A friend asks the narrator if she has, “been to second base yet?”
  • The narrator receives her first kiss, and then later kisses her boyfriend so he will stop talking.
  • A boy talks about mooning the girls at the Gallagher Academy.

Violence

  • A teacher throws a letter opener at another teacher’s head, which they stop with a book.
  • In a fit of anger, a student grabs a classmate’s arm, puts it behind her back, and rips out her diamond nose ring.
  • During a mission debriefing, a student is shown a picture of her friend’s bloody and swollen face. The teacher explains that during torture, what hurts most is, “listening to her friend scream…she will be screaming for about six hours, until she becomes so dehydrated she can’t form sounds.” After the lesson, her friend walks in unharmed.
  • As part of a final test in the covert class, Cammie is “kidnapped” and a fight ensues. She is locked in a room, blindfolded, and tied to a chair.
  • When the narrator meets a girl who she thinks might be her competition, the narrator thinks about her ability, “to kill you in your sleep and make it look like an accident, you silly vapid, two bit. . .”

Drugs and Alcohol

  • It is mentioned that as part of an interrogation tactics class, the students are, “under the influence of sodium pentothal,” and Cammie mentions being a wiz at poison-concocting.
  • A student smokes a cigarette.
  • When her friend announces she has bad news about Cammie’s crush, the narrator wonders if the bad news is that, “he’s taking drugs that will prepare him for a sex change operation.”
  • A student wonders if her first covert mission is going to be, “busting up a drug cartel that’s operating out of a night club.”

Language

  • A class is described as, “damn hard.”
  • When getting assigned a mission, the narrator said it’s like getting, “a gold-freaking-star.”
  • A student uses the phrase, “bloody hell.”
  • A student calls another student a “b—” and mentions the “B word.”  The B word is implied but never spoken.

Supernatural

  • None

Spiritual Content

  • Although religion isn’t discussed directly, Cammie pretends to be homeschooled for religious reasons. Cammie also wears a cross and carries a What Would Jesus Do? ink pen in her bag because it helps her cover story.
  • There is a conversation about how the Bible says people have free will, but a character doesn’t feel like that applies to his life because of his parents’ expectations.

The Stepsister’s Tale

Jane and her sister should live like nobles; they are after all ladies of a once-rich family. Despite their struggle to survive, Jane’s mother refuses to acknowledge the desperate state of the family. Jane and her sister are forced to take care of all the household chores, as well as care for the livestock and garden.

Jane doesn’t think life can get much worse until her mother suddenly appears with a new husband who has a spoiled daughter. Then the unthinkable happens, Jane’s step-father suddenly dies, leaving behind more debt and his demanding daughter. In order to provide enough food for her family, Jane must reach out to a mysterious group of wood people.

With a mother who doesn’t accept reality, two sisters to feed, and winter coming, Jane wonders if hunger will claim her family. When a surprise invitation to a royal ball is delivered, she begins a plan to get rid of her step-sister once and for all. However, this Cinderella story doesn’t end with the typical happy-ever-after.

The Stepsister’s Tale will pull readers into Cinderella’s time period. Although the tale has some similarities to Cinderella’s story, The Stepsister’s Tale is fresh and interesting. Told through the eyes of Jane, the reader can easily empathize with Jane’s struggle and her desire to provide for her family even if it means going against her mother’s idea of how a lady should act.

The ending of the tale is surprising but will leave the reader with a smile. The Stepsister’s Tale would be suitable for junior high readers as well as entertaining for more advanced readers. Because the story is a retelling of Cinderella and is also a unique, tame love story, the Stepsister’s Tale will appeal to a large range of readers.

Sexual Content

  • Jane shakes the hand of a boy, and she wishes the contact would continue. Then the boy “brought her hand to his lips . . . and kissed it gently. It was over so quickly that she thought she must have imagined it.” After he leaves Jane, “lingered in the hall, looking at the back of her hand, which his lips had touched. It didn’t look any different, although it tingled; and when she pressed her own lips to the spot, she tried to imagine what it would have been like if instead of that swift kiss, he had pulled her to him and bent his head to her face and—”
  • While at a fair, a boy kisses Jane. “His lips were on hers, and he was clasping her waist and gently pulling her closer to him . . . He turned his head and kissed her palm and then her forehead, and then each eyelid and then her mouth again.” The kiss ends when some girls see Jane and cruelly make fun of her.
  • When Jane is kissed she thinks, “it felt as though that kiss was something she had been waiting for, and the warm thrill of it made her forget, for a moment at least, the pain in her feet . . . ”

Violence

  • During this time period, poachers are taken by the king’s men. A boy tells how the king’s men try to trick people into poaching. “They slit the back of a deer’s hind leg so that it can do no more than hobble, and leave it near a path.” The king’s men then watch for someone to catch the dear and the poacher is taken away.
  • Isabella has to run away from the king’s men who are chasing her.

Drugs and Alcohol

  • The king throws a party where alcohol is served.

Language

  • None

Supernatural

  • There is a short conversation about fairy-people. A character tries to explain why the fairy people harm people. “If we do something they don’t like, they’ll do something to pay us back, or if they’re bored, they’ll play a trick just to be irritating. Any harm isn’t done on purpose.”
  • There is a brief mention of the fairy people exchanging a human child for a changeling.

Spiritual Content

  • None

The Sin Eater’s Daughter

As a young girl, Twylla is brought to live in the castle because she is the Daunte Embodied, daughter of two gods. As Daunte Embodied, it is Twylla’s duty to bring justice to the kingdom. She is the executioner; anyone that she touches, dies.

Twylla thought life in the castle would be different. But the privileged life she leads is lonely and becomes more a prison than a home to her. The kingdom’s people fear her. The queen demands absolute obedience from her. And Merek, Twylla’s betrothed, confuses her.

Twylla believes her life is set in stone until she is appointed a new guard. This guard doesn’t fear her as so many others do. He sees past her role as Daunte Embodied, and sees her as a person. As they spend more time together, Twylla begins to wonder if there is a different path she could follow. But such a path would go against her loyalty to Merek and the kingdom.

Confused and lonely, Twylla soon learns that the queen has a deadly plan of her own—and Twylla is in the way of the queen getting her desire. Will Twylla be able to survive long enough to choose between two men—one who needs her, and one who claims to love her?

The Sin Eater’s Daughter takes the reader into an interesting world ruled by an evil queen. The queen is the strongest character in the book. She is willing to kill anyone, including her best friend who dared to become pregnant while the queen could not. The king, who appears infrequently, is seen as a kind, but powerless man. Merek, who does not agree with his mother’s cruel ways, seems desperate and unkind, which makes it difficult for the reader to feel sympathy for him. Even Twylla, who is the heroin, is difficult to relate to. Although her situation is difficult, she seems to be content to sit in her tower and feel sorry for herself.

Although the world created in The Sin Eater’s Daughter is interesting, it is often violent and disturbing. Death is seen often and is described in graphic detail. There are many adult topics that appear including the mention of incest, killing a child in the womb, and seduction.

Sexual Content

  • During a sin-eating ceremony a woman’s father, who is under the influence of poppy tears, confesses that “she said no but he [himself] put a baby in her.” The Sin Eater says that when the man dies she will not “take that sin.”
  • Twylla and her guard kiss often towards the end of the book. In one scene she tells him that she loves him and then, “he devours the words right out of my mouth, pressing his own against mine and swallowing my worries. I let him, willing to sacrifice my questions temporarily for the taste of him, for his hands on my waist.”
  • Twylla and her guard plan to run away together. They again kiss. “Our mouths move gently, brushing together, our lips opening and closing against the other’s, our eyes locked. It makes me dizzy and I allow mine to flutter shut, concentrating on the feel of him against me, his tongue dancing gently with mine.”
  • Twylla and her guard have sex several times. The act is not described, but afterward they, “lie with our legs and arms twined, breathing softly, his breaths becoming my breaths. Our skin is damp and we stick together, as though nothing could separate us.” After one time together, the queen finds them in bed together and has them both thrown in jail.
  • The tradition in the kingdom is for the queen to give birth to one boy and one girl, and then the two children are married when they are adults. The goal is to keep the bloodline clean. Because the current queen has only one living child, a male, she plans to kill the king and marry her son.
  • At the end of the story, Twylla discovers that her guard was hired to seduce her.

Violence

  • One of the rituals in the book is when Twylla, as Daunte Embodied, kills condemned people with a touch. “Moments after I’ve touched them, they are slumped against the top of the table, blood streaming from their noses and pooling on the already-stained wood. I watch as thin red rivers flower over the edge, spattering the bolts that pin the chairs to the floor. . .”
  • When the guard and Twylla are found together he is clubbed in the back of the head with a sword. When he falls down, “two of them begin to kick him, bringing their boots back and swinging them into his ribs and spine.” The queen orders the beating to stop when the guard “has stopped moaning and grunting, finally unconscious.”
  • The queen has people killed throughout the book. Her favorite way to have them killed is to send the dogs to rip them apart. In one scene, the queen tells Twylla, “I have a mind to make you watch the dogs eat your lover first . . . Do you think he’ll try to shield you from their jaws when they tear your heart out . . . Do you know what my father used to do? He used to slice across the ankles of the wretches we were hunting. He’d cut them and leave them in the trees. He’d give them an hour to try to escape . . . it might be time to bring it back.”
  • The queen backhands Twylla across the face and threatens to kill her, “for opening your legs to another man while my son planned to wed you.”
  • In the end, the prince tells his mother, “I sentence you to hang by the neck until you are dead.”

Drugs and Alcohol

  • At dinner, one of the lords becomes drunk and upsets the queen so she has him killed.
  • When someone is sick, they are given poppy tears to help control the pain.
  • When a woman wants to “lose a child” they take an herb that will make them “lose a child.”
  • The queen uses poison to kill her husband.

Language

  • The queen calls Twylla, “a little slut,” a “whore” and a “harlot.”

Supernatural

  • There is a tale of a Sleeping Prince who is an alchemist. The prince was put under a spell that made him sleep forever. The queen has a totem that can call the Bringer, who is said to be able to bring the prince back to life with the death of a young girl. The queen believes that she can control the Sleeping Prince if she has the totem.

Spiritual Content

  • Twylla is told she is Daunte Embodied, the reborn daughter of the Gods. “The world has always been ruled by two Gods: Daeg, Lord of the sun, who rules in the day, and his wife Naeht, Empress of Darkness, who rules the night. . . She (Naeht) hatched a plan and seduced her husband, tiring him so much he couldn’t rise. Then she took the skies for her own and ruled alone, plunging all the world into darkness. Nothing lived, nothing thrived, and death was everywhere without the Lord of the Sun to light the world and give warmth and joy.” The God’s daughter was said to bring Daeg from his sleep and whenever Lomere needed the daughter, she would return as a symbol of hope.
  • As Daunte Embodied, Twylla is taught that she must, “strike down those who would hurt us. You will go and do your duty. You don’t want to anger the Gods do you?”
  • Twylla believes the Gods have chosen her path, and she must, “obey the Gods.”
  • When someone dies, a person’s soul, “will linger near the body for three days and nights after a death. During that time, the Eating must take place so the soul can ascend, otherwise it will drift to the West Woods to join its damned brothers and sisters in the trees. . .” During this time the sin eater must eat a particular food for each sin the person committed.
  • When Twylla’s mother talks about a woman taking an herb to lose a child, Twylla, “shook my head, not understanding. Losing a child wasn’t a sin; everyone knew the Gods could take away as they saw fit and sometimes they called an unborn back to the Eternal Kingdom.”
  • Twylla’s guard tells her that the religious rituals they perform are all lies and that her beliefs are, “just to scare people into obedience.” He explains that “We used to have Gods, too. And now we don’t and yet the country doesn’t falter; it thrives without them…It’s all made up. You are not beloved by the Gods—there are no Gods.”
  • Twylla tries to figure out what she believes and she thinks, “Neither my mother nor the queen have ever said they believed in the Gods. My mother needs them because if there are no gods, then there is no Eternal Kingdom and that makes the Sin Eater nothing more than a prop for mourning. The queen needs them because the fear of death is what makes people obedient, and kind, and good, and sorry.”
  • Twylla’s guard tells her that, “I don’t believe there are any [Gods] at all, but I believe there are men and woman whose lives are made easier by believing someone is watching over them.”

Blood Red Road

The Dust Lands are a post-apocalyptic world where written language has been forgotten, civilization has collapsed, and the strong rule through fear. Saba has grown up in a shack in the middle of nowhere with her twin brother, her sister, and her father. She rarely sees other people and has never been to a town.

Then Tonton soldiers come. They kill her father and kidnap her brother. For the first time in her life, Saba can’t follow her brother’s lead. Now she must be the leader because her brother’s life depends on it. Saba leaves the only home she has ever known and sets off in search of her twin.

Adventure after adventure follows. Saba’s path is not a straight one, but she never gives up hope. She knows what she wants and will do anything to get it. Written in a regional dialect, this first-person narration shows Saba’s strong will and determination. Even when sold into slavery, Saba is never the victim. She is never weak and her spirit is never broken.

Blood Red Road is fast-paced and exciting. A large cast of characters adds to this richly developed world of droughts and ruin. What sets this novel apart is that Young effortlessly turns the traditional damsel-rescuer model on its head. Saba is a wonderful role model for teenage girls that proves girls can be strong heroes too. Because of the sexual content and the violence, Blood Red Road is best suited for high school readers.

Sexual Content

  • Jack gives Saba “a quick hard kiss” after she saves his life.
  • When Saba is sold to the Cage Master, he “licks my ear slowly.”
  • Jack comes to a river where Saba and Maev are bathing. “Jack nudges our pile of clothes with his foot. Grins. Well, ain’t this an innerestin sitchation? he says. Two girls naked in the water an me with all their clothes.”
  • After rescuing Saba from a river, Jack kisses her. She pushes him away. Later Saba thinks Jack is dead, so she gives him mouth to mouth. It turns out he was faking.
  • Saba finally gives in and kisses Jack back. “He pushes me aginst the wall. Then his mouth is on mine an he’s kissin me like he’s starvin or dyin of thirst or somethin. He kisses my lips, my face, my neck, then back to my lips agin. He lips is smooth. Warm. The smell of him fills me.”

Violence

  • Saba’s neighbor and father are shot and killed. “The man slides a bolt shooter from his robe . . . He pulls the trigger an shoots Procter. Hob rears in fright. Proctor slides off an lands in a heap on the ground. He don’t move. . . He raises his bolt shooter. He fires. Pa cries out. His arms fly up in the air . . . the bolt’s gone right through his heart.”
  • Saba slaps her nine year old sister. “She gasps an sobs an screams an screams an screams . . . So I slap her. An she stops.”
  • Rooster’s hands are covered with burn scars from a hot poker, given to him by his abusive wife.
  • Saba is sold and forced to become a cage fighter. When a fighter loses three times in a row, they must run the gauntlet. “He sprints up the center path. Hands reach out, hit him, grab at his tunic, trying to pull him down…the crowd surges forwards onto the path, howlin like wolves at a kill, an bodies close over him. Waves pullin down a drownin man. Artashir disappears.”
  • During a break-out of the slaved cage fighters, bombs and weapons are used. “She lights her bottle. We toss ’em down the stairs. Then we run like stink. Two seconds later, there’s a huge bang. The ground shakes unner our feet.”
  • A landboat crashes, killing all aboard. “Blood covers his face. His right leg splays out at a strange angle…I fit a arrow to my bow. Take aim. This is fer Emmi, I says. Then I shoot her (dead body) in the heart.”
  • A mass grave is dislodged during a downpour; Saba ends up in a river surrounded by the dead. “I look down. It’s a human leg bone. I gasp. All around me, the dead are risin. Another leg bone bobs to the muddy surface. Then a skull. An arm bone. They swing lazily. The current grabs ’em an carries ’em away.”
  • When traveling, Saba sees four hanged men on the side of the road. “That’s when we come upon the hanged men. Four of ’em. Danglin by their necks from nooses tied to the branches of a big, lightnin-black tree. They turn gentle in the breeze, their faces an hands gray where they bin covered with wet ash that’s dried.”
  • Saba and her companions fight hellwurms. “The hellwurm’s on top of him. It rears up to its full height. It lashes out, swipes at him. Jack’s thrown into the air, like Emmi’s peg doll.”
  • Epona is captured. In an act of mercy, Saba shoots and kills her. “Suddenly Epona spots me at the edge of the trees…I lift my bow. I take aim. Epona smiles. She nods…That’s when I shoot her.”
  • There’s a battle between Saba’s people and the King’s. “Pinch lunges at me. A arrow whistles through th’ air. Hits him in the chest. He screams . . . There’s blood gushin outta his neck. The bolt’s ripped through it.”

Drugs and Alcohol

  • An addictive drug named chaal is very popular. It is chewed and makes the consumer relaxed. The King is basically a drug lord who rules via chaal production.
  • Saba and her sister’s food is drugged. “You put somethin in…the food…My hand drops down. My knees buckle unner me. I fall to the deck.”
  • Saba drinks too much grog and gets a hangover in the morning. “I cain’t move, I says. There’s somebody poundin on my brain with a hammer . . . you drank too much of Ike’s hooch.”
  • Jack offers Saba vodka when she has to have a wound stitched up. She refuses, and he drinks it instead.

Language

  • Profanity is used rarely in the story. However, the following words are used: bloody, holy crap, sonofabitch, bastard, gawdammit, and gawdsblood.
  • Damn, hell and ohmigawd are used many times.

Supernatural

  • Saba’s father is a star reader. He can see the future, and tries to bring rain (without success).
  • Saba has a pet crow, named Nero, who can understand people talk.
  • Saba is given a heartstone. “It stays cold until you get close to your heart’s desire. Then the stone becomes warm. The closer you get to your heart’s desire, the hotter the stone burns.”
  • The crazy king demands an eighteen-year-old boy born at midwinter be sacrificed by being burnt alive every six years. He believes when the “boy dies, that boy’s spirit, his strength moves into . . . the King. An his power’s renewed fer another six years.”

Spiritual Content

  • Saba discusses the afterlife with her brother. She thinks they’ll become stars. He thinks “you jest . . . stop. Yer heart don’t beat no more, you don’t breathe and then yer jest . . . gone.”

by Morgan Lynn

A Breath of Eyre

Going to an exclusive prep school isn’t a dream for Emma. Instead it’s a lonely existence. With no friends, a father who is distant, and a step-mom who thinks she needs therapy, Emma doesn’t think life can get worse. Emma escapes her dreary life by reading Jane Eyre and dreaming about her crush on her English teacher.

As her sophomore year begins, Emma gets a new roommate, Michelle, who offers friendship and relief from her loneliness. However, when Michelle is accused of setting a barn on fire, Emma must decide if the friendship is worth fighting for.

Then a bolt of lightning hits Emma and sends her into the nineteenth century and the body of Jane Eyre.  As a governess, Emma finds peace and soon finds herself attracted to Mr. Rochester. Soon, Emma isn’t sure if she wants to live in Jane’s world or her own.

A Breath of Eyre has Emma jumping for her prep school to the world of Jayne Erye. The premise behind the book is interesting and will keep the reader wondering what happens next. Although A Breath of Eyre referes the book Jane Eyre, it is not necessary to read it to understand A Breath of Eyre. However, the book may be more enjoyable to those who have read Jane Eyre.

Many of the events in the book are typical of a teen novel. Michelle goes to a prep-school and is an outcast because she is on scholarship. The prep-school girls are vicious, but the teachers are afraid to discipline them because their parents have money. There is also a love triangle.

Mont throws in an interesting twist when Michelle travels between worlds; however, the book still lacks loveable characters that draw a reader into the story. The reader will smile because of the sweet conclusion of the book, but getting there will take some effort.

Sexual Content

  • One of the girls at school talks about her father who was a rich man who “took a liking” to her mother. When the man’s wife found out, the girl’s mother was fired.
  • Emma is at a party when Gray tries to kiss her. “I’d always imagined my first kiss being in the middle of a meadow under starlight . . . Not standing drunk with Gray Newman at the side of a building.”
  • Emma thinks back to when Gray almost kissed her. “The heat from his body had felt like fire. His lips had been inches from mine.” She then thinks, “I would have given anything for him to try to kiss me now.”
  • Emma and Gray talk about the problem with dating someone and then being friends afterwards. Emma wonders if Gray has slept with another girl, and then she imagines him with another girl, “her head on his shoulder, his hands running through her hair, and thoughts of being ‘just friends’ a distant memory for both of them.”
  • When Emma and Gray dance she, “wanted to bury my head in the warm hollow of his neck.  His hands gripped my hips, while his lips grazed my hair . . . I was in intoxicated by the moment, by the promise of something I’d only imagined before.”
  • Gray tells Emma that he slept with a girl who he had been going out with for six months.
  • Emma and Gray are parked in a car when he pulls her towards him. “. . . I was straddled across his legs . . . His shirt was open a little . . . I slipped my hand inside and pressed my palm against his heart, where his pulse beat hard and steady against my fingertips . . . The kiss grew deeper, warmer and wetter and more intense until I wasn’t thinking about anything other than the kiss. Letting myself fall head first into the white-hot madness of it…Other parts of my body began to engage, and I was all heat and light, tugging at his shirt, digging into his back, burrowing myself into the hollow of his neck.”
  • Emma has a daydream where Gray is kissing her and “There is a moment of unbearable tension as we hover mere centimeters from each other—waiting, wanting—and then pure release as our lips collide, sending sparks of heat and light through every limb down to our fingers and toes.”
  • Emma and Gray kiss often throughout the book. The feelings of the kiss are described in detail.  One scene describes it as “blistering hot.”

Violence

  • A man is attacked by a woman. His arm was, “soaked in blood.” The man said, “She tried to suck my blood. She said she’d drain my heart.”
  • In a dream world, Emma’s mother throws herself off of a roof. “I watched as this dark-plumed thing descended, wings outstretched, then shielded my face to avoid seeing her smash against the stones.” The building is then engulfed in flames.
  • Emma’s father talks about when his wife, “came here to this beach and she walked right into the ocean with her nightgown on.” He then tells Emma about how her mother left a suicide note.
  • Gray talks about when he got into a fight and hit his friend in the face.
  • A girl’s mother, “slapped her hard and quick against the cheek.”
  • Gray tries to commit suicide. Emma saves him, but in the process almost drowns.

Drugs and Alcohol

  • Emma asks her friend if he stopped lifeguarding because he’s been, “too busy doing keg stands and scoring with the fraternity chicks?”
  • Emma’s grandmother drinks old-fashions and doesn’t like it when her drinks get low.
  • Several of the girls smoke pot in the school’s barn.
  • Emma and Michelle go to a party and, “slurp wine coolers like they were Gatorade.” Other students were, “sniffing out alcohol and drugs.”
  • Emma tells Gray that she is not interested in him because he spends his free time with his “head in a beer bong.”
  • On the way to a dance, Michelle and her friends drink champagne out of the bottle. Michelle encourages the driver to drink because he has to drive, “less than half a mile.”
  • Gray tells Emma about when he went to a party with his best friend’s sister. They both had been drinking, and the girl decided to go skinny dipping. The girl went into the water and never came out. Her body was never found.
  • When Emma is upset, her grandmother gives her a sip of tea with liquor in it.

Language

  • Elise says, “The new girl must be lesbo, because she can’t stop staring at us.”
  • Hell, ass-hole, damn, hell, pissed off, and shit are used in conversation.
  • Two roommates tease each other about getting, “enough Johnson.”
  • Michelle says, ‘I need to get away from these Lockwood bitches.”
  • Emma thinks about going into the hallway but is afraid it is, “occupied by a pissed-off ghost.”
  • A teacher is discussing a book and tells the class, “every once in a while, nature has to kick our ass to show us who’s boss.”
  • Gray is upset that a teacher wiped a tear off of Emma’s face. “He’s a teacher for God’s sake.  What’s he doing touching you? If I was your father, I’d kick his ass.”
  • Michelle ask Emma, “Why are you being so nice to me? I’ve been such a bitch.”

Supernatural

  • After Emma is struck by lightning she becomes Jane Eyre and lives her life for a short period. Later in the book, when Emma is stuck in a burning barn, she again begins to live Jane Eyre’s life.
  • Emma’s grandmother said, “your mother called out to me the night she died. I don’t know how, but somehow, her voice reached me . . . that night I woke up with this panicked feeling, like someone had just taken out a giant chunk of my heart.”

Spiritual Content

  • Emma thinks about her body and lack of curves. She thinks, “Despite nightly pleas to a God I only half believed in, I remained a disappointing five foot three.”
  • One of the characters believes in Voodoo and tells Emma about papa Legba’s vẻvẻ, which is a symbol to attract spirits to earth. Emma has a necklace that looks like a vẻvẻ.
  • Emma uses an incantation and ask Papa Legba to. “open the door for me. Father Legba, open the door to let me pass through.” Emma then goes to a “dream” world where she meets her dead mother.
  • Emma’s friend tells Emma not to mess with voodoo. The friend says she doesn’t believe in it, “but it’s kind of like God. I don’t believe in him either, but he still scares me.”
  • Emma thinks, “I had not been raised in a religious household, although my father did believe in giving thanks and asking forgiveness. Now I said a simple prayer for help. I don’t know who it was intended for—was I praying to a great Christin God to send me a guardian angel?  Was I praying to Papa Legba to guide me back though the door between worlds? Or was I praying to the Universe to help me find the path of my own destiny. I didn’t know and I didn’t care. I just knew I couldn’t make it on my own.”

A Phantom Enchantment

Emma has been looking forward to spending her senior year of high school in Paris. When she arrives, she and her friend Elise are excited to learn the culture and participate in an Opera writing competition.  Then Flynn and Owen show up in Paris and the conflict heats up.

Elise doesn’t want to miss the opportunity to date a cute French boy, but she also doesn’t want to give up Owen.

Then Emma’s boyfriend, Gray, goes missing and is presumed dead. Emma travels through a mirror and is able to talk to Gray, but the Gray in her dreams is dangerous and depressing. In an attempt to get over Gray, Emma begins spending more time with Owen. Soon Emma must face Elise’s jealousy and her own growing attraction to Owen.

As Emma’s dreams continue to frighten her, she decides to stay away from the mirror, but that doesn’t stop her from feeling Gray’s presence. And then a series of accidents makes Emma wonder if Gray’s Ghost wants revenge.

Although A Phantom Enchantment takes place in Paris, the setting does not add to the story. So much of the story revolves around Emma and her American friends, that the French culture takes a backseat to the teen drama. Even though Emma and Elise are in a Paris boarding school, none of the French students make more than a ripple in the story.

Even though the story parallels the Phantom of the Opera, this also does not add to the enjoyment of the story. By the time Emma’s story reaches book three, both her story and conflict feel old. Thus, reading A Phantom Enchantment became a chore, and Emma’s story came to a welcome end.

Sexual Content

  • Emma and her boyfriend talk about a night they spent on the beach and she asks, “You mean the night we almost had sex?”
  • A drunk Flynn sleeps in Emma’s bed. The next morning he wakes up concerned that they had sex, and he didn’t remember it.
  • Emma thinks about Owen who had his heart broken when Michelle, “revealed that she was gay. Then I led him on by kissed him, and worse by kissing Flynn a couple months later.”
  • Emma wishes she could be, “more like Elise, sampling cute men as one might sample macarons.”
  • Owen leans close to Emma. “He wanted me to be the one to initiate. He wanted me to want more. And I did…as difficult as it was not to press my body into Owen’s and kiss him hard on the mouth, I drew away.”
  • Elise tells Emma, “I know you were probably saving yourself for Gray . . . I just want to remind you that you’re human. And you’ll never be this young and hot again.” Elise tells Emma to, “wear something sexy, and try to get lucky.”
  • Else worries that she will become unfaithful like her mother, who cheated on her husband.
  • Emma and Owen kiss and she was, “dazed by the feel of his tongue in my mouth, dizzy from the sheer cinematic splendor of it.”
  • Emma and Owen make out. “I was a puddle of sensation, letting his mouth crash over me like a tide…We didn’t’ actually have sex-neither of us had prepared for this-but it didn’t matter. The end result felt the same as we lay in bed next to each other, nearly naked and spend, feeling desire twine though our limbs.”

Violence

  • The book refers to the storyline of Phantom of the Opera and how, “a scene changer had been found dead in a cellar, hanging from a beam.”
  • A Christmas tree falls and hurts Elise and Owen. Emma wonders if Gray’s ghost had something to do with the accident.
  • Gray pins Emma against the wall and yells, “You know what fucking happened to me!” He makes it clear that he would like to have sex with her, but she is unwilling. Gray ends up leaving.
  • A character talks about how he set fire to a girl’s room because he was jealous that she was with another man.

Drugs and Alcohol

  • There are several scenes where the characters are seen drinking and are drunk.
  • Flynn dreams of smoking pot in front of Jim Morrison’s grave, so Emma and Owen go with him so he can fulfill his dream. Although Emma does not smoke pot, Owen does.

Language

  • One of the male characters had, “to take a piss.”
  • Elise says that she has been “a bitch lately” and then apologizes. She also call another student a “douche.”
  • Gray yells, “Well, love is (a joke). The fairytales tell you otherwise, but it’s all bullshit. Happily ever after is a fucking lie.”
  • Profanity is scattered throughout the book. The profanity used includes: holy shit, Oh my god, smartass, and bastard.

Supernatural

  • Emma uses a voodoo spell to bind her and Gray together.
  • Emma is able to send her spirit self though a mirror and interact with Gray who had been lost at sea. Several times in the story Emma thinks she can feel Gray’s presence following her.
  • Several items go missing which is blamed on the Bastille Ghost.

Spiritual Content

  • One of the characters is a practitioner of voodoo and a believer of spells.
  • Emma prays to God, and she repeats a verse, “Dear Saint Anthony, please come around. Something’s lost that must be found.”
  • Emma says, “Sometimes I wished I believed in God in that unequivocal way others did. While I did believe in a cosmic force that had played some role in our creation, I had no idea what form it took or how much it actually intervened in human endeavors.”

A Touch of Scarlet

Emma’s life is a mess. Her boyfriend Gray broke up with her. Her roommate, Michelle, isn’t talking to her. She is lonely and isolated at her exclusive prep school. Then things get even stranger when she goes into a trancelike state and enters the world of the novel The Scarlet Letter.

In a moment of weakness, Emma kisses her roommate’s boyfriend, which causes her classmates to exclude Emma even more. Emma wants to feel brave, but instead, she’s heartsick over her breakup with Gray, worried about her estranged relationship with Michelle, and wishing her life didn’t parallel The Scarlet Letter.

When Emma finds out that Michelle is gay, Emma tries to help Michelle come out into the open and stop hiding her secret. The second half of the story follows Michelle’s struggle with discrimination and fear.  However, as the story is told from Emma’s point of view, the reader doesn’t get to see Michelle’s emotions. Although it is clear that Emma cares for her roommate, the battle isn’t Emma’s so it lacks emotion and suspense.

A Touch of Scarlet’s best moments are when Emma goes into the world of Hester and The Scarlet Letter.  When Emma watches the plot of the book unfold, she learns that each situation can be viewed from different perspectives and that forgiveness and honesty are important in life.

The book delves into the voodoo religion, showing how to make a hex. Another troubling portion of the story is when Emma learns how to leave her body and travel to The Scarlet Letter’s world.

Emma is shown to be a troubled teen who is trying to deal with life’s complications. She makes mistakes but cares for her friends. Plus, whe does not have sex or do drugs. However, several of the characters are seen drunk, smoking marijuana, and having sex.

Sexual Content

  • Throughout the book Emma kisses three different boys.
  • Emma and Gray kiss many times throughout the book. In one scene Emma tells Gray that, “My dad worries you’re going to steal my virginal innocence.” Even though Emma considers having sex with Gray, she does not.
  • Emma and Gray make out. She describes the sensation of Gray touching her.  “My body lit up like a pinball machine. Before I knew it, I was lying on the ground, my dress hitched up around my waist, with Grey’s body shifting on top of mine . . . I tore at his shirt, trying to undo the buttons with cold, nervous fingers . . . A part of me wanted to go for it—to lose myself in the moment.”
  • Emma and her roommate, Michelle, talk about how Michelle cheated on her boyfriend.  Michelle says, “It was a little more than kissing . . . I had to tell someone. It’s been eating me up inside.”
  • After a breakup, Emma kisses her roommate’s boyfriend. “Then we were really kissing, his lips on my lips, his hand gripping the back of my neck.”
  • Michelle’s roommate struggles with the fact that she is gay, but she doesn’t want anyone to know about it.
  • One of the characters tells about when she accidently told her friends that her cousin was gay. “Chelsea got all weirded out and Amber flipped because apparently—news to me—she had hooked up with him a few times the summer before. So Amber starts telling me he’s going to hell . . . I feel like vomiting, partly from drinking too many margaritas and partly because I’ve just realized my friend are complete assholes.”

Violence

  • Emma thinks about her mother who killed herself by walking into the ocean. Emma has dreams where she sees her mother walking into the water and Emma tries to save her. “I plunged to the bottom, trying to dive under the tumult, but the waves kept careening over me.”
  • Emma travels to the world of the scarlet letter. Abigail sticks a large needed into her belly and then accuses Elizabeth of being a witch. Elizabeth is arrested when, “the constable finds a poppet with a needle in its belly and accuses Elizabeth of using it as a voodoo doll.”
  • While playing hockey, Emma purposely hits another girl with a hockey puck. “I watched in fascination as it sailed through the air, seeming to hover in slow motion right before it connected with Elise’s exquisite cheekbone.”
  • When Gray finds another boy at Emma’s house. Gray wants to, “smash his face in.” Emma tells him, “You should be thanking him, not trying to smash him to a bloody pulp like some macho dickhead.”
  • In her dream world, Emma is chased by a mob of women who fling mud at her. “Fear and adrenaline surged through me as I ran through the forest, hearing their haunting voices behind me and feeling the pelts of mud at my back.”
  • Emma and Flynn kiss. “His mouth tasted earthy and sweet, like smoke and sage. And then I surrendered to the kiss, allowing him to draw me in, one hand on the back of my neck, the other making its way down my waist.”
  • In her dream world, someone tries to burry Emma alive and turn her into a zombie. “After he poured the last of the dirt on me, he reached in his basket and pulled out one last red rose, which turned black in his hands. He threw it onto my makeshift grave and laughed, ‘this is your fate.”
  • In biology, the class must dissect a cat. Michelle deskins the cat. One of the lab partners tells Michelle not to cut too close to the cat’s tail. The girls laugh when Michelle says, “I wouldn’t touch this cat’s anus with a ten-foot pole.”
  • At the end of the book, the girls find out that their male headmaster had an “inappropriate relationship” with a student when the headmaster worked at an all-male school.

Drugs and Alcohol

  • When Emma gets back to school she thinks, “Lockwood girls didn’t like their parents sticking around any longer than necessary, anxious to break out the booze for the first-night celebrations.”
  • Emma pulls out her cell phone, “looking down at it like a drug addict staring at a fix.”
  • Flynn drinks often, as well as smokes a joint, which is passed around between several others.
  • Flynn’s “father is an asshole and his mother is knocked out on prescription drugs half the time.”
  • Throughout the book, several characters drink as well as talk about things that happened when they were drunk.
  • Emma’s grandmother drinks often. Once the grandmother is admonished, “You’ve had enough whiskey for three people.”

Language

  • A boy asks someone, “When are you two lovebirds going to get off your asses and join us on stage?”
  • After the school finds out the Emma kissed her roommate’s boyfriend she is called a “bitch” and a “slut.” Emma says she is “sick of the slut-shaming.”
  • Emma’s friend is called a “dyke” several times in the story.
  • “Oh my god” and variations of “asshole” are used often.
  • When someone sees Emma and Flynn kissing, he says, “what the hell, man?” Flynn replies, “I’m such a fuck-up.”

Supernatural

  • A major part of the plot is that while running, Emma goes into a trance like state and enters the world of the book The Scarlet letter. After the first time Emma enters the world of The Scarlet Letter, she wonders who she saw. “Ghost lingering in a parallel universe, caught between my world and their own?”
  • Emma is told that she must be careful in her dream world because, “a voodoo priest can put people into trancelike states, and then bury them alive . . . they steak their ti-bone-ange (soul) thus depriving them of free will and conscience. That’s how zombies are created.”
  • Emma learns a “black magic” spell to remove a person “from your path.” Later in the story, Emma and her friends cast the spell. Emma is told, “a hex is just a formal way of putting a wish into the universe.”
  • At a slumber party, the girls play Bloody Mary.  Emma is freaked out when she sees, “Gray’s face, flickering in the candlelight . . . Behind him was a find aura of red, almost like Hester’s ghost was standing behind him.”
  • Emma learns how to send her spirit into the dream world while her body stays in one place. “I imagined myself a dolphin, half of my mind shut down to let me rest; the other half active and alert. It was this second half I sent out wandering.”

Spiritual Content

  • Michelle says that God hates her because she doesn’t believe in God.
  • Michelle’s aunt is “part dream interpreter, part voodoo practitioner, and all around wise woman. She believed in the spirit world and claimed to communicate with the dead.”
  • Emma goes and stands in the same spot where she was hit by lightning. She wonders, “If God would be audacious enough to strike the same place, and person, twice.”
  • When Emma is having her dreams, she is told that, “The Haitian people believe you have two parts of your soul-le ti-bon-ange, or your little angel, and le gros-bon-ange, your big angel. Now the little angel is like your shadow soul.  It’s only visible in dreams or visions, and helps you communicate with the spirits or the loa, kind of like your conscience. But the big angel is your fate soul, the one that determines your destiny or prophesizes your future.”
  • Emma goes to Easter service. “I hadn’t been to church since Christmas, and I felt a little guilty about it. It wasn’t’ that I didn’t believe in God, more than I questioned what kind of God he was.  Anyone who’s lost a parent must go through this crisis of faith, asking, How could a merciful God take my mother away?”
  • Emma thinks, “Michelle claimed to be an atheist, with science her only religion. She often scoffed at Darlene’s voodoo beliefs, but deep down, I think Michelle had some faith of her own, even if it didn’t conform to any church or institutions view of the cosmos.”

We Are All Made Of Molecules

Stewart always wanted a sister. However, he never imagined that it would take his mother’s death, and his father moving in with his girlfriend before he got his wish. Plus Ashley isn’t anything close to being the sister of his dreams. She’s one year older than Stewart, and they have nothing in common.

Ashley is a typical mean girl whose only concern is staying at the top of the social ladder. So when her father announces that he is moving out because he is gay, Ashley fears that if any of her friends find out about her father’s gayness, it will ruin her social standing. Then when her mother’s boyfriend and son move in, Ashley’s anger ramps up even more. After all, Stewart is a total nerd.

We are all made of molecules is told from the points of view of Stewart and Ashley, who are both loveable in their own way. Stewart is a logical nerd who just wants to fit in. Ashley is a self-centered, angry teen who is trying to deal with the upheaval in her life. Having the story told by both Stewart and Ashley gives the book an interesting twist, because not only can the reader see each character’s thoughts and feelings, but the reader also sees how the two view each other.

Through Ashely’s experiences, the reader learns about the danger of drinking as well as the sexual dangers girls may face. In the end, Ashley realizes that outward appearances are not as important as she thought, and that nerdy Stewart may just know a thing or two about friendship.

We are all made of molecules is an easy-to-read, fun story that explores the messy relationships of parents. Ashley’s father reveals that he is gay, and his gay boyfriend appears. Ashley’s mother has her boyfriend and son move in. In the story, the group of five is shown becoming a unique family unit.

Sexual Content

  • A subplot of the story is about Ashley’s divorced father, Phil, who has revealed that he is gay. In one scene, Phil tells Stewart, “I didn’t decide to be gay. It’s not something you choose.” They then discuss why Phil married Ashley’s mother and didn’t tell people he was gay until two years ago. Phil says, “I didn’t want to be gay. I grew up in a very conservative and strict religious family . . . I made myself believe I was straight.”
  • Ashley sees her father kiss another man.
  • In the locker room, Stewart, “sat quietly on one of the benches and tried not to stare, but it was impossible not to notice that almost every single guy in my class was well into puberty. They had hair in all the right places, and their you-know-whats actually dangled. . . Mine does not dangle. Mine is more like a protruding belly button.”
  • Ashley watches an episode on TV about a guy that found out that, “he wasn’t the father of his girlfriend’s baby, and that the real father was the guy’s own brother.”
  • Jared says to Stewart, “You have the hots for your stepsister, don’t you? Gross, Stewie, that’s verging on incest.”
  • Ashley goes to Jared’s house and while there he pushed her onto the bed and tried to take her shirt off. “I grabbed his hands, but he kept yanking . . . I tried to move, but he pinned my arms down. When I looked at his face, it was as if he’d gone somewhere else. It was like I wasn’t even there . . .He was pulling at my shirt and my skirt at the same time.” Then the housekeeper comes in and Ashley leaves.
  • At a party, Ashley is passed out on her bed. After Jared and his friend make sure Ashely was completely out of it, Jared pulls up her shirt and takes a picture of her in her bra. Jared then pulls up her skirt and takes a picture of her underwear.” Then Stewart shows up and runs off with Jared’s phone and calls the police.
  • When some of the students at school find out that Ashely’s father is gay, one of the characters says, “I think it’s so cool that your dad is gay. It’s so . . . twenty-first century. Very cutting-edge. Ashley is then invited to the LGBT club. Ashley says, “But I’m not gay. Or lesbian, or bi, or transatlantic.”

Violence

  • Stewart tries to hide in the locker room because he doesn’t want to take a shower with the other boys. When Jared notices him, he “grabbed my gym shorts and yanked them down around my ankles . . .Then suddenly he grabbed hold of my boxers and I realized with sphincter-tightening horror that he was about to pull them down.” Then the teacher walks in and Jared leaves.
  • When Jared sees Stewart in the locker room, he again tries to pull his pants down. Stewart was prepared and wearing a wrestling uniform. Then Jared, “Yanked my T-shirt up and over my head. I couldn’t see a thing. I felt his hand grab one of the straps of my wrestling uniform and pull it down . . .” Before Jared can get the uniform off Stewart, Steward reveals that he is Ashley’s brother and Jared stops.
  • Stewart is wearing the school bulldog mascot costume and scares Ashley. “She started pummeling me . . . She started kicking me. I tried to shout, but my voice was muffled, and her screams drowned me out.”
  • Jared was kicked out of a private school. He said he, “dealt with someone who needed dealing with. Guy was a colossal turd, and everyone knew it.” Later in the story, it is revealed that in the locker room, Jared beat up the guy because he was gay. “Then I saw him looking at my junk after our final game, so I punched him . . . stupid faggot.”
  • Jared said that Ashley was a, “total tease. All she’s let me do is squeeze her tits a few times. Outside her clothes . . . I’ll break that bitch down.”
  • Stewart remembers a time when a little boy was throwing rocks at him. The little boy’s mom and Stewart’s mom got into an argument. “That’s when my mom picked up a stone and threw it at [the kid]. Not hard, but still; I couldn’t believe my eyes . . . Then she threw a second stone.”
  • Stewart is dressed up as the school mascot when Jared comes up to him and talks badly about Ashley. When Jared walks onto the basketball court, Steward, “was working on pure fury when I ran onto the court and plowed my dog-head into Jared’s stomach . . . I ran behind him and pulled his gym shorts, along with his underwear, down to his ankles.”

Drugs and Alcohol

  • Jared invites Ashely over to his house. Jared drinks a beer and Ashley has a wine spritzer.
  • Ashley has a party. Some of Jared’s friends show up. “They were carrying bottles of vodka and rum and stuff, probably stolen from their parents’ liquor cabinets.”

Language

  • One of the characters describes her family as FUBER. Then she explains the term is a military term that means, “’Effed Up Beyond All Recognition,’ but in the military, they don’t say ‘effed.’”
  • Ashley called a girl’s mother a “skank.”
  • When her mother’s boyfriend compliments the pasta, Ashley thinks, “which was a total butt-kiss because the pasta was just so-so.”
  • Ashley describes her mom’s boyfriend as having, “MPAL (Male Pattern Ass Loss, a tragic and devastating syndrome in aging men.”
  • When Ashley finds out Stewart is in the same English class as her, she thinks, “OH MY GOD . . . This cannot be happening.”
  • Ashley said she had a “crappy day.” She also tells her friend that a pair of jeans makes her “ass look fat.”
  • Profanity is not used frequently, but it is scattered throughout the book. The profanity includes: hell, ass, bitch, pissed, slut, faggot, shit.

Supernatural

  • None

Spiritual Content

  • Stewart thinks about his dead mother. “Even though the scientific part of my brain tells me she probably isn’t looking down on me from heaven, and that all that is left of her is random molecules, I feel a deep need to do this for her.”

Expelled

Theo Foster’s secret Twitter account just went viral. Now he and three other teens are expelled and Theo is determined to find out who is guilty and who is innocent.

Theo forms an unlikely allegiance with the three others who have been expelled. There is Sasha, the girl he’s been secretly crushing on, Jude, the school mascot and Theo’s best friend, and lastly Parker, the quarterback. Everyone seems to have a secret that they want to hide. Can Theo discover the truth? And will the truth bring these unlikely teens together?

James Paterson creates a first-person narrative that makes the reader fall in love with Theo and his unlikely friends. Although Theo is all about saving himself, he is completely relatable and loveable. The characters in Expelled jump off the page with humor, anger, and an array of teen emotions.

Expelled explores several deep issues include steroid use and incest without going into graphic detail. In the end, the reader will learn that other people’s lives are not as perfect as we imagine them to be.  Despite the engaging story, there are several drawbacks to Expelled. There is frequent and creative use of profanity as well as sexually crude remarks. Because of this, Expelled should be enjoyed by older readers.

Sexual Content

  • Someone posted a picture on social media. The picture was of the quarterback, “drunk and shirtless . . . He’s got a bottle of Jack Daniels in his right hand and the bare breasts of an unidentified female in very close proximity to his left.”
  • Jude is a “sixteen-year-old-bisexual virgin in a Hello Kitty T-shirt.” He is bullied even though his school has a Gay-Straight Alliance club and “the rainbow flag over the counselor’s office.”
  • Parker’s friend has a dog that humps a pink pig stuffed animal. “He’s always horny in the morning,” Jude says. “Also, he and Sex Pig are in love.”
  • Jude wants to go to art school. When talking about it, he tells Parker, “RISD’s school mascot is a giant penis named Scrotie.”
  • Parker asks a computer nerd if his porn isn’t downloading fast enough.
  • When Parker is looking at Sasha’s ears, he has, “an almost overwhelming desire to kiss them.”
  • Sasha said that she has a “dick pic” that the quarterback sent her.
  • Parker kisses Sasha. “Sasha’s mouth is soft and warm, and it opens to mine. I’m going to die of how good this feels. I let go of her with one hand, and twist my fingers into her dark hair, hot and silky in the sun.”
  • Sasha tells Parker that her dad molests her. “. . .he pressed me up against the refrigerator and he kissed me. . .” When her father tries to convince Sasha that incest is okay, he said, “Greek nobles used to kidnap young boys, take them into the forest, and rape them, and no one had any problem with that.”

Violence

  • Parker thinks about someone who killed themselves from jumping off a water tower. “. . . I can’t help wondering how he did it. How he coaxed himself to the edge and then leapt into the air.”
  • Parker’s father committed suicide because he had ALS. Parker thinks of finding the body. “There was still the blood. The gun. The shattered back window of the car.”

Drugs and Alcohol

  • Someone dressed as the school mascot. When trying to find out who it was, the quarterback said, “I was so drunk it could have been Tinkerbell under that head.” Later the quarterback tells Parker, “I was torn up that night, bro. I did six Jager shots and woke up under the bleachers.”
  • The Shell station is where “you can shoulder-tap for beer if your fake ID sucks.” However, Parker has never tried to use his fake ID.
  • Sasha’s dad is seen drinking whiskey and often seems drunk.
  • Parker has a secret social media account where he likes to post “harmless gossip.” In one post he said someone was, “drunk enough last weekend to introduce self to own dad.”
  • When talking about the picture, Parker asks his friend if he knows who was wearing the mascot head, “and then whoever that was go so wasted he whipped his dick out in front of an iPhone.”
  • Feeling sorry for himself, Parker drinks half a bottle of Knob Creek whiskey.
  • Parker talks about how fishing usually involves beer because all you do is sit and wait for a fish to bite the bait.
  • A computer smart boy tells Parker, that if he wanted to he could, “have six pounds of heroin sent to his mother at her office.” The boy then admits it would be “tricky.”
  • Parker goes to a baseball game and one of his friends is drinking a Michelob Ultra “she bummed off a guy coming out of the 7-Eleven.” Her water bottle is also filled with vodka.
  • Sasha said her mom was into the art scene and would go to, “really fancy restaurants and snort lines off the porcelain in the ladies’ room.”
  • Parker throws a prom for those who are expelled from school. The kids that attend drink. Someone brings a keg to the party. One boy brings a case of Tecate.
  • The quarterback reveals that the coach has been giving steroids to the players. “They shot me full of chemicals like I was a prize-winning steer!” He takes his jeans down, “so I can see half of his left ass cheek, where the skin is puckered and red—a big, angry scar.”

Language

  • Profanity is used often throughout the book. The profanity includes ass, bitch, dick, fuck, goddamn, hell, piss, pussies, shit, and wiseass.
  • Parker thinks waking his friend up early was a “dick move.” He often thinks of other people as a “dick.”
  • Sasha said, “Oh, my God I don’t know why I called you a nerd.”
  • Several times Parker uses Jesus as an exclamation. For example, he said, “Jesus, you scared me!”
  • While at an expulsion hearing, the narrator thinks, “I’ve heard that some kids show up to expulsion hearings with lawyers. Probably, at the very least, they bring a pissed-off parent or two.”
  • Parker is upset that people think he posted the picture, and he would like to “kick the ass of whoever’s trying to make me take the fall for it.” Later he yells that he will “tell my side of the story. And I will make my own goddamn ending!”
  • When Parker starts asking questions about the picture, someone jokes that “Those are my tits in the picture.”
  • Parker’s mom leaves him a note not to eat all the ice cream “or there’ll be hell to pay.”
  • Parker sees graffiti that reads, “fuck school.”
  • When leaving, someone says, “later bitches.”
  • Parker thinks to himself that he is an “asshat.”
  • Parker yells at the quarterback, “You were too much of a pussy to admit you hated it (football).”
  • When Parker tells Mr. Palmieri, the school administrator, about the steroid, Mr. Palmieri says, “God fucking damn it.”

Spiritual Content

  • When talking to his mom, Parker asks her “if she felt hypocritical, seeing as how she’d been a socialist atheist at UCLA.”
  • Sasha, an atheist, tells Parker that, “my grandma used to make prayer shawls . . . with each stitch, she’d say a little prayer for the person she was making it for.”

The Stars Never Rise

Soul-consuming demons started a war and almost caused the end of the world. The Church protects the remaining vestiges of humanity, and keeps everyone safe by enforcing strict rules and penance. Nina and her sister chafe under this strict system, and when they discover a horrifying truth, they must decide if the Church is really the hero everyone believes.

The Stars Never Rise has an interesting premise and is well-written, with actions and questions that keep the pages turning. However, the plot follows a lot of Young Adult clichés that hinder the originality of this text. There is a lot of violence that makes this novel inappropriate for young readers. Also, the Church is demonized and religion is shown in an incredibly negative light.

Sexual Content

  • Mel tells her sister, “You’re gonna need some way to work off all that sexual frustration.”
  • Nina thinks, “I didn’t know a single boy who’d ever worn a purity ring. Evidently, their virginity was worth even less than the stolen band of steel around my finger.”
  • Girls are examined by the Church, to determine if they are fit to bear children. “At fifteen years old, I was disqualified for procreation based on a history of allergies, my flat feet, and mild myopia–conditions it wouldn’t be fair to pass along to the next generation . . . Nearly a third of the girls in my class were declared unfit. We were sterilized that afternoon.”
  • Nina’s fifteen-year-old sister gets pregnant with her secret boyfriend. She says, “We tried to stop. We knew it was wrong, but it didn’t feel wrong.” Her mother tells her that, “We’ll fix it. I know someone who can do it safely, but it’s a drive. . .”
  • When Nina is caught shoplifting, the shop owner demands a sexual favor in exchange for keeping quiet. “My teeth ground together as I unbuttoned my blouse. I closed my eyes so I wouldn’t have to see him, but I couldn’t avoid hearing the way his breathing changed. The way his inhalations hitched, his exhalations growing heavier and wetter with each button that slid through its hole . . . A second later, his fingers were there, greedy and eager. They pushed at the remaining material, shoving my bra up, squeezing, pinching.”
  • Finn assures Nina that he won’t rape her. ” ‘ If I were planning to . . . you know . . . ‘ He waved one hand at my entire body. ‘I wouldn’t have given you a slab of wood with nails sticking out of it.’ He pointed to the two-by-four still lying next to me within easy reach. ‘I’m as protective of my parts as the next guy’ “
  • Nina and Finn kiss a few times. “His mouth met mine, and I almost choked on surprise . . . I committed to that kiss like I’d committed to little else in life. My fingers brushed over short stubble at the back of his jaw on their way into his hair. He sucked my lower lip into his mouth and I let him have it.”
  • Nina thinks about her “carnal rebellion following [her] sterilization,” when she had a slew of one-night stands.
  • Dale accuses Nina of prostitution. “I caught her several times, here in the store, and she always tried to buy her way out of trouble, if you know what I mean. You know, with the only kind of payment a girl like that understands.”

Violence

  • Nina and her sister avoid their mother as much as possible because their mother angers easily and can get violent.
  • When a seventeen-year-old refused to kneel for worship, “They forced her to her knees on the dais, closed the steel cuffs about her calves, then burned her alive in front of the entire school.”
  • Mel realizes her mother plans to sell her. Her mother says, “You can’t imagine what a young, healthy body is worth to the right people.”
  • Nina discovers she is an exorcist. “The moment my fingers touched her chest, something exploded between us. . . The monster tried to back away but couldn’t disconnect from the fierce light still shining between us . . . the tingling beneath my skin had become the roar of a blaze that should have devoured my fingers but consumed the demon instead.”
  • Nina exorcizes several demons. “We crashed to the ground and I sat on his stomach, then pressed my glowing left hand against his chest. The demon screamed like a wounded cat, and my hand burned and burned and burned.” “He tried to scramble off me, but the fire in my hand had captured him, and the demon was stuck there, convulsing in the throes of death as his rotting flesh fried.”
  • Adam is burned alive. “Fire consumed Adam . . . could not mute his screams or the crackle of his crisping skin, captured by multiple microphones and broadcast all over the country. He hunched forward . . . I choked on the scent of burning flesh and hair.”
  • A demon kills several people. “He lay dead on the ground, blood still pouring through the gaping hole in his throat.” “Blood and liquefied brains exploded into the lobby from the hallway, and I caught a brief glimpse of the carnage already laid out inside.”

Drugs and Alcohol

  • Nina suspects her mother is doing drugs. “There was a spot of blood on her pillow, and more of it crusted on her upper lip. Another nosebleed. She was killing herself. Slowly. Painfully, from the looks of it.”
  • Finn emerged from the kitchen with a bottle of water in one hand and a clear, unlabeled bottle of amber liquid in the other.”

Language

  • Hell is said often, both in referring to the place and as profanity.
  • Shit and bullshit are said several times. “Oh shit,” Nina thinks. “Oh shitshitshit.”
  • Damn is said often. Nina’s sister says, “If you’re determined to damn yourself to a life of servitude, communal living and celibacy wouldn’t you rather be slaying demons?”
  • The word bitch is used several times. Mel’s mother calls her a “little bitch!”
  • Ass and badass are said a few times. Devi tells Finn, “I swear I’ll exorcise your ass right out of him.”

Supernatural

  • When a demon inhabits a human body for too long, that body turns into a degenerate. “It was bald, with cheekbones so sharp they should have sliced through skin, and ears pointy on both the tops and the lobes. And most–disturbing of all–it was female. Sagging, grayish breasts swung beneath torn scraps of cloth that were once a dress.”
  • Exorcists are the only ones who can send demons back to hell. “his hand against her bony sternum, both glowing with the last of that strange light . . . An exorcist in a hoodie. Where was his long black cassock, his cross, and his holy water?”
  • There is a shortage of souls because the demons ate so many during the war. Therefore there are many stillbirths. Children who do live are usually given a soul by an elder family member. Those that are lucky get a soul from the public registry when someone dies.
  • Some exorcists have extra abilities, like heightened hearing and enhanced strength.
  • The group Nina is rescued by is a group of people who were denounced by the church because they are supposedly suspected of possession.

Spiritual Content

  • Nina’s sister says, “Everything worth doing is a sin.”
  • Nina breaks many Church rules. “So what if deception was a sin? You can’t get convicted if you don’t get caught.”
  • As punishment for blasphemy, “Sister Camilla dragged Matthew onto the stone dais in the center of the courtyard, then forced him to kneel . . . she flipped a curved piece of metal over each of his legs, just above his calves, then snapped the locks into place, confining the five-year-old to his knees in the freezing rain. The posture of penitence.”
  • Finn is a soul without a body, who is able to inhabit other people’s bodies.

 

Nemesis

The Anvil, an enormous asteroid, threatens the earth is about to devastate the world. But Min has bigger problems. Min has died – again. Every two years since she was eight, a man in a suit finds her and kills her. Where ever she hides, he finds her. After her death, she always wakes up in the same clearing in the forest outside her small Idaho town. When she returns from her disappearances, no one believes her story and there is no evidence. This year when Min is murdered, she goes on a mission to discover why.

Terrifying dreams of death haunt Noah. Anxiety is his only true friend. Noah tries to hide that he is different by blending in, going along with what others say. When Noah discovers that he has been lied to and his dreams were in fact reality, he vows to be brave and search for the truth.

When the military arrives just out of town, Min and her best friend Tack make an uneasy alliance with Noah. Although they do not fully trust each other, they are determined to find out what has been happening to them. They go on a search to discover the answers to the questions that plague them.

Told from both Min’s and Noah’s perspectives, Nemesis starts with a suspenseful story of Min being murdered and coming back to life. The reader is instantly drawn into Min’s mystery. With detailed descriptions of events, the reader can step into Min’s shoes and understand her feelings. Suspense will grip the reader, who will be surprised by the events in the story.

Nemesis brings the stereotypical high school to life, with the typical cliché groups. The language in the book is a bit over the top, with most of the characters constantly spouting a plethora of cuss words. The ending of the book is similar to Lord of the Flies and just as violent. In the end, a computer simulation talks about saving humanity, but the majority of the characters are so unlikeable the reader wonders if humanity should be saved at all.

Sexual Content

  • While with a boy Min imagines, “leaning forward and kissing him.”
  • Min and Noah kiss several times. They fall asleep on a couch and wake up next to each other. Noah, “buried my face in her neck. Our lips met again, and for a while all other thoughts fled.”

Violence

  • Two boys fight at school. Ethan slugged “Tack full in the face. . . Tack dropped to the ground like a boneless chicken breast.”
  • Min and Tack put an oily rag into a Jeep’s gas tank and then set it on fire.
  • Several natural disasters happen throughout the world during a short time period. The events are described on the news.
  • In order to save a boy’s life, the sheriff kills a soldier. “He was lying face down on the ground, a dark puddle spreading beneath him.” As the kids run, shots ring out and they know the sheriff had been shot.
  • A group of men blows up a bridge. When they attempt to surrender, soldiers shoot them. “A line of bullets tore through the liberty men, cutting them in half. They feel in a bloody mass, each body pierced a dozen times.”
  • Tack kicks a soldier “in the crotch. The man dropped, writhing in pain.” The guards wrestle Tack to the ground. “Tack bucking and snarling like a wild animal until one of them struck him on the head with a rifle butt.”
  • Soldiers are rounding up a group of teenagers. Some of the teens resist and there is a scuffle. One of the parents tries to fight the soldiers and they shoot him. “Wendell dropped to his knees, then toppled forward and lay still.”
  • The military sprays a group of teens with a “thin green mist.” The reaction of the teens as they die is mixed. “Classmates writhed on the ground, tears and mucus coating their faces. The agony was unbearable—a burning, stinging horror that tore at the skin.” One of the commanders watching shots himself in the head.
  • When Tack confronts the leader and won’t follow orders, he is stabbed in the heart. Another boy who confronts the leader is killed. “Toby strode to where Benny knelt. Shaking his head, he put a gun to Benny’s temple and pulled the trigger. . . Benny slumped to the ground, a red mess where is head had been . . . Tucker stared at the fistful of hair still clutched in his fingers, then dropped it as if burned.”
  • In order to break Min out of jail, Noah attacks the guard. “Noah kicked him in the face, snapping his head back. Toby crumpled against the wall and lay still.”
  • Hector kills himself by jumping into a canyon. Hector believed he was already dead and was in purgatory.
  • When Min is eight she is murdered. She wanders off with a man, who she thinks is her mom’s friend, and he pushes her into a ravine.
  • A man murders Min multiple times throughout the book. When she is shot, she “tumbled to the floor, struggling to breathe, blood bubbling on my lips as I stared up at the drab fluorescent lights on the ceiling. Pain tingled everything red. . . Liquid was filling my mouth, hot and wet. The hole in my chest burned like a sliver of the sun.”
  • One time when Min was killed, she is chased through the woods. She falls and is barely hanging on the side of a cliff. “A shiny black boot smashed down on my fingers. I gasp in pain as my left hand loses its grip. I swing wildly, on the verge of plummeting to the white water belong. . . A foot stomps on my right hand. Snapping bones. A rush of air. Then I’m underwater, tumbling and spinning. Liquid fills my nose. My mouth. My ears. Something slams into my side, and ropes of agony shoot down my left arm. . . Pain explodes at my temple. I see and feel nothing more.”
  • Another time Min is killed when a man hits her with a car.
  • As Min tries to flee her killer, he finds her on the side of a cliff. He throws rocks at her until she plummets “to the boulders below. I land on my back and something snaps.” He then smashes her with a large stone.
  • Noah is murdered when a man stabs him. “The A spike on agony . . . blood pumps onto the pavement. Slides down the hill. Cold. Blackness. Nothing.”
  • Noah is murdered when a man cracks his skull.  “My head caved in! But I didn’t’ die right away. I struggled, by my arms wouldn’t move. Then he hit me again!”
  • When Noah is in the bathtub, the man puts a black metal rod into the water and electrocutes him.
  • Noah is on the lake in a skiff when a boat hits him. Noah tries to swim but his left leg is missing and he drowns.
  • Noah shoots Min. “There was a smoking hole in my chest. . . Tack was screaming, his clothes spattered in red.”

Drugs and Alcohol

  • Drinking is mentioned several times, although none of the teens are seen consuming alcohol. One character said the guys would get “Neanderthal drunk.”  Another time, Min talks about someone who, “spends most nights outside by his fire pit, drunk off his ass.”
  • Several of the adults drink alcohol, which is revealed in the descriptions. “Mom had put away the photo albums and washed her scotch glass . . . She rarely drinks, and never more than one. But she’d refilled her glass several times . . . “ ”
  • A character has to step over two adults who drunk themselves into a stupor and then fell asleep by their fire pit.
  • After getting in a fight, tack takes Advil.
  • Tack’s father is a drunk who hits his son.
  • Noah’s father is absent for the entire story. Noah thinks his father is, “busy getting loaded in another hemisphere.” Later in the story, Noah tells his psychiatrist that his dad drank a lot after he divorced his wife.
  • A psychiatrist gives two of the characters “little blue pills” to take daily. Neither character is sure what the pills are for, but when Noah is anxious he, “wanted a blue pill in the worst way.”
  • One of the characters takes his friend’s ADHD medication.

Language

  • Holy crap, crap, damn, ass, hell, prick, jackass, bastard, goddamn, piss
  • When a min shoots Min, she “carefully extended my middle finger” and told him to “go to hell.”
  • When thinking about the man who keeps killing her, Min thinks, “Wouldn’t let the evil bastard’s shadow every moment of my life.”
  • When describing a boy, Min thinks his face, “was gorgeous until you realized what a prick he was.”
  • Tack calls other people names including, “jackass, asshole, douchebag.” He tells one boy, “everyone here thinks you’re dumber than crap, I’m the only one willing to say it. None of these people like you, Ethan. You’re a loser and a fraud, just a redneck piece of trash like me. Kill yourself.”
  • Noah said his dad was a “drunk a-hole.”
  • One of the characters thinks, “Why am I so worthless? God, I hate myself.”
  • A parent spits at a soldier and tells him, “Piss on you and your threats. I know my rights, sunshine soldier.”
  • Someone accuses Noah of hiding behind a “skank’s skirt.”
  • When Min finds the man who has been murdering her, she calls him a “bastard,” and a “son of a bitch.”

Supernatural

  • When the world was destroyed, everyone died. “Though your bodies died, the program successfully preserved sixty-four electro-chemical blueprints. These were uploaded into the mainframe on Day Minus-Four after final measurements were taken. You now exist as autonomous lines of code within the MegaCom master program . . . You still must eat and drink. You must shelter from weather, and avoid hazards. You can be injured. You can be killed”

Spiritual Content

  • When the news is announced that the Earth will not be smashed by an asteroid, Melinda’s mom said “Praise God. . . God is good. Everything is going to be okay.”
  • When the natural disasters begin, Min’s Mom mumbled about “God’s judgement.”
  • Hector, a minor character, is the leader of the youth group. When the students are gassed and come back to life, he thinks he is in purgatory. He explains that purgatory is, “a holding place. Somewhere you’re judged. And tested.” After he jumps off a canyon wall, dies, and comes back to life, Hector said, “God isn’t down with me. It was stupid for me to think I was in control. I won’t defy him again.”
  1. Pages:
  3. 1
  4. ...
  5. 21
  6. 22
  7. 23
  8. 24
  9. 25
  10. 26
  11. 27
  12. 28

Latest Reviews