Reading Level: Young Adult

The Sword of Summer

Magnus Chase isn’t your average 16-year-old kid. After a terrible incident that killed his mother, Magnus was forced to survive on the harsh streets of Boston for two years. Then everything changes, and not necessarily for the better when Magnus discovers the truth about his parentage. This knowledge is dangerous, and after attempting to outmaneuver his suspicious Uncle Randolph, Magnus lands in more trouble than he ever has before.

Escaping who he believes to be evil, Magnus falls into the hands of his worst enemy, a fire giant named Surt. Magnus dies and his soul is sent to Valhalla, the hall of warriors who will fight with Odin during Ragnarok (the end of the world). This is the beginning of an unlikely story of emotional growth, the development of strength, and the family found in friendship.

Fans of Rick Riordan’s previous works will be pleased as they travel into a fascinating world of Norse mythology. A character from the beloved Percy Jackson and the Olympians series even makes a cameo, making a fun crossover between magical worlds.

This family-friendly adventure is an exciting ride throughout. The characters are well developed and believable, but the sheer amount of characters may become confusing for less attentive readers. Nevertheless, even the timidest readers will enjoy this story as it is filled with well-placed humor. The plot is action-packed, leaving readers excited to turn the next page.

Although this book is entertaining and amusing, there are battles with monsters throughout the book that may upset some readers. The battles are not told in gory detail, but characters are injured and must deal with the consequences of their battles. Ultimately, Magnus Chase and the Gods of Asgard: The Sword of Summer is a delightful read full of humor, action, and magic.

Sexual Content

  • Samirah has an arranged marriage to Amir Fadlan. When Magnus questions her feelings on the matter, Sam responds, “Ugh! You don’t get it. I’ve been in love with Amir since I was twelve.”
  • Every time a giant comes to barter or make a deal with Freya, the goddess of love, sex, beauty, fertility, and gold, they always ask for her hand in marriage.
  • Magnus’s father Frey lost the Sword of Summer because he fell madly in love with a frost giantess. The only way that he could heal his heart was by offering the Sword of Summer to Skirnir.
  • Freya has lots of dwarven children. Every time she wants jewelry made by dwarves, she goes to Nidavellir and marries a dwarf in exchange for their craftsmanship. These one-day marriages each end with a child. This interaction is not described beyond this, but it is acknowledged that Blitzen is a child of Freya and a dwarf.
  • Magnus describes his first kiss when he is involuntarily given mouth-to-mouth by a goat. “My only previous experience with kissing had been with Jackie Molotov in seventh grade, behind the bleachers at a school dance…. Anyway, with apologies to Jackie, getting mouth-to-mouth from a goat reminded me of her.”
  • In the past, a son of Loki was sent to Valhalla and fell in love with the lead Valkyrie, Gunilla, but he “betrayed her. Turned out she was a spy for [Loki]. Broke her heart.”
  • After Halfborn nearly sacrifices his life for Mallory in battle, they are on good terms, and it appears that there may be romance in the future for them. “As my hallmates headed back home, I was happy to see Halfborn Gunderson slip his arm around Mallory Keen’s waist. She didn’t even cut his hand off for doing so.”

Violence

  • Magnus engages in a battle with the fire giant, Surt. “I smacked Surt in the head with my rusty sword. . . The blade didn’t seem to hurt him, but the swirling flames died. . . Then he punched me in the gut.” Later in the battle, “Surt kicked me in the ribs and sent me sprawling. . . Surt must have kicked me hard enough to trigger a near-death hallucination.” After a brief time period, Magnus’s sword begins to act on its own and guides Magnus’s actions. “It spun in an arc, dragging my arm along with it, and hacked into Surt’s right leg. The Black One screamed. The wound in his thigh smoldered, setting his pants on fire . . . Before he could recover, my sword leaped upward and slashed his face. With a howl, Surt stumbled back, cupping his hands over his nose. . . Just as he reached me, my sword leaped up and ran him through.”
  • Magnus describes his death. “I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water…. It hurt. A lot.”
  • When getting a tour of Hotel Valhalla, Magnus is “pushed down as a spear flew past. It impaled a guy sitting on the nearest sofa, killing him instantly.” The guy is already dead, so this is just a temporary “death” as he will regenerate in a few hours.
  • Magnus and all those who inhabit Hotel Valhalla observe how newly inducted einherjar (inhabitants of Hotel Valhalla) died. In one video, a warrior “saved a bunch of kids at her village school when a warlord’s soldiers had tried to kidnap them. She’d flirted with one of the soldiers, tricked him into letting her hold his assault rifle, then turned it on the warlord’s men . . . The video was pretty violent.”
  • Mallory is excited to “see the new boy get dismembered.”
  • The einherjar participate in practice battle exercises to prepare for Ragnarok, when the nine worlds will fall. One of these “battles” is comically described, but each “death” is also shown. Many characters get shot, punched, or stabbed to “death” in the heat of battle.
  • In a dream, Surt threatens Magnus by saying, “When we meet again, you will burn, son of Frey. You and your friends will be my tinder. You will start the fire that burns the nine worlds.”
  • Samirah attacks Magnus after he leaves Valhalla. “She charged from behind the concession building and kicked me in the chest, propelling me backwards into a tree. My lungs imploded like paper sacks.”
  • An eagle drags Magnus away from his friends to convince him to do something for him. “The eagle veered, slamming me into the fire escape. I felt my ribs crack, like vials of acid breaking inside my chest. My empty stomach tried unsuccessfully to hurl.”
  • When Blitzen competes in a dwarf craftsmanship competition, Magnus acts as his bodyguard. “A random dwarf charged me from the side-lines, swinging an axe and screaming, ‘BLOOD!’ I hit him in the head with the hilt of my sword. He collapsed.”
  • Otis, a goat who belongs to Thor, marvels at Magnus’s talking sword. Otis exclaims, “I’ve never been killed by a talking sword before. That’s fine. If you could just make a clean cut right across the throat-”
  • For Odin to learn the secrets of the runes, he sacrificed an eye and “fashioned a noose and hanged himself from a branch of the World Tree for nine days.”
  • Magnus attacks and kills two giantess sisters. Magnus threw a knife and, “The spinning steak knife hit her in the chest. It didn’t impale her . . .She lowered hands, grabbing instinctively for her chest, which allowed Jack full access to her nose. A second later, Gjalp was lying dead on the floor next to her sister.”
  • The book concludes with a giant final battle in which warriors of Valhalla fight fire giants and attempt to rebind Fenris’ wolf. Within this battle, several warriors get hurt and three Valkyries die, including Gunilla. “Blitzen was so angry—between the Wolf gloating about his dad’s death and Surt stealing his fashion ideas—that he howled like Crazy Alice in Chinatown and rammed his harpoon right through the giant’s gut. The fire giant stumbled off, belching flames and taking the harpoon with him.” “Halfborn Gunderson buried his axe in the breastplate of a giant. X picked up another fire-breather and tossed him off the side of the ridge. Mallory and T.J. fought back-to-back, jabbing and slashing and dodging blasts of flame.”
  • Magnus’s Uncle Randolph is poisoned by Loki. “Randolph smelled the poison before he felt it. Acrid steam curled into his nostrils. The side of his face erupted in white-hot pain. He fell to his knees, his throat seizing up in shock.”

Drugs and Alcohol

  • Magnus thinks, “Random police and park rangers I could deal with. Truant officers, community service volunteers, drunken college kids, addicts looking to roll somebody small and weak—all those would’ve been as easy to wake up to as pancakes and orange juice.”
  • The mead of Valhalla doesn’t contain alcohol as it is magical goat milk that tastes like a mixture of delicious flavors. However, this topic makes Magnus share his own experience with alcohol. Magnus says, “Yes, I’ve tried alcohol, thrown up, tried alcohol again, thrown up.”
  • The god Aegir is a brewer who “spends all his time at the hops shop, or going on brewery tours with his buddies…. He’s always talking about microbrews. He has a cauldron a mile wide!”
  • Magnus and his friends go to Nabbi’s tavern and the dwarves that he travels with order mead (not the Valhalla kind).
  • Thor, the thunder god, “loved drinking mead.”
  • When the group comes across giantess sisters, the enormous monsters are drunk. Magnus thinks, “They’d obviously been hitting the mead pretty hard.”

 Language

  • Profanity is used a few times throughout the book. Profanity includes ass, dammit, crap, and idiot.
  • Many characters exclaim, “Gods of Asgard” and “gods” as a form of profanity.
  • When Gunilla introduces a new video system that shows how einherjar die, “the warriors cheered and banged their mugs, drowning out the sound of Sam cursing next to me.”
  • Magnus is angry towards a Valkyrie that he dislikes and thinks, “No, but your dad was apparently a jackass!”
  • While trying to escape Valhalla, “Mallory cursed in what was maybe Gaelic. Our little hallway group was a veritable United Nations of Cussing.”
  • When attempting to arrange his dead body, Magnus’s “hands had come unclasped so I appeared to be giving everybody the finger.”
  • When Blitzen talks about his mother’s requests, he says, “She wants her damnable earrings.”
  • Thor could “cuss like a drunken, creative sailor. ‘Mother-grubbing scum bucket!’ he yelled (or something along those lines. My brain may have filtered the actual language, as it would’ve made my ears bleed.)”
  • Magnus wants to comfort Hearthstone. “I wanted to hug the poor guy, bake him a batch of cookies, and tell him how sorry I was about his crappy childhood, but I knew he wouldn’t want pity.”

Supernatural

  • The story exists in a world where Norse mythology is real, including all of the gods, heroes, and monsters. For example, Magnus is the son of Frey, the god of peace, fertility, rain, sunshine, and summer.
  • In the beginning of the book, Magnus doesn’t understand why Blitzen hates daylight. He says, “Maybe he was the world’s shortest, stoutest homeless vampire.”
  • Two magical, evil wolves broke into Magnus’s apartment and killed his mom when he was fourteen. “From the hallway, two beasts emerged, their pelts the color of dirty snow, their eyes glowing blue.”
  • Surt is a fire god and has powers. “Around Surt, flames began to swirl. The firestorm spiraled outward, melting cars to slag heaps, liquefying the pavement, popping rivets from the bridge like champagne corks.”
  • Due to Magnus being a demigod, he has magical abilities. He doesn’t have a problem in extreme temperatures, can walk through fire, can heal others, and mentally communicates with horses.
  • There is a vala who is a “seer. She can cast spells, read the future, and… other stuff.” She can also read/use the runes, which is a form of non-inherited Norse magic.
  • Hearthstone is an elf, and Blitzen is a dwarf. Their identity gives them special abilities like fashion sense, craftsmanship, and rune magic.
  • As an einherjar, Magus acquires super strength, has more muscles, and has accelerated healing.
  • Heartstone uses rune stones and eventually becomes a runemaster. These stones allow him to perform magic, usually to help his friends on their quest.
  • The group encounters Mimir, a disembodied head who floats in water and knows the secrets of the nine worlds.
  • The Sword of Summer is a magical weapon that Magnus wields. It can speak and fight on its own. Magnus transforms it into a stone on a chain that he wears around his neck. Magnus “could easily pull it off the chain. As soon as I did, the stone grew into a sword. If I wanted it back in pendant form, all I had to do was picture that. The sword shrank into a stone, and I could re-attach it to the necklace.”
  • Valkyries can fly, camouflage magically, and teleport back to Valhalla in a poof of light.

Spiritual Content

  • Norse gods are real, but they are not worshipped. They are treated more like characters than all-knowing deities.
  • Magnus describes the place where his funeral occurs. “It was set up like a chapel: three stained glass windows on the back wall, rows of folding chairs facing an open coffin on a dais. I hated this already. I’d been raised non-religious. I’d always considered myself an atheist.”
  • Magnus says, “If there is an Almighty God up there, a head honcho of the universe, He was totally laughing at me right now.”
  • Samirah is Muslim and wears a hijab. When arguing with Magnus she says, “A good Muslim girl is not supposed to hang out on her own with strange guys.”
  • Thor is described as watching television religiously. Then Magnus says, “Can I say a god did something religiously?”

by Morgan Filgas

Refugee

Three kids. Three different time periods. Three refugee families flee their countries. Each family faces unimaginable dangers. But they have no choice but to press on and hope for a better tomorrow. Although decades separate them, they discover that they are all connected in the end.

Joseph is a Jewish boy living in 1930’s Nazi Germany. His family boards a ship set for Cuba. They hope to avoid the concentration camps and certain death. But will a country on the other side of the world take them in, or will they be sent away?

Isabel is a Cuban girl in 1994. Her family faces hunger, violence, and an uncertain future. But when her father is threatened with jail, the family sets out on a homemade raft. They hope to make it to Miami. Can they make it to America and keep their family together?

Mahmoud is a Syrian boy in 2015. His country is being torn apart by war. Violence, death, and destruction are everyday occurrences. When his family’s neighborhood is destroyed by bombs, they head towards Europe. Can they safely make it to a country that welcomes refugees?

Refugee sheds light on the historical and political aspects of each time period. Readers will learn about Kristallnacht, The Night of the Broken Glass, as well as the history of how the war in Syria began with Assad bombing his own people. Isabel’s story also explains the U.S. policy of “Wet Foot, Dry Foot.” The end of the book has historical information as well as a section on what readers can do to help.

Each section of the story is told from a young person’s point of view. This gives the book a tragic feeling because none of the young people have any control over the events that lead to their need to flee. The harrowing story of each family does not shy away from the harsh realities of the time period. Each family has stories of cruelty, violence, and death, which are often described in graphic and frightening detail.

The goodness of random strangers is seldom. However, in Josef’s story, a Hitler Youth protects Joseph, and the captain and most of the crew of the ship treat the Jews with respect. The story shows how small deeds can make a huge impact. Even though the story shows the kindness of a few, cruelty and violence overshadow the kindness in the book.

As Mahmoud and his family try to escape the violence, he realizes that it was easy for people to forget about the refugees until “refugees did something they didn’t want them to do—when they tried to cross the border into their country, or slept on the front stoops of their shops, or jumped in front of their cars, or prayed on the decks of their ferries—that’s when people couldn’t ignore them any longer.” Mahmoud struggles with wanting to stay invisible but wondering if he needs to be visible. “If you were invisible, the bad people couldn’t hurt you, either. If you stayed invisible here, did everything you were supposed to, and never made waves, you would disappear from the eyes and minds of all the good people out there who could help you get your life back.”

The publisher recommends Refugee for readers as young as nine, but younger readers may be upset by the horrors of war and the tragic decisions the families must make in order to survive. Younger readers who are interested in World War II may want to begin with the books Lifeboat 12 or Resistance, which also tell compelling stories without the graphic violence.

Refugee is an engaging story that brings the suffering of refugees to light. The situations that the characters face are emotional, but the characters could be better developed. Since each chapter focuses on a different family, the story was often disjointed. Some readers may have a difficult time following a story that changes characters every chapter. The book shows the reasons the family left but doesn’t mention the difficulties that countries face when dealing with thousands of refugees coming into their country.

Although the story is easy to read, the book’s emotional impact is hard-hitting. Refugee takes the reader on a harrowing journey where each family must deal with a tragic loss of life and cruelty from others. Refugee shows how families have been impacted in past and current times. The story gives voice to the current refugee crises and shows the desperation of people who want to live without fear of death.

Sexual Content

  • While in Havana, Isabel sees “couples kissing under palm trees.”
  • Isabel’s grandfather flirts with a young girl. He tells her, “Your face must be Summer, because you’re making me sweat!” Isabel knew that “Lito was giving her piropos, the flirtatious compliments Cuban men said to women on the street.”

Violence

  • During WWII, Nazis break into Josef’s home and “threw him to the floor. Another shadow picked up Ruth by the hair and slapped her. ‘Be quiet!” the shadow yelled, and it tossed Ruth down on the floor beside Joseph.” The strangers trash the house, gather his family into the living room, and arrest his father.
  • A group of Hitler Youth attack Josef after school. The group “fell on him, hitting and kicking him for being a Jew, and calling him all kinds of names.”
  • During a medical check, Josef’s father becomes agitated and starts mumbling. Josef “slapped his father across the face. Hard.” Josef tells his father that the medical examiner is “a Nazi in disguise. He decides who goes back to Dachau. He decides who lives or dies. . . .” Josef’s father is scared into silence.
  • Crew members ransack the room of Josef’s family. “They swept Mama’s makeup and perfume off the vanity and smashed the mirror . . . they tore the head off Ruthie’s stuffed bunny.”
  • While in a concentration camp, Josef’s father says how the Nazis choose one man to drown every night. “They would tie his ankles together and his hands behind his back and tie a gag around his mouth, and then they would hang him upside down, with his head in a barrel. Like a fight. . . They would fill the barrel with water. Slowly. So they could enjoy the panic. So they could laugh. . . He would thrash around and breathe water until he drowned. Drowned upside down.
  • Josef’s father jumps into the ocean and when a policeman tries to help him, Josef’s father yells, “Let me die! Let me die!” Josef’s father survives.
  • A group of men tries to take over the ship. One of the passengers slam “the helmsman and sends him tumbling to the floor. The mutineers quickly surrounded the other sailors, threatening them with their makeshift clubs.”
  • When Cuba sends the ship away, a policeman “swept the gun back and forth, and the other policemen drew their pistols and did the same.” The captain is able to convince the passengers not to attack the police.
  • While he is running from Nazis, soldiers shoot at Josef. “A pistol cracked, and a bullet blew the bark off a tree less than a meter away. Josef stumbled again in panic, righted himself, and kept running.” Josef and his mother are caught and taken to a concentration camp.
  • Boys attack Mahmoud’s friend because he is a Shia Muslim. “. . . Khalid had been curled into a ball on the ground, his hands around his head while the other boys kicked him. . . With a battle cry that would have made Wolverine proud, Mahmoud had launched himself at Khalid’s attacker. And he had been beaten up as badly as Khalid.”
  • Mahmoud’s mother was a nurse who came home “every day with horror stories about people she’d helped put back together. Not soldiers—regular people. . . Children with missing limbs.”
  • Mahmoud’s entire neighborhood is bombed. “The walls of his apartment exploded, blasting broken bits of concrete and glass through the room. . . His breath left him all at once and he fell to the floor with a heavy thud in a heap of metal and mortar.” No one in his family is seriously injured.
  • While trying to escape, Syrian armed soldiers stop the car at gunpoint and then pile in the backseat. As they are traveling, “gunfire erupted. .. and bullets pinged into the car.” One of the soldiers is killed. “Mahmoud screamed again and pushed the man away . . .” The scene is described over four pages. The family hides in a ditch until they can escape.
  • The rubber dinghy that Mahmoud and other refugees are in pops. “The cold water was like a slap in Mahmoud’s face. . . He tumbled backward, head down in the murky water, his arms and feet thrashing, trying to right himself. Something else—someone else—fell on top of him, pushing him deeper down into the water.” Later Mahmoud takes a life jacket off of a dead man so that he and his mother do not die.
  • As Mahmoud and his mother tread water, they grab onto a dinghy. A man “reached down and tried to pry Mahmoud’s hand from the dinghy. . . He sobbed with the effort of fighting off the man’s fingers and hanging onto the dinghy.” A woman takes Mahmoud’s baby sister but leaves Mahmoud and his mother behind. They survive.
  • A taxi driver pulls a gun on Mahmoud’s family and demands money.
  • When a group of refugees swarm the Hungarian border, soldiers “hurried to stop them, firing tear gas canisters into the crowd. . . Mahmoud’s eyes burned like someone had sprayed hot pepper juice in them, and mucus poured from his nose. He choked on the gas, his lungs seized up. He couldn’t breathe. . .”  Many of the refugees are arrested and taken to a detention center.
  • While being taken to a detention center, Mahmoud’s dad yells at a soldier, who then “whacked him in the back with his nightstick, and Mahmoud’s father collapsed to the ground. . . He kicked Mahmoud’s father in the back, and another soldier hit Mahmoud’s father again and again with his stick.”
  • While in town in Cuba, people riot in the streets. People “yelled and chanted. They threw rocks and bottles.” Isabel sees her father “just as he reared back and threw a bottle that smashed into the line of police along the seawall.” When the police catch her father, a policeman beats him. The scene plays out over four pages.
  • As a group tries to flee Cuba, “a pistol rang out again over the waves. . . The police were shooting at them.” The boat is hit, but no one is injured.
  • While Iván is cooling off in the ocean, a shark bites him. “The water around Ivan became a dark red cloud, and Isabel screamed. . . Iván’s right leg was a bloody mess. There were small bites all over it, as though a gang of sharks had attacked all at once. Raw, red, gaping wounds exposed the muscle underneath his skin.” Iván dies.
  • Before Iván’s body is pushed into the ocean, someone shoots a shark. “The shark died in a bloody, thrashing spasm, and the other sharks that had been following the boat fell on it in a frenzy.”

Drugs and Alcohol

  • Joseph sees a man, who “staggered a little, bumping into things as he tried to move through the tight little room. Joseph had seen drunk people leaving pubs in Berlin the same way.”
  • When Josef’s mother goes to the doctor to get a sleeping draught for her husband, she “told the doctor the sleeping draught was for me. . . and he made me—made me take it right there.”

Language

  • When the Nazis break into Josef’s house, one of the men laughs because “the boy’s pissed himself.”
  • A group of kids are called “Jewish rats.”
  • At a funeral, Josef’s father says, “At least he didn’t have to be burning in the hell of the Third Reich.”
  • “Oh, God” is used an exclamation once. “Oh, my God” is also used as an exclamation once.

Supernatural

  • None

Spiritual Content

  • Mahmoud and his family practice the Muslim faith. The prayer ritual is described through Mahmoud’s actions.
  • Mahmoud’s father says, “God will guide us.”
  • After taking a lifejacket off a dead man, Mahmoud says a prayer. “Oh God, forgive this man, and have mercy on him and give him strength and pardon him. Be generous to him and cause his entrance to be wide and wash him with water and snow and hail. Cleanse him of his transgressions. . .Take him into Paradise, and protect him from the punishment of the grave and from the punishment of hellfire.”
  • Mahmoud’s family and other refugees pray. Mahmoud “recited the first chapter of the Qur’an, Mahmoud thought about the words. Thee alone we worship, and thee alone we ask for help. Show us the straight path.”
  • After Joseph’s apartment is bombed, his mother cries, “Thank God you’re alive!”
  • During a funeral, a rabbi says a prayer, and “the mourners said together, ‘Remember, God, that we are of dust.’”
  • When Iván dies, his mother wants “to say something. A prayer. Something. I want God to know Iván is coming.”

Outward Blonde

Sixteen-year-old Lizzie wants to forget the father who abandoned her and the mother who lives in a drug-induced fog. She spends her time shopping and partying with her best friend. One of Lizzie’s drunken escapades is caught on camera, and her bad behavior is shared with gossip sites.

Lizzie’s mother wants to make sure Lizzie doesn’t cause the family any more scandal, while her father wants her to get help. So in the middle of the night, two strangers whisk her away to Camp Smiley, a gritty wilderness survival program for troubled teens. Lizzie’s only goal is to escape. She doesn’t think she has anything in common with the other teen campers, and she has no desire to deal with her own demons. Will Lizzie escape back into her party life or will Camp Smiley be able to turn around this troubled teen?

Portrayed as a typical rich girl, Lizzie believes money can get her out of any situation. Lizzie’s only life goal is to shop and party. This spoiled, snotty rich girl spends much of her time whining—about her parents, the campers, the conditions of the camp, and everything in between. Even though Lizzie is portrayed as a wild, boy-crazy girl at the beginning of the book, Lizzie later gets upset that others think she is sexually active when she is still a virgin. The inconsistencies in Lizzie’s character are one reason Lizzie is a difficult character to care about.

Other characters are difficult to connect with as well. The camp staff is stereotypical; such as the ex-military camp director, who doesn’t think Lizzie can complete the program. Lizzie’s parents are also portrayed in an unrealistic, stereotypical manner. At one point, Lizzie’s dad says “and rather than allowing you to fall into the depths of despair, we’re sending you to a place where you can reconnect with the light inside you and find greater meaning in life.”

Although there are some funny scenes, much of the plot seems unrealistic. For example, when Lizzie and the other campers run away, a random stranger picks them up, takes them to his store to exchange their camp uniforms for clothes, and drives them to Vegas. Ultimately, too much time in this book is focused on Lizzie’s escape plan and partying, and not enough time is spent on her dealing with her issues.

The diverse cast of characters deals with some serious issues, including understanding one’s sexuality, gambling, bullying, and addiction. Outward Blonde has a lighthearted tone and shows readers the importance of forgiveness, accepting yourself, and helping others.

Sexual Content

  • When Lizzie goes on a Tinder date, her friend tells Lizzie the man might kill her, and if she was murdered, her friend would tell others “What I miss most about my BFF Lizzie Finklestein is sneaking out with her on school nights, using our never-fail fakes to get into all the best bars, doing body shots until we puke, and making out with random college guys who have no idea we’re still in high school.”
  • Lizzie sends a man a picture of herself highlighting her cleavage. When her friend won’t go to the bar with her to meet him, Lizzie says “I think you’re missing out. Because I’m pretty sure James Franco would be up for a threesome. Just think of the picture we’d get pretending we were going to go through with it—“
  • Lizzie meets a 25 year-old-man at the bar. While on the dance floor, “I turn around, grab his cheeks, and kiss him. He’s not half bad.” She later leaves the bar with him.
  • A boy nods toward a girl and says “I’d like to work her hole.”
  • When the group gets to camp, they are told “there is no inappropriate physical contact amongst anyone, whether of the opposite sex or same sex.” One of the teenagers asks “Can you define inappropriate? . . . And also if there are certain acts that are still considered appropriate? Like, maybe, blow jobs are out but hand jobs are okay?”
  • Lizzie thinks the camp counselors “want to roll their eyes and complain about what a big pain in the ass she is. And then jump each other’s bones.”
  • When a camper gets upset, a boy says “I’d tell you to calm your tits, but I just realized maybe glass blowing reminds you of why you ended up here. . . You know, using your God-given talents for evil instead of good. Blowing people.”
  • Lizzie wants to run away, but she doesn’t want to go alone. So she sneaks into a boy’s tent. When a counselor is outside the tent, Lizzie hides in the boy’s sleeping bag. The boy “grabs my hand, and puts it on his bulge. I snatch it back and punch him in the balls. He grunts.”
  • Later the boy apologizes and then his “lips graze mine. I’m still mad but I can’t resist; it’s an expert-level kiss. Just enough tongue. A nibble here and there. He licks my earlobe. I nuzzle his neck. He presses himself closer.” When he asks if Lizzie “wants to do it,” she gets angry and leaves.
  • One of the campers guesses that a girl is at camp because she is obsessed with “masturbating.” When the girl denies it, the camper says “Why not? I mean, who knows better than you what you like and how you like it?”
  • A camper is nervous about showering in front of others, but another girl thinks she is afraid to shower with a lesbian. She yells “Just because I’ve dated a lot of girls doesn’t mean I see every single person on Earth with a vagina as a potential partner, so it’s not your concern. . . You are not even close to being my type. For one, I dig blondes. Two your butt. Three, your tits. Not big enough.”
  • Lizzie threatens to “call your parents pretending to be the gyno and tell them your yeast infection is actually gonorrhea you got from banging all the guys at camp.”
  • While in Vegas, Lizzie, and Ari schedule “private time.” Lizzie goes into the bathroom to freshen up. When she comes out “Jem is on the bed. With Ari. They are intertwined. A tangle of tongues and hands and body parts.” Jem apologizes. Ari says “Hey, no need to fight over me, girls. There’s more than enough to go around.”
  • Jack and Lizzie kiss three times. One time, Lizzie leans down and “kisses the top of his head. . . and I kiss both his eyelids. And then I lay the softest one ever on his lips. . .”
  • When Lizzie was in elementary school she took a book to class for a book report, but she didn’t know what it was until she opened it in class. “. . . It turned out to be the Kama Sutra, which is like an illustrated Indian sex guide. So I basically taught my third grade class how to get laid. All because I didn’t actually read a book. . . “
  • One of the campers took “a picture of the nerdiest kid ever jerking off in the bathroom stall at school and sent it to his lax bros.” That kid tries to commit suicide because of the picture.

Violence

  • One of the girls is at camp because “the GUY I banged couldn’t stop bragging about it to the entire school. So I scratched fuckboy into his car and took a bat to his taillights.”
  • Lizzie and Sam plan to run away. Another camper hears them and threatens to tell. Sam “clamps a hand over her lips. . . Chandra peels Sam’s hand away. And then bites her.”

Drugs and Alcohol

  • Lizzie’s mom is addicted to drugs. Lizzie doesn’t mind because the “anxiety disorder that required daily doses of Klonopin x Ambien = me being able to do whatever with whoever I want to, whenever I want to.”
  • When Lizzie’s mom comes to check on her, “her eyes are glassy and she’s a bit wobbly—both sure signs the medicine is already taking effect.”
  • Lizzie goes to a bar and drinks enough vodka clubs that “everything’s funny. Not to mention fuzzy. And fun.”
  • A group runs away from camp and goes to Vegas. While there, they drink Miami vices.

Language

  • Profanity is used often. Profanity includes ass, asshole, bitch, bullshit, crap, damn, dick, fatass, fuck, motherfucking, shit, smartass, and WTF.
  • “Oh my God” and “OMG” are used as exclamations.
  • Lizzie’s dog likes to eat bull sticks. Lizzie thinks, “Whoever decided dried bull dick might be a good dog snack is a certified psycho. . . “ Later, Lizzie refers to the dog treat as “bull penis.”
  • When a police officer pulls over a car that Lizzie is a passenger in, she is “appalled at my extreme-level dumb-assery.”
  • After a police dashcam video is released of Lizzie’s bad behavior, she is dubbed “the Rich Bitch Billionairess.”
  • The director of the camp tells Lizzie, “I can’t wait to see your spoiled candy ass trying to make it through the solo overnight trip you’ll have to complete to graduate.”
  • Lizzie calls a boy a “jerk.”
  • A boy calls someone a “fag” and says, “I had you pegged for a dyke.”
  • A boy says his “balls are so chafed, I’m going to be walking like I fucked a horse today.”

Supernatural

  • None

Spiritual Content

  • After a police dashcam video is released, Lizzie is “shaking and praying—to who or what I don’t know—that it won’t hurt too much when they [her parents] kill me.”
  • When someone suggests that Lizzie pray, she responds, “I’m not really the praying type.”
  • The counselor says “Mother Earth, today another group of beautiful young people with unlimited potential joined us on our journey . . . Allow us to light their way back to happiness, to anoint them with love and laughter, to help them manifest their true and perfect selves.”

Saint Anything

Sydney’s older brother, Peyton, holds the spotlight in their family—first for his charm, and then for his stints in rehab and his poor decision-making skills. When he lands in prison after hitting a young boy while drinking and driving, the spotlight turns on Sydney. With this new scandal, she decides to switch schools, hoping for anonymity and a chance to start over.

She starts over by becoming friends with the Chatham family, a family that shows Sydney what it looks like to have parents who are present and supportive and friends who accept you for you. Dessen does all this without feeling cheesy or unrealistic. Readers will see the lesson shown when Sydney is finally able to stand up for herself and the people she loves. Readers will appreciate the character development of Sydney as well as her parents.

Saint Anything is a heartfelt story that doesn’t only focus on romance but also captures the ups and downs of real life. With just the right amount of romance, suspense, and family drama, Saint Anything explores Sydney’s personal growth as she deals with tragedy.

Sydney’s character is genuine and relatable. Her story explores the complicated nature of family relationships. Readers will walk away feeling satisfied at having read a story that not only had a well-developed plot, but also realistic characters and an engaging conflict. The realistic dialogue and uncomplicated vocabulary make for an easy-to-read, engaging story.

Dessen writes a beautiful story that focuses on dealing with grief, guilt, and loneliness. The heart-warming story, with well-developed characters, shows readers the importance of becoming comfortable in your own skin. Saint Anything is the perfect book for those looking for a sweet romance that focuses on family and friendship.

Sexual Content

  • Margaret says to her friend, “Thank me forever for hooking you up with the guy you’re crazy about?”
  • Margaret walks up the stairs with a boy, implying that they are going to have sex. She asks Sydney what she is doing, and Sydney thinks, “Considering she was alone with the guy Jenn had clearly stated she was crushing on, in Jenn’s house, on her way to where there were only bedrooms, I wanted to ask her the same thing.”
  • While on a walk in the woods, Mac and Layla kiss. “I took my hand from Mac’s, then reached up to touch his cheek. When I did, his fingers moved to my waist, pulling me in closer. It was fluid and easy, like everything had been since we’d met, as I stood on my tiptoes and finally, finally kissed him.”
  • Layla thinks about Mac while reflecting on their new relationship, “Not just that he was a good kisser (very good, actually) and had the tightest set of abs I’d ever seen or touched.”
  • When Layla and Mac say goodbye, “he leaned in, kissing me once on the lips, then on the forehead. I felt safe enough to close my eyes.”
  • Spence and Layla kiss before going downstairs to the recording studio. As Spence is headed towards the studio, Layla “allowed herself to be pulled in for a kiss. To her surprise, not to mention mine, it quickly became open-mouthed and full-on tongue.”
  • Sydney’s mom speaks of Mac, “enunciating his name like you might the word herpes or molestation.”

Violence

  • Sydney’s brother is in jail. He was driving under the influence and hit a young boy riding his bike, “head-on.” The accident is not described.
  • Margaret is speaking to Sydney about her public school and says, “I hear there are fights there every day. And that’s with the girls.”
  • A boy attempts to sexually assault Sydney. “He grabbed my wrists. . . then tightened his grip on my wrists, pushing them back, back, against my ears. That was when I got scared. . . I tried to turn my head as he put his lips on mine, squeezing my eyes shut, but he grabbed my face, jerking me back to face him. I could feel his fingers digging into my chin. . . but then my palm was connecting with his face, the sound of skin to skin loud, a smack, and he stumbled backward. . .” Sydney’s dad stops the attack. “. . . I saw my dad. He had one arm hooked around Ame’s neck, tight, the fist clenched, and was pulling him backward down the hallway, away from me.”

Drugs and Alcohol

  • In the beginning, Sydney explains the backstory of how her brother ended up in jail. She describes a background of breaking and entering, smoking pot, and possession of pills in his locker.
  • Peyton’s friend has a habit of smoking cigarettes. He would “duck out occasionally to the garage to smoke cigarettes, using a sand-bucket ashtray my mom (who abhorred the habit) put out.”
  • Peyton “drank several beers, took a few shots,” and then “got into his car, and headed home.”
  • In the past, Rosie became addicted to Vicodin that the doctor prescribed to her for a knee injury. She got into trouble when she attempted to get more by faking her prescriptions. “She got a bit too fond of the Vicodin they gave her. Tried to pass off some fake prescriptions.”
  • When Jenn’s parents are out of town, Margaret, Jenn, Meredith, and Sydney drink piña coladas. Meredith and Sydney are not fans of alcohol, but they stay to make sure Jenn is okay. Jenn drinks too much and Sydney helps her to bed.
  • A newspaper story speaking about Peyton’s past states, “After a string of arrests for breaking and entering and drug possession, among other things, he’d completed a stay in rehab and had been sober for over a year. But on that February night, after an evening spent drinking and getting high. . .”
  • Layla and her friends go into the woods behind their house and drink one or two beers before coming back home. Irv says, “Beer me, someone.”
  • Layla’s boyfriend has started taking drugs. Layla tells Sydney the extent of it. “Just pot. Some pills. They make him different. But when I nag him, he gets mad, then doesn’t answer my texts.”
  • When Layla’s boyfriend shows up at her house, she “got a strong whiff of alcohol.”
  • While in the recording studio, Spence, “proceeded to drink most of his bottle of vodka.”

Language

  • “Oh, my God” and “My God” are used several times as exclamations.
  • Layla’s dad says, “Blah my ass,” and then apologizes for his language.
  • Rosie flips another character off.
  • Layla speaks about her brother’s ex-girlfriend. “She was a mean hippie. Who even knew such a thing existed? Bitch.”

Supernatural

  • None

Spiritual Content

  • Layla and her brother went to church when they were young. She speaks about meeting a friend “whom I’d known since our days at Trinity Church Preschool.”
  • Mac explains that the pendant he wears around his neck is “actually a pendant of a saint.” He explains further saying it is of “Bathilde. Patron saint of children. I guess she [his mom] figured we’d need all the help we could get.”
  • Sydney thinks about Mac’s mother, “Like my mom, she was that center of the wheel, with everyone connected drawing strength from her. She needed a saint of her own.”
  • Mac and Layla deliver pizza. “At the next stop, we interrupted a teenage Bible study and were greeted at the door by a beaming girl with braces, who invited us in for a slice and some testimony. Even though we declined, she tipped generously. Jesus would have approved.”
  • Mac speaks about saints and the pendant again, saying Mrs. Chatham “always liked the idea of protection, but especially since she got sick. I’m not wholly convinced. But I figure it can’t hurt, you know?”
  • Mac speaks about saints and his mom. “But there are a few that can be applied pretty broadly. Like the saint of wanderers, travelers, the lost. Or whatever. . . My mom’s favorite is Saint Anthony, the finder of lost things.”
  • Sydney speaks about her saint pendant. “My Saint Anything. I liked the thought of someone looking out for me, whoever it might be. We all need protecting, even if we don’t always know what from.”

by Hannah Neely

Refugee 87

Shif has a happy life, unfamiliar with the horrors of his country’s regime. He is one of the smartest boys in school, and feels safe and loved in the home he shares with his mother and little sister, right next door to his best friend, Bini. Both boys dream of going to university. Bini hopes to be a doctor and Shif wants to be an architect.

Both boys’ dreams are shattered the day that soldiers arrive at their door. Soldiers accuse the fourteen-year-olds of trying to flee before they can be drafted into the military. The boys are sent to prison, where they discover the lengths the government will go to silence anyone who is seen as a possible threat. Shif and Bini’s only hope is to escape the prison, sneak across the desert, and enter another country.

Told from Shif’s point of view, Refugee 87 jumps into a hostile country where people face unthinkable cruelty at the hands of their government. Shif and the other prisoners are treated like worthless animals and are given little food. However, once Shif escapes from prison, he discovers many unexpected dangers. A woman tells Shif not to go to the refugee camps because “a tribe in this area kidnaps people who have escaped from our country. . . They have gangs who patrol the camps, waiting for anyone new. Children get good prices. . . Before selling you, they try to get hold of your family’s money.”

Readers will sympathize with Shif as they learn about the modern refugee crisis. Instead of delving into the political situation, Fountain keeps the setting vague and brings Shif’s hardships to life. Even though the story is told from Shif’s point of view, readers may find it difficult to believe that Shif did not understand the reason his mother was so cautious and the dangers people in his country faced. The easy-to-read story doesn’t waste words on detailed descriptions, which sets the fast pace of the story. However, the lack of detail leaves the reader with unanswered questions.

Even though the publisher recommends the story for children eight and older, younger readers may become upset by the story’s mature themes which include war, violence, death, and human slavery. Although the events in the story are not described in graphic detail, Shif faces the death of his best friend and other horrific treatment. The abrupt ending may frustrate readers because the conclusion does not tell readers if Shif eventually made it to the safety of Europe.

As realistic fiction, Refugee 87 will help readers understand why people flee war-torn countries and the dangers that refugees face. The story also touches on themes of friendship, endurance, and the predatory nature of humans. Refugee 87 explores the refugee crisis in a manner that is appropriate for younger audiences and will engage readers of all ages. Readers who enjoyed Refugee 87 or want to learn more about refugees should also read Refugee by Alan Gratz.

Sexual Content

  • None

Violence

  • Shif and other prisoners are walking. One of the guards pushes Shif “in the back with the butt of his rifle and points ahead. He pushes me again. . . ‘eyes down!’ the guard shouts, and pushes me so hard that I fall to my knees on the stone ground.”
  • Shif and Bini try to escape the prison. As they run, the guards shoot at them. “Seconds later, I hear a bullet ricochet from the tree trunk. Another whizzes past my head like a bee. Puffs of dirt jump in the air as more bullets hit the earth around us.” The boys run and hide in a crack in the desert floor.
  • When Shif and Bini walk through the desert trying to escape from the prison’s soldiers, they hear a vehicle coming. As they begin to run, “There is a puff of dust from the ground beside me. Bullets. Which means they are close enough to fire at us. . . Bini shudders and yells out, then falls to his knees in front of me, clutching his arm.” Because of his injury, Bini tells Shif to leave him. As Shif runs, he “hears Bini shouting at the guards. I hear two shots behind me, then silence.” The scene is described over three pages.
  • Shif meets a woman who was injured. She tells him, “A land mine exploded when we were crossing the border. Two people we were crossing with were killed. I was hit with some pieces of shrapnel. We managed to get the pieces out, but the cuts were deep and I wasn’t able to clean them properly so they became infected.”
  • Shif stays with a family, who has a young daughter named Almaz. While shopping in the market, someone steals Almaz’s money. “Almaz darts down a dusty street after the man. I skid to a stop at the top of the street. Halfway down I see the man has stopped too. He is holding Almaz by the waist. She has her back to him and is struggling to kick him or twist around to scratch at his face.” Shif helps Almaz. “I push at his shoulder and try to grab his arm. He pins Almaz against the wall with one hand, then hits me in the face with the other. I fall backward; my cheek and nose explode with a coldness that almost immediately turns to throbbing pain.” Shif and Almaz escape. The scene is described over two pages.
  • While trying to escape the country, the smuggler yells at a woman who needs to pay more money. Shif hears “screaming and shouting in the corridor, and a loud cracking sound, then she is quiet.”

Drugs and Alcohol

  • None

Language

  • When Shif and Bini are shoved into a prison room, one of the men tells them, “Whatever you do, don’t piss on anyone in the night.”

Supernatural

  • None

Spiritual Content

  • When Shif and Bini hide from the soldiers, Shif prays “that we look like nothing more than two rocky bumps in the uneven desert landscape.”

 

 

ME and ME

The bright sun greeted Lark as she planned for her day. She smiled as she thought of having a perfect date with Alec. A perfect birthday. Enjoying the blue skies and calm lake water would be the perfect way for Lark and Alec to get to know each other. Then screams pierce the silence.

Annabelle, a girl Lark used to babysit, is in danger. Alec jumps in to help, but when he enters the lake, his head hits a rock. Now both Annabelle and Alec are in trouble, and Lark doesn’t know what to do. It only takes Lark seconds to react, but in those seconds everything changes. Her world is torn into two parallel lives, reflecting her two choices of who to save, and afterward, we see Lark live out the result of each choice.

The concept of living a parallel life is interesting; however, the storyline of Me and Me is confusing. Lark changes from one parallel life to the other without warning, making the transition jarring. Instead of focusing solely on Lark’s parallel lives, the author also delves into other heavy topics, including the loss of a parent, domestic abuse, shoplifting, and sexual peer pressure. The addition of so many topics adds to the confusion of the story and because so many subject matters are thrown in, none of the topics are well developed.

Lark’s world is filled with many friends but instead of adding interest, the number of minor characters piles onto the confusion. None of the friends are well developed, making it hard for readers to feel invested in the story. Even though Alec is a major character, there is little to like about him. Even though Alec talks about his abusive father, he doesn’t act to protect himself or his mother because he doesn’t want to see his father in jail. The only reason Lark seems invested in Alec is because the two have a physical attraction for each other. Right from the start, the two have hot, steamy make-out sessions that get in the way of the story’s action.

The end of the story highlights the dangers of shoplifting and how it can destroy a person’s future. Lark realizes her “tendency to take risks was out of control” so she goes to therapy. Afterward, she “felt brave for dealing with my issues.”

Unless someone is extremely interested in parallel lives, Me and Me would best be left on the shelf. The confusing story will leave readers wondering why Lark’s story was worth their time.

Sexual Content

  • Once Lark and Alec begin dating, they kiss often. Additional, less graphic kissing scenes have been left out of this review.
  • Alec kisses Lark, and “his kiss is quick and gentle, and his lips taste of sunshine and honey. My whole body turns molten. . . He slides his hand into my hair, and hot sparks shoot down my neck and spine.”
  • Lark thinks about her time with Alec during the past week. “Kisses against the gym wall. Hand holding at lunch. Long conversations. . .”
  • While on a date, Lark and Alec kiss. “His tongue is rough, and his hand slides over my shirt, then underneath it to graze my belly button, then slowly upward. My body responds, and I hear a groan escape my lips as he kisses my collarbone.”
  • Alec “kisses me hard, his tongue warm and wet, and our knees press together. Something shoots through me—I haven’t felt like this before. God, I want him to kiss me more, kiss me harder. I become liquid.”
  • Alec and Lark go to his house when his parents are out. They partially undress. “His toned abs flex as he leans forward to kiss the point of my chin, then the place where my collarbones meet, then the top of my breast.” Alec tells Lark that he has been with “a few others. Only one who—I guess that meant anything.” Alec’s parents come home and interrupt the two.
  • Lark and her friend talk about how they are “not getting it.”
  • Lark questions her friend. She asks if he’s been to his boyfriend’s house to meet the parents, and  “not just for a hookup with their son.” They have a conversation about how hard it might be for his boyfriend and his parents to come to terms with a gay relationship.
  • Lark and Alec kiss and “his tongue slipped into my mouth, opening me up. Things get heavy fast, and we’re both breathing quickly. . . He lifts my shirt out of the way to kiss the skin of my stomach.” They stop because they are in too public of a place to do more.
  • While at a public park, Lark and Alec make out. “. . . He pulls me onto his lap, my legs astride him. . . he lies on top of me. He’s breathing warmly into my neck, kissing me just at the base of my ear, and every pore is opening, ice trickling down my spine, as I help him tug at my jeans.”  A text interrupts them.
  • While at Lark’s house, Alec “pushes me down onto the bed. Before I can take a breath, he climbs on top of me, tongue and hands exploring my face, my body. I want this—I want him. . .” Lark stops him from doing more.
  • While outside, Alec pushes Lark to the ground and he “slides a hand up my skirt and beneath my underwear. I moan as he touches me.” They stop and don’t go to either one of their houses because their parents are home.
  • Lark skipped school so Alec could come to her house. “Alec and I are in my bed, and he has pinned my arms above my head, our hands entwined in my long hair, the covers over our almost-naked bodies. . . Alec slides my underwear down. . . He runs his hand up my inner thigh. . . I arch my body toward him, my breast and stomach against his hard chest and abs. He opens my legs with his and pushes me into the bed. . .” They have sex, but it is not described.

Violence

  • Alec has bruises and tells Lark that his dad hits him. Alec says, “Mom gets the worst of it, but when I’m around, I try to keep him off her. Sometimes I win. Sometimes he does.”
  • When Lark gets a text from a friend, Alec gets angry, and “he grabs my arm, and his grip is hard. Hard enough to bruise me.” He threatens Lark and she leaves.

Drugs and Alcohol

  • When Lark said she was rebellious, her friend replies, “You seem like a good student. Into nature and stuff, not drugs and parties.” Lark agrees.
  • Lark’s friend smokes clove cigarettes. Another one of her friends smokes an e-cigarette.
  • Lark and her friend use a fake ID so they can drink vodka cranberry.

Language

  • Profanity is scattered throughout the story and includes bullshit, bitch, crap, damn, holy crap, fricking, hell, and shit.
  • “Thank god” is used often. For instance, when Lark takes off her shirt and shorts so she can swim, she thinks, “Thank God I’m wearing a decent bra.”
  • Jesus is used as an exclamation once.
  • Lark flips her friend off.
  • A character thinks his boyfriend’s parents are “bigots.”
  • When a friend catches Lark stealing, the friend calls Lark a “bonehead.”

Supernatural

  • Someone tells Lark that she is a channel for her dead mother’s spirit.
  • Lark has a parallel life, which she can see sometimes. She receives texts and videos from her parallel life. She also has visions of her other life. “There is a static flicker in the air—I sense something before I see the shimmery shapes of a room. It’s as if I’m looking through a window. . .” Lark discovers there is a portal between the two worlds and travels to the other world to talk to her other self.
  • Lark and a friend discuss parallel lives. Her friend says that the number two “represents your soul number. Your divinity. If you’re open to receiving the message, angels will guide you.”
  • Lark wonders if having a parallel life is genetic.

Spiritual Content

  • When Lark gets to work, her friend says, “Thank the Great Spirit you’re on with me tonight.”

 

 

 

 

 

Speak

Instead of looking forward to starting high school, Melinda is dreading it. She attended an end-of-the-summer party, which got busted after she called the cops. Now she is an outcast. Her friends, and even random strangers, hate her. Something terrible happened at the party. And one day, Melinda will speak about the terrible events. And that will change everything.

Because Speak is written in the first person, Melinda’s personality comes to life. Although Melinda often is sarcastic, the pain and uncertainty she feels come through. The reader knows that something terrible has happened to Melinda, and they know it has to do with “IT” and the end-of-the-summer party. However, the reader is left in suspense until the end of the story, when the horrible events of the party are revealed—Melinda was raped.

Melinda is dealing with some heavy issues—parents who only talk to her through sticky notes, feelings of depression, and the overwhelming desire to have someone like her. Speak focuses on Melinda’s struggle to understand what happened to her. At one point she questioned, “Was I raped?” When Melinda finally tells a friend about her experience, Melinda is accused of being a liar. And because no one knows what happened, Melinda’s rapist is able to continue to terrorize her. Although the story is told in a realistic manner and is teen-friendly, the events in the book may still be upsetting to some readers.

Much of the story focuses on Melinda’s inner dialogue, which allows the reader to understand her thoughts and feelings. Many of the adults in the story just don’t know how to deal with Melinda’s problems, which makes it harder for Melinda to talk. Even as Melinda struggles to speak, the message of the story is clear— “don’t expect to make a difference unless you speak up for yourself.” Melinda’s story will have a major impact on readers. Speak will be remembered long after you finish reading it.

Sexual Content

  • The school board decides to change the school mascot because “Home of the Trojans didn’t send a strong abstinence message, so they have transformed us into the Blue Devils. Better the Devil you know than the Trojan you don’t, I guess.”
  • While watching the cheerleaders, Melinda thinks, “the cheerleaders are much better at scoring than the football team is.”
  • Melinda thinks the cheerleaders “have parties wild enough to attract college students. . . They rent beach houses in Cancun during Spring Break and get group-rate abortions before prom.”
  • During biology class, the class laughs when the teacher says the word “reproduce” because “they have figured out it is related to sex.”
  • Melinda’s friend has a model shoot and Melinda thinks that her friend’s, “goosebumps are bigger than her boobs.” During the shoot, “the photographer keeps saying ‘Sexy, sexy, very cute. . . think boys.”
  • At lunch, a group of girls talks about a boy who is gorgeous and dangerous. One of the girls said, “Rumor—he sleeps with anything.”
  • When the school changes the mascot, the cheerleaders come up with a new cheer, “We are the hornets, horny, horny hornets.” During the cheer, they wiggle and shake. When the cheer makes it on the television, “the TV sports guy thought the song was cute, so he did a segment showing the ‘Hornet Hustle,’ with the cheerleaders shaking their stingers, and the crowd bumping and grinding their horny Hornet heinies.”
  • Melinda sees a girl kiss a boy in the hall, the girl “smiles and then she kisses him wet. Not a Girl Scout kiss.”
  • Melinda tells her friend about her experience, “I was stupid and drunk and I didn’t know what was happening and then he hurt . . . he raped me.” Melinda’s friend thinks she is a liar.
  • On the bathroom wall, someone writes that a boy “should get it (diprosomething) every morning in his orange juice I went out with him to the movies—he tried to get his hands down my pants during the PREVIEWS!”
  • When Melinda’s friend goes to the prom with a boy, he “was all over her with his hands and his mouth.” Melinda’s friend ditched the guy.

Violence

  • While on the school bus, someone throws a Ho-Ho and it hits Melinda in the back of the head.
  • During a pep assembly, a girl yells at Melinda, and then “the girl behind me jams her knees into my back. They are as sharp as her fingernails. . . The girl yanks my hair.”
  • While at a party, Melinda meets a boy. When he “pulled me close,” she felt dizzy. “He wrapped one arm around my back. His other hand slid down to my butt. I thought that was a little rude, but my tongue was thick with beer and I couldn’t figure out how to tell him to slow down. . .  He kissed me, man kiss, hard sweet and deep. . . He kissed me again. His teeth ground hard against my lips.” Melinda doesn’t like what is happening but isn’t sure how to stop the boy from continuing. “I can hear myself—I’m mumbling like a deranged drunk. His lips lock on mine and I can’t say anything. I twist my head away. He is so heavy. . . I open my mouth to breathe, to scream, and his hand covers it. . . shirt up, shorts down, and the ground smells wet and dark and NO!. . and he smells like beer and mean and he hurts me hurts me hurts me and gets up and zips his jeans and smiles.”
  • The boy who raped Melinda attacks her at school because “you started spreading lies, and now every girl in school is talking about me like I’m some kind of pervert . . . You are one strange bitch, you know that. A freak.” The boy tries to kiss Melinda, and when she pulls away he, “slams his body against mine. . . He curses and turns, his fist coming, coming. An explosion in my head and blood in my mouth. He hit me.” The attack takes place over three pages. In the end, Melinda breaks a mirror and “wrap my fingers around a triangle of glass. I hold it to Andy Evans’s neck.” Finally, the lacrosse team shows up and helps Melinda.

Drugs and Alcohol

  • While watching television, Melinda’s dad “drops ice cubes in a heavy-bottomed glass and pours in some booze.”
  • Melinda’s ex-friend, “puts a candy cigarette between her lips. Rachelle wants desperately to smoke, but she has asthma.”
  • Melinda friend tells her, “But you just can’t cut classes or not show up to school. What’s next—hanging out with the dopers?”
  • Melinda goes to a party where she and other teens are drinking.
  • During prom season, some kids talk about “which limo company won’t tell if you drink.”

Language

  • Profanity is scattered throughout the book. Profanity includes: bitchy, bullshit, crap, darn, and pissed.
  • “Oh my god” is used as an exclamation several times.
  • A girl calls Malinda an “asshole.”
  • Someone calls a girl a “bitch.”
  • Melinda is upset with a teacher and thinks, “I’m not going to let an idiot teacher jerk me around like this.”
  • According to the writing on the bathroom stall, a girl has pissed off a whole bunch of people. One person wrote in huge letters that she is a whore.
  • Melinda thinks it’s best to stay quiet because “All that crap you hear on TV about communication and expressing feelings is a lie.”
  • When Melinda’s friend tells her they are no longer friends, Melinda tries “to think of something bitchy, something wicked and cruel. I can’t.”

Supernatural

  • None

Spiritual Content

  • Melinda’s “parents didn’t raise me to be religious. The closest we come to worship is the Trinity of Visa, MasterCard, and American Express. I think the Merryweather cheerleaders confuse me because I missed out on Sunday School. It has to be a miracle. There is no other explanation. Howe else could they sleep with the football team on Saturday night and be reincarnated as virginal goddess on Monday?”
  • When Melinda goes to the mall and finds that it is closed, she thinks, “It’s always supposed to be there, like milk in the refrigerator or God.”
  • A girl Melinda knows is “experimenting with Islam. She wears a scarf on her head and some brown-and-red gauzy harem pants.”

The Assassination of Bragwain Spurge

Elf historian Bragwain Spurge accepts a dangerous mission to catapult across the mountains, spy on the goblins, and deliver a peace offering to the goblins’ dark lord. No other elf has returned for the goblins’ land, but Spurge is determined to be the first.

Spurge’s host, goblin archivist Werfel, is excited to show the goblin culture to his guest. Instead of being great friends like Werfel had hoped, Spurge’s snobbish attitude and sneaky ways lead to an international crisis. Soon, the two are fugitives fighting for their lives. But in order to survive, and keep their nations from war, the two will need to put their cultural differences aside and work together.

A unique political story, The Assassination of Bragwain Spurge, is told from three points of view.  Werfel tells his version of events in first-person text; the pride and love he feels for his culture and his people shines throughout the entire story. Lord spymaster Ysoret Clivers writes reports to the elves’ leader, which allows the reader to understand lies that were told to Spurge. Spurge transmits pictures of his side of the story back to the elf kingdom. The beautiful, sometimes hilarious, black-and-white illustrations portray the goblin culture from Spurge’s perspective, often making the goblin world appear frightening.

Spurge’s story begins with illustrations of his travel to the goblin’s city. Because the story is told from three points of view, the same events can be seen through different perspectives, which allows the reader to understand how so many misunderstandings can take place between two people. Spurge portrays the goblins as frightening monsters, who leer at him and have disgusting habits. Despite Spurge’s conceited attitude, Werfel makes an excellent host, who is willing to die for the unlikable, unfriendly guest.

Many readers will relate to Spurge, who was bullied throughout school. Spurge has always been “the weed: unwanted by anyone.” Spurge accepted the dangerous mission because “I thought I would be useful. . . I thought I could be different than I was. I thought I could be one of them.” He is heartbroken when he realizes that he was used. Werfel points out that “just because you’re useful to the wealthy doesn’t mean they’ll reward you. It just means they’ll use you.” Spurge’s heartbreak and hurt make his previous behavior understandable.

Spurge and Werfel are not necessarily heroes, but in the end they band together to help bring peace between their people. The conclusion allows the reader to know that there is always the possibility of peace when two people begin to understand each other’s culture. The action-packed, visually inspiring, and funny tale teaches the value of friendship and understanding others’ perspectives. The Assassination of Bragwain Spurge will draw in readers because of the many illustrations; however, only dedicated readers will make it to the end of the book because of the changing points of views, the complexity of the plot, and the length of the story.

Sexual Content

  • None

Violence

  • While giving the history of the goblin city of Tenebrion, Ysoret Clivers writes about twelve elves who went into the city. Only two came back alive, “but raving mad—unable to explain the horrors they’d seen, and not just because their tongues had been cut out. Their minds had been blasted.”
  • When being introduced to a goblin family, the host tells Spurge, “I, for one, am going to try right now to forget all the elves I killed in all sorts of ways during the war, and I am not going to think of all of my friends you people shot and stabbed and cut apart. Oh, and burned from the air. And imprisoned without food.” Another guest tells Spurge, “When most goblins took elfin prisoners, they cut off their arms at the elbow. Not me, sir. . . I always cut off your people’s hands right at the wrists.”
  • When Spurge was a child, the other boys would tease him. Ysoret Clivers and the other boys, “burned his desk with him tied to it . . . (and) dragged him down to the crypt and forced him to eat grave-worms or have his pale little head kicked in.”
  • When Ysoret Clivers displeases the king, a bodyguard cuts off his finger. “He spread my hand out on my desk and, taking out his ax—” By the end of the book, Ysoret Clivers has lost three fingers.  When the third finger is removed, blood splatters the page, but it is not described.
  • Spurge and Werfel are surrounded by bandits, who make the goblin give up his clothes. The bandit grabs Spurge, and “she spit in the elf’s face, then threw him backward to the floor. . . She kicked Spurge as hard as she could. Spurge writhed in pain.” Werfel stops the bandit from killing Spurge. But then “the goblins surrounded them, jabbing at them with short swords and knives, forcing them back toward the balcony railing and the darkness beyond it. . .” The bandits push the two off the balcony, but they are uninjured. The attack is described over a chapter.
  • A goblin challenges Spurge to a duel. The battle is described in 19 pages’ pictures. The goblin attacks Spurge with a mace, but Spurge is able to defeat him.
  • An elf knight hits Werfel’s pet. “One of the guards swung a sword and hit her with the flat. Werfel heard the crunch. Skardebek went whirling over their heads and hit the ground. She lay there twitching as the knights pulled their two prisoners away.
  • Werfel’s pet helps him and Spurge escape from the elves. “She darted forward and clamped herself angrily over the executioner’s hooded face. He gagged and clutched at her. . . Skardebek flapped away—and Spurge slammed the guard over the head with the pike. The man collapsed.”
  • As Werfel and Spurge are trying to escape, a knight sees them. There is a brief altercation. “Werfel grabbed his weapon. He shoved his hand over the man’s mouth. . . Skardebek flapped in his face and he choked. . .” Spurge hit “the guard in the stomach. The picket guard fell backward, the breath knocked out of him.”
  • When the elves and goblins’ leaders meet, a weapon detonates and explodes. The leaders and their armies disappear into a black hole. The meeting is described in pictures.

Drugs and Alcohol

  • To welcome Spurge, the elfin scholar, to the goblin city, a champagne fountain is prepared.

Language

  • When the goblins consider someone a friend, they insult them by calling them names. Spurge calls a neighbor’s children “little jerks” and “awful spawn.”
  • If the goblin’s find out Werfel is a spy, Ysoret Clivers writes that “we can claim that he was just a nincompoop or a madman.”
  • A goblin challenges Spurge to a duel, calling him a “cowardly, lily-livered, stitch-faced desperado.”

Supernatural

  • Spurge uses a communication spell to send pictures back to the elves. “Werfel could tell it was a spell because the elf was floating several inches above the bed, surrounded by crackling sparks.”

Spiritual Content

  • When a group of angry goblins surrounds Spurge and Werfel, Werfel “clenched his hands and started to say a prayer to Great Rugwith.”

Midnight Sun

Katie can’t be in the sun. Even the smallest amount of sunlight will cause her great pain because of a rare disease, forcing Katie to sleep during the day and lead an isolated life at night. Her best friend Morgan and her widowed father are her only companions until one night, Katie goes to the train station to play her guitar. As she plays her music, a chance encounter opens her world and her heart.

All-star athlete Charlee Reed thought his life was planned out for him until he met Katie. When he sees Katie playing her guitar, everything changes. He doesn’t know about Katie’s rare disease, but he’s determined to steal her heart.

Midnight Sun’s plot is typical, predictable, and cliché. Despite that, many teens will relate to Katie’s desire to be normal and her struggle to lead a life that matters. Katie’s love interest Charlie—handsome, kind, and generous—is every girl’s dream. The two quickly fall in love and force each other to step out of their comfort zones and follow their dreams.

Midnight Sun follows the same format as The Fault in Our Stars and Me Before You. Romance fans will enjoy this book because of its strong character development. This story encourages readers to follow their dreams and tells them anything is possible. However, the use of cursing and texting abbreviations such as FOMO seems unnecessary. Because of Charlie, Katie seems to accept the progression of her disease and her impending death with little emotion. Although she wonders what death will be like, her acceptance of dying young does not ring true.

Cook missed an opportunity in this novel to focus on the dangers of drinking. Even though Charlie, drunk and foolish, injured himself and lost his scholarship, Charlie still goes to a party and plays beer pong. During the party, drinking to excess is depicted as fun, without much risk. Although this book has some flaws, it is an easy-to-read story that will please readers looking for a character-driven romance.

Sexual Content

  • Katie fantasizes about Charlie. She wishes she could invite him into her room, “Run my fingers through that gorgeous hair. Kiss him.”
  • Morgan is excited that Katie is “meeting up with the guy you’ve lusted after for a decade.” They have a conversation about hooking up. Morgan says, “I am not losing my virginity to a guy I’ve talked to exactly twice in my life.”
  • Charlie and another girl used “to hook up once in a while . . . But it’s not something I’m proud of or want to repeat or anything.”
  • Charlie tells Katie that kids often grind when they dance. Then he shows how it’s done. “He puts a hand on my lower back and starts swaying his hips side to side like a pendulum. I follow his moves.”
  • Charlie kisses Katie. She thinks, “It is pure magic, so everything I ever hoped it would be, I can’t even move or think or breathe for a second. But then instinct kicks in and I feel everything, everything. My nerve endings tingle, my brain is on fire, my heart is a goner.”
  • Charlie and Katie kiss several times. It is described, but not in graphic detail. The first time, “he softly kisses me. He adds just the right amount of lips, tongue, and time.” Later, they kiss again and Katie thinks his lips “taste like sugar and cream and pure goodness . . . I’ve never felt so buzzed on life.”
  • Morgan kisses a boy, but it is not described. Later, Morgan said that she did “make out” with the boy.

Violence

  • None

Drugs and Alcohol

  • Katie, Morgan, and Charlie go to a party where teens are drinking and playing beer pong. Charlie explains the rules of beer pong and then he and Katie play. Katie doesn’t drink, but her friends do.
  • Katie, Morgan, and Charlie go to a party where the host bought a keg, but doesn’t know how to open it. Morgan complains, “This really is a tame, safe, parent-friendly party!”
  • While playing guitar at the train station, Katie sees a man who “seems drunk.”
  • At a party, someone says, “And that girl over there, she has a prescription drug problem.”
  • When Charlie is drunk, his friend “bet me I couldn’t jump off the roof into the pool and I clipped the edge and I’m an idiot.” He injured himself jumping, which led to him losing his scholarship.

Language

  • Profanity is used often. Profanity includes ass, bitches, crap, damn, jerk, freaking, hell, shit, and WTF.
  • “Goddamn” is used once.
  • Morgan said, “Tonight is going to be fan-fucking-tastic, and so are you!”
  • A girl calls Morgan a “douchebag.”
  • “Oh my God,” is used as an exclamation several times.
  • Morgan tells Katie, “it took gigantic cojones to come to this party.”
  • When Morgan gets her diploma, she “strikes a pose and mouths, Yeah, bitches!”
  • A friend of Katie’s dad “has great stories about what a little pain in the ass my dad was as a kid.”
  • Morgan calls a popular girl a “whore” and “flaming crotch rot.”
  • An advice columnist writes, “everyone has their shit sandwich. The only difference is some people aren’t willing to talk about it.”
  • Morgan tells Katie, “You’re a hot, young, badass woman in charge of her own life, and you text him whenever you damn well please.”

Supernatural

  • None

Spiritual Content

  • Katie wonders what happens after a person dies. She wonders if death is “just you, in the dark, awake and aware. I sincerely hope not, because that would be unnecessarily cruel.”
  • Katie’s mother died in a car crash when she was younger. Katie wonders what happened when her mom died. “Was there a white light, did her grandparents escort her to heaven? Will she get me when it’s my turn? Or will it just be blackness, a big void, a curtain coming down and that’s it, like I never existed at all?”

 

 

 

 

 

In Plain Sight

Megan, who has moved all over the country, knows how to make friends. Now living in Las Vegas, Megan “Cause Queen” Caliente organizes a protest, where she is detained by police. When her mother comes to pick her up from jail, the police arrest her mother. Megan discovers that her mother has been living under an assumed name, and her father is a convicted terrorist.

Megan’s life is suddenly turned upside down. Her friends turn against her, and gossip spreads like fire. Megan struggles to understand her mother’s decisions. She also wonders if she will follow in her father’s footsteps.

Written from Megan’s point of view, In Plain Sight focuses on Megan’s journey to understand her mother’s choices as well as how her father’s terrorist act will affect the person she becomes. After people discover who her father is, Megan must deal with gossip, and one student shouts, “Muslim go home!” Suddenly, Megan is stereotyped as an extremist and some of her friends abandon her.

Throughout the story, Megan learns about the impact of choices. Her friend Matt shares his own troubled background and teaches Megan that genetics don’t determine who you become. Matt tells Megan, “Everything in life is a choice . . . You can choose to be you. Or you can let someone else choose for you.” This theme is reinforced when Morgan struggles to deal with her father’s deadly actions and decides to go to a memorial for those who her father killed. While there, a girl whose father died in the bombing, tells Megan, “. . .but if you came here looking for forgiveness, you’re not going to get it. . . It’s not yours to get. . . You didn’t do anything wrong.”

Written as a part of the Orca Soundings books, which are specifically written for teens, In Plain Sight is a fast-paced book that looks at the timely issue of terrorism in a teen-friendly manner. Teens will enjoy this high-interest, easy-to-read story.

Sexual Content

  • Megan is upset when she finds out who her father is. In anger, she yells at her mom, “Well, sharing that [a computer] got you into a shit-load of trouble. And sharing your body got you pregnant.”
  • Megan and Matt go on a road trip. They sleep in the vehicle for the night. When they get out their sleeping bags, Matt suggests, “Why don’t we zip them together?” When Megan declines, Matt said, “Can’t blame a guy for trying.”

Violence

  • None

Drugs and Alcohol

  • During a protest, Megan saw a tourist with a can of Coors Light.
  • Megan’s “big love is current events, not parties and weed.”
  • Megan’s aunt drinks a glass of wine.
  • Matt tells Megan, “I’m the son of a guy who dealt drugs for a living, and you don’t see me selling the white stuff.”

Language

  • Profanity is scattered throughout the book and includes ass, bitch, crap, damn, hell, pissed, and shit.
  • “Oh my god” and “my god” are each used as an exclamation once.
  • Someone calls Megan a “lying hag.”
  • A police officer tells a protester, “Stay where you are and stop being a smart ass. . .”
  • When Megan’s friend is goofing off, she thinks, “He’s such a smart ass.”
  • Megan makes a huge mistake and tells her mom she won’t do it again. Her mom replies, “Damn right you won’t do it again.”
  • When Megan yells at her mother, she thinks, “I know I’m being a bitch. . .”

Supernatural

  • None

Spiritual Content

  • None

Chemistry Lesson

Maya has her summer all planned. She has an internship at MIT and the perfect boyfriend, but before the summer fun can start, Maya’s boyfriend breaks up with her. Maya, who is still grieving her mother’s death, has one thing on her mind—getting Whit back.

When Maya finds her mother’s old notebooks, she thinks she’s discovered the perfect way to get her boyfriend back. With the help of her mother’s lab intern, Ann, Maya makes a love serum. But before Maya can use it on Whit, she needs to test out the serum on two test subjects. Maya embarks on an adventure that leads her to discover the unpredictability of love.

The best part of Chemistry Lesson is the relationship Maya has with her best friend, Brian. Realistic, funny, and kind, Brian shows what true friendship should look like. Another positive relationship in the story is between Maya and her father. Both are trying to deal with the loss of Maya’s mother and struggle with the grieving process.

Although the storyline has an interesting premise, Maya’s willingness to ignore moral codes to get Whit back seems farfetched. Whit’s early disappearance from the story leaves the reader wondering why Whit is worth all of the effort to create a love potion. For a person who is so smart when it comes to science, Maya is completely clueless when it comes to guys. By completing the experiment, Maya does learn about herself and others, but her naivety when it comes to boy-girl relationships comes off as false.

Chemistry Lesson is a quick, easy read that has a diverse cast of characters. Even though the story focuses on a love potion, the love scenes won’t stir up much emotion. For those looking for a fun, unique love story, Chemistry Lesson will hit the mark.

Sexual Content

  • Brian is gay, but the only reference to his sexuality is when Maya asked, “Were you ever this upset about Matt?”
  • Maya’s aunt has a female partner “of more than 20 years.” Pam tells Maya that when she “had crushes on women and men while I was with Pam,” but because she was older, she was “able to ignore the crushes.”
  • Maya’s friend Yael told Maya “how a woman she’d met in undergrad pursued her for months only to dump her for a guy on the rugby team.”
  • Maya and her boyfriend, Whit, decided “we’d have sex in four weeks—once Whit moved into off-campus housing, where he’d have his own room.” Maya was “unable to stop myself from imagining what was going to happen in less than a month.”
  • When Maya’s boyfriend breaks up with her, her friend tells her, “This whole ‘losing my virginity thing is a heteronormative concept anyway.”
  • Maya makes out with Kyle. The scene is described over three pages. As they kiss, “He tipped me back so that my head rested against a couch pillow, and then he was half on top of me, one leg on the couch, one on the floor. . . He shifted so that his knee fell in between my legs.” Maya stops Kyle. Then he said, “This kind of thing happens all the time in college.”
  • Maya thinks back to visiting Whit at college where, “I’d seen students bring strangers back to their rooms and then say goodbye forever the next morning.”
  • One of Maya’s friends “hooked up with one of the techs from next door.”
  • Maya makes out with a boy at a party. “He pulled me close and hugged me, and I reciprocated with my arms around him. Then I felt a tickling wetness on my neck. . . He put one hand on my butt like it was no big deal . . . I couldn’t do much besides keep my mouth open as his tongue began wagging from side to side inside it.” The scene is described over four pages.
  • Someone tells Maya, “sometimes the best way to get over someone is to get under someone else.”
  • When Maya is in Whit’s room, she teases him for having Bananagrams in his nightstand. She says, “You’re supposed to have condoms and drugs in there.”

Violence

  • None

Drugs and Alcohol

  • For an experiment, Maya takes drops. When her friend catches her taking the drops, she tells him, “I’m ingesting a pheromones-masking formula to get Whit back.”
  • Maya thinks back to “the wine that Whit once stole from his parent’s liquor cabinet so we could share it on one of our first real dates.”
  • After dinner, Maya’s aunt poured her a “full glass of sweet wine.”
  • Maya goes to several parties where there was alcohol. At one, “Most of the kids were drinking beer procured by someone’s older brother.”
  • When trying to explain an experiment, one of the characters mentions Viagra.
  • Maya, her father, and her friend go to an outdoor play. Her father brought “water bottles filled with his special juice drink.” Maya’s father said, “I’m teaching her that alcohol isn’t something you consume in excess for the purposes of getting drunk.”
  • Maya goes to a party where teens are drinking and she “could see a pack of adults smoking something in a circle.”
  • When Maya hurts herself, she takes Percocet for the pain.

Language

  • When someone makes fun of Kyle’s singing, he “lifted his middle finger in our direction.”
  • When Maya visits her aunt, her aunt uses profanity including “goddamned.” The aunt’s accent is so thick that the curse words sounded like “fahckin’ or ‘gawhddamned.’”
  • “Oh my god” is used as an exclamation.
  • Profanity is used infrequently but includes bullshit, dammit, hell, and shit.
  • After Maya sings karaoke, her friend says, “you sounded like a fucking robot.”
  • “Jesus” is used once as an exclamation.
  • When Maya falls down, a guy says, “Holy shit, she’s down.

Supernatural

  • None

Spiritual Content

  • None

Since You’ve Been Gone

Emily was ready for summer. She had it all planned out: she and her best friend Sloane would find fun part-time jobs, go on weekend trips, and take everyday adventures together. However, everything changes when Sloane mysteriously disappears, leaving behind a list for Emily to accomplish. Seeing this as the only way to get her best friend back, Emily is determined to finish the list. The list contains thirteen tasks designed to push Emily’s comfort zone like “riding a horse” or, even scarier, “kissing a stranger.”

Emily embarks on a completely unexpected summer filled with risky exploits, play-writing parents, and new friends that allow her to discover who she is as an individual, not just half of a whole.  Since You’ve Been Gone is a delightful novel that makes the reader long for those days of summer that seemed endlessly filled with possibilities. Fans of Morgan Matson’s other books will be thrilled by this adorable adventure that is in her same spellbinding style.

This book is perfectly appropriate for teen readers and is relatable in many aspects through the struggles Emily faces to discover her individual identity. Nonetheless, there is a great deal of romance throughout the book and sexual content is found on several occasions, so parents of younger readers may heed caution. Despite this, Since You’ve Been Gone is a delightful book full of hilarious scenes in which the readers feel as though they are part of a group of friends. The characters and plot make Since You’ve Been Gone well worth reading.

Sexual Content

  • Sloane and Emily make a plan to find “summer boys.”
  • A boy absentmindedly stares at Sloane when she is at a craft fair, and he unknowingly picks up a macaroni necklace during his entrance of her beauty.
  • Items on Sloane’s list include skinny dipping and kissing a stranger.
  • When Emily goes to The Orchard, a popular hangout place, a couple of parks next to her car and “started furiously making out in the front seat.”
  • When Emily sees Frank lift up his shirt to reveal his surprisingly ripped abs, she “felt my feet tingle.”
  • When Emily meets Dawn for the first time, Dawn is crying about the fact that her boyfriend is cheating on her with her best friend.
  • Sloane’s boyfriend, Sam, was “sliding his arms around Sloane’s waist and kissing her cheek.”
  • Emily’s parents’ play has a kissing scene that Emily and Frank almost have to perform.
  • Emily makes out with a stranger in the small pantry of Frank’s house. “His lips were on mine . . . he wrapped his arms around my waist, and started kissing me for real . . . And soon I was kissing him back, my pulse racing and my breath catching in my throat, his hands twined in my hair. It was only when his hands slipped under the hem of my shirt . . . that I came out of the make-out trance.”
  • Emily’s former boyfriend Gideon is a “good kisser.” They kiss a few times in the book.
  • Sam kisses Emily, making Sloane break up with him.
  • Emily and Frank kiss in her car as the rain is pouring down on them through the sunroof. “And it was a kiss that felt like it could stop time . . . We were kissing like it was a long-forgotten language that we’d once been fluent in and we were finding again, kissing like it was the only thing either of us had wanted to do for a long, long time, kissing with the urgency of the rain that was pounding down all around us . . . His hands were tangled in my hair, then touching my bare back, and I was shivering in a way that didn’t have anything to do with the cold.”
  • At the conclusion of the novel, Frank and Emily engage in a passionate kiss that is not described in detail.

Violence

  • When attempting to break into her own house, Sloane falls over the windowsill and lands “with a thump that I could hear even from the ground.”
  • A character commits arson in the play Bug Juice that Emily’s parents wrote.
  • Frank hits Collins on the back affectionately and Emily remarks, “I had no idea why boys, when they become affectionate, got violent.”

Drugs and Alcohol

  • At the apple orchard where many parties are held, there are ladders, and “only the bravest‒or drunkest‒people ventured up them.”
  • The Orchard is described as having, “a small group smoking. There was a keg and a stack of red Solo cups, an open cooler at his feet.”
  • Emily gets a cup of beer that was “mostly. . . a cup of foam.” She “took a tiny sip, wincing at the warm, metallic taste, wondering how much longer I had to stay.”
  • Collins hits on a girl who is, “smoking a cigarette and talking on her phone.”
  • Sloane acquires fake IDs for herself and Emily to go into a bar and hear one of their favorite bands perform. Emily does not go in the first time, but returns after Sloane has gone missing. Within the bar, she sees “the shelves of liquor stretched up almost to the ceiling.” When she orders a diet coke, the bartender asks her if she wants it “with rum,” to which she refuses.
  • At Frank’s birthday party, Emily gets tipsy.
  • When Emily sleeps over at Sloane’s house, she is sent to get a bottle of wine from the fridge for them to drink while they binge watch Psychic Vet Tech.

Language

  • Phrases using the word “god” as an exclamation are used frequently.
  • Profanity is used frequently throughout the novel. Profanity includes holy crap, hell, and damn.
  • Collins jokingly insults Frank and says, “You complete moron. I thought I was going to have to get the ladder and pull you out like a damn cat!”
  • Emily thinks that some people at a party think that she is a “narc.”
  • A girl in a bar says, “Jared has been cheating on me with some skank named Penelope.”
  • Frank says to Emily, “Don’t be stupid.”

Supernatural

  • When thinking of Sloane’s mysterious disappearance, Emily says, “I was negotiating with some cosmic dealer who could guarantee this for me.”
  • An example of the trivial text exchanges between Sloane and Emily is, “Have you noticed it’s been a while since anyone’s seen the Loch Ness monster?”

Spiritual Content

  • None

by Morgan Filgas

Resistance

Chaya Linder is living in Nazi-occupied Poland. Her Jewish family is in danger. Her sister is deported to one of the camps and her brother disappears. After losing their two children, Chaya’s parents have given up hope. In an effort to make a difference, Chaya becomes a courier and travels between the ghettos of Poland. She takes lifesaving supplies like forged papers and food. Sometimes, she even smuggles out children.

When Chaya joins a resistance cell, she hopes to use the Nazis’ supplies to help her people. When a mission goes wrong, most of Chaya’s network is killed or captured. Alone, with nowhere to go, Chaya isn’t sure what to do. When Esther, a former member of her cell, appears, Chaya begins a journey to the Warsaw Ghetto where a large uprising is being planned. Chaya is determined to save as many lives as possible, even if she loses her own life. Her only desire is to live or die with honor.

Told from Chaya’s point of view, Resistance gives the reader a grim picture of the persecution Jews received during World War II. The story begins with suspense, which continually builds as Chaya survives her ordeals, while many of the other resistance members are killed. Many of the events are violent, and although they are not described in bloody detail, death is common. Although the publisher recommends the book for ages 8-12, the descriptions of death and torture would make this a difficult book for younger readers.

As Chaya’s world crumbles around her, the reader gets a better understanding of why some Jews did not fight back. Some of the Jewish people were so overcome by fear, or some didn’t believe the stories of the death camps, so they didn’t fight back. Others refused to fight because they believed that killing was wrong—even if they were fighting to save their own life. Several times in the story, the characters discuss the morality of killing the Nazi soldiers. In the end, the story makes it clear that leaving the Ghetto in order to survive, or staying in the Ghetto are both valid choices. “We’ll all die one day, no one escapes that fate. Our only decision is how we live before that day comes. Our path requires courage, but so does theirs. Both paths are ways to resist.”

As Chaya and Esther travel to Warsaw, they meet people from all lifestyles and religions. This helps the reader understand people’s different responses to the Jews. Some of the Poles ignored the problem, while others took advantage of the Jewish people, and even physically attacked them. Yet, there were still many Poles that risked their lives to help save the Jews. In the end, the story shows that there were evil people as well as good people who were willing to die fighting.

Resistance ends with the events of the Warsaw Uprising, which gives the reader a vivid description of the death of many civilians, and resistance fighters. The cruelty of the Nazis and the heroic deeds of the Jews are depicted. Although the story gives a historic perspective, sensitive readers may be upset by the death the surrounds Chaya and the Jewish people. Resistance ends with a list of the historical resistance fighters who fought for their people and should be considered heroes.

Sexual Content

  • None

Violence

  • Chaya’s father is stopped by a Polish police officer who, “ripped out pieces of my father’s beard, one fistful at a time. With every tear, my father grunted with pain, but he said nothing and offered no form of resistance. The crowd that had gathered pointed at him and laughed, as if humiliation and pain were some kind of joke.”
  • Chaya and some others were stealing provisions from a train car when “a gunshot rang through the night and Jukub yelped with pain.” Charya shot a Nazi soldier who was “running toward us with his pistol out, shouting for his comrades.”
  • The resistant fighters attack a café. One threw a grenade through the window. Soldiers, “began to emerge, many with obvious cuts on their faces or uniforms. They became the target of my first grenade. . . My third went inside the café and exploded with enough force to blow some of the bricks off the building.” The surviving Nazis began shooting, and Chaya “saw bodies in civilian clothes fall.”
  • Some of the resistance fighters who survived were sent to Montelupich Prison were, “If the Draengers were there, then they had experienced torture worse than anything I could imagine, and even what I could picture turned my stomach. They would be kept at the edge of death in an attempt to make them talk.”
  • While in a ghetto, Esther drops potatoes, and “two desperate women suddenly became five, and then all of them fought for anything that was left. To get it off Esther’s shoulders, one woman knelt on her back. They were suffocating Esther, but the only thing that seemed to be in their vision was the bag.”
  • When Chaya and Esther are trying to escape from a ghetto, a boy who is helping them is shot. “Henryk hadn’t yet shut the window before a bullet caught him from behind. He fell forward across the windowsill. . .”
  • When Esther is hiding in a barn, the Gestapo finds her. “Ester was hit again and probably knocked unconscious, because she made no other sounds.”
  • In order to create a distraction and save Esther, Chaya cuts the gas line to the Nazi’s trucks and then lights the gas on fire. The gas, “immediately ignited a booming fire that popped the truck’s hood open and set the engine aflame . . . The last truck exploded into the air with a booming sound that would be heard for kilometers around.”
  • When Chaya found Esther, she was tied to a tree’s trunk. When Chaya got closer, “I noticed the bruise was even worse than it appeared from a distance. There was a cut on her cheek too, and other smaller bruises on her neck and probably elsewhere that I couldn’t see.” Esther’s arm was injured as well.
  • Esther recounts what the Gestapo did to her. She was put in a dark room, and “someone slapped me or hit me to get my attention, and they were telling me what would happen if I didn’t talk.”
  • The end of the story focuses on the Warsaw uprising, the description of the battle is told over ten chapters. The resistance fighters throw Molotov Cocktails on the soldiers. When the first explosives were thrown, “bodies fell, and the troops who survived it scattered.” During the battle, Esther threw a “fuel-filled wine bottle” onto a tank, and “the top hatch burst open like a popped cork. Flames shot from within the tank.”
  • During the battle, the Nazis “found the hospital. . . They killed everyone inside. Revenge for our fighting.” How the patients died was not described, but Chaya thinks, “I didn’t want to know, or think about it.”
  • The Nazis have a long-barrel machine gun that they use to kill the Jews. A sniper killed the gunner, “who kneeled over his gun, dead.” Chaya throws a grenade at the vehicle and “the explosion knocked me off my feet.”
  • The Germans escorted civilians and “each was placed on their knees, row by row by row. . . A fighter rose from her knees with a gun. . . She took aim at one of the commanding officers and fired, hitting him squarely in the chest.” Then an officer “gave the order to shoot and every Jew on the street was killed.”
  • Chaya is shot in the leg. When she looks at the wound, she “saw blood spurting from my thigh, almost like everything was happening in sudden slow motion.”
  • When a SS officer sees Chaya, “his hand unfolded, revealing a grenade. . . He pulled the pin and raised his arm to throw it. Then a bullet whizzed past my ear, hitting the grenade itself, which exploded in his hand.”
  • German soldiers would throw poison gas grenades into the sewer system, just in case Jews were hiding in there. As Chaya and a group were trying to escape, poisoned gas was thrown into the sewer, and “Then I heard a splash, and in the light beneath the manhole, I saw Mr. Pilzer’s body go down. He didn’t fall like a dead body would. Instead, he used himself as a shield from the gas, deliberately spreading out his clothes to contain as much of the smoke as possible.”
  • Esther intentionally leads a soldier away from a group of Jews. “A few minutes later, the silent darkness was broken by a single shot fired inside the sewer line.”

Drugs and Alcohol

  • Several times during religious services, people passed around wine.
  • Chaya thinks that on Adolf Hitler’s birthday, he probably had, “a hearty slice of birthday cake to go with a glass of wine.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • As Chaya and Esther were hiding from Nazi soldiers, Chaya was upset that Esther did not do a better job as a lookout. Chaya thought, “Even God wouldn’t expect me to forgive her.”
  • During Shabbat, Chaya, “covered my eyes with my hands, giving myself a private moment with God to ask for healing, happiness, and prosperity.”
  • Chaya and Esther are about to take a trip, and Esther thinks the snow is a warning. Esther said, “Maybe God is telling us to wait one more evening.” Chaya replies, “Maybe God is offering to cover our tracks if we hurry.”
  • One of the characters tells Chaya, “The greater our need, the nearer our God, no?” A boy replies, “And God is very near now.”
  • Chaya asks a group of teens if they will try to escape the ghetto. A boy tells her, they will remain because “We’ve given our lives to God. Whatever happens to us now is alright.” The group discusses the moral implications of staying or trying to escape to fight. One of the group members tells Chaya, “The highest honor we can give God is to die in His name.” Another character said, “Defending one’s life in the moment is allowed. But killing them is different. That’s murder!”
  • Chaya and Esther discuss their belief in God and his promises. Chaya said, “I believe in God’s promises. . . But I’ve run out of patience waiting for them. I believe in God’s laws, but. . .” They also discuss if killing Nazis is murder. One of Chaya’s friends believed that “God has given us the right to defend ourselves.”
  • When Chaya and Esther miss Shabbat, Ester is upset. Chaya tells her, “God will understand, Esther! He understands why we missed Shabbat, and why I wear the crucifix. He understands the gun inside my bag, and if I have to use it again, then I hope He will understand that too . . .”
  • The evening before Passover, a group discussed God. One of the men, Tamir, gave encouraging words, “Didn’t Moses once say to our people, ‘Be strong and courageous! God is the one Who goes with you.”  Chaya thinks that Tamir was “giving praise and honor to a God who might not save him from his fate. But he did so, confident that this coming fight was worthy of God’s blessings.”
  • Esther found a belt buckle in one of the Nazi soldier’s bags. The buckle had an “eagle standing on top of the Nazi swastika” with the words “God With Us.” Chaya thinks about how the Christians are beginning to prepare for Easter. She thinks, “how could these soldiers commit such atrocities on this day, all while wearing an emblem that suggested God supported their actions?”
  • An escaped prisoner tells Chaya, “Hitler wants no Gods other than himself.”

 

Crossing the Line

Dalila Sandoval, the daughter of one of the wealthiest lawyers in Mexico, is focused on her future. She is turning 18, but she already knows exactly what she wants from life—until she meets Ryan Hess. He is a “bad boy” who doesn’t fit into her life, but when she looks into his blue eyes, a flame of desire comes alive.

Ryan Hess has one goal—to prove he can become a great boxer. He flees an unhappy family life and travels to Mexico in the hope of convincing a famous retired boxer to train him. He does not want to be pulled into Dalila’s life or her problems, but he can’t stop himself from falling for her. Despite their immediate attraction, forces outside of their control quickly rise to conspire against them. Is there any way their love can survive?

Dalila and Ryan are two star-crossed lovers who, like Romeo and Juliet, fall in love quickly. Each chapter flip-flops between Ryan and Dalila’s point of view, allowing readers to understand both character’s thoughts and feelings. The beginning of the story is predictable, and the supporting characters are underdeveloped. Despite these drawbacks, readers who enjoy a good love story will be drawn into the couple’s drama and enjoy the unique angle of a rich girl from Mexico falling for a poor American.

Crossing the Line is not a book for those wanting a plausible story based in reality. Ryan spends all his time thinking about proving himself in the boxing ring, but once Dalila steals his heart, he quickly forgets about his dream. Dalila has no qualms about lying or using her body to beguile Ryan. Even though Ryan knows that Dalila is manipulating him, he overlooks her flaws and vows to stay by her side as she tries to figure out if her father is involved in the Mexican Mafia.

Crossing the Line is full of mystery and has a whirlwind ending full of surprises. The story follows the typical story line—boy and girl don’t want to fall in love, but are forced together by outside forces. For older readers who want a steamy, action packed romance, Crossing the Line will keep you entertained.

Sexual Content

  • When Ryan was new to town, a girl and he “hooked up at a party.”
  • After Ryan’s mom found out she was pregnant, her boyfriend, “ran off with some bimbo stripper he’d met at a dive bar.”
  • When Ryan was younger, his mom “had a history of bringing random guys to the trailer, but she wasn’t a whore. She was hoping one of them would stick around enough to take care of her.”
  • While at a concert, Ryan’s friend said, “I think that girl over there with the spider tattoo on her face just grabbed my ass. I feel violated.”
  • Dalila’s friend “might be a flirt, but she’s not into one-night stands or hookups.”
  • Dalila tries to convince a police officer that she is Ryan’s girlfriend. “I bury my hands in his thick hair and touch my lips to his. I’m determined to make this make-out session look convincing. . . the touch of his soft but firm lips against mine sends delicious sensations zinging up my spine. I’ve kissed boys before, but I’ve never felt goose bumps all over like this.”
  • The day after Ryan’s fight, Dalila tends to Ryan’s wounds. “And when she bends over to tend to the cut on my cheek, her cleavage makes my groin twitch.”
  • At Dalila’s birthday party, she and a friend take a walk in the gardens. “Before I can pull back, he presses his lips to mine and wraps his arms around my waist, pulling me close. I’m not ready for this. . . I push him away, glad when our lips separate.” The boy thinks she is playing games and “presses his body to mine again, so close that I can feel how much of a distraction he wants to be.” Ryan sees the two and the boy leaves.
  • Ryan and Dalila kiss several times. Once when they kiss, Ryan’s “breath hitches as she steps so close, I can feel the heat of her skin against mine. Without hesitation, she reaches up on her toes and her sexy, full lips meet mine. They’re soft and wet and full of passion. I hate myself as I take hungry possession of her mouth . . . My lips are still on hers as my tongue instinctively darts out, taking this kiss to the next level. . . her tongue darts out and meets mine.”
  • Ryan tells a story about when he, “got an erection during the swim unit freshman year. One of the girls noticed and screamed it out to the entire class.” He tells another story about his mom’s boyfriend. Ryan did not like him so he took a girl’s phone and “text[ed] the guy all this sexual stuff hoping my mom would see it.” Ryan’s mom broke up with the man.
  • Dalila goes to where Ryan is staying and takes a shower. Thinking about her in the shower, Ryan’s “body is reacting, willing and ready to be called into action.” The shower scene takes place over four pages and the two end up in the shower together. Dalila’s “breath hitches as he leans down and gently licks my wet skin, the sensation sending shock waves through my veins. . . His hot, wet tongue graces my earlobe and then his lips place tiny, light kisses on my mouth. A fire burns within me that I’ve never experienced before. . . This feeling is like a drug and I want more.” They do not have sex, but “we both explored and experimented and drove each other insane. . .”
  • Ryan and Dalila’s truck breaks down in the middle of the desert. Alone at night, they kiss and Dalila, “still straddling me, lifts my T-shirt that she’s been wearing all day over her head. Her fingers go to the front hook of her sexy lace bra and she releases the material, making me feel like the luckiest guy on the planet. It falls down her shoulders revealing her full, perfect breasts. I swallow and my breathing gets ragged as her hands reach for my zipper.” They then have sex, but it is not described in this scene.
  • Later, Ryan and Dalila have sex again, and it is described over two and a half pages. “She steps closer and reaches out, touching my chest with her soft, delicate fingers. . . I close my eyes and feel the brush of her gentle kisses on each bruise, starting with my shoulders and moving down to my chest and lower. . .When her panties and shorts fall to the floor, she focuses her gaze on the ground. . . My fingers trace a path from her taunt stomach to those perfectly shaped hips and I settle my palms on her amazing backside. I pick her up by her bottom.”

Violence

  • Ryan thought about committing suicide, but someone saw him, “sitting on a park bench with a pocketknife it my hand,” and talked him out of it.
  • Ryan thinks back to a time when he got in a fight at school. When the boy talked badly about him, he “whacked willie with a solid left hook. Willie fell and I was immediately on top of him, punching him repeatedly as frustrated tears streamed down my face. My fist kept flying until three lunch supervisors hauled me away.”
  • Ryan sees a boy slip something into a girl’s drink and he confronts the boy. When the boy goes to give the girl a drink, Ryan’s “fist connects with Skyler’s jaw. The guy stumbles backward and falls to the floor.”
  • Ryan’s stepfather tells Ryan that his father “killed someone, shot him in a bar fight.”
  • Ryan goes to an underground bar and fights other men, but the fighting is not described.
  • At Dalila’s birthday party, someone shoots at her family’s compound. Ryan shields Dalila. “Another pop pop pop fills the air and I suck in a horrified breath. . . Fresh blood drops from Ryan’s side onto the floor.” Ryan only has a flesh wound.
  • After spending the night together, Ryan takes Dalila home. Her father’s bodyguards beat up Ryan. “Without a word or grunt, he punches me in the gut. His fist feels like a steel mallet. Fuck, that hurt. . . Gerardo punches me in the gut with that mallet fist of his two more times. I don’t want to crumple to the ground when the clowns release me, but the pain takes over my resolve and all of a sudden I’m eating dirt.”
  • A man and his gang attack Ryan. “I take a few of them out before I’m surrounded. I’m not giving up, not even when someone whacks me on the back with something other than a fist. The punches and kicks don’t stop, and slowly my body gives up.” Ryan blacks out and is dumped in an alley.
  • Dalila hears a gun shot. When she runs towards the sound, “my entire body goes numb as I see Papa holding a gun. He’s standing over a body lying in a pool of blood.” Later she finds out that her father did not kill the man.
  • Someone kills Dalila’s abuela as revenge. Ryan and Dalila find “Abuela Carmela, who’s lying on the floor, soaking in her own blood. . . Dalila’s hand flies to her mouth and a helpless cry pierces the air at the sight of her grandmother riddled with stab wounds.”
  • At the end, several cartel members surround Ryan and Dalila. Ryan threatens them and “I see the fire flash out of the barrel of his gun.” Ryan is shot. “Something cold pierces my gut and my shoulder. I know I’ve been hit.” Someone grabs Dalila “and attempts to run out with her as his shield. . .” Before he can do that, “shots ring out” and the man “falls to the ground, his body riddled with bullets. He’s dead.”

Drugs and Alcohol

  • Ryan’s mother is an alcoholic. At a funeral Ryan wonders, “how much alcohol she downed before she showed up here.” Ryan refers to his mother’s drinking often.
  • Ryan smokes a cigarette at a funeral.
  • At a dinner party, the guests are served “some kind of amber-colored brandy.”
  • At a concert, people are able to order a drink from the bar. A boy offers to buy a girl a beer, but she just wants a soda. The boy buys the girl a soda, but slips something into it.
  • Ryan meets a man in a bar; the guy has a “half-empty bottle of beer in front of him.”
  • Ryan’s mother said she heard, “you were running drugs across the border.”
  • Dalila goes out with her friends and sees a boy she knows. The boy is with his friends. “One of them is laughing loudly and the other has bloodshot eyes. They’ve definitely been drinking.”
  • Ryan goes to an underground bar where “there’s a big dude at the door who looks like a poster child for the overuse of steroids. In lethal doses.” The people in the bar are also drinking.
  • Dalila’s parents throw her a birthday party and one of the boys was holding a beer.

Language

  • Profanity is used in the extreme. Profanity includes: ass, bastard, bitch, crap, dick, damn, douch-bag, fuck, hell, motherfucker, piss, pendejo, puta, and shit.
  • When Ryan sees a girl, he flips her off.
  • Ryan’s motto in life is “fuck being a hero.”
  • Ryan’s stepfather calls him a bastard several times.
  • When Ryan stops a boy from kissing someone, the boy says, “Oh, and the next time you cock-block me like that, I’m gonna make sure you never get hired in Mexico again. By anyone.”
  • After Ryan is shot, he stays the night at Dalila’s family home. His friend tells Ryan, “I’ll bet my left nut that sleepin’ on an expensive mattress will make you crave the good life, especially if the rich chick finds her way into it.”

 

Supernatural

  • None

 

Spiritual Content

  • When Ryan reminds his stepfather that they are not family, his stepfather says, “Thank the mighty Lord for that.”
  • The story talks about the Day of the Dead.

Screenshot

Skye had big plans for her life, including getting a summer internship at Senator Watston’s office. Sky makes sure that her social media account always reflects her best self. Then her best friend, Asha, posts an embarrassing video of Skye at a sleepover. Once the post is deleted, Skye thinks everything will be all right.

When Skye gets a threatening text, with a screenshot from the video attached, she’s afraid her carefully crafted image will be ruined. The person threatens to share the embarrassing photo if Skye doesn’t do whatever they say. How far will Skye go to keep the picture under wraps? And who is trying to ruin her life?

Teens will relate Skye as she faces many real-life issues that come with being a teen in a world obsessed with social media. Screenshot tackles real issues that teens face including body image, dating, changing friendships, and online bullying. Most of the book is written from Skye’s point of view, which allows readers to understand her confusion and anguish. However, other parts of the story awkwardly switch to a third-person point of view. This adds depth to the story as it allows the readers to see into the lives of other characters and understand their struggles.

The one drawback to the story is the relationship between Skye, Emma, and Asha. The three girls have been “inseparable” since they were ten years old. However, after the beginning of the book, the three friends rarely have any interaction. The fact that they all are keeping secrets from each other, have negative feelings about each other and don’t encourage each other, makes it hard to feel invested in their friendship. In the end, the reader is left wondering why the three girls were friends in the first place. In the end, Skye learns to be more confident and less consumed with her image. She also learns the importance of standing up for herself.

As Skye struggles with her own image, she begins to see other teens differently and realizes that outward appearance can be deceiving. The easy-to-read story has engaging dialogue, short sentences, and text messages scattered throughout. For those looking for a quick, entertaining story that won’t make you think too much, Screenshot will hit the mark.

Sexual Content

  • Luke is Skye’s “first real boyfriend. The first guy who ever kissed me in the school hallway.”
  • Luke and Skye kiss three times, but the kisses are never described. For example, Skye gave Luke “a quick kiss on the lips.”
  • Ryan’s cousin found out that “Ryan had never had an actual girlfriend. He’d gone on dates-to school dances and movies-and had even kissed a couple of girls.”
  • Skye talked to her best friend about everything including her, “first kiss I shared with Ned Blakely behind the gym in middle school.”
  • Skye has a new boyfriend. When he comes over, “I kiss him full on the lips. Soft. Tentative . . . My head feels fuzzy and I can hardly breathe.” After that first kiss, “he finds my mouth and kisses me again. I melt into his body. This feels so different from when Luke and I would kiss. But different in a good way.” They jerk apart when Skye’s sister walks into the room.

Violence

  • None

Drugs and Alcohol

  • Skye goes to a pizza shop full of college students and “the place is full of empty beer glasses.”

Language

  • “Oh God” and “OMG” are used as exclamations several times.
  • One of the character’s father calls his wife a “stupid idiot.” The father yells, “Why would anyone marry such an ignorant pig? Look at yourself.”

Supernatural

  • Ryan’s grandmother wants to move because “there’s an old white woman ghost that hangs out in the hallway near the bathroom . . . Ghost aren’t a laughing matter to my Lola. That’s why she wants new construction. No ghosts.”

Spiritual Content

  • A Kmart employee used to give other employees samples of lattes “until a cashier told him that was practically stealing. Mr. King is super active in the New Life Baptist Church. So I no longer get free caffeine samples and Mr. King has to pray a little extra for his generosity.”
  • Skye thinks her friend doesn’t need to work out because, “for some weird reason only known to the god of genetics, she doesn’t have to.”

Tell

David isn’t sad that his stepfather is dead. However, he didn’t expect to become the prime suspect of his murder. The detective investigating the case is convinced that David is keeping secrets—and he’s right. David knows the truth about his stepfather’s death. But can he convince the police that he’s not guilty of shooting his stepfather and leaving him to die?

Tell, published by Orca Book Publishers, is specifically written for teens who want to read short, high-interest novels.  The story focuses on David and his struggles with his stepfather, Phil. The easy-to-read story shows the harsh realities of life without going into graphic descriptions. Even though David tells his own story, the mystery of his stepfather’s death leaves the reader wondering if David is actually the murderer.

The suspenseful story has a dark undertone. David struggles with his brother’s death, his mother’s deceit, and his stepfather’s manipulation. As David interacts with his mother, her uncaring and lying nature becomes obvious. In the end, Tell shows that sometimes the monsters in people’s lives are the ones living under their own roof. The sad ending can lend itself to some good discussion between parent and child.

Sexual Content

  • None

Violence

  • David’s brother, Jamie, “drowned when he was eight years old.”
  • David thinks Phil intentionally let his brother die. David said, “Phil could have saved him. Phil was right there. He was a good swimmer. He could have saved Jamie, but instead, he did nothing.”
  • After Phil goes to an ATM, a man approaches him. “Phil shoved him away and swore at him. He turned away from the guy. Then I saw the guy take out a gun. He pointed it at Phil . . . The guy shot him.” When David approached Phil, “he was making a sort of gurgling sound . . . Then Phil stopped making that noise. . . and I ran.” David didn’t get Phil help because Phil didn’t help his brother.

Drugs and Alcohol

  • Throughout the story, people talk about how David’s stepfather would drink beer. Sometimes he goes to the bar and drinks. He would also play poker with his friends and they would drink beer.
  • David said that Phil carried the picture of his dead brother around because “he got a lot of sympathy from it. One time he told me he got a lot of free drinks too . . .”
  • Jack, a friend of David’s mother, “took a quick gulp of beer” while he was talking to Dave. Jack is also seen drinking beer several times in the story.

Language

  • Profanity is used a few times. “Ass” is used once. “Damn” and “pissed” are each used twice. When Phil gets home from work, his stepson would act up, which “really pissed Phil off. . . “
  • A character said Phil could be a “jerk.” Later, David said he “wanted his mom to know what kind of jerk she married.”
  • Phil calls David a “pain in the ass.”
  • “Oh my god” is used as an exclamation once.

Supernatural

  • None

Spiritual Content

  • None

 

City of Ghosts

A screech of wheels. The grip of freezing water. Death. When Cassidy almost drowns, everything changed. She can now enter the world of the dead. To make things stranger, her best friend, Jacob, is a ghost.

Cassidy didn’t think life could get more complicated. Then her parents agree to film a TV show about the world’s most haunted places and the family heads to Edinburgh, Scotland. Restless ghosts haunt the graveyards, castles, and even the pubs. When Cassidy meets another girl who can see the dead, Cassidy realizes she has a lot to learn. Cassidy soon discovers that in a city of ghosts, danger hides in unexpected places.

Victoria Schwab writes a creepy ghost story that is just the right balance of cuteness, chills, and charm. Scotland’s people and lore come to life as Cassidy visits the historical landmarks including Edinburgh Castle and Mary King’s Close. As Cassidy encounters different ghost stories, Scotland’s history unfolds.

Cassidy’s best friend, Jacob, is a fun addition to the cast of characters. Even though Cassidy has told her parents about Jacob, and Cassidy’s parents research haunted places, they do not believe in ghosts. Cassidy’s caring, quirky parents bring ironic humor to the story that middle school readers will understand.

City of Ghosts is the perfect ghost story for younger readers. The easy-to-read text contains short sentences and is a good blend of action, description, and dialogue. The Harry Potter references will delight readers. Although the plot contains only a few surprises, the story is still solid and engaging. Cassidy’s inquisitive mind and courage will draw the reader into the story. Her relationship with Jacob and her parents are an added bonus. City of Ghosts takes the reader on a spooky adventure that will be hard to forget.

Sexual Content

  • None

Violence

  • The narrator almost dies while riding her bike. She is on a bridge when “the truck whipped around the curve and hurtled toward me. I swerved out of the way, and so did the truck, tires screeching as my bike slammed into the railing hard enough to make sparks fly.” She goes into the river, where a boy ghost saves her.
  • A long time ago, a boy died in a school fire. The fire began during a school play. In a panic, the boy “shuffles on his hands and knees until he reaches the trap door (of the stage). . .He pulls the door up and climbs down into the dark just before a piece of burning set collapse on top of the stage, pining the trapdoor shut.”
  • When Cass enters the veil, she sees “a man being hauled toward a platform, where a noose hangs waiting.”
  • Cass’s dad explains how some people would rob graves and take the bodies to medical theaters so medical students could practice on them. Two men, “Decided that instead of digging up corpses, they would simply create their own. . . They murdered sixteen people before they were caught and tried . . .Burke was hanged, and then dissected in an anatomy theater, just as his victims had been.”
  • While in the veil, The Raven, a ghost who steals children, puts Cass under a spell. Then, “her fingers harden like claws. . . she thrust her hand straight into my chest. Cold rushes through me, a bone-chilling cold, worse than the bottom of the river. It feels like icy fingers wrapped around my heart.” She tears Cass’s life’s ribbon out of her chest. In order to come back alive, The Raven must dig up her corpse and place the life’s ribbon in her chest. Cass attempts to get her life’s ribbon back and the struggle is told over several chapters. Cass crawls into a grave, and when The Raven finds her, “The Raven grabs me and throws me out of the grave. . . I land hard on the ground. . . and hit a gravestone, knocking all the air out of my lungs.”
  • While in the veil, Cass sees a ghost who is on a platform, and “a course rope is cinched around his neck.” The execution doesn’t come.
  • Ghosts chase after Cass and Jacob. The ghost children “close in, opening their mouths, and instead of different voices coming out, there’s only one. The Raven’s. Her eerie hypnotic song pours from their lips.” The chase takes place over several chapters.

Drugs and Alcohol

  • One of the characters has two pints of beer—one for himself and one for his friend’s ghost.

Language

  • “Oh god” is used as an exclamation. When Cassidy’s parents want to talk to her, she thinks, “Oh god. I’m going to be a big sister.”

Supernatural

  • Jacob, a ghost who is attached to a living girl, is one of the main characters in the story.
  • Cass can see ghosts and cross the veil between the living and the dead. The narrator explains, “It takes a lot of spirit power for a ghost to reach across the Veil—the curtain between their world and ours. And the ghosts that have that kind of strength, they tend to be really old and not very nice. . . the dead grow strong on darker things. On pain and anger and regret.”
  • Lara casts a spell on a ghost and then reaches in and pulls the ribbon out “. . . The dark thread comes free in her hand, hanging limply from her fingers for a moment before crumbling away to ash. An instant later, the main crumbles, too, just . . . falls apart.” Later Lara explains that she sent him, “To the great unknown? To the silent side? To peace and quiet? Call it what you like. I sent him to the place beyond. Where he’s supposed to be.”
  • The Raven puts two teen boys under a spell. The boys “stand chest-deep in the grave. . . Their expressions are glassy, their breaths fogging as they shovel mound after mound of dirt out of the pit. . . “The boys dig up the Raven’s corpse.

Spiritual Content

  • None

Stay Sweet

For Amelia, working at Meade Creamery means more than just having a summer job. After four years of working at the ice cream shop, Amelia has a strong bond with the all-girl staff. The older girls teach her about life: who the best teachers are, how to wear lipstick, and the perfect amount of sprinkles to put on a sundae.

When the creamery’s owner suddenly dies, the grandnephew Grady takes over the business. The nineteen-year-old hopes to prove he is capable of running a business. But Amelia and the other girls feel threatened by his presence. She doesn’t want a boy to come in between her and the perfect summer. Can Amelia show Grady the importance of the traditions behind being a Meade Creamery girl?

Stay Sweet focuses on Amelia’s desire to keep the Meade Creamery open so traditions don’t die. The story is written in the third person, however, which leaves the story feeling emotionally flat. Instead of having well-developed characters that are worthy of falling in love with, the characters’ thoughts and feelings fail to shine through.

The characters are not likely either, which makes becoming invested in this story even more of a struggle. Amelia allows herself to be taken advantage of by Grady. Amelia’s best friend, Cat, is a jealous, self-centered, awful person and a terrible friend. And Grady’s handsome looks may be the only likable part of his character. The WWII diary entries of Molly Meade bring some interest to the story, but the script font makes the entries difficult to read. In the end, Molly is the only girl who is not portrayed in a stereotypical way.

Although Stay Sweet encourages girls to live their dreams, the characters’ flaws interfere with the message and leave the reader feeling indifferent for most of the story. Stay Sweet is not a memorable summer romance.

Sexual Content

  • Amelia thinks about all she has learned while working at the creamery. The older girls taught her “the unvarnished truth of what it was like when they lost their virginity.”
  • One of the girls “donated” a box of condoms because “girls shouldn’t ever depend on a guy to bring protection.”
  • Amelia knows someone who would “stress-French after SAT prep classes.”
  • Cat predicts that Grady will “try to get with one of the girls this summer.” She makes the girls swear to stay away from him.
  • Grady and Amelia kiss. Grady “pulls her even closer to him. There is warmth in his eyes. . . They are kissing . . . what she wants to concentrate on are his lips on hers, how he can’t seem to get close enough to her, how his curls feel softer than she ever imagined.”
  • Grady and Amelia get caught in a rainstorm. When they get inside, “he pulls her close to him and kisses her. Their wet bodies stick together.” They take off each other’s shirts. Then “they are kissing and walking, heading toward the living room couch half-dressed.” Amelia’s friend walks in on them and stops them from going further.
  • In one scene where Amelia and Grady kiss, “his hands slipping up her neck and into her hair. When she tries pulling away, he leans forward, holding his lips to hers, extending the kiss for a second, two, three. Like he doesn’t want it to end.”
  • Molly’s journal talks about when her boyfriend left for the war. He took “my face in his hands, wiping away my tears with his thumbs. He kissed me on the lips, then brought my hand to his mouth and kissed it, almost on the top of the engagement ring.”

Violence

  • None

Drugs and Alcohol

  • When Grady and his father have a serious conversation, Cat says, “This is why kids at Truman are so stressed out! They’ve got these alpha parents pushing them. I’ve heard like over half of the student body is on Adderall.”
  • Grady’s parents try to FaceTime him, but he ignores it because “they got to Amsterdam today, which means they’re high.”
  • The creamery girls have a party at the ice cream stand and leave a huge mess. “Icy beer has splattered all over the drums of ice cream.”

Language

  • The teen characters often use profanity in their conversations, including: “ass,” “badass,” “crap,” “damn,” “hell,” “hella,” “pissed,” “shit,” and “son of a bitch.”
  • “Oh my god” and “Jesus” are used as exclamations several times.
  • Cat and Amelia get into an argument and Cat yells, “That’s a screw you.”
  • When Cat finds out that Grady will be the boss, she said, “I’m worried he’s going to ride our asses all summer.”
  • When Grady tastes the creamery’s ice cream, he says, “Holy shit.”
  • “Holy crap” is used several times.
  • Cat tells Amelia, “I’m pissed at you for keeping secrets, I’m pissed at you for hooking up with Grady, and I’m pissed that you fired me. . . But holy shit, Amelia, you fucking fired me.”

Supernatural

  • None

Spiritual Content

  • At Molly’s funeral, the pastor says, “Now, the good Lord sprinkled Molly and Wayne with the same stardust he must use to make movie stars.” Later in the service, he says, “Now, Wayne, as you know, never made it home from the war, may God rest his soul. But God did not forsake . . .”
  • In Molly’s journal, she prays, “Please, God, send him home to me.”
  • Molly is afraid that it is a sin to be so lucky, so on Sunday she is “going to put a little something extra in the collection plate and pray a few more rosaries than I normally do. That way God will know how very grateful I am.”

Girl at the Grave

When Valentine was a child, her mother murdered a wealthy man. After her mother was hung at the gallows, Valentine was left in the care of her neglectful father. Forced to learn to care for herself, she lived in a ramshackle house and spent most of her time alone.

Now Valentine is a senior at the prestigious school, Drake Academy. Even though she has earned excellent grades, her mother’s death still haunts her. An outcast among the other students, Valentine relies on Sam’s friendship especially when a local man is murdered and people begin whispering that Valentine may be a murderer like her mother.

As Valentine searches for the truth behind her mother’s death, she soon finds that powerful people will do anything to keep their secrets. Unexpectedly, Rowan Blackshaw, the son of the man her mother murdered, begins spending time with her. Because of Rowan’s interest in Valentine, the other members of her school begin to include her in their group. Valentine longs to be accepted by society, but is acceptance worth burying the secrets of the past?

The first chapter grabs the reader’s attention by setting up the mystery, hinting that Valentine’s mother might have been innocent. Valentine and her two love interests are all well-developed. Because the story is told from Valentine’s point of view, the reader has the ability to understand and care about her struggle. Rowan’s character is an unexpected delight because he does not conform to the rich boy stereotype.

As Valentine begins to unravel the mystery of her mother’s death, her discoveries show the different motivations of some of the characters, which adds interest. When Valentine’s father and another woman disappear, the town sheriff, Valentine, and other town people seem uninterested in their disappearance, which seems unrealistic. The lack of drama that surrounded their disappearance made the discovery of their deaths anticlimactic.

The middle part of the book spent so much time on the love triangle that the mystery faded into the background. The ending of the book contained several surprises, which highlighted how far people will go to protect those they love. The fact that Valentine chooses to follow an unexpected path instead of marrying the boy of her dreams is an added bonus. In the end, what drives the story is Valentine’s personal struggle. Even though the story lacks danger and suspense, Girl at the Grave is an entertaining book that is worth reading.

Sexual Content

  • When Valentine pulls away and won’t let Sam kiss her, he says his brothers, “think I’m a right fool, letting you lead me around on a leash. They kiss a different girl every week.”
  • Valentine learns that her father “has a woman across town. When he’s not home, that’s where he is.”
  • Valentine spends time with Rowan. Once while he was at her house, he “reached around my waist. . . I tilted my head, making room for him at my shoulder, and he lingered there . . . If I moved at all, he would do the rest. I felt him wanting it, his lips poised over my skin, his heart only inches from mine. But my body sways with uncertainty.” They don’t kiss.
  • Valentine and Sam kiss twice. The first time, “I leaned forward and touched my lips to his in the kiss that should have happened a long time ago . . . our lips soon warmed and softened, our heads tilting into one another, his arms sliding around me.”
  • Rowan and Valentine kiss several times throughout the story. “He leaned closer and brushed his lips against mine. Just a touch, then drew back. . . Then he kissed me again—and this time our mouths immediately molded to one another, warm and perfectly fitted, as if our lips had been made for this purpose, for this tasting and breathing and exploring one another.”
  • When Valentine tells Rowan she loves him, he kisses her. He “drew me into his arms, kissing me before I could catch my breath. A desperate kiss. A starving kiss. . .”

Violence

  • Valentine’s mother shot a man. She was hung on the gallows three days later. Throughout the story, Valentine revisits the memory. When Mr. Blackshaw was shot, the sound of the shot came from “everywhere, jolting my bones and filling my nostrils with the burning stench of gunpowder. . . I see Mr. Blackshaw sway on his feet, looking startled, then topple slowly backward, landing hard on the walkway, his arms sprawled.
  • Valentine remembers when her mother “hangs by her neck from a rope, her head tilting and her eyes staring fixedly, her hands clasped behind her back. Her boots dangle motionlessly at the bottom of her best black dress.”
  • When Valentine was younger, the Frye boys would torment her by “chasing me in the schoolyard. . . They’d tied me to trees and stolen my mittens.”
  • Valentine finds Mr. Oliver on the floor with a gash in his head. Valentine, “held his cold cheeks and felt his life sliding away beneath my hands, his face sagging, his body relaxing.” Later, she finds out he was poisoned.
  • Mr. Fry hits his wife and kids. Valentine thinks, “I’d seen what a punch from one of his enormous fists could do; Sam had outgrown them, but not Mrs. Fry and the younger boys.”
  • Valentine finds her father’s dead body. He is “on his back, staring upward, his eyes wide but seeing nothing. Icy and damp, both frozen and thawed.” Later she finds out he was poisoned, probably when someone gave him “a swig of liquor.”
  • Birdy’s body was next to Valentine’s father’s body. “A dark gash split the back of her head, separating her thatch of short hair.”
  • A woman attacks Valentine. “She grabbed a kitchen knife and lunged. . . She lunged with a furious screech . . . her knife sliced my upper arm.” They both grab for the knife and fight for control of it. Valentine pushes the woman, and “she stumbled back with a cry, blood flowing from a deep gash above her eye.” The woman falls, “hitting her head with a loud crack, then she crumpled to the floor.”

Drugs and Alcohol

  • Alvina Lunt’s “drunken father had broken both legs.” While he was in the hospital, Alvina learned about the unfair treatment of “lunatics.”
  • Sam takes his mother to visit her brother. When his brothers took his mother, “they got drunk and beat up the neighbor.”
  • Someone calls the doctor a “drunken fool.”
  • When Valentine was ill, Mrs. Blackshaw drugged her, so she would keep sleeping.

Language

  • Sam calls someone an “arrogant ass” twice.
  • Someone tells Valentine that she was “spawned by that tramp of a woman.”

Supernatural

  • None

Spiritual Content

  • Devotionals are part of the school day on Fridays. During devotionals, Mr. Oliver reads from the Bible. “Man in his natural state . . . unassisted by the grace of God.”
  • When Valentine finds Mr. Oliver, she prays, “Father who art in heaven. . . Please, God. Please help Mr. Oliver.”
  • One of the characters could not get pregnant, and “she’d pleaded with the Lord for twenty years before her precious Philomena arrived, and her husband’s death soon after had only magnified the value of the blessing.”
  • When Valentine’s mother is hung, Mr. Oliver tells her, “But take comfort, for your mother confessed her sins. She is in God’s hands now, and he knows all.”
  • Some men think having a woman run a bank “is against God’s law.”

 

#Prettyboy Must Die

After his first failed mission, Peter Smith goes undercover at an exclusive school in Colorado. Peter is supposed to be keeping a low profile. When Peter goes out for a late-night run, a classmate snaps a picture of him and posts the caption “See Prettyboy run.” When the picture becomes a viral sensation, Peter knows he’s in trouble. Before the end of the day, Peter’s school is under attack as a terrorist wants revenge. This former-foster-kid turned CIA operative will have to use all of his skills and training to stay alive.

Told from Peter’s point of view, #Prettyboy Must Die starts out with action and intrigue. However, right from the start the plot is over the top and unrealistic. The action continues throughout the story, but there are too many scenes where Peter and his friends unrealistically knock out an adult, professional, or mobster.

Having the story told from Peter’s point of view did not necessarily improve the story’s appeal as he is arrogant and doesn’t believe that others can be an asset. Peter doesn’t think girls can be accomplished and smart, which is shown several times, including when he thinks the hacker cannot be a girl because she is pretty. Girls are portrayed in a negative light once again when a group of girls don’t worry about the danger they face; they just want a picture of #prettyboy.

#Prettyboy Must Die is not a serious spy book, but it is a fast-paced story that leaves the reader wondering who can be trusted. For those looking for an easy-to-read, fun story, #Prettyboy Must Die is a good choice. Even though the violence is not described in detail and is appropriate for younger readers, there is a wide range of profanity that is used often. If you loved Aly Carter’s Gallagher Girls series, you may want to leave #Prettyboy Must Die on the shelf.

Sexual Content

  • Katie changes her clothing in front of Peter. He thinks, “It takes me a second to realize I probably shouldn’t be staring like I’ve just seen the promised land . . . But I can’t help but comment because, you know, Katie. Half-naked. ‘Hey girl, as much as I’d like to, this probably isn’t a good time.’”
  • Peter thinks about a date with Katie, “. . . I remember our one date, our first kiss, and I want to kiss her again. . .” Later in the story, he asks Katie, “Are you sure you didn’t know who I was when I asked you out? Because the way you kissed me. . . I mean, after the movie, in your car—”
  • When Katie sees a black SUV and realizes it has come to pick her up, she kisses Peter. “. . . I damn near forget about Sveta, Rogers, and the entire universe. I hold her like it will be the last time. She kisses me again like it’s only a preview of more to come.”

Violence

  • The CIA raids an arms dealer’s hideout and a man is killed. “Marchuk Sr. is now on the floor three feet inside the house, knocked that far back by the shot that has to have killed him instantly.” The raid is described over four pages. During the raid, Peter is shot.
  • When a classroom is taken hostage, the chemistry teacher tries to tackle Bad Guy #2. The bad guy puts the teacher in a “choke hold. Before I can even process what’s happening, the bad guy is already done with Mr. Valaquez, who he lets slump to the floor, unconscious. Or worse.”
  • Someone kicks one of the bad guys. “It doesn’t take a genius to figure out where, considering all the moaning.”
  • A bad guy hits a school employee and Peter hears “the sound of a fist hitting bone.” Later in the story, Peter sees a teacher who is hiding, and “I throw a left hook across his face and knock him the hell out. . . I’m pissed he’s in here hiding out instead of heading back to his class. . .”
  • When Peter tricks a bad guy into coming into a classroom. “That’s when I land the steel baton against his pterion, the weakest point on the skull, immediately incapacitating him. Or possibly killing him.” He takes out two other bad guys in the same way.
  • Katie is captured and a bad guy beats her. “. . . Officer Andrews is holding Katie by one arm, or more like holding her up.” Peter is tied to a chair and when he struggles “he hauls off and lands a right cross that feels like a sledgehammer against my face.” Later, as the bad guy is talking to Peter, he hits him in the face. Katie saves the day with, “A brutal kick to his junk . . . she hooks her foot around his ankle, sweeps his legs out from under him, then straddles his back. I’m certain it’s an image I won’t soon forget—girl of my dreams on top of the guy who wants to kill me.”
  • When the bad guy begins to recover from “the ball-kick she (Katie) gave him and is starting to squirm . . . she grabs Marchuk’s hair and slams his face into the floor, knocking him out.”
  • Peter attacks a bad guy. “. . . I land my fist against the side of his head. . .and kick him in the jewels. That brings him to his knees, but I know it won’t be for long.”
  • Peter and Katie go after a bad guy and he threatens to shoot them, but Peter shoots first. “When the bullet hits his left knee, he goes down before he can get off a single round. I hear the sound of metal against bone. Maglite against skull.”
  • Someone tries to use a drone to kill Peter and Katie. “Just as Katie takes off running, I hear a car come over the ridge, followed by a loud thump. I turn back in time to see Sveta on the car’s hood, her phone flying through the air. . . The car screeches to a stop and Sveta slides off and onto the ground, moaning. For a brief moment, I regret that she’s still alive.”

Drugs and Alcohol

  • A character said, “My layabout son takes nothing seriously, is only concerned about spending my money on women and drink.”
  • Peter gives the principal tickets to the game. After the game, the principal tells Peter, “I damn near went broke on stadium beer, but that’s what I get for celebrating a little too hard.” Later in the story, he tells Peter, “I’d been sick all morning, hungover. . .”
  • When Peter overhears someone say bank robbers are in the school, he thinks, “the average bank robber does so on impulse and out of desperation, usually some loser meth-head needing a hit.”
  • Katie injects several bad guys with carfentanil, a drug that is “ten thousand times stronger than morphine, so it acts quickly, and it only takes a drop or two.”
  • Peter and his friend are captured, and “then the crazy chick starts singing a kid’s chant to figure out which one of us she will shoot first.” Before she can shoot them, “Katie falls through the ceiling and onto the psycho’s back.”
  • When a bad guy crushes a boy’s hand, Katie fires her gun, but the bullet accidently hits Peter. Peter wants to know why he isn’t dead and Katie tells him, “It doesn’t shoot bullets. It was supposed to shoot nerve gas. . .”

Language

  • Profanity is used often and includes: ass, asshole, damn, dickhead, fucking, goddamn, hell, and pissed off.
  • When a teacher sees three incapacitated bad guys, he said, “Jesus H. Christ—are those terrorists?” Then he asks Peter, “Who the hell are you?”
  • “Oh My God” is used as an exclamation several times. For example, a girl says, “Oh my God. I sit two rows over from him in calculus. . . How did I not notice how hot he is?”
  • Peter sees a classmate and thinks, “I see Carlisle’s resident douche.”
  • When a teacher is looking for a bug, Peter thinks, “Despite the crazy that is happening all around us, watching The Douche have a near breakdown is fucking hilarious.”

Supernatural

  • None

Spiritual Content

  • None

80 Days or Die

Jules Verne’s left behind an unpublished manuscript, The Lost Treasure. When Max and his cousin, Alex, follow the clues and end up rich, they think all of their problems are solved. But when Max’s friend becomes gravely ill and Max’s mother’s illness returns, Max and his cousin take a deeper look into Verne’s history.

They discover that Verne miraculously recovered from a near-fatal gunshot wound. The Lost Treasure hints that Verne discovered magical healing elements that allowed him to recover from his wounds. Using clues from Around the World in 80 days, Max and Alex set out on a daring adventure to learn more of Verne’s secrets and heal Max’s mom and friend.

80 Days or Die begins with fun riddles that readers will enjoy trying to figure out. When Max and Alex head out on their journey, they meet several new people who they bring on their trip. Although Max seems fascinated by facts, he doesn’t take the time to do any research on the people who travel with him. Can these new friends be trusted? The question adds to the suspense, but the blind faith in random strangers doesn’t ring true.

Like the first installment of the Max Tilt series, 80 Days or Die jumps from location to location in a rush against time. Younger readers will enjoy seeing a fascinating underground cavern, strange wolf people, the icy Antarctica and a glimpse of the desert. Several times throughout the story, Max and Alex just happen to run into the perfect person to assist them. Although the additional characters were needed to advance the plot, their appearance and willingness to help is unrealistic.

Lerangis writes a solid adventure, sprinkled with surprises and interesting landscapes. However, having a cast of untrustworthy supporting characters made the story less fun. After all of the hardships Max and Alex endured in Fire the Depths, their trusting nature seemed misplaced. Max and Alex’s blind trust in other people will bother some readers, especially when one of the characters they trust ruins a perfectly happy ending.

Sexual Content

  • When looking for someone, Max and his friend “stopped at a booth where a couple in matching black leather jackets were in the middle of a long kiss.”

Violence

  • When Max takes an object, the natives threw a rock at a man in the group. “With a soft thud, the rock hit the back of Sergei’s head, and he dropped to the ground. The wolf people were surrounding him now. . . With a leap, he decked one of the wolf people with a solid martial-arts kick to the jaw. . . The wolf people backed away.” During the fight, a kid is pushed into a hole, where her arm is injured.
  • Max and another man race toward a house. They jump on yaks, but when Max pulls ahead, Nigel grabs him. Max “hit the ground hard, the pain shot up his spine . . . The pain came in waves.” Later, someone causes a yak to collide into Nigel and the man falls, and “he moaned, writhing in agony.”
  • A woman holds a gun on Max and is friends. There is a struggle for the gun, and the woman falls into a crevice. Max also falls into the crevice. “He was panting. Sweating. Achy.” His friends save him and help the woman.
  • Two people are arguing when a man with a gun approaches. Max jumps at the man, “With a cry, they both fell to the ground. The gun flew out of the man’s hand and slid off.” After a short scuffle, the man “Lifted Max off the ground. Mag struggled against the man’s grip, but his fists were like stone.” Someone helps Max by hitting the man on the head, and the attacker “fell to the ground, limp.”

Drugs and Alcohol

  • None

Language

  • In a moment of excitement, a character says, “Good God, what is it?”
  • Someone says, “I’ll be darned.”
  • One of the characters asks Max if “Plan B stands for ‘boneheaded’?”
  • “Oh dear Lord” is used as an exclamation once.

Supernatural

  • Wolf people watch over coils. The coils “fell from the sky one day, like holy rain. They do things—make people sick, punish for bad hunting season . . . the usual local superstitions.” The coils changed the people, making them look like wolf people. The people believe the coils are sacred and “they must protect holy coils from intruders.”

Spiritual Content

  • Max, who likes facts, said, “God is in the factoids.”

 

Fire the Depths

Thirteen-year-old Max Tilt’s life changes in a moment. When his mother becomes ill, his cousin Alex comes to care for him. When Max discovers his parents are in danger of losing their home, Alex and Max want to find a way to help. They head to the attic to find items to sell and discover Max’s great-great-great-grandfather Jules Verne’s unfinished manuscript The Lost Treasures. What begins as a quest for artic items becomes a treasure hunt as Alex and Max learn that everything Jules Verne wrote in Twenty Thousand Leagues Under the Sea was true.

As Alex and Max begin their journey, a strange skunk-haired man named Spencer Niemand appears. He’s determined to steal The Lost Treasures’ manuscript and claim the treasure as his own. However, he needs the kids’ help. Can Max and Alex outwit the devious man who is willing to use violence to gain the treasure?

There is a lot to like in Max Tilt: Fire the Depths. Right from the start, the story is fast-paced and interesting. Although the story is a bit far-fetched, especially the part where his parents leave knowing the electricity will be turned off and the house repossessed, these events explain why Max and Alex are willing to go on a dangerous treasure hunt in order to help.

As the two cousins begin their journey, they don’t realize the danger that follows. As the two follow Jules Verne’s path, they use clues he left behind, but they are soon trapped in a submarine with a villain. As they struggle against an evil villain, they dive to a city beneath the ocean, explore an ice cave in Greenland, and fight a giant squid. This page-turner keeps readers engaged using suspense, adventure, and a bit of humor.

The interplay between Alex and Max helps readers engage in the story. Throughout the story, the two cousins build a friendship and learn to rely on each other in dire situations. Each shows their bravery in different ways. Alex is unique in that he has synesthesia (where one sense substitutes for another) and the effects of synesthesia are shown in a simple, unique way.

Although this adventurous story is written for the ages of eight and up, the story is more appropriate for middle school students because of the violence and the truly evil villain. Although the violence is not described in graphic detail, the villain kills others in order to satisfy his greed. The action-packed plot takes Max and Alex on a submarine ride to an epic adventure that will engage students and teach that, “Sometimes you can’t be ready to do the things you really need to do. You just do them. And that makes you ready.”

Sexual Content

  • None

Violence

  • When a man grabs Niemand’s wrist, Niemand, “drew a knife from his pocket, and slammed it downward. As the man yanked his hand back, the blade sank into the tabletop.”
  • In order to eliminate witnesses, Niemand locks people into a warehouse and then sets off explosives. Niemand tells the event from his point of view, “on four, he heard sudden shouting and frantic footsteps inside the building. They finally realized. Good. Let them know there was no escape . . . On seven, the warehouse exploded.”
  • Niemand throws hot coffee in someone’s face. The man, “was squirming in pain on the worship floor.”
  • When bullies steal Max’s lunch, he uses a drone to get his lunch back. The drone hovers over the bullies’ heads and Max hits the release button. “The apple conked Dugan in the head. As he screamed and jumped aside, Max guided Vulturon downward, where Claw #3 grabbed onto his lunch bag.”
  • When a bad man tries to grab Alex, she hits him. The man, “recoiled with a howl of pain. But his reflexes were quick enough to wrap one beefy hand around Max’s throat.” Someone grabs the man’s foot and he lost his balance, “falling to the floor. His head smacked against the solid-steel edge of the Tilts’ coffee table.”
  • A man shoots at Alex and Max, but someone stops him before anyone is hurt.
  • In a letter, Verne writes about how Captain No One destroys an underwater civilization. “With a flash of fire, the carapace was breached. A hole shattered the thick material, jagged and mean as a lightning bolt. An explosion turned the sea to red.” Captain No One looted the city, and when two crew members tried to steal, they “were shot for their greed.”
  • A man falls from an icy ledge, “and then came the scream—deep, raw, animal-like—as Basile fell off the ledge and into the teeming white mass below.” Later, he is discovered alive.
  • Niemand ties Alex and Max to a snowmobile. “He circled it around each of them individually. He tied it down to various places on the snowmobile . . . Niemand flipped the lever to Drive. And he walked away.” The kids then fall into the frozen ocean, but they do not die. When the squid grabs Alex, Basile “swung the ax at the appendage that held Alex . . . The blade split it in two, the top part skirting upward in a violent spray of milky liquid.” The squid finally retreats.
  • A giant squid attacks the submarine and is able to get inside. Basile, Alex, and Max fight the squid in a battle that lasts eight pages.
  • When Niemand tries to capture Alex and Max, Max fights back. “As André approached, Max thrust himself off with his hands and kicked upwards, landing a solid hit on André’s chin. The scraggle-haired man fell backwards, arms flailing.” André grabs Alex and tosses her “like a bale of hay. Max saw her body fly over a thick copse and smack against a tree trunk. He heard her head thump and saw her limp body drop down to the forest floor.”
  • Niemand tells Alex to dig his own grave, but before he can get the work done, Alex hits Niemand on the head with a shovel. The kids are able to get away.

Drugs and Alcohol

  • None

Language

  • “Crap!” is used once.
  • Max tells someone that they are about to feel like “asses.”
  • Someone yells at a bad driver, “Watch where you’re going, idiot!”

Supernatural

  • None

Spiritual Content

  • While hiking, a character thinks “if God had meant for humans to live among hills, he would have made them goats.”
  • After defeating the squid, Alex said, “Thank God it’s over.”

Dream a Little Dream

Liv is used to strange and new things. For all of her life, she has bounced from city to city as she moved from one place to another. This time she and her sister, Mia, are packing up their belongings for England because their mother has garnered a teaching position at Oxford University. Little does she know that this move will be the strangest yet.

Liv finds herself thrust into a world of gossipy blogs, a rich new family, and vivid dreams that make her question her reality. She soon finds herself entangled in bizarre dreams in which she is led to the most popular boys in school, one of which is her new “brother.”  Before she can even adjust to her new life, she is swept away into deals with a demon to free the boys from a terrible fate. Liv’s curious mind drives her closer to the heart of the mystery of the dreams as she searches for the truth underneath all of the madness.

Dream a Little Dream is an entertaining and suspenseful novel that leaves readers on the edge of their seats as they wonder what will happen next. Many of the characters are introduced at the same time, which causes confusion.  However, the story has a creative and engaging premise that is very enjoyable. The reader is able to discover this new world along with Liv and relate to her confusion, fear, and curiosity. The book has a surprising plot twist that adds to the enjoyment of the novel, but what follows that event leaves much to be desired. The attempt to leave room for a sequel ruins the ending and causes the reader to be confused rather than curious about the next installment in the series. Additionally, the novel describes how characters conduct rituals to make deals with a demon, which may be concerning to some parents.

Sexual Content

  • Liv’s mom has a relationship with an English lawyer, who makes her happy. They are described as kissing a few times, but nothing more than that.
  • Florence is described as having, “voluptuous breasts.”
  • The school blog wrote about sports and said, “Aesthetically speaking, those sloppy shirts they wear are the worst (even polo kit has more sex appeal), but all the same I don’t object to the sweaty sight of our four musketeers.”
  • In one of the “dreams”, Henry and Liv hold hands. They also discuss kissing, but only briefly.
  • In reference to Jasper’s dreams, “Most of the people in his dreams are stark naked.”
  • Liv’s mom talks about how when she was fifteen, she “was sitting up at night writing poetry. I was unhappily in love. . . At that age you fall in love with someone else every three weeks.”
  • Liv tells Anabel that she looks like Botticelli’s Venus, to which she responds, “Yes, but only when I’m standing around in a seashell with no clothes on.”
  • Anabel says that Arthur is the great love of her life and that, “it was like a tsunami rolling over us. I knew we were meant for each other, I knew he was the man I’d been waiting for all my life.”
  • Mia and Liv jokingly say that they have an “Operation Marrying Off Lottie” in which they will find their au pair a soulmate so she’ll have something to do when they don’t need her anymore.
  • Grayson and his girlfriend Emily kiss at a party intensely to the point which Liv thinks that it is, “kind of embarrassing to watch.”
  • Liv and her friends walk into a cinema and find a couple in the top row of seats in the dark. The man “began frantically adjusting his clothes . . . he came storming down the steps, his shirt still unbuttoned.” When the woman comes down, Arthur says, “How nice to see you again, Mrs. Kelly . . . and give your husband my regards if he happens to be at the party too.”
  • The four boys repeatedly ask Liv if she is a virgin. It is later revealed that she is.
  • Anabel breaks the rules of the game by having sex. She then has to forfeit and her dog is killed by the demon. It is later revealed that she killed her own dog with poison in order to trick the boys.
  • In the dream world, Henry and Liv kiss several times. They are not described in detail, but are usually described as “soft kisses.”
  • A gossipy girl talks about Arthur and says, “I get goosebumps whenever I set eyes on him. But Henry Harper is totally sweet too. And sexy.”
  • Henry and Liv make out during her sixteenth birthday party. “For a few seconds I forgot to breathe, then I felt my arms rising and going around his neck of their own accord to draw him closer. We weren’t kissing cautiously now, but much more intensely.” They all so make out during a school dance. “I’ve no idea how he did it, but when he kissed me nothing else mattered.”

Violence

  • When Liv went to a middle school in Berkeley, California, a girl gang, “had threatened to force my head into a toilet.” They later actually do shove her head into a toilet and it is described in detail in one of Liv’s dreams. These bullies also say that they squash people’s hands in doors.
  • In a dream, Henry sees his old cat. “He looked just the way he was when I last saw him: all-over blood and with his guts coming out . . .”
  • In one of her first vivid dreams, Liv repeatedly hopes that Lottie won’t show up with a hatchet.
  • In a nightmare, there is a group of enraged basketball fans. Liv says, “It sounds like they are going to kill him any moment now!” The mob begins to chant, “Burn him now, burn the traitor. Burn him now, not a day later!”
  • Liv jokingly remarks about London and says, “Street gangs indulging in shoot-outs the whole time, sex fiends lurking in front gardens, and isn’t that Jack the Ripper just coming around the corner.”
  • During a ritual, Liv, Grayson, Arthur, Jasper, and Henry all take turns cutting their hand with a hunting knife and dribbling their blood into a Chalice full of red wine. This scene is described in detail over several pages.
  • Liv has many dreams about Hamlet after she sees the play, and in these dreams, there are references to the stabbings and deaths of many of the Shakespearean characters.
  • During her sixteenth birthday party, Liv requests that Mia stop her from looking like a “lovelorn sheep” in any way that she can. Mia decides to distract her anytime she looks at Henry in that manner. “I was black and blue around the ribs and had been hit by assorted flying objects: several chestnuts, a spoon, and a blueberry muffin.”
  • Arthur intends on offering Anabel as a human sacrifice in the dream world in order to satisfy the demon. This never happens, but later in the novel, Anabel captures Liv with the intention of killing her as a virginal sacrifice to the demon.
  • When Liv tries to stop what she thinks is the sacrifice of Anabel, she “swung up my right foot and caught him just under the chin as I jumped. Still in the air, I turned at an angle of 280 degrees, and when I landed, my left forearm caught him in the stomach.”
  • An iron torch holder falls on Liv and she blacks out. Following the incident, she has to get several stitches.

Drugs and Alcohol

  • At the airport, Liv is stopped for suspicion of drug smuggling because a drug dog smells something in her backpack. It is just German cheese with a strong odor, but the ordeal causes Liv a lot of embarrassment.
  • On several occasions, Jasper helps himself to some of his mother’s sleeping pills in order to remain in the dream world longer.
  • Liv’s mom is accused of smoking pot when she was fifteen, but she defends herself by saying, “Nonsense. I never smoked pot until I went to college.”
  • Grayson tries to deter Liv from going to a party by telling her mother, “These parties are rather wild. I mean there’s a lot of alcohol flowing, and what with Liv being only fifteen.”
  • Liv describes Arthur’s house as looking like “a private clinic for the drug-addicted kids of millionaires.”
  • Jasper makes drinks that contain large amounts of alcohol during an important scene that lasts several pages. He is also later described as “tipsy.”
  • During a party, Arthur drinks gin straight from a bottle.
  • The British teens that Liv meets tell stories of when they were drunk on Halloween.
  • In one of Anabel’s dreams, Arthur walks toward her heroically while carrying a bottle of wine.
  • A drunk truck driver killed one of Anabel’s ex-boyfriends. The accident is not described.
  • At the school dance, Jasper “had somehow managed to get tipsy, although there were no alcoholic drinks.”
  • Anabel and Arthur leave the school dance under the guise that she is terribly drunk. They are actually setting a trap to lure Liv, so Anabel can kill her for the virginal sacrifice.
  • At the conclusion of the novel, Anabel is “lying in a hospital bed in Surrey, stuffed full of mind bending drugs and tied down.”

Language

  • Profanity is used frequently throughout the novel, including hell, bloody hell, shit, and damn.
  • “God,” “my God,” “thank God,” and “oh my God” are used frequently as swear words.
  • Grayson is described as a “stupid show-off” and later as an “idiot.”
  • Mia thinks that her aunts named Gertrude and Virginia have “shitty names.”
  • Liv strongly dislikes Persephone and says that she, “follows me around everywhere, talking to me the whole darn time!”
  • A character is called a “midget.”

 

Supernatural

  • During a ritual, Liv, Grayson, Arthur, Jasper, and Henry all take turns cutting their hand with a hunting knife and dribbling their blood into a Chalice full of red wine. This scene is described in detail over several pages.
  • Liv does not believe in “unlucky numbers any more than I believed in horoscopes, or four leaf clovers and chimney sweeps that brought you luck.”
  • The main characters of the novel conjure a demon and in return for freeing him, have immeasurable power and their dearest wish granted. “If you followed the rituals in this book, Anabel claimed, you could conjure up an ancient demon from the underworld, a demon that could help you gain immeasurable power and grant your dearest wishes.” Their immeasurable power is in the form of dreams in which they can control what happens with a simple thought and enter the dreams of others to learn their deepest secrets and desires.
  • The initial approach to conjuring the demon was not serious. “Conjuring up a demon on Halloween . . . It was fun . . . it seemed to me as harmless as telling your fortune by reading tea leaves. No one expects the tea leaves to develop an independent life of their own and come tormenting you in your dreams by night. Or go about murdering dogs.”
  • When Liv wakes up from a horrific nightmare, her family comes running to make sure that she is okay. Florence asks her, “Did you see a ghost?”

Spiritual Content

  • To upset Florence, Liv makes sarcastic suggestions as to the horrible things that she and her family might be. She says they are, “hopelessly disorganized, or a kleptomaniac, a Republican, a Jehovah’s witness, or anything.”
  • The demon that the group conjures is the “Lord of Shadows and Darkness.” Anabel believes that he is all-powerful and dedicates herself to him like a god. This devotion stems from a time period in her youth when she and her mother were a part of a satanic cult.

          by Morgan Filgas

 

Surrounded by Sharks

Early in the morning, Davey wakes up in a small hotel room surrounded by his family. He sneaks out of the room because he doesn’t want to waste any of the vacation sleeping. Davey, with a book in hand, heads to the beach. The beautiful ocean is too much of a temptation for Davey to resist. When he sees the No Swimming sign, he decides to just dip his toes in the water. But the waves tear Davey away from the island and soon he’s miles offshore. He’s surrounded by water—and something else. Sharks are circling below the surface, watching, and waiting. Davey’s terrified he will become the sharks’ next meal. Then no one will find out what happened to him.

Northrop writes with the perfect balance of suspense and action. The short chapters allow the reader to see Davey’s struggle, the sharks’ thoughts, and the action that is taking place back on the island. As the people on the island search for answers about where Davey could have disappeared to, the reader knows that Davey is about to become shark food. Switching between perspectives keeps the reader in suspense to the very end.

Every character in Surrounded by Sharks comes alive and their unique personalities add to the story’s atmosphere. Although the story revolves around Davey’s predicament, there are also several other teens that make the story relatable. While Davey’s two-parent family is not shown to be perfect, they clearly love each other. Surrounded by Sharks is an easy-to-read, suspenseful story that will keep even the most reluctant reader turning the pages until the very end.

Sexual Content

  • Davey is distracted by a girl because “her T-shirt was so light that he could see her bathing suit right through it. Or, wait . . . was that her bra?”

Violence

  • A shark tries to bite Davey. When it attacks, “the black eyes rolled back in its head, and its permanent frown widened for the bite, revealing two rows of sharp, serrated teeth. BONK! It hit the water cooler bottle.” Davey has the air knocked out of his lungs but is otherwise uninjured.
  • A shark attacks Davey. As Davey is being pulled into a boat, “the smaller shark surged forward below the surface and clamped onto Davey’s leg, harder this time. It swung its head to the side with surprising power and pulled Davey out of Drew’s grasp and clean off the side of the boat. Davey’s head dipped under the water, and a mouthful of seawater slipped into his lungs.” Davey is saved.

Drugs and Alcohol

  • Davey sits by a bar stand on the beach and worries about getting drunk off the fumes because then he’d get in trouble if he was “stumbling back into the hotel room completely blitzed on alcohol vapors.”
  • One of the characters, Zeke, had “been out at the local bars the night before. It was what they called ‘a late night’ in most places. . .” Later Zeke is described as having a “faint smell of booze.”
  • A man at the bar stand tells someone, “Come back at eleven. Mimosas and Bloody Marys. Full bar at noon.”
  • A character goes into a liquor store, but his wife doesn’t approve.

Language

  • “Frickin’” is used several times.
  • “Oh my god” and “god” are used as exclamations several times. For example, after being pulled into the ocean by a riptide, Davey thinks, “Oh my god, I’m an idiot!”

Supernatural

  • None

Spiritual Content

  • While out in the ocean, Davey believes thata he sees land and thinks “Thank God.”
  1. Pages:
  3. 1
  4. ...
  5. 20
  6. 21
  7. 22
  8. 23
  9. 24
  10. 25
  11. 26
  12. 27
  13. 28

Latest Reviews